Revitlizing The Core -Historical Jeddah - Homoud alkhammash - Boutique Hotel

BOUTIQUE HOTELS GRADUATION PROJECT

HOMOUD ALKHAMMASH 1207873 ARCHITECTURE DEPARTMENT FACULTY OF ENVIRONMENT DESIGN KING ABDULAZIZ UNIVERSITY 2016-2017

INTRODUCTION Contents/Project Site

New Building

1 INTRODUCTION

1.1 Table of Contents/Location 1.2 Problem Statement and Objectives 1.2 Project Brief 1.4 Location 1.5 Existing Situation 1.6 Site Photos

Demolition buildings and expansion space

A new building support the region contains four floors and its should be similar to the old fabric.

Remove several modern buildings of the few floors to increase Nassif space area and to find new areas and services.

Facade treatment

Highs buildings that exceed height than Nassef house treatment does not overwhelm Nassef.

New Building

A new building support the region contains three floors and its should be similar to the old fabric.

Project Site

A new building supporting the old building that provides modern integrated and technical services Enhances the resilience of the old building without neglecting existing culture

3 CASE STUDIES 4 SITE ANALYSIS 4.1/4.3 Circulation 4.4/4.5 Views 4.6/4.8 limate/Wind

5 CONCEPT DEVELOPMENT

5.1 Alternatives Layouts and Massing 5.2/5.3 Facade Treatment

BUILDING DESIGN 6

Plans 6.1 section 6.2 elevations 6.3 Details 6.4 Perspectives 6.5

New Building

A new building support the region contains three floors and its should be similar to the old fabric.

Demolition the building and Build a new building Remove several modern buildings of the few floors to increase Nassif space area and link it with the small area to find new areas, buildings and services.

New Building

A new building support the region contains one floor with high of two floors similar to the old fabric.

A

01

New Building

A new building support the region contains one floor similar to the old fabric.

INTRODUCTION

INTRODUCTION PROJECT BRIEF

BOUTIQUE HOTEL PROJECT

PROBLEM STATMENT

Boutique hotels are characterized by their intimate atmosphere and idiosyncratic style.

They distinguish themselves from larger chain hotels by offering personalized attention and styled accommodations which play on a motif.

Continuing to main problem statment of revitalizing the core of Jeddah and making it a cultural center.

Hotels have a great role in attracting and receiving visitors and tourists to live a different experience and to operate the place at all times.

CHARACTERISTICS

Reason for selection

Location – Again, there is no hard rule, but many boutique hotels are located in the most hip and fashionable urban areas. You’ll find them in lively, up-and-coming sections

1. Planning study Integrating the building with surrounding life is one of the success factors of these programs.

Size – Boutique hotels are typically small, with 10 to 100 rooms. They are intimate in scale, , rather than just a hotel occupant. They often have communal “living spaces” Design – The architecture and interior design of a boutique hotel is as unique as its operations, but always upscale and often combining historic details with chic elegance.

Culture – As an extension of the unique personality of each property, boutique hotels often celebrate the local flavor with a strong sense of place by incorporating locally-sourced materials and reflecting the locations heritage through color and art. Themed boutique hotels build the entire guest experience, from décor to services, around a particular subject Character – Boutique hotels usually have an eccentric personality. They are fun and funky, trendy and offbeat. Their quirky sense of humor might be exhibited through creative guest offerings.

02

2. Architectural study After stability on specific use commensurate with the building and its location, the architectural study is carried out for use, and begins to identify the new usage needs in terms of the required spaces and their relationship to each other.

3. Historical study For their association with certain historical events and personalities, in addition to their aesthetic value

GOALS

Providing a different experience

Fostering a culture in historic district

Achieving environmental sustainability

Achieving economic sustainability

USERS Tourists Visitors to the historic area

HISTORICAL JEDDAH

BOUTIQUE HOTEL PROJECT

INTRODUCTION Location

SITE PLAN N

Harat Almadhloum

harat Albahar

harat Alyemeen

SOUG ALBADO INA ABO BAH

THA AL-

DA

NA AL-

BOUTIQUE HOTEL LOCATION

EET

TR

BS

commercial street

HA

ALMALIKAH BUILDING

JAMJOUM HOUSE

AR ALMEM E Q S U O M

commercial street

GABIL STREET

AL-ALAWY NASEEF HOUSE

NOURWALI HOUSE

AH

INAB

SOUG AL-KHASKEAH

WY ALA AL-

ABO

two main axises are connected to each other, the first axis is Abu Inabah runs north (Bab Jadid) to the south (Bab Shareef).

