H+R | Issue 15 | Trendsetting Hospitality Design

MKV DESIGN: A HEALTH-GIVING HAVEN FOR MIND, BODY & SOUL FAMILY VALUES | THE DIXON, TOWER BRIDGE, AUTOGRAPH COLLECTION | DESIGNED TO BE DIFFERENT | WYNDHAM GRAND ALGARV INTERNATIONAL POLISH; LOCAL PROVENANCE | THE STORIES WITHIN | HEALING POWERS ISSUE

15 SINGAPORE | HONG KONG | MALAYSIA | INDONESIA | THAILAND | VIETNAM

HOTELRESORTDESIGN.COM

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Brand van Egmond was founded by William Brand in 1989. The atelier, based in The Netherlands, is well known for their artistic and sculptural approach towards lighting.

As all lighting is created by hand, there is also the opportunity for tailor-made lighting: allowing for a perfect customised lighting sculpture for any given space.

Every year new collections are born, and find themselve in some of the most beautiful spaces across the globe. Their clientele ranges from Royals till Rappers. Luxury firms like Louis Vuitton, Chopard and the W Hotels have invited Brand van Egmond to lighten up their spaces, but also some of the most exquisite private residences have embraced their characterful designs.

Brand van Egmond invites you to explore their handmade lighting sculptures on their website, and welcomes your request for personal advice.

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1. William Brand 2. Galaxy 3. Linea 4. Hollywood collection in Chopard www.brandvanegmond.com 3.

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THE NEW GALAXY COLLECTION Design by William Brand

HANDMADE LIGHTING SCULPTURES BRAND VAN EGMOND

Since 1989

The Netherlands +31(0)35 692 1259

info@brandvanegmond.com w w w. b r a n d v a n e g m o n d . c o m

design Mario Bellini - www.bebitalia.com

PUBLISHER’S NOTE

CREATING A BRIGHTER SPACE FOR INSPIRATION These are tough times, yet I think there are bright sparks in between it all. Every one of us at H+R strives to bring a spot of brightness through engaging design stories, with hopes they would uplift you with a touch of inspiration. In the process of curating this issue, we are incredibly thankful that twenty2degrees Design Partnership and MKV Design have come onboard to share their amazing works with us. It is through their breathtaking projects that we can produce this visually-engaging issue.

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s you flip through the pages of this magazine, take a moment to savour it all. Delve into the heartwarming spaces by twenty2degrees accented with cultural nuances and heritage features. Feel the magic that weaves across guestrooms, restaurants and social spaces, and see how they come together in perfect harmony. At the same time, immerse yourself into the sleek and sensual architectural spaces by MKV Design. Notice how each of these projects tells their own design story while reminding us that there is always beauty around us.

Furniture designers are also finding respite from the doom and gloom by directing their creative energies towards creating pieces aimed at offering joyful, lighthearted experiences. There are outdoor sets that mimic trampolines, artistic stools that playfully tease your senses, and so much more.

We hope that this issue brightens up your day amid these challenging times. In the meantime, head on over to hotelresortdesign.com for more refreshing design stories. Remember to stay safe and be strong wherever you are. We look forward to providing you with even more inspiring content in 2021!

Kenneth Khu k@kennethmedia.asia

CAMALEONDA

by ROLF BENZ

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Delights of the round table.

This chair designed by Jehs + Laub makes you want to stay at the table forever. Because the comfortably padded cushion, the gently springy backrest and the side recesses create the perfect seat. The soft upholstery is embedded in a finely finished plastic shell with elegant curves, which almost seems to float on the base, which is available in four versions. Why would anyone want to stand up?

10 0 % M A D E IN GERMANY

N AT U R A L LY S U S TA I N A B L E

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CONTENTS

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GATSBY

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CLOP

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Rolf Benz 594

by ROLF BENZ MEX-HI

by CASSINA

TEAM & PARTNERS

editorial MANAGING EDITOR Kenneth Khu DEPUTY EDITOR Pang Yin Ying EDITOR Christine Lee design ART DIRECTOR Eric Phoon SENIOR DESIGNER Sandy Liew

credits PHOTOS: Except otherwise noted, all photos and drawings are owned by photographer or design studio or project owner. acknowledgement COVER: Mykonos Grand Spa, MKV Design

contributors WRITERS Adele Chong, Lily Wong DESIGN STUDIO twenty2degrees, MKV Design sales & marketing SENIOR SALES MANAGER Edward Chen SALES EXECUTIVE Kelvin Ong publication PUBLISHER Kenneth Khu enquiries ADVERTISING advertise@hotelresortdesign.com SUBMIT EDITORIAL submit@hotelresortdesign.com CONTRIBUTOR joinus@hotelresortdesign.com SUBSCRIPTION subscribe@hotelresortdesign.com website www.hotelresortdesign.com contact KENNETH MEDIA SDN BHD 1002 Block D Tiara Kelana Jalan SS7/19 Kelana Jaya 47301 Petaling Jaya, Selangor Malaysia.

T: +603 7887 4525 printer PERCETAKAN IMPRINT (M) SDN BHD No.538, Jalan 20 Taman Perindustrian Ehsan Jaya, Kepong 52100 Kuala Lumpur Malaysia. permit number KDN PP18850/09/2015(034307) MCI(P) 129/03/2020 magazine H+R | HOTEL & RESORT DESIGN is published three times a year and is circulated throughout the Asia-Pacific region. Opinions expressed are those of the contributors and not necessarily endorsed by the publisher. copyright notice All rights, including copyright, in the content of this publication are owned by Kenneth Media Sdn Bhd, Malaysia. You are not permitted to copy, broadcast, download, store in any medium,transmit, show or play in public, adapt or change any in any way the content of this publication for any other purpose whatsoever without the prior written permission of Kenneth Media Sdn Bhd, Malaysia.

MYKONOS GRAND SPA

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WORLD OF POSSIBILITIES

EAST MEETS WEST

CUDDLE UP CLOSE

The expansive versatility of the Mex-Hi sofa system is made possible by a series of individual elements – armrests, backrests and seats that can be seamlessly combined to create a complete seating landscape.

An evolution of Cassina’s bestseller, Mex Cube, the new modular and dynamic Mex-Hi has been given a contemporary touch by its designer Piero Lissoni to address emerging spatial needs. Cushions are upholstered from 100% recycled fibre derived from plastics recovered from the ocean.

The inspiration behind the Daiki armchair designed by Brazilian architect Marcio Kogan is a deep appreciation for Japanese culture while evoking American MidCentury aesthetics via bold clean lines and balanced proportions. Its deep seat is cradled within a curved shell which has two elements joined at a 45° angle, resulting in a backrest with a gentle incline to ensure maximum comfort. The entire piece sits solidly on a metal frame with legs in Black-Nickel finish.

Sitting in a Rolf Benz 594 is akin to getting a reassuring hug. A brainchild of Sebastian Herkner, everything about this impeccable armchair induces a pleasant feeling, thanks to its gentle curves, perfectly balanced rounded back as well as its firm upholstered seat shell and soft seat cushion. Roomy enough for snuggling up in either one of its two curved corners, this cosy armchair rests on a choice of wooden or metal frame.

CASSINA.COM

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SO FAR, SO GREAT

ROCK AND ROLL

DROP INTO PLEASURE

Soft like feathers, cosy like a warm embrace. With generous proportions and over 561 upholstery fabric choices, Sofa So Good is an endlessly versatile modular sofa system, fitting perfectly into any interior whether your taste leans towards classic or contemporary. This sofa system offers eight different upholstered modules as well as two tables and three shelves. Six different wood finishes are also available for the tables and shelves to make room for more design possibilities.

Giorgetti reinterprets the classic rocking horse into an abstract accent chair named Clop, which features a saddle-like seat made from birch plywood. Playful all the way, this ultra-modern rocking piece created by design duo Dominic Siguang Ma and Feng Wei emphasizes simple lines and can be complemented with an upholstered seat pad in the centre. Clop also offers a dual sitting experience: when you turn it sideways, the rocking chair becomes an armchair – either way, comfort is guaranteed.

With its characteristic T-shaped back, Drop 20 by Roberto Lazzeroni merges graceful lines and restrained proportions that make it ideal for both private spaces and public lounges. Offering comfortable support, the T-shaped back curves around the back and meets with the seat in a continuous upholstered form complemented by grosgrain piping that is available in different colours. There’s a choice of leather or fabric for the upholstery while its feet come in aluminium or solid ash.

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BRIGHT AND BREEZY

BUNDLE OF JOY

LET IT ALL IN

The Mediterranean coastline serves as the inspiration for the Panarea chair by CMP Design for Pedrali.

With its vibrant colour and breezy features, Panarea is characterized by its handwoven polypropylene back that wraps around a Ø 20 mm steel tube frame.

Comfortable and airy, the seat cushion is upholstered in fabric made from the same yarn used for the woven element. Available in a selection of sunny colours, it’s the ideal chair for sea-facing outdoor terraces.

What happens when you capture the happiness of outdoor life in physical form? For Patricia Urquiola, the Trampoline Day Bed happened. As its name suggests, this day bed is inspired by the little trampolines found in many home gardens in Greenland. Trampoline’s striking yet soft, playful forms comprising a set of three backrest cushions and two types of additional cushions sit on a stainless steel structure to create happy islands of rest and relaxation.

Sebastian Herkner and Fritz Hansen have teamed up again to present the Let™ Lounge Chair, an elegant armchair imbued with Herkner’s signature style and Fritz Hansen’s high quality craftsmanship. Featuring a sensual form, the chair’s armrest is designed like a pair of spreading wings in an inviting manner while its curved back offers a cradle-like seating experience. A chair that fits both commercial spaces and residences, Let™ comes fully upholstered in fabric or leather.

PEDRALI.IT

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MAKING NEW WAVES

V MARKS THE SPOT

IN FULL BLOOM

Poised and quietly graceful, Kiri is a tribute to the traditional Japanese cabinet made of Kiri wood that was gifted as a dowry in the past. Taking cue from its original design, Giorgetti has given it a new purpose as a precious bar cabinet that comes complete with a contemporary design composed of vertical strips in Canaletto walnut. When the cabinet is fully closed, the strips form a continuous wave-like appearance which beautifully exemplifies Giorgetti’s intricate craftsmanship.

You would recognise a Quincy bench anywhere.

Whether it is covered in fabric or leather, its iconic stitched “V” chevron motifs that run across the rectangular seating piece attracts the eye immediately.

Designed for a variety of seating landscapes, Quincy is available in three sizes and sits stoutly on brushed aluminium blades with varnished Brandy colour finish – an interesting contrast of materials that complement the textural quality of the bench at the same time.

