Architect Projects - January 2024 by Lapthorn Media

Editor Maria Lapthorn editor@architectprojects.co.uk

Editorial Assistant Anna Startin editorial@architectprojects.co.uk Production/Design Laura Whitehead design@architectprojectsmagazine.co.uk Sales Executive Maria Sutton maria.sutton@architectprojects.co.uk Circulation Manager Leo Phillips subs@architectprojectsmagazine.co.uk Accounts Richard Lapthorn accounts@architectprojects.co.uk Lapthorn Media Ltd 5-7 Ozengell Place Eurokent Business Park Ramsgate, Kent CT12 6PB 01843 808103

CONTENTS Featured Projects

Featured

Damian Barker, Founder and CEO of Verus Construction discusses Sandmoor Avenue 12-13

Company News 04-05 Events & Awards 08-09 Aluprof 14-15

OB Architecture unveil Strawberry Hill 32-33, 34

Interview: Q&A with Stefan Pitman, Founder of SPASE 26-27, 28

Inside The Wolseley City: Fabled Studio Designs New Sister Restaurant to London Institution The Wolseley 50-51

People on the move 30-31 Charlton & Jenrick Ltd 41 Project News 44-45

Every effort is made to ensure the accuracy and reliability of material published in Architect Projects magazine however, the publishers accept no responsibility for the claims or opinions made by advertisers, manufacturers or contributors. No part of this publication may be reproduced or transmitted in any form or by any means, mechanical, electronic (including photocopying) or stored in any information retrieval system without the prior consent of the publisher.

Aliva UK 46-47 Latest News 56-57 Ojmar S.A 64

COMPANY NEWS

CPMG APPOINTED TO DESIGN THE LARGEST TISSUE MILL IN THE UK National award-winning architecture and interior design practice CPMG Architects has been appointed to design Metsä’s planned new tissue paper mill in Goole, East Riding of Yorkshire. Assuming the necessary approvals are achieved, the proposed advanced manufacturing facility will boast the largest tissue production capacity in the UK, the latest in sustainable production technology and world-class environmental performance standards, acting as an exemplar for the industry. Anil Parmar, director, and industrial lead at CPMG, said: “This is a hugely exciting scheme for not only for us, but also for Metsä, East Yorkshire and the manufacturing industry. Designing the facility to meet Metsä UK’s ambitions to be fossil fuel free by 2030 and using cutting-edge sustainable production technologies is a challenge we are delighted to accept.

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“The site itself is more than 200 acres and, once complete, will have the capacity to produce 240,000 tonnes of tissue paper, so the scale of the project is self-evident. CPMG’s role is to make Metsa’s vision a reality, something which will bring us great pride when the wider positive impacts of job creation, manufacturing capability and economic growth are realised.”

The leading Finnish tissue paper manufacturer’s first venture into the UK is set to create more than 400 direct local jobs over the next decade, and many more indirectly generated across the supply chain, through planned investment totaling several hundreds of millions of pounds. The result will be the UK’s self-sufficiency increasing by more than 30 per cent in the production of essential tissue products. Speaking recently, following his speech on the UK’s net zero ambition, Prime Minister Rishi Sunak said: “Metsa Tissue’s investment is good for Yorkshire, good for our economy and good for sustainability. “This announcement is another example of the UK being the first choice for European investment and delivers on my commitment to grow the economy, creating betterpaid jobs and opportunity right across the country.” Up to 45% of tissue products are currently imported into the UK and Ireland. Metsä Tissue aims to replace almost half of the imported products with local British production. Image below: Metsä Tissue’s new tissue paper mill in Goole, East Riding of Yorkshire

JOE’S BLOOMS LAUNCHES ‘EXPLORE’ TO HELP BUILDERS BOOST BIODIVERSITY Biodiversity tech start-up Joe’s Blooms has today launched a digital tool to help property developers and planners calculate the biodiversity potential of their land, ahead of the implementation of the ‘Biodiversity Net Gain’ (BNG) laws in January. The Joe’s Blooms Explore tool calculates the biodiversity potential of any plot of land in England using data on the site’s location and basic information on its current habitat. It is the first of its kind to focus on small sites, providing a world leading solution for smaller developers who may not have access to costly consultants or in-house ecological expertise. Developers and planners will also be able to test a range of scenarios and find tailored solutions to enhance the site’s natural environment and meet biodiversity uplift requirements. The launch of the Explore tool follows confirmation from the

COMPANY NEWS

Government that BNG will be applicable for big sites in January 2024, and for small sites in April 2024. It is the inaugural offer in the Joe’s Blooms toolkit, paving the way for a comprehensive set of tools aimed at helping developers and planners meet

BNG objectives to boost nature recovery across the country. BNG is a first-of-its-kind planning policy that will require property developers to invest in measures that increase the

amount of plants and wildlife in the local area by 10%. Analysis by Joe’s Blooms finds that the policy is set to secure over 15,000 hectares worth of biodiversity in England each year – equivalent to 23,500 football pitches worth of natural habitat.

STORA ENSO CELEBRATES THE OPENING OF WOODEN ARCHITECTURAL LANDMARK BUILDING WISDOME STOCKHOLM Wisdome Stockholm is a new scientific experiential arena situated in the courtyard of Sweden’s National Museum of Science and Technology in Stockholm. The Wisdome Stockholm building encompasses a wooden architectural design creating an arched-shaped room of 1,325 square meters. Stora Enso has been the main partner and delivered sustainable wooden construction materials for the project.

dome equipped with state-of-the-art visualisation technology.

“Being a part of this project from the early stages, we were able to find an innovative way to use standard industrial products, such as CLT and LVL elements from our Sylva by Stora Enso range, to achieve the asymmetrical structure of the building without sacrificing the fantastic design,” says Jessika Szyber, Business Development Manager at Stora Enso.

“Wisdome Stockholm is truly a landmark building that stretches the boundaries of wooden architecture. Wood as a building material is an important part of the solution to battle climate change, enabling storage of CO2 and a sustainable construction process. Today’s inauguration showcases the unique design and sustainability benefits of building with renewable materials,” says Lars Völkel, Executive Vice President, Stora Enso’s Wood Products division.

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The wood used for both the LVL (laminated veneer lumber) and CLT (cross-laminated timber) building elements for Wisdome Stockholm came from sustainably managed, certified forests in Sweden and Finland and stores in total 1,178 tonnes of carbon dioxide. The construction incorporates both curved and twisted beams, found in only a few locations worldwide. Situated at the heart of the exhibition hall is a substantial wooden

ZENTIA GIVES ULTIMA+ THE ULTIMATE UPGRADE WITH NEW NAMES AND NEW PRODUCTS, MEET PRESTIGE Zentia, a UK leader in complete ceiling solutions, is pleased to announce the renaming of its brightest and whitest tile, Ultima+. The new family, titled Prestige, will continue to represent the pinnacle of innovation and excellence in the industry and set new standards for performance, reliability and versability. Prestige, which was successfully launched on 25th October, offers three reliable, bespoke solutions depending on different client needs. The flagship product, Prestige, offers smooth, finely textured laminated tiles that provide good sound absorption and attenuation, offering perfectly balanced acoustical

Architect Projects

We are thrilled to have successfully launched our new product range, Prestige, previously known and adored as Ultima+.

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performance. The tiles are made in the UK*, contain up to 37% recycled content and are available in 35 colours, offering practical and creative solutions for a range of environments including meeting rooms, waiting areas and data centres. Prestige hA+ offers the same sleek, smooth aesthetics but also forms one of Zentia’s most sound absorbent suspending ceiling tile to date, making it ideal for open plan areas that require a dose of calm and quiet such as libraries and healthcare settings. As well as an outstanding acoustic performance, the ceiling systems offer a reinforced scratch resistant face and impressive environmental credentials, being 100% recyclable. Zentia is committed to reducing the environmental impact of its products. As such we are excited to announce the Prestige family will be the first laminated product to be added to our Pinnacle Partner offcut recycling scheme. The scheme is a promise from us, as a manufacturer, to take back and recycle all offcuts of Prestige tiles from our approved Pinnacle Partners on future projects. This will result in the reduction of the amount of waste going to landfill sites.

The final product within the range, Prestige dB, offers sound attenuation properties that is most effective for when privacy is your main concern by limiting noise being transmitted through ceiling voids. This makes it ideal for individual offices and boardrooms. The tiles offer the same aesthetic finish that Zentia has become known for, and can be specified, as with the rest of the range, in a range of different shapes, sizes and colours* to allow enhanced creative freedom. Graham Taylor, Director, Sales and Marketing at Zentia said: “We are thrilled to have successfully launched our new product range, Prestige, previously known and adored as Ultima+. Whilst the name may have changed, the brand and range’s reputation for reliability, quality and innovation has not, and Prestige is only another great example of our dedication to making cutting-edge ceiling tile solutions that are made in the UK and of the highestquality, offering the best solutions for our clients.” *Excluding dB range and SL2 Planks

To find out more about the range click here.

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EVENTS & AWARDS NEWS

ARCHITECTURE DESIGN COURSE CLAIMS TOP PRIZE AT NEW INDUSTRY AWARDS Architecture and design tutors at a West Midlands college have been recognised with a new industry award for helping FE students kickstart their careers. Coventry College’s Interior and Architecture Design course tutors David Craddock, Emma Townsend and Holly Wagstaff have been awarded the Sixth Form & FE prize at the inaugural Architecture into Education Awards. The awards, run by the Thornton Education Trust, have been launched to celebrate the link between education professionals and the architecture industry, and emphasise inclusivity and diversity, climate change and wellbeing in the profession.

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David said the course prides itself on being a creative and inclusive learning programme, with more than 80 per cent of students achieving triple merit grades or above. He said: “We are thrilled to win this award as I feel between us we have created a stimulating and supportive learning environment for our students, who in recent years have gone on to be really successful in their early careers. Our focus is always on delivering the best outcomes for learners, and it’s really encouraging to see the diversity of students that we have on our course, both male and female, and the incredible quality of work they produce. We have made a few changes to the course over the last few years, including the introduction of interiors which was partly in response to listening to students and meeting their needs. We have also recently invested in a range of new state of the art equipment, so to see those efforts recognised is extremely rewarding.”

WHITE ARKITEKTER WINS ARCHITECT OF THE YEAR AT DEZEEN AWARDS During the prestigious Dezeen Awards in London last night White Arkitekter was named the winner of the category Architect of the year. White Arkitekter is awarded for being “a leading voice in the drive towards more sustainable buildings”. Dezeen is the world’s most influential architecture, interiors, and design magazine, with over three million monthly readers. The category Architect of the year recognises the best emerging and

established players in architecture and architectural practices whose work has significantly impacted the industry. The winner has been selected by the Dezeen Awards jury and the Dezeen editorial team. “We are delighted and honoured to receive this prestigious award. It recognises our long-term commitment and our ambition to enable sustainable life through the art of architecture.

EVENTS & AWARDS NEWS “Together with our clients and partners we work to create long-term values that enrich our communities, improve quality of life within planetary boundaries” says Alexandra Hagen, CEO, White Arkitekter. White Arkitekter has a strategy of seeking new knowledge through working internationally. The interest for Scandinavian architecture and the growing pressure for a shift to sustainable development in the industry has strengthened the practice’s international presence in recent years. Today White Arkitekter has employees in Sweden, Norway, UK, Germany, Canada and East Africa. New Karolinska Hospital in Solna, the masterplan of the city of Kiruna and Sara Cultural Centre in Skellefteå are a few projects that has attracted international attention. Sara Cultural Centre is nominated for the Mies van der Rohe Awards 2024, and the project has been recognised as an international beacon for sustainable design. “Sustainability has been at the core of our business for a long time, and we were early to establish an in-house sustainability department in the 1990s. Through recent political initiatives such as the New European Bauhaus and the EU taxonomy, to name a few, the demand for sustainable architecture has increased in recent years, which is reflected in an increased demand for our expertise both in Sweden and internationally” says Alexandra Hagen, CEO, White Arkitekter.

BSA DEBATES SPRINKLER SYSTEMS AT CABE BUILT ENVIRONMENT IRELAND CONFERENCE The Business Sprinkler Alliance (BSA) was pleased to lend its support and promote awareness of sprinklers at the Chartered Association of Building Engineers (CABE) Built Environment Conference Series Ireland, taking place in September in County Roscommon. Following the theme of Performance, Compliance and Safety, CABE’s Built Environment Ireland Conference was held at the Hodson Bay Hotel in Athlone. Attracting expert panels interacting with a wide range of construction professionals including building engineers, building certifiers and fire engineers, this technical leadership conference featured content specifically related to the Irish Regulations. The keynote address from the Principal Advisor of the Building Standards Advisory Unit, Sarah Neary, shared an insight on the direction of travel in Ireland. This highlighted common concerns, including sustainability, quality, and the need for more housing.

