(re)invención (o inalcanzable cercanía)

Page 1

juan crist贸bal cerrillo

(re)invenci贸n (o inalcanzable cercan铆a) para cuarteto de cuerda

PARTITURA



PERFORMANCE NOTES

pizz. frotado rubbing the string with the finger, as if it were a small bow. In some cases it necessary to use more than one finger in order to achieve the written figurations.

o rr

rubbing as above with very fast motion (use one finger only)

pizz. vertical with vertical motion press the finger against the string, sound should be produced when the finger is no longer in contact with the string

arco battuto

mezzo c.l.tratt. drawing the bow while turning it on its side so that wood and hairs are used simultaneously and equally.

Pitchless

striking the string with the hair of the bow

bowing almost on the bridge with very light pressure

DURATION: ca 12 minutes



(re)invención (o inalcanzable cercanía) To the members of the Arditti String Quartet (Irvine Arditti, Ashot Sarkissjan, Ralf Ehlers and Lucas Fels)

juan cristóbal cerrillo (2007)

insistent, persistently searching, fluid, extremely delicate, constantly mutable e = 60

Violín 1

 

 

 

  

mp delicado

     

I II III

 

 

  

    

3



I. II.

  

mp

5

  



mp delicado

pp



 

pp

mp delicado fluido

                       

mp delicado!



  

mp delicado

pizz. frotado 3 fingers fluido III,IV III p II IV

mp

Violonchelo

5

  

II. III.

 pizz. frotado

Viola

 

 

II. III.

(mute string IV)

Violín 2

(as if the fingers were small bows)

pizz. frotado

pizz. frotado 3 fingers

  

   

I II III

mp delicado

3

Vln. 1

 

   

ligero II. III.

 

III. II.

                            6 6 6 6 pp

(one finger, very fast movement)

pizz. frotado

         3

II. III.

( ) p

mp delicado



rr

pizz. ord III. IV. II.

Vln. 2

  

pizz. frotado

         

(

) 

III.

Vla.

  

       

pp

Vc.



 

       

                                                    5

     

5

5

pizz. frotado (one finger, very fast movement)

II. I.

mp

IV mf

II. III.

    

                                      p

II. III.

mf

p

mf delicado

mf

II. ligero I.

IV.                         

5

II. III.

3



rr

pp

    

  

ligero

3

         3          

mp

3

3

 


2

  5

Vln. 1

pizz. ord pizz. frotado

 

III. IV.



               

II. III.

3

ff

3

  

 

3

  

p

ff

rr

III. IV. II.

                         

3

p

3

3

3

rr p

3

rr pp

rr

3

  

II. III. IV.

 

  (  p

rr

pizz. frotado

II. III. I.

I. II.

                5 ff

3

)

5

  

II. II. III. I. III.

rr p

rr

3

3

3

3

rr p

3

rr p

II. II. III. I. III.

pizz. ord.

p

rr p

Vc.



  

                    

ff

p

  

 

       ( )  p

rr

II. III. IV. muy delicado

     7

Vln. 1

III IV. II.

p

     ( )

 

III. II.

                 pp

5

rr

5

rr

pizz. ord. pizz. frotado

rr

(alternate between 3 possibilities as fast as possible) II. III. IV. pizz. ord. 5

 

     

ff

ff

 

 ) (

               

mp delicado pp

ffff

rr

ff

p

pizz. frotado III. IV. II.

         

     

  

     ( )

pizz. frotado II. III. I.

3

rr

 

rr

   

pizz. frotado (one finger, very fast movement)

     

ff

3

pizz. frotado III. IV. II.

  

(fast irregular figuration throughout the specified duration) pizz. ord pizz. frotado

rr

pizz. ord.

                                                       

5

p

II. III.

II. I.

     

   ( ) rr

 

pizz. frotado III. IV. II.

ff

(one finger, very fast movement)

pizz. ord

p

3

rr

Vla.

   

III. IV.

(fast irregular figuration throughout the specified duration, 3 fingers)

(one finger, very fast movement)

III. IV.

III. IV. II.

III. IV.

III. IV. II.

                                                                 

rr

p

pizz. ord pizz. frotado

Vln. 2

pizz. ord.

 

(one finger, III. very fast movement)III. IV. III. IV. II. IV. II.

5

5

rr

 

preciso 5

      3

rr

        rr

(alternate between these possibilities as fast as possible) II III II IV

 muy delicado III. IV. Vln. 2

    ( )

p

IV. III.

III. IV. II.

   

     

                   pp

muy delicado

Vla.

  (  )

p

(

ff

II. III.

III. IV.

pizz. ord. 5

 

 )

   

 

Vc.



p

 rr

pp

  

  

   rr

  

  

p

     ( ff

       ffff

ff

  

    

5

 

III. II.

rr

  rr

preciso

pizz. ord.

     ( )

preciso 3 III. II.

  

     ) (

  

(alternate between these possibilities as fast as possible) III II I II I

5

pizz. frotado 5 III. II.

ffff

pizz. ord. II. III. I.

  

pp

             mp delicado ffff

3

                5

5

rr

pizz. frotado

  )

pizz. frotado II. II. III. III. I.

       p

      rr

preciso

5

5

     

rr

5          

rr

rr

 


3

  11

Vln. 1

 

preciso y delicado pizz. ord.

pizz. frotado III. IV. II.

        

   

     

 

 

IV

    

pp

  

               

 

pp

rr

rr

p

ffff

5         

m.s.t.

III. IV.

Vln. 2

  



II. III.

  

  

pizz. frotado

ffff

pizz. vertical

pizz. frotado

preciso y delicado

 

  

p

5

III. II.    

IV, III

5

5

     

rr

5

5

5

                            

pp

preciso y delicado

      

pizz. ord.

