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INSIDE
JAMAICA CARNIVAL A record in Time INSIDE FASHION Work from Home INSIDE THE KITCHEN ft. Adian’s Dining CREATIVE DESIGNS II ft. UK Makeup Artists IN THE SPOTLIGHT ft. Tia Rochester Culture I Fashion I Food I Health I Music
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Table of C 4 Editor’s Letter Inside Soca Magazine is a new and exciting digital magazine, showcasing all aspects of Caribbean Carnival. From gripping content to exciting events and exclusive interviews, Inside Soca Magazine has it all in one place
HEALTH
6 Covid 19 - Health and Wellbeing 9 PeopleMeter An opinion poll, where you the followers have your say.
FASHION
10 FASHION Inside the Closet Showcasing all the latest fashion trends as we work from home.
CULTURE
12 CULTURE Main feature Jamaica Carnival The evolution of Jamaica Carnival. Byron Lee and the Dragonaires
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Contents FOOD
38 FOOD Inside the Kitchen A taste of Jamaicas finest with Adians Dining.
BEAUTY
48 BEAUTY Creative Designs II A platform to showcase the creative work of UK’s make up artists.
SPOTLIGHT
61 In The Spotlight - Tia Rochester The woman behind the art. A peek into the life of an extrememly talented designer, showcasing The Goddess Experience.
MUSIC
70 Music as a Weapon The influence of Soca Music. 74 DJ Lokdown Experiencing the other side of be-ing lokdown
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Editor’s Letter Hi everyone. Welcome to another issue of Inside Soca, where we aim to showcase our Caribbean culture through Carnival and showcase the multitude of talented individuals who work behind the scenes. Since the release of issue #2, a lot has happened and continues to happen, as we learn to adapt to the “new norm”. The Covid-19 pandemic confined most of us to our homes, while others (key workers) dug in and rallied together to keep the country moving, safe and well-fed. To ALL the various Key Workers, the ISM Family says; Thank You. Throughout this challenging period, the team was more determined to provide exciting content for you, the reader, as we realise the importance of supporting each other, being there for one another and staying relevant. In this Jamaica edition, we explore the evolution of Carnival in the land of Reggae and the pioneer who fought against the odds, to bring the Carnival spirit to Jamaica. As we continue to showcase Carnivals around the world, I would like to take this opportunity to express our gratitude to all of you for your continued support. We promise to push the boundaries of creativity to remain a stimulus in our cultural community. Please continue to follow us and encourage others who share a similar interest in our Caribbean culture to do the same, as we strive to build a stronger community.
Special Thanks A special thanks to Bacchanal Jamaica Carnival and Trini Jungle Juice for access your amazing photos and videos. Thank you to The University of West Indies Museum in Kingston, Jamaica for providing Video footage and Images of the early years of carnival. Also to Cory Waldron, Tia Rochester and Neville Hinds, for taking time out of their busy scedule to speak to us. Until next time, stay safe. Kerlon Winchester Director Inside Soca
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MARCH 2020
HEALTH
Covid-19
The Lockdown Continues… ‘Health and Wellbeing’ This article follows on from my previous Coronavirus article in Inside Soca Issue number 2 ‘Coronavirus - the disease’. The importance of keeping safe continues. Government regulations in the UK have now changed, the advice now is to:STAY ALERT: CONTROL THE VIRUS: SAVE LIVES Which means:*Stay alert: We can all help control the virus if we stay alert. *Stay at home as much as possible *Work from home if possible *Limit contact with other people *Keep your distance if you go out (2 metres apart where possible) *Wash your hands regularly *Do not leave home if you or anyone in your household has coronavirus symptoms However, as lockdown continues, we all need be mindful of our own Health and Wellbeing during this time. The World Health Organisation (WHO) has defined Health and wellbeing as a:State of complete physical, mental and social wellbeing and not merely the absence of disease or infirmity. ‘Wellbeing’ refers to a positive rather than a neutral state, framing health as a positive aspiration. Therefore, health can be seen as a ‘state of being’ whereas wellness is the state of living a healthy lifestyle. Health refers to the physical mental, and social well being, wellness aims to enhance well being. We need to ensure that we are able to promote and maintain our good health and wellbeing during this Coronavirus time. The lockdown can affect our physical being and mental health. It is recognised that during this Coronavirus time, people have become isolated from places of work, friends and families, which can create problems. Not everyone will be affected but, it is a possibility. People may experience varying degrees/episodes of stress, anxiety, fear, panic, depression, feeling lonely, isolated, grief, bereavement or loss or even anger. The National Health Service (NHS) stated that there are 5 steps that you can take to improve your 6
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health and mental wellbeing and that trying these things will help you to feel positive and be able to get the best out of life. These are to:1. Connect with people 2. Be physically active 3. Learn new skills 4. Give to others 5. Pay attention to the present moment (mindfulness) Every Mind Matters in relation to Coronavirus incorporates more steps to improve our health and wellbeing such as: *Finding about your employment and benefit rights *Plan practical things *Stay connected with others *Talk about your worries *Look after your body *Stay on top of difficult feelings *Do not stay glued to the news *Carry on doing things you enjoy *Take time to relax *Think about your new daily routine *Look after your sleep *Keep your mind active The UK mental health charity MIND also offers positive advice and support on our mental health and well being and emphasises the impact that coronavirus is having on our lives today. This includes practical advice on coping with staying at home, tips for employers on supporting yourself and your team, and updates on how the new coronavirus laws could affect your rights. It is important that we are able to recognise when things are not going ‘too well’ and be able to access information to suit our needs and feelings. Another area that needs to be addressed during coronavirus is that of Domestic Abuse. People are now having to live with their abuser/s during lockdown and have no where to turn. Since lockdown, ‘Refuge’ stated that there has been a 120% increase in calls to their service. Domestic Violence is the biggest killer of women between the ages of 16-45 and 1:6 men will experience Domestic violence in their lifetime. Domestic abuse/violence can come in many forms, psychological, physical, sexual, financial, emotional, technical abuse, economic and coercive control. ALL ARE ILLEGAL. Help is out there… If you feel that you are suffering at the hands of an abuser please seek help now. If you feel that you or your family are in danger please contact 999 in the UK or contact the emergency service 7
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from your country of origin. We at Inside Soca Magazine would like to raise awareness/ insight into your personal health/wellbeing and to highlight the fact that Domestic Abuse is real and it happens. YOU ARE NOT ALONE. Remember, Domestic Abuse is never the fault of the person who is experiencing it. DOMESTIC ABUSE IS A CRIME Should anyone require further advice, information or support, included below are web addresses and telephone numbers. Please contact them if you have any concerns. *Inside Soca Magazine – www.insidesoca.com *National Domestic Abuse Helpline – 0808200247 – www.nationaldahelpline.org.uk *Refuge – free 24hr helpline - 08002000247 – www.refuge.org.uk *Domestic abuse – how to get help - www.gov.uk/guidance/domestic-abuse-how-to-get-help *Coronavirus and your wellbeing – www.mind.org.uk *NHS England (2020), Coronavirus, NHS England. https://england.nhs.uk *Samaritans - 116 123 - jo@samaritans.org Sources: https://www.gov.uk/government/publications/staying-alert-and-safe-social-distancing https://www.nhs.uk/conditions/coronavirus-covid-19/ https://www.refuge.org.uk/
Written by: Sheryl Moore BSc hons (DN) BSc (Nursing Studies) DipHE (RN)
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PEOPLE METER Where our very own Instagram followers, #Insiders have their say! This is our second edition of our brand-new opinion platform developed by ISM, for sharing the views of our followers, supporters and the wider public on a variety of trending cultural issues. From food to Carnival, to fashion. Literally anything Carnival related; we invite your views. We feel strongly about Carnival and things surrounding the festival. There are many sheltered issues surrounding Carnival. Feelings and opinions of celebrity artists, band owners, designers and most importantly, YOU – the fans. As a result, we’ve provided a platform for all to have their say, as every opinion matter. The process is quite straightforward. Simply follow our Instagram page @insidesocamagz and look out for our People Meter post/story polls and leave your views. Our second People Meter post focussed on Nottinghill Carnival. We saw many events in the UK and around the world being cancelled but not Nottinghill Carnival. Therefore we posed the question to our followers. Below are the results of that poll, and some opinions shared by our instagram followers. On the 7th of May 2020, Nottinghill Carnival finally anounced the cancellation of Carnival 2020. @lilmizbumpa said - “No!!! I was all for it but the way this thing is going I wouldn’t feel comfortable in a crowd that size. Plus half the bands have pulled out.” @shannonj87 said - “Yes , I feel it should still go ahead , and if it does then I’m there 100% !” @joygirla said - “Absolutely not it’s not safe”
25%
@eccdesigner said - “Yes I think it should go ahead, but only if it is safe to do so, as humans we have choices if you don’t feel safe by that time then it’s your choice to stay at home or go, I’m in the belief that even if nhc gets cancelled there will still be mass gatherings in the area regardless. ????”
