www.tearaway.co.nz TERM TWO | 2013
Chaos and Focus r r The Veils' Finn Andrews Film For the Win! Birds of Tokyo Lorde of Mystery Roller Derby Marriage Equality Let's Talk Sex
Kanye West Poster P lus: Reviews
Careers Travel Illustration
Win!
Adidas Messi Adizero F50 football boots worth $300 and
heaps more!
Dear You Guys,
HEAD OFFICE
PO Box 1879 Christchurch
MANAGING DIRECTOR Gary Collins
Sometimes I don’t know what to write in this column, and I just start typing stream-of-consciousness style until something vaguely interesting comes out. Instead of waiting for that to happen this time, I’m going to break my own rules – and the guidelines suggested by other magazines – and instead tell you about two things I’m obsessed with right now. #1: Zombies, Run! 5k Training
ADMINISTRATION MANAGER
Kylie Moore admin@academy.net.nz SUBSCRIPTIONS
Jade Haylett subs@academy.net.nz
SALES & ADVERTISING Evaon Watkins Phone: 03 961 5050 evaonw@academy.net.nz Verne Williams Phone: 027 488 0698 verne@academy.net.nz
NEWSROOM EDITOR
Rain Francis rain@tearaway.co.nz Phone: +61 420 666 708
PRODUCTION PRODUCTION MANAGER
Caroline Duke PRODUCTION CO-ORDINATOR
Olivia O’Callaghan LEAD GRAPHIC DESIGNER
Sarah Betman ONLINE
Ian Knott
www. tearaway .co.nz
This is an app that acts as a personal trainer. You are a character in an ongoing zombie story, and you get fit whilst losing yourself in an imaginary world, complete with awesomely bad acting. Sure to turn even the biggest run-o-phobe (me) into someone who actually enjoys a jog (future me). Also guaranteed to put you in a great mood as you marvel at how ridiculous it is, and how ridiculous you are for loving it. #2: You Are Good at Things My favourite book at the moment! It’s a checklist of “skills that don’t pay the bills” and it can’t fail to cheer you up when you’re being a bit of a sad-sack. You get to tick things that you are good at, such as “writing reminders on your hand”, “inhabiting alternate realities”, “not overfeeding goldfish” and “keeping the Beatles vs. Stones debate alive”. Or my personal favourite: “Having a wanton disregard for whether patterns match”. I like to go through a few pages before getting out of bed in the morning, right before getting chased by zombies.
4 | Tearaway TERM TWO 2013
Special: Film For the Win! The EF-Factor Film Competition
7
The Future is Out There
8
So You Want to Make a Film?
10
The Outlook for Someday
11
Your World The National Schools Poetry Award
16
Don’t Be An Egg! Safe Sex
20
If You Don’t Like Gay Marriage...
21
Stub It Out!
22
Music Sounds Epic
12
How Do You Take Your Tunes?
13
COVER STORY: The Veils
14
Birds of Tokyo
15
Zeal News
16
Sport Roller Derby: Not Just Chicks in Fishnets
18
Livin’ the Dream Top 10 Travel Destinations
23
The Road to Success: Automotive Industry
27
White Card Game
28
Regulars Coming Up
5
Meet the Mavericks
5
Quiz: Spontaneous Recurrent Psychokinesis
6
Om Nom Nom
24
I would love to hear from anyone who checks either of the above out!
Reviews, Previews and Freebies
Enjoy this issue of TEARAWAY.
Games 29
RAIN FRANCIS
Books & Albums
Editor Disclaimer: This publication is provided on the basis that A-Mark Publishing is not responsible for the results of any actions taken on the basis of information in these articles, nor for any error or omission from these articles and that the firm is not hereby engaged in rendering advice or services. A-Mark Publishing expressly disclaim all and any liability and responsibility to any person in respect of anything and of the consequences of anything done, or omitted to be done, by any such a person in reliance, whether wholly or partially upon the whole or any part of the contents of this publication. Advertising feature articles are classified as advertising content and as such, information contained in them is subject to the Advertising Standards Authority Codes of Practice. Contents Copyright 2013 by A-Mark Publishing (NZ) Ltd. All rights reserved. No article or advertisement may be reproduced without written permission.
CONTENTS
rain@tearaway.co.nz
30
☞ SCORE!
Loot 31
P lus:
Pull out posters:
Kanye West & Birds of Tokyo
Follow @TearawayMag on Twitter, and don’t forget to ‘Like’ us on Facebook
Coming Up
COMING UP/MAVERICKS
Last year's SFRQ winners, New Vinyl.
Things are happening. For real...
rr rr rr Smokefree Rockquest
Yep, it’s on again! Everyone’s favourite band competition for high school students, the Smokefree Rockquest kicked off this month. At the time of printing, Nelson has had its heats, and Whanganui has had its finals, with 22 regions still to compete. Who will go on to the National Final? Stay tuned to TEARAWAY for coverage! And a big congratulations to Whanganui’s winning band Funktional, and winners of the solo/duo section, Logan Anderson!
Free Film-Making Workshops
The Outlook for Someday presents its third annual series of free one-day sustainability film-making workshops. No matter where you are in the country you can take part, so check out the workshop schedule at www. theoutlookforsomeday.net/about/workshopseries/. Workshops have begun already and continue until August. Turn to page 11 for more info on The Outlook for Someday, proudly sponsored by TEARAWAY.
Meet the Mavericks Did you know that TEARAWAY is almost completely created by young Kiwis, just like you? Well, now you do. Here are the cats who are featured in this issue; there are loads more who have been toiling away like the absolute legends they are, creating content for our website and keeping our social media pages pumping. You can meet the whole gang by going to the About page of www.tearaway.co.nz and clicking on Who Are the Mavericks?
Stephen Gallagher, writer: Student of the NZ Radio Training School in Wellington. Steve-o loves sport and music, and also has a beard. He hopes to one day to own a shrimp company.
Bri Lee, writer: Year 13 student who enjoys crying over fictional characters, shouting at her Xbox, scrawling sketches over her homework – and standing up for animals.
Emma Shi, writer: 16-year old Aucklander whose pen colour of choice is black, though in desperate times, has been known to write in blue pen on her arm. Big Jason Mraz fan. Like, BIG.
Thomas Stevenson, writer: Unassuming geology undergraduate interested in tae kwon do, fractals and anything containing caramel. Things that terrify Tom include ebola and the noises that Skype makes. Standard. Elliot Gonzales, illustrator: Usually found either on a skateboard, in a mosh pit, falling off said skateboard, drawing something, in your pantry, or at a party.
The EF-Factor
It seems if you’re a budding film-maker, there’s no shortage of opportunities these days! For the second year, the Reel Earth Environmental Film Festival is running its youth competition, the EF-Factor. Sponsored by Massey University, this is another chance for you to get some film-making experience, have your say on some of the most important issues of our lifetime, and potentially win some sweet-as prizes! Head to page 7 for more info.
Hannah Short, writer: Surprisingly tall journalism student whose impressive knowledge of underground tunnels and cats lead her to beat the statistics. Which statistics? That’s up to you. Jack Leonard, writer: Canterbury Uni Media student who’s into music and rugby, but not as much as he’s into the idea of becoming Nicholas Cage’s protégé and slowly assuming his identity. Debbie Tan, writer: 16-year-old Aucklander who likes art, anime, stickers, singing, horror movies and cunning word play. Also passionate about youth activism.
Jason Kim, writer: A self-described ‘enigma’ whose grandiose sense of self-worth often leads to strange behaviour, such as writing a bio in the third person. Also likes sea otters and scrambled eggs. Sharon McCoskrie, writer: A Communications student at AUT, who loves life in general, but particularly sport, talk and having fun.
Rita To, illustrator: 20-year-old AUT graduate with a serious obsession with fluffy bunnies. Also won the Red Bull Doodle Competition last year, just casually.
Lou Parker, writer: A 22-year-old radio journalist crazy about all things fashion, beauty and reality TV (total sucker for the Keeping up with the Kardashians). PS: Are you a mega rad writer, photographer or illustrator who wants in? Email rain@tearaway.co.nz
www.tearaway.co.nz | 5
QUIZ 1. According to Karen Smith in Mean Girls, “On Wednesdays we wear ___”? a) High heels b) Pink c) Dresses d) Sunglasses
Spontaneous Recurrent Psychokinesis
6. Which of these films was not directed by James Cameron? a) Titanic b) The Terminator c) Aliens d) District 9
(and other fun stuff)
2. In the 1960s movie Psycho, what does the character Norman Bates own? a) An uncharted island in the Pacific
Do you pride yourself on having a wicked smart memory for movie quotes and similarly useless-in-real-life trivia? Now’s your big moment, bro! You knew it would come in handy. EMMA SHI tests your film noir-ledge (yes, that was meant to be a pun).
7. True or false? The police hovership in Minority Report was nicknamed the Dispenser because it looked like a Pez dispenser.
b) A mansion
8. Which of these movies is not based on a novel?
c) A Mighty River Power share d) A hotel
a) Iron Man 3 b) The Perks Of Being A Wallflower
3. The ‘femme fatale’ is a character type that was big in the film noir era of the 1940s and 1950s. What does ‘femme fatale’ best translate to?
c) Silver Linings Playbook d) The Host
a) Deadly woman
9. Name the Kiwi Flyer character in this picture:
b) Britney Spears
a) Ben
c) Fatal flaw
b) Dave
d) Flawed female
c) Bilbo Baggins d) Jeff
4. Which one of these quotes is from Peter Jackson’s The Frighteners?
5. Taika Waititi’s Boy is set…
a) “Spontaneous recurrent psychokinesis. Oh boy. This has got to be one of the worst cases I’ve seen.”
a) On the west coast of New Zealand in 1985
b) “The moron who tore up my fence!”
c) In the middle of the South Island of New Zealand in the year 1994
c) “I know the truth. It was cold-blooded murder.”
b) On the east coast of New Zealand in 1984
d) On the east coast of Australia in the year 1983
10. Finish this quote from V For Vendetta: “Remember, remember, the Fifth of November, the ___” a) Gunfire Treason and Plot b) Gunfire Season and Plot c) Gunpowder Treason and Plot d) Day of guns and stuff
d) All of the above
Come and join the party,
www.tearaway.co.nz yah?!
Music, news, reviews, advice, careers, creative writing, fashion, sport!
>
Illustration by Rita To
It’s the brand new
Answers on page 13
Illustration galleries from the country’s top young artists
6 | Tearaway TERM TWO 2013
Photo galleries from all the latest gigs
Black SabbathPhotos by Matt Cook
Freebies!
Lots of them! More than you'll find in the mag!
