景薰樓2022一月拍賣會圖錄

2022

JANUARY AUCTION

亞洲華人現當代藝術．中國書畫 9 th JANUARY 2022 TAIPEI

ASIAN, CHINESE MODERN & CONTEMPORARY ART CHINESE PAINTINGS Sunday 9th January 2022 P.M. 2:30 Taipei

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A ĆĒĆēĔåęĦİĪķĺ

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1001

⑽⿵ഇᮝ ₏֡᭰ 㓳֡᭰ ኞᖢቸņɿ˴ɺ⃅Ň ┮⏨ᑋ⋵ ‫ۄ‬ᐻ‫׬‬ʁŘ © YAYOI KUSAMA ֡᭰Ř7.5ć9.5 cmņ2.9ć3.7 in.Ň ቸŘ6.5ć18.5 cmņ2.5ć7.2 in.Ň

KUSAMA Yayoi (b.1929) Yellow and Red Pumkin with Glasses (a set of three) Painted cast resin Trademark: © YAYOI KUSAMA

NT$ 10,000-18,000 HK$ 2,800-5,100 US$ 360-650

1002

⑽⿵ഇᮝ ᳅஌₏֡᭰ ഔ↘ᑋ⋵ȭォ࢞ ‘‫׻‬ NAOSHIMA © YAYOI KUSAMAņಎⵒŇ 8.5ć13.5ć13.5 cmņ3.34ć5.3ć5.3 in.Ň

KUSAMA Yayoi (b.1929) Naoshima Red Pumpkin Painted resin sculpture Signed in English and located on the bottom PROVENANCE

NT$ 30,000-48,000 HK$ 8,500-13,600 US$ 1,080-1,730

1

1003

༆ࢦᗶ⚰ ⸉⏨いὄቌ ᪴ᬶ↹ℋ く⸇100˴ ‫ۄ‬ᐻŘ© Tezuka Production 68 cmņ26.7 in.Ň

TEZUKA Osamu (1928-1989) Shy Astro Boy FRP Edition of 100 Trademark: © Tezuka Production

NT$ 45,000-65,000 HK$ 12,700-18,400 US$ 1,620-2,340

1004

ʑ᮪ⴹ⇾ ὁ㌽ঋॸⶪ♊⠛૊⤃‘ᙹࢊɺ⃅ ૷㓚ᵲ⁆ᑋ⋵ く⸇120˴ 20ć12.5ć13 cmņ7.9ć4.9ć5.1 in.Ň

NAKADA Ikumi (b.1982) Cloud Killers - Puku & Niko Polystone Edition of 120

NT$ 75,000-100,000 HK$ 21,200-28,200 US$ 2,700-3,600

2

1005

༆ࢦᗶ⚰

ᯉ༆↘ཞჶ⫶ᬾ​ᬾ‫׆‬ợŊၒⰶʴ⥓घː᱿ὄ౺ߊຣȯᯍᆹ

‫׆‬ઈଅ⸉ԑՒᯉཞჶᮢ༆↘⫶ᬾᫎ ‫׆‬ợʼn⋍ᇓợ

Ấ༬ʏʃᱹⳭŊໟΩ໽⣲Ւᯉߧ᱿ᕓɺ౔Ȯᕓɺጁⵣ᮫↘

㆞ᅆȭ⫶ᬾᫎᦸᖛഔ༆↘⋍ᇓȭ₣ 22ć26 cmņ8.7ć10.2 in.Ň え༆ợ1೺

ో⤃༆ɺώɺᯉဎ↘ʀ⏨ŊΎᮽʴᯍᆹ‫ػ׆‬᱿⏨⦲⎞ώ

TEZUKA Osamu (1928-1989)

⤯Ŋ᫠˚Ւᯉⵣᄊᣅヅ〉̳ᯉŊ໽˫Ύᮽʁ͗᱿⫶ᬾ​ᬾ‫׆‬ ợŊʬ‫⦦ר‬ᆯ⣲⨢ʴՒᯉᮟᏈ᱿ᔕ‫⭤Ⰹ׫‬ȯ ȵ‫׆‬ઈଅ⸉ԑȶᄝⲩሷ┮ଅᮮઙक⠧᱿ᑨ‫ݽ‬ːŊ᳖̙

“Astro Boy” Animation Shooting with Hand-Painted

೸ଅִሷɺ㆗ۧ⏦ᔌ∑᱿ൔŊᲵᾷ⯿ӠЈ‫ט‬ᔐ⣶Ŋ˜ՁԻ

Celluloid Manuscript + Backgroud

̳ᣅᑨ‫ݽ‬ː⎞ːㆩʠ⿵ᝄⳇ᱿ᑙᐴŊశቃञ૊⋱ُ౹᳈

Anime Color on celluloid, watercolor on paper

⚠Ŋ⤽۹᱿क⠧⎞ᔌ‫׿‬๗ಙŊᛖ‫ט‬ञ᳷۹฻ȯ

With one manuscript

NT$ 100,000-130,000 HK$ 28,200-36,700 US$ 3,600-4,690 3

༆ࢦᗶ⚰᱿ȳ‫׆‬ઈଅ⸉ԑȴ⎞㏝ୀᆙ᱿ȳɼ㕻᫏ȴՒ

1006

≟ȵɼ㕻᫏ȶԅᆯᅺ቏ሱໞԼឫᯉʠɺŊ⎏

㏝ୀᆙ

˚ቍર⃌Ŋྃ↲‫ؚ‬೧┮‫׳‬౺㕤ଶ᱿⁆⃦Ŋʬᛖᛖ

ɼ㕻᫏Ւᯉཞჶᮢ༆↘⫶ᬾᫎ‫׆‬ợ ʼn⋍ᇓợ

೧ㅨɺˀ┮‫׻‬᱿രⱏឫᯉ૊Ŋɼ㕻᫏ᆯ˫෤ἇ᱿

㆞ᅆȭ⫶ᬾᫎᦸᖛഔ༆↘⋍ᇓȭ₣ 24.5ć26.5 cmņ9.6ć10.4 in.Ň え༆ợ1೺

ໞ⿢ᔕỄᣅʑൔŊဎⲩȵҭるȶȮȵՁԻȶȮ ȵ‫ה‬෼ȶȮȵ໴㌘ȶ᱿⿢ῇҭるՒᯉȯӮቅᄑʶ ञ⸇ྖᮢʑߡ‫מ‬Ҥଅ⦦ȵ⣫ⳤ⥆ȶ᱿ː‫⎞׻‬෼ ῃŊ≟രቅߌᄑʶʑ᩸᧚᱿म౿ቍ͗ከἇʊ᮹఩

TORIYAMA Akira (b.1955)

ᤋໞഐŊζ⿀ᅠ⣫ⳤ⥆᱿ҙૌⳀិᚉदŊⱧ≟Խ

“Dragon Ball” Animation Shooting with Hand-Painted

Ҙकᆣᮝ᧎ȮᄊⳍːȮ⣫ᅞṘᆙᾀʃ‫׺‬Ҁ₪Ŋ⎏

Celluloid Manuscript + Background

˚˜ᙙ⯧ᅠՒᯉȮҝ˝Ȯ⎞ヅઈⳤ໵ʠʑȯ

Anime Color on celluloid, watercolor on paper With one manuscript

ᅺ቏Ւᯉ߱1960౺ര᱿⎟⬚ໞᣅઙὄΩ᱿ᐪ ⬶ʠɺŊⳆˀ̳‫ٴ‬Ŋ҂ដʴ‫ר‬฻Ȯछ౿Ȯ㍫ᆙȮ

NT$ 90,000-120,000 HK$ 25,400-33,900 US$ 3,240-4,330

⃙㓚ᾀ‫׳‬ỚघҀㆺጁŊⳍଔӛᤀᄲΤ҂ដบЭ⎞ म౿᱿֦ⳇʊ᮹ȯ 4

1007

ʁ᮪҆ ᆣ᫤ʀ᱿ઙઈ ࢞⍑ȭᑋ⋵ȭ2017 く300˴ņɺ˩Ň ‘‫׻‬ŘHikari Shimoda 30.2ć20.5 x 25.5 cmņ11.8ć8ć10 in.Ň え♊⠛૊⤃‘Ύ⨢ሬ

SHIMOD Hikari (b.1984) Child of the Planet PVC ABS Edition of 300ņFirst GernerationŇ Signed in English on the bottom Attached the certification signed by the artist

NT$ 36,000-46,000 HK$ 10,200-13,000 US$ 1,300-1,660

1008

ʁ᮪҆ Mikki ⃝లȭ᪴ᬶ↹ℋȭᑋ⋵ く⸇150˴ ‘‫׻‬ŘHikari Shimoda 31ć17ć15 cmņ12.2ć6.6ć5.9 in.Ň

SHIMOD Hikari (b.1984) Mikki Flocking, fiberglass, resin sculptures Edition of 150 Signed in English on the bottom

NT$ 38,000-48,000 HK$ 10,700-13,600 US$ 1,370-1,730

5

1009

⇵ᕗƦോℋƦમോ⧤ িཚ ૷㓚ᵲ⁆ᑋ⋵ȭ2019 く⸇150˴ 42.2ć19.2ć15 cmņ16.6ć7.5ć2.3 in.Ň え‫׆‬⡶ቌᲬ

Roby Dwi ANTONO (b.1990) Nala Polystone Edition of 150 With original box

NT$ 88,000-100,000 HK$ 24,900-28,200 US$ 3,170-3,600

1010

ʘଛᦲƦいᬠং ͯ❘ల⸄ᘾᲬઈ ᑋ⋵ȭᵲ⍆ȭᵲ␿ȭ2020 く⸇500˴ 24.5ć24.5 24.5 cm ņ9.6ć9.6ć9.6 in.Ň

Daniel ARSHAM (b.1980) Eroded Brillo Box Resin Gypsum Quartz Edition of 500

NT$ 75,000-100,000 HK$ 21,200-28,200 US$ 2,700-3,600

6

1011

ᙈᆞ

HUNG Yi (b.1970)

ୀ⇺ņқ˴ɺ⃅Ň

Goats (a set of two)

᪴ᬶ↹ℋ೼ջᑋ⋵ȭ2015 ‘‫׻‬ᅠಎⵒŘᙈᆞ 2015 38ć20ć25 cmć2 ņ14.9ć7.8ć9.8 in.ć2Ň

Fiber-reinforced Plastic Signed bottom: named Hung Yi in Chinese, dated 2015 Attached the certificate of gallery

えᯉ಴Ύ⨢ሬ

NT$ 160,000-220,000 HK$ 45,200-62,100 US$ 5,770-7,930

7

☏┉癞 ԰Ңϒ(1912-2002)Ŋʑߡṵ೘ṵజːŊ‫׻׆‬԰ṵ

ȳ㈸ȴᆯᏎᣅӛ⏨᱿Ւ᧎ဎ↘㆛ቨȯ԰Ңϒᥖ⠳ᶇἄ

Ჰȯ1945౺ʑᅺ༾໴՘Ӵര͗‫ש‬Ŋ38ᔓ⿭আ⎊Δ↘ᯉŊ

Ւ᧎Ŋଃᔍሷ┮᧚ᔢ᱿෼฾ȯ߱ȳ㈸ȴʑŊ԰Ңϒ߱ℂ⏨

ሯ‫ט‬㓳‫؃‬᭍྆଄ȯ1965౺ら⇾ⰊԊദ⬤֡Ⴢ˶໴߸డỄ

⑽‫⋍׆‬ᇓʀŊ͐ᮢ᠝ⴹࣘ⏨լՐӛɺ֍⯿যϨᷟȮㅺ㈪ࠡ

ోŊ̆ϐʠㇷ߱ʑ֚֡஌‫߸׳‬ଭ⿭૯ᮝȯ⬤໴രⲙ‫ש‬Ŋሯ

⭁᱿㈸Ŋ೥┮⯿⎨┮ఢⴗଅ⌺ŊɺԞᅣ␵ᤀːȮ⎊വҢᐪ

Ԋദ㄄ᙐȮ⓪യ⫖˫‫ד‬1981౺ᛖҘ৕⇵ᙐジኚ֒Ȯ1993

᱿෥⿴Ṙ๗Ŋˉ‫┮ט‬ෆᤋ⎊᮫ȯ⑬⑬᱿ヾ⑽⏨⋍ᇓŊၒⶪ

౺࿲‫ט‬এ⥅ŊӛᱹԊദఫలˁₚᅘಂҙˁᾀ߸╒ゝ‫׆‬আᄽ

㈸֍ᛞ፟‫ד‬ᛖ⏨᱿ᕜ㋱Ŋ⦐೺⩐ഐ᱿ⱐ಺ℬʁŊͩẽ‫ר‬⣲

ջ⫏ᅆŊଃ‫׆‬আ♊⠛ᶇἄᛖңൔവŊʬᣅҢԡ̳࣑ᛟʃଇ

⯿㋤⊨⊥᱿⬚̄Ŋ⃛ːՒ๗᱿૯૪฾Ŋᱺ⏨᱿߈⊶⎞⊱

᧚ሷ᱿・฾ȯ

ᲗŊԻᖣ᳠૪ᯉ㕻㔄ᴈŊ㋤᫠ʴ԰Ңϒଃᅠञ⎊ᤋ‫ד‬Ւ᧎

ᅽቅ̳‫ٴ‬घᣅㆺᇓ૯ᮝ⎞ː᧎ᯉŊᇄቅ‫ש‬ᢕ‫̦׆‬ᖁЗ ⃥ṤẌȮሺ㇥Ȯ೘Ὲໞʴԡ̳᱿・฾⎞㆛ቨȯᤀ⧄ᆯՒ

᱿₳ⅅ⤐ૣ⎞ဎ↘ȯ㈸Ҋગ᩸ʑ⎊ଁᐪ⬶ŊⳆ⎷⬢⌉᱿ࣀ ᮹ŊʃṮ˪ːޭദȯ

᧎Ȯː᧎Ŋⅶ˫⩴૗᱿ːᮝ〇ᔕُ ‫܈‬᱿⏨⦲ώ⤯Ŋ̳͐

ȳ⿧ṘȴᏎңบЭԻŊ⳥ᮢ㍫ᆙ⏨ഔ͗З⳴⿧Ṙᄽջ

‫ٴ‬᳖͗҂ដಁ㓿ُὄൔʠ⬶Ŋʬㆴḻӛଃᮝ‫⎊ُل‬ᤋ᭔ࣀ

᱿ՒːŊ┮⏨ᆹʃԽⱐ಺ℬŊ˫ɺỚ዁ُ᱿᛻ዀŊ᥸ⳍӛ

᱿ᥖ෼ȯᶇἄⲙ‫ש‬രŊԡ̳㆛ቨሩᣅೊᘒŊ˫⁤ ᱿ഐ

ቊቋ᱿ᖉߣȯᯉㄇⱀ㌂ ₎Ŋʬ‫ו‬ະ԰Ңϒ᱿ट᳠Ȯ⦈

⩽Ȯℬጻ⎞⏨ഔ⠧ⳭŊ໣˫དྷ⩽⊓บ૽ʙ㆛ഐ⩽ջŊ̳‫ٴ‬

⧒ȯᑊ₪᱿ञ߸⏨⦲ŊʬЗ⳴ʴ԰Ңϒ⯿ᣅ♊⠛≘ㅸὄ˫

ㄇ⪝‫ا‬᫠घᑂඖ⎞ඎ≙ඖȯ

‫ד‬ɺ̤⳧ദᅧ⠗≛᱿̥⦲ඎบȯ

8

1012

԰Ңϒ

LIU, Max (1912–2002)

㈸

Horse

Ւ᧎Ŋଃᔍሷ┮᧚ᔢ᱿෼฾ȯ߱ȳ㈸ȴʑŊ԰Ңϒ߱ℂ⏨

Mixed media on paper

⑽‫⋍׆‬ᇓʀŊ͐ᮢ᠝ⴹࣘ⏨լՐӛɺ֍⯿যϨᷟȮㅺ㈪ࠡ

Signed and dated in Taiwan phonetic

⭁᱿㈸Ŋ೥┮⯿⎨┮ఢⴗଅ⌺ŊɺԞᅣ␵ᤀːȮ⎊വҢᐪ

and dated on bottom right

᱿෥⿴Ṙ๗Ŋˉ‫┮ט‬ෆᤋ⎊᮫ȯ⑬⑬᱿ヾ⑽⏨⋍ᇓŊၒⶪ

⢒‫׶‬਄ቨȭ₣ȭ1988 ‘‫׻‬ᅠ‫׬‬ʁŘ ԰Ңϒ ɺʪҜҜ 88 55ć74 cm ņ21.6ć29.1 in.Ň

9

ȳ㈸ȴᆯᏎᣅӛ⏨᱿Ւ᧎ဎ↘㆛ቨȯ԰Ңϒᥖ⠳ᶇἄ

㈸֍ᛞ፟‫ד‬ᛖ⏨᱿ᕜ㋱Ŋ⦐೺⩐ഐ᱿ⱐ಺ℬʁŊͩẽ‫ר‬⣲ NT$ 280,000-450,000 HK$ 79,100-127,100 US$ 10,090-16,220

⯿㋤⊨⊥᱿⬚̄Ŋ⃛ːՒ๗᱿૯૪฾Ŋᱺ⏨᱿߈⊶⎞⊱ ᲗŊԻᖣ᳠૪ᯉ㕻㔄ᴈŊ㋤᫠ʴ԰Ңϒଃᅠञ⎊ᤋ‫ד‬Ւ᧎ ᱿₳ⅅ⤐ૣ⎞ဎ↘ȯ㈸Ҋગ᩸ʑ⎊ଁᐪ⬶ŊⳆ⎷⬢⌉᱿ࣀ ᮹ŊʃṮ˪ːޭദȯ

1013

԰Ңϒ

LIU, Max (1912–2002)

⿧Ṙ

Door - God

ᮢ㍫ᆙ⏨ഔ͗З⳴⿧Ṙᄽջ᱿

⢒‫׶‬਄ቨȭᯉలȭ1997 ‘‫׻‬ᅠఢʁŘ ɐɫɥċ ɕɫċ ɬɣˇ1997 37ć51 cmņ14.5ć20 in.Ň ᔍᯉ̳ሷ⢌̳ᦹᯉ

Mixed media on canvas

ՒːŊ┮⏨ᆹʃԽⱐ಺ℬŊ˫

Signed in Taiwan phonetic

ɺỚ዁ُ᱿᛻ዀŊ᥸ⳍӛቊቋ

and dated on 1997

᱿ᖉߣȯᯉㄇⱀ㌂ ₎Ŋʬ‫ו‬

ȳ⿧ṘȴᏎңบЭԻŊ⳥

ະ԰Ңϒ᱿ट᳠Ȯ⦈⧒ȯᑊ₪ NT$ 130,000-200,000 HK$ 36,700-56,500 US$ 4,690-7,210

᱿ञ߸⏨⦲ŊʬЗ⳴ʴ԰Ңϒ ⯿ᣅ♊⠛≘ㅸὄ˫‫ד‬ɺ̤⳧ദ ᅧ⠗≛᱿̥⦲ඎบȯ 10

1014

11

㈸ᱺᖛ

MA Pai Sui (1909–2003)

ठ㍇⿽

Taroko

ᖛഔȭ₣ȭ1999 ‘‫׻‬ᅠ‫׬‬ʁŘɺʪʪʪ ⸵֬ŘMA PAI SUI 49.5ć39 cmņ19.4ć15.3 in.Ň

Oil on canvas, with one seal of the artist Signed lower right: 1999

NT$ 120,000-240,000 HK$ 33,900-67,800 US$ 4,330-8,650

䙍㠒ⓚ 1908 ౺ӛᮝᅠᖶ♫⪄⿧ʊ૊᱿᪗სҀŊߌ

ȳሶॖ⹬ȴᯉ⡹ሷሶˌŊೱሶॖ⹬Ŋȵߌᣅːᖝ⳵ʃሳߥដŊ

キ⤃ⳊʊŊ૊ᅭᦩᮟŊ͐˟ᔕᲵᝤጒŊ᳖ⲿːʊ

ʶʶ‫מ‬ザҚŊȶ᪗სҀᯉ⡹౑ሷગ᩸᱿⯿ഛŊʝʝӐቃ┮टⴗᖝණ

ҽᇮ⬚┛ȯ1936ᯃᏈᅠʀᙹ⇾૾ȯ1949౺ߌᆹ

ʃ⩐Ŋॖ‫׺‬ગૐଃᅠኽʶ᧎᱿᛽ቃŊִʬ‫⋱ף‬ˮቃᤀԻᄊ⩐ȯ

ଞՒʱჵᳰ⎏‫ש‬ŊⅪ͐ᮝᙙߔㅺ‫ד‬᫠૪᱿ἝⲦִ ⵣʃሯံ‫˟ד‬᱿⎊଀ُԡ̳ʀ᱿ޭദŊআ⃃ࡠ ┮ᅠ↘ᯉʠ⭰ȯሯ᪀ʑⓧᖁߡ1983౺㈪ᓝ⇾⠛

౐௠ȐᚒЦᚹϡฝნȑ բ‫ޣ‬ǺէӀύ

ᩦㅮ⸉ᦫᩦŊ2001౺᪀Ὦʽଢߡ૊ᄽ♊ᩦȯ̳

ӆᚹΨᚹό๱Ǵ΋៻Дߝ

‫ٴ‬᪀‫ש‬ᢕ᳎Ἴ⇾⠛㈀Ȯ‫ש‬ռఱἼ⇾⠛㈀Ҥ♀ȯ

ӆਉΨਉόӣǴ΋Τδ໚dz

2001౺ະⴎᅠ‫ש‬ռߡἼᔕ‫᧎֢׫‬㈀ߡ૊ᯉ಴⎠

ӆ൨Ψ൨ό‫ډ‬Ǵ΋০ђࡂ

⠗ΤଭŊʏᅠ 2003౺Ᏻ᪀ᄽ㈶ȯ

คፕ໵ХӵՖଓ

Цᚹϡ;Ȩჹ‫ڮ‬ၮǴ‫ך‬ค‫ܔלݤ‬Ǵՠჹ᛬ೌ πբǴ‫ޑך‬،ЈᕴࢂόᡂǴ҉ό‫ܫ‬కǶȩ

‫ېࢂ܈‬໠ӵՖᇴ ཇٰཇు‫ޑ‬ከՅ㚊 ѝഭΠ΋ਥӦѳጕ

᪗სҀᆯᣅʴ♊⠛≟ᮝ᱿ːȯѢᾷᇄ౺

՟ΦᘐΞ՟࣬ೱ

⯿㋤ᨊᗼʏʃ॑Ŋ˟˜࡫̳ྃᯉř֯͵⯿ʊ

΋ᆄ౐ӧფٗᓐ

ࠆࠜŊഺʃ඗ट଎ːŊ࡫ㅊԑᕊ᱿ΤඖŊ໣

΋ᆄ௠ӧੇ೭ᜐ

⥓ʬଔᆯ˟⿢उ᱿Ẩ⥌Ŋ᪗სҀቅ⥓⎊నሷ Τ⿭〙᱿⋬⣓Ŋ˟ሯ⦦ᕇᝥː૊ᾀᅠᕇᝥ ⎊నŊߌᔍ߱᪗სҀ᱿̳‫ٴ‬Ŋオᤋ᳖വ⣲ ગૐŊִ᳖ʃ⣲㓺ᇯŊᆯɺΤⴊ〙⬢ᤋ᱿ ࣀ߸Ŋːʠᅠञ⎊ᤋᆯॖᔍ᱿ᜂଅȮെʃ ⭁ⳬȯ

Ⳇ㈪ȱ᧝࿨ƞƞ㆛᪗სҀᯉࣀȲŊᅠ2001౺ӮŊᄇ⻞̰߱҆ ʑ᱿ȳ♄Ṙȴ⥸ゝ⡹ȯᆯ2001౺̰҆ʑ߱ᔕ‫᧎֢׫‬㈀⎠Ⲅȱ᪗ს Ҁʪ֓⎊ⴆଭȲʀ⎞᪗სҀሳㄇŊʏᅠҤẌʑቁ⦣Ⳇ㈪⥸̳ȯॖ˚ ⥸∥̰҆ʑ⎞ːᬟᯉ૊᪗სҀᲀң⳵‫׏‬Ŋ̟ᆯ⥸̳⎞ᯉִ̳ᖝණʃ ቛŊೊᣅᙟЗȯ

12

1015

᪗სҀ ሶॖ⹬ ᗴഔȭᯉల ‘‫׻‬ᅠ‫׬‬ʁřP.Y. Wang 100ć80 cmņ39.3ć31.4 in.Ň ȳ᪗სҀᯉゝȴὮ128ㅪŊ1998౺ 9ሶӮᦹ

1. ┮⻞ȳ᪗სҀᯉゝȴὮ128ㅪŊ1998౺ 9ሶӮᦹȯ 2. ‫א‬〇ȳ⩽൉⎞྆ᚊ-᪗სҀ↘ᯉ᱿ȵ␶ ៪⇾฾ȶŊ઻⚄⇾⠛㈀Ŋㅪ83ȯ

Wang Pan Youn (Taiwanese, 1912 - 2017) Moon like a Hook Oil on canvas Signed lower right : P.Y. Wang

NT$ 4,600,000-5,500,000 HK$ 1,299,400-1,553,700 US$ 165,830-198,270

ȳ⩽൉⎞྆ᚊ-᪗სҀ↘ᯉ᱿ȵ␶៪ ⇾฾ȶŊ઻⚄⇾⠛㈀Ŋㅪ83 13

14

᪗სҀ߱ʀᙹ⇾૾ᆹ൳᱿ᆯ⣫ᯉŊ≟ᖛഔ߱᪗სҀ᱿ ԡ̳ʑ֥ሷ⸅⣬߸̤Ŋʃ‫׺‬ᅠҢ˟ᯉ૊ᖛഔԡ̳᱿༬ᘍŊ ˟˫ׂࢣȮಂʢʃϝ᛻ዀ᱿ㆺጁ᩸ᑋɺ౨ŊԽʀ౺ⱀɺⱏ ᯉ૊ಂʢʃҪᯉᖛഔŊߌᔍሩㆴᆹ˩า∑ȯ≟ᤀ⧄ᖛഔ໣ ᗴᯉŊ᪗სҀ᱿̳‫ٴ‬ሷಂΤʃᅜӛ᫠᱿ʙ㆛ŊॖŘठぬȮ ₏⠥ːȮᨛȮ㖂ୀ஌ȮગఴᾀŊ⋍രⵣሷ᧚ᔢ᱿ߊຣُ ฾෼ȯ ᪗სҀ᱿̳‫⃌ٴ‬ᐉሷᆹʬ᧚ӲԊ⠡ŊሷⲖʢ‫⏨܈‬ᯉ᱿ ૯ᇓ̳‫ٴ‬ȯᯉㄇʑㅼң᫠˩฾᱿དྷ⩽⣶⤌Ŋԅᆯ᪗სҀ᩸ ሷ᱿ⲿ⣶ᘍŊ‫߸૽ר‬౹ℬ˶าཚ㋧໣ೲഐջŊⳆㆩ̳‫ٴ‬ञ घᆯᛤᅘ‫ר‬ː᱿૯ᇓᯉ̳Ŋʡ᳖ሷॖȵ⏨ࡍᯉᙜȶ(color field)Ŋᯉ̳ໞ࢘ᨊ᱿⏨౏Ŋⷠ♀┮᪗სҀ᱿ᛖᗖҙᔅִ෼ ฾⩴ᗦȯ᪗სҀര↲᱿ᯉ̳Ŋञ⎐ೖ↲˟ગૐ᱿⥸ℨȮ⩽ ൉ȮሜⳭ⎞・᲼᱿ദᆟㆺጁŊᤋ≟ബᆙㆴ߸Ŋ߱⏨ഔʀᕗ ദᆟሩ‫܈‬₞Ŋሩ⿭ቁȮሩջɺŊ≟ʈᯉౘ᱿⣳ጁʬ᳈ଃ߸ ԽञŊሩԽ⃛ːሷỚ⯿⚠ᅠબસʠʁŊㅺ෤⎊న᱿ᜂଅ⎞ ʊ᮹ೊ〙᱿฾݂ȯ ᪗სҀሯ⦦Řȵ ΋ঁฝৎѸ໪ाԖԾρ‫ޑ‬ᡏ‫س‬ᆶ॥ ਱Ǵٗ൩ࢂ‫ې‬ᐱǶȶ Lot1017ȳᖛᛦඎ๟ȴⲿ⳧᛻ዀ‫ا‬᫠᱿ⲭᠬ㓳⏨⋍ᇓ ʑŊ૫㄃ᖛ⏨Ŋೊ〙टも ఢⴗગЖᵝἼɺ፺ᑋŊ͐Ңᯉㄇሩሷඎ൳⎞ગ᩸ʠ าŊLot1018ȳ฾ස߱ൔȴ҂ដࣘℂ᱿⋍ᇓʑŊἿ┮ɺΤ ᱇ଅ᱿ːഛŊ₳ଅ᱿⊹⌻Ŋቃ‫⳵׿‬ᅞŊLot1019ȳʑᙟ⿴ ᓝȴⳬᲵᤀᘍཏᝥ᱿ඎⵯʠ෼Ŋॖ˚༹ᱹᅠᯉʑŊሩដ໊ ඎ൳Ŋ˪ːʝʝʃൡŊLot1020ȳశቃʠఴȴ෥෥ᛤ☾Ŋ ౏ӛ₞ᛍȮቊቋʠᇓŊ᩸ᮽગఴ⳹ⳤᛤ៰ᖛʑȮLot1021 ȳቺᅞᱺȴቺᅞ૽ᱺŊट૽ᶝሎʠもŊ⸔ӛગૐʑִ҂ដ శቃ᱿శቃ⇾ᇓȯ 1973౺᪗სҀሯဏᔍ⥸ŘȵᛤㆺᆙሶŊ␕┛ໞࢦŊ ːᮝಂ̬ŊᤀહᆨẠȯ⣫ୀ₏┤Ŋჵ༆‫׺‬ᔊŊ̬ᆹᔖ‫׏‬Ŋ ⴒॖछʑȯट૜ㆺҽŊᔖඎ఩᠝Ŋゾポ‫ك‬۸Ŋʃᵧ໽⯋ȯ ⳰บᯍ౺Ŋൔ・఩᷊Ŋ෥෥ट߸Ŋ̬ൕᯍӮȯȶⳬᲵ˟ൔ ʑଃʊ⿵᱿ỚỚ㋤෤ȯ ᪗სҀ᱿↘ᯉ̳‫ٴ‬ᆯ˟ગ␶⯿ʊ᱿ջ⯿Ŋ̟ʃᆯ‫⥔ڌ‬ ≟ᆯ⬢ᤋŊᤀ⧄ᆯᖛഔ᱿ଶᓝ฾Ȯ⩴ᗦඖ໣ᗴᯉᐉߧ᱿᫠ ˩ջȮቺᅞᖛࣘา⩽ջȮሜⳭબસ⧄᱿ἇ・⃑ଃջŊ߱⎔ ᢕ⇾⠛‫׫‬ʀŊʃ̟⿭Ԋː໽ቍሷ᱿ㄇ⪝Ŋʬ̫ሷ㄄౑⸅⣬ ᱿߸̤ȯ

15

1016

᪗სҀ

Wang Pan Youn (Taiwanese, 1912 - 2017)

⚄ぬᆨሎ

Spring in Lan Yang

ᖛഔȭ₣ȭ1960 ⸵֬Ř᪗სҀņᱺᄽŇ 21ć28 cmņ8.3ć11 in.Ň

Watercolor on paper, with one seal of the artist

NT$ 130,000-220,000 HK$ 36,700-62,100 US$ 4,690-7,930

16

1017

᪗სҀ

Wang Pan Youn (Taiwanese, 1912 - 2017)

ᖛᛦඎ๟

Yearning

ᖛഔȭ₣ȭ1965 ఢʁ౺ᓰŘɺʪҞʽ ⸵֬Ř᪗სҀ֬ņቒᄽŇ 25ć25 cmņ9.8ć9.8 in.Ň

Watercolor on paper, with one seal of the artist Signed lower left in Chinese number Attached photos of the artist and painting, in August 2017, “Artist World” column.

え̳‫⎞ٴ‬ᯉ૊቏ː‫ᤫ׶‬Ŋ2017.8ℐ⭰ ȵ♊⠛૊ʊ᮹ȶ૾ᓌʑ

17

NT$ 130,000-260,000 HK$ 36,700-73,400 US$ 4,690-9,370

1018

᪗სҀ

Wang Pan Youn (Taiwanese, 1912 - 2017)

฾ස߱ൔ

Grateful

ᖛഔȭ₣ ⸵֬Ř᪗სҀ֬ņቒᄽŇ 13.5ć15 cmņ5.31ć5.9 in.Ň

Watercolor on paper, with one seal of the artist

え̳‫⎞ٴ‬ᯉ૊቏ː‫ᤫ׶‬x2

NT$ 80,000-160,000 HK$ 22,600-45,200 US$ 2,880-5,770

Attached photos of the artist and painting

18

1019

19

᪗სҀ

Wang Pan Youn (Taiwanese, 1912 - 2017)

ʑᙟ⿴ᓝ

Mid-Stream Scenery

ᖛഔȭ₣ ‫׬‬ʁ‘‫׻‬ŘWANG P.Y. ⸵֬Ř᪗სҀņቒᄽŇ 24x25cmņ9.8ć9.8 in.Ň

Watercolor on paper,with one seal of the artist Signed lower right : WANG P.Y.

NT$ 150,000-280,000 HK$ 42,400-79,100 US$ 5,410-10,090

1020

᪗სҀ

Wang Pan Youn (Taiwanese, 1912 - 2017)

శቃʠఴ

Sail of Hope

ᖛഔȭ₣ ‘‫׻‬ᅠ‫׬‬ʁŘP.Y. ⸵֬Ř᪗სҀ֬ņቒᄽŇ 37.5ć52.5 cmņ14.7ć20.6 in.Ň

Watercolor on paper, with one seal of the artist

᫠ᄇ♀≛⫵⎊♊⠛૊቏ː

NT$ 200,000-300,000 HK$ 56,500-84,700 US$ 7,210-10,810

Signed lower right: P.Y. Acquired by the collector from the artist

20

1021

᪗სҀ

Wang Pan Youn (Taiwanese, 1912 - 2017)

ቺᅞᱺ

Oriental White

ᖛഔȭ₣ȭ1990 ⸵֬Ř᪗֬ņቒᄽŇ 32ć32.5 cmņ12.5ć12.7 in.Ň

Watercolor on paper, with one seal of the artist

┮⻞Řȳ᪗სҀᯉゝȴŊὮ98ㅪŊᗕᕿ♊⠛֬ӽ ⊵˷ሷくҝ‫׮‬Ŋ1998౺9ሶӮᦹȯ 21

NT$ 180,000-200,000 HK$ 50,800-56,500 US$ 6,490-7,210

Цᚹϡ;ȬؒԖ֖ఽӞរх࿶ᡍ‫ޑ‬ΓǴό‫ى‬аፋΓғȭ 1912 ౺ӛᮝᅠᖶ♫⪄⿧ʊ૊᱿᪗სҀŊߌキ⤃ⳊʊŊ૊ᅭᦩᮟŊ͐˟ᔕᲵᝤጒŊ ᳖ⲿːʊҽᇮ⬚┛ȯᯃᏈᅠʀᙹ⇾૾ȯ1949౺ߌᆹଞՒʱჵᳰ⎏‫ש‬ŊⅪ͐ᮝᙙߔㅺ‫ד‬ ᫠૪᱿ἝⲦִⵣʃሯံ‫˟ד‬᱿⎊଀ُԡ̳ʀ᱿ޭദŊআ⃃ࡠ┮ᅠ↘ᯉʠ⭰ȯሯ᪀ʑⓧᖁ ߡᯉણሳ⸉ᦫᩦŊߡ૊ᄽ♊ᩦȯ̳‫ٴ‬᪀‫ש‬ᢕ᳎Ἴ⇾⠛㈀Ȯ‫ש‬ռఱἼ⇾⠛㈀Ҥ♀ȯ2001 ౺ ະⴎᅠ‫ש‬ռߡἼᔕ‫᧎֢׫‬㈀ߡ૊ᯉ಴⎠⠗Τଭȯ ЦᚹϡǺȨᛤฝ΋ߐǴ൩ࢂബբ‫ޑޣ‬ЈᡫϸᔈǴಥᚆΑЈ‫߄ޑ‬౜Ǵ൩ࢂ‫᠍כ‬ǶΨ൩ ࢂᇥǴ‫ך‬೭੝ਸ‫ޑ‬ภधΓғǴॷҔΑᛤฝٰ߄қ‫ޑך‬ϣЈधНጝΑǶȩ! ̳‫ٴ‬ʑ⎊ໟҙൔ᱿⤐ᤫ˫ ះ᱿ʙ㆛ԀᯉҢ₳⍗᱿෼฾⥼⸃ȯગૐ᱿฾⤯⎞ឍᘄ᱿ ෼ඎŊᑋἼҢ᩸᧚ᛖᗕ᱿ᮝ‫ڏل‬ඎȯ⏨ഔಁᛖŊώ⤯ℬጻլՐӛʴ⠞ᇓ໼⎤᱿ᑊཀྵㅥ ‫ػ‬Ŋ᪗სҀɺᮝᔕ⃻ञᆹ˩᱿Ւ᲼⎞ᮝ‫ل‬᱿ʃમŊִʬ࢞ⳍӛҢ᧚ᔢ᱿♊⠛⦝⤵ㆺጁŊ Τːᮝ‫ل‬ᔕ⅀᱿෼฾ᙟヮŊ᳠૪≟Ւːȯ ȳỠ⑽࡬ȴ(บ૊)ᆯ᪗სҀଇᄲ᱿ᗴᯉ̳‫ٴ‬Ŋわؐ⦦ʃᲵἩߔ␶៪᱿⳧ദŊᤋ≟ᑊ૪ おʠʁŊණᆯỠ⑽᱿␖㈭Ŋ⎞⸉⏨҆⏼᱿ᝐᇮ➄‫׶‬Ŋ㓳ℂ˅⼂⏨ഔŊ⥔⦦┮᪗სҀ૊ ⵯ᱿ೊ〙⑽‫׆‬Ŋગ᩸᱿⯿ഛŊ෫Л㇎ダŊᙟヮඎⵯʠ෼ȯ

22

1022

᪗სҀ

Wang Pan Youn (Taiwanese, 1912 - 2017)

Ỡ⑽࡬

Pile of Straw

ᗴഔȭᯉల ‘‫׻‬ᅠ‫׬‬ʁŘP.Y. 37.5ć45.5 cmņ14.7ć17.9 in.Ň

Oil on canvas Signed lower right: P.Y. The guarantee of the original work of Mataphysical Art Gallery

えഐ≟ʀᯉ಴‫̳׆‬Ύ⨢ሬ

NT$ 1,100,000-1,300,000 HK$ 310,700-367,200 US$ 39,650-46,860 23

㼜Ⰻ熥瞋⽙慈 ᪗სҀሯ⦦Řȵ‫ࡐך‬഻៿ฝНᏀฝǴНᏀฝவٰؒԖ ଶၸǴന߃ࢂֆᴟ޲ԴৣӧύᏢ௲‫ॺך‬ฝ޸ചǴᇡ᛽ᛤฝ

᮹ȮLot1033ȳ⿢ᖶɿ஑ȴȮLot1034ȳɿୀヾटकȴञ

ΨࢂவНᏀ໒‫ۈ‬Ƕ ȶ߱᪗სҀ᱿̳‫ٴ‬ʑ‫˫ר‬ᱹ᫠Ẉ᱿า

⤯⎊ॖȮLot1036ȳट⿢߸ʝȴሬᘍȮLot1037ȳɺℬट

ࣀŊ⎞ᖛࣘᯉ᧚ሷ᱿ἇ・ᖎㅥȯ˟᱿ᖛࣘሩҥңʴᛤӮ߈

もȴȮLot1038ȳΖؐഛʑȴȮLot1039ȳ෥ඎߥⳇȴ᥊

мŊॖҜञୀːȮ㋪ᔬ᱿ώาŊᯉ㏝ᆹ፷⯿ኢኟ᱿ગ᩸⃑

⅀ώᘍŊᤀໟࣀ᮹ȮLot1040ȳᆨ҆ɺ┤ᙳȴȮLot1041

ቃŊ≟ୀᖛᯉㄇᐉߧԅሷҀ˩ᯉ૊π᭮᱿ះᛍ⬢Έώาȯ

ȳោ⒎ȴषᄍञ⍦᠝ᛇ֒ӲȮLot1042ȳ⸉Ạ⟖⌳ㅨȴẠ

⍦⏨࢘⠧᫠ୀ⋸લϒȮLot1035ȳఙで≘ȴᛤᛇഈሧŊώ

⟖ट⒎ࢤᇓ⏨Ŋ᳷घ⇾ᇓᲵᮽ᪗სҀൔʑŊᕓᯍบ⬚Ŋ͵ ȨҔ฽ᔈǴԖᇸǵԖख़ǵԖଳǵԖᔸǵԖମǵԖԺǵԖ຀ǵ

૽઩ΩɺɺҘᯉŊ☼ᔍ໊൳༹ᱹŊ૪଼̳̈́ȯ

ԖჴǴጕచ៻ԔԾӵǴӧฝय़΢࣬ϕୖҔǴа‫؃‬ѳᑽǴόёၸ

Ң૪᪗სҀᖛࣘ᱿̳‫ٴ‬ᄲ⸇ബघŊぜʴଃᖛࣘ᱿ᥖ฻

ᆶόϷǶᜢ‫ܭ‬ฝय़΢ϐ୷ፓᐚ఩ǴаঁΓϐӳൾࣁচ߾ǴΒ‫ޣ‬

कŊ‫נ‬ɺΤʙ⣬‫ߌ׆‬ᆯᗴᯉቨᅆʏʃ͵઻Ŋ‫≟ו‬ᆯᖛȮ

բ॥ӚԖίࣿǴόၸᕴаόပ߫঺ࣁҞ‫ޑ‬Ƕȩ

ࣘȮ₣‫ח‬വૌᆞŊ͵ӴඖᏎ㋧ȯԽʀ1960౺ര᪗სҀघ

ˇЦᚹϡ2:85ԃ6Д9В

⎞઻⚄᱿ȵ⚄ぬᯉሳȶ˅ᙟሬᯉȮߡᯉŊ1970౺ʬ߱ᄗ ߡߨჂ˶ߡᯉ≘ోŊߌ≟ԡ̳घౘ̳‫ٴ‬ȯ

᪗სҀᖛࣘሬᘍʀ᱿ൔവㅼሷᶇἄŊʯ᝜᠝ᛇ᱿⳥

߱ȳગ᩸෼ᛖȴɺሬʑሯ⥆⻞ᣅ̬᪗სҀ᱿ᖛࣘʃ⡕

ᮢŊɺ᳅ᆯҢ໽Ⴘ⿢Ŋ଎Ң‫ר‬⣲቏ખཞ‫اٴ‬᫠Lot1023

ʊː᥊ᵧŊ˫ʁᣅῃ⻞ŘҢʑᖛࣘŊぜʴᖁߡɼ֓Ҟ౺߱

ȳኚଡᯘ∻ȴȮLot1024ȳગఴȴȮLot1025ȳɺ⿵ଥȴ ᖛ̳ࣘ‫ٴ‬ȮLot1026ȳ˸ҜञୀːȴӴᮢ᠝ᛇ֒ӠԊര〦

‫ש‬ռ゛ᩡᯉ಴⎠Ⲅ⳧ɺᓝΤଭकŊʃሯҪଭӛ⳧Ŋ‫ߌ׆‬ᆯ ሷΤᯉᖛࣘ᱿ᖶ♫‫॑׺‬ẜʁ‫˟׿‬⠧ḻŊȵգᏢ‫ࢂޑ‬ՋฝǴ

͸ȮLot1027ȳ㄃ҟาẈȴȮLot1028ȳᰍ൬ȴ‫ר‬⣲ℬጻ

৖৖‫ݨ‬ฝǵНற൩ёаΑǴНᏀᡣ‫ٰך‬൩ӳǶȶᣅʴ⃛Ӳ

ώᘍ᱿ᙟՒ᧝೧ȮLot1029ȳᖏᖚॖゾȴ˫࿳Ӽᖛ⸇Ⳮ

ːᮝએἇ⿵Ŋ⎊ᔍ༇ʃҪ⎠Ⲅᖛࣘଭ⤍ȯ̟ʶ૪ʀŊ߱໽

ӷⲭᠬュᖎȮLot1030ȳᓥ᛬ȴᙟᇶώㅥȮLot1031ȳ・

ሷ᱿ԡ̳਄ቨʑŊ᪗სҀଃᖛࣘሱሷ฾෼Ŋ˟⤌വᖛࣘ༇

ୀẛᖛȴȮLot1032ȳ㄃⧳ో‫מ‬ȴ⚣૪ᮽᱺ⢌ⳍἇᤀࣀ

ᆯ᳠ᔌʑߡː⥿㊷Ж᱿ᄽջȯ

24

1023

᪗სҀ ኚଡᯘ∻ ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬ŘსҀሬᯉņᱺᄽŇ 137ć69 cmņ53.9ć27.1 in.Ň ┮⻞Ř2018઻⚄Ⅰ⇾⠛ણሳሳ‫ڂ‬ଭ̳‫ٴ‬ゝŊ Ὦ23ㅪ

Wang Pan Youn (Taiwanese, 1912 - 2017) Forest and Mountain Ink on paper, framed, with one seal of the artist Literature: 2018 Yilan County Art Society Member Exhibition Collection, p.23

NT$ 300,000-420,000 HK$ 84,700-118,600 US$ 10,810-15,140

25

1024

᪗სҀ ગఴ ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬Ř᪗სҀ֬ņቒᄽŇ 35.3ć34 cmņ13.8ć13.3 in.Ň

Wang Pan Youn (Taiwanese, 1912 - 2017) Lonely Sail Ink on paper, framed, with one seal of the artist

NT$ 60,000-100,000 HK$ 16,900-28,200 US$ 2,160-3,600

1025

᪗სҀ ɺ⿵ଥ ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬Ř᪗‫׼‬ņᱺᄽŇ 35ć34.3 cmņ13.7ć13.5 in.Ň

Wang Pan Youn (Taiwanese, 1912 - 2017) A House Ink on paper, framed, with one seal of the artist

NT$ 50,000-90,000 HK$ 14,100-25,400 US$ 1,800-3,240

26

27

1026

Wang Pan Youn (Taiwanese, 1912 - 2017)

᪗სҀ

Chinese Brush Painting

ୀᖛᯉ

Ink on paper, framed, with one seal of the artist

ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬Ř᪗სҀ֬ņቒᄽŇ 81ć66 cmņ31.8ć25.9 in.Ň

Acquired by the collector from the artist

᫠ᄇ♀≛⫵⎊♊⠛૊቏ː

NT$ 130,000-220,000 HK$ 36,700-62,100 US$ 4,690-7,930

1027

᪗სҀ ㄃ҟาẈ ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬ŘსҀņቒᄽŇ 70ć45.5cmņ27.5ć17.9 in.Ň

Wang Pan Youn (Taiwanese, 1912 - 2017) Meditation Ink on paper, framed, with one seal of the artist

NT$ 80,000-150,000 HK$ 22,600-42,400 US$ 2,880-5,410

1028

᪗სҀ ᰍ൬ ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬Ř᪗სҀņᱺᄽŇ 45ć33 cmņ17.7ć12.9 in.Ň

Wang Pan YounņTaiwanese, 1912 - 2017Ň Delighted Ink on paper, framed,with one seal of the artist

NT$ 50,000-80,000 HK$ 14,100-22,600 US$ 1,800-2,880

1029

᪗სҀ ᖏᖚॖゾ ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬Ř᪗სҀņᱺᄽŇ 45ć46 cmņ17.1ć18.1 in.Ň

Wang Pan Youn (Taiwanese, 1912 - 2017) Steaming Mist Ink on paper, framed, with one seal of the artist

NT$ 50,000-90,000 HK$ 14,100-25,400 US$ 1,800-3,240

28

1030

᪗სҀ ᓥ᛬ ᖛࣘȭ₣቏ȭ⽷ጉ 69ć45 cmņ27.1ć17.7 in.Ň

Wang Pan Youn (Taiwanese, 1912 - 2017) Sailing Ink on paper, framed,with one seal of the artist

NT$ 90,000-130,000 HK$ 25,400-36,700 US$ 3,240-4,690

1031

᪗სҀ ・ୀẛᖛ ᖛࣘȭ₣቏ȭἼⰧ ⸵֬Ř᪗სҀņᱺᄽŇ 90ć54 cmņ35.4ć21.2 in.Ň

Wang Pan Youn (Taiwanese, 1912 - 2017) Beautiful Scenery Ink on paper, handing scroll, with one seal of the artist

NT$ 100,000-160,000 HK$ 28,200-45,200 US$ 3,600-5,770

29

1032

1033

᪗სҀ

᪗სҀ

㄃⧳ో‫מ‬

⿢ᖶɿ஑

ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬ŘსҀሬᯉņᱺᄽŇ 89ć34.5 cmņ35ć13.5 in.Ň

ᖛࣘȭ₣቏ȭἼⰧ ⸵֬Ř᪗სҀņᱺᄽŇ 116ć43.5 cmņ45.6ć17.1 in.Ň

Wang Pan Youn (Taiwanese, 1912 - 2017)

Wang Pan Youn (Taiwanese, 1912 - 2017)

Quietude

Three Gorges in Yangtze River

Ink on paper, framed, with one seal of the artist

Ink on paper, handing scroll, with one seal of the artist

NT$ 80,000-130,000 HK$ 22,600-36,700 US$ 2,880-4,690

NT$ 120,000-200,000 HK$ 33,900-56,500 US$ 4,330-7,210 30

1034

王攀元 一線天際 水墨 紙本 鈐印：攀元書畫（白文） 91×60 cm（35.8×23.6 in.）

Wang Pan Youn (Taiwanese, 1912 - 2017) Mountains and Sky Ink on paper, handing scroll, with one seal of the artist

NT$ 130,000-200,000 HK$ 36,700-56,500 US$ 4,690-7,210

1035

王攀元 巖陵老 水墨 紙本 鏡框 鈐印：王攀元（朱文） 69×45 cm（27.1×17.7 in.）

Wang Pan Youn (Taiwanese, 1912 - 2017) Lonely Ink on paper, framed, with one seal of the artist

NT$ 100,000-150,000 HK$ 28,200-42,400 US$ 3,600-5,410

31

1036

王攀元 天長地久 水墨 紙本 立軸 款文：王后 鈐印：王后（白文） 135.5×37.5 cm（53.5×14.7 in.）

Wang Pan Youn (Taiwanese, 1912 - 2017) Calligraphy Ink on paper, handing scroll, with one seal of the artist

NT$ 38,000-65,000 HK$ 10,700-18,400 US$ 1,370-2,340

1037

王攀元 俱含影中 水墨 紙本 鏡框 鈐印：王攀元（朱文） 70×45 cm（27.5×17.7 in.） 誠品畫廊1992年簽書佐證

Wang Pan Youn (Taiwanese, 1912 - 2017) In the Shadows Ink on paper, framed, with one seal of the artist Evidence of the signature of Eslite Gallery in 1992

NT$ 100,000-160,000 HK$ 28,200-45,200 US$ 3,600-5,770

1038

王攀元 三山青天外 水墨 紙本 立軸 鈐印：攀元書畫（白文） 69×58 cm（27.1×22.8 in.）

Wang Pan Youn (Taiwanese, 1912 - 2017) A Ray of Sky Ink on paper, framed, with one seal of the artist

NT$ 100,000-180,000 HK$ 28,200-50,800 US$ 3,600-6,490

32

33

1039

1040

᪗სҀ

᪗სҀ

෥ඎߥⳇ

ᆨ҆ɺ┤ᙳ

ᖛࣘȭ₣቏ȭἼⰧ ⸵֬ŘსҀሬᯉņᱺᄽŇ 89ć34.5 cmņ35ć13.5 in.Ň

⥑⏨ȭᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬ŘსҀሬᯉņᱺᄽŇ 45.5ć44.5 cmņ17.9ć17.5 in.Ň

Wang Pan Youn (Taiwanese, 1912 - 2017)

Wang Pan Youn (Taiwanese, 1912 - 2017)

Homesickness

Spring Leaf

Ink on paper, handing scroll, with one seal of the artist

Ink and color on paper, framed, with one seal of the artist

NT$ 100,000-150,000 HK$ 28,200-42,400 US$ 3,600-5,410

NT$ 100,000-200,000 HK$ 28,200-56,500 US$ 3,600-7,210

1041

1042

᪗სҀ

᪗სҀ

ោ⒎

⸉Ạ⟖⌳ㅨ

ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬ŘსҀņᱺᄽŇ 101ć68 cmņ39.7ć26.7 in.Ň

ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬Ř᪗‫׼‬ņᱺᄽŇ 44.5ć44.5cm

Wang Pan Youn (Taiwanese, 1912 - 2017)

Wang Pan Youn (Taiwanese, 1912 - 2017)

Ink Lotus

Crab of Golden Autumn

Ink on paper, framed, with seal of the artist

Ink on paper, framed, with seal of the artist

NT$ 120,000-190,000 HK$ 33,900-53,700 US$ 4,330-6,850

NT$ 50,000-80,000 HK$ 14,100-22,600 US$ 1,800-2,880 34

⴯ˁ༇(1949~2013)ӛᮝ઻⚄♫᠑Ŋᆯ⎔ᢕᯍ ˩↘ᯉʑᛖң˩⠧ඖ᱿♊⠛૊Ŋ≟↘ᯉʙ㆛ञघ૾ ᘜᅠ⊮ЭŊ☼᮫ᯉώ᳅࿯ᛖࡄːㆩ᫧ඖㄇңʁ᱿֝ െȮЖ๨Ȯ㆑೉Ȯ⋷೸˫‫ד‬۹Ȯ඄Ȯ‫ٳ‬ȮᐪŊ₳⍗ ѭ゜ʑᘱᝉ┮ᄽː฾໊┛ૢ᱿㆑ㄆᖉߣȯ ໞᣅ૾⊚ԡ̳≛ԊŊ⴯ˁ༇᱿డ̳⃻ᔕञघ଼ ᅠՙՒべଶ῅ᯗŊծ཮ᯉోȮడːُ߸჻჻⪵ᾀŊ ≟ʬߌᣅ˟߱♊⠛ʀቍሯ࿲‫̬˶⳧ט‬ણずᄞ⋀໣ ཬోણ♊Ŋȵ㄄♊⠛ȶ⋍ᇓʬ߱ኽˀỄಙʀ౏⃛˟ ⎞Ң˟Ấ᫗ӛ⯿᱿♊⠛૊Ω໰ᤋʃ‫׺‬᱿ᮝ‫㊹⃻ل‬ȯ ̟ᆯ᳠ᔌ⩕˟ൌಎⱧ⩐᱿Ŋᆯሺҡഡᆹञ⸇ ᱿〇⩊Ŋ⴯ˁ༇ʬሯᄲᓝဏ‫⴨ד‬ᕀ᧚ᔢ᱿ȵ⿭ Ἱȶ⃻㊹Ŋ˟ᆯ҅߱ሺҡഡᆹŊ⡕ȳᅘᄽ♊ȴグ ⦒ʑ᱿ʑक‫׻‬૊̳‫ؚٴ‬೧Ŋ⿭আ࿲⤯ᅺ቏̳૊ɿ ஌᮫₊ड᱿̳‫ٴ‬Ŋʠര˟᱿〇⩊⣶⸆ⳀិიଭŊ ‫˚מ‬ʑक᱿ᄽણ⃻Ҥⵣ߱˟᱿ᶇἄ῅ߣҙŊծ ཮ተᅗ६ʬडᅗࡣȮ⒠ंᕗˁŊᮚ⎏‫׮‬㈸ⴅȳ‫׫‬ ⥆ȴⵣ೧ᱹ˟ҙ߱೼ᣊ᱿Ҡ㏦Ŋ≟Ⳇˀ⹕┮ʑଃ ː᧎ҙ߱ଶᓝ᱿₳⍗ဎ૯Ŋ˫‫ד‬ːඖ⢒グᇎᇯ᱿ ງຘ⎞⤐ૣŊʬᣅ⴯ˁ༇ᅺര᱿♊⠛ᅞ‫׿‬હʁʴ

One must understand CHIU Ya Tsai’s literary creations to appreciate his paintings because both writings and paintings are the way of expressing himself. His creations are closely related to his observation of realities and lives, especially his own life. Chiu looks back on his sadness, loneliness, anxiety, and complaints through his pens and brushes; as well as his dark past memories, meaningful moments, and unforgettable figures. The viewer could see all those sharp and intuitive characteristics from his works.

Chiu started writing in the late 1970s. He first started painting then writing.

After doing the full-time of writing job in the early 1980s, he had the habit of painting during the day and writing at night for many years. In 1993, after he published his first anthology, he successively published nine novels at his own expense in 2002. In just four years, he wrote more than 30 novels with more than 200,000 words.

