I AM MOTOMI ARCHITECTURE PORTFOLIO 2015-2017
Motomi Matsubara まつばら もとみ マツバラ モトミ
松原 元 Birthday:
1995.12.25
Home Country: Japan, China Nickname: Macchan, Moto, Chen Language: Japanese, Chinese, English Hobby: Football, Music , Movie Favorite Architect：Norisada Maeda, Akihisa Hirata, Zaha Hadid Favorite Musician：Aretha Franklin, Freddy King, Derek Trucks Favorite Movie：Les Amants du Pont-Neuf, NOSTALGHIA , God Father
元 实
BIOGRAPHY 1995.12.25 2002.04-06 2002.06 2002.07-2003.02 2003.02-2008.06 2008.09-2014.06 2014.07 2015.04-
AWARDS 2015.11 2016.02 2016.04 2016.08 2017.09
Born in Nagano,JAPAN Ogura Primary School,Kawasaki, JAPAN MOVE TO CHINA Japanese School of Beijing ,Beijing , CHINA FangCaoDi Primary School International Section, Beijing , CHINA Beijing No.55 Middle School International Section, Beijing, CHINA BACK TO JAPAN KEIO University Department of System Design Engineering, JAPAN
BUMPY VALLEY LANCA PENROSE Otera Ribbon KNOT ARCHITECTURE
OTHER EXPERIENCES 2015.062015.122016.062017.042016.02-2017.10 2016.09
---Tokyo Design Week Student Exhibition, Selected Work ---Maeda Private School of Architecture , Merit Award ---Maeda Private School of Architecture , Best Award ---Summer Workshop in KANAZAWA , Merit Award ---Architecture Rookie Award, Top 100 among 900 Digital Design Section Selected Work Top 10
Architecture Circle FLATâ™ Maeda Private School of Architecture Architectural Study Group NIKKEN, Ltd. Part Time Worker Norisada Maeda Atlier, Involved in NOSTALGHIA, Residencial Project Hiroshi Nakamura & NAP,Ltd. Internship
LANCA
2015.12-2016.02
Maeda Private School of Architecture House Project using the rule Merit Award
This architecture has to begin with one ancient myths in China. Once upon a time, a farmer called Wang went to the mountain to cut the trees. On the mountain, there were two hermits playing the board game. Wang felt very interesting and watching them playing. After they ďŹ nish playing it , he ďŹ nally had realize that he have to go, by that time, the ox handle has already rotten. Yes, the time passed so long so and he hadn t realize it because his experience was good enough to forget the time. From this story, Go is given the other name called Lanca which is from the meaning of forget the time, originally means the ox-handle is rotten. And, this is also the name of architecture of Igo which is called Lanca...
PLOT 盤 面 変 化
Go is an abstract strategy board game for two players, in
If it can be defined as slab, then in certain secition in the game,
In every section, I have marked the shape which is created by
which the aim is to surround more territory than the
we can capture the different kind of slabs, since the stone is
new stones by several colors. Thorough the plotting, the
opponent. The plane is changing every moment, since
plotted and the board itself is changing.
shape is gradually devided into the smaller areas and
two players are plotting their stones on the board.
becoming more and more complicated and ambiguent.
Creating the territory and at the same time trying to
In this project, I chose the game of famous Go player, Shuko
interfere the territory of the opponent, these interaction is
Fujiwara s in 1991.1.17, against Tmoyasu Miura as a sample.
Based on this argorythm, the rough plan of LANCA is
continuing for the whole game so that the board is full of
In total, there were 270 of moves in the game, and i took 135
decided, which is fully based on the plotting by the players,
actions and accident which is directed by the two players.
moves of black, which is the move by Shuko , as a frame of
not by the designers. Therefore the space itself is keeping
To create the architecture/space by Go, it is very important
plan and the plot of white stones as a factor which brings the
from attached by the designers so that becoming
that how to interprete those elements to architectual
change of plan. I took fifteen moves for one section in the
expectable, it guarantees the purity of space which is
language. As you see that in every time, there is area
game, so that i devided these moves into 135 / 15 = 9 sections.
presenting the unexpectable factor of Go. Which might
which is surrounded by the stones, may be single colored,
become a brand new typology of architecture.
