H+R | Issue 11 | Trendsetting Hospitality Design by Hotel & Resort Design Magazine

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HOTELRESORTDESIGN.COM

Pavilion H by Kettal Studio Cala Collection by Doshi Levien HEAD OFFICE KETTAL / CONTRACT BARCELONA: Aragón 316, 08009 Barcelona, Spain. T. (34) 93 487 90 90 SHOWROOMS KETTAL BARCELONA - LONDON - MARBELLA - MIAMI - NEW YORK - PARIS Export Manager Asia: Victor Moncho, victor.moncho@kettal.es T. +86 15001876948

Brand van Egmond was founded by William Brand in 1989. The atelier, based in The Netherlands, is well known for their artistic and sculptural approach towards lighting.

As all lighting is created by hand, there is also the opportunity for tailor-made lighting: allowing for a perfect customised lighting sculpture for any given space.

Every year new collections are born, and find themselve in some of the most beautiful spaces across the globe. Their clientele ranges from Royals till Rappers. Luxury firms like Louis Vuitton, Chopard and the Four Seasons hotels have invited Brand van Egmond to lighten up their spaces, but also some of the most exquisite private residences have embraced their characterful designs.

Visit their newly opened boutique in Kuala Lumpur, where guests can experience their lighting sculptures and receive professional advice.

1. William Brand 2.Candles and Spirits 3. Hollywood 4. Ersa www.brandvanegmond.com

ERSA COLLECTION Design by William Brand

LIGHTING SCULPTURES BRAND VAN EGMOND

www.brandvanegmond.com

BRAND VAN EGMOND Boutique Malaysia

Starhill Gallery 181 1st floor Jalan Bukit Bintang 55100 Kuala Lumpur Malaysia

info@brandvanegmond.com

katiyamoradi@brandvanegmond.com.my

PUBLISHER’S NOTE

THE RISING TIDE OF EXCEPTIONAL DESIGN Design never fails to surprise and delight. The opportunity to bear witness to this phenomenon firsthand is just one of the many perks of what we do here at H+R. The pages ahead unabashedly celebrate both the new and the tried-and-true aspects of this amazingly multifaceted discipline.

n this issue, we are delighted to pay homage to PIA Interior, an exciting Bangkok-based firm that has been on our radar for some time now. A quick scan of its impressive portfolio leaves little doubt that PIA is truly one of the most innovative and professional outfits that have emerged from Thailand in the last little while, particularly with regards to the ever-competitive hospitality design sector. The firm continues to set new benchmarks in transcending trends and redefining design excellence. Its ability to effortlessly integrate context, cultural narratives, and sumptuous textures also makes PIA an apt fit for this particular issue, which showcases the diverse ways in which art and cultural identity are interwoven into hospitality and product design. While there is oftentimes pressure to stress the ‘contemporary’ aspect of design, it’s naturally advantageous if substance, as well as style, comes through in equal parts. Speaking of which, we are also delighted to let you in on the freshest collections that will be expected to turn heads at this year’s Salone del Mobile. There might have been a bit of a last-minute scramble to rejig our existing content when we got the scoop on the Milan Fair’s spectacular attractions - but nothing is too good for our readers! Enjoy and until next time… Kenneth Khu k@kennethmedia.asia

VOLO ROLF BENZ

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OFFICE CONCEPT V12N1

APRIL EDITION 2019

INSPIRATION FROM NATURE

CARGILL BY PAND INTERNATIONAL DESIGN

PURE CANTILEVER PERFECTION STYLED FOR CONTEMPORARY SPACES AND ENHANCED WITH SCULPTURAL ATTRIBUTES, THE AUTOMOTIVE-INSPIRED METRIK CHAIR ELEVATES THE CLASSIC CANTILEVER CHAIR TO A WHOLE NEW LEVEL. GO WITH THE FLOW CONNEX2 MOVES AND FLOWS WITH YOUR POSTURES EFFORTLESSLY, CULMINATING INTO THE BEST SITTING EXPERIENCE AS YOU TRANSITION BETWEEN DIFFERENT POSITIONS THROUGHOUT THE DAY. JETSETTING INTO TOTAL COMFORT WITH JET.III, IT’S JUST TWO BUTTONS AWAY TO FIRST-CLASS COMFORT, NO MATTER WHAT YOUR HEIGHT, WEIGHT AND PREFERRED SEATING POSTURE ARE. OFFICECONCEPTLIVE.COM - MORE LIVE UPDATES.

CONTENTS

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LIVING LANDSCAPE 755 by WALTER KNOLL

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HOTELRESORTDESIGN.COM V263 by ASTON MARTIN

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142 ICONIC EYES by MOOOI

CORDIA by COR

TEAM & PARTNERS

editorial MANAGING EDITOR Kenneth Khu DEPUTY EDITOR Pang Yin Ying EDITOR Christine Lee design ART DIRECTOR Eric Phoon SENIOR DESIGNER Sandy Liew

credits PHOTOS: Except otherwise noted, all photos and drawings are owned by photographer or design studio. acknowledgement COVER: SO Sofitel Bangkok by PIA Interior

contributors WRITERS Adele Chong, Lily Wong DESIGN STUDIO PIA Interior sales & marketing SENIOR SALES MANAGER Edward Chen SALES EXECUTIVE Kelvin Ong publication PUBLISHER Kenneth Khu enquiries ADVERTISING advertise@hotelresortdesign.com SUBMIT EDITORIAL submit@hotelresortdesign.com CONTRIBUTOR joinus@hotelresortdesign.com SUBSCRIPTION subscribe@hotelresortdesign.com website www.hotelresortdesign.com contact KENNETH MEDIA SDN BHD 1002 Block D Tiara Kelana Jalan SS7/19 Kelana Jaya 47301 Petaling Jaya, Selangor Malaysia. T: +603 7887 4525 printer PERCETAKAN IMPRINT (M) SDN BHD No.538, Jalan 20 Taman Perindustrian Ehsan Jaya, Kepong 52100 Kuala Lumpur Malaysia. permit number KDN PP18850/09/2015(034307) MCI(P) 103/01/2019 magazine H+R | HOTEL & RESORT DESIGN is published three times a year and is circulated throughout the Asia-Pacific region. Opinions expressed are those of the contributors and not necessarily endorsed by the publisher.

BANGKOK MARRIOTT HOTEL - THE SURAWONGSE by PIA INTERIOR

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copyright notice All rights, including copyright, in the content of this publication are owned by Kenneth Media Sdn Bhd, Malaysia. You are not permitted to copy, broadcast, download, store in any medium,transmit, show or play in public, adapt or change any in any way the content of this publication for any other purpose whatsoever without the prior written permission of Kenneth Media Sdn Bhd, Malaysia.

PUBLISHED BY

MÉLANGE | PRODUCTS

CHANGE OF PACE

ARTISANAL TRIUMPH

BROADEN YOUR HORIZONS

Evoking a sense of luxurious ease, the VOLO will have you longing for days and nights spent in the splendor of your own living room. Appearing to float on air, this elegantly fashioned piece by Rolf Benz features a roomy cushion platform that offers up the possibility of varied layouts. VOLO’s components can be linked together or separated as a single freestanding unit to suit the changing needs of a modern lifestyle.

The humble traditional sewing basket was Gam Fratesi’s main source of inspiration when he set about designing the Cestlavie tables. Alternating as storage, these charming pieces from Poltrona Frau are at once refined and rustic, nodding to the established brand’s time-honoured leather culture and artisanship. Paired with an expertly woven leather surface and a top clad in Pelle Frau leather, the sleek metal tubing support emerges as an exciting visual detail.

Conceived by EOOS, the Living Landscape 755 embodies unparalleled comfort and contemporary living at its best. This extraordinary sofa modifies a space without overwhelming it, transforming a room by way of its extendable format. With the option to open up the sofa in the front as well as the back, the ‘landscape’ functions as an island of contentment for multiple sitters, taking the concept of a comfort zone literally to heart.

ROLF-BENZ.COM

POLTRONAFRAU.COM

WALTERKNOLL.DE

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INTO THE GROOVE

FIERCE FABRIC

BOTANICAL POETRY

Mies van der Rohe famously remarked that God is in the details. At close glance, there certainly is something exceptional about Charlotte, a collection of drawers and sideboards inspired by modern architecture. Defined by a cleverly composed system of doors, this distinctive range by Giorgetti toes the line between function and sophistication. Accentuated by leather or marble inserts, Charlotte’s grooved wood surface makes a bold statement while keeping unsightly storage tucked away.

Staying true to Marcel Wanders’ devil-may-care design sensibility, the Dutch designer’s Crochet Table is predictably a madcap departure from the conventional side or coffee table. Featuring handmade cotton crochet drained in epoxy resin, the design’s delicate lace-like surface comes in stark contrast to the table’s blocky proportions. Sturdy enough for repeat sessions of lively living room conversation and leisurely drinks, its uniquely shaped mould also gives way to decorative shadow play.

The Vine collection is certain to turn heads at Salone del Mobile when it makes its anticipated debut at the Milanese furniture fair this year. Paying homage to nature, this luxurious range features clean, simple lines paired with old-world charm and a touch of whimsy. While every piece is captivating in its own right, the Sedia chair is a noteworthy highlight, owing to the sumptuous silhouette created by its expressively shaped upholstered frame.

GIORGETTI.EU

MOOOI.COM

TURRI.IT

MÉLANGE | PRODUCTS

CHIC SEAT

LEAN SUPREME

WINGS OF DESIRE

A striking departure from more austere counterparts, the Rolf Benz 629 dining chair and bench sets the tone for a sophisticated affair, thanks to a shapely organic shell and expressively splayed legs. Part of a new dining range designed by This Weber, these midcentury-inspired pieces make a splash rendered in three different types of solid wood or varnished metal. A swivel version of the chair is also available, facilitating ease of movement.

The first armchair from German brand COR is nothing short of a showstopper. A highlight from COR’s notable Cordia range, this snugly elegant piece designed by Lehs & Laub exemplifies topnotch quality in every sense. Cradled in a smooth, handcrafted shell, a voluminous down cushion and folded fabric on the armrests sets the stage for luxurious repose while a built-in tilt mechanism eases the sitter into the perfect position with minimal effort.

Moving beyond a mere seating object, the Hana armchair is truly a sculptural wonder. Designed by Simone Bonanni with the sensual sitter in mind, this eye-catching chaise literally moulds itself around one’s body, making it the ideal perch for extended periods. Acknowledging the user’s need to be enveloped in a cozy embrace, this winged piece’s sumptuously upholstered curves are a tribute to leisurely days spent curled up with a good book.

ROLF-BENZ.COM

COR.DE WILKHAHN.COM/EN-AU

MOOOI.COM

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PERFECTLY POLISHED

TAILORED TRANQUILITY

IN TOP FORM

Looking for a surefire way to impress your dinner guests? A key piece from the new Vine collection designed by Frank Jiang for Italian brand Turri, the visually stunning Tavolo table is equal parts style and substance with several different finishes available for the choosing. Characterised by architecturally inspired lean lines and bold beveled edges, Tavolo amps up the drama with an opulent wood-wrought base bedecked with brushed gold metal and marble accents.

Emanating Poltrona Frau’s exquisite heritage and approach to premium furniture, Byron’s impeccably handcrafted feel stuns at first glance. Smartly upholstered in signature Pelle Frau leather, every aspect of this distinctive chaise lounge designed by Jean-Marie Massaud - from its sophisticated solid ash and stainless steel woodwork to the warm ebony stained frame - serves a clear purpose, giving rise to a finely composed piece dedicated to the art of rest and relaxation.

Designed to be both soothing to the eye and the weary back, Aston Martin’s Lounge Chair V263 has it all. Featuring stylish ergonomics that owe a debt to two expertly conjoined curved elements, this dashing design is enlivened by a combination of high quality materials and smooth minimalist lines. Available in vast selection of leathers and exclusive fabrics, it’s sure to make waves when it hits the Salon del Mobile circuit this year.

TURRI.IT

POLTRONAFRAU.COM

FORMITALIA.IT

MÉLANGE | PRODUCTS

DINE DARINGLY

THE WRITE STUFF

ICON OF COMFORT

Antonio Citterio does it again with his knockout designs for the Mirto Outdoor collection. This recently expanded range from B&B Italia features innovative designs and finishes that pave the way to a unique dining experience. The folding director’s chair fashioned in ecru canvas and paired with natural thick leather armrests is a notable highlight as well as the black lava stone tabletops that enhance the collection’s scintillating palette in clay, sage and anthracite.

Thoughtfully conceived by designer Roberto Lazzeroni for Giorgetti, the Juliet is truly an ode to tried-and-tested craftsmanship. Lovingly rendered in solid walnut Canaletto wood, this utterly romantic writing desk’s simplified worktop, built with concealed shelf, can be accompanied by either a storage upper section or a round mirror. Exuding a strong vintage appeal, this piece is a subtle celebration of exciting details brought out through its flexible shape and right angle lines.

