jeffrey see thoo 2020 2021 undergraduate portfolio studio unit assemble copyrighted 2021
all works and documentation of the project produce by this author is original and certain research are from several sources that has been cited. no plagiarism is involved in making this portfolio, only pinteresty reference is used, as this only inspired me. the portfolio is separated by each projects entirety by theme and direction.
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contents
intermediate ambiguous ephemeral experimental void chaotic transient
market
facade + craft center
healing center
2020
2020
2021
pg_89 pg_182_technical drawings
pg_190
pg_192
contents
intermediate ambiguous ephemeral experimental void chaotic transient
archaeological embodied museum
site shelter
postcards
2021
2021
2021
awarded as best part 1 design
competition
cv resume
EDUCATION Diploma
B.A. Degree
UCSI University 2016 - 2020
UCSI University 2020 - present
Architecture
Architecture
WORKING EXPERIENCE Jelly & Frenz Eventz Asia
SKILLS Computer
Hands on
adobe photoshop
sketching
ARKILAB 2018 - GIBERT&TAN 2021
adobe indesign
hand drafting
autodesk autocad
presentation design
Assistant Architect Internship Sep 2018 - April 2019
sketch up
project managing
enscape
jeffrey see thoo jun hoe 17. 08. 1998 malaysian contact / jeffree37@yahoo.com
Crew Member March 2017 - October 2017
EXTRA CURICULUM Community Architecture 2018 Programme Team April 2018 - May 2018
AWARDS Best Part 1 Graduate Design Award Certificate of Appreciation UCSI University School of Architecture and Built Environment
Arkxsite Design Competition Site Shelter with Ting Kai Lin and Carlos Chu 2021
PG_01
undergraduate
academic projects
market for old + young communities architectural project tutor: mr. wan muhammad / asasku
this project aims to create a community that appreciate the dying wet market culture, that has been cultivating for century. giving us essential force for living. as a perfect harmony, younger generation must be aware of what builds our foundation.
PG_02
project 01_living memory
site - old klang road wet market
wet markets is the core foundation of humanity, it builds a society with the supply of food for people. therefore, this project is to explore and analyse the time-line of a vendor chosen and study the relationship between the vendor and the space in the market.
stall no. 19 - 20
documenting the daily life of the vendor from every aspects of the shop.
PG_03
sem three
project 01_living memory
story of the owner, she quits selling food at the market after a few years of working on and off. afterthat, she inherit her brother’s fruit stall
loading
stall
PG_04
the on-going business, from day to day the store will earn from rm1000 - rm2000 a day, which will depend on the customers frequency.
display
koh soon peng
younger daughter
older daughter
stall owner
stall helper
stall helper
the stall owner has two daughter, that will help out during the weekends. from the helpers themselves, noted that in the future the stall will most likely run by other vendors as they do not plan to inherit the fruit stall themselves.
sem three
project 01_living memory
6 am
7 am
8 am
9 am
10 am
11 am
12 pm
recorded time-line of the stall, working from 6:30 am to 12:00 pm, the owner wake up super early to make sure every fruit she ordered will be delivered to her stall on time.
PG_05
sem three
peak hours
displaying the stocks
stock arivival shop closure
preparation
off peak hours PG_06
project 01_living memory
details of each every movement, space and time as recorded throughout the day, to capture the essence of stall usage
sem three
project 01_living memory
clean up
future.......
PG_07
sem three
redesigned modular stall that changes according to users. expand, contract, deconstruct to suit each scenarios.
project 02_market stall design
fruit vendor variation
fruit juice bar
PG_08
sem three
project 02_site taiping, perak
site
t we t
ke
ar
m
PG_09
sem three
project 02_site
market
typology
PG_10
sem three
project 02
site : taiping wet market, perak in the heart of taiping existed a heritage architecture that been there for centuries. the selected propose site is near this heritage wet market. taiping wet market
PG_11
sem three
project 02_site evolution
1880s
2000s
PG_12
sem three
crafting the taiping wet market model
project 03_market
to understand the structure of the market and the site, a construction model that showcase both the facade and its unique ornamental element.
PG_13
sem three
project 03_market
PG_14
sem three
project 03_market massing development
01 soa model a simple model that reflect schedule of accommodation and arrange according to the site importance.
02 dev 01 dimension of each space has been sized appropriately due to the spatial parameters
03 dev 02 close to final developement. additional space has been added to accomodate human needs and comfort.
PG_15
sem three
project 03_space time activity
market 6am - 12pm
multi-purpose market 12pm - 3pm
food stands 3pm - 10pm
office 8am - 6pm gym 10am - 10pm
cafe 8am - 8pm PG_16
sem three
project 03_space time activity
corridor and viewing deck public
hall and co working private 9am - 9pm
hall 10am - 10pm
PG_17
sem three
project 03
site section
PG_18
site plan
sem three
project 03
section a-a
section b-b ground floor plan
PG_18
sem three
project 03
PG_19
sem three
project 03
PG_20
sem three
project 03
PG_21
sem three
permanent fractality architectural project tutor: ms. nisa
bringing human closer to the nature by harmonizing the two entity. in this, by crafting a new meaning into spatial harmony with a conceptual grammar of ornamentation by designing the skin of the transdisciplinary craft center. “architect should successfully learn to work in partnership with the craftsmen, in order to harvest one whole work of art. ornamentation shouldn’t be reflected in segregation as a mere aesthetic display, but rather a snowballing evolution of culturally defined meaning”.
PG_22
project 01_craft research
introduction to thai ceramics thai ceramics refers to ceramic art and pottery designed or produced as a form of Thai art. Much of Thai pottery and ceramics in the later centuries was influenced by Chinese ceramics but has always remained distinct by mixing indigenous styles with preferences for unique shapes, colours and decorative motifs. Thai pottery and ceramics were an essential part of the trade between Thai and its neighbors during feudalistic times, throughout many dynasties.
PG_23
sem four
project 01_craft research, ceramic colors
monotone
singular tone color glazing
celadon glaze found in
incised brown and white found in
Kalong Phan Sankampaeng Sawankhalok
Sawankhalok
green glaze with brown or black under glaze found in
White glaze found in Sawankhalok Sukhotai
brown or black glaze Found in most kiln sites around central thailand. Which is Kalong, Sankampaeng, Sawankhalok
white glaze with black or brown under glaze Found in
Sawankhalok
Kalong, Sankampaeng, Sawankhalok, Sukhotai
two different color of glazing
PG_24
duotones
sem four
project 01_craft research, types of ceramic wares
architectural antefix
basins
tukhata dolls
kendis
covered box
bottle
bowl
sawankhalok (si satchnalai)
chaing mai province
province
pedestal basin
bowl
sukhothai
famed for its stoneware of plates, dishes and bowls, having an underglaze iron black decoration of fish in the center.
PG_25
mortar
the majority of the kiln shards were especially jars, bottles, mortars, and basins in small and medium sizes.” dishes, plates and bowls are also among the most common finds.
sukhothai
bottle with long neck
jar with lid
sankampaeng
produced mainly architectural fixtures. the unique types of wares produced, which is Tukhatha (dolls), boxes with lid and kendis
jars
small oil lamp
plates
cup
jar with plain mouth
vessel in an elephant form
kendis in bird form
phan
common shapes of phan wares include bowls, plates and dishes, but also some rarer forms such as jarlets, kendis in bird form and elephants.
sukhothai
chaing mai
province
province
sem four
project 02_new grammar of ornamentation artwork
infinity where individual panel are duplicate and reflect infinite amount of times to create a complicated language which we as a being derived from.
