Core Chronicles Volume 2

Page 112

Divine Mercy

Melonie Mulkey, MFA Digital photograph. This photograph is inspired by the revelations and experiences recorded in a diary by Saint Faustina, a young polish nun from the Congregation of The Sisters of Our Lady of Mercy. In 1931, Jesus appeared to Saint Faustina in a vision wearing a white garment with his right hand raised in blessing and his left hand touching his heart where a red and pale ray of light shine forth—which Jesus said are “to signify water and blood.” In 1934 the painter Eugene Kazimierowski created the original Divine Mercy painting under St. Faustina’s direction. Thanks to Father Sopocko, her spiritual director, who instructed her to keep a diary and believe her visions to be real, the image has become an icon in spreading Divine Mercy throughout the world. In the center of this photograph, Sister Faustina is represented as a bouquet of roses. Roses have been connected to symbolism throughout the history of Christian art; however I was most drawn to the symbol of the roses to represent Sr Faustina from another one of her revelations written in her diary. One day after her work in the convent kitchen draining the potatoes for the sisters’ dinner, she expressed her frustration to God. “Then,” she writes, “I heard the following words in my soul, From today on you will do this easily; I shallstrengthen you” (Diary, 65). That evening, St. Faustina “hurried to be the first to [drain the potatoes], trusting in the Lord’s words” (Diary, 65). She did the job perfectly, and when she looked in the pot, she saw that the potatoes had been transformed into “whole bunches of red roses, beautiful beyond description” (Diary, 65). Then she heard the words, “I change such hard work of yours into bouquets of beautiful flowers, and their perfume rises up to my throne” (Diary, 65).1 In the image, the bouquet of roses sits in Holy Dirt from El Santuario de Chimayo, located in the foothills of the Sangre de Cristo Mountains in northern New Mexico. Like the trust Sr. Faustina had, thousands of people make a pilgrimage to Chimayo, trusting that God will grant them the miracles of the dirt’s healing abilities. Both flowers and holy dirt sit on a mirror receiving and reflecting the trinity of light from above. 2021

Marian Tascio, “Roses from Potatoes: A Recipe for Redemption,” The Divine Mercy (Marian Fathers of the Immaculate Conception of the B.V.M., September 5, 2019), https://www.thedivinemercy.org/articles/roses-potatoes-recipe-redemption. 1

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Philomena Kampe: “Rosa Sanguinis” (poem

1min
pages 130-131

Andrew L. Ouellette, MA: “The Christ-Haunted World of

23min
pages 114-127

Angelo Ray Martínez, MFA: Transfiguration (art

0
pages 128-129

Melonie Mulkey, MFA: Divine Mercy (photography

2min
pages 112-113

Emily A. Ransom, PhD: “Manna” (poem

1min
pages 110-111

John Baglow: “Who am I?” (essay

7min
pages 104-107

Alexandra Buchlmayer: “Social and Behavioral Development

11min
pages 88-93

Carmen “Stephanie” Nuñez: Madonna of the Streets (art

0
pages 102-103

Robert McFadden, CSC, PhD: “The Road of Eowyn and Faramir” (poem

3min
pages 94-97

Madeline Murphy: “Do I Own My Smartphone, or Does It

6min
pages 82-85

Emily A. Ransom, PhD: “David’s Surrender” (poem

1min
pages 78-79

Own Me?” (essay) Gerardo Negrete-Gonzalez: In the Cloud of Smoke (art

1min
pages 86-87

Grace Martin: “Screenslaver” (essay

6min
pages 74-77

Rich Meyer: “Understanding Equity’s Role in Judicial Philosophy

14min
pages 60-67

Peyton Marrone: “Rousseauian Freedom in the Technological

15min
pages 44-53

Madeline Murphy: “The Power of Prayer on the Psyche” (essay

13min
pages 26-35

Dane Litchfield: 2016 (art

1min
pages 72-73

Dane Litchfield: “Scientia Theologiaque: On the Relationship

9min
pages 10-15

Katherine Barrett, PhD, et al: “Thanks, Mosses” (poem

3min
pages 18-21

Gabriel Ibarra: “South Side Shorty” (poem

1min
pages 42-43

Katherine Barrett, PhD: “Mountains Haunt” (poem

2min
pages 54-57
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