Modern and Contemporary Asian Art &Chinese Paintings and Calligraphy
Auction Date/Venue
Sunday December 11th 2022 | 2:30 p.m.
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Previews Date/Venue
Friday November 25th 2022 - Sunday December 4th 2022 | 10 a.m. - 6 p.m.
JSL 333 Gallery | B1, No.333, Sec. 2, Huamei W.St,Taichung
Saturday December 10th 2022 | 10 a.m. - 7 p.m.
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A
Daniel ARSHAM 1146
B
Bernard BUFFET
C
HO Chau Chu
1099.1156
1046
Bernard CHAROY 1138.1139
CHAO Chung Hsiang
CHAN Chien Yu 1126.1127
CHANG Wan Chuan 1071
CHANG Yi Hsiung 1066.1067
CHEN Te Wang
CHEN Ting Shih
CAO Jing Ping George CHANN 1105
CHENG Shi Fa 1132
CHIU Ya Tsai
CHUANG Che
D
DAI Ze
HUANG Lui Sang
HUANG Guang Nan 1060.1061
CHIANG Chao Shen 1080.1081.1082 1087
1135.1136.1137 HUANG Chou 1133 1041.1169
CHU Teh Chun 1166
Salvador DALI
F
HSIAO Chin
1065
HUNG Rui Lin 1052 1083 1049.1050.1051
1106 1101
DU Yong Qiao 1114.1115
FEI Yi Fu 1015.1113
FU Chuan Fu 1085
Étienne Maurice FALCONET 1100
Arman FERNANDEZ 1140
G
Paul GUIRAMAND 1149
H
HU Shan Yu
1021.1117 1013
J
HWANG Dennis 1107 1120 1040
JU Ming 1096.1170.1171
K
HWANG Michell 1026 1003.1151
KUO Hsueh Hu 1124
KUSAMA Yayoi 1007.1008.1143 KAWASAKI Yasuhito 1002
KAWS (Brian Donnelly) L
KOIZUMI Satoru 1144 KATO Izumi 1147
LI Mei Shu 1054.1055
LI Chun Shan 1042.1043
LEE Shi Chi 1112
I IIDA Kiriko 1011 IMAI Toshinietsu 1148 1125
LI Yi Hong
LI Chung Chung 1121
LIAO Chi Chun
JIANG Da Hai 1119 JIA You Fu 1090 1068
LIAO Te Cheng 1062
LIAO Yu An 1009
LIN Feng Mian 1029.1030
LIN Da Chuan 1016
LIN Yuan 1053
V
LIN Chih Chu 1047
LIN Chih Hsin 1164
LIU, Max 1048
LIU Yi Wen 1110
M
MA Shou Hua 1129
MA Pai Sui 1045
N
NARA Yoshitomo 1001.1004.1141
NARITA Satoko 1102
NAKAMURA Moe 1142
Jean Baptiste VALADIE 1150
W
WAN Hao 1018.1019
OBATA Taku 1005.1006
OU Hao Nien 1088.1089.1131
P
PANG Jiun
PAN Yu Liang
1108.1109 1028
Pablo PICASSO 1152
PU Ru 1091.1092
PU Hao Ming 1097
R
RAN In Ting 1056.1057.1058 1059.1122.1123
S
SHIY De Jinn 1031.1032.1033 1034.1035.1036 1037.1038.1039
SHEN Che Tsai 1027
SHEN Xiao Tung 1010
SUN Yun Sheng 1084
T
Antoni Tàpies
1154
TEZUKA Osamu 1158
TING Walasse
Amedeo MODIGLIANI 1153 1103.1104.1165
TING Shao Kuang 1167.1168
1072.1073.1074 1075.1076.1077 1078.1079
Claude WEISBUCH 1155
WU Xue Rang 1134
WANG Pan Youn WU Hao
Maurice de VLAMINCK 1098 1162.1163
O Y
WU Lung Jung 1044 WU Shi Wei 1086
X
XUE Song 1022
YAMAMOTO Mayuka 1145
YANG San Lang 1069.1070 YANG Zu Shu 1017.1118
YANG Yu Yu 1094.1095.1161
YANG Shin Sheng 1111
YANG Chi Hong 1023.1024.1025
YEH Huo Cheng 1063
YUAN Xiao Fang 1012 Z
ZHENG Shan Shi 1130
ZHANG Jun 1014
ZHANG Zi Zheng 1020.1116
ZHANG Bing Tang 1064
ZHU Qi Zhan 1093.1128
1001
b.1959
©YOSHITOMO NARA 2006
16.5 x 16.5 x 7.3 cm x 4 6.5 x 6.5 x 2.9 in. x 4
NARA Yoshitomo
Gummi Girl (set of 4) Painted Cast Vinyl Stamped on the underside: each with the artist's signature, copyright and date "© YOSHITOMO NARA 2006".
Provenance: Accompanied by original box
NT$ 15,000-30,000 HK$ 3,800-7,600 US$ 480-970
1002
b.1983 2020 2/5 YASUHITO KAWASAKI Horse Playground Equipment and Boy 2020 ED: 2/5 28 x 18 x 24 cm 11 x 7.1 x 9.4 in.
KAWASAKI Yasuhito
Horse Playground Equipment and Boy
Resin Acrylic Urethane 2020 (2/5)
Signed on the underside: YASUHITO KAWASAKI Horse Playground Equipment and Boy 2020 ED: 2/5
Provenance: Accompanied by a certificate of authenticity Accompanied by original box
NT$ 60,000-90,000 HK$ 15,300-22,900 US$ 1,940-2,910
1003
KACHAMUKKU /
b.1974
32 x 20.3 x 15.2 cm 12.6 x 8 x 6 in.
KAWS (Brian DONNELLY)
KACHAMUKKU (Green/Red)
Mixed Media Provenance: Accompanied by original box
NT$ 20,000-30,000 HK$ 5,100-7,600 US$ 650-970
1004 b.1959 x How2work 20 1500 59 x 32 x 33.5 cm 23.2 x 12.5 x 13.1 in.
NARA Yoshitomo NARA, Yoshitomo x HOW2WORK 20th Anniversary Table Lamp
Metal plastic Edition of 1500
NT$ 30,000-50,000 HK$ 7,600-12,700 US$ 970-1,620
1005 b.1980 2016 2021 500
2016 TAKU OBATA 35 x 12 x 10 cm 13.8 x 4.7 x 3.9 in.
MEDICOM TOY
MEDICOM TOY 2021 TAKU OBATA
OBATA Taku
B-Girl Down Jacket Nagame 2016 Blue Polystone 2021 Edition 500
Signed on the underside of the jacket: 2016 TAKU OBATA
Manufacturer: MEDICOM TOY Trademark:
MEDICOM TOY 2021 (R)
TAKU OBATA (L) Accompanied by original box
NT$ 40,000-70,000 HK$ 10,200-17,800 US$ 1,290-2,260
1006 b.1980 2016 2019 100
2016 TAKU OBATA 35 x 12 x 10 cm 13.8 x 4.7 x 3.9 in.
MEDICOM TOY
MEDICOM TOY 2019 TAKU OBATA
OBATA Taku
B-Girl Down Jacket Nagame 2016 Black Polystone 2019 Edition 100
Signed on the underside of the jacket: 2016 TAKU OBATA
Manufacturer: MEDICOM TOY Trademark:
MEDICOM TOY 2019 (R)
TAKU OBATA (L)
Accompanied by original box
NT$ 50,000-80,000 HK$ 12,700-20,400 US$ 1,620-2,580
1007
b.1929
a. b. NAOSHIMA © YAYOI KUSAMA b. 2017 2 22 5 22 a. 8.5 x 13.5 x 13.5 cm 3.34 x 5.3 x 5.3 in. b. 8 x 8 x 10 cm x 2 3.1 x 3.1 x 3.9 in. x 2 1008
b.1929 750ml 1000 2012 12.5% 34.5 x 16 x 12 cm 13.6 x 6.3 x 4.7 in.
KUSAMA Yayoi
a. Naoshima Red Pumpkin b. Red Pumpkin and Yellow Pumpkin (set of 3)
Painted resin Signed on the underside: NAOSHIMA © YAYOI KUSAMA Exhibition: b. "YAYOI KUSAMA: My Eternal Soul ", The National Art Center, Tokyo, 22 February, 201722 May, 2017.
NT$ 46,000-70,000 HK$ 11,700-17,800 US$ 1,490-2,260
KUSAMA Yayoi
Veuve Clicquot La Grande Dame 750ml
Edition of 1000 2012
Alcohol by volume: 12.5% Place of origin: France Provenance: Accompanied by original box
NT$ 15,000-20,000 HK$ 3,800-5,100 US$ 480-650
1009 b.1979 No.2 2007 Liao Yu An 162 x 130 cm 63.8 x 51.2 in. 2008 2008 12 20 2009 1 18 2008
2009 71
LIAO Yu An
Impolite Invitation No.2 Acrylic on canvas 2007 Signed on the reverse: named Liao Yu An in English and Chinese. Provenance: Accompanied by a gallery guarantee letter signed by the artist Exhibition: Asia Art Center, Taipei, "Liao Yu-an 2008 Solo Exhibition: Fondle Without Tenderness", 20 December, 2008 - 18 January, 2009. Literature: Liao Yu-an 2008 Solo Exhibition: Fondle Without Tenderness, Asia Art Center, Taipei, 2009, p.71.
NT$ 120,000-220,000 HK$ 30,500-56,000 US$ 3,880-7,110
1010
b.1968 2005 No.1 2005 No.1 2005 oil on canvas 120x80 cm XiaoTong SHEN 2005 120 x 80 cm 47.2 x 31.5 in. 2015 12 03 2016 01 08 2004-2005 2005 22
SHEN Xiao Tung
Portrait No.1
Oil on canvas 2005
Signed on the reverse: titled, painted, sized, named in Chinese and English, dated 2005, Cheng Du in Chinese.
Provenance: Accompanied by a gallery guarantee letter
Exhibition:
SHINE Art Space, Shanghai, "Images Temptatio of SHEN Xiao Tong", 3 December, 2015 - 8 January, 2016.
Literature: Images Temptatio Selected works 2005-2006 of SHEN Xiao Tong, SIMIN Art Space, Singapore, 2005, p.22.
NT$ 130,000-160,000 HK$ 33,100-40,700 US$ 4,200-5,170
1011
b.1970
2008 Kiriko Iida 2008. Jan. 45 x 37 cm 17.7 x 14.6 in.
IIDA Kiriko
Blindness
Oil on canvas 2008
Signed on the reverse: Kiriko Iida 2008. Jan. Provenance: Accompanied by a gallery guarantee letter signed by the artist
NT$ 85,000-130,000 HK$ 21,600-33,100 US$ 2,750-4,200
1979
Lot 1012 No.2
1012 b.1961 No.2 2006
Xiaofang Yuan Xiaofang 2006 90 x 120 cm 35.4 x 47.2 in.
YUAN Xiao Fang
Glass Flower in Blossom Series - Fight Plan No.2 Oil on canvas 2006
Signed: named Xiaofang in Chinese and English, dated 2006. Provenance: Accompanied by a gallery guarantee letter
NT$ 220,000-320,000 HK$ 56,000-81,400 US$ 7,110-10,340
1919 (1909-1993) (1912-1985) (1912-) (1913-1982) (1913-1995) (1917-2000) (b.1919) (b.1922) (1934-2007) (b.1962) 1929
Lot1016 Lot1018 1995 11
1935 ( ) 1951 Lot 1016 1996 Lot 1018 Lot 1019
LIN Da Chuan
Countryside
Oil on canvas
The artist's wife noted on the reverse: The last work of my late husband, LIN Da Chuan, HU Ai Li.
NT$ 300,000-400,000
HK$ 76,300-101,800 US$ 9,690-12,920
YANG Zu Shu
By the Mountains and Rivers
Oil on paper 1980
Signed lower left: named Zu Shu Yang in English and Chinese, dated 1980. Literature: The Second Generation of Chinese Oil Painters: A Collection of Yang Zushu's Paintings, Caves Art Center, Taipei, 1995, p.53.
NT$ 100,000-200,000 HK$ 25,400-50,900 US$ 3,230-6,460
1018
b.1912
1995
H.WANG 1995
38.5 x 45.5 cm 15.2 x 12.4 in.
WAN Hao
Landscape
Oil on board 1995
Signed lower right: named H.WANG, Hao in Chinese, dated 1995.
NT$ 180,000-240,000 HK$ 45,800-61,100 US$ 5,820-7,750
1019
b.1912
1987
H.W. 1987.1 30.5 x 40 cm 12 x 15.8 in.
WAN Hao
Landscape
Oil on board 1987
Signed lower right: named H.WANG, Hao in Chinese, dated 1987.1.
NT$ 110,000-180,000
HK$ 28,000-45,800 US$ 3,550-5,820
1020
1917-2000 1992 S.T chang 1992. 29.5 x 42.5 cm 11.6 x 16.7 in.
