HOLLYWOOD WEEKLY 1
CONTENTS
Elizabeth An and Catherine An PHOTOGRAPHER Irwin Jazmines
COVER
December 2010
06 Crustacean Beverly Hills Captivates all the Senses!
ENTERTAINMENT 10 Rock With You
Celebrating the Music of the King of Pop LATIN Style
Email: editor@jacksonpublishing.com. For Advertising inquiries call: (323) 934-6397 or Online at: www.hollywoodweekly.net
16 Michele Vreeland
PUBLISHER, EDITOR IN CHIEF Prather Jackson
24 Scene In LA
VICE PRESIDENT Bernice Harris
56 Spotlighting
OPERATIONS Erskine D. McSwain (1991-2000)
Never Not Myself
With NIKI SHADROW The Best of 2010
76 La Theatre Beat Down Home Charm
FASHION 14 Top Five Women’s Winter Must-Haves
18 Mikey Koffman Behind La Fashion Weekend
23 HW’s Holiday Gift Guide For the Lady in Your Life
BEST OF HW 2010 29 HW’s A Look Back
VP MARKETING Michael D. Coxson VICE PRESIDENT OF INTERNATIONAL AFFAIRS Parandis Khalili ASSOCIATE EDITOR Anthony Calderon
DIR. OF MARKETING Launy Rhem
PHOTOGRAPHY Irwin Jazmines
LIFESTYLE EDITOR Niki Shadrow
PRODUCTION MANAGER Hector Santacruz
SENIOR EDITOR Pamela Spyrs CREATIVE DIRECTOR Autumn Hawarden DISTRIBUTOR NEWSWAYS STAFF WRITER Toria Gaylord ASSISTANT EDITOR Jenny Werth
CONTRIBUTORS Anthony Calderon Leah Michele Yananton Sarah Klegman Adam Freeman Pockross Rachel Stuhler Leah Yananton Rayne Sieling Steve Zall Sid Fish Lauren Selman Zoi Patra
WEBMASTER Autumn Hawarden
Hollywood Weekly is a monthly publication wholly owned by Jackson Publishing Company. ©2010 All Rights Reserved. Reproduction of any content without written permission of the Publisher is expressly prohibited. Letters to the Editor may be sent to: Hollywood Weekly, 4221 Wilshire Blvd., Suite 290-06, Los Angeles, CA 90010.
HOLLYWOOD WEEKLY 3
Pamela and Zoi
Senior Editor’s Note December 2010
As yet another year comes to an end many find themselves reflecting on the happenings that took place this past year. We’re no different here at Hollywood Weekly. We also took a walk down memory and looked at stories we published that captured our reader’s eye. With that in mind our December issue is a compilation of stories taken from various issues throughout this past year highlighting the Best of Best in 2010. While keeping in mind our philosophy, No Gossip ~ Strictly Entertainment, we continue to focus on delivering true stories about those who are in front of the camera to many who are working behind the scenes of multiple industries related to entertainment. We expose those who dream, create and live inspirational lives. Each story written takes you on a journey through the lives of extraordinary people. People who are seen on the red carpet, producing their own films, cooking it up in the kitchen, establishing their own company or creating a masterpiece. Some may wonder who are these individuals, where are they from and how exactly does their work connect them to the entertainment industry? Quite possibly they are merely people who believe in creating the life they love to live and are influencing positive change in Hollywood and beyond! As you read ahead you will be able to identify this yourself. In addition to my role as senior editor at Hollywood Weekly I am founder of INSPYRS, a company based on showcasing the humanitarian efforts of talented artists and innovators with a primary focus on “inspyring” others to “Dream It ~ Live It ~ Inspyre It”. And that’s exactly the types of stories we like to share with our Hollywood Weekly readers. We hope you enjoy reading our “Best of 2010” issue. We’d love to hear from you. You can find us on facebook and twitter or visit our website: www.hollywoodweeklymagazine.com Happy Holidays from all of us at Hollywood Weekly! Peace & Inspyration, Pamela Spyrs, Senior Editor
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COVER
The A-lister hot-spot that defines what a restaurant experience should entail.
Catherine An & Elizabeth An
CrustaCean Beverly Hills Captivates all the Senses! “Crustacean is the Hollywood spot for friends in the music industry and the equivalent in the OC is AnQi.�
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Written by: Jenny Werth Photo by: Irwin Jazmines
Toss the An family’s
Crustacean is the Hollywood spot for friends in the music industry and the equivalent in the OC is AnQi.”
restaurant fervor, culinary inventiveness and passion for delicious memories together and you end up with Crustacean Beverly Hills. Few restaurant groups have the impenetrable family bond that the An family shares. Even fewer boast an 80foot, see through ’walk on water’ Koi pond under your shoes. But, when it comes to this creative family, nothing is impossible. Crustacean is the flagship restaurant in the House of An’s award-winning portfolio; but their other restaurants such as AnQi and Tiato are already winning prestigious awards! CEO of Crustacean, Elizabeth An, chats with Hollywood Weekly about Crustacean’s philosophy for success, culinary gusto and the exciting things happening at AnQi! Plus, she shares some of her mother’s, executive chef Helene An, most coveted menu items by some of Hollywood’s brightest stars! Mind you, the first restaurant in the An family was a little deli in San Francisco started by Elizabeth An’s grandmother in 1971. From there, the empire just continued to flourish. Twenty years later in 1991, the first Crustacean was opened in San Francisco. And as they say: the rest is history. Elizabeth An grew up in the restaurant business and soaked in every thing required to be a triumph. So really, it’s no surprise she’s had such great success since opening Crustacean Beverly Hills in 1997. Elizabeth An is a woman of strong integrity and admirable business sense; she’s as diverse as Crustacean’s amazing menu and still finds time to give back to numerous foundations throughout LA. Recently,
An Catering was formed; it’s known as the “star caterer to the stars.” Elizabeth’s baby sister, Catherine An, is managing partner of the catering business and another House of An restaurant, Tiato. It’s all kept within the family; even the secret ingredients in the ohso-scrumptious dishes. People from all over the world consider Crustacean the ‘go-to’ restaurant, and now relish in the opportunity to have their own events catered with its amazing food!
HW: Crustacean is a huge hit in Beverly Hills and the rest of Los Angeles.... what do you think makes it so unique from other restaurants? An:. I think the fact that we don’t believe in that whole ‘Hollywood attitude.’ When a customer comes to the restaurant, they know they will have a great meal. And Crustacean has an established atmosphere, it’s not ‘flighty;’ it’s consistent. People know they’re going to get great, warm hospitality. Celebrities don’t get bombarded here, we don’t let paparazzi come into the restaurant and bother them. It’s a home away from home. Here the food is consistent and our staff is always hospitable.
HW: Many restaurants are going under in this difficult economy... why
The An Family HOLLYWOOD WEEKLY 7
lamb chops. My mother also has an incredible steamed sea bass dish with ginger scallions and lemongrass.
HW: WHat are some CeleBrities’ favorite disHes at CrustaCean? An: Magic Johnson always comes in for his garlic noodles…. he came in recently to get his fix of them. Will Smith loves his crab puff (an appetizer) and has a double order of it! Leonardo DiCaprio loves his lobster. Catherine Zeta-Jones loves the Mama’s Dragon Scallop Fried Rice. Jessica Alba has a private room here that she loves. It’s a private room for our Hollywood friends.
“80 ft walk-on-water Koi pond
does CrustaCean Continue to tHrive?
Koi and water lily pond. world sensibility.
AN: It’s because we’re a family business so when things get tough, we slim down and we put a lot of our own sweat into the restaurant to make sure the high caliber and service is still there. Other restaurants that don’t have the owner interests suffer in a challenging economy. Again, it’s a matter of consistency. People come to Crustacean because they know the food is always consistent, plus there’s always a family member on the floor, and the service of the staff is always consistent too. We’ve created a safe haven.
HW: Please disCuss tHe menu. WHo Came uP WitH tHe menu items? are tHere any ‘family reCiPes’ on tHe menu? Please also inClude any drink sPeCialties tHat are unique.
HW: Please disCuss HoW you got tHe faBulous and unique ConCePt of Having a glass floor WitH a vieW of tHe fisH. WHo did tHe interior design of tHe restaurant? An: I always love to do the impossible. It’s my ‘walk-on-water’ concept. I wanted to make it practical and it all came out. I do all the interior aspects of the restaurant myself and then work with an architectural firm. The concept was inspired by my grandfather’s family estate in Vietnam. It makes you feel that you’re eating in the courtyard of our family estate surrounded by the bamboo garden while overlooking the
It’s a classic, old
AN: We have a really great bar! We hired an award wining mixologist and put together a fabulous selection of cocktails using all natural ingredients. We’re a high-end bar but really healthy too. We use only fresh berries, fruit and vegetables in our drinks. Our cocktails are hand muddled and hand pressed. This is all keeping within the House of An philosophy to ‘eat green, live green and think green.’ A few popular cocktails are The Beverly and the Lavender GooseBerry Mojito. As for the food, Crustacean is what we call Euro-Vietnamese fine dining. It has a twist of Japanese, Italian and French influences. It’s ‘east-meetswest’ at Crustacean. It’s not Japanese or Chinese; it’s Vietnamese with a EuroMediterranean flair. One signature dish that’s a must have is the crab. Be prepared to lick your fingers and have a good time! Also be sure to try the lobster with garlic noodles. And if you’re not a shell fish lover we have awesome
HW: HoW Would you desCriBe your CHain of restaurants? is tHere a Common ConCePt or
FRIDAY DECEMBER 31 WE’RE CELEBRATING ALL DAY & ALL NIGHT!
Live Concert INDUSTRY FAV
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POP-VIOLINIST Josh
Vietti
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Rick Vanderkleijn
RECORDING ARTIST
CELEBRITY CHEF HELENE’S NEW YEAR’S EVE A LA CARTE MENU
11:30AM – 10:00PM
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“Crustacean is a celebrity home-away-from-home.” tHeme BetWeen tHem all? AN: A. Yes, there is a common thread between the House of An restaurants. Crustacean is more traditional while AnQi is more progressive. AnQi is what we call a ‘CaliforniaVietnamese’ restaurant. The common thread is the fact that at each of our restaurants we always serve the garlic noodles and everyone loves that! During the holidays in just one month we did 3000 orders of the garlic noodles at just Crustacean. Within the House of An chain you always see the garlic noodles and a family member in the restaurant! And with all House of An restaurants there’s always a little touch of Vietnamese. At Tiato in Santa Monica, we have our own version of the eggs benedict and the French toast. It’s called Eggs on Bao and Viet toast. There’s always an Asian sensibility inspiring all our dishes and my mother makes sure that she checks every single recipe.
HW: Please tell me aBout tHe entertainment in tHe restaurant. WHat kind of musiC do you Play? An: We play ‘loungey’ music at Crustacean. There’s a piano bar and lounge and everyday we have a one to three piece piano band.
HW: Please tell me aBout tHe neW restaurants House of an oPened! An: Tiato and AnQi are our new babies, 2011 will be very exciting for House of An. Although many restaurants were closing down, we opened AnQi in the middle of the recession! It just turned one! And Tiato was opened this July in Santa Monica. AnQi is doing great; it has a molecular menu and was just voted #1 in Southern California by Gayot. Kobe Brian comes in a lot with his wife Vanessa and Magic Johnson also goes there. And all the OC housewives visit AnQi all the time. Taylor Dayne loves it so much she’s singing there for New Years! Even Ziggie Marley to Dave Stewart and Robin Thicke has performed for us at AnQi. Crustacean is the Hollywood spot for friends in the music industry and the equivalent in the OC is AnQi. To continue your Hollywood experience in the OC just go to AnQi. And don’t miss the fashion show and dinner at AnQi every other month on Wednesday evenings!
Cathy, Kourtney Kardashian and
Elizabeth and Dave Stewart of the Eurhythmics at AnQi
Scott Disick at Tiato
Elizabeth and Selma Blair at AnQi ANQI Halloween Party 2010
neW year’s eve Parties at CrustaCean and anqi! This New Year’s Eve there are two fabulous parties to choose from! To hear the hot pop-violinist Josh Vitti, or recording artist Rick Vanderkleijn, head on over to Crustacean. He’s going to play three twenty-minute- sets starting at 8 p.m. In between there will be a band headed by keyboardist, Joel Scott. Joel’s played with top musicians such as Michael Jackson, Stevie Wonder and Aretha Franklin. The celebration will include a five-course beautiful dinner by Helene An; a champagne toast, dancing, balloon drop and more. Cost is $140this includes the meal and concerts. Call 310-205-8990 for reservations. At AnQi located in the beautiful South Coast Plaza in the OC, there will be a progressive and hip party! Taylor Dayne is headlining! Plus there will be fantastic theatrical performances and a DJ for dancing! There’s even a yummy breakfast bar that will be open until 3 a.m. For more information call 714-557-5679.
Get reAdy tO CAll in 2011 in Style! HOLLYWOOD WEEKLY 9
STAGE
rock With you
Celebrating the music of the king of Pop latin style The King Of Pop Latin Style sounds simple enough and attractive in concept: a stage show that takes the music and moves of Michael Jackson and re-imagines them with the rhythms and flavors of the Latino dance culture, right? And indeed, the show, which runs from December 23rd through January 2nd at North Hollywood’s historic El Portal Theatre, is wildly entertaining and accessible in the most immediate of ways . . . . but like all new productions, getting it to the stage has been far more complicated. For creator, director, choreographer and lead performer Seaon Stylist-Bristol and Producer Helen Azevedo, Rock With You is the result of years of seemingly unrelated choices and events that placed them on a fortuitously inevitable track that would land them in the same place at the same critical time for each of them, and for the show.
Though Stylist-Bristol begins his account of Rock With You’s origins with the sudden death of The King Of Pop, the chain can be traced back to his own beginnings as a child in Guyana. The performer may be well traveled and on his third passport, but the Caribbean and Latin cultures of his youth and their artistic traditions are ingrained in both his conscious mind and his subconscious tendencies. Thus when he moved to New York in his teens to pursue his singing and train in other performing arts disciplines, it was salsa dancing that kept pulling him in. And while this show incorporates a number of dance styles, including bachata, merengue, reggaeton, Afro-Cuban, jazz and Latin-Jazz, Seaon is still best known and loved around the world as a salsa dancer, master instructor and choreographer, a profession that kept him “traveling every weekend for the past 15 years.
