H+R | Issue 18 | Trendsetting Hospitality Design by Hotel & Resort Design Magazine

HOTELRESORTDESIGN.COM

bebitalia.com

design Antonio Citterio

PUBLISHER’S NOTE

ENDING THE YEAR WITH INSPIRATION Throughout 2021, we have never stopped getting inspired by the beauty around us. Thus, this issue is all about a positive outlook in the design world.

ow time flies! It’s nearing the end of 2021, and I was just reflecting on how interesting this entire year has been. I am grateful that we still have the opportunity to work with some of the best designers around. Take this issue, for example. CHADA has been an excellent addition to our issue with their inspiring and thought-provoking hospitality projects. I am amazed by the level of design details showcased in their projects like the William Inglish Hotel in Sydney, Intercontinental Hotel in Perth, the Cineaste Garden Hotel in China, and more. Hotels aside, we are pleased to bring you a compilation of breathtaking product designs from all over the world. Check out Preciosa’s artistic lighting installation that draws inspiration from the waves in the ocean and sparkling diamonds. Or, take a peek at the Harbor Laidback chair, which comes with a backward tilt for total comfort. There’s even more to marvel at as you flip through our Melange pages! From new chairs like Vesper, Dudet, and Flair’O to iconic designs featuring unique materials like the famous Up5_6 made with cork, I can surmise that creativity knows no bounds.

Moving forward, we are in the process of curating a more comprehensive selection of hospitality projects and designer products. So, if you have a showstopping design, we welcome your submission anytime. Last but not least, I wish everyone a brighter and better 2022 ahead. Happy reading, and Happy New Year in advance! Kenneth Khu k.k@kenneth-media.com

HARBOR LAIDBACK by B&B ITALIA

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10 0 % M A D E IN GERMANY

N AT U R A L LY S U S TA I N A B L E

HANDMADE WITH LOVE

CONTENTS

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HAMPTONS by FLEXFORM UP5_6 by B&B ITALIA

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128

134

146

VESPER by GIORGETTI

ROLF BENZ JACK by ROLF BENZ

TEAM & PARTNERS

editorial MANAGING EDITOR Kenneth Khu DEPUTY EDITOR Pang Yin Ying EDITOR Christine Lee design ART DIRECTOR Eric Phoon SENIOR DESIGNER Sandy Liew

credits PHOTOS: Except otherwise noted, all photos and drawings are owned by photographer or design studio or project owner. acknowledgement COVER: CHADA

contributors WRITERS Adele Chong, Lily Wong DESIGN STUDIO CHADA sales & marketing SENIOR SALES MANAGER Edward Chen SALES EXECUTIVE Kelvin Ong publication PUBLISHER Kenneth Khu enquiries ADVERTISING advertise@hotelresortdesign.com SUBMIT EDITORIAL submit@hotelresortdesign.com CONTRIBUTOR joinus@hotelresortdesign.com SUBSCRIPTION subscribe@hotelresortdesign.com website www.hotelresortdesign.com contact KENNETH MEDIA SDN BHD 1002 Block D Tiara Kelana Jalan SS7/19 Kelana Jaya 47301 Petaling Jaya, Selangor Malaysia. T: +603 7887 4525 printer PERCETAKAN IMPRINT (M) SDN BHD No.538, Jalan 20 Taman Perindustrian Ehsan Jaya, Kepong 52100 Kuala Lumpur Malaysia. permit number KDN PP18850/09/2015(034307) MCI(P) 021/03/2021 magazine H+R | Hotel & Resort Design Magazine is published three times a year and is circulated throughout the Asia-Pacific region. Opinions expressed are those of the contributors and not necessarily endorsed by the publisher.

SAFFIRE RESORT AND SPA - TASMANIA, AUSTRALIA by CHADA

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copyright notice All rights, including copyright, in the content of this publication are owned by Kenneth Media Sdn Bhd, Malaysia. You are not permitted to copy, broadcast, download, store in any medium,transmit, show or play in public, adapt or change any in any way the content of this publication for any other purpose whatsoever without the prior written permission of Kenneth Media Sdn Bhd, Malaysia.

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MÉLANGE | PRODUCTS

BORN TO CONNECT

CORK INGENUITY

COSY MOOD

Dynamically modular and customisable with a plush modern form, Vesper’s distinctive look comes from its smooth rounded edges, cosy sizes, and sprawling silhouette. Perfectly upholstered in fabric or leather, Vesper is designed by Roberto Lazzeroni to interpret contemporary living with a touch of fluidity. The sofa system comprises several components, including long backrests, external backrests and chaise longues. Every single one of these elements can be configured together to meet diverse interior specifications.

The famous Up5_6 armchair by Gaetano Pesce with pouffe gets an exciting makeover in conjunction with Fuorisalone 2021. The special edition is presented in cork, which is made possible through a unique moulding process. “Cork is a durable natural material that can be recycled. It’s a precious raw material, not to be lost after use, but to be reused and enhanced,” B&B Italia remarks, adding that this chair exemplifies their approach to sustainable design.

Upholsteries like fabric and leather express themselves as expanses of soft and welcoming surfaces in this charming seating system series called In the Mood by Jean-Marie Massaud. The design espouses a strong horizontal design via large padded surfaces, sleek feet, and stitching details that draw from Poltrona Frau’s history in upholstery. The In the Mood seating system is available in numerous two or three-seater combinations and can be configured with different types of armrests.

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HAVEN ON EARTH

BRINK OF ARTISTRY

ECO SPLENDOUR

Sink into the freistil142, and you’d finally understand what true comfort is – whether you are sitting or lying down. Thanks to its modular system, you can create your own personal oasis embedded with plush spots for ultimate relaxation. All sofa elements are available in different sizes that work in harmony with each other, fitting into the sofa’s classic proportions. Above all, this versatile furniture system will fulfil your needs for a cosy experience.

Inspired by precious jewels, Brink pairs stone and brass with delicate craftsmanship. This coffee table’s dynamic geometry features an irregularly shaped top made from an interesting combination of two pieces of granite. Using an interlocking cut, like tangram pieces, a slab of Nero Assoluto granite is juxtaposed with a sheet of grey Vermont granite. The textured surface is enriched by adding a brass insert with satin finishes near the joint.

A tribute to 1970’s design, the Dudet small armchair by Patricia Urquiola features a soft enveloping shape that provides comfort while maintaining a contemporary and timeless twist. There’s more to Dudet as it is designed with a touch of eco-consciousness. This armchair is engineered to be completely disassembled for ease of disposal and recycling of organic and premium materials, starting with the metal core. Upholstery is available in various fabrics from the Cassina Collections.

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MÉLANGE | PRODUCTS

VANITY FLAIR

JACK-POT WINNER

BOOK SMART

A unique companion chair to the Allure O’ and Flair O’ table exudes poise and elegance against a modern silhouette. Both the upholstered chair and table feature a dynamic interplay of rounded edges, with a truncated pyramid as their bases. Flair O’ combines stability and comfort in a single piece with an accentuated backrest tilt for even better adaptability and versatile comfort. The chair also comes with a swivel mechanism with an automatic return.

The art of relaxation meets iconic character. Rolf Benz JACK has almost every feature that makes it a perfect hybrid chair for total comfort. Featuring full-grain leather, its seat shell is suspended like a luxurious hammock and complemented by upholstered cushions. Upholstery is available in various materials and colours from the Rolf Benz cover collection to give you a truly exceptional piece. This chair also comes with ergonomic function within its elegant form.

If you love books, you’d love this table. The generous work surface and contemporary form of the Peeka-Book desk by Roberto Lazzeroni offers more than just elegance and functionality. Its unique design is inspired by a leather-bound book or journal, symbolising the desk’s purpose as a place for thinking, collecting thoughts, and to work and study. The base structure consists of trapezium-shaped supports, while the top’s upholstery is in Pelle Frau® ColorSphere.

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OUTDOOR LUXE

THE X-FACTOR

COMFORT ON DEMAND

Made from solid iroko, a warm, versatile wood with exceptional outdoor performance, the Hamptons daybed by Antonio Citterio is both exquisite and highly adaptable to different outdoor settings. If you are worried about water damage, the Hamptons sits on aluminium feet that protect the wood structure from direct contact with the ground and humidity. Roomy, generously padded cushions outlined with Flexform’s elegant grosgrain piping beautifully complement the neutral-toned wood bases.

The Lido armchair by Italian-Danish duo GamFratesi is a comfortable basket-like nest with a round seat. Inspired by the 1950s, this armchair features a continuous, enveloping curved line that defines its padded body. The line recalls the typical stylistic marks of Brutalist architecture, with cushions adding a comfortable feel. Additionally, the armchair’s Xshaped sculptural base gives it a distinguished aura. Lido is available in one size, two types of bases, and matching footstools.

When you crave instant comfort, the Exord armchair by Jeffrey Bernett will offer ergonomic ease on demand. Ergonomically correct and comfortably welcoming, the armchair features a 4-spoke base in painted metal, aluminium or wood. To ensure greater lumbar support, an optional lumbar cushion is also available. Upholstery can be in fabric or leather from the Cassina Collections. A matching footstool also accompanies the armchair. An eco-friendly piece, Exord components can be separated for upcycling.

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MÉLANGE | PRODUCTS

TO INFINITY AND BEYOND

FRAGMENTS OF BEAUTY

ROUNDING UP LUXURY

Inspired by the beauty of exquisite marble, Roberto Lazzeroni created “Infinito∞“, a table-sculpture with a spectacular wow factor. Its name recalls the yin and yang and an overturned 8 to symbolise endless perfection and prosperity. Each foot is carved from a single block of white Carrara marble, milled by a robotic arm of special dimensions and hand-finished. This results in a highly appealing silhouette of a tree opening outwards with its “branches”, expressing a dynamic lightness.

Outdoor luxury now favours a down-to-earth aesthetic for a cosy touch. The Aldia table by Carlo Colombo features a series of square and rectangular outdoor tables in perfect harmony with each other. Supported by height-adjustable feet painted in a pewter finish, its smooth top consists of travertine marble fragments in different sizes embedded in fine marble dust grit. There’s also the option of fine grit in tuff and limestone variations for more design possibilities.

