Luxury Interiors Magazine - September/October 2019

LUXURY INTERIORS MAGAZINE

SEPTEMBER/ OCTOBER 2019

Fil Rouge by Roberto Giovannini Beatrix Potter Boathouse transformed for 21st century A Day in the life of a Furniture Designer: Laura Barnard

Louis Fraser

Louis Fraser specializes in producing architectural hardware with an innovative approach We design, manufacture and supply high end hardware for exclusive residential and commercial construction projects, both in the UK and around the world, working closely with interior designers, architects and contractors on prime projects.

It’s important for us that the product not only looks good, but also how efficient it is in operation and it’s feel, too. Being used every day, our pieces need to be

comfortable and be able to provide a quality that can be both seen, and felt.

Hand made by artisans with the requisite skills, all items in our collections are lovingly brought to life to the highest quality standard, adding both elegance and feature to their surroundings.

If you can’t find it, we can make it for you. By optimizing our bespoke service, we can create pieces that are truly unique to your own designs and ideas.

Website: www.louisfraser.co.uk Email: sales@louisfraser.co.uk t. 0845 003 7522 f. 0845 003 7523

Contents

Project

06

Beatrix Potter Boathouse transformed for 21st century

Feature

Feature

12 - 13

A Day in the life of a Furniture Designer: Laura Barnard

20 - 24

Project

20 - 24

Fil Rouge by Roberto Giovannini

A Complete Guide to Feature Walls

Interview

28

Interview with Jen Bernard

Interview

32- 34

Interview with Rachel Bates

Contact Us Editor

Website Content

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Accounts

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Production/Design

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Laura Whitehead

luxuryinteriorsmagazine.co.uk

design@luxuryinteriorsmag.co.uk

Twitter: @limag_social

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September/October 2019 Luxury Interiors Magazine 03

Company News

Caesarstone UK opens second distribution centre Caesarstone UK has opened its second distribution centre in Trafford Park, Manchester.

The 20,000 square foot warehouse will act as a hub, serving customers in the north, cutting delivery times and improving service levels. A permanent Caesarstone showroom will open on the same site in the following months.

Caesarstone UK Managing Director, Amir Reske, said, “Our UK business continues to grow at a significant rate and the opening of our Manchester distribution centre is another milestone in our long-term UK expansion strategy. We have a very healthy business in the north of England with growing demand for our products. Our new Trafford Park location will allow us to improve on our already excellent levels of service, as well as catering for northern based consumers by giving them a more accessible location to view our award-winning surfaces.”

A showroom space will open at the same site in the following months, mirroring the Caesarstone London Studio that opened at the brand’s headquarters in May 2018. It will be designed to appeal to and cater for end consumers, kitchen designers, and architects by having large format slabs on display and a highly engaging and tactile experience that allows visitors to immerse themselves in the design process. Caesarstone confirmed that it will open further distribution centres in the UK over the next 12 months.

Willmott Dixon Interiors to refurbish landmark offices by the Thames Willmott Dixon Interiors has followed up recent appointments at the National Gallery and London Screen Academy by being chosen to create Grade A office space at Riverside House in London.

Earlier this year, Willmott Dixon Interiors was appointed by the National Gallery to refurbish Room 32, the largest within the National Gallery, as well as update parts of the existing basement and ground floor areas.

Willmott Dixon Interiors will work with Riverside House owner Chiswick High Limited to deliver a full Cat A fit-out that better optimises floor space within the 14 storey office, which from its location adjacent to Southwark Bridge provides panoramic views over the City of London and St Paul’s Cathedral.

The company is also refurbishing 62-66 Highbury Grove in Islington to create the London Screen Academy, which will allow 16-19 year olds to learn about film production techniques such as behind-thecamera roles, costume design, production management, distribution and marketing.

The comprehensive refurbishment will create a modern working environment that will help London meet its huge demand for office space. This need for modern, refurbished space in London has seen Willmott Dixon Interiors deliver over 200,000m² of new interiors in the capital over the last five years, and this also includes new hospitality facilities at Twickenham’s East Stand and a new home for the Design Museum.

04 Luxury Interiors Magazine September/October 2019

Willmott Dixon Interiors managing director Graham Shaw says, “We are delighted that our experience of working in busy London sites can be used to create a bright new future for tenants at Riverside House. The project will be carried out in a live working environment so our know-how for delivering fit-out projects in live office space will ensure we minimise disruption to tenants and deliver a new modern workspace.”

Company News

Record £66m year for interior fit-out specialist A Midlands-based interior fitout specialist has recorded a record level of contract wins in the last financial year.

EE Smith Contracts Ltd, who are based in Leicester, has worked on a string of the top international hotels in London – including the Grosvenor House, The Langham and The Savoy – along with commercial buildings and private homes.

The firm, which was founded in 1897 and was subject of a management buyout in 2016, secured more than £66 million of new contracts in the year to April, and has already won orders of £20 million in the first three months of the new financial year.

The largest order secured is for work on the new Radisson Edwardian in Leicester Square which will feature 350 guest rooms, 15 suites, five restaurants and lounges, a rooftop bar, a

subterranean spa as well as a 1000-capacity ballroom.

The new orders helped boost the company’s profits to £2.5 million which has allowed the firm to make further investment in its manufacturing capabilities as well as skills.

Neil Bottrill, managing director of the company, which is based on the Clarendon Industrial Estate and has nine sites in Leicester, said: “These are very strong results and the level of new orders secured is unprecedented. When the management team bought the company, we set out a clear vision of investment in our plant, people and processes, to help grow the company and these orders are the result of that work. The new wins have come in the leisure, commercial and private property sector, but in each case, it is our track record of combining traditional skills with cutting-edge processes,

and the pedigree of delivering projects on time and on budget, which has helped us secure the work.

“The whole team at EE Smith is dedicated to producing the highest quality work, and the new contracts are down to the efforts of every member of our staff. We have enjoyed a very strong start to the new financial year and are confident we will be able to continue to feed our order pipeline going forward.”

The company, which have over 350 workers, was founded in Leicester by Edward Elijah Smith, and grew extensively after the Second World War before moving into the super prime residential and five-star hotel market in the 1990s.

In 2016 Bottrill and long-serving colleagues John Richardson, Richard Hollingsworth and Dan Cashmore bought control of the company.

September/October 2019 Luxury Interiors Magazine 05

Project

Beatrix Potter Boathouse transformed for 21st century A derelict Lake District boathouse featured in photos taken by Beatrix Potter’s father has been brought back to life for 21st century visitors.

The famous writer and illustrator and her family spent ten summers staying on the 40 acre Lingholm estate near Keswick and the original Boathouse was one of the features captured on camera by her father, Rupert Potter. Fast forward almost 140 years and a contemporary new Lingholm boathouse has now been unveiled as a holiday hideaway on the private estate.

The 19th century structure fell into disuse more than half a century ago and had become damaged beyond repair, but the current owners of the Lingholm estate have just completed a complex construction project to create a striking, new eco-friendly Boathouse adjacent to the original version on the shore of Derwentwater.

With panoramic lake views, underfloor heating and a freestanding bath overlooking the water, the new contemporary glass-fronted boathouse is finished in Siberian larch cladding and fuelled by a biomass boiler. As well its own Lakeside terrace and mod

cons including a dishwasher and wine fridge, the 98m2 Lingholm boathouse features its own honesty bar and has a rowing boat for guests to borrow housed underneath the main accommodation.

Director of the Lingholm Estate, David Seymour, says, “We are thrilled to unveil the only new boathouse accommodation alongside Derwentwater in living memory and for us, the culmination of five years work. The challenge has been to create new luxury accommodation which sensitively blends into the surrounding woodland and gives a nod to the original boathouse. The first staying guests have told us that the privacy and tranquillity gives a sense of literally ‘owning ‘the whole lake, and we are proud to have created what we think is a unique new architectural showpiece which will stand the test of time.”

Lingholm’s Boathouse was designed by Shaw and Jagger Architects, who specialise in country house projects and sensitive work inside National Parks.

It’s a double celebration for the wider Lingholm Estate, which was last month crowned as Cumbria Tourism’s ‘Self Catering Accommodation of the Year’.

06 Luxury Interiors Magazine September/October 2019

Velux

VELUX® Teams Up with Farrow & Ball to Shed Daylight on Colour in the Home Roof window manufacturer VELUX and paint and wallpaper experts Farrow & Ball have come together in a new campaign which highlights the transformative effect that daylight can have on interior design.

The campaign centres on the transformation of the Toomey family’s single-storey extension using VELUX roof windows and Farrow & Ball colours. Working together, VELUX daylight expert Grant Sneddon and Farrow & Ball colour expert Joa Studholme showed the couple how to make the most of the available daylight and how to choose colours that look great in their space and suit their lifestyle.