The next step is creating the volume by using these ten layers. At first, the height must be decided and it is very important for the human scale but also the dynamism of the architecture. Thinking about the floor height is basicly between 2500mm to 3000mm, and finally layer s height is set by 900mm because it may provide two possiblity of the floor height the very short 1800mm and 2700mm. And the skip floor of 900mm difference will bring more actions to the space and therefore become more dynamic. After the height had been set, the next stage is to laminate these ten layers into one. Since the first layer will become the ground level, the height of whole structure is 900×9=8100mm. Because of each layer is based on the record of game in every section, so that the position and size of the floor is different, which result to the space having a lot of skip floors and voids, which enrichen the scenery of the architecture.
LAYER
層
PENROSE 2016.02-04
Maeda Private School of Architecture Artist in Residence Project using the rule of the nature BEST PRIZE
RULE: PENROSE TILING WHAT IS PENROSE TILING?
Penrose tiling is named by the British Scientist, Sir Roger Penrose(1931-). He investigated the brand-new tiling pattern which is both reflection symmetry and fivefold rotational symmetry, which seemed impossibile to find before his investigation. After this discovery, It was found that the structure of quasi-crystal, which structual characteristic is between the crystal and amorphous, has the similar pattern of penrose tiling.
WHAT IS QUASI-CRYSTAL? Quasi-Crystal is the material which is ordered but non-periodical. Therefore its characteristic is between the crystal and the amorphous. It is very mysterical material because it was also found in the Mars.
Designing based on the rule in the NATURE. In the nature, there is large number of forms, which is based on hededical rule, or enviromental factor, metamorphosis, etc, which might expand the possibility of spacial or morphological design in architecture. This sort of design method is based on the rule so that TO GENERATE the shapes , not fully based on the arbitral manipulation by the designer which is expectable,and which is called, TO MAKE. This assignment is to establish the method for us to find the nature rules and to architecturalize it.
RULE: PENROSE TILING
1
GEOMETRY
(i) Golden Rectangular
(v) Golden Diamond and its replacement by smaller Diamond -1
(ii) Pentagon
(iii) Five-pointed Star
(iv) Repetition in the gold triangle
(vi) Golden Diamond and its replacement by smaller Diamond -2
GEOMETRY
The geometry which is relating with the number 5 has interesting relationship with Golden Rule. There is a triangle called golden triangle, whose three angle is 36° and 72°, or 36°and 108°. And actually, if you draw 2 diagonal lines in pentagon, two second golden triangles and one first golden triangle. In addition, Star is made up of 5 first golden triangle and one pentagon. Which you will realize that the geometry with 5 has the characteristic of repetition. Back to the golden triangle, the ratio between the longer line versus the shorter one is called golden ratio, Φ. The size of Φ is about 1.68, and the size of 1/Φ is about 0.68. Thus, there is formula like: Φ^(n+1) = 1 + Φ^n. From these we could find another repetition. Finally can we back to Penrose tiling. There is first major characteristic of Penrose tiling is repetition in the different size. In penrose tiling, we can change the single tile into four smaller tiles. And naturally, this can be done in the opposite way. The ratio between the size of those two module is Φ. Therefore, the penrose-tiling tesselation in certain plane can be repeated in the different size, which can be infinitely large and small, by Φ.
(vii) Penrose tiling
(viii) The overlay of Penrose tiling in different size
2
GEOMETRY
(i) Accute Hexahedral
(ii) Obduce Hexahedral
(iii) Hexagonal Closed Pack and Face-Centered Cubic
GEOMETRY
The focus on Penrose Tiling is the tesselation in the certain surface, which is 2-Dimensional. But as you know that Penrose TIling is the structure of quasi-crystal, which means it has to be 3-Dimensional. By the way, the crystal has several typology of atomic structure, for example, face-centered cubic, hexagonal closed packed up, etc, and so as the quasi-crystal, it has its own filling typology. And it is also the penrose tiling, which is 3-Dimensional. In 2-Dimensional Penrose tiling, it is constructed by two diamonds, which both of them is made up of golden triangle. And, in 3-Dimensional Penrose tiling, there is also two elements, which is Hexahedral, and the first one is called Accute, and the other one is called Obduce. The first one is very steap shape, and the latter one is close to cube. The Bottom/Top surface of both of the hexahedral is diamond which is made up by two golden triangles.
