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GROWPAL INFOTECH PRIVATE LIMITED Delhi: A 111, Lower Ground Floor, Shankar Garden, Vikaspuri, New Delhi 110018 Mumbai: 427, Laxmi Plaza, Laxmi Industrial Estate, New Link Road, Andheri (West), Mumbai 400053
Contents August 2017
Cover Story
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Window Shop
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A reptilian framework for a public space seems very unlikely but the Harbin Opera House in Heilongjiang province, Northeast China is an exception which has garnered global attention
URA Studio designs Midnight Express’s latest outlet located in Bebek, a trendy spot along the Bosphorous in Turkey
Design Desk
40
Woods Baggot designs a collaborative workspace for Brookfield Multiplex in Perth. The office space changes Multiplex’s cultural and social dynamic whilst increasing transparency and fostering a positive collaboration
On Display
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Vikas Oberoi, Chairman & Managing Director, Oberoi Realty speaks about Enigma two luxurious high-rises nestled in the vast green expanse of Mulund, Mumbai
Creative Palate
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Cycles and cycle motifs don the newly opened Ciclo Cafe in Gurgaon, a space which entices the cycling enthusiast and foodies alike 10
AUGUST 2017
MORE SLIM. MORE LIGHT.
SLIM PANEL LIGHTS G-Zero is remarkably slim. The LED panel is product of an exclusive brilliant design. The new sleek and stylish luminaire brings a fresh new dimension to the idea of light. With simple uncomplicated installations for ceilings, an extremely light body and an ultra slim design, it is one of the most powerfully bright LED panel light that makes it the most desired LED ever. When you think of less being more, G-Zero it is. www.gmmodular.com SMART SWITCHES TOUCH SWITCHES WI-FI SWITCHES HOME AUTOMATION LED LIGHTING WIRES & CABLES PVC PIPES & FITTINGS DB MCB & RCCB OUR EXCLUSIVE SHOWROOMS
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SMS to GMWORLD 56767
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Email: info@gmmodular.com
Contents August 2017
Design Tales
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Ar. Manit Rastogi and Ar. Sonali Rastogi of Morphogenesis talk about their design journey, philosophy and their recently launched book
Creative Corner
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Using furniture design Mihir Fyzee crafts marvels which replicate the essence of nature and also derive inspiration from machines
Store Alert
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Kohler Co. opens its first ever Indian experience centre in New Delhi
Exclusive Interview
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Vaishnavipratima Kodakalla of the Vaishnavipratima –The Interiors Studio talks about her design Journey and Studio
Take 5
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Ar. László Földes of Földes Architects divulge finer aspects about his design and other interests
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AUGUST 2017
ANGSANA BALACLAVA | ST. REGIS RESORT & SPA MAURITIUS | FOUR SEASONS RESORTS HUALALAI | COCO PRIVE MALDIVES | FAIRMONT SANUR | W HOTEL SCOTTSDALE | INTERCONTINENTAL MUMBAI | THE ORCHARD AT PEORA ESTATES UTTARAKHAND | CONRAD MALDIVES | DATAI LANGKAWI | ANGSANA MAURITIUS | CE LA VI HONG KONG | PARK HYATT DUBAI | BANYAN TREE JAPAN | WESTIN LANGKAWI | WESTIN UBUD | THE SAVOY SEYCHELLES
Warisan South India
Warisan North India 756 Asiad Village, Makhan Singh Block New Delhi (110049), India call +91 1149053666 phone +91 9971648008 email warisandelhi@gmail.com abhi@warisan.com
#1327,13th Cross, 2nd Stage, Indiranagar Bangalore (560038), India phone +91 9620248017 email anoop@warisan.co.in
www.warisan.com
EDITOR’S DESK
August 2017
CHIEF EXECUTIVE OFFICER Bharat Sethi bharat@idecorama.com EDITOR-IN-CHIEF Kashmira Pathare kashmira@idecorama.com
form, function &
nature
N
ature has been a major driving force in the field of architecture and design. Most of the contemporary and sustainable design solutions and approaches have been derived from Mother Nature and her creations. One such innovative approach is of ‘Biomimicry’ which studies nature’s best ideas and then imitates these designs and processes to solve human problems. In our cover story, we take a look at the Harbin Opera Project based in Heilongjiang province, Northeast China, which has been designed using the tenets of this concept. Apart from this, we also bring to you some exceptionally designed projects from India and abroad. Adding a new dimension to the concept of retail stores, URA Studio creates a quirky design for Midnight Express’s latest outlet located in Turkey. Woods Baggot Architects design a collaborative workspace for Brookfield Multiplex in Perth. In an interview with iDecorama, Vikas Oberoi, Chairman & Managing Director, Oberoi Realty speaks about his project Enigma, nestled in the vast green expanse of Mulund, Mumbai. Studio Woods designs a restaurant based on a cycling theme in Gurgaon. This apart, architect duo, Manit Rastogi and Sonali Rastogi of Morphogenesis talk about their design journey and philosophy, whereas furniture designer Mihir Fyzee gets featured in Creative Corner. Furthermore, we take you on a visual tour of Kohler’s first ever Indian experience centre recently launched in New Delhi. With these, the edition also covers some new and interesting projects, interviews, products, news and views of the industry to keep you entertained and updated. Happy reading! Kashmira Pathare
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BUSINESS DEVELOPMENT Rushi Vyas rushi@idecorama.com Grishma Shah grishma@idecorama.com EDITORIAL Faustina Johnson faustina@idecorama.com Vikas Bhadra vikas@idecorama.com Nisha Shukla nisha@idecorama.com CIRCULATION Neetu Varghese DESIGN Hari Mohan PUBLISHER Charan Bir Singh Ranotra PUBLISHED AND PRINTED Printed and published by Charan Bir Singh Ranotra on behalf of Growpal Infotech Private Limited, printed at Dhote Offset Technokrafts Pvt. Ltd. 2nd Floor, Paramount Estate, Plot No 5a. Off Aarey Road, Near Kotkar Estate, Dindoshi village, Goregaon (E), Mumbai- 400063 Maharashtra and published at Growpal Infotech Private Limited, 427 Laxmi Plaza, Laxmi Industrial Estate, New Link Road, Andheri West, Mumbai 400053. Growpal Infotech Private Limited does not take responsibility for returning unsolicited publishing material. All opinions expressed in the magazine solely belong to the author and does not reflect the views of the editor or publisher. Although the published information is verified, the publishers do not take responsibility for accuracy of the articles. No part of this publication may be reproduced without the explicit consent of the publishers. Subject to Mumbai jurisdiction only. FOR GENERAL ENQUIRIES: team@idecorama.com FOR BUSINESS ENQUIRIES: partner@idecorama.com FOR SUBSCRIPTION: subscribe@idecorama.com
COVER STORY
The external view of the plaza which leads to the theatre
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realm of nature
COVER STORY
in the
From animals to plants, humans have used elements of existence as an inspiration for their architectural creations – one of the most popular entry in this classification is – The Harbin Opera House based in Heilongjiang province, Northeast China
Photo Courtesy: Adam Mork AUGUST 2017
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COVER STORY
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If the design is sustainable, it responds to its surroundings in a harmonious way. In Bio-mimicry nature in its raw form is replicated in design
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G Ar. Ma Yansong, Founding Principal, MAD Architects
The creative endeavor of Biomimicry in architecture and design is better understood through the lenses of Biomorphism, more so because the end product needs to be pleasing and functional 22
AUGUST 2017
The ambient light flows in through the glass facade
Photo Courtesy: Hufton + Crow
ood architecture and design are the keywords of a sustainable future. And if the design is sustainable, it responds to its surroundings in a harmonious way. In Bio-mimicry nature in its raw form is replicated in design. The creations tend to use the form and outline - of plants, florets and insects in response to the query at hand. Even cellular patterns of the plantae and animalia kingdom have acted as creative triggers in the realm of the subject; and the resulting caricature is eclectic yet timeless. In the built environment the tenets of Bio-mimicry are used to solve complex problems and design efficient systems. The creative endeavors of Bio-mimicry in architecture and design is better understood through the lenses of Bio-morphism, more so because the end product needs to be pleasing and functional. Bio-morphism imitates nature in decorative forms and symbolically. Alvar Alto, Isamu Noguchi, Frank Lloyd Wright and Le Corbusier are a few stalwarts who embraced Bio-morphism to good effect. The animalistic interpretations in Bio-morphism were always existent, however with time it led to the evolution of Zoomorphic architecture. Unlike Bio-mimicry which connects with Arthropods, Chlorophytes and
COVER STORY The project is spread across 85,0000 square feet
Photo Courtesy: Hufton + Crow AUGUST 2017
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COVER STORY The spiral staircase inside the plaza seems to snake around leading one directly to the parking area
Photo Courtesy: Hufton + Crow
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Designed by MAD Architects the shape of the project which is predominantly reptilian is in direct response to its surroundings
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”
their cousins alike; in zoomorphism the animal forms are used as the inspirational basis and blueprint for architectural design. In zoomorphism the posture and the body language of the creature in question tends to initiate the creative dialogue. Like for example a dog would curl up - displaying a typical posture especially in winters, this posture will however undergo a change when the environment is sultry. In India most of the heritage temples have animal carvings etched in their pillars and walls. A full scale project derived from zoomorphism may be difficult to find in India but globally it has caught the designer’s attention.
