ICONIQUE MAGAZINE JUNE 2019 EDITION - FATHER

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CONTENTS FATHER TRIDUTE TO PRINCE MODEL DOM DURRETTE

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JUNE 6TH, 2019 ISSUE

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This Father’s Day, I’d like to do something that is long overdue. I’m going to praise African-American men.

Not my own father, who had a profound effect on my life, but the countless other black men who strive, even under the most challenging circumstances, to be good dads.

Some people will argue that such men are rare, or that they do not exist.

They blame the violence and other social ills of impoverished communities on the absence of black men in their children’s lives. They pretend as though single-parent homes are exclusive to African-Americans, and use this misinformation to make moral judgments about black women and the men who father their children.

They paint all black men with one broad stroke, as chronic baby-makers who abandon their responsibilities even before their children are born. And they paint the sons of these black men with the same brush, condemning them to repeat the mistakes learned from their birth fathers.

They ignore the accomplishments of men like Barack Obama, U.S. Supreme 4

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Court Justice Clarence Thomas, Dr. Ben Carson, baseball great Jackie Robinson, playwright August Wilson, Stevie Wonder and Malcolm X — all raised without their biological fathers in the home and became great men.

I could say that the common stereotype of the black man as a deadbeat father is only a myth. But the truth is much more sinister.

It is a lie that was planted the moment black men set foot on American soil as slaves, and it has been cultivated for generations with plenty of help from the media.

Could some black men do a better job of raising their children? Absolutely. But so could some white men, Hispanic men, Asian men and others.

Studies have shown that a father’s involvement increases a child’s chances for academic success and reduces the chances of delinquency and substance abuse. But it is not a panacea for all the social issues that contribute to violence and other issues that plague poor African-American communities. Factors such as joblessness, economic disinvestment and institutional racism are beyond any father’s control.

It is indeed troubling, though, that nearly 70 percent of black children are born out of wedlock, according to government statistics. The number far exceeds the 29 percent of white children, 53 percent of Hispanic children and 12 percent of Asian children born in similar circumstances.

But marital status doesn’t tell the whole story.

Statistics also show that 36 percent of white males divorce. But no one questions their relationship with the children they leave behind. The truth is there is no evidence proving that black men who never married their child’s mother care less about their children

than white men who divorced theirs.

Five years ago, the U.S. Centers for Disease Control and Prevention issued a report that debunked several stereotypes about black fathers. According to the report, African-American dads, in fact, spend more time in their children’s day-to-day lives than those in other ethnic groups.

The survey, which was conducted by the National Center for Health Statistics, found that 70 percent of African-American fathers who live with young children bathed, diapered, dressed or helped their kids use the toilet every day, compared with 60 percent of white fathers and 45 percent of Latino fathers.

While all fathers, regardless of race, who live away from their children tend to spend less time with them, the study found that black fathers are no less involved in their children’s lives than other dads. More than half of black fathers talk to their kids about their day several times a week or more. That’s a higher percentage than white or Latino fathers who live apart from their children.

The Pew Research Center found similar evidence of black father involvement.

Though black fathers are more likely to live apart from their children, 67 percent of them see their kids at least once a month, compared with 59 percent of white fathers and 32 percent of Hispanic fathers.

What can we surmise from this? There are lots of good African-American fathers out there. But there is one, in particular, whom I will never forget.

Two years ago, 36-year-old Michael Watson jumped from a third-floor window of a burning apartment with his baby daughter in his arms. He had tried in vain to rescue his 4-year-old, Madison, and her 7-year-old sister, Shaniya Staples, who were trapped in another room. But by the time he reached them, it was too late.

Watson’s 3-month-old daughter, Melanie, died in the fall. Though Watson survived, he was critically injured with multiple broken bones and a spinal injury.

He later recovered.

Outside the smoldering building that morning, Shaniya’s father could not bear to look as firefighters removed his daughter’s charred body from the building.

The only thing he had left was the name, Shaniya, tattooed on his arm.