FILM FOR THE WIN! Something Beginning With 'W'
Massey University is a major sponsor of the EF-Factor
Q&A With the Director
We’ve all heard about the X-Factor. But what about the EF-Factor – have you got that? By DEBBIE TAN. Launched in 2012, the EF-Factor is a short “enviro film competition” that is part of the Reel Earth Environmental Film Festival, sponsored by Massey University. “Our goal is to get young people thinking about environmental issues, and using film to communicate those issues,” explains Director, Victoria Jakobs. “We provide a general theme – this year it is the letter W – and films can be of any sort; animation, stop motion, fiction, news-style and so on.” The Reel Earth Environmental Film Festival is an international film festival
held in Palmerston North from June 14 to 23. This is it’s 9th year, and over 300 submissions have been received from more than 40 countries. Films submitted include Academy Award nominees and winners from Sundance and other major festivals. “We co-operate with other international organisations too, including YoungCuts,” says Jakobs. (YoungCuts is a film festival based in North America, especially for young people. Check it out at www.youngcuts.com).
What was your favourite aspect of the EF-Factor last year? Seeing the amazing talent and creativity of young people through the films they made. Actually the technical skills and cleverness was a bit embarrassing for an adult!
What would you like to see more of in this year’s competition? This year is only the second year, and last year it was restricted to the Horizons Regional Council Area (Manawatu-Wanganui). This year I’d love to see films submitted from people from Bluff to Kaitaia – and everywhere in between. Stop-motion is a way for young people to make films with normal cameras, and the films are amazing, so I’d like to see more of those.
What do you think makes the EF-Factor so important? The youth of today are going to be the next guardians of the environment. Their voices need to be heard now, to encourage adults to leave the earth in a better condition.
What would we need to do to submit a film? This year’s theme is ‘Something Beginning with W’. You can be really creative with how this is used. Last year we had powerpoint presentations, stop-motion, news-style reports, dramas, animation and two action flicks with lots of shooting! The film has to be approximately two minutes long and on an environmental subject. It can be submitted at www.reelearth.org. nz/ef-factor-comp/submission-form.
When will the winning films be chosen? What was the feedback like from last year? Everyone loved the EF-Factor last year; the kids, the parents and the teachers. That’s what made us decide to open it up to the whole country. Of course, having cool prizes helps!
Winners will be notified by Friday 30 August. We hope to be able to screen the best entries in a few centres around the country too. Nothing beats seeing your film on the big screen! The closing date for submissions is Friday July 26, which makes this an awesome arty project to get stuck into during school holidays.
Get more info here:
www.reelearth.org.nz/ef-factorcomp/the-competition
☞
This year’s prizes include Alcatel 7” tablets, an iPad Mini and an Olympus Tough Camera.
www.tearaway.co.nz | 7
FILM FOR THE WIN!
The Future is Out There Movies have come a long way since they were born in the late 1800s. For starters, we no longer have live musicians and actors providing soundtracks and sound effects. So what’s next? Choose your own adventure films? Roast beef flavoured popcorn? As THOMAS STEVENSON discovers, the future of film is out there. A hundred years ago the first 35mm still camera was invented; the brick-like Ur-Leica. Ten years ago the first phone that could capture video was released; the less-brick-like-but-still-indestructible Nokia 3650. Now we have smartphones with ever better camera resolution, smartphones that can make anybody into a film-maker. Camera and movie technology have been swept up in the Digital Revolution and have made extraordinary progress. And it’s not over yet. Last December, the world conveniently didn’t end. This has allowed us to keep developing film technology with the same fast pace. New innovations are still coming, new ways of creating films are being explored, new varieties of popcorn are on the horizon (maybe). In the last few years we’ve had glimpses of what might be on the way. We can guess at how we might watch movies in the future; so why don’t we do that now?
‘Emos’ Rule Let’s start with something a little counter-intuitive: the film that watches you. I know that sounds like a Russian reversal joke, but it’s an actual thing. Imagine watching a movie where the plot changes depending on your emotions. Believe it or not, such a movie already exists. Many Worlds had its first performance on February 23 this year, at the Peninsula Arts Contemporary Music Festival in Plymouth, England. The film is fifteen minutes long and has four possible endings, one of which is chosen based on biometric data from the audience. What’s biometric data? Basically it’s a bunch of measurements from volunteers in the audience, recording their heart rate, sweating, muscle tension and brain activity. For this performance of Many Worlds, four volunteers were picked to have sensors fitted to them. How those four reacted to the film dictated how its plot ran. I can’t reveal which ending was shown, but the film’s introduction concerns a physics student who tries to do a real-life version of the Schrödinger’s cat experiment. You know, where the cat is alive and dead at the same time. Freaks me out, too. 8 | Tearaway TERM TWO 2013
“
Imagine watching a movie where the plot changes depending on your emotions. Believe it or not, such a movie already exists
Director Alexis Kirke believes this is how movies will work in the future. By recording the emotional state of viewers, he’s able to control the emotions of the entire audience. If they’re feeling tense, a calm scene can be played, for instance. While the technology involved is far from perfect (otherwise the movie would be longer than fifteen minutes) it already shows a lot of potential. A film that watches its audience could be a future blockbuster. What if The Lord of the Rings was like this; who would survive in your version of the trilogy? Whether it’s ethical to manipulate viewers’ feelings in this way is another matter.
Is it a Film? Is it a Game? Oh, it’s a Film/Game Another possibility is a movie that’s also a game. Let’s say you go to a cinema and are asked to walk around in front of the screen, as if you’re exploring a real scene. This is the idea behind Before the Flood, a film/game created by experts from Google, Eyebeam and Framestore. Rather than being a passive viewer, you become part of the story. Before the Flood is set inside an ancient cave filled with prehistoric artwork. Everything is computer-generated, like a video game, but as in a movie there’s a story to be told. Each person involved has their own torch in the virtual cave, so the more people participating, the better lit the scene is. All their movements are tracked by the same sensors used in an Xbox Kinect set; the thing that lets you hi-five a tiger, according to the TV ad. By moving around and looking at the cave art, you drive the story forward. Getting this to work in a DVD format will be tricky, and it might be more a multi-player video game than
”
a film. Still, with this combination of technologies, what other cool stuff could be done?
Movies on Phones? Tell ‘im He’s Dreamin’! You’ll have noticed that 3D movies are the new cinematic craze, sparked by James Cameron’s Avatar in 2009. As they’ve developed, so have smartphones, to the point where we can now combine them. My last maths teacher was sceptical of having a phone replace his camera, watch and calendar at once. What would he make of a phone that could play 3D films as well? What we’re seeing here is the birth of a portable cinema. If you have a smartphone like the LG Optimus, you no longer need a fancy TV set or a cinema ticket to watch a 3D movie. This particular phone costs around $500 in New Zealand; it’s cheaper than most iPads. Think of the excitement a 3D movie on your phone could bring! There are just two drawbacks: the screen is a lot smaller than in the cinema, and you might need to buy a pair of special glasses to see the footage properly. Movies have come a long way in the last hundred years and they’re still evolving. We already have the technology to watch movies on our phones, be watched by movies or even be part of a movie designed like a video game. It’s a time of experimentation, of looking for new ways to entertain. Camera technology is also improving all the time and helping things along. Whatever the boffins come up with, I’m sure we’ll see something brilliant. I haven’t heard much about scratch-resistant DVDs though. Dang.
FILM FOR THE WIN! Coolest Dudes Out…
We asked the TEARAWAY Mavericks: Who is your favourite character in the history of film?
Elliot Gonzales Samuel L. Jackson’s Jules Winnfield from Pulp Fiction. He’s straight to the point and dangerously eloquent, with world-class sarcasm and a touch of malicious humour. “‘What’ ain’t no country I ever heard of! Do they speak English in ‘What’?!”
Jordan Murray
Maria Ji
Hands down, the best character in film history is Nemo’s Dad, Marlin from Finding Nemo. He puts up with Dory, befriends sharks, rides turtles and is eaten by a whale, all in his quest to find his lost son. This teaches us never to give up. Marlin is truly a father we can look up to!
I whittled down the list of contenders to C-3PO from Star Wars (he’s funnier than all of the Jedi put together – and he has a fabulous tan) and Stasi Captain Gerd Wiesler from The Lives of Others. I think Wiesler wins this one. He depicts the human struggle to find meaning in a structured world amazingly and he’s a poetry thief. Plus, despite being brainwashed by the Stasi dictatorship, his good core shimmers through.
Bri Lee I love Juno (from Juno) because of her quick wit and how easily she discards social standards or the opinions of others. I also love Jenna from The Waitress, as she overcomes a lot of pain and learns to love herself and get rid of those who put her down.
Gerald Lee None other than Master Shifu from Kung Fu Panda. His sense of decisiveness, his growing faith in and fondness of Po, and – most importantly – his intriguing martial arts skills, are hard to beat.
Christie-Leigh Wheeler I must have watched Rocky 10,000 times growing up. Rocky became something of a role model; he never gave up and always kept moving forward, even when the going was tough. I learned a lot about life from this film. You can never be beaten if you refuse to quit.
FUTURE OF FILM by Elliot Gonzales
Wan Mor t e?
For more of Elliot's work, head to www.tearaway.co.nz
www.tearaway.co.nz | 9
FILM FOR THE WIN! So You Want to
Make a Film? Everything starts with an idea. To one person’s head there comes a thought, which may then evolve into the core of a movie. This is where the first stage of film-making begins. People share ideas for the movie, write them down and form a coherent plot. Then they must work out how to get these ideas off the page and onto the screen. Here’s where screenwriters come in. Among other things*, Kathryn Burnett is an esteemed screenwriter, having 18 years of experience in the film and television industry. In her words, this is what she does as a screenwriter. “Broadly speaking, I come up with story ideas, create characters and treat them terribly. To do this I create a story plan, known as a beat sheet... I start writing the script, fleshing out the bones of the story with characters, direction, locations and dialogue. Then I re-write it numerous times, receive notes on it and finally edit it.” Writers are those at the core of a film project. They build the epic plot and decide what actually happens in a movie, therefore they’re crucial for success. Consider yourself as a screenwriter, creating the script for the next global blockbuster. You’ll need to be reliable; film directors look for writers who can stick to deadlines. Also, good English skills are useful, as is previous writing experience and solid general knowledge. Try Your Hand at Thespionage** Maybe writing isn’t for you? If you want a more up-front role in film, you could become an actor or actress. Once the edited script is complete, the call will go out for actors. Johnny Depp, Judi Dench, Julie Dreyfus – as well as many others with different initials – are the people we associate with movies. They make themselves well known among the public by assuming fictional roles. Here we may digress into the world of theatre, where “everything is about creatively lying.” Those 10 | Tearaway TERM TWO 2013
Have you ever wondered how movies are made? It’s complicated; there are many steps needed to produce a cinematic masterpiece like Titanic. A lot of time and effort is put in by people who rely on film-making for their income. It can be tough, but it’s worth it. How would you like to be one of those dedicated people? THOMAS STEVENSON is going to show you a bit about what it takes. Here’s what goes on behind the scenes, in the film industry, to make movies.