PG_26
sem four
project 02_concept of fractality
PG_27
sem four
project 02_concept of fractality
fRActaL = subdivide fractal is a mathematical geometric pattern that produce in infinite amount of times, that creates a dimension in a dimension. complex patterns that are self-similar across different scales. what makes me interested ? it is an entity that repeats itself indefinite it is a unpredictable form and arrangement it is complex it is chaotic . . it creates unity it creates a new form it relates to the site it relates to the craft it relates to the program . . it is the pattern of mother nature it is everything
PG_28
sem four
project 02_site bang kachao, thailand
PG_29
sem four
project 02_intergration of site and concept
+
+
bang kachao figure ground fractal pattern : koch snowflake
site A mathematical fractal pattern, purpose is to
pattern
craft
based on the proposed programs at the site is permaculture, the facade will follow the needs, ethics and objective of the program will reflect onto the facade Something that cannot be measured, the
not only program, the initial pattern development based on theory of fractality is present and intergrated to the facade, both arrangement and scale of each detail of the facade
as craft is the core design principle, traditional craftsmen is retain in its shape and form of the facade. for instance, the material used, the source material and labor of the facade
measure the coastline of a continent. As we cannot determine the true length of the coastline. The koch snowflake is a measuring tool. Based on the site located near chao phraya river, the river line element is used to create a fractal pattern, as to relate back to the ornamental development.
es in and out, the pattern will remain as the same
more the pattern zooms in, the more form and cracks appear. Therefore, infinite of form that cannot be measured. It is known as coastline paradox.
site + facade = vertical farming scale section 2
PG_30
coastline paradox coastline paradox coastline paradox
pattern + facade = dynamic pattern facade
pattern + craft = materialize facade
sem four
project 02_intergration of site and concept
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sem four
project 02_translation of site to facade
exploration
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component
outcome
sem four
project 02_exploration of facade
facade variaton and deconstruction phase
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sem four
project 02_facade final form
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01
02
03
04
05
01
02
03
04
05
sem four
top to bottom, entrance building skin and perforated view shader, main vertical farming and partial view shade.
PG_35
project 02_facade variation
sem four
project 02_facade function
01
01
01 circulation
02 02 03
03 02 vertical farming
01 intergrated balcony
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02 circulation for building
03 planter box following the facade
03 planter box for facade
sem four
project 02_facade
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sem four
project 02_facade assembly guide
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sem four
project 02_facade
PG_39
sem four
project 03_proposed site
PG_40
sem four
project 03_design synthesis
PG_41
sem four
people
project 03_permaculture concept
farm
to
to wean people often industrialize in consumption centric world.
PG_42
collective word of permanent and agriculture about rebuilding much needed relationship with people, land and the system.
sustain the environment into the future by regenerating biodiversity and lost of soil fertility.
sem four
project 03_permaculture concept
PG_43
sem four
project 03_permaculture concept
a rudimentary programmatic cycle of proposed permaculture programs
earth care
fair share
people care
PG_44
the ethics of permaculture
sem four
project 03_program and activity
01
rejuvenate lounging activities
05 02
07
03
multi purpse activities
03
01
multiply
farming micro and flower farming
02
04 07
05 06
greenhouses floating and land greenhouse is use for plant propagation
05
super adobe domes for additional food cultivation for the community and for users
03 06
compost making natural fertilizer to use in farms
07
aquaponic and aquaculture system usage of floating farming system that uses fish waste as fertilizer
PG_45
sem four
project 03_site development
PG_46
sem four
project 03_site development
PG_47
sem four
project 03_building massing development
pattern
directing views
PG_48
site
radial circulation
diagonal
fin act as wind director
rotate pattern
zoom pattern
plan resembles the pattern
sem four
project 03_building massing development
PG_49
sem four
project 03
n
5 12
3 10 11
13
8 9 10 11 12 13 14
1
training studio multipurpose area ceramic studio greenhouse micro farming space compost making agroforest farm
14
1 2 3 4 5 6 7
toilet refuse gardening studio services garden open area aquaponic farm kitchen 2
8 9 4
6
5 7
PG_50
sem four
project 03_material exploration
in relation to the site, local clay and ingenuous rock found at the site is to make, create and embeded into the walls to create a material deriving from the cultural landscape and built environment. the application of form, texture and pattern of the material will also enhances the ethics of the program, which is the growing connection between the people, spaces and nature. site hill
waves
layers
夯土
color
color
texture
hāngtǔ (rammed earth) proposed material
texture
‘ materials and texture have a deeply complex language of thier own that evolves and changes over time ’ hapacity and time - juhani pallasmaa
PG_51
sem four
project 03
east elevation
section through corridor
PG_52
sem four
project 03
PG_53
sem four
top to bottom, central courtyard, entrance to permaculture facilities
project 03
PG_54
sem four
top to bottom, greenhouse, view from bang kachao river
project 03
PG_55
sem four
above and so below masterplaning + architectural project tutor: unit A_ms. sharon
a combination of methods of looking inwards and outwards of the site produce a set of information to elaborate the propose building. the project above means living world while below is the dead to help us realize that we are mortal beings and our existence is finite. in this, the translation of emotion is to set fourth by designing a space with qualities alike.
PG_56
project 01_kwong tong cemetery, kuala lumpur
PG_57
sem five
project 01_site and theory
as the site is located at the heart of kuala lumpur, which is a urbanize district with noise pollution with motorise vehicle and pedestrian. in comparison, the site is a peaceful, serene and quiet land that it a contrasting difference. below are mind maps for further interpretation the ideas.
proximity
the million dollar view of kuala lumpur
urban
old
new
portal
buffers
site monument
tower view of cemetery plot
urban
transition
tombs
light proposed site
PG_58
sem five
project 01_translation from theory to sculpture
progressive shadow
PG_59
>
sem five
project 01_translation from theory to sculpture
plan_interconnect of above and below
relationship with the dead which is below and the living which is above with curve line represent flow of life which imprison by the linear aranged grids
elevation_evolution
the rapid change of humanity with it architecture change
sculpture
PG_60
perspective_uncertainty shawdow cast by the model creates a foresty unnerving mood and uncertainty represents the afterlife
sem five
project 01_translation from theory to sculpture
the intertwine forest beacon model each lines represent the memories of the deceased. when light hits the model it creates a flare effect represent hopes and dream. each lines arrange from high to low that signifies a gradient hill.