Sean and Sophie bought their 1950s three-bedroom terraced house in Swindon 10 months ago as they knew it had great renovation potential. The rear of the property originally had four small rooms that were dark, gloomy and completely unusable, but with the help of a local architect and builders, they took on their biggest renovation project to date.

Adding a single-storey extension, they created a large, open-plan kitchen and living room with three large VELUX INTEGRA® electric white painted roof windows to provide as much daylight and ventilation throughout the space as possible. To access the garden easily, they also added bi-fold doors.

Grant Sneddon, daylight expert at VELUX, said: “Making sure that light penetrates deep into the room is important when you have such a big space, and roof windows do that as they offer twice as much daylight as a vertical window of the same size.”

Homeowner Sean said: “The roof windows with added rain sensors

add so much daylight and air flow throughout the day, they’re a great way of bringing the outside in. Living in the UK, the weather can change in an instant so we feel reassured that they will close automatically if the rain comes on when we’re out.

“We also chose VELUX dark blue electric roller blinds to tie in with the interior of the kitchen, and awning blinds to help control heat coming in, particularly on bright days.”

To find the perfect colour complements for the modern fittings of their extension, Sophie and Sean enlisted the help of Farrow & Ball’s colour consultancy service.

Joa Studholme, colour consultant at Farrow & Ball said: “When we chose colours for Sean and Sophie’s extension, we did it to reflect their personalities, to suit not only the way they live but to make the most of the daylight from their new roof windows.”

“The daylight in the extension changes throughout the day and because our paint is so heavily pigmented the colours change a lot in different light conditions, which makes them feel really alive, particularly when you’ve got fantastic natural light coming from roof windows,” If you want help transforming your home with daylight and colour visit velux.co.uk/extensions and www.farrow-ball.com for more information.

September/October 2019 Luxury Interiors Magazine 07

Interview

Luxury Interiors Magazine spoke with Nini Andrade Silva, RH+ Arquitectos and Saraiva Architects the design minds behind new luxury hotel Savoy Palace

1) What inspired you to become an interior designer and start your own company?

Projects are always unique and very important.

Nini: Design has born with me and I have been pursuing my passion over the years. I used to say that I don’t have a job. I have a project of life. My life is my career. I love interior design because I love creating new realities and feelings and my job allows me to put a bit of myself in each project I create. My designs come from the soul – what I feel about the place at that moment. This means that my emotion will be translated into the design.

I like to create the wow factor in the guests surprising with my design RH + Arquitectos: RH + Arquitectos was founded 11 years ago, in 2007, resulting from a partnership between Roberto Castro and Hugo Gil Jesus. Our team seeks consistency and aims to embrace new challenges that enrich the architectural design and heritage.

Every project is a huge challenge for me and a huge responsibility, grabbing it with all my strength and dedicating myself completely regardless of size or function.

Nini: Classic and timeless, the interior design of the Savoy Palace Hotel is influenced by a recent period in world history known as “Belle Époque”, reborn in complete

2) Talk us through the design concept of the new Savoy Palace, Madeira

harmony with the culture resources of the island, in an enthralling journey between today’s natural and intangible heritage. It brings together a number of elements: the exuberance of the surrounding landscape, the unique man-made environment, particularly the old irrigation channels (levadas) and tunnels, the excellence and mastery of Madeira’s embroidery, the centuries-old art of wickerwork and the expertise involved in the production of one of the best fortified wines in the world – Madeira Wine. Together these unique features underlie the metamorphosis between the conceptual inspiration and the finished interior design.

RH + Arquitectos: We were also inspired by the old Savoy hotel in what regards chromatic aspects and details such as the classic marble at the reception pavement.

3) What is your design process, how are your ideas brought to life?

Nini: Design comes from the soul.

My designs are tailored bearing in mind each project’s functional and aesthetic needs. To goal is undoubtedly the eternal search for the essence, whether the site, the materials, the theme, the target audience, etc … The mixture of different types of materials and types of pieces in its account can be a recipe to draft up a project and succeed. The place for every project is certainly inseparable from the project itself and it means to create atmospheres with a soul.

08 Luxury Interiors Magazine September/October 2019

Interview Nini: The different rooms and suites are all very special, being very comfortable and exclusive.

I believe that what makes them stand out is the quality of materials and textures, and the exclusivity of this unique environment. We have created environments for living and conviviality, and others which are cosier and more intimate, suitable for rest and relaxation.

7) Were the any challenges you faced when designing for the Savoy Palace?

Nini: The main challenge of this project it was to combine a visual interplay that balances the language of the building itself with the voluptuousness of its interior.

Nevertheless, a project always creates their own roots, their own spot their own feeling sometime in a subtle way but always there.

RH + Arquitectos: At RH+, we intend to ensure the best design, rigour and excellence in our projects. We are led by the ambition of providing solutions that meet our clients’ needs and aspirations with the final objective of exceeding their expectations, always maintaining a daily communication and analysis of the details of each project.

4) What makes the Savoy Palace a luxury design? What specific touches have been added to enhance this design aesthetic?

Nini: Savoy Palace is a unique Hotel!

Entering this hotel will be like entering a poetic world, where colour, textures and iconic ornaments and objects are all important. The interiors are inspirational for its elegance and comfort sublimated to details, expressed in the quality of materials, the perfection of finishes, the softness of textures, the richness of decorative features and all the interior design project itself.

5) Do you have a signature style, and how did you incorporate this into the final design?

Nini: I look to be ahead in time and my design comes from what I feel about the place at that moment. I use to say that I don’t follow trends, I seek to create them, that why some call to my design as Ninimalism Style.

Everything in our projects exudes quality and passion; the greatest of attention, bordering on obsessive, has been paid to every single detail, and this is my signature design style.

6) What are you favourite rooms that you designed and what makes them stand out?

8) Do you work closely with the architects to establish the overall design vision?

Nini: Is essential to develop a work in tune with the architecture, because only in this way you achieve great final results, but the overall vision of the interior design, that is, the creative concept, is a process that is developed from the inside out!

9) You are one of the most prestigious interior designers in the world, in your opinion how has interior design evolved, and is it important to continually think of new design ideas?

Nini: Over the last few years we have seen the market developing and consolidating the role of Interior Design.

The recognition of the importance and competitive advantages of the Interior Design, created deep changes in the consumer market and dictated the tendency of the demand verified worldwide. This need reflected on the market determines that the current value proposition given by Interior Design – based mainly through the sustained development of a concept – makes the role of interior design much more important in any business area.

by what is around us, and Oscar Niemeyer – and his Copan building in São Paulo – were undoubtedly an architectonical reference.

11) What was the inspiration behind this design?

Saraiva Architects: If we join two fixed points, we are able to measure a distance. If we slightly curve the line, we will increase the distance and, therefore, we will be able to accommodate a higher number of modules and, consequently, a higher number of hotel rooms. Geometry is a passionate subject in architecture.

For instance, if we are willing to take this matter further, Einstein was led to a static universe of spherical spatial curvature!

12) How challenging was this design to achieve?

Saraiva Architects: Our creative process is developed through synergies with clients, surpassing the simple provision of services, and this was highly important in Savoy.

In this project, we had to convince the client that our design was a good design in all it matters. Even if it caused financial or other structural constraints.

After all, confidence is the result of a virtuous cycle of effort is fundamental and while designing this project, we looked forward to getting the best possible development.

13) What for you are the most important aspects to consider when designing?

Saraiva Architects: Architecture must be functional. As we understand the impact of architecture on contemporary society, all of our projects incorporate values that can perpetuate those built environments in time. Designing means effectively

10) Talk us through the design for the Savoy Palace and the bold, curved structure?

Saraiva Architects: The curved shape was designed not only to make an impact but also to answer the brief for the development of this site: a large construction area capable of providing luxurious private spaces and indoor comfort solutions. Another important feature was the relationship with the surrounding ocean, that is reflected in the elevation, endowed with wide glass panels, enhancing the large interiors facing south. We, architects, are constantly being influenced September/October 2019 Luxury Interiors Magazine 09

Interview delivering a holistic service that puts comfort, functionality, security and aesthetics at the centre of our proposals. So these are the main aspects that we consider while designing.

slats. Meanwhile, this cladding was designed to create a neutral image, featuring a skin in white and wood, flanked by transparent guards, featuring a tropical but also traditional ambience.

14) Talk us through the various architectural design elements for the Savoy Palace.

The architectural heritage and artistic elements added value to the developed Drop-off’s structure, lending particular charm to the image of the new wooden pergola (in the former building developed in concrete)

Saraiva Architects: This is an interesting question as it covers several aspects of this project, its historical background and also the interior design.

