Architecture Design
Portfolio Kosuke Ino
Undergraduate Postgraduate Study
table of
contents
curriculum vitae
1-2
architectural projects
3-52
Master -balancing cube -urban threshold -undulating projection -zig zag truss Practices -Tarusaka Mountain house -Ubara beach house
essay
52-60
Master -spatial appropriation: urban experience on
street
space in Tokyo and London -inter mediate space: theoretical comparison between Aldo van Eyck and Kisho Kurokawa
art & design projects
61-66
PreMaster -sense of Brighton -urban sanctuary
exhibition
67-70
-micro pavilions at De La Warr pavilion, Bexhill -graduate show 2016 at Grand Parade, Brighton
photographs
71-80
curriculum vitae
Kosuke Ino ARB/RIBA part 2
date of birth: 6.11.1991 nationality: Japan language: Japanese, English email: k.ino7941@gmail.com phone: 07447607573 more works: https://issuu.com/kosukeino kosukeino.weebly.com
1
education and experience Mukai Kazunori Architectural Office
LLLabo
Waseda University
Tokyo, 2013-14 practical training
Tokyo, 2010-14 undergraduate
t-sa forum
Toh Shimazaki Architecture, London, August.2012 craft workshop
Nagoya Practice
Pre Master
Brighton, 2014-15 preparation for Master
University of Brighton Brighton, 2015-17 MArch (RIBA part 2)
College of Arts and Humanities Prize in Graduate Diploma in Arts and Design
Technology Exhibition De La Warr Pavilion Bexhill
2010
2012
2013
2014
2015
2016
Graduate Exhibition Grand Parade Brighton
2017
skills Vector Works Illustrator Photoshop Indesign Rhinoceros Cinema 4D Fusion360 (Finite Element Analysis)
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3
architectural projects 2013-2017
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Balancing Cubes grade: Master 2nd year institution: University of Brighton terms: Sep,2016 - June, 2017 tutors: Simon Beames, Luke Engleback s o f t w a r e : Ve c t o r W o r k s , I l l u s t r a t o r, P h o t o s h o p , Rhinoceros, Cinema4D, Fusion360(FEA)
Nature constantly changes its forms and environments over the time, and it influences our living environments. The project aims to settle community in the Ashdown Forest with the optimistic ambition of future. The architectural proposal has been developed through the investigation of how architecture could respond to natural changes. T h e s c i e n t i s t c o m m u n i t y w i l l b e i n t ro d u c e d w i t h the aspiration of self-sufficiency in the forest, and they aim to increase self-sufficiency by collecting the data of changing elements in nature. The proposal accommodates the community and its primitive forms play a role in capturing nature with irregularity as opposite entities.
comparison between conventional and flexible structure CAD: Vector Works colour: Illustrator
Balancing Cubes / MA 2nd year
Japanese Pagoda 7
CAD: Vector Works
Balancing Cubes / MA 2nd year
flexible structure J a p a n e s e t r a d i t i o n a l p a g o d a o ff e r s f l e x i b i l i t y a s o p p o s e d t o r i g i d i t y. T h e f i v e - s t o r e y p a g o d a i n Kyoto consists of wooden structure which keeps its balance by itself, and this allows the building to stand without foundations. This flexible structure adapts to natural forces of wind and earthquake. The principle of gyroscope is utilised as a technical concept of project. The cube with spinning gyroscopes would be an equivalent for conventional foundation which stands on point and keeps its balance by itself.