PG_61
sem five
project 02_site kwong tong cemetery, kuala lumpur
PG_62
sem five
project 02_site
+
‘harmony’ between the dead and the living as suppose to isolation that is the true objective of this proposal. as the saying goes ‘from the cradle to the grave’ meaning life is just a journey everyone will eventually suffice to another being, taking this the connection between the surrounding communities and the cemetery is crucial to from a intimate relationship to let them know the spine of kuala lumpur and the people that build it, which is the main aim.
living and dead ; is the core intention
PG_63
sem five
planning and identification of immediate site context
PG_64
project 02_indentification of site
PG_65
sem five
01
02
03
04
05
06
01 02 03 04 05 06
project 02_masterplan intervention
bridge beacon platform benches shading open play space underground
PG_66
sem five
project 02_masterplan disection
a series of underground spaces roam with the main journey of the masterplan to create an emotion journey through intervention both above and below
PG_67
sem five
each journey is parcel into three different theme based on emotion and its intervention function
PG_68
project 02_masterplan journey
sem five
project 02_masterplan journey
journey section and detail sketch ideation of intervention
PG_69
sem five
project 02_on site intervention
connecting bridges connecting school in between tombs platform
the chosen three part intervention is to represent the main intention of this project, to preserve the awareness of cemetery tombs.
PG_70
sem five
project 02_intervention model
4 parts parcel model of the proposed site. to show the intervention in a abstract format. greyboard as existing ground with balsa wood sticks as proposed main intervention.
parcel intervention model, to denote the main concept of above as happiness and below as sadness. the alphabet is to refer from the urban model.
PG_71
sem five
project 03_healing center
objective to evoke people in grieve that there is always hope and happiness
outcome =
a harmonious relationship between the dead and the living as suppose to isolation of the two. that has an overlapping program to create an unique mixture of activities that benefit the people and communites
aim decrease the negative image of cemetery
PG_72
sem five
project 03_healing center
journey
01
02
approach
core
03
+ +
program + activities
casual
shops
accomodation lounge
urban and local communities
PG_73
acceptance
+
support
recreational burial community
treatment
reflection +
green community
pool spa
healing center cemetery community
sem five
project 03_healing center
///excavation to mimic the natural builder of ants, they are the master of excavating the underground dwelling spaces. from a architectural viewpoint, the ant colony has a series of courtyard that link with a circulation tube to connect each spaces together with isolated and coverging spaces.
PG_74
sem five
project 03_healing center massing
space
PG_75
circulation
hybrid
sem five
project 03_healing center massing
approach
core
isolation
PG_76
purification
the cube model is used to define the site, program and function and represent the initial stage of the building form development
sem five
project 03_healing center massing
the process of the entire project, document in card form. sequence from beginning to the end with key sketches and main intentions of the proposal. cube exploration, quad cubes read in sequence ; approach, core. isolation, acceptance, in these sequence forming a building concept of above and below which relates back to the initial idea. 02 the perfection of ideas into more tangible entity.
01
02
PG_76
sem five
project 03_healing center massing
approach
pedestrian
portico
lobby and
treatment
accomodation
rif
ica
tio
n
purification
pu isolation
PG_77
vehicular
garden
two parts that make up the user journey, public has the access to the main purification temple to have cleansing journey with the burial garden as the open contemplation space. as for, private journey through treatment of grief and loss, with accommodation for the users to have a stay-cation with bath house to end their journey.
baths
sem five
project 03
PG_78
sem five
project 03
approach
PG_79
middle ground
acceptance
sem five
project 03
PG_80
sem five
PG_81
project 03
PG_82
sem five
top to bottom, garden burial represent the main program journey, temple outer sanctum.
project 03
PG_83
sem five
bathhouse pool area
project 03
PG_84
sem five
section_temple inner sanctum through circulation/ bath house through thermal caves and pool
PG_85
sem five
section_healing center through pre, post and underground corridor / casual center through underground museum and cafe
PG_86
sem five
project 03
physical model of proposed healing center a1 size 12 stacked greyboards 3.5cm thick 6 stacked above / 6 stacked below
PG_87
sem five
project 03
PG_88
sem five
archaeological embodied museum masterplaning + architectural project tutor: unit A_ms. sharon
preserving the origins of mankind, in appreciating this objects or artefact creates an emotion connection through one senses of vision, sound, scent. site that contain these found artefact are then brought into spotlight.
PG_89
sea
project 01_inhabited ruins site
visual continuity of the sea
history impenetrable fortress to create vertical plane
landscape and pathways blending pathways to site
culture openness of the remains
the site is located at Peniche, Portugal, purpose of this proposal is to expose the methods of designing and implementing that meandering the fortress ruins.
PG_90
sem six
project 01_theory
the three senses tools _ vision sound - memory / imagination scent
elemental senses around us tell us about ones connection to a memory, these entity are tools that connects us from one memory to another. bringing continuity in our memories or even without strong meaning, imagination can run free on our minds that interact between space and time. keyword _ connectivity continuity imaginative
vision is tangible
sound is intangible
continuity
PG_90
scent is intangible
silent is imaginative
connectivity
sem six
project 01_site and theory
open and close space over-viewing
piecing
protecting significant remains
protective and exposed a new language is to create an embodied experience of air, light, sound and temperature through movement and places of rest. an open-air permeable museum for visitor to engage with the history, the land and the ocean. offering a unique experience within the site.
PG_91
sem six
project 01_site shelter concept
+
= as the site remain has a distinctive scattered arrangement, by using this force it creates a strong connection between the remains and proposed intentions. interpretation of each individual towards the site will have a set of unique thoughts. by enforcing historical purposed of the site as a puzzle piece.
PG_92
sem six
project 01_site shelter concept
extending bridge down to sea, the glimpse of nature, ruins as vision director, piecing openings of ruins creating a new space, creating an open space for gathering and viewing of site scenery.
PG_93
sem six
project 01_site shelter concept
+
+
-
-
avoiding the ruins
PG_94
parallel wall act as guidance
centralize ruins
zoning sequence
sem six
project 01_site shelter
PG_95
sem six
number arranged in sequential through the passing of space and time of each intervention provide essential experience with the ruins
project 01_site shelter
10
4 1
9
7
3
8
2
5
PG_96
6
sem six
project 01_site shelter
the bridge represent the ending point of the journey it views the entirety of vast ocean. it gives a sense of mysterious in the sea.
PG_97
sem six
project 01_site shelter
ending point and the starting point of the journey in between is an emotion garner to create one harmonious connectivity to the site, history and culture
PG_98
sem six
project 01_site shelter
entrance to site
PG_99
pathway
sem six
project 01_site shelter
in between ruines
PG_100
views folly
sem six
archaeological Heritage of the lenggong valley is one of the longest culture sequences in a single locality in the world. this long culture sequence stretches from the palaeolithic to the neolithic and metal periods, chronometrically dated from 1.83 million to 1,000 years ago. the richness of the archaeological heritage of the lenggong valley has been proven by discoveries of one of the largest numbers of in-situ open-air palaeolithic sites in southeast asia and numerous cave sites over a 20-year period of multidisciplinary and scientific research.
