iDecorama Anniversary Issue Aug-Sept 2016

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Ray, seat system designed by Antonio Citterio. www.bebitalia.com B&B Italia store - 5 Retreat Farm, Mandi road Chattarpur, 110074 New Delhi LA Tendenza, Sahiba Agarwal, M +91 999 9693093 - bebitalia@latendenza.com B&B Italia at Spazio - Trump Towers Pune , Kalyani Nagar 411006 Pune Sonalee Choudhari, T. +91 777 0012529 - sonalee@spazioliving.com B&B Italia at Europeone - Opp. Suzuki Showroom, Adajan Road, Surat 395009 Gujarat T. +91 261 2791008 / +91 982 5140450

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AMELIE, MODERN AND ELEGANT LOUNGE CHAIR

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Contents August-September 2016

Special Focus

22

Window Shop

44

Store Alert

54

Design Tales

60

International Focus

70

Lead Story

79

We celebrate innovation in product designing by featuring India’s top 10 trending product designers

Khosla Associates designs an exquisite retail experience for Manoviraj Khosla Store located in Bengaluru Tom Dixon opens its first retail store in United States in partnership with fashion boutique Curve Prof. Christopher Charles Benninger talks about his journey and take on the present scenario of Indian architecture in an exclusive interview An exclusive preview into the interiors of Quasar residence in Istanbul designed by Marcel Wanders.

Leading women architects share insights into the challenges faced by women professionals and measures taken to induct them back into the profession

Inspired Spaces- Office

102

Rubel Dhuna Architects turns small loft space into cosy office for two young lawyers in Mumbai.

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Decorama Magazine Anniversary issue 22x29.7 cm

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Contents August-September 2016

Inspired Spaces- Home

110

Architect’s Note

118

Event Preview

127

Design Desk

170

Creative Palett

176

Amazing Abode

184

Arteform Studio and ManjeetBullar Design create a nostalgic ambience for Ar. Bullar’s residence Ar. Alfaz Miller shares his view on affordable luxury

A curtain raiser on the premium interior brands on exhibit at the upcoming event – The Decorama Design Show International architecture firm Gensler designs a cohesive interactive workspace for Intuit in Bengaluru.

Anagram Architects create a cosy and idyllic setting for Perch Wine and Coffee Barin restaurant in New Delhi Dipen Gada & Associates design a contemporary house in Bharuch, Gujaratby infusing traditional elements

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NOW SPILLING WON’T SPOIL A THING.

EDITOR’S Desk

August-September 2016 CHIEF EXECUTIVE OFFICER Bharat Sethi bharat@idecorama.com NATIONAL HEAD Kashmira Pathare kashmira@idecorama.com

A NEW BEGINNING!

W

e are absolutely stoked! It’s been a successful year at World of Decorama following the ebbs and flows and now we are in a new phase of our growth. We are diversifying and re-branding ourselves as iDecorama. We are soon launching our new web platform idecorama.com and mobile apps which will enable architects, designers, brands, vendors and other professionals to enlist their services and products and create umpteen choices for home owners and other clients in their designing or renovation journey.

Our anniversary issue is full of exciting stories.

We celebrate the women in architecture. To know the challenges is to face them and so we nominate 11 leading women architects from India to speak up on the challenges of being a woman professional in this field. We celebrate their leadership and choices. We have a line-up of interesting projects.

That apart, we are featuring India’s most happening product designers to celebrate innovation in product designing.

We have launched our collateral event The Decorama Design Show that will bring together the biggest brands in the luxury interior infrastructure, furnishings and home décor segment. We speak to few brands onboard to comprehend the latest trends and their prediction for the upcoming year.

All in all, it has been a celebratory affair and we could not have asked for more.

Our purpose remains to inform and engage our readers and we are forever grateful for your unceasing support. In case you have missed out on our earlier issues, do not forget to check out magazine.idecorama.com Happy reading!

M Gandhi 20

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SALES TEAM Rushi Vyas rushi@idecorama.com EDITORIAL TEAM Anuja Abraham anuja@idecorama.com Nisha Shukla nisha@idecorama.com CIRCULATION Neetu Varghese DESIGN Hari Mohan Inderpreet Singh EDITOR Mandeep Gandhi PUBLISHER Charan Bir Singh Ranotra PUBLISHED AND PRINTED Printed and published by Charan Bir Singh Ranotra on behalf of Growpal Infotech Private Limited, printed at Dhote Offset Technokrafts Pvt. Ltd. 2nd Floor, Paramount Estate, Plot No 5a. Off Aarey Road, Near Kotkar Estate, Dindoshi village, Goregaon (E), Mumbai- 400063 Maharashtra and published at Growpal Infotech Private Limited, 427 Laxmi Plaza, Laxmi Industrial Estate, New Link Road, Andheri West, Mumbai 400053.

World of Decorama does not take responsibility for returning unsolicited publishing material. All opinions expressed in the magazine solely belong to the author and does not reflect the views of the editor or publisher. Although the published information is verified, the publishers do not take responsibility for accuracy of the articles. No part of this publication may be reproduced without the explicit consent of the publishers. Subject to Mumbai jurisdiction only.

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DESIGNO

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design BECKONS Product designing is an art: an art that encapsulates science, skills and a vision.

Functionality is prime, so is essentialism; and where for some, sustainability leads the way, for others it is aestheticism and individuality that matters. A product engages, inspires and makes life easier.

It becomes a medium for self-expression and storytelling. Thanks to innovation in product designing, smarter, sustainable and durable products are devised which are not only visually attractive in its form

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i

when

but also in its function. Furthermore, it has become a source for generating new products in the market and has also helped in revival of age-old crafts which were dwindling away.

These product designers are spin-offs of their own invention. We prod and find out what inspires them, how deep does innovation run in their veins as they share their personal experiences and their take on innovation in product designing.

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SPECIAL FOCUS Faceted Tactile Lighting Series

M

umbai based Studio Avni, founded by Avni Sejpal, is a multi-disciplinary studio that focuses on the design and production of bespoke lighting, textiles, statement furniture, installation environments and objets d’art. The studio explores design innovations through experimental research and deep investigation of traditional and unconventional materials. Her designs include many handmade, one-of-a-kind pieces which employs a range of local crafts with modern manufacturing processes.

Prior to founding her studio in 2011, Avni worked with renowned architects and designers such as Rajiv Saini (Mumbai), Paul Loebach (New York) among others, where she discovered her love for spaces, furniture and products.

Which were the first products you ever designed?

My first collection was the faceted tactile lighting series.

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SPECIAL FOCUS Fin Cloud light collection

Samsara Cosmic Series

The Experimentalist Avni Sejpal, Studio Avni

What is the role of design in daily life?

Design for me is about communicating an idea or an emotion which has an impact in all aspects of our lives.

Good design is something which is interactive and communicative and can positively influence our lives to the extent of moulding our behavioural patterns. Design gives me an opportunity to narrate stories, make objects with soul that gives you a glimpse of another culture. I love the mix of dynamic complexity and sociological associations that a design can bring to a product. I enjoy applying a variety of disciplines to each project and strive to create experiences that captivate and connect with the end users.

Design to you is...

Sustainable, Functional, Intuitive, Simplified and Playful

New materials to experiment with:

Marigold seating collection

Lately I have been experimenting with cork, rubber, silicon and concrete

Your most critically acclaimed designs Faceted tactile series, Samsara Cosmic series and Upcycled textile pieces

Role of innovation in product design...

The need of the hour is designing smart objects in sustainable ways – products that harness fully ones cultural references, artisanal heritage and weave it together into a high quality product, considering the impact of the same products on the environment vis-a-vis their shelf life and longevity. For me that is innovation.

Bindi dot seating collection

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The Design Diva

Lekha Washington, Ajji- The Odd Product Company

M

ulti-talented Lekha Washington founded “Ajji- The Odd Product Company� in the year 2013, which is constantly ideating, innovating and bringing to life pieces that are absolutely unique. At the young age of 17 years, self-taught sculptor and innovator Washington began her experimentation with materials like fabric-infused resin in her creations. Armed with a dual degree in lifestyle product design and film direction, she holds a graduate with honors from the National Institute of Design, Ahmedabad. Her maiden collection includes an unusual line of furniture. Currently, the

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SPECIAL FOCUS Kiku Chandelier

multi-talented designer is working on her second collection “Bent Light,” which includes unusual lighting and lighting forms.

Which were the first products you ever designed?

I designed a toy when I was about five years old. It was a silly game on a wooden block that I had made up but I remember this event and my excitement distinctly.

What is the role of design in daily life?

Intrinsic. Too many assume that design is surface ornamentation, separate from the way we live our lives.

In reality, the systems we practice, every object we hold, our homes, our cars, our roads and our lives are all constantly affected by design whether consciously or not.

Design to you is...

Integral, Essential, Fundamental and Liberating

New materials to experiment with There are always new and different ways one can play with material or materials in combination with each other. My old favourite is glass clear resin and dental alginate.

Your most critically acclaimed designs That’s something you should tell me!

Though I must admit, my Red Dot chair has gone much further than I imagined, just on the strength of its form alone.

Role of innovation in product design...

Again, essential

Love- Bent light AUGUST-SEPTEMBER 2016

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A

Mountain Wind- Floor Lamp

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Graduate in Product Design from the National Institute of Design, Ahmedabad, AbhimanyuNowhar founded Kiba Design in the year 2005 in New Delhi. The studio drives strategy-led design innovation in varied sectors like consumer goods, electronics, heavy industry, retail and exhibitions, education, culture, media and technology . Besides, Nowhar has partnered with numerous organisations on design-led innovation, like X-Prize Foundation, Tribeca Film Institute, Mozilla and has also worked as an Expert Advisor on Design Innovation at the National Innovation Council (2012-2014), Planning Commission, Government of India. He has also spoken at numerous national and international conferences on various aspects of design.

helmets for cycling and generally fooled around the workshops at NID creating all sorts of useful and useless objects.

Which were the first products you ever designed?

New materials to experiment with

Well, technically I started out designing aeronautical equipment and automobiles in 2002. But before that there was a long experimental phase in which I designed smart phone prototypes, water purification devices,

We’ve been working with lost wax casting in various metals to make functional art objects based on radiolarians. We recently designed an art installation for a corporate building lobby in wood, veneer and

What is the role of design in daily life?

We all live in a world that has at once been designed by us and for us. Be it your bedsheet, toothbrush or the knife you cut your fruits with, the interior of your car, or any of the other objects, that you take for granted.Every day of your life, you are surrounded by design. But design isn’t just about things or environments, but about a type of thinking, a mode of problem solving, and a way of dreaming.

Describe in five words, design to you is...

My lens to the world

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Mountain Wind- Coffee Table

The Curious Artificer Abhimanyu Nowhar, Kiba Designs

Cupid Chair

steel that we called ‘Mountain Wind’.

Our popular jungle-y lamps are made of handmade paper, cloth and bamboo.

For an upcoming exhibition space for children, we’ve used a variety of materials including Bastari iron and hand-painted ceramics.

Your most critically acclaimed designs Window display and visual merchandising for Louis Vuitton, Jungle-y lamps, Gaia planter, Bamboo pen and design strategy work we’ve done for the Government.

Role of innovation in product design ...

In a fast moving and fast changing world, innovative design thinking keeps companies and brands relevant and connected to changing consumer habits and profiles. As we continue to

look for answers for problems ranging from designing cookware with heat shielding handles for everyday kitchen safety to the monumental challenges around climate change, innovation is key. Product design would be dead without innovation. Innovation is its life blood.

Mountain Wind-Floor Lamp AUGUST-SEPTEMBER 2016

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The functional designers

Parul and Mooshir Vahanvati, Rayden Designs

R

ayden Design- a multidisciplinary studio founded by husband and wife duo Parul and MooshirVahanvati in Pune work towards the intersection of art, design and technology. Using inspiration from material, processes, experiences, context and people, the studio creates objects and experiences which lean towards minimal aesthetics, emotionally evoking and use precisely engineered construction. For Parul and Mooshir design is a way of life.

With an educational background in industrial designing which was Parul’s second preference for a profession (after an undergraduate stint with architecture), it suits her to work in smaller scale. On the other hand, Mooshir started his educational journey as an Engineer, only to end up as an artist. In between this transition he realised his love for design as well as for all things creative.

Which were the first products you ever designed?

Soon after graduating from the design school, I and Mooshir worked on a very interesting project. It was to design monkey proof dustbins for public spaces in Matheran.

What is the role of design in daily life?

Design exists to make us happy! We surround ourselves with objects, some 30

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SPECIAL FOCUS Marigold Modular Pendant Lamp

functional some aesthetic, they all should make us happy. What joy it gives when objects behave themselves!

Design to you is...

A beautifully functional object with an emotional connect

Amaltas Table Lamp

New materials to experiment with‌ In the home environment, some materials we are working with are steel, concrete, different metals.

How to make such rigid architectural materials homely has been our challenge.

Your most critically acclaimed designs The Urban Tweeter Series has been very well accepted and has done well in the design circles as well as with the buyers.

Role of innovation in product design ...

To us, innovation is looking at things differently. In product design it could mean use of new technology, new materials, addressing a problem in a new manner or changing the way you interact with an object.

4- pie dining table

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The Unconventional Duo

Paul Sandip and Suhasini Paul, Paul Studio/ Pink elefant

Toto Chair

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nother interesting pair of product designers from the prestigious National Institute of Design (NID), Paul Sandip and Suhasini Paul founded their respective design studios - Paul Studio (2013) and Pink Elephant (2009).

From being a winner of Red Dot Award (twice) Paul Sandip who is also an electrical engineer and cartoonist, specialises in multiple divisions of design including product innovation, consumer insight and strategy, colour trends, styling, product graphics, brand Identity and creative methods. On the other hand, Suhasini who is also an electrical engineer specialises in toys and children products. Besides, Suhasini loves exploring new materials and has spent months in factories and bamboo/rubber wood forests in China and Thailand. Also she has worked extensively on rubber wood toys, new designs of which are launched every year at various Toy Fairs across the globe.

Which were the first products you ever designed?

Paul Sandip: The first product I ever imagined before becoming a designer was a newspaper dispenser for the paper delivery boys.

Suhasini: When i was a student at NID, 32

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I have designed a very unique, simple and Innovative Roti maker - “Chakla”, which is manual with no mechanism.

More than half a billion households in India use chakla-belanto make roti.The product developed by me is meant for efficient ‘roti’ making keeping in mind the simplification of rotary motion.

Its unique shape helps initiate rotary motion in it due to circular to and fro motion of the ‘belan’ over it.

What is the role of design in daily life?

Paul Sandip: Everyday products form the material framework of our existence, enabling it to function, not only in practical or utilitarian terms, but also in ways that give pleasure, meaning and significance to our lives.

But why don’t we notice them? Most of us travel by the same route every day, do similar tasks every day, go to same places and although we are awake and seeing things around us we are not actually looking at them consciously.

Hence, such products are frequently taken for granted. Industrial Design, to my understanding, is much about having an eye for such details and bringing back life to mundane objects.

In the past 11 years of my design practice, I have experienced designing 121 different categories of products in

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Eco Hive - Doll House

various materials and manufacturing processes, yet each day I find something new to explore! That’s the beauty in design of everyday objects!

Suhasini: Design is the way of life for me. Being married to a very creative and talented product designer Paul Sandip, both my work life and personal life revolves around design.

So products are not lifeless things for us, they are very much part of our everyday life, they are our family and the ones that we have designed are our babies.

Design to you is...

Paul Sandip: A way to touch a million lives.

Suhasini: A child-like imagination, freespirited, pure and innocent.

New materials to experiment with...

Paul Sandip: I am experimenting with 3D printing these days. A lot of customisation is possible as well as reduction in production time and almost banishing the concept of keeping stock of finished products.

With 3D printing, once a buyer places an order, the product is printed and couriered.

Suhasini: All kinds. I haven’t stuck to one particular one. I started

FRA Chair

with paper products, i.e, designing educational puzzles and board games, then moved to plastics and injection moulded toys. Also, I’ve designed a neon gas-infused glass lamp and experimented with wood – My Lilliput Army, contemporizing the traditional technique of turning wood.

Your most critically acclaimed designs Paul Sandip: In the context of interior design objects, I can clearly say “Sweetheart”- Lovers chair is the most talked about. Next, would be Toto - A youthful piece of monolithic furniture for creative/casual spaces which allows two different styles to sit on: Pillion and Rider and Zero – a seat without a seat designed and produced for Merck, a German pigment company.

