H+R | Issue 16 | Trendsetting Hospitality Design

LTW DESIGNWORKS: CELEBRATING 40 YEARS OF LUXURY HOSPITALITY DESIGN BIRTH OF CONFUCIUS | MODERN SILK ROAD TO XI’AN | SAILING THROUGH THE SEA | TURNING A NEW LEAF | GARDEN OF EDEN SKY HIGH CITY HOTEL | SUBURBAN HOT SPRING RETREAT | 1920S JAZZ AGE REDUX ISSUE

16 SINGAPORE | HONG KONG | MALAYSIA | INDONESIA | THAILAND | VIETNAM

HOTELRESORTDESIGN.COM

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Brand van Egmond was founded by William Brand in 1989. The atelier, based in The Netherlands, is well known for their artistic and sculptural approach towards lighting.

As all lighting is created by hand, there is also the opportunity for tailor-made lighting: allowing for a perfect customised lighting sculpture for any given space.

Every year new collections are born, and find themselve in some of the most beautiful spaces across the globe. Their clientele ranges from Royals till Rappers. Luxury firms like Louis Vuitton, Chopard and the W Hotels have invited Brand van Egmond to lighten up their spaces, but also some of the most exquisite private residences have embraced their characterful designs.

Brand van Egmond invites you to explore their handmade lighting sculptures on their website, and welcomes your request for personal advice.

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1. William Brand 2. Kelp 3. Hollywood 4. Galaxy www.brandvanegmond.com 4.

THE HOLLYWOOD ICICLES COLLECTION Design by William Brand

HANDMADE LIGHTING SCULPTURES BRAND VAN EGMOND

Since 1989

The Netherlands +31(0)35 692 1259

info@brandvanegmond.com www.brandvanegmond.com

design Mario Bellini - www.bebitalia.com

PUBLISHER’S NOTE

TIMELESS IDEAS AND INSPIRED INNOVATIONS This issue presents a gallery of eye-opening designs that infuse luxurious comfort and cultural inspiration into spectacular spaces.

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t’s been an exciting month so far as we put together this visually captivating issue. I am also excited about this issue’s project showcase from LTW Designworks. It’s their second collaboration with H+R, and we are once again amazed by their signature projects this time around. Each one of these notable works is a glorious presentation of contemporary luxury meets cultural inspiration. Take the JW Marriott Qufu Hotel on page44 for instance the designers successfully infused a timeless Confucianism theme into the key spaces while preserving the hotel’s modern design language.

To offer our readers a deeper look into how furniture pieces transform spaces, the case studies featuring Kettal and Preciosa Lighting are perfect examples. Kettal’s luxury furniture beautifully complements the PuXuan Hotel and Spa to bring out a distinctive Asian-inspired interior style. On the same note, Preciosa’s outstanding lighting installations for the Atlantic, The Palm raises the bar in designer lighting for hospitality spaces.

In conjunction with the spring season, this issue is also brimming with interesting outdoor products. I reckon the focus on outdoor furnishing could be a precursor to upcoming outdoor living trends in the near future when it’s safer to be outdoors again. My favourites (just to name a few) include the Borea outdoor collection inspired by aeroplanes and the YOKO sofa with its vibrant, sunny colour options.

Do tell us what your favourite designs in this issue are. We would love to hear from you! If you need more inspiration, visit hotelresortdesign.com. Until the next issue, take care and enjoy this edition!

Kenneth Khu k.k@kenneth-media.com

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ALVO

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ANSEL

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Abseo

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TEAM & PARTNERS

editorial MANAGING EDITOR Kenneth Khu DEPUTY EDITOR Pang Yin Ying EDITOR Christine Lee design ART DIRECTOR Eric Phoon SENIOR DESIGNER Sandy Liew

credits PHOTOS: Except otherwise noted, all photos and drawings are owned by photographer or design studio or project owner. acknowledgement COVER: LTW Designworks

contributors WRITERS Adele Chong, Lily Wong DESIGN STUDIO LTW Designworks sales & marketing SENIOR SALES MANAGER Edward Chen SALES EXECUTIVE Kelvin Ong publication PUBLISHER Kenneth Khu enquiries ADVERTISING advertise@hotelresortdesign.com SUBMIT EDITORIAL submit@hotelresortdesign.com CONTRIBUTOR joinus@hotelresortdesign.com SUBSCRIPTION subscribe@hotelresortdesign.com website www.hotelresortdesign.com contact KENNETH MEDIA SDN BHD 1002 Block D Tiara Kelana Jalan SS7/19 Kelana Jaya 47301 Petaling Jaya, Selangor Malaysia.

T: +603 7887 4525 printer PERCETAKAN IMPRINT (M) SDN BHD No.538, Jalan 20 Taman Perindustrian Ehsan Jaya, Kepong 52100 Kuala Lumpur Malaysia. permit number KDN PP18850/09/2015(034307) MCI(P) 021/03/2021 magazine H+R | HOTEL & RESORT DESIGN is published three times a year and is circulated throughout the Asia-Pacific region. Opinions expressed are those of the contributors and not necessarily endorsed by the publisher.

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copyright notice All rights, including copyright, in the content of this publication are owned by Kenneth Media Sdn Bhd, Malaysia. You are not permitted to copy, broadcast, download, store in any medium,transmit, show or play in public, adapt or change any in any way the content of this publication for any other purpose whatsoever without the prior written permission of Kenneth Media Sdn Bhd, Malaysia.

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DESIGN + DIGITAL + PRINT

BY IN-HOUSE

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MÉLANGE | PRODUCTS

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DIVE INTO LUXURY

FULL FIGURED

HEAVENLY PLEASURE

Delicate details make all the difference with Dives Soft, a modular sofa collection from Maxalto distinguished by two distinct upholstery styles for its armrest and backrest. On its exterior, a smooth appearance elegantly complements the sofa’s plush interior quilted in classic Chesterfield. Soft and generous padding elevates the collection’s comfort factor, while a wide range of fabrics and leathers with special couture details for the sofa’s upholstery allows you to create a signature furniture piece.

The award-winning Soriana sofa, designed in 1969

by Afra and Tobia Scarpa, remains a true style icon today, instantly recognisable by its voluptuous curves generously wrapped in plush upholstery. The sofa also features relaxed creases and a quilted effect on the seat and backrest. Available as an armchair, chaise-longue, a two or three-seater sofa and pouffe, Soriana is also updated with a selection of chromatic combinations that match lush fabrics and soft leathers with a painted metal frame.

Ermione 20, with its mythology-inspired name and subtly retro design, promptly transports you into a state of divine comfort. Beautiful, graceful lines and a well-proportioned silhouette make this exquisite chair a highly versatile piece, effortlessly blending in with any decor style. Ermione 20 is also characterised by a sculptural opening on the seat’s back which lightens the armchair’s fully upholstered seat. Its sturdy base, made of cast aluminium or solid ash, is available in an array of finishes.

BEBITALIA.COM/EN/MAXALTO

CASSINA.COM

FLEXFORM.IT

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SUBLIME SERENITY

TIME TO CHILL

ELEMENTS OF ELEGANCE

Jalis21, a name derived from the Oriental concept of warm hospitality and relaxed communication, is the inspiration behind this ultra-cosy chair. Akin to lush cushions lying side by side, Jalis21 has a magical note to it, conjuring images of endless, fabulous comfort as we snuggle up for an evening of joyful moments.

Exceptional upholstery takes serene comfort up a notch while decorative seams adorned in tone-in-tone or contrasting colours accentuate the curvy contours for a unique visual appeal.

Like the Times bed collection designed by Spalvieri & Del Ciotto for Poltrona Frau, the Times Lounge merges an advanced construction technique with a mellow yet contemporary aesthetic. Soft and luxurious upholstery further enhances the armchair’s lightweight wood structure. Together, the interplay of these materials creates a distinctively harmonious form. An essential part of the lounge is its large leather bands which serve as a balanced spring system to support the seat padding.

Sophistication meets simplicity with the Janet armchair.

Perfect for modern interiors, this chair exudes a quiet sense of style. Two significant features highlight this classy armchair: the delicate quilt-like stitching on the inside of the backrest and its solid base, which combines Canaletto walnut and metal. The collection comes in low back or high back – with or without the quilted effect. You can also choose from fabric or leather upholstery, available in single colour or twocolour version.

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POLTRONAFRAU.COM

GIORGETTI.EU

MÉLANGE | PRODUCTS

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TREASURE CHEST

HIGH PROFILE

ZIG-ZAG THEORY

Edgy X-shaped metal legs and a thick, sturdy flip-top define the Max desk. Antonio Citterio designed this writing desk after the classic bureau, but with a contemporary twist. The smooth top conceals a series of drawers for an uncluttered look, while offering storage space for stationeries and other paraphernalia.

The drawers lean towards a geometric aesthetic, complementing the table’s meticulous craftsmanship.

The desk is available in brushed light oak, brushed black oak, and natural wenge.

Lean back, sit up or relax completely. The Alvo bar chair promises long-lasting comfort — no additional cushions required. Featuring a voluminous seat with a triple fold, the entire chair is sumptuously upholstered from the seat to the back and its wing-like armrests for a plush and luxurious sensation. Supported by a slender metal frame, this bar chair also comes with a swivel function. Whether it’s for the bar, a high counter or a table, Alvo fits in perfectly.

Simple, dense lines and a contemporary aesthetic make the Vico Duo chair a versatile seating piece for modern interiors. An interesting aspect of Vico Duo is its armrests and back legs: these elements are made from a single piece of steel to create a smooth and seamless silhouette. A loose ‘z’ line drawn across paper inspires the armrests’ angled look, giving Vico Duo its distinctive appeal. New arm pads are also available to enhance comfort.

BEBITALIA.COM/EN/MAXALTO

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FRITZHANSEN.COM

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LIGHTWEIGHT BEAUTY

ROCK INTO BLISS

DINING OUT

Rain or shine, the Pico Outdoor dining table never fails to impress with its light and clean design. Ideal for alfresco dining or semi-outdoor spaces, this gorgeous dining table is highly versatile and elegantly blends with a variety of outdoor furniture, instantly generating an atmosphere of sophisticated conviviality. Supported by elegantly tapered legs, the tabletops are available in different versions, including iroko wood slats or stone: Beola Argentata, Pietra del Cardoso, Lava and Porphyry.

The charming Martha rocking chair is akin to a petal that gently cocoons you in total comfort without completely closing you off from the world. Two key elements of the frame – the seating shell and armrest, mutually meet to create a single sinuous open profile.

Atop a wooden base, the slightly curved and padded backrest is tucked between the frame via a hidden system, inspiring a floating appearance that gives Martha its light and playful personality.

Enliven your favourite outdoor dining spots with a vibrant and delightful vibe. The Dine Out chair is designed to infuse a sense of warm hospitality into your patios or alfresco spaces while ensuring a cosy, laid-back outdoor dining experience. The stackable chair with armrests features a solid teak frame embellished with a hand-woven grey polypropylene rope around the armrests and the upper part of the backrest. Padded cushion covered with waterproof upholstery further enhances seating comfort.