More than just a rolling office chair, the FK bucket seat is a piece of modern design history. Having first wowed design fans at the end of 1960s when it was initially introduced to the market, this iconic design stands the test of time, owing to its clear contours and sensible minimalist lines. Upholstered in supple leather, its deep-seated shell enticingly invites the sitter to sink right in, as do its ever-beckoning armrests.

BEBITALIA.IT

GIORGETTI.EU

WALTERKNOLL.DE

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MARVELLOUS AND MANIFOLD

NATURALLY EXCEPTIONAL

MULTIFACETED WONDER

An inspired new offering by Aston Martin, the Sofa V255’s distinctively varied structure automatically makes it a design to watch for at the upcoming Salone del Mobile. Defined by a clean and compact line that gives way to an assortment of pleasantly different details, this three-seat sofa’s seamless amalgamation of an interrupted backrest, low armrest, integrated metal chair and square-shaped pouffe embodies utility, elegance and uncompromised comfort. Available in over 50 colours.

Reflecting the Vine collection’s nature-inspired sensibility, the Letto bed by architect Jiang Feng for Italian brand Turri hits all the high notes with a comely design that underscores craftsmanship at its finest. Strikingly elegant, this neutrally hued piece heightens the drama in any bedroom, especially teamed with the collection’s accompanying bedside tables, bench and dressing table. The stylistic features, such as the inserts and details in brushed gold, are a sheer pleasure to behold.

Daring to be different, the D.270.2 chair raised eyebrows when its cutting-edge design was introduced in 1970. Melding the broad, spacious back of the conventional armchair with the flexible framework of a folding seat, this inventive number outright rejects run-of-the-mill categorisation. Recently reissued by Molteni&C, this wonderfully versatile seat, now available in black or natural ash, is winning over a new generation of practically-minded fans entranced by its adaptable and portable make.

FORMITALIA.IT

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MÉLANGE | PRODUCTS

WHAT AN EYEFUL The Bavarian National Museum had the right idea when it enlisted Dutch design house Moooi to create an eye-catching pendant light for its foyer. Taking an aesthetic cue from automotive headlights, Iconic Eyes was designed with the grand entrance in mind, stopping the beholder in his tracks at first glance. Bedecked with numerous lenses and a plethora of LED lights, the piece’s wondrous oval design comes in two comely sizes.

MOOOI.COM

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MÉLANGE | OUTDOOR FURNITURE

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LUXURIATING COSMIC ENCOUNTERS

Photography by Kim Yong Kwan

AN ETHEREAL HAVEN ON EARTH, HEALING STAY KOSMOS DRAWS INSPIRATION FROM ITS DESTINATION’S SUBLIME ENERGIES, CREATING A CELESTIAL EXPERIENCE WITHIN ITS VISTA-RICH RETREAT.

THIS PICTURE: Healing Stay Kosmos is a high-end retreat designed for guests to experience the universal energies present in its natural surroundings.

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THIS PICTURE: The villa’s outdoor setting is made perfect, thanks to Kettal Stampa chairs by Ronan and Erwan Bouroullec and Vieques table by Patricia Urquiola which provide guests with a stylish yet cosy space to enjoy the mountain views.

contemporary architectural marvel created to coalesce with the mysterious beauty of the Ulleungdo, a volcanic island in South Korea, Healing Stay Kosmos celebrates the wonders of its natural surroundings with its poetically ethereal design. Designed by The System Lab, Healing Stay Kosmos is conceived as a retreat for guests to discover and experience the universal energies in this destination. Perched dramatically over a mountainous cliff that overlooks the East Sea, this high-end resort is graced by the magnanimous presence of Songgotbong or the Ice Pick Peak, a sharp rocky formation famed for its connection to the harmonious energy flow within the island. “The resort is built as an observatory where people can come to observe and appreciate the spirit of the sky and the earth. That’s where the name KOSMOS (the origin of the word Cosmos) comes from,” says principal and founder of The System Lab, Changjoong Kim.

TOP: Healing Stay Kosmos features white curvaceous shelllike forms and unique spaces inspired by the fundamental principles of yin and yang.

BOTTOM: Perched over a cliff, the villa is graced by unobstructed views of the sea and mountain from all directions.

Inspired by astronomical influence of the site, Healing Stay Kosmos features a white swirling form reminiscence of the yin-yang symbol. Inside, the retreat comprises two distinctive properties: Villa Kosmos which offers an exclusive four-room villa that comes complete with an outdoor deck, a Jacuzzi and two spas; and Villa Terre, an eight-room boutique hotel. At Villa Kosmos, the two-storey villa extends out into a circular courtyard that branches out into six vaulted areas configured in a nautilus shell-inspired spiral. Throughout the space, the interior is predominantly minimalist with its white arched walls and neutral palette. To capture the spirit of the Five Universal Elements, each of the four rooms are designed with its own elemental theme: Mars (fire), Mercury (water), Jupiter (wood) and Venus(gold). Each of them also boasts unobstructed views of the island from different angles.

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TOP: Elemental features are incorporated to infuse interior spaces with a sense of being one with nature.

BOTTOM: The bathroom showcases a splendid display of natural materials that stand out against a contemporary palette of soothing neutrals.

THIS PICTURE: The dining hall offers guests a panaromic view of the Ice Pick Peak as they gather around the bespoke oak dining table.

“THE RESORT IS BUILT AS AN OBSERVATORY WHERE PEOPLE CAN COME TO OBSERVE AND APPRECIATE THE SPIRIT OF THE SKY AND THE EARTH. THAT’S WHERE THE NAME KOSMOS (THE ORIGIN OF THE WORD COSMOS) COMES FROM.” Changjoong Kim, principal and founder of The System Lab

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THIS PICTURE: The sauna is set in a curvilinear space wrapped entirely in wood, creating an ethereal experience.

Symbolizing the moon and sun respectively, the two saunas at Villa Kosmos rotate for males and females every day to represent the union of yin and yang. The villa also offers a unique Jacuzzi experience water melted from the snow at the Nari Basin is used for the Jacuzzi to give guests the sensation being part of nature. Over at Villa Terre, guests are offered a selection of rooms including the classic hotel-style suites as well as a traditional Korean ondol room. For daily meals, Cafe Ulla provides Korean and Western style breakfasts. The nature-inspired atmosphere that envelopes the retreat is particularly prevalent within the retreat’s outdoor spaces. At the poolside, Deckchair Park Life

TOP: Deckchair Park Life by Jasper Morrison complements the surrounding landscape at the poolside with their modern forms.

BOTTOM: Two Ring Chairs at the KOSMOS ring present guests with the opportunity to immerse in the yin or yang energies of Ulleungdo.

by Jasper Morrison complemented by aluminium sunshades infuse a touch of contemporary style that blends in with the landscapes surrounding the deck. For the villa’s patio, Kettal Stampa chairs by Ronan and Erwan Bouroullec, and Vieques table by Patricia Urquiola creates the perfect outdoor setting for taking in the views all around. Further on towards the open area that faces the ocean is the KOSMOS ring - a space where the sublime Ulleungdo energies can be experienced fully. Two Ring Chairs anchor the space, providing guests with the opportunity to immerse in the yin or yang energies present here.

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TOP LEFT & BOTTOM LEFT: Arched walls painted in white are consistent throughout the rooms at Villa Kosmos.

TOP RIGHT: The bedroom receives plenty of natural light as well as breath-taking views of the ocean.

TO CAPTURE THE SPIRIT OF THE FIVE UNIVERSAL ELEMENTS, EACH OF THE FOUR ROOMS AT VILLA KOSMOS ARE DESIGNED WITH ITS OWN ELEMENTAL THEME: MARS (FIRE), MERCURY (WATER), JUPITER (WOOD) AND VENUS(GOLD).

THIS PICTURE: Modern furniture pieces blend beautifully with the white backdrop and wood flooring to create a minimalist ambience.

OVER AT VILLA TERRE, GUESTS ARE OFFERED A SELECTION OF ROOMS INCLUDING THE CLASSIC HOTEL-STYLE SUITES AS WELL AS A TRADITIONAL KOREAN ONDOL ROOM.

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THIS PICTURE: Designed to reflect traditional Korean culture, the ondol rooms are kept minimal with mattresses on the floor and low dining tables.

“In the Yin Ring Chair, you can receive abundant yin energy while looking at the moon in the Songgotbong. When you sit on the Yang Ring Chair and watch the sunset falling over the ocean, you will fill with the energy of the yang,” says Healing Stay Kosmos, recommending that guests experience both the Yin and Yang energy baths during their stay.

TOP: The hotel-style rooms come complete with modern amenities that guests would need for a comfortable stay.

MIDDLE: A pristine white palette is used for the bathrooms to maintain the sleek and minimalist style that is dominant at this resort.

KETTAL.COM

PROFILE | PIA INTERIOR

ONE MOMENT AT A TIME 2019 MARKS THE 20TH ANNIVERSARY OF PIA INTERIOR, WIDELY REGARDED AS THAILAND’S LEADING INTERIOR DESIGN FIRM. IN THAT TIME PIA HAS ESTABLISHED A REPUTATION FOR INSPIRATIONAL CREATIVE DESIGNS AND THOUGHTFUL ATTENTION TO DETAIL.

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IA’s story began on the 29th September 1999, a memorable date to begin a new experience, and in customary tradition a belief in the fortune that it might bring. What they have learned is that nothing remains the same, from the most systematic routines comes the desire for variety and the innate yearning for new and unrealised experiences. In that time, they have developed a successful track record of pertinent projects, both locally and further afield. PIA is proud to be recognised as the leading interior design firm in Bangkok with a collection of works ranging from Hospitality, luxury Residential, to Corporate, Finance Banking and Retail success. PIA is humbled to have surpassed even their own expectations with regional and international recognition for numerous award-winning projects over the past decades. Most recently, they received a commendation for two projects at the Inside World Festival of Interiors and the World Architecture Festival. In recognition of this success they have published two books; PIA An Experience and PIA Dimension which highlight their accomplishments and record the memories of their achievement. Derived from the skilful blend of creative ability and dedicated hard work, the key to PIA’s success lies in their attitude and attention to detail, underpinned by a commitment to achieving perfection in each and every project. PIA consists of over 180 professional staff who are led by Ms Rujiraporn ‘PIA’ Wanglee (Founder

and President), followed by the Partners, who individually possess 10 to 20 years design experience. While they have grown to adapt to the requirements of their Clients, PIA still successfully functions as a family unit. PIA aims to create new and original ideas for each and every project. They pride themselves on their attention to details which are both aesthetically pleasing and reassuringly practical. The strong pool of experience within their organisation gives them the ability to consistently create unique designs. A successful Interior requires knowledge, understanding and adaptation. How they relate to ever-changing contemporary lifestyles is something they are able to do seamlessly. Thai culture is open and welcoming to new ideas; therefore, PIA is keen to adapt and find opportunity in any challenge. Every region has its own unique culture, and PIA digs deep to ensure this is an integral part of their design processes. This cultural methodology is key to how they approach projects and feel it is what they do best. Their core strength is the ability to seek out unique and traditionally symbolic elements to develop and explore in contemporary forms so that they become infused as key elements within their designs. The success of each project rests upon PIA’s “Four C’s” – Communication, Comprehension, Compromise, and Commitment. They bring to bear a firm belief in their ability and skills, to deliver the best for their Clients.

PIAINTERIOR.COM

PIA Partners 1 2 3 4 5 6 7 8 9 10

Ms. Rujiraporn PIA Wanglee (Founder & President) Mr. Pruitsatorn OU Sakulthai Mr. Vachirapong DANNY Arthayukti Ms. Oranat Snidvongs Ms. Sutana POMME Mokkhavesa Mr. Pakorn Kanjanarintr Ms. Ladda Koomsiripithuck Mr. Niwat Aunprueng Mr. Chulasak Namatra Mr. Worapong Changchat

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SHOWCASE | HOTEL

STYLE JUXTAPOSITION

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HOTEL MUSE BANGKOK BY M GALLERY COLLECTION

A BOUTIQUE HOTEL WITH A DIFFERENCE, HOTEL MUSE IS THE INSPIRATIONAL JOURNEY OF THE WORLDLY TRAVELLER WHOSE OWN PERSONAL MUSE IS CAPTURED ELEGANTLY AS A SYMPOSIUM OF STORIED ARTEFACTS AND CRAFTED OBJECTS SELFLESSLY DISPLAYED FOR THE ENJOYMENT OF OTHERS.

THIS PICTURE: Le Salon welcomes guests in an inspired living room setting.

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THIS PICTURE: A curated gallery space for the Owner’s private art collection.