Vla.

m.s.t.

pizz. frotado II. III. I.

 

ffff

  

 

5         

rr

p

preciso y delicado pizz. ord.

Vc.

      



   

pizz. frotado

  

 

 

molto sul tasto pizz. vertical

            ( pp )

      

      

f

f

III

5

II. III. I.

5

5

5

II. I.

                                           pp pp  rr

mf

m.s.t. pizz. vertical

       

                       

( pp )

                          rr pp

5

  

                pp

rr

ord. pizz. frotado

                                     p

         

ord.

                                        p

mf

pizz. vertical



 

ord.

IV

   

molto sul tasto

Vc.

rr

5

pp

molto sul tasto pizz. vertical

5

Vla.

      5

pizz. vertical

           

pizz. frotado

( pp )

5 Vln. 2

     

                                     

pizz. frotado

(produced by touching the string with vertical motion. sound is produced when the finger is no longer in contact with the string (when it is moving upwards). absolutly NO plucking!)

14

Vln. 1

  

p

ffff

  

II III

ord. pizz. frotado

pizz. frotado

         

II. III. I.

5                                                   ( pp )

rr

pp

rr

II. III.

                pp

 


4

abrubt, harsh, stumbling

Vln. 1

pizz. ord. 3 fingers

 

 16       

   

nail pizz.

pizz. ord. 3 fingers

   

5

fff

fff secco

II,III,IV

Vln. 2

        fff

           p

pizz. frotado

Vla.

  

  

fff secco



)

              

mf

pizz. ord. 3 fingers II. delicate III. IV.

pp

pizz. ord. 3 fingers

(

ff

pizz. ord. 3 fingers

 

as if it had always been there... pizz. frotado

receding

harsh, stumbling

pizz. frotado

(



                       

 )

mp

ff

pizz. frotado

II. III. I. 5

II. III.

II. III. I.

       

                           

p

p

rr

II

            pp

rr

pizz. frotado

pizz. ord. 3 fingers

Vc.

      

ARCO battuto punta, sempre

pizz. frotado 5   

I. II. I

rr

(very gentle vertical atacks with the bow's strings)

                                               pp

fff secco

sempre variante

Vln. 1

ppp

17  III                                                             pp

mf

IV

p

pizz. ord.

molto sul tasto

 

     ( )

III. IV.

                       

pp

f

Vln. 2

molto pizz. ord.

                 II,III,IV

pizz. vertical

                     

mf

pizz. ord. 3 fingers

molto sul tasto

fff

 

3

pizz. vertical

3

f

    

fff

pizz. frotado! molto sul tasto pizz. vertical ff

pp

Vla.

  

                                                          III II

pizz. ord. 3

pizz. vertical

                     3

3

3

p ff secco pizz. ord.

Vc.

                                

pizz. ord. 3 fingers

I. II. III

abrubt, harsh, stumbling

    ff



3

   

pizz. vertical 3

  

p ff secco

  

  

  

3

  

  


5

3

  19

Vln. 1

 

 

pizz. frotado III. IV. II. 

  

  

3    

  

rr

pizz. frotado

pizz. ord.

   

ff secco

( )

ff secco

pizz. ord.

Vln. 2

 

 

  

6

      

    

3

6

rr

mf

rr

pizz. vertical

Vla.

rr

pp

 

6

6

rr pp

pp

rr

3

3

pp

rr

pp

pizz. frotado

  

         

rr pp

                 

fff

 

 

pizz. frotado 6

pizz. ord.

 

   6       6                rr pp

pizz. frotado

pizz. frotado

III. IV. II.

II. I.

3 fff

II. I.

              

rr pp

rr

6

pp

6

rr pp

II. III. I

Vc.



  

3

  

pizz. ord.

    

  

pizz. frotado

   

6

3

6

6

6

6

                                                                   

pp

ff secco

rr pp

rr

rr pp

Vln. 1

pizz. vertical m.s.t.

 

m.s.p

III. IV. I.

III. IV.

21                                                                                           III.

6

6

6

rr ppp

6

6

6

6

6

f pos.

 

pizz. frotado

  

rr

pizz. vertical m.s.t.

Vln. 2

  6     6     6     6                                                                       II.  rr                        6

6

6

6

6

ppp

6

6

6

pizz. vertical m.s.t.

f pos.

m.s.p

                                                                               6

rr pp

6

6

6

6

6

6

    

III. IV. II.

rr

pizz. frotado

II. III. I.

II. III.

II.

Vla.

pizz. frotado

m.s.p

6 f pos.

  

rr

pizz. vertical m.s.t. 6

Vc.



           

rr pp

  

  

m.s.p

  

  

6

  

  

  

  

  

  

6

  

  

  

  

  

  

6

  

  

  

  

  

  

6

  

  

  

  

  

  

6

  

  

II. III. I

6

pizz. frotado 6

                                       f pos.

  

rr

 


6

II. III. IV.

Vln. 1

 

pizz. vertical (alternating pitches randomly)

pizz. ord.

 24      

(

f

Vln. 2

II. III. II.

(slowing down and becoming regular)

nail pizz.      

ff



)





  





 

(slowing down gradualy)

 







(slowing down gradualy)

3

6

mp

II. III. II.

pizz. vertical (alternating pitches randomly)

  (slowing down gradualy)           

    

6

 



 

 

(slowing down)

5

mp

pizz. ord.

Vla.

     

(slowing down and becoming regular)



(

f

Vc.

   

f

)

  

     

 





(slowing down)

 



 

5

(alternating pitches randomly) pizz. vertical 6

(

    

(slowing down gradualy)

6

mp

(slowing down and becoming regular)

pizz. ord.