Informal, inviting, inspiring: Rondos by Patricia Urquiola is a graceful accoutrement for any space built with serenity and comfort in mind. It is a chest of drawers with smooth, soft rounded counters that curve gently around the sides. Available in two sizes for sleeping quarters, Rondos also offers several drawer configurations and in two sizes for the daytime living areas, with drawers or open-front as well as several wood cabinet top options and push-toopen drawers.

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MEG-A COMFORT

DELIGHTFUL SIMPLICITY

MULTIFUNCTIONAL MIRACLE

Sit back, relax, and let the world melt away. That’s how MEG feels. The brainchild of Labs Design, the Rolf Benz MEG lounge chair promises ultimate relaxation. It’s not just good-looking, as this lounge chair is ergonomic and provides a unique combination of functions – thanks to its innovative rocking mechanism with integrated height adjustment. Available in classic cross or star base, the chair displays a high-quality frame that adapts to any interior specifications.

Cowhide, Flexform’s quintessential material, is at the heart of the Bretton chaiselongue design. Generous seating space and backrest cushions mean it is created with a high level of comfort. The seat also features elegant details – like the grosgrain piping, which stands out against the exquisite simplicity of the metal armrest clad in cowhide, available in an array of colours or in suede. You can also find countless combinations between the cowhide structure and the upholstered parts.

Everything you need, Sir Vito says yes. With its rounded shape and adjustable height, Sir Vito is a highly functional and versatile multi-purpose small table. One of its defining features is how the surface of the top, supported by an asymmetrical four-spoke die-cast aluminium base, gently flexes into the front of the tray to create a flowing form. There are three versions to choose from to create unique, personalised interiors that exude a distinctive style.

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MÉLANGE | PRODUCTS

VIBRANT VERSATILITY Sleek and refined, Awa is defined by its polished, asymmetrical aesthetic. Any way you use it, its sheer versatility will amaze you as its uplifts both indoor and outdoor spaces with an artistic touch. It’s a service table if you need a support surface. Still, Awa is also more than that: it also functions as an eye-catching decorative piece – thanks to its sculptural shape and glossy or satiny colour options for a plethora of design possibilities. BEBITALIA.COM

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MÉLANGE | OUTDOOR FURNITURE

OCÉANIQUE OPULENCE

THE PROFOUNDLY SCENIC VERSION MAQUIS CITADELLE RESORT IN CORSICA, FRANCE, RADIATES WARMTH AND LUXURY, THANKS TO A COMBINATION OF NATURE-INSPIRED DETAILS AND OUTDOOR FURNITURE PIECES BY KETTAL.

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THIS PHOTO: To offer guests a scenic experience, the luxurious Version Maquis Citadelle features a series of terraces enhanced by Kettal outdoor pieces.

Photo Credits: - Felicia Sisco - Manuel Obadia - Yvan Moreau

herever you are at the Version Maquis Citadelle, a panorama of breathtaking seascape, sunny skies, and lush green landscapes lulls you into a state of bliss. Designed by architect Alexandra De Lanfranchi, this luxury fivestar resort located across the Bonifacio city draws inspiration from its exceptional natural settings and nearby marina, resulting in a charming property with a mix of oceanic lavishness and rustic-luxe. “We wanted to integrate Version Maquis Citadelle into the atypical natural setting of the maquis countryside,” the hotel says. “Therefore, we chose earth-coloured plasters and wood-tiled roofs so that the buildings blend into the natural setting,” Furnishing elements were instrumental in bringing out this nature-inspired concept. Lush furnishing and luxury furniture, including a collection of Kettal’s most exclusive outdoor pieces, complement the interior architecture while staying true to the architect’s design vision. Intimate and discreetly luxurious, the Version Maquis Citadelle offers only 22 suites – seven Superior Rooms, thirteen Deluxe Rooms, and two Master Suites that come with a Jacuzzi. Each suite

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TOP: The Restaurant exudes a warm and modern ambience, enlivened by stunning views of the Cité des Falaises.

BOTTOM: Cosy Bitta armchairs are complemented by colourful Mesh low tables and Rope pouffes to create a pleasant seating area.

FURNISHING ELEMENTS WERE INSTRUMENTAL IN BRINGING OUT THIS NATURE-INSPIRED CONCEPT. LUSH FURNISHING AND LUXURY FURNITURE, INCLUDING A COLLECTION OF KETTAL’S MOST EXCLUSIVE OUTDOOR PIECES, COMPLEMENT THE INTERIOR ARCHITECTURE WHILE STAYING TRUE TO THE ARCHITECT’S DESIGN VISION.

THIS PHOTO: Kettal Transat Via sunbeds provide guests with ample space to lounge and relax at the pool area.

KETTAL OUTDOOR COLLECTION COMPRISING BASKET ARMCHAIRS, VIMINI COUCHES, MESH AND ROLL LOW TABLES AS WELL AS TRANSAT VIA SUNBEDS ARE SELECTED TO TURN THE SPACE INTO AN OASIS OF PEACE AND RELAXATION. 32

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THIS PHOTO: The terrace adjacent to the reception lobby is furnished with Kettal’s Bitta armchairs, Roll low tables, and Rope pouffes.

TOP: Basket armchairs, Vimini couches, Mesh, and Roll low tables from Kettal complement the Spa’s tranquil atmosphere.

features an outdoor terrace fitted with Kettal’s Riba armchair and Transat Via Sunbeds to ensure every guest has the opportunity to relish in the spectacular sea views. At the lobby, the interior design maintains a breezy, elegant appeal via its adjacent terrace, beautifully furnished with Kettal’s Bitta armchairs and Mesh Meridienne couches. ROLL low tables and ROPE pouffes put in a perfect finishing touch with their natural textures and tones. A short walk away, the Restaurant welcomes guests with its warm and modern decor. A large

terrace, which overlooks the hotel’s 28 metres infinity pool, features a fine collection of Kettal comprising Bitta armchairs, Mesh low tables, Net chairs, Vieques tables, Rope pouffes, and Transat VIA sunbeds to create a casual yet elegant spot for enjoying the gorgeous vistas. Over at the Spa, a more private setting ensues. Once again, Kettal outdoor collection comprising Basket armchairs, Vimini couches, Mesh and Roll low tables as well as Transat Via sunbeds are selected to turn the space into an oasis of peace and relaxation.

MIDDLE: Each suite comes with an open terrace featuring Riba armchairs and Transat Via sunbeds from Kettal.

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MÉLANGE | LIGHTING ARCHITECTURE

CRYSTALLISED ARTISTRY THE CRYSTAL SWELL INSTALLATION AT THE LOS ANGELES INTERNATIONAL AIRPORT CAPTURES THE DRAMA AND BEAUTY OF OCEAN WAVES, TRANSPIRING INTO AN ICONIC LIGHTING FEATURE IMPECCABLY.

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THIS PHOTO: The Crystal Swell is a remarkable lighting feature in the West Gates at Tom Bradley International Terminal, LAX.

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THIS PHOTO: Crystal Swell spans three levels and is inspired by an ocean wave breaking on the nearby ocean shore.

imple and yet incredibly dazzling from every angle, the Crystal Swell installation by Preciosa Lighting infuses an instant wow factor to the recently opened West Gates at Tom Bradley International Terminal at the Los Angeles International Airport (LAX). “We knew that this space would be the front door of the building, so we wanted something very dynamic and dramatic,” says Brent Kelley, Managing Principal and co-head of the aviation sector at Corgan, the award-winning firm responsible for the project’s architectural and interior design services. Inspired by dramatic ocean waves breaking across the shore, this crystal lighting piece is a remarkable creative feat in every way. Spanning three levels, Crystal Swell brings together the “midcentury jet age” design of the International Terminal and the structural requirements needed to meet the stringent seismic codes developed for installations of this nature. As the airport’s safety requirements took prominence in this project, Preciosa’s design team, helmed by Sarka Olivova, worked hand-in-hand with Preciosa’s engineering team, led by Radek Pytlik. Together, they addressed the issues pertaining to the

TOP: The installation combines the “mid-century jet age” modern design of the International Terminal with the airport’s structural requirements.

BOTTOM: RGBW LED strips provide a beautiful and playful lighting effect and help bring Crystal Swell to life.

lighting’s installation – in this case, it was important to ensure an earthquake would not impact the fixture’s structural integrity. “We worked with where and how to anchor the luminaire so that the design aspect would be preserved,” Ms Olivova explains. “We decided on three intertwining ribbons. The engineering team calculated the best possible placement of anchor points and how to prevent the prisms from breaking in case of an earthquake.” On top of this, Preciosa’s R&D team also conducted modal, spectral, and gravity tests in different severe environmental conditions using specialised testing equipment in the company’s state-of-the-art Innovation Lab. Additionally, the LAX in-house team is also trained to generate various dynamic lighting scenes for celebrating local or global events. “This installation is really the perfect complement to the entire design of the facility,” says Mr Kelley. “We were looking for the space to be filled with something that would attract passengers, that would be visually interesting to passengers, that they would look at and think, “that’s an iconic piece.”

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TOP: The luminaire features crystal-cut prisms are supported by a polished stainless steel frame.

BOTTOM: Preciosa’s R&D team had to calculate, simulate, and test every aspect of the light to ensure it met all safety regulations.

“WE WORKED WITH WHERE AND HOW TO ANCHOR THE LUMINAIRE SO THAT THE DESIGN ASPECT WOULD BE PRESERVED AND DECIDED ON THREE INTERTWINING RIBBONS. THE ENGINEERING TEAM CALCULATED THE BEST POSSIBLE PLACEMENT OF ANCHOR POINTS AND HOW TO PREVENT THE PRISMS FROM BREAKING IN CASE OF AN EARTHQUAKE..” Sarka Olivova - Senior member of Preciosa’s design team

THIS PHOTO: The LAX in-house team is trained to create a variety of dynamic lighting scenes to celebrate local or global events.