In all fairness, a recent project which seems to gratify most of the arguments discussed above is the Harbin Opera House in China. Designed by MAD Architects the shape of the project which is predominantly reptilian is in direct response to its surroundings. The interiors too have significant typology which closely resemble the anatomy of a snake. The mere mention of a serpent may scare people and bring to mind frightening images. But hang on, the trajectory is quite different out here! A key cultural hub in Northeast China, Harbin is the capital and largest city of Heilongjiang province. The region is known for its bitterly
COVER STORY The interiors reflect a symbiosis between different materials in a creative way
The lights emanating from the glass panels form a stunning allegory with the white aluminum panels in place
Photot Courtesy: Adam Mork
Photo Courtesy: Adam Mork
cold winters and often regarded as the Ice City. MAD Architects took note of this climactic synergy while designing the opera. In the words of Ma Yansong Founding Principal, MAD Architects “We envision Harbin Opera House as a cultural centre of the future - a tremendous performance venue, as well as a dramatic public space that embodies the integration of human, art and the city identity, while synergistically blending with the surrounding nature.� AUGUST 2017
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COVER STORY The opera has been constructed on the wetland which surrounds the Songua river
Photo Courtesy: Adam Mork
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The opera house encourages visitors to explore its curves; the curvilinear façade leads to an observation deck and an amphitheatre
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The external façade of the opera looks akin to a nesting snake in a coiled and tranquil mode. The smooth white aluminum panels aid the idea of tranquility and merge effortlessly with the surrounding, more so, when it snows heavily in this area. The arrangement of the panels brings to mind the scales of a resting snake. Likewise the facade composed of glass pyramids in a diagonal framework serve as a visual allegory of the nest in place. These pyramids are water tight, transparent and resistant to strong
winds and pressure. The use of silicone sealants facilitates a proper bonding between glass and aluminum. The opera house encourages visitors to explore its curves; the curvilinear façade leads to an observation deck and an amphitheatre at the top of the building. A ramp connected to the plaza facilitates this journey. Enclosed in the hood of the serpent, the plaza consists of a series of steps which seem to snake around leading one directly to the parking area. The opera consists of a grand
Photo Courtesy: Adam Mork
The soundproof glass in the small theatre provides a naturally scenic backdrop for the performances
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COVER STORY The foreplay of light in the small theatre likens the walls to the scales of a serpent on the move
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Within the second, smaller theater which can accommodate 400 people, the interior is connected seamlessly to the exterior by the large, panoramic window behind the performance stage
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Photo Courtesy: Hufton + Crow AUGUST 2017
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COVER STORY
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AUGUST 2017
COVER STORY
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A panoramic view of the grand theatre with the stage in center likens it to the pharynx of a snow snake; the backdrop of the seating arrangement reinforces the ophidian ideologue further
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Photo Courtesy: Adam Mork
COVER STORY The glass pyramids are watertight, transparent and resistant to strong winds and pressure
Photo Courtesy: Adam Mork
The external facade dons a scaly appearance
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The facades composed of glass pyramids in a diagonal framework serve as a visual allegory of the nest in place. These pyramids are water tight, transparent and resistant to strong winds and pressure. The use of silicone sealants facilitates a proper bonding between glass and aluminum
�
The filtered sunlight creates patterns on the reflective floor
Photo Courtesy: Hufton + Crow
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Photo Courtesy: Hufton + Crow
COVER STORY The external view showcasing the animalistic interpretation
Photo Courtesy: Hufton + Crow
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The external façade of the opera looks akin to a nesting snake in a coiled and tranquil mode. The smooth white aluminum panels aid the idea of tranquility and merge effortlessly with the surrounding
”
and a small theatre. The grand theatre can seat 1600 people; it is clad in rich wood, emulating a wooden block that has gently eroded away. Sculpted from Manchurian Ash, the wooden walls gently wrap around the main stage and theatre seating. From the proscenium to the mezzanine balcony, the grand theatre’s use of simple materials and spatial configuration provides worldclass acoustics. The grand theatre is illuminated partly by ambient light which flows in through the skylight. A panoramic view of the grand theatre with the stage in the centre likens it to the pharynx of a snow snake; the backdrop of the seating arrangement reinforces the ophidian ideologue further. Within the second, smaller theatre which can accommodate 400 people, the interior is connected seamlessly to the exterior by the large, panoramic window behind
the performance stage. This wall of sound-proof glass provides a naturally scenic backdrop for performances and activates the stage as an extension of the outdoor environment, inspiring production opportunities. The foreplay of light in the small theatre through the glass façade likens it to the scales of a serpent on the move. Most of the opera houses disseminate palpable stories of sadness, despair, hope and victory. Titans and pantheons converge to deliver the importance of our existence as living beings; in this entire conundrum the space is but a silent observer much unlike the Harbin Opera; a symbolic allusion of existence which thinks, eats, lives and sleeps.
Text Courtesy: Vikas Bhadra AUGUST 2017
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WINDOW SHOP
The recently opened Midnight Express store in Turkey is located in Bebek, a trendy spot along Bosphorous
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WINDOW SHOP
Initially started as a concept store, the constant public attention and admiration Midnight Express received turned it into one of Turkey’s most loved brands
converging time-lines Located in Bebek, a trendy spot along the Bosphorous in Turkey, Midnight Express exudes a unique synthesis of ethnic values and contemporary design
T
here are certain spaces in the world which epitomize diversity of epic proportions; largely owing to its architecture, history, inhabitants and its continual dialogue with the global diaspora. Turkey is one such nation; a favorite in the international traveler’s itinerary it represents a confluence of European and Asian influences. This status quo has made Turkey a favorite with the international design labels; it also offered them a saleable market for the franchise they designed. With passing time and increasing globalization this trend intensified. In this ongoing conundrum of brands and labels Designer Bora Mumcu and her architect husband Tayfun Mumcu incepted Midnight Express a concept store which offers men’s wear, women’s wear and jewelry. The store includes a concoction of exclusive home grown products and a few international labels, the products come from many Turkish and international designers who don’t have their own boutiques. Bora Mumcu who runs the store with designer Daniela AUGUST 2017
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WINDOW SHOP
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Midnight Express was started in 2008, in a short span of time the immense popularity it garnered led to inception of its multiple outlets
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Ipekel also designs a more casual Midnight Express line, offered only at the stores. Midnight Express was started in 2008, in a short span of time the immense popularity it garnered led to inception of its multiple outlets - two are located in Istanbul, the other two in Bodrum and Alaçatı respectively. Initially started as a concept store, the constant public attention and admiration Midnight Express received turned it into one of Turkey’s most loved brands. For a brand which focuses on indigenous products the nomenclature is a paradox. It may bring to mind the numerous transportation services made available at an intracity or an inter-city level however that would be a misconstruction. The name is derived from a biographical movie
Team URA Studio - From (L-R) Ayse Nur Karaaslan Designer/Project Architect,Handan Yalkı, Designer/Project Architect/Office Director and Emir Uras Founder & Director
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released in 1978. Based on Billy Hayes, an American student sent to a Turkish prison for smuggling hashish out of the country, the movie invited a great deal of resentment for its portrayal of Turkey as a nation. The recently opened Midnight Express store in Turkey is located in Bebek, a trendy spot along Bosphorous. Bosphorous, a 32 km long north-south strait joining the Sea of Marmara with the Black Sea in Istanbul is well-known for its cafes and stores along the waterfront. Water has always been a subject of importance in an arid region like Turkey. The affinity of the Turkish culture towards blue is attributed to the fact that it represents water. Hence when when URA Studio decided
WINDOW SHOP
The arrangement of the products in this store adds to the element of beauty in the interiors AUGUST 2017
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WINDOW SHOP The store offers bespoke clothing and jewellery
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WINDOW SHOP
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It was essential for the designers to illumine the space using a considerable amount of artificial light. This led to the use of directional spotlights and customized lighting. Customized lighting was used in the jewellery section in each display unit to accentuate the preciousness of the product
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AUGUST 2017
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WINDOW SHOP The island counter desk is built up of wooden boxes
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The store offers clothing and jewellery so it was essential for the designers to segregate this space appropriately. The centre point of this segregation is the island counter desk built up of wooden boxes 38
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AUGUST 2017
to design the interiors of the new Midnight Express outlet, the foreplay of blue was an imminent feature of the interior design. The aquatic affiliation was achieved using wooden slats painted in blue. Complementing this blue landscape is the Terrazzo flooring and the ceiling painted in grey. Given the darker tones used in the interiors it was essential for the designers to illumine the space using a considerable amount of artificial light. This led to the use of directional spotlights and customized lighting. Customized lighting was used in the jewellery section in each display unit to accentuate the preciousness of the product. The arrangement of the products in the store makes it appear even more beautiful. The store offers clothing and jewellery so it was essential for
the designers to segregate this space appropriately. The centre point of this segregation is the island counter desk built up of wooden boxes. One of these boxes cleverly conceals an airconditioning unit. The counter doubles up as a display unit and a transition area between the main space and the privatized jewellery section. The jewelry section is separated by a huge double winged door. It exemplifies a minimalistic appeal with comfortable seating. Ample space has been provided for the client to move around and focus on the glass boxes featuring the precious franchise. The foreplay of blue, black and grey likens this space to a quaint corner designed for mesmerizing conversations. The ceiling in the jewellery section accommodates
WINDOW SHOP The jewellery section is separated by a huge double winged door
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The store includes a concoction of exclusive home grown products and a few international labels
�
another air-conditioning unit which keeps the surrounding cool and calm. Every brand tells a story which turns people into patrons. And in a nation like Turkey this includes indigenous tribes and expatriates. Given this backdrop, URA Studio has successfully fused ethnic attributes with contemporary design at Midnight Express; and the resulting design communicates effectively with both the segments. Text Courtesy: Vikas Bhadra
Inside the jewellery room ample space has been provided for the client to move around and focus on the glass boxes featuring the precious franchise
AUGUST 2017
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DESIGN DESK
The central hub is the heart of the fitout and houses the reception, waiting lounge, kitchen and cafe lounge
DESIGN DESK
“
We used a lot of glass to create open spaces and enable more visibility between staff members, It was really about moving away from the silo style environment of their previous workplace
Melanie Porrins, Woods Baggot Associate and Lead Designer
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streamlined
collaboration Woods Baggot Architects design a collaborative work space for Brookfield Multiplex, a global company engaged in providing end-to-end property and construction solutions
M