HOTEL MUSE ENCAPSULATES THE SOCIAL AND ARTISTIC MILIEU OF FIN DE SIÈCLE EUROPE AND KING RAMA V-ERA. AS WAS FASHIONABLE AT THE TIME, SMALLER RESIDENTIAL SUMMER PALACES WERE CONSTRUCTED IN A VARIETY OF STYLES, RANGING FROM THE CLASSICALLY INSPIRED RENAISSANCE PERIOD, THROUGH TO NEO-CLASSICAL AND ART DECO INFLUENCES.

otel Muse Bangkok is discreetly located on the affluent Lang Suan road area of central Bangkok within walking distance of Chidlom, in the heart of the city’s prime retail district. Hotel Muse was Accor’s first M Gallery hotel in Bangkok and because of this specialised care was given to its debut. From the outset it was agreed that the project should challenge the idea of artistic experimentation. The design brief provided was very simple; Hotel Muse should celebrate Art and History. PIA set their mind to the task of creating a space of sophistication and mystery. While most designers, when faced with Hotel Muse’s compact size, would recommend a sparingly minimalist interior, the mandate that was preferred was to be relentlessly maximalist. By applying layer upon layer of carefully tweaked details, the aim was to create an air of intimacy and opulence. In paying tribute to Accor’s Gallic heritage as well as the locality, the hotel’s design focuses on a specific period in Thai history, while dutifully incorporating historic French artisanal elements. Hotel Muse encapsulates the social and artistic milieu of fin de siècle Europe and King Rama V-era. As was fashionable at the time, smaller residential summer palaces were constructed in a variety of styles, ranging from the classically inspired Renaissance period, through to Neo-Classical and Art Deco influences. The design team drew on references from these Architectural styles to derive a narrative representing a unique and harmonious blend of different Interior styles and lively discussion points. Using quality materials and hewing closely to a range of historical styles, the disparity of these elements were leavened by PIA’s skilful ability to fuse non-traditional colours such as browns, blacks, whites and greys, as well as clever touches which aim to blend the services and functions required of a modern luxury hotel. Classically inspired furniture was ergonomically reinvented and customised to enhance comfort, while integrating seamlessly with genuine antiques and artefacts in both public and private spaces. Detailed ironwork and decorative motifs were produced by local Artisans ensuring Thai sensibility as well as timeless elegance.

TOP: Relax at the edge of infinity. The 19 th floor pool deck.

BOTTOM: Set within the Cupola. The outdoor Speakeasy Rooftop Bar.

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Based partly on the theme of a stately family home and with particular reference to Phra Ram Ratchaniwet Palace in Phetchaburi Province and Suan Kularb Palace in Bangkok, Le Salon welcomes guests with an inspired take on the sitting room. Modestly residential in scale, the space is enveloped in a series of three centred and two-centred arches to guise and frame the journey from transitional spaces on this floor. Le Salon is deliberately dark and moody with up lighting providing the primary source of illumination as well as an overall sense of intimacy. Hotel staff wait attentively at their bureaus ready to welcome you on arrival. In this cosy and inviting space, furniture and decorative objects serve to connect different eras. Guests can relax and take in the storied atmosphere in the comfort of plush Chesterfield sofas with Persian rug underfoot, all while their hosts attend to their every need. Meanwhile, the transition from the Lobby to the floor below is one of Hotel Muse’s best-known design statements with decorative wrought ironwork on the landing, lift entry, and stair hall which descends to the Medici Restaurant. The Medici Restaurant’s location on the basement floor offers guests a novel experience of dining in an exclusive culinary den. Combining the elegance of a fine-dining Italian ristorante with the relaxed informality of a cantina, Medici prides itself on entertaining dining experiences mingled with Mediterranean influences and underpinned thought locally sourced, organic ingredients from the Royal Agricultural Project.

Materials chosen are rustic in appearance, complementing the robust Italian cuisine on offer. With real wood and stylized metal framed barrels lining one entire wall, Medici embraces its industrial appeal. This is a gentle nod to the Industrial Revolution with exposed concrete, antique metal and burnt wood juxtaposed with delicate Italianate iron fretwork. Exposed concrete beams are given a lacy look with dominant iron arches adding a sense of residential proportion to the impressive 5-metre high ceiling volume. To complete the look, tables are set closely together to create a cosy atmosphere. At Babette’s the Steakhouse Restaurant, intimate old world charm and roaring twenties élan commingle. In contrast to the subdued dark tones prevalent throughout much of the hotel, the venue presents a brighter palette with the ample use of mirrors and pastel geometric wall panels embellished with light grey decorative and accenting materials. Design motifs for the floor, ceiling and even walls were inspired by the coffered ceilings found at Phaya Thai Palace in Bangkok. This paneling encapsulates a collection of ornate wood picture frames which are composed and hung along the walls. Carefully chosen furniture and well worn recycled parquetry flooring provide a sense of domestic comfort. Located on the 24th and 25th floors, the Speakeasy Rooftop Bar and Restaurant takes its cues from Thailand’s Vimanmek Palace, the world’s largest building made entirely of golden teak. The rooftop consists of a series of cupolas, with one large dome

LEFT: Classic tone and tone paneling encapsulates the mood of Babette’s Steakhouse.

RIGHT: Antique wine barrels and italinate fretwork set the scene at the Medici Restaurant.

MATERIALS CHOSEN ARE RUSTIC IN APPEARANCE, COMPLEMENTING THE ROBUST ITALIAN CUISINE ON OFFER. WITH REAL WOOD AND STYLIZED METAL FRAMED BARRELS LINING ONE ENTIRE WALL, MEDICI EMBRACES ITS INDUSTRIAL APPEAL.

THIS PICTURE: The Medici Restaurant reveals a masculine palette of iron, wood and leather details.

CLASSICALLY INSPIRED FURNITURE WAS ERGONOMICALLY REINVENTED AND CUSTOMISED TO ENHANCE COMFORT, WHILE INTEGRATING SEAMLESSLY WITH GENUINE ANTIQUES AND ARTEFACTS IN BOTH PUBLIC AND PRIVATE SPACES. DETAILED IRONWORK AND DECORATIVE MOTIFS WERE PRODUCED BY LOCAL ARTISANS ENSURING THAI SENSIBILITY AS WELL AS TIMELESS ELEGANCE.

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THIS PICTURE: Ultramarine velvet curtains give richness to an illuminated arched gallery.

in the centre flanked by four smaller domes used to crown the roof. The Interior combines references from Vimanmek Palace as well as a layout incorporating secret rooms to create a fused prohibition vibe. Thai motifs in the form of wooden filigree feature prominently on the walls and ceilings. Besides its artistic value, the filigree hides exhaust service outlets in the Cigar Room, while custom made ceiling fans are reminiscent of traditional handheld leaf fans in Thai culture. The 174 Guestrooms exude colonial warmth fused with Asian and European highlights to set the tone of a curated guest living quarters. The rooms are spaciously designed for guests to work or relax in. Full height windows afford natural light and views adding additional warmth to the distressed wooden floors and lacquered wooden wall paneling which wraps around the bed head. At each headboard is a graphic montage of the historical elements which have served to inspire the concept. Furniture has that vintage feel and is stylized in

the form of leather reading chairs, chaise lounge and cabinetry which resembles vintage travel cases. There is an innate feeling of old world charm, but this is afforded all of the modern conveniences you would expect, including a luxurious deep freestanding bathtub for you to immerse yourself in after a long days exploration. Hotel Muse is a superb blend of cosmopolitan chic with playful elegance. An experiential journey crafted in the opulence of the late 19 th and early 20 th-century period emerges at every turn. The aesthetic is enhanced by facets of modernity from later design movements leading right up to the present day. Crucial in creating this seductive mixture of Classical and Neo-Classical styles are carefully chosen materials and colours, along with adroitly placed lighting — the result is a dynamic juxtaposition of periods and styles which upturn conventional notions of hotel design.

TOP: Wooden filigree engraved with Thai motif inspired from Vimanmek Palace,

BOTTOM: The Central dome of the Speakeasy Bar illuminated from within.

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BANGKOK MARRIOTT HOTEL - THE SURAWONGSE

A JOURNEY OF LOVE

BANGKOK MARRIOTT SURAWONGSE IS A ROMANTIC NARRATIVE OF THAI VALUES, ELEGANTLY FUSED WITH CONTEMPORARY ETIQUETTE, SHOWCASING THE THEATRICAL EXPRESSION OF AN AUSPICIOUS WAY OF LIVING.

THIS PICTURE: The Lobby is an open place social space with gallery like quality.

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THIS PICTURE: Antique mirror and crafted wallpaper define the Great Room Bar.

INFORMED BY ITS LOCATION, THE APTLY NAMED BANGKOK MARRIOTT - THE SURAWONGSE REINFORCES HIS MAJESTY’S VISION OF GLOBAL EQUALITY AND REPRESENTS THE SKILFUL BLEND OF A TIMELESS THAI- AESTHETIC, DRAWING ON CULTURAL ELEMENTS TO INFORM AND SUBTLY APPEAL TO THE SENSES.

n 1897 His Majesty, King Chulalongkorn had a vision. The dream was to expand Thailand’s economic relationship with the continent of Europe and seek global equality on par with the western world. His Majesty dedicated his life to rejuvenating and modernising public infrastructure, and through this dedication, the King’s former Regent Somdej Chao Phraya Borom Maha Sri Sury Wongse dedicated a parcel of land frontage to the King which he used to develop one of Thailand’s earliest commercial roads. The road was named Thanon Surawong out of respect for its generous patron. Thanon Surawong became a popular meeting point for the establishment, with many of Siam’s courtiers choosing to live in the area due to its proximity to Siam’s central business district. One such consultant, who was a physician at the court of Siam, was given a gift from Her Majesty Queen Sri Bajarindra to construct a house on Thanon Surawong. The house was built in the Colonial style which was a popular style at the time. The house, which still stands today, was acquired and painstakingly preserved by its present-day custodian. It is here the story of The Surawongse begins; taking is cues from a residential style steeped in localised contextuality. Informed by its location, the aptly named Bangkok Marriott - The Surawongse reinforces His Majesty’s vision of global equality and represents the skilful blend of a timeless Thai- aesthetic, drawing on cultural elements to inform and subtly appeal to the senses. The Hotel Lobby emerges as an open plan social space with a gallery-like quality, successfully exuding residential charm at a resplendent scale. Jewellery cases are mounted on pedestals to display artisanal crafts and artefacts. Grey Emperador adorns the floor with an expansive area rug to complete and soften the central node. Columns clad in Nero Marquina are backlit to add depth of layering, while a tempered glass graphic provides the perfect prelude to the narrative which follows. The Lobby itself is indeed person-centric with supporting functions organised intuitively on each side and wrapped in woven metallic fabric by Ausara to complete a look of serene elegance.

TOP: Artisanal relief in a Thai lacquer finish are a focal point of the Ballroom Prefunction.

BOTTOM: One of many storied niches in the Great Room library.

The Great Room, adjacent to the central core, acts as an extension of the open plan Lobby space. This space is the heart and soul of the hotel and is a hub of activity day and night. A feature island bar divides the space into two distinct zones, a lounge where guests can choose to relax overlooking the banquet lawn, and a discreet meeting space, incorporating a large private room which can be used as an informal business centre on occasion. The Great Room takes the form of a curated library hosting a variety of local texts and artefacts, with multiple niches providing the opportunity for momentary discussion. Set within these niches is the Surawongse signature graphic which is now becoming more apparent. The Great Room is more natural in appearance with oak floors complementing the colonial inspired paneled ceilings above. At night this quiet social lounge evolves into a vibrant bar with a live DJ and dedicated mixologist creating local sounds and flavours late into the evening. The Surawongse contains a number of enchanting dining concepts, each with their own globally inspired gastronomical delights. The Praya kitchen is a transformative culinary staging point for global cuisines with an eclectic mix of styles and flavours to suit all tastes. The dining experience is an interactive journey which encourages guests to engage with the chefs across live cooking stations, in what can only be described as an upscale market experience.

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TOP: The open kitchen concept at the Praya kitchen is a transformative staging point for global cuisines.

MIDDLE: Full height handpainted walls illustrate a way of living for the Praya Thai.

THIS PICTURE: Local artists applied their skills to a canvas of scored plywood to achieve an aged look.

THE YAO RESTAURANT, LOCATED ON THE 32ND FLOOR IS A CONTEMPORARY CHINESE RESTAURANT AND ROOFTOP BAR PROVIDING UNRIVALLED VIEWS OVER THE CITY AND THE FAMOUS CHAO PHRAYA RIVER.

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THIS PICTURE: The Shanghai Tang inspired Rooftop Bar at the Yao Restaurant overlooking the Chao Phraya River and the Old Town.