It should not require a story so tragic to prove that black fathers love their children too. dglanton@chicagotribune.com

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Who Was Prince?

Prince was born Prince Rogers Nelson on June 7, 1958, in Minneapolis, Minnesota. His early music career saw the release of Prince, Dirty Mind and Controversy, which drew attention for their fusion of religious and sexual themes. He then released the popular albums 1999 and Purple Rain, cementing his superstar status with No. 1 hits like “When Doves Cry” and “Let’s Go Crazy.” A seven-time Grammy winner, Prince had a prodigious output that included later albums like Diamonds and Pearls, The Gold Experience and Musicology. He died on April 21, 2016, from an accidental drug overdose.

Prince’s Death On April 21, 2016, Prince was found dead at his Paisley Park compound in Minnesota. The week prior, his plane made an emergency landing and the singer was hospitalized for what was purportedly a severe case of the flu, though reports later stated that the musician was actually given a life-saving “safe shot” for a Percocet overdose. The Carver County sheriff ’s department and Midwest Medical Examiner’s office launched an investigation into the cause of death. After the autopsy was performed, his remains were cremated and his close family and friends gathered for a small, private funeral on April 23.

Almost two weeks after the musician’s death, a lawyer revealed that Dr. Howard Kornfeld, a California-based physician who specializes in treatment for those dependent upon and addicted to pain medication, had been called upon by Prince’s team to aid the musician. (The performer had undergone hip surgery some years earlier, and was believed to have endured recurring discomfort while giving concerts.) Kornfeld’s son had reportedly flown to Prince’s compound to initiate the recovery process and was among those who found him dead. While Prince’s state of health at the time of his death is unknown, attorney William Mauzy said the artist “was dealing with a grave medical emergency” when Kornfeld was called, as reported by The Minneapolis Star Tribune.

On June 2, 2016, the Midwest Medical Examiner’s office released results of its investigation, which determined that Prince died from an accidental overdose of “self-administered” fentanyl, a synthetic opiate.

Tributes to a profoundly unique artist poured in from fans across the globe, as evidenced by impromptu memorials and celebrations of his work. With love especially hailing from the city where Prince was born and continued to live, thousands of mourners sang “Purple Rain” in downtown Minneapolis on the night of his death.

His Minnesota home/studio, Paisley Park, officially opened its doors as a museum in October 2016. The following month, his first posthumous song, “Moonbeam Levels,” was released. Additionally, production began on a documentary about the singer’s early years, entitled Prince: R U Listening?

On April 19, 2018, Carver County concluded its two-year investigation with the announcement that no criminal charges would be filed in Prince’s death. Attorney Mark Metz said that it was unknown who supplied the musician with the fentanyl-laced pills that killed him, and that there was no evidence that any associates knew he was ingesting such a dangerous substance.

PC: VON DONALD 10 “There is no doubt that the actions LOCATION: DETROIT MI of individuals around Prince will be criticized and judged in the days and

weeks to come,” Metz said. “But suspicions and innuendo are not sufficient in bringing criminal charges.”

Early Life, Parents Famed singer, songwriter and musical innovator Prince was born Prince Rogers Nelson on June 7, 1958, in Minneapolis, Minnesota. His parents were John Nelson, a musician whose stage name was Prince Rogers, and Mattie Shaw, a jazz singer who performed with the Prince Rogers Band.

Prince became interested in music at a young age and taught himself how to play the piano, guitar and drums. His parents broke up when he was about 10, and he and his sister split their time between their parents’ homes. He eventually ran away and moved in with neighbors, the Anderson family. In high school, Prince formed the band Grand Central (later known as Champagne) with André Anderson (who later changed his name to André Cymone) and Morris Day. In 1978, Prince was signed to Warner Bros. Records. In a 2009 interview with Tavis Smiley, Prince revealed that when he was a child, he suffered from epileptic seizures and that he was teased in school. He told Smiley, “Early in my career I tried to compensate by being as flashy and as noisy as I could.”

