January 2024 by Landscape Middle East

MIDDLE EAST

JANUARY 2024

RETHINK AMAZING

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EDITOR’S NOTE As we step into a promising new year, we’re delighted to share some key expert insights into the anticipated trends for the region’s landscaping industry in 2024. We’ve called upon our team of seasoned professionals and industry leaders to analyse the evolving landscaping and urban design industry and offer their valuable perspectives on what lies ahead. From sustainable practices becoming the norm to more cutting-edge technologies, we aim to equip you with the knowledge needed to navigate the challenges and seize the opportunities that the coming year presents. One of the highlights of this issue is an article on the concept of pixelation in home design. We delve into how this innovative approach is reshaping the aesthetics of residential landscapes, creating visually stunning and dynamic spaces that blur the lines between nature and technology. Discover the intersection of precision and creativity as we showcase a residential project in Kuwait that embraces pixelation as a guiding principle in redefining the modern home environment. In addition to this, we feature a captivating article on the Kempegowda Airport in India, where landscaping takes center stage in the overall design of the new terminal two. This visionary project goes beyond the conventional expectations of airport architecture, demonstrating how thoughtful landscaping can transform a utilitarian space into a harmonious blend of functionality and natural beauty. Join us on a journey through the innovative features that make Kempegowda Airport a testament to the limitless possibilities of integrating landscaping into urban design. In the spirit of collaboration, we encourage you to share your thoughts, projects, and success stories with us throughout the year. Let’s continue to build a community that fosters growth, creativity and excellence in the regional landscaping industry.

Managing Partner: Ziad Maarouf Amine Copy Editor: John Hampton Phillip Higgins Administrative Assistance: Sarry Gan Art Director: Ramon Andaya Contributors: Almudena Grande, Abdallah Labib, Phil Higgins, Nick Vellacott, Daria Pahhota, Nachwa Alolwani, Martin Reschka Printed by: Al Nisr Publishing LLC Webmaster: www.pdinventive.com

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CONTENTS

January 2024 - Issue 199

6 The Accessibility in Landscape Landscape industry trends that 8 will define 2024 10 Dubai Expo City 16 Reimagining the Airport of the Future a Better World Through the 22 Creating Power of Design

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26 Pixel House to construct a Fairytale Project: 30 How H.C. Andersen museum Biodiversity key driver of Bhutan’s

36 new Mindfulness City Project

Phuket’s new beachfront 42 multi-million residential and wellness community

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I NEWS & EVENTS

Enhancing Dubai’s attractiveness and environmental sustainability Dubai Municipality achieves a new record in tree planting in Dubai during 2023 Planting more than 185 thousand trees at a rate of 500 trees per day during the past year 100 per cent of the initiative’s target achieved, adding the total green area in the city by 234 hectares With the vision and guidance of our wise leadership, we will continue to implement green initiatives to maintain Dubai’s position in its commitment to enhancing its appeal as well as driving sustainable development through integrated afforestation initiatives Dubai Municipality successfully planted more than 185,000 trees in the Emirate in 2023 as part of its afforestation initiative, with an average of 500 trees daily, increasing the total green area by 234 hectares, up from 170 hectares in 2022. This achievement highlights the Municipality’s commitment to fostering sustainable development and preserving the environment for future generations. The seeks to increase green spaces in residential areas, urban areas, as well as main and secondary roads and bridge intersections. The initiative further places a major emphasis on enhancing air and soil quality, in addition to elevating the city’s aesthetic appeal. H.E. Dawoud Al Hajri, Director General of Dubai Municipality, emphasized that the Municipality’s Green Dubai’s initiative is a year-round effort and adheres to comprehensive engineering and planning standards, which are in line with Dubai’s modern lifestyle and its urban and

architectural development and supports the vision of the wise leadership in making Dubai the best city for living in the world. Furthermore, H.E. also stated that the initiative reflects Municipality’s efforts to increase green spaces, improve urban and natural environments, and promote environmental sustainability, thereby positioning Dubai as an aesthetically pleasing, sustainable, and appealing city. HE added that the objective is to provide a better living environment for residents by enhancing the quality of life and overall wellbeing. H.E. Al Hajri said: “Green Dubai’s initiative is one of the key components of the Municipality’s strategic efforts towards sustainability. By safeguarding and optimizing the use of natural resources and elements as well as substantially lowering carbon emissions in the Emirate, this initiative seeks to have a positive effect on the environment. This is in line with the strategy and national goals to become carbon neutral by 2050.” “The initiative significantly contributes to creating and enhancing green spaces for leisure, relaxation, and connecting with nature. Furthermore, it has also improved the cultural and aesthetic appeal of Dubai, ensuring environmental preservation for future generations.” Al Hajri added. Numbers and Statistics The Municipal teams in Dubai collaborated in 2023 to achieve the initiative’s various goals, where 185 thousand trees were planted in 210 sites, such as agricultural projects, nature reserves, main and secondary roads, in Deira and Bur Dubai, in addition to the Municipality’s parks. Dubai Municipality has introduced a variety of trees across its planting initiatives, including local environmental species, such as Ghaf, Sidr, Sumar, Neem, Olive, Samorova palm, Indian jasmine, and palm-like trees. Additionally, many other evergreen plants, renowned for their rich

green foliage, have also been included, including Washingtonia, Bismarckia, Pseudobombax, Poinciana, Bougainvillea, Acacia farnesiana, and Darsina. Qualitative Shifts The Municipality has made significant progress in agriculture and tree planting in recent years. It planted a total of 73,920 trees in 2020. By the end of 2023, this number had reached an astounding 185,000 trees, from 170,339 in 2021. This progress demonstrates the Municipality’s dedicated efforts to encourage afforestation and enhance green spaces, as well as increase individual’s share of green spaces in the urban area, in harmony with the Emirate’s urban expansion and population growth. Encouragement To successfully meet the environmental requirements in Dubai, the Municipality is actively promoting the development of both natural and man-made green areas, following the highest global standards and practices. Moreover, it places a major focus on planting local tree species, such as Ghaf and Sidr, which are well-suited to flourishing in the region’s soil salinity conditions. As part of its commitment to sustainable agriculture, Dubai Municipality offers integrated agricultural services that utilize state-of-the-art technologies and practices. These modern approaches not only prioritize public safety but also promote long-term sustainability of the local ecosystem.

