泓盛2013秋季拍卖 Hosane 2013 Autumn Auctions
Art & Life Style 艺术与生活 Lots 1301-1372
拍卖 2013年12月21日 18:30 上海波特曼丽嘉酒店 Auction 18:30 Dec 21, 2013 Portman Ritz-Carlton, Shanghai 现场电话 +86-21-64270050 网络直播 www.hosane.com
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Portman Ritz-Carlton Hotel Shanghai
Jianguo Hotel Shanghai
1376 Nanjing West Road, Shanghai
439 Caoxi North Road, Shanghai
Auctions
Auctions
Chinese Painting & Calligraphy(1)
Ancient Coins/ Gold & Silver Sycees
9:30 December 21, 2013
/ Milled Coinage
Magical Brushstrokes: Classical and Modern Chinese
9:45 December 22, 2013
Calligraphy
Gold and Silver Coins of PRC
13:00 December 21, 2013
17:30 December 22, 2013
Chinese Painting & Calligraphy(2)
Paper Collectibles
Following the Previous Sale December 21, 2013
13:00 December 22, 2013
Modern and Contemporary Chinese Ceramics
9:30 December 23, 2013
10:00 December 21, 2013
Paper Collectibles
Important Imperial Chinese Ceramics and Works of Art
Following the Previous Sale December 23-24, 2013
13:00 December 21, 2013
Stamps & Postal History
Chinese Ceramics and Works of Art
9:30 December 23-24, 2013
Following the Previous Sale December 21, 2013
Oil Painting & Sculpture 18:30 December 21, 2013
Previews
Contemporary Art
From December 20th To One Day Before Each Sale
Following the Previous Sale December 21, 2013
Art & Life Style Following the Previous Sale December 21, 2013
Previews From December 19th To One Day Before Each Sale
HOSANE LIVE
2013 Autumn Auctions will be broadcast live at www.hosane.com
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上海波特曼丽嘉酒店
上 海 建 国 宾 馆
上海市静安区南京西路1376号
上海市徐汇区漕溪北路439号
拍卖会
拍卖会
中国书画 （一）
古币、金银锭、机制币
2013年12月21日 9:30
2013年12月22日 9:45
笔精墨妙—明清近代书法专场
新中国金银币
2013年12月21日 13:00
2013年12月22日 17:30
中国书画 （二）
华侨公寓旧藏 退一斋藏书 纸杂文献
2013年12月21日 时间顺延
2013年12月22日 13:00 2013年12月23日 9:30
清韵羽格—现当代瓷艺专场 2013年12月21日 10:00
胜上春台—宫廷精品器物专场 2013年12月21日 13:00
嘤鸣和秋—瓷器工艺品专场 2013年12月21日 时间顺延
油画雕塑 2013年12月21日 18:30
纸杂文献 2013年12月23日-24日 时间顺延
邮品 2013年12月23日-24日 9:30
预
展
2013年12月20日至拍卖前一日
当代艺术 2013年12月21日 时间顺延
艺术与生活 2013年12月21日 时间顺延
预
展
2013年12月19日至拍卖前一日
网上直播
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泓盛官方网址： http://www.hosane.com
泓盛官方新浪微博地址： http://weibo.com/hosane
2013-11-23 19:55:53
孙佩韶
纪佳佳
业务副总经理 艺术总监
经理 当代艺术/油画雕塑部
Peishao Sun
Elen Ji
Art Director Deputy General Manager of Business Development Tel: +86-13611921552 E-mail: sunpeishao@hosane.com
Manager Contemporary Art / Oil Painting & Sculpture Dept. Tel: +86-15821004389 E-mail: jijiajia@hosane.com
上海泓盛拍卖有限公司
Shanghai Hosane Auction Co., Ltd.
上海
SHANGHAI
地址: 上海市黄浦区蒙自路763号新富港中心1座5楼 邮编: 200023 电话: +86-21-23286888 传真: +86-21-53060053 E-mail: hs@hosane.com
Add: 5/ F, Tower 1, New Richport, No.763 Meng Zi Road, Huangpu District , Shanghai, China Post Code: 200023 Tel: +86-21-23286888 Fax: +86-21-53060053 E-mail: service@hosane.com
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德国 地址: Platinweg 14.30823 Garbsen, Germany 电话: +49-5131-477898 传真: +49-5131-477899
美国 地址：15209 Frederick Road Suite 208 Md 20850 Rockville 电话：+001-2022584574 电子邮件：296229118@qq.com
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BEIJING Add: Room 1202, Sky Plaza, No. 46 Dongzhimenwai Dajie, Dongcheng District, Beijing, China Post Code: 100027 Tel: +86-10-84608992 Fax: +86-10-84608012
TAIPEI Add: 13F-1, No.59, Sec.2, Dunhua S. Rd., Taipei110,Taiwan Tel: +886-2-27085332 Fax:+886-2-27084073
Hong Kong Add: Room 1615, 16/Floor, Man Yee Building, 60-68 Des Voeux Road, Central, Hong Kong Tel: +852-37962684/37962685
GERMANY Add: Platinweg 14. 30823 Garbsen, Germany Tel: +49-5131-477898 Fax: +49-5131-477899
EASTERN US Add: 15209 Frederick Road Suite 208 Md 20850 Rockville Tel: +001-2022584574 Email: 296229118@qq.com
2013-11-25 14:19:55
上海泓盛 敬请买家注意
IMPORTANT NOTICE
根据《中华人民共和国文物保护法》和国家有关规定禁止出境的拍 卖品，已在本图录中以“*”符号注明，恕不办理出境手续。竞买人办 理竞投号牌前，须交纳保证金人民币二十万元整（RMB200，000）。 买家成功竞得拍品后，应付本公司落槌价15%的佣金及其他应计 费用。
In accordance with“Preservation Law of Cultural Relics of the People’s Republic of China”, export clearance will not be granded for lots marked with an asterisk “*” in this catalogue. All bidders are required to place a deposit of RMB 200,000 before paddle registration. In the event of a successful bid, the buyer’s premium payable by the buyer of each lot is 15% of the hammer price along with any additional fees (if applicable).
所有拍品品相均以实物为准，拍卖图录 仅作参考。各 位买家应于 竞投 之前，对 欲 竞投 之拍品的状 态进行充分了解，并对自己的竞 投行为负责。
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2013秋季拍卖
The actual status of the lot is to prevail, the auction catalog is for reference only. It is the responsibility of the bidder to inspect the actual status of the regarding lot and take full responsibility of his/her bidding.
本图录封面为1331号拍卖品
Front Cover Illustration is Lot 1331
本图录封底为1329号拍卖品
Back Cover Illustration is Lot 1329
目录
CONTENTS
艺术家索引 → 图片索引 → 拍品1301-1372号 → 艺术家简
Index of Artists → Index of Lots → Lots1301-1372→ Artist
历 → 拍卖规则 → 委托竞投出价表
Biographies → Conditions of Business → Absentee Bid Form
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文管会
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LOT 1327 大卫•葛尔斯坦 《赛马（34/150）》(局部)
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艺术家索引
INDEX OF ARTISTS
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NAME
姓名
LOT
AN JUNG-HWAN
安正桓
1311
ANDY WARHOL
安迪 • 沃霍尔
1351、1352、1353、1354、1355
BAHK SEON-GHI
朴善基
1325、1326
CHEN SHUXIA
陈淑霞
1302
CHIHO AOSHIMA
青岛千惠
1367
DANIEL LEE
李小镜
1371、1372
DAVID GERSTEIN
大卫 • 葛尔斯坦
1327
DESIGN MVW
明合文吉
1328、1329、1330
EDGAR DEGAS
埃德加 • 德加
1347
FANG LIJUN
方力钧
1358
FENG ZHENGJIE
俸正杰
1331
GOH GEUN-HO
高勤虎
1323、1324
HA MYOUNG-EUN
河明殷
1301
HENRI TOULOUSE-LAUTREC
亨利 • 图卢兹 • 劳德雷克
1349
HIRO YAMAGATA
山形博导
1369、 1370
HONG KYOUNG-TACK
弘京泽
1315、1316
JAN TESAR
让 • 特塞尔
1338
JEONG WOO-CHUL
郑愚哲
1313
JUNG CHANG-KI
郑昌基
1307、1308
KANG MI-RYEONG
康美玲
1314
KHAN
可汗
1335
KONG KI-PYUNG
孔基枰
1306
LEE HYUN-HEE
金暎性
1318
LAURENCE BRABANT
劳伦斯 • 布拉班特
1340
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NAME
姓名
LOT
LEE GUK-HYUN
李国炫
1320
LEE JI-HYUN
李支铉
1322
LEE SEUNG-HEE
李昌熙
1321
LI BINBIN
李彬彬
1309
MARCEL WANDERS
马塞尔·万德斯
1337
MICHAEL LIN
林明弘
1336
MIYU THRUYA
照屋美优
1366
MR.
密斯特
1368
NORMAN CHERNER
诺曼 • 切纳
1332、1333、1334
PABLO PICASSO
巴勃罗 • 毕加索
1348、1350
PARK JANG-PIL
朴钟弼
1303、1304
SALVADOR DALI
萨尔瓦多 • 达利
1341、1342、1343、1344、1345、1346
SONG HYEONG-NO
宋炯鲁
1317
TAKASHI MURAKAMI
村上隆
1361、1362、1365
TED MUEHLING
泰德 • 缪林
1339
WANG SU
王稣
1319
YANG YUONG-EUN
梁荣殷
1305
YAYOI KUSAMA
草间弥生
1363、1364
YANG SHAOBIN
杨少斌
1359
ZENG FANZHI
曾梵志
1356、1360
ZHANG QINGZHU
张庆祝
1310
ZHOU CHUNYA
周春芽
1357
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图片索引
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INDEX
LOT 1301 何明殷
LOT 1302 陈淑霞
LOT 1303 朴钟弼
LOT 1304 朴钟弼
LOT 1305 梁荣殷
LOT 1306 孔基枰
LOT 1307 郑昌基
LOT 1308 郑昌基
LOT 1309 李彬彬
LOT 1310 张庆祝
LOT 1311 安正桓
LOT 1312 安正桓
LOT 1313 郑愚哲
LOT 1314 康美玲
LOT 1315 弘京泽
LOT 1316 弘京泽
LOT 1317 宋炯鲁
LOT 1318 金暎性
LOT 1319 王稣
LOT 1320 李国炫
LOT 1321 李昌熙
LOT 1322 李支铉
LOT 1323 高勤虎
LOT 1324 高勤虎
LOT 1325 朴善基
LOT 1326 朴善基
LOT 1327 大卫•葛尔斯坦
LOT 1328 明合文吉
LOT 1329 明合文吉
LOT 1330 明合文吉
LOT 1331 俸正杰
LOT 1332 诺曼·切纳
LOT 1333 诺曼·切纳
LOT 1334 诺曼·切纳
LOT 1335 可汗
LOT 1336 林明弘
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图片索引
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INDEX
LOT 1337 马塞尔·万德斯
LOT 1338 让•特塞尔
LOT 1339 泰德·缪林
LOT 1440 劳伦斯•布拉班特
LOT 1341 萨尔瓦多·达利
LOT 1342 萨尔瓦多·达利
LOT 1343 萨尔瓦多·达利
LOT 1344 萨尔瓦多·达利
LOT 1345 萨尔瓦多·达利
LOT 1346 萨尔瓦多·达利
LOT 1347 萨尔瓦多·达利
LOT 1348 巴勃罗·毕加索
LOT 1349 亨利·图卢兹·劳德雷克
LOT 1350 巴勃罗·毕加索
LOT 1351 安迪·沃霍尔
LOT 1352 安迪·沃霍尔
LOT 1353 安迪·沃霍尔
LOT 1354 安迪·沃霍尔
LOT 1355 安迪·沃霍尔
LOT 1356 曾梵志
LOT 1357 周春芽
LOT 1358 方力钧
LOT 1359 杨少斌
LOT 1360 曾梵志
LOT 1361 村上隆
LOT 1362 村上隆
LOT 1363 草间弥生
LOT 1364 草间弥生
LOT 1365 村上隆
LOT 1366 照屋美优
LOT 1367 青岛千惠
LOT 1368 密斯特
LOT 1369 山形博导
LOT 1370 山形博导
LOT 1371 李小镜
LOT 1372 李小镜
2013-11-23 20:34:23
Art is the supplement to life, adding beauty and interest to daily
Feng Zhengjie is no doubt a representative and successful figure of
experiences while bringing us sensory pleasure and spiritual
Chinese Gaudy Art. He has highly united the bright colorful visual
enjoyment. Life is the carrier of art, providing soil and nutrient to
elements with the trendy fashion of the contemporary commercial
artistic creation while guiding us to learn, to appreciate and to think.
society. In "Interactive Furnishing ", Blooming Rose Droplight,
In 2013 Autumn Auctions, Hosane continues the collection concept
created by Feng Zhengjie in 2013 is the artist's very first furniture
of "bringing art to our life " with a number of refined artworks being
installation crossing the fields of art and design. As the first piece of
provided.
a limited edition of 9, this beautiful droplight is of great decorative function and collection value. Norman Cherner is one of the most
Pop Art is an international art movement which enjoyed its heyday
influential American furniture designers in the 1950s. His famous
in America in the middle 1950s. Over the past half century, it
armchair is collected by many museums as Plycraft icon. This time,
has become an important collection genre among the worldwide
we will introduce a complete set of Norman Cherner's dining series
collectors. In "Space Decoration ", there will be Korean artist Hong
for our design lovers. Also, Design MVW's early works will be put
Kyong-tack's Pop artworks "Paradoxornis Webbiana " and "Love ".
forward. From elegant bench, geo-metric console to imaginative
In the recent years, Hong has made great performance at the world
coffee table, they are the embodiment of designer's creativity and
auction market. This time, the two works are the artist's typical
taste. Furthermore, there are good designs from Khan, Michael Lin,
creations, which are of elaborated patterns and decorative colors.
Baccarat and so on.
"Hippodrome" from Israel artist David Gerstein radiates a Popish sense of liberation, euphoria and entertainment. The vivid scene of
In "Classic Appreciation " and "Limited Edition ", our focus is still on
horse racing is attractive and vigorous. Meanwhile, Pop Art works
the works by the world-renowned artists. Apart from Edgar Degars's
from Lee Ji-hyun, Goh Geun-ho and Ha Myung-eun are particular
classic sculpture "The Little Fourteen-Year-Old Dancer ", along with
in their own languages and connotations. Regarding Hyper-
the prints and porcelains from Salvador Dali, Pablo Picasso and Andy
realism, Korean artists impress us with their unique technique
Warhol, there will also be limited editions from Zeng Fanzhi, Fang Lijun,
and realistic reflection. Kim Young-sung focuses on small living
Zhou Chunya, Yayoi Kusama, Hiro Yamagata, Murakami Takashi,
organisms, revealing humans' negligence of life in a cold-hearted
Chiho Aoshima, and etc.
tone. Park Jong-pil uses Hyper-realism as a tool of camouflage for a real target which does not actually exist. Moreover, the works from An Jung-Hwan, Jung Chang-ki, Song Hyeong-no and Lee Guk-hyun are all worth attention.
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Contemporary Art / Oil Painting & Sculpture Department
2013-11-23 20:36:24
艺术是生活的补充，为日常增添美感与情趣，带来感官愉悦与精神享
俸正杰被认为是中国艳俗艺术的代表性艺术家，他将光鲜艳丽的视觉
受；生活是艺术的承载，为创作提供土壤与养分，并以自然亲切的方
元素与当代社会的流行风尚高度统一，引起了世界范围内的广泛关注。
式引领人们去接触、品味、思考。2013 年秋拍，泓盛延续“艺术与
在“立体互动”中，我们荣幸地推出俸正杰 2013 年的最新创作《玫
生活相互融合”的收藏理念，为广大艺术品藏家推出一系列兼具艺术
瑰吊灯》。该作品为艺术家首次横跨艺术与设计的范畴，将其布面作
性、原创性、装饰性与趣味性的优秀作品。
品中的标志性元素“玫瑰”用于具有实用性的装置作品之中。鲜艳的 色彩、生动的造型，无疑是家居装饰中的一道靓丽风景。且此作品为
波普艺术于 20 世纪 50 年代中期鼎盛于美国并继而影响世界，成为
9 件限量中的第一件，极具收藏价值。诺曼 • 切纳是 20 世纪 50 年代
一种国际性艺术运动。经历了半个世纪的发展与嬗变，波普艺术凭借
最具代表性的美国家具设计师之一。他所设计的切纳椅直至今日仍是
其对通俗文化的强大影响力，晋升成为国际收藏的重要板块。在“空
展现曲木塑造工法的经典代表，为世界各大博物馆所典藏。此次的切
间点睛”中，将首次推出知名韩国艺术家弘京泽的代表性作品。近几
纳桌椅系列为切纳椅家具公司独家生产，经典的设计搭配完美的工艺，
年，弘京泽的作品在世界各大拍卖行上均有不俗的表现。此次上拍的
实为不可多得的收藏级设计佳作。本次我们也带来了明合文吉早期的
《棕头雅雀》与《爱》是弘京泽典型的图式波普创作。结构井然的图
优秀设计，从充满人文气质的合凳，到简明优雅的官帽案几，以及富
案经过艺术家精心打磨，洋溢幻彩的装饰感；画面中心的图像宛如乐
于想象的船形茶几，无不体现着设计师的巧思与品味。与此同时，可
章的主旋律，将作品引向富有趣味的深度。以色列艺术家大卫 • 葛尔
汗为地球可持续性管理所设计的汽车沙发，林明弘洋溢岛屿风情的花
斯坦的《赛马》释放出一种旨在寻求解放、欢愉及享受的波普气息，
布图腾式地毯，以及法国著名品牌巴卡拉的水晶作品都具有精致品质
生动热烈的场景引人入胜，焕发蓬勃向上的活力。同时，李支铉、高
与原创精神。
勤虎、河明殷的波普作品从语言形式到文化关照也都各具特色。超级 写实主义被韩国艺术家发挥到了极致，其高超的技巧和对现实的思考
“经典品鉴”与“国际版画”将继续主打具备国际市场的名家作品。
给人留下深刻印象。金暎性的创作始终聚焦弱小生命，以冷峻的基调
除了德加享誉世界的雕塑作品《14 岁的小舞者》，以及达利、毕加索、
刻画出人类对于生命的漠然。朴钟弼则善于伪装非真实存在的对象，
沃霍尔的经典版画与限量版瓷器作品外，曾梵志、方力钧、周春芽、
借而表达对真相的理解。此外，安正桓、郑昌基、宋炯鲁、李国炫等
草间弥生、山形博导、村上隆、青岛千穗等国内外当代名家的版画也
艺术家也将呈现其独特而美妙的作品。
同样值得收藏。 泓盛 当代艺术 / 油画雕塑部
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LOT 1336 林明弘 《福尔摩沙》(局部)
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拍品目录 LOT 1301 - 1327 Space Decoration 空间点睛 LOT 1328 - 1340 Interactive Furnishing 立体互动 LOT 1341 - 1350 Classic Appreciation 经典品鉴 LOT 1351 - 1372 Limited Edition 国际版画
www.hosane.com
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空间 点睛 Space Decoration
LOT 1301-1327
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1301
河明殷 大师作品之迷你系列（一组四幅） 综合媒材 签名：韩文签名 创作年代：2012 年
HA MYOUNG-EUN (1980- ) A Master Piece Painting Mini Series (A Set of Four Pieces) Mixed Media Signed with Korean signature Created in 2012 53×38×9cm(each)
RMB 25,000-32,000 US$ 4,098-5,246
我试图重现经典艺术不仅仅为了提及过往，更为了展现当下。20 世
I seek to reproduce the artwork itself, not only to express the
纪的艺术品市场充斥着大量的讽刺模仿作品，这一现象的形成一方面
meaning of reminding the past but also reflecting the present.
是由于当时缺乏纯粹的创作，另一方面也是对“引用现成创作进行象
In the 20th-century art market, we can find dozens of parody
征”这种表达方式的认可。由于被给予了自由表达的空间，这种行为
artworks. This phenomenon can be explained by the way of the
得以持续至今。
limit to appear pure creative works or the recognition of quoting existing artworks as symbol of something. It's a kind of continuous
我的创作聚焦在视觉上的立体空间效果。“画布中的画布”不仅表达
action with guaranteed freedom of expression.
了“画布”最初的作用：作为艺术的承载（以画布和木架来支撑作品）， 也诠释了“画布”全新的角色：作为艺术的主体。通过将不同的画面
My works focus on visual and spatial solid effect. "Canvas in
嵌入到整体画面中，从而呈现出一幅完整的艺术创作。这样的方式可
canvas" means not only the original role of Canvas as supporter
以让观者参与进来，一起找寻作品中的细节与其中的深意。（河明殷）
(covered with canvas fabric and wood) but also the new role of Canvas as object itself. I create an artwork inside the artworks by using the way of inserting images into image. It intends the audience to join actions of finding something inside the artwork and pass through the artwork by their eyes. (Ha Myung-eun)
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2013-11-23 20:37:07
1302
陈淑霞 仲秋
陈淑霞的绘画创作引人入胜，其作品借鉴了西方当代艺术的规格，同时又融入了一种传统的、非
油彩 画布
西方的空间绘图视角。她的风景画看似朴拙，却出奇地惹人喜爱，与通常意义上华美壮丽的风格
签名：淑霞 2003
大相径庭。她那些天真、直接、而又诗意绵绵的景致以最简约的方式来描绘人们的生活状态，回
创作年代：2003年
避了西方透视与写实的技法，转而采用了中国传统绘画的理念─象征性地将主体嵌入到自然之中。 陈淑霞的静物画取材广泛，画面往往流淌出一股宛若孩童般单纯的空灵之感。
CHEN SHUXIA (1963- ) Mid-Autumn Oil on Canvas Signed Shuxia in Chinese; dated 2003 Created in 2003 60×50cm
（亚历山德拉 • 安德森 • 斯百维，艺术史学家 & 批评家） Chen Shuxia creates strikingly contemporary paintings that borrow their scale from Western contemporary art and marry it with a traditional non-western view of pictorial space. Her strangely endearing pseudo-primitive landscapes are the very opposite of bombastic. These childishly direct yet poetic scenes depict the human condition in very simple terms, eschewing western perspective and realistic modeling, while embracing traditional Chinese ideas of figures symbolically embedded within nature. Chen's still life pieces are more varied, united by
RMB 32,000-42,000 US$ 5,246-6,885
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a feeling of precarious emptiness conveyed with childlike simplicity. （Alexandra Anderson-Spivy, art historian & critic）
2013-11-23 20:37:09
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朴钟弼的艺术创作建立于超写实主义，但这种手法并非是对既 存对象的探索，而是对表现非真实存在对象的伪装。在朴钟弼
朴钟弼
的《鲜活》系列中，假花与真花交织呈现，就好像现实生活中
鲜活 No.27-3
式来找寻真相，既不嘲讽，也无意掩盖社会的指责。在艺术家
油彩 画布 签名：韩文签名 创作年代：2013年
PARK JONG-PIL (1977- )
的真与伪，让人难以分辨。然而，艺术家选择用“直面”的方 看来，与其去区别真伪，倒不如去接受真伪本就并存这一事实。 Park Jang-pil's work is based on Hyper-realism, but has been used as a tool of camouflage for a real target which does not actually exist as the existent image rather than to explore the existent target. Artificial flowers and natural
Between the Fresh No.27-3
flowers in Park's work "Between the Fresh" are scrambled
Oil on Canvas
and confusing like the truth and falsehood in reality such as
Signed with Korean signature
our lives also have the false of half and the truth of the same
Created in 2013
half. But nonetheless the artist intends to "face" finding the
100×100cm
truth, not to satirize or camouflage on social criticism. He intends to embrace all not to divide the true and the false.
RMB 22,000-32,000 US$ 3,607-5,246
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2013-11-23 20:37:44
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朴钟弼 鲜活 No.35 油彩 画布 签名：韩文签名 创作年代：2013年
PARK JONG-PIL (1977- ) Between the Fresh No.35 Oil on Canvas Signed with Korean signature Created in 2013 112×163cm
RMB 45,000-55,000 US$ 7,377-9,016
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2013-11-23 20:37:47
YANG YOUNG-EUN (1981- ) Journey to Find Self Oil on Canvas Signed (at the back) young Created in 2013 80.3×100cm
RMB 18,000-28,000 US$ 2,951-4,590
此幅作品描绘了艺术家通过自身的感官体验，将所想所愿 透射在画面主体上来完成寻找自我的过程。艺术家运用象 征手法（如：长颈鹿、莲叶、飞鱼），让现实中具有矛盾、 冲突的事物和睦共处。这些事物都细致地展现了艺术家所 追求的理想。莲花出淤泥而不染，代表正直与尊严，是艺 术家所看重的品格。飞鱼象征着被压抑的渴望以及猫（艺 术家）的梦想。 This work depicts the artist's journey to find her by projecting herself onto the subjects, based on her
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梁荣殷 寻找自我的旅程
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sensory experiences in life with animals. She harmonizes the conflicting and contradicting things in life through symbolic materials such as giraffe, lotus and fish. All these features are carefully described for the artist in searching for her ideals. Lotus in this work reflects what cat values in its life. Lotus grows in the mud but still
油彩 画布
keeps clean. It stands integrity and dignity. The artist
签名：（背）young
wants to realize her depressed desire and draw flying
创作年代：2013年
fish and also it stands cat (the artist) is dreaming.
2013-11-23 20:37:47
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在我的系列作品中，“智异山”系列主要刻画社会现实。智异山 作为历史古迹，曾是南北韩经历剧烈冲突的场所。在韩国历史上，
孔基枰
智异山则长期被认作为百姓的庇护所与理想地。而智异山于我更
智异山
的一石一叶对我而言都显得异常珍贵。（孔基枰）
油彩、丙烯 画布 签名：（背）韩文签名 创作年代：2013年
KONG KI-PYUNG (1958- )
有一种精神上的联系。它被誉为人们坚定信仰的结晶，所以这里
The "Mountain Jiri" Series depict social reality the most among my series works. Mountain Jiri was the historical place where the North and South Korea conflicted most acutely with each other for ideological issues. Throughout the long history of Korea, Mountain Jiri has meant a huge destination
Jiri Mountain
to powerless people looking for a refuge, a haven, or an ideal
Oil & Acrylic on Canvas
spot. Mountain Jiri feels like it is also linked to me in a spiritual
Signed (at the back) with Korean signature
way. The mountain can be said to be the crystal of people's
Created in 2013
firm belief, where a little leaf or a pebble are very dear to me.