It is clear that sprinklers have a role as the regulatory guidance evolves and there is great use of sprinklers within the market in Ireland. This can be seen in the consultations that have taken place and currently running in Northern Ireland. These consultations see Northern Ireland regulatory guidance aligning with England considering materials on residential buildings over 18 metres and sprinklers in residential buildings over 11 metres. In the Republic, the guidance changes will approach the use of sprinklers in multi-storey residential buildings as a measure to offset open plan living and internal arrangements. More importantly, they clearly signal a change for warehousing to define it as a high risk attracting sprinklers at much lower compartment sizes. The Business Sprinkler Alliance advocates greater business resilience by enhancing protection against fire through the increased acceptance and use of fire sprinklers in commercial and industrial premises.

Architect Projects

At the busy event, the BSA met with building control officers, building engineers and government officials. This technical conference gave the BSA the ideal platform to discuss the benefits of sprinklers to protect people and their

property, and how active fire protection can play a role in sustainability.

For more information visit www.business-sprinkler-alliance.org

Figure 1: The development of a beautiful modern house in Hamstead Village by Square Feet, illustrating a structure that blends seamlessly with the surrounding environment while delivering a contemporary dwelling that is built to endure.

DESIGNING FOR TOMORROW: THE ARCHITECT’S QUEST FOR LASTING BEAUTY By Daniel Leon, Founder and Director of Square Feet Architects Architecture is a transformative craft. It has the remarkable ability to shape the world we inhabit by bridging gaps and fostering a sense of togetherness, leaving a lasting impact on the communities they serve. This is the goal of every architect; to create a positive lasting space that improves the quality of life for the generations to come.

Architect Projects

Despite the fact we can simplify the goal of the architects of the past, present, and future into a single sentence, how we achieve this goal is not as simple. It doesn’t come down to the results of one project, proposal, or sentence. Rather it is an architectural philosophy that acknowledges the significance of building for beauty and longevity, placing a strong emphasis on creating structures that not only serve their practical purposes but also stand the test of time as enduring works of art.

Beauty and Endurance The first pillar of our architectural philosophy revolves around building beautiful structures that will last for generations. Beyond merely providing shelter, architecture should inspire and elevate the human experience. The interplay of form, function, and aesthetics results in buildings that not only serve their practical purposes but also bring joy to those who inhabit and interact with them. Beauty in design has the power to uplift spirits, promote a sense of pride in our communities, and foster a collective identity. Quality in Civic Building Design However, beauty alone is not enough. To ensure the endurance of our creations, we must build with uncompromising quality and standards. This principle is particularly crucial when designing civic buildings, which often become symbols of a community’s values and aspirations. Elevating the infrastructure around these buildings means setting a new benchmark for architectural excellence, instilling a sense of permanence, and leaving a lasting impact on the landscape.

FEATURE Redevelopment and Refurbishment Turning existing buildings into enduring, beautiful structures through redevelopment and refurbishment demands a distinct level of creativity and problem-solving. It involves taking structures with solid foundations and breathing new life into them, resulting in aesthetically pleasing spaces that cater to our evolving society’s needs. In bustling cities like London, where a mix of valuable architectural heritage and disused spaces coexist, redevelopment becomes an opportunity to preserve the city’s history while leveraging prime real estate.

building for the future, shaping spaces that endure and inspire. By focusing on creating beautiful buildings that stand the test of time, we contribute to a shared sense of pride and identity within our communities. Elevating the infrastructure around civic buildings ensures that they become symbols of architectural excellence and societal progress. Moreover, through redevelopment and refurbishment, we can preserve our architectural heritage and create spaces

that cater to the ever-changing needs of our society. As architects, we hold the power to shape the world we live in and to leave behind a legacy of enduring structures that enrich lives and stand as testaments to human creativity and ingenuity. Figure 2: Square Feet’s regeneration of an old shoe factory in Northwest London into three charming mew houses and six stylish flats, successfully changing the purpose of this preloved factory, bringing it back to life while adding nine much-needed housing units to the area.

Beyond fulfilling the desire to build in coveted locations, redevelopment offers a sustainable alternative to new construction, reducing our environmental impact and fostering a circular economy. Given the ongoing debate regarding the demolition of the M&S Oxford Street store, with Levelling Up and Housing Secretary, Michael Gove, rejecting the proposal last month due to environmental concerns, it’s clear that redevelopment and refurbishment are becoming governmental policy, in effect, as we must reuse buildings creatively, turning to demolition as a last resort.

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DAMIAN BARKER, FOUNDER AND CEO OF Verus Construction DISCUSSES Sandmoor Avenue

PROJECT

The goal of the project was to create an elegant, spacious and functional home for a family of four, that still reflected some of the history of the original house, which was built in the 1950’s.

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project created an exceptional family home on the quiet Sandmoor Avenue in North Leeds, with six bedrooms and bathrooms, a large, freestanding glass sauna, an open plan kitchen diner, a hidden utility room, boot room, playroom, gym and yoga studio, a modern office and balcony, a wine wall, three reception rooms and a gallery room with large glass doors leading out to an impressive and secluded garden.

Founded in 2009 and based in Yorkshire, Verus Construction, the luxury residential specialist, creates luxury, unique homes and distinctive housing developments across Yorkshire. The construction company already represented a strong portfolio of successful, large-scale projects and was recommended to the client via the renowned Yorkshire-based Architects, Studio Map. Founder Damian Barker’s expert skills in all aspects of construction combined with thorough organisation and attention to detail has helped him build an

extensive portfolio won 100% through recommendations as he invests in seeing every project through end-to-end. Since its launch, Verus Construction has grown from small scale extension projects to specialist and unique multi million pound projects within just over a decade. Sandmoor Avenue: The design team included Studio Map, Adept Consulting Engineers and Verus Construction, whose skills, expertise and attention to detail are showcased throughout Sandmoor Avenue, its latest impressive home project. The completed

The goal of the project was to create an elegant, spacious and functional home for a family of four, that still reflected some of the history of the original house, which was built in the 1950’s. An entire glass exterior, glass doors and exposed bridge staircase were essential to creating a home that celebrated minimal luxury, bringing elevated artistic features to the home whilst creating a calm, peaceful and cosy house that felt like home. Modern statement glass doors have also been used at the front entrance, bringing unique style and colour to the home as well as a statement chandelier which holds hundreds of individual light bulbs.

Architect Projects

Building Awards Winners

ALUPROF’S GUESTS ENJOYED THE GALA NIGHT AT THE BUILDING AWARDS By Wojciech Brożyna - MD Aluprof UK Organised by Building magazine, this year’s 2023 Building Awards did not disappoint with some of the biggest names in the industry including HLM Architects, CPC Project Services, Berkeley Group and Mace who all secured trophies at the awards dinner. This year’s event, attended by over 1,100 guests, took place on the 7th November at the Grosvenor House Hotel in London’s Mayfair and was hosted by comedian Rob Brydon. Mace won the ‘Major Contractor of the Year’ title and the ‘Building Magazine Project of the Year’ title, sponsored by Aluprof, for the Battersea Power Station Phase 2 project. Mark Reynolds, the chief executive of Mace and co-chair of the Construction Leadership Council, was among the other winners, securing the CEO of the Year award. The accolades for CEO and Client of the Year are selected from shortlists created by the industry judging panel, with Bournemouth, Christchurch, and Poole Council receiving the client award.

Wojciech Brozyna Aluprof UK Managing Director

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Congratulations to Mace on their success at tonight’s event, particularly for securing the prestigious ‘Building Magazine Project of the Year’ title, which we proudly sponsored.

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Phase 2 of the Battersea Power Station project comprised of the transformation of the former power station, along with a new energy centre and riverside park for the iconic London landmark.

DOORS, WINDOWS & FITTINGS Aluprof UK’s guests

Chloe McCulloch (editorial director at Building Magazine)

Aluprof UK sponsored two tables at the event and key accounts managers were joined by guests from Alliance Facades, Denval, Berkley Group, Stanmore, BAM, Britplas, Elite Aluminium and BB7 Facade Engineering. Aluprof Managing Director, Wojciech Brozyna, commented, “This event is a highlight of the year for us and we are again honoured to be able to sponsor one of the most prestigious event of the construction industry in the UK this evening. Congratulations to Mace on their success at tonight’s event, particularly for securing the prestigious ‘Building Magazine Project of the Year’ title, which we proudly sponsored”.

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This event is a highlight of the year for us and we are again honoured to be able to sponsor one of the most prestigious event of the construction industry in the UK this evening.

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The refurbished power station envelope now forms the centrepiece of the 42acre development which was funded by a consortium of Malaysian investors in 2012. Now complete, the two large former turbine halls accommodate over 100 shops and restaurants. The redevelopment also boasts over 250 new homes, around 500,000 square meters of office space, that includes Apple’s new London Campus and a 2,000 capacity events venue.

Left to right: Wojciech Brożyna - MD Aluprof UK, Mace Battersea Phase II team and Rob Brydon - Comedian.

Battersea Phase II

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Aluprof are proud to be one of Europe’s largest aluminium systems companies. Specification support is available through the company’s website at aluprof.co.uk, directly from their UK head office in Altrincham or from their London office at the Building Design Centre by phoning +44 (0) 161 941 4005.

TOUCH IRONMONGERY LTD

YEARS 82

EST. 19

www.atouchofbrass.co.uk 210 Fulham Road, Chelsea London SW10 9PJ

CELEBRATING 40 YEARS One of London’s leading Architectural Ironmongers

riginally called “A Touch of Brass”, TOUCH changed their name in 2003 in reaction to advancing market changes in architectural Ironmongery to reflect the broader range of products and finishes that they sell. In fact today Touch supply 20 different finishes including Brass, Satin Brass, Polished Chrome, Polished Nickel, Satin Nickel, Copper, BMA, Antique Brass, Black, Pewter, Ceramic, leather, Stainless Steel, Satin Stainless Steel, Gun Metal & 4 different shades of Bronze and the list keeps growing. Whatever finish you require, Touch can help you get the right look. Touch occupy their recently refurbished showroom at 210 Fulham Road, Chelsea, where they stock and display a vast range of their 5,000 products. With a customer base including Architects, Interior Designers, Builders and private Individuals who are interested in the quality end of the Ironmongery market, the company also have a healthy export market to all corners of the world, namely the Middle East, Europe and the Americas.

Touch Ironmongery’s owner and founder, Bill Benham, has 42 years’ experience in the Ironmongery trade, as does his colleague Jim Haselup. Saleem Qureshi is the newest member of our team and has 21 years’ experience, meaning their knowledge is unrivalled in this industry. The range of products supplied by Touch date from circa 1640 French (Louise XIV) and cover all subsequent periods (Georgian, Edwardian & Victorian), Art Deco and contemporary pieces also make up the product ranges. Touch showcases the very best of British manufacturing; the best ranges are still produced in the Midlands by craftsmen in factories dating back 200 years or more. Touch Ironmongery have recently become suppliers for Designer Doorware (Australia) Who have beautiful products with a cutting edge design Metal, Wood and concrete. We also have the exclusive rights to sell the Olaria (Barcelona) range in the UK. Olaria make all our bespoke products, they have incredible levels of workmanship.

Touch also sell European manufactured goods which are considered to be of a very good quality. With trends continuously evolving new and innovative products are constantly under development. Touch understand that keeping up with the fashion-shifts is imperative in order to provide every customer with the best solution for their requirements. Ironmongery can be a difficult and complicated aspect of a building project, as a result Touch aim to take this awkward aspect and make it user friendly and clear to understand by offering an on-site service where they carry out a detailed door by door, window by window, room by room Ironmongery schedule, highlighting all requirements and identifying all requirements. Restoration is a large part of the business Touch will undertake complete Ironmongery refurbishment projects, and can restore old paint covered door furniture to their former glory, looking as good as new again at a fraction of the cost to replace.