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I URBAN DESIGN SUITABLE FOR ALL

The Accessibility in Landscape Landscape Middle East Magazine teams up with Michael Haddad to Unite for Accessibility in Landscape In a transformative collaboration, Landscape Middle East Magazine has joined forces with Michael Haddad, the regional goodwill ambassador for the United Nations Development Programme (UNDP) for Arab States since November 2019, to establish the Accessibility in Landscape Initiative. Haddad was left paralysed at the age of 6 and since then has been on an inspirational journey, fighting for not just equality for the disabled community but also campaigning as a climate activist. Seen as an inspirational figure to many in the Arab world, Michael learnt how to walk using an exoskeleton and can freely ambulate on practically any type of terrain. In 2024, the concept of accessibility in landscape design should transcend being seen solely as a legal obligation; it should symbolise a transformation in our approach to outdoor spaces. Beyond the rigidity of regulations and guidelines, it calls for recognition of inclusivity’s intrinsic value and its farreaching impact on individuals and communities alike. The Initiative has been launched to galvanise awareness about the pressing need for improved landscape design that factors in the needs of those with disabilities. According to estimates by the World Health Organization (WHO), approximately 15% of the global population, equating to roughly 1 billion people, grapple with some form of disability. This statistic should not merely serve as a numerical reference but rather as a moral and social challenge, urging us all to ensure that landscape design evolves to accommodate the diverse needs of every individual. Beyond social inclusion, accessible landscapes significantly contribute to mental and physical well-being. For individuals grappling with disabilities, mobility challenges, or the elderly, access to outdoors can serve as a lifeline. These spaces offer moments of respite, opportunities for rejuvenation,

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and a sanctuary for stress relief. Studies have consistently demonstrated the therapeutic benefits of connecting with nature and the outdoors, reducing anxiety, mitigating depression, and enhancing overall mental health. The mere presence of accessible natural spaces transforms them into sources of solace and inspiration, fostering a positive state of mind. The design of accessible landscapes underscores the importance of independence. It empowers individuals with disabilities to navigate and explore outdoor spaces autonomously, without the perpetual need for assistance. This newfound autonomy is not only liberating but also profoundly influential in bolstering an individual’s self-esteem and self-worth. Through a series of thought-provoking articles, inspirational case studies, and expert insights, this initiative seeks to illuminate the vast potential of inclusive design. It serves as a testament to how embracing diversity and inclusivity enriches the lives of our entire community, cultivating a profound sense of belonging and unity. But this is not merely an initiative; it is a rallying call to the entire landscape community. We invite all stakeholders, from designers and architects to developers and policymakers, to unite with us in this endeavour. Together, we can amplify the message that accessibility is not merely a concept but a fundamental reality that should be enjoyed by all. By supporting the “Accessibility Landscape” initiative, you are not only advocating for a more inclusive future but actively participating in the creation of a world where accessibility is not an exception but an ordinary, cherished facet of our landscapes. So, join us as we embark on this extraordinary journey, guided by Michael Haddad’s unwavering commitment to sustainability, equality, and the pursuit of a more promising and inclusive future. Together, let’s pave the way for a world where every corner of our landscape beckons with open arms, ensuring that accessibility is not just a dream but an everyday reality for all.

I LANDSCAPE PROJECTION

LANDSCAPE INDUSTRY TRENDS THAT WILL DEFINE

2024

We’ve asked the experts; here are most

relevant trends for the year ahead Geoffrey Sanderson

Landscape Architecture & Horticulture Consultant My hope is for a greater understanding of biodiversity and application of landscape role in biodiversity.

Sebastien Miller

Public Realm Manager, Masdar City We’re likely to see the continuation of sustainability as a key driver of most projects, following on from the success of COP28 and in line with the 2024 UAE Federal development plan which puts sustainability at the forefront of UAE developments. The landscape industry is more mature and should therefore take strides to move away from buzz words and green washing. 2023 saw some great examples of innovative sustainable projects in the region and the leading developers and consultants are constantly pushing this agenda based on their specialisms. Sustainability is no longer an ‘add-on’ but integral to the design and construction process. Economics and value drivers is the other big issue for all projects and masterplans. This is what will differentiate the leading schemes from their peers – embedding sustainability and lifestyle at all levels to increase livability, education, social opportunities, as well as helping reduce land take and development costs.

Steven Velegrinis

Design Director, Gensler Middle East In relation to Landscape Architecture, I would predict that this year would be increasingly dominated by climate change and sustainable development drivers. As a profession we need to step up and lead the conception of sustainable urban landscapes and we also need to lead the repair and enhancement of non-urban landscapes.

Graham Anderslade

Landscape Director, Arada

General outlook for the landscape industry in middle east 2024 is going to be a exiting year, lots of projects are being rolled out, lots of new areas in the middle east are also becoming very active in developments. As we have seen innovative fresh ideas originating from the middle east over the last couple of years I am sure we have a lot to look forward to in 2024. I hope to see continued and more sustainable ways to incorporate more trees into the landscape creating outdoor spaces for people to enjoy.