gyroscope and gyroscopic device
physical model
8
Balancing Cubes / MA 2nd year
168m 168m
N
1ha
the Ashdown Forest 0
100
200
Site investigation focuses on the changing elements in the Ashdown forest, particularly the forest edge movement between woodland and heathland. This is resulted from management of the forest and invasion of woods, specifically Birches as they are pioneer species which grow towards o p e n a re a a n d h a v e s h o r t e r l i f e s p a n d u e t o t h e i r s h a l l o w roots. Followed by forest edge movement, the environmental c o n d i t i o n s i n c l u d i n g t e m p e r a t u re , h u m i d i t y, w i n d , a n d l i g h t w i l l a l t e r o v e r t h e t i m e d e p e n d i n g o n t h e s t a g e s t h e f o re s t experiences. 9
500
1000m Woodland
Heathland
Balancing Cubes / MA 2nd year
Silver Birch
Scots Pine
5 years
10 years
15 years
0m
15
20 years
3 years
10 years
20 years
30 years
40 years
15
15
15
5m
5m
3 years
5m
0m
15
0m
16
0m
0m
16
5m
16
16
5m
16
5m
m 170
170
m
170
m
16
site
site
175m
175m
175m
site
195m
190m
Gorse
185m
current site occupation Bracken
180m
195m
190m
185m
180m
195m
190m
185m
180m
site occupation when birches are coppiced / die out
site occupation when birches invade the Heathland
Birch
Scots Pine
forest occupation over the time
CAD: Vector Works colour: Illustrator
10
Balancing Cubes / MA 2nd year
main space
core space irregular space
sub space
grey space sub space
surplus space
form investigation
CAD: Vector Works colour: Illustrator
11
Balancing Cubes / MA 2nd year
design development of cubes
physical model
12
Balancing Cubes / MA 2nd year
final proposition as landscape
modelling: Rhinoceros rendering: Cinema4D
13
Balancing Cubes / MA 2nd year
threshold between buildings and forest
modelling: Rhinoceros rendering: Cinema4D
14
Balancing Cubes / MA 2nd year
15
Balancing Cubes / MA 2nd year
long elevation CAD: Rhinoceros, Illustrator rendering: Cinema4D colour texture: Photoshop
16
Balancing Cubes / MA 2nd year
elevation
CAD: Rhinoceros, Illustrator rendering: Cinema4D colour texture: Photoshop
17
Balancing Cubes / MA 2nd year
final proposition physical model
18
Balancing Cubes / MA 2nd year
section
CAD: VectorWorks colour: Illustrator
19
Balancing Cubes / MA 2nd year 10000
c d
5
e
a
4
b c
3
e
1
f
9
h
f
4
7
j
ⅰ
3000
b
100mm thickness
a
6 200mm thickness
ⅱ
6
d
3
i
g
g 2
7
2 5
9
1
8
8
300mm thickness ⅰ
h
9
ⅱ ⅲ ⅳ
i
j
ⅲ
ⅳ
construction logic
CAD: VectorWorks colour: Illustrator
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urban threshold grade: Master 1st year institution: University of Brighton terms: Nov,2015 - June, 2016 tutors: Simon Beames, Kenneth Fraser s o f t w a r e : Ve c t o r W o r k s , I l l u s t r a t o r, P h o t o s h o p , Rhinoceros, Cinema4D
Making in the city has significant value due to the proximity between people and production. The p ro j e c t o ff e r s s m a r t t e x t i l e m a n u f a c t u r i n g i n t h e centre of Cambridge, namely the Mill Lane, which contains university facilities and open green areas. This aims to provide people with a production experience by taking advantage of its proximity in the city. The project proposes threshold space articulated by manufacturing and testing space. This will enhance production experience physically and visually and become space between the city and people. In order to achieve this, two types of space were designed: one is a larger volume created by constraints of the site, another is smaller individual s p a c e s i n re s p o n s e t o t h e s i z e s o f m a c h i n e s a n d specific testing conditions. The configuration of these spaces results in the surplus space, in other w o rd s t h re s h o l d . A d d i t i o n a l l y, t h e f i n i a l p ro p o s a l i n c l u d i n g t h e ro o f a n d f a c a d e m o d e r a t e l i g h t i n g conditions of threshold utilising louver and mesh system with frames structure.
21
view from the existing building The proposals create a new view of manufacturing process as new production experience, and remain the original view simultaneously modelling: Rhinoceros rendering: Cinema4D
22
Urban Threshold / MA 1st year
site: Mill lane, Cambridge The proposal sits in a riverside area which is occupied by students and tourists due to university facilities and amenity space in open area. This space reflects the dichotomy of the two aspects of Cambridge. Remarkably, there is a reciprocal relationship between two areas in terms of occupation and views. Most university facilities open to the public whilst tourists make the area vibrant by occupying the area. Additionally, green area and the river provides open view from the university area, while those buildings give various city scape such as artificial lights.
