Kimkisoo

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No Real No Like

KIM KI SOO

Art Space Purl - Art Factory



KIM KI SOO No Real No Like

2017. 9. 13 wed - 9. 29 fri / Art Space Purl 2018. 4. 7 sat - 4. 27 fri / Art Factory


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MOON 2017, Mixed Media on Stainless Mirror & Steel 170.0 x 150.0 cm


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6 MOON 2017, Mixed Media on Stainless Mirror & Steel 97.0 x 85.0, 97.0 x 94.0 cm each


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MOON 2017, Mixed Media on Stainless Mirror & Steel 112.0 x 45.0 cm


8 MOON 2017, Mixed Media on Stainless Mirror & Steel 138.0 x 117.0 cm


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The MASS 2016, Mixed Media on Stainless Mirror & Steel 100.0 x 100.0 cm


10 CUBE 2017, Mixed Media on Stainless Mirror & Steel 55.0 x 137.0 cm


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MOON 2016, Mixed Media on Stainless Mirror & Steel 95.0 x 75.0 cm


12 CUBE 2016 Mixed Media on Stainless Mirror & Steel 95.0 x 75.0 cm


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MOON 2017 Mixed Media on Stainless Mirror & Steel 101.0 x 74.0 cm


STROKE

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2016, Mixed Media on Stainless Mirror & Steel 100.0 x 152.0 cm


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CUBE 2017, Mixed Media on Stainless Mirror & Steel 68.0 x 102.0 cm


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CUBE 2017, Mixed Media on Stainless Mirror & Steel 100.0 x 79.0 cm


CUBE 2017, Mixed Media on Stainless Mirror & Steel 100.0 x 79.0 cm

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CUBE 2016, Mixed Media on Stainless Mirror & Steel 20.0 x 15.0 cm


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SUN 2016, Mixed Media on Stainless Mirror & Steel 83.0 x 83.0 cm


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MOON 2017, Mixed Media on Stainless Mirror & Steel, LED light 130.0 x 120.0 cm


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๊น€๊ธฐ์ˆ˜์˜ <MOON>: NO REAL NO LIKE

ํ˜„๋Œ€๋ฏธ์ˆ ์—ฐ๊ตฌ์†Œ ๋Œ€ํ‘œ

์Šคํ…Œ์ธ๋ ˆ์Šค ์Šคํ‹ธ์„ ์ด์šฉํ•˜์—ฌ ์ž‘์—…ํ•˜๋Š” ๊น€๊ธฐ์ˆ˜ ์ž‘๊ฐ€๋Š” ์žฌ๋ฃŒ๊ฐ€ ๊ฐ–๋Š” ๋ฌผ์„ฑ์— ์กฐํ˜•์„ฑ๊ณผ ํšŒํ™”

๊น€๊ธฐ์ˆ˜์˜ <MOON>๊ณผ ๋งˆ์ฃผํ•˜๋Š” ์ˆœ๊ฐ„ ํˆฌ์˜๋œ ์ด๋ฏธ์ง€, ํˆฌ๋ช…ํ•˜๊ฒŒ ๋“œ๋Ÿฌ๋‚˜๋Š” ๋ชจ์Šต ๊ทธ ์‚ฌ์ด ๋ถ€

์žฌ์˜ ๊ฒฝ๊ณ„๋ฅผ โ€˜์ผ๋ ์ด๋Š” ๋ฌผ์— ๋น„์นœ ๋‹ฌโ€™์—์„œ ๋Š๋‚€ ํ–ฅ์ˆ˜์™€ ๊ทธ๋ฆฌ์›€์„ ์ƒˆ๋กญ๊ฒŒ ์กฐํ˜•ํ•˜๋Š” ๋ฐฉ์‹์œผ

์–‘ํ•œ ์›€์ง์ž„์ด ํ™˜์˜์ฒ˜๋Ÿผ ๋‚˜ํƒ€๋‚ฌ๋‹ค ๋‹ค์‹œ ์‚ฌ๋ผ์ง„๋‹ค. ๊ทธ๊ฒƒ์€ ๋งˆ์น˜ ์–ด๋ฆฐ ์‹œ์ ˆ ํ–ฅ์ˆ˜๋‚˜ ๊ทธ๋ฆฌ์›€

์ ์ธ ์‹œ๊ฐ์„ ๋ถ€์—ฌํ•œ๋‹ค. ์ด๋ฒˆ ์•„ํŠธ์ŠคํŽ˜์ด์ŠคํŽ„ ์ „์‹œ๋ฅผ ์œ„ํ•ด ์‹œ๋„ํ•œ ์‹ ์ž‘์—์„œ๋Š” ๊ฐ€์ƒ๊ณผ ์‹ค ๋กœ ์‹œ๊ฐ์  ๋น„์ „์„ ์žฌ๊ตฌ์„ฑํ–ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์ผ์ƒ๊ณผ ๋น„์ผ์ƒ ์‚ฌ์ด๋ฅผ ์ž๋ฅด๊ณ  ์—ฐ๊ฒฐํ•˜๋Š” ํšก์ ์ด๊ณ  ์ข…์ ์ธ ๊ณต๊ฐ„์†์— ๋น ์ ธ ๋“ค๊ฒŒ ํ•˜๋Š” ๊ฒฝ๊ณ„, ๊ทธ ์‚ฌ์ด์˜ ํฌ๊ณ  ์ž‘์€ ๋ฉด๊ณผ ํ˜•์ด ๋ถ„๋ฆฌ๋˜๊ณ  ํ•ฉ์ณ์ง€

๋Š” ์กฐ๊ฐ์˜ ๋ฉด์„ ํ†ตํ•ด ๋ณด๋Š” ๊ฒƒ๊ณผ ๋ณด์ด๋Š” ๊ฒƒ ์‚ฌ์ด์—์„œ ์‹ค์žฌ์™€ ์ด๋ฏธ์ง€๋ฅผ ๋ถ„๋ฆฌํ•˜๋Š” ๋ฐฉ์‹์ด๋‹ค. ์ด๋ฒˆ ์ „์‹œ์˜ ์ปจ์…‰์ธ <No Real No Like>๋Š” ๊ฒฌ๊ณ ํ•œ ์Šคํ‹ธ์„ ์ž˜๋ผ ํŒŒํŽธํ™”๋œ ํ˜•ํƒœ๋ฅผ ์žฌ์กฐํ•ฉ

ํ•˜๋ฉด์„œ ํ˜„์‹ค๊ณผ ๋น„ํ˜„์‹ค์˜ ๊ฒฝ๊ณ„๋ฅผ ๋ณด๋‹ค ๋ช…ํ™•ํ•˜๊ฒŒ ์ œ์‹œํ•œ๋‹ค. ์ด๋ฅผํ…Œ๋ฉด ์‚ผ๊ฐํ˜•์˜ ์ •๊ตํ•œ ์กฐ๊ฐ

์‹๋œ ์ฒ ๊ณผ ์˜ˆ๋ฆฌํ•˜๊ฒŒ ๊ฐˆ๋ผ์ง„ ์„ , ๋ฉด์œผ๋กœ ์ชผ๊ฐœ์ง€๋Š” ํ˜•ํƒœ์˜ ๋ณ€ํ˜•, ๋ฉˆ์ถ”์ง€ ์•Š์œผ๋ฉด ๋ณ€ํ•˜๋Š” ๋‹ค

์ฒ˜๋Ÿผ ํ•˜๋‚˜ ํ˜น์€ ์—ฌ๋Ÿฟ์ธ ์ž”์ƒ์ด๋‹ค. ๋งˆ์Œ ๊นŠ์€ ๊ณณ์— ์ž๋ฆฌํ•œ ๊ธฐ์–ต์˜ ์ž”์ƒ๋“ค์ด ๋งŒ๋“  ๊น€๊ธฐ์ˆ˜์˜

<MOON>์€ ์ด๋ฒˆ ์ „์‹œ์—์„œ ๋ณด๋‹ค ์ •๊ตํ•˜๊ฒŒ ๋ฐฐ์—ด๋œ ํ‘œ๋ฉด์˜ ๋‘ ๊ฐ€์ง€ ๋ฐฉ์‹์— ์ฃผ๋ชฉํ•˜๊ฒŒ ํ•œ๋‹ค. ์—ฌ์ „ํžˆ ๊ทธ๋ฆฌ์›€์„ ๋นš์–ด๋‚ด๋Š” ํ˜ธ์ˆ˜์— ๋น„์นœ ๋‹ฌ์—์„œ ์ถœ๋ฐœํ•˜๊ณ  ์žˆ์ง€๋งŒ, ํŠน๋ณ„ํžˆ ๋‹ฌ๋ฆฌ ๋ณด์ด๋Š” ๊ฒƒ

์€ ๋ฐ”๋žŒ์ด ๋ถˆ์–ด ์ผ๋ ์ด๋Š” ํ˜ธ์ˆ˜์˜ ํ‘œ๋ฉด์—๋„ ๋ณ€ํ•˜์ง€ ์•Š๋Š” ์ฐฉ์‹œ ๋„ˆ๋จธ์˜ ์‹ค์žฌ๋ฅผ ๋ฐ˜์˜ํ•˜๋Š” ์ž‘ ๊ฐ€์˜ ๋ฏธ์˜์‹์„ ์ •์„ฑ์Šค๋Ÿฐ ์†๊ธธ๋กœ ๋‹ด์•„๋‚ด๊ณ  ์žˆ๋‹ค๋Š” ์ ์ด๋‹ค.