It was Seaon’s reputation as “the best” and in some cases “the only” technical “NY On2 Salsa-style” dance instructor that brought the passionate dancer and the show’s enthusiastic executive producer together. Azevedo, who is also Seaon’s manager and most vocal supporter says, matter-of-factly when asked what the end goal of this show is, “You’ve GOT to hear him SING! Seaon has an extraordinarily beautiful, 2 1/2 octave tenor voice with a unique lyrical quality to it, He’s a natural entertainer and actor, is totally comfortable on stage, obviously enjoys every minute of what he’s doing, so the audience can’t help but fall in love with him.” Helen Azevedo, a former producer, personal manager (Erik Estrada, Viva Brazil) and professional dancer in her own right, lived a separate life where she had been working in the entertainment industry, in nonprofit management and as a university level language instructor, among other things, until three years ago when she divorced her long-time husband and started fresh. She explains, “the most natural thing for me to do socially to get back in “the swing of things” was to go salsa dancing…But after a few events I realized that two concussions and other injuries I had suffered in a recent auto accident had really screwed up my balance and my footwork.” Her next task was to find someone to help her “retrain” her body to dance again and especially to turn. “After many months of searching, all roads led to Seaon.” This was just last February . . . only days after Seaon performed the
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Cast/Family/Production
Nikki, Seaon, Hera
Seaon with his mom, his kid brother and his grandmother after the SF workshop
Hera and Christina
Helen Azevedo
Executive Producer, Helen Azevedo
Erik & Nikki
Project Manager, Christina Tica, Seaon, Asst Choreographer, Carina Fourmyle
Seaon, post show, with his younger brother, Stefon.
first workshop of the show OUTSIDE of the salsa community, at the Cowell Theater in San Francisco. This was also only a few months after Michael Jackson’s death, an event that Stylist-Bristol says “the Latin community never got a chance to properly honor in their own way.” The show is not a tribute, though, and both of the principals involved are careful to emphasize that they created the event as a stylized celebration of the music, moves and legacy of Jackson, but also a celebration of Latino culture and the arts. And what better time to do this than Christmas???!!! “I know this will bring something different to the holiday season in addition to the standard Christmas shows we’re all accustomed to seeing,” he said to me when asked to explain the choice of Christmas for the short L.A. run, “And we’ll be doing some of the songs that Michael did as a child with the Jackson Five, including some Christmas songs.” And as it is an alternative choice to the usual holiday fare, Rock With You is also an alternative to live musical shows as a genre. Even in Los Angeles, with our enormous Latino population, there are still, unfortunately, a limited number of events that embrace the Latin community as an important constituency of the mainstream audience, and even fewer that actually dare to be innovative. It was this way of thinking, as well as improving and reviving her own dancing “chops” that initially
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drew Helen to want to work with Seaon. They initially agreed to work together as a trade, his instruction for her help promoting the show, but now the relationship has blossomed into a full-on partnership, and the sky’s the limit in terms of what the artist is capable of achieving. Azevedo sees Broadway as an inevitable landing spot for him, either in this particular show, or helming another dance-musical vehicle. “As soon as I saw what he was doing, I was knocked out. I loved it and I wanted to help get it out to the mainstream,” It’s so much fun, so joyous . . . that you can’t help but join in” she notes about the show, making it clear she is not just an investor or someone looking to exploit the situation. She has become involved in every aspect of the production and Seaon’s emerging career. She’s in it for the long haul and its success will be hers as well as his. In addition, there are a number of other artists involved in the show, from the cast to the crew. “It includes total of 16 dancers, an eight piece Latin-jazz band and the Harmonies Girls Choir who will be performing two medleys and an additional song with Seaon. The choir will also be the beneficiary of the show’s Fundraising Opening Gala on Sunday, January 26th after the 7pm show” This family of performers will bring their sense of community to the El Portal Theater for their nightly shows, including 2 shows on Saturdays and Sundays,
which means 2 shows (6pm and 9pm) on Christmas Day and New Years Day, creating an ideal way to continue your holiday celebration with the entire family and expand the circle to include other friends, colleagues and loved ones And if you think the production is geared toward a Latin-American audience, think again! Latin rhythms are as ubiquitous as Coca Cola today. We expect the audience to be just as diverse as the music of The King Of Pop is. “When we did our workshops, in San Francisco, New York, and Germany, we definitely had a wide demographic of nationalities as well as age groups.” As Helen explains, putting the show on for the holidays creates a perfect evening excursion after “all the presents have been opened, the monumental dinners served and dishes cleaned up and all the football games watched and discussed.” The music of Michael Jackson is powerful in ways that transcend cultural and physical differences, but Rock With You: The King Of Pop Latin Style will showcase a unique interpretation and vision that invites yet another culture to “own it” and further expand and cement the lasting Global impact and influence that the famed singer will have. Hopefully, the show that Seaon Stylist Bristol and Helen Azevedo have put together will be as inspiring to the audience as it has been for them and the rest of the cast The show is called Rock With You. . . and the creators want to do just that. You’ll find yourself singing along, dancing in the aisles and in your seats. And to cap it off, after every show you can learn a few new moves or sharpen your technique as there will be a FREE SALSA CLASS and open DANCING WITH THE CAST, ON STAGE, EVERY NIGHT after every show!
For More Information, Video Clips and Online Ticket Purchases, go to: www.rockwithyoutour.com You can also keep track of show and cast member activities on Facebook: www.facebook.com/ RockWithYouTour For Information About Discounts and Ticket Purchases by Phone: Call the El Portal Theatre Box Office
(818) 508-4200
TOP FIVE WOMEN’S WINTER MUST-HAVES #1 THE MUST-HAVE ACCESSORY: FAUX FUR
#2 THE MUST-HAVE PRINT: LEOPARD
It’s a fur thing, and a sure thing—this holiday you can’t go wrong with decking out in faux fur. Gain some instant style cred when you choose fur-trimmed boots, handbags or jackets. We’ve taken note of the way this trend is spreading like wildfire with celebrities--Kim Kardashian likes to layer on her blonde faux vest when traveling, and Olivia Palmero broke out her faux vest early in chilly NYC-- a sleek black version she layered over black skinnys and a dark sweater. Don’t think California is exempt from this cozy look—as the weather cools here in L.A. we’ll see even more of this hot look around town.
Here kitty, kitty….this fall, a little leopard makes your look large on style. Don’t try to tame this wild animal, 2010 is the year to feed your inner feline. Grab that racy printed heel, or cinch that waist with a touch of cat-like couture---and know you’re not alone. This fall we’ve seen Angelina Jolie is wrapping up in a stealth leopard trench, Victoria Beckham’s been carrying her kitty on her arm in a chain-strapped handbag, and Keira Knightly tied on a purr-fect printed scarf.
Can’t decide which fur is fur you? While shopping for our favorite faux-fur, we decided to go with a vest from Foreign Exchange in Los Cerritos Center that looked that it cost much more than it’s affordable sticker price of $44. Pick a blend and style that fits your personality—are you wild and wooly with an edge? Pick a longer haired multi-hued vest. Are you Jackie O’s refined elegance? Look for shorter haired single-tone cropped jackets.
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We spotted some decadent leopard looks at Ann Taylor at Westside Pavilion (model is wearing a-line leopard skirt, Ann Taylor, Westside Pavilion, $118). Pick a lady-like pencil skirt, pumps or cute cardigan, or step out in a printed sheath, or ballet flats—just call a cat a cat, and say that leopard is topping your list for winter.
#3 THE MUST-HAVE COLOR: GOLD The old adage is being redefined—all that glitters is gold this season. Get your glitz-fix this holiday with this old-school glamour inducing metallic. Start with jewelry, yes, but
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then get creative and look to lamé for new inspiration. Gold-plated blazers, skirts, handbags and headbands are ruling the runways this winter, with glinting new takes on trend-forward pieces. We recently caught Heidi Klum donning a sequined golden stunner during Milan Fashion Week, and Hilary Swank looking ravishing in bustier version at the London Film Festival. When we hit the aisles and took a quick peek inside Love Culture at the new Santa Monica Place, we fell in love with their collection of gold tops and accessories. Our faves that tipped the scales--everything from sequined tunics to gold and rhinestoned cuff bracelets, all for $20 and under.
#4 THE MUST-HAVE BOOT: OVER-THE-KNEE Over-the-knee boots are so fashion-forward they may make you
WInTEr SEEMS TO
AlWAyS SnEAk UP On US is your closet stocked with this season’s on-trend necessities? With so many stylish trends and looks to choose from, the task of narrowing down what to buy and what to pass on by can be daunting. Want to know what will be in our closet this year? We’ve pared the season’s trends down to our top five faves to give you a lust-worthy, and essential, list to shop from. question your style identity—“is overthe-knee for me?” The answer is yes—the brave, the bashful and somewhere in between--even you can wear them. So buck up, skivvy into some skinnys and get to shopping, because these boots aren’t optional. Get right in a longer riding-boot flat version, or saddle up to sexy suede stilettos, but don’t dare to say that model Claudia Schiffer, and “Gossip Girl” star Taylor Momsen, don’t know where it’s at—they both started the fall wearing boots up to there with boldness.
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ALDO in Westside Pavilion is our favorite haunt these days for these leg elongating lookers, (model is wearing knee high leather boots, Aldo, Westside Pavilion, $130). Aldo carries knee high boots with prices ranging from $60 - $250 and when paired with tights and dresses, leggings and chunky sweaters, or your favorite slimming denim, will raise the roof.
If color match matching makes you cringe, take a trip over to M.A.C at Westside Pavilion and ask one of their color experts to choose a true red for you. This universally flatter flattering neutral red is easy to fall for—it looks great on ev every face. M.A.C’s color-rich lipsticks are $14.50 each.
#5 THE MUST-HAVE LIPS: RED Finally—what’s the accessory that compliments everything else you’ll buy this season? Your sassy, bright red lips. Pucker up and find the shade that lights up your complexion, and complements your hair and eye color. If you have pink undertones to your skin, pick rowdy raspberry inspired reds, or blue-based plums. If your skin is any shade of olive, choose brazen brown-reds or bubbly poppy hues.
LOS CERRITOS CENTER 239 Los Cerritos Center Cerritos, CA 90703-5422 www.shoploscerritos.com THE OAKS 350 West Hillcrest Drive Thousand Oaks, CA 91360-4216 www.shoptheoaksmall.com
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WESTSIDE PAazVILION 10800 West Pico Blvd., Suite 312 Los Angeles, CA 90064-2187 www.westsidepavilion.com HOLLYWOOD WEEKLY
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MUSIC Today’s contemporary artists are walking on unmapped land, where their craft has been devalued, their specialties oversaturated with talent, and their audience seemingly vanishing. For a woman like Michele Vreeland, whose life goal was to be a working artist, the future can seem daunting.
MIChElE VREElaNd
By PhIlIP COSORES
“There will never be another rockstar,”Michele Vreeland notes near the end of our conversation, which dealt primarily with the struggles of being an independent artist and the courage it takes to attempt a career in the arts. “There isn’t any mystery anymore…and that’s the taste of the younger audience, they don’t want mystery.” Indeed it is the information age and unfortunately for Vreeland and many struggling artists, music is treated like
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information; something that people have a right to rather than a commodity that that holds monetary value. But what is remarkable is not that she continues plugging along, it is that she stays positive and optimistic throughout her artistic struggles. She notes that she would “have to deliberately try to stop making music” in order to get away, that her creativity is so natural (in fact, she also is a noted inventor in addition to a musician) and inherent to her self that stopping is never really an option. Her album is called Never Not Myself, after all. In her ten years as a recording musician, Vreeland has attracted fans of all ages, from little girls to seniors. She notes that” people in their seventies or eighties have come up to me and said ‘I haven’t heard music like that in a long time,” a complement that must be attributed to her ability to vary her style and genre. She sees the benefits and detriments this, especially when her peers are being tied to an “indie” sound that is booming commercially. “The E.P. that is out right now is really poppy compared to what else is out the for independent music. But people appreciate it because it is in the pop music genre, but it is different than the pop songs on the radio, sort of a middle-ground between indie and pop.” And while her sound and songwriting are attributes, it takes more than just being good to make it, especially in the unforgiving town of Los Angeles, where everyone is out to make it for themselves. “It’s really all abut the circles that you create,” she states in regard
the ease in which free music is obtained these days, but is quick to share the blame between artists and fans. “Artists need to train people in what they are going to require of them, if they want to be a fan. It’s being proven by these websites like Facebook that people long for community and they love connection. And it’s always been this way, but now it’s in front of our eyes.” This keen observation may be the factor that makes art as marketable today as ever, as she continues, “if as an artist or as a band, you can create a sense of community, then you will find success and be able to make a living…That’s the thing about music, you just cannot do it by yourself.” And though she is a solo artist and produces much of her own work, she did work with a co-producer in Sean Gordon who she says “brought a lot to the table,” and is open to the possibility of working with other producers and art artists. However, she qualifies this by add adding, “it comes down to finding the right people, and finding the right time.”
Vreeland already has another album’s worth of songs that echo the style of Never Not Myself, as well as material for a prospective album that would lean towards a younger and trendier crowd. And if she finds herself in the same place as she is now when those albums run their course, Vreeland will continue writing the music she feels, in whatever style she is drawn to. Because even though the audience is seeking connection by buying a record or seeing a concert, the artist is just as desperate for something real to happen when they play their own handcrafted songs on stage. And these connections, which Vreeland agrees can come from any date, at any time, are why she will continually play shows in the L.A. area, why she is confident that success can come with these people behind her and why she wakes up everyday and pursues the living of her dream. No one told her it would be so hard, but no one told her it would be so rewarding, either.
And right now, the time is for Never Not Myself, an independent al album that marches to the beat of it’s own drum, connect connecting with a variety of people along its rout.