Suhasini: Doodle table and chair set, Bloom Bugs- wall mounted play modules, Eco Hive- first wall mounted doll house, Utsav- Crafted Lifestyle Objects in stainless steel, UFO ~ Bedside table

Role of innovation in product design...

Paul Sandip & Suhasini: Innovation is the backbone of product design.

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The Charismatic Craftsman RanjanBordoloi, Studio Bordoloi

Kaathfula Chair

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anjan Bordoloi, a young designer from North-East grew up in a community, where using handicraft and handloom to make objects of daily use was a way of life. Issues like importance of individual cultures in a globalised world, sustainable future, traditional craftsmanship and modern design holds a special place in his heart. At an early stage of his career, Bordoloi got interested in making high quality products in collaboration with companies that values design and craftsmanship. After graduating from IIT Guwahati (Industrial design), he has been practicing design from his studio - Studio Bordoloi (2016) in Assam. Besides, his award winning Pitoloi chair was offered to be a part of the project “Cappellini Next 2015” at the SaloneInternazionale Del Mobile, Milano.

Which were the first products you ever designed?

My degree furniture collection including Pitoloi Chair which was showcased at Cappellini booth at Milan Furniture Fair 2015. I was trying to use

the potential of local craft practices of Assam to make contemporary products and the chair has been made of hammered brass shell and rattan legs.

What is the role of design in daily life?

Design is a way of life.

Bota Table

Design to you is...

Good Design is like good Music.

New materials to experiment with Aluminium, Bio composite and Silk

Your most critically acclaimed designs Pitoloi Chair

Role of innovation in product design...

I think innovation is an essential part of design process. It’s very important to push the limit in terms of usability, typology, use of material and production processes through research and development.

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The Aesthetes

Suman Kanodia and Ashish Bajoria -

Scarlet Splendour

S Rapture Chair

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carlet Splendour - a luxury design label co-founded by the team of siblings Ashish Bajoria and SumanKanodia, that appeals to an international clientele, emerged when they were doing up the interiors of their house in the year 2013. The brother-sister duo has been fascinated by eclectic patterns and extra ordinary figures and they have conceptualised the brand on the

idea — extraordinary is every day. The brand showcases handpicked interior products and collections from around the world and even offer complete design solutions in the luxury segment.

The designs under the label promises to offer unique, skillfully crafted and timeless products. Recently the duo has come up with their collection which includes Dark Angel and Fool’s Gold Collection.

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Glee - Occasional table from Fools’ Gold Collection

Which were the first products you ever designed?

Dark Angel Curio House

Suman and Ashish:Our first products were the Woman in Paris and the Circus from the Vanilla Noir collection which was designed by Matteo Cibic for our label.

What is the role of design in daily life?

Suman: Design determines style and comfort in every sphere of life Ashish: Design touches every sphere of my life. May it be the toothbrush I use, car I drive or house I live in, an artistic yet functional design is what appeals to me.

Design to you is...

Suman:The essence of better living Ashish: A way of life

New materials to experiment with

Aelita dining table Easy street bench

Suman and Ashish: Metal and polymers

Your most critically acclaimed designs Suman: The General Ashish: Vanilla Noir collection

What is the role of innovation in product design?

Suman: Innovation takes a product beyond the rudimentary. It improves

function and possibly adds style or trend statements to a product Ashish: Innovation is integral to product design. A product needs to be designed with careful consideration of materials, aesthetics, ergonomics and functionality all at the same time.

Euphoria coffee table

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The Wood Wizard

Anushri Jain, High on Design

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n interior designer and graduate in B.Sc. (Information systems management) Anushri Jain realised her passion for design while working under a renowned architect of Chennai for almost two and a half years. It was during her work there she figured out her design style which is eclectic and eccentric and with an urge to explore the field on her own she began with freelancing and took projects under her brand name – High on Design, which was started in the year 2010.

Further in year 2012, Anushri went to Florence, Italy for a furniture design course, which was a kick to her venture into customisation of furniture for clients mostly for the ones that she was doing interiors for. Be it for interior spaces or products, Anushri likes to design them both with a raw edginess, quirkiness, and making it one of a kind.

Which were the first products you ever designed?

The first product I designed was a chaise lounge made of burma teak of about 5 ft height for a holiday home.

What is the role of design in daily life?

There is design in everything. It is something that everyone does every 38

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day consciously or unconsciously.

There is design everywhere right from macro to micro level – nature, planning a city, a house or a car. It is what contributes to making our living spaces more enjoyable, to creating harmonious atmospheres and make us feel good by simplifying our lives. Design has a higher purpose that goes well beyond creating something that is pretty to look at and it also helps people come together and enhances the significance of a place, or even an object.

Describe in five words, design to you is...

Angled Seater Chair

A way to liberate myself

New materials to experiment with More than a particular material, I am rather more interested and intrigued to use the new technology that could give a boost to designing products such as 3D Printers.

Your most critically acclaimed designs A furniture piece called “AngeledSeater” that won me a runner-up and an honourable recipient award by two International

Chip n Block Stool

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Log Seater

Chaise Lounge

Plank Stool Offshoot Table

award franchises - Milan and Los Angeles, respectively.

Role of innovation in product design ...

Block Stool

Innovation is the process to create something new or capture existing in a new way with ever improving technological advancements and societal needs. A product has to every now and then be innovated and

improved for it to not just be a good design but also become best-selling product and this can only be achieved when design intersects massively with innovation. Therefore, when the intersection happens at one or many points it results in the ability to think about creative and unexpected solutions to our problems, resulting in improving quality of our lives, in every aspect.

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The Versatile Designer Saket Sethi, Archilogics

F

ounder and owner of Archilogics- Saket Sethi started his architecture and interior design firm in Mumbai.

The Studio focuses on the invisible logic of design with contextual R&D thereby creating innovative solutions for a strong and diverse portfolio of clients. With an impressive educational background, Saket holds a Bachelor’s degree in Architecture from Woodbury University, Los Angeles; and has studied Digital Design at University of California, Berkeley, USA, and Interior Design at New York University after beginning his education at RachnaSansad, Mumbai. Apart from being a full time architect, Saket has also been a model and an artist. Besides he has also been involved in various teaching and judging capacities at Sir JJ Academy of Architecture and recently with RachnaSansad’s School of Interior Design. Recently the interior designer architect has launched its state-of-the art 3D printed furniture, which marks his venture in the product designing segment.

Which were the first products you ever designed?

The first products I ever designed happened very late and that were the 3D printed Crochet table and a set of other products that included flat- pack chairs, coffee tables and works tables, much after our work in interior design and architecture had been established.

What is the role of design in daily life?

Design is just everywhere. Every single product you see around you has been designed by someone for some specific purpose. From the most commonplace to the most essential to the most aspirational products all are created by a rigorous design process to create the best possible design result.

Design must therefore be regarded as fundamental to life itself.

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Al-Truss Chair

Al- Crochet Coffee Table

Design to you is...

Intense, exciting, rewarding, essential and intentional

New materials to experiment with

Role of innovation in product design...

Carbon Fibre, Composites, Nylon and ABS for 3D printing and recyclable waste products

If you are looking to design a good product; say something new - where you are redefining its attributes to create something better, you cannot do it without some research. R&D defines the innovative aspect of what is new and ‘better’ in a product so it is essential to innovative to create good products.

Your most critically acclaimed designs Our first furniture product itself was the winner in the furniture category and was critically appreciated as well.

Al Infinio AUGUST-SEPTEMBER 2016

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Various Wetland Installation

The Artistic Duo

Sachin Bandukwalaand Melissa Smith, banduksmithstudio

M

elissa Smith, having completed her Master of Architecture and Master of City and Regional Planning from the University of California, Berkeley and Sachin Bandukwala, his Bachelor of Architecture from CEPT University came together to found the BandukwalaSmithStudio in 2010.It is an architecture, urban design and research practice. The practice works at many scales, taking on projects of furniture and object design, interiors. For them, Various at Dhobi Talao is a way to explore making in ways that architectural practice doesn’t offer. Here they work closely to innovate with artisans—carpenters, fabricators, metalsmiths and others—accepting only the best, with no limitation from the client. In food, they explore processes of making with a similar regard for perfection and a commitment to quality and traditional knowledge. And happenings allow initiatives to discuss these processes with others engaged in them, to develop a dialogue among a cohort, and to reflect on processes, rather than simply produce.

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Screw Table

Which were the first products you ever designed?

Couples – a double-sided ceramic cup. This product Sachin designed almost two decades ago, but its avatar is actually going into production just now!

What is the role of design in daily life?

Design is everywhere! Just about everything we use is designed, and as designers we think about it a lot. We notice clever details that take care to remove water beautifully, or platforms that mask a height difference while creating a place to sit. The fun is to see things that are so well considered, but often overlooked!

Design to you is...

Observation and innovation in response

New materials to experiment with We are always interested in new materials, but also in recycled objects, like the sheets used to cover the ends

of rolls of shipped aluminium sheets, or burner blocks from kilns. To imagine a new purpose for an existing object is always exciting.

Screw Chair

Your most critically acclaimed designs The reed chair has received a lot of attention, along with an installation based on the same concept: various wetlands. In both of these we use the inherent dynamics of slender brass rods and pipes to create a responsive back support for seating, inserted simply into a shaped wooden base.

These pieces also uphold our ethic of simplicity and smartness in design, where we assemble joints between different materials, and keep the mechanisms as transparent and simple as possible.

Straight Corner Sofa

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WINDOW SHOP

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WINDOW SHOP

Tailor-Made Design

Khosla Associates creates an exquisite retail experience for the Manoviraj Khosla Store at the Leela Palace Colonnade, Bengaluru AUGUST-SEPTEMBER 2016

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WINDOW SHOP

A sumptuous peacock green velvet couch against a striking red carpet is the central highlight of the store

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WINDOW SHOP

Sandeep Khosla

W

hen fashion designer Manoviraj Khosla desired a complete overhaul of his store identity and retail experience with the launch of a prominent new store at the Leela Colonnade in Bengaluru, he enlisted the support of Sandeep Khosla, Principal Architect of the Khosla Associates.

“Our task was to encapsulate the look and feel of the brand keeping in mind the possibility of further stores within the country,” states Khosla.

The store offering a bespoke range of pret-a-porter and haute couture that appeals to the high-end clientele offering them a one-of-a-kind shopping experience.

Conceptual Design As the designer’s forte is menswear, the first point of reference on the conceptual look and feel of the store was the gentleman’s club. The 1,400 sq. ft. of space with 12 ft high ceilings was effectively demarcated to showcase his entire collection from a vantage point.

A sumptuous peacock green velvet couch against a striking red carpet is the central highlight of the store; a similarly striking customised AUGUST-SEPTEMBER 2016

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WINDOW SHOP

chandelier in black lacquer and brass is suspended from the ceiling above the couch. The clothes’ display forms a periphery around this central space.

“We have created a richly detailed wooden cabinetry to house the clothes with diamond padded fawn leather lining its interior shell. The cabinetry wraps along most of the exterior walls and integrates full-length mirrors along its face. The clothes are draped 48

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on signature post-box red hangers and hung in series on polished brass members. A warm glow of light contained within each wooden cabinet washes the clothes with an even glow,” explains he.

“Along the extended length of the store were existing chiller pipes, which we decided to insulate, and then expose with a matte gold paint. One of the cement rendered walls has a story

“

A richly detailed wooden cabinetry houses clothes with diamond padded fawn leather lining its interior shell

”

WINDOW SHOP

The customised chandelier in black lacquer and brass suspended from the ceiling above the couch adds a glam quotient AUGUST-SEPTEMBER 2016

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WINDOW SHOP

The design of the store closely captures the panache and flair displayed by the designer’s exquisite clothing line

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wall with a cluster of frames showing the evolution of Manoviraj Khosla’s ramp shows over the decades,” Khosla further expounds.

At the far end of the store, lies a curtained area where clients can choose and try from a wide range of ready-to-wear ensembles and select fabrics. This space also serves as an area for interaction and discussion between the designer and his clients.

Rich Detailing The brand identity, done by graphic designers ‘tsk’, brings to focus the colour red through the gilded logo on a lacquered red base.

The design of the store closely captures the panache and flair displayed by the designer’s exquisite clothing line. The interior is layered with interventions that span different genres. The industrial ceiling is combined with art deco elements, the colonial cabinetry and mid-century furniture is an outcome is an offshoot of the luxe and eclectic, sometimes raw, décor.

Most of the walls of the store were rendered in a textured polished cement finish, to contrast against the other luxurious materials in the store; namely the entrance wall clad in smoked bronze mirror, the flooring in a textured Travertine inspired vinyl, a deco-inspired fluted wooden reception table, and 1960s chairs clad in violet, red and peacock velvet.

The Manoviraj Khosla store, indeed, is an experience steeped in luxury.

Photos: Shamanth Patil J. AUGUST-SEPTEMBER 2016

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STORE ALERT

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STORE ALERT

On American

Lightscape Tom Dixon arrives on US shores and retails its stunning designs in collaboration with fashion boutique Curve

I

n an attempt to upscale the brand’s presence on US shores, Tom Dixon Lights has collaborated with multicity fashion retail brand Curve to open its first retail store in Los Angeles’ Culver City in the US. For a nondescript name like THE SHOP, the interiors are remarkably designed.

The 30,000 sq. ft. space houses food, fashion and furniture and is lavishly designed to engage the customers with the iconic lighting installations designed by renowned designer Tom Dixon.

Dixon, in a recent press conference, announced that the brand is making a big surge into America. The LA store was designed by Dixon and is illuminated by a range of his different metallic lights throughout. The industrial loft space is inspired by his London’s Dover Street Market store.

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STORE ALERT

“

Tom Dixon chooses to evade the status quo and offer to the US intriguing retail concepts that will bring to life the Tom Dixon experience and offer consumers a new way to interact with the brand

”

The raw concrete columns, exposed ceiling and the white marble feature surfaces provide a perfect canvas to showcase the iridescent wall panels, of corrugated iron and passivated zinc.

The moveable metal-frame partitions are draped with faux-fur throws and marble-patterned sheets, providing temporary backdrops for the furniture and home accessories. The clothes from Curve are displayed on rails set inside giant boxes.

The store puts up a theatrical display of Dixon’s famous ‘Melt’ lamp that glistens alongside the oblong smoky ‘Fade’ lamps. The mannequins donning sparkling sequins flank the Wingback chairs and furry footstools made of sheepskin from Denmark.

STORE ALERT

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STORE ALERT

The space is a living representation of the Tom Dixon mission, to manufacture products that are tough enough for the professional market and attractive enough for the home.

The raw and unfinished interiors of the showroom provide a fittingly theatrical backdrop for the exquisite furniture and extraordinary accessories.

“In a landscape dominated by professional showrooms and multi-

brand retailing chains,” said the company. “Tom Dixon chooses to evade the status quo and offer to the US intriguing retail concepts that will bring to life the Tom Dixon experience and offer consumers a new way to interact with the brand.”

The brand is soon launching its second store in US in a massive warehouse space on the Howard Street in SoHo, New York.

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DESIGN TALES

Suzlon One Earth, Pune

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DESIGN TALES

The MASTER CLASS Prof. Christopher Charles Benninger, Founder and Principal of Christopher Charles Benninger Architects (CCBA) suggests that India is the most conducive ground for young architects to practise on, in a candid conversation with NISHA SHUKLA

A

rchitect and savant Christopher Charles Benninger’s love for architecture brought him to India. This life-changing decision by this American-Indian architect not only witnessed the creation of the first ever low-cost project for economically weaker sections of society in India, but also saw the inception of his architectural studio Christopher Charles Benninger Architects (CCBA) and Centre for Development Studies and Activities (CDSA) in Pune. Besides architecture and teaching, Benninger has developed a passion for working on urban, rural and regional plans along with low cost mass housing projects not only for India but also for Indonesia, Malaysia, Bhutan, Sri Lanka, Nepal and America. His remarkable work in architecture has won him numerous awards and international recognition. Prof. Benninger narrates his journey, his lessons, his philosophy and his expectations from the budding architects.

According to you, what is the most interesting aspect about Indian architecture?