๋“ค์„ ํ†ตํ•ด ๊ฑฐ์šธ ์ด๋ฏธ์ง€์— ๋Œ€ํ•œ ์ฐฉ์‹œ, ๋Œ€์ƒ์„ ํˆฌ์˜ํ•˜๋Š” ์žฌ๋ฃŒ์  ํšจ๊ณผ๋ฅผ ๋‹ค๊ฐํ™” ํ•œ๋‹ค. 2017

์˜ˆ์ปจ๋Œ€ ๊น€๊ธฐ์ˆ˜์˜ ์ด์ „ ์ž‘ํ’ˆ์—์„œ ๋ณด์—ฌ์ฃผ์—ˆ๋˜ <MOON>์—ฐ์ž‘์€ ์Šคํ…Œ์ธ๋ ˆ์Šค ์Šคํ‹ธ์ด๋ผ๋Š” ๋ฌผ

์‹œ์„ ์ด ๋ฐ˜์‚ฌ๋œ ์ด๋ฏธ์ง€์™€ ์‹ค์žฌ์™€์˜ ๊ด€๊ณ„์— ๋Œ€ํ•œ ๊ฑฐ๋ฆฌ๋‘๊ธฐ ํ˜น์€ ๊ทธ๊ฐ„์— ์ถ”๊ตฌํ•œ ๋ฐ˜์‚ฌ์ฒด๊ฐ€

์ง€์ ์€ ์ฐฉ์‹œ์˜ ๊ฒฝ๊ณ„์— ๊ฐœ์ž…ํ•˜๋Š” ์ž‘๊ฐ€์  ์‹œ๊ฐ์ด ๋ณด์ด๋Š” ๊ฒƒ๊ณผ ๋ณด์ด์ง€ ์•Š๋Š” ๊ฒƒ ์‚ฌ์ด๋ฅผ ์žฌ๋ฃŒ

๋…„์˜ <MOON> ์—ฐ์ž‘์˜ ์ƒˆ๋กœ์›€์€ ๋ฐ”๋กœ ์ฐฉ์‹œ๋ฅผ ๋ฒ—๊ธฐ๋Š” ๊ฒฝ๊ณ„์˜ ์ง€์ ์— ์žˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์ž‘๊ฐ€์˜ ๊ฐ€์ง„ ์žฌ๋ฃŒ์˜ ํˆฌ๋ช…์„ฑ์— ๋Œ€ํ•œ ์‹œ๊ฐ์  ๋‹ค๋ณ€ํ™”, ๋‹ค์‹œ์ ์˜ ์ž…๋ฐฉ์ฒด๋ฅผ ์ •๊ตํ•œ ์‚ผ๊ฐํ˜•์œผ๋กœ ์กฐํ•ฉ

ํ•˜๊ณ  ์žˆ๋Š” ๋ถ€๋ถ„์ด๋‹ค. ์‹ค์žฌ๊ฐ€ ์—†์œผ๋ฉด ๋‹ฎ๋Š” ๊ฒƒ๋„ ์—†๋Š” ๊ฒƒ์ฒ˜๋Ÿผ, ์‹ค์žฌ์™€ ๋น„์‹ค์žฌ, ๊ณ ์ •์„ฑ๊ณผ ์œ 

์„ฑ์„ ์ˆ˜๋ฉด์œผ๋กœ ํ•ด์„ํ•œ ์ง€์ ์—์„œ ๋ง์น˜๋กœ ๋‘๋“œ๋ฆฌ๊ฑฐ๋‚˜ ํ•˜์–€ ๋ณด์ž๊ธฐ๋กœ ์‹ธ๋†“๋Š” ๊ฒƒ์ด์—ˆ๋‹ค. ์ด ์ž์ฒด๋กœ ๋“œ๋Ÿฌ๋‚ด๋Š” ๋ฐฉ์‹๊ณผ ๊ทธ๋ฆผ์œผ๋กœ ์žฌํ˜„ํ•˜๋Š” ๋ฐฉ์‹์ด์—ˆ๋‹ค.

๋™์„ฑ ์‚ฌ์ด, ๊ณต๊ฐ„์˜ ๋ณ€์ฃผ๋ฅผ ์‹œ๊ฐํ™”ํ•˜๋Š” ๋ฐฉ๋ฒ•์  ๋ณ€ํ™”๋ฅผ ์ œ์‹œํ•˜๊ณ  ์žˆ๋‹ค.

์ด๋ฒˆ ์ „์‹œ๋ฅผ ํ†ตํ•ด ์ƒˆ๋กญ๊ฒŒ ์ ‘๊ทผํ•œ <MOON>์—ฐ์ž‘์€ ์ •๊ตํ•œ ์‚ผ๊ฐํ˜•์˜ ์กฐ๊ฐ๋“ค์— ๋น„์นœ ์ด๋ฏธ

<No Real No Like>๋Š” ๊ณ ์š”ํ•œ ์ˆ˜๋ฉด์— ์ƒ๊ธด ํŒŒ์žฅ์˜ ์ž์—ฐ์Šค๋Ÿฌ์šด ์ผ๋ ์ž„์„ ๋ ˆ์ด์ €๋กœ ์ž˜๋ผ

์ )์œผ๋กœ ๊ฐœ์ฒดํ™”ํ•˜๋Š” ํ•ด์ฒด์˜ ๊ฒฝ๊ณ„์— ์žˆ๋‹ค. ๊ทธ๊ฒƒ์€ ๋งˆ์น˜ ํ๋น„์ฆ˜์ด ์ถ”๊ตฌํ•œ ๋ถ„์„์ ์ธ ๊ณต๊ฐ„๊ณผ

๋ถ™์—ฌ ์ •๊ตํ•œ ์‚ผ๊ฐ์˜ ๋ฉด๋“ค์˜ ์กฐํ•ฉ์— ํˆฌ์˜๋œ ์‹ค์žฌ์— ๋Œ€ํ•œ ์ „์ œ, ์‹ค์žฌ์™€ ํ™˜์˜์‚ฌ์ด ํ˜น์€ ๊ทธ

๊ฒฝ๊ณ„์˜ ์ง€์ ์„ ์„ค์ •ํ•˜๊ธฐ ์œ„ํ•œ ๊ฐœ๋…์ด๋‹ค. ์ •๊ตํ•œ ์กฐ๊ฐ๋“ค์— ๋น„์นœ ์‹ค์žฌ๋Š” ์ฐฉ์‹œ๋ฅผ ์ชผ๊ฐœ๊ณ  ๋ณ€ ํ˜•ํ•ด ๋†“์€ ์›€์ง์ด๋Š” ๋ฉด๋“ค์˜ ์ง‘ํ•ฉ, ์˜ˆ๋ฆฌํ•˜๊ฒŒ ๊ฐ์ง„ ๋ฉด๋“ค๋กœ ํŽผ์ณ์ง„, ๊ทธ ์‚ฌ์ด๋Š” ์‹œ๊ณต๊ฐ„์„ ์ž˜

๋ผ๋‚ด๋Š” ์ด์ชฝ๊ณผ ์ €์ชฝ ์‹ค์žฌ์™€ ์ด๋ฏธ์ง€๊ฐ€ ๊ฐ–๋Š” ๊ฑฐ๋ฆฌ, ์‹ฌ๋ฆฌ์ ์ด๊ฑฐ๋‚˜ ์ •์‹ ์ ์ธ ๊ณต๊ฐ„์œผ๋กœ ์žฌํƒ„ ์ƒํ•˜๋Š” ์žฅ์†Œ๊ฐ€ ๋œ๋‹ค.

