Portfolio by Koki

Koki Maeda Architectural & digital heritage Portfolio

Born and raised in a little town in Japan, I spent my childhood surrounded with rich nature of mountain and river with modern townscape where local shrines and RC buildings co-exsist. That strong contrast of the new and old inspired me to study architecture,and the universal spirituality that buildings acquire over time introduced me to architectural conservation. My current passion is focused on the harmonisation of historic buildings and modern solution, which is not only design intervention but also exploring the possibility of digital contents apllied to heritage.

Koki Maeda born 7th Sep 2019 tel. +44 (0)7586320653 mail. karmazovf@gmail.com Sketchfab https://sketchfab.com/koukum

EDUCATION

SKILLS

Sep 2018 Sep 2019 (expected)

M.Sc. Architectural conservation The University of Edinburgh, United Kingdom

Apr 2014 Mar2018

Bachelor of Architecture Waseda University, Tokyo, Japan

Mar 2013

Himeji Higashi High School

Software

Adobe:Photoshop, llustrator, Indesign Modeling: Vectorworks, Autocad, Revit, Rhino Photogrammetry: Agisoft, Recap, Cloudcompare Survey: QGIS

Physical

Drawing, Lasersnanning (Leica BLK360)

Language

Japanese (mother language) English C1/B2 (IELTS 6.5)

EXPERIENCE Aug 2016 Sep 2016

Puddle Inc.: Architectural internship (Tokyo) URL: http://puddle.co.jp ・Created various scale models of buildings on some projects in progress /Conducted measurements of buildings and designed those interiors /Assisted some designers and architects with CAD software

Sep 2017 Nov 2017

Architectural history laboratory in Waseda University- Sir Ogasawara house project (Tokyo) - Project member Conservation project for Sir Ogasawara house, URL: http://www.ogasawaratei.com ・Organised panel exhibitions about its history, cultural background, and architectural design, within a management scheme of the site/Learned the importance of sustainable management of historic buildings with multiple perspectives/Understand the complexity of the process for identifying value of historic architecture

September 2019 Current

Character appraisal of Riddles court in Edinburgh, Potential analysis and future suggestions to Tranent Conservation area Riddle’s court: https://issuu.com/kokimaeda/docs/ac-03_riddle_s_court_final_report_2 Tranent CA: https://issuu.com/kokimaeda/docs/ac1_report_-_final ・Interpretation of historic sites according to the management plans and other historic records・ The method of visualisation of heritage and its importance ・Understanding the conflicts between community benefits and the management of historic sites

Graduation project

“SHITAYA Cultural Perspective” Rethink urban voids in Tokyo through adaptive use of old elementary school

Society

Plan: Regeneration of Shitaya-district

Many Japanese have social anxiety today whiche cannot be explained. I presume itâ&#x20AC;&#x2122;s because the modern society makes it difficult to have our own perspecives toward culture and life , where peole live homogenied life and the tradition is getting separated and evaluated by foreign tourists. Japanese used to wear glasses with which we could perceive things in an individual way, allowing full of imagination. Sometimes it was animals, and sometimes monsters and artistic projection. I believe we have to acquire our own cultural perspective through new glasses and plants can be the catalyst.

Shitaya Primary School is historic icon in the community, built in 1928. Ignored for more than 20 years after diagnosed as not satisfying the current structural standard against earthquake, it is about to be demolish

Downsizing/ Mod

Phas Phase1

Historical Japanese perception Perception Reality Death Disaster

Daily life

Disease

Plants Monsters Animals

Storage of plants/ trees /seeds

Pine tree

Achieve sustainable re initiating a set of sche of shitaya school and r unused empty plots in Those are proceeded and supplement each

Mount Fuji Religion

Re-plant

Stock

Carp Fox

Preserving memory of community

Raccoon

catalyst

Japanese art as a projection

Void 1

Social malaise

Projection Interpretation

Voi

3 types of voids in the district prevent interaction within community and with foreign tourists. Pressure of development creates vertical gap as parking lots(void1&2). A number of temples close their graveyards, separating cultural uniqueness from local life Recess between office buildings

Corner of streets

Regional plan Tokyo skytree as a symbol of “updating”

dern intervention

se2 Phase3

New cultural complex . vocational school . plants doctor . Regional library

Adaptive use of Shitaya School

Asakusa as an obsession with the stereotype of “tradition” Sumida river

Storage of reusable material Steal beam/corrugate roof

regeneration by emes: adaptive use revitarising of n the area in several phases h other

id 2

Scheme1

Re-use

Stock

Temporal semi-private building

C.Shitaya district Rethink modern perspective for our cultural perspective through Green Infrastruature in Shitaya district

Void 3

Scheme2

Railway

Revitarise unused voids of the city Ueno as a showcase of separated nature from reality Closed graveyard of temples

graduation project Shitaya Primary School “Perspective of SHITAYA Culture”

Separate L-shape structure to reduce the over load and ill-balance of the centre of gravity

Protect the structure with big roof. Use expansion joint and arched structure not to let the roof put much burden

Demolish the ground of 2nd and 3rd floor and put soil onto the ground floor. Through the skylight, natural light lay on the ground floor