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PROFILE | CHADA

Juliet Ashworth - CHADA Creative Director and Partner

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Rick Whalley - CHADA Director and Partner

DESIGNING A BRIGHT FUTURE “FIRST INCIDENTALLY AND NOW BY DESIGN, WE’VE GAINED GREAT EXPERIENCE IN PROJECTS WITH AN ECO-FOCUS.” Juliet Ashworth - CHADA Creative Director and Partner

HADA is recognised as one of the world leaders in hospitality interiors and after nearly four decades the studio is more in demand than ever as it builds on its eco credentials. “We’ve survived a few world recessions and now a pandemic but we keep growing and learning from these experiences,” says Rick Whalley, CHADA’s founder who is well-known and respected in the hotel design world. “As the saying goes: what doesn’t kill you makes you stronger!” he laughs. He shares the business with partner, Juliet Ashworth, a former Vogue Editor-in-Chief, who took on the role of Creative Director in 2000. Together the partners have established CHADA as the market leader in Australia and are in demand for projects globally. The pair and their Sydney-based team are keen to lead the charge in environmentally friendly design. “It’s a learning curve for everyone but we’re doing the work to make sure we’re equipped to provide clients with sustainable solutions,” says Juliet, who is particularly proud of their projects with a strong green focus. CHADA cut its sustainability teeth while designing Emirates One & Only Wolgan Valley Resort and Spa, which was the first hotel in the world to achieve a Carbon Zero certification. “First incidentally and now by design, we’ve gained great experience in projects with an ecofocus,” explains Juliet. “For interiors it’s a less

studied path than architecture and you have be go searching for pathways to carbon neutral projects while honoring budgets.” CHADA (originally known as CHHADA Siembieda Australia), was established by Rick in 1983 following ten years in Hong Kong, the Philippines and Sri Lanka designing hotels throughout the Asian region. Rick moved to Australia to direct the fit-out of the Regent of Sydney. CHADA has now successfully completed over 130 major hotel, resorts, residential developments, restaurants, bars and aged care projects with a demonstrated ability to capture a true sense of place and create unique projects for every brief. With a carefully selected team of professionals behind them, Rick and Juliet deliver inspirational concepts and highly professional and effective design services. The studio has developed a ‘noseto-tail’ philosophy of providing clients with holistic services ranging from branding, through all stages of design to digital marketing. “We very deliberately built an inclusive team which reflects different cultures and points of view. We’re a bit like the UN with many nationalities. Also, there’s a danger when you’ve been in practice for so long that you feel like your experience counts for everything. What really works for us is to have young, fresh and constantly innovative creatives in our midst,” adds Rick.

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SHOWCASE | HOTEL

A WALK ON THE WILDSIDE A NIGHT AT THE ZOO TAKES ON A WHOLE NEW MEANING FOR GUESTS AT THE CHADA DESIGNED WILDLIFE RETREAT, NESTLED DISCRETELY INSIDE THE ICONIC TARONGA ZOO, IN AN AFFLUENT SUBURB OF SYDNEY.

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WILDLIFE RETREAT AT TARONGA | SYDNEY, AUSTRALIA

THIS PHOTO: The Nest, Taronga Wildlife Retreat.

“OUR ECO-RETREAT INTERIORS NEEDED TO EXPRESS OUR DEEPLY HELD VALUES OF CONSERVATION AND SUSTAINABILITY. THE RESULT WAS SENSITIVELY DESIGNED SPACES WHERE EACH DETAIL WEAVES A STORY, CONNECTING GUESTS TO THE EXTRAORDINARY ENVIRONMENT. THE CHADA TEAM WAS PASSIONATE AND PRO-ACTIVE, SHARING OUR VALUES AND GOALS THROUGHOUT, SUCCESSFULLY BRINGING TO LIFE THESE AMBITIOUS OUTCOMES.” Cameron Kerr, CEO Taronga Conservation Society

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THIS PHOTO: Aerial view of Taronga Wildlife Retreat with surrounding views to Sydney Harbour.

Photo Credits: - Dave Katague, Dan Gosse - Signage images courtesy of Corlette Design - Lighting images courtesy of FPOV

magine waking to a spectacular view of Sydney harbour, the sun sparkling on the water and bouncing off the white sails of the Sydney Opera House and, no more than a meter from your window, is a koala harvesting his breakfast gum leaves while watching you with one curious eye. This is the experience created by renowned interior architecture studio, CHADA. In a world first, the eco-retreat offers guests an immersive zoo experience and stylish resort stay. The 64-guestroom retreat is an extension of the park’s highly successful safari-style experience, called Roar and Snore, and provides guests with a luxurious alternative to sleeping in a tent. The Wildlife Retreat at Taronga is testimony to the fact that Conscious Design - or design with a conscience - doesn’t necessarily mean basic, pared back, unembellished, and adverse to luxury. But it does mean making a commitment to sustainability from the outset which very often comes at a financial cost. This retreat is a good example of such singular vision and commitment. The client’s brief to CHADA and the project architects, Cox, was to embrace the zoo’s ethos of celebrating and conserving Australian native fauna as well as achieving a five-star green rating and a carbon neutral precinct. The CHADA team planned the internal spaces to take advantage of the stunning local natural light and views but also to control heat from the sun. The team

TOP: Paths over a platypus pond wind to the entrance of the Retreat.

BOTTOM: Glass walls by Cox Architects are designed for privacy and energy conservation whilst maximising views.

researched and specified sustainable base materials such as non-toxic paints and textiles. “Sustainability is partly about redefining what luxury is,” explains CHADA Creative Director and Partner, Juliet Ashworth. “Experience is the new luxury, ephemeral but lasting in our memory. Our job is to design the spaces where those memories are formed. So, our skill is to create spaces which are authentic, individual, which engage people emotionally and promote well-being. This way, as designers, we can create a desire for a more sustainable way of living. It’s also of enormous value to the hospitality brand, not to mention the essential benefits to the planet,” Juliet says.

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TOP: Guestrooms embrace the zoo habitats.

The result is a unique hotel experience with a true sense of place – reflecting the landscape, flora and fauna and the Taronga Zoo’s national park environment, as well as representing the original owners of the land, the Aboriginal Cammeraigal people. The first thing that greets you when you enter the resort lobby, known as the Nest, is a spacious and inviting gathering spot– a circular meeting place around a ‘campfire’, under a flock of porcelain birds. This emulates the Aboriginal ‘talking circles’ where tribe elders would traditionally gather in circles for community get togethers. From here you can gaze out over arguably one of the best aspects of Sydney Harbour with an elevated position and gun barrel views to the Opera House and Harbour Bridge.

BOTTOM LEFT: Furniture made from timber, natural fibres, rattan and rope, align to the conservation narrative.

BOTTOM RIGHT: The Me-Gal restaurant takes its name from the Caimaragal word for ‘tear’ referring to the traditional ‘ocean creation story’.

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THIS PHOTO: The Nest’s circular gathering space has a ‘camp fire’ for chilly nights.

Nothing can compete with the extraordinary natural environment shown-off from every aspect in the 180-degree views, so the interiors are cleverly designed to match and compliment it in every way. The punchy hand-made rugs reflect the rich colours of Taronga’s landscape, while the Nest Bar and reception desk are clad in green leaf mosaic tiles, a biophilic reference that appears throughout the retreat. Playful floor lamps are designed as stylised crane birds with nests for shades and birds’ feet at their base. Much of the custom furniture has curvy lines to give a soft organic feel to the space and motifs from nature are everywhere but subtly applied. The Nest reception desk is built on a part of the heritage infrastructure of the zoo and old fountain – once a well -known meeting place - now preserved and repurposed as a sturdy plinth capped with a contemporary, functioning hotel reception desk. At the retreat meals are also enjoyed looking over the million-dollar view. In Me-Gal restaurant guests enjoy a fine dining experience while immersed in the natural theme with a delightful ceiling feature of timber leaves and suspended acorn lights. A crafted

TOP: The Nest bar with a biophilic theme.

BOTTOM: Me Gal Restaurant references elements from the natural world of the zoo and beyond.

metal screen which reflects the contours of the land and sea divides a private dining space with panoramic views through floor to ceiling glazing and decorative fabrics feature native birds and flowers. Over the giant, sculpted, pebble-shaped buffet counter is an over-sized hand-made twig light made from hundreds of eucalyptus branches collected from the site. Layers of branches have been carefully arranged to create a unique sculptural piece interwoven with LED lights to give a gentle, ambient lighting in a stunning giant artisanal nest! Along the retreat’s open corridors vines have grown to create a green canopy, all but disguising the structure of the building and blending it into the site. At night camping lanterns wash the open-air with a glowing light and inside the cosy rooms CHADA’s use of limed ash creates a restful, treehouse atmosphere. Here the beautiful resort detailing includes leather drawer pulls and bronze tapware.

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TOP: Guest room with a tree house feel and bird’s eye views.

BOTTOM: A giant nest light hand crafted from eucalypt tree branches.

“EXPERIENCE IS THE NEW LUXURY, EPHEMERAL BUT LASTING IN OUR MEMORY. OUR JOB IS TO DESIGN THE SPACES WHERE THOSE MEMORIES ARE FORMED. SO, OUR SKILL IS TO CREATE SPACES WHICH ARE AUTHENTIC, INDIVIDUAL, ENGAGE PEOPLE EMOTIONALLY AND PROMOTE WELL-BEING.” Juliet Ashworth - CHADA Creative Director and Partner

THIS PHOTO: The guestroom layout enhances connections to the unique animal habitat and stunning harbour back drop.

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THIS PHOTO: Each room features custom crafted pieces and artworks by an artist of Cammeraigal descent.

Moveable shutters divide the bathroom and bedroom enabling guests to soak-up the views while brushing their teeth. The king-sized bed is oriented towards the floor - to - ceiling windows so guests wake to a wide view of the animal enclosures and harbour backdrop. Each room features imagery of an Australian native animal as a custom printed wallcovering, beds are topped with native flower throw cushions and a quirky occasional table with legs crafted from rustic tree stumps. There’s also a charming pendant light with a little Honey Eater, an endangered bird significant to the conservation programme at Taronga. The CHADA team brought together a mix of raw and tailored materials so there’s a five-star level of luxury and functionality but with numerous customcrafted and artisan features honouring Taronga and directly communing with the very special environment.

TOP LEFT: The bathing area can be opened up via louvre shutters to enhance the sense of space and connection to the outdoors.

TOP RIGHT: Neutral tones, textured finishes and sculptured lighting bring a unique ambience to the ensuite.

BOTTOM: A furry guest room neighbour.

SHOWCASE | HOTEL

TUCKED UP FOR THE NIGHT WITH A RACING LEGEND HOW OFTEN DO YOU GET TO SLEEP WITH A HORSE RACING LEGEND? AT THIS UNIQUE EQUINE THEMED HOTEL LOCATED ON A RACE TRACK YOU’RE UP CLOSE AND PERSONAL WITH A DIFFERENT EQUINE STAR EACH TIME YOU BOOK A ROOM.