For more information about Touch Ironmongery or to arrange a showroom visit please call 0207 351 2255 or alternatively visit www.atouchofbrass.co.uk

BRITISH & EUROPEAN MANUFACTURERS

SUPPLYING THE FINEST QUALITY IRONMONGERY Touch combine traditional skills with modern manufacturing techniques to produce the most beautiful, quality fittings, built to stand the test of time. As well as specialist bespoke items, Touch supply over 1000 products, available in 23 different finishes to furnish high end residential and commercial properties, royal palaces, government houses, historic castles and stately homes. Olaria, available from Touch Ironmongery

www.atouchofbrass.co.uk & www.olariabarcelona.com

DOORS, WINDOWS & FITTINGS

KEYLITE OFFERS FREE RESOURCES TO HELP WITH THE SPECIFICATION OF ROOF WINDOWS Keylite has created a video advising architects, specifiers and housebuilders on how to choose a quality roof window that prevents cold bridging. Topics covered include thermal performance, solutions for new homes, technical detailing and Keylite innovations. In addition, Keylite is offering a free CPD webinar entitled ‘Addressing Thermal Performance’. With a focus on assured thermal efficiency, Keylite’s webinar tackles the performance gap in roof window specification, providing solutions as to how thermal performance can be assured to achieve Part L and avoid thermal bridging, condensation and heat loss. The CPD is hosted by Keylite Specification team, Executive Cathal McShane and John Logue, Business Manager (Flat Roof Systems), featuring advice and recommendations from the BRE and NHBC. Research has shown that up to 97% of roof windows are installed without a proprietary thermal collar. Keylite prides itself on developing innovative, quality solutions, and that’s why it is the only manufacturer to offer a thermal collar as standard in all its roof windows, at no extra cost.

This feature ensures the thermal integrity of the window and roof is as designed, thus removing the reliance on an additional thermal collar, and helping achieve Approved Document L recommendations concerning thermal performance. It also improves airtightness, Psi Values for SAP, making it a huge hit with architects, specifiers and housebuilders across the UK and Ireland. Specifiers are also choosing Keylite due to its other multiple awardwinning innovations. Pre-fitted flick-fit brackets enables installation in under two minutes, while sash finger spring technology allows installers to refit the sash into the frame in one easy motion. These features help contribute to a more cost-effective and efficient installation process, which housebuilders and contractors value highly.

To watch the video, book a CPD presentation or to upload architectural plans, visit www.keyliteroofwindows.com/architects, email cathal.mcshane@thekeystonegroup.co.uk or call 01283 200 158.

Traditional Timber Windows and Doors

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High quality, energy efficient timber windows and doors. Conservation Area specialists. Supply only, supply and install, secondary glazing, and draught proofing.

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DOORS, WINDOWS & FITTINGS

OVER

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REFLECTANCE

If you know of a blind that gives more than 80% solar reflectance, use it.

If not, visit www.reflex-rol.co.uk De Leeuw Ltd., incorporating Reflex-Rol U.K. and Mermet U.K. are associate members of ES-SO

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Reflex-Rol (UK) Insulating Solar & Glare Control Systems

Reflex-Rol (UK), Ryeford Hall, Ryeford, Ross-on-Wye, Herefordshire HR9 7PU Tel: 01989 750704 Email: info@reflex-rol.co.uk Online: www.reflex-rol.co.uk

THE BBA LAUNCHES PATHFINDER SERVICE TO ENHANCE CERTIFICATION PROCESS The British Board of Agrément (BBA) is streamlining its certification process through the introduction of BBA Pathfinder as part of its certification offerings. This new service is designed to empower manufacturers and their teams to embrace innovation, enhance efficiency and elevate industry standards through certification. The new service is a direct response from valuable client feedback. BBA is improving its processes to ensure that manufacturers are well-prepared and equipped with all the necessary information before they embark on their certification projects. It also provides a clear roadmap to certification, eliminating uncertainties and potential roadblocks, to enable a smooth and efficient journey to certification.

The process helps those who are looking to take the next step into certification and helps manage and mitigate any risk involved. This process clarifies your readiness before any commitments are made and gives the chance to manage your product development plan, manage stakeholders, and keep an eye on budget and future revenue opportunity more accurately. It’s also designed to help start-ups, SMEs, and those who are launching something new or unusual and never been certified before. Through this process, the BBA will explain how product certification works, giving the critical tools needed to be able to accurately budget, plan and deploy product innovation initiatives.

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“BBA Pathfinder represents a significant leap forward in our mission to help manufacturers, foster innovation, and elevate industry standards, while acting on valuable client feedback to deliver an improved client experience,” said Tara Deller Hoy, Chief Operating Officer at

BBA. “The initiative builds upon recent roundtable discussions at BBA, where we explored how to enable and support innovation in the industry. We look forward to driving positive change and partnering with manufacturers on their certification journeys and helping them achieve their goals.”

For more information on the BBA, visit www.bbacerts.co.uk

DOORS, WINDOWS & FITTINGS

IS IT TIME TO PIVOT TO A DIFFERENT DOOR SOLUTION? We sat down with Richard Kowalski, Technical Manager at Stairways Midlands, a leading UK manufacturer specialising in high-quality stairs and doors, to delve into pivot doors, discussing the applications of this stylish and functional door solution. When considering doors for a residential or commercial space, pivot doors are an interesting option. In contrast to the conventional hinged doors, where a panel is attached to a frame on one side, pivot doors rotate around a vertical axis within the panel itself, not only transforming look and motion of the door, but also offering potential benefits. Aesthetic Appeal and Innovative Design

Architect Projects

A pivot door essentially consists of the door panel and pivot hinge system. The pivot hinges are mortised within the bottom and top of the door, fitting into a floor plate and a head plate. Unlike traditional hinged doors, which are constrained by the strength of their hinges and

screws securing them to the frame, pivot hinges exhibit remarkable robustness. They can accommodate a wide range of designs and dimensions, even accommodating materials like metal and stone, all while opening with a gentle push. Consequently, they lend themselves to grand aesthetics and can serve as a striking design focal point. Richard Kowalski of Stairways Midlands elaborates: “The pivotal advantage of pivot hinges lies in their ability to support exceptionally heavy doors. We’ve used them for hanging door panels of staggering weight, clad in with diverse materials. They are equally adept at handling oversized doors, whether in terms of height, width, or more. When faced with such design requirements, a pivot door is often the only viable option.” “Pivot doors are most commonly seen in high-end architect-designed homes, where architects seek distinctive and unconventional solutions. Their unique appearance and motion make pivot doors a compelling statement piece.”

DOORS, WINDOWS & FITTINGS

Installation and Maintenance

The nature of pivot doors unlocks a realm of design possibilities. Pivoting glass panels offer an stylish means of seamlessly connecting a room to an outdoor space, replacing the need for sliding doors. Pivot doors can also function as room dividers, creating spaces that can be easily opened or closed to adapt to privacy or flow requirements – although standard hinged doors can still work better as room dividers as they can fold back 180 degrees. Richard adds, “Pivot doors are typically bespoke items, and the range of creative possibilities is boundless. We once had a client exploring the idea of a pivoting bookcase between the master bedroom and the office. There is so much you can do with them – especially with a creative architect on board.”

Generally, pivot doors require minimal maintenance over time. As Richard explains: “Pivot hinges are considerably more robust than standard hinges, mitigating concerns about screws loosening or doors sagging over time.” However, pivot doors do involve slightly higher costs in terms of ironmongery and necessitate specialised installation, he adds: “You can’t pre-hang a door in a frame with a pivot door. The bottom pivot must be securely fastened to the floor, demanding additional effort and expertise on-site. Ensuring the floor is absolutely level is imperative. Achieving acoustic standards can also be more challenging due to the door’s nature, but with appropriate seals and materials, pivot doors can easily meet fire and smoke resistance standards up to FD60.” The Future of Pivot Doors So, with all these advantages, are pivot doors poised to supplant traditional doors? “I don’t believe so,” says Richards.

“The marginal added costs and the requirement for a wider wall opening typically make standard traditional door sets the preferred choice in large-scale residential developments.” “Nevertheless, in public and commercial spaces, pivot doors have proven themselves practical solutions, excelling in some areas where traditional doors fall short. In architecturally designed homes in particular, pivot doors can provide a bold and distinctive aesthetic statement beyond what you can achieve with a traditional door.”

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Pivot doors can also function as room dividers, creating spaces that can be easily opened or closed to adapt to privacy or flow requirements – although standard hinged doors can still work better as room dividers as they can fold back 180 degrees.

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Pivot doors are most commonly seen in high-end architectdesigned homes, where architects seek distinctive and unconventional solutions. Their unique appearance and motion make pivot doors a compelling statement piece.

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says Richard: “Many of our clients now request ‘Safehinge’ doors, which essentially function as pivot doors, but with the pivot axis positioned almost at the edge of the panel. This design incorporates a specially engineered aluminium strip at the hinged side of the door, eliminating any gaps during opening and closing and preventing finger trapping. It’s a popular maintenance-free solution which eliminates the need for unsightly and wear-prone finger guards.”

A Practical Choice for Accessibility Another defining feature of pivot doors is their ability to open in both directions, making them ideal for high-traffic areas like leisure centres, schools, or hospitals, where the two-way opening facilitates the movement of beds, trolleys, or wheelchairs. Richard adds: “In many situations, especially for individuals with limited mobility, pushing open a door is significantly easier than pulling it toward you. “In disabled restrooms, especially in hospitals, pivot doors are commonly installed. Traditional restroom doors open inward, which could pose a problem in emergencies. Pivot doors, on the other hand, can be opened outward, allowing for quick access in case to someone trapped inside in an emergency.”

Architect Projects

The ability to create wider openings using a pivot door is another advantage, accommodating larger electric wheelchairs, mobility scooters, or the movement of equipment in commercial settings. Pivot doors are also finding innovative applications in schools and nurseries,

FUTUREBUILD 2024: SHOW PREVIEW

FUTUREBUILD 2024: SHAPING THE FUTURE OF ARCHITECTURE THROUGH INNOVATION AND COLLABORATION Futurebuild, the built environment’s most influential event for innovation and collaboration is back for its 18th year, taking place at London’s ExCeL from March 5 – 7 2024. The event, which is set to be the most impactful yet, will continue its mission in taking a stand for a better built environment, providing architects with a platform to explore groundbreaking ideas, creative innovations, and essential collaboration aimed at building a greener and more resilient future. More than 20,000 professionals from across the entire supply chain including architects, planners, urban designers, landscape architects, housebuilders, developers, consultants, contractors and manufacturers will come together to explore real sustainable building materials and practices and methods of delivering construction projects that are smart and sustainable. Martin Hurn, Event Director at Futurebuild, emphasises the event’s mission to create real, lasting and tangible change in the industry: “Futurebuild is more than just an event; it’s a call for action. A platform to engage, debate and educate. It’s where global industry leaders, experts and professionals passionate about improving their industry come together to shape the future, which requires substantial change and real courage. We exist to amplify the voices of others, bringing their ideas, initiatives, and innovations to the forefront of our collective conscious. By uniting the industry, we can drive real change and create a better built environment for future generations.” This year, Futurebuild encourages participants to act on the pledges that were made at the 2023 event, urging architects to demonstrate their commitment to a better

built environment and showcase their climate-conscious initiatives.

What’s new for 2024: more collaboration, more innovation

Collaboration is key

• Share your vision, show your stripes, and

Futurebuild collaborates with over 70 partners and more than 500 speakers to make sure it can continue to spearhead innovation through collaboration in the built environment. Partners this year include UK Green Building Council, the Royal Institute of British Architects (RIBA), the Passivhaus Trust, Architecture Magazine and many more.

embrace the change underscores the conference’s focus on climate change action and collaboration for a better built environment.

• The National Retrofit Conference curated by the Retrofit Academy is a three-day programme that will delve into delivering retrofit solutions across the UK, from policy to practical implementation.

• The FutureX Innovation Area returns for

start-ups and SMEs to showcase scalable innovations for architects, and features a ‘Dragon’s Den’ style Big Ideas Pitch to recognise the best innovative idea or solution for 2024.

• Innovation Gallery, Big Innovation Pitch,

and Innovation Trail will be platforms for partners to present groundbreaking products, solutions, and materials to excel the architectural industry, with live announcements of winners.

Knowledge sharing Visitors can expect seven zones, including The FutureX Innovation Area all with dedicated exhibitors and a targeted seminar programme for each zone. Other show sections include Materials, Retrofit, Sustainable Infrastructure, Energy, Buildings and Digital.

Architect Projects

Architects are invited to join Futurebuild 2024, take a stand, and be a part of the solution in shaping the future of the built environment. For more information and exhibitor enquiries, please visit www.futurebuild.co.uk.

05-07 March 2024 / ExCeL, London

05 - 07 March 2024 ExCeL, London

what will you take a stand for? Driving Collaboration and Innovation for a Sustainable Built Environment at the sectors most influential, large scale exhibition and conference. Futurebuild is more than an event; it’s a call for action. It’s a platform to engage and collaborate, and a stage for debate. It’s three days of education and dissemination of knowledge, and a showcase of innovation.

Take a stand for a better built environment.

www.futurebuild.co.uk

Join us at Futurebuild 2024

Frontage of Sadler’s Wells East showing the canopy. Courtesy of Sadler’s Wells.

