Between Architecture and the City by Jongyoun Jung

PARIS PROGRAM 2012/Fall (Overview)

OvERvIEW Bande Ă Part Architects are perpetually in-between. Professionally, the architectâ&#x20AC;&#x2122;s work begins once a client decides thereâ&#x20AC;&#x2122;s a need, but also precedes the act of construction. Disciplinarily, an architect makes material sense of the immaterial, translating the hidden patterns of cultural logic (symbolic, political, pragmatic, economic) into a visible, tangible and operational construct. So, architects are a peculiar band of producers: shifting between observation and projection, between instrumental possibilities and operational realities, between the remote space of the atelier, where maps become plans and models are materials, and the immediate site, where the culmination of work will be evaluated physically and socially.

002 : (Overview)

Students of architecture are also in-between; suspended: practicing to practice. They are expected to interpolate between distinct courses, each pulling in a divergent direction. Within this framework, they must also consider their own values, before entering a global landscape of opportunity. The Paris Program offers capable students a discrete chance to develop a sense of larger implications, to try on existing approaches to contemporary questions, and to have a glimpse of what it could mean develop something coherent, before returning to their final years of University.

Fieldwork

Fieldwork is also an exploration of the discipline. Physically and pedagogically, our atelier is a mixing chamber which encourages students to explore connections between complementary disciplines within the field of architecture: history, urbanism, technique, design. Students may write history to support studio speculation, or use models and drawings as tools of historical analysis. They refine drawing or modeling techniques as tactics of understanding and speculation, researching the social, cultural or scientific history, or adapting a technique for a totally new purpose. Students understand and measure the city in various ways, but also use the city to measure the relevance of ideas. So, the design studio becomes a feedback mechanism: the testing ground for speculative activity which allows us to evaluate the viability of results againt contemporary questions.

003 : (Overview)

Fieldwork is an integral part of the pedagogy. In the first, sense, itâ&#x20AC;&#x2122;s about insitu activity. Students have the opportunity to experience important buildings and urban patterns in a dynamic physical and cultural continuum. Because students can reinforce theoretical positions with intuitive sensations, they develop a resilient memory and richer understanding. Students learn to recognize meaningful conditions, and record observations upon which other work will be based. Because the field is always in flux, it exposes students to unfamiliar patterns, tests the potency of their ideas, and challenges their ability to translate (into models) for the arena of work. We indulge like tourists, but operate like ethnographers. We immerse in the field as an aid to seeing, but also as a laboratory and instrument of production.

AA Architectural Atelier The design atelier explores architecture within an urban design framework. Its the testing ground for speculative activity: students appropriate experiences and techniques from other classes applying them to a specific semester-long project. As a studio platform, students are asked to understand form, rather than speculate on novel shapes, ex nihilo. Because of our unique situation with Europe, we use the rich field of operation as a basis for investigation. We often focus on types: institutional, infrastructural, intermodal, etc. We sepculate on altering a type, or systematically adjusting its components, to profoundly reorganize its significance. We try to identiy ways that architecture operates as a form of media which has the capacity to extend human capability, influence behavior, and transmit economic or political power.

004 : (Overview)

Project: Helskinki Culture Center â&#x20AC;&#x153;The neat polarities of tradition and modernity, colonial and postcolonial, no longer suffice for interpreting the globalized present. The Helsinki Cultural Center is concerned with the potential for aesthetics to stimulate people across all ages, and stages in life - to open possibilities for them to participate in the making of their own culture through various modes: reflection, discussion, and production. Therefore, it will support complementary and interdependent activities: education, production, exhibition, and the exchange of ideas and materials.â&#x20AC;?

BaM Building as Model

005 : (Overview)

This seminar examines the history of buildings and cities as the autonomous manifestations of ideas. Students are encouraged to explore the writing of history as a creative act, rather than a abiding chronological statements of â&#x20AC;&#x153;progress.â&#x20AC;? Writing may be connected to drawing and modeling as analytic tools. Students compare shifting versions of history, explore the relation between drawing tactics and ideology, evaluate the propagation of ideas as collective rallying points, and examine the influence of parallel cultural movements on paradigm shifts in European architecture, urban design, and urban planning.

deS developed Surface

006 : (Overview)

Developed Surface investigates the significance of techinque. Architectural discourse sometimes struggles to reconcile socio-political agendas with material ones. Whether a result of practice or ideology, focus on one realm often involves suppressing the other. And yet, a constructed building is accountable for both. This course looks at models (2 and 3 dimensional) as operational and instrumental tools that assist an architect to control the realtion between materiality and meaning. Acting as an advanced seminar and workshop, course sessions juxtapose speculative model making with seminar discussion. Each week, student work is reviewed in direct relation to readings, short lectures on historical or theoretical precedents in art, architecture, and urban design. Special attention is given to intermediate frameworks that architects develop to connect technique to ideology. (Le Modulor, for example). In mathematics, the word “development” refers to the process of rolling one surface over another. In architecture, this technique is often deployed to model three-dimensional space on paper – to speculate, regulate, and communicate the ordering of material, construction assemblies, and form. So, “surface” is a convenient subject that connects thinking, drawing and construction. It allows us to examine activity across scale (urban patterns, envelope, ground).

UEx Urban Exploration Urban Exploration exploits the living city as a laboratory, and feedback loop, where reflections on studio work meet the city itself, in a space of free association. Each class begins with an itinerary that introduces the student to distinct territories within Paris, but also harnesses physical immersion as a generator of ideas. The physical nature of the class, and its perpetual state of motion, alters and provokes relationships between conception (or preconceptions) and perception (experience). The class mixes sharp concentration with daydreaming, expectation with surprise, and generates divergent thoughts and possibilities as a complement to studio.