odern workspaces are essentially modern because they profess effective communication between the diverse set of human co-ordinates in the office space. And the role of design in this entire gambit is paramount. When Woods Baggot Architects were commissioned to design the office space for Brookfield Multiplex in Perth Australia, the client brief was similar. Melanie Porrins, Woods Baggot Associate and lead desiger says “Encouraging better AUGUST 2017
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DESIGN DESK
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Better communication and interaction between the staff members and improving operational performance were key factors in the client’s brief. It was important that the design brought people together and increased teambased efficiency with better space equality
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communication and interaction between the staff members and improving operational performance were key factors in the client’s brief. It was important that the design brought people together and increased team-based efficiency with better space equality. The client brief also sought a high-quality fit out with an industrial feel focused on a minimalist, understated outcome, which promoted comfort for users and guests.” The office space tends to espouse a level of comfort ideally found in residential and hospitality spaces. Thereby it also tends to blur the lines between a commercial and hospitality project. This design approach was in tandem with Multiplex’s desire to create a space that is polished and professional but also down to earth and appreciative of good design and artistry. The new office design reverberates a lot of openness “We used a lot of glass to create open spaces and enable more visibility between the staff members,” says Melanie, “It was really about moving away from the silo style environment of their previous workplace and into a space that was 42
AUGUST 2017
A connection to nature was also important to the client, with eco-friendly selections and living elements integrated into the fitout
The redesigned office space moves away from the silo style environment and turns it into a sociable space
DESIGN DESK
Open plan work points are interspersed with large numbers of discussion points, meeting zones and quiet individual working spaces AUGUST 2017
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DESIGN DESK
The floating desk was about creating a showpiece that created a visible entry point and invited people into the space
much more sociable. The central hub is the heart of the fit out and highly visible – it houses the reception, waiting lounge, kitchen and cafe lounge. The showstopper in this design scheme is a 10-metre long cantilevered counter which acts as a concierge desk on one side and a kitchen hub on the other. It demonstrates the prowess of Multiplex as a builder, and creates a memorable entrance point. The project is interspersed with large numbers of discussion points, meeting zones and quiet individual working spaces that are more private and enclosed. Regular workspaces were set up for staff members who did not require agility in their role. Project teams, which expanded and contracted depending on the project had 120-degree workstations with a more organic layout. It enabled them to move more seamlessly between groups. A number of sit-to-stand work points were supplied to cater for staff who required the additional flexibility in height. 44
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Concrete floor slabs have been buffed and polished with loose floor rugs and carpet inserts providing softer finishes and aiding in acoustic attenuation
DESIGN DESK Bringing people together, supporting interaction and increasing efficiency in a team based, club like environment were some of the key factors on the designers mind
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Apart from the openness it imbibes the office interiors tend to espouse ecosensitivity. Ecofriendly selections and living elements were integrated into the fit-out to soften the space. A typical specie of cactus was integrated in the design scheme
The large nine-inch video display screen provides site connectivity for Multiplex
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The office space features a large nine screen, 55-inch TV set which broadcasts live operational feeds from different Multiplex sites across the world, thereby it facilitates the Perth HQ to communicate with satellite offices and building sites. It also brings people together within the fit out by screening special events on a large scale and providing space for large functions and company launches. Apart from the openness it imbibes the office interiors tend to espouse eco-sensitivity. Eco-friendly selections and living elements were integrated into the fit-out to soften the space. A typical specie of cactus was integrated in the design scheme. The integration of this plant is a pleasant reminder of Multiplex’s roots and its ongoing journey. A number of shelving units and office furniture were customdesigned by ace Australian designer Jon Goulder. Natural daylight flows into the office space from different sides. The rest was balanced with artificial lighting. Known as the “fingers of light”,
The design aims was also to increase transparency and remove individual offices to provide significant shared spaces
DESIGN DESK
Multiplex wanted the space to reflect its culture and approach; one that is polished and professional but in a down to earth manner and appreciative of good design and craftsmanship
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DESIGN DESK
Rugs were included in front-of-house areas to reinforce the idea of hardiness and strength – a defining feature of the Multiplex brand
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The office space tends to espouse a level of comfort ideally found in residential and hospitality spaces. Thereby it also tends to blur the lines between a commercial and hospitality project
”
LED strips, extend beyond the pared back ceilings over the work points; besides this individual task lighting at each desk, gives the end user control over their individual lighting requirements. The entire setup creates an ambient drama within the space where the lighting levels go up and down as you move through – much like the way lighting works in residential and hospitality environments. The ceiling responds to the interior segregation achieved, it has been strategically revealed. The pared back ceiling flows over the workplace areas and then pulls back at the front-ofhouse spaces distinguishing it from the workplace areas.
The new workplace brought about a complete change in Multiplex’s cultural and social dynamic. Previously everyone had an office, where staff and management were shut off from each other and did not support collaboration in any way. Now Multiplex’s culture has completely shifted with workers embracing a more connected, interactive and sociable way of working. Through maximising open office space, increasing transparency and removing individual offices Woods Baggot were able to provide significant shared spaces which promoted a positive collaboration and in turn an improved operational efficiency. Text Courtesy: Vikas Bhadra AUGUST 2017
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ON DISPLAY Enigma by Oberoi Realty sculpts a new way of life, with refined living spaces that spell luxury
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ON DISPLAY
luxury
the pinnacle of
iDecorama catches up with Vikas Oberoi, Chairman & Managing Director, Oberoi Realty for an insight on Enigma, two luxurious highrises based in Mulund with expansive 3BHK and 4BHK apartments What according to you is the brand USP of Oberoi Realty?
Enigma carefully takes into account the taste of the global Indian
As a company, we manage a portfolio spanning across residential, commercial, retail, hospitality and social infrastructure projects. We cater to the discerning home buyer who has experienced the global lifestyle and aspires to live the same at home. Over the last 30 years, our high end residential projects have always stood for an upgraded lifestyle and have been well received by our customers. Therefore, our primary focus has always been on building premium projects with distinctive designs, functional aesthetics and quality construction. Additionally, a proven track record of delivering quality developments have encouraged us to continuously evolve as a company and create spaces which enhances the customer’s lifestyle. As a brand, we are known for developing innovative projects through our emphasis on contemporary architecture, strong project execution and quality construction. AUGUST 2017
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ON DISPLAY
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Enigma epitomises the luxurious lifestyle that Oberoi Realty is known for. This vast 9-acre plot located on LBS road has the best of both worlds – the holistic, tranquil and serene influence of nature, coupled with all the luxuries of modern living
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Vikas Oberoi, Chairman & Managing Director, Oberoi Realty
ON DISPLAY Tell us more about Enigma by Oberoi Realty Nestled in the vast green expanse of Mulund, Enigma epitomises the luxurious lifestyle that Oberoi Realty is known for. This vast 9-acre plot located on the LBS road has the best of both worlds –the holistic, tranquil and serene influence of nature, coupled with all the luxuries of modern living. We have collaborated with the leading names in construction and design to bring in superlative design, world-class amenities, functional aesthetics and quality construction. Enigma comprises of two luxurious high-rises with expansive 3BHK and 4BHK apartments overlooking the Western Ghats on one side and the waterways on the other. The development is well connected to surrounding areas like Navi Mumbai, Thane, South Mumbai and Western Suburbs of Mumbai. The location also provides easy access to all relevant social infrastructure like educational institutions, hospitals, amusement hubs, restaurants, shopping malls, hotels and more. The project will comprise of welldesigned club-houses and leisure zones with world class amenities. It also offers an enhanced living experience to its residents and intends to be the ultimate statement of luxury
Masterfully crafted spaces that enhance the quality of your life
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Enigma comprises of two luxurious high-rises with expansive 3BHK and 4BHK apartments overlooking the Western Ghats on one side and the waterways on the other
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Everything at Enigma has been finely thought through to create a space that meets all the contemporary needs of a well designed home
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ON DISPLAY Pen down your thoughts or simply settle with your favorite book; Enigma offers the perfect space to enjoy some quality time
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In our effort to offer our homeowners the best from across the globe, we have always partnered with leading international and local consultants who bring their rich expertise and diverse experience into our projects
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in this eastern suburb. In addition to being a home to world-class luxury and style, this project is also setting an example for green buildings, with its LEED pre-certification and its commitment to fulfilling the LEED requirements.
are involved in the project as structural and geo-technical consultants respectively.
Does Enigma involve the participation of global architects and designers?
Enigma offers chic and spacious homes that come with the finest fixtures and fittings. Wide-open play areas for children, long jogging tracks and expansive walkways leading to verdant gardens and enchanting views Enigma is luxury personified. The clubhouse boasts of a host of features which includes swimming pools, squash courts, launderette, daycare centre, salon, gymnasium, steam rooms, yoga/meditation room, café and a multi - purpose hall. Take a dip in the pool, workout at the gym or play an exciting sport; Enigma is a perfect getaway from the hustle and bustle of the city.
In our effort to offer our home-owners the best from across the globe, we have always partnered with leading international and local consultants who bring their rich expertise and diverse experience into our projects. In Enigma too, we have collaborated with some leading consultants. Singapore-based architects, HB Design are the architect & design partners for the project along with L&T and Capacit’e Infraprojects Limited (CIL) as construction partners Add to this LERA Consulting, New York and LANGAN International, USA who
What are the dedicated spaces and other amenities made available with Enigma by Oberoi Realty?
ON DISPLAY
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We prefer to partner with organisations that have local expertise which would further help us to create projects that combine a distinct local flavour with the Oberoi Realty advantage of consistent delivery, world-class design and high-quality construction
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Oberoi Realty has a track record of success in Mumbai; do you wish to explore other locations too including international locales? At Oberoi Realty we offer projects that are modern, ahead of time and benchmarked against the best global trends & practices. So far we have developed over 39 projects across the Mumbai skyline with another 21.55 million sq. ft. in the making, In the future we will continue to develop projects across various parts of Mumbai; we also remain aggressive about any opportunity that may arise in the other regions. At Oberoi Realty we work with the best in the industry for construction and design; and approach all our projects with equal passion and commitment. We are open to explore opportunities that resonate with our philosophy of creating spaces that enhance the quality of life. We prefer to partner with organisations that have local expertise which would further help us to create projects that combine a distinct local flavour with the Oberoi Realty advantage of consistent delivery, world-class design and high-quality construction.