SCHÖCK CHOREOGRAPHS BESPOKE CANOPY AT SADLER’S WELLS EAST Sadler’s Wells East will join the rich cultural heritage of the East Bank development at Stratford, when it opens in 2024 at London’s Queen Elizabeth Olympic Park. The design has many distinctive features, but externally a major focal point is the cantilevered canopy which runs the length of the frontage. Designed to carry a precast green roof, there were a number of design challenges, including the very high support loadings carried by the end profile of the in-situ RC cantilever beams. Enhanced by the saw-tooth roof design, which reflects the industrial heritage of the site, the new theatre building has an

auditorium that will present midscale work; with 550 foldaway seats to create a more flexible, flat floor area, which will suit a range of dance formats. Six studios are working spaces with natural light and most of these have direct access to terrace spaces with views over the park. The L-shaped public ‘living room’ foyer will wrap around the building, opening out onto Stratford Walk and the public realm, where there is also outside performance space. It is a resource for the whole of the UK, offering a destination venue for dance companies around Britain and hosting the best work from international choreographers. Running the length of the frontage is a cantilevered canopy, designed to carry a precast green roof – and this presented a number of design and structural challenges.

Architect Projects

A bespoke solution from Schöck

Isometric viewed from above. Courtesy of Architect: O’Donnell + Tuomey.

The full length of the canopy is around 51m and it involves very high support loadings, which have to be carried by the end profile of the in-situ RC cantilever beams – each 500mm wide x 950mm deep, with an overall cantilever of 4.6m. The span between the beams is 4.2m with a total of 12 beams making up the full length of the canopy. In the normal permanent condition the moment and shear loads were 900kNm and 360kN respectively.

Isometric viewed from below (cantilever beam highlighted in red). Courtesy of Architect: O’Donnell + Tuomey. Due to the complexity of the loads and arrangement of the bespoke Schöck Isokorb elements required to transfer such high forces into a relatively small concrete section of beam, the main supporting Isokorb rods were designed using Finite Element Software. The cantilever beams are aligned with internal supporting beams which allow the internal sections of the Isokorb rods to penetrate far enough into the structure to distribute the demanding loads. In addition, it was necessary to consider bomb blast loading which introduced uplift forces. So the design had

Six studios are working spaces with natural light and most of these have direct access to terrace spaces with views over the park.

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to accommodate loads in both positive and negative directions for both moment and shear.

A typical beam section. Courtesy of Architect: O’Donnell + Tuomey.

Deflection and natural frequency Very tight deflection requirements and natural frequency had to be overcome too. The Isokorb detailing was once again calculated using Finite Element Software, with the contractor and design teams providing values for both long-term deflection and dead load deflection only – which determined the amount of precamber required during the construction of the beams. This was a challenging section to model and calculate, due to the additional support factor of the raked end which sits on a rigid wall. Conventional Schöck Isokorb structural thermal breaks were also incorporated into the project at level two, for a much less technically demanding smaller canopy.

One of the deformation plots completed to show expected deflection to a given load combination – this is for dead load only.

Expansion and contraction issues as well size, it has the advantage of enabling higher loads to be installed in thinner slabs and walls. On-site reinforcement is optimised and Stacon provides a reliable and

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economical alternative to other expansion joint constructions.

Totally verifiable performance The dependable and fully compliant range of Schöck Isokorb structural thermal break solutions helps projects meet full compliance with the necessary UK Building Regulations. There are solutions for concrete-to concrete, concrete-to-steel, steel-to-steel, renovation projects – and even a maintenance free alternative to wrapped parapets. All products have the security of independent BBA Certification, which provides NHBC approval. Also, the newly introduced Stacon dowel product has been awarded United Kingdom Technical Assessment (UKTA) along with fire protection classification R 120.

Contact Schöck on 01865 290 890; or for full details of the Isokorb and Stacon products visit the solutions page on the website at www.schoeck.com/en-gb/solutions

Architect Projects

Typical view of Stacon type SLD dowels in position

The dependable and fully compliant range of Schöck Isokorb structural thermal break solutions helps projects meet full compliance with the necessary UK Building Regulations.

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The length of the main canopy and size of the rods required to transfer the main forces, meant that consideration also had to be given to the thermal stresses that would be caused by the expansion and contraction of the external concrete. Expansion joints therefore had to be introduced at every third beam (approximately 8.4m centres) which carry the load from one set of precast canopy sections onto the supporting beam, with the other canopy sections resting onto the beam directly. Schöck incorporated its newly introduced heavy-duty Stacon shear force dowel type SLD for the expansion joint requirements. This new dowel is a uniquely compact product and as the anchoring bodies have been reduced in

INTERVIEW

STEFAN PITMAN Q&A WITH STEFAN PITMAN, FOUNDER OF SPASE What determined your passion for architecture and design? Tell us about the moment you decided this was the career for you? I was very young when I decided architecture was the path for me, it was during my early teenage years. My parents were friends with a prominent Architectural Association architect, who often talked about aspects of the industry and his role it was this that really inspired me to pursue architecture as a career. Aside from this, I have always been interested in design and the idea that designing with real purpose can affect positive change in people’s lifestyles and wider communities. I started my training aged 18 and completed all my training via distance learning - MRICS certification, CIAT accredited qualifications in Architectural Technology and MSc in Conservation of the Historic Environment. Talk us through your day to day as MD of a successful Architecture practice Sadly, it doesn’t involve so much drawing anymore! I always start the day with a coffee before heading to the office for our morning meeting to run through the team’s tasks and highlight priorities and projects for the day. I then have two or three meetings over the course of the day, either with clients, interior designers or planning officers. I also head up design meetings or progress construction with contractors, and prepare presentations on our work and make recommendations to organisations such Historic England or Historic Royal Palaces. I particularly enjoy contract administration, running projects on site and seeing our designs brought to a successful conclusion before handing them over to clients.

turn, the best end result possible. When clients say that you have gone over and above their expectations, or you have delivered something they never thought possible, it makes all the hard work worthwhile. What are your most recently completed projects at SPASE? Our recent work includes the concept for an elevated and cantilevered ‘floating’ home with panoramic views of the Jurassic Coast. ‘The Hills’, is an architecturally notable addition to the landscape overlooking the English Channel and offers its owners a subterranean bedroom, generous entertaining spaces with a fully glazed sea facing elevation, outbuildings for boats and sea sports equipment and high values of energy efficiency. Another project that has been one of real passion project for me has been the multiyear restoration of The Sherborne, a 13th century property that is being transformed into a community arts hub and cultural destination. This complex project involves the meticulous renovation of the Georgian mansion and Medieval wing and the construction of a striking new pavilion with copper roof. We have had to liaise closely with Historic England, Dorset Council and specialist heritage consultants, utilising sustainable materials in keeping with the local architectural vernacular throughout the project.

updating of a charming Grade II listed thatched cottage, ‘Old Came Rectory’. Formerly the home of Reverend William Barnes, known to be Thomas Hardy’s tutor, we navigated highly challenging listed building consent, gaining permission to implement new internal joinery, bathrooms and ensuites and an overall improved interior layout, often very hard to achieve within thatched homes. What has been your favourite project and why? My favourite project to work on has to be The Sherborne - taking a historically significant building that has been a landmark in Sherborne for centuries, preserving its historical integrity whilst ushering it into a new era for the town is a huge honour. A legacy project by the late British entrepreneur Michael Cannon, the vision for The Sherborne has always been to create a building for the local community which celebrates the artistic talent of the South West. Being able to interpret the client’s legacy and breathe new life into a building that has been on the ‘At Risk’ register for 30 years, is a one in a lifetime opportunity and career highlight for me. Continued >>>

On a smaller scale, our recent residential projects include the renovation and Old Came Rectory

Athelhampton House

What motivates and inspires you?

Architect Projects

Good design is a key motivator for me and working with a client who gives you the opportunity to provide this is incredibly fulfilling. In turn, interpreting our clients’ requirements and transforming them into a scheme that really works for them and their lifestyle is fantastic. I also enjoy building lasting relationships with my clients and getting them to buy into our work - showing them the various stages of the design and explaining how and why it progresses is crucial. A lot of people think architects simply draw pretty pictures but at SPASE we work very closely with clients through the entire process. In my experience, this creates a stronger understanding of the client’s needs and in

INTERVIEW

How do you overcome barriers/obstacles? This is part and parcel of my job, something I deal with regularly and thrive on personally. The key to solving problems is to break the issue down into smaller parts and understand how to deal with these elements individually. Once you’ve done that, the obstacle itself appears much smaller and easier to overcome. Can you tell us more about SPASE’s work on carbon zero heritage projects? We have just completed the final phase of works at Athelhampton, which saw the reworking of a Grade I listed Tudor estate into an operationally carbon neutral building. Mentioned in the Domesday Book, the ancient manor of Athelhampton has been continually lived in since the Saxon times. The current house was largely constructed in the Tudor period, with the

Architect Projects

The Sherborne Pavilion - Image © Lolly Agency

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Architecture can be incredibly fulfilling but it is a lifestyle rather than a job, so you need to be prepared for that.

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Aside from its status, what has made the work so interesting is that it combines several projects in one: exterior landscaping, restoring the period wings and house and creating a new purposebuilt pavilion. The 22-foot high, bespoke curved structure has been crafted from eco-conscious glulam. Taking over two years to plan, we worked with Buckland Timber to design the self-supporting roof structure and ceiling, formed of 17-metre pieces of laminated European spruce, each weighing 1.5 tonnes, joined together with hidden steel flitch plates and secured with hidden dowels. I’m really proud of our work on the project and look forward to seeing it complete in the spring.

Great Hall built by Sir William Martyn in 1485. With a lineage of aristocratic owners, Athelhampton now enters a new era as the blueprint for sustainable heritage architecture. Our modernisation of the project is now being studied by the likes of specialist heritage building groups SPAB and HRP. Nationally recognised as the first building of its kind to achieve Net Zero status, we delivered a sympathetic modernisation of the heritage site, resulting in the elimination of approximately 100 tonnes of CO2 per year. Our work on the project has resulted in the instruction on six further Grade I listed estates, including a Medieval manor believed to be Dorset’s oldest domestic building. Can you talk more about different ways to winterproof your home? Start with the basics first: 1. Most heat loss is through the roof and wall openings. Roof insulation, unless the ceiling is vaulted, can usually be low cost to lay, and even if vaulted it can be provided and pay dividends.

Roof insulation can cost a few hundred pounds if done yourself, or a few thousand pounds if more challenging and by employed persons; however that money will be returned to you in a couple of years. 2. Simple options to re-glaze, fit weatherstrips, or secondary glazing can be low cost, whilst replacement fittings will be more. 3. The windows and doors are often poorly installed, drafts and with inefficient glazing, these are also relatively low cost to upgrade or replace. 4. Change all light fittings to LED, which are low wattage and low cost to run. Do you think that architecture plays an important role in today’s society? Absolutely, because it impacts everyone in their day to day lives and has repercussions on how people respect their community, society and socially. For private clients, architecture is about equipping individuals and families with the space to relax and find peace, inspire them and make their daily lives easier and ultimately, happier. What would your advice be to anyone that wanted to start their own architecture practice? Go into it with your eyes open and be prepared to put in the hours, as you only get out what you put in. Architecture can be incredibly fulfilling but it is a lifestyle rather than a job, so you need to be prepared for that. Website: www.spase.co.uk

PEOPLE ON THE MOVE

PROMOTION CONFIRMS NEW STUDIO DIRECTOR FOR RG+P BIRMINGHAM Midlands’ Architectural Practice of the Year, rg+p Ltd has announced the appointment of a new studio director for Birmingham. Jack Whitehead has become the practice’s youngest current director, assuming responsibility for rg+p’s continued growth in the West Midlands. “Birmingham has a vibrant and thriving property sector encompassing impressive regeneration and infrastructure projects that are creating diverse opportunities to transform the urban fabric,” said Jack. “The city itself boasts a dynamic blend of historic charm and modern innovation, which from an architectural perspective is exciting as it allows for experimentation and evolution. As the newly appointed studio director for Birmingham, I’m inspired about the possibilities this presents. I am actively seeking to strengthen and expand our local connections, enabling us to continue making tangible contributions that transform the cityscape.” Jack’s career with rg+p commenced in 2018 when he joined as a Part

I Architectural Assistant in the practice’s Leicester studio. For his Part II placement, Jack moved to Birmingham, where alongside acting as project lead he also began assisting with day-to-day management. Jack’s leadership, attention to detail and determination has not only helped his career develop, but also led to him receiving various accolades during his training. Most notably, these include nominations for the RIBA Silver Medal and AJ student award, and being awarded the Stanley Cox prize for best overall performance in the Diploma Professional Practice at Cardiff University, an honour Jack believes was pivotal in securing the studio director position. Established in 2019, rg+p’s Birmingham studio is located just off the prestigious Colmore Row. Currently comprising a team of five including architectural and QS specialists, Jack is looking to recruit additional architects, architectural technologists and project managers. Below: Jack Whitehead, rg+p’s newly appointed studio director for Birmingham.