007 : (Overview)

8 walks and 2 lectures

n o 1 - Les passages / arcades A link between the past and the present city, and between the previous flâneurs and ourselves. Literally, a journey through the core of the city, like a drilled corridor. References: Charles Baudelaire, Walter Benjamin, Dadaists and Surrealists. Bourse - Bibliothèque Nationale - Palais Royal - Les Halles - Grands boulevards -

n o 2 - A string of pearls A walk along the great axis about layers of urbanism and power, about maps and propaganda. An opportunity to observe the successive kings’ and presidents’ desire to “mark” space. A concentration of grand urban spaces (jewels) cut into the dense fabric of Paris. Place des Vosges - Hotel de Sully - Philippe Auguste Wall - Beaubourg - les Halles - Place des Victoires - Marché St Honoré - Place Vendôme - Jardin des Tuileries - Place de la Concorde (view along the “grand axe”) -

n o 3 - Belleville

008 : (Overview)

Visit of a Parisian neighborhood with a strong identity, not touristic and particularly dense, complex and mixed - in its population (Asian, Arabic, Jewish, African, French, etc.), as well as in its architecture: juxtaposition of old and new parts, individual houses and public housing, secret inner courtyards, street market, park, etc.

no 4 - ZigZag, rive gauche/rive droite Weaving between monuments and neighborhoods along the river axis, and observing its essential connection with the city,

since the beginning. Checking that Paris belongs to us, outside and inside (school, park, museum, courthall, church...). Pont d’Austerlitz - Jardin des Plantes - Université Jussieu - Institut du Monde Arabe - Pont Sully - Ile St Louis - Ile de la Cité: Mémorial de la déportation - Notre Dame - Palais de justice - Place Dauphine - Pont Neuf - Cour Carrée - Pont des Arts - Ecole des Beaux Arts - St Germain des Prés - Place St Sulpice: Café de la Mairie (G.Perec) -

n o 5 - Canal de l’Ourcq, a cruise to elsewhere Seascapes and Utopias (self-guided walk) An itinerary along and around the canal, from Ledoux’s rotunda at the bassin de la Villette to (almost) the “périphérique” and the exit out of Paris. A catalogue of ideas on buildings and cities, and the opportunity to make links between real places encountered on the walk and visionary and utopist projects. Ledoux’s Rotunda - Ourcq canal - Ave de Flandre - Jardins d’Eole - 104 - Renzo Piano’s housing - St Serge Orthodox Church - Parc de la Villette -

A contrasted itinerary through the 13th arrdt., offering a panorama of buildings and urbanism from the 60s until the current transformations. On our way: a few Parisian towers, Chinatown, social housing from different time periods and the new Paris Rive Gauche neighborhood. Orientation maps and loss of orientation. Manufacture des Gobelins - “ghost” river Bièvre - Mobilier National (Perret) first Parisian skyscraper (Albert) - les

009 : (Overview)

n o 6 - Collage city: the 13th

Olympiades - underground street - Salvation Army building (Le Corbusier) - Paris Rive Gauche neigborhood - Bibliothèque Nationale (Perrault) - Seine river - floating swimming pool - pedestrian bridge -

n o 7 - The 16th A seemingly remote neighborhood, wealthy, conservative and a little “obsolete”. A constant pattern: access codes, bars, fences, “private” signs, etc. A specialty: high concentration of famous architects’ houses (often built for themselves and their families). Guimard - Mallet-Stevens - Le Corbusier - Perret - Prouvé Sauvage - Ile aux Cygnes + view on the “Front de Seine” (a skyline of 70s towers and buildings) - Radio building - Balzac house - Bir Hakeim bridge

n o 8 - Student designed walk Students (by teams) are designing a walk - and its corresponding map - and taking the group on a tour. It should be centered around something they would like to investigate: a neighborhood, a physical component of the city, a theme, a fiction story, a sensation, emotion, etc…. The walks should be seen as narratives. The students will then assemble the various walks together - in a specific and appropriate order - to compose a bigger itinerary made of several sequences.

010 : (Overview)

Lectures: Urban Wanderers 1-Getting lost 2-Discovering new territories

13 Memory Maps - Map 0 : preconceived map of Paris - 8 memory maps from walks - 2 memory maps from lectures - 2 postcards from field trips (Helsinki, Rome) After each walk/lecture, a memory map - highly subjective and selective (with holes, distortions, additions, thoughts, feelings, etc) - is produced by each student and handed in the following week. Postcards are sent from other cities, as travel memory maps.

Personal mapping project

011 : (Overview)

Throughout the semester, students are creating and developping a personal mapping project, on which they are working independently. It is about exploring a place or an idea, experimenting and creating a personal graphic language, and about learning to play and combine in the best possible way form and content, simplicity and complexity. Inventing oneâ&#x20AC;&#x2122;s own method of working is part of the process and as important as the final result.