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THE WILLIAM INGLIS HOTEL | SYDNEY, AUSTRALIA

THIS PHOTO: The William Inglis Hotel Lobby.

Photo Credits: - Sharon Cairns, Anthony Fretwell & Stephanie Rooney - Signage images courtesy of Corlette Design

ou can almost hear the starting gun and pounding horse hooves under your window when you stay at The William Inglis Hotel, designed by renowned hospitality interiors studio, CHADA, and located an hour west of Sydney’s CBD. Every guest room honours a legend of the track either bred or sold by the owners - whose photo and jockey colours grace the décor. The hotel represents a world first, as it operates as MGallery by Sofitel (Accor) for most of the year, except for 33 days when the hotel is operated exclusively by the owners, the Inglis family business, to conduct their famous thoroughbred horse sales from the venue. On those days the hotel is at capacity with guests from all across the globe all interested in some of the most expensive horse flesh you’ll see anywhere. The sales run for four days at a time, with a horse going under the hammer every four minutes and averaging about $100,000 each. A purpose-built indoor sales arena and hospitality suites, also designed by CHADA, compliment the 800 stables and 144 guest rooms for the two-legged guests. These range from Arab sheiks and Texan millionaires to humble stable hands.

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TOP: Stylish Lounge Bar with Inglis family memorabilia.

BOTTOM: Brass and steel staircase detail.

THIS PHOTO: The Heroic Cafe tells the story of a racing legend as guests are immersed in equine history.

THIS PROJECT HAS A VERY STRONG SENSE OF PLACE AND THE INTERIORS ARE THOUGHTFULLY IMBUED WITH HISTORY AND STORY. AT THE SAME TIME, THE DESIGNERS NAVIGATED THROUGH ACCOR BRAND STANDARDS AND EXPECTATIONS FOR A FUNCTIONING M GALLERY PROPERTY, WITH A BRAND MESSAGE OF ITS OWN.

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THIS PHOTO: The Newmarket restaurant dining stalls evoke rural architectural references.

“The brief was to create an hotel that would suit guests from a wide variety of socio-economic backgrounds and it had to be good enough to persuade them to stay on site and not want to travel back to the city for accommodation,” says CHADA’s Creative Director, Juliet Ashworth. “We’ve designed about 130 hotels but we’ve never had one that had to serve such diverse demographics.” The other fascinating aspect of the project was the recycling of so much of the old stables from the original Sydney headquarters that the Inglis business had operated out of for five generations. These were repurposed at the $100 million, 26 acre Warwick Farm site. The family wanted to honour the story of a company which had sold great names in the racing world, such as Black Caviar, and had become an important part of Australian rural history. The CHADA designers were given the task of sorting many decades of memorabilia and artefacts

MIDDLE: Bespoke details tell the equine story.

BOTTOM: Timber from the original Newmarket stables was salvaged and repurposed to create the communal dining table in the Newmarket restaurant.

from catalogues to horse tack, cups and trophies and even old vintage signs listing horse’s names once used by bookmakers at the track. When the old stables were dismantled tonnes of timber were carried to the site and incorporated in the new building. Much of the office fit out, spa and auditorium doors re-used timber from the original stables, while horse names were re-purposed into the decorative scheme of the public areas. “The client wanted a boutique hotel that celebrated their world but also traditions of refined rural life,” explains Ashworth. “It was wonderful concept that we enjoyed bringing to life.” An important aspect of the Inglis brief was to preserve the cultural and historical aspect of this revered company, and its contribution to Australian rural life. This project has a very strong sense of place and the interiors are thoughtfully imbued with history and story. At the same time, the designers navigated through Accor brand standards and expectations for a functioning M Gallery property, with a brand message of its own.

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TOP: When not accommodating four-legged guests the Riverside Stables offer a unique exhibition or event space.

BOTTOM: Restrooms with trough sinks.

WHEN THE OLD STABLES WERE DISMANTLED TONNES OF TIMBER WERE CARRIED TO THE SITE AND INCORPORATED IN THE NEW BUILDING. MUCH OF THE OFFICE FIT OUT, SPA AND AUDITORIUM DOORS RE-USED TIMBER WHILE HORSE NAMES AND PLAQUES WERE RE-PURPOSED INTO THE DECORATIVE SCHEME OF THE PUBLIC AREAS.

THIS PHOTO: The Sales Arena design caters for the parade of Thoroughbreds at the annual horse sales and many other large events.

“THE CLIENT WANTED A BOUTIQUE HOTEL THAT CELEBRATED THEIR WORLD BUT ALSO TRADITIONS OF REFINED RURAL LIFE, IT WAS WONDERFUL CONCEPT THAT WE ENJOYED BRINGING TO LIFE.” Juliet Ashworth - CHADA Creative Director and Partner

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THIS PHOTO: Chiltern roof top pool deck.

Besides curating and showcasing the family history the designers sourced and collaborated with Australian artists and artisans to create bespoke artworks that celebrated great horses, in the form of mosaic tile art, photography, wallcovering and carpets. A key design feature, which spans the entire ground floor, is a double height joinery piece providing a stunning display cabinet for equine art pieces and memorablia. CHADA’s commission included all guestrooms and suites, restaurant, bar, café, rooftop pool, retail shop, spa, the corporate headquarters of William Inglis, a 1000-seat auditorium, and a variety of function spaces including the main horse stable which doubles as a hospitality venue outside of sales-periods. The main auditorium is also used for concerts, conferences and large weddings The project has won numerous awards and has been set a new benchmark in tourism and hospitality combining diverse functions under one very comfortable roof.

TOP: he ‘Black Caviar’ Suite with the jockey’s distinctive pink and black silks.

BOTTOM: Signage references the equine narrative.

SHOWCASE | HOTEL

LOCALLY GROWN LUXE

A 1970S OFFICE BLOCK NOW STANDS PROUD AS ONE OF WESTERN AUSTRALIA’S MOST VIBRANT LUXURY HOTELS THANKS TO A MAKE-OVER BY LEADING DESIGN STUDIO CHADA.

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INTERCONTINENTAL HOTEL | PERTH, WESTERN AUSTRALIA

THIS PHOTO: Perth Intercontinental Lobby.

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THIS PHOTO: The Concierge area combines soft neutrals with warm metallics and timbers to express the local luxe concept.

Photo Credits: - Dion Robeson

he 16-storey bright blue office building was a bit of an icon in the heart of Perth, a city which has undergone radical changes to its city scape in the past decade. It first became a 4.5 star Rydges before getting a major overhaul and re-opening as a truly international hotel. Nestled amidst the tree-lined King Street Precinct with a charming heritage streetscape of theatres, cafes and luxe retailers, the new 240-room property is the latest offering from InterContinental and the sixth from this brand to open in Australia. Western Australia’s natural mineral resources and its landscape inspired the colour palette of soft neutrals with highlights of olive, rust and warm metallics. Specially commissioned sculptures, paintings, bespoke ceramics and glass works, by renowned Western Australian artists, feature throughout the hotel with original works in every guest room. A curated collection of three thousand books is displayed throughout the hotel to give the hotel a more residential feel.

TOP: Private bar for hotel guests while the ground floor hosts several cafes and restaurants.

BOTTOM: A grand staircase connects the ground and first floor.

Guests enter the lobby through a newly designed façade by architects Woods Bagot - a rippled gold curtain that wraps around the building’s podium. In the lobby of the hotel, a grand staircase beautifully engineered with glass and bronze creates a link between reception and the first floor bar, lounge, opening to a wide terrace with outdoor seating and views over the bustling street below. The lobby has a relaxed feel with extensive timber panelling and floor to ceiling art display shelves. The soft-toned timber laid in wide planks on the walls, exposed timber beams on the ceiling and split-faced limestone feature walls brings the sense of a grand contemporary country home. CHADA overlaid this with burnished metal trims, travertine floors and wenge timber bespoke joinery, bringing a luxe vibe to these public areas. The crowning feature is a bespoke glass sculpture light made up of 76 hand-blown glass leaves that seem to be drifting from above. The InterContinental is the first hotel in Perth to offer a club suite combined with a dedicated Club InterContinental where guests can retreat to the top floor to enjoy the sweeping city views.

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BOTTOM: Taupe neutrals, mixed with and light and dark toned timbers and metallic finishes create a guest suite with a luxury apartment vibe.

“EXTENSIVE CARE WAS GIVEN TO THE JOINERY DETAILS CREATING BEAUTIFULLY LIT SPACES FOR OBJET AND ART.” Juliet Ashworth - CHADA Creative Director and Partner

THIS PHOTO: Club Intercontinental provides a welcoming zone for work and meetings.

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THIS PHOTO: First Floor Loft Lounge and Bar.

The biggest challenge for CHADA was the relatively compact footprint as the guestrooms were small for a five-star hotel, however careful planning maximised the spaces and overcame these limitations. Custom-designed joinery incorporates storage and the television while a window between the bathroom and bedroom adds natural light and an increased sense of space to the footprint. “We always try to bring natural light into a bathroom. We don’t favour black boxes. We have to come up with more and more inventive ways of securing privacy whilst letting in light,” says Juliet Ashworth, CHADA Creative Director. “We also had to compensate for space by dialling up the sense of luxury.

TOP: Guestroom relax zone.

BOTTOM: Subtle patterns and textured walls create a layered luxe feel.

“InterContinental wasn’t getting the usual amenities associated with the brand like big rooms and bathrooms and a swimming pool and so on. So, we made up for that by making sure the guest experience was incredibly inviting and comfortable, with that sense of international glamour whilst still feeling really local,” Juliet explains. “Creating a true sense of place and belonging is a CHADA trademark. This is the key element we strive for on every project. No two are alike. We do a lot of research before we develop concept narratives and that narrative then becomes the blue print for everything we do. We constantly refer back to it during the development process as it’s a really important part of our practice,” Juliet explains. Extensive care was given to the joinery details creating beautifully lit spaces for objet and art. The colours of Western Australia’s magnificent beaches were introduced to the mix and custom designed rugs bring extra warmth to the scheme. “The concept was to include the colours of the local flora as well as the fluid lines of the landscape. The piece has sparkle but is also playful, light and natural, much like the region,” says Juliet.

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TOP: Custom joinery and use of mirrored walls enhances a sense of space in the guest room.

BOTTOM: Clever custom joinery maximises the use of space in the ensuites.