ABLOY UK APPOINTS CASSIE WONG TO FURTHER STRENGTHEN TELECOMS DIVISION Abloy UK is delighted to announce the appointment of Cassie Wong to its Critical Infrastructure division, specialising in the telecoms sector. Cassie’s appointment broadens the skills and experience within the team and further strengthens Abloy’s position in the industry. Cassie previously worked for ASSA ABLOY Hong Kong, building industry knowledge about the construction sector and forging relationships with architects and specifiers. She then went on to become a DipGAI qualified ironmonger, and gained experience around new building projects and specification, ironmongery, hardware such as electric locks, and automation. Cassie will be using her industry knowledge to build relationships and engage with people across the communications sector, including mobile network operators, tower companies, ISP providers and datacentres, as well as postal, radio and TV media operators.

Architect Projects

Cassie commented: “With over 10 years of experience in the construction sales industry, I’m delighted to re-join the ASSA ABLOY family with my role at Abloy UK as a member of the Critical Infrastructure team, looking after the telecommunication sector.”

PEOPLE ON THE MOVE

NATIONAL ARCHITECTS CELEBRATE PASSIVE HOUSE DESIGNER Many organisations are now looking at more sustainable ways to reduce their energy consumption and reduce their carbon footprint. Passive House design is a proven solution that provides a range of approaches to deliver new and existing buildings optimised for low energy usage and focused on occupant health and wellbeing. Backed with over 30 years of international evidence, Passive House buildings provide a high level of occupant comfort using very little energy for heating and cooling. As the construction industry is responsible for 25% of the UK’s greenhouse gas emissions, National Architects, GSSArchitecture are keen to help reduce this statistic, and as a result, are celebrating the latest member of their team becoming a Passive House Designer. Phil Hunt, Senior Associate at GSS, has recently completed his training and passed his examination to become a

Passive House Designer, which means that the Architectural Practice can apply Passive House standards to their new and current schemes, together with fully Passive House projects in the future, therefore increasing the benefits for their clients across the country. In addition to reduced energy consumption, the benefits of Passive House also include increased comfort for the occupants as they are free from draughts, cold spots, and excessive overheating, providing a constant supply of fresh, clean air. In turn, this increases the wellbeing of occupants, especially as people are spending more time indoors than ever before. Alongside their in-house SKA assessor, Eleanor Lee, and their Sustainability, Net Zero, and Health and Wellbeing teams, GSS have been steadily building their portfolio of sustainability services and are well-placed to offer environmentally conscious design solutions to clients across the country.

ARCHITECTING GROWTH: CPMG STRENGTHENS TEAM AT HQ WITH EXCITING HIRES Award-winning architectural practice CPMG continues to expand, strengthening its ranks in Nottingham with three new hires for its city centre headquarters. Matthew Vicary and Christina Agathangelou increase the design expertise in the architecture team.

Meanwhile Jenny Hale steps into a new marketing role, set to transform CPMG’s strategic communications. Both Matthew and Christina are already hands-on in their new positions as senior architect and architect, working on projects across CPMG’s expansive portfolio of education projects, from

feasibility and conception through to delivery. Bringing more than a decade of experience between them, their respective industry experience and skill is set to strengthen CPMG’s architectural capabilities even further. To support with strategic growth, senior marketing executive Jenny Hale joins the team in CPMG’s first marketing-centric role. She will pull on skills developed across more than five years working in marketing roles, working to develop a new strategic approach for CPMG to further its national, award-wining position in the industry.

Architect Projects

Nick Gregory, director at CPMG Architects said: “As a business, we always have an eye on the future and the appointments of Jenny, Matthew and Christina in Nottingham reflect this. We’re continually growing our project portfolio and capabilities, with our architects and interior designers delivering work not just up and down the UK, but internationally too. From improved communications to sector growth, our ambitions are clear and everyone will be contributing to the journey we’re on.” LEFT: From left, Christina Agathangelou, Jenny Hale and Matthew Vicary

PROJECT

PROJECT: Strawberry Hill OB Architecture unveiled their latest project Strawberry Hill, a comprehensive refurbishment of an entire residence in the serene Hampshire countryside. This ambitious project was undertaken in response to the client's aspiration for a complete rejuvenation of the property. After more than three decades in Hong Kong, the client had chosen the British countryside as their new haven. With studios in London, Winchester, and Chamonix, OB Architecture is renowned for its ability to harmoniously blend creativity with contemporary innovation, crafting residences that meet the demands of 21st-century living.

In response to the client's brief, OB also redesigned the entrance, through to the open-plan modernised kitchen, living, and dining area, and further into the new garden room. On the lower ground floor, the spa and pool area underwent a modernisation process, with the addition of expansive plate windows that afford captivating views both in and out of the pool. A cinema and games room were also nestled deep into the plan of the lower ground floor. Throughout the project, a strong emphasis was placed on eco-conscious design elements. Toby Wincer, Director at OB Architects, explains, "We deliberately opted for a GluLam timber frame to replace the existing conservatory, not only for its sustainability but also its costeffectiveness, as opposed to more commonly used steel, aluminium, or UPVC structures. Automated roof lights were then installed to facilitate passive ventilation." Continued >>>

Architect Projects

The focal point of this transformation is a striking circular GluLam timber structure designed in collaboration with Buckland Timber, replacing a dated 80s steel-framed conservatory. The original structure lacked modern comforts and thermal efficiency, necessitating a comprehensive overhaul. The alterations were meticulously calibrated to harmonise with the existing house's proportions, seamlessly integrating with the traditional rural architecture while introducing subtle contemporary details, as per the client's wish for a modern and playful living space. The end result is a captivating contemporary

space boasting 270-degree views of the garden, tennis court, and the idyllic Hampshire countryside. The circular form elegantly mirrors the terrace at the opposite end of the property, creating visual symmetry and cohesion.

PROJECT

Architect Projects

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The circular form elegantly mirrors the terrace at the opposite end of the property, creating visual symmetry and cohesion.

The interior decoration was entrusted to Wilson Martin Interiors, who collaborated closely with OB Architecture and the client to devise a scheme in perfect harmony with the building's character and architectural vision. The Strawberry Hill project stands as a testament to OB Architecture's prowess in seamlessly merging modern design with the charm of rural surroundings. The decision to utilize a GluLam timber frame showcases a thoughtful approach to sustainability, while the inclusion of automated roof lights demonstrates a commitment to energy-efficient solutions. The involvement of Wilson Martin Interiors further underscores the project's comprehensive and unified design approach, resulting in a distinctive and inviting living space for the client. Website: obarchitecture.co.uk

At Martina Ltd, client satisfaction is our top priority. Our team is dedicated to understanding your unique needs and aspirations, ensuring that every project exceeds expectations.

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INTERVIEW

TOM CARDOE ARCHITECT PROJECTS INTERVIEWS TOM CARDOE, HEAD OF RESTORATION AND REMEDIALS AT HENLEY GROUP Can you talk us through your career path? I officially started my career in the construction industry back in 2009, but I’d already been working full time on site as a labourer to help fund my degree. I acquired great experience and made useful contacts during the long university summer breaks and then started my career in construction the very same month as I graduated from Newcastle University, back in June 2009. I’ve held various roles throughout my career, such as, Site Manager, Project Manager and Contracts Manager at firms such as Bolt and Heeks, Barwin, and PAYE.

Tom Cardoe

During this time, I have managed a wide variety of projects including the restoration of famous buildings such as Madame Tussauds: Façade Restoration Project, Buckingham Palace Gate repairs, the V&A Museum where we worked on the Aston Webb screen, Canada House which focused on Trafalgar Square and finally Bloomberg and the Temple of Mithras. These experiences led me to my current role as the Head of Restoration at leading specialist construction firm, Henley Group, where I joined in 2021. Throughout my journey, I’ve enjoyed continuous learning and hands-on challenges while leading a dedicated and brilliant team of experts. My primary goal is to grow the Restoration side of the business and develop the types of work that we complete, ensuring the team around me deliver all projects to the highest of standards. Notable restoration projects myself and the team are currently working on include Manchester Town Hall and Grosvenor Gardens and we’re also scheduled to commence work on Evesham Round House early next year - which are all unique, grade I & II listed buildings. What determined your passion for architecture and to specialise in restoration? My passion for the field was ignited from an early age, growing up with a deep appreciation for the artistry and heritage embedded in architecture. It was the intricate balance between preserving the past and envisioning the future that drew me towards specialising in restoration.

Architect Projects

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Beyond its functional aspects, architecture is a dynamic force that intertwines with our cultural, economic and communal fabric.

Tell us about the moment you decided this was the career for you?

Can you tell us about the restoration work on Rutland Mills? We have undertaken the monumental task of restoring the 19th-century Grade

The completion of the first phase, marked by four diverse buildings, has already laid the foundation for a dynamic space, including work and education areas, event spaces, and culinary delights. As we progress toward the final quarter of 2024, the second phase will complete this remarkable transformation, marking Rutland Mills as a beacon of historic preservation and contemporary creativity in the heart of Wakefield. This regeneration project goes beyond revitalising a derelict space. It will become the largest creative hub outside of London and will be named Tileyard North. By breathing new life into Rutland Mills, we aim to not only enhance the local economy but also rejuvenate a forgotten part of Wakefield. The Battersea Power

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As the world evolves, architecture will play a pivotal role in addressing global challenges, such as urbanisation, climate change, and social inequality.

Station of the North, as we fondly call it, will not only be a cultural hub with music and digital studios but will also feature educational spaces, a hotel, and amenities complementing the Hepworth Gallery. What was involved in the restoration of Rutland Mills? The scope of our work encompasses extensive facade restoration, structural alterations, strengthening and meticulous repairs to bring the mill back to its former glory. Continued >>>

Architect Projects

The defining moment for me was working on the Madame Tussauds façade - this is when I realised that a career in restoration was my calling. Engaging with a variety of projects, I found myself drawn to the nuanced challenges and the transformative power of breathing new life into aging structures. It was a pivotal realisation that my work was not merely about construction - it was about preserving history, culture, displaying craftsmanship, and contributing to the longevity of architectural heritage.

II listed textile mill, Rutland Mills, which had been in a state of disrepair for two decades. Working in collaboration with City & Principal, Stainforth Construction, architects Hawkins Brown, and project manager Opera, we are proud contributors to a broader ten-acre regeneration plan that is revitalising Wakefield’s riverside into a vibrant, mixed-use cultural cluster.

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Throughout my career I’ve been lucky enough to work on a portfolio of key restoration works, from overseeing principal contract projects to delving into the intricacies of listed building repairs, stone, terracotta, brick, and timber repairs and lead roofing.

INTERVIEW Collaborating with esteemed partners like Furness Brick & Tile Co Ltd, we have identified replacement materials that perfectly complement the existing 19thcentury brickwork, ensuring authenticity in every detail. Do you think that architecture plays an important role today?

Do you feel that architecture is changing, and how do you think architecture will be different in years to come? I see architecture undergoing a transformative evolution, driven by societal shifts, technological advancements, and a heightened awareness of sustainability. In the years to come, I anticipate a continued emphasis on sustainable and ecofriendly architecture. The industry is moving towards more responsible and resourceefficient practises, incorporating renewable energy sources, green building materials, and designs that prioritise environmental impact. The fusion of technology with architecture is another exciting prospect. From smart buildings to virtual reality in design processes, technology is becoming an integral part of shaping the aesthetics and functionality of structures.

As the world evolves, architecture will play a pivotal role in addressing global challenges, such as urbanisation, climate change, and social inequality. The integration of innovative technologies, sustainable practices, and a heightened awareness of community needs will define the architecture of tomorrow. The Rutland Mills project is a small contribution to this ongoing transformation, highlighting how architecture can breathe new life into

historical spaces, adapt to contemporary needs, and contribute to a sustainable and vibrant future. When you receive a new project, do you feel a sense of commitment to successful restoring the building to its former glory? When I embark on a new project, there is an inherent sense of commitment to restoring the building to its former glory. Each project represents more than just a construction endeavour, it is a pledge to honour the history and architectural significance embedded in the structure. The commitment extends beyond technical aspects to a profound understanding of the building’s narrative and its place in the community. We approach each project with a meticulous focus on preserving the original fabric, using authentic materials, and ensuring that every detail aligns with the historical context. This commitment is not just professional, it is a personal dedication to breathing new life into spaces that may have faced years of neglect. Witnessing the transformation of a derelict building into a thriving creative hub, as with Rutland Mills becoming Tileyard North, is not just a goal - it’s a source of immense pride. It reflects our commitment to revitalising architectural heritage, contributing to the cultural and economic vitality of the area, and leaving a legacy that resonates with the community and future generations.