Field Work

Finland / Helsinki SAT

FLY to Helsinki

SUN 10h00

design Week / Site Introduction MEET: On Site

MON 10h00

City Center MEET: On Site Enso-Gutzeit Office Building Market Hall Engel, National Library Jugend Hall Nasdaq OMX Nordic Oy Esplanadi Aalto, Academic Bookstore Aalto, Rautatalo Office Building Yrjรถnkatu Swimming Baths Glass Palace Wood Chapel Saarinen, Central Station Sanoma Entertainment Finland Oy Tennis Palace Helsinki Kunsthall Helsinki Cathedral

TUE

designweek / Site Reearch 2

WEd 10h00

democratic Composition MEET: Greenbikes Aalto, Library Aalto, Lecture Hall Aalto, Studio / Ofice Aalto, Home/Studio Aalto, National Pensions Institute Olympic Stadium Aalto, Finlandia Hall Aalto, Culture House Holl, Kiasma Vaililla Residenes Workers Housing for Kone

012 : (Overview)

THU 10h00

designweek / Site Research 3 MEET: Onsite Espoo (Optional)

Italy / Rome SAT

FLY to ROME

SUN 10h00

Sant Ivo (OPTIONAL) MEET:Piazza Navona fountain Bernini, Sant’Ivo alla Sapienza Bramante, Tempietto St Pietro Travestere District Moretti, Fascist Youth Center

MON 10h00

Roman Sequences / Inheritors of the Empire MEET Metro “Circo Massimo” Thermae Caracalla Roman Forum Colloseo Palatine Hill Trajan Market Train from Termini to EUR District Piacentini,Palazzo della Civiltà Italiana

TUES Renaissance Ratios 10h00: MEET: Baths of Diocletian Baths of Diocletian Michaelangelo, Sforza Chapel Santa Maria Maggiore Piazza Compidoglio /Musei Capitolini Galleria Barberini Michelangelo, Palazzo Farnese Borromini, Palazzo Spada Galleria Spada Borromini, Palazzo Barberini

Su Only 10h00-12h00

Tu-Su Mo-Su Mo-Su Mo-Su

09:00-18:30 08:30-19:45 08:30-19:45 08:30-19:45

Tu-Su 09:00-19:45 Tu-Su 09.00-19.00 Tu-Sat 09:00-19:00 M-Sa 09:00-19:00/Su M-Sa 09:00-19:00/Su Tu-Sat 09:00-19:00

FRI Modern / Contemporary Institutions 10h00: MEET: MACRO Galleria Borghese Viale delle Belle Arte Piano, Auditorio Parco della Musica Nervi, Pallazeto della Sport Hadid, MAXXI Museum of Art Moretti, Foro Italico, Apartments

Tu-Sat 09:00-19:00/Su Tu-Sat 09:00-19:00/Su Tu-Su 11:00-19:00

013 : (Overview)

WEd/TH Baroque Surfaces 10h00: MEET: Bottom of Spanish Steps Metro: Spagna Spanish Steps M-Sa 8:30-19:30 Borromini, Collegio de Propoganda Fide Borromini, Sant Andrea delle Fratte Bernini, Santa Carina della Vittoria Borromini, S.Carlo alle Quattro Fontane Pantheon Borromini, Piazza Navona Borromini, Sant’Agnese in Agone Borromini, Oratorio dei Fillipini, Giorgetti, San Girolamo della Caritá Borromini, Palazzo Falconieri Borromini, Oratorio dei Filippini Borromini / Ferri, S.Giovanni dei Fiorentini Bernini, Piazza Pietro (Vatican) Michaelangelo, Sistine Chapel

BETWEEN Architecture Studio in Paris Jongyoun Jung

UEx Burrow in the City Jongyoun Jung

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034 : Jongyoun Jung

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DeS Strip the City Away Jongyoun Jung

deS First Project

Urban Surface (Spatial System) 1st Part | Envelope 2nd Part | Scape

062 : Jongyoun Jung

deS 1st Project | Urban Surface

his exercise examines the rules of urban order and their effects. Collectively, students conduct field research to identify a wide range of typologies (spatial systems, movement systems, topographies, etc.) and describe them (their anatomy, morphology, effect). Students explore systems of graphic representation to develop speculative mapping and ultimately modeling systems. Texts from Paris Program 2012/2013 Syllabus

Urban Surface (Spatial System) 1st Part | Envelope Case study 1

063 : Jongyoun Jung

Housing in Helsinki

064 : Jongyoun Jung

deS 1st Project | Urban Surface

Housing in Helsinki

Case study 2

Case study 3

065 : Jongyoun Jung

Housing in Helsinki

066 : Jongyoun Jung

deS 1st Project | Urban Surface

Housing in Helsinki

Case study 4

Case study 5

067 : Jongyoun Jung

Housing in Helsinki

068 : Jongyoun Jung

deS 1st Project | Urban Surface

Housing in Helsinki

Case study 6

Case study 7

069 : Jongyoun Jung

Housing in Helsinki

070 : Jongyoun Jung

deS 1st Project | Urban Surface

Housing in Helsinki

Case study 8

Case study 9

071 : Jongyoun Jung

Housing in Helsinki

072 : Jongyoun Jung

deS 1st Project | Urban Surface

Housing in Helsinki

Case study 10

Case study 11

073 : Jongyoun Jung

Housing in Helsinki

deS First Project

Urban Surface (Spatial System) 2nd Part | Scape

074 : Jongyoun Jung

deS 1st Project | Urban Surface (Spatial System)

Case study 1

Case study 2

Case study 3

Case study 4

Case study 5

Case study 7

Case study 8

Case study 9

Case study 10

Case study 11

075 : Jongyoun Jung

Case study 6

Building 2

Building 3

deS 1st Project | Urban Surface (Spatial System)

Park 1

076 : Jongyoun Jung

Building 4

Building 1

Case study 1

077 : Jongyoun Jung

078 : Jongyoun Jung

Building 3

17 18

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

20 21

Building 4

deS 1st Project | Urban Surface (Spatial System)