elevations of University facilities and open area
CAD: Vector Works colouring: Illustrator
23
Urban Threshold / MA 1st year
3
4 2
1 5
6
1. a gathering point 2. amenity space, connection between open space and university area 3. punting termianal 4. pub entrance 5. the university centre, a point users stay 6. an entrance of the university centre
the existing contexts of the site
CAD: Vector Works colour,texture: Illustrator
24
Urban Threshold / MA 1st year
programme: smart textile manufacturing The smart textile production, which is a new type of fabric reacting to surrounding conditions, is introduced in the site. Manufacturing process combines traditional and high-tech machines, and this becomes a part of view in the site which allows people to learn traditional textile production. Additionally, design process requires user tests in extreme conditions to experiment the reactions of textile to surroundings, and this offers facilities to the public. Therefore, manufacturing process and design have a potential to provide unique experience of production to the public and the city.
25
Urban Threshold / MA 1st year
spinning (traditional) cotton, wool
fibre
scouring 50 m²
carding
combining
36 m²
34 m²
yarn
spinning
twisting
100 m²
58 m²
textile
weaving (traditional)
winding
warping
sizing
weaving
100 m²
212 m²
155 m²
267 m²
finishing (manual+ high tech)
manual finishing
cutting
high tech finishing
stitching
adhesive bonding 225 m²
welding
laser joining 25 m²
digital embroidery 38 m²
digital printing 50 m²
laser cutting 94 m²
the process of smart textile manufacturing
CAD: Vector Works
26
Urban Threshold / MA 1st year
volumetric study The volume of the buildings is proposed based on the existing views, access, and o c c u p a t i o n s . Vo i d s p a c e s a r e c r e a t e d t o enhance the existing characteristics of the site.
volumetric proposal plaster model
27
Urban Threshold / MA 1st year
Threshold Tw o t y p e s o f s p a c e w e r e d e s i g n e d : o n e is larger volume created by constraints of the site including occupation, views, and access, and another is smaller individual spaces in response to the sizes of individual machines and specific testing conditions. The c o n f i g u r a t i o n o f t h e s e s p a c e s re s u l t s i n t h e surplus spaces, in other words, threshold. axonometric types of space in proposition
CAD: Rhinoceros, Illustrator
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Urban Threshold / MA 1st year
lighting study the different types of light, including direct and diffused lights are explored through models. Each light could be used differently depending on function of the spaces.
direct and indirect light study paper model
29
Urban Threshold / MA 1st year
spatial quality with diffused light CAD: Rhinoceros Model: Acrylic light box
30
Urban Threshold / MA 1st year
section model with louvre facades The roof and facade moderate lighting conditions of threshold depending on function by utilising louver and mesh system with framed structure. 1:25 timber model
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Urban Threshold / MA 1st year
section perspective CAD: Rhinoceros, Illustrator
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Urban Threshold / MA 1st year
week1
week2
week3
week4
week5
ground floor
first floor
second floor
development of floor plans The floor plans has been developed considering suitable volume for the site, constraints, threshold space in relation to surroundings. CAD: VectorWorks, Illustrator
33
Urban Threshold / MA 1st year
axonometric final proposal Modelling: Rhinoceros Colouring: Illustrator Rendering: Cinema4D
34
Urban Threshold / MA 1st year
key view1 Modelling: Rhinoceros Texture: Photoshop Rendering: Cinema4D
35
Urban Threshold / MA 1st year
key view2 Modelling: Rhinoceros Texture: Photoshop Rendering: Cinema4D
36
Urban Threshold / MA 1st year
building occupation in long section The size of individual spaces are defined by machine sizes, which created surplus space in section. They are utilised as technical space for equipments such as pipes and electric l i n e s . T h e re i s a c o r re l a t i o n w i t h t h e e x i s t i n g b u i l d i n g s because of voids and obscure facade. CAD: VectorWorks Colouring: Illustrator
37
Urban Threshold / MA 1st year
38
undulating projection grade: Master 1st year (group project) institution: University of Brighton terms: Sep,2015 - Jan, 2016 tutors: Jeffrey Turko, Omid Kamvari s o f t w a r e : Ve c t o r W o r k s , I l l u s t r a t o r, P h o t o s h o p , Rhinoceros, Cinema4D
The project offers a temporal shelter space created by undulating structure in order to
interact with
i n t e r n a l a n d e x t e r n a l p r o g r a m m e o f D e l a Wa r r Pavilion. The structure is based on the principle of p in e c o n e , n ame ly ' d iffe re n t ial e x p an s io n ' , w h i ch gives a curvature to the structure. ​T h e f o r m o f s t r u c t u r e w a s d e t e r m i n e d t h r o u g h experiments of materials, configurations, and 3 D s i m u l a t i o n m o d e l s . A s a re s u l t , t h e s t r u c t u re c o n s i s t s o f l a m i n a t e , n o n - l a m i n a t e d t i m b e r, a n d plastic, which play roles in foundation, enclosure, and enforcement/locking respectively.