ZHANG Zi Zheng Landscape Oil on canvas 1992 Signed lower left: S.T chang, Zi Zheng in Chinese, dated 1992.
NT$ 100,000-140,000 HK$ 25,400-35,600 US$ 3,230-4,520
DAI Ze
Florist’s Daisy Oil on canvas 1995
Signed lower right: named DAI Ze, dated 1995. Noted in the reverse: named DAI Ze, dated 1995, titled, hanging scroll.
NT$ 400,000-500,000 HK$ 101,800-127,200 US$ 12,920-16,160
Lot 1022
1965 1990
1022 b.1965 2006
120 x 100cm 47.2 x 39.3 in.
XUE
Song Homecoming Mixed media on canvas 2006
Signed lower right: named XUE Song in Chinese.
NT$ 750,000-900,000 HK$ 190,800-229,000 US$ 24,230-29,080
1971 1965 ( ) (1902-1983) (1902-1976) (1907-1995) (1920-2015) (1912-1996) 1979 1989 1990 Lot 1023 Lot 1024 Lot 1025
The tenacity of plant vitality is also beyond our expectations. It is always silent on the outside but strong on the inside. But sometimes the life of plants is also very fragile and short. It makes me understand the profound meaning and truth of the sentiment of life. "
Lot 1024 "Pride" and Lot 1025 "Maple Leaf'' drawn in the early 1990s are all representative works of this series. Plant roots, stems, leaves, and flowers grow and spread gently from the painting, exuding a soft and steady oriental charm, and achieving a natural and internal balance between figurative and abstract. Just like Yang Chihung's explanation of plants: "The growth of plants is magical. It has a hidden power, persistent and firm. But it is so fresh and natural at the same time. And there is always a kind of joy of growth.
1023 b.1947 1990 Chihung Yang The Veil of Time 1990 141.5 x 101.5 cm 55.7 x 40 in.
CHIHUNG YANG 1992 10 31 11 22 1997 4 1967-2014 2014 181 2020 103
YANG Shi Hong
The Veil of Time
Acrylic on canvas 1990 Signed on the reverse: Chihung Yang The Veil of Time 1990. Exhibition: "CHIHUNG YANG ", Taipei Times Gallery, Taipei, 31 October, 1992 - 22 November, 1992.
Literature:
Nature Within, InSian Gallery, Taipei, 1997, p.4.
Yang Chihung 1967-2014, Asia Art Center, Taipei, 2014, p.181.
Yang Chi-hong, National Taiwan Museum of Fine Art, Taichung, 2020, p.103.
NT$ 800,000-1,000,000 HK$ 203,600-254,500 US$ 25,850-32,310
1024 b.1947 1993 Chihung Yang © 1993 80 x 60 cm 31.5 x 23.6 in.
YANG Shi Hong Pride
Acrylic on canvas 1993 Signed on the reverse: Chihung Yang © 1993. Provenance: Accompanied by a gallery guarantee letter signed by the artist
NT$ 220,000-300,000 HK$ 56,000-76,300 US$ 7,110-9,690
1025
b.1947
1990-1991 C.Yang 90-91 Chihung Yang 1990 1991 38.5 x 31 cm 15.2 x 12.2 in.
YANG Shi Hong
Maple Leaf
Acrylic on canvas 1990-1991 Signed lower left: C.Yang 90-91. Signed on the reverse: Chihung Yang 1990 1991 leaf.
NT$ 65,000-100,000 HK$ 16,500-25,400 US$ 2,100-3,230
Michell HWANG
My King Oil on canvas 1992 Signed lower right: named Che in Chinese, dated 1992. NT$ 280,000-400,000 HK$ 71,200-101,800 US$ 9,050-12,920
1027 1926-2017 1994 1994 4F 24.3 x 33.5 cm 8.5 x 12 in.
SHEN Che Tsai
Ballerina
Oil on canvas 1994
Signed lower right: named Che Tsai in Chinese, dated 1994.
Noted on the reverse: named SHEN Che Tsai in Chinese, 4F, ballerina I.
NT$ 90,000-130,000 HK$ 22,900-33,100 US$ 2,910-4,200
1028
1895-1977
1921
Institutfranco-chinois de Lyon) Beaux-arts de Lyon) Beaux-arts de Paris Accademia di Belle Arti di Roma) 1937 Lot 1028 (Giorgione) (Sleeping Venus)
37.5 x 39.8 cm 14.8 x 15.7 in. Lot526
PAN Yu Liang Nude
Oil on board Signed lower right: named Yu Liang in Chinese. Provenance: Acquired by the current collector from Zhen Cang Auction, Beijing, Lot526.
NT$ 950,000-1,200,000 HK$ 241,700-305,300 US$ 30,690-38,770
1918 18 1925 1970 1991 1960 Lot 1029 Lot 1030
1029 1900-1991
50 x 48cm 19.6 x 18.8 in.
1996 11 3 Lot 240
LIN Feng Mian Autumn
Ink and color on paper, framed Signed lower left: Lin Feng Mian in Chinese. Provenance: 3 November, 1996, Christie's, HONG KONG, Fine Chinese Modern Ink Paintings, Lot 240 'Autumn'.
LIN Feng Mian Lady
Ink and color on paper
Signed lower left: Lin Feng Mian in Chinese.
Provenance: Private Collection, France (acquired directly from the artist in the 1940s-1950s, and thence by descent to the present owner)
23 November, 2014, Christie's, HONG KONG, Asian 20th Century Art, Lot 273 'Lady'.
NT$ 600,000-700,000 HK$ 152,700-178,100 US$ 19,390-22,620
Lot 1031 1967 Lot 1966 1970 1980 Lot1035 1956
Lot 1038 Lot 1034
1031
1923-1981
54 x 39 cm 21.3 x 15.4 in.
SHIY De Jinn
Double Sided Portrait
Charcoal on paper
Signed right side: named SHIY De Jinn in Chinese.
NT$ 90,000-150,000 HK$ 22,900-38,200 US$ 2,910-4,850
SHIY De Jinn
Tamsui at Dawn Ink and color on paper 1979
Signed lower left: named SHIY De Jinn in Chinese, dated 1979.
Inscribed with two seals of the artist.
NT$ 300,000-400,000 HK$ 76,300-101,800 US$ 9,690-12,920
SHIY De Jinn
Qixing Mountain Watercolor on paper 1979 Signed lower right: named SHIY De Jinn in Chinese, dated 1979.
NT$ 450,000-600,000 HK$ 114,500-152,700 US$ 14,540-19,390
SHIY De Jinn Bauhinia Watercolor on paper
Provenance: Acquired directly from the artist by collector Kang Shihao 3 October, 2016, Poly Auction, Hong Kong, Chinese and Asian Modern and Contemporary Art, Lot116 'Bauhinia'.
NT$ 360,000-420,000 HK$ 91,600-106,900 US$ 11,630-13,570
SHIY De Jinn
Young Girl
Ink and color on paper 1956
Signed upper left: named SHIY De Jinn in Chinese, dated 1956.
NT$ 500,000-600,000
HK$ 127,200-152,700 US$ 16,160-19,390
SHIY De Jinn
Tamsui Village
Watercolor on paper 1980
Signed lower left: named SHIY De Jinn in Chinese, dated 1980.
NT$ 450,000-600,000 HK$ 114,500-152,700 US$ 14,540-19,390
SHIY De Jinn
Guguan Scenery
Watercolor on paper 1980
Signed lower left: named SHIY De Jinn in Chinese, dated 1980.
NT$ 450,000-600,000 HK$ 114,500-152,700 US$ 14,540-19,390
SHIY De Jinn
Buffalo on the Shore
Ink and color on paper 1980
Signed lower right: named SHIY De Jinn in Chinese, dated 1980.
Inscribed with two seals of the artist.
NT$ 300,000-400,000 HK$ 76,300-101,800 US$ 9,690-12,920
1039
1923-1981
1967 1967
25.6 x 33.4 cm 10.1 x 13.1 in.
SHIY De Jinn
Recital
Ink on paper, framed 1967
Signed lower right: named SHIY De Jinn in Chinese, dated 1967.
NT$ 60,000-90,000 HK$ 15,300-22,900 US$ 1,940-2,910
1040 喆 b.1934 喆 50 x 60 cm 19.7 x 23.6 in.
CHUANG Che
Abstract
Mixed media on canvas
Signed lower right: named CHUANG Che in Chinese.
NT$ 60,000-90,000 HK$ 15,300-22,900 US$ 1,940-2,910
1041
b.1935
A003-A0005 1977 HSIAO 1977 185 x 55 cm 72.8 x 21.7 in.
HSIAO Chin Zen NO.A003-A0005 Acrylic on canvas 1977 Signed below: HSIAO and Chin in Chinese, dated 1977.
NT$ 420,000-550,000 HK$ 106,900-139,900 US$ 13,570-17,770 1935 1949 1950 1961 ( ) 2014
HSIAO Chin was born in Shanghai, China in 1935. His father HSIAO You Mei founded China's first conservatory of music and was an enlightener of modern Chinese music. In 1949, he came to Taiwan with his uncle. HSIAO's artistic development was inspired by LI Chun Shan, and together with HO Kan, HSIA Yan and WU Hao and other LI's apprentices, they established Taiwan's first modern art group, "Tong Fang Painting Association", with the purpose of conveying the spirit of oriental culture.
In the late 1950s, HSIAO Chin traveled around Spain, Italy, Paris, New York. He lived abroad for many years, constantly thinking about the integration of the spiritual meaning of oriental culture and modern art. He is one of the founders of the "Punto International Art Movement", dedicated to explore the finitude of infinity, trying to comprehend the true meaning of life. HSIAO Chin returned to Kaohsiung in 2014 and established the "HSIAO Chin International Art Foundation".
1932 琹 1949 Lot 1042 ( 206) Lot 1043 ( 250) Lot 1042 ( 206) Lot 1043 ( 250)
LI Chun Shan Untitled Watercolor and ink on paper
Provenance: Accompanied by a certificate of authenticity issued by Li Chun Shan Fine Art Foundation
NT$ 120,000-160,000 HK$ 30,500-40,700 US$ 3,880-5,170
LI Chun Shan Untitled Watercolor and ink on paper
Provenance: Accompanied by a certificate of authenticity issued by Li Chun Shan Fine Art Foundation
NT$ 120,000-160,000 HK$ 30,500-40,700 US$ 3,880-5,170
WU Lung Jung
Swans in Lotus Pond Oil on canvas 1990 Signed lower left: named L. R. Wu. Provenance: Accompanied by a gallery guarantee letter signed by the artist NT$ 150,000-200,000 HK$ 38,200-50,900 US$ 4,850-6,460
1046 1917-2008 28.5 x 34.5 cm 11.2 x 13.6 in.
LIN Chih Chu
Epiphyllum
Eastern Gouache on silk
Signed upper right: named Chih Chu in Chinese. Provenance:
Father of the current collector and the artist were neighbors and colleagues at Taiwan Provincial Junior Teachers College
NT$ 400,000-500,000 HK$ 101,800-127,200 US$ 12,920-16,160
b.1931 1987 Ho.Chauchu 1987 Riverside Ho.Chauchu 1987 60 x 45 cm 23.6 x 17.7 in.
HO Chau Chu
Guan Yin Mountain Oil on canvas 1987
Signed lower left: named Ho.Chauchu, dated 1987. Noted on the reverse: Riverside, Chinese Pavilion, named Ho.Chauchu in English and Chinese, dated 1987.
NT$ 80,000-130,000 HK$ 20,400-33,100 US$ 2,580-4,200
LIU, Max Sweet Home in Africa
Mixed media on cotton, mounted on cardboard
Signed lower left: named Liu Chi Wei in bopomofo, dated 1988.
NT$ 260,000-360,000 HK$ 66,200-91,600 US$ 8,400-11,630
1980 1990 Lot 1049 1900 1904 Lot 1050 Lot 1051
1049 ( 1949-2013) 1991 130 x 96.5 cm 51.1 x 37.9 in. 2009 157
CHIU Ya Tsai
Vase
Oil on canvas 1991 Signed lower right: named CHIU Ya Tsai in Chinese. Literature: CHIU Ya Tsai, Ming Art Gallery, Taipei, 2009, P.157.
NT$ 800,000-1,300,000 HK$ 203,600-330,800 US$ 25,850-42,000
CHIU Ya Tsai Pray
Oil on canvas 1991 Signed lower left: named CHIU Ya Tsai in Chinese.
Literature: CHIU Ya Tsai, Ming Art Gallery, Taipei, 2009, p.92-93. NT$ 1,200,000-2,000,000 HK$ 305,300-508,900 US$ 38,770-64,620
CHIU Ya Tsai
Coat Man
Oil on canvas
Signed lower left: named CHIU Ya Tsai in Chinese. Literature: CHIU Ya Tsai , Goethe Art Center, Taichung, 2013, P.64.
NT$ 1,200,000-2,000,000 HK$ 305,300-508,900 US$ 38,770-64,620
1052
1912-1996 1955
27 x 39 cm 10.6 x 15.4 in. 2006 159
HUNG Rui Lin Miners
Pastel on paper 1955
Literature: Treasury of Elders , Goethe Art Center, Taichung, 2006, p.159.