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๊น€์˜ฅ๋ ฌ

๋˜ํ•œ ๊ณต๊ฐ„๊ณผ ๋Œ์˜ ๋ฌด๊ฒŒ๋กœ ์ธํ•ด ๊นจ์–ด์ง„ ์œ ๋ฆฌ์ฒ˜๋Ÿผ ์ž๋ฅด๊ณ  ๋‹ค์‹œ ๋ถ™์ด๋ฉฐ ์ด๋ฏธ์ง€๋ฅผ ์กฐํ˜•ํ•˜๋Š” ๋ฐฉ์‹์—์„  ์ธ์œ„์ ์ธ ํ˜•ํƒœ์™€ ์ž์—ฐ์ ์ธ ํž˜์ด ๋ฐœํ•˜๋Š” ์กฐํ˜•์„ฑ์ด ๊ต์ฐจํ•˜๊ณ  ์žˆ๋‹ค. ์‹ค์žฌ์™€ ์ด๋ฏธ

์ง€, ์ธ๊ณต์ ์ธ ๊ฒƒ๊ณผ ์ž์—ฐ์ ์ธ ์šธ๋ฆผ์˜ ๋ณ€์ฃผ๊ฐ€ ์„ ์ž…๊ฒฌ์„ ๋ฒ—๊ธฐ๊ณ  ๋‹ค์‹œ ์ž…ํžˆ๋Š” ๊ฒฝ๊ณ„์— ์žˆ๋‹ค. ์ด

๊ณผ์ •์—์„œ ์ •์ค‘๋™์˜ ์šธ๋ฆผ์ด ์‹ค์žฌ์™€ ์ด๋ฏธ์ง€์˜ ๊ด€๊ณ„๋ฅผ ์žฌ์ •๋ฆฝ ํ˜น์€ ์žฌ์ƒ์‚ฐํ•˜๊ณ  ์žˆ์Œ์„ ๋ณธ ๋‹ค. ๊น€๊ธฐ์ˆ˜์˜ ์ด๋ฒˆ โ€˜No Real No Likeโ€™๊ฐ€ ๊ฐ€์ง„ ์ฐฉ์‹œ์˜ ์žฌ์ •๋ฆฝ์€ ์ฐฉ์‹œ๋ฅผ ๋ฒ—๊ธฐ๋Š” ๋™์‹œ์— ์ƒˆ ๋กญ๊ฒŒ ํฌ๊ฐœ๊ณ  ๋ฏธ๋„๋Ÿฌ์ง€๋Š” ๋ณ€ํ™” ์†์—์„œ ์ฐฉ์‹œ๋ฅผ ํŒŒํŽธํ™”ํ•œ๋‹ค.

์ด์ „ ์ž‘์—…์˜ ์—ฐ์†์„ฑ ์†์—์„œ ์ž‘์€ ๋ณ€ํ™”๊ฐ€ ์ฃผ๋Š” ํž˜์€ ์—ฌ์ „ํžˆ ๋‹ฌ์— ๋Œ€ํ•œ ๊ธฐ์–ต, ๊ตฐ ์ƒํ™œ์„ ํ•˜ ๋ฉด์„œ ๋ฐ”๋ผ๋ณด๋˜ ๋‹ฌ์— ๋Œ€ํ•œ ๊ธฐ์–ต์œผ๋กœ ๋˜๋Œ๋ฆฐ๋‹ค. ๊น€๊ธฐ์ˆ˜ ์ž‘๊ฐ€์˜ ์ฃผ๋œ ์žฌ๋ฃŒ์ธ ์Šคํ…Œ์ธ๋ ˆ์Šค ์Šค

ํ‹ธ์€ ์‹ค์žฌ๋ฅผ ๊ฑฐ์šธ์ฒ˜๋Ÿผ ๋ฐ˜์‚ฌํ•˜๋Š” ์žฌ๋ฃŒ์— ๋‹ฌ์ด ์ˆ˜๋ฉด์— ๋น„์น˜๋“ฏ ์ž‘ํ’ˆ์ด ๋†“์ธ ๊ณณ๊ณผ ๊ทธ๊ฒƒ์„ ๋ณด ๋Š” ์‹œ์„ ์ด ๋งŒ๋‚˜๋Š” ์žฅ์†Œ, ๋‹ฌ ๋ฐ์€ ๋ฐค์— ํ˜ธ์ˆ˜์— ๋น„์นœ ๋‹ฌ์ด๊ฑฐ๋‚˜ ํ๋ฅด๋Š” ๊ฐ•๋ฌผ์— ๋น„์นœ ๋‹ฌ์„ ๋–  ์˜ฌ๋ฆฐ๋‹ค. ์ด๋ ‡๋“ฏ ๋ฐ์€ ๋ณด๋ฆ„๋‹ฌ์„ ๊ณ ์š”ํ•œ ํ˜ธ์ˆ˜๊ฐ€ ํ’ˆ ๋“ฏ ๊น€๊ธฐ์ˆ˜์˜ <MOON>์—ฐ์ž‘์€ ์ž‘ํ’ˆ ์•ž ์— ์„  ์‹œ์„ ์„ ํ’ˆ๋Š”๋‹ค.

์ง€์˜ ๋Œ€์ƒ์„ฑ์„ ์ƒˆ๋กญ๊ฒŒ ์กฐํ˜•ํ•˜๋Š” ๋ฐฉ์‹์— ์ฃผ๋ชฉํ•˜๊ณ  ์žˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์ „์ฒด(์ผ์‹œ์ )๋ฅผ ๋ถ€๋ถ„(๋‹ค์‹œ ์‹œ๊ฐ„์˜ ๋ถ„์ ˆ๋กœ ์ž…์ฒด์ ์ธ ์‹œ๊ณต๊ฐ„์„ ์ถ”๊ตฌํ•œ ๊ฒƒ์ฒ˜๋Ÿผ, 2์ฐจ์›์˜ ํ‰๋ฉด์— 3์ฐจ์›์˜ ์กฐ๊ฐ์  ์‹œ๊ฐ

์„ ์ œ์‹œํ•˜๊ณ  ์žˆ๋‹ค๋Š” ์ ์ด๋‹ค. ์ผ์‹œ์ ์˜ ํ™˜์˜์„ ๊นจ๋Š” ์ด ์ง€์ ์€ ๋ถ€๋ถ„๊ณผ ์ „์ฒด, ์ฃผ๊ด€๊ณผ ๊ฐ๊ด€์ด

๊ต์ฐจํ•˜๋Š” ํ•˜๋‚˜์˜ ์ƒˆ๋กœ์šด ์žฅ์†Œ์ด๋‹ค. ์ด ์žฅ์†Œ๋Š” ํ˜„์กด์žฌ๊ฐ€ ํˆฌ์‚ฌ๋œ ์ผ์ฐจ์  ์ฐฉ์‹œ(์žฌํ˜„)๋ฅผ ์ •๊ต

ํ•˜๊ฒŒ ์กฐํ•ฉ๋œ ์‚ผ๊ฐํ˜•์˜ ๋ฉด๋“ค๋กœ ๋ถ„์ ˆ, ์‹œ๊ณต๊ฐ„์˜ ํ˜„์žฌ๋ฅผ ๋‹ค์‹œ์ ํ™” ํ•˜๊ณ  ์žˆ๋‹ค๋Š” ์ ์—์„œ ์•ž์œผ

๋กœ์˜ ์ž‘ํ’ˆ์— ๊ธฐ๋Œ€๋ฅผ ๊ฐ–๊ฒŒ ํ•œ๋‹ค. ๊ทธ ์†์—์„œ ์ผ๋ ์ด๋Š” ์‹ค์žฌ(ํ˜„์กด์žฌ)๋Š” NO REAL NO LIKE ์˜ ์žฅ์†Œ์ด๋‹ค. ๊ทธ๊ฒƒ์€ ์ด ์ž‘๊ฐ€์˜ ์ž‘์—…์  ๋…ธ์ •์„ ๋”ฐ๋ผ๊ฐ€๋‹ค ๋งŒ๋‚˜๊ฒŒ ๋˜๋Š” ์‹ค์žฌ๋ฅผ ๋‹ด๋Š” ์กฐํ˜•์„ฑ ์— ๋Œ€ํ•œ ์งˆ๋ฌธ, ์Šค์Šค๋กœ ๋‹ต์„ ์ฐพ์•„ ๊ฐ€๋Š” ๊ทธ๋งŒ์˜ ์กด์žฌ๊ฐ์„ ์‹ค์–ด๋‚ด๋Š” ์ž‘๊ฐ€์˜ ๋ฏธ์˜์‹์ด๋‹ค. ์ž‘๊ฐ€ ์˜ ์ •์„ฑ์„ ๋‹ด์•„ ๋†“์€ ๊ทธ๊ณณ, ์ œ3์˜ ์žฅ์†Œ์—์„œ ๋‚˜๋ฅผ ๋งŒ๋‚˜๋Š” ์‹œ๊ฐ„์ด๋‹ค.