FLEXFORM.IT

POLTRONAFRAU.COM

CASSINA.COM

MÉLANGE | PRODUCTS

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SLEEP EASY

BOLD IMPRESSION

STAY WITH ME

The Acute bed is a complete system capable of creating a fully furnished bedroom all by itself. The bedhead, a defining element of the collection, comes with height-adjustable leather or fabric cushions for back support. The fabric cushions can be further enhanced with theBreath® purifying inserts, a patented technology that purifies the air without the need for a power source. Acute also provides customisation options and can be combined with a bench or side table.

A beautifully expressive sofa collection, Ansel blends into modern interiors seamlessly. Unexpected materials in the form of a stainless-steel base along with armrests and backrests made of iroko wood slats come together in harmony, striking a perfect balance of light and solid. Ansel ensures comfort via its plush cushions, which come in different sizes and a palette of trendy tones. Ansel is available in twoseat depths and in two- and three-seat versions.

Cassina’s collaboration with renowned Shanghai studio, Neri&Hu kicked off with the Stay Screen, one of the key pieces in their debut collection. Comprising three panels with metal hinges that close inwards, the screen is ideal as a private partition to divide spaces momentarily. The screen also accommodates hanging objects, thanks to a range of attachments and accessories. A vanity table and clothes stand elegantly complement the Stay Screen, completing this inaugural collection.

CASSINA.COM

FLEXFORM.IT

CASSINA.COM

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SOUL MATES

PRIDE OF PLACE

WOVEN IN TIME

“Pure creativity is defined by its soul”. This profound ideology inspires the design of Soul Outdoor, an innovative armchair with a strong emphasis on its fluid and graceful silhouette. Materials play a key role in Soul Outdoor’s aesthetic. A smooth aluminium tubular frame gently curves into the backrest before embracing an ergonomic seat fitted with teak slats.

The lightness of aluminium contrasts with wood, creating a visually attractive chair, ideal for luxurious inside-out spaces.

A statement-making piece, Abseo steals the limelight with its thick profiles and asymmetrical legs. The table is meticulously crafted from an exclusive folding technique to ensure perfect continuity between the surface and the edges of the top. Abseo now comes in a new version featuring semigloss Chilean tineo wood, a material also found in other pieces in the collection. It is available in natural wenge or brushed light, brushed black and grey oak.

The anniversary edition of Carimate by Fritz Hansen pays tribute to its designer, Vico Magistretti, who designed this armchair in 1959. Unique in both design and construction, this flag line seat is inspired by the original straw seat. However, to prevent the organic decay common in natural straw, 110 metres of European, GMO-free flax are used instead. The flax materials are handwoven to produce the seat’s intricate, organic detailing, complementing the seat’s curvilinear wood frame.

PEDRALI.IT

BEBITALIA.COM/EN/MAXALTO

FRITZHANSEN.COM

MÉLANGE | PRODUCTS

SUN LOVER Lounge under the open sky in total luxury with the YOKO outdoor collection. Designed by Toan Nguyen, this flexible sofa acquired its name from the Japanese word “yoko”, which means sun. Comprising a variety of sofa components, YOKO allows you to configure your preferred seating landscape easily. It is also available in vibrant colours and materials, including a subtly shimmering finish commonly used for exteriors to create a robust and weatherproof furniture that looks impressive, whether rain or shine.

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MÉLANGE | OUTDOOR FURNITURE

PURE ORIENTAL SPLENDOUR

THE PUXUAN HOTEL AND SPA EXPRESSES A NEW DIMENSION OF ASIAN LUXURY, BRINGING TOGETHER OPULENT DETAILS AND MODERN ELEMENTS EXEMPLIFIED BY EXQUISITE FURNISHING FROM KETTAL.

Interior Design: MQ studio Lighting Design: The Flaming Beacon

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THIS PHOTO: Kettal luxury furniture, like its cosy Basket collection, is one of the key highlights of the PuXuan Hotel and Spa.

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ith its architectural style leaning towards an avant-garde aesthetic, the PuXuan Hotel and Spa stands out as a modernist gem in the heart of Beijing most significant heritage site – the Forbidden City. Modern, minimalist elements blend comfortably with Chinese tradition, evoking a distinctive sense of opulence that conjures the best of the old world and the new. Helmed by MQ Studio, the interior design of this splendid hotel takes reference from its historical context, achieved using a composition of unique materials and luxurious furniture collections from Kettal.

At the lobby, Imperial-inspired decor complements the cosy lounge, which leads towards the exterior terrace featuring plush seating from Kettal’s Basket and Boma collections. Made from oak and handbraided in wicker, the Basket chair injects a natural ambience to the outdoor setting while Boma creates a relaxing setting for casual conversations.

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TOP: Kettal’s Basket and Boma collections at the hotel’s outdoor terraces evoke a sense of serene glamour.

BOTTOM: Designed as an iconic masterpiece at Beijing’s arts and commerce centre, The PuXuan Hotel and Spa offers exceptional views of the Forbidden City.

THIS PHOTO: A pair of Basket chairs enhance the exterior terrace of the Lobby while blending in with the Oriental and modern decor.

THE VILLAGE CHAIRS ARE A PERFECT ADDITION TO THE TERRACE, THANKS TO THEIR LIGHTWEIGHT ALUMINIUM STRUCTURES, WHICH EXPRESS A NEUTRAL DESIGN LANGUAGE THAT DOES NOT PULL ATTENTION AWAY FROM THE SCENERY AROUND IT.

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THIS PHOTO: At the Rive Gauche, Kettal’s Village chairs create a lively and informal ambience at the restaurant’s terrace.

Designed to capture the beauty of its surroundings, the upper part of the hotel, which accommodates a majority of the guestrooms and the URSpa, opens out to incredible unobstructed views of the former Imperial Palace. Featuring a subtle masculine theme, the spa presents a palette of dark stones, light timbers and aluminium meshes to define its internal spaces. The Basket chairs are seen once again at the spa terrace, adding a laid-back touch to the deck area enveloped by lush green foliage.

Over at the Rive Gauche, one of the two restaurants at the PuXuan, the space is styled in a French-inspired theme using an ‘objet trouve’ concept. The restaurant also incorporates an exterior terrace where Kettal’s informal bistro-style Village chairs infuse a laid-back vibe into the space. The Village chairs are a perfect addition to the terrace, thanks to their lightweight aluminium structures, which express a neutral design language that does not pull attention away from the scenery around it.

TOP: The Basket chairs enliven the spa terrace and offer guests a comfortable space to enjoy the lush green foliage.

BOTTOM: Featuring a lightweight aluminium structure, the Village chair’s neutral design language visually adapts to both modern and traditional settings.

KETTAL.COM

MÉLANGE | LIGHTING ARCHITECTURE

LIGHT BETWEEN OCEANS THE DAZZLING AMBIENCE AT ATLANTIC, THE PALM IS MADE MORE MAGICAL WITH LIGHTING CONCEPTS BY PRECIOSA LIGHTING, WHICH CONVEY ECLECTIC UNDERWATER THEMES TO COMPLEMENT THE CONTEMPORARY SPACES.

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THIS PHOTO: Preciosa Lighting created a series of breathtaking lighting concepts for seven different spaces at the Atlantis, The Palm.

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THIS PHOTO: Lighting installations crafted from hand-blown crystal leaves illuminate the corridor that leads to the Imperial Club Lounge.

Interior Design: Hirsch Bedner Associates (HBA) Dubai Allen Architecture Interiors Design (AAID) Dubai Photo Credits: Ales Vyslouzil

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radled amid the Arabian Gulf with sweeping vistas of the Dubai skyline, Atlantis, The Palm takes the spotlight as the region’s most iconic hotel renowned for its luxurious offerings. The hotel was recently refurbished, with HBA Dubai taking the lead to give the resort a major uplift while preserving its unique aqua-inspired theme. Preciosa Lighting played a significant role in the revamp, presenting a series of breathtaking lighting design concepts for seven different spaces at the resort.

One of Preciosa’s most outstanding lighting installations for the hotel is the spiralling shell displayed at the Plato’s Coffee & Tea Lounge. Designed by Preciosa designer Petr Korínek in collaboration with HBA Dubai, the lighting concept is inspired by the underwater world and features approximately 35,000 cut beads in three shades of blue. The lighting piece also includes 4500 almond trimmings on 180 hanging points, which float around the shell to create the illusion of being under the sea.

At the glamorous Ossiano Underwater Bar & Restaurant, a variety of Preciosa lighting creations

TOP: Dubai’s most iconic hotel, Atlantis, The Palm, is located on the Arabian Gulf with panoramic views of the Dubai skyline.

BOTTOM: Ocean-inspired lighting concepts by Preciosa Lighting add a touch of luxury while preserving the resort’s contemporary underwater theme.

infuse the dining establishment with an eclectic charm. A seven metres long sparkling violet and crystal Stardust wall greet diners as they enter the restaurant. However, the main centrepiece of Ossiano is a two-metre chandelier at the reception area. Inspired by exotic sea creatures, the lighting piece is crafted from crystal glass tubes in shades ranging from honey to clear.

Over at the resort’s private dining room, four metres of hand-made crystal spheres hanging from the ceiling enliven space. Outside, three large lighting installations made from honey and clear hand-blown crystal leaves by Preciosa designer Anežka Závadová illuminate the corridor that leads guests to the Imperial Club Lounge. A welcoming atmosphere prevails at the Imperial Club & Bar, achieved using a beautiful Preciosa lighting installation featuring a mix of optical glass and cracked glass in shades of champagne and amber.

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TOP: Preciosa Lighting complements the Underwater Suite, which comes with floor-to-ceiling windows offering views of marine life.

BOTTOM: The lighting at Ossiano Underwater Bar & Restaurant reception is inspired by underwater sea creatures and features crystal glass tubes.

THIS PHOTO: The spiralling shell lighting located in Plato’s Coffee & Tea Lounge incorporates approximately 35,000 cut beads in three shades of blue.

PRECIOSALIGHTING.COM

PROFILE | LTW DESIGNWORKS

LTW 40 ANNIVERSARY – 40 YEARS AND COUNTING TH

“INDEED 40 YEARS IS A LONG TIME, BUT I FEEL THIS IS JUST THE BEGINNING AND I’M VERY OPTIMISTIC OF WHAT’S TO COME FOR THE COMPANY.” Lim Hong Lian, Founder and principal partner of LTW Designworks

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Su Seam Teo and Lim Hong Lian

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TW Designworks, the award-winning luxury and lifestyle design studio, celebrates its 40 th anniversary in the luxury hospitality space, marking another significant milestone for the company.

From its humble beginnings initially run out of a home office, founder and principal partner Hong Lian “HL” Lim started off designing small hospitality projects for the Grand Hyatt (formerly Hyatt Regency) in Singapore to designing full scale hotel and resorts projects throughout the Asia-Pacific region, having grown to 100 over employees all over the different offices in Beijing, Shanghai, Milan and Singapore.