The Yao Restaurant, located on the 32nd floor is a contemporary Chinese Restaurant and Rooftop Bar providing unrivalled views over the City and the famous Chao Phraya River. Specialising in Cantonese and Shanghainese cuisine the restaurant is conceptualised by Yao, meaning ‘Glorious’ and a modern chic and sleek interior references this glory. The design is grounded in traditional Chinese details which are then recomposed to form a contemporary chic narrative. The Quan Spa encompasses a holistic approach by aiming to balance design and functionality, in order to enhance the guest experience. Derived from Wu Xing’s elements of nature, the key element of water is explored and developed as part of the overall theme. The source of this inspiration is the Chao Phraya River. The reflection of water and the native Fighting fish become the focal point of the story. These are represented in many forms to create a space which is composed, inviting and intrinsically Zen. The Spa Lobby is effortlessly simple with contemporary calming influences evoking a sense of serenity on arrival. The feature wall embraces a fish scale pattern which is textural and manifestly soothing. The patient flow of the river is epitomised in artistic majesty as it runs through the common spaces and into the treatment rooms. Life on the river is astutely evident, becoming a metaphor for the graceful journey

TOP: A crystal droplet pendant adds a sense of luxurious elegance to the dining room experience.

BOTTOM: The glorious Yao restaurant portrays a chic and sleek appearance while vibrant pops of colour depict an uplifting feeling of modernity.

to revival. This unhindered movement is echoed by a rejuvenating softness in every detail which pampers and cocoons the user, all the time inspiriting a sense of privacy and composed intimacy. The Guestrooms represent a rich sense of place infused with monochromatic modernity, set within a palette of off white and contrasting black accents. The rooms take their cues from the visual characteristics of old photography. A highlight of the rooms is the feature headboard, which is crafted in traditional ‘Lai Ratnam’ or gilded black lacquer. The motif reflects several figurative scenes composed in the form of one mural. This mural appears in many forms throughout the space providing a storied reference to the City’s historical past. The Surawongse is a coming together of contemporary design and Thai values which serve to inspire, rejuvenate and enhance the guest experience. Effectively this allows the interior to be both visually spectacular and theatrical, as well as fully cognizant of Bangkok as a globally recognised contemporary City. The result is a meaningful response to an energetic way of living where the Interior comes alive and responds to a flexible, more cosmopolitan lifestyle choice.

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TOP: Black and white accents and figured glass reflect the nostalgic atmosphere of ambiance of old photographs.

BOTTOM: Set within a private niche are two Thai chaise set low to the floor in traditional Thai fashion.

THE PRESIDENTIAL SUITE FOLLOWS THE THEME OF THE STATELY HOME WITH STRONG COLONIAL ACCENTS SET WITHIN A CONTEMPORARY OFF WHITE PALETTE. THE SUITE EXHIBITS A CURATED COLLECTION OF UNIQUE ARTWORKS BY THAILAND NATIONAL ARTIST AJARN KHIEN YIMSIRI.

THIS PICTURE: The Presidential Suite lounge is the perfect space to host clients, friends or private functions. Furniture pieces have a strong Thai identity and are arranged in a symmetrically formal setting.

SHOWCASE | HOTEL

EPIC POETRY SO SOFITEL IS A MODERN DAY EPIC OF METRICAL COMPOSITION REVEALING AN ARTICULATE REPRESENTATION OF PAST, PRESENT AND FUTURE BANGKOK. THE STORY THAT UNFOLDS IS AFFECTIONATELY WHIMSICAL AND INQUISITIVELY THOUGHT PROVOKING.

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SO SOFITEL BANGKOK

THIS PICTURE: A whimsical feature wall of clocks sourced from the local market mark the guests arrival into the So Prefunction.

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THIS PICTURE: In the Lobby, etched in volcanic stone, Thai script, inspired from the Novel of Sukothai informs the guests arrival.

THE TWO MAIN FOYERS FACING RAMA IV AND SATHORN ROADS FEATURE THAI AND FRENCH DESIGNED INTERPRETATIONS OF THE EAST, IN THE FORM OF CEILING INSTALLATION ART. THE THAI INSTALLATION IS A SIMPLE TEAK LATTICE SCULPTURE IN KEEPING WITH THE SOLEMNITY OF THE SPACE.

his urban oasis overlooking Lumpini Park, Bangkok’s equivalent of Central Park in New York City, was conceived to weave a narrative of Thai and French cultures through the representation of five elements: earth, water, wood, metal, and fire. Responsible for the fire element, PIA envisioned the mandate as “energy”. The narrative begins on the ground floor, which revolves around the concept of Bangkok, the cosmopolitan city that pulsates with life and excitement. Latent power remains hidden in the world’s longest capital city’s ceremonial name, commonly abbreviated to “Krungthep”, or the City of Angels. To unveil its significance, the meaning translated into the vernacular is inscribed in ancient Thai script on grey lava stone walls. The two main foyers facing Rama IV and Sathorn Roads feature Thai and French designed interpretations of the East, in the form of ceiling installation art. The Thai installation is a simple teak lattice sculpture in keeping with the solemnity of the space. The other, by French fashion designer Christian Lacroix, is a colourful, vibrant vision of the East filled with mythical creatures. Rising to the 9 th floor lobby and lounge, a variety of seating is provided for guests to enjoy vistas of the entire expanse of Lumpini Park at a comfortable height just below eye level. The discreet ceiling and wall treatment of perforated metal sheets which is the modern incarnation of the Nang Yai, or traditional shadow-play, keeps the focus on the panoramic views. It is only at night that these shadow-play inspired decorations appear in its best light.

MIDDLE: A prominent white porcelain stag rests peacefully amidst the reflective water bodies, acting as a spontaneous way finder, while also reflecting Accor’s French roots.

BOTTOM: Shadow play: The 9 th floor Sky lobby conceptualized as a modern incarnation of Nang Yai. Decorative ceiling elements are created from metal and kite paper.

Guests are greeted on the 7th floor by an impressive white porcelain stag staring back at them in placid repose. This quiet interlude of dreamlike beauty quickly changes as guests turn toward the sights and sounds of the “Red Oven” restaurant just a few metres away. Billed a ‘World Food Market’, the bustling atmosphere recreates an open air French market with a large red cooking range anchoring the openkitchen layout. Stepping out to the exterior terrace, the highlight is a wall which is covered in freehand drawings done by PIA’s designers. Drafted in chalk whilst discussing the ideal artwork for the space, the designers discovered that their doodlings possessed a sense of humour and spontaneity that perfectly matches the liveliness of the location. For dessert, take a trip to the “Chocolab” confectionery shop and café. In a factory-like setting as

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TOP: On the Red Oven outdoor deck, A hand-drawn map of Bangkok, drawn freestyle on site by PIA designers, illustrates the importance of fun and spontaneity in the creative process.

MIDDLE: The statement piece for the Red Oven open kitchen concept is the largest customised oven ever produced in Asia. And of course it is red.

THIS PICTURE: Communal style seating reflects the casual French market style approach to the design. Cargo containers double up as decorative placeholders to provide a sense of journey.

TEAK TREE TRUNKS SPANNING THE FLOOR TO CEILING AND MURALS OF MYTHOLOGICAL CREATURES AND PLANTS ALONG THE PATH TO THE SPA LENDS THE IMPRESSION OF A JOURNEY TAKEN THROUGH THE MYSTERIOUS DEPTHS OF THIS LEGENDARY FOREST.

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THIS PICTURE: A reclaimed tree trunk is turned on its side to become the base for an elegant glass reception counter.

befits a workshop, guests can witness the entire chocolate-making process, imaginatively referenced with a large precarious drop of chocolate suspended from the ceiling. At “So SPA”, parallels are drawn between guests and the Makaleepon, rare mythical beautiful womenlike creatures born from fruit ripened on magical trees found only in the mystical Himmapan forest. Teak tree trunks spanning the floor to ceiling and murals of mythological creatures and plants along the path to the spa lends the impression of a journey taken through the mysterious depths of this legendary forest. Crowning these wonderful settings is the Ballroom with 7 metre high ceilings. Designers took the mandate

TOP: Perforated aluminum is cut in various sizes to produce a mosaic like depiction of the ancient Thai Epic of the Forest.

BOTTOM: The mythical Thai Himmapan forest made real. “So Spa” floats serenely above the urban jungle of Bangkok.

of a “red carpet treatment” literally, relieving the sea of crimson with black and white checkerboard flooring and specially commissioned black crystal chandeliers. Classical wall features are given a modern twist with grey painted profiles of plinths, assembled vertically to form three dimensional shapes. These gentle curves find resonance in the double-bass displayed by the entrance where a surreal note is struck with numerous vintage clocks hung on a raw concrete wall, as if to assure Cinderella that the clocks will chime at midnight. The variety of witty, charming tableaux that refer to legends and culture, fact and fiction, makes a statement that in this divine city, the capacity for the past, present and future to coexist harmoniously is quintessentially “So Bangkok”.

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MIDDLE & BOTTOM: The “Chocolab” confectionery shop and café. is a fanciful confectionery contrived as a workshop. Guests can witness the entire chocolate-making process, imaginatively referenced with a large precarious drop of chocolate suspended from the ceiling.

COSMOPOLITAN URBANITY REFLECTED AMID ROOFTOP “PARK SOCIETY” LOUNGE. FURNITURE IS PROGRESSIVELY FUTURISTIC AND IS COMPOSED IN A PIXELATED FORMAT TO REFLECT THE EVER DEVELOPING BANGKOK SKYLINE.

THIS PICTURE: exagonal seating clusters provide a sense of casual flexibility, all the while, reflecting the urban topography of the Bangkok skyline.

SHOWCASE | HOTEL

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THE HYATT REGENCY BANGKOK SUKHUMVIT

THE DAWN OF HAPPINESS FOR THE HYATT REGENCY, THE BEAUTY OF THE DESIGN IS IN THE SMALL DETAILS. THE BRIEF WAS TO DEVELOP A CONCEPT DEEP-ROOTED IN THAI MEANING. THE RESULT CAN BE CHARACTERISED AS AN EMOTIONAL RESPONSE TO THAI HOSPITALITY, UNDERPINNED BY THE VALUES OF HOME AND AN INTRINSIC SENSE OF BELONGING.

THIS PICTURE: A ‘Couple in Love’ by Ajarn Nontiwat Jantanapalin dominates the Lobby of the Hyatt Regency Bangkok.

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THIS PICTURE: The backdrop to the Lobby Lounge is a series of bespoke panels which are infused with traditional decorative patterns found in vernacular Thai houses.

THAI CULTURAL INFLUENCES ARE THE ABIDING THEME FOR THIS HOTEL. THE DESIGN IS INFLUENCED BY THE SUKHOTHAI, AYUTTHAYA AND RATTANAKOSIN ERAS OF THAI HISTORY. AT THE CORE OF THESE INFLUENCES IS THE PROFILE OF THE HAND OF THE BUDDHA. THE REVERED HAND WHICH PERSONIFIES THE TRUE MEANING OF WELCOME. TO REFLECT THIS, GOLD HUES ARE APPLIED CONSCIENTIOUSLY THROUGHOUT THE HOTEL.

yatt embraces the Bangkok community with its debutant offering for the Regency brand set within the heart of the bustling commercial neighbourhood of Nana in central Sukhumvit. The place name Nana which means ‘meeting place’ serves as the ideology which augments this social embrace. The vision for the project was fraught with challenges from the outset. There was a legacy of unfinished structures on the site; one a Hotel block partially completed up to level seven, the second, a twenty storey Residential block. Both were left abandoned due to the economic crash in 2008. Since then the property changed ownership a number times before finally, settling on a unified vision for the project allowing it to achieve its latent potential. The existing urban fabric was overly dense with a significant lack of green space on the site and in the surrounding area. To address this, a delicate balance between neighbourhood connectivity and detached respite was struck. It was proposed to connect the property to Nana BTS train station via a Sky Bridge which would establish the property as a focal point. However, at street level, it was agreed to step the building back to allow for a landscaped garden to the front. The garden was specifically designed to enhance the vantage point over multiple levels creating a verdant and peacefully inviting arrival experience. When analysing the Interior spaces, there were two keywords which stood out when establishing the design brief. The first was ‘contrast’. Not only was the aim to create something distinct from the other hotels in the CBD, it was also about creating a space that was converse to the frenetic energy that is Bangkok. There was a desire to create a series of spaces which were natural and calming rather than

MIDDLE & BOTTOM: Public spaces are rich in sculptural content with a variety of thought provoking pieces as well as traditional functional objects to admire. An example of this can be seen in the Market Café where there are wooden rabbits on display. These are traditional tools used for grating coconuts, which are still used to this day in some provinces.

colourful and chaotic. Because of this, the concept needed to begin much earlier in the guest’s journey to the property. After arriving at the airport and making their way through Sukhumvit, guests would then need to unwind. Rather than create a space that would evoke a reaction, it needed to empathise with their journey. To achieve this, a second keyword ‘humble’ is identified. In particular, a state of Thai humility. The arrival experience is defined by humility and engagement with the senses allowing visitors to come back down to earth. For the Hyatt Regency, the beauty of the design is in the small details. The brief was to create something which is deep-rooted in Thai values. Careful use of restraint is required to create something elegantly understated in order to avoid the danger of going over the top. The result is as much about an emotive response as it is about a specific design concept. Therefore the Hyatt Regency can be considered as a representation of the home as opposed to just another hotel. As part of the concept, the idea of Thai humility is explored in greater detail. Generally, when Thai people are anxious, they look towards Buddhist teachings for guidance. In order to create a stress-free environment, the design team turned to the Thai Temple for inspiration. A return to the source of personal enlightenment, using it as a guide for developing the narrative as a whole. The design team visited a number of Thailand’s ancient capitals starting as far north as the old city of Sukhothai, which translates

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BOTTOM: The Market Café is a Thai restaurant offering an international authentic Thai cuisine throughout the day.