LEFT: Warm neutrals,combined with metallics and rich textures inspired by local minerals, make for a luxurious guest room.

RIGHT: The ensuite opens up to allow natural light in.

SHOWCASE | HOTEL

THE REEL THING LOOKING BACK ON FOUR DECADES OF HOTEL DESIGN THERE HAVE BEEN MANY UNUSUAL PROJECT BRIEFS FOR THE LEGENDARY STUDIO, CHADA, BUT A QUIRKY BEIJING HOTEL AIMED AT MOVIE FOLK WAS ONE OF THE MORE MEMORABLE.

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CINEASTE GARDEN HOTEL | BEIJING, CHINA

THIS PHOTO: Cineaste Garden Hotel lobby.

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THIS PHOTO: Sound, light and scale are exaggerated to create drama in the public areas.

Photo Credits: - Images courtesy of Cineaste Garden Hotel

ick Whalley and Juliet Ashworth, who head up the Sydney based interiors studio CHADA, had no notion of the scale of the Chinese film industry until they received the commission to design a hotel at its heart. The 280-room hotel in Huai’rou District about 50 kilometres north of Beijing city centre, is the beating heart of the massive Chinese film industry with box office takings now larger than Hollywood. Huai’rou is enjoying a development boom with new film studios, production houses and the Beijing Film Academy driving major infrastructure projects to accommodate the fast-escalating film output which now rivals Bollywood. The word Cineaste literally means movie maker and that was the target guest for the hotel. The owners wanted the interiors to provide an experience for the film crews and casts who would be visiting the nearby studios, something that would resonate in their world.

TOP: Giant Papparazi Dog snaps guests as they arrive at the hotel.

BOTTOM: Iconic film references in the detail.

‘We didn’t want to default to the usual movie themes and be too literal in our design interpretation,’ says Rick Whalley “So we looked behind the scenes to find inspiration in the back lot and the sound stage of a movie set.” Central to the concept were the conflicting elements of raw and polished. The rawness of concrete and scaffolding - the infrastructure of film lots – is set against rich, over-the-top ‘sets’. This became theatre when dramatic movie lighting was introduced. As all the internal walls were concrete blocks the construction was both inexpensive and speedy and fell within the constraints of the budget and programme. All the materials could easily be sourced locally, reducing the carbon footprint of the project. CHADA collaborated with FPOV, an international lighting studio with expertise in dramatic, theatrestyle light. “This was a very important aspect of the interiors, and we had a clear vision that the public areas should have spot lit spaces that created drama and the all-important Instagrammable moments,” explains Juliet Ashworth, CHADA Creative Director.

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MIDDLE: Use of soft pastels and a feathered ceiling add a sense of whimsy to the restaurant interiors.

BOTTOM: Furniture arranged like film sets and curtain dividers reference the film industry.

“WE DIDN’T WANT TO DEFAULT TO THE USUAL MOVIE THEMES AND BE TOO LITERAL IN OUR DESIGN INTERPRETATION, SO WE LOOKED BEHIND THE SCENES AND TO FIND INSPIRATION IN THE BACK LOT AND THE SOUND STAGE OF A MOVIE SET.” Rick Whalley - CHADA Director and Partner

THIS PHOTO: The champagne pod hovers over the lobby with ilghting used to dramatic effect.

“LIGHTING WAS A VERY IMPORTANT ASPECT OF THE INTERIORS, AND WE HAD A CLEAR VISION THAT THE PUBLIC AREAS SHOULD HAVE SPOT LIT SPACES THAT CREATED DRAMA AND THE ALL-IMPORTANT INSTAGRAMMABLE MOMENTS.” Juliet Ashworth - CHADA Creative Director and Partner

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THIS PHOTO: Screens create intimate dining zones.

From the entrance experience through to the guest rooms the guest is wowed, and, like a movie set, the interiors change through the course of the day using lighting as a device to alter the ambience. On arrival at the Porte Cochere, the guest is filmed approaching the front door on the red carpet by a giant Paparazzi Dog, created by artists Gillie and Marc. Once inside, the guest’s film is projected on the rear wall of the box office-styled reception desk as they check-in to the hotel. A linear fireplace runs along the length of the lobby and overhead, like an eagle’s nest, hovers a Champagne pod viewing platform. This serves as a private entertaining balcony for VIP guests who can view the drama below, including a series of glass showcases with ‘exploding’ light fixtures. Heavy velvet movie theatre-inspired curtains separate public spaces and white feathers line the restaurant ceiling creating a whimsical ambience. Here, the plush seating banquettes and decorative privacy screens provide intimate dinning spaces rather like the great Hollywood eateries where starlets would be courted by studio bosses.

TOP: Private dining.

“The base finishes were super simple but we used very bold colours like pink, purple and lime in the soft furnishings,’ says Juliet. “We mixed it up and did some crazy things like round beds in the guest room and padded leather walls in the bathroom - we threw out many of the pre-conceptions and expectations for a five-star hotel. The result was very funky and there was nothing else quite like it.” The project is very locally relevant and iconic, and this was achieved despite demanding operational and budget considerations imposed by the hotel owners. The fit-out budget had to be carefully apportioned. So the team used artwork, artifacts and customdesigned furniture and textiles to bring uniqueness to the project. Subtle design elements throughout draw on the history of the movie industry such as the house phone in the guestroom corridor, a replica of 1950s Bakelite phones you see in old black and white films. “Then there’s a nod to the infamous casting couch on a plinth in the lift lobbies. That one’s a bit cheeky and perhaps not so subtle,” Juliet laughs.

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TOP LEFT: The infamous casting couch creates a memorable vignette.

TOP RIGHT: Twin room with leather padded bathroom.

BOTTOM LEFT: Round diva bed and photographer style lighting.

BOTTOM RIGHT: Corridor lighting changes to vary the ambience while a vintage phone recalls the black and white movie era.

SHOWCASE | RESORT

FIJI RISING

THE MUCH-LOVED HOLIDAY PARADISE IS GETTING READY TO RISE OUT OF THE PANDEMIC DOLDRUMS RETURNING TO FORM WITH MORE ENTICING RESORTS THAN EVER BEFORE.

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MARRIOTT, SOFITEL, WESTIN, SHERATON | FIJI

THIS PHOTO: Marriott Momi Bay resort.

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THIS PHOTO: Goji Kitchen and Bar.

Photo Credits: - Images courtesy of Marriott Momi Bay - Images courtesy of Sofitel Fiji Resort and Spa, and CHADA

TOP: Marriott Momi Bay lobby and reception.

BOTTOM: Over water bure.

mong the mangroves at Momi Bay, on the west coast of Fiji nestles a stunning resort, a project that took more than a decade to realise. It eventually opened just over a year before the Covid virus started its insidious spread. Then International borders slammed shut and tourism, a mainstay of the Fiji economy, withered to nothing. But it isn’t the first time Marriott Momi Bay has faced adversity. Its original owners started the project but ran into financial difficulties and the partially built resort infrastructure was put into mothballs. The site, complete with a fully built prototype bure-style guestroom, remained abandoned for years before the project was rescued by the new state-backed owners. The owners brought back the original interior design firm, CHADA, to finish the job they had started. Returning to the property, CHADA partners Juliet Ashworth and Rick Whalley found the locked mock-up bure was in perfect condition inside, the bed was made up and every piece of furniture was just how they had left it. “There was no doubt in our minds that the Fijians would find a way to see the Momi Bay vision through,” says Juliet. “It was the largest overwater resort development in Fiji. Massive land reclamation to create a lagoon and planting of mangroves to protect the eco system had to happen and, with a great deal of ingenuity, they made it work,” explains Juliet.

Marriott Momi Bay is spread out over an expansive man-made lagoon with 250 rooms in total, 22 of which are over-water bure villas which cater for adults only. “The ethos of the design was not to over embellish,” Juliet explains. “It needed to have a strong sense of the environment. The luxury was in the view, the generous internal space and private deck, a huge comfortable bed and egg-shaped bath. We added subtle cultural motifs against a simple, chic choice of local materials.” Marriott Momi Bay had just hit its stride with rave reviews from travel writers and guests alike. “There’s a lot of pent-up demand for Fiji travel. The hoteliers are optimistic and they’ve invested heavily so they’re ready with great products,” say resortinterior design guru, Rick Whalley. “We’re very privileged to be part of the recovery,” he adds.

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TOP: Lagoon House Pool and Bar, Marriott Momi Bay.

MIDDLE: The guest rooms feature a striking vaulted ceiling with timber panelling, a reference to vernacular architecture styles

“THE COLOUR AND MATERIAL PALETTE COMES FROM TEXTURAL INTERPRETATIONS OF LANDSCAPE, NATIVE PLANTATIONS AND OCEAN TREASURES. IT’S JUST A BEAUTIFUL CALM AND REJUVENATING SPACE.” Juliet Ashworth - CHADA Creative Director and Partner

THIS PHOTO: Fish Bar Marriott Momi Bay.

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THIS IMAGE: Chada’s artist impression of The Sheraton Denarau, Fiji lobby area.

That same optimism has driven a rash of extensive resort refurbishments in Fiji during the Covid lock downs. Again, the go-to interior designers at CHADA, were brought onto the projects to create fresh new looks for The Sofitel, The Sheraton, and The Westin hotels in the popular Denarau Island resort mecca. The Sheraton Denarau construction is underway for a full makeover to create a contemporary design in a resort setting. The guestroom look, which is still under wraps, represents a stunning new direction for the brand introducing on-trend fluted glass walls with black metal framing mixed with local timbers. The public areas’ concept is bright, fresh, modern and luxurious mixing a locally-inspired design language with a cool residential vibe.

TOP: Proposed Sheraton guest room and ensuite design maximises a sense of space and access to natural light and views.

MIDDLE: Sheraton All Day Dining.

First to reach the refurbishment finishing line is The Sofitel Fiji Resort and Spa. CHADA has given the guestrooms a fresh new look by deconstructing the traditional layout and placing the vanity so that guests can engage with the tropical landscape while brushing their teeth! The central building over two levels has been fully refurbished to introduce a more island feel with random stone paving and meandering pathways around a cascading water feature. A rustic timber planked ceiling and mosaic mural featuring local plants gives the lobby a lush tropical ambience. A stone’s throw away is another CHADA project, The Westin, also in refurbishment mode. The design team is back after 15 years, having done the original Westin design when the resort was rebranded in 2006. “We’ve really focused on biophilic principals which have always been at the heart of the Westin brand, only now there’s a name for it,” says CHADA’s Juliet Ashworth. “The colour and material palette comes from textural interpretations of landscape, native plantations and ocean treasures. It’s just a beautiful calm and rejuvenating space,” she adds.