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UNDULATING PROJECTION EARLY SUMMER MORNING
15.20
temporal pavilion in De La Warr Pavilion Modelling: Rhinoceros Texture: Photoshop Rendering: Cinema4D
UNDULATING PROJECTION AIM 703 - TECHNOLOGY AND FABRICATION
3*
140
40
Undulating Projection / MA 1st year
differential expansion The project initiated with the principle of nature, namely differential expansion. This is found in Pine corn which opens the leaves due to moisture content. Similarly, the curvature of structure is manipulated by the width of the opening. The project developed from experimentation of element, particularly, materials and durability.
41
Undulating Projection / MA 1st year
the shadow from pavilion 1:5 timber model
42
Undulating Projection / MA 1st year
the projection through the pavilion The shadow is projected through structure and it creates a shelter for the projection on the pavilion's wall. It plays a role in the interaction between internal and external programme. 1:5 timber model
43
Undulating Projection / MA 1st year
1:1 model
the projection on the wall
Modelling: Rhinoceros Texture: Photoshop Rendering: Cinema4D
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zig zag truss grade: Master 1st year institution: University of Brighton terms: Sep, 2015 - Oct, 2016 tutors: Simon Beames, Kenneth Fraser s o f t w a r e : Ve c t o r W o r k s , I l l u s t r a t o r, P h o t o s h o p , Rhinoceros
Zig zag box is a packable and expandable structure a c t i v a t i n g v e r t i c a l l y a n d h o r i z o n t a l l y. I t i s a n aggregation of hollow beams, which give stiffens, insulation and a possibility of indirect lights to the s t r u c t u re . T h e s t r u c t u re h a s s l i t s t o c a t c h l i g h t s which makes a pattern on the top layers of the s t r u c t u re . H o n e y c o m b b o a rd s w i t h t w o d i ff e re n t s u r f a c e s , a l u m i n i u m a n d t r a n s l u c e n t g l a s s f i b re , are used as material of the structure. These help to transmit indirect lights to space under the roof and lighten the structure because of low density of the materials. The roof is supported by a column fixed at the centre and branched posts, and they also allow the structure to be deployed by pulling runner up and down.
45
Zig Zag Truss / MA 1st year
origami deployable structure paper model
46
Zig Zag Truss / MA 1st year
development of structure paper models
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Zig Zag Truss / MA 1st year
SOSS Hinge
skin material: aluminium
650
15 35 15
skin material: laminated translucent glass
650
500 400
stone tile
loose sand fill
weathread sandstone
2000
concrete
1500
potential as roof and details
CAD: Vector Works, Rhinoceros
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Tarusaka Mountain house office: Kazunori Mukai Architectural Office terms: July, 2016 - Aug, 2016 software: Vector Works, Illustrator
The detail of stairs and balustrades are designed considering materials and specific dimensions. The wood and steel were selected as materials for stairs and balustrades, which gives permeability to space of beach house. Additionally, the nylon ropes were utilised as rails to prevent children from falling down. The dimensions of balustrades were took into account suiting for human hands and its positions.
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adjacent land border
adjacent land border
Ubara Beach House / Practices
ventilating fan rainwater pipe eaves rainwater pipe transom steelgrating railing
front street
South Elevation
East Elevation
south and east elevations CAD: Vector Works
foundation details CAD: Vector Works
50
Ubara beach house office: LLLABO terms: Jan, 2014 - Mar, 2016 software: Vector Works, Illustrator
The detail of stairs and balustrades are designed considering materials and specific dimensions. The wood and steel were selected as materials for stairs and balustrades, which gives permeability to space of beach house. Additionally, the nylon ropes were u t i l i s e d a s r a i l s t o p re v e n t c h i l d re n f ro m f a l l i n g down. The dimensions of balustrades were took into account suiting for human hands and its positions.