The other axis is Qabel street from the west (Sea) to the east (Bab Makkah).

03

SOUG ALBADO

ALSHAFEE MOUSQE

DA

G SOU

Features Location It is in a quiet zone suitable for accommodation surrounded by historical buildings and close to commercial areas

harat Alsham

NA ALUG SO

Located on the axis of Abu inaba in hart Al-Madhloum and close to the center and has a link to Althahab street and Al-Alawi commercial street It can be reached and serviced by Gold Street

ABO INABAH

Location

INTRODUCTION SITE FORCES

HISTORICAL BACKGROUND

SITE PLAN

2

2 The building is located on the Abu Anaba axis and is one of the first class houses classified by Robert Matthew, The house was built in 1287 AH and was completed in several stages, It was inhabited by Mahmoud al-Ashmawi and his sons and they were famous for writing poetry, and Massoud family lived there

to althahab street

1 Ashmawi house 1287h Hanbouli square

CURRENT SITUATION

Destroyed buildings

2

3

3 Ashmawi house is currently deserted. The ground floor is used for retail on the Abu Inabah axis

1

3

Phase1: (1287h)

2

Phase2: (1323h) Phase3: (1397h)

04

to al-alawy pathway

1 Buildings completely destroyed and some parts of the eastern faรงade of Hanbali house 2 new buildings don't have historical or heritage importance, consisting of four floors, which can be significantly altered or removed if not used

N

to maidan al-baia`a

1 Hanbouli house residence is the mayor of harat almadhloum Hassan Hanbouli and his children, who is a follower of Altrabelsi family

1

1

1

1

1

1: Retail

to bab Makkah

INTRODUCTION Contents/Project Site

1

4

2

1 Abo Inabah Axis

2 Al-ashmawi house

3 Al-hanbouli house

4 Back Axis

5 destroyed Buildings

6 destroyed Buildings

3

5

6

05

CASE STUDY

CASE STUDY HOTEL

From the architect. The Raval de la Mar Hotel is located in the historical center of Vila-Seca, where the urban lines are irregular and constructions are typically 3 stories high and narrow, limited by dividing walls. In this sort of urban layout, irregularities within alignments have ended up conforming the current existing grain.

The lot has a privileged location since it is delimited by three streets. The plot is the union of three preexistent properties on two single-family-houses sit and an empty lot. From the addition of the three we obtain our construction site with its final irregular perimeter.

Furthermore, the ‘Verge de la Pineda’ Street has a special role in Vila-Seca, it connects the Church’s square with the Mediterranean sea, passing through ‘Sant Antoni’s’ guarding tower. This street’s importance caused historic constructions to have a façade composition very different from their “back” façade, which were auxiliar constructions and closings.

It is through these changes that façades differ and evolve from the front regular façade that reminds of the historic examples (‘Verge de la Pineda’ St.), transitioning to a more arbitrary and flexible back façade. (‘St. Josep’ St.) This concept creates an anonymous exterior that blends with its immediate context creating a radical contrast with the interior design. An opaque and rock-solid exterior that opposes the interior, where spaciousness and brightness are achieved through an interior light well.

The hotel has 36 rooms distributed from the ground level all the way to the attic. They are organized on swastika layout that rotates around the central light well, which tiers to allow a better entrance of the south-west light beams. The upper level’s façade steps back to create exterior spaces both for public and private use.

06

CASE STUDY PRATT INSTITUTE

Pratt School of Architecture at Higgins Hall, a historic landmark, was almost consumed by a four-alarm fire, laying bare the building’s six previous constructions. The renovated school creates a contemporary workplace - with the tectonics of the original structure and new interventions revealed, the building participates in the teaching of architecture.

Steven Holl Architects was a collaborator on the new entry and glass connector in the central wing.

Previously hidden arched openings, timber lintels, cast iron columns, curved masonry, and 100-year-old scars from an earlier fire were incorporated in the renovation. New openings in the old masonry’s bearing walls create light filled studio spaces while double-height spaces created by the fire become review spaces with gallery balconies. The deteriorating exterior of the south wing was reconstructed using primarily salvaged material and its roof profile reconfigured to allow new operable windows, clerestories and skylights. A cantilevered blackened steel stair completes the original ornate cast iron stair with drama.