Career Takes Off: ‘Controversy’ and ‘1999’ In 1978, Prince dropped his debut album, For You, which was followed by Prince (1979). He played practically all of the instruments on the albums, and the sophomore release contained his first Top 20 pop hit, the easygoing “I Wanna Be Your Lover.” The critically acclaimed Dirty Mind dropped in 1980, consisting of material that was graphic in its exploration of sexuality and fantasy.

Controversy (1981) continued playing with the themes of its predecessor, as seen with the dance-oriented title track, which reached No. 3 on the R&B charts, as well as songs like “Sexuality” and “Do Me Baby.” Yet as Prince continued to develop his career, he would also be known for tracks that had a deep spirituality, with a yearning for majesty and wonder.

The singer found international success with the release of his 1982 album, 1999, which included the Top 20 title track, an exquisite synth-funk ode about nuclear doomsday, as well as the Top 10 hits “Little Red Corvette” and “Delirious.”

“Darling Nikki” was another tune from Purple Rain that incited controversy due to its explicit visuals. After senator Al Gore’s wife Tipper Gore bought the album for their daughter and listened to the track, she eventually pushed for albums to sport labels that warned parents of graphic lyrics.

1985 saw the release of Around the World in a Day, which had the Top 10 tracks “Raspberry Beret,” a whimsical mid-tempo tune, and “Pop Life.” The record continued to feature Prince’s penchant for playing a range of instruments and desire to impart messages of self-love, as seen with “Paisley Park,” a track inspired by the name of his Minneapolis studios.

In 1986 Prince released his eighth studio album, Parade, which included his pulsating No. 1 pop/R&B single “Kiss.”

Parade served as the soundtrack for the artist’s second film, Under the Cherry Moon, which he directed and starred in.

‘Sign ‘O’ the Times,’ ‘Batman’ Soundtrack

After the disbanding of the Revolution, Prince was able to consolidate various shelved projects into what ultimately became the double album Sign ‘O’ the Times (1987), with the title track reaching No. 3 on the pop charts and No. 1 in R&B. The album was known for its stark commentary on social issues yet also contained fun jams like “U Got the The ‘80s: ‘Purple Rain’ and Beyond Look,” a raucous duet with Scottish singer Sheena Easton that reached No. 2 on the pop charts. (He had previously With his band the Revolution, Prince went on to create penned the lasciviously charged pop/R&B hit “Sugar Walls” the classic album Purple Rain (1984), which also served from her 1984 album A Private Heaven.) Sign was easily as the soundtrack to the film of the same name, grossamong Prince’s most critically acclaimed albums, yet its sales ing almost $70 million at the U.S. box office. Co-starlagged in the U.S., finding more of an audience in Europe, ring Apollonia Kotero and Day, the movie garnered an where the artist launched a successful tour.

Academy Award for Best Original Song Score.

Maintaining a prodigious output, Prince released Lovesexy in 1988, known for its album cover featuring a photo of Its melancholy title track reached No. 2 on the Billboard the artist in the nude as well as the Top 5 uptempo R&B hit Hot 100, while the hits “When Doves Cry” and “Let’s “Alphabet St.” Go Crazy” both reached No. 1. While “Crazy” readily joined the pantheon of wild, electrifying rock songs, By the time he released his 11th studio album, the “Doves Cry” had one-of-a-kind signatures, displaying soundtrack to Batman, in 1989, Prince had become one of an otherworldly meld of electronic and funk elements America’s most commercially successful pop artists, conwithout a traditional chorus. The soundtrack offered tinually making waves on the charts. Batman offered up the two other hits: “I Would Die 4 U” and “Take Me With No. 1 romp “Batdance” as well as the Top 5 R&B hit “PartyU.” Prince simultaneously became a well-known visual man.” The video for “Batdance” famously featured Prince in icon with his trademark curls, flowing jackets and ruf- split-effect makeup and costuming meant to symbolize both fled attire with punk embellishments. the film’s shadowy hero and his crazed nemesis, the Joker.