Singapore-based architects, HB Design are the architect & design partners for the project along with L&T and Capacit’e Infraprojects Limited (CIL) as construction partners AUGUST 2017
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ciclo calling 54
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CREATIVE PALATE The steel-framed glass windows at the entrance offer you an enticing view of the interiors
restaurant is keen to grab your Tour De France on your mind or may be not but this 29, Gurgaon, the new kid on eyeballs and gratify your taste buds. Based in Sector of this newly designed eatery the block is called - Ciclo CafĂŠ; the thematic interiors d on the palate, lets dig in! is a feast for the cycling enthusiast apart from the foo AUGUST 2017
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The space pays an ode to the cycling enthusiast
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From L- R : Navya Aggarwal, Vrinda Mathur and Sahej Bhatia
I scanned the street one last time, and Ciclo Cafe flashed into my vision with an unfamiliar facade. One look at the aquamarine and white storefront, and I breezed right into the single best decision all day that day
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sweat-soaked friday afternoon found me in the gracious refuge of Ciclo Cafe in Sector 29, Gurgaon. My legs swinging happily from my tall stool, my teeth sinking readily into an exquisite mango tart, I felt quite content, and playfully deconstructed my beeline scramble into the one restaurant I did not know on this street. The full street view through the steel-framed glass window store front was my first clue: I was practically sitting on an open verandah, except, I had the full, cooled insulation of the four walls around me. It was a long, long day, and all I had needed was a brief respite. I was faced with a street full of fortified restaurants with their extravagant exteriors, which intuitively put me off. Tired, I may be, but I was not ready to crawl into the darkness, yet. I scanned the street one last time, and Ciclo Cafe flashed into my vision with an unfamiliar facade. One look at the aquamarine and white storefront, and I breezed right into the single best decision all day that day- I looked right through Pranskter Cafe and its fruitydelicious house brew located right next door.
Photo Courtesy: Ravi Kulsreshtha AUGUST 2017
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In order to open up a light well into the basement, the floor was core cut and a metal and wood staircase was designed
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I have come to call it the pastel steampunk, for want of a better phrase. Chandeliers with fringes framed in cycle gear wheels greet you up the ramp into a reception area. Over the reception hangs an elaborate and almost gothic chandelier fashioned from trailing laces of cycle chains
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If the rest of the eating stops in Sector 29 stand out with their unmistakable, glamorous veneers, this restaurant stands out exactly because it is not flashy. And it’s muted palette abounds with innovative and subtle nuances built into the theme of cycling, as the name suggests. The end effect is unique, something I have come to call it the pastel steampunk, for want of a better phrase. Chandeliers with fringes framed in cycle gear wheels greet you up the ramp into a reception area. Over the reception hangs an elaborate and almost gothic chandelier fashioned from trailing laces of cycle chains, looking down on the handlebar desk, which doubles up as the reception. To the left is the semi-open space where I rested, dotted with wood tables that had been embedded with chunks of glass in which gears, ball bearings, spanners and other paraphernalia are frozen. “A bright yellow wall with a circular cutout, framed with multiple cycle wheels was designed to let in more light from the front façade”, says Navya,
one of the collaborative mastermind at Studio Wood, who designed this space, “It is this unique balance of the inside and outside that adds on to the ambiance in unpredictable ways.” “We were nervous about how people will take to the concept, in Delhi. People seemed intrigued when we told me about this project, and we hoped that the reception will be similar to The Ciclo Cafes in other cities like Hyderabad and Chennai,” Vrinda tells me. With its collaborative energy, Studio Wood, made up of Navya Aggarwal, Vrinda Mathur and Sahej Bhatia, is redefining what it means to be creative and innovative in today’s world. “Growth at an individual level is so much more . You learn so much off each other. You see what they are doing correct and note it down and try to make that a habit,” Navya gushes. The ground floor is sectioned into the glass fronted verandah, and a dining area, with a bakery and a bar placed alongside. The café also offers cycles (for beginners and professionals) for sale and rental
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The ground floor is sectioned into the glass fronted verandah, and a dining area, with a bakery and a bar AUGUST 2017
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Apart from steel and concrete; bamboo, cane, and oakwood all blend into a delicate balance
With chai-coloured leather sofas and a dedicated energy-drink corner, the basement looks like the ideal adrenaline-buzzed hangout
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basis, apart from cycle parts, addons and other gear assembled from across the globe. other materials used in the design, apart from steel, are concrete, bamboo, cane and oakwood, all blending into a delicate balance. Like I said, raw, steampunk aesthetics, freed from its clunkiness. The printed tiles on both levels add to the carefree ambience, and are reminiscent of a Tuscan-style casa. The sea-blue facade, therefore, finds graceful continuity, and is reiterated in the stools, and the upholstery. “In order to open up a light well into the basement, the floor was core cut and a metal and wood staircase was designed for the same,� Vrinda points out, explaining how the light is somehow carried into the basement. The basement is another story altogether. With chai-coloured leather sofas and a wide range of bicycles, rows of sturdy cycling clothes, and a dedicated energy-drink corner, the basement looks like the ideal adrenaline-buzzed hangout. I could just imagine preposterous cycling stories being shared over mugs of coffee and energetic laughter. The refurbished metal sheets that usually find themselves fashioned into cycle chains find an apt resting place in the ceiling of both the levels, creating a smooth continuity between the two. If the ground floor is a breezy quick-stop on your way elsewhere, the ground floor is a mellow invite into its roomy sofas, for a long, caffeinated conversation. The magic that makes these two levels somehow flow into each other is abundant throughout the design, making the myriad materials come together into a comprehensive aesthetic whole. I take particular care to emphasise this- it is one thing to make a restaurant innovative and engaging, and a completely different ball game when it comes to creating a space that isn’t so done up that it is distracting. Coming from the young designer trio, this in itself is an incredible achievement, and hints at the power and joy of collaboration and creative dialogue that drives Studio Wood.
Chandeliers with fringes framed in cycle gear wheels greet you up the ramp into a reception area
Text Courtesy: Faustina Johnson Photo Courtesy: Saurabh Suryan & Lokesh Dang AUGUST 2017
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DESIGN TALES Traveler’s House, New Delhi
Photo Courtesy: Edmund Sumner
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DESIGN TALES
design
pioneers of sustainable
Architect duo, Sonali and Manit Rastogi, of the leading Indian architectural firm, Morphogenesis, stress on the need to evoke and make traditional wisdom and passive design approach an integral part of contemporary architecture in an interview with Nisha Shukla
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orphogenesis is one of the India’s leading and award-winning Architecture and Urban Design practice with offices in New Delhi and Bengaluru, India. Founded by architect duo Manit Rastogi and Sonali Rastogi in 1996, this architectural practice views design as a result of different stimuli, ranging from climatic conditions, urban fabric, local and global traditions and human activity. The firm provides design solutions in varied sectors including residential, commercial, hospitality, corporate offices, institutional and public spaces which have won them recognition and accolades both in India and abroad. The architectural firm specialises in deploying passive strategies which respond to the local climate and ecology and addresses sustainability, affordability, issues of identity and liveability parameters, and are also mindful that projects remain economically viable and globally pertinent. In the following interview, the architect duo talks about their design journey, philosophy and their recently launched book.
What inspired you both to take up architecture as a profession? SR: I come from a family of architects. It’s what I saw ever since I was a child and as my
parents worked from home for the early part of my childhood, I literally grew up among architects. That itself was my inspiration. Other than that, I have always had a serious interest in reading, model making as well as observing buildings when I travelled, so these things put together supported my interest. Essentially that is the starting point of why I chose to be an architect. MR: I have always lived in various parts of the world due to the nature of my father’s profession. My entire family consists of engineers, so I always found myself in construction sites right from childhood and was intrigued by the profession of architecture / engineering.
How has your journey been in the field of architecture? MR: We started Morphogenesis in 1996 as a two-person practice working out of a tiny garage. In the midst of a paradigm change in the nascent liberalized economy of the nineties, this decision to set up Architectural practice was a poignant one. Today, we are a collaborative of 130 people with our work spread across South Asia and Africa, the global recognition of our work cementing our faith in our vision. It has been a fruitful, rewarding 20 years. AUGUST 2017
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DESIGN TALES L to R - Ar. Manit Rastogi & Ar. Sonali Rastogi
Photo Courtesy: Jatinder Marwaha
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We started Morphogenesis in 1996 as a twoperson practice working out of a tiny garage. In the midst of a paradigm change in the nascent liberalized economy of the nineties, this decision to set up Architectural practice was a poignant one
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Today, Morphogenesis sees itself as an institution in perpetuity – a living, thriving ecosystem, a repository of data, information, knowledge and wisdom.
Who have been your mentors? SR: After completing our architecture studies at The School of Planning and Architecture, Delhi, we spent a long stint at The Architectural Association, London where Manit pursued his interest in the study of nature, evolution and design processes in association with John Frazer. He also acquired a degree in Energy and Environment Studies with Simos Yannas. I studied Housing and Urbanism with George Fiori as well as studied at “The Design Research Lab” with Jeff Kipnis. Bringing together our bouquet of interests we started Morphogenesis in 1996 with a vision of contributing to the definition of a sustainable architecture for contemporary India, for a generation that we termed as a “people of almost somewhere”.
What has been your biggest source of inspiration? MR+SR: Our design approach has often been inspired by the vast repository of historical wealth of building knowledge and the strong arts and crafts traditions of the region. Sustainability beyond purely energy consciousness- to encompass environmental, social, cultural and financial, has elicited varied architectural responses from us, which sit within our investigation into architecture through three pillarspassive design, resource optimization and contextual identity.
Tell us about your design philosophy? MR+SR: The main question that continues to pervade our design philosophy is the notion of how do we redefine sustainability by thinking systemically? How do we celebrate identity and diversity versus homogeneity, how do we think of our buildings and cities as Bazaars (places of human interaction) rather than
DESIGN TALES Architect’s Residence
Photo Courtesy: Jatinder Marwaha
only as Machines (places of human habitation), how do we redefine our urbanism as an emergence of interwoven networks?
