TOE 2016/17 Advanced Course 《Connections 連繫．一班人》

連繫，一班人 Connections 2016/17

憧憬世界 攝影教育計劃進階課程

Through Our Eyes Photography Education Programme

advanced course

1

2

前言

Preface

觀看別人的生命終章是一件甚麼樣的事？我們

How is it like to observe others during the last chapter of their lives?

又能從中得到甚麼啟發？

What do we learn from it?

「憧憬世界」攝影教育計劃（「憧憬世界」）的

Thomas Lin, Artist Educator of Through Our Eyes (TOE) Photography

資深藝術導師——練錦順為末期病人拍攝家庭

Education Programme, has been taking family photos for terminally

照已有一段日子。以悲傷來迎接死亡一向是理

ill patients for some time. We often have a mournful attitude towards

所當然，在練錦順拍攝的家庭照片中，看到的

death, but in the family portraits taken by Thomas, I see warmth

是一種溫馨愉快的感覺，像是一家人聚在一起，

and happiness, just like when a family has spent a balmy afternoon

享受了一個和暖的下午。他帶領「憧憬世界」

together. He brought his students of the TOE advanced course

進階課程連繫——「一班人」的學員為末期病

“Connections” to those family photo shoots. And they made use of this

人拍攝家庭照，為了更能明白鏡頭下攝影師與

experience to understand the connections between the photographer

被攝者之間的關係，以及那一剎的張力，大家

and the photographed, and the powerful moments that give life to

都珍惜拍攝的當下，從而為那張家庭照片注入

photo works.

生命。 This year, our students at the workshop not only gained knowledge 透過學習拍攝人像及珍惜一瞬即逝的情感，今

in portrait photography, but also learned to cherish the subtle,

年的學員學習認真地對待被攝者及拍攝的那一

transitory emotions waiting to be captured. They learned to respect

刻，並找來自己希望拍攝的對象，將精神注入

the photographed subjects and treasure the moments when the shutter

鏡頭內，眼前的人、事、物都在那一瞬連繫到

was pressed. They also invited their own photo subjects and put

拍攝者的內在情感裡。所以，從照片中看到的，

their soul into their creations. The people, objects and interactions

是人與人、人與境的關係。在現今社會，這種

were captured at a particular moment, thereby connecting the

態度及凝視實在難能可貴。感謝參與這項「憧

photographer to their internal feelings. What we see in the photos

憬世界」計劃的同僚、藝術導師及學員，我們

are the relationships between people, also how they interact with the

將工作坊一整年的心機與成果結集，是為了給

environment. This attitude and photographer's gaze are rare qualities

曾參與其中的人一份珍貴而可流傳的紀念，也

to possess nowadays. I would like to thank my team at TOE, Thomas

希望將這份心意保存及分享。

and his students for participating in this project. Here we present to you their invaluable achievement after a whole year's work, a memory

黃淑琪

to be treasured and be shared.

「憧憬世界」攝影教育計劃總監

2017 年 5 月

Ki Wong Through Our Eyes Photography Education Programme Director May 2017

3

4

連繫

Connections

要為末期病人的家庭拍照，對於慣常用實驗態

I usually apply an experimental approach to photography, but it

度去攝影的我，並不是一件容易的事。經過一

doesn’t seem to fit with the theme of this project about terminally ill

番掙扎，我決定將所謂的「創作」放到最低位

patients and their family. After some struggles, I decided to downplay

置，因為這題材本身已是一個很明確的訊息，

the so-called “creativity” as the theme itself already delivers a very

我要做的就是讓這訊息「好好的」傳遞出來，

clear message. What I have to do is to express it well by taking each

即 是 要 把 每 幅 照 片 都 以 直 接 的 手 法 去「 好 好

photograph “properly”. By “properly” I refer not only to the skills, but

的」拍攝下來。「好好的」除了是攝影技術的

letting patients feel the warmth of love during the project.