The natural beauty of water lilies is personified in the Nenou collection, which is named after ‘nenúfar’, the Spanish name for these alluring flowers. Mimicking how water lilies easily group together in a pond, Nenou’s leaf-shaped elements which include upholstered easy chairs, stools and pouffes are designed to allow an endless variety of seating formations in an open space. Leaf-inspired details like circumferential piping and central depressions are also incorporated to the seats for a comfortable fit.

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HAPPY TOGETHER

THE GREAT GATSBY

A BLOCKBUSTER HIT

The bright colours and sinuous, playful shape of the Trampoline sofa perfectly depict Patricia Urquiola’s vision of a happy outdoor lifestyle. The collection features a two-seater sofa and three versatile modules comprising a small and large terminal and a central element that cater to a variety of cosy compositions.

Trampoline also champions an eco-friendly approach using innovative and sustainable materials, including panels made of 100% recyclable plastic and cushions padded with 100% recycled fibre.

The Gatsby armchair exquisitely unites couture craftsmanship with high-tech materials. While it has a rigid structure to evoke a distinguished aesthetic, the armchair’s seat cushion features goose down material to create an ergonomically comfortable seating piece. Set in metal, the base of the chair offers a choice of satin, chrome, black chrome, burnished or champagne finish to complement different stylistic specifications. Gatsby’s non-removable upholstery is available in a variety of fabrics and leather versions.

Block is a solid wood coffee table with a bold personality, designed with nuances of Brutalist architecture that gives this table a sculptural appearance. Its base stands out, either in the shape of an “L” or an upside-down “T”, supporting a solid block of Moka lacquered oak wood with smooth edges. The shiny lacquered finish offers a palette of colours ranging from white to rust and Moka while the table comes in two different heights.

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LIGHT YEARS AWAY

FANCY A DRINK?

RAISE THE BAR

Tinkering inspires a sense of wonder with its coated stainless steel and brass frame punctuated with a rhythmic composition of LED lights. Designed by Joost van Bleiswijk for Moooi, this suspension lamp creates a futuristic feel wherever it is placed. Powered through the Electrosandwich® technology by Marcel Wanders, Tinkering’s light caps are adjustable individually. The lamp is available in two sizes, Tinkering 85, which is 85 cm long, and Tinkering 140, which spans 140 cm horizontally.

Like the perfect host, this quaint bar cabinet by Adam D. Tihany is ever ready to offer you a drink from its bar column. Evocative of home cocktail soirees in 1950s New York, Host features a lighter and more versatile edge with the addition of an adjacent trolley.

It is perfect for contemporary environments as its streamlined look, and sleek mobility turns this bar furniture into a personal home accoutrement of sorts to complement convivial moments.

Something about the Harri Bar Chair is very intriguing, and it’s easy to see why. With its appealing appearance, Harri puts a modern spin on the 50’s classic bar stool while retaining a retro-inspired outlook. One of Harri’s stand-out feature is its graphical Y-shaped brace of the tubular frame which provides a striking contrast to its firm seat designed with a pronounced recess.

The bar chair is also upholstered in eco-friendly coconut fibres and sisal belting.

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HARMONICS OF COLOUR Imagined as an artistic conversation between form and contents, Colourdisc is a collection of eclectic vases by Bethan Laura Wood designed in collaboration with Cassina and Venini for the Cassina 2020 Collection.

This collection features a composition of coloured Murano discs and diamonds pinned onto a painted hollow brass volume. Each of the coloured glass overlaps to create a third shade and produce a kaleidoscopic effect under a light source.

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SPLENDOUR BETWEEN SUN AND SEA KETTAL’S INNOVATIVE COLLECTION PLAYS A SIGNIFICANT ROLE IN TRANSFORMING THE PICTURESQUE SMITHS BEACH RESORT INTO A MESMERIZING SANCTUARY BRIMMING WITH DISTINCTIVE BEACHSIDE LUXURY.

THIS PHOTO: A beautiful retreat featuring luxurious furnishing, Smiths Beach Resort is perfectly positioned on the pristine sands of Smiths Beach overlooking the sparkling Indian Ocean.

“WHILE THE ARCHITECTURALLY AWARD WINNING DESIGN PROVIDES US WITH THE IDEAL LUXURY BASE TO WORK FROM, WE ARE DELIGHTED TO TAKE OUR PRODUCT TO THE NEXT LEVEL WITH A RANGE OF STUNNING IMPROVEMENTS WHICH ARE SYMPATHETIC TO OUR OCEAN AND NATIONAL PARK ENVIRONS. WE LOOK FORWARD TO SHOWCASING OUR NEW LOOK TO OUR VALUED GUESTS.” Adam McWhirter, General Manager and business ownerof Smiths Beach Resort

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THIS PHOTO: Located in the heart of Western Australia’s Margaret River Region, Smiths Beach Resort engages visitors with exceptional vistas of its beachfront landscape.

Photography: Ange Wall, David Dare Parker, Elements, Small Luxury Hotels of the World

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he sunlit sandy beach and lush forest landscape at Western Australia’s Margaret River Region, Yallingup serve as the perfect backdrop for the iconic Smiths Beach Resort. Situated within a National Park, this resort has been recently refurbished with a refreshed contemporary theme by Mobilia, an Australian company specialising in highend furniture. Taking on an understated and elegant theme, the new look of this luxurious beachside resort brings together a tasteful palette of locally made custom pieces as well as exquisite furnishing from world-renowned designer brands including Kettal, Marset, Joquer, Fritz Hansen, Vondom and Inclass.

As the architecturally designed resort is nestled in between the oceanfront and a natural reserve, the furnishing concept leans towards a sophisticated interplay of contrasting tones inspired by these two different environments. This is achieved using a careful selection of modern furnishings where furniture with clean lines and warm earthy tones of oak and grey blend in perfect harmony with small touches of blue and green hues to reflect the two contrasting landscapes.

TOP: Set within a National Park, this exemplary resort has been refurbished with a refreshed contemporary theme inspired by its natural surroundings.

BOTTOM: As one of the finest luxury holiday resorts at Yallingup, the resort presents guests with ideal leisure facilities, elegant accommodations, and memorable dining experiences.

“WE HAD TO SELECT FURNITURE THAT WAS EXTREMELY HARDWEARING AND OF A VERY HIGH COMMERCIAL STANDARD CONSIDERING THE APPLICATION AND THE EXPOSURE TO THE NATURAL ELEMENTS CONSIDERING THE RESORT’S CLOSE VICINITY TO THE OCEAN AND THE RESERVE.” Salvatore Fazzari, Director of Mobilia

According to Mobilia’s Director Salvatore Fazzari, colours and simple understated forms were important when it came to the choice of furniture. “ We had to select furniture that was extremely hard-wearing and of a very high commercial standards considering the application and the exposure to the natural elements as well as the resort’s close vicinity to the ocean and the reserve,” Fazzari adds.

To achieve the desired look and feel for the resort’s semi-outdoor spaces, Kettal collection has been selected as one the key elements to strengthen the luxurious palette while imbuing the stylistic concept with a distinctive aesthetic. For example, at the balcony of one of the suites which looks out to the verdant surroundings, the Kettal Landscape collection by Kettal Studio works hand-in-hand with accent furniture from Kettal Zigzag collection

by Emilia Design Studio to create a minimalist yet refined ambience.

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TOP: The furnishing concept is based on an interplay of contrasting tones to reflect the two contrasting landscapes that surround the resort.

BOTTOM: Designed with a relaxed ambience, the suites feature furniture with clean lines and warm earthy tones of oak and grey.

THIS PHOTO: To achieve the desired look and feel, colours and simple understated forms were important when it came to furniture selection.

“WE WANTED TO BE RESPECTFUL TO THAT BALANCE AND THE PURITY OF THE SURROUNDINGS, COMPLIMENT THE TIMELESSNESS OF THE ARCHITECTURE AND ENHANCE THE EXPERIENCE OF THE RESORT BY RECREATING THAT DELICATE LINE AND SENSE OF LUXURY IN A RELAXED, NATURAL MANNER.” Salvatore Fazzari, Director of Mobilia

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THIS PHOTO: Ocean blue accents complement a selection of natural materials to create a soft and soothing atmosphere in the room.

“Its rationalist construction seeks to give order, form and structure to the outdoor space, although, in terms of function, it has been designed to give shelter: to shade and cool or protect from the rain and wind,” the designer of Kettal Landscape remarks, exemplifying how this collection impeccably reflects the resort’s natural surroundings in a cohesive manner.

At the balcony of another suite, furniture pieces from the Triconfort Riba collection by Kettal Studio set off a cosy yet balmy look with their nature-inspired fibres. “This collection mixes ancestral techniques such as the braiding of natural fibres with aluminium, a material that had its heyday in the fifties. Now, the metal frame replaces traditional wood, while natural fibre has been replaced with a synthetic material in order to provide greater weather resistance,” the designer of the Triconfort Riba collection says.

TOP: The ensuite bathroom is done up in an all-white theme to maintain a sleek and minimalist look.

BOTTOM: Large windows ensure a bright and airy room while offering spectacular views of the landscapes outside.

TO ACHIEVE THE DESIRED LOOK AND FEEL FOR THE RESORT’S SEMI-OUTDOOR SPACES, KETTAL COLLECTION HAS BEEN SELECTED AS ONE THE KEY ELEMENTS TO STRENGTHEN THE LUXURIOUS PALETTE WHILE IMBUING THE STYLISTIC CONCEPT WITH A DISTINCTIVE AESTHETIC.

Kettal outdoor pieces are also paired with Kettal Outdoor Cushions featuring Terrain and Geometrics Fabrics by Doshi Levien to give these spaces a unique design personality that is effortlessly light, yet vibrantly classy.

“The resort has long seduced its visitors with the natural beauty that surrounds it, and we were fascinated by the way the resort is nested so delicately between the vegetation and the ocean,” Fazzari says.

“We wanted to be respectful to that balance and the purity of the surroundings, compliment the timelessness of the architecture and enhance the experience of the resort by recreating that delicate sense of luxury in a relaxed, natural manner.”

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TOP: The balcony of one of the suites takes on a natural yet minimalist look using furniture pieces from Kettal Landscape

by Kettal Studio complemented by the Kettal Zigzag collection

by Emilia Design Studio.

BOTTOM: Kettal collection is one of the key elements to strengthen the luxurious palette with a distinctive aesthetic that is effortlessly light yet refined in a unique manner.

THIS PHOTO: Weather-friendly pieces from the Triconfort Riba collection by Kettal Studio set off a tranquil vibe with their nature-inspired fibres.

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MÉLANGE | TIMELESS FURNITURE

DIVERSITY IN HARMONY A PERFECT FIT FOR LUXURIOUS SPACES, JALIS AND ELM BY COR ARE DESIGNED TO INFUSE A DISTINCT AESTHETIC THAT ELEVATES SPACES TO A HIGHER LEVEL OF STYLE AND FUNCTION.

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THIS PHOTO: A highly versatile sofa collection, Jalis can be placed on pedestals, integrate with tables or stand alone by itself.