Harley Davidson Corporate Office, Gurgaon
Describe your style of designing. MR+SR: At Morphogenesis, we understand that we are working in an environment with limited resources. We believe that climate or ecological or environmentally sensitive architecture is no more an option, or a “layer” that can be applied to the design of a building; it is inherent and integral to the process of design, from concept to completion and to the full life cycle of the building. Our approach, simply put, is to think “NO IS MORE” – we begin any design process by saying NO: We have no energy, no water, no waste disposal etc. and then begin to evaluate from first principles how to passively provide the basic fundamentals of comfort, safety, liveability and sustainability.
According to you, what is the most interesting/fascinating thing about architecture in India? MR+SR: What we are (or were) good at for a very long time is creating architecture that is not only highly sustainable but is also adaptive, affordable, imageable, liveable, socially
Photo Courtesy: Amit Pasricha AUGUST 2017
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DESIGN TALES and culturally responsive, and above all, built with very limited resources. In a world on the brink of environmental collapse, this is a highly valuable skill, and this is where we must focus all our issues related to the profession and education. The real question is how can we take what we were really good at and create a model for the future based on the present; where finance, globalisation and pre-conceived imageability currently take centre stage.
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One thing that your clients really appreciate about you? MR+SR: We have often been told by clients and people who walk in to the office that there is sense of great energy and a reflection of a can-do attitude that one imbibes by just standing there. Photo Courtesy: André J Fanthome
Delhi Art Gallery
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Our design approach has often been inspired by the vast repository of historical wealth of building knowledge and the strong arts and crafts traditions of the region
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Tell us in detail about your recently launched book?
Photo Courtesy: Edmund Sumner
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MR+ SR: The firm achieved a significant milestone in 2016, of having completed two decades of sustainability led design, and of having contributed to the understanding of sustainable design of the region. In recognition of this, Images Publishing Australia has published a monograph of the firm’s works, under their Master Architect Series, named ‘Morphogenesis: The Indian Perspective, The Global Context’. Today, forces of globalisation and technology have an increasingly marked effect, leading to an
DESIGN TALES ITC Park Boulevard (Fortune), New Delhi
Chettinad Health City Auditorium, Chennai
Photo Courtesy: PC Bharath Ramamrutham AUGUST 2017
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DESIGN TALES Soaltee Crowne Plaza, Kathmandu, Nepal
Photo Courtesy: Chinia Kaji Tamrakar
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Today, developments across India are designed with a layer of sustainability or ‘green’ superimposed on. However, there should be a conscious attempt to step away from this and incorporate passive approaches to design, right from conceptual and planning stages
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emergence of global aspirations and resultant expectations from Architecture. We believe that Architecture, Design and Urbanism as processes need to be in step with this radical shift. It is this bridge, between tradition and modernity, where the work of the practice is positioned. Thus, we like to think of our work as the Indian Perspective, in the Global Context, whence the name. We feel most strongly about sustainability, and sustainability not understood as purely energy, but environmental, social, cultural and financial sustainability. Through the last two decades, we have had the opportunity of engaging with the incredible diversity of people, culture, wealth and climate that these regions have had to offer. This has elicited varied architectural responses from us, which sit within an on-going dialogue and investigation into Sustainability through Passive Design, Resource Optimisation and Contextual Identity. These form the three chapters of the
book, explained through 26 diverse projects that sit within them.
Tell us about your upcoming projects? MR+ SR: We currently have a number of projects going on in the studio, of great diversity across typology, scale, climate and cost. The conscious choice of the firm to explore projects across this broad range allows for cross-pollination of ideas and propagates high levels of design innovation. Particularly exciting are the ones exploring new geographies, hence new local contexts that push our understanding of sustainabilityincluding a college in Bhutan and a residential township in Johannesburg. There is a public project under the umbrella of the Namami Gange Yojana where we have been commissioned to redesign the ghats and ancillary facilities along a significant stretch of the Ganga between Allahabad and Varanasi. We are also designing what is likely to be the world’s largest office
DESIGN TALES Traveler’s House, New Delhi
part of sustainable building design. Despite the tight site, climate and cost constraints, the building has turned out to be a landmark low-energy, selfsufficient institute. It is also special because of the global recognition it gave us, and consequently furthered the global discourse on contemporary Indian architecture.
Any historical monument/ building that has impressed you and inspired you?
Photo Courtesy: Edmund Sumner
MR+SR: Mehrangarh fort would definitely top the list for us when it comes to landmark structures. This stunning, fortified structure sits on a perpendicular cliff, four hundred feet above the sky line of Jodhpur. This red sandstone structure is planned with multilevel courtyards that are liberally scattered across the form. While most fortified structures are introverted in nature, the Mehrangarh fort looks at bringing in the stunning external views. These collection spaces form vantage points, which frame the haunting beauty of the city below, whilst being environmentally sensitive to the region and contextually contribute to the region’s identity. The fort truly celebrates the hierarchy of movement within space, by being able to smoothly
spaces for the Surat Diamond Bourse in Dream City, Surat.
Which project has been most memorable and has taught you an important lesson in practice? MR+SR: Every project has been a learning experience, but we would say that designing the Pearl Academy, Jaipur, was a milestone in our understanding of passive strategies towards implementing sustainable design. Budgetary constraints required us to critically re-evaluate our approach, forcing us to rigorously apply a “No is More” philosophy. Assuming we have no resources of energy or water, how then does one approach design? The project successfully dispels the myth of high cost being an intrinsic AUGUST 2017
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DESIGN TALES Traveler’s House, New Delhi
Photo Courtesy: Edmund Sumner
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DESIGN TALES
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Jindal Pipes Corporate Office, Gurgaon
We have often been told by clients and people who walk in to the office that there is sense of great energy and a reflection of a can-do attitude in its ambience
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choreograph movement at such a large scale.
Any notable change you would like to bring in Indian architecture? MR+SR: Traditional Indian Architecture has always been green, as interventions have always been built within a localized context – usually in response to not having access to abundant resources of water and energy. Today, developments across India are designed with a layer of sustainability or ‘green’ superimposed on. However, there should be a conscious attempt to step away from this system and incorporate passive approaches to design, right from conceptual and planning stages. Optimization of all services is a prerequisite to responsible architecture today.
Photo Courtesy: Amit Pasricha
India Glycols Corporate Office, Noida
What interests you outside work? MR+SR: Architecture is very much our hobby. Having said that, reading is a hobby, wine is a hobby, food is hobby. So, we both really enjoy eating and cooking. It helps that food and wine make an excellent setting for an intellectual engagement amongst peers, and in that way, it goes hand in hand beautifully with architecture as a hobby.
What advice would you give to design aspirants? MR+SR: As work and profession is concerned, Architecture & Design is a way of life and it calls for a lifetime of commitment and conviction. Be ready to immerse yourself fully!
Photo Courtesy: Edmund Sumner AUGUST 2017
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An ergonomically designed rocking chair crafted using teak wood
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CREATIVE CORNER The bird feeder was vaguely inspired by Lord of the Rings tree houses.
a chance
encounter Trained to be an engineer, designer Mihir Fyzee’s entry in the world of design was part intuition and part luck
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Most of Fyzee’s design derivatives have been inspired from nature and some from his professionally acquired love for machines including aircrafts
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s the radiance of the sun tones down, a welcome drizzle follows creating an aura filled with soberness and solitude. The atmosphere is perhaps just right to indulge in some design centric endeavors. And as I reach the office of Designer Mihir Fyzee, I find him in a similar mode. Gazing intensely at his laptop he is in the process of designing the next commissioned marvel – a tabletop which imitates the snow flaked landscape of the Himalayas. Fyzee is a trained Mechanical Engineer from the Binghamton University, NY. His expertise lies in
crafting hand crafted furniture. For anyone who understands the concept of mechanical engineering would agree that it prefers machine over men. Most of the batch processes and continuous processes which herald the world of industrial automation are partly attributed to mechanical sciences. So how come an individual draped in the framework of intense mechanization deviate towards an endeavor which is totally hand crafted? “When I was a kid I was very observant of the masons at work in my home, they would come to our place and work on commissioned pieces of furniture. I found their work to be
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Designer Miheer Fyzee with his masterpiece, the Octagon 8 Seater; the contours of the table were inspired by the wing of an aircraft
The Stump Table consists of a original tree stump 6ft x 4ft reformatted into a beautiful table
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very gratifying but remained oblivious to the fact that the work they do embodies product design.” Post the completion of his degree in Mechanical Engineering, Fyzee was actively engaged with an American Corporate House however his professional ambitions led him to IIT Mumbai. “I landed up at IIT-B with the intention of pursuing a Masters in Mechanical Sciences and it was a rare stroke of luck that I found the Industrial Design Centre (IDC) which looks at finer aspects of Product Design. The enrolment in IDC began my professional journey in Product Design.” After the completion of his course in Product Design Fyzee worked for a design firm in Ahmedabad which kept him in close contact with international design trends. As a lead designer he was expected to give a desired form to the products based on international client briefs. The natural progression of turning into an entrepreneur soon followed and led to the inception of Mihir Fyzee Studios in 2008.