The new construction of the central wing creates an entryway and lobby for the school. With a series of ramps and stairs and open studios, it negotiates significant floor height differences between the two other wings. Its mechanical systems are located in the north wing for maximum light and openness. The South wing was a pilot project for LEED-CI commercial interiors. The complete phased reconstruction project spanned ten years.

07

SITE ANALYSIS

SITE ANALYSIS NEIGHBORHOOD SITE CONDITIONS

DESIGN RESPONSE OLD BUILDING CONSISTING OF TRHEE FLOORS UNRATED HIS CONDITION DETERIORATED AND THREATENED TO FALL

OLD BUL. ONE FLOOR OLD BUL. 4 FLOORS

ABO INABAH AXIS

DILAPIDATED BUILDINGS

SECOND ARY AX IS

OLD BUL. 4 FLOORS

SERVICES

LITERARY ARTS

BECAUSE THE BUILDING NEXT HIGH AND CLOSES SPACE, IT IS POSSIBLE TO BE A PLACE OF SERVICE

IT IS POSSIBLE THAT SERVICES AND TO ITS PROXIMITY TO AL THAHAB STREET

TREES

PROJECT SITE

OPEN SPACE CAFE

DILAPIDATED BUILDINGS

DILAPIDATED JAMJOUM HOUSE

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DIGITAL ART

ABO INABAH

AXIS

OPEN SPACE

OFFICES

SPACE OVERLOOKI PUBLIC NG THE OPEN AREA COULD HAVE BEEN PUBLIC FOR ACTIVITIES

OPEN SPACE

CAFE

GROUND FLOOR PUBLIC TO INTEGRATED WITH OPEN SPACE

CAFE

SITE ANALYSIS ACCESSIBILITY

SITE CONDITIONS

DESIGN RESPONSE ACCESSIBILITY FROM THE BACK

ABU INABAH AXIS PEOPLE USE IT TO TRANSMISSION FROM NORTH TO SOUTH AND IT IS THE MAIN CIRCULATION

STRENGTHEN THE LINKAGE BETWEEN ALTHAHAB STREET AND ABU INABAH THROUGH THE SITE

ENTRANCE SERVICES FOR TRUCKS FROM THIS ROAD TO HIS CONNECTION ALTHAHAB STREET

09

THE MAIN ENTRANCE OF THE HOTEL COULD BE THE MAIN AXIS OR LATERAL TO AVOID CROWDING

SITE ANALYSIS SIZE AND AREA

SITE CONDITIONS

DESIGN RESPONSE 7m

4.2 BUILT-UP AREA IS 100%

8.2m

20m

19.8m 13m

16.7M

33.8m

10.9m

20.8m

BUILT-UP AREA FOR HOTEL 929 m² WITHOUT SETBACKS AND PARKING SPACE ON MASTER PLAN CIRCULATION

31m 5.3m

10

IT POSSIBLE TO ENLARGE AN AREA OF THE COURTYARD IN CASE THERE WAS INSIDE VIEW

929 m²

SITE ANALYSIS VIEW FROM SITE

SITE CONDITIONS

DESIGN RESPONSE FILTERED VIEW

LOW BUILDINGS TREES OPEN SPACE

OPEN SPACE

OPEN VIEW TO OUT DOOR SPACES

OPEN VIEW TO OUT DOOR SPACES

BLOCK VIEW FILTERED VIEW TO HISTORIC BUILDING

CORE AND SERVICES

HISTORIC BUILDINGS

11

SITE ANALYSIS VIEW TO SITE

SITE CONDITIONS

DESIGN RESPONSE

PUBLIC ZONE IN GROUND FLOOR

FROM AXIS FROM OPEN SPACE

FROM OPEN SPACE

FROM AXIS PARTS VISIBLE TO PEDESTRIANS

12

IS FROM AX

FROM HISTORIC BUILDINGS

OPEN VIEW FROM OUT DOOR SPACE

PROGRAM

SPACE PROGRAM HOTEL PROGRAM bubble diagram for a hotel with the basic functional relationships.