First of all, we should be proud of the

fact that we build buildings at a very low cost in India. In terms of cost, we build buildings at about a tenth the cost of what Americans build with. Besides, we have a wealth of various traditional elements in Indian architecture, which include portals(or large doors) which convey messages to people about social behaviour, having a positive impact on the psyche of the users. Elements like courtyards, mixed-use development and a sense of public and private spaces are things that are very informing about Indian architecture. We have a great history of themes and elements to build upon.

Tell us about your journey from US to India.

In the year 1968, I came to India on a Fulbright Fellowship and I worked at the School of Architecture in Ahmedabad with B.V. Doshi. Later in 1971, I resigned from my assistant professorship at Harvard and returned to India and started to set up the School of Planning at Ahmedabad (1971-1975). Since then I haven’tgone back to work in America, as meaningful work and friendships kept me back in India.

In 1968, I designed a low-cost housing scheme for my friend Sanat AUGUST-SEPTEMBER 2016

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DESIGN TALES Lodha Belmondo, Pune

Mehta in Vadodara, who was a social worker there. In 1972, he became Minister of Housing in Gujarat and requested me to design the Jamnagar Economically Weaker Section scheme, the first scheme in that category funded by HUDCO. By 1978, we had built almost hundreds of low cost houses. That project lead the World Bank to engage me as an advisor to the Chennai Urban Development Authority where we innovated the Site and Service Scheme concept, that provided shelter to more than 15,000 families.

How would you rate town planning, urban design and architecture in India?

I would rate India very low, maybe a one out of ten in terms of both town planning and urban design. Our plans create hindrances to development rather than facilitate rational urban growth. The reason why India is lagging behind is that we don’t have urban designers or town planners employed to work for cities. We need layouts for public spaces, gardens, riverfronts, sidewalks and streets. Of course, this is because our leaders lack vision.

You had once mentioned ‘India is a good learning ground if one is ready to get one’s hands dirty.’

Please elaborate.

One learns more as an architect here in India because we do all the groundwork and are exposed to practical field experience as compared to America, or other countries where everything is corporatised and based on marketing. The architect working in India is directly involved in all stages of design including the planning, negotiating, concept design and explaining the project to the clients.

What is your take on Architectural Education in India? How does it affect the profession?

We have too many architecture schools in India, nearly six hundred architecture schools, but we don’t have 62

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Alliance Française, Ahmedabad

DESIGN TALES

“

I feel that creative people draw inspiration from within their own mind, and not from websites.

Moments of human compassion towards other people, their contexts and environment inspire me

�

Christopher Charles Benninger AUGUST-SEPTEMBER 2016

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DESIGN TALES Forbes Marshall Industrial Park, Pune

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DESIGN TALES

Interiors of manufacturing facility at Forbes Marshall Industrial Park, Pune

“

In short, the architecture fraternity is just producing quantity,but is destroying quality

”

even five hundred good teachers to teach in them. Today we have about two and half times as many students in architectural schools compared to the number of registered architects in India! We are faced with an avalanche of mediocrity that will flood the profession with ill-prepared graduates.

In short, the architecture fraternity is just producing quantity,but is destroying quality. Greedy money makers have hijacked our educational systems!

What are the most important things to keep in mind while designing a building?

The client’s brief (budgets and the required functions), analysis of the physical site (geo-climatic context), and social issues synchronise all of these into a poetic design. It is important to imagine oneself as a future visitor in to the spaces one is designing; to move about these imagined spaces finding peace and happiness.

From where do you draw inspiration?

I feel that creative people draw inspiration from within their own mind, and not from websites. Moments of human compassion towards other people, their contexts and environment inspire me.

What is your design philosophy?

What are you most passionate about?

My design philosophy is oriented around seeking transcendental moments of ecstasy through design: through light, through spaces, structure, forms and kinetic ambiances.

I believe in integrating the interior and exterior bringing nature into buildings. I believe in expressing structure and materials honestly.

Human scale and proportion must be reflected in designs. My philosophy is that people who enter my buildings should have a pleasant and poetic experience, and they should leave my AUGUST-SEPTEMBER 2016

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DESIGN TALES Royal Supreme Court Complex, Bhutan

buildings feeling better about life and themselves.

Kirloskar Institute of Advanced Management Studies

Any particular artist, architect or innovator whose works you most admire?

People who passionately work on new ideas and innovations are the ones who inspire me, like Picasso, A.R. Rahman or Steve Jobs.

Frank Lloyd Wright’s book ‘The Natural House’ inspired me to take up architecture. I loved the way he related buildings to the society, construction to nature and art to culture.

Which project has been most memorable and has taught you an important lesson in practice?

My first project, the Alliance Francaise in Ahmedabad!The important lesson I learned was—‘Be honest to oneself.’ Do things the way they have to be done.

What was your intent behind writing the book ‘Letters to a Young Architect’?

I love architecture, and I love bright,enthusiastic youngsters and I wanted to give people an idea about my philosophy of life, of architecture and certain values that we must 66

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profess. It became one of India’s top ten best-selling books for several months.

How can The Council of Architecture and The Indian Institute of Architects (IIA) organise and promote the architecture fraternity in India?

The Council of Architecture (COA) is a statutory body and the Indian Institute for Architects (IIA) is an association

of committed professionals. The duty of the COA is to protect the public through professional standards. So they have limited powers. It is not the organisations that are failing, but the members who are not working together to highlight the problems of this profession such as poor fees, under cutting fees, and corruption in education. We need to organise themselves. We must start with an oath of values that we all subscribe to.

DESIGN TALES

Any historical building that has impressed you and inspired you?

I love Fatehpur Sikri as a campus complex and not just as a building has impressed me but as an urban design solution that talks about people moving in space, motivated by water and kinetic experiences. The Chola temples of Tamil Nadu are classic urban design complexes that teach me how to think! They teach me of spatial hierarchies, of the integration of the nature and water into built forms, of how to use light and dark areas, of movement and of visual axis, and of our sense of identity!

What is the one design mistake you avoid in your practice?

Never copy another building, even one’s own designs! Never like one’s own designs and always look for faults within one’s own conundrum of imagination. Become one’s own critic, and seek perfection.

What is the influence of international architecture on India?

It has a very negative impact on India, because it is influencing people to copy alien technologies, budgets and functions that are not applicable here.

It inspires the wrong path and flimsy philosophies.

What, in your opinion, is the future of design in India?

I foresee a bright future. In the last five years, Indian industry has realised that in order to sell products, they need to be well designed. Products need to be special! So I think this change should probably start from industrial designing and will slowly advance into architecture. Learning is a slow process!

Share one piece of advice to the young architects.

It is better to know the good in oneself, than to search the ultimate truth. Seek balance between extremes, not the one only perfect solution!

College of Engineering, Pune AUGUST-SEPTEMBER 2016

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DESIGN DIARY

Stanton Williams and Asif Khan to design Museum of London London-based architecture firms Stanton Williams and Asif Khan have been selected to design the new Museum of London at West Smithfield. The preliminary design features spiral escalators, a vast excavated underground chamber, a sunken garden, and an elevated dome that fills the entrance space with natural light. Conservation architect Julian Harrap and landscape consultancy J&L Gibbons will provide assistance on the project. The new museum is expected to be completed in 2022.

Studio Penda proposes design for San Shan Bridge

Elbphilharmonie concert hall to be inaugurated by 2017

Alison Brooks designs for LDF 2016

The Hamburg concert hall – Elbphilharmonie designed by Herzog & De Meuron is set to be inaugurated in Germany in January 2017. The complex houses three world-class concert halls, a hotel, 45 private apartments, and ‘the plaza’ — a public viewing area with a panoramic views of the city. The building is supported by approximately 1,700 reinforced concrete piles. The striking glazed façade comprises 1,100 individual panes, each measuring 4-5 m wide and over 3 m high, which is marked with small basalt grey reflective dots which prevents the structure from overheating.

Alison Brooks Architects has tied up with The American Hardwood Export Council, Arup, and the London Design Festival to present ‘The Smile,’ a cross-laminated tulipwood interactive structure. It allows visitors to walk through. The installation will be on display on the Rootstein Hopkins Parade Ground of the Chelsea College of Arts from 17 September to 12 October, 2016. The Smile which is 3.5 m high, 4.5 m wide and 34 m long has been designed as a huge curved hollow tube, which touches the ground at one point, like a wheel.

Beijing and Vienna-based architecture studio Penda has proposed their design for the San Shan Bridge which will span across the Giu River and provide a gateway in between the city of Beijing to the undulating river valleys in the north. The proposed design for the bridge includes a sequence of arches which forms a pre-stressed doublehelix and is influenced by the Olympic symbol. The structure intersects and supports each other on the bottom and the top with the helix designed and engineered by ARUP. The bridge deck is suspended from the structure by high-strength steel-cables that connect to the arches in a cross-weaving way and its construction is scheduled to coincide with the 2022 Winter Olympics.

Bijoy Jain unveils bamboo design for MPavilion 2016 Bijoy Jain of Studio Mumbai has unveiled the design of MPavilion 2016 which will be used for festival procession in Melbourne, Australia. The 12 m high tower structure crafted in bamboo, earth, stone and rope will reflect a connection between earth, sky and gravity. This uniquely designed structure draws inspiration from age-old crafts and building techniques which resonate strongly with the technology driven world. The structure will take around eight weeks to build.

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INTERNATIONAL FOCUS

A Turkish Affair An exclusive preview into Quasar Istanbul – designed by Marcel Wanders – is due to open in late 2016

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INTERNATIONAL FOCUS

T

he Quasar Residences are situated on the site of the old Mecidiyeköy Liqueur Factory, one of Turkey’s most prominent structures, and is designed

by French architect Robert Mallet Stevens. The interiors is done up by renowned interior designer Marcel Wanders.

This building remains and has been restored into an arts centre and sits as a unique, white, modernist building in a country of such ornamental historical architecture. “This restoration gave me quite some insight into the diversity and integration of east and west and made the design process rich and exciting,” says Wanders.

“A lot of designers and people are in general attracted by the ‘new’, but nothing ages more quickly than newness so I decided long ago that all of my designs would embody my respect for the past. The residences display this marriage between the past and present to create exciting homes that the owners and occupiers will love and find meaningful,” states he.

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“

Luxury starts where functionality ends.

To me, luxury is a state of mind.

And as a designer, my mission is to connect people to design that draws from within them that which they may not even know is inside— a celebration, a joy, an emotion — that may even surprise them

”

Marcel Wanders

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INTERNATIONAL FOCUS

This restoration gave me quite some insight into the diversity and integration of east and west and made the design process rich and exciting

Resplendent Interiors The apartments are large and bright, with magical, festive and surprising decors that are available in three designs offering different aesthetic languages and lifestyles. These three styles are known as Natural, Cultural and Cosmopolitan.

The Natural style is a bright and easy-going interior with materials

such as stone and wood and offers a connection to the natural world.

The dĂŠcor is cosy with wool rugs and soft padded walls and there is a lot of greenery. It is designed for people who love to feel a connection to the natural world while living in a busy city.

The Cultural style offers an eclectic mix of modern Balkan, rich colors and ornamental patterns that make

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INTERNATIONAL FOCUS

Quasar Deluxe Tower - Maison Living Room

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INTERNATIONAL FOCUS

“

The Natural style is a bright and easy-going interior with materials such as stone and wood and offers a connection to the natural world

”

the space feel vibrant, alive and full of contrast, the bathrooms feature custom designed but locally made tiles that give a feeling of the hammam and are on offer for those who wish to live in a style that reflects the history of Turkey.

Cosmopolitan is the third style, a sophisticated, urban layout dwelling with polished and reflective surface, such as marble and cut mirror, that

is for people looking to live the international big city lifestyle.

“At Quasar Istanbul, we create a sensory experience and a meeting point between East and West.

Whether playing with scale or juxtaposing intimate areas with ample breath-taking spaces, the overall vision is to offer residents an individual lifestyle experience while they can choose between three different and beautiful themes – Maison, Loft and Nest,” avers Wanders.

Global Influences The Quasar Head, displayed in the lobby, is an icon for the meeting point between the East and West. Based on a study of faces and features from across the world, the result is a double faced sculpture with an idealised face on one side that represents the east and an idealised face on the other to represent the west. Each face has a unique

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INTERNATIONAL FOCUS

Quasar Deluxe Tower Loft Living Room

Quasar Deluxe Tower Maison Bedroom

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INTERNATIONAL FOCUS

The Quasar Head, displayed in the lobby, is an icon for the meeting point between the East and West. Based on a study of faces and features from across the world, the result is a double faced sculpture with an idealised face on one side that represents the east and an idealised face on the other to represent the west. Each face has a unique personality and acts as an ambassador for either the European or the Asian culture, celebrating the cultural and geographical hub, i.e. Istanbul

Quasar Deluxe Tower Experience Lounge

personality and acts as an ambassador for either the European or the Asian culture, celebrating the cultural and geographical hub, i.e., Istanbul. The head is adorned with tulips, an icon of the country’s culture and work, and as the head slowly turns it symbolises Istanbul’s cultural dynamic.

Many of the spaces feature a traditional Turkish influence, including a modern take on Balkan mosaics, patterns and colours. The lobby also features large spinning ceiling lamps based on the Whirling Dervish dancers which of course are unique to Turkey.

The Quasar Residences articulate the dynamic fusion of the east and the west in a city at the cusp, through both design and history.

Photos: Marcel Wanders AUGUST-SEPTEMBER 2016

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LEAD STORY – WOMEN IN ARCHITECTURE

breaking gender rules H

aving worked rigorously and scrupulously through five years of architecture schools, students are ready to take on a world full of challenges. But what not many are aware of at this stage is that some of these, rather a lot of these, are women who will succumb to the rigors of child-bearing and satiating the needs of their family and will put their ambition on the backburner.

There is a constant concern over inclusiveness in this profession. Years after fighting for equal rights, women are still struggling to be fully absorbed into the system let alone shatter the glass ceiling. Some say, society’s socialisation laws covertly exclude women by treating them as the ‘invisible’ girl child while some others believe the ‘mental block’ is the only barrier a woman will ever need to overcome to rise in any profession. How much of this problem is real or imagined?

We went on to speak to the leading ladies of architecture on the challenges of being a woman in this profession and the recourse taken to re-absorb as many women professionals into the work force over the years. Some insights surprised us outright. It turns out there has been a radical increase in the number of girls graduating from architecture schools, statistics pointing out to metropolitan cities. Nearly

60 percent of the architectural workforce comprises women in urban cities and much lesser in tier two and tier three cities but only a handful continue to work till very late into their career.

Architecture as a career takes well over a decade to sustain and a minimum of two to establish. It requires good networking and a dedicated patronage in the form of good projects to translate into a well-rounded and fruitful career. It is thus astounding to note that women in the 21st century still choose or are made to choose their family over their careers.

These women pioneers, entrepreneurs and principals are the few of the many who have endured years of struggle to create egalitarian workplaces with flexible work hours to induct more women back into the workforce. Some have suggested that families can play a key role in instilling confidence in women following their childbirth and child rearing years, while organisations and colleges can hold professional courses such as orientation on new technologies and revisions of architecture curriculum in order to encourage and motivate them to resume their careers.

After all, a step towards inducting more women back into this profession will be a leap forward for the architectural community!

Leading women architects share insights into how it is to be a woman practitioner in largely male-dominated profession and what dissuades most of them from resuming their careers after a sabbatical, writes Kashmira Pathare

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brinda somaya

A

rchitecture, as we know it today, is a relatively new profession. Until 200 years ago, it was the craftsmen and engineers who were building. Later in the West, it came to be recognised as an upper middle class white man’s profession. It is a dynamic, evolving profession and I have no doubt that women will rise in this vocation.

Women are effectively contributing to architectural practice and I personally do not think that women are any different from men when it comes to designing.

Conceptualising and designing has much to do with the environment than gender—it is a combination of one’s individuality, personality, their education, their association, talent and creativity.

Architecture is an extremely demanding profession, akin any other competitive field today. It requires one to travel, to meet clients, site visits, prepare presentations and ideate and design – all within a tight deadline. The architecture schools today are filled with over 60 percent girl students and the count is increasing world-over. But the real dilemma is where are these women and why are they disappearing from the profession? After having studied for over five years, the women suddenly disappear from the profession to address the needs of their family. The pressure is immense and so are the opportunities but the percentage of women sticking around in the studios are dwindling.

The challenges that one would face in this profession are the same as any other profession. When it comes to specific challenges, the perception of the clients or of the organization where they come from need to be more liberal, open-minded and urbane. To understand, adapt and grow in this profession takes time. Let us not forget, women are already shattering glass ceilings in other professions so the possibilities are endless.