   

pizz. vertical (alternating pitches randomly)

           

)

 

(slowing down gradualy)

 



(slowing down)

 

mp

 

pizz. frotado

  25

Vln. 1

III. IV.

 

 

III. IV. II.

         

Vln. 2

pizz. frotado III. IV. II.

       

 

 

 

 

 



ff secco

 

 

   

 

pizz. vertical II. III. II.

 

 

rr

 

  

 

 

 

 

 

(gradualy accelerating)



5 5                

   

rr

rr

pizz. frotado

pizz. vertical

       

mp



  

mp

rr

pizz. ord.

Vc.

 

 

mp

p

   

   rr

  

pizz. frotado

pizz. ord.

ff secco

Vla.

 

rr

p

III. II.

  

3

I. II. I.

 

mp

 

 

 

3

 

(gradualy accelerating, and changing the pattern)

 

 



 

 



 

 


7

let bounce naturaly punta, sempre

ARCO battuto

    29

Vln. 1

 

II. III. II.

delicadísimo, quasi pizz. 5 5

5 5      5  5                                        p

pp

Vln. 2

6

6

Vla.

I. II. I.

Vc.

  

I. II. I.

                            cresc. molto

I. II. I.

f delicado





  

 



                

5

                                                   p f secco

 pp

pizz. ord. pizz. frotado II. III. I.

mf

pizz. frotado

mf

                                 mf

(pizz. vertical)

delicadísimo, quasi pizz

pp

 

f delicado

let bounce naturaly ric. battuto (alternating strings)

punta, sempre

ARCO battuto

            

mp

mf

  

  

5 5 5  5    5                                                   

  

ric. battuto (alternating strings)

II. III.

5

5

5

                                     

rr

   31

Vln. 1

 

   

5

arco battuto

II. III. II.





  



 

5



                             6

6

6

6

pp

delicadísimo, quasi pizz.

Vln. 2

  

ARCO battuto

punta, sempre

rr

Vla.

 

Vc.



 

  

  

mp delicado

 

 

 

 

 

 

 

   

  5

mp

II. III. I.

III,IV

III p

5

5

                rr

   

 

 

  5

 

 

 

 

  

 

 

 

 

let bounce naturaly ric. battuto (alternating strings)

  5

  pp

 

   mf delicado

 

  

  

  

mf

 


8 let bounce naturaly ric. battuto (alternating strings)

  33

Vln. 1

   

  

arco battuto

(as long as possible)



(

 )

p

f delicado

   

arco ord.

   

ric.

ric.

 

3 pp

 

  3

p

 

  3

p

pp

 

    

 

mp

pp

arco ord. II III

Vln. 2

                       

                           

(arco battuto)

  



I. II.

ARCO battuto

  

muy poco sfp

Vc.

mp

pp

II. II.   I. III.                              5 5 5

3

p

mf

Vla.

II III,IV

III,IV

 

p

 

     

3

          3

 

 

(alternate rebound) arco battuto ric.

 

    

3

mp

 mp

pp

pppp

delicadísimo, quasi pizz. ligero, ¡nunca mecánico! 3

 

arco ord.

II. III.

 

pp

p

 

 

arco ord.

    

ric.

    

pp

p

pp

 mp

  35

  

Vln. 1

3

III. III.  II. II. IV. IV.                             III. IV.

p

III.

III.

3

III. III.  II. IV.              

III. IV.

arco battuto

3

p

(

ric. battuto

 

ric. battuto

ric. battuto 3

arco battuto

)

  

3

ric. battuto

Vln. 2

   

arco battuto

                  

p

p

II III

I II

3

Vc.



   

p

arco battuto

3 arco battuto

III.

  II.     IV.       

II. III. II.

II.  III.             

II. I.

(

 

3 arco battuto

(

)

)

  

    

 

ric. battuto

      

mp arco ord.

3

             p

 

ric. battuto I. II. III.

ric. battuto

3

mp

ppp

ric. battuto

3

                  

p

arco ord.

p

3

III.

III. IV.

3

p

3

ric. battuto

arco battuto

3

3

II.  III.                          

p

3

III. IV.

III. II.

ric. battuto 3

arco battuto II. I. Vla.

III. IV.

III. II.

      

mp

ric. battuto

ric. battuto

I. II. I.

 

ppp

 

      

 


9

 

ric. battuto muy delicado

arco ord.

  37

Vln. 1

      

 

 

II. III. II.

                          III. IV.

5

 

5

5

 

molto s.t.

     

mf delicado

pp

p

ppp

arco ord.

arco battuto

ric. battuto

Vln. 2

  

ric. battuto muy delicado

arco ord.

   

arco ord.

5

pp

p muy delicado

Vla.

                            

          arco battuto

      

ppp

arco battuto I. II. I.

 

 

5

mp delicado arco ord.

 

 

 

 



II. III.

 

mp

p

5

     

molto s.t.

5

    

mf delicado

very freely, always very delicate and irregular arco battuto

Vc.

   



arco battuto

 

 

 

   

pp

  

  

pp delicado

  

                       

mp

p

pp

arco battuto

arco ord.

 

  40

Vln. 1

 

II. III. II.

5                   

 

arco battuto

5

pp

arco ord. trem. rapidísimo

II. III. IV.

         

      

 

      

sf-pp

sf-pp

  

     

f

pp

sf

Vln. 2

ord.

arco ord.

arco battuto

               

5

   

5

p

ord. arco battuto

Vla.

5                     pp

sf

poco sf

Vc.



ppp

pp

   

ff

  

(

ppp

               

5 p

arco ord.