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I passionately believe that architecture plays a pivotal role in shaping and enriching today’s society.

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Absolutely, I passionately believe that architecture plays a pivotal role in shaping and enriching today’s society. Beyond its functional aspects, architecture is a dynamic force that intertwines with our cultural, economic and communal fabric. Architecture, in its essence, goes beyond constructing buildings. It is about creating spaces that resonate with the past while embracing the needs and aspirations of the present. Rutland Mills is a testament to this philosophy, where we harmonise historic preservation with contemporary functionality, contributing to the cultural and economic revival of Wakefield’s riverside. The impact extends beyond the physical structure, fostering creativity, community engagement, and economic vitality.

GAIA INSTALLS LOW-CARBON UNDERFLOOR HEATING IN TAYLOR WIMPEY DEVELOPMENT Underfloor heating specialists Gaia are designing, supplying and installing energy-efficient underfloor heating in over 250 houses within Taylor Wimpey’s new development in Barham, Suffolk.

The new regulations implemented by the UK government mean that carbon intensive gas boilers will soon be unsuitable for future homes and should be replaced with low-carbon alternatives.

Taylor Wimpey is a national residential construction company, building more than 15,000 homes across the UK each year. Their new residential development – Churchfields – is located in the Suffolk village of Barham and will provide 257 homes.

To adhere to the new legislation, Taylor Wimpey have chosen air source heat pumps which are known as the ideal pairing for wet underfloor heating – to create a lowcarbon heating system.

Suffolk-based underfloor heating experts Gaia are delivering wet underfloor heating systems for the new-build homes, after Taylor Wimpey opted to fit low-carbon and future-proof heating solutions in the development.

“The energy efficiency of combining underfloor heating with heat pumps is a significant benefit for the future residents of the Churchfields development. It’s more costeffective and produces a more comfortable, even warmth too” adds Steven. Gaia are delivering the design, supply and installation of wet underfloor heating systems on the ground floor of the residential units, as well as their expert

“We have extensive experience working with housing developments across the UK and are proud to be providing underfloor heating for this project. It’s great to work with another significant national developer like Taylor Wimpey and we’re looking forward to seeing the completed site” concludes Steven. The Churchfields development features two-, three-, four- and five-bedroom homes which are surrounded by green open space and convenient amenities. Construction began in September 2023 and is due to be completed in 2028. Gaia specialise in the design, supply and installation of underfloor heating for residential, commercial and industrial projects across the UK and Ireland. Trusted by architects, contractors, M&E consultants, builders and developers, they have worked with some of the UK’s leading housing developers. For more information about Gaia, visit www.gaia.co.uk.

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“Gaia HQ is local to the Churchfields site, so once we heard Taylor Wimpey were looking for low-carbon heating, we approached their team to provide a full design and quotation. Not only are our wet underfloor heating systems low-carbon, but they’re futureproof too - which is ideal for meeting new regulations!” says Steven Rooney, Director at Gaia Underfloor Heating.

When used together, underfloor heating and heat pumps can be 40% more efficient than a gas boiler and radiator system. Plus, underfloor heating runs at a lower temperature than radiators, so consumes significantly less energy for the same warmth.

guidance from the concept stage through to delivery and aftercare.

WHY SINGLE-LAYER TAPERED INSULATION IS A GOOD INVESTMENT FOR YOU AND ROOF By Simon Blackham, Senior Technical Manager, Recticel Insulation UK As winter approaches, maintaining interior comfort whether in a domestic or business environment gains greater significance. Ensuring a building’s fabric, particularly the roof, is properly insulated is essential to maintaining regulation thermal performance and preventing potentially damaging leaks during the wetter, colder months. The Energy Saving Trust estimates that a poorly insulated roof accounts for a quarter of domestic heat loss. As a consequence, fuel bills increase and the environment is impacted by higher CO2 emissions. Tapered insulation schemes offer the ultimate warmdry roof protection. But when it comes to specification, which system represents the best all-round option: a single or multi-layer scheme?

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The ultimate consideration when choosing a roofing system is the level of protection it offers in respect of keeping a building warm and dry. Single and multi-layer tapered insulation systems are designed-to-falls, thus adept at preventing issues with ponding and enhancing the life of the accompanying waterproofing. But how do they compare in terms of cost?

With multi-layer systems, build-ups of various thickness are required to achieve appropriate falls. This adds layers of complexity to the design and installation process. By way of comparison, Gradient carried out a like-for-like assessment to see how single-layer and multi-layer systems measured-up in respect of installation times. The single-layer application time was 56% quicker than the multi-layer solution. Reduced installation times increase cost efficiencies. Multi-layer systems are more labour and time intensive due to each board within an application needing to be individually bonded to a roof. This process also presents greater opportunity for errors during installation on account of the multiple layer aspect of the insulation being carried out in a ‘live’ building environment. Curing times provide additional time stresses for multi-layer applications. This is due to one-part PU adhesives taking longer to set in winter. Simple and Effective Single-Layer Process Bonded under factory-controlled conditions, single-layer insulation systems are ready to install once delivered to site. The insulation within the build-up will have been monitored for its depth and minimum pulloff performance, leaving installers with the relatively straightforward task of bonding it or mechanically fixing it to the deck – in one block – to the roof, followed by the waterproofing. This not only guarantees the insulation will perform as-designed, it significantly reduces application time and costs, as well as minimises the prospect of additional cutting and waste.

Therefore, whilst a multi-layer solution might appear, on paper at least, to be a more cost-effective option, in the long-term it is no match for a well-designed singlelayer option. Ask the Experts From a specification point of view, quality is built-in with single-layer insulation systems. At Gradient, for example, our technical teams will carry-out a pre-design survey of a roof to determine the precise position of falls and other outlets. Once agreed, the specification will be signed off by the contractor and client, and our teams will get to work on producing the system itself. Detailed drawings accompany the completed single-layer system to site to further simplify the installation process. This involves a singular bond between the insulation and the vapour control layer. In summary, single-layer systems are a preferred tapered insulation option, as they: • Offer best performance • Save time • Provide cost efficiency • Produce less waste Single-layer tapered insulation is not only tailormade for a specific application, it’s bespoke to a customer’s budget. It ensures upfront costs are more than compensated by the system’s long-term thermal performance in helping to supress fuel bills and limiting the need for future maintenance. When it comes to specifying an all-round roofing solution, single-layer tapered insulation is a price worth paying.

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HEATING, VENTILATION & INSULATION

BREATHING BUILDINGS: MANAGING VENTILATION AND THE COMPLEX DEMANDS OF HYBRID WORKFORCES Barry Hobday (pictured below), Managing Director of MAPUK, shines a spotlight on how good air quality and innovations in decentralised ventilation systems are working to improve the health, wellbeing and sustainable practices of today’s ever-changing hybrid workforce.

After three years of widespread working from home, remote workforces are facing an unexpected shift. A recent UK survey uncovered that almost two thirds of CEOs expect workforces to return to the office full-time by 2026. Running parallel to this, the commercial property landscape is undergoing a significant transformation when it comes to ventilation, prompted by heightened health concerns brought on by the pandemic and environmental concerns brought on by the climate crisis. Combined, these two trends mean that demands on how office space is used are changing and - working alongside building service professionals and engineers employers need to understand and prepare for this to make the return to the office as smooth and comfortable as possible. But are commercial properties really equipped to adapt to the changing demands of today's workforce? Employees are no longer bound by cubicles and assigned seating areas with one specific use. Instead, hotdesking, flexible and structured hybrid working solutions have become standard. This means that what might be a hotdesking space one day could be used to facilitate a training session or all-hands meeting the next. Each of these uses requires different ventilation. For example, the Health and Safety Executive's (HSE) Approved Code of Practice and Guidance, stipulates that the fresh air supply should be around 5 to

8 litres per second per occupant. Some guidelines recommend 10 litres per second, which is considered more suitable for most commercial structures. Nevertheless, it's important to recognise that these figures represent the baseline requirements. We need clearer guidance on what's best for our health and well-being. We should aim for excellence, not just the minimum. Prioritising ventilation within a changing working landscape The pandemic underscored the need for enhanced air control and ventilation in public spaces, but the conversation has moved on again since then. Poor ventilation increases the risk of airborne disease transmission, but we understand now that it also negatively affects employee wellbeing and productivity. Attempting to counter the impacts of poor ventilation by retrofitting HVAC systems in existing buildings can be costly and technically challenging. It is with this in mind that, combined with the impact of good air quality and ventilation on health and wellbeing, a new approach to helping ventilate buildings more effectively, efficiently and flexibly amidst the changing working landscape is becoming increasingly important. Decentralised systems: the future of flexibility and control

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The innovative solution? The new take on decentralised systems. Imagine a new decentralised ventilation system where the technology is so sophisticated that it acts as a network of interconnected rooms in a house, each with its own window that can be opened or closed independently. These windows act like individual lungs, allowing fresh air to enter and stale air to exit, yet with an increased level of precision and control. These systems, both in terms of workspace design and ventilation, offer

HEATING, VENTILATION & INSULATION a modular approach tailored to the unique needs of individuals and organisations to alter, adapt and control heating, cooling and dehumidification within any chosen space at any given time. Rather than a one-size-fits-all model, decentralised systems can be adjusted based on specific needs. As the requirements of an office building fluctuate, spaces can be reconfigured to reflect the changing needs for ventilation - in vacant and occupied rooms. Decentralised ventilation systems can also target specific areas, ensuring optimal air quality where it's needed most. This is especially useful in hotdesking environments where occupancy can vary greatly. By focusing resources only where they are needed, companies can save on energy costs and improve sustainability credentials. With some decentralised systems, such as the LTG FVPPulse, unique economic efficiency is offered through highly efficient heat recovery and demand-oriented control concepts. The changing dynamics of the workplace, driven by hybrid working models and a greater awareness of the impact of airflow on health and wellbeing, are pushing commercial property owners and designers to think innovatively when it comes to ventilation. As conversations around ventilation become an intrinsic part of health and wellbeing, as seen within The World Health Organisation’s firstever Indoor Air Conference last month, organisations will begin to recognise the profound impact these measures can have on the health, wellbeing and productivity of their workforce. With this, investments in innovative ventilation solutions will turn into a high priority for the future of commercial office spaces. While retrofitting presents its share of challenges, the integration of decentralised systems can offer a promising path forward. As the definition of the workplace continues to evolve, so too will the environments we create to foster collaboration, creativity, and wellness.

Architect Projects

The changing dynamics of the workplace, driven by hybrid working models and a greater awareness of the impact of airflow on health and wellbeing, are pushing commercial property owners and designers to think innovatively when it comes to ventilation.

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PROJECT NEWS

SOUTH STAND SCALES THE HEIGHTS The jaw-dropping scale of the steeptiered south stand at Everton Stadium is visible for the first time following the installation of terracing. Virtually all of the double-stepped concrete terracing units are now in place in the stand, which will eventually house over 13,000 Evertonians. The next major visual change will see blue seats installed in the upper sections, as part of the ongoing programme which has spread across the north stand - and aims to have them in place across the whole upper tier of the bowl by Christmas. Externally, the south stand is also showing off its new façade following the installation of glazing in the second level concourse. The angled panels, which stretch across the entire face of the stand, have been designed to reflect the water from the adjoining Nelson Dock and help tie the stadium into its maritime surroundings. Meanwhile, the first giant speakers have been positioned into the roof spaces of

the north stand. The curved units will hang from all four stands as part of the PA system. This has coincided with the departure from site of the last 600 tonne crawler crane, which was used mainly in the complex construction of the roof. A service tunnel, left open in the east stand to provide vehicular access to the pitch area, can therefore be closed off now in preparation for lower terracing units being installed. Work also continues to finish off the restoration of the historic Hydraulic Tower and Engine House. The buildings, dating back to 1883, have been lovingly renovated using existing and salvaged brickwork, new zinc roofing and the installation of windows sympathetic to the original design. A decorative capstan was this week reinstated at the entrance to the Hydraulic Tower, again as a nod to the building’s huge importance in the dock’s rich maritime history.