75%
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FASHION
Inside the Closet - Women
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By: R. Okonfo
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Inside the Closet - Men
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By: R. Okonfo
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CULTURE
JAMAICA Land of Wood and Water
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Written by: K. Winchester
elcome to Jamrock. Known for its colourful culture and a long list of traditions, Jamaica is an experience that is indelible and ardently shared, having forced its way to the very tip of every visitor’s tongue. On a world map, Jamaica may appear as a spec in the Caribbean Sea; however, its global cultural influence is the size of a continent. On a regional level, Jamaica is one of the largest islands in the Caribbean, only to be outranked by Cuba and Hispaniola, which are both located a mere 90 and 119 miles respectively. It is also noted as the third-most populous Anglophone country in the Americas and fourthmost populous in the Caribbean. Its interior has a stretched lush mountainous terrain, contributing to almost half of the island being over 1000 feet above sea level, which is home to a highly diversified wildlife with many endemic species.
A view of the two cities, Kingston (the capital and business centre) or Montego Bay (one of the best in the Caribbean for tourism), ideally displays the nation’s motto – Out of Many, One People. The warm, inviting, and happy mentality of the locals is one of the unique ingredients of their motto. Most of its population are of African descent with Asians being the second largest group which includes Indo- Jamaicans (descendants from India to Jamaica) and Chinese-Jamaican (Jamaicans with Chinese ancestry). The Jamaican language is another way in which the blending of mixed cultures is illustrated. Although Jamaica’s official language is English, there is a melange of English, Spanish and African with many speaking their linguistic style. If you’re looking to get some more intimate knowledge of how people in Jamaica speak, check out this list of common Jamaican sayings and phrases.
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‘Weh Yuh Ah Seh’ - translation - “What are you saying?”. ... ‘Small Up Yuhself ’ – Make room. ‘Wah Gwaan’ - What’s up? ‘Irie’ – Everything is alright. ‘Mi Deh Yah, Yuh Know’ – Everything is ok. ‘Weh Yuh Deh Pon’ – What are you up to? ‘Ya Mon – No problem or OK. Another reflection of Jamaica’s diversity lies within their cuisine. It has even been referred to as a global phenomenon, and there is a good reason why. It is delicious! Jamaican cuisine emphasises on huge flavours, with plenty of
Caribbean spices that pack a punch. One of the most famous dishes in Jamaica is jerk chicken, a fiery chicken dish that combines the heat of scotch bonnet peppers with other spices like thyme, pepper, cinnamon, cloves and allspice. While visiting the island for either business or pleasure, one cannot resist Jamaica’s natural treasure trove. From its relaxing golden sands or its refreshing lush mountains to a heart-thumping trek up Dunns River Falls, there is a memorable moment for everyone. Let’s have a look.
PLACES OF INTEREST Montego Bay A destination that is most talked about, even if you haven’t been and a place that has rightfully earned its position at the top of the charts. It is the most popular words in the Caribbean tourism industry. If you are seduced by bright blue skies, white beaches, and miles of colourful coral reefs, then Mo’ Bay, as it’s known, is the right place for you.
Doctors Cave Beach, Montego Bay
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Negril It is known for its miles of golden sandy beaches (7 miles to be exact) and as a synonym for relaxation. There is however another side to Negril, which offers the picturesque cliffs overlooking the emerald green sea.
YS Falls Named after the original landowners’ John Yates and Richard Scott, YS Falls is a nature-based attraction offering a fantastic experience, as you are surrounded by seven waterfalls which feed several natural pools. It is located on the South Coast of the island and is considered one of Jamaica’s most scenic attractions, with beautiful gardens as a backdrop to the several eating points. There is even a zip wire from the top of the waterfall to the bottom for the adrenaline seekers. jhksfhskjjjj
YS Falls
Negril
Dunn’s River Falls Located only a stone throw away from the port town of Ocho Rios, or commonly known as Ochi, is the popular Dunn’s River Falls. Standing at around 55 metres high and 180 metres long, it bears a resemblance to an enormous natural staircase and is by far the most popular of all the falls in Jamaica. Dunn’s River Park offers a choice of two adventures; a wet climb, head on through the water, to the summit and a dry climb for the low-level thrill-seekers (via a walking trail alongside the fall) and those who prefer to remain dry. The climb can take up to an hour, depending on the guide and the size of the group, but enjoyment is guaranteed.
Dunn’s River
Martha Brae River The Martha Brae River is one of the many rivers in Jamaica and is famous for its rafting activities. It stretches for about 20 miles, meandering through Jamaica’s rain forest, offering a relaxing opportunity to imbibe the tropical scenery as you glide along on a bamboo raft poled by a highly entertaining local guide. Martha Brae River
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I
MUSIC
t is common knowledge that Jamaicans love to express themselves through their music. There are very few countries that are defined by their music as Jamaica. Their music is a world-famous globe trotter that causes a hankering to sing along and shake your body. The most popular form of Jamaican music is Reggae. It has a laid back sound that incorporates some of the musical elements of Rhythm and Blues, Jazz, Mento (a style of Jamaican folk music), Calypso, African, and Latin American music, as well as other genres, but with direct origins in Ska and Rocksteady of the 1960s Jamaica. Reggae music is synonymous with both hardship and a good time with common subjects such as relationships, love, religion, injustice, poverty, hope and good vibes. However, there is a lot more to Jamaican music than Reggae. Through the years, the music has undergone a series of phases including Ragga, Roots, Dub, and Dancehall, one of the most prominent forms of Reggae. Dancehall music has undoubtedly moulded itself within the younger generation, with its high energy and hardcore ‘riddims’ which captures the vibrant culture from the slangs to fashion and dance moves. Even the melodies of Trinidad and Tobago’s Calypso music has become part of Jamaica’s culture, with local mento often confused with calypso music. Although the two share many similarities, they are separate and distinct musical forms, as was showcased by some of Jamaica’s most popular Calypso/ Soca artists/ bands, namely Harry Belafonte, Fab 5 and Byron Lee and The Dragonaires. Jamaican music is incomplete without mention of the legends that developed the art form and used it as what is known today as the most powerful tool in combating against racism and poverty. These include Peter Tosh, Bunny Wailer and of course the most iconic reggae artist ever – Robert Nesta Marley, better known as Bob Marley.
