Art Lewin Celebrates 25 Years of Custom Tailorship

Celebrates 35 Great Years of High Quality Custom Tailorship

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Trish Cook Producer, Actress, Writer... AND PATRIOT

PAGE 22 Emily Letran Immigration Heritage Month

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Letter From The Editor

WELCOME READERS

to another issue of Hollywood Monthly!

On the cover of this month’s issue is Art Lewin, the owner of Art Lewin Bespoke, a leading company in the world of fashion and tailioring. This year, they celebrate their 35th anniversary in the industry! We take a look at Mr. Lewin’s journey and how his specialization in personalized garmets has led him to be in numerous other publications, as well as on TV and radio shows.

We also have Dr. Emily Letran, a favorite here at Hollywood Weekly! June is National Immigration Heritage Month, and as it is often overshadowed by all of the other titles of this month, she highlights the importance of it all. Emily takes us through her journey, starting from the moment she came to America as a 13-yearold girl and how her life has taken a massive 180 - in the right direction!

Feel like hitting up the theaters this weekend? This month's ROUNDUP has a movie for everyone! Get a sneak peek at some of the new releases. You might find a favorite!

Need something new to watch? We’ve got you covered! We’ve highlighted some new movies and TV shows coming out in the next month; you can find these in theaters or on some of your favorite streaming platforms.

We also feature some other incredible people: Trish Cook, Kim Quinn, Hope Lauren, Merv Griffin, Team USA, Laura Adkin, and Jenna Kanell.

Thank you, readers, for once again supporting Hollywood Weekly Magazine. We are nothing without you.

Prather Jackson

Prather Jackson Publisher

KINGDOM OF THE PLANET OF THE APES

FROM

ONE WAR TO ANOTHER, FIGHTING FOR A NEW KIND OF FREEDOM, Kingdom

of the Planet of the Apes has opened up a new chapter in this turbulent reboot of a classic series of movies. This film is a strong revisit to this land controlled by the beasts that triumphed over the humans, whom once thrived above all on Earth. In this new entry to the series, we turn the page to a new chapter to the creatures that have now overpowered humans and see what new conflict shall rise in the world that is now a shell of its former self.

Taking place many years after the war that led to the apes winning over the humans, we see the damage and new standard of life after the apes showed their newfound dominance on Earth. With apes now proving to be stronger and even smarter than humans, we see that they've

taken into the sport of hunting them, and overpowering the humans who have grown into this savage kingdom. However, when a young ape named Noa sets off on a journey of his own, it leads him to question everything he's been taught and will soon make choices that will define a future for apes and humans alike.

For many fans of this series, this feels like a return to what the original films, starting with 1968's Planet of the Apes had shown, but with many modern elements that the reboots have provided. Since 2011's Rise of the Planet of the Apes, fans have shown a tremendous amount of love for the beginning of the war between humans and apes to where it currently has led to at this point. While we are no longer led by Caesar, the one that led the apes to victory, with this film, we get to see the end result of the triumph

they managed to win for the future generations of apes, along with the loss of humanity henceforth.

This science fiction media franchise has made a name for itself in entertainment for the longest time, and has captured the attention of fans since the beginning back in the late 60's with the earliest film release. Even Pierre Boulle, the author of the novel "Planet of the Apes", was taken aback by the worldwide success and impact of the early films brought to the table. While Boulle passed away back in 1994, its certain that he has truly been honored through the sheer amount of craze that this reboot to the series has shown in its fans. While we have truly seen the sheer amount of love from fans and prosperous success these films have had, we will certainly see the same kind of passion in this new chapter of the apes.

FURIOSA: A MAD MAX SAGA

GOING FROM ONE TALE OF MADNESS TO ANOTHER, things are going to be different this time around, as we go back to a time before the journey that rebooted this beloved franchise. Considering the craze and the absolutely mad story that came from 2015's Mad Max: Fury Road, this prequel comes as the surprise of many. With director George Miller at the wheel of this post-apocalyptic story, we take another deep dive into the wasteland that the world has been reduced to.

In this new entry to the series, we find ourselves in the eyes of someone other than Max himself, but rather, the woman who became a tremendous fanfavorite in the last film: Furiosa. With the talented Anya Taylor-Joy starring in this standalone action adventure, we bear witness to the origins of this powerhouse character from the multiple Oscar-winning

2015 film, Mad Max: Fury Road. From her childhood in the Green Place of Many Mothers to her journey through the war of dominance that plagues the wasteland all around her, viewers will see it all.

In this film, we are given the opportunity to meet some new faces, and even some familiar ones along with them. While we are greeted by the warlord Dr. Dementus, played by Chris Hemsworth, viewers are also welcomed back by Lachy Hulme's Immortan Joe, as they fight for this ongoing war for power. With this story revisiting the origins of most key elements of the previous film, fans couldn't be more exuberant for what this story will bring to the table.

George Miller, the mastermind of this series starting all the way back in 1979 with Mad Max, has made sure fans, new and old, are feeling the continuous

drive that has been going strong since the humble beginnings to now. In this wasteland set in Australia, people have become engrossed by this dramatic story of former MFP officer, Max Rockatansky. While Max had been played by actor Mel Gibson in the series before transitioning to Tom Hardy in the previous film, fans have still followed this turbulant revisit to this classic story of revenge and redemption. This franchise has had a lot riding on what comes next after every new entry to the series, and with this sudden shift of storytelling, fans couldn't be more excited. Even George Miller himself has said time and time again that he likes making these films "because they're very addictive", and we couldn't agree more. With this film making a name for itself in this instance, we can safely say that this prequel will have plenty of action to feast upon.

THE CHI

THE SOUTH SIDE OF CHICAGO CARRIES DAILY DANGER, but not the kind of danger you might think. However, when it comes to the community you love, along with the people you cherish, you may find youself seeing the positives instead of the negatives. That is what makes The Chi stand out in terms of community, but what the series also shows is that you must choose your friends and foes carefully.

With the series renewed for its seventh season, The Chi has been a smash hit for viewers, and with the creative mind of creator Lena Waithe, we truly find ourselves enraptured with this compelling narrative that has continued up to this point. What The Chi manages to excel at, making it stand out among other awardwinning series, is the story tied to a robust and passionate cast of characters that have carried on from the beginning

to the present season. Since the series opening debut back in 2018, fans have been watching closely to the characters that have their own growth all throughout the many seasons, and have loved every minute of this coming-of-age tale.

The Chi shows that even the smallest and simplest of decisions can have life or death consequences for the residents of Chicago's South Side. While the kids and adults of the area try to make a living for themselves, we see how this community has evolved with each season. This coming-of-age series focuses on many characters, such as Kevin, a preteen who embraces growing up in the community he lives in, Brandon, who is in love with a girl named Jerrika, Emmett, seeking guidance from his mother, and Ronnie, a drifter. All of them are linked together by sheer coincidence as they seek

redemption in their lives, one way or another, as they continue to live their lives in this inevitably difficult world.

Through this captivating story of sheer growth and adapting to a world bound by success, its easy to see why viewers are in love with this journey to adulthood. With the people lost along the way and the enemies that soon become problematic, we can't help but root for the ones that we've seen learn and adapt to the greedy and powerful obstacles they face in each season. Where this show gives viewers a perspective is through the community that has been built up with every season, and through the trials and tribulations that this family of people must go through is nothing but impactful. With The Chi now in its seventh season, viewers already have a distinct feeling that things are going to be different this time, and are excited.

ROUNDUP ENTERTAINMENT

Digital Marketing Manager

Paramount Pictures

Calling all cinephiles! Dive into the world of social media as the Manager of Digital Marketing at Paramount Pictures. Collaborate with our dynamic team to craft and implement social strategies that ignite excitement and captivate audiences for our blockbuster domestic theatrical releases.

Influencer Communications Associate, Part-Time

Disney Experiences

As part of the Disney Experiences (DX) Global PR team, the role is responsible for identifying and supporting creator engagement, as well as analyzing campaign performance, and is part of a specialized bi-coastal team that works closely with partners across the segment to elevate stories among key advocates and content creators.