Starting by its scale and form, we used the Tromp d’Oeil effect to diminish its impact. The façade, vertically divided by two-storey horizontal slats, transcends the typical homogeneity of the skin concept, creating pleasant spaces enriched by the contrast of light and shadow, exposure and protection.

The use of the green element constituted a requirement of the design: by means of sets of flower boxes, it sought to create relaxing spaces that could also favour privacy with respect to the outside, as well as to increase guest satisfaction.

Other main concerns were the façade’s tones and textures, attesting to provide an intimate scale for this large mass, aiming to create a highly pleasant and visually appealing development.

The building’s south façade is also reflected in vertical wooden

15) Do you think that having a true understanding of the place and surroundings helps with the design process?

Saraiva Architects: Without a doubt. We look to develop seamless proposals in which the presence of the architectural object, as an element of the whole, coexists with the urban space, creating highquality links with societies. Our conceptual solutions meet the needs of each market in which we work.

Currently based in 13 countries, we strive to develop local know-how in order to consolidate our experience and in order to design spaces that seek to reflect life to perfection.

16) Do you feel that architecture is evolving, and how important is it to come up with new design concepts?

Architecture is one of the few occupations that has survived the “Renaissance man”. We are entering an era of hyper specialization and I believe that architecture has escaped

10 Luxury Interiors Magazine September/October 2019

this cataclysm. A good architect, in my understanding, may always defeat a poor specialist. For instance, in the National Theatre of London competition, the specialists were defeat by an architect that had never performed before. A great architect that enjoyed going to the theatre that was more than enough.

The capacity to consider and reflect life; the capacity to relate buildings to one another; the capacity to grant a sense of belonging, to join form and function, to create and discover.

Those are constant challenges in the life of an architect that above all, has to offer a unique and emotional experience.

01205 280354 sales@paladinradiators.com www.paladinradiators.com

Feature

12 Luxury Interiors Magazine September/October 2019

Feature

A Day in the life of a Furniture Designer: Laura Barnard Laura Barnard leads the product development team at Arlo & Jacob, a premium furniture retailer. With a collection that ranges from contemporary to classic; each piece is made to order and is crafted using traditional methods at their factory in Long Eaton, the home of British upholstery.

Laura describes herself as a morning person.

She starts her day at 7 am with a “cup of milky tea”. Most days she wears trainers to work as “there’s a lot of running around”.

Arlo & Jacob HQ is next to their flagship showroom in Fulham, housed in a converted Victorian ice cream factory that is just a stone’s throw from Putney Bridge Station.

She is lucky enough to live just a short walk to the office, so on her commute, she usually catches up with her sister and they talk about current events and upcoming family plans.

By 8 am, she’s in the office, drinking a second cup of tea and answering emails.

She describes the office as “quiet” as most of her colleagues start at 9:30 am; however, she finds it “a productive way to get ahead on anything that has happened from the evening before”.

Arlo & Jacob is not only online; they also have four showrooms across the country.

Laura’s role involves everything from design concept to product launch and a plethora of tasks in between; such as the visual merchandising of new pieces in the showrooms. Although she is unable to visit them all every day, Laura checks in with each showroom periodically to review how September/October 2019 Luxury Interiors Magazine 13

Feature the products and fabrics are performing.

At 9:30 am, she’s doing a commercial floor walk with the Showroom Manager from Fulham.

During the meeting, she discusses the placement of upcoming new products that are shortly to launch. She reviews and maintains the showroom standards; Laura says “I’m known for being very particular, but it’s important to get the details right”.

Laura loves it when the product is launched, saying “it’s rewarding to see something in-situ when you’ve been working on it for months and it all comes to life”. Laura talks about some of the work that goes into launching a new product family, specifically photography. Laura directs all new product photography and photoshoots; she says “it’s all about the preparation beforehand, because on the shoot days you’re running around constantly, I normally reach up to 25,000 steps!”

By 11:30 am, she’s left the showroom and will be on her way to their factory in Long Eaton, Derbyshire. It’s the home of British upholstery and where all of the beautiful Arlo & Jacob furniture is made. On the train, she’s answering emails, which she calls her “mobile office”.

In between the emails, Laura typically will eat her favourite crayfish & avocado salad from Pret for lunch. Just before 2 pm, she’s in the Research & Development Department of the factory to review and critique the construction of a new model.

Laura will compare the model to the brief that she set a few months prior – taking out a measuring tape, evaluating the dimensions, “sit and feel of the piece”, and cross-referencing her notes.

During the review of one particular new model, she thought that the front border needed to be slimmer and that the stitching detail should be more refined. So, Mark who works in the Product Development team (and is the man responsible for making each design a working reality), recommends removing two inches from the front border and adds three pleats to the arm to finesse the details. He also made some changes to the back profile of the model to soften the shape. Arlo & Jacob’s design style leans towards contemporary with a traditional level of comfort: they favour deep seats and beautiful finishing details such as pleated arms and castor legs.

Mark, along with many other members of their factory team, has over 40 years’ experience in upholstery – he spent four years as an upholstery apprentice and then twenty-plus years on the bench. He has amassed a vast wealth of knowledge during that time. Since then, he’s been developing new products for the past sixteen years. An essential part of Mark’s role is that he needs to be mathematically-minded, as he needs to bring the furniture sketches to life in the correct scale.

Laura says that she’s “always amazed how they can take an idea on the page and transform it into something tangible”. She says that it’s the best part of her job, “working with the very talented craftspeople, who between them have a wealth of experience spanning decades”.

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Feature

At 3:30 pm, Laura is on the train heading back to London. She checks in with the Marketing and Retail departments to corroborate schedules for upcoming launches. Typically, Laura returns to the office for team meetings in the afternoon, but one day in late September, she’s en route to catch the last hour of a trade show with her team.

Laura’s team of three also operates out of a small Head Office of only fifteen people, which she says is predominantly women. Both trade shows and visits to different cities “provides a wealth of design inspiration”, so there’s no doubt that some of what Laura’s team saw today “will shape the designs we’ll see in Autumn/Winter 2020”.

By 7 pm, Laura is home and changing into workout clothes to make it in time for a 7:30 pm gym class. “I do my best to go to the gym a few times a week,” she said, “it’s my attempt at a work-life balance”. If she can’t make it to the gym in time, Laura goes for a walk along the river; “I used to row, but now I like to watch the rowers as they pass by,” she said. “The Thames Pathway is beautiful and so peaceful – it’s a great way to unwind, and in the summer months, there are lots of great pubs to pause and enjoy a drink.”

Laura heads home and has dinner by 8:15 pm.

She likes to “batch cook on Sundays” so that she can spend “more time relaxing in the evening”.

Laura lives in a two-bedroom flat in Fulham with her partner Besart, an engineer.

At 9 pm, Laura replies to texts from her friends and family while watching an interior-focused show, like Grand Designs.

Laura describes herself as an “early bird”, so will likely be in bed by 10 pm, typically scrolling through Instagram; however, it’s a habit that she’d “like to break”!

September/October 2019 Luxury Interiors Magazine 15

Latest News

LTW BRINGS CELEBRATED HISTORY OF CONFUCIANISM WITH TIMELESS OPULENCE AT JW MARRIOTT QUFU Award-winning interior design studio LTW Designworks is pleased to unveil the designs for JW Marriott Qufu – a new luxury hotel in Qufu, China, the birthplace of renowned philosopher Confucius.

Celebrating ancient heritage with modern elegance, LTW brings forth a timeless design that pays tribute to the deep-rooted ancient traditions and cultures of The Analects.

Sitting adjacent to the Confucius Temple, a UNESCO World Heritage site, the two-storey JW Marriott Qufu stands as an emblem of the ancient city. Tastefully appointed with traditional Chinese features, the hotel’s distinctive exterior emulates structures from the ancient city, with architectural accents such as wood partitions and columns that blend seamlessly with its surroundings.

Complementing the architecture, LTW aims to bring forth Confucian values through aesthetics inspired by the Six Arts, including music, rituals, and calligraphy.

Inspired by Confucius’ teachings, the Lobby, Lobby Lounge and the Tea House on the first floor replicate the scholar hall at Confucius Temple. Stepping into the Lobby, guests are met with a stone relief wall depicting tales of Confucian history. Graced with slate tiles, grey stone features, and bronze lattice with white ceramic ornaments, the Lobby emulates an outdoor courtyard. Sitting atop a raised stone pond at the lobby’s Atrium, a poetic allusion of “The Great Teacher” takes centre-stage: A statue of Confucius courteously kneels before a seven-metre-tall gingko tree art installation, created with intricately weaved metallic scriptures. Natural lighting saturates the Lobby under a glass roof in a dark timber, bronzedetailed ceiling, highlighting the centrepiece against a stoned Moon Gate – an architectural feature of traditional garden passageways – that partitions the Atrium and Lounge. Echoing this allusion is a striking gold accent wall, engraved with illustrations of falling gingko leaves, which stands behind the reception desk located on the left side of the lobby upon entrance.