(i) Sturcture of Quasi-Crystal
1
DIAGRAM
(ii) Penrose Tiling Generation1
(iii) Penrose Tiling Generation2
(v) Penrose Tiling Generation3
First, we use penrose tiling to tesselate the site. Ater that, the tiling is replace by the ÎŚ times larger one, based on the rule analysed in the following diagram. Finally, The replacement was done for twice, so the number of generations of penrose tiling is 3.
DIAGRAM
(i) Site
2
DIAGRAM The Hexahedral which were introduced before was put after several studies. As three generation penrose tiling are overlaying together, so as these hexahedrals do. Based on the size of tiling, the color is given to each size of volume, and the function is below.
DIAGRAM
YELLOWFURNITURE GREENPRIVATE BLOCK BLUESEMI PUBLIC REDPUBLIC CLUSTER
MELACOLIA ii 2016.04-06
Maeda Private School of Architecture Niwa Receives Nature
MELANCOLIA ii
LIGHT,MIRROR, WORSHIP, MEDITATION
KNOT ARCHITECTURE 2016.11-2017.9
Architecture Rookie Award Top100
Digital Design Section Selected Works
Knot is a loop that passing through itself several times. The space surrounded by the knot is devided and penetrated by knot... Thus, spacial relationship in knot is very contradicting and interesting. So... What if the architecture is created by the knot? How the space would be? How to deďŹ ne the relationship between interior and exterior? What kind of spacial experience people might have? This Work is created by these spacial interests.
NOT ANALYSIS
line1
line1
line2
A?B?C?D?
line2
line1
B1
B
B1
B2
A1
line3
line2
A
A2
A?B?C?D?
B?C?D?
lin
e3
A?B?C?D?
A2?C?D? A?C?D?
line2
A?C?D?
lin
e2
A?B?C?D?
e2
A?B?C?D?
A?C?D?
A?B?C?D?
e1
A?B?C?D?
B2?
A1
lin
in lA?B?C?D? line3
line1
A?B?C?D?
line3
A?B?C?D?
A?B?C?D?
A?B?C?D?
A?B?C?D?
line2
Although it is a line, it does mean a lot.
Next, what will happen if the other line is
Thirdly, line2 is actually a longer one which
Finally, you will know that those lines are
going across the first line?
crosses line1 for 2 times. In addition, there is
all in one loop.
It devides one space into two area, A and B.
Of course, the space will be devided into
more line is crossing each other so that the
And this is what we so called,
Lets intend that A and B has different quality,
several smaller parts. The relationship
space division is more complicated ...
or the characteristic in space.
between each area will be gradually
The new line will bring new quality of space
complicated.
which is called C or D...
The line would be a physical boundary of the
If you focus on line1, A1 and A2, B1 and B2
By this time, it is really hard to analyze the
two separated areas.
will be at the same side, but if you focus on
spaces through giving the name.
line2, then A1 and B1 will be at the same
Multi-Boundary creates the complicating
side,and A2 and B2 at the opposite side.
space division which makes each space has
KNOT.
Following the loop, you will find that line1 becomes line2 and then it turn to line3. Therefore the definitiion of separated areas will be altered, so that the space will be more ambiguous and interesting.
a different and interesting relationships.
Through the analysis above, it might be an interesting way to suggest the new relationships between interior and exterior, or room plan based on the function. You will know that at last, there is no boundary among these elements. Because everything
is inside the KNOT.
DIAGRAM
Level3(5000)
Level2(2500)
Level1(0)
To create the knot in the site, the node is needed.
Next, since the node point is decided,the knot will be created
The problem is that the knot is planar, not three-dimensional.