Video Editor

Cardone Ventures

As a Video Editor, you will serve as the official editor for all things Cardone Ventures, editing mission-based objectives and supporting content creation for digital. You should have expert knowledge of modern video editing techniques, be able to visualize directorial concepts and work according to a strict time schedule.

Media Operations Assistant

Louis Vuitton

Louis Vuitton is seeking a Media Operations Assistant to support the Media team across all online and offline channels and campaigns, ensuring operational excellence internally and externally. This position will lead all internal media tracking, supervise team finances, inclusive of issuing media authorizations, PO creation, invoicing balancing budgets while assisting with offline material production.

Creative Services • Product Designer

Creative Artists Agency (CAA)

In this role, they will work directly with the Designers and Project Manager and report to the executive lead of the Creative Services Design team. They will produce creative on a wide range of design projects including corporate announcements and messaging, Outlook email newsletters – internal and external, movie screening collateral, party and event invitations, trade ads, etc.

Regional Promotion Representative

Sony Music Entertainment

As a Video Editor, you will serve as the official editor for all things Cardone Ventures, editing mission-based objectives and supporting content creation for digital. You should have expert knowledge of modern video editing techniques, be able to visualize directorial concepts and work according to a strict time schedule.

Visual Merchandiser

Warner Bros. Discovery

Warner Bros. is continuing to expand and evolve the Wizarding World of Harry Potter and Fantastic Beasts with our Flagship Wizarding World store, in New York City. Your accountabilities are to collaborate with the senior visual merchandise manager and be responsible for multiple areas.

Sr. Director, Worldwide Publicity

Lionsgate

The Senior Director, Worldwide Publicity will report to the Senior Vice President, Worldwide Publicity as well as work alongside the Senior Vice President, Worldwide Publicity to assist in developing and implementing comprehensive publicity campaigns to promote Lionsgate theatrical releases throughout the lifecycle window.

Program Manager, Merchandising Operations

Netflix

We are looking for a Merchandising Operations expert to join a newly established Merchandising team. As key members of the Technical Merchandising team, Merchandising Operations Program Managers are responsible for driving the execution of all product merchandising strategies and programs.

2024 Seasonal: Social Media Content Producer

Tribeca Film Festival

Tribeca is seeking inventive and experienced Social Media Content Producers for its 2024 Festival. In collaboration with the Marketing team, the Producers will capture the best moments from the 2024 Tribeca Festival, produce interviews with filmmakers and talent, and create social-first editorial videos and photos to share across our various social media platforms.

Freelance Residuals Specialist - MarVista Entertainment

FOX Entertainment

MarVista, a Fox Entertainment Company, is looking for a Freelance Residuals Specialist with solid analytical and organizational skills. The Freelance Residuals Specialist will assist with Residuals and Participation reporting and will work closely with the Production, Business Affairs, and Accounting departments on various projects and will assist with various types of reporting and maintenance of files and documentation.

Animator

Walt Disney Animation Studios

We want versatile CG Character Animators who show outstanding understanding of acting, appeal, entertainment, weight, locomotion, anatomy, and dialogue. If you're funny too, that's a plus. We want artists with a strong point of view who put a personal spin on their work. All positions are based in our Burbank, California studios for Moana 2.

Lighting Artist

Walt Disney Animation Studios

We currently have an exciting opportunity for Lighting Artists to join our extraordinary, award-winning team at our Burbank, CA studio for Moana 2. Responsible for lighting, rendering, and compositing shots together with both character and environment renders into a final frame until it meets the vision of the Director, Production Designer, Director of Cinematography: Lighting, and Lighting Supervisors.

New Upcoming Releases

New Upcoming Releases

June 4 Only on Disney+

June 6 Only on Paramount+ The Acolyte

Criminal Minds: Evolution

Bridgerton: Part 2

June 13 Only On Netflix The Boys

June 13 Only on Prime

July 9 Only on ABC

Art Lewin Bespoke Celebrates 35 Great Years of High-Quality Custom Tailorship

Art Lewin Bespoke is a renowned name in the world of custom tailoring and fashion. In April 2024, they will be celebrating 35 years in business in Los Angeles, since 1989. Art Lewin has established himself as a master tailor and a go-to destination with locations throughout Southern California and Scottsdale, AZ for individuals seeking the perfect fit and style making Lewin one of the most successful custom clothiers in the country with over 23,000 clients and a state of the art 5000 square foot showroom in downtown Los Angeles. What sets Art Lewin Bespoke apart from other tailors is their commitment to craftsmanship and attention to detail. Every garment created at our main Art Lewin Bespoke location is meticulously handcrafted, ensuring the highest level of quality and precision. From selecting the

finest fabrics to the final stitching, every step of the tailoring process is done with utmost care and skill.

Art Lewin Bespoke offers a wide range of services to cater to the diverse needs of their clients. Whether it’s a bespoke suit for a special occasion, a custom shirt for everyday wear, or tailoring to an existing garment, Art Lewin provides personalized solutions to suit individual preferences and style. One of the key aspects that sets Art Lewin Bespoke apart is their emphasis on personalized service. Each client is treated with the utmost care and attention, with the aim of creating a garment that not only fits perfectly but also reflects their personality and style. Lewin takes the time to understand the client’s preferences, lifestyle, and body type, ensuring that the final product is a true reflection of their individuality.

Art Lewin Bespoke has dressed countless celebrities, business professionals, and discerning individuals who value impeccable style and quality. Their clientele includes Hollywood actors, musicians, and high-profile executives who trust Art Lewin to deliver the finest custom-made garments that make them look and feel their best.

Art Lewin Bespoke has established a reputation for excellence and has been recognized with numerous awards and accolades. Including their commitment to quality, craftsmanship, and personalized service has made them a trusted name in the industry with an impressive 94% client retention rate.

In conclusion, Art Lewin Bespoke is a true testament to the artistry and craftsmanship of custom tailoring. With their dedication to quality, attention to detail, and personalized service, Art Lewin has become synonymous with impeccable style and timeless elegance. Whether it’s a bespoke suit or a custom shirt, Art Lewin Bespoke is the destination for individuals who seek the perfect fit and style that truly reflects their individuality. Married to his beautiful wife Jamie. In his spare time, he enjoys time with his family and friends, fine dining, socializing, working out, networking, traveling, daily reading and many weekend getaways. In his timeless commitment to the community, Lewin has donated more than $1 million to the Salvation Army and other non-profit organizations within his community.

About Art Lewin

Art Lewin is the owner of Art Lewin Bespoke, one of the nation’s premier Custom Clothiers. Mr. Lewin is considered one of the world’s most trusted experts in his field and the premier Bespoke Tailor to California’s most prominent Corporate Stars to some of Hollywood’s movie stars and many titans in their field. Mr. Lewin has been featured in the Los Angeles Times, CNN, Wall Street Journal, Hispanic Business Magazine, GQ, Entrepreneur Magazine, Esquire, Los Angeles Business Journal, American Express, INC Magazine, Club Corp Magazine, CSQ, Beverly Hills Lifestyle and featured on numerous other publications, Television & Radio shows.

Art Lewin Bespoke plans, coordinates & maintains your wardrobe so you are perfectly attired for any occasion since 1989. Mr.

Art Lewin’s Resume

The Guru of Custom Clothing. MyFoxLA

One of nation’s premier custom clothiers. American Express

Top 500 Hispanic-owned companies in America. Hispanic Business Magazine

Winner Best Custom Tailors in Los Angeles. MyFoxLA News 11

Voted #1 Custom Clothier in Los Angeles. L.A. Downtown News

California’s Businessman of the Year. Wall Street Journal

Top 100 fastest minority-owned businesses in LA. Los Angeles Business Journal

Nominated as Businessman of the Year. CA Chambers of Commerce

Top 100 National Hispanic Entrepreneurs. Hispanic Magazine

Top Custom Clothier in America. Club Corp Magazine

One of the Best Dressed Men in America. Esquire Magazine

Top 500 Minority-owned Businesses in United States. Entrepreneur Magazine.