NT$ 80,000-130,000 HK$ 20,400-33,100 US$ 2,580-4,200
1053
1913-1991 1990
53 x 65 cm 20.9 x 25.6 in.
LIN Yuan Defenders
Oil on canvas 1990
Signed lower right: named LIN Yuan in Chinese, dated 1990.
Noted on the frame: titled defenders.
NT$ 50,000-80,000 HK$ 12,700-20,400 US$ 1,620-2,580
1947 1951
1926 8 (18981961) (1901-?) 1927 ( ) 1929 1940 226 1958 2 48 1929 1939 1950 1952 1971 Lot1056 Lot1057
In addition to being a painter, RAN In Ting was also an art teacher, magazine president and editor-in-chief, a writer, and even a cultural ambassador. He was an anomaly among the senior painters under Taiwan's Japanese Rule who have ventured into the fields of media and diplomacy. In 1954, RAN was invited by the United States Department of State to exhibit in the United States for his outstanding performance in farming the countryside during his tenure in the magazine publishing house. He took over the chairmanship of Chinese Television System Inc.at the age of 71, and was also diligent in publishing articles in newspapers and magazines.
In 1903, RAN was born into a poor family in YiRAN. In 1920, he returned to his alma mater, Luodong Public School (now Luodong Elementary School) as an art teacher. He met his mentor in his artistic career, the Japanese watercolor painter ISHIKAWA Kinichiro (1871-1945), and became the favorite one among his students. With ISHIKAWA’s assistance, RAN obtained the qualifications, scholarships and subsidization of the Taipei Normal School as an elective student. ISHIKAWA
even recommended him to be the first in Taiwanese to work as an art teacher in 1929 at Taipei First Girls High School and Second Girls High School, the schools that only Japanese study.
In 1926, RAN participated in the organization of Taiwan's earliest painting group "Seven Stars Painting Group", which aimed to promote Taiwan's Western painting style. Being selected in the Taiwan Art Exhibition for 6 years continuously since 1926 was not only an honored affirmation, but also meant that his personal style had formed. In early 1940, he held a watercolor solo exhibition at the Taipei Education Center, and in 1958," RAN In Ting presents Scenes of America" was jointly organized by the United States Information Service and the National Museum of History. Those were the few solo exhibitions that RAN held in Taiwan during his lifetime. He actively participated in watercolor competitions in various countries, exhibited around the world, and joined foreign painting societies in England, Italy, China, and France. He was considered one of the top
ten watercolor painters in the world in the first session of the European Art Critic Society and the American Art Critic Society 1971.
The misty rain and the rushing clouds are the most striking impressions of RAN's watercolor paintings. The rainy Yilan is vividly represented in front of viewer’s eyes through his brushstrokes. Lot1056 "Returning Sails" , colorful fishing boats moored in order, sails and mast flags flying in the air, fishmans chatting with each other, it is a moment of leisure amid hard work. Rain is a common theme of Lan's painting, Lot1057's "Small Town" adopts a diagonal layout. The blue and purple sky, gathering clouds, rustling wind, and the bustling villagers on the trail heading to the village, some of them strolling with umbrellas, others walking quickly, implying that the storm is coming. Lot1122 "Washing by the River" depicts women doing laundry by the water, a young woman walking up the stairs along the right side, carrying her clothes back home, showing a simple rural daily life.
Lot1058 "Fields on the Plain" is not only one of his few large-scale works, but also one of the rare creations in his watercolors that deviate from the use of blue and purple colors. Peasants wearing bamboo hats, holding sickles, surrounded by chickens and ducks, are busy harvesting in golden rice fields under blue cloudy sky, the scene evokes the memory of tranquil countryside. Looking at Lot1059 "Working on the Fields in Spring" is like looking down at the countryside. Your sight first falls on the moving ducks in the lower right corner, following the path, we can see the ox carts and farmers, the red brick houses, the bamboo forests, and the mountains in clouds and mists in the distance, presenting a peaceful scene. The fusion of Western watercolor and Eastern ink constructs RAN’s unique painting style, Lot1123 "The Way Back Home" uses ink and lines to complete the chiaroscuro that Western paintings value, and at the same time highlights the tenderness and slenderness of oriental ink sketches.
RAN In Ting
Returning Sails Watercolor on paper 1966 Signed lower left: named Ran In-Ting in English and Chinese, FORMOSA 8.1966. Literature: Agriharvest x Great Artists in Yilan: Double Exhibition of Ran InTing and Yuyu Yang, Cultural Affairs Bureau Yilan County, Yilan, 2018, p.39. NT$ 800,000-1,600,000 HK$ 203,600-407,100 US$ 25,850-51,700
RAN In Ting
Small Town
Watercolor on paper 1965
Signed lower left: named Ran In-Ting in English and Chinese, FORMOSA 6.1965.
Literature: Agriharvest x Great Artists in Yilan: Double Exhibition of Ran InTing and Yuyu Yang, Cultural Affairs Bureau Yilan County, Yilan, 2018, p.33.
NT$ 800,000-1,600,000 HK$ 203,600-407,100
US$ 25,850-51,700
RAN In Ting
Fields on the Plain Watercolor on paper 1970 Signed lower right: named Ran In-Ting in English and Chinese, TAIWAN 8.1970.
Literature: Agriharvest x Great Artists in Yilan: Double Exhibition of Ran In-Ting and Yuyu Yang, Cultural Affairs Bureau Yilan County, Yilan, 2018, p.55.
NT$ 1,500,000-2,600,000 HK$ 381,700-661,600 US$ 48,470-84,010
RAN In Ting
Working on the Fields in Spring Watercolor on paper 1969 Signed lower left: named Ran In-Ting in English and Chinese, TAIWAN 4.1969. Literature: Agriharvest x Great Artists in Yilan: Double Exhibition of Ran InTing and Yuyu Yang, Cultural Affairs Bureau Yilan County, Yilan, 2018, p.49.
NT$ 1,000,000-1,900,000 HK$ 254,500-483,500 US$ 32,310-61,390
1060 b.1944 1999
67 x 69 cm 26.4 x 27.2 in.
HUANG Guang Nan
Styles on Streets
Ink and color on paper 1999
NT$ 50,000-80,000 HK$ 12,700-20,400 US$ 1,620-2,580
1061 b.1944 1999
67 x 69 cm 26.4 x 27.2 in. 1999
HUANG Guang Nan
New and Fresh
Ink and color on paper 1999
NT$ 50,000-80,000 HK$ 12,700-20,400 US$ 1,620-2,580
Lot 1062 ( )
1991
LIAO Te Cheng
Fragrance of Flower(II) Oil on canvas 1991
Signed lower left: named Te, dated 1991.
Noted on the reverse: Fragrance of Flower(II), painted by LIAO Te Cheng, 1989-91.
Exhibition:
Taipei Fine Arts Museum, Taipei, " Liao Te-Cheng Retrospective", 28 September, 1991 - 1 December, 1991.
Taipei Fine Arts Museum, Taipei, " A Retrospective: Liao Te-cheng at the Age of Eighty", 13 October, 2001 - 2 December, 2001.
Literature: A Retrospective: Liao Te-cheng at the Age of Eighty, Taipei Fine Arts Museum, Taipei, 2001, P.129.
The Complete Works of Taiwanese Fine Arts 18 LIAO Te Cheng, Artist Magazine, Taipei, 1995, P.158.
NT$ 1,800,000-2,200,000 HK$ 458,000-559,800 US$ 58,160-71,080
1063
1908–1993
1928 YoKAJO 1928-6 34 x 25 cm 13.4 x 9.8 in. 1998 150-151
YEH Huo Cheng Rose
Watercolor on paper 1928 Signed upper left: named YoKAJO, dated 1928-6.
Literature: YEH HUO CHENG , Goethe Art Center, Taichung, 2008, P.150-151.
NT$ 100,000-130,000 HK$ 25,400-33,100 US$ 3,230-4,200
Mouve
1930 (Les Nabis) 1980 1983 1984 Lot 1065
CHEN Te Wang Guanyin Mountain Oil on canvas 1983-1984
Literature: The Complete Works of Taiwanese Fine Arts 15 CHEN Te Wang, Artist Magazine, Taipei, 1995, p.212-213.
Treasury of Elders, Goethe Art Center, Taichung, 2006, p.151.
Yang San-Lang, Chang Yi- Hsiung, Chen Te-Wang, Liao TeCheng: Masterpieces, Goethe Art Center, Taipei, 2011, p.26-27. Chen Te-Wang, Artist Magazine, Taipei, 2001, p.128.
NT$ 2,200,000-3,000,000 HK$ 559,800-763,400 US$ 71,080-96,930
CHANG Yi Hsiung Tulip Oil on canvas 1993 Signed lower left: dated 1993, named Chang.Y.. Literature: Chang Yi-Hsiung, Goethe Art Center, Taichung, 2011, p.162. NT$ 200,000-300,000 HK$ 50,900-76,300 US$ 6,460-9,690
1067 1909-2003 2006 06 . CHANG.Y. 45.5 60.5 cm 17.9 23.8 in.
CHANG Yi Hsiung
Mountains of Hakuba Oil on canvas 2006 Signed lower left: 06 . CHANG.Y. Provenance: Accompanied by a gallery guarantee letter signed by the artist and a photo of the artist and the work
NT$ 280,000-360,000 HK$ 71,200-91,600 US$ 9,050-11,630
1962 Lot1068 1942 ( )
1068 1902-1976
1942-1943
44 x 37.5 cm 17.3 x 14.8 in. 2017 415 4 1992 55
LIAO Chi Chun
Vase
Oil on board 1942-1943 Literature: Centurial Rarity: Complete Works of Liao Chi-Chun, Ever Harvest Art Gallery, Taipei, 2017, p.415. The Complete Works of Taiwanese Fine Arts 4 LIAO Chi Chun, Artist Magazine, Taipei, 1992, P.55.
NT$ 4,000,000-5,000,000 HK$ 1,017,800-1,272,300 US$ 129,240-161,550
1927 1934 1931 1982 Lot 1069 Lot 1070 1990
1069
1907-1995 1982 S. YANG
50 x 60.5 cm 19.7 x 23.8 in.
YANG San Lang Street Scene
Oil on canvas 1982 Signed lower right: named S. YANG Provenance: Accompanied by a gallery guarantee letter signed by the artist
NT$ 480,000-550,000 HK$ 122,100-139,900 US$ 15,510-17,770
YANG San Lang
1071 1909-2003 1990 CHANG1990 CHANG. 31.5 x 41 cm 12.4 x 16.1 in. 1997 74 2006 142
CHANG Wan Chuan
Fish and Wine Bottle
Oil on canvas 1990
Signed lower left: named CHANG in English and Wan in Chinese. Noted on the reverse: red seabream, named CHANG in English and Wan in Chinese, dated 1990.
Literature:
CHANG WAN CHUAN, Goethe Art Center, Taichung, 1997, p.74.
Treasury of Elders, Goethe Art Center, Taichung, 2006, p.142.
NT$ 150,000-200,000 HK$ 38,200-50,900 US$ 4,850-6,460
1933 ( ) (1896-1994) (1893-1975) (1902-1977) (1898-1971)
Lot1073
Lot 1072
Lot 1074 Lot1077 Lot 1078 (1997 )
WANG Pan Youn
Hermit in Secluded Woods
Watercolor on paper
Signed lower right: named P.Y.. Literature:
A Century of The Chinese Paintings Tour Exhibition, Chan Liu Art Museum, Taipei, 2016, p.177.
NT$ 150,000-260,000 HK$ 38,200-66,200 US$ 4,850-8,400
WANG Pan Youn Autumn Forest Watercolor on paper Signed lower right: named P.Y.. Provenance: Acquired by the present collector from the artist's family
NT$ 220,000-300,000 HK$ 56,000-76,300 US$ 7,110-9,690
1949
1075 1909-2017 Wang P.Y. 60.5 x 72.5 23.8 x 28.5 in.
Lot 1075 V 1952 Lot1076
WANG Pan Youn Homeland Return Oil on canvas Signed lower left: named Wang P.Y.. Provenance: Former collection of Dr. and Mrs. Li Acquired by the present owner from the above
NT$ 1,800,000-2,200,000 HK$ 458,000-559,800 US$ 58,160-71,080
WANG Pan Youn
Reflection Watercolor on paper Signed lower right: named P.Y.. Literature: 2013 Yilan Art Exhibition , Cultural Affairs Bureau Yilan County, Yilan, 2013.
1077
1909-2017
86 x 48 cm 33.9 x 18.9 in.
WANG Pan Youn Circular Ink on paper, hanging scroll
NT$ 85,000-150,000 HK$ 21,600-38,200 US$ 2,750-4,850
Lot1077
1078 1909-2017 1980 (1997)
70 x 69.2 cm 27.6 x 27.2 in. 2003 27
WANG Pan Youn Delight of Seclusion Ink on paper, framed 1980
Literature: Loneliness, China Times Publishing Co., Taipei, 2003, p.27.