The Early ‘90s: The New Power Generation The early 1990s marked the launch of the New Power Generation, Prince’s latest band that featured a blend of contemporary R&B, hip-hop, jazz and soul along with the vocals of Rosie Gaines. The group was first called out in the soundtrack to Graffiti Bridge, a 1990 sequel to Purple Rain that didn’t fare well at the box office yet still yielded the Top 10 track “Thieves in the Temple.”

With the NPG’s artistic contribution, Prince found success with his album Diamonds and Pearls (1991), which rose to No. 3 on the Billboard 200 album chart. Diamonds included the romantic title ballad, the industrial strength “Gett Off,” the playful paean “Insatiable” and the saucy No. 1 single “Cream.”

Prince’s work with the NPG continued to unashamedly toy with ideas around sexuality, gender norms and the body. To promote the album, Prince had appeared on the 1991 MTV Video Music Awards to do a live performance of “Gett Off.” Echoing parts of the track’s music video, the performance featured an array of dancers and musicians in an onstage bacchanal, with the artist famously turning around towards the end of the song to show off his seatless pants.

In the fall of 1992 Prince had signed a record $100 million dollar deal with Warner Bros., which was considered “the largest recording and music publishing contract in history” at the time and allowed him the freedom to pursue TV, film, book and merchandising deals separately. As a comparison, fellow industry giants Michael Jackson and Madonna had $60 million-plus contracts that were all-inclusive.

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Stellar Collaborations Provocative performances aside, Prince had well established himself as an in-demand collaborator and behind-the-scenes player whose songs were remade by other artists.

In the mid-’80s, Chaka Khan released an ebullient, highly successful cover of his 1979 tune “I Feel For You,” while Sinead O’Connor’s biggest hit was Prince’s “Nothing Compares 2 U.” The Art of Noise and Tom Jones reached the U.K. Top 5 in 1988 with a remake of “Kiss,” and Alicia Keys covered “How Come U Don’t Call Me Anymore” on her own 2001 debut.

Prince also worked on specific album tracks for performers like Khan, Madonna, Tevin Campbell, Kate Bush, the Time, Martika, Patti Labelle and Janelle Monae. He was

behind the girl group Vanity 6, led by singer/actress Vanity, and their No. 1 dance hit “Nasty Girl.” And he sent a song to the all-women’s band the Bangles that they would record to great effect, reaching No. 2 with the lush ode to a stressful workday, “Manic Monday.”

In 1992 Prince and the New Power Generation released Love Symbol Album. Though embraced by some critics, sales did not fare as well as Diamonds. Love only managed to have one Top 10 hit, the transcendent single “7,” though “My Name Is Prince” and the carnal “Sexy MF” garnered some attention as well. The following year Prince released the compilation box set The Hits/ The B-Sides, which had an array of popular songs as well as the newly released “Pink Cashmere,” a tender number sung in falsetto.

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Prince’s Symbol: ‘The Artist Formerly Known As Prince’ The lack of success for Love Symbol Album created tension between Prince and his record label Warner Bros. Over the ensuing years, the singer’s career went through a roller coaster of ups and downs. Turned off by feeling controlled by his label, Prince changed his name to the unpronounceable glyph O(+> in 1993, a fusion of female and male astrological symbols which he used until 2000.

During that time, he was more frequently referred to as “the artist formerly known as Prince,” and his new symbol was not embraced by most fans. He also started making appearances with the word “SLAVE” drawn on the side of his face, meant to convey the great disdain he had for his label. Prince did release the 1995 album The Gold Experience during this time of duress, and scored another Top 5 song with “The Most Beautiful Girl in the World.”

Once he was released from all contractual obligations to Warner Bros., Prince released the triple album fittingly entitled Emancipation (1996), which went on to become certified platinum and featured the soul remake “Betcha

by Golly, Wow.” Several other albums affiliated with his NPG label soon followed, including Crystal Ball (1998) and Rave Un2 the Joy Fantastic (1999).