22 23 24

Building 1

Case study 2

079 : Jongyoun Jung

Building 2

15 16 17 18 19 20 21 22 23 24 25

deS 1st Project | Urban Surface (Spatial System)

Building 1

080 : Jongyoun Jung

Park 1

Case study 3

2 6

4 2 7

2 8

2 9

3 0

081 : Jongyoun Jung

Plaza

deS 1st Project | Urban Surface (Spatial System)

14 13 12 11 10 9 8 7 6 5 4 3 2

Building 3

082 : Jongyoun Jung

Building 2

Building 1

Case study 4

083 : Jongyoun Jung

deS 1st Project | Urban Surface (Spatial System)

Building 1

Building 2

Pedestrian Open-air cafe

Plaza

084 : Jongyoun Jung

Case study 5

4 3

7 6

13 14 15 16 17 18 19 20 21 22 23 24 25 26

085 : Jongyoun Jung

086 : Jongyoun Jung

1 2 3 4 5 6 7 8 9 10

Building 3

Building 1

deS 1st Project | Urban Surface (Spatial System)

Building 4

Building 2

Case study 6

087 : Jongyoun Jung

088 : Jongyoun Jung

Building

Plaza

23 24 25 26 27 28 29 30 31 32 33

deS 1st Project | Urban Surface (Spatial System)

Ocean

Market

Case study 7

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22

089 : Jongyoun Jung

Building 3

11 12 13 14 15 16

deS 1st Project | Urban Surface (Spatial System)

Building 1

090 : Jongyoun Jung

Building 4

Building 2

Case study 8

091 : Jongyoun Jung

deS 1st Project | Urban Surface (Spatial System)

Building 3

Park 1

092 : Jongyoun Jung

Parking lot

Park 2

Case study 9

093 : Jongyoun Jung

Playground

Plaza

deS 1st Project | Urban Surface (Spatial System)

094 : Jongyoun Jung

Building 4

Building 1

Case study 10

095 : Jongyoun Jung

Building 4

4 16

Building 5

2 19

Building 1

deS 1st Project | Urban Surface (Spatial System)

096 : Jongyoun Jung

Building 3

Building 2

Case study 11

097 : Jongyoun Jung

deS 1st Project | Urban Surface (Spatial System)

In Amsterdam

Each surface of the city is a component that define a space / area of the city. It allows people to realize where they stand. This is one of “the unnoticed rules” in complex systems of the city. Also, it would be able to be different based on city’s characteristics. For instance, comparing with Helsinki and Amsterdam, since Amsterdam is the city that has been built on the sea, not only a dock connected with a boat housing is one of the surfaces, but also the surface of the sea is one of the city surface like Venice.

Case study

098 : Jongyoun Jung

099 : Jongyoun Jung

deS 1st Project | Urban Surface (Spatial System)

Saint Paul villages in PARIS

Case study

100 : Jongyoun Jung

101 : Jongyoun Jung

Section Stories of St. Paul villages

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Wall as Library

all as a l i b r a r y gives a wall be activated itself. The wall as library not only can have book shelves, but also gives a space for people with privacy. It also would be able to be a stronger structural element.

103 : Jongyoun Jung

First |

Second |

104 : Jongyoun Jung

deS 2nd Project | 12x12 Matrix

a l l a s workshops allows workers, artists, and so on to not only collaborate, but also communicate each other to get a new idea for their on works. In scale-wise, like ants, people can work and live together in a wall.

Wall, Nest as Workshops

Wall as Bike parking lot

all as Bike parking lot shows that a wall is not just a part of building, but it has its own function as itself. With the bikes at the wall, the wall becomes decorated wall. By hanging the bikes on the wall, it gives more space to people for communication, like â&#x20AC;&#x153;Bike cultural Centerâ&#x20AC;?.

105 : Jongyoun Jung

Third |

Fourth |

106 : Jongyoun Jung

a l l a s Flea market between a gallery and a workshop makes it to activate as itself by allowing artist to store stuff in it. Through this idea, it shows that the wall would be able to be not only a device of separation between programs, but also a device of connection between them.

Gallery

Workshop

F l e a market

Gallery Workshop

deS 2nd Project | 12x12 Matrix

Wall as Flea market and more...

Workshop

Flea market

107 : Jongyoun Jung

108 : Jongyoun Jung

deS 2nd Project | 12x12 Matrix

Fifth |

a l l a s artshop, for this idea, is that the one side of a wall is for the information of a busstop, another side is for shelves for display like two sides of a coin.

Wall/Busstop as Artshop

Bus information

Artshop

Ramp as Gallery / Showroom

amp as Gallery and showroom, the idea of it derives from peeling an apple, and allows people to an object with totally d i f f e r e n t angles and levels. By doing that, people would be much more able to understand of it.

109 : Jongyoun Jung

Sixth |

Seventh |

Surface as Forum

110 : Jongyoun Jung

deS 2nd Project | 12x12 Matrix

urface as Forum, in the idea, is that three different programs are bounded by a surface by manipulating it with split stairs. Each of surface has a direction, it allows it to have its own program. Also by changing the direction, people can see other hidden programs which next to of them.

Open-Air Performance stage

Workshop or Gallery

hrough this idea, a surface does perform as its own function between programs. It means that by putting a program between programs, it would be able to be not only a device of separation, but also a device of connection as well.

Workshop or Gallery

Forum / Education Program

111 : Jongyoun Jung

Workshop or Gallery

Seventh |

112 : Jongyoun Jung

deS 2nd Project | 12x12 Matrix

urface as Auditorium, the idea comes from a shape of buildings in Helsinki. The urban block as a whole building has entrances to get into the courtyard of it. Hence, a roof of an entrance could be a auditorium.