The firm’s growth was further solidified with the additional partners of Su Seam Teo and Jeffrey Wilkes in 2001, leading to the renaming of the company to its current moniker of LTW Designworks. During this time LTW worked on a variety of luxury projects that included brands such as Four Seasons, Mandarin Oriental, Conrad, InterContinental, Hyatt, Shangri-La, Datai, Taj and Oberoi, which propelled LTW to be amongst the most sought-after design firms in Asia. Despite Wilkes departure in 2010, HL and Su Seam continued working collaboratively to produce bespoke, timeless and industry-leading designs with keen attention to detail, quality, scale and a timeless sense-of-place.

In recognition of LTW’s accomplishments, the studio has garnered numerous industry awards and accolades, including design awards from AHEAD Asia, World Interior News, Interior Design Confederation and is frequently published in trade publications such as Design Anthology, Sleeper, Objekt, Interior Design, Boutique Design and Hospitality Design, among others.

In 2019, HL was awarded the inaugural Lifetime Achievement Award from the Society of Interior Designers Singapore for his decades of contribution to the design industry. HL also served as president of the Asia-Pacific Hotel Design Association for 6 years before becoming its honorary president.

“Indeed 40 years is a long time,” says HL, “but I feel this is just the beginning and I’m very optimistic of what’s to come for the company.”

Partner Su Seam continues, saying “We also recognize the need to have a succession plan in place to take LTW to the next chapter of its evolution and success, and are proactively strategizing and implementing various initiatives to get us there.” For example, the company has set up a defined studio structure and brought on highly experienced and talented design directors, project managers, interior designers and custom furniture designers, to work in conjunction with the partners to execute projects to their fullest potential.

“The future is limitless for LTW,” says head of business development Rob Shen. “We are continuing to build upon our key markets and strengthening our relationship with repeat clients and operators throughout Asia. We have a diverse collection of ongoing projects in Vietnam, India, Singapore, Malaysia, China, Macau and Taiwan, and are expanding into Europe and Middle East with exciting new projects confirmed in Cyprus, Spain and Dubai.”

40 years in the ever-changing hospitality industry is a testament to LTW’s perseverance and dedication to world-class design, and the firm is positioning itself to continue their legacy for the next 40 years and beyond.

LTWDESIGNWORKS.COM

SHOWCASE | HOTEL

BIRTH OF CONFUCIUS

LTW DESIGNWORKS IMBUES TIMELESS CONFUCIANISM AT JW MARRIOTT QUFU.

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JW MARRIOTT QUFU, CHINA

THIS PHOTO: Anchoring the main lobby is the hotel’s centrepiece sculpture of Confucius under a gingko tree, lit by the skylight above.

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THIS PHOTO: The main lobby has ample space for exploration and contemplation.

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Photo Credits: Seth Powers

nveiling the designs for JW Marriott Qufu – a new luxury hotel in Qufu, China, the birthplace of renowned philosopher Confucius. Celebrating ancient heritage with modern elegance, LTW brings forth a timeless design that pays tribute to the deep-rooted ancient traditions and cultures of The Analects.

Sitting adjacent to the Confucius Temple, a UNESCO World Heritage site, the two-story JW Marriott Qufu stands as an emblem of the ancient city. Tastefully appointed with traditional Chinese features, the hotels’ distinctive exterior emulates structures from the ancient city, with architectural accents such as wood partitions and columns that blend seamlessly with its surroundings. Complementing the architecture, LTW aims to bring forth Confucian values through aesthetics inspired by the Six Arts, including music, rituals and calligraphy.

Inspired by Confucius’ teachings, the Lobby, Lobby Lounge and the Tea House on the first floor replicate the scholar hall at Confucius Temple. Stepping into the Lobby, guests are met with a stone relief wall depicting tales of Confucian history. Graced with slate tiles, grey stone features, and bronze lattice with white ceramic ornaments, the Lobby emulates an outdoor courtyard.

TOP: The central Confucian installation floats on a marble reflection pond.

BOTTOM: A contemporary white marble reception counter sits in front of a gold feature wall with falling gingko leaves and hand painted calligraphy.

“Upon their arrival, guests are welcomed by a 7 meter tall gingko tree installation, but what they don’t notice right away is that the artwork is surrounded by water,” H.L. says. “When it’s quiet, you can hear the trickling sound of water.”

The unique aspect of the spiritually charged site is indeed the main feature of the hotel’s peacefulness which sets apart from typical hospitality setting.

Designed as a poetic allusion of “The Great Teacher”, the statue of Confucius courteously kneels before the gingko tree art installation, created with intricately weaved metallic scriptures. Natural lighting saturates the Lobby under a glass roof in a dark timber, bronze-detailed ceiling, highlight the centerpiece against a stoned Moon Gate – an architectural feature of traditional garden passageways – that partitions the Atrium and Lounge.

Echoing this illusion is a striking gold accent wall, engraved with illustrations of falling gingko leaves, which stands behind the reception desk located on the left side of the lobby upon entrance. The gold accent wall, set against the neutral toned lobby, intentionally highlights a dimension of space that draws on the ancient and modern, allowing guests to travel between the times.

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TOP: Dramatically tall ceramic screens provide semi-privacy and a gallery-like feeling.

BOTTOM: Behind the lobby’s moon gate lies the relaxing and intimate Library Tea Lounge.

THIS PHOTO: Curated literature and objets d’art sit gracefully on solid timber shelves.

“UPON THEIR ARRIVAL, GUESTS ARE WELCOMED BY A 7 METER TALL GINGKO TREE INSTALLATION, BUT WHAT THEY DON’T NOTICE RIGHT AWAY IS THAT THE ARTWORK IS SURROUNDED BY WATER. WHEN IT’S QUIET, YOU CAN HEAR THE TRICKLING SOUND OF WATER.” Lim Hong Lian, Founder and Principal partner of LTW Designworks

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THIS PHOTO: A la carte seating defined by a long central banquette that allows for various seating configurations.

Behind the Moon Gate, the meditative tranquility continues throughout The Lounge. Dark timber furniture, rattan chairs, wooden shelves, ancient Chinese scrolls and traditional stitched bound books fill the space, adorned with low-hanging mesh lanterns, giving a warm and inviting ambience. Paying homage to The Analects’ value of education, the Tea House, surrounded by wooden shelves, books and exquisite tea sets, creates a tranquil retreat for guests to rest and study. Public and private spaces are partitioned by white ceramic lattice, accessorized by figures of the Disciples and artistic representations of books and musical instruments.

To the right of the Lobby, a grey stone wall encased with small glass lanterns illuminates the hallway leading to the restaurant spaces. Boasting a few view of the courtyard, the All-Day Dining Area is complete with dark timber tiles, complemented by textured walls and tawny brown leather seating, providing flexibility of functions for groups and private dining.

TOP: The Chinese Restaurant entrance pays homage to traditional timber houses.

BOTTOM: Custom artworks strategically placed to invite exploration and foster discovery.

On the other side, Residence, the two-storey Chinese restaurant, translate the architectural details of the outdoor courtyard into an opulent gathering space. Blending the outdoor environment into its interiors, the ground floor public dining area is framed by stone walls, with a cream-colored lounge seating area on both sides of the restaurant as a tea-tasting area. Traditional wooden door panels are translated into ornate bronze latticework as door panels and partitions, covering ceilings and window screens. The private dining rooms are highlighted by shades of ochre, displaying artwork that reflects the surrounding historic structures of the area.

Set aside a private courtyard or a veranda, the Guestroom design draw inspiration from a well-known Confucius saying: “The wise find pleasure in water; the virtuous find pleasure in hills.” Taking water and woods as the main inspiration, LTW uses a contrasting palette to convey the yin-and-yang of the two elements: deep brown, to represent the rigidness of the mountain and white, to illustrate the fluidity of water. Dark walnut wooden tiles, ripple-designed carpet and embossed headboard to inject a calming meditative effect in the space. The Presidential Suite combines a bedroom, bathroom, living and dining area that features a neutral color palette, providing uninterrupted respite for the guests.

The theme of meditative tranquility runs seamlessly throughout the hotel. To further strengthen that whilst expressing Confucius’s teachings on humility, H.L. chose materials like wood and bronze, combined with neutral shades of grey, white and brown.

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TOP: The hotel’s Spa reception and retail display.

BOTTOM: Relaxed ambience of the Spa treatment suite with private shower and changing facilities.

THE GUESTROOM DESIGN DRAW INSPIRATION FROM A WELL-KNOWN CONFUCIUS SAYING: “THE WISE FIND PLEASURE IN WATER; THE VIRTUOUS FIND PLEASURE IN HILLS.” TAKING WATER AND WOODS AS THE MAIN INSPIRATION, LTW USES A CONTRASTING PALETTE TO CONVEY THE YIN-AND-YANG OF THE TWO ELEMENTS: DEEP BROWN.

THIS PHOTO: Guestrooms face outward toward views of the garden and landscape with custom mother-of-pearl inlay headboards.

SHOWCASE | HOTEL

MODERN SILK ROAD TO XI’AN LTW DESIGNWORKS MANIFESTS THE BEAUTY OF THE SILK ROAD’S FOR THE DESIGN OF GRAND HYATT XI’AN.

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GRAND HYATT XI’AN, CHINA

THIS PHOTO: The hotel continues the building’s strong architectural language into the interiors.

Photo Credits: Seth Powers

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he 396-room Grand Hyatt Hotel is part of Maike Center, a greenfield mix-use development comprising 5-star hotel and office towers connected via a 2-storey F&B bridge, sitting atop a shared retail podium. Drawing from the rich history of Xi’an as one of the “Four Great Ancient Capitals of China” and located at the eastern end of the Silk Road, the design concept for the hotel is inspired by the famous route’s rich, multi-cultural history, native colors of the textiles and spices traded across regions, and iconography of the desert, earth and adventurous spirit of those who traversed the route in search of new successes.

LTW referenced the Chinese idiom “a great hawk spreads its wings” as a starting point. “Symbolizing hope, success and new beginnings, it became an iconic motif throughout the property,” says HL. This is manifested in the hotels’ dramatic double-height reception lobby which is enveloped by a feather-like sculptural white feature wall composed of curvilinear rows of interconnected vertical slates rising up 10 meters high, in undulating patterns forming wing-like motifs.

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TOP: The impressive sculptural feature wall rises up to mimic the motion of flight.

BOTTOM: LTW placed F&B outlets in the building’s central bridge to be accessible by both hotel guests and office workers.

THIS PHOTO: The lobby lounge screens are designed with varying density patterns to create a sense of privacy.

THE OVAL-SHAPED GRAND BALLROOM WITH A DOUBLE-HEIGHT INTERIOR, OCCUPYING 985 SQM. THE SHAPE ALONE SETS THIS DESIGN APART FROM THE PREDICTABLE RECTANGULAR BALLROOMS SEEN IN THE MAJORITY OF HOTELS IN THE MARKET, AUGMENTED BY A FULL-HEIGHT WINDOW LOOKING OUT AT THE CITY BEYOND WHILE FREELY ALLOWING NATURAL DAYLIGHT TO FILTER INTO THE EVENT SPACE.

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THIS PHOTO: Pre-function areas can be sectioned off to create smaller rooms or opened up for large gatherings.