THIS PICTURE & MIDDLE LEFT: Texturised wall finishes provide a sense of warmth and luxury. PIA collaborated with Ausara Surfaces to produce a brass mesh weaved fabric covering.

THAI PEOPLE EXCEL AT CRAFTS SUCH AS WEAVING AND BASKETRY, AND THIS IS INTEGRAL TO THE DESIGN. THE PATTERNS AND TEXTURES ON SHOW REFLECT THESE CRAFTS. TRADITIONAL THAI OBJECTS WHICH ARE USED IN EVERYDAY LIFE WERE CURATED AS DECORATIVE ELEMENTS.

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THIS PICTURE: The pool terrace with sunken courtyard has a cascading waterbody at the pools edge. Guests can relax in the shade to the sound of flowing water.

as the ‘dawn of happiness’ and the location for many 13th and 14th Century Palaces and Temples. From there, the team visited Ayutthaya, the second capital with its historic temples and monasteries. The final trip was to Thonburi province on the outskirts of Bangkok, the home of many Thai manufacturers and crafts people. The aim was to capture a way of life by deconstructing its core values and applying them in a modern universal language which could be understood and appreciated by a wider audience. Thai cultural influences are the abiding theme for this hotel. The design is influenced by the Sukhothai, Ayutthaya and Rattanakosin eras of Thai history. At the core of these influences is the profile of the hand of the Buddha. The revered hand which personifies the true meaning of welcome. To reflect this, gold hues are applied conscientiously throughout the hotel. An example of this is the reception desk in the Lobby which consists of a layering of gold leaf on paneling. This technique is reminiscent of how gold leaf is applied to statues as a mark of respect. The panels that make up the desk are entirely handcrafted and took more than three months to make.

Thai people excel at crafts such as weaving and basketry, and this is integral to the design. The patterns and textures on show reflect these crafts. Traditional Thai objects which are used in everyday life were curated as decorative elements. An example of this can be seen in the Market Café where there are wooden rabbits on display. These are traditional tools used for grating coconuts, which are still used to this day in some provinces. There is also copperware such as pots and vases, as well as the odd special antique which is placed deliberately amongst ordinary everyday items. In the Lobby, the aim was to create a residential vibe where people can congregate and feel comfortable. On arrival, there is an underlying feeling of home. Particular reference is made to the Thai house where wooden paneling and profiled fretwork, are uniquely crafted and purposefully ornamental. This is further expressed in the Lobby where the panels are infused with woven copper fabric. These installations are delicately crafted and uniquely handmade taking six months to complete. Elements of Thai ‘Articraft ‘ is a key constant

TOP: A feature of the Pool and Fitness circulation deck is a Thai lattice screen wall made from white oak which acts as as a semi transparent barrier between the internal function and pool deck activity.

in the Hotel, leading to a number of collaborations with some of Thailand’s leading Artists. Each of the six public floors exhibits works of a different Artist. Their only brief was to create something unique. On entry, there are two love-themed sculptures which were designed by renowned Thai Artist Nontiwat Jantanapalin, whose pieces are considered national treasures. On the same floor Artist, Thanakrit Thipwaree created an ethereal piece which illustrates a fantastical interpretation of a Thai community who live by the river, reflecting a beautiful ideal of freedom and happiness. The Ballroom and Meeting space is brought to life by the Artist, Beyond Living, who created a fascinating kite concept spanning two floors. This vibrant, playful piece reflects the Sukhothai era when Thai children grew up playing with kites. The kite mural becomes a poignant backdrop for connecting memories of old with new ideas. On the 5th floor, Nawin Beardklang chose to depict Thailand and the ancient artifacts which symbolise the country. Reddish brown hues mixed with gold were used to create a landscape which invokes an atmosphere of serene calm. The Guestrooms follow on from the theme of the Thai house with its modern, clean line approach to provide a sense of balance and calm. Wooden veneer references the primary material of the traditional ‘bâan reuan’ providing masculinity. This is counterbalanced by touches of femininity, such as textured fabric and wallpaper panels. A unique motif was developed for the guestrooms which were inspired by a pattern from an outfit once worn by Her Majesty Queen Sirikit. The idea was based on a collection designed by French couturier Pierre Balmain in 1960 for Her Majesty’s multi-state visit. Balmain’s designs for the Queen were simple yet sophisticated. The flowers depicted in the graphic are reminiscent of the patterns produced for her wardrobe which were widely acclaimed in a time where Thai royal fashion reached the pinnacle of international acclaim.

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TOP: Guestrooms are contemporary and clean line. Santhos veneer wood adds warmth and depth to the space.

MIDDLE: Modern elements are complimented with touches of Thai informing a sense of place.

THE GUESTROOMS FOLLOW ON FROM THE THEME OF THE THAI HOUSE WITH ITS MODERN, CLEAN LINE APPROACH TO PROVIDE A SENSE OF BALANCE AND CALM. WOODEN VENEER REFERENCES THE PRIMARY MATERIAL OF THE TRADITIONAL `BÂAN REUAN’ PROVIDING MASCULINITY. THIS IS COUNTERBALANCED BY TOUCHES OF FEMININITY, SUCH AS TEXTURED FABRIC AND WALLPAPER PANELS.

THIS PICTURE: Open plan Bathrooms with well appointed fixtures are clad in mirrored surfaces to create a greater sense of spaciousness.

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ROSEATE HOUSE, AERO CITY, NEW DELHI

EMBRACE THE AVANT-GARDE IN INDIA’S CAPITAL CITY NEW DELHI, STANDS ROSEATE HOUSE. A TESTAMENT TO PERSONAL AND COLLABORATIVE AMBITION EPITOMISED BY A HOLISTIC NARRATIVE WHICH DEFINES A MEMORABLE CONTEMPORARY URBAN CHIC HOTEL EXPERIENCE.

THIS PICTURE: Texture in abundance with minimal shifts in colour exudes a sense of careful restraint.

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THIS PICTURE: The Architectural extrusions which hang effortlessly from the ceiling are decorative lighting elements that make a strong personal statement.

THE OWNER TOOK A KEEN INTEREST IN THE SELECTION OF FURNITURE AND PIA COLLABORATED WITH MOLTENI&C FROM ITALY TO SELECT A CONTEMPORARY RANGE OF SIGNATURE PIECES FOR THE PROJECT.

oseate House New Delhi is a celebration of upscale modernity, representing a new generation of hotel design in India, whose steadily rising economy has seen it become one of the leading developing nations in the world. The hotel is located in the Aero City district between the New Delhi’s Central Business Distinct, Indira Gandhi International Airport and the neighbouring City of Gurgaon. Opened in September 2016 the hotel is fondly referred to as ‘uber-chic’ by domestic and international travellers alike. Stylized as an urban retreat, the hotel encompasses a dynamic contemporary avant-garde approach appealing to the worldly business traveller with a wide range of facilities from meeting and event spaces, to recreational facilities which offer a sense of calm in one of the world’s most populated cities. PIA took a holistic approach to the project from the outset, building up a rapport with an ambitious Owner who set his sights on achieving a contemporary masterpiece. The structure was already progressing on site, and PIA worked closely with the Owner as well as PAA, also from Bangkok to curate the property, thus ensuring a seamless transition between Architectural, Landscape and Interior elements. Attention to detail was paramount, and the design process was meticulous and carefully addressed. The process took several years to complete, and this was a testament to the Owner’s commitment to achieving perfection. The design team frequently visited Delhi to manage the design of the project where adaptations were manifold but noteworthy. It was clear to all concerned that the project would not open until it lived up to its expectation and then some. The result of which is there for all to see. The Owner took a keen interest in the selection of furniture and PIA collaborated with Molteni&C from Italy to select a contemporary range of signature pieces for the project. Added to the mix were the Interior Contractors, Garnet, from Mumbai, an experienced team who produced arguably some of best interior finishing seen in India to date. The design direction called for a modern, contemporary look, illustrated through clean lines and luxurious materials. The entry to the Lobby is marked by a large cantilevered Porte Cochere, which blends with the modern lines of the Architecture. This structure is lit from below and gives a soothing glow to entering guests on arrival. Upon entering the lobby, one is struck by the sight and sound of falling

TOP: There is an honest connectivity between the Architectural facade and the Interior and Landscape details which follow through the project.

BOTTOM: An iconic axis which leads the guests through the Lobby space and into the enclosed courtyard beyond.

water, with steps formally leading the guest upwards between the black stone Courtyard, reminiscent of a scene from Moses parting the Red Sea. The immediate Lobby is a single height space adorned with a reflective barrisol, which ceremoniously opens up into the delightful double height space of the Main Lobby. The Lobby is anchored by a full height glass wall which looks onto an external courtyard allowing the ever-changing hues of natural light to flood the Lobby space throughout the day. The floor of the hotel is layered in a dark marble sourced from Italy named Tobacco Brown, and this stone extends into all of the public areas in the property. The Lobby walls are decorated with gold leaf in a dark tint, creating a harmonious balance between the naturally veined marble and the vertically crafted surfaces. The Courtyard is the highlight of the hotel, becoming the pivotal node in which circulation routes and guest rooms look out onto. The square court on the lower floor overlooks two of the property’s Restaurants, the All Day Dining and the Specialty Indian Restaurant. Both of which offer the perfect stage for alfresco style seating nestled within the quiet solemnity of the

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TOP: The floor of the hotel is layered in a dark marble sourced from Italy named Tobacco Brown, and this stone extends into all of the public areas in the property.

BOTTOM: The colors of the guest rooms varies per room type, ranging from masculine to feminine allowing the visitor to choose a room based on their mood.

THIS PICTURE: The Lobby walls are decorated with gold leaf in a dark tint, creating a harmonious balance between the naturally veined marble and the vertically crafted surfaces.

THE DESIGN IS CLEAN AND CLEAR WITH INTUITIVE ACCENTS IN THE FORM OF CONTEMPORISED JALI TO MARK THE OCCASION AND PROVIDE A HINT OF SUGGESTION THAT YOU ARE IN INDIA. THE ROOMS WHICH ARE MODEST IN SIZE ARE CAREFULLY DESIGNED TO ENHANCE THE FUNCTION AND PROVIDE A FEELING OF SPACIOUSNESS.

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THIS PICTURE: Dark tones are in keeping with the avant garde mood of the hotel. Contrasting cream hues highlight gestural shifts and define key room functions.

Court’s water bodies and soft landscaping. The water bodies in the sunken square Courtyard act like an oasis providing a soothing ambience throughout the hot summer months. The Courtyard incorporates discreet air conditioned ducts which ingeniously provide a cool breeze and enclosed microclimate. The 216 Guest rooms are conceived from a unique perspective as small apartments, open plan in layout and offering innate functionality. Individualised spaces such as the walk-in closet and bathtubs separated from the shower cubicle are defined as feature statement pieces and are thoughtfully composed. The design is clean and clear with intuitive accents in the form of contemporised jali to mark the occasion and provide a hint of suggestion that you are in India. The rooms which are modest in size are carefully designed to enhance the function and provide a feeling of

spaciousness. There are two main types of standard guest rooms one darker and one lighter in tone, each follows a similar set of themes but are varied in terms of material selection. This allows visitors to pick and choose as is their preference when staying at the hotel. The 15 hotel suites are an elaboration of the standard rooms offering a sense of functionally elegant and well-appointed luxury. Each has a different flavour and are designed in the form of penthouse apartments on the top of the building. Three of these suites are envisaged as elite private suites which can be combined into a 500 square metre luxury Villa. The suites aim to spoil any traveller who is lucky enough to experience them.

TOP & MIDDLE: A solitary motif intimates a subtle hint of location, the one solitary inference in the space. Beyond the Bedroom area a full height mirror sliding panel connects the sleeping area to the bathroom.

SHOWCASE | HOTEL

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BURASARI HERITAGE LUANG PRABANG LAOS

COLONIAL NOSTALGIA BURASIRI HERITAGE HOTEL PERSONIFIES THE TRUE MEANING OF LUXURY. HERE, YOU BECOME AN EXCLUSIVE GUEST AS YOU STEP INTO A NARRATIVE OF PROFOUND AUTHENTICITY PROVIDING AN ENLIGHTENING INSIGHT INTO EVERYDAY LIFE IN THE ANCIENT TOWN OF LUANG PRABANG.