Surface as Auditorium

Eighth |

Surface as Bench and Street light

Ninth

Surface as Sitting Areas

113 : Jongyoun Jung

urface as Street light, Bench, and Sitting areas, this idea seems peeling a skin of ground, then use it in order to gather people for communication.

Tenth. Floor as Classroom

114 : Jongyoun Jung

deS 2nd Project | 12x12 Matrix

loor as Classroom, by manipulating a floor surface and putting a program, a surface is divided with different directions.

The programs surround a surface. It makes people to be able to occupy the spaces inside and outside as well.

In addition, by doing that, they drive people to move freely. It means that people keep walking through them with getting diverse experience.

115 : Jongyoun Jung

It also could be integrated with other elements that comes from 12x12 matrix. Thus, they generate richer spaces among different programs.

deS Final Project

Apply “deS” Projects on “AA” Project A BUILDING ENVELOPE itself DO COMMUNICATE WITH A CITY. Case study 1 Seattle Central Library, Designed by O.M.A

116 : Jongyoun Jung

deS Final Project | DeS + AA

n v e l o p e Influenced by Exterior

[ Images from O.M.A ]

Case study 2 Taipei Performing Art Center, Designed by O.M.A

n v e l o p e Influenced by Interior

[ Images from O.M.A ]

Case study 3 The McCormick Tribune Campus Center (MTCC), Designed by O.M.A

nvelope as Own Function

3-a. People realize that there is building. By the distance between people and the building. [Envelope as Surface of the building] 3-b. The portrait of Mies Van der Rohe could give a historical sense that the master plan of the campus of Illinois Institute of Technology were designed by him. [Envelope as Information with Virtual space of Memory and History of I.I.T] 3-c. When people come closer to the envelop of the building, they would be able to see that the portrait of him consists of pictograms, which show the activities in the building. [Envelope as Information with Actual Space]

117 : Jongyoun Jung

[ Images from O.M.A ]

118 : Jongyoun Jung

deS Final Project | DeS + AA

he Large galleries in the Helsinki Civic Center, not only defines indoor spaces, but also it has its own function as galleries. By doing so, people freely walk around anywhere below the galleries, like walking around the city.

The flow of the urban fabric, which is the market, continues into the building

The Roof as Galleries covers whole building, and cooperate with other programs. It means

lso, this galleries not only display art works, but also exhibit the artists, and the city.

All of the programs on the ground level allow people to use them as free, literally â&#x20AC;&#x153;Civic Spaceâ&#x20AC;?

that the galleries can extend to the large auditorium and the forum, whenever they need.

Roof as Gallery

The production masses penetrate into the civic programs. It allows artist to easily communi-

cate with people. They are integrated each other visually and physically.

The different level and gentle slope of the roof give spaces to people in order to enjoy open air

cafe and stage. The envelope is not only the skin of the building, but also its own program.

119 : Jongyoun Jung

Envelope as Own Function

DeS S T TRIP

CITY AWAY

120 : Jongyoun Jung

developing Surface | Prof. Andrew Schachman

121 : Jongyoun Jung

BaM Architecture as a Device Jongyoun Jung

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AA IN-BETWEEN Jongyoun Jung

148 : Jongyoun Jung

AA Final Project | Helsinki Cultural Civic Center

Project Overview

City and Building Programs You and I

In-Between

: “ = ” : “ x ” : “ + ”

HELSINKI CULTURAL CIvIC CENTER

What spatial characteristics are familiar with Helsinkian?

Programmatic Approach

Spatial Approach

Architecture as a Device

deS

“Scapes” and “Envelopes” of Helsinki

UEx

Components of the City

Disjunctive programming

Manipulate Hermetic system and Keep the intimate spaces

Diverse layers of events

[Program] x [Program]

[You] + [I]

[City] = [Architecture]

Floor as Forum Wall as Flea-Market

“ART GENERATOR” for design Capital Helsinki

149 : Jongyoun Jung

BaM

What is the New paradigm of Art?

150 : Jongyoun Jung

AA Final Project | Helsinki Cultural Civic Center

S I T E Background

S p a t i a l Approach

SITE

W h o l e U r b a n Block as a Building An orthogonal pattern of four streets with very strong geometry forms a fortress-like urban block in the vallila area, where the interior courtyard is a beautiful and large, yet , space for residents. THE MAIN IDEA OF HAVING A INSIDE A RATHER SIMPLE, MASSIVE URBAN BLOCK, STRUCTURED BY ALMOST THAT ENCLOSE THE YARD, AND OFFERING FOUR SIMPLE, DIGNIFIED STREET FACADES, WAS A GESTURE TOWARDS THE PROVISION OF WORKER’S HOUSING IN THE EARLY 1920... THE MODEST WOODEN ARCHITECTURAL UNITS CREATE . THE SPATIAL RELATIONSHIP BETWEEN THE HOUSES ARE , BUT NOT COMPLICATED... IT SEEMS TO BE A VERY , CREATED . IT IS AN EXAMPLE OF A CONVINCING AND CREATIVE , AND, EVEN IN , IS IN KEEPING WITH THE FINNISH ABILITY TO SAY SO MUCH WITH SO FEW WORDS...

intimate

ARCHITECTURAL UNITS

UNIFORM

PLEASANT INNER COURTYARdS ON A HUMAN SCALE COMPLEX RICH HOUSING BLOCK USING SUCH SIMPLE URBAN dEvICES TRANSFORMATION ARCHITECTURE OF TRADITIONS AND URBANISM