    

     pp

  ff

(

)

sf-pp

        )

5

arco battuto 5

   (  )

5

arco ord.

5

    

5            

(

sf

    

   

sf p

 )

       f

pp

  

    

mf ppp

5

(

)

sonoro y estático



mf

fff

sf p

p

 

II.

pp

p

poco sf molto s.t.

( )

 

non. vib.

  

    

 ppp

pp

 

     

  

p

   (  

sf-pp

)

(

)

    sf

    

pp

f

   

sfp

(

)

5

 pp

  

 

 fff


10

e = 52

  44

Vln. 1

   

3



Vln. 2

mf

 

deciso mf

Vla.

Vc.





3

 

 

mf

f

  

 

  

  

sf

 

  

f



  

 

 



vib.

sf-ppp

 

 

sf-ppp

sonoro y estático

f

p sonoro

sonoro y estático

 

 

3



3

p subito

 

vib.



3

 

   

ppp

sf-p

p subito

 

mf

pp

f



      

 

3

 

  



f

p subito

 

  

3

f



 

 



 





p sonoro

  47

Vln. 1

      pp

Vln. 2

Vla.

Vc.



ff subito

     pp

   fff

  

ff subito

fff



    

 

  

       ppp subito

3

p

3

pp

  ff

    ppp

ff

        ppp subito



    ppp

 

 p



mf

poco

 

 

 

4:3y

 



poco sf -pp

 

poco vib.

         

p

poco vib.

                          

poco

poco sf -pp

  

 



p

mf



  mf

mf



 

mf

marcato 6

        f

poco

6

 


11

  50

Vln. 1

 

 

 

 f

p

 

n.v.

Vln. 2

8:6y

                     3:2

furioso

Vla.



    

    

fff

Vc.

p

                3:2

furioso

     

   

8:6y

                     

8:6y



fff

   

  p

ff

4:3x

 

   

 



p

sf

p

sff-pp

pp

fff



sf

f



4:5x



 

p

sff-pp

 

f

   

 

pp

8:6y



 

p

f

4:3x

 

p

p

 

fff

 

sff-pp

sff-pp

   52

Vln. 1

    

sf-p

 

sf-p

ff

 

  





 

 

3



   ff

  

 

 



4:3y



 

   

 

  

 

 

 

subito pp marc.



 

  

 



poco

s.t.



non vib.





 







subito pp marc.



s.t. marc.

 

subito pp

ff

mp cresc.

 

 

 

   



 

s.t.

  mp

 

non vib.

s.t.

subito pp marc.

sf-p

ff

mf cresc.

Vc.

rall.

ff



  

sf-p

Vla.

 

sf-p



Vln. 2

    

  

 

poco

   55

Vln. 1

 

subito e = 56 poco s.p.





 

deciso



sf-p

Vla.

Vc.

    mf  

intenso

sf-p

sf-p

sf-p

Vln. 2



sf-p

 



3 mf

 

mezzo c. l. tratt.

           

       

p

 



ff

ord.

 

  

ord.

poco

    p

  

3

   

 



  

mezzo c. l. tratt.

vib. molto

 



          



 

   

                             

3

     

pp

           

ff

mf







s.t.

mp

  mp

  

(s.t.)

 

   

non vib.

mp

non vib.

         mp

        



  

 


12

  58

Vln. 1

 

ord.

3



ord.

3



Vln. 2

subito fff

 



 

3

 

fluyendo



   



    

f



 

subito fff

Vc.

 

fluyendo

ord.

Vla.



  

subito fff

 



f

   ord.



   

subito fff

 

 



 

sff-p

sff-p



 







 

3



  

f

  

sff-p

 





sff-p

m. vib.

          



 

dim.

   

seco



ff

sf-pp

sff

f

   61

Vln. 1

 

  

       

 

pp

   mf

 

pp

       

   





 



ff

pp

brutal

  

       

Vln. 2

p

Vla.

  

p

 

pp



obsesivo

Vc.

pp

mf



      ffff



     pp



   

 

mf

mf



 

     

        

pp

 

 

ff

  



ffff

mf

     

 

pp

brutal

 



pp

 



pp



 



 ff

mf

pp cresc.

 rall.

  63

Vln. 1

   

        



            

subito e = 60

  

 

pp

Vln. 2

   f

Vla.

3

      

 

 

 

sf-pp

f

Vc.

p

cresc.







sf-pp



 f

      

 

 f

sf-pp

  





  pp





3

 

3

mf

  



                         nervioso

sff

   

sff

sff-p

3



 3

sff

ff

        3



sff

  

f

  

3

pp

  



3

cantabile



f

3

3

              3

      sff

sff

  

sff-p

3

3

3

3

     

    

3



sff-p



sff-p

 


13

  65

Vln. 1

 



 

Vln. 2

     

sf-p

Vc.

sf-p

   67

Vln. 1

 

sf-p

ff

sff

                

ff





Vln. 2





          

s.t.

p

p

f

  



ff sf-mf

vib. intenso

   fff

  ff

  

      ff

 

 

f

 

mf

vib. molto

14:9y

  

 

p cresc. molto

          





marc

 

  

   

ff

 

 

    

   

3:2x

ff



   

  

 

sff-p





 

f

 

f

  



 

fff



 









  

sffz-p

 

         

fff

 

mf 3

    

 

   

  

ff

sff-p

 

vib. intenso

Vc.



p

non vib.

   

3

ff

Vla.



 

 

f marc vib. molto

  

p

   

mf

sf-p

     

 

sffz-p

     

 vib. molto.     

 

3

non vib.