The gold accent wall, set against the neutraltoned lobby, intentionally highlights a dimension of space that draws on the ancient and modern, allowing guests to travel between the times.

16 Luxury Interiors Magazine September/October 2019

Behind the Moon Gate, the meditative tranquility continues throughout The Lounge. Dark timber furniture, rattan chairs, wooden shelves, ancient Chinese scrolls and traditional stitched bound books fill the space, adorned with low-hanging mesh lanterns to give a warm, inviting ambience.

Paying homage to The Analects’ value of education, the Tea House, surrounded by wooden shelves, books and exquisite tea sets, creates a tranquil retreat for guests to rest and study. Public and private spaces are partitioned by white ceramic lattice, accessorised by figures of the Disciples and artistic representations of books, and musical instruments.

To the right of the Lobby, a grey stone wall encased with small glass lanterns illuminates the hallway leading to the restaurant spaces. Boasting a full view of the courtyard, the All-Day Dining Area is complete with dark timber tiles, complemented by textured walls and tawny brown leather seating, providing flexibility of functions for groups and private dining.

On the other side, Residence, the two-storey Chinese restaurant, translates the architectural details of the outdoor courtyard into an opulent gathering space. Blending the outdoor environment into its interiors, the ground floor public dining area is framed by stone walls, with a cream-coloured lounge seating area on both sides of the restaurant as a tea-tasting area.

Traditional wooden door panels are translated into ornate bronze latticework as door panels and partitions, covering ceilings and window screens. The private dining rooms are highlighted by shades of ochre, displaying artwork that reflects the surrounding historic structures of the area.

Set aside a private courtyard or a veranda, the Guestroom designs draw inspiration from a well-known Confucius saying: “The wise find pleasure in water; the virtuous find pleasure in hills.” Taking water and woods as the main inspiration, LTW uses a contrasting palette to convey the yin-and-yang of the two elements: deep brown, to represent the rigidness of the mountain, and white, to illustrate the fluidity of water. Dark walnut wooden tiles, ripple-designed carpet and embossed headboard to inject a calming, meditative effect in the space.

TOTAL ECLIPSE It’s been a busy year of product launches for Saniflo. And now, hot on the heels of numerous Kinedo enclosure and shower tray launches, another range, the versatile Eclipse, has been added to the growing portfolio. It joins Kinesmart, Fast 2000 and Kinespace in the rapidly developing line-up of easy to install shower enclosures from Kinedo.

Better known for its range of integrated cubicles, Kinedo has developed a reputation for delivering shower products that save on installation time, look great and offer versatility. The Eclipse range delivers on all fronts. Multiple sizes and configurations, including corner and recessed, can be specified with either pivot or sliding doors to suit a wide range of installations up to 1600mm in length. There are even options that can be installed against a wall for a very modern look. Each door and panel is manufactured from toughened 6mm glass which lightens the load for the plumber whilst providing an equally durable shower space as thicker glass sizes. All pivot doors open 180° for maximum entry space and the profiles are easily adjustable by up to 30mm to cater for uneven wall surfaces. Eclipse is supplied as standard with high quality chrome profiles, but there are some stunning statement matt black options too; each having matching handles and cover plates to ensure a perfect finish.

All glass is limescale treated to ensure ease of cleaning and to keep the units looking pristine for longer.

MAKE A HOUSE A HOME WITH KÖNIGSTONE’S MONACO Königstone, renowned for durable, high-quality worktops, has added a new colour to the popular Königquartz portfolio: Monaco. The pale grey shade incorporates a marble-like effect with a natural-looking grain to create a unique and stylish surface.

As quartz is one of the toughest natural substances in the world, it is a great material for a kitchen or bathroom worktop. The beauty of new colour, Monaco, is that homeowners can brighten the look of their kitchen with a lighter shade, without the fears of stains or scratches. Whether its chopping beetroot for a salad or making a smoothie the homeowner doesn’t need to worry about any mess as the quartz is highly scratch-, stain- and heat-resistant, and can easily be cleaned with a damp cloth.

Alternatively, if Monaco isn’t best suited to a homeowner’s kitchen scheme, there are 27 other colours in the Königquartz portfolio.

For further information on Königstone, please email info@konigstone.co.uk or visit www.konigstone.co.uk.

For more information please visit the Kinedo website www.kinedo.co.uk www.saniflo.co.uk 020 8842 0033

CITY CHIC KITCHEN FROM KELLER Keller’s City Chic kitchen has been designed to give homes the popular urban, elegant look; with the flexibility to accommodate whatever size family.

The handleless GL2000 model gives a sleek and seamless appearance, creating a harmonious blend between cabinetry, appliances and worktops. The wood patterned doors (pictured) offer the kitchen a warm feel and contrast with trendy chic black accessories such as sinks, taps and black shelving; while the white marble worktop here brings the whole look together.

Whether homeowners want to extend their kitchen island with a worktop that connects with their wall cabinetry or have a separate working area to give a more open-plan look, there are plenty of opportunities to mix and match the units. Keller’s cabinetry is available in a variety of colours from Comfort and Master collections so homeowners can combine different shades and complement them with a range of materials to create their dream kitchen.

For further information and to find more kitchen inspiration, please visit www.kellerkitchens.com.

KITCHEN CONFIDENCE WITH BLANCO’S COLLECTIS SINK BLANCO’s stunning SILGRANIT® PuraDur® range of sinks include the beautiful COLLECTIS 6 S. Designed to perfection with full functionality in mind, the COLLECTIS 6 S is the perfect hardworking addition to the kitchen.

The COLLECTIS 6 S is made in SILGRANIT® PuraDur®, a strong and durable surface that offers a non-porous protection to prevent stains or acid spoiling the look of the sink. The generously-sized sink comprises both a large and smaller central bowl. It also has an integrated compartment for food cuttings which, when combined with the BLANCO SELECT, creates a convenient and simple waste disposal system.

The modern design provides elegance as well as plenty of space with the useful draining ledge which can double-up as a chopping area.

To really make the most of the sink space, homeowners can opt for accessories such as a solid maple chopping board which allows users to work directly into the sorting bowl.

The COLLECTIS 6 S is available in a plethora of colours to suit all kitchen schemes - White, Pearl Grey, Coffee, Alumetallic, Tartufo, Nutmeg, Champagne, Rock Grey, Jasmine and Anthracite.

For further information on BLANCO UK, please call 01923 635 200 or visit www.blanco.co.uk.

September/October 2019 Luxury Interiors Magazine 17

Feature

A Complete Guide to Feature Walls Why Create a Feature Wall?

“Feature walls are still a huge trend in interiors as a quick update and to inject colour, pattern and personality into a room. There are lots of other benefits too.

“One great thing about accent walls is that they encourage homeowners to experiment with pattern – papering one wall with a statement paper can feel less daunting than the whole room.

“It’s also an easy way to cover any imperfections on the focal wall of a room.

“Without having to paper every wall, accent walls are a costeffective way to update decor for those on a budget. There’s less paper strip too, so less work when it’s time for a refresh.

“In smaller spaces using a dark wallpaper on one wall can trick the eye. The darker shade registers in the brain as being further away making the space feel larger.”

1. Find a Focus

Which Wall?

The ideal position for a feature wall is where people naturally focus their attention. Often this is opposite the doorway – the first wall they see on entering the room.

The first step to a feature wall is selecting the best wall to cover and these four easy steps should make it an easy job.

Think about where the eye is drawn. Is there a natural focal point? If so, that’s the best wall to showcase wallpaper.

2. Play to Strengths It’s important to think about what currently works well in the room (and what doesn’t).

If there’s a fireplace or mantel already demanding attention, a feature wall can be used to exaggerate this – similar to how a picture frame sets off a work of art.

Conversely, if a wall is particularly busy i.e. with windows, alcoves and radiators these elements will compete with the wallpaper, interrupting the design and leaving less surface area for pattern. It’s also harder to apply the paper around these architectural features.

18 Luxury Interiors Magazine September/October 2019

Feature 3. Lay the Room Out for Impact How furniture is laid out within the room is another consideration –a statement piece of furniture might benefit from a feature wall behind it to draw attention to that area.

Beware falling into the trap of overcrowding a feature wall with furniture and accessories or it will feel cluttered and confusing.

4. Light and Shade A dark feature wall in a gloomier part of the room will be covered by shadows, obscuring the wallpaper design, as can harsh light coming in through a window.

For optimum light conditions choose a wall that enjoys a balance of natural light.