Jolly Boys Playing Jamaican Mento Music 15
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CULTURE
Jamaica Carnival
Help was needed to cut the rough, malodorous, sticky oil drums, heat, and tune them. After the assistance of several knowledgeable individuals, the first pan side emerged.
A RECORD IN TIME Written by: K Winchester
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1940 - 1989
escribed as a festival of love, togetherness, endless creativity, and total enjoyment, Carnival in Trinidad and Tobago dates back to the 18th century and is symbolic of the emancipation of slaves. Not known for having a Carnival culture and being the domicile of Reggae, Jamaica’s Carnival for many years was deemed an imposition. It was at The University of the West Indies, Mona campus, formerly known as the University College of the West Indies, where Carnival was first sighted in Jamaica, trialled by some homesick Eastern Caribbean students attending in the 1940s. Every year through to the 60’s the event grew as students, especially those from Trinidad and Tobago, recreated the festival to reflect the atmosphere of their elaborate Carnival. The introduction of the steelpan, which forms a significant part of the molecular structure of Carnival, soon occurred as a Trinidad student Arden Williams returned to campus with his steel pan. This encouraged the manufacturing of the percussion instrument by several Trinidadian and Grenadian students, with the launch of a steel band on the horizon. However, inexperience proved to be a severe impediment, not only in playing the instrument but make making it.
Tuning Old Drums - Mid 1950s
Irvine Hall’s Playboys
The social atmosphere on campus was very Trinidadian, with everyone indulging in the events which involved fetes, pan music and the main events, but keeping in mind the Jamaican culture. The event got branded “UWI Carnival,” which became a favourable annual event on campus, which continues today.
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UWI Carnival ‘Pon di Ring Road’ UWI Mona Campus Kid Simone Augier recalls UWI Carnival
The Carnival, however, was unable to be seriously established and accepted on the island as it was viewed a foreign concept to the Jamaican public until 1989 when the Oakridge Boys introduced the first Mas band to grace the island. After frequenting the islands of Trinidad and Tobago to engage in its Carnival festivities, the Oakridge Boys became stranded at home, due to the devastation of Hurricane Gilbert in 1988 and the elections of 1989. From their disappointment, an idea sprouted that has now grown to a mustattend event. Their first road call summoned 300 revellers for the street parade.
Carnival in Jamaica, 1989
Carnival in Jamaica, 1989
Carnival in Jamaica, 1989
One of the original Oakridge Boys, Michael Ammar, described the first year of carnival costume design as a group of carnival devotees working with a store designer to bring their very rough ideas to life. The group bought materials and did all the manufacturing of the costumes themselves. The concept proved detrimental, and as such, expert advice was sought from Trinidad, who left their mark on the pieces, showing Jamaicans the nuances of carnival costume design. From the get-go, Oakridge was a massive success to the revellers. Some of the locals, however, questioned the band’s motive and quickly criticized the band leaders. The Oakridge Boys, determined to make the Carnival a success, continued to encourage the critics to participate, as, in Trinidad, Carnival was played by all. Despite enjoying their yearly involvement in Trinidad Carnival, the Oakridge Boys did not like the fact that in Trinidad the bands were not all-inclusive. As a result, the Oakridge Boys made their band all-inclusive.
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1990 - 1999
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lthough the Oakridge Boys had earlier taken to the streets, Byron Lee, a Chinese Jamaican who won support from the government, was tasked with properly establishing the annual festivities. It came with its fair share of critics and opposition. The church was strident against having Carnival as was the reggae community, which feared soca and calypso would upstage reggae and dancehall music. To appease the Church Mr Lee signed an agreement with them that the road march would not be held on Easter Sunday, there would be a strict dress code, no children would be involved, and the noise levels would decline when the parade was passing a church or hospital. Therefore, Sunday, April 22, 1990, was recorded as an essential day in the staged Mas festival, which united Jamaicans musically, culturally, and socially. It featured a week-long diary of events that many favoured.
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1990
1992
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1995
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GETTING YOU READY
-www.carnival-accessories.com -carnivalaccessoriesuk -carnival.accessory@gmail.com -carnival.accessoriesuk
FOR CARNIVAL
2000 - 2009 At the turn of the century, more important things were instore for Jamaica’s Carnival. Pretty Mas Bands Oakridge Boys, Revellers, and Jouvert enthusiasts Raiders merged as one entity; Bacchanal Jamaica. The group Revellers often teased Jamaicans with striking designs rich in vibrant colours. Meanwhile, the Midnight Raiders were pioneers in bringing Jouvert to the streets of Jamaica. The merger was ideal and created a forerunner in the Carnival festivities, becoming the only mas band, with their events and street parade.
Bacchanal Ja Carnival Road March 2009 - Trini Jungle Juice
Bacchanal Jouvert 2009 - Trini Jungle Juice 22
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2000
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2006
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2006
2009
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2010 - 2018
As time rolled by, experiences developed and the growth of notably the youngest Caribbean Carnival continued. By the year 2010, Carnival fever had become an epidemic. In Jamaica, it was once said that Reggae was an implosion and Soca an explosion, giving that feel-good factor causing you to let loose. Attendance for every band had doubled, showcasing more of the newfound local designing talent. The best designs were fast becoming, the skimpier/sexier designs, validating – less is best. Sexy is a big part of carnivals globally, and this is no different in Jamaica. The costumes got skimpier each year as costume designers pushed the envelope of nudity.
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2012
2010
2013
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2011
2016
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2015
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Bacchanal Ja Carnival Road March 2018 - Trini Jungle Juice
As the attention focused solely on revellers within the island’s capital, others at the opposite end of the island, found it difficult to attend due to the extended journey time. Two vibrant promoters challenged themselves to resolve this issue, and as a result, a concept known as All Island Carnival was born. All Island Carnival came out of a need to add some extra entertainment towards the rest of Jamaica. While Kingston experienced Carnival, the other 13 parishes weren’t getting it. The AllIsland Carnival campaign started in 2010 but was soon short-lived due to the magnitude of work. Efforts were relocated in 2011 towards Carnival in Ocho Rios, making the Carnival the premier event in the resort town on the north coast of the island, which aims at delivering similar levels of buzz and excitement to the festivities in Kingston. Each year there is an influx of sponsors to Ocho Rios, with a series of pulsating events at Turtle River Park in Ocho Rios, attracting some of the biggest names in soca and dancehall. These include Alison Hinds, Lil Rick, Skinny Fabulous, Patrice Roberts, Beenie Man, Machel Montano and Aidonia.
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2019 29
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2019
This year proved to be the most prominent and most dynamic throughout the history of Jamaica’s Carnival. There was an estimated 51,000 visitors to the island to participate in the festivities and events. Throughout the years, Jamaica has seen the emergence of inventive Mas Bands who have imprinted their unique touch to making Carnival in Jamaica unlike any other. Bacchanal Jamaica no longer owned the streets and shared with the likes of Trinidadian influenced bands, Xaymaca International and Xodus Carnival in 2017. Carnival brings out the true fellowship when all races and classes combine. It creates an electric atmosphere and a state of euphoria. Trinidad, as a blueprint, is the most significant influencing factor in Jamaica’s Carnival. Despite the similarities to the Trinidad festival, Jamaica Carnival wasn’t created to contend with Trinidad, but rather as an addition to the Caribbean’s best festivals. Jamaica’s Carnival has now proven to the masses and world at large, it is a serious contender for a spot in the top 3 Carnival destinations, showcasing the festival of love, creativity and togetherness, as – Out of Many One People.