   

 

     

vib. molto.

nervioso

3

Vla.

sff

 

 

m.s.t.

p

mf

sf-p

 

 

sff-p

sff-p

ff

   69

Vln. 1

 

luminoso

Vln. 2



    

 

loco

p

 

luminoso



 



chiaro

rall.



III.

chiaro



 

cresc.

 







mf

dim.



 

3

p

cresc. luminoso Vla.







p

Vc.





3

mf

p

 3 II.

luminoso

pizz. delicado



arco.

 



sf-p

poco s.p. 3

 

ppp

  pp





 

p


14

  71

Vln. 1

 

subito e = 60

ff

 

Vln. 2

4:5y





 

  

ff

Vc.





sff-f



  











 

 ff

dim.

 

 mf





 

  sff-f

cresc.





 

mp cresc.

mp



 

gliss.

   

5:6



10:7y

gliss.

 

mp cresc.

     

ord.

Vla.

 

mp

cresc.



 

9:10

sf

dim.

mf



 

 

non vib.

sf-p

ff

mp

  

mf

sf-p

 

ff

   

vib. molto



non vib.

 

ff

f

   

vib. molto

 

sf-p

  

sf-p

f

   73

Vln. 1

 

subito e = 52 accel.

         f pesante

fff

ben marc.

            f pesante

                       

 

fff

ben marc.

 

 

dim.

   

        subito pp

subito ff

ben marc.

vib. molto.

subito pp

fff f pesante

ben marc.

f pesante

mp

   

subito ff

 

ord.

  6:4x

f





   





   

 

 

mf



mf cresc. sempre



vib. molto.



  

6



3:2y

  

3

3

  

fff

       

3 gliss.

3

 

fff

mf

subito ff

subito pp



3

vib. molto.

            fff



        

f pesante

Vc.

subito ff

s.p.

f pesante

Vla.

vib. molto.

     subito pp

Vln. 2

subito e = 60

e = 66

         75

Vln. 1

 

m. s. p.



seco estático

vib.



fff

 

fff

Vln. 2

n. vib.

   



   

fff

sff-ppp

              

estático

fff

 

fff



 

 

  



mf cresc.

 mf

 

ord.





sf-p

f

    mf cresc.

 f

 sf-p



   

f

 

sf-p

3

 

   

 

 



     ppp

f

 

  

3

3

  ff

 

 

 

e = 44

 sf-f

pp

dim.

sf-p

f

     dim.



 

        p

fff

m. s. p.

Vc.

  



ord.

 

5

poco . s. t.

sffz-mf

rall.

ff

poco . s. t.

m. s. p.

subito e = 52

mf

fff

            



dim.

m. s. p.

n. vib. estático

Vla.

3

 3    

estático

 

sff-ppp

ff



  

 



 

 3

ff


15 subito e = 60

  78

Vln. 1

     







 



  

                  

 

3 ppp

Vln. 2

  

   

 

 

 

 

    

3



  

ppp

mf

ord.

Vla.

ff

 

 

 

     

cresc.

 

  



   

ff



 

  



m.s.p.

  80

Vln. 1

   

 

(  )

Vln. 2

subito ppp

Vla.

  

3

exacto

3

poco

                        exacto

p



Vln. 1

sf

Vln. 2





fff



   

fff

ff pp



 

   p

     

 

3



 

ff

fff



pp

f

mf

sff-f

 f

3

3

            gliss.                pp

mf

 

    

   pp

mf



 

   

1/2 c.l.t.

ff

     

p

ff

1/2 c.l.t.

 p

 pppp

3

 

quasi flaut.

 

 

pppp

quasi flaut.

  

 

niente

3

   

  

p

ff

very short, on the string heavy bow pressure yet with distinguishable pitch



 

sf

pp

s.t.

 

  

   

3

sf-f

very short, on the string heavy bow pressure yet with distinguishable pitch

     

   

 (  )

3:2x

p

fff

ff

Vc.

ff

   

 

              

pppp

ord. 3



f

poco s.p.

ord.



pp

                 mf  sf-f



sff-p

Vla.



 

3

m.s.p.

    

sff-f





trem. gliss

velocísimo



pp

3

82

    mf cresc. s.t.

   

 

3

poco

I. II.

    



(  )

m.s.p.

p

3

sff-mf

ff

s.p.

3

poco



3

gliss.

  

m.s.t.

 

cresc.

sf-p

 

                   

 

mf

  

3:2e

III. IV.

poco s.p.

           

s.t.

    

3

 

p

Vc.



poco

m.s.t.

 

  

subito ppp m.s.p.

 

3

 

ff

ppp

Vc.

 



3

cresc. ord.

  )

(

quasi flaut.

 

        p



gliss.

    

sub mp

sffp



3


16

  84

Vln. 1

 

             p arp. gently

 3





   

3

 



1/2 c.l. tratt. Vln. 2

 

III. II. I. poco s.p.

  

s.t.

mp

p   

4:6y



pp   

ppp  

1/2 c.l. tratt.

 



mp

  

  

 



mp

poco poco s.p.





distinctly, descending very slowly

Vla.



gliss.

non dim. 6

Vc.



p

   86

Vln. 1



poco s.p.

    

4:5 sub ppp

mp

mp





rapid alternation III. between strings III - IV IV. II. arp. gently

   



 

poco sf-p

3

       3

sempre

      

III. IV. arp. gently II.



Vla.

Vc.

 

  

  88

 

 

     

    

gliss.

poco sf-p



   

   

s.p.



   



 

 

gliss.

m.s.t. m. vib.



3

 p

 

m.s.p.

p

  

3



ppp

 

 





s.t.

ff

ppp

gliss.



f

  

 p

cresc.

  flessibile s.t.            

 



s.p.



s.p.

    3

3

 

  

  

pp





s.p.

