YEAR 2020 - YEAR 2022
PORT FOLIO
JIA MIN CHEONG
THE UNIVERSITY OF MELBOURNE BACHELOR OF DESIGN

cjiamin128@gmail.com https://cjiamin128.wixsite.com/onlineportfolio
EDUCATION
2020-present The University of Melbourne, Bachelor of Design
WORK EXPERIENCE
2017-2021 Website Content Creator
VOLUNTEER EXPERIENCE
2017-2019 Chin Student Organisation

AWARDS
2020 Melbourne International Undergraduate Scholarship
2020 Dean’s Honours List - First Year
2021 Dean’s Honours List - Second Year
2021 Hugh O’Neill Award
2022 Melbourne International Undergraduate Scholarship
EXHIBITION
2020 MSDx Summer: Design Studio Alpha
2021 MSDx Winter: Digital Design & Design Studio Beta
2021 MSDx Summer: Design Studio Gamma
DESCRIPTION
Studying architecture has been a journey of learning the design of spaces and ultimately its influence in everyday life. On this journey, what particularly interests me is how design as a tool can be used to create unique experiences for every single individual. I am also interested in the problem-solving nature of design which can be used as a mean to better our environment. This ability to design human experience and lifestyle has been my primary motivation.
SKILLS
AutoCAD Rhino Grasshopper Enscape Photoshop Illustrator Indesign Premiere Pro Fabrication
Majoring in architecture while taking construction management electives, I am driven towards fully understanding every part of the design and delivery process from concept to completion. My interest has extended to production design and temporary installations, where I explore the integration between spatial design and different media to bring greater meaning, depth and emotion to the viewers and visitors. These subjects I have been taking in the university have helped me in broadening my horizon and equipped me with the skillset required in achieving my ambition.



TERRACES’ TERRACES
By interrogating the existing urban morphology, civic and ecological system, this project focuses on cohabitation in medium density housing in Melbourne. Housing typologies have major impact on the city and its urban population. As the population continues to grow and evole, it is vital to explore the typology of residential houses that respond to the changing social, cultural and environmental context.
TERRACES’ TERRACES, an interconnected multiunit residence is proposed in response to the brief. The design approach originates from respecting the existing site context with a focus on adapatability to suit future needs.

PART I SITE
Dwelling Units Arrangement
large building masses site boundary
Form Generation
taking inspiration from the pre-existing curve in site boundary
cutting through forms to create laneways that reflect Carlton’s urban morphology
create center green corridor for communal public space saw-toothed pattern resonates existing site context
setback to create inviting atmosphere and sharing qualities with the local community
push curve down the forms to create private courtyard
open up a small corridor to connect to communal area on GF level
utilizes form to create private balcony and outdoor deck connecting to skybridges on FF level
solar access
private open space
the curve-carved form help admitting natural light into southern area of the unit
utilize the carved out area as private green space on GF level
carved out another area to form private open space on FF level
Dwelling units are organized with sawtooth pattern facing the central communal garden. The different types of openings facing different areas are designed to create unique indoor - outdoor relationships.
Multifunctional Urban Furniture
wall-mounted steel and timber bench with retractable bike lock
hole for wire trellis and climbers to pass through
Curved Private Courtyard with walkway to centre garden Balustrades
BUILT SYSTEM
Facade Setback as a response to the site’s neighbourhood ecology Skybridge (timber board on steel beam) with intergrated Pergola

Built forms pushed back on FF to minimize overshadowing

raingarden
permeable bluestone paver

Urban furniture in central garden
Steel mesh balustrades at skybridges and outdoor deck facing centre garden.
Timber balustrades at private balconies
Extensive Green Roof with groundcover plants and shallow soil profile reduces load on structure and enables easy maintenance
Raingarden / Bioinfiltration Garden Beds
downpipe grated cap

10mm below GL 10mm above gravel mulch
50mm gravel mulch
400mm sand / soil mix
100mm sand 200mm (7mm gravel screenings)



connect to underground water tank
Pollutions removed after draining through layers of gravel and sand. Filtered stormwater and rainwater then flows to underground water tank
Underground Tank stores water to be reused for irrigation
Pump Well pumps up water each night to irrigate garden
Water is disinfected using UV filter in the community living room
Irrigation through underground agi-pipe
Green Facade and Walls using steel wire trellis system
ENVIRONMENTAL SYSTEM
PART II HOUSE
forming an internal core using bathroom walkway / corridor at sides of core
non-structural walls temporary division
positions of structural columns help in determining positions of non-load bearing walls / moveable partitions
structural columns
slotting in columns out of structural consideration
as the walls and partitions are non structural elements, their positions can be changed easily
internal core helps defining spaces into two zones which could be - family space and personal space living house
the internal layout is hence very adaptable and flexible






Skylights in addition to varied roof shapes bring in natural light into different areas of the house. Meanwhile, courtyards are slotted in between building masses to bring in sense of nature.