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2019
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CULTURE
Byron Lee AND THE
Dragonaires
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Written by: K . Winchester
yron Lee and the Dragonaires played a considerable role in taking Caribbean music to the world and was one of the most influential Soca/Calypso bands of its time. As a unit, the Dragonaires won the hearts of music lovers across the globe, wearing not only the Jamaican colours on their sleeves but the colours of the Caribbean. It is almost inadequate to speak about Carnival in Jamaica and not mention Byron Lee and The Dragonaires. On June 21, 1935, the Parish of Manchester, welcomed a newborn named Byron Aloysius St. Elmo Lee, a future musical pioneer. Although both his parents knew nothing about music, Byron took a vested interest in it. He learnt to play the piano at the Catholic school he attended and taught himself to play bass, using a homemade instrument. It was during his high school years that Byron’s musical career ignited. Being a talented footballer, Byron represented both school and country, and it was after a school victory that he and his friends celebrated and the idea of a band develop. Byron played for the favoured team called The Dragonaires, whose jersey borne a design of a dragon being slain. Combined with the “aires”, he and his friend Carl Brady, formed the band The Dragonaires, in 1950. Byron concentrated on playing the bass guitar, as it was easier to move around with than a keyboard. After a few years of playing in several low key events, without any monetary payment, Byron
decided to turn professional in 1956 with the band immediately making a name for themselves. It is acclaimed that Byron is responsible for the introduction of the electric bass guitar to the island in late 1959 – 1960, which gave a clearer, and more dynamic sound and changed the entire tone of Jamaican music. The band recorded their debut single, “Dumplin’s”, in 1959 at the WIRL (West Indies Records Limited) studios owned by future Prime Minister Edward Seaga, who became the band’s manager. Mr Seaga later took Byron to his constituency, a place called Tivoli Gardens, to meet all the great artists of Ska. Byron then took the artists and the music uptown where the response was overwhelming.
Byron Lee with Guitar
Success continued as Byron Lee and The Dragonaires were featured in the James Bond movie Dr No, playing three numbers: Three Blind Mice; Jump Up Jump Up Jamaica; and Ursula Andress’s Under The Mango Tree. More opportunities came as one of Byron’s most prominent years was 1964, when he and the Dragonaires played at the New York World’s Fair, 34
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in their own set and backing Prince Buster, Eric Morris, and Peter Tosh. Although Byron Lee and The Dragonaires had developed a name for themselves, their efforts in New York to appeal to the Ska crowds was insufficient. A new venture was now on the horizon, as the band started incorporating Calypso and touring Trinidad and Tobago. Trinidad and Tobago became a special place for the band as they frequented the islands. They started visiting in 1963 and returned both in 1964 and 1965, playing in several theatres and cinemas. During that same period, Lee made his most significant business move. He acquired WIRL (West Indies Records Limited)
and renaming it Dynamic Sounds Recording, where the Dragonaires naturally recorded, using the superior facilities to record a string of wellproduced albums and making the studio the most popular throughout the Caribbean. In 1974, when the band came to Trinidad Carnival for the first time, Byron Lee began a love affair with the music of this south Caribbean sister that has never ended. It was important for Byron to be present in Trinidad, to live the music, as he aimed to take the music to the world. From 1979, the Dragonaires output was heavily concentrated on Calypso, Soca, and Mas, regularly performing at Trinidad & Tobago’s Carnival, and also touring the Caribbean and North America.
Byron Lee and The Dragonaires 2006 35
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It was always clear to Byron that Jamaica did not have an established Carnival. It is a reggae country. When he went on the road in Trinidad for Stephen Lee Heung in 1987, he noticed the masses enjoying themselves in the Savannah, on the road, in costumes, or just looking on. Moved by what he saw, he wondered about that experience in Jamaica, as he saw Jamaicans coming to Trinidad to play Mas. He finally decided to bring a Trini-style Carnival to Jamaica in 1990. However, it has been said that the Oakridge Boys were the first to bring the Carnival festival to Jamaica in the previous year. However, Byron Lee certainly popularized the festivities as he did with Ska. Byron’s effort to introduce Carnival to Jamaica was no walk in the park. Met by numerous oppositions, including, the Reggae fraternity, the church and the uptown people, Byron was more determined to deliver. There were even concerns regarding security, especially around Halfway Tree, a location along the parade route. It was during his eight-year in Jamaica’s Carnival when Byron described how safe Carnival operated, with over 300,000 persons attending and no reported incidents. More opposition came from the church as they actively resisted, mainly Anglicans, whose objection was that Carnival is devil worship, a pagan thing and body worship. What troubled them the most, was that Jamaica Carnival starts on the Easter weekend, the high point of the church calendar. A remedy was quickly found: no Carnival fetes in the Holy Week, no Calypso on the radio until after midday on Easter Sunday. The power of soca music, as described by Byron, is something which the local reggae people can’t understand; This is how Byron tries to explain it. “Reggae is an implosion, and Soca is an explosion. The commands coming from Reggae could be violent and hard, a macho thing. Music
is a compelling force, and you could use it that way. Soca, music, however, takes all your pains out of you.” Insisting that the Carnival carries his name, Byron Lee was not merely claiming the soca bridge between Jamaica and Trinidad, but presenting the Carnival blueprint, which undoubtedly shaped Jamaica’s Carnival. Sadly, in 2008, Jamaica mourned the passing of Mr Lee. Byron Lee, as described by one of the longstanding band members, Mr Neville Hinds, was a man deeply committed to the music and culture. He was a no-nonsense guy who was loved by everyone and led the band with respect. Unable to use the name Byron Lee or The Dragonaires, Mr Hinds, who is the current bandleader, was tasked with rebranding, promises to uphold Byron Lee’s core values and provide the same level of energy and feel-good music for their fans. Although the Jamaican Soca / Carnival fraternity and the global Carnival nation, lost a father in Byron Lee, his legacy continues.