PG_101
project 02_site research lenggong valley, perak
sem six
project 02_site lenggong valley, perak
lenggong valley PG_102
chosen site - cluster one sem six
a_connection to cluster 2 project 02_site lenggong valley, perak
a
b_center township
d
c_bridge connection
c b
d
PG_103
d_adjecent of core site
sem six
project 02_site lenggong valley, perak
archaeology core zone
PG_104
sem six
project 02_site lenggong valley, perak
due to the unpopularity of the lenggong township, common necessity like toilets and food stop are generally lacking at the site. narrow dual carriageway are seen throughout the connection to the site with the archaeology site being one of the hardest to reach area. the renown UNESCO world heritage site is in isolation with the local and visiting tourist due to poor marketing and on site intervention to garner people into the heritage background of lenggong valley.
accessibility
PG_105
amenities
isolation
sem six
// piecing the past
project 02_site intervention concept
re-enactment time-line of the site, creating a chronological sequence of people evolving as the site changes and people from the past to the future.
hunting
nomadic x
river
x
money
x
mythical
x
place
x
historical
x
to
place return PG_106
sem six
project 02_urban strategy journey
existing journey
a
b
c
historical
peeking in-between
river and land
parcelling of urban journey to strategies the individual users to the site itself.
PG_107
sem six
on-site tangible mapping to identify the immediate context, environmental regulation that may effect the proposed intervention.
mapping of linking to site
PG_108
initial parcel intervention
project 02_urban strategy mapping
shading
in between space
sem six
tangible mapping I mapping the eniviroment I interventions for the people and nature
convergence points
PG_109
core archaeology site
potential lots
map matrix connection
sem six
project 02_urban strategy artwork
lenggong cluster one site emotional mapping 420 x 594mm water color painted on butter paper
intangible mapping tell over in color with each spectrum of color represent an abstract information
PG_110
sem six
project 02_urban strategy artwork
view through intervention operation diagram 420 x 594mm charcoal pencil and marker on butter paper
the map derived from the activities and emotion of each potential site selection, by linking them to a central point axis, to create a complex from of movement operation, similar to a camera panning.
PG_111
sem six
project 02_urban strategy artwork
piceing and seduction 420 x 594mm greyboard and charcoal pencil on butter paper
a diagrammatic model showcasing the propose intervention journey pathways that link to each possible intervention scenarios.
PG_112
sem six
existing project 02_urban strategy concept
view
traces
peeking
extension
amplify river overview
PG_113
sem six
project 02_urban strategy program and user
views
mock up scattered
gallery cafe gallery + water
orchard
extension education
hiking
the provocation of historical journey of implementing gallery, to further draw in users from the site is by giving view into the archaeology site.
PG_114
boating
extension to the existing site village thus, giving people a sense of local culture by implementing program to provoke the relationship.
scattered arrangement is inspired by the throwing of stone to the water, as it creates scattered rippling effect.
sem six
the dissection of element in each particular scenarios
axis walkway spine
PG_115
project 02_masterplan scenarios
sub spine act as finger joining the main spine
off grid program + potential land
sem six
project 02_masterplan scenarios
emphasize with viewing tower
PG_116
village extension
sem six
project 02_masterplan
“hiking” contemplative
site
community
“port” “off grid program” // abstract formation
gathering
“hub” model showing the contrast of organic and manmade elements, white clay that look like palaeolithic stone tools are intervention parcels with copper wires which is the existing roads, in contrast with grey and brown board which is the propose intervention to connect the existing roads.
PG_117
“spine as mediator”
sem six
left to right, lenggong valley masterplan, parcel annotation of masterplan
project 02_masterplan
1 2 3 4 5 6 7 8 9 10 11 12
13 14 15 16 17 18 19 20 21 22 23 24 25
artefact research center biofact research center bukit bunuh archaeology site gallery research contemplation hall landscape garden gathering hub artefact exhibition mock interactive site viewing tower orchard village extension hidden cafe
kota tampan archaeology site + viewing tower archaeology usm research center open green landscape accommodation for site users aquaponic farm research center impermanent mock up tent additional expansion of archaeology site water prayer pavilion fisherman community hall fisherman port river extension archaeology hall artefact pavilions
node 05
node 06
1
2 4
8
1
node 01
3
24 23
9
25
5
node 04
7 6
10
22 21
11 12
3
e0
d no
20
13
node 02
15
16
17
18
19 14 04_masterplan + building strategies
PG_118
04_masterplan
sem six
project 02_masterplan_node 01
river water diversion system
extension artefact research center
fisherman port
water artefact gallery
viewing tower
water prayer pavillion +
water canal to hub
connection of the fisherman ports, by following the contour of the river, by letting water flowing into the cage intervention creating a threshold, by informing the users the relationship between water and land.
PG_119
sem six
project 02_masterplan_node 03
viewing bridge
main hub
connection to village gathering hub
hotspot is diverted into respected zoning with planes extended outwards to guide users into each designated activities that enforced the river water into the intervention creating a valley. it is then layered a viewing intervention to inform the archaeological site.
re
ve
al
PG_120
sem six
project 02_masterplan_node 03
extending the existing village, to increase the interaction between design users to local users, to further increase both culture and socio-economy of the site.
interactive village ochard farm + accomodation hidden cafe underground artefact gallery
PG_121
sem six
project 02_masterplan_node 04
viewing tower + underground folly
connection to hub
revealing stack wall
connection to main road bus stops folly the propose partition is to create a guidance, yet letting people to peek through it to inform the site context.
PG_122
sem six
project 02_masterplan_node 05
research + gallery for immediate site
view towards cluster two
existing core site
research
existing village
camp
by focusing the intervention into the view of the existing forestry creating a seamless connection making it a low profile intervention that abide the vegetation land plots.
PG_123
sem six
project 02_masterplan_visitor + local viewing and through site
parallel viewing tower bus stop folly extending towards site
PG_124
sem six
project 02_masterplan_visitor + local viewing and through site
water flow detection
fisherman port
extended research
pump station
to hub
gathering hall port
bridge to village
axonometric overview of river port
PG_125
sem six
project 02_masterplan_visitor + local viewing and through site
forest entrance amplifier to lure potential users into the oil palm plantation and its beauty of harvesting oil as to get people to mingle with the locals and their delicacy of the plantation itself.
PG_126
sem six
site connection points that dictate the program massing placement and development of activities for the new central point.
project 03_surrounding satelites
4 archaeology sites 1 open air sites research 30% gallery 20% hub 40% viewing 10%
core archaeology site
intervention points
PG_127
sem six
project 03_transition of places
stops
river
pick up
bus stops
archaeological site site
spaces bus stops
village village
bus stops
urban to building connection
PG_128
transition of places orange - picked up points black - stops - intervention site - spaces - building
sem six
project 03_building concept
stops pick up point
research cluster 02
stops
gallery + viewing
recycle
stops
new centrality port
// new centrality by tapping in propose intervention sites program, creates a central connector that brings multiple urban program act as tool to garner the new site.
stops pick up point
research hub
PG_129
perak man
sem six
newly propose local context journey through site
project 03_site function
view
hub
public
local research
bus stops
arch gallery
orchard aquaponic farm
pedestrian route
contemplation river
water filtration
site
PG_130
sem six
with the newly proposed intervention and its own journey, each section is to conformed with the new site to house the purpose of the site, that is to embodied the culture of the site, heritage and people.
project 03_site transformation
sub spine site
e
pin
ys
ar
im
sub spine
site
pr
site
existing spines
PG_131
new spines
merge
sem six
project 03_site transformation
stops
pick up
pick up
site
point journey
PG_132
informing the site
connection to main spine
sem six
urban intervention
project 03_site transformation
building extension
gallery + lab artefact exhibition
ark chapel
contemplation
interactive lab
cleanse
thematic trail
ritual hall
open camp
retreat
accommodation
hub
market
fisherman port
farm
viewing decks
pavilion
theater square
view landscape water gallery
research research and documentation PG_133
education institute sem six
project 03_objective aim outcome
the intention is to create a seamless site that denotes
and demarcates, the presence of site archaeology, due to improper usage of this found artefacts scattered around in open sites.