SECTION DETAIL ▽TOP +12660

FIX窓 LowE複層ガラス

20 ° 屋根コールテン鋼厚板 t=6

P-φ76.3x2.8

ガセットプレート t=9

FB 9x200溶接 P-φ34x2.3

エキスパンションジョイント

21°

P-φ34x2.3 RC梁 330x430

▽3FL +8110

RC梁 330x430 上端 3-D19 下端 5-D19

上端 3-D19 下端 5-D19

既存を保存

引き違い窓既存を保存

展示室

横滑り出し窓

強化石膏ボード t=12.5

腰壁木板 t=12

普通硬質石膏ボード t=9.5

既存を保存

廊下

普通硬質石膏ボード t=9.5

コールテン鋼厚板 t=6

丸鋼φ20

横滑り出し窓既存を保存

不燃塗料

セラタイカ２号吹付 t=20

普通硬質石膏ボード t=9.5 強化石膏ボード t=12.5

巾木木版 t=5

強化石膏ボード t=12.5

カフェテリア

引き違い窓

不燃塗料

セラタイカ２号吹付 t=20

腰壁木板 t=12

既存を保存

巾木木版 t=5 既存を保存

欅フローリング t=10

根太角材60x60

換気口

根太角材60x60

大引き 50x100

床ガルバニウム鋼板 t=2

大引き 50x100

特製金具

既存を保存

▽2FL +4330

床下換気口

既存を保存特製金具

21°

エキスパンションジョイント RC梁 330x430

セラタイカ２号吹付 t=20

職員室

RC柱 600x600 8-D19 D13@150

上端 3-D19 下端 5-D19 既存を保存

米栂集成材 80x150

□-200x200x4.5 SKタイカコート t=3

□-400x400x12

普通硬質石膏ボード t=9.5 強化石膏ボード t=12.5

SKタイカコート t=3

巾木木版 t=5 既存を保存

8-D19 D13@150

相談室

普通硬質石膏ボード t=9.5 強化石膏ボード t=12.5

FIX窓

既存を保存

不燃塗料

既存を保存

普通硬質石膏ボード t=9.5

引き違い窓

腰壁木板 t=12

強化石膏ボード t=12.5

既存を保存

巾木木版 t=5 既存を保存

欅フローリング t=10 根太角材60x60

根太角材60x60 既存を保存

セラタイカ２号吹付 t=20

不燃塗料

既存を保存

欅フローリング t=10 大引き 50x100

既存を保存

引き違い窓

腰壁木板 t=12

8-D19 D13@150

既存を保存

上端 3-D19 下端 5-D19 RC柱 600x600

既存を保存

不燃塗料

RC柱 600x600 不燃積層石膏ボード t=9.5

RC梁 330x430

米栂集成材 80x130

大引き 50x100

土

既存を保存

▽1FL +650 ベースプレート t=25

ベースプレート t=25 コールテン鋼厚板 t=6

GL ±0

▽BOTTOM -2200

Corten steel

Arched beam structure

Expansion joint

コールテン鋼

張弦梁

エキスパンションジョイント

屋根材や既存から増築していく部分にあコールテン鋼を利用している。

計画 A2 で用いた構造様式を転用している。

屋根と既存躯体の間や、増築床と既存の取り合いの部分に

材料の色合いに赴きがあるほか、時間経過とともに色合いが変化して

約 20ｍのスパンをとばすにはいくつか構造様式が考えられるが、

エキスパンションジョイントを用いている。

いく性質があり、空地の更新や自身の増改築とともに、時間がファサードに

今回は、スラブを抜いた一階部分に自然光を取り入れる必要

これは、地震力や屋根の荷重などの外力を極力既存躯体に伝達することを

表れていくことを想定する。

があったため、構造的に厚くなく、採光に支障がない薄い部材を選べる

防ぐと同時に、外部と内部を遮蔽することをかなえている。

張弦梁を採用した。

C-C section

TRANENT CONSERVATION AREA

Tranent once flourished as mining town when miners establishe rich variety of cottages and other historic houses. However, the town is declining in the past several decades after the rest of coal mine was closed. There boundary walls running around the town , which determined define the conservation area and is the testimony of history of the town. WIth historical photos taken in the town, people can re-bond the sense of community and be aware of conservativation of them.

Heritage Documentation Melrose Abbey

Melrose abbey is a monastic ruin at Scottish Border from 12th century. As a Scheduled monument, local authority has preserved it as it was. The abbey is known for its many carved decorative details and has been perfect source of Romanticism works such as ones by W. Turner and Sir Walter Scott. Thus, it is crucial to record the current state of the heirtage, which can be damaged at any chance. This project explores the digital documentation of the property and visual exhibition of the content. "If th�u w�uldst view fair Melr�se aright, Go visit it by the pale m��nlight;" Walter Sc�tt

3D Scanning

Pointcloud Mesh texture

Photogrammetry 3D data acquisition

Section Analysis

J. M. W. Turner's Melrose Abbey

Game engine Unity Unreal Design intervention BIM Documentation Exhibition

Cross section

Vault anaysis

Height distribution

Regeneration Scheme

Tracery Classification

Edinburgh new college ďź&#x201C;D model reconstruction and integration into VR/AR

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