2 minute read
List of Illustrations
Figure 1.01: Kim, H 1566, Image showing an example of iconoclasm in the St. Martin’s Cathedral, Utrecht, Netherlands, Henry van Vianen, digital photograph, ThinkLink, accessed 5 October 2019, <https://www.thinglink.com/scene/918208318726471681>.
Figure 1.02: Bartel, T 2018, Interior of Toledo Cathedral showing the gold detailing, 1493, Petrus Petri, Toledo, Spain, digital photograph, Travel Past 50, accessed 3 October 2019, <https://travelpast50.com/toledo-spain-cathedral/>.
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Figure 1.03: Lepke, S 2013, Interior of St John’s Church, Dusseldorf, Germany
showing the minimalistic interior, digital photograph, EKD, <https://www.ekir.de/www/service/ekd17164.php>
Figure 2.01 Schimpf, E, Year Unknown, Image showing the bare interior of the Schindler House, West Hollywood (1922) as an interpretation of the Japanese aesthetic, digital photograph, KINFOLK, accessed 14 October 2019, <https://kinfolk.com/schindler-house/>
Figure 2.02 Denzer, A 2013, Image showing the exterior view of IIT Chapel, Illinois (1952), designed by Ludwig Mies van der Rohe (1886-1969), digital image, Solar House History, accessed 10 October 2019, <http://solarhousehistory.com/blog/2015/4/19/heating-of-mies-van-der-rohesiit-chapel>
Figure 2.03. Author unknown, 2010, Image showing the interior of Villa Savoye, 1929, Le Corbusier, Poissy, France, digital photograph, ArchDaily, accessed 17 October 2019, <https://www.archdaily.com/84524/ad-classics-villa-savoye-lecorbusier?ad_medium=gallery>.
Figure 2.04. Author unknown, 2010, Image showing the repetition of white and blank surfaces as a characteristic of minimalism within Villa Savoye, France (1929), digital photograph, ArchDaily, accessed 17 October 2019, <https://www.archdaily.com/84524/ad-classics-villasavoye-le-corbusier?ad_medium=gallery>.
Figure 2.05. Author unknown, 2015, Interior view of the Grundtvig Church, Denmark (1940) showing how the repetition of materiality within the church, digital image, Yellowtrace, accessed 19th
October 2019, <https://www.yellowtrace.com.au/grundtvig-church-copenhagen/>
Figure 3.01. Hufton+Crow, 2013, Image showing the interior floorplan of the Saint Moritz Church, digital image, ArchDaily, accessed 25 October 2019, <https://www.archdaily.com/456312/interior-remodelling-st-moritz-church-john-pawson>
Figure 3.02. McCarragher, G 2013, Image showing the interior of the Saint Moritz Church, the nave and the Baroque-style clerestory arches, digital image, Dezeen, accessed 25 October 2019, <https://www.dezeen.com/2013/07/31/st-moritz-church-by-john-pawson/>
Figure 3.03 McCarragher, G 2013, Image showing the strong contrast between the white walls and dark-stained timber joinery in the church choir in the Saint Moritz Church, digital image, DesignBoom, accessed 25 October 2019, < https://www.designboom.com/architecture/johnpawson-sensitively-restores-st-moritz-church-in-germany-12-03-2013/>
Figure 3.04. Hufton+Crow, 2013, Image showing the contrast between the white walls and the darkstained timber joinery which houses the pipe organ within the Saint Moritz Church, digital image, ArchDaily, accessed 25 October 2019, <https://www.archdaily.com/456312/interiorremodelling-st-moritz-church-john-pawson>
Figure 3.05. McCarragher, G 2013, Image showing the interior of Saint Moritz Church and the religious symbols that have been placed in the lateral aisles, digital image, DesignBoom, accessed 25 October 2019, <https://www.designboom.com/architecture/john-pawson-sensitively-restoresst-moritz-church-in-germany-12-03-2013/>
Figure 3.06. Cole, E Image showing the interior floorplan of Church of the Light, Ibaraki, Japan, digital image, Quantummmof, accessed 1 November 2019, <https://quantummmof5.wixsite.com/architecture/the-omnipresence-of-god>
Figure 3.07. Fijii, N & Verena A 2011, Image showing the interior of Church of the Light and the light entering the church in the shape of a cross, which appears to cut through the concrete, digital image, ArchDaily, accessed 30 October 2019, <https://www.archdaily.com/101260/adclassics-church-of-the-light-tadao-ando>
Figure 3.08. Saieg, N 2010, Image showing the interior floorplan of the Bruder Klaus Field Chapel, digital image, ArchDaily, accessed 2 November 2019, <https://www.archdaily.com/85656/multiplicity-and-memory-talking-about-architecturewith-peter-zumthor?ad_medium=gallery>
Figure 3.09 Ludwig, S & Mayer T 2011, Image showing an exterior of the Bruder Klaus Field Chapel, (2007), and where it is situated within the landscape of Mechernich, Germany, digital image, ArchDaily, accessed 2 November 2019, <https://www.archdaily.com/106352/bruder-klausfield-chapel-peter-zumthor>
Figure 3.10. Ludwig, S & Mayer T 2011, Image showing the interior of the Bruder Klaus Field Chapel, and the final result after the pine tree trunk were set ablaze, which left the interior charred and hollow, digital image, ArchDaily, accessed 2 November 2019, <https://www.archdaily.com/106352/bruder-klaus-field-chapel-peter-zumthor>
Table of contents
Abstract…………………………………………………………………...…………………………….1
Acknowledgements………………………………………………………………………...…………...2
List of Illustrations……………………………………………………………………………………...3
Introduction…………………………………………………………………………………...………...7
Chapter One: ………………………....….………...…...……………………………………………..10
Chapter Two:…...……………………………………..…………………..…………………………...17
Chapter Three: ………………………………………………………………………………………...26
Conclusion…………………………………………………………………………………………….37
List of references………………………………………………………………………………………39