Firstly, I simplified the shape of site as a pentagon.
through connecting all of the nodes.
Thus it is very hard to create the space by this loop.
The node point is set by the intersection points of
The rule is that the loop has to pass all of the point twice.
I set the rule which explained in the next part
diagonal lines in this site.
Then, the knot which covers the site
in order to make the knot being strerical,
two-dimensionally is created.
which covers the site three-dimensionally.
Since every node is on the groundlevel of the site, the knot is two-dimensional, but if these points were given the height, the loop will be three-dimensional.To guarantee the space for the people ,the level difference is set by 2500mm. The height is changed in every node point with the rhythm like: up→keep→up→keep→down→keep...
VOLUME It is very hard to discover, or specify the certain volume for the people, since the knot it self is linear, no matter it is three-dimensional or not. But, at the same time, line shows a lot of possibility, as i said in the beginning. As i used the rule above, there is a horyzontal element in the loop, and therefore we can set the volume for human space at there. The volume scale is 2500mm for height and 3000mm for width. And to make the relationship between volumes more abundant, I have adjust the position and the size of each volumes. And finally, the volume plan is decided like the picture on the right side.
RIBBONS How the knot is presented as the real body? It has to be elagant but also strong, and dynamic. Thorugh the several studies, i have decided to use ribbon to present the knot characteristic. It wraps up the volume, becoming the phtysical boundaries, but at the same time, it penetrates the volume which make the simple volume having the ambiguity. This ribbon is very dynamic, and it keeps very close to human body in the space.
To Knot-architecture At last, the volume and the ribbon are combining together. As a zoning plan, the function is set by each volumes and the ribbon connects all of them together. The ribbon is becoming the strongest elements in the space. It might be the strong boundaries which devides the interior and the exterior space. But at the same time, it penetrates the volume so that the devided space is becoming more ambiguous since the elements of interior/exterior is brought following the loops. And the ribbon is connecting all of the volumes in one loop. So, there is will be a intersting coexistence of assemble(as a whole. as one Knot) and discreteness(as individuality, as one room,volume).
PLANS
5100
2100 1700 1100
GL -900 -1400
8283
5100 4600
2100 1700 1100
GL -900 -1400
SECTION AND ELEVATION
8283
OCA
2017.09-11 Jiyuhgaoka Housing Project
00 BACKGROUND/CONCEPT 集合住居には主に二つの形式が考えら れる。大きな躯体の中でそれぞれの住 居に空間を割り当てられる形式、集中 型かここが独立してその間のスペース
`one is the whlole residential volume is gathering
今回の敷地は自由が丘５丁目の住宅街と
Site of the assignment this time is the corner of
in to one huge structure, which i can call it
商店街の境目になる角地に位置している、
Jiyuhgaoka 5Choume, where is the boundary of
concentration-type,the latter is every volumes are independent adn keeping thecertain volume so that the space in between them have certain
ここではパブリック↔プライベート、緑 道↔商店街などといった興味深い二項対
Shoutengai(Shop Street near the station) and the residential area. At the same time, there are several opposition such as: Public and Private,
に可能性を見出す離散型がある。ここ
possibilyties , which i can call it discreted-type.
立関係が存在しているところである。か
Shoutengi and Ryokudou,etc. I am trying to
で両方の性質を保ちつつもなおも新し
However, is there still any possbilities to crete the
つそこで建築の内と外、または建築たい
introduce the oppsition of inside/outside in
い集合住居の可能性はあるのだろう
new typology of housing which which keeps
ランドスケープといった要素を入れるこ
architecture, or relationship between landscape
か？
both of the characteristic in the same time?
とでどのような調和を起こすことができ るのか。その試みである。
01 SITE RESEARCH
and architecture in order to look what harmony it will createin this area.