<MOON> by Kim, Kisoo : NO REAL NO LIKE

Okreal Kim Director of Contemporary Art Institute (CAIKOR )

Artist Kim, Ki soo who works with stainless steel, gives formativeness and malerisch attributes to the properties of materials. His new artworks for this exhibition in Art Space Purl are reconstructed in order to show his visual vision which is the boundary between virtual and real in the method that shapes the longing and nostalgia that he felt in the moon reflected in the water. It is the way to separate reality and image between the boundaries that fall into the horizontal and longitudinal spaces that cut and connect between daily life and non-daily and between the moment which is in the middle of the seeing and the seen through the sides of his sculptures that are separated and combined to the small sides and big sides.

In the moment we look at Kim Ki-sooโ€™s <MOON>, like illusions, the projected image, the rusty iron and the sharply divided line among the transparent appearances, the transformation of the shape split into the face, and the various movements that are constantly changed appear and disappear. It is one or multi after images like a childhood nostalgia or longing. In this show, Kim Ki-sooโ€™s <MOON>, produced by remnants of memories located deep in his mind, makes me focus to two approaches of more exquisitely displayed surface. Although his artwork still starts from the nostalgic moon reflected in the lake, the unique difference is that with the delicate touch Kim contains his aesthetic sense reflecting the reality beyond the optical illusion which is never changed even on the surface of swaying lake. For example, in the previous <MOON> series, he expressed his interpretation about the material property of stainless steel as the water surface which is usually embodied as hammered surfaces or wrapped with white cloth. This was the way he indicated that his artistic perspective that involved in the boundary of the optical illusion took the aspects between visible and invisible as the way to paint and the painting subject itself.

<No Real No Like> is the concept to determine the point of the boundaries between reality and illusion or the premise regarding the reality that is projected on a combination of elaborate triangular planes by laser cutting in order to explain the natural choppy wavelength on a still water surface. The reality in sophisticated sculptures is a combination of the moving faces that have split and transformed to the optical illusion and his artworks can be the place to rebirth a space that is cut with sharp angled faces and the distance between the image and the reality as a psychological or spiritual space. In addition, in the way of composition that cuts and splices images like broken glass due to the weight of space and stone, natural formative formality and artificial form are intersected. The reality and the image, and the variations of artificial and natural echo are at the boundary where the preconceptions are disappeared and appeared. In this process, we can see that the resonance of immobility reestablishes or reproduces the relationship between reality and image. In his show, โ€˜No Real No Likeโ€™, re-establishment of the illusion eliminates illusion and, at the same time, fragmentizes the illusion through the newly overlapped and floating change. The power of a small transition in the continuity of his previous works still derives from the memory of the moon that Kim has seen while he was in military service. Stainless steel, the main material of Kim Ki soo, reminds us of the moon on the surface of the water or running river. This occurs when Stainless steel reflects reality like mirror does. Likewise as calm lack embraces the bright full moon, <MOON> series by Kim Ki soo envelopes the gaze before his artworks.

The <MOON> series, which is newly approached through this exhibition, focuses on the method in which the objectivity of the image reflected on the fragments of elaborate triangles is newly shaped. It is at the boundary of the deconstruction that individualizes the whole (multi perspective) into the parts (one perspective). It presents the three-dimensional sculptural perspective on the two-dimensional plane, as if Cubist pursued the Cubistic time and space by dividing analytic time and space. This aspect that breaks one perspective illusion is the new place intersecting a part and the whole and the subject and the object. In the viewpoint of multiplying the perspective about the presence of time and space and dividing illusion projecting Dasein into sophisticatedly combined triangle, I cannot but look forward with the keenest anticipation to his future artworks. The swaying reality in it is the place of NO REAL NO LIKE. It is the aesthetic sense of Kim Ki soo that conveys his own sense of existence that pursues the answer to the question regarding the formality that contains the reality that can be encountered as he has followed his journey of producing artworks. It is time to meet myself in the third place, where Kim Ki soo puts his sincerity.

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By reconstructing the fragmented forms of the solid steel, the concept of this exhibition, โ€œNo Real No Likeโ€, clearly provides the boundary between reality and unreality. For instance, through the elaborate pieces of a triangle, the illusion of the mirror image and the material effect of projecting the objects are diversified. The novelty of the <MOON> series in 2017 is at the very boundary to strip off the optical illusion. It is the part that makes the distance regarding the relation between the images that the artistโ€™s perspectives are reflected and the reality, or combines the multi-view cube that has visual diversity because of the transparency property from the material Kim has been used with the elaborate triangles. Just as there is no resemblance without reality, he presents a methodical change that exists between visualizes the variability of space, reality and illusion, and fixation and fluidity.


Biography

Cheongdo, gyungbuk Province Graduated from Yeongnam University School of art & design Solo Exhibitions 2017 No Real No Like, Art space Purl, Daegu Over Painted Steel, Gallery Art-K, Busan 2016 Over Painted Steel, Gallery Jungang202, Daegu 2015 CUBE-Warking of Landscafe, Art factory paju 2014 Over Painted Steel, Gallery MIGO, Busan 2011 Encounter of Ideal and Real, Leeahn Gallery Seoul, Daegu 2010 Over Painted Steel, Leehwaik Gallery, Seoul Over Painted Steel, Gallery M, Daegu

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2009 Over Painted Steel, Simyo Gallery, Seoul 2007 Lacase Artpace Invitation Exhibition, Lacase Artspace, Bejing, China 2006 Ha Jeong-Wung Young Artist Exhibition, Gwangju Museum of Art, Gwangju 2004 Maekhyang Gallery Invitation Solo Exhibition, Maekhyang Gallery, Daegu 2003 This Year Young Artist Invitation Exhibition, daegu Culture & Art Center, Daegu 2002 Wubong Gallery Invitation, Solo Exhibition, Wubong Gallery, Daegu

Group Exhibitions 2017 Finding Youngnam Culture Sources Shinsegae Gallery, Daegu Art Road 77, Young Artist Invitation Exhibition Paju heiry 2016 Extention KR, Triump Gallery, Russia Shining Moments, Shinsegae Gallery, Gwangju 2015 Painting Memory, Smiling Art center, Daegu Interweaving, Art Space Purl, Daegu 2014 Gangjung, Daegu modern art festival, The Arc, Daegu Art Road 77, Young Artist Invitation Exhibition, Paju heiry Find of Wark room, Gallery Jeon, Daegu Art road of Peach Blossom, Bulls Fighting Tema Park, Chungdo story & nature, Daegu student culture center, Daegu Art & Life, Life & Art, Daegu Culture & Art Center, Daegu Cadgy of Forty, Open space Bae, Pusan 2013 Put in Landscape, Gallery H, Daegu Art road of Peach Blossom, Bulls Fighting Tema Park, Chungdo Art Road 77, Young Artist Invitation Exhibition, Paju heiry Balance of passion, Smiling Art center, Daegu Daegu Art Fair Special Exhibition / EXCO, Daegu Love Chungdo, Chungdam Gallery, Chungdo Dam, Daegu Bank Gallery, Daegu 2012 Art Road 77, Young Artist Invitation Exhibition Paju heiry Art Museum of Funny Yanggpyung Art Museum, Yangpyung Steel Art Festival, Pohang Mu yu deung deung, Gallery GMA, Seoul Re Boom, Gallery Susung, Daegu 2011 The Vein of Real view Landscape Youngnam Young Artist Exhibition, Pohang Art Museum, Pohang 2011 1/2, Leeahn Gallery, Chang won BLUE ART, Kyung ju Culture Expo, Kyung ju Environment Art Festival, Masan Art Center, Masan Segment Space, Gachang Art Studio Gallery, Daegu Dam, Daegu Bank Gallery, Daegu 2010 Dam, Debec Plaza Gallery, Daegu Light 2010, Gwangju Museum of Art, Gwangju Love Chungdo, Chungdam Gallery, Chungdo Youth-artist, Chungdam Gallery, Chung do Cheongdo Artworks Exhibition, Ulsan Hyundai Department Gallery, Ulsan La Constance, Gallery G, Daegu