處理之外，最重要是令拍攝對象感受到一份關 懷。

If there should be any creative elements in this series, they would have come from family members who longed to receive a unique

如果照片是有創作成份的話，相信就是每個家

photograph, and the connections among people that I have observed

庭在鏡頭前所流露的對這幅別有意義的家庭照

during the shoots. Behind the camera, I was moved so much by them

的那份期許，和我從中觀察到人與人之間的連

and often needed to finish my work with a mixed feeling. Apart from

繫。而在鏡頭後的我，卻受到強烈的感染，以

the photo shoots, I also jotted down a few words from the patients.

致常在複雜的心情下完成拍攝工作。在拍攝之

Not only do they serve as captions of the photos, they also provide a

餘，我還特意為病人記下了一些說話作為相片

chance for the patients to tell their stories. For me, this is in fact the

的說明，亦好讓病人訴說一下心事。其實這部

most difficult part of the whole process.

份才是最艱難的任務。 Life is impermanent, and photography possesses very limited power. It 面對生命無常，攝影的力量其實很有限，唯有

is only with the support of their families that these photos can achieve

家人的互相扶持，才令照片變成一種心靈上的

their goals of encouraging and comforting the patients.

安慰和鼓勵。 I would like to thank those who initiated and supported this project, 感謝所有發起及幫助這次攝影計劃的機構、學

especially the participating families. I am also indebted to the staff of

生和朋友，特別是參與的每個家庭，他們給了

North District Hospital Hospice Centre, Grantham Hospital Hospice

我莫大的鼓勵，還有令計劃成事的北區醫院寧

Centre and Queen Mary Hospital Hospice Centre. I wouldn’t be able

養中心、葛量洪醫院寧養中心及瑪麗醫院寧養

to complete this project without their support.

中心仝人等。 Thomas Lin 練錦順

May 2017

2017 年 5 月

5

馮淑貞：「我 66 歲。今日拍大合照好開心。只要身邊有家人支持，我就不用擔心我的病了。」 Ms Fung, “I am 66 years old. I had a good time taking a big family photo today. As long as there is family support, I feel no fear of my illness.”

6

王燕君：「我們相愛相親，同意嗎？」 Ms Wong, “We love each other. Don’t you agree?.”

7

王新懷：「患病雖然是不幸，但我能夠與病共存，全因身邊很多人的支持，我覺得這樣反而是一種幸福。」 Mr Wong, “It is difficult, but I am able to learn to live with my illness, all because of the support of my loved ones around. I feel so blessed.”

8

謝惠如：「回想當年新婚後便要經歷生關死劫，沒想到後來還可以為家庭帶來新生命，現在一對仔女都長大了，我覺得自 己完成了使命，很滿足了。」 Ms Tse, ”Just after our wedding, I was nearly killed by this rare disease and did not expect later I was able to bring new life to the family. Now that my two children have grown up, I feel so complete.”

9

翁賜經：「我的妹妹比我年輕 20 歲，1966 年她十幾歲來香港時我們才初次見面。現在她照顧我，多謝她！」 Mr Yung, “My sister is 20 years younger than me. In 1966, we met for the first time when she came to Hong Kong in her teens.

Now she takes care of me, I want to say thank you to her!”

10

范昌明：「我行動不便，幸好有家人照顧。我的願望是可以照顧自己，不要令他們擔心。」 Mr Fan, “I am physically challenged. I am lucky to have my family to look after me. I hope I could take care of myself so that they don’t have to worry about me.”

11

鄭義和：「之前因為腳痛未能成事，今天很高興終於可以拍照，這是很好的紀念。我覺得醫護人員都比親人好，感謝他們 一直以來的照顧！」 Mr Cheng, “Because of my foot pain we failed to take this picture last time, but today we finally made it. It is a good memento.

I feel more loved by the medical crew than my own family. I owe them a big thank you!”

12

劉姑娘 ( 葛量洪醫院 )：「我們在這裡相知相遇、彼此鼓勵和支持，連繫著一份如家人般的感情。」 Ms Lau (a staff at Grantham Hospital), “We meet and support each other here. We are connected like a big family.”