53×65cm
(Kong Ki-pyung)
RMB 12,000-20,000 US$ 1,967-3,279
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2013-11-23 20:37:48
1307
郑昌基 草莓-13 油彩 画布 签名：韩文签名 创作年代：2013年
JUNG CHANG-KI (1964- ) Strawberry-13 Oil on Canvas Signed with Korean signature
长久以来，水果题材的静物画一直广受喜爱。因为水果不仅 是自然界孕育的果实，也象征着生命最原始的本质。在表现 水果静物时，郑昌基的过人之处在于能超越写实将生命的内 在印象注入作品。通过细致、准确的观察分析，郑昌基所描 绘的水果甚至比使用机械手动技术所呈现的照片效果更加准 确。无论是装在编织盆中的诱人李子或是盛满在木质碗中的 鲜红草莓，都能让我们感受到丰收的喜悦，季节的美丽以及 农民的慷慨。（元昌镐，艺术总监 & 艺术市场分析师）
Created in 2013 100×100cm
RMB 30,000-40,000 US$ 4,918-6,557
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2013-11-23 20:37:51
The fruit has been gaining popularity as a material of still life paintings from the long time and as product the nature has cultivated as well as primitive nature of life in itself. The advantages of the painting by Jung Chang-ki is the efforts to put the inner image to his work beyond the reality of life itself that he expressed in the Fruit of Still-life. Observed and analyzed with thorough and accurate eyes, his fruits showing precision more over photographic effects in mechanical hand skills as they say are represented as a
JUNG CHANG-KI (1964- ) Pomegranate-13 Oil on Canvas Signed with Korean signature Created in 2013 110×109cm
picture of tantalizing soulful plums contained in a colander-plate or red strawberry full contained in wooden bowl. We feel the joy of abundant harvest, the beauty of the season and moreover the
RMB 32,000-42,000 US$ 5,246-6,885
generosity of the farmers by the heap up fruits. (Won Chang-ho, art director & art-market analyst)
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郑昌基 石榴-13 油彩 画布 签名：韩文签名 创作年代：2013年
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2013-11-23 20:37:53
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李彬彬 我的花花世界 油彩 画布 签名：李彬彬 2009.8
LI BINBIN (1983- ) My Colorful World Oil on Canvas Signed Li Bingbing; dated 2009.8 Created in 2009
创作年代：2009年 150×150cm
RMB 20,000-28,000 US$ 3,279-4,590
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2013-11-23 20:37:58
1310
张庆祝 大飞机
我的作品大都是以童年回忆为线索展开的，那一个一个穿白衬衣， 带着红领巾的孩子是我童年的写照，同时他们也是那个时代同龄人 不灭的记忆。他们在我所构筑的的场景中各行其事，我想传达给观
油彩 画布
众的是现实与梦境中奇妙的感觉。我有时会运用超现实的手法，把
签名：张庆祝 ZQZ 2013.8
所见的静物放大，使画面产生一种奇妙的感觉，我想这大概是与童
创作年代：2013年
年柔弱的身体有关，童年的回忆是美好的，那是因为单纯，童年的 我们对周围的一切又是好奇的，总有解不开的很多奥秘让我们着迷。
ZHANG QINGZHU (1980- ) Big Plane Oil on Canvas Signed Zhang Qingzhu in Chinese ZQZ; dated 2013.8 Created in 2013
Most of my works are originated from my childhood memories. Children wearing white clothes and red scarf represent the image of my own and my peer at that time. They are doing their business in my created scenes, which produces a special feeling between reality and dream. Sometimes, I magnify the still life
150×150cm
through surrealist way to archive that effect. I assume this has something to do with my weak body when I was a boy. Childhood
RMB 12,000-20,000 US$ 1,967-3,279
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memories are beautiful because of its pureness. At that age, we were curious about everything and fascinated by many secrets.
2013-11-23 20:38:00
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安正桓 寂静的森林 No.71 油彩 画布 签名：韩文签名 2012 创作年代：2012年
AN JUNG-HWAN (1978- ) Silent Woods No.71 Oil on Canvas Signed with Korean signature; dated 2012 Created in 2012 90.9×60.6cm
RMB 12,000-20,000 US$ 1,967-3,279
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2013-11-23 20:38:03
人类从自然中汲取并最终回归自然。生气勃勃的森林作为自然的一部分给予人类许
1312
多恩惠，如新鲜的空气、凉爽的轻风、温暖的阳光、纯净的水源以及无言的宁静。 宛如宇宙的寂静，安正桓的森林题材作品唤醒了我们对大自然的敬畏之情。满盈的
安正桓
“绿意”与和谐的“光感”被厚厚地堆砌在画布上，是生命的象征。他的作品让我 们思考人类渴望回归自然的本质，也如同港湾般让我们感到安慰。安正桓的作品充
寂静的森林 No.76
满宁静，是净化人类心灵的详和之地。（元昌镐，艺术总监 & 艺术市场分析师）
油彩 画布 签名：韩文签名 2013
Human get everything from the nature and let everything return to the nature. A
创作年代：2013年
lively forest as a part of nature gives a lot of benefits to mankind such as fresh and clean air, cool breeze, bright and warm sunshine and clear water and tranquility immersed in silence, etc. An Jung-Hwan's painting of forest awakens us to be in awe of such an original appearance of the forest just like the serene
d 2012
AN JUNG-HWAN (1978- ) Silent Woods No.76
silence of the universe. The full "green" and harmony of "light" that is the symbol
Oil on Canvas
of life and thickly piled on canvas, the hard work and years of the paint layer, in
Signed with Korean signature; dated 2013
his work make us ruminate the instinct of human return to the nature, and feel comfort as a haven and the basis of day-life towards a new future. His painting of forest filled with serenity is a haven to purify human spirit. (Won Chang-ho, art director & art-market analyst)
Created in 2013 89.5×145.5cm
RMB 35,000-45,000 US$ 5,738-7,377
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2013-11-23 20:38:04
JEONG WOO-CHUL (1975- ) On Your Mark. Sangsoo Acrylic on Canvas Signed (at the back) with Korean signature and ON YOUR MARK SANGSOO; dated 2008 Created in 2008 145×112.2cm
RMB 18,000-25,000 US$ 2,951-4,098
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郑愚哲 各就各位-尚秀
尚秀是一个地方， 是年轻人以及追寻梦想的人的居所。 尚秀以人的形式表现出来， 正在开始它的梦想。 Sangsoo is the place,
丙烯 画布
And it is the area for young people and also for people
签名：（背）韩文签名，
Who are pursing their dreams.
ON YOUR MARK SANGSOO 2008
Sangsoo represents the human form
创作年代：2008年
Which is on the starting point for its dream.
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2013-11-23 20:38:24
1314
康美玲 经典永恒 油彩 画布
KANG MI-RYEONG (1956- ) Classic Forever Oil on Canvas Signed Kang Mi Ryeong; dated 2010
签名：Kang Mi Ryeong 2010
Created in 2010
创作年代：2010年
Attached a guarantee certificate.
附：作品保证书。
90.5×90.5cm
RMB 22,000-32,000 US$ 3,607-5,246
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2013-11-23 20:38:27
1315
弘京泽 棕头雅雀 丙烯 画布 签名：（背）韩文签名 Kyoung tack Hong 2007 创作年代：2007年
HONG KYOUNG -TACK (1968- ) Paradoxornis Webbiana Oil on Canvas Signed (at the back) with Korean signature; Kyoung tack Hong; dated 2007 Created in 2007 52.5×44.5cm
RMB 65,000-85,000 US$ 10,656-13,934 作为知名当代艺术家，弘京泽的作品不仅深受韩国本地艺术界的肯定，在国际市场上的成绩 也稳步上升。近几年，弘京泽的作品在世界各大拍卖行上均有不俗的表现。今年春拍，其油 画作品《铅笔 I》以 6,630,000 港币的傲人成绩刷新艺术家的个人记录。此次上拍的《棕头雅雀》 与《爱》是弘京泽典型的图式波普创作。结构井然的图案经过艺术家精心打磨，洋溢幻彩的 装饰感；画面中心的图像宛如乐章的主旋律，将作品引向富有趣味的深度。 As a well-known contemporary artist, Hong Kyong-tack's works are not only highly affirmed by Korean art circle, but also widely favored by the international market. In the recent years, Hong has made great performance at the world auctions. This year, Hong's triptych "Pencil I" was sold for HKD 6,630,000 in Hong Kong, setting a new world record for the artist. This time, we introduce Hong's two typical creations, "Paradoxornis Webbiana" and "Love", which are of elaborated patterns and decorative colors. As impressive as the main theme of the movement, the central image leads the viewers to an interesting and thoughtful depth.
弘京泽 《被暴风雨带来的梵谷和知更鸟》 182×227cm 2006-2007 年 2009 年香港佳士得成交价 HKD1,160,000
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2013-11-23 20:38:30
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2013-11-23 20:38:33
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2013-11-25 14:23:25
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弘京泽 爱 丙烯 画布 签名：（背）韩文签名 2005 创作年代：2005年
HONG KYOUNG -TACK (1968- ) Love Acrylic on Canvas Signed (at the back) with Korean signature; dated 2005 Created in 2005 53×45.5cm
RMB 65,000-85,000 US$ 10,656-13,934
此刻我不是一位艺术家，而是一名乐队指挥：一名将自己的疯狂融入色彩与图像的指挥。华丽、 重复的图式是我的节奏与旋律；画面语言构成了我的歌词。所有这些融为一体向你袭去。此刻 我举起指挥棒，你则任由音乐包围……画面会营造出一种氛围，而乐曲则决定了最终的基调。 “放 克管弦乐”这个组合词由“放克”与“管弦乐”所构成。“放克”是一种音乐类型，节奏重复 且无旋律变化，主要是刺激人们的感官，让人兴奋，就像其他音乐类型一样。 放克管弦乐的情感投射来源于大众文化，尤其是流行音乐。流行音乐取代了诗歌与小说，通过 歌词来传递日常生活的情绪与想法。而我作品中的歌词正来自流行音乐。我收集了跨时代的广 泛的内容与符号，从日常事物、大众偶像、情色事件到宗教、哲学等问题。我想表达得是：世 界混乱交杂，这些元素或碰撞或调和，组成了一曲宏大的管弦乐，这与我们的时代是何等相似。 （弘京泽） At this moment I am not an artist but a conductor: a conductor who fuses my madness into color and image. Flamboyantly repetitive patterns are rhythms and melodies, while brief words and phrases are lyrics. All these become one and swoop through you. At the moment I raise the baton, you commit yourself to the music enwrapping you…An image brings about an atmosphere whereas music can be a final determinant of mood. The compound word "funkchestra" is formed by the words "funk" or "funky" and "orchestra". Funk is a genre marked by repetitive rhythm without variation in melodies, aiming at stimulating excitement, like all music does, I believe. Funkchestra is a projection of feelings that come from mass culture, especially pop music. Popular music conveys daily feelings and ideas through lyrics in place of poems and novels. Words used in my work are those mainly used in popular music. I have collected a wide range of content and symbols of the times from quotidian things, idols of the general public, sexuality issues, and pornography to religious and philosophical questions. I want to express the world of chaos where these elements are in collision or harmony, forming a huge orchestra, thus closely resembling our times.（Hong Kyong-tack）
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2013-11-25 14:23:27
1317
宋炯鲁 斑马与兔子 油彩 画布 签名：（背）Song, Hyeong-Noh 宋炯鲁 韩文签名 2012 创作年代：2012年
SONG HYEOONG-NO (1974- ) Zebra & Rabbit Oil on Canvas Signed (at the back) Song, Hyeong-Noh; with Chinese & Korean
甚么是自然？甚么是静物？宋炯鲁似乎玩弄着两者之间的定
signatures; dated 2012
义。动物应当是生活在自然环境中的，但在宋炯鲁的作品中
Created in 2012
却被放置在现代建筑的钢土水泥石阶上；大自然景象如已敞 开的窗户，挂在背后的水泥墙上。动物的形态几可乱真，面
61×91cm
对虚假的大自然眼中彷佛有一丝盼望。
RMB 42,000-52,000
What is supposed to be nature? What is supposed to
US$ 6,885-8,525
be still? Song Hyeong-no is playing with the definition between the two. The animal which is supposed to be living in the nature, now situates on the granite wall. Being juxtaposed in the background of pictures of nature, it wistfully questions the notions of indoor versus outdoor, and nature versus artificial.
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2013-11-23 20:38:41
“无 • 生 • 物”系列表达了在当今日益发达的物质文明下，生命遭到威胁，许多事物开始逐渐
1318
消失的现象。“生”与“物”并置于同一场景，它们的共存冰冷地刻画出现代生活中人与人之 间的疏离、人们内心的虚无以及人类对生命的漠然。（金暎性）
金
在金暎性的近期作品中，微小的生物成为了不二的主角。这一系列是献给弱小生命的，其中包
无•生•物
含两层含义。一方面，是对生命现象的隐喻，这源自于艺术家对小生物独特构造之美的浓烈兴趣。 对于这些小生命，艺术家充满敬意，它们常被忽略，但某一瞬间却能抓住你的眼球，唤醒你对 生命的尊重。另一方面，是对社会价值导向的批判，即随着现代文明与物质化的发展，无生命 的物质被过度渲染，而有生命的物体却被看轻。（金福荣，艺评家） This series express the modern society where lives are threatened and many things
性
油彩 画布 签名：Y.S.Kim '13 创作年代：2013年
KIM YOUNG-SUNG (1973- )
have been disappeared due to the advanced development of material civilizations. The
Nothing•Life•Object
coexistence of objects representing Life and Object is shown as a piece of advertisement
Oil on Canvas
or a theatrical piece to analyze and depict the phenomenon cold-heartedly to express
Signed Y.S.Kim; dated 13
the desolation of modern society and nihilism of modern people and to reveal humans'
Created in 2013
negligence of life. (Kim Young-sung) In the latest work of artist Young Sung Kim, very small living organisms emerge as confident characters. His latest series is a dedication to small things. This has two aspects. One is the metaphor of living phenomena attributed to his interest in the unique structural beauty
90×145cm
RMB 90,000-120,000 US$ 14,754-19,672
of small things. His concept is the awe of very small things that are usually negligible, but capture your eyes all of a sudden at some point to evoke your respect for life. Another reason he works with small things is because he intends to criticize the social trend to overestimate lifeless things, such as machines with functions, over living things with the modern civilizations and materialization. (Kim Bok-young, art critic)
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王稣 微风 水彩 纸本 创作年代：2012年
WANG SU (1983- )
在生活中遇到是与非、美与丑、善与恶等等的判断过程当中产生了许 多错综复杂的情绪，作品想表达出原本无关、相反的思绪相互纠结所 产生的压力。我通过用生活物品，自然生物密集的摆放、缠绕、包裹 表达我对某种特定时间内情绪的表达，对生活中所遇见的人、事、物 所做出的反应。（王稣）
Breeze Watercolor on Paper Created in 2012
There are a lot of complicated moods coming from the judging process of the right or wrong, the pretty or ugly, and the good or bad. The work tends to depict the pressure generated by the
56×76cm
entanglement between irrelevant and contradictory thoughts. By using daily commodities and biological things, letting them gather,
RMB 15,000-20,000
intertwine and wrap with each other, I express my reactions toward
US$ 2,459-3,279
the outside world. (Wang Su)
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2013-11-23 20:38:46
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李国炫 包装-1727 油彩 画布
LEE GUK-HYUN (1983- ) Package-1727 Oil on Canvas Created in 2010
创作年代：2010年 91×116.8cm
RMB 22,000-32,000 US$ 3,607-5,246
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2013-11-23 20:38:47
LEE SEUNG-HEE (1988- ) Tao Porcelain Created in 2010 72×56.5cm
RMB 30,000-40,000 US$ 4,918-6,557
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李昌熙 道 瓷 创作年代：2010年
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2013-11-23 20:39:32
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李支铉 书中之梦-安迪•沃霍尔（伊丽莎白•泰勒） 油彩 纸本
一本书的功能是传达的不同时代的信息时代─不论那是真确还是虚构 的。有些书记载着历史，有些则只是肤浅表面地粉饰这样的故事。起 初我用的是韩语教科书、历史、道德教育等的书籍。但最近我开始发 掘在六、七十年代出版的书籍，或是圣经、乐谱、字典、旧杂志等。 “解构”正在超越“新颖”这说法是当代绘画的写照。绘画与否已经 不再是个有争议性的论题了。逐一逐一拔掉这行为是另一种对事物的 进取诠释，以及用手工劳动带来一个崭新影像。 李支铉“书本 , 影像─拔掉”
签名：Lee Ji-Hyun 创作年代：2011年
LEE JI-HYUN (1983- ) Dreaming Book - Andy Warhol (Liz)
A book conveys messages of the times, whether true or fictitious. Some books are full of historical records and others decorate such stories superficially. A book is the place where such stories are recorded. Initially, I used the textbooks of Korean language, Korean history, and morals. But recently, I mainly exploit the books published in the 1960s and 1970s that bear the trace of time, or the Bible, musical scores, dictionaries, and old magazines.
Oil on Paper Signed Lee Ji-Hyun Created in 2011 54×58×15cm
RMB 32,000-42,000 US$ 5,246-6,885
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The word "destruction" moving beyond "newness" is appropriate to contemporary painting. The act of not drawing or painting is not a controversial issue any longer. My work is just taking out something from the furnace of painting. That is made by manual labor. Such labor is the most critical element that is still in the center of my work and can never be denied. The act of plucking one by one is to interpret objects aggressively and to bring birth a new image by manual labor. Lee Ji-hyun "Books, Images-Plucking"
2013-11-23 20:39:40
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高勤虎 快乐的旅行家（1/10）
GOH GEUN-HO (1966- ) A Happy Traveller (1/10)
不锈钢
Stainless Steel
签名：Goh G.H 2013 1/10
Signed Goh G.H 2013 1/10
创作年代：2013年
Created in 2013 35×20×(H)35cm
RMB 15,000-22,000 US$ 2,459-3,607
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1324
高勤虎 伤心的男孩（1/10） 不锈钢 签名：Goh G.H 2013 1/10 创作年代：2013年
GOH GEUN-HO (1966- ) Suffer (1/10) Stainless Steel Signed Goh G.H 2013 1/10 Created in 2013 25×10×(H)27cm
RMB 8,000-15,000 US$ 1,311-2,459
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2013-11-23 20:39:44
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朴善基 视角 08-01（6/7）
朴善基作为 2008 年金钟瑛雕塑大奖的获得者在国际上享有声誉。朴 善基绘画式的雕塑根据视角的转换会产生不同的视觉效果。通过这样 的“视角游戏”，艺术家向我们呈现了平时生活中容易被忽视的普通 场景和事物。通过他的作品，我们能够意识到我们自认为真实的生活
综合媒材
其实只是我们自己的观感，而事实上我们生活在观念与现实之间。
签名：韩文签名 2008
（朴善基 2008 年个展前言）
创作年代：2008年 Bahk Seon-ghi, winner of "KIM CHONG YUNG Sculpture Award"
BAHK SEON-GHI (1966- )
(2008), gains international reputation through his active shows and
Point of View 08-01 (6/7)
artworks at several countries and cities. Bahk Seon- ghi's pictorial
Mixed Media Signed with Korean signature; dated 2008 Created in 2008
sculptures are reflecting illusion effect of object which varies depending on the viewing angle. He is playing the play of "Point of View" to show various aspects of everyday scenery and objects we let slide by. Through the works of Bahk Seon-ghi, we can realize
(H)78×70×6cm
that our day-life which we think a reality is the result of illusion in fact, and ourselves lie on the boundary of the concept and reality.
RMB 25,000-38,000 US$ 4,098-6,230
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(Critic of Preface for 2008 Solo Show at Kim Chong Yung Museum)
2013-11-25 14:25:06
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朴善基
BAHK SEON-GHI (1966- )
视角 08-04（1/7）
Point of View 08-04 (1/7)
综合媒材
Mixed Media
签名：韩文签名 2008
Signed with Korean signature; dated 2008
创作年代：2008年
Created in 2008 (H)106×87×12cm
RMB 48,000-60,000 US$ 7,869-9,836
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2013-11-25 14:25:10
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大卫 • 葛尔斯坦于 1944 年在耶路撒冷出生。他曾分别在耶路撒冷比
大卫•葛尔斯坦
沙利艺术学校、巴黎高等美术学院、纽约艺术学生联盟及伦敦圣马丁
赛马（34/150）
出。葛尔斯坦于 1960 年代中开始学习艺术，21 岁时就读于耶路撒冷
综合媒材
工艺，多于纯造型技艺。
艺术学院修读艺术。他的作品多年来曾在不同国家的美术馆和画廊展 的比沙利艺术学校，为当时以色列主要艺术学府。其所学偏向平面及
签名： Gerstein 创作年代：2006年
DAVID GERSTEIN (1944- ) Hippodrome (34/150) Mixed Media
葛尔斯坦在 1980 年代开始发展他的雕塑画面语言。他的作品被视为立 体，但仍保留平面特色。从夹板及纸板手切而成，它们均为独一无二。 以人形及日常对象造型，它们总表达葛尔斯坦别树一格的愚昧、可悲 又天真的调子。渐渐地，他转向钢片及激光切割。1990 年代中期，他 开始创造这些雕塑的大型系列，通常以手绘，亦有时用丝网印刷。到
Signed Gerstein
今天图形首先于纸上绘制，然后放入计算机，化为用于激光切割钢片
Created in 2006
的程序。虽然工序的技术先进，葛尔斯坦作品的核心在于他的绘图， 那是以铅笔、水彩及炭笔完成的。
60×180cm
RMB 42,000-55,000 US$ 6,885-9,016
葛尔斯坦的颜色及造形释放出一种旨在寻求解放、欢愉及享受的波普气 息。他的作品并不公然批判，但从不缺乏讽刺或幽默之感，而这种感觉 源自于对大众文化元素的使用以及其他具有波普艺术特征的取材，例如 卡通、漫画及可复制的公众形象。葛尔斯坦说：“我知道人们认为我刻 意幽默或风趣，但这完全不是我的本意。它们从作品跑出来，并非布局。 也许真相是我常常描绘我四周的现实世界，而这其中充满着幽默。”
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2013-11-23 20:39:56
David Gerstein started his art studies in the mid-1960s, when
Gerstein's colors and shapes radiate a Popish sense of
he was twenty-one years old, at Bezalel School of Art in
liberation, euphoria and joie de vivre in search of a collective
Jerusalem, the major art school in Israel at the time, which was
self. His work is not overtly critical, but it never lacks irony or
then more graphics and craft inclined than pure plastic arts
humor, which arise from the use of mass-culture elements,
oriented.
as well as other materials characteristics of Pop Art such as cartoons, comics, and reproducible popular images. Gerstein,
Gerstein began developing his sculpted-pictorial language
"I know that people think I
in the 1980s. His works were conceived as three-dimensional
intend to be humorous or
but retained their two dimensional features. They were one of a
funny, but this is not my
kind, handmade cutouts created out of plywood and cardboard.
intention at all. It comes out
They were populated by human figures daily objects, which
of the works but it is not a
soon received Gerstein's recognizable and distinguishable
premeditated idea. Maybe
goofy-sad-innocent typecasting. Gradually, he shifted to steel
it stems from the very fact
and laser cutting. It was then, in the mid 1990s, that he started
that I draw upon the reality
to produce these sculptures in large series, hand-painted
around me all the time and it
and sometimes screen-printed. Today, the image is first and
is full of humor."
foremost drawn by Gerstein on paper. It is then translated into the computer and that, in turn, becomes the program for the laser cutting of the steel. Despite the technologically advanced procedure, the hardcore of Gerstein's work is the drawing, the work with pencils, watercolors and charcoal.
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大卫·葛尔斯坦城市雕塑作品《动力》（新加坡）
2013-11-23 20:39:59
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立体 互动 Interactive Furnishing
LOT 1328-1340
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明合文吉 吉 -BH 02 合凳（1/9） 橡木、金属烤漆 创作年代：2006 年
DESIGN MVW（2006- ） Ji-BH 02 Bench (1/9) Oak & Metallic Paint Created in 2006 184×40×(H)60cm
RMB 15,000-20,000 US$ 2,459-3,279
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2013-11-23 20:40:12
宛如一张展开的长卷，合凳的设计充满人文气质。其融合了自然界的 朴实无华与中国传统建筑的审美情趣。坚固的实木面由金属烤漆支架 稳当托起，凳面流畅的高低变化巧妙地创造了茶几的功能，让友人在 这一木之上品茶论道。 Like an opened long scroll, this beautifully designed bench embraces the nature of simplicity and the aesthetics of the traditional Chinese architecture. The fluent turn of the surface, supported by the sturdy square legs, tends the flexible functions for a friendly tea-table talk or a quiet moment for oneself.
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明合文吉 文 -CS 01 案几（1/9） 紫檀木 创作年代：2006 年
DESIGN MVW（2006- ） Wen-CS 01 Console (1/9) Red Sandalwood Created in 2006 150×38×(H)77cm
RMB 32,000-40,000 US$ 5,246-6,557
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2013-11-23 20:40:13
新颖的构思，没有任何复杂的元素，以中国传统官帽为引线塑造其简明优雅 的几何形态，微妙地诠释了线条与体积比例的完美平衡。值得一提的是，这 款具有巧思的“官帽案几”是明合文吉于 2006 年为“文系列”所设计的第 一款家具。 Freshly conceived, this console has been stripped to its very essence. Its geo-metric sculptural base is elegantly overlain by a floating top, creating a subtle and perfect balance between volume and line. It is worth mentioning that this creative work is designed by Design MVW in 2006 as their first piece of furniture for “Wen Series”.