Chiu’s novels are similar to picture books, except that he rarely explains the lengthy and complicated background behind the characters, and often outline his strong impression of the characters positively. His novels are like a monologue in a closed world, without dialogue, which makes it closer to the expression of the picture book and even more strongly expresses subjectivity. The characters in Chiu’s novels are generally indifferent and lonely appearance, burdened with heavy realistic frustration, gloomy and neurotic. They shared an unhappy childhood and the painful past. The characters are seldom with confidence and smile on their ߋ٥ωමᇥǺᆶ‫ځ‬྽΋ঁฝৎǴ‫׳ך‬གྷԋࣁ΋ՏЎᏢৎǶ

ࡣ቏᱿⦲ඖȯ ⣬ᵂ⤟⴯ˁ༇᱿↘ᯉŊൕᤋʃ⋱←⳧˟᱿ᄽ

ȳᄽણ૊ȴⳆౘ̳‫ٴ‬Ŋ҂Ӡଭ᫠⴯ˁ༇ଃᅠᄽણʠː᱿⤟⩊Ŋ᩸᧚

ણԡ̳Ŋߌᣅଃɺ༆૯̳Ȯɺ༆ᯉᯉ᱿˟≟⤵Ŋ

₳⿢⯿ࠣŊ┛ૢગ᩸᱿⯿ഛŊִሷ┮ɺキ࡫હ⎊Β᱿ᳵṘŊᛖℂ⏨ぜ⠧

ᄽ઎ُ↘ᯉⵣᆯ˟⎊ໟ⠧Ⳮ᱿ᅞೣŊⳆˀᆯ͗⎊

᫠ҙൔ᱿౹㄃મỻŊ♭ؐᮝᮝʃ෉ೖ↲ʃᅜ᱿Ꮥ൳ȯ≟ሺ㇥ʑሷॖቌₕ

˟⿢ቅଃ᫠૪ُᮝ‫ل‬᱿㋤ૣŊ˟᱿ԡ̳⎞ːᮝ෉

᱿⡶㇥ℬጻሩԽ೼ᔍาȯ

෉᳈〦Ŋ˫᧠Ӵ᳅⤐᱿ώ⺾ᒑ⣶⎊ໟ᱿๿ЛȮગ

1043

᩸Ȯᤄ๱ُ᧋㊞Ŋ˫‫⴨ד‬ˀ⥆ຣ⡹ᇎᇯ᱿ദʶȮ

⴯ˁ༇

૝าᛖ⿢᱿ᵁ⿵⎞ザ˫ൡ໊᱿ː᧎⯿ഛȯ

ᄽણ૊

⴯ˁ༇߱1970౺˩ᇄቅ⿭আԡ̳Ŋ˟҅ᆯ⿭ আᯉᯉȮᤋര૯̳Ŋ߱1980౺˩Ӯቅ૾⊚ԡ̳ ʠരŊ⿢౺㇭ໞʴᱺट̳ᯉȮᇄʀ૯̳᱿∳๩ȯ 1993౺˟ᱹ⠧ʴὮɺ቏ᄽゝȳᰏઈณോȴരŊ⎏ 2002౺⿵‫ב‬な↲⎊⫄ゝ⃌ӛᦹʴʪ቏ଅ⦦Ŋ˟૽ ⎊న᱿₇Ӭ┮̳‫׻ل‬ᣅȵ⴯ˁ༇‫ש‬ᢕːඖ⥆ʶҚ

ᗴഔ ᯉల 1989 ‘‫׬׻‬ʁŘ⴯ˁ༇ 143.8ć84 cmņ56.6ć33 in.Ň ┮⻞Ř 1.ȳːᮝᙩ⌷Ř⴯ˁ༇ߊㆰଭȴŊયひҚⅶℶⱓ.-઻⚄ఱŘ઻⚄ᄽջଞӛᦹŊ 30-31ㅪȯ 2.ȳ⴯ˁ༇ II ȴŊᆉ⩟♊⠛Ŋ2009Ŋ120ㅪȯ

ゝȶȯ˟߱ᵬᵬ߈౺⿵Ŋԡ̳ʴ30घῇȮ⬢⳧20 ┋઎᱿ଅ⦦Ŋ⴯ˁ༇᱿ଅ⦦Ŋ㄄౑࿲Ⲗ↘ᯉŊぜ

Chiu Ya Tsai (1949-2013)

ʴ˟᱿̳‫ٴ‬ബଇ⤟⦦ː᧎⋍രұ⿢≟⢒グ᱿ᆹ⿵

Literature

ἇ⿵⋍ᇓŊദദ‫ף‬ᆯᔌㄇլՐӛ˟ଃː᧎᱿೼ᣊ

Oil on canvas

֬⩽ŊߌᔍŊ˟᱿ଅ⦦ЭᏎʴɺΤː߱⿬⽁ʊ᮹

Signed lower right: CHIU Ya Tsai in Chinese

⡹᱿᩸ᱺƥƥ⴯ˁ༇᱿ଅ⦦ᗞሷଃ⥾ŊⳆ͐വ઩

Literature:

ሩ࿲Ⲗ↘ᯉ᱿⦝⤵⠧ⳭᅞೣŊʬሩ೼ḻʴ˟ଅ⦦

1. "Lifetime colon: Chiu Ya-Tsai Retrospective Exibition", edited by Song, Yilan Museum of Art, p.30-31 2. "Chiu Ya-Tsai II", Ming Art Gallery, 2009, p.120

⠧Ⳮ᱿ʙ⤐ඖȯ⴯ˁ༇ଅ⦦ʑ᱿ː᧎Ŋक⪝ᇒ⳦ ҽអȮગ᩸Ŋ⋍⪭┮᳈ᯍᗖ⸅᱿᫠૪ᗬ‫܄‬฾Ŋぢ ㌟≟ңሷṘ⃻⫨ŊҠ‫׺‬ሷ┮ʃอ൬᱿ὄ౺໣Лᰍ ᱿⳧‫׏‬ȯ‫ك‬ະ˟ᯉώʁ᱿ː᧎Ŋʬ‫׺‬ᑂଇሷᆍ㈪ ྡ⋬Ȯဗ᳔ㅯᲿ᱿ȯ 35

NT$ 1,300,000-1,600,000 HK$ 367,200-452,000 US$ 46,860-57,680

36

㰼↲抿 Ꭻɿⵀ(1907~1995)ᮝᅠ‫ש‬ռᖝُȯ1915౺ⳖҘ⏋⏁

1044

ҝણዮŊ1923౺⬘ᅺ቏ᮽણŊ㈪҅ⳖҘˊⵣడ♊ણዮŊ

Ꭻɿⵀ

രⱧҘ〦⣫⇾⠛ણず⣫ᘱᯉẤŊ࿲‫ްט‬ጁ᱿ણずᙜ⥂⅀ȯ

⎡⠞ଅᇓ

ɺᮝ᱿↘ᯉ㆛ቨŊ˫߈ખୀኚㆺᇓʙ㆛ଡघŊ۹॑˫ ㍫⩵⏨ഔُ೼ᣊώ⤯ဎ↘ᇓ⏨ȯഺʃくӼ⎊నϝᯉ᱿ᆹ

ᗴഔ ᯉల ‘‫׻‬ᅠఢʁŘS. Yang 58.5ć70 cmņ23ć27.5 in.Ň

⿵ŊᲿᐻ‫ף‬ሷ⬢⬤⎊నŊᲵԻϝӷሱર⇾ȯ˟⦓ᣅ૯ᮝଔ ᆯɺỚԡ̳ŊɺᮝʃᮻⲀՙŊⳍ⥏ʊ᮹‫߸׳‬Ŋဎ↘ᯍ߸ː

え♊⠛૊⤃‘ʠᯉ಴Ύ⨢ሬ

ᄽᇓ⏨Ŋഺⵯቩⲋ⎤ӷⵣఱ೘ῈŊᯉώ൥૪࿜ဝ߱߸ᄽջ ⏨ഔŊᮽʁᯉ૊ㄇଃㆺᇓᯍʁሱ᳠૪᱿฾Ւȯ଎Ң˪ːᄪ

YANG San Lang (1907-1995)

̽᱿ᆯŊ֯͐߱ᇄ౺҅ര⳼‫ט‬द⊔‫ד‬ʑㆺ᱿༌ႻŊᎫɿⵀ

Old Street

ͩᤋྃ↲ၒ⿢Ⳃ㇓ᑨӷ⚠૯ᮝȯരቅオߌᮝ᯼̦ず≟ᤀᘍ

Oil on canvas

कӛ૯ᮝŊ˜˫⤃‫Ⲷ⫾ה‬᱿㍫␕̳ᣅԡ̳㆛ቨŊ᳅⎏ᮝ‫ل‬

Signed lower left: S. Yang

᱿ሱരɺԀŊ˜ʃϟဧ⎮༆ʑ᱿ᯉώȯଃᅠԡ̳᱿ᥖ෼ࡠ ┮Ŋ┮૪⩕ːᄪ̽ȯ ȳ⎡⠞ଅᇓȴᣅ1991౺Ꭻɿⵀᇄቅ᱿ᗴᯉԡ̳Ŋ‫ט‬ ᘍߡ֬⩽ᙜ᱿ഛㅨŊ↘ᯉʑ᱿टἇȮ໼ଥȮː᧎⏨ഔ㍫⩵ घ⩐Ŋώ⤯⪄ᄍᦱቁȮ⎊᮫षᄍŊʃཨᘚᅠ₳ⵒဎ↘Ŋ̟ ߱➄‫׶‬ര‫ב‬ңሷᤀく೺ԻŊ‫ا‬᫠ӛ᩸᧚᱿⎡⠞ㆺ‫ػ‬ȯ

37

Attached with a gallery gurantee letter signed by the artist

NT$ 550,000-750,000 HK$ 155,400-211,900 US$ 19,830-27,040

38

拎㙍㤕 1949౺ⵗྚᆗᮝᅠ‫ש‬ᢕ㓉ᛸŊ1967౺Ҙቦ˰ᮝᯉા

1045

∳ᯉŊᯃᏈᅠᄽջञણ⇾⠛₇Ŋ80౺˩ண⬚‫ש‬ᢕ♊࣪ȯ‫ש‬

ⵗྚᆗ

ᢕᯍ˩↘ᯉ᱿ᱹଭ⋸⃘ʑŊⵗྚᆗ᱿ԡ̳ഐೣ᳈ᯍᆙ൬ʈ

႓

♭ؐ⩴૗᱿ߧЭ⦝⤵Ŋᯉㄇ᱿ዽൔҙૌ⃻౑⠧᫠๽ቃ෼ࣀ

⢒‫׶‬਄ቨȭᯉలȭ2007 ‘‫׻‬ᅠ‫׬‬ʁŘ2007 J.C. KUO 91ć117 cmņ35.8ć46 in.Ň

̔ら᫧บʊ᮹᱿⩐ळŊ҂ដ₉┱᱿⣶⤌೺Իȯ ⵗྚᆗҚൔ༼Ҙ‫ש‬ᢕᖁΈ♊⠛᱿ᶇἄŊʏ૪も‫⎞א‬ᖁ ⿵♊⠛᮪⸆⦲ውడ̳ȯ̳‫⎊ٴ‬70౺˩⬚͵‫ט‬ᇒᇒ♊⠛ഛ ㅨŊʜ⎏80౺˩ӛ᫠ञ⸇კ‫ח‬ʑߡឤ‫ڥ‬ᆹቅː᧎ⳍࠣŊ‫ד‬ ʑߡᖁ⿵♊⠛ʑ᱿ߧ㊘Ὢ⚦Ŋഐໞ᩸᧚᱿Τː⏨ഔŊ≟ര 90౺˩̳‫ٴ‬㆛ቨიञ⎏ୀᖛㆺᇓ‫ד‬ʑߡ‫מ‬ҤṘ⥾ȯ ȳ႓ȴ˫᫠ໞ᧎➄‫׶‬ᯉㄇŊ↘ᯉʑぜɺ⪷ඖ᱿೼ᣊ₏

KUO Jen Chang (b.1949)

ℂ⏨ഔ⠢Ἄ⎞ώᘍŊʬԽҘߧ㊘᱿Ҁ₪Ŋ˫㍫⏫⏨⦲᱿ଃ

Support

ᕗʏᮢŊⳍଔʴҙ߱೺ԻŊ̳‫ٴ‬ʙ㋤ɺ༆႓⬚Ŋഺぢഛⱐ

Mixed media on canvas

಺ᆙㆴ‫ا‬᫠ӛ‫ש‬ᢕ૷஌Ŋң⩽᱿႓⬚‫ש‬ᢕŊ౏⃛⤐᳷ネႰ

Signed lower right: 2007, J. C. KUO

᱿⣶⤌⠢Ⴛȯ ⵗྚᆗ᱿↘ᯉ⦝⤵Ŋ˫೼ෘヰᖎ᱿ℬጻሬ૯⢚⪿⨦⧟ ˚‫מ‬ː᧎ଃᤫŊᷤ⤯ྏ໴ߧ㊘⎞Ṯൗ᱿ಎℬŊဦヮᔕ‫⎞׫‬ ᯍʁ᱿ḽᄎ₥ჟ⎞ᄽջ᫠⩽ŊⳖ≟ᱹଭӛΤː᩸᧚᱿ⲅ⨢ ⤐㔄ȯ

39

ӛᦹŘȳߧ㊘⎞Ṯൗ2008ⵗྚᆗΤଭŊ⎔ռఱἼ⇾⠛㈀Ŋ2008Ŋ ㅪ63ȯ ଭ⤍Ř ȵߧ㊘⎞Ṯൗ2008ⵗྚᆗΤଭȶŊ⎔ռఱἼ⇾⠛㈀Ŋ 2008ȯ

Literature: "Totem and TabooŘSolo Exhibition by J.C.KUO", Taipei Fine Arts Museum, 2008, p.63 Exhibition: "Totem and TabooŘSolo Exhibition by J.C.KUO", Taipei Fine Arts Museum, 2008ȯ

NT$ 580,000-700,000 HK$ 163,800-197,700 US$ 20,910-25,230

ㅴ㋫睻 ౌോⳖ(1923~1981)ᮝᅠʑⓧᖁߡ߈ఛ᳎Ŋᅠ1948౺ ͗ӷ‫ש‬ᢕŊᣅໟΩᮽʁʴ⥓घ♊⠛⫏ᮟŊ⩴૗ʴ‫ש‬ᢕⳆ࢘ ߭߸⎞߭߸ʀ᱿ːᖁř˟˫↘ᯉᓼㅳṵᦲၷᗤŊ͐ໟΩ᳠ ᔌ⦓⨯‫ש‬ᢕ᱿⇾ȯ ౌോⳖ1966౺⎊ᓿⲙ‫ש‬രŊཛྷፑʴᓿ⇾᫠˩♊⠛᱿ ᘺẌŊ⿭আߊᔖ቏߭Ŋഺ‫ש‬ᢕⳆ࢘߭߸ʀŊ༪ӷ♊⠛᱿ⷅ ᕒř˟ഺ⣫ᅞ᫠˩᱿♊⠛ŊⱧ‫ש׿‬ᢕ᱿ȮЗ⃥᱿Ŋߊᔖ቏ ߭Ŋ⦓‫׺‬ᮝએ᱿߭߸Ŋ⣬ᕗᯍᆹҢ˟᱿ᯉ૊⣬ᅽŊᤀᯝ‫ר‬ ờ᱿ʀᆯȵɺΤⳬⳬ߸߸᱿‫ש‬ᢕᯉ૊ȶ ౌോⳖᇄ౺᱿ୀᖛሬᯉŊરҚ‫ח‬ᇓ‫ש‬ᢕŊဎ↘ᖁ⿵ㆺ ᧎⎞ᮝᙙᱻ๗Ŋ໣⥓ϵᤋʬ߱ԡ̳ʑℹ໊⬚˟᱿߈ఛ≘ ૊ȯ̟ഺౌോⳖⴆႹ‫ש‬ᢕ᩸᧚᱿ቌፕ␕Ȯᙹ⏶Ȯ㏥Ӕ␕Ŋ ☃ொʑ᱿ୀఖ⬚̄Ŋⵣ⋱᳖ӷ᠝ׂ᱿‫ש‬ᢕ᧚⫨ȯౌോⳖ᱿ ԡ̳㆛ቨ⎞・฾᜺⎊ञ⎊ᤋȯౌോⳖሯ⦦Řȵໟ‫⎊׿‬ᤋણ ∳Ŋ‫ⱏ׺׿‬ᯉ૊ણ∳Ŋ‫♊מ׿‬⠛ણ∳Ŋ‫׿‬ʊ᮹‫׻‬ᯉણ∳ȯ ໟบⳆỚણ∳Ŋᖝʃ⿵ᅜŊ᳅ӷሷɺटໟᄍʁᯉώŊ‫ب‬Ӳ ːʊᣅᔋȯȶɺൔ⿛ᶇ♊⠛Ŋᕓटൔ‫̳┮׿‬ᯉŊ֡षռ ⭗ŊᛖҘᕓɺΤⵯ⸆Ŋྒྷ࿦ሱ᳠ʬሱᛖҘ᱿౑ᖁᄽջȯ

SHIY De Jinn (1923-1981) born in Sichuan, China. He moved to Taiwan in 1948, leaving a lot of artistic assets and enriching the land. He also praised Formosa with his paintings, which made us truly know the beauty of Taiwan.

After returning to Taiwan from Europe in 1966, Shiy abandoned European and American modern art and began to return to Taiwan and found artistic inspiration. He changed from western modern to tradition. He recognized the land of Taiwan earlier than other painters at that time. There is no doubt that Shiy is an authentic Taiwanese painter.

In his later years, Shiy’s landscape calligraphy and painting depict the life of Taiwanese folk. From his painting of Taiwan’s unique Kapok, Alocasia, Poinciana and mountains, we can see the obvious characteristics of Taiwan. He thinks of his hometown- Sichuan occasionally in his creations. “I learn from nature, from painters of my generation, from ancient art, and from world-famous paintings. I want this kind of learning to be uninterrupted until one day I put down my paintbrush and death. “said by Shiy. He devoted himself to studying art, painting works, also going deep into every country to discover the truest culture in Taiwan.

1046

ౌോⳖ

SHIY De Jinn (1923-1981)

Ạᙹ፨

Begonias

ᖛഔȭ₣ ‘‫׻‬ᅠ‫׬‬ŘౌോⳖ ⸵֬ŘౌോⳖᯉȮౌോⳖ֬ņᱺᄽŇ 35ć34 cmņ13.7ć13.3 in.Ň

Watercolor on paper, with one seal of the artist Signed in Chinese: SHIY De Jinn Exhibition: The Anniversary of Si De-jin's 40 Years Death Exhibition Date: National Dr.Sun Yat-sen Memorial Hall 2021/12/10-2021/12/20

ଭ⤍Ř⑩߭ሷ෼-ౌോⳖⳊʊ߈֓ⳕ౺₊൳ଭ ଭቅŘߡ᦬₊൳㈀ 2021/12/10-2021/12/20 ȭȭȭ଩ቺ⇾⠛㈀ 2022/01/02-2022/01/16

Pingtung Art Museum 2022/01/02-2022/01/16

NT$ 250,000-350,000 HK$ 70,600-98,900 US$ 9,010-12,620 42

1047

ౌോⳖ ᗯ୮♪┹ ᖛࣘȭ₣቏ȭ1980 ‘‫׻‬ఢʀŘౌോⳖ ɺʪҜȠ ⸵֬‫׬‬ʀŘ߈ఛ֡ⵒⅠːņᱺᄽŇ ⸵֬ఢʀŘౌᕿሬᯉȮౌȮౌോⳖņᱺᄽŇ 135ć34.5 cmņ53.1ć13.5 in.Ň ଭ⤍Ř⑩߭ሷ෼-ౌോⳖⳊʊ߈֓ⳕ౺₊൳ଭ ଭቅŘߡ᦬₊൳㈀ 2021/12/10-2021/12/20 ȭȭȭ଩ቺ⇾⠛㈀ 2022/01/02-2022/01/16

SHIY De Jinn (1923-1981) Reed On The Riverbank Ink and color on paper, qith three seals of the artist Signed upper left Shiy De-jinn and dated 1980 in Chinese With four seals of the artist Exhibition: The Anniversary of Si De-jin's 40 Years Death Exhibition Date: National Dr.Sun Yat-sen Memorial Hall 2021/12/10-2021/12/20 Pingtung Art Museum 2022/01/02-2022/01/16

NT$ 750,000-1,200,000 HK$ 211,900-339,000 US$ 27,040-43,260

ȳᗯ୮♪┹ȴ᳅ೣᯉ̳Ჵㆴ♪┹᱿ώ᳅㋧ྏŊʏႴሷ ᛖಙ᱿⣶⤌บЭŊౌോⳖᯉώʑ♪┹╳ᜆᮝՒŊቔ‫מ‬म ⳚŊሧᲵҢ๗ȯࣘㅥᛖᛞ⳥ᮢവ઻Ŋ⩕ːടഥ⇦⯿ಁ​ಁᗯ ୮Ŋ฾‫ט‬ӷ♪┹ှረ᱿⎊␵Ṙ๗ȯ This vertical painting Reed On The Riverbank shows that the reed is straight and tall, also has visual imagination. Shiy euphemistically expresses the vividness of the swaying of reeds through the technique of ink, which makes people feel like they are on the river bank.

43

Lot 1048ȳୀジ͗Ԋ᱿ࡊ⸄ȴᆯɺౘṘẨⲭː᱿ᖛഔߧᯉŊဎ↘⚣౿ⲭឫŊ┛ジԊ᱿ୀ ⸆ᇓ⏨ȯࡊ⸄̤ᅠ‫ש‬ᢕʑⵒŊ߈ખᝐُȮ॑ୀ॑ᖛȮ᧎ᮟ⩴㈝Ŋሷȵଅᘾぬȶʠờȯᔍౘᯉ ̳ʬЗⳭӛౌോⳖ᱿‫⇾⇾ڱ‬ણŊᯉʑ࿮ᮢञᦸ᛻ዀ᱿༬ᘍŊୀ҆ᖛ⏨᳈ʻⱇᆤȯオᆯᖛഔᯉ ִ➄Ҙߡᯉ༬ᘍ᱿᩸᧚ࣘㅥŊᣅౌᕿҤࠣ᱿‫ש‬ᢕᖛഔㆺᇓᯉȯ Lot 1049ȳᖛˢȴરໞᅠ1980౺Ŋᯉʑࣘ⏨ᖏᖚȮώ՛ᗖỻŊ˫ᦘᢜ₞ヾ᱿ഔࣘ༬ ᘍŊ⫥ʵ␕ቕʃɺᑂ᱿ᮝ‫ل‬ԻȯౌോⳖɺᮝગ᩸Ŋ૽ᮝ‫ل‬᱿⩴Ყ⎞⇾॑ᲀर᪇ᅠ♊⠛Ŋᔌॖ ᖛˢ␕⎷࡫ᕊȮ⌉ΈŊ̟߱ʑߡᄽջʀ᱿ᖛˢʬ˩⠧┮घ෼Ȯบ൳ʠาŊบൕⳆʬᆯ♊⠛૊ ᳠ᔌบЗⳭ˟ҙൔࣱ༸⥓ʝ᱿෼฾،ȯ Lot 1050ȳࡊ⸄ᧅ᳡ୀȴଶఖ࡬ᯘ᱿ୀஉᇓ⎐Ŋ߱ୀொ᱿᭔←ʁŊㆴവᇣา⎊߱Ŋᯉㄇ Ԋᇓ᱿᮪⸆ُᖛㄇŊᆤૼӛट⎞ୀŊॖˢࣀɺ⎷᱿મ⦀૫㄃Ȯ҂ដ┮ᮝ‫ل‬ԻŊ⤐≛ടഥ⇦⯿ ᅠ᮪⸆ʠʑŊ฾‫┮ט‬ἇᖎ᱿ᛤᅘŊ⊝┮㏝㏦Ȯㆺ⊖˫‫ד‬ᖛᧅ᱿‫ك‬۸ȯ ౌോⳖԡ̳⎞‫ש‬ᢕㆺ߭᱿〦͸Ŋ˫‫ד‬ଃ‫ש‬ᢕⵯ߭⫥ʵ᱿♊⠛⠧᫠Ŋ⃻⳧40౺᱿ᗖ᠏Ŋ ߊㆊ⤐⫝ౌോⳖ᱿↘ᯉŊᛖԀ฾‫שט‬ᢕㆺ߭ʠ⇾Ȯᛖջ⣲⨯ʏ⦓‫ש׺‬ᢕ᱿ᄽջ᧚⏨⎞ъϊŊ ʬʃ᮫ᤋ߸໊൳⬚ౌോⳖ⴨˷⬢⬤߸ࡍȮา⨯ഐ๗᱿ⓧː♊⠛Ҥ῅Ŋ෥෥ʠൔŊӡӡ᳠෼Ŋ ˪ːṘദȯ

Puli Before the Rain is a mysterious and charming watercolor painting, depicting the illusory scenery of the mountains before the rain. Puli, located in the central part of Taiwan, is known as “Little Luoyang” because of its mild seasons, beautiful mountains and rivers, and abundant resources. This painting also conveys Shiy’s aesthetics. It is rendered in large pieces, and the landscapes are very beautiful and reflect each other. Although it is a watercolor painting, it integrates the unique ink rhyme of traditional Chinese painting. It is Shiy’s typical Taiwan watercolor landscape painting.

Daffodil was completed in 1980. Shiy used ink, steady brushwork and color ink to give flowers different vitality. He often felt lonely and devoted the wonder of life to art, just as daffodils are firm and refined. At the same time, daffodils also represent the amorous and miss in Chinese culture.

Presumably, this is also the inner depression that the artist wanted to convey for a long time.

Surrounded by mountains, Puli Scenery of mountain peaks looks comfortable. The fields and water in the foreground of the picture reflect the tranquility and vitality of heaven, making people feel the freshness of the air and listening to the singing birds, the sound of the wind and the call of buffalo.

Shiy’s creation is closely related to Taiwan’s customs. After 40 years of precipitation, looking back at Shiy’s painting, one can still deeply feel the beauty of Taiwan and the identification of Taiwan’s cultural characteristics and values. It makes us miss Shiy as a role model in Chinese art field.

44

1048

ౌോⳖ

SHIY De Jinn (1923-1981)

ୀジ͗Ԋ᱿ࡊ⸄

Puli before the Rain

ᖛഔȭ₣ȭ1980 ‘‫׻‬ŘౌോⳖ 1980 64ć108 cmņ25.1ć42.5 in.Ň

Color on paper Signed lower left in Chinese 1980 Exhibition: The Anniversary of Si De-jin's 40 Years Death Exhibition

ଭ⤍Ř⑩߭ሷ෼-ౌോⳖⳊʊ߈֓ⳕ౺₊൳ଭ ଭቅŘߡ᦬₊൳㈀ 2021/12/10-2021/12/20 ȭȭȭ଩ቺ⇾⠛㈀ 2022/01/02-2022/01/16

Date: National Dr.Sun Yat-sen Memorial Hall 2021/12/10-2021/12/20 Pingtung Art Museum 2022/01/02-2022/01/16

NT$ 1,000,000-1,300,000 HK$ 282,500-367,200 US$ 36,050-46,860 45

1049

ౌോⳖ

SHIY De Jinn (1923-1981)

ᖛˢ

Daffodil

ᖛഔȭ₣ȭ1980 ౌോⳖ1980 56.5ć75 cmņ22.2ć29.5 in.Ň

Watercolor on paper Signed lower left: named in Chinese and dated '1980' Exhibition: The Anniversary of Si De-jin's 40 Years Death Exhibition

ଭ⤍Ř⑩߭ሷ෼-ౌോⳖⳊʊ߈֓ⳕ౺₊൳ଭ ଭቅŘߡ᦬₊൳㈀ 2021/12/10-2021/12/20 ȭȭȭ଩ቺ⇾⠛㈀ 2022/01/02-2022/01/16

Date: National Dr.Sun Yat-sen Memorial Hall 2021/12/10-2021/12/20 Pingtung Art Museum 2022/01/02-2022/01/16

NT$ 650,000-900,000 HK$ 183,600-254,200 US$ 23,430-32,440 46

1050

ౌോⳖ

SHIY De Jinn (1923-1981)

ࡊ⸄ᧅ᳡ୀ 1980

Puli Scenery

ᖛഔȭ₣ȭ1980 ‘‫׻‬ŘౌോⳖ 1980 64ć109 cmņ25.1ć42.9 in.Ň

Color on paper Signed lower left in Chinese 1980 Literature: "The Commemorative Collections of Shiy De -jinn(II)

ӛᦹŘȳౌോⳖ₊൳ҚゝȴŊ‫ש‬ᢕ᳎Ἴ⇾⠛㈀ӛᦹŊㅪ46ȯ ଭ⤍Ř⑩߭ሷ෼-ౌോⳖⳊʊ߈֓ⳕ౺₊൳ଭ ଭቅŘߡ᦬₊൳㈀ 2021/12/10-2021/12/20 ȭȭȭ଩ቺ⇾⠛㈀ 2022/01/02-2022/01/16

Oil Painting", Taiwan Museum of Art, p.46 Exhibition: The Anniversary of Si De-jin's 40 Years Death Exhibition Date: National Dr.Sun Yat-sen Memorial Hall 2021/12/10-2021/12/20 Pingtung Art Museum 2022/01/02-2022/01/16

NT$ 1,000,000-1,300,000 HK$ 282,500-367,200 US$ 36,050-46,860 47

1051

ౌോⳖ

SHIY De Jinn (1923-1981)

⇺⮰ᮬ␕

Bauchinia

ᖛഔȭ₣ȭ1976 ‘‫׻‬ఢʀŘౌോⳖ 56.5ć76.5 cmņ22.2ć30.1 in.Ň

Watercolor on paper Signature Signed upper left Shiy De-jinn in Chinese and dated 1976 Exhibition: The Anniversary of Si De-jin's 40 Years Death Exhibition

ଭ⤍Ř⑩߭ሷ෼-ౌോⳖⳊʊ߈֓ⳕ౺₊൳ଭ ଭቅŘߡ᦬₊൳㈀ 2021/12/10-2021/12/20 ȭȭȭ଩ቺ⇾⠛㈀ 2022/01/02-2022/01/16

Date: National Dr.Sun Yat-sen Memorial Hall 2021/12/10-2021/12/20 Pingtung Art Museum 2022/01/02-2022/01/16

NT$ 650,000-900,000 HK$ 183,600-254,200 US$ 23,430-32,440

48

1052

ౌോⳖ

SHIY De Jinn (1923-1981)

ञῆᑲ༥

Calligraphy in Great Seal

ᖛࣘȭ₣቏ȭ1980 ‘‫׻‬ఢᅞŘౌോⳖ ㆛⨯‫׬‬ᅞŘ1/10 1980 ⸵֬‫׬‬ᅞŘౌോⳖ֬ 61ć122 cmņ24ć48 in.Ň

Ink on paper, with one seal of the artist

͗᜺Ř‫ש‬ռ⇵␀ी2011.06.05

49

Signed center left Shiy De-jinn in Chin Source: Taipei Ravenel 5 June, 2011

NT$ 150,000-250,000 HK$ 42,400-70,600 US$ 5,410-9,010

1053

㈸ᱺᖛ ‫ש‬ቺℂ஌ᥨࢡ ᖛഔȭࣘȭ₣ȭ1972 ‘‫׻‬ᅠ‫׬‬ʁŘᱺᖛ ɺʪɼʷ ⸵֬ŘMA PAI SUIņቒᄽŇ 88ć43.3 cmņ34.6ć17 in.Ň

MA Pai Sui (Chinese, 1909-2003) Lighthouse of Green Island, Taitung Watercolor and ink on paper, with one seal of the artist Signed lower right: named in Chinese and dated 1972

NT$ 130,000-220,000 HK$ 36,700-62,100 US$ 4,690-7,930

50

㩋䪩㴡 ቦᵲᑉ (1908~1995)ᮝᅠᅺᗶ⎔ᢕ⎔ռೕᅘಅᄄೕ⪽˝ࠉ֒ (˚ᅘռఱᘣୀ֒)Ŋ1927౺Ŋ౺Х19ᔓ͵˫ȱ‫ש‬ռᑙȲҘⴆὮɺ ଢ‫ש‬ଭȯʏ߱ᵲఛᓯɺⵀ᱿೧☡ʠʁ⬘ᅺଔ⩊ቺˊ⇾⠛ણዮŊ 1933౺˫ȱኚ቏᜺ಟߤȲҘⴆᅺ቏ుଭŊໞᣅ⎔ᢕᯉ࣪ɺ㆗ᅘ⎟ ᱿ᆙᆣŊ1935౺˫ȱ ໼Ȳ᪀‫ש‬ଭ⣫ᘱᯉẤ࿴☡₤ᯉ૊Ᏻ⩇Ŋ 1943౺᪀ᅘᄽଭ(ుଭᄊӼ)ȵᤀ⿀ውņ҉૭ውŇȶ⫏ጁŊᣅὮɺ ̤᪀ᔍᔢᏳʠ቏᳎‣ᯉ૊ȯ₪ሷȵᯉ૊ʑ᱿ᯉ૊ȶȮȵᯉ࣪᱿┋ ›⿢⭗≛ȶ᱿⇾⩇Ŋ⃃ᮝԡ̳ʃฌŊॖ‫⎷⭗⿢›┋׺‬Ŋʃᅜ߸Ԋ ⳖȮʃᅜ߸⬢⬤ȯ ᅽቅԡ̳˫ː᧎ᯉᣅʙŊ1970౺˩˫രŊቦᵲᑉߊᔖ˫⎊ᤋ ᇓ᧎‫∌ד‬Эᣅʙ᱿ᯉ̳Ŋ૾ᘜᅠ⏨ഔ᧚⫨⎞ᯉㄇἇ⿵᱿⃻᥸Ŋ᧚ Ӳᆯώ⤯Ȯᆙಙ⎞ഔಙ᱿⥼⸃ȯ ‫׵‬ҡᐑමᇥ;Ȩ‫ঁ؂‬ᚑՅ೿Ԗࡐ ӳ‫ޑ‬ਏ݀ǵന౛གྷ‫߄ޑ‬ၲБԄǴ྽‫ॺך‬ӧ‫ݒ‬፞բࠔϐሞǴமਗ਼‫ޑ‬ ଯறࡋ᎜ឩΑ‫ޑॺך‬ຎጕȩ

1054

ቦᵲᑉ ‫މ‬ᘃ ᗴഔȭᯉలȭ1988 ‘‫׻‬ᅠ‫׬‬ʁŘ1988 ᵲᑉ 50ć60 cmņ19.6ć23.6 in.Ň ӛᦹŘȳ‫ש‬ᢕ⇾⠛Қゝ 8 ቦᵲᑉȴŊㅪ222ȯ

LI Shih Chiao (1908-1995) Fountain Oil on canvas Signed lower right: named in Chinese and 1988 Literature: "Taiwan Fine Arts Series 8 LI Shih-Ch'iao,p.222

NT$ 1,500,000-1,800,000 HK$ 423,700-508,500 US$ 54,070-64,890

51

52

ȳ‫މ‬ᘃȴᣅቦᵲᑉ᱿ᅧⳤらώ₇ӬŊ૽ᇓ⏨ཚӷ⇾

ቦᵲᑉ

घ᱿᳈⚠ᆹ҆ŊⲲᖣ౹㄃⎞෥⿴ᮝᙙŊʬ‫ك‬ະʴᔍȵߊ

ズୀņ⇾ߡㆺᇓŇ

ᔖ⎊ᤋȶʠᯉ̳ȯ̳‫ٴ‬ʑ͐ᮢʴᘘₗᦲ᱿ώᘍŊծؐʴ

ᗴഔȭᯉలȭ1986 ‘‫׻‬ᅠ‫׬‬ʁŘ1986 ᵲᑉ 60.5ć45.5 cm ( 23.8ć17.9 in.)

₳᷊ȮʯჍȮ҆᥾ˌ㓚᱿ώ⦲ŊⳆᆯቦᵲᑉञోሱ۹ᔊ⳥ ᮢ᱿ᅞೣŊᔍౘᯉ̳ŊરҚᆯ૽ᘘₗᦲཚӷⒹҙ᱿໸क҆ ℬŊᛍջӛ͗᱿ቦᵲᑉҤࠣㆺጁŊ૽᫧ඖʊ᮹ᗖᙺ߱ȵൡ ໟȶ᱿⎊ᤋᖎ෉ʑȯ ቦᵲᑉ߱1970౺ʠരŊ⃻⳧དྷ⩽♊⠛᱿ᘺẌ⸅ߊ૯ ૪Ŋ˟߱1977౺ሯ⦦Řơ˟᱿↘ᯉѿ⥓ྯႄʃӷ᱿̳‫ٴ‬ એ߱Ŋᯉℋₗᅗଔൕㅱ⋱ཉ̦ƢŊ⦦ᆙʴ˟ଃᅠഐೣ⎞ʙ ㆛ʻᣅ⠧⡹᱿᛽ቃȯ ԡ̳ᅠ1986౺᱿ȳズୀȴʬᆯቦᵲᑉ᱿ᅧⳤらώ₇ ӬŊ૽ᇓ⏨ཚӷ⇾ߡŊቦᵲᑉᇄ౺౑ദⲙ⇾ߡ‫ש‬ᢕқ߸Ŋ ᣅ᱿ᆯ⎞Ҋॉሷሩघ᱿᳈⚠ᆹ҆ŊⲲᖣ౹㄃⎞෥⿴ᮝᙙŊ ʬ‫ك‬ະʴᔍȵߊᔖ⎊ᤋȶʠᯉ̳ȯ૽ୀㆊヸヸᱺズȮᑋ ‫ל‬Ȯ⑽‫׆‬Ȯ⎞ズୀ̳‫ٴ‬ʑ͐ᮢʴᘘₗᦲ᱿ώᘍŊծؐʴ ₳᷊ȮʯჍȮ҆᥾ˌ㓚᱿ώ⦲ŊⳆᆯቦᵲᑉञోሱ۹ᔊ⳥ ᮢ᱿ᅞೣŊᔍౘᯉ̳ŊરҚᆯ૽ᘘₗᦲཚӷⒹҙ᱿໸क҆ ℬŊᛍջӛ͗᱿ቦᵲᑉҤࠣㆺጁŊ૽᫧ඖʊ᮹ᗖᙺ߱ȵൡ ໟȶ᱿⎊ᤋᖎ෉ʑȯ Ⳇᅞㄇ᱿♊⠛૊ջⅺᣅ Ŋ˫ⰱᣅૌᆞ᱿ಂ̬ഐ㋤Ŋ ᮽ̦ʴञᅞ‫׿‬᱿ⱐ಺ŊআʠⲖ᳖ሳҢาŊ⳵᳖ሳҢഐŊ⤐ ᳖≛࿲‫ט‬З͗ᆹ໽฾‫ט‬ӷ᱿ഐ㋤ُ࢘ㄇŊԅᆯ⣫ᅞ᫠˩ʙ ∑᱿ഛㅨŊ૽㔄ȮℬȮㄇջໞ᩸Ἴ᱿ഐ๗Ҁ₪Ŋ͐ᯉㄇဦ ⿭ȳズୀȴṘẨቊቋ᱿ㄇ₡Ŋഺ ջ᱿ⳍࠣ⎞ಂ̬᱿ᐉߧ ʑ˪ːṘദʠȯ

53

1055

ߡŊቦᵲᑉᇄ౺౑ദⲙ⇾ߡ‫ש‬ᢕқ߸Ŋᣅ᱿ᆯ⎞Ҋॉሷሩ

えᯉ಴Ύ⨢ሬ ⥘Řॖᓥʴ⤟ሩघሷ〦̳‫ٴ‬᱿⫏⤻Ŋ⦼ᡕ⤍ʑतᶇἄず ‫ש‬ᢕ‫׫‬ᶇ ἄず ᒆጊ⫏᜺₇⃥ ⨯Ӳ⚦: T1076_02_02_0008

Li Shih-Chiao (1908-1995) The Snowy Mountain Oil on canvas Signed lower right: named in Chinese and dated 1986 Attached the Certificate of gallery

NT$ 1,800,000-2,200,000 HK$ 508,500-621,500 US$ 64,890-79,310

54

ȳ᪩ᬪ␕ȴ₇Ӭᣅቦᵲᑉᇄቅ̳‫ٴ‬Ŋ߱ᐉߧȮ⏨

1056

ഔ‫ד‬ᖉߣʀŊⵣર⇾᱿រ↤ʴŊቦᵲᑉ⃃Ңɺᮝ߱♊

ቦᵲᑉ

⠛ԡ̳ʀ໽Ⲳᖣ᱿ዾ቏‫׆‬ԅŊ߱㄃᧎ʑ‫׳⥶ݏ‬Ớʃ‫׺‬

᪩ᬪ␕

ࠣೣ᱿‫⋱ר‬ඖȯ

ᗴഔȭᯉలȭ1987 ‘‫׻‬ᅠఢʁŘ1987 ᵲᑉ 61ć50.5 cm ( 24ć19.8 in. )

˫⣫ᅞ‫מ‬Ҥ♊⠛᱿᫧ඖŊ౹ỻᅞೣમ࿢ʙ⤑⇦ ʑŊಎⵒ᱿ግઈ‫ד‬მ⥑᧎⣠༎Ԋരᇓ〦͸Ŋ͐ʙ㋤᪩ ᬪ␕ሩԽ҂ដἼ㋤฾⎞ᄑʶඖŊ㓳ᇮⶪ⏨әㆴ␕ቕ᱿

‫׆‬ᄇ♀≛⫵⎊♊⠛૊቏ː

ᙙԻ⎞ቄᖎŊᮁ⯿ၒⶪ☾⏨㔄ℑೣ␕ₕŊમહʴᄮΤ ᯉㄇ᱿౹⠣฾Ŋ߱⏨ഔၒⶪʀ්ӷ॑⚠ȯ

⥘Řॖᓥʴ⤟ሩघሷ〦̳‫ٴ‬᱿⫏⤻Ŋ⦼ᡕ⤍ʑतᶇἄず ‫ש‬ᢕ‫׫‬ᶇ ἄず ᒆጊ⫏᜺₇⃥ ⨯Ӳ⚦: T1076_02_02_0010

˝₳‫ૣ⤐׏‬ሳᱹ᫠ ‫܈‬᱿㄃᧎ᯉŊɺ㔄ʬʃ‫܈‬ ⦲Ŋ᪩ᬪ᱿⁤₳⎞ᑁ⁨⿵ၒⶪȮᱺ⏨ᮁ⯿‫׳‬ㄇʃ‫׺‬ぢ

Li Shih-Chiao (1908-1995)

ഛ⏨ഔ᱿‫ૼו‬Ȯᮚ⎏ӷᕓቕ᪩ᬪ᱿␕᭷ℬጻ⠧᫠༆

Roses

ᘍŊⵣʃザ᳖ӛⳆౘᯉ᱿⩴૗ඖŊ͐ːʃᵧʃ⤌ᗖᙺ

Oil on canvas

Ңʑȯ

Signed lower left: named in Chinese and dated 1987 Acquired by the collector from the artist

NT$ 1,800,000-2,200,000 HK$ 508,500-621,500 US$ 64,890-79,310

55

56

㰼嶀⻣ Ꭻ⨯લ1947౺ᮝᅠጆߤⅠʑࣼŊ1968౺ᯃᏈᅠߡἼ

1057

♊૾⇾⠛Ấ⣫ᯉ⃅ȯ1979౺Ẽଡ⇾ߡₚ₎Ŋʏᅠ1984

Ꭻ⨯લ

౺⎏1986౺ቅ⿵ŊⳐ↲ʷಙ᪀വₚ₎ఱ⾝ࢡᯉ಴ņThe

㓺ʀ㓺

ClocktowerŇ♊⠛ࡣ⸉ሳ᱿౺ಙ♊⠛૊᱿ᔢᏳȯᎫ⨯લ┮

ᗴഔȭᯉలȭ1993 ‘‫׻‬ᅠ⋍ㄇŘchi hong yang 1993 80ć60.5 cmņ31.4ć23.8 in.Ň

ࣘདྷ⩽ԡ̳घ౺Ŋ⡕ߡも♊࣪⣶ʠᣅᆯ↧⬰ᤀᏎȮቒോ∌ ʠരሱ⸅⣬᱿དྷ⩽⠧᫠ʙ∑᱿ⓧː♊⠛૊ʠɺȯ Ꭻ⨯લሷ૯૪Ȯ֬⩽ᙜȮ⬢᫠૪⎞དྷ⩽⠧᫠ʙ∑ᾀᯉ

え♊⠛૊⤃‘ʠᯉ಴Ύ⨢ሬ

ㆺŊԡ̳ㆺጁघᓝ᱿Ⱨ⩐ŊℳᅠҢҥңʴ♊⠛૊⎞᫧⧄З Ⴉ≛᱿⯿˷ȯᅠ80౺˩ᅧ⇾ቅ⿵ŊᎫ⨯લञ⸇ᶇ⩊⣫ᘱⲖ

YANG Chi Hong (Taiwan, b.1947)

᫠˩⇾⠛‫׫‬Ŋ໽࿲⤯᱿᫠˩ヅഛȮᄽણ⎞‫מ‬Ҥㅠᐪ⩴૗ʴ

Black on black

Ң♊⠛ඎℋř˟⿢ቅᣅ⎔ᢕȳ♊⠛૊ȴグ⦒Ⴋ૯˛₺‫׳‬Ớ

Oil on canvas

⇾⠛ᅘៜ᱿ᄽὁŊʏ߱1987౺˫ȳ᫠˩⇾⠛ᅘៜȴᣅ‫׻‬

Signed back side : chi hong yang 1993

ゝ⃌ໞሬȯ

Attached with a gallery gurantee letter signed by the artist

ȳ71-11ȴȮȳ㓺ʀ㓺ȴ᱿དྷ⩽ᗴᯉʑ㋤᫠ʴဈ‫׶‬ ቺȮ⣫ᅞ♊⠛ඎℋ᱿⇾ણŊ⧠ॖᆤᤫᎫ⨯લҙൔ᱿᳠૪⎞ ⣶⸆᱿ȵา⨯ᙟ᱿ቺᅞ⥸ણȶʠ̳Ŋ┮⸅⤐൳᱿⠧Ⳮ≟ʃ ᆯᦸᅜ᱿⺔࿲ŊᆯɺỚⳐ↲ʃᅜ᱿ᙟỄŊȵา⨯ᙟȶ₇ Ӭ̳‫ٴ‬ଭ᫠ቺᅞ↘ᯉ᱿ؐ╸⎞⥸าŊᯉㄇʑʬ‫ا‬᫠ӛ⥓घ ᮽᱺʠ߸Ŋ㆞ᅆʠဧᢇˇॖᨌ⑽ʠ⎮ՒȯᎫ⨯લบⲿ⳧̳ ‫ٴ‬ЗⳭ᱿ᆯ˟ଃᮝ‫ل‬቏⫨᱿ඎ≙Ŋ⎞ːㆩᮝ‫ل‬᱿෼ࣀȯⲿ ⳧घҀา⩽᱿˅ↈŊԡ̳ӛңሷ‫⩊ר‬ඖᯉㄇŊ˟⦓ᣅŊʑ ߡᯉ቏͗ଔᆯ⣬⩊᱿Ŋӷʴདྷ⩽ᯉⳆ⡹Ŋʬʃ⋱ᄍፑ‫⩊ר‬ ඖȯᎫ⨯લ᱿ቺȮ⣫ᅞ♊⠛ඎៜ˅ᙟŊʬᛖ⳵߸ഛㅨʴ⥓ घᯍᆹञʑⓧ֒᱿ヾ౺♊⠛૊ȯ

57

NT$ 200,000-360,000 HK$ 56,500-101,700 US$ 7,210-12,980

58

1058

Ꭻ⨯લ (‫ש‬ᢕŊb.1947)

YANG Chi Hong (Taiwan, b.1947)

71-11

71-11

ᗴഔȭᯉలȭ1991 ‘‫׻‬ᅠఢʁŘYANG CHI HONG '91 91ć72.5 cmņ35.8ć28.5 in.Ň

Oil on canvas Signed lower left: YANG CHI HONG '91 Attached with a gallery gurantee letter signed by the artist

え♊⠛૊⤃‘ʠᯉ಴Ύ⨢ሬ

NT$ 240,000-420,000 HK$ 67,800-118,600 US$ 8,650-15,140 59

ϳߧ 1

ᯃ֦€PICASSO (1881-1973)ᮝᅠᅠ⣫᫗ᧃમⳭ㍇⣫ ˁ⎊ᗶ֒᱿㈸ཚԽఱŊᯃ֦€᦬⤃ᆯ̤♊⠛ᄞోŊ⎊ಀ‫ט‬ ᄞᅠ᦬⤃ȯᯃ֦€Қ‫׻‬ఫల⇵Ō⭰ᆞ⑩Ōᯃ֦€ņPABLO RUIZ PICASSOŇ߱໽ሷʷ֓ʊ₊᱿♊⠛૊ʑŊ⊾હᆯᵧ ‫׻‬ಙሱ㋧᱿Ŋ˫˟ᣅʙ㆛᱿ሬ☼Ȯࢊ଄Ȯഛᦸʃ⤺Ңᄲȯ ᯃ֦€ᣅ⣫Ҁ1900౺⿭আଔɺ᳅Ἷ߱ᓿᙐ♊⠛᱿ሱԊ ℬŊ˟⃃⯥⯿ໞᣅ᫠˩♊⠛ሱሷഛㅨԻ‫ד‬᩸᧚ԡⳍԻ᱿ɺ ̤♊⠛૊ȯ ȳ㐈ઈ␕ᮁȴᣅ1951౺໽ԡ̳Ŋᯃ֦€߱1947-1971 ౺ቅ⿵⥑⤺ʴҠ633ᓰ‫׳‬ʃ᳈‫׺‬᱿とᮂ̳‫ٴ‬Ŋ≟ᔍ˴̳‫ٴ‬ ͵ᆯҢʑʠɺŊ˫ᖛइ‫␕ד‬ᮁᣅಎŊ૽༆༴࢞ⳍໞㄇⵒ᧚ ൉໣Ւ᧎⊶㋤ɺⵒӠŊ➄‫׶‬ᯃ֦€രቅ໽Ⲳᖣ᱿དྷ⩽♊ ⠛Ŋଭ᫠ʃɺᑂ᱿⣶⤌⤑ಙȯ⎏˚ᯃ֦€˜ᆯཞ⫢ࢍʀໞ ˅ⅶ㆜ሱ㋧᱿♊⠛૊ʠɺŊҢとᮂ̳‫ٴ‬ㆺጁ⩴૗घഔŊᬅ ᫦ដᲿŊᕓɺ˴҂ដ᩸᧚᱿ⳍ᥸Ŋߌᔍ㌭ԻアᖝŊ⩕♀૊ ⋱ⱀᆞྒྷ࿦ӛᏎң༼⫏ъϊ᱿ൔяʠ̳ȯߌᔍŊᯃ֦€と ᮂ̳‫׶⳺ٴ‬໽ሷ♀૊Ҙ༆ȯ

ϳߧ 2

Pablo Picasso (1881–1973) was born in Malaga on October 25, 1881. He received his first drawing lessons from his father, a drawing teacher, at La Coruna in 1891. Picasso is unquestionably the most famous artist of the 20th Century.

In his artistic life, lasting more than 75 years, he had created tens of thousands of works, including paintings, drawings, sculpture, original lithographs, etchings, linoleum cuts and ceramics. He is one of the most influential artists of the 20th century.

Picasso made 633 different ceramic works during 1947 to 1971, Duck Flower-Holder is one of the works he created in 1951. Using water bottles and vases as the base, the handles are shaped into facial features or parts of animal limbs. They were fused with the abstract art style that Picasso was pursuing in his later period, showing different aspects of this style. Picasso is still one of the artists with the highest turnover at the auction. His ceramics works are rich in style. Each piece is full of unique manufacturing. The charm is timeless and allows the collector to dig out great investment value. Therefore, Picasso’s ceramic works are suitable for all collectors.

60

1059

ఫՌ⇵Ōᯃ֦€

PABLO Picasso

㐈ઈ␕ᮁ

Canard pique-fleurs

ᱺ⏨とᮂȭഔ⸂ȭォԀȭ1951 く⸇50˴ ‘‫׻‬ᅠʁŘEDITION PICASSO 21/50 42.5cmć21.5 cmć45 cm (16.73 inć8.46 inć7 in )

White earthenware ceramic pitcher, partially engraved, with

ˁᙐ ẜːᄇ♀ ⫵⎊ᅺ቏ᯉ಴

Asian Private Collection from Japanese Gallery

coloured engobe and glaze Edition of 50 Signed : EDITION PICASSO 21/50

NT$ 3,500,000-4,000,000 HK$ 988,700-1,129,900 US$ 126,170-144,200 61

睼伏㎛Ǜ律㢺䔾 Ⳮ›සƦ⬐ᅗ᧚(Damien HIRST) ᅠ1965౺ӛᮝᅠల⸄ᅗ༎ᦲŊΤඖ㍫ᆙŊᙜㆊ֓⭁Ŋ ۧᅠ⎊ໟ᥸⺨Ŋ‫⋱ר‬ᆯሱሷ‫׻‬᱿߱ʊ␿ߡ♊⠛૊ȯ ⎊ಀ⬚͵ଃᔘ˃ⳆɺᏕ൳֓Ӡ॑मŊ˟߱ᄲ˴̳‫ٴ‬ʑ˫Ύએ᱿Ւ᧎ଧ㋤̳ᣅ⸅⣬₪ ቨŊオᤋ̳‫ٴ‬ᔌ‫ו‬қᏎŊᏎңᦩ⩀Ŋ̟Ⳇ‫׺‬ᆹʬ౏⃛Ⳮ›සƦ⬐ᅗ᧚ໞԼ᱿ߌ₪Ŋ˟Ԋ⠡ ᱿ඎบʬ⩕˟߱2012౺᪀ⴆᣅ‫׫‬ʀὮʷሷ⻶᱿♊⠛‫ۄ‬ːĿ Lot 1060 ȳ㔧⎮ȴ˫ᮝ᧎ᐻ቏ԡ̳ᆯⳭ›සƦ⬐ᅗ᧚Ⴘ⿢᱿ϝᘍŊⲿ⳧❴❶᱿⯿ഐ➄ ‫׶‬ោᡄೣ℗ᄍ᱿⏨ഔŊ⠧Ⳮଭ∨᱿ᮝ‫ل‬ȯଃᅠʃ‫׺‬ᮝ‫ل‬᱿⤟⩊Ŋॖᔍ᱿ᵡ᳍෼ℨʬᔌᆯ♊ ⠛૊Ⳮ›සŌ⬐ᅗ᧚ņDamien HIRSTŇ̳‫ٴ‬᱿Ⴆːʠ⚠ȯ Lot 1061ȳAll Spun Outȴ␵⦦ᔘ˃ᆯ᳈ଃᅠᮝ‫ل‬᱿એ߱Ŋ⴨㓯઩ᆯᮝ‫ل‬ᚉⳊ᱿⴨Τᵁ ⿵Ŋⴒᆯᮝ‫ل‬⡕ཏ‫׏‬᱿⴨Τᨊ๗ŝߊᔖߥߞഐ๗Ŋ⿭আʬᆯ⃌ታŊ↘⢌ɺߞߞ᱿ߥŊᤀἩ ᤀᲵŊടഥᗞሷᲵㆊŊʬະଃʴⳭ›සƦ⬐ᅗ᧚ɺ᳅˫͗บ⠧Ⳮଃᅠᮝ‫ل‬᱿⩀㆛ȯ

Damien Hirst, who is perhaps the best-known British artist living today, was born in Bristol in 1965. He has a flamboyant personality and penchant for self-promotion.

Hisrt has been fascinated with the concept of death since he was a child. Preserving dead animals has been an important and iconic material in many of his works. Even though there are two sides of feedback, the controversial part of his artworks also brings him success and fame.

His avant-garde thinking also made him the second wealthiest art merchant in the history in 2012.

Uplift is made with a real butterfly specimen. Damien Hirst expresses the power of lives through the shape of butterfly merging with the splash of colors. Hirst’s unique explanations and ambivalence toward life of different creature makes his artwork attractive.

Is death the moment when life disappears or the state that life is erased? Returning to the shape of circle, the beginning is also its end. Painting endless circles responds to the issue of life that Damien Hirst has always wanted to express.

62

1060

Ⳮ›සƦ⬐ᅗ᧚

Damien Hirst (b.1965)

㔧⎮

Uplift

❴❶ȭᗴថȭᯉల 2008 ‘‫׻‬ᅠ⋍ㄇŘDamien Hirst UPLIFT 15.2ć15.2cmņ5.9ć5.9 in.Ň

Butterfly, oil paint on canavas Signed back side: Damien Hirst UPLIFT Source from Sotheby's Hong Kong 23 Janurary, 2014

͗᜺Ř㈭ᛸ♫૗ᕗ 2014.1.23 え⫵⫀⨢ᆙ ˁᙐ ẜːᄇ♀

With provenance proof Asian Private Collection

NT$ 800,000-1,200,000 HK$ 226,000-339,000 US$ 28,840-43,260 63

1061

Ⳮ›සƦ⬐ᅗ᧚

Damien Hirst (b.1965)

All Spun Out

All Spun Out

ᗴࣘȭ⟳ώȭ⹧ώȭ₣ȭ2005 ‘‫׻‬ᅠʁᅞŘDamien Hirst All Spun Out ᳅ല44.5 cmņDŘ17.5 in.Ň

Ink, crayon and pencil on paper Signed underneath: Damien Hirst All Spun Out Source from Bonhams London 28 Janurary, 2015

͗᜺Řρᄦ⴪ᡝᅗ2015.1.28 え⫵⫀⨢ᆙ ˁᙐ ẜːᄇ♀

With provenance proof Asian Private Collection

NT$ 360,000-500,000 HK$ 101,700-141,200 US$ 12,980-18,020 64

1062

ቩʀひ

MURAKAMI Takashi (b.1962)

टࡩʀ᱿␕

Flowers in heaven (9 works)

ᦹᯉȭ2010 55Ȯ74Ȯ75Ȯ76Ȯ80Ȯ84Ȯ85Ȯ89 / 300 ‘‫׻‬ᅠ‫׬‬ʁ 68ć68cmć9˴ ņ26.8ć26.8 in.ć9˴Ň

65

Offset lithograph in colors 55Ȯ74Ȯ75Ȯ76Ȯ80Ȯ84Ȯ85Ȯ89 / 300 Signed and numbered in ink lower right

NT$ 400,000-520,000 HK$ 113,000-146,900 US$ 14,420-18,750

66

⮾溱ⓟ䟝 ࢣ㏷҅ᮝMr. Doodleņ቏‫׻‬Sam CoxŇŊᅠ1994౺ӛ ᮝᅠ␿ߡ⊾᧚ⵍȯ9ᔓ⿭আҢ♊⠛ᮝ᚜Ŋଃ˶̬‫ཱྀ˫ר‬ӷ ᱿᧎㋤ⵣ̳ʴࢣ㏷Ŋʏᮢࢣ㏷₣⫅ដʴ˟᱿⎅ાȯ˟ԡⳍ ʴɺỚҚᅘ᱿⣶⤌᫠⩽Řᐻ⦒ඖ᱿ȵDoodleLandȶņࢣ ㏷ᐪŇŊ૓ゝ᱿઎ὪȮ᧎㋤ُߧጊʃᅜ߸࣑⿢ُⅺᔪŊଭ ᫠˟᱿ҙൔ♊⠛ʊ᮹ȯ Mr. Doodle᱿ㆺጁʬ⡕ờ̳ᆯȵࢣ㏷∑ञӴ㓫ȶŊ˟ ᱿֯⎟ԡ̳ʃХ‫ا‬᫠ᅠᯉలŊʬ‫׺‬ᆹ↘Ҙʴ૊ңȮሬȮ߸ ⾪Ἷُሺ㇥ᾀŊʏԡⳍʴɺΤʃᅜიଭ᱿બસŊ⡹ㄇ҂ដ ʴ‫׳‬Ớᅘम॑᪨าบʃӷ᱿ʶ᧎ȯ ˟ʬᆯ2020౺♊࣪Ἰӛ᱿ɺ㆗⿩ˌᅘᆣŊҢ᩸ɺᤀ ʷᯉ̳Ȯ⸇ᮟᦹᯉᱸʀཞ⫢ࢍŊら֯೧͗ఱࢍᰰᨌⲲ࿀Ŋ ໞ˅ъՒⰽⳭ⎏̒ъ᱿ᄲ֓Φȯᵬᵬɺ౺ᆹ⿵Ŋ˟᱿Τ

Often described as “Graffiti Spaghetti”, Mr. Doodle’s improvisational creations invade not only canvases but furniture, books, subways, clothing and beyond, building an ever-expanding universe where nothing is taken too seriously.

Mr. Doodle was also a rising star in the auction market in 2020. His one-of-a-kind paintings and limit edition prints immediately attracted the buyers in the market. The hammer price easily reached dozens of times the estimated price. In only one year, his personal auction record has risen to JPY 109 million (around HK$ 8 million; NT$ 29.8 million).

The doodle in Ghost Heart is like a dense maze. But if you look closely at the details, you will find that the graffiti are storytelling, expressing Mr. Doodle’s emotions and worldview. You will never get tired of those art creations.

ːཞ⫢₊⻞఩⃻֗⎏ᅺ౬1.09ђņHK$800┋řNT$2,980 ┋Ňʠ㋧ȯ ȳ၄඙ʠൔȴ(Ghost Heart) ʑ᱿ࢣ㏷ॖ‫׺‬ɺౘ૓ゝೣ ⲭૅř̟˝₳Ⲗ᳖ᯍʑ᱿₳ῃŊ̷ሳᱹ᫠Ⳇ࡬ࢣ㏷ᆯሷᄑ ʶඖŊ⠧ⳭMr. Doodle᱿෼฾ُ൬ᐪ᱿ʊ᮹⤐Ŋᛖଶᓝ᱿ ߧЭ⦝⤵ŊⳍଔʴҢ˪ːᱻ᳖ʃ⍗᱿♊⠛ԡ̳ȯ

1063

ࢣ㏷҅ᮝ ၄඙ʠൔ ࣱ҇Իᯉలȭ2018 ⋍‘ŘMR.DOODLE 2018 122ć91.5cmņ48ć36 cmŇ ˁᙐ ẜːᄇ♀

Mr. Doodle Ghost Heart Acrylic on canvas Signed back side :MR.DOODLE and dated 2018 Asian Private Collection

NT$ 2,500,000-3,000,000 HK$ 706,200-847,500 US$ 90,120-108,150 67

68

䴝⾼⭤ ἇୀࡣ(Hajime Sorayama)1947౺ӛᮝ߱ᅺ቏Ŋણᮝ ᆹ˩˟ଔ⠧᫠ӛ⏨᱿♊⠛ट⫥ȯ1967౺ᔌೣⳖҘ⇾⠛ણず ણ∳ȯ1969౺˟⡕ɺΤೊ‫ب‬ҝ‫׮‬ゞᮢໞᣅɺΤတߧᯉ૊ȯ 1972౺ໞᣅɺΤ⎊᮫တߧᯉ૊ȯ1978౺ώʁ⦘ᮝӛὮɺΤ ᑨ‫ݽ‬ːȯ˟᱿̳‫⁤ٴ‬ⅅ‫⇾ڱ‬ŊบЭԻ⩴૗Ŋ༬ᘍ⁤᜜Ŋ༴ ‫♊↘މ‬⠛ᱹဧӷᏎ⎐Ŋ̟ሷബघ̳‫ٴ‬෼⏨᠝⸅Ŋ˟⡕⩇ᣅ ᅺ቏ሱሷ˩⠧ඖ᱿෼⏨တߧञోȯ߱ᓞ⫝˟᱿̳‫ٴ‬ᆹሳ‫ט‬ ӷ̳‫̷⃛౏ٴ‬᱿⁤ⅅ‫⇾ڱ‬᱿૭⇾ˉ‫ט‬Ŋ˫‫ד‬෼⏨ᩋ⢺ᮝ᫧ ⥔ᖣ᱿キ⸅ൔ᫧ӿ᠚Ŋ̳‫ٴ‬ञघྏ໴З⃥ⳬോ᱿ಎℬȯ ȳⲐᩅ㕻ȴȮȳヰ᪗㕻ȴȮȳɿ⤑㕻ȴȮȳԴ㕻ȴȮ ȳ።㕻ȴ₇ӬŊᆯUNIQLO༪ἇୀࡣ⊓‫׶‬Ŋ˫ἇୀࡣ᱿⸉ ଼ሀ㕻 T-Rex ᣅ㆛Ŋʏ⎞⃻Ҥヅഛȳ͝ѷ₊ʊ᮹ȴ‫̳׶‬Ŋ ༌ⳍӛ ȳ͝ѷ₊ʊ᮹ȴx ἇୀࡣ x UNIQLO UT ɿᅞ⊓ʧ ʠԡ̳ȯ ᕓౘХく⸇30೺᱿ᦹᯉԽʀ⸉⁆᱿᩸᧚ԡ̳Ŋ͐౹ㄇ ⣶⤌ᮟᮝᏎңἼ㋤᱿֬⩽Ŋ⸉଼ᑨፋҀ₪‫ا‬᫠Ŋ͐ቍ͗฾ ᱿ධ㕻Ω⩐വሩԽሷ⣶⤌ʀ᱿ネႰȯ

♊⠛૊ἇୀࡣ̤ᅠᘣߡ CENTRAL EMBASSY

69

Hajime SORAYAMA is an illustrator born in 1947 in Japan.

He has shown his outstanding artistic talent when he was a student. He attended to art school in 1967 to study art and was hired by an advertising agency as an illustrator in 1969. Then he became a freelance illustrator in 1972. In 1978, he created his first robot. His works are delicate and full of imagination. He is also very skillful and has exquisite techniques of airbrush art. However, many of his works are very erotic, thus, he is also known as the most representative Japanese erotic illustration master. You will be stimulated by both the exquisite aesthetic enjoyment and physical appeal of erotic when you appreciate Sorayama’s works. His creations challenge the limits of traditional morality.

The Dinosaur series is a collaboration work with UNIQLO based on the theme of Hajime Sorayama’s T-Rex Cyborg Dinosaur and the classic film Jurassic World. It is the crossover work between Jurassic World, Hajime Sorayama, and UNIQLO UT. There are only 30 pieces of each prints. The unique technique of adding gold powder emphasizes the threedimensional impression of the work. In addition, the presentation of metal mechanical elements makes the futuristic dinosaurs more visually shocking.