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Ubara Beach House / Practices
1
2. Stairs and balustrades detail
1. Book shelf detail 160
40 12.5
12 10
15
steel, (hot dip galvanizing) t=8, w=40
210
balustrade: steel, (hot dip galvanizing) t=8, w=40
hook, SUS304,A=12 D=15, welding
wood board, t=15
8 15
2
nylon rope, t=5, red nylon rope, t=5, red
hook, SUS304,A=12 D=15, welding floor: wood (plywood board, protective coarting) t=6
floor: wood (plywood board, protective coarting) t=6
30
structural plywood, t=12
150
100
2158
foot board: wood (Sugi, solid, protective coating) t=30
683
riser: steel, t=8
10
1200
240
240
240
240
240
2000
240
2400
rateral plate: Flat Board, t=10
1950
balastrade details
240
CAD: Vector Works
2895 255
240
15
15
truss tapping MB
wooden girder
12
15
7
15
7
30 180
foot board: wood (Sugi, solid, protective coating) t=30
riser:steel, t=8
180
50 50
240
50
riser:steel, t=8
150
45
69
240
fixed plate, t=6
plywood
255
88
stair details
CAD: Vector Works
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essay 2016-2017
Spatial Appropriation urban experience on street space in Tokyo and Shinjuku
grade: Master 2nd year institution: University of Brighton terms: Sep, 2016 - Jan, 2017 tutor: Karin Jaschke
The investigation focuses on the street space in Shinjuku,
This relationship between environment and people is
El epha nt a nd Ca stl e , an d S o h o , w it h t h e q u e s t io n o f h o w
re f l e c t e d i n s o m e p a r t s o f t w o c i t i e s i n L o n d o n , E l e p h a n t
u r b a n e n v i ro n m e n t s i n m e t ro p o l i t a n a re a s p ro v i d e u r b a n
and Castle and Soho. the narrow space enclosed by large
experiences within the concept of an intermediate space.
scale shopping centre and the footbridges in Elephant and Castle promoted morphological appropriation, such as
I t i s f o u n d t h a t t h e m o r p h o l o g i c a l a n d b e h a v i o u ro l o g i c a l
a d v e r t i s e m e n t b o a rd s , a w n i n g s , a n d r u g s o n t h e r a i l i n g s .
appropriations are taken place in which ‘chaotic’
T h ro u g h t h e s e o b j e c t s , t h e s p a c e b e c a m e v i b r a n t m a r k e t
environment, in other words, the complexity of the city is
place. Likewise, in Soho, the irregularity of the streets and
embedded. In Shinjuku, this phenomenon was extreme.
the diversity of the area made an environment for ingenuity,
Judged by street patter ns and organisation of the streets,
w h i c h re s u l t e d i n b e h a v i o u ro l o g i c a l a p p ro p r i a t i o n . I n t w o
the traditional street formation based on geography
areas, the messiness of the space is newly interpreted
and separated roads influenced by European countries
by people, and the new value were added through
are integrated, and the types of street whether it is
appropriations.
pedestrianised or shared are randomly lied rather according to planning. These incoherent and irregular spaces are taken
On the other hand, some spaces such as open space in
advantage of spatial appropriations which are the actions to
Elephant and Castle and squares in Soho did not work as
comprehend and mitigate the complexity of the city. These
much as the street space in terms of people’s appropriation.
a cti ons were obj ect ifie d in s t re e t s p ac e as p h y s ic al fo r ms
This might be attributed from the ‘clean-ness’ of the space
of signs, billboards, and awnings, and infor mal behaviour
which is designed to do something. Instead, the investigation
a s s i t t i n g o n t h e r a i l i n g s a n d s m o k i n g o n t h e b a c k s t re e t .
discovered that the crossings in Soho is a significant aspect
P a r t i c u l a r l y, t h e t r a d i t i o n a l s p a c e , t h e c r o s s i n g w a s s t i l l
of the area in which visual attractions of different parts of the
remarkable in the urban context because it plays a significant
area are created, and a variety of activities are taken place
role in the city’s node which has a potential to response to
as a node.
the regeneration and rescaling of the city due to its multi f u n c t i o n a l i t y. T h e re f o re , t h e c h a o t i c e n v i ro n m e n t s c o u l d
Although the designed space successfully works in some
b e i n t e r p re t e d a s o p p o r t u n i t i e s f o r v i s u a l c o m p l e x i t y a n d
c a s e s , i t m i g h t n o t p ro m o t e i n g e n u i t y w i t h re g a rd t o t h e
spontaneous behaviour.
cities where regeneration and rescaling are conducted. The chaotic environments provides on the street could give an o p p o r t u n i t y f o r c e r t a i n u r b a n e x p e r i e n c e t h ro u g h s p a t i a l appropriations.