ELM SOFA SETS FEATURE CURVED WOODEN FRAMES IN OAK, WALNUT OR LACQUERED BALANCED BY LARGE, PLUSH CUSHIONS, WHICH, TOGETHER WITH JALIS, OFFER A DEEPLY COMFORTABLE SEATING EXPERIENCE.

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TOP: The architectural highlight at Hotel Seegarten embodies an exclusive modern contemporary design, achieved using furniture pieces from the COR collection.

BOTTOM: The suites in this hotel feature upholstery landscapes from the Jalis collection, out of which beds, cosy sofas and chairs have been configured.

THIS PHOTO: With its curved wooden frames balanced by large, plush cushions, Elm offers a deeply comfortable seating experience.

“JALIS ALWAYS GIVES THE IMPRESSION OF A FEW LOOSE CUSHIONS LYING TOGETHER,” Jehs & Laub

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THIS PHOTO: The Orient-inspired cushion, closed backrests and deep seat surfaces that form the Jalis sofa create a sense of cosy security.

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ucked in the heart of Sorpesee, Germany where cultural and scenic attractions abound, Hotel Seegarten beckons with its charming yellow façade distinguishable by striped awnings. Inside, a relaxed yet sophisticated atmosphere ensues where unique seating landscapes by COR’s Jalis and Elm collections are strategically placed to bring out the hotel’s remarkable interior design.

Throughout the hotel, fair-faced concrete and glass surfaces provide transparency while infusing the key spaces with a touch of modernity. High-quality wood, lush fabrics and leather are also employed to convey warmth. The Jalis collection by COR takes centrestage as the pivotal piece to tie everything together into a harmonious whole. At the reception lounge, these ultra-cosy sofas with huge cushions are set atop stone slabs, instantly inviting guests to rest and relax on them.

“Jalis always gives the impression of a few loose cushions lying together,” says Jehs & Laub, designers of the Jalis collection. “Jalis can rest on pedestals, integrate or highlight tables, change levels and incorporate niches and floor recesses. No matter where it stands, its enclosing backrests and deep seats create a sense of security.”

For the suites, a warm and welcoming theme is prevalent. Here, upholstery landscapes from the Jalis collection which include beds, sofas and chairs come together to evoke a cosy, deluxe ambience. To create a more cohesive effect, Jalis sofas are paired with COR’s Elm collection, also developed by Jehs & Laub. Elm sofa sets feature curved wooden frames in oak, walnut or lacquered balanced by large, plush cushions, which, together with Jalis, offer a deeply comfortable seating experience.

TOP: Resting on slim wooden legs, the Jalis chair has a fully upholstered seat and flexible back which makes it highly comfortable and sturdy at the same time.

COR.DE

SHOWCASE | RESTAURANT

FAMILY VALUES A NEW RESTAURANT BRAND EMERGES IN EUROPE.

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SOMOS PORTO

THIS PHOTO: The design reflects the cuisine – rustic, yet refined, Mediterranean fare of the highest quality, all beautifully served.

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THIS PHOTO: The interiors of soMos Porto juxtapose industrial features with brightly patterned Portuguese wall plates.

Photography: soMos Neuilly by Kevin Rauzy

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s part of their public area refurbishment at the Crowne Plaza in Porto, Portugal’s historic city that extends from the Douro River to the Atlantic Ocean, twenty2degrees was appointed to create a new restaurant and bar. The result was soMos (‘We Are’ in Portuguese) socalled because the ambience of the space was to encourage and stimulate sociality and togetherness. twenty2degrees’ design was loosely inspired by the cuisine – rustic yet refined Mediterranean fare of the highest quality, beautifully served on collections of small plates. The interior space was long, and the designers articulated this with varying seating options and a colour palette that belongs to the Mediterranean, punctuated by glazed screens. Industrial features, such as oversized pendant lights and ironwork were juxtaposed with brightly patterned Portuguese wall plates and warm timber panelling.

In a city where people rarely dine in hotel restaurants, soMos Porto soon became packed with local families, groups of friends and local business people, prompting the client to believe that here was the beginning of a group of restaurants that could be equally at home in numerous destinations across Western Europe.

TOP: Authenticity is combined with attention to detail, achieving an experience that feels just right.

A SPECIALLY DESIGNED WALL COVERING GIVES A SUBTLE NOD TO THE WORK OF THE FAMOUS FRENCH ARCHITECT, LE CORBUSIER, WHILE THE COLOUR PALETTE IS MORE ‘FEMININE’ THAN ITS PORTUGUESE COUNTERPART WITH POWDER PINK AND MID-GREEN ACCENTS.

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LEFT: By day, soMos Neuilly is flooded with natural light; in the evening, filament lights provide a golden glow.

THIS PHOTO: Antiqued mirror forms a reflective backdrop to the French wall plates.

“OUR CLIENT’S AMBITION WAS TO CREATE A COLLECTION OF RESTAURANTS THAT WOULD FIT WELL INTO ANY NUMBER OF EUROPEAN NEIGHBOURHOODS, EACH ONE INDIVIDUALLY CONNECTED WITH ITS LOCATION WHILE CLEARLY REMAINING WITHIN THE FAMILY” Nick Stoupas, Founding Partner, twenty2 degrees

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THIS PHOTO: The colour palette of soMos Neuilly is more feminine and less rustic than its Portuguese counterpart.

The second restaurant, completed earlier this year, is located in the elegant district of Neuilly-Sur-Seine to the west of central Paris. Once again, twenty2degrees was at the helm for the interior design, bringing through the design signatures established in Porto and combing these with Parisian character.

In soMos Neuilly, Calacatta marble clads the servery back and antiqued mirror is integrated into some of the screens to form a reflective backdrop to a display of decorative plates, which this time are French. A specially designed wall covering gives a subtle nod to the work of the famous French architect, Le Corbusier, while the colour palette is more ‘feminine’ than its Portuguese counterpart with powder pink and mid-green accents. By day, soMos Neuilly is flooded with natural light; in the evening, the filament lights provide a golden glow caught in the antiqued mirror.

“Our client’s ambition was to create a collection of restaurants that would fit well into any number of European neighbourhoods, each one individually connected with its location while clearly remaining within the family,” says Nick Stoupas, Founding Partner of twenty2degrees. “The two existing restaurants are co-located with Crowne Plaza hotels, however the next restaurant, soMos Côte d’Azure, is being planned for the Miramar Beach Hotel & Spa. Here the familial design language will ensure that the experience is at one with the city restaurants, while the narrative will take on a more bohemian Riviera flavour.”

BOTTOM: By day, the space is flooded with natural light; at night, filament lights give a golden glow.

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SHOWCASE | HOTEL

THE DIXON, TOWER BRIDGE, AUTOGRAPH COLLECTION JUXTAPOSING HERITAGE AND MODERNITY

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THE DIXON

THIS PHOTO: The Dixon combines its heritage as a magistrates court with the vibrancy and cultural diversity of its location today.

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he Dixon is one of the most memorable hotels in London. Housed in an historic Grade ll listed building which was previously a magistrates court, and extended to provide additional accommodation, the hotel combines its formidable past with the vibrancy and cultural diversity of the Tower Bridge district today where sightseers, artists, office workers and local residents rub shoulders all year round. twenty2degrees Design Partnership led the interior design project, from the imposing lobby and the court room itself, now reinvented as the bar, to the restaurant, function rooms and 193 guestrooms, working in collaboration with Consarc Design Group on the listed parts where careful restoration was required.

ALL PHOTOS: A former clerk’s office has been reinvented as an intimate reception area to one side of the main entrance.

The building was originally completed in 1906 by the celebrated, yet enigmatic architect John Dixon Butler from whom the present-day hotel takes its name and it comprised a courtroom, police station and jail cells. Back then, the area around Tower Bridge was a centre of light industry and international trade thanks to the nearby docks; famous artists were occasional residents, there were drinking dens a-plenty and while there was money to be made, poverty and criminality were rife. It was this diverse and colourful canvas that twenty2 degrees inherited when they approached the challenge of balancing history and listed building constraints with the requirements of today’s luxury hotel guests.

Joe Stella, Creative Director of twenty2degrees, explains: “We were determined to be respectful to the building but we also had to respond to the fact

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ALL PHOTOS: A vast collection of artworks, sometimes witty, sometimes solemn, tell the story of the building and the district of London in which it is sited.

WE WERE DETERMINED TO BE RESPECTFUL TO THE BUILDING BUT WE ALSO HAD TO REPOND TO THE FACT THAT IT NOW HAS TO OPERATE IN A COMPLETELY DIFFERENT WAY FROM WHAT WAS ORIGINALLY INTENDED. Joe Stella, Creative Director, twenty2 degrees

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THIS PHOTO: A sunken bar has replaced the bench on which judges once presided in the original courtroom.

that it now has to operate in a completely different way from what was originally intended. First and foremost, we had to think about how modern guests would experience the building and the need create a journey through it.”

This journey begins with an imposing lobby, once the court’s processing hall, and a centrally placed grand staircase which sweeps up to parallel galleries.

To one side of the lobby, a former clerk’s office has been reinvented as an intimate reception area where a metal-clad table is engraved with an intriguing ensemble of local scenes. The imperiousness of the space is softened by a specially designed carpet inspired by the flow of the River Thames nearby, while certain hallmarks of the design are established.

These include the sometimes witty, sometimes solemn, details that connect the past with today, such as artworks incorporating original cell keys and holding benches bearing notes from detainees etched into their surfaces. twenty2degrees also worked with art consultants Peter Millard & Partners to create a vast collection of paintings and illustrations that re-work floral motifs – a nod to the area’s past – into disruptive modern images. A triptych of venerable local residents presents novelist George Orwell, explorer Ernest Shackleton and actor Charlie Chaplin with a floral twist while the architect himself presides over the

TOP: Edwardian oak panelling has been restored and now forms an impressive backdrop in the Courtroom Bar.

main staircase. With no known portrait of Dixon, the creator of the building is boldly reimagined, his head is replaced by flowers.

The listed courtroom has become the hotel bar, a unique space where the partitions that once separated judge, jury, prosecutor and defendants have been given new purpose in defining a series of nooks. The room flows towards a sunken bar where once the judges sat, now watched over by grainy mugshots of the convicted wearing notices that tell of their crime and punishment around their necks.

While the guestrooms are all new and therefore not governed by existing heritage features, twenty2degrees has taken care to carry through some of the aesthetic from the public areas. A panelled wall in each room has been designed with exactly the same profiles as the Edwardian panels in the lobby while the specially designed carpets bear a geometric pattern reminiscent of the ground floor mosaics. “It’s a touch of the original, just not as you’d expect it,” says Joe Stella.

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TOP: Textures and bright pops of colour are combined to give an eclectic look.