!
!
!
the objectives is to identify open air sites and shelter or frame as a piece art from the ancient civilization which they use as a tool for their means of survival.
?
?
?
?
PG_134
?
?
?
the outcome will have a harmonious site that ties to
the propose urban context to garner complex activities to create awareness and respecting the heritage value or more specifically the outstanding universal value.
sem six
project 03_program and building
urban intervention stops building linkage river extension intervention linkage
pick up points
PG_135
sem six
project 03_selected site
selected site characteristics include large palm tree plantation with small gradient hill. mostly flat with a few scattered on site artefact.
x0
x10
x100
PG_136
sem six
project 03_selected site
site journey parcel
river research
building open air gallery
contemplation parking
orchard
entrance point
urban masterplan intervention
PG_137
sem six
project 03_selected site
01
04
03 02
01 02
03
03
04
04
01
02
PG_138
sem six
project 03_building massing
surrounding site massing
ing
t xis
connection to river intervention
e
il
tra
ch
ar
se
re
ng
wi
vie
entrance site artefact showcase chapel
e lag
retreat
ar
rch
o
d
rm fa
accommodation
il
ne
n co
n
o cti
v to
large scale site building massing
PG_139
sem six
project 03_building layout study
PG_140
sem six
bukit bunuh
project 03_building layout study
entrance
farm pan
kota tam acc
workshop om
PG_141
od
ati
on
sem six
building approach
project 03_building layout study
open land
r
ido
orr dc
use
foc
PG_142
visual pass through
focused entrance
sem six
translucency facade creates soft light that to give shimmer to solid surface
PG_143
project 03_building layout study
sem six
project 03_building massing transformation
bukit bunuh
re a se rch
river
ark site
m
te
n co k.t research and gallery
surau
n
tio
a pl
archaeology
community
town
routes connection
extrude mass path program
creating mass in between path
pathway and mass
PG_144
sem six
project 03_building massing transformation
public and private
ark site 01
01 02 ark site 02
03
nodes; pick up points
PG_145
nodes informal formal programs
main space
sem six
project 03_horizontal building massing
PG_146
sem six
project 03_vertical building massing
verticle lift splice out programs
open air archaeology sites
PG_147
entrance
sem six
project 03_vertical building massing
open corridor light and dark display restaurant main contemplation entrance
exhibition entrance
conservation
exhibition
exhibition
workshop
evolution exhibition
PG_148
sem six
project 03_key plan
8 10 12 7
existing mosque 1 parking 2 forest chapel 3 viewing tower 4 main entrance 5 forest open air artefact gallery 6 extension artefact gallery 7 research gallery 8 river pavilion 9 research pavilion 10 center hub 11 river tower 12 pump station 13 viewing tower 14
9 6 5
1
2 13
4
11 PG_149
14
sem six
project 03
PG_150
overall axonometric
sem six
museum main circulation and artefact display sequence
project 03
SC
FF
GRD
UND
PG_151
museum space + circulation
sem six
project 03_site plan
3
7
8 9
4 2a
200 section 2
1
5 6
220 plan PG_152
entrance 1 parking 2 forest chapel 2a researcher trail to bukit bunuh 3 farm 4 farm extension 5 river canal 6 researcher entrance 7 open air artefact site 8 trail to urban river intervention 9
sem six
entrance 1 a stone garden 1a shop and ticket counter 2 /3 chapel ritual area 4 archaeology embodied 5 introduction arch gallery 6 temporary exhibition 7 to underground...
project 03_ground floor plan
25 24
26
management 8 b lift lobby 9 cafe lab10 cafe 11 artefact sites garden 12
27 30 23
32
31
29
33
34
workshop exhibition13 workshop space 14 interactive workshop 15 water embodied pavilion 15a accommodation manage16 accommodation shed 17 lounge 17a aquaponic pond 18 farm 19 shed 20
21 21a
22
12
10a 11 4 5 8 6
9
10
14
7
13
3 2
20
15
1a 18
1
PG_153
17
central courtyard 21 d dining 21a kitchen 22 artefact garden 23 to first floor... loading bay 24 e conservation hall 25 artefact archive 26 archival exhibit 27 storage lab 29 arch lab 30 orang asli intro museum 31 orang asli artefacts 32 orang asli exhibition 33 conference 34
17a 19
c
16
15a
sem six
hiking trail entrance
PG_154
project 03
sem six
main entrance
PG_155
project 03
sem six
top to bottom, entrance chapel, entrance corridor
PG_156
project 03
sem six
hiking trail entrance
PG_157
project 03
sem six
artefact introduction entrance
PG_158
project 03
sem six
biofact introduction museum
PG_159
project 03
sem six
central courtyard
PG_160
project 03
sem six
temporary exhibition
PG_161
project 03
sem six
stone garden
PG_162
project 03
sem six
project 03_underground plan
...from ground floor perak man burial display 1 evolution musuem 2 lift lobby 3 nature musuem 4 tool making sequence 5 stone tool making display 6 to first floor...
6
3 5 2
1
4
PG_163
sem six
underground museum
PG_164
project 03
sem six
nature museum
PG_165
project 03
sem six
underground museum circulation scene
PG_166
project 03
sem six
project 03_first floor plan
...from underground a geology display 1 tools making display 2 to second floor... light corridor 3 video room 4 workshop exhibition 5
6
bukit bunuh lookout point 6 b archival sequence museum 7 lobby 8 gathering hall 9
9
8
...from ground floor restaurant lounge 10 reception lounge 11 amenities 12
7
10
11
12
c
2 3 4 1
5
13
PG_167
sem six
stone making museum
PG_168
project 03
sem six
connection corridor
PG_169
project 03
sem six
lookout point
PG_170
project 03
sem six
project 03_second floor plan
...from first floor light museum 1 texture museum 2 lift lobby 3 amenities 4 to ground floor...
PG_171
sem six
light museum
PG_172
project 03
sem six
dark museum
PG_173
project 03
sem six
project 03_musuem section
2
PG_174
entrance - contemplation - museum - video room - workshop
4
8
sem six
project 03_longitude section
2
PG_175
accommodation - lounge - temporary exhibition - museum - cafe - open site artefact - orang asli museum
4
8
sem six
project 03_longitude section
1
PG_176
2
3
4
1 embodied garden - 2 courtyard - conservation entrance - lookout point - 3 laboratory - 4 orang asli museum - conference hall
sem six
hiking trail view
PG_177
project 03
sem six
orang asli musuem
PG_178
project 03
sem six
central courtyard
PG_179
project 03
sem six
model axonometric view
PG_180
project 03
sem six
model north elevation view
PG_181
project 03
sem six
north elevation
project 03
2
PG_181
4
8
16
sem six
NOTES
project 03_technical drawing
PG_182 AGRICULTURE Kampung Banggol Batu
PROPOSED SITE LOT 5385 Jln Kampung Pulau Cheri, Kampung Luat, 33400 Lenggong, Perak
LOT 5385
LINE MARK
Kampung Banggol Batu
DATE
BY
REVISION
PROJECT TITLE
AR724_WORKING_DRAWING GENERAL_ARRANGEMENT
82°
Bukit Bunuh B4 B3
B2
B1
2825
82°
2881
PROJECT DRAWING LAYOUT FORMAT AND FONT ARE TO BE CONSISTENT.