are the words of Alex Wilson, Artistic Director at Counterpoint Productions, based in Dunedin. Making plays is different from making movies, as Alex well knows. “In film, if you want a car to explode, you can get a car to explode. You want to depict the Himalayas, you fly your film crew to the Himalayas. With theatre that is not possible.” Yet theatre is where many famous actors – including Natalie Portman and Andrew Garfield – found their feet. There are parallels between film and theatre, and getting involved in stage plays would be a fantastic way to get into an acting career. Once you’re established, the sky’s the limit. Unless you play an astronaut. Let’s Hear it For the Techies If you’d like to be close to the action but not on screen, why not go for being a camera operator? In this role, you’re exposed to the more technical side of the process, using up-to-date technologies to capture and record the action. In order to do this, camera operators need to be patient and able to follow the instructions of the director of photography. They must also co-operate with other members of the crew; camera assistants, production assistant, motion capture technician, gaffer, boom operator, key grip, lighting sound technicians and of course the director. Once all the camera shots have been taken, it’s time for the special effects team and their computers to come in. Animators bring in CGI characters and objects needed to complete the story. This is where the footage becomes screen-worthy, as every single shot is studied and added to. To be an animator you need to be familiar with computers and how real objects, textures and materials look and behave.
conjunction with the film’s producers, they also choose which camera shots make it into the final film, and in what order, deciding the sequence of shots through a whole movie. Editing involves looking at many different things at once, with continuity being a big idea; the scenes need to be ‘smoothed over’. Finally, a colourist adds the final touches. Back in the day before digital, different film stock was used to create mood through colour. These days, a colourist (or colour grader) will work their magic to create the ‘feel’ of the film. Colourists are kind of like painters, and their job is one of the most important parts of post-production. At last we have a finished product, a movie ready for the cinema! Getting to this point isn’t easy; there’s an awful lot of input required from many people. Now it’s time to sit back and shove a hand into the popcorn. Roll Credits There’s one more thing you should know about this business, which is that in NZ, it’s small. Getting a job in the NZ film industry is a little difficult because there aren’t too many available. Your best bet, if you stay in this country, is working in special effects or animation. Have you thought about working overseas? Outside NZ, many more opportunities exist, waiting for a budding film-maker like you to grab them. More info is available at www.tearaway.co.nz, including a concise guide to what jobs are out there, typical pay rates and useful school subjects you could take to help prepare you.
* Kathryn Burnett is an accomplished screenwriter, novice playwright, screenwriting tutor and creative
Not Quite Popcorn Time Yet...
workshop facilitator. More about her can be found at
After all that work, the film gets to the editing stage. Editors do things like adding subtitles, graphics and soundtracks to the footage. In
** Yes, we made that word up.
www.kathryn-burnett.com
FILM FOR THE WIN! Spotlight On... Kirsty Nicholls, 19 Kirsty is studying film and television at Aoraki Polytechnic. She’s been involved in several productions, including Southern Upload, mockumentary Shaniqua of South D and the short drama Desperate Flatmates. Together, Kirsty and her fellow students do all the work required for a short film project, including writing the script. What appeals to Kirsty in particular is the interaction with other people and the chance to show her creativity. “Lots of team work and the people in the course make it so much fun,” she says. “I had an interest in editing films and creating something that I liked. Coming up with ideas is my thing.” Her long-term goal is to work as a TV presenter, after finishing tertiary study and gaining more experience behind the scenes.
Alex Wilson, 23 Alex is the Artistic Director of Counterpoint Productions, a theatre company based in Dunedin. Last year he won the Rising Star Award for his work directing Bare, which sold out every night. His role is similar to that of a film director, even though he works with stage plays. “A director has to be a power-crazy fascist who is in charge of this crazy Tetris game where everything has to fit together perfectly,” says Alex. “I like that kind of artistic scope. I also like Tetris.” Here’s what he does in three sentences. “As an Artistic Director of Counterpoint, I’m in charge of handling our company’s artistic direction. I am responsible for selecting the plays we produce and the overall vision we wish to communicate to the public. In giving opportunities to other directors, I also function as a creative counsel for them to bounce ideas off and provide input if requested.”
Free Film Workshops with The Outlook for Someday So now you know a bit about what it takes to make a film, how about getting some real experience? The Outlook for Someday is holding a series of free filmmaking workshops around the country, for Years 7 to 13 students, plus teachers and youth workers.
The Film Challenge
This is the third annual series of free one-day sustainability film-making workshops run by The Outlook for Someday. 2013 boasts the largest number of workshops ever scheduled, giving more young Kiwis the chance to participate.
20 Winning Films are chosen each year. In 2012 each winning film-maker or team received a prize package worth over $1000 at The Someday Awards red carpet ceremony.
This is a fantastic opportunity for young people and adults to upskill together and to engage with The Outlook for Someday as a vehicle for sustainability film-making. As well as learning about film-making in a fun, supportive environment, previous participants in the workshops have gone on to take part in The Outlook for Someday film challenge. Winning films from the challenge have screened on TV, online and internationally.
Now in its 7th year, The Outlook for Someday challenge asks young people to make a sustainability-related film of any genre, filmed with any camera and any length up to five minutes. Entrants are encouraged to interpret ‘sustainability’ in the way that makes best sense to them.
One film is also chosen as The Body Shop Standout Winner. This year its director will again receive Unitec courses or film production facilities to the value of $8000. For more info, including how to enter, head to www.theoutlookforsomeday.net. Entries close September 13.
Last year, 955 young people took part in The Outlook for Someday film challenge and workshops, and this year looks set to be even more epic. In 2013 there will also be two Māori-focused workshops, specifically for tamariki and rangatahi Māori. One will be in Auckland and the other will be in Wellington. They will be led by Māori film-maker and youth worker Paora Joseph. Spaces are limited so head to www.theoutlookforsomeday.net/workshops for all the details, stat!
Alex’s goal is to hone his skills by participating in courses in the USA and the UK, then passing on his skills to the next generation of young directors. TEARAWAY is a proud sponsor of The Outlook for Someday!
Barrie Thomas of The Body Shop New Zealand, Natasha Bishop
International Success In 2012 Arboraceous, a four-minute animation made by 16-year-old Whitby student Natasha Bishop, received widespread acclaim as the Department of Conservation Big Picture Award winner and The Body Shop Standout Winner. Now it is receiving international recognition as a finalist in the Japan Wildlife Film Festival, where it will be competing with films made by the BBC, NHK (Japan Broadcasting Corporation) and other international broadcasting giants.
www.tearaway.co.nz | 11
MUSIC Motocade’s singer and writer Eden Mulholland is due to release his debut solo album, Feed the Beast early next month. Recorded and mixed by Neil Baldock (Crowded House, Sarah Blasko) at Roundhead Studios, Feed the Beast is a follow-up to Eden’s acclaimed EP, Jesus Don’t You Get My Jokes.
Sounds Epic
You’ve probably heard the first single I Will Echo, as it’s all over radio and on C4 at the moment. Currently based in Australia, he’s playing a few shows as part of NZ Music Month and will be back in July for a tour.
HANNAH SHORT brings you the latest goss about all things groovy, NZ-style.
If you like your pop music a little off the wall, Eden’s your guy. He makes his own music vids too; check out the incredible Body Fight Time on YouTube.
One to Watch:
Eden Mulholland Wan Mor t e?
We have interviews with Ladi6, Aaradhna, Eden Mulholland Brooke Duff, Tali, Jason Kerrison, Hurricane Kids, Six60 and more on www.tearaway.co.nz
Long hours in the recording studio paid off in 2011, when Ladi6 picked up Best Urban Album and Best Female Artist at the New Zealand Music Awards.
L-R: A dog, Lorde.
Lorde of Mystery For those of you who have fallen of the face of the planet, let me introduce you to NZ’s next big thing: Lorde. The then relatively unknown 16-yearold surfaced at the start of the year with a unique voice and a sketch of herself, drawn by Sam Yong. For months she remained a practically anonymous musical enigma, only revealing her face in March with a single photo. This all added an element of mystery to the artist, and fans were intrigued to see what she would do next. Lorde's fanbase began to grow and grow, mostly through the track-sharing site SoundCloud. There she amassed a mind-blowing 900,000 plays of her five-track EP The Love Club, in just four months. The EP, was available for free download, and fans really took advantage of it. Via Facebook, Lorde informed fans that after three months she had to remove download option, as she was originally only allowed to give away 15,000 copies. By this time, there’d been 60,000 downloads. 12 | Tearaway TERM TWO 2013
With the Perez Hilton tick of approval, Lorde shot to social media fame and was featured on the webpage of practically every NZ designer, store and blogger. Perez described her as a “2013 version of Lily Allen with a good helping of Marina & the Diamonds... She makes pop cool!” Lorde’s music has the potential to take over every corner of the music scene. She’s able to fit into the mainstream mould, but has a certain spice that transitions her into something more alternative and less predictable. The recognition she is gaining is undoubtedly well-deserved. With her soulful voice and up-beat tunes, radio stations everywhere have been picking up her tracks; even America has begun to take notice. Platform by platform, she is staging a takeover. Her unique take on pop music is sure to shoot Lorde to the international fame she deserves. It’s incredible to see someone so young making so much of their talent.
The Return Of... With her last album release being in 2010, the announcement of Ladi6’s upcoming drop has been long-awaited. The gifted artist has been popping up around the NZ music scene, but hasn’t made a big enough splash to leave her mark since The Liberation Of..., which was certified Gold.
March revealed the first single and music video from the new album, Ikarus. Recorded in Detroit, U.S.A, the single was mastered by Tom Coyne, who has previously worked with the likes of Beyonce and Adele. If the rest of the album is anything like Ikarus, it will be a perfect combination of hip hop and electronic beats, with Ladi6 getting back to her musical roots. Keep an eye out for the release in June.
Aaradhna Dominates New Zealand’s musicians are certainly not going unnoticed this year, the Pacific Music Awards have made sure of that! Mid-March held the event at which the Awards finalists were announced and, like most award shows, there was one artist in particular that stood out. Aaradhna broke the record for the highest number of nominations held by one person at the Pacific Music Awards, which have been running for nine years now. Five nominations went her way, including Best Pacific Female Artist, Nui FM Best Pacific Urban Artist, Best Pacific Music Album for her new album Treble & Reverb, and the APRA Best Pacific Song for Wake Up. Aaradhna
also made it into the finalists pool for a new category, the New Zealand on Air Best Pacific Music Video for her song Lorena Bobbitt. Other nominees include reggae/R’n’B artist Swiss, who received three nominations; controversial hip hop act Home Brew, who received two; and our favourite rapper, Savage. The winners are set to be announced on May 30.