THE GUESTROOMS ARE IN THE NEW PART OF THE BUILDING. NEVERTHELESS, THE DESIGNERS HAVE TAKEN CARE TO CARRY THROUGH SOME OF THE AESTHETIC FROM THE HERITAGE PARTS.

THIS PHOTO: Specially designed carpets bear a geometric pattern reminiscent of the ground floor mosaics.

IT’S ALL ABOUT PAYING RESPECT TO THE PAST BUT IT’S ABOUT THE PRESENT TOO, AND ALL THE LITTLE POINTS IN BETWEEN THAT LEAD US HERE, AS WELL AS THE FUTURE AHEAD. Joe Stella, Creative Director, twenty2 degrees

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THIS PHOTO: Guestroom artwork continues the neighbourhood narrative of The Dixon’s public areas.

‘Old meets new’ is the theme of the guestrooms.

The combination of herringbone parquet in the bedrooms and white marble in the bathrooms is classic.

Residential style furnishings in punchy yellow or teal and an abstract ceiling pendant are clearly more modern elements, while fluted glass bedside lights and the reappearance of the three local residents from downstairs anchor the guestrooms within the design narrative.

Joe Stella concludes: “It’s about paying respect to the past but it’s about the present too, and all the little points in between that lead us here, as well as the future ahead.”

MIDDLE: A panelled wall has been designed with the same profile as some of the original panels downstairs.

BOTTOM: Classic herringbone parquet and white marble bathroom are paired with contemporary pendant lights and residential style furnishings.

TWENTY2DEGREES.COM

SHOWCASE | RESTAURANT

DESIGNED TO BE DIFFERENT

ONE OF LONDON’S NEWEST RESTAURANTS OFFERS A NEW TAKE ON CITY DINING.

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PROVISIONERS

THIS PHOTO: Provisioners offers a Miami-esque colour palette together with a sense of playfulness and well-being.

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THIS PHOTO: The bar is a popular meeting spot for local residents and workers on their way home.

Photography: Will Stanley

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orking within the footprint of what was previously part of an historic magistrates’ court in one of central London’s most storied districts, twenty2degrees Design Partnership has created not only an all-day restaurant for guests staying in the associated hotel, The Dixon, but a new dining and social hub for local workers and residents. Named Provisioners, to reflect the culinary provenance and modern flavours of its cuisine, the restaurant comprises the main dining space, a bar area and a semi-private area for small business and social gatherings, and can be accessed either directly from the street or via the hotel.

While also the designers of the hotel, twenty2degrees has intentionally moved away from the aesthetic vernacular of the hotel to take its cues from mid-20th century design and Bauhaus curves in equal measure. Where visual connections with The Dixon do exist, they are subtle, such as the inclusion of teal and yellows which feature in the hotel guestrooms and linear brass partitions recalling the lighting fixture hung over the hotel reception desk.

TOP: The restaurant is welcoming, unpretentious and finely tuned for modern lifestyles.

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THIS PHOTO: A variety of seating options meet the needs of different clientèle from breakfast to dinner.

Using a predominantly pastel colour palette, twenty2degrees has created a relaxed and fresh Miami-beach-inspired atmosphere, distinguishing the restaurant from typical London dining destinations. White metro-style tiles and birched timber veneers, as well as a playful combination of colourful matte and gloss finishes on the ceiling, emphasise the inclusive intent of the design. Traditional terrazzo to the counter tops is paired with a contemporary take in the tabletops where marble is embedded with contrasting marble chips. Positivity and a sense of wellbeing pervade – a far cry from the misery and poverty that once haunted this building in the first half of the last century. Two former holding cells have however been retained, now given new life within the centre of the space, as the place where coffee beans are roasted and from which enticing aromas arise. A black terrazzo grid integrated into the timber floor delineates the location of the old cells that were once below the restaurant, a gentle reminder of the past.

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MIDDLE LEFT: A lively combination of matte and gloss ceiling treatments delineate the space.

BOTTTOM LEFT: Holding cells, now repurposed as coffee roasting rooms, are a reminder of the building’s heritage.

“PROVISIONERS ISN’T ONLY UNIQUE IN ITS NEIGHBOURHOOD, BUT IT’S QUITE DIFFERENT FROM TYPICAL CONTEMPORARY RESTAURANT DESIGN ACROSS LONDON WITH ITS PASTEL, MIAMI-ESQUE COLOUR PALETTE CREATING A SENSE OF WELL-BEING AND POSITIVITY, EVEN ON THE GREYEST LONDON DAY.” Nick Stoupas, Founding Partner, twenty2 degrees

THIS PHOTO: High quality mid-20 th Century design, warm lighting and rich timber veneer characterise the interior.

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THIS PHOTO: A partially enclosed room provides privacy without losing connection with the rest of the space.

Fittingly, in an area of London which was once an industrial hub, an homage to Sir Kenneth Grange, the revered British designer famous for such 20th Century icons as Kodak cameras and Imperial typewriters, has been woven in by way of a permanent exhibition of his original sketches and conceptual drawings displayed on the wall of the semi-private area.

Provisioners is welcoming, chic and unpretentious. Visitors and guests come by throughout day and evening for coffee, cocktails, lunch and dinner, to work on their laptops or gather with friends.

Nick Stoupas, Founding Partner of twenty2degrees, says: “We took our design cue from midcentury design and modernism and, in so doing, we have created a vibe that appeals to local workers and residents in this, one of London’s most historic districts, as well as an all-day restaurant, bar and hub for hotel guests. Provisioners isn’t only unique in its neighbourhood, but it’s quite different from typical contemporary restaurant design across London with its pastel, Miami-esque colour palette creating a sense of well-being and positivity, even on the greyest London day.”

TOP RIGHT: The room pays homage to Sir Kenneth Grange, one of the UK’s leading product designers.

MIDDLE RIGHT: A black terrazzo grid in the timber floor delineates the location of the old cells.

TWENTY2DEGREES.COM

SHOWCASE | HOTEL

WYNDHAM GRAND ALGARVE A SENSE OF BELONGING.

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WYNDHAM GRAND ALGARVE

THIS IMAGE: The vision is to create elegant, yet relaxed, interiors overlaid with urban chic and influenced by the verdant surroundings.

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THIS IMAGE: The lounge bar flows from the lobby with a closely paired aesthetic of curved forms, refined furnishing and antiqued brass elements.

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wenty2degrees Design Partnership is redesigning the all-suite Wyndham Grand Algarve following the property’s recent re-badging as part of Wyndham Hotels & Resorts, the group’s first Wyndham Grand hotel in Portugal.

The vision is to create elegant, yet relaxed, interiors overlaid with urban chic – designs intended to appeal to the international visitors who flock to this part of Europe. The majority of the suites are now completed and public areas are due to follow in 2021.

The five-star hotel is located in the exclusive Quinta do Lago resort on the most south-westerly tip of Europe, famed for its golf courses and beautiful beaches. The 60 km stretch of Ria Formosa Natural Park, with its wealth of flora, fauna and walking trails, is on the hotel’s doorstep, forming a protected coastal lagoon. It was this tranquil and verdant natural environment, as well as the gentle hues and warm sunlight which prevail in the Algarve’s pleasant year-round climate and the soft colours of the sunsets that gave inspiration to the design team.

The materiality of the scheme is of the highest quality, combining such elements as Calacatta marble with antiqued brass, leather upholstery, warm timber flooring and fluted and hammered glass screens.

The colour palette majors on tones of terracotta, stone and sand with punches of bold colour and an abundance of plantings in the public areas that offer connection with the gardens outside.

TOP: Metal framed screens with variously frosted and transparent glazing will articulate the fine dining restaurant.

The design of the reception lobby takes its cue from the double-height rotunda of its form with curved chair backs, round tables, circular rugs and a striking modern chandelier – a series of brass circles with integrated illumination that appears to free fall through the volume. It is also here that several of design signatures that can be found across the hotel are established: the warm, natural tones; generous use of timber to create wall features; an indoor/ outdoor connection; and, in contrast to the circular forms, touches of the vertical patterning which is so striking in other spaces.

The lounge bar flows seamlessly from the lobby with a closely paired aesthetic of curved forms, refined furnishing and antiqued brass elements. This is a space designed to serve as venue throughout day and evening. During the day, elegant timber doors slide across the back bar and the lounge becomes a place for morning coffee and afternoon tea.

There will be a number of F&B options, including an informal all-day dining restaurant with the feel of a vibrant farmhouse kitchen and a fine dining restaurant.

This will be sophisticated in ambience with a number of special touches. Metal framed screens with variously frosted and transparent glazing will articulate the space, creating semi-opaque niches and partial cladding to the ceiling, their rectangular shapes echoed in the floor finish and the ceiling lights. A feature wall clad in sculpted tiles will be translated into a large

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BOTTOM: All the suites open directly onto the resort’s gardens or onto a large outdoor terrace.

“WYNDHAM GRAND ALGARVE ENJOYS A REMARKABLE LOCATION AND IT WAS THIS THAT INFLUENCED OUR DESIGN THINKING IN SUBTLY ENHANCING THE INDOOR/OUTDOOR CONNECTION FOR GUESTS AND LENDING THE HOTEL A SENSE OF PLACE.” Nick Stoupas, Founding Partner, twenty2degrees

THIS IMAGE: Bathrooms are luxurious and glamorous with large tubs, elegant vanity counters and marble to the walls and floor.

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THIS IMAGE: The design of the suites is smart and contemporary with mid-20th Century style furniture, textural fabrics and warm timber.

THE DESIGN OF THE 132 ONE, TWO AND THREE BEDROOM SUITES IS SMART AND CONTEMPORARY WITH MID-20TH CENTURY STYLE FURNISHINGS, TEXTURAL FABRICS, MARBLE TABLE TOPS AND WARM TIMBERS. RUGS ARE CUSTOM-DESIGNED AND HIGH-QUALITY MILLWORK FEATURES THROUGHOUT, IN FULL HEIGHT HEADBOARDS, DOORS AND CABINETRY.

artwork with contemporary wall lighting. There is a selection of different seating arrangements to suit larger groups and couples, allowing plenty of space between the tables, a private dining room and a wine and whisky room displaying premium labels to tempt diners into making it an extra special evening.

The design of the 132 one, two and three bedroom suites is smart and contemporary with mid-20th Century style furnishings, textural fabrics, marble table tops and warm timbers. Rugs are custom-designed and high-quality millwork features throughout, in full height headboards, doors and cabinetry. Bathrooms are luxurious and glamorous with large tubs, elegant vanity counters and marble to the walls and floor. All the suites open directly onto the resort’s gardens or onto a large outdoor terrace with modern outdoor dining and lounging furniture.

Nick Stoupas, Director of twenty2 degrees, says: “Wyndham Grand Algarve enjoys a remarkable location and it was this that influenced our design thinking in subtly enhancing the indoor/outdoor connection for guests and lending the hotel a sense of place. Beyond this, we have chosen a timeless response to the vernacular of the brand, elevating spaces and introducing many high-quality elements which will serve the test of time.”

