The 250 Highest Value Brands of 2014

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Contents Colour & Context Introduction Geographical Context Language & Colour Social Experiments Age & Colour

01 03 05 07 09

2.1 2.2 2.3

North America Europe East Asia

11 13 21

3.1

Bibliography

27

1.1 1.2 1.3 1.4 1.5 Colour Symbolism


1.1

In an increasingly competitive & saturated market, brands need an instant way to stand out.

01


Introduction

If you were to consider a red can of cola, blue striped capital letters, a black apple, and yellow arches – what brands come to mind? In each instance, colour is important in identifying & associating a brand. Colour lets us instantly recognize and draw emotional associations to a brand. It’s far more than just an aesthetic choice, and is a vital component to construct a brand identity and experience. Colour is the very first perception customers will have with a brand. Colour And The Brain Once we (as humans) identify a colour, we instantly have a chemical reaction in our brain that produces an emotional response. This response triggers a vast amount of thoughts, memories and associations to people, places and events.

02


1.2

In Asia, orange is a positive, spiritually enlightened, and life-affirming colour. In the USA, it’s a colour of road hazards, traffic delays, and fast-food restaurants. Colours can help differentiate a premium from a discount brand, and distinguish between fun, serious, young, old, male and female. The context is everything, eg. a group of people wearing black might be priests, ninjas, a heavy metal band, or fashion designers. Even the climate in which we live influences colour preferences. E.R. Jaensch’s research shows those who live in climates with a lot of sunlight prefer warm bright colours; while those from climates with less sunlight prefer cooler, less saturated colours.

03


Geographical Context

A single colour can have many different meanings in different cultures & societies.

04


1.3

The Shona language in Zimbabwe and the Boas language in Liberia have no words which distinguish red from orange.

05


Language & Colour

Every language is different, with some languages lacking vocabulary for certain colours, and others having more. All languages have designated words for black and white. The next most common colour is red, then yellow or green. Blue is the sixth colour named, and brown is the seventh. Finally, in no specific order, pink, grey, orange & purple.

06


1.4

Radeloff (1990) has found that women were more likely than men to have a favourite colour. Radelooff also found that there were no preferences for light versus dark colours between men and women, although women prefer soft colours and men prefer bright ones. Thomas, Curtis, and Bolton (1978) interviewed 72 Nepalese people, and asked them to list the names all the colours they could think of. Women consistently listed more colour names than men did, explained by the fact that Nepalese women traditionally wear more colourful clothing than men do. A similar study by Greene (1995) look at colour identification of university students. They were asked to identify the colours of 21 colour chips. The results showed that women recognized significantly more elaborate colours than did the men.

07


Social Experiments

These examples show that gender & cultural differences influence colour perception, & how an audience could perceive a brand identity.

08


1.5

As we age, our ideas & preferences with colours change vastly.

09


Age & Colour

From three to six, children strongly prefer colour to shapes (the opposite is true at a later stage of development). Bright red is used by children to express anger, and black with the night and depressing feelings. Yellow often reflects the sun, and can stand for a happy desire to communicate and express themselves. Younger children are attracted by strong, warm, and intense colours. As children age, colours become less violent and they begin to prefer softer shades. This continues through life, with older people preferring more subdued colours. This shows the importance of brands targeting the specific age they seem their audience as. You will often see bright colours in use for brands that target children (such as Lego’s bright yellow).

10


2.1

North America USA & Canada

Apple, Google, Verizon, UPS, McDonalds, Coca-Cola, American Express.

11


Colour Symbolism - North America

Colour

Connotations

Examples

Yellow

Visibility, cautionary, happy.

Used in to signal police area & colour of taxis.

Orange

Visibility, danger.

Highway signs, prison uniforms.

Red

Excitement, warning, sex, safety, rescue.

Colour of the Canadian flag & mountain police.

Blue

Trustworthy, soothing, official, business.

Mailboxes, uniforms, blue ribbon.

Green

Environment, fresh, healthy, envy, outdoors.

Money, nature.

Brown

Boring, dull, fertile, strength, poverty.

National Park signs, coffee packaging.

Black

Death, evil, formal, business, masculine.

Clothing.

White

Clean, pure, elegant, antiseptic.

Paper, cleaning products.

12


2.2

Colour

Connotations

Examples

Yellow

Visibility, rubber.