Listed on the national prestigious Inc 500/5000 list. INC Magazine

Lewin says that our clients tell us that our workmanship, knowledge, attention to detail & service makes it readily apparent why we have been able to establish such a loyal following. With an impressive 94% client retention rate. Mr. Lewin sat on the Executive Committee Board & Chaired the Membership Committee at the City Club in DTLA. A prestigious member’s only executive private club. A Platinum & Board Member of Presidential Inner Circle. He’s also the Founder of PBN a professional business networking group with over 10,000 online members.

Married to his beautiful wife Jamie. In his spare time, he enjoys time with his family and friends, fine dining, socializing, working out, networking, traveling, daily reading and many weekend getaways. In his timeless commitment to the community, Lewin has donated more than $1 million to the Salvation Army and other non-profit organizations within his community.

Art Lewin smiling alongside his beautiful wife, Jamie.

Interview With Art Lewin

By Brandon Webster

What motivates you the most in providing the best quality suits compared to other brands?

Art: My name is on the door and being the best in the business was my motivator from the start 35 years ago. Today, we are considered one of the premier bespoke suit and shirt makers in the world. And, I control the quality of our suits and shirts by making them in our main Los Angeles location.

What inspired you to select your career path into tailorship?

Art: It started by accident. I had dropped out of school and had 26 jobs by the age of 22. My last job was selling alpha-numeric pagers. And, one day I was door knocking in the business and I never looked back. I am still as driven as the day I started in 1989.

Do you have any preferred clientele to work with?

Art: In 1997, I decided to go after attorneys at that time - I knew that they had to wear suits on a daily basis, had lots of money and no extra time to go shopping. I decided to go to them offering them tons of time saving trips to the stores and it worked. Today, we have over 8,300 attorneys as clients and a total of 23,000 clients all together.

Tell us about a significant moment that you have experienced in your career.

Art: I have many. However, this one is about Hugh Hefner, the late founder of Play-boy. I used to admire him as a kid and one day about 24 years ago - I got to meet him briefly at one of Hollywood’s most amazing nightclubs called BarFly. I

found out that Hefner went in there with the playmates every Friday. So, I came up with an expensive idea to purchase a bottle service table every Friday until I became friendly with his security team and eventually Hefner. Finally, Hefner asked what I did for a living since I was spending about $2000 every Friday there to sit right next to his table and obviously I told Hefner what I did. From that day, he gave me the opportunity to make his trousers and shirts until his death in 2017. It was a highlight for me personally and professionally because I was able to tell the world that I was the one dressing him.

How does it feel to be one of the most leading custom clothiers in the country?

Art: Just like any professional in their line of work, It’s a pressure that makes you per-

form at a whole new level. It’s a good silent pressure that keeps you on your toes making sure that our workmanship, knowledge, attention to detail & service is what makes it readily apparent. It’s why we have been able to establish such a loyal following with an impressive 94% client retention.

In your opinion, what are the pros and cons to high-quality tailorship?

Art: A CON in our business is that In Savile Row in England, Each bespoke commission takes over 80 hours of handwork, and requires up to 8 individual fittings. The delivery of your suit will depend on your availability for fittings, and could be subject to time fluctuations pending demand. Here in the United States we do not have the luxury of time. However, we aim to deliver your suit within 4-6 weeks from your first appointment in which I consider a huge PRO. Even faster if needed to be.

How do you stay ahead of the curve when it comes to keeping up with trends within the fashion world?

Art: I drive my wife nuts about how obsessed I am about my business. I am always learning. When I say always, I mean every opportunity I have. I am always reading, googling & learning about my craft to make sure that I am on top of my game.

What inspired you to write a book?

Art: I have been keeping success notes/journals since I was 18 years old. I am in a field where I get to work with super successful business people. So, during Covid I had all the time in the world. I meet with 12 to 18 successful people a day and I tell everyone that I get 12 to 18 mini MBA’s daily. I decided to write the book and share with the world ideas on how to become successful in business. I wrote a book called Tailor Made Success for Entrepreneurs - sharing success nuggets from a few of my actual clients and myself.

Growing up, what were some of your favorite hobbies?

Art: Working out, reading, racquetball and also cycling.

What was a significant memory that you have in life that built you to the person you are today?

Art: When I was a kid, I was a semi-pro cyclist. My father was my coach and it taught me discipline & hard work and NOT TO

QUIT. My mother taught me perseverance and to be persistent and NOT TO QUIT. QUITTING OR TO KEEP GOING, they both hurt. I decided later.

Do you have any upcoming projects that you’re working on?

Art: YES... we are working on the OSCARS 2024 event - suiting up many of Hollywood’s most famous stars. As we have been doing so for the past 14 years or so. They are lots of fun. We also do the Emmys, Grammy’s and many other Red Carpet events throughout the new year.

What is a message that you have for the world?

Art: Do your best in your craft. Be obsessive in your craft. And, never ever ever QUIT if you’re doing what you love.

Trish Cook: Producer, Actress, Writer... and Patriot

By Brandon Webster

Here at Hollywood Weekly, we were treated to an in-depth conversation with the lovely, Trish Cook, an individual whose life story embodies the essence of perseverance and spiritual growth amidst the pursuit of Hollywood dreams. Born a patriot, as she described, near the 4th of July, Cook’s journey was anything but conventional.

From her early beginnings in Ohio, where she worked in a factory at the age of 15, her military family caused multiple relocations, 16 to be exact, and living on military bases in remote places. However, a surprising relocation to New Jersey, opened a door that led Cook to study and work in New York City. She was finally living in a place where she could pursue her secret dreams and career goal… to work in the entertainment industry.

Cook’s narrative is one of tenacity and hard work, values she learned early on. Her acting ambitions were often met with skepticism back home, with peers questioning the plausibility of her dreams. Yet, undeterred, she pressed on, navigating the highly competitive and often cutthroat world of acting auditions and the modeling industry. In one instance, she recounted an extraordinary gig as a Leg and Shoe Model for Ferragamo Shoes. Their Fashion Showroom was located in the beautiful Trump Tower on 5th Avenue in Manhattan. It was an exciting and a wonderful experience. She hoped Ferragamo would... maybe give her a pair of those beautiful and expensive shoes… but no on that one… ha.

Our conversation delved into Cook’s rich experiences, which included her foray into Christian Dior on Madison Avenue, her time on soap operas, and her patriotic spirit, which has been a part of her identity since birth. It also touched on the moments that shaped her career, such as her appearance on a talent show at the age of seven and her work as a florist, interior designer, and dance teacher.

We were also given a glimpse into Cook’s more recent endeavors, such as her involvement in the “God and I” documentary, a project that explores testimonials of extraordinary experiences and neardeath encounters This documentary holds a special place in Cook’s heart, as it challenges Western society’s hesitance to discuss spirituality and life’s profound questions. Cook shared a particulary moving moment from her acting journey, where she was cast in lead role, after auditioning for small part on a Feature Film Comedy. This film was directed by Frank Sinatra Jr., who was very kind and sometimes a tad playful onset to break the tension of the tight schedule of the shoot. However, the feature did not reach final edit stages because of the untimely passing of Lead Actor, Creator and Writer, Sid Milton. The film was never distributed.

Despite the setbacks and the emotional rollercoaster that comes with an acting career, Cook’s advice to aspiring actors is poignant: Embrace the spectrum of human emotions, be prepared for hard work, and stay committed to your passion, even in the face of rejection and disappointment. Her stories serve as a testament to the resilience required to make it in the industry, a resilience she

Unveiling the Divine in Our Journey of Self and Success

continues to display in her ongoing projects. Trish Cook offers a candid look at her life, a montage of stories about morality, faith, and the unpredictable road to success. It’s a narrative that not only highlights the importance of image and equality in society but also emphasizes the power of human perseverance and the transformative nature of personal experiences in shaping an individual’s journey.

INTERVIEW

Can you tell us more about the “God and I” documentary and what inspired its creation?