Mr Neville Hinds 36
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FOOD
INSIDE THE KITCHEN Featuring
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Written by: Giselle Padmore-Payne on behalf of Trini Flava UK
his month’s edition of ‘Inside the Kitchen’ with Trini Flava UK is based on the country of Jamaica. Like most of the Caribbean countries, the island’s unique and delicious cuisines are formed from a combination of the indigenous people who inhabited Jamaica, historically leaving their essence of food in today’s present time, along with influences of African, Spanish, Chinese and British cultures. This has led to the production of an array of food that is all so delicious and known for its delectableness. 38
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We are pleased to showcase Chef Adian first part of his career working through different Montaque owner of Adian’s Dining stations in various kitchens with professional Restaurant located in Birmingham chefs across the UK, on cruise ships and across Europe, he eventually mastered each station. Born in Jamaica, Chef Adian left his native country With such an achievement, Chef Adian went on with his family at the tender age of 16, moving to start his own business venture and now owns to the United Kingdom to explore dreams and an award-winning ‘Best Upscale International possibilities. Chef Adian explained that he always Restaurant 2019’ and ‘Best Contemporary had an inquisitive mind where food and art was Restaurant of the year’. He explains how he is concerned. Whilst cooking with his grandmother grateful for his business partner, as the saying goes and mother he discovered his natural love and team work often makes the dream work. Adian’s passion for cooking and recreating dishes, giving Dining restaurant is based in Birmingham and the food a new lease of life through his self-taught reviews are excellent, so much so that people often and developed fusion processes. He explained leave from as far as London, Leeds, Sheffields that he was encouraged by head Chefs that he and other areas to have their celebrations there previously worked with to pursue his aims and whilst getting their nostalgic fix. The feeling of ambitions and that “cooking has always felt like being on an exotic get away through food has an essential part of my character”. Spending the been described as priceless. 39
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True to his Jamaican culture, Chef Adian has created a euphoric experience and mentally takes you to the sunny island country of Jamaica with every bite of his exquisite food. Remembering his native roots whilst putting a spin on classical Jerk recipes, has been explained by customers as an experience that must be had. Q: What would you say to young aspiring Chefs? *Don’t give up *Pursue your dreams *Learn from every opportunity *Stay focused *Work out of your comfort zone *Push yourself *Don’t wait to be taught everything *Explore and practice on your own *Buy books *Use youtube *Keep learning, there is a lot to be achieved. *Follow chefs Chef Adian is a strong believer in pushing oneself in order to deliver the best quality and experiences possible and has overcome challenges to have
a successful restaurant. Not only is Chef Adian a black business owner, an entrepreneur and an extraordinary Chef, he also provides oppurtunities for upcoming and established chefs, sous chefs as well as other hospitality staff. The front of house staff are also offered training by the director of Aidan’s Dining. He also offers a well sort after apprenticeship programme which helps young adults develop their professional career. Chef Adian’s signature dishes are shown on the next page. Jerk Salmon made with his own created jerk sauces, bbq jerk sauce, an inhouse made chilli and tomato jam, as well as a sweet corn and mango salsa that complements the Jerk dishes. Grilled lobster with garlic butter. Chef Adian also specialises in Caribbean desserts such as fruit flavoured cheesecakes, sticky toffee goodness and sweet potato pudding with a twist. There is an expanding dessert section in the making. Chef Adian is not just a Caribbean Chef but a well driven, hard working, ambitions culinary genius. He is well on his way to gaining Michelin star status. You can follow Adian’s Dining on instagram @adiansdiningexperience and contact them on www.adiansdining.co.uk
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Grilled Lobster
Lobster, shrimp, scallops, Seabass, shellfish & tomato sauce
Jerk Salmon
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FOOD
Ackee and Saltfish by Triniflava UK
Ingredients 1 Tin of Ackee (drain and blanch) 1/2 Pound (250g) of salted cod 1/4 Green bell pepper (chopped) 1/4 Red bell pepper 1/4 Yellow bell pepper 1/4-1/2 Scotch Bonnet pepper (depending on how hot you like) 3 Tbsp olive oil 2 Spring onion sleeves or (scallions) 3 Cloves of garlic chopped 1/4 Onion chopped 1 Medium tomato chopped 1/4 Tsp black pepper 1/4 Tsp all-purpose seasoning Salt to taste if required 3 sprigs of small leaf thyme or 1 teaspoon of small leaf thyme
Method 1. Heat pan on a medium heat adding olive oil or (oil of your choice) 2. Add all vegetables and let sautĂŠ for 2 to 3 minutes 3. Add tomatoes , stir well and allow to sautĂŠ for 2 minutes 4. Add precooked saltfish stir well allow to cook for 2 mins 5. Add blanched Ackee 6. Add black pepper, fine leaf thyme and all purpose seasoning 7. Mix gently to avoid smashing all the Ackee 8. Allow to simmer for a further 3 to 5 minutes. Once finished enjoy with your choice of festival, hard dough bread or fried dumplings with additional sides such as plantain
Ackee and Saltfish 42
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Sweet Fried Festivals
Well-loved fried deliciousness Ingredients 3 Cups flour (self raising flour) If flour is plain use 1 tbsp baking powder 1 Cup fine cornmeal 1/4 Cup sugar 1 Tsp salt 1 Cup of cold whole milk 1/2 Cup of cold Water 1 Tbsp vanilla essence Other spices (cinnamon, nutmeg or mixed spice) optional 3 cups of oil for frying
Method 1. Add all dry ingredients to bowl and mix together well 2. Add a mixture of milk and water a little at a time 3. When a soft but not sticky dough is formed sprinkle some flour over the top 4. Cover with cling film and let rest for 1 hour 5. Ball and roll dough into linear oblong shape, then stretch them to desired length 6. If dough is to sticky sprinkle a little flour 7. Heat pan and add oil on a medium heat 8. When oil is hot add formed festivals 9. When they are cooking they will float 10. Turn and allow to finish cook (takes 5-7 mins) on a low to medium heat When finished remove and place on a paper towel to drain excess oil Serve with your choice of ackee and saltfish, jerk pork, chicken or fish Enjoy!!!
Festivals 43
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FOOD
Dessert
Ingredients 1 Can evaporated milk 1 Can condense milk ¼ Cup regular milk 5 Eggs 1 Tsp vanilla essence 2 oz Cream cheese ½ Cup white sugar ¾ Cup white sugar (for caramel)
Caramel Flan This editions’ sweet treat is courtesy of Stacy and her daughter Natalia, owners of a family-led business called Charms Variety based in Trinidad and Tobago. Their business was formed based on the encouragement of their family and friends. They provide a cost-effective catering service from our home, providing lunches, pastries, cup desserts and delectable delicacies. You can follow them on Instagram @blesshandsmom and Facebook page for more ideas of ’sweet summershine’. We hope you enjoy!!!
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Method 1. Mix all above then strain 2. Place the sugar in a small nonstick pan. Heat on medium heat until sugar turns brown 3. Tilt the pan to distribute the liquid where the sugar hasn’t turned brown yet 4. Pour the caramel into ramekins distributing it evenly to cover the entire bottom of your ramekins or baking dish 5. Pour milk mixture in to ramekins or baking dish 6. Bake at 350° in a water bath for 30-45 mins NOTE: use toothpick to insert the flan until it comes out clean
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Cocktails
by M Ï X G Ø D
TIKI TWIST
Pan African Style of cocktails inspired by the Tiki culture and Tropical cocktails
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Who is M IĚˆ X G Ă˜ D? Ebenezer Tetteh is a multi-talented Ghanaian-based bartender/Mixologist. He is the founder of TAACOAM(The art and Craft of African Mixology), and a beverage consultant with HOMG (House of Mixology Ghana). Outside of his home bars, Ebenezer Tetteh is a Bar consultant, cocktail expert and educator, recipe developer and an event organizer . His skills got him an oppurtunity to be the first mixologist in Ghana to create a cocktail to be enjoyed by the president of Ghana (His Excellency Nana AkufoAddo) and Great kings and chiefs at the Royal Palace of Otumfuor Nana Osei Tutu II and many more. Ebenezer Tetteh deepest dream is to see bartending recognized as a profession in his country. He believes the journey to become a professional bartender or a mixologist is a mixture of experience and education.
TIKI TWIST INGREDIENTS * 50ml fresh pineapple & Lemongrass infused(15-24hrs) * 20ml ginger Syrup * 50ml Bacardi Carta Blanca * 30ml fresh passion fruit * 20ml Lemon juice
HOW TO PREPARE TIKI TWIST * Infuse 0.2g of lemon grass in 200ml fresh pineapple juice for 15-24 hours in a fridge * In the mixing glass, add all the ingredients and shake vigorously with solid ice cubes * Double strain / fine strain into a cosmopolitan glass filled with few cubes of ice * Garnish with styled lemongrass and passion fruit
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BEAUTY
CREATIVE DESIGNS II Make up artists are illustrators that use the human body as their canvas. They apply make up and prostectics on their clients face and sometimes their body for various reasons including televison and makeovers. A makeup artists’ work can be used to transform a persons appearance by correcting imperfections or enhancing a persons positive attributes. Whether they are contouring, highlighting or blending eye shadows, a make up artist is an expert in artistry. Within the carnival industry, we also utilize makeup artist for band launches, carnivals and other productions. Not only do these artist transform our models and patrons but they also understand the type of makeup needed to carry a patron through a carnival experience. We at ISM appreciate the work our make up artists do and have chosen to highlight just a few in this issue.