Accent Wallpaper – Which to Choose and How to Apply it “There isn’t really a bad wallpaper for a feature wall, it’s really down to personal preference and the kind of look homeowners are trying to achieve.

“When choosing a patterned paper think about the size of the room in relation to the scale of the design.

An oversized print can overpower smaller room, where ditzy designs can get lost in larger spaces.

“Murals work brilliantly as accent walls – beach views and cityscapes creating a real room with a view.

“Geometrics are another effective feature wall design – available in varying scales for impact and a retro vibe.

“Be brave with colour but match the remaining walls to one of the tones in the paper. This will tie the scheme together. Or why not try combining two complementary wallpapers within a space?

“There are some brilliant hyperrealistic wood, brick and stone effect wallpapers and when using these there is scope to include more accessories to dress the wall, as the design won’t fight for attention.

“Jazz up the fifth wall by applying wallpaper or colour to the ceiling.”

September/October 2019 Luxury Interiors Magazine 19

Project

20 Luxury Interiors Magazine September/October 2019

Project

Fil Rouge History, creativity, passion, classic beauty and… colour, this is the beginning of Roberto Giovannini’s new ‘story’.

Fil Rouge is the name of Roberto Giovannini’s new 2019 collection; a name which reflects its expressiveness.

Roberto Giovannini’s Fil Rouge collection is, above all, an expression of continuity. Continuity intended both as a passion for the classic style and for the exquisite art of the highest quality woodcarving; it is also intended as the ability to project into the modern-day epoch the extraordinary luxuriousness of the forms of times gone by, aspects which, right from the outset, have permitted the company to make its mark in the panorama of classic style furniture.

Fil Rouge is born from the Master Roberto Giovannini’s exceptional aptitude of knowing how to reinterpret the classic mindset whilst remaining faithful to the proportions and aesthetic norms of the classic style.

He is able to confer to his furniture and furnishings the fundamental characteristics of functionality and ergonomics required to furnish contemporary living spaces. Fil Rouge presents itself, thus, as a ‘collection’ of breathtaking images, a procession of extraordinarily beautiful elite interiors which continue to express Roberto Giovannini’s aesthetic and conceptual philosophy and the emotions which are transmitted by his creations.

Different settings, ideal places for living the Roberto Giovannini experience, host different types of classic furnishings: different in style, finishings, decorations, materials and fabrics and united by the Fil Rouge of elegance, good taste and sophistication capable of generating an extraordinary and refined ‘coherence’ of togetherness.

September/October 2019 Luxury Interiors Magazine 21

Project Fil Rouge is also the colour red. A strong shade of colour which is confident, intense and vibrant, symbolising passion and transmitting sensations of true ‘warmth’. Associated with furnishings, décor and fabrics or used for personalising a space, it’s the colour behind defining the atmosphere and creating emotions.

For 2019, Roberto Giovannini is presenting a collection which reveals an exceptional creative approach to materials, to decoration and to colour.

Thanks to unique and amazing combinations, Roberto Giovannini’s décor generates fascinating interiors capable of evoking intense sensations of wellbeing and comfort .

The Fil Rouge interiors Roberto Giovannini is setting the stage with four different interiors, all expressing a new experience of luxury and moving the fascinating world of classic furniture closer to modern-day living.

The intrinsic elegance of these spaces is a direct consequence of the formal, dimensional and stylistic equilibrium which Roberto Giovannini is able to create between furnishings which differ in style, finishings and decorative details.

The Entrance Hall Here, Roberto Giovannini presents an extraordinarily elegant entrance hall where the ‘visual rhythm’ is dictated by the stunning forms and decorative features of the furnishings which define it. In particular, shaping the room’s charm, there is the new round Etoile table (art. 598) with its tabletop in smoked glass and base decorated in Antico Veneziano (Antique Venetian) finishing.

The base is intricately carved to reveal the sinuous silhouettes of swans and, indeed, lends to this table an allure of intrinsic exquisiteness and exclusivity.

The characteristic and sublime carved base of the Etoile table encounters the clean and essential lines of the glass tabletop, prompting a reinterpretation of entrance hall tables, in perfect equilibrium between the historical and the present day, between classic and contemporary.

The Living Room Space Roberto Giovannini presents a living area of extraordinary beauty, aiming to recreate the atmosphere and irresistible fascination of the finest and most evocative aristocratic residences.

The forms and styles of the Fil Rouge furnishings, combined with the textures of the fabrics and deep shades of colour which animate the décor, in fact recall the charm of the finest living rooms.

A blending of styles and decoration personalises the ‘open space’ setting, boasting walls adorned with the highest quality curtains and drapery, in an intense red to visually amplify the space.

Dictating the mood of the living room space, the new and majestic sofa, the maximum expression of hospitality and elegance. Operà (art. 1440) is the three seater sofa realised in soft, purple Dedar velvet, with its embracing form: a luxurious alcove where the curved band, decorated in Oro Leggero (Light Gold)(G079), follows to perfection the lines of the padded upholstery. The cushions completing the sofa are enriched by marabù edging; the seat cushion flounce is made in ruffled velvet.

22 Luxury Interiors Magazine September/October 2019

Project At the centre of the space, however, there is the reinvention of the Toscano sofa (art. 1262CK) realised in delicate and luminous pearly-coloured Dedar velvet, coordinated with two lounge armchairs upholstered in the Coromandel design Dedar Jacquard fabric, and a pair of De’ Medici sofas (art. 1404) in Dedar red velvet: together, they create a pleasant and surprising contrast. The Toscano sofa is a reinterpretation of one of Maestro Roberto Giovannini’s best creations, its characteristics of comfort and ergonomics having been adapted to satisfy the sophisticated requirements of contemporary furnishing.

Operà, together with Toscano, the De’ Medici sofas and the lounge armchairs, recreates an extraordinarily fascinating ambient, a place in which hospitality, socialising and elegance reign supreme. Comfort, dimensions and textures thus become the elements which give life to the new living space furnishings of the Fil Rouge collection.

The coffee table (art. 1428GK), astonishing for its exceptionally large dimensions, captures the attention of the room. Realised with tabletop in Breccia Capraia marble and six legged structure finished in Oro Leggero (Light Gold) (G079), it represents an element of décor which, ‘obedient’ to its function, defines and exalts the ambient in which it is hosted, enriching the space with added adornment and personality.

The Fil Rouge collection also reverts your attention to side tables, complements which contribute to more precisely defining the lounge area. Extraordinary solutions, varying in their forms, dimensions, styles and decoration, make Roberto Giovannini’s proposal of furnishing complements all the more complete, creating feel-good sensations throughout the living area.

The atmosphere of this room is made even more exclusive and extraordinary by the new, imposing and majestic fortylight chandelier (art. 1245G) in Oro Leggero (Light Gold) (G079): a creation which goes beyond its main function, transforming itself into an element of grandeur capable of illuminating the space with evocative and fascinating lighting effects. With this ‘object’ Maestro Roberto Giovannini creates a stunning and ‘magic’ dialogue between space and light: a truly spectacular and masterly composition.

a length of 180cm to one of 360cm; the tabletop is realised in Chevron patterned parquet finished in Rovere decapè Nero (Vintage Black Oak) (GT098) and the structure itself is finished in Noir and Argento (Black and Silver) (G098). In an important decorative and ‘organic’ whim, the eight legs joined in pairs support the table structure.

Matching the Florentia table, the exquisite and stylish console table (art. 1429) is available in two different measurements, owning its space as a useful flat surface and at the same time being elegantly ornamental. The added value in the new console table coordinated with the table is also due to the new silver leaf Renaissance (G112) Luxury finishing which ‘outlines’ the structure’s contours: a sublime, high quality decoration which exalts the expertise of the artisan craftsmanship.

The Bedroom With the new king-size Ramage bed (art. 1438), Roberto Giovannini reveals a new creativity and reaches the maximum expression of modernised classic beauty.

Ramage, completed by the bed covers in Tiffany coloured Rubelli fabrics becomes a truly exclusive piece of furniture, thanks to a unique ‘detail’ in the Stone version: an upholstered passe-partout set with semi-precious gemstones such as labradorites, lapis, malachites, red Jaspers, tiger eyes and amethysts.

For the first time, a bedhead is reinterpreted as a ‘jewel’, with rare and exclusive aesthetic qualities. The bedroom, furthermore, is also personalised by an elegant new set composed by a chest of drawers and bedside tables (art. 1435 and 1436), and by new pieces reminiscent of the traditional tallboy 7-drawer chests (art. 1437): some new creations which widen, complete and add to the functionality of Roberto Giovannini’s proposal for the nighttime space.