2044
D1
143°
6675
A2
7413
7350
D3
B7
A8
B6 B5
5° ROOF
R.C FLAT ROOF
4759
A12 C9
TEMPERED GLASS SKYLIGHT
5° ROOF
D5
5001
A11
12875
ALUMINUM LOUVER SKYLIGHT
R.C FLAT ROOF
C8
R.C FLAT ROOF
A10
4225
B9
5525
4853
D4
C3
Kampung Sena Halu
A9
7207
0
B1
5650
R.C FLAT ROOF
POLYCARBONATE ROOF
5° ROOF
C2
C10
5° ROOF
R.C FLAT ROOF 5° ROOF
OF
R.C FLAT ROOF
6801
3350
2525
R.C FLAT ROOF
8134
C1
Kampung Laut Kampung Baru Kota Tampan
5000
A1
SETBACK LINE
B8
D2
Sungai Perak
Kota Tampan
5°
RO
R.C FLAT ROOF
C4 3824
C11
OWNER
POLYCARBONATE ROOF R.C FLAT ROOF
5° ROOF
UCSI_UNIVERSITY
3550
D6
C5 A3
A4
D7
3374
5900
OF
5°
C6
5° ROOF
RO
R.C FLAT ROOF
5° ROOF
4551
R.C FLAT ROOF
A14
A15
2
13400
5°
A7
B1
RO
D8
OF
A6
RC FLAT ROOF
C8
RC FLAT ROOF
D9
2800
AGRICULTURE
4800
3825
A5
F1
143°
11050
A7
C7
RO
143°
A7
OF
5°
VOID
R.C FLAT ROOF
A13 OF
A17
5850
A18
4725
A19
9825
4350
A20 C12
RC FLAT ROOF
260
23
RO
OF
RO
RC FLAT ROOF 5° ROOF
5° ROOF
01 A400 TEMPERED GLASS SKYLIGHT
VOID
A12a
RC FLAT ROOF
C13
5° ROOF
5° ROOF
a
1
B1
RC FLAT ROOF
TEMPERED GLASS SKYLIGHT
A12b 3300
D9
TEMPERED GLASS SKYLIGHT
D9
5376
ARCHITECT
C14
b
4
1
A9
13
B
c
D9
B1
RC FLAT ROOF
B1
SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.
5
B1
2450
VOID
RC FLAT ROOF
RC FLAT ROOF
6008
1:25000
5°
OF
5°
01 A301
5497
Jalan Lenggong
01
KEY PLAN
3950
0
1095
5°
A16
7510
VOID
RO
RC FLAT ROOF
5° ROOF
5° ROOF
B
RC FLAT ROOF
4392
0
D1
11a
5715
VOID
A9
RC FLAT ROOF OF
5°
A7b A7c
A7d
1900
5056
A7e
4169
RO
OF
A7f
5300
5°
4356
A7g
3100
C15
A7h
RO
6849
B8 A7a
RC FLAT ROOF 5° ROOF
RC FLAT ROOF
2044
5000
C16 C17
AGRICULTURE
RC FLAT ROOF 5° ROOF
RC FLAT ROOF
D1
FOREST CHAPEL
2
RC FLAT ROOF
D1
3400
RC FLAT ROOF 5° ROOF 5° ROOF
3
2241
5° ROOF
7
C18
PROPOSED SITE LOT 5385 Jln Kampung Pulau Cheri, Kampung Luat, 33400 Lenggong, Perak
B1
B5
6
127°
01 A300
8350
B5
B1
5650
RC FLAT ROOF
D1
OF
5°
RO
4
R.C FLAT ROOF
7375
C1 5°
5800
OF
RO
143°
ARCHITECT
01 A401
C1
5
D1
JEFF'S_ARCHITECT
Bukit Bunuh ENGINEER CONSULTANT
JEFF'S_CONSULTANT
ADMIN PARKING PROPOSE FARM
D
Y AR
UN
LIN
Sungai Perak
E
MAIN PARKING
BO
AGRICULTURE
PROPOSE RIVER CANAL STATUS
CONCEPT_TENDER
CHECKED BY
BAKHTIAR_AMIR
02
LOCATION PLAN NTS
03
SITE PLAN 1:500
DRAWN BY
DATE
SEE_THOO_JUN_HOE 1001645328
NOV_2021
DRAWING TITLE
PRJ NO
SETTING_OUT
A0004 A100
DRAWING NO
NOTES
project 03_technical drawing
PG_183 AGRICULTURE Kampung Banggol Batu
PROPOSED SITE LOT 5385 Jln Kampung Pulau Cheri, Kampung Luat, 33400 Lenggong, Perak
LOT 5385
LINE MARK
Kampung Banggol Batu
DATE
BY
REVISION
PROJECT TITLE
AR724_WORKING_DRAWING GENERAL_ARRANGEMENT
82°
Bukit Bunuh B4 B3
B2
B1
2825
82°
2881
PROJECT DRAWING LAYOUT FORMAT AND FONT ARE TO BE CONSISTENT.
2044
D1
143°
6675
A2
7413
7350
D3
B7
A8
B6 B5
5° ROOF
R.C FLAT ROOF
4759
A12 C9
TEMPERED GLASS SKYLIGHT
5° ROOF
D5
5001
A11
12875
ALUMINUM LOUVER SKYLIGHT
R.C FLAT ROOF
C8
R.C FLAT ROOF
A10
4225
B9
5525
4853
D4
C3
Kampung Sena Halu
A9
7207
0
B1
5650
R.C FLAT ROOF
POLYCARBONATE ROOF
5° ROOF
C2
C10
5° ROOF
R.C FLAT ROOF 5° ROOF
OF
R.C FLAT ROOF
6801
3350
2525
R.C FLAT ROOF
8134
C1
Kampung Laut Kampung Baru Kota Tampan
5000
A1
SETBACK LINE
B8
D2
Sungai Perak
Kota Tampan
5°
RO
R.C FLAT ROOF
C4 3824
C11
OWNER
POLYCARBONATE ROOF R.C FLAT ROOF
5° ROOF
UCSI_UNIVERSITY
3550
D6
C5 A3
A4
D7
3374
5900
OF
5°
C6
5° ROOF
RO
R.C FLAT ROOF
5° ROOF
4551
R.C FLAT ROOF
A14
A15
2
13400
5°
A7
B1
RO
D8
OF
A6
RC FLAT ROOF
C8
RC FLAT ROOF
D9
2800
AGRICULTURE
4800
3825
A5
F1
143°
11050
A7
C7
RO
143°
A7
OF
5°
VOID
R.C FLAT ROOF
A13 OF
A17
5850
A18
4725
A19
9825
4350
A20 C12
RC FLAT ROOF
260
23
RO
OF
RO
RC FLAT ROOF 5° ROOF
5° ROOF
01 A400 TEMPERED GLASS SKYLIGHT
VOID
A12a
RC FLAT ROOF
C13
5° ROOF
5° ROOF
a
1
B1
RC FLAT ROOF
TEMPERED GLASS SKYLIGHT
A12b 3300
D9
TEMPERED GLASS SKYLIGHT
D9
5376
ARCHITECT
C14
b
4
1
A9
13
B
c
D9
B1
RC FLAT ROOF
B1
SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.