1/2 c.l. tratt.

  

dim.

   

m.s.p. II.

    

  

s.t.



f

mp



mf





mf

 

   

poco sf-p

poco sf-p

3 sempre

poco sf-p

Vln. 1

 

poco sf-p

arp. gently

3

      

poco sf-p



s.t.

3

  





niente

IV. III. II.

poco sf-p

 

3

sempre

poco sf-p

mf

s.t.

  

    

short rapid alternation between strings III - IV

s.t.

Vln. 2

        



sub. ppp



 

  



3

ppp

non vib. plano s.t.

 

p

cresc.

rall. III. IV.





s.t. poco flaut. 3

3

  



ppp

niente







 



flessibile

Vln. 2

s.t.

 

 p

cresc. poco

3

Vla.

 

 







mp

   

   dim. sempre

  s.t.

 

poco flaut.

        

 

  

 

 

3

niente

   3

ppp

Vc.

 cresc.



         flessibile

mf

5





m.s.t.

p



 





 


17

  90

Vln. 1

 

e = 56 rall.

 

e = 66 rall.

 

m.s.t.



niente



ppp







   

 

trans. towards m.s.p., flaut., pitchless sound 3

3

Vln. 2

   

 

 

 

 

     

 

 

 

 

 

 





( ppp )

 

Vla.



 

m.s.t.

niente



  

ppp

Vc.

 

  92

 

Vln. 2







 



 

 

 

pizz.



 

 

 



 

 

 niente

 

pppp

m.s.p. flaut

ppp

withdrawn

 

 

pppp

arco. m.s.p.

pp

3

  

e = 60

niente

 

(m.s.t.)

( ppp )

 





 3

e = 44 rall.

 

Vla.



 3

Vln. 1



4:5

 

 

3''

 "pitchless"



 "pitchless"



 

 

pppp

trans. towards m.s.p., flaut., pitchless sound

Vc.

















3

   94

Vln. 1

 

pppp

e ≈ 56 Both fermati and caesurae should be perceptibly longer the second time (min. ratio 1:1.5)

e = 60

flaut. punta extremely slow bow s.p.

   

max .s.p.

s.p.

  

sff p

flaut. ptichless

Vla.



m.s.p.

  

sff ppp

 

3

distinctly and very precise s.t. 3

   



  

p

Vc.

f poss,

 

 distinctly and very precise s.t.



stop with 1st vln.

1.5''

 

ppp

ffff

   gliss.      (trill interval as small as possible)



poco s.p.



ppp

sff p

3

s.p.

3

3

                              pp

3

3

                                  subito pp

ppp

f poss,

s.p.

3

3''

 

 3

 

"pitchless"

sustained bowing through pause, then gradually increase bow pressure whilst maintaining very slow motion until bow stops naturally with a very short noise.

sff ppp

Vln. 2





second time, metal practice MUTE ON

p

subito ffff

ppp

 


18

e = 44 with minimal movement and heavy bow pressure extremely short, alla punta, bow always ON the string

 

reticent, restrained

 

ppp flaut. punta toneless, very light and rapidly drawn bow on down bows (slight accent), slow on up bows

 

Vln. 2

ord. m. vib.

6:5

96

Vln. 1

subito e = 126

   

 

  

p

 



6

 

Vla.



pppp



  



ff p

sudden heavy pressure stops bow

 

 

ric.

ord. m. vib.



 

 

 

ppp

Vc.

 

  





IV.

  

 

slowly



gliss.



f poss.

(smallest possible trill interval, harm. pressure)





m.s.p.

   gliss.  

sff-p

fff

e = 66

metal practice MUTE ON (first time and keep on)

2''

fff fast finger percussion with the right hand while stopping string IV on the indicated pitch

 

p

p

 



 

toneless

ffff

ord. m. vib.

ppp

99

Vln. 1



5:6

ffff

ff p with minimal movement and heavy bow pressure extremely short, alla punta, bow always ON the string reticent, restrained 6

second time, metal practice MUTE ON

s.p.



 

  



p

toneless

e = 54

4''

ffff

3

 



 

ord. non. vib.

5:6y

flaut. ric.

 



distinctly and very precise

r.h.

Vln. 2

 gliss.         l.h.  (action may be longer than specified,

IV.

f

Vla.

should not be rushed)



 pp

Vc.

         

ppp





pppp

   

p

      

 

  

  

  

metal practice MUTE ON (first time and keep on)



p

 

distinctly and very precise

 niente

  

  

ppp

   

 

101

Vln. 1

     

                   

ppp

Vln. 2

sfz

pp

sffz

sffz

sfffz

                                                  ppp

Vc.

sfffz

                              

( ppp )

Vla.

sfz

pp

sffz

sfffz

                                           sffz-ppp



stop suddenly

pause for tone beating

  

 

sffz

sfffz

 

 

e = 60



 

sfffp

(



   

)

(

fff sfp

  

 



sff

sfffp



fff

 

sfff mf

6

sff

sfpp

sfp



 

ppp

  

 

      

ff

                        p sffp 

)

 

sff

sf

   ff

 ppp

 

ppp




19 approximating with relentless effort fascinated by the impossibility of approaching the world by any means other than approximation

103

Vln. 1

 

 

 13:16  

ppp

sfpp sfpp pp

sfpp

8:7e

13:8x



ppp

p

       

3:2x

ff sfpp

7:6x

7:4x c.l.t.

15:8y

sfpp

Vc.

 

5

17:11x

sfp

fff

      

sffpp

sffpp

( )

ff

mp

7:8x

   

c.l.t.