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CBM Makeup
By: Cindy Mollineau
The theme behind this look is - Rapture: representing the power, strength and richness of a woman. It’s regal, powerful, royalty and grace. Instagram: @cbm.makeup Website: www.cbmlashes.co.uk Facebook: www.facebook.com/CindyMollineauMUA 49
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CBM Makeup
By: Cindy Mollineau
This make up look is a representation of the Mossi Kingdom from Amorous Mas, showcasing the strength and diversity of a people! It is woven in justice and strong familial ties. Instagram: @cbm.makeup Website: www.cbmlashes.co.uk Facebook: www.facebook.com/CindyMollineauMUA 50
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TamaraG Makeup By: Tamara Gitter
This look was created by Tamara Gitter who is a highly experienced and creative freelance makeup artist based in London for the last 13 years. www.tamaragitter.com Facebook: Tamara Gitter Twitter: TamaraGitterMUA Instagram: @TamaraG_Makeup
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TamaraG Makeup By: Tamara Gitter
Tamara has worked in film, TV, music videos, beauty, commercials and events. www.tamaragitter.com Facebook: Tamara Gitter Twitter: TamaraGitterMUA Instagram: TamaraG_Makeup
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FacesByChan
By: Channei Rae-Anna Bain
Channei is a freelance make up artist based in London. This look was created for Atusa Frontline for Envy Designs 2020 Instagram: @ facesbychan
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FacesByChan
By: Channei Rae-Anna Bain
This look was created for Livia Mid-Line for Envy Designs 2020
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Instagram: @ facesbychan
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SugarrushbeautyUK By: Rushel Anthony
Photographer: @1wearebc
Model: @nique_sasha
Rushel is an international Pro-Qualified hair and makeup artist based in East London, however, travels. This is a Carnival/Festival Glam look. www.masbeautyhub.co.uk/sugar-rush-beauty
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Instagram: @sugarrushbeautyuk Email: sugarrushbeautyuk@gmail.com
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SugarrushbeautyUK By: Rushel Anthony
Model: @misslear._ This look was created for Urband Touch Ltd Launch of The Bands 2019. www.masbeautyhub.co.uk/sugar-rush-beauty
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Instagram: @sugarrushbeautyuk Email: sugarrushbeautyuk@gmail.com
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ByKreative
By: Kaarlah Bowen
Kaarlah is an experienced freelance Make Up Artist and Face-painter. This is a classic carnival look created for Spicemas 2019. Kaarlah believes that being able to capture the clients costume and entwine it into a make up look is so important as it can literally make or break your whole carnival experience! Instagram: @_bykreative Email: Kaarlahb@gmail.com
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ByKreative
By: Kaarlah Bowen
This piece was created for Halloween, with a brief given of “Queen of Damned Hearts”. This look catapulted my bookings for that year and beyond. I love working with different mediums, scar wax, blood etc and it allows me to step away from my comfort zone which is very much “pretty and glamour” and challenge myself. Instagram: @_bykreative Email: Kaarlahb@gmail.com 58
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CTE - Choose To Express By: Keriess Isles
Keriess is the creator of Choose To Express (CTE). CTE is a brand created for a safe place for her and others to feel accepted and free. Keriess wants you to feel free and beautiful no matter what way you choose to express it. This look is inspired by her home country, Jamaica. Instagram: @c___t___e
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N E W AGE C A R IB B EA N C UIS INE
colle c t ion & DELI V ERY wedne s day - f r i day 1 2-8pm 0 7498045416 60
info@juicijerk.com MAY 2020
SPOTLIGHT
to choose a Mas Band. While scrolling through previous images of several masqueraders, admiring their elegantly designed costumes, I remember expressing my disappointment when it came to some of the shambolic footwear on display. It felt like I was looking at two completely different individuals in one costume. It was only at the turn of the new year 2019 that we stumbled upon a website offering customised footwear for ladies, which was far more appealing to the eye. The concept was authentic, creative, and exciting. Today, in our search for individuals who exemplify our aims, and are an inspirational radix, we discovered the person behind the customised footwear I was so utterly impressed with, Tia Rochester. After speaking with Tia, I was so inspired by her mindset and thought processes; I felt like I could build a rocket and fly to the moon. Her ‘THE WOMAN BEHIND THE ART’ DNA is one of a high creative structure, and no do doubt can re-define the boundaries of creativeness. Rightfully ack in November 2018, I recall preparing for Trinidad so, Tia now runs her own and Tobago’s Carnival 2019, with a group of friends, business, The Goddess some being their first experience to the mother Experience, where her of Carnivals and the beautiful twin-island state. I remember advising the newbies on survival tips for the Carnival, products complete the look of elegance. appropriate footwear, and the painful experience61of having MAY 2020
The Goddess Experience
B
Tia took time out of her busy day to take us on a tour of her exciting life. Q: Tell us a bit about yourself. I was born in England to Jamaican parents and spent some of my early childhood years in Jamaica. I currently live in South London and pretty much grew up in South London. While growing up, I had that deep creative interest as I came from a family of seamstresses. I continued my creative interest through to secondary school, studying Art, DT (Design and Technology) and Textiles. Carrying onwards to College, I studied fashion after which I pursued a BA at the University of Sussex, intending to maybe pursue a career as a pattern cutter (someone who creates patterns based on drawings from a fashion designer. These patterns will then be used to make sample clothes, which will be used to refine the design and to produce a clothing line.). I remember in my 2nd year at university saying to myself that this is the path I want to take. I want to make people’s dreams come true, as today only a small percentage (3%) of the fashion industry are designers, and a lot of the designers rely heavily on pattern cutters to work their magic. But then I soon worked out that my skill set would be best utilised being a fashion buyer, which I have been doing for the last 12 years. Q: Do you feel that your creativeness was mainly due to you being around talented individuals? Neither of my parents is into Arts, but I spent a lot of time helping my aunt, who is a seamstress, who was often busy sewing curtains for clients. Also, I used to make quite a lot of scrunchies when I was younger, so that creativeness, I would say was always there
within. Even my brother is incredibly artistic; he is a graphic designer. So, I think being surrounded by a creative family, navigated me to where I am now, but the talent was always there. Q: Were you encouraged by your family to pursue Arts at university? My dad always wanted me to go to university. He just wanted me to get a degree. He was not bothered by what I wanted to study; he was just adamant that I got a degree. I could have done a degree in Pokeman or Air Guitar, and he would have been ok. To him, it was about having the opportunity to prove that you can apply yourself to a higher level of thinking, which is what a lot of employers look at. So, I was allowed to explore what made me happy. Q: Tell us about how you started The Goddess Experience I have been designing my footwear for over ten years. I was always very well put together and felt the importance of being in a complete costume for Carnival. Complete here meaning from your headpiece to your feet. I would often get irritated (even today) when I see masqueraders in extraordinary costumes and trainers, old ones at that. Then one day, my partner tried to convince me that I should take my talent to the public. That was quickly dismissed as I did not believe the idea would work. I was worried that I would be judged and criticised, and I was not sure I was quite ready for that. Added to that, I also had a busy day job, which involved me travelling frequently. My partner, however, was adamant that the idea would be a hit, as he noticed during Carnival, that I would get swamped by people asking about my boots. Where did I get the boots?