NT$ 130,000-180,000 HK$ 33,100-45,800 US$ 4,200-5,820
Lot 1078
1079
1909-2017
65.5 x 46.5 cm 25.8 x 18.3 in.
WANG Pan Youn Mountain and the Moon Ink on paper, framed
NT$ 55,000-90,000 HK$ 14,000-22,900 US$ 1,780-2,910
1080 1925-1996 1972
95 x 63 cm 37.4 x 24.8 in.
CHIANG Chao Shen Profusion Crabapple Ink on paper, hanging scroll 1972
NT$ 140,000-190,000 HK$ 35,600-48,300 US$ 4,520-6,140
1925-1996 1992 1992 62 x 98.4 cm 24.4 x 38.7 in. 1992 7 11 1992 11 29 A082 2015 3 25 2016 3 19 38 1992 8 2015 58-59
CHIANG Chao Shen
Mist Over River and Mountains Ink on paper, framed 1992
Exhibition: "The 13th National Art Exhibition of The Republic of China ", National Taiwan Arts Education Center, Taiwan, 11 July, 1992 - 29 November, 1992, No. A082 "From the Inkwell Flies the Fish of the Dark Northern Sea: The Calligraphy and Painting Exhibition of Jiang Zhaoshen", Taiwan Soka Association, Taiwan, 25 March, 2015 - 19 March, 2016, No. 38
Literature:
The 13th National Art Exhibition of The Republic of China, The National Taiwan Art Education Center, Taipei, 1992, p.8 From the Inkwell Flies the Fish of the Dark Northern Sea: The Calligraphy and Painting Exhibition of Jiang Zhaoshen , Taiwan Soka Association, Taipei, 2015, p.58-59
NT$ 650,000-850,000 HK$ 165,400-216,300 US$ 21,000-27,460
1082 1925-1996 1989
94.5 x 16 cm x 2 37.2 x 6.3 in. x 2
CHIANG Chao Shen Calligraphy
Ink on paper, framed
Provenance: Acquired from Gloria Art Center
NT$ 110,000-150,000 HK$ 28,000-38,200 US$ 3,550-4,850
1083
1915-2002
1996 1996
120 x 59 cm 47.2 x 23.2 in.
CHEN Ting Shih Mountains
1 9 3 6
Ink and color on paper, hanging scroll 1996
NT$ 120,000-160,000 HK$ 30,500-40,700 US$ 3,880-5,170
1084
1918-2000 1979 1979
101.7 x 47.5 cm 40 x 18.7 in.
SUN Yun Sheng Guanyin
Ink and color on silk 1979
NT$ 60,000-90,000 HK$ 15,300-22,900 US$ 1,940-2,910
1085 1871-1937 1976 1976 1977 13 60.5 x 48 cm 23.8 x 18.9 in.
FU Chuan Fu Route in a Cloud of Dust Ink and color on paper 1976
Literature:
Prof.Fu Chuan-Fu Paintings, Hwa-cheng Book Co., Taipei, 1977, picture 13.
NT$ 80,000-130,000 HK$ 20,400-33,100 US$ 2,580-4,200
1086
b.1957 2007 160.5 x 53 cm 63.2 x 20.9 in.
Lot1086
NT$ 150,000-190,000 HK$ 38,200-48,300 US$ 4,850-6,140
1087
1925-1996 1992 1992
62 x 98.4 cm 24.4 x 38.6 in.
CHIANG Chao Shen Landscape Ink and color on paper, framed, 1992
Provenance: Accompanied by a gallery guarantee letter signed by the artist
NT$ 650,000-850,000 HK$ 165,400-216,300 US$ 21,000-27,460
1088
1935 1978 1978 61 x 95 cm 24 x 37.4 in.
2014 6 4 A Lot3134 1978
OU Hao Nien
Landscape
Ink and color on paper, framed 1978
Provenance: 4 June, 2014, Poly, Beijing, Contemporary Chinese Paintings And Calligraphy, Lot 3134 'Landscape'.
NT$ 100,000-150,000 HK$ 25,400-38,200 US$ 3,230-4,850
1089 1935 1999 1999 34 x 134 cm 13.4 x 52.8 in.
2014 6 4 A Lot3142 1999
OU Hao Nien
Scene After Du Fu's Poem
Ink and color on paper, framed 1999
Provenance:
4 June, 2014, Poly, Beijing, Contemporary Chinese Paintings And Calligraphy, Lot 3142 'Scene After Du Fu's Poem'.
NT$ 100,000-150,000 HK$ 25,400-38,200 US$ 3,230-4,850
1941 1960 1970 Lot1090
JIA You Fu
Autumn Skyline of Tai-Hang Mount
Ink and color on paper, hanging scroll Signed above: named You Fu in Chinese. Provenance: June 14, 1998, Heritage Arts, Taiwan, Fine Modern Oil Paintings, Sculpture, Watercolors, Chinese Ink and Color Paintings, Lot 139 'Autumn Skyline of Tai-Hang Mount'.
NT$ 8,500,000-11,000,000 HK$ 2,162,800-2,799,000 US$ 274,640-355,410
1092
1091
1896-1963
31 x 19.5 cm 12.2 x 7.7 in.
1896-1963
PU Ru
Color-Ink Painting
Ink on silk, framed
Signed left side: named Hsin-Yu in Chinese.
NT$ 300,000-400,000 HK$ 76,300-101,800 US$ 9,690-12,920
94.5 x 34 cm 37.2 x 13.4 in.
Lot1092 1957
PU Ru Calligraphy
Ink on paper, framed Signed lower left: named HsinYu in Chinese. (19182000)1936
NT$ 220,000-300,000 HK$ 56,000-76,300 US$ 7,110-9,690
YANG Ying Feng, named Yuyu, was born in Yilan in 1926.
He once worked in the magazines"Feng Nian"with Lan Yinding, who is a Taiwanese watercolor painter.
In 1970, he made a big splash at the Osaka International Exposition with the sculpture of a phoenix spreading its wings, which symbolizes Chinese culture.
Three years later, he was recommended by the Chinese architect I.M. and made the "East West Gate" by Oriental Philosophy.After that he become an internationally renowned sculpture master.
In addition to studying sculpture creation, Yang is also interested in and promotes the work of nurturing art such as life aesthetics, public art, and landscape sculpture.
YANG said: "I have studied Chinese culture and life aesthetics all my life, and found that the simple,healthy, and harmonious cultivation of the Wei and Jin Dynasties is the spirit of Chinese culture.
I hope to apply its spiritual modernization to life aesthetics and guide China.Make it modernizatio,internationalization and provide a new direction and new hope for the chaos caused by utilitarian and materialistic values around the world.”
After 1970s, YANG's sculpture style became more mature, adopting the abstract vocabulary of modernism, combined with stainless steel metal materials, expounding the profound cultural heritage of China,among which Lot 1094 "East West Gate" and Lot 1095 "Advent of the Phoenix II", in His "Stainless Steel Series" of modern sculpture plays a pivotal
role. Lot 1094 "East West Gates" is extracted from Chinese garden landscaping techniques, using the "moon gate" shape as the main body, taking the "circle" from the "square", and using the "circle" as a "screen" to place obliquely in front. It makes it difficult for the viewer to see through the hollowed out part, just like the spirit of Chinese philosophy, which cannot be easily understood for a while; secondly, the "circle" is used as a mirror to observe oneself, and provides a place for meditation and reflection in the perfect image of the moon gate.
" Advent of the Phoenix" has developed four forms in YANG's artistic career. YANG once made the following statement about this series: "The phoenix is the most beloved spiritual bird and auspicious bird in China. The rhyme conveys the longing for the ideal realm, as if all the beauty and goodness come flying on the wings of the phoenix. The smooth and concise curvature and the cloud water patterned on the iceclean surface symbolize the freedom of flying on the top of the mountain and among the water Leisurely." Lot 1095 " Advent of the PhoenixII" takes the phoenix turning its head up as the main character.
With the traditional Chinese paper-cut and paper carving techniques, the simple stainless steel sheets are assembled layer by layer. The pieces are slender and smooth.
While turning the body, the stainless steel The material reflects the external environment on it, as if riding on the wings of a phoenix, flying vigorously, soaring into the sky, and setting off to pursue dreams.
1094
1926-1997 1973 05/20 '73 YUYU YANG 89 x 89 x 52 cm 35 x 35 x 20.5 in. 2016 82 2005 258 1926-1997 2006 173
YANG Yu Yu
East West Gate
Stainless steel 1973 (05/20)
Signed right side: named YUYU YANG in English and Chinese, dated 1973.
Provenance: Accompanied by a guarantee letter issued by Yuyu Yang Art Education Foundation Literature:
Minds ． Collided: Exhibition of Yuyu Yang, Yuyu Yang Art Education Foundation, Taipei, 2016, p.82.
YUYU YANG CORPUS Volume 1, Artist Magazine, Taipei, 2005, p.258.
refer to YUYU YANG: Vanguard on Native Soil, Kaohsiung Museum of Fine Art, Kaohsiung, 2006, p.173.
NT$ 260,000-320,000 HK$ 66,200-81,400 US$ 8,400-10,340
East West Gate stainless steel (1926 - 1991) ( 2006 173
1926-1997
1970 5/10 '70 5/10 67 x 60 x 95.5 cm 26.3 x 23.6 x 37.5 in. 2005 236 2016 78
YANG Yu Yu
Advent of the Phoenix II Stainless steel 1970 (5/10)
Signed: named Yu Yu, Osaka 5/10, dated 1970. Provenance: Accompanied by a guarantee letter issued by Yuyu Yang Art Education Foundation Literature:
YUYU YANG CORPUS Volume 1, Artist Magazine, Taipei, 2005, p.236.
Minds Collided: Exhibition of Yuyu Yang, Yuyu Yang Art Education Foundation, Taipei, 2016, p.78.
NT$ 1,000,000-1,200,000 HK$ 254,500-305,300 US$ 32,310-38,770
Advent of the Phoenix stainless steel (1926 - 1991) ( 2006 171
1096 b.1938 1991 '91
62 x 73.7 x 110.3 cm 24.4 x 29 x 43.4 in.
JU Ming
Living World Series
Stainless Steel 1991 Signed on the reverse: named JU Ming in Chinese, dated 1991.
Provenance: Accompanied by a certificate of authenticity issued by JU MING Culture & Education Foundation.
NT$ 2,800,000-3,200,000 HK$ 712,500-814,200 US$ 90,470-103,390
1967 1980 1984
PU Hao Ming , who was born in an artistic family during Japanese rule, not only inherited the artistic enthusiasm of his grandfather CHEN Cheng Bo, but also influenced by his sculptor father PU Tian Sheng’s rigorous creative attitude.
The formation of PU Hao Ming's sculpture style was based on learning the advantages of other artists, it can be divided into 2 stages: first, after graduating from the Chinese Culture University in 1967, he began the training for sculpture as his father as his tutor for thirteen years, learning from Fumio Asakura’s western classical sculpture techniques and concepts from classical Greece to modern Rodin; secondly, he went to Belgium and France take up advanced studies from 1980 to 1984,and followed the trend of Western abstract sculpture. He was selected into the French Artists Salon, Paris Autumn Salon and French Independent Salon. After completing his studies, he began to establish his own language of art, and developed modern sculpture creations that not only inherit the classics but also are loyal to himself.
Lot 1097
1097 b.1944 2/12 2010 53 x 47 x 71 cm 20.9 x 18.5 x 28 in. 2016 16
PU believes: "Getting to the bottom of it, the root of the evolution of form, in classical traditional sculpture, will give great strength, and there will be no lack of development." The tradition of realistic sculpture has always provided infinite inspiration for creators, and the emergence of the classical realistic series is Pu’s derived and earliest series of creations. The realistic sculpture expresses the softness and gentleness of the oriental human body. Lot 1097 " Silence" takes PU’s wife as model. The woman sits with her feet sideways, her body leans slightly to the other side, her arms tilt to the right, one hand is hidden behind her back, the other rests on her calf, she bows her head in silence, revealing the dignity and restraint of an oriental woman , and shape the beauty of the human body with fineness.
PU Hao Ming Silence
Bronze (2/12) 2010
Provenance: Accompanied by a guarantee letter signed and issued by PU Hao Ming Atelier Literature: Leisurely Transformation, PU Hao Ming Atelier, Taipei, 2016, p.16.
NT$ 280,000-400,000 HK$ 71,200-101,800 US$ 9,050-12,920
Maurice de Vlaminck 1876 1900 André Derain 1905 Henri Matisse (Salon des Independants et d'Automne) 1907 1925 1954 1956 Lot 1098
Maurice de VLAMINCK was born in Paris in 1876 and worked as a stage designer, writer, music teacher and professional cyclist. He mainly learned his painting skills by self-studying, and his styles had changed differently throughout his life. In 1900, he met André DERAIN, one of the founders of Fauvism, they rented a studio together in the same year, and started a period of mutual inspiration in creation, and were deeply influenced by Van Gogh's use of bright colors. DERAIN once wrote when recalling the relationship between the two: " Immersed in color all day long, talking about color and the sun that brings it to life.”