13

連繫，一班人 就記錄人與世界的關係而言，攝影是最為具體 的。或者說，無論如何，要拍攝一個純粹而脫 離世界關係的人是不可能的，因為照片之中最 少也有人和光、時間的關係。看人的照片，就 是看人與世界的關係。我們喜歡拍大合照，這 不單反映我們重視互相之間的關係，更因為拍 大合照是把無形的象徵，轉化為具體的形象， 是一個肯定關係的儀式。

連繫——「一班人」工作坊以「人的集體」作 為議題，以人文及美學角度，運用攝影探討人 的關係和集體背後的故事，希望藉作品呈現人 類連繫的價值，並反映社會境況。本課程分為 理論及技巧訓練、案例實習和個人作品三部分。 實習方面，導師帶領學員參與其攝影計劃，到 醫院為末期病人拍攝家庭照，希望透過特殊的 題材和拍攝經歷，幫助了解群像攝影的技術運 作，也明白攝者跟被攝者的互動關係。

在個人作品方面，各學員都因應自定的對象， 以不同的形式為他們拍攝一幅合照及一輯影像 故事。學員來自不同背景，大都是首次以系列 影像形式去構思作品，在過程中他們都遇到不 同的困難，除了拍攝技術及掌控影像語言之外， 尋找對象、溝通和把握拍攝機會等，都令他們 體會到人的互信和連繫是得來不易，這更顯得 攝影作為肯定關係的儀式，其意義重大。

練錦順 「憧憬世界」攝影教育計劃藝術導師

2017 年 6 月

14

TOE advanced course “Connections” Photography is the most prominent way of

about group photography, but also let them

expressing the relationship between human

experience how the photographer interacted

and the world. Or let's say in a photograph,

with people during a shoot.

people and the outside world are inseparable.

At the ver y least, it reveals the relationship

At the la st par t of the work shop, student s

b etwe en them and light or time. When we

picked their own photo subjects, carried out a

look at portraits, we look at how a person or

group photo shoot in different styles and told

a group of people are connected to the world.

a story with their own photographs. Coming

We l i ke to t a ke g ro u p p h o to s n o t o n l y to

from different backgrounds , most of our

reveal the mutual bond between us, but also

students worked in a photo series for the first

to perform this ritual to confirm our social

time during the workshop. They came across

relationships . In other words , taking group

challenges not only in mastering techniques

photos is a process of transforming intangible

and the visual language of photography, but

bonds into tangible images.

also in seeking and communicating with th e i r p h o to s u b j e c t s , a s w el l a s c ap tu r i n g

Inspired by the collective behaviour of people,

the right moments. Eventually, they realised

t h e TO E a d v a n c e d c o u r s e “ C o n n e c t i o n s ”

that it is not easy to establish mutual-trust

explored human relationships and the stories

a n d co n n e c t i o n s w i th o th e r s , p ro v i n g th e

b ehind them f rom an ar t s and humanitie s

importance of photography as a ritual that

perspective. Through the photo work of

connects people.

participating students, we attempt to convey the emotional conne ction b e twe en p e ople

Thomas Lin

and address the social issues we have today.

TOE Artist Educator

The workshop was divided into three parts,

June 2017

namely theories and techniques , case study and individual project. In the case study part, students were invited to take part in a photography project of mine and take family photos for terminally ill patients. The unique subject matter and experience not only h el p e d student s gain te ch n i c al k n owle d ge

15

樂聚

Enjoy Music

以「一首歌的時間，沒有觀眾的 busking 」作

“A busking performance without audience” – this idea came to

為開始，我於中環街頭認識了一對 busking 的

my mind when I first met this busking couple in Central. They are

夫婦，他們名叫 GM5 。

GM5.

每張記錄 GM5 的相片，都用了一首歌的曝光

Every photo of GM5's performances was taken with an exposure

時間，只要途人願意停留一首歌的時間，相片

time within the length of one song. People willing to stop and listen

就會有他們的影像出現。相反，即使街上的人

to a song were captured in my photos. Even though there were lots

流很多，如果沒有一位途人願意停下來欣賞，

of people on the street, sometimes there were no audience, so only

相片就只會留下 GM5 的影像。

GM5 would appear on those images.

音樂可以聚眾，將一班陌生路人聚集於街頭，

Music gathers people. Audience who are willing to spare a song's

願 意 停 下 的 觀 眾 在 那 一 首 歌 的 時 間 中， 便 與

time become music lovers like GM5. When there are no audience,

GM5 一 起 成 為 熱 愛 音 樂 的 人。 於 匆 匆 忙 忙 的

GM5 are still happy to share their music and passion in front of no

途 人 面 前 依 然 繼 續 表 演 的 GM5 ， 也 仍 然 熱 愛

one.