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TOP: CHADA’s Sofitel Fiji Resort and Spa guest room with French inspired touches is now complete.

THIS IMAGE: CHADA artist’s impression of the Westin guest room reflects raw finishes and natural materials of the local environment.

SHOWCASE | RESORT

A GEM THAT ALWAYS SPARKLES ON THE EDGE OF A BREATHTAKING SAPPHIRE-BLUE BAY AND IN THE LEE OF PINK GRANITE MOUNTAINS SITS ONE GEM OF A RESORT – A DREAM PROJECT FOR ANY DESIGNER PRE-DESTINED TO BECOME A TOURISM ICON.

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SAFFIRE RESORT AND SPA | FREYCINET, TASMANIA, AUSTRALIA

THIS PHOTO: Dining, Saffire Resort and Spa.

Photo Credits: - Images Courtesy of Saffire Resort and Spa, Freycinet

affire Resort and Spa is tucked away down under on the 40 th parallel, on an island a little more than 200 kms from top to toe, but is arguably one of the most beautiful spots on earth. The exact location is Freycinet, Tasmania, Australia’s southernmost state but certainly no backwater. Saffire has been voted by US Interior design Magazine the Best Resort Design in the World, among many other accolades. Saffire remains one of the top go-to destinations for indulgent travelers not only due to its remarkable location, opposite the imposing Hazards Mountains fringed by white sandy beaches, but because of its authentic, sustainable and enduring architecture and interiors. “We experienced a kind of osmosis with nature when we worked on this project,” explains CHADA partner, Juliet Ashworth. “It was impossible not to be inspired by the purity of the environment – the colours, the textures and the local materials.” It was the job to win for a host of top design firms being considered for the project by the owners, the Farrell Family. The CHADA team’s pedigree in sustainable luxury design won it the commission, along with local architects, Circa Architecture (now known as Circa Morris-Nunn Chua).

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TOP: Aerial view of Saffire Resort and Spa, Freycinet Tasmania.

BOTTOM: An expansive wine display features renowned Tasmanian wineries.

THIS PHOTO: The Lounge area with a feature fireplace invites relaxation and creates connections to the natural world beyond.

NIGHT LIGHTING OF THE RESTAURANT WAS CAREFULLY DESIGNED BY LIGHTING DESIGNERS, FPOV, TO ELIMINATE ANY REFLECTION ONTO THE MASSIVE PLATE-GLASS WINDOWS, AND TO NOT DISTURB THE LOCAL FAUNA OR HUMAN RESIDENTS ON THE OTHER SIDE OF THE BAY.

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THIS PHOTO: Dining area overlooks one of the world’s greatest views.

CHADA’s brief was to create a luxurious resort that felt like a relaxed, coastal property with a focus on local – workmanship, suppliers, and craftspeople. Rick Whalley, CHADA’s co-partner, planned the spaces so that guests could move comfortably between them as you would in a private residence. “I wanted to create that sense of freedom so that guests would feel welcome and at home wherever they went but also to find cosy, private zones created with a variety of seating,” he says. But for both Juliet and Rick, it was all about the environment. “There’s this wild beauty that needed to take centre stage,” says Juliet. During her first site visit Juliet took photographs of rocks, pebbles, shells, the green-grey native shrub, lichen and driftwood. “It’s illegal to pick anything up and remove it,” she explains. The colours, textures, and even the photos themselves became elements of the design. The soft grey of the driftwood and rocks were translated into natural stones and paints, creating an organic backdrop to the design.

TOP: Night lighting creates a subtle glow.

MIDDLE: A water feature connects the lounge and dining areas.

The bespoke guestroom rug features graphic representations of local bush, birds, rocks and rope to form a subtle map of the local area and the lampshades and cushions are wrapped in ‘panama’ fabric like the classic straw hat - a nod to coastal living. There is a Tasmanian emphasis on the artworks throughout. The view from the restaurant is sweeping and at the same time angled by the architect’s placement and design of the main lodge, shaped like a Manta Ray. The striking curved shape also acts to discretely shield from view the rooftops of the 20 suites below. The expansive curved ceilings of undulating celery pine are accentuated with acoustic membranes of black mesh providing necessary sound mitigation for such a large open space. Night lighting of the restaurant was carefully designed by lighting designers, FPOV, to eliminate any reflection onto the massive plate-glass windows, so as to not disturb the local fauna or human residents on the other side of the bay. CHADA’s magnificent chandeliers with optical fibres diffuse soft light and add a touch of glamour to

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TOP: Classic furniture mixed with local artisanal pieces.

BOTTOM: Entrance to the resort.

THIS PHOTO: Discrete lighting guides guests through the resort.

“I WANTED TO CREATE THAT SENSE OF FREEDOM SO THAT GUESTS WOULD FEEL WELCOME AND AT HOME WHEREVER THEY WENT.” Juliet Ashworth - CHADA Creative Director and Partner

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THIS PHOTO: Guest room materials and finishes complement the stunning natural setting.

the dining experience. These are cleverly encased in black shades, so as to disappear at night and throw only sufficient illumination over the tables. The owners and consultant group were very mindful of their responsibility to the pristine Tasmanian wilderness and worked hard to minimise the resorts carbon footprint. They chose sustainable materials for the construction and fit out including locally grown and unique plantation timbers for custom made furniture. As guests enter the resort, the view through the massive floor to ceiling window provides the big reveal of the amazing views beyond. This is the moment when everyone steps forward and says wow. Guests approach via a simple walkway (constructed of recycled material), flanked on one side by a dramatic hunk of stone, while at night changing lights bring true drama to the arrival experience. “From the moment you step into the lobby we wanted to create a sense of timeless style – relaxed and unpretentious but not necessarily casual. So, we introduced classic furniture pieces into the mix by Charles Eames, the Andoo Lounge (by Eoos for Walter Knoll) and Turtle Chairs by Knoll in the restaurant, alongside pieces by Tasmanian master craftspeople. The resort features one restaurant in the main building with a lounge bar on the same level. In keeping with the idea of freedom for guests, they can opt to dine anywhere including on the beach.

TOP: Split level guest suite.

BOTTOM: View from the spa room.

SHOWCASE | HOTEL

HISTORY IN THE MAKING FIRST OPENED IN 1966, THIS DACCA INTERCONTINENTAL BECAME THE ONLY INTERNATIONAL BRANDED HOTEL IN THE REGION AND IT’S PLAYED A BIG PART IN BANGLADESH’S HISTORY EVER SINCE. NOW REBORN WITH A NEW NAME AND A RADICAL MAKE-OVER, THE INTERCONTINENTAL HOTEL DHAKA, IS ONCE AGAIN AT THE HEART OF CITY LIFE.

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INTERCONTINENTAL HOTEL | DHAKA, BANGLADESH

THIS IMAGE: Lobby of Intercontinental Dhaka, Bangladesh.

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THIS IMAGE: Base finishes reflect opulence and grandeur in the public areas.

Photo Credits: - Images courtesy of Intercontinental Dhaka

nder the ownership of the Bangladesh government, the original striking modernist building has been retained and upgraded over a five-year period with the Sydney-based studio CHADA leading the interior design. The scope of work was challenging and extensive with the design team having to peel back multiple renovations to discover the original bones of the building. Old black and white photographs of political and society events at the hotel highlighted some important architectural features, including the hotel’s once grand Porte Cochere, which the team was then able to re-create. “We completely stripped it out and started from scratch including all the back of house, plant and equipment so we had a rare opportunity to master plan every corner of the hotel,” says CHADA partner and Project Director, Rick Whalley.

TOP: Intricately detailed screens create lounge zones in the Club Intercontinental.

BOTTOM: Furniture and decorative panelling respect the hotel’s history in a contemporary way.

The building is complex, with the original 10-storey modernist structure and a six storey 1980’s extension. The job of improving the marriage of the two buildings fell to architects LW Design and Dubai-based Depa Interiors which manufactured and prefabricated every item for the interiors. The new black and white marble lobby has three cream padded leather reception desks, flanked by the lobby lounge on one side and the concierge lounge on the other. Beautiful hand-made rugs inspired by local fabrics add swirls of colour and brass decorative screens define lobby seating zones. One of the design team’s first planning decisions was to return the hotel’s lobby to its original 1960’s location. The existing atrium lobby was converted into a unique patisserie with an impressive central five-metre-high tea tower over which hangs a large chandelier crafted from porcelain tea plates. A domed stained-glass ceiling that once dominated the space was converted to more elegant white glass. This became the centre point for a new food and beverage precinct.

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TOP: A central feature of the patisserie is a tea tower which soars to the glass domed atrium ceiling.

BOTTOM: Historic Ruposhi ballroom.

“THE OWNERS WANTED OPULENT AND DECORATIVE INTERIORS IN A MORE TRADITIONAL LUXE STYLE TO MAKE IT THE PREMIER LOCATION FOR ALL THE MAJOR EVENTS. CHADA DESIGNED A GRAND POLISHED BRASS STAIRCASE WHICH TAKES GUESTS TO THE HOTEL’S BOARDROOM.” Rick Whalley - CHADA Partner and Project Director

LEFT: Chada designed grand staircase.

RIGHT: Aerial view of the Patisserie.

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THIS IMAGE: Sophisticated private dining.

Of the expansive meeting and function areas Rick Whalley comments, “It’s very unusual for a hotel to have so many function and meeting areas on such a grand scale.” With such grand event spaces, perhaps it’s no surprise that momentous events in the country’s history took place there. The original wing housed three spacious ballrooms, and in one of these the historic signing of Bangladesh’s independence took place in 1971. “The owners wanted opulent and decorative interiors in a more traditional luxe style to make it the premier location for all the major events,” says Rick Whalley. In response, CHADA designed a grand polished brass staircase which takes guests to the hotel’s boardroom. Fundamental changes included enlarging the guestrooms to meet IHG standards and to get rid of the black box bathrooms by adding glass walls. CHADA’s layouts zoned the room into three areas defined by floor and wall finishes for sleeping, working and relaxation. A feature headboard in a cream quilted leather, fabric wallcovering and dark stained timber joinery and furniture, complete the classic luxe style. The hotels recreational facilities were also rebuilt and upgraded including a new roof deck swimming pool, pool lounge bar, spa and wellness areas with a gymnasium overlooking the pool. It was a marathon project for CHADA but the respected studio has transformed this faded landmark to reign again as Dhaka’s most desirable destination, prompting one travel writer to describe it as a beautifully crafted oasis of deluxe luxury.