‘Musicology,’ Super Bowl and More Accolades After several years of relative obscurity, Prince returned to the limelight in 2004 to perform at the Grammy Awards with Beyoncé Knowles, the same year he was inducted into the Rock and Roll Hall of Fame. That spring, he released Musicology with a tour that became the top concert draw in the United States. The album won two Grammys and added another dreamy ballad, “Call My Name,” to the Prince canon.

His next album, 3121, was released in 2006. That year, he wrote and performed “Song of the Heart” for the animated film Happy Feet, and won a Golden Globe (Best Original Song) for the composition. In 2007 he performed during the Super Bowl XLI halftime show on a massive stage shaped as his famous symbol amid pouring rain. The event was watched by 140 million fans.

2010 was the year of accolades for Prince. He not only was lauded by Billboard.com as the greatest Super Bowl performer ever, he was also featured in TIME magazine’s “100 Most Influential People in the World” and earned a Lifetime Achievement Award from the BET Awards. He ended the year with an induction into the Grammy Hall of Fame.

Prince also continued to deliver the fruits of his studio efforts with Planet Earth (2007), LotusFlow3r (2009) and, in a joint deal with the Daily Mirror, 20Ten (2010).

Opposition to Changing Industry Model With the advent of the internet as the primary force for distributing music, Prince was against the trend of having songs shared at will on the web. He railed against the idea of providing his songs to online music platforms without proper upfront compensation and profit sharing, with his tracks eventually only found on the Jay-Z backed streaming service Tidal. One of the few pop artists to have full ownership of his masters, he was diligent via Web Sheriff in erasing examples of his music, including videos and live performances, from the internet. He was thus behind the Lenz v. Universal Musical Group case, which unsuccessfully pushed for the YouTube removal of a baby dancing to “Let’s Go Crazy.”

Prince continued to take political stands with his performances as well. On May 2, 2015, Prince staged a Dance Rally 4 Peace at Paisley Park to pay tribute to Freddie Gray, a 25-year-old African-American who died in police custody after his arrest in Baltimore, and to show support for the activists protesting his death. With his backup band 3RDEYEGIRL, Prince performed a 41-minute concert including his protest song “Baltimore,” which was inspired by Gray’s death.

Personal Life Prince was extremely private about his personal life and preferred to spend time at his Paisley Park compound, away from the celebrity spotlight.

In the 1980s, Prince had a long on-and-off relationship with singer-songwriter Susannah Melvoin, the twin sister of Wendy Melvoin, a guitarist in Prince’s band the Revolution. He was also romantically involved with drummer extraordinaire Sheila E. The two worked together on her albums The Glamorous PC: VON DONALD Life, featuring the Top 10 pop/R&B title track, and Romance 1600, showcasing the single “A Love Bizarre.”

On Valentine’s Day 1996, Prince married backup singer and dancer Mayte Garcia. The couple had a son, who was born on October 16, 1996 and died a week later from Pfeiffer Syndrome, a rare genetic disorder. Prince and Garcia’s marriage was annulled in 1999 and they were divorced in 2000.

In 2001, Prince married his second wife, Manuela Testolini, who had been employed by one of his charitable organizations. Their marriage ended in 2006. After their divorce, he had a relationship with one of his musical protégées, singer Bria Valente.

Religious Faith: Jehovah’s Witness During the same year as his wedding to Testolini, Prince also became a Jehovah’s Witness, embracing the faith after years of study (he was raised as a Seventh-Day Adventist). His mentor as a Witness was bassist Larry Graham, who had played with Sly & the Family Stone and thus was also a major musical influence.

Prince was believed to have taken part in what’s referred to as field service for his faith, having once visited a Jewish couple in Eden Prairie, Minnesota, and leaving behind a copy of the Witness publication The Watchtower. His language and performance sensibilities changed somewhat, with some fans questioning how some of the conservative aspects of his religion jibed with the explicit nature of past songs. Contradicting the rock/soul persona, others have pointed out that Prince has historically had songs that were clearly Christian in nature, as seen with “The Ladder,” “The Holy River,” “The Cross” and “God,” the gospel B-side to the single “Purple Rain.”