5
B1
2450
VOID
RC FLAT ROOF
RC FLAT ROOF
6008
1:25000
5°
OF
5°
01 A301
5497
Jalan Lenggong
01
KEY PLAN
3950
0
1095
5°
A16
7510
VOID
RO
RC FLAT ROOF
5° ROOF
5° ROOF
B
RC FLAT ROOF
4392
0
D1
11a
5715
VOID
A9
RC FLAT ROOF OF
5°
A7b A7c
A7d
1900
5056
A7e
4169
RO
OF
A7f
5300
5°
4356
A7g
3100
C15
A7h
RO
6849
B8 A7a
RC FLAT ROOF 5° ROOF
RC FLAT ROOF
2044
5000
C16 C17
AGRICULTURE
RC FLAT ROOF 5° ROOF
RC FLAT ROOF
D1
FOREST CHAPEL
2
RC FLAT ROOF
D1
3400
RC FLAT ROOF 5° ROOF 5° ROOF
3
2241
5° ROOF
7
C18
PROPOSED SITE LOT 5385 Jln Kampung Pulau Cheri, Kampung Luat, 33400 Lenggong, Perak
B1
B5
6
127°
01 A300
8350
B5
B1
5650
RC FLAT ROOF
D1
OF
5°
RO
4
R.C FLAT ROOF
7375
C1 5°
5800
OF
RO
143°
ARCHITECT
01 A401
C1
5
D1
JEFF'S_ARCHITECT
Bukit Bunuh ENGINEER CONSULTANT
JEFF'S_CONSULTANT
ADMIN PARKING PROPOSE FARM
D
Y AR
UN
LIN
Sungai Perak
E
MAIN PARKING
BO
AGRICULTURE
PROPOSE RIVER CANAL STATUS
CONCEPT_TENDER
CHECKED BY
BAKHTIAR_AMIR
02
LOCATION PLAN NTS
03
SITE PLAN 1:500
DRAWN BY
DATE
SEE_THOO_JUN_HOE 1001645328
NOV_2021
DRAWING TITLE
PRJ NO
SETTING_OUT
A0004 A100
DRAWING NO
NOTES
project 03_technical drawing
01 A707A
F1
D8
PG_184
01 A702
01 A704
D9
D9a
A12a
A12b
A13
A16
A17
A18
A19
A20
72264 8448
3581
5299
13235
3300
6141
7510
5850
4725
9825
4350
ROOF LEVEL FFL +12.000 V
DARK ARTEFACT MUSEUM
LIGHT ARTEFACT MUSEUM LIFT LOBBY 04
SERVICE AREA
SECOND FLOOR LEVEL FFL +8.000 V
MARK
STONE GEOLOGY MUSEUM
STONE GEOLOGY MUSEUM
CORRIDOR
VIDEO ROOM ENTRANCE
LIFT LOBBY 03
FIRST FLOOR LEVEL FFL +4.000 V
01 A700 INTRODUCTION MUSEUM
BIOFACT INTRODUCTION CORRIDOR ATRIUM
LIFT LOBBY 02
BY
REVISION
AR724_WORKING_DRAWING GENERAL_ARRANGEMENT PROJECT DRAWING LAYOUT FORMAT AND FONT ARE TO BE CONSISTENT.
WORKSHOP MUSEUM
TEMPORARY EXHIBITION
GROUND LEVEL FFL +0.000 V
DATE
PROJECT TITLE
ORANG ASLI MUSEUM
16 STEPS 300 TREAD 200 RISER
STONE TOOL MAKING CORRIDOR
STONE TOOL MAKING MUSEUM
LIFT LOBBY 01
EVOLUTION MUSEUM
UNDERGROUND LEVEL FFL -3.500 V
01 A701
01
OWNER
UCSI_UNIVERSITY
SECTION THROUGH MAIN MUSEUM 1:200
ARCHITECT
SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.
C14
C13
C12
C11b
C11a
C11
C10
C9
39447 5497
3950
5075
4750
11175
3350
5650
ROOF LEVEL FFL +12.000 V
ARCHITECT
JEFF'S_ARCHITECT 01 A706
DARK ARTEFACT MUSEUM
SECOND FLOOR LEVEL FFL +8.000 V
VIDEO ROOM
GATHERING HALL
ENGINEER CONSULTANT
JEFF'S_CONSULTANT
FIRST FLOOR LEVEL FFL +4.000 V
TEMPORARY EXHIBITION
CAFE KITCHEN
CAFE
ORANG ASLI EXHIBITION
OUTDOOR COURTYARD GROUND LEVEL FFL +0.000 V
OPEN AIR ARTEFACT COURTYARD
EVOLUTION MUSEUM UNDERGROUND LEVEL FFL -3.500 V
01 A707 STATUS
02
SECTION THROUGH MAIN ATRIUM
CONCEPT_TENDER
1:200
CHECKED BY
BAKHTIAR_AMIR DRAWN BY
DATE
SEE_THOO_JUN_HOE 1001645328
NOV_2021
DRAWING TITLE
PRJ NO
SECTION
A0004 A400
DRAWING NO
NOTES
project 03_technical drawing
1
PG_185
02 A702
2 3 4 S.F LEVEL FFL 9.100 V
MARK
DATE
BY
REVISION
PROJECT TITLE
PROJECT_02 DETAIL
5 6
OWNER
UCSI_UNIVERSITY
7
F.F LEVEL FFL 4.550 V
ARCHITECT
01 A703
SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.
8
ARCHITECT
JEFF'S_ARCHITECT G.F LEVEL FFL 0.000 V
9
ENGINEER CONSULTANT
JEFF'S_CONSULTANT
03 UNDERGROUND LEVEL FFL -3.350 V
01
OVERALL SECTION 1:75
02
FACADE SECTION DETAIL 1:20
FACADE SECTION DETAIL 1:5
1 parapet pre-finished metal flashing with dripo edge that extends 300mm away from parapet 2 200mm x 350mm concrete beam 3 facade component steel vertical bracket cover and closure plate for spandrels panel to be fixed on beam 4 100mm thk polycarbonate 5 steel bracket for aluminium spandrels panel 6 internal anchor, rectangular cut out for mounting bracket and anchor 7 support bracket for external facade polycarbonate panel 8 powdered coated aluminium profile mullions 9 5mm thk tempered glass
STATUS
CONCEPT_TENDER
CHECKED BY
BAKHTIAR_AMIR DRAWN BY
DATE
SEE_THOO_JUN_HOE 1001645328
AUG_2021
DRAWING TITLE
PRJ NO
FACADE DETAIL
A0001 A702
DRAWING NO
NOTES
project 03_technical drawing
02 A703
PG_186
4 MARK
DATE
BY
REVISION
PROJECT TITLE
PROJECT_02 DETAIL
5
1
OWNER
UCSI_UNIVERSITY
2 6 ARCHITECT
SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.