TWENTY2DEGREES.COM

SHOWCASE | HOTEL

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MARRIOTT PRAGUE

INTERNATIONAL POLISH; LOCAL PROVENANCE REFURBISHING THE PRAGUE MARRIOTT TO SIT WELL WITHIN THE CITY’S CULTURAL INHERITANCE.

THIS PHOTO: The Prague Marriott has been reimagined for the next generation, combining all the Marriott touchpoints with local provenance.

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project which began for London-based twenty2degrees as a refurbishment of the conference and meeting room floor at the Prague Marriott, expanded into a comprehensive re-configuration and redesign of the ground floor public areas and then the design of additional guestrooms in a new extension. The red thread was Marriott’s guidelines but the designers layered their schemes with features specific to the location and the rich artistic heritage of Prague to create a hotel that is both recognisably a Marriott while at the same time also uniquely belonging in this city.

The first-floor conference and meeting spaces, which comprise two large ballrooms, a smaller function room and numerous meeting rooms, correspond with Marriott’s “Meetings Reimagined” guidelines.

The areas are clean, contemporary and, above all, multi-functional. The floor is now accessed via a new street entrance and a staircase which take visitors directly to the conference area reception. To one side of this, a large open-plan pre-function area runs like a spine to the individual spaces. Warm timber, elegant stone and marble-topped tables greet the eye but what is not so immediately apparent is the cleverly thought-through detailing of the furniture which achieves the flexibility of use that operators today require. A central marble-clad counter is designed with integrated shelves and pocket timber extensions that slide out to create a large and functional buffet display unit, elegant high tables offer easily relocated gathering points and fixed timber wall units provide storage and display possibilities to support myriad occasions.

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TOP: The new guestrooms are contemporary and relatively streamlined with warm timber flooring and elegant furnishings.

“THE INTENTION OF OUR DESIGN WAS TO MAKE THE BAR AND RESTAURANT SEEM JUST RIGHT IN THEIR LOCATION – A SUBCONSCIOUS RATHER THAN CONSCIOUS RESPONSE. IN FACT, THE CUBIST ELEMENTS ARE EITHER SO BROKEN DOWN OR ABSTRACTED THAT WE WOULDN’T EXPECT GUESTS TO RECOGNISE THE EXACT REFERENCE. IN HOTELS, IT’S ABOUT HOW THE DESIGN MAKES YOU FEEL, NOT A HISTORY OF ART COURSE.” Nick Stoupas, Founding Partner, twenty2degrees

THIS PHOTO: The new conference and meeting spaces are clean, contemporary and, above all, multi-functional.

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THIS PHOTO: The restaurant interiors are in keeping with the cuisine – simple Czech dishes based on casual dining using fine local ingredients.

Flooring is bespoke and, together with the artwork, subtly hints at the Czech Cubist references celebrated in other areas of the hotel.

Key to the new ground floor plan was the relocation of the staircase leading to the meeting room floor.

Previously, both the restaurant and bar had been hidden from view by this staircase, discouraging their patronage by either guests or passers-by. twenty2 degrees comprehensively replanned the ground floor to achieve a layering of spaces from the arrivals lobby to the lounge, onto the Artisan Restaurant and finally the double-height Artisan Bar which gleams like a jewel at the end of the series of spaces, drawing visitors and guests inwards.

The aesthetic of both the restaurant and bar is inspired by Czech Cubism, in particular the work of Frantisek Kupka, pioneer of Orphic Cubism and the abstract art movement. Positive and negative shapes and finishes are placed side-by-side to create a dynamic energy. Abstracted allusions to Cubist forms appear in screens, carpets, floor tiles and the timberclad bar front down to some of the smallest details in the furniture. twenty2 degrees found their reference for the back of the bar in a famous Prague column sculpted in the early 20 th Century and combined this with antiqued mirror to glamorous effect. twenty2 degrees also worked with emerging Czech artists in the creation of individual artworks.

“The intention of our design was to make the bar and restaurant seem just right in their location – a subconscious rather than conscious response. In fact, the Cubist elements are either so broken down or abstracted that we wouldn’t expect guests to recognise the exact reference. In hotels, it’s about how the design makes you feel, not a history of art course.” Nick Stoupas, Founding Partner, twenty2 degrees.

The aim of the design was also to create interiors in keeping with their culinary offering – simple Czech dishes based on casual dining and made only with fine local ingredients. Since opening, both bar and restaurant have become a thriving social hub for families and friends.

The client’s purchase of a property next door to the Marriott resulted in the final phase of work, the creation of 123 new keys. For twenty2 degrees, this was an opportunity to design rooms that moved on from the existing bedrooms while, nevertheless, carrying through certain elements at the client’s request. The new guestrooms are contemporary and relatively streamlined with warm timber flooring and elegant furnishings. A built-in sofa along the window provides a haven for relaxing and contemplating the life of the city below while, once again, Cubist reference infuses the carpet design and is picked up in the scatter cushions.

The bathrooms are upscale and modern, bringing together marble, dark timber and terrazzo flooring slabs with a slight touch of industrial design in the fixtures and fittings.

The Prague Marriott has been reimagined for the next generation. For regular Marriott clientele, all the touchpoints are here, from the flowing public spaces to the “Integrated Art” concept, the emphasis on flexible meeting room spaces and the high-quality finishes. It is also a hotel thoughtfully and playfully imbued with local provenance.

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BOTTOM: The bar has a dynamic energy by day. At night, it becomes glamorous as gleaming light beckons passers-by.

THE AESTHETIC OF BOTH THE RESTAURANT AND BAR IS INSPIRED BY CZECH CUBISM, IN PARTICULAR THE WORK OF FRANTISEK KUPKA, PIONEER OF ORPHIC CUBISM AND THE ABSTRACT ART MOVEMENT. POSITIVE AND NEGATIVE SHAPES AND FINISHES ARE PLACED SIDE-BY-SIDE TO CREATE A DYNAMIC ENERGY. ABSTRACTED ALLUSIONS TO CUBIST FORMS APPEAR IN SCREENS, CARPETS, FLOOR TILES AND THE TIMBER-CLAD BAR FRONT DOWN TO SOME OF THE SMALLEST DETAILS IN THE FURNITURE.

THIS PHOTO: Ground floor spaces are layered from the arrival lobby to the lounge, onto the restaurant and finally the double-height bar.

TWENTY2DEGREES.COM

SHOWCASE | HOTEL

THE STORIES WITHIN

ATHENS’ NEW MGALLERY SYMPHONISES ARCHITECTURE, DESIGN AND ART TO CAPTURE THE CITY’S SOUL.

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MGALLERY COLLECTION

THIS PHOTO: Athens Capital Hotel – MGallery offers a sense of place that stetches across time and is revealed through art.

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Photography: Christos Drazos

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thens Capital Hotel, the MGallery Collection’s first hotel in Greece, has just opened. Located in the heart of the city, its prominent position on the corner of Parliament Square means it looks in one direction towards one of Athens’ most popular tourist destination and in the other towards the bohemian quarter of Kolonaki with its numerous art galleries. It was this vibe that the interior designers, MKV Design, decided to embrace in order to create a hotel that is a perfect fit for the MGallery brand – individual, modern and rich in stories told through art, design and architecture.

Originally opening in 1959 as the famous Kings Palace hotel, the building subsequently housed a bank before standing empty for a number of years.

The building form that the project team inherited naturally lent itself to a jigsaw of spaces and levels around a 27-meter high atrium which is open to the sky, and it is here that the hotel’s defining art piece has been installed - the original Mappemonde sculpted by leading Greek artist, George Lappas, for the Venice Biennale of 1988.

TOP: A 27-metre atrium, located in the centre of the building, soars upwards to an open roof.

BOTTOM: The hotel occupies a prominent position near Parliament House on one side and the picturesque lanes of Kolonaki on the other.

THIS PHOTO: MappeMonde is composed of 3,000 metal pieces and “breaks through” the rooftop. By night, it is softly illuminated.

AS IN ANCIENT ATHENS, WHITE DIONYSUS MARBLE PREVAILS COMBINED WITH GREY MARBLE, BOTH SKILFULLY HONED TO SHOW THE WORKMANSHIP, AND ACCENTS ARE IN GOLD. THESE ARE COMPLEMENTED BY THE WARM TONES OF FABRICS, ESPECIALLY THE VIBRANT BLUE HUE SYNONYMOUS WITH GREECE.

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THIS PHOTO: Contrasting textures in the marble floor and specially carved marble to the columns display the skills of local craftsmen.

Composed of 3,000 metal pieces, Mappemonde is one of the best-known and most important works of Greek post-war sculpture and reflects on the relationship between the personal and universal, the local and global. The genius of its placement in Athens Capital Hotel is that the designers have converted the previously horizontal display into an astonishing vertical installation, soaring up the building to “break through” the 10 th floor roof top. Lappas’s version of his own house, which originally sat in the centre of the sculpture, is now perched over the atrium void, open to guests brave enough to venture inside.

The drama of the Mappemonde sculpture contrasts with a refined interior aesthetic, celebrating the elegance of pure lines and noble materials and subtly integrating Greek symbols and patterns. The ground floor public areas are a series of intimate nooks flowing from the main entrance on the busy Panepistimiou Avenue to the Galerie Café which opens onto a quiet lane leading to Kolonaki. Reception is at the far end, away from the entrance, which adds to the residential ambience and sense of exclusivity. As in ancient Athens, white Dionysus marble prevails combined with grey marble, both skilfully honed to show the workmanship, and accents are in gold. These are complemented by the warm tones of fabrics, especially the vibrant blue hue synonymous with Greece. The reception area hosts two paintings by Yannis Adamakos whose richly coloured abstracted landscapes have earned him international attention.

TOP: There are hundreds of original works of art in the hotel created by both established and up-and-coming artists.

The 177 bedrooms and suites are cosy and contemporary. Generous use of timber, marble clad bathrooms and original artwork add to the experience of luxury. The Presidential Suite features a customdesigned wall covering and rug with designs based on Greek heritage patterns and benefits from a large outdoor terrace for lounging and dining in the warm Athenian light. Views from the guestrooms are unforgettable, either towards the square and National Garden or into the atrium. Several of the suites are named after revered Greek artists, including soprano Maria Callas, actress Melina Mercouri, the poet and Nobel Prize winner, Odysseas Elytis, and the composer and songwriter, Manos Chatzidakis – reinforcing the significance of great artistry to the MGallery brand.

In a city that revels in its rooftop experiences, MKV’s planning put emphasis on creating an Athens Capital rooftop which brings a truly memorable addition with thoughtful levels and zones offering a variety of experiences. A swimming pool has been introduced, carefully placed to offer the best views towards the Parthenon and the sea, while, on the opposite side, the Mappemonde Bar & Lounge overlooks the Parliament building and National Garden beyond. By night, the Mappemonde sculpture is washed with illumination.