RED SEA GLOBAL REVEALS OWN LUXURY HOTEL BRAND: SHEBARA Red Sea Global (RSG), the multiproject developer behind the world’s most ambitious regenerative tourism destinations, The Red Sea and Amaala, has announced it will operate its own luxury hotel brand at The Red Sea destination, named Shebara. Shebara is located on Sheybarah Island, which features a spectacular 30 to 40-meter reef drop-off close to the beach providing the ultimate spot for exploring ocean life. The resort contains 73 keys, including overwater and beach villas and guests arrive either by a 45-minute boat ride from the mainland or 20 minutes by seaplane. The southern approach reveals the first stainless steel villas on the horizon, representing a string of pearls, with a stunning reception building at the center, forming the ‘pendant’. This incredible arrival point was carefully positioned within a natural break in the coral reef, providing a dramatic seascape whether arriving by sea or seaplane, while demonstrative of a broader commitment to sustainability. Developed by Killa Design, the entire design of the resort centers around reflections of nature. Each space has been designed to flow with its environment, with the stainless steel villas reflecting the colours and surface patterns of the ocean and the intense colors of the sky as they change throughout the day. The overwater orbs are cantilevered over the water, which creates an effect of a string of pearls levitating above the water.

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Development of Shebara is happening at pace, with all 38 stainless steel overwater villas now in place. While the first overwater villa took nine hours to install, the developer perfected this process so that the last villa was in place in under two hours. So far 25 of the beach villas have been installed, and substantial progress has been made on the other front and back of house structures and infrastructure.

PROJECT NEWS

DLA HANDS OVER PHASE ONE OF THE £50M REDEVELOPMENT OF THE YMCA WIMBLEDON DLA Architecture has completed the design and delivery of a new YMCA hostel which comprises Phase One of this mixed-use redevelopment in Wimbledon Town Centre. The award winning practice was appointed to design the scheme by joint venture partnership Thornsett and YMCA St.Paul’s Group in 2019 and secured planning consent in June 2021 before starting on site in July 2021. Transformative works have progressed over the last two years to deliver a new purpose designed building on The Broadway to provide modern living spaces for residents including 121 rooms with en-suite bathrooms and shared

kitchens. Residents and the wider community can also share access to new facilities including a gym, a larger exercise studio, a dedicated Reformer Pilates studio and community counselling services. The DLA team attended a special opening ceremony hosted by the joint venture partnership. Alongside residents and staff, esteemed guests included The Mayor of the London Borough of Merton, Cllr Gill Manly, Deputy Leader of London Borough of Merton, Cllr Eleanor Stringer, Bishop of Kingston, The Revd Canon Dr Martin Gainsborough, Chair of YMCA England and Wales, Roy O’Shaughnessy, Secretary General of the World YMCA, Carlos Sanvee, Vice President of YMCA

England and Wales, Peter Posner, and former British No.1 tennis player, local resident and YMCA gym member, Roger Taylor. YMCA St Paul’s Group is a leading provider of youth and community services and one of London’s largest providers of specialist Supported housing. The vision of YMCA St Paul’s Group is to create places where young people thrive and communities flourish. Contractor Neilcott Construction delivered the development and the design team included planning consultants, Daniel Watney, structural engineers, Elliot Wood, Box 20 as M&E consultants and landscape architect Philip Cave.

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ROOFING & CLADDING

BESPOKE TERRACOTTA CLADDING DESIGN INNOVATION TAKES FLIGHT IN BRIGHTON Leading architectural solutions specialist Aliva UK’s custom-designed facade for Elm House in Brighton is taking flight recognised with both a UK award win and most recently an international design award for its pioneering use of terracotta cladding. This flagship UK facade project on a new university campus building, Brighton University’s School of Business and Law, has pushed the envelope for design customisation of a cladding product. The stunning design secured a win at the UK Facade Awards in the ‘best use of a rainscreen system using glass or ceramics’ category and most recently secured the best product/surfaces trophy at the FX International Design Awards. Murmurations and mathematics A first-of-its-kind in facade design, Aliva UK custom-designed the bespoke 3D white terracotta tiled ceramic veil cladding that takes its architectural inspiration from murmurations of starlings that take flight over the iconic Brighton Pier.

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From concept to manufacture and delivery, Elm House represents our vision for a well-crafted, meaningful and environmentally responsive cladding.

Aliva undertook the bespoke development and testing of the support systems and the full design package for this flagship project. The cladding was custom-designed to reference the architect’s design intention, to visually relay the historic mathematical tiles of Brighton and the state of change that students experience whilst at university.

A custom ceramic veil frame wraps around the building from the second level to support 3,120sqm of the bespoke terracotta tiles that were manufactured and supplied by Aliva UK. Six different types of white, handmade, geometric glazed tiles in matt, gloss and semi-gloss finishes were used to create the stunning aesthetic. The building features 50,000 tiles in total. Made out of 100% clay they provide both an organic and sustainable surface solution. Six-storey campus centrepiece The new six-storey educational building forms the centrepiece of a major redevelopment project taking place across Brighton University’s Moulsecoomb campus, providing a stunning new front door to the campus with a breath-taking effect. Commissioned by global architects Hassell’s London studio, Aliva worked in partnership to develop the tailormade system, with a bespoke structure that could also satisfy the technical requirements demanded by the building.

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These facilities will keep the university on a competitive level both nationally and internationally for years to come and give flight to the careers of the many business and law students who will study there. Product strength and flexibility The selection of ceramic elements was led by the benefits offered by this material to satisfy several requirements: its natural texture, high durability and flexibility

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Aliva’s alloys are also 100% recyclable, which ensures sustainability runs throughout the facade solution.

in design. The latter was fundamental to respond to the complexity of the six different 3D shapes required for the tiles. No other material could provide the same strength and flexibility at the same time. Being a compact and non-porous material, terracotta provides high-durability performances combined with low maintenance required. It is weatherresistant, so can withstand the harshest environmental conditions of a UK coastline location such as Brighton. It is also resistant to UV rays, thereby protecting the colour of the building. In addition, as it is made of non-flammable materials, it is resistant to fire and thus ensures optimum protection of the building. Given the location of the project, close to a busy road and the busy pedestrian surrounds at ground level, cladding that requires very little maintenance was also specified. Sustainability delivered As it is made of 100% clay, the terracotta cladding was a sustainable choice. Aliva’s alloys are also 100% recyclable, which ensures sustainability runs throughout the facade solution. The design intention is that the ceramic cladding is not part of the main building envelope but is designed as a ‘double-skin’ that wraps the upper floors. This works as a screen in front of the windows but which still allows these to be opened. Julian Gitsham, Principal and Education & Science Sector Leader, at Architects Hassell, said: “This is a transformational design project and the result of a collaborative team effort. From concept to manufacture and delivery, Elm House represents our vision for a well-crafted, meaningful and environmentally responsive cladding. A design that references both the historic mathematical tiles of Brighton along with the murmurations of starlings that gather over Brighton Pier.

Neil Heard-White, Project Manager for the University of Brighton/Fulkers Bailey Russell, said: “Elm House is the centrepiece

“As the flagship building on the campus, we needed it to deliver both functionally and aesthetically, and the bespoke cladding facade developed by Aliva UK does just that.” James Ormerod, Managing Director of Aliva UK, said: “This UK and international awardwinning bespoke facade demonstrates how customised terracotta cladding has created a visually breath-taking finish, one that also conveys a connection to the murmuration of starlings massing over the iconic Brighton Pier. That truly represents architectural intent realised without compromise.”

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“This double award-winning bespoke facade design creates a wonderful narrative of the state of change that students experience whilst at university. The crafting and technical skill that Aliva demonstrated throughout the project led to an outstanding quality product and the stunning aesthetic of the final result.”

of our transformed Moulsecoomb campus. It is a stunning addition to the local cityscape and an important focal point for our students, staff, and visitors.

www.alivauk.com 01183 240130 enquiries@gruppoivas.co.uk

THE HISTORY OF LIGHTWEIGHT ROOFING

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By looking at the innovation timeline, the roots of DECRA can be traced to New Zealand native, Mr. L.J. Fisher. While in Britain, Fisher encountered Mr. Ben Booth’s road tar and crushed stone coated tiles and recognised their potential saleability. Combining his industrial acumen with this innovative concept, he developed the first ‘Decramastic’ metal tile in 1957, marking the beginning of the ‘DECRA roof concept’ and

the renaissance of the lightweight roofing industry. DECRA’s success did not go unnoticed. The 1980s saw further innovation as DECRA replaced the bituminous emulsion with an acrylic barrier coating system, known as ‘Decrabond.’ This coating was designed to withstand the harmful effects of UV light, making DECRA roofs even more resilient. The 90s saw a second renaissance with the rise of more lightweight roofing manufacturers. Metrotile began distributing stone-coated pressed metal tiles to the European market, and Tileform UK rebranded as Britmet Tileform in 1995 and introduced the only British-made, lightweight metal panels to the UK marketplace. Britmet developed further tile profile designs, including double roman, rosemary, and composite slate tiles made from 94% recycled polymers. Fast forward to the 21st century, and the DECRA brand recognition still remains strong. However, while the DECRA name is visible in the market, the original product

is no longer available in the UK. As a result, Britmet emerged during the early 1990s as the leading manufacturer of lightweight roofing products in the UK. If you are asked for DECRA or have a project that’s ideal for a lightweight, low-pitch solution, you can rely on Britmet’s durable, sustainable, British-made solution. From a classic Roman-style tile to an authentic slate look, Britmet has a wide range of profiles to choose from, designed to last a lifetime.

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By looking at the innovation timeline, the roots of DECRA can be traced to New Zealand native, Mr. L.J. Fisher.

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The history of lightweight roofing is a tale of innovation and progress, marked by the conception of the brand that made it possible. Just as Hoover is to vacuum cleaners, DECRA stands as the eponym brand that has left a lasting mark on the world of roofing. Over time, the evolution of roofing materials and techniques has been a testament to human innovation, combining artistry and engineering to protect homes and structures from the elements. However, it was DECRA that set a new industry standard, creating an era of durability, aesthetics, and innovation that transformed not only the roofs over our heads but also the way we envision the very concept of roofing itself.

ROOFING & CLADDING

PERFORATED PANELS COMBINE SAFETY, FUNCTIONALITY AND AESTHETICS Overlooking the Manchester City Canal, a total of 500 apartments are being built in Manchester Waters. The location, quality and facilities are unique, and the selection ranges from studios to 3-bedroom apartments. The first blocks are finished and stand as a symbol of the new Manchester. Premium waterfront living on this level must offer all amenities, including the ability to park near the residence. Therefore, car park facilities have been established on the lower level. In this connection, RMIG Solutions has supplied facade panels for covering the car park. Challenges and wins The facade panels presented several challenges. Aesthetically, the panels should be decorative and match the architecture. Functionally, they should have an extraordinarily large open area, as the rest of the basement is surrounded by solid walls. Finally, the panels should appear in a raw finish, directly from the mill. The task was solved thanks to a close and trusting collaboration with the architect. Aesthetically, the choice fell on a botanical pattern with a closed surface at the top that hides the concrete deck. An open area of 50% is difficult to achieve in this thickness (3mm), particularly in an aesthetic finish, but with precision tools, our sales and development departments managed to increase this. The architect proposed displacing some of the panels to provide extra ventilation, and this ultimately resulted in Website: www.city-emotion.com an open area of approximately 75%.

email: info.uk@rmig.com

Tel : 01925 839610

UNLIMITED AESTHETICS & ARCHITECTURAL FLEXIBILITY CCL ULTRA-HIGH-PERFORMANCE CONCRETE

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Ultra-thin concrete elements

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No ordinary concrete reinforcement required

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SPECIALISED ENGINEERED SOLUTIONS FOR STRUCTURES T: 0113 270 1221 E: enquiries@cclint.com W: www.cclint.com

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INSIDE The Wolseley City: Fabled Studio DESIGNS NEW SISTER RESTAURANT TO LONDON INSTITUTION The Wolseley Marking the twentieth anniversary year of the London institution that is The Wolseley on Piccadilly, The Wolseley Hospitality Group plays host to a reimagined incarnation of the grand café restaurant; The Wolseley City. Opening its doors to diners this Autumn the restaurant is very much a sibling to the original, drawing its identity from reference points that inspired the first outpost.

In their considered approach to the interiors, Fabled Studio has studied the DNA of the architecture of 160 Piccadilly created in 1921 by William Curtis Green and combined it with an equally fashionable trend of the 1920s - Egyptian Revival. Howard Carter’s discovery of the tomb of Tutankhamun in 1922 inspired both interior embellishments and furniture details for the new location.

Once again commissioned by The Wolseley Hospitality Group, Fabled Studio has captured the grandeur and impeccable standards of its established predecessor, whilst presented as a younger kin to the original with its own personality and identity.