1064

ἇୀࡣ ヰ᪗㕻 ᦹᯉȭలㄇȭ⸉⁆ȭ2019 く⸇30ᦹ ‘ᅠᯉ⋍ŘSorayama 54.3ć39 cmņ21.3ć15.3 in.Ň ♊⠛૊⤃⎈ᘣߡ CENTRAL EMBASSY ᣅ ቅ ɺ Τ ሶ ȵ S O R AYA M A S PA C E PARK BY AMKKȶଭ⤍ ˁᙐ ẜːᄇ♀

SORAYAMA Hajime (b.1947) Tyrannosaurus

One-month "SORAYAMA

Offset lithograph , canvas,

SPACE PARK BY AMKK"

golden powder 2019

exhibition at CENTRAL

Edition of 30

EMBASSY, Thailand

Signed behind: Sorayama

Asian Private Collection

NT$ 150,000-220,000 HK$ 42,400-62,100 US$ 5,410-7,930 70

1065

ἇୀࡣ ።㕻 ᦹᯉȭలㄇȭ⸉⁆ȭ2019 く⸇30ᦹ ‘ᅠᯉ⋍ŘSorayama 39ć54.3 cmņ15.3ć21.3 in.Ň ♊⠛૊⤃⎈ᘣߡ CENTRAL EMBASSY ᣅቅɺΤ ሶȵSORAYAMA SPACE PARK BY AMKKȶଭ⤍ ˁᙐ ẜːᄇ♀

SORAYAMA Hajime (b.1951) Spinosaurus Offset lithograph 2019, canvas, golden powder 2019 Edition of 30 Signed behind: Sorayama One-month "SORAYAMA SPACE PARK BY AMKK" exhibition at CENTRAL EMBASSY, Thailand Asian Private Collection

NT$ 150,000-220,000 HK$ 42,400-62,100 US$ 5,410-7,930

1066

ἇୀࡣ ɿ⤑㕻 ᦹᯉȭలㄇȭ⸉⁆ȭ2019 く⸇30ᦹ ‘ᅠᯉ⋍ŘSorayama 39ć54.3 cmņ15.3ć21.3 in.Ň ♊⠛૊⤃⎈ᘣߡ CENTRAL EMBASSY ᣅቅɺΤ ሶȵSORAYAMA SPACE PARK BY AMKKȶଭ⤍ ˁᙐ ẜːᄇ♀

SORAYAMA Hajime (b.1948) Triceratops Offset lithograph, canvas, golden powder 2019 Edition of 30 Signed behind: Sorayama One-month "SORAYAMA SPACE PARK BY AMKK" exhibition at CENTRAL EMBASSY, Thailand Asian Private Collection

NT$ 150,000-220,000 HK$ 42,400-62,100 US$ 5,410-7,930 71

1067

ἇୀࡣ Ⲑᩅ㕻 ᦹᯉȭలㄇȭ⸉⁆ȭ2019 く⸇30ᦹ ‘ᅠᯉ⋍ŘSorayama 39ć54.3 cmņ15.3ć21.3 in.Ň ♊⠛૊⤃⎈ᘣߡ CENTRAL EMBASSY ᣅቅɺΤ ሶȵSORAYAMA SPACE PARK BY AMKKȶଭ⤍ ˁᙐ ẜːᄇ♀

SORAYAMA Hajime (b.1949) Raptor Offset lithograph, canvas, golden powder 2019 Edition of 30 Signed behind: Sorayama One-month "SORAYAMA SPACE PARK BY AMKK" exhibition at CENTRAL EMBASSY, Thailand Asian Private Collection

NT$ 150,000-220,000 HK$ 42,400-62,100 US$ 5,410-7,930

1068

ἇୀࡣ Դ㕻 ᦹᯉȭలㄇȭ⸉⁆ȭ2019 く⸇30ᦹ ‘ᅠᯉ⋍ŘSorayama 39ć54.3 cmņ15.3ć21.3 in.Ň ♊⠛૊⤃⎈ᘣߡ CENTRAL EMBASSY ᣅቅɺΤ ሶȵSORAYAMA SPACE PARK BY AMKKȶଭ⤍ ˁᙐ ẜːᄇ♀

SORAYAMA Hajime (b.1950) Stegosaurus Offset lithograph, canvas, golden powder 2019 Edition of 30 Signed behind: Sorayama One-month "SORAYAMA SPACE PARK BY AMKK" exhibition at CENTRAL EMBASSY, Thailand Asian Private Collection

NT$ 150,000-220,000 HK$ 42,400-62,100 US$ 5,410-7,930 72

嚡⺥Ⲫ ┤ઈम1957౺ᮝᅠ‫ש‬ᢕ␕░Ⅰ᪕⸄⽕Ŋ1981౺⎊ᄽ ջञણ⇾⠛₇⣫ᯉ⃅ᯃᏈŊ1982౺౺ಎԽҘʑⓧᖁߡ᫠ ˩ᯉણሳŊ˟ᥖ෼ᱹ⬚ʏ⃅ↈȵɺȠɺ᫠˩♊⠛∌ȶŊ 1983౺5ሶಎȵɺȠɺ᫠˩♊⠛∌ȶὮɺᓝ⊓ଭȯ1987౺ 8ሶ⎞ॺઈ೺⸉Аॉंϛ‫⇾⬘׺‬ŊⳖҘₚ₎ఱల㍇҇ኚણ ず (Brooklyn College)♊⠛ᶇἄ໽ȯₚ₎ቅ⿵ሯ˶ȵ゛ᩡ⇾ ⠛ȶ⎞ȵ♊⠛૊ȶグ⦒ₚ₎ⳇ⤻ŊҢʑқῇᄽὁȵᮚ㓯ᆯ ♊⠛⠗ᄎŝȶ‫ד‬ȵ㄄᥸Ӵ♊⠛ᑨᐉȮሰ˩ἇ⿵Ȯُ‫̳׶‬ᯉ ಴ȶᣅ1990౺˩‫ש‬ᢕᅘ⎟᱿♊⠛⠗ᄎㅽࡍ౏Ҙᅘ⣶⸆ȯ 2006౺ⲙߊ␕░હଡȯ ┤ઈम᱿↘ᯉңሷᯍ˩฾ᵧ೼ᣊ᱿ᐉߧ⎞᠝㌟᱿‫מ‬Ҥ ᖉߣȯ߱˟ʽ֓घ౺⭪ʑ⣫ᄽջ᱿ઌ⋀Ȯ☧と⎞ણ∳˅ↈ ʁŊ˟᱿ㆺᇓ↘ᯉ߱᫧ඖඎ≙⎞฾ඖ༹ᱹ᱿˅ᯘʑŊଭ᫠ ʴʑ⣫♊⠛⇾ણʀቊቋሔᆪ᱿೺Իȯᘜ⸅Ԋരᆙᇯ᳈ʻᆤ ⣠᱿⚠᫧Ȯ⳵Ⲗᖉߣ᱿ଃᕗȮ೼⦲ἇ⿵᱿⿭ଭȯଃ㆞ᅆ᱿ ⚠᫧Ŋʬሷ˟᩸᧚᱿ᅞೣŊ˟ᛜᮢְഔُᗴᯉ᱿༬ᘍ͐ᯉ ㄇ⏨᠂㍫ᆙȮ⊨᫧₳⍗ŊҪԽ˫Ӵᮢ⏨⦲⎞⏨ഔ᱿⁤૓⩐ ջŊ᪀‫ח‬⠧᫠⃥ɺ҆ℬ᱿༬ణŊʏӴᮢᏎ ᱿ᐉߧُെ। ⭡サ᱿ᄓኞŊ߱ᯉʑⲿヮӛᛖᗖ᱿㄃ૐ⎞๿วȯ ȳ㇀ㆺԊ᱿␕░ᛸȴᘘ᡺ऄ〙᱿☾Ȯ⎠⸅␵ⱀ᱿ᱺŊ ώʁ⚣౿⼂⃾Ȯ⑋૓᠝㌟ȮഐṘ㇤ដŊᯉʑᙰ␕ൂ᭔᱿҆ ഛ⩐ջŊᇯḻબસ⎊ᤋᮝ‫ل‬᱿ᮝ⎞ᝥŊൂ᭔ʃ఩≟⎏ᖝ ණȯ≟˟ᯉા᱿Ἔकɺᳵቃ‫׏‬ଔᆯ⎊ᤋѭ⇾᱿ᙹᘱ⎞ऄ㓚 ୀᖛ᱿␕░ㆺ⪝Ŋ‫ר‬ᣅᯉ˟໽⣲Ŋ⣲˟໽ᯉȯ Ң̳‫ٴ‬ഺ㄃᧎ʙ㆛᱿ȵ᩸ᱺȶ₇Ӭ⎏ȵㆺᇓƦ‫ש‬ ᢕȶŊⵣᆯԡ̳≛᱿ൔ෼⥆⻞Ŋ૯૪≟౏ሷわ‫܍‬᱿⩽൉Ŋ ҂ដʴɺỚ⩴૗᱿Τː෼໊Ŋㆺጁ೼ᣊ≟᩸᧚ȯ┤ઈम҂ Ӡ⠧᫠ᯍ˩૯૪↘ᯉ᱿घҀଶㄇȯॖ߱ୀ⿵⠗⬕Ẏ‫ب‬᱿Δ ⠗≛໣ᙹⴗӐ⣶؇⥲᱿⠗ᅧ≛Ŋ૾ᘜⲲଁ˟⎞⎊ᤋ᱿ଃ⥾ ‫♊ד‬⠛ൔ・᱿ᤀᲵ࿯€ȯ

73

YEH Tzuchi moved to the U.S. with his wife Effi Chang in August 1987 and received his MFA from the Brooklyn College in 1989. He has published articles at Lion Art and Artist Magazine while he was in New York. The two articles “What is Art Administration?” and “Nonprofit Art Organization, Alternative Space, and Cooperative Gallery” brought new horizons to the rising art administration field in 1990s Taiwan.

He moved back to Taiwan and resettled in Hualian city in 2006.

Yeh’s landscape paintings show the hazy tension between Chinese and Western aesthetics in the overlapping of rationality and sensibility. He also pays attention to the treatment of light and shade. The comparison of distance and the sense of space are the important part of the painting. Yeh has a unique way to deal with pigments. He mixes the technique of tempera and oil painting to make the picture bright in color and have different color tone to express the skill of unified light. Moreover, he uses simple composition and subtle distance perception to present the silence and sadness in the painting.

Hualien Harbor before Typhoon represents the feeling of illusory, dense and rich under the magnificent blue and light white. The change of light and shadow in the spray shows the life and death of natural life and eternal. In addition, looking out of the window from his studio, Yeh can see the nature scene and beautiful ocean of Hualien, which can be also seen in his painting.

From “the still-life series” to “the scenery of Taiwan series”, Yeh’s paintings are all from his mood recording with realistic and metaphorical. They are full of personal feelings and unique style. Yeh fully expresses the multiple of contemporary realistic painting. It is similar to a practitioner in the mountains or a traveler looking at sea, focusing on pursuing the nature and the exploration of artistic soul.

1069

┤ઈम

YEH Tzu Chi (b.1957)

㇀ㆺԊ᱿␕░ᛸ

Hualien Harbor before Typhoon

ְഔȭᗴഔȭˁ㓮లȭ2011 ‘‫׬׻‬ʁŘ┤ઈम 2011 86ć148.5 cmņ33.8ć58.4 in.Ň

Tempera and oil on linen Signed lower right Tzu-chi Yeh in Chinese and dated 2011 Source: Taipei Ravenel 07 June, 2015

͗᜺Ř‫ש‬ռ⇵␀ी2015.06.07

NT$ 2,800,000-3,600,000 HK$ 791,000-1,016,900 US$ 100,940-129,780 74

1070

┤ὌᲰ

YEH Chu Sheng (b.1946)

㓳⏨ʙ∑

Yellowism

ᗴഔȭᯉలȭ2009 ‘‫׻‬ᅠ‫׬‬ʁŘὌ 2009 65ć53 cmņ25.5ć20.8 in.Ň

Oil on canvas Signed lower right: named in Chinese and dated 2009

NT$ 100,000-200,000 HK$ 28,200-56,500 US$ 3,600-7,210

75

1071

঒๸ὁ

YAO C.J.(1941-2000)

㏝Ʀञ߸ 91-02

Bird . The Earth 91-02

ࣱ҇Իȭᯉలȭ1991 ‘‫׻‬ᅠఢʁŘ঒ C.J.yao '91 73ć60 cmņ28.7ć23.6 in.Ň

Acrylic on canvas Signed lower left: C.J.yao '91 Attached with a gallery gurantee letter

えᯉ಴Ύ⨢ሬ

NT$ 60,000-120,000 HK$ 16,900-33,900 US$ 2,160-4,330 76

1072

77

᪗ᠰ⳵

WANG Ji Yuan (1893-1975)

⢇ॉ

Naked Girl

ᖛഔȭࣘȭ₣ȭ1944 ‘‫׻‬Řᠰ⳵ WANG Ji Yuan 1944 New York 29ć39 cmņ11.4ć15.3 in.Ň

Watercolor and ink on paper

͗᜺Ř㈭ᛸ̈́ंവ 2009.05.25

NT$ 150,000-220,000 HK$ 42,400-62,100 US$ 5,410-7,930

Signed in Chinese: WANG Ji Yuan 1944 New York Source from Christie's Hong Kong 25 May, 2009

1073

̰቏

YEE Bon (1905-1995)

஖㋧᱿ᄪา

Present Flowers

ᗴഔȭᯉల ‘‫׻‬ᅠ‫׬‬ʁŘYEE BON ♊⠛૊༆↘⸵֬Ř̰቏ 39.5ć49 cmņ15.5ć19.2 in.Ň

Oil on canvas, with one seal of the artist

͗᜺Ř㈭ᛸΎӴ 2014.04.06

NT$ 320,000-450,000 HK$ 90,400-127,100 US$ 11,540-16,220

Signed lower right: YEE BON Source from Poly Hong Kong 06 April, 2014

78

1074

⫄˫ു

FEI Yi Fu (1913-1982)

⢇ॉ

Nude

ᗴഔȭ₣ȭ1954 ‘‫⋍׻‬ㄇŘ1954౺̳ ⸵֬‫׬‬ʁŘ⫄˫ു 33ć23.5 cmņ12.9ć9.2 in.Ň

Oil on paper, with one seal of the artist Signed back side: named in Chinese Stamped lower rightŘFEI YIFU With a certificate of authenticity issued by Moon Gallery

えሶ⎈ᯉ಴⿭Ἴʠ‫̳׆‬Ύ⨢ሬ

79

NT$ 180,000-280,000 HK$ 50,800-79,100 US$ 6,490-10,090

1075

԰ߡᐾ

LIU Guo Shu (b.1919)

₏ೆԊᗯᙟ

The River in front of A Red Temple

ᗴഔȭᯉలȭ1982 ‘‫׻‬ఢʁŘߡᐾ 1982 37.5ć53cmņ14.8ć20.9in.Ň

Oil on canvas Signed lower left: Guo Shu in Chinese, 1982 With a certificate of authenticity issued by Moon Gallery

えሶ⎈ᯉ಴⿭Ἴʠ‫̳׆‬Ύ⨢ሬ

NT$ 160,000-250,000 HK$ 45,200-70,600 US$ 5,770-9,010 80

1076

ᗕ‫ټڏ‬

SHEN Che Tsai (b.1926)

₏ᗤᱹଇॉ

Young Girl on a Red Couch

ᗴഔȭᯉల ‘‫׬׻‬ʁŘ‫ټڏ‬ 51.5ć44 cmņ20.2ć17.3 in.Ň

Oil on canvas Signed lower right: named in Chinese

NT$ 240,000-400,000 HK$ 67,800-113,000 US$ 8,650-14,420 81

1077

㕼ࠀ

PANG Jiun (b.1936)

␕

Flower

ᗴഔȭᯉలȭ1993 ‘‫׻‬ᅠ‫׬‬ʁŘ㕼ࠀ 1993 ༆↘⸵֬Řࠀ 26ć34 cmņ10.2ć13.3 in.Ň

Oil on canvas, with one seal of the artist

᫠ᄇ♀≛ ⫵⎊ሷ᤾ᕿᯉ಴

Signed lower right: named in Chinese and 1993

NT$ 120,000-150,000 HK$ 33,900-42,400 US$ 4,330-5,410 82

1078

㓳⺐‫ڏ‬

HUANG Ming Che (b.1948)

ᯌบʊ᮹

Imagined World

ᗴഔȭᯉల ‘‫׬׻‬ʁŘ‫ڏ‬ 43.5ć46 cmņ17.1ć18.1 in.Ň

Oil on canvas Signed lower right: named in Chinese

NT$ 180,000-260,000 HK$ 50,800-73,400 US$ 6,490-9,370

83

1079

づ㈭؇

Chen Hsiang Yin (b.1963)

Ⓓҙ␕ߤɺ⤑

A Corner of Monet's Garden

ᗴഔȭᯉల ‘‫׻‬ᅠఢʁŘChen Hsiang-Yin 35ć49 cmņ13.7ć19.2 in.Ň

Oil on canvas Signed lower left: Chen Hsiang-Yin Attached with a gallery gurantee letter signed by the artist

え♊⠛૊⤃‘ʠᯉ಴Ύ⨢ሬ

NT$ 50,000-80,000 HK$ 14,100-22,600 US$ 1,800-2,880 84

㖡↳百↴ Ǎ 椏䇮熴 /RW /RW

ȵሷɺ‫⦦⥾ן‬ː‫֯ٴ‬ᯉ‫ٴ‬Ŋ⣬ᯉጁ㋧ൕㅱːጁ㋧Ŋ㋧ଋ᱿‫ٴ‬ോဧᢇ ᅠώࣘ⿵Ŋ໽ᙟヮӛ᱿ࣀ᮹Ŋ౑౑⋱͐ːᚠ⥲ʃᲵȶȯⳆᆯᄽːᖛࣘሬ ᯉ૊ᖶ҃ᮭ߱ȱᆨㆺջジ⥾ో⿧Ȳᄽʑ໽೼⦲᱿Ŋ≟⣬⋱‫׺‬ᆹңЈ♊⠛ ໞଔ⎞༇ⓧȮᛖׂ᱿ᔕ‫׫‬ːᄽ₪㇭ȮㅱҥЈᯉ‫ٴ‬ᯉጁȮⴒ⋱चໞ૊ʏഛ ㅨര↧ː᧎≛Ŋ߱ʷ֓ʊ₊⎏˚ᆯ㍫ଇሷː⋱‫ד‬᱿ȯ೺ञ֔ờ⩛ȵ˚ᅺ ♊࣪ᖶ҃ᮭ‫ר‬ờᯌ༇ȶȮȵᙹ஑қ୮Ὦɺːȶȯ ᖶ҃ᮭ⎊ಀ⯿‫ט‬З⃥ሬᯉ⥸ᄽ☧とŊߌˮ๟ᝌൔᯊཬҘ૜᪕ࡩ⿧ ʁŊ1965౺ᅠ⎔ռʑୀࡩ⎠⠗㈪ᓝΤଭŊ̈́⥫ॖៜŊʏ‫ט‬࿴☡ⳖҘߡ Ἴᄑૅ֢᧎ずȯ˶⊚ᄑૅᆹិໞȵ・ឞȶɺ⿧Ŋ⎞ᝌൔᯊ᱿࿙ള᫧൳ ɺ⎐ŊްભȵϝːὮɺŊ⩊ሬὮʷŊሬᯉṅᆯᜀ♊ŊໟΩʃ⋱࿁቏Ⳁ ቎ȶȯ・ឞ㈀᱿З༫Ŋഺ♊Ꮘ᱿ⳖỄŊ⠛Ꮘ‫׳‬ሷ૾⿢ȯᯉㆺʀሷҢɺ⎐ ᱿ో⿧ᖎ෉Ŋʬሷᅺര‫⎊׳‬ᱹଭ᱿ㄇ⪝ȯᅹሷЗ⃥ʠ⇾Ŋʬሷᆹ˩ԡᅘ ᱿Ҡⳇඖȯ 1963౺‫៬ش‬ໞᣅᖶ҃ᮭ・ឞ㈀೭ઈȯ‫៬ش‬ᣅ‫ש‬ᢕ♊࣪‫׺‬ѠʑŊଇ ᄲᅠ⥸ȮሬȮᯉȮ֬ㅽࡍᲀሷ໽ໞ‫⋱ב‬᳈ⰿ᳈ໞ≛ȯʏ⿭‫֓߈Ⲗۓ‬౺᱿ ȵ・ឞ㈀ȶోᮝ෼ℳŊో༫૜᪕ࡩ᱿ᆯᖶ҃ᮭ・ឞ㈀Ŋ・ឞ㈀ҪЗʁ‫ش‬ ៬ଡୀࡩŊɺ⋸᳈༫ȯ ‫៬ش‬೧ᮢ૯ᮝ᱿Ꮥ൳Ŋഺ⎞⎊ᤋ᱿ଃ⥾ʑဏᤓԡ̳Ҁ₪Ŋ‫׺‬ᆹΎሷ

1080

З⃥ሬᯉ᱿ώ⬶ࣘㅥ⎞⥸⥱าࣀȯᅽቅᯉ̳߱⠧᫠༬ణʀŊ⎞ోᖶ҃ᮭ

ᝌൔᯊ

᳈ⲖŊ̟ӷʴʑ౺˫രŊㆺጁ⿭আⱧ⩐ȯ˟ᮢ᱿⣶⸆ሷ⣫ᘱᯉⲿ⣶⤐

⠗ሬጻౘ

㔄Ŋᕗⰱ࿲Ⲗ૪ᇓႅ૯ȯ

ࣘሬȭ₣቏ȭ⽷ጉ ⸵֬Řᝌѝʠ֬ņᱺᄽŇȮൔᯊ≉ࣘņቒᄽŇ ᓰ⨯Ř⊊ᘃ҅ᮝᄞᔌŊᝌѝȯ ⸃ᄽŘ ఴ࿨ጵᑙᤞᑋᛤŊఙⴗᆹ⣲ᦸゾ⠗ȯ Ὄኚ៼ᖛᡡᡡジŊᩖ̙ʑⵀὢ⡪⊖ȯ 93ć32.6 cmņ36.6ć12.8 in.Ň

ቦ∑೩ᅽ౺ཬᅠȵ・ឞ㈀ȶ⿧ʁᶇἄᖛࣘŊㅽᯆᄽːЗ⃥า♭Ŋώ ࣘ♭ؐイૌᖎಙŊ̡ଞὁᘍణ।Ŋᯉࣀᛤᅘȯ˟ㄇଃ⎊ᤋ૪ᇓⰿ˫ჶഛ ϝҚᅞ̤࿯ἄŊ⳥ᮢώࣘ↘૯ୀᖛᑋᵲ⠧᫠घỚ᱿‫⋱ר‬ඖȯ ଃᅠቦ∑೩≟⤵Ŋᖛࣘԡ̳ଔЭᆯɺጻᖝ⳵ᗞሷ⃃㔄᱿࿯€ʠ⭰Ŋ ⅶሷ࿴づӛᅘ᱿‫׳‬Ớ‫⋱ר‬ŊȵᖛࣘⳆỚ‫מ‬Ҥ᱿↘ᯉ਄ቨŊɺહ⣬ԡᅘ༇ ሷశቃŊᆹ˩߱⩐Ŋቨᅆُඎ≙ʬະ⎞ᆹʏⳖȶȯ

PU Hsin Yu (1896-1963) Calligraphy in Running Script

‫⿧׺‬᱿ᯉㆺŊഺో⿧✕ջȯҘ・ឞ㈀ञⵣሬȮᯉキΔŊߌᔍᯉʀ㆛

Ink on paper, framed, with two seals of the artist

⦝̤⇦ᯉࣀŊⵣңሷЗ⃥ᄽːʠ⇾ȯᖶ҃ᮭଃဏཥ೭ઈሩᆯᮢൔŊ߱೭ ઈ⎠Ⲅଭ⤍ᆹŊሳကⴆ̳‫߱ٴ‬ʀ㆛⭑Ŋ໣ᆯ⤃ώሬ૯⦼ዓⴎ⦼♊࣪॑ ‫ה‬ȯ・ឞ㈀⿧ᮝഢᔍ⿵᱿᳈ʻᶎḲŊञో᱿⯿ᄞൔЗŊചㆴӛోᮝ⿵᳈ ᠲ˫ᗩ᱿ᛖׂ෼⦯ȯ

85

NT$ 260,000-320,000 HK$ 73,400-90,400 US$ 9,370-11,540

86

1081

87

江兆申

CHIANG Chao Shen (1925–1996)

山林靜趣

Silence in Mountains and Forest

日本京都金紙 設色 鏡框 1989 鈐印：兆申茮原（白文）、雙菩提盦（白文）。 款識：永業吾兄正之，己巳（1989年）暮春，茮原江兆申。 49×60.8 cm（19.2×23.9 in.）

Color on gold paper, framed, with two seals of the artist

NT$ 180,000-260,000 HK$ 50,800-73,400 US$ 6,490-9,370

1083 1082

ᖶ҃ᮭ

CHIANG Chao Shen

ᖛटᛤሎ

(1925–1996)

⥑⏨ȭ₣቏ȭᖛࣘȭ⽷ጉ ⸵֬Ř҃ᮭʠ֬ņᱺᄽŇȮ ȭȭȭキⓢဏᑋ䜼ņቒᄽŇȯ ᓰ⨯Ř ᩸⬚ቃୀ⏨Ŋᖛゲ㏦▝ᙐȯ໼ᆣらሶሎŊ Ꮈቌ‫׿‬ゾẠȯሧᛦᯝᖶᲵŊ౹ᗤ̙ᙰᙳȯ Ằ‫⚠̬߱׆‬Ŋ᠂ߡᷝ෥෥ȯଅተ‫ן‬ȯःᮭ ņ1992౺ŇऑŊ卿‫׆‬ᖶ҃ᮭⴈᇫȯ 151.5ć84 cmņ59.6ć33 in.Ň 1.ȳ ᖶ ҃ ᮭ ̳ ‫ ٴ‬ゝ Ř ⥸ ᄽ ሬ ᯉ ῆ Ԁ ņʁŇȴŊ‫ש‬ռఱἼ⇾⠛㈀Ŋ‫ש‬ռŊ 1992౺10ሶӮᦹŊ220-221ㅪ ȯ 2.ȳ‫׻‬૊≉ࣘ ǖ ᖶ҃ᮭ᧚ゝņʁŇȴŊ≉ ࣘⰍӛᦹŊ㈭ᛸŊ1992Ŋ128-129ㅪ ȯ

River at Dawn Ink and color on paper,framed,with two seals of the artist

ᖶ҃ᮭ ⠗ሬ֓⤵⊓ ࣘሬȭ₣቏ȭἼⰧȭ1994 ⸵֬Řᖶ҃ᮭ֬ņᱺᄽŇȮ卿‫Ⲗ׆‬ᗼņቒᄽŇȯᖶ҃ᮭ ᓰ⨯Řゝ୑݄జ‫ן‬Ŋᮬ໛ņ1994౺Ňҹᅺ卿‫׆‬ᖶ҃ᮭሬȯ ⸃ᄽŘջː̙㉀㒈㇞ⶮᝏジ⳧řᆞΈ‫׏‬ᩅ⚛ഃᬆୀሶ ̥ȯ ᓰ⨯Řゝ୑݄జ‫ן‬Ŋᮬ໛ņ1994౺Ňҹ ᅺ卿‫׆‬ᖶ҃ᮭሬȯ 138ć23 cmć2ņ54.3ć9 in. x2 Ň

CHIANG Chao Shen (1925–1996) Calligraphy Couplet in Running Script Ink in paper, hanging scroll ,with two seals of the artist

NT$ 1,100,000-1,300,000 HK$ 310,700-367,200 US$ 39,650-46,860

NT$ 130,000-180,000 HK$ 36,700-50,800 US$ 4,690-6,490

88

1084

ቦ∑೩

LI Yi Hong (b.1941)

㓳ୀߧ

Mount Huangshan

⸉ᾦ⥑⏨ȭ₣቏ȭ⽷ጉȭ1992 ⸵֬Řቦ ∑ ೩ ņ ᱺ ᄽ Ň Ȯ ߱ ఛ ૯ ņቒᄽŇȮ⬕⳧㓳ୀņቒ ᄽŇȯ ᓰ⨯Ř░ ␕ ゜ Ⲗ ː ⿵ ʊ 㔣 㔣 ट ⵣ キᳵᆙѢሷ゛உ⿬ポᇓⴍː ⬕ыቍ⋱‫׻‬㓳ୀ​ୀஉ‫≛׻ר‬ ɿ֓Ҟʃ‫≛׻ר‬ଋघःᮭ ņ1992౺ŇӮऑζ㆛⥓ᯝᲹ ⥸ ቦ∑೩ᯉȯ 40ć80 cmņ15.7ć31.4 in.Ň

Ink and color on the paper, framed, with two seals of the artist

NT$ 180,000-260,000 HK$ 50,800-73,400 US$ 6,490-9,370

1085

ቦ∑೩ ⑽ሬʽ⤵⊓ȳゾୀͧᘘࣘŊ

Calligraphy Couplet in Running

ㆺሶଃഃᬆȴ

Script

⸉ᾭᦸઽ₣ȭሬࣘȭ༎ᦸȭ2014 ⸵֬Ř∑೩ዀ≉ņᱺᄽŇȮ߱ఛଅ扳 ņቒᄽŇȮ ⬕⳧㓳ୀņቒᄽŇ ᓰ⨯Ř૜᪕ࡩ‫ן‬Ŋᮬ֘ņ2014౺ŇӮ ᆨŊቦ∑೩ȯ ⸃ᄽŘゾୀͧោࣘŊㆺሶଃഃᬆȯ 66ć11.8 cmņ25.9ć4.6 in.Ň 89

LI Yi Hong (b.1941)

Ink on golden foil xuan paper, with three seals of the artist

NT$ 30,000-42,000 HK$ 8,500-11,900 US$ 1,080-1,510

1086

李義弘 赤壁賦 設色 紙本 鏡框 鈐印：李義弘（白文）、在川（朱文）、笛音凝室 （白文）。 款識：辛酉在川李義弘讀之，再三進而繪之，並錄 其文於笛音凝室。 釋文： 赤壁賦。壬戌之秋，七月既望，蘇子與客泛舟遊於 赤壁之下。清風徐來，水波不興，舉酒屬客，誦明 月之詩，歌窈窕之章。少焉，月出於東山之上，徘 徊於斗牛之間，白露橫江，水光接天；縱一葦之所 如，凌萬頃之茫然。浩浩乎如憑虛御風，而不知其 所止；飄飄乎如遺世獨立，羽化而登仙。 於是飲 酒樂甚，扣舷而歌之。歌曰：「桂棹兮蘭槳，擊空 明兮泝流光。渺渺兮予懷，望美人兮天一方。」 客有吹洞簫者，倚歌而和之，其聲嗚嗚然，如怨如 慕， 如泣如訴，餘音嫋嫋，不絕如縷。舞幽壑之 潛蛟，泣孤舟之嫠婦。蘇子愀然，正襟危坐，而問 客曰：「何為其然也？」 客曰：「『月明星稀， 烏鵲南飛。』此非曹孟德之詩乎？西望夏口，東望 武昌，山川相繆，鬱乎蒼蒼，此非孟德之困於周郎 者乎？方其破荊州，下江陵，順流而東也，舳艫千 里，旌旗蔽空，釃酒臨江，橫槊賦詩，固一世之雄 也，而今安在哉？況吾與子，漁樵於江渚之上，侶 魚蝦而友麋鹿；駕一葉之扁舟，擧匏樽以相屬。寄 蜉蝣於天地，渺滄海之一粟。哀吾生之須臾，羨長 江之無窮。挾飛仙以遨遊，抱明月而長終。知不可 乎驟得，託遺響於悲風。」 蘇子曰：「客亦知夫水 與月乎？逝者如斯，而未嘗往也；盈虛者如彼，而 卒莫消長也，蓋將自其變者而觀之，則天地曾不能 以一瞬；自其不變者而觀之，則物與我皆無盡也， 而又何羨乎！且夫天地之間，物各有主，苟非吾 之所有，雖一毫而莫取。惟江上之清風，與山間之 明月，耳得之而為聲，目遇之而成色，取之無禁， 用之不竭，是造物者之無盡藏也，而吾與子之所共 適。」 客喜而笑，洗盞更酌。 餚核既盡，杯盤狼 藉，相與枕藉乎舟中，不知東方之既白。 136.5×69.5 cm（53.7×27.3 in.） 附藝術家親簽保證書 著錄： 1.《 李義弘近作—笛音凝室辛酉年輯》，笛音凝 室，台北，1982 年，頁1 。 2.《 磊石縱浪—李義弘水墨畫集》，藝術家出版 社，台北，2015 年初版，頁62 。

LI Yi Hong (b.1941) Red Cliff Color on paper, framed, with two seals of the artist Attached the certification signed by the artist

NT$ 500,000-750,000 HK$ 141,200-211,900 US$ 18,020-27,040 90

1087

91

‫៬ش‬

ZHOU Cheng (b.1941)

ኇㅥ⑭㈭ߧņ⑭㈭ኇㅥ⥾ᙳᮝŇ

Tea Aroma

ᖛࣘȭ₣ȭ⽷ጉȭ2007 ⸵֬Ř‫៬ش‬ʠ᭝ņᱺᄽŇȮ▗ᘘņቒᄽŇȯ ㆛⨯Ř⑭㈭ኇㅥ⥾ᙳᮝ ᓰ⨯Řɻˆņ2007౺Ňऑᅺᅠᛇ╇ᯉず▗ᘘ‫̳៬ش‬ȯ 69ć137 cmņ27.1ć53.9 in.Ň

Ink on paper, framed, with two seals of the artist

NT$ 220,000-320,000 HK$ 62,100-90,400 US$ 7,930-11,540

1088

1089

‫៬ش‬

ᖶ҃ᮭ

Ꮠሬȳ⎊೼ʃ෉ȴ

ሬᘍȳ⥱ợȴ

ࣘሬȭ₣቏ȭ⽷ጉ ᓰ⨯Řʷダɺダ౺ञᇫᅠଡୀࡩ ▗ᘘ ‫ ៬ش‬ሬ⥸⃻‫ן‬ ⸵֬Ř‫៬ش‬ʠ֬ņᱺᄽŇȮଡୀࡩḎ䓣ņቒᄽŇ 112ć37.5 cmņ44ć14.7 in.Ň

ࣘሬȭ₣቏ȭ⽷ጉ ⸵֬Řᖶ҃ᮭ֬ņᱺᄽŇ卿‫Ⲗ׆‬ᗼņቒᄽŇ 69ć33.5 cmņ27.1ć13.1 in.Ň

CHIANG Chao Shen (1925–1996) ZHOU Cheng (b.1941)

Calligraphy

Calligraphy in Regular Script

Ink on paper, framed, with two seals

Ink on paper, framed, with two seals of the artist

of the artist

NT$ 20,000-40,000 HK$ 5,600-11,300 US$ 720-1,440

NT$ 50,000-80,000 HK$ 14,100-22,600 US$ 1,800-2,880

ᓰ⨯Ř ῃᆯ⸅ୀŊ߸ᆯ‫ש‬ᢕŊᆨㆺ ♠ᤋሷ⪄؇Ŋ≘᱇⊖෼ᷲ ┛Ŋヾ⥱ଅተŊ༇ඎ↴ℛŊ ࢘ࣵࢄ៮Ŋᙟ⤬ʃⳖŊട ഥୀぢሧᖛⴗຈ㋧ቃŊ̟ ⚄ˋ̙छŊ⩽⭤ॖᤞŊ≟˚ ⻺↓Ŋୀఛ⡕ᙹᖛटㆺ㈭៷ ᙀⴅᓾŊ㏥⎮㓃ᓼŊӲ͗ಂ ᅺӲ͗ಂᅺ᭥ᐵ᪕બŊᔖ‫׏‬ ̬౺̬౺ߡᔎ̬౺ߡᔎघ̬ ౺ߡᔎघ⏧ŊሬᮝᤀᮢŊ๹ ๭෫ᓼⱧ⎊ງŊ‫⇢؟‬ʬ‫؛‬ɺ ⊖Ŋ⻶ὢ?ⷙ⸿टȯ԰ठశ ᤀ⩽䜼⥸ợŊᖶ҃ᮭሬȯ 92

1090

ቦ∑೩ ⚣ࡩ⥾⎡ߧ ᖛࣘȭ⥑⏨ȭ₣቏ȭἼⰧ ⸵֬Řቦ∑೩ņᱺᄽŇȮ߱ఛņቒᄽŇ ᓰ⨯Ř⚣ࡩ⥾⎡ߧȯ໚ⲉ݄౹ሶϵ⩊ᮎ㈭㈀⥸ ≟വᯉŊቦ∑೩ᅠὢㅠӐાᥨʁȯ 124ć67 cmņ48.8ć26.3 in.Ň

LI Yi Hong (b.1941) Former Residence Ink and color on paper, with two seals of artist

NT$ 110,000-200,000 HK$ 31,100-56,500 US$ 3,970-7,210

1091

‫៬ش‬ ↓᫤␕ ⥑⏨ȭ₣ȭ⽷ጉ ᓰ⨯Řᱶˆऑʠ‫▗ ׷‬ᘘ‫៬ش‬૯⫉ ⸵֬Ř‫៬ش‬ņᱺᄽŇȮ ▗ᘘņቒᄽŇ 30ć40 cmņ11.8ć15.7 in.Ň

ZHOU Cheng (b.1941) Hydrangea Ink and color on paper, framed, with two seals od the artist

NT$ 15,000-38,000 HK$ 4,200-10,700 US$ 540-1,370 93

1092

1093

‫ؖ‬ᄪණ

ʹ‫˶׬‬

ῆሬʑࡩ

ʽ⤵⊓ņଃ⊓Ň

₣቏ȭࣘሬȭ⽷ጉ ᓰ⨯Řɻˆʪሶ ೭⏜ᄪන ᆹ౺Ҝ֓ሷɿ ⸵֬Řᄪන⿢उņቒᄽŇȮỐ㚧ɼ֓‫׼‬ሬņቒᄽŇ ⸃ᄽŘ‫ڱ‬᪗೚‫ב‬Ҟ౺ʠडːሯঠ㗇મⅠូでୀȯ 68ć33 cmņ26.7ć12.9 in.Ň

WU Jing Heng (1865-1953) Calligraphy in Seal Script Ink gold paper, framed, with with two seals of the artist

NT$ 45,000-80,000 HK$ 12,700-22,600 US$ 1,620-2,880

ࣘሬȭ⸉ᾦȭἼⰧ ‘‫׻‬ᅠ‫׬‬Řʹ‫˶׬‬ ⸵֬Ř‫˶׬‬ņቒᄽŇ ♀֬Řᄽᱺ᫂⫝ ⸃ᄽŘ㈶㈭Ყ໊⡇ŊⲾ⳰ ⃾ᬆሬȯᄽᱺ˒ҁ ᔌʠŊʹ‫˶׬‬ȯ 216.5ć54 cm ņ85.2ć21.2 in.Ň ͗᜺Ř㈭ᛸ⴪ᡝᅗ 2020.07.07

YU You Ren (1879–1964) Calligraphy Couplet in Running Script Ink on gold paper, a pair of hanging scrolls, with two seals of the artist Signed Yu Youren, with a dedication Source: Hong Kong Bonhams 7 July, 2020

NT$ 150,000-220,000 HK$ 42,400-62,100 US$ 5,410-7,930 94

1094

ನሷᣅ ɼ⤵⊓ņଃ⊓Ň ࣘሬȭᑢ₏ᾦἼⰧ ᓰ⨯Ř⚣ߤ˒ҁŊ֡ᙹನሷᣅȯ ⸵֬Řನሷᣅ֬ņቒᄽŇȮ ȭȭȭℋᅘᱻᅺņቒᄽŇ ӛ˃֓Ҟ౺ɿञ߸ⳤ⳦߈జ⃻ ɿ֓ɺߡ⠗Ҟ֓┋⸄ ⸃ᄽŘẌ∑ಳ඿એⳬൔ ȭȭȭઓ‫ה‬൥ΒἼ‫׻‬ῃ 167ć40 cmņ65.7ć15.7 in.Ň ͗᜺Řₚ₎♫૗ᕗ 2017.09.14

Kang Youwei (1958–1927) Calligraphy Couplet in Regular Script Ink on orange paper, a pair of handing scrolls, with one seal of the artist Source: New York Sotheby's 14 September, 2017

NT$ 320,000-420,000 HK$ 90,400-118,600 US$ 11,540-15,140

95

1095

೺ञ֔ ⿢ଃ⊓ ࣘሬȭဎ⸉ྶ቏ȭἼⰧ ⸵֬Ř೺ᦪʠ֬ņᱺᄽŇȮञ֔ଡंņቒᄽŇ ⸃ᄽŘ இࣦ⬚᠝ゾŊቺㆺ‫؛‬ଅジȯ䕵⼲⊏⳵ૹŊᆙሶ੕ ʑኚȯ ᔖ⎯␥̬⚠ŊᔌϊᎸᖶ౹ȯऔⳅ㠨ᤞ્ȯቄℳᙬ ᑋ⠗ȯᅠഡ఩ഇᔓŊ⤵ᅩ˚฼෼ȯⵯⴾଋ֔⸄Ŋ ᙟᲿऑゾᮝȯʧऔ፾ᔖ⎯Ŋℳ᜺⭰Ⱨಁȯሶᆙ᳖ ఉᑋŊㆺ㄃⊝ᝏᙟȯொፑ⏀⿵ҘŊホⓧ⠥ʀᙳȯ ᩜ⊖オᔍङŊʃᆯӲ૊วȯቺㆺ‫؛‬ジᇄៜᮝŊ␱ 㔧А⏀⽷⡪⠗ȯಎʶ˚౺ᆨឲଅŊ‫׏‬౺ሯ⎞ᯉᑙ ౹ȯ⦣‫ڥ‬ય⥸‫ן‬Φ฾ଅろȯɻˆʽሶञ֔ଡं೺ ᦪᅠᙹʀ 188ć40 cmņ74ć15.7 in.Ň ͗᜺ŘᘾቢḌ⴪ᡝᅗ 2021.06.22

ZHANG Da Qian (1899–1983) Calligraphic Couplets in Running Script Ink on gold-painted silk, a pair of hanging scrolls, with two seals of the artist ȭ Source: LA Bonhams 22 June, 2021

NT$ 800,000-1,000,000 HK$ 226,000-282,500 US$ 28,840-36,050

96

1096

97

⎔㄃ⲋ

TAI Jing Nong (1903–1990)

ተ᧍Řဏ⿭Ҁૹᖛ⿽

Calligraphy

ࣘሬȭ₣቏ȭ⽷ጉ ⸃ᄽŘҞቄᄽ᧎⑽ⳐἇŊटᛇゾ⿴˚‫׺מ‬ȯ ㏝‫׏‬㏝͗ୀ⏨⡪Ŋːᓼː‫ڌ‬ᖛ⊖ʑȯ ᛖẠ’ౡ֔૊ジŊ┛ᅺᐵ⎔ɺὢㆺȯ ෽෭ᤀᅺ⣲⑌⟵Ŋ‫א‬దᤞᑋʽ᜙ቺȯ ተ᧍ʠ㆛ઽజ⿭Ҁૹᖛ⿽ ⎔㄃ⲋᅠ㕻ࠋɾા 45ć134.5 cmņ17.7ć52.9 in.Ň

Ink on paper, framed

NT$ 360,000-500,000 HK$ 101,700-141,200 US$ 12,980-18,020

1097

೺ञ֔ ⠗ሬɼ⃑ɺሬ ࣘሬȭ₣቏ȭ⽷ጉ ⸵֬Ř೺ᦪʠ֬ņᱺᄽŇȮञ֔ ଡंņቒᄽŇ ⸃ᄽŘ 嘔㕻णᵮ⃌ट࠱Ŋ‫ݱ‬ᖎᙳゾ⩂‫מ‬ ᆨȯᅽᇄटㆺʁୀ֚Ŋʃᵧ‫׆‬ᆯ ≘╳㏈ȯʌ໛ņ1946ŇᆨᅺŊ ञㆺࡩሬŊ೺ᦪȯ 46ć31 cmņ18.1ć12.2 in.Ň ͗᜺Ř㈭ᛸ⴪ᡝᅗ 2020.11.30

ZHANG Da Qian (1899–1983) Poem in Running Script Ink on paper, framed, with two seals of the artist ȭ Source: Hong Kong Bonhams 30 November, 2020

NT$ 160,000-260,000 HK$ 45,200-73,400 US$ 5,770-9,370

1098

Ꭻۧᛖ

YANG Shan Shen (1913–2011)

⠗ሬȳᝐ዁ᄦׂȴ

Calligraphy in Running Script

ࣘሬȭ₣቏ȭ⽷ൔ 憸֬Ř㞹ۧᛖ֬ 柴嬀Ř㞹ۧᛖȯ 慳ᄽŘ㹺዁ᄦׂȯ 35ć137 cmņ13.7ć53.9 in.Ň

Ink on paper, with one seal of artist

͗᜺Ř㈭ᛸ݄ോ 2016.11.28

Source from Hong Kong China Guardian 28 November, 2016

NT$ 30,000-50,000 HK$ 8,500-14,100 US$ 1,080-1,800 98

1099

ⶎۧẆ

ZHENG Shan Shi (b.1932)

֡ὐᲰऑ

Summer in Nangan

ഔࣘȭ₣቏ȭ⽷ጉȭ1981 ᓰᄽŘۧẆ౼⥆ ⸵֬Ř、ឳⶎᕿņቒᄽŇȭᔖ᳠ⲙᭆņᱺᄽŇ ྀ⬶ņᱺᄽŇȭɺʪҜɺņቒᄽŇ ⸃ᄽŘᖁߡɼ֓౺ⲀⶦᲰऑŊらʑ⣶ʑೊߡ૊ᄽ♊ࡣ⸉ሳᄽջሺ ՖߨŊӷ㈸ṒԊℬ૯ᮝȯᔍᯉ̳ᅠ֡ὐŊᔖ͗‫ב‬Խ⥑⏨Ŋ ᄮ㇥ʠ 69ć94.5 cmņ27.1ć37.2 in.Ň

Ink and color on paper, framed, with four seals of

᫠ᄇ♀≛⫵⎊‫ש‬ʑ‫⿧׻‬ᯉ಴ⶎۧẆΤଭ

99

the artist

NT$ 350,000-500,000 HK$ 98,900-141,200 US$ 12,620-18,020

1100

ⶎۧẆ ヾटᷝᙹᱺᗤ ᖛࣘȭ₣቏ȭ⽷ൔ ⸵֬Ř愢ņቒᄽŇȮ‫׼‬ᷪņᱺᄽŇ ㆛⨯Ř಑ᮭʠҹŊ封⇪ऑ晅໽ᜀ֬⩽ȯ 16ć105 cmņ6.2ć41.3 in.Ň

ZHENG Shan Shi (b.1932) Blue sky, Blue Sea and White Sand Ink on paper, with two seals of artist

NT$ 70,000-100,000 HK$ 19,800-28,200 US$ 2,520-3,600

1101

▼‫ה‬ ሶङ ⥑⏨ȭ₣቏ȭ⽷ጉ ᓰ⨯ř‫ה‬ɿ̳ 40ć67 cmņ15.7ć26.3 in.Ň

Tsai Yu (b.1947) Moonlit Night Color on paper, framed

NT$ 50,000-85,000 HK$ 14,100-24,000 US$ 1,800-3,060 100

1102

ⶎۧẆ ⸉ゲ᩸Ἴ ഔࣘȭ₣ȭ⽷ጉ ᓰ⨯ŘⶎۧẆ↘⢌ ⸵֬ŘⶎۧẆņᱺᄽŇ ȭȭȭ‫׷‬ṞņቒȮᱺᄽŇ 34ć34.5 cmņ13.3ć13.5 in.Ň

NT$ 60,000-90,000 HK$ 16,900-25,400 US$ 2,160-3,240

1103

ZHENG Shan Shi (b.1932) Golden Rooster Independence Ink and watercolor on paper, framed, with two seals of the artist

ⶎۧẆ ⸉ᄽ⚛઎ ࣘሬȭ₣ȭ⽷ጉ ⸃ᄽŘ⚛ņ⸉ᄽŇ ㆛⥆Ř಑૒ᅘ౺ ᓰ⨯ŘⶎۧẆણ‫⸉׷‬૯⚛ ⸵֬ŘⶎۧẆņᱺᄽŇ 17ć17 cmņ6.6ć6.6 in.Ň

ZHENG Shan Shi (b.1932) Tiger Ink on paper, framed, with one seal of the artist

NT$ 10,000-18,000 HK$ 2,800-5,100 US$ 360-650

1104

‫ؖ‬౹ キ㌽ ⥑⏨ȭ₣቏ȭ⽷ጉ ᓰ⨯Řʌ໚⍺ሶ ࢄᱺ ‫ؖ‬౹̳ ⸵֬Ř‫ؖ‬౹ȮࢄᱺņᱺᄽŇ 27.5ć48.5 cmņ10.8ć19 in.Ň

WU Ping (1920-2019) Fish Color on paper, handing scroll, with one seal of the artist

NT$ 20,000-38,000 HK$ 5,600-10,700 US$ 720-1,370 101

1105

ቦम⑋ ・ᩔ᪇उ

⥑⏨ȭ₣቏ȭ⽷ൔȭ1980 ⸵֬Řቦम⑋ņᱺᄽŇ 40.5ć69 cmņ15.9ć27.1 in.Ň

Lee Chi-Mao (1925-2019) Monkey Offering Longevity Color on paper, with one seal of the artist

NT$ 70,000-100,000 HK$ 19,800-28,200 US$ 2,520-3,600

1106

ᓿ⪄౺ ᕒ⎞ク ᖛࣘȭ₣቏ȭ⽷ጉ ᓰ⨯Řఉ֡ᓿ⪄౺ȯ

⸵֬ŘᓿņቒᄽŇȮ ȭȭȭ⪄౺ņᱺᄽŇȮ ȭȭȭᓿ⪄౺ņᱺᄽŇ ㆛‘Řᕒ⎞クȯᓿ⪄౺̳ȯ 58ć95.5 cmņ22.8ć37.5 in.Ň

OU Hao Nien (b.1935) Hen and chicken Ink on paper, framed, with three

NT$ 60,000-100,000 HK$ 16,900-28,200 US$ 2,160-3,600

seals of artist 102

1107

ቒ⺐ ㌘ゲ ഔࣘȭ₣቏ȭ⽷ጉ ‘‫׻‬ᅠ‫׬‬ʁŘ ቒ⺐ '80.4.10 ⸵֬Řቒ⺐ņቒᄽŇ 34ć69 cmņ13.3ć27.1 in.Ň

JU Ming (b.1938) Cockfighting Ink and watercolor on paper, framed, with one seal of artist Signed lower right ; named in Chinese '80.4.10

NT$ 36,000-55,000 HK$ 10,200-15,500 US$ 1,300-1,980

1108

ᓿ⪄౺

OU Hao Nien (b.1935)

⒎␕

Lotus

ᖛࣘȭ₣቏ȭ⽷ጉ ⸵֬Řᓿ⪄౺֬ ȯ ᓰ⨯Řᮬ໛ʑẠఉ֡ ᓿ˛⪄౺ 88.8ć55.7 cm ņ34.9ć21.9 in.Ň

103

Ink on paper, framed, with one seal of artist

NT$ 50,000-90,000 HK$ 14,100-25,400 US$ 1,800-3,240

1109

1110

Ꭻۧᛖ

ኚゾञో

⑽ሬɼ⤵⊓

Ꮠሬȳവञ⎊߱ȴ

ࣘሬȭ₣቏ȭἼⰧ ‘‫׻‬Řۧᛖ ᓰ⨯Řቺⓧ⼲๸㋧ヾ⽷Ŋ ֡ߡ༫ߧउ₯⤬ȯۧ ⸵֬Řۧᛖሬᯉ 127ć31 cmć2ņ49.9ć12.2 in.Ň ͗᜺ŘʀᙹᘋᲰཞ⫢⠗Ŋ 2011.06.25

ࣘሬȭ₣቏ȭἼⰧ ᓰೣŘ๸֘ᬟぬٔሬ˫ᣅ⣲ ≛〡ಓ Ṇṵₗ‫࣑׷‬ ๬ᛟउΎ౹મ ゾኚ Ẉૹኚゾ ⸵֬ŘኚゾņቒᄽŇ૓શ㓺 ೆὮɺೆゾኚẈૹ ņቒᄽŇ 216ć44 cmņ85ć17.3 in.Ň

YANG Shan Shen (1913–2011)

LIN, Yun (1932–2010)

Calligraphy Couplet in Cursive

Calligraphy

Ink on paper, with two seals

Ink on paper, hanging

of the artist

scrolls, with two seals of the

Signed in Chinese: SHANSHEN

artist

Source from Hosane 25 June, 2011

NT$ 60,000-90,000 HK$ 16,900-25,400 US$ 2,160-3,240

1111

⋟⳺ ⠗ሬ ȳ⣫ᖶሶƦ⳷⎟ȴ ࣘሬȭ₣቏ȭ⽷ጉ ‘‫׻‬ᅠఢʁŘ⋟⳺ ⸵֬Ř⋟⳺ʠ֬ ᓰ⨯Řᆫ ङኇⴗⷒΪŊ‫ۊ‬ኇໟ ⷒ̬ॖȯ‫ף‬ᯝኇՒ͗ ༣Ŋ˫༆࿴ኇሦ‫׏‬ȯ ठశ߃ȯ⋟⳺ȯ 18.7ć25.6 cm ņ7.3ć10 in.Ň ᅧ⇾ⓧЮ ᄇ♀

NT$ 5,000-10,000 HK$ 1,400-2,800 US$ 180-360

1112

HU Shih (1891-1962) Calligraphy in Running Script Ink on paper, framed, with one seal of the artist

ౌോⳖ ሯᇓᄽ૯ᮝ ࣘȭ₣ȭ1968 ‘‫׻‬ఢʀŘౌോⳖ1968 ⸵֬ŘౌോⳖᯉņቒᄽŇ 17.6ć22.7 cmņ6.9ć8.9 in.Ň

Signed lower left: named in Chinese Collection of overseas Chinese in the United States

NT$ 5,000-10,000 HK$ 1,400-2,800 US$ 180-360

ଭ⤍Ř⑩߭ሷ෼-ౌോⳖⳊʊ ߈֓ⳕ౺₊൳ଭ ଭቅŘߡ᦬₊൳ 2021/12/10-2021/12/20 ଩ቺ⇾⠛㈀ 2022/01/02-2022/01/16

SHIY De Jinn (1923-1981) Portrait of Zeng Jingwen Ink on paper, with one seal of artist Signed in Chinese 1968 Exhibition: The Anniversary of Si Dejin's 40 Years Death Exhibition Date: National Dr.Sun Yat-sen Memorial Hall 2021/12/10-2021/12/20 Pingtung Art Museum 2022/01/022022/01/16

NT$ 5,000-10,000 HK$ 1,400-2,800 US$ 180-360

104

1113

ʹ‫˶׬‬

YU You Ren (1879-1964)

ʹ‫⎞˶׬‬ઈ༇҅ᮝ‫׶‬ഛ

Photot with Mr. Zicai

⹾㓈᳈₣ȭ⽷ጉ ‘‫׻‬ᅠఢʁŘʹ‫˶׬‬ ⸵֬Ř‫˶׬‬ 28.5ć20 cmņ26.7ć7.8 in.Ň

Gelatin silver print, framed, with one seal of the artist

ᅧ⇾ⓧЮᄇ♀

NT$ 5,000-10,000 HK$ 1,400-2,800 US$ 180-360

Signed lower left: named in Chinese Collection of overseas Chinese in the United States

1114

ⵀ㄃ୀ ⵀ㄃ୀჶഛ ᱺ㒧㒕 ⹾㓈᳈₣ȭ⽷ጉ ‘‫׻‬ᅠఢʁŘⵀ㄃ୀ ⸵֬Řⵀ㄃ୀņቒᄽŇ 33ć15.5 cmņ12.9ć6.1 in.Ň

LANG Jing Shan (1892-1995) Picture by artist: Egret Gelatin silver print, framed, with one seal of the artist Signed lower left: named in Chinese

1116

ⵀ㄃ୀ NT$ 5,000-10,000 HK$ 1,400-2,800 US$ 180-360

ⵀ㄃ୀჶഛ ឌ⏀ ⹾㓈᳈₣ȭ⽷ጉ ‘‫׻‬ᅠఢʁŘⵀ㄃ୀ ⸵֬Řⵀ㄃ୀņቒᄽŇ 40ć25 cmņ15.7ć9.8 in.Ň

1115

ⵀ㄃ୀ

LANG Jing Shan (1892-1995)

ⵀ㄃ୀჶഛ ≘⠞

Picture by artist: Fishing Boat

⹾㓈᳈₣ȭ⽷ጉ ‘‫׻‬ᅠఢʁŘⵀ㄃ୀ ᓰ⨯Řᔌ∌‫׺‬ൠᛤ⫝ 30ć25 cmņ11.8ć9.8 in.Ň

Gelatin silver print, framed, with one seal of the artist

LANG Jing Shan (1892-1995) Picture by artist: Old Street Gelatin silver print, framed Signed lower left: named in Chinese

105

NT$ 5,000-10,000 HK$ 1,400-2,800 US$ 180-360

Signed lower left: named in Chinese

NT$ 8,000-15,000 HK$ 2,300-4,200 US$ 290-540

1117

ᙈᬟ㓠 ㈭◗ߤ ᖛഔȭ₣ȭ1968 ‘‫׻‬Ř1968 ⸵֬Řᙈ 39.5x54.5cm ņ15.6ć21.5 in.Ň

HUNG Rui Lin (1912–1996) Banana Garden Watercolor on paper, with one seal of the artist Signed 1968

NT$ 35,000-60,000 HK$ 9,900-16,900 US$ 1,260-2,160

1118

ቒᣅᱺ Ὄ⽕ଅᑙ ቌԀᦹᯉȭ₣ȭ1979 ‘‫׻‬ŘὌ⽕ଅᑙ32/60 WEIBOR CHU ᣅᱺ 1979 ⸵֬‫׬‬ʁŘቒᣅᱺ 83ć63 cm ņ32.6ć24.8 in.Ň

Chu Wei Bor (1929-2018) Little Bridge in the Village Wooden-lithograph on paper, with one seal of the artist Signed: little bridge in the Village in Chinese 32/60 1979

NT$ 90,000-120,000 HK$ 25,400-33,900 US$ 3,240-4,330

106

㰼啌橣 Ꭻ␿ㆺŊ઎‫زز‬Ŋ(1926~1997)ӛᮝᅠ‫ש‬ᢕ઻⚄ⅠŊ1943౺ᖣણᅠ

1119

ᅺ቏ቺˊ⇾⠛ણዮņ᫠ߡἼቺˊ♊⠛ञણŇȮ1946౺ߊӷռ౹ଔ⩊ռ౹

Ꭻ␿ㆺ

ⰿ˒ञણ⇾⠛₇Ȯ1948౺‫Ⱨב‬ദߡἼ‫ש‬ᢕో῅ञણ♊⠛₇ŊʏᅠҞ֓౺

㏥Ӕ͗яņɿŇ16/20

˩Ԋദ∑ञӴߡἼ⇵㈸ञણォ࢞₇‫⇵ד‬㈸ⳍ౬ણዮⳖ⠗♊⠛ᶇἄȯぜʴ

ʃ⾈⻘ く⸇20˴ ‘‫׻‬ォԀ‫ש‬ಚŘ '70 ‫ زز‬Ꭻ␿ㆺ Yuyu YANG Yang YF. 16/20 63ć53ć68 cmņ24.8ć20.8ć26.7 in.Ň

ሯᅠߡἼ♊૾ȮᛇᖶȮ⺐Зᾀञ૾ずዮ̳⋀␿༇Ŋʏʈӛᦹʷ֓ㇷҩ♊ ⠛̳‫ٴ‬ᄽゝȮ⎠Ⲅᙹҙकᄲ֓ᓝଭ⤍ȯɺᮝԡ̳֔ㇷ˴ឫᯉȮᦹᯉȮォ ԀȮチૼ♊⠛Ȯᇓ⤐⎞೘Ὲ⣳Ԭƥᾀ‫׳‬ㆩ♊⠛̳‫ٴ‬Ŋʏ᪀ᔢᏳᤀᄲȯ ȳ㏥Ӕ͗я(ɿ)ȴ㏥ӔᆯʑߡЗ⃥‫׷‬Ṟ᱿Ṙ㏝Ŋ૑૝┮ʑߡːଃ⎊ᤋ ᱿ɺỚบЭ⎞ቅ⥓ȯ‫˩מ‬ʑߡŊ߱㓳ᗯʁᜀ᱿ቺधᖁᅭŊ⿢ቅ⳰ቃቺᅞ ᙹㄇᆒ⬚᱿ठぬŊЭɺゔ᳖ʃӷᳵᴈ᱿ञ㏝Ŋら┮ɺट᱿Ⳗ⠗Ŋᥖᣊ᱿ ᥣ᥯řЀᇄᆹŊ߱⣫ᅞ᱿ୀఉŊᢜᲵ㏝˃Ŋ̟ὮʷटŊᙶᢜ⸅ᮝŊ‫ב‬ᆯ ɺゔ⇾㓚᱿ᮝ‫ل‬ȯⳆỚൂ᭔ʃ఩᱿⎊ᤋ᫠⩽Ŋଔ⠘ᮝӛȵཬ㏝ȶ᱿ːᄽ ΒˮŊȵ㏥ӔȶᔌᆯⳆỚཬ㏝ᖁᅭ᱿ߧ㊘ȯᎫ␿㏥⦦Řȵ㏥Ӕ᱿छบŊ ʃᆯ˚ट༇ሷ᱿Ŋオᤋಂ֔౺͗઩ⅶᆯ଼ᅠʑߡːบЭἇ⿵᱿એ߱Ŋᤋ ≟ʃ‫ר‬؋⦓᱿ᆯŘ઩఩߱౺˩ʝ⳵᱿એ߱ʑŊ⃻⳧ʑߡːᄪ฻᱿ᇜ๬ᝫ ⡵Ŋ⡕࢞ⳍໞɺΤሷഐ㋤ሷᮝ‫ل‬᱿⎊ᤋ᧎ȯ߱ⳆΤഐ㋤ʀӐ⊌┮‫܈‬₞ሷ

え⪮ߨᘍːᎫ␿ㆺ♊⠛ᄞ⋀ࡣ⸉ሳΎ⨢ሬ ┮⻞Ř 1.ȳञ‫ݽ‬ƦⳢ‫׶‬- Ꭻ␿ㆺଭȴŊᎫ␿ㆺ♊⠛ᄞ⋀ ࡣ⸉ሳӛᦹŊㅪ80ȯ 2. ၪ⎊ȵᎫ␿㏥ņ1926-1997ŇἿ߱ⵯ߭ʀ᱿Ԋ ⠡ȶ◳᭥ᬟƦ⫯⹋ॖ ┮Ŋⵗ೘೗ ⨿Ŋ㋧ఱ⇾ ⠛㈀Ŋᖁߡ95౺Ŋㅪ169

Yuyu YANG (1926–1997)

ԻŊ⃑ଃ⎊ᤋờ⩛ː⿵᱿Ŋ઩ᆯ⎊ᤋ⎞ːㆩʠ⿵᱿Βُ͐ᑙᐴȯ߱ⳆỚ

Advent of the Phoenix

ᝄⳇ໽રໞ᱿า∑ʑŊᛖᛖ᱿⠧᫠ᣅː᱿ଅ⎊ᤋ⣬༼Ҙᣅબસ᱿ञ⎊ᤋ

Stainless steel

ʑŊ⎞ʠ⃌‫׶‬᱿๽ቃȯȶ ၪ⎊ȵᎫ␿㏥ņ1926-1997ŇἿ߱ⵯ߭ʀ᱿Ԋ⠡ȶ◳᭥ᬟƦ⫯⹋ॖ ┮Ŋⵗ೘೗ ⨿Ŋ㋧ఱ⇾⠛㈀Ŋᖁߡ95౺Ŋㅪ169ȯ Phoenix is a luck bird which implied an imagination and expectation of the nature in Chinese tradition. In ancient China,the Dong-yi race round the Yellow River’s downstream, looking at the uprising sun far away, which was like a big bird without the eyes.As the next day came, it was a beautiful burning creature.The circulated nature phenomenon developed the belief of yuyu YANG.He said, “The dream of phoenix doesn’t happen from today.Even though it has been only the imagination of Chinese people for thousands of years,it has been molded to be a living natwral figure with form by Chinese wisdom.This form has been act as bridge and human beings.The meaning of this kind of communication presents the desire of that human integrates with nature.