The beveled reception counters are composed of lightly veined grey marble and sit at the base of the feature wall. Incorporated within its design are angular, geometric light fixtures that form part of the counter’s overall shape and glow from within, as if precious jewels found within raw earth. The lobby’s shuttle lifts are wrapped in matte gold metal screens with laser-etched imagery of overlapping Chinese palace rooftops that form a mirage effect that is also carried through to the other public spaces and guestrooms.

The entire MICE facility occupies the 3rd and 4th floors of the hotel, anchored firstly by the ovalshaped Grand Ballroom with a double-height interior, occupying 985 sqm. The shape alone sets this design apart from the predictable rectangular ballrooms seen in the majority of hotels in the market, augmented by a full-height window looking out at the city beyond while freely allowing natural daylight to filter into the event space. A shared Pre-Function space links the

Grand Ballroom with the Junior Ballroom, allowing the entire pre-function hall to be shared as a communal break-out if both ballrooms are utilized for the same event, or opened up as additional event space.

Strategically located along the upper half of the ballroom’s interior façade, curved LED screens depict customized digital art or guest’s event videos to act as “living billboards” for patrons both inside the hotel and visible from the plaza below.

A curved grand staircase composed of vertical wood slats and marble risers wraps around the outside of the circular Grand Ballroom to link guests from the Pre-Function Hall to the Hyatt Residence with open plan show kitchen upstairs where communal gathering is encouraged. The meeting rooms it serves are fully fitted with the latest conferencing technology and can be expanded into larger rooms from the sliding acoustic wall panels.

“We want to create an oasis for the spa at Level 5 amidst the desert and sand dunes for guests to

TOP: The expansive pre-function hall with curved staircase leading up to the Hyatt Residence meeting facilities.

replenish and unwind”, says HL. Using that as an inspiration, green was predominately used with muted shade of sun bleached wood interpreted as tree bark.

Both colors bring a natural and calm atmosphere to the room while the orange and yellow accented furnitures help add a feeling of freshness to the space. To further enhance a sense of relaxation, the design of the swimming pool mirrors the ocean waves with concave-convex stripe patterns on both walls and floors composed by the rhythm of the waves.

The lounge combines vintage and rustic furnishes in a modern setting with comfort and intimacy of a ‘living room’. Red and white ceramic tiled screens are used as dividers to split the lobby lounge space in order to create intimate spaces for guests to enjoy.

The All-Day Dining restaurant depicts a typical bustling and thriving marketplace where individual counters for food and drinks are provided for guests to explore.

The iconic sky bridge houses the hotel’s multiple F&B outlets, including the Western all-day dining and the contemporary Chinese restaurant, sitting at opposite ends of the bridge not unlike the Silk Road

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TOP: Locally renowned pomegranates inspired the jewelled ruby screens in the Chinese Restaurant.

MIDDLE LEFT: The rooftop barbecue restaurant can serve as pre or post function space for the ballroom below.

THE ICONIC SKY BRIDGE HOUSES THE HOTEL’S MULTIPLE F&B OUTLETS, INCLUDING THE WESTERN ALL-DAY DINING AND THE CONTEMPORARY CHINESE RESTAURANT, SITTING AT OPPOSITE ENDS OF THE BRIDGE NOT UNLIKE THE SILK ROAD ITSELF.

BOTTOM LEFT: Banquette seating in the All-Day Dining with open shelving that creates intimacy.

THIS PHOTO: Allegro bar exudes rustic Italian elegance.

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THIS PHOTO: The hotel’s Executive Lounge is inspired by traditional puppet show theatres.

itself. The all-day Grand Café mimics a bustling and thriving marketplace with open, interactive marble counters set amidst wooden tables and chairs, plush leather banquettes and custom artwork. The signature Chinese specialty restaurant, Chang’an Bridge, is a modern interpretation of Shaanxi culture with a palette consisting of geometric metal screens with ruby accents, grid patterned carpets in hues of grey, white and muted orange, and circular ceiling details resembling traditional Chinese roof construction.

Beyond these are the private dining rooms, where a stunning art piece symbolizing the rich wildlife along the Silk Road is installed along the corridor.

The hotel’s guestrooms and suites are designed with a bright and modern ambience. LTW utilized varying shades of ochre, off-white and tan to highlight the upholstered furniture, walls and millwork, creating a welcoming palette within the contemporary room. Inspired by the phenomenon of mirages, headboard panels depict traditional Chinese pavilions only partially, being slightly obscured by offset and overlapping motifs like a dream.

In the sleeping area of the guestroom, beds for both King and Twin layouts are oriented toward the window and the view. The Twin configuration has split full-size beds tucked against opposite corners, allowing the guest passage in between to be shared.

The headboard artwork is a custom-printed panel with superimposed silhouettes of Qing Dynasty palaces, creating a dreamy mirage for guests sleeping just below. All guestrooms have walk-in closets located between the bathroom and bedroom zones, maximizing efficiency of dressing and packing/ unpacking for on-the-go guests.

With cleverly adapted references to the rich heritage of the area complementing modern design details, the unique spaces in Grand Hyatt Xi’an portray the history of the Silk Road through sleek custom-made furnishings, electric motifs and thoughtful, modern details that define its sense of place. Through this project, LTW once again crafts a compelling narrative boasting the unique cultural identity of the region.

TOP: Twin guestrooms with a central entryway allows each guest distinct personal space.

SHOWCASE | HOTEL

SAILING THROUGH THE SEA LTW DESIGNWORKS EVOKES MARITIME LIFE ON THE PEARL RIVER FOR THE INTERCONTINENTAL GUANGZHOU.

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INTERCONTINENTAL GUANGZHOU, CHINA

THIS PHOTO: Undulating timber panels evoke the movement of waves behind timber domes that add human scale to the expansive lobby.

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THIS PHOTO: The guest reception sits in front of a handetched world map.

Photo Credits: Seth Powers

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or centuries, explorers from all over the globe sailed through China’s Pearl River Delta to the prosperous city of Guangzhou, trading commodities such as tea, spices, textiles, handicrafts and precious ivory and jade. Docking their ships at the nearby island of Pazhou, goods were brought into port and allowed the region to thrive successfully. The melding of Guangzhou’s rich tapestry, heritage and business culture, along with its strategic bay, formed the basis for the nautical interior concept of the InterContinental Pazhou public areas, while the variety of trade formed the inspiration behind the hotel’s dining venues which were all designed with unique themes. LTW was commissioned to design the hotel’s public areas, restaurants, ballroom and meeting facilities, spa and wellness center, and all 350 guestrooms and suites.

TOP LEFT: References to global exploration are found in key areas of the hotel.

TOP RIGHT: Allowing natural light to invade the ballroom pre-function hall.

BOTTOM: Curated artworks create a focal point for guests at the break-out areas.

“Back then Guangzhou was the main port, with people doing importing and exporting and I wanted to show that the moment guests enter the hotel,” says H.L. The main lobby space is surrounded with strongly veined marble flooring in shades of black, white and ash grey, mimicking the motion of the waves. Anchoring the lobby space, several semi-private timber framed pods sit randomly yet purposefully on a raised platform in front of a 3-story feature wall made entirely from undulating wooden slats that form familiar vessel shapes. The reception area is highlighted by a full-height artwork installation from local craftsmen depicting the coastline of the Pearl River Delta, while organically shaped stones are carefully placed around the lobby which not only provide additional guest seating but add to the overall nautical theme.

The specialty steak restaurant, Char, is a reinterpretation of a rustic southern steakhouse where open flame grilling was prevalent. Inspired by the cooking description of “medium-rare”, the interiors are a blend of classic cowboy elements that include longhorn cattle skulls and feature walls made from a mosaic of cowhide panels. Raw, heavy timber beams and wrought-iron screening details give the dining room a rustic and industrial era ambience, yet feels more timeless with the addition of contemporary seating

THE 2000SQM GRAND BALLROOM IS ONE OF THE LARGEST IN THE REGION WITH SPECIALLY-DESIGNED PLUSH CARPET IN UNDULATING SHADES OF BRIGHT CRIMSON AND MATTE IVORY. THE INTRICATE WALL PANELS AND CARPET DESIGN INSPIRED BY THE DELICATE IVORY CARVING OF THE CHINESE PUZZLE BALL, COMPLEMENTED BY SHAGREEN AND STINGRAY FEATURE DETAILS AND LINEAR WALL SCONCE LIGHTING PLACED AROUND THE PERIMETER OF THE BALLROOM. 68

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LEFT: Inside the 200sqm ballroom, one of the largest in the region.

BOTTOM: Custom designed crystal chandeliers were inspired by the Pearl River Delta.

THIS PHOTO: The finest Cantonese delicacies can be found at Canal Luna, the hotel’s signature Chinese Restaurant.

THE SPECIALTY STEAK RESTAURANT, CHAR, IS A REINTERPRETATION OF A RUSTIC SOUTHERN STEAKHOUSE WHERE OPEN FLAME GRILLING WAS PREVALENT. INSPIRED BY THE COOKING DESCRIPTION OF “MEDIUM-RARE”, THE INTERIORS ARE A BLEND OF CLASSIC COWBOY ELEMENTS THAT INCLUDE LONGHORN CATTLE SKULLS AND FEATURE WALLS MADE FROM A MOSAIC OF COWHIDE PANELS.

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THIS PHOTO: A private lounge at Char, the signature steakhouse venue, designed as a modern interpretation of the traditional steakhouse.

and loose furniture in textured fabric and plush leather.

Diners are sure to be enthralled to select their own cuts from a glass display case after consultation with the meat sommelier, watching it get cooked to perfection in the Josper oven while enjoying a crafted bourbon or whiskey at the open bar that overlooks the restaurant. The restaurant design overflows to the private rooms at Char, featuring mosaic cowhide carpets, banquette seatings that fits about 10 people comfortably.

The unique all-day dining restaurant is an open, circular dining space with a 270-degree unblocked view of the city beyond. Internally, an accessible landscape garden is the central feature that brings daylight and nature into the venue while a variety of seating options surround the garden with curved banquettes and plush leather armchairs framed with Burmese teak. A live-action kitchen services the dining room with various buffets sheathed with dark-veined marble and solid timber panels. Around the restaurant, custom-made thin metal screens hold clear resin blocks with various flowers and leaves inside.

TOP: Guestrooms are designed with a light, contemporary palette.

BOTTOM: The signature bull at Char.

The hotel’s Chinese restaurant is themed by the five Wuxing elements of fire, wood, earth, water and gold, manifested in the interior by way of carpet colors, loose furniture upholstery and curated artifacts in the private dining rooms. The a la carte dining room is linked to this theme through use of a plum blossom motif in the wall panels that run consistently throughout the venue.

The 2000sqm Grand Ballroom is one of the largest in the region with specially-designed plush carpet in undulating shades of bright crimson and matte ivory.

The intricate wall panels and carpet design inspired by the delicate ivory carving of the Chinese puzzle ball, complemented by shagreen and stingray feature details and linear wall sconce lighting placed around the perimeter of the ballroom. Providing customizable lighting effects for any type of event are a series of rectilinear ceiling grids infilled with bespoke crystal chandeliers rendered in the same floral pattern that give elegance and delicate interplay of shadow and light.

Overall, LTW played with the elements of design – predominately color, texture and material to create a luxurious hotel rich in heritage and infused with modernity.