Trish: The ‘God & I’ documentary creation began because of an amazing and profound chance encounter with a person that I did not know at all. As an Independent Producer, I was attending the enormous and loud AFM (the American Film Market @ The Lowe’s Hotel in Santa Monica ). Because of the thousands that attend this huge Event (filmmakers worldwide), it was so loud for so many hours. So, I decided to slip over to the adjacent hotel for a quiet and quick bowl of soup before my next meeting. Actually, I was kind of hiding at a small table in the back, wanting a little quiet time… alone. To my surprise, a lovely lady and tall gentleman asked me if they could eat lunch with me. There were many empty tables… but they looked so kind and nice, so I said ‘yes, absolutely, please join me’. They were explaining to me their concept about a project with working title of “God & I”. Years later, they are my very best friends! Our “God & I” documentary will share with the world, testimonials of extraordinary experiences, similar to miracles that have happened to real people, in the real world. And, near-death experiences will be included as well.

You mention personal narratives that have impacted your guests’ lives. Could you share a particular story that resonated with you?

Trish: I recently filmed an amazing lady that was suddenly diagnosed with a muscle

disease that quickly attacked all the muscles in her entire body, including her heart. Shortly thereafter, she went into a coma, and was hospitalized. Although she was a candidate for heart transplant, her family abandoned her, including her husband and sister. She died while in that hospital. She shared with me everything that happened to her, before she was revived, and received a new heart. Her story too long to explain here, but an incredible and very very emotional for me hearing and recording it. A book was written about her experience, entitled “Shark Heart”. There are many true stories that will be onscreen for the world to see and hear the journey and transformation of so many.

Success and resilience seem to be a recurring theme in your discussions. Can you share an insight from the podcast on how these experiences shape individuals?

Trish: Life is a journey…dynamic, unknown, complicated and everchanging. But I have learned, grown and changed through the amazing people that have shaped me. Some I know, most I read about. And, I met a person that was very very poor as a child, in extreme dyfunctional situation that was abandoned at age 15, with nowhere to go, or money or relatives. Today, he is a world known teacher, philanthropist, and has had enormous impact on millions through his teachings. He says ’success leaves clues’… meaning, a person can be self-taught, well read and learn from methods of success of others. I agree. I have many many goals and mountains to keep climbing.

You touched on the significance of image and equality in the entertainment industry. What are your thoughts on this?

Trish: In this Industry, I have personally observed and believe EVERY individual is important, unique, with qualities and talents. We need each other. And, I believe all of us are more the same, than different. I, personally, have learned from people that I never expected to meet ever. The honor and priviledge to stand beside them on a project,

with people that were sooo different on the outside, from places from all over the world has certainly affected me. And what I have learned…kindness, listening and learning, but most of all LOVE. We need it, everyone needs it. On every set, we need people on both sides of the camera, creating, working, for the same goal of making something awesome. I believe in that… good stories, with positive messages.

Lastly, for those dreaming of a career in Hollywood, what advice would you give?

Trish: My advice is to follow your heart and be prepared for the hard work ahead. You have to embrace life experiences and use them to inform your art. Be aware that it’s not an easy path, but if you’re dedicated and can navigate through the ups and downs with tenacity, you’ll find your way. And remember, it’s not about instant success; it’s a journey of self-discovery and perseverance.

WRITER/DIRECTOR

Laura Adkin

On her new drama Uniting

By Alex A. Kecskes

Vancouver, BC-based writer/director

Laura Adkin began her career in the film and television industry almost 20 years ago. Starting as an actor, she soon moved behind the camera as a producer, writer, and director. As a filmmaker, Laura has produced films shown in festivals worldwide, stressing diversity and inclusivity on set and behind the camera. Laura was handpicked for a female directors initiative through Disney and was selected for the Women in the Directors Chair Career Advancement Module. Laura also served on the board of Women in Film in Vancouver and currently teaches at Vancouver Acting School.

In her feature film debut, Uniting, which Laura wrote and directed, Rachel (Michelle Harrison) receives life-changing news and secretly grapples with her mortality while reconnecting with friends at a 25-year reunion. There’s Carrie, mother of 3; Natalie, a workaholic neurosurgeon; former football star turned sportscaster Collin; and playboy man-child Danny. They join Rachel and her husband at their home on beautiful, secluded Bowen Island. As secrets are revealed, they are forced to change the way they look at their futures.

INTERVIEW

Thank you for taking the time for this interview. What inspired you to write Uniting? Have you attended one or two class reunions where secrets were revealed? Or drama erupted?

Laura Adkin: I never went to any of my reunions (laughs). But with social media, it's really easy to keep up with friends and classmates from the past. But in terms of Uniting, I had gone to a Toronto Film Festival a while back and they were screening The Big Chill, with the cast and director talking about the movie. I grew up watching The Big Chill, Steel Magnolias, and The Breakfast Club. I miss those 80's and 90's

ensemble dramas that delved into relationships and talked about deep stuff with irreverent and witty dialog. And I noticed that we don’t make movies like that anymore. Back in 2019, I was talking to a writer/director friend and that’s when the idea for Uniting solidified.

The casting was ingenious and marvelously diverse—a full spectrum of archetypes. Was finding that unique blend of talent difficult or did it just fall into place for you?

Laura: A little bit of both. I knew a lot of people personally or knew of them. For instance, Danny (David Lewis) is my husband in real life. Michelle Harrison is someone I knew and always wanted to work with. Her husband was one of my first acting teachers. Bronwen Smith and I teach at the same acting school and when I saw her in a play, she was phenomenal. I knew of Roger Cross and I had him in mind for the character of Collin. Three days before we went to camera, I called Carmen Moore and she came aboard after reading the script. For Michael, I chose Jesse L. Martin from the original Broadway cast of Rent. We all came in for the table read and it all magically came together.

If you had a choice, would you have wanted more time or a bigger budget for Uniting?

Laura: If I could only choose one, I would say just a bit more time. I would have loved one or two rehearsal days. Because it did take a day or two for everyone to get in the grove of the way that I shoot, which is very different. All the actors are fantastic, and highly experienced in television. But TV shoots in a very specific way. It took them a day or two to trust me in what I was doing. But it was during Covid and we didn't have to build relationships and just hang out.

Natalie, the workaholic neurosurgeon, is an interesting character. Do you see her as emblematic of some career women who regret the choices they made?

Laura: I think everyone has regrets and I wanted the audience to connect with one of the characters. It was a little bit retrospective because I don't have kids. I love them but they just don't fit into my life right now. So I wanted everyone in the film to have this "grass is greener" moment. I think, when we're in our early twenties, we

have this idea of what our life is going to be. When I look back to what I wanted when I graduated from high school and went to theater school, the ideas I had then were very different than what my life is today. I don’t regret anything but it’s interesting to look back.

I thought Rachel’s primal screaming underscored one of the major episodes of imminent mortality, which is anger. Is that what you were going for there?

Laura: I wanted to portray that need to just get it out. Even for the actors to release all of that. Shooting that was interesting because people near us were reacting to the screaming and they thought that someone had been injured (laughs). People were yelling back at us—are you in distress? I think a lot of us want to scream, but we don't allow ourselves to do that.

The scene where everyone's secrets come tumbling out was extremely powerful. What were you going for there?

Laura: I wanted it to be a huge buildup, one after the other. Then I wanted this big “explosion” at the end where everyone thinks their thing is the biggest. Then the major secret comes out and it’s bigger than everything else, which makes them look at their own thing and realize that theirs isn't that big of a deal. It's a long scene— nine-and-a-half minutes. I wanted it to feel like theater. I wanted the actors to give everything. One of the great things about working with incredibly talented actors is knowing that I was not going to overshoot the scene. Each of them gave 100 percent in one take, including when they weren't on camera. Everyone was playing

off the real emotions of other cast members, and that helped the dynamic of the scene. It was almost like the camera wasn't there. The most incredible moment on the set was when the crew, who were almost entirely young men, were all glued to the monitor during that dramatic scene. That’s when I knew it was going to work.