151 : Jongyoun Jung

GREAT OPEN SPACE

152 : Jongyoun Jung

AA Final Project | Helsinki Cultural Civic Center

he site is surrounded by diverse different programs within e a s y reach: grand central station, international harbors, religious buildings, government buildings, commercial buildings, several museums, historical buildings, offices, ateliers, and residences. It means that people would be able to have diverse experience by walking around this area. Also, the site is located in-between major area for tourists and residential area. The site has a potential energy to make a ribbon by using the two different color strips. Rem Koolhaas who is a Holland architect said that architecture and city coexist, which means architecture no longer exists as a part of a city. Like a city, the architecture that will be built in the site would be able to be a device for generating diversified experience and return it to people for their art-centered life. HELSINKI L U T H E R N CATHEDRAL

GOVERNM BUILDIN G R A N D CENTRAL STATION

MUSEUMS

COMMERCIAL AREAS

D NA L AR K P E S PA

MUSEUMS

Programmatic Approach

Make a Ribbon with different colors strips

USPENSKI CATHEDRAL GOVERNMENT BUILDINGS

RESIDENTIAL AREA

SITE

INTERNATIONAL HABORS

OPEN-AIR MARKET

HISTORICAL BUILDING

INTERNATIONAL HARBORS

153 : Jongyoun Jung

MENT NGS

Site Background

Project Crisis & Ambition New Paradigm of Museum

154 : Jongyoun Jung

AA Final Project | Helsinki Cultural Civic Center

bsolete model of museum no longer supports new paradigm of art. Because the museum focused on preserving their own precious things and exhibiting them for only few bourgeois. Hence, the new paradigm of art is that a museum itself can be an “art factory” to generate artistic experience. By manipulating hermetic walls and floors, it allows to put disjunctive programs in-between them in order to make “SERENDIPITOUS EXPERIENCES” for the new idea.

EXHIBITING

PRESERvING

“THE GERMAN WORD MUSEAL [MUSEUM LIKE] HAS UNPLEASANT OVER-STONES. IT DESCRIBES OBJECT TO WHICH THE OBSERVER NO LONGER HAS A VITAL RELATIONSHIP AND WHICH ARE IN THE PROCESS OF DYING. THEY OWE THEIR PRESERVATION MORE TO

HISTORICAL RESPECT THAN TO THE NEEDS OF THE PRESENT.” [ VALERY PROUST MUSEUM, THEODOR W. ADOMO ]

Wall

Floor

n. “...e n c l o s e s

n. “...the lower s u r face, on which one may

walk...”

Hermetic Wall

Hermetic Floor

What if...

“THE PIERCED PARTITION, THE OPEN BALCONY, THE INTERIOR WINDOW CIRCULATION IN THE MUSEUM IS AS MUCH VISUAL AS PHYSICAL, AND THAT VISUAL MOVEMENT IS A CONSTANT DE-CENTERING THROUGH THE CONTINUAL PULL OF SOMETHING ELSE, ANOTHER EXHIBIT, ANOTHER RELATIONSHIP, ANOTHER FORMAL ORDER, INSERTED WITHIN THIS ONE IN A GESTURE WHICH IS SIMULTANEOUSLY ONE OF INTEREST AND OF DISTRACTION: OF THE MUSEUM AS FLEA-MARKET.” [ ROSALIND E. KRAUSS, POSTMODERNISM’S MUSEUM WITHOUT WALLS ]

SERENDIPITOUS DISCOVERY

THE

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or divides an area of land...”

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AA Final Project | Helsinki Cultural Civic Center

WALL FLOOR AS

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FLEA-MARKET FORUM

Project Process

Concept development Architecture as a Device of Connection : Wall

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AA Final Project | Helsinki Cultural Civic Center

Obsolete Model of Gallery

Put the Programs within the Walls (Production)

Put the Programs within the Walls (Flea Market)

[

DURING THE TIME THAT

PRODUCTION

]

CONTEMPORARY

IN PAINTING AND SCULPTURE

HAS TAKEN ON THIS ALMOST UNIVERSAL RELATION TO PASTICHE, AND EXTRAORDINARY OUTPOURING OF NEW

BUILDINGS HAS OCCURRED AND IT CAN BE ARGUED THAT AMONG THEM ARE THE BEGINNING OF

A NEW

ARCHITECTURAL TYPE THAT IS RESPONSIVE TO THIS RECONFIGURATION OF THE MUSEUM WITHOUT WALLS .

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[ROSALIND E. KRAUSS, POSTMODERNISM’S MUSEUM WITHOUT WALLS]

Project Process

Concept development Architecture as a Device of Connection : Floor

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AA Final Project | Helsinki Cultural Civic Center

Obsolete Model with Walls, Floors and Circulation

Manipulate a floor for different programs

[

[ ] A

FLEA MARKET ,

THEN, IS A PLACE WHERE

PRODUCTS OF MULTIPLE PROVENANCES CONVERGE, WAITING FOR NEW USES. AN OLD SEWING MACHINE CAN BECOME A KITCHEN TABLE, AN ADVERTISING POSTER FROM THE SEV-

ENTIES CAN SERVE TO DECORATE A LIVING ROOM. HERE,

PAST PRODUCTION IS RECYCLED AND SWITCHES DIRECTION . IN AN INVOLUNTARY HOMAGE TO MARCEL DUCHAMP, AN OBJECT IS GIVEN A NEW IDEA.