55
Spatial Appropriation / MA 2nd year
Morphological Appropriation A physical consequence of people’s adaptation to urban space
Behaviourlogical Appropriation people’s response to urban space through behaviour
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Spatial Appropriation / MA 2nd year
Shinjuku Station
Shinjuku Station
shopping centre Elephant and Castle national railway station
ido u-Kaia
Kosh
pedestrianised area shared area roads for vehicles
ay)
(highw
underpasstypes of street in Shinjuku and Elephant and Castle pedestrianised T h earea streets are classified into three: pedestrianised, shared, and gates to public space
shared aream o t o r i s e d s t re e t s i n t w o a re a s . I n S h i n j u k u , s t re e t s p a c e w a s u t i l i s e d gates to private space for people’s interaction due to a lack of open space, and consequently, motorised traffic s p a t i roads al appropriations were discovered in street space. In contrast, Elephant and Castle provides open space, and traffics are clearly separated. Nevertheless, open space does not necessarily promote human interaction. CAD: Vector Works, Illustrator
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Spatial Appropriation / MA 2nd year
morphological appropriation in street spaces in Shinjuku and E & C In Elephant and Castle, the station and its surroundings are the centre of the area, which is similar to Shinjuku, and in this area, morphological a p p ro p r i a t i o n i s h i g h l y d i s c o v e re d . P a r t i c u l a r l y, t h e re i s a n i n t e r s t i c e space enclosed by large scale buildings and footbridges.
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Intermediate Space / MA 1st year
Intermediate Space the comparison between Aldo van Eyck and Kisho Kurokawa grade: Master 1st year institution: University of Brighton terms: Jan, 2016 - April, 2016 tutor: Karin Jaschke
An inter mediate space is a realm between contradicted
and an inter mediate space is fundamentally common, even
e n t i t i e s , f o r i n s t a n c e , i n t e r i o r / e x t e r i o r, m o d e r n / t r a d i t i o n ,
i f t h e y p u t i m p o r t a n c e s d i ff e re n t l y. T h e e s s e n c e o f t h e i r
and nature/culture. This was particularly argued as a
thoughts is 'reciprocal relationship', and, to some extent,
criticism of moder nism architecture by Team 10 which was
their theories, interpretations, and architectural design are
organised after the dissolution of the Congrès internationaux
derived from this relationship of opposite entities. In this
d ' a rc h i t e c t u re m o d e r n e ( C I A M ) i n 1 9 5 3 . I n t h i s e r a , v a s t
sense, 'in-between' or 'inter mediate space' can be defined
array of urgent dwellings were erected in response to the
a s a n a rc h i t e c t u r a l c o n c e p t w h e re t h e g e n e r a l t h e o r y o f
housing shortage caused by the Second world war, and these
t h e r e c i p r o c i t y i s r e f l e c t e d . A d d i t i o n a l l y, ' a d a p t a b i l i t y '
buildings lacked the consideration of relationship between
a n d ' f l e x i b i l i t y ' i s o n e o f t h e m o s t s i g n i f i c a n t f e a t u re o f
i n d i v i d u a l / s o c i e t y, a n d p e o p l e / b u i l d i n g s . I n t h i s c o n t e x t ,
t e m p o r a l re l a t i o n s h i p b e t w e e n p a s t , p re s e n t , a n d f u t u re ,
it was argued by Team 10 that space which accommodates
and people and changeable surrounding environments.
multiple functions should be taken into account to cater
Reciprocal relationship, hence, has two aspects of space and
to the demands from different entities rather than creating
time. Accordingly, this essay will draw out similarities and
s p a c e f o r a p a r t i c u l a r f u n c t i o n . T h i s a rg u m e n t l e d t o t h e
dissimilarities in their theory of 'relativity', 'inter mediated
notion of an intermediate space which sits between opposite
space' as spatial equivalence of relativity, and 'flexibility' as
entities.
temporal reciprocity. The sections consist of these three vital concepts, and subsequently, 'paradigm' within two architects
Dutch architect Aldo van Eyck and Japanese architect
will be examined in terms of the spirit of the age.