Rain jackets, visibility jackets, AA.

Red

Power, authority, government, hot.

Letter boxes, buses, telephone boxes.

Blue

Tranquil, diginity, Scotland.

Formal clothing, the Scottish flag.

Green

Enironment, catholicism, quality.

Four leaf clover, Irish flag.

Gold

Royalty.

Royal crown, pound coins.

Black

Formal, style, mascline.

Black cabs, clothing.

13


Colour Symbolism - Europe

Europe United Kingdom

HSBC, Tesco, BT, Barclays, BP, Sky, Dove.

14


2.2

Europe France GDF Suez, Airbus, Total, L’Oréal,

Louis Vuitton, Chanel, EDF.

15


Colour Symbolism - Europe

Colour

Connotations

Examples

Yellow

Summer, joy.

Fruit, letter boxes.

Red

Blood, passion, love.

Lipstick, clothing.

Blue

Water, reliability, trust, France.

French flag, street signs, jewelry.

Gold

Decoration, light, luxury.

Champagne, interior decoration.

Black

Style, sophistication.

French fashion brands.

16


2.2

Colour

Connotations

Examples

White

Nature, fresh.

Snow, mountains.

Blue

Reliability, neutral, romance.

Water, the Blue Danube Waltz.

Silver

Sophistication, masculine.

Cars, shaving tools.

Gold

Money, wealth.

Swiss bank accounts.

Brown

Earth.

Soil, swiss chocolate.

17


Colour Symbolism - Europe

Europe Germany & Switzerland

Volkswagen, BMW, Siemens, Zurich, Mercedes - Benz.

18


2.2

Europe Italy

Generali, Eni, Enel, Unicredit, Gucci.

19


Colour Symbolism - Europe

Colour

Connotations

Examples

Red

Light, fidelity, power.

Italian flag, Ferrari, restaurant decorations.

Purple

Nobility, endurance of suffering.

Martyr’s clothing.

Gold

Wealth, luxury, divinity.

Jewelry, Christian crosses.

White

Virtue, purity.

Clothing.

Black

Style, sophistication.

Italian fashion.

20


2.3

Colour

Connotations

Examples

Red

Communism, celebration, government, good luck, joy, fertility, good fortune.

Wedding dresses, lucky money envelopes, red ink in obituaries.

Yellow

Earth, power, royalty, sun, masclunity, happiness.

Sun, Ying.

Green

Desiability, spring, youth.

Jade jewelry.

Orange

Love, good health.

Buddhist monk robes.

White

Death, mourning.

Funerl clothing, flowers.

21


Colour Symbolism - East Asia

East Asia China

China Mobile, Bank of China, ICBC, Huawei, China State Construction, QQ.

22


2.3

East Asia South Korea

Samsung Global, Hyundai, LG Group, SK Group, Shinhan Financial, Kia Motors.

23


Colour Symbolism - East Asia

Colour

Connotations

Examples

Red

Good luck, blood.

Festive clothing.

Yellow

Joy, happiness.

Engagement.

Blue

Mourning.

Funeral clothing.

Black

Mystery, mourning.

Funeral clothing.

Gold

Decoration

Jewelry.

24


2.3

Colour

Connotations

Examples

Red

Blood, self sacrifice, strength.

Public phones, paint, cherries.

Silver

Spring, youth, good health, speed.

Tools, cars, weapons, bullet trains.

Purple

Royalty.

Flowers.

Black

Technology, mystery, night, anger.

Electronics, clothing.

White

Death, mourning.

Cars, funeral clothing.

25


Colour Symbolism - East Asia

East Asia Japan

Misubishi, Honda, Nissan, Hitachi, Toshiba, Sony, Panasonic, Mizuho.

26


3.1

Biblography

Bibliography Large Randall [1991], Does Orange Mean Cheap?, Forbes, [December 23] pp.144-147. Peterson, L. K., Dangel Cullen [2000], Global Graphics: Color, Rockport, Gloucester, MA, USA, 2000. Techtronix (1998) - The Color Connection, Morton, IL, USA. Research Sources and Findings, Banner Ad Placement Study [199798], www.webreference.com. Khouw, N - http://www.colormatters.com [Accessed 1st May 2014], Natalia, Color and Branding http://library.thinkquest.org [Accessed 1st May 2014], Psychological Effects of Colour

By Joe Leadbeater

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