USED

AN OBJECT ONCE

IN CONFORMANCE WITH CONCEPT FOR WHICH IT

NOW FINDS NEW POTENTIAL USES IN THE STALLS OF THE FLEA MARKET.

WAS PRODUCED

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[NICOLAS BOURRIAUD, POSTPRODUCTION]

F LEA M ARKET

SC US SI

[ ] Through the Two Directions of Program Organization, it allows to put disjunctive programs in a space in order to give a serendipitous experience to users.

F LOOR

F ORUM

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A A Final Project | Helsinki Cultural Civic Center

W ALL

T UC

A E L

F LOOR

G ALLERY

R A M

T E K

W ORKSHOP

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F LOOR

Project Process

Program Analysis To Construct Artistic Ecosystem

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AA Final Project | Helsinki Cultural Civic Center

mall galleries, which artists exhibit their works as free, are able to integrate with the large galleries.

udience and artists coincidently are able to meet anywhere in the civic center. By doing so, the opportunities that they can communicate each other are continuously increased.

n order to build â&#x20AC;&#x153;artistic ecosystemâ&#x20AC;?, not only artist groups would be able to communicate each other, but also through the galleries, artists and audience can easily meet together. Also, visual connections between them not only create more intimate spaces, but also keep artistsâ&#x20AC;&#x2122; privacy for their works.

First Step

Second Step

Third Step

Through this step, they are categorized as Art-centered approach.

This step is trying to make disjunctive programs between others.

500 m 2

4500 m2

980 m 2

3000 m2

600 m 2

Given Programs of Helsinki Civic Center

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4500 m2

EXISTING MARKET

LOADING DOCK

SMALL GALLERIES LIBRARY

ARTISTIC FLEA MARKET

GROUND LEVEL

BIKE CULTURE CENTER

PRODUCTION

SMALL GALLERIES

PRODUCTION

ARTISTIC FORUM ARTISTIC FORUM TRANSFORMABLE LARGE AUDITORIUM ARTISTIC FORUM

UPPER LEVEL

CAFE

LIBRARY

CAFETERIA

ARTISTIC FORUM

By utilizing the urban fabrics and urban system, it can integrate with others

AA Final Project | Helsinki Cultural Civic Center

The site would be able to have two spatial direction: Forum and Flea market with Production.

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T O P LEVEL

LARGE GALLERY 1 LARGE GALLERY 2 LARGE GALLERY 3

PLAN dIAGRAMS

ADMINISTRATION

Urban scale (View from across the ocean)

H u m a n s c a l e (View from across the street)

GALLERY

FORUM

FLEA MARKET

WORKSHOP FORUM

LARGE GALLERY

SMALL GALLERY as Free LOBBY

FLEA MARKET

LARGE GALLERY

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FORUM & FLEA MARKET

LARGE GALLERY

FORUM & FORUM & FLEA MARKET WORKSHOP FLEA MARKET

GALLERY

CIVIC SPACE

WORKSHOP

LOBBY

ADMINISTRATION

LIBRARY

LARGE GALLERY

FORUM & FLEA MARKET

LARGE GALLERY

FORUM & FLEA MARKET

FLEA MARKET FORUM

SECTION dIAGRAMS

DOCKING LOT

FORUM

WORKSHOP

What if a gallery space FLIES in order that the Civic Spaces keep going through the site...

CIVIC SPACE

WORKSHOP

If a gallery space occupies on the ground, it could disturb the flow of the civic space, like the adjacent market.

CIVIC SPACE

Schematic design.1

Pretending a CITY with Given programs

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AA Final Project | Helsinki Cultural Civic Center

irst inspiration of the project started with visiting the site, in Helsinki. The main atmosphere of the city seems like hometown. The city that consists of several layers allows citizen to literally live together. Even small intimate space between others, people can occupy and have symbiotic relationship. In a urban block as one building, there are couple of court yards, and they make diverse layers, which generate dynamic experience like a â&#x20AC;&#x153;CITY.â&#x20AC;? First Model based on given programs

Top level gives people to enjoy open-air spaces in order to exhibit the city itself.

PROCESS OF MASSING dESIGN

4th level

3rd level

The next level consists of small galleries and education. 2nd level

The court yards are surrounded by retail shops and productions. 1st level

The given programs are separated and grouped together like families. RE-ORGANIZE

THE

PROGRAM

WITH

VOID

SPACE

1.Block as the whole building.

2.Make a road for diverse layers.

3.Put the court yards between roads.

4.Different levels gives different layers.

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The third level has bigger size of programs like large galleries.

t shows that the ground surface of the site are connected with the floor surface of the building.

Architecture = City with Disjunctive Programs

elow the surface, there are enough spaces for the programs, such as small galleries and library.

hen users change their direction of movement, they suddenly face to different programs. It gives dynamic experience.

hrough this parti model, the flow of programmatic urban movements are well integrated with building programs, from the ground level with the adjacent market, which is one of the urban fabrics, to the building. Also, it gives a sense that three walls between ramps could be functional walls including programs like fleamarket and workshops.

First Parti Model

he surface as a ramp creates private spaces instead of the hermetic walls.

AA Final Project | Helsinki Cultural Civic Center

Schematic design.2

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171 : Jongyoun Jung

his picture allows to understand that users can have visual connection through the whole building.

his picture shows how do two different programmatic ways integrate with each other.

ccording to the size of the programs, the programs are organized well.

his second parti model would be better to understand two different programmatic ways: Forum and Flea market. The production masses are penetrated into them. By doing so, it makes the edge between programs. The edge would be able to be activated by functional walls as flea-market. It can be said that those disjunctive programs activate the whole building.