分享音樂。 Chan Ka Man 陳嘉敏 「憧憬世界」進階課程學員

16

Through Our Eyes advanced course participant

17

18

19

20

21

22

23

他們的「禮物」

The “gifts”

他們本來互不相識，但因為一個信念所以聚在

They used to be strangers to each other, but they came together

一起。這班人並不是清道夫，也沒有收取任何

for a cause. They were not cleaners. They were not paid. All they

薪金。他們都希望將山野中的「禮物」帶離一

wanted to do was to bring the “gifts” away from nature. Those gifts

個不屬於它的地方。這些「禮物」並不是珍貴

were not something valuable but rubbish left behind by hikers.

的 甚 麼， 而 是 另 一 些 登 山 人 士 遺 留 下 來 的 垃 圾。

They did not want to receive any more “gifts”, hoping that our nature would show its tranquil beauty again.

一袋、兩袋、三袋…… 他們都不想再收到「禮 物」，但願山野能回復它的寧靜。

Shirley Chan Through Our Eyes advanced course participant

陳佩珊 「憧憬世界」進階課程學員

24

25

26

27

28

29

30

31

活著

To live with it

有段時間我周末都往田裡去，每每在村口下車，

Home can be a site of resistance.

走了十分鐘只見路上一大片充滿泥頭的爛地， 一排營養不良的樹只在等待賠償，而噴了打草

Every time on my way to the farm, I cannot avoid the sight of

水的荒地，連野草都敬而遠之。這片焦土的盡

destruction – an empty land with a few dying trees as the result of

頭，婆婆仍在種菜，幾十年了，婆婆也想過退

herbicide.

休去，但兩年前阿芝和 CX 加入打理農地，她 也樂得繼續「陪跑」，自此日夜一起生活工作。

At the edge of that deserted land, Popo (literally meaning Grandma in Cantonese) is still farming on the same land where she has been

我常思索家庭的意義，或者，他們這種生活方

growing food for decades. Chung-xi and Chi joined her two years ago

式，也是預示某種構成關係的可能，某種足以

when she was about to give up after her husband had passed away.

抵抗資本主義和發展主義的可能。這些相片，

Since then, they have been living and working together.

並非對種田的浪漫想像，只是對另一種生活方 式（和當中掙扎）的個人觀察。

As a queer I have always wondered what makes a family and what creates the bond. This commune is suggesting a possibility that is long

張紫茵 「憧憬世界」進階課程學員

forgotten, or a new possibility now – a way to be highly self-sufficient, and a way to form bonds with a shared value instead of kinship, or even a way to resist over-development and capitalism.

This series of images are not romanticised portraits of farmers or organic agriculture, but instead a rather personal observation towards these individuals who are attempting and struggling to live differently.

Dorothy Cheung Through Our Eyes advanced course participant

32

33

34

35

36

37

38

39

40

41

42

43

Studio 1817 大學畢業後，我和幾位同學希望能繼續進行創作。但礙於 土地問題，物理空間不足成了創作者的共同難題。於是我 們決定合租一個工廈單位，在寸金尺土的香港尋找一點點 的空間。

詹志豪 「憧憬世界」進階課程學員

Studio 1817 In Hong Kong, there's little space to be creative. High rents and population density have been critical issues for Hong Kong artists. So, several college friends and I decided to rent a shared studio at an industrial building after graduation. We developed a space where we can get together, connect and explore art in the claustrophobic Hong Kong.

Chim Chi Ho Through Our Eyes advanced course participant

44

45

46

47

48

49

50

51

52

53

54

55

人一班

One for all, all for one

興趣使然，香港人為咗一樣興趣可以去到幾盡

How far are Hongkongers willing to go for their passion?

呢？想知。 Group 1 : 團體一：

Fans of classic game consoles.

那些年我們玩過的遊戲機。

A group of Facebook buddies who like game consoles from the

在 Facebook 認識的一班愛打機的人，

70s, 80s and more meet up in Kwai Hing regularly.

