project 01_inhabited ruins task 1 unit A see thoo jun hoe
01
concept theory
02
site findings
03
process
04
final proposal
05
task 01_sequence
tangible items
01 theory + concept finding
the three senses tools _ vision sound - memory / immagination scent
elemental senses around us tell us about ones connection to a memory, these entity are tools that connects us from one memory to another. bringing continuity in our memories or even without strong meaning, imagination can run free on our minds that interact between space and time. keyword _ connectivity cotinuity imaginative
01_summary of the three topics _ juhani pallasmma
vision is tangible
sound is intangible
scent is intangible
silent is immaginative
direct and non reactive
indirect and reactive
indirect and non reactive
embracing solitude and self dialogue
continuity
01_elements of senses
connectivity
01
vision provides direct memory but in order to have a stronger connectivity sound is needed to have a firm believe in the memory. sound is immaginative as without scene are able to carve out a sense of space.
02
sound can also bring silent. as silent is a space without other element to disturb the thought of solitude and it can also be an embracing state of mind is like losing your self into something. is like an internal dialogue.
03
scent gives an additional level on connectivity, just like sound. it evokes memory that sound or vision cannot provide. it is an addictive to vision and sound.
01_decipher the text
matrix mind map to find the best possible topic in the text, to relate back to the architecture element with combination of the three topic resolving into a single solution.
01_mind matrix
02 site findings + concept
piecing the remains
open and close space
over-viewing the remains
01_architectural theory and site remains
protecting significant remains
protective and exposed
1 sound initimate of scale
3
2
4
the play of sound people interacting between material and scale of structure
1
silence and solitude significance of the space understand even it stood, with no interaction with people
2 1
scent
3
2
4
addictive to an scene
understand even it stood still in time, with no interaction with people, thus creating scent and scene
02_theory interpretation to the site
1 3
2
4
3
1
2
4
3
02_theory interpretation to the site
sea
history
landscape and pathways
culture
visual continuity of the sea
impenetrable fortress to create vertical plane with a narrow to a wide space blending the site topography
blending pathways to site
openness of the remains
02_site forces
+
= as the site remain has a distinctive scattered arrangement, by using this force it creates a strong connection between the remains and proposed intentions. interpretation of each individual towards the site will have a set of unique thoughts. by enforcing historical purposed of the site as a puzzle piece.
02_theory + site = concept
1
1 2
3
4
2
3
2
3
4
1
02_entrance, circulation, shelter, exhibit
2
3
4
03 process
03_photomontages of site dev 01
03_photomontages of site dev 01
1 2 3 4
03_deveelopment evolution
open plan close plan linking intervention detail intervention
sea exhibition
main exhibition
wall shelter
03_axonometeric sketch development
folly structure
extension of wall
03_perspective view sketch_site scenarios
extended folly structure, a portal to a view of the remains
03_perspective view sketch_site scenarios
wall shelter
viewing deck and proposed intervention
03_perspective view sketch_site scenarios
open courtyard
sea exhibition
positive and negative spaces
piecing the ruins
chronological zoning
+
+
-
-
avoiding the ruins
03_site intervention language
parallel wall act as guidance
centralize ruins
zoning sequence
+
03_material interpretation
+
material represent define perspective and historical value of the site. the material evokes the senses of the past by using similar brick stone texture, but the material do not forget it exist in the contemporary world, as this the material must be contrasting element.
contrasting lightness with thin parallel lines running across the material, that creates a sense of guidance and continuum. from left to right. works of peter zumthor
03_material interpretation
03_masterplan sketch_dev 03
03_parcel study models 01
entrance of site
03_ambience sequence
wall exhibition
03_ambience sequence
03_parcel study models 02
views folly and reflection
03_ambience sequence
focus view of folly and mirror exhibition
03_ambience sequence
03_parcel study models 03
main exhibition
03_ambience sequence
sea bridge exhibition
03_ambience sequence
04 final proposal
3
2
1
04_site plan
1. forte da luz road 2. sub road 3. entrance of propose site
9
2
4 4 3 8
8
5
5
1
5
7
7
04_ground level plan
6
1. entrance from main road 2. viewing deck 3. visual stair to wall exhibit
4. wall exhibition 5. permeable mirror display 6. telescope folly structure
7. guidance parallel wall 8. main exhibit 9. sea structure
05_overall model
10
4 1
9
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3
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2
5
05_axonometric overall view
6
darker parts circulate through each parts of the intervention that interconnects each other by using zoning.
05_perspective axono
view of site intervention from the sea, the starting and ending point correlate each other. that gives the site with an overview of the past and origins.
05_perspective axono
the bridge represent the ending point of the journey it views the entirety of vast ocean. it gives a sense of mysterious in the sea.
05_focus view
entrance to site
05_photomontages of models
pathway
in between ruines
parallel walls
wall shelter
mirror exhibition
views folly
main exhibition
contrasting material against the ruins to reflect its contemporary extension structure, the exhibition is a extension and act as a storage box for the ruins
05_close up shots of models
sloping entrance of main exhibition
ending point and the starting point of the journey in between is an emotion garner to create one harmonious connectivity to the site, history and culture
journey section from the start to the end