Edition 20 Signature carving pedestal: Yuyu YANG Yang YF. 16/20 Attached with the guarantee by Yuyu Yang Art Education Foundation

NT$ 300,000-500,000 HK$ 84,700-141,200 US$ 10,810-18,020

Quotation Yuyu Yang (1926-1997) Vanguard on Native Soil, Author/ Ching-ray Hsiao Ling-ju Lai Translator/ Chen-ting Kuo, Kaohsiung Museum of Fine Art, 2006, p. 169.

ሯଭ⤍ᅠᅘὌ˅ⳇञણ 107

1970౺ञᦹ┋ߡ֢⤍ሳ

108

㨯摱 ቒ⺐1938౺ӛᮝᅠ␫ዧⳇナŊ߱1953౺-1957౺ཬɿ∑ォԀञో

ȳ⤐ㅠȴᆯቒ⺐₎1980-1985౺ʠԡ̳Ŋ

ቦ⸉ఛᣅోŊ‫˟׿‬ણ∳З⃥ṘЭォԀŊ߱Ⳇ⡹ቒ⺐ࡢ㇭ʴᛖׂ᱿ഖԀ

ቌォΎᮽटᤋጿᎾቌ‫׆‬ሷ᱿⫨ₕȮⳍࠣŊʏ

૪Իȯ߱ɼȠ౺˩Ŋቒ⺐᱿ԡ̳ߣ←┮ṘЭȮᖛᧅ᧍ὄᾀᖁ⿵ⵯ߭㆛

˫₞ヾ≘⅀᱿ణ༆ォ⿝ӛቌʑሷ⤐ㅠŊ⤐ㅠ

ቨŊቒ⺐༆♊⁤ణŊԀԬᮝՒŊര͗ࡣᅠଃォԀ♊⠛᱿ᥖ฻ŊⱧ̳⎊

わቌʑʠ̳‫ٴ‬Ŋ⚣૪˅⼂Ŋᘍ᳈⒜ްŊয๗

᮫ԡ̳Ŋ1968౺ཬోᎫ␿ㆺણ∳᫠˩ォ࢞Ŋȵቒ⺐ȶʜᎫ␿ㆺ໽‫ח‬᱿

ѭ゜ŊṘ๗዁ُ⎊␵Ŋॖञ⎊ᤋ⎞♊⠛૊ԡ

‫׻‬઎ȯ1976౺Ŋቒ⺐߱‫ש‬ᢕᔕ‫᧎֢׫‬㈀࿴ӛὮɺᓝΤଭȯᯍᆹቒ⺐

า᱿‫׶‬᭍ȯഐೣ ₎᱿ȳ⤐ㅠȴォЭŊᆯቒ

㓿㓿ᤀ‫׻‬ŊᆯᎫ␿ㆺ≘ోᮢൔᾋԬŊ˫̳‫ٴ‬᜾Јʃ‫ד‬ᣅ᮫Ŋᮢ⎊న᱿

⺐ȵⵯ߭ȶ⎞ȵठᏎȶʠ⿵᱿Ⱨ‫׶‬ʠ⇾ȯ

ᒆቅŊ૽ቒ⺐࿴ӛ‫׏‬ᣅ㈪ᓝଭ⤍ȯሱര㈀ᅞՎᣅҢザᾊະ⃛ʵʽटᒆ ቅŊᗞบӷὀञᣅⱺՒŊɺҪೖቅŊᄮᄮଭӛʴɺ౺ȯ ሷː˫ȵഺЗ⃥ʑ⬕ӛ͗᱿ᅘᮝ‫ل‬ȶ໣ȵञւቒ⺐ȶ͗ഐૌ˟Ŋ ૽Ⲗ70౺᱿∳♊⎞ԡ̳ᔕỄŊቒ⺐ⅶᆯɺ⭰ㅽㆊŊ᳅ൔദԊŊഺォԀ డ♊ోӷɺൔⲲᖣ♊⠛Ŋԡ̳ȳ惞߭₇ӬȴȮȳठᏎ₇Ӭȴӷȳː⿵ ₇ӬȴŊሩ߱ⵯ߭⳥Ւ᱿ㆺៜʑŊ⡕࿴⎠ⵯ߭ᄽջ᱿˩⠧ː᧎ȯ 1120

ቒ⺐ņb.1938Ň ⤐ㅠ ‫ש‬ᢕጿᎾቌȭ1980-1985 ņХᔍɺ˴Ň ♊⠛૊ᅠ̳‫ٴ‬ಎⵒ⤃Ԁ焏ቒ⺐焐 32.7ć25.5ć70 cmņ12.8ć10ć27.5 in.Ň え⪮ߨᘍːቒ⺐ᄽᄞࡣ⸉ሳ̳‫⿀ٴ‬હࢊ‫ب‬ሬ

JU Ming (b.1938) Guanyin Calocedrus formosana (Florin) Only one The artist personally engraved "Zhu Ming" at the bottom of the work Attached with JU Ming Cultural Education Foundation and personal authentication report

NT$ 1,800,000-2,800,000 HK$ 508,500-791,000 US$ 64,890-100,940

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づᔌ゛ ░ⓧ⤐ㅠ ᧅᐿቌȭ2008 ņХᔍɺ˴Ň ‘‫׻‬Řづᔌ゛ 2008 68ć28ć24 cm ņ26.7ć11ć9.4 in.Ň え㑫Ⰽ♊⠛⿭Ἴʠ‫̳׆‬Ύ⨢ሬA090261

CHEN Cheng Hsiung (b.1935) Guanyin with Lotus Cinnamomum Kanehirae Only one Signed in Chinese 2008 Attached with the original guarantee by the gallery

NT$ 500,000-800,000 HK$ 141,200-226,000 US$ 18,020-28,840

ȳ░ⓧ⤐ㅠȴ༆ྃᎫኟᛍᮁŊ⌳⮅░ⓧŊㄇ ૌ๔♠ᗖ㄃Ŋযя෥⿴⎊߱Ŋᙟヮӛ⊢Ủ⒜ް ʠᖎಙŊ˫⌉Έ⎊߱᱿য๗‫ا‬᫠ۧ᱿቏⫨Ŋㆴ ḻ⊊ះȮᛘᛍ᱿ⓢဏʠൔȯҢづᔌ゛ɺӝɺ ⿝૽ቌㆊ・㌪౏Ҙң㋤᱿ഐ⩽ʠʑȯ

111

㨯㋫刣 ቒോ∌(1920-2014)ӛᮝᅠʑߡમ൏ņᆹ଼ᖶ♫ŇŊ 1935౺ⳖҘ┮‫׻‬᱿ቷజ♊૾ȯ1951౺͗‫˶ש‬ᄞᅠ‫ש‬ᢕ ో῅ञણ⇾⠛₇Ŋʏᅠ1955౺サ⿭‫ש‬ᢕ⳵⬘ఫ㓷ŊⲲᖣ ᫠˩♊⠛ሩघҀ᱿ᅘඎៜŊ1960౺ቒോ∌ᔌೣໞᣅȵఫ 㓷ᯉᙜȶ᱿ໞ‫ڂ‬ʠɺŊ1997౺᪀ⴆȵᘍ⚄⣫ણず♊⠛ず ंȶŊ2001౺‫ב‬Ᏻ᪀ᘍߡᄞ⋀ⵒㅹ࿙㊀ं፟ᒱդὁŊ‫ד‬ Ᏻ⩇Ⰺߨ㊀ंդὁ᱿♊⠛ሱ㋧ໞଔᩦȯ˟᱿↘ᯉㆺጁ⎕ᅠ ໞ᥊ŊϘ฻࿮‫⏨܈‬᱿↘ᯉ᭔ࣀȯ˟ᱹ᫠ʴᖛࣘ߱₣ʀ᱿᛻ ዀᄓኞŊ‫˫ר‬ᮟᮝⲭː᱿ㅥ‫ػ‬Ŋ⩴૗ʴ˟߱ᗴᯉԡ̳ʀ᱿ ᱹଭŊ⳵᛬⸅ᘱᗄ‫ח‬⣫ᅞ♊⠛ञోʠ⁤㋣ʃХဏ֗ʴ⣶ ⸆Ŋሩ҂૪⿭ཤᅺര᱿♊⠛ԡ̳ᱹଭȯ ቒോ∌ഺଅણ∳ʑߡሬᯉŊሩᥖ฻ʑߡ⥸⥱Ŋ૽⎊⯿ ᄽջ₪㇭➄Ҙ⎏˟᱿ԡ̳ʠʑŊ˟᱿㄄ң⩽̳‫౏ٴ‬ሷ೼ᣊ ᱿ሬᘍඖȮㅠᐪඖ⎞യՒඖřⲿ⳧൬Ⳍ᱿ℬጻᙟⱧȮලา ဧᢇʠ࢘ᨊώ⤯ŊɺỚҥң⦐೺⎞༹෼᱿༆ᘍŊ૽ञ⎊ᤋ ʑ᱿ञୀञᖛ໣ᙟᘃᛖ࣯߱ᯉలʀӐ⊌ӛṘẨछ౿ʠᑂ⪝ ᱿ᄓኞŊ⫥ʵ⤐⫝≛ሱ᳅࿲᱿฾‫⎞ט‬ᤀἩᤀᲵ᱿บЭἇ ⿵ȯᯉ̳ʑ⃌‫׶‬ʑߡᔕ‫׫‬З༫⇾ણඎบ⎞⣫ᅞདྷ⩽↘ᯉ᱿ ⁤ṘŊ ջȮᙟᇶ᱿ℬጻ⎞᠝ᣊ᱿⏨ഔŊԡⳍӛᯉ̳ʑ˪ ːネႰ᱿⣶⤌บЭȯ ȳ⃌ᐉ No.125ȴᆯቒോ∌1962౺໽ԡ̳ŊⳆᑂ᱿ དྷ⩽♊⠛⠧᫠༆ᘍ‫Ⲳ˫ר‬ሿ1956౺Ŋቒോ∌߱ఫ㓷ߡ Ἴ᫠˩♊⠛֢᧎㈀᳖ʴདྷ⩽ᯉ૊ଛ‫מ‬ཚƦോƦᅗࢡࡁᦲ ņNicolas de StaëlŇ᱿ଭ⤍രŊ̳ӛʴᗉહŊᄍፑң⩽↘ ᯉŊɺӡഺㆊ⿭আŊ˫↘าᓥ‫ו‬ᆤञ⎊ᤋʊ᮹Ŋདྷ⩽⠧᫠ ˩⠧⎊᮫Ŋ⃌‫׶‬ʑߡሬᘍ᱿༬ᘍŊʁώⲐⳌȮɺဧ≟ଔŊ ˟ሯ⦦⳧Řȵᯉ₣ૌʃʁ֚㔄⼂⦡ȶȯቒോ∌૽ȵࣘӠʽ ⏨ȶ᱿ቺᅞ᫧⧄ະᮢᅠᗴᯉᖛ⁆ʠʑȯȵʽࣘȶӠӲᆯ ᠝ȮᛇȮʯȮᠪȮᤄʽỚᮢώᅞᘍŊᅞ⋱ԡⳍӛ⩐ջ┋֔ ᱿ࣘ⏨ᄓኞŊᯉㄇ⏨ഔ㇤ដȮ૗ሷᛖಙŊ⸅ᅘહ∑ʴ⣫ᅞ དྷ⩽ʙ∑ȯ

CHU Teh-Chun, born in Jiangsu Province in 1920, China, attended the Hangzhou National College of Art from 1935 to 1940. He taught Western painting styles at the National Taiwan Normal University in the early 1950s, until moving to Paris, where he lived for the remainder of his life. In 1997, Chu was elected a member of the Académie des BeauxArts of France, the first Frenchman of Chinese origin to be chosen. He has received the Chevalier de l’Ordre des Palmes Académiques Paris and Chevalier de la Légion d’Honneur in 2001. His painting style is mature and he prefers to paint in monochrome. Although his work demonstrates the stylistic freedom of mid-century movements, Chu always retained the rigorous technical brushwork he learned from the East.

Chu had been studying traditional Chinese paintings, calligraphies, and poetries since he was a child. Those elements blend naturally into his painting. The artist seems to open a new chapter in the area of landscape art, landscapes that are mixed with subtle poetry. His paintings combine Chinese historical heritage aesthetics with the spirit of Western abstract painting, such as simplified, smooth lines, and high saturation colors, to create shocking visual imaginations.

No.125 is created by Chu in 1962. After seeing a 1956 retrospective of the Abstract painter Nicolas de Staël at the Musée National d’Art Moderne in Paris, Chu made the extraordinary decision to reject figurative painting and start all over again. This led him to form a style that would become synonymous, melding his training as a calligrapher and a painter to create works which intricately coalesce both mediums. His paintings, which are vibrant and full of movement, were heavily influenced by the strong brushstrokes of the calligraphic line and have a profound sense of depth, poetry and musicality. “Paper allows for no mistakes,” he once said. Chu took an oriental theory known as the five categories of ink and applied it to oil paint. The categories are thickness, thinness, dryness, wetness and black, and the results were transformational. Surfaces of rich color that loaded with depth, reconfigure Western Abstraction.

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ቒോ∌ ⃌ᐉ NoƦ125 ᖛ⁆ȭ₣ȭ1962౺ ‘‫׻‬ᅠ̳ʁŘቒോ∌ CHU Teh Chun 59ć38 cmņ23.2ć14.9 in.Ň えቒോ∌డ̳ા⿭Ἴʠ‫̳׆‬Ύ⨢ሬ ᇷ૽ℶ┮♊⠛૊Қゝᯉҩ ‫׆‬ᄇ♀ᣅᄽ፳᧚Ʀᇒ⫯ᅗ

ቒോ∌ଇᄲᕗⰱң⩽ဎ↘ୀᖛㆺᇓ᱿̳‫ٴ‬ȯʁㄇ᱿ᤫ

CHU Teh Chun (1920-2014)

ᦸଃᤫŊଔᆯᯍᆹ໽ᯉ᱿ㆺᇓᤫᦸȯℬጻ╳ՊሷԻŊ༴ञ

Composition No.125

ୀ᱿ᖎ՛ᮢ ‫܈‬᱿ಂώᐉ⇦ӛ͗Ŋ‫ב‬ʃൡ߱₳ῃ⚠ᮢㆩ̙

Gouache on paper

ʑߡᖛࣘᯉ᱿₳ώլՐӛȯ

Signed lower left: named in Chinese and English

‫׆‬ᄇ♀≛ᆯᄽ፳᧚ᇒ⫯ᅗរ‫ڂ‬Ⴔሷȯ

Accompanied by a certificate of authenticity issued by Fondation Chu Teh-Chun and

This is one of his few concrete landscapes painting. The picture below is the landscape picture that he painted at that time. The lines are strong and powerful also can outline the momentum of the mountain with a few simple strokes. In addition, Chu never forgot to outline the details with Chinese ink painting. No. 125 was previously collected by a actor, Vincent Price.

co-editor of the forthcoming catalogue Original Collector: a actor, Vincent Price

NT$ 3,800,000-4,500,000 HK$ 1,073,400-1,271,200 US$ 136,990-162,220

‫׆‬ᄇ♀ᣅᄽ፳᧚Ʀᇒ⫯ᅗ Original Collector: a actor, Vincent Price

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ቒോ∌

CHU Teh Chun (1920-2014)

ᤀ㆛

Untitled

とᮂ く⸇40˴ 2003 ‘‫׻‬Řቒോ∌ CHU TEHCHUN ᳅ല54 cmņ21.2 in.Ň

Ceramic Edition of 40 Porcelain Signed in Chinese and English Asian Private Collection

ˁᙐ ẜːᄇ♀

NT$ 800,000-1,000,000 HK$ 226,000-282,500 US$ 28,840-36,050

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ቒോ∌

CHU Teh Chun (1920-2014)

☾⏨ખῃņؐҞ˴ᵲᦹᯉŊɺ˴ሬᘍゝŇ

Blue Season (Print Book)

ᵲᦹᯉȭ₣቏ȭ2006 ‘‫׻‬ʁᅞŘ28/99 ቒോ∌ CHU TEH-CHUN ⸵֬ఢʀŘሷ佋ߤņሬᘍŇ ⸵֬ఢʁŘट⿧ଡं ቒോ∌ņሬᘍŇ şŘ 41ć32 cm ņ16.1ć12.5 in.Ň B~EŘ 44.5ć34.5 cm ņ17.5ć13.5 in.Ň FŘ 41.2ć30.2 cm ņ16.2ć11.8 in.Ň GŘ 45ć69 cm ņ17.7ć27.1 in.Ň

Colorful Slate, with two seals of the artist Signed underneath: named in Chinese and English

NT$ 360,000-480,000 HK$ 101,700-135,600 US$ 12,980-17,300

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⟡㤮瘜 ‫ش‬ᆨ␠1955౺ᅠʑߡ⸅๸ӛᮝŊ1982౺ŊᯃᏈᅠ߈ఛ⇾⠛ણずȯ 1988౺‫ח‬വോߡ֦ࢩᦲ⃾‫׶‬ञણᷟंણ̤ȯॖ˚Ŋ˟ᙙ⯧ᅠໞⵣُʀᙹ қ߸Ŋ˟᱿̳‫׶⃌ٴ‬ʴʑߡȵᄽːᯉȶ᱿З⃥Ҁ₪ُ⣫ᅞᅘ⠧᫠ʙ∑♊ ⠛⳥Ւʑ᱿⇾ણŊ2010౺˟߱ʀᙹ⇾⠛㈀⎠Ⲅʴ㈪ᓝΤːߊㆰଭŊʏ ᅠʀᙹໞἼȵ‫ش‬ᆨ␠♊⠛ᶇἄずȶ᪀⎏ໞԼ⎞॑⥫Ŋ‫׺‬౺Ŋ߱ʑߡ᪀വ ȵ2010㈸᦮Ӵ㄄ӓ♊⠛ː᧎ȶ᱿Ᏻ⩇ȯ ȳ⭴≗᱿㓺ዾȴ1994౺ӛᮝ᱿㓺ዾŊᆯ‫ش‬ᆨ␠߱ോߡⳤᔕᆹ໽㇣⋀᱿ ₞ỚോߡᨲᨁŊオᤋ˟ΡℳӠ‫ף‬ሷᵬᵬಂ౺Ŋ̟ᆯִଃҢ♊⠛ᔕỄ᠚᲼ӛ ㄄ӓ・฾ȯᔍ̳‫ٴ‬ဎ↘㓺ዾᙙោ⿭ቁ᱿㍫ᆙഐ⩽Ŋ‫ר‬⣲‫ش‬ᆨ␠⎞㓺ዾ෼‫׺‬ ᦬ઈ฾෼᳈ⳇŊʻՒ⏦॑Ŋߌᔍ㓺ዾ༇ሳሷ㋧⎟ӷ⭴⯧⬚͗᱿෼฾⠧᫠Ŋ 㓺ዾサʊരŊ‫ش‬ᆨ␠ሯɺಙᗖᙺ߱෫๦ʑᤀᘍʁώᯉӛ⥆ຣʑ᱿฻ᨁŊ᳅ ӷ2001౺Ŋ㓺ዾ༇⸅ᅘ⯧ʀ₣቏Ŋ౿ջໞᣅҢ♊⠛ʀ⁤Ṙ᱿Ի⸇ȯ ZHOU Chun Ya (b. 1955, Chongqing, China) graduated from Sichuan Fine Arts Institute in 1982 and obtained a Master’s degree from Kassel Academy of Fine Art in Germany in 1988. He is currently lives and works in Chengdu and Shanghai. His works combine the elements of traditional Chinese “literati painting” and the aesthetics from modern expressionist artistic movements found in the West. Zhou held his first retrospective at Shanghai Art Museum in 2010, and was awarded Artist of the Year at the 2010 Art Power Awards.

In 2010, he also found Zhou Chunya Art Academy in Shanghai.

Zhou is famous for his “Green Dog Series”. The dog presented in Jumping Heigen was actually his own dog, Heigen. It was a German shepherd born in 1994. Although he only spent few years with Heigen, it became his chief subject for more than ten years. In the work Jumping Heigen, it describes and happy and energetic Heigen which often plays around the artist. After Heigen passed away, there was a period of time that Zhou could not paint anything related to his dog. He restarted painting Heigen and turned his sadness to the great vitality of art on the canvas in 2001.

‫ش‬ᆨ␠⎞฻ᨛ㓺ዾ‫ᤫ׶‬

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‫ش‬ᆨ␠ ⭴≗᱿㓺ዾ ᗴഔȭᯉలȭ1996 ‘‫׻‬ʁᅞŘ1996 ‫ش‬ᆨ␠ 100ć80.5cmņ39.4ć31.7 in.Ň

ZHOU Chun Ya (b.1955) Jumping Heigen Oil on canvas Signed lower right : named in Chinese and dated 1996

NT$ 5,000,000-6,000,000 HK$ 1,412,400-1,694,900 US$ 180,250-216,290

118

⾼㨪瞹❇歈 ୀ቏㓮‫ה‬㈭1964౺ӛᮝᅠᅺ቏୙ୀⅠŊᅠ1990౺ᅠ ᔏ♀⸆⇾⠛ञણᷟंᯃᏈരŊ˫ᅺ቏ᄽջೕ♊⠛૊ᶇἄ‫ڂ‬ ⯿Ӡ⬘␿ߡᶇΔ⎏1999౺ⲙߊᅺ቏ȯ ୀ቏㓮‫ה‬㈭‫ט‬⡕࿴⎠ᣅᅺ቏ѭẛ᱿Ὦʷ˩ᯍ˩♊⠛૊ ʠɺŊʬሷȵय⏦⇾ᇜ࿲᫗ːȶʠờȯॎ᱿̳‫ٴ‬ㆺጁञघ ᆯဎ↘Ἂ┮Ւ᧎⡶༜Ȯ⠧෼౹㄃Ⓓᛵ᱿ᮮઙȯॎ⦦Řȵഺ ໟ⿭আᯉἊ┮Ւ᧎ሺ⡶໣⩐ໞՒ᧎᱿ᮮઙ⎏˚Ŋञ₎఩⃻ ሷ20౺ʴȯȶᣅˑ㓯⋱च࡫ྃԡ̳Ⳇᑂ᱿㆛ቨⳆ㓯ʝŝୀ ቏㓮‫ה‬㈭⠧ḻŘȵଔᾰໟᅽ఩⌉サઙὄ⯿ӠŊᯍໟ‫⎊ۊ‬న ᣅˑ㓯⣬ᯉⳆˀߧ᱿ᆹαŊໟ˜ᤋ฾ӷὄ౺᱿໊⎡ʠ෼⿢ એᅠໟൔ⡹ȯȶ≟ॎΎྃⳆỚ฾⤌᱿ᅞೣŊଔᆯʃᅜ᱿ԡ ̳ⳆˀଅᮮઙߧЭȯ ȳଅ᪗ઈȴȮȳጻₕ⠥ᮮઙȴʑ‫ר‬⣲ୀ቏㓮‫ה‬㈭ञघ ࿮ᮢᛞᛇ⁆੅᱿⏨⦲Ŋⶪ‫׶‬዁ㅯߥ➄᱿ώ⤯Ŋ↘⢌ӛ₞᳠ ‫ר‬฻ʏ౏ሷᝐ㈶᱿⣶⤌ଅᮮઙŊଅᮮઙ㆜ㆊʀ҆᠂㇤ដŊ ₳Ⱆ‫א‬ద᱿㋱⃦Ȯ⍋⏨⍰⛵ᇘᬥ⁆੅౏㔄टᤋ₏ᇤŊᩖॖ ✭ጆ⎷₳ⅅȯॖᔍㆺጁ߱⏨⦲Ȯℬጻώ⤯ᾀ‫׳‬ᅞㄇŊⵣᆯ ˪ː฾ӷ᱗ᱟȮᝐ዁Ȯ‫ר‬฻᱿̳‫ٴ‬ȯ ̟ୀ቏㓮‫ה‬㈭ʏʃ‫܈‬₞‫ף‬⠧᫠᱗ᱟ᱿෼฾ȯ˝₳⤐ૣ Ⳇˀᮮઙオᤋሷ┮⎞౺₊᳈Ὢ᱿⯿㋧Ȯ⍰⛵Ŋ˫‫⎞ד‬₞᳠ ‫ר‬฻Ŋ̟˟Ω᱿⠧෼ִⵣᯌ౑᱿Ṙṑҽអȯ‫⤑ݝ‬ᆯཚໞɺ

119

Mayuka YAMAMOTO (b. 1964, Okayama, Japan) received her master degree at Masashino Art University in Tokyo in 1990, and joined the Japanese Government Oversea Study Program for Artist to continue her studies in London until 1999.

Yamamoto has been revealed as one of Japan’s leading second-generation painters and is so-called “the successor of Nara Yoshimoto”. She often paints portraits of young boys with calm, serious and emotionally ambiguous expressions.

In many of her paintings, the boys wear animal costumes.

She said, “It has been about twenty years since I started to paint boys wearing animal costumes or turning into animals.”

“Even though I am not a child anymore, when I asked myself why I had to paint these images, I still feel the nostalgia for my childhood in my heart,” she indicated. The way Yamamoto maintains this feeling is to constantly create the images of these little boys.

From Little Prince Boy and Striped Shirt, it can be seen that Yamamoto mostly adopts light pink tones that combined with soft and round brushstrokes to create the warm, pure, and naïve boys. In Little Prince Boy, the boy’s forehead is full of luster. The complexion is rosy and tender with natural blushes; as delicate as the color of a peach. Her style is healing, gentle, and warm in terms of color tone, brushstroke, and subject matter.

᳅ℬŊᮚ⎏ᆙㆴʁࠡŊᄣᱹ┮ʃ଼ᅠⳆ౺㕤᱿ગૐȯ

However, Yamamoto does not only express healing emotions, the expressions on the face of her boys are extraordinarily mysterious and indifferent. Their mouths are pointing down, exuding loneliness that does not belong to their ages.

ୀ቏㓮‫ה‬㈭

♊⠛૊̳‫ߧ₳‘⋍ٴ‬

1126

ୀ቏㓮‫ה‬㈭

YAMAMOTO Mayuka (b.1964)

ጻₕ⠥ᮮઙ

Striped shirt

ᗴഔȭᯉలȭ2011 ⋍‘ŘStriped shirt Mayuka 2011 ᳅ല100 cmņ39.37 in.Ň

Oil on canvas Signed back side: Striped shirt Mayuka 2011 Collector buy from Tsubaki Gallery

᫠ᄇ♀≛⫵⎊Ꭳᯉ಴ ˁᙐ ẜːᄇ♀

Collection of Asian

NT$ 1,200,000-1,500,000 HK$ 339,000-423,700 US$ 43,260-54,070

120

㨯䓺䤸 ቒᣅᱺ(1929-2018)ᮝᅠ֡ˊŊ1949౺らⰊ͗‫ש‬ȯ1953౺҅߱ಽ↧ ᆨ᱿ȵゾُᯉાȶ∳ᯉȯ1958౺ԽҘȵቺᅞᯉሳȶŊ˫དྷ⩽↘ᯉʠ᫧ ൳Ŋ࿯€ʑߡːᄽ⁤Ṙъϊ⎞ҙൔ෼฾Ŋᯉㄇघ‫ט‬ሬᘍⳍࠣ᱿ഛㅨŊ⎊ ᮫ൔ・᱿⠧᫠ȯ1960౺˩Ŋቒᣅᱺ᱿ԡ̳Ἄᶝቨ⫨᱿౹ㄇくӼŊⴏҘ˫ ቨ⫨ᐉໞᣅʙ᱿ᯌಙἇ⿵⇾ણŊᔍɺⱧ⩐ଃቒᣅᱺⲲᖣ‫ڏ‬ણඖ᱿♊⠛⠧ ⲩŊဏͧ‫נ‬ɺべᕀ᱿ൔ・૑༎ȯ‫⥶ݏ‬ȵ˫ӝ˩ώȶ᱿૪㊹ඖ਄ቨ༬ᘍŊ ⳥ᮢలᅆȮ₣Ŋ˫ԙȮ⫅Ȯ⢁ȮԟŊ߱౹ㄇ₪ቨʀԀԬӛㆺጁ᩸᧚᱿Ἴ ㋤ἇ⿵ŊἌᶝʷಙἇ⿵᱿ͱくŊ⩕ԡ̳ʃͱくᅠ౹ㄇŊϝӛᅹ㄄ォ࢞‫ב‬ ̙ォ࢞᱿♊⠛̳‫ٴ‬Ŋ߱౹ㄇ↘ᯉ⎞ォ࢞⿵ⳤ⬕Ŋ⬢⬤ʷಙⳖҘᅘ᱿ɿಙ ἇ⿵Ŋഐໞ೼ᣊ᩸᧚᱿ㆺጁȯ ȳᛍջ㓺ȴȮȳᛍջᱺȴ‫ا‬Ꮞ Ȯ⫨ᑊㆺጁŊ㓺ᱺᯉㄇʑतἌ⬚᱿ ଶଶ⫨฾Ŋ≒Ւʴ‫׆‬቏‫⏨܈‬౹᝱᱿ʊ᮹Ŋॖᤀ઎ʠ⥸Ŋᗞሷ˶̬ᄽ઎Ŋ ‫⋱ף‬ᮢᛖԀ᱿ൔ・⤯⤌Аջൔʑ᱿യՒʠ⊖Ŋ߱ൔ൳᱿ἇ⿵ʑŊᮢൔР ⊝Ŋ༇⋱㋤ሳ㄄ӓ᱿෼฾ʊ᮹ȯ

Born in 1929, Nanjing. CHU Wei Bor moved to Taiwan in 1949 and started to studied painting in Laio Chi Chun’s art studio in 1953. He joined the Ton-Fan Group in 1958. As one of the members of the Ton-Fan Group, Chu viewed the Oriental Sprit as the most important inspiration for his creation. Starting from 1960s, it is apparent that Chu broke the boundary of the usage of materials, which led him to turn to an Oriental philosophy as the only way by which to shape his artistic thinking. Chu employed the experimental technique of “using a knife instead of pen” to cut, paste, and mount on cloth and paper, in order to create spaces. His art works is in between painting and sculpture, from 2D to 3D, and has a strong unique style.

Purification-White/Black presents a minimalist and simply style that layers of texture protruding from the center of the black and white added poetic feeling into the work. Ones can only understand the extraordinary emotion by their hearts.

121

1127

ቒᣅᱺ ᛍջ D 㓺 ⢒‫׶‬਄ቨȭፕ 169.5ć84.5 cmņ66.7ć33.2 in.Ň

CHU Wei Bor (1929-2018) Solipsism-Black Mixed media, cotton

NT$ 750,000-1,300,000 HK$ 211,900-367,200 US$ 27,040-46,860

122

1128

ቒᣅᱺ ᛍջ A ᱺ ⢒‫׶‬਄ቨȭፕ 169.5ć84.5 cmņ66.7ć33.2 in.Ň

CHU Wei Bor (1929-2018) Solipsism-White Mixed media, cotton

NT$ 750,000-1,300,000 HK$ 211,900-367,200 US$ 27,040-46,860

123

1129

⒜ᇒ

TSONG Pu (Taiwanese, 1947)

I See

I See

⢒‫׶‬਄ቨȭ⽷ጉȭ2003 ‘‫׻‬ᅠᯉ⋍Ř⒜ᇒ I See 2003 27ć37 cmņ10.6ć14.5 in.Ň

Mixed media on paper, framed Signed backplane: named in Chiese I see 2003

NT$ 36,000-50,000 HK$ 10,200-14,100 US$ 1,300-1,800

124

垿♩ ◳՝ŘȵໟʃᆯɺΤԡ̳૊Ŋໟ‫ף‬ᆯɺΤЗⳭ≛ȯȶ ߱ȵ⇾⠛᫠˩ջ⳥Ւȶ᱿ञᆹ˩⋍ᇓʁŊ◳՝᱿♊⠛ ⦝⤵ഛㅨ‫ש‬ᢕ᫠˩⇾⠛⳥Ւ᱿࿴Ւ‫ד‬ᱹଭŊ૽᧚ሷ᱿ቺᅞ ඖ⤐㔄⎞ᯉㄇ‫ا‬᫠߱ߡもԊ⠡♊⠛᱿ᕆࡩʀŊሩᣅቺᅞЗ ⃥᱿਄ቨ⎞ඎℋŊଁ༪ӷʴɺጻ௥ᅘ᱿ⳬ⭰ȯ ◳՝ᯉẈⳬདྷ⩽ᯉŊᅠ2005౺വӷาञӴⅶ⃥ㅹᱹ ȵߨ⃌ʠൔȶ㊀ंդὁŊʙߌᆯ˟ሯ߱าञӴ౏ㆊᱹ⬚ ȵठぬ(Surya) ߡも♊⠛⳥Ւȶُȵߡも䁨(Shakti)♊⠛⳥ Ւȶқࢍഛㅨᛖ⳵ʠ♊⠛⳥ՒŊᣅᯍ߸♊⠛᮹‫ד‬ҝ᳷⩲⬚ ᆙᥨȯ ቺᅞ᱿ᄽջ⋍ᇓഛㅨ◳՝᱿♊⠛‫ד‬ඎℋŊ̳‫ٴ‬ʑ⳥ᮢ ᆞ᱿ቺᅞⳍഐ⦝എŊⲖʢሬᘍ᱿དྷ⩽ඖὪ⚦Ŋ㇤ដ᱿⏨ ഔ߱ሧℬ⎞ߥ㔄⿵⃌‫׶‬ʴ‫ڏ‬ඎ⎞⇾ણŊ⩽൉ɺΤʷҀ⿵᱿ ُ⧒બસἇ⿵Ŋ◳՝З⳴᱿ʃХᆯቺ⣫ᅞඎℋ˅ᙟ᱿♊⠛ ⇾฾ሩᆯൔ・ʀ໽౏͗᱿౹㄃ُ⧒ȯ ȳठぬȴŊᅺᆒ᱿ࢍᇓ҂ដʴᅘశቃ⎞ṗṵŊʃϟ࿯ €બસ‫ד‬ᮝ‫ل‬Ŋ఩ໞଔ◳՝ɺᮝㆺጁ᱿⦝എŊඎℋໞ᥊ߥ ដŊॖ‫Ⳇ׺‬ౘ̳‫ٴ‬ठぬɺ⎷Ŋᝐᇮ᱿⏨⦲ᵝἼʑतŊᯉㄇ ᇮൔʈ҂ដశቃȯ

“I am not a creator; I am just a communicator.”

-Hsiao Chin During the Art Modernization Movement, HSIAO Chin’s art creations contributed to the promotion and development of Taiwan’s modern art movement. He presented the unique oriental perspectives and pictures in the international avantgarde world and, furthermore, successfully inaugurated new expressions and possibilities for traditional Chinese materials and ideas.

Hsiao Chin’s abstract paintings of Zen were awarded the “Heart if Unity” Knight Medal by the President of Italy in 2005, because he took the lead in launching two far-reaching art movements in Italy, the Surya International Art Movement and the Shakti International Art Movement, which lit up a bright light for local art and people.

The Eastern cultural background had influenced Hsiao’s art style and thoughts deeply. He employed the simple oriental vocabularies and abstract calligraphic symbols in this work. The high color saturation curves and dots shows the combination of philosophical thinking and aesthetics, symbolizing the holistic harmonious of the cosmos. Hsiao conveys not only the artistic beauty of the Western and Eastern cultural exchange, but also the peace and harmony of mind.

The Sun expresses the scene of rising sun that is full of new hopes and blessings. Constantly exploring the universe and life has become the central idea of Hsiao’s life. His thoughts are mature and complete; just like the warm color sun standing on the middle picture, warm and full with hope.

125

1130

◳՝

HSIAO Chin (b.1935)

ठぬ

Sun

ࣱ҇Իȭᯉలȭ1961 ‘‫׻‬ᅠ‫׬‬ʁŘHsiao 1961 85.9ć116.1 cmņ33.8ć45.7 in.Ň

Acrylic on canvas Signed lower right: named in English 1961 Source from Sotheby's Hong Kong. 4 April, 2011

͗᜺Ř㈭ᛸ♫૗ᕗ 2011.04.04

NT$ 800,000-1,300,000 HK$ 226,000-367,200 US$ 28,840-46,860

126

↫梑㾯 ɻ゛ᘃ(1929~2010)1952౺߱ఫ㓷ᆹቅŊ↘ᯉㆺጁ‫ט‬ӷ㈸⧑ᅗ᱿ഛ ㅨŊិ​ិ߸⬕‫܈׿‬₞ջ᱿ℬጻ˫‫ד‬౹ㄇ᱿ᐉߧŊ఩⃻ʃҪͩൂ┮⣫ᅞЗ ⃥↘ᯉ᱿҆ഛ⩐ջُ‫܈‬㔄ⲿ⣶Ŋ‫˩≟ח‬ʠ᱿ᆯ᳅࿲౹ࢣُ൬Ⳍ᱿ဎ૯ȯ ɻ゛ᘃ߱1960౺Ẽଡₚ₎Ŋᅠ1970౺૽ʑߡሬᯉ᱿༬ᘍ➄Ҙ↘ᯉŊ ᯉㆺഺᅽቅ᱿དྷ⩽ŊⱧ≟ӷː㋤ဎ↘Ŋᨌ⑽᱿യՒُլՐ᱿ⱐ಺ŊԽʀ ˌ㓚᱿⏨ഔ⎞㍫ᆙ᱿ଃᕗŊ⎊ᔍʬऽહʴ˟᩸᧚᱿ㆺጁȯ ɻ゛ᘃႸ⿢ᮢ૯า᱿ᅞೣŊ૽዁⇾᱿ॉඖː㋤Ȯ␕֙Ŋ᠝Ⅷᣅɺౘ ౘ⏨ഔᛤ㓚᱿⣶⤌⥸ᯉȯ໣⥓ሷː⤌വ˟ώʁဎ↘᱿ॉː෼⏨า‫ػ‬ठ᠝ ׂŊʃ⳧˟ʬञᅞ༫⦓Ŋᓞ⫝ॉඖਫ਼ਉŊᗖ᝛ᅠᤞ␕బかŊᕥʃ‫ט‬क᮹ ᱿✫⦝໽ഛㅨȯ

ȳɿ⇾ߧȴŊ˫㍫₏ᥖ෼ᣅʙŊɿॉ༆࿀㍫␕Ŋ৐ি᱿ሧℬଭ᫠ɻ ゛ᘃൔᲿʑଃॉඖ᱿ᥖ฻Ŋ࢞ⳍӲңɺጁ᱿ॉඖഐ⩽ȯ˟۹ᔊ͐ᮢഔ ώŊʏӴᮢⰱᣅ૯า᱿ᅞೣᓼㅳॉː᱿㋤๗Ŋ˫⏫㓚᱿ࣱ҇Իഔ౹ࢣℬ ጻҙ᱿ἇ⿵Ŋ⠧᫠ᤀཨᤀታ᱿ᯉㄇ⃌ᐉŊ͐ᄮ㋤⎊ᤋѭ⇾ִʬᡡᢇȯ

Walasse TING (1929-2010) went to Paris in 1952. During his stay there, his horizons broadened with Henri Matisse’s influences. His painting style was gradually moved towards using simplistic lines and flat composition. The traditional Western one-point perspective and shade and shadow painting techniques were no longer used in Ting’s works. He otherwise painted more straightforward and sketched more quickly.

In 1960, Ting moved to New York and developed his now distinctive style using Chinese calligraphic brushstrokes to define outlines and filling flat areas of color with vivid paint. His styles changed from the early abstract paintings to the depiction of nude body.

Ting was popular with using freehand brushwork to combine female nudes and lush flowers to create poetical feelings. Perhaps some individuals think that the eroticism of the women depicted in his paintings is too strong. But Ting was generously admitted that he appreciated the flirtatious of female bodies and visiting the red-light districts without being affected by the rumors.

1131

ɻ゛ᘃ ɿ⇾ߧ ࣱ҇Իȭ₣቏ ⸵֬Ř࿮␕ञᲱ 179ć96 cmņ70.4ć37.7 in.Ň ͗᜺Ř㈭ᛸ♫૗ᕗ 2019.04.01

Walasse TING (1929-2010) Three Women

With the theme of red and enthusiasm in The Three Beauty, three women, with graceful curves, holding flowers shows Ting’s love for women. It creates a unique female image. He likes to use colored pencil, and uses a more freehand way to praise women’s posture. He uses gorgeous the flat paintbrush with acrylic paints to paint the space within lines. It expresses the unrestrained picture structure and makes the whole picture look natural and chic.

127

Acrylic on paper, with one seal of the artist Source from Sotheby's Hong Kong. 1 April, 2019

NT$ 800,000-1,000,000 HK$ 226,000-282,500 US$ 28,840-36,050

128

1132

ɻ゛ᘃ ⇾ː

ࣱ҇Ի₣ኈ⢁ᅠᯉల ⸵֬Ř࿮␕ञᲱ 64.5ć80 cmņ25.3ć31.4 in.Ň

Walasse TING (1929-2010) Bueaty Acrylic cardboard mounted on

NT$ 320,000-420,000 HK$ 90,400-118,600 US$ 11,540-15,140

canvas, with one seal of the artist

ȳ⇾ːȴ੍ਉ᱿െ὜Ŋ౏┮⋱լː᱿ᳵṘŊɻ゛ᘃώ ⤯ʁ᱿ॉːሷ┮᩸᧚ᤀᘍ༾ལ᱿㌭ԻŊℂาᛤᇔᄍ㌂Ŋᯉ ㄇ⎊ᤋᇶ൬Ŋ‫ا‬᫠ᡡᢇʠ฾ȯ߱らൔ໽ᓥ᱿̳ᯉʠᆹŊʬ ˉ‫ט‬ӷ↘ᯉ౏⃛˟᱿⇾॑Ŋᔍᆹഐೣ఩ʃҪ⸅⣬Ŋഺ̳‫ٴ‬ ᮽヮӛ͗᱿͵ᆯɻ゛ᘃ⎞ᮝΖ͗᱿↘ᯉ⏨ഔ᳅⤌Ŋ˟૽ଃ ♊⠛᱿ᥖ෼⎞෼฾Ŋ⬋⢇⢇᱿⠧᫠߱ᯉ̳ʑȯ ɻ゛ᘃሯ⦦Řȵᯍໟ᳖⣲ɺΤ⇾㓚᱿ॉːُ␕ቕ᱿ᆹ αŊ⴨Ớ⇾㓚⩕ໟ฾ӷᤀഐ᱿๿㌟ُ฻Ŋᅘ㍫≟‫⎞ב‬᳷ʃ ‫׺‬Ŋ‫⦦ר‬ᆯ⌉⋏ဘ㋉ȯໟบ߱ᯉ̳ʑᮢʃ‫׺‬᱿㆞⏨͗⠧Ⳮ ໟҙൔ᱿฾‫ُט‬෼ℨȯȶɺᮝ൥ᅠ⎊ໟ฾‫ט‬Ŋ⪄ⴏञᅞŊ ʏ⎊⧕ᣅȵ࿮␕ञᲱȶŊⳆᆯɻ゛ᘃଃᅠ⎊న⪄ᦱ᪓᳅᱿ Τඖ⃛ʵሱ̈́᱿ᕗ‫܍‬ȯ

129

The charming smile and seductive eyes in The Beauty are the iconic characters under Ting’s brush. Ting’s female figures always have a unique and irresistible charm. The green color is clear and relaxed; the picture is natural and has unrestrained feeling. When he was painting with his will, he also enjoys the beauty brought by painting. What is revealed from his works is Ting’s innate painting color intuition, which totally shows the enthusiasm and emotion of him in his works.

Ting once said, “When I see a beautiful woman (and) flower, their beauty makes me feel invisible melancholy and love. It is so fresh and unique that making me feels like a totally different person. I want to express my feeling and expression through different colors in the paintings.”

1133

ɻ゛ᘃ ❴❶

ᗴഔȭᯉలȭ1961 ‘‫׻‬ᅠ⋍ㄇŘting 61 49ć61.5 cmņ19.2ć24.2 in.Ň えᯉ಴Ύ⨢ሬ

ȳ❴❶ȴԡ̳ᅠ1961౺Ŋᆯɻ゛ᘃ⿭আञ ⍦͐ᮢᗴഔ‫ד‬དྷ⩽༬ᘍŊ೼⦲㆞⏨‫ד‬ቨᅆ቏⯿ ᱿⫨฾ȯ˫ᇮ⏨ᗴഔᯘԽŊ⠧᫠ӛ❴❶⩴૗ᢹ 㓚᱿∨⌻⯿ഐŊཛྷ⿭˫ദң⩽᱿ℬጻဎ↘Ŋ̳ ‫ٴ‬ʑ☼᮫⏨ഔ᱿೼⦲Ŋ⃛ʵ⤐⫝≛೼ᣊ᱿⣶⤌ ⠢Ⴛȯᔍౘ̳‫ٴ‬ᆯɻ゛ᘃᅽቅདྷ⩽ʙ∑᱿ɺᓝ ໞԼ‫⥶ݏ‬Ŋ➄Ҙ⣫ᅞᳵ⽷⛲ᙜ᱿ᨌ⸆⏨ഔŊⳆ ᑂ᱿↘ᯉ⦝⤵હ∑ʴɻ゛ᘃദര᱿♊⠛ᐻ⦒ȯ ༇ᖎⅪᑲ᱿ⓧː♊⠛૊ɻ゛ᘃŊ൥ᅠȵ♊ ⠛֯⎊ໟȶŊ˫⪄ᄍʃ⇸᱿ㆺ⸁Ŋ⭪⬤ߡ᮹Ŋ ㆺㄆʴҚʊ᮹Ⲳᖣ᳠ᮝᙙ᱿ːΩŊᣅʷ֓ʊ₊ ♊⠛‫࣑׫‬ᛟʴɺཏ₞⇾᱿⃑⏨ȯ̳‫ٴ‬ᣅʊː໽ ᵧሎŊೊᣅːΩᦩ᳈ᄇ♀⎞ⴎ⦼‫א‬ଭŊࢄờʊ ᮹₤ᯍ˩♊⠛⃻Ҥञో!

TING Walasse (1929-2010) Butterfly Oil on canvas

NT$ 300,000-400,000 HK$ 84,700-113,000 US$ 10,810-14,420

Signed back side: ting 61 Attached the guarentee of the gallery

The Butterfly was painted in 1961. Ting began to boldly use oil paint and the technique of abstraction to emphasize the color and texture of the material itself. Superimposed with warm color oil paint, it shows the rich and dazzling wing shape of the butterfly. Regardless of the previous line description, the work gives people a strong visual impact through the emphasis of color. The painting is a successful attempt of Ting’s early abstractionism. It incorporates the wild color of the Western Cobra. Such a painting language defines Ting’s later artistic symbols.

Walasse Ting, a talented Chinese artist, is loyal to “art is self”. With his bold style, he has crossed national boundaries and swept people all over the world who are pursuing life, adding a touch of color to the art history of the 20th century. His paintings are known worldwide and popular to the collectors. His paintings are often participated in the exhibitions. Ting can be called the master of contemporary artist around the world.

130

1134

131

〦⏦

GUAN Liang (1900-1986)

ˊԮː᧎

Peking Opera

⥑⏨ȭ₣቏ ‘‫׻‬ᅠ‫׬‬Ř〦⏦ ⸵֬Ř〦⏦Ȯ ⳵ 100ć80 cmņ39.7ć31.4 in.Ň

Color on paper, with one seal of the artist Signed right side: named in Chinese

NT$ 350,000-550,000 HK$ 98,900-155,400 US$ 12,620-19,830

1135

ҽⰊ

LENG Jun (b.1963)

╗ি㓚⒠ŋ〦ᅠെ὜᱿⥑⤺

Mona Lisa-It's all about that Smile

ᦹᯉȭ2005 く⸇166˴ ‘‫׻‬ʁᅞŘ151/166 ╗িḤ⒠ŋ⅚ʹെ὜᱿ ⥑⤺ 2005.12 ҽⰊ Ӽ 77ć54.5cmņ30.3ć21.4 in.Ň

Offset lithograph Edition of 166 Signed and numbered lower

NT$ 220,000-320,000 HK$ 62,100-90,400 US$ 7,930-11,540

132

1136

೺┋З

CHANG Wan Chuan (1909-2003)

㌽⎞❩

Fish and Shrimp

ᗴഔȭᯉల ‘‫׻‬ᅠఢʁŘCHANG.ɽ.

24ć33 cmņ9.4ć12.9 in.Ň

Oil on canvas

┮⻞Řȳ֬⩽⃻Ҥ I ೺┋З᱿Зम⏨ഔȴŊ֬⩽ ♊⠛ʑൔᯉ಴ӛᦹŊㅪ134-135ȯ

133

Signed lower left : CHANG.ɽ.

NT$ 100,000-130,000 HK$ 28,200-36,700 US$ 3,600-4,690

1137

づ๬ࠍ ञ᫧Ⓣ ⍑ഔȭᖛࣘȭ₣ȭ1955 ‘‫׻‬ᅠ‫׬‬ʁŘ๬ࠍ 54ć46 cmņ21.2ć18.1 in.Ň ┮⻞Řȳづ๬ࠍᯉゝȴŊߡἼᔕ ‫᧎֢׫‬㈀ӛᦹŊㅪ122ȯ

づ๬ࠍŊ઎ʀ␥Ŋᆯ‫ש‬ᢕᯉ૊ʬᆯɺ̤ᄞ⋀૊ȯ⿢౺Ⴢ

CHEN Huei Kuun (1907-2011)

˶ߡἼ‫ש‬ᢕో῅ञણ⇾⠛₇ᄞ࿙ȯଇᄲҥᗴᯉȮ⍑ഔȮᖛࣘ

Dahlia pinnata

ԡ̳Ŋ˫‫ד‬ᛖҘ᫧⤟ቺ⣫ᘱ⇾⠛ඎៜ᱿ᯉ૊ȯᯃᮝԡ̳೼⦲

Glue painting on paper

ㄇଃ૪ഛ૯ᮝŊ˫‫ࢩד‬ଋ(Paul Cézanne) ଃᅠᯉ̳࡫૪᱿⃌

Signed lower right: named

ᐉȯづ๬ࠍɺᮝ՝ᅠ↘ᯉŊࡄ㈪⿛ᶇ⏨ഔŊ૪㊹‫׳‬Ớᅘᅞᘍ

in Chinese

ʏʈ➄‫׶‬⍑ഔȮᖛࣘȮᗴᯉɿΤㅽࡍŊᐉῈ˟᩸᧚᱿↘ᯉㆺ

NT$ 350,000-600,000 HK$ 98,900-169,500 US$ 12,620-21,630

ጁȯづ๬ࠍˉउ103ᔓŊҢɺᮝଃ♊⠛᱿ᥖ฻්ॖ80ᔓᆹ᱿ ⎊ⲩŘȵ࡫ྃ⎊న᱿⭰ỄŊ࿯ἄ⇾᱿ᔌᷨᅞ‫׿‬Ŋ⋱᪇⯿ᅠ⇾ ⠛᱿ᄞ⋀⎞ԡ̳Ŋᐪ≟ൡ๿Ŋʃᵧ≘ʠ૽⎏ᵦĿȶ 134

1138 ቦጪᑋņ1902ŋ1983Ňӛᮝᅠ‫ש‬ᢕᅘռఱɿ஑֒Ŋᆯɺ̤‫ש‬ᢕ⇾⠛

ቦጪᑋ

LI Mei Shu (1902-1983)

᪕ୀʠᇏ

Good Morning, Yu Shan

૊Ȯᯉ૊Ȯᄞ࿙Ȯ⩀‫ڂ‬Ŋ̳‫ٴ‬ㆺӠᅽȮʑȮᇄቅ :ᅽቅņ1924ŋ1948Ň

ᗴഔᅠቌኈ ‘‫׻‬ᅠఢʁŘጪᑋ ⋍‘Řቦጪᑋ 15ć23 cmņ5.9ć9 in.Ň

Oil on woodbroad

ᆯቦጪᑋ߱ᅺᗶᆹቅ᱿ԡ̳Ŋ֯ờᣅȵक҆ᙜᆹቅȶŊᔍᆹ̳‫⎊˫ٴ‬ᤋ

Signed lower left and back side:

઼⤐᱿૯૪༆ᘍŊဎ↘‫ש‬ᢕ᱿ㆺ෼ȯʑቅᣅʷ໴ര⎏1977౺ᮝ᯼̦ずԊ

named in Chinese

᱿ԡ̳Ŋờᣅȵ‫ש‬ᢕ቏߭ᆹቅȶŊʃҪᄓᘍ⣫ᅞᯉ̳Ŋߊӷሱ᳠૪᱿⣶ ⤌⃻㊹ȯരቅ֯ᣅ˟ӛずരӷ⳧ʊԊ᱿ԡ̳Ŋờᣅȵߊᔖ⎊ᤋᆹቅȶŊ

NT$ 300,000-400,000 HK$ 84,700-113,000 US$ 10,810-14,420

ʃҪԀา⃻᥸ᐉߧ⎞ʙ㆛Ŋघ˫ञ⎊ᤋㆺᇓҘᯉŊ೼⦲҆⎞ഔ᱿⦲ُȯ ȳ᪕ୀʠᇏȴቦጪᑋώʁ᱿ᱻ୪ʠ㈪‫ש‬ᢕ᪕ୀŊ⣰╾ᇏሟ᱿҆ⱇŊ ⳵ᇓ࿮ᮢ☾⏨ၒⶪώ⤯᱿⩐ջ‫ا‬᫠ӛୀ⋸᱿▯ೖʠ฾ȯⲖᇓҪ᮫ℂ⏨౏ ߭㓳ˌㄇ᱿ᑋ‫⼂˅ל‬Ŋ⣠༎ӛ᪕ୀ᩸᧚⎊ᤋ᱿ㆺ҆ȯ

135

1139

̬⊤⠤

HO Chau Chu (b.1931)

ᮁ␕

Vase of Flower

ᗴഔȭᯉలȭ1990 ‘‫׻‬ᅠఢʁŘHO Chau Chu 1990 43.5ć36.5 cmņ17.1ć14.3 in.Ň

Oil on canvas

ଭ⤍Ř ᆹἇƦᯘഛƦ᫠˩෼ǖ ̬⊤⠤90ञଭȶ ߡἼ‫ש‬ᢕ⇾⠛㈀2021/11/20 ~ 2022/03/20

Signed lower left: HO Chau Chu 1990

NT$ 100,000-150,000 HK$ 28,200-42,400 US$ 3,600-5,410

136

1140

137

‫ؖ‬Ҵʑ

WU Guan Zhong (1919-2010)

┤₏┤┛߱㈭ୀ

Leaves in Xiangshan

᪹⇵ᦹᯉ2001 く⸇10˴ ‘‫׻‬ఢʁŘ‫ؖ‬Ҵʑ 1/10 ㆛⨯Ř┤₏┤┛߱㈭ୀ ⸵֬ఢʁŘ⒒ 47.5ć44.5 cmņ18.7ć17.3 in.Ň

Collo-type offset lithograph, with one seal of the artist Edition of 10 Signed and numbered lower left

NT$ 300,000-400,000 HK$ 84,700-113,000 US$ 10,810-14,420

1141

೺∑゛

Chang Yi Hsiung (1914-2016)

⠞ᇓ

Street scene

ᗴഔȭᯉలȭ1991 ‘‫׻‬ᅠఢʁŘChang.yi '91 35.5ć28 cmņ13.9ć11 in.Ň

Oil on canvas Signed lower left: Chang.yi '91 Attached with a gallery gurantee letter signed by

え♊⠛૊⤃‘ʠᯉ಴Ύ⨢ሬ‫♊ד‬⠛૊ᤫᦸ

the artist and photo

NT$ 150,000-180,000 HK$ 42,400-50,800 US$ 5,410-6,490 138

1142

೺∑゛

Chang Yi Hsiung (1914-2016)

␕

Flower

ᗴഔȭᯉలȭ1991 ‘‫׻‬ᅠఢʁŘChang.yi '91 65ć50 cmņ25.5ć19.6 in.Ň

Oil on canvas Signed lower left: Chang.yi '91 Attached with a gallery gurantee letter signed by

え♊⠛૊⤃‘ʠᯉ಴Ύ⨢ሬ‫♊ד‬⠛૊ᤫᦸ ┮⻞Řȳ೺∑゛Ȯቦ⸉ዘోᮝ⊓ଭᯉゝȴŊ‫ש‬ռ ᆹ˩ᯉ಴ӛᦹŊㅪ16ȯ

139

the artist and photo

NT$ 550,000-650,000 HK$ 155,400-183,600 US$ 19,830-23,430

1143

⸉ֱ␖;

KANEMAKI Yoshitoshi

ː᧎らบņқ˴ɺ⃅Ň

Caprice Figurative (a set of 2)

૷㓚ᵲ⁆ᑋ⋵ 17.8ć16.5ć3 3.7 cmć2ņ7ć6.4ć13.2 in.Ň

Polystone

NT$ 200,000-300,000 HK$ 56,500-84,700 US$ 7,210-10,810

140

1144A

Mr.ņୡ቏ᔌ՘Ň ņқ˴ɺ⃅Ň ᑣㆺ ᦹᯉȭ2020 ‘‫׬׻‬ʁŘMr. 2020 70ć56 cmņ27.5ć22 in.Ň

Mr. (b.1969) (a set of two)

Orange Wind Offset lithograph 2020 Signed lower right:Mr. 2020

1144B

Mr.ņୡ቏ᔌ՘Ň ņқ˴ɺ⃅Ň ᾀഩ‫ה‬ː ᦹᯉȭ2020 ‘‫׬׻‬ʁŘMr. 2020 70ć51 cmņ27.5ć20 in.Ň

Mr. (b.1969) (a set of two)

I'm just waiting on a friend Offset lithograph 2020 Signed lower right:Mr. 2020

NT$ 70,000-100,000 HK$ 19,800-28,200 US$ 2,520-3,600 141

1145

Mr.ņୡ቏ᔌ՘Ň らᆹら߸ ᦹᯉȭ2020 く⸇300ᦹ ‘‫׬׻‬ʁŘMr. Mr. 2020 70ć56 cmņ27.5ć22 in.Ň

Mr. (b.1969) Anytime, Anywhere Offset lithograph 2020 Edition of 300 Signed lower right: Mr. 2020

NT$ 42,000-60,000 HK$ 11,900-16,900 US$ 1,510-2,160

1146

Mr.ņୡ቏ᔌ՘Ň ⠞ⳬ ᦹᯉȭ2020 く⸇300ᦹ ‘‫׬׻‬ʁŘMr. 2020 ᳅ല 65 cmņ25.5 in.Ň

Mr. (b.1969) My Street Offset lithograph 2020 Edition of 30 Signed lower right: Mr. 2020

NT$ 45,000-70,000 HK$ 12,700-19,800 US$ 1,620-2,520 142

1148

1147

ୡቩ⳵

IWAMURA En (b.1988)

य⏦⇾ᇜ

ኇኞᮮઙŘ ᅺ┛

Pinecone Boy: Sunset Vinyl Figure

⷇ジ⳧രņङ⿵Ň

ʨᣟࡣ࢞ᅆ く⸇ ‘‫׻‬ʁᅞŘEI 19.8 cmņ7.8 in.Ň

Vinyl

⃦య 88ć36 cmņ34.6ć14.1 in.Ň

Signed underneath: EI

NT$ 16,000-26,000 HK$ 4,500-7,300 US$ 580-940

┮⻞ŘȳYoshitmo NaraŘThe complete worksȴŊ Chronicle books ӛᦹŊㅪ36ȯ

NARA Yoshitomo (b.1959) After the Acid Rain (Night Version) Silk

NT$ 20,000-35,000 HK$ 5,600-9,900 US$ 720-1,260

1149

ల⓽ස·‫ڥ‬ₗӴ

KAWS (b.1974)

KAWSᙹᢌయ

Original Fake Kaws x Gallery

ፕ 160ć70 cmņ62.9ć27.5 in.Ň

Eyes Beach Towel NT$ 36,000-50,000 HK$ 10,200-14,100 US$ 1,300-1,800

143

1150

ट⸆Ϩ

AMANO Takeru (b.1952)

ℋₗᅗ

Venus

ᑋ⋵ く⸇38˴ ‘‫׻‬ᅠಎⵒŘAMANO 70 cmņ27.5 in.Ň

Resin Edition of 38 Signed underneath: AMANO

NT$ 150,000-200,000 HK$ 42,400-56,500 US$ 5,410-7,210 144

1151

ୀ቏㓮‫ה‬㈭ ଅ᪗ઈ ᦹᯉ く⸇50˴ 60.9ć45.7 cmņ24ć18 in.Ň

YAMAMOTO Mayuka (b.1964) Little Prince Boy Offset lithograph Edition of 50

NT$ 50,000-90,000 HK$ 14,100-25,400 US$ 1,800-3,240

1152

ट⸆Ϩ

AMANO Takeru (b.1952)

ℋₗᅗ⽷

VENUS Mirror

᪴ᬶ く⸇1000⃅ ‘‫׻‬ᅠಎⵒŘAMANO 53ć100 cmņ20.8ć39.3 in.Ň

Glass Edition of 1000 Signed underneath: AMANO Attached the certification signed by

えሷ♊⠛૊⤃‘Ύ⨢ሬ 145

the artist

NT$ 26,000-38,000 HK$ 7,300-10,700 US$ 940-1,370

1153

ቩʀひ

MURAKAMI Takashi (b.1962)

ໟΩ᝱Ợɺᅭņ֓˴ɺ⃅Ň

We are the Square Jacular Clan (a set of 10)

⍑֬ȭᦹᯉȭ2018 く⸇300˴ ֓˴ࠀ‘‫׬׻‬ʁ 47.5ć47.5 cmņ18.7ć18.7 in.Ň

Offset printing 2018 Edition of 300 Ten pieces are signed lower right

NT$ 160,000-220,000 HK$ 45,200-62,100 US$ 5,770-7,930

146

1154

य⏦⇾ᇜ X HOW2WORK ⊓‫׻‬ 20‫ش‬౺₊൳ᒚᥨ ⸉଼ȭ࢞⍑ く⸇1500˴ 59ć32ć33.5 cmņ23.2ć12.5ć13.1 in.Ň USB҂ヅ‫ ݽ‬4ΤⱧဘတㆊ

NARA, Yoshitomo X HOW2WORK 20th Anniversary Table Lamp Metal, plastic Edition of 1500 USB cord, four international adapters

NT$ 46,000-58,000 HK$ 13,000-16,400 US$ 1,660-2,090

1155

य⏦⇾ᇜ ʧ┮ҹ┤ⳤ⠗ņえʽ೺⫅₣Ň ᦹᯉȭ2019 く⸇1000⃅ ‫ۄ‬ᐻ‫׬‬ʁŘ Dallas Contemporary © Yoshitomo Nara 60.5ć46 cmņ23.8ć18.1 in.Ň

NARA Yoshitomo (b.1959) Marching On A Butterbur Leaf (5 stickers attached) Offset lithograph 2019 Edition of 1000 Trademark: Dallas Contemporary © Yoshitomo Nara

NT$ 60,000-90,000 HK$ 16,900-25,400 US$ 2,160-3,240

147

1156

␕ʾ̨˛ တ⌰҅ᮝ ࢞⍑ く⸇700˴ ‘‫׻‬ᅠ⋍ᇓŘYusuke Hanai 25ć12ć12 cmņ9.8ć4.7ć4.7 in.Ň

HANAI Yusuke (b.1978) Mr. Stoop Vinyl Edition of 700 Signed under the background: Yusuke Hanai

NT$ 30,000-45,000 HK$ 8,500-12,700 US$ 1,080-1,620

1157

␕ʾ̨˛ ⲕᙰᯍʁ PUᑋ⋵ȭʃ⺩⻘ く⸇500˴ ⏀ಎ֬ሷ♊⠛૊‘‫׻‬ŘYusuke Hanai 26.95 cmņ11 in.Ň え♊⠛૊⤃‘Ύ⨢ሬ

HANAI Yusuke (b.1978) Facing the Current PU and Stainless steel Edition of 500 Signed under the boat: Yusuke Hanai With provenance proof Attached the certification signed by the artist

NT$ 70,000-100,000 HK$ 19,800-28,200 US$ 2,520-3,600

148

1158

づಟ⥸ าൠ #13 ᙳォᅠ↹ℋኈȭ₣ȭ1983 く⸇50˴ ‘‫׻‬ᅠ‫׬‬ʁŘChen Ting Shih 1983 59.8ć59.8 cmř23.5x 23.5 in. ӛᦹŘञയశㅠ:づಟ⥸₊൳ଭ(1918-2000)Ŋ‫ש‬ռఱἼ ⇾⠛㈀Ŋㅪ237Ʀ

Chen Ting Shih (1913-2002) Will #13 Cane fiber board relief print on paper Edition of 50 Signed lower right: named in English and dated 1983 Literature: Chen Ting-Shih(1915-2002): Sound of Rarity, Taipei Fine Arts Museum, p.237

NT$ 80,000-110,000 HK$ 22,600-31,100 US$ 2,880-3,970

1159

⬰ᤀᏎ ᤀ㆛ ᵲᦹȭᦹᯉ ‘‫׻‬ʁᅞŘ27/99 ᤀᏎ ZAO 87 54.5ć39cmņ21.4ć15.3 in.Ň ┮⻞ŘHeede & MoestrupŘȳ⬰ᤀᏎᦹᯉ̳‫ٴ‬ℶ౺Ჿ⻞ 1937-1995ȴņ‫څ‬቏‫ٻ‬ዾŊ1994౺ŇŊㅪ185ȯ

Zao Wou Ki (1921-2013) Untitled Offset lithograph Signed lower: numbered (27/99), named, dated 87.