2009 i_DEA, LEEAHN GALLERY, Changwon LOVE, MJ Gallery, Daegu Review, Gyeongnam Art Museum, Changwon Flower, Flower, Cheongdam Gallery, Cheongdo Love Cheongdo, Cheongdo Bullfighting Stadium, Cheongdo View from Gallery, Bongsan Cultural Center, Daegu 2008 Meet of Math, MJ Gallery, Daegu Art in Daegu, KT&G, Daegu Kim Ki-Soo, Kim Sang-Yeol, Book Theme Park, Seungnam 2007 Small Painting, Lee Hwaik Gallery, Seoul The Fresh Waves, Daegu Metropolitan City Bukgu Culture & Arts Center, Daegu Large Paintings, Lee Hwaik Gallery, Seoul 4 Artists, 4 Colors, Maekhyang Gallery, Daegu The Face of Seongnam, Seongnam Arts Center, Seongnam 9 Artists, 9 Colors, Metro Gallery, Daegu 2006 Seeking New Vision, Debec Plaza Gallery, Daegu Shinsegae Gallery, Gwangju The Flow, Posco Art Museum, Seoul 30x30x30, Goto Gallery, Daegu

2004 UMBRA, Sungkok Art Museum, Kookmin University Gallery, Seoul Representation & Realization, Daegu Culture & Arts Center, Daegu 100 Mirrors, COEX, Tower Gallery, Seoul Museums for You,National Museums of Contemporary Art, Gwacheon Korea Youth Biennale, Daegu Culture & Arts Center, Daegu Kimi for You Kimi Gallery, Seoul Daegu Figurative Art Trend, Woobong Gallery, Daegu 2003 Kim Ki-Soo, Koo Ja-Hyun, Maekhyang Gallery, Daegu Life and Humor of This Era, Sejong Center, Seoul Ch14-Stories of Humans, Daegu Culture & Arts Center, Daegu 5 Autumn Artist, Daegu Department Store, Daegu

2005 ART SINGPORE, Suntec Convention Center, Singpore Korea International Art Fair, COEX, Seoul Seoul Art Fair, Hangaram Museum, Seoul

Art Fairs

Joongang Fine Arts Contest Award of Excellence Asia Youth Art Fair Special Prize New Art Contest Grand Prize Daegu Young Artist Prize Ha Jeung-Wung Young Artist Prize

2017 Seoul Art Fair, COEX, Seoul Korea International Art Fair, COEX, Seoul 2016 Korea International Art Fair, COEX, Seoul Daegu Art Fair, EXCO, Daegu Art Taipei, Taipei World Trade Center, Taipei Taiwan 2015 Korea International Art Fair, COEX, Seoul Daegu Art Fair, EXCO, Daegu Spoon Art Fair, KINTEX, Seoul 2012 Art Stage Singapore, Marinabaysands, Singapore Korea International Art Fair, COEX, Seoul 2011 Korea International Art Fair, COEX, Seoul Daegu Art Fair, EXCO, Daegu 2010 Asia Hotel Art Fair, Shilla Hotel, Seoul Singapore Art Fair, SUNTEC, Singapore 2009 Art Daegu, EXCO, Daegu Asia Hotel Art Fair, Hilton Hotel, Seoul 2008 Daegu Art Fair, EXCO, Daegu 2007 ART SINGPORE, Suntec Convention Center, Singpore ART BELJING, Beijing 2006 ART SINGPORE, Suntec Convention Center, Singpore ART BELJING, Beijing Korea International Art Fair, COEX, Seoul Art TAIPEI, Taipei

2004 Korea International Art Fair, COEX, Seoul 2003 Korea International Art Fair, COEX, Seoul Daegu Art Expo, EXCO, Daegu 2002 Seoul Art Fair, Hangaram Museum, Seoul

Awards

Collection Samsung Foundation of Culture, Seoul Seoul Museum of Art, Seoul Busan Museum of Art, Busan Gwangju Museum of Art, Gwangju Daegu Art Museum, Daegu Daegu Culture of Art Center, Daegu Yeungnam University Museum, Daegu National Museum of Modern and Contemporary Art in Art Bank, Gwacheon Korean folk Village Museum, Seoul Youngeun Museum of Contemporary Art, Gwangju Ananti Club, Seoul Ananti Club, Gumgang Munhwa Bordcasting Center Daegu, Daegu Yongjin Steel, Seoul Kyungbuk National University Dental Haspital, Daegu Ginchun Crystal County Club, Ginchun Hilton Namhae Resort, Namhae Myungjin Dental Haspital, Daegu National Assembly Province of Gyeongsangbuk-do, Andong Selan Haspital, Seoul Sunning Point Country Club, Yongin Adress #3 Gimjeon 2gil Geumcheon-myeon, Cheongdo-gun, Gyeongbuk T. 010 3515 9762 E. artkisoo@hanmail.net

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2005 Cheongdo Studio Exhibition, Gallery Jeon, Cheongdo Asia Young Art Festival, Seongsan Art Hall, Changwon Daegu Art, 30 Years of Massage, Daegu Culture & Art Center, Daegu Bongsan Art Museum Frist Anniversary Exhibition, From Nature, Bongsan Cultural Center, Daegu Museums for Yo, National Museum of Contemporary Art, Gwacheon

2002 Four layers of drawing, Dong-A Gallery, Chilgok Korea-Japan Contemporary Art Exchange Exhibition, Dong-A Art Museum, Daegu Daegu Art Expo Special Exhibition, Dissolution and the Deepening of a Form, Daegu Culture & Arts Center, Daegu Daegu Youth Biennale, Daegu Culture & Arts Center, Daegu KIAF Special Exhibition-Light of Oriental nation, BEXCO, Busan Korea-America Exchange Exhibition, Daegu Culture & Arts Center, Daegu Curator Exhibition, Um Tae-Ik Gallery, Busan Foundation Exhibition of Daegu Galleries Association, Maekhyang Gallery, Daegu


Kim Ki Soo

1972๋…„ ๊ฒฝ๋ถ ์ฒญ๋„์ƒ ์˜๋‚จ๋Œ€ํ•™๊ต ์กฐํ˜•๋Œ€ํ•™ ์„œ์–‘ํ™”์ „๊ณต ์กธ์—… ๊ฐœ์ธ์ „ 2017 No real no like, ์•„ํŠธ์ŠคํŽ˜์ด์ŠคํŽ„, ๋Œ€๊ตฌ Over Painted Steel, art k, ๋ถ€์‚ฐ 2016 Over Painted Steel, ์ค‘์•™202 2015 ํ๋ธŒ-ํ’๊ฒฝ์„ ๊ฑฐ๋‹๋‹ค, ์•„ํŠธํŒฉํ† ๋ฆฌ, ํŒŒ์ฃผ 2014 Over Painted Steel, ๊ฐค๋Ÿฌ๋ฆฌ๋ฏธ๊ณ , ๋ถ€์‚ฐ 2011 ์ด์ƒ๊ณผ ํ˜„์‹ค์˜ ์กฐ์šฐ, ๋ฆฌ์•ˆ๊ฐค๋Ÿฌ๋ฆฌ ์„œ์šธ, ๋Œ€๊ตฌ 2010 Over Painted Steel, ์ดํ™”์ต๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ Over Painted Steel, ๊ฐค๋Ÿฌ๋ฆฌM, ๋Œ€๊ตฌ 2009 Over Painted Steel, ์‹ฌ์—ฌํ™”๋ž‘, ์„œ์šธ 2007 lacase artspace ์ดˆ๋Œ€์ „ lacase artspace, ๋ถ๊ฒฝ, ์ค‘๊ตญ

30

2006 ํ•˜์ •์›… ์ฒญ๋…„์ž‘๊ฐ€ ์ดˆ๋Œ€์ „, ๊ด‘์ฃผ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ๊ด‘์ฃผ 2004 ๋งฅํ–ฅํ™”๋ž‘ ์ดˆ๋Œ€ ๊ฐœ์ธ์ „, ๋งฅํ–ฅํ™”๋ž‘, ๋Œ€๊ตฌ 2003 ๋Œ€๊ตฌ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€ ๊ธฐํš โ€œ์˜ฌํ•ด์˜ ์ฒญ๋…„์ž‘๊ฐ€์ดˆ๋Œ€์ „โ€, ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ 2002 ์šฐ๋ด‰๋ฏธ์ˆ ๊ด€ ๊ธฐํš, ๋Œ€๊ตฌ