    

  

7:6x

c.l.t.          ord.

mp

11:8y

            

ord.

p

mf

9:8x

11:8x

f

 

 

pp

poco sf

 



    

   

11:8y c.l.t.

 

p

fff

fff p

fffp

fff

(very energetic trill always)





mp

fff

ppp

18:11x

5:4e

           



8:11

13:8x

III IV

 ff

fff

ff

fff

 

 

4:3x

5:6y

      

sfpp

suddenly static

9:8x

     flautato  (  )             (   )       f   f f pp mf poco sf sfpp sf pp

8:7e

3

 

 

(very energetic trill always)

       

mf

 

sfpp

10:7e 11:12x

11:8

5:6x

3:2q

sfpp

 

 

sfpp

        ( )

ff



ord.

fff

(very energetic trill always)

ppp

Vla.

ff

     

Vln. 2

    

ff

4:3e

5:4y

    

5:3e

                           mp

3:2x

 

 

 

e = 60 arco ord. sempre NEVER sul ponticello!!

6:4e

 

6:5e 19:16y            ( )           ( ) ( )               sfp sfp  sfffp sffp 15:12y

 sfp

sfp

fff

p

fff

Vln. 1

 

 

 

5:6e

17:12y

 

11:8y

 ( )

   

9:6x

5:3

pp ff

pp

ff

      flautato        

sfp

5:8e

pp

ff

  

fff fff

fff

p

          

p

f

p

f

pizz.

ff cresc.

 

7:8x

 

 

 

ffff

sfpp

  

sfp

ff

    (  ) ( ) 

ff

 

p

17:16

sfp

ff

p

(with 1st vln)

ff p

ff

sf

sffpp

sfffpp

sffpp

sffpp

sffpp

5:4x

11:12



15:12

sff

ff sempre

7

f

11:12x







f p

 p

f

5:7

5:3

9:6x

sffpp

p

sfp

           

fff

9:11x

    () ( )  ()  ( )

                        p ff

(very energetic trill always)



 

  

   

ff

11:8y

8:11e

17:16

 9:8y     arco                           ff sfp sfp

  

sffpp

ff

11:12y

11:8x

    

      ( )

sfp

sfp

12:11x

8:11e

5:4

8:11e

    

sfp

  

17:16

ord.



17:12x

sfppp

 

(with cello)

     ( )       ff

sfp

a la punta                            f f

11:9y

Vc.

11:12y

17:16

sfp

Vla.

 

      

mp

sfp

sfp

Vln. 2

 

111

 

11:8y

17:12y

sf

 

 


interruption of all movement/sound  sudden stopped bows must remain on the strings

20

116

 

 

115

Vln. 1

 



()

    ff

3

sffpp

 

 

sfp

5:3x

7:6y

ord.

10:8y

sfp

p

 

      

sfppp

ff

  3:2

17:16

17:12x molto vib.

arco non vib.

sfp

ff

 

alternating randomly between strings I, II & III

8:7e

pizz.

sfp p

 

             

      

7:6x

clt.

 

complete silence and stillness for 7.5'' resume as if no interruption had occured (especially with regard to dynamic level)

   

flautato

pp

sfff

sff

ff

 

  (  )           

III

p

ff

ff

12:11 6:7e

 IV   7:8y

Vln. 2

ff

  5       p

11:7x

Vla.

           pp sffpp

ff

ff pp

Vc.

   

sffpp

   

   

pp

fff

sffpp

fff

  flautando

   p

Vln. 2

ff

6:4y ord.

         

sfp

fff sffpp

  

15:12y

pizz.



6:7e

7:4

15:16

7:8x

fff

  



sffpp

sf

ff

sf

vib. molto

      

sfpp

ff

pp

ff

9:8e

10:12y

19:12x

c.l.t. ord.                        f sfp 15:12y

 

sfp

sf

17:12x

  

      

5:4x

5:4x

5:3 3

  

   

arco c.l.t.

       

   ff

mp

marcatissimo

flautato

mp

fff

fff

 

ord.

vib. molto

sfpp

ff

  

    sf

ff

ppp

mf

mp

sf

   

 

ff

  5:3e

       8:6x

            

pp

sff

sfpp

sf

p

mp

11:8x

          pp

11

  

 

11:8y

4:5

     

  flaut.    ( )         ff

sff

 

sfpp

3:2h

         

f

       

f

   

intenso

sff

10:12x

    



   

19:12x

sfpp

sffpp

     (  )  

19:11x

  

(alternating randomly strings II, III and IV)

pp

12:11e

   

p

  

 

7:8x

         

f

        pp

 

f

sfff p

ff



 

10:11

  

 

    

  9:8x

 

  sfp

sfp

3:2q 7:8x

9:8y



               

  f

ff

ff

    7:8                           5

    ( ) 

fff

ff

sfp

ff

pp

f

f

ff

  

9:8y

sfp

sfp

f

sfpp

f sff

  

sfpp

 

4:7e

   sff

17:16y

    

13:8         sf

9:8x

9:8y

7

f

17:16

    ( )       ff

sfp

   

3:2e

ff

  

flautando

mp

  

         sf

   

ff

3:2q

10:11e

Vc.

3:2h (gliss as much as possible)

pp

sf

ff

                   

17:18

   

   



4:5

4:5x

pp

Vla.

15:16 pizz.

vib. molto

 

122

Vln. 1

  

 

 

p

       

ff

11:8x



pp

ff

 

17:16y

ff

  

  

pp

 p

ff

8:7x

    

  

5:4x

 

17:16y

sf

sf

4:3e

     fff

  ?   

13:8y

   


21 130

 

  Vln. 1

13:12y

18:14x

sfp

 

              

      

  

 

 

sfp

fff

 

    

      pizz.

ff

sfp

ff

Vln. 2

   



ff

sffp

sfp

 

flautato

sff

p

  

sfp

Vla.