Kisho Kurokawa share some similarities on their theories of 'relativity' which is associated with an inter mediate space.
T h e s e t h re e c o n c e p t s b y t w o a rc h i t e c t s w e re s u m m a r i s e d
T h e y b o t h b e l o n g e d t o Te a m 1 0 a n d t h e y w e r e c r i t i c a l
that, first of all, reciprocal relationship between entities is
t o m o d e r n i s m a rc h i t e c t u re a n d t h e s o l u t i o n s t o d w e l l i n g
fundamental to understand world and culture, and secondly,
shortage by CIAM after the war. However, Team 10 branched
inter mediate space is architectural alter native of reciprocal
some movements, and two architects' thoughts and design
relationship, which sits in-between opposite entities. Finally,
w e re n u r t u re d w i t h i n ' D u t c h s t r u c t u r a l i s m ' a n d ' J a p a n e s e
the temporal relationship between past, present, and future
Metabolism'.
w a s re c o n c i l e d b y t h e c o n c e p t o f f l e x i b i l i t y t o c h a n g i n g surroundings.
Although the position of two architects resonates as a part of the same organisation, their points of view were divergent.
These common approaches were developed from the
The comprehension of architectural and urban space for van
perspective of anthropology and biology, for van Eyck, the
Eyck and Kurokawa were derived from anthropological and
h u m a n i s a t i o n o f a rc h i t e c t u re , f o r K u ro k a w a , a rc h i t e c t u r a l
biological disciplines.
analogy of life and science. These similarities and dissimilarities were interpreted as cultural and natural
Considering the fact that both belonged to same
'ecology', in other words, reciprocal relationship between
o r g a n i s a t i o n w i t h s i m i l a r b a n n e r, b u t h a v e d i f f e r e n t
people and environments. This paradigm of ecology might
perspectives, this essay will focus on comparison of two
be the spirit of the age in 1960s underlying Aldo van Eyck
architects, Aldo van Eyck and Kisho Kurokawa
and Kisho Kurokawa's thoughts.
The structure of two architects' theories about relationship
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Intermediate Space / MA 1st year
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design projects 2015
Sense of Brighton grade: Pre Master institution: University of Brighton terms: Jan, 2015 - April, 2015 tutors: Ming Ming Chapman, Rusty Murphy In order to 're-Brightonise' the railway station area, which is currently dominated by large-scale developments, this project offers wooden modular structures as an iteration tool to connect the local and city scale buildings it adopts to changeable a c t i v i t i e s a n d e n h a n c e s k e y f e a t u re s o f B r i g h t o n open spaces and small inits. A community hub is created from both local and national businesses.
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Sense of Brighton / Pre Master
The original distinctive features of Brighton
BrightonFestival Comedy Show
Small units
Open space
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Urban Sanctuary grade: Pre Master institution: University of Brighton terms: Oct, 2014 - Dec, 2014 tutors: Ming Ming Chapman, Rusty Murphy
This project proposes religious and natural sound in order to amplify the sense of sanctuary in the small alleyway and stimulate auditory sense as compared with over-stimulations in urban space. The small alleyway has remarkable features to be perceived and enhanced. First of all, the darkness d o m i n a t i n g t h i s s p a c e b r i n g s t r a n q u i l i t y, re d u c e s visual information, and amplifies other senses, especially auditory sense. Secondly, this tranquility a t m o s p h e re h a s m a n y s i m i l a r i t i e s t o s a n c t u a r y i n certain countries in terms of sensory experience. Finally, the alleyway as sanctuary has value to be utilised as temporary shelter form prompts in urban space. C o n s e q u e n t l y, t h i s s p a c e w o r k e d a s s a n c t u a r y, i n other word, shelter from excessive infor mation in urban space.
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Urban Sanctuary / Pre Master
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exhibitions 2016
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Exhibition / MA 1st year
micro pavilion process and experimentation de la warr pavilion, Bexhill, 2016
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Exhibition / MA 1st year
graduation show 2016 grand parade, Brighton University of Brighton
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Photographs 2014-2017
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