As a woman entrepreneur, I understand their concerns, and we function as a family having each other’s back during personal crisis. We ensure women’s safety at site and at work and adhere to the Vishaka guidelines set up by the government. But on the work front, they are presented with equal opportunities as men and laxity is not acceptable. I do not create bias or distinction between men and women while handing over projects. When women are supported by their family and peers on the private and public sphere, then women’s ambition will inevitably take precedence over deluge of responsibilities at home.

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LEAD STORY – WOMEN IN ARCHITECTURE

Brinda Somaya is an architect and urban conservationist. Upon completion of her Bachelor of Architecture from Mumbai University and her Master of Arts from Smith College in Northampton, MA, USA, she started Somaya and Kalappa Consultants in 1978 in Mumbai. Over three decades she has merged architecture, conservation and social equity in projects ranging from institutional campuses and rehabilitation of an earthquaketorn village to the restoration of an 18th century Cathedral. Her philosophy: the Architect’s role is that of guardian – hers is the conscience of the built and un-built environment. Somaya is a Member of the National Advisory Board of NCSHS (National Centre for Safety of Heritage Structures). In 2014, she was awarded the Indian Institute of Architects – Baburao Mhatre Gold Medal for Lifetime Achievement.

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LEAD STORY – WOMEN IN ARCHITECTURE

parul zaveri

T

o share my personal approach towards design, I feel one’s comfort should be kept in mind while designing. It should be sensitive to the environment and simple in its nature. When it comes to design typology, women architects are more sensitive to designing environment-friendly solutions for people.

Being a woman, I can realise the details that would be required for comfortable living and so as a part of my practice I let the women of the house (clients) have a larger say. Women know which detail is important for the comfort of each and every family member. Creating a healthy and comfortable environment for the women of the house is very important as they are ones who spend the most time in maintaining the house. It is necessary to design a space that is not only captivating but also functional.

As for the profession, there is clear gender inequality seen when it comes to the magnitude of women in architecture in a clearly male-dominated industry. It has always been difficult for women to make a mark in this industry, but not impossible. For a woman it takes ten times more the effort to secure a position and get recognition in the field of architecture. Also, if women themselves start presenting their work in a powerful way, invisible barriers would be shattered.

I have been a part of the first group of women architects team in Ahmedabad in the 80s to form a platform for Women in Architecture to share their experiences, opinions and issues and to offer them encouragement and solutions through dialogue and networking.

In our office, the female employees are provided a more comfortable environment by giving them flexible hours and allowing them to bring their kids along when required to give them complete peace of mind when they work.

Women have the potential to work better than what they think they can. The only thing that holds them back is their responsibilities towards their families after marriage. If we can help them overcome this, we shall have an egalitarian society; gender equality will lead to even better and progressive designs in future.

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LEAD STORY – WOMEN IN ARCHITECTURE

Parul Zaveri along with her partner Nimish Patel established Abhikram, a planning, architecture, conservation and interiors consultancy firm in 1979, with a view to explore design directions and processes, which make Built environment, functionally, psychologically, environmentally and spiritually, more balanced, contextual and comfortable for the end-user. She has headed the conservation team of INTACH-Jaipur chapter, in the Rajasthan Urban Infrastructure Development Project (RUIDP) at Jaipur, Rajasthan, for its `50 crore Heritage Component, from 2001 to 2004. They were instrumental in initiating the Heritage Conservation Movement in Udaipur, Jaipur and Amber. Besides winning several awards for their professional works in architecture, interior design, passive human comfort systems and conservation fields in India, they have also won internationally prestigious UNESCO’S Asia Pacific Heritage Award for Culture, Heritage Conservation in 2000.

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LEAD STORY – WOMEN IN ARCHITECTURE

shimul javeri

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rchitecture is not a profession that sees a genderbased distinction. Though I strongly feel that girls are instinctively inclined towards sustainability and eco-friendly projects, it is just another nature vs nurture debate.

Long time ago, I had attended an exhibition where the kids had to use their imagination to paint the walls of a restaurant. I noticed girls painting stars, moon, mountains and animals while the boys painted aeroplanes, cars and buildings. I believe girls by instinct are more inclined towards Mother Nature and Earth. As one proceeds through education, which I believe to be fundamentally gender-neutral, one is likely to be influenced by ideologies and beliefs etc.

It is socialisation that plays a key role in building the confidence in a woman.The lack of opportunities – subliminally and openly – exists just as the concept of the ‘invisible girl child’ exists covertly and overtly and carries well into adulthood. Girls are made to believe they are less than a man. Architecture as a profession is still seen in the domain ofengineering and ‘manhood.’

Today, the architecture colleges are filled with girls.

Architecture is a consuming profession and in order to establish oneself it would take anywhere between 10-20 years. The remuneration is also inadequate. And often women take a backseat during these childbirth and rearing years. Unless the profession is better valued, it is difficult for women architects to justify the opportunity cost of their careers over their homes.

Often the problem is a woman’s perception of herself.

Women have the necessary skills and intellect to make a mark. But often, after a sabbatical, women are too sceptical to resume their jobs. Some 20 years back, I was part of this interesting programme called The Bridge Course wherein we inducted and trained women, who wished to re-enter the profession after a long break, by motivating them and revising their technical knowledge that they had learnt in college.

Also it is crucial for both men and women to effectively contribute to both public spheres and private spheres.

There is always a worry of ‘double burden,’ where women shoulder domestic responsibilities and work a 9-to-5 job. A woman would be in a much better position to contribute to architecture if her family supports her.

Having said all of this, I firmly believe that belief, focus and passion overcome all biases and every woman-led project changes perceptions dramatically.

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Shimul Javeri, principal architect of SJK Architects is known for diversified portfolio of projects ranging from industrial buildings, educational institutes, residential projects and interior design of large spaces built over 24 years. She has done her Bachelor of Architecture from Academy of Architecture at Rachana Sansad, Mumbai and Masters in Urban Planning from University of Michigan. An awardwinning architect, she is immensely passionate about designing spaces that are ‘grounded’ and have strong philosophical underpinnings.She is also on the Board of Directors of Akshara, a woman’s resource centre.

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chitra vishwanath

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omen architects should proactively be involved in the field of building. There are umpteen women in the construction field albeit working in the lowliest of jobs; women architects should also spend time at the site and be actively involved in constructing. Personally, I think women architects are rather less inflexible than men and can add finesse or bring about certain finality to a project making them an indispensable part of the building process.

For any architect there are two challenges — to deliver a good design and be commercially successful too. I believe it is so for women too. Yes, women do have the add-on responsibilities that take the form of child-bearing and rearing and house chores. But I strongly feel designing is such a beautiful profession that you can keep doing it in the mind at any time at any place.

Women, unfortunately, have entered this profession very late in this era and would have to bide their time. There are certainly more women studying architecture and also being employers. They should not confine themselves to the soft side of architecture but be involved as builders too. There are some very good women designers and architects who are doing fantastic work and am sure in, say, another ten years to the maximum they would shatter the glass ceilings.

The society and the media need to do a lot more in showcasing works of architects who are practicing serious architecture and not be enamoured by the glamorous interior projects which, as such and most of them, are not done by architects at all.

We have created a caring work culture, devoid of gender bias. Our office shows a specific interest towards people development. We create areas of engagement and participative decision making and progressively work towards building solidarity. The only thing I may have done differently is add a kitchen in the midst of our workspace, so our office is blessed with good food at all times.

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LEAD STORY – WOMEN IN ARCHITECTURE

Bengaluru-based architect Chitra Vishwanath is passionate about themes related to ecology and architecture. She has been running her own architectural firm since 1991, working with other architects on many projects in India and Africa. She is now the Principal Architect and Managing Director of BIOME Environment Solutions Private Limited, which has over 30 employees. She has been involved in more than 500 projects encompassing construction of buildings of all sizes and water harvesting and sanitation structures with specific relevance to the ecology of the sites. With mud as a basic material input in construction she has designed and built many structures. Having completed her Bachelor of Architecture from CEPT Ahmedabad, she founded Chitra Vishwanath Architects and was the co-ordinator for in:ch – an indo-swiss sustainability education initiative.

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sonali bhagwati

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enerally speaking, in my opinion, women do perceive design differently than men. This relates to how our brains are wired. Men tend to have a more logical approach and offer a taskoriented perspective while women approach the same more creatively with a ‘tangible’ factor at the forefront.

Though there is a certain distinction in their approach to design, architecture like all other professions is gender neutral. Similarly, the profession requires 99 percent hard work to realise one percent design. This golden rule needs to be followed in order to contribute effectively to the profession. I always like to encourage women. We try to ensure the safety and security when working late. We accept working from home in an emergency if required.

However, I expect 100 percent effort and would not condone laxity. In my view there is no gender in a profession.

You are an architect and are required to discharge your duties like your male co-professional.

Women do face several challenges and often it arises out of safety and security from travelling to remote sites as well as working late hours, social pressures, lack of family support etc. These challenges, more often than not, stem from cultural roots. Women in the West and South of India are generally more emancipated as the social structure encourages them to step out of the house and engage in various activities. The North (India) was traditionally subject to invasions and the women were always protected and stayed indoors.

In our profession, it is very important to keep abreast with developments all over the world, new materials, systems, design trends, etc. One needs to continuously indulge in self study for this purpose. Once you stop this then it becomes increasingly difficult to come back and pick up where you left off.

Zaha Hadid was probably the first woman architect to have gained worldwide recognition. I am sure it took a great deal of grit, hard work, determination and belief in oneself to reach the pinnacle. It is unfortunate that she is the only one so far and I sincerely hope that it changes in the near future.

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LEAD STORY – WOMEN IN ARCHITECTURE

Sonali Bhagwati is the President of DPA. Sonali graduated from CEPT, Ahmedabad in 1986 and received a scholarship from L’Institute Francaise D’Architecture to work in Paris. She has received numerous awards and her work has been published regularly in several books and magazines. She regularly speaks at various public forums on city level issues. She is currently one of the three members of Delhi Urban Arts Commission. On behalf of DUAC she has chaired the Committee for review and restructuring of building bye-laws for Delhi. She is involved in the SUO MOTU city projects taken up by DUAC and is propelling the Shahjenabad rejuvenation project.

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sheila sri prakash

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omen architects are confronted by the twin challenges of a nascent profession and societal conventions. Architecture as compared to other professions is still in its infancy in India. Only in 1972 was The Architects Act passed by the Indian Parliament, when architecture came to be recognized as a profession. Until then, civil engineers were designers and builders. Additionally men dominated the entire real estate industry – thinking, deciding and acting on all matters related to development and construction.

Women have gradually gained social acceptance because of their relevance and sensitive approach to problem solving and team building. They have the unique ability to harness forces of creation and nurture life. However it is up to each, to differentiate and realise their full potential.

Given our cultural bias, women have been slow to evolve as professional designers. It is challenging to cope with the demands of child bearing and of raising a family while delicately balancing the rigors of work. Only the hardiest have the stamina to simultaneously create wholesome work and home environments. Women architects have to persevere more to get opportunities, and make it count.

Recently, the World Economic Forum accepted my concept of holistic sustainability as a valuable guide to urban design. I call it the Reciprocal Design Index. The Reciprocal Design Index (RDI) is a synthesis of social and urban design indicators. Cities of the world in a segment of countries categorised by their gross national income (GNI) per capita become comparable. The social and urban design indicators of a city can be compared with the country’s indicators and / or that of the segment of countries to which a city belongs.

The world is looking to the east for answers to the toughest questions of the century on urbanisation, poverty alleviation and inclusive growth, and I am sure that Indian thinking as exemplified by indo centric approach to architecture will show a path.

We are surrounded by design aesthetics that are synonymous with our region, language and ethnicity. Every architect has to search for her roots to understand what drives her artistic sensibilities.

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Sheila Sri Prakash founded Shilpa Architects in 1979. She is a member of the World Economic Forum’s Global Future Council on the Future of Environment and Natural Resource Security for the 2016-2018 term. She formulated the Reciprocal Design Index in 2013 when she was a member of the Global Agenda Council for Design Innovation to establish, document and incentivize sustainable design in cities. She has been a performing artist, bharathantyam dancer, musician, sculptor, writer and is a passionate patron of the Arts.

Sheila has a B.Arch from the Anna University School of Architecture and Planning and also attended the Executive Education Program at Harvard University’s Graduate School of Design.

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seema puri mullan

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ender has got nothing to do with an architect’s understanding of a project’s potential or the overall goals to be achieved. However, women tend to be more detail-oriented when it comes to looking into the finer nuances of the project, this has to do with their role of house manager. They bring into a project a lot more depth and especially into varied utilitarian aspects.

Women work at home and outside, so it goes without saying that putting double the effort are second nature to them. When they could have easily surrendered their ambition to raise kids and take care of their family, they opted to multitask and carry on with their professional duties. They learn to adapt to changing work environments and circumstances and thus inadvertently making them the best ‘creators.’

I have personally noticed, like detail-oriented people who apply their thinking to everything they do, women tend to ask questions, determine holes in arguments, find logical fallacies and look for ways to streamline complicated processes. Such precision in thought and method is a step towards responsible architecture, it creates structures that a wider section of society can enjoy.

But there is a covert bias and discrimination that remains. When a woman requests for leaves for childcare, she is regarded as bad at organisation and time management but when a man does the same, he is looked on as a benevolent and caring father. At the initial stages of my career, on site men found it extremely difficult to take instructions from a lady. They wouldn’t admit their mistakes and would seek a male architect to take directions from. Luckily for me, my husband, also an architect was extremely supportive of me and would resolve these issues by accompanying me to site.

However it’s only fair to say that this scenario has changed a lot in the last few years , now with so many more women daring to go beyond the home and receiving laurels for their work, women professionals are being accepted in almost all walks of life.

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Having completed her Government Diploma in Architecture (G.D.Arch) from Rachana Sansad’s Academy of Architecture, Mumbai in 1991, Seema Puri Mullan worked for a number of firms before setting up her own practice in 1998.

Her practice has conceptualised, designed and executed a wide range of Architectural and Interior projects of diverse nature ranging from corporate buildings, residential schemes, showrooms, cafeterias and private bungalows.

Her residential and commercial projects have won her numerous awards. Her philosophy strongly imbibes that a design should rise and mould itself from the urban fabric while yet etching itself onto it, architecture, landscape and interior design should blend perfectly so as to melt the barriers between inside and outside.

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revathi kamath

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s far back as my memory takes me, I had always wanted to be an architect. From the age of about five to sixteen, my annual holidays in Bangalore were spent browsing through my grandfather’s architectural journals, withdrawing myself into the designs of Frank Lloyd Wright, Bruno Taut, Bruce Goff, Oscar Niemeyer and many others. I had never heard of a female architect till I learnt of Jane Drew in a climatology class, and Denise Scott Brown in the theory of design class and Pravina Mehta, the Indian architect, activist and scholar through gossip.

For good many years, it never struck me that I would encounter difficulties in the pursuit of self-expression and creativity in this field. In the academic space, gender discrimination was a mere irritant but it did not undermine my creative flow. At work, I developed a protective shield that saw me through the initial years, but building site was still a prohibitive space. Here I encountered hostility, resentment and a deep sense of mistrust. The challenge was to deal with these negative emotions and transform them to create a positive environment for the transfer of information from the creator/thinker to the doer.

At the building site, I remembered Mahatma Gandhi’s words: “Recall the face of the poorest and weakest man you have seen, and ask yourself if this step you contemplate is going to be of any use to him.” The poorest and weakest at the building site was not a man, but it was a woman, the lowest of the low in the building industry.

How could the quality of her life in the building industry be improved? What were her skills? With these thoughts I ventured into the practice that Vasant and I set up in 1980.

In indigenous traditions where technologies are based on local resources, woman plays an important role in building and maintaining a structure, in this case, a mud house. I think this is why the material is special to me because besides its ecological implications it sends out an important message that women are part of the environment and possess the skills to work with it. A traditional woman is confident of building a shelter for herself. It is only in contemporary world that women are excluded from the creation of their environment.

I think it will take time but surely women would realise their potential in this profession.