PLEASURE GARDEN
Base Elements
Generating Modules
The pleasure garden first emerged during the eighteenth to nineteenth centuries. It served a role as sites for public entertainment that typically integrated a wide range of spectacular attractions.
A contemporary version of the pleasure garden will need to assume an organizational and expressive form that provides a diversity of spaces to accommodate the communal activities and public life of the 21st century. In response to the above, this project proposes an interactive musical garden that offer immersive experiences to the visitors. The multilevel performing and learning spaces are deeply integrated with the landscape elements to enhance the sensory experiences.
It is aimed to providing places to learn and play, as well as places to relax and recuperate in peaceful surroundings.
Collage for plan drawing that took inspiration from Charles Correa’s housing plan.
Forming relations between modules by applying gridlinesGround Floor Plan
Basement and First Floor Plans



triangular skylights
allow natural light to flow into interior courtyard
sloping roof
a design strategy that reflects the solar analysis done in Assignment 1 roof is sloped so that the areas behind the built forms can be exposed to adequate amount of sunlight
skylights in community living room
these skylights are located on the sloping roof, facing South this reduces direct exposure to strong sunlight, at the same time allows more natural light to flow into a relatively enclosed interior space
off-form concrete as facade
timber microinfrastructure on ground in garden, on roof terrace garden and rooftop of private living room to provide seating places
translucent glass brick walls used at large openings to allow natural light to flow into interior at the same time ensuring
void spaces with trees growing out (on terrace and interior courtyard of community living room)

this is intended to enhance sense of greenery net is placed around tree to prevent people from falling in addition to creating a unique, playful space meanwhile, interior courtyard of other buildings are closed off with skylights to ensure thermal comfort sliding glass door create visual continuity to the landscape allow higher porosity and permeability into the building
timber sliding screen provides flexibility to occupants to open or close the screen to frame views of exterior or provide shade and privacy


PUBLIC SEMI-PUBLIC PRIVATE
void space with trees growing out net is placed around tree to create safe and playful space
microinfrastructure underneath terrace provide shelter in shade
terracing with triangulation landform provides interesting landscape condition
water acting as threshold between public and semipublic realms at the same time could be guiding route to guide people to walk in N-S direction across site
CENTRAL GARDEN AREA is the most sunken area this is aimed to provide immersive experience


skylights
windows provide natural light source from multiple direction
large glass wall facing street showing greenery in interior terrace leading visitors to garden and interior courtyard small music library and living room roof terrace garden green roof of semiunderground music barTriptych that shows how the spaces function in different conditions.

CLEFS
‘CLEFS’ are made up of a pair of intertwin-ing curvilinear structures, which its form creates shelter, shade and seating area in the pavilion. When viewed from afar, the undulating form appears to be morphing to the ground. Therefore, the aesthetics language developed in the pavilion is extended into the landscape by laying curvilinear pattern of red panels on ground to indicate seating area. A wide walkway is created following this pattern, which the circulation through the pavil-ion is facilitated to direct viewing of pavilion at multiple angles. Additionally, plants are used deliberately to define threshold in addition to softening the hardness and coldness in the materiality of the pavilion. The use of these el ements thus define space for lunchtime seminar and evening quartet performance.

Pipes
acting as structural elements that support panels on base of the pavilion, at the same time acting as illuminating device that lights up at night.
Cladding (Panels)
acting as cladding elements that cover the base of the pavilion, providing a smooth surface for visitor to lean against or sit on. The reflective surface of the panels reflect light and catch attention of passerby.
Form of Pavilion form curving upwards provide shade and shelter
the intersection area form interesting view framing elements form in the middle curving downwards and transform into seating area form in the end curving downwards, creating illustion that the pavilion is morphing to the ground when viewed from afar�
Walkway that follows the curvilinear forms of pavilion and panels on ground. The wide walkway is aimed to channel movement around the pavilion so that visitors could be directed to view the pavilion at different angles. Additionally, the vast space enables it to act as a mini plaza that could be used for social activities.
Base Structure

the geometries generated using Pufferfish and Weaverbird plug-ins provide intricate details to the pavilion. The angular and crisp edges of the tubings provide slight contrast against the overall curvilinear form.
Topography (Grass)
the terrain has gentle slope towards the walkway to create smooth transition be-tween softscape and hardscape.
Gentle mound in area bounded by pavilion structure to create differentiation between interior and exterior, in addition to softening the overall hardness and coldness in materi-ality of the pavilion.
Panels on Ground
Laid in assymetrical pattern at both sides of pavilion using same materials as cladding of pavilion. The pattern of these panels follow the curvilinear form of pavilion. This is aimed to extend the aesthetics language developed in the pavilion through using the panels to indicate seating area on ground.


OTHERWORK
Dystopia Dream - Urban Terrain and Microinfrastructure

Materiality

OTHERWORK
Art and the Botanical