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2013-11-23 20:40:13
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明合文吉 吉 -CT 02 船几（1/9） 鸡翅木 创作年代：2006 年
DESIGN MVW（2006- ） Ji-CT 02 Boat Table (1/9) Wenge Wood Created in 2006 191×44×(H)28cm
RMB 16,000-22,000 US$ 2,623-3,607
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2013-11-23 20:40:13
船体形的茶几，似乎使人置身于无边无际的海洋，倒上一杯茶，载着 你悠然地品味人生…… This coffee table's design is like the hull of a boat, drifting out of your living space into the ocean. It is perfect for shipping a cup of tea in the middle of the sea…
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2013-11-23 20:40:14
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2013-11-23 20:40:14
俸正杰创作经历自述 我的艺术创作大约开始于 1990 年代初，我一直对流行文化，大众文化， 消费文化有着强烈的兴趣，我的创作感受主要来源于对这些方面的持 续关注 ; 而我的艺术创作的另一条线索是对中国民间色彩系统和当代 商业广告色彩感觉的融合。 90 年代初，随着中国改革开放的力度加大，经济发展迅速，人们的 生活发生了很大的变化，消费文化进入了初级阶段。我主要创作了《解 剖》系列 (1992-1993)，《皮肤的叙述》系列 (1994-1996)，《浪漫 旅程》系列 (1996-1999)。艺术评论家认为这一阶段的创作为“艳俗 艺术”时期，也是消费文化表现为“农民暴发趣味”的时期。 2000 年以后，中国社会发展和大众生活状态越来越呈现出国际化， 都市化，时尚化的面貌。我主要创作了《酷》系列 (2000-2001)，《蝶 恋花》系列 (2001-2003)，仍在持续的《肖像》系列 (2000- ) 和《生 命如花》系列 (2006-)。《生命如花》系列试图以绘画，雕塑，装置 等多种方式传达我关于生命的新的体验和理解 ;《肖像》系列通过简 洁的形象，时尚的造型，单纯而强烈的对比色彩塑造了生活在消费文 化繁荣的今天表面上国际化都市感时尚感强烈，内心却显空洞迷惑的 当代中国人的心理肖像。这是消费文化表现为“都市时尚趣味”的时 期，栗宪庭先生认为《肖像》系列创造了一个消费文化的经典。
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FENG ZHENGJIE （1968- ） Blooming Rose Droplight (1/9) Fibreglass & Stainless Steel & Bulb Inscribed Feng Zhengjie in Chinese; 1/9; dated 2013 Created in 2013 100×100×(H)110cm
RMB 80,000-120,000 US$ 13,115-19,672
俸正杰被认为是中国艳俗艺术的代表性艺术家和集大成者，而他更将 “艳俗”这个概念中所包含的光鲜艳丽的视觉元素与当代商业社会的 流行风尚高度统一起来，并且引得了世界范围内的广泛关注，也是艺 术界和时尚界的共识。这就是俸正杰，一个从巴国蜀地走出来的艺术 家，他让原本属于民间审美习性的大红大绿，具有了语意延伸和拓展 的可能，形成了反讽和批判的功能，更成为当今中国社会城市化进程 中物质化和时尚化的视觉表达而被人们接受。（高岭） 《玫瑰吊灯》是俸正杰 2013 年的最新创作，艺术家首次将其布面作 品中的标志性元素“玫瑰”用于具有实用性的装置作品之中。光亮的 镜面不锈钢下垂挂着九朵玻璃钢铸造的玫瑰，一如既往地延续了俸正 杰“艳若桃李”的风格，颜色鲜艳，造型生动，在数只灯珠的柔光照 耀下显得娇艳可人。镜面不锈钢吊顶呼应着周遭的环境，同时折射出 花朵根茎的几抹翠绿，使整件作品呈现出一种时尚、靓丽又富于生命 力的当代感。 Feng Zhengjie is no doubt a representative and successful figure of Chinese "gaudy art". He has highly united the bright colorful visual elements with the trendy fashion of the contemporary commercial society, which attracts a wide attention from the world and a common view between art and fashion circles. Feng Zhengjie, an artist from Sichuan province, extends the connotation and possibility of the inherent folk aesthetic habit and hence forms his unique ironic and critical tones. (Gao Lin) "Blooming Rose Droplight" was created by Feng Zhengjie in 2013
1331
as his very first furniture piece crossing the fields of art and design. The symbolic pink flowers are sculptured and collocated with slim droplights to realize its aesthetic and functional meanings.
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俸正杰
According to the artist's style of "as delectable as peach and plum",
玫瑰吊灯（1/9）
nine shining rose blossoms are dangling charmingly against the
玻璃钢、镜面不锈钢、灯管
reflection of the mirror base. The whole piece presents the beauty
签名：1/9 俸正杰 2013
of modern and vitality.
创作年代：2013 年
2013-11-23 20:40:17
诺曼 • 切纳是 20 世纪 50 年代最具代表性的美国家具设计师之一。
从椅背延伸至椅身前缘，婀娜的姿态与完美的弧度，使双臂自然而然
毕业并执教于哥伦比亚大学（Columbia University）美术系，并且
地坐落在扶手上，配合椅面的人体工学设计，因此能得到最放松姿态
在 1947 年 至 1949 年 间 出 任 了 纽 约 现 代 艺 术 博 物 馆（Museum of
的休息。
Modern Art）的指导师。作为一位全方位的设计探索者，切纳横跨了 平面设计、工业设计，和建筑等多个领域。而其中以家具设计最为著
为了重现父亲的美好设计，切纳的儿子本杰明和托马斯于 1999 年正
名，他所设计的切纳椅直至今日仍是展现曲木塑造工法的经典代表，
式成立切纳椅家具公司（Cherner Chair Company），而首度复刻的
为世界各大博物馆所典藏。
便是传奇的切纳椅，优雅弧度即使横跨了五十年仍令人惊叹，展现切 纳家具历久弥新的设计思维。为了搭配经典的切纳椅，本杰明 • 切纳
切纳扶手椅和边椅为诺曼 • 切纳于 1958 年所设计，凭借高超的夹板
在继承了父亲开创性美学工艺的基础上，于 2003 年推出了同系列的
技术、优美的曲线弧度以及时髦超前的外形，成为椅子设计史上的经
切纳桌。切纳桌不但同样采用质感极佳的胡桃木，还将坚固、轻盈等
典之作。切纳椅的背身一片成形，转折处仿佛搂着美女纤腰，看似细
实用因素考虑在内，完美呈现了切纳家具系列的完整性。每一件切纳
腻，但椅面却能轻易与身体贴合，着实呈现了其工法精细中的厚实坚
桌椅均于美国制造，并由切纳椅家具公司独家生产，经典的设计搭配
固与实在耐用。而其纤细的椅脚，像是芭蕾舞者踮起脚尖漫舞轻盈，
完美的工艺，使得切纳桌椅系列被视为不可多得的收藏级设计佳作。
伴随着这曼妙姿态的则是最令人为之惊艳的如缎带般飞舞的扶手，它
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2013-11-25 14:27:13
Norman Cherner is one of the most influential American furniture
dining chair, it is strong, lightweight and built to be handed down
designers in the 1950s, who experimented in all aspects of design
from generation to generation. Both of the chairs have been
including glassware, lighting, graphics and much more. But for
reissued in precise detail from Norman Cherner's original drawings
the past 50 years, it was Cherner's molded plywood chairs that
and molds.
have helped make him a household name, as they have appeared in numerous different hotels, restaurants and homes around the
Introduced in 2003, Cherner tables are designed by Benjamin
world. Founded in 1999 by Norman's sons (Thomas and Benjamin
Cherner to compliment Cherner seating. Perfect in a formal or
Cherner), the Cherner Chair Company became the sole licensor of
informal setting, the tables are strong and lightweight. The oval
Norman Cherner's furniture items.
table is 84" long and can seat 6 or 8. The veneered top is made of 1 1/8" thick crossply plywood with a profiled exposed edge.
Originally designed for Plycraft in 1958, the Cherner armchair is
The legs are laminated wood with an exposed edge. A complete
one of today's most collectable chairs. The iconic piece combines
set of Norman Cherner's dining series are made in the USA and
a unique molded plywood shell of tapering thickness, a solid bent
manufactured by Cherner Chair, which are considered to be rare
wood arm and a laminated wood base. The molded plywood side
and valuable among collectors.
chair is the companion to the Cherner armchair. As the perfect
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1332
诺曼•切纳 切纳扶手椅（一对） 胡桃木
NORMAN CHERNER (1920-1987) Cherner Armchair (A Pair) Walnut 67.7×54.3×(H)80.2cm (each)
RMB 18,000-22,000 US$ 2,951-3,607
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1333
诺曼•切纳 切纳扶手椅（一组四件） 胡桃木
NORMAN CHERNER (1920-1987) Cherner Armchair (A Set of Four Pieces) Walnut 53.2×47×(H)80.2cm (each)
RMB 24,000-28,000 US$ 3,934-4,590
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1334
诺曼•切纳 切纳餐桌 胡桃木
NORMAN CHERNER (1920-1987) Cherner Dining Table Walnut 213.3×96.5×(H)74.9cm
RMB 22,000-26,000 US$ 3,607-4,262
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1335
可汗 丰田 2003-红沙发 综合媒材 签名：KHAN 2013 创作年代：2013 年
KHAN (1969- ) Toyota 2003 - Red Sofa Mixed Media Inscribed KHAN; dated 2013 Created in 2013 116.8×135×(H)147cm
RMB 50,000-65,000 US$ 8,197-10,656
作为一名韩国艺术家，可汗毕业于首尔艺术学院视觉传播设计系，后
As a Korea-born artist, Khan graduated from Visual Communication
在德国科隆大学学习哲学。中西方的文化碰撞与跨界的科目研习，让
Design Department of Seoul Institute of Arts, following a further
可汗从更宽阔、更新颖的角度来探索艺术创作对当下人类生存环境的
study of Philosophy in Cologne University of Germany. During the
积极意义。在二十多年的艺术创作中，可汗始终密切关注着人类与自
twenty years practice of art, Khan has always paid close attention
然的关系，尤其是当今社会中，大众消费品被轻易废弃的现象引起了
to the human's relationship with the nature, especially the things
艺术家的思考。
that offer comfort of mass consumption but turn suddenly tiresome trash in this society.
可汗的创作主题是那些已经报废的汽车。作品材料直接来自于像捷豹 X16-1997、丰田 Will Cypher-2003、大宇 Tico-1996 等型号的大众
The subjects of Khan's works are automobiles that already
汽车。在艺术家的创意与审美下，这些汽车被改造成为可以实用的家
exhausted their functions. Cars such as Jaguar X16-1997, Toyota
具。更奇妙得是，这样的改造不仅让那些废弃物重拾生命，更让它们
Will Cypher-2003, Daewoo Tico-1996, etc are materials for his
超越了功能，成为了艺术品。可汗大胆的实践为环保替代品这一理念
works. He transforms automobiles into furniture that serve other
给出了切实可行的方案。这些焕发一新的艺术作品带着它们独有的美
purposes. Surpassing the simple functions of furniture, each work
好的记忆与故事，在展现人们欲望的同时，也实现了自身的价值。它
has become the work of art. His experiment shows environmental-
们的出现是地球可持续性管理的希望。
friendly alternatives and practical implementation. Bearing the beautiful memories and their own stories, these newly born artworks give a chance to discover human desire and to realize one's self. They become the seed of hope to the sustainable management for the Earth.
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1336
林明弘 福尔摩沙 羊毛
MICHAEL LIN (1964- ) Formosa Wool 200×300cm
RMB 45,000-52,000 US$ 7,377-8,525
台湾艺术家林明弘毕业于加州帕萨迪纳艺术中心设计学院美术系，曾参与台北双年展、 福冈三年展、伊斯坦堡双年展、威尼斯双年展、里昂双年展等，并受邀于巴黎东京宫、 纽约 PS1 当代艺术中心、赫尔辛基 Kiasma 当代美术馆等多项国际间的展览。他将台 湾民间艳俗花布图案放大，使用乳胶漆涂绘于展出空间的墙面或地面，成为他的独自 风格。花布图腾从私密空间进入公共空间，形成公私领域空间混淆，透过美学空间的 改变，进而转变人们的欣赏行为习惯，并且让空间产生不同的氛围。 福尔摩沙是葡萄牙文“美丽”的意思，也是 16 世纪葡萄牙水手发现台湾岛时对其的命名。 林明弘的这款同名地毯唤醒了尘封的记忆，台湾传统图式与波普美学巧妙结合，构成 了作品精美、迷人的风格。林明弘擅长通过他的作品将冰冷、单调的大型空间改造成 充满生命光泽的有机旷野。正如这件耗时三年的地毯，精准细致的手工完美地呈现了 艺术家对于细腻色彩的严格把控。此外，作品材质为 100% 新西兰纯羊毛，其编结的 方法也要比一般的手工毛毯紧致 40%，所以也就更具体量与质感。 Michael Lin graduated from the Fine Art Department of The Design Center in Pasadena, California. After returning in 1993 to Taiwan, he developed his work as an artist working with the artist collective IT Park. During the following nine years in Taiwan he developed what will go on to define the core of his artistic concerns, a reflection on Asian tradition, ornamentation and architecture, and the practice of art and life. Since 1999 he has been invited to exhibit his work internationally. Created by the versatile and authentic Taiwanese artist Michael Lin, Formosa evokes the name 16th-century Portuguese sailors gave to the island of Taiwan. The rug's delicate and attractive style combines Pop aesthetics with Taiwanese pictorial tradition. Following this tradition, it took three years of meticulous work to reproduce the subtle use of color on wool that is characteristic of Lin, who specializes in transforming large, cold and bland spaces into luminous organic fields of intense shades. The type of knot used to make this rug makes it 40% denser than other hand-knotted rugs, and consequently, it has more weight and better quality.
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1337
马塞尔•万德斯 森林精灵一鹿系列（17/199） 水晶 签名：Baccarat Marcel Wanders 17/99
MARCEL WANDERS (1963- ) Spirits of woods (17/199) Crystal
Inscribed Baccarat Marcel Wanders 17/99 (H)150cm
RMB 92,000-98,000 US$ 15,082-16,066
巴卡拉是具有两百多年历史的法国著名水晶品牌。经过岁月的陶冶孕 育而出的巴卡拉水晶工艺品成为具有代表法国文化的名牌产品，其举 世无双的品质享誉世界。巴卡拉凭借其名贵的用料，灵动多变、紧贴 时尚潮流的设计和精致超卓的制作工艺，已经成为显赫、尊贵的代名词。 “森林精灵”是荷兰设计师马塞尔 • 万德斯为巴卡拉精心制作的作品。 他将巴洛克风格的创意和奇幻气息融入了水晶的创作中，创新性的将 材质，装饰，技艺融为一体。他的设计既充满了趣味，又极具装饰美 感。金属身由不锈钢手工制作，使其呈现出鹿的身形，上面是四个透 明水晶烛台组合形成的“鹿角”。该作品限量 99 件，水晶部件刻有 巴卡拉和马塞尔 • 万德斯的标志，并在“鹿尾”处刻有编号。 Baccarat is a renowned French crystal brand which enjoys a history of over 200 years. It is regarded as the representative of French culture with its unrivalled quality throughout the years. Now it has become the synonym for prestige and honor due to its precious material, trendy design and exquisite craftsmanship. Especially designed for Baccarat by Marcel Wanders, the famous Dutch designer, "Spirits of Woods" is instilled with Baroque style and fantastic sentiment. His design is full of interests and decorative beauty, which integrates the material, decoration and technique in a creative way. The body of the deer is hand-made by stainless steel, and the "horns" come from four delicate crystal candle holders. The work has a limited edition of 99, which is numbered at the "tail" and inscribed the marks of Baccarat and Marcel Wanders at the other parts.
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1338
让 • 特塞尔 鹰系列 - 白肩雕 水晶
JAN TESAR Eagle Series - Aigie
水晶鹰是巴卡拉的得意之作，彰显了其精湛的工艺。本款雕像由让 • 特 塞尔为巴卡拉设计，绝妙的外形体现了鹰的威猛。鹰栖于岩石上，微风 凛凛地张开有力地双翼，全神贯注地凝视着远方地目标。本款水晶鹰以 复杂地工艺精心打造，石膏模，粘土模，特制烤炉灯一系列流程辅以精 湛地技艺，才成就了其外观地圆润美丽。
Crystal
Designed by Jan Tesar, Crystal Eagle represents the perfect technique (H)30cm
of Baccarat as a piece of art. Sitting on the rock with opened wings, the eagle stares at its target in the distance with deep concentration.
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RMB 19,000-22,000
The beautiful full look of the sculpture is attributed to the complex and
US$ 3,115-3,607
exquisite craftsmanship and making process.
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1339
Lobmeyr glasses are first mouth-blown, then cut, engraved and polished by hand, every single product is handled with the care of at least 18 hands during
泰德 • 缪林
production. Many details are taken into consideration for the perfect balance of
“热气球”酒杯组合 ( 一组五件 )
crystal blown to a thickness of only 0.7-1.1mm. It results in a drinking glass with
无铅水晶
TED MUEHLING（1953-） Drinking Set No.279-Balloon (One Decanter & Four Tumblers)
shape and function. Named after the finely woven French fabric "muslin", this is very dainty rim and an unforgettably delicate contact between mouth, glass and refreshment. In his first collaboration with Lobmeyr, the New York designer Ted Muehling draws upon centuries of historical trends to create a distinctly modern collection that blends utility, beauty and wit. "I tried to go back in time, to pre-stemware when glasses were both sensible and poetic," he says. Muehling found beauty in the
Lead-free Crystal Glass
simple and utilitarian shapes of Roman and early European glass.
Different Sizes
罗博梅尔玻璃制品对工艺的要求极高，吹拉、切割、印刻、打磨，每一件成品至少 要经过 18 只手的工艺才能完成。为了达到形状与功能的完美平衡，每一个细节都要
RMB 20,000-22,000 US$ 3,279-3,607
经过反复推敲。罗博梅尔玻璃制品的厚度仅为 0.7-1.1 毫米，被比作法国高级细棉 “muslin”，并因此获名。在使用罗博梅尔玻璃时，可以感受到优美、细致的边缘线， 唇齿、玻璃、饮品之间的互动令人难以忘怀。 此次的拍品为纽约设计师泰德 • 缪林与罗博梅尔的合力之作，作品的灵感源自欧洲 早期简洁而又实用的玻璃器皿，缪林在此基础上注入了独特的现代感，将实用性、 美感与智慧融入到这套作品中。正如艺术家所言：“我想回到过去，回到高脚杯之 前的时代，因为那时的玻璃器皿是那样知性，又充满诗意。”
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1340
劳伦斯•布拉班特 琥珀杯碗组合(一组七件) (11/50) 玻璃 签名：Lauremce Brabant 11/50
lAURENCE BRABANT Effeuillee (A Set of Seven Pieces) (11/50) Glass Inscribed Lauremce Brabant 11/50 (D)13cm (H)8cm
RMB 6,500-8,000 US$ 1,066-1,311
法国女设计师劳伦斯 • 布拉班特很善于运用玻璃制成各种精美的器皿，如花瓶、盘子、烛台等，来妆点生活。这次的拍品由七个大小不一的琥 珀色杯碗组成，不仅简约时尚，而且相当实用，可以叠置的设计节省了收纳时的空间。 Laurence Brabant is an interesting French designer and producer of glassware. Like an illusionist she designs poetic products that in a clever way are inspired by translucency and the difference between visible and invisible.
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经典 品鉴 Classic Appreciation
LOT 1341-1350
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1341
萨尔瓦多•达利 阿维尼翁的长颈鹿 （244/300） 版画 签名：Dali 创作年代：1975年
SALVADOR DALI (1904-1989) Giraffe (244/300) Print on Paper Signed Dali Created in 1975 41×63cm
RMB 22,000-28,000 US$ 3,607-4,590
1342
萨尔瓦多•达利 独角兽（EA） 版画 签名：Dali
SALVADOR DALI (1904-1989) Unicorn (EA) Print on Paper Signed Dali 48×59cm
RMB 22,000-28,000 US$ 3,607-4,590
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1343
萨尔瓦多•达利 加拉（82/300） 版画
SALVADOR DALI (1904-1989) Gala (82/300) Print on Paper Signed Dali
签名：Dali 42×58cm
RMB 22,000-28,000 US$ 3,607-4,590
1344
萨尔瓦多•达利 天鹅映象（EA） 石板 版画
SALVADOR DALI（1904-1989） Swans Reflecting Elephants (EA) Lithograph Signed Dali
签名：Dali 37×58cm
RMB 25,000-30,000 US$ 4,098-4,918
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1345
斯萨尔瓦多•达利 浮士德剪影（1849/2000） 瓷 签名：Dali
SALVADOR DALI（1904-1989） Sihouette de Fause (1849/2000) Porcelain Signed Dali Created in 1968
创作年代：1968 年 (D)26cm
RMB 8,000-12,000 US$ 1,311-1,967
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1346
斯萨尔瓦多•达利 “植物花卉”瓷盘 （一组八件） （10-17/6244） （附亚克力框） 瓷 签名：Dali 创作年代：1981 年
SALVADOR DALI （1904-1989） Las Flores Dalinianas (A Set of Eight Pieces) (10-17/6244) (with acrylic frames) Porcelain Signed Dali Created in 1981 (D)19cm
RMB 12,000-18,000 US$ 1,967-2,951
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1347
埃德加 • 德加 14 岁的小舞者（7/8） 铜雕 创作年代：1970 年代 来源：意大利 Count Raffaello Ferrero 家族。 德加铜雕作品《十四岁的小舞者》
附：作品保证书。
（法国奥赛美术馆馆藏）
EDGAR DEGAS (1834-1917) The Little Fourteen-Year-Old Dancer (7/8) Bronze Created in the 1970s PROVENANCE From foundry Bruno Bearzi on commission of count Raffaello Ferrero in
《14 岁的小舞者》是著名法国印象派画家、雕塑家埃德加 • 德加于 19 世纪 80 年代初所创造的雕塑作品。该原作由蜡制成，原型为巴黎 歌剧院芭蕾舞学院的一名学生。作品在 1881 年的巴黎第六届印象派 画展中首次亮相，顿时引起了艺术界的极大关注与学术争议。如今在 世界各大美术馆与画廊出现的铸铜版本则是在德加逝世后所铸造的。
Florentine in the 1970s.
其中一件复刻版本曾在 2009 年的苏富比伦敦印象派 & 现代作品拍卖
Attached a guarantee certificate.
会上以 13,257,250 英镑售出，刷新了德加雕塑作品的世界记录。
(H)97cm
作为德加最具代表性的作品之一，《14 岁的小舞者》刻画了一个年
RMB 180,000-250,000 US$ 29,508-40,984
轻的芭蕾舞者，带着微妙而难以捉摸的表情站立着，看似随意的手法 实则准确地抓住了对象的瞬间特质，当之无愧地成为了印象派作品中 最为标志性的雕塑作品。此次上拍的作品为意大利 Raffaello Ferrero 伯爵委任、佛罗伦斯著名铸造厂牌 Bruno Bearzi Foundry 于 1970 年 代所铸造。 "Little Dancer of Fourteen Years" (La Petite Danseuse de Quatorze Ans) is a sculpture by Edgar Degas of a young student of the Paris Opera Ballet dance school. It was originally sculpted by the artist around 1881 in wax, which was shown in Paris at the Sixth Impressionist Exhibition of 1881 and shocked the art circle at the time. The bronze repetitions that appear in museums and galleries around the world today were cast after Degas's death. In 2009, one bronze copy was sold for £13,257,250 at Sotheby's. As one of Degas's most representative works, "Little Dancer of Fourteen Years" depicts a young ballerina standing still with a subtle and inexplicable look on the face. Degas took realism to its logical conclusion by revealing the society of his time in a barefaced almost scientific way with no shade of hypocrisy. The auctioned piece is from the foundry Bruno Bearzi on commission of count Raffaelo Ferrero in Florence in the 1970s.
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1348
巴勃罗 • 毕加索 飞翔的鸽子 版画 签名：Picasso 10.10.52 创作年代：1952 年
PABLO PICASSO （1881-1973） Colombe Volant Print on Paper Signed Picasso; dated 10.10.52 Created in 1952 24×31cm
RMB 25,000-30,000 US$ 4,098-4,918
1349
亨利 • 图卢兹 • 劳德雷克 旅客（1/CCLXXV） 版画 签名：Flanhee
HENRI TOULOUSE-LAUTREC
（1864-1901） La Passagere du 54 (1/CCLXXV) Print on Paper Signed Flanhee 68×47cm
RMB 25,000-30,000 US$ 4,098-4,918
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1350
巴勃罗 • 毕加索 拥抱花瓶（6/498） 瓷
PABLO PICASSO（1881-1973） Woman & Child Embracing Vase（6/498） Porcelain Signed Picasso
签名：Picasso
Created in 1995
创作年代：1995 年
Attached a guarantee certificate.