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I decided to keep the essence of the tree alive even after I reformatted it into objects of desire. In an effort to immortalize the tree I adopted the natural shape of the felled portions and used them in my creations
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“When it comes to design inspiration,” says Fyzee “I am big fan of American Furniture Designer Sam Maloof who is cited as America’s most renowned contemporary furniture craftsman, then there is George Nakashima, one of the leading innovators of 20th century furniture design and a father of the American craft movement. Nakashima effortlessly combined international styles and modern influences with Japanese craft traditions. Professionally even Joseph Walsh serves as a big inspiration, an Irish designer, his body of work speaks volumes of his creative expertise.” Most of Fyzee’s design derivatives have been inspired from his travel diaries and some from his professionally acquired love for machines including aircrafts. The light table top which keeps him busy these days was encouraged from one of his trips to Kanchenjunga. “Apart from furniture design mountaineering is another passion in which I have invested my time and money in,” says Fyzee “I am certified mountaineer from the Himalayan Mountaineering Institute (HMI). For acquiring this credential I underwent a 30 day course. It was during this course I was exposed to the scenic
A beautiful set of benches designed using teak with sycamore inlay
The Soul Mate Table reflects the natural shape of its predecessor and looks stylish as well AUGUST 2017
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Teak Side Board : This natural edge sideboard is made from a single slab of teak wood, which is very rare today
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If I prefer wood, the idea of using substitutes like ply, veneer or smart wood doesn’t arise. I am pretty loyal to the materials I utilize in my products
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Most of Fyzee’s design derivatives have been inspired from nature
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Canadian Pine Cantilevered Chair: The wood for this chair was imported from North America. It is very durable and often used to build bridges in the US
beauty of the snow caped peaks amid thunderstorm and torrential winds at Kanchenjunga. When I came back I wanted to design something which will be representative of the visuals I was exposed to 8,586 m above the sea level. This led to the genesis of the light table; the gaps in the wooden table top were filled with stainless steel to denote the frozen glaciers and lakes. In the base of the light table a series of concentric circles with LED bulbs depicts streaks of sunlight which emanate from the sun hidden behind the clouds and mountains.” Fyzee’s design also showcases his sensitivity towards nature. “Trees are felled to suffice the need for wood in the business of wooden furniture; some of these trees are century old versions,” notes Mihir “once I came across a tree which was two hundred years old in the saw mill and decided
A designer’s success is measured by his name itself believes Fyzee AUGUST 2017
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CREATIVE CORNER The Butterfly Table is a concoction of the East-Indian Walnut and Stainless-Steel
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A designer’s success is measured by his name itself, the day his name becomes synonymous with the products he designs he has truly achieved a landmark
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CREATIVE CORNER Light Table - The gaps in the wooden table top were filled with stainless steel to denote the frozen glaciers and lakes
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Mihir Fyzee has primarily relied on the word of the mouth. Most of the commissions he has acquired in the residential and corporate space have been channelized through friends, acquaintances and clients who are aware of his work
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to procure it. I decided to keep the essence of the tree alive even after I reformatted it into objects of desire. In an effort to immortalize the tree I adopted the natural shape of the felled portions and used them in my creations.” Fyzee caters to the high-end market; a look at the price tag of his products confirms the proposition. “The mass produced market is not in my radar, too many players are involved in that segment.” Likewise the designer has an assertive approach towards the choice and use of materials “If I prefer wood, the idea of using substitutes like ply, veneer or smart wood doesn’t arise. I am pretty loyal to the materials I utilize in my products. I believe this possessiveness also showcases the novelty in the products I design. Apart from being novel my products are also designed to last a lifetime; the wood pieces are thoroughly fumigated to make them
pest free, a coating of polyurethane is also applied to ensure that they can withstand extreme weather be it rain or the heat.” Unlike the standardized procedure of marketing products using coordinates of the real and the virtual world, Mihir Fyzee has primarily relied on the word of the mouth. Most of the commissions he has acquired in the residential and corporate space have been channelized through friends, acquaintances and clients who are aware of his work. Fyzee is happy that he could follow his heart; however he believes he is yet to reach the pinnacle of his passionate endeavours. “A designer’s success is measured by his name itself, the day his name becomes synonymous with the products he designs he has truly achieved a landmark. And I too would like be in that league, right now it’s work in progress.” Text Courtesy: Vikas Bhadra AUGUST 2017
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STORE ALERT
immerse
luxury in the bliss of
Kohler Co. adds a new dimension to the retail experience with the launch of its first ever experience centre in India
Memory Suite designed by Ar. Sandeep Khosla and Ar. Amaresh Anand of Khosla & Associates
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STORE ALERT
K
ohler Co. a global leader in the design and manufacturing of kitchen and bath products has recently launched a new retail concept- the KOHLER Experience Centre (KEC) in Lajpat Nagar 4, New Delhi. Spread across 10,000 sq.ft, this newly launched experience centre houses fully-functioning displays of Kohler’s global product line, from showers and bathtubs to sinks and toilets —a first for both the industry and for the KOHLER brand in India. The experience centre has been created to serve architects and designers working on projects in India and abroad and to offer consumers on-site product immersion, which will enable them to test and specify KOHLER products all under one roof. The interior of this experience centre has been designed by Ambrish Arora, Founder and Principal Architect of Studio Lotus. Each touch point
of this 10,000 square-foot space is designed to immerse, connect and inspire while helping architects and designers specify the best products for their projects. Talking on the occasion of the launch, David Kohler, President and CEO of Kohler Co said, “Our Kohler Experience Centres signify a paradigm shift in our retail experience globally. With the launch of the Experience Centre in New Delhi, we are elevating our retail experience, allowing end consumers, architects and designers to have an interactive and immersive experience with Kohler’s global range of products.” One of the highlights of the KEC New Delhi is the zone featuring the seven exclusive designer suites. These were conceptualized to showcase the possibilities in luxury bathroom space, which was created in collaboration with seven of India’s top architects.
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The Experience Centre has been created to serve architects and designers working on projects in India and abroad and to offer consumers on-site product immersion, which will enable them to test and specify KOHLER products all under one roof
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Zen Style Bathroom by Prof. Christopher Charles Benninger and Ar. Ramprasad Akkisetti of CCBA Designs
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STORE ALERT
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One of the highlights of the experience centre is the zone featuring seven exclusive designer suites which have been created in collaboration with seven of India’s top architects
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Each exclusive suite features Kohler’s finest products woven into a distinctive theme. Japanese minimalism and warm woody tones add a cozy touch to the CCBA Zen Style Bathroom by Christopher Charles Benninger and Ramprasad Akkisetti of CCBA Designs. Sarabjit Singh of Fabinteriors has made use of a sleek, neutral palette brightened with a splash of azure to create the ultramodern
Deco Nouveau Classic Timeless Suite designed by Ar. Vikram Phadke of Interspace Architects
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Azure – Splendors of the Seaside Horizon designed by Sarabjit Singh of Fabinteriors
Sublime Luxury Suite designed by Ar. Krupa Zubin and Ar. Zubin Zainuddin of ZZ Architects
STORE ALERT A view of Shower Cubicle displayed at the experience centre
“AZURE” – Splendors of the Seaside Horizon. Sole Soul Flight by Husna Rahaman of Fulcrum pays reverence to the exploration of one’s inner self with a stark, simplistic palette. Deco Nouveau Classic Timeless by Vikram Phadke of Interspace Architects marries old world elegance with new age technology in the classic shades of black and white. Memory, by Sandeep Khosla and Amaresh Anand of Khosla & Associates explores notions of craft and nostalgia through contrasting textures and finishes and a muted palette. Sanjay Puri created Ishatvam
Fully functional Kitchen Faucets
A view of Kohler products laid on the display of the experience centre
with rich, earthy colours and bronze highlights that render the bathing space with grandeur. Krupa Zubin and Zubin Zainuddin of ZZ Architects created Sublime Luxury, a suite designed to revitalize the senses in an ambience of warm, understated luxury. Also, there are dedicated spaces for Kohler’s exclusive Artist Editions range of products. In addition, KALLISTA®, a Kohler Co. brand of plumbing products have also been dedicated a space designed by Studio Lotus. Apart from this, Kohler Experience Centres will be rolled out by the end of the year, across major cities of the world, including New York, London, Los Angeles, Singapore, Shanghai, Hong Kong, Bangkok and Taipei. AUGUST 2017
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EXCLUSIVE INTERVIEW
artistic elegance Vaishnavipratima Kodakalla of the Vaishnavipratima -The Interiors Studio talks about her design journey and Studio in an interview with Nisha Shukla
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T
ell us in detail about your studio and what does it specialize in?
Colours, art, handicrafts and furniture, these have always fascinated me. However, little had I imagined that doing up my own residences would land me into this field professionally. My friends who saw my work asked me to help them with their homes and referred further. With word-ofmouth, from project to project, my work gained recognition. Following this passion, I started my journey in interiors in March 2012 as a self taught interior aesthetics consultant.
In Jan 2014, I opened my office in Hiranandani Powai with a committed team of designers and executors. From residential clients to corporate clients and retail to restaurants, we’ve worked across all these projects. And as my passion grew, I couldn’t keep myself from launching my own furniture line and I am also looking forward to collaborate in future.
Tell us in detail about your studio and what does it specialize in? Inspired with colours, art, artefacts and my love for furniture, I launched my Flagship store ‘Vaishnavipratima
EXCLUSIVE INTERVIEW
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Inspired with colours, art, artefacts and my love for furniture, I launched my Flagship store ‘Vaishnavipratima The Interiors Studio’ a year back at Lower Parel, Mumbai
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- The Interiors Studio’ a year back at Lower Parel, Mumbai. After having completed a fulfilling one year at Lower Parel studio, it feels extremely humble and grateful. As an Interior Aesthetic Designer, I believe that spaces are an extension of one’s personality, and must reflect what the person or organization truly represents. So we listen to our clients, analyze what they think, and then on basis of their preferences, we combine our expertise and experience to work out delightful possibilities. We design and
Interior Designer, Vaishnavipratima Kodakalla
execute projects keeping in mind the uniqueness, climatic impact, optimal space management, quality, finish and timelines, as we believe that excellence lies in the details. Apart from Interior designing projects, we also have a wide range of furniture and artefacts collections at our studio display. Our furniture range includes chest of drawers, mirrors, consoles bar units and more. Sparked by imagination and created by our craftsmen, these designs are inspired by various ethnic and international styles. Furthermore, combining our sense of décor, feel for finesse and exposure to art and handcraft markets; we have meticulously curated a spectrum of artefacts and art applications. For artefacts we have collaborated with exclusive brands like Takshini, Aion, HIIH, I-AM, Urbandesi and Crazy mugs. AUGUST 2017
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Creatorscape is an avenue for artists and patrons to interact and display their work at Vaishnavipratima store
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Kindly elaborate on the design details of your store? How does the store’s layout and design represent your brand’s image? For our store, we have created a very warm and welcoming feel, which artistically represents our brand’s philosophy of ‘High on aesthetics with functionality’. Our store has been divided into four sections which include furniture, artefacts, Creatorscape -our art gallery and office on mezzanine floor. The high ceiling adds expanse to the store and our tool wall along the staircase is the highlight as it depicts the respect 86
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EXCLUSIVE INTERVIEW
and involvement we have with our workers who execute our projects and furniture. The billing counter has a wooden ceiling with lights with led chips and zodiac signs painted by my team which depicts that we design keeping in mind the personality and lifestyle of the clients. The Creatorscape section is completely done in white to ensure neutrality whereas the display system has been kept dynamic and flexible with provision to display on walls as well as shelves.