LiteratureŘ Heede & MoestrupŘZAO WOU-KI The Graphic Work A Catalogue Raisonné 1937-1995ņCopenhagen, Denmark, 1994Ň, P. 185

NT$ 120,000-160,000 HK$ 33,900-45,200 US$ 4,330-5,770 149

CHANG Wan Chuan ೺┋Зņ1909–2003Ň ‫ש‬ռⅠᛇᖛːȯ1924౺Ҙᵲఛᓯɺⵀʙྃʠ⎔ᢕᘱջ⎊᮫ᶇἄ໽ણ∳ᵲ⍆₪ဎ⎞ᖛഔŊ⃌⨯ᙈ ᬟ㓠⎞づോᆈʈԽҘ‫ש‬ᢕᖛഔᯉሳȯ1929౺⬘ᅺଔ⩊ቺˊఛᬟણዮ‫ד‬቏ⵯ↘ᯉᶇἄ໽ᶇ∳⣫ ᯉŊ̳‫ٴ‬Ҙⴆᅺ቏Ὦɺ⇾⠛ଭŊ1930౺⃌⨯⸆᪅ᙜᯉ૊㓈ሶጆᮥŊҢᯉㆺР‫⸆׿‬᪅ᙜㆺጁȯ 1938౺രણໞⲙ‫ש‬Ŋሯ‫⊋ט‬ᅠߡἼ♊૾‫ד‬ೖ౹ણずᄞ࿙ᗴᯉȯ‫׺‬౺⬘ೊቺ‫ד‬ಲ⿧⇾૾‫⤐א‬Ŋ ʈᅠ⥿ዮ˶ᄞȯҢരⲵӛ⎔ぬ⇾֠⎞ᙈᬟ㓠Ȯ೺∑゛ȮಽോᄎȮ⸉។̳ᾀːҠ⃅ȷ₊Ҁ⇾⠛ ଭȸȯ1997౺ᅠ‫ש‬ռఱἼ⇾⠛㈀⎠⠗ȷ೺┋ЗҜҜߊㆰଭȸŊ2003౺Ⳋᅠ‫ש‬ռŊˉ౺95ᔓȯ ȷ‫ש‬ᢕㆺᇓȸҘⴆᅺ቏Ὦɺ⇾⠛ଭŊȳ㔧ᙰఊㆺᇓȴҘⴆὮɺଢಓଭ᧚ⴆȯ̳‫ٴ‬ೊᣅ‫⇾߸׳‬⠛ ᑨᐉ‫ד‬ẜːᄇ♀ȯ Lot 1136

CHANG Yi Hsiung ೺∑゛ņ1914–2016Ň ‫ש‬ᢕ݄∑ఱːȯ1926౺⿭আ⭢らづ៬ᘘણ∳ᗴᯉȯ1931౺ⲙ‫ש‬Ҙ݄∑ʑણŊ͗౺⬘ᅺ≙Ҙ ቺˊుߡ⇾⠛ણዮ(˚ᔏ♀⸆⇾⠛ञણ)Ŋ1933౺Ⱨ⎏ˊⵣқᘱʑણŊᇄ⿵⎏〦⣫⇾⠛ણዮ⅀ ∳̳ᯉŊ1935౺⎞づ៬ᘘ⃅ȵヾⲉ⇾⠛ᣅሳȶŊぽ౺₎ʽᓝ༼≙ቺˊ⇾⠛ણዮदᄜȯྃ↲ ߱ఛὉᯉዮⳖΔř1948౺˶ᄞᅠ‫ש‬ᢕో῅ણが(ోञԊ⯿)Ŋ1949౺҅ര߱‫ש‬ぬ⇾ଭ᪀ɿᓝ㈪ ᩦȯ᳎ଭ᪀⇾⠛㋧Ᏻ⩇ᩦŊ҉૭ው⫏ጁŊ1954౺⎞づോᆈŊ೺┋ЗŊᙈᬟ㓠ŊಽോᄎȮ⸉ ។̳‫⃅׶‬ȷ₊Ҁ⇾⠛ሳȸȯ1980౺ᗉൔᖝଡఫ㓷Ŋఫ㓷ᆨખᗤ㕻᪀Mention HonorableᩦŊఫ 㓷Ạખᗤ㕻ҘⴆരŊ81Ȯ83Ȯ85౺ᲀҘⴆř1987౺᪀ㅹᘍߡᄎಓ♊⠛૊౺⸉Ŋᣅ‫ ש‬ᢕὮɺ ː᪀ᔍᔢᏳȯぽ౺ໞᣅఫ㓷Ạખᗤ㕻ᔌೣሳ‫ڂ‬Ŋ1994౺‫ש‬ռఱἼ⇾⠛㈀⎠Ⲅȵ೺∑゛Ҝ֓ ߊㆰଭȶȯ1995Ȯ1997౺ᲀ߱‫ש‬ʑᓼോ⎠ⲄΤଭȯ1999౺‫ש‬ռȮ‫ש‬ʑȮ݄∑Ȯ‫֡ש‬ȷ↘ᯉ ᮝ᚜រ⧾ሳȸŊᯉҩ‫׺‬ᆹӛᦹȯ2004౺ᅠߡἼᔕ‫᧎֢׫‬㈀⎠Ⲅʪ֓ߊㆰଭŊᅠ‫ש‬ʑ‫څ‬ോ♊ ⠛ʑൔ⎠Ⲅʪ֓ߊㆰ⃻Ҥଭȯ

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CHEN Ting Shih づಟ⥸ņ1915–2002Ň ṵ೘ːȯ1948౺͗‫ש‬ŊҜᔓᆹߌᣅੜ໵ʃ๚ഺ㋧⚠⭒ʁŊ˫⎐౺ಀद⊔Ŋ‫˟͐ו‬ሩ૾ᘜᅠԡ̳Ŋᮝ᚜ᅽቅ ߱Ⰱⴍ໴ᢜ‫׺‬ᆹʬⲿ⳧♊⠛ᄗߡŊⱝⱧ͗‫ש‬രᇺϟ♊⠛ԡ̳ȯ1957౺⿭আ˫ᯍᆹᮟ⸇⩴૗᱿ᮙ△ኈⳖ⠗ᦹ ᯉԡ̳ȯɿ֓ㇷᔓᙙ⯧ᅠ⇾⠛ߨ㋤ॖʽሶᯉሳȮʑߡ᫠˩ᦹᯉሳ‫ד‬᫠˩ᯉሳᾀȯሯघᓝ‫⎞א‬ᓿ⇾ˁᾀ߸ᙹ क⊓ଭŊʏહቅ‫⎞א‬ʽሶᯉሳଭ⤍‫ד‬घㅮΤːଭ⤍ȯ̳‫ٴ‬ሯ᪀1970౺ㅏߡߡもᦹᯉキ౺ଭ᱿ቺˁᅺࢊञ ଭȯҢᦹᯉ̳‫ٴ‬ೊ‫ᙹט‬ҙक⇾⠛㈀‫ד‬ẜːᑨᐉ໽ᄇ♀Ŋॖᘾ҇ᄿՐࡣ⸉ሳȮⲀⲀ⴨ဏ⇾⠛㈀ȮߡἼ‫ש‬ᢕ⇾ ⠛㈀ᾀȯ Lot 1158

CHU Teh Chun ቒോ∌ņ1920–2014Ň ʑߡᖶ♫ːȯ1941౺ᯃᏈᅠቷజ♊૾ʈᮽዮ˶⊚Ŋ≟ ര‫⊋ט‬ᅠ֡ˊʑतञણȯ1949౺߱‫ש‬ռ˶ 㯍 ᅠోञ ⇾⠛₇Ŋ1955౺⬘ఫ㓷ᛖⳍȯ1958౺ᅠఫ㓷⎠⠗Τଭ രŊ1964౺ະ⇾ߡ֍⑩ࡽ֦ҙࡣ⇾⠛֢᧎㈀ʠⴎ‫א‬Խ ߡもᯉଭŊ1987౺᮫ᘍߡᄽջⵒ֠Ⲅଭ⿭ˁᙐటⲪଭ ծ཮ռˊʑߡ⇾⠛㈀Ȯ㈭ᛸ♊⠛ʑൔȮ‫ש‬ռఱἼ⇾⠛ ㈀ᾀȯ1997౺ಎᏳ⍣ᘍ⚄⣫ᶇἄણず♊⠛ずंȯ2006 ᪀ㅹᓿᙐЂӛːቨ 㽹 ȯ2014౺3ሶ26ᅺ߱ఫ㓷૊ʑⳊ ʊŊˉ౺94ᔓȯ

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1961౺ቒോ∌᪀ⴎ‫א‬Խఫ㓷ȵʽሶᗤ㕻ȶŊ1997౺ໞᣅʊ᮹ⓧːқᱻ౺͗㈪̤᪀ⴆᣅȵᘍ⚄⣫ᶇἄず⇾⠛ずंȶȯ1955౺⬘ఫ㓷ᮽણᆹ‫ט‬ ӷNicolas de Steal᱿‫͐ⲥۓ‬Ңԡ᮫̳ң⩽Ⱨᣅདྷ⩽Ŋ⎏ᔍᯉ̳⿭আ➄Ҙʑߡᖛࣘ૯าُ᩸᧚དྷ⩽ᯉㆺŊලา߸߱₣቏ʀ⠧᫠⪄ᄍʃཨ෼฾ ُଃ⎊ᤋୀᖛ᱿۹฻Ŋᙟᇶώ⤯ʁ᱿㄄હഐʊ᮹Ŋ⩐ջ┋֔᱿ᐉߧȮ╳Պ᱿ℬጻȮ⃙㓚᱿⏨ഔŊ߱​߱ⵣԀԬӛʑߡːᄽȵ⥸ʑሷᯉȮᯉʑ ሷ⥸ȶ᱿छ౿าࣀȯ Chu graduated from the National Academy of Arts in Hangzhou in 1941. He taught drawing at the Central University in Nanjing and the National Taiwan Normal University in Taipei. In 1955, Chu moved to Paris where he held numerous solo exhibitions. In 1964, Chu was invited to show his work at the International Art Exhibition at the Carngie Institute, Pittsburgh. In 1987, Chu most touring exhibitions was organized by the French Ministry of Culture and Shown throughout Asia, incluing the Chinese Art museum in Beijing, the Hong Kong Arts Centre and the Taipei Fine Arts Museum, in 1977, Chu was honored by the Academie des Beaux-Arts de France and elected as a member of institute. On 26 March 2014, Chu Teh-Chun died in Paris at age 94

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,Q &+8 7HK &KXQ ZDV LQYLWHG WR WKH 6DORQ RI 0D\ LQ 3DULV ,Q KH EHFDPH WKH ¿UVW $VLDQ PHPEHU RI $FDGpPLH GHV %HDX[ $UWV 'XULQJ KLV VWD\ LQ 3DULV KH ZDV inspired by Nicolas de Steal’s painting style. That was when he began to fuse the tradition Chinese colors and the freely formed abstract works in Western paintings and this IXVLRQ DOORZHG KLP WR H[SUHVV KLV DSSUHFLDWLRQ WRZDUG WKH QDWXUH RQ WKH FDQYDV &DOOLJUDSKLF OLQHV ZLWK ÀRZLQJ DUWLVWLF VWUXFWXUH DQG D ZLGH VSUHDG RI EULJKW FRORUV PDGH KLV paintings look like dreams.

The lines and colors in his work are all carefully planned and are to achieve on goal in harmony: to create the ray of light and bring out the image and the rhythm. The work “Composition No.76” was completed in 1961 and it shows nature itself is his inspiration. The deep blue color in the middle can be seen as the cosmic swirl of Chaos at the beginning of the world, full of mance and poetry.

CHIANG Chao Shen ᖶ҃ᮭņ1925–1996Ň ᖶ҃ᮭᮝᅠમ൏ᔄⅠŊಀ༫ಟ⥂Ŋ⯿‫ט‬З⃥ሬᯉ⥸ᄽ ☧とŊሯ⡕ᝌൔᯊ҅ᮝ⻞ᣅ⥸ᄽ೭ઈŊሩ⡕ᝌ҅ᮝ⩛ ⩇Řȵ⤐‫؃‬ᄽ♢≉ࣘŊᖣʠ˚ʊŊ᳠ॖᆣ㏥ȶȯ1965 ౺ᅠ⎔ռʑୀࡩ⎠⠗ὮɺᓝΤଭŊ㊻⏫♊࣪Ŋʏ᪀┤ ҝ⬢Ȯづズ଩⎠☡ⳖҘߡἼᄑૅ֢᧎ずȯ˶⊚ᅠᄑૅ ቅ⿵Ŋ⎐Իᅠᯉ૊⎞⇾⠛‫׫‬ᶇἄŊ଎⿢ᆹ⿵༼Ҙᆙ˩ ‫ڥ‬૒᱿ᶇἄŊҢȳ〦ᅠ‫ڥ‬૒᱿ᶇἄȴɺሬŊᣅ⇾⠛‫׫‬ Lot 1081 ᶇἄ⃻Ҥȯ≟ҢʙⲄʠȵ‫ؖ‬ᙜᯉʪ֓౺ଭȶŊ˫૾㆛ ೣ᱿ᾋଭᅞೣŊᣅ֢᧎㈀᱿ଭ⤍ഐೣ‫〫נ‬ᅘࣀŊ‫ߌב‬డ̳ʠトŊ㇤⩊ᄑૅᄽ᧎Ŋೊ ᚊ֢‫⧠ח‬૊ʠ⿢Ŋិᱹଭӛ᩸ңΤːㄇ⪝᱿ᯉㆺŊ1969౺˫ȳ␕░₊ⳤҩȴ᪀ʑୀ ᄽ♊ᩦȯ1978౺し˶ߡἼᄑૅ֢᧎ずԞず⿢ҥሬᯉ⚠⚠⿢Ŋ‫׺‬౺᪀ㅏߡ๸᥄ञણㅹ Lot 1082 Lot 1083 Lot 1089 ⫾Ᏻ⩇ᄽણ֢ंȯ1991౺⎊ᄑૅⲵ̆ȯ1996౺Ⳋᅠᡑぬ㍇Ⲑ⇾⠛ણずរ⧾ౌʑȯᖶ ҃ᮭ҅ᮝ⡕♊⠛᮹ờㅳᣅȵटʀ᱿ᄽሧᆣȶȮȵʑߡᄽːᯉ᱿ሱരɺώȶŊҥۧ⥸ȮሬȮᯉȮ֬ȯᖶ҃ᮭ҅ᮝघᅞㄇ᱿♊ᄽໞଔŊᎋࡣᅠ ᛖⴑ᱿ʑߡːᄽЗ⃥Ŋ̳‫ٴ‬ᛤ゜・मŊẛⳚᝐ។Ŋ⎊⩴ׂ᱿З⃥ʑŊԡⳍӛȵᅘȶࣀŊᅠқ୮ሬᯉ᮹೧ㅽȵᅘᄽːȶᯉㆺȯ

CHEN Huei Kuun づ๬ࠍņ1907ŋ2011Ň づ๬ࠍŊ઎ʀ␥Ŋ‫ש‬ᢕᯉ૊Ȯᄞ⋀૊Ŋ1907౺ӛ⯿ᅠ⎔ʑ㕻ʾŊ⎊ಀ‫ט‬Ң᦬౑⎈ႅ␋ઈߤ⎊াഛㅨŊআ゜॑ ↘ᯉŊ1919౺Ŋ‫ט‬₤˶≘ోづᬟ㓠㔧զŊሩԽᥖ฻⇾⠛Ŋ1927౺⎊‫ש‬ʑɺʑᯃᏈര֯⪭ὖቺᡞ≙‫ח‬ቺˊ⇾⠛ ણዮŊぜ઒઒ʃμ᱿∳ᯉकŊʬ҂ӠӴᮢᑨሳ⤃ᴛʑ⣫‫׻‬ᯉŊଃҢ↘ᯉԡ̳ᮟᮝᏎञ᱿‫ۓ‬ᱹȯჂ˶ߡἼ‫ש‬ᢕ ో῅ञણ⇾⠛₇ᄞ࿙߈֓౺ʠʝŊቅ⿵ᄞ⋀␿༇ᤀᄲŊ‫⧨ר‬ጆቦដ⿧ȯ ヾऄ౺ᆹ˩᱿˟Ŋޭദ֬⩽ᙜᯉᘍŊ૯ᮝ᱿⭁⭤⳦ల‫ש‬ᢕ‫ד‬Қʊ᮹Ŋ਄ቨ᱿͐ᮢᅞㄇԅᆯ⎔ᢕᯉ૊ʑଇᄲҥ ႸᗴᯉȮ⍑ഔȮᖛࣘԡ̳Ŋ˫‫ד‬ᛖҘ᫧⤟ቺ⣫ᘱ⇾⠛ඎៜ᱿ᯉ૊ȯᯃᮝԡ̳೼⦲ㄇଃ૪ഛ૯ᮝŊᅽ౺㆛ቨघ ᣅ㄃᧎Ŋര˫ㆺᇓᣅʙŊˇ‫ר‬⣲Ңဎ↘⤃ːʠ̳‫ٴ‬ȯᯉ̳ㆺጁ҂Ӡ➄‫׶‬ቺᅞ↘ᯉ・ẛʠᖎ⎞⣫ᅞҪ᫠⎊ᤋҙ ߱⁤Ṙ᱿᧚⫨ŊᮝՒ᱿ℬጻ⎞౹ỻʠ⃌ᐉŊ⎊ᤋ᩸ԡɺనʠጁȯ Lot 1137

CHOU Cheng ‫៬ش‬ņb.1941Ň ‫ש‬ᢕ઻⚄ːŊ઎▗ᘘŊᆯໟߡ‫ש‬ᢕᯍ˩ ┮‫׻‬ሬᯉ૊ُ⇾⠛ᄞ⋀૊Ŋ1941౺ᮝᅠ ⎔ᢕ઻⚄ŊߡἼ⎔ᢕో῅ञણ♊⠛₇Ŋ ␿ߡᧅᙄ⊊‫܆‬ᗶञણᏳ⩇♊⠛ણ֢ंȯ 1955౺14ᔓҘㆊࡆҜҞሬᯉずŊらನ߱ ୀ҅ᮝ∳⥸ᯉŊᣅ・ឞ㈀ᖶ҃ᮭҘા೭ ઈŊ⥸ሬᯉ֬߈⃑ᲀႸŊୀᖛᯉُሬᘍ घሷᄽːᖎȯ‫៬ش‬᱿ୀᖛᯉŊႭㄇ≟͗ Lot 1087 Lot 1088 Lot 1091 ᱿ᆯɺ⊵೼ᣊ᱿Τඖา⬶ŊɺỚӛ⎊⋄ ⌝᱿ώ༹ࣘ෼⏨ഔŊ߱ⳍջ⡪Δᤓ≟ໞ᱿ⳬ㋉ˢㆺȯ˟ሷബ㋧᱿ώࣘⳍ⥵Ŋʬ֓Ӡᘜา⁤ӷ᱿㔄ԬُΔ㇥ř˟ሷ⠗ゾᙟᖛ⎷᱿ℬጻŊሷ⾪ Ԭ⹾լೣ᱿ώ⤯Ŋִᤀᘍ࿵♀ൔʑ᱿૭⇾॑ณȯ˶ඖȮらาŊ߱ᯉ⡪࡫ྃ⎊న᱿♊⠛ʙ೺Ŋᱹ⎊఩บᱹ᱿฾ᓾŊ‫⎊׾‬న⋬ʑ᱿ࣵ࢘Ŋ᮫ ᔍŊ˟ᐉῈ⬚⎊న᱿ㆺጁጉከȯሯ˶‫ש‬ᢕ֬ḽḽ⿢Ȯᖶ♫᳎ߡᯉず᧚⊋ᯉోȯ

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CHIU Ya Tsai ⴯ˁ༇ņ1949ŋ2013Ň ӛᮝᅠ‫ש‬ᢕ઻⚄Ŋ㄄ણずᙜᯉ૊Ŋ⎊ಀଃᔌ⣳ણᏈʃ฾⎟⬶Ŋⲵ̂ര༇⿭ଭଃᄽ઎♊⠛᱿ⲲᖣŊ˫‫ד‬ଃːඖ᱿ ᛖԀ⤐ૣȯʑߡᔕ‫׫‬Ȯ⒠ंᕗˁȮተᅗ६ʬडᅗࡣᾀञోత┮᱿〇⩊⃻㊹Ŋ⩴૗Ңദര↘ᯉʑ᱿ː᧎ᛖಙȯ⴯ ˁ༇ώʁ᱿‫ש‬ᢕ᫠˩ᄽː⊮ЭŊ‫↘˩ڥט‬ᯉ᱿ഛㅨㅼᛖŊॖː᧎᱿⹬ᨊ㕆ȮቧᳵŊ㐫⛵⍰Ŋ⯿ቨㅵ⿢↹᱇Ŋィ ゛ⒹⲈŊʙ㆛ʀР‫׿‬ᅠગૐȮ๿㌟Ȯҙᄺ≟ᗕ㄃ȯ1980౺˩˟⃻౑ᅠ‫ש‬ռᵧ‫׻‬ᄽջᗤ㕻ȵ₯♐೐ȶɺぱԡ̳Ŋ ˫ໞᤀᄲᯉ̳‫ד‬ଅ⦦ȯ̳‫ٴ‬ሯᅠ‫ש‬ռᆨʠ♊಴Ȯᔕ‫᧎֢׫‬㈀‫ד‬᳎Ἴ⇾⠛㈀ᾀ⚠ଭӛȯ˫⊮Эᯉ┮ờŊ☼᮫ᯉώ ᳅݂⯿ࡄːㆩ᫧ඖㄇңʁ᱿֝െȮЖ๨Ȯ㆑೉⎞⋷೸Ŋ₳⍗ѭ゜ʑᘱᝉ┮ᄽː฾໊┛ૢ᱿㆑ㄆᖉߣȯ2013౺Ⲇ ʊŊˉ౺67ᔓȯ Chiu Ya Tsai was born in Ilan. He is not interested to formal education and developed his interests in literature after he discharged from military. His massive reading experience make his paintings more profound. His paintings always send out the sense of loneliness, GHSUHVVLRQ DQG TXLHWQHVV 6LQFH KLV ¿UVW VROR H[KLELWLRQ LQ &KLX KDV EHHQ IHDWXUHG LQ PDMRU JDOOHULHV LQ 7DLZDQ +RQJ .RQJ DQG USA. Exhibitions: 1987, the Minds1, Asian Art Centre in New York. In 1989, 300 Years of Fine Arts – Taiwan, National Museum of +LVWRU\ 7KH 1HZ 0RYHPHQW RI WKH ¶V 5HWURVSHFWLYH =+(1* =DL 'RQJ &+(1 /DL ;LQJ &+,8 <D 7VDL $UW &HQWUH RI -LQJ\L University.

Lot 1043

CHU Wei Bor ቒᣅᱺņ1929ŋ2018Ň ᮝᅠ֡ˊŊ1949౺らⰊ͗‫ש‬ȯ1953౺҅߱ಽ↧ᆨ᱿ȵゾُᯉાȶ∳ᯉȯ 1958౺ԽҘȵቺᅞᯉሳȶŊ˫དྷ⩽↘ᯉʠ᫧൳Ŋ࿯€ʑߡːᄽ⁤Ṙъϊ⎞ ҙൔ෼฾Ŋᯉㄇघ‫ט‬ሬᘍⳍഐ᱿ഛㅨŊ̳⎊᮫ൔ・᱿⠧᫠ȯ1960౺˩Ŋቒ ᣅᱺ᱿ԡ̳Ἄᶝቨ⫨᱿౹ㄇくӼŊⴏҘ˫ቨ⫨ᐉໞᣅʙ᱿ᯌಙἇ⿵⇾ણŊ ᔍɺⱧ⩐ଃቒᣅᱺⲲᖣ‫ڏ‬ણඖ᱿♊⠛⠧ⲩŊဏͧ‫נ‬ɺべᕀ᱿ൔ・૑༎ȯ‫ݏ‬ ⥶ȵ˫ӝ˩ώȶ᱿૪㊹ඖ਄ቨ༬ᘍŊ⳥ᮢలᅆȮ₣Ŋ˫ԙȮ⫅Ȯ⢁ȮԟŊ ߱౹ㄇ₪ቨʀԀᯉӛㆺጁ᩸᧚᱿Ἴ㋤ἇ⿵ŊἌᶝʷಙἇ⿵᱿ͱくŊ⩕ԡ̳ Ἄᶝ౹ㄇŊԡ̳ӛᅹ㄄ォ࢞‫̙ב‬ォ࢞᱿♊⠛̳‫ٴ‬Ŋ߱౹ㄇ↘ᯉ⎞ォ࢞⿵ⳤ ⬕Ŋ⬢⬤ʷಙⳖҘᅘ᱿ɿಙἇ⿵Ŋഐໞ೼ᣊ᱿᩸᧚ㆺጁȯ Born in 1929, Nanjing.Chu Weibo has ever studied painting in Liao Chi Chun’s art studio.

Lot 1118 Lot 1127 Lot 1128 As one of the members of the Ton-Fan Group, Chu Weibo viewed the Oriental Spirit as the most important inspiration for his creation. Throughout Chu’s artwork over a period of six decades, it is apparent that the impact of facing Western art triggered his “self-consciousness”, which led him to turn to an Oriental philosophy as the only way by which to shape his artistic thinking. Chu Weibo employed the appropriation and WUDQVIRUPDWLRQ RI V\PEROV DQG LPDJHU\ DV D PHDQV WR FRQYH\ KLV 2ULHQWDO SKLORVRSK\ DV D VSLULWXDO SURFHVV +LV DUW ZRUNV EHWZHHQ SDLQWLQJ DQG VFXOSWXUH IURP ' WR ' FUHDWH D VWURQJ XQLTXH VW\OH

CHEN Cheng Hsiung づᔌ゛ (b.1942Ň 1942౺ᮝᅠ‫֡ש‬ȯ⊏‫࣪♊׻‬᱿ቌォ♊⠛૊づᔌ゛⡕⣶ᣅߡҙォԀ♊⠛ʑ᱿˩⠧ː᧎Ŋʬᆯ♊⠛ㅽࡍʑ᩸ ңΤːԡ̳ㆺጁ᱿Ҥ῅Ŋଃᅠ࿴Ւُဏ֗‫ש‬ᢕ᱿ォԀ♊⠛⪯᪇⎏⹕ȯづᔌ゛ቌォԡ̳߈֓ㇷ౺᪀ᩦᤀ ᄲŊ᫠ᣅߡҙक⇾⠛㈀⎞⇾ଭ᱿⥫૭এ‫ڂ‬Ŋ̳‫ٴ‬᪀घ໽⇾⠛㈀ᖝʝҤ♀ȯ づᔌ゛҅ᮝᆯ߭ᮝ߭⿢᱿‫֡ש‬મ౹ːŊ˟⥓⥓घघ᱿ԡ̳㆛ቨᲀ͗⎊ଃᄑⵯ᱿෼฾řશᄞЗ⃥᱿⇵ឤ⼲ ㈫Ȯમ౹ᙹ୮⤽ᙹ᱿ឌडȮೆԊᑋʁʁፖ᱿≘ːȮُ♠᱿౺ⴏडॺƥᾀŊᕓɺ˴ԡ̳ᲀᆯ᜺⎊˟ᮝᙙ᱿ ‫⳼ش‬㔄កŊ҂ដ┮฾෼ȯ̳‫ٴ‬ʑׂ૪᱿෼฾ᆯ˟ԡ̳ᮝ‫ل‬ʑሱ᳠ၼʃ‫ר‬Ӡԟ᱿ɺⵒ˷ȯ づᔌ゛ԡ̳߈֓घ౺Ŋআ⃃࡫ྃԡ̳᱿⁤ṘŊՁԻʃຯᅠː᧎⁤Ṙ᱿Ԁᯉȯづᔌ゛᱿ӝడ⎊ໞɺጁŊ➄ ‫ڥ׶‬ୀోϼȮ‫ש‬ᢕ̲ЭȮᅺ቏ɺӝォ‫ד‬⣫ᅞ૯૪᱿ォԀ᧚⏨Ŋ˫⫨ᑊ⎊ᤋ᱿૯૪ㆺጁ⥼⸃˟໽㋤෤᱿ʊ ᮹ȯɺᮝ࡫ભ┮૯૪ォ࢞᱿ࡣᵲŊづᔌ゛˫˟᱿࡫ྃŊᣅ‫ש‬ᢕЗ⃥૯૪ォ࢞ᑋἼʴ⃻ҤȯᕓɺӝŊᕓΤ ࢘ㄇⵣ‫˫ר‬᳖⣲˟ଃ߭߸ː᧎᱿᠝ׂ෼฾Ŋⲿ⳧૯૪ᮝՒ᱿ː᧎Ȯ෼ࣀŊЗⳭ₞ᛍᝐ។᱿ൔ・ȯ˟᱿ォ ࢞♊⠛఩ἌᶝЗ⃥ቌォԡⳍഐೣŊଭ᫠᠝ⴹ᱿ⵯ߭෼฾⎞ːᄽ〦໊ȯ

Lot 1121

152

& - <$2 ঒๸ὁņ1941–2000Ň 1941౺ᮝᅠ⎔ᢕ⎔ʑŊ2000౺Ⳋʊᅠₚ₎ȯ1965౺ᅠ‫ש‬ᢕో῅ञણ♊⠛₇ᯃᏈȯ1970౺‫א‬Խఫ⣫⊊Ύ⇵ߡも ⇾ଭരŊʏẼଡ⇾ߡₚ₎ᱹଭŊ˟᱿↘ᯉഺདྷ⩽ᯉⱧ⩐ⳖҘ⬢૯૪Ŋ⳺ᆹ‫ו‬ᆤ᫠˩᧎⫨ᄽᆙ᱿҆㍫ㆺⓧȯ ɼȠ౺˩ᅧ⇾ᯉ૊঒๸ὁ˫ȵ⬢૯૪ʙ∑ȶ೘Ἴㆺጁ᱿Ŋ˟ᆯ‫ש‬ᢕὮɺ˩߱ₚ₎᱿ⓧːᯉ૊⸅⣬˩⠧Ŋ߱ᔕ ౺͗᱿ԡ̳⳧Ễゝ‫׶‬ʴ‫׳‬ೣߡも♊⠛ඎៜŊծ཮དྷ⩽⠧᫠ʙ∑Ȯᇒᇒ♊⠛ȮᏎ ʙ∑Ȯ⬢૯૪ʙ∑Ȯര᫠˩ ʙ∑ᾀŊ˟᮫⠧᫠ȵⵣఱᇓ⤐ȶ᱿ȵ⬢૯૪ʙ∑ȶ᱿ㆦஉໞଔŊᅠɺʪҜ߈౺᳅Ⱨ҂ដीẨ⎞⩽൉ߧЭ᱿ ȵὮɺ⎊ᤋ₇ӬȶŊʪȠ౺˩Ӯቅ࿴ӛȵ⎊ᤋ₇Ӭȶُȵ㏝⎞ञ߸₇ӬȶŊʪȠ౺˩቎ቅᱹଭӛわ‫܍‬બસᮝ ‫⸇⋱ل‬᱿ȵᮝ‫ل‬₇ӬȶŊሱര߱ҝҀʷȠȠȠ౺Ŋ˫ȵሷഐᯉలȶ᱿ȵߥഐȶُȵⓩഐȶ₇Ӭ⃌ታȯ Lot 1071

CHEN Shiang Yin づ㈭؇ņb.1963Ň づ㈭؇ᮝᅠ‫ש‬ᢕ‫֡ש‬ŊὮɺ‫׻‬ᯃᏈᅠߡἼ‫ש‬ᢕో῅ञણ⇾⠛₇ᗴᯉ⃅Ŋሯ˶ᄞᅠ‫૾ో֡ש‬ņ᫠ᣅ‫ో֡ש‬῅ણ ずŇŊര⬘ᘍߡߡἼఫ㓷㋧ᾀ♊⠛ણずᶇἄŊᅧଡᘍߡ֓ɺ౺ŊʏҘⴆᘍߡ♊⠛૊֠ሳᗤ㕻ȯ᫠ᣅ૾Ꮘᯉ૊ ⎞‫ש‬ぬᯉሳȮʑⓧᖁߡᗴᯉણሳȮ‫⇾֡ש‬⠛ᶇἄሳሳ‫ڂ‬ȯ ॎ⎞᦬⤃づⱇቺ᱿̳‫ⵣٴ‬ሯқಙҘⴆᘍߡᗤ㕻ଭȯॎ˫‫מ‬Ҥ૯૪ㆺጁ⣲⿢Ŋԡ̳ʙ㆛घ˫ː᧎⊮Э⎞␕֙Ȯ ㄃᧎ᣅʙŊᯉㄇ㈪⸅⃌ᐉ‫ד‬ᕗ͛ʠժờŊ߱㇤ដ㍫⩵᱿⏨ഔʑ⦲ُӛᆙᇯʠ⿵᱿ଶᓝ⎞ഔಙଃᕗŊഐໞⲿˌ Lot 1079 ≟ᅀᅃ᱿⏨⦲ŊⲖ౺͗ྏ໴ञଙ૸᱿␕̳֙‫ٴ‬Ŋ⏨ഔُଶᓝ᱿⩐ջ⬤Խ⩴૗Ŋଭ᫠ӛॖ⸂ㄇ⎷᱿ⓧ㓚዁។ʠ ⊨᫧Ŋᄮ㋤̳‫ٴ‬ሩң೺Ի⎞໵Ԯඖȯ

'DPLHQ +,567 Ⳮ›සƦ⬐ᅗ᧚ (b.1965Ň Ⳮ›ස·⬐ᅗ᧚ᮝᅠల⸄ᅗ༎Ŋ߱Ӭᅗ⿢ञȯŊᆯ␿ߡヾ౺♊⠛૊᱿ʙ⣬˩⠧ː᧎ʠ ɺȯ˟ʙ଄ʴ1990౺˩᱿␿ߡ♊⠛ᱹଭʏˉሷബ㋧᱿ߡも⊖⩇ȯ⬐ᅗ᧚߱1986౺9ሶଔ ⩊ᅠρᄦञણ⸉ւણずŊ⯿ᣅ␿ߡヾ౺♊⠛૊(YBAs)᱿ㅽ଄ː᧎Ŋ˟⩕ρᄦໞᣅᯍ˩ ♊⠛᱿ʑൔȯ ⬐ᅗ᧚⎊ಀ⬚͵ଃᔘ˃ⳆɺᏕ൳֓Ӡ॑मŊ˟߱ᄲ˴̳‫ٴ‬ʑ˫Ύએ᱿Ւ᧎ଧ㋤̳ᣅ ⸅⣬Ҁ₪Ŋᯍʑ଎˫1991౺̳‫ٴ‬ȳᮝ≛ଃᔘ≛ᤀՒᅠ⠳ȴሱᣅӛ‫׻‬Ŋ˟߱ᔍ̳ʑ૽ ɺጻ⚛㍻ଧ㋤ᄍ߱⡶ដᮬⷝ᱿᪴ᬶ⇁ʑȯ‫נ‬कɺ˴1993౺̳‫˫ٴ‬ㆩ̙♊⠛ඎ⭰ԡ̳ Lot 1060 Lot 1061 ᱿̳‫ٴ‬ȳᕒઈӠサȴʑŊ߈Τ᪴ᬶ⇁ҙӠӲ⡶┮ɺゔ⡕ԏ֚᱿ᕒᧅُ઩᱿ᧅ᧸Ŋᔍ ̳᪀വ1995౺ᏎңӠ⸇᱿ⲿₗᩦŊᯍ౺˟༇౺Х30ᔓȯ⬐ᅗ᧚ሱ‫ט‬ːᔊⲕ᱿̳‫ٴ‬ᆯ ʽഔ↨₥᱿̳‫ٴ‬₇ӬŊॖȳߥ㔄ᯉȴȮȳ❴❶ȴ⎞ȳᅩⱧȴᯉ̳ᾀȯ 'DPLHQ +LUVW ZDV ERUQ LQ %ULVWRO DQG JUHZ XS LQ /HV ,V RQH RI WKH PDLQ UHSUHVHQWDWLYHV RI \RXQJ %ULWLVK DUWLVWV +H OHG WKH GHYHORSPHQW RI %ULWLVK DUW LQ WKH V DQG enjoyed a high international reputation. Hirst studied at the Goldsmiths College of the University of London in September 1986. As a leader of Young British Artists (YBAs), he made London a center of contemporary art.

Hirst has been very curious about the concept of death since he was a child. He used preserved animal carcasses as an important element in several works. Among WKHP WKH ZRUN ³7KH /LYLQJ %HLQJ ,QGL൵HUHQW WR WKH 'HDG´ LV WKH PRVW IDPRXV ZKLFK KH ZURWH KHUH 7KH OLHXWHQDQW SODFHG D WLJHU VKDUN FDUFDVV LQ D JODVV WDQN ¿OOHG ZLWK IRUPDOGHK\GH ,Q DQRWKHU ZRUN ³0RWKHU DQG &KLOG 6HSDUDWLRQ´ FUHDWHG ZLWK VLPLODU DUWLVWLF LGHDV IRXU JODVV WDQNV FRQWDLQHG D FRZ DQG LWV FDOI WKDW ZHUH FXW LQ KDOI $FFHSWLQJ WKH SUL]H KH ZDV RQO\ \HDUV ROG WKDW \HDU +LUVW¶V PRVW SRSXODU ZRUNV DUH WKH FRORUIXO VHULHV RI ZRUNV VXFK DV ³3ROND 'RW 3DLQWLQJ´ ³%XWWHUÀ\´ DQG ³5HYROYLQJ´ SDLQWLQJV

'DQLHO $56+$0 ʘଛᦲƦいᬠংņb.1980Ň ʘଛᦲ1980౺ӛᮝ߱ͺˆͺజὮʷञࡆఱ҇Ӵड⚄Ŋᅠⴏい૓⿢ञŊ2003౺᪀വₚ₎ዖኼ⊓Ჴણず ♊⠛ણंણ̤⨢ȯʘଛᦲೊᘒ࿲⤯‫׳‬Ớㆩࠣԡ̳Ŋ߱ォ࢞Ŋ೘ῈŊ↘ᯉُヅഛʑԡⳍʏ⥼⸃ʴᑁ⁨ ᱿ʑ⿵ἇ⿵໣෼ࣀŊʏⳖɺᔎ૽˟໽྆᱿̳ᣅ᫠߱᱿ቍ͗ⴈ᧎Ŋᣅ̳‫ٴ‬೘Ἴ⚣ᐉ≙‫מ‬ણᏕ൳ȯʘଛ ᦲ᱿ォ̳࢞‫ٴ‬ʑ҂ᅐ┮ ‫≟܈‬ᵡ᳍᱿য๗ŘɺΤ᳖̙߱ㆺʑ≒㊘᱿ἼㄇȮɺΤծ⢈߱ᦷࣦ⠧ㄇ᱿ː ᧎ȮɺΤ⡕ᢜୀᢝ⾵ⳍ᱿ᯍ˩᧎‫ٴ‬Ŋ˸̲ᆯ߱ቍ͗᱿ኽΤ≙‫߸מ‬㔄ᱹ᫠᱿ᆹἇᨊ๗Ŋⵣ҂Ӡㆴ᫠Ң ԡ̳᱿ʑൔъϊȯ Lot 1010 153

'DQLHO ZDV ERUQ LQ LQ &OHYHODQG 2KLR¶V VHFRQG ODUJHVW FLW\ +H JUHZ XS LQ 0LDPL DQG UHFHLYHG D EDFKHORU¶V GHJUHH LQ DUW IURP &RRSHU 8QLRQ LQ 1HZ <RUN LQ 'DQLHO KDV H[WHQVLYH FRQWDFW WR YDULRXV W\SHV RI FUHDWLRQV FUHDWLQJ DQG LQWHUSUHWLQJ IX]]\ LQWHUPHGLDWH VSDFHV RU VLWXDWLRQV LQ VFXOSWXUHV SDLQWLQJV DQG ¿OPV DQG IXUWKHU HVWDEOLVKLQJ ¿FWLRQDO DUFKDHRORJLFDO FRQFHSWV IRU KLV ZRUN DV D UHOLF RI WKH SUHVHQW IXWXUH 'DQLHO¶V VFXOSWXUH DUH IXOO RI VLPSOH DQG FRQWUDGLFWRU\ JHVWXUHV DQ IDFDGH WKDW DSSHDUV WR EH UXPPDJHG LQ WKH ZLQG D ¿JXUH ZUDSSHG DURXQG WKH VXUIDFH RI WKH ZDOO D FRQWHPSRUDU\ REMHFW FDVW E\ YROFDQLF DVK DV LI LW ZHUH IRXQG LQ D IXWXUH archaeological site of statetime space, fully shows the core value of his creation.

IWAMURA En ୡቩ⳵ (b.1988Ň ୡቩ⳵Ŋ1988౺ˊⵣӛᮝŊ 2013ᯃᏈᅠᅺ቏⸉᠂ఱ⸉᠂♊⠛ણずడ♊/とᮂᷟंŊ2016ᯃᏈᅠ⇾ߡ҇⓽ং፳ ञણ⣶⤌♊⠛Ŋୡቩ⳵1988౺ӛᮝᅠᅺ቏ˊⵣŊ߱キ⤃ᯉ૊᱿᤿とʁŊ߱♊⠛ᖉߣʑ⿢ञȯ߱⸉᠂డ♊⇾ ⠛ણず᪀വడ♊ણंણ̤രŊ˟⿭আଃߡも♊⠛᮹ᮟᮝ⎟⬶ȯ˟⦓ᣅとᮂңሷໞᣅߡも⦝⤵ʠɺ᱿៌ԻŊ ‫⬤⭪˫ר‬ʃ‫׺‬᱿ᄽջȮːᖁُߡ૊ȯ ȵ⿵ņMAŇȶŊ઩ᆯɺỚએ߱ᅠᅺ቏᱿᩸᧚⇾ણŊⳆỚ⇾ણ໽⠧Ⳮ᱿ଔᆯɺỚἇ⿵฾ȯ˟᱿̳‫ٴ‬ʑဎⲩἇ ⿵ُଙಙᆹŊ͵೧ᮢʴᅺ቏᱿Ma‫ڏ‬ણȯMaሷ⭡サȮᵁ⿵Ȯἇ⿵Ȯ〦͸ᾀؐ∑ȯːΩʃᅜ߸〇⩊ُ⠣⸇⎊న ʠ⿵᱿ʃ‫׺‬MaŊ߱ː⎞߸ᅞʠ⿵༪ӷ‫⳺׶‬໣⎧⳺᱿Ma‫˫ר‬ဏͧ᧚હᆹԀ᱿᧚હ〦͸ȯⳇ⳧˟᱿̳‫ٴ‬Ŋୡቩ ༌ᾰԡⳍɺỚ⎞᫠ࢍㅨະ⡶⇦᱿᳈ⳢŊʏⳇ⳧ⳖҘἇ⿵ᣅ⤐᳷ဏͧɺΤ⦓⨯Ma᱿ᑨሳȯ

Lot 1147

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FEI Yi Fu ⫄˫ുņ1913–1982Ň ᖶ♫‫ؖ‬ᖶːȯ1933౺ଔ⩊♫జ⇾⠛૾Ấણዮ⣫ᯉ₇Ŋㅼ‫ט‬ዮ⿢㆞ᄽᐴ⫝⨯ȯ1939౺ᅠ⸅๸‫א‬ԽʑⓧҚߡ⇾ ⠛ሳŊ᮫റ෫㐓ဏ‫׻‬Ⴢ˶᫧ʶ⿢ȯ1951౺⫄˫ു߱ʀᙹఱἼ⠗ᵧ♊⠛ણዮ˶ᄞқ౺ȯ1953౺᮫㆞ᄽᐴ࿴☡ ӷʑत⇾ずⓧቺӠずņ֯ᙢᖶ⇾⠛ણずŇ˶ᗴᯉᄞ‫ڂ‬Ŋ1960౺֗ᣅᗴᯉ₇ʙ˶ȯሯ‫א‬ԽҚߡ⇾ଭ⎞ᙢᖶ᳎ ⇾ଭŊҢ̳‫ٴ‬᪀വᏳ⩇ᩦȯ1980౺⡕ⴆᣅᙢᖶ⇾֠᫧ʶ⎞ʑߡᖁʙ‫׺‬Ჴሳᙢᖶ⇾ずԞʙএȯҢ̳‫ٴ‬⡕ռˊ ʑߡⰊʶ֢᧎㈀⎞ᙢᖶ᳎⎊ᤋ֢᧎㈀ᾀᄇ♀ȯ1996౺‫ש‬ᢕᄦᤕ♊⠛ʑൔӛᦹŚ⫄˫ുᯉゝŜȯ )(, <L )X ZDV ERUQ LQ +H HQWHUHG WKH :HVWHUQ 3DLQWLQJ 'HSDUWPHQW RI WKH 6X]KRX $UW $FDGHP\ LQ +H SDUWLFLSDWHG LQ WKH &KLQHVH 1DWLRQDO $UW $VVRFLDWLRQ ZKHUH KH ZDV QRPLQDWHG E\ WKH JUHDW DUWLVW ;X %HLPLQJ DV 3UHVLGHQW RI WKH FRXQFLO )HL WDXJKW at the Shanghai Municipal Art Academy for two year before resuming a position at the Zhejiang Academy of Fine Arts to teach oil SDLQWLQJ 'HSDUWPHQW LQ )HL KDV SDUWLFLSDWHG DUW H[KLELWLRQV LQFOXGLQJ WKH =KHMLDQJ $UW ([KLELWLRQ ZKHUH KH ZDV SUHVHQWHG ZLWK DQ +RQRU $ZDUG ,Q KH ZDV QRPLQDWHG DV 'LUHFWRU RI WKH =KHMLDQJ $UW $VVRFLDWLRQ DQG DV 9LFH SUHVLGHQW RI WKH &KLQD 'HPRFUDWLF $OOLDQFH =KHMLDQJ $UW $FDGHP\ )HL¶V ZRUN KDYH EHHQ E\ ;X %HLPLQJ WKH &KLQHVH 0LOLWDU\ 0XVHXP LQ %HLMLQJ DQG WKH Zhejiang Natural History Museum. In 1996 the Collections of Fei Yi fu was published by Cave Art Center.

Lot 1074

GUAN Liang 〦⏦ņ1900–1986Ň ઎⏦ҝȯᮝᅠೊቺᯈẖŊ 1917౺⬘ᅺ቏ણ∳ᗴᯉŊ1923౺ߊߡŊ˶ʀᙹ⇾⠛૾Ấણዮᄞ࿙Ŋ‫א‬Խ⳧ռ̅໴ ᦩŊ˶ᄎᗶⵒ♊⠛⊵⿢Ŋ30Ɯ40౺˩ⱝⱧʹೊజȮʀᙹȮ⸅๸ᾀ߸᱿♊⠛ずዮ˶ᄞȯ1957౺⎞ቦ‫ר‬ዀ߱ኼ ኚẤણず⎠ⲄᯉଭŊ1960౺Ⴢ˶ʀᙹʑߡᯉずᯉోُʀᙹ˅ⳇञણᄞ࿙ȯႸ⿢ဎ↘ˊԮː᧎ȯ┮ȳ〦⏦♊ ʶら⦹ȴȮȳ〦⏦ߊຣ⻞ȴȯӛᦹȳ〦⏦ˊ໵ː᧎ᖛࣘᯉȴȮȳ〦⏦ᗴᯉゝȴᾀȯ〦⏦҅ᮝᆯʑߡⲖ᫠˩ ᯉ࣪ʀɺ̤ʃ‫ר‬໣⇃᱿ञోŊʬ⥓˟ሱᅽ૽⣫ᅞ᫠˩ᙜ᱿↘ᯉ᫧൳೧ҘʑߡЗ⃥᱿ᖛࣘᯉʠʑŊԡⳍʴӲ ңɺጁ᱿໵Ԯː᧎ᯉŊ߱ߡҙकˉሷബ㋧᱿⊖⩇ȯ 7KH ZRUG /LDQJ *RQJ %RUQ LQ 3DQ\X *XDQJGRQJ KH ZHQW WR -DSDQ WR VWXG\ RLO SDLQWLQJ LQ +H UHWXUQHG WR &KLQD LQ DQG Lot 1134 served as a professor at the Shanghai Academy of Fine Arts. He participated in the Northern Expedition and served as the art director RI WKH 3ROLWLFDO 'HSDUWPHQW ,Q WKH V DQG V KH PRYHG WR *XDQJ]KRX 6KDQJKDL &KRQJTLQJ DQG RWKHU SODFHV 7HDFKLQJ LQ FROOHJHV DQG XQLYHUVLWLHV ,Q KH held a painting exhibition with Li Keran at the Berlin Academy of Sciences. In 1960, he served as a painter at the Shanghai Chinese Painting Academy and a professor at 6KDQJKDL -LDRWRQJ 8QLYHUVLW\ *RRG DW SRUWUD\LQJ 3HNLQJ 2SHUD FKDUDFWHUV $XWKRU RI ³*XDQ /LDQJ¶V $UW (YHQWV´ DQG ³*XDQ /LDQJ¶V 0HPRLUV´ 3XEOLVKHG ³*XDQ /LDQJ Peking Opera Characters Ink Painting”, “Guan Liang Oil Painting Collection”, etc. Mr. Guan Liang is an indispensable master in the modern Chinese painting circle.

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154

HU Shih ⋟⳺ņ1891–1962Ň ⋟⳺Ŋ઎⳺ʠŊᮝᅠ1891౺મ൏ⅷᝏːŊᆯʑߡ┮‫׻‬᱿ᄽણ૊Ȯᔕ‫׫‬૊Ȯ‫ڏ‬ણ૊Ȯ⥸ːȮણ≛ȯ ˟ᆯໟߡᄽણໞଔ᱿˩⠧ː᧎ʠɺŊര͗˟ㅽ଄ʴᅘᄽջ⳥ՒŊθ଄ᄽણᄊㄊȯ⋟⳺ʃХ߱ᄽણ ʀബሷ˩⠧Ŋ⋟⳺ሬᘍʬ߱ໟߡബሷഛㅨԻȯ⋟⳺̳ᣅʑߡⲖ᫠˩‫׫‬ʀᆯɺΤʃ‫ר‬൸⣶᱿ː᧎Ŋ ˟ଃᅠ࿴Ւᱺ⥾ᄽ᱿ᱹଭŊ⤟ᄍː᱿ૺ೘ඎบŊ͹Ⳗʑߡ᫠˩ջ᱿ⳖỄ⬚ӷʴᏎᣅ⸅⣬᱿̳ᮢȯ ⦝⻞ʑ⴨ˀሱ⁤ഔȮሱᱹːᛖ᳎᱿⦝‫ן‬ŊϊവໟΩ₳₳‫דػٴ‬ඎ≙ȯ˟᱿ሬᘍᄽ゜Ȯ⎧⳺Ȯؐ ╸ȮҙᄺȮ⎊᮫ȮᙟᇶȯҢ⠧᫠ഐೣሩघ᱿ᆯΒቐȮଅ‫ٴ‬Ŋώ⤯らඖŊᗞሷߗહ᱿ഐೣŊ⋟⳺ᛖ ׂ᱿ሬᘍԼಎŊ͐വᕓౘሬᘍⵣᆯ⁤‫ٴ‬Ŋ⠢ႻԻ֓⭁ȯ

Lot 1111

HUNG Rui Lin ᙈᬟ㓠ņ1912–1996Ň ᙈᬟ㓠ӛᮝᅠ‫ש‬ռఱञỠࡋŊߌᣅ᦬⤃ଃЗ⃥ᄽːᯉ᱿۹฻Ŋ͵⎊ଅʬଃ↘ᯉᮟᮝʴ⎟⬶ȯ1927 ౺ⳖҘ᮫π▽໊ӛ⫏᱿ȵ‫ש‬ᢕ↘ᯉᶇἄ໽ȶŊ࿲‫ט‬ᵲఛᓯɺⵀ≘ో᱿྆଄Ŋ⿭আ᮫ᵲ⍆Эᔌೣ∳ ᯉ₪ဎȯ1930౺⬘ᅺᖣણŊᯃᏈᅠᅺ቏ుߡ⇾⠛ણዮȯ1938౺7ሶߊӷ‫ש‬ᢕŊʏӷπ▽໊⃻᥸᱿ ᬟ␖ᤨḮడ̳Ŋ⎊ᔍ⿭আ˫Ḯడ̳ᣅԡ̳㆛ቨŊ೘Ἴӛ⎞᳷ʃ‫׺‬᱿↘ᯉㆺጁȯᙈᬟ㓠᱿̳‫ٴ‬ᛖᛖ ҂ដʴⳆỚ෫टຘː᱿෼ใŊ‫׺‬ᆹŊʬЗⳭӛ˟ଃՙ␶ଅᖁ‫≘ד‬౺ː᱿᮫⠳〦໊ȯᙈᬟ㓠ぜʴᯉ ḮడʠकŊʬᯉ⳧‫̦׆‬ᖁŊ⢇ॉ⎞ㆺᇓᾀȯⲵ̆ʠരŊ˟᱿ὮɺΤㆤቃ͵ᆯⲲᖣぬ҆Ŋᯉ૊ᇄ౺ ᅧଡ⇾ߡᆹરໞʴɺˀᓼㅳぬ҆᱿ㆺᇓᯉŊ̟ᤀ⧄ॖ̬ŊȵḮడᯉȶᖝ⳵ᆯԊⱏᯉ૊ᙈᬟ㓠᱿⥘ ҩ‫ۄ‬ᐻȯ Lot 1117

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HSIAO Chin ◳՝ņb.1935Ň

Lot 1130

◳՝1955౺ಎ⎞घ̤♊⠛૊ໞἼቺᅞᯉሳ˫དྷ⩽↘ᯉᣅᶇἄʙ㆛ŊരԊദ∑ञӴᱹଭŊᛖ‫ט‬ʃહ ഐ♊⠛ņInformalismŇȮདྷ⩽⠧᫠ʙ∑ņAbstract ExpressionismŇ᱿♊⠛૊ഛㅨŊૣ⤌ʑߡሬᘍ യՒℬጻ᱿⸅⣬ඖ⎞᧚⏨Ŋʏ☼ᔍଭ⿭ɺ₇Ӭ᱿‫⥶ݏ‬ȯ◳՝఩ʃ‫׺‬ᅠᅽቅቺᅞ♊⠛૊ଃ⣫ᅞ♊⠛ ᱿ഐೣᑁ˸Ŋ◳՝⎊ԡɺጁŊỬᏎ࿯€᧎⫨⎞⁤ṘȮᵁ⿵⎞ᖝණȮሷく⎞ᤀくŊ‫ו‬ඎʴ↘ᯉ਄˛ ᱿ዾ቏Ŋ⥶ߧ⸅ᅘᱹ᫠᫠˩↘ᯉ᱿቏⫨ȯ◳՝ᙙ⯧ᅠߡも♊࣪Ŋ҅ര‫⎞א‬ᱹ⬚1961౺᱿ȵߡも㕼 ߧņPuntoŇ♊⠛⳥ՒȶȮ1977౺᱿ȵߡもठぬņSuryaŇ⳥ՒȶȮ1989౺᱿ȵߡも 㣑ņShaktiŇ ⳥Ւȶȯ◳՝ሯघᓝ᪀വ♊⠛᮹⊾હŊ 2016౺᪀ⅶ⃥ಓㅹᱹʷᾀᇓᆣդὁŊ2019౺᪀ㅹ֡♊ञ ‫ं֢⩇׻‬ȯ˟˫ᵢྃҙᄺ᱿ቺᅞ⇾ણඎฑ߱དྷ⩽↘ᯉㅽࡍԡⳍ㍫ᆙඖጁŊʏ᪀വ⣫ᅞ♊࣪᱿ᵠᲿ ⎞⊾હȯ

Hsiao Chin cofounded the Ton-Fan Group studying abstract art with many artists in 1955, and he left for Italy to study painting. Hsiao was influenced deeply by LQIRUPDOLVP DQG DEVWUDFW H[SUHVVLRQLVP UHDOL]HG WKH LPSRUWDQFH DQG IHDWXUHV RI &KLQHVH FDOOLJUDSK\ DQG EHJDQ VHULHV RI FUHDWLRQV ;LDR KDV EHHQ GL൵HUHQW IURP HDUO\ (DVWHUQ DUWLVWV¶ LPLWDWLRQ RI :HVWHUQ DUW EHFDXVH ;LDR GHYHORSHG KLV RZQ VW\OH ;LDR DFWLYHO\ H[SORUHG PDWHULDO DQG VSLULW PRPHQW DQG HWHUQLW\ ILQLWH DQG LQILQLWH DQG UHÀHFWHG WKH URRW RI DUW PDWHULDOV LQ RUGHU WR GLVFRYHU WKH HVVHQFH RI FRQWHPSRUDU\ SDLQWLQJ +VLDR &KLQ ZDV DFWLYH LQ WKH LQWHUQDWLRQDO DUW VRFLHW\ KH VWDUWHG WKH international art movement Punto in 1961, Surya in 1977 and Shakti in 1989. Hsiao Chin has been awarded many times, Order of Brilliant Star with Grand Cordon by WKH SUHVLGHQW RI 7DLZDQ LQ DQG KRQRUDU\ GRFWRUDWH E\ 7DLQDQ 1DWLRQDO 8QLYHUVLW\ RI WKH $UWV LQ +VLDR FUHDWHG XQLTXH VW\OH LQ WKH ¿HOG RI DEVWUDFWLRQ DUW E\ KLV reserved and restrained oriental aesthetics, and won Western world attention and praises.