附：作品保证书。 (H)17.5cm
RMB 25,000-30,000 US$ 4,098-4,918
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国际 版画 Limited Edition
LOT 1351-1372
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ANDY WARHOL （1928 － 1987） Golden Marilyn Portfolio （Sunday B. Morning） (A Set of Ten Pieces) Silkscreen Signed (at the back) fill in your own signature; published by Sunday B. Morning Attached a guarantee certificate. 91×91cm (each)
RMB 22,000-32,000 US$ 3,607-5,246
1351
安迪 • 沃霍尔 黄金梦露系列 （Sunday B. Morning 版） （一组十幅） 丝网 版画 签名：（背）fill in your own signature; published by Sunday B. Morning 附：作品保证书。
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1352
安迪 • 沃霍尔 毛系列（Sunday B. Morning 版）（一组五幅） 丝网 版画 签名：（背）fill in your own signature; published by Sunday B. Morning 附：作品保证书。
ANDY WARHOL（1928 － 1987） Mao Portfolio（Sunday B. Morning） (A Set of Five Pieces) Silkscreen Signed (at the back) fill in your own signature; published by Sunday B. Morning Attached a guarantee certificate. 91×91cm (each)
RMB 12,000-20,000 US$ 1,967-3,279
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1353
安迪 • 沃霍尔 梦露系列 (1666/2400)（一组十幅） 丝网 版画 签名：1666/2400 创作年代：1986 年 展览：宾夕法尼亚美术馆，美国，1986 年。 附：作品保证书（10 张）。
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ANDY WARHOL（1928 － 1987） Marilyn Portfolio（1666/2400）(A Set of Ten Pieces) Silkscreen Signed 1666/2400 Created in 1986 EXHIBITION Museum of Art, Pennsylvania, 1986 Attached guarantee certificates. (10 Pieces) 60×60cm (each)
RMB 65,000-85,000 US$ 10,656-13,934
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1354
安迪 • 沃霍尔
ANDY WARHOL（1928 － 1987）
红粉梦露瓷盘（19/49）( 附木盒）
Marilyn Red-Pink Mural (19/49) (with a box)
瓷 附：作品保证书。
Porcelain Attached a guarantee certificate. 50×50cm
RMB 15,000-20,000 US$ 2,459-3,279
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1355
安迪 • 沃霍尔 银白猫王瓷盘 （35/49）( 附木盒） 瓷 附：作品保证书。
ANDY WARHOL (1928-1987) Elvis-Platin Mural (35/49) (with a box) Porcelain Attached a guarantee certificate. 50×50cm
RMB 15,000-20,000 US$ 2,459-3,279
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1356
曾梵志 面具系列（一组六幅）（AP 6/9） 丝网 版画 签名：曾梵志 2006 创作年代：2006 年
ZENG FANZHI(1964- ) Mask Series (A Set of Six Pieces) (AP 6/9) Silkscreen Signed Zeng Fanzhi; dated 2006 Created in 2006 110×80cm
RMB 250,000-400,000 US$ 40,984-65,574
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1357
周春芽 花事记（62/69）/ 云淡风轻（68/69） （一组两幅） 丝网 版画 签名：周春芽 2008 创作年代：2008 年
ZHOU CHUNYA (1955- ) Flower Story (62/69) / Light Cloud & Soft Wind (68/69) (A Set of Two Pieces) Silkscreen Signed Zhou Chunya in Chinese; dated 2008 Created in 2008 67×83cm / 83×67cm
RMB 24,000-45,000 US$ 3,934-7,377
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1358
方力钧 2008.8.8 (66/99) 丝网 版画 签名：2008.8.8 (66/99) 方力钧 创作年代：2007 年
FANG LIJUN（1963- ）
9)
2008.8.8 (66/99) Silkscreen Signed 2008.8.8 (66/99) Fang Lijun in Chinese Created in 2007 80×111cm
RMB 15,000-30,000 US$ 2,459-4,918
1359
杨少斌 搅动的云 (65/78) 丝网 版画 签名：杨少斌 2006 创作年代：2006 年
YANG SHAOBIN（1963- ） Stirred Clouds (65/78) Silkscreen Signed Yang Shaobin; dated 2006 Created in 2006 80×120cm
RMB 10,000-20,000 US$ 1,639-3,279
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1360
曾梵志 女人与狗（23/60） 丝网 版画 签名：曾梵志 2006
ZENG FANZHI(1964- ) Woman and Dog (23/60) Silkscreen Signed Zeng Fanzhi; dated 2006 Created in 2006
创作年代：2006 年 110×80cm
RMB 58,000-75,000 US$ 9,508-12,295
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1361
村上隆 花球（183/300） 丝网 版画 签名：签名 (183/300)
TAKASHI MURAKAMI (1962- ) Flower Ball (183/300) Silkscreen Signed with signature and (183/300) (D)99cm
RMB 10,000-15,000 US$ 1,639-2,459
1362
村上隆 粉红色的花（30/300） 丝网 版画 签名：签名 (30/300)
TAKASHI MURAKAMI (1962- ) An Homage to Monopink,1960B (30/300) Silkscreen Signed with signature and (30/300) 尺寸：73.5×53cm
RMB 8,000-13,000 US$ 1,311-2,131
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1363
草间弥生
YAYOI KUSAMA (1929- )
烟灰缸（40/100）
Ashtray (40/100)
丝网 版画 签名：Yayoi -Kusama 创作年代：1990 年 出 版：《 草 间 弥 生 全 版 画 集 1979-
Silkscreen Signed Yayoi -Kusama Created in 1990 PUBLISHED
2004》，阿部出版株式会社，2005 年，
All Prints of Kusama Yayoi 1979-2004, ABE
第 119 页。
Publishing LTD, 2005, p.119. 45×54cm
RMB 48,000-60,000 US$ 7,869-9,836
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1364
草间弥生 帽子（PP） 丝网 版画
YAYOI KUSAMA(1929- ) Hat (PP) Silkscreen Signed Yayoi -Kusama
签名：Yayoi -Kusama
Created in 1982
创作年代：1982 年
PUBLISHED
出版 :《草间弥生全版画集 1979-2004》，
All Prints of Kusama Yayoi 1979-
阿部出版株式会社，2005 年，第 18、98 页。
2004, ABE Publishing LTD, 2005, p.18 & 98.
55×69cm
RMB 55,000-65,000 US$ 9,016-10,656
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1365
村上隆 草木国土悉皆成佛（113/300） 版画 签名：签名 (113/300)
TAKASHI MURAKAMI (1962- ) A Picture of the Blessed Lion who Stares at Death (113/300） Print on Paper Signed with signature and (113/300) 70.9×140cm
RMB 10,000-18,000 US$ 1,639-2,951
1366
照屋美优 啤酒系列（一组三幅） 钢笔、水彩 纸本 签名：MTYU TERVYA '13
MIYU TERUYA (1988- ) The Beer (A Set of Threes Pieces) Ink on Paper Signed MTYU TERVYA ′13 39×27cm (each)
RMB 5,000-8,000 US$ 820-1,311
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1367
青岛千穗 变色龙（166/300） 丝网 版画 签名：Chiho- Aoshima, 06 创作年代：2006 年
CHIHO AOSHIMA (1974- ) Chameleon（166/300） Silkscreen Signed Chiho- Aoshima; dated 06 Created in 2006 61×74cm
RMB 8,000-13,000 US$ 1,311-2,131
1368
密斯特 来到池袋的男孩（63/300） 版画 签名：签名 08 63/300 创作年代：2008 年
MR. (1969- ) A Boy Arrived in Ikebukuro (63/300) Print on Paper Signed with signature; 63/300; dated 08 Created in 2008 60×60cm
RMB 8,000-13,000 US$ 1,311-2,131
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1369
山形博导 空棘鱼 铅笔、碳晶 纸本 & 画布 签名：签名 附：作品保证书。
HIRO YAMAGAT (1948- ) Relicanth Pencil on Paper & Canvas Signed with signature Attached a guarantee certificate. 40.5×50.5cm
RMB 6,000-10,000 US$ 984-1,639
1370
山形博导 黄昏中的巴黎（187/280） 丝网 版画 签名：签名（187/280）
HIRO YAMAGAT (1948- ) Paris in the Sunset (187/280) Silkscreen Signed with signature and（187/280） 46×71cm
RMB 3,800-5,800 US$ 623-951
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1371
1372 1371
李小镜 上海新天地 (45/75) 摄影 签名： D Lee '06
1372 DANIEL LEE (1945- ) Shanghai Xintiandi (45/75) Photography
都市丛林 (46/75)
Signed D Lee '06
摄影
Created in 2006
签名： D Lee '07
创作年代：2006
DANIEL LEE (1945- ) Urban Bush (46/75) Photography Signed D Lee '07 Created in 2007
创作年代：2007 年 40.5×102cm
40.5×102cm
RMB 4,800-10,000
RMB 4,800-10,000
US$ 787-1,639
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李小镜
US$ 787-1,639
2013-11-23 20:46:02
艺术家简历 ARTIST BIOGRAPHIES
AB
LOT 1311、1312
LOT 1351、1352、1353、1354、1355
LOT 1325、1326
安正桓（1978- ）
安迪 • 沃霍尔（1928 － 1987）
朴善基 (1966- )
An Jung Hwan（1978-）
Andy Warhol （1928-1987）
Bahk Seon-Ghi (1966- )
An Jung Hwan was born in 1978 in Daegu, Korea.
Andy Warhol, The son of Ruthenian immigrants,
Bahk Seon-Ghi was born in Sunsan, Korea in 1966.
He attained BFA from the Painting College of Fine
Andy Warhol studied art at the Carnegie Institute of
Bahk has had lots of significant exhibition show in
Arts Keimyung University. He studied at the St.
Technology. He worked as an advertising designer
the world and participated famous art fair. And many
Petersburg State Academic Institute of Painting,
before becoming. After a near-fatal shooting by an
museum collect his artworks in everywhere, such
Sculpture and Architecture, named after I.E.Repin.
unstable fan on June 3, 1968, Warhol retired from
as Samsung corporation in Seoul, ARK Restaurants
His solo exhibition is at GALLERY SOHEON in
direct involvement in filmmaking, and under former
Corp in New York, National Museum of Korea in
Daegu, Kyung Hyang Gallery (Jungdong) in Seoul
assistant Paul Morrissey, the Warhol films became
Seoul, KUZ Plus Ferrari shop in Seoul, The Westin
in 2007~8. Some group Exhibition is Seoul Art
increasingly commercial. Warhol spent the 1970s
Chosun Hotel in Seoul, Umberto Annelli (President
Fair, ART DAEGU, ASYAAF, Representative Artist
and 1980s as a major pop culture figure, constantly
of Group FIAT) in Torino, Massimo Buffetti (President
Painting Exhibition, Korea Young Artist Biennale in
attending parties and providing patronage to
of Group Buffetti) in Como, PKB Private Bank AG in
2006~9 etc.
younger artists. He died in 1987 after a routine
Zurich, Claudio La Viola (President of Dasassociati)
gallbladder operation at age 58.
in Milano, Christian Marinotti Edition in Milano, Gianni Vercellotti, Cuneo, etc.
安正桓，1978 年生于韩国大邱。毕业于启明大学美 术学院，获得艺术学士学位。在圣彼得堡列宾美术学
安迪 • 沃霍尔是波普艺术的倡导者，也是对波普艺术
院学习。2007 年到 2008 年，在大邱素轩画廊、京
影响最大的艺术家。他出生于美国宾夕法尼亚州的匹
1966 年生于韩国，朴善基于 1994 年在首尔中央大
东京乡画廊举办个展。2006 年到 2009 年，参展过
斯堡，是捷克移民的后裔。沃霍尔曾在卡耐基技术
学完成硕士学位后，次年赴米蓝布雷拉美术学院攻读
首尔艺术博览会，艺术大邱，亚洲美术庆典，韩国代
学院学习。1952 年他在纽约以商业广告绘画初获成
雕塑。1996 年，荣获“布雷瑞年青雕塑家”奖，托
表艺术家油画展，韩国青年艺术家双年展等群展。
功逐渐成为著名的商业设计师，1954 年沃霍尔首次
尔托纳，意大利。展览：1999 年，“自然风艺术家
获得美国平面设计学会杰出成就奖。1956 年和 1957
沙龙”，巴黎；2000 年，“如果没有艺术”，瑞士；
年他连续获得艺术指导人俱乐部的独特成就奖和最高
2003 年，“国际艺术博览会－里斯本当代艺术展”，
成就奖。沃霍尔除了是波普艺术的领袖人物，他还是
葡萄牙；2005 年， “洛城艺术”，洛杉矶；2006 年， “观
电影制片人、作家、摇滚乐作曲者、出版商，是纽约
看事物的方法”，首尔；2007 年，“存在”，西班牙；
社交界、艺术界大红大紫的明星式艺术家。
“视点游戏”，北京。另外，也曾在意大利、西班牙、 葡萄牙、德国、韩国等地举办各展。
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艺术家简历 ARTIST BIOGRAPHIES
LOT 1302 陈淑霞（1963- ）
LOT 1367
LOT 1371、1372
青岛千穗（1974- ）
李小镜 (1945- )
CD
Chen Shuxia（1963- ）
Chiho Aoshima（1974- ）
Daniel Lee (1945- )
Chen Shuxia was born in Zhejiang Province in
Chiho Aoshima was born in Tokyo, Japan. She is a
LI Xiaojing, also named Daniel Lee, was born in
1963. She is associate professor, Department of
young native Japanese artist. She graduated from
Chongqing, China and now lives in New York. Solo
Fine Arts Education, Humanities Institute, Central
Tokyo Hosei University, majoring in economics.
Exhibitions: 'Daniel Lee's Painting', O.K. Harris
Academy of Fine Arts.Exhibition attendance:
He is now a CG artist, using computer to create
Works of Art, New York City, 2005; 'Daniel Lee's
2006 “Unclear And Clearness -- Asia Project
her unique fancy world. The elements in her works
Painting', Nichido Contemporary Art Gallery, Tokyo,
Chinese Contemporary Art Festival.” Personal
include sap, reptile, insects and old concrete
Japan, 2004; 'Night Life', O.K. Harris Works of
Exhibition：2006 “False or True” National Art
buildings. She is a member of well-known Kaikai
Art, New York City, 2001; 'Origin and Judgement',
Museum of China, Beijing, China.2005 “Primary
Kiki Studio by Japanese famous artist Takashi
Cyber 99 Lisbon CCB Culture Centre, Portugal,
Colors” Sunshine Art, Hangzhou, China.2004 “Art
Murakami.
1999; 'Manimals' and 'Judgement', Galerie du Chateau d'Eau, France, 1995. Group Exhibitions:
Exhibition of Chen Shuxia” PYO Gallery of Seoul,
'Hybrid, Arts Electronica 2005, Austria', 2005.
Korea.2003 “Art Exhibition of Chen Shuxia”
青岛千穗 1974 年出生在日本的东京，是日本土生土
Shengling Gallery, Shanghai, China.2002 “Art
长的年轻艺术家，毕业于东京 Hosei 大学的经济学课。
Exhibition of Chen Shuxia” Academy of Arts &
现是 CG 艺术家，以计算机科技创出她的独特奇幻
李小镜于 1945 年生于中国重庆，现居美国纽约。个
Design, Tsinghua University, Beijing, China.
世界。作品元素包含体液、爬虫、昆虫和古旧的混
展：2005 年 " 成果 " O.K. Harris Works of Art 美国纽
凝土建筑物等。她是知名日本艺术家村上隆（Takashi
约市。2004 年 " 成果 "Nichido Contemporary Art 日
Murakami, 1962-）自创「Kaikai Kiki」工作室的成员。
本东京。2001 年 " 夜生活 " O.K. Harris Works of Art
1963 年生于浙江。现任中央美术学院人文学院美术 教育学系副教授。参展：2006 年 “虚虚实实——亚
美国纽约市。1999 年 ' 源 ' 与 ' 审判 'Cyber 99 里斯
洲当代艺术的再发现” Heyri 艺术基金会文化空间，
本 CCB 文化中心 , 葡萄牙。1995 年 ' 十二生肖 ' 与
首尔，韩国。个人展览：2006 年 “虚实两境”中国
' 审判 'Galerie du Chateau d'Eau 法国土鲁斯市。群
美术馆，北京，中国。2005 年 “原色”三尚艺术，
展：2005 年 "Hybrid" ( 应邀为大会主题艺术家 ), Ars
杭州，中国。2004 年 “陈淑霞作品展” 表画廊，首
Electronica 2005 电子艺术节 , 奥地利。
尔，韩国。2003 年 “陈淑霞作品展” 圣菱画廊，上 海，中国。2002 年 “陈淑霞作品展”清华美术学院， 北京，中国。
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艺术家简历 ARTIST BIOGRAPHIES
DE
L O T 13 2 7
L O T 13 2 8、13 2 9、13 30
L O T 13 47
大 卫 • 葛 尔斯坦（19 4 4 - ）
明合文吉（20 0 6 - ）
埃德 加 • 德 加 (18 3 4 -1917)
David Gerstein（1944- ）
Design MVW（2006- ）
Edgar Degas (1834-1917)
David Gerstein was born in Israel and studied at
Xu Ming graduated from E.S.A.G.,and obtained
Edgar Degas was born in Paris and studied at the
the Bezalel Academy, Jerusalem, Israel; the Ecole
Master degree. Virginie Moriette graduated from La
Art Institute. His composition, detailed descripition
Supérieure des Beaux Arts, Paris, France; the
Villette Architecture Academy. She is the National
and a thorough expression of the art makes makes
Art Students League, New York, USA; St. Martin's
Registration Architect in France. Awards: 2011 Best
him become a late 19th-century masters of morden
School of Art, London, England from 1965 to
Chair Design ELLE Decoration International Design
art. His representative works are "Count Lepic and
1974. His works have been exhibited in galleries
Awards; Nominee as Chinese Influential Designer
His Daughters", "Dance Lesson", "Adjusted Dancers
and Art Museum in different countries over years.
BHG5th Ceremony Anniversary Five Better homes
Dancing Shoes", "Bellini One" and so on.
Exhibition:1971 Engel Gallery, Jerusalem; 2002
and Gardens; The 13th China Furniture Design
Mensing Gallery, Hamm, Germany; 2005 Coda
Award-Custom made Bronze medal. Design for
埃德加 • 德加于 1834 年出生于法国巴黎。他曾在巴
Gallery, Palm Desert, CA, USA; 2008 Ermanno
sitting,50 Chairs (by invitation),Beijing, China; 100%
黎艺术学院学习绘画。他富于创新的构图、细致的描
Tedeshi Gallery, Rome.
Design, Shanghai, China; 2012 CHINESE DESIGN
绘和对动作的透彻表达使他成为 19 世纪晚期现代艺
IN LONDON, London, England; 2013 Slow Sitting, 大卫 • 葛尔斯坦于 1944 年在耶路撒冷出生。他曾在
Milan, Italy.
《贝利尼一家》等。
耶路撒冷的 Bezalel 学院、巴黎高等美术学院、纽约 艺术学生联盟及伦敦圣马丁艺术大学修读艺术。他
徐明，室内建筑硕士，毕业于巴黎 E.S.A.G. 室内建
的作品多年来曾在不同国家的美术馆和画廊展出。
筑高等学院；Virginie Moriette，法国国家注册建筑师，
展览：1971 年，恩格尔画廊，耶路撒冷；2002 年，
毕业于巴黎拉维莱特建筑学校。奖项与荣誉：2011 年，
Mensing 画 廊， 哈 姆， 德 国；2005 年， 尾 画 廊，
EDIDA 国际设计大奖 -- 佳座椅设计奖（U 合一）；
棕榈沙漠，加利福尼亚，美国；2008 年，Ermanno
美家创美大奖 - 中国最具影响力设计师提名奖；第
Tedeshi 画廊，罗马，意大利。
术的大师之一。他的代表作品有：《会计师和女儿们》, 《舞蹈课》 《调整舞鞋的舞者》 , 《新奥尔良棉花办公室》 , ,
十三届中国家具设计奖 -- 定制家具类铜奖。展览： “为坐而设计”50 把椅子展 , 北京；“100% 设计展”, 上海；2012 年，“中国设计在伦敦展”，伦敦，英国； 2013 年“坐下来”展，米兰，意大利。
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艺术家简历 ARTIST BIOGRAPHIES
L O T 13 5 8
L O T 13 31
L O T 13 2 3、13 2 4
方力钧（19 6 3 - ）
俸正杰（19 6 8 - ）
高勤虎（19 6 6 - ）
FG
Fang Lijun（1963- ）
Feng Zhengjie（1968- ）
Goh Geun-ho（1966- ）
Fang Lijun was born in Handan, Hebei Province.
Feng Zhengjie was born in Sichuan Province,
Goh, Geun-ho was born in 1966 in Kwangju, Korea.
Fang began studying painting in 1977 at the
China in 1968. Now he lives and works in Beijing，
He attained MFA. Division of art education, and
Workers' Cultural Palace. He studied at the Hebei
China. Education: 1992-1995 Oil Painting Dept.
BFA. from Dept. of sculpture, Chosun University.
College for Light Industry but learned woodblock
of Sichuan Academy of Fine Arts, MFA. Solo
Solo Exhibition: 2006, Invited by Shinsaegae
creation informally. Selected Exhibitions: 2004,
Exhibition: 2007, "New Works of Feng Zhengjie",
Gallery, Gwangju. Major Artistic Displays: 2009,
"FANG LIJUN | LEBEN IST JETZT", ALEXANDER
Tilton Gallery, New York, USA. 2006 "Paintings
Korea International Art Fair KIAF, COEX, Seoul;
OCHS GALLERIES BERLIN | BEIJING, Berlin,
of Feng Zhengjie", Tokyo Gallery, Tokyo,
2008, Singapore Art Fair, Suntec Singapore; 2007,
Germany; 2005, National Galerie / China Art
2005, "Paintings of Feng Zhengjie", Marella Art
Korea International Art Fair KIAF, COEX, Seoul;
Museum, Beijing, China; 2006, "Life is Now", Galeri
Contemporary, Milan, Italy. Group Exhibition: 2007,
2006, "The Joyful Travel of Art", Gwangju City Art
Nasional, Jakarta, Indonesia; 2007, "Chinese
"Pocheon Asia Biennale", Pochen Banweol/Art Hall,
Museum; 2005, International Museum Expo, Korea
Relativity: Part 2", Stefan Stux Gallery, New York
Pocheon, Korea. 2006, "Varied Images", Shanghai
International Museum, Ilsan; 2004, "The Objet with
City, NY; 2008, Facing the Reality: Chinese
Art Museum, Shanghai, China.
Humor and Zest", Shinsaegae Gallery, Gwangju.
俸正杰，1968 年出生于中国四川省。1992 年毕业
高勤虎，1966 年生于韩国光州。毕业于朝鲜大学雕
于 四 川 美 术 学 院 美 术 教 育 系， 获 学 士 学 位。1995
塑系，获艺术学学士学位及艺术教育硕士学位。个展：
方力钧，1963 年生于河北省邯郸市。1989 年毕业于
毕业于四川美术学院油画系，获硕士学位。现居北
2001 年，九画廊，光州；2006 年，Shinsaegae 画廊，
中央美术学院版画系。个展： 2006 年，“生命就是
京。 个 展：2007 年， “ 俸 正 杰 新 作 展”，Tilton
光州。主要艺术活动：2009 年，韩国国际艺术博览会，
现在—方力钧个展”，印尼国家美术馆，雅加达，印尼；
Gallery， 纽 约， 美 国。2006 年， “ 俸 正 杰 作 品
COEX，首尔；2008 年，新加坡艺术博览会，新加坡；
2007 年，“玩世现实主义——方力均个展”，上海；
展”， 东京画廊，东京，日本。 “俸正杰作品展”，
2006 年，快乐艺术之旅，光州城市艺术馆；2005 年，
2009 年，“生命之渺—方力均创作 25 年展”，台北
Galerie De Bellecour， 里昂， 法国。 联展：2007 年， “红
国际博物馆世博会，韩国国际博物馆；2004 年，幽
市立美术馆，台北。群展： 2004 年，马赛现代艺术
色热点：亚洲当代艺术”，休斯顿美术馆，休斯顿，
默热情之物，Shinsaegae 画廊，光州。
博物馆，马赛，法国；“大河上下—新时期中国油画
美 国。 “ 从 西 南 出 发 － 西 南 当 代 艺 术 展 1985 －
回顾展”，中国美术馆，2006 年，“变种—华人当
2007”，广东美术馆，广州，中国。2006 年， “变
代艺术的双轨衍变”，台北美术馆，台北市，台湾；
异的图像”，上海美术馆，上海，中国。 “巴塞尔
2007 年，“我们主导未来—第二界莫斯科双年展特
国际当代艺术博览会”，巴塞尔，瑞士。
Contemporary Art, National Art Museum of China NAMOC, Beijing.
别计划”，Ethan Cohen Fine Arts，莫斯科，俄罗斯。
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艺术家简历 ARTIST BIOGRAPHIES
H
L O T 1301
L O T 13 49
L O T 13 6 9、13 70
河明殷（19 80 - ）
亨利 • 图卢兹 • 劳德雷克（1864-1901）
山形博导（19 4 8 - ）
Ha Myoung-eun（1980- ）
Henri Toulouse-Lautrec（1864-1901）
Hiro Yamagata（1948- ）
Ha Myoung-eun was born in Seoul, Korea. She
Henri Toulouse-Lautrec was born in the south of
Hiro Yamagata was born in 1948, Maibara city,
got BFA. and MFA. Dept of Fine Arts, Sungshin
France and studied at the Bonnard's studio and the
Japan.He is a painter & artist, based in Los
Women's University. She has had 3 times solo
Rukeermeng's studio. He inherited Impressionist
Angeles, California.He has been considered as
exhibitions including A masterpiece of painting
painter Oscar Claude Monet and Camille Pissarro
one of the most famous silkscreen artists because
2012 in Tokyo, Japan. And other significant
and others style. He excelled portraits affects the
of his use of vivid colors in his pieces. However,
participation:2009 Seongnam International
painters such as Picasso. Representative works:
he has been known as a contemporary artist using
Incubating Art Show in Seongnam Artcenter;2012
"Moulin Rouge", "Moulin Rouge Dance", "Roots",
laser and hologram technology recently. He is
International Korea art fair;2012 Asia Contemporary
"Queen of Joy", "Dancing Accor • Avi Montreal",
recognized as a pioneer of contemporary laser
Art Show , HongKong, 2012 Ultra005 art fair ,Japan;
"Lautrec Self Portrait" and so on.
art. In the 1980s he produced work for the Air &
2012 Art NAGOYA; 2012 Art Osaka-artfair,Japan.
Space Bicentennial (1983), the 1984 Olympics, the
Her artworks participated in collaboration with
亨利 • 图卢兹 • 劳德雷克于 1864 年出生于法国南部，
hundredth memorial anniversary of the Statue of
Mr.Pizza and Gana art gallery 2010.
享年仅 37 岁。幼时进入勃纳尔的画室学画，后转入
Liberty (1986).