In 1905, they and Henri MATISSE caused a sensation at the Paris Autumn Salon (Salon des Indépendants et d'Automne). Their works were pure and strong, those were beyond all values, artistic and cultural references at that time, howling with color , overturning the exhibition hall. This is how "Fauvism" comes from. Since then, Vlaminck has become famous in the painting world. His brushstrokes are broad and confident, and he expresses wild and unruly creativity with strong colors. After 1907, Vlaminck was influenced by Cézanne, and the color scheme tended to be unified, relatively calm, and spatial geometry and lines were used. In 1925, bold and courageous to change, he combined Van Gogh's passionate brushstrokes with Cézanne's stable composition to create a unique self-style.
In 1954, he was invited to participate in the Venice Biennale. In 1956, he was elected as an academician of the Royal Academy of Fine Arts in Antwerpen. His landscape paintings are extraordinary, and he is regarded as the real landscape painting master of modern art.
Lot 1098 "Storm" is an extraordinary landscape creation that combines unrestrained strokes, use of color, and love for nature. VLAMINCK’s sky is dense with dark clouds,with rain, hail and natural disasters, and the last few flat clouds capture the light and illuminate the canvas. Large areas of yellow and green are spread out as the main colors. The strong contrast between the upper and lower color lump and the light and dark tones make the picture full of tension, as if far away from the glitz of the city, in the endless wheat field. The dark trees grow frantically on the left,adding some natural dynamics to the open plains.
1928 1943 Bernard Buffet 1947 19 1948 (Deux hommes dans une chambre) (Le Grand Prix de la Critique)
(Maurice Garnier) 1973 8000
1971 1974 2016 1999 71 Lot1099 20
1099
1928-1999 1948 Bernard Buffet 48 38 x 55 cm 15 x 21.7 in. 2014 12 10 Lot 151
Bernard BUFFET
Nature morte à la lampe et aux tomates Oil on canvas 1948
Signed upper left: Bernard Buffet 48. Provenance:
Accompanied by a gallery guarantee letter
Accompanied by a certificate of authenticity issued by Galerie Maurice Garnier
10 December, 2014, TAJAN, Paris, Modern Arts, Lot 151'Nature morte à la lampe et aux tomates'.
NT$ 3,800,000-5,000,000 HK$ 966,900-1,272,300 US$ 122,780-161,550
Born in Paris in 1928 and entered theNational School of Fine Arts in Paris when it was 1943, the French expressionist master Bernard BUFFET has been highly favored since the beginning of his artistic career. In 1947, at the age of 19, he held his first solo exhibition in Paris, which sold out his works. In 1948, he won the Critics' Prize (Le Grand Prix de la Critique) for "Two Men in a Room" (Deux hommes dans une chambre). After that, he became famous internationally, and in the same year, he met the gallery owner MauriceGarnier (Maurice Garnier), the two have collaborated since then. Buffet was also selected as one of the ten outstanding postwar artists, and exhibited worldwide. In 1973, Japanese collector OKANO Kiichiro established Bernard Buffet Museum in Japan. Buffet created more than 8,000 works in his lifetime, which are high quality and rich in variety, including subjects such as portraits, landscapes, still lifes, and history and religion.
Buffet's works have a distinctive style. In the era when abstract art prevailed, he still insisted on defending expressive figurative art style. For him, painting is not for analysis, but for feeling. He uses dark black, brown, and green tones to express the tall and angular figures in the picture, with a strong sense of verticality, filled with emptiness and silence. It is a portrayal of the state of anger, sorrow, and despair of hardly finding a way out for young people in France that have been through World War II.
In the 1960s, when abstraction was highly praised.Buffet's obsession with his own style once caused him to fade out of the French art circle. Even though he was awarded ‘’ The National Order of the Legion of Honor’’ in 1971, and became a member of the French Academy of Fine Arts in 1974. Until 2016,. The solo exhibition held at Paris' Museum of Modern Art and Montmartre Museum brought him back into the visionof the French public and gained belated recognition. Buffett suffered from Parkinson's disease in his later years and was unable to paint anymore. He committed suicide in 1999 at the age of 71.
Lot 1099 " Nature morte à la lampe et aux tomates " is a classic stilllife work that Buffet draw when become famous overnight at the age of 20. With beige as the main tone, the background expresses the artist's crazy waving, as if scratching. The lines are black and thick, and common daily elements such as dining tables, kerosene burner, tableware and food are displayed in the enclosed space, presenting the life of the French people after world war. People sometimes regard his stilllife works as tragic works. In fact those are the true reflection of the impoverished reality of the time, a testimony to the chaotic post-war era.
Accompanied by a certificate of authenticity issued by Galerie
1100 · · 1716-1791 Jeune Femme 22 x 22 x 66.5 cm 8.7 x 8.7 x 26.2 in.
2012 9 25 Galerie Moderne Lot 429 Jeune Femme
Étienne Maurice FALCONET
Jeune Femme
Marble
Signed right side: Falconnet.
Provenance: 25 September, 2012, Galerie Moderne, Art & Antiques, Lot 429 'Jeune Femme'.
NT$ 260,000-380,000 HK$ 66,200-96,700 US$ 8,400-12,280
Lot 1101
Salvador DALI 1904 25 1929 1933
Salvador DALI was a representative figure of Surrealism in the 20th century art world. Born in Spain in 1904, at the age of 25, he participated in and devoted himself to the surrealist movement, and developed the paranoiac-critical method to pursue a more active and conquering way of expression. The period from 1929 to 1933 can be said to be the most diverse one of Dali's creations. He was good at transferring certain parts of the objects in his works into other things, producing a different visual effect.
DALI has attracted worldwide attention for daring to challenge established concepts and subverting traditional aesthetics and social values. His works are full of energy, trying to shake off the shackles of reason and to dig out the truest side of human beings. With unexpected transformation, surprising decomposition and assembly, combined with dreamlike colors, presents a kaleidoscopic work that seems to declare that absolute personal freedom is the perfect guarantee for the progress of human civilization.
Lot1101 "Melting Clock", a softly deformed clock hanging from a branch of a tree, with the hour hand pointing at six. In the surrealist imagination, time and space are both illusory and unreal. There is no past and future in dreams, and the rules constrained by time in the real world are gradually disintegrating, opening up endless space for imagination.
1101 1904-1989
104/350 1984 Dali © Jemelton 1984
57 x 34 x 24 cm 22.4 x 13.4 x 9.4 in.
Salvador DALI
Melting Clock
Bronze (104/350) 1984 Signed on the base: Dali. Stamped with the foundry mark: © Jemelton 1984.
NT$ 190,000-260,000 HK$ 48,300-66,200 US$ 6,140-8,400
NARITA Satoko was born in Aichi Prefecture, Japan in 1970, and is currently working in Nagoya. Three years after graduating from the Design Department of the Faculty of Art of the Aichi Prefectural University of Arts and Music, she entered the Toyama City Institute of Glass Art for the Glass Certification Studies Program. In 2000, she was selected into the New Glass Review 22 of the Corning Museum Of Glass in the United States, winning the affirmation of international awards. She also received a commendation for her achievements in the field of picture book illustration. In 2004, she won the Grand prize in the 20th Nissan Grand Prize of a Fairy Tale and a Picture and subsequently published the picture book "Kakashigon(The Scarecrow)".
Narita Satoko was invited to participate in sculpture exhibitions in major cities in Japan, Suzhou in China and Taichung in Taiwan. She held three exhibitions at Galerie Pierre in Taichung: a group exhibition "Daily un Daily" in 2014, a double solo exhibition “Fascinated Moment” in 2016 , and another double solo exhibition "Warm Flavoured" in 2019.
She is known for combining two completely different materials, wood and glass, to create innocent creatures with different expressions and postures. The round shape and rough texture of wood, and the transparent and cold surface of glass, give a harmonious feeling of warmth and coldness.
Lot 1102 "Looking up at the Sky" The creature raised his head slightly, looking at the clouds and birds in the sky with a calm expression, standing alone, immersed in his own fantasy world. His big face is decorated with small facial features and looks innocent and cute, and the creature makes himself more amiable with his scent of wood wafting through the air.
b.1970
2015 2015 SATOKO NARITA
24.5 x 24.5 x 56 cm 9.6 x 9.6 x 22 in.
NARITA Satoko
Looking up at the Sky Glass and wood 2015 Signed on the base: named SATOKO NARITA, dated 2015.
NT$ 220,000-320,000 HK$ 56,000-81,400 US$ 7,110-10,340
1952 1960 1970 Lot 1103
Walasse TING went to Paris in 1952. During his stay there, his horizons broadened with Henri Matisse’s influences. His painting style was gradually moved towards using simplistic lines and flat composition. The traditional Western one-point perspective and shade and shadow painting techniques were no longer used in Ting’s works. He otherwise painted more straightforward and sketched more quickly.
In 1960, Ting moved to New York and developed his now distinctive style using Chinese calligraphic brushstrokes to define outlines and filling flat areas of color with vivid paint. His styles changed from the early abstract paintings to the depiction of nude body.
Ting was popular with using freehand brushwork to combine female nudes and lush flowers to create poetical feelings. Perhaps some individuals think that the eroticism of the women depicted in his paintings is too strong. But Ting was generously admitted that he appreciated the flirtatious of female bodies and visiting the red-light districts without being affected by the rumors.
Lot 1103 "three women "based onmagenta, with graceful curves, holding flowers shows Ting’s love for women. It creates a unique female image. He likes to use colored pencil, and uses a more freehand way to praise women’s posture. He uses gorgeous the flat paintbrush with acrylic paints to paint the space within lines. It expresses the unrestrained picture structure and makes the whole picture look natural and chic.
Walasse TING
Three Women Acrylic on paper
Provenance: 1 April, 2019, Sotheby's, Hong Kong , Modern and Contemporary Southeast Asian Art, Lot 203 'Three Women'.
NT$ 850,000-1,100,000 HK$ 216,300-279,900 US$ 27,460-35,540
1952 (Pierre Alechinsky) (Asger Jorn) (Karel Appel) CoBrA 1970
Lot 1104 Lot 1165
Walasse TING Beauty In Flowers Acrylic, ink on paper
“You can see the spirit of natural beauty in a stranger, and even the tremendous spirit of humanity and beauty of life in an empty white wall. At this stage you don’t want to paint, you just want to wait until your blood courses quickly through your veins, and you can only see the image but not the brush; you can just see the world, not the painting; you just see love but not yourself.” 1104 1929-2010 70 x 120 cm 27.6 x 47.2 in. 2021 12 2 Lot2639
Provenance: 2 December, 2021, Poly International Auction Co.,Ltd, Beijing, Modern and Contemporary Art, Lot 2639 'Beauty In Flowers'. NT$ 700,000-850,000 HK$ 178,100-216,300 US$ 22,620-27,460
George CHANN 1925 21
(The Otis Art Institute) 1947 1949 50 (Jason POLLOCK) Willem de KOONING 1960 1970 1980 Lot 1105
George CHANN was born in Guangdong but left for the United States with his father in 1925. He attended Otis College of Art and Design at 21 and began teaching there after he graduated. When CHANN returned to his homeland from 1947 to the end of 1949, he was touched by the ancient Chinese culture, which prompted his concern and understanding about China. CHANN went back to the United States in the 50’s when Abstract Expressionism was starting to become a prominent school. Jason Pollock's “drip technique” and Willem de KOONING's “action painting” inspired him to start the experiment going from concrete to abstract art. CHANN created his unique Chinese modern abstract style by combining ancient ritual bronzes and Chinese calligraphy elements. He ravaged and destroyed them, or modified them by clipping, blurring the text, then collaging and mounting them on the canvas.
In the 1970s and 1980s, CHANN’s raffish abstract creations matured, but he still draws on traditional Western motifs. Lot 1105 "Still Life" is an outstanding work completed under this circumstance. The use of colors such as green, yellow, red and blue with high chroma and low value creates a lively atmosphere. Massive amount of English newspapers are glued together and covered under the paint, adding another textual variety to his painting that oil alone would not have achieved. Guided by the yellow and red lines, a sloping table seems to appear at the lower right, flamboyant blooming flowers placed on it present a vibrant and youthful still life work, which is completely different from the tranquil feeling that still life paintings usually give.
1105 1913-1995 1970-1980 56.5 x 45 cm 22.2 x 17.7 in.
George CHANN Still Life
Oil on paper, mounted on canvas 1970-1980s
NT$ 380,000-480,000 HK$ 96,700-122,100 US$ 12,280-15,510
CHAO Chung Hsiang
Untitled Ink and acrylic on paper 1983 Signed lower right: named Chung Hsiang in English and Chao in Chinese, dated 1983.
1910 1949 1956 (Yves Klein) 1980 1984 1990 1970 1983 Lot 1106
Dennis HWANG Horse
Acrylic on canvas 1992 Signed lower right: named Zhi Chao in Chinese, Hwang in English, dated 1992.