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TOP: A spa treatment suite with in-room shower and tub.

BOTTOM: Nautical motifs surrounding the hotel’s swimming pool.

THE SPIRIT OF NAUTICAL ADVENTURE IS REPRESENTED BY FLUID, WAVY MOTIFS IN THE SPA AND POOL AREAS.

THIS PHOTO: Rhythmic patterns ease the spa guest into total relaxation.

SHOWCASE | HOTEL

TURNING A NEW LEAF

LTW REFRESHES PARK HYATT BEIJING WITH CONTEMPORARY DESIGN WHILE PAYING HOMAGE TO TRADITIONAL CHINESE COURTYARDS AND BEIJING’S IMPERIAL PAST.

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PARK HYATT BEIJING, CHINA

THIS PHOTO: The hotel’s lobby has unobstructed views of Beijing.

Photo Credits: Edmon Leong

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arking the 10th anniversary of Beijing’s landmark Park Hyatt hotel, LTW was tasked to redesign and refresh the hotel’s 246 rooms and suites, the dining area and function rooms.

Sitting atop Beijing Yintai Centre in the bustling business district of Chaoyang, Park Hyatt Beijing is located along Jianguomenwai Main Street, a major road that historically straddled the outermost Imperial City wall. Inspired by the concept of siheyuan, a traditional Chinese courtyard and a symbolic icon of Beijing architecture, LTW’s design pays homage to the courtyard’s symmetrical composition, architecture and interiors, bringing Beijing’s nostalgic past into the modern, bustling cityscape of China’s capital. “We wanted to translate elements of Beijing’s nostalgic past into a more uplifted, modern and sophisticated design,” explains Su Seam Teo, Partner at LTW Designworks.

Preserving majority of the hotel/s original layout, LTW injects a refined, contemporary functionality with soft, neutral tones to complement Park Hyatt’s signature aesthetics of warm timber furnishings, all-white linens and elements of bold, dynamic lines.

Five defining color swatches were inspired by the

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LEFT: A hand-stitched leather ottoman.

TOP: The generous pre-function area is flooded with natural light.

BOTTOM: Public spaces are spacious and modern.

FIVE DEFINING COLOR SWATCHES WERE INSPIRED BY THE SIHEYUAN: GREEN, EVOKING THE TRANQUIL GARDEN AND THE LUSH COURTYARD; YELLOW, ORANGE AND REDS, REPRESENTING AUSPICIOUS KOI FISHES AND BEIJING’S GOLDEN PAST; AND BROWN AND GREY, DEPICTING WOOD AND TREE BRANCHES, TIMBER AND HARD STONE FURNITURE FOUND IN TRADITIONAL CHINESE RESIDENCES.

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THIS PHOTO: A custom-designed vanity table sits in front of moss green wall panels.

siheyuan: green, evoking the tranquil garden and the lush courtyard; yellow, orange and reds, representing auspicious koi fishes and Beijing’s golden past; and brown and grey, depicting wood and tree branches, timber and hard stone furniture found in traditional Chinese residences. “These colors must tell a story of a bygone era, whilst fitting the modern and contemporary space,” says Teo. Beginning with the redesigns for Park Hyatt Beijing’s Guestrooms, Pre-function Area and Ballrooms, LTW brings a quiet balance of history and modernity into muted residential-style interiors. Influenced by the peaceful nature of the courtyard, a neutral palette of beige, green and grey was chosen to uplift the overall tones of the Guestrooms. According to Su, the greatest challenge of the project was the client’s insistence on keeping the existing elements within the rooms. But, LTW relished the opportunity to boost the functionality of the existing structures with elegant residential-style designs. Complementing existing warm timber furnishings, dark wood grains and flooring, each guestroom is designed with muted wall panels and an oversized earthy-toned carpet with a striped abstract illustration of plum blossom, depicted in stripes of varying green hues. Etches and ink paintings of traditional courtyards decorate the walls, appointed with small bronze statues of amahs to pay tribute to the female workers of the Imperial times.

TOP: Refreshed furniture and fittings throughout all of the guestrooms and suites.

BOTTOM LEFT: Peeking into the study area in a suite.

BOTTOM RIGHT: A detail of the timber and rattan armchair.

COMPLEMENTING EXISTING WARM TIMBER FURNISHINGS, DARK WOOD GRAINS AND FLOORING, EACH GUESTROOM IS DESIGNED WITH MUTED WALL PANELS AND AN OVERSIZED EARTHY-TONED CARPET WITH A STRIPED ABSTRACT ILLUSTRATION OF PLUM BLOSSOM, DEPICTED IN STRIPES OF VARYING GREEN HUES. ETCHES AND INK PAINTINGS OF TRADITIONAL COURTYARDS DECORATE THE WALLS, APPOINTED WITH SMALL BRONZE STATUES OF AMAHS TO PAY TRIBUTE TO THE FEMALE WORKERS OF THE IMPERIAL TIMES.

Contrasting the muted color palette of the guestrooms, the 850-square metre Pre-Function Area on the third level is a vibrant illustration of the siheyuan’s outdoor common space. The area and three adjacent Ballrooms are adjoined by expansive, wall-to-wall carpeting embellished with waves of orange, deep crimson and cedar, creating a vivid imagery of rippling fish pond. Featuring floor-to-ceiling copper panels with abstract illustrations of the pond-side trees, the Ballroom’s existing structure and finishing are enhanced with the repainting bronze-colored ceilings for an elevated splendor.

LTW was also tasked to revamp the 25 suites of the hotel, remodeled into multi-functional spaces to accommodate both social gatherings and business meetings, while emanating a sense of luxurious refuge.

Following the design language of the guestrooms, the Executive Suite is exquisitely furnished with meticulous designs, dressed in a woven accent carpet in light brown and grey. Appropriately outfitted for business travellers, the Executive Suite encompasses a separate living room, a master bedroom and a spacious work area in the layout that resembles the siheyuan composition. Comfortably seating up to eight guests, the dining area is complete with a glass-topped wooden table and comfortable leather chairs in mahogany – an ode to the traditional wooden door of the courtyard houses.

On Level 49 sits the Chairman Suite, the largest suite in the hotel which overlooks an expansive majestic view of Chang’an Street and the Forbidden City. The 240-square-metre suite offers a lavish, artistic space that can accommodate multi-functional purposes, replete with spacious living room, dining area and fully equipped kitchen, bathroom, and an expansive bedroom to suit the needs of every discerning guest.

The designers at LTW focused on creating a timeless design experience that outlasts a century for the renovation of Park Hyatt Beijing through a thoughtful sense of place, fine detailing and pops of accented colors that lend a peaceful yet innovative feel to the setting.

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MIDDLE: A sophisticated guestroom palette of taupe and green.

BOTTOM: View of the bathtub and minibar area.

THIS PHOTO: Contemporary artworks form part of the interior installation for all guestrooms and suites.

SHOWCASE | HOTEL

GARDEN OF EDEN LTW SPINS A TALE OF A BYGONE FOLKLORE AT GRAND HYATT HEFEI.

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GRAND HYATT HEFEI, CHINA

THIS PHOTO: The arrival lobby design starts the tale about a fisherman who found an oasis hidden inside a cave.

Photo Credits: LTW Designworks

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TOP: Laser engraved bronze panels reveal the custom artwork of peach blossoms.

BOTTOM: The fisherman’s boat was created using thousands of individual wooden pieces.

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esigning yet another Grand Hyatt, this mark’s LTW’s 5th Grand Hyatt. Grand Hyatt Hefei is the first Grand Hyatt hotel in Anhui Province and the firm is commissioned to design the hotel’s public areas, restaurants, ballroom and meeting facilities, spa and wellness center, and all 347 guestrooms and suites.

Strategically located within the fast developing central business district of Hefei Zhengwu District, the hotel sits atop a 55-story skyscraper and is designed to welcome guests with theatrical skyline views of the city. Inspired by the vision evoked by the romantic tale penned by Tao Yuanming, a Taoist philosopher, the hotel recreates an enchanting journey for guests – weaving an intriguing tale of time and place, beautifully bridging past, present and fantasy.

The tale of the story begins with a fisherman drifting downstream along a river with reeded marshland on one side and sheer cliff face with dense vegetation on the other, changing upon a cave through the cliff face. On entering the cave, he discovered a paradise with blossoming peach blossoms and the villagers were peaceful, joyous and content with their lives. He stayed for a period of time but later yearned for his family and decided to bring them over. However when he tried to return to this “Shangri-la”, he was unable to find the cave entrance again. The depiction of the story is envisioned the moment guests enters the hotel. Arriving the courtyard, guests are greeted with a 2-story metal wall of cascading peach blossom motifs in rustic steel finish. Up in front a streaming

TOP: The hotel’s “cave” entrance along a white ceramic wall inspired by Hui Pai architecture.

BOTTOM: Flowing walls have bas relief reeds and organic wooden husks that mimic the riverbanks.

path with curved ivory panels simulating the scenes of a flowing river and wood sculptures against the wavy cogon grass textured wall on the right while the left features a laser-cut metals panels in various shades of finish simulating the dense vegetation with a cave-like opening to the lift lobby ascending guests to arrive on L40 the Sky Lobby, Shangri-La. Arriving at the 40th floor, the hotel’s Sky Lobby overlooks the city below and features a “drifting fisherman’s boat” as its central installation. Individual reception stands allow easy check-in while the central block fireplace adds warmth and energy.

The Lounge, Hefei’s latest fashionable destination, exudes a relaxed sophistication with its tanned leather banquettes and chestnut brown parquet flooring. The design of the interior is derived from the famous Hui Pai (style) architecture of Anhui province, where Hefei is located. The influence of Hui Pai’s architecture is distinct with white ceramic tiles surrounding the sleek open bar to make the space more intimate, upscale and timeless. A truly mixed-use space, The Lounge comprises multiple functions including a library, living rooms, meeting rooms, lounge space and a bar.

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TOP: A view of the central lobby bar.

BOTTOM: The stunning feature wall at the hotel’s sky lobby and reception area.

THE INFLUENCE OF HUI PAI’S ARCHITECTURE IS DISTINCT WITH WHITE CERAMIC TILES SURROUNDING THE SLEEK OPEN BAR TO MAKE THE SPACE MORE INTIMATE, UPSCALE AND TIMELESS. A TRULY MIXED-USE SPACE, THE LOUNGE COMPRISES MULTIPLE FUNCTIONS INCLUDING A LIBRARY, LIVING ROOMS, MEETING ROOMS, LOUNGE SPACE AND A BAR.

THIS PHOTO: A multi-zoned lounge with bar, boardroom, living room and live band stage.

ABSTRACT FAÇADE PAINTING OF THE HUI PAI ARCHITECTURE IS VISIBLE THROUGHOUT THE RESTAURANT WHILE COLORS OF THE RESTAURANTS ARE KEPT MODERN – APRICOT COLORED WALLS AND SAGE GREEN FURNISHINGS.

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THIS PHOTO: A “miraged” effect is used on the feature wall to allude to Hui Pai buildings and rooftops.

TOP: A la carte dining with views into the action kitchen.