柯尔蒙画室。劳特雷克承袭印象派画家奥斯卡 • 克劳 河明殷 1980 年出生于韩国首尔。她先后在成信女
德 • 莫奈、卡米耶 • 毕沙罗等人画风，以及日本浮世
1948 年，山形博导生于日本京都。他是使用激光和
子大学美术系获得了 BFA. 与 MFA. 学位。她举办过
绘之影响，开拓出新的绘画写实技巧。他擅长人物画，
全息图像方法的现代美术家，为世界知名的当代艺术
3 次个展包括 2012 年在日本东京举办的“绘画精品
也影响日后巴伯罗 • 毕加索等画家的人物画风格。代
大师。1973 年，在巴黎及维也纳开个人画展，引发
展”。其他重要的群展：2009 年，城南国际孵化艺
表作品有《红磨坊》、《红磨坊的舞蹈》、《红颜》、
世人关注和喜爱。1983 年，为美国总统里根任名誉
术展，城南艺术中心；2012 年，韩国国际艺术博览
《欢喜的女王》、《跳舞的雅内 • 阿维利尔》、《劳
会长的人类纪念财团 200 周年纪念创作主题画。同
会；2012 年， 亚 洲 当 代 艺 术 展， 香 港；2012 年，
特雷克自画像》等。
年，充满话力的“山形蓝色”被世界承认。1984 年，
ultra005 艺术博览会，日本；2012 年，名古屋艺术
9 月 21 日被美国罗得岛州定为“山形日”。1986 年，
博览会；2012 年，大阪艺术博览会，日本。2010 年，
受里根总统委托，为自由女神 100 周年纪念作主题
她的作品参与了 Mr.Pizza and Gana 艺廊的合作。
画 。同年，被授予洛杉矶荣誉市民。2007 年，出版“印 度墨”黑白抽象画布作品。
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艺术家简历 ARTIST BIOGRAPHIES
L O T 1315、1316
L O T 13 3 8
L O T 1313
弘 京泽 (19 6 8 - )
让 • 特塞尔
郑愚哲 (19 7 5 - )
HJ
Hong Kyoung-tack(1968- )
After completing his studies at the "Ecole Nationale
Jeong Woo-chul (1975- )
Hong Kyoung–tack was born in Seoul, Korea and
Superieure des Beaux-Arts" in Paris, Jan tesar
Jeong Woo-chul,1975 born in Pyeongchang,
studied at BFA. in Painting, Kyoungwon University,
Orienting his work towards design meant that
Korea.2008 BFA Present BFA in Fine Art, School of
Seongnam, Korea. Solo Exhibitions: 2013 Gana
he had to assimilate the constraints of functional
Visual Art, Korea National University of Art, Seoul.
Insa Art Center, Seoul; 2012 R. Mutt 1917 Gallery
objects. Light and materials became the mainstays
Group Exhibitions: 2008 Gana Art 25th Anniversary
Invitational, Chuncheon; 2010 Yeouido Shinhan
of his work, as the implements of his artistry,
Exhibition, Gana Art Center, Seoul. 2008 ASYAAF
PB Invitational, Seoul. Selected Group Exhibitions:
encouraging the viewer to discover the new
Asian Students and Young Artists Art Festival, Seoul
2012, Ilwoo Space, Seoul, korea; Jeonbuk Province
creative horizons that he so skillfully brought to the
Station Old Bldg, Seoul. 2007 Digital Speaker,
Art Museum, Wanju, Korea; Plastic Days, Pohang
fore. He then went on to work as a set designer for
Dukwon Gallery, Seoul. 2007 Art Bus Project, A
Museum of Art, Pohang, Korea; 2011 Henkel Inno
theatre and dance productions. He is fascinated
TaePyung4Dong Suttle Bus, Sungnam.
Art Project, Alternative Space LOOP, Seoul, Korea.
and inspired first and foremost by his work with
弘京泽于 1968 年出生于韩国首尔，并且在韩国首尔
light, volume and space, which is what makes his
郑 愚 哲，1975 年 出 生 于 韩 国 平 昌。 现 于 韩 国 国 立
works so outstanding.
艺术大学视觉艺术学院就读美学学士学位。群展：
大学获得了 BFA. 学位。个展：2013 GANA 仁寺艺
2008 年，Gana 艺术中心 25 周年展，Gana 艺术中
术中心，首尔；2012 R. Mutt 的 1917 邀请赛，春川，
让 • 特塞尔在巴黎的“巴黎国立高等美术学院” 完
心，首尔。2008 年，ASYAAF 亚洲学生与年轻艺术
2010 首尔 Ilwoo Space 邀请赛，首尔。群展：2012
成他的研究后，他周游世界，他在日本的早期接触和
家艺术展，韩国首尔火车站旧大楼，首尔。2007 年，
年，空间 Ilwoo，首尔，韩国全罗北道省美术馆，韩国，
展览，导致了与固定画廊合作，日本当代设计的出版
数码音箱，Dukwon 画廊，首尔。2007 年，艺术大
Plastic Days 韩国浦项艺术博物馆，2011 年汉高创
商，随后将引起他的第一集灯雕塑。他的工作对定向
巴工程，一辆 TaePyung4Dong 大巴上，城南。
新科技及艺术项目，替代空间回路，首尔，韩国。
设计意味着他必须吸收功能对象的约束。光和材料成 了他工作的支柱，是他艺术的实施，鼓励观众去发现 新的创造性的视野，他巧妙地涌现。简 • 特塞尔来到 晶体通过与巴卡拉的一个新的伙伴关系，生产大型动 物雕塑。他迷上了首先由他的工作与轻，体积和空间， 这使得他的作品如此优秀。
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艺术家简历 ARTIST BIOGRAPHIES
JK
L O T 130 7、130 8
L O T 1314
L O T 13 3 5
郑昌 基（19 6 4 - ）
康美 玲 (19 5 6 - )
可汗（19 6 9 - ）
Jung Chang-ki (1964- )
Kang Mi-ryeong (1956- )
Khan（1969- ）
Jung Chang-ki was born in Daegu, Korea in 1964.
Kang Mi-ryeong was born in Daegu, Korea.
Khan was born in Seoul, Korea and studied at
He got BFA. and MFA. Dept of Paintings, Yeungnam
She got BFA. and MFA. Dept of Fine Arts, Busan
Cologne University Faculty of Philosophy. Solo
University. He has had six times solo exhibitions.
University. She has had 11 times solo exhibitions.
Exhibitions: 2003, Visual Gallery Godo, Seoul;
And other significant participation are Concreteness
Public collections are National Museum Of
2001, Visual Gallery Godo, Seoul; 1996, Yaelim Art
1 street-Yeungnam Concreteness Essence
Contemporary Art in Korea, Hanwon ArtMuseum,
Gallery, Kyunggido. Group Exhibitions: 2013, "2033
exhibition at Posco Gallery, Korea contemporary
BukyeongMedison Corporation. Exhibitions: Expo
Group Exhibition", Tenri Gallery, Newyork, U.S.A;
art festival at Seoul Art Center Hangaram Museum,
Special Exhibition(Jinnan) ; 2011 Shanghai Art
2007, "60 years of the Dae Kang, Mookin Gallery,
Korea concreteness big exhibition at Seoul Art
Fair ,Shanghai Mart, Shanghai; 2011 Projection-
Seoul; 2007, Park & Khan duo Exhibition, Gallery
Center Hangaram Museum, Daegu Art Fair in
Utopia of Metaphor, Hanwon Art Museum,
Godo, Seoul.
Daegu EXCO, Guangzhou International Art Fair in
Seoul; 2010 January Juried Show, Rogue Space
China, Korea Galleries Association Art Fair at Busan
Gallery,Chelsea; 2010 Newyork; Shanghai
可汗出生在韩国首尔并且在科隆大学哲学系学习。个
BEXCO in 2007~2010. Public collections are Seoul
Exposition Celebration Korea China Artist Show;
展： Godo 画廊，首尔，2001、2003 年；Yaelim 画廊，
Museum of Art, Daegu Bank, Daegu Culture and
2010 Happy New Year From The East!, Tacoma
1996 年。群展：“2033 联展”，Tenri 画廊，美国纽约，
Arts Center .
Contemporary Gallery, Washington.
2013 年；“Dae Kang 60 周年”，Mookin 画廊，首尔，
郑昌基 1964 年生于韩国大邱。毕业于岭南大学艺术
康美玲 1956 年出生于韩国大邱。她获得了釜山大学
系，获得艺术学士学位和硕士学位。举办过六次个展。
美术系的 BFA. 和 MFA. 学位。她曾先后举办过 11
其他参与过的重要展览：具体性 1 街 - 岭南；具体
次个展。作品被韩国当代艺术国家博物馆，汉王艺术
性的本质，浦项制铁画廊；“韩国当代艺术节”，韩
馆，BukyeongMedison 公司收藏。展览：世博会专
国首尔艺术中心 Hangaram 美术馆；“韩国具体性
题展览，津南；2011 年，上海艺术博览会，上海世
大展览，”韩国首尔艺术中心；大邱大会展艺术博览会；
贸商城，上海；2011 年，隐喻的乌托邦规划，汉王
中国广州国际艺术博览会大展；2007 年 ~2010 年韩
艺术馆，汉城；2010 年，一月评审展，流氓空间画廊，
国画廊协会艺术展，釜山会展中心。其作品由首尔市
切尔西、纽约；2010 年，上海中韩艺术家博览会庆典；
立美术馆、大邱银行、大邱文化艺术中心收藏。
2010 年，来自东方的新年快乐！，塔科马当代画廊，
2007 年；Park & Khan duo 展览，Godo 画廊，首尔， 2007 年。
华盛顿。
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艺术家简历 ARTIST BIOGRAPHIES
L O T 1318 金
性（19 7 3 - ）
KL
L O T 130 6
L O T 13 40
孔 基 枰（19 5 8 - ）
劳 伦斯 • 布拉 班特（19 70 - ）
Kim Young-sung（1973- ）
Kong Ki-pyung（1958-）
Laurence Brabant（1970- ）
Kim Young-sung was born in Seoul, Korea in
Kong Ki-pyung was bron in Jangseong, Jeonnam
Laurence Brabant graduated from Europe Glass
1973. He graduated from Department of Painting,
Province and studied at Art School, Seoul National
Institute in 1998. She is an interesting French
College of Fine Art, Hongik University in 1997. In
University. He has 34 times of Private Exhibitions.
designer and producer of glassware. Like an
1996, he got the Young Artist Award of Korea of
Korea Culture Art Association, 2008; Kyeongki
illusionist she designs poetic products that in a
"Korea Youth Biennale". He got the Encouragement
Cultural Foundation, 2010, 2006, 2004; Won the 3rd
clever way are inspired by translucency and the
Prize in Fine Art Painting Division of "MBC Art
Award in American Arts Contest (2nd in painting)
difference between visible and invisible. Solo
Competition" in 1997. Solo Exhibitions: 2013, Gana
by the state of Washington,2010; Earth Culture
Expositions: 2007, Perimeter Gallery, Paris；2002,
Insa Art Center, Seoul; 2012, R. Mutt 1917 Gallery
Residence, 2012; And involved in 3 times of Private
Haute Définition, de février Gallery, Paris; 2000,
Invitational, Chuncheon; 2010, Yeouido Shinhan PB
Booth Exhibitions: Cheongdam Art Fair, Art Value
Galerie Agatha Ruiz de la Prada Gallery, Madrid.
Invitational, Seoul. Group Exhibitions: 2013 North
Exhibition, 12 Masters' Art Exhibition.
Seoul Museum of Art Opening Exhibition, Seoul;
劳伦斯 • 布拉班特毕业于法国玻璃设计学院，是一个
2012 Hyperrealism Paintings: Unfamiliar Life / Tour
孔基枰于 1958 年出生于韩国，就读于韩国国立大学
专门制作玻璃器皿的法国设计师。她很善于运用于玻
of Municipal Art Museum of Seoul, Seoul; 2010, The
艺术学校。拥有 34 次的私人展览。参加了韩国文化
璃制成各种精美的器皿，如花瓶、盘子、烛台等，她
Korea Conceptual Art Fair- Hangaram Art Museum,
艺术协会，2008 年；年文化基金会 Kyeongki，2010 年；
利用废弃酒瓶瓶身所创作出来的杯子与餐具 Coldcuts
Seoul Arts Center; 2009, The 2009 Korea Selected
2004 年，在美国艺术大赛（在绘画二）荣获三等奖，
系 列 产 品， 既 时 尚 又 环 保。 个 展：2007 年， 巴 黎
Artist Exhibition-Municipal Art Museum of Seoul.
华盛顿；2010 年地球文化公寓；2012 年，参与 3 次
Perimeter 画廊；2002 年，巴黎 Haute Définition 画
的私人展览：清潭艺术博览会，艺术价值的展览，12
廊；2000 年，马德里 Agatha Ruiz de la Prada 画廊，
位大师艺术展。
西班牙。
金暎性，1973 出生于韩国首尔。1997 年毕业于韩 国弘益大学艺术学院绘画系，获得学士学位。1996 年获得了“韩国青年双年展” 青年艺术家奖。1997 年获得了“MBC 艺术大赛”美术绘画类的优秀奖。 多次在国内外举办展览，作品被首尔艺术馆、首尔 大学等收藏。个展：韩国 Gana Insa 艺术中心，首 尔，2013 年；江原道 R. Mutt 1917 画廊，2012 年； Shinhan 画廊，首尔，2010 年。展览：首尔美术馆 艺术展，2013 年；超现实主义油画：首尔市立美术 馆巡展，2012 年；汉佳澜艺术博物馆，首尔艺术中心， 2010 年；“2009 年韩国艺术家邀请展”，首尔市立 美术馆，2009 年。
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艺术家简历 ARTIST BIOGRAPHIES
L
L O T 13 20
L O T 13 2 2
L O T 13 21
李 国炫（19 8 3 - ）
李支 铉（19 8 3 - ）
李昌熙（19 8 8 - ）
Lee Guk-hyun（1983-）
Lee Ji-hyun (1983- )
Lee Seung-hee (1988- )
Lee Guk-hyun, 2010 attending Department of
LEE Ji-hyun was born in Korea. BFA in Painting,
Lee Seung-hee was born in Korea and Graduated
Painting, graduate school of Chung-Ang University.
Chung Ang University, Seoul, Korea; MFA in
from Handicraft Department, Cheungju University,
Korea; 2009 BFA. Painting College of Fine Art,
Painting, Chung Ang Universtiy, Seoul, Korea. Solo
Korea. Solo Exhibitions: 2009 CLAYZEN, Gallery
Chung-Ang University, Korea. Solo Exhibitions: 2010
Exhibitions: 2007, Gallery Nii Tokyo, Tokyo and
ARTSIDE Beijing, Korea; 2006 CLAYZEN, Musim
Art Lab Tokyo, Tokyo, Japan.Group Exhibitions:
Goyang Art Studio, Goyang. Group Exhibitions:
Gallery, Korea; 2005 CLAYZEN, UN Gallery,
2010 Art Auction Show-White sale, Gana art center,
2008, Traveling Art Museum, National Museum of
Korea. Group Exhibitions: 2011 G Seoul Art Fair,
Seoul; 2010 Monsters from the East-Final Exhibition,
Contemporary Art, Seoul, Art & Play "Funsters",
The Raum, Seoul, Korea; 2011 Art Beijing, Beijing,
Doosan Art Center, Seoul; 2010 Preview, Alternative
Seoul Arts Center, Seoul.
China; 2011 Korea Galleries Art Fair, Coex, Seoul,
Space Team Preview, Seoul, Geisai Art Festival,
Korea.
Organized by 'Takashi Murakami', Bigsight; 2009
李支铉，韩国艺术家，在首尔获得了美术学士以及
ASYYAF, Old D.S.C. Seoul; 2009 Black Visual 'Puchon
硕士学位。主要个展：东京美术馆，东京，2007；
李昌熙出生于韩国并且毕业于韩国 Cheungju 大学手
International Fantastic Film Festival', Puchon, Little
高阳艺术工作室，高阳，2007；岛田画廊，日本，
工科。个展：2009 CLAYZEN, 阿特塞帝画廊（北京），
Blue-Chip, Gallery Shin-mi 2009.
2006。主要群展：旅游艺术博物馆，国家博物馆当
韩 国；2006 CLAYZEN, Musim 画 廊， 韩 国；2005
代美术馆，2008。“Funsters”首尔艺术中心，首尔。
CLAYZEN, 联合画廊，韩国。群展：2011 G 首尔艺
李国炫于 1983 年出生，2010 年毕业于韩国中央大
术博览会，RAUM，首尔，韩国；2011 艺术北京博
学油画系。个展：2010 年，东京艺术实验室，东京，
览会，北京，中国；2011 韩国画廊艺术节，Coex，
日本。群展：2010 年 ，艺术拍卖展 - 白色买卖，
首尔，韩国。
Gana 艺术中心，首尔；2010 年，东邦妖怪——终展， 斗山艺术中心，首尔 ；2010，自然之美，皇宫酒店， 首尔；2010,5 个故事，E-land 协会，首尔；2010， 亚洲青年艺术家展，锦山画廊；2010， AHAF—青年 艺术家展，新罗酒店，首尔；2010，东邦妖怪—— 城市中，忠武艺术厅，首尔。主导艺术活动“GEISAI”， 也设计了六本木之丘的造型人物及与 LV 进行合作等。
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艺术家简历 ARTIST BIOGRAPHIES
LM
L O T 130 9
L O T 13 3 6
L O T 13 3 7
李 彬 彬（19 8 3 - ）
林明弘 (19 6 4 - )
马塞 尔·万德 斯（19 6 3 — ）
Li Binbin（1983- )
Michael Lin (1964- )
Marcel Wanders (1963- )
Li Binbin was born in 1983 in Liaoning. She
Michael Lin graduated from the Fine Art Department
Marcel Wanders was born in Netherlands.He
was admitted to the Department of Oil Painting
of The Design Center in Pasadena, California. After
decided to become an industrial designer in
in Sichuan Fine Art Academy in 2003. And she
returning in 1993 to Taiwan, he developed his work
1995,because of the design work "Droog Design"
received master degree in July, 2007. Main
as an artist working with the artist collective IT Park.
began to famous.He began to design for a number
Exhibitions: 2007, 2nd School Works of Fine Art
Since 1999 he has been invited to exhibit his work
of well-known large companies in Europe. As an
Academy in China, Shenzhen; 2006, "Nova's
internationally, for example, The Fukuoka As ian Art
artistic director, in addition to design product, he
Horizon"—Contemporary Painting Exhibition, Tank
Triennial, The Venice Biennial, and The International
also engaged in architectural design and interior
Loft Contemporary Art Center, Chongqing; 2006,
2002, Liverpool Biennial. He was a resident at the
design. His design practical, beautiful and styles.
14th Students' work Annual Exhibition, Chongqing
Cite International des Arts in Paris from 2002-
He won several international design awards, and
Fine Art Museum; 2006, 11th Department Annual
03 and has since exhibited extensively in Europe,
in the New York Museum of Modern Art, Droog
Exhibition, Chongqing; 2005, Best Sketch in
in institutions as Palais de Tokyo, the inaugural
Design have been Shown. Especially in 2004, he
Department of Oil Paintings, Chongqing.
exhibition, Kunstmuseum, Luzern, and Kunsthalle
was nominated as a blueprint magazine "2004
Wien.
designer."
川美术学院油画系。2007 年 7 月 毕业于四川美术学
林明弘（1964-）台湾艺术家，雾峰林家第九代传人，
马塞尔·万德斯于 1963 年出生于荷兰，1995 年决
院油画系获学士学位。2007 年，第二界中国美术院
曾祖父是林献堂，祖父林犹龙，父亲林博正。生于东
定 成 为 一 名 工 业 设 计 师。1996 年 Marcel Wanders
校优秀师生作品展，深圳；2006 年， 《自转视界》——
京。1993 年获加州 Pasadena 市艺术中心设计学院
因为为 Droog Design 设计的作品 "Knotted Chair" 开
当代绘画展，重庆——坦克库当代艺术中心；四川
美术系硕士。他曾参与台北双年展、福冈三年展、伊
始为人们所熟识。2000 年除同名品牌外，他开始为
美术学院油画系第 14 届学生作品年展，重庆美术馆；
斯坦堡双年展、威尼斯双年展、里昂双年展等，也受
一些欧洲著名的大公司进行设计，并创立家居品牌
四川美术学院第 11 届院年展，重庆美术馆；2005 年，
邀于巴黎东京宫、纽约 PS1 当代艺术中心、赫尔辛
Moooi。作为艺术指导，除了产品设计外，他还从事
四川美术学院油画系外出写生优秀作品展，重庆美
基 Kiasma 当代美术馆、等多项国际间的展览。他将
包括建筑设计和室内设计。他的设计实用、漂亮且风
术馆。
台湾民间艳俗花布图案放大，成为他的独自风格。花
格多变。设计作品曾多次获得国际设计奖项，并在纽
布图腾从私密空间进入公共空间，形成公私领域空间
约现代艺术博物馆、Droog 设计展等各大设计展会
混淆，透过美学空间的改变，进而转变人们的欣赏行
上频频亮相。特别是 2004 年，他被蓝图杂志提名为
为习惯，并且让空间产生不同的氛围。
“2004 年的设计师”。
李彬彬，1983 年生于中国，辽宁。2003 年考入四
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艺术家简历 ARTIST BIOGRAPHIES
MN
L O T 13 6 6
L O T 13 6 8
L O T 13 3 2、13 3 3、13 3 4
照 屋 美优（19 8 8 - ）
密斯特（19 6 9 - ）
诺曼 • 切纳 (19 20 -19 8 7)
Miyu Thruya (1988- )
Mr. (1969- )
Norman Cherner (1920-1987)
Miyu Thruya was born in Japan and graduated
Mr., whose real name is Masakatsu Iwamoto is a
Norman Cherner is one of the most influential
from Musashino Art University in 2012, now as
Japanese artist born in Cupa, Japan in 1969. He
American furniture designers in the 1950s, who
the common design assistant in Musashino Art
graduated from Department of Fine Arts, Sokei Art
experimented in all aspects of design including
University. Exhibitions: 2010, State Exhibition,
School, Tokyo in 1996. Solo Exhibitions: 2009, Solo
glassware, lighting, graphics and much more. But
Musashino Art University Gallery; 2011, Paper
Exhibition, Lehmann Maupin, New York, NY; 2008,
for the past 50 years, it was Cherner's molded
Hometown Art Exhibition, Toyama County; Miyu
Solo Exhibition, Galerie Emmanuel Perrotin, Paris,
plywood chairs that have helped make him a
Thruya Exhibition, Musashino Art University; 2012,
France. Group Exhibitions: 2009, "VRAOUM!", La
household name, as they have appeared in
My House-Art Exhibition, Musashino Art University;
Maison Rouge, Paris, France; 2008, "Krazy! The
numerous different hotels, restaurants and homes
2013, Four Corners of the Space Art Exhibition,
Delirious World of Anime + Comics + Video Games
around the world. Founded in 1999 by Norman's
Tokyo Ginza.
+ Art," Vancouver Art Gallery, Vancouver, Canada;
sons (Thomas and Benjamin Cherner), the Cherner
2007, "The Armory Show," Pier 94, New York, NY.
Chair Company became the sole licensor of Norman Cherner's furniture items.
照屋美优于 1988 年出生与日本神奈川县，2012 年 毕业于东京五藏野美术大学视觉设计学院，现为五藏
Mr. 原 名 岩 本 正 胜，1969 年 生 于 日 本 Cupa。1996
野美术大学共通设计研究室助理。展览：2010 年物
年 毕 业 于 东 京 创 形 美 术 学 校 艺 术 系。 他 是 日 本
诺曼 • 切纳是 20 世纪 50 年代最具代表性的美国家具
态展，五藏野美术大学画廊；2011 年和纸故乡艺术展，
“Superflat” 思潮的主将，师承日本设计大师村上隆。
设计师之一。毕业并执教于哥伦比亚大学（Columbia
富山县；照屋美优作品展，五藏野美术大学；2012 年，
个展：2009 年，Lehmann Maupin 画廊，纽约，美国；
University）美术系，并且在 1947 年至 1949 年间出
我的住宅—艺术展，五藏野美术大学画廊；2013 年，
2008 年，Emmanuel Perrotin 美术馆，巴黎，法国。
任了纽约现代艺术博物馆（Museum of Modern Art）
四角的空—铜版画展，东京银座。
群展：2009 年，"VRAOUM!"，La Maison Rouge，巴黎，
的指导师。作为一位全方位的设计探索者，切纳横跨
法国；2008 年，“疯狂！错乱的世界：动漫＋游戏
了平面设计、工业设计，和建筑等多个领域。而其中
＋艺术”，温哥华艺廊，温哥华，加拿大；2007 年，
以家具设计最为著名，他所设计的切纳椅直至今日仍
“兵工厂秀”，Pier 94，纽约，美国。
是展现曲木塑造工法的经典代表，为世界各大博物馆 所典藏。
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艺术家简历 ARTIST BIOGRAPHIES
PS
L O T 13 41、13 4 2、13 43、 L O T 13 4 8、13 50
L O T 130 3、130 4
13 4 4、13 45、13 4 6
巴 勃罗 • 毕加索 （18 81-19 7 3）
朴 钟弼（19 7 7- ）
萨尔 瓦多 • 达 利（190 4 -19 8 9）
Pablo Picasso (1881-1973）
Park Jong-pil (1977-)
Salvador Dali（1904-1989）
Pablo Picasso was born in Malaga in southern
Park Jong-pil was born in Jung Eoup, Korea,
Salvador Dali was born in Figueres, Spain. He
Spain on 25th, October, 1881. He went into Haroun
1977. Park has graduated from the College of
entered San Fernando Fine Arts School in 1921
School of Fine Arts in Barcelona. His works "Science
Fine Arts in Hongik University and has obtained
and made acquaintance with Lorca, Bruel and
and Charity" in 1897 won Honorary Award in Madrid
BFA. And he has obtained MFA at the Graduate
Mont. In 1922 in Paris, André Breton, Picasso,
National Art Exhibition and then won Golden Award
School of Hongik University. Park has had five Solo
Max Ernst and Man Ray established the first
in Malaga. In 1901 his best friend Casagemas
Exhibitions at gallery Jinsun and B&Viit gallery, etc.
surrealism organization. In 1936 Dali took part in
committed suicide because he lost his love, which
in Seoul Korea. Park's prominent group exhibitions
the surrealism exhibition held in Raton Art Gallery,
stimulates his painting in blue. And then his Blue
during from 2006 to 2008 are KIAF 2008 artfair in
which makes the new interpretation of surrealism
Period began. In 1908 he held his first cubism
2008. 'wonderful pictures' (in 2009 and PSB open
into normalization. He died on 23rd, January, 1989
painting exhibition when he was 27. In 1912 he
studio (Heichao, Beijing), 'Sound of the heart' in
in 84 years old.
cooperated with Braque to do cut paper fragments,
2012, etc.
which develops into cubism. He died in Mougins near Cannes on 8th, April, 1973 in 92 years old.