Note the role of the lobby as a central gathering point serving both the public areas and the back-of-house areas. Once the activities and relationships are established, you can allocate appropriate space to the activity, both direct activity space and space needed to support the activity. For example, a hotel needs space not only for its guestrooms, but also for infrastructure such as the plumbing, mechanical systems (heat and air-conditioning), vertical transportation (stairs and elevators), horizontal circulation (corridors), and service areas for housekeeping. The summary of all the activities PERCENTAGE OF FUNCTIONAL AREAS ADMINISTRATION 1 - 2 % MAINTENANCE AND REPAIR 4 - 7 % SPORTS 2 - 10 % BANQUETING AREA AND CONFERENCE ROOM 4 - 12 % PUBLIC GUESTROOM AND RECIPTION AREA AND HALL 4 - 7% GUESTROOMS 50 - 60 % KITCHENS AND STORAGE 9 - 14 %

Function Reception

Q

Area/Person

User

Area/m2

Total m2

1

5

2

10.5

10.5

Lobby Entry Offices Storge Toilet Lounge

1 1 2 1 4 1

0.6 10 1 -

43 2 8 -

26 25 20 30 8 120

26 30 40 30 32 120

Restaurant Terrace Loading Dock Stairs Geustrooms Laundry Mechanical Gym Spa

1 2 1 4 27 1 1 1 1

1.5 15.3 2-3 -

124 8 81 -

186 83 20 12 46 20 20 80 400

186 166 20 48 1242 20 20 80 400

2470.5 m2

Total

REFERENCE: NEUFERT

AREA PER PERSONS Tybe Rooms Lobby Assembly room Office

13

CONCLUSION Area per person 5 m2 0.6 m2 1.5 m2 10 m2

Restaurant

1.5 m2

Kitchen

15.3 m2

Space of activity

Total Area

Percentage

Geustrooms

1242 m2

55%

The rest spaces

1228.5 m2

45%

Total

2470.5 m2

ENTRY LOBBY RECEPTION OFFICES LOUNGE RESTAURANT KITCHEN TERRACE RESTROOMS GUEST ELEVATOR SERVICE ELEVATOR TRASH CHUTE LOADING DOCK SERVICE ENTRY STAIRS GUESTROOMS PRIVATE TERRACES MECHANICAL LAUNDRY

14

LAUNDRY

MECHANICAL

PRIVATE TERRACES

GUESTROOMS

STAIRS

SERVICE ENTRY

LOADING DOCK

TRASH CHUTE

SERVICE ELEVATOR

GUEST ELEVATOR

TERRACE

KITCHEN

LOUNGE

OFFICES

RESTROOMS

MAYBE

RESTAURANT

SHOULD

RECEPTION

MUST

LOBBY

FUNCTIONAL RELATIONSHIPS

ENTRY

PROGRAM

CONCEPT

CONCEPT

CONCEPT DESIGN BOUTIQUE HOTEL PROJECT Strengthening the positive natural aspects of the historical environment to the urban environment of our time By providing an oasis that people can visit and inhabit. It is a fertile spot in the midst of the environment where there is a lack of vegetation and the translation of the springs associated with the formation of the oasis by taking advantage of the underground tank and expanding so that the health club creates a different sensory experience

RELATION TO HERITAGE BUILDING

1. ONE BUILDING

2. COMPLETE SEPARATION

3. PARTIAL SEPARATION

containment ashmawi house Strongly from two side as if it had become one big building

Separate the building to distinguish the historic house from the new building

Separate the building and connect it in parts for non-repeat services

1. CLOSED COURTYARD

2. OPEN COURTYARD

3. CONSTRUCTION IN IT

More privacy of the inner courtyard

Greater connectivity and visibilitY ON SITE

OUT DOOR SPACES HAVE INTEGRATION TO PUBLIC SPACES

COURTYARD

15

GENERAL CONCEPT MOOD BOARD

SMALL TERRACE

PUBLIC

PRIVATE

BIG TERRACE

PRIVATE TERRACE COURTYARD

BIG TERRACE

COURTYARD

CORRIDOR

TERRACE AND GUESTROOM

16

BIG TERRACE

SMALL TERRACE

GUESTROOM

AXIS

COURTYARD

CONCEPT

Evolution of the mass 1

17

Douple loaded corridor

2

Single loaded corridor and cut corner

3

Linear design building and increase from edge

4

Single loaded corridor and gradation terraces

ANALYSIS

WIND ANALYSIS

21.159

ANALYSIS

2D

21.159

ANALYSIS

2D

21.159

ANALYSIS

2D

21.159

ANALYSIS

2D

18.324

WIND SPEED

3 (M/S)