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FASHION L.A. Fashion Weekend at Sunset Gower Studios
THE VALIANT MASTERMIND BEHIND
LA FASHION WEEKEND
Mikey Koffman
Mikey Koffman is ensuring that Los
Angeles’ talented fashion designers will continue to be an essential part of the celebrated fashion week line-ups that light up star-studded catwalks in cosmopolitan cities throughout the world. Her incredible fashion influence has quickly diverted fashionista’s experienced eyes directly to the West Coast; specifically Los Angeles where fashion columnists, their loyal fashion-savvy apprentices and a fashion-forward audience has been taking notice! Hollywood not only gives birth to a mind-blowing number of blockbuster movies; but also holds an imperative influence on amazing fashions. Indeed, Hollywood has a history of debuting fashion-statements with the star-studded extravaganza that’s called the red carpet. But now, the newest “IT” fashion trends have become increasingly influential on the Los Angeles fashion weekend’s (LAFW) catwalk. During the October 15th to 17th LAFW show held at the acclaimed Sunset Gower Studios in Hollywood, each model’s sultry strut down the catwalk had most of the packed audience jotting down the newest “must-have” items for their closets. And they have Mikey to thank. Like most of Tinseltown’s remarkable “real life stories;” Mikey wanted to be a cop when she was growing up. She certainly had enough practice; she played with G.I. Joe action figures as a child; protected the kids in her school who were being teased by bullies; survived the relentless violence of the LA projects where she was raised and, naturally, became a marksman by the age of ten. Well, a ‘markswoman.’ This being said, it’s really no surprise that this fiercely independent and self-proclaimed “bad-ass” became the producer of Los Angeles Fashion Weekend. It’s also not a shocker that Mikey’s full service marketing and production company called The Gallery LA has flourished since she opened it in 2005. Naturally, she had no hesitation
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Written By Jenny Werth
launching LA Fashion Weekend at the legendary Sunset Gower Studios. And by doing so, she’s ultimately created a whole new genius of fashion acclaim and recognition in Los Angeles. But, Mikey, 35, had extensive experience and the one thing essential for growing into a success in this “cutthroat” town: determination. “After completing LA fashion week events under Smashbox for years, it was important for me to keep the event going when they left this market,” recalls Mikey. Indeed, Mikey is NOT one to ‘give up.’ So, after Smashbox studios ended the Mercedes Benz LA fashion week that she had helped establish and produce for many years, she recalls, “at that point I knew I had to keep it going…. and I felt like the only person who could make it work… (who had) the tenacity and balls to do it was myself.” Lucky for us, it is simply in her blood to create astounding fashion shows that leave our eyes staring at the catwalk. “It’s like having a baby,” she says of producing LA fashion weekend. One ‘baby’ she doesn’t intend on letting go. Clearly, simply ‘stopping’ the shows was not in Mikey’s plans. Instead, she took the reins in her capable hands and moved the high profile event to the Sunset Gower Studios in Hollywood creating what’s become an LA spectacle- both for the fashion attendees and the energized media. But then again, it’s not surprising that someone as unique and strong-minded as Mikey has come out on top. She’s constructed her life a lot like her prized Harley Davidson Mortorcycle; piece by thoughtful piece. She gained enough knowledge and experience to create her own flourishing company and revolutionize LA’s spot in the ever-extraordinary world of fashion. With an amazing work ethic, she’s created a mini-empire by following her heart and branching off on her own. And while doing so, Mikey’s found her freedom from a childhood filled with the insecurity that comes from living in a very tough neighborhood. What sometimes destroys one person can catapult another into great success. THIS is the story of Mikey Koffman. She recalls there was a lot of violence where she grew up. She explains that, “having had that experience, I got the drive to never want to go there again.” The once ambitious girl who literally put out fires from discarded Christmas trees in her neighborhood, has created her own flame throughout Los Angeles and the
world. The smoke from her personal fire is powerful. In fact it’s almost surreal.
Keeokjay Designs
And it doesn’t stop there. From Mikey’s debut on the hit-reality show The Real L Word to her support of multiple foundations such as numerous ecoconscious fashion designers and groups to cancer foundations, she’s rapidly becoming Hollywood’s “IT” girl. Sunset Gower’s VP of Marketing, Terri Melkonian, sums it up beautifully. “Mikey’s very charismatic… Beth Talbert Test Driving Volt there’s something from within that draws people to her. She’s very comfortable with who she is and she exudes that.” Her qualities are amazing; she’s honorable and has an amazing work ethic – just fantastic to work with.” Without question, since Mikey started the first LAFW only three-years-ago, it’s grown into a red-carpet spectacle packed with tons of supporting celebrities, A-listers and VIPS. This year’s LAFW show was yet another hit in what promises to be a long The Chevy Volt career in producing memorable fashion shows. Much to the audience’s delight, the show opened with a fantastic performance by Christina Milian on Friday. And every day during the exciting LAFW was filled with amazing fashions shows by some of LA’s most talented and eco-friendly activists. The weekend ended with Richie Sambora and Nikki Lund’s White Trash Beautiful fashion show collection on Sunday evening where his daughter, Ava strutted the cat walk! Plus, this year LAFW proudly had its first auto sponsor: Chevy’s Electric car, VOLT. Chevy’s exciting new electronic car, VOLT, could be seen zipping around Sunset Gower’s lot for attendees’ to test. The VOLT even goes up to 50-miles on only electricity! Naturally, the VOLT’S ‘eco-friendly’ message supported the LA fashion week’s crucial concept to ‘Go Green,’ and its proud Green Youth Movement Sponsor (GYM). Mikey feels “blessed” to be part of something as creative and popular as LAFW. But, it’s all par for the course for Mikey- she keeps things fresh and exciting through her various accomplishments. Let it be known that she will not be returning for the second season of The Real L Word as she’s learned the hard way that people can edit scenes to suggest she was saying or doing things that she did not. She will be sorely missed. But without the show, she will have more free time to do what she does best: create. Create and move forward. She may be a “bad-ass” but if that’s so, then let it be noted that she’s one unique bad-ass wrapped up in sweetness, humility and honesty. Three unusual words to describe a rising star in a town where people tend to lose themselves before they’ve even arrived. Fortunately for fashion-lovers and reality-TV-show enthusiasts, Mikey has a firm grasp on herself and her intentions. We just have to wait and see what she creates next. But, there is a bit of gossip… first up, she’s turning LA Fashion Weekend into LA Fashion Week at Sunset Gower Studios from March 13th through the 19th at Sunset Gower Studios. The week long event will encompass a killer kick off affair and end with a LA Fashion Week Awards Ceremony! And keep your eyes on KTLA 5, her broadcast partner for LA Fashion Week. After hosting on air fashion segments during LA Fashion Week, one never knows when Mikey will pop up on the air again. The only thing certain is that we’ll be seeing a lot more of her very soon.
For more information on The Gallery LA please visit thegalleryla.com HOLLYWOOD WEEKLY 19
L.A. fashion Weekend RedCARPeT
tatiana ali
Heather locklear and daughter ava sambora who walked the runway in dad richie’s White trash Beautiful designs.
actress Charlotte ross on the red Carpet of la fashion Weekend.
singer and television host kimberly Caldwell
ken davitian from Borat and get smart
singer Christina milian introduced her eyewear line at the show
actress Brenda strong and White trash Beautiful designer nikki lund.
ava sambora who walked the runway in dad richie’s White trash Beautiful designs.
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PHILIP KINGSLEY JET SETS
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KISS-ME GLOSSES These “kiss-me” glosses are perfect for the girl on your list who loves to pucker up! Surprise her with the 5 fab color gift set that include vitamin A, C, and E along with algae extracts to soften skin! $29
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Even an elf knows this is the answer to every woman’s prayer to “drop ten pounds in 2011.” This detox kit is the way to kick-off an after Christmas cleanse! It’s a quick 10-day detox kit that includes Detox capsules (colon cleanse & gut repair), Liver & Kidney drops, Superantioxidants Capsules, Phytonutrients Capsules, Essential Fatty Acids + B Complex Capsules, Detox Cellulite Body Oil, a Skin Brush and full directions for use! theorganicpharmacy.com
Lather on this coconut-scented lotion along with the gold-flecked powder and you’ll feel as though you’re in Australia! During December the temperature “down-under” is hot and ideal for the beach! The perfect gift for that “sun worshiper” friend on your Christmas list. The duo of bronzing products will leave her with a summer glow in the middle of winter! $39
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EVENTS
niKi SHAdrOW
HOllyWOOd scene in la 4 1: Izabella Miko • Bafta Awards Red Carpet • Beverly Hills • Bafta Images 2: Aubrey O’Day • Hennessy Walks for Life • Bardot,Hollywood • John Eder 3: Sarah Silverman, Kevin Nealon, Brian Fischler, and Kevin Pollak • Laugh for Sight • Hollywood Improv • Petra Rajnicova Photography 4: Rossi Morreale, Chris Gravagna Victor Daniel, Gary Mancuso • Singles Gurus Rossi Morreale and EliteMate.com host Singles Night Out in Beverly Hills • Aqua Lounge in Beverly Hills • Nasim Saleh 5: Zachary Levi • Hennessy Black cocktails at his 30th birthday bash • LA Hollywood • Michael Buckner
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2
6: Bryan Fogel (center) & The Cast Of Jewtopia • Jewtopia Play, Los Angeles • Greenway Court Theatre • Ed Kritzer photography
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6 7: Annie Madison, Eric Coleman, Adam Derry,Marcella Kroll • ADBD Presents: 11:11 Pop Up Art Gallery • ADBD Gallery, Los Angeles • ADBD Photography
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8: Michael Madden, James Valentine, Adam Levine and Jesse Carmichael • Bacardi, hosted Maroon 5’s Exclusive Halloween Party • Hollywood Forever Cemetery • Charley Galley/ WireImage
8 9: Craig Martin & Peter Kuyanov (Cafe 50’s owners) • Cafe 50’s Los Feliz grand opening party by RedLight special events • Cafe 50’s, Los Feliz • Photo by Christopher Francisco.
9 10: Caroline D’Amore & choreographer/dancer brittany hughes • Caroline D’Amore performance • Playhouse, Hollywood • Rick Williams
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Speaking above the Star’s (The Voice of Reasoning)
Topic Love for The Game Today, I greet all my readers with a lethal but legal dose of Love from the straight pathway of a better day. Yes, Darwin’s doing it again and it’s time to shower all the Star’s, Celebrities and VIP’S of today’s world with some of that genuine love. You know the kind of love that comes from above and there is nothing that can change it. Love is truly my best specialty and I have often been told that I need to teach a class on this particular subject. What I am simply trying to say is that class is now in session so please take your seats. Love is what keeps the passion in everything that we pursue and gives us the drive to be successful in all our endeavors. Love can not be pulled out of the drawer or your pocket on Monday and put back on Tuesday until you need it again on Friday evening. Love is present at all times and it never goes away, like when they say “it’s like white on rice” this statement speaks for itself. Love is an unconditional deal which has no renegotiation clauses and remains in place at all times. Speaking of Love, it was some serious love in Chicago’s very own Red Kiva Night Club where Owner Julie Palmer showed her classy style power in which the ambiance is to die for at the album release party featuring artist “Russoul” where he performed live. Russoul was very impressive from the very start displaying a massive dose of Love for the Game from the sound check all by itself. He spent a great deal of time listening and evaluating the sounds of all the musicians in the band. I believe Russoul is on his way to the top
Love’s Simplistic Way
Sometime’s there are words that you truly want to say in the most simplest way, but your biggest fear is that price you may have to pay if it is not taken with the understanding of God’s heavy hands on ones Heart. Sometime I simply want to tell you that “ I Love You “ because that is the message I truly want to convey on that particular day. We should not fear the use of these three word’s because “ Love Never Fell’s “ and ones Heart truly tells what Life Compels during those moments of Love Spells. My Heart is a tender deep love complete very concrete super sweet passionate beat space to meet just to say “ I Love You “ in Love’s Simplistic Way. 26 HOLLYWOOD WEEKLY
with a serious Love for the Game which in this case is music for the souls healing process. Earlier this summer the Shedd Aquarium in Chicago featured Phil Seed and Detour JazFunk. They performed again after a marvelous performance at my Birthday Celebration in May in which I closed the show by singing for all that were present. It truly was a pleasure enjoying a beautiful evening with the likes of the Chicago Skyline and Phil Seed. Detour JazFunk had the crowd moving and grooving to the beat bringing back memories from the past and the present. Yes, Doc Heard is calling for all the Star’s, Celebrities and VIP’S to come see Chicago’s magical musical wonder every summer with firework’s in the sky. With Chicago’s new urban jazz scene Detour JazFunk presents old-school R & B’s soulful and funky grooves combined with classic contemporary jazz. The band is lead by guitarist Phil Seed in which everybody comes to see, Drummer Ben “Jammin” Johnson who in my opinion is the best drummer on the planet. Then there is electric bassist Kenery Kent Smith and keyboard wizard Tim Gant who is headed to take a detour with the great Vocalist Will Downing in Baltimore and Atlantic City. I have also had the pleasure of offering the “Voice of Reasoning” to Mr. Downing in which I have shared my mountain top vision after one his amazing performances. I must admit that I will make every attempt to experience Jazzing at the Shedd every summer and keep close tabs on where Phil Seed and Detour JazFunk will be performing moving forward because they all truly have Love for this game. Let me tell you about someone who also has a serious Love for the Game and his name is Jabari Grover Jazz, Vocalist from Atlanta Georgia. Just hour’s before I was due to perform at my Birthday Celebration sponsored by the Hollywood Weekly Magazine, Jabari personally called me to say that he was honored to know that I had chosen to perform his song “A Pocket Full of Dreams”. On that very special night Jabari was just minutes from his performance in the Hill’s of Georgia. Brandon Galatz is an upcoming Chicago actor who has nothing but love for the craft of acting. He has completed three feature films, four theatre productions within the last year and is currently working on an episodic web series, all while attending Conservatory at Act One Studios in Chicago. He plans to graduate in 2011 and has recently been offered a role in an upcoming pilot series. Just as all the true professional say Brandon feels we all are still learning and he possess a true Love for the Game. Attorney Jason L. Landgraf my friend and now business partner has a true Love for the Game in which he truly enjoys making a difference for all of his client being up front and personal with his client first approach. I personally think that Jason would make an excellent Judge due to his level headed demeanor among other great attributes. I invite all of my Stars, Celebrities and VIP’S to call upon my services for Motivational Consulting regardless of the circumstances and to look forward to next month column for the new year entitled: Let’s get Motivated People. Please take a journey back to learn more about the “Voice of Reasoning” that started in July 2009. I leave you one of Darwin’s Creative Strategies Poems entitled: Love’s Simplistic Way. Written By: Darwin Heard (Hollywood Weekly Magazine) Email: dheard@heardconsultingroup Phone: (312) 933-6635 Please direct all Letters to: Heard Consulting Group, Corp P.O. Box 11353 Chicago, IL 60611
Hollywood Weekly’s A Look Back to the Best of 2010
trumP CHiCago
ranks
Number One
ivanka trump:
the Powerhouse Written by toria gaylord
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the road down real estate development is never an easy task, it is full of many unexpected twists and turns, but there was never a question of how businesswoman ivanka Trump would handle the ride when she got behind the wheel of constructing the Trump Chicago Hotel back in 2008. She had been preparing for it most of her life. From the start, ivanka has been blessed with an incredible business savvy and strong guiding principles that are hardwired into her dNA and her passion for the Trump brand has just paid off. Travel and leisure magazine
WHat makes tHe trumP CHiCago Hotel so distinCtive? There’s so much to this property. The building itself is architecturally stunning; as the second tallest building in Chicago – and the seventh tallest in the world – it has now become integral part of the city’s beautiful skyline. Whether it’s in the guest rooms, Sixteen (the property’s award-winning restaurant) or Rebar (the cocktail and sushi lounge), the views of Lake Michigan, the Chicago River and Chicago’s historic architecture are unparalleled. Chicago magazine just named The Terrace at Trump the city’s best outdoor lounge in part because of its amazing views of the city and the summer fireworks that take place in Chicago every week. The hotel’s guest rooms and suites are spacious, contemporary and luxurious. Every guest room is outfitted with a full kitchen featuring only the finest in appliances, china and stemware. In addition to our great restaurants, guests can also order from an in-room dining menu that was the first in the country to be certified organic – or better yet, they can request that our executive chef, Frank
Brunacci, cook for them in their suite! The Spa at Trump is a 23,000 squarefoot facility that includes 11 treatment rooms, a heated indoor swimming pool, fully-equipped cardio and weight rooms and yoga and spinning studios. There are also 53 specially-designed guest rooms located on the spa level, which are perfect for a spa getaway. As the final phase of our build-out, we recently completed the River Walk, which is adjacent to the Chicago River and serves as both a gathering place and a gateway to the famed Michigan Avenue. What really unites all of these components, though, is the service. It is nearly impossible to find service as efficient and gracious elsewhere. Our guests know that Trump Chicago is truly a home away from home.