萨尔瓦多 • 达利，1904 年 5 月 11 日生于西班牙的菲 朴钟弼，1977 年出生于韩国。他毕业于弘益大学美
格拉斯。1921 年达利进入马德里的圣费尔南多美术
术学院，并获得了艺术学士学位。他还获得弘益大学
学校，结识了洛尔卡、布吕埃尔和蒙特。1922 在巴
巴勃罗 • 毕加索 , 1881 年生于西班牙南部的马拉加。
研究生院艺术硕士学位。他在韩国首尔 jinsun 画廊
黎的安德列 • 布列东和毕加索、马克斯 • 恩斯特及曼 •
1895 年进入巴塞隆纳的隆哈美术学校。1897 年，作
与 B&Viit 画廊等机构举办了五次个人展览。从 2006
雷组建了第一个超现实主义团体。 1936 年达利参与
品“科学与慈善”获马德里全国美展荣誉奖，后来又
年到 2008 年，他参与了多次杰出的群体展览。2009
了在拉顿画廊举办的超现实主义实物展览，从而使超
在马拉加得到金牌奖。1901 年，好友卡萨吉玛斯因
年 在 艺 术 博 物 馆 举 办 了” 精 彩 图 片” 展。2012 在
现实主义新的诠释走向“正规化”。萨尔瓦多 • 达利
失恋自杀，触发毕加索以蓝色调作画，蓝色时期开始。
Cheong-ah 艺术馆举办了“心之声”展览。学生作
于 1989 年 1 月 23 日去世，享年 84 岁。
1908 年， 27 岁布拉克第一次举行立体派画作展。
品年展，重庆美术馆。
1912 年，与布拉克合作纸贴画，发展出合成立体主义。 1966 年，巴黎大皇宫及小皇宫举办大型毕加索回顾 展。1973 年 4 月 8 日逝于坎城附近的慕瞻市。
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ST
L O T 1317
L O T 13 61、13 6 2、13 6 5
L O T 13 3 9
宋 炯鲁（19 74 - ）
村上隆（19 6 2- ）
泰 德 • 缪 林 (19 5 3 - )
Song Hyeong-no（1974- ）
Takashi Murakami（1962- ）
Ted Muehling (1953- )
Song Hyeong-no was born in Korea in 1974. He
Takashi Murakami, artist, delegate of KAIKAIKIKI
Muehling was born in Passaic, New Jersey, in 1953.
graduated from the painting department of College
Limited Corporation. He was born in Tokyo in 1962.
He studied industrial design at Pratt Institute in New
of Fine Art, Dong-A University, Korea in 2000.
He took the doctor's courses in Fine Arts Research
York.Since 1976, Ted Muehling has been designing
After graduation, he continued his MFA at Hong-
Section in Tokyo Art University. He became an artist
jewelry and decorative objects inspired by organic
Ik University, Seoul and completed it in 2003. Solo
in 1991 when he held his solo exhibition AKASHI,
forms found in nature. For his achievements,
exhibition: 2010, "Be Ambitious!", Soohoh gallery,
TAMIYA. He won ACC Initial Award by Rockefeller
talent, and influence, Ted Muehling has received
bun-dang.Korea; 2009, "Dream", Soohoh gallery,
Financial Group and accepted invitation by PS1.
a number of honors, including the Chrysler Design
Yong-in, Korea. Group exhibition: 2011, Korea
He was highly appraised overseas by his Pop
Award and the American Fashion Coty Award. His
Galleries Art Fair, Pyo gallery, COEX, Seoul; 2011,
works based on Japanese cartoons and some other
work is included in numerous public and private
A Fantastic Place, Pyo gallery South, Seoul; 2011,
subcultures. His main solo exhibition include: He
collections.
Two Rabbits, Jang Heung Art Park, Korea.
presented a giant sculpture Double Helix Reversion
宋 炯 鲁 1974 年 出 生 于 韩 国。2000 年 毕 业 于 韩 国
in outdoors in New York Rockefeller Center in 2003
泰德 • 缪林出生于 1953 年，新泽西州，毕业于纽约
and in Roppongi Hills in 2005.
Pratt 设计学院。70 年代开始，泰德 • 缪林的设计灵
Dong-A 大 学 美 术 学 院 油 画 系。 毕 业 之 后 在 首 尔
感大多来自于自然界的各种形态。他的设计获得过多
Hong-Ik 大学继续学习，并于 2003 年获得 MFA 学位。
村 上 隆， 日 本 当 代 著 名 艺 术 家，KAIKAIKIKI 有 限
项荣誉，包括克莱斯勒设计奖和美国时尚科蒂奖。他
个展：2010 年，充满雄心！，Soohoh 画廊，. 韩国；
公 司 代 表。1962 年 生 于 东 京。 东 京 艺 术 大 学 研 究
的作品被众多的公共和私人收藏。
2009，梦，Soohoh 画廊 , 韩国。群展：2011，韩国
所 美 术 研 究 科 博 士 后 期 课 程 修 毕。91 年 举 办 个 展
画廊艺术节，Pyo 画廊，首尔；2011，一个梦幻的地方，
「AKASHI,TAMIYA」正式成为艺术家。94 年获得洛
Pyo 画廊，首尔；2011，两只兔子，JangHeung 艺
克斐勒财团的 ACC 首奖，接受 PS1. 98 年被邀请担
术公园，韩国。
任 UCLA 艺术学院新领域科客座教授。以日本卡通动 画等次文化为基础的 POP 作品在日本国外也受到高 度评价。
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WY
L O T 1319
L O T 130 5
L O T 13 6 3、13 6 4
王 稣（19 8 3 - ）
梁 荣 殷（19 81- ）
草间弥 生（19 2 9 - ）
Wang Su（1983- ）
Yang Young-eun（1981- ）
Yayoi Kusama（1929- ）
Wang Su was born in Ha'erbin, Hei Long Jiang
Yang Young-eun was born in Korea and graduated
Yayoi Kusama, born on 22nd, March, 1929, is
Province, China and studied at Animation
from Konkuk University-College of Art & Design,
regarded as a classic artist alive in Japan. She was
Department of Central Academy of Fine Art.
Majored in Painting in 2006. Then graduated
born in Matsumoto, Nagano Prefecture. She moved
Exhibitions: 2013 Group Young Artists' Exhibition,
from Konkuk Graduate School (Painting) in 2011.
to New York in 1956 and began to show her leading
EGG Gallery, Beijing, China; 2013 Macao Art Fair,
Solo Exhibitions: 2013 5th Solo Exhibition, Gallery
avant-garde art creations. Now she lives in Tokyo,
BM Art Space, Beijing, China; 2012 Anámnēsis,
godo;2012 4th Solo Exhibition，Gongpyeong
Japan. Her art practice is very broad, including
Mizuma & One Gallery, Beijing, China; 2011 Angel,
Gallery, Gallery T, Hoengseong County Office's
painting, collage, sculpture, performance, movie,
ai Art Shop, Beijing, China.
Gallery; 2011 3rd Solo Exhibition, Gallery Eid,
installation, novel, poem and music. When she
Gallery T, Hoengseong County Office's Gallery;
stayed in the US, it was time of radicalism, so her
王稣于 1983 年生于中国黑龙江哈尔滨，在 2004 年
2009 2nd Solo Exhibition, Color and Lust，
art creation rested on radicalism, commerce and
到 2008 年就读于中央美术学院动画系 。主要作品展：
Kooalldam Gallery; 2009 1st Solo Exhibition, Color
reflection. She thinks that reticulation indicates the
2013 年 青年艺术家群展，EGG 画廊，北京，中国；
and Lust, Topo Haus.
essence of life full of vitality.
2012 年 景不徙，三潴画廊，北京，中国；2011 年，
梁荣殷，1981 年出生于韩国，2006 年毕业于建国
草间弥生被称为日本现存的经典艺术家，出生于日本
Angel ai Art Shop 北京，中国。
大学艺术 & 设计系绘画专业，2011 年毕业于建国
长野县松元市，在 1956 年移居美国纽约市，并开始
研 究 生 学 院 绘 画 专 业。 个 展：2013 年， 第 5 个 个
展露她占有领导地位的前卫艺术创作。现居住在日本
人 展 览，godo 画 廊；2012 年， 第 4 个 个 人 展 览，
东京。她的艺术实践非常广泛：绘画、拼贴画、雕塑、
gongpyeong 画廊、T 画廊、横城县官方画廊；2011
表演、电影、装置、小说、诗歌和音乐。她十岁患病
年，第 3 个个人展览，Eid 画廊、T 画廊、横城县官
导致幻听幻视。在美期间正值激进主义时期，此后她
方画廊；2009 年，第 2 个个人展览——色彩与欲望，
的艺术停留在激进、商业和反思的层面上。她认为网
kooalldam 画廊；2009 年，第 1 个个人展览，色彩
状结构象征富有生机的生命本质。
2013 年 澳门艺术博览会，BM 空间，北京，中国；
与欲望，TOPO Haus。一系列的她裸体与印刷机相 互映衬。
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艺术家简历 ARTIST BIOGRAPHIES
Z
L o t 13 5 9
L o t 13 5 6、13 60
杨少斌（19 6 3 -）
曾梵志（19 6 4 - ）
Yang Shaobin (1963-)
Zeng Fanzhi（1964- ）
曾梵志于 1964 年生于湖北武汉。1991 年毕业于湖
Yang Shaobin was born in 1963 in Tangshan,
Zeng Fanzhi was born in Wuhan, Hubei Province.
北美术学院油画系。展览：1990 年，曾梵志作品展，
Heibei Province, China. In 1983 he graduated from
He graduated from the Oil Painting Department of
湖北省美术学院美术馆；1992 年，90 年代中国艺术
the Polytechnical University, Hebei, and in 1991
Hubei Academy of Fine Arts in 1991. Exhibitions:
双年展，广州；1993 年，后八九：中国新艺术展，
he moved to the artist village at Yuanmingyuan,
Post 89-An Exhibition of New Chinese Arts,
香港；1994 年，中国油画现状展，香港冯平山博物
Beijing. Finally, in 1995 he settled at Tonxian, a
Marboroug Art Gallery, London, U.K., 1993;
馆；1995 年，中国前卫艺术展，西班牙巴塞罗那现
suburb of Beijing.Yang's work has been exhibited
Exhibition Exploring the Current Chinese Situation,
代艺术博物馆；从国家意识形态出走－中国新艺术，
in a wide variety of solo and group exhibitions at
Feng Pingshan Museum, Hong Kong, 1994; Chinese
德国汉堡国际前卫文化中心；1996 年，中国，波恩；
numerous international galleries and museums. His
Avant-Guard, Bassairona Modern Art Museum,
1997 年 ,“引号”中国当代艺术展，新加坡国家美术
works are also included in many prestigious private
Spain, 1985; Walking out of National Ideology-New
馆； 1998 年，IT IS ME，北京太庙；中国当代艺术，
collections including those of the San Francisco
Chinese Arts in the International Frontier, Cultural
德国柏林；1999 年，中国油画五十年，中国北京；
Museum of Modern Art (USA), Modern Art Center
Center of Hamburg, Germany, 1995; Contemporary
2000 年，未来，澳门当代艺术中心；2001 年，新形象，
(Milano, Italy), Graz Museum (Austria), Raum fur
Chinese Art, Museum of Modern Art, Bonn,
中国美术馆、广州美术馆、上海美术馆、四川美术馆；
kunst und Musik Dusseldorf (Germany), and the
Germany, 1996; Quotation Mark-the Exhibition of
2002 年，巴黎－北京，法国巴黎皮尔·卡丹中心、
Cartier foundation (France).
Contemporary Chinese Arts, National Art Gallery of
首届广州当代艺术三年展，广东美术馆。2003 年，
Singapore, 1997; IT IS ME, the Tai Temple, Beijing,
我· 我 们， 上 海 美 术 馆 ；2004 年， 曾 梵 志 1990-
杨少斌，1963 年生于中国河北省唐山市，1983 年毕
1998; Contemporary Chinese Art, Berlin, Germany,
2004，何香凝美术馆，中国深圳；“面”，新加坡
业於河北轻工业学校美术系，1991 年迁入北京圆明园
1999; Zeng Fanzhi: 1993 to 1998, art gallery of the
斯民艺苑。
画家村。1995 年，他定居於北京通小堡村。杨少斌曾
Central Art Academy, Beijing, the Sihe Art Gallery
举办个人以及联合的画展，其画作曾在不同国家的博
and the ShangriLa Gallery, Shanghai, 1999; 50
物馆及美术馆中展出，并为美国三藩市当代艺术博物
Years of Chinese Oil Painting, Beijing, 1999; The
馆、意大利米兰当代艺术中心、奥地利的格拉兹博物馆、
Future, Macao Contemporary Arts Center, 2000;
德国杜塞夫博物馆及法国卡蒂亚基金会等收藏。
I? We, Shanghai Art Museum, 1003; Zeng Fanzhi 1990-2004, He Xiangning Art Museum, Shengzhen, China, 2004; Face, Soobin Art Gallery, 2004.
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L O T 1310 张 庆 祝（19 80 - ）
Z
L O T 13 5 7 周春 芽（19 5 5 - ）
Zhang Qinzhu（1980- ）
Zhou Chunya（1955- ）
周春芽，1955 年生于重庆。1988 年毕业于德国卡塞
Zhang Qingzhu was born in Anyang, Henan
Zhou Chunya was born in Chongqing in 1955.
尔美术学院自由艺术系。展览：2006 年，“12345
Province in 1980. He obtained MA from the Sichuan
He graduated from Sichuan Academy of Fine
当代艺术展”，艺博画廊，上海；“周春芽，曾凡
Art Academy in 2010. Exhibitions: 2007, the "Sight
Arts in 1982. After graduation, he went to study in
志，季大纯”展，龙人画廊，北京；“周春芽、刘炜
Encounter" Modern Art Exhibition, Shanghai; 2008,
Germany where he graduated from the Fine Arts
联展”，ARTSIDE 画廊，汉城，韩国；“周春芽新
A4 Art Exhibition, Chongqing/London; the Graduate
Department of Caselle Synthetic University in 1988.
作展”，上海外滩 3 号，沪申画廊；2005 年，“第
Student Annual Exhibition in the Southwest of
Solo Exhibitions: 'New Works by Zhou Chunya',
二届成都双年展”，成都现代艺术馆；“法国蒙比利
China, Chongqing; the Duoyunxuan Spring Auction,
Hushen Gallery, Shanghai, 2006; 'Works by Zhou
埃”中国当代艺术双年展，蒙比利埃，法国；2004
Peking; 2009, Huangjiaoping Annual Art Exhibition,
Chunya', Irento Contemporary Art Museum, Italy,
年，“龙族之梦—中国当代艺术展”，爱尔兰当代美
108 Art Space, Chongqing; Cassical Modern
2002. Group Exhibitions: '12345-Contemporary Art
术馆，爱尔兰；2004 年，“刘炜，郑在东，周春芽
Art and Korea Exhibition, Peking; 2010, the 17th
Exhibition', Yibo Galley, Shanghai, 2006; 'Exhibition
联展”，上海外滩三号沪申画廊；2003 年， “ALORS,LA
Oil Painting Department Annual Exhibition of the
of Works by Zhou Chunya, Zeng Fanzhi and Ji
CHINE”，蓬皮杜艺术中心，法国，巴黎；2002 年，
Sichuan Art Academy, CAEA art space, Chongqing.
Dachun', Longren Gallery, Beijing, 2006; 'Works by
“周春芽作品展”，意大利 IRENTO 当代艺术博物馆；
Zhou Chunya and Liu Wei', Artside Gallery, Seoul,
2002 年，“首届广州当代艺术三年展”，广东美术
张庆祝，1980 年生于河南安阳，现任职于绍兴文理
South Korea, 2005; 'the 2nd Chengdu Biennale',
馆；2002 年，“首届中国艺术三年展”，广州市博
学院美术学院。展览：2007 年，“视觉相遇”当代
Chengdu Modern Art Museum, 2005; 'Aloras, La
物院；2001 年，“当代绘画新形象”，中国美术馆、
油画艺术展，火龙画廊，上海；2008 年，A4 艺术“觉”，
Chine?', Pompidou Art Centre, Paris, France, 2003;
上海美术馆、广东美术馆、四川美术馆；“首届成都
重庆 / 伦敦；“重庆市研究生作品展”，重庆；“2008
'the 1st Contemporary Art Triennial', Guangdong
双年展”，成都现代艺术馆；2000 年，“20 世纪中
西南地区美术校研究生美术作品展”，西南大学美术
Art Museum, Guangzhou, 2002; 'New Image
国油画展”，中国美术馆、上海美术馆；1997 年，“红
学院，重庆；2009 年，“经典—现当代艺术展及朝
of Contemporary Painting', China Art Museum,
与灰—来自中国的八位前卫艺术家”，新加坡斯民艺
鲜现当代艺术展”，北京；“用艺术的力量重建心灵
Shanghai Art Museum, Guangdong Art Museum
苑；1996-1997 年“中国 !”展，德国波恩美术馆，
家园”创作展，重庆；“黄桷坪年度艺术展”，重庆
and Sichuan Art Museum, 2001; 'the 1st Chengdu
奥地利、丹麦等国巡展。
108 艺术空间；“第六届四川美术学院研究生年展”，
Binnale', 2001; '20th Century Chinese Oil Painting
重庆美术馆，重庆；2010 年，“第七届四川美术学
Exhibition', China Art Museum and Shanghai Art
院研究生年展”，重庆美术馆；“第 17 届四川美术
Museum, 2000; 'Red and Grey-Eight Avant-garde
学院油画系年展”，四川美术学院 CAEA 艺术空间。
Artists from China', Soobin Art Gallery, Singapore, 1997; 'China!', Tour Exhibition in Germany, Austria and Denmark, 1996-1997.