MUSIC
How Do You Take Your Tunes? As part of its “Share a Coke and a Song” campaign, Coca-Cola surveyed 1,200 Kiwis about the importance of music in our lives. JACK LEONARD interprets the results. Radio still accounts for most of the listening done in NZ, with 53% of survey participants listing it as their leading source of music. Although this may seem to imply some uniformity in our tastes, the survey also found that for the most part, our friends and family are the biggest influencers on our musical tastes. I like to believe that this doesn’t just mean that little Suzy wants to hear The Rock because Daddy throws it on when he’s imbibing some sweet, sweet Coca-Cola on the weekends. Instead I think it means that peers discover new, exciting artists through each other and try to share these artists around to show them some love. This rather more social aspect of introducing friends and family to new music is certainly the case within my generation. Generation Y – those of us between 18 and 29 – claim to have a greater passion for music than older generations. (Coke didn't survey those under 18, unfortunately). 76% of us handsome Generation Y representatives told those gorgeous liquid-engineers over at Coca-Cola that music was either ‘very important’ or ‘important’ in our lives, compared to a measly 61% of representatives over 30. Generational superiority aside, this simply means that music is more relevant to us right now than it is for the slightly more decrepit peoples of our fair country.
That Macklemore Guy, You Might Have Heard of Him? As a student at the marvellous University of Canterbury (I’m just plugging anything and everything now), I get to experience first-hand just how relevant music is to our generation. All student-run events involve some form of musical artist who must keep the attention of the restless crowd for the allotted time, lest some furniture spontaneously combusts. In my experience, these artists are usually representative of the tastes of our generation at the time. 2011 was a big dubstepathon, 2012 ventured a bit further out into the electronic genre, and 2013 has seen Macklemore give a successful performance to a very reserved crowd of UC academics. On the topic of Macklemore, his rise to fame is a perfect example of how big a part word-of-mouth marketing can play in the success of an artist aimed at the younger generations. The results of Coca-Cola’s survey tell us that 37% of participants aged 18 to 29 acquire music through online means – such as downloading and streaming – compared to 21% of the 30+ crowd. The internet is largely responsible for Macklemore’s success. Jabari Johnson, who made a documentary on the success of Macklemore, tells us that “ [Macklemore
I Love You Because...
Hannah Short Sly Satire. They’re an amazing band with the catchiest indie tunes. Check them out before they blow up.
Macklemore and Ryan Lewis, not necessarily in that order
Erica McQueen Joseph and Maia. Their voices are a heavenly match. Their cover of Bobby Darin’s Dream Lover is beyond magical.
and Ryan Lewis] focused so much on their art and not on publicity that the latter finally ended up coming naturally.” This would not have been possible without the aid of YouTube, iTunes, Kickstarter and social media, all of which rely on word-of-mouth (or keyboard) for publicity. This is a best case scenario for both the artists and the fans. The fans, through using modern technology, help the artists that they love to grow and flourish. This is not always the case, though.
Rodents Playing Piano According to the survey results, only 13% of Generation Y prefer to acquire hard copy collections – such as CDs and records – versus 17% over all age groups. Services like iTunes and Spotify resonate a lot more with the younger folk, due to ease of access; we know that a mouse and keyboard means far more than a rodent playing piano. This can be damaging to the artists slaving away to provide us with our beloved music. Streaming services provide very little revenue for the
artists, and buying an album on iTunes generally means less money for the artist than the sale of a hard copy. However this can differ depending on what sort of deal the artist gets from their respective record company, if they have one. What we need to fuel our love of music, without disadvantaging the artists that provide it to us, is a service that combines the best of the technology available to us. Bandcamp is a fantastic site that lets bands fund themselves and name their price, so they sell straight to the audience and earn more money. Trent Reznor (of Nine Inch Nails) and Dr. Dre (come on now, you know Dr. Dre) are currently working on a streaming service that one would assume is much fairer to the artist, being that they are artists themselves. How we listen to and acquire our music is very important and constantly evolving, but it is the passion that we have for music that remains more significant. Apparently, one in ten survey participants are listening to eight or more hours of music a day; that’s insane! Good on ya New Zealand.
We conducted a little survey of our own, asking TEARAWAY Mavericks: Which artist can’t you get enough of right now?
Jessica Suo The Rubens. The best things to come out of Australia since Hamish and Andy.
Jono Gee Patrick Campbell Haim. So different and just generally brilliant.
Mike Rosenberg, aka Passenger - his voice is just insane!
Quiz answers from page 6: 1 – b, 2 – d, 3 – a, 4 – d, 5 – b, 6 – d, 7 – true, 8 – a, 9 – d, 10 – c (if you chose ‘d’, well, you tried.) www.tearaway.co.nz | 13
MUSIC Chaos and Focus
rr
Indie/alternative rock band The Veils have recently released their fourth album, Time Stays, We Go. From his flat in North London, lead singer and songwriter Finn Andrews chats with STEPHEN GALLAGHER. Hey Finn. What’s your flat like? Entirely populated with broken instruments and some working instruments. A piano that is partially fallen through the floor. A chaotic environment, but a homely one. How would you describe Time Stays, We Go? I just want to keep making records, because I still want to keep learning about it. I’ve never claimed to know what I’m doing exactly. I think it’s the most focused thing we’ve ever done. I hope it’s a nice, unpredictable journey through the weird little thoughts I’ve been swirling around in my brain for the last two years. Does the album have any underlying themes? Yes, certainly. There’s a large preoccupation with time and the weird conveyer belt we’re on through life. That’s always interested me. You have your own record label, Pitch Beast Records; how did it feel to record this album on something you’ve created? We’d been on Rough Trade for eleven years and they were so great to us. We thought we’d find another label like them, but all the people we met wanted us to be something that we aren’t. It was a decision out of necessity to do the things we wanted. It’s great to have that freedom but I didn’t think of it in that way when we released this on Pitch Beast.
For ticket info head to: www.undertheradar.co.nz
14 | Tearaway TERM TWO 2013
You’ve recorded a five-song live session at Abbey Road Studios. What’s it like knowing you’ve recorded in the same place as such musical greats as The Beatles and Pink Floyd? I appreciate those bands but I was never a megafan in the way that people are who walk back and forth on the zebra crossing outside. I was excited about the idea, but it was only actually when I was in there that I realised that it was such an incredible space to be in. It really did feel like we were at this hub of English creativity and history. It was a really magical day. We were very lucky to be allowed in; it’s quite selective now. Off-stage you’ve got a very calm demeanor, but on stage you’re chaotic and mesmerising. What is it about the live performances that changes you as an artist? The thing I love about music – performing and writing – is it’s an opportunity to focus just on this one thing to put all your mental energy into. In day-to-day life I am just as flustered as anyone. When you go on stage, it’s when you’re most yourself and least yourself; it’s a very odd feeling. I love it. I’m still figuring out why that is. What was the motivation behind adding another member to The Veils, Uberto Rapisardi? [In an Italian accent]: Uberto Rapisardi! We were a five-piece when we made [our second album] Nux Vomica. When [piano and organ player] Liam left, it never really crossed our minds to get someone to replace him. We all missed Liam so much. But because on this album we knew we wanted an organ when we play live, it seemed to make sense to try and fill Liam’s shoes. It’s been great. It’s going to be a pretty big sound.
You spent a lot of your teens in NZ; how do you think that shaped you? I’m very lucky to have met the people I did; they’re still amongst my closest friends. And of course meeting [bass player] Sophia there, and Liam – as well as numerous other people. I spent most of my life in London but I still very much think of NZ as the place that shaped the way I feel about a lot of things. How do you find the motivation to write songs? I love it and I think it really brings comfort in the chaos for me. There are times when it can be frustrating, when you’re working on something and you want it to be better. Most of the time it’s just a joy to be writing stuff down and getting it out. It’s changing all the time – my relationship with [writing]. How much influence has your father, Barry Andrews, had on your career? Not too much. When I moved to NZ when I was 11 or so, that’s when I started playing guitar. Before that I never really had much interest in music; it just seemed to be this weird, scary thing my dad did. I find him inspiring as a musician. It’s definitely in my blood but I didn’t choose it because he did. We’re dying to see you live again. When will you be back in NZ to perform? We’ll be there before the the end of the year, if not sooner. I haven’t seen my Mum in about three years, so that’s an added incentive. What’s your motivation to get up out of bed every morning? The last few years it’s been wanting to get this record finished and now it’s wanting to get the record out. It’s always something to do with this thing.
SCORE! ☞
We’ve got copies of Time Stays, We Go to give away. Check out page 31.
MUSIC
Ready, Young, With Nothing to Fear On March 1, Western Australian rock band Birds Of Tokyo released their fourth album, March Fires. During their recent visit to our shores, bass player Ian Berney had a yarn with STEPHEN GALLAGHER. Steve found out some stuff about the new album, the band’s plans for the future – and what instrument he would play if he was in Birds of Tokyo. He even got to write a song with Berney. Sort of. Berney comes across as a funsounding bloke. His thick Australian accent rings through my ears with every word he speaks. When telling me about what he got up to the night before, there’s nothing but excitement in his voice.
Universes, though follows through by mentioning March Fires: “It was a bit of a reincarnation for the band, because we were doing more or less punchy, hard rock songs,” he explains. “Then, with March Fires, we decided to let that side of us go and let ourselves grow in a different direction.”
Lighting the Way The album’s second single, Lanterns, has had major success throughout Australia. Going to number one in the singles charts and with over 70,000 downloads, it is certified Platinum. “We’re extremely excited [about the success of Lanterns]; it seems to be motoring on,” Berney says. “We’re just really surprised by how far it’s getting. It’s obviously connecting, which is a great thing to have in your artillery.”
“We played a show here at the Universal studio office,” he says. “Played in front of a bunch of kids, which was great!”
I ask him about the lyrics in Lanterns; “And we’ll stand for who we are/We are ready, we are young/We have nothing to fear.”
Birds Of Tokyo has been around since 2004, but Berney’s inclusion only came about when he replaced Anthony Jackson in mid-2011. Before that, Berney played in another Western Australian band, Sugar Army. When asked which his favourite Birds of Tokyo album is, he says 2008’s release
“It’s about growing up and feeling like you’ve got to a point where you could be doing so much more with your life, if you decide to separate yourself from your comfort zone and do something more challenging. It’s really a call to anyone who has outgrown their shoes and needs to move into deeper water.”
So, will Birds Of Tokyo become a household name here, and in other parts of the world? Do they have a five-year plan? “We have massive ambitions to spread outside of Australia,” says Berney. “Here we are in New Zealand, trying to get our foot in the door, and we’re heading to Los Angeles after this. We’re doing plenty of promotional stuff there. Getting in people’s faces as much as we can, having a real crack at it!”