This creates a common thread across both restaurants yet provides their own unique identity. The new iteration will highlight Byzantine chandeliers, Baroque ironwork, and intricate 1920’s Egyptian Revival touches. A reimagination of the well-recognised symmetrical vista upon entering the restaurant – the centralised horseshoe banquette, the groyne vaulted ceilings, the central starburst flooring and the weightless chandeliers align to offer the perfect composition and balance to the grand double story space.

Situated on King William Street just by Monument Square, the new restaurant offers two private dining rooms, three distinct bar and salon spaces and mezzanine level dining experience.

PROJECT

Paying homage to William Curtis Green’s original design, Fabled Studio has included subtle details throughout the space. For example, a gentle layer of Baroque ironwork that crowns the vaulted windows elegantly coronates the building to temper the otherwise masculine geometry. This crafted metal work is applied to The Wolseley City’s facade, framing the entrance way, and has been layered to bring texture and decoration to the soon to be iconic windows that flood the space with light. Upon entering The Wolseley City, guests will pass through the black leather curtains where they will be welcomed into the reception. A grand space, spread over double storey ceiling height with a glamorous nod to the very early 20th century, the design offers an elegance that feels entirely authentic, as if it had always been a stalwart of this grand location within the Square Mile.

Inside the main restaurant, large chandelier lighting is hung from filigree metal work chains with hand-blown seeded glass spheres, cleverly positioned throughout the vaulted ceiling to showcase the voluminous space, without dominating it. This relationship of utility balanced with ornamentation informs the very essence of how Fabled Studio is dressing the new King William Street site. Four main central columns anchor the main dining room with familiar centralised horseshoe banquettes and reinterpreted starburst flooring. Rather than the signature green marble used at 160, Fabled Studio has introduced Red Jasper for floor details and Red Portoro on joinery detailing.

leads to guest bathrooms. Both bathrooms are enclosed with horizontal stripes in Black Marquina and Egyptian Brushed marble, bespoke designated stone mosaic floor and complemented with brass frame vanity mirrors illuminated by exquisite cast glass lighting panels. Steven Saunders, Fabled Studio Founder comments, “Understanding the integrity and social currency of the original Wolseley restaurant was key for us, and we were fully aware of the expectation and calibre that was required to install a sibling of such a legendary establishment on the London restaurant scene. We were keen to understand the influence that inspired the original building, and use those references to form our own incarnation of the space - the design should speak of authenticity, relevance, heritage and reference to its parent - in no way a facsimile, but a member of the family in its own right.” Due to bring a sense of familiarity and timeless elegance to the City, The Wolseley City will offer guests a destination dining experience, inspired by its heritage in hospitality and refined classics.

The central staircase is swathed in a wrought ironwork balustrade introducing a separate dining area on the mezzanine level, with its own bar offering a more intimate experience or private hire while overlooking the grandeur of the restaurant below. For those seeking optimum exclusivity, two private dining rooms offer fully equipped banqueting areas. The grand four-meterhigh space can be opened into one space with full height, stackable wall panels stored in hidden niches. Black lacquer finish with gold gilded details has been carried through onto the wall panelling around the room with faux Portland stone to high level.

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We were keen to understand the influence that inspired the original building, and use those references to form our own incarnation of the space - the design should speak of authenticity, relevance, heritage and reference to its parent - in no way a facsimile, but a member of the family in its own right.

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Inside the Reception, similar to the Piccadilly restaurant, a smooth and restrained groin vaulted ceiling floats above black and pale grey stone columns and renowned checkered flooring. The two-toned patterned flooring continues from the Reception area into the Bar and Cafe Salon. Classic black lacquer screens with hand gilded details dominate both spaces with gold embossed black leather upholstered seating, cast glass back bar gantry and brass details which temper the periphery - reminiscent of the Byzantine era and Egyptian age.

A corridor on the back of the restaurant with walls lined with soft goat velum and contrasting black lacquer timber stripes,

SUSTAINABILITY

EXPERT COMMENT: BUILDING ON THE GREENBELT IS CENTRAL TO SOLVING THE HOUSING CRISIS – JUST LOOK AT HOW THE EDGES OF CITIES HAVE CHANGED In an article written for The Conversation, Cameron McEwan, Associate Professor in Architecture at Northumbria University and Andreas Lechner, Associate Professor at Graz University of Technology, focus their research on the urban-nature divide, providing a solution of building on the greenbelt to solve the housing crisis. Amid new targets of 1.5m new homes over five years, the Labour party has pledged to review the planning rules which dictate where housing in England can be built. The shadow chancellor, Rachel Reeves, has said that “a common-sense approach”

to deciding quite what land is worth protecting and what can sensibly be used to create more housing was crucial. This may put Labour at odds with many Conservative politicians in the UK, who have long defended the greenbelt, the protected land that encircles the country’s largest cities, including London, Newcastle and Manchester. The Department for Levelling Up, Housing and Communities’s latest long-term plans for housing prioritise urban development of brownfield sites (abandoned or underutilised industrial land) over so-called greenbelt “erosion.”

The notion of “concreting over the countryside,” as Prime Minister Rishi Sunak has put it, is politically loaded. Yet, elements of the Conservative party itself are beginning to see that this oversimplifies the issue. As former housing minister Brandon Lewis has said at a fringe event at the Tory conference, the concept “needs to be reviewed and changed”. It no longer makes sense to prioritise the city centre over its peripheries because quite what is in the city, and what is outside it, is no longer clear. Multiple factors have seen the city extend into a continuous periphery. These include uneven urbanisation and geo-engineered landscapes, changing working patterns and locations and the perceived conflation of nature with culture. Our research looks at how to rethink the urban-nature divide. We have found that design that focuses on urban peripheries in socially diverse and sustainable ways can benefit residents, combat climate change and tackle the housing crisis. The politics of ‘urban sprawl’ In his long-term housing policy, Secretary of State for Levelling Up, Housing and Communities Michael Gove has made the connection between urban planning, aesthetic standards and climate change. He argues against what he and many before him have termed “urban sprawl”. Instead, making the city centre more dense, he says, will “enhance economic efficiency, free up leisure time and also help with climate change”.

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The Anthropocene has blurred the city’s boundaries. Joe Wojewoda | Cameron McEwan, CC BY-NC-ND

The Department for Levelling Up, Housing and Communities’s latest long-term plans for housing prioritise urban development of brownfield sites (abandoned or underutilised industrial land) over so-called greenbelt “erosion.”

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SUSTAINABILITY

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It no longer makes sense to prioritise the city centre over its peripheries because quite what is in the city, and what is outside it, is no longer clear. Multiple factors have seen the city extend into a continuous periphery.

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Building reuse of suburban strip mall. Matthias Guger | Mihael Vecchiet | Andreas Lechner, Studio Counterintuitive Typologies, TU Graz, CC BY-NC-ND

In city planning terms, “density” refers to the degree of human activity and occupation in a defined unit of urban space. It is, of course, an important measure. Our research shows, however, that what matters most is not the numbers of people and businesses in a city, but the quality of the space in which they operate. Housing is an inherently political issue. Shelter, the housing charity, states that 17.5 million people are trapped by the housing emergency. According to the Centre for Cities thinktank, Britain has a backlog of 4.3 million homes missing from the national housing stock. This analysis shows that it would take at least 50 years to fill this deficit, if the government’s current target to build 300,000 homes a year in England is met. And it won’t be: homes are being built at approximately half this rate. Continued >>>

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The urban villa. David Poell | Andreas Lechner, Studio Counterintuitive Typologies, TU Graz, CC BY-NC-ND

SUSTAINABILITY

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Instead, Cheshire proposed that there be selective building on what he termed “the least attractive and lowest amenity parts of greenbelts.” Not only are these areas close to cities where people want to live, but building on brownfield land in the greenbelt or repurposing derelict buildings might begin to alleviate the housing crisis, including problems of affordability, for generations to come. How urban peripheries can work for people and the environment To combat climate change and tackle the housing crisis, cities need to be allowed to expand with coherent planning – that includes good public transport, welldesigned public spaces and high-quality housing. In Italy, the post-war district of Gallaratese, which lies 7km north-west of the centre of Milan, features medium-scale apartment blocks, good social amenities and highquality, well-connected public transport. People living there have access to small parks and public gardens, places to sit and shop. This affords the public realm a certain dignity that is often lacking in in Britain. People benefit from better infrastructure for commuting into the city centres – not just traffic lanes for cars, but metro, tram and train connections, with coherently designed outdoor public space.

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Suburban planning that centred on this type of housing – which combines urban density with a connection to green space and the public realm – could create a denser, more attractive and, crucially, more sustainable alternative to the way city outskirts are currently planned.

In Austria, Seestadt Aspern, a newly developed extension of Vienna, has been characterised as a “city within a city.” It is compact, yet full of public spaces. The project is conceived with job creation, housing and metro-line extension as priorities. Our research suggests introducing, to periphery design, the kind of buildings more associated with inner-city design. To date, housing in suburban planning in England has largely revolved around the detached single-family home. This ultra-low density building type uses lots of land and is firmly reliant on fossil-fuel heavy private transport.

Newcastle’s peripheral development viewed from the green belt. Cameron McEwan, CC BY-NC-ND

Focusing instead on what we have called the urban villa might be an alternative. The urban villa aims for a synthesis between the city apartment and the single-family home. Think, a number of apartments in a freestanding house, no more than five storeys, surrounded by a garden.

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However, in 2013, the economist Paul Cheshire wrote that what he termed “the greenbelt myth” was, in fact, driving the housing crisis. “Contrary to popular perception,” he said, “less than 10% of England is developed. And of what is developed much less than half is ‘covered by concrete’.”

The housing crisis is inextricable from the climate crisis. The environment is most demonstrably in crisis in urban peripheries. It is where the collapse of a coherent urban order takes place, where big bits of transport infrastructure meet fields and suburbs. It’s often where marginalised communities are pushed. Ultimately, Cheshire was right. The dual housing and climate crises are exasperated by the failure to resolve the greenbelt argument. What is built around urban cores is crucial to a truly sustainable and equitable solution – for both people and the environment. But, doing so in a way that is beneficial to both residents and the environment requires a shift in government policy and public imagination. As more and more people cluster around cities in search of work, or a better balance between home and work life, those areas that are now peripheral will become central. Quite under what conditions they live and work there is a matter that demands urgent attention.

LIGHTING & LIGHT DESIGN

EMERGENCY LIGHTING: UPCOMING BS STANDARDS AMENDMENTS When it comes to the design of public and high-occupancy buildings, the significance of emergency lighting cannot be underestimated. Helping to safeguard lives in a critical situation, it is a statutory component of building health and safety measures. With regulatory changes on the horizon, Chris Anderson, Technical Manager at Ansell Lighting, sheds some light on the impending modifications to the British Standards governing emergency lighting. When it comes to emergency lighting, there are several British Standards that are currently being rewritten which will have an impact on the design and specification of all public, commercial, and high occupancy residential buildings moving forward. With publication of the new codes set for later this year, it is important professionals are familiar with the upcoming changes. The first standard is BS EN 1838:2013 which stipulates the illumination to be provided by emergency lighting (including illuminance, duration and colour). This covers both temporary and permanently installed electrically powered emergency lighting and applies to self-contained luminaires with integral batteries, centrally powered luminaires, and to centrally generator powered luminaires. One of the main updates to EN1838 concerns local area safety lighting which protect occupants who are allowed to remain in a building in the event of a supply failure (based on a safety risk assessment). The revised prEN1838 states that Adaptive Emergency Escape Lighting Systems (AEELS) can now be used in all types of buildings. This is an important addition and will play a key role in enhancing safety. AEELS are Highly intuitive, advanced lighting systems designed to adapt to

changing conditions and provide clear and efficient illumination to guide building occupants to safety. Using sensors and monitoring devices they can detect changes in the environment, harnessing intelligent control technology to automatically change factors such as escape route direction, the visibility of the emergency signage and lighting levels on escape routes. BS EN 50172:2004, which specifies the minimum provision of illumination of escape routes and safety signs, as well as the testing requirements of emergency lighting systems for different premises, has also been updated. For EN 50172, the main changes coming into force relate to inspection and

testing of the luminaires and systems. In addition to current daily, monthly, and annual verification tests, a bi-annual test of emergency luminaires and externally illuminated escape route safety signs should now be implemented to verify that they are undamaged and that their intended function is not impaired due to the presence of dirt, dust or visible material degradation. This is something architects will need to be consider during specification stage, with intuitive self-test fittings and convenient dashboard monitoring technology included to improve the ease of testing requirements for building users. The upcoming changes to BS EN 1838 and BS EN 50172 are important additions to the regulatory framework and are set to have a significant impact on the effectiveness of emergency lighting installations. Incorporating such changes into future projects will further elevate the standards of architectural design, as well as contribute to the safety of the communities they are built for.

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