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Duncan Denley

Managing Director, Desert INK The rise of naturalistic landscapes in the MENA region: I believe there is a growing interest among clients and designers to return to nature. This means more natural materials, increased sustainability credentials, native plants, less rigid forms and less manicured maintenance. Landscape-led developments: Covid-induced lockdowns brought into focus human’s intrinsic need for a closeness with nature and the outdoors. At desert INK we are seeing greater emphasis upon the discipline of landscape and we find ourselves in the position of lead designer more than ever before. In 2024, we see landscape architects increasingly leading architects, engineers and other disciplines in delivering projects which value the contribution of landscape, placemaking and outdoor spaces above structures.

Gin Wingfield

Gin Wingfield Designs Some of the most impactful trends often operate behind the scenes. One such trend, though not immediately visible, holds significant importance: underwater irrigation systems. Despite their unnoticeable nature, these systems play a crucial role in curbing water runoff and minimizing wastage through evaporation. Material sustainability is another prominent trend, with aluminium taking the spotlight. Renowned for its lightweight, durable, and recyclable qualities, aluminium presents a compelling alternative to wood. Opting for aluminium over traditional wood materials not only reduces the pressure on deforestation but also supports the use of a more sustainable resource. Aluminum structures are resistant to corrosion and their low maintenance requirements further contribute to an extended lifespan. Lastly, native plant selection will stay on trend. Choosing plants indigenous to the region for landscaping purposes proves instrumental in reducing environmental impact. Not only do these native plants require less water, but they are also naturally adapted to the local climate and soil conditions. By embracing this trend, we can reduce the dependence on excessive water, pesticides, and fertilizers, aligning practices with the principles of sustainability.

William Bennett

Founder & Chief Nature Nerd 2024 is the year to emphasise the importance of resilient and joyful landscapes. Thankfully, human and planetary health are becoming our shared goals. To achieve this, we need diverse plant communities. To this end, WILDEN are continually improving their approach UAE native, naturalistic planting. This means interesting and varied mixes of plants as opposed to boring, ecologically-poor zones that are created by single-species monocultures. This doesn’t mean it needs to be a complex process, though – WIDLEN suggest trying a variety of plants in terms of height, texture, and colour to begin. As plants develop, they will create natural complexity with microclimates that foster an ecological system, rather than treating plants as mere objects. Experiment, love the process, and learn… it’s about participation and practice, not perfection. Fake lawn has been dead for some time, and the announcements by the Society of Garden Designers and the RHS have underscored this. If play is important we need to consider natural surfaces such as sand, pea gravel and bark mulch. The team at WILDEN stress that this only works if as much effort is put into educating and enrolling clients in the reasons against fake grass. It has to be a shared goal because there’s also challenges with loose natural surfaces. Progress must be supported with changing cultural values and attitudes towards both nature, and play. Outdoor kitchens with complex integrations and high spec features are out, in favour of utilitarian and elegantly simply cooking spaces. WILDEN have seen clients enjoy the ceremony of cooking for family more recently, and the kitchen is to serve that goal, rather than the status of owning a Michelin-starred island console in the garden. In the gulf climate too, durability is crucial and WILDEN say their outdoor kitchens are increasingly simple to achieve this. Prioritise counter space and simple, open storage. The integration of play opportunities into landscapes continues to grow as we all move away from free-standing plastic structures. WILDEN recommends creating playful garden spaces by using natural elements like boulders and logs, alongside course textures that younger kids love. Playful elements like balance beams, topography, and stepping stones foster an engaging and enjoyable outdoor experience for all ages. Adults must be encouraged to play too!

I EXPO CITY

EXTREME PLACEMAKING:

DUBAI

EXPO

CITY SWA Principal-in-Charge and lead designer John Wong meets with Expo 2020 clients

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Visitor entry experience at the Dubai World Expo (© SWA Group, David Lloyd)

By: Liz Batchelder SWA Staff Writer

Dubbed “the human-centric city of the future,” Expo City Dubai – most recently, the host of the United Nations’ COP28 climate summit – was developed around the innovations, technologies, and intercultural exchange showcased during the 2021-2022 World Expo. World Expos often highlight forward-thinking public realm design solutions that are widely applicable; the original Expo venue, designed by a consortium including Adrian Smith and Gordon Gill Architects, Arup, HOK, WET Design, and SWA Group, was no exception. Dubai is home to a flourishing culture that has long contended with extreme temperatures and water shortages. The Expo venue celebrates landscapes that thrive despite these harsh conditions in an area nearly one-and-a-half times larger than New York’s Central Park, strategically located between Dubai and Abu Dhabi and adjacent to Al Maktoum International Airport. The venue’s three districts each correspond to a theme: Opportunity, Sustainability, and Mobility. The site is organized as a radial “village,” connected by a landscaped promenade known as The Loop that allows visitors to circumnavigate in shaded comfort.