The finale with Rachel’s letters and the characters all sitting facing the lake felt like a healing moment. What were you going for in the end?

Laura: That was a big conversation— whether to do a voiceover read of those letters. But I thought, no, those letters are private and the audience doesn’t need to know what Rachel said to each of them. All we need to know is their reaction to the letters. I didn’t want to “overtell” the audience what was in those letters. I wanted the audience to make their own decisions about how they felt about them.

Now that you’ve jumped feet first into directing, what have you learned about this side of the business that surprised you?

Laura: I've done several shorts and directing a feature wasn't all the different from directing a short. It's just bigger and takes longer. The biggest learning curve for me was just getting the film out into the world. The amount of work it takes to get it into theaters and get people to go see it. The work my producer has done is unbelievable. For an indie, it has to be grassroots. We were on social media and doing whatever we can to get butts in seats.

Any advice for newbie directors just starting out or eager to break in?

Laura: Hire amazing people. You want

to be surrounded by people who are good at what they do. People who can take your idea and elevate it. Your crew is incredibly important and the more collaboration the better. As the director, it's your idea, your vision. But you have to be open to other people's thoughts and ideas because most of the time if you hire a great DP and costume designer, they will bring ideas that not only go along with your vision, but elevate it. Which may be more interesting and dynamic than anything you had in mind. And hire really good actors who know what they're doing. It's one thing a lot of new filmmakers don’t think about. They may just hire their friends but they end up spending a lot of time with newbie actors.

What were you like in high school?

The girl most likely to….?

Laura: OMG. Honestly, to be in the film industry. I was, well, I wouldn’t say bossy but I made sure everyone got their yearbook, that they signed up for things, and got their stuff in on time. I was a big go-getter. I wasn't very cool and I didn't have a lot of friends but I was very determined to make things happen.

Anything new in the pipeline?

Laura: Yeah. I'm in development for my next feature. I'm collaborating with Catherine McKenzie, whose new book--Every Time I Go On Vacation, Someone Dies--came out. She and I are developing a female-driven heist movie.

Roger Cross, Bronwen Smith, Michelle Harrison, and David Lewis

Jenna Kanell

On her roll in

Faceless After Dark

By Alex A. Kecskes

Known for her role as Tara in the horror feature Terrifier, as Carol in the horror classic Renfield, and as Nicole in the high-action feature Bad Boys: Ride or Die, Jenna Kanell has performed while riding motorcycles, stunt driving cars, airborne in harnesses, underwater with weapons, and in countless fight scenes.

Jenna recently delivered a TEDx Talk on the experience of stepping behind the camera for the first time, alongside her neurodivergent brother. She has since written, assistant directed, and produced features, directed and edited fundraising videos, and written and directed numerous award-winning short films with worldwide festival runs.

In the thriller Faceless After Dark, Jenna is Bowie, an actor with a dark side, who is ostensibly held hostage by an unhinged fan posing as a killer clown.

Thank you for taking the time for this interview. So given her penchant for sadistic violence, Bowie is not exactly a girl you’d want to bring home to Mom. What attracted you to the role?

Jenna Kanell: (laughs) Let me start by saying that in no way do I endorse Bowie's behavior. Part of what we were trying to establish in writing and making the film was to show someone who is morally ambiguous. In the beginning, you want to root for her when she starts out as the protagonist, but as the film progresses, Bowie's behavior becomes harder to justify. What attracted me to the role was the opportunity to get involved in writing the script so I had the unique opportunity to build Bowie's character from the ground up. It was just a huge honor and privilege to create Bowie.

I thought director Raymond Wood did an excellent job directing, with clever cuts, sounds, and scenes I’d never seen before. How was it working with him?

Jenna: I agree. I loved what Raymond did, even in post-production. You can see how much he cared about how everything was edited, the choice of music, and the evolution of the music and editing. He added a really cool meta to the film, where you’re watching the movie and it's taking on the same shape as Bowie is creating.

I’m almost afraid to ask but did you have a favorite scene?

Jenna: (laughs) Good question. There were a bunch of scenes that were fun to film. Even though it was one of the least pleasant scenes to film, Bowie’s panic attack was one unbroken shot that took several minutes. It was hard to bring out because I had to go to some dark places to speak to the truth of that moment. I just put out everything I had and thought that Raymond would edit it but we used the whole thing, which shows a huge amount of trust for the audience. The way he designed that scene and the way the sound warps, was something unusual I rarely see.

How did you mentally prepare for playing a girl with such bizarre inner demons?

Jenna: I did tap into some inner demons

of my own (laughs). I want to clarify that I have no homicidal tendencies. A lot of it was drawn from my own experiences in the horror film world, at conventions, and being online. I watched a lot of films like King of Comedy, Joker, and Taxi Driver where the protagonist morphs into the antagonist at the end of the film. I wanted to tap into that because I'd seen versions of that before. I also tried to tap into the catharsis of the film. The things we think about doing but shouldn't. I tried to imagine Bowie just letting go and what that would look like. Part of the success of making things like that happen was the diverse team of professionals Raymond put together. He made everyone feel a sense of ownership. It's an environment that makes it far easier to play in because it can't fail.

Toward the end, when Bowie was filming herself, after committing a series of unspeakable acts, what went through your mind as an actor?

Jenna: Everything. I don't remember what I was thinking because I was trying to be present in the scene and the moment. It was at the end of the shoot and the very last thing that we filmed. And I was exhausted, relieved, proud, and devastatingly spent. I wanted to tap into that and let it move through me as it arose. In Bowie's mind, she's essentially saying goodbye to the people closest to her. She's looking back at the devastation in her wake and now she's done and not having to try or care anymore. At that point, Bowie was just empty. And that was the evolution I was going for. The film is like a train where the audience gets on board in the beginning but somewhere along the line, you realize that the tracks are going to end and the train is hurtling toward the edge of a cliff.

Was there a film or actor that drew you into acting?

Jenna: Good question. Several films spoke to me early on. I'm a huge Lord of the Rings fan. I grew up watching it. Those books and films showed me something outside my reality in a world where different rules apply. I developed a sense of connection and adventure with those films. Al Pacino and The Godfather are also great examples where the main character starts as a protagonist

and develops into the antagonist. Another film I liked was Panic in Needle Park. It's dark and heart-wrenching but what I liked is that Pacino does so much without speaking. That he's able to tell the truth about fighting and living with addiction and substance abuse. He conveys these heavy truths without dialog.

You seem to be attracted to horror/ thrillers and action projects. Is there a romcom in Jenna’s future?

Jenna: (laughs) You know, there just might be. It might be atypical but I wouldn’t be surprised. You're right. I have done a lot of horror/thrillers but I don';t think a romcom is out of the question. I have directed some short romcoms so I'd love to be in one.

Were you ever injured doing stunt work?

Jenna: Yes. I have been lucky to avoid getting hurt many times. But there was a short

film I did during my early career. I was fairly new to stunt work and I had to jump out of the back of a moving car, roll on the ground, and point a gun at somebody. In one of those takes, I really messed up my shoulder. In Renfield, my death in that film, when Nicolas Cage kills Carol, I fly through the air in a harness and I was essentially rag-dolling through the air on a wire. While I didn't get hurt, I did have a bit of trouble walking afterward.

What have you learned about the film industry that surprised you?

Jenna: Good question. I learned that there isn't one path to get where you want to go. And regardless of the path you take, it's never going to be linear.

Any advice for young talent just starting out or trying to break in?

Jenna: My advice would be to get on set whenever possible. Go see what it’s like

without too much responsibility and just watch how the machine moves.

What were you like in high school?

The girl most likely to….?

Jenna: (laughs) It's funny you ask. The actual affirmative was "most likely to steal Mike Tyson's tiger." I did drama, martial arts, and some film projects.

Celebrating June, Our National Immigrant Heritage Month

By Dr. Emily Letran

Imagine a little 13-year-old girl coming to the US as a refugee with her aunt. Little English. No concept of culture. Lack of support. Life ahead was full of the unknowns.