18.324

WIND SPEED

3 (M/S)

18.324

WIND SPEED

3 (M/S)

18.324

WIND SPEED

3 (M/S)

HEIGHT

1.8 M

DIRECTION

NORTH WEST

14.962 10.579 0

18

HEIGHT

1.8 M

DIRECTION

NORTH WEST

14.962 10.579 0

HEIGHT

1.8 M

DIRECTION

NORTH WEST

14.962 10.579 0

HEIGHT

1.8 M

DIRECTION

NORTH WEST

14.962 10.579 0

CONCEPT

DESIGN PROCESS he location of new construction should be considered carefully in order to follow the setbacks of historic buildings and to avoid blocking their primary elevations. New construction should be placed away from or at the side or rear of historic buildings and must avoid obscuring, damaging, or destroying character-defining features of these buildings or the site.

Reference: National Park

DESIGN CIRITIRIA Do not exceed the adjacent buildings in height Building on the boundaries of the old building and not exceeding it only with clear justification

19

1

HEIGHT AND BOUNDARIES

s arie ngs d n i Bou build ld of o

NEW BUILDING

CONCEPT

DESIGN PROCESS Protecting the historic setting and context of a property, including the degree of open space and building density, must always be considered when planning new construction on an historic site This entails identifying the formal or informal arrangements of buildings on the site, and whether they have a distinctive urban, suburban, or rural character. For example, a historic building traditionally surrounded by open space must not be crowded with dense development.

2

COURTYARD AND BUILDING EDGES

expansion courtyard

Reference: National Park

een w t be dings p l a g bui e h t

DESIGN CIRITIRIA Dealing sensitively with the old building Provide public spaces with suitable spaces

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CONCEPT

DESIGN PROCESS Integrating building design with exterior open spaces is a core design. Frontage regulations and guidelines are intended to guide how frontages interface with streets, access drives, pedestrian pathways and publicly accessible open spaces Open Space Connectivity. There will also be a variety of semi-private and private open spaces that buildings must provide Reference: Yesler Terrace Guidelines

DESIGN CIRITIRIA Provide Cross Ventilation Strengthen visual communication

21

3

ACCESSIBILITY

CONCEPT

DESIGN PROCESS As with new additions, the massing, size, scale, and architectural features of new construction on the site of a historic building must be compatible with those of the historic building.

When visible and in close proximity to historic buildings, the new construction must be subordinate to these buildings. New construction should also be distinct from the old and must not attempt to replicate historic buildings elsewhere on site and to avoid creating a false sense of historic development.

4

ENTRANCES

from althahab

main entrance

Reference: National Park

Spa in basement

DESIGN CIRITIRIA Provide Cross Ventilation Strengthen visual communication

22

CONCEPT

DESIGN PROCESS Collectively, building tops and roofscapes help establish the identity of the neighborhood as viewed from afar and from above. Because Terrace can be seen from many locations and rooftops should receive special consideration.

Building tops and forms should be both sculptural and functional. Where appropriate, building tops should provide open spaces for building occupants.

Reference: Yesler Terrace Guidelines

DESIGN CIRITIRIA Take into account the view IN selection of the TERRACES

23

5

TERRACES

CONCEPT

DESIGN PROCESS In properties with multiple historic buildings, the historic relationship between buildings must also be protected. Contributing buildings must not be isolated from one another by the insertion of new construction.

Reference: National Park

DESIGN CIRITIRIA Provide Different Views Of The Guestroom Core of the building is located in the middle of the building for easy access and does not obstruct the view

24

6

VIEWS AND CORE

DESIGN

BUILDING DESIGN PLANS

3

1

2

KEY PLAN 1. MAIN ENTRANCE 2. RECEPTION 3. LOUNGE 4. LIBRARY 5. CAFE 6. LOADING DOCK

6

5

N

0

5

10

GROUND FLOOR PLAN

25

20m

4

BUILDING DESIGN PLANS

1

2 4

KEY PLAN 1. LOUNGE 2. OFFICES 3. GYM 4. TOILET 5. TERRACES 5 3 5

N

0

5

10

FIRST FLOOR PLAN

26

20m

BUILDING DESIGN PLANS

KEY PLAN 1. ELEVATORS 2. CORRIDOR 3. TERRACE 4. GUESTROOM 5. GUESTROOM WITH LIVINGROOM

1 5

5 2 3 4

N

0

5

10

THIRD FLOOR PLAN

27

20m

BUILDING DESIGN

Cleaning/Washing The cleaning and washing section of a commercial kitchen includes sinks, warewashing machines, and drying racks.