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Abstract falcon forms shade The Loop promenade (© SWA Group, David Lloyd) Plan view (© SWA Group)

The SWA Approach As the project’s landscape architects, SWA designed the Expo’s open spaces to express the spirit of Dubai while remaining adaptable for post-event uses, like COP28, that help to fulfill the UAE’s Vision 2030 framework. Beyond being a symbol of international solidarity, the public realm for Expo 2020 contributes substantially to the larger Expo City Dubai as an exemplar of resilient, accessible green spaces. SWA’s approach to the open space network explored wayfinding and sensory delight on the ground while responding to extreme climate conditions. Interpretive elements reflect the forms of the surrounding environment,

evoking wadi, sand dunes, and mountains. Hardy, drought-resistant native plants predominate, with water as an element used sparingly for select individual features. Visitor comfort was a primary concern. The Loop boasts a ten-meter-tall trellis with hundreds of abstract, kite-like “falcons” shading the promenade below. Strategically integrated plantings, including a perimeter of native Ghaf tees, combine with resilient water features that reduce ambient temperature while adding tactile, visual, and auditory interest. Heat island effects are addressed by paving materials that exceed SRI reflective standards, providing for a cooler experience on the ground.

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I EXPO CITY

Al Wasl Plaza: beneath the dome (© SWA Group, David Lloyd)

The Entry Experience A broad, welcoming plaza greets arrivals from the metro station before narrowing to a tree-lined promenade that escorts visitors into the Expo’s heart: the Al Wasl dome, designed by Adrian Smith and Gordon Gill Architects, which encompasses an SWA-designed plaza. From Al Wasl, visitors can access each of the three surrounding districts – Jubilee Park/The Oasis, Al Forsan Park, and the Ghayath Trail to the north – using The Loop if they prefer not to return to the site’s center.

Ghayath Trail’s drought-tolerant palette of shade trees and grasses (© SWA Group, Jason O’Rear)

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Park and Trail Connections Jubilee (South) Park/The Oasis: Inspired by the seasonal desert rivers known as wadi, sinuous curves characterize this open space. Trees include the drought-tolerant, seasonally fruiting date palms found in wadi, alongside other native and adapted species and carefully introduced grasses. A gravity-defying waterfall by WET Design serves as the central “oasis,” and can be synchronized with sound and music; powered by hydrogen, the feature helps to generate its own water, underscoring the Expo’s sustainability theme. Paving patterns and pathways mimic the natural flows of water meanders, and follow the edges of the park’s central performance space and plaza, which are flanked by restaurants, snack facilities, and “souk market” kiosks.

WET Design’s “Surreal Fountain” at Jubilee Park, with Al Wasl dome in background (© SWA Group, David Lloyd)

Event venue at Jubilee Park (© SWA Group, David Lloyd)

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I EXPO CITY

Shoppers browse offerings at Jubilee Park during the 21-2022 Expo (© SWA Group, David Lloyd)

Al Forsan (North) Park Nestled between the “Opportunity” and “Sustainability” districts, Al Forsan reflects the historic and contemporary culture of the region. A mosaic of programs, themes, and epochs converge in geometric patterns that recall the famed Islamic art form. Responding to the tastes of various generations, interactive displays lay alongside contemplative areas. This park also offers dining and snack facilities, an outdoor performance space, and a large, open lawn.

Families gather in the shade at Al Forsan Park (© SWA Group, David Lloyd)

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Ghayath Trail Opposite Al Forsan Park, on the interior of The Loop, a crescent-shaped landscape hugs the UAE Pavilion. Here, visitors can extend their experience of Al Wasl’s exotic and native plants with an art walk that arcs beneath Ghaf trees, encountering variously scaled sculptures and art installations along their way. The trail also connects The Loop and the Al Wasl dome to the arrival plaza at Al Forsan. According to SWA Principal-in-Charge and lead designer John Wong, the Expo venue, “serves as a front door for Dubai.” “The Al Wasl dome, the bird canopy, and the site’s transit connections within the greater Middle Eastern region are ways of bringing a future vision into the foreground of regional planning and design.” The contemporary thinking driving the Expo’s design responds both to the pressing needs of climate change and to the imperatives of technological innovation. Beyond the Expo’s original boundaries, its legacy as the living laboratory at the heart of Expo City Dubai sets a precedent for future urban developments, inspiring cities and communities to embrace similar approaches for generations to come.

Visitors around a fire pit along Ghayath Trail (© SWA Group, David Lloyd)

Traversing The Loop’s in the shelter of the canopy’s stylized falcons (© SWA Group, David Lloyd)

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I LANDMARK

India’s Kempegowda International Airport in Bengaluru is offering passengers a nature focused experience By: Grant Associates A first-of-its-kind ‘airport terminal in a garden’ has opened in India, putting nature and biodiversity at the heart of the passenger experience. Terminal 2 at Kempegowda International Airport Bengaluru (BLR Airport) has successfully reinvented the idea of a traditionally stressful and bustling airport landscape. Thanks in part to the vision of international landscape architects

Grant Associates – designers of the iconic Gardens by the Bay in Singapore - in collaboration with American Architects Skidmore Owings & Merrill (SOM). The sustainable and nature focused terminal is a striking civic gateway that will establish BLR Airport as one of the world’s premier airports and increasing its annual passenger capacity by 25 million.

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I LANDMARK

Its innovative design offers passengers an immersive and authentic nature-focused experience; the unique flora that occupies the new terminal has been sourced from multiple ecological habitats in India, showcasing the beauty of nature and Karnataka’s culture. The unique flora that adorns the terminal’s interior has been meticulously curated from diverse ecological habitats within India, serving as a captivating tribute to the splendour of nature and Karnataka’s vibrant culture. Visitors are welcomed with 600-800-year-old trees that meet with over 180 rare, endangered and threatened species, all combining to cultivate a thriving ecosystem that embraces both India’s heritage and forward-thinking sustainability.