Kindly shed light about the corner in your studio which is referred as – Creatorscape? What is its specialty?
Creatorscape is an avenue for artists and patrons to interact and display their work at Vaishnavipratima store. It is a platform to network with interior decorators, architects and potential buyers. The space is even open for students and interns to display their work.
Where do you draw inspiration from? People, spaces, nature and culture inspire me.
If not a designer, then would have been‌ I would have been in a corporate job or would have been associated with some kind of fine arts.
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INSTACASE
Pink Passionz- A residence based in Brampton,Ontario,Canada
instagram #showcase july 2017 Our Instagram Showcase contest had some serious competition yet again and choosing the winners was a challenging task;presenting the awe-inspiring interiors for July 2017 Vidhita Raut’s Fashion store
The Bohemian Residence, New Delhi
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Designer: Saniya Salim Kantawala Project Location: Mumbai The staircase acts as the focal point of the project, the colour palette is muted to ensure the garments stand out. The ceiling is cladded with mirror to make the space look bigger and create an extension.Brick etched glass tends to enclose the oak wood steps which spiral around the oak wood rod at the centre.
INSTACASE
Pink Passionz Designer: Owner Project Location: Brampton, Ontario, Canada In this living room, a multihued stone accent wall amplifies a deep, warm feeling; family photographs exude happy memories. Aiding the melodrama is the sunlight which flows in through the windows and offers a scenic view of the world outside.
Smog Library Designer: Karan Desai Associates Inc Project Location: Mumbai SMOG LIBRARY, very weirdly as the name suggests, is a Hooka lounge by the night and a cafe by the day.Metal stackable chairs - Cement sheets lacquered hexagonal table tops with a customised metal frame ensures one has enough room for the chair and legs. The flooring constitutes -wooden finished vinyl flooring in herring bone pattern. Bohemian Residence Designer: The Ketli Design Studio Project Location: New Delhi, India Grey and off-white walls adorn the sitting room. Besides being easy of the eye it also makes the space luminous. Pops of coral - in the throw, rug, wall art and the stenciled wall pattern – add an element of controlled vibrancy. Textiles, wood, leafy plants and jute come together in this room to add warmth and visual interest.
Vidhita Raut’s fashion store
Studio Pomegranate’s new office
Office Space
Smog Library designed by Karan Desai Associates Inc
Designer: Studio Pomegranate Project Location: Mumbai Studio Pomegranate is known for its sustainable designs. And their new office space in Mumbai pays an ode to their core beliefs. After spending a few years in a cramped mezzanine at Lower Parel, the studio decided it was time to rework its workspace. This 450 sq.ft space is located within industrial premises, and is made entirely using repurposed and recycled materials. A 12 foot walnut desk makes for a work bench, drafting table, dining, table et al. A library space is attached and also serves as a model making workshop. AUGUST 2017
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IN THE NEWS
Indian Trains to get a Design Makeover Railways Minister Suresh Prabhu has initiated a project to renovate approximately 40,000 old train coaches. The project, dubbed the “Mission Retro-Fitment”, will bestow the coaches with better design in the interiors, safety feature updates, LED lights, anti-graffiti coats, quality fittings, powered Venetian blinds, and even smoke alarm systems. Apart from this, bio-toilets will be installed, along with braille signage, and more plugpoints. Materials like glassfibre reinforced plastic, stainless steel and polycarbonate ABS will be used. The project is said to cost around Rs. 30 lakh per coach. The project is expected to be completed by 2022-23.
Gauri Khan Designs a Restaurant for Aallia Hospitality Gauri Khan has ventured into restaurant design with Arth, Aallia Hospitality’s newest widely publicised restaurant. The designer picked a palette of blue, beige and gold within which she has seamlessly brought together classic elements and innovative design. While this is a formula that Khan swears by, she has mentioned that it was particularly appropriate for a luxury restaurant space because making a restaurant too quirky would distract from the culinary experience.
Nicobar Opens Shop in Bandra Simran Lal and Raul Rai’s home decor and fashion brand Nicobar has opened a fifth outlet in the charming Patkar Bungalow on Bandra’s Turner road. The colonial style bungalow’s tropical, breezy ambience optimises Nicobar’s own display, and has been reported to hold quaint little surprises for the customer who commits to a sustained engagement with the muted, subtly designed interiors. The 1920’s bungalow was renovated by L.A.B. architects, with Anita Dongre at the helm. With another store in Kala Ghoda, this will be Nicobar’s second store in Mumbai.
Trichy Airport to Cut Down Carbon Footprint The new two-tier terminal for the Trichy airport will be an ecologically conscious building. A six member committee with an eminent consultant surveyed the site before giving the go on the proposed design. Clearing for the construction from the environment and forest departments has already been acquired, and the new building will lift the load off of the existing terminal, which is about12,000 square m. At 65,000 sq m, this building is ideal for cargo transportation, compared to cramped airports in the metros. 90
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Grassroot Goes International Grassroot, Anita Dongre’s sustainable luxury brand has just set up shop in New York, on SoHo’s Broome Street. This is the two year old brand’s first international store, and the fifth showroom for Grassroot. Dongre’s brand creates sustainable luxury by involving traditional craftspeople at the grassroot level, and bringing it into the luxury living market. Dongre is the interior designer behind acclaimed spaces like The Ministry of New and Roti, Kapda Makaan.
TAKE 5 Volcano Visitor Centre, Celldömölk
Sauflon Centre of Innovation, Gyál
Photo Courtesy: Tamás Bujnovszky
The Long Brick House, Pilisborosjenő
Photo Courtesy: Tamás Bujnovszky
Photo Courtesy: Levente Sirokai
László Földes, CEO at Földes Architects, Budapest, Hungary, Europe Describe your style of designing
Which is your favourite book?
I admire elegant spaces which are based on local roots. Simple forms which reflects, that the architect has a deep knowledge of architectural history. We call this as ‘Regional Architecture.’
‘Towards a Critical Regionalism: Six Points for an Architecture of Resistance’ by Kenneth Frampton.
Any historical monument/ building that has impressed you and inspired you?
László Földes
Earlier I worked in Finland at ‘Järvinen and Airas office’, and at that time I learned about the architecture of Alvar Aalto. My favourite building is the ‘Säynätsalo Town Hall.’
Your dream project would be… Planning a housing project with small differences between houses, little private gardens and common park in the middle. It would basically be a housing complex, which could create a real community for the inhabitants.
If not an architect, you’d rather be Captain of a sailboat Interview Courtesy: Nisha Shukla AUGUST 2017
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DESIGN DIARY Samsung’s Stylish New TVs Sleek is beautiful, but might not always fit in with the rest of your living room. Samsung’s new range of TV sets herald the move to more aesthetically pleasing designs for technology. Samsung’s newest is a collection of three TV designs that feature discreet wires, no gap wall mounts and a number of stand options to help them blend into various settings. The Frame TV can be customised to the frame colour, and the art that shows up when the TV is inactive, which will be backlit to give a natural effect. The Serif is a piece of art in itself, and the QLED comes with a curved screen for the optimum 360 degree experience.
London Festival of Architecture This year’s month long annual installation of the London Festival of Architecture kicked off in June, and marks the tenth year in the tradition. The festival was directed by Tamsie Thomson, ex-director of RIBA, and conducted over 450 events including installations, open studios, walking tours, talks by eminent architects and even an architectural bake off. Based on theme of ‘Memory’, the festival encouraged critical dialogue and collaboration, and drew in extraordinary takes on the regional spaces and architecture around.
RIBA’s British Architecture List for 2017 The Royal Institute of British Architects has revealed its best picks from British architecture in the last twelve months for the prestigious national architecture awards. The list includes diverse projects from luxury homes to workshops to malls to religious spaces. A few will be shortlisted for the Sterling Prize. President Jane Duncun commented on the notable ambition and innovation seen in this year’s projects, even in the midst of modern economic drivers. At the same time, she expressed her disappointment at the lack of schools included in the list. The Wolfson Tree Management Centre, British Airways i360, and the Victoria Gate Shopping Centre in Leeds are some of the projects to be honoured. Brick was a star material, showing the importance of traditional materials in construction in London. Another notable mention is the pair of timber buildings for The National Arboretum in Gloucestershire.
UK Survey Shows Women Put off with Architecture at University The results of the AJ 2016 Student Survey revealed the data on genderbased discrimination in the field of architecture. Almost 50% of women students said that they had experienced discrimination. This stands against the 11% of men who had reported abuse on gender-basis. While this is lower than last year’s number, the survey revealed that a large number of female students are put off architecture after spending some time in the university studying for the field.
SA 2017’s Emerging Architect Winner Named Esther Chew of Grieve Gillet Anderson is the most recent candidate to be honored with the Emerging ARchitect Award in South Australia. Apart from ten years dedicated to the field as a professional, Chew was a promising talent even early in her education, she was a representative for the Student Organised Network for Architecture and has participated in New Architect Group activities. The Hart’s Mill Project and the award winning project, the Anzac Centenary Memorial Walk saw her involvement. She is currently in Nepal, designing a girls’ school for an NGO. 92
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Signature pieces, fabulous furnishings, inspiring art-deco, dramatic fixtures, bold accessories and contemporary furniture—find it all here!
Be Floored!
Crafted to Perfection
Classic Marble Company (CMC) has introduced large size Gaudi Stone porcelain slabs from its Marmi collection. Branded under KalingaTechlite, this Iris product comes in a shade of brown along with a rich variety of textural effects and designs that are suitable for floors or walls, for both interior as well as for exterior areas. This porcelain slab is exceptionally resistant to abrasion, fire and heat and is available in the size of 3m x 1.5m and thickness 6mm.