主要討論有關 70 至 80 年代開始的手提機、紅

They are mainly obsessed withSFC, Sega, PC Engine, PS, Xbox,

白 機、 超 任、 世 嘉、PC engine、PS、Xbox、

PSP andNDS.

PSP、NDS 等等陪著我們成長的遊戲機……

Group 2 : 團體二：

Game Valley.

Game Valley。

Founded by buddies from the post-80s and 90s generations who

由九位在 WhatsApp 認識、熱愛團體活動的 80

love board games soooo much.

及 90 後年輕人共同成立。 Alex Fok 霍錦榮 「憧憬世界」進階課程學員

56

Through Our Eyes advanced course participant

57

58

59

60

61

62

63

無聲 幕前的情況大家有機會見到，但背後的一班人 為演出而默默耕耘時，你未必會看得見。

溫先生是一位音響設計師，在演出前每每通宵 達旦，為演出而創作最好的音樂。這是他的工 作空間，你會有興趣嗎？

高文傑 「憧憬世界」進階課程學員

MUTE We see performances of all kinds every day. Have you ever thought about those hard-working people at the back of the stage?

Mr Wan is a sound designer who used to work until late on the finest of music. Let's have a look at his workplace.

Ko Man Kit Through Our Eyes advanced course participant

64

65

66

67

68

69

70

71

電單車男

Motorbikers

一班鍾情電單車的中年男人。

This is a group of middle-aged men who love motor bikes.

四輪車、兩輪車，同樣是代步的車子，為甚麼

Both cars and motorbikes can bring us to where we want to go, but

程程對電單車的情卻如此深？

why does Ching love motorbikes more?

「騎上電單車，它的速度、它的方向就像與我同 在，我可以完全控制它一樣，自由無拘束。」

“I can feel its speed. I can feel its directions. I can totally control my bike. When I ride it, I feel I am free and relaxed,” he said.

他說。 “Cars move your body. Motorbikes move your soul.” – this is the 「四輪驅動身體，兩輪騎動靈魂 」解釋了他們

reason why he fell in love with two-wheelers.

為何更喜歡兩輪電單車。 In a depressive urban society we live in, each person has his or her own 抑鬱的城市生活，各人也有自己釋壓的小天地，

way to relieve stress. Ching rides his motorbike around Hong Kong

除了假日會騎車走遍香港，他平日放工後都會

during holidays, helps his fellow motorbikers fix their bikes of the

幫同款車車友維修或和他們來個宵夜小聚。當

same model and enjoys the late-night snacks with them together. The

中程程與電單車的邂逅，我想，就是在他嚮往

freedom and the soul of a motorbiker is, I believe, what connects Ching

擁有自由靈魂的第一天。

and his bike and also his motorbiking buddies.

人是善忘的，特別是香港人。生活都有著壓力，

Humans are forgetful beings, especially Hongkongers. Life sucks,

特別是香港人。我被這種熱忱感動。堅持，堅

especially Hongkongers'. I am so moved by Ching’s passion. If we

持自己喜歡的事情，堅持的精神，很難卻來得

persist to do something that we like, we create a spirit of persistence.

珍貴。我很喜歡這種熱忱，因為熱忱而連繫其

That is invaluable. Passion helps us to connect ourselves to others with

他擁有同樣熱忱的人，生活需要這種正能量。

the same hobby. I love this passion and our lives need it.

練寶儀

Summer Lin

「憧憬世界」進階課程學員

72

Through Our Eyes advanced course participant

73

74

75

76

77

78

79

80

81

音「街」 Busking，一班年輕人（阿嵐、Kelvin 和 Tommy）不約而 同走到街上表演，向路人宣揚自己的音樂。他們在公共空 間唱歌，可能只得到途人的幾秒注目，亦會有一些人停下 來細心欣賞。

而最難得的是，以一種以歌會友的心態獻唱，更能聚集到 一班志同道合的朋友或其他表演者。

可能有些人覺得 busking 只是一種表演方式，可能是「賣 唱」。但我覺得 busking 是一種精神，一種感染力，一種 凝聚力量。

而音樂，聚集了這班人。

吳嘉倩 「憧憬世界」進階課程學員

The notes Music can connect people. Ar Nam, Kelvin and Tommy do busking after work or school. Through playing music, they share their dreams, their thoughts and their passion in singing.