Adding to the garden-like environment is the extensive use of natural materials including bamboo cladding and local natural stone. Lush internal and external gardens punctuate the passenger’s journey, with the centerpiece being a breathtaking 10-metre-tall green wall that runs the length and breadth of the terminal adorned with over 450 extraordinary plant species. The planting not only captivates the eye but also contributes to the terminal’s environmental conditioning, all nourished by an automated irrigation system fed by harvested rainwater. Bengaluru is globally renowned for its picturesque parks and gardens, so the new terminal at Kempegowda International Airport Bengaluru had to seamlessly

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encapsulate Karnataka’s rich history and culture. The airport’s expansion, executed in two phases, encompasses a staggering 255,645 square meters, poised to accommodate up to 25 million passengers annually. Grant Associates had to creatively overcome several sizeable challenges to make the biodiversity-focused vision a reality, including how to create a lush internal landscape whilst accommodating the day to day running of an airport, not least passenger circulation and environmental requirements. These were achieved through the extensive use of innovative hanging planters and green walls. Externally, these challenges included creating an extensive 7ha forest belt that would help to passive cool the spaces around the terminal, manage surface water runoff and deliver a rich, biodiverse forest microclimate. The challenges were overcome with a dedicated client and design team working closely together to deliver key

I LANDMARK

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environmental, digital, and cultural themes that were central to the project’s vision. A major aspect of the design was delivering a sustainable water management strategy to significantly reduce the terminal’s environmental impact, alongside a resilient native planting framework tailored for evolving climates. This included over 600 endemic plants and over 7,700 transplanted trees from the existing airport. “Traditionally, airports are always stressful to navigate; with our ‘Airport Terminal in a Garden’ vision, we have sought to change this by creating a beautiful environment filled with incredible plants from around the world. This is the only airport in the world which holds 3600 species - including almost 200 endangered species - which are part of the Indian ecosystem, native to 26 agro-climatic zones of India,” said Prasannamurthi Desai, VP, Landscaping, BIAL. Another key focus was on delivering a project that would resonate with the city of Bengaluru known as the Garden City. This extended to local sourcing, celebrating the essence of the city. Collaborations with regional fabricators and suppliers of natural materials such as clay brick and stone lent a distinct richness to the passenger experience while echoing the terminal’s sustainable ethos. BLR Airport has already established a benchmark in sustainability with 100% usage of renewable energy across the site. Terminal 2 has been recognized as the largest terminal in the world to have been pre-certified as a LEED Platinum building by USGBC (US Green Building Council), prior to commencing operations. The terminal has also received the IGBC (Indian Green Building Council) Platinum certification for its sustainable architecture and design. “The building’s extensive outdoor areas were designed in an effort to maximize wellness prior to the Covid-19 pandemic; today, the wisdom of integrating generous outdoor spaces into an airport terminal and transportation hub is even more evident,” explained the lead architect at SOM. Beyond these visible features, the terminal employs numerous sophisticated sustainable innovations, including extensive solar shading and intelligent building systems, as well as renewable materials. The terminal, which will run entirely on renewable energy, will also capture, treat, and reuse rainwater from across the airport, and the indoor plantings and outdoor gardens are designed to only require the water that is harvested on site. The transit hub will help alleviate traffic and further limit pollution, and the flexibility in the gates will shield the terminal from obsolescence and allow it to thrive as an international travel destination well into the future. Photo credit: Sreenag Pictures

W I INTERVIEW In the world of architecture and design, few names resonate as profoundly as Gensler. With a legacy spanning over five decades, Gensler has emerged as an industry titan, consistently pushing the boundaries of innovation and shaping the global landscape with their visionary approach to design. At the helm of this iconic firm stands Diane Hoskins, a dynamic force in her own right, serving as the Co-CEO of Gensler. Gensler’s remarkable journey is marked by a commitment to pioneering design philosophies that prioritise people, spaces, and communities. From their inception in 1965 with a primary focus on interior design for commercial clients, Gensler has evolved into a global powerhouse, influencing not only how we inhabit buildings but also how we interact with and experience the spaces within them. Hoskins has played a pivotal role in the firm’s ascent to the summit of design excellence. Her leadership, paired with that of co-CEO Andy Cohen, forms a unique and collaborative model that underscores Gensler’s commitment to fostering a culture of innovation, collaboration, and inclusivity. Together, they steer an architectural firm that designs over 1.5 billion square feet annually, with revenues exceeding $2 billion. Diane, could you share with us Gensler’s journey in the Middle East over the past two decades? Gensler has had a dynamic presence in the Middle East for more than two decades now. It all began with our involvement in crafting the master plan for the Dubai International Financial Centre (DIFC) in the United Arab Emirates. This opportunity came to us through our collaboration with Turner International. They were impressed by our work on the coastal master plan in Jordan during the early 2000s when the iconic Burj Khalifa was still in its design phase. Our role extended to designing the Gate building and other structures in the vicinity.

Diane Hoskins

CREATING A BETTER WORLD THROUGH THE POWER OF DESIGN An exclusive interview with Diane Hoskins – Co-CEO of Gensler, exploring the firm’s transformative projects in the Middle East and its unique Co-CEO structure.