Memoir: ‘The Beautiful Ones’ In March 2016, it was announced that the pop superstar was working on a memoir, tentatively titled The Beautiful Ones. According to Billboard magazine, Prince spoke to an audience at a music industry event about the memoir. “This is my first (book). My brother Dan is helping me with it. He’s a good critic and that’s what I need. He’s not a ‘yes’ man at all and he’s really helping me get through this. We’re starting from the beginning from my first memory and hopefully we can go all the way up to the Super Bowl.”

Although the artist passed away shortly afterward, his collaborators continued to work on the project. In April 2019, it was announced that Random House would publish a 288-page version of The Beautiful Ones, combining Prince’s unfinished manuscript with photos, scrapbooks and lyrics, for release in late October. - Biography.com

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5 WAYS TO STAY HEALTHY WHEN ON THE ROAD

(BPT) - Whether you’re traveling for business or for pleasure, if you spend your career on the road or even just take an occasional road trip, it may seem tough to maintain a healthy lifestyle while you’re on the go. The sedentary hours spent behind the wheel, combined with the seemingly limited healthy food options along the highway, can take a toll — especially on your heart.

1. Take breaks. Too much time behind the wheel can make you stiff and sore, causing stress and fatigue. Make sure to know your own limits, both in terms of physical endurance and mental focus and attention. Breathe deeply, in and out, several times during your breaks — this gets more oxygen to your brain when you need it, helping you to stay alert and awake.

2. Get some exercise. During your breaks, park further from the rest stop to add extra steps, or take a brisk walk around the area to get your blood flowing. Stretch your arms and legs, bend your knees, gently roll your neck and move all parts of your body to work out the kinks. If you are fit enough, try this challenge: 20 air squats, 10 push-ups, 10 lunges.

3. Rest. Get at least seven hours of sleep a night while you’re traveling, both for your own health and for safety.

Tim McGee, Lead Driver for Pilot Flying J tanker fleet out of Knoxville, recommends that if you’re feeling fatigued, “Find a safe place to park and rest, nap no longer than 20-30 minutes, walk around.” When you wake up from a nap, move around, get some fresh air and drink plenty of water to be sure you’re fully awake and refreshed before hitting the road again.

4. Eat real meals. Stop for complete, well-rounded meals when you can, to help resist the urge to snack on less healthful choices. No matter which meal you’re stopping for, include protein choices like roasted chicken, yogurt or hard-boiled eggs, vegetables like salads, steamed broccoli or green beans, and fresh fruit such as grapes or bananas. All of these choices are available at Pilot Flying J, the largest operator of travel centers in North America. The PJ Fresh Marketplace, available at many locations nationwide, offers a fast-casual restaurant where you can sit and eat a fresh, healthy meal or get a combo meal to go. As one of the largest franchisees of Subway, Pilot Flying J also offers great sandwich choices.

Choose options with lean meats like turkey or chicken, pile on the veggies and go easy on the dressing for the healthiest approach.

5. Snack smart. When you need a quick pick-me-up between meals, you can find plenty of healthy fruits, veggies, nuts, yogurt and protein bars on the road. According to the ATA, the banana has become one of the most popular picks for on-the-go snacking — it comes in its own package, and it’s full of nutrients. ATA America’s Road Team Captain Rhonda Hartman says, “Snack on fruits and vegetables instead of high-calorie and high-salt snacks. It will keep your blood sugar levels even, so you don’t get the energy spikes and drops.” Stay hydrated with water, limiting your intake of sugary sodas and not overdoing the caffeinated beverages, which can make you feel jittery and keep you from resting well at night.

These tips will not only make you healthier when you get to your destination, but keep the journey safe and more enjoyable as well. With a little planning ahead, and choosing the best options for where to rest and eat, your trips will fly by. For those interested in going the extra mile, check out the Life is Why We Give(TM) campaign, where supporters like Pilot Flying J raise funds to support the American Heart Association’s mission to be a relentless force for a world of longer, healthier lives.