Music brings them together while they share their music with others.

Cindy Ng Through Our Eyes advanced course participant

82

83

84

85

86

87

以後，還有…… 人與人之間，聚有時，散有時。 家人、相識多年的朋友，感激您們走進我的生命裏。 把握這一刻，用拍攝記下回憶。 就讓這一輯相片作為禮物，送給您們。

吳嘉恩 「憧憬世界」進階課程學員

After that...

Dear family and friends, I feel grateful that you are in my life.

Grasp this moment.

Let these photos be a gift to you all.

Elaine Ng Through Our Eyes advanced course participant

88

89

90

91

92

93

94

95

老豆 這個攝影作品的意念是來自我和爸爸的關係，我記得童年 時我和爸爸是比較親近，相反到長大後，我覺得我和他的 關係好似很熟悉，但又好陌生。在家中，他很少講自己的 事，在單獨相處時，我們都不會有太多說話，所以今次「連 繫，一班人」的主題，是一個主動去了解我爸爸的好機會， 透過觀察、訪問他和地盤的拍檔，以攝影出發，再次認識 他多一點，以作品拉近彼此之間的連繫。今次攝影的過程 很難忘，因為我第一次跟爸爸一大朝早去地盤和接爸爸放 工。

曾蘊兒 「憧憬世界」進階課程學員

Dad Through photography and interviews, I tried to understand my father from a different angle and let the project reconnect us.

Sharon Tsang Through Our Eyes advanced course participant

工作十幾年的拍檔。 Coworkers for more than ten years.

96

97

單車，我們共同的興趣習慣。 Cycling is our common hobby.

在啟德郵輪碼頭附近的一個地盤，等候老豆放工。( 右下 ) Waiting for dad to get off from work at a construction site near Kai Tak Cruise Terminal. (bottom right)

98

99

4 月 29 日訪問： 你們認識 30 幾年，覺得我老 豆點？ 「 傻 既 …… 見 到 仔 女 就 會 唔 同左樣……豪氣，成日請我 飲茶食飯。」 Interview on 29th April: “You have known each other for 30-something years. What do you think about my dad?

“He is a crazy guy, but he appears different in front of his children. He is also bold and generous… He treats me to meals quite often.”

他們年輕時的舊照片。 Old photos taken when they were young.

100

6 月 8 日訪問： 老豆有咩優點？ 「一字記之曰：好。」 Interview on 8th June: “ What's great about my dad?” “ He is GREAT.”

1985 年職訓局建造業泥水全科學徒 訓練手冊，原來老豆當年抄嘅筆記係 咁整齊。 Ha n d w r i tte n n o te s b y my d a d i n 1985 during a construction industry training course. My dad’s notes and handwriting are so neat.

101

雖然你有時好囉嗦，但我 也很愛你。 You annoy me sometimes, but I love you.

第一次近距離望著工作中 帶安全帽的老豆。 The first time I see dad with a helmet on at work.

102

103

霉菌 我有愛強迫自己的特點。例如霉菌，驟眼一瞥，很醜，但我總忍不住要看。 霉菌的特性，和人與人的關係有點相似，不經意地，可以成為人的力量， 亦可以使人腐敗，但人擺脫不了人，需要彼此依附。

我明明不喜歡和陌生人接觸，卻又像抗拒不了霉菌一樣，喜歡跑到劇場把 自己暴露人前。在「一人一故事」劇場裡，我作為觀眾，可以說出親身經歷， 演員會即興地把我的故事搬到舞台上演出，他們稱之為送給觀眾的禮物。 不管故事是好是壞，演員及其他觀眾都會接納，然而，這種接納，是有限 期的，會消散的，但正因為彼此只是萍水相逢，才會有這種溫柔。

黃昭怡 「憧憬世界」進階課程學員

Mould I like to make myself do something I do not like, such as looking at mould. It looks ugly at first glance, but I feel driven to look at it. Some characteristics of mould are similar to the relationship between people. While human relationships can give us power, they can also decay us. But after all, one cannot get away from others. We are attached to one another.