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This venture marked the inception of our deep-rooted connection to the region, spanning not just Dubai but also numerous significant locations across the Middle East. Our contributions include projects in Kuwait and pivotal studies for the Mecca project developments. Notably, we played a major role in Qatar’s Doha Downtown project, which involved the creation of over 100 sustainable buildings with a strong emphasis on cultural identity. These experiences have significantly contributed to our international reputation. Could you elaborate on your unique CoCEO structure with Andy Cohen and how it aligns with Gensler’s values? Andy and I share the role of CEOs at Gensler, which is a distinctive arrangement that might raise questions. However, it’s not dissimilar to other firms where multiple partners collaborate in running the company. Collaboration is ingrained in our DNA at Gensler, and our coCEO structure reflects this core value. We firmly believe that the success of our firm is the result of collective efforts, a commitment to our core values, and a shared vision. This management structure underscores the importance of co-leadership and collaboration, be it at an international, regional, or office level. Gensler has a rich history of interior design innovation. Could you tell us more about this unique approach and how it has evolved? Our journey started with Art Gensler, who founded our firm in San Francisco in 1965. Initially, our focus was primarily on interior design for commercial clients, a concept ahead of its time and yet to be fully defined. Art and our first-generation leaders pioneered a fresh approach to architecture, emphasising an inside-out design philosophy, unlike many architects who talk about outside-in design but still primarily focus on the exterior, our design philosophy centres on a deep understanding of how people utilise space, from the receptionist to the CEO. It’s akin to landscape design, where we consider orientation, movement, and the microcosm of community life within spaces. Today, people seek places with a sense of community, even in the workplace.

W I INTERVIEW

We believe that contemporary spaces should offer amenities that support the building’s community. For example, we’re redesigning ground floors in many cities globally to cater to building occupants, and rooftops are transformed into communal spaces with gardens. A remarkable example is a building in Chicago, featuring a full-size basketball court on its rooftop, even used for filming commercials. This inside-out approach has been at the core of Gensler’s DNA for the past three decades. We’ve evolved from an interior design firm to one that designs entire building structures, exterior landscapes, and even entire cities. Gensler has expanded into landscape and urban design. Can you share more about this evolution and its significance? In the 1990s, we expanded our focus to include landscape design, particularly for corporate campuses and major site master plans. One of our early projects in the Middle East was the coastline master plan in Jordan, which marked our foray into landscape design at a large scale. This project spurred the growth of our in-house landscape and urban design and planning group. Today, we have over 100 specialists in urban design across our offices in the UK, US, China, and the Middle East. We are involved in designing and reimagining cities worldwide, including Saudi Arabia, where opportunities for development are increasing, especially in landscape and urban design.

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Our integrated approach to project design, incorporating landscape and urban design, allows us to achieve complete synergy in thinking about buildings, from their interiors to their landscaped surroundings. We are committed to designing not only for decarbonisation and resilience but also for regeneration, fostering biodiversity, and sustainable hydrology systems, which is particularly vital in regions like the Middle East. How does Gensler envision the future of design, and what role does it play in addressing global challenges? Our vision or purpose today is “creating a better world through the power of design.” It’s a responsibility that drives us to be a catalyst for change, considering the impact of our work on individuals, communities, and the environment. With our scale, designing over 1.5 billion square feet annually, we recognise the significant impact we can have. My role ensures that our entire firm remains aligned with this purpose and continues to innovate for a sustainable future. Our vision extends to a future that surpasses the present, redefining standards to ensure a better future for all. It’s an integrated approach that supports not only decarbonisation and environmental regeneration but also human systems. We aim to create a better world for people, promote health, and foster a sense of community.

I COMFORT LIVING

Nasser Abulhasan and Joaquín Pérez-Goicoechea of AGI Architects assess each project with a healthy dose of empathy By AGI Architects

The starting point for us is always to understand the concerns of each client and, in this case, the clients required a simple place that would serve as an extension of their own personality. The plot was in unbeatable condition, adjoining on three of its sides with public

accesses and a particularly pronounced setback on one of its sides, which allowed the construction of a wide landscape that served as scenery for the enjoyment of the home. The house has been conceived as a system of privacy and temperature filters. Through these

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filters, the spaces are pixelated to generate new uses depending on the inhabitants and the external conditions. The main filter is the garden, with native species that serve as a first barrier to the warm air and the retention of the sandy dust that often travels through the Kuwaiti sky. This first filter is followed by the pool, which is covered with a

perforated slab that, over time, will be covered with climbing plants and make the ground-floor space a perfect place to rest during autumn, winter and spring nights. The closed, air-conditioned space, where the living rooms next to the garden area are located, has openings to the shaded outdoor space, minimizing heat gain caused by solar

radiation. These spaces, which are fundamental during the day for the home’s inhabitants, flow vertically to join through a space made up of a customized multi-purpose piece of furniture, which forms the heart of the house and wraps around the main staircase leading to an exclusively private area. As is typical of traditional culture in Kuwait, the meeting area for friends and visitors (diwaniya) is located in the most public part of the house, near the entrance, and is divided into outdoor areas, where nightlife is organised, and indoor areas, where they can meet any day at any time. This is the most private pixel.

I COMFORT LIVING

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The courtyards act as thermal filters towards the interior of the house. Depending on how the spaces that surround them are opened and closed, they function as a convector that takes the hot air and expels it from the house. The exterior finishes have always been executed following the same concept of the house, pixelation, with white ceramic and aluminium lattices perforated by small squares that allow the passage of filtered light and ensure the privacy of the owners in the most sensitive areas. Concept of pixelation The house has been approached as a fluid space to which various filters have been incorporated that encapsulate the spaces depending on their thermal, lighting and privacy needs. We have called each of these spaces pixels. Encapsulated environment From the exterior garden to the intimacy of the interior living space the architecture of the house allows the gardens to be turned inside out. Viewed from all angles the gardens create a visual landscape occupying the successive nested boxes of the tectonic architectural form and negotiating the vertical scale of the villa. The vegetation of the gardens plays out across the different levels defining distinctive environments and participating to the cohesion of the living spaces.