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WE ALL HAVE TO DO BETTER, WE ALL HAVE TO DO BETTER. WE ARE ALL RESPONSIBLE FOR EVERYTHING THAT HAPPENS IN OUR COMMUNITY AND OTHERS EVEN IF WE HAVE NEVER VISITED. WE PLAY A ROLE IN OUR DEMISE. EVEN MINDING YOUR OWN BUSINESS PLAYS A PART BECAUSE THE CONSPIRACY OF SILENCE MEANS THAT YOU AGREE. SO LETS SPEAK UP AND LET OUR VOICES BE HEARD.

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China takes aim at hip-hop, saying low-taste content must stop China’s censors have a new target in a widespread clamp-down on popular culture: the country’s nascent hip-hop scene, which resonated with Chinese youth last year on hugely popular television show “Rap of China.”

Hip hop artists Wang Hao, known as “PG One” and Zhou Yan, known as “GAI” - the two winners of the show - have been sanctioned in recent weeks for bad behavior or content at odds with Communist Party values. GAI was pulled from hit show “The Singer” last week.

The crackdown on hip-hop, still very much a new genre in China, reflects a broader squeeze on popular culture as the country’s stability-focused leadership looks to rein in potential platforms for youthful dissent.

Beijing is eager to use popular culture to shape public opinion, including co-opting rap artists ahead of its five-yearly congress last year. With state support comes the insistence that Party values must take center stage in the artists’ work.

The latest cleanup started when PG One was forced to apologize for lewd lyrics, which critics said were insulting to women and encouraged the use of recreational drugs.

The official Xinhua news agency wrote that PG One “does not deserve the stage,” and that “we should say ‘no’ to whoever provides a platform for low-taste content.” Other official media and companies quickly followed suit; the rapper’s tracks were soon pulled from most online sites.

GAI, who had been in third place on The Singer, broadcast by Hunan TV, was cut from the program last week with no reason given. Rapper Vava was hastily edited out of the same station’s flagship variety show “Happy Camp” because of her association with hip-hop culture.

“Hip-hop’s prospects in China seem dim after Chinese rappers removed from TV shows,” read one headline from influential state-run tabloid Global Times on Sunday.

The same paper this month said hip-hop - which it called a “tool for people to vent their anger, misery, complaints” - did not suit China and “cannot thrive” here.

The campaign underscores a broader clean-up of cultural content from video games, online streaming and even performance art amid a drive to make cultural products adhere to mainstream socialist core values.

Chinese rap singer Zhou Yan, better known by his stage name GAI, performs during a New Year concert in Guangzhou, Guangdong province, China December 31, 2017. Picture taken December 31, 2017. REUTERS/Stringer PG One, Vava and Hunan TV could not immediately be reached for comment. GAI, who had tried to make his act more Party-friendly - including an impromptu performance in which he sang the words “long live the motherland” - did not respond to requests for comment.

Chinese news portal Sina reported on Friday that China’s broadcasting watchdog had said immoral and vulgar content should be kept off the air, including hip-hop - and even tattoos.

The State Administration of Press, Publication, Radio, Film and Television did not respond to a telephone request for comment from Reuters on Monday.

This is not the first time Chinese musicians have run afoul of local censors. In 2015, China’s culture ministry banned 120 songs - mostly rap - for “promoting obscenity, violence, crime or threatening public morality.”

Dior channels 1950s rebels, British subculture in Paris show In July last year, Beijing’s Municipal Bureau of Culture said it was “not appropriate” for Justin Bieber to tour in China because previous performances there had created “public dissatisfaction.”

A month later, organizers aiming to bring Grammy Award-winning artists to China said they would only “promote artists with a positive and healthy image.”

Li Yijie, a patriotic rapper with government-backed band Tianfu Shibian, said that regulators weren’t blacklisting the genre as a whole, but that recent scandals meant “some institutions, firms, TV stations and the public had lost confidence in hip-hop.”

“Maybe local television stations think it is too sensitive to run33 hip-hop shows now,” he added. [Rueters]

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