WHat does tHe reCognition mean to you? It is an incredible honor for the Trump Hotel Collection, and a testament to our vision for building and managing the best hotels in the world. Awards like these are great motivation to maintain our position, and continually strive for more.
recently named The Trump international Hotel &Tower Chicago No. 1 as the Best large City Hotel in the America for 2010 and the hotelier, designer and author speaks candidly with Hollywood Weekly about success of the Trump Chicago, her attention for detail and her love for real estate. ivanka, Congratulations to The Trump Chicago’s number one ranking as the Best Hotel in America by Travel and leisure magazine. Thank you – it is incredibly exciting.
WHat is your favorite Part of tHe trumP CHiCago Hotel? When I’m not eating at Sixteen, I love The Spa at Trump. Our signature gemstone massages feature oils from Dubai that are infused with rubies, sapphires, emeralds and diamonds. That service, followed by one of our Kate Somerville facials, is the perfect way to unwind. I know you were heavily involved in the design and construction even down to the staff uniforms. My brothers and I oversaw the Chicago project – we worked closely with the architects, designers and construction companies involved to define the aesthetic and see it through implementation. We gave consideration to every detail, down to the uniforms worn by the hotel staff. I wanted to ensure that every piece was as refined as the property itself. Each look was designed to reflect the associate’s purpose and the area of the hotel in which the uniform is worn. The trick was to balance style and practicality to create a fashion statement that was understated, fluid and contemporary.
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To what do you attribute your successful leadership in real estate development? I think it’s a combination of energy, drive and focus, asking thoughtful questions, negotiating with confidence and taking advantage of the right opportunities, even when times are uncertain.
What is a typical day like for you? My calendar is always full. A big part of my job includes scouting locations for new projects, so I travel frequently. When I’m home, I usually get up at about 5:30 a.m., exercise and read through a stack of
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newspapers. Generally, I’m in the office by 7:30 a.m., which is an ideal time to respond to emails or make overseas calls since so many of the deals we are doing are abroad. I have meetings and calls straight through until about 6 or 7 p.m.
Growing up, when did you realize you wanted to go into real estate? I don’t think there has ever been a time when I imagined going down a different road, in large part because I grew up with real estate. Both sides of my family span generations of development, engineering, building and construction. Most of my formative memories include a bulldozer or a construction site!
Does your Dad give you a lot of advice? My father’s experience makes his advice invaluable, and I always appreciate his insight
What is the most challenging part of your job now? Right now, I find myself balancing being young with also becoming – hopefully – a visionary in business. I appreciate every level of detail that goes into our projects and have a thirst for being very hands-on, which sometimes leads me to micromanage. Being a business leader also means thinking big picture and delegating.
What is next for you in real estate? We have many opportunities that we are currently pursuing. Earlier this year, we opened in Waikiki, and Trump SoHo just opened in April. We are currently working on Trump Panama and Trump Toronto. Both are very exciting hotel projects that are opening in early 2011. Trump Tower Istanbul will also be opening next year.
What pearls of wisdom can you offer to entrepreneurs starting out? I recently published a book called “The Trump Card: Playing to Win in Work and Life”. In the book, I encourage young entrepreneurs to get out there and try different things; knowing what you love is also in part eliminating the things you don’t enjoy doing. Young people in the business world shouldn’t be afraid to be bold, work incredibly hard and ask smart questions. The level of drive that stems from passion is what will separate someone from being moderately successful to being very successful.
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CHrista Borden
I Rhyme With Orange Hallelujah, a singer baptized through fire! Worldly scars to make Leonard Cohen proud… Christa Borden’s lyrics are written in blood – inside joke – but the pain is raw and real. Christa’s life could have been very different. Reality “splits” with each decision – somewhere, there’s another Christa. A girl who never fought her addiction. A singer succumbing to her broken heart. Crumbling under the weight of her own life. But, hey, we don’t live in that reality… In our world, Christa rose out of lava! Slowly emerging like in some B-Movie. Standing straight and strong, glowing hot fire red! Reborn, Rebooted – hell, a complete Redux! But, let me tell you what I really feel… You can’t just “manufacture” a true artist. Anthony Burgess told us this before – it’s unnatural, like “A Clockwork Orange.” Artists are born out of circumstances. Situa Situations that kill them or create them. Singer Christa Borden has passed this test – her CD “I Rhyme With Orange” testifies! These lyrics touch dormant chords inside you. Poetic truths that shake the dust off your soul… No doubt, she’s the genuine article…
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photos: Todd Korgan
By anthony Calderon
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This goes deeper than Christa’s music degree. Singing, for Christa, is a connection. It grounds her, a force stronger than gravity… One’s destiny can never be denied. Regardless of the job Christa might have had – “title” be damned, she would sing just as sweet… Her stroke of luck was meeting David Carver. A man who recognized her potential – a talented singer in recovery; en route to a healthy, productive life. Essentially, Christa was starting Act Two. The curtain rose here, in Los Angeles. David became Christa’s friend and Manager. But, more so, he acted as her mentor. Helping to keep her sober and living clean... They refined Christa’s musical message. David found Producers to explore her style. Huge talents like Jeff Trott of Sheryl Crow fame – and Christa and Jeff clicked immediately. Creating
some of her most strongest songs. Singing Jeff’s praises is Christa’s new pastime. And Jeff’s magic touch can surely be heard. Christa’s single “Empty Bottles” has made waves – catchy melody and soulful lyrics – not your average mix in today’s music. But nothing Christa does is average. For starters, she wrote all songs on her CD; each one has a consistent sense of truth. “Cut Me Loose” deals with a personal breakup. “Empty Bottles” talks about addictions – primarily how they feed off each other. Insight and wisdom that you can move to… But this is part of Christa Borden’s image. Unpredictable and original. A stunning beauty with depth, charm and talent – and a resolve to spread truth through music… Christa wrote “Tonight” while leaving for L.A. That
decision gave birth to her debut. Soon, she’ll be performing with the Goo Goo Dolls. Along with Fray and pop singer Kesha. Part of a Newfoundland Labor Day Concert… Not all dreams are realized in L.A. But Christa Borden came to this city formed. The mold was cast, and Christa just stepped out. You won’t be seeing her on TMZ clips… No scandalous
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3AM Club photos… This point in her career, it’s only music. Few artists are as focused on their craft. Christa’s father gave her some advice on art. He told her, “The pain life brings, just use it.” Use the pain to write her songs, and to sing them… It sounds wrong, but her pain is now our joy…
photos: irwin Jazmines
HW magazine
knoWs HoW to tHroW a Party Written by tyler fascett Hollywood Weekly magazine launched their August 2010 issue with an industry soirée at plush Bar 210 at the Beverly Hilton. I wasn’t at the event long before I realized there was something truly unique going on under the soft pools of light in this swanky hotel bar. To my left, ordering his second glass of champagne, stood a long time talent manager who had just finished explaining to me the best way to go about packaging a script. To my right sat a music marketing manager from Warner Music Group, here to scope out the artist gracing Hollywood Weekly’s August issue’s cover. Next I spotted actor and musician Mike Rossi, who can be seen all over this season of Bravo’s smash hit Million Dollar Listing, chatting up a sultry brunette obviously absorbed by his charm. Prying himself away for a moment, he gave
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me the scoop on his current project, Creative Collision, an LA-based arts and music movement that combines live music with visual and performance art. At a quieter corner table, up and coming writer/producer Ben Bostick discussed his latest feature film with Kristen, an entertainment news director. As the flow of guests into the posh lounge increased, so did the photographer’s flashes. Chrissy Sutphin and Tasya Swisko, account execs from Luck Media & Marketing were on hand to oversee yet another superbly executed showcase for their client Christa
Borden. In addition to landing Christa, their classically trained songstress, her first U.S. magazine cover with Hollywood Weekly, they had arranged for her to belt out a few songs live with her band at the evening’s event. In the center of the room Danny Bopp, a model and pro stock car driver in the NASCAR K&N series, and his publicist posed for a few quick photos while holding court with Hollywood
Weekly’s publisher, Prather Jackson. All Access Music Group editor Mark Strickland came out but kept a low profile catching up with an associate in a cozy booth near the stage. I chatted with Ramela, a movie critic, whose
spot on reviews made me rethink everything I thought I knew about modern alternative comedies. Brandon Gibson, the publicity and branding gun-for-hire who’s been ahead of trends in LA for years, made his rounds. I met manager Michael Dybnis, who summed up his client strategy with his ever-ready slogan, “I’ll keep you famous.” There were screenwriters on the smoking patio, an about-tobreak fashion designer by the back bar, and an entertainment lawyer had just arrived. At this point, I had to step back and survey the scene. Staring out over the now bustling lounge, something struck me about my company: these were the people in the business who actually get things done. I’ve been to many an event in Los Angeles dubbed under the guise of an “Entertainment Industry Party,” but the majority of these events consist of recent LA transplants scouring a lackluster crowd for anyone they think they’ll be able to hustle into furthering their brilliant (and inexplicably stalled) acting careers. To a writer who’s covered those types of events before, there’s even something olfactory about that whole scene— it’s the smell of shameless self-promotion, with notes of desperation, and subtle
hints of fraud. This event was far different. And for that matter, the only detectable scent was the mouth watering aroma of truffle oil wafting from the plates of gourmet sliders exiting the Bar 210 kitchen. Something very unique, and very refreshing was happening here. This eclectic cross section of entertainment industry professionals had been assembled by Hollywood Weekly magazine with the Hollywood Weekly brand as their sole common bond. It has been said that networking, in its finest form, exists truly as a chemical reaction. Tonight things were synthesizing all around me. Individuals in totally unrelated areas of the business were making connections. It wasn’t about back scratching and it didn’t matter if the direct benefits of their relationships were apparent. Art and business, talent and opportunity, musicians and a racecar driver, all thrown together in a pot and simmering. And remarkably it felt very organic. Publicists and PR reps mingled elegantly, while the celebrities and the suits sipped martinis and perused the pages of the Hollywood Weekly magazines that were displayed throughout the lounge. People were genuinely enjoying themselves.
Christa Borden with her Band
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Just after 9pm the soulful sounds of Christa Borden and her band filled the posh Beverly Hilton space, and the party gravitated toward the stage. Her upbeat “Better than She Can” energized the room, and her diverse selection of cover tunes, everything from the Eurythmics to MGMT, kept us in the groove. But it wasn’t until she hit the eerie, soul-bearing notes of “Drowning” that we really got it. It wasn’t just the tragic beauty of her lyrics that had us all transfixed, but the sincerity in her voice. After her set, I asked Christa about her song writing process. She described how, “Sometimes inspiration is this mythical beast that drags me out of bed and forces me to sit at the piano in the middle of the night and sometimes it is the tiniest moment or a person I meet.” Though her muses change, she’s always looking for new ways to be inspired. I suppose deep down it is that ever present drive to get a hold of some solid inspiration, or maybe sometimes the quest for a cocktail, that brings us out to these types of events in the first place. From what I could tell on that summer night at Bar 210, no one left empty handed.
photos: Irwin Jazmines
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Talent Showdown Hollywood’s
Each year Hollywood, the entertainment capital of the world, hosts the prestigious World Championships of Performing Arts.
Over 75,000 applicants from 40 countries and the USA auditioned for a spot to compete at the 14th annual event. Griff O’Neil, competition president and founder, and a former executive of the Miss Universe Pageant, recruited over 75 scouts and national directors to scour the globe for outstanding talent. “This is the only Olympic-style talent competition ever created,” O’Neil stated, “and a rare opportunity for the privileged few selected to participate at this elite world event.”
Talent from around the world take center stage at the beautiful Westin Bonaventure Hotel during an exciting, fiercely spirited week of unsurpassed rounds of outstanding performances July 17 – 25, 2010. Contestants ages 15 and under will compete for the prestigious Junior Grand Champion Performer of the World title, and talent ages 16 and over will battle for the coveted Senior Grand Champion Performer of the World crown. Hundreds of entertainment industry “movers and shakers” (i.e. agents,
managers, casting directors, producers, music industry reps) from Hollywood, Nashville and New York are invited to judge, conduct seminars and “go-sees” at this conclusive world championships for talent. The event’s competition structure reproduces as closely as possible the processes in auditioning and casting for film, television and Broadway. Special emphasis is placed on “entertainment value and marketability” during judging.
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This in no way takes away from the technical aspect of the performances; however judges are looking for that special charisma (the “it” factor) that most top entertainers have. There are rounds of eliminations thus talent must be spectacularly presented in a very short time period just as done for auditions. Performance times of one minute (60 seconds) are strictly enforced. With entertainment industry personnel judging, this event really becomes a “giant Hollywood casting call” i.e. “to cast World Champion” dancers, singers, actors, models, instrumentalists and variety artists – junior and senior age groups!
Like the Olympics, an important prize is the “gold”. However, overall age division/competition category plaques and Grand Champion trophies are also given. The famed Millennium Dance Complex in North Hollywood awards $20,000 in scholarships and the prestigious Conservatory for Dramatic Arts School of Film and Television in New York $100,000 in scholarships. And the “real prizes” which every contestant receives are the invaluable experiences, priceless training and education, and networking opportunities.
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Kicking off the week’s slate of events is the Opening Ceremonies where
each country’s delegates appear in national costumes representative of their respective countries in a colorful Parade of Nations. First, second and third “Best National Costume” prizes are given. Each year celebrities and industry VIPS are inducted into the “Performing Arts Hall of Fame”. Some of the past beneficiaries are Ann-Margret, Debbie Allen, Liza Minnelli, Garth Brooks. This year’s honoree is Linda Gray, award winning actress, accomplished director, a United Nations Ambassador and one of the world’s most recognized and admired stars. Then during the week, over 5,000 acts will be narrowed through rounds of eliminations to the “best of the
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best” for a spectacular standing-roomonly exciting FINALS webcast live around the globe. Additionally, documentary TV series in selected countries will be produced starting with the selection process and following the talent through the competitions and beyond. With shows like “American Idol” and others vying for face time on TV, it’s no wonder that there’s such a proliferation of talent looking for a home. After all is said and done, talent competitions are nothing new. Everyone from Frank Sinatra to Patsy Cline to Britney Spears has been discovered on talent contests. Talent contest judges initially rejected
some well-known stars, like Elvis Presley, Buddy Holly and Drew Carey. The genre’s been around on radio and later TV for nearly 70 years, but the World Championships of Performing Arts is by far the biggest of its kind in scale and scope, and seeks to turn the international corridor between a country’s artists and dreamers – and Hollywood’s “land of dreams” – into a two-way street as a launch pad for opportunity, recognition and reward.
entertainment industry professionals. Some will be signed and move to Hollywood or New York; others will return home to pursue whatever goals they determine. But what is so critically important is that everyone who has the honor to experience this one-andonly official world talent championships has improved and gained inestimable experience… truly a once-in-a-lifetime opportunity!