THIS PICTURE: The rising of the sun and the light reflecting off the gold embellished walls of Wat Mahathat Luang Prabang.

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THIS PICTURE: The night bazaar, a short walking distance from the hotel, used as a colourful reference for the guestroom interiors.

PIA WAS INVITED TO COLLABORATE ON THE PROJECT AND WORKED DIRECTLY WITH THE OWNER AS WELL AS UNESCO’S HERITAGE TEAM TO FIND THE RIGHT BALANCE BETWEEN RESTORATION, AND MOST IMPORTANTLY CONSERVATION.

ake a journey back in time at the Burasari Heritage Hotel, a cultural gem located in the UNESCO World Heritage town of Luang Prabang. Situated at the meeting point of two rivers, on the banks of the peaceful Nam Khan and Mekong river basin, this unique period hotel offers a profound response to life on the Mekong and the richly diverse cultural influences that have infused the ancient settlement for many centuries. The site consists of five traditional Lao teakwood houses, which had come into disrepair and which were afforded the perfect opportunity for restoration. PIA was invited to collaborate on the project and worked directly with the Owner as well as UNESCO’s heritage team to find the right balance between restoration, and most importantly conservation. The existing property had a story to tell, and the brief challenged the design team to be conscious of traditional methods of construction. This included the rebuilding of new mud walls using techniques which were specific to the region. Local knowledge was paramount and proved invaluable to the restoration process that followed. The hotel’s cordial facilities are located over two storeys and split between five existing residential buildings. Three of these buildings are located on the main site with two additional residential blocks separated from the main, by a small street which passes through the site. The Lobby, Reception and Dining rooms are located in the most significant building and merged as an open plan concept. This is reminiscent of a 19 th Century outpost adding to the immersive feeling of charm and relaxed comfort. A series of landscaped gardens surrounds each building, transforming the spaces between into alfresco dining areas throughout the day.

MIDDLE: PIA worked closey with the owner to develop the adventurers pack. A provision offered to each guest who stays at ‘Maison Mouhot’.

BOTTOM: Thoughtful composition iof key components merging new and reconditioned furniture pieces seamlessly into the space.

The Interior narrative follows the story of Henri Mouhot 1826-1861, a French naturalist and explorer in the mid 19th Century. Working out of his base in Bangkok, Mouhot made four journeys to Luang Prabang in his lifetime, each time recording his findings, ranging from people, places animals and objects. Mouhot visited Angkor Wat, and it was his published memoirs ‘Voyage dans les royaumes de Siam, de Cambodge, de Laos’ which introduced western people to this natural wonder on the other side of the world. On his final visit to Lao in 1861, Henri Mouhot suffered from malarial fever and passed away soon afterwards. To this day many tourists visit his tomb, located a short distance from the Hotel complex on the banks of the Nam Khan River. Maison Mouhot is inspired by the journey of the explorer and the ideology of temporary architecture, with particular reference to decorative objects which could be tied, bound and suspended. Set within the context of the traditional Lao house the opportunity presented itself to connect the dots between French colonial influences and local cultural sensibility. The Reception house is an alluring mix of new, reclaimed and existing installations which blend coherently at first glance. A team of experienced local craftsmen were pivotal in the sourcing, restoration, and production of all furniture pieces, and their expertise ensured a uniform result. Firstly, existing makha wall paneling’s were stripped and repainted in sepia white to highlight its period charm. Reclaimed panels from nearby houses were discovered and installed to add textural grace. Laotian teak sideboards, bureaus as well as some furniture which was retained from the existing dwellings, was lightly touched up and made good. As a backdrop to the reception desk, a newly added period open bookcase anchors the space to orderly effect. These carefully applied adaptations ensured a holistic sense of place to the overall look and feel. The property consists of twenty-one guestrooms each with a unique footprint driven by the constraints of the structures. Superior rooms are bright and airy, painted in off white and are lavishly furnished in a storied mix of period French colonial furniture and vernacular reconditioned pieces. Each room on the ground floor comes with a private garden while the first floor rooms are provided with spacious balconies. Rooms on the first floor are designed as Attic rooms which are beautifully clad in Laotian oak boards providing an inherent sense of warmth and cosiness.

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TOP: The concept is inspired by the journey of the explorer and the ideology of temporary architecture, with particular reference to decorative objects which could be tied, bound and suspended.

MIDDLE: The Lobby and Reception is a symposium of period objects and reclaimed artifacts.

THE INTERIOR NARRATIVE FOLLOWS THE STORY OF HENRI MOUHOT 1826-1861, A FRENCH NATURALIST AND EXPLORER IN THE MID 19TH CENTURY. MOUHOT MADE FOUR JOURNEYS TO LUANG PRABANG IN HIS LIFETIME, EACH TIME RECORDING HIS FINDINGS, RANGING FROM PEOPLE, PLACES ANIMALS AND OBJECTS.

THIS PICTURE: A team of experienced local craftsmen were pivotal in the sourcing, restoration, and production of all furniture pieces, and their expertise ensured a uniform result.

SUPERIOR ROOMS ARE BRIGHT AND AIRY, PAINTED IN OFF WHITE AND ARE LAVISHLY FURNISHED IN A STORIED MIX OF PERIOD FRENCH COLONIAL FURNITURE AND VERNACULAR RECONDITIONED PIECES.

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THIS PICTURE: Soft furnishings, cushions and throws reveal colourfully playful kanok patterns. Sourced from the local rag market these fabrics are typically used in the making of patung dresses.

Bathrooms fixtures, which are thoughtfully designed to extend into the room space, instill contemporary convenience. The antique ceramic wash basin which is typically found adjacent to the bed retains its place but is modernised with hot and cold running water and drainage points. Antique ribcage showers become a focal point of the rooms, providing a relaxing, authentic guest room experience. Soft furnishings, cushions and throws reveal colourfully playful kanok patterns. Sourced from the local rag market these fabrics are typically used in the making of patung dresses. Colours vary from room to room and are inspired by the bright colours of the nearby night market. However authentic touches extend beyond the interior spaces with a welcome pack designed for every guest who stays at the hotel. This includes a signature tote bag as well as a tropical explorer hat. Guests can set out in the morning, rent a bike and are fully prepared for a day’s exploration along the Mekong River.

TOP & BOTTOM: The antique ceramic wash basin which is typically found adjacent to the bed retains its place but is modernised with hot and cold running water and drainage points.

SHOWCASE | RESORT

THE LUXURY OF NATURE NESTLED WITHIN THE BREATHTAKING FOOTHILLS OF THE HIMALAYAN MOUNTAINS AT THE HILL STATION TOWN OF MUSSOORIE, THE JW MARRIOTT REINFORCES THE CENTURIES OLD TRADITION OF HOSPITALITY IN A NATURALLY LUXURIOUS ENVIRONMENT.

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JW MARRIOTT MUSSOORIE WALNUT GROVE RESORT & SPA INDIA

THIS PICTURE: Frame the view. The external deck which sits immediately outside the Lobby Lounge highlights the spectacular panoramic view.

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THIS PICTURE: British colonial style furniture sits comfortably within a modest residential scale Lobby.

IA was invited to design India’s very first JW Marriott resort hotel in the inspirational town of Mussoorie. Mussoorie has for centuries been a favourite holiday retreat, with a rich history dating back to the time of British colonisation. Many British government officials stationed in India, as well as prominent local officials would send their wives and children to reside in Mussoorie during the hot summer months. Even to this day, thousands of visitors accent to Mussoorie to sightsee, hike or visit many of the colonial style buildings, temples, and as well as schools which can be found in the locality. Because of the temperate climate, alfresco dining became an inherent tradition in a country renowned for its unforgiving temperature. Indeed dating back to colonial times many houses featured impressive gardens for entertaining as well as producing locally grown produce. The remnants of the same can still be seen to this day.

TOP & BOTTOM: The arrival court is wrapped in an elegantly ribbed bronze aluminium cladding to add glittering texture and contemporary refinement. A highlight on arrival is the enchanting bronze sculpture of the lady on a bench depicting an endearing tale of bygone days and eternal memory.

With an awe-inspiring backdrop and a significant nod to its colonial past, the design of the JW Marriott Mussoorie can be described as timeless modernity. A post and beam structure with infilled glass panels is rendered in neutral tones to allow it to disappear into the environment. Of course, this provides the opportunity for the predominantly glass façade to open up the views for the enjoyment of those within, framing a natural canvas and allowing it to take centre stage. Although a well-appointed property the hotel itself is modest in size. Given the altitude as well as the challenging terrain not to mention an unforgiving rainy season, development in the area is a significant challenge. Given these constraints, the JW Marriott Mussoorie is a rare modern day addition to what remains largely an undisturbed area of natural beauty. The name Walnut Grove Resort and Spa is derived historically from the many walnut plantations which were prevalent in the area over the centuries. What remains today are two existing walnut trees which can be seen on arrival. However this inspiration goes beyond name only and walnut has become a flavour which has evolved into the menus of the four Restaurant outlets, the JW Café All Day Dining, the Wisteria Deck Italian Restaurant, the Asian Teppan and the Trout House Bar and Grill serving a fusion of Indian and European cuisine. The arrival court is wrapped in an elegantly ribbed bronze aluminium cladding to add glittering texture and contemporary refinement. A highlight on arrival is the enchanting bronze sculpture of the lady on a bench depicting an endearing tale of bygone days and eternal memory.

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TOP: The Prefunction follows a natural theme picked up in the artisinal rug and white wood paneling.

FURNITURE IS COLONIAL IN STYLING REMINISCENT OF BRITISH FURNITURE OF THE TIME WITH COLOURFUL ADDITIONS BY WAY OF AREA RUGS AND SOFT FURNISHINGS. THESE INVITING POPS OF COLOUR WERE INSPIRED FROM THE NEARBY TOWN OF BHATOLI, COMMONLY REFERRED TO AS CORN VILLAGE. HERE CENTURY-OLD WOODEN HOUSES VIBRANTLY PAINTED IN ORANGE-RED AND TURQUOISE COLOURS ARE COMMONPLACE. THIS PICTURE & BOTTOM LEFT: The Lobby space is draped in sandstone marble with raised ceiling coves anchoring the seating spaces for guests as they transition from arrival through to the Lobby and into the Reception.

THE CEDAR SPA BY L’OCCITANE WAS CONCEPTUALISED AS A WALK IN THE GARDEN WITH FULL HEIGHT GLASS PROVIDING ENGAGING CONNECTIVITY BETWEEN THE SPA PASSAGE AND THE EXTERNAL COURTYARD BEYOND. THE NATURAL APPEAL IS ENHANCED BY THE ADDED VISUAL PERSPECTIVE THAT THE COURTYARD PROVIDES.

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TOP: A single cedar wood tree visitble from the enclosed garden space which aligns with the Spa circulation corridor.

BOTTOM: A freestanding pedestal sink is located on axis offering a beauty of function, set within a niche wrapped in mother of pearl to complete the look.

The arrival Lobby pays tribute to Mussoorie’s significant past. The Lobby space is draped in sandstone marble with raised ceiling coves anchoring the seating spaces for guests as they transition from arrival through to the Lobby and into the Reception. The ceiling coves evolve vertically from clean-lined contemporary detailing to a more traditional coffer ceiling complete with Indian motifs offering a familiar sense of place. Furniture is colonial in styling reminiscent of British furniture of the time with colourful additions by way of area rugs and soft furnishings. These inviting pops of colour were inspired from the nearby town of Bhatoli, commonly referred to as Corn Village. Here century-old wooden houses vibrantly painted in orange-red and turquoise colours are commonplace. Residents hang corn outside their houses to dry out so it can then be crushed to make cornflower. The Cedar Spa by L’Occitane was conceptualised as a walk in the garden with full height glass providing

engaging connectivity between the Spa passage and the external courtyard beyond. The natural appeal is enhanced by the added visual perspective that the Courtyard provides. A linear arrangement of cedar trees and water bodies encapsulate the garden within which follows through into the interior finishes. Ceilings are clad in cedar wood and slope from outside in allowing natural light to flood into the corridor as well as into the spaces beyond. At the end of the corridor, a feature wall of resinised mother of pearl tiles adds colour and dramatic textural presence. In total there are five treatment rooms which offer cedar inspired therapeutic and Ayurvedic treatments. The rooms follow the soothing tones of the Guestrooms and are emphasised through the simplicity of symmetry. A freestanding pedestal sink is located on axis offering a beauty of function, set within a niche wrapped in mother of pearl completing the look of tranquility and natural calm.

TOP: A flock of birds fly through the Spa Reception space, indicating a direct closeness with nature.

MODDLE: The Guestrooms are neutral in tone and based on a symmetry of forms to evoke a feeling of serene calm.

SHOWCASE | HOTEL

A TRIO OF COSMOPOLITAN DELIGHT

THREE FOOD AND DRINK VENUES AT JW MARRIOT PUNE, A FIVE-STAR PROPERTY IN WESTERN INDIA, COMPRISE OF SUBSTANTIALLY DIFFERENT CUISINE TYPES AND CORRESPONDING AMBIENCES, FROM CONTEMPORARY EUROPEAN DINING, TO AN ASIAN VEGETARIAN SETTING, TO CHIC INTERNATIONAL LOUNGING.