155

HO Chau Ch ̬⊤⠤ņb.1931Ň ̬⊤⠤1931౺ᮝᅠᅘὌ⏸ኚ㓉૱ࠉŊ‫̲↘ۧט‬Э᱿ᯉో᦬⤃ഛㅨŊഺଅଔଃ↘ᯉᮟᮝ᠝ׂ᱿⎟⬶ȯʑણᆹ‫ט‬ ӷ⇾⠛≘ో⫯Ᏻ͗᱿‫╗ۓ‬Ŋര͗ⳖҘ‫ש‬ռో῅ણዮ♊⠛Ấଔ⩊Ŋ߱ણቅ⿵֯ሷӛ⏨⠧᫠Ŋ1950౺ሯ˫ᖛഔᯉ Ҙⴆ᳎ଭřᯃᏈര‫⊋ט‬Ⴢ˶ռోえଅ⇾⠛≘ోŊ‫׺‬ᆹཤଭԡ̳ʠ⭰ȯ ̬⊤⠤ᅽ౺ഺᅺ቏⇾⠛グ⦒⿵࿲⦓⨯ʊ᮹↘ᯉៜᙟŊሱӮ૾ᘜᅠң⩽૯૪Ŋര͗‫ט‬Ἴ㋤ᙜ⎞དྷ⩽ㆺጁ᱿‫ۓ‬ ᱹŊώ⤯⎞ᯉㄇ⚠᫧വ˫⤟ᄍŊ̟˜࡫̳ྃ‫ٴ‬ൕㅱ⃻⳧૯ᮝ⳧ỄŊҪ⎊ໟ ջŊ૽ᇓ⩽࿴‫׿‬ሩᛖ⳵᱿าࣀȯ ᄲ֓౺͗ᯉ⳦‫ש‬ᢕㆺᇓŊʏघᓝӷᅺ቏Ȯቺ֡ˁُᓿ⇾‫ߡ׳‬Ŋ‫⇾⤐א‬⠛㈀‫ד‬ᅧ⠗૯ᮝȯ̬⊤⠤߱♊࣪ᅽ఩ˉ ሷᏎ㋧⊖ቃŊ̟ᮝᙙআ⃃ ᑊŊʈᮙʠॖ㇟Ŋ‫ڱ‬ଃ♊⠛Ⲳᖣ࡫ྃʃຯŊᄲ֓౺ॖɺᅺȯ

HUANG Ming Che 㓳⺐‫ڏ‬ņb.1948Ň

Lot 1139

㓳⺐‫ ڏ‬1948౺ᮝᅠ‫ש‬ᢕ઻⚄Ŋ૾⿢ᗴᯉȮォ࢞ȯ1976౺ὮɺᓝᗴᯉΤଭᅠ᳎Ἴ֢᧎㈀Ŋ‫׺‬౺⬘␿ߡ⸄⑩ञણ ᶇ∳ȯሯ˶ʑⓧᖁߡᗴᯉણሳȮᅺ቏ԡᮝ⇾⠛֠ሳȮ‫ש‬ᢕᅘᯉሳሳ‫ڂ‬ȯ1979౺ُ⇾ߡSemionsᯉ಴‘₎⃻₊ ᯉ૊ȯ 1981Ȯ1982Ⳑ↲қ౺Ᏻ᪀Қ᳎⇾ଭᗴᯉὮɺ‫׻‬Ŋ1983౺Ᏻ᪀Қ᳎⇾ଭᖝʝ҉૭ው⫏ጁȯ1992౺᪀‫ש‬ᢕ ᳎Ἴ⇾⠛㈀ᖝʝ҉૭ውⴎ⦼ଭŊ2001౺ະⴎ⬘ʀᙹ⇾⠛㈀⎠⠗ߊㆰଭȯ㓳⺐‫ڏ‬᱿ᯉ౏ሷ⩽൉ʙ∑ُ⠧᫠ʙ∑ ᱿า‫ػ‬Ŋ⸅⣶↘ᯉʑ㋧ഔಙ⏨ഔʏ⇦Ŋ˫ሬ૯ඖℬጻ᱿˅⼂⸅ᯘ⢌ⳍ⊨᫧ُଶᓝŊԡⳍӛңሷቺᅞṘẨ⏨ഔ ᱿ⳍࠣ⦝എȯ %RUQ LQ <LODQ &LW\ KH LV RQH RI WKH IHZ 7DLZDQHVH DUWLVWV ZKR LV DEOH WR EH VXFFHVVIXO LQ ERWK VFXOSWXUH DQG SDLQWLQJ ¿OHG +H KDV ZRQ many awards such as 36th Taiwan Exhibition (1982) and 35th Taiwan Exhibition (1981). After his achievement in steal sculpture, he applied the knowledge and skills of sculptures making into paintings. His paintings as in sculptures have the quality of simple and elegant. He has participated in many major exhibitions, in 2001, for example. Solo Exhibition in Shanghai Art Museum Taipei Fine $UWV 0XVHXP DQG 7KH 5HYHQXH 6HUYLFH 2൶FH 7DLSHL &RXQW\

Lot 1078

HUNG Yi ᙈᆞņb.1970Ň 1970౺ᮝᅠ‫ש‬ʑŊሯ⿭⥑ʪ⿵ㆺጁ᩸᧚᱿㇯ೕŊ߱˟ɿ֓ᔓ⴨౺Ŋᕊᤋ⬕‫♊׿‬⠛૊Ⳇጻ⭰ȯ 2000౺᪀ⴆᣅȵ20⚦Σಝ ⾪ⳬ♊⠛ℐ⃘‫ש‬ʑἿȶ㉐Ἷ♊⠛૊ȯᙈᆞᅽቅ˫ḽሳ૯૪᱿ㆺጁ ԡ̳౹ㄇ̳‫ٴ‬Ŋᔍᆹቅ̳‫ٴ‬घ֚ሳ‫ا‬᫠ධඈȮ඙⦘᱿⤐฾ȯ2004౺⿭আŊ̳‫ٴ‬ᱹଭໞ˫Ἴ㋤ ォ࢞ԡ̳‫ا‬᫠Ŋᙈᆞ૽ഐ㋤ ջŊ߱⏨ഔ␕ᑂʀ⠧ⳭൔʑบᘍŊ̳‫⏨ٴ‬ഔ೼ᣊʏၒⶪमᯌℬ ጻُ૗⬶ᆪඖ᱿ߧጊŊᄣᱹӛ᱿ᖉߣⅶ⋱౏⃛⤐≛ᙙោȮ۹ෑ᱿Ὦɺ֬⩽ȯ2008౺⿭আŊ⃻ ౑ӛߡ᱿ᙈᆞ฾⤌♊⠛ᆯト⣬ᆹ˩ඖ᱿ŊʏᛖΒ߱ቍ͗᱿ᆹ˩ᱹଭ૽┮⸅ᅠቺᅞҀ₪Ŋᅠᆯ ‫૽⥶ݏ‬ᄽջ᧚ሷ᱿⦝എະᮢ߱Ἴ㋤ⳍࠣʀŊ߱2008౺8ሶ࿴ӛヾ␕ُԙ₣ߧₕㆺጁ᱿Ἴ㋤̳ ‫ٴ‬Ŋ‫܈‬ɺ᱿⏨ഔҀ₪ሩ⋱Ἄㆴᙈᆞ໽➄‫׶‬ӛ᱿᩸᧚Ὢ⚦Ŋʏʈଭ᫠ӛʃ‫˫׺‬ദ᱿ᄓኞȯ Lot 1011 ሯघᓝ߱‫ש‬ȮʑȮ⇾ȮᅺȮㅏᾀߡ‫א‬ଭŊ⎊ᱹඖ‫׆ד‬ᮝඖ᱿̳‫ٴ‬ㆺጁᛖң᩸᧚᱿⣶⤌า⩽ȯ ԡ̳ҙૌघ‫ח‬ቨ⎊Έᖁᄽջ‫ד‬ᅺ౑ᮝᙙʑ᱿໽⣲໽⊏Ŋⲿ⳧ბːջ᱿༆ᘍȮᙟᇶ᱿ℬጻȮ↨₥ञ⍦᱿⏨ഔȮ⩴૗₳⍗᱿ᄝⲩೣᐉߧĿ Born in 1970, Taichung, Taiwan. He was once an owner of 9 restaurants, and at the age of 30, decided to live his life as an artist when he was nominated as the artist of “Stock 20 in Taichung Railway Station” (2002). His work is inspired by his surroundings and life experiences. The artist uses a lot of bright primary colors. His works are bold and lively, which clearly represent the local Taiwanese culture. Hung Yi’s major solo exhibitions include the “Art in Taiwan, Interesting Taiwan” (2004, Taipei), “Life in the World” (2002, Taipei), and “Meet Hung Yi” (2008, Taipei). Besides works shown in exhibitions, his works can also be seen in many public art locations. +DV UHSHDWHGO\ LQ 7DLZDQ &KLQD WKH 8QLWHG 6WDWHV -DSDQ .RUHD DQG RWKHU FRXQWULHV H[KLELWRUV VSRQWDQHRXV DQG RULJLQDO ZRUNV RI WKH VW\OH RI D XQLTXH YLVXDO LPDJH Creative content and more from the folk culture and daily life seen and heard, through the anthropomorphic approach, smooth lines, colorful bold colors, rich and delicate narrative composition!

-8 0LQJ ቒ⺐ņb.1938Ň ቒ⺐ᮝᅠ␫ዧⅠⳇナ⽕ȯ቏‫׻‬ቒఛᘣŊὄ౺ᆹଅ‫׻‬ȵʪʷȶȯʀሷʽҁঋŊᣅ૊ʑ≘ʟŊ ૊ࣀ⪳૜ȯ1953౺߱᦬⤃౏ㅽʁŊӷⳇナ⽕ʀ᱿ਤṒೆ‫׿‬ォԀోϼቦ⸉ఛཬోŊ1955౺ӛ ోŊ1956౺ռʀӷࡣひ᱿̲ңಐడ̳ȯ1968౺ཬォ࢞૊Ꭻ␿ㆺᣅోȯᅽቅ˫ⵯ߭ʙ㆛Ŋॖ ȳᧅȴȮȳ᧍ὄȴᾀォԀӛ‫׻‬ŊⲖቅԅ˫➄‫׶‬ʴʑߡ‫ڏ‬ણॖȳठᏎȴᾀ᱿᫠˩ォԀ‫̳׻‬ȯ 1976౺߱ߡἼᔕ‫᧎֢׫‬㈀⎠ⲄΤଭŊೊ‫♊ט‬⠛᮹᱿⸅⣶ȯ‫׺‬౺Ŋ᪀ⴆ‫ש‬ᢕ֓ञヾ౺Ŋ‫ב‬᪀ߡ ૊ᄽ♊ᩦὁȯ1978౺Ŋቒ⺐߱ᅺ቏ቺˊʑत⇾⠛㈀ଭӛŊ̳‫ٴ‬ȳ‫܈‬ㄺʁ՛ȴ⡕ᅺ቏ォԀʠ፳ ⇾⠛㈀ᄇ♀ȯ1981౺Ŋ᩸⎊ɺːӷ⇾ߡₚ₎ఱણ∳ŊⳆɺ౺രŊ໽ԡ̳᱿ȳː⿵ȴ₇Ӭ̳

Lot 1107 156

‫ٴ‬Ŋໞᣅ˟ᮝ᚜ʑሱ‫⩇⩛ט‬᱿⃻Ҥ˩⠧ȯ1989౺Ŋ˟⎞೘Ὲో⪫⊟⺐‫̳׶‬Ŋ߱㈭ᛸʑߡ⹾⠗ञಲԊ͐ᮢ ヾ⺁ᣅቨ⫨Ŋԡ̳ȳُ⧒Ҡ⚠ȴ᱿ː⿵₇Ӭ̳‫ٴ‬Ŋ̤ᅠञᐵҘ‫ם‬ञ⿧᱿ఢϳȯ1999౺Ŋቒ⺐߱‫ש‬ռⅠ⸉ ୀⵯ⣫՛᜙ໞἼቒ⺐⇾⠛㈀Ŋᄇ♀⥓घ᫠˩ォ̳࢞‫ٴ‬ȯ2000౺Ŋ␕ʴಂ֓౺⣳ԬໞἼ᱿ቒ⺐⇾⠛㈀Ŋ᪀ വᅺ቏ቺˊԡᅘञᩦTokyo Creation Awardᙹकᩦȯ

Lot 1120

Born in Tongxiao Town, Miaoli County, Taiwan. In 1953, at his father’s instigation, he began a two year learning with the IDPRXV FUDIWVPDQ /, -LQ &KXDQ DW 0D]KXPLDR LQ 7RQJ[LDR 7RZQ ZKHUH KH VWXGLHG ZRRG FDUYLQJ 7KH IROORZLQJ \HDU KH secured gainful employment in a shop that dealt in Buddhist Tools, in Keelung. In 1968 he began his learning under YANG Ying Feng. Early in his career, he made a name for himself in the villages surrounding where he lived for his sculptures of cows and cowboys. More recently, his modern sculptures integrate the philosophy of Taiji. In 1976, he was widely regarded by art FLUFOHV DW D VROR H[KLELWLRQ DW WKH 1DWLRQDO +LVWRU\ 0XVHXP ,Q WKH VDPH \HDU -8 ZDV DZDUGHG RQH RI WHQ PHGDOV IRU H[FHOOHQW youths of Taiwan. His international exhibition was held at the Tokyo Central Museum of Art in 1978 and his work collected by WKH 6FXOSWXUH DQG $UW 0XVHXP RI -DSDQ ,Q KH ZHQW WR VWXG\ LQ 1HZ <RUN ZKHUH WKH IROORZLQJ \HDU LQ GLUHFW UHVXOW RI WKH WUHPHQGRXV VXFFHVV KLV /LYLQJ :RUOG 6HULHV -8 H[SHULHQFHG D PDMRU WXUQLQJ SRLQW LQ KLV DUWLVWLF FDUHHU ,Q KH ZRUNHG LQ conjunction with a famous architect to recreate the Living World Series, cast in bronze, to stand in front of the Hong Kong Bank RI &KLQD 7KH -8 0LQJ $UW 0XVHXP LQ 7DLSHL KRXVLQJ PDQ\ RI KLV ZRUNV RI PRGHUQ VFXOSWXUH ZDV EXLOW LQ DQG LQ RQ WKH EDVLV RI PDQDJLQJ WKH -8 0LQJ $UW 0XVHXP IRU WHQ \HDUV KH ZRQ WKH 7RN\R &UHDWLRQ $ZDUG

KUSAMA Yayoi ⑽⿵ഇᮝņb.1929Ň ⑽⿵ഇᮝ⡕ờᣅᅺ቏᫠એ᱿⃻Ҥ♊⠛૊Ŋӛᮝᅠᅺ ቏⿢⸆Ⅰኇ቏ఱŊ1956౺Ẽଡ⇾ߡₚ₎ఱŊʏ⿭ আଭヮॎㅽ҅∌゛᱿Ԋ⠡♊⠛ԡ̳༇ⓧȯሯ⎞ᯍ˩ ֟⬤᱿♊⠛૊ॖમⲥŌᗐ⒎Ȯ҇ՐᅗŌᓿᱸኼጁȮ ⫐ᅗࡢŌ᭥ᅗɺ⬚⊓ଭȯ᫠ଡ̦߱ᅺ቏ቺˊȯॎ᱿ ԡ̳ㆩࠣ㄄౑ೊᘒŘᚠ╾↘ᯉȮཾ⫅ᯉȮォ࢞Ȯ⠧ រȮヅഛȮ⡶⇦Ȯଅ⦦Ȯ⥸ᓼُㅠᐪȯॎ֓ᔓ෧᯼ ଄⎐౿⊝౿⤌ȯ߱⇾ቅ⿵ᔌϊ᠚Ⳗʙ∑ᆹቅŊᔍര ॎ᱿♊⠛ϟᮽ߱᠚ⳖȮ‫ۄ‬Ꮘُ‫ו‬ඎ᱿ଶㄇʀȯॎ⦓ ᣅℐᨊ⃌ᐉЭ൉૗ሷᮝᑨ᱿ᮝ‫ل‬቏⫨ȯ1966౺҂ដ ṘẨ฾᱿ȳᤀく⽷ଥȴ⡶⇦̳‫ٴ‬Ŋ‫ו‬ᆤʴᮝ‫ل‬Ի᱿ Lot 1001 Lot 1002 ᤀくೊ֢˫‫ד‬ʃ‫ר‬༴ဝඖȯॎଃ⎊న᱿♊⠛⃻ᔕဎ ⲩᣅŘӠ⤟ُỬ⊌Ŋ࣑ϊُᶝ᷊Ŋᆯଃ⎊న᱿ᛝᗞُଃᤀഐબસ᱿ߊบȯⲙᅺരᮢघỚഐೣُቨᅆ࿯€ᤀᔍࣀ᱿ℐᨊ⃌ᐉȯॎ᱿♊⠛̳‫ٴ‬ ♭ؐ᩸᧚᱿฾ᵧ⃻㊹ُʃ‫⤯ר‬ႄ᱿ṘẨȯ 6KH ZDV FDOOHG WKH FODVVLF DUWLVW VWLOO DOLYH LQ -DSDQ 6KH ZDV ERUQ LQ 0DWVXPRWR &LW\ LQ 1DJDQR -DSDQ ,Q VKH PRYHG WR 1HZ <RUN 8 6 $ DQG EHJDQ WR VKRZ KHU unique avant-courier artistic creation which takes a dorminant place. She once held exhibition with some current brilliant artists such as Andy Warhol, Claes Oldenburg DQG -DVSHU -RKQV WRJHWKHU 6KH OLYHV LQ 7RN\R LQ -DSDQ QRZ 6KH KDV D ZLGH DUWLVWLF SUDFWLFH LQFOXGLQJ SDLQWLQJ FROODJH VFXOSWXUH DFWLQJ ¿OPLQJ GHFRUDWLQJ DQG ZULWLQJ novels, poems and music. When she was ten years old, she got acousma and heteroptics because she was ill. When she was in America, it was the period of radical, commercial and retrospective. She thinks that the net form means the vividness of life. In 1966 her decorating work “Endless Mirror Room” reveals the endless and the uncontrollable of life.

KANEMAKI Yoshitoshi ⸉ֱ␖;ņb.1972Ň ⸉ֱ␖;ᮝᅠᅺ቏᱿֔┤ⅠŊᅠ1999౺ᯃᏈᅠघၷ⇾⠛ञણņTama Art UniversityŇ᱿ォ࢞ ₇Ŋ⸉ֱ␖;᱿̳‫˫ٴ‬ቌォᣅʙŊ⬢᫠૪ʏʈォԀడ♊⁤᜜Ŋ⸉ֱ␖;ᛖҘ⤐ૣᮝᙙ᱿ʊ ᮹Ŋา⨯ӷᕓΤːⵣሷᤀᘍ⦲ُ᱿ᩖ⪅໣ᵡ᳍Ŋߌᔍ˟⥶ߧ૽Ⳇˀ෼฾༼ૼӷ˟᱿ォ࢞ʀŊ ⳆỚᵡ᳍‫⋱ר‬ᆯ⠧ㄇʬ‫⋱ר‬ᆯ͗⎊⎊నʃᵧⳬ᱿ҙൔᛖ⚠Ŋ˟᱿ォ࢞ⳇ౑ሷ2Τ໣ሩघ᱿ㄇ ઋҠ‫߱׶➄׺‬ɺ⬚ȯⳆˀㆊʀ᱿⠧෼‫׳‬ᯌִ₉↴߱ɺ⬚Ŋᵡ᳍‫⃥ב‬ɺŊⲿ⳧̳‫≛⫝⤐⩕ٴ‬ሩ ᛖҘ࿯€⎊నൄീᵡ᳍᱿ɺㄇȯ

Lot 1143

157

.$1(0$., <RVKLWRVKL ZDV ERUQ LQ &KLED 3UHIHFWXUH -DSDQ DQG JUDGXDWHG IURP WKH 6FXOSWXUH 'HSDUWPHQW RI Tama Art University in 1999. His works are mainly wood-carving that are hyperreality and exquisite. Yoshitoshi looked deeply into life and realized that people had irresolvable hesitations or contradictions. He tried to cast contradiction and more emotions onto his sculpture, which come from the surface or from the depths of his heart.

7KH VFXOSWXUHV XVXDOO\ KDYH WZR RU PRUH LQWHUWZLQHG IDFHV ZLWK GL൵HUHQW H[SUHVVLRQV 7KURXJK WKH ZRUNV SHRSOH can explore their ambivalence more deeply.

.$:6 %ULDQ 'RQQHOO\Ňల⓽සŌ‫ڥ‬ₗӴņb.1974Ň KAWSᮝᅠ⇾ߡᅘ᠂⣫జŊ቏‫׻‬ల⓽සŌ‫ڥ‬ₗӴŊ᫠ᮝᙙُడ̳ᅠₚ₎ల㍇҇ኚȯሯᅠₚ₎ ⣶⤌♊⠛ણずણ∳ʏ૾⁤ᅠတߧŊʏᅠ1996౺‫ח‬വ⥿ዮણंણ̤ȯሯჂ˶⳧ⲥंଛҝ‫׮‬Ւᯉ ోȯ⯿ᣅ⠞ㆊ♊⠛ԡ̳≛᱿KAWS⃻౑᳅࿲ԡ̳ᅠ⠞ㆊᅹሷ᱿ೊ‫ب‬ʠʀŊ⥶ߧㆦ⣰Ң‫׆‬আา ⩽ȯ1999౺ŊKAWS⎞ᅺ቏‫ᦽٴ‬realmad Hectic˫‫ד‬Bounty Hunter‫̳׶‬᱿ଅࠣʨᣟࡣ᪨ңȳ‫׺‬ ̔ȴ߱ᙟ⠗♊⠛᱿‫ۄ‬Ꮘߞ೧⬚ʴៜᙟŊKAWSらര⢌̳᱿ȳ‫̔׺‬ȴʠᄲỚ⠘̖ᦹ቏ሩ߱ʊ᮹ Lot 1149 ‫߸׳‬᱿⇾⠛㈀ଭӛȯ♊⠛૊ྃ↲⎞‫׳‬ᵧ‫̳׶ᦽٴ׻‬࿴ӛ᱿‫ࠀٴۄ‬ᏎΖ⥾㆛ඖŊሩ͐വሩՒᅹ ሷ᱿ᵧ‫׻‬ː᧎⤑⏨ʏԽʀ;;ߧᑂ᱿ԡ̳ᑁೣໞᣅ˟᱿⥘ҩ‫ۄ‬ᐻȯᯍ˚ᙙ⯧῅ߣഺ⇾ߡₚ₎ი‫⎏ד‬ᅺ቏ቺˊȮ␿ߡρᄦȮᘍߡఫ㓷ᾀᓿᙐ ‫ד‬ˁᙐࡆఱȯ .$:6 %ULDQ 'RQQHOO\ ZDV ERUQ LQ 1HZ -HUVH\ QRZ OLYHV DQG ZRUNV LQ %URRNO\Q 1HZ <RUN +H VWXGLHG LOOXVWUDWLRQ DW 6FKRRO RI 9LVXDO $UWV LQ 1HZ <RUN DQG REWDLQHG WKH %DFKOHU¶V GHJUHH LQ +H XVHG WR EH DQ DQLPDWRU RI 'LVQH\ $V D VWUHHW DUWLVW .$:6 RIWHQ ZRUN GLUHFWO\ RQ WKH H[LVWLQJ VWUHHW FRPPHUFLDOV ZKLFK VXEYHUW WKH RULJLQDO LPDJH ,Q WKH VPDOO YLQ\O WR\V ³&RPSDQLRQ´ E\ .$:6 PDGH ZLWK WKH FROODERUDWLRQ ZLWK -DSDQHVH %UDQG UHDOPDG +HFWLF DQG %RXQW\ +XQWHU KDG FDXVH a trend in the business sector of art. Many other various editions of “Companion” have been exhibited by the museums around the world. The art products that KAWS FRQWLQXHV WR PDNH LQ FRRSHUDWLRQ ZLWK ZHOO NQRZQ EUDQGV JDUQHUHG DWWHQWLRQV ZLWK KLV WUDGHPDUN WKH LURQLF PRGL¿FDWLRQV RI IDPLOLDU FKDUDFWHUV ZLWK ;; SDWWHUQ RQ WKHP The name KAWS is now active in New York, Tokyo, London, Paris, and many other cities in Europe and Asia.

KANG Youwei ನሷᣅņ1958–1927Ň ನሷᣅᛤ቎ℋᅘ⩐ᘍᙜʙ⣬ᱹ⬚≛Ŋ‫׻׆‬Ṓ⥩Ŋ઎ೊಲŊ⚦⿢₪Ŋ‫⚦ב‬ᆙधȮሩᮝȮ⣫ᑉୀːȮᜀએ‫ך‬Ȯटᜀջ ːŊೊቺ᳎֡ᙹⅠʘᢠ♫ቩːŊːờನ֡ᙹŊ҆ℨ೚ɺ౺ņ1895౺ŇⳖंŊሯ⎞೭ઈጧ㭵⬢‫̳׶‬໚໛⩐ᘍŊ‫ב‬ờᱻ ᅺℋᅘŊ⩐ᘍदᄜരŊ⡕๔Ẇठ‫ⳇ׼‬℮≟ӛⲸȯ҆ℨ֓ɼ౺ņ1891౺ŇരŊ˟߱ೊజ⥑Ἴ┋ቌ⑽ࡩŊᄇള⧾ણŊ೭ ઈሷጧ㭵⬢Ȯづ֔Ạᾀːȯ ˟ᅠ҆ℨ֓ʽ౺(1889౺)໽┮᱿ȳೊ♊⎯キᏆȴᆯⅶ⃌᷌ણ᱿ɺⵒ┮̳Ŋဏӛơ଀᷌Ƣʠ⦦ŊञԻ࿴஖ឤ㌵Ҟቄ᷌ ણŊଃ᷌ᙜሬᘍ᱿⎟Ჰሷ┮ᏎҢᛖ⳵᱿ഛㅨȯଔನሷᣅ᱿ԡ̳≟⤵Ŋଃȳᵲ⿧⺐ȴُȳᦥ㕻㆞ȴᮢԼ଎ᛖŊ‫׺‬ᆹ‫א‬ ˫ȳ⃻ᵲஅȴُゾஉୀ⧠ᵲԀȯሬ૯ʀ˫౹⿢ೲℬᣅࡣ⦲ŊⱧ༿˫ߥⱧᣅʙŊ⿢⺾⇺ᕥ໽ᱹဧӛ᱿᧚ሷ᱿⁏⑊Ȯᜆ ⸅ׂُ૪ᄓኞ߱˟ሬ̳ʑሷബ॑᱿㋤᫠Ŋ⎏ᅠℬጻ೺ဗ౏ӛ⃌ᐉ᱿Ւ᲼Ŋ؋હ߈౹Ҝỻ᱿ԡ̳Ŋʬᆯᛤ˩᷌ણ᱿ⅶ ㋤᧚൉⠧᫠ȯଔԡ̳ഐೣʀ͗⦦Ŋ˫ଃ⊓ሱᣅ⁤ഔŊ⣲ᖎ՛⿭೺ȮᜆỦञᖎ᱿ぬԑʠ⇾ȯ

.82 -HQ &KDQJ ⵗྚᆗņb.1949Ň

Lot 1094

ӛᮝᅠ‫ש‬ᢕചջ㓉ᛸŊ1973౺ᯃᏈᅠ‫ש‬ռᄽջञણ⇾⠛₇Ŋሯ߱ቦ˰ᮝᯉા∳ᯉȯ1947౺⎏1979౺⿵ሯ᪀⇾ߡˁᙐࡣ⸉ሳ⬀ՀŊҚൔ༼Ҙ ‫ש‬ᢕᖁΈ♊⠛᱿ᶇἄŊʏ૪も‫⎞א‬ᖁ⿵♊⠛᮪⸆⦲ውడ̳ȯ ഺ1979౺᱿Τଭ⿭আŊ˟᮫Ệᅽ᱿དྷ⩽⬢᫠૪ʙ∑ᯉㆺŊⱧ‫׿‬ᮝᙙඖُḽሳඖ᱿૯૪ㆺጁȯ1980౺˩ʑ ቅŊ˟߱ᯉㄇʀʏ⇦З⃥⎞᫠˩ː᧎᱿ഐ⩽ȯʬഺ1990౺˩⿭আŊⵗྚᆗ˫Ἴ㋤ཾ⫅ᣅ༆ᕀŊᣅᯉㄇᎋ Ҙ᫠ໞ᱿૪᧎ȯ૪᧎̳ᣅ྆ᚊᏕ൳᱿Ὢ⚦ŊңЈ᧚હ᱿า∑⋱྆ȯ˟Р‫׿‬ഺघҀ᱿ᄽջ⣶⤑Ŋⲿ⣶⎔ᢕ ᱿ᅭ∌⃅ໞ⎞ḽሳൔ᫧ȯҢ̳‫ˇٴ‬᪀ᅺ቏‫⇾׆‬⠛㈀ᄇ♀ȯሯᅠㅏߡ᫠˩⇾⠛㈀Ȯズፃᯍ˩⇾⠛㈀Ȯռˊ ʑߡ⇾⠛㈀ᾀ⎠⠗ଭ⤍ȯ

LI Mei Shu ቦጪᑋņ1902–1983Ň

Lot 1045

ቦጪᑋ LI Mei Shuņ1902-1983Ň‫ש‬ռɿ஑ːŊ૾⿢ᗴᯉȯ1918౺Ҙ‫ש‬ռߡ⦝ણዮో῅ⵒŊ 1928౺⬘ᅺᛖⳍŊⳖҘቺˊ⇾⠛ણዮ⣫ᯉẤȯણໞߊߡരŊ1934౺⎞ᯉ‫ה‬ԡἼ‫ש‬ぬ⇾⠛֠ሳ ‫ד‬1974౺ʑߡᗴᯉણሳȯቦጪᑋ̳‫ٴ‬ሯघᓝҘⴆ‫ש‬ଭ‫ד‬᳎ଭŊʏʈᅠ1935౺᪀Ὦʪଢ‫ש‬ଭ‫ד‬ ᧚ⴆⅶᴏᩦȯᔍकŊ˟ˇ˶ᄞᅠߡἼ♊૾Ȯʑߡᄽջञણ‫ߡד‬Ἴ‫ש‬ᢕో῅ञણȯ1983౺Ⳋ ʊŊቦጪᑋ⇾⠛㈀ᅠ1990౺߱ɿ஑ᄑⵯໞἼŊҢ૯૪≟᩸᧚᱿ᯉㆺ‫ד‬ဎ↘ⵯ෼᱿̳‫ٴ‬Ŋໞᣅ ‫ש‬ᢕ⣫ᘱ⇾⠛‫׫‬᱿͍​͍≛ȯ Known for his realistic landscapes for his homeland, Li Mei-shu was one of Taiwan’s most outstanding painters in WKH :HVWHUQ VW\OH $IWHU JUDGXDWLQJ IURP WKH 7DLSHL 1RUPDO 6FKRRO LQ /L ZHQW WR -DSDQ WR VWXG\ DW WKH 7RN\R Fine Arts School. After returning to Taiwan, he founded the Taiyang Fine Arts Association and China Oil Painting Lot 1138 Association with a group of artists. Li’s works have been selected for the Taiwan Provincial Fine Arts Exhibition in 1935. He was a professor for many years at the National Taiwan Academy of Arts, Chinese Culture University and National Taiwan Normal University. He died in 1983.

His memorial museum was opened in 1990 in San-shia.

158

LI Shih Chiao ቦᵲᑉņ1908–1995Ň ‫ש‬ռⅠᅘ⒜ːȯ1922౺⩊‫ש‬ռో῅ણዮŊ‫ט‬ᄞ ᵲఛᓯɺⵀŊ1927౺Ҙⴆ‫ש‬ଭരྃ↲ҘⴆŊ 1929౺ᯃᏈര⬘ᅺŊ‫ט‬づᎋፖᤫㆰҘȵఛὉᯉ ણዮȶȮȵ቏ⵯᘱᯉᶇἄ໽ȶŊ1931౺⃻घᓝ ະ≙Ҙቺˊ⇾⠛ણዮʽ౺ӼᗴᯉẤŊ1933౺Ὦ ɼଢ‫ש‬ଭ⣫ᯉẤ᧚ⴆʏ᪀ञ〷ቄᅺᅘ⊏ḽ⥑⇦ ᱿ቄᅺ⫝Ŋ1935౺ቺ⇾ᯃᏈര↲ᮽᅺ቏ȯ1936 ౺‫ש‬ぬଭȳᑲ⎅⢇ॉȴ⡕ṮଭӛŊ1941౺ᣅ㈪ Lot 1054 Lot 1055 Lot 1056 ̤᪀വષⲄᄽଭȵ҉૭ውȶ⫏ጁ᱿‫‣ש‬ᯉ૊ȯ 1958౺߱‫ש‬ռఱʑୀࡩ⎠ⲄΤଭŊ1974౺⎊ోञⲵ̆ʏ߱ᄽջણず‫ߡד‬Ἴ♊૾ҥ⦩ȯ1984౺Ңᅧଡ⇾ߡཤଭ᪩ᬪ␕ߤ⎞ᓇ␕қ₇ӬŊҢ᪩ ᬪ␕ߤ㆛ቨᏎ⳺‫׶‬㋧ഔಙ᱿૯૪ㆺጁŊҪ≛Ⲗᇓ᪩ᬪ␕Ŋᱹဧဎ↘㄃᧎घ౺᱿ԼԻŊⳆㆩ̳‫ٴ‬ʃ⣲ཨ⨕Ŋㅼᣅ૗㓚ࡩᲁȯ /, ZDV ERUQ LQ ;LQ]KXDQJ 7DLSHL &RXQW\ ,Q /, HGXFDWHG DW 7DLSHL 1RUPDO 6FKRRO DQG KH ZHQW WR -DSDQ LQ HDUO\ DVSLULQJ WR VWXG\ DW WKH 7RN\R 6FKRRO RI )LQH $UWV $W WKH 7RN\R 6FKRRO RI )LQH $UWV /, VWXGLHG ZLWK 2NDGD 6DEXURVXNH IURP ,Q /, ZDV JUDQWHG WKH KRQRU RI EHLQJ ³([HPSW IURP ([DP´ LQ WKH R൶FLDO H[KLELWLRQ LQ -DSDQ DV WKH ¿UVW 7DLZDQHVH ZKR KDG HYHU DFKLHYHG WKLV KRQRU 1XGH RI DQG &KRUXV RI GHVHUYH VSHFLDO DWWHQWLRQ 1XGH ZDV LQWHQGHG IRU WKH QG Annual Exhibition of the Nanyang Art Association, a local art group consisting mainly of Taiwanese painters founded in 1934. LI accepted the appointment as full professor DW WKH 1DWLRQDO 7DLZDQ 1RUPDO 8QLYHUVLW\ LQ DQG LPSURYHG KLV ¿QDQFLDO LPSURYHPHQW 6LQFH /, UHWLUHG IURP WKH 1DWLRQDO 7DLZDQ 1RUPDO 8QLYHUVLW\ LQ /, FDSWXUHG WKH EORVVRPV DQG ÀRZHUV LQ DQ H൵RUWOHVV PDQQHU DV VHHQ LQ &KHUU\ %ORVVRPV RI DQG 5RVH *DUGHQ RI

LIU Guo-Shu ԰ߡᐾņb.1919Ň ԰ߡᐾ1919ᮝᅠ߈ఛȯ1945౺ᯃᏈᅠᔏᆗ♊⠛૾ẤણዮŊሯჂ˶⳧⣫֡⇾૾⣫ᯉẤʙ˶Ȯ߈ఛ⇾⠛ણ ず⧾ోȮ߈ఛ⇾⠛ણずᄞ࿙Ȯ⸅๸⇾૾Ԟዮ⿢ᾀ⊚ՖȯʑߡὮʷ˩ᗴᯉ૊Ŋɺᮝഺʶ⇾⠛ᄞ⋀ᄊㄊʶ ᏈŊᣅࡢᎋᅘɺ˩⇾⠛ː༇໳ԻʃຯŊଃᅠʑߡ⣫֡രᅞ♊⠛ᄞ⋀⪯᪇૪ᣅὮɺːȯ˟᱿̳‫˫ٴ‬㍫ᆙ ᱿૯૪ㆺጁЈ‫ט‬〦ᘜŊᷨἼʴ˟߱ʑߡᯉ࣪᱿߸̤ȯᛖׂ᱿૯૪ԼԻ໽⩐ջӛ᱿・ణᇶ൬᱿ώ⤯ᐉໞ ˟᱿̳‫ٴ‬ʑỚ᩸᧚᱿ⱀᲧ฾Ŋ⎞૯૪᱿ʙ㆛᧎Эʻ᳈ଃະŊ̳͐‫ٴ‬૗ሷᮝՒ᱿・ᖎȯ Liu was born in 1919 in China. He is an artist who fully devoted himself into art education’s reformation, and is one of the most LPSRUWDQW ¿JXUHV RI DUW HGXFDWLRQ LQ 6RXWKZHVW GLVWULFW RI &KLQD +H LV EHVW NQRZQ ZLWK YLYLG UHDOLVW VW\OH RI DUW DFFRPSDQLHG Lot 1075 E\ VPRRWKO\ ÀRZLQJ EUXVKZRUN WKDW FUHDWHV D GHOLJKW IHHOLQJ RQ FDQYDV $OO LQ DOO KLV VWXUG\ SDLQWLQJ VNLOOV FRXQW DV FUHGLWV IRU VKDSLQJ WKRVH OLYH DUWZRUNV DV ZHOO DV IRXQGLQJ KLV VWDWXV LQ DUW ¿HOG

LI Yi Hong ቦ∑೩ņb.1941Ň 1941ᮝᅠ‫֡ש‬⣫ᛸŊో༫ᖶ҃ᮭŊҢ̳‫ٴ‬ᛖң ᄽːᖎ෉Ŋ༬ణ֟।ŊԽʀଃᅠ₣ቨ᱿⧾ἄŊ ᮚ⎏૽₣ቨʠ᧚ඖ᳅࿲Ⱨᮢ߱ԡ̳ʑŊ͐Ңሬ ᯉ̳‫ٴ‬ぜଭ᫠ᄽːʋ࣯कŊሩӲңଃᅠቨ⫨ະ ᮢ≟ᮟᮝ᱿⁤ⅅ⬶‫ػ‬ȯଃᅠᅧ⠗᱿ᥖ฻Ŋ͐ቦ ∑೩҅ᮝ⬕⥏‫߸׳‬ᇓ㔄Ŋԡ̳ӛ⁤⸁᱿ჶഛ‫ד‬ Lot 1084 ‫ש‬ᢕา⩽ሬᯉŊଭ᫠ӛ˟ଃ⎊ᤋᇓ᧎᱿⤐ૣŊ ˫‫߱ד‬ㆺᇓᐉߧʀ᱿ʃ‫׺‬⣶㔄ȯቦ∑೩˫ჶഛȮ↘ᯉȮሬᘍᾀ⥆⻞⎊ᤋŊሩ˫ჶഛ ҘᯉŊԽҘଶᓝ⁤᜾᱿า⩽Ŋ̳͐‫ٴ‬ㆴവम᧚ʈԡᅘȯⲖ౺͗᱿ୀᖛԡ̳Ŋሩ┮Ի ૽ୀ⏨Ȯ҆ഛȮゾᖎȮ⫨฾ҥૌᅠɺŊ఩ᤋរ↤ӛ⎊ໟએ߱ᅠ⎊ᤋᨊ๗ʁ᱿㋤෤Ŋ Lot 1085 Lot 1086 Lot 1090 Ң̳‫ٴ‬ᛖҘЗ⃥ʑ‫׏‬᫧⤟ώࣘ⎞⎊⯿᱿〦͸Ŋʏңሷ‫ש‬ᢕᖛࣘㆺጁ᱿ԡ̳᫧൳Ŋ‫׺‬ ᆹʬചㆴȵ஌ఊ⏨ഔȶ᱿ᖛࣘᅘࣀŊቦ∑೩߱ᖛࣘᯉʑ⿭ԡӛ௥ᅘ᱿⠧᫠ඎℋُ᫠˩⥱എŊң㋤߸૪⮆♊⠛૊⎊ໟྏ໴᱿ỚỚ‫⋱ר‬ȯ +H ZDV ERUQ LQ 7DLQDQ LQ GLYLVLRQ -LDQJ =KDR 6KHQ KLV ZRUNV ZLWK D VFKRODUO\ DWPRVSKHUH VNLOOV ZRQGHUIXO FRXSOHG ZLWK WKH SDSHU IRU WKH VWUHVV DQG HYHQ WKH characteristics of the paper directly in the creation, so that painting and calligraphy works in addition to Show the literati Qiu, the more unique for the application of materials produced by the exquisite taste. For the love of travel, Mr. Li Yikhong visited the local attractions, creating a brilliant photography and Taiwan image painting DQG FDOOLJUDSK\ VKRZLQJ KLV REVHUYDWLRQ RI WKH QDWXUDO VFHQHU\ DV ZHOO DV LQ WKH ODQGVFDSH FRPSRVLWLRQ RI GL൵HUHQW YLHZV /L <LJRQJ WR SKRWRJUDSK\ SDLQWLQJ FDOOLJUDSK\ and other natural records, but also to the photo into the painting, adding the level of accurate image, so that works seem strange and innovative. In recent years, landscape creation, more focused on the mountains, light, clouds, texture, texture is compatible with one, already deduced from the existence of the natural state of my understanding, his works in depth to understand the relationship between ink and their own, and Taiwan ink Style creative ideas, but also highlight the “island color” of the ink HQYLURQPHQW /L LQ LQN SDLQWLQJ WR FUHDWH D QHZ SHUIRUPDQFH WKLQNLQJ DQG PRGHUQ YRFDEXODU\ WKH VSHFL¿F SUDFWLFH RI WKH DUWLVW¶V RZQ FKDOOHQJHV SRVVLEOH

159

LEE Chi Mao ቦम⑋ņ1925 - 2019Ň 1925౺ᮝᅠʑߡમ൏᳎ᛱぬⅠȯു⎟୙ञણ⇾⠛₇ᯃŊㅏߡᑸߡञણᄽણ֢ंȯ1976౺Ⴢ˶ ߡἼ‫ש‬ᢕ♊⠛ञણ⇾⠛₇૾˶ᄞో‫ד‬₇ʙ˶ȯ1977౺᪀ㅏߡᑸߡञણ⥑Ἴȵቦम⑋ᯉ̑ᩦણ ⸉ȶř1987౺Ŋ᪀⇾ߡ⎡⸉ୀఱ⤶હ11ሶ29ᅺᣅȵቦम⑋ᅺȶȯቦम⑋ᯉㆺ᩸᧚Ŋɺᖎ‫ؽ‬ໞŊ ̳ᯉώⶹࣘ㇤Ŋۧᮢῃळُㅥയ⠧᫠ᆹ⿵Ⳍಙُ⊖ㅠȯ̳‫ٴ‬ぜʴ⠧᫠ӛᖛࣘᅹሷ᱿༬ᘍकŊ ˟⋱ㅯະᆹ˩⩐ջŊ‫ו‬ᆤఱʾଅᖁ᫠૪ᮝᙙŊ☼᮫˟ ‫܈‬Ȯらา᱿ώὉŊ҂Ӡଭ᫠ࡣଶᖁ⿵ᮝ ᙙŊ‫׺‬ᆹ૽ᖛࣘᯉ⎞‫ש‬ᢕⵯ߭ᄽջ➄ᣅɺ㋤ȯ̳‫ٴ‬ሯ᪀Ὦɼଢߡ૊ᄽ♊ԡ̳ᩦ‫ד‬Ὦʷଢʑୀᄽ ♊ԡ̳ᩦᔢᏳȯ Lot 1105

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/$1* -LQJ 6KDQ ⵀ㄃ୀņ1892–1995Ň ⵀ䁬ୀņ1892ƞ1995Ňᙢᖶ⚄ᝏːȯώ‫׻‬㄃ୀȯໟߡჶഛ᮹ໞ‫׻‬ሱ ᅽ᱿ჶഛ૊ȯ12ᔓഺ∳ᤫ᳈ȯᖁߡໞἼരŊҘʀᙹȳᮭࢊȴ㈀ሺ ՖŊ㈪˶ჶഛ⥆≛ȯ1928౺⎠Ⲅⓧḽȯ1930౺߱ᖶ♫ኇᖶॉʑԡⲄ ჶഛણ∳᫗ȯ1939౺ᮢʑߡᯉ᫧ԡ̳ゝ⻺ჶഛŊര⡕ߡも⩇㵝ơⵀ ᕿㆺጁƢȯҢ̳‫߱ٴ‬ɿ֓౺˩఩Ҙⴆʹ֓ಂΤߡ૊Ŋ߈֓౺˩ሯ߱ ⇾ߡ‫׳‬జ⎠ⲄഛଭⲖ߈֓ᓝȯ‫ש׏‬ᢕരŊ⡕࿴⎠㵝ჶഛણሳሳ⿢ȯ 1995౺Ⳋʊʹ‫ש‬ռȯ

Lot 1116

/$1* ZDV ERUQ LQ /DQJ[L =KHMLDQJ 3URYLQFH /DQJ -LQJ 6KDQ¶V IDVFLQDWLRQ ZLWK SKRWRJUDSK\ EHJDQ DV D WHHQDJHU He became a prominent Chinese photographer who made immense contributions to promoting photography education Lot 1114 Lot 1115 in China. Lang established the Asia Association of Photography, the ROC International Photography Exhibition, and WKH 3KRWRJUDSK\ 6RFLHW\ RI &KLQD +H ZRUNHG DV D SKRWRMRXUQDOLVW IRU 6KDQJKDL (DVWHUQ 7LPHV IURP HVWDEOLVKLQJ KLP DV WKH ¿UVW SKRWRLRXUQDOLVW LQ &KLQD

LIU, Max ԰Ңϒņ1912–2002Ň ʑߡṵ೘ṵజːŊ‫׻׆‬԰ṵᲰȯ1920౺Ẽଡᅺ቏ŊᯃᏈᅠቺˊ⾪ⳬᄞ∳ણずȯ1954౺͗‫ש‬Ŋ⎊Δ↘ᯉŊ 1951౺⎠⠗㈪ᓝΤːᖛഔᯉଭŊ1962౺᪀വʑߡᯉણሳὮɺଢᖛഔᯉ૊⸉ᦫᩦȯሯघᓝԊദʑ֡⇾Ȯᘘ⇵ జȮ⓪യ⫖Ȯ⬤֡ᾀ߸࿮ゝ‫׆‬আᄽջ⫏ᅆŊଃ‫׆‬আ♊⠛ᶇἄᛖңൔവŊ┮ሷȳ᫠˩♊⠛ᶇἄࡣ቏᫧⧄ȴȮ ȳᖛഔ༬ణ⎞ԡ̳ȴ‫ד‬ȳ‫ש‬ᢕ߭┮ᄽջ♊⠛ȴᾀሬȯᅽቅ̳‫ٴ‬घᣅㆺᇓ૯ᮝ⎞ː᧎ᯉŊҢരŊ‫ש‬ᢕୀ⋝З ⃥ṤẌȮሺ㇥Ȯ೘Ὲໞʴ↘ᯉ᱿・฾⎞㆛ቨȯ‫⎏ד‬ᣪᢜឫट᱿ʑ֚֡஌Ŋぜʴᛇഔㆺᇓ૯ᮝ᱿̳‫ٴ‬कŊʏ રໞⳍࠣᑊཀྵȮ⏨ഔṘṑ᱿ȵʑ֚֡஌ɺㅪ‫⥸׫‬ȶ̳‫ٴ‬ȯⲙ‫ש‬രŊԡ̳㆛ቨฬೊŊ໣˫⁤ ᱿ഐ⩽Ȯℬጻ ⎞⏨ഔ⠧ⳭŊ໣˫དྷ⩽⊓บ૽ʙ㆛ഐ⩽ջŊ̳‫ٴ‬ㄇ⪝‫ا‬᫠घᑂඖ⎞ඎ≙ඖȯᅽቅ̳‫ٴ‬घ˫␿ᄽ‘‫ُ׻‬⣫Ҁ ₊౺ŘҢരԅ⎞᳷ʃ‫߸׺‬Ŋघ˫ᘜㅠὪ⚦‘‫ُ׻‬ʑߡᄲᷪ⥆ⰶᆹ⿵ŊҢ̳‫ٴ‬ሩң⬶‫ػ‬ȯ1990౺ᅠ‫ש‬ᢕ᳎Ἴ ⇾⠛㈀⎠⠗Ҝ֓ߊㆰଭȯ

Lot 1012

%RUQ LQ )XMLDQ KLV JLYHQ QDPH ZDV /LRX )X 6KHQJ ,Q KH PRYHG WR -DSDQ DQG FRPSOHWHG WKH HGXFDWLRQ LQ -DSDQ /LX EHJDQ WR OHDUQ SDLQWLQJ E\ KLPVHOI ,Q KH KHOG KLV ¿UVW ZDWHUFRORU SDLQWLQJ H[KLELWLRQ ,Q KH ZDV DZDUGHG )LUVW 3UL]H LQ ZDWHUFRORUV by the Art Society of China in Taiwan. Liu was well-experienced and knowledgeable with the aboriginal art researching and had been to Central America and South East Asia to collect the art resource and published “The Theory of Modern Painting”, “Watercolor Techniques and Compositions” and “Aboriginal Art and Culture in Taiwan”. Landscape and portrait appealed in his early works and later he was inspired by traditional aboriginal ceremony, clothes and architecture. In addition to pastel landscape painting of the works, he completed “An epic of Indochina” with simple but mysterious colors. After returning to Taiwan, the subject of his work is more extensive. He streamlined the image, lines and color expression, and to visualize the abstract theme into concrete image DQG JLYLQJ WKH ZRUN GLYHUVLW\ DQG KXPDQLW\ +LV VLJQDWXUH RI HDUO\ ZRUNV ZHUH LQ (QJOLVK DQG $' &KURQLFOHV EXW ODWHU PRVWO\ ZLWK phonetic symbols and Chinese number to record the time with more fun and humor. In 1990 he held an review exhibition of 80th in National Taiwan Museum of Fine Arts.

Lot 1013

160

LIN Yun ኚゾᘍోņ1932–2010Ň ኚゾ‫׻׆‬ኚᵲŊ⚦ゾᵲŊ␿ᄽ‫׻‬Thomas Lin YunŊӛᮝᅠռˊُ֠ⷪずŊኚゾ᦬⤃‫׻‬ᣅኚઈᬲŊኚઈᬲᅽ౺ሯ‫⎞א‬ኚ᪇ࡩᾀ ːԡἼ‫ש‬ᢕᄽջ֠ሳŊߌ‫ו‬ଃᅺ቏⃥ᗶŊ‫ט‬ӷ‫ש‬ᢕⅶᴏಓ᱿ᘜาŊ⎠૊ⴅദռˊહଡȯ1949౺Ŋኚゾߊӷᄑⵯ‫ש‬ᢕŊଔ⩊ᅠ ᳎Ἴ‫ש‬ʑὮɺʑણņ˚ߡἼ⎔ʑὮɺ㋧₤ʑણŇŊരҘߡἼ‫ש‬ᢕञણᘍയ₇Ŋʏ‫׺‬ᆹଔ⩊ʑߡᄽջञણఱᄎ₇Ŋߌᔍ᪀വқ Τણंણ̤ȯ‫ב‬ഺోघ̤ߡણȮ♊⠛⎞̲ણञోॖໞชⰍᄞ࿙Ȯᅞቺ⇾ᄞ࿙Ȯቦᣀ֡ଡंᾀᾀȯ 1986౺Ŋኚゾ߱Խజኼ҇⓽ԡἼʴゾኚẈૹŊⳆᆯ૓શ㓺ᄞㄊᅘᙜ߱⣫ᅞߡ૊ໞἼ᱿Ὦɺಚೆબȯ1994౺Ŋ‫ב‬ᅠኼ҇⓽ໞἼ ʴゾኚẈૹӲずᄽջ⧾ࡩȯ1996౺Ŋᅠₚ₎⿢஌ໞἼὮʷೆȷኚゾẈずȸȯ‫׺‬ᆹ߱ʊ᮹‫҅߸׳‬രໞἼʴᄲ֓⿵̲ࡩȷゾᵲ⁤ ⎤ȸȯ˟ᆯᯍ˩̲ᄞ૓શ㓺ᄞㄊᅘᙜὮ߈べᕀ᱿ԡ଄≛‫ד‬ɺ˩શోŊԡἼʴ➄‫׶‬શᄞȮ‫ڏ‬ણȮ・ણ⎞ʑߡᖁΈᄽջ⃌‫׶‬᱿᩸ ᧚ણ⦦ȯ˟ᆯɺ̤શᄞㅽ⡇Ŋʬᆯߡもʀ᱿ㆺᖛᓏ঱‫ד‬ᆞ⃻ણ≛ȯ

Lot 1110

/(1* -XQ ҽⰊņb.1963Ň 1963౺ӛᮝᅠ߈ఛŊ1984౺ᯃᏈᅠᔏឤో῅ણずឤ‫ם‬Ӡず♊⠛₇ȯ᫠˶ᔏឤᯉずず⿢Ȯߡ૊ɺ₤⇾⠛ోȮ ᔏឤ⇾⠛૊֠ሳʙౌȮ᜙ռ᳎⇾⠛૊֠ԞʙౌȯҢ̳‫ٴ‬᱿ʙ⣬᧚㔄ᆯᏎὉ૯૪ȯ̳‫ٴ‬1999౺̳‫ٴ‬Ƣʽ⤑ ᆣƢ᪀ὮʪଢҚߡ⇾ଭ⸉ᩦŊໞᣅᯍ˩‫ט‬ᵠᲿ᱿ᗴഔᯉ૊ʠɺȯʬᆯʑߡᯍ˩⬢૯૪ʙ∑ᯉ૊᱿ㅽ⺔ː ᧎ȯҽⰊ᱿̳‫˫ٴ‬᩸ӷ᱿บᘍ⎞⁤₳᱿ဎ↘༬ణŊ߱ʑߡᯉ࣪᩸ᑋɺ౨ȯ౹ᆹᮢ૯ᮝᐉߧŊ̳߱ᯉᆹŊᣅ ⣬ᖣᮝՒ⎞ᄮ㋤ඖŊʬ⃻౑ⳛⲖ⡕ᯉ≛Ŋ࿯€ೣ᱿ᮢ⊥ᳵ⎞₣ώ૽ᕓΤ᭔ῃ⥆⻞ʁ͗ȯҢ̳‫ٴ‬᱿᧚㔄ᆯᏎ Ὁ૯૪Ŋ̙॑ᕗ㋧ᯉ₪᱿᳈ᑨⴒ⣬⁤₳Ŋ⡕ᯉ≛⎞᧎˴᱿₳ῃŊᲀɺ⤍ᤀⴈ߸჻⿭߱⤐≛ㄇԊŊ‫ؚ‬೧⤐≛ ӷ̳‫ٴ‬Ԋ₳₳᱿⤐ૣȯ̳‫ٴ‬घᣅߡҙक♊⠛ᑨᐉ⎞ẜːᄇ♀Ȯ‫ᙹ⎞א‬ҙकघᓝञଭȯ

Lot 1135

MA Pai Sui ㈸ᱺᖛņ1909–2003Ň 1909ᮝᅠⴊ૫᳎቏ᝏⅠŊ1929౺ᯃᏈᅠᡑぬⴊ૫᳎Ἴో῅⇾⠛ẤŊሯᅠʑߡञなࡠᄞघ ౺Ŋሯ˶⇾⠛ُㅠᐪᄞోŊႸ⿢ᅧ⠗૯ᮝ̳ᯉȯ͗⎔ര҅ര˶ᄞᅠో῅ञણȮߡἼ♊ ૾ȮʑߡᄽջણずᾀŊᣅʑߡᯉણሳ᫧ʶŊሯ‫⊋ט‬ᣅ᳎ଭ⥫૭এ‫ڂ‬Ȯᄞ⋀ⵒᄽ♊ᩦ⇾⠛ ⃅૭ውএ‫ڂ‬Ŋ1949౺⎏1975౺˶ߡἼ‫ש‬ᢕో῅ञણ⇾⠛₇ᄞ࿙ቅ⿵Ŋӛᦹȳᖛഔᯉᘍ ߧ⤟ȴņ⎏˚఩⬢⳧֓ᦹŇŊʬᣅᄞ⋀ⵒʙℶʑણ⇾⠛⦩቏Ŋࡢ⋀ʴബघѭẛ᱿♊⠛ː ༇ȯ1964౺᪀ᔕ‫᧎֢׫‬㈀ʙⲄὮɺଢҚߡᖛഔᯉଭ⸉⇎ᩦŊ1965౺ᄞ⋀ⵒㅹᱹᄽ♊ᩦ ὁŊ1979౺⇾ߡᖛࣘᯉ֠ሳ౺ଭᏳ᪀ⓧᲰㅺ⸉ᦽᩦȯ1999౺ᅠߡἼᔕ‫᧎֢׫‬㈀⎠Ⲅȳഔ ࣘ֔ୀƞ㈸ᱺᖛʪ֓ߊㆰଭȴȯ2003౺Ⳋʊᅠ⇾ߡȯ㈸ᱺᖛᣅ┮‫׻‬ʠᖛഔᯉ૊ُ⇾⠛ᄞ ⋀૊Ŋ˫ȵʑ⣫➄ֈŊ‫ⳇ⪷˚מ‬ȶᣅԡ̳ʑൔඎบŊ༴⣫ᅞ᱿ᖛഔُቺᅞ᱿ᖛࣘŊ➄⪷ ໞᣅɺ㋤ȯ Lot 1014

Lot 1053

Ma Pai-Sui was born in Liaoning, China, in 1909. He graduated from Liaoning Normal College in 1929 and had taught in several colleges in China and Taiwan for years. He used to be a member of Art Society of China in Taiwan, and was frequently invited to be a judge of art H[KLELWLRQV 'XULQJ \HDUV RI WHDFKLQJ SHULRG LQ 1DWLRQDO 7DLZDQ 1RUPDO 8QLYHUVLW\ KH DWWULEXWHG KLV ZDWHUFRORU WHFKQLTXHV LQWR D SXEOLVKLQJ ERRN WKDW LV VWLOO ZLGHO\ used for art education nowadays. Furthermore, the awards he had received are countless. Altogether, they came from not only Taiwanese Government but also U.S.A. and (XURSHDQ LQVWLWXWHV 0D OLNHG WR SDLQW ZKLOH WUDYHOLQJ WKHUHIRUH PDQ\ RI KLV ZRUNV DUH FUHDWHG GXULQJ WKH MRXUQH\ +H LQWHQGHG WR EXLOG D EULGJH EHWZHHQ WKH (DVWHUQ DQG Western cultures through mixing media and the techniques of watercolor and traditional ink painting, which is also the core concept of his art. In order to honor Ma PaiSui’s respectful position, National Museum of History held a thematic exhibition – “A Retrospective of Ma Pai-sui at Ninety” in 1999. The exhibition rounded out the artist’s dream, and four years later (2003), Ma Pai-Sui passed away in the United States.

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MURAKAMI Takashi ቩʀひņb.1962Ň ቩʀひ1962౺ӛᮝᅠᅺ቏ቺˊŊʏᅠቺˊߡἼञ ણરໞ⇾⠛ણंȮᷟंُ֢ंણ̤ȯ1996౺ᅠቺ ˊԡἼHIROPONడೇŊҢരរ⩐ᣅञࠣ♊⠛ԡ̳ ُ♊⠛ᾷ᫧᱿Kaikai Kikiሷくҝ‫׮‬Ŋぜʴ̳‫ُٴ‬ ㅮᲿ᱿⢌̳⎞࿴ೊʠकŊሩᾷ᫧౺ⱀ♊⠛૊᱿⊚ Ꮘᮝ᚜Ȯ⃅ↈߡも♊⠛ㅮᲿȯቩʀひ‫׺‬ᆹʬ⯿ᣅ ᾋଭːȮ˺Ꮘ૊Ŋ˫‫ד‬ᅺ቏ᯍ˩ḽሳ᱿⤐ૣ‫ڂ‬ȯ ߱1996౺Ὦʷଢˁठɿ౺ଭȳPresent Encounterȴ Lot 1062 Lot 1153 ʑŊቩʀひ˫̳‫ٴ‬ȳ0U '2%ȴᱹ⠧ȳ⬢໾౹ઽ ⤵ȴȯ˟⦦ӷŘȵ૽͗᱿ḽሳȮㆺΈȮ♊⠛ȮᄽջŊⵣሳЭᅺ቏ɺᑂŊⵣ⩐വᏎಙ౹ㄇņtwo-dimensionalŇƥƥ˚टŊᅺ቏ヅ᪨ُ֦ⳇՒ ᯉሱ⋱⠧᫠ⳆỚ᧚⫨Ŋ≟Ⳇˀ‫߱ב‬ʊ᮹ᄽջʑңሷ೼ञ᱿Ի⸇ȯȶ⬢໾౹ņ6XSHUÀDWŇ⎊ᔍໞᣅቩʀひ᱿˩‫⥱׻‬ȯ ቩʀ᱿̳‫ٴ‬఩ೊᘒ߸߱ʊ᮹‫߸׳‬టⲪଭ⤍Ŋॖᘘंㅺ⇾⠛㈀ņ2001౺ŇȮᘾቢḌᯍ˩♊⠛⇾⠛㈀ņ2007౺ŇŊ҅രᅠₚ₎ల㍇҇ኚ֢᧎ ㈀Ȯᘍ⚄҇ṵ᫠˩♊⠛⇾⠛㈀ُᯃᦲծ‫מ‬ዾឤ֢᧎㈀⎠Ⲅߊㆰଭņ2008Ȯ2009౺Ňȯʏᅠ2010౺߱ᘍߡӓᦲ⫶ૅଭ⤍ȯ2019౺߱㈭ᛸञ㈀ ᯍ˩⇾⠛㈀⎠ⲄΤଭŊჂ˶⿭ౡ㈪ଭȯቩʀひ᱿̳‫ٴ‬ʬ᪀വᙟ⠗ᆹଋᮟᏈ᱿ヾᴊŊ⎞/RXLV 9XLWWRQ‫֓Ⳮ⿢̳׶‬घ౺ŊᣅҢԡ̳᱿ഔ⏨ߧጊ ༆⠿ໞᣅ‫⃻ᦽٴ‬ҤₕᑂʠɺŊ2019౺⎞ᓼ༆඙मᕗ⒛(Billie Eilish b.2001)‫̳׶‬࿴ӛ09Ŋ2020౺ʬ⎞Uniqlo⊓‫׻‬⠥ሺ‫ؚ‬೧᳷घ⁆⃦ȯ 0XUDNDPL 7DNDVKL ZDV ERUQ LQ LQ 7RN\R -DSDQ DQG UHFHLYHG KLV %)$ 0)$ DQG 3K' DW 7RN\R 1DWLRQDO 8QLYHUVLW\ +H IRXQGHG D +,52321 IDFWRU\ LQ 7RN\R LQ ZKLFK WKHQ EHFDPH .DLNDL .LNL &R D ODUJH VFDOH DUW SURGXFWLRQ DQG DUW PDQDJHPHQW FRUSRUDWLRQ .DLNDL .LNL &R VXSSRUWV DQG IRVWHUV \RXQJ -DSDQHVH DUWLVWV 0XUDNDPL LV DQ DUWLVW DOVR FXUDWRU HQWUHSUHQHXU DQG FULWLFDO REVHUYHU RI FRQWHPSRUDU\ -DSDQHVH VRFLHW\ ,Q 0XUDNDPL JDYH D VSHHFK WLWOHG ³6XSHUÀDW´ DV ZHOO DV SXEOLVKHG KLV ZRUN 0U'R% LQ WKH VHFRQG $VLD WULHQQLDO H[KLELWLRQ 3UHVHQW (QFRXQWHU +H PHQWLRQHG ³,Q WKH IXWXUH VRFLHW\ FXOWXUH DQG DUW ZLOO EHFRPH WZR GLPHQVLRQDO OLNH -DSDQ 7RGD\ -DSDQHVH YLGHR JDPHV DQG DQLPH SUHVHQW WKLV FKDUDFWHULVWLF PRVW DQG WKH\ DUH LQÀXHQWLDO LQ WKH ZRUOG ´ 7KHQ ³6XSHUÀDW´ EHFDPH D V\QRQ\P IRU Murakami.