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TOP: The suites enjoy large outdoor terraces with ample space for sunbathing, dining and enjoying a sunset cocktail.

BOTTOM: The rooftop MappeMonde Bar and Lounge is a hidden gem and an exclusive experience for those in the know.

IN A CITY THAT REVELS IN ITS ROOFTOP EXPERIENCES, MKV’S PLANNING PUT EMPHASIS ON CREATING AN ATHENS CAPITAL ROOFTOP WHICH BRINGS A TRULY MEMORABLE ADDITION WITH THOUGHTFUL LEVELS AND ZONES OFFERING A VARIETY OF EXPERIENCES.

THIS PHOTO: Guestrooms are contemporary and cosy; those overlooking the city have a window seat, ideal for observing the buzzing streets below.

THE GROUND FLOOR PUBLIC AREAS ARE A SERIES OF NOOKS WHICH FLOW FROM THE MAIN ENTRANCE TO THE GALERIE CAFÉ. THE RESULTING AMBIENCE IS RESIDENTIAL AND INTIMATE.

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THIS PHOTO: The refined interior aesthetic celebrates the elegance of pure lines and noble materials subtly integrated with Greek symbols and patterns.

Other spaces include an all-day dining restaurant serving Mediterranean cuisine, three small meeting rooms and a gym. The original staircase, now restored, winds its way up through the building – should guests want a bracing alternative to the lifts.

In total, Athens Capital Hotel displays hundreds of original artworks by Athenian and Greek artists, some well-established and others up-and-coming.

There is also the “Iconic Object”. Since storytelling is an important part of the MGallery experience, each hotel within the collection hosts an item of special significance to its location. For Athens Capital Hotel, this is an Akrokeramon, a decorative architectural element seen widely across neoclassical Athenian rooftops, symbolising the timeless value of hospitality.

Urban artist, Vangelis Khoursoglou, has spray painted an edition of 50 Akrokeramon, adding a touch of modern street art to a traditional motif, and these have been placed around the hotel to charm and intrigue.

BOTTOM: The Galerie Café opens onto an outdoor arcade leading to Kolonaki with its art galleries, boutiques and numerous local restaurants.

“The Athens Capital project has been particularly exciting and enriching because we were working with a client who has a deep appreciation of art and with a hotel brand for which art is an integral part of its DNA,” says Maria Vafiadis, Founder and Managing Director of MKV Design. “When design and art come together in this way, the result is especially meaningful, individual and full of soul.”

The architects on the project were MTarchitects; the lighting consultants were Lighting Design International and the art consultant was Maria Migadi.

The artists (in addition to those featured above) were: Yannis Moralis, Spiros Vasileiou, Dimosthenis Kokkinidis, Panagiotis Tetsis, Evgenios Spatharis, Stefaños Nanopoulos (Nano), Yannis Stavrou, Yannis Papanelopoulos, Tasos Chonias, Christos Baloukos and Christoforos Balabanidis. All the guestroom originals, inspired by Cycladic art and classical Greek lines, were by Sofia Petropoulou and the Greek flag artwork in the lift lobby was created by Zeta Antsakli.

Key suppliers included: Minotti (sofas), B&B Italia (outdoor furniture), Verywood (chairs), Heathfield (guestroom lights), Knoll (chairs), Pierre Frey (guestroom fabrics), Brintons (guestroom rugs) and Vescom (guestroom wallcovering) as well as a number of local suppliers of bespoke furniture, lights and accessories.

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TOP: The MappeMonde installation culminates in the artist’s representation of his own house perched over the atrium void.

BOTTOM: The hotel’s “Iconic Object” is a traditional Athenian rooftop decoration, spray painted to reflect the city’s recent culture of street art.

“THE ATHENS CAPITAL PROJECT HAS BEEN PARTICULARLY EXCITING AND ENRICHING BECAUSE WE WERE WORKING WITH A CLIENT WHO HAS A DEEP APPRECIATION OF ART AND WITH A HOTEL BRAND FOR WHICH ART IS AN INTEGRAL PART OF ITS DNA. WHEN DESIGN AND ART COME TOGETHER IN THIS WAY, THE RESULT IS ESPECIALLY MEANINGFUL, INDIVIDUAL AND FULL OF SOUL.” Maria Vafiadis, Founder and Managing Director of MKV Design

THIS PHOTO: The original 1950s staircase that dramatically winds its way up through the building, has been restored.

MKVDESIGN.COM

SHOWCASE | SPA

HEALING POWERS MYKONOS GRAND HOTEL & RESORT LAUNCHES ITS NEW SPA RETREAT.

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MYKONOS GRAND SPA

THIS PHOTO: The design of Althea Spa Retreat exudes pure elegance, soothing colour symmetry and a genuine sense of serenity.

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THIS PHOTO: The Mykonian palette of white and shades of blue is innovatively applied and aligned with the Cycladicinspired interior.

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he Mykonos Grand is a unique resort on the beautiful island of Mykonos in Greece. It is barely three miles from Mykonos Town, which throngs with visitors during the summer months, but is in a world of its own, a peaceful enclave nestled in a hillside and tumbling down to a private beach, a place where the sunsets are glorious and both sea and landscapes are breath taking. Now, Mykonos Grand Hotel & Resort, a member of the Small Luxury Hotels of the World, has launched its brand-new sanctuary of wellness, Althea Spa Retreat. Named after the goddess of healing, Althea welcomes hotel guests and local members alike in its exquisitely designed premises that exude a pure elegance, soothing colour symmetry and a genuine sense of serenity.

The resort is a collection of whitewashed, cube shaped buildings typical of Cycladic architecture which are linked by scenic pathways and terraces.

Guests first arrive at the top of the resort and then drive down a steep road to reception and, below this, the spa. Althea Spa Retreat occupies 750 sqm of indoor & outdoor area and overlooks the sacred

TOP: Lighting filters through specially designed ceiling panels creating a pattern like dappled sunlight shining through trees.

BOTTOM: The custom-designed reception desk combines ultramarine toned painted wood and natural olive wood.

island of Delos, birthplace of the mythological god of light, Apollo, which is coincidentally one the sunniest places in the world. It is said that this sunshine blesses the area with a high concentration of cosmic energy, something that will undoubtedly heighten the experience of wellbeing for spa clientele.

Working in partnership with award-winning London designer, Maria Vafiadis, Founder & Managing Director of MKV Design, Mykonos Grand has created a spa that is elegantly balanced and where the traditional Mykonian palette of white and shades of blue is both innovatively applied and perfectly aligned with the Cycladic-inspired interior architecture. The design is pure, yet embracing; uplifting and restful.

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BOTTOM: The design of Althea Spa Retreat is pure, yet embracing; uplifting and restful.

THIS PHOTO: Facilities include a sauna, hammam and a hair and beauty salon.

“THE MYKONOS GRAND IS A VERY SPECIAL PLACE, BLESSED BY SOME OF THE BEST THAT NATURE HAS TO OFFER. CREATING THE NEW SPA WAS ABOUT CONNECTING WITH ALL OF THIS BY DISTILLING THE ESSENCE OF THE ISLAND INTO AN UPLIFTING EXPERIENCE FOR MIND, BODY AND SOUL.” Maria Vafiadis, Founder and Managing Director of MKV Design

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THIS PHOTO: The semi-caved thalasso pool is an extraordinary experience at any time of day but particularly as the sun sets.

The Spa’s unique design optimally utilizes the glorious natural light of the location as well as artificial lighting to mesmerizing effect. A combination of laser-like beams and soft lighting that washes the polished concrete walls and arches leads guests from reception through high corridors, eliciting a growing sense of peace as guests journey into the heart of the spa. In the treatment and relaxation rooms, lighting filters through specially designed ceiling panels to create a pattern of light spots and shadows like the dappled shade of large trees in the summer sunlight.

Blue light seeps up the entrance doors to the relaxation room like the sea gently rolling in towards the island.

Amongst the treatment rooms, three are for couples and some benefit from a private, shaded courtyard; they all provide restorative interaction with nature and lovely views to the Aegean Sea. There is a semicaved Thalasso pool - an extraordinary experience at any time of day but particularly in the evening when guests can soak in the therapeutic water in between a fire pit and the vivid setting sun - and there are tranquil treatment and relaxation areas placed in the spa’s garden. Other facilities include a sauna, hammam and hair & beauty salon.

TOP: There are tranquil treatment and relaxation areas placed around the spa’s garden.

BOTTOM: Soft lighting washes the polished concrete walls and arches, eliciting a sense of peace as guests go on their spa journey.

The Althea Spa menu comprises a plethora of treatments designed to restore and revive mind, body and spirit. Therapies have all been meticulously designed, incorporating the latest trends in health and beauty, to offer maximum relaxation, rejuvenation and integrative wellness.

The resort’s other facilities include tennis courts, an impressive stone-built amphitheatre for inspiring meditation sessions, a 500sqm heated outdoor pool, a fitness centre and beach facilities on Ayios Yiannis beach. There are 96 bedrooms and suites, some of which enjoy private pools.

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LEFT: All the treatment rooms provide restorative interaction with nature and lovely views to the Aegean Sea.

AMONGST THE TREATMENT ROOMS, THREE ARE FOR COUPLES AND SOME BENEFIT FROM A PRIVATE, SHADED COURTYARD; THEY ALL PROVIDE RESTORATIVE INTERACTION WITH NATURE AND LOVELY VIEWS TO THE AEGEAN SEA.

THIS PHOTO: Some of the therapy rooms benefits from a shaded courtyard, a perfect place to relax after a treatment.

MKVDESIGN.COM

DESIGN LIBRARY

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CAMALEONDA + GLI SCACCHI

by B&B ITALIA

DESIGN LIBRARY | TIMELESS FURNITURE

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EXPERIENCE THE EXTRAORDINARY WITH THE BRAND’S BEST PIECES BEAUTIFULLY DISPLAYED ACROSS A SPACIOUS HOME-LIKE SPACE, KETTAL’S NEW CASABLANCA SHOWROOM OFFERS DESIGN AFICIONADOS A WONDERFUL FIRST-HAND EXPERIENCE OF THEIR TIMELESS COLLECTIONS.

THIS PHOTO: Kettal’s designer collections enhance the spacious one-storey showroom with a stunning palette of natural materials accentuated by modern hues.

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THIS PHOTO: The brand’s latest furniture pieces are styled impeccably to inspire a distinctive living style that combines timeless appeal and a trendy ambience.

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mid the ebb and flow of home trends, furniture pieces play a big part in influencing new styles within the interior design realm.

For Kettal, a brand renowned for their impressive collection of designer outdoor furniture, their exquisite pieces are an epitome of timeless design that effortlessly blend in with contemporary spatial concepts – something that can be fully experienced in their latest showroom in Casablanca.