NT$ 95,000-150,000 HK$ 24,200-38,200 US$ 3,070-4,850
1108 b.1936 2020 2020 100 x 200 cm 39.4 x 78.7 in.
PANG Jiun
Spring of Li River
Oil on canvas 2020
Signed lower right: named PANG Jiun in Chinese, dated 2020.
Provenance: Accompanied by a gallery guarantee letter signed by the artist and a photo of the artist and the work.
NT$ 7,500,000-10,000,000 HK$ 1,908,400-2,544,500 US$ 242,330-323,100
2020 Lot1108
YANG Shin Sheng Abstract
Oil on canvas 1984 Signed lower right: named YANG Shin Sheng in Chinese and English, dated 1984.
NT$ 220,000-280,000 HK$ 56,000-71,200 US$ 7,110-9,050
1943 1963 21 1945 (15771640) (1599-1660) (1780-1867) 1951 ( ) 1977
Lot1112
Lot1015 1980 1113 1913-1982 89 x 71.5 cm 35.4 x 28.1 in.
鈐印：費以復 (朱文 )
FEI Yi Fu Harvest Oil on canvas
NT$ 800,000-1,200,000 HK$ 203,600-305,300 US$ 25,850-38,770
1118
1913-1995 1981
Zu Shu Yang 1981 71.5 x 51 cm 28.1 x 20.1 in.
1995 50-51
YANG Zu Shu
The Melody of Dawn Oil on canvas 1981
Signed lower right: named Zu Shu Yang in English and Chinese, dated 1981.
Provenance: Accompanied by a gallery guarantee letter Literature: The Second Generation of Chinese Oil Painters: A Collection of Yang Zushu's Paintings, Caves Art Center, Taipei, 1995, p.50-51.
NT$ 300,000-400,000 HK$ 76,300-101,800 US$ 9,690-12,920
1119
b.1949 1995 JIANG 4.95 P10 95.4 38.3 x 55 cm 15.1 x 21.7 in.
JIANG Da Hai
Woods of Fontainebleau Oil on canvas 1995 Signed lower left: JIANG 4.95 Noted on the reverse: titled Woods of Fontainebleau, P10, named JIANG Da Hai in Chinese, dated 95.4 Provenance: Accompanied by a gallery guarantee letter
NT$ 100,000-130,000 HK$ 25,400-33,100 US$ 3,230-4,200
1120
b.1972 2005 2005
Cao Jing Ping Gone with wind No. 9 200 x 70cm 78.7 x 27.5 in.
CAO Jing Ping
Gone with the Wind No. 9
Acrylic on canvas 2005
Signed lower right: named Jing Ping in Chinese, dated 2005. Noted on the reverse: named Cao Jing Ping, titled Gone with wind No. 9 in English and Chinese.
NT$ 200,000-300,000 HK$ 50,900-76,300 US$ 6,460-9,690
LI Chung Chung Silence
Ink and color on paper 2012
Signed right side: named LI Chung Chung in Chinese, dated 2012.
Literature: Conception of Ink: Ink Painting Works in Honor of Lee Chung Chung's 70 Years of Age, Ou-Wang Cultural Foundation, Tainan, 2012, p.20.
NT$ 220,000-320,000 HK$ 56,000-81,400 US$ 7,110-10,340
RAN In Ting
Washing by the River Ink on paper
Signed lower right: named Ran In-Ting in English and Chinese, FORMOSA
NT$ 200,000-300,000 HK$ 50,900-76,300 US$ 6,460-9,690
RAN In Ting
The Way Back Home Ink on paper
Signed lower left: named Ran In-Ting in English and Chinese, FORMOSA
NT$ 200,000-300,000 HK$ 50,900-76,300 US$ 6,460-9,690
134.5 x 41.5 cm 53 x 16.3 in.
KUO Hsueh Hu
Parrots and Red Lichee
Ink and color on paper, hanging scroll Signed lower right: painted by Hsueh Hu in Chinese.
NT$ 120,000-180,000 HK$ 30,500-45,800 US$ 3,880-5,820 1908 2007 99 27 Lot 1124
1125 b.1941 2010 91 x 44 cm 35.8 x 17.3 in. O O 2009 48-49
LI Yi Hong A Sunny Day Ink and
color on paper, framed 2010
Literature: Unlimited Horizon - A Painting and Calligraphy Exhibition of Lee Yi-hung , Department of Cultural and Recreational Affairs, Civic and Municipal Affairs Bureau, Taipei, 2009, p.4849. NT$ 400,000-500,000 HK$ 101,800-127,200 US$ 12,920-16,160
1126 b.1952 31.5 x 41 cm 12.4 x 16.1 in.
CHAN Chien Yu Bird Talk
Ink and color on paper
Signed lower left: named Chien Yu in Chinese. Provenance: Accompanied by a gallery guarantee letter
NT$ 90,000-190,000 HK$ 22,900-48,300 US$ 2,910-6,140
1127 b.1952
38 x 59 cm 15 x 23.2 in.
CHAN Chien Yu
Mandarin Duck
Ink and color on paper
Signed lower left: named Chien Yu in Chinese. Provenance: Accompanied by a gallery guarantee letter
NT$ 150,000-200,000 HK$ 38,200-50,900 US$ 4,850-6,460
1892-1996
1984 1984
86.5 x 47cm 34.1 x 18.5 in.
ZHU Qi Zhan
Bell Rings in the Ancient Temple
Ink and color on paper, hanging scroll 1984
Signed upper left: named ZHU Qi Zhan in Chinese.
NT$ 150,000-260,000
HK$ 38,200-66,200 US$ 4,850-8,400
1129 ( 1893-1977) b.1932
102 x 34.5 cm 40.2 x 13.6 in.
1998
MA Shou Hua
ZHENG Shan Shi
Bamboo
Ink on paper, hanging scroll
Signed upper left: named MA Shou Hua in Chinese.
NT$ 30,000-40,000
HK$ 7,600-10,200
US$ 970-1,290
1130 b.1932 1974 105 x 37.5 cm 41.3 x 14.8 in. 1974 2015 10-11
ZHENG Shan Shi Cow and Cowboy Ink and color on paper, framed 1974
Literature: Zheng Shan Shi Selection, Hung Ting Art, Taichung, 2015, p.10-11.
NT$ 130,000-180,000 HK$ 33,100-45,800 US$ 4,200-5,820
1131 b.1935 1994 104.5 x 64 cm 41.4 x 25.2 in. 1994
OU Hao Nien Landscape Ink and color on paper, framed 1994
NT$ 180,000-260,000 HK$ 45,800-66,200 US$ 5,820-8,400
1132
1921-2007
1985
98.5 x 68cm 38.8 x 26.8 in. 1985
CHENG Shi Fa
The Beauty
Ink and color on paper, framed 1985
Signed upper right: named CHENG Shi Fa in Chinese.
NT$ 200,000-300,000 HK$ 50,900-76,300 US$ 6,460-9,690
1133
1925-1997
67 x 66.5 cm 26.3 x 26.2 in
HUANG Chou
Donkeys
Ink and color on paper, framed
NT$ 300,000-380,000 HK$ 76,300-96,700 US$ 9,690-12,280
1134 1923-2013 1984 40 x 61 cm 15.7 x 24 in. 1984 1984 22-23
WU Xue Rang
Butterflies and Azalea
Ink and color on paper, framed 1984
Literature: Paintings by WU HSUEH-JANG'S , Chi Wuxuan, Taipei, 1984, p. 22-23.
NT$ 60,000-85,000 HK$ 15,300-21,600 US$ 1,940-2,750
1135 1928-2011 1996 1996
68 x 67 cm 26.8 x 26.4 in.
HUANG Lui Sang Rose
Ink and color on paper 1996 Signed upper left: named Lui Sang in Chinese. Provenance: Mother of the current collector was a student of the artist, the work was given to her during Chinese New Year.
NT$ 36,000-60,000 HK$ 9,200-15,300 US$ 1,160-1,940
1928-2011 1994 1994
70.5 x 43 cm 27.8 x 16.9 in.
HUANG Lui Sang
Cotton Rose and Magpies
Ink and color on paper 1994
Signed lower right: named Lui Sang in Chinese.
Provenance:
NT$ 26,000-60,000
HK$ 6,600-15,300 US$ 840-1,940
Mother of the current collector was a student of the artist. The work was given to her during Chinese New Year. 1137
1928-2011 1995 1995
115 x 62 cm 45.3 x 24.4 in.
HUANG Lui Sang
Flowers
Ink and color on paper 1995
Signed upper left: named Lui Sang in Chinese.
Provenance:
Mother of the current collector was a student of the artist, the work was given to her during Chinese New Year.
NT$ 55,000-100,000
HK$ 14,000-25,400 US$ 1,780-3,230
1138 b.1931 2012 Bernard CHAROY 27 x 35 cm 10.6 x 13.8 in.
Bernard CHAROY Kate
Oil on canvas 2012
Signed lower right: Bernard CHAROY. Provenance: Accompanied by a photo of the work signed by the artist Accompanied by a gallery guarantee letter
Accompanied by a photo of the work signed by the artist
Bernard Charoy Accompanied by a photo of the work signed by the artist
NT$ 200,000-300,000 HK$ 50,900-76,300 US$ 6,460-9,690
Arman FERNANDEZ was born in Nice, France in 1928. Arman not only learned oil painting and photography from his father who was an antique dealer and an amateur cellist but also inherited the love for music and his preference for musical instruments from him. He had a degree in philosophy and mathematics, and studied at the École Nationale Supérieure des Arts Décoratifs(ENSAD) and Ecole du Louvre, these extensive learning experiences have formed a steady basis of imagination for his artistic creations.
Arman was deeply influenced by Dadaism and Pop Art, he was a leader of neo-realism and a master of contemporary accumulation art. His unique creatives and techniques have allowed him to hold a special place in the contemporary art circle. He was knighted in 1991, and received the Legion of Honor in 1993. His artworks are in the collections of world class museums such as Metropolitan Museum of Art, Tate Modern, and Centre Georges-Pompidou.
Accumulation is Arman's most famous style, he especially preferred to use daily utensils and industrial objects range from musical instruments, automobiles to clock parts. Through the division, disassembly and accumulation of repetition, Arman liberates the inherent concept of objects, gives a new definition to the things that we are used to, and preserves the objects in his unique way .
Lot1140 "Sans Titre" Arman cut out the shapes of a violin on blue, orange, and brown that are randomly painted on white paper, gluing them on the canvas, like a paper relief, showing natural bends and curves. The vivid colors are like a sequence of cheerful tunes, lively and rhythmic. Arman presents an intangible sense of music through figurative images, allowing viewers to witness the melody of violins.
Arman FERNANDEZ
Sans Titre
Mixed media on canvas 1988 Signed lower right: 88 arman.
Provenance: Acquired by the current collector from Europe
NT$ 700,000-1,000,000 HK$ 178,100-254,500 US$ 22,620-32,310
1141
b.1959
48/50 1999 41.5 x 30 cm 16.3 x 11.8 in.
Lullaby Supermarket 2001 68
NARA Yoshitomo
Child of Ocean in the Floating World Print (48/50) 1999
Literature: Lullaby Supermarket , KADOKAWA Group Publishing CO., Ltd., Japan, 2001, p.68.
NT$ 160,000-200,000 HK$ 40,700-50,900 US$ 5,170-6,460
1142
NAKAMURA Moe Bambooshka Polystone (158/160)
Provenance: Accompanied by a certificate of authenticity signed by the artist Accompanied by original box
NT$ 120,000-190,000 HK$ 30,500-48,300 US$ 3,880-6,140
1143
b.1929
16/20
THE BROAD THE BROAD® 16/20 ©YAYOI KUSAMA MADE IN JAPN 12 x 12 x 9.5 cm 4.7 x 4.7 x 3.7 in.
Stamped on the underside: THE BROAD, THE BROAD®, 16/20, ©YAYOI KUSAMA MADE IN JAPN
US$ 1,940-2,910
1144 b.1983 2019 230 16 x 14 x 31 cm 6.3 x 5.5 x 12.2 in.
APPortfolio
Daniel ARSHAM
Eroded Pikachu (Blue) Resin, aluminium oxide (231/500) 2020
Provenance: Accompanied by original box
NT$ 65,000-90,000 HK$ 16,500-22,900 US$ 2,100-2,910
1147
b.1969
1&2&3 2020 500 60 x 40cm x 2 10.2 x 29.3 in. x 2 73 x 40cm x 1 10.2 x 29.3 in. x 1
KATO Izumi
Untitled 1; Untitled 2; & Untitled 3 Exhibition Poster Set
Offset in colors, paper 2020 Edition of 500 1148
NT$ 10,000-30,000 HK$ 2,500-7,600 US$ 320-970
1928-2002
E.S. 49/100 1987 IMAI 87 58.5 x 90 cm 23 x 35.4 in.
