Yearbook - Idea Development 1

Page 1

Oscar Henderson-Pennington The term ‘Biophilia’ is literally defined as ‘a love of life or living systems’. The biologist Edward O. Wilson discussed the theory in his book Biophelia (1984). Wilson argues that this is the essence of our humanity, binding us to all other living organisms. Proposing the possibility that the deep affiliation humans have with nature is rooted in our biology. This hypothesis helps to explain our relationship with plants and flowers, and why it is we find pleasure in keeping these objects around our homes, workspaces and within the urban environment. Biophilic Desires is a photographic investigation into the ways in which society re-appropriates these objects of nature, softening our transition between the natural and the domestic.

oscar@roundtablecollective.co.uk www.ohp-photography.com


Oscar Henderson-Pennington The term ‘Biophilia’ is literally defined as ‘a love of life or living systems’. The biologist Edward O. Wilson discussed the theory in his book Biophelia (1984). Wilson argues that this is the essence of our humanity, binding us to all other living organisms. Proposing the possibility that the deep affiliation humans have with nature is rooted in our biology. This hypothesis helps to explain our relationship with plants and flowers, and why it is we find pleasure in keeping these objects around our homes, workspaces and within the urban environment. Biophilic Desires is a photographic investigation into the ways in which society re-appropriates these objects of nature, softening our transition between the natural and the domestic.

oscar@roundtablecollective.co.uk www.ohp-photography.com


Oscar Henderson-Pennington The term ‘Biophilia’ is literally defined as ‘a love of life or living systems’. The biologist Edward O. Wilson discussed the theory in his book Biophelia (1984). Wilson argues that this is the essence of our humanity, binding us to all other living organisms. Proposing the possibility that the deep affiliation humans have with nature is rooted in our biology. This hypothesis helps to explain our relationship with plants and flowers, and why it is we find pleasure in keeping these objects around our homes, workspaces and within the urban environment. Biophilic Desires is a photographic investigation into the ways in which society re-appropriates these objects of nature, softening our transition between the natural and the domestic.

oscar@roundtablecollective.co.uk www.ohp-photography.com



Oscar Henderson-Pennington The term ‘Biophilia’ is literally defined as ‘a love of life or living systems’. The biologist Edward O. Wilson discussed the theory in his book Biophelia (1984). Wilson argues that this is the essence of our humanity, binding us to all other living organisms. Proposing the possibility that the deep affiliation humans have with nature is rooted in our biology. This hypothesis helps to explain our relationship with plants and flowers, and why it is we find pleasure in keeping these objects around our homes, workspaces and within the urban environment. Biophilic Desires is a photographic investigation into the ways in which society re-appropriates these objects of nature, softening our transition between the natural and the domestic.

oscar@roundtablecollective.co.uk www.ohp-photography.com


Oscar Henderson-Pennington The term ‘Biophilia’ is literally defined as ‘a love of life or living systems’. The biologist Edward O. Wilson discussed the theory in his book Biophelia (1984). Wilson argues that this is the essence of our humanity, binding us to all other living organisms. Proposing the possibility that the deep affiliation humans have with nature is rooted in our biology. This hypothesis helps to explain our relationship with plants and flowers, and why it is we find pleasure in keeping these objects around our homes, workspaces and within the urban environment. Biophilic Desires is a photographic investigation into the ways in which society re-appropriates these objects of nature, softening our transition between the natural and the domestic.

oscar@roundtablecollective.co.uk www.ohp-photography.com


Oscar Henderson-Pennington The term ‘Biophilia’ is literally defined as ‘a love of life or living systems’. The biologist Edward O. Wilson discussed the theory in his book Biophelia (1984). Wilson argues that this is the essence of our humanity, binding us to all other living organisms. Proposing the possibility that the deep affiliation humans have with nature is rooted in our biology. This hypothesis helps to explain our relationship with plants and flowers, and why it is we find pleasure in keeping these objects around our homes, workspaces and within the urban environment. Biophilic Desires is a photographic investigation into the ways in which society re-appropriates these objects of nature, softening our transition between the natural and the domestic.

oscar@roundtablecollective.co.uk www.ohp-photography.com


Oscar Henderson-Pennington oscar@roundtablecollective.co.uk www.ohp-photography.com

The term ‘Biophilia’ is literally defined as ‘a love of life or living systems’. The biologist Edward O. Wilson discussed the theory in his book Biophelia (1984). Wilson argues that this is the essence of our humanity, binding us to all other living organisms. Proposing the possibility that the deep affiliation humans have with nature is rooted in our biology. This hypothesis helps to explain our relationship with plants and flowers, and why it is we find pleasure in keeping these objects around our homes, workspaces and within the urban environment. Biophilic Desires is a photographic investigation into the ways in which society reappropriates these objects of nature, softening our transition between the natural and the domestic.


Oscar Henderson-Pennington oscar@roundtablecollective.co.uk www.ohp-photography.com

The term ‘Biophilia’ is literally defined as ‘a love of life or living systems’. The biologist Edward O. Wilson discussed the theory in his book Biophelia (1984). Wilson argues that this is the essence of our humanity, binding us to all other living organisms. Proposing the possibility that the deep affiliation humans have with nature is rooted in our biology. This hypothesis helps to explain our relationship with plants and flowers, and why it is we find pleasure in keeping these objects around our homes, workspaces and within the urban environment. Biophilic Desires is a photographic investigation into the ways in which society reappropriates these objects of nature, softening our transition between the natural and the domestic.

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Oscar Henderson-Pennington oscar@roundtablecollective.co.uk www.ohp-photography.com

The term ‘Biophilia’ is literally defined as ‘a love of life or living systems’. The biologist Edward O. Wilson discussed the theory in his book Biophelia (1984). Wilson argues that this is the essence of our humanity, binding us to all other living organisms. Proposing the possibility that the deep affiliation humans have with nature is rooted in our biology. This hypothesis helps to explain our relationship with plants and flowers, and why it is we find pleasure in keeping these objects around our homes, workspaces and within the urban environment. Biophilic Desires is a photographic investigation into the ways in which society reappropriates these objects of nature, softening our transition between the natural and the domestic.

25


Oscar Henderson-Pennington oscar@roundtablecollective.co.uk www.ohp-photography.com

The term ‘Biophilia’ is literally defined as ‘a love of life or living systems’. The biologist Edward O. Wilson discussed the theory in his book Biophelia (1984). Wilson argues that this is the essence of our humanity, binding us to all other living organisms. Proposing the possibility that the deep affiliation humans have with nature is rooted in our biology. This hypothesis helps to explain our relationship with plants and flowers, and why it is we find pleasure in keeping these objects around our homes, workspaces and within the urban environment. Biophilic Desires is a photographic investigation into the ways in which society reappropriates these objects of nature, softening our transition between the natural and the domestic.

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