BOTTOM: Apricot walls and light green banquettes evoke a traditional yet timeless feel.

At Jun’s House, a contemporary Chinese restaurant located on the 41st floor provides guests with authentic local delicacies from Anhui. Abstract façade painting of the Hui Pai architecture is visible throughout the restaurant while colors of the restaurants are kept modern – apricot colored walls and sage green furnishings.

The design language of the guestroom and suites follows the color palette of the Hui Pai architecture.

LTW utilized carrying shades of cool grey and light walnut to create a refined luxury environment for guests to respite. The design layout of the twin rooms is intended to provide separate spaces for two individuals, with beds against upholstered L-shaped corners and separate washing and dressing areas on each side. A communal work table sits on the window side to allow use for two guests or combination of work and in-room dining.

Predominant use of grey and white accented with dark timber denotes the understated approach while the clever use of light colors and clean lines impart an eloquent air of intimacy and chic Chinese finesse.

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TOP: Split bedded twin rooms have become a Hyatt standard.

THE DESIGN LANGUAGE OF THE GUESTROOM AND SUITES FOLLOWS THE COLOR PALETTE OF THE HUI PAI ARCHITECTURE. LTW UTILIZED CARRYING SHADES OF COOL GREY AND LIGHT WALNUT TO CREATE A REFINED LUXURY ENVIRONMENT FOR GUESTS TO RESPITE.

THIS PHOTO: Warm hues and built-in timber panels give a relaxed yet timeless feel for the guestrooms.

SHOWCASE | HOTEL

SKY HIGH CITY HOTEL LTW DESIGNWORKS REFERENCES CULTURE FROM SIX DYNASTIES AT JUMEIRAH NANJING.

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JUMEIRAH NANJING, CHINA

THIS PHOTO: Relaxed elegance at Lu Chao, the hotel’s feature Cantonese restaurant.

Photo Credits: Edmon Leong

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ocated within the iconic International Youth Olympic Culture designed by Zaha Hadid, the luxury hotel Jumeirah Nanjing brings a sense of Nanjing’s statue as the capital of China for six dynasties.

Strategically situated along the picturesque Yangtze River in the Hexi New Business District, the hotel enjoys panoramic views of the water against the bustling cityscape. “Nanjing was the capital of China for six dynasties and boasts a long history serving as a cultural and literary centre, dating back to the 3rd century”, says Lim Hong Lian. LTW was commissioned to craft the interiors for the hotel’s public areas, guestrooms and suites, restaurants, lounges and wellness facilities.

Lim continues, “We were inspired by the poetic narratives from this unique history, and have employed these as the base of the design concept, evoking a strong sense of place by reinterpreting Chinese literature with a modern twist. Zaha Hadid’s fluid and organic architecture gave us the opportunity to create an upscale, modern and refined interior that conveys a dynamic yet harmonious synergy between the exterior and interior, complementing the distinct curvilinear features of the building.”

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TOP: A dramatic skylight sits atop the arrival lobby.

BOTTOM: The concierge station tucked below the 8-story feature wall.

THIS PHOTO: White banded balustrades give the lobby more privacy from the shopping mall floors beyond.

CHA JIE’S SPRING-INSPIRED DESIGN EMPLOYS SOFT, NEUTRAL SHADES OF WHITE AND BEIGE TO CREATE A SUNLIT, OPEN SPACE FRAMED BY BLACK LACQUERED PANELS INSET WITH FALLING GINGKO LEAVES.

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THIS PHOTO: A relaxed ambience at the sky lobby tea lounge.

Inspired by a folklore about “the black dragon” seen by the Emperor through the misty air of Xuanwu Lake, the hotel’s Main Lobby features two key elements from this legendary tale: the peaceful, reflective quality of the lake and the contrasting dark intensity of the mythical creature. Juxtaposing light and dark, smooth and textured, the aura of the powerful mythical creature is translated in the soaring dragon-scale feature wall, set within an 8-stroey high curved glass skylight. The grand lobby depicts scenes of a flowing river, with its central seating area composed of weaving islands on top of ripplepatterned marble flooring. Two imposing structures stand within the lobby space to draw the eye upwards, allowing guests to take in the dramatic height while giving scale and proportion to the lobby floor.

Drawing influence from a Tang Dynasty poem that describes “spring rain and autumn mist hovering over Chinese palaces”, Cha Jie Tea Lounge and Chocolatini Martini Lounge on the 41st floor narrate a play between the seasons. Cha Jie’s spring-inspired design employs soft, neutral shades of white and beige to create a sunlit, open space framed by black lacquered panels inset with falling gingko leaves.

Sitting across is Chocolatini, an elegant chocolatepairing cocktail and martini bar designed with warm Autumn-hued interior with tangerine arched ceiling, brick red plush leather armchairs, and lacquered panels with red and yellow maple leaf motifs.

TOP: The bar at the Executive Lounge.

BOTTOM: Open seating within the dining room.

SITTING ACROSS IS CHOCOLATINI, AN ELEGANT CHOCOLATE-PAIRING COCKTAIL AND MARTINI BAR DESIGNED WITH WARM AUTUMN-HUED INTERIOR WITH TANGERINE ARCHED CEILING, BRICK RED PLUSH LEATHER ARMCHAIRS, AND LACQUERED PANELS WITH RED AND YELLOW MAPLE LEAF MOTIFS.

Zhou Xian, a fusion seafood restaurant and bar, exudes a relaxed sophistication with its chestnut brown banquettes, taupe leather chairs and sleek open bar, surrounded by sequential timber tiles, embossed ceiling panels and perforated metal screens resembling fishing nets as described in a famous Tang Dynasty fisherman’s tale.

Lu Chao, the contemporary Chinese restaurant located a floor below, depicts the majestic glamour of ancient Chinese palace, inspired by a poem about Jinling – the land of emperors and kings. With interior based on imperial gold, this luxurious color is highlighted in a subtle manner with rich mustard and white abstract carpeting, stained parquet flooring and plush tan leather and ivory upholstered seating.

Warmly uplit ceiling coffers add cosiness to the space while delicate gold string artwork hang on textured cladded columns to give reference to willow trees.

Tracing back to Nanjing’s history as an education and literary haven for scholars, the guestroom design is a comforting retreat for sophisticated international travellers. The “Four Treasures of Study” – brush, ink, paper and inkstone – were used as key inspirations within the rooms and suites. Oversized compositions of traditional wooden printing blocks were adapted into decorative screens; their asymmetrical brushstroke patterns alluding to the flowing dragon motif.

Sculptural lighting fixtures in the suites give consistency to the public area design, set amidst a predominantly neutral color palette of warm timber flooring with abstract brown and white inset carpet, beige lacquered panels and grey upholstered furniture with black accents.

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LEFT: The signature Jumeirah sports bar is inspired by traditional British pubs.

THIS PHOTO: Chocolatini, the hotel’s second lounge, offers refreshment in a fall-like setting.

THE SKY POOL SITS ATOP THE BUILDING UNDER A GLAZED SKYLIGHT WITH ITS RECTANGULAR INFINITY POOL ORIENTATED TOWARDS THE VAST CITY BEYOND.

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THIS PHOTO: The rooftop pool and gym offer dramatic views of Nanjing.

Inspired by a Ming Dynasty prose about a morning blossom by the water, the Talise Spa is minimally designed with subtle floral patterns, inviting guests to a peaceful retreat within its treatment rooms. The Sky Pool sits atop the building under a glazed skylight with its rectangular infinity pool orientated towards the vast city beyond. Specially designed gym studios created by LTW are housed in three individual glass boxes overlooking the pool deck, giving the four-storey space an appropriate human scale.

Celebrating cultural heritage with modern elegance, LTW’s design for Jumeirah Nanjing is an exemplar for a deeply inspired design concept rich with bespoke details and executed with timeless perfection.

TOP: Guestrooms feature a light and airy palette with modern fittings.

BOTTOM: Accent walls have wooden typesetting blocks that allude to Nanjing’s literary past.

SHOWCASE | SPA

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MY HUMBLE HOUSE YILAN, TAIWAN

SUBURBAN HOT SPRING RETREAT

LTW DESIGNWORKS CREATES A RELAXED AND TIMELESS RETREAT IN YILAN.

THIS PHOTO: A gallery-like interior is filled with natural light and showcases the owner’s private collection of art and artifacts.

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THIS PHOTO: Art installations are strategically placed encouraging exploration and discovery throughout the hotel.

Photo Credits: LTW Designworks

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he latest development from My Humble House Group in Taiwan is the Mu Hotel by My Humble House. Located in the remote province of Jiaoxi, this property is designed as an urban sanctuary located nearby natural hot springs.

Upon entering the serene lobby space, the guest will immediately be reminded of traversing through an art gallery. From the open planning to strategically located custom artworks, visitors are sure to be taken on a journey of discovery as they meander through the various spaces. The interior is both elegant and modern, minimalistic but also timeless.

The owner’s private collection of art and artifacts are on display so the architectural forms of the public spaces resemble a gallery, framed with soft timber panels and matte white walls in which items such as the sculptural reception counter and organically shaped solid wood benches are carefully placed.

From the open lobby guests can relax at the MU Bar, which is designed with a residential approach highlighted by smaller intimate groupings of seating.

TOP LEFT: Hanging installation “An Aggregation” by Korean artist Bahk Seon-Ghi.

TOP RIGHT: A picture window allows connection to nature.

BOTTOM : The main lobby is layered without being overbearing, allowing the artworks to stand out.

THE OWNER’S PRIVATE COLLECTION OF ART AND ARTIFACTS ARE ON DISPLAY SO THE ARCHITECTURAL FORMS OF THE PUBLIC SPACES RESEMBLE A GALLERY, FRAMED WITH SOFT TIMBER PANELS AND MATTE WHITE WALLS IN WHICH ITEMS SUCH AS THE SCULPTURAL RECEPTION COUNTER AND ORGANICALLY SHAPED SOLID WOOD BENCHES ARE CAREFULLY PLACED.

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MIDDLE: Specialty dining was placed on the rooftop to allow patrons to see over the bustling city to the sea beyond.

BOTTOM: Comfortable casual dining at the hotel’s 3-meal outlet.

THIS PHOTO: The reception area of Varve, the hotel’s specialty rooftop restaurant.

THE SOPHISTICATED NEUTRAL PALETTE IS FURTHER CARRIED THROUGH TO THE GUESTROOMS AND SUITES, WITH SHADES OF BLUE INJECTED AS ACCENT COLORS ON SOFT TEXTURED FURNISHING TO EXUDE A CALMING SENSATION FOR GUESTS TO RELAX AND RECHARGE.

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THIS PHOTO: Open plan suites allow guests to relax and unwind.

The sophisticated neutral palette is further carried through to the guestrooms and suites, with shades of blue injected as accent colors on soft textured furnishing to exude a calming sensation for guests to relax and recharge. The spacious balcony areas are a key feature that allow guests to sit outdoors and enjoy views of the hot spring and mountains beyond.

Twin sharing rooms have a communal table where guests can share space yet still have the feeling of privacy. Headboard panels include an indigo panel with custom artwork resembling water ripples to further enhance the natural feeling of this getaway location.