Contestants competing at the World Championships of Performing Arts have that very precious opportunity of performing before and networking with
For information on being a contestant, Scout or National Director of a country, please contact: info@wcopa.tv or visit the website: http://www.wcopa.tv
1: Senior Instrumental finalist: Artavazo Tadevosyan (Armenia) 2: Senior Dance Solo finalist from Canada: ERIK PIPESTEM (native Indian) 3: Senior Grand Champion Vocal Solo winner: KIMVERLIE MOLINA (Saudi Arabia) 4: Senior Instrumental finalist: CHEYNESH BAYTUSHKINA ( Russia) 5: Junior Grand Champion Actor: CALE MOON (USA) 6: Junior Vocal Solo finalist: SOFIYA DOLGANOVA BAYTUSHKINA (Russia) 7: Junior Dance Solo finalist: SITARA BAAL (Trinidad and Tobago) 8: Senior Grand Champion Female Model winner: ELIZABETH PETRONELLA (South Africa) 9: Senior Male Model finalist: MICHAEL SVENSSON (Sweden)
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COVER STORY
IMAGE LOCATIONS INC.
image is everything Photo Credit david Heisler
By Anthony Calderon
When you enter Paul Kim’s “Concrete loft” and experience downtown l.A.’s skyline through the giant floor to ceiling windows encircling this legendary space, don’t be surprised if you hear the Choral Finale of Beethoven’s Ninth Symphony singing in your ears. Too dramatic? i’ll put it another way: if James Cameron decided to collaborate with imAX and film a 3-d documentary on downtown los Angeles, the view from Paul’s Concrete loft would be the opening shot… The Concrete Loft has literally been decorated and redecorated hundreds of times in a myriad of different styles and themes for every visual medium imaginable – photo shoots for top fashion magazines with A-List
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Celebrities; theatrical sets for filming motion pictures, television shows, cable series and commercials. The Concrete Loft functions as a virtual genie, changing itself into and becoming whatever Paul’s clients’ desire.
Photo Credit Woolf-Haxton
Dior used the Concrete Loft to look like an upscale Manhattan Hotel for a photo shoot they were doing with Sharon Stone… Recalling this memory fondly, Paul pointed to a white bed in the corner of the Concrete Loft where we were talking and said (with a slight smile), “Yeah, Sharon Stone rolled all over my bed… It was great.” And as amazing as the Loft is, it’s only part of
what makes Paul Kim’s Image Locations such a fascinating company… Image Locations, the Agency, was born on April 1st, 2001. It was the brainchild of Paul Kim, who is a native Angeleno, and is the culmination of two extraordinary talents that Paul possesses: (1) he has an uncanny ability to spot business opportunities where most of us would
see nothing; and (2) Paul, more than anyone I’ve ever met, has an unwavering, personal interest in keeping people in Los Angeles employed… While scouting for the upcoming “Transformers 3,” Michael Bay needed some shots to represent Washington, D.C. Budget, let’s just say, is not really an issue for a Director like Michael Bay,
Photo Credit david Heisler
Cover Photo: (from left back) Jennifer Sanchez, Patrick WardPerkins, Jason Radspinner, Alice Kim, Aaron Haxton, Julie Corirossi, Josh Woolf, Marisa Sullivan, Paul Kim
ladies: Marisa Sullivan, Jennifer Sanchez, Julie Corirossi, Alice Kim
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IMAGE LOCATIONS INC.
image is everything
the stahl House Hollywood Hills
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sybersound Malibu
Photo Credit Jim Wright
the goldstein House Beverly Hills
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IMAGE LOCATIONS INC. www.imagelocations.com
so it would have been very easy for him to pack up and fly to D.C., but why do that when Paul Kim can transform his Concrete Loft into the interior set Michael Bay needed, and CGI can be added to some of the partial views outside the windows – which is exactly what may happen, scoring one for Image Locations in getting local L.A. production workers the jobs instead…
Station which could double for the intended setting…
When Showtime’s “Big Love” needed to shoot a scene involving a Mexican jail, Image Locations found an area around the infamous Rampart Detective Police
Paul’s employees, starting with PR Director Marisa Sullivan, also embrace the best of our culture: hip, original, educated – tech-wicked – artists in their
You may have gathered by now that Image Locations is not your Daddy’s Movie & Print Location business by any stretch of the imagination. Paul Kim can probably best be described as an extremely business minded, internetsavvy artist with swagger…
image is everything covers
own right. You couldn’t ask for a better staff, and they couldn’t ask for a better employer. Before my interview with Paul, Marisa, and my Publisher Prather Jackson got under way in the Concrete Loft, Paul told me as a point of pride that even during our recent recession he kept his entire staff employed, and all of them are covered with health and dental care. In addition, his company actually had one of their best years in 2009 – 3.6 million, which goes to show
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that being cool and making money in big business aren’t mutually exclusive… So, why exactly was Paul’s Image Locations able to burst upon the scene and immediately grab hold of the movie and photography industry? Paul explained it best: “In the old days, a Production Manager would call a scout up and ask them to find a particular location. That guy would go out and take pictures – then take the time to develop
those pictures, put them in a manila folder and FedEx them back. The digital camera changed the business. You now had an image instantaneously. Using the internet to e-mail those digital photos of locations made everything move faster. But we have an added edge: everyone in my company has some kind of artistic background, primarily photography and production, so we know how to get in, take the best possible shots that represent the location for the Production
Managers or Fashion Editors, and send them out quickly... So, it’s the speed of the technology, our ability to utilize that technology, and maximizing our artistic backgrounds to get the job done efficiently that sets us apart…” And what are some of the “jobs” that Image Locations gets done? In the fashion industry alone, if you went to a newsstand looking to buy every magazine Image Locations hasn’t worked on, you probably wouldn’t spend very much money… Vogue, Vanity Fair, Cosmopolitan, Marie Claire, People Magazine, OK! Magazine, In Style, FHM, Allure and Elle just to name a few… As for the “models” on some of these covers – Julia Roberts, Jennifer Aniston, Angelina Jolie and Robert Downey, Jr.
of the production – translation: Steven Spielberg might very well be exclusively looking for a dilapidated shack, in which case, if you own one, hooray for Hollywood! Image Locations, however, does generally tend to gravitate toward the more “modern-looking” homes, so, the loyal devotion you have for your “hovel,” notwithstanding, it probably won’t make the cut… Surprisingly, many celebrity
are all scheduled on Marisa’s Blackberry; past cover models Image Locations worked with include Charlize Theron, Rachel McAdams, Eva Longoria, The Pussycat Dolls, L.L. Cool J., a pregnant Maya Rudolph, Taylor Swift, The Jonas Brothers, Amanda Seyfried, Jaime Pressly, Heidi Klum, Tony Hawk, Ashley Greene, Megan Fox, Kate Winslet, Zoe Saldana and the cast of Entourage… Many popular cable and television series have worked with Image Locations, Showtime’s “Californication” and ABC’s “Castle” being the most recent… And, of course, there’s the movie industry – the aforementioned “Transformers 3” being a highlight, as well as Judd Apatow’s upcoming “Get Him To The Greek.” Music Videos have become a fixed feature in
homes are part of Image Locations’ library… For shooting feature films, television and cable series, commercials, music videos or magazine layouts, signing up with Image Locations could be a great source of extra income for many L.A. homeowners… Anyone wanting to take a closer look at Image Locations can find them easily on either your iPhone or Blackberry by accessing their application – all part of Paul Kim’s overall vision of keeping his
Image Locations repertoire; they just worked with Justin Bieber and Sean Kingston, and Beyonce’s latest music video was shot at a home in Hollywood Hills, which is part of Image Location’s vast “library…” This brings to mind an interesting question which hundreds of Angelenos call Image Locations every day to find out: how can you get your house featured in movies or fashion magazines? Of course, if your home was designed by Frank Lloyd Wright, as some of the homes in Image Locations’ library are, you’re a clear candidate… For everyone else, Paul stresses that the home should be “architecturally unique.” He did admit, though, that any home can technically work, because it’s all about the needs
company as current and accessible as possible… What Paul has actually created with Image Locations is a harmonious balance of environmental awareness, economic sensitivity to our L.A. workforce, and a company that has transformed and elevated the business of location scouting to “fine art.” In short, he has composed a symphonic world befitting of the title “Beethoven’s 10th…”
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Cover Story
PrePaid renegades “Basically, we just wanted to change the world of teen finance as we knew it.” That’s how the conversation starts with the founders of Plastic Cash International (PCI), Brian Newberry (CEO) and Danny Klein (President and CMO). Perched in their Huntington Beach office on Main Street, overlooking the ocean above the historic Jack’s Surf Shop and just steps away from the sand, are two men on a mission. In fact, they’re on a few missions. Mission One: create a revolutionary prepaid product that helps this generation’s teenagers to budget and spend money responsibly. Mission Two: give parents a secure and convenient way to manage their teens’ money. Mission Three: revolutionize the financial industry. And above all: keep it cool.
photo credit: David Heisler 50 HOLLYWOOD WEEKLY
As former owners of a youthgeared advertising agency, Newberry and Klein first got into marketing and branding financial services while creating campaigns for client Bank of America. The duo developed the first wave of “alternative branching” campaigns, launching Bank of America mini-branches inside of Ralphs supermarkets, primarily to add greater convenience for people with busy lifestyles. It was all a part of the genesis of understanding how banking can meet their customers halfway. This ideology is a large part of what makes PCI successful today. Newberry and Klein then focused their efforts on the youth market. They saw a disconnect between, parents, teens and banking, and what happened was remarkable. In 1999, Newberry and Klein partnered up with Maverick Records (Warner Bros.) and created a direct mail campaign and mailed over 1.5 million compilation CD’s to collegebound
h i g h school seniors and college freshmen, linking consumers to label and artist websites, as well as to BofA’s site. Loan volumes increased as response rates shot to an astounding 6.5%. They realized early on that teenagers were becoming powerful consumers, more so than anyone had predicted, and it was all about captivating the audience with an approach that was more teen, and less bank. The key? Deliver the power of music and entertainment in a platform that met
their banking needs, by talking with them, not at them. What Newberry and Klein foresaw, and acted upon, was the notion that teens would become the new power consumers. They also realized that teens had no financial tool to make purchases at retail and online other than using a parent’s credit card or cash. That was over ten years ago, and now it has become an absolute reality. A $189.7 billion reality in 2006, projected to rise to $208.7 billion by 2011 (marketingvoxx study, 2007). This was how the birth of Plastic Cash International and its MYPLASH Prepaid Card brand came about.
made parents’ lives easier. MYPLASH was just the answer. “We wanted to create a product teens would want and use that resonated with their individuality while meeting the parents’ core values and needs. We wanted to create a financial tool to help teens and parents communicate about finance in a language they both could understand,” says Newberry. “With today’s credit card rules and regulations, and the general state of the world economy, there needs to be a way for this upcoming generation to learn to manage their money safely. We want the adults of tomorrow to be smart about spending, and saving. We want informed, yet independent cardholders”, says Klein. S o how does one go about capturing this group of power consumers? It’s all about the infusion of top recording artists, action sports athletes, relevant
There was a void in the marketplace for harnessing this teen spending power in a cool and safe way, while still providing a product that
youth brands and movie licenses that teens like most. With MYPLASH, teens can take control of their wallets, while maintaining the individuality and personal identity that is so crucial to them. MYPLASH was created from the ground up, breaking the conventions set by the old-guard financial marketers. One example is the everexpanding MYPLASH MALL, where cardholders get exclusive access to
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well. Though PCI’s business model was primarily developed to provide great benefits for its MYPLASH cardholders, Newberry and Klein have paid very special attention to the long-term needs of their music, sports and brand partners. “PCI’s goal has always been to boost sales, and drive additional revenue and awareness for our partners, while helping to build their fan base,” says Newberry.
discounts on cool youth products from the hottest brands, retailers and band merchandise sites. “It’s no secret that teens don’t care about rent-a-cars and airline miles. They want music, band merchandise, movie tickets and stuff that fits their lifestyle,” says Klein. In addition to offering cardholders the most convenient, hitech benefits MYPLASH offers exclusive content that brings teens into the world of their favorite artists, athletes and brands. One look at the media page on www. myplash.com and you’ll be riding
dirt bikes with the Metal Mulisha crew, hanging on the tour bus with rock band Hinder, surfing with Roxy pro surfer Kassia Meador, and rolling through the studio with hip hop artist Flo Rida. Perhaps the most notable aspect of MYPLASH Prepaid Cards are their branding, with brightly adorned cards bearing images of the hottest, recording artists, action sports athletes and lifestyle brands. What seems to make these collaborations special is that all the athletes, and celebrities involved are making a statement as
PCI has clearly earned the respect of top artists, athletes and brands across the board. “I trust Brian and Danny to market my athletes in the prepaid space because they keep MYPLASH core and relevant for the fans -- and it’s all about the fans,” says Bob Walker, President of Connexions Sports & Entertainment, the management firm which handles MYPLASH athletes Brian Deegan, Josh Grant and Trey Canard. “Anyone can see that we aren’t ‘suit and tie’ guys. But that’s not all that separates us from the crowd. Our lifestyle and experiences allow us the liberty to think exactly like our cardholders,” says Newberry and Klein. “We live and breathe it daily.” Brian (Newberry) and I surfed competitively, and we still skate, snowboard, ride dirt bikes, and do everything in between to stay connected,” says Klein. They clearly practice what they preach. So, what is next for these renegades? Continued growth at retail, while going global, and going mobile. Starting the company in the U.S., like many native entrepreneurs was the most natural approach. MYPLASH is now sold in over 7,000 major retail locations in the US and growing, making it the largest distributed teen branded prepaid product in the US, displayed in a dedicated section on center aisle end caps in the biggest grocery stores, with over 75 million people a week walking past its products. PCI isn’t stopping there and is now negotiating major distribution deals in Canada, Europe, Mexico, Asia, and South America. “While expanding is not
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only inevitable and important to us, the most important aspect of our growth is keeping our roster fresh and relevant,” says Klein. The duo is so passionate about MYPLASH that their excitement is contagious. As Newberry puts it, “We just have so much happening this year from events, and collaborations to our ex-
also had to learn a lot of what they know today by trial and error. “Failure is not a sign of weakness. As long as you move forward, pick up the pieces and build a better model, it’s a sign of strength. You have to fail to understand how to succeed. We couldn’t have gotten here any other way,” explains Newberry.
for innovation”. Newberry and Klein are truly the renegades of prepaid, transforming a generation while throwing the old business models out the window. For now, all eyes in the industry are fixed on what they’ll do next, and it seems everyone wants to play in their sandbox.