IMAI Toshinietsu
Autumn leaves
Print E.S. (49/100) 1987 Signed lower right: IMAI 87
No Reserve
1149 1926-2007 Ed P Guiramand 48 x 68 cm 18.9 x 26.8 in.
Paul GUIRAMAND
Woman and Bouquet Print Ed
Signed lower right: P Guiramand No Reserve
1150 ( b.1933)
a. b. a. 116/150 b. 131/150 Valadie 66 x 49 cm x 2 26 x 19.3 in. x 2
Jean Baptiste VALADIE
a. Hourglass b. Forbidden Fruit (set of 2) Print a.(116/150) b.(131/150)
Signed lower right: Valadie
No Reserve
1152
347 1968
1881-1973
Picasso 29.3.68.VII
Picasso 30.3.68 I
Picasso 1.ez April 1968
Picasso 6.4.68 III
30 x 36.5 cm 11.8 x 14.4 in.
38. x 27.2 cm 15 x 10.7 in.
36.1 x 27.5 cm 14.2 x 10.8 in.
39 x 28 cm 15.4 x 11 in.
Pablo PICASSO
Picasso 347 (set of 4)
Collotype printing 1968
Signed lower right: Picasso. Noted upper left: 29.3.68.VII
Signed lower right: Picasso. Noted upper right: 30.3.68 I
Signed lower right: Picasso. Noted upper right: 1.ez April 1968
Signed lower right: Picasso. Noted upper left: 6.4.68 III
NT$ 10,000-20,000
HK$ 2,500-5,100
US$ 320-650
1153
38/250
L Nechtschein Modigliani HHP1300
50.2 x 37.5 cm 19.8 x 14.8 in.
Amedeo MODIGLIANI
Woman with black tie
Print (38/250)
1884-1920
Signed lower right: L Nechtschein Modigliani ( name of the artist's granddaughter)
Noted on the reverse: HHP1300
No Reserve
1154
DM 1968 I 5/99 Tàpies
37 x 55 cm 14.6 x 21.7 in.
Antoni Tàpies
DM 1968 I
Lithograph (5/99)
Signed lower left: Tàpies.
1923-2012
No Reserve
1155 19272014 77/100 Weisbuch. agitato Furioso 34 x 29 cm 13.4 x 11.4 in.
Claude WEISBUCH
Agitato Furioso
Limited Print (77/100) Signed lower right: Weisbuch. Noted on the reverse: agitato Furioso
NT$ 30,000-60,000 HK$ 7,600-15,300 US$ 970-1,940
1156
1928-1999 1962 500 Bernard Buffet 51 x 40 cm 20.1 x 15.7 in.
Michèle Trinckvel 1979 206 ( 1982) 137
Bernard BUFFET
La Route
Lithograph 1962
Limited edition in 500 not numbered copies
Signed lower right: Bernard Buffet. Literature: Bernard Buffet Lithograph , Michèle Trinckvel, Draeger, Charles Sorlier., Paris: Draeger, 1979, p. 206. Dictionary of Western Art, Lionart, Taipei, 1982, p.137.
NT$ 80,000-130,000 HK$ 20,400-33,100 US$ 2,580-4,200
1157
CLAMP
23.5 x 26.7 cm 9.3 x 10.5 in.
CLAMP
"Magic Knight Rayearth"Animation Shooting with Hand-Painted Celluloid Manuscript
Anime Color on celluloid, paper
NT$ 10,000-30,000 HK$ 2,500-7,600 US$ 320-970
1158
1928-1989
26.5 x 33.5 cm 10.4 x 13.2 in.
TEZUKA Osamu
"Black Jack"Animation Shooting with Hand-Painted Celluloid Manuscript
Anime Color on celluloid, paper
NT$ 10,000-30,000 HK$ 2,500-7,600 US$ 320-970
1159
1160
23 x 26.5 cm 9.1 x 10.4 in.
"Transformer"Animation Shooting with Hand-Painted Celluloid Manuscript
Anime Color on celluloid, paper
NT$ 10,000-30,000 HK$ 2,500-7,600 US$ 320-970
22.8 x 26.5 cm 9 x 10.4 in.
"Space Pirate"Animation Shooting with Hand-Painted Celluloid Manuscript
Anime Color on celluloid, paper
NT$ 10,000-30,000 HK$ 2,500-7,600 US$ 320-970
1161
1926-1997
101/200 1959 Yang Yu Yu '59 101/200
26 x 74.5 cm 10.2 x 29.3 in.
1162
1932-2019
1971 28/30
Wu Hao 1971 Wu Hao 1973
46 x 82 cm 18.1 x 32.3 in.
YANG Yu Yu Space Egg
Lithograph (101/200) 1959
Signed below: named Yang Yu Yu in Chinese and English, titled Space Egg, dated 1959, numbered 101/200. Provenance: Accompanied by a gallery guarantee letter
NT$ 50,000-90,000 HK$ 12,700-22,900 US$ 1,620-2,910
WU Hao Tiger
Woodblock print 1971 (28/30)
Signed lower right: named Wu Hao in Chinese and English, dated 1971. Noted on the reverse: to Sheridan, tiger on holiday, Wu Hao 1973, Taipei.
Provenance: Collection of Sheridan and Sallie Bell October 6, 2020, Sotheby's, Hong Kong, Modern Art Day Sale, Lot 764 'Tiger'.
NT$ 50,000-80,000 HK$ 12,700-20,400 US$ 1,620-2,580
1932-2019
1972 A/P
Wu Hao 1972
60 x 85 cm 23.6 x 33.5 in.
2020 10 6
Lot 764
WU Hao Rose
Woodblock print 1972 A/P
Signed lower right: named Wu Hao in Chinese and English, dated 1972.
Provenance:
Collection of Sheridan and Sallie Bell
October 6, 2020, Sotheby's, Hong Kong, Modern Art Day Sale, Lot 764 'Rose'.
1164
b.1936
8/70
Lin Chih Hsin
62 x 92.5 cm 24.4 x 36.4 in.
LIN Chih Hsin
Catching Dragonflies
Woodblock print
Signed below: named Lin Chih Hsin in Chinese and English, titled Catching Dragonflies.
NT$ 50,000-80,000 HK$ 12,700-20,400 US$ 1,620-2,580 No Reserve
1165 1929-2010
1990 Walasse Ting 90 72 x 101 cm 28.3 x 39.8 in.
Walasse TING
The Red Flowers Limited Print 1990 Signed lower leftt: named Walasse Ting, dated 1990 1166 1920-2014 60/100 CHU THE-CHUN 75 x 56 cm 29.5 x 22 in.
NT$ 80,000-130,000 HK$ 20,400-33,100 US$ 2,580-4,200
CHU The Chun Green Fairy Lithograph (60/100) Signed lower right: named CHU THE-CHUN in Chinese and English.
NT$ 100,000-160,000 HK$ 25,400-40,700 US$ 3,230-5,170
1167
b.1936
249/275
Ting Shao Kuang 82 x 83.4 cm 32.3 x 32.8 in.
TING Shao Kuang
Golden Age Print (249/275)
Signed lower right: Ting Shao Kuang in Chinese and English.
No Reserve
1168
b.1936 29/300
Ting Shao Kuang 64 x 60.7 cm 25.2 x 23.9 in.
TING Shao Kuang
Silence and Stillness Print (29/300)
Signed lower right: Ting Shao Kuang in Chinese and English.
No Reserve
1169
b.1935
14/100 1987 HSIAO 87 69.5 x 50 cm 27.4 x 19.7 in.
HSIAO Chin
Untitled Print (14/100) 1987
Signed lower right: named HSIAO in English and Chin in Chinese, dated 1987.
No Reserve
1170
b.1938 1996 JM50102
8 x 11 x 23 cm 3.1 x 4.3 x 9 in.
JU Ming
Living World Series - Painted Wood Resin 1996 Stamped on the underside: JM50102. Provenance: Accompanied by a certificate of artwork reproduction issued by JUMING Museum
NT$ 15,000-26,000 HK$ 3,800-6,600 US$ 480-840
1171 b.1938 1996 JM40102
10 x 10 x 26 cm 3.9 x 3.9 x 10.2 in.
JU Ming
Living World Series - Painted Wood Resin 1996 Stamped on the underside: JM40102. Provenance: Accompanied by a certificate of artwork reproduction issued by JUMING Museum
NT$ 15,000-26,000 HK$ 3,800-6,600 US$ 480-840
Daniel ARSHAM b. 1980
1980 2003
Daniel was born in 1980 in Cleveland, Ohio’s second largest city. He grew up in Miami and received a bachelor’s degree in art from Cooper Union in New York in 2003.
archaeological site of statetime space, fully shows the core value of his creation.
Bernard BUFFET ( 1928-1999) Bernard BUFFET 1928-1999 1928 1943 1947 1948 1955 27 was selected as the 10 best post-war artists by the magazine Connaissance des arts. ( b. 1972) b. 1972 1992 1996 1997 1998 1999 2001
Bernard CHAROY ( b.1931) Bernard CHAROY b. 1931 1955 1960 1970 features in his poetic landscape works as well.Charoy began to work at the Montmartre Studio, where he studied painting and lithography from the local artists, painters, 1970s, Charoy’s work have been exhibited around the world, including the United States, Germany, Japan, Taiwan, Singapore, France, and Belgium.
CHAO Chung Hsiang ( 1910-1991)
CHAO Chung Hsiang (1910-1991) 1932-39 16 19396 1956 1958 1963 (Guggenheim) 1980 1984 1991 2004
away the following year. Numerous institutions and art museums have since held retrospectives for CHAO after his death, including the Taipei Fine Arts Museum and the National Museum of History in Taipei.
CHAN Chien Yu ( b.1952) 1952 36 ( 1909-2003) 1924 1929 1930 1938 1997 2003 95
CHANG Yi Hsiung ( 1914-2016) 1926 1931 1933 1935 1948 1949 1954 1980 Mention Honorable 81 83 85 1987 1994 1995 1997 1999
2004 2013 2017 2019
Chang spent twelve years in Japan from 1928 to 1940, and was educated at some of the most esteemed institutions in Japan including the Musashino s work.
100-years-old retrospective exhibition , and Chang s works had exhibitions at Art Taipei 2017 and Art Taipei 2019.
( 1910-1984) 1924 1927 1929 1940 1935 1938 1941 1951 1952 1954 1975 1984
George CHANN ( 1913-1995) 12 1934 1940 1942 1947-49 1950 1951 1969-73 50
George CHANN was born in Chungshan county, Guangdong. He left for the US at the age of 12 with his father, after Fine Arts Museum. Many of his works are currently in the permanent collection of various museums such as the San Diego Museum.
CHEN Ting Shih ( 1915-2002) 1948 1970 for Taiwan in 1948 and has participated in various artistic circles such as the Salon de Mial, the Modern Graphic Art Association such as Rockefeller Foundation, the Cincinnati Museum, and the National Taiwan Museum of Fine Arts.
CHENG Shi Fa ( 1921-2007) 60 70 90
main body. Before and after the 1990s, he devoted himself to the creation of landscape paintings. His landscape paintings the nutrition of folk art, it has formed a distinct personal style, which is known as the "Cheng family style".
( 1925-1996) 1965 1969 1978 1991 1996
Hall in Taipei, which was amazed by the art scene and was recommended by Yeh Gongchao and Chen Xueping to the study of painters and art history, and devoted a long time to the study of Tang Yin in the Ming Dynasty. Chiang s book "Research on Tang Yin" is a classic example of art history research. The exhibition curated by Chiang called has gradually developed his new style by absorbing the master
Chiang s works are elegant and ease. From the profound tradition, Chiang created a "new" environment and leads the "new literati" style in the Chinese model of Chinese painting and calligraphy. The collections, exhibitions and administrations of museum, and the model Chiang has built still has great ( 1949-2013) 1980
CHU Teh Chun ( 1920-2014)
1941 1949 教
1955 1958 1964 1987 1997 2006 獎 2014 3 26 94 1961 1997 1955 Nicolas de Steal
Museum, in 1977, Chu was honored by the Academie des Beaux-Arts de France and elected as a member of institute. On 26 March 2014, Chu Tehs painting style. That was when he began to fuse the tradition Chinese colors and the freely formed
CHUANG Che 喆 ( b. 1934)
喆 CHUANG Che 喆 1948 1958 •1 966 1973 1988 1992
1988, moved to New York- concentrated on his abstract paintings, and was invited by the Taipei Fine Art Museum to hold a solo exhibition in 1992. ( b. 1922) 1942 1946 1949 by Xu to teach in Central Academy of Fine Arts as a TA and became an instructor in 1949. The style of his work is mainly realistic, with extensive themes. During his artistic career for over 50 years, he had participated in many national and international exhibitions.