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2013-11-23 20:48:24
第一章 总则 第六条：委托程序
拍 卖 规 则
第一条：适用法律
委托人委托本公司拍卖其物品或者其他权益时，若为自然人
本《拍卖规则》(“本规则”) 根据《中华人民共和国拍卖
的必须持有有效身份证或护照或中国政府认可的其他有效身
法》及其他有关法律、法规，参照国际通行惯例制定。
份证件，并与本公司签署委托拍卖合同；若为法人或者其他 组织的，应凭有效注册登记文件、法定代表人身份证明或者
第二条：名词解释
合法的授权委托证明文件，与本公司签署委托拍卖合同。
本规则各条款内，下列词语具有以下含义：
委托人委托本公司拍卖其物品或者其他权益时，即自动授权
（一）“本公司/拍卖人”指上海泓盛拍卖有限公司；
本公司对该物品或者其他权益自行制作照片、图示、图录或
（二）“竞买人”指在本公司登记并办理了必要手续，且根
其他形式的印刷品和影像制品。
据中国法律规定具有完全民事行为能力的参加竞购拍卖品的 自然人、法人或者其他组织。竞买人应当具备法律、法规规
第七条：委托人之代理人
定的条件或资格。本规则中，除非另有说明或根据文义特殊
作为委托人的代理人，委托本公司拍卖物品或者其他权益
需要，竞买人均包括竞买人的代理人；
的，应向本公司出具相关委托证明文件。委托人的代理人若
（三）“买受人”指在本公司举办的拍卖活动中以最高应价
为自然人的，必须持有有效身份证或护照或中国政府认可的
购得拍卖品的竞买人；
其他有效身份证明文件；若为法人或者其他组织的，应凭有
（四）“委托人”指同本公司签订了委托拍卖合同、委托本
效注册登记文件、法定代表人身份证明或者合法的授权委托
公司拍卖其可以全权处置的物品或者其他权益的自然人、法
证明文件。
人或者其他组织。本规则中，除非另有说明或根据文义特殊
本公司有权对上述委托事项以本公司认为合理的方式进行核查。
需要，委托人均包括委托人的代理人； （五）“拍卖品”指委托人委托本公司拍卖的物品和其他可
第八条：委托人保证
以拍卖的权益；
委托人就其委托本公司拍卖的拍卖品不可撤销地向本公司及
（六）“拍卖日”指在某次拍卖活动中，本公司公布的正式
买受人保证如下：
拍卖交易日。若公布的日期与拍卖活动实际日期不一致，则
（一）委托人对该拍卖品拥有绝对的所有权或享有合法的处
以拍卖活动实际之日为准；
分权，对该拍卖品的拍卖不会侵害任何第三方的合法权益，
（七）“拍卖成交日”指在本公司举办的拍卖活动中，拍卖
亦不违反相关法律、法规的规定；
师以落槌或者以其他公开表示买定的方式确认任何拍卖品达
（二）委托人已尽其所知，就该拍卖品的来源和瑕疵向本公
成交易的日期；
司进行了全面、详尽和如实的披露和说明，不存在任何隐瞒
（八）“成交价”指拍卖师落槌决定将拍卖品售予买受人的价格；
或虚构之处；
（九）“出售收益”指拍卖人支付委托人的款项净额，为成
（三）如果委托人违反上述保证，造成拍卖品的实际所有权
交价减去按比率计算的佣金、各项费用及委托人应支付本公
人或声称拥有权利的任何第三人提出索赔或诉讼，致使本公
司的其他款项后的余额；
司及/或买受人蒙受损失时，则委托人应负责赔偿本公司及/或
（十）“购买价款”指买受人因购买拍卖品而应支付的包括
买受人因此所遭受的一切损失，并承担因此而发生的一切费
成交价、佣金、应由买受人支付的其他各项费用的总和；
用和支出。
（十一）“各项费用”指本公司对拍卖品进行保险、制作拍 卖品图录及其他形式的宣传品、包装、运输、存储等所收取
第九条：保留价
的费用以及依据相关法律、法规或本规则规定而收取的其他
除本公司与委托人另有约定的之外，所有拍卖品均设有保留
费用；
价。保留价由本公司与委托人通过协商，以书面的形式确定。
（十二）“保留价”指委托人提出并与本公司协商后书面确
在任何情况下，对拍卖品不成交本公司都不承担任何责任。
定的拍卖品最低售价； （十三）“参考价”指在拍卖品图录或其他介绍说明文字之后
第十条：本公司在宣传、图录、上拍方面的决定权
标明的拍卖品估计售价，仅供竞买人参考，不具备法律效力。
本公司对下列事宜拥有完全的决定权： （一）通过拍卖品图录、新闻媒体或其他合法的方式对任何
第三条：适用范围
拍卖品作任何内容说明及/或评价；
本公司在中华人民共和国法律和政策允许的范围内，组织和
（二）拍卖品在图录中插图的先后次序、位置、版面大小等
开展拍卖活动。凡参加本公司组织的拍卖活动的委托人、竞
安排以及收费标准；拍卖品的展览/展示方式；拍卖品在展览/
买人、买受人和其他相关各方均应按照本规则执行。
展示过程中的各项安排及所应支付费用的标准; （三）除非本公司与委托人另有约定，本公司对拍卖品是否适
第四条：特别提示
合由本公司拍卖，以及拍卖地点、拍卖日期、拍卖条件及拍卖
在本公司举办的拍卖活动中，竞买人的最高应价经拍卖师
方式等事宜拥有完全的决定权。
落槌或者以其他公开表示买定的方式确认时，即表明委托 人与该竞买人之间关于拍卖品的买卖合同关系已合法生
第十一条：未上拍拍卖品
效，该竞买人即成为该拍卖品的买受人。因此产生之法律 后果，由委托人与买受人各自承担。
委托人已经与本公司签署委托拍卖合同，且已经将拍卖品交
本规则之规定，构成本公司以拍卖人身份与委托人及买受
付本公司之后，如果本公司认为某拍卖品不适合由本公司拍
人订立合约之相应条款。本规则之规定亦构成委托人与买
卖的，则委托人应自收到本公司领取通知之日起三十日内取
受人之间关于拍卖品的买卖合同之相应条款。凡参加本公
回该拍卖品（包装及搬运等费用自理），本公司与委托人之
司拍卖活动的委托人、竞买人、买受人和其他相关各方必
间的委托拍卖合同自委托人领取该拍卖品之日解除。若委托
须仔细阅读并遵守本规则，并对自己参加本公司拍卖活动
人未在前述期限内取回拍卖品，则本公司有权将拍卖品向公
的行为负责。如因未仔细阅读本规则而引发的任何损失或
证机关办理提存公证或以本公司认为合适且符合法律规定的
责任均由行为人自行承担。
方式处理拍卖品，由此产生的一切费用应由委托人承担。
第五条：瑕疵担保
第十二条：拍卖中止
本公司对拍卖品的真伪及/或品质不承担瑕疵担保责任。
出现下列情况之一，本公司有权在拍卖前的任何时间中止任
竞买人及/或其代理人应亲自审看拍卖品原物，对自己竞投
何拍卖品的拍卖活动：
某拍卖品的行为承担法律责任。
（一）本公司对拍卖品的归属或真实性持有异议；
第二章 关于委托人的规定
内页.indd 121
（二）第三人对拍卖品的归属或真实性持有异议且能够提供异
2013-11-23 20:48:40
议所依据的相关证据材料，并按照本公司规定交付担保金，同
处理。本公司在向保险公司进行理赔，并获得保险赔偿后，
第二十九条：拍卖品未成交
时愿意对中止拍卖活动所引起的法律后果及全部损失承担全部
将保险赔款扣除本公司费用的余款支付给委托人。在任何情
如拍卖品未成交，委托人应自收到本公司领取通知之日起
法律责任；
况下，本公司均无义务就拍卖品在由委托人交付给本公司之
三十日内取回该拍卖品(包装及搬运等费用自负)，并向本公
（三）对本规则第八条所述委托人保证的准确性持有异议；
前所发生的修复和损害承担任何责任。
司支付未拍出手续费及其他各项费用。本公司与委托人之间
（四）有证据表明委托人已经违反本规则的任何条款； （五）存在任何其他合理原因。
的委托拍卖合同自委托人领取该拍卖品之日解除。若在上述 第二十条：竞投限制
期限，委托人未取走拍卖品的，则本公司与委托人之间的委
委托人不得竞投其本人委托本公司拍卖的物品，也不得委托
托拍卖合同自上述期限届满之日即告解除。若在委托拍卖合
第十三条：委托人撤回拍卖品
他人代为竞投。若违反本条规定，委托人应自行承担相应之
同解除后七日内，委托人仍未取走拍卖品的，本公司有权以
委托人在拍卖日前任何时间，向本公司发出书面通知说明理
法律责任，并赔偿因此给本公司造成的全部损失。
公开拍卖或以其他本公司认为合适的方式及条件出售该拍卖
由并经本公司同意后，可撤回其拍卖品。但撤回拍卖品时，
品，处置所得在扣除第一次拍卖中委托人应支付的未拍出手
若该拍卖品已列入的图录或其他宣传品已开始印刷，则应支
第二十一条：佣金及费用
续费及其他各项费用及再次出售该拍卖品的全部费用后，若
付相当于该拍卖品保留价（无保留价时，适用约定的保险金
除委托人与本公司另有约定外，委托人授权本公司按成交价
有余款，则余款由委托人自行取回。
额）百分之二十的款项并支付双方约定的其他各项费用。如
百分之十扣除佣金并同时扣除其他各项费用。
图录或任何其他宣传品尚未印刷，也需支付相当于该拍卖品
第三十条：风险承担
保留价（无保留价时，适用约定的保险金额）百分之十的款
第二十二条：未成交手续费
委托人应对其超过本规则规定期限未能取回其拍卖品而在该
项并支付双方约定的其他各项费用。
除委托人与本公司另有约定外，如拍卖品因竞投价低于保留
期限后所发生之一切风险及费用自行承担责任。如委托人要
价而未能成交的，本公司将向委托人收取相当于保留价百分
求本公司协助退回其拍卖品，退回的风险及费用由委托人承
第十四条：自动受保
之三的未拍出手续费，及其他各项费用，包括但不限于保险
担，除非特别指明并负担保险费外，一般在运输中不予投
除委托人另有书面指示外，在委托人与本公司签署委托拍卖
费、宣传费、保管费等。
保。
公司的保险，保险金额以本公司与委托人在委托拍卖合同中
第二十三条：支付出售收益
第三章 关于竞买人和买受人的规定
确定的保留价为准（无保留价的，以该拍卖品的约定的保
如买受人已按本规则第四十四条的规定向本公司付清全部购
险金额为准；调整拍卖保留价的，以该拍卖品原保留价为
买价款，则本公司应自拍卖成交日起三十五天后以人民币将
第三十一条：拍卖品图录
准）。此保险金额只适用于保险和索赔，并非本公司对该拍
出售收益支付委托人。
本公司有权制作拍卖品图录，对拍卖品之状况以文字及/或
合同且将拍卖品交付本公司后，所有拍卖品将自动受保于本
图片进行说明陈述。拍卖品图录中的文字、参考价、图片以
卖品价值的保证或担保，也不意味着该拍卖品由本公司拍 第二十四条：延迟付款
及其他形式的影像制品和宣传品，仅供竞买人参考，本公司
如本规则第四十四条规定的付款期限届满，本公司仍未收到
有权于拍卖前修订。这些说明不表明本公司对拍卖品的真实
第十五条：保险费
买受人的全部购买价款，竞买人应承担由此所产生的一切法
性、价值、色调、质地、有无缺陷等进行担保。
除委托人与本公司另有约定外，拍卖成交后，委托人应支付
律责任；本公司将在实际收到买受人支付的全部购买价款之
相当于成交价百分之一的保险费。如拍卖品未能成交，委托
日起七个工作日内（但该时限亦应在拍卖成交日起三十五天
第三十二条：图录等说明文字
人应支付相当于保留价（无保留价时，适用约定的保险金
后）将出售收益支付委托人。
因印刷或摄影等技术原因造成拍卖品在图录及/或其他任何形
卖，即可售得相同于该保险金额之款项。
式的图示、影像制品和宣传品中的色调、颜色、层次、形态等
额）百分之一的保险费。 第二十五条：交易撤销
与原物存在误差者，以原物为准。
拍卖成交日起三十五天后，如买受人仍未向本公司付清全部
本公司及其工作人员或其代理人对任何拍卖品用任何方式（包
第十六条：保险期间
购买价款，委托人有权撤销交易。但委托人须向本公司发出
括证书、图录、幻灯投影、新闻载体、网络媒体等）所作的介
如拍卖品拍卖成交，保险期限至拍卖成交日起第七日止或买
书面通知，并经本公司同意。本公司将在作出同意委托人撤
绍及评价，均为参考性意见，不构成对拍卖品的任何担保。本
受人领取拍卖品之日止（以二者中较早者为准）。如拍卖品
销交易的决定之日起七个工作日内向买受人发出撤销交易的
公司及其工作人员或其代理人毋需对上述之介绍及评价中的不
拍卖未成交，则保险期限至委托人收到本公司告知其领回拍
通知。如委托人将撤销交易的通知送达本公司之前，买受人
准确或遗漏之处负责。
卖品的通知之日起七日届满为止。
已付清全部购买价款，委托人撤销交易的通知视为自动废 止，相关交易应按照本规则第二十四条等规定继续履行，委
第三十三条：竞买人责任
第十七条：委托人负责投保
托人应予以必要的配合并不得就此提出任何异议。如委托人
本公司对拍卖品的真伪及/或品质不承担瑕疵担保责任。竞买
如委托人以书面形式告知本公司不需投保其拍卖品，则风险
撤销交易，则委托人应自收到本公司领取通知之日起三十日
人应在拍卖日前，亲自审看拟竞投拍卖品之状态，自行判断
由委托人自行承担，且委托人应随时承担以下 责任（除非法
内取回该拍卖品（包装及搬运等费用自理）。如委托人未在
该拍卖品是否符合其描述，而不应依赖本公司拍卖品图录以
院或仲裁机构另有裁定）：
前述规定的期限内取回拍卖品，则本公司有权将拍卖品向公
及其他形式的影像制品和宣传品之表述做出决定。
（一）对其他任何权利人就拍卖品损毁、灭失向本公司提出
证机关办理提存公证或以本公司认为合适且符合法律规定的
的索赔或诉讼作出赔偿；
方式处理拍卖品，由此产生的一切费用应由委托人承担。
第三十四条：竞买人登记 竞买人为自然人的，应在拍卖日前凭有效身份证或护照或中
（二）对因任何原因造成拍卖品损毁、灭失，而致使本公司 或任何权利人所遭受的全部损失及所支出的全部费用承担赔
第二十六条：纳税义务
华人民共和国认可的其他有效身份证件填写并签署登记文
偿责任；
如委托人所得的出售收益应向政府纳税，则由委托人自行负
件；竞买人为法人或者其他组织的，应在拍卖日前凭有效的
（三）将本条所述的赔偿规定通知该拍卖品的任何承保人
责办理并承担相应税费。根据国家和地方的有关税务规定，
注册登记文件、法定代表人身份证明或者合法的授权委托证
本公司有权从出售收益中直接扣除委托人应交税款。
明文件填写并签署登记文件，领取竞投号牌。
因委托人的原因自然磨损、固有瑕疵、内在或潜在缺陷、物
第二十七条：协助收取拖欠款项
第三十五条：保证金
质本身变化、自燃、自热、氧化、锈蚀、渗漏、鼠咬、虫
如买受人在拍卖成交日起七日内未向本公司付清全部购买价
竞买人参加本公司拍卖活动，应在领取竞投号牌前交纳保证
蛀、大气(气候或气温) 变化、湿度或温度转变、正常水位变
款，本公司有权按照本规则第五十一条之规定向买受人追索
金。保证金的具体数额由本公司在拍卖日前公布。若竞买人
化或其他渐变原因以及因地震、海啸、战争、类似战争行
其应付的酬金及其他各项费用，并有权在本公司认为实际可
未能购得拍卖品，保证金在拍卖结束后五个工作日内，全额
为、敌对行为、武装冲突、恐怖活动、谋反、政变、罢工、
行的情况下，采取适当措施，协助委托人向买受人收取拖欠
无息返还竞买人；若竞买人购得拍卖品，抵作购买价款的一
暴动、民众骚乱及核裂变、核聚变、核武器、核材料、核辐
的款项，但本公司不代表委托人向买受人提起诉讼。
部分。若有余额，在竞买人领取拍卖品时，一并返还。
于任何原因造成的图书框架或玻璃、囊匣、底垫、支架、装
第二十八条：本公司之决定权
第三十六条：本公司选择权
裱、插册、轴头或类似附属物的毁损、灭失，本公司不负赔
本公司有权接受委托人授权（由委托人支付费用）并视具体
本公司有权酌情拒绝任何人参加本公司举办的拍卖活动，或
偿责任。
情况决定下列事项：
在拍卖会现场进行拍照、录音、摄像等活动。
第十八条：保险免责
射以及放射性污染对拍卖品造成的任何毁损、灭失，以及由
（一）同意以特殊付款条件支付购买价款； 第十九条：保险赔偿和修复
（二）根据本规则有关条款，解决买受人提出的索赔或委托
第三十七条：异常情况处理
凡属因本公司为拍卖品所购保险承保范围内的事件或灾害所
人提出的索赔；
当拍卖现场出现异常情况，本公司有权根据实际情况做出相应
导致的拍卖品毁损、灭失，应根据拍卖人与保险公司签署的
（三）采取其他必要措施收取买受人拖欠委托人的款项。
处理。如拍卖现场出现任何争议，本公司有权予以协调解决。
保险合同的约定以及中华人民共和国有关保险的法律和规定
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2013-11-23 20:48:40
第三十八条：以当事人身份竞投
可酌情决定是否提供此项服务，若因此发生任何损失均由买
除非某竞买人在拍卖日前向本公司出具书面证明并经本公司
受人自负。在任何情况下，本公司对因任何原因造成的玻璃
书面认可，表明其身份是某竞买人的代理人，否则每名竞买
或框架、囊匣、底垫、支架、装裱、插册、轴头或类似附属
第五十三条：保密责任
人均被视为竞买人本人。
物的损坏不负责任。此外，对于本公司向买受人推荐的包装
本公司根据中华人民共和国法律和本规则为委托人、竞买人
公司及装运公司所造成的一切错误、遗漏、损坏或灭失，本
及买受人保守秘密。
第三十九条：拍卖师决定权
第四章 其他
公司亦不承担责任。 第五十四条：鉴定权
拍卖师有权代表本公司提高或降低竞价阶梯、拒绝任何竞 第五十条：拍卖品出境
本公司认为需要时，可以对拍卖品进行鉴定，鉴定费用由委
根据《中华人民共和国文物保护法》及其他法律、法规规
托人承担。鉴定结论与委托拍卖合同载明的拍卖品的状况不
第四十条： 影像显示及货币兑换显示
定，本公司将在拍卖品图录或拍卖会现场说明限制出境的拍
符的，本公司有权变更或者解除委托拍卖合同，且无需承担
本公司为方便竞买人，可能于拍卖中使用投影或其他显示方
卖品。
任何责任。
式，所示内容仅供参考。无论投影或其他形式的显示所示之数
根据《中华人民共和国文物保护法》及其他法律、法规规
额、拍卖品编号、拍卖品图片或参考外汇金额等均有可能出现
定，允许出境的拍卖品，买受人应根据国家有关规定自行办
第五十五条：著作权
误差，本公司对因此误差而导致的任何损失不负任何责任。
理出境手续。
本公司有权自行对委托人委托本公司拍卖的任何物品制作照
第四十一条：拍卖成交
第五十一条：未付款补救方法
片、图示、图录或其他形式的影像制品的著作权，有权对其
最高应价经拍卖师落槌或者以其他公开表示买定的方式确认
若买受人未能按照本规则第四十四条规定的时间足额付款，
依法加以使用。
时，该竞买人竞投成功，即表明该竞买人与委托人之间达成
本公司有权采取以下之一种或多种措施：
了关于该拍卖品的买卖合同。
（一）竞买人购得拍卖品后，若未按照规定时间缴付购买价
第五十六条：责任免除
款，保证金不予退还。同时还应按照本规则规定承担相应责
本公司对委托人或买受人的任何违约行为不承担责任。
投，在出现争议时，将拍卖品重新拍卖。
片、图示、图录或其他形式的影像制品，并依法享有上述照
第四十二条：拍卖记录
任。保证金归拍卖人所有。若买受人以同一竞投号牌同时拍
本公司进行拍卖时，制作拍卖记录，拍卖记录由拍卖师、记
得多件拍卖品的，拍卖成交后，若买受人未按规定时间支付
第五十七条：关于通知
录人签名。
任一拍卖品的购买价款，则全部保证金均不予退还；若保证
竞买人及委托人均应将其固定有效的联络地址和联络方式告
在本公司举行的拍卖活动中，最高应价经拍卖师落槌或者以
金不足以弥补本公司所遭受的全部损失，买受人应进一步向
知本公司，若有改变，应立即书面告知本公司。本规则中所
其他公开表示买定的方式确认后，买受人应当在成交确认书
本公司赔偿保证金与实际损失的差额部分；
提及之通知，仅指以邮政信函或传真形式发出的书面通知。
上签名。
（二）拍卖成交后，如买受人未按本规则第四十四条的规定
如以邮政信函形式发出，则信函交付邮政部门之日起，就表
向本公司付清全部购买价款，本公司有权将买受人全部或部
明公司已发出该通知，同时应视为收件人已按正常邮递程序
第四十三条：酬金及费用
分资料、信息提供给与本公司有合作关系的第三方机构，委
收到该通知。如以传真方式发出，则传真发送当日为收件人
竞买人竞投成功后，即成为该拍卖品的买受人。买受人应支
托该机构代为向买受人催要欠付的全部或部分购买价款；
收到该通知的日期。
付本公司相当于落槌价百分之十五的酬金，同时应支付其他
（三）在拍卖成交日起七日后，如买受人仍未足额支付购买
各项费用。
价款，本公司则自拍卖成交日后第八日起就买受人未付款部
第五十八条：条款可分割性
分按照日息千分之一收取利息，直至买受人付清全部款项之
如本规则之任何条款或部分因任何理由被中国政府有关机构
第四十四条：付款时间
日止，买受人与本公司另有协议者除外；
认定无效、不合法或不可强制执行，本规则其他条款或部分
拍卖成交后，买受人应自拍卖成交日起七日内一次付清购买
（四）对买受人提起诉讼，要求赔偿因其违约造成本公司的
仍然有效，相关各方必须遵守、执行。
价款并领取拍卖品（包装及搬运等费用自负），否则应承担
一切损失，包括因买受人迟付或拒付款项造成的利息损失；
违约责任。
（五）留置本公司向同一买受人拍卖的该件或任何其他拍卖
第五十九条：争议解决
品，以及因任何原因由本公司占有该买受人的任何其他财产
因依照本规则参加本公司拍卖活动而发生的任何争议，相关
第四十五条：支付币种
或财产权利，留置期间发生的一切费用及/或风险均由买受人
各方应向中国法院提起诉讼或提请中国仲裁机构予以仲裁。
所有价款应以本公司指定的货币人民币支付，如买受人以本
承担。若买受人未能在本公司指定时间内履行其全部相关义
公司指定的货币以外的其他货币支付，应事先通知本公司财
务，则本公司有权根据中华人民共和国相关法律法规之规定
第六十条：语言文本
务部门并按照本公司财务部门根据开户银行公布的汇率折
处分留置物。处分留置物所得不足抵偿买受人应付本公司全
本规则以中文为准，英文文本仅供参考，不具有法律效力。
算。买受人十五日内付款均以拍卖日公布的汇率为准，买受
部款项的，本公司有权另行追索；
中英文如有任何不一致的地方，以中文本为准。
人在拍卖会十五日后付款，以本公司财务部门根据开户银行
（六）拍卖成交日起三十五日内，如买受人仍未向本公司付
公布的汇率为准。本公司为将买受人所支付之该种外币兑换
清全部购买价款，本公司有权撤销或同意委托人撤销在同一
第六十一条：版权所有
成人民币所引致之所有银行手续费、佣金或其他费用，均由
或任何其他拍卖中向同一买受人售出的该件或任何其他拍卖
本规则版权归本公司所有。
买受人承担。
品的交易，并保留追索因撤销该笔或任何其他交易致使本公 司所蒙受全部损失的权利；
第六十二条：单数词语与复数词语
第四十六条：所有权转移
（七）经委托人同意，本公司可再行拍卖或以其他方式出售
在本规则条款中，根据上下文的需要，单数词语和复数词语
买受人全额支付购买价款后，即可获得拍卖品的所有权。
该拍卖品。原买受人除应当支付第一次拍卖中买受人及委托
所指可能相同。
人应当支付的酬金/佣金及其他各项费用并承担再次拍卖或以 第四十七条：风险转移
其他方式出售该拍卖品所有费用外，若再行拍卖或以其他方
第六十三条：修改权
竞投成功后，下列任何一种情形发生后，拍卖品的风险即由
式出售该拍卖品所得的价款低于原拍卖价款的，原买受人应
本规则如有修改，本公司将依法以本公司认为合适的方式公
买受人承担：
当补足差额。
示，本公司有权不予另行单独通知。
第五十二条：延期领取拍卖品之补救方法
第六十四条：施行时间 本规则于2007年12月20日起施行。
（一）买受人已领取所购拍卖品； （二） 拍卖成交日起七日届满。
若买受人未能按照本规则第四十四条规定的时间领取其购得 第四十八条：领取拍卖品
的拍卖品，则本公司有权采取以下之一种或多种措施：
买受人须在拍卖成交日起七日内前往本公司或本公司指定的
（一）将该拍卖品储存在本公司或其他地方，由此发生的一
其他地点领取所购买的拍卖品。若买受人未能在拍卖成交日
切费用及/或风险均由买受人承担。在买受人如数支付全部购
起七日内领取拍卖品，则因逾期造成对该拍卖品的搬运、储
买价款后，方可领取拍卖品(包装及搬运等费用自负)；
存及保险费用均由买受人承担，且买受人应对其所购拍卖品
（二）对该拍卖品行使留置权，若买受人延迟领取该拍卖品
负全责。即使该拍卖品仍由本公司或其他代理人代为保存，
超过三十日时，本公司有权视具体情况以公开拍卖或以其他
本公司及其工作人员或其代理人对任何原因所致的该拍卖品
本公司认为合适的方式及条件出售该拍卖品，处置所得在扣
的毁损、灭失，不负任何责任。
除本公司垫付的保管费、保险费、搬运费、公证费及本公司
第六十五条：投诉举报 本次拍卖会如有违反拍卖法的情况，致使您的权利遭受侵 害，可以向上海工商行政管理机关（0086-21-54236686） 投诉举报。 第六十六条：解释权 本规则的解释权属于泓盛拍卖有限公司
因处置该拍卖品而产生之全部费用后，若有余款，则余款由 第四十九条：包装及搬运
委托人自行取回。
本公司应买受人要求代为包装及处理购买的拍卖品，本公司
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Chapter I General Provisions
CONDITIONS OF BUSINESS
Article 1 Governing Law This Conditions of Business (hereinafter referred to as the "Conditions") are made in accordance with the Auction Law of People's Republic of China, other relevant laws and regulations with reference to international auction business practices. Article 2 Definitions and Interpretation The terms used in these conditions and other documents of our company shall have the following meanings: (1) "Our Company/We/us/Auctioneer" means Shanghai Hosane Auction Co., Ltd.. (2) "the Bidder" means a natural person, legal person or any other organization that has gone through necessary formalities and has full capacity of civil rights to bid at auction according to provisions of Chinese laws. The Bidder shall satisfy the requirements of any provision set by Chinese Laws. In these Conditions, the Bidder shall include any of its agents unless otherwise provided there under or in a particular context. (3) "the Buyer" means the person who offers the highest bid accepted by the Auctioneer. (4) "the Consignor" means a natural person, legal person or any other organization who consigns Lots to us for auction in accordance with this Conditions. The Consignor shall include any of its agents unless otherwise provided there under or in a particular context (5) "Lot" means any item(s) deposited with us for sale at auction. (6) "Auction Date" means the published date on which the auction will formally begin. In the case of any discrepancy between the actual date of auction and the published date, the actual date of auction shall prevail. (7) "Sale Date" means the date on which the auctioneer confirms the sale of any Lot by striking his hammer or in any other openly showed manners. (8) "Hammer Price" means the amount of the highest bid accepted by the auctioneer in relation to a Lot. (9) "Proceeds of Sale" means the net amount owed to the Consignor, which includes Hammer Prices less commission pro rata, all expenses and other amount owed to us by the Consignor. (10) "Purchase Price" means the total amount payable by Buyer for its bid, including Hammer Price, commission and other expenses payable by Buyer as well as the charges caused by Buyer's defaults. (11) "Expenses" means charges and expenses including but not limited to expenses with respect to Lot insurance, catalogue and other advertisement, package, transportation and storage and any other expenses pursuant to relevant laws, regulations and provisions hereof. (12) "Reserve" means the price below which we agree with the Consignor in writing that the Lot cannot be sold. (13) "Reference Price" means the price of the Lot provided in the catalogue or other descriptive materials and estimated prior to the Auction. Subject to possible changes from time to time, the Reference Price can not be deemed as the fixed sale price. The reference price is for the reference only and has no legal binding effect. Article 3 Inurement We organize auction pursuant to Chinese laws, regulations and policies. This Conditions shall inure to the benefit of and be binding upon the Consignor, Bidder, Buyer and any other concerned parties participating in the auction held by us. Article 4 Special Notice When the auctioneer confirms the highest bid by striking his/her hammer or in any other openly showed manners, the Bidder with the highest bid shall be the Buyer of the Lot and the sale contract concerning the Lot between the Consignor and the Buyer shall come into effect immediately. Any legal effect accrued thereupon shall be born by the Consignor and the Buyer respectively. These conditions are the terms on which we contract, as the Auctioneer, with the Consignor and with the Buyer as well as the terms on which the Consignor and the Buyer conclude a contract concerning the Lot. Therefore, any Consignor, Bidder, Buyer and other concerned parties participating in the auction should read the Conditions carefully and conform to the provisions hereof. All parties shall be liable for its own actions at auction and any loss caused by failure to read the Conditions carefully.
Article 7 The Consignor's Agent When arranging for consignment, the Consignor's Agent shall submit to us a relevant authorization letter and hold a valid identity card or passport or other certificates approved by the Chinese government in the case of a natural person. A valid certificate of registration, ID of legal representative or other legal authorization documents is required in the case of a legal person or other organization. We reserve the right to examine and amend the above arrangement in any manner we consider reasonable. Article 8 The Consignor's Warranties The Consignor hereby makes irrevocable warranties as follows to us and the Buyer with respect to the consigned Lot: (1) the Consignor has exclusive and absolute ownership and legal right to dispose of the Lot. Without prejudice to any legal interest (including copyright) of any third party, the auction of the Lot shall not violate any relevant law and regulation; (2) the Consignor has, to the best of its knowledge, made a full, complete and truthful disclosure and described to us with respect to the origin and any flaw or defect of the Lot without any concealment and fabrication; and (3) the Consignor shall indemnify and hold us and/or the Buyer from and against any claims, losses and damages or actions incurred or brought by the actual owner or any third party who claims to be the actual owner of the Lot and all expenses and costs incurred in connection therewith arising out of or in any way attributable to any breach of the above warranties. Article 9 Reserve All Lots are offered subject to a Reserve, unless otherwise agreed by the Consignor and us. The Reserve shall be determined by the Consignor and us in writing and no modification or amendment of the Reserve shall be binding upon the parties unless subject to prior written consent of the other party. In no circumstances, shall we accept any liability for failure in sale due to bidding lower than the Reserve at the auction. Article 10 Our Discretion We may decide the followings at our absolute discretion: (1) explanation and appraisal of any Lot made by the catalogue of Lot and/or news media and/or in other ways; (2) the arrangement of the order, location, page size of illustration of the Lot in Catalogue and relevant expenses incurred therefore; specific means of exhibition/display of the Lot and all relevant arrangement and expenses incurred therefore. (3) Unless otherwise agreed by the Consignor and us, we shall at our own discretion decide on whether the Lot is appropriate to be auctioned by us as well as the place of auction, the date of auction, the conditions of auction and the way of auction. Article 11 Unauctionable Lot After the Consignor has signed the sales contract with and delivered the Lot to us, if for any reason we believe that the Lot is not suitable for auction, the Consignor must collect the Lot within 30 days from the date of our notice being dispatched (fees for the packaging and handling shall be paid by the Consignor), the contract between the Consignor and us will cease on the date the Consignor collects the Lot. In the case that the Consignor fails to collect the lot within the aforesaid period, our Company is entitled either to escrow the lot with a notary office or to dispose of the lot by any means that our Company considers appropriate. The Consignor shall bear all costs and expenses caused by such disposal.
Chapter II Conditions Mainly Concerning the Consignor
Article 12 Suspension of Auction We may suspend any auction at any time under any one of the following situations and are entitled to request the Consignor to bear corresponding legal responsibilities: (1) we have objection to the ownership and authenticity of the Lot; (2) any third party has objection to the ownership and authenticity of the Lot with undertakings to provide relevant evidence, make security pursuant to our provisions and take all legal responsibilities for all legal repercussions and losses due to suspension of auction; (3) we have objection to the explanation of the Consignor or the accuracy regarding the Consignor's warranty provided in Article 8; (4) we have any evidence to prove the Consignor has already violated or is to violate any term of this Conditions; and (5) any other reasonable causes.