02 DIAGRAM FROM KUHONBUTSU RYOKUDOU
FROM
JIYUH
GAOK
go up to the site
A STAT
ION
from Kuhonbutsugawa-Ryokudou
go-in-to the site from Shoutengai
PHASE1
PHASE2
PHASE3
PHASE4
PHASE5
先述の通り、敷地に向かう二つの道には異な
ここでこの二つの「線」の接点の二つをピッ
躯体としての全体像を確保するべく、この三
ランドスケープ的なものができたものの、内
動線空間の確保、および明確化に向けて粘土
る質のグラデーションが存在する。自由が丘
クアップした。一つ目は商店街側からの通り
つの転移より発せらる同心円を参考にし、粘
部空間がなく、サーフェスのみしか存在しな
によって作られた躯体を、コンター型に微分
と敷地との交点。もう一つは本計画敷地内に
土を用いてランドスケープ的に実際に躯体を
かったため内部空間を確保する操作が必要と
していった。各高さにおけるコンターを環状
ある路地の始点である。この二点から敷地内
作り上げてみた。外から内に押し寄せるよう
なった。ここで商店街側からの方をめくり上
構造から解放することによって内外空間を流
部に向かって前述の二つのグラデーションが
に、中心が高く、外部が低い構成となってい
げる操作を行い、そうすることで、商店街側
動的につなげさらにボリュームを絡ませるよ
敷地に広がるよう同心円状の波紋を描かせ
る。
からは内部空間から、緑道側からは外部空間
うな建築的な構成に貢献した。以上により外
る。同時に敷地内部における中心点を吸える
から敷地に働きかけるような二面性が構築さ
部空間としてのランドスケープ、内部空間と
ことで、内・外両者の影響をお互いに受ける
れた。採光と同時に内外空間の流動的な行き
しての建築的な要素を混在させるような建築
ようにした。
来を確保するために穴を
を作ることができた。
駅から敷地に向かう通りは駅から離れる / 敷 地に近づくにつれ、商店の数が減少し、パブ リック→プライベートとなる。もう一方の九 品仏川緑道沿いからは奥地→敷地→駅に向か うにつれ喧騒が増えていき、 「緑」の要素が 単調減少していくことがわかる。そこで本提
った。
案はこの二本の「線」を設計の手がかりにし ていく。 As mentioned before, there is two different
Then i picked up the two line in the site.
To guarante the draft body of the plan, i used
Although the landscape-like body is created,
vTo get the certain path for architecture
gradation in the site of Jiyugaoka 5Choume. First
Through picking up this two line, two noded
the clay to make the landscae-like body,
there is only the surface which there is no
itself,the body which is created by clay is
one is from Jiyuhgaoka Station , the further from
are decided. First one is the intersection point
which based on the three group of concentric
interiorspace we can getting into. In the
being differentiated to the countour-like
the station, or , in the other word, the more closer
of the road from shoutengai and the site.
circle.
meantime, the road from Shoutengai can go
structure. After that, the path is getting more
to the site, the amount of shop and restaurant is
Second one is the entrance of Roji in this site.
across the site, thus i decided to raise the right
free by opening the ring of the contour , and
getting smaller, and the house or apartment is
I was expecting that this two gradation would
part of the body up, in order to create the
therefore the residential block is surrounded
increasing. Thus we can conclude that there is
be expand into the site through this two
interior space. And in this time, the rough plan
by such path and therefore the active
gradation of public to private. Second one is
node. To making the interaction of inside and
is created--- the vector from Shoutengai si
interaction between the landscape-like
from Kuhonbutsu-gawa Ryokudou. As it getting
outside of the site, i set up the third point
going to go thorough the interior space, and
exterior space and architectural interior space.
closer to the station, it get more noisier and fewer
which is the geometric centre of the site.
tvector of Ryokudou is to go up to the exterior
green. Thus , this design is based on some of the
space. In additon,the hole is created,in order
element which can be picked up from this two
to make the connection of inside and
line.
outiside space.