Finally, the room welcomes the presence of an elegant and discreet study corner composed of a desk with top in leather (art. 1359LE) finished in Rosso and Argento (Red and Silver) (G088) and a new bookcase (art. 1433) finished in Argento Pitti (Pitti Silver) (G022); this bookcase, with its typically classic connotation, is a complement capable of adapting itself also to the new tendencies of modern décor.

Duchesse (art. 1423), one of Roberto Giovannini’s most iconic lounge armchairs, recalls in its forms the authentic, original chair dating from the late 1700s preserved in the Reggia di Caserta; now it is reinterpreted, preserving its classic style but given a more modern guise, thanks to the fine quality fabric in black and white stripes.

Roberto Giovannini enhances the Fil Rouge collection with a new 3-door showcase (art. 1439) with shelves realised in clear glass and Bianco Fiorentino (White Florentine) finishing.

The Dining Room The starring role in the dining room is taken by the Florentia table (art. 1434CPHAC), a table which reflects the concept of the ‘custom made’ feature of classic furniture.

Florentia can reach significant dimensions, passing from September/October 2019 Luxury Interiors Magazine 23

Project Another important ‘decorative detail’ of the bedroom is the framed bas relief in plaster which, coordinating with the bed, has a passepartout enriched with labradorite gems.

Objects with a modern-day character, lights, mirrors and accessories all contribute to enhancing any interior: Fil Rouge expresses the company’s will to create complete Ambienti d’Autore (Bespoke Interiors) in every detail, characterised by ever more unique and élite forms, materials, fabrics and decorative finishings.

The concept which characterises the whole collection recalls the splendour of the styles which have formed the history of furniture and furnishings, that way of being sumptuous, unique and recognisable; a concept which redesigns with contemporary functionality the style and the ‘world’ created for living spaces which seek excellence as an element of distinction.

With Fil Rouge, Roberto Giovannini continues, thus, to communicate his extraordinary ability to create new forms without ever losing the classic artisan spirit which is the hallmark of his creations.

Roberto Giovannini is tradition in continual evolution, sartorial artistry, competence and innovation.

The know-how and artisan expertise acquired over the years, from collection to collection, are interpreted today, adapted and reformulated as if in a fascinating ‘construction game’, to satisfy the requirements of contemporary living which continues to seek luxuriousness and sophisticated wellness.

24 Luxury Interiors Magazine September/October 2019

Awards News

VADO Win Innovation Brand of the Year VADO are delighted to have been awarded the Innovation Brand of the Year at the PHG Awards.

Led by some of the most experienced merchants in the country, PHG is a specialist plumbing, heating and bathroom buying group for the UK sector.

As voted for by PHG members, the award recognises enthusiasm, differentiation and identifies what makes each company stand out against other supplier deals.

Steven Swallow, VADO’s Director of National Accounts, comments ‘we had a superb year with PHG in 2018 and that momentum has continued into this year. I want to

send out a big thank you to all our staff who have played a vital role in helping us towards this award.

SWA MEMBER EXTENDS THE SCOPE FOR INTERNAL SCREENS WITH NEW DOOR OPTIONS Customers across both the commercial and residential sectors will be able to enjoy the aesthetic and practical benefits to the new door options which Steel Window Association (SWA) member, West Leigh, has added to its range of internal screens.

The steel window specialist has incorporated a set of the singleglazed W20 doors into an area of its South London offices, which doubles as a boardroom and a showroom; providing an ideal opportunity for homeowners, capital’s architects and interior designers to get a feel for the stylish innovation.

Like most SWA members, West Leigh offers a wide choice of frame sections and configurations, but has chosen to produce its new pivot and sliding door options using the widely specified and traditional W20 profiles. These offer a similar slimline steel section as well as strength and good light transmission, while their galvanised coating can be finished in any RAL colour.

Thank you to everyone who voted for VADO, your support is greatly appreciated.

CLEVERLY DESIGNED CANDOR-S TAP FROM BLANCO One of the stunning designs from BLANCO’s stainless steel tap portfolio is the CANDOR-S which features a brushed steel finish.

The tap has a high-arched curved spout with a cleverly concealed pull-out hand spray; perfect for washing up and preventing splashes around the sink area. The design also includes a vertical “off” position for the lever which allows the tap to be situated against a wall with space for wide sink models and splashbacks.

The CANDOR-S tap has a basic setting of the control lever to cold start.

For further information on BLANCO UK, please call 01923 635 200 or visit www.blanco.co.uk

For the pivot door, the mechanism is recessed into the floor for a modern minimalist appearance, while the B1 parting door moves aside on a track, fitted at the head, either in front or behind (in this case behind) of the fixed frame to greatly reduce the space taken when opened. Both doors are single glazed using toughened or laminated safety glass and can be fitted with a variety of handles, including locking ones if required.

West Leigh and the SWA are already receiving interest from homeowners and interior design consultants, seeking to maximise light and looks when dividing rooms or larger spaces.

For further information on the Steel Window Association, please visit www.steel-window-association.co.uk or call 020 8543 2841.

September/October 2019 Luxury Interiors Magazine 25

Project

DESIGNER ADAM D. TIHANY REIMAGINES AMBER FOR NEW-GENERATION OF DINERS Following a four-month renovation, Amber, the two Michelin-starred restaurant led by chef Richard Ekkebus at The Landmark Mandarin Oriental, Hong Kong, relaunched last month to widespread acclaim.

Aside from the new menu and thoughtful approach to fine dining, Amber has attracted attention for the striking new interiors created

by New York-based Tihany Design, one of the world’s most celebrated design firms. Refined, light and contemporary, the inspiring design reflects Amber’s new culinary direction.

Adam D. Tihany, founder and principal of Tihany Design who was responsible for Amber’s much-

lauded original interiors, has returned to collaborate with Chef Ekkebus on the full-scale makeover. “The new Amber is light, curvaceous and less formal compared to its original design, which conveyed masculine elegance,” explains Tihany. “It embraces the evolution of fine dining to portray a more approachable, personal experience.”

Chef Ekkebus’s inspired vision for fine dining explores new ways to experience flavours, textures and taste, encouraging greater interaction between the staff and diners. In keeping with this approach, Amber’s design features warm, neutral colours and organic forms, revealing a softer, more inviting

setting. Boasting a wall of floor-toceiling windows, guests are treated to panoramic views of the city below.

Curving low partitions snake through the restaurant creating pockets of intimate dining spaces.

While Tihany’s design is refreshing and modern, it also acknowledges the past and echoes iconic elements of the original Amber. The golden rods formerly suspended from the ceiling have been replaced with bronze ring chandeliers that retain a sense of intimacy while showcasing the restaurant’s architectural volume.

The new-look Amber also features custom-made sculptures crafted by local artist Gail Deayton.

Designed to enhance the dining experience, the sculptures are inspired by the urban landscape surrounding The Landmark Mandarin Oriental, Hong Kong, and the communal traditions of Chinese dining culture.

As one of Hong Kong’s most iconic fine-dining destinations, Amber continues to push culinary boundaries. The restaurant’s progressive, sophisticated design reflects Amber’s groundbreaking approach to culinary innovation.

“The most successful restaurant interiors possess a simple ingredient: a good story,” explains Tihany.

“Amber tells a story that will live on in the memories of its next generation of guests.”

26 Luxury Interiors Magazine September/October 2019

Velux

After

1930s house transformed into a stylish family home When the owners bought this 1930s six-bedroom detached house in the Cotswolds in 2011, the rear of the property had an awkward layout and was rather dark and ramshackle.

Fortunately, they had the vision to see past this.

The original kitchen was small and north facing with a separate scullery and a number of small annexes, originally used as coal holes and storage when the house was built (as a doctor’s surgery).

But Penny and her husband Charles, who have two grown up children and two cats, always wanted a large openplan kitchen and area for family dining that was filled with natural daylight and opened on to the garden at the back.

They worked with a local architect who drew up plans for a single-storey extension with a vaulted ceiling. This involved knocking out the back wall of the scullery, removing the old

buildings to create a new kitchen that faced south west to capture as much daylight throughout the day as possible.

The renovation work was carried out by local builders and tradesmen and took six months to complete. The homeowners could use their original kitchen during the work but the washing machine was kept outside plugged in to the greenhouse – luckily, the project was complete before the cold weather started.

To provide the kitchen with as much daylight ventilation as possible, Penny installed two VELUX INTEGRA® whitepainted roof windows with the remote controls providing easy opening and closing of the roof windows and the blinds.

She said: “I always wanted VELUX roof windows to bring natural light in to the space. I don’t like extractor fans so as well as all the beautiful daylight, they also help to circulate fresh air and ventilate the kitchen by getting rid of the heat and cooking smells. We love sitting at our big wooden table as a family and looking up to the sky to see the clouds and the stars and to bask in the sunlight – it’s such a lovely way to spend the day.”