Murakami’s works have been shown frequently in leading institutions and exhibitions around the world, such as Museum of Fine Arts, Boston (2001), Museum of Contemporary Art, Los Angeles (2007). A retrospective presents at Brooklyn Museum, Museum für Moderne Kunst, and Guggenheim Museum Bilbao in 2008 and 2009. $Q H[KLELWLRQ RSHQHG DW WKH &KkWHDX GH 9HUVDLOOHV )UDQFH LQ 7DNDVKL 0XUDNDPL KHOG D VROR H[KLELWLRQ DW +RQJ .RQJ 7DL .ZXQ &RQWHPSRUDU\ DV WKH RSHQLQJ RI WKH PXVHXP LQ 7DNDVKL 0XUDNDPL¶V ZRUNV DUH DOVR SRSXODU LQ IDVKLRQ LQGXVWU\ IRU LQVWDQFH KH KDV FRRSHUDWHG ZLWK /RXLV 9XLWWRQ IRU PRUH WKDQ WHQ \HDUV DQG FRORUIXO LFRQLF /9 ORJR SULQW 0XUDNDPL UHGHVLJQHG KDV EHFDPH RQH RI /RXLV 9XLWWRQ¶V FODVVLF SDWWHUQV %HVLGHV 0XUDNDPL GHVLJQHG D PXVLF YLGHR ³\RX VKRXOG VHH PH LQ D FURZQ´ for Billie Eilish (b.2001) in 2019. Uniqlo also made collaboration with Murakami and attracted many fans in 2020.

Mr. ୡ቏ᔌ՘ņb.1969Ň Mr.቏‫׻‬ୡ቏ᔌ՘Ŋ˟᱿ ‫׻‬઎Mr.͗᜺ᅠȵMister Giantsȶņతː҅ᮝŇ:໴ ര⩊⫢తː፜᫤ぶ᱿⬢₤ తᆣ᫤‫ڂ‬ȯᣅʴԽҘՒឫ ᮹Ŋ1996౺ᯃᏈᅠቺˊԡ ഐણዮ⇾⠛₇രŊჂ˶ቩ ʀひՀ༆Ŋᮚ⎏ໞᣅ˟᱿ ㈪ౌ೭ઈŊ˟ᛖ‫ט‬ᅺ቏Ւ ឫᄽջഛㅨŊ̳‫ٴ‬҂ដ⏨ Lot 1144 Lot 1145 ഔ⎞ᅺ቏‫ػ‬᱿֦ឫː᧎Ȯ ˫‫⚒ד‬⒛࿳ُഽફᅭㆺጁȯ˟᱿ᯉㆺʙ⣬ᆯ૾ᘜᅠᅺ቏̦ફ֒ʑŊら⚠‫ר‬⣲᱿‫ר‬฻ଇॉŊ↘⢌ໞՒᯉㆺጁ໣ヅ᪨⤑⏨ㆺጁȯ

Lot 1146

Mr.’s real name is Masaatsu Iwamoto. His name is derived from “Mister Giants”: a superstar player of the Yomiuri Giants baseball team after the World War II. In order WR MRLQ WKH DQLPDWLRQ LQGXVWU\ KH VWXGLHG DQG JUDGXDWHG IURP WKH $UW 'HSDUWPHQW RI 7RN\R &UHDWLRQ 6FKRRO LQ 6HUYLQJ DV 7DNDVKL 0XUDNDPL¶V DVVLVWDQW DQG HYHQ KLV FKLHI GLVFLSOH +H LV GHHSO\ LQÀXHQFHG E\ -DSDQHVH DQLPDWLRQ FXOWXUH ZKLFK KLV ZRUNV DUH IXOO RI FRORUIXO FKDUDFWHUV DV ZHOO DV OROLFRQ DQG RWDNX VW\OHV +LV VW\OH RI SDLQWLQJ LV PDLQO\ IRFXVHG RQ WKH FXWH JLUOV WKDW FDQ EH VHHQ HYHU\ZKHUH LQ -DSDQHVH UHVLGHQWLDO DUHDV GUDZQ LQ WKH VW\OH RI DQLPDWLRQ RU YLGHR JDPH FKDUDFWHUV

162

0U 'RRGOH ࢣ㏷҅ᮝņb.1994Ň ␿ߡPop Art♊⠛૊0U 'RRGOH‫פ׻׆‬Sam CoxŊ2Ȯ3ᔓఢ‫⿭׬‬আ↘ᯉŊ9ᔓᆹ༴ᯉដࢣ㏷ߧጊ ᱿ᯉ₣⫅ដ ⎅ાᦷࣦŊ۹ᔊᮢ૓ゝℬጻࢣ㏷Ŋ˝₳ɺ᳖㌸㌦♀߱₳ῃ⡹Ŋ⡹ㄇഺː᧎Ȯ೘ ῈȮヅ‫ݽ‬ȮᄲᲿŊᗞሷ᧚ હ᱿ʙ㆛くӼŊ≟ᕓΤ᳖̙᩸Ἴ᱿᧎˴ִ‫ⵣב‬₉↴߱ɺ⬚Ŋ౏㔄⠞ㆊࢣ㏷᱿าࣀŊߌᔍ˟ഐૌ⎊న᱿ㆺ ጁᣅȵࢣ㏷า⁆ȶŊ˫Ң᩸᧚᱿ࢣ㏷ㆺጁ≟⊏‫׻‬ȯ˟߱ ᦷࣦȮ໼⿵Ȯ૊ңȮⰇⱅȮ೘Ὲ᧎‫↘˫ר̬˶ד‬ ᯉ᱿ቺ⣫ʀⵣ⋱ᯉʀɺώŊ߱ː∌ʑɺᳵଔ ⋱⦓ӛ͗Ⳇ̤ᰰᨌ♊⠛૊ȯ0U 'RRGOH᱿ࢣ㏷ʏ㄄ʱ͗Ŋ˟ሯ ߱⣫␿ጁ⚄ञણΔ⩊♊⠛Ŋ̳‫˫ ٴ‬૓ゝ᱿ℬጻᐉߧŊ˟᱿छบᆯ۸⬚ʊːᮢⱀ㌂Ȯಁ㓿᱿ᅞೣ᳖♊⠛ȯ

Lot 1063

%ULWLVK 3RS $UW DUWLVW 0U 'RRGOH ZDV RULJLQDOO\ QDPHG 6DP &R[ +H VWDUWHG SDLQWLQJ DW WKH DJH RI RU :KHQ KH ZDV \HDUV ROG KH FRYHUHG WKH ZDOOV RI KLV EHGURRP ZLWK GUDZLQJ SDSHU ¿OOHG ZLWK JUD൶WL SDWWHUQV 7KHUH DUH QR VSHFL¿F WKHPDWLF UHVWULFWLRQV in terms of characters, architecture, electrical appliances, and number. Each seemingly independent object is entangled with a JUD൶WL PRRG 7KHUHIRUH KH GHVFULEHV KLV VW\OH DV ³JUD൶WL VSDJKHWWL´ ,V IDPRXV IRU LWV XQLTXH JUD൶WL VW\OH +H FDQ GUDZ D VWURNH on walls, rooms, furniture, vehicles, buildings and anything that can be painted, and he can recognize this crazy artist at a glance LQ WKH FURZG 0U 'RRGOH¶V JUD൶WL LV QRW PHVV\ +H VWXGLHG DUW DW WKH 8QLYHUVLW\ RI WKH :HVW RI (QJODQG +LV ZRUNV DUH FRPSRVHG of dense lines. His dream is to arouse the world to look at art in a relaxed and humorous way.

NARA Yoshitomo य⏦⇾ᇜņb.1959Ň य⏦⇾ᇜᮝᅠᅺ቏ヾ፳Ⅰ೩ԊఱŊ᫠ଡ̦ᅠቺˊȯᅽቅ᱿̳‫ٴ‬ ˫တᯉඖ⫨ᣅघŊ̟߱1980౺˩രቅ֯ᱹଭӛ˟˫ଅːㆊЭᣅ ʙ᱿ㆺጁřय⏦⇾ᇜଃᅠञㆊُञᳵࠣ᱿ଅː᳈ᯍ┮ⲭŊ˟᱿ ᧚⏨߱ᅠ࢞ⳍ‫׳‬Ớ౏ሷ෼฾᱿ᳵṘŊҢʑሱᵧ‫׻‬᱿ᆯᅈ⣶᱿ᳵ Ṙņሷː⦦ᆯ˩⠧ຓ඄Ȯሷːԅ⦦ᆯ˩⠧ʴ⴬ณŇȯ߱1990౺ ˩രቅŊ˟ʬ⿭আԡ̳Ἴ㋤̳‫ٴ‬Ŋʏ࿮ᮢʃ‫׺‬਄ቨཾ⃅᱿ᅞ ೣȯ˚ᅺ˟᱿̳‫ٴ‬఩⡕⥓घ֢᧎㈀ᄇ♀Ŋॖₚ₎᫠˩♊⠛֢᧎ ㈀ُᘾቢḌᯍ˩♊⠛֢᧎㈀ᾀȯ %RUQ LQ +LURVDNL &LW\ $RPRUL -DSDQ <RVKLWRPR QRZ OLYHV LQ 7RN\R +DYLQJ most of his early works in illustrations, Yoshitomo developed in the late 1980s Lot 1148 Lot 1154 Lot 1155 portraits of seemingly innocuous children, which have now become his main DUW VW\OH 7KH DUWLVW LV LQIDWXDWHG ZLWK VXEMHFWV ZLWK ELJ KHDGV DQG ELJ H\HV KH LV ZHOO NQRZQ LQ GHSLFWLQJ WKH YDULHW\ RI HPRWLRQV VKRZLQJ WKURXJK WKH FKDUDFWHU¶V H\HV especially his famous squint look (as some see it as a demonstration of anger, and some think of it as the representation of evil). In the late 1990s, Yoshitomo also began WR FUHDWH WKUHH GLPHQVLRQDO ZRUNV DQG LPSOHPHQWHG GL൵HUHQW PHGLD LQWR KLV DUWZRUNV 7RGD\ KLV ZRUNV DUH LQ FROOHFWLRQV RI WKH 0XVHXP RI 0RGHUQ $UW LQ 1HZ <RUN DQG Museum of Contemporary Art in Los Angeles among many other well-known museums in the world.

1$.$'$ ,NXPL ʑ᮪ⴹ⇾ņb.1982Ň ʑ᮪ⴹ⇾ӛᮝᅠ1982౺Ŋԡ̳ʏᮝᙙᅠᅺ቏ࡥ᪕ⅠŊᯃᏈᅠቺ ˊ᱿ӓⳭ⥑⤺ᶇἄ໽ņ9DQWDQ 'HVLJQ ,QVWLWXWHŇȯ̳‫ٴ‬᩸ңΤ ː᧚⏨Ŋʙ㆛ߣ←┮ὄ⬶Ŋ଎ҢႸ⿢ᮢ₳⍗᱿ώ⤯ဎ↘ઙὄ⠧ ෼ŊᏎҢᮝՒ‫ר‬฻Ŋ೧⬚⤐≛ὄ౺ߊຣ᱿Ҡ㏦ŊᏎ૗ᅺ቏ㅥ‫ػ‬ ᱿ㆺጁᛖ‫ט‬ञ૊۹฻ȯ♊⠛̳‫ٴ‬ᙙ⯧ᅠᅺ቏Ȯ‫ש‬ᢕŊ߱ᅺ቏‫׳‬ ߸घᓝΤଭŊʬሯ߱ₚ₎ᯉ಴ଭӛȯ Lot 1004

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The work has unique personal characteristics and the theme revolves around childishness. It is especially good at depicting children’s expressions with delicate EUXVKVWURNHV ,W LV H[WUHPHO\ OLYHO\ DQG FXWH ,W UHVRQDWHV ZLWK WKH YLHZHU¶V FKLOGKRRG PHPRULHV 7KH -DSDQHVH VW\OH LV GHHSO\ ORYHG E\ HYHU\RQH +LV ZRUNV RI DUW DUH DFWLYH LQ -DSDQ DQG 7DLZDQ DQG KDYH EHHQ H[KLELWHG LQ PDQ\ VROR H[KLELWLRQV WKURXJKRXW -DSDQ DQG KDYH DOVR EHHQ H[KLELWHG LQ 1HZ <RUN JDOOHULHV

163

OU Hao Nien ᓿ⪄౺ (b.1935Ň ӛᮝᅠೊቺ‫ؖ‬ఛŊા‫׻‬ẼὌⰍŊᯃᏈᅠఉ֡♊ずŊ1970౺હଡ‫ש‬ᢕŊ ˶ʑߡᄽջञણ⇾⠛ણ₇Ŋ♊⠛ᶇἄ໽૾˶ᄞ࿙ŊߡἼ‫ש‬ᢕ♊⠛ञણ ᶇἄ໽ҥ˶ᄞ࿙Ŋʑतᶇἄずఉ֡⇾⠛㈀Ᏻ⩇㈀⿢Ŋᓿ⪄౺ᄽջࡣ⸉ ሳ┷ʶ⿢Ŋ㈭ᛸ᫏ᙹञણ┷ʶŊ㈭ᛸ(ᙹक)ᄽણ♊⠛૊֠ሳᖝʝᏳ⩇ ሳ⿢Ŋ⇾ߡߡもẤ༬ञણ┷ʶŊ⇾ߡ⎡⸉ୀʑⓧ♊⠛ણሳᲶʶ⿢ȯᓿ ⪄౺Ⴘ˫ୀ㈸ώ̳ᯉŊᯉʑୀᖛ୮ࣦ᱿ଶᓝ⎊ᗖ㌟Ⱨ⎏ₕ᫧ᛤᇔӠ ᆙŊଭ᫠ӛെ।᱿ࣘഔُࣘ⏨᱿ȵ᠝ȮᛇȮ౾ȮᠪȮȶᾀघ⩐ᄓኞŊ ˟ʬ⃻౑͐ᮢʑߡЗ⃥᱿ᮽᱺ͗ЗⲶᯉʑ⚣ᤀ᱿⁤ṘㄇᚠาŊ̳‫ٴ‬҂ ដ‫ۓ‬ᱹඖŊሩ҂ដᮝ‫ل‬Ի‫ד‬෼฾Ŋ˪ːᆞᅠҠ㏦ȯɺᮝԡ̳⎞ᄞણŊ ဏཥരⳖŊ♊࣪ҝ⦓ᣅఉ֡ᯉᙜЗːȯ

Lot 1006

Lot 1008

Pablo PICASSO ఫՌ⇵Ʀᯃ֦€ņ1881–1973Ň ᮝᅠ1881౺10ሶ25ᅺŊᯃ֦€᦬⤃ᆯ̤♊⠛ᄞోŊ⎊ಀ‫ט‬ᄞᅠ᦬⤃ȯᯃ֦€Қ‫׻‬ఫల⇵Ō⭰ᆞ⑩Ōᯃ֦€ ņPABLO RUIZ PICASSOŇ߱໽ሷʷ֓ʊ₊᱿♊⠛૊ʑŊ⊾હᆯᵧ‫׻‬ಙሱ㋧᱿Ŋ˫˟ᣅʙ㆛᱿ሬ☼Ȯࢊ ଄Ȯഛᦸʃ⤺Ңᄲȯᯃ֦€ᣅ⣫Ҁ1900౺⿭আଔɺ᳅Ἷ߱ᓿᙐ♊⠛᱿ሱԊℬŊ˟⃃⯥⯿ໞᣅ᫠˩♊⠛ሱሷ ഛㅨԻ‫ד‬᩸᧚ԡⳍԻ᱿ɺ̤♊⠛૊ȯ %RUQ LQ 0DODJD RQ 2FWREHU 3LFDVVR UHFHLYHG KLV ¿UVW GUDZLQJ OHVVRQV IURP KLV IDWKHU D GUDZLQJ WHDFKHU DW /D &RUXQD in 1891. Pablo Picasso is unquestionably the most famous artist of the 20th Century. In his artistic life, lasting more than 75 years he created tens of thousands of works, including paintings, drawings, sculpture, original lithographs, etchings, linoleum cuts and FHUDPLFV 1R VLQJOH DUWLVW KDV KDG D JUHDWHU LQÀXHQFH RQ 0RGHUQ $UW DQG KDV FKDQJHG DUW PRUH SURIRXQGO\ LQ WKH WK &HQWXU\

PU Hsin Yu ᝌൔᯊņ1896–1963Ň

Lot 1059

ᝌൔᯊŊ฻ᅘ⤌⇵ᕿŊដᙐ⿓☾ᅲːŊ෇⤃᪗स⥋ᓝચŊᝌ઎ⱏŊ҆ℨు⫛‫׻‬ѝŊ઎ൔᯊŊ‫∗⚦ב‬ᲁʀːȮ⣫ୀⳚंŊࡩ ⚦ᣅ ȵ૜᪕ࡩȶȯሯᮽણോߡŊ Ί‫⥸ܨ‬ᄽȮሬᯉŊᯉడୀᖛŊҥႸː᧎Ȯ␕֙‫ד‬ሬᘍŊ⎞೺ञ֔ሷȵ֡೺ռᝌȶʠ⩇Ŋ ⎞‫ؖ‬᜙ఴ౼ờȵ֡‫ؖ‬ռᝌȶȯ᛬⎔ര૾ൔሬᯉ⥸ᄽŊෆᛇᤀᦩŊᝌൔᯊ᱿ᯉㆺʏᤀో༫ŊҚ᮫ბ෤‫מ‬ːᘍሬ‫׻‬ᯉ˫‫ד‬ሬ㈭ ⥸ᄽ♭⋀≟ໞŊԽ˫˟ӛ⯿ᲁાŊㄅ┮ञҙ⥓घ᫂♀Ŋ⎊ᤋघሷ⤐ႅ㋤෤᱿ᑨሳŊ໽̳ୀᖛ⳵Ⲳયː԰ቦ㈸ऑŊⲖԅ‫ח‬ᘍ ᆙ߈૊᱿‫ڥ‬૒ŊᮢώྡϨՊẛŊ໽⧨⾪Ԭ⹾⹬Ŋ૽ռશⳆɺ⭰ԑՊ᱿ώᘍǖᅑԯᲚ᱿⠧᫠᧚⫨〪ᱹᤀㇷŊʏҥሷɺỚẛ㓚 Ҥ゜᱿ㆺጁŊҪ᫠ʴ‫מ‬ː᱿ᯉา⁤Ṙȯ

3$1* -LQ 㕼ࠀ (b.1936Ň

Lot 1080

㕼ࠀ‣⪷ᖶ♫౑᥊ŊᮝᅠʀᙹŊʑߡᯉ૊Ŋ૾⿢ᗴᯉŊ13ᔓ≙ʀቷజ⇾ずో༫ኚㆺ᳡Ŋര͗Ⱨ⩊ռˊʑत ⇾⠛ણずŊໞʴറ෫㐓᱿ણᮝŊᆯറ෫㐓᱿ȵ቎˩Ҙા೭ઈȶȯሯ˶㈭ᛸʑᄽञણዮकⳖΔⵒᇷ㈭ᛸᙺሳ ણずㅠᐪ⇾⠛₇⇾⠛ᄞోȮߡἼ⎔ᢕ♊⠛ञણ⣶⤌ЗⳭ⥑⤺₇ᄞ࿙ȯ 㕼ࠀ᱿᦬⤃㕼☧㵳ᆯᯉ࣪ञోŊ᦭᦭ᆯʑߡὮɺ˩ᮽᘍᯉ૊㕼☧㵳Ŋਤਤԅᆯᮽᅺᯉ૊Ŋഺଅ‫♊ט‬⠛ʊ૊ ᱿᭔ࣀ☧とŊଃ♊⠛ሷɺ˷᮫⠳᱿ࡠ┮ȯ ‫ח‬ʑ⣫♊⠛ʠ⁤㋣Ŋ‫⩽֬ט‬ᙜരቅُ⸆᪅ᙜ᱿ഛㅨŊଭ᫠ӛ⣫ ᘱᯉ᱿ᥖ෼‫ᦓד‬ᱹԻȯ‫נ‬ɺᅞㄇŊ⃌‫׶‬ʑߡːᄽ♊⠛‫ڏ‬ણŊ♭ؐቺᅞᄽːᯉ᱿⥸෼ᯉาŊቺ⣫➄‫׶‬ଭ᫠ӛ ᩸᧚᱿าࣀ‫ד‬ᯉ‫ٴ‬ȯ㕼ࠀ᱿ᯉ˫˟⎊᮫ᢇ⌉᱿ώ⤯ُ૯าㆺጁ┮ờŊ˟߱‫מ‬Ҥُ᫠˩ʑଁ༪Ҡⳇ㔄Ŋʬ⃌ ‫׶‬ʑߡᖛُࣘ⣫ᅞᗴഔ᱿ʑൔඎบ⁤ṘŊ㕼ࠀΎᮽʴᗴᯉ⦝⤵᱿᧚ඖŊʬ➄ҘʴʑߡЗ⃥↘ᯉ᱿૯าŊʬ ߌᔍ⿭ԡʴ⎊న↘ᯉ᱿ㅽࡍȯ

Lot 1077

164

5RE\ 'ZL $17212 ⇵ᕗƦോℋƦમോ⧤ (b.1990Ň 5RE\ 'ZL $QWRQR ᅠ 1990 ౺ӛᮝᅠ֬ಙଛ⣫ˁ᱿ɿ૷ࣻŊ᫠߱​߱えⲖ᱿ᅺภᮝᙙُడ̳ȯ5RE\ 'ZL Antono➄‫⬢׶‬᫠૪ʙ∑⇾ણُ‫מ‬Ҥᄽ♊ു⎟ᆹቅߧЭŊԡⳍӛҢ᩸ңɺጁ᱿ᯍ˩♊⠛ȯAntonoሱೊᣅ ːᵧ᱿̳‫ⵣٴ‬ᆯ˫౺ⱀઙὄ᮫ُ˟ԡⳍ᱿Ṙ⥾ᮝ᧎ᣅʙ⤑Ŋ˟ቅቃⲿ⳧Ңᯉ̳˫Τː⦝⤵З⳴⤻෉ȯ ぜᔍʠकŊ˟ʬశቃ˟᱿̳‫⃻߱ٴ‬᮫ᕓΤː᱿⎊ໟ⤟⩊രŊ⋱चഺ≟۸⬚ҙ߱෼฾ȯ˟ᅠ 2016 ౺߱ ㈸ଛཚ⎠Ⲅʴ˟߱֬ಙଛ⣫ˁ˫क᱿ὮɺΤଭ⤍Ŋ‫׻‬ᣅơ֡ᅞ඙᧎ŊռᅞઙઈƢŊᔍര߱ʊ᮹‫߸׳‬ଭ ӛƞƞഺᘍ⚄҇ṵӷᘾቢḌȯ 5RE\ 'ZL $QWRQR ZDV ERUQ LQ LQ 6HPDUDQJ ,QGRQHVLD DQG QRZ OLYHV DQG ZRUNV LQ QHDUE\ <RJ\DNDUWD +H SUHVHQWHG KLV ¿UVW H[KLELWLRQ RXWVLGH RI ,QGRQHVLD WLWOHG 6RXWKHUQ 0RQVWHU 1RUWKHUQ &KLOG LQ 0DQLOD LQ DQG KDV VLQFH H[KLELWHG throughout the world - from Frankfurt to Los Angeles.

Lot 1009

SHEN Che Tsai ᗕ‫ټڏ‬ņ1926–2017Ň ᗕ‫ټڏ‬ᣅ⎔ᢕ⎔֡ఱːŊ1938౺Ҙ᳎Ἴ⎔֡ɺʑŊోʶⵗኼఛ⎞ಽ↧ᆨȯሯ˶⎔֡⇾⠛ᶇἄሳ⥫⩀ ‫ڂ‬Ȯ‫ש‬ぬ⇾⠛ણሳሳ‫ڂ‬Ȯ᳎ଭ⥫⩀ずȮ⎔֡૊૾⇾⠛₇ᄞోȮሺՖᄞ⋀᮹40ㇷ౺Ŋⲵ̆ര૾ʶԡ̳Ŋ ʏᅧଡᅺ቏Ȯ⇾ߡқ߸ȯଔ⩊ʑણᆹŊ̳‫ٴ‬ሯҘⴆಓଭȮ‫ש‬ぬଭŊ௥ヮㆊ⤑Ŋሯ᪀ʑߡᗴᯉણሳ⸉ᦫ ᩦȮߡἼᔕ‫᧎֢׫‬㈀Ᏻ⩇⸉ᩦὁᾀᏳ⩇ȯ1995౺ߡἼ⎔ᢕ⇾⠛㈀⎠Ⲅȱᗕ‫ټڏ‬ɼ֓ߊㆰଭŇȯ Born in Tainan, Taiwan. SHEN Che Tsai entered Provincial Tainan First Senior High School and studied with Kuo Pochuan and Liao Chi-chun. He has served as the councilor of Tainan Art Research Association, member of Taiyang Fine Arts Association, judge of Taiwan Provincial Fine Arts Exhibition, professor of Tainan Woman’s College of Arts and Technology. +H WDXJKW IRU \HDUV DQG UHWLUHG RQO\ UHFHQWO\ +H FXUUHQWO\ OLYHV LQ ERWK -DSDQ DQG 86$ :KLOH VWXG\LQJ LQ KLJK VFKRRO KLV paintings were selected into the Palace Fine Arts Exhibition and Taiyang Fine Arts Exhibition. SHEN has been awarded by the China Oil Painters Association and National Museum of History in Taiwan. His 70 years retrospective exhibition was held in National Taiwan Museum of Fine Arts in 1995.His works can be found in the public collection of the National Taiwan Museum of Fine Arts.

Lot 1076

6+,< 'H -LQQ ౌോⳖņ1923–1981Ň ߈ఛ֡ⵉⅠːȯଔ⩊ᅠቷజ♊૾Ŋ‫ט‬ᄞᅠኚㆺ᳡Ȯ‫ؖ‬ञ∡≟ᱹଭӛ⁏㓺ℬጻ᱿↘ᯉㆺጁȯ1941౺‫ט‬ᄞᅠᮽᘍᯉ૊㕼☧㵳ُ㈸⧑ᅗഛㅨ≟۹ᔊ ೼ᣊ⏨⦲ȯര⬘⇾≙ૣŊ‫ט‬ᇒᇒȮᓿᇒȮᶶⴗ♊⠛᱿ഛㅨŊʏ̳߱‫ٴ‬ʑԽҘᓿᇒُᶶⴗʙ∑᱿ഐ⏨⠧᫠ȯᇄቅߊᔖӷ˟ሱ‫׆‬আ≟⎊ᤋ᱿቏߭ ૊ⵯȯἼൠ˫ʑߡː᱿෼฾͗⠧Ⳮʑߡ᱿♊⠛Ŋ⿭আҚ஌૯ᮝŊဎ↘ᖁ⿵ㆺ᧎⎞ᮝᙙᱻ๗ȯౌോⳖ᱿↘ᯉԡ̳➄‫׶‬З⃥⎞ⵯ߭Ȯ͐ᮢᖛഔȮ ᖛࣘ⎞ᗴᯉŊҥₗቺᅞ⎞⣫ᅞ↘ᯉ᱿᧚⿢Ŋ⿭ԡӛ˟Τː゛ᜆՒː᱿᩸᧚ㆺጁȯ᪀ʑୀᄽ♊ԡ̳ᩦŊʏ⎠⠗ΤଭघᓝŊ̳‫ٴ‬ೊᣅ‫׳‬᮹ᄇ♀ȯ 6+,< 'H -LQQ ZDV ERUQ LQ 6]HFKZDQ +H OHDUQHG XQGHU 3DQJ 6\XQ &KLQQ ZKR KDG VWXGLHG LQ )UDQFH 6+,< IROORZHG 0DWLVVH¶V FRORU SDOHWWH +H KDG H[SHULPHQWHG ZLWK Pop Art, Op Art, and Hard Edge, but he returned to country style with which he felt most comfortable with later period in his career. When he moved to Taiwan, he started to use folk matters and state of livelihood as his subjects in paintings. He united western and eastern media and styles to take Chinese art to a new dimension. He had held PDQ\ H[KLELWLRQV ,Q IRUHLJQ FRXQWULHV KH VWDUWHG WR WKLQN DERXW WKH EHDXW\ RI &KLQHVH $UW 6+,< 'H -LQQ EHOLHYHV WKDW DUW VKRXOG UHÀHFW UHDOLW\ $W WKLV WLPH KH FDPH XS WKH LGHD RI ³SUHVHQW´ DQG XVHG LW LQ KLV ZRUNV $IWHU KH UHWXUQHG WR 7DLZDQ 6+,< 'H -LQQ IRFXVHG RQ VWXG\LQJ &KLQHVH $UW +H XVHV 7DLZDQ DV KLV VXEMHFW VXFK DV WUDGLWLRQDO DUFKLWHFWXUHV LQ 7DLZDQ DQG VFHQHU\ 6+,< 'H -LQQ WDNHV KLV IHHOLQJ DQG ORYH IURP SODFH DQG OLIH DV KLV LQVSLUDWLRQ DQG GHSLFWV 7DLZDQ ZLWK GHYRXWQHVV

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6+,02'$ +LNDUL ʁ᮪҆(b.1984Ň 1984౺ӛᮝଡ̦߱ᅺ቏⿢⸆᱿ʁ᮪҅ᆯ߱┮‫׻‬᱿ˊⵣ̧⫉♊⠛ञણُヾୀ્ણ ዮણ∳တᯉŊᤋരᅠ 2008 ౺⿭আʴॎ̳ᣅ૾Ꮘᯍ˩♊⠛૊᱿⊚Ꮘᮝ᚜ȯʃʝʠ രŊॎ⡕ⴆᣅ߱ቺˊ Motto ᯉ಴⎠Ⲅ᱿㈪ᓝΤଭᔍരɺ᳅߱ʊ᮹‫߸׳‬᱿ᯉ಴⎠ Ⲅଭ⤍Ŋծ཮ᅺ቏Ȯ⇾ߡȮԽཱྀञُᓿᙐȯ ‫ט‬ӷ౺ⱀᆹᅺ቏ឫᯉُՒឫ᱿‫ۓ‬ᱹŊʁ᮪᱿̳‫⩴˫ٴ‬૗घഔ᱿⦦ᆙඖ༬ణ⠧Ⳮ ʴ᫠˩‫ۊ‬㆛ȯॎ⃻౑ဎ↘ដᳵᆣ҆᱿ઙઈŊ⩕ॎ᱿⤑⏨Ἂʀㆩ̙ᅠ⬢ːُ㌸ᘍ ଇॉ᱿␿゛ሺ⡶ŊⳆᆯɺỚ͐ᮢ㌸ᘍ᱿౺ⱀॉઙ᱿ՒឫઈㆩࠣŊʬᆯໟΩ౿บ ␿゛᱿ɺㄇ⽷ઈȯ઩Ωʬ˩⠧ʴໟΩໞ౺ːࡢ㇭ʊ᮹Ҋὄُླ⠡ໟΩᐉ೘᱿ʊ ᮹᱿ㆤቃȯ 2011 ౺ቺᅺ቏ञ߸ネُṵ஌ዽヅἿʶᄑരŊॎ᱿↘ᯉㆺጁᱹᮝᄊ⩐Ŋ⩕ॎᛖ Lot 1007 Lot 1008 ᛖ߸㋤ሳӷːㆩᮝ‫ل‬᱿⋷೸Ŋԡ̳ӛሷ‫׻‬᱿ȵᆣઙȶ₇ӬŊ͗⎊ቍᵧᆣ᫤᱿ଅ ઙȯઙઈΩ᱿ᳵᴈʑሷ┮ᆣ҆ŊॎဎⲩઙઈΩଔЭɺ࢘ἇᱺ᱿ᯉలŊሷᤀᄲ᱿‫⋱ר‬ඖř౿บ⎞᫠૪᳈ⳢŊ⳧‫Ⳣ׏‬⣲ቍ͗Ŋᮝ⎞ᔘŊⴒሷɺ Τଋቍ⸅ᮝ᱿ʊ᮹ȯᳵᴈʃХЗⳭʴᕓΤ⤑⏨᱿ΤඖŊʬ‫ו‬ᆤʴʁ᮪⎊న᱿฾‫ُט‬บᘍŘơ˟Ωᆯએ߱᱿Ɵ˶̬ːƠȯߌᔍŊ˟Ωʬ‫˫ר‬ એ߱ᅠઙဏᆹ˩ʠकŊʏ⎞˶̬‫⋱ר‬ᓞ⫝˟Ω᱿ːᮟᮝ⦓‫׺‬ȯ⴨ˀ౏┮⃑ቃُગ᩸᱿⑤ᤋ⠧෼᱿ઙઈΩŊᔌ‫ו‬ᆤ┮᳖┮˟Ω᱿ː᱿෼ℨȯ +LNDUL 6+,02'$ ZDV ERUQ LQ LQ 1DJDQR -DSDQ ZKHUH VKH FXUUHQWO\ OLYHV DQG ZRUNV 6KH ¿UVW VWXGLHG LOOXVWUDWLRQ DW WKH SUHVWLJLRXV .\RWR 6DJD 8QLYHUVLW\ RI $UW DQG $R\DPD -XNX 6FKRRO EHIRUH EHJLQQLQJ KHU FDUHHU DV D SURIHVVLRQDO FRQWHPSRUDU\ DUWLVW LQ 6RRQ DIWHU VKH ZDV VHOHFWHG IRU KHU ¿UVW VROR H[KLELWLRQ DW 0RWWR *DOOHU\ LQ 7RN\R DQG KDV VLQFH KHOG H[KLELWLRQV LQ JDOOHULHV ZRUOGZLGH LQFOXGLQJ -DSDQ WKH 8QLWHG 6WDWHV &DQDGD DQG (XURSH ,QVSLUHG E\ WKH -DSDQHVH PDQJD DQG DQLPH IURP KHU \RXWK 6KLPRGD¶V ZRUN H[SUHVVHV PRGHUQ GD\ LVVXHV LQ FRORUIXO DQG LOOXVWUDWLYH WHFKQLTXHV 2IWHQ GHSLFWLQJ VWDUU\ H\HG children, she dresses her characters in heroic costumes resembling Superman and magical girls, an anime sub-genre of young girls who use magic, revealing problems and struggles in contemporary society. They also represent our adult desire to nurture the children of the world and to defend the world we have constructed. )ROORZLQJ WKH *UHDW (DVW -DSDQ (DUWKTXDNH DQG DFFLGHQW RI )XNXVKLPD 1XFOHDU 3RZHU 3ODQW LQ 6KLPRGD EHFDPH LQFUHDVLQJO\ LQWHUHVWHG LQ YDULRXV FRQQHFWLRQV LQ WKH ZRUOG ,Q KHU ³&KLOGUHQ RI WKLV 3ODQW´ VHULHV FKLOGUHQ DFW DV D EODQN FDQYDV IRU ZKDW VKH GHVFULEHV DV FRXQWOHVV SRVVLELOLWLHV ZKHUH IDQWDV\ PHHWV ZLWK UHDOLW\ SDVW PHHWV IXWXUH OLIH PHHWV GHDWK DQG D ZRUOG WKDW LV \HW WR EH UHERUQ 1RW RQO\ GR H\HV FRPPXQLFDWH HDFK FKDUWHU¶V SHUVRQDOLW\ WKH\ DUH DOVR D UHÀHFWLRQ RI 6KLPRGD¶V RZQ IHHOLQJV and ideas: “They are “anyone” who just exists. So, they could also exist beyond the realm of being children, and identify with anyone who might appreciate them. Those children who are wearing a vacant expression of despair and solitude are mirroring the emotions of the people who look at them.”

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TEZUKA Osamu ༆ࢦᗶ⚰ņ1928-1989Ň ༆ࢦᗶ⚰Ŋ቏‫׻‬༆ࢦᗶŊᆯᅺ቏ឫᯉ૊ȮՒᯉ⢌̳ːŊʬᆯⷪણ֢ ंȯߌ⎊ಀ۹฻ᆑ⟑Ŋᄑ‫ח‬ʴȵ༆ࢦᗶ⚰ȶ᱿ώ‫׻‬Ŋ᮫ᅠȵᔎ⠗⟑ȶ ņosamushiŇ⎞ȵᗶȶņosamuŇ᱿ᅺᄽᱹㅠ‫ף‬దଜㅠȵshiȶŊ˟͵ ߱‫׻‬઎രԽʀɺȵ⚰ȶ઎Ŋឤ઎૯̳ȵᗶ⚰ȶņosamushiŇȯ༆ࢦᗶ ⚰ᆯ̤घᮟ᱿ԡ̳≛Ŋ40घ౺᱿ԡ̳ᮝ᚜ʑŊҠᯉʴ400घⵒឫᯉ̳ ‫ٴ‬Ŋ‫ד‬60घⵒՒᯉ̳‫ٴ‬ȯҢ̳‫ٴ‬㆛ቨ⩴૗घᑂŊծ཮ҊὄᮝᙙȮẤ ౿Ȯϴ࿯Ȯᔕ‫׫‬ȮЗ⦦ŊᄽણȮⷪણȮશᄞȮㅠᐪȮ‫ڏ‬ણƥᾀŊ˩⠧ ̳ॖȳ☾૷ᵲ᪗ઈȴȮȳ፳ኚञుȴȮȳ‫׆‬ઈଅ⸉ԑȴȮȳ඙ⷪ㓺Ђ ҇ȴȮȳɿᳵṘὄȴᾀȯⳆˀ̳‫ٴ‬ᛖᛖഛㅨʴര͗᱿ឫᯉ૊᱿ԡ̳㆛ ቨŊ໽˫༆ࢦᗶ⚰⡕଀ờᣅᅺ቏ឫᯉʠ᦬Ȯឫᯉ૊ʠṘȯ Lot 1003

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TORIYAMA Akira ㏝ୀᆙņb.1955Ň 1955౺ӛᮝᅠᅺ቏฻ᵧⅠ‫מ׻‬ଥఱŊᆯᵧ‫׻‬᱿ឫᯉ૊Ŋ˫⥑⤺ㆺ⬶ಁ㓿᱿⤑⏨ː᧎┮ờȯ˩⠧̳ሷȳɼ 㕻᫏ȴȮȳ඙֢ं⎞ᑨ‫ݽ‬ললȴᾀŊˇᣅȳՍ≛㌘ณ㕻ȴȮȳTobal No.1ȴȮȳ⬢ᆹἇʠ⿑ȴȮȳ☾ 㕻ȴᾀ┮‫ⳤ׻‬໵Ⴢᯍ⤑⏨⥑હȯҢሱ┮‫׻‬᱿̳‫ٴ‬ȳɼ㕻᫏ȴɺⵒᆯጁ㌘ҭるឫᯉŊᅠ1984౺ӷ1995౺⿵ ߱ゝ␿ḽȳⳕӤଇ౺-XPSȴⳕӤʀⳐⰶŊ2013౺⿭আᱹ‫ڰ‬Қ࿮ᦹŊㆺㄆҚ᫤ᔕʝʃ⠭Ŋᔕ⃻ᄲ֓౺ː ᖎ˜ᤋ㋧ឲŊ᫠˚ሩᆯ࿴ӛՒឫȮⳤ໵Ȯ⥑હゝᾀ᳈〦‫ٴۄⴗش‬ȯ %RUQ LQ 1DJR\D &LW\ $LFKL 3UHIHFWXUH -DSDQ LQ KH LV D ZHOO NQRZQ FDUWRRQLVW ZKR LV NQRZQ IRU GHVLJQLQJ IXQQ\ DQG KXPRURXV FKDUDFWHUV 5HSUHVHQWDWLYH ZRUNV LQFOXGH 'UDJRQ %DOO 'U 6WUDQJH DQG 5RERW 'ROO HWF DV ZHOO DV UROH VHWWLQJV IRU IDPRXV JDPHV VXFK DV 'UDJRQ 4XHVW 7REDO 1R .H\ WR 7LPH DQG 6SDFH DQG %OXH 'UDJRQ 2QH RI KLV PRVW IDPRXV ZRUN 'UDJRQ %DOO LV D ¿JKWLQJ DGYHQWXUH FRPLF ZKLFK ZDV VHULDOL]HG LQ 6KXHLVKD V :HHNO\ 6KRQHQ -XPS ZHHNO\ Lot 1006 magazine from 1984 to 1995. The full version was released in 2013, and it has been popular all over the world for decades.

Popularity is still high, and related peripheral products such as animations, games, and set collections are being launched today.

7$, -LQJ 1RQJ ⎔㄃ⲋņ1902–1990Ň

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໴ᆹ⃌⨯ȵ֡೺ռᝌȶ೺ञ֔⎞ᝌൔᯊŊሩ᪀೺ञ֔⫾ʵπҀᬾ᳠⭤ř⎊ᔍ⿭আ⎈ႅ ȵπ㋤ȶŊʏ߱π㋤ʀሩ⎕ໞ᥊Ŋ᩸ᑋɺጁŊໞᣅ┮‫׻‬᱿ሬᘍञ૊ȯҢሬ∑ೊᘒᚊ᪂⸉ᄽȮԀᵲȮ᷌ᦹُ‫׳‬㋤Ŋ᳠⑽ῆをᲀ⁤Ŋ଎˫ሬㆺ Ⲗ̙πҀᬾ≟⎊ໞ૊ᄲŊˇႸῆԀȮ↘ᯉŊሷȳ⎔㄃ⲋሬ♊ゝȴ

TING, Walasse ɻ゛ᘃņ1929–2010Ň

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ɻ゛ᘃᅠ1929౺߱ʑߡᖶ♫᳎ᤀ⻿ఱӛᮝŊໞ⿢ᅠʀ ᙹŊヾ౺ᆹሯҘ⩊ʀᙹ⇾⠛૾Ấણዮȯ1946౺Ẽଡ㈭ ᛸŊ1952౺Ԋദᘍߡȯ߱ఫ㓷ᆹቅɻ゛ᘃ⦓⨯ʴい⪫ᦲ ņKarel AppelŊ1921-2006ŇȮ᭥සņ$VJHU -RUQŊ19141973ŇȮいチᓯᅗࡣņPierre AlechinskyŊb. 1927Ňُዖय ᦲņCorneilleŊ1922-2010Ňᾀᳵ⽷⛲ᯉᙜņCoBrAŇ♊⠛ ૊Ŋ⊓‫Ⲅ⎠׶‬ʴʃଇଭ⤍ȯᯍᆹ˟᱿ԡ̳ⰱᣅདྷ⩽Ŋわؐ ┮᠝ׂ᱿ቺᅞ⁤Ṙ᱿෼฾ȯ1958౺ɻ゛ᘃԊദₚ₎Ŋ‫ט‬ӷ

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TSONG Pu ⒜ᇒ (b.1947Ň ⒜ᇒᮝᅠʀᙹŊ1949౺͗ӷ‫ש‬ᢕŊ1978౺ᯃᏈᅠ⣫᫗ᧃ㈸ോ⸄ञણȯ1984౺᪀ʑߡ᫠˩↘ᯉᅘଭቃ‫ש‬ ռఱ⿢ᩦȯ1992౺᪀‫ש‬ռ᫠˩⇾⠛キ౺ଭᩦȯ1970౺⬚ᅠߡҙक⎠Ⲅ⳧घᓝΤଭ‫⊓ד‬ଭȯ⒜ᇒ᱿↘ᯉ ˫ᅞ֬ᣅࡣ቏‫܈‬ҀŊ߱Ἴ㋤ᙜ໣ಂ̬ᶶⴗ᱿ᐉߧᅞೣʑŊ‫ا‬᫠า൳᱿⳥Ւُ⎊യඖȯ๩ᮢ᱿֬⥆ଅ‫܈‬ ҀŊ⃅ᐉໞᯉㄇ᱿ञ‫܈‬Ҁȯ᳖̙ᑨፋ᱿ଅᅞጁ֬⥆Ŋ⒜ᇒཱྀ͗⎞˟⎊న᱿બસ⤐᳈֬⨢ȯ⒜ᇒ⦓ᣅ˟ ᱿ԡ̳ᆯȵ˫̥くಂ̬̳ᣅʑ˛Ŋ‫׏‬⠧᫠ːଃᅠબસ᱿౿⤌Ŋᔌॖ‫↘׺‬ᯉʬᆯɺỚ౿⤌ȶȯҢ̳‫ٴ‬᪀ ‫ש‬ռఱἼ⇾⠛㈀Ȯᅺ቏‫⇾׆‬⠛㈀Ȯᅺ቏ᑲᡀᛸⴗᯉ಴ȮߡἼ‫ש‬ᢕ⇾⠛㈀ᾀҤ♀ȯ TSONG Pu was born in Shanghai and graduated from Universidad Complutense de Madrid in 1978. He won the Taipei Lot 1129 Mayor’s Award of the Chinese Modern Painting New Prospect show in 1984 and the Taipei Modern Art Biennale Award in 1992. Since 1970 he has held many personal and joint exhibitions domestically and abroad. He used small imprints to constitute big units in composition in his early years and compared those small mechanical-like grids to his own worldview. His works were collected by the Taipei Fine Arts Museum, Hara Museum of Contemporary Art, -DSDQ 3RUWVLGH *DOOHU\ <RNRKDPD -DSDQ DQG 1DWLRQDO 7DLZDQ 0XVHXP RI )LQH $UWV

TSAI You ▼‫( ה‬b.1947Ň 1947ᮝᅠ֡༼‫⿵׻‬ŊߡἼ‫ש‬ᢕ♊⠛૾Ấણዮ⇾⠛ẤȮʑߡᄽջ⇾⠛₇Ȯᾈᘘञણ⇾⠛ᷟंŊ1974౺ሯ ᪀ᄞ⋀ⵒὮɼଢҚߡ⇾⠛ଭߡᯉⵒὮɺ‫׻‬ȮὮɼଢ⇾ଭὮɺ‫׻‬Ŋ1982౺᪀ߡ૊ᄽ♊ᩦ᧚ӲᩦŊ2012౺ ‫ש‬ᢕ♊⠛ञણሬᯉણ₇ʙ˶ⲵ̆Ŋᶇἄ૾⿢ᣅᖛࣘ⎞ሬᘍŊ⎊1980౺⬚⎠Ⲅ⳧Ⲗ20ᓝ᱿Τଭȯ ▼‫⎊ה‬ಀ͵۹ࢣཏ̳ᯉŊ⎞ᖛࣘ⃌ʃ⤟ʠℳŊʈྃ↲ʃຯ⎏˚Ŋ᳈ⰱᅠώࣘʠࡣ቏ԼŊ˟⦓ᣅЗ⃥ʠ ↧༫‫⎈ד‬ႅሷҢʃ‫ⱀר‬൸ʠ⚠ȯ҅⤵⎈ႅȯ˟ߊᝒ1965౺ⳖҘ݄∑ో῅ଔ⩊ʠআȯȵ݄ోᖣણᮝ᚜ɿ ౺ʠʑŊ̰˫㇕᛽ʠൔŊ㇤‫ט‬З⃥ώࣘʠ⁤ⓧǖᛤ߈᪗╳⑤⯿ẛʠㆺ⎐ȮҀ᪗╗㋧‫מ‬㌟⑋ʠㆺⓧȮ‫ڥ‬ ૒ᛤアʠㆺṘȮᄽ൉ᆙᝐ។゜⎐ʠㆺㅥŊᲀᣅΤː⿢ቅᗖ៌⎈ႅʠҤ῅ȯȶ

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AMANO Takeru ट⸆Ϩ (b.1977Ň 1977౺˟ӛᮝᅠቺˊŊट⸆Ϩ⯿ᣅᵧ‫♊׻‬⠛૊ट⸆۹ઓ᱿ҊઈŊ˟⎊ଅ࿲⤯♊⠛ȯ1997⎏2000౺ᅠₚ ₎ᦹᯉడ̳ાણ∳ɿ౺ʠരⲙᅺȯ˟᱿↘ᯉ‫ד‬ォ࢞ԡ̳ᮢ⏨ഔ㍫ᆙᙙោŊᏎ ʙ∑᱿♊⠛ㆺጁُᅺ቏ ߱ʷ֓ʊ₊രண⬚᱿Ւឫៜᙟᄽջ᳈⃌‫׶‬Ŋώʁː᧎ሷ┮⁤ ΃┛᱿ⱐ಺ℬŊ΂Თ‫㈝ב‬૗ᛖาȯォ࢞ Ⴘᅠ⃌‫׳׶‬Ớᐻ⦒ඖҀ₪ŊʏໞԼ࢞ⳍ҂ដᅺ቏Ւឫ฾᱿Ꮞ ℋₗᅗȯ˟ໞԼဈ‫מ׶‬Ҥ⎞᫠˩Ȯᅺ቏ ᙟ⠗ᄽջ˫‫ד‬ₚ₎ᯍ˩♊⠛ㆺៜȯ ˟᱿ʊ᮹᩸᧚≟ὄ⬶ŊҢ・฾͗⎊ᅠ˟ໞ⿢᱿ 20 ʊ₊቎᱿ᅺ቏ᄽջȯ ट⸆Ϩ͐ᮢ‫מ‬ҤȮ‫ڏ‬ણᮚ⎏Ṙ ⥾ʙ㆛Ŋʏ૽઩Ω⎞ᅘᙟ⠗⇾ણُಁ㓿฾ᛜ‫߱׶‬ɺ⬚ȯ໣˫ᆙˌ᱿プ⚹⏨լՐӛ⊊ᕒᬦӴˁȯ2020 ౺Ŋट⸆Ϩӛᦹʴ˟᱿Ὦɺ቏♊⠛ሬȳIconsȴȯ˟᱿⊚Ꮘᮝ᚜ɺ⭰㇏֗Ŋ߱ߡもʀˉሷᲰ⩇Ŋʏ߱ʊ ᮹‫Ⲅ⎠߸׳‬ଭ⤍ȯ He was born in Tokyo in 1977. Amano Fitness is the son of well-known artist Yoshitaka Amano. He has been exposed to DUW VLQFH KH ZDV D FKLOG )URP WR KH UHWXUQHG WR -DSDQ DIWHU WKUHH \HDUV RI VWXG\LQJ LQ WKH 1HZ <RUN 3ULQWPDNLQJ 6WXGLR +LV SDLQWLQJV DQG VFXOSWXUHV XVH EULJKW DQG OLYHO\ FRORUV DQG WKH PLQLPDOLVW DUW VW\OH LV FRPELQHG ZLWK WKH -DSDQHVH animation trend culture that has risen after the 20th century. The characters in his pens have concise outlines, playful and rich in PHDQLQJ 6FXOSWXUH LV JRRG DW FRPELQLQJ YDULRXV LFRQLF HOHPHQWV DQG VXFFHVVIXOO\ FUHDWHV D PLQLPDOLVW 9HQXV IXOO RI -DSDQHVH DQLPDWLRQ +H VXFFHVVIXOO\ EOHQGHG FODVVLF DQG PRGHUQ -DSDQHVH SRS FXOWXUH DQG 1HZ <RUN FRQWHPSRUDU\ DUW WUHQGV +LV ZRUOG LV XQLTXH DQG FKLOGOLNH LQVSLUHG E\ WKH -DSDQHVH FXOWXUH KH JUHZ XS LQ DW WKH HQG RI WKH WK FHQWXU\ .HQ $PDQR uses classical, philosophical and even mythological themes, mixing them with new pop aesthetics and a sense of humor.

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WANG Pan Youn ᪗სҀņ1909–2017Ň ᪗სҀᮝᅠ1909౺ʑߡᖶ♫ռⵒ᱿റ૊ᙈቃᅭŊ1936౺ᯃᏈᅠʀᙹ⇾૾ȯञણᆹ‫׆‬቏⤺ᯉら៊᪕⏦⬘ᘍણ∳↘ᯉŊִߌᤀᘍ•࿶⭁चᅧ ⫄ŊԽʀᆹ˩໴ʱ᱿ℳᄑŊ1949౺͗‫⌳┛ש‬㋧゛ŊᮝᙙߔㅺŊಂ⃻ᘘ༿Ŋ⃃ᅠ͗ӷ઻⚄⇵ቺʑણᄞሬŊऽહ˟߱‫ש‬ᢕ᱿ỻહᮝᙙŊʬ⸅ྀ ↘ᯉ᱿ᐪ⬶ȯ1973౺ഺણዮⲵ̆രŊ᪗სҀሩҚൔҚา༼Ҙሱ฻᱿↘ᯉԡ̳ȯሯ᪀ʑⓧᖁߡᯉણሳ⸉ᦫᩦŊߡ૊ᄽ♊ᩦȯ̳‫ٴ‬᪀‫ש‬ᢕ᳎Ἴ ⇾⠛㈀Ȯ‫ש‬ռఱἼ⇾⠛㈀Ҥ♀ȯ1987౺ᅠ‫ש‬ռߡἼᔕ‫᧎֢׫‬㈀‫ד‬1992౺‫ש‬ᢕ᳎Ἴ⇾⠛㈀⎠⠗⸅⣬Τଭȯ̳‫ٴ‬ʏ⡕ⴎᅠҚߡ⇾ଭ‫ד‬ˁᙐߡ も⇾ଭʑଭӛȯ2001౺ະⴎᅠ‫ש‬ռߡἼᔕ‫᧎֢׫‬㈀ߡ૊ᯉ಴⎠⠗Τଭȯ 2003౺6ሶᆹࢊҝ‫׮‬ᱹ⠗ቦल൥Ⴋ૯᱿᪗სҀЗ⥆ȳગ᩸෼ᛖȴȯ 2017౺᪗სҀ˫ᱻㇷᔓ㋧㕤ⳊʊŊߡἼᔕ‫᧎֢׫‬㈀߱2018౺⎠⠗ȵ⳧Ჵ֔ఴŋ᪗სҀΤଭȶȯ ᪗სҀ᱿ᯉ̳ᮢ⏨ ‫܈‬ञ⍦Ŋગ⃑ʑ♭♀┮⥓घՒːᄑʶȯ᠝⸅᱿ᗴഔ߱ҢώʁŊ‫ו‬⣰⳥ᮢ₳૓᱿ώ⤯࡬ᯘӛ‫׳‬ೣわ‫܍‬ᯉ૊⎊ໟᮝ‫ل‬᱿Ὢ ⚦Ȯ˩⠧ᥖ෼᱿ᢜ₏┛ᅺȮҙൔʊ᮹᱿₏⠥ॉⵀȮ᲼ូᅠᖶᙹʠ⿵᱿ગ⎯Ȯ໣ᆯᅈㆺ₳ジʁ᱿ⲭᠬ᱿㖂ୀ஌⎞♫᠑ᛸŊⅶ‫ר‬ᔖₗӛ଼ᅠ᪗ სҀΤː᩸᧚㌭ԻŊᐉߧ ₎Ŋώ⤯Ӑ⼍Ŋ≟ᯉㄇִ૗ؐ೺Ի᱿෼฾⎞⥸าȯ :DQJ 3DQ\XDQ ZDV ERUQ LQ LQ ;XMLDKRQJ D SURPLQHQW IDPLO\ LQ QRUWKHUQ -LDQJVX &KLQD ,Q KH JUDGXDWHG IURP 6KDQJKDL $FDGHP\ RI )LQH $UWV :KHQ KH was in college, he originally planned to go to France with Pan Yuliang to study painting, but because he could not raise enough travel expenses and the wars of the times, he came to Taiwan in 1949 and settled in Kaohsiung. The stable life in Taiwan has also regained the joy of painting. After retiring from school in 1973, Wang Panyuan devoted himself wholeheartedly to his favorite painting creation. He has won the Golden Goblet Award of the Chinese Painting Society of the Republic of China and the National Literature and Art Award. His works have been collected by Taiwan Provincial Museum of Art and Taipei Municipal Art Museum. In 1987, he held important solo exhibitions at the National Museum of History in Taipei and in 1992 at the Taiwan Provincial Museum of Art. His works were invited to be exhibited in the National Art Exhibition and the Asian International Art Exhibition. In 2001, he was invited to hold a solo exhibition at the National Gallery of Taipei National Museum of History. In -XQH 7KH 7LPHV SXEOLVKHG :DQJ 3DQ\XDQ V ELRJUDSK\ /RQHO\ DQG 'HHS ZULWWHQ E\ /LDR .XL]KRQJ ,Q :DQJ 3DQ\XDQ SDVVHG DZD\ DW WKH DJH RI PRUH WKDQ 100 years. The National Museum of History held the "Exhausted Thousand Sails-Wang Panyuan Solo Exhibition" in 2018. :DQJ 3DQ\XDQ V SDLQWLQJ LV VLPSOH DQG EROG DQG WKHUH DUH PDQ\ PRYLQJ VWRULHV LQ KLV LVRODWLRQ 7KH WKLFN RLO SDLQWV LQ KLV SHQ UHSHDWHGO\ XVH ¿QH EUXVKVWURNHV WR VWDFN XS YDULRXV PHWDSKRULFDO V\PEROV RI WKH SDLQWHU¶V RZQ OLIH WKH ¿HU\ UHG VXQVHW WKDW UHSUHVHQWV SDVVLRQ WKH UHG JLUO LQ WKH LQQHU ZRUOG WKH ORQH ERDW ULSSOLQJ EHWZHHQ WKH ULYHU and the sea, or the slanting wind. The misty Guishan Island and Suao Port under the rain can always be summed up as the unique charm of Wang Panyuan. The composition is simple and the brushstrokes are condensed, but the pictures are full of emotional and poetic tension.

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:8 -LQJ +HQJ ‫ؖ‬ᄪණņ1865–1953Ň ‫ؖ‬ᄪණŊɺ‫⋴׻‬Ŋ઎ỐᇥŊ˫઎⠗Ŋⳇờ‫ؖ‬ỐᇥŊ‫‣׆‬ᖶ♫᳎ᔏⳖⅠŊӛᮝᅠᖶ♫ᔏⳖُᤀ⻿˅᮹⚠᱿ズࢉᑙȯᇄᛤ ẛ༇Ȯ⎠ːȮሬᘍ૊Ŋʑⓧᖁߡᄎᗶː᧎ȮʑतᶇἄずずंŊɺᮝⲲらߡᖁㄊ‫ִل‬ʃҘҝ૊ȯᖁߡɿ֓Ҟ౺ņ1947 ౺ŇŊ߱‫‣׆‬ᖶ♫᳎ᔏⳖⅠᯍⴆᣅὮɺଢߡᖁञሳ˩⠧ȯ1949౺Ŋ▽ʑᔌᙜ૾ᑨȵ⇾㕤⚦ȶ૽‫ؖ‬Ốᇥഺೊజ࿲ӷʴ⎔ ᢕ⎔ռȯ‫ؖ‬Ốᇥ˫⁤ᅠଅῆᣅ┮‫׻‬Ŋ⎞Ⴝをሬ᱿⋟ឤᖁȮᏐሬ᱿⨱ೖ〠Ȯ⑽ሬ᱿ʹ‫˶׬‬ᾀːŊʏ⩇ᣅȵʑߡߡᖁ㔋߈ ञሬᘍ૊ȶȯ

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Lot 1092

Ṓ‣મ൏Ŋᮝᅠᖶ♫ᔏⳖŊʑߡᅽቅᖛഔᯉ૊Ŋ1912౺ᖶ♫Ὦʷ㋧ᾀో῅ણዮᯃᏈ‫׼‬Ŋሯӷⵯ⿵ଅણᄞ⇾ ⠛Ŋരㄅ՝ॅ⎊ણ≟ໞᣅʷ֓౺˩Ȯɿ֓౺˩ሷ‫׻‬᱿ᗴᯉ૊Ȯᖛഔᯉ૊Ŋሯ˶ʀᙹ⇾૾ᄞ࿙ُᄞՖ⿢Ŋ⿢ Ⳮ12౺ʠʝř1920౺ᅠʀᙹ‫א‬Խ⣫ᘱᯉḽߨơट㈸ሳƢȯ1927౺ԡⲄƢ♊␥↘ᯉᶇἄ໽ƢŊ1928౺⬘ᅺ቏ ቺˊȮᘍߡఫ㓷≙ૣ⣫ᘱ⇾⠛ȯ1941౺‫ߡ⇾⬘ב‬ŊԡⲄⓧ⇾ᯉણずŊЗ࿙ʑߡᯉُሬᘍȯۧʑ⣫↘ᯉŊ˫ ᖛഔᯉ⣲⿢ȯ⣫ᯉㆺጁ‫ࢩט‬ଋഛㅨŊ‫ב‬ңቺᅞ♊⠛ᖎ⫨ߡᯉ⸅૯ᮝŊࣘ⏨ᚲយŊ⎊ңㆺ⪝Ŋᅽ౺ℶሷ㋧ʑ ᖛഔᯉᄞ቏Ŋȳᠰ⳵ᖛഔᯉゝȴᾀȯ1973౺ⲙߊ‫ש‬ᢕહଡȯ Lot 1072 1DWLYH RI $QKXL ZDV ERUQ LQ -LDQJVX :XMLQ HDUO\ &KLQHVH ZDWHUFRORU SDLQWHU -LDQJVX VHFRQG KLJKHU QRUPDO VFKRRO DIWHU graduation, had to rural primary school art, after hard work and become self-taught twenty-three famous oil painter, watercolor painter, had He served as a professor and GHDQ RI WKH 6KDQJKDL $FDGHP\ RI )LQH $UWV IRU \HDUV LQ LQ 6KDQJKDL WR SDUWLFLSDWH LQ WKH :HVWHUQ SDLQWLQJ FRPPXQLW\ ³7LDQPD´ ,Q IRXQGHG WKH ³$UW ,QVWLWXWH RI SDLQWLQJ´ LQ WR 7RN\R -DSDQ )UDQFH 3DULV :HVWHUQ DUW ,Q ZHQW WR WKH 8QLWHG 6WDWHV IRXQGHG &KLQD DQG WKH 8QLWHG 6WDWHV 3DLQWLQJ ,QVWLWXWH WR WHDFK &KLQHVH SDLQWLQJ DQG FDOOLJUDSK\ *RRG &KLQHVH DQG :HVWHUQ SDLQWLQJ NQRZQ IRU ZDWHUFRORU SDLQWLQJ :HVWHUQ SDLQWLQJ VW\OH E\ &H]DQQH LQÀXHQFH EXW DOVR ZLWK WKH 2ULHQWDO DUW WHPSHUDPHQW &KLQHVH SDLQWLQJ UHZULWH VWXGHQWV LQN GULSSLQJ VLQFH WKH VW\OH HDUO\ KLJK VFKRRO ZDWHUFRORU WHDFKLQJ ³-L <XDQ ZDWHUFRORU´ DQG VR RQ 5HWXUQ WR Taiwan in 1973 to settle down.

