08 GOSPEL NEWS
Gospel Backlash or Blacklash - is Juliet Fletcher is the Creative
Director of GreenTree Productions and Windrush Church and Music. She is also the Founder and Director of the Gospel Music Industry Alliance (GMIA).
A
s I thought about writing this article, for some reason these two words came to me. In fact, although I had heard of the word ‘backlash’, I had never heard of Blacklash. I had to look it up! Some ask: “Why write about something you don’t know anything about?” Well, let me write on the same premise as what they used to say to me, when I first started working as a researcher on gospel music programmes at the BBC: “Juliet, it can be quite useful to have a producer who doesn’t believe in God (like you do), because they come unfettered and neutral to the table. They can often see things from a different perspective to make the programme more accessible to people who don’t believe.”
BEFORE YOU BLACKLASH OR BACKLASH
At the time I didn’t see the point, because making a definitive programme about gospel music, sung by people who believe what they are singing from the experience and impact on their personal lives, in my view didn’t need ‘another perspective’. Let’s take, for example, People Get Ready (PGR) - the TV series of the 1980s that changed the face of British Gospel in and beyond a generation. It was co-hosted by (the now Bishop) John Francis and (now award-winning educator, author and publisher) Juliet Coley, and was authentic, with no compromise. Melanie Miller, who is fondly remembered for one of the many iconic performances of the series, singing ‘Blessed Assurance’, brought herself and the studio audience to tears with her powerfully moving rendition. There was nothing a non-believing producer could add to that. All a good producer can do is give technical and production quality that enables and empowers the very best to be displayed as naturally as possible. Therefore, understanding motives is an important part of deciding whether you BLACKLASH or BACKLASH. Find us on Twitter and Facebook: @KeepTheFaithmag
However, let me make a confession before writing further: I didn’t even know there was a word like Blacklash in existence. I just decided to see if it was a real word, and found it only seems to be used in America. They use it in two main ways: 1. The Black community reacting negatively against someone who says something disrespectful against someone in the Black community 2. The White community reacting negatively against something the Black community has done to express itself
Bishop John Francis
Juliet Coley
CHRISTIAN FAITH AND LASHINGS
To be honest, I had my own reason for writing about BLACKLASH and BACKLASH, although I wasn’t exactly clear on what I wanted to say. So this is a bit of exploratory thought: I think I had concerns about all the happenings since George Floyd’s evil murder, and thinking about Windrush Day 2021. There is a connection in my mind, because of all the stories - both positive and negative - that have emerged about the Black British community, the Church and its music. Some of these feelings have been very intense and sensitive. As a Christian community in Britain, consisting of Black, White and other ethnic groupings, it is our responsibility to respond in a Christ-like way when offence comes.
But is it about ‘turning the other cheek’ as our Lord advises? Was He referring to a literal experience or a principle of behaviour? In 2018, we marked 70 years of a modern British society, inclusive of Commonwealth citizens - particularly Caribbeans, who (in my opinion) undoubtedly are the bedrock of the Black community and Black Church movement. The music of our churches was a salve; we used music as a healing and for protection to our souls. When we sang ‘Blessed Jesus, Hold My Hand’ at the ‘Spirit Of Windrush’ National Service of Thanksgiving at Westminster Abbey, for many of us (at least those I spoke to afterwards) who were children and young people during those early days, we could easily see the deep-rooted meaning that song held for the elders present - namely, the often