“We didn’t read books on how to reach teens, or how to surf or skate, for that matter. We just did it, “ says Klein. “And that is how we approach the MYPLASH product every day, from a place of true understanding, with a constant need for innovation” panding markets. We’re now having a hard time choosing who makes the roster, as we are getting bombarded with new artists, brands and, now, movie licenses who want to be a part of the revolution we not only created, but are now the market leaders in. We are excited about our growth and going to the next level, bringing key partners with us,” says Newberry. When asked what these men would be doing if they hadn’t started PCI and developed MYPLASH they just laugh. “Well, we wouldn’t be working in a cubical that’s for sure,” proclaims Newberry. If their die-hard-creative-entrepreneur-tothe-core spirit wasn’t readily apparent, it is now. “We like to break rules, and rewrite them, which is the best way to have a positive impact on an ever-changing society. I don’t know what we would be doing if we weren’t building MYPLASH, but that’s what it would look like,” says Klein. As with most serial entrepreneurs, the road for Newberry and Klein has had its fair share of bumps and unexpected turns over the years. Aside from shrugging off the countless claims of “you can’t do that” or “you guys will never pull this off” from industry peers and people who “thought they knew better”, they’ve
With a calling to help society, reform the finance industry, and still have fun, it seems the men behind MYPLASH are here to stay as the renegade market leaders in a $200+ billion dollar industry, in the US alone. Their unconventional approach to business and teen finance seems to be doing just what they wanted: changing the world – or at least an industry, for the better. “We didn’t read books on how to reach teens, or how to surf or skate, for that matter. We just did it, “ says Klein. “And that is how we approach the MYPLASH product every day, from a place of true understanding, with a constant need
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WORLD Photo Credit: eva skaya
the Blessings of a Bigger World
Written by dr. laura Wilhelm lauraWil intercultural
A
s the first decade of the new millennium draws to a close, I have been reflecting upon the many changes I have observed in the world since my childhood in the 1960s and 1970s. Happily, many of these years’ best aspects have returned to guide my actions during the second phase of my life. The idealistic zeal that marked my youth appears to have been transmitted to the Facebook generation. I don’t have children of my own, but people half my age keep finding their way to me in cyberspace. Their
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exuberant talents shine forth in many of the photos printed with these monthly HOLLYWOOD WEEKLY pieces. Because of the Internet, saving the world has never seemed so easy, or so hard. Global crises can now be eliminated with mere clicks of a computer mouse. Social media may have a real role in causes such as suicide prevention, ensuring that no one with online access need ever feel alone, unloved, or unwanted. However, one may often feel overwhelmed by the work that remains to be done in our globalizing world.
As with paying jobs, I have always tried to choose volunteering options that were close to my heart. Literacy tutoring and translation work have allowed me to benefit others with my lifelong love of foreign languages and literatures. Groups such as Designers 4 Africa attempt to restore some balance between the richest and poorest nations on earth by means of art. These same poorest nations on earth were among the first to empathize when terror was unleashed upon America’s proud Twin Towers of world trade on 9/11. The inconceivably affluent US may have forgotten
“We must ensure that the global market is embedded in broadly shared values and practices that reflect global social needs, and that all the world’s people share the benefits of globalization.” -Kofi Annan
our common destiny, but smaller nations only too familiar with tragedy had not. I know emigre artists in their early twenties who often donate products and profits to American environmental causes. Their example should humble us all. The young still have their ears to the heart of the world and appear very anxious about its condition. In the words of emerging novelist Todd Riemer (author of INFERNO): “My writing serves to show a possible destination, a possible vision of where we are heading. Though disturbing and dystopian, my vision is one that brings out the essence of the human experience; the choice to fight oppression or to submit, the choice between what is right and what is wrong.”
for Heaven Has no doctrine. artist: Christine yee
This month I plan to teach my holiday ESL students about Thanksgiving, Hanukkah, Kwanzaa, Christmas, and New Year in quick succession. Our freedom to pursue seemingly limitless options still makes America stand out among the world’s greatest nations. May this sense of abundance continue to spread across the globe. A much-loved military intelligence officer once joked that he shouldn’t like me so much since career-wise I was the enemy, and if he kept listening to me he might be out of a job. Reinventing ourselves as global citizens may well be the price of peace. Knowledge empowers only if we act upon our convictions. The more we come to know, the more we come to care. As long as we keep learning from each other, we’ll be fluent in no time.
the inferno cover artist is dave kinsey.
Photo Credit: nina naydenova
Photo Credit: april davis
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Hollywood Weekly’s Top Picks for Voice Coaches Speak Up...
www.lavoicejoy.com
By: Brea Tisdale
Has anyone ever told you to speak up or speak more clearly? Have you ever felt that your voice doesn’t reflect who you are or express your thoughts and feelings as fully as you’d like it to?
is also currently an Adjunct Professor in Voice and Speech at UCLA’s School of Theatre, Film, & Television. The approach is psycho-physical and holistic. She works to integrate voice, body, thought, imagination, emotion, spirit, psyche –all aspects of the individual into the voice training. When the voice is integrated a deep sense of personal connection can be communicated.
Well it may not be your fault; you may just need to learn how to use your voice more effectively. You can develop a more responsive and resonant voice and clear speech. Or perhaps just explore and discover your voice and self, deepen your physical awareness to unblock your voice, opening you to new possibilities and opportunities.
You can get all this from Adele Cabot, a voice, acting, speech, and dialects professional. She is the founder of LAVoicejoy, The Voice, Speech, and Acting Connection in Los Angeles. Ms Cabot offers private individual coaching, group classes, on and off-set coaching for actors, audition preparation, corporate seminars, presentation coaching, voice, acting, speech, dialects –including General American, and personal exploration work. Ms. Cabot is known for her creative yet practical approach. She brings her sense of artistry and play to each class, session, or workshop. Her own background and training combined with over 25 years of coaching experience in LA, NY, and all over the world reflect a sensitive and nuanced mix of art and craft. She is a Designated
Adele is the place to go if you are an actor. Actors discover a deeper level of the craft of accessing the whole voice and self while working creatively in the presence of the acting moment. Working professionals or just any average person can find more power through their voice, gain the understanding and the tools they need to better themselves and their communication skills.
Linklater Voice Teacher (a rigorous 3+ years intensive training process with the world-renown voice teacher, Kristin Linklater and other master teachers) and has an MFA in Acting from Brooklyn College - CUNY. She trained in and practiced Improvisation with Paul Sills (co-founder of Second City, Chicago), and incorporates the principles of The Alexander Technique and yoga into her work. She coaches film and theatre and
LAVoicejoy Studio is a beautifully renovated studio located on the west side, near the 10 and 405 freeways. It is a light and airy newly renovated space with cork floor for ease on the body and joints. Don’t worry any vocal concern you might me having, you are welcomed and safe with LAVoicejoy, The Voice, Speech and Acting Connection.
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loose tHe damage & find your voiCe By: Brea Tisdale
I am that person who will constantly sing in the shower, the car, at work, pretty much anywhere. The “problem” (as others would like to describe it) is
that I’m not very good; I am never on pitch, in tune or frankly even singing the right words. But like so many of us out there (even if you don’t admit it) we really have a desire to learn how to sing, whether it be for professional gain or for the sheer joy of sounding good at the local Karaoke bar. Never have I met someone that actually gave me the confidence to think, “I could be a good singer, or actually learn how to sing and be good at it.” Then I met Roger Burnley, who much to my shock, told me he doesn’t believe people are tone deaf. He believes anyone can learn to sing, where there is a will there is a way. Roger is originally from Chicago where he began his singing career in grade school at the mere age of 12. He was selected to be a member of the Chicago All City High School chorus, which was quite an honor. It was with this choir and the Chicago Symphony Orchestra, that he got his first professional experience. Roger then moved to New York City where he focused on Musical Theatre as well as some opera. In 1982 he settled in Los Angeles where he continued his studies with many different vocal coaches. Roger was dealing with his own vocal issues, and through this he began developing his own training techniques and has been teaching voice since 1988. All
of this really began in a unique way when a doctor in Beverly Hills, began referring patients to Roger for rehabilitation. The doctor would send over the “problem” in medical terms (which as we all know can seem like a foreign language) so Burnley began researching each issue and worked with each patient to take care of his or her vocal issues. A lot of this understanding came from Roger’s own insecurity in his voice; he was always having problems with his voice. Regardless of all his own personal vocal success, he never really trusted his ability. He felt there was something that he wasn’t doing quite right. So he always continued to learn. It was through all this he discovered something that he was doing wrong. Something in his voice, that was never corrected, resulting in him damaging his voice. After coming to the realization that no one needed to damage their voice in order to be a professional singer, Roger began teaching others. Roger has such a talented ear that he can hear right away, when listening to his students, what the problem is in their voice. Roger has taught the likes of Macy Gray, Brandy, Ray-J, Macy Gray, Brandy, Ray J, Nona Gaye (Marvin Gaye’s daughter), James Tormé (son of Mel Tormé) Adam Yauch (Beastie Boys),
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Eric Balfour, Dee Dee Warwick, Viola Wills, The Beauties with Jason Nesmith (son of Mike Nesmith, the Monkees), Solomon Burke, Jr., Pepper MaShay, and many more session singers, songwriters and rising stars.
I found to make this truly unique was that you could correspond back and forth with Roger on a personal level. He doesn’t just send his training videos to you and leave you there to figure it all out by yourself.
As we all know, the Internet is a massive vessel for all sorts of good or bad information. Well… Roger has tapped into the good side. He has just realized his third vocal instructional video “Roger Burnley’s Singing-MadeSimple.” But it is so much more than an instructional video; it’s a whole vocal training program; it’s one on one lessons, without having to get out of bed. For every single person that gets “Roger Burnley’s Singing-Made-Simple”, you get access to a members only site. Here you can upload questions directly to Roger, upload MP3’s and video for Roger to critique and give feedback, read Roger’s blog, and interact with other artists and users. Not only that, but there are a few extras that only members get access to. The key element that
Some people heard I was writing an article about Roger and since then, I have been getting emails from complete strangers telling me how dear and special Roger is to them, and what an impact he has had on the vocal community. I’d have to say I was the most impressed with Roger and how he uses his talents, patience, the Internet and his passion to help inspire artists and individuals all over the world. For more information, or to contact Roger, visit: www.RogerBurnley. com”
Born
in
London,
England,
Claudette
moved
to
Montreal, then Toronto, Canada before making Los Angeles home. Consequently, she found her accent ever changing as she adapted to her new surroundings. She developed a love and respect for accents and an exceptionally keen ear for phonetics from living in four of the most cosmopolitan cities in the world. Claudette is an award winning actress and a veteran of stage and screen, as well. She has appeared on more than 100 television shows, numerous theatrical plays and many commercials throughout her career, using her gift for accents to create a broad range of characters in many of
By: Brea Tisdale
her roles. She draws on her own experience when working with actors to help develop full characters.
www.theaccentcoach.com www.twitter.com/TheAccentCoach
Discovering Your Inner Accent
They say laughter is the best medicine; well it is also a terrific teaching tool. This is the motto that Claudette Roche, the Accent Coach, lives by. And her raw talent for discerning and teaching the way we speak is nothing to joke about.
She states, “Foreign actors working here need
Claudette teaches well-established and
an American accent. It’s crucial to being versatile
aspiring actors, working one-on-one in her of-
and more cast-able.” As her students’ testimonials
fice, on film/TV production sets or via Skype.
attest, she is astonishingly adept at teaching the
She adds, “ There’s no accent I can’t do or
way we Americans really speak. Her attention to
teach.” As part of her dedication, she’s in con-
detail is impressive, pointing out to me how we very
tact with people from all over the globe, absorbing
often use the word ‘innernet’ for ‘internet’, removing
their delicate lilts and rhythms. And she generously
the middle T and barely using the final T. And ‘I’ll
Tweets accent how-tos every week.
go’ becomes ‘all go’. She picks up on the slightest sounds that many Americans don’t notice we make. Fascinating. And Claudette’s foreign accent repertoire is amazing. As we chatted, she spoke in a perfectly
Claudette encourages actors to build a repertoire. Her advice, “Assess your look and learn accents for which you will most likely be cast. Be prepared to land that next role, no matter what the accent. Book the PAHT and become a STAH.”
neutral American accent but in a flash she switched to Cockney, Irish, New York, French, Texan, Chinese, Jamaican and Russian. And what’s so wonderful isn’t just that she can do accents, it’s that she can teach them. Within 15 seconds, her accessible technique had me speaking with a British accent. She wrote down the word PART and then underneath, wrote PAHT, saying, “AH is the sound you make when you see a cute baby.” It’s this rare combination of charm and talent that sets her aside, it’s not something we’re all born with. It’s a true gift.
HOLLYWOOD WEEKLY 59
LA meets San Francisco
www.voiceoneonline.com
When looking for good voice-over and acting training, Los Angeles and New York usually top the list. That is until I found Voice One in San Francisco. For over twenty years, Voice One has offered a comprehensive voice-over and acting training program.
Under the direction of owner/founder and author of the best selling voiceover book, There’s Money Where Your Mouth Is, Elaine Clark offers a one-stop-shop to learn how to make money as a professional voice-over, stage, film, and commercial actor.
By: Brea Tisdale
Why San Francisco rather than LA? Well, the City (that’s what the locals call it) has it all. It’s known for its creative ad agencies. In fact, many consider San Francisco the 4th largest market in advertising after LA, NY, and Chicago. Silicon Valley, home to many high tech companies like Apple, Google, Ebay, and Yahoo, provides a wealth of corporate narration and on-camera spokesperson jobs. The video game industry, which started in the Bay Area, is thriving. Toy companies like Leap Frog guarantee toy voice work for many local actors. The independent film business is steady and TV shows, like Trauma, hire local actors. Plus, the Bay Area has little companies like Pixar, Lucas Arts, Skywalker Sound, and Electronic Arts in its backyard. The driving force behind Voice One, Elaine Clark, is an award winning actor, director, producer, teacher and playwright. She is a member of SAG and AFTRA and has performed in hundreds of voiceover and on-camera commercials, industrial narrations, video
games, toys, films and TV. Voice One also performs production services in casting, directing, and recording. Curriculum at Voice One is based on four major components: Sub-text, Technique, Spontaneity, and Style. Core curriculum classes include four tracks: Commercial, Narration, Character, and Business/Marketing. Classes are ongoing throughout the year. During the summer, Voice One offers a three-week Summer Fast Track. It includes one full week each of commercial, narration, and character classes. Students from all over the world (including Japan, Germany, China, Canada, and Mexico) train at Voice One. Every teacher at Voice One is a working professional – actor, producer, director, talent agent, casting director, or engineer - with real life experiences and knowledge to share. Classes are designed to help students become professional actors or at the very least become better communicators. What I learned in talking to Ms. Clark is that the job of a great communicator is to engage the audience, make them feel the message, and take action. That, it turns out, is harder than you think! Average class size is around a dozen people but varies based on class structure. The place to start, Intro to Voice-Over and Acting, is offered every six weeks or so. Investment is only $30. Weekends and evenings are primary class times. Voice One provides a supportive, nurturing environment that offers students with the tools and strengths they need to become working professionals in the voiceover and acting business. So whether you are new to the business or want to improve your skills, Voice One in San Francisco has you covered. Indeed, like the title of Ms. Clark’s book, “There’s Money Where Your Mouth Is!” To learn more about Voice One, check out www.voiceoneonline.com, call 415.974.1103, or email vone@aol.com.