This section is first on the list because without dirty dishes there are no clean dishes to serve your food on.

PLANS

Storage The storage area can be split into non-food storage, cold storage, and dry storage. The non-food storage area can be split further into a section for disposable products, a section for cleaning supplies, and a section for the clean dishes from your cleaning/washing area. Remember, in order to avoid contamination Food Preparation The food preparation area has sinks for washing produce, cutting areas, and mixing areas.

1

KEY PLAN 1. SITTING AREAS 2. TERRACES 3. BUFFET 4. KITCHEN 5. MEETING ROOM

4 5

1 3

Service The service area is the final section of a commercial kitchen. If you have a serving staff, this is where they will pick up finished dishes to take to customers.

2

N

0

Meal Cooking The meal cooking area makes the rest of the kitchen tick. This is where main dishes are finished

5

10

20m

FOURTH FLOOR PLAN

28

Reference: webstaurantstore

BUILDING DESIGN PLANS

This space was designed for visitors to luxuriate and rediscover the ancient benefits of bathing. The combinations of light and shade, open and enclosed spaces and linear elements make for a highly sensuous and restorative experience. The underlying informal layout of the internal space is a carefully modelled path of circulation which leads bathers to certain predetermined points but lets them explore other areas for themselves. The perspective is always controlled. It either ensures or denies a view.

3

1

2

KEY PLAN 1. RECEPTION 2. STORAGE 3. LAUNDRY 4. SAUNA

5

5

N

0

5

10

BASEMENT FLOOR PLAN

29

20m

1

1

SITE ANALYSIS NEIGHBORHOOD EXAMPLES

copper facade

concrete

wood partition

stone

ROSHAN COLORS

30

FACADE DETAILS Function

STRUCTURE: Reinforced concrete

OPTION 1

INSIDE MATERIALS white concrete Wood

OPTION 2

OUTSIDE MATERIALS OUTSIDE Copper facade white concrete

OPTION 3

31

1

2

3

4

5

6

FUNCTION

LIGHTING

WIND

HEATING AND COOLING

ENERGY

FLEXIBILITY

FACADE DETAILS

The southeastern facade receives the most direct sunlight In the upper floor but disappear at the bottom due to neighboring buildings shaded Based on them, openings were made in the faรงade

1

2

3

4

5

6

FUNCTION

LIGHTING

WIND

HEATING AND COOLING

ENERGY

FLEXIBILITY

SOUTH ELEVATION

The vertical western facade monies direct sunlight from 1pm to 5pm. At later hours, the sun is almost directly normal to the facade.

WEST ELEVATION

Lighting

EAST ELEVATION

The northern faรงade has very little direct sunlight

1080 Project location: Jeddah sun study start date time 15/ 01/ 31H 12:00:00AM sun study end date time 25/ 01/ 32H 12:00:00PM Cumulative Insolation

32

625

170

NORTH ELEVATION

Custom Solar 2 (kWh/m )

Annual solar irradiation calculation

FACADE DETAILS Wind

16 12 8 4

Historic House Use the stairs to make holes that allow air to pass through In the new project the same idea was used by the corridor Plants can be used to reduce the velocity of air movement to reach the appropriate velocity of the person

0

8

34

16

1

2

3

4

5

6

FUNCTION

LIGHTING

WIND

HEATING AND COOLING

ENERGY

FLEXIBILITY

FACADE DETAILS Heating and cooling

CONDITIONING (COOLING) EVAPORATOR 1. Copper process: Cast C83400 Density: 8.7 g/cm3 u - value: 180 (w/m-k)

1 23

2. Polyurethane foam thikness 80 mm u -value 0.2 (W/m2k) 3. Simulated wood laminate thikness 20 mm u -value 0.266 (W/m2k)

EXPANSION VALVE

CONDENSER

HEATING

TECU SOLAR SYSTEM The basic operation of the system and provides a closed circuit with forced circulation (primary: from heat pipes capting copper exchanger), which provides heat to the slurry, and distributed through the secondary circuit.