BOTTOM: A detail of the twin guestroom with communal table that bisects the beds.

SHOWCASE | HOTEL

1920s JAZZ AGE REDUX RENEWING ART DECO GRANDEUR AT THE CONRAD TIANJIN.

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CONRAD TIANJIN, CHINA

THIS PHOTO: The grand hall evokes the Art Deco period while maintaining a timeless aesthetic.

Photo Credits: Seth Powers

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n the vibrant business district of Tianjin China, lies one of the newest luxury hotels launched in Nankai, Conrad Tianjin, recently opened just two years ago. LTW designed all the public areas, F&B and 375 guestrooms and suites.

Inspired by its colonial past and the cultural blend of the East and West, LTW’s design revives the province’s prosperity and glamour in the 1920s – a significant era where Art Nouveau and Art Deco emerged as a leading influence on western culture and lifestyle. Weaving together the past and present, the contemporary design effortlessly blends the different cultures, revitalizing Art Deco decadence with opulence and grandeur.

Surrounded by arabesques white marble walls and bronze trimmings, the lobby boasts a clean yet lavish interior decorated with crystal chandeliers, highlighted by a 12-metre ornate partition. Dividing the lobby reception from the lounge, the floor-to-ceiling screen, decorated with Art Deco patterns in bronze and crystals, is mirrored by bold geometric patterns on the marble floor. Contrasting the bold, dark and bronze details, a tranquil palette of beige and white flows through the reception and the lounge.

Behind the feature partition is Cha, a spacious, equestrian centerpiece to brown leather-strapped cushions, each feature represents the affluent lifestyle through the most intricate details. The stylish lounge is further fitted with a feature carpet, highlighted with a striking geometric overlay of yellow and cream.

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TOP: LTW’s design starts outside the hotel at the arrival porte cochère.

BOTTOM: Stylized classical motifs at the reception counter.

THIS PHOTO: Lacquered animals with gold accents surround the residential feel of the lobby lounge.

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THIS PHOTO: Crystal chandeliers add elegance, sparkle and scale to the triple-height lounge.

TOP: The hotel’s feature animal sculpture.

MIDDLE: A detail of the ballroom chandelier.

BOTTOM: Laser carved deco panels.

Each of Conrad Tianjin’s restaurants take inspirations from cultures of the nations that historically traded with China. At the all-day dining restaurant Brasserie On G, deco aesthetics are mixed with European influence. The spacious interior is covered in slate grey and checker flooring, replete with bronze-framed glass partitions and dotted with dark veneer tables and armchairs upholstered in blue, checker patterns, and mahogany leather.

At the Southeast Asian restaurant, Bam Bou, the warm, inviting ambience is injected with tropical flair, evoking colors of forests. Walls are lined with vertical patterned tiles to resemble bamboo. Dark green interiors are accompanied by gold-rimmed wooden tables and chairs, to complete with metallic lanterns hanging above a comfortable, open seating area.

Carved, wooden screens divide the space into private dining booths, offering an intimate experience for guests.

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BOTTOM: Lounge seating at the Executive Club.

AT THE ALL-DAY DINING RESTAURANT BRASSERIE ON G, DECO AESTHETICS ARE MIXED WITH EUROPEAN INFLUENCE. THE SPACIOUS INTERIOR IS COVERED IN SLATE GREY AND CHECKER FLOORING, REPLETE WITH BRONZE-FRAMED GLASS PARTITIONS AND DOTTED WITH DARK VENEER TABLES AND ARMCHAIRS UPHOLSTERED IN BLUE, CHECKER PATTERNS, AND MAHOGANY LEATHER.

THIS PHOTO: Open buffets and live cooking stations invite buffet guests to sample all kinds of gastronomy.

YING, THE CHINESE RESTAURANT TAKES INSPIRATION FROM THE IMPERIAL COURTS. FEATURING GLASS LANTERNS, ORNATE GOLD LATTICE IS DECORATED WITH JEWELS IN ROYAL BLUE AND YELLOW, AND ARTWORK THAT MIMICS CHINESE IVORY SEALS, THE EXQUISITE STYLE AND PALETTE OF GOLD, BEIGE AND TAN ECHO THROUGHOUT THE SPACE, WORKING SYMBIOTICALLY TO CREATE A SOPHISTICATED, REGAL AMBIENCE. 118 | H+R

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THIS PHOTO: A la carte dining room at the Chinese restaurant Ying.

Ying, the Chinese restaurant on the second floor, takes inspiration from the Imperial courts. Featuring glass lanterns, ornate gold lattice is decorated with jewels in royal blue and yellow, and artwork that mimics Chinese ivory seals, the exquisite style and palette of gold, beige and tan echo throughout the space, working symbiotically to create a sophisticated, regal ambience.

Inspired by Tianjin’s exotic blend of elegance and modern chic, the designs and furnishings at Conrad Tianjin’s guestrooms and suites offer travellers a luxurious respite by replicating the lavish lifestyle of the past. With an expanse of white marble encompassing the bedroom and bathroom walls, the Guestrooms are dressed in a neutral color palette and a plush feature carpet, accented with yellow highlights, to evoke the playfulness of the Art Deco era. The white and gold color palette exudes a modern yet homely ambiance. Complete with a contrasting palette of black and white, the spacious and stylish Presidential Suite further extends the exquisite touch of the Art Deco with layers of bronze, stylistic geometric details and striking, hold lines. Ornate, geometric partitions delineate the wide, open living room, appointed with a grand chandelier with dark leather furnishings, evoking the sophistication of the golden era.

TOP: Tropical hues define Bam Bou, the Pan-Asian destination restaurant.

BOTTOM: Hand carved timber screens separate green leather banquettes.

DESIGN LIBRARY

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BOREA

by B&B ITALIA

DESIGN LIBRARY | LIGHTING ARCHITECTURE

CURTAIN OF LIGHT PRECIOSA LIGHTING EVOKES THE INFINITE POSSIBILITIES OF LIGHT WITH THE PEARL CURTAIN, A UNIQUE DESIGN CONCEPT THAT COMBINES CHANDELIER CRAFTSMANSHIP AND CUTTING-EDGE TECHNOLOGY.

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THIS PHOTO: The Pearl Curtain from Preciosa’s Signature Design series is inspired by the draping and layering of curtains in opulent spaces.

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THIS PHOTO: The design of Pearl Curtain presents a luxurious geometrical impression while preserving a distinctive contemporary style.

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he Pearl Curtain from Preciosa’s Signature Design series takes inspiration from the smooth folds and luxurious movements of fabrics, translating these characteristics into the art of lighting. Akin to draping layers of curtains in opulent spaces, Pearl Curtain expands the form and function of chandelier lighting, bringing it closer to the observer.

The concept invites curiosity, beckoning the observer to wonder about “what’s behind the curtain”, offering an interactive yet corporeal experience of light and space in a single moment.

“Chandeliers are often relegated to the ceiling.

This concept should motivate designers to stretch a chandelier from the ceiling all the way to the floor and use it as a curtain to define different zones within one space,” the brand elaborates. “A curtain, on the other hand, can create space by separation. It opens or closes, like on the theatre stage. Compared to a wall, it is a soft, sensual and intimate definer of space.”

Designed to create unique emotional experiences via the technology of light, Pearl Curtain is elegant in both its concept and construction. Multiple strands of “pearls” derived from specially made crystal spheres culminate into various compositions of curtain-like

BOTTOM: The gentle movement seen in textile is translated into soft waves of vertical compositions that are best viewed from the side.

chandeliers that sweep dramatically across different directions. Here, the gentle movement seen in textile is reiterated into soft waves of vertical component groups that are best viewed from the side. As a whole, the design of this collection exudes a lavish geometrical impression with a definite contemporary style.

To generate the illuminated curtain effect, the spheres hang atop one another on a single suspension cable, creating a vertical cluster with a combination of different illumination methods, for example, injected light into the spheres, individual up-lights for each component cluster or simple downlights from the ceiling. According to Preciosa Lighting, dynamic light effects are achieved using DMX-controlled LED chips, which light at least one component in every component group.

A central element of the Pearl Curtain, as well as other Preciosa Lighting’s design concepts in the

Signature Design series, the crystal spheres are unique to the brand. “These pearl-like spheres are a speciality of the Preciosa glassworks as not many manufacturers can handle the delicate material,” Preciosa explains. “The components are distinctive in the fact they are beautiful, whether lit or not. The spheres are also captivating elements during the day, under natural lighting conditions.”

Similar to curtains, the design of the Pearl Curtain allows for the “layering” of colours or materials.

Thus, it can be customised to meet different design specifications. To offer more creative possibilities, the crystal spheres come in a rich palette of colours and various crystal types, including Bohemian Crystal, Glass, Triplex Opal, Bubbled, Handcut and more.

Colours range from tones of greens, blues, reds, yellows and are also available in frosted versions.

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TOP LEFT: The Pearl Curtain is designed to evoke an emotional experience while creating a sense of wonder and curiosity.

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TOP RIGHT: The crystal spheres come in a rich palette of colours and various crystal types to provide more design versatility.

MULTIPLE STRANDS OF “PEARLS” DERIVED FROM SPECIALLY MADE CRYSTAL SPHERES CULMINATE INTO VARIOUS COMPOSITIONS OF CURTAIN-LIKE CHANDELIERS THAT SWEEP DRAMATICALLY ACROSS DIFFERENT DIRECTIONS. HERE, THE GENTLE MOVEMENT SEEN IN TEXTILE IS REITERATED INTO SOFT WAVES OF VERTICAL COMPONENT GROUPS THAT ARE BEST VIEWED FROM THE SIDE.

THIS PHOTO: The crystal spheres come in a rich palette of colours and various crystal types to provide more design versatility.

PRECIOSALIGHTING.COM

DESIGN LIBRARY | TIMELESS CABINET

CURIOUS CASE OF WONDERS HOUDINI INFUSES A TOUCH OF MYSTERY INTO SPACES WITH ITS INGENIOUS DESIGN STYLE THAT CREATES MAGICAL OPTICAL EFFECTS AND SECRET COMPARTMENTS.

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THIS PHOTO: Houdini is available in two versions, with one or two columns housing drawers, shelves, and compartments.

“HOUDINI CELEBRATES GIORGETTI’S ABILITY TO TRANSPORT ITS CABINET-MAKING EXPERTISE INTO THE CONTEMPORARY WORLD. THE EXTERIOR IS COMPOSED BY WOOD INLAYS, ONE OF THE MOST TRADITIONAL AND CLASSIC ELEMENTS OF THE TRADITION. TO MAKE THE WORKMANSHIP CONTEMPORARY, THE DESIGNS HAVE BEEN HIGHLIGHTED BY USING THE SAME WOOD IN THE SAME COLOUR, AND ALTERNATING THE DIRECTION OF THE GRAIN TO MAKE THE SECTIONS MOVE.” Roberto Lazzeroni, Designer

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THIS PHOTO: The drop-down leather riser on top reveals the internal compartments.

A

TOP: The external surface is composed of inlays in Canaletto walnut or maple, arranged according to the direction of the veins.

n objet d’ art, a multifunctional cabinet, a treasure chest: Houdini is designed as a sculptural and monumental object that combines Giorgetti’s cabinet-making finesse and its designer, Roberto Lazzeroni’s signature aesthetics.