03 SITE PLAN AND ELEVATION ELEVATION EAST
A
1:250
ELEVATION NORTH 1:250
K
ELEVATION SOUTH 1:250
ELEVATION WEST
UH O
N B
UT
S
UG A W A
1:250
A
SECTION A-A
1:250
R Y
O K
UD
O
SITE PLAN 1:250
N
04 PLAN
Room A
Pool
Room B
Pool
Room E
Lounge Room D
Room C
Cafeteria
Cafeteria
Cafeteria
Swimming Pool
Swimming Pool
N
Height:1500mm
Height:3000mm
SCALE 1:200
04 PLAN
Room H
Pool
Room E
Pool
Room H
Room D
Room G Room F
Room G
Swimming Pool
Swimming Pool
N
Height:4500mm
Height:6100mm
SCALE 1:200
BUMPY VALLEY 2015.8-2015.11
EXHIBITION IN TOKYO DESIGN WEEK2015
ABOUT TOKYO DESIGN WEEK?
ARCHITECTUAL CIRCLE FLAT?
TOKYO DESIGN WEEK is an art festival which is
Architectual Circle Flat is a student circle founded
held in Jingu-Gaien from end of october to
in 2010. The member in this circle is from various
november every year.
university in Kanto area. ( Keio University, Nihon
There are many category of designers to exbihit
University, Tokyo University of Science, Showa
their works, and our group, Architecture Circle
Women s University, Waseda University,etc.)
Flat, has took part in it since 2013. Thorugh taking
The student from various university meet each
part in this event, we have a great experience to
other and organize various activities, for example,
create 1:1 scale pavillion by ourselves.
build the pavilion, have technical lecture, or travel to visit the famous architecture in Japan,etc.
PROCESS
COMPETTION
BRUSH-UP
WORK
CONSTRUCTION
EXHIBITION
2015.7-8
2015.8-9
2015.10
2015.10.20-22
2015.10.22-11.4
We had a competition in order to decide the
Since we had to build almost by ourselves, there
Because this project is consist from movable
The time given from the organization of Tokyo
During the exhibition, Bumpy Valley became the
design plan to build in Jingu-Gaien.The
was necessity to think carefully about the
blocks and the static wooden structure, we
Design Week is only two days, so we had to
most welcomed Pavilion by the small kids! Many
participant is from freshman to junior student,
problem of real construction. What would be
need to make more than hundred blocks by
build up it in speed.
kids were missing is while they were leaving.
and the student make the team freely.
the structure?
cardboards.
Senior students who are familiar with tools ,for
And there were lots of children visited this
In the competition, we invite architect as judges
What material will we use? How much money
We rented the room by architect, Mr.Honda in
example, drills, saw, etc, led the younger
Pavilion more than twice!
and the students had presentation infront of
will it cost?
Tsukiji, and worked almost everyday. And lot of
student to work together, build together.
There were a lot of smile in the pavilion, and it
them.
And at the same time, we had to be careful
the student in our circle took part in this long
Gradually, we the younger students were
was the reward to every member who were
Finally, the design plan from Motomi Matsubara
about keeping the design plan from
long work.
getting used to it and work efficiency is getting
participated in this exhibition.
(Keio University) and Moe Sugimoto(Showa
abandoning the original concept, due to those
At the same time, we had several meeting to
better and better.
Women s University) had won the competition
problems.
discuss about the schedule and the process of
And, finaly, our Bumpy Valley is on exhibition.
and our plan became the original plan of 2015
We took almost a month to solve almost all of
construction in Jingu-Gaien.
works in Tokyo Design Week student exhibition.
TDW pavilion from Architecture Circle Flat
the problems, and at the same time we made
All of the preparation was done in here...
In addition, NHK World were interviewed our
our efforts to make the plan better and
Finally, the work were awarded as the selected
projects!
CONCEPT
THEME: Interactive Playground The theme for the pavilion is given by Tokyo Design Week every year. During design, we thought what to define the interactive in the language of architecture? Would it be interesting if the space itself is changeable by the people who is in the pavilion, so that the experience in it will be altered in every moment? So the relationship between people and the space is more dynamic, and therefore the interaction between people and the space will be more intersting. In this pavilion, people can move the block freely, and therefore the space itslef will be changing every moment, and the landscape, or in other word, BLOCKSCAPE, will be different based on the idea of people, and of course, the interaction between the other people who is in the pavilion in the same time.