Getting Down to Business I sense that this is the time to get all my silly and less serious questions in, so I put Berney on the spot with some. I ask about bad habits, and which band members have them. “We’re all pretty boring, plebby [sic] guys to be honest. Because you have to live on top of each other pretty much, you’ve got to clean your act up, or else you feel terrible all day.” So, on to my favourite topic: Fast food. This is where I feel Berney and I connect on a whole different level. “I’ve always had a solid relationship with Hungry Jacks,” he says, “but you guys, I think, call it Burger King here. If my last meal in the world had to come from there, I can’t deny the
Whopper with Cheese. It would be a real toss up with the Bacon Deluxe though.” I mention that my favourite colour is blue. “Green. I’m a big fan of the greens recently. Teal, that turquoise kind of colour. I’m wearing green pants right now. I’ll be the land and you be the sea. Wait, did we just write a song?” So, I put myself out there, knowing that things have been going well. This is when I think it could be destiny. Could I, just a casual student, become a part of a great Australian band? I take a deep breath and use all of my courage to ask: “If I was in Birds Of Tokyo, what would I play?” With a chuckle, Berney thinks deeply, then comes out with: “Can you play bass, so I don’t have to play bass? Then I could just play the tambourine! It’s not hard. No wait I mean yes, it’s incredibly hard!” Berney tells me that Birds of Tokyo will be back in NZ this year, touring. Make sure you check out March Fires and keep an ear out for Lanterns gracing the airwaves.
SCORE! ☞ We have 5
copies of March Fires for the winning. Get thee to page 31. www.tearaway.co.nz | 15
ZEAL NEWS/POETRY How to Survive as a
}
}
Music Video Extra
2. Prep Some Fun As an extra, there can be a lot of waiting around. For one shoot I was on, we were on a double-decker bus for hours, sitting around while other shots were being completed. To pass the time, bring a good book or a deck of cards and make friends with the other extras and crew.
4. Be Prepared for Anything On one shoot I did, an extra was pretending to be in a fight and actually got punched in the face! Hopefully that won’t happen to you. For Typical Boy, we had to work with an actual fish (and its accompanying fish smell). It’s more than likely that you’ll be cast in some roles you weren’t prepared for, so go with an open mind.
3. Caffeinate Appropriately
Zeal recently released the single Typical Boy with the über-talented RIA. Veteran extra DAVINA McGINN was lucky enough to be cast in the music video; the second time she’s featured in a Zeal vid. Always wondered what it’s like being part of a film shoot? Here are Davina’s top five tips for surviving in extra land.
1. Pack Some Kai If you’re lucky, the shoot will be catered, but you still want to come prepared. Meal times are unpredictable. In the film industry, ‘lunch’ can be at anytime of the day, even 3.00am. A couple of pieces of fruit in your pocket can help you get through those times when the munchies strike.
Poetry Award
For further information, contact Katie Hardwick-Smith or Clare Moleta at modernletters@vuw.ac.nz or phone (04) 463 6854.
The winner will receive $500 cash for themselves and a $500 book grant for their school library. Nine shortlisted poets will also receive $100 cash, and all finalists will be invited, funding dependent, to an exclusive oneday masterclass with leading New Zealand poets at Victoria University’s International Institute of Modern Letters. They will also take home a package of literary subscriptions, books and book tokens. The entry deadline is July 5, 2013. Get entry forms, guidelines, and writing tips at www.schoolspoetryaward.co.nz. 2013’s judge is Anna Jackson. The Wellington-based, Auckland-born poet bought an electric typewriter
16 | Tearaway TERM TWO 2013
5. Bring Your Onesie Or at least a nice, warm hoodie. Waiting around outside without a jacket can get pretty chilly. For those summer shoots, pack a sombrero. You can also put your nachos in it. See you on set! Zeal is a creative arts youth organisation that is here for you! In a band? Enter Zeal Music Planet Battle of the Bands 2013! Head along to zeal.org.nz
L-R: RIA with extras Baz Amanita and Celeste Sweeney.
The search is on for the best and most original poems from Aotearoa New Zealand’s young writers. The National Schools Poetry Award is on again and Year 12 and 13 secondary school students are urged to liberate their words.
The National Schools
Being an extra can be tiring. Believe it or not, it’s hard work. The first night of the Typical Boy shoot finished at 4:00am and we had to be on set again at 1:00pm the next day. Whatever your caffeinated beverage of choice, come prepped, because you’ll need the energy.
in her twenties and began writing poetry. She published her work in small magazines put together with groups of friends, before a selection of these poems was published in AUP New Poets 1 (1999). She has since published five critically acclaimed poetry collections. Her most recent book Thicket (2011) was one of the NZ Listener’s Top 100 Books of that year and was a finalist in the 2012 NZ Post Book Awards. Anna has a Doctorate of Philosophy from the University of Oxford. She teaches at Victoria University of Wellington and is also an author and editor. You can read more about Anna at www.bookcouncil.org.nz/ writers/%20jacksonanna.html. Prizes for the Award this year include membership of the New Zealand Book Council and the New Zealand Society of Authors, a copy of The Exercise Book and the literary journals Sport and Landfall, plus a $50 Booksellers Token. Flights and accommodation at the Bolton Hotel
are included in the prize package for masterclass attendees living outside Greater Wellington. The winner and shortlisted poets will be announced on National Poetry Day, 16 August, and the masterclass runs on 31 August. The National Schools Poetry Award is organised by NZ’s oldest and most prestigious creative writing programme, the International Institute of Modern Letters at Victoria University. “The Poetry Award is a significant creative opportunity offered to every senior secondary student in New Zealand,” says Damien Wilkins, director of the International Institute of Modern Letters. “It provides a focus and incentive for creative writing, both inside and outside the classroom. We want to encourage the writers of the future to find their voices.” An information pack has been sent to all New Zealand secondary schools in March, so ask your English teacher how you can get involved.
SPORT
Derby Sisters Unite The whistle is blown and off they go. The ferocious growl of skates gliding across the court echoes in the gymnasium. Women of all shapes and sizes, bearing ruthless nicknames, fishnets, kick-ass skates and team colours battle it out on the court. The tension of the game is so thick you can feel it in the air. This is roller derby. By BRI LEE.
I am lucky enough to be watching two prominent NZ teams at their May 11 game, at Greys Ave YMCA in Auckland. Competing tonight are Auckland Roller Derby League (ARDL) and Dead End Derby All Stars from Christchurch. The two teams are budding rivals and their ‘blockers’ are pushing, prodding and pulling more than ever, eager to get their ‘jammer’ ahead of the pack. The ‘jammer’ of Dead End Derby, Evil K’Neevil, gets in front by skilfully dodging her way around the ‘blocks’, and suddenly the whistle blows once more; they’ve scored six points! A cheer erupts within the crowd, which consists of families, ‘alternative’ women and men and excited couples and friends, all yelling for their favourite team.
More Than Fishnets and Cool Nicknames Roller derby is steadily becoming one of the most popular all-women sports in New Zealand. Completely non-profit, there are now over 20 leagues around the country, including Roller Derby Team New Zealand, which competed in the Roller Derby World Cup in 2011 and came in 8th in the entire world.
The huge variety of ages and body types is a major pull to the sport. An 18-year-old straight out of school can be playing alongside a 30-year-old mum with two kids. Roller derby accommodates all body types, so there’s a space for everyone to get involved. The stronger members are usually ‘blockers’ whilst the smaller, more agile members are the ‘jammers’.*
This is How They Roll Roller derby itself isn’t run like your normal school teams. Each league is independent. There is no set timetable, so the league co-ordinators contact each other when they want to play a game. Team members then raise the funds needed to hire out venues and travel from their hometown to the desired match point. Cabaret nights, sausage sizzles, skate nights, date nights and kids’ lessons are just some of the ways teams gain the needed funds to compete. The resident leagues of Auckland are Auckland Roller Derby League and the Pirate City Rollers. Christchurch has Dead End Derby and Otautahi Roller Derby League, and Wellington has Richter City Roller Derby.
The sport has recently picked up interest, following the release of Drew Barrymore’s 2009 movie Whip It, starring Ellen Page. The film stimulated a new derby following, but don’t be deceived; the game isn’t all about fishnets and cool nicknames. It’s an extremely technical and athletic sport.
In fact, there are leagues all over the country, with rockin’ names like Northland Nightmares, Sirens of Smash and Hellmilton Roller Ghouls. These kick-ass teams can be seen playing bouts all over their cities.
With an average of three training sessions a week, you’ve got to be fit, or willing to get in shape the hard way, to be an active member of roller derby.
For anyone wanting to join up, a key element of the sport is the desire to learn how to skate. This goes way beyond your leisurely rink skate; you need to
18 | Tearaway TERM TWO 2013
Think You’ve Got What it Takes?
Dead End Derby All Stars
learn how to properly bend your knees, keep your weight balanced, and how to effectively stop and fall. The main rules of the game come a little later, when you can confidently land on your bum without getting too big a bruise. Getting in contact with a team’s newbie co-ordinator is easy; find them on Facebook and ask for the next available rookie session or open skate day, and give the sport a try. It’s all about taking the initiative and enthusiastically getting yourself involved. The start-up costs can be a little daunting, but be assured the equipment lasts years, and in the end, if you are passionate about it, it’s always worth it.
And the Winner is... The last whistle blows loud and clear, ending the game of May 11. Auckland Roller Derby League have won it, although Dead End Derby’s ‘jammer’ Silk managed to win her team a last few points just before the whistle blew. The teams skate past one another, shaking hands; each with smiles and none with a bloody nose. The crowd rushes out onto the track, standing on the outer rim with their hands out. Both teams roll past, slapping the hands of their supporters. Laughter, cheers and chatter have erupted within the gym, and those who had been cheering for opposing teams join together to congratulate the winners and the runners-up. As the fans file out of the gym, the electric buzz doesn’t diminish. Everyone, myself included, leaves the game with a massive smile, ready for the next actionpacked bout.
SPORT Lightning Round Georgia Lee vs. Sonic ScrewdrivHER
Georgia Anderson, AKA Georgia Lee
Megan Thompson, AKA Sonic ScrewdrivHER
From: Auckland Roller Derby League.
From: Dead End Derby
Georgia is an 18-year-old uni student who is passionate about keeping her team up in the ranks of the best in NZ.
Photo by Chris Traill
Sonic is 21 years old and works full-time for Synapsys NZ Ltd. Her mum, Bebe Frayle also skates for Dead End, under the name Bebe McBash. Photo by Chris Traill
What’s the worst injury you’ve had on the track? GL: Probably a broken leg. But injuries like that never really happen. SS: During my ‘freshmeat’ training, I fell wrong on my ankle and had a soft tissue injury. I was off skates for about three weeks but it definitely didn’t stop me. What is the best thing about roller derby? GL: The cultural aspect of the teams being all women, and that it attracts unique people. The age difference within the teams is also cool, oh and of course the skating itself. SS: The culture; I feel like I have joined a big family. Everyone is supportive and eager for all of the new girls to get better. I like the athleticism; I’ve never been a sporty girl but derby brings it out in me. And the worst points? GL: It’s very strenuous; there’s a lot of wear and tear on the body. It’s also extremely time-consuming. SS: Honestly, there are none. I love everything about derby. It’s a wonderful sport for every kind of girl. How often do you practice? GL: Three sessions a week for experienced players, two sessions a week for newbies. SS: We have two two-hour league trainings a week. There are also roller discos nearly every Saturday and I like to go outdoor skating as much as possible.
