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Page 1

THE

SERIES

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how to achieve creative confidence PAGE 44 try sashiko stitching

MAKE IT!

PATCHWORK FOR BEGINNERS

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PARTY FAVOUR BOXES

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Dealer List Scotland David Drummond Edinburgh EH12 5HD Karelia House Aberfeldy PH15 2LS NJ Sewing Machines Brightons FK OUF Pembertons Sewing Machines Stirling FK8 1HA Quilt Creations Inverness IV1 1EP The Sewing Machine Shop Fochabers IV32 7DU

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North East Sewing Machine Sales Whitley Bay NE26 2SY Tullys Sewing Machines Sunderland SR1 3JG

0191 2525 825 0191 565 7995

North West Affordable Sewing Machines Moreton CH46 9AQ Bamber Sewing Machines Eccles M30 7HY Cumbria Sewing and Craft Barrow-in-furness LA14 1DS Etty Lilly Bolton Le Sands LA5 8DB Fabrics at Fleetwood Fleetwood FY7 6DU Hobkirks Sewing Machines Blackburn BB2 2AJ Jaycotts Sewing Machines Chester CH1 4LT Lord’s Sew Knit Centre Accrington BB5 3DE M&S Sewing Machines Heywood OL10 4NN Temptations Bentham LA2 7HQ Weaverdee Middlewich CW10 0GF

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Yorkshire & The Humber A61 Woodseats Sewing Machines Sheffield S8 0RY Fabric Mouse Richmond DL10 7SN Grimsby Sewing & Knitting Grimsby DN32 9DR Sewing Machines and Crafts Keighley BD21 1AD

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Wales Cliffords Sewing Machines Swansea SA1 3JY J&B Sewing Machine Cardiff CF11 8AA J&B Sewing Machine Newport NP19 4SY Sewing Innovations Bodelwyddan LL18 5TQ Sewing Machines Direct Wrexham LL12 0PJ

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01273 621 653 0800 065 4004 01483 267 777 01634 841 597 01268 570 248 01295 701 384 01424 423 108 01932 352 958 0208 692 1077 01622 670 254 0208 4780 669 01992 640 250 0118 926 8664 01420 544 033 02392 697 621 0207 228 3022 01689 638 638 01892 533 188

South West And Sew to Knit Taunton TA1 3PT Bits & Bobs Weymouth DT4 9AD Caffle Crafts Weston Super Mare BS24 6SE D & S Sewing Machines Newton Abbot Exeter Sewing Machine Company Exeter EX1 2LD Franklins Group Limited Salisbury SP2 7SU Sewcraft Swindon SN1 1SD The Sewing Studio Redruth TR15 2DB

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Northern Ireland Sew N Knit Belfast BT14 1AB Sew N Knitt Lisburn BT28 1AG

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96

SEW

crochet

papercrafT

MAIN IMAGE PHOTOGRAPHY: PHILIP SOWELS; STYLING: BECKI CLARK AND SALLY BUFTON

INSIDE THIS ISSUE ¤ CROCHET FLOOR CUSHION ¤ KNITTED BOXY TEE ¤ PATCHWORK WALL HANGING ¤ MARBLE DYED NAPKINS ¤ PAPER FLORAL WREATH ¤ LEMON EMBROIDERY HOOP


CONTENTS

96

issue number ninety-six

18

ON THE COVER PHOTOGRAPHY: PHILIP SOWELS; STYLING: BECKI CLARK & SALLY BUFTON; MODEL: ALEXANDRA FIA

PAPERCRAFT WREATH

Talk to us! facebook.com/MollieMakes

32 Geometric upcycling

INTRODUCING.. LIVING The latest news from the world of handmade

Fill your life and home with crafted goodness

9 INTRODUCING…

47 LIVING

Handpicked crafty happenings

We find the loveliest hand-crafted, new season buys for your home

14 TRENDS Shop and make with dalmatian print

50 HOME TOUR

18 PAPER WREATH

Take a wander through illustrator Emily Hogarth’s creative abode

A botanical beauty to show off indoors

55 PATCHWORK BANNER 26 TEA AND A CHAT Meet Imogen Lawry from Cockpit Arts

Try foundation paper piecing and sew a geometric wall hanging

32 FURNITURE UPDATE

59 CROCHET CUSHION

Give a retro sideboard a spruce up

Super chunky floor cushion = instant reading nook anywhere you like

36 HANDMADE AWARDS 2018

@MollieMakes

MollieMakes

The winners and the highlights

62 MARBLE DYED NAPKINS

41 CROCHET EARRINGS

Roll up your sleeves and create layered colour effects with dye and shaving foam

A holiday-ready take on the tassel trend

67 PULL-OUT PAPERS pinterest.com/MollieMakes

youtube.com/user/MollieMakes

44 GOOD READ Tackling self doubt as a creative

4 MOLLIEMAKES.COM 96

A set of eight painterly floral prints, designed by illustrator Becki Clark


85

Summer embroidery

NEVER MISS AN ISSUE 24 Subscribe UK Get a sewing machine worth £49 when you subscribe to Mollie Makes today

84 Subscribe overseas International subscribers save up to 78%

CELEBRATE YOU