Just like all the immigrants who came to the US, she struggled

Just like all the immigrants who came to the US, she was grateful for the opportunity and strived to achieve her goals.

The little girl was me.

Over the years, I have learned that everything in life happens FOR you, not to you.

When we came to the US, we knew we were starting over, whether it was learning a language, driving a car, or attaining a new career. As immigrants, we knew we had to work harder than others because we had more hurdles to overcome.

This month, in celebrating Immigrant

Heritage, I paused and looked back at what my life had been as a refugee in this wonderful country. All I have in my heart is deep gratitude for what I have received and immense pride for what I have achieved in the community.

Who would have thought the 13-yearold girl would one day attend the red carpet premiere of the first Vietnamese movie shot 100% in the US and represent the Los Angeles Tribune – Viet Nam Journal (LATribuneVN.com) for Cannes Film Festival in France?

Who would have thought that her children have the same opportunity as others and finish professional degrees at top universities in the country, standing shoulder to shoulder with other children of immigrants?

As citizens of this great country, we don’t just have the opportunity to change our lives. With the right connections, we can create impact beyond our lives.

On camera interview with Dr. Shellie Hipsky of Global Sisterhood

Showing off traditional dresses with Dr. Nelly Silva

In my journey of personal growth, I have had the privilege of working with Dr. Shellie Hipsky to support the Global Sisterhood, a non-profit entity that helps the women of the world through networking, providing resources, and when possible the funding to make dreams come true!

Along the journey, I also met my colleague Dr. Nelly Silva when we were inducted as Fellows in the International College of Dentists, an honorary organization recognizing its members for charity and community services.

Dr. Silva came to America when she was 8 years old because her parents wanted the very best for the family. She left a life of privilege and appreciated every aspect of her new life because of their great sacrifice. In dentistry, she explored her passion for the arts and science. She went through some low points in life and had learned that the same depression she endured has killed many of her brothers and sisters in dentistry as well as celebrities. Her mission now is to speak the truth about depression in all communities.

Although we came from different paths, we arrived at the same plan of action: to give back to the country that nurtured us and gave us the opportunities to grow.

This month, we celebrate Immigrant Heritage. It is my wish that Americans, coming from many countries in the world, treasure our past journey and unite to make this country great and beautiful for generations to come.

About Dr. Emily Letran

Dr. Emily Letran is a serial entrepreneur, CEO of several multi-specialty dental practices, and private coach to many professionals. As an international speaker, she has been on TEDx and shared stages with countless business leaders including Sharon Lechter (Co-Author Rich Dad Poor Dad) and Kevin Harrington (Shark Tank). She has been featured in several magazines as well as the media, Yahoo! Finance, Forbes, USA Today, and FOX.

She is a contributing writer for industry magazines and the author of several books. She hosts her signature events, ACTION To WIN seminar, in several countries. Dr. Letran has been knighted as a Lady of The Royal Order of Constantine The Great and Saint Helen for her work in philanthropy and offer business advice to entrepreneurs.

Dr. Jennifer Nguyen, Dr. Letran’s daughter, graduated from UCLA Dental School

KIM QUINN

ON THE NEW COMEDY AMERICAN DREAMER

By Alex A. Kecskes

Actress, writer, producer, and director, Kim Quinn has appeared as Ruth in the Oscar Nominated film, Hidden Figures; as Nurse Ana in the Golden Globe and Critics Choice nominated film, Saint Vincent; and as Jewels in the Western comedy El Camino Christmas. In television, she starred as Gretchen in the cult classic, Terriers; and as Holly in the thriller Gypsy. Currently producing The Goat for Netflix, she was cast as Regina in the Humanitas Award Winning film, The Starling also on Netflix, which she also produced. Quinn produces all her films through her production company Goldenlight Films alongside her husband, writer/director Ted Melfi.

In the upcoming film American Dreamer, Quinn is Maggie, the complicated and concerned daughter of Astrid, played by Shirley MacLaine. When a stranger, played by Peter Dinklage, moves into her mother's spare room, suspicions arise.

Based on a true story from Chicago Public Radio’s The American Life, American Dreamer follows Phil Loder (Dinklage), a twice-divorced, frustrated, underpaid professor of economics, whose grand dream of home ownership is tragically out of reach. When an incredible, once-in-a-lifetime opportunity comes his way, Phil strikes a deal with Astrid Finnelli (MacLaine), a lonely, childless, near-death widow who offers her sprawling estate for pennies on the dollar. But Phil quickly learns the deal is too good to be true. American Dreamer debuts in theaters this Spring nationwide.

INTERVIEW

Thank you for taking the time for this interview. What drew you to this film and the role of Maggie?

Kim Quinn: I was honored to get my name in the hat. Maggie is so wild and unpredictable. I loved that about her. Every daughter needs to protect her mother when Phil comes snooping around. She gets a little suspicious. It was a role that was filled with many emotions and Maggie wasn’t shy to show them all.

Did you audition for the role? If so, what was that like?

Quinn: I did behind the scenes. I didn’t have a specific audition. It was more of a meeting than an audition.

How did you prepare for the role? Did you know someone who has a cantankerous but kind, loving mother?

Quinn: I think everyone has a mother that has things that they can pull from.

You must have a favorite scene. Why do you like it?

Quinn: It was the car scene where I was crying. It was the most fun because Peter made me laugh the whole time. I'd been really lovingly annoyed with him. I would try to cry and whenever I looked at him, he would crack a smile. He would rib me and that was fun. Peter is so charismatic and giving. He's so compassionate and such a pure actor. He cares about every detail. That was the great thing about this movie— you're working with a legend. Before a scene, he's in character and working out the things he needs to do. There was such a respect that went along with all the actors. And it was comforting to know that your fellow actors are all on the same page.

What did you find most challenging about this film and playing Maggie?

Quinn: I don’t know, I have to say, I just loved every minute of it. If there was a challenge it was a fun challenge.

The large house featured in the film was quite interesting. Where was it?

Quinn: That was in Victoria, Canada. It was during Covid, so no one was around. We were on this island and it was just us. We just had a great time because you got to be on set with this little film family at a time when no one was seeing anyone.

You’ve worked every side of this business in film and TV. What have you learned about show business that really surprised you?

Quinn: I wish I could say I learned this and put it in cement but it takes so many years to learn little pieces at a time. And after you learn all these little pieces, there’s freedom on the other side. It’s where you can enjoy the process instead of not being able to breathe and grueling through it. Being on both sides of the camera is invaluable because you get to watch the scenes come to life. You get to watch the story being told. It’s all about storytelling and servicing the story.

What do you like better the writing or directing?

Quinn: I love to direct. I haven't directed in a long time but I'm working on a film right now—The Goat for Netflix— which I'm excited about. It stars Melissa McCarthy and Kevin Hart. We're also working on Ranger’s Apprentice for Skydance (based on the novel by John Flanagan). I love producing because I get to watch the film and story come to life before my eyes. And acting, the same. And when you’re writing, you get to disappear into the minds of the characters. So they all service one another.

American Dreamer is at times funny, sad, and uplifting. What do you see as the core message of this film?

Quinn: I think it’s the dream in general. It’s something that many people still think exists. I think American Dreamer shows that with tenacity, not giving up, fighting for what you want in life, and going through

all the ups and downs with it; if you hold on to hope long enough, it will show up for you. It might not be on your timing but on God's timing.

What advice do you have for young talent struggling to make it in this business—particularly acting and writing?

Quinn: Just dive into any aspect of the craft because there are many different sides to it. And don't put yourself in one area because you're going to learn to be a better actor if you get behind the camera. And if you're behind the camera, you'll learn how to be a better writer. They all service each other and you really cannot lose.

What were you like in high school?

The girl most likely to…?