Houdini expresses a perfect balance of shape and function; its form creating a dialogue of beauty and function with the surrounding environment.

“The aim was to create a cabinet with a fluid function in the home: from the living room to the sleeping area. I wanted it to be a mysterious piece of furniture, to have secrets and magic: it takes its name from this initial idea,” Lazzeroni explains the concept. “In the two-door version, the columns are two chests that open to reveal shelves, compartments, drawers... It is a sort of magic; it becomes a house of things, a box of wonders.”

A selection of classic materials takes the lead to

infuse a touch of mystery and magic into the cabinet design. The external surface features inlays in Canaletto walnut or maple, arranged according to the direction of the veins, vertical and horizontal, resulting in an iridescent effect. The designer also placed perpendicular and inclined lines based on the shape of the inlays to create a curious optical effect. When the cabinet is viewed from a distance, the inlays seem to converge in the middle of the cabinet and become wider at the top and the bottom.

Houdini is available in two versions, with one or two columns accommodating drawers, shelves, compartments, empty pocket trays and leather-finished doors, which reveal themselves under an LED light system. For the single-column version, you can go for either a right or left door opening, while the twocolumn model comes with two hidden compartments.

BOTTOM: Roberto Lazzeroni’s design intention was to create a timeless cabinet with a fluid function for the home.

GIORGETTI.EU

DESIGN LIBRARY | OUTDOOR FURNITURE

FIRST CLASS STYLE INSPIRED BY AERONAUTICAL DESIGN, THE BOREA OUTDOOR COLLECTION EXEMPLIFIES B&B ITALIA’S APPROACH TO SUSTAINABILITY IN A CREATIVE MANNER.

Photo credits for the lifestyle images – PH Tommaso Sartori

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THIS PHOTO: Borea is a complete and eclectic collection of outdoor seats and tables with a common tubular metal structure inspired by aeroplanes.

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TOP: The chair and sofa frames consist of sleek tubular metal structures created seamlessly without joints that extend all the way to the base.

EXCEPTIONALLY CRAFTED, BOREA INCORPORATES A METAL BENDING PROCESS DERIVED FROM TECHNIQUES TYPICALLY EMPLOYED IN THE AERONAUTICAL SECTOR, THEN TRANSLATED INTO A UNIQUE OUTDOOR FURNITURE COLLECTION WITH AN UNPARALLELED AESTHETIC.

BOTTOM: The sofa’s upholstery features classic striped cotton with nautical references in shades ranging from blue and white in maritime style.

THE COLLECTION’S SEATING PIECES, WHICH COMPRISE TWO- AND THREE-SEATER SOFAS, AN OVERSIZED ARMCHAIR, A LOW SMALL ARMCHAIR, AND A DINING CHAIR, ALL COME WITH STACKABLE ALUMINIUM STRUCTURES AND ARE AVAILABLE IN DOVE GREY, SAGE, CLAY, AND ANTHRACITE COLOURS.

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TOP LEFT: The collection also includes low tables with glazed lava stone tops and steels rod structures painted in different colours.

BOTTOM: Borea dining tables reflect the design and shades of the seating structures, with their distinctive tops in glazed lava stone and steel legs.

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clectic yet fluid and seamless, the Borea outdoor seat and table collection by Piero Lissoni takes inspiration from the form and features of an aeroplane. Each piece in the collection shares a common element: sleek tubular metal structures created seamlessly without joints that extend all the way to the base. Exceptionally crafted, Borea incorporates a metal bending process derived from techniques typically employed in the aeronautical sector, then translated into a unique outdoor furniture collection with an unparalleled aesthetic.

The collection’s seating pieces, which comprise two- and three-seater sofas, an oversized armchair, a low small armchair, and a dining chair, all come with stackable aluminium structures and are available in dove grey, sage, clay, and anthracite colours.

Large, plush cushions made from recycled materials ensure ultimate comfort while infusing a touch of cosy luxury into the collection. The paddings are made with polyester fibre filling, which comes from recycled PET plastic bottles. In addition to using recycled and recyclable materials, all the furniture in the collection can be completely disassembled.

Borea also features a variety of tables, including a dining table series designed to echo the design and shades of the seating structures. However, steel instead of aluminium is used to support the glazed lava stone tabletop. Low tables also feature tops made from the same material with steels rod structures painted in dove grey, sage, clay, and anthracite. Two sizes are available - 121x105 cm and 162x105 cm to complement Borea’s chairs and sofas. Other tables include a range of round tables with multiple support solutions, as well as Borea coffee tables featuring thin structures in painted steel rod and tops in glazed lava stone.

TOP: Generous, plush cushions made from sustainable materials ensure total comfort and a luxurious aesthetic.

BEBITALIA.COM

DESIGN LIBRARY | TIMELESS SEATING

THE SIMPLE LIFE

THE FARMER CHAIR EPITOMISES TIMELESS SIMPLICITY USING AN INGENIOUS DESIGN PRINCIPLE THAT LETS YOU ASSEMBLE AND DISMANTLE THE CHAIR AS AND WHEN YOU DESIRE.

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THIS PHOTO: The re-edition of the Farmer chair by COR is aimed at fulfilling today’s growing demands for sustainably produced furniture.

LIGHT YET STABLE AND DURABLE, THE CHAIR IS CONCEIVED AS A TAKE-AWAY FURNITURE WITH A SIMPLE “PLUG-IN” PRINCIPLE THAT ALLOWS IT TO BE ASSEMBLED AND DISASSEMBLED IN A FEW MINUTES.

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THIS PHOTO: The Farmer chair is made from solid wood from controlled forests and treated only with oil.

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TOP & MIDDLE: The Farmer chair consists of minimalist components which can be easily assembled and disassembled by the user. Designed by Gerd Lange in 1965, the classic Farmer chair features a minimalist aesthetic that fits into present-day interiors.

irst designed by Gerd Lange in 1965, the Farmer chair is all about celebrating simplicity.

Today, COR is reissuing this classic chair to meet the growing demands for flexible and sustainably produced furniture in the 21st century.

Light yet stable and durable, the chair is conceived as a take-away furniture with a simple “plug-in” principle that allows it to be assembled and disassembled in a few minutes. The chair comprises eight solid wood slats, four square legs, two metal clips and two fabric panels, all built at right angles and ready to be put together or taken apart anytime. The backrest can be freely moved forward, backward or tilted. The chair also incorporates a highly resilient and quick-drying outdoor fabric that is stretched using cords.

While its name may sound pastoral, the Farmer

chair’s aesthetic is far from rustic. The chair conveys a purist design language with nuances of minimalism that is ahead of its time, resulting in a classic piece that fits into present-day interiors effortlessly. It is right at home indoors – living rooms, family spaces or even in office waiting areas, as well as the outdoor on the patio, balcony, or poolside.

Manufactured in the COR factory in RhedaWiedenbrück, the Farmer chair is made from solid wood from controlled forests and treated only with oil. It also features weatherproof fabric made of cotton and recycled PET material. Available in three frames and five types of materials, the chair offers up to fifteen variations to suit a myriad of interior palettes.

BOTTOM: The square Farmer table is available in three colour variations with each matching the five configurations of the Farmer chairs.

COR.DE

DESIGN LIBRARY | DESIGNER BED

PERFECT SLUMBER

DESIGNED TO PROMOTE WELL-BEING IN THE BEDROOM, THE BIO-MBO BED ENSURES QUALITY SLEEP AND TOTAL COMFORT ALL NIGHT LONG.

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THIS PHOTO: The Bio-mbo bed features a high or low quilted headboard as well as a bedside table that comes with a curved plated metal side panel.

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THIS PHOTO: A versatile accent furniture, the Rondos chest of drawers is characterised by a distinctive rounded form.

IN TERMS OF ITS WELLNESS FEATURES, BIO-MBO INCORPORATES AN AIR PURIFICATION MECHANISM VIA THE THEBREATH® FABRIC, A PATENTED TECHNOLOGY THAT CAPTURES AND DISAGGREGATES POLLUTING PARTICLES WITHOUT THE USE OF ENERGY SOURCES.

Designer: Patricia Urquiola Photo credits for the lifestyle images: De Pasquale + Maffini

TOP: The Bio-mbo bed is designed as a small haven within the bedroom and comes complete with Cassina Lab’s wellness functions.

BOTTOM: Rondos sideboards are available in two different sizes to complement the Bio-mbo bed collection.

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weet dreams are just a good night’s sleep away with the ultra-cosy Bio-mbo bed. Designed

by Patricia Urquiola, the bed reinvents the concept of an intimate and healthy sleep environment by pairing wellness functions from Cassina Lab with the designer’s thoughtful details.

Contemporary in form, the Bio-mbo bed features a distinctive padded headboard with horizontal quilting.

There are also two mobile side wings with storage pockets and leather handles for users to store their personal items. In terms of its wellness features, Bio-mbo incorporates an air purification mechanism via the theBreath® fabric, a patented technology that captures and disaggregates polluting particles without the use of energy sources. The bed also features Soundfil®, a hygienic, non-toxic, ecological and recyclable sound-absorbing panel fitted in the padded fabric headboard.

Created as a versatile and independent unit, the Bio-mbo collection adapts effortlessly into any interior environment. Users can choose from a high or low headboard that comes with external quilting, which allows the bed to be placed in the centre of the room, or without quilting as well as with or without storage pockets or side wings, resulting in a total of eight configurations. The bed comes complete with an optional lamp and the Bio-mbo bedside table featuring a curved plated metal side panel. Users can also opt for Rondos sideboards which are available in two different sizes.

CASSINA.COM

ATELIER | ODE TO ART

Old Pine Trees 140x12x87cm copper

Old Pine Trees 191x4x73cm copper

A COPPER HOMAGE FOR MOTHER NATURE

BY LEE GIL RAE

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or more than twenty years, nature had been a main muse for South Korean artist Lee Gill Rae. He carefully encapsulates its beauty into sculptural forms crafted from steel and copper pipes.

Lee Gil-Rae’s trees narrate the artificial nature that city dwellers so closely identify with. The man-made and constructed simulation of nature is apparent in all towns and cities. Nature is removed and confined to make room for the ever-expanding population. Lee Gil Rae constructs enormous forests of copper to capture the intricacy of trees in permanence and capturing this rapidly depleting resource for eternity.

Lee compares the working process of connecting copper pipe to adding touches of brush strokes to Oriental paintings. The moulding process is symbolic as trees which are strong and full of vitality are broken down into their fundamental shapes and natural states. His works consist of surreal, leafless forests that one can meander into, with spiralling branches that are unnatural in structure but organic in aesthetic.

These draw the viewer in to witness the intricate exteriors that mimic the curves and notches of aged tree bark. His sprawling branches fan out and are tipped with wisps of copper representing the needles of the pine trees, in true homage to Mother Nature.

Lee graduated from Kyunghee University in Korea after studying in the department of art education and obtained his Masters in the discipline of sculpture. He has participated in several exhibitions in Korea, America and Japan and features in numerous permanent collections in Asia.

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ODETOART.COM