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LEAD STORY – WOMEN IN ARCHITECTURE

Delhi-based Revathi S. Kamath is an architect and planner and a pioneer in mud architecture in India. She spent her formative years in Bangalore and along the rivers of Mahanadi and imbibed an understanding of nature, people and rhythms of life. Having completed her Bachelors degree in Architecture and post graduate degree in Urban and Regional Planning from the School of Planning and Architecture, Delhi, she worked with Stein, Doshi and Bhalla for a year. In 1979 she started working with GRUP, a partnership firm between Vasant Kamath, Romi Khosla and Narendra Dengle. In 1980, she started the ‘Revathi and Vasant Kamath’ along with her partner which is now known as Kamath Design Studio. The studio has handled wide variety of projects in social, economic and geographical contexts. Three of her projects have been nominated for the Aga Khan Award.

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ponni concessao

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omen perceive and react to spaces at an emotive level that has a great bearing on the final product — case and point is Dame Zaha Hadid. No man in the history of modern contemporary architecture has been able to match the sheer magnificence and innovation of her creations. She was an architect, an artist and a product designer par excellence.

There are other contemporary women architects who have also excelled.

The current women’s liberation and contemporary socioeconomic conditions have encouraged women to qualify and contribute to the art of building. Women must seize this opportunity to contribute and excel in architecture. The social conditioning of traditional women’s role in society has been a great impediment to women’s rights to practice as professionals and it is propounded by both sexes in traditional societies. However we live in enlightened times and these barriers are coming down.

The determination and tenacity to fight challenges are the main elements to shatter glass ceilings. Most women fall prey to domestic issues and compromise on their professional careers.

I would strongly recommend public educational messages in the print and digital media by government at urban, rural and local levels to promote women’s rights and sharing of domestic chores by men in Indian society at all economic strata. The women legislators in key positions must do more to promote not only technical education but also rights of women at the professional workspace.

As an entrepreneur, I personally encourage women workers both in the office and at sites. I encourage women clients to be more expressive about their needs in the spaces I design.

I focus on women interns from tier two and three cities and make it a practice to impart enhanced professional training with specific regards to issues in practice, site management and design.

In addition, I have also designed and built infrastructure such as schools, noon-meal centres and lavatories for underprivileged girls in corporation schools in Chennai. I make it a point to address girl students at the school and college levels about women’s rights and importance of technical education.

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The first woman undergraduate from prestigious National Institute of Technology, Tiruchirapalli, in 1987, Ponni Concessao went on to complete her post-graduate studies from Cornell University USA in 1989 and has worked with Edward Larrabee Barnes Architect, New York City and the National Trust of Historic Preservation, Washington D.C. She has also done her Advanced Professional Studies at Harvard University in the areas of affordable housing, hospitals and research labs in 1992, and has been conferred with Honorary Doctorates from the University of Malaysia and University of Milano for Modern Architecture and Architectural Science. She started the firm Oscar & Ponni Architects with her husband in 1996 to provide consultancy services in urban design, architecture, interiors and engineering services and has won over 71 international, national and state awards.

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abha narain lambah

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rchitecture is not defined or bound by gender or race. I strongly believe that women are already contributing very successfully to the profession.

The number of women joining the architecture is growing and they are fanning out across fields – from conservation to planning, creating new buildings to urban planning.

If there is an example I could set to my peers and colleagues, it would be my determination to set up an independent practice without the help of a man, be it my father or my husband. We started off as an all women’s team but now we have an equal number of men and women working with us. As a firm, there is a conscious effort to help women tide over phases such as childbirth and maternity periods and resume work through flexible work hours. We have also set up a crèche for one of our architects who would bring her baby to office with her every day.

We are losing a lot of women architects along the way who drop out and never resume practice; we need to create more flexible work spaces and supportive work environments that would aid them. It is up to women to shatter glass ceilings if they want. If the desire is strong, nothing will stand in their way. True that earlier architecture was a male-dominated profession, but since there has been a rise in participation of women architects I feel, the concept of glass ceiling is just a state of mind. If you shatter the concept, you evolve.

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LEAD STORY – WOMEN IN ARCHITECTURE

Abha Narain Lambah has a Masters degree in Architectural Conservation from the School of Planning & Architecture, New Delhi and is a recipient of the Eisenhower Fellowship (USA) 2002, the Charles Wallace Fellowship (U.K.) 1998, the Attingham Trust Fellowship 2007 and the Sanskriti Award 2003. Her architectural practice focuses on museum and conservation projects across the country and includes the restoration of 15th Century temples in Ladakh and Hampi, mosques, palaces, forts and caravan sarais in Rajasthan and Punjab, ancient Buddhist sites of Ajanta and Bodh Gaya, urban and regional conservation in Kancheepuram and Shekhawati and colonial heritage in Delhi, Shimla, Pune, Bangalore and Mumbai. She is a consultant to the Global Heritage Fund and World Monuments Fund and has served on the heritage committees of both Delhi and Mumbai. Her practice has won 8 UNESCO Asia Pacific Awards for heritage conservation.

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krupa zubin

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s a fairly large practice, our firm is divided into various teams. We clearly have more women among our senior team and that makes us immensely proud. It clearly shows the sheer will and strength on the part of our female colleagues to attain prime positions within the organization. At a personal level, I strongly feel that women are hardwired to multitask much more efficiently than men.

Be it any other organization, as more women fervently pursue this profession, the ratios between men and women will eventually even out. Women today are more focused and there is a definite paradigm shift in the profession as more women show ambition and passionately pursue their career. This clearly shows that women have been growing in the architecture and design profession. It is worth noting that mainly women editors head all leading national and international design and fashion publications.

Women are clearly making a mark for themselves across various fields. Architecture is no exception. We are seeing a lot of women architects winning major commissions and also heading large individual and group partnerships. Even when it comes to a lot of couples practicing together, there is a clear rise in awareness of the equal credit, among partners, that such firms deserve.

I think setting priorities right is critical. A lot of women do pursue architecture seriously as an education stream however the percentage of women taking it up as a profession is still dismal. This has to change. I would like to presume that it is much easier for women to be career oriented in today’s day and age. More women need to exercise their right to practice after education. The field is exciting and constantly needs aspiring talent to take it to further heights.

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A play of material, the judicious use of technology and a design sensibility that borders on the minimal without being cold, defines the style of Krupa Zubin. Krupa heads the studio ZZ Architects along with her partner Zubin Zainuddin.

She aims at transforming every site into a stimulating environment, rich in inventive detailing. Her dynamic nature and sparkling persona reflects in her work, leaving an everlasting impression on the minds of spectators. Her background of numerous awards and fantastic career experience adds on to the glory of ZZA. She has been regularly giving seminars interviews on various platforms and has been featuring projects and lifestyle tips on a few leading television channels.

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the office in the attic

INSPIRED SPACES – OFFICE

Rubel Dhuna Architects has implemented minimalism to convert a small loft space into a cosy office for two young lawyers in Mumbai

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Rubel Dhuna

umbai-based Rubel Dhuna Architects was enlisted with the task of creating an a typical office for a young lawyer-duo. A loft space of roughly 275 sq. ft. with large windows overlooking a quiet pedestrian zone was converted into a private office.

The clients approached the firm with an exhaustive list of requirements for designing the space, the key concern being maximising the available space. The design team came up with a layout that was fluid and extremely versatile allowing several permutations and combinations. The office was proportionately divided into four spaces – a curved entrance corridor leading to the six-seater conference room and a private study while the stairway from the study takes one to the reading loft. The two areas, conference and study, can easily be combined into one larger space for socialising.

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The cosy reading corner within the office

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The challenge was to keep it as sleek as possible so it wouldn’t fill up the entire space

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Another challenge was to accommodate the exhaustive book collection (library) and paper storage list, without eating into the space.

The curved cabinet became the solid library wall. The wall has a tiny seat and reception area on one side and a large library with overhead cabinets for filing.

RDa kept the palette neutral to give an illusion of space and added to the volume. The space maintains a white canvas with sprinkles of wood tones and silver grey to break the monotony.

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INSPIRED SPACES – OFFICE The conference table is custom-made by RDa using micro-concrete table top with a white powder-coated metal base

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The staircase, lined with smart and de-cluttered storage space, leads to the reading loft

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INSPIRED SPACES – OFFICE

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The space maintains a white canvas with sprinkles of wood tones and silver grey to break the monotony

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INSPIRED SPACES – OFFICE

The curved bookshelves add a pop of colour to the grey-white monotony

The white and silver-grey cement tile from Bharat flooring adds a bold touch to the overall unassuming interiors.

Similarly, a careful blend of materials added much charm to the space; the architects restricted the palette to strictly three materials.

To complement the floors, the RDa workshop custom-designed sleek micro-concrete table top with a white powder-coated metal base. “The challenge was to keep it as sleek as possible so it wouldn’t fill up the entire space,” explains Rubel Dhuna.

A translucent smoked oak paper veneer light also designed by RDa is suspended by a brass rod on the table completes the design. The green planters and books stacked up on the curved library wall add a dash of colour.

Thus, the architects overhauled a matchbox-sized loft space into an impressive office through space maximisation and minimalist décor.

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Photos: Harbirz Inc. AUGUST-SEPTEMBER 2016

Raghuvanshi Mills Compound, 11, Senapati Bapat Marg, Lower Parel, Mumbai - 400 013. Phone: +91 22 49103000 The Galleria, LG Floor - 8, 251-252, New Mangalpuri, M. G. Road, Delhi - 110 030. Phone: +91 11 41055490 W: www.elementto.in | E: info@elementto.in | Facebook: https://www.facebook.com/ElementtoWallpapers

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Artist’s

Den The

A sneak peek into Ar. Manjeet Bullar’s residence located on the Golf Course Road, Gurgaon, which makes one walk down the memory lane with its historical, aspirational and culturally influenced design that spells class and pure luxury.

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According to me, luxury is something that shapes one’s level of acceptance and acknowledgement of his or her own sense of taste, capacity and ambition. It is a tangible means of accomplishment that can be used to define one’s success and achievement in a span of a lifetime

Manjeet Bullar

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ome is a reflection of one’s personality is an adage that holds true for Ar. Manjeet Bullar’s home.

Conceptualised and renovated by design studios – Arteform Designs and Manjeet Bullar Design, this expansive space of 7,500 sq. ft. echoes collected imagery and memory which keeps aspiration, art, history and culture alive and intact.

This lavishly designed house has been made by incorporating natural materials, in forms of space design, comfort, safety and light. The use of everlasting materials like Burma teak and Bottacino marble all around the house and use of timber and granite in the kitchen lifts the quality of design.

Besides, the stairway which runs through the house acts as a central source of light.

All the artefacts used in various section of the house are sourced from the designer’s private collection, and is constantly changed to match the current mood and scheme of the house. On the other hand, the furniture are self-designed and manufactured as per the theme

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A wide view of Bullar’s Hunter Lodge which gives a feel of all that is vintage and forgotten

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INSPIRED SPACES - HOME

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The uniquely designed Bullar’s Studio includes a red table along with black art frame – which is inspired

by Le Corbusier’s ‘Tower of Shadows’ in Chandigarh

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and concept set by the designer for different rooms.

The design of the lively drawing room welcomes the guest and clients with purple sumptuous sofa surrounded by vines, flowers and other motifs in both Indian and European ornamentation along with the Raku pottery and lattice table lamps which spells comfort, elegance and history.

The living room adorned with the purple sumptuous sofa and abstract artwork add to a sense of contemporary opulence.

A view of master bedroom which is designed on the theme of Dhan-a-Lakshmi AUGUST-SEPTEMBER 2016

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The master bedroom, studio and the hunting lodge are the key highlights of the project. Based on the theme of ‘Dhan-a-Lakshmi’, the master bedroom is designed in a way where the moving sunlight fills the room with colour, peace, hope and abundance.

Besides, Bullar’s favourite room – the Hunting lodge traps all his army memories and seeks inspiration from all that is vintage and forgotten.

Besides, the uniquely designed Bullar’s Studio includes a red table along with black art frame – which is inspired by Le Corbusier’s ‘Tower of Shadows’ in Chandigarh. The shadows cast on the table pays homage to Le Corbusier’s work.

In short, the overall design of Bullar’s residence exudes luxury and comfort which is effectively blended with the theme of art, history and culture.

The green chaise and the alabaster lamp at the foyer area evoke a sense of sublime grandeur and comfort of a bygone era

The pearl coloured leather sofa and white alabaster lamps at the guest’s bedroom spell luxury

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THE ARCHITECT’S NOTE

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I have realised the need for doing things Better, Faster, Cheaper – but always crafted appropriately, and correctly detailed and specified, to achieve the desired look and feel, at a reasonable cost

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luxury within

your means Alfaz Miller, Principal Architect and Founder of ABM Architects emphasises on the need to cater to the aspirations of price-sensitive Indians through affordable luxury

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Taj-GVK Hotel, Bengaluru

aving been around a long time in the profession of design, I can state one thing confidently: India is a pricesensitive market for consumer goods and professional services. While brand consciousness is growing, the average age of people – including my clients – who want to consume and experience these brands, is getting lower. The aspiration of the Indian consumer has changed dramatically. Indians are now more exposed to the world. After liberalisation of imports, albeit with high duties, imported designer goods are now accessible in India. But the spending power in dollar terms is still much lower than the West – hence the growth of ‘Made for India’ labels.

This is most evident in the car industry, which endeavours to satisfy us with ‘stripped down’ models. Given that India is a developing country, this is obvious.

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As our economy is merging with the global economy, how do we ‘Make in India’ and meet the aspirations of the consumer for designer goods? We do it by offering AFFORDABLE LUXURY. As an architect and interior designer, I have realised the need for doing things Better, Faster, Cheaper – but always crafted appropriately, and correctly detailed and specified, to achieve the desired look and feel, at a reasonable cost. That’s the mantra to stay in demand. This requires experience and an understanding of the construction and manufacturing processes. When I started my career, there were no computers in an architect’s office: my early training was on site and in workshops where I sometimes worked with my hands.

This intense, closely-involved, tactile, hands-on approach to design and design processes cannot be discounted in this digital age. When I dropped my

MIAL CIP Domestic Lounge

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I started my career, there were no computers in an architect’s office: my early training was on site and in workshops where I sometimes worked with my hands. This intense, closelyinvolved, tactile, hands-on approach to design and design processes cannot be discounted in this digital age MIAL CIP Business Class Lounge

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THE ARCHITECT’S NOTE

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MIAL CIP First Class Lounge

daughter for an undergraduate design program,I fondly remember the words of Prof. John Meada, the President of the Rhode Island School of Design, ‘Thanks for giving me your kid, I will make her work with her hands.’”

Design and the knowledge to adapt alternative materials is key to achieving Affordable Luxury. For me and my firm ABM Architects, the sensitive, contextual and appropriate approach is also bolstered by the availability of good materials (including hardware) and the native skill sets of our workers – the latter especially makes it possible to achieve the seemingly impossible. A silver finish can now be done with paint or very thin silver leaf; white metal substitutes silver too. Faux leather has many options. Made-to-order, locallywoven fabrics are quite amazing.

Chandeliers made in Moradabad, both original designs and copies, are good; so are carpets and rugs. We have the advantage of the availability of skilled craftsmen, for wood, metal and inlay works.

To me, adapting Indian forms, crafts and materials to contemporary designs, makes luxury more affordable.

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“

Thanks for giving me your kid, I will make her work with her hands

MIAL CIP First Class Lounge

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The Convergence of Premium Brands One can find everything from weathered veneer floors, scintillating lights, Italian and Spanish brands of furniture,Turkish thematic kids’ furniture, skilled needlework on fabrics and upholstery, designer wallcoverings and more.

Apart from an interesting line-up of European furniture brands like B&B Italia, Andreu World, Danca, Cilek, we are also hosting premium Indian designers like Klove, Vibhor Sogani, Sarita Handa, Iqrup + Ritz and more. The show will witness the convergence of elite brands in the interiors segment. We profile select brands and in a quick tête-àtête find out their predictions in the home designing segment and what surprises are in store for visitors at DDS 2016.

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Credit : Grandeur

In a recent spate of trends, where architects travel abroad to source ultra-luxury, superior quality furniture from Europe, Decorama Design Show was conceived to bridge the sourcing requirements of the Indian architects and designers and fulfil the procurement requirements of hospitality, real estate industry and home owners.

The first edition of The Decorama Design Show, to be held on September 2-4, 2016 is bringing together the best of luxury brands in the interior architecture, furniture, lighting, wallcoverings, soft furnishings and home décor and accessories. The brands will be showcasing their unique designs in a brilliant set-up spread over a lavish 2,000 sq m area at Hotel Sahara Star International, Mumbai.