60 HOLLYWOOD WEEKLY
training takes the form of a dedicated vocal coach who inspires her students to think outside the box.. In today’s professional environment it isn’t good enough to be good. You must bring something fresh and original to the table. Tapping into your uniqueness and authenticity is what makes us hirable and gives our careers longevity.
For those who study and work with Suzanne Lukather, that
Suzanne points out that today’s talent are no longer given the same opportunity for preparation as in the days of the Hollywood studio system when studios took young talent under their wings and trained them to sing, dance, and act. This system produced stars like Gene Kelly and Fred Astaire, who were not primarily singers, but had the voice training to introduce some of the most famous standards in the Great American Songbook. Suzanne’s undergraduate and post-graduate study at University of California and Julliard as well as thirty
By: Brea Tisdale
Connecting Voice with Song
We professionals all know how crucial it is to find training that propels us to break through our barriers of expectations and craft to possibilities that otherwise lie just outside our grasp.
In her Alhambra studio Suzanne trains students to do just that. “It all begins with developing sound vocal technique,” says Suzanne referring to her use of the time-honored Bel Canto method, “The speaking and the singing voice are the same voice. There is one voice; but many styles of singing.” Suzanne guides her students through the discovery of this connection navigating the technical requirements of the music which paves the way for creating compelling moments in your performance. “This is what engages the listener— critics, casting directors, musical directors, and audience members included. It’s those moments that tip the balance in your favor and separates you from the other hundred people they’ve heard,” explains Suzanne. “Which is exactly what happened in my career. I was cast in the first Broadway show I auditioned for. I was the only one called back out of the three hundred other singers auditioning that day because I had a moment that stood out from the crowd.”
years of what Suzanne humbly refers to as “on the job training” in over 28 shows on and off Broadway, Tours, including a sixteen year affiliation with the Disney Company, are the foundation for her practical approach. “It’s all air compression. In singing, your body is the instrument; your voice is the music. You sing with a still open throat. It takes both physical and mental coordination to accomplish this, much like playing tennis or dancing,” explains Suzanne. Summing up, she adds, “When a student stops listening to the sound of his or her own voice
and starts focusing on the visceral experience of singing, they are on the right track.” Suzanne struck me at first impression, as someone who is honest, passionate, and confident. I am happy to report after getting to know her more, first impressions are lasting. Suzanne Lukather’s professional affiliations include AEA, SAG, AFM, and NATS.
Studio contact: 800.676.5204 HOLLYWOOD WEEKLY 61
“The Science of Switching” By: Brea Tisdale
Steven Memel, one of our Top Picks for vocal technique and performance coaches, is leading a New Revolution. He is the energy behind and the inventor of “The Science of Switching On.” This new and disruptive technology is a step-by-step approach that brings together the vital elements every artist must have. It’s the magical interplay between technical, emotional, mental, and energetic elements that make unforgettable, compelling He doesn’t’ buy into the idea that there is performances. right or wrong when it comes to art, there is just I was able to speak with Steven last week and found myself enlightened by what he had to say. I discovered that he became a teacher at the young age of 19 years old. It happened by chance in College; a teacher pulled him aside and told him that he was too qualified to be in the class. Steven needed the easy credit so he struck a deal with the professor. Steven taught part of the class for the rest of the semester; and that was when and where the magic began. Steven’s belief in people is beyond extraordinary. He truly believes that there is only one art, and that art is you. What is refreshing is that Steven doesn’t adhere to most rules, he finds them limiting. The principles behind the “The Science of Switching On” are based on methods that break patterns and literally take the mask off traditional voice and performance coaching.
62 HOLLYWOOD WEEKLY
you. He believes that in order to get the most out of your voice you have to develop all parts of yourself. “The Science of Switching On,” is the first system that integrates the physical, mental, emotional, and energetic parts to deliver the best you. Steven is committed to being a contribution to his students, and most importantly to the world. Steven has the ability to open the door to spontaneous creativity that gives way to immediate transformation. His students literally step over the line from good to great. Steven works with Singers, Actors, Voiceover Artists and Public Speakers.
HW’s Top Picks for Acting Coaches Your Artistic Community
www.bhplayhouse.com
By: Brea Tisdale
As an actor, one is always
schools. Founded by renowned
to its approach to Acting, the BHP
looking for a trusted solid com-
director
Milton
instructs its students in the areas
munity one can be apart of. A
Katselas, the BHP has for over thirty
of Career Administration and the
community that will allow them
years offered ongoing intensive
proper Attitude that will help you
to spread their wings, and grow
scene-study classes for both the
survive and handle any negativity
as a person and as an actor.
professional actor and those who
that comes up in the pursuit of a
Unfortunately for some they fall in
are looking to develop themselves
life in the arts.
the wrong place and fortunately
into professional actors.
for others they fall into a place
and
teacher
Breaking into the entertain-
The BHP trains actors in a
ment industry is hard enough, so
down-to-earth fashion, with easily
don’t let the training and guid-
applied techniques to create full,
ance you choose be a burden,
The BHP is one of Los Angeles’
believable performances that en-
trust a place that was trusted by
oldest and most respected acting
lighten and entertain. In addition
so many others.
that is established and trusted, The Beverly Hills Playhouse.
HOLLYWOOD WEEKLY 63
Lesly’s Non- Method www.leslykahn.com
Lesly Kahn & Company is not a conservatory program promoting love and passion for the craft of being unemployed! Most acting schools teach one of the several derivatives of Method Acting (like Strasberg, Adler, Meisner, etc) For those of you unfamiliar with it, Method is an acting technique originated by Stanislavski at the Moscow Art Theatre in Russia in the late 1800’s. It’s an incredible thing, but it’s also old. More importantly- it was created for the stage before film and television exsited. Method acting probably isn’t the reason an actor quites college/ the family business and/ or pissed off their parents/ dumped their high school sweetheart to do. So what do people come to Lesly Kahn for? They come to
64 HOLLYWOOD WEEKLY
get an audition today and be able to book it tomorrow, to instantly figure out what the writer wrote and make it their own. To learn to immediately translate casting director “language” into actor “language”- so that you can execute the requested adjustments. Here you will also learn to survive the ups and downs of life as an actor and conquer. At LK and Company you will rarely hear about actions, objectives, substitution or sense memory. There will be no personal objects, no repetition or private moments. At Lesly Kahn they are teaching you to be prepared for real life situations you will face as an actor in Los Angeles in 2010. So ditch the method, because it won’t get you the job!
How to Ignite Your
Acting Fire
By: Brea Tisdale
www.kimberlyjentzen.com multiple times. Jentzen captures the essence of artistry in each individual, incorporating Chekhov, Adler, Strasberg and Meisner - she is THE expert in artistic creation.
In acting, we often hear CD’s, directors and coaches talk about listening, connecting and finding your center. Actors have to stay grounded and learn to navigate through life experiences, emotions and fears. We don’t come out of the womb prepared to go after a career in acting; we need someone to guide and direct us. We need a teacher who can help us tap into our creative force and access our inner-selves. Luckily, actors in Los Angeles have premier acting coach, Kimberly Jentzen. Jentzen has been coaching successful film, television and theatre actors for more than twenty years. She has been featured in numerous publications and voted “Favorite Acting Coach” in Los Angeles
Jentzen’s students have booked roles on hit TV shows such as Dexter, Lost, Flashforward, The Forgotten, Grey’s Anatomy, Madmen, Heroes and 24 and in feature films including The Notebook, Confessions of a Dangerous Mind, Flags of our Fathers, Zodiac and Resident Evil, to name just a few. Under her tutelage, her actors have also gone on to star in Broadway productions such as Rent and Mama Mia. Classes start with a warmup, a visualization exercise that connects actors internally and channels their imagination and concentration. She teaches techniques that build the actor’s process: scene work, monologues and cold readings as well as on-camera work, character development and script breakdown. Actors develop confidence and hone the skills necessary to book jobs and build successful careers.
Jentzen has created a unique series of Power Tools that enable actors to go beyond their limits to bring out their best performance. “The Jentzen Technique” generates consistently strong auditions and characters that stand out from the pack. “A career is built on one good audition after another,” says Jentzen. “When you consistently give better and better auditions, you generate the confidence to create professional breakthroughs.” She goes on to explain that a great actor doesn’t get caught watching themselves, but rather lives into the life of the role. Just by talking with Kimberly Jentzen, one will begin to feel empowered, feel that little acting light inside begin to flicker. Jentzen believes there is a fire inside all of us and that we must find the energy that ignites it. Her book, Acting with Impact: Power Tools to Ignite the Actor’s Passion will be available soon and is a must read for anyone wanting to find their fire.
HOLLYWOOD WEEKLY 65
Discovering
The Playground By: Brea Tisdale
www.theplaygroundlosangeles.com
They say kids are some of
unique because they absorb
involve into the superstars we
the most honest people, they
so much, so you are inevita-
all know them as.
haven’t been around long
bly making a large impact
enough to be “tainted” or jad-
on who they will become.
ed by society. They don’t un-
Spatz explains that kids keep
derstand tact, or the concept
you grounded, forcing you
behind a “white lie.” They are
to be a better teacher, more
real, honest and define the def-
engaged, conquering chal-
inition of living in the moment.
lenges. You have to keep the
For Gary Spatz, Director of the “The Playground”, this is exactly what he does. When I met Gary I walked into what looked like the most amazing place to hang out, play, discover and find my inner child. His studio consists of multiple rooms, with different types of sets, and “playgrounds.” Even though it was silent when I was
children constantly involved, so they aren’t “skipping” out on you. So he is constantly updating his material and lessons, in fact he has a huge library scripts ranging from television shows, past and present, films and theatre. So there is always something for everyone, allowing a young actor to really expand his or her wings.
there, I could tell these walls
Gary worked as an acting
were graced with the presence
coach and creative consultant
of innocent creativity, laugh-
on the Mickey Mouse Club,
ing children and kids learning
and he said it was such a plea-
what it is to be an actor.
sure to watch the kids (which
Gary says it is his privilege to be working with children. He spends all his weekend down at the studio, running around “The Playground”. Spatz explains
teaching
66 HOLLYWOOD WEEKLY
children
is
I think we all know who these very famous group of young ones are) stay on the path and continue their journey. I suppose that is one of the major benefits to coaching young children, you get to see them
The challenges Gary and the teachers (who by the way are all actors themselves) find is that you have to keep everything playful. Gary says that acting is a child’s art form, adults have to give themselves permission to pretend, children on the other hand, are escaping reality at all times. They will trust in the reality that you tell them to be true. So when they escape to the moments on the script, they exist in this world, they are apart of it. Let’s be honest though dealing with children can be very difficult at times too, it takes a special person to be able to do the things Gary Spatz does. He has the essence of a child, the insight of an adult, and a heart of gold. The magic that happens over at The Playground you can tell is real, honest and empowering, if I wasn’t 25 years old I would have been down at The Playground myself!
tHe World of
imagination By: Brea Tisdale
www.stuartrogersstudios.com You don’t have to travel
here in Los Angeles; Theatre
all the way to Russia to learn
Tribe- www.theathretribe.com
about some of the wonderful
. Which he won an Ovation
things to come from there (and
award for directing and has
no I am not talking just about
been nominated for several
Vodka).
Circle Awards.
Here in Los Angeles
you can find someone who is founded in the teachings of Stanislavski, Chekhov and many other incredible Russian acting teachers, that set the foundation for what is know as “the method”. Locally, Stuart Rogers has his studio founded in the core and “imagination” of these great Russian acting teachers.
you will find yourself filled with knowledge, experience, creative
growth
and
chance
to really enter the world of
So what makes his teach-
imagination.
ing so special? The classes are no more than 26 people, and the students are put together not based on how long they have been there, or any sort of interview process. They are placed with people that are at the same level of them professionally.
So
you
truly
are surrounded by a group
Stuart is a third generation entertainment
At Stuart Rogers studio
of your peers, meaning the
professional;
things that you are experienc-
coming from a father who was
ing and going through profes-
a prominent theatre producer.
sionally, everyone around you
Stuart himself was an actor for
in your class is going through
12 years and was a member of
the same thing. You grow with
the Circle Rep. Theatre; in fact
your professional experience.
he has been in over 50 equity
Another thing I enjoyed about
plays. Not only did Stuart em-
Stuart’s set-up was that all of
brace himself into the perfor-
the teachers involved in the
mance aspect of things, he
studio are not teaching be-
also put himself through the
cause they couldn’t make it
entire spectrum of the film
as an actor, they all at some
and theatre; from sweeping
point made it as an actor and
the floors, to stage-managing,
are teaching because they
writing, directing and produc-
want to be teaching, not be-
ing. Eventually leading him to
cause they have to.
have his own theatre company
HOLLYWOOD WEEKLY 67
Exploring Your Voice www.dialectsandvoice.com www.methodsworkshops.com
By: Brea Tisdale Sometimes we let our nerves, feelings or just plain lack of knowledge get in the way of letting our true ‘voice’ come out. Understanding one’s voice and how to use it properly is the most important tool one has when giving a speech, communicating on a daily level or most importantly when acting. Actors are not only sometimes required to speak in different dialects; they must be understood/ heard by the audience. To better do this one needs to explore how their breath works inside their body to produce speech. This can seem overwhelming to anyone who is thinking of working with the voice as a means to reach a deeper or different level of acting, however with the help of Amy Sue Fall this process can be much less daunting and perhaps even fun. Amy Sue is a certified Associate Teacher of Fitzmaurice voice work® and a certified Colaianni Speech Practitioner. She received her MFA from Roosevelt University Conservatory in Chicago & Linklater trained by a Master Designated Linklater Teacher. Amy Sue was introduced to Louis Colaianni when having problems with a dialect teacher. A friend of hers recommended him and put them in touch. Through Louis and his “phonetic pillow” technique, Amy Sue fell (even deeper) in love with voice and speech work. After apprenticing with him, she started teaching Louis’s work at universities across the US, but eventually the warmer weather called and she made the move to Los Angeles seven years ago.
