Abstract

Minimalism initially arose during the 1960s where it originated as an art movement and caused an uproar in society. Minimalism has continued to evolve where it has shifted past its novelty phase as an art movement and has transitioned into other mediums such as music and film, as well as having entered the architectural realm, more specifically within sacred interiors.

Whilst the emergence of minimalism within sacred interiors has significantly developed over recent decades, there is little to no research that has been conductedthat questionsthe influence of minimalism within this realm.

This dissertation seeks to investigate how historical and contemporary influences have shaped the evolution of minimalism within sacred interiors to understand its significance within this realm. It also seeks to question if minimalism within church architecture can contribute value to these cherished bodies, or if it merely adds aesthetic value.

Historical notions that can be seen to have parallels with minimalism will be explored, which will lead into the discussion of the contemporary influences which have shaped the interpretation of minimalism within sacred interiors. This research will be conducted through the analysis of historical documents, exploring case studies and researching architects to understand how their personal influences have shaped their architectural style. Three precedent studies will then be analysed in-depth through the use of secondary sources. These sources will analyse plans and images of the interiors and utilise the supporting commentary from architects and design critics to synthesise these precedent studies with the theoretical framework.

Ultimately, this dissertation endeavours to illustrate how historical and contemporary influences have informed the evolution of minimalism within sacred interiors.