( 1904-1989) 1904-1989 1904
Dali he was born in 1904 in Figueres, Catalonia in Spain, he was referred to the most vigorous artist of the 20th in the art history. Dali Dali
DU Yong Qiao ( 1934-2007) 70 80 1997 1949 1989 60 circles from the 1970s to the 1980s were deeply instructed. His works have won the second prize in the Sichuan Youth Art Exhibition, the third prize in the National collectors are also located in China, Taiwan, Japan, Singapore, the United States, Canada and Greece. His life has been included in the catalogues such as "1949-1989 • • ( 1716-1791) • • 1716 1754
( 1913-1982) 1933 1939 1951 1953 1960 1980 1996 participated in the Chinese National Art Association, where he was nominated by the great artist Xu Beiming as
s work have been by Xu Beiming, the ( 1928-2005) 1928 1954 1975 1971-1974 1991 1992 1955-1991 1996 20002001 2001-2002 2003 2006 2010-2011
FU Chuan Fu ( 1871-1937) FU Chuan Fu 1871-1937 邨 ( 1926-2007) 1926-2007 1926 SaintQuentin 1952 1957 painting trend.
HO Chau Chu ( b. 1931) 1931 1950
painted the landscapes of Taiwan, and has traveled to Japan, Southeast Asia, Europe and the United States many times to visit art museums and travel ( b. 1935) 1954 1956 1957 Hsiao Chin was born in Shanghai, China in 1935. He graduated from National Taipei Normal University with Art
color tone that was Chinese scholar s theme with Chinese calligraphy s cursive style.
HU Shan Yu ( 1909-1993) 1909 1929 1932 1935 1980 1933 s Student. According to his great performance in class, he went abrosd in France in 1932 and
Shanghai Art Museum held a special retrospective exhibition for him and was loved by people. ( 1912-1996) 1927 1930 1938 7
powerful compassion for the toiling workers and the elderly, emanating from his works, never fail to touch the spectators. The aboriginal people, nude painted a series of landscapes celebrating sunlight. Still, his pieces on the miners always remain his signature works.
HUANG Chou ( 1925-1997) ,
From the end of the Northern Song Dynasty to the beginning of the Southern Song Dynasty, the trader, baby play, farming and weaving, and forest animal husbandry paintings broke down the barriers of social class and marked new achievements in painting in the feudal era. However, these themes countryside, and interprets the profound praise for the new life and new atmosphere. ( 1928-2011) 46 76 ( b. 1941) 1950 1961 1971 40 1980 2010
HUANG Guang Nan ( b. 1944) 1944 60 ( b.1948) 1976 1979 Semions 1981 1982 1983 1992 2001
He has won many awards such as 36th Taiwan Exhibition (1982) and 35th Taiwan Exhibition (1981). After his achievement in steel sculpture, he applied the knowledge and skills of sculptures making into paintings. His paintings as in sculptures ( b. 1970) 1970 1991 2004 2006 2007 2008 2008 2008 Exhibition" (2007, Nagoya, Japan), "Taipei Art Fair" (2008, Taipei) , "Osaka Art Fair" (2008, Osaka), "Tokyo New Contemporary Art Fair" (2008, Tokyo). ( 1928-2002) 1952 1955 1953 1956 1960 1962 1970 ( b.1949) 1949 1986 2007 20 90 20 1990 1999 2009 2011 2015 2016
( b. 1942) 1965 1992 10 1993 , 1994 1995 ( ) around the Taihang Mountains in northern China, and he is engaged in landscape painting creation and art research in the the germination and growth of the new academic concept of landscape painting.
Academy of Fine Arts. Some of his works were exhibited in more than 10 countries and regions including the United States, France, Switzerland, JU Ming ( b.1938) JU Ming (b.1938) 1953 1955 1956 1968 1976 1978 1981 1989 1999 2000 Tokyo Creation Award 2005 2007 excellent youths of Taiwan. His international exhibition was held at the Tokyo Central Museum of Art in 1978 and his work collected by the Sculpture ( b.1983 1983 2010
( b.1929)
1956 1966
Claes Oldenburg and Jasper Johns together. She has a wide artistic practice, including painting, collage, Endless Mirror Room reveals the endless and the uncontrollable of life. ( b. 1974) 1996 1999 realmad Hectic Bounty Hunter XX s degree in 1996.
small vinyl toys Companion sector of art. Many other various editions of Companion ( b.1969) 1969 1992 ( b.1983 ) 1983 2010
s perplexity.
s sculptures are characteristic based on cute appearance, deep insight, and professional works are popular and set multiple sold out records.
( 1908-2012) ( 1902-1983) 1947 1950 1967 1977 SanhsiaTsushih Temple, they think of him. He also had taught in Chinese Culture University, National Taiwan University of Arts, and Taipei Teacher from his illness.
( 1912-1984) 1935 1943 1946 1945 1949 1951 1957 1965 1982
( 1938-2019) 1938 1958 1960 ( b.1941) 2022 55 ( b. 1942) 1945 1970 2017 2019 emotions and the spirit of the times.Since 1970, her works have been exhibited around the world and collected in the National ( 1902-1976) 1922 1924 1927 1928 9 1934 1962 1964 1968 1970 1976 s contribution.
( b. 1979) 1979 2002 2003
Arts Award with three self-portraits of "Birdman", which won unanimous praise from the academic circles. He did not blindly follow the trend of installation art and continued to use painting as a creative method. He has already declared ( 1920-2015) 1920 1980 ( 1900-1991) 1918 1925 1977 the Salon d Central Academy of Fine Art). ( 1912-1985) 1932 1942 1949 1953 1994
won special honor in the Fifth Art
painting album. His work can be found in the collection of National China Art Gallery as well as institutions and individuals from overseas. ( 1913-1991) 1913 retired from farm chores. He used basic tools like hammer and chisel to create works. By the time he passed away, most representative autodidactic artists. His artwork is of simplicity and naivety, and this is why it arouses so much ( 1917-2008) 1928 1934 1939 1940 2600 1941 1942 5 6 1945 1946 1954 1963 1972 1977 1979 1981 1982 1985 1986 1989 1990 1997 2006 ( b.1936) 1936 3
( 1912-2002) 1920 1954 1951 1962 1990
aboriginal art researching and had been to Central America and South East Asia to collect the art resource and published , and Aboriginal Art and Culture in Taiwan work is more extensive. He streamlined the image, lines and color expression, and to visualize the abstract theme into concrete image and giving the work diversity and humanity. His signature of early works were in English and AD Chronicles but later mostly with phonetic symbols and Chinese ( b. 1919) 40 羣 2018 99
Born in 1919, Hanyang, Hubei. He has successively served as professor and master tutor of Hubei Academy of Arts, Hubei Academy of Fine Arts always adhered to the creative principles of realism in his art for scholar visits and cultural exchanges. Died in 2018 at the age of 99.
MA Shou Hua ( 1893-1977)
( 1909-2003) 1929 1949 1975 1964 1965 1979 1999 2003
used for art education nowadays. Furthermore, the awards he had received are countless. Altogether, they came from not only Taiwanese Government in the United States.
( 1884-1920) 1884 1898 • Guglielmo Micheli
• • 19 the Expressionist school.
NARA Yoshitomo ( b.1959 1980 1990
Born in Hirosaki City, Aomori, Japan, Yoshitomo now lives in Tokyo. Having most of his early works in illustrations, Yoshitomo developed in the late 1980s portraits of seemingly innocuous
( b.1970) 2016 2004 2005
Fascinated Moment in Taichung. She creates three-dimensional works with varied and vivid expressions by hand with wood and matte glass. Through the ( b.1988
1 988 2012
Japanese art circle, causing a sensation of healing. Her works are mainly wooden carving dolls that are full of tactile warmth, most of them kept
OBATA Taku ( b.1980)
畑 1980 1999 2006 2007 BBOYGER 2008 2008 ! Breaking awarded the . Hip Hop Culture is the most important element of his artistic creation. The Figures with long hair bangs is his common design feature of hiding the eyes. The craving patterns and
OU Hao Nien ( b. 1935) 1970 ( )
( b.1936)
( 1895-1977) 1 8 13 1913 1917 1920 9 1921 7 1925 Accademia di Belle Arti di Roma 1926 1 1928 11 1931 7 1932 12 1935 9 1936 1 1937 1945 3 1956 1964 1965 1977 6 13 7 22 Cimetière Montparnasse ( 1881-1973) 1881 1900 works, including paintings, drawings, sculpture, original lithographs, etchings, linoleum cuts and ceramics. No single artist has had a ( 1896-1963) 8 10
( b.1944)
1944 1983 1984
Fuxi had won silver medal in French Spring Exhibit in 1983 while Grapes under Sheds was selected in French Spring Ma Nu ( 1903-1979) and brushwork of Chinese ink painting in his creation to establish creative direction of exploration and research. ( 1923-1981) 1941 琹 reality. At this time, he came up the idea of present place and life as his inspiration and depicts Taiwan with devoutness.
SHEN Che Tsai ( 1926-2017) 1938 40 1995
of History in Taiwan. His 70 years retrospective exhibition was held in National Taiwan Museum of Fine Arts in 1995.His works can be found in the public collection of the National Taiwan Museum of Fine Arts.
SHEN Xiao Tung ( b. 1968) 1989 1992 1994 1997 2001 2001 2007
SUN Yun Sheng ( 1918-2000) 1936 1938 3
Antoni Tàpies ( 1923-2012) • Antoni Tàpies 1923 A T X
painter explained, the communication of the voices deep inside my heart. These colors are very much in close proximity to the world of philosophy.
( 1928-1989)
osamushi osamu shi osamushi 40 400 60 ( 1929-2010) 1946 1952 1960 One Cent 1977
Red Mouth 2001 awarded a fellowship from the John Simon Guggenheim Foundation and published Red Mouth, a book of erotic drawings and paintings. Since 2001, he has resided in Amsterdam. His works can be found by many museums, including Metropolitan Museum in New York and Guggenheim Museum.
( b.1936) 1939 1948 1954 1957 1962 1980 1993 1995 1998 2011 30 334.75 ( 1876 - 1958) 1892 1900 (Chatou)
1905 1908 colors and rough brushstrokes.
( b.1933)
Cours Charpentier 1955 each work.
The artist lives and works in France. He also travels around the world with ardent curiosity, and depiction of fantasy women is full of romantic atmosphere.
( b. 1912) 1912 3 14 , 1939 1942 1987
The Ending Days of the Japanese Thieves , The Sceneries of the Three Gorges , and s Body ( 1909-2017) 1909 1936 1949 1973 1987 1992 2001 2003 6 2017 2018
brushstrokes to stack up various metaphorical symbols of the painter emotional and poetic tension. ( 1927-2014) 1927-2014 1951 1961 1960 reducing the use of colors while making the strokes smoother. He often chose performances with musical instruments, s works in widely collected by leading institutions and museums of the world, including New York Modern Museum of ( 1923-2013) 1948 1960 ( 1932-2019) 1932 1996 1988 2001 s paintings express cheerful, vital, and his own style.
( b. 1935) 1971
( b.1957) 1979 1985 1998
XUE Song ( b. 1965)
XUE Song 1988 1992 1996 2002 2001 2002 2003 1996 1997 2002
Shanghai. Xue Song is a contemporary Chinese artist, who s style of collage is characterized by the burning readymade images and his rearrangement of the burnt fragments on the canvas. This symbolic destruction and rebirth or deconstruction and reconstruction underline the significance of his artistic practice, as well as fashions a brand new visuality. His solo exhibitions include the British Embassy in
YAMAMOTO Mayuka ( b.1964) 1964 1990 1999 1992
YEH Huo Cheng ( YEH Huo Cheng 1927 1959 14 27 1965 1993
Born in Taichung . Yeh was graduated from the Taipei Second Normal College in 1928. Since 1927, his painting was Association. Yeh passed away at age of 85 in 1993. ( 1907-1995) 1915 1923 1927 1929 1931 1934 1948 1985 1989 1991 1992 1995 1973 1983 1986 1995
Historical Museum. For YANG ( 1913-1995) 1913
collectors.
YANG Yu Yu ( 1926-1997)
Yuyu YANG 1926 learning sculpture at the National Academy of Art in Rome. During 1960
YANG Shin Sheng ( 1938-2013) 1 938 1965 Born in Chianghsi. Yang is a graduate of the National Taiwan Normal University. Since 1965 he has held many solo Arts Gallery and is now the proprietor of the Seventh Fine Arts Gallery. YANG Shin Sheng is the main representative of traveled to many small schools in Taiwan. The towns and villages vividly present the sceneries of pastoral beauty to the viewers.
YANG Shi Hong ( b.1947)
1947 1968 1979 and courage, it also challenges the artist
YUAN Xiao Fang ( b. 1961) 1986 1992 90 1993 93 1994 1995 95 1996 1997 1998 1999 2000 ( 1917-2000) 1917 1930 1945 • 1950 1958 ( b.1928) 1952 2013 and bold color blocks, which has a childlike imagination. Because his father ran a grocery store in the ancient street, ( b.1968)
1999 1999 2000 8 she held a solo exhibition in Taipei, and participated in a group exhibition held by Chuan Cheng Art Center in 2000.
( b.1932)
( 1892-1996)
Selection" and so on. Former executive director of Shanghai Artists Association. His ancestral home
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