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Rohin Ramchandani, Managing Director at Grandeur

Serving Excellence Founded in the year 1998 by brothers Ravi and Rohin Ramchandani, Grandeur provides its customers with a wide range of modular kitchens, appliances and furniture from premium European brands. Through their showrooms in Delhi, Mumbai and Bengaluru, Grandeur displays an exclusive range of Italian and German modular kitchens that are functional, aesthetic and fully customisable. Besides, the brand also collaborates with some of Italy’s finest furniture brands to provide its customers with world-class wardrobes, innovative wall compositions, as well as exceptional living, dining and bedroom solutions.

What is your brand USP? What sets your brand apart?

The Grandeur promise extends far beyond the product itself and focuses on each client relationship individually. Our customers get expert world-class service, assistance and professionalism along the way. That is what sets us apart from the other firms in the industry.

What are the latest trends in the home renovation segment?

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with good home-design right now. Minimal colours, monochromes are popular and are often accented with small splashes of bright contrast colours. A lot of glass is being used across the interior spaces in the house. Moving away from clear glass, the trend is shifting toward lacquered, back-painted, matt-treated glass. We have seen this across kitchens, wardrobes and also living and dining spaces. Another popular trend is inconsistent heights and depths of furniture and modular systems to give a certain character to the interiors.

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Prateek Jain and Gautam Seth, Co-Founders, Klove

Timeless Luminance Co-founded by Prateek Jain and Gautam Seth in the year 2005, Klove is a luxury boutique studio that specialises in decorative lighting installations. The brand specialises in an array of products like sculptures, installations, chandeliers, wall mural concepts, lamps, pendant lights, outdoor lighting, screens and smaller home accessories and mirrors designed especially for indoor and outdoor commercial space. As a luxury boutique studio, Klove combines glass, steel, brass, ceramic and stone to construct installations, objects and statement pieces. The design themes flow from neo-classical to contemporary, combining different temporal and textural styles, keeping in mind global customers who are looking for timeless and bold art pieces suited for modern living.

What is your brand USP? Large scale customised lighting options in hand blown glass is our brand’s USP. Besides, we experiment and combine a lot of materials like glass, steel, brass, ceramic and stone to construct timeless and bold art pieces based on our design 130

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theme which ranges from neo-classical to contemporary.

What are your predictions for 2017?

We are looking forward to revive art deco theme in our statement pieces.

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Apoorv Agarwal , Founding Partner, La Tendenza ( for B&B Italia)

Crafted to Perfection Leading Italian design company B&B Italia was founded in the year 1966

by Piero Ambrogio Busnelli. The brand’s commitment to research has resulted in a furniture collection that represents an unrivalled alchemy of creativity, innovation and industrial skills. B&B Italia is present on the home furniture market with three collections: B&B Italia, B&B Italia Outdoor and B&B Italia Project. The company was brought to the country through La Tendenza – a luxury solutions company.

What is your brand USP? The pursuit for perfection has always been fundamental for us together with the great attention to quality and detail. Each product is conceived, designed and studied to the last detail to ensure a long-lasting experience that challenges time, which is the core USP of our brand.

What are your predictions for 2017?

Indian furniture market has experienced modest acceleration in the year 2016. As the Indian Economy gets more and more exposure from the International market, the Indian customer is becoming more conscious about ‘Design and Technology’ which is helping us to grow better in

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the near future. Since, there is a continuous boom in the luxury market and increase in construction activities; we can expect acceleration in our turnover too. Thus, we predict an optimistic 2017.

Tell us about your new collection to be unveiled at the Decorama Design Show?

We will showcase some of our best collections at the 3-day show designed by the top-most International designers. You will experience an International lifestyle that expresses modernity, research and a creative spirit. We will take you on an interactive journey around our collection through the exhibition that will expose brand new living spaces, revealing the furniture within them.

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Pritesh Modi and Akshay Adhalrao, Managing Directors, Vita Moderna

Designed With Finesse Founded in 1959, Flexform is an Italian family-run industrial company that specialises in the production of finely crafted sofas and furnishings, with an innate focus on design culture, research, innovation and technology. In the year 2001, Flexform introduced a new brand: Flexform Mood-a complete collection for home characterised by an international and sophisticated classical taste, it develops and modernises a style between deco and retro. Flexform is carrying its operation in India through Vita Moderna, an integrated luxury solutions company for the residential segment started by young and motivated entrepreneurs Akshay Adhalrao and Pritesh Modi.

What is your brand USP? What are the latest offerings by your brand?

Comfort and elegance are the main themes of our offering and the essential values of Flexform.

We have recently unveiled The Ettore and Zeno Sofa, which reflects our core values –comfort and elegance.

What are your predictions for 2017?

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who are very demanding, well-informed, widely travelled and the ones who aim for a lifestyle that transform a house into a home.

What is in store for the Decorama Design Show 2016?

Decorama Design Show is a great confluence of the most high-end interiors brands from all across the globe. Flexform is eager to showcase its vast range of products that embodies a refined living experience with Italian origins.

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Patricia Urquiola, Architect and Product Designer (on behalf of Andreu World)

Ergonomic Designs Founded in the year 1955, Spanish firm Andreu World is an international leader in furniture design. It is better known for its state-of-the-art manufacturing facilities and practices, attention to detail, excellence and good design. The brand strives to create sustainable and innovative designs, providing durable furniture solutions that allows one to enjoy the spaces that people utilise in a smart and healthy way. The brand has collaborated with reputed designers like Lievore Altherr Molina, Patricia Urquiola, Piergiorgio Cazzaniga and Jasper Morrison amongst others.

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What was the inspiration behind your designs for Andreu World?

What are the latest trends in the home design and renovation segment?

My everyday life and my relationship with the brand, its history and the empathy created with the people inside it. Nub is an emotive object, an element of my memory located in the context of my infancy, when I used to play with the bobbins that my grandmother used when she was making lace. These small wooden bars were playmates, which I have revised and redesigned in order to provide a base for the search for successive typologies. I always incorporate my domestic, private and past lives into my projects.

Sustainable and comfortable designs for indoor and outdoor applications.

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Tell us about the trending collection by Andreu World for 2016 and 2017 Ergonomic and innovative design and the use of ultra-durable materials in the indoor and outdoor collections highlight the new 2016 pieces. The trending predictions for 2017 include include Nub collection, modular sofas as Raglan, multipurpose chairs as Flex- by Piergiorgio Cazzaniga.

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Aadesh Runwal, Luxury Business Strategist & Partner Director at Ergon Luxe

The Workspace Specialists Quinti is a dynamic company on the office furniture market since 1975 and it specialises in manufacturing of armchairs, chairs and furniture for the office and contract. Each product of Quinti is the result of careful analysis of the materials used, combining the qualities of ancient tradition with the constant innovation of technology, especially the design which is more and more refined. With the use of the Italian components and mechanisms only, all the furnishings and metal frames are produced internally at Quinti. The brand manages its operation in India through Ergon Luxe which aims to help European companies to strategise their business plans and venture into the Indian market.

What is your brand USP? The core USP of the company is soft seating solutions for office and commercial use, and a large experience where the tradition of the Tuscany handmade is a part of its history.

What are the latest trends in the office category?

Talking about design products, your attention will be captured for sure by the modular sofa like Box designed by Marco Cocco and Nerta, a wooden 138

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chair with Spanish style, designed by XIMO ROCA. These are the current trends in office category.

Tell us about the new collections to be unveiled at the Decorama Design Show?

Quinti is showcasing at Decorama for the very first time and our goal is to show our visitors that all our products are crafted from passion and with style, following the latest trends and keeping competitive price points in mind for all kinds of projects.

Inspiring colours and materials will be on display.

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Aadesh Runwal, Business Strategist and Partner Director at Ergon Luxe

The Aroma of Luxury Founded by Alessandro Agrati, Italy-based Culti Milano, the unrivaled benchmark in the world of home fragrances and pioneers of rattan stick fragrances, was launched in 1990. Its fragrances are famous for their elegance and for their original combination of scents.

The brand focuses on manufacturing perfumery products that are characterised by a unique style that lays emphasis on quality.

Culti Milano entered the Indian market through Ergon Luxe – which aims to help European companies to strategise their business plans and venture into the Indian market.

What is your brand USP? Originality, Quality and Design

What are your plans for 2017?

Culti as a brand in India will shift its focus on retailing from the most exquisite showrooms in home decor in the country. We will be available in all major Tier-I and Tier-II cities with a huge inventory to suffice to the ever growing demand for the products all across. India’s very first 140

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standalone showroom for home fragrances are on its way very soon.

Tell us about your new collection to be unveiled at the Decorama Design Show?

On this occasion, Culti Milanoby Ergon Luxe will present a huge variety of new products,which are always in line with the unique and sophisticated style. Besides, we will also showcase home perfumes such as Aramara and Mareminerale.

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Iqrup Dhamija, Founder at Iqrup Design and Ritika Dhamija, co-founder, Iqrup + Ritz

The Artistic Weave Run by mother-daughter duo, Iqrup Design specialises in luxury architectural interior services and bespoke furniture while Iqrup + Ritz creates contemporary handcrafted furniture. Founded in the year 1985 by Iqrup Dhamija, the Iqrup Design approach ranges from contemporary, modern or classic driven by their clients’ requirements and custom-tailored to their needs. Over the years the firm has done over 400 projects and has delivered products across India as well as done projects in the UK and the US. What is your brand USP? Iqrup:Iqrup Design uses a confident mix of traditional and contemporary design to achieve interiors that are chic and timeless — both familiar and fresh at once. The studio takes an individual approach to create a truly personalised interior that incorporates a client’s collections, artwork, heirlooms, taste and personality.

Ritika:Iqrup + Ritz is the quintessential destination to create elegant and refined spaces. Our design philosophy is deep seated in detail, fresh aesthetic and a sophisticated palette. The brand revisits classical shapes and global styles from different 142

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periods and countries to update them for contemporary living.

What are the latest trends in the home renovation segment?

Iqrup:Green is a big trend for 2016 from rich emeralds to more earthy dark tones. We also see the use of natural and organic materials such as wood, terracotta and stone complemented by accents of warm hues like rust and toasted almond.

Ritika:Design has gone retro but in a modern updated way. Geometric shapes, rounded corners and colours like gold, lime and black produce a

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contemporary interpretation of retro chic. There has also been a return of the 1970s staple bar cabinets and sideboards.

What are your predictions for 2017?

Iqrup: Prints are back in a big way in interiors. The great thing about decorating with patterns is that there are no rules and it’s good to experiment to find what works best for your space.

Ritika: We’re expecting the revival of another 70s trend – ‘Bohemian’ interiors. Visualise the home of a bohemian traveller who loves collecting artefacts and textiles. In there you would probably find a BeniOurain rug from Mororcco, a Kilm from Turkey and woven baskets from Zanzibar.

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Suparna Handa, Brand Director, Sarita Handa

Intricate Needlework Since the establishment of its business in 1992, brand Sarita Handa is known for its pure design made with uncompromised craftsmanship.

Focussing on its key strengths – design, innovation, exquisite detailing and quality workmanship, has turned the brand from being a leading export house to a major luxury retail brand. Apart from manufacturing internationally inspired textile and linen range, the brand also looks into a comprehensive line of furniture and decorative accessories too.

What is your brand USP? The brand endeavours to constantly embed traditional crafts, skills and techniques into the designs, thereby promoting handmade merchandise. The use of 100% cotton fabrics, hand-embroidered textiles and furnishings, semiprecious stone inlay furniture, handmade wooden furniture, woollen carpets made from banana tree extracts, charcoal art by budding artist make the USP for the brand.

What are the latest trends in the home designing?

On the home dĂŠcor front, people today like to mix and match their furnishings as per the colour and pattern used on the walls. The latest trends in the 144

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home segment include decorative pillows, curtains or roman blinds in bright damask or multi-coloured embroidery. On the upholstery front – side chairs with statement fabrics, florals, Ikats and Suzani are mostly preferred, along with bold coloured upholstery fabrics with coloured wooden finishes.

Tell us about your new collection to be unveiled at the Decorama Design Show?

The visitors can look forward to fabric like designed wallpapers with a two dimension effect along with a new range of stone inlay furniture like coffee table, console, dining table tops, mirror borders and cabinet panelling done up in semiprecious stones.Besides this we will also launch the AW 2016 collection.

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Elif Yeşim Şahi, Dutch Spokesperson for Danca

Timeless Pieces Established in the year 1997, Netherlands-based Danca is better known for producing high quality, innovative and timeless furniture products. The materials used in production are processed in Danca; this allows the company to offer the best ratio between competitive prices and quality with its products. With an indoor production facility spread across 5,000 sq.m. makes this Dutch furniture brand the most innovative furniture manufacturers. The firm has collaborated with internationally renowned designers like Teun Van Zanten, Michelle Moore Mat Linders, Hugo De Ruiter, Robert Nimwegen and Thomas Althaus to enrich their furniture collections. One of the most important aspects of Danca-brand products is the process of covering foams with primary, cotton covers, called ‘’second skin’’.

What is your brand USP? To provide our customers with lifetime comfort

What are your predictions for 2017?

For 2017, we are planning to extend our footprints more in India, Middle East and Europe.

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Tell us about your new collection to be unveiled at the Decorama Design Show?

The new collections to be displayed at the Decorama Design Show includes a number of seating groups, lamps, cushions, carpets and furniture

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Rohit Gupta, Director, Elementto Lifestyle

Transforming Walls with Art Since its Inception in 2006, Elementto Lifestyle founded by Rohit Gupta, is setting new standards with its ultimate quality and sophisticated services related to high-end range of interior lifestyle products such as wallpapers and furnishings. The brand houses an assortment of designs and patterns that blends into diverse concepts and aims to provide holistic yet aesthetic look to the Indian market catering to homes, commercial projects, retail outlets, hotels and restaurants.Besides this, the wallpaper brand has tied up with lifestyle brands like Armani Casa Collection, Elites, Philip Jeffries and various other reputed brands.

Furthermore, it has more than 300 franchises across the country.

What is your brand USP? Availability of variety of designs and patterns and maximum ready stocks that can be delivered in a day is our USP.

What are the latest trends in the home renovation segment?

Handmade, rich and pure fabrics and glass beads are the latest trends for 2016. While raffia, jute, glass beads, geometric patterns and 3D are 148

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trending currently. Besides vintage florals are amongst the top choices of customers.

What are your predictions for 2017?

Times are changing and we can see an increase in rich pure fabrics, handcrafted papers and glass beads designs. Besides, I think murals and landscape will be the new style for decorating homes along with medallion and paisleys from traditional times are creeping in the 2017 trends.

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Prashant S. Dalmia, Managing Director & CEO of Dalmia Decorus Pvt. Ltd

The Seasoned Veneer Acespace, promoted by Dalmia Decorus Pvt. Ltd, is an interior infrastructure company providing state-of-the-art bespoke products such as decorative veneers, wooden floors, wooden panels and wooden planks. Founded by Prashant Dalmia, the brand strives to provide best quality products sourced from locations across the world such as Europe, America, Latin America, Africa and Asia. The brands USP is to provide bespoke products of the varied range like Veneers, flooring, wooden panels, and wooden logs etc, all under one roof.

What is your brand USP? Our brand boasts in providing excellent service and robust infrastructure with its bespoke products of varied range allied to the wood and veneers under one roof in one of the biggest showrooms in its category in India, produced in the state-of- the art quality and technology.

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runs up to 12 ft long cut and sliced with very latest technology from Milan, Italy.

What is in store for 2017?

We are planning to come up with veneers in modern finishes along with minimum play on colour on the interior front.

What are the latest trends in the home renovation segment?

What can the visitors expect at the Decorama Design Show?

We have introduced the latest veneer collection from Italy which is called the ‘The Palace collection’premium Italian veneers which comprises of the value-added range in different metallic colours, weathered and vintage finishes.

Besides we have come with veneers whose size

For visitors, it will be a first-hand experience wherein they will witness some of the latest and most exotic veneers in the pre-dyed, metallic, weathered, smoked and distressed finish. All the samples of the latest veneers will be displayed in polished and full length sheets.

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Asim Merchant, Karishma Bajaj and Paul Rodrigues Co-Founders at Red Blue & Yellow

An Ode To Craftsmanship Red Blue & Yellow (RBY), the contemporary furniture store was set up by the young trio Karishma Bajaj, Asim Merchant and Paul Rodrigues in the year 2000. The three partners were united in a singular passion for furniture and design in general. With a primary focus on original design, the trio has had to extend their purview to design, manufacture and retail. The brand aims at producing designs that can blend with all kinds of interiors but can maintain its own identity.