Staging the landscape Landscape as a scenography is a classic concept for conceptualizing and spatially organizing the garden. Successive planes can multiply the field of vision creating a depth of field and orchestrating the experience of a landscape. Framing device Framing specific views according to the sliding screens of the villa. The Japanese tradition is a key reference for this technique. Composition is critical, the balance of the garden framed as a picture catches the eye and holds the view. Photography: Nelson Garrido

I URBANSCAPE

HOW TO CONSTRUCT A FAIRYTALE PROJECT:

H.C. Andersen museum The new Hans Christian Andersen House designed by renowned Japanese architect Kengo Kuma, consists of both indoor and outdoor spaces totaling 12,600 m2. Opened in 2021 in Odense, Denmark, the H.C. Andersen museum was designed by KKAA in collaboration with MASU Planning, its first project in Denmark. The project was to create

a new building for the Hans Christian Andersen museum located between a residential area comprising small traditional wooden houses from the middle age, and the newly developed urban area of Odense. The new the H.C. Andersen site included a garden and Tinderbox cultural center— in the heart of the city where Andersen was born. Two-

By: Kengo Kuma and Associates

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I URBANSCAPE

thirds of the museum are located underground and is surrounded by a fairytale garden, which in the summer months is filled with colourful flowers and small, unique green environments. The stories to be told here are not only in written form, but it is to be experienced and sensed through physical spaces in the museum and in the garden. There are profound messages in HC Andersen’s writings that reflects the author’s life and his journey. Andersen’s work projects the duality of the opposite that surrounds us; real and imaginary, nature and manmade, human and animal, light and dark. The opposite of the matters coexist, they are not in black and white. The architectural design reflects this essence of his work in both architectural and landscape form. The museum spaces are composed by a series of circular forms that are tangent to each other like a chain, they are organized in an non-hierarchical, non-centric manner. The continuous curve linear green wall expands

and traces the underground space structure and defines the garden and paths above ground. It meanders and weaves in and out, above and under the ground throughout the site. In the sequence of intertwined spaces, visitors will find themselves traversing between indoors and outdoors as the green wall appears and disappears.

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The landscaped architecture, where elements of nature are merged with architectural elements, is what makes the experience unique. The building completion marks the beginning of the life of the garden. It’s designed to grow overtime and set its root. Over the years to come, the garden will mature and offer visitors a sense of nature and seasons; changes of colors, scent, density, transparency, and scenery in its growth. The HC Andersen’s Museum is intregal to Odense’s new Urbanscape The development plan is to close off one of the arterial roads and reconnect two parts of the city; new and old, which are currently separated. The Garden of the museum is to offer a new quality public area, giving life to this “in between” zone. One part of the city where the birth house of the writer is, remains the medieval townscape with

The journey of the museum tells a narrative similar to the elements of his work; duality of the opposite, dissolving the boundary, is visible through spatial composition and ambiguity. The exhibition spaces were planned underground. The enchanting garden above ground is composed with curve linear hedge that traces the exhibition spaces below ground. The meandering paths through the garden are to be experienced as the extension of the museum. Here the architectural built form is diminished and visitors would be lead into the “maze” like space created by trees and leaves. The underground world is connected to the garden above through a series of sunken gardens that appears like a “hole” in the ground, a sort of “portal” from a fairytale to the world outside.

I URBANSCAPE

small and meandering streets, the opposite of modern urban development with wide and straight fast lanes. The meandering path and hedge garden is to bring back the human scale quality to make a soft link to the urban area of the city. During the construction of the building, we were put in a unique situation; the Pandemic. It threw up unexpected challenges in carrying out our work, in sequencing, planning, sourcing and so on. The reality and norms

we were accustomed to in our daily activities were questioned. It felt to me as if we were experiencing Andersen’s world of fairytales, flighting the invisible and learning to adapt and cope with the unknown. His stories still speak to us today. H.C. Andersen Hus - Concept Description Yuki Ikeguchi, Partner in charge, Kengo Kuma and Associates

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I ECOSYSTEMS

Mindfulness City will be built on interconnected ecosystems and lively neighborhoods shaped by the flow of rivers and streams By: Bjarke Ingels 36

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The world’s first carbon-negative country has a new vision. Bhutan is set to build a new economic hub that utilizes biodiversity along with the country’s principles of spirituality. Located in the town of Gelephu in Southern Bhutan, the 1000+ km2 masterplan titled ‘Mindfulness City’ designed in collaboration by BIG, Arup, and Cistri is informed by Bhutanese culture, the principles of Gross National Happiness index (GNH), and the country’s strong spiritual heritage. The future Gelephu Special Administration Region, located on the India-Bhutan border, will leverage its location and connectivity to South- and Southeast Asia to lay the

foundation for the country’s future growth and create economic opportunities for its citizens through investments in green technology, education, and infrastructure. Designed by Bjarke Ingels Group’s (BIG) landscape and urban design team, the masterplan includes a new international airport, railway connections, a hydroelectric dam, public spaces, and a language for local building typologies, based on the nine domains of GNH: Psychological Wellbeing, Health, Education, Living Standards, TimeUse, Ecological Diversity and Resilience, Good Governance, Cultural Diversity and Resilience, and Community Vitality.