Hexagonal Block can connect the other
Since blocks are made of cardboards,
The blocks moves everywhere in every
hexagonal block in 6 directions.
it is easy for children to move by
moment, there is no same spaces in
themselves.
the pavilion.
PLANS
35 0m
m
BLOCKS
×６
Top View
+200
+400
+600
+800
Inside the block
Smallest Unit of the block
+1000
350mm 200mm
+1200
+1400
+1600
+2000
+1800
Isometric -1
Isometric -2
Isometric -3
The block needs to be light, fit to the scale of children, and, which is the SCALE
most important, strong enough.
MOVABLE BLOCKS
units. As we know that Hexagon is made of six equilateral triangle,
1:200
WOODEN STRUCTURE
We strengthen the block by filling the hexagon with small structual therefore the triangle unit is the smallest unit in the block. The triangle block is contain the smaller triangle structure inside. Then we combine six units together and put them between two hexagon-shaped cover, and at last, roll up them with the color tape. We did several structual study and this type of block is the strongest
+2200
+2400
+2600
Top View
which can hold 80kg weight.
MOTO+FILM
MOTO＋MUSIC
MOTO+ACTION
TRADITION 建 MORPHOLOGY 伝 形態学築 現 MOTO+INTERESTS 統 RULES 原 象 学身体 理
I have strong intrests to the shape of architecture. What is the beautiness? Is there any possibility of shape of architecture in the future society? What can we create?
Especially in China, there is debation towards the architecture nowadays, how should it be? What should be preserved and what should be changed? Then how to consider the tradition, and how to apply it into architectural design?
I believe that architectural body and our human body has certain interaction. How the texture, the atmosphere, the mass, the color, the climate,etc, affect people in the emotional way? It is one of my strongest interests.
Architects usually has his/her own methodology of
BODY
designing the architecture, and of course, i would like to establish one. Based on the rules from outside of the
architecture, the space can be created. To pursue for the space purely created by rule. Design with no design.
What can i co+labo with?
JAPANESE?CHINESE?
Identity
Who am I? What should I design?
In TAUD, Mr.Darko mentioned the awareness of identity during the architectural design, which remains the strong impression to me. I have several cultural
background, one is from Japan which my mother brought to me, and the other one is from my father, who is from China. And i spent almost half my life in each of the country. Sometimes I felt I belong to both but also neither of them. As designer what should i express and what kind of phylosophy should i have? I would like to face to
Mamushidani Studio
It is very exciting that the background of the project is upcoming Olympic games and the site is Hiyoshi Campus, including Mamushidani where is full of interesting context. I would like to challenge the physical elements which natural landscape and architecture are including. Anyway, it will be a stimulating design studio and i am strongly looking forward to be involved in.
蝮谷
Japanese society is shrinking now, and at the same time the urban area is getting
dense, so that designer have to be aware of the change undergoing and may occur in the future. Through studying about the urban theories in co+labo i would like to
Urban
文 MOTO+co+labo 都 化 市 Keio Architecture improve my thinking toward architecture and urban design.
those problems throughout the time in co+labo
Culture
In co+labo culture is one of the important point to be focused on. I can share my experiences in China, but also some ideas which generated from living in the different culture, or as a person who has multi-cultural background. I would like to study about the relationship between architecture and culture.
As a member of SD architecture, more popularity and competetiveness is required, and i would like to make effort to strengthen them. In addition, throughout my three year in Keio Science and Technology, i found that the relationship between SD and SFC is poor, and i would like to create some by students. As i think,
this should be done by bottom-up. I would love to leading Keio architecture to develope, better and better.
理 International 論 Co+labo s international atmosphere is strongly attractive to
me.Because i was surrounded by people from various country in China. Therefore i love to be a member of inter-cultural laboratory. In addtion, several international workshops and lectures is very attractive to me.
Theory of Architecutre
I have strong interests to theory of architecutre, which is the necessary backbone of
creation of architecture. Toward the architecutre in the future, what kind of philosophy
or thoughts could be applied? What kind of idea is required in the future society? I want to read more literature as possible and have several discussion with Mr.Darko, and also, the member of co+labo Radovic.