Quinn: Oh Lord, I was the laughing girl. I got kicked out of classes because I laughed. I wasn’t the class clown but I did beat my own drum. I wasn’t in drama. I didn’t start acting until I was in my 20s. I was a dance teacher after I left high school. I had a lot of different jobs growing up. At nine years old, I was a paper girl. We were poor and I was taught that if you wanted anything you had to buy it yourself. So I grew up with an appreciation for hard work. My mother made me weed this long wall every summer. And now, guess what, I love weeding.

HOPE LAUREN INTERVIEW

On the powerful new drama Pure O

By Alex A. Kecskes

A versatile actor, who recently starred in CBS/CW’s drama series, The Republic of Sarah, Hope Lauren fans have come to know her as Corrine, a young high school teacher entangled in the complexities of nation-building, family dynamics, and matters of the heart. She can also be seen in IFC’s comedy feature, Bar Fight! written and directed by Jim Mahoney, in which she plays a hopeful starlet caught in the middle of a romantic feud.

Her other credits include Universal/ Blumhouse sequel The Forever Purge; CW’s Supergirl; FOX’s Fantasy Island; ABC’s Fresh off the Boat, Agent Carter, and Last Man Standing; HBO’s Togetherness; and Morgan Dameron’s directorial debut Different Flowers, which premiered at the Santa Barbara International Film Festival. She has also taken on memorable roles in MTV's Faking It and Awkward. Lauren has adroitly transitioned to the stage in her play BABY FOOT, a theatrical triumph highly acclaimed in New York and Los Angeles.

In the drama Pure O, written and directed by Dillon Tucker, Lauren is Emily, a musician struggling to support Cooper (Daniel Dorr), her fiancé, after he is diagnosed with a rare form of OCD. Based on the filmmaker’s own story, Pure O was nominated for the Grand Jury Award at the 2023 SXSW (South by Southwest Conference). Pure O is available digitally in the US, Canada, and UK.

Thank you for taking the time for this interview. What drew you to the role of Emily and this film?

Hope Lauren: When I first read the script, I was so moved by Cooper, first by his journey and diagnosis, then seeking help. And I thought it was really beautiful how writer/director Dillon captured her side of the story, her part in this partnership, and how she’s trying her best to help him. Yet at the same time, her plate is incredibly full and her life isn’t paused while this thing is happening to Cooper. I loved that he dealt with her in a generous and three-dimensional way. A lot of times, when I read a script, where I’m to play the girlfriend of the lead, it’s usually just that. Here, Emily was so fleshed out.

How did you prepare for the role?

Have you seen or experienced OCD in friends or family?

Lauren: I do have family and friends dealing with OCD. What’s really interesting about this film is that whenever I talked to friends or just chatted with someone at

the dog park, they would open up with someone they knew who had struggled with OCD. It’s interesting how the world opens up and you start gathering these little tidbits. And so when I started working on the film, I'd talk to friends and family and discover how prevalent OCD is, and how so many people suffer from all kinds of OCD. At the same time, Dillon and I talked about my preparation and he told me that I didn't need to do a ton of research about OCD. Emily doesn't really know that much about it and she's learning as she goes through this with Cooper.

What did you find most challenging about this film and playing Emily?

Lauren: Good question. I think that Emily is sort of disconnected from herself. She has to find herself, to look for something beautiful. She’s a character who is in her life but not necessarily connected to it. She doesn’t know herself completely. It’s always an interesting challenge to play a character that's floating through life. And at the end, we see her taking control and making a choice.

What went through your mind when Daniel placed that big knife on your throat as part of Cooper’s therapy?

Lauren: (laughs) It was a bit scary. We rehearsed that scene so much with a fake knife. I always felt that I could say stop if

Hope Lauren

I felt uncomfortable. But we did have one insert with a real knife that was incredibly blunted. It really spoke to the idea that Emily does trust Cooper.

Do you have a favorite scene? Why do you like it?

Lauren: When Emily is getting ready for the engagement party where she’s having these cute moments showing off her dress and we see her relationship with Cooper in a very playful state. I also really love whenever they’re in the bathroom, or crying about finding out she’s pregnant. Cooper wipes my tears away with his shirt and I blow my nose in it (laughs). I just love those tiny intimate details that reveal how connected they really are.

Nice duet you performed with Daniel. Are you a singer/songwriter too?

Lauren: Yes. In the very beginning when I’m in the shower and Cooper comes in, the song playing in the background is one that I wrote. But most of the songs are Dillon’s. I don’t have an album out. I usually just perform at small venues, coffee shops, etc.

What do you see as the core message of this film?

Lauren: It's about being brave and asking for help. That none of us can do this alone, that the only wrong way to do recover is alone. I sometimes have trouble asking for help. When I read the script, I was so moved by not only Cooper’s story but all the subplots within the rehab. Watching all

these people having grace with each other, holding space, and helping each other was a moving experience.

You’ve worked every side of this business from film and TV to plays and MTV. What have you learned about show business that really surprised you?

Lauren: Oh, that’s such a good question. From the outside, it appears that this business has just one pathway forward. You go out, you audition, you book things, then bigger things, and all of a sudden, you’re winning an Oscar. But then you come out here and you realize that you book things, there’s a break and book bigger things, then there’s a long break, then you’re a waitress. Then you’re booking things and you’re a waitress again. And then slowly, you just start finding little roles that speak to you. And there’s really no linear way to move through this work. So I just discovered that every day you're finding ways to be creative. You're self-generating and making things happen with friends and people you love and you just keep moving forward. And sometimes, you end up working with the same people and it becomes like a family.

What advice do you have for young talent struggling to make it in this business?

Lauren: Just don't quit. There have been so many times where I had no calls coming in and dealing with rejection after rejection.

And no money in my bank account. I've had those moments where you say to yourself, I don't know if I can do this anymore. But you just don't quit. You wake up and you just keep putting yourself out there. But with every job, you get to meet new people and hopefully, work with them and inspire each other. If you really love it, just don’t quit. And try to just make things with your friends. Even if it’s just getting together on a weekend.

What were you like in high school?

The girl most likely to…?

Lauren: (laughs) If you can believe it, I was head of the drama club and the girl most likely to go to Hollywood. I went to theater camp every year and begged my parents to move to New York or L.A. But I have six siblings so we didn't have the means to do that. So I found an agent myself when I was sixteen and started going out for things.

Was there a film or star that inspired you?

Lauren: I saw Titanic when I was really young. And watching Kate Winslet and Leo, I was so moved by both of them. Then when I got older, I watched Michelle Williams in Blue Valentine. They were all so emotionally raw and vulnerable. Almost emotionally naked on screen. And I thought, how brave that is. I wanted to be them one day.

Daniel Dorr and Hope Lauren Courtesy of Good Deed Entertainment

TEAM U SA WOMEN: REDEFINING FEMININITY WITH EVERY PUNCH, KICK, AND LEAP

Forget the outdated rulebook. Team USA's Pankration athletes are rewriting the definition of femininity, one throw, takedown, and submission at a time. Today's femininity embraces a spectrum of strength, defying the stereotypes of delicate or passive. These women are proving their dedication, skills, and resilience on the world stage, inspiring a new generation to redefine what it means to be a powerful woman.

As these women prepare to compete for Team USA at the World MMA Championships to be held in Romania in October 2024, they demonstrate that femininity is not about conforming to outdated gender roles, but about embracing one's true self and pursuing one's passions with confidence and courage. By pushing themselves to the limits and competing at the highest level, they are redefining what it means to be a woman in sports and inspiring others to break barriers and strive for greatness.

JEHAN IZHAR: MOVEMENT AS EMPOWERMENT

Jehan Izhar's story is a testament to the transformative power of movement. This martial artist from Lawton, Oklahoma, uses her skills to empower others and redefine beauty standards. Her journey began with a personal struggle – a battle with severe body dysmorphia that shifted her relationship with fitness from an adversarial one to a career focused on inclusivity and self-acceptance. This experience fueled her passion, leading her to become a black belt in martial arts and pursue a master's degree in Kinesiology. Today, Jehan's expertise extends far beyond physical training. She travels the world teaching aerial arts and pole dance, using her curriculum to promote inclusivity and empowerment, ensuring that everyone feels welcome and capable in her classes.