I do not like meeting new people. But like the case of mould, I like exposing myself to theatre environments. In Playback Theatre, I could tell my personal stories as an audience. Then, the performers would act out impromptu plays on stage. They call this a present to the audience. Whether my experience is good or bad, the performers and the other audience accept it anyway.

This acceptance is limited to the time when we are in the theatre. It would disappear. Nevertheless, this gentleness only exist because we are strangers meeting by chance.

Wong Chiu Yi Through Our Eyes advanced course participant

104

105

106

107

108

109

110

111

112

113

114

115

在工作坊進行期間，導師給學生推介過日本攝

練寶儀

影家淺田政志的作品，他擅長拍攝大合照，稱

最喜歡第一張相片，這是很好的作品。如果維

之為「留念照片」。在 2009 年，淺田氏憑著【淺

持這種手法，拍攝 50 個版本，就可以成為一個

田家】系列獲得第 34 屆木村伊兵衛攝影獎。適

相集。鼓勵你以後多多拍攝。

逢其會，練錦順找來了淺田政志，在看過部分 學員作品後，他給了一些意見和鼓勵：

吳嘉倩 這輯相之中，最喜歡第一張和第三張，如果可

陳嘉敏

以嘗試不同的鏡頭角度和構圖，效果會更好。

原來香港有一對街頭音樂表演夫婦？我還是第 一次聽聞呢！在日本，這種拍攝對象很珍貴。

曾蘊兒

另外，創作者使用長時間曝光的拍攝方式，充

我能從這輯相片感受到這對父女關係當中的化

分表達觀眾稀少的情況，若果有更多表演者在

學作用。創作者透過拍攝這個行為，來到爸爸

不同場地演唱的照片，會很有趣。

工作的地方，並和他的工作伙伴見面，應該可 以看到爸爸不同的一面吧？如果拍攝更多，一

陳佩珊

定是一件好事。

雖然題目是清理垃圾，但相片表現的氣氛非常 明朗，垃圾的相片非常好，如果有更多會更好。

黃昭怡

這些相片可能會吸引更多人參與這個行動呢。

把霉菌和演員組合在一起，非常不可思議。如 果可以拍攝多點霉菌，或者會更好。能夠注意

張紫茵 創作者選擇和拍攝的對象保持距離，這種處理 很好。拍攝的對象很樸實，我亦能夠從相片感 受到這一份樸實，因此相片能夠充分表達創作 者原本想表達的意思，很有拍攝的觸覺。 詹志豪 相片令人覺得好激動，因為好像有事情準備要 發生。如果 30 年後，同一班人看到這張相，會 有甚麼感想呢？我提議創作者可以把相片放在 每一天都會看到的地方。 霍錦榮 拍攝對象很有趣，應該可以拍攝更多更有趣的 事。我提議可以嘗試不拍攝人，而是拍攝更多 不同遊戲，這個處理方法可能較難表達主題， 但都可以成為有趣的作品。

116

到其他人不會留意的霉菌，是一件好事。

During the workshop, Artist Educator Thomas Lin recommended the work of Japanese photographer Masashi Asada to his students.

Group photography, which Asada regards as “commemorative pictures”, is one major aspect of his photography practice. In 2009, he received the 34th Kimura Ihei Memorial Photography Award for his series “Asadake”. Lin has invited Asada to comment on some participants' photo series. Below is his critique: Chan Ka Man I didn't know there is a busking couple in Hong Kong! In Japan, it is difficult to find such photo subjects . The photographer made good use of long exposures to show how few audience there were during the gigs. It would be even more interesting to include photos of different performers at various locations.

Shirley Chan Although this series is about collecting rubbish, it has a nice positive vibe. The rubbish close-ups are very good. It would be great to have more of them. People can use this series to attract more volunteers!

Dorothy Cheung The photographer chose to keep a distance from her photo subjects, which is a good idea. She managed to show the simple and down-to-earth lifestyle of her photo subjects and deliver her message. She has a good visual sense.

Alex Fok Fascinating photo subjects. The photographer could have capture d e ven more interesting moments. I would suggest taking more photos of the games instead of people. It might be more challenging, but I can foresee interesting results.

Summer Lin The first one is very good and is my favourite.