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I ECOSYSTEMS Nestled between mountains, forests, and rivers, Bhutan stands as one of the last biodiversity hotspots in the world, with 70% of the country covered in forest. Mindfulness City aims to amplify the country’s abundant biodiversity by emerging as a vibrant tapestry of interconnected ecosystems and lively neighborhoods shaped by the flow of the 35 rivers and streams that run through the site. The resulting ribbonlike neighborhoods resemble paddy fields, forming urban terraces that cascade down from the hills to the valley. The city increases in density from the rural and recreational highlands to the urban and dense lowlands. “We imagine Mindfulness City as a place that could be nowhere else. Where nature is enhanced, agriculture is integrated, and tradition is living and breathing, not only preserved but also evolved. Shaped by waterways, Gelephu becomes a land of bridges, connecting nature and people, past and future, local and global. Like the traditional Dzongs, these inhabitable bridges turn into cultural landmarks, doubling as transportation infrastructure combined with civic facilities,” said Bjarke Ingels, Founder and Creative Director of BIG. The natural elements and the existing infrastructure, agriculture, and utilities of Gelephu naturally create eleven distinct neighborhoods across the 1000+ km2 area. Each of the eleven neighborhoods is designed based on the principles of the Mandala: defined by a series of repeating typologies organized symmetrically around a central public space, a gradual transition in density is created, from small buildings dispersed in the landscape in the north to larger footprints within an urban environment in the south. Intimate streets, paved with permeable pavers provide resilience by allowing stormwater to seep into the ground rather than the sewage system. Local materials wood, stone, and bamboo - will be used in the new buildings, inspired by vernacular motifs such as rabsel, cornices, ornaments, and roofscapes.

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I ECOSYSTEMS

The final bridge, a hydroelectric dam, will be constructed on the city’s western border with a step-well retaining wall that offers viewpoints, staircases for meditative walks, and a temple. Visitors and pilgrims can ascend and descend along countless individual routes to the visitor center and temple nested on the face of the manmade cliff. The Sankosh Temple-Dam embodies in architectural form all the foundational elements of Gelephu: the harmonious coexistence of culture and nature, conceived as a hybrid child of Bhutan’s rich past heritage and its prosperous future legacy. To protect existing and future development against flooding in the monsoon season, paddy fields will be established along the site’s rivers and tributaries, running from north to south. These will further function as biodiversity corridors for local flora and fauna, leaving the migratory routes of elephants and other wildlife undisturbed. The neighborhoods within the city, which are divided by rivers, are tied together by three main mobility connections. Occasionally, these double as transportation infrastructure combined with civic and cultural facilities, creating a series of ‘inhabitable bridges’ which are tailored to each of the nine Gross National Happiness domains. Each of the bridges house key destinations within the city: the new airport, a Vajrayana spiritual center which allows glimpses into the daily practices of the monks and masters of mindfulness; a healthcare center as a meeting between Eastern and Western

medicine; a university that exposes its academic activities; a hydroponic and aquaponic greenhouse putting ancient farming practices and modern agroscience on display for the daily commuters; a cultural center to immerse and educate visitors about Bhutanese culture and customs; and a market adorned with Bhutanese textiles.

Project team Partners-in-Charge: Bjarke Ingels, Giulia Frittoli Project Manager: Nanna Gyldholm Møller Design Lead: Dace Gurecka Team: Anastasiia Golub, Filip Radu, Giancarlo Albarello Herrera, Krisha Arunkumar, Marius Tromholt-Richter, Matthew Goodwill, Monika Dauksaite, Sophie Høg, Xian Chen, Xu Lian Visualizations: Brick Visual, Atchain, BIG Animation: Squint/Opera & Brick Visual

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I BEACHFRONT

Phuket’s new beachfront multimillion residential and wellness community to have 70% of the land dedicated to open spaces A 11.68 hectare luxury wellness residential and hospitality community dubbed ‘Gardens of Eden’ will be built on one of the last plots of land on Phuket’s popular Bangtao Beach. The new development is set to dedicate 70% of the land to open spaces populated with botanical gardens and active green areas.

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Gardens of Eden is being built by Amal Group as a nature-inspired wellness community, hoping to set a new benchmark for large-scale developments on prime locations on the island with sustainability at its core. The development will have over 1,000 native trees on the site and dedicate 70% of the land to open spaces. Vertical gardens will further extend the biophilic experience, with organic gardens, ponds, lakes, playgrounds, running and cycling tracks, onsen bathing and reflexology areas featured. Amal has engaged a trio of industry leaders to bring the project to life: award-winning holistic designer and landscape architect Martin Palleros, founder of Tierra Design; former CEO of Laguna Phuket Ravi Chandran in the role of corporate affairs; and global wellness expert Ingo Schweder, founder and CEO of GOCO Hospitality. The team is led by CEO Aleksandr Chuvalov, handpicked by Dubai based DPD Invest, the main backer of the project, for his expertise in international luxury residential development. “By 2050, 70% of the world’s population will be living in an urban environment causing severe impact to people’s health and well-being,” says Palleros. “We need to re-think the design of future sustainable cities to ensure they are more livable. This is a challenge we are taking on at Gardens of Eden.”

“Gardens of Eden will be the first project in Phuket, and one of very few projects in the world, to set this new development standard. It will be a fully immersive wellness lifestyle experience,” he adds. Eden Residences is the first phase, and the beginning of Gardens of Eden, a bridge between one of Phuket’s most beautiful beaches before crossing a canal to the gardens themselves. Phase one offers 141 apartments constructed with natural materials such as carbon-negative wood and locally sourced granite in four-storey buildings with units starting at 75 per square metres (psm), featuring three-metre ceiling heights and top floor units with private pools. “This is a significant project for Phuket and for Bangtao,” adds corporate affairs advisor Ravi Chandran. “Demand for quality living in a spacious natural environment in a prime location is extremely high as families relocate to the island from across the globe. Gardens of Eden will make an impact on the market and make a positive contribution to the greener development of the island as a whole.” Construction is scheduled to be completed in December 2026.

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