JENAE NOONAN: A CHAMPION FORGING A PATH

Team USA Captain Jenae Noonan isn't just a gold medalist – she's a media darling and a role model blazing a trail for future generations of female MMA fighters. Her achievements speak volumes: a coveted gold medal at the MMA World Games, recognition across various media outlets, and even being featured in a best-selling book titled "Fighter" that chronicles her journey to success. But Jenae's impact extends beyond the octagon. She uses her platform to empower and inspire other women, actively breaking down barriers and paving the way for a future where female MMA fighters aren't just accepted, but celebrated. Her unwavering dedication and trailblazing spirit make her a beacon of inspiration in the world of women's sports.

A FORCE OF NATUE, BOTH PHYSICALLY AND INTELLECTUALLY

Zee Althea's life story is a testament to the power of human potential. From a young age, this San Francisco native has always embraced challenges. However, her world was turned upside down when she lost her mother, a loss that plunged her into a period of deep grief and health struggles. Yet, Zee persevered. Today, she stands tall as a 3rd-degree black belt in martial arts, an accomplished fire dancer, aerial rope artist, and even a bodybuilder. But her achievements extend far beyond the physical realm. Zee is a scholar with two Master's degrees and is currently pursuing a Ph.D. in History. She shares her knowledge with the next generation as a respected instructor at Chaffey College and Mt San Antonio College. Zee's life is a testament to the power of perseverance and passion, an inspiration not just for her athletic and academic achievements, but also for her unwavering commitment to honor and integrity.

Lauren Manzano's story is one of unwavering determination and an unbreakable spirit. This warrior with a heart of gold has faced life-altering challenges, overcoming severe car accidents that resulted in a traumatic brain injury and post-concussion syndrome. Yet, adversity couldn't hold Lauren back. Her passion for Taekwondo, music, and cultural exploration has fueled her journey, shaping her into the strong and determined individual she is today. Her academic achievements mirror her martial arts prowess – Lauren holds a BA in International Studies and Conflict Resolution from UC Irvine, with additional studies at Seoul National University. A talented athlete and inspiring teacher and coach, she dedicates her life to helping others achieve their dreams. She is a living example of constant growth and self-improvement, speaking multiple languages and immersing herself in various cultures.

ZEE ALTHEA:

LAUREN MANZANO: RESILIENCE FORGED IN FIRE

Beyond Competition: A New Definition of Femininity

Jenae, Jehan, Zee, and Lauren are more than athletes competing for gold. They are shattering stereotypes, proving that femininity can encompass strength, power, and unwavering dedication. They represent a new wave of athletes who are redefining what it means to be a woman in a sport traditionally dominated by men. Their stories challenge us to move beyond narrow definitions of femininity, one that celebrates strength, passion, and the pursuit of excellence in every form.

Join the Journey: Support Team USA

Team USA's Pankration athletes are self-funded, relying on the support of fans and sponsors to achieve their dreams. Their journey to the World Games is an embodiment of their unwavering dedication and pursuit of excellence. Every donation, every shared story, and every message of encouragement brings them closer to their goal. By supporting these athletes, you're not just helping them bring home gold; you're contributing to a larger movement – one that redefines femininity on a global stage. Visit www.usafpa.org to learn more about these inspiring women and how you can be a part of their journey or scan the QR Code to be a part of their journey.

THE EXOTIC ESTATE OF MERV GRIFFIN, HOLLYWOOD'S RICHEST PERFORMER

As a man of many accomplishments, as well as the creator of America's greatest game shows, "Jeopardy" and "Wheel of Fortune", Merv Griffin was a multi-talented entertainer whose career has spanned over six tremendous decades. Creating these shows in 1983, Griffin's influence in the entertainment industry has shined a light on game shows that were created so forth, which has continued to last to this day. While he unfortunately passed away back in 2007, his grand estate in La Quinta has lived on and has been on the market for any buyers who are open to it.

With the tremendous reputation behind his name, the legendary show creator had a legendary estate tied to his name, which has a lot of people curious to what it was like to live like Merv Griffin. With how this man lived his life in the heights of La Quinta, a desert resort city in California's Coachella Valley, he definitely lived in style. One look at the estate is enough to show that when it came to living a lavish, yet comfortable lifestyle, you could agree that someone like Merv Griffin had it all.

This estate listing has been managed by Mauricio Umansky and Zach Goldsmith of The Agency, and has been brought up for sale at a whopping $36 million. A price that steep would leave you reconsidering, that is until you step through the doors and see what make this estate worth every dollar and cent. As the crown jewel of the La Quinta area, this unique estate holds a lot of heart and a lot of land, with 40 acres of land which includes seven seperate residences to boot.

With a creative fusion of California's modern and Morrocan influences in the architecture, this luxury home was inspired by Yves St. Laurent’s Marrakesh and designed by Waldo Fernandez, a very influential Los Angeles interior designer. This fusion compliments the grace of Coachella Valley with the property's extensive grounds, with many palm trees and an expansive orchard with fruits, including the iconic King Fig Tree, one of the largest in the local area. Also, if you fancy yourself a fan of equestrian activities, there are stables and a full-on racetrack to gallop on. Afterwards, you

can enjoy a nice, refreshing break in the pool and take a load off with the dramatic views of the surrounding mountains and nearby Lake Merveilleux as a sweet cherry on top to the experience.

Going inside this estate, you will see the graceful living space that spans a solid 5,409 square feet has a surprising amount of character attached to it. With stunning white walls and wooden accents, this home has a good feel that retains the Morrocan influences, supported by the colorful lamps that add to the overall aesthetic and theming. With entertainment areas and living spaces that shine with character, the thirteen bedrooms and twelve bathrooms in this home provide a lot of comfort to residents and guests alike.

This estate has a lot of notoriety with the many famous figures who had come to Griffin's home, as he hosted many events and parties where many celebrities gathered. Many names such as Ronald and Nancy Reagan, Robert Loggia, Eva Gabor and Zsa Zsa Gabor being good

friends with the late Merv Griffin, he had been considered to be an excellent host with many accommodations to his guests. This place even has two additional homes next to the main building, the West Building (1,568 square feet) and the Gate Building (1,708 square feet ), which provide additional housing for any number of guests or staff. While many could see this as the perfect party house for many special occasions, this living space can also be seen as a nice, comfortable vacation home for friends and family alike.

About Merv Griffin

Now if you thought the $36 million property was interesting, the man himself who once lived in it has a lot more notoriety. Merv Griffin's name may ring familiar with the classic television show from the 60's to the 80's, "The Merv Griffin Show", but his presence in the entertainment world holds much more water than just that. Being the creator of both "Jeopardy" and "Wheel of Fortune", Griffin's name holds a true influence to how game shows are to this very day.

Merv Griffin got his start in entertainment in the music industry, as a big-band singer that toured and even managed to start his own record label. In 1950, Griffin scored big with the release of his #1 box office hit “I’ve Got a Lovely Bunch of Coconuts”. After many performances, Griffin was discovered by Doris Day and appeared in several movies in 1954, giving him a big break that shifted from music into television.

After working with Warner Bros. for a period of time, Griffin began to develop and host game shows. This included "Wheel of Fortune" and "Jeopardy", and even another show called "Play Your Hutch" that lasted from 1958 to 1963. It wasn't until 1965 when he began "The Merv Griffin Show", which ran for 21 years and garnered 11 Emmys, featuring guests such as Andy Warhol, Norman Rockwell and Salvador Dalí.

In 1986, Merv Griffin retired and sold his production company, Merv Griffin Productions, to Colombia Pictures Television for $250 million. Being declared Hollywood’s richest performer, Griffin died in 2007 at the age of 82, leaving behind a powerful influence that carries on today.

This is one of the many bedrooms that this estate has to offer, with views all around to wake up to.

The games room features a unique wallpaper that fits nicely with the home's overall aesthetic.

The racetrack, where Merv Griffin once rode around on with champion racehorse, Stevie Wonderboy.