Second Parti Model

GETTING PROGRESSION | REMOvE

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Study model I : Through this step, Study model II : By doing 2nd step, I tried to organize the spaces with I realized that still this model parti model that are made in DeS. has hermetic wall and floor system

E THE HERMETIC SYSTEMS OF IT

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S t u d y m o d e l I I I : T h e b i g g e s t between programs. By re-organizing c h a n g e a f t e r t h i s m o d e l i s t o the programs based on size; s, m, r e m o v e h e r m e t i c a r c h i t e c t u r a l L, XL, it helps to figure it out. system as a device of separation

AA Final Project | Helsinki Cultural Civic Center 174 : Jongyoun Jung

Project Result

Final Model, Rendering, and Plans I N -B ETWEEN S PACES

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176 : Jongyoun Jung

AA Final Project | Helsinki Cultural Civic Center

In-Between

City and Building Programs You and I : “ = ” : “ x ” : “ + ”

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AA Final Project | Helsinki Cultural Civic Center

North-west Elevation Face to the Market

Elevations of Final Model

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South-east Elevation Face to the Residential area

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South-west Elevation Face to the Ocean

North-east Elevation Face to the City

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Three dimensional drawing Program Organization Small-sized Workshops

Small-sized Workshops

Small Galleries

Performance/Theater Workshop Reservable Workshop

-Workshop 1~6 -Small Gallery :Artists would be able to individually exhibit their works as free. Audience also can visit here as free.

Large-sized Workshops -Workshop 7~8 -Intentionally Unprogrammed Workshop -Reservable Classroom

Drawing Workshop Intentionally Unprogrammed Workshop

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Connected with Forum

182 : Jongyoun Jung

AA Final Project | Helsinki Cultural Civic Center

Medium-sized Workshops

Large-sized Galleries

Roof Deck

Open-Air Stage&Cafe

Resident Artist Apartment Administration / Lobby Reception Connected w/gallery Connected w/Forum Lobby

Connected w/ Loading area

Medium-sized Workshops -Workshop 9~14 -Resident Artist Apartments -Administration -Lobby -Connected with Forum -Connected with Large galleries -Connected with Loading area

Heading to the existing Market

Open-Air Artistic Flea Market

Open-Air Stage

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Birdâ&#x20AC;&#x2122;s Eye View

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AA Final Project | Helsinki Cultural Civic Center

detail Models Stories of the disjunctive programs

By juxtaposing the programs, it gives diverse visual experience for the audience. It could be said that this kind of serendipitous experience is starting point to get a new idea.

Different levels give more private space for the artist.

The functional walls among programs operate not only as structural system and mechanical system, but also as flea market in order to activate the programs.

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186 : Jongyoun Jung

AA Final Project | Helsinki Cultural Civic Center

4. Reservable Classroom & Performance Workshop

The envelope of the building has own function. One of them is the bike parking lot. Because bikes are hung at the envelope, it is an element of decoration as it self.

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188 : Jongyoun Jung

AA Final Project | Helsinki Cultural Civic Center

In-Between

City and Building Programs You and I : “ = ” : “ x ” : “ + ”

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190 : Jongyoun Jung

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192 : Jongyoun Jung

Gallery Level | G.L +10,200

Roof Level | G.L +15,000

AA Final Project | Helsinki Cultural Civic Center

Forum Level | G.L +5,100 Below Level | G.L -1,200

Upper Level | G.L +10,200

193 : Jongyoun Jung

Open-Air Flea Market

Lobby

Cafeteria

Small galleries

Toilet

Intentionally Unprogrammed Workshop

Helsinki Cultural Civic Center Floor Plans

Library

Toilet

Storage

Scale : None

Loading Lot

Bike Parking lot

Ground Level Plan | G.L +0

Lobby

The large auditorium should be able to be changeable. Even though it is the biggest area of the programs, the rate of use is lower than the other ones. Like stadium, there are movable sitting areas so that it can be usually used as small galleries. It is also able to be extended from the large galleries.

Ground surface flows into the building and is raised up to building as a staircase. It can support the functions: flea market and forum. It also drives people’s movement in to the building. It continuously activate the building in order that people can share an idea.

“Idea carpet : Flea Market & Forum”

AA Final Project | Helsinki Cultural Civic Center

“Transformable Large Auditorium”

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195 : Jongyoun Jung

Workshop

Toilet

Deck

Learning Through Art

Forum

Workshop

Restaurant

Library

Movable Sitting Area

Large Auditorium

Toilet

Workshop

Scale : None

Deck

Forum Level Plan | G.L + 5,100

Digital Media Library

Movable Sitting Area

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Workshop

Large Gallery

Learning Through Art

Large Gallery

Large Auditorium

Large Gallery

Workshop

Scale : None

Gallery Level Plan | G.L + 10,200

Stage for Workshop

Reservable Classroom

Stage for Workshop

Large Gallery

North-east Side View

AA Final Project | Helsinki Cultural Civic Center

Performance Workshop

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North-west View

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Workshop

Open-Air Stage

Open-Air Cafe

Stage

Performance Workshop

Stage

Cafeteria

Scale : None

Roof Level Plan | G.L + 15,000

Administration

Lobby for Gallery

Roof Deck

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AA Final Project | Helsinki Cultural Civic Center

City and Building Programs You and I

: “ = ” : “ x ” : “ + ”

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In-Between

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beginning of the Semester

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end of the Semester

Field Works Draw Atmosphere Jongyoun Jung

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