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JW MARRIOTT PUNE, INDIA

THIS PICTURE: Panoramic view from the sunken seating banquette at Paasha.

“ALTO VINO” ITALIAN RESTAURANT’S CONTEMPORARY CASUALNESS EMERGES FROM THE ABUNDANT USE OF GLASS AND STAINLESS STEEL AS WELL AS A RESTRAINED PALETTE RELYING ON TONE-ON-TONE COLOUR APPLICATION.

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THIS PICTURE: The substantial presence of white tones in seating upholstery, table tops and brickwork, further contributes to a decidedly modern scheme.

“A

lto Vino” Italian restaurant’s contemporary casualness emerges from the abundant use of glass and stainless steel as well as a restrained palette relying on tone-on-tone colour application. The substantial presence of white tones in seating upholstery, table tops and brickwork, further contributes to a decidedly modern scheme. Despite such contemporary elements, the setting upholds traditional fine dining aspects of elegance and luxury in a subdued atmosphere. At one side, the ceiling transitions towards floorto-ceiling windows displaying exceptional views of the city. The full height windows permit ample light, which during the daytime plays off the restaurant’s distinctive glass-enclosed wine tower to striking effect. Elsewhere, the privacy screen feature has been updated with a contemporary twist: by combining two different patterns – the rhythmically geometrical with the scrolling and tendril-like arabesque. The 4-metre floor-to-ceiling height screen installation separates while maintaining a visual connection through mesmerising pattern repeats. Additional elements creating a blend of rusticity and modernity include the restaurant’s central brick

TOP: The full height windows permit ample light, which during the daytime plays off the restaurant’s distinctive glass-enclosed wine tower to striking effect

BOTTOM: The privacy screen feature combines two different patterns - the rhythmically geometrical with the scrolling and tendril-like arabesque.

oven. A focal point within the main dining area, the oven and its off-white bricking is framed by roughhewn wooden shelving that reaches fully to the ceiling. A sense of snug homely pleasures is further enhanced by stacks of cut logs beside the fire amid adjacent collections of heavy white bowls, plates and other dinnerware. Paasha Bar and Restaurant takes verticality to another level. Guests entering the enclosed bar and restaurant on the hotel’s 24th floor encounter an undeniable grandeur achieved by significant interior height which begins at 3 metres at the entrance, before swooping up to the 7-metre rooftop dining and lounge section. Such a breathtaking experience is established from the very beginning by an entry corridor where radiant stacked-glass columns line the way. An elegant blue pearl granite bar bisects the indoor dining and lounging functions. Atmospheric lighting, notably long columnar lanterns sets the scene. The bar’s eye-catching wine display similarly hangs fully suspended from the ceiling. A pointed Indian arch and jali latticework lends a traditional architectural flourish while demarcating the main bar’s central position between the lounge and dining room. Outdoors, the palette changes but grandeur persists. Paasha’s rooftop component gave Pune its first sky-lounge venue. Lounge seating of plush white sofas and chairs are illuminated with effulgent traditional hurricane lamps. A rooftop bar ringed with lights from below glitters under the evening sky. Away from the DJ and bar areas, a dimmer and more intimate atmosphere prevails in starkly minimalist yet cosy dining nooks.

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TOP: The height of luxury - Seven metre high ceilings encapsulate unsurpassed grandeur.

BOTTOM: A line of radiant glass columns are uplit against a backdrop of mirrored panels to enhance the illusion of space.

PAASHA BAR AND RESTAURANT TAKES VERTICALITY TO ANOTHER LEVEL. GUESTS ENTERING THE ENCLOSED BAR AND RESTAURANT ON THE HOTEL’S 24TH FLOOR ENCOUNTER AN UNDENIABLE GRANDEUR ACHIEVED BY SIGNIFICANT INTERIOR HEIGHT.

THIS PICTURE: A pointed Indian arch and jali latticework demarcates the main bar’s central position between the lounge and dining room.

AT THE SHAKAHARI RESTAURANT, ELEMENTAL NATURAL MATERIALS PRODUCE EARTHY SENSUOUS APPEAL IN THIS ALL-VEGETARIAN VENUE.

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THIS PICTURE: Grey granite cladding on columns and walls provides chiaroscuro tonal contrast through orderly rectangular repeats.

At the Shakahari Restaurant, elemental natural materials produce earthy sensuous appeal in this allvegetarian venue. Grey granite cladding on columns and walls provides chiaroscuro tonal contrast through orderly rectangular repeats. The muted palette, in turn, sets off the room’s otherwise vibrant red and orange tones for an almost magma-like effect. Greenery jutting from niched planters within granite walls makes for a particularly striking juxtaposition of textures, while floor-to-ceiling is akin to vertical gardens between dining areas. A rough-hewn charm emerges via multi-faceted chiseled floor-to-ceiling wooden rods that pick up the space’s strongly vertical aspects. Among its wood furnishings, perhaps most impressive are the 5-metre slabs of gleaming teak wood tables that retain its natural contours in private dining areas. Despite such dramatic and sizable components throughout the restaurant, most guests’ eyes are drawn first to Shakahari’s open kitchen under its glowing glass hood. The hood’s illuminated square is the central colour criterion with which other brightly hued decorations and accents connect and reverberate.

TOP: The vibrant red back to back baquettes provide a significant colour anchor.

BOTTOM: 5 metre long gleaming teakwood tables provide a communal style private dining experience ideal for large groups or families.

SHOWCASE | HOTEL

ELEMENTAL SIMPLICITY THE OKURA PRESTIGE IS THE EMBODIMENT OF CULTURAL TRADITION AND MODERN EXPRESSION. JAPANESE AND THAI CULTURES ARE EXPRESSED THROUGH HONEST INFERENTIAL DETAILING IN EQUAL MEASURE EVOKING A MUTUAL SENSE OF WARMTH AND HUMILITY.

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THE OKURA PRESTIGE BANGKOK

THIS PICTURE: The curvilinear glass façade makes a dramatic sweeping statement over the outdoor deck at the Lobby Lounge

AT THE GROUND-LEVEL ENTRY, RICHLY VEINED DARK BROWN EMPERADOR MARBLE FLOORING IS PLAYED UP VERTICALLY WITH BOLTS OF BRIGHT COPPER MESH WOVEN THROUGH DARK METAL FRAMES.

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THIS PICTURE: The woven copper mesh screens are derived from the fabric pleat found in both Thai and Japanese fashion.

IA was honoured to be the first Thai design firm to play such a significant role in collaborating with this distinctively Japanese hotel brand. When PIA joined the project after the building was constructed, they were allotted just one year to design and decorate the entire hotel. Rising to the challenge, they dedicated half of their designers to this project. For this reason alone, The Okura Prestige can be considered to be one of their greatest achievements over the last twenty years. In its first-ever property in Thailand, Okura wished to embody a melding of traditional Japanese sensibility with innovative contemporary design. The modern high-rise building’s curvilinear glass façade presents a strong exterior feature requiring equally powerful interior statements while maintaining a warm and serene ambience. At the ground-level entry, richly veined dark brown Emperador marble flooring is played up vertically with bolts of bright copper mesh woven through dark metal frames. The mesh, sometimes appearing lantern-like when combined with shadow-play lighting, becomes a design signature to indicate hotel property in this mixed-use building. In the atrium, this mesh is used to obscure the escalators’ mundane appearance and offer guests some privacy as they make a grand entrance at the ballroom on the 4th floor.

TOP: In the triple-height lobby on the 23rd floor, the woven mesh and dark brown marble flooring figure again to great effect.

BOTTOM: The facade bends and twists on different axis making each floor unique.

In the triple-height lobby on the 23rd floor, the woven mesh and dark brown marble flooring figure again to great effect. To balance the space of exaggerated scale, two identical 20 metre long tables, serving as a reception and bar counter respectively, make a bold statement. Covered in shagreen dyed an earthy grey, the soothing colour and pebbly texture provides a marked contrast to surrounding metal and stone surfaces. Large wall spaces throughout the premises are covered with grooved matte painted panels for a rich, textured finish. A series of woven bamboo craft by local artists displayed in the reception area marks the importance of this versatile grass in both Thai and Japanese cultures. Although Japanese inspired décor can be seen in public areas, PIA’s ability to update Japanese lifestyle preferences is best illustrated in the guest rooms.

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TOP: The Japanese pleat concept evolves through the spaces throughout the hotel.

MIDDLE: The Sky Lobby Lounge is incredibly bright during the day offering panoramic views across the city.

THE FEATURE OF ELEMENTS RESTAURANT IS THE CHARCOAL STACKED WALL FEATURE WHICH ACTS AS A BEAUTIFULLY RELEVANT DECORATIVE SCREEN WHILE ALSO HELPING TO ABSORB THE SCENT OF FOOD FROM THE AIR. THE FACADE WHICH IS OPEN ABLE IS DESIGNED AS A PRIVATE NICHE FOR PATRONS TO TAKE IN THE EXPANSIVE VIEWS ACROSS THE CITY.

THIS PICTURE: Michelin star dining at the Elements restaurant specialising in Japanese and European fusion cuisine.

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THIS PICTURE: Natural fibres and woods in an atonal chromatic scheme are applied with dark bronze detailing for visual interest.

IN THE ROOM SWATHED IN CREAMY LIGHT BROWN SHADES, CRISP WHITE LINENS STAND OUT AND ARE SOFTLY ECHOED IN SHAPE AND SHADE BY THE STYLISED WHITE TANSU CHEST OPPOSITE THE BED.

TOP: The facade created different opportunities to play with the room design as well as bed orientation.

BOTTOM: The batrooom is based on Japanese principles and opens up into the room. A deep tub is integrated into the design as per Japanese tradition.

Natural fibres and woods in an atonal chromatic scheme are applied with dark bronze detailing for visual interest. At the entrance, guests are greeted by a cast bronze sculpture of a bird perched within a tree trunk. In the room swathed in creamy light brown shades, crisp white linens stand out and are softly echoed in shape and shade by the stylised white Tansu chest opposite the bed. The quintessential Japanese bathroom layout of a separate toilet room allows for the bathroom, walled in by perpendicular wooden sliding doors which when withdrawn, to open up the entire room in an uninterrupted expanse. By using designs and materials favoured by the Japanese, a cocoon of Zenlike minimalist calm is created right in the heart of Bangkok. The results, capture the essence of the brand’s personality and nuances that define the Okura guest experience in Thailand.

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TOP: The Okura Spa is a hidden sanctuary with muted colour palette.

MIDDLE: The Spa is set out in a radial fashion with the Reception located at the nucleus.

THE CONCEPT FOR THE HOTEL WAS DERIVED FROM FINDING CONNECTIONS BETWEEN THAI AND JAPANESE CULTURES. THE SHOULDER PLEAT FEATURES PROMINENTLY IN THAI FASHION AS WELL AS HIGH FASHION IN JAPAN. THIS EVOLVES THROUGHOUT THE HOTEL SPACES.

THIS PICTURE: There is strong characteristic of movement which is reflected in human and material forms.

40 WINKS by MOOOI

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DESIGN LIBRARY

DESIGN LIBRARY | OUTDOOR FURNITURE

SUNNY SIDE UP RAIN OR SHINE, RIBES EXPRESSES A SUNNY DEMEANOUR THAT BRIGHTENS UP OUTDOOR SPACES, THANKS TO ITS VERSATILE SEATS AND INSPIRING RANGE OF COLOURFUL UPHOLSTERY.

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THIS PICTURE: Designed by Antonio Citterio, Ribes is B&B Italia’s latest modular seating system which emphasizes versatility, customisation, colour and research on materials.

RIBES MEANS TRANSFORMATION AND IS ESPECIALLY SUITED TO THOSE AREAS THAT ARE NEITHER IN-NOR OUTSIDE: VERANDAS, SHADY PATIOS, UNDER A LOGGIA OR ON A COVERED TERRACE ALLOWING A FLUID APPROACH TO THE OPEN SPACES IN THE HOME.

beauty under the sun, Ribes stays radiant even on rainy and cloudy days. A modular outdoor seating system designed by Antonio Citterio for B&B Italia, Ribes offers sheer versatility in the form of highly customisable seats, colourful choices and exceptional materials. Variety underlines Ribes design with sofas, central and end elements, chaise longue and ottomans featuring an interesting mix of shapes and sizes. This means; however your outdoor spaces are - whether it’s an partially open patio or a covered pavilion, Ribes can be configured to fit in beautifully. Ribes is designed to reflect simplicity. The starting point is a futon base with flexible glass fibre slats resting on an aluminium frame where two types of armrest or backrest can be attached as desired: one with a polypropylene fibre interlacing, the other with

a roller cushion. Seat cushions are tucked comfortably within the frame and can be used as mattresses if required. Ultimately, the secret to Ribes’ unique aesthetics rests in its colour and textile. Frames are painted in earthy shades of anthracite, sage and clay which complement different fabric tones. For its upholstery, the extensive textile range is inspired by traditional fabrics collected during the designer’s numerous trips to South America. These fabrics can be reinterpreted and redesigned using very clear colour schemes that still leave a wide choice of different combinations for maximum customisation. For the cushions, materials with wide or narrow-striped, dotted or monotone designs can also be coordinated with each other.