   

sfp

Vc.



    f

sfp

ff

  

  

11:8y

sfp

receding 7:8x

 

   

f

sff



sff

pp

7:8e

  

     

8:5x

7:8x

sfp

 

sfp

sfp

mf

  

sfp







         

13:9y marcatissimo subito lontano

I.



 

 

 

p

ff fff

I.

  

11:12x deciso

  

 

   



ff

ff

         sfp

3:2

mf mp

11:15y

III

I II  3:5y ( )        mp

sfp

 

flautato

mf

f

8:11e

13:16y

      

static

7:8x

  

 

intenso

 

f mf

 

14:12

   

7:8y



mp

 

with gentle radiance

with gentle radiance

 

  

14:11x

      mp

static

      



fff pp

molto



 

 



 

 

mute off

ffff

8:11e 7:8y



13:12x

 

flautato

 

 

mute off

ffff

10:11

14:16y

11:12x

with gentle radiance

Vla.

 

   

  

mp

                7:4y

Vc.



 



14:12y



 

     I II

mute off

ffff

with gentle radiance

coming foreward slowly

sfpp

4:3

  

           11:8

mp



11:8y

137

 

  receding   

p

II III

  

 IIIII   

ff

9:8x

 

 

flautando

 

mp

 

sfpp

mp 11:12

Vln. 2

vib. molto



6:7

Vln. 1

   

9:8e

 

delicate

 

blurred, strange, echo

12:11 7:4x

                 ff



f

fff

6:7 13:8x

15:16

mp

        ( ) 

7:6e

           

   

 

fff

8:7e 13:8y

  

8:7

arco

3

 

       

7:6x

 

delicate, transparent

11:8y

                 7:8y

7:8y

mp mf

6:7



13:8x

 

  

ff

subito ppp



 


22

rall.

 

 

142

Vln. 1

e = 52



  

p dim.

pp

 

Vla.

Vc.





  

p dim.

  

  



niente



 



3

poco sf -pp

descending very slowly, as evenly as possible

(ppp)



ppp

   

poco sf -pp



pp

niente

p

 



Vln. 2

  





poco sf -pp



gliss.

   

 

gliss.

mf

147

Vln. 1

Vln. 2

  

  

 

 



 

pochissimo sf pp







ppp

niente

  

  

 

 

 

 



 

niente

 

   



 

poco c.l.t.



pp

Vc.



pp

pp

Vla.

heavy bow pressure, extremely short accented attacks, punta

gliss.

dim.

 

mute off

niente


23

e = 48

  151

Vln. 1

  

heavy bow pressure, extremely short accented attacks, punta

 

 

 



   



  

 



 



pp

poco sf - p

     

 

3

 

ppp

  

3

subito pp

   







pp



 



ppp dim.

Vc.

poco sf - p

ppp

Vla.

  

ppp

ppp dim.

Vln. 2

ppp

ppp

 



gliss. gliss.

poco sf - pp

 

3

155

Vln. 1

Vln. 2

 

  

ppp

 

 

      p

 



pp dim.

   poco sf p









3

Vla.

s.t.

 

  



gliss.

 

 



ppp

 

dim.

ppp



 mf

 



 mf

p

ppp

4:3x

poco sf p

pp dim.





 



  

 mf

p

heavy bow pressure, extremely short accented attacks, punta

Vc.



gliss. gliss.

 

   pp

  

 ppp





 mf


24

e = 44

   159

Vln. 1

  

 



ppp

Vln. 2

 



heavy pressure sub.

 

pp

  



 



pp

 



 

  

mp

4:5x

  

pp

heavy pressure sub.



 

p

poco sf - p dim.

Vc.

pressure sub.   heavy        



 

          poco sf - p

         

  

5

p

p dim. heavy pressure sub.         

 p

   

        poco sf - p dim.

p

p





 

4:5x

pp



   



  

 

p

poco sf - p

Vla.

  



poco sf - p

 e = 40

  163

Vln. 1

  



 

stopping abruptly by suddenly increasing bow pressure

  



f

ppp

poco sf - p stopping abruptly by suddenly increasing bow pressure

Vln. 2

  

    

  

 

    

  

mp

     

extremely short, heavy bow pressure

ppp

 

     

          

 

  

     

p

      pp

 

4:3x



poco sf - p



  

dim. sempre

 

   

  4:3x

pp

dim.

pp

poco sf - p

  

   poco sf - p

pp

poco sf - pp

mp

Vc.



f

ppp

Vla.

  

         

 

     

   

  


25

  167

Vln. 1

          



 3

Vln. 2

 

 

sudden heavy bow pressure on staccatissimi

            



ppp

 

p

 





  

 

 

p non dim.

 

 

 

loco

   



     

  

sudden heavy bow pressure on staccatissimi

  

s.t.

3 p dim.

Vla.

    







 

3

subito p

pp dim.

Vc.

ppp

m.s.p.

 

 

 

   

   

  

 

  

  

  

e < 40

 

Vln. 1

p dim.

Vln. 2



 



ppp poco sf

   

    



 

  

     

 

 

 



   

   

  



   

     

     

   

   

      

arco.

   

    

heavy bow pressure on staccatissimi

p non dim.

     

    

4 p non dim.

pp

p dim.

Vc.

 

p non dim.

pochissimo c.l.t.

Vla.



still

 

4 p non dim.

p

mp

 

p non dim.

pp



"pitchless"

171



ppp

p non dim.

sudden heavy bow pressure on staccatissimi

    

  

 

   

still

still

still

 

 

 

pizz.

  p


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.