Located in the scenic Gauthier neighbourhood, Kettal’s new showroom has the advantage of serene outdoor views which provide the perfect backdrop for their vibrant outdoor collection. Throughout the space, furniture pieces are styled impeccably to inspire a distinctive living style.

Inside the sprawling showroom, Kettal’s designer collections enhance the spacious one-storey dwellinglike space with an eye-catching palette of natural materials complemented by trendy colours. Outside, at the terrace, outdoor furniture placed next to the garden’s green wall imbues a relaxing vibe to the well-manicured landscape, exemplifying how timeless, contemporary outdoor spaces can be created with Kettal pieces to evoke a fresh and lively patio atmosphere.

TOP LEFT: Floors, walls and ceilings are kept predominantly white while large windows bring in light to complement Kettal’s bright and colourful pieces.

LOCATED IN THE SCENIC GAUTHIER NEIGHBOURHOOD, KETTAL’S NEW SHOWROOM HAS THE ADVANTAGE OF SERENE OUTDOOR VIEWS WHICH PROVIDE THE PERFECT BACKDROP FOR THEIR VIBRANT OUTDOOR COLLECTION. THROUGHOUT THE SPACE, FURNITURE PIECES ARE STYLED IMPECCABLY TO INSPIRE A DISTINCTIVE LIVING STYLE.

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THIS PHOTO: Next to a lush green wall, Kettal’s outdoor dining set featuring a pristine white table accompanied by pastel pink rattan chairs adds a lively touch to the patio space.

Similar to their other showrooms, the space is kept predominantly white while large windows are employed so that light can permeate the interior to complement the Kettal’s bright and colourful pieces.

In all, this show space is a visual treat for design enthusiasts who would like to touch, see and feel the unique pieces that came from the minds of some of the best designers in the world.

Since its inception in 1966 in Barcelona, Spain, Kettal has worked with the most important names in the international design scene. Among them are Patricia Urquiola, Ronan & Erwan Bouroullec, Rodolfo Dordoni, Doshi Levien, Jasper Morrison, Emiliana Design Studio, Michel Charlot, Konstantin Grcic and Naoto – who have all collectively contributed to the brand’s exceptionally innovative collections.

“Kettal’s raison d’être is the creation of timeless furniture, functional and expressive, which represents a contemporary culture and provides solutions to the

emerging needs of modern life, based on a blend of creativity, customisation, innovation and modern production,” the brand says. “The importance of research, both scientific and technological, has always been at the forefront of our product development.

The highly innovative nature of the brand means that today one can enjoy a high-quality product.”

Evidently, the showroom is designed to capture this profound philosophy while offering customers a sensorial journey of Kettal’s approach to design. To date, Kettal has presence in over 80 countries worldwide with showrooms in cities such as Miami, Barcelona, Marbella, London and New York. Additionally, the brand also owns a manufacturing facility in Tarragona, Spain, which means all of their products, down to the very last detail, are endowed with high European quality.

TOP: Adjacent to the main living room display, a dining table serves as cosy discussion space for customers to learn more about Kettal’s collections.

KETTAL.COM

DESIGN LIBRARY | TIMELESS FURNITURE

TWIST AND TURNS DESIGNED TO CONVEY THE BEAUTY OF DREAMS, REVA TWIST ENGAGES A SERIES OF NEW FEATURES THAT MELDS DELICATE YET STREAMLINED ELEMENTS TOGETHER.

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THIS PHOTO: With its soft yet minimalist lines and generously plush upholstered seats, the Reva Twist collection evokes a cosy, dreamy ambience.

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TOP & BOTTOM: Reva Twist features four tapered legs in die-cast aluminium placed at the extremities of the perimeter frame in extruded aluminium.

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dored for its soft line and generous sizes, the Reva outdoor collection by Patrick Jouin now features a new, enriched version: the Reva Twist. This three-seater sofa and lounge exude a distinct cosy appeal that creates dreamy, relaxing ambiences. Four tapered legs in die-cast aluminium rest against the extremities of the perimeter frame in extruded aluminium, setting off a subtle minimalist appearance. To balance the frame’s slim outlook, the steel backrest and armrests are woven with a flat rope in weather-resistant polypropylene, elucidating a more natural feel.

Huge polyester cushions, on the other hand, offer a softer, plusher experience while giving Reva Twist a wholesome and welcoming look. The upholstery is made from weather-friendly fabric which allows the sofa set to be placed within a variety of outdoor spaces. Whether it’s a semi-open patio, a courtyard or a deck that overlooks lush landscape, Reva Twist is the perfect outdoor piece to uplift these spaces.

Colours play a significant role to create different atmospheric scenarios. For example, warm natural tones of the frame finish pair beautifully with the cushion’s soothing hues to create a remarkable suntouched piece for lively outdoor spaces. For a more sophisticated ambience, grey, beige or light brown upholstery matches with deeper hues of the backrest and frame to evoke a more refined style.

The collection also features an armchair version to complement the three-seater sofa. Ideal as a standalone piece, the armchair beautifully echoes the collection’s design language that combines lightweight lines with roomy seats.

Reva Twist is part of Pedrali’s New Ideas 2020 collection, a project which brings together versatile products that are refreshed to reflect wellness, comfort, and sustainability without compromising aesthetics and high quality.

TOP: With steel backrest and armrests woven with flat rope in weather-resistant polypropylene, Reva Twist presents a distinct design language.

PEDRALI.IT

DESIGN LIBRARY | TIMELESS FURNITURE

FREEDOM TO CHANGE

THE ICONIC SOFA CAMALEONDA BY MARIO BELLINI IS BACK TO WIN THE HEARTS OF DESIGN ENTHUSIASTS ONCE AGAIN WITH ITS TIMELESS MODULAR SYSTEM AND AN ECO-FRIENDLY UPDATE.

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THIS PHOTO: The fundamental characteristic of Camaleonda is its unlimited geometric-patterned modularity where each element can be used to define your home environment.

THE UPDATED EDITION KEEPS THE ORIGINAL CUTTING PATTERN WHERE GENEROUS POLYURETHANE PADDING ARE MANUFACTURED WITH AN INNOVATIVE SYSTEM OF CABLES, HOOKS AND RINGS CREATED BY BELLINI IN 1970.

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THIS PHOTO: For Camaleonda’s reissue, the polyurethane padding that forms the characteristic capitonné design is maintained along with its original system of cables, hooks and rings.

TO EXPAND CAMALEONDA INTO A COMPLETE SEATING LANDSCAPE, BELLINI DEVELOPED A SERIES OF ACCESSORIES CALLED GLI SCACCHI WHICH RESEMBLE CHESS PIECES AND SERVE AS ADDITIONAL TABLES OR SEATS.

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BOTTOM LEFT: The 2020 edition of Gli Scacchi features abstract-shaped pieces with soft covers made of thick leather and calf hide with visible stitching.

BOTTOM RIGHT: Using structures made of soft polyurethane, the shape of the three elements forms a parallelepipedon that perfectly synchronizes with the dimensions of the Camaleonda sofa.

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TOP: Inspired by chess pieces, Gli Scacchi is a series of accessories designed by Mario Bellini to become additional tables or seats for the Camaleonda system.

layful and whimsically timeless, the Camaleonda modular sofa designed by renowned designer Mario Bellini is truly a statement-making masterpiece. First presented in 1970, Camaleonda has now made a comeback five decades later. In this reissue by B&B Italia and Bellini, the sofa’s best features are preserved while its interior composition has been given a contemporary uplift using sustainable materials.

Both B&B Italia and Bellini have mutually agreed to maintain the 90x90 cm seat module, together with the backrest and armrest in the 2020 version of the sofa. The updated edition also keeps the original cutting pattern where generous polyurethane padding are manufactured with an innovative system of cables, hooks and rings created by Bellini in 1970. More than just elements that define the sofa’s character, these tie-rods and the rings enable the seating modules to be unhooked and recombined as desired, which

result in an incredibly adaptable and dynamic sofa for today’s everchanging spaces.

For the new edition, recyclable materials form the “sandwich” structure of Camaleonda while the seat, backrest and armrests are made from wooden bases. The sofa also rests on a series of spherical feet made from beech wood certified by the Forest Stewardship Council (FSC).

To expand Camaleonda into a complete seating landscape, Bellini developed a series of accessories called Gli Scacchi which resemble chess pieces and serve as additional tables or seats. Inspired by the game of chess, the new 2020 version features soft covers made of thick leather and calf hide with visible stitching. With their abstract yet versatile shapes, these pieces seamlessly synchronize with Camaleonda to create even more configuration possibilities.

BOTTOM: Stable from top to bottom, the sofa rests on ballshaped feet made from Forest Stewardship Council (FSC) certified beech wood.

BEBITALIA.COM

DESIGN LIBRARY | MODULAR FURNITURE

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PERFECT FIT EVERY TIME WITH ITS FLEXIBLE DESIGN CREATED FOR A WORLD OF POSSIBILITIES, THE CONSETA SOFA SYSTEM MAKES CUSTOMIZED COMFORT AN EVERYDAY REALITY.

THIS PHOTO: Conseta features a new, open-base 16 cm wide armrest, which when paired with the classic sofa creates a more modern and elegant appearance.

CONSETA IS NOT ONLY A SOFA PROGRAMME BUT ALSO AN ADD-ON PROGRAMME OFFERING COUNTLESS POSSIBILITIES. ELEMENTS OF DIFFERENT SHAPES AND SIZES COMBINED WITH A CHOICE OF ARMRESTS GIVE PLENTY OF SCOPE TO EXPLORE CONFIGURATIONS TO FIT EVERY ROOM.

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THIS PHOTO: A wide range of design solutions is possible with Conseta as this sofa system can be matched with a variety of armrest styles as well as elements in different shapes and sizes.

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holistic sofa system that is simple yet incredibly versatile, Conseta is a pioneering upholstery system designed by renowned furniture designer, Friedrich Wilhelm Möller. Its name is derived from the Latin phrase “sitting together” to represent the sofa’s streamlined and flexible modular design.

According to COR, Conseta is more than a sofa system as it can also serve as an accoutrement to meet any interior specifications. “Conseta is not only a sofa programme but also an add-on programme offering countless possibilities. Elements of different shapes and sizes combined with a choice of armrests give plenty of scope to explore configurations to fit every room,” COR states, adding that a myriad of armrest options as well as a selection of cushion choices enable a wide range of design solutions.

Right from the start when it was first conceived in the 60s, Conseta is designed to be an eternally timeless piece so that new additions to the modular system would continuously serve to improve and evolve it. For instance, when you pair a new square upholstery element to the sofa, a new combination emerges, turning Conseta into a cosy lounger that is contemporary and classic at the same time.