๊ทธ๋ฃน์ „ 2017 ์˜๋‚จ๋ฌธํ™”์›๋ฅ˜๋ฅผ ์ฐพ์•„์„œ, ์‹ ์„ธ๊ณ„๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ ์•„ํŠธ๋กœ๋“œ 77 ์ฒญ๋…„์ž‘๊ฐ€์ „, ํ—ค์ด๋ฆฌ ์•„ํŠธ๋กœ๋“œ, ํ—ค์ด๋ฆฌ 2016 EXTENTION.KR, ํŠธ๋ผ์ด์—„ํ”„๊ฐค๋Ÿฌ๋ฆฌ, ๋Ÿฌ์‹œ์•„ ๋ฐ˜์ง์ด๋Š” ์ˆœ๊ฐ„๋“ค, ์‹ ์„ธ๊ณ„๊ฐค๋Ÿฌ๋ฆฌ, ๊ด‘์ฃผ 2015 ๊ธฐ์–ต์„ ๊ทธ๋ฆฌ๋‹ค, ์›ƒ๋Š”์–ผ๊ตด์•„ํŠธ์„ผํ„ฐ, ๋Œ€๊ตฌ ์ธํ„ฐ์œ„๋น™ Interweaving, ์•„ํŠธ์ŠคํŽ˜์ด์ŠคํŽ„, ๋Œ€๊ตฌ 2014 ๊ฐ•์ •๋Œ€๊ตฌํ˜„๋Œ€๋ฏธ์ˆ ์ œ, ๊ฐ•์ •๋‹ฌ์„ฑ๋ณด, ๋Œ€๊ตฌ ์•„ํŠธ๋กœ๋“œ 77 ์ฒญ๋…„์ž‘๊ฐ€์ „, ํ—ค์ด๋ฆฌ ์•„ํŠธ๋กœ๋“œ, ํ—ค์ด๋ฆฌ ์ž‘์—…์‹ค์˜ ๋ฐœ๊ฒฌ, ๊ฐค๋Ÿฌ๋ฆฌ์ „, ๋Œ€๊ตฌ ๋ณต์‚ฌ๊ธธ ์•„ํŠธ๋กœ๋“œ์ „, ์ฒญ๋„๋ฐ•๋ฌผ๊ด€, ์ฒญ๋„ story & nature ์ „, ๋Œ€๊ตฌํ•™์ƒ๋ฌธํ™”์„ผํ„ฐ, ๋Œ€๊ตฌ ์‚ด๋ฉฐ ์˜ˆ์ˆ ํ•˜๋ฉฐ, ๋Œ€๊ตฌ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ ๋ฐ”๋žŒ๋‚œ 40๋Œ€, ์˜คํ”ˆ์ŠคํŽ˜์ด์Šค๋ฐฐ, ๋ถ€์‚ฐ ์ฆ๊ฑฐ์šด์ถฉ๋Œ, ์„ฑ๋‚จ์•„ํŠธ์„ผํ„ฐ, ์„ฑ๋‚จ 2013 ํ’๊ฒฝ์„ ๋‹ด๋‹ค, ๊ฐค๋Ÿฌ๋ฆฌH, ๋Œ€๊ตฌ ๋ณต์‚ฌ๊ฝƒ์•„ํŠธ๋กœ๋“œ, ์†Œ์‹ธ์›€ํ…Œ๋งˆํŒŒํฌ ์ „์‹œ์žฅ, ์ฒญ๋„ ์•„ํŠธ๋กœ๋“œ 77 ์ฒญ๋…„์ž‘๊ฐ€์ „, ํ—ค์ด๋ฆฌ ์•„ํŠธ๋กœ๋“œ, ํ—ค์ด๋ฆฌ ์—ด์ •์˜ ๊ท ํ˜•, ์›ƒ๋Š”์–ผ๊ตด์•„ํŠธ์„ผํ„ฐ, ๋Œ€๊ตฌ ๋Œ€๊ตฌ์•„ํŠธํŽ˜์–ด ํŠน๋ณ„์ „, EXCO, ๋Œ€๊ตฌ ๋Ÿฌ๋ธŒ์ฒญ๋„์ „, ์ฒญ๋‹ด๊ฐค๋Ÿฌ๋ฆฌ, ์ฒญ๋„ ๋‹ด ์ „, ๋Œ€๊ตฌ์€ํ–‰๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ ๋Œ€๊ตฌ์•„ํŠธํŽ˜์–ด ํŠน๋ณ„์ „, ๋Œ€๊ตฌ 2012 ํ—ค์ด๋ฆฌ ์•„ํŠธ๋กœ๋“œ 77 ์žฌ๋ฏธ์žˆ๋Š” ๋ฏธ์ˆ ๊ด€, ์–‘ํ‰๊ตฐ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์–‘ํ‰ ์Šคํ‹ธ์•„ํŠธํŽ˜์Šคํ‹ฐ๋ฐœ ํฌํ•ญ์‹œ์ผ์›, ํฌํ•ญ ๋ฌด์œ ๋“ฑ๋“ฑ(็„กๆœ‰็ญ‰็ญ‰), ๊ฐค๋Ÿฌ๋ฆฌGMA, ์„œ์šธ ๊น€๊ธฐ์ˆ˜ ๊น€๊ธฐ์ฃผ 2์ธ์ „(์ž…์ฒด์™€ ํ‰๋ฉด), ๋Œ€๊ตฌ์€ํ–‰๋ณธ์  ๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ Re Boom, ์ˆ˜์„ฑ๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ 2011 ์ง„๊ฒฝ์˜ ๋งฅ - ์˜๋‚จ์˜ ์ฒญ๋…„์ž‘๊ฐ€์ „, ํฌํ•ญ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ํฌํ•ญ 2011 <1/2> ์ „, ๋ฆฌ์•ˆ๊ฐค๋Ÿฌ๋ฆฌ, ์ฐฝ์› BLUE ART ์ „, ๊ฒฝ์ฃผ๋ฌธํ™”์—‘์Šคํฌ ํŠน๋ณ„์ „์‹œ์žฅ ํ™˜๊ฒฝ๋ฏธ์ˆ ์ œ, ๋งˆ์‚ฐ์•„ํŠธ์„ผํ„ฐ, ๋งˆ์‚ฐ Segment Space, ๊ฐ€์ฐฝ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค ๊ฐค๋Ÿฌ๋ฆฌ, ๊ฐ€์ฐฝ ๋‹ด ์ „, ์ˆ˜์„ฑ์•„ํŠธํ”ผ์•„, ๋Œ€๊ตฌ 2010 ๋‹ด ์ „, ๋Œ€๋ฐฑํ”„๋ผ์ž๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ ๋น› 2010 ์ „, ๊ด‘์ฃผ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ๊ด‘์ฃผ ๋Ÿฌ๋ธŒ์ฒญ๋„์ „, ์ฒญ๋‹ด๊ฐค๋Ÿฌ๋ฆฌ, ์ฒญ๋„ ์ฒญ๋…„์ž‘๊ฐ€์ „, ์ฒญ๋‹ด๊ฐค๋Ÿฌ๋ฆฌ, ์ฒญ๋„ ์ฒญ๋„๊ทธ๋ฆผ์ „, ์šธ์‚ฐํ˜„๋Œ€๋ฐฑํ™”์  ๊ฐค๋Ÿฌ๋ฆฌ, ์šธ์‚ฐ ์ดˆ์ง€์ผ๊ด€ ์ „, ๊ฐค๋Ÿฌ๋ฆฌG, ๋Œ€๊ตฌ ์‚ฌํšŒ์  ์†Œ๋น„ ๊ทธ๋ฆผ์œผ๋กœ์˜ ํ™•์žฅ, ๋Œ€๋•๋ฌธํ™”์ „๋‹น, ๋Œ€๊ตฌ ๋ฅ˜๋ฉ”๋ชจ๋ฆฌ, ๊ฐค๋Ÿฌ๋ฆฌ G&G, ๋Œ€๊ตฌ 2009 ์ฐจ๊ฐ€์šด ์—ด์ •, ๊น€๊ธฐ์ˆ˜ ์ฐจ๊ทœ์„  2์ธ์ „ ๋งฅํ™”๋ž‘, ๋ถ€์‚ฐ I-DEA, ๊น€๊ธฐ์ˆ˜ ์žฅ์ค€์„ 2์ธ์ „ ๋ฆฌ์•ˆ๊ฐค๋Ÿฌ๋ฆฌ, ์ฐฝ์› ์—ํ”ผ์†Œ๋“œ, ์•„ํŠธ์ŠคํŽ˜์ด์ŠคํŽ„, ๋Œ€๊ตฌ LOVE ์ „, mj๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ ๋ฆฌ๋ทฐํ•˜๋‹ค, ๊ฒฝ๋‚จ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ฐฝ์› ๊ฝƒ, ๊ฝƒ ์ „, ์ฒญ๋‹ด๊ฐค๋Ÿฌ๋ฆฌ, ์ฒญ๋„ ๋Ÿฌ๋ธŒ ์ฒญ๋„์ „, ์ฒญ๋„์†Œ์‹ธ์›€๊ฒฝ๊ธฐ์žฅ, ์ฒญ๋„ ๋Œ€๊ตฌํ™”๋ž‘ํ˜‘ํšŒ์ „, ๋ด‰์‚ฐ๋ฌธํ™”ํšŒ๊ด€, ๋Œ€๊ตฌ