*Rules
r the of r
Track
Wanna be ‘freshmeat’? Here are the basics: The girls with the stars on their helmets are jammers; their goal is to first pass the pack consisting of their teammates and opposition blockers. On the second round, a point is received for every blocker that the opposing jammer passes. For each bout there are five blockers and one jammer. The blockers’ task is to stop the opposition’s jammer from passing them, and to help their jammer get ahead and score points. For more info, or to find a league near you, check out www.rollerderby.co.nz
Red Assassin and Silk. Photo by Chris Traill
Who is your main rival team? GL: Since we’re a new team and doing quite well, we don’t have one certain rival. SS: Probably Otautahi Roller Derby League. At the end of the day though, we are all derby sisters.
www.tearaway.co.nz | 19
DON’T BE AN EGG! High school can be a strange and confusing time when it comes to sex. You go in expecting American Pie, start to worry you’ll end up a 40 Year Old Virgin, and before you know it, you’re Juno. Sex has the potential to be a generally positive aspect of life, but during our younger years especially, there are things that can go wrong. So, JASON KIM brings you a list of things he wishes he could tell his 16-year-old self about sex, drawing from a combination of data, expert opinion, and anecdotal evidence.
Things You’ll Wish You Knew, Later
SEX Let’s Discuss
Where To Get Help and Advice
Safety First (And Not Just Physical) Sure, there are STIs and pregnancies to be worried about as well, but just as important are your emotional and psychological wellbeing. According to Frances Bird from Family Planning, studies done in this field indicate that the longer people wait until they have sex, the better off they will be. It’s important that you are engaging in any kind of sexual activity only when you are mature enough to handle the responsibilities that come with it. It’s equally important that any sexual partner you have is someone who you trust and care about completely. Caring is not necessarily linked to health outcomes though, so you’ll still need to be wise about your physical safety. Your Responsibilities, Part I: STIs and Pregnancy As noted sexual health advocate Spiderman sagely advises: with great power, comes great responsibility. Becoming sexually active puts you at risk of sexually transmitted infections (STIs) and pregnancy (if you hare having sex with someone of the opposite sex). There are a few things you can do to protect yourself here. The first and most obvious thing of course, is that the fewer people you have sex with, the less likely it will be that you will catch something. Secondly, you need to be smart and vigilant about using contraception. Condoms are great in that they stop both pregnancy and infections or diseases. Also, you can get heaps with a $5.00 prescription, and visits are free to Family Planning and sexual health services. Oh, and this should go without saying, but if you have an STI, you have an obligation to tell your partner. In terms of pregnancies, as a general rule of thumb, any claim regarding “girls can’t get pregnant if [blank]” is probably wrong. There are only two ways to avoid getting pregnant: abstinence (not having sex at all) and contraception. And even contraception isn’t 100% reliable. 20 | Tearaway TERM TWO 2013
Your Responsibilities, Part II: The Law On top of the responsibilities you have for both you and your partner, there are responsibilities imposed by the law. First, all sex requires consent from the other party. The legal age of consent in New Zealand is 16. What does this mean? Legally speaking, you’re not allowed to have sex when you’re under the age of 16. Also, if you are over the age of 16, you cannot have sex with someone younger than 16. Police will use discretion as to when they will press charges, but broadly they want to look at the relationship between the two parties and see if any undue influence has been exerted. Obviously, the bigger the age difference, the bigger the power imbalance will likely be. Sex with someone under 12 is automatically statutory rape.
What About Drugs and Alcohol? If the TV show Skins is anything to go by, everyone in high school is running around, dropping E and having sex. Well, there are a few things you should keep in mind. First, not everyone is having sex. According to Frances Bird, the Youth 2007 study of almost 10,000 high school students found that less than 40% of secondary school aged kids in the study had had sex. Second, hearkening back to the whole consent thing, if someone is drunk or otherwise under the influence of any other kind of substance, then they cannot and have not consented to sex.
Listen, I’m just a schmuck with a laptop and an internet connection. If you want expert, confidential advice, there are lots of options out there for you. Your GP can provide you with contraception, and is your first port of call if you think you have an infection. Basically, if your junk smells or feels strange or painful, or if weird stuff is oozing out, see a doctor. Testing for infections is neither painful nor overly intrusive – you’ll probably just have to give a urine sample at most – and most STIs are relatively easily treated. Everything will be strictly confidential, and the doctor cannot and will not disclose any information to your parents. Sexual health clinics are great for more specialised care and advice. Hit up Google to find one in your area. Family Planning can answer a broad spectrum of questions, from your options regarding pregnancy, contraceptives and STIs, to advice on how to say no (or yes). www.familyplanning.org.nz Youthline is the place to contact if you don’t have anyone that you trust that you can talk to about your emotional needs, or if you just feel uncomfortable asking someone you know. Youthline provides phone, text, email and faceto-face counselling services for crisis pregnancy counselling, post pregnancy termination counselling, and parenting advice. www.youthline.co.nz
Is There Any Good News? Yeah, yeah, yeah, abstinence is the best contraception, whatever. But if you’re mature enough and smart enough to handle sex responsibly, I don’t see why you should be denied the physical, emotional and mental benefits that healthy sex can provide. Studies have shown that regular sex can reduce anxiety, boost your immune system and increase your overall level of happiness. If you and your partner are committed to each other and can comfortably and intelligently have the ‘big conversations’, then I think you’re good. Good luck, boys and girls. Happy safe sexing!
OPINION
If You Don’t Like Gay Marriage, Don’t Get Gay Married
As of April 17, 2013, New Zealand became the thirteenth country in the world to legalise same-sex marriage. The third reading of the bill passed with 77 votes to
44 in front of an overflowing public gallery, as well as swarms of people watching from their homes. By STEPHEN GALLAGHER. Marriage equality is extremely important in the context of human rights. Everyone deserves to have equal rights, and New Zealand are leading the way as the first country in the Asia-Pacific region to legalise same-sex marriage. Civil Union has been legal in New Zealand since April 26, 2005. This meant that whether they were married, in Civil Union, or in a De Facto partnership, couples could generally enjoy the same rights and undertake the same obligations. This was the first step to what we now have ultimately achieved as a nation in marriage equality. The first same-sex marriages will take place as early as August 19, 2013. The time in between allows the official paperwork to be changed. ‘Bride’ and ‘groom’ are the terms that will remain but also people will be able to use the term ‘partner’.
What Does it Mean to You? I asked some friends of mine who are in the lesbian, gay, bisexual and transgender (LGBT) community just what it meant now that marriage equality has been legalised. To one friend it meant “the reassurance that if one day I find myself in a situation where I am in a
stable relationship with someone I love and that person wants to get married, we can have that. But more than that I think it is one step closer to the acknowledgement that homosexuals are equal to heterosexuals.”
Rowen Sullivan (20) told me: “It just means that my parents’ relationship is finally acknowledged and future children of same sex parents won’t have to go through all the hassle I went through”.
“
This is the year 2013; if you have problems accepting people into society because of their sexual orientation, then you need to wake up
”
Got Questions? Need An Ear?
Based in Auckland, Rainbow Youth is a great organisation that exists to support young people in regards to sexuality. Visit www.rainbowyouth.org.nz for more details.
My good friend Daniel Kelly (26) said: “I think any one who wants to get married should be able to. I’m happy that it has passed, mainly because it makes it a non-issue again.”
No Discrimination To all the people who do not agree with the bill that has passed, I have some words for you. This is the year 2013; if you have problems accepting people into society because of their sexual orientation, then you need to wake up. We are not students, we are not businessmen, we are not politicians. We are humans. It doesn’t matter whether your skin colour is different, or whether you come from a different country. New Zealand is a fantastic place that is supportive of all the above. If you do not like gay marriage, do not get gay married. To be equal: that dream has now been made reality within the context of same-sex marriage. Just one notch on the belt towards making New Zealand a country where we are all accepted. No discrimination. I am a 21-year-old straight male who is happily in a relationship. I am passionate on this issue because we all have the same right; the right to be treated equally. I am proud to be a New Zealander because I know that my friends can now happily marry their loved ones, no matter what orientation they are. Congratulations New Zealand. We’ve done it. We are the thirteenth country in the world to legalise samesex marriage and the first nation in the Asia-Pacific region to do this. Kia Kaha. Kauanuanu.
www.tearaway.co.nz | 21
TECHNOLOGY Connected Careers
Stub It Out Calling all smokers! Introducing the latest incentive to help kick the habit: Stub It Out – the iPad/ iPhone game. By SHARON McCOSKRIE. A group of smart, creative people from the University of Auckland wanted to come up with something that would reinforce ‘stop smoking’ messages, in a brand new way. They wanted to create a product that was exciting and attractive for people. There are plenty of products and services around, but these guys were thinking of something a little more fun. So, Stub It Out was created. It’s an engaging way of distracting smokers, while educating about the health risks and available help. Genius.
22 | Tearaway TERM TWO 2013
The Game: A Review Overall, this is a great game. The aim is to stub out the tobacco products floating across the screen and clean them up to avoid creating too much smoke. You achieve a longer life by collecting items like patches and inhalers and not letting too much smoke build up. At the end of each level, or when you 'get out', there are always interesting comments about smoking. Things like, “Oops! Hope you like soup and think chewing food is overrated. Smoking causes tooth loss.” I don’t want to say that it’s addictive – that seems strangely inappropriate – but there’s something about this game that makes you want to try again.
What in the world could you help to change? How creative can you be in thinking of solutions?
Gimme Five • 1. Stub It Out is FREE from the App Store • 2. There are six levels • 3. It is now available on iPhone/iPad 4.• It was developed in Aotearoa
alongside the WERO group stop smoking competition www.wero.me • Scan this QR code 5. to download!
They say Stub It Out is supposed to provide stress relief. In theory this sounds good, but after losing five times running, I can’t say I felt hugely relaxed. However, it is satisfying to stub out the cigarettes and have a longer ‘life’.
Stub It Out is an awesome example of creativity and a tool to bring about change. With new media technologies, there are plenty of opportunities for all of us to do something worthwhile. There’s no shortage of need out there, so take a look around and get your creative juices flowing. It takes a team of talent to create a product like Stub It Out. Here are a few of the career pathways involved: • Behavioural addiction science • Creative game design • Graphic design • Software development/ programming • Audio engineering/soundtrack composition If that’s given you a burst of inspiration, get on the Google machine to find out more about your career options.
LIVIN’ THE DREAM Start Cultivating Your Travel Bug... It’s the STA Travel Top 10 for 2013!
Our mates at STA Travel have scoured continents, flicked through dog-eared travel photos and recounted copious numbers of travel stories to come up with the Top 10 travel list for 2013. Which destinations will you tackle once school’s out?