There is also the option to include footrests or an adjustable headrest to make the sofa a better fit for your lifestyle. If you still need more customization, COR can accommodate a diverse range of special requests from specific measurements to unique fittings that do not come with a standard Conseta.

In a nutshell, when it comes to Conseta, anything is possible.

TOP: Conseta armrests are available in different heights, widths and styles, allowing the modular sofa to be customized in a myriad of ways.

COR.DE

DESIGN LIBRARY | MODERNIST ARCHITECTURE

MOTION PICTURE PERFECT

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ARCHITECTURE MEETS CINEMATIC BEAUTY IN GIORGETTI’S LATEST PROJECT, PINKHAM POINT TO DEPICT A VIRTUAL WAY OF LIFE INSPIRED BY ICONIC DESIGNS USING TODAY’S DIGITAL TECHNOLOGY.

LEFT: Pinkham Point is Giorgetti’s latest project which brings a virtual villa to life through innovative cinematographic techniques.

THIS PHOTO: This virtual villa is inspired by the pure lines, the rigorous geometries and the monumentality of the iconic architectures of Ludwig Mies van der Rohe and Frank Lloyd Wright.

“THE PINKHAM POINT PROJECT WAS BORN FROM THE NEED TO BUILD AN ALTERNATIVE EXPERIENCE AT THE SALONE DEL MOBILE WHERE WE CAN SHARE A HERITAGE OF IDEAS AND PROJECTS WITH BOTH PARTNERS AND CUSTOMERS. Giovanni del Vecchio, CEO of Giorgetti

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TOP: The exteriors are a tribute to some scenes by Michelangelo Antonioni in Zabriskie Point while bodies of water become the background for the Open-Air collection by Giorgetti.

BOTTOM LEFT: The key spaces feature a rich palette comprising vibrant tones, elegant accents and silent volumes to set off a distinctive modernist ambience.

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BOTTOM: While cinematic shots along with music provide a poetic narration for the virtual villa, Giorgetti’s collection create a cohesive design presentation using novelties and iconic pieces.

unique anthology that merges architecture with cinematography, the Pinkham Project is presented by Giancarlo Bosio, the company’s Art Director and created by Giorgetti designers in collaboration with SuperResolution, a studio specializing in virtual environments and highquality graphic pictures.

According to Giorgetti’s design commentary, this immersive project showcases a virtual villa which combines pure lines and rigorous geometries inspired by the design languages of Ludwig Mies van der Rohe and Frank Lloyd Wright. To complement the physical setting, cinematographic techniques consisting of wide tracking shots and close-up shots, together with a crescendo of music evokes a poetic narration of the villa’s architectural beauty.

Each of Pinkham Point’s impressive sets features signature touches and magnificent volumes amid a rich palette of textures and accents. The exterior

brings together design and nature to honour scenes

by Michelangelo Antonioni in Zabriskie Point, from which the name Pinkham came about, while the canyon of the Joshua Tree National Park hosts bodies of water and becomes the background for the OpenAir collection by Giorgetti.

For the interior, the key spaces – living, dining, kitchen, office and a “night area”, are illuminated by unique lighting designs created using perforated walls. Colours also play a significant role: white brings out a touch of minimalism while sandy tones and pearl greys are contrasted against vibrant hues of blue and octane.

“The Pinkham Point project was born from the need to build an alternative experience at the Salone del Mobile where we can share a heritage of ideas and projects with both Partners and Customers,” comments Giovanni del Vecchio, CEO of Giorgetti.

TOP: Unique lighting effects created by perforated walls dance in harmony with the various colours that imbue the different spaces in this villa.

GIORGETTI.EU

DESIGN LIBRARY | TIMELESS TABLE

ARTICULATE

BY NATURE

ALMOST FIVE DECADES LATER, THE STATEMENT-MAKING OLIMPINO TABLE BY ICO PARISI STILL MESMERIZES WITH ITS UNFORGETTABLE AND INTRICATE DETAILS, EXQUISITELY DESIGNED FOR A LASTING IMPRESSION.

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THIS PHOTO: First designed by Ico Parisi in 1955 for a villa near Como, the Olimpino table has been reissued to become part of the Cassina I Maestri Collection.

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riginally designed by Sicilian architect and designer, Ico Parisi in 1955 for a luxury villa that overlooks Lake Como, the Olimpino table has now been given a reissue to become part of the Cassina I Maestri Collection.

Instantaneously recognizable by its bold appearance, the Olimpino table comprises a monolithic tempered glass tabletop held by articulated metal tubular legs. Its two pairs of metals legs are designed with a Y-shaped structure where internal upper arms converge to join under the top and the external arms diverge to hold and elegantly support it. To strengthen the legs, a double crossbar is set across the central axis to form a double V shape. Arrow-shaped wooden feet contrast beautifully with the slender metal legs and crossbar while serving as a finishing touch to give the entire table a sculptural aesthetic.

“In the dynamism of its structure, this table also references nature. The arrow-like wooden feet seem to burrow down into the floor, giving warmth to its metal structure that would otherwise be quite cold. The complexity of the overall design of the table therefore recalls the great paintings of the Italian avant-garde artists and is, for all intents and purposes, a work of art in itself,” Cassina remarks in their design statement.

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LEFT: The table’s uniqueness is further defined by elegant arrow-shaped wooden feet that elegantly contrast with the metal feature of its legs and crossbar.

THE OLIMPINO TABLE COMPRISES A MONOLITHIC TEMPERED GLASS TABLETOP HELD BY ARTICULATED METAL TUBULAR LEGS. ITS TWO PAIRS OF METALS LEGS ARE DESIGNED WITH A Y-SHAPED STRUCTURE WHERE INTERNAL UPPER ARMS CONVERGE TO JOIN UNDER THE TOP AND THE EXTERNAL ARMS DIVERGE TO HOLD AND ELEGANTLY SUPPORT IT.

THIS PHOTO: The slender metal tubular structure of the Olimpino table holds a rectangular monolithic sheet of glass that allows the articulated metal structure below to be admired.

CASSINA.COM

DESIGN LIBRARY | OUTDOOR DAYBED

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CHILL OUT IN STYLE GRACEFUL IN ALL KINDS OF WEATHER, THE ATLANTE DAYBED IS A VERSATILE OUTDOOR PIECE SKILLFULLY CRAFTED TO INVITE TOTAL PEACE AND RELAXATION ALL DAY LONG.

THIS PHOTO: The Atlante daybed expresses a svelte aesthetic through high-quality materials and its capacity for personalization.

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he first thing that strikes you about the Atlante daybed is its svelte form that gives this outdoor piece a highly contemporary yet laid-back vibe. Designed by Antonio Citterio, this new daybed from Flexform highlights incredible craftsmanship which combines different weatherfriendly materials together.

“Atlante, Italian for Atlas, the mythical Titan who bears the world on his shoulders, identifies an outdoor furnishing system that is a marriage of thoughtful aesthetic experimentation and extraordinary versatility in terms of personalization,” Flexform states. “Made up of stand-alone and sectional sofas as well as daybeds, the Atlante family is available in many types and finishes that invite great interpretive freedom in the design of outdoor spaces.”

Staying true to the stylistic expression of the Atlante collection, the daybed also features the collection’s signature elements. The metal base

is made of epoxy powder-coated finish in a series of sophisticated shades, while the water-repellent elastic webbing is available in white, sand, grey and anthracite colours to offer a sensual, versatile palette catering to a variety of vibrant contrasts or subtle tone-on-tone pairings.

Personalization also commemorates the beauty of this flexible daybed. Equipped with a simple mechanism that enables easy adjustment of its solid iroko backrest, the Atlante daybed provides different incline angles to suit different levels of comfort. For those who want to effortlessly move the daybed about, it also comes in a version with aluminium posterior wheels. Seat and backrest cushions filled with blown polyester fibre and upholstered in water repellent fabric ensure added comfort for lounging while various waterproof covers are available upon request.

TOP: For those who want to move the outdoor piece around, a version of Atlante daybed with aluminium posterior wheels is available.

BOTTOM LEFT: Atlante daybed’s metal base comes with an epoxy powder-coated finish in a series of sophisticated shades to match different specifications.

THE METAL BASE IS MADE OF EPOXY POWDER-COATED FINISH IN A SERIES OF SOPHISTICATED SHADES, WHILE THE WATER-REPELLENT ELASTIC WEBBING IS AVAILABLE IN WHITE, SAND, GREY AND ANTHRACITE COLOURS TO OFFER A SENSUAL, VERSATILE PALETTE CATERING TO A VARIETY OF VIBRANT CONTRASTS OR SUBTLE TONE-ON-TONE PAIRINGS.

THIS PHOTO: The daybed’s water-repellent elastic webbing is available in white, sand, grey and anthracite colours to create elegant contrasts or subtle tone-on-tone pairings.

FLEXFORM.IT

ATELIER | ODE TO ART

People and Brands John Lenon 36.5 x 36.5 cm

EDGY POP SENSATIONS

BY PATRICK RUBENSTEIN

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n a dizzying kaleidoscope of colours and textures, the works of French artist Patrick Rubenstein are an eclectic combination of kinetic opt-art (Optical Art) and a lens into pop art in today’s contemporary society.

Born in 1960, the Parisian artist confronts the traditional art-viewing experience, toying with the boundaries of one’s imagination. Working with base paintings on lacerated boards, Rubenstein then manipulates its angles to form his iconic multi-faceted works across two ridged planes. Additional adornments cast these two worlds apart, through the artist’s favoured “glitter baths”, neon colours and hard metallics. Rubenstein’s works literally pop from the frame, its triangular edges adding to its bold, visceral quality.

Optical art aims to challenge the viewer’s perception, giving Rubenstein’s works a captivating, almost animated quality, spirited further with changes in lighting and arrangement. Rubenstein constantly demonstrates his foray into new mediums and themes so as to test the limits of how our senses can be stimulated. Beyond his mastery of his craft, Rubenstein’s works are a critique of how we regard idols and symbols ingrained in contemporary society today.

As we observe his works under the stern gaze of John Lennon or the innocent whims of a playful neon panda, the artist himself strongly believes that “the method in which you make art is not important, what matters is the emotion it gives you when you are looking at it”. His works present the duality of pertaining to the exuberance and mischief in popular media and culture, as well as a contemplation into nontraditional art experiences and darker concerns behind pop sensations and consumerism. Rubenstein’s whimsical pieces open alternative doors to new fields of colours and the limits of artistic pursuits, unlocking our senses and expanding to the world beyond a simple frame.

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ODETOART.COM

Kettal Pavilion used in a corporate office

HEAD OFFICE KETTAL / CONTRACT : Aragón 316, 08009 Barcelona, Spain. T. (34) 93 487 90 90 SHOWROOMS KETTAL: BARCELONA - LONDON - MARBELLA - MIAMI - NEW YORK - PARIS Export Manager Asia: Victor Moncho, victor.moncho@kettal.es T. +86 15001876948