2008 ๋ฌผ์„ ๋งŒ๋‚˜๋‹ค, mj๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ ๋Ÿฌ๋ธŒ ์ฒญ๋„์ „, ์ฒญ๋‹ด๊ฐค๋Ÿฌ๋ฆฌ, ๋ฉ”ํŠธ๋กœ๊ฐค๋Ÿฌ๋ฆฌ, ์ฒญ๋„, ๋Œ€๊ตฌ ์•„ํŠธ ์ธ ๋Œ€๊ตฌ, KT@G, ๋Œ€๊ตฌ ๊น€๊ธฐ์ˆ˜ ๊น€์ƒ์—ด 2์ธ์ „, ์ฑ…ํ…Œ๋งˆํŒŒํฌ, ์„ฑ๋‚จ

์•„ํŠธํŽ˜์–ด

์ˆ˜์ƒ๊ฒฝ๋ ฅ

2017 ํ™”๋ž‘๋ฏธ์ˆ ์ œ COEX, ์„œ์šธ ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด COEX, ์„œ์šธ

2007 ์ž‘์€ ๊ทธ๋ฆผ์ „, ์ดํ™”์ต๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ ์ƒˆ๋กœ์›€์˜ ๋ฌผ๊ฒฐ์ „, ๋ถ๊ตฌ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ ํฐ๊ทธ๋ฆผ์ „, ์ดํ™”์ต๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ 4์ธ4์ƒ‰์ „ ๋งฅํ–ฅํ™”๋ž‘, ๋Œ€๊ตฌ ์„ฑ๋‚จ์˜ ์–ผ๊ตด์ „, ์„ฑ๋‚จ์•„ํŠธ์„ผํ„ฐ, ์„ฑ๋‚จ 9์ธ9์ƒ‰์ „, ๋ฉ”ํŠธ๋กœ๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ

2016 ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด COEX, ์„œ์šธ ๋Œ€๊ตฌ์•„ํŠธํŽ˜์–ด EXCO, ๋Œ€๊ตฌ ์•„ํŠธํƒ€์ดํŽ˜์ด, ํƒ€์ดํŽ˜์ด, ๋Œ€๋งŒ

์ค‘์•™๋ฏธ์ˆ ๋Œ€์ „ โ€˜์šฐ์ˆ˜์ƒโ€™ ์•„์‹œ์•„์ฒญ๋…„๋ฏธ์ˆ ์ œ โ€˜ํŠน๋ณ„์ƒโ€™ ์‹ ๋ฏธ์ˆ ๋Œ€์ „ โ€˜๋Œ€์ƒโ€™ ๋Œ€๊ตฌ์ฒญ๋…„์ž‘๊ฐ€์ƒ ํ•˜์ •์›… ์ฒญ๋…„์ž‘๊ฐ€์ƒ ์™ธ ๋‹ค์ˆ˜

2006 ๋‰ด๋น„์ ผ ๋ชจ์ƒ‰์ „, ๋Œ€๋ฐฑํ”Œ๋ผ์ž๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ, ์‹ ์„ธ๊ณ„๊ฐค๋Ÿฌ๋ฆฌ, ๊ด‘์ฃผ THE FLOW ์ „, ํฌ์Šค์ฝ”๋ฏธ์ˆ ๊ด€, ์„œ์šธ 30X30X30์ „, ๊ณ ํ† ๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€๊ตฌ ๊ด‘์ฃผ๋น„์—”๋‚ ๋ ˆ ํŠน๋ณ„์ „ ์•„ํŠธ๋งˆ์ผ€ํŒ…์ „, ๊ด‘์ฃผ๋น„์—”๋‚ ๋ ˆ ํŠน๋ณ„์ „์‹œ์žฅ, ๊ด‘์ฃผ 2005 ์ฒญ๋„์ž‘์—…์‹ค์ „, ๊ฐค๋Ÿฌ๋ฆฌ์ „, ์ฒญ๋„ ์•„์‹œ์•„์ฒญ๋…„๋ฏธ์ˆ ์ œ, ์„ฑ์‚ฐ์•„ํŠธํ™€, ์ฐฝ์› ๋Œ€๊ตฌ๋ฏธ์ˆ , 30๋…„๋ฉ”์„ธ์ง€์ „, ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ ๋ด‰์‚ฐ๋ฏธ์ˆ ๊ด€ 1์ฃผ๋…„ ๊ธฐ๋…์ „โ€œ์ž์—ฐ์„๋ถ€ํ„ฐโ€, ๋ด‰์‚ฐ๋ฌธํ™”ํšŒ๊ด€, ๋Œ€๊ตฌ ์ฐพ์•„๊ฐ€๋Š”๋ฏธ์ˆ ๊ด€, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๊ธฐํš

2003 ๊น€๊ธฐ์ˆ˜, ๊ตฌ์žํ˜„ 2์ธ์ „, ๋งฅํ–ฅํ™”๋ž‘, ๋Œ€๊ตฌ ์šฐ๋ฆฌ์‹œ๋Œ€ ์‚ถ๊ณผ ํ•ดํ•™์ „, ์„ธ์ข…๋ฌธํ™”ํšŒ๊ด€, ์„œ์šธ ch14 - ไบบ์—๋Œ€ํ•œ ์ด์•ผ๊ธฐ์ „, ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ ๊ฐ€์„์ž‘๊ฐ€ 5์ธ ์ดˆ๋Œ€์ „, ๋Œ€๊ตฌ๋ฐฑํ™”์ , ๋Œ€๊ตฌ 2002 ๊ทธ๋ฆฌ๊ธฐ์˜ ๋„ค๊ฐ€์ง€ ์ธต์œ„์ „, ๋™์•„๊ฐค๋Ÿฌ๋ฆฌ, ์น ๊ณก ํ•œ์ผํ˜„๋Œ€๋ฏธ์ˆ  ๊ต๋ฅ˜์ „, ๋™์•„๋ฏธ์ˆ ๊ด€, ๋Œ€๊ตฌ ๋Œ€๊ตฌ์•„ํŠธ์—‘์Šคํฌ ํŠน๋ณ„์ „, ํ‰๋ก ๊ฐ€ ์ฃผ๋ชฉ์ž‘๊ฐ€ 5์ธ์ „ โ€˜ํ˜•์‹์˜ ํ•ด์ฒด์™€ ์‹ฌํ™”โ€™, ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ ๋Œ€๊ตฌ ์ฒญ๋…„๋น„์—”๋‚ ๋ ˆ, ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด ํŠน๋ณ„์ „ โ€˜๋™๋ฐฉ์˜ ๋น›โ€™, BEXCO, ๋ถ€์‚ฐ ํ•œ๋ฏธ๊ต๋ฅ˜์ „, ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ ํ๋ ˆ์ดํ„ฐ์ „, ์—„ํƒœ์ต๊ฐค๋Ÿฌ๋ฆฌ, ๋ถ€์‚ฐ ๋Œ€๊ตฌํ™”๋ž‘ํ˜‘ํšŒ ์ฐฝ๋ฆฝ ๊ธฐ๋… 2์ธ์ „, ๋งฅํ–ฅํ™”๋ž‘, ๋Œ€๊ตฌ 1999 ๊ตฌ์ƒ๋ฏธ์ˆ ๋Œ€์ „, ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ ๋Œ€๊ฒฝ ๋ฏผ๋ฏธํ˜‘ ๊ธฐํš โ€˜์ Š์€์ž‘๊ฐ€ ํ˜„์‹ค๋ณด๊ธฐ์ „โ€™, ์˜ˆ์ˆ ๋งˆ๋‹น์†”, ๋Œ€๊ตฌ