Avior EWC by Hindware is a modern and futuristic water closet with a sleek and clean design inspired by modern architecture, seamless natural beauty and edgy curves. This wall mounted EWC comes with sturdy and slim duroplast soft falling seat made of high-quality material which is scratch-proof and aesthetically matches the ceramic toilet bowl. This EWC is available in two colours, Star white and Ivory. Price: Star white `19, 990/- and Ivory `23,590/-
Price on request
Imperial Spread
Spotlessly Clean
Anna Simona unveils its Kimberly collection which features seven piece set of luxury bedding embellished with intricate patterns. This classy set is made by applique of grey polyester satin fabric and is available in the dimension of: one duvet cover - 92” x 110”, two euro sham - 24” x 24” + 2”, two pillow cover - 18” x 27” + 2”, one cushion cover- 16” x 16” and a decorative cushion- 12” x 20”.
Orient Bell brings to you Lina Star white germ free tiles which are made by using exceptional formulated glaze with antimicrobial treatment. This glaze in turn inhibits the growth of germs, bacteria, fungus and other microbes that come into human contact. These tiles are ideal for using at homes and hospitals, as it aids in the enhancement of hygiene. This maintenance free tile is available in the dimension of 300 x 600 mm.
Price: `25,999/-
Price on request AUGUST 2017
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Sleep like Royalty Visionnaire presents its new Bedroom collection which features the Princess bed designed by Steve Leung. This bed is inspired by stately elegance with light and sleek lines. It comes with its central part endowed with plush leather upholstery, a double-lined oval headboard and a fully coated leather heel.
Multifunctional Chair The unusual shape of wide and welcoming Ayodhya Chair by InLiving is a perfect statement piece for those who are drawn to interesting and out-of-the-box style. The multi-woven detailing and storage space below the chair makes it a multifunctional unit. This chair can be used for both indoors as well as outdoor spaces.
Price on request
Price: `19,999/-
Proving its Metal Ply Mahal has launched an exquisite collection of Decorative Laminated Panels. This collection features deeply textured pliable panels which can wonderfully be used to adorn furniture pieces like sideboards, consoles or cabinets etc. These high-pressure decorative laminate panels are available in four beautiful patterns i.e. Eifin, Wooden Grain, Buttons and Polka Dots, in variety of colour options.
Divine Aura The Artemist brings to you a striking art piece by artist Arjun Bhattacharya. The acrylic painting on canvas beautifully displays the meditative idol of lord Ganesha which is placed in the centre in gold paint, becomes the core theme along with the aura of energy it radiates outwards. The effective use of colour, energy and vision creates a personal connect with the piece, making it a true inspiration.
Price on request
Price: `1.20 lakhs/-
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Majestic Beauty Wisma Atria Interiors by Nomita Kohli has launched Kintsukuroi sofa from its splendid furniture collection by its Portuguese furniture brand ‘Alma de Luce.’ The word ‘Kintsukuroi’ refers to the art of repairing pottery with gold and lacquer. Taking inspiration from this concept, the designer has effectively translated it into the design of the sofa which has been crafted in red velvet in trapezium shape. Price on request
Curvaceous Comfort Roche Bobois has launched its Monsoon collection which features the Edito Armchair in bright Fuchsia designed by Sacha Lakic. This armchair has been upholstered in exclusive Techno 4D fabric and structured in solid fir wood reinforced with plywood and engineered composite wood. This armchair comes with a Swivel base in chrome-plated metal along with an automatic return function and positioned memory system. Price on request
Velvety Touch Iqrup + Ritz has unveiled Hastings sofa- a modern pastiche of a classic art deco sofas. The seat of this sofa has been done in plush- Airforce fabric whereas its legs finished in walnut. Soft curves, a gentle back and firm seating provide this sofa with a clean tailored appearance.
The Outdoor Charm ABACA brings to you outdoor wooden furniture collection which features contoured sun lounger. Crafted in teak slats along with loose cushion, this comfortable day bed is available in the dimension of 160 X 60 X 70 cm. Price: `48,500/-
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Misprinted Beauty
Classy Comfort
Jaipur Rugs’ Project Error designed by Kavi is a collection of contemporary rugs which discovers beauty in errors. Khaki, under this collection, looks at the mistakes in a jacquard weaving machine. The hand knotted rug is made up of wool and bamboo silk and is available in 2x 3 feet size.
Turri unveils its Madison collection which features a three seater sofa, with its structure crafted in solid wood and its seat upholstered and covered with precious beige leather and luxury gold button on the side of the arms. This sofa is available in the dimension of 250 x 95 x85 h.
Price: `24,200/-
Price on request
Timeless Glow
Moulded in Metal
Anemos brings to you ceiling lamp crafted in diamond shaped black nickel finished metal and blown glass globes. When lit, this pendant lamp creates a soothing ambience with its unique design and radiance.
Viya Home has launched the Palazzo Coffee table which has been hand crafted by welding together individual sheets of beaten and textured metal to create a sculptural piece of furniture.
Price: `66,000/-
Price on request
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Quirky Wok
Marblelous Craft
Desi Jugaad brings to you wok stool which comes with storage under its seat. Crafted in metal wok, fabric and wood, this prized possession from mother’s kitchen is the perfect furniture piece which will add a flavour of quirkiness to your living space.
WHITENIFE has unveiled rich and elegant marble flower vase that is heavily embellished with traditional hand painting. This 12’’ vase is royally boxed in a velvet case which will surely add a magnificent appeal to your décor.
Price: `7,199/-
Price: `4,520/-
Glittery Effect
Vintage Beauty
Tall, slender and glamorous, the Night Rod Pendant collection by Timothy Oulton offers dramatic lighting for elegant urban spaces. Long prisms of optical grade glass are held tightly together in a staggered effect, within a skeleton of either brushed brass or natural metal. The triangular shape of the prisms reflects and refracts the light on all sides in a shimmering dance of sparkle.
Bent Chair brings to you Azita chair which comes with wide texture, plush seat and gentle curves that fits any body type. The seat of this chair has been crafted in PU leather and it’s back covered in multi-coloured carpet whereas its base done in metal. This chair is available in the dimension of 84 d x 77 b x 90 h cm. Price: `45, 999/-
Price on request AUGUST 2017
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store locator ABACA Indo Italian Furniture Co. Pvt Ltd. G-9/G-10A, Laxmi Woolen Mill Estate, Shakti Mill Lane, Off Dr. E Moses Road, Mahalaxmi, Mumbai - 400011 Tel: +91-22-2493 3522 Email: info@abacaindia.com Website: www.abaca.in Anemos Krishna House – Ground floor, Raghuvanshi Mills Compound, Senapati Bapat Marg, Lower Parel, Mumbai-400013 Tel: 022 2493 4306 Email: infomumbai@anemos.in Website: www.anemos.in Anna Simona 10/11, Shivai Industrial Estate, 89 Andheri Kurla Road, Andheri (E), Mumbai- 400072 Tel: 022-28514430 Email: info@annasimona.com Website: www.annasimona.com Bent Chair 903, Time Tower, MG road, Gurgaon Tel: 011-39585711 Website: www.bentchair.com Classic Marble Company Pvt Ltd 15 Bhandup Village Road, Subhash Nagar, Bhandup (W), Mumbai – 400 078, Tel : 022 41404140 Email : info@classicmarble.com Website: www.classicmarble.com Desi Jugaad Studio G-179, 2nd Floor, Opp. Zaffrano Banquet, Near PVR Cinemas, Nariana Vihar, New Delhi – 110028 Tel: 9711163663 Email: connect@desijugaad.co.in Website: www.desijugaad.co.in 98
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Hindware Hindware Galleria Vishnu Asbestos Cement Products Plot No. 43, Sector 1, Shiron, Nerul, Navi Mumbai, Maharashtra, India Website: www.hindwarehomes.com InLiving Level 1, IHDP Business Park Plot no 7. Sector 127, Expressway Noida- 201301, Utter Pradesh, India Website: www.inliving.com Iqrup + Ritz Studio: 392 Udyog Vihar, Phase IV, Gurgaon Haryana, India Tel: +91 124 423 7613 Website: iqrupandritz.com Jaipur Rugs 349 M G Road, 1st Floor, Sultanpur, New Delhi- 110030 Tel: +91 7230005522 Email: delhi@jaipurrugsco.com Website: www.jaipurrugsco.com Orient Bell M-47, East Block Road, Greater Kailash, Part - II New Delhi 110048 Tel: 011 4068 7469 Email: kavita.saxena@orientbell.com Website: www.orientbell.com Ply Mahal 1/123 WHS Kirti Nagar Near Fire Station, New Delhi-110015 Phone no: 9811195607 Email id: plymahal@gmail.com Website: plymahal.com
Roche Bobois Tower - 1, India bulls Finance Centre, S.B. Marg, Elphinstone Road (W), Mumbai - 400013 Tel: 022-61062233 Website: www.roche-bobois.com The Artemist 13, Lindsay Street, 9th Floor, KAHM Towers Kolkata – 700087, India Tel: 9830048822 Timothy Oulton Tarun Vadehra Interiors D-41, Defence Colony, New Delhi, 110024 Tel: +91 99 9078 4848 Website: www.timothyoulton.com Turri S.r.l. Via U. Foscolo, 6, 22060 Carugo, Como (Italy) Tel: +39 031 760111 Email: info@turri.it Website: www.turri.it Viya Home 1/31 Kamal Mansion, 2nd Floor, Arthur Bunder Road, Colaba Mumbai 400005 Tel: +91 99878 79694 Email: mumbai@viyahome.com Website: www.viyahome.com Visionnaire Website: www.visionnaire-home.com WHITENIFE Email: info@whitenife.com Website: whitenife.com Wisma Atria Interiors F-208, Lado Sarai, Old MB Road, New Delhi 110030, India Phone: +91 11 4107 6115 Website: www.wismaatria.in
LUXEPAVILION Mumbai: 02-03-04-05 Nov 2017, Bombay Exhibition Centre Delhi: 14-15-16-17 Dec 2017, Pragati Maidan
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