To help keep heat in, provide a cosy atmosphere at night and to control the sunlight on particularly bright

days, Penny also installed blue/grey coloured electronic blinds to the roof windows.

Tri-fold doors were added to allow the family to access their beautiful garden easily. Inspired by the leafy view outside and the lovely garden, the owners have styled the space with oak wood worktops and kept it modern yet traditional to give it a homely, informal farmhouse feel in keeping with the space and style of the rest of the house.

Penny said: “Adding a single-storey extension to create a big openplan kitchen has been a wonderful experience and something we are very proud of. The space feels a million miles from what it was like when we had our old small kitchen and now it really reflects our personalities and functions as a practical family home that leads out to the garden.”

Website: www.velux.co.uk

Before

September/October 2019 Luxury Interiors Magazine 27

Interview

LUXURY INTERIORS MAGAZINE INTERVIEW WITH JEN BERNARD

Bernard Interiors is an award winning interior design practice working with a variety of distinguished clients across the UK and abroad on residential and commercial properties in the luxury care, retirement and hotel sectors. We spoke with Jen Bernard, founder and managing director.

1. What determined your passion for interior design and architecture?

From an early age I had a passion for all things creative, art, interiors and styling. In my first ‘Saturday job’ when I was 16 I had the chance to style room sets for interior magazines such as Elle Decoration – from then I was hooked. I then studied interior architecture at Edinburgh College of Art. 2. What inspired you to set up your own interior design company and has this always been your dream?

After graduating, I worked for an architecture practice specialising in commercial interiors and found that I enjoyed being on site, interacting, problem solving and building rapport with clients and contractors.

This was the catalyst to the dream of running my own practice. However, I needed more experience so I moved into a sales and design role with an international wall covering company. I spent a lot of time visiting and advising clients, mostly in the hotel and healthcare sectors.

In many ways it was like running my own business which reinforced that going it alone was the right path.

My team is currently 14 strong and they inspire me daily.

LEFT PAGE IMAGES © Kristen McCluskie

3. Do you have a signature style?

The Bernard Interiors style is born from each client’s vision. Our role

28 Luxury Interiors Magazine September/October 2019

is to facilitate our clients’ business aspirations or dream lifestyle creating a timeless aesthetic that reflects their character and interests, with impeccable attention to detail.

We aim to create a warmth to our interiors through the use of pattern, texture and carefully designed lighting schemes.

4. Talk us through your design process, how are your ideas brought to life?

We work collaboratively with clients, architects, contractors and project managers as part of the development team, sharing our technical knowledge and project delivery experience. Our process aligns with the RIBA Plan of Work and once the project vision and concepts have been thoroughly discussed and agreed, we focus on delivery to make sure we’re on time and on budget.

We draw upon years of knowledge and experience to tailor our designs to each individual client or end user and our goal is to exceed expectations.

5. With projects being so diverse, do you feel it important to adapt your design approach?

Every project varies so we naturally adapt our design approach to each individual project. We create timeless environments that function effectively for the needs of everyday life, from private residences, hotels to retirement villages.

Our approach is always based on our client’s vision. For design inspiration we often respond to the history of the property, its surroundings and the lifestyle of the end user.

Interview 6. Your company have worked on some amazing projects, how important is it to fully understand a client brief and work with the client even when there may be a clash of opinion or ideas?

Fully understanding our clients’ aspiration is vital but part of the process is often interpreting the brief as sometimes they may struggle to communicate this. It’s our role to dissect the brief and extract information in order for us to start the creative design process.

We naturally build strong relationships with our clients, earning their trust from the outset. Sound business decisions are grounded in collaboration and experience and through this we are able to suggest a variation in ideas or bring something new that the client might not have previously considered. That is the beauty of using an interior designer.

We’re strong in our approach and ideas but we will always listen to our clients – the aim is to get the best out of every project and ultimately add value.

7. Who or what inspires you?

Interior designer and hotelier Kit Kemp MBE inspires me, both as a designer and as an entrepreneur. She has built a very successful practice. Helen Green is another huge inspiration.

Sadly she is no longer alive, though her signature style and legacy still thrives. My family, clients and team also inspire me on a daily basis.

8. What have been your favourite interior design projects that you have worked on?

I love every project I work on as I am passionate about all things design. I like to give the same amount of attention to every project. A private high-end residential project I worked on for two years was a real challenge and consumed my life but it was so rewarding once it was completed.

Working on projects in Spain is always uplifting, with sunshine daily – it definitely lifts the mood!

9. What would be your advice for other women who want to set up their own business?

I’d advise anyone to go for it, but you should be honest with yourself at the outset about how much time, effort and resource you are willing to commit to get a business off the ground. Other areas of your life will most definitely suffer and it is so important to build a support network professionally and privately. You can fail several times but never quit.

10. What are your future ambitions? Are there any projects you have upcoming that you are excited about?

For the practice, our aim is continued growth.

We have just moved into a 5,000 sqft historic landmark property which has undergone significant redevelopment in order to provide an inspiring work environment. If our growth continues at the expected rate we have the flexibility to almost double the floor space of the new studio with the addition of a mezzanine floor.

We have lots of exciting projects due to be delivered throughout the next year, our first urban redevelopment in Clapham for Audley Villages is going to be a showstopper!

RIGHT PAGE IMAGES © Neale Smith

September/October 2019 Luxury Interiors Magazine 29

Events News

Independent Hotel Show 2019 Preview Now in its eighth year, the Independent Hotel Show, presented

by James Hallam Insurance Brokers, is checking in to Olympia London on 15 and 16 October where it will deliver inspiration and insight to the luxury and boutique hotel community.

The premier business event will bring together over 6,500 hotel owners, general managers and heads of department where they can explore a myriad of creative solutions to help them transform the hotel guest experience. A carefully curated collection of over 350 hotel suppliers, including high-end designers and technology innovators, will showcase new products and services which share the aim of helping hoteliers and their businesses flourish within today’s creative and compelling hotel industry.

Guaranteed to trigger inspiring conversation, eclectic exhibitors will present products that balance luxury, individuality and environmental consciousness. Transform the dynamics of your décor with bespoke designers like Cheeky Chairs, debuting a quintessential collection of expertly sculpted English oak and ash chairs with a contemporary twist for the luxury hospitality sector.

Alternatively, delve into a world of spectacular colourful intricacy with Jo Downs Glass Design, creating bespoke interior and architectural fine-art glass patterns and designs to add a splash of personality to hotels.

The show structure itself will offer interior inspiration for hoteliers with design partners such as Susi Bellamy, this year’s official wallpaper partner, who is bringing the idea of

‘instagrammability’ to life through her designs. Susi shares that “giving consumers something bold and unusual to photograph and share can be a tool for driving business”.

The rise of sustainable luxury brings the necessity for hoteliers to take a whole new approach to the delivery of quality hospitality. With that in mind, consciousness is one of this year’s themes, as The Conscious Hotel Bedroom, powered by Criton, is set for creation.

Combining luxury interior design and environmentally conscious solutions, The Conscious Hotel Bedroom, designed by London design studio Harris & Harris, will give forwardthinking hoteliers a view of how to balance guest experience with sustainable choices. An overarching ethos of wellbeing in hospitality has been carefully considered in each aspect of the installation. In addition, to provide insight into today’s consumers’ attitudes to conscious travel, a report revealing the results of a detailed consumer survey will be available at the show.

Recognising the passion, commitment and dedication of hoteliers who propel the industry into the future, the Independent Hotel Show will host its own prestigious awards with three esteemed accolades announced at the show the Independent Hotelier, the Hotel Innovation award and the GM of the Future, supported by the Master Innholders.

Enlightening discussions on pertinent topics, from wellness to design trends, are set to be held on the

Innovation Stage, in partnership with eviivo and designed by House of Sloane, and the Hotel Vision Stage, designed by Graham and Green with a fine balance of eclectic statement furniture and homely finishing touches. Meanwhile, hoteliers can engage in more intimate, insightful campfire sessions in the Social Business Space, powered by Good Energy and designed by Julian Chichester.

Connections can be made and strengthened within the show’s many social spaces. Central social hub The Lobby, presented by bidroom and designed by Dome Deco, provides a relaxed space to pause and catch up with industry friends, while The Suite, hosted by Samsung and designed

by Two’s Company Interior Design, offers an exclusive space for the Independent Hotel Show Members Club and their guests to enjoy.

Those looking for further interior design inspiration will be spoilt for choice. As design partner to the Innovation Stage, House of Sloane, is planning to fulfil the brief of ‘modern eclecticism meets maximalist glamour’ by kitting the stage out with bold hues, luxurious velvets, a dash of animal print and eclectic accessories.

To register to attend the Independent Hotel Show 2019, visit independenthotelshow.co.uk.