What is your brand USP? Our brand USP is to provide India with original, intelligent design using high-quality craftsmanship and materials at an appropriate price.

What are your predictions for 2017?

2017 will be an exciting year for design. We foresee a new age luxury – where the focus will be on more evolved sustainable design, rather than materials.

Tell us about the new collections to be displayed at the Decorama Design Show 2016?

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in home design. Also we will be focusing on our projects division – which is different from retail – where we work closely with architects or homeowners to undertake, customise and execute entire homes or large turn-key projects, all with the distinctive RBY touch.

What are the latest trends/designs in the home renovation/designing segment?

We are moving away from bright tones to subtle and pastel colour palettes. Besides, we have inculcated a philosophy of using solid timbers and natural materials as far as possible, and minimising the use of formed and artificial materials. Large and bulky sofas are also making way for slim stylish designs.

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Manjari Thanawala, Creative Head at Chesterfield Furniture

Durable luxury Chesterfield furniture began with an evolution towards perfection on the drawing board, followed by an exhaustive research into the selection of the materials that will be used. Each unique piece of furniture offered is not only an aesthetic masterwork, but it is engineered on the durability front also. The brand strives to carefully study the products in every phase of production beginning with design where harmony, proportions and colors are carefully studied with equal emphasis on quality.

What is your brand USP? We offer customised, expert solutions for interiors and furniture, world-class smart Italian product ranges with integrated technology and an array of textile and furniture upholstery represent our brand’s USP.

What are your predictions for 2017?

We are keen on integrating technology in furniture and soon we will be having smart furniture in our house which would be of multiple use.

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Tell us about your new collection to be unveiled at the Decorama Design Show?

We will be exhibiting a well-finished apartment, with an elaborate wardrobe with German fittings, exotic veneers, exotic wood and leathers. The smart bed continues to be our USP wherein one can use it as a sofa or a bed and it is fully automatic.

The focus remains on seamless finishing with the touch of glamour and ready solutions for all functions which includes automation in wardrobes, slides in book cases and high gloss finishes.

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Vaibhav Mehra, Partner, La Tendenza for Brand Reflex

Expressions in Murano Glass Started in 1987 by Luciano Lucatello, Reflex is known for its high quality, technologically advanced products. The brand has always made use of new materials such as Murano glass, marble, wrought iron and wood. In 1994, in order to complete the series of its products, Reflex fully renewed the production of a firm which was already skilled in furnishings. Reflex collaborates with well-known Italian and other international architects for their furniture design including Sacha Lakik, Maurice Barilone, AndrèePutmann, Arnaldo Gambaand Leila Guerra.

What is your brand USP? The soul of the company is the harmony of design, innovation and technology. The search for the highest quality of products has driven Reflex to employ new and valued materials, not only wood and wrought iron but also marble and the characteristic Venetian Murano glass that makes Reflex manufactured ware, that makes Reflex manufactured ware unique.

What are the latest offerings by your brand?

This year the company has introduced collections showcasing luxurious materials like the MESH 156

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Glass, new colours for lacquered wood samples, and wood essence like the FrisĂŠ. The brand has also launched the Pininfarina Collection that displays contemporary taste and Avant-GardeCollection that complements glamorous spaces.

What are the latest trends in home designing?

The company is focusing on a TOTAL LIVING concept where new kinds of styles blend together in unique spaces. The contexts are characterised by harmony and functional design. All the spaces, from the living room to the bedroom, follow the same stylish line.

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What are your predictions for 2017?

As the Indian economy gets more and more exposure from the international market, the Indian customer is becoming more conscious about the design and technology which is helping us grow better in the near future.

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Shivangi Shah, Founder at Hive Homes

Bespoke Lighting Founded by Shivangi Shah in 2010, Hive Home – a lighting design studio based in Mumbai, offers stunning range of bespoke light installations, created to challenge and enhance spaces such as hotel lobbies, receptions, staircases and atriums, restaurants and private residences.

Hive Home combines the authenticity of the glass craft with innovative technologies and creative craftsmanship.

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What is your brand USP?

What are your predictions for 2017?

Transforming glass into breathtaking light and design experience by combining the authenticity of the glass craft with innovative technologies and creative craftsmanship is the USP of my brand.

The race to build the best 3D-printed interior designs has begun. Adapting 3D printing for dĂŠcor opens up a new realm of possibilities for decorating and creative innovations.

What are the latest trends in the home renovation segment?

What is in store for the visitors at the Decorama Design Show?

Industrial look in the furniture, rose gold in metal finishes, Ikats as a fabric used in upholstery.

The best of international and Indian brands will be showcased at the show.

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Bedraj Tripathy, Associate Vice President – Marketing, Godrej Interio

Customisable Luxury Godrej Interio (GI) is India’s premium furniture brand in both home and institutional segments with a strong commitment to sustainability and centre of excellence in design, manufacturing and retail.

The brand aims to transform spaces with its thoughtfully designed furniture to create brighter homes and offices with products that have the highest design quotient in aesthetics, functionality, ergonomics and technology. The brand believes in ‘Talk Green, Walk Green’ concept which lays emphasis on usage of eco-friendly materials, setting up of less polluting and consuming processes, eco-friendly packaging and transportation, and finally recycling/re-use of used furniture and scrap.

What is your brand USP? Our USP is user-friendly products designed as per user’s lifestyle and usage pattern, flexibility of product usage and configuration for home and work spaces, widest reach and largest customer base.

What are your predictions for 2017?

Products designed for homes will become warmer, softer and caring. There will be revival in demand for wooden furniture and upholstered products.

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Consumers are increasingly opting for pastel colours which will continue in 2017 as well.

What is in store for DDS 2016?

Godrej Interio kitchens are designed as per the anthropometric data of the Indian woman and the ergonomics. GI is the only brand which offers the kitchen body in galvanised steel which prevents it from corrosion. Likewise, we also have a premium range of modular kitchens under brand Cuisine Regale which caters to lifestyle customers.

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The Minimalist Zayin Living offers an unparalleled range of distinctive, handcrafted furniture and home décor accents and has been developed under the keen eye and experience of its parent company Essentials Design.

Spearheaded by Lata Valia, the Zayin collection displays an unparalleled range of exquisite furniture and fine interiors. Following the ‘less is more’ philosophy, the brand relays from chic home décor accents and accessories to Zen-inspired including minimalistic pieces, European design and state-of-the-art furniture.

What is your brand USP? Our strength lies in combining different medium of materials and using them innovatively and in a minimalistic way. The end consequence is a product which stands out distinctly from others adding a quiet and subtle sophistication.

What are your predictions for 2017?

The luxury furniture division today significantly benefits from the rise in the disposable income, globalisation and major population shift to the urban areas worldwide. As technology progresses, furniture designers get more innovative and daring with their designs. The luxury furniture market is 162

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anticipated to attain market value about $5 billion by 2017.

Tell us about your new collections to be displayed at the Decorama Design Show 2016?

Zayin Living designs contemporary classic and fusion furniture which blends in any kind of interiors, be it commercial residential or hospitality. At the Decorama Design Show, Zayin will be displaying a fusion of different current trends in terms of colours, textures, fabrics and materials that will create an experience to cherish and infuse in interiors

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Preserving Art and Culture The Bombay Store is a heritage store and its foundation was laid during the Swadeshi movement over a hundred years ago. The Bombay Store still continues to preserve the rich legacy by getting handpicked handicraft items from all over the country under one roof. It is the one shopping destination that comes to the customers’ mind while looking for lifestyle products that are a perfect blend of contemporary and traditional techniques and art forms. The brand specialises in categories such as artefacts, home decor, fashion, and wellness.

What is your brand USP? The products at the Bombay Store are unique and have high aesthetic value. Even today, a stroll through the store is a visual treat and gives you the vibe of the aesthetic and culturally rich India.

What are your offerings for 2017?

The year 2017 will all be all about offering your customers something very exclusive. We will be adding a lot of contemporary artefacts in different metals with different finishes. We also feel there will be a lot of demand for quirky and vibrant products for which we will be working on our inhouse designer range also.

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Tell us about the new collections to be displayed at the Decorama Design Show 2016?

Decorama Design Show is a great platform to meet all the who’s who of different industries and we plan to display our rich legacy for them through our products. We will be showcasing the best of The Bombay Store for them. From hand-crafted brass artefacts to Pashmina shawls from Kashmir, Dokra art of Orissa to chest of drawers adorned with cone work from Rajasthan, whitewood handcarved artefacts to bone work products hand painted with Mughal paintings. Thus you will have a glimpse of a smaller version of India at the show.

EVENT PREVIEW

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Rashida Baker Asrani, Founder, ABACA

Outdoor Comfort ABACA is known for its range of comfortable and smart outdoor furniture made of the luxuriant rattan vine, which grows in the forests of South East Asia. Rattan furniture is increasingly popular for its exotic yet casual style. ABACA truly inspires with its furniture and aims to bring one closer to nature. Each piece is individually handcrafted.

What is your brand USP? What are the latest offerings by your brand?

ABACA has always enjoyed a reputation for supplying outdoor furniture that is stylish and elegant. With a design sensibility that is classic, our wide range of garden and patio furniture offers a large variety of bistro sets, dining sets and sectional sofas that can be used as individual pieces or as a set. In addition, we have daybeds, benches and loungers for poolside use. Made of high quality fibres, the furniture is lightweight and durable.

What are the latest trends in the home renovation segment?

Modern lifestyles demand furniture that is easy to maintain, no fuss and simple. Gone are the days when basic folding chairs and cane furniture sufficed. Today’s buyers demand furniture that 166

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takes exterior design to a new level. Brightly upholstered cushions or textured throws will break the monotony of traditional blacks, whites and neutral tones that continue to dominate the colour palate. In addition, customers will demand products that come with the surety of good aftersales service.

What are your predictions for 2017?

Rampant urbanisation and small cramped living spaces have kindled a renewed interest in a lifestyle that is closer to nature. There will be an increased demand for superior outdoor furniture manufactured from eco-friendly material and fibres. Synthetic wicker combining traditional weaves with modern technology, polypeel and polyrod furniture re-defining classic designs will dominate outdoor living space.

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functional

spanish

kitchens

Porcelanosa launches its first Kitchen Studio in Mumbai

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orcelanosa Kitchens, one of the most premium brands from Europe have partnered with DJ Appliances Pvt. Ltd. in India, and are setting up their 1st studio in Mumbai.

The brand hosted an pre-launch introduction to kitchens at their upcoming studio, located in one of the most sought-after locations, Laxmi Industrial Estate, Andheri West.

Spread over 3,000 sq. ft.,the studio showcases the ultra-modern luxury kitchens customisable for individual kitchen needs.

Porcelanosa Kitchens are considered as one of the most premium kitchen brands in the world.

Many celebrities across the globe are proud owners of these. Porcelanosa has a total solutions for architectural needs like tiles, Krion (unique solid surface material), bathroom vanities and kitchens.

“The tried and tested kitchens are manufactured in state-of-theart, modern facilities in Europe, such as to make them not only last very long but also to make them safe and trouble free during the use by both homemakers and house helps,” says Sanket Dani, COO, DJ Kitchens.

“These are backed by the legendary service provided by DJ,” says Shivakumar-Director DJ Appliances.

“We are looking to add more studios in near future in major cities of India.”

The studio is located at Vijay Laxmi, Laxmi Industrial Estate, off Link Road, Andheri West, Mumbai, contact @+91 8879444790.

DESIGN DESK

Gensler designs a cohesive workspace for Intuit’s Bengaluru office by imbibing local flavours and vibrant colours 170

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DESIGN DESK

pulsating DESIGNS

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“

The environment fosters a corporate culture yet reflects the regional differences of the employees it serves.

The office holds a delightful space and a state-of-the-art engineering centre

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hen Gensler was roped in to design a cohesive, interactive workspace for Intuit’s Development Centre in Bengaluru, the key was to follow the new LEED Platinum instructions. Natalie Engels, Senior Associate and Design Director of Gensler explains,“The environment fosters a corporate culture yet reflects the regional differences of the employees it serves. The office holds a delightful space and a state-of-theart engineering centre.” The office is equipped with a fitness room and a cafeteria, pantry rooms and privacy rooms where one could unplug and focus. The break-out space doubles up as health space where employees can check their blood pressure with easyto-use digital monitors.

The architects have smartly incorporated artworks to increase the energy and ‘in vogue’ quotient of the workspace. The theme of the design

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Natalie Engels

DESIGN DESK

While the Bengaluru office layout follows the international Intuit office design, the vibrant colour palette is drawn from local influences AUGUST-SEPTEMBER 2016

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closely follows the brand’s warm and layered materials to connect the office design to the international Intuit office counterparts, all the while retaining the local flavour through vibrant colours.

“Gensler partnered with RSP throughout the project to connect the client globally. We worked with the client locally to develop design and our counterparts in India helped document and bid the project locally,” says Engels.

The use of multi-coloured rugs and acoustics panels along the walls create an energetic and youthful space. The collaborative hubs are centrally located on each of the seven floors to facilitate collaboration while still striving to have private neighbourhoods for individual and focussed work. This site is cabin-less to emphasise equality in innovation and attempts to strip away traditional hierarchy.

Also as more women join the workforce in the technology sector, the architects and the management wanted to ensure that the spaces exude an inviting and friendly ambience. The Bengaluru office management ensured the cabin-less site would encourage interaction and would send a positive message to colleagues that leadership is 174

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DESIGN DESK

“

This site is cabin-less to emphasise equality in innovation and attempts to strip away the traditional hierarchy; it also sends a positive message that leadership is approachable

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approachable. To further ensure safety and comfort, the design team paid special attention to things such as how the garage was lit and the sight lines on each floor.

Overall the beautiful office reflects the vision and purpose of Intuit and the lively colour palette exhibits the vibrant local culture.

Vibrant colours and youthful energy permeate the games room

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CREATIVE PALATE

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CREATIVE PALATE

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The Perch Café creates a cosy, verdant space for the city-dweller to meet-and-greet over a cup of coffee or work in a reposeful setting

Café Serenity

”

Perch Wine and Coffee Bar in New Delhi, designed by Anagram Architects, infuses minimalism and clean lines to create a cosy and idyllic setting

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CREATIVE PALATE

The cafe set up high-stool seating along communal log table to encourage open communication

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erch Wine and Coffee Bar is a small oasis nestled in the heart of bustling Khan Market in Delhi. Architects Madhav Raman and Vaibhav Dimri of Anagram design a cosy place for people to huddle for conversations. The idyllic, de-cluttered setting, set amidst green foliage, invites natural light within the rustic cafĂŠ.

Convivial spaces The premises hosted an Indian cuisine restaurant where the heavily corniced wooden false ceiling, mirror panelled walls and tinted windows dominated the dĂŠcor. The renovation made way for frugal detailing and simple articulations. The present brown and off-white colour tone creates a fresh canvas against which a rustic material palette and green planters remain as highlights. The panelling was stripped 178

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CREATIVE PALATE

The light in the interiors is amplified by the whitewashed walls while the wood lends warmth to the interiors AUGUST-SEPTEMBER 2016

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CREATIVE PALATE

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CREATIVE PALATE

“

The renovation made way for frugal detailing and simple articulations. The present brown and off-white colour tone creates a fresh canvas against which a rustic material palette and green planters remain as highlights

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and reused, the windows de-tinted and a skylight was introduced above the stairwell. The light is amplified by the whitewashed walls while the wood lends warmth to the interiors.

The lower floor has high-stool seating along shared ledge counters and a communal log table arranged for a view of the tree-lined store fronts below and to encourage the odd conversation between strangers. The upper floor is populated with couches, wide dining chairs for more intimate dining experience. The cafe’s design attempts to create an environment that revives various affinities between taste and fragrance, craft and nature and amongst people.

Closer to Nature The design further reinforces its sensitivity to nature and its commitment to the environment through the scrupulous reuse and

The staircase winding around tree creates cosy, verdant spaces within the cafe

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upcycling of wood and steel, both from the previous restaurant as well as from industrial packaging waste.

The staircases are fashioned with steel girders removed from the ceiling to create the skylight. The staircase treads and the seating are made of jamun (Java Plum) and keekar (Indian Gum Arabic) respectively, both species being native to Delhi.