7
3
8 ARCHITECT
JEFF'S_ARCHITECT
ENGINEER CONSULTANT
9
03 A703
02
SLIDING DOOR MECHANISM 1:5
JEFF'S_CONSULTANT
03
SLIDING DOOR MOUNTING 1:5
STATUS
CONCEPT_TENDER
CHECKED BY
1 facade component steel vertical bracket cover and closure plate for spandrels panel to be fixed on beam
01
SLIDING DOOR DETAIL 1:20
2 internal anchor, rectangular cut out for mounting bracket and anchor 3/7sliding door mechanism, steel roller mounted on top of sliding tracks 4 100mm thk white translucent polycarbonate 5 internal 5mm thk tempered glass 6 aluminium mullion profile
8 powdered coated steel bracket for sliding track mounting, fixed to concrete floor slab 9 200mm thk concrete floor slab with steel bar reinforcement to engineers detail
BAKHTIAR_AMIR DRAWN BY
DATE
SEE_THOO_JUN_HOE 1001645328
AUG_2021
DRAWING TITLE
PRJ NO
SLIDING_DOOR DETAIL
A0001 A703
DRAWING NO
NOTES
02 A703
project 03_technical drawing
02 A703
1 parapet pre-finished metal flashing with dripo edge that extends 300mm away from parapet
PG_187
2 200mm thk concrete beam with steel bar reinforcement to engineers detail 3 20mm thk timber fascia board with painted finished externally 4 waterproofing layer (exposed system), exposed pvc fully adhered system - sika sarnafill G410-15L FELT 1.5mm thk 5 200mm thk rc flat roof at gentle fall of 4 degrees for water drainage
MARK
DATE
BY
REVISION
PROJECT TITLE
PROJECT_02 DETAIL
6 parapet pre-finished metal flashing with dripo edge that extends 300mm away from parapet 7 mullion frame for skylight, to be mounted on to extruded concrete beam 8 5mm thk tempered glass
01
OWNER
UCSI_UNIVERSITY
SKYLIGHT DETAIL SECTION 1:20
ARCHITECT
3
1
SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.
4
5
7
6
8
ARCHITECT
JEFF'S_ARCHITECT
2
ENGINEER CONSULTANT
JEFF'S_CONSULTANT
STATUS
CONCEPT_TENDER
CHECKED BY
BAKHTIAR_AMIR
02
FLAT ROOF DETAIL 1:5
03
SKYLIGHT TO FLAT ROOF DETAIL 1:5
DRAWN BY
DATE
SEE_THOO_JUN_HOE 1001645328
AUG_2021
DRAWING TITLE
PRJ NO
SKYLIGHT_TO FLAT_ROOF_DETAIL
A0001 A704
DRAWING NO
NOTES
NOTES
project 03_technical drawing
1
PG_188
2
MARK
DATE
PROJECT TITLE
BY MARK
DATE
BY
REVISION
REVISION
PROJECT TITLE
PROJECT_02PROJECT_02 DETAIL DETAIL
3
OWNER
02 A705
OWNER
UCSI_UNIVERSITY UCSI_UNIVERSITY
02 A705
1 150mm thk concrete wall with raw concrete finished externally 2 10mm slit cut out out to fit tempered glass with waterproofing seal ARCHITECT
3 5mm thk tempered glass
ARCHITECT
SAYA MEMPERAKUISAYA BAHAWA MEMPERAKUI DETAIL-DETAIL BAHAWA DALAM DETAIL-DETAIL PELAN-PELAN DALAM ADALAH PELAN-PELAN MENURUT ADALAH MENURUT KEHENDAK-KEHENDAK, KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL UNDANG-UNDANG BANGUNAN SERAGAM KECIL BANGUNAN 1984 DANSERAGAM SAYA 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB SETUJU TERIMA PENUH TANGGUNGJAWAB DENGAN SEWARJANYA. PENUH DENGAN SEWARJANYA.
4 powdered coated million frame for tempered glass 5 metal flashing to be extended 10mm away from glass window 6 flashing edge for water proofing
4
ARCHITECT
ARCHITECT
JEFF'S_ARCHITECT JEFF'S_ARCHITECT
ENGINEER CONSULTANT
ENGINEER CONSULTANT
JEFF'S_CONSULTANT JEFF'S_CONSULTANT
5
01
WALL TO WALL WINDOW TO WINDOW SECTION SECTION 01 1:15 1:15
STATUS
STATUS
CONCEPT_TENDER CONCEPT_TENDER
6
CHECKED BY
CHECKED BY
BAKHTIAR_AMIR BAKHTIAR_AMIR DRAWN BY
02
WINDOW WINDOW DETAILDETAIL 02 1:5 1:5
DRAWN BY
DATE
DATE
AUG_2021 AUG_2021 SEE_THOO_JUN_HOE SEE_THOO_JUN_HOE 1001645328 1001645328 DRAWING TITLE
DRAWING TITLE
PRJ NO
PRJ NO DRAWING NO
DRAWING NO
WINDOW_DETAIL WINDOW_DETAILA0001 A705A0001 A705 01 01
D9
project 03_technical drawing
DARK ARTEFACT MUSEUM
PG_189
01 A707A
6
MARK
STONE GEOLOGY MUSEUM
DATE
BY
REVISION
PROJECT TITLE
CONSTRUCTION DETAIL
01 A705
OWNER
02
KEY SECTION DETAIL NTS
5
ARCHITECT
1 200mm thk reinforced concrete slab with rebar steel, 4
UCSI_UNIVERSITY
SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.
to engineers detail 2
700mm deep concrete display top with smooth
concrete finished externally and stainless steel stone artefact prop holder, to architects detail 3
ARCHITECT
JEFF'S_ARCHITECT
3 stone artefact 4 150mm thk stone slab wall cladding with butt join in random pattern with smooth finished texture externally
2
5 void opening for natural daylight 6 polycarbonate facade (refer to drawing A702)
ENGINEER CONSULTANT
JEFF'S_CONSULTANT
1 STATUS
CONCEPT_TENDER
CHECKED BY
BAKHTIAR_AMIR
01
STONE TOOL ARTEFACT DISPLAY MUSUEM 1:30
DRAWN BY
DATE
SEE_THOO_JUN_HOE 1001645328
AUG_2021
DRAWING TITLE
PRJ NO
MUSEUM DISPLAY
A0001 A707A
DRAWING NO
+ additional works competition + experiencing architecture
site shelter arkxsite central kuala lumpur trip
PG_190
arkxsite site shelter competition submission / teammates - ting kai lin & carlos chu - https://www.arkxsite.com/site-shelter-winners
PG_191
competition
the program is designed to deepen the understanding of looking at different perspective of a city in term of its architecture, social economics and cultural diversity. as an architect, we ought to be critical in whatever we do or see. exposing oneself to different culture around the world could deepens one thinking and understanding of the beauty of diversity.
PG_192
experiencing architecture
postcards
experiencing architecture
from left to right, sultan abdul samad building, national textile museum, chan she shu yuen clan association kuala lumpur, dayabumi complex, bamboo playhouse, all of which is taken during the trip around central kuala lumpur.
PG_193
postcards
end
2021