WU Guan Zhong ‫ؖ‬Ҵʑņ1919–2010Ň ‫ؖ‬Ҵʑ1919౺ӛᮝᅠᖶ♫᳎઻⎟Ⅰȯ1942౺ᯃᏈᅠߡἼ♊⠛૾Ấણዮȯ1946౺≙‫ח‬ҝ⫄ᮽણŊ1947౺ӷҘ ᘍߡఫ㓷ߡἼ㋧ᾀ⇾⠛ણずȯ1948 ౺̳‫אٴ‬Խఫ㓷ᆨખᗤ㕻ଭُẠખᗤ㕻ଭȯ‫ؖ‬Ҵʑ1950౺ⲙߡŊ҅ര ˶ᄞᅠʑत⇾⠛ણずȮᛤⓧञણ೘Ὲ₇Ȯռˊ♊⠛ણずȮʑतడ♊⇾⠛ણずȮʑतడ♊⇾⠛ણずȯ1991 ౺Ŋᘍߡᄽջⵒ࿙ʵҢᘍߡᄽ♊ሱ㋧դ̤ȯ1993౺Ᏻ᪀ఫ㓷ఱ⸉դὁȯ2000౺Ҙⴆᘍ⚄⣫ણず♊⠛ずⳇ⤻ ずंŊᆯ㈪̤᪀ᔍᔢᏳ᱿ʑߡ‣♊⠛૊ŊⳆʬᆯᘍ⚄⣫ણずໞἼⲖʷᱻ౺͗Ὦɺ̤ˁᙐː᪀വⳆɺ⊚̤ȯ ‫ؖ‬Ҵʑ߱⇾⠛ԡُ̳⇾⠛ᄞ⋀ʀ‫ח‬വʴతञໞଔŊ⎐Իᅠᗴᯉᖁᅭջُʑߡᯉ᫠˩ջ᱿࿯€Ŋ↘ᯉㄇ‫ו׿‬ ᆤʴʑߡ↘ᯉㄇ⪝᱿᧚㔄Ŋ‫ا‬᫠ቺ⣫ᅞ♊⠛᱿ֈ‫׶‬Ŋ߱ᙹҙकˉሷബ㋧᱿⊖⩇ȯ⎞ቒോ∌Ȯ⬰ᤀᏎ⡕⩇㵝 ȵᮽᘍɿԴ઼ȶȯ :8 *XDQ =KRQJ ZDV ERUQ LQ -LDQJVX 3URYLQFH &KLQD LQ DQG JUDGXDWHG IURP 1DWLRQDO &ROOHJH RI $UW LQ +DQJ]KRX ,Q Lot 1140 :8 WUDYHOHG WR 3DULV WR VWXG\ DW WKH eFROH 1DWLRQDOH 6XSpULHXUH GHV %HDX[ $UWV RQ D JRYHUQPHQW VFKRODUVKLS DQG WKHQ participated in The Paris Spring and Autumn Salon Exhibition. Since his coming back to China from 1950, he has lectured at numerous major art colleges. Recently, he ZDV KRQRUHG ³2൶FLHU GH O¶2UGUH GHV $UWV HW GHV /HWWUHV´ IURP WKH )UHQFK 0LQLVWU\ RI &XOWXUH ³*ROG 0HGDO´ IURP WKH 3DULV 0XQLFLSDO *RYHUQPHQW DQG ODVWO\ WKH &RUUHVSRQGLQJ PHPEHU RI $FDGHPLH GHV %HDX[ $UWV GH O¶,QVWLWXW GH )UDQFH ZKLFK LV WKH ¿UVW &KLQHVH DUWLVW WR EH DZDUGHG ZLWK WKLV WLWOH LQ \HDUV RI establishment of the institute. WU Guan Zhong obtains great achievements on not only art creation, but education as well. He dedicates himself to explore and integrate oil SDLQWLQJ DQG &KLQHVH SDLQWLQJ¶V FKDUDFWHULVWLFV $V D UHVXOW :8 UHFHLYHV D UHVSHFWIXO VWDQGLQJ LQ LQWHUQDWLRQDO DUW ¿HOG

WU Ping ‫ؖ‬౹ņ1920–2019Ň ‫ؖ‬౹Ŋ઎ࢄᱺŊʑߡᙢᖶㇷ঒ːŊ⎊ಀ༫૊ણŊら᦬⤃∳઎̳ᯉŊ᮫᦬‫╗ۓ‬ῆԀŊሬᘍᎋࡣᅠ‫ڥ‬ ᏐŊʀᝒ‫ش‬Ằῆ‛Ŋ⁤ⳇῆȮをȮᏐȮ⠗Ȯ⑽‫׳‬㋤Ŋᅺᅺ⎈ሬʃຯŊώ՛⃌ᐉໞ⎊૊⭰ᄲȯῆԀവ ⶈᄣቌӜ࿙Ŋˇ⎊᩸ңㆺጁȯሯഺ㋧Ⳛ㐓Ȯ‫ڥ‬ゾ∳ᯉŊ˫␕㏝ᣅʙŊ➄‫׶‬З༫⎞㋤㊹⤐ૣŊႸ˫␕ ヾҘᯉŊ‫ا‬᫠ ⅀≟るஐ᱿मᖎŊ᛬‫ש‬ര˶⊚ᅠᘍՖⵒ⦲ውଞŊሯ‫⎞א‬ȵɼΔᯉሳȶȮȵᙹ௷֬ ゝȶȮȵҞҞᯉሳȶŊⲲᖣЗ⃥ऽࡣŊ̟ʃཨᘚᅠЗ⃥᱿ΤːㆺጁŊ1983˶⊚ᄑૅ֢᧎ずሬᯉ⚠⚠ ⿢Ŋʏሯ⎠Ⲅ⳧घᓝΤଭȯ⎊ᄑૅⲵ̆രŊ૾ʶሬᯉῆԀԡ̳⎞ᄞણŊ߱ሬᯉ֬᮹ⵣሷബ㋧᱿ᵧ‫׻‬ ಙ⎞ഛㅨԻȯ

Lot 1104

170

YU You Ren ʹ‫˶׬‬ņ1879–1964Ň ʑߡざ⣫ɿ‫׆‬ːŊṒ‣ᚈぬȯ‫ൂ̑׻׆‬Ŋ઎⦚ːŊര˫‫˶׬‬ᣅ‫׻‬ŊӲ⇨㊞ൔȮ㋲∥Ŋᇄ౺⎊ ⚦ठ౹≘ːȯᣅⲖ˩┮‫׻‬ᄎᗶ૊ȮⰊʶ૊Ȯᄞ⋀૊Ȯᅘ⊏ːȮሬᘍ૊Ȯᯃᮝ⎐Իᅠȳᐻ᜾⑽ ሬȴΔ⤶ŊሬᘍໞଔᄿᤋŊ໽̳⑽ሬᖎ՛゛ᜆŊ⡕⩇ᣅȵɿᱻ౺͗ɺ⑽⊊ȶȯ1948-1964౺ ⿵Ⴢ˶ߡᖁᄎಓᲶૣずず⿢Ŋ⊖⩇஖ひȯʹ‫⑽˶׬‬ሬȮ⨱ೖ〠ᏐሬȮ⋟ឤᖁをሬȮ‫ؖ‬Ốᇥῆ ሬŊ‫׶‬ờᣅȵߡᖁ㔋߈ञሬ૊ȶȯʹ‫˶׬‬1932౺߱ʀᙹԡⲄᐻ᜾⑽ሬḽŊ˫ᆞ⨯Ȯᆞ૯Ȯ᜾ ᷨȮ⇾㓚ᣅ‫׆‬ԅŊᄮ᫧Ȯᶇἄ⎞࿴ೊ⑽ሬŊᄮ᫧ໞ₇⃥᱿⑽ሬ˩⠧Ὢ⚦Ŋゝ઎ℶໞȳᐻ᜾⑽ ሬ֔઎ᄽȴņ1936౺᮫ʀᙹᄽᔌᏐ֬ሬଞӮᦹŇŊഛㅨᛖ⳵Ŋ⎏˚˜߱⸅֬ȯ┮̳ȳ‫⥸˶׬‬ એȴȮȳ‫˶׬‬ᄽએȴȮȳ‫ࣘ˶׬‬એȴȮȳᐻ᜾⑽ሬȴᾀȯ

Lot 1093

Lot 1113

YANG San Lang Ꭻɿⵀņ1907–1995Ň ‫ש‬ռᖝُːȯ1915౺Ҙ⏋⏁ҝણዮŊ1923౺⬘ᅺ቏ᮽણŊ㈪҅ⳖҘˊⵣడ♊ણዮŊരⱧҘ〦⣫ ⇾⠛ણず⣫ᘱᯉẤŊ࿲‫ްט‬ጁ᱿ણずᙜ⥂⅀ȯ1927౺ߊ⎔ᢕŊ⎞π▽໊Ȯಽ↧ᆨᾀːҠ⃅ȵ⬋஌ ḽȶȯ1929౺Ᏻ᪀⎔ᢕ⇾⠛ଭ⤍ሳ᧚ⴆὮɺ‫׻‬ȯᎫɿⵀᅠ1931౺⬘ᘍߡᮽણŊᓝ౺̳‫ٴ‬ȳࢩₗ ᗯᮼȴҘⴆᘍߡẠખᗤ㕻Ŋ⎞ᯍᆹᮽᘍ㆞ᖛ㕻‫׺‬ᣅᅽቅᮽᘍᯉ૊Ŋߊ‫ש‬രໞᣅ૾Ꮘᯉ૊Ŋ࿴Ւ‫׳‬ ㅮ⇾⠛ᙙՒȯ1934౺ⲙ‫ש‬ᅠठ౹᮱ԡⲄȵᘱᯉᶇἄ໽ȶŊ⎞づ៬ᘘȮಽ↧ᆨȮ㆞ᖛ㕻ȮቦጪᑋȮ ቦᵲᑉᾀːໞἼȵ‫ש‬ぬ⇾⠛֠ሳȶŊʏ߱ᄞ⋀ሳ㈀⎠⠗Τଭȯ҆ുര•ⲄȵҚ᳎⇾ଭȶҚԻ‫⎞א‬ ʏଭӛŊऽહҢᯉ࣪߸̤Ŋʏ᪀ߡ૊ᄽ♊ᩦ᱿ᔢᏳȯ1948౺඼ു‫ש‬ぬଭŊໞᣅ⥿ଭሱञᄄྃ≛ȯ 1985౺‫ש‬ぬଭ⎞ᆨぬሳᅠ‫֢׫‬㈀‫Ⲅ׶‬ȵʑᅺ⇾⠛ଭȶŊ1989౺‫ש‬ռఱἼ⇾⠛㈀⎠Ⲅߊㆰଭȯ1991 ౺Ꭻɿⵀ⇾⠛㈀ᔌೣ⿭ౡŊ1992౺᪀ㅹ⠗ᄎずᄽջᩦ֟⬤♊⠛૊ᩦὁŊ1995౺Ⳋʊ૊ʑȯᎫɿⵀ Lot 1044 ⎠⠗⳧घᓝΤଭŊʏघᓝ߱⎔ᢕ⇾⠛ଭʀ᪀ᩦȯҢʑᕗⰱ⸅⣬᱿ଭ⤍ሷ1973౺ُ1983౺ӠӲ߱ߡ Ἴᔕ‫᧎֢׫‬㈀⎠⠗᱿ȵᎫɿⵀᗴᯉΤଭȶُȵᎫɿⵀᗴᯉߊㆰଭȶȯᎫɿⵀ˫Ң߱ᯉ࣪ʀ֟⬤᱿ໞଔŊሯᅠ1986౺Ᏻ᪀ߡ૊ᄽ♊᧚Ӳ⪯ ᪇ᩦŊ1995౺᪀ㅹⅶ⃥⢚ဗ˪⎞ⓧऑɺᾀᩦὁȯ <$1* ZDV ERUQ LQ 7DLSHL 7DLZDQ <$1* PRYHG WR -DSDQ LQ ZKHUH KH VWXGLHG DW WKH .\RWR 6FKRRO RI $UWV DQG &UDIWV +H WKHQ WUDQVIHUUHG WR WKH :HVWHUQ 3DLQWLQJ 'HSDUWPHQW LQ WKH .DQVDL $UW $FDGHP\ WR UHFHLYH DFDGHPLF WUDLQLQJ +H UHWXUQHG WR 7DLZDQ LQ DQG IRXQGHG WKH 5XGG\ ,VODQG $VVRFLDWLRQ WRJHWKHU ZLWK 1, -LDQJ +XDL DQG /,$2 &KL &KXQ ,Q KH ZRQ WKH ¿UVW SUL]H DW WKH 7DLZDQ $UW ([KLELWLRQ <$1* ZHQW WR )UDQFH LQ VSHQGLQJ WLPH WR YLVLW PXVHXPV DQG VWXG\ (XURSHDQ paintings. In the following year, his works were selected for the Autumn Salon in Paris. In 1924, he returned to Taiwan and held a solo show at the Hall of Education. At the same time, he established the Taiyang Art Association along with other notable artists such as Chen Cheng Po and LIAO Chi Chun. YANG has received numerous awards and held various important solo shows, including Oil Paintings by YANG San Lang (1979) and Retrospective Exhibition of YANG San Lang’s Paintings (1983), both held DW WKH 1DWLRQDO +LVWRULFDO 0XVHXP )RU <$1*¶V WUHPHQGRXV FRQWULEXWLRQ WR 7DLZDQ¶V DUW ZRUOG KH UHFHLYHG D VSHFLDO QDWLRQDO DUW DZDUG LQ DQG )LUVW 'HJUHH +XDKVLD Award by Presidential Order in 1995.

YANG Shan Shen Ꭻۧᛖņ1913-2004Ň Ꭻۧᛖņ1913 - 2011ŇŊ઎ዚ㕒Ŋೊቺ⬋ᝏⅠːȯറ෫㐓ଃ˟Ꮞᣅ‫⸅ݽ‬Ŋʏᣅ˟᱿ᯉଭ ̳಍ȯ⎊ቺ֡ˁʠ⠗രߊߡŊ߱᠑⿧̦ʴɺᕀᆹቅŊҢ⿵⎞㋧Դ᦬Ȯ㈺ನͬᾀҠ⃅֠ ḽŊɺ‫׺‬ഺʶ♊⠛ᅞㄇ᱿ᶇἄȯߊᛸᱹଭരŊ҅ര߱㈭ᛸȮ᠑⿧Ȯ‫ש‬ᢕȮᅺ቏‫ߡ⇾ד‬Ȯ Խཱྀञ‫׳‬ञࡆఱ⎠⠗Τːᯉଭ㄄౑ໞԼŊଃ࿴ೊʑߡ↘ᯉ♊⠛‫₺˛ד‬ఉ֡ᯉᙜŊ೘ᑋ⏦ Lot 1098 घȯ1970౺Ŋᣅ࿴ೊఉ֡ᯉᙜ♊⠛Ŋ߱㈭ᛸԡἼȵᆨㆺᯉሳȶŊʃଇഺણ≛఩߱↘ᯉᅞ ㄇңሷ⎊న᱿ㄇ⪝Ŋ‫⧨ר‬ጆቦដटʁȯ Ꭻۧᛖᘜ⸅ⳤᔕُ૯ᮝȯ⭁⭤⳦‫ד‬ʑߡ‫ُ߸׳‬ʊ᮹‫ߡ׳‬Ŋぜ૯ᮝकŊ‫᧎֢߸׳⤐א‬㈀ُ⇾⠛㈀Ŋᓞ⫝┮‫ٴ♀׻‬Ŋ ഺʑᗄ‫ח‬㇭˷Ŋˇᆯ˟ᯉㆺʃᅜᄊⳖ‫ד‬ဏ㋧᱿‫ߌ׆‬ʠɺȯҢ↘ᯉŊʃ̟⠧᫠ഐೣ⎞㋧Դ᦬ሷ⥓घҠⳇ᱿߸ᅞŊ≟ ♊⠛ඎบˇᛖ‫ט‬㋧Դ᦬᱿ഛㅨŊߌᔍᯉㆺʬᆯ˫ఉ֡ᯉᙜᣅࡣḞ≟ᱹଭ⬚͗᱿ȯՒ᧎Ȯ␕㏝Ȯː᧎Ȯୀᖛࠀᆯ˟ ώʁ᱿㆛ቨȯۧᅠྐྵྯՒ᧎ԋ⴨⿵᱿Ṙ๗ŊӴᮢဎ↘‫ד‬᛻ዀᾀघỚ༬ᘍ⎞ణ।᱿ᐉߧ᳈⃌‫׶‬ȯ ␕㏝Ӡడώ‫ד‬૯าқỚŊడώघ˫キ⹬ᅞᘍ૽ᯉㄇᯉ॑ŊҪⳖ⠗⏨ഔ᱿᛻ዀȯ૯า˫˟╳Պ᱿ώ⤯Ŋ☼ࣘഔ໣㆞ ⏨᳈ʻⶪ‫׶‬ŊⳆỚ⠧᫠ഐೣŊബവᓞ⫝≛᱿۹฻ȯː᧎౑˫ᱺဎ͗ဎ↘ⱐ಺ُ⠧෼ŊҪ˫ᛇഔ໣⁏〙᱿⋍ᇓ͗‫ا‬ ᫠ȯୀᖛᯉघ҅˫ោࣘહञଞŊͩ՛ԽʀᲚᘍŊ૽᭔ࣀᖎᖉᣕ༎ŊΤːㆺጁ㄄౑Ἄӛȯ˟᱿ሬᘍˇ᩸ңㆺጁŊ㆛ ᓰ᱿઎⎞ᯉㆺⶪ‫׶‬വ֓Ӡ➄ᙛȯ Lot 1109 171

YANG Chi Hong Ꭻ⨯લņb.1947Ň 1947౺ӛᮝᅠ⎔ᢕጆߤŊ1968౺ᯃᏈᅠߡἼ♊૾⇾⠛Ấ⣫ᯉ⃅Ŋ1979౺͵Ẽଡ⇾ ߡȯᎫ⨯લ᱿ᯉ̳‫ا‬᫠ʴ೼ᣊ₞ ᱿ȵ↘ᯉඖȶ⎞ȵ⠧᫠ඖȶŊ⏨᳈೼ᣊ᱿ଃᕗŊ ౑᥸ⳍӛɺỚ㔃ᇯʑṘẨ᱿҆ഛȯ̳‫ٴ‬૗ᚠ᠝ׂቺᅞ෼໊Ȯ҂ដːᄽᖎ෉Ŋघ˫ឍ ᙳឫᮝᎋ᧎ᣅʙ㆛Ŋ˟᱿↘ᯉ➄‫׶‬ቺ⣫қᅞ᱿⎊ᤋ⤐⎞ъϊ⤐Ŋⲿ⳧ȵ⩽൉ȶ᱿ߧ Э⦝⤵⎞ഺʑߡ‫ڏ‬ણ᱿㋤෤ʠ⩽൉ඖἇ⿵Ŋ⠧᫠ʴቺ⣫ඎบʠ⿵ɺỚ‫ۓ‬ḻඖ᱿೺ Իȯ˟̳‫ٴ‬᱿ʙᅼⅶᆯߣ←ᅠ⎊ᤋ᱿ᏳኢȮᮝ‫ل‬᱿⎟⠭˫‫ד‬ଃᆹ⿵ᚉⳊ᱿฾Лȯ⎊ ᤋ᮹ൂ᭔⎞ᮝᮝʃ෉᱿าᚠŊᆤᤫᯉ૊᱿ᮝ‫ل‬෼ࣀȮᮝᙙ㋤㊹ُഐ⩽ඎℋŊ͐˟᱿ ̳‫ٴ‬ᄣᱹ┮⥸า≟アᖝ᱿ѭ゜ㆺጁŊᏎ‫࣪♊ט‬᱿࿴஖⎞⊾હȯ Yang Chihung was born in Taoyuan, Taiwan. and graduated from National Taiwan College of Art in ,Q WKH HDUO\ V KH ZDV OLYLQJ LQ 1HZ <RUN KH ZDV RQH RI WKH VHFRQGJHQHUDWLRQ RYHUVHDV Lot 1057 Lot 1058 DUWLVWV 'XULQJ WKH ¿UVW IHZ \HDUV LQ 1HZ <RUN KH IUHTXHQWO\ YLVLWHG PDMRU JDOOHULHV DQG DUW PXVHXPV LQ DQ H൵RUW WR H[SDQG KLV KRUL]RQ DQG JDWKHU LQIRUPDWLRQ +H EHFDPH YHU\ IDPLOLDU ZLWK WKH ZRUNV DQG EDFNJURXQG RI 1HZ 3DLQWLQJ $UWLVWV PHDQZKLOH KLV H൵RUW IXHO SDVVLRQ into his canvas and made his work responsive to feedback. Such responsiveness means more than an acute sense and courage, it also challenges the artist’s character. It is WKHUHIRUH WKDW KLV ZRUNV DOZD\V FRQYH\ SRHWLF DV ZHOO DV HOHJDQW VW\OH DQG UHFHLYH KLJK UHFRPPHQGDWLRQ DQG SUDLVH IURP DUW ¿HOG

YEE Bon ̰቏ņ1905ŋ1995Ň ‫̰׻׆‬೘቏Ŋ઎ⳬ๸Ŋೊቺ⎔ୀːȯႸ⿢ᗴᯉȮʑߡᯉŊ1918౺Х13ᔓ⬘Խཱྀञ՝డїણŊ1931౺ᯃ ᏈᅠघρघἼમ⸄Ӵी♊⠛ણずŊᯃᏈᮽዮഺʶᶇἄడ̳ɺ౺ȯ1956౺ߊೊజહଡŊഺ1957౺⿭আŊ ̰቏᱿ᗴᯉ♊⠛ଔⳖҘɺΤᅘべᕀȯ˟ԻߧϝɺΤ֚⭰ӛ૊᱿ʑߡᯉ૊Ŋⳇ⳧ࣘᯉ᱿‫׏⥶ݏ‬ʴ⤟ᖁᅭ ᱿↘ᯉЗ⃥Ŋ˫͵߱ᗴᯉԡ̳ʀᖁᅭջሷ໽ζ⿀ȯ˟ሯ˶ᔕ˶ೊቺᯉずԞず⿢Ŋʑߡ⇾⠛૊֠ሳ᫧ ʶŊʑߡᄽ⊓এ‫ڂ‬ȯ1930౺ԡ̳᱿ᗴᯉȳཚᬆ≛ȴሯ‫א‬ԽԽཱྀञҚߡ⇾⠛ଭ⤍ُघρघʊ᮹֢⤍ሳȯ ̰቏ɺᮝ᱿ԡ̳ᆹ⿵ബ⿢ŊഺɿȠ౺˩⿭আŊɺ᳅ӷ˟キᲿदᆙ᱿ҜȠ౺˩቎ቅᣅᔋŊಂʢᑲ⭪ʴⳖ ଭሱ൬ȮⱧ༿ሱᣅ⢒グ᱿ᄮΤʷ֓ʊ₊ʑߡ⇾⠛ᱹଭⳖỄȯ≟ሱ‫⪽ר‬᱿ᆯ̰቏᱿̳‫˟ُٴ‬᱿‫׫‬ᅆ⡕Ύ એവ᳈ᯍરᄮŊଃ̰቏̳‫ٴ‬᱿ᓞ⫝Ȯζ⿀⎞ᶇἄŊဏͧʴሷӴ᱿ࡣḞŊ̳߱‫׫⎞ٴ‬ᅆ᱿ଃᤫʁŊ̰቏ ᱿ㆺጁ⳴˩Ȯ㆛ቨ᱿Ⱨ⩐Ŋໞᣅʑߡᗴᯉᔕ‫׫‬ᛤᇔ᱿⥘⌳ȯ

Lot 1073

)RUPHUO\ NQRZQ DV <X -LDQEHQ ZLWK WKH ZRUG 'DRTLQJ KH ZDV ERUQ LQ 7DLVKDQ *XDQJGRQJ +H LV JRRG DW RLO SDLQWLQJ DQG &KLQHVH SDLQWLQJ ,Q KH ZHQW WR &DQDGD for a work-study program at the age of 13. He graduated from the Li’an Lilio Art College in Toronto in 1931 and stayed on for one year in research. He returned to Guangzhou to settle in 1956. Since 1957, Yu Ben’s oil painting art has entered a new stage. He strives to be a Chinese painter who is half-way out of his hometown, and he tries to understand the national painting tradition through ink painting, so that he can learn from the nationalization of oil painting creation. He has served as the vice president of the Guangdong Academy of Painting, a council member of the Chinese Artists Association, and a member of the Chinese Federation of Literary and Art &LUFOHV 7KH RLO SDLQWLQJ ³7KH 9LROLQLVW´ FUHDWHG LQ SDUWLFLSDWHG LQ WKH &DQDGLDQ 1DWLRQDO $UW ([KLELWLRQ DQG WKH 7RURQWR :RUOG ([SR Yu Ben spent a long time creating creation in his entire life. From the 1930s to the end of the 1980s when he was blind, it almost spanned the entire 20th century Chinese art development process with the fastest progress and the most complicated transition. The most valuable thing is that Yu Ben’s works and his historical materials have been preserved quite intact. Appreciation, reference and research on Yu Ben’s works have provided a favorable foundation. In contrast to his works and historical materials, Yu Ben’s style is passed down. The change of subject matter has become a clear footnote in the history of Chinese oil painting.

YEH Chu Sheng ┤ὌᲰ (b.1946Ň ┤ὌᲰᮝᅠ⎔ᢕ㋧゛ŊᯃᏈᅠߡἼ⎔ᢕ♊⠛ञણ⇾⠛₇Ȯ⣫᫗ᧃ㈸ോ⸄ሱ㋧♊⠛ણずŊ᫠ҥ˶ߡἼ⎔ ᢕ♊⠛ञણ‫ߡד‬Ἴ⎔ռ♊⠛ञણᄞ࿙Ŋᆯᣅ⎔ᢕ㈪̤˫♊⠛࿯⤽ᮝ๗᭔ࣀ᫠૪⩀㆛᱿♊⠛૊ȯ ˟˫དྷ⩽⠧᫠ʙ∑᱿↘ᯉ⦝⤵ഐೣ͗࿯⤽ʑߡЗ⃥ᄽջ᫧൳᱿ҙᚠŊ૽ञ⎊ᤋဏͧ᱿₪ቨདྷ⩽ӛ͗Ŋ Ⱨջᣅʙ⤐᱿ᙰឫʙ∑૭⇾ᮟ᧎ȯҢ̳‫ٴ‬घ˫ỚઈȮᙹᘱᾀҀ₪͗࿯⤽ː⎞⎊ᤋ᱿〦͸Ŋȵໟ᱿̳‫ٴ‬ ɺ᳅ⵣ߱រ⩐Ŋᗞሷ໽⧨᱿ጉከȯໟᆯᮢ⤐൳͗ᷨἼㆺጁŊ≟ʃᆯ೘Ἴ߱ഐೣʠʀŊഐ≟ʀ᱿ㆺጁ༇ ᆯໟΩະ⥿Ⲳᖣ᱿ᲿᐻȶȯȵẲ಍⎞㄄Ẳ಍ȶᆯ┤ὌᲰ߱ԡ̳᫧൳ʀ᱿ࡣ቏ከᐉȯࡆఱ᱿⩐ⴅ⩕˟㋤ ሳӷẲ಍⎞㄄Ẳ಍߱બસ┋᧎ʑ໽˩⠧᱿าᚠŊ≟߱ԡ̳ʀԅ˫ᔍᏕ൳̳ᣅʑൔඎบȯ Lot 1070

%RUQ LQ .DRKVLXQJ 7DLZDQ <H =KXVKHQJ JUDGXDWHG IURP WKH )LQH $UWV 'HSDUWPHQW RI WKH 1DWLRQDO 7DLZDQ 8QLYHUVLW\ RI WKH Arts and the highest art school in Madrid, Spain. He is currently a professor at the National Taiwan University of the Arts and the National Taipei University of the Arts.

He explores the connotation of Chinese traditional cultural concepts in the form of abstract expressionist painting language, abstracting the materials provided by nature and transforming them into subjective romantic aesthetic products. Most of his works use elements such as seeds and oceans to explore the relationship between man and nature. “My works are always evolving, and there is no so-called framework. I use concepts to establish styles, not based on forms, metaphysical styles. This is the goal we should pursue.” “Order and non-order” is the basic structure of Ye Zhusheng’s creative concept. The changes in the city made him realize the meaning of order and nonorder in everything in the universe, and he took this concept as the central idea in his creation.

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YEH Tzu Chi ┤ઈम (b.1957Ň ┤ઈम YEH Tzu Chiņb. 1957Ň␕░᪕⸄⽕ːŊ1981౺┤ઈम⎊ᄽջञણ⇾⠛₇⣫ᯉ⃅ᯃᏈȯ∭౺ಎԽҘʑⓧᖁ ߡ᫠˩ᯉણሳŊ˟ᥖ෼᱿ ᱹ⬚⃅ↈȵɺȠɺ᫠˩♊⠛∌ȶȯ1983౺⎠ⲄȵɺȠɺ᫠˩♊⠛∌ȶὮɺᓝ⊓ଭŊ⎊Ⰺʑⲵഡര⥑ἼΤːᯉાŊᄞᯉᣅᮝȯ1987౺⬘⇾Ŋ Ҙₚ₎ఱἼञણల㍇҇ኚણず♊⠛ᶇἄ໽ȯ1989౺ᣅ♊⠛ԡ̳ᷟंŊ⿭আȵ᩸ᱺȶ₇Ӭ᱿ԡ̳ȯᅧଡₚ₎֓ʪ౺Ŋ2006౺ⲙߊ␕░હଡŊ ሯჂ˶ߡἼቺⓧञણ㉐ዮ♊⠛૊ʏҥ˶⧾ోᄞ࿙₪ဎ⎞ᗴᯉ⦩ỄȯҢ̳‫ٴ‬ഺ㄃᧎ʙ㆛᱿ȵ᩸ᱺȶ₇Ӭ⎏ȵㆺᇓƦ‫ש‬ᢕȶŊⵣᆯԡ̳≛᱿ൔ ෼⥆⻞Ŋ૯૪≟౏ሷわ‫܍‬᱿⩽൉Ŋ҂ដʴɺỚ⩴૗᱿Τː෼໊Ŋㆺጁ೼ᣊ≟᩸᧚ȯ Tzu Chi YEH Tzu Chi (b. 1957) is a native of Yuli Township, Hualien. In 1981 Tzu Chi graduated from the :HVWHUQ 3DLQWLQJ *URXS RI WKH )LQH $UWV 'HSDUWPHQW RI &KLQHVH &XOWXUH 8QLYHUVLW\ $W WKH HQG RI WKH QH[W \HDU he joined the Modern Painting Society of the Republic of China, and he enthusiastically initiated the "101 Modern $UW *URXS ,Q KH KHOG WKH ¿UVW MRLQW H[KLELWLRQ RI 0RGHUQ $UW *URXS $IWHU UHWLULQJ IURP WKH DUP\ he set up a personal studio to teach painting for a living. In 1987, he went to the United States and joined the Art ,QVWLWXWH RI %URRNO\Q &ROOHJH &LW\ 8QLYHUVLW\ RI 1HZ <RUN ,Q KH UHFHLYHG D PDVWHU V GHJUHH LQ DUWLVWLF creation, and started the creation of the "Monologue" series. After living in New York for 19 years, he returned to Hualien in 2006 and settled in Hualien. His works range from the "Monologue" series with the theme of still life WR /DQGVFDSHိ7DLZDQ ZKLFK DUH DOO WKH FUHDWRUV PRRG UHFRUGV UHDOLVWLF DQG PHWDSKRULFDO V\PEROV IXOO RI D ULFK personal feelings, strong and unique style.

Lot 1069

YUSUKE Hanai ␕ʾṌ˛ (b.1978Ň ᅺ቏တᯉ૊␕ʾṌ˛1978 ౺ӛᮝŊ౺ⱀᆹ‫ט‬ӷⲭ౿♊⠛૊Rick Griffin ᱿ഛㅨଃ♊⠛ԡ̳ᮟᮝ⎟⬶Ŋ ᦬ᕒ‫ו‬ଃ˟⩊♊⠛ણዮŊᅠᆯ˟͵ᗉહ‫ⶮ׏‬،༌డએ⻶Ŋʏᅠ2003౺‫⸉⎡ߡ⇾׏‬ୀ⩊♊⠛ણずણ∳တ ᯉŊʠരߊӷᅺ቏ᱹଭȯ˟ሯ⃻⎞BEAMSȮGravisȮBurton ᾀ‫׻⊓ᦽٴ‬Ŋⴒघᓝ߱ₚ₎ȮρᄦȮఫ㓷 ᾀ߸⎠Ⲅଭ⤍ȯ2021౺8ሶŊ␕ʾṌ˛߱㈭ᛸ⎠ⲄሱञࠣᙹकΤːଭ⤍ȳFACING THE CURRENTȴŊ 500ゔ¿JXUHɺ⿭⫢ấⳌ‫⇈ڰ‬Ŋ Lot 1156

␕ʾṌ˛ᥖ฻⠢ᙰŊ⠢ᙰ≛ㄇଃ⩐౿Ⓓᛵ‫ד‬ʃ‫ט‬࿳Ӽ᱿ȵㆺᙰȶŊʀɺấ⮅ᙰ≟⠗Ŋʁɺấ‫⋱ר‬⡕ᙹ ᙰ؆‫ށ‬ȯᩖॖໟΩ᱿ːᮝŊञⵒ˷ᆹ⿵ʬ߱ະˡʃ‫׺‬᱿ȵ᫠ᗼȶŊᕓΤːʬሷ‫⎊׳‬᱿᫠૪⚠ࣀト⣬ㄇ ଃȯⳆ㔄˪␕ʾṌ˛ʃṮඎ≙:ȵἄὀໟΩㄇଃ᫠ᨊŊະらᘘⳀᙟ߸ᮝᙙŊⴒᆯ⣬ʃᅜ⎞ߔࣀး㌘?ȶ˟ ᱿̳‫ٴ‬ଭ᫠₳⍗ִຓʊਮΈ᱿෼ℨŊ̔ら┮‫ו‬ʙᙟᄽջ᱿ྏⷼา‫ػ‬Ŋ⩕˟‫ؚ‬೧ʴʊ᮹‫߸׳‬᱿⤐᳷ȯ -DSDQHVH LOOXVWUDWRU <XVXNH +DQDL ZDV ERUQ LQ :KHQ KH ZDV \RXQJ KH ZDV LQÀXHQFHG E\ WKH SV\FKHGHOLF DUWLVW 5LFN *UL൶Q DQG EHFDPH LQWHUHVWHG LQ DUW FUHDWLRQ +LV SDUHQWV RSSRVHG KLP DWWHQGLQJ DUW VFKRRO VR KH GHFLGHG WR JR WR D EDU WR ZRUN DQG VDYH PRQH\ +H ZHQW WR 6DQ )UDQFLVFR WR VWXG\ LQ $IWHU VWXG\LQJ LOOXVWUDWLRQ DW WKH $UW ,QVWLWXWH KH UHWXUQHG WR -DSDQ to develop. He has co-branded with BEAMS, Gravis, Burton and other brands, and has held exhibitions in New York, London, Paris and other places. In August 2021, Yusuke Hanai held the largest overseas solo exhibition "FACING THE CURRENT" in +RQJ .RQJ ¿JXUHV ZHUH VROG RXW LQ VHFRQGV

<XVXNH +DQDL ORYHV VXU¿QJ 6XUIHUV IDFH WKH XQSUHGLFWDEOH DQG XQFRQWUROODEOH ZLQG DQG ZDYHV 7KH\ ULGH WKH ZDYHV RQH VHFRQG DQG PD\ EH VZDOORZHG E\ WKH ZDYHV WKH QH[W -XVW OLNH RXU OLYHV PRVW RI WKH WLPH ZH DUH GHDOLQJ ZLWK GL൵HUHQW SUHVHQW Lot 1157 situations", and everyone has their own realistic situation to face. This makes Hanai Yusuke can’t help thinking: “Whether we IDFH WKH VWDWXV TXR VKRXOG ZH OLYH ZLWK WKH WLGH RU FRQWLQXH WR ¿JKW DJDLQVW GL൶FXOWLHV"´ +LV ZRUNV VKRZ GHOLFDWH EXW F\QLFDO HPRWLRQV DFFRPSDQLHG E\ FRXQWHU FXOWXUDO provocations, which make him attractive Audiences all over the world.

Yuyu YANG Ꭻ␿ㆺņ1926–1997Ň ‫ש‬ᢕ઻⚄ːŊᆯ⎔ᢕʜ⎏ᅠʊ᮹ᵧ‫׻‬᱿ᇓ⤐ォ࢞⎞᭔ࣀⳍࠣ♊⠛૾૊ȯȯ1943౺ଔ⩊ቺˊ⇾⠛ણዮ೘Ὲ ₇Ŋ1946౺߱≙Ҙⰿ˒⇾⠛₇⿛ᶇᗴᯉ⎞⇾⠛‫׫‬ŊരⳖҘߡἼో῅ञણ♊⠛₇ȯᎫ␿ㆺ1956౺㈪ᓝ‫א‬Խ ఫ⣫⊊Ύ⇵ߡもキ౺ଭŊҢ‫א‬ଭ̳‫ٴ‬ᣅߡἼᔕ‫᧎֢׫‬㈀ᄇ♀ȯᎫ␿ㆺ⡕ⴎ˶⊚‫ש‬ᢕᄞ⋀ⵒ⇾⠛ᄞ⋀এ‫ڂ‬ ሳ᱿ㆰ‫ۊ‬Ŋఫ⣫⊊Ύ⇵ߡもキ౺ଭ᱿⡢ӱ‫ڂ‬Ŋሩᆯ␿ߡᲁ૊ォ࢞૊֠ሳ᱿㈪̤ߡもሳ‫ڂ‬ȯଃ‫ש‬ᢕᄽջ᱿ ⪯᪇ሩ⩕˟Ᏻ᪀घᓝᩦㅮᏳ⩇Ŋծ཮Ὦ߈ଢҚߡ֓ञЂӛヾ౺⸉༆ᩦ⎞⠗ᄎずᄽջᩦὁȯҞ֓౺˩⿵᪀ ㅹ∑ञӴीኚ֍҇↘ᯉ⸉ὁᩦȮォ࢞⹾ὁᩦ⎞Ὦʷଢʊ᮹ُ౹ᄽջ♊⠛ञᩦȯ1992౺ᅠ‫ש‬ռԡἼȵᎫ␿ ㆺ⇾⠛㈀ȶŊҢ̳‫ٴ‬ᣅ‫ש‬ᢕߡἼᔕ‫᧎֢׫‬㈀⎞∑ञӴߡἼ⇵㈸᫠˩⇾⠛㈀໽ᄇ♀ȯ

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Born in Yilan, Taiwan. YANG entered the Tokyo School of Fine Arts in 1943 to study architecture. After graduating in 1946, he HQWHUHG WKH )LQH $UWV 'HSDUWPHQW RI WKH )X -HQ &DWKROLF 8QLYHUVLW\ WR VWXG\ RLO SDLQWLQJ +H FRQWLQXHG KLV DUW VWXG\ DW WKH Taiwan National Normal University. In 1956, YANG exhibited the Sao Paulo International Biennale in Brazil. The exhibited work was immediately placed in the permanent collection of the Taiwan National Museum of History. YANG has been invited to serve FRQVXOWDQW LQ WKH $UW (GXFDWLRQ %RDUG 7DLZDQ 'HSDUWPHQW RI (GXFDWLRQ D MXGJH DW WKH %UD]LO 6DR 3DROR ,QWHUQDWLRQDO %LHQQDOH

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YAMAMOTO Mayuka ୀ቏㓮‫ה‬㈭ (b.1964Ň ୀ቏㓮‫ה‬㈭ӛᮝᅠᅺ቏୙ୀⅠŊ1990౺ᅠᔏ♀⸆⇾⠛ञણᷟंᯃᏈരŊ ‫א‬Խʴᅺ቏ᄎಓᙹक♊⠛૊ᮽણ⤺ԬŊ߱ρᄦ↧↲ᛖⳍ᳅⎏ 1999 ౺ȯ Ң̳‫˫ٴ‬ဎ↘Ἂ┮Ւ᧎⡶༜Ȯ⠧෼౹㄃Ⓓᛵ᱿ᮮઙ≟⊏‫׻‬ȯୀ቏㓮‫ה‬ ㈭Řȵଔᾰໟᅽ఩⌉サઙὄ⯿ӠŊᯍໟ‫⎊ۊ‬నᣅˑ㓯⣬ᯉⳆˀߧ᱿ᆹ αŊໟ˜ᤋ฾ӷὄ౺᱿໊⎡ʠ෼એᅠໟൔ⡹ȯȶʃᅜ᱿ԡ̳˪ː฾ӷ᱗ ᱟȮᝐ዁Ȯ‫ר‬฻᱿ଅᮮઙߧЭȯ ॎᆯᅺ቏Ὦʷ˩ᯍ˩♊⠛૊ʠɺŊ⎊ 1992 ౺˫͗Ŋॎ߱ᅺ቏ُߡもʀ ‫א‬ԽΤଭُ∌ଭȯ̳‫౑ٴ‬⣲ଅᮮઙሷ┮₳ⅅ᱿ᱺ᲌⊨⍋Ŋᛇᛞ⁆੅᱿⏨ ⦲Ŋⶪ‫׶‬዁ㅯߥ➄᱿ώ⤯Ŋ↘⢌ӛ᳖͗▐㌂ㅯ᝱᱿⃝ᕜՒ᧎ሺ⡶Ȯञᳵ ᴈ‫ا‬᫠᱿ᆯᗞሷ˶̬෼฾໣ᆯṘṑᛇអŊᄣᱹ┮ʃ଼ᅠ⴨౺㕤᱿ᛤҽ㄃ ૐŊ̳‫ٴ‬ʑെ।᱿೺Ի⠧Ⳮʴ᜺ᅠὄ౺᱿ධ໏ൔ᫧Ŋ‫ו‬ඎ⎊న᱿ὄ౺ʏ ࿯€⎊ᤋ቏⋱᱿บᘍŊⳆɺ᳅ᆯୀ቏̳‫ٴ‬᱿ʑൔᤄ㔄Ȯᣅː᦬ᕒُ⎞ໞ⿢ሷ〦᱿ᤄ๱ȯ

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=+$1* 'D 4LDQ ೺ञ֔ņ1899–1983Ň ቏‫׻‬ᣅ೺ᔌᓏŊᮝᅠ߈ఛ᳎ҙᖶŊ‫‣׆‬ೊቺᯈẖŊരᄊ‫׻‬ᣅ೺ᦪŊ⚦ञ֔ଡ ंŊᣅʑߡⲖ˩ᵧ‫♊׻‬⠛૊ȯ߱ሬᯉȮῆԀ⎞⥸⥱ㅽࡍңሷЂӛ⠧᫠ȯ⎊ଅ ⿭আણ∳З⃥ʑߡ↘ᯉ༬ᘍŊ⎏1917౺⬘ᅺ቏ˊⵣ♊⠛૾⿧ણዮᮽણŊʏણ ∳ɿ౺ዀↈ༬⠛Ŋ1920ŋ30౺˩ᆹŊ߱ʀᙹᾀ߸⎠ⲄΤଭʏ‫ט‬ӷᘜᲿŊ⎞ሬ ᯉ‫׻‬૊㕑ᱺᵲʏờȵ֡೺ռ㕑ȶŊُᝌൔᯊ‫׶‬ờȵ֡೺ռᝌȶȯᇄ౺Ẽଡ͗ ‫ש‬Ŋ⎞㓳‫؃‬᭍Ȯᝌൔᯊ˫ȵ᛬ᙹɿ૊ȶ㕑‫׻‬ȯ1936౺ʀᙹሬଞӛᦹȳ೺ञ֔ ᯉゝȴŊറ෫㐓ᣅҢႫ૯ʠ಍⤵ʑŊ⩛⩇ȵʽᱻ౺͗ɺञ֔ȶȯߡҠҙ໴⿭ আരŊ1948౺Ẽଡ㈭ᛸŊᦲര߱ఫ⣫Ȯ⇾ߡᾀ߸᝽ᮽʷ֓౺˫ʀŊʏ࿲⤯ӷ Lot 1097 ֬⩽ᙜ⎞Ἴ㋤ᙜ᱿↘ᯉŊ⎊ᔍŊ೺ञ֔⿭আ‫⥶ݏ‬ᅠʑߡ↘ᯉᯍʑԽҘ⣫ᘱ᱿ དྷ⩽ʙ∑᫧൳Ŋオ೺ञ֔⎊ờҢោࣘោഔㆺጁᆯ‫˩ڥט‬᪗ᙛʠោࣘᯉᘍ‫ۓ‬ᱹŊ̟̳‫ٴ‬఩ᱹଭӛ᩸ᑋɺጁ᱿ោࣘୀ ᖛㆺጁȯ೺ञ֔߱ᇄቅᆹẼଡ‫ש‬ᢕŊʏ૾ᘜᅠԡ̳ᖛࣘᯉȯ↘ᯉ᧚⏨ᅞㄇŊ‫ר‬ഺҢԡ̳ʑ⿀⫝ӷ೺ञ֔᱿‫׳‬ㅮ༬ ᘍŊॖడώȮᗞ㋉ȮヾℂȮᱺဎᾀᲀ⋱➄ሳ⪷ⳇŊ≟‫׳‬ㅽࡍʑᲀᆯ㋧ːɺᾀŊ㈭ᛸᯉ૊‫آ‬उஜ⥫೺ञ֔ᣅȵɺ˩⋱ ༆ȶŊҢ̳‫ٴ‬ʏʃ┛ᄽːᯉ቎ቅ౑⣲ʠἇᙀጁଞŊⳆʬᆯߌᣅ೺ञ֔ⳤᔕʊ᮹ʈ⣲⨯લೊŊἌᶝʑߡᅹሷʠᖛࣘᯉ ጉከŊʏᅠʑߡⲖ˩♊⠛‫׫‬ʀᮽʁⱇᤕ₊⻞ȯ

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ZAO Wou Ki ⬰ᤀᏎņ1921–2013Ň ⬰ᤀᏎӛᮝᅠռˊŊ1941౺ᯃᏈᅠቷజ♊૾Ŋሯ˶⥿ዮ⧾ోŊ‫ט‬Ꮘᅠኚㆺ᳡Ȯ‫ؖ‬ञ∡ȯ1948౺⬘ఫ㓷Ŋ‫ט‬ ᯍᆹདྷ⩽ʙ∑᱿ഛㅨŊ࿯⤽⣫ᅞ᫠˩♊⠛Ŋᅩ֯߱ఫ㓷Ȯ⇾Ȯ␿Ȯᬟं⎠ⲄΤଭȯ˟༫⣢ʑߡЗ⃥᱿ҙ ᚠŊ‫ח‬ʑߡሬᘍѭ⇾᱿ℬጻُୀᖛᯉ᱿ᖎㅥŊణ।߸➄Ҙᯉలἇ⿵ʑŊᙟՒ᱿ᖎㅥ࿴Ւ┮ᯉㄇŊᮢདྷ⩽ᅞ ೣ⠧Ⳮ᳠૪᱿ʶ᧎Ŋԡⳍӛ᫠˩↘ᯉ᱿ᅘㅽࡍŊⴍ⿭༯⣢⎞⎡ሷഐೣŊʃ╾ὁȮʃ㆛ᓰŊРൔㅽ෤‫מ‬ːଃ ⎊ᤋ⎞ᮝ‫ل‬᱿⩛ㅳʠ෼Ŋ˫ɺỚ௥ᅘ᱿য๗ഐೣ‫ا‬᫠ӛ˟Τːؐ╸ȮᗖỻȮᮝՒȮา⬶㋧⳵᱿♊⠛ᅘㅽ ࡍŊ㈿‫ߡ׻‬もŊໞᣅὮʷᓝʊ᮹ञര᱿ఫ㓷ᯉᙜሱңഛㅨԻ᱿ᯉ૊ʠɺŊʬᆯ⣫ᅞ♊࣪ʀໞଔሱЂӛ᱿ɺ ̤ʑߡ♊⠛૊ȯ1981౺߱ᘍߡञᲁૅଭӛŊʏ᪀വȵᏳ⩇Ⰺߨ‫˪׮‬՗ὁȶȯ2002౺Ᏻ⍣ᣅᘍ⚄⣫ણずず ंȯ˟᱿̳‫ٴ‬ೊ⡕ʊ᮹‫߸׳‬᱿ẜː♀૊‫᧎֢ד‬㈀᫂♀ȯ ⬰ᤀᏎ᱿↘ᯉᔕỄⅶ߱ʃᅜ߸Ⱨဘ⎞✕⩐Ŋᅽቅ᱿૯૪ㆺጁ˫‫߱ד‬ᓿᙐ໽ᱹଭӛ᱿҇ӴᆹቅȮᮬ㋉ᄽᆹ ቅŊҪӷ༹෼དྷ⩽˫‫゛ד‬ϒᷯḪ᱿ᖎ՛̳‫ٴ‬Ŋⵣ⥔⦦⬰ᤀᏎᕓɺᆹቅ᱿♊⠛ໞଔȯ⬰ᤀᏎᗄ‫ח‬ʑߡᄽջ᱿ ♊⠛⁤㋣Ŋ˫З༫ʑߡ♊⠛ҙᚠᣅᲿᐻŊⲿ⳧ẽ☃᱿ᗴഔោࣘ⎞ʯ៪᱿ώᘍᲝዀŊ૽ʑߡሬᘍℬጻُୀᖛ Lot 1159 ᯉ᱿ᖎㅥ➄ҘᗴᯉʑŊໞԼ᱿˫⣫ᅞ਄ቨЗⳭʑߡୀᖛ᱿าࣀŊˇ༴ʑߡଃᅠᯉࣀȮาࣀ᱿Ⲳᖣُ⣫ᅞଃ ᆹἇา൳᱿࿯⤽➄ᣅɺ㋤ȯ⬰ᤀᏎ૽ʑ⣫♊⠛➄ሳ⪷ⳇŊᱹଭ᩸ᑋɺጁ᱿ᯉㆺŊ⃃⯧ʀߡもŊ߱ߡも♊࣪ञᄍᯌഔŊໞᣅɺ˩↘ᯉञోȯ =KDR :RX .L ZDV ERUQ LQ %HMLQJ +H JUDGXDWHG IURP +DQJ]KRX )LQH $UW &ROOHJH +H ZDV PHQWRUHG E\ /LQ )HQJ 0LDQ DQG :X 'D <X ,QÀXHQFHG E\ DEVWUDFWLRQLVP KH explored Western modern paintings and immediately held exhibitions in Paris, England, America, and Switzerland. He adopted the spirit of tradition by join Chinese brush strokes into paintings. He described concrete images in abstract forms. In the painting of Zhao, there is no stamp and no signatures so to show his ideal of art making in new GLPHQVLRQ =KDR LV RQH RI WKH LQÀXHQWLDO SDLQWHUV LQ PRGHUQ DUW DQG WKH PRVW VXFFHVVIXO &KLQHVH DUWLVW LQ WKH :HVWHUQ ZRUOG ,Q KLV ZRUNV ZHUH VKRZHG LQ *DOHULHV Nationals du Grand Palais and was awared Commandeur de la lgiond Honneur. In 2002, he was selected as a member of the Academie Francaise.

ZAO Wou Ki’s painting style is always transforming, from the realistic to symbols and lyrical abstraction, every single period shows ZAO’s achievement. ZAO absorbs the essence of Chinese culture and blends the lines and artistic conception in Chinese calligraphy and Chinese water ink painting respectively into his oil paintings. Moreover, the diluted pigments and cracked stained brushstrokes with his goal of passing the spirit of Chinese art down, he successfully communicates the Chinese painting’s poetic LPDJHU\ WKURXJK GL൵HUHQW :HVWHUQ PHGLD =$2 :RX .L GLJHVWV &KLQHVH DQG :HVWHUQ DUW WR IRUP KLV XQLTXH VW\OH DQG EHFRPHV RQH RI WKH JUHDWHVW FRQWHPSRUDU\ &KLQHVH artists.

ZHENG Shan Shi ⶎۧẆņb.1932Ň

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Lot 1103

ᮝᅠṵ೘ឳజŊ⎊ಀ۹॑⏨ഔ᠝⏫Ȯℬጻᙟᇶ᱿ᖁΈ ♊⠛Ŋ౑ᅠἇᇣᆹӷ໵‫ש‬Ȯೆબ⤐᳖ւోォṘЭȮថ ⿧ṘŊᣅʠര᱿ⵯ߭ㆺጁ༌ʁʴࡣḞȯҢᯉ̳➄‫׶‬ ᖁ⿵♊⠛⎞ᄽːᯉㆺŊ̳͐‫ٴ‬ᅹሷᖁ⿵᱿ⓧ㓚Ŋʬሷ ‫מ‬ᑊ゜⎐᱿ᄽːㆺ㋉Ŋԡ̳㆛ቨघ⩐Ŋ଎۹૯ᮝŊ߱ ోञᖣણ⎞ӛߡᆹŊ‫ט‬ӷ⣫ᘱ↘ᯉ⏨ഔ᱿⠢ႻŊ೧ㅽ ˟ἌᶝЗ⃥ᖛࣘ⎞㓺ᱺ♔‶ȯ᮫ᅠ⃻౑ӛҘୀኚŊ˟ ᱹ᫠⎔ᢕୀഐ߸⪝⎞ʑߡञなሷᆙㆴ᱿దᯌŊ≟㄄З ⃥ߡᯉ᱿₣ʀゾᤞŊ͵૽⯿ᔕҢࣀ᱿฾‫ט‬ဎ↘ӛ͗Ŋ ᯉӛʴᜆߥʃஐȮ∻ℂ᱿ȵ⎔ᢕୀȶŊᯉӛʴ⎔ᢕㆺ ‫ػ‬᱿ʑߡᯉȯぜʴୀᖛᯉʠकŊⶎۧẆోᘍ㕑ᱺᵲŊ ૽ᖁ⿵♊⠛➄Ҙᯉ̳ʑŊ໽ᯉᲀᆯᳵԊ໽⣲‫ד‬ᮝᙙ฾ ‫ט‬Ŋ⬶‫ػ‬ᑲᮝŊ゜ΈҠ⫝ȯ

ZHOU Chun Ya ‫ش‬ᆨ␠ņb.1955Ň ߈ఛໞⵣːŊ1982౺ᯃᏈᅠ߈ఛ⇾⠛ણずᗴᯉ₇ȯ1988౺ᯃᏈᅠോߡ֦⫶ᦲ⃾ ‫׶‬ञણ⇾⠛ણず⎊᮫♊⠛₇ȯ ᫠ᣅ૾⊚ᯉ૊ȯ1980౺ҘⴆὮʷଢҚߡヾ౺⇾ଭ᪀ʷᾀᩦȮ1982౺‫א‬Խₚ₎ʑߡᯍ˩ᗴᯉଭȮ1984౺‫א‬Խ㈭ ᛸ߈ఛᗴᯉଭ⎞ԊⳖʑ᱿ʑߡヾ౺ଭŊ1987౺ᅠോߡ⎠ⲄΤଭŊ 1992౺Ҙⴆೊజʪ֓౺˩♊⠛キ౺ଭણ⠛ ଭȮ1993౺㈭ᛸരҜʪʑߡᅘ♊⠛ଭȮ1996౺ະⴎ‫א‬ԽὮɺଢʀᙹキ౺ଭȯ̳‫ٴ‬ᣅी߸Ӵኚ②⇾⠛㈀ᄇ♀ȯ =+28 &KXQ <D ZDV ERUQ LQ &KHQJGX 6LFKXDQ 3URYLQFH =+28 JUDGXDWHG IURP WKH 'HSDUWPHQW RI 2LO 3DLQWLQJ RI WKH 6LFKXDQ $UW Institute in 1982. He is a professional artist, and currently works as an artist at the Chengdu Academy of Painting. In 1993, his works WRRN SDUW LQ ³7KH &KLQD¶V 1HZ $UW ([KLELWLRQ 3RVW ´ LQ +RQJ .RQJ DQG LQ WKH ¿UVW ³6KDQJKDL %LHQQLDO ([KLELWLRQ´ LQ ZHOU’s works can be found in the Austria Linz Art Museum.

Lot 1125

175

176

屟㕡⤪ẍ㕘⎘⸋ẍ⢾ᷳ屐⸋㓗Ẁ炻⚈㬌㇨农ᷳảỽ⢾⋗屣䓐烊⊭㊔戨埴㓞屣冯⃴㎃屐⸋ᷳ 夷屣⍲⋗ⶖ䫱炻䘮䓙屟㕡屈㑼ˤ

177

178

179

180

181

182

183

184

ᘥ᩠ᕏ∕ġĩġᦀᣃİ ᾭġĪᭈ❢ᦀ

ᕏġ∕ġᜇġΆġ᥵

ᴗ▻∘ijıijijዯ፸ᚅ⋈Ồ ᗉ᠎᷒ዷᯀἡ᎚♐ᰰ ጱ᫓ᦀᶁ ᚅ⋈᥸Ḹİᑊ╞ ijıijijᑧIJ፸ĺ፶ᅳ៧ᴞ፶ᅴጄፕijĻĴı ᳈ᖺዷ⁆ጙ∘᫓ↂỒ⛠ጱ፬ ĩᏄᎫᏕᴍፓᝨ῅ዯ᠈IJıĹᾊŃijĪ

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ሌՉӜᆀǺѠ᡼ሌՉ!!ѠύϩՉ

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Ὂᐻъ(ᅘ‫ש‬౬)(ሺՖ⫄ʃ⤺߱ҙ)

К‫ٯ‬ፓ᏾ߥ᛾ߎߎᚐǶӵ݀ӧೕ‫ۓ‬ය ໔ϣ҂ֹԋߥ᛾ߎᛦયЋុǴҁ‫ૼہ‬ ຎӕѨਏǶ ऩԋф኱ள‫ܡ‬፤ࠔࡕǴҁΓӕཀߥ᛾ ߎԾ୏ᙯࣁᖼວሽීϐ΋೽ҽ٠Ծ‫ܡ‬ ፤ВଆΎВϣֹԋбීǴᖼວሽීࣁ ‫ۓܡ‬ሽу΢୍ܺ຤Ƕ‫ۓܡ‬ሽϿ‫܈ܭ‬฻ ‫ܭ‬ມщ࿤ϡаΠ‫ޣ‬Ǵ୍ܺ຤а‫ۓܡ‬ሽ ϐ31&ीᆉǹ‫ۓܡ‬ሽଯ‫ܭ‬ມщ࿤ϡ‫ޣ‬Ǵ ມщ࿤аΠࣁ31&Ǵຬၸມщ࿤ϡ‫ޑ‬೽ ҽа23&ीᆉǶ ӵ҂ૈ໩ճᝡ‫׫‬ԋфǴҁΓ‫܌‬ᛦયϐ ߥ᛾ߎӕཀඳᙗኴ‫ܡܭ‬፤่‫ࡕ״‬ค৲ ଏᗋǶӵӢҁΓၴऊǴඳᙗኴளόϒ ଏᗋ‫܌‬ᛦયϐߥ᛾ߎǴҁΓ٠ॄ࣬ᜢ ‫ࡓݤ‬ೢҺǶ

ཞ⫢‫ٴ‬ℶ⚦(ྈᄲ઎ㅯ಍) ೱ๎ႝ၉

185

ᛝ࿿0Вය)ҁϦљ‫ڗ‬ளሙΠϐᛝӜࡕ‫ૈۈ‬ௗ‫ڙ‬ᝡ‫*׫‬

The Absentee Bid Form JSL 2022 JANUARY AUCTION Modern and Contemporary Asian Art Chinese Paintings and Calligraphy Auction Date/Venue 2:30pm, Jan 9th, 2022(Sunday) (B2, No. 108,Sec.1, Dun-Hua South Road, Taipei) Account for NTD Account Name: JSL Auction Bank Name: BANK OF TAIWAN TAICHUNG BRANCH Account Number: 010001173267

Client Information Client ID (if any) Name (Please fill in CAPITAL) ID Numbber/Paspport No. Company

City

Country

Phone (AM)

Cellphone

(PM) Email

Fax Number The buyer entrusts JSL Auction to bid for the following lot(s) within the price range agreed below.

The buyer has read carefully the Conditions of Business published in the catalogue,and agreed to abide by all terms.

The buyer should complete and issue this bidding form to JSL Auction 48 hours before the sale;meanwhile,the buyer must pay a deposit of NT$200,000(or US$8,000/RMB$60,000).If the estimate of lot(s) price exceeds NT$3,000,000,the margin amount will be adjusted in accordance with the ratio specific by JSL Auction.If the deposit payments are not completed within the specified period,this commission shall be deemed invalid.

If the auction lot(s) is successfully bid,the buyer shall agree that the deposit will be automatically converted into a part of the final price and the payment will be completed within 7 days from the sale date.The final price is the hammer price plus the premium.If the hammer price is less than or equal to NT$20,000,000,the premium is calculated at 20%;if the hammer price is higher than NT$20,000,000,the premium will be calculated at 20% of the amount less than or equal to NT$20,000,000 plus 12% of any amount in excess of NT$20,000,000.

If the bid is not successful,the buyer shall agree that the deposit will be refunded without interest after the sale ends.Ifdue to the buyer’s breach of contract,JSL Auction may not refund the deposit paid,and the buyer shall bear the relevant legal liabilities.

Date

Payment

Cash

REMIT

CHECK

*Bank Reference(if you have never participated in JSL Auction,please provide a government-issued ID with photo and address)

Bank Name

Account

Contact

Telephone

Lot No.

Title

Bidding Price(NT$/Premium not included) NT$ NT$ NT$ NT$ NT$ NT$ NT$

Contact

NT$

Taichung TEL: +886 4 2295 5528 FAX: +886 4 2295 5529 Taipei TEL: +886 2 8771 7989 FAX: +886 2 8771 7698

NT$ NT$ NT$ Lot No.(in numerical order)

Signed/Dated(JSL Auction can only accept bids after obtaining your signature)

186

2022

JANUARY AUCTION

亞洲華人現當代藝術．中國書畫 9 th JANUARY 2022 TAIPEI

ASIAN, CHINESE MODERN & CONTEMPORARY ART CHINESE PAINTINGS Sunday 9th January 2022 P.M. 2:30 Taipei