The front door, retrofitted with planters of vines, angiosperms and succulents, greets the visitor and behind it a narrow flight of wooden treads ascends away from the busy central lane of the market.

A large ficus tree looms over the stairwell as one climbs up to the upper floor under the cover of its canopy. On the upper floor, the French windows part completely to throw open the terrace to pleasant weather. Terrariums, potted herbs, flower and frut bearing plants dot the tables, nooks and crannies, diffusing vegetation, aroma and colour throughout the premises.

Overall, the Perch CafĂŠ creates a cosy, verdant space for the city-dweller to meet-and-greet over a cup of coffee or work in a reposeful setting.

SMART HOMES WITH SMART LIVING INTRODUCING REMOTE-CONTROLLED BED FIRST TIME IN INDIA

Now Convert Sofa Into Bed



FOR DETAILS, CONTACT US : TEL

: ANDHERI - 022 26318076 / 26340930 WORLI - 022 24944531 / 32

EMAIL : info@thechesterfieldfurniture.com Web : thechesterfieldfurniture.com thechesterfieldfurniture.com

STORE : ANDHERI : 16-17, Laxmi Plaza, Laxmi Industrial Estate, Ground Floor, New Link Rd, Andheri West, Mumbai.

WORLI : Lower Ground Floor, A Wing, Poonam Chamber, Opp. Atria Mall, Dr. Annie Besant Road, Worli.

SUNDAY CLOSED

AMAZING ABODE

The Courtyard House, designed by Dipen Gada and Associates, optimises daylight and amplifies natural textures imitating ancestral homes and imbibing it into a contemporary setting 184

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AMAZING ABODE

Backlights, spotlights and dainty chandeliers create interesting focal points within the largely predominant grey and brown seating area

W

hen the clients, based in Bharuch, Gujarat, requested a Vastucompliment and well-ventilated home that would be sufficient to hold a large family and also entertain frequent guests, Ar. Dipen Gada and his team entered the picture.

This 10,680 sq. ft. home embraces the principles of Vastu. The house is done in indigenous Kota stone and earthy colours and maintains a neutral palette. The walls are deliberately kept exposed in varied textures, imprinted on RCC walls at few places. The interesting use of colourful fabric and art enliven the space.

Central courtyard The entry into the house unfolds into an enormous central court with multi-coloured Kota sprawling across the floor. The ample natural light that flourishes the whole space also travels in the basement through glass bricks and connects the two vertical planes.

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AMAZING ABODE

“

Luxury is comfort at its best.

It is nothing more than effortless amalgamation of day-to-day living and functionality. Luxury is highly dependent on the practicality and sensibility of design. It is a seamless blend of requirements suited to the effortlessness of the functions around which it is predominantly designed

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Dipen Gada

AMAZING ABODE

“

The skylight with pergola stimulates the inner space with varying moods of light and shadow which is created by the continuous movement of the sun

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The house develops around the central courtyard. The court area floods with natural light throughout the day highlighting the traditional jaali partition with stained glass on the rear side. This casts marvellous sciography in and around itself adding drama to the courtyard.

Light and shadow The jaali partition continues inside through to the basement where it forms a classic backdrop to the common area. The vernacular construction technique of jaali cools off the interiors and the swing adds an old-world charm of an ancestral home.

The staircase adjoining the courtyard adds to the volume of the courtyard, thus reiterating the essence of old courtyards.

Plenty of light and cross interaction between family members on different

floors is encouraged by this design element. The skylight with pergola stimulates the inner space with varying moods of light and shadow which is created by the continuous movement of the sun.

Indian elements The bedrooms showcase an interesting blend of bare and textured walls which subtly blend with bright and warm colours. The staircase dazzles with colourful, custom-designed metal lamps radiating at various levels across all floors.

The basement encompasses the entertainment zone that carefully bifurcates from the car parking area, also in the basement. The home theatre follows a rich-earthy theme.

The walls are treated subtly with fabric panels that aid in acoustics. The basement that comprises the gym, AUGUST-SEPTEMBER 2016

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AMAZING ABODE

Custom-designed metal lamps suspended along the stairway created an interesting element of interest

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AMAZING ABODE

“

The skylight with pergola stimulates the inner space with varying moods of light and shadow, created by the continuous movement of the sun

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AMAZING ABODE The bedrooms showcase an interesting blend of bare and textured walls and infuse softer palette creating an ethereal setting

“

The terrace on the first floor is a serene green space that overlooks the front of the house

�

The jaali partition with stained glass forms the central highlight of the indoor courtyard

home theatre and the indoor game zone are structured such that they do not interfere with any of the private areas at any level.

The terrace on the first floor is a serene green space that overlooks the front of the house. The terrace is accessible from the passage and gives a sneak-peak into a cosy green space.

The house finely merges with the vast open landscape adjacent to it that leads to the derasar (the prayer room).

The house is thus a beautiful amalgam of the traditional and the modern.

Photos: Tejas Shah

Luxury AutomobiLe PArtner

#TRENDING

#Trending

The signature pieces, the fabulous furnishings, the inspiring art-deco, the dramatic fixtures, the bold accessories and the contemporary furniture— find it all here!

Glimpses of Innocence High-tech Shower Hansgrohe in partnership with Phoenix Design has come up with Rainmaker Select– a large rain showerhead coupled with high-quality glass and select technology. This overhead shower comes with a 46 cm spray disc which offers three spray modes along with select buttons with a single touch which helps to switch spray modes.

Price on request

New Design Porte presents Luigina bedroom collection for kids whose design depicts a small delicate universe full of charm, innocence and romance. The colour palette of room is made of soft colour: white and pink with floral prints which gives a feel of a garden where kids can play, dream, have fun and rest.

Price on request

The Living Beauty Visionnaire unveils Ginsberg Chair from its Beloved Collection especially designed for living and dining room. Upholstered in Nubuck Leather, the chair is crafted with metal inserts and has a polished chrome finish.

Price on request 192

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Cupid’s Chair The Moony love seat from Fendi Casa by Ace Maison displays a natural charm defined by the unique shape which enhances the ergonomic style of the seat. Available in different options of fabric and leather, the seat comes with a swivel base.

Price on request

#TRENDING TRENDING

Multi-functional Faucet De Soto collection by Fima, Carlo Frattini designed by Hans Thyge Raunkjær showcases a chromium-plated single lever mixer tap for washbasin which stands out for its unique design and innovation and is complemented by the accessory Sushi, a practical tray for keeping objects.

Price on request

Hang-in-beauty Pep up the ambience of your interiors with hanging wire cluster pendant lamp by The Purple Turtle which has been crafted in metal and fabric wire and is available in the dimension of 102 cm x 52 cm x 80 cm.

Price: ` 7500/-

Backed by Innovation A Soft Touch Jolly armchair from Turri’s Noir collection designed

by Andrea Bonini displays a sense of luxury, sophistication and art deco style. The seat of this armchair is upholstered in taupe velvet and exteriors in leather laser-etched with the dedicated graphic decoration with a geometric design.

Price on request

NU collection by Fima Carlo Frattini designed by Davide Vercelli features new shower head with elegant and minimalist shape. Designed as a rectangular stainless steel frame hang on to the wall on the long side or short side with a series of three small shower heads which can be adjusted to the desired direction. This collection is available in three variants – longitudinal, transverse, and suspended, in colour options of chrome and brushed nickel.

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#TRENDING

The Functional Storage Designer Denims Spaces Home & Beyond unveils The Youthopia Denim Collection which showcases an individual’s relationship with denim. The collection sees interesting and quirky patchwork with resist effect and textures through printing on Percale and Dobby weaving, all designed for the today’s youth.

Price: Double bed sheet: ` 2,495 /Double Bed Duvet Cover: `3, 495/-

InLiving introduces its solid wood sideboards collection which comes along with sliding panels that can be effortlessly moved on the sideboard structure. Crafted by fusing diverse materials like textile, glass and metal, with wood, using leading technology and artistry, this unique collection is available in symmetrical patterns, intricate detailing and varied finishes.

Price: `30,000-50,000/-

Glossy Finish Casa Pop brings to you Mrs. Robinson writing desk crafted in teak wood in a high gloss lacquer finish with digital prints on it and its chair upholstered in velvet and satin silk with brass studs.

Price: `4.5 Lakhs/-

Inspired prints Design Fables of India – a series of prints designed by Shantanu Garg narrates the tales of India through design.

This print series includes an artistic adaptation of traditional folklore, Indian textiles, Mughal Baugh, architecture and paintings which can be further adapted as an accent wallpapers or wall art, upholstery or furnishings, furniture design.

Price on request 194

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#TRENDING

Classy and Curvy

Golden Glow Ghidini 1961’s Flamingo lamp designed by NikaZupanc is an adjustable self-standing steel table lamp polished in brass and is available in the dimension of 59 cm x 43 cm.

Price on request

BoConcept’s Quiltet Adelaide

by Henrik Pedersen is a visually beautiful, comfortable and fully customisable chair, whose design is inspired by the curves of an acorn. The seat and armrest of the chair has been done in quilted upholstery and is available in different options – varying leg materials and heights, with armrests or without, in plastic or upholstered in over 120 fabrics and leathers.

Price on request

Indigo Effect Gulmohar Lane brings to you Roma chair which draws on the elegance and attitude of classic Art Deco design.

Crafted in kiln hardwood frame and tapered round legs in walnut finish, the chair is upholstered in cotton indigo and white stripe handwoven fabric and is available in the dimensions of 26”X 26” X 34” widthdepth-height respectively.

Price starts at ` 18,000/-

Bubble Beauty Inspired by the geometric form of a bubble, IM Centre for Applied Arts has launched the Bubble Chair.

Crafted in combination of reflective stainless steel and charcoal upholstery, this unique piece will add an element of character your living space.

Price: `40,000/-

ColourEffect The Purple Turtle brings to you the Ari cushion cover which will add to the décor of your interiors and sofa. Crafted in linen, the cushion cover is available in the dimension of 20”x 20”.

Price: `850/AUGUST-SEPTEMBER 2016

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#TRENDING

Re-Defining Luxury French luxury furniture brand Roche Bobois, has introduced its Autumn Collection 2016, in ultrachic designs and newage materials. Playing with colours and new technologies, each piece of furniture draws from the roots of the past, the knowledge of the present and embraces the future and explores new territories.

The three seater Illusion sofa by Lili Castilla has been envisaged as an asymmetrical sculpture.

This sofa rests on a single point and is complemented by an integrated wooden tray which can be used as additional seating and is available in the dimension of 240 x 94 x H 68 cm

Macaron designed by Stefan Helliger is multi-purpose piece that can be used as an armchair, an ottoman and a chaise lounge as per one’s utility. The Macaron is crafted in fabric upholstery and foam seat with an adjustable, removable and collapsible back.

The Odea four seater sofa designed by Roberto Tapinassi and Maurizio Manzoni resembles a blooming flower with its petals opening to create a comforting space. Upholstered in sole fabric–Trevira CS, with padded seat cushion and its structure crafted in solid wood and plywood, this sofa is available in the dimension of 250 cm W x 70 cm H x 95 cm D. 196

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#TRENDING

Store locator Ace Maison

GulmoharLane

Roche Bobois

The Haveli, Ambawatta One Kalkadas Marg, Behind Qutub Minar, Mehrauli, New Delhi – 110030 Email: info@acemaison.com Website: www.acemaison.com

A September Home Lifestyle Pvt Ltd H-1267-1268, Phase 3, Sitapura Industrial Area Jaipur-302022 Tel: +91 8740844404 Website: www.gulmoharlane.com

Roche Bobois Mumbai, Tower - 1, India Bulls Finance Centre, S.B. Marg, Elphinstone Road (W), Mumbai - 400013.

Tel: 022- 4927772 Website: www.roche-bobois.com

Shop No 1 & 2,Plot No 253/254 Opp Metro Pillar No 54/55 Sultanpur, Mehrauli Gurgaon road New Delhi – 110030 Tel: 011- 41663554 Website: www.boconcept.com

Hansgrohe India (Pvt.) Ltd.

Shantanu Garg Design

Office Nos. 601 – 604, Lunkad Sky Station, Viman Nagar, Pune- 411014 Telephone: 020- 66259500 Website: www.hansgrohe.in

22-B, Vaishali Retreat Arts, Veer Vihar Colony, Queens Road, Jaipur, Rajasthan – 302021 Website: shantanugargdesign.com

Casa Paradox

I’M Centre for Applied Arts

Mehrauli-Gurgaon Rd, New Manglapuri,Manglapuri Village, Sultanpur, New Delhi - 110065 Tel: 011-46107252 Website: www.casaparadox.com

A-15, Lajpat Nagar-II, Feroze Gandhi Road, New Delhi- 110 024, India Tel: 011-48780006 Email: info@imcaa.in Website: www.imcaa.in

BoConcept

Fabio Luciani Email: info@fabioluciani.it Website: www.fabioluciani.com

Fima Jal Faucets Pvt. Ltd - India D-190, Ground Floor Industrial Area, Phase VIII B Mohali (Chandigarh) – 160071 Website: www.fimacf.in

Ghidini 1961 Ghidini Giuseppe Bosco spa Via Gabriele D’Annunzio 27 25069 Villa Carcina (BS) Italy Email: info@ghidini1961.com Website: www.ghidini1961.com

InLiving

Spaces Home & Beyond 4th Floor, Welspun House, Kamala Mills Compound, SenapatiBapat Marg,Lower Parel (W), Mumbai- 400013 Tel: 022-6133 6918 Email: contact@shopwelspun.in

The Purple Turtle

290 Dhan Mill Compound 100 Feet Road, Chattarpur Hills, Mehrauli New Delhi - 110 030 Website: www.inliving.com

128 1st Main, Domlur 2nd Stage, Indira Nagar, Bangalore - 560008 Tel: 080-41528039 Email: info@thepurpleturtles.com Website: www.thepurpleturtles.com

New Design Porte

TurriS.r.l.

New Design Porte S.r.l.

Strada Prov. Colligiana, 14 Ingresso 17 53035 Monteriggioni (SI), Italy Tel: +39 0577 306075 Email:info@newdesignporte.com Website: www.newdesignporte.com

Via U. Foscolo, 6 22060 Carugo, Como (Italy) Tel: +39 031 760111 Email: info@turri.it Website: www.turri.it

Visionnaire Website: www.visionnaire-home.com

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IN THE NEWS The Charcoal Project partners with The Turtle Group for project Suzanne Khan of The Charcoal Project has partnered with The Turtle Group in order to design a series of exquisitely furnished and serviced luxury villas and apartments in North Goa. The project exhibits Suzanne’s signature style of contemporary design that enhances the quality of living guaranteed by the The Turtle Group. Designed by a team of top designers from Singapore, LA, and India, the architecture of the villas is peerless. It echoes’ the elements of Goan architecture which are reinterpreted in the contemporary format.

Masonite launches its 1st experience centre in India

Nippon Paint collaborates with IVM chemicals Nippon Paint (India) – a leading producer of highquality paints and coatings for automotive refinish, industrial and decorative sectors has announced its collaboration with Italy’s IVM Chemicals, one of the world’s leading wood coatings company in order to provide India with a unique and exquisite range of wood coatings. This strategic alliance has made way for an array of transparent and opaque wood finishes in India ranging from traditional coatings like NC and melamine to advanced products such as polyester (lamination), polyurethane (PU) and water based products.

With a view to provide its customers with look, feel and touch experience, Masonite, known for its moulded panel doors launched its first experience center in India at District Center Saket, New Delhi.

The experience centre showcases concepts for various home applications namely kitchens, wardrobes or panel products, office furniture/partitions, home interior aesthetics like wall paneling and roof paneling, wall moldings and furniture.

Denmark-based Junckers opens an exclusive design studio in India Junckers – a leading solid hardwood-flooring brand from Denmark has opened its exclusive design studio in posh area of Greater Kailash, New Delhi. The newly launched design studio of Junckers displays designs in huge array of colours, shades and style for high-end home decor, showrooms to interior design boutiques. The studio offers exquisite range of flooring from black Oak Textured and Brushed Desert Gold to classic Beech Sylvared in varied shades.

‘REACH 2016’ arrives at Bengaluru REACH 2016 – a Herman Miller design festival is all set to arrive in Bengaluru. The key highlight of the international fest includes an exciting lineup of international and Indian designers, speakers and insight leaders. This year the focus of the fest will be on issues affecting businesses on workspace strategy and design.

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