30 Luxury Interiors Magazine September/October 2019

15 – 16 O C T O B E R 2 019 O LY M P I A L O N D O N P R ES E N T E D BY

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The Social Business Space

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Interview

Interview with Rachel Bates Have you always been passionate about Interior Design?

Yes, from a very young age! - My Mother, Sheelagh and her sister, Patsy, were not design professionals, but they really should have been.

They both had a natural, innate sense of style and creative, yet practical eye. Their homes were always beautiful and elegant and different to everyone else we knew. People used to love coming to their homes for parties so they could admire their

fabulous interiors, well that, and the fact that we are an Irish family, so we really know how to entertain! They favoured the old school, traditional, country house style with a mix of antiques, gilded mirrors and stunning soft furnishings from the likes of Colefax & Fowler. They were not minimal or contemporary in any way. Nor were they greige! It was colour all the way! Although Patsy often comments that I much braver with colour than they ever were.

They also loved Fashion as much as interiors and their amazing creativity was always reflected through their gorgeous clothes and accessories.

To be honest they were just fabulous in every way, they are even amazing cooks! I guess you could say that my sister Katie and I were thoroughly indoctrinated in the best way possible and that our passion for Interiors, fashion, the arts and food is a result of so many hours spent with Mama & Aunty Patsy as young girls.

What inspired you to create your own business?

Quite simply, because of demand for my services. People saw my own home (we designed and built it ourselves) and asked would I help them with theirs. I Did a few trial projects free of charge for friends and business acquaintances of my husband which lead to their friends and business associates wanting to hire me. This is when I set up the business and the rest as they say, is history.

Who inspires you?

Many people inspire me. There are far too many to list today. I’m particularly inspired by strong and dignified people such as Her Majesty the Queen. What an amazing woman she is in every sense of the word. I have great respect and admiration

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Interview for our beautiful Monarch, long may she reign. I’m inspired by Diana Verde Nieto, CEO of Positive Luxury and her determined and unwavering desire to convert the Luxury brands of the world to sustainable business practices. Jesus, who suffered the horrors of crucifixion to save us all and give us salvation. Aid workers and those whom devote their lives to helping others who are suffering, with little or no reward and at risk to their own personal safety. From a creative perspective, I’m inspired by Incredible designers from all genres, such as Dolce & Gabbana, Valentino, Carolina Herrera, Hermes and Dior if it’s Haute Couture fashion. If were talking art, I love the pre-Raphaelites and great masters and contemporary work such as Roger Colson.

Architecture and antiques, the Rococo and Georgian eras win hands down from me. Interiors style there are far too many people to mention I’m afraid, however I do think that the new Annabel’s in Mayfair, London, designed by the brilliant Martin Brudzinski is a design triumph!

Do you have a signature design style?

Well I was described by one magazine as ‘Baroque & Roll’ which I took as a great compliment and I think pretty much sums me up!

I have the ability to successfully use bold, clashing colours and successfully combine and balance the mix of traditional and contemporary design within a scheme or product, which is not something one can learn from a text book. It’s either part of your inner being, or it isn’t.

Talk us through the inspiration behind designing crystalware?

I have no formal training in design for interior schemes or products and I think this has always been a great advantage in my favour, as my creative vision has not been constrained by the rules of how things should be done in a text book kind of way, something which in my case would be very bad for creativity flow. For me there is never a ‘No it can’t be done’ in anything I undertake, only a ‘well there must be a way to do this’. Tradesmen and artisans alike, run for cover when they see me coming, because what I am proposing may not be the normal order of doing things, which is no bad thing, but it requires a little more effort on their part, which never makes you popular. However, I usually manage to get everyone on side with my vision and it always works out just fine.

When it comes to designing crystalware, a lot of my designs are

inspired by Antique pieces that I will modernise, or a product could be designed from a handful of elements from several different pieces. Each product is then designed with a contemporary eye, in terms of reworking it’s look, or it’s use for this century and as well as offering the piece in clear crystal also offer it in a rainbow of colours. The pieces are designed to be elegant and timeless, to be sought after treasures for the users of today but also to become the antiques of tomorrow to be handed down to your grandchildren. Again, each piece is designed with longevity in mind to also meet our sustainable code of practice.

Due to my rural upbringing in Cheshire I am passionate about the countryside and the protection of it.

Nature is my greatest inspiration and you will find that flowers, birds nature have a great influence on my design style.

You have collaborated with different brands, what has been your favourite project so far and why?

I have enjoyed all our collaborations to date and there have been many of the last few years, but Ciner New York, is top of the list. I was a costume jewellery designer for many years before I fell into interior and product design so this collaboration is taking me back to some old skill sets and I have loved every minute of the design and production process and the time spent in Manhattan with the Ciner team and their wonderful atelier of amazing, skilled artisans.

The Business is 127 years old and the possibilities are endless. The other lovely thing about it is that everything is made by hand using traditional techniques, tools and processes. Our debut collections ‘Maltese Cross’ and ‘Corali’ launched

Originally starting as an interior designer, Rachel Bates became renowned in the industry for her bold colours and signature style. After years of creating and curating collections, Rachel decided to open her online store to share these luxuries with everyone.

Today, the Rachel Bates brand has been featured in publications such as Financial Times, Homes & Antiques and The Times for her signature designs and partnerships with the likes of Laurent-Perrier and Ormonde Jayne.

Working with artisans around the world, Rachel is committed to creating products that promote sustainability.

To reduce waste all her products are made-toorder and of the highest quality to ensure they remain durable.

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Interview in July and I am already beyond excited about what’s going to be coming next!

In your opinion, do design elements such as candles, crystalware and other homeware help complete an interior design scheme, if so how?

Absolutely!! 100% - without them your scheme is quite frankly dead or devoid of any personality. If you imagine dressing yourself to go out.

You take to shower, style your hair, put on your makeup and pre-pare your outfit. Every element of the process is an important one because you want to look gorgeous and a perfect as you can when you step out of the front door. You would not go to all that effort and go out without accessorising, would you? You would ensure that your bag and shoes coordinated with or complemented your dress, you would add earrings, a necklace, a bracelet, maybe a jacket or a shawl, possibly a hat or some sunglasses. In the same way, would you live in a room with painted walls a TV and a sofa? You would have your walls dressed with paintings & prints, you would also hang mirrors as not only do they provide a lovely feature or decoration for your walls they also reflect light around a room and can also make a room feel much bigger than it is. Rugs, throws and cushions to soften the space and table lamps to provide a cosier level of lighting to the main overhead lights as well as becoming a beautiful accessory on your side tables. So, think of this stage as your showering, hair styling and getting dressed stage. The finishing

touches, the accessorising, comes with the addition of candles (great for adding subtle fragrance to the room as well as creating a feeling of warmth and ambience), crystalware (again a good light reflector and of great ornamental value as well as being practical if servicing your drinks cabinet or trolley for that early evening G&T), coffee table books, ornaments and flowers, these items are like the accessories you wear that make your outfit. They transform your outfit from something ordinary to something knockout. The same applies to your home.

benefit for the environment, but also for you. Drinking from crystal with lead in it is not good for you longterm. We specifically work with small groups of skilled artisanal producers not just for the product quality reasons but so that at the same time, we have more control over the processes from an environmental perspective. All our Rachel Bates packaging is made from recycled paper and cardboard. We do not use plastic. We successfully become a ‘Positive Luxury’ Brand to Trust over 3 years ago, because of the above and more.

What has been one of the biggest challenges you have faced so far?

If you could collaborate with any brand in the world who would it be and why?

Trying to change my mindset from a creative and a designer, to learning how to run on on-line retail business. Understanding how best to do it really, taking lots of advice and being prepared to try absolutely everything and if something doesn’t work being able to think in your feet, fast, to turn a situation around and change direction. It’s been a valuable learning curve and one I hope I am getting better at!

How important is sustainability to you and how do you ensure that your products promote this?

It’s of incredible importance to me personally and as a brand. We reduce our carbon footprint by being a made to order service, so we only produce any of our products on demand whether it’s a pair of earrings, a teapot or a crystal champagne cooler. All of our crystal in Lead free, which is not only a

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Dolce & Gabbana! I mean, just imagine what the three of us could create together!

What are the plans and goals for the future?

To accelerate and grow the Rachel Bates Brand particularly in the USA (our best on-line customers since launch in November 2015 to date) and greater awareness of our on-line store, rachelbates.com Continue to produce gorgeous luxury items that will make my customers hearts sing, just as they do mine, every time they use them or look at them. To always operate in a sustainable and philanthropic way, helping to protect the planet and ensuring that all our producers treat their employees and artisans well and fairly. Oh, and to try and get that collaboration with Domenico Dolce and Stefano Gabbana!

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