#1: Tour Europe Europe really is just one huge playground, with tons of thrilling treats, sights and surprises around every corner! Eat chocolate in Belgium, cruise the canals in Venice, treat yourself to tapas in Spain, check out Paris from the Eiffel Tower, munch on gelato in Rome, sail the Greek Islands, the European list could go on and on... and on... #2: Volunteer with Elephants in Thailand Do more than just ride an elephant when you go to Thailand; help these friendly animals as well, with an STA Travel exclusive volunteer project! Spend a week at an elephant rescue centre in Chiang Mai, helping staff with the elephants’ health and being up close with the gentle giants at their two favourite times of the day – feeding time and bath time! #3: Inca Trail, Peru Channel your inner explorer with a hike along the challenging – but totally amazing – Inca Trail to Machu Picchu. The sacred site is the most visited in Peru, with over 400,000 visitors flocking there each year. Explore the ancient area on a small group tour, the best way to meet a bunch of like-minded travel buddies. #4: USA Road Trip Radio turned up loud? Check. Plenty of junk food? Check. Varied landscapes, classic American diners and a camera to capture it all? Check, check, check! Nothing beats a true road trip through the States, so grab a cheap flight, pack your bags and start cruising around the 50 states of the USA. #5: See the Pyramids in Egypt You’d be crazy not to want to see the Pyramids of Giza up close. They are one of the seven ancient wonders of the world, and the only one still standing today. Grab your camera and board a camel for your chance to marvel at the 138 pyramids, as well as the great Sphinx of Giza.
“This was the most ultimate trip of my life! Walking through architecture built by ancient civilisations, seeing Tutankhamun’s mummy, sailing the Nile on a felucca, sleeping under the stars, churning up the sand on a quadbike in the desert, holding a crocodile, snorkeling in the crystal-clear waters of Dahab, even climbing a mountain to watch the sunrise” – Tania, STA Travel #6: Do Your UK Big OE The UK Big OE is something Kiwis have been doing for decades. Book your one-way ticket to London, sort your UK working holiday visa, pack the Peanut Slabs and Marmite – and your fellow expats will be welcoming you with open arms (and hopefully a comfy couch to doss on) in no time! #7: Search for the Big Five in Africa Lions, leopards and buffalo... oh my! You don’t have to don khaki cargos and safari hats to get up close with the ‘big five’ (elephant, rhino, lion, leopard and buffalo) on a true African safari. One thing’s for sure, your local zoo will never be the same again. #8: Great Wall of China Stretching for thousands of miles and visible from space (in case you’re ever up there), the Great Wall of China has been top of travellers’ bucket lists for decades. Stroll it, run it, moonwalk it, luge it... there are plenty of ways to tackle the mighty wall. Don’t forget to check out some of China’s other ancient treasures, like the Terracotta Warriors, the Forbidden Palace and Tiananmen Square. #9: Rio de Janeiro Adventure Brazil’s ultimate party is of course the famous Rio Carnivale, one of the oldest and most colourful festivals in the world. While you’re there, get some beach time in Copacabana and Ipanema, go hang gliding, cruise up to Sugar Loaf, gawk at the massive statue of Christ the Redeemer and catch a football game.
STA Travel has exclusive discounted flights for students and under 26-year-olds, as well as cheap deals on tours, accommodation, working holidays, insurance and heaps more. Whether you want to jump on a top 10 adventure or just hop across the ditch to Aussie, they can get you sorted. Give them a call today on 0508 STA TRAVEL, email quote@statravel.co.nz or find them online at www.statravel.co.nz. #10: Cruise to Antarctica No travel bucket list is complete without an adventure to Antarctica. Thought it was near impossible to explore the most isolated continent in the world? Think again. Cruise down from South America to the Antarctic Peninsula, passing huge icebergs, encountering mammoth whales, plenty of penguins and the ‘coolest’ landscapes (see what we did there?) on the way. “Antarctica is a truly amazing Winter wonderland, so untouched and such a special experience few have ever seen. It’s a trip I’ll never ever forget” – Becks, STA Travel www.tearaway.co.nz | 23
OM NOM NOM Ingredients
Instructions
Marinade
Step 1: Soak skewers in cold water for at least 30 minutes. Combine marinade ingredients in a large bowl and add chicken. Mix well to combine. Cover and marinate in the fridge for 30 minutes or more.
1 teaspoon turmeric
Spicy Chicken Skewers
1 teaspoon white pepper 2 tablespoons lemon juice 1 tablespoon salt-reduced soy sauce
with couscous
500g skinless chicken breast fillets, sliced Couscous 1 cup chicken stock 1 cup couscous olive oil spray 1 eggplant, diced 1 red capsicum, diced handful fresh coriander, torn 4 heaped tablespoons low-fat yoghurt, to serve
Step 2: Thread chicken on skewers. Cook skewers on a hot barbecue or grill pan for about 10 minutes, turning, until cooked through. Step 3: To make couscous, place stock in a saucepan and bring to the boil. Pour over couscous in a glass bowl. Cover and set aside for 5 minutes. Step 4: Heat a barbecue grill or grill pan to a medium heat. Spray with oil. Cook eggplant and capsicum until softened. Fluff up couscous with a fork. Add eggplant, capsicum and coriander and stir to combine. Serve with skewers and a dollop of yoghurt.
Make it gluten-free:
Serves: 4 Time to make: 30 mins Total cost: $17.68 / $4.42 per serve (at time of publication)
24 | Tearaway TERM TWO 2013
LOW FAT
LOW KJ
Use rice instead of couscous, and use gluten-free soy sauce and gluten-free stock Š Reproduced with permission from Healthy Food Guide magazine. On 3 LOW sale in supermarkets and DIABETES SODIUM bookstores for only $5.70.
www.healthyfood.co.nz
LIVIN’ THE DREAM The Road to Success After leaving school, James enrolled in SIT’s automotive pre trade programme. “SIT’s automotive department is the best in the South Island, by a long shot,” says James. “I know this from studying at other places, and from talking to other apprentices. “SIT’s tutors are really knowledgeable and they are good guys to get along with. They are there for the love of it. A bonus of being in Invercargill is that Teretonga Park [racing circuit] is so close. Plus, it’s easy to find good spots to ride trail bikes.” James finished his SIT course and then his apprenticeship, which took one and a half years. After that, he was ready for the next challenge. Timaru Motors had a job going, so he called and got offered the position over the phone, moving cities just two weeks later. In 2008 James took the opportunity to complete a Heavy Diesel Apprenticeship. He chose to do his block courses in Invercargill. “Technical block
courses like these need Invercargill’s equipment,” he explains. “On a personal level, I know the set-up and I know the staff. It was an easy choice to study in Invercargill.” At his next job, James’ manager nominated him for the MTA apprentice of the year, which he went on to win.
“
SIT’s automotive department is the best in the South Island, by a long shot
”
Further to this, James was awarded the New Zealand Craftsman Trading Foundation award, which was presented to him in October 2011. As part of the award, James will receive overseas training in the field of Automotive Heavy Trade.
James is a grand example of what can happen when passion, motivation and qualifications meet. His future plan is to get involved in product support and advanced diagnostics.
>
James O’Connor left school at 16, with no qualifications. Then he chose to study at Southern Institute of Technology (SIT), and since has climbed the career ladder to become MTA’s 2009 Apprentice of the Year.
Could this be you? Contact Southern Institute of Technology on 0800 4 0 FEES or visit the website at www.sit.ac.nz
JAMES O'CONNOR: Dedicated, motivated, qualified.
www.tearaway.co.nz | 27
LIVIN’ THE DREAM What Do Construction and First-Person Shooters Have in Common?
The White Card Game itself can be downloaded and played from this website: www.whitecardgame.com.au
Let’s say you’re keen for a career in
An introductory video is available on YouTube at: www.youtube.com/watch?v=IxQcokD2-6I
construction. There will be a lot of training before you can call yourself a construction worker. How will you remember all the protocols? How will you identify hazards on a construction site? Some people find the training a little difficult but now, thanks to the wonderful world of video games, we have an alternative way to learn. By THOMAS STEVENSON. Mark O’Rourke, from the Serious Games Group at Victoria University, wanted to create a virtual learning environment, in the form of a first-person shooter style game. At first it might seem like an odd combination; what do construction work and first-person shooters have in common? In reality, this idea has turned out to be rather ingenious. It’s been developed into the White Card Game.
While playing, the idea is to prevent anybody getting harmed, by taking various safety precautions. At the end of the game you get a percentage score based on how many hazards you managed properly and how many fatalities you didn’t cause. The bottom line is to keep your colleagues safe! Advantages of learning through the White Card Game are numerous. As I’ve already mentioned, it’s more engaging than standard Health and Safety lectures. By taking an active approach (playing) you tend to retain more information and learn more in a short space of time.
Over in Australia, a White Card is an Occupational Health and Safety (OHS) Certificate, required for anybody working on a construction job site. To gain any qualification, some amount of study must be done, but typical work safety lessons tend to not be very engaging. Some students might even find them boring.
Also, by working in a virtual construction site, there’s no risk of real injury if you get something wrong – and there is a lot to get wrong. This means you can learn from your mistakes. Trial and error, as it’s called. Another advantage is accessibility. Free to download online, the White Card Game is available to trainees anywhere in Australia (or indeed, NZ).
Asbestos, Power Tools, Explosions...
The Future of Learning?
A video game, however, is designed to be engaging. White Card Game is a 3D computer game featuring a virtual construction site. Players learn by locating and dealing with potential hazards on this site, working to prevent their cyber-colleagues from being injured or even killed. Many different hazards exist, not least the potential to fall off scaffolding. Asbestos, power tools, fire, explosions... there’s a lot to watch out for.
Recently the game was a runner-up in the Australian Learning Impact Awards, held in Melbourne. It was also shortlisted for the international IMS Global Impact Awards, which are taking place in San Diego, USA, at the time we are going to print.
Since the game has a first-person point of view, a player effectively sees through the eyes of a worker exploring the site. The character’s appearance can be personalised; if you think an orange hi-vis vest is too mainstream, you can change the colour.
Websites like the Open University and Coursera herald a new way to gain qualifications. We can do our lectures and homework online, saving the course and transport costs associated with real university. It’s a cheaper way of studying.
28 | Tearaway TERM TWO 2013
O’Rourke is pleased with the success of his idea, but it’s just the start. Is this a glimpse of the future for learning?
Now the White Card Game shows new possibilities. Through gaming, can we train people to become the next generation of construction workers, police officers, or doctors? Maybe this is the start of a future in which we start careers, using nothing more than a computer, by playing 3D games from the comfort of home. Whether this makes traditional learning obsolete remains to be seen. Whatever the future looks like, your budding construction self must be glad to have the White Card Game now. In early trials, players of the game were very interested in the idea of getting safety training in a virtual environment. The great majority of these test subjects (83%) said they found the game engaging, but all of them said they felt confident knowing OHS principles. That is undoubtedly a good result. So the game has been successful in meeting its objective and, at the same time, being among award-winners. O’Rourke’s idea has real potential and could start a trend in training by gaming. His tagline for the White Card Game is: “Taking safety seriously through computer gameplay.” If you are planning on working on construction sites, safety will be your main concern, so if you’re even vaguely interested in games, you’ll be interested in this.