TOP: All day dining area.

BOTTOM: Guest room with glass walled bathroom.

SHOWCASE | HOTEL

PERFECTLY TAILORED A NEW BRAND FOR ACCOR IS SET TO MAKE ITS DEBUT WITH A COOL BOUTIQUE HOTEL THAT HAS A STORY TO TELL IN EVERY METICULOUS DETAIL.

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PEPPERS HOTEL | RICHMOND, MELBOURNE, AUSTRALIA

THIS IMAGE: Chada’s artist impression of the new guest lounge at Peppers, Richmond.

he city fringe of Richmond in Melbourne is about to see a classy new addition to its busy main thoroughfare with the conversion of two Victorian shops into a hotel that honours the once gritty suburb. In the early 1900s the heritage buildings were home to a popular tearoom and costumier run by a Miss Mary Parker. Now the new owners, The Amber Group, are adding a contemporary tower for their bijoux 80-room hotel. Peppers Richmond, just off the drawing board of top interiors studio CHADA, will be the first roll out of the reimagined brand under the management of Accor. Miss Parker created fancy dress and theatrical costumes for a city eager for some light-hearted amusement as Australia became embroiled in World War 1. So, it was particularly apt for the designers that the costume maker’s home would host a hotel that has a tailored environment at the heart of its core promise. The Bridge Road location was an early main thoroughfare from Melbourne’s heart to the eastern suburbs and by the mid-1850s became a hard-working street of drapers, shoemakers and tailors with its Italianate, Greek Rival and Federation style facades. Today it is a trendy, culturally diverse suburb, home to high fashion, street arts and trendy eateries.

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TOP: Roof top bar will be a cosy addition to a Melbourne suburb.

THIS IMAGE: Cool meets well cut in Chada’s proposed lobby, Peppers, Richmond.

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THIS IMAGE: Chada’s artist impression of the formal dining.

At the lobby arrival point a double height atrium created by Jackson Clements Burrows architects will be filled with towering tubes lights which CHADA has drawn in a variety of textiles and materials. The timber ramp towards reception will boast portraits in dramatic costumes displayed like a grand but eccentric family. Behind the glossy orange lacquered desk - a contemporary take on a vintage fabric cutter’s table a zipped wall will offer an irresistible Instagrammable moment. The F&B offering is bound to draw more than the hotel’s guests with a variety of offerings from a café and wine bar through to a casual and more formal restaurant areas. It’s like a trip through Miss Parker’s sewing room with subtle and not-so subtle references to her craft to discover along the way. A cosy, eclectic and artsy lounge and terrace bar that brings to mind a Parisian rooftop, are also planned.

BOTTOM: Cafe Bar.

“We really wanted to celebrate the area and immerse guests in the history,” says CHADA Creative director, Juliet Ashworth. “It’s a perfect marriage of the Pepper’s refined and bespoke brand values with an adventurous client and great story telling,” she says. The CHADA design team has taken its cues from tailoring using monochromatic, architectural themes with surprising flourishes of embellishment and colour. “Like a silk handkerchief in a bespoke suit pocket, we’ve added bright bursts of colour, “says Juliet. “Imagine the detailed stitching on a lady’s bodice, well, that becomes a subtle design motif to give the hotel a very particular character.” In the smart guestrooms the contrast between the area’s past and present persona will be reflected in the mixing of a natural stone-look walls and the clean lines of the elegant bedhead. The oversized photographs by Mudita Aeron add a fabulous pop to the moody grey and taupes and a further punch of colour to greet guests in their jewel-like ensuite.

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TOP: A stunning punch of colour to a moody ensuite.

“IN PUTTING THE MATERIALS TOGETHER WE LOVED THE JUXTAPOSITIONS – PLAYFUL WHILST RESERVED AND TAILORED WITH A TOUCH OF FRIPPERY. WE STAYED TRUE TO THE STORY EVERY INCH OF THE WAY.” Juliet Ashworth - CHADA Creative Director and Partner

THIS IMAGE: Guest room continues the finely tailored narrative.

DESIGN LIBRARY

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DIAMOND CLOUD by PRECIOSA LIGHTING

DESIGN LIBRARY | LIGHTING ARCHITECTURE

DIAMONDS IN THE SKY

A TRIBUTE TO THE BEAUTY OF SPARKLING DIAMONDS, THE DIAMOND CLOUD INSTALLATION FROM PRECIOSA EPITOMISES THE ART OF HIGHLY CULTIVATED CRYSTAL AND LIGHT.

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THIS PHOTO: Diamond Cloud features a unique Bohemian cut to infuse maximum brilliance into your space.

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THIS PHOTO: Every side of the light’s pattern has a different look because the edge is defined with a different surface treatment.

he sparkling glimmer of a diamond. The shining stars across the midnight sky. Sparkles are everywhere, illuminating life with pure poetic beauty. From the rising sun peeking over the horizon to the single dewdrop that catches the sunrays, sparkle means light, and light means life. The enchanting nature of sparkles is the inspiration behind Preciosa Lighting’s Diamond Cloud installation. With its unique Bohemian cut, this lighting fixture is designed to infuse spaces with a sparkling brilliance reminiscent of a shimmering diamond. “A diamond’s sparkle comes from its facets. The same happens when you cut glass. In fact, there’s a traditional Bohemian cut called the Diamond Cut which mimics the cuts a diamond cutter makes,” says the Preciosa Design Team. Led by Creative Directors Michael Vasku and Andreas Klug, the design team created a breathtaking design concept with the Diamond Cut taking prominence. Aptly named Diamond Cloud, the cut, along with the strategic arrangement and suspension of the components, highlight this exquisite fixture.

TOP RIGHT: Meticulously detailed cut on every component elevates the fixture’s overall aesthetic and stylistic outcome.

BOTTOM: Creative Directors Michael Vasku (pictured here) and Andreas Klug led the Preciosa Design Team that designed the Diamond Cloud.

A significant addition to Preciosa Lighting’s Signature Design collection, Diamond Cloud features a diversity of layers and components. Each side of the light’s patterns looks distinctively different due to a variety of surface treatments. Diamond Cloud’s unique effect also comes from the precise placement and number of suspensions based on specific sizes, construction principles, and illumination methods. According to the design team, the configuration is important because if the faceted crystals were misaligned, it would result in a chaotic installation. “Our aim with Diamond Cloud was to reduce the amount of crystal components to the relevant amount and align them correctly,” says Mr. Vasku. “Once they are properly oriented, they appear

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BOTTOM: Accurately placed crystal components exude a sparkling quality that communicates the use of precious materials.

organized but still maintain the sparkling quality that communicates the use of a precious material.” The fixture comes with clear components with polished cuts that reflect light for a sparkling and dramatic outcome, as well as frosted components which absorb light to generate a glowing effect. These two components are in contrast with one another, which optically increases the separation of individual component lines. Diamond Cloud is also highly versatile. Designers can opt for clear or frosted components and select a particular fixture size and shape. There is also the choice of a static or a dynamic installation using RGBW features.

“EVERY SIDE OF THE LIGHT’S PATTERN HAS A DIFFERENT LOOK BECAUSE EVERY EDGE IS DEFINED USING A COMPONENT WITH A DIFFERENT SURFACE TREATMENT, THE SMALLEST DETAILED CUT ON EVERY COMPONENT ESCALATES THE FIXTURE’S OVERALL APPEARANCE.” Michael Vasku - Preciosa Creative Director

LEFT: Clear components with polished cuts create a sparkling effect, while frosted components give off a glowing appearance.

RIGHT: The deliberate design of Diamond Cloud gives the installation a touch of diversity, layers, and a richness of rhythm.

PRECIOSALIGHTING.COM

DESIGN LIBRARY | LUXURY CARPET

SCENIC ESCAPADE INSPIRED BY BEPPU’S PANORAMIC VIEWS, ROYAL THAI CARPETS CREATE AN UPLIFTING YET DISTINGUISHED AESTHETIC AT THE BEPPU RESORT & SPA, CONJURING A STRIKING EFFECT IN THE HOTEL’S KEY SPACES.

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THIS PHOTO: Royal Thai Axminster carpeting with geometric motifs enhances the nature-inspired look of the restaurant.

Credits: - Interior Designer : Hashimoto Yukio Design Studio, JPA Design - Architects : Freecs, Shimizu Corporation - Distributor : Toli Corporation

ush green scenery meets artistic decor: the ANA Intercontinental Beppu Resort & Spa in Beppu, Oita-Prefecture, Japan, is a perfect amalgamation of nature meets tradition. Renowned as one of Japan’s most beautiful onsen hot spring spa resorts, the hotel features a distinctive interior design that brings together many exquisite details. One of them is the breathtaking collection of floor coverings from Royal Thai, which plays a prominent role in the resort’s design concept. At the lobby and public areas, a forest-inspired theme greets visitors warmly, ushering them into different spaces in an imaginative way. Throughout the hotel, it is akin to walking through trees in a forest, where the scenery changes – thanks to decorative elements like bamboo art and Onta-yaki pottery, complemented by Royal Thai’s hand-tufted carpet with bright Silken fibre accent. At the lobby bar, Royal Thai’s carpet with an enchanting motif brings out the vibrant space showcasing a feature wall with exquisite art pieces made by local Japanese artisans. A soft atmosphere ensues in the meeting room and club lounge, where Royal Thai’s Axminster carpet with bright Silken fibre accent in elegant tones set the stage for a cosy social space to network and get together. Similarly, dazzling Axminster carpeting with geometric motifs enhances the seating landscape comprising woven furniture in the restaurant.

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TOP & BOTTOM: The ANA Intercontinental Beppu Resort & Spa features a breathtaking collection of carpets from Royal Thai.

THIS PHOTO: Royal Thai carpet with Silken fibre is an innovative technique that contributes to the hotel’s unique carpet creations.

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TOP: Bright and welcoming, the meeting room takes on an uplifting vibe, thanks to the lush effect of Royal Thai carpeting.