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Q: What was the primary motivating factor behind TGE?
Who designed it? And how much did they cost? These were just some of the frequent questions. Then one day after much thought, I decided to give it a shot and go all out for about two years. The Goddess Experience (TGE) was then born. I put the idea out there to the public, and the response was overwhelming to the point where I had to limit the number of orders. I had to bring in a staff member to assist, as I was receiving international orders. I was quite surprised as I do not consider myself to be a famous person in the Soca scene as some of my friends are, but my friends, they all got on board instantly, and I guess the concept started spreading like wildfire, even overseas. I then secured a logo and a website but soon realised that no one was really into the site; it was all about social media. So, I took the business to Instagram and Facebook, which is where everyone is.
The main thing that motivated me to start The Goddess Experience was having a creative outlet and being able to provide a service for others who share the same interest of completing their Carnival look. Unfortunately, in my day job, my creativeness was being suppressed, and I was doing less and less creative things and needed to express my talent. I heard that my services are very inexpensive, and I could make a lot more; however, my feelings have always been simply on this. I wanted TGE to remain a hobby and not my day job because if I did, then the focus would be on making money and I might lose the love and passion that I have for doing what I do. I wanted it to be accessible for everyone and be more of a community-based business, which is how I ended up working with the Carnival Village Trust. Q: At the time when you decided to start TGE, was there any competition? No. There wasn’t any other business like this in all of Europe; I was the first. There were a couple of companies in the United States, who provided a similar service, but our styling was quite different. The US-based companies were very garish, while TGE was more refined. It was not until my third year when I discovered I had competition. Q: What was your reaction?
TGE at Carnival Expo UK 2017
To be honest, I was not bothered and did not have any issues with it. I focused mainly on footwear and occasionally did cups and mugs,
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and after analysing the sheer volume of orders and interests from customers, I knew I could not serve everyone. There are thousands of masqueraders that participate in Carnival here in the UK and thousands more across Europe and around the world. The demand simply outweighed the supply, and as a result, I had to limit my orders, to work on seventy pairs in a year. So, there were opportunities for other Carnival accessory companies. I only remember getting annoyed one year while at a Carnival emporium, after realising that another company was stealing my ideas and claiming them as their own. I remember complaining to the promoter of the emporium about it and was told that imitation is the best form of flattery. I got upset, and I remember later that evening, once I got indoors, feeling like I was developing an aneurysm. To make matters worse, I started receiving some hateful messages from my competitors. It took me a few weeks to get over it and after some soul searching, decided my best form of retaliation, was to up my game and do what I do best – design. I started posting more on Instagram, did more creative designs, improved my services, showcased my clients live and build stronger relationships with my clients. Q: Explain the process for customising a pair of boots.
unwanted items into better quality products). This allows the client to save some money that might be spent unnecessarily buying new footwear. It is a common mistake made by some persons who after spending a lot of money on their elegant costumes, purchase new footwear that becomes uncomfortable after a couple of hours of dancing on the road. You have to remember that Carnival is a full day of nonstop dancing and jumping, so we always encourage our clients to use their oldest but most comfortable pair of boots, and we would put new life in them. The entire customisation process takes roughly three days to complete. Once we receive the footwear, we start prepping (cleaning) them. All our footwear is cleaned before we start working on them. From then onwards, it can take up to three days to complete the process of revamping. The next stage is where we start changing the colour of the boots by either spray painting or fabric covering (which other companies don’t do. Their preferred option is to spray paint). The next phase is to start designing the look of the footwear. Our inspiration usually comes from the client’s costume. Most of our clients choose the vixen level, which is an A5 design of rhinestones with up to six different styles of a rhinestone.
The first stage is a consultation with the client, as we offer bespoke, one on one unique experience as this is based on the client’s desire. It is done in person, skype, WhatsApp or any other suitable method. We are a customisation service, and we do not provide the footwear. Instead, we encourage upcycling (also known as creative reuse. It is the transformation of 64
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Custom boots by TGE
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Q: Is the management and production work all done by yourself ? In terms of management, I manage most of TGE myself. When it comes to the production phase, especially during peak time, I have a Production Assistant that comes in on the weekend and help with the initial stages of the boot prep, but during the rest of the year, I can cope by myself. It is important to note that exclusivity is something that I like. I want The Goddess Experience to be accessible to all in terms of pricing and not lose the passion for doing it; therefore, the slots are limited for each Carnival we work on. For example, one year, I did well over our average number of orders, but I did not feel like I gave it 100 %. If after designing a pair of boots, I am not excited by it and most importantly, cannot see myself wearing them, then I consider it to be a failure. For me, it is not about the large orders and the numbers; it’s about keeping the creativity and passion for it. It is about maintaining the highest standard of work for my clients and safeguarding the relationship that I built with them. Q: Is TGE affiliated with any Carnival Mas Bands? No, which is one of the best things about what I do. It is better not to be tied to one band as I can do a variety of designs, from various bands/ sections. TGE works with the masqueraders and not the band, allowing me to be more creative with my designs. I have done lots of commissions to sit with bands such as UCOM, Caribbean Sessions, D’Riddem Tribe and Lagniappe, to name a few. I have been approached by bands, however, and had a few conversations. Many years ago, I worked with the Mas band Flawless for Berlin Carnival, but that never really took off, as the owners and I were on different pages. I also worked with the TGE client at Jamaica Carnival 2018 great team at Carnival Concierge last year. They were offering the footwear as an addition to packages, where the customer was able to upgrade the colour and the type of footwear. 66
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Q: How much would it cost a customer to have their footwear customised? It depends on which of the four different design levels is chosen. They are – Siren Vixen Goddess Desire (priced on appointment). Within those four design levels are three options -: the trainer, the boot and over the knee. The most popular options are the Vixen boot (£60) and the Vixen trainer (£45).
July. When I was initially approached, I jumped at the opportunity and TGE has been involved from the first day.
Q: What motivated you to do it? I was fortunate enough to have the encouragement from my family to develop my talent. My designs were my creative outlet, and T&T inspired boots for Miami Carnival 2016 now today, I run my own creative company. Now I have an opportunity to share my Q: Tell us about the workshops that you experiences, knowledge, and skillset. I have a host. chance to give back to the community and to those individuals who are eager to get their I run a yearly workshop at the Carnival Village creativity started or those exploring and are not Trust. This year 2020, would have been my entirely sure how to jump-start their creativity. fourth year of involvement. The Carnival One of the things I try to reiterate in my Village Trust host summer workshops relating to Carnival that run from May through to mid- workshops is, there is no right or wrong when it comes to being creative. It’s all about how you 68
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feel about something and being able to express yourself. I often get persons, after completing a design to explain their work and describe any the inspiration behind their work. This, to me, is especially important, as expressing your creative side is personal to you and your feelings; therefore, there is no right or wrong way.
Q: What did you plan for TGE for 2020?
My vision for TGE for 2020, which by the way has not changed, was to deliver better products, new ideas, create unique designs. Obviously, due to the pandemic, I decided not to continue with any orders, but that isn’t going to slow my Q: In your opinion, are the current thought process and my creative abilities. I am a workshops sufficient for the sustainability of very expressive person, so I will continue to give our culture? my best towards new and exciting designs. No. More workshops/ sessions are needed. For the magnitude of the work to be completed, more workshops are required across a variety of cultural areas. Apart from the summer workshops at the Carnival Village Trust and one other band, there is simply not enough. Q: What do you think is the reason for this? To be honest, I do not know. I am unsure if it is a financial reason or the institutions or promoters are not interested. Q: How is TGE affected by the pandemic? It is important to note that TGE is not financially dependent on the Carnival season compared to a lot of the big bands, who are losing money. Naturally, due to the current climate, we will not be doing any more orders for the remainder of 2020. We are trying to keep a low profile, not to attract any interest in Notting Hill Carnival. We have been checking in on our loyal and new customers, ensuring primarily, that they are doing fine during this pandemic and ensuring that we maintain a stable relationship.