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TOP: Sofas, central and end elements, chaise longues and ottomans all come in a huge variety of shapes and sizes, providing users with more customisation options.

HOTELRESORTDESIGN.COM

THIS PICTURE: Ribe’s extensive textile choices are inspired by the designer’s collections of traditional fabrics that he acquired during his trips to South America.

BEBITALIA.COM

DESIGN LIBRARY | SOFA

INFINITELY SOFT, EXQUISITELY COSY SPACIOUS, LUXURIOUS AND TREMENDOUSLY SOFT, MOSS TAKES DREAMY COMFORT TO THE NEXT LEVEL WITH ITS DELICATELY CRAFTED FEATURES AND SENSUAL FORM.

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THIS PICTURE: Designed to complement today’s comfortdriven interiors, Moss blends superior comfort with elegant materials and meticulous craftsmanship.

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THIS PICTURE: Made from high quality down, Moss cushions are ultra-soft yet thick and deep to offer a superbly comfortable lounge.

est assured, the soft, loving embrace of Moss is out-of-this-world. It’s a sofa that mimics the softness of moss in nature, yet it is perfectly at home in modern interiors. A designer piece by COR, Moss is hitting all the right notes with this contemporary lounge that’s crafted for today’s comfort-driven interiors. Featuring high-quality slatted frame with sprung wood slats, Moss is ultra-soft yet wonderfully sprung to perfection. Delicate metal feet lift its sturdy body a few inches above the floor, creating a floating effect wherever it is placed. Lavishly soft, but thick and deep, the cushions are made exclusively of high quality down. Along with Moss’ large, spacious form, there’s ample room to sink into total comfort as Moss pampers tired minds and bodies all at once.

TOP: With sofas in three widths and eight sofa elements as well as an additional footstool, there’s a wide range of possibilities to create different seating landscapes to suit different floor plans.

There’s a wide range of possibilities to create a Moss composition that’s uniquely yours. With sofas in three widths and eight sofa elements as well as an additional footstool, Moss can be configured into different seating landscapes to suit different layouts. Whether you opt for a sofa with a single backrest or two, each piece can be easily paired with one another to extend your lounge set. Delving deeper, the level of craftmanship is second to none with Moss. Details are meticulously done to perfection - for instance, the gap between the backrest and armrest of the sofa is immaculately crafted to express a sense of lightness to this expansive collection. Complemented by a trendy palette of soothing colours for its upholstery, each fabric-covered Moss sofa is also adorned with colour-matched piping that underlines the furniture’s rectilinear contours. In Asia Pacific, COR partners with Wilkhahn to expand their workplace offering in this region. COR is available via Wilkhahn showrooms in Sydney, Melbourne, Brisbane, Singapore and Hong Kong, as well as through their respective dealer networks across the Asia Pacific region.

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TOP: Moss is available in a trendy palette of attractive colours complemented by colour-matched piping that underlines the furniture’s rectilinear contours.

“SO MUCH CRAFTSMANSHIP HAS GONE INTO MOSS – FROM MANUFACTURING THE FRAME TO COVERING THE FURNITURE.” Leo Lübke, COR Owner

THIS PICTURE: A versatile lounge set, Moss can be easily paired with one another according to specific spatial requirements.

COR.DE WILKHAHN.COM/EN-AU (COR Partners | Asia Pacific)

DESIGN LIBRARY | OUTDOOR FURNITURE

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FROM RETRO TO METRO TRIBECA MELDS THE ÉLAN OF THE ICONIC PATIO CHAIR IN THE SIXTIES WITH SLEEK STEEL FRAMES AND LUSTROUS WOVEN CORDS INTO A CONTEMPORARY OUTDOOR STUNNER.

THIS PICTURE: Tribeca revisits the classic patio chair in a modern key, injecting it with a burst of colour and energy.

TRIBECA IS PART OF PEDRALI’S LATEST OUTDOOR COLLECTIONS DESIGNED TO CREATE IDEAL LIVING SPACES WITH A TOUCH OF COLOUR, STYLE AND ELEGANCE. MATERIALS AND FINISHES ARE EXPERTLY MIXED AND MATCHED TO FLAWLESSLY HARMONISE WITH THE SURROUNDING AMBIANCE.

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TOP: Tribeca consists of chairs as well as armchairs and stools in two different heights which can be mixed and matched.

BOTTOM: With its chic design and breezy form enhanced by charming hues, Tribeca evokes the inspiration of childhood memories of summer.

ast meets present with Tribeca, which reinterprets the classic sixties patio chair with a modern vibe and an urban twist. Designed by CMP Design for Pedrali, the chair is beautifully handcrafted to infuse a fresh and dynamic sense of flow and openness through its woven seat. Contemporary materials breathe new life into this retro chair: powder-coated steel frames are complemented by vertically woven elastic PVC cords to create a weather-friendly, easy-to-clean chair. Exceptionally soft and comfortable, Tribeca is suitable for any type of outdoor spaces, from gardens to terraces. A breezy addition to classic and modern-themed spaces, the chair evokes the inspiration of childhood memories of summer through its chic design accentuated by the warm shades of red, pink and terracotta to the cool tones of blues and sage greens. The collection comprises chairs as well as armchairs

and stools in two different heights. The pieces are stackable - perfect for smaller outdoor spaces. With its minimalist form, Tribeca easily blends in with both classic and contemporary interior themes. “Tribeca is part of Pedrali’s latest outdoor collections designed to create ideal living spaces with a touch of colour, style and elegance,” comments Pedrali. “Whether for private patios or the outdoor seating of bars, hotels and restaurants, Pedrali’s exteriors are dynamic and versatile, and offer domestic comfort combined with the wellbeing of life in the open air, creating seamless indoor-outdoor living spaces. Materials and finishes are expertly mixed and matched to flawlessly harmonise with the surrounding ambiance.” An iconic piece, Tribeca chairs are often paired with Elliot tables on the streets and historical square of Bergamo during the renowned “I Maestri del Paesaggio” event.

TOP: Tribeca can fit into both classic and contemporary themes with its minimalist design.

BOTTOM: Specifically designed for outdoor use with its weather-friendly design, this stackable collection maximises outdoor spaces.

PEDRALI.IT

DESIGN LIBRARY | COFFEE TABLES

A SIDE OF CHARISMATIC COOL

MOVING BEYOND THE HUMDRUM SIDE TABLES OF YORE, THE ELLE COLLECTION CELEBRATES THE OFTEN UNLOVED FURNITURE PIECE WITH A UNIQUELY ORIGINAL DESIGN AND A POP OF PANACHE.

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THIS PICTURE: Available in a variety of shapes, sizes, colours and finishes, each Elle table was designed with both personalised arrangements and standalone display in mind.

requently overlooked as the understated sidekick to more prominent furniture pieces, it’s safe to say that side tables are ever rarely in the spotlight. That’s about to change, thanks to increasingly innovative takes on this typically unvaried fixture of living rooms and office waiting areas alike. Anything but banal, the Elle collection by Italian brand Marelli is one such example. Having recently procured the prestigious German Design Award, an international accolade conferred upon work the judging body considers true pioneering contributions to the German and international design community, this new show-stopping range of coffee tables boasts streamlined functionality, stunning aesthetics and a larger-than-life presence to boot. Available in three different shapes and sizes, each table’s simplified structure, featuring minimalist components that fuse seamlessly together to create a strikingly well-formed framework, belies the heightened level of mastery and thought that informs the pared-

down overall design. From the irregular circular or square shape of an Elle tabletop to the arresting base manifested by an artful arrangement of four square tubes, there are plenty of reasons to do a double take. Whichever model you choose, the Elle table’s unforgettable silhouette is duly brought to the fore with an equally exceptional finish that is certain to complement any living room or commercial space. The possibilities are endless: while a burnished or precious chrome finish might better suit upscale domestic environments, a premium contract project invites the opportunity to incorporate a customised colour in order to highlight a brand’s prominence. Truly a modular collection, Elle lends itself to a limitless variety of arrangements, each one as original as the last. Viewed as an individual piece, each table holds its own, showcasing flattering angles that render it the timeless piece that it’s destined to become.

WHICHEVER MODEL YOU CHOOSE, THE ELLE TABLE’S UNFORGETTABLE SILHOUETTE IS DULY BROUGHT TO THE FORE WITH AN EQUALLY EXCEPTIONAL FINISH THAT IS CERTAIN TO COMPLEMENT ANY LIVING ROOM OR COMMERCIAL SPACE.

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TOP: Simple yet undeniably chic, the opulent look and feel of these varyingly sized Elle tables turns up the glamour in any given space.

BOTTOM: More pared-back highlights from the collection, such as the square-topped pieces seen above, were envisioned as a minimalist’s dream.

THIS PICTURE: Glimpsed as an arrangement, this sleekly finished group of Elle tables effortlessly adds depth and interest to one’s living space.

GIULIOMARELLI.COM

DESIGN LIBRARY | ARMCHAIRS

COCOON OF LUXURY

THE DIVA ARMCHAIR ECHOES “PURE” ART DECO LUXURY WITH ITS EMBRACING SHELL-INSPIRED SHAPE AND LUSH UPHOLSTERY DESIGNED FOR A SENSUAL TACTILE EXPERIENCE.

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THIS PICTURE: Classically chic, Diva features a distinctive shell-inspired form complemented by elegant Art Deco lines.

THE ORIGINAL AND DECORATIVE LINES OF ART DECO CHARACTERISE THIS SMALL ARMCHAIR WHICH COMES WITH A WRAPAROUND BACKREST, CREATIVELY SHAPED LIKE A SHELL.

n the arms of Borzalino’s signature chair, it’s ultracosy to be cocooned in its body-pampering backrest, designed to mimic a shell. However, Diva also offers a substantial visual experience with its exquisite Art Deco lines. Designed by Carlo Bimbi for Borzalino, wood is used generously, albeit not apparent from its lushly upholstered exterior. Inside, its structure is crafted from poplar plywood and solid wood; the seat is also framed in poplar, perforated to allow breathability. High level of detailing highlights this seat. Upon closer look, the shape of the frame and seat is outlined and emphasized by flawless piping. Within its inner frame, soft-edged features spaced out by saddled double stitching creates a luxurious embellished look. Two versions are presented in this collection: a stationary piece for lounges or waiting areas, and a swivel or revolving version ideal for tea-time or lively conversations. The swivel base is available in lacquered metal and galvanized for a polished, elegant look. You can also choose from a plethora of fabric choices from monotone palettes to floral, geometric or chequered prints.

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MIDDLE: Diva offers a wide selection of fabric choices from monotone palettes to floral, geometric or chequered prints.

BOTTOM: There are two versions available: a stationary piece for lounges or waiting areas, and a revolving version ideal for conversations.

THIS PICTURE: The shape of the frame and seat is crafted with flawless piping while saddled double stitching creates a luxurious embellished look on its inner frame.

BORZALINO.COM

CHOICE | ODE TO ART

1040 X 300 X 930 (h)mm

350 X 730 (h)mm

TO THE ICE CAPS BY BYUN DAE YONG B

yun is a visual poet. Their works are fairytales and their compositions, purposeful, the soft pastel colour schemes and arguably adorable subject matter seemingly reenacting scenes from a preschool storybook, coming to life in a standstill, a three-dimensional rendition of a cartoon show from a distant childhood. The dreamlike aesthetics of his craft are punctuated by the anthropomorphized subject matter, performing various human-like tasks and possessing an apparent knowledge of ethics as they support one another, interacting in ways seemingly humane in nature. His continuous “animal-human” motif is a hence a metaphor for the picturesque of society, one that can be explored in varying viewpoints; the more innocent “humanisation of animals” or the non-to-subtle expression of “animalization of humanity”. While the former explores animals being forced to adapt to a ‘humanised’ circumstance, the latter deals with the darker issues of the decline of humanity in a society where nature is exceedingly subordinate to an increasingly modernized culture, one that makes us lose track of what essentially differentiates us from wild animals. Byun hence deals with backdoor themes regarding the waning of social and moral conduct in regards to our natural environment, and simultaneously explores how this ‘lack of humanity’ in turn influences the destruction of our planet and forces our lesser earthly companions into crises exceedingly foreign to them. Through his playful imagery and benevolent oeuvre, Byun gently coaxes us into re-addressing issues of global warming and environmental destruction, and reminds us our role as caretakers of our planet.

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ODETOART.COM