Liquid heat transfer, in fact, heated in contact with copper surfaces, and transfer of battery heat, placed inside the tank under the main thrust of the pump circuit, triggered by a sensor when there is not enough solar radiation .

35

BATHROOMS

POOL AND SPA

STORAGE TANK GAS BOILER

BOILER EXCHANGE

1

2

3

4

5

6

FUNCTION

LIGHTING

WIND

HEATING AND COOLING

ENERGY

FLEXIBILITY

FACADE DETAILS Energy

Electricity cousumption: Device and lighting 60 kWh/m2a Ventelation 15 kWh/m2a Services 5 kWh/m2a Elevatores 5 kWh/m2a Cooling 65 kWh/m2a Building floor area 2500m2

Total consumption 150 x 2500 = 37500 kWh/a

South elevation 75.2 Square meters Horizental PV

South facade

15%

15%

15%

0

90

90

480m2

75.2m2

81.6m2

Solar panel Efficincy Slope Solar panel area Irradtion on PV with combined system loss:

Energy supply

353.7 kwh/m2

181.5kwh/m2

South facade

1785 kwh/m2 West elevation 81.6 Square meters

480 x 353.7 169.776 kWh/a

75.2 x 181.5

81.6 x 178.5

169.776 kWh/a 169.776 kWh/a

Total prouduction: 197.989 kWh/a 52.7% of total consumption

Top veiw 480 Square meters

36

8

16

1

2

3

4

5

6

FUNCTION

LIGHTING

WIND

HEATING AND COOLING

ENERGY

FLEXIBILITY

FACADE DETAILS Flexbility

The vertical western facade OPEN FACADE monies direct sunlight from 1pm - Benefit from sunlight to 5pm. At later hours, the sun is - Open view almost directly normal to the facade.

CLOSED FACADE - Roshan concept - Privacy

BSW Area of application 1. Balcony area Max panel width & height 1000 mm (width) 2800 mm (height) Panel weight 60 kg Panel stacking Technically upto 12 panels can be parked to one side depending upon panel width Glass thickness For BSW-R : 28 mm insulated glass For BSW-G : 6. 8. 10 mm toughened or laminated glass

33

1

2

3

4

5

6

FUNCTION

LIGHTING

WIND

HEATING AND COOLING

ENERGY

FLEXIBILITY

BUILDING DESIGN ELEVATIONS

37

SOUTH ELEVATION

EAST ELEVATION

WEST ELEVATION

NORTH ELEVATION

BUILDING DESIGN SECTION BOX

38

BUILDING DESIGN PRATT INSTITUTE

0

Resturant Provide a wooden louver horizontally in the south facade 4. FOURTH FLOOR Geustroom use of copper material in double facade can be made through the openings 3. THIRD FLOOR Geustroom use of copper material in double facade can be made through the openings 2. SECOND FLOOR Gym Use reflective glass To reflect the historic buildings in the facade 1. FIRST FLOOR Cafe The use of reflective glass is more specific to indoor space 0. GROUND FLOOR

39

1 roof construction: 50 mm gravel, impermeable membrane 200280- mm thermal insulation with fall vapour barrier, 24 mm triple-ply board 200 mm thermal insulation between 100 x 300 mm rafters 24 x 48 mm counter battens 12.5 mm plasterboard

Resturant Provide a wooden louver horizontally in the south facade 4. FOURTH FLOOR

2

2 floor construction: 10 mm linoleum, 40 mm screed polyethylene separation layer 40 mm thermal insulation 30 mm impact sound insulation 200 mm reinforcement concrete slab

Geustroom Terrace can be opened and closed by the glass window and provide a place for plants 2. SECOND FLOOR

3 3 wall construction: 10 mm Brick 2 mm water insulation 20 mm reinforced concrete 5 mm Insulator 10 mm Brick

Geustroom Terrace can be opened and closed by the glass window and provide a place for plants 3. THIRD FLOOR

2

Gym High transparency for lack of sunlight 1. FIRST FLOOR Cafe High transparency outside to enhance optical communication 0. GROUND FLOOR

0.6

0.12

0.18

0.24

BUILDING SYSTEMS

Structure and Plumbing system 1. STRUCTURE

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2. PLUMBING SYSTEM

3. HVAC system :

All shafts continue to the roof of the building

The ducts moves in the corridor and serves all the rooms

PERSPECTIVES

FROM ALTHAHAB STREET

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