2012 Art Stage Singapore, ๋งˆ๋ฆฌ๋‚˜๋ฒ ์ด์ƒŒ๋“œ, ์‹ฑ๊ฐ€ํด ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด COEX, ์„œ์šธ ๊ฒฝ๋‚จ์•„ํŠธํŽ˜์–ด, SECO, ์ฐฝ์› 2011 ๋Œ€๊ตฌ ์•„ํŠธํŽ˜์–ด, EXCO, ๋Œ€๊ตฌ ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด, COEX, ์„œ์šธ 2010 ์•„์‹œ์•„ํ˜ธํ…”์•„ํŠธํŽ˜์–ด ์‹ ๋ผํ˜ธํ…”, ์„œ์šธ ์‹ฑ๊ฐ€ํด ์•„ํŠธํŽ˜์–ด โ€œART SINGAPOREโ€, SUNTEC์ปจ๋ฒค์…˜์„ผํ„ฐ, ์‹ฑ๊ฐ€ํด 2009 ์•„ํŠธ๋Œ€๊ตฌ, EXCO, ๋Œ€๊ตฌ ์•„์‹œ์•„ํ˜ธํ…”์•„ํŠธํŽ˜์–ด, ํžํŠผํ˜ธํ…”, ์„œ์šธ ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด, COEX, ์„œ์šธ ์‹ฑ๊ฐ€ํด ์•„ํŠธํŽ˜์–ด โ€œART SINGAPOREโ€, SUNTEC์ปจ๋ฒค์…˜์„ผํ„ฐ, ์‹ฑ๊ฐ€ํด 2008 ๋Œ€๊ตฌ ์•„ํŠธํŽ˜์–ด, EXCO, ๋Œ€๊ตฌ 2007 ์‹ฑ๊ฐ€ํด ์•„ํŠธํŽ˜์–ด โ€œART SINGAPOREโ€, SUNTEC์ปจ๋ฒค์…˜์„ผํ„ฐ, ์‹ฑ๊ฐ€ํด ๋ถ๊ฒฝ ์•„ํŠธํŽ˜์–ด โ€œART BEIGINGโ€, ๋ถ๊ฒฝ, ์ค‘๊ตญ 2006 ์‹ฑ๊ฐ€ํด ์•„ํŠธํŽ˜์–ด โ€œART SINGAPOREโ€, SUNTEC์ปจ๋ฒค์…˜์„ผํ„ฐ, ์‹ฑ๊ฐ€ํด ๋ถ๊ฒฝ ์•„ํŠธํŽ˜์–ด โ€œART BEIGINGโ€, ๋ถ๊ฒฝ, ์ค‘๊ตญ ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด, COEX, ์„œ์šธ ํƒ€์ดํŽ˜์ด ์•„ํŠธํŽ˜์–ด โ€œART TAIPEIโ€, ํƒ€์ดํŽ˜์ด, ๋Œ€๋งŒ ๋‘๋ฐ”์ด, ์•„ํŠธ์—‘์Šคํฌ, ๋‘๋ฐ”์ด 2005 ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด, COEX, ์„œ์šธ ์‹ฑ๊ฐ€ํด ์•„ํŠธํŽ˜์–ด โ€œART SINGAPOREโ€, SUNTEC์ปจ๋ฒค์…˜์„ผํ„ฐ, ์‹ฑ๊ฐ€ํด ์„œ์šธ์•„ํŠธํŽ˜์–ด, ํ•œ๊ฐ€๋žŒ๋ฏธ์ˆ ๊ด€, ์„œ์šธ 2004 ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด, COEX, ์„œ์šธ 2003 ๋Œ€๊ตฌ์•„ํŠธ์—‘์Šคํฌ, COEX, ๋Œ€๊ตฌ ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด, COEX, ์„œ์šธ 2002 ์„œ์šธํ™”๋ž‘๋ฏธ์ˆ ์ œ, ํ•œ๊ฐ€๋žŒ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

์‚ผ์„ฑ๋ฌธํ™”์žฌ๋‹จ ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€ ๋ถ€์‚ฐ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€ ๋Œ€๊ตฌ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€ ์˜๋‚จ๋Œ€ํ•™๊ต ๋ถ€์† ๋ฐ•๋ฌผ๊ด€ ๊ด‘์ฃผ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€ ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๋ฏธ์ˆ ์€ํ–‰ ํ•œ๊ตญ๋ฏผ์†์ดŒ๋ฏธ์ˆ ๊ด€ ์˜์€๋ฏธ์ˆ ๊ด€ ๊ธˆ๊ฐ•์‚ฐ ์•„๋‚œํ‹ฐ ๊ณจํ”„๋ฆฌ์กฐํŠธ ์•„๋‚œํ‹ฐํด๋Ÿฝ์„œ์šธ ๋Œ€๊ตฌMBC ์šฉ์ง„์ฒ ๊ฐ•(์ฃผ) ๊ฒฝ๋ถ๋Œ€ํ•™๊ต ์น˜๊ณผ๋ณ‘์› ์ง„์ฒœํฌ๋ฆฌ์Šคํƒˆ์นด์šดํ‹ฐ์ปจํŠธ๋ฆฌํด๋Ÿฝ ๋‚จํ•ด ํžํŠผ ๋ฆฌ์กฐํŠธ ๋ช…์ง„์น˜๊ณผ ๊ตญํšŒ์‚ฌ๋ฌด์ฒ˜ ๊ฒฝ์ƒ๋ถ๋„์‹ ๋„์ฒญ ์„ธ๋ž€๋ณ‘์› ์šฉ์ธ์จ๋‹ํฌ์ธํŠธ๊ณจํ”„ํด๋Ÿฝ ๋Œ€๊ตฌ๋ฏธ์ˆ ๊ด€ ์ฃผ์†Œ ๊ฒฝ๋ถ ์ฒญ๋„๊ตฐ ๊ธˆ์ฒœ๋ฉด ๊น€์ „2๊ธธ 3 010 3515 9762 artkisoo@hanmail.net

31

2004 UMBRA(์•”์‹œ)์ „, ์„ฑ๊ณก๋ฏธ์ˆ ๊ด€, ๊ตญ๋ฏผ๋Œ€๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ ์žฌํ˜„๊ณผ ๊ตฌํ˜„, ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ 100๊ฐœ์˜ ๊ฑฐ์šธ์ „, COEX, ํƒ€์›Œ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ ์ฐพ์•„๊ฐ€๋Š” ๋ฏธ์ˆ ๊ด€, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๊ธฐํš ๋Œ€ํ•œ๋ฏผ๊ตญ ์ฒญ๋…„๋น„์—”๋‚ ๋ ˆ ์ฃผ์ œ์ „, ๋ฌธํ™”์˜ˆ์ˆ ํšŒ๊ด€, ๋Œ€๊ตฌ Kimi for you, ํ‚ค๋ฏธ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ ๋Œ€๊ตฌ ํ˜•์ƒ๋ฏธ์ˆ ์˜ ๋™ํ–ฅ์ „, ์šฐ๋ด‰๋ฏธ์ˆ ์ „์‹œ๊ด€, ๋Œ€๊ตฌ

2015 ํ•œ๊ตญ๊ตญ์ œ์•„ํŠธํŽ˜์–ด COEX, ์„œ์šธ ๋Œ€๊ตฌ์•„ํŠธํŽ˜์–ด EXCO, ๋Œ€๊ตฌ ์Šคํ‘ผ์•„ํŠธํŽ˜์–ด, ์„œ์šธ

์ž‘ํ’ˆ์†Œ์žฅ


Catologue This catalogue is published in conjunction with the exhibition.

Kim, Kisoo No Real No Like 2017. 9. 13 wed - 9. 29 fri / Art Space Purl 2018. 4. 7 sat - 4. 27 fri / Art Factory

All Images ยฉ Kim, Kisoo Texts ยฉ Okreal Kim Catalogue ยฉ Art Space Purl, Art Factory Design & Production MARTIANSTORY Date of Publication 2017. 11 Edition 300 Copies All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical without written permission of the publisher.

ํ›„์›:



Art Space Purl - Art Factory

No Real No Like

KIM KI SOO

๋ณธ ์‚ฌ์—…์€ 2017 ๋Œ€๊ตฌ๋ฌธํ™”์žฌ๋‹จ ๊ฐœ์ธ์˜ˆ์ˆ ๊ฐ€์ฐฝ์ž‘์ง€์›์‚ฌ์—…(โ… , โ…ก, ๋ฌธํ•™)์ž…๋‹ˆ๋‹ค.


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