BOTTOM: Social spaces at the hotel are furnished with Royal Thai’s Axminster carpet with bright Silken fibre accent.

“Royal Thai is a leading global producer of the Axminster weave, which is widely recognised as the world’s most durable type of carpet. Machinewoven from high-quality yarns into a single, highly stable construction, this enduring classic provides a sturdiness that’s ideal for demanding, high foot traffic spaces such as hotels, casinos, airports and convention centres,” Royal Thai says. Carpets with the Silken fibre technique are seen once again at the spa and the guest suites. Featuring two bath types – the first is a natural space with sculptural Kakeyu rock, the other being a serene space with Hinoki bath frame and a picture window – the spa also offers guests beautiful views of the Beppu Bay as they rejuvenate their body and spirit at the Onsen areas. Royal Thai’s carpet design takes cue from the surrounding landscape vistas, resulting in charming patterns and tones to match the calm and tranquil ambience in the spa and suites. “Royal Thai carpet with Silken fibre is an innovative technique used to elevate the hotel’s unique carpet creations,” explains the floor covering brand. “With fully customisable pattern and colour capabilities, these textural finishes will inspire any designer to confidently include additional accents into their designs without compromising the high-performance aesthetic in hospitality interiors.”

TOP: Hand-tufted carpet 100% wool with bright Silken fibre accent generates a cosy ambience in the suites.

ROYALTHAI.COM

DESIGN LIBRARY | ARMCHAIR

LAID-BACK LUXURY WITH ITS HIDDEN RECLINING MECHANISM AND SEAMLESS AESTHETICS, HARBOR LAIDBACK IS THE IDEAL SPOT FOR A TRULY RELAXING EXPERIENCE THROUGHOUT THE DAY.

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THIS PHOTO: Designed by Naoto Fukasawa, Harbor Laidback is a versatile and innovative armchair that redefines the concept of relaxation.

“TO ME, THE HARBOR LAIDBACK CHAIR IS A KIND OF SCULPTURE, NOT JUST A CHAIR. I USUALLY SCULPT THE SHAPE, STARTING WITH DRAWING THE OUTLINE AS PERFECTLY AND ELEGANTLY AS POSSIBLE. MAKING A SHARP SEAMLESS EDGE LINE, THEN CURVING THE 3D SURFACE FROM IT – THIS IS MY WAY TO MAKE A BEAUTIFUL CHAIR LIKE THIS ONE.” Naoto Fukasawa, Desinger

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arbor Laidback redefines relaxation in a versatile and innovative manner, evoking contemporary harmony wherever you place the armchair. Designed by Naoto Fukasawa for B&B Italia, this armchair shares its predecessors’ signature aesthetic, which brings together an inverted truncated cone shape with smooth, flowing lines. “To me, the Harbor Laidback chair is a kind of sculpture, not just a chair. I usually sculpt the shape, starting with drawing the outline as perfectly and elegantly as possible. Making a sharp seamless edge line, then curving the 3D surface from it – this is my way to make a beautiful chair like this one,” explains Naoto Fukasawa. Perfectly concealed within Harbor Laidback’s elegant form is a unique mechanism that allows the simultaneous movement of the backrest and the seat to fit your preferred comfort level. Just adjust the lever, which is strategically placed between the cushion and the armrest, until you reach the most comfortable position. Release the lever and the backrest will stop at your desired angle, offering you

an ideal reclining position. Featuring a swivel aluminium base with four spokes, Harbor Laidback also comes equipped with a height-adjustable upholstered headrest, distinguished by its distinctive counterweight. More details like its plush armrest and a zip that crosses the backrest add to the armchair’s laid-back appeal. Additionally, you can combine the headrest with a cosy matching footrest and a round ottoman with a removable wood tray. A highly adaptable armchair, Harbor Laidback blends into different environments – thanks to the height of the top of the seat, which allows you to sit back and use a laptop for focused work or simply relaxing with a good book. “When you go back to the harbour, to your home, you need your time to relax, and your body can rest on a comfortable sculpture. Harbor is your place and moment when you come home and relax.” Naoto Fukasawa says.

TOP: Harbor Laidback features a height-adjustable upholstered headrest and can be combined with a matching footrest.

BOTTOM LEFT: Perfectly hidden in the armchair’s frame is an unprecedented mechanism that allows the simultaneous movement of the backrest and the seat.

THIS PHOTO: Harbor Laidback’s upholstery is available in leather or fabric embellished with an elegant saddle stitch.

BEBITALIA.COM

DESIGN LIBRARY | SOFA

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A SOFTER TOUCH SMOOTH CURVES, SOPHISTICATED DESIGN. ROLF BENZ KUMO IS MADE FOR A NEW KIND OF SEATING LUXURY THAT INVITES YOU TO RETREAT AND RELAX IN TOTAL COMFORT.

THIS PHOTO: Rolf Benz KUMO is a high-quality, on-trend sofa featuring organic curves and various configuration possibilities.

ROLF BENZ KUMO CREATES A PLACE IN WHICH ITS ORGANIC DESIGN IS EYE-CATCHING WHILST APPEALING TO PEOPLE’S NEED FOR RELAXATION AND DESIGN.

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THIS PHOTO: “Kumo”, the Japanese word for cloud, is beautifully reflected in the sofa’s design which ensures a unique sitting experience.

lexible sofas with an adaptable design do wonders when you want instant comfort. Rolf Benz KUMO is created to meet this need – and more. Designed by Beck Design for Rolf Benz, Rolf Benz KUMO is based on a sole mission: to offer a comfortable, carefully handcrafted seating collection for the new generation. Derived from the Japanese word for cloud, KUMO is meant to revitalise the concept of spacious seating landscapes that go beyond being a static sofa. One of the highlights of Rolf Benz KUMO is the absence of corners and edges, resulting in a highly versatile seating system that provides many configurations while blending elegantly with the backdrop. Create plush, cosy zones anyway you want, as Rolf Benz KUMO offers an array of colour and form variants. Like its cloud-inspired name, Rolf Benz KUMO gives you a dreamy, lush feeling – thanks to its innovative upholstery construction that provides an incredibly soft seating experience. The sofa features

multiple layers of high-quality cold foam covered with a viscose foam mat and a special 3D fibre. The sofa system provides two seat heights - 43cm or 46cm to meet different specifications. Like all other Rolf Benz upholstered furniture, Rolf Benz KUMO is also entirely made in the Black Forest. “The Rolf Benz KUMO sofa picks up with ease on all of the variety the world has to offer,” the brand says. “Rolf Benz KUMO creates a place in which its organic design is eye-catching whilst appealing to people’s need for relaxation and design.” Rolf Benz KUMO is ideal for open-concept areas like lobbies, waiting rooms, and social spaces. Available in aluminium cast leg, finished in RAL 9017 traffic black, RAL 7022 Umbra grey or Marrone metallic, Rolf Benz KUMO can also be matched with Rolf Benz 968 coffee and side tables to create a highly appealing space for conversations or a quiet spot for rest and relaxation.

TOP: To offer more options, Rolf Benz KUMO can also be matched or integrated with Rolf Benz 968 coffee and side tables.

ROLF-BENZ.COM

DESIGN LIBRARY | SOFA

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MIDDLEWEIGHT LUXURY

THE MIDDLEWEIGHT SOFA PULLS ITS OWN WEIGHT TO OFFER THE BEST OF TWO WORLDS IN TERMS OF DANISH AESTHETIC AND ITALIAN EXCELLENCE AND COMFORT.

THIS PHOTO: The Middleweight sofa comprises a luxuriously comfortable armchair, two-seater or three-seater sofa, and a pouffe.

MIDDLEWEIGHT IS UNIQUE IN THE SENSE THAT IT IS DESIGNED AS AN ITALIAN SUPER LOUNGE SOFA ON ONE SIDE, WHILE ON THE OTHER IT IS A COMPACT DANISH BOX SOFA. PLUSH CUSHIONS ARE FIRMLY HELD TOGETHER BY ZIPPERS ATOP A SLENDER OPEN STEEL FRAME. FROM THE SIDE, THE FRAME RESEMBLES THE SHARP EDGES OF FOLDED PAPER.

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THIS PHOTO: The cushions are carefully mitered in the corners of the frame, resembling the sharp edges of folded paper.

or the very first time, London-based designer Michael Anastassiades has created an upholstered furniture piece for Danish furniture brand Karakter. Named Middleweight, the collection features a luxuriously cosy two-seater and three-seater sofa, an armchair and pouffe. Middleweight is unique in the sense that it is designed as an Italian super lounge sofa on one side, while on the other it is a compact Danish box sofa. Plush cushions are firmly held together by zippers atop a slender open steel frame. From the side, the frame resembles the sharp edges of folded paper. “This was my first sofa design, but actually the biggest surprise didn’t come until the product was finalised – when we stood there, looking at the actual sofa, and it looked exactly like what I had in my head,” remarks Anastassiades. “It is a great satisfaction as a designer. You can’t accelerate the process of design. An idea has to come when the time is right.” With its versatile yet modern design, Middleweight fits perfectly into hospitality spaces like lobbies, waiting lounges, guest suites, and common areas. Frames are available in black, blue, and khaki, while the upholstery comes in a variety of colours featuring shades of green and blue as well as neutral tones.

TOP: Set on a thin, open steel frame, the cushions are firmly held together by zippers.

BOTTOM: Versatile and modern, Middleweight combines an Italian super lounge sofa and a compact Danish box sofa.

KARAKTER-COPENHAGEN.COM

ATELIER | GIORGETTI SUMMA

OTTO CLAMP

SHIRLEY UYUNI

LOOSE AND LUXURIOUS

ith sensual curves and smooth edges, Giorgetti’s Loose Pieces collection appeals to our desire for beauty and comfort. The Clamp small table mesmerises with its unique upper and lower tops, where each work as a standalone piece or gracefully overlap with one another. The Uyuni wall mirror impresses with its oval-like shape, while the Shirley bench and wall mirror express a similar rounded form, setting off an inviting aesthetic in luxurious rooms. The collection is made more complete with the Otto and Summa pouffes. Otto features a 360° extractable and small table for added functionality. On the other hand, Summa showcases three side-by-side elements covered in fabric or leather for a more robust silhouette. All of these exclusive elements from the Loose Pieces collection work in tandem to create practical spaces with a high-style touch. The upholstered pieces are available in a myriad of colour options for a variety of design possibilities.

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GIORGETTI.EU