MEH ★
REVIEWS
games
RENT IT ★★
BUY IT! ★ ★ ★
Bioshock Infinite ★ ★ ★
Tomb Raider
From: Irrational Games | For: Xbox 360
From: Crystal Dynamics | For: Xbox 360
The year is 1912. Deep in debt, Booker DeWitt has only one opportunity for a clean slate; rescue Elizabeth, a mysterious girl imprisoned since childhood in the flying city of Columbia.
Even though the latest Tomb Raider takes the series back to its roots, to describe it as a ‘prequel’ isn’t an accurate reflection. This is actually a complete reboot of the now legendary Tomb Raider series.
That, in a nutshell is Bioshock Infinite’s storyline. But there are so many layers, twists, turns and moments of gaming perfection. When you add one of the best musical scores ever, visuals that deserve more than any superlative can deliver and value for money that nobody can deny, you have one of the greatest games of all time.
Army of Two: Devil’s Cartel
The single player campaign borders on survival gaming perfection and the action-filled storyline is gritty and thrilling from start to finish, with a musical score that beautifully ebbs and flows to build excitement. This is the first Tomb Raider game to include multiplayer but that aspect is completely forgettable and should have been left on the drawing board.
★
MLB 13: The Show
From: Visceral Games | For: Xbox 360 Everything that made the previous two Army of Two games stand out amongst the crowd has either been watered down or removed altogether. For a game that describes the nature of the gameplay in the very title, there is little incentive or need to work co-operatively at all. The best parts are the scripted action sequences that have you marveling at the explosions and carnage. Aside from that, this sequel is a lesson in how to wreck an otherwise promising series.
Tiger Woods PGA Tour 14
MLB 13: The Show is a feast for the senses. Visually it’s almost flawless and the commentary is one of the most interesting and relevant in a sports game to date. There may not be a heap of obvious changes to last year’s release, but there are enough improvements and tweaks to make this the best baseball game on any console. The Vita version of MLB 13: The Show looks like an average PS2 game, but if you can get past that, the game functions just as well as its bigger brother.
Defiance
From: EA Sports | For: Xbox 360
★
From: Trion | For: Xbox 360
Amazingly, Tiger Woods PGA Tour 14 is the ninth title in the series to be released on the Xbox 360. It is also the most complete and comprehensive golfing simulation to date.
PGA Tour 14 is the pinnacle of golf simulations and a must-have for any fan.
★★
From: SCE San Diego Studio | For: PS3 & PS Vita
★★★
Despite the Kinect functionality boasting scanning of more than 1000 data points in real time, I found the game difficult to play using Kinect. Putting especially lacked the feel needed to achieve any accuracy. The Xbox controller is the best way to experience any consistency in this game.
★★★
In what is touted as a “groundbreaking entertainment experience”, Defiance is a simultaneous game/TV show crossover between Trion and the cable channel Syfy. What happens on screen in the TV show in each episode is meant to bleed into the online-only, massively multiplayer third-person shooter. Groundbreaking? Most definitely – it’s an exciting concept if executed well. Is it executed well? No. Graphically, the game is decidedly average and if not for some solid shooting mechanics, Defiance would be a title to avoid.
Next time in
the
Technology issue!
Look out for Term 3 , hitting the streets on
16.08.13
Are you a techno-freak or a techno-phobe? It doesn’t even matter, all aboard the TEARAWAY techie-train! TOOT TOOT ! www.tearaway.co.nz | 29
REVIEWS
reads
Into the River
tunes
Fall Out Boy
★★
★★★
LAME ★ PRETTY SWEET ★ ★ EPIC! ★ ★ ★
By Ted Dawe
Save Rock and Roll
When Te Arepa Santos wrestles with an ancient eel, he emerges from the tapu river with the weight of utu upon him. A few years later at an exclusive boarding school, he is on a journey of self-discovery, struggling to stay true to his unique ancestral roots in a modern world that collides with the spirit world. Despite being aimed at teenage guys, I found this book culturally eye-opening, easily accessible and a surprisingly relevant read for a rather ignorant girl – EMMA HOEKSTRA
With such an audacious title, Fall Out Boy’s new album sure has a lot to live up to. Fortunately for us, it does just that. From the high octane, adrenaline-fuelled Phoenix to their more traditional sound on the Elton Johncollaborated title track, Fall Out Boy has delivered on their promise. We can safely add this album to the stack of greats, right beside their other four – JORDAN MURRAY
Cattra’s Legacy
★★
★★
Gather ‘round The Gooseclock
By Anna Mackenzie Risha, a young girl, has her life left in tatters when her father – the only family she knows – dies. Bravely, she decides to journey far from home to find out more about her past and the secrets it holds, including who her mother, Cattra, really was. The world that the author builds for this strong character is vivid and easy to imagine, and is a perfect setting for this fantasy novel – EMMA SHI
When We Wake
Mali Mali
The debut album by Auckland group Mali Mali consists of a magical collection of emotions poured into each and every song. Ben Tolich, the man with the powerful vocals, makes this a band that can not be looked over. Highlights include All The Shy Will Congregate and Magnetic North. Quite simply, I’m impressed with this as a debut album. I’ve had it on repeat – STEPHEN GALLAGHER
The Veils
★★
★★★
By Karen Healey
Time Stays, We Go
“Culture shock. It’s little things”. Tegan doesn’t just move to another country though, she wakes up in another century. As part of Operation New Beginning, she is the first human to survive being cryonically preserved. Authored by a Kiwi, When We Wake is set in Australia, which is a nice change from American novels. Written in a clear style that makes for easy reading, this book is worth a go – ERICA McQUEEN
The Veil’s fourth studio album is perhaps their best one yet. The band has unlocked an essence in their music that makes this album better with every listen. Right off the bat, one of my favourite tracks is Through The Deep, Dark Wood; other bright lights from this five piece are The Pearl and Sign Of Your Love. I hope they’ll be back in New Zealand in no time – STEPHEN GALLAGHER
When Romeo Kissed Mercutio
★★
By Kathy Sutcliffe Meet Alex, an 18-year-old Kiwi. When his girlfriend leaves, Alex turns to his new neighbour Piers, for support. Alex develops feelings for Piers that go beyond what he feels for his guy mates. Conflict and complications follow as he seeks to find out who he is and what this new relationship means. This was not easy to read and there are some pretty dark and explicit scenes. For this reason I cannot personally recommend it – SHARON McCOSKRIE
Felix and the Red Rats
★★
Hurricane Kids
★★
Live It Up EP I don’t tend to like synth/power pop music, but even I have to admit that this EP is pretty great. It has a similar sound to US breakout star The Ready Set, who’s been making you cringe whilst yelling “Give me your hand!” every time you turn on the radio for the past few months. The difference is this, this is good music – PATRICK CAMPBELL
Eavesdrop
★★
By James Norcliffe
Pins & Needles
This inventive novel follows the life of David, a young boy who is the only one who enjoys his Great Uncle Felix coming to stay. Felix is the only famous member of his family; he has written children’s novels set in a mysterious world called Axillaris. When Felix arrives, strange, wonderful and random things start happening and suddenly David is in the middle of it all. I enjoy Norcliffe’s writing, which is easy to follow. This is the best thing I have read and is as close to Margaret Mahy as I can find – JAMES EUNSON Wan Read James Eunson’s interview with Mor t e? James Norcliffe at www.tearaway.co.nz
First off, this album is totally brilliant; although I am not a regular listener of electronic music, it has become my goto chill out album. It has a great mix of talent, from Dave ‘Eavesdrop’ Wood himself to the artists he teams up with. If you want to try before you buy, look up Pins & Needles or either track featuring Soulyric. In fact, do it anyway – ANNA McINTOSH
30 | Tearaway TERM TWO 2013
BOOKS/LOOT
☞And One More Book… Editor’s Pick The Young New Zealander’s Guide to Entrepreneurship By Ian Hunter Ph.D.
★★★
Loot
Wan t M
o re ? Want to know more? Read Lou’s article on becoming an entrepreneur at www.tearaway.co.nz
If the words ‘creative’, ‘businessminded’ and ‘passionate’ mean something to you, this may be just the ticket you need to turn that big idea into a big success.
The book is filled with practical advice, real stories and expert knowledge to help you fast track your business career and transform into NZ’s next big entrepreneur.
Written by entrepreneurship specialist Dr. Ian Hunter and supported by The Young Enterprise Scheme, The Young New Zealander’s Guide to Entrepreneurship is designed to inspire and develop young, eager business minds.
It was interesting to read that entrepreneurs can come in many different forms. It’s just a matter of realising what your vision is, setting a goal, being passionate about what you want to achieve and always remaining focused.
www.tearaway.co.nz
Head to and you could score yourself some sweet, sweet freebies. Don’t forget to like us on Facebook too; we often give away prizes to our readers just ‘cause we love ya.
I found the book truly inspiring; it would be an integral tool to have in all schools. Business leaders such as Sir Peter Leitch, Sir Stephen Tindall and Anne Norman CNZM and the Governor General The Rt Hon. Sir Jerry Mateparae feature, all lending top industry advice. Anyone who wants to learn more about business and becoming an entrepreneur should read this. It could truly be a turning point in your life – LOU PARKER
Giveaways this month include… Felix & the Red Rats books
The Veils’ Time Stays We Go CDs Adidas Messi Adizero F50 football boots
Fun Size DVDs
The Young New Zealander’s Guide to Entrepreneurship books
OOB Ice Blocks
Into The River Wrestlemania WWE 9 pack, including a Ringside Chair, Collector’s Edition 3 DVD set and a poster CONDITIONS OF ENTRY: One entry per person and must be sent on the official entry form or as otherwise stated. Entry is free and open to all residents of New Zealand. Proof of identity and date of birth may be requested. Employees and their immediate families of Academy Publishing, the promoter and agencies associated with any promotion in this publication are ineligible to enter. Winner(s) will be notified by e-mail/phone. The judge’s decision is final, no correspondence will be entered into. No responsibility is accepted for late, lost or misdirected mail. Prizes are not transferable or redeemable for cash. Academy Publishing, the promoter and agencies associated with any promotion in this publication shall not be liable for any loss of damage whatsoever suffered (including but not limited to direct or consequential loss) or person injury suffered or sustained, during the course of prize winning travel or in connection with any other prizes won. Academy Publishing, the promoter and agencies associated with any promotion in this publication accept no responsibility for health , luggage, insurances, travel, personal expenses and transfers other then specified. Entries remain the property of Academy Publishing, the promoter and agencies associated with any promotion in this publication and cannot be returned. Academy Publishing, the promoter and agencies associated with any promotion in this publication reserves the right to photography and publish winners. Entries may be used for further marketing purposes by Academy Publishing, the promoter and agencies associated with any promotion in this publication but are not made available to any third party.
www.tearaway.co.nz | 31