Q: Finally, what advice would you give to individuals who might be interested in getting into the creative/ designing business? Jump. Take that leap. If you are genuinely passionate and believe in your abilities, then I would say, jump at it. It is often the fear factor that prevents us from doing something—the fear of failure, embarrassment, criticism, and disappointment. But the good thing is, all those negative things can be converted into a positive tool. I would advise you to start small and get as much information as you possibly can. Give it your all and be prepared to do the work. I am always available to share my experiences and give advice to anyone who is thinking about getting into creative designing. It was an absolute pleasure speaking with Tia. A humble young lady who is bursting with creativity, an undeniable gift. Apart from being passionate about her work, Tia is determined to share her blueprint of success, doing her part to encourage and support the art form. Written by: K. Winchester 69
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MUSIC
MUSIC AS A WEAPON
“Music is what tells us that the human race is
“Music produces a kind of pleasure which human
greater than we realize.”
nature cannot do without.” Napoléon Bonaparte
Confucius
“Music was my refuge. I could crawl into the
“Music is the great uniter. An incredible force.
space between the notes and curl my back to
Something that people who differ on everything
loneliness.”
and anything else can have in common.” Maya Angelou
Sarah Dessen
“Music can change the world.” Ludwig van Beethoven
T
he above quotes sum up in a nutshell, shows just how positive an influence music is on society, as it being a weapon, it is, from time immemorial, music had always been used as a weapon, it’s influence on society undeniable. The sirens from Greek mythology luring sailors to their death, the Pied Piper of Hamlin, with the music of his pipe, led away the city’s rat and their
children, even the 1975 movie Nashville, offers evidence of just how powerful a weapon music can be. In the wrong hands a weapon of mass destruction, in the hands of the right thinking, it can be used to mend bridges, end wars and effectively save lives. On saving lives and music as a tool for positive change, here’s a few quick facts: Powered by Soca music, almost every
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cosmopolitan city in the world has a carnival with roots firmly imbedded into Trinidad and Tobago’s own carnival, “the greatest show on earth”. With a plethora of new and emerging carnivals across the globe, and almost every cosmopolitan city in the world having a Trini style carnival one can see the connection and role of the Soca music driven global carnival industries, as major drivers, within the travel and tourism sector. The global Travel & Tourism sector grew at 3.9 percent to contribute a record $8.8 trillion and 319 million jobs to the world economy in 2018, according to the World Travel & Tourism Council’s (WTTC) annual research into the economic impact and social importance of the sector. The WTTC’s data (Economic Impact Report 2019) is based on research conducted over the last 25 years. The revenue earned the last couple years globally
through the influence and power of Soca music, in the correct hands, could be used to reduce, world poverty, hunger, violence and crime. Provide medication for our sick, clean air and water, job security and overall peace of mind for most if not all. And that would be the perfect way to use music as a weapon for positive change the world over. Calypsonian Anthony Emrold Phillip ‘Brother Valentino’, in his calypso sang - “Life is a stage and we are the actors, and everybody have a part to play, like a never-ending movie with all different characters, each one have a role to portray”. If a movie in fact does imitate life or vice versa, then Soca is the Soundtrack of our lives, and there is a Soca soundtrack for everyday of your life. On my way out I’ll leave you a few soundtracks in the language of Soca:
David Rudder Calypso music: But first, before Soca completely razes the world, I got to take you back to Soca’s origin, Calypso music.
Mighty Shadow Dingo lay: Ideally the definition of Soca Music.
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Lord Shorty Endless vibrations: If it’s one thing Soca’s got, is endless Vibrations.
Faye Ann Lyons Meet super blue: A song of strength and victory in the face of adversity. No matter what keeping moving don’t stop.
Super blue Superman: Food for your soul, a heart of love that’s Soca. The true power of Soca makes you feel like Superman.
Kerwin du Bois Forget about it: Soca gives you dominion over all your worries and stress, the power to just forget about it.
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Machel Montano We will carry on: The strength to jump up and carry on. Never must we despair, we will carry on.
Bunji Garlin We ready for the road: Come what may post pandemic, we ready for the road, ready for the new normal, Soca is the new normal.
Fay Ann Lyons Raze: Like the Phoenix rising from the ash, a new day is dawning and Soca is the foundation upon which the world will be rebuilt, Soca is noun, verb, adjective and the plural is us.
Mr. Slaughter Spread the Love: Music so outta sight makes you feel like dynamite, ride on and spread the love.
On behalf of @fig_house_entertainment foundation, I wish you love, peace, joy and happiness. Written by: Kenny Serrette 73
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MUSIC
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Be-ing Lokdown
t felt like it was just yesterday; we were all busy planning the years’ events. Trinidad and Tobago’s Carnival, Ibiza soca weekender, Berlin’s Carnival and the list goes on till Christmas. Some of us had flights and accommodation sorted, while others were busy trying to make their limited pennies stretch. Whichever path we took, this year, 2020, was meant to be epic. That was until Covid-19 stepped in and everyday life came to a standstill. Fear slowly started to grow in the hearts and minds of the community. Businesses began closing, and panic buying was on the rise. Then around March 23rd, the UK was sent into lockdown until further notice. Suddenly all we could do freely was to dream and believe in the what-ifs’ and if only’s. Being in lockdown was stressful and still is, it is depressing and mind-numbing for everyone, except for one person, the man himself – DJ Lokdown.
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A young but extremely talented musician/DJ was having a different view on life. While everyone was struggling to cope with the lockdown, he was happy being himself, DJ Lokdwn. Born and raised on the beautiful island of Tobago, part of the twin-island state, Trinidad and Tobago, Cory Waldron, better known as DJ Lokdwn, has a bright future ahead of him. Musically gifted, Cory graced the ears of many and has undoubtedly inspired and continues to, those paying attention. Inside Soca Magazine caught up with Cory to learn more about him and experience the other side of being Lokdwn.
Interview with DJ Lockdown
During these challenging times, most DJ’s flooded the internet, hosting numerous online parties and virtual Carnivals. DJ Lokdwn, however, chose a different route to provide entertainment for all his fans and broader public seeking entertainment. He linked up with an old friend Ukeliesha ( a ukulele) and started an online musical series called Quarantined Sessions, playing a variety of old school and current top Soca hits.
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Quarantine Sessions Season 1 Ep. 1
Season 1 Ep. 2
Season 2 Ep. 2
Season 2 Ep. 1
Season 3 Ep. 1
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DJ Lokdwn Top Ten Soca Hits 2020
1 Skinny Fabulous/ Machel Montano / Iwer George – Conch Shell 2 Problem Child – Nasty Up 3 Kes & Iwer George – Stage Gone Bad 4 Voice & Kes – Dear Promoter 5 Kes – Boss Lady 6 Kerwin DuBois & Adana Roberts - No Tomorrow 7 Nadia Batson - Fatt 8 Patrice Roberts – Carry On 9 Noydie Glo & Scatta – Bop (air freshener) 10 DJ Private Ryan & Freetown Collective – Feel the Love 77
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COLLABORATIONS
@insidesoca Inside soca magazine @insidesocamagz Kerlon@insidesoca.com