It can be developed into a series if you do 50 of these. Keep taking photos.

Cindy Ng The first and the third shots are my favourite. It would be even better to try out more angles and compositions.

Sharon Tsang Here I can feel the chemistry between father and daughter. The photographer went to her father's workplace and met his co-workers. She must have discovered a different side of her dad. It's a great thing to do in the long run.

Wong Chiu Yi What a fascinating idea to put mould and actors together in a series. Perhaps it'd be even better to include more mould photos. I'm happy that the photographer pays attention to things others usually don't notice.

Chim Chi Ho I'm so moved by this series . I can feel that something is going to happen. How will they feel when they see this portrait 30 years later? I suggest showing the photo where one can see it every day.

117

鳴謝 【連繫】攝影計劃 2013 - 2017： 所有參與、包括未刊出的家庭 黃曉彥、何月心、梅詠心及團隊（北區醫院寧養中心） 劉慧琪、梁淑敏及團隊（葛量洪醫院寧養中心） 何美玲、陳家健及團隊（瑪麗醫院寧養中心）

「憧憬世界」攝影教育計劃進階課程 連繫——「一班人」： 淺田政志

Acknowledgment "Connections" photography project 2013 - 2017: All participating families, including those not published Polly Wong Hiu Yin, Ho Yuet Sum, Monique Mui Wing Sum and the team (North District Hospital Hospice Centre) Vikki Lau Wai Kee, Edith Leung Suk Mun and the team (Grantham Hospital Hospice Centre) Ho Mei Ling, Chan Ka Kin and the team (Queen Mary Hospital Hospice Centre)

Through Our Eyes Photography Education Programme advanced course "Connections": Asada Masashi

118

「憧憬世界」攝影教育計劃藝術導師： 練錦順

「憧憬世界」攝影教育計劃進階課程 連繫——「一班人」學員： 陳嘉敏、陳佩珊、張紫茵、詹志豪、霍錦榮、 高文傑、練寶儀、吳嘉倩、吳嘉恩、曾蘊兒、 黃昭怡

翻譯及編輯： 陳亦琪、范沁愉

Through Our Eyes Photography Education Programme Artist Educator: Thomas Lin

Through Our Eyes Photography Education Programme advanced course "Connections" participants: Chan Ka Man, Shirley Chan, Dorothy Cheung, Chim Chi Ho, Alex Fok, Ko Man Kit, Summer Lin, Cindy Ng, Elaine Ng, Sharon Tsang, Wong Chiu Yi

Translator and Editor: Ashley Chan, Phoebe Fan

119

連繫，一班人 Connections 2016/17 「憧憬世界」攝影教育計劃進階課程 Through Our Eyes Photography Education Programme advanced course 出版 Publisher: 香港浸會大學視覺藝術院「啟德」研究與發展中心 kaitak, Centre for Research and Development

Academy of Visual Arts, Hong Kong Baptist University 印刷 Printing: 彩印有限公司 Suncolor Printing Co., Ltd.

ISBN ： 978-988-19665-6-8 6-2017 本書為何鴻毅家族基金創辦及資助的「憧憬世界」攝影教育 計劃之一部份。 Th i s b o o k i s p u b l i s h e d a s p a r t o f th e T hr o ug h O ur Ey e s Photography Education Programme founded and funded by The Robert H. N. Ho Family Foundation. 創辦及贊助「憧憬世 界 」 Through Our Eyes Programme is founded and funded by:

「憧憬世界」計劃相機 贊 助 Through Our Eyes Programme Camera Sponsors:

©2017 啟德 Kaitak 本書文章及圖片皆屬作者版權所有，本書任何部份未經版權持有人書面許可，不得作 任何形式之翻印，轉載或翻譯。 The copyright of each article and image in this book remains the property of the author(s). All rights reserved. No parts of this publication may be reproduced, or transmitted in any form or by any means, electronic, mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the copyright holder(s). 本刊物內之意見乃作者個人觀點，作者將文責自負，該等意見不一定代表香港浸會 大學立場。 Opinions expressed in this publication are those of the author(s), who shall assume sole responsibility, and do not necessarily represent the stance of Hong Kong Baptist University.

120