Article 6 Consignment Procedures When arranging for consignment, the Consignor shall hold a valid identity card or passport or other certificates approved by the Chinese government in the case of the Consignor being a natural
Article 13 Withdrawal of Lots by Consignor The Consignor may withdraw the Lot at any time prior to the Auction Date subject to our consent and a written notice stating the reasons. In the case that the catalogue or any other advertise-
Article 5 Exclusion of Liability We shall undertake no guarantee for the authenticity and/or quality of any Lot. The Bidder and/or its agent shall bear the responsibility of carrying out its own inspection and investigations as to the nature of the Lot and shall be liable for its bid.
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person. A valid certificate of registration, ID of legal representative or other legal authorization documents is required in the case of the Consignor being a legal entity or other organization, and sign a consignment contract with us. When the Consignor arranges for consignment, we shall be automatically authorized to make pictures, illustrations, catalogue, or other video images of the Lot. Our company shall have the copyright on all of such pictures, illustrations, catalogue and other video images.
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ments of the Lot have begun to print upon the Consignor’s withdrawal, the Consignor shall pay an amount equal to 20% of the Reserve of the Lot (if no Reserve, the agreed insurance amount shall be applicable) and other Expenses in connection therewith. In the case that the catalogue or other advertisement has not been printed, the Consignor shall pay an amount equal to 10% of the Reserve of the Lot (if no Reserve, the agreed insurance amount shall be applicable) and other related Expenses. No dispute or claim arising out of the Consignor's withdrawal shall be born by auctioneer. Article 14 Insured Automatically Unless otherwise instructed by the Consignor in writing, all the Lots will be automatically covered under the insurance of our company as soon as the Consignor signs the consignment contract with us and delivers the Lot to us. The insurance premium shall be borne by the Consignor. The insured value shall be based on the Reserve agreed by the Consignor and us in the consignment contract (if no Reserve, the insured value is the one agreed by both parties; if the Reserve is adjusted, the insured value shall be the original Reserve). The insured value is only subject to insurance and claim other than our warranty or security for the value of the Lot and the Hammer Price of the Lot. Article 15 Insurance Premium Unless otherwise agreed by the Consignor and us, the Consignor shall pay the insurance premium equal to 1% of the Hammer Price of the Lot after sale. In the case that the Lot fails to sell, the insurance fee payable by the Consignor shall be 1% of the Reserve (if no Reserve, the agreed insurance amount shall be applicable). Article 16 Insurance Period In the case that the auction of the Lot succeeds, the insurance period shall terminate on the earlier of expiry of seven days after Sale Date and the date when the Buyer collects the Lot. In the case that the auction fails, the insurance period shall terminate upon the expiry of seven days after the Consignor has received our notice to take back the Lot. Article 17 Insurance by Consignor In the event that the Consignor notifies us not to arrange insurance for the Lot in writing, it shall undertake to bear all the risks and the following liabilities (unless otherwise judged by court or arbitration commission): (1) to indemnify us from and against any claims or actions incurred or brought by any third party with respect to the losses or damages of the Lot; (2) to hold us and/or any other parties from and against any losses and expenses in relation to the damages and/or losses of the Lot caused by any reason; and (3) to notify the terms of indemnity hereunder to any insurer of the Lot. Article 18 Uninsured We will not be liable for the damages or losses of the Lot caused by the Consignor, the Bidder, the Buyer, natural wear, inherent flaws, inherent or potential defects, inherent material changes, self-combustion, self-warming, oxidation, rust, leakage, rat-bite, woodworm, changes in atmospheric (climate, temperature or humidity) conditions, changes in normal water level, or other reasons of natural changes and caused by earthquake, tsunami, war, actions similar to war, hostile actions, armed conflicts, terrorism, rebellion, coup, strike, riots, or nuclear fission, nuclear fusion, nuclear weapon, nuclear radiation, or radioactive pollution. We will also not take responsibility for any damages to or any losses of frames, glass, drawer, bottom mat, trestle, mounting, insert pages, roller or other similar accessories caused by any reason. Article 19 Insurance Indemnity and Repair Any damages or losses of the Lot caused by incidents or disasters covered by insurance we purchased for the Lot shall be handled in accordance with the contract between us and the insurance company and Chinese laws and regulations regarding insurance. We shall pay insurance indemnities less all expenses incurred by us (except for commissions) to the Consignor after we obtain such indemnities from insurance company. In no circumstance shall we be responsible for any repair or damages occurred before the delivery of lot from the Consignor to us. Article 20 Non-Bidding The Consignor shall not bid for the Lot consigned to us by itself, nor authorize any other person to bid on its behalf. The Consignor shall be liable for and indemnify us for any losses and damages caused by violation of this provision. Article 21 Commission and Expenses Unless otherwise agreed upon by the Consignor and us, the Consignor shall authorize us to deduct 10% of the Hammer Price as commission and any other Expenses from the Hammer Price. Nevertheless we act as the agent of the Consignor, the Consignor agree that we may be entitled to the Buyer's remuneration and other Expenses payable by the Buyer in accordance with provisions in Article 48 hereof.
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Article 22 Service Fee for Unsold Lot In the case that the auction of the Lot fails to be sold because the bidding price is lower than the Reserve, our Company will charge the Consignor a service fee of unsuccessful auction equal to 3% of the Reserve and other expenses payable by the Consignor, including but not limited to insurance premium, advertising fee, catalog fee and storage fee. Article 23 Payment Proceeds of Sale In the case that the Buyer makes full payment to us in accordance with provisions in Article 48 hereof, we shall pay the Proceeds of Sale to the Consignor in RMB after 35 days since the Sale Date. Article 24 Deferred Payment If full payment by the Buyer is not received by the expiration of the payment period under ARTICLE 44 thereof, the Buyer shall bear all legal responsibilities caused by such deferred payment. Our company will pay the Sales Proceeds to the Consignor within seven (7) business days (meanwhile such payment shall be made after 35 days of the Sale Date as well) after receiving the full payment from the Buyer. Article 25 Cancellation In the event that the Buyer not making full payment to us within 30 days from Sale Date, the Consignor is authorized to cancel the transaction after giving us a notice in writing and receiving prior approval from us. A cancellation notice is to be dispatched to the Buyer within seven (7) working days after such decision approving the cancellation is made by us. In the event that the Buyer make full payment and/or finish collect procedure before the service of the cancellation notice of the Consignor to us, such notice should be deemed to be terminated automatically, and the transaction is to be carried out in accordance with regulations stipulated in Article 24, on which the Consignor should cooperate with us and under no circumstance to raise any objection. In the event that the Consignor cancel the transaction, the Consignor must collect the Lot within 30 days from the date of our notice being dispatched (fees for the packaging and handling shall be paid by the Consignor). In the event that the Consignor fails to collect the Lot within the aforesaid period, we shall be entitled to escrow the Lot with a notary office or to dispose of the lot by any means that our company considers appropriate. Article 26 Taxes The Consignor shall be solely responsible for paying any tax imposed on its Sale Proceeds in accordance with the relevant law. We are entitled to deduct the tax from Sale Proceeds directly in accordance with the relevant taxation law of the nation and district. Article 27 Assistance in Collecting Deferred Payments In the event the Buyer fails to make full payment to us within seven days of the Sale Date, we are entitled to recover the remuneration and other Expenses payable by the Buyer in accordance with provisions in Article 51 hereof and to take necessary measures to assist the Consignor in collecting deferred payments upon the Consignor's request as soon as practicable. However, we shall have no obligation to sue the Buyer on behalf of the Consignor in any circumstances. Article 28 Our Discretion We may determine the following matters, as the case maybe, upon authorization of the Consignor (at the Consignor's expense): (1) to agree special terms on how to make the payment of Purchase Price; (2) to remove, store and arrange insurance for sold Lot; (3) to settle claims brought by the Buyer or the Consignor in accordance with relevant terms and conditions hereof; (4) take other necessary steps to collect the deferred payment by the Buyer to the Consignor. Article 29 Unsold Lot In the event that the Lot is not sold in its first offering, the Consignor shall take back the Lot within 30 days after receipt of our notice (packing and shipping at the Consignor's own expense) and pay us fees for failed auction and all other expenses. If the Consignor fails to do so, we reserve the right to resell the Lot by public auction or in other ways under the conditions we consider appropriate and pay to the Consignor the Sale Proceeds, after having deducted the all agreed upon fees and other expenses accrued in the first auction and all costs incur in the resale of the Lot. Article 30 Risks and Losses The Consignor shall take liability for any risk and /or loss occurred after the period mentioned above in case of failure in taking back the Lot in such period. In the case that the Consignor requires us to assist in returning the Lot, the Consignor shall be liable for all risks and/or all losses, bear all the expenses. Generally, we are not responsible for arrangement of transportation insurance unless the Consignor specifically instructs us to do so and bears the insurance premium.
Chapter III Conditions Mainly Concerning the Bidder and the Buyer Article 31 Catalogue of Lot We will prepare a catalogue to introduce the status of the Lot with words and/or pictures for the convenience of Bidders and Consignors. The words, Reference Price, pictures of the catalogue and other images and advertisements are only for reference for Bidders and are subject to revision before auction. We provide no guarantee for the authenticity, value, tone, quality and flaw or defect of any Lot. Article 32 Uncertainty of Catalogue In case that the tone, color, graduation and shape shown in catalogue and/or any other illustrations, images and advertisements differ from those of the original of the Lot due to print, photograph and other technical reasons, the original shall apply. Any statement and appraisal in any ways (including but not limited to the certificate, catalogue, slide show, news media) of any Lot made by us and our employees or their agents are only for reference and should not relied on as any guarantee for the Lot. We and our employees or its agents shall undertake no liability for any inaccuracy and omission in the statements and appraisal mentioned above. Article 33 Inspection by Bidder We hold no responsibility for guaranteeing the authenticity and/ or quality of a Lot. It is the responsibility of the Bidder and/or its agents to personally inspect and investigate the actual status regarding the Lot. The Bidder shall judge the Lot themselves in addition to the catalogue, other images, and advertisements of the Lot issued. Article 34 Registration of Bidders The Bidder shall register and receive a paddle affixed with number before the Auction Date with a valid identity card, or passport or other certificates approved by the People’s Republic of China in the case of a natural person, or a valid certificate of registration, ID of legal representative or other legal authorization certificates in the case of a legal entity or other organization, otherwise it will not be deemed as a legal Bidder. The paddle affixed with number is the only evidence of the Bidder’s participation in bid. Each Bidder shall take good care of his or her paddle affixed with number and may not lend it to any third person. In case of losing such paddle, the Bidder shall go through the procedure for report of losing in the form of writing agreed by the Company. The person holding the paddle is deemed to be the registered owner of the paddle, whatever he/or she is entrusted by the Bidder or not. The Bidder shall be liable for using his or her paddle bid in the auction process, unless the Bidder goes through the procedure for report of losing in the form of writing agreed by our Company and such paddle affixed number has been cancelled by the auctioneer’s announcement in the auction process. Article 35 Deposit We will charge a deposit before the Bidder receives bidding number. The amount of deposit will be announced before Auction Date. We will refund all the deposit mentioned above with no interest to the Bidder within five business days after auction in case it fails in auction. In the event that the Bidder succeeds at auction, the deposit will be taken as part of Purchase Price payable by the Buyer and the balance (if any) will be refunded with no interest at collection. Article 36 Our Option We may forbid any one from participating in auction, taking a picture , making sound recording or making a video recording during auction. Article 37 Abnormal Events In case of any abnormal events at auction, we may take necessary actions. In case of any dispute at auction, we have rights to mediate and settle. Article 38 Bidding as Principal Any person who bids shall be deemed as principal, unless the Bidder represents to us a written certificate showing that it is the agent of a principal and subject to our approval in written before Auction Date. Article 39 Auctioneer's Discretion The auctioneer is entitled to represent us to increase or decrease the bidding ladder, refuse any bidding, or restart auction in case any dispute arises. Article 40 Screen of Video Images At some auctions, there will be a video screen or other screens in operation for the convenience of Bidders, which is only for reference. However, there are maybe errors in amounts, numbers or pictures of the Lot, or foreign exchange rate on the screen. We shall not be liable for any losses and damages caused by such errors.
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Article 41 Successful Bid When the highest bidding is confirmed by striking the auctioneer's hammer or in other openly showed manners, the Bidder with the highest bidding succeeds in the bid and the sale contract of the Lot between the Buyer and the Consignor is concluded. Article 42 Auction Record We will prepare a written record of the auction signed by the auctioneer and the recorder. In case of conclusion of auction, the buyer shall also sign the record. At the auction, the Buyer shall sign the written record showing the successful bid after the highest bid is confirmed the Auctioneer. Article 43 Remuneration and Expenses The Bidder will be deemed the Buyer of the Lot after succeeding in bidding and shall pay us a remuneration equal to 15% of Hammer Price and other Expenses. Article 44 Payment The Buyer shall make full payments in a lump sum and collect the Lot (package and transportation at the Buyer's expense) within seven (7) days after the Sale Date; otherwise, the Buyer shall be liable for breach of contract. Article 45 Currency All payments shall be made in the currency, Chinese RMB, as designated by our Company. In the event that the Buyer wishes to make payment in a currency other than Chinese RMB, the buyer shall inform our Company in advance, and the currency shall be converted by our Financial Department at the rate announced by the bank of deposit. The Buyer shall reimburse our Company for any bank charges, commission, and other expenses incurred while converting a foreign currency into Chinese RMB. Article 46 Passing of Title The Buyer will acquire ownership of the Lot after having paid full Purchase Price. Article 47 Transfer of Risks After a successful bid, any Lot purchased shall be entirely at Buyer's risk as early as one of the following appears: (1) the Buyer collects the Lot purchased; or (2) the Buyer pays to us full Purchase Price for the Lot; or (3) expiry of seven days after Sale Date. Article 48 Collection The Buyer shall collect the purchased Lot at our company’s domicile or other place appointed by us no later than seven days after Sale Date. In case of failure to do so, the Buyer shall be solely responsible for all risks and losses of the Lot and bear all expenses for transportation, storage and insurance in connection therewith due to delay. Nevertheless the Lot is still preserved by us or any other agents, we and our employees or its agents shall not be liable for any losses and damages of the Lot caused by any reason. Article 49 Package and Transportation We may arrange packing and handling of the purchased Lot on behalf of the Buyer as the case maybe on its request and the Buyer shall be liable for any loss arising thereupon. In no circumstances shall we take any liability for any damages or losses of glass, frames, drawer, bottom mat, trestle, mounting, insert pages, roller or other similar accessories arising out of any reason. In addition, we shall undertake no liability for any fault, omissions, damages and losses caused by the packers or carriers we recommended. Article 50 Export of Lot We will make explanation in the catalogue or at the auction to the Lot prohibited to be exported pursuant to the Protection Law of Cultural Relic of the People's Republic of China and other relevant laws and regulations. The Buyer shall be responsible for applying for export license in accordance with Chinese laws for the Lot permitted to be exported pursuant to the Protection Law of Cultural Relic of the People's Republic of China and other relevant laws and regulations. Article 51 Remedies for Non-payment In the case that the Buyer fails to make full payment within the period provided in Article 44 hereof, we shall be entitled to exercise one or more of the following remedies: (1) not to refund the deposit and the ownership of the deposit shall transfer to our Company, if the Buyer fails to make full payment within the stipulated period and the Buyer shall undertake any liability that may occur in accordance with this Conditions. In the event that the Buyer fails to pay any one purchase price of the lot on time according to the Conditions after successful bidding on seeral lot with the same one paddle affixed with number, all of the deposit shall not be refunded. In the event that the deposit is insufficient to cover all losses suffered by our Company, the Buyer shall make further compensation for the balance between the deposit and the actual losses suffered by our Company ; (2) If following a successful bid the Buyer fails to pay us the purchase price in full according to Article 44 of these Conditions of Business, we shall have the right to provide all or part of the data or information about the Buyer to any third party in cooperation with
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us for purposes of entrusting such third party to collect all or part of the default payment from the Buyer; (3) charge the Buyer an interest rate of 0.1% per day on the due and unpaid amount until such payment is made in full, to the extent it remains unpaid for more than seven (7) days after the Date of Sale, unless otherwise agreed upon by both the Buyer and us. (4) commence lawsuit proceedings against the Buyer for any damages caused by the Buyer's breach of contract, including but not limited to the losses of interest on deferred or unpaid payment by the Buyer. (5) exercise a lien on the purchased Lot or other properties of the Buyer which may be in our possession for any reason. The Buyer is responsible for all expenses or risks occurred during the period of lien. In case the Buyer fails to perform all relevant obligations hereunder within the period we designated, we shall have the right to dispose of such property in accordance with relevant laws and regulations. In case the proceeds cannot cover the amount outstanding, we are entitled to claim for the balance; (6) in the event that the Buyer not making full payment to us within 35 days from Sale Date, to cancel or approve the Consignor to cancel the sale of the Lot and/or other Lots sold to the same Buyer at this auction or any other auctions and reserve the right to claim for any losses caused by such cancellation. (7) carry out a re-sale of the Lot by public auction or other ways according to this Conditions subject to the consent of the Consignor. The original Buyer shall be liable to the Consignor for the remuneration/commission and other Expenses occurred at such auction as well as all Expenses for re-sale by public auctions or other ways. In addition, the original Buyer shall also be liable for the difference, if the Purchase Price actually received by the Consignor for re-sale by public auctions or other ways of such Lot is lower than the original Purchase Price that would have been receivable hereunder had the Buyer made the full payments.
Conditions.
Article 52 Remedies for Deferred Collection In case the Buyer fails to collect the purchased Lot within the period provided in Article 44 hereof, we shall be entitled to exercise one or more of the following remedies: (1) arrange storage of the Lot at our company or any other places at Buyer's risk and expense. The Buyer shall not collect the Lot unless the full Purchase Price is paid (package and transportation at the Buyer's expense); (2) exercise a lien on the purchased Lot. After 30 days from the delayed collection by the Buyer, we may, as the case maybe, dispose of such Lot in accordance with relevant laws and regulations and apply the proceeds to compensate for the amount outstanding owed to us including but not limited to fees of storage, insurance, transportation, notarization and all expenses occurred in relation to disposal of the Lot. The Buyer should collect the balance (if any) at its own expenses.
Article 66 Right to Interpret Within the permission by laws, our Company has the right to interpret these Conditions at our own discretion.
Article 59 Settlement of Disputes If any dispute arises from participation in the auction pursuant to this Conditions, all concerned parties shall submit such dispute to a Chinese court or of the place where our Company domiciles. Article 60 Language This Conditions is written in Chinese and English. The English version is only for reference and is not legally valid. In case of any discrepancy between the Chinese version and English version, the Chinese version shall prevail. Article 61 Copyright of these Conditions We have the copyright of these Conditions. Article 62 Singular and Plural In the provisions of this Conditions, the singular includes the plural and vice versa where the context requires. Article 63 Right to alternation In case of any alternation to this Condition, our Company has the right to publish the altered version in any way the laws permit. We will not inform each individual who has read the former versions of conditions. Article 64 Date of Effectiveness This Conditions of Business takes effect on December 20, 2007. Article 65 Contact Information As for this auction, if you have any complaints, you can report to Commercial and Adminstative Authorities of Shanghai (0086-2154236686).
Chapter IV Miscellaneous Article 53 Confidentiality We shall be obligated to maintain the confidentiality of any information provided to us, and indemnify all legal rights of Consignor, Bidder, Buyer and our company against any damages according to the relevant laws and regulations of the People's Republic of China. Article 54 Identification We may identify the Lot if necessary, as the case maybe, at our own discretion. All expenses in with respect to the identification shall be borne by the Consignor. In case of any discrepancy with respect to the status of such Lot between the identification and the consignment contract, we shall be entitled to modify or rescind the consignment contract without bearing any responsibilities. Article 55 Copyright We shall be entitled to take photographs, make illustrations, catalogue or other images relating to the Lot consigned to us for auction and shall have the copyright for such photographs, illustrations, catalogue or other images mentioned above. Article 56 Exemption We shall undertake no liability for any breach of contract by the Buyer or the Consignor. Article 57 Notice in Written Both the Bidder and Consignor shall notify us their valid and regular contacting address and . No change in any of the particulars will be effective until it has been notified in writing as soon as possible. All notices referred in this agreement shall be in writing and shall be delivered by post or transmitted by fax. A notice sent by post shall be deemed to have been sent on the date we give it to post office and received by the addressee via normal mail service. A notice sent by fax, shall be deemed to be received on the date when it is faxed. Article 58 Severability If any provision or part of this Conditions is deemed invalid, unlawful or unenforceable by a competent agency of Chinese government, this Conditions shall be ineffective to the extent of such unlawfulness or unenforceability without invalidating or affecting the validity or enforceability of the remaining provisions of this
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城市_______________________ 国家____________________________ 住宅电话___________________ 公司电话________________________ 手机________________________日期____________________________ 传真号码____________________电子邮箱________________________ 竞买人因故无法参加现场竞投，兹委托代理人就表列编号拍卖品按不高于表 列委托价格的价格（如写明）代为竞投，并作如下承诺：
人民币账户: 开户名称: 上海泓盛拍卖有限公司 账 号: 03389800040009551
一、若竞投成功，竞买人须自拍卖成交日起七日内向上海泓盛拍卖有限公司 （以下简称“本公司”）一次性支付成交价及相当于落槌价百分之十五的酬 金及其他各项费用，并领取拍卖品（包装及搬运等费用自理）；
开 户 行: 农行徐汇肇嘉浜路支行
二、为使得出价得以接受而不延误，竞买人须不迟于拍卖日前二十四小时向 本公司出具本授权书，并同时缴纳拍卖保证金。如在规定时间内本公司尚未
开户名称: 上海泓盛拍卖有限公司 账 号: 121908653610701 开 户 行: 招商银行徐家汇支行
收到保证金或汇款凭证传真，恕不接受竞买人及/或其代理人参加现场拍卖； 三、竞买人承诺本人及代理人已仔细阅读并愿意遵守本公司印在本图录上的 《拍卖规则》之各项条款。
代理人： ___________________
图录号
拍卖品名称
竞买人：___________________
委托价 (人民币元) （佣金不计在内）
RMB RMB RMB RMB RMB RMB RMB RMB RMB
请以正楷填写每项竞投，以拍卖品编号为准。 请注意：以上拍卖品编号、名称和最高出价必须清楚地写明。如果有两个及以上最高出价相同，竞买委托授权书送达本公司在前者优先。
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委托价 (人民币元) （佣金不计在内）
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Please check what you flll in and make sure that they are correct: Consignor’s Name _______________________________________ ID/Passport No._________________________________________
ABSENTEE BID FORM
Address________________________________________________ City____________ State ____________ Zip Code_____________ Telephone/Home_____________ Business___________________ Phone______________________ Date______________________ Fax_________________ Email____________________________
Hosane 2013 Autumn Auctions
Agent’s Name _________________________________________ PLEASE MAIL OR FAX TO Shanghai Hosane Auction Co., Ltd 5F, No.763 Meng Zi Road, Shanghai, China Tel: +86-21-23286888 Fax: +86-21-53060053
ID/Passport No._________________________________________
Hosane’s Bank Account Account Name: Shanghai Hosane Auction Co., LTD. Account No.: 03389800040009551 Bank of Account: AGRICULTURAL BANK OF CHINA, SHANGHAI XUHUI SUB-BRANCH
Fax_________________ Email___________________________
Address_______________________________________________ City____________ State ____________ Zip Code_____________ Telephone/Home_____________ Business___________________ Phone______________________ Date______________________
Account Name: Shanghai Hosane Auction Co., LTD. Account No.: 121908653610701 Bank of Account: CHINA MERCHANTS BANK, SHANGHAI XUJI AHUI SUB-BRANCH
Please bid on my behalf at the above sale for the following Lot(s) up to the price(s) mentioned below. 1. If any bid is successful, I agree to pay a buyer’s premium on the hammer price at the rate of 15% and other expenses within 7 days after the sale. The package and delivery expenses are on me. 2. To secure the bidding, this form has to be delivered to the company 24 hours before the sale date. 3. I have read the Conditions of Business and notices printed in the sale catalogue and agree to be bound by them. Consignor Signed ____________________________ Agent Signed ____________________________
Lot Number
Title Description
Bid Price
(disclusive of buyer’s premium)
RMB RMB RMB RMB RMB RMB RMB RMB RMB
Please check your bids carefully before sent. We do not take responsibility for any written error. If there are two or more identical highest bids, the priority will go to the earliest Absentee Bid Form we received.
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泓盛2013年秋季拍卖会 中国书画 瓷器工艺品/现当代瓷艺 当代艺术/油画雕塑 预展： 2013年12月19日至拍卖前一日 拍卖： 2013年12月21日 预展及拍卖地点：上海波特曼丽嘉酒店 （上海市南京西路1376号）
新中国金银币 古币、金银锭、机制币 纸杂文献 邮品专场 预展： 2013年12月20日至拍卖前一日 拍卖： 2013年12月22日-24日 预展及拍卖地点：上海建国宾馆 （上海市漕溪北路439号）
中国书画 （一）
笔精墨妙— 明清近代书法专场
中国书画 （二）
清韵羽格— 现当代瓷艺专场
胜上春台— 宫廷精品器物专场
嘤鸣和秋— 瓷器工艺品专场
油画雕塑
当代艺术
艺术与生活
新中国金银币
古币、金银锭、机制币
华侨公寓旧藏 退一斋藏书 纸杂文献
纸杂文献
邮品
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版面模子设计Cart’1 / Facebook : cart1.france
免费下载“2013年当 代艺术市场“中文版, 请刷二维码:
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全球艺术品信息网站 www.artprice.com | 电话: +33 472 721 826 | Artprice 在微博 | Artprice的世界: web.artprice.com/video Artprice.com被泛欧交易所(PRC 7478-ARTF)列在 Eurolist B (SRD long only)
2013-11-23 20:49:21
LOT 1347 埃德加•德加 《14岁的小舞者（7/8）》
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