68 HOLLYWOOD WEEKLY
Amy owns and teaches out of Isis Studio just a few miles north of the No Ho Arts District. In addition, she is a dialects, voice and speech teacher at the Idyllwild Arts Academy and just finished coaching CSUN Opera, “Street Scene”. By combining Fitzmaurice with all that she has learned along her journey she has developed her own unique way to help students and clients access their emotions and bring those emotions onto text. Amy Sue strives for truth; so much so that what she works towards in her teaching is honesty. One can be truthful in what they say, but it may not always be honest. Amy Sue is constantly growing and learning herself, from other teachers and from working directly with people. She believes in the importance of constantly expanding and moving forward yet always staying in a very honest ‘space.’ To this end she has created the “Methods Workshops”. Here she gathers teachers from around the globe, from different English speaking disciplines (voice, speech, Shakespeare, movement etc.) to teach together in one week. This allows dedicated students an “all in one” studio training experience by working directly with Masters of a specific field. Amy Sue Fall believes in the power of the Voice and has the love, honesty and dedication to back up her extensive training and certification.
Let’s Make Believe
By: Brea Tisdale
www.aaronspeiser.com Let’s face it Los Angeles is
15 years experience as an actor;
home to the land of entertain-
he got his MFA on the east coast,
ment, dreams and endless pos-
where he continued to perform
sibilities. Many of us come here
in countless Broadway shows.
of multiple rehearsals. It is of up
to try and “make” it. Trying to
He finished his studies at the Uta
most importance to him that his
achieve what everyone back at
Hagen studio. Speiser made it
students be prepared for the
home said was impossible, scary
his point to understand all the
real world, be prepared to be a
or “too risky.” The problem is dis-
techniques out there on acting,
working, paid actor. It’s also very
covering what is real and what is
because he believes techniques
important to him that every one
someone trying to take advan-
are a process to get you to living
of his teachers at the school are
tage of you? Especially for ac-
in the imagination in the script.
teachers, not “part time” actors.
tors, where does one go to find a
He likes to minimize the faking
He says that if you are a teach-
good mentor, someone who will
and use the imagination, when
er, than you are committed to
guide them and teach them in
talking and listening. Saying it’s
teaching and to the training of
an honest way? And when they
about knowing how to make the
teaching the craft.
do find these teachers, are they
imagination real, his bottom line
going to give them the tools to
is “make yourself believe.”
work professionally or are they
Most of Aaron’s students are with the studio for two years, and
The unique thing about
he says that when they leave
Aaron is his specialty is film and
they are ready for the profes-
television since we are locat-
sional world and not the world of
ed in Los Angeles, the hub of
class. Aaron knows the hard work
Enter Aaron Speiser, a man
Film and TV. He believes this is
and dedication it takes to being
who truly is inspiring and infor-
the 21st century and that there
an actor and he knows how to
mative to listen to. I found myself
should be no rehearsal, in fact
harness, prepare and achieve
getting off the phone with Aaron
he doesn’t let any of his students
results to get actors ready for the
wanting to know more, learn
rehearse, he says that in the real
working environment.
more, discover more. Aaron has
world, you don’t have the luxury
only going to teach them how to rehearse and perform in a closed private classroom?
HOLLYWOOD WEEKLY 69
6683 hollywood blvd | 323-460-6608 | www.essexhollywood.com 70 HOLLYWOOD WEEKLY
60 beers | full bar | kitchen 7 days 11:30am-2am
Aloha, meet 10-yearold Shaun Twiddy from Hawaii He is an actor, model, singer, ukulele player, bowler and aspiring director.
Hair color: black Eye color: brown Height: 4’ 6” Weight: 62 lbs
By the first grade, he had already gotten a role as an extra on “Lost.” Shaun was very curious about how television shows are produced, and how the cameramen and director work.
New Talent
Shaun Twiddy
Shaun’s agent believes Shaun will be the next Ron Howard because of this. He also likes being in front of the camera and meeting new friends.
Cell: (808) 368-7993 jntwiddy@hawaii.rr.com
email: LRUEM@Yahoo.com (310) 836-2446 Beverly Hills (773) 973-1251 Chicago
ADVERTISE WITH HOLLYWOOD WEEKLY! (32 3 ) 9 6 5 - 0 5 5 5
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72 HOLLYWOOD WEEKLY
actress/model:
sia darmos
Credit:speeddemonPhotography.com
Contact:uem management:(310)836-2446 email:modelmgr@gmail.com siadarmos@yahoo.com HOLLYWOOD WEEKLY 73
74 HOLLYWOOD WEEKLY
actress/model:
sHar monroe Contact:uem management:(310)836-2446 email:modelmgr@gmail.com sharmonroe@gmail.com Photo Credit: Patrick Bastien Photography
HOLLYWOOD WEEKLY 75
THEATER
la tHeatre Beat Winter is finally here, and though it’s really cold now for southern California, our local theatres are hotter than ever with new shows, like:
By STEVE ZAll ANd SId FISH
Questa Gleason and directed by Chelsea Sutton, it runs December 3 through December 19 at The Eclectic Company Theatre in Valley Village. For tickets call 818-508-3003 or visit www.eclecticcompanytheatre.org.
“Island of Brilliance” the play revolves around Eve, a unique young college woman who displays unusual honesty and generosity. When her older sister (who has an IQ of forty) begins reciting poetry, her life is disrupted in a complex series of events that shape Eve’s future. Written by Dawn O’Leary and directed by Wynn Marlow, it runs December 2 through January 16 at Pacific Resident Theatre in Venice. For tickets call 310-822-8392 or visit www.pacificresidenttheatre.com
“Remembering The Ladies” salutes the legendary ladies with song, story and film clips, featuring memorable moments from the legendary careers of Judy Garland, Marilyn Monroe, Marlene Dietrich, Debbie Reynolds, Carol Channing, Shirley Bassey, Liza Minnelli, Lucille Ball, Lena Horne, Peggy Lee, Edith Piaf and more. Written by Toni Morrell and directed by Karen G. Cadle, it runs December 2 through December 31 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www. elportaltheatre.com.
“Traveling Carnival Freakshow” A holiday-themed show featuring an amalgam of elements of theatre, dance, burlesque and cabaret. Written by Chelsea Sutton and
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“Radio City Christmas Spectacular” The West coast production was specifically designed for large-scale venues and replicates on a grand scale the exact production of The Christmas Spectacular at Radio City Music Hall. Audiences are taken on a theatrical journey that the entire family can enjoy together. Children thrill as Santa takes the audience on a magical sleigh ride to the North Pole, while parents marvel at the unparalleled precision dance of the Radio City Rockettes. The Christmas Spectacular is truly unique in its universal appeal to people of all ages. From small children to grandparents, this dazzling holiday production is guaranteed to bring smiles to their faces and help create wonderful family memories to last a lifetime. The production is enhanced by an immense LED screen that transports the audience from a wintry landscape to Times Square to Santa’s Workshop right before their very eyes. The larger than life sets and awe-inspiring special effects allow families to connect with both the intimacy and grandness of The Christmas Spectacular as they are immersed in the warmth and grandeur of the holiday spirit. From the moment guests settle into their seats, the audience becomes part of the spectacular’s magical experience. Fan-favorites like the legendary “Parade of the Wooden Soldiers,” which continues to set the standard as the signature Rockette number for precision performance, and the “Living Nativity” remain a vital part of the show’s core. And the Rockettes will undoubtedly bring the audience to their feet with a Rockette finale “Let Christmas Shine,” which honors and celebrates the Rockettes as the stars of the show. Directed and choreographed by Linda Haberman, it runs December 6 through December 7 at the Honda Center in Anaheim, and December 9 through December 12 at the Nokia Theatre LA Live in Los Angeles. For tickets call 800-745-3000 or visit www.ticketmaster.com. “Bullshot Crummond and the Invisible Bride of Death” Vile Teutonic arch-villain Otto Von Bruno and his femme fatale companion Lenya have gained control of a
powerful and effective invisibility formula. They pursue a fiendish plot to steal the Crown Jewels of Britain as they plan a course to achieve world domination. Only two people stand in the way of the wicked Von Bruno and Lenya: The intrepid adventurer Bullshot Crummond, champion of all that is good and British - and his beautiful bride Rosemary. But to retrieve the Crown Jewels, Bullshot and Rosemary must not only defeat Von Bruno and Lenya, but also the Moroccan terrorist and self-rule fanatic Al Shaitan and his army of cutthroats. Written and directed by Ron House, it runs December 10 through January 16 at the Whitmore-Lindley Theatre in North Hollywood. For tickets call 800-595-4849 or visit www.bullshotisback.com. “The First Jo-el” is a comedic parody of the story of the nativity with the help of Piano Man, Billy Joel. Let go of that New York State of Mind, and Say Goodbye to Hollywood, and hello to Bethlehem! She’s Got a pregnant Way About Her, but when they Tell Her About It that there’s no room at the inn, Joseph and Mary are Movin’ Out to the manger. Come out and enjoy yourself for The Longest Time! Written and directed by Matt Walker, it runs December 10 through January 16 at the Falcon Theatre in Burbank. For tickets call 818-955-8101 or visit www. falcontheatre.com. “Julia” set against a crumbling urban backdrop, this is a touching and tender examination of a fifty-year-old love – lost and reclaimed. Written by Vince Melocchi and directed by Guillermo Cienfuegos, it runs December 11 through January 30 at Pacific Resident Theatre in Venice. For tickets call 310-822-8392 or visit www.pacificresidenttheatre.com “Calligraphy” Take one part stable cousin in Los Angeles, one part sexy blonde-wig-sporting cousin in Tokyo, and two parts aging mothers. Add ice, tension, shake it up, and serve. Written by Velena Hasu Houston and directed by Jon Lawrence Rivera, it runs through December 12 at Los Angeles Theatre Center in Los Angeles. For tickets call 866-411-4111 or visit www.thelatc.com. “Nightsong for the Boatman” Harry Appleman, an aging, washed-up poet, plays dice with fate and loses. Through various cunning contrivances, he tries to avoid his mortality. He discovers his humanity when he learns he can’t sacrifice his daughter, but a tricky graduate student will do. Written by Jovanka Bach and directed by John Stark, it runs through December 12 at the Odyssey Theatre in West Los Angeles. For tickets call 310-4772055 or visit www.odysseytheatre.com.
are to be hunted, thrown into prison or killed. Can the Animal Kingdom ban together and save the Wolf’s tail in time? The story is humorous, with a message that is universal. Written and directed by Vinnie Torrente, it runs through December 12 at the Raven Theatre in North Hollywood. For tickets call 323-960-7726 or visit www. plays411.com/theanimals.
“Uptown Downtown” Leslie Uggams stars in this dazzling musical evening where, in stories and song, she recreates her extraordinary journey from uptown to downtown, from Mitch Miller to “Roots,” from the Apollo Theater to Broadway. Directed by Michael Bush with musical direction by Don Rebic, it runs through December 12 at the Pasadena Playhouse in Pasadena. For tickets call 626356-7529 or visit www.pasadenaplayhouse.org. “Broadway Holiday” features much loved holiday tunes as well as hits ranging from classic shows such as My Fair Lady and South Pacific, through groundbreakers like West Side Story and Chicago, to current blockbusters like Jersey Boys, and Wicked – performed by five top performers from Broadway and a three-piece band. Created by Neil Berg, it runs December 17 through January 2 at the Gil Cates Theater in the Geffen Playhouse in Westwood Village. For tickets call 310-208-5454 or visit www.geffenplayhouse.com.
“Cinderella: A Musical Extravaganza” takes the traditional children’s fairytale and sets it to today’s music and places it in a unique setting that has a comical twist and incredible magic such as a pumpkin turning into a carriage with real live ponies right before your very eyes. Produced and directed by The Lythgoe Family, it runs through December 19 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www. elportaltheatre.com. “The Animals and Me” is about the rights of all mankind, as seen through the eyes of animals, as Wolf and his family are stripped of everything they own. They
“A Christmas Carol” is an all-new musical adaptation of the classic Christmas story. Written by Charles
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Dickens and directed by Christina Harris, it runs through December 23 at the Sierra Madre Playhouse in Sierra Madre. For tickets call 626-355-4318 or visit www.sierramadreplayhouse.org. “Rock with You, The King of Pop’s Latin Side” is a celebration of music and dance masterpieces made famous by the late, great Michael Jackson, done with a Latino beat and re-orchestrated in rhythms such as Salsa, Cha-cha-cha, Merengue, Bachata, Reggaeton and even some Latin Hip Hop. Written and directed by Seaon Stylist Bristol, it runs December 23 through January 2 at the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.
“A Christmas Carol” is a musical adaptation of the classic holiday tale. Written by Charles Dickens and directed by Tim Dietlein, it runs through December 24 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit www.glendalecentretheatre.com. “A Christmas Carol” is the traditional staging of the classic holiday tale with many of the familiar actors seen in this production in previous years. Written by Charles Dickens and directed by John-David Keller, it runs through December 26 at the South Coast Repertory theatre in Costa Mesa. For tickets call 714-708-5555 or visit www. scr.org.
in South Pasadena. For tickets call 866-811-4111 or visit www.fremontcentretheatre.com. “Daddy Long Legs” is an exquisitely moving story of a young orphan girl named Jerusha as she blossoms into a beautiful, intelligent and vivacious woman at the turn of the last century. A trustee of the John Grier Orphanage offers Jerusha a proper education, but the benefactor’s only requirements are that Jerusha never know his identity, and that she write him monthly (though he will not respond). She sees him once in shadows and invents a nickname for her mysterious patron—Daddy Long Legs. Her letters to him paint a moving portrait of her lonely life in the orphanage, the development of her mind and spirit, and the growing personal relationship that she develops with her unseen benefactor. Written by John Caird and Paul Gordon, it runs through December 26 at the Laguna Playhouse in Laguna. For tickets call 949-497-2787 or visit www. LagunaPlayhouse.com.
“Inspecting Carol” when a financially-strapped Midwestern regional theater company is informed that their annual endowment grant is in question, and an inspector will be paying a visit to decide their fate, a case of mistaken identity wreaks havoc and puts a riotous spin on their already unusual version of “A Christmas Carol.” Written by Daniel Sullivan and The Seattle Repertory Company and directed by Chris Winfield, it runs through January 2 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-700-4878 or visit www.thegrouprep.com. “West Side Story” this musical follows the doomed love story of two star-crossed lovers from rival gangs - the
“Sweet Mama String Bean: A Celebration of Blues Woman Ethel Waters” is about legendary performer Ethel Waters, star of radio, TV, Broadway and feature films, who was the daughter of a 12-year-old rape victim, but worked her way up through vaudeville to become a celebrated blues singer and star in 12 Broadway productions, ultimately becoming one of the highest paid entertainers in America. Written by Vallimar Jansen and William L. Stout, it runs through December 31 at the Fremont Centre Theatre
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Jets (a working-class white gang) and the Sharks (firstgeneration Puerto Ricans). Tony, a member of the Jets, falls in love with Maria, sister of Bernardo, the leader of the Sharks. Directed by David Saint and choreographed by Joey McKneely, it runs through January 2 at the Pantages Theatre in Hollywood. For tickets call 800-982-2787 or visit www.broadwayla.org.
la tHeatre Beat
Happy Holidays We would like to take this opportunity to thank our publishers, editors, and support staff, for their tireless, ongoing efforts devoted to making this column available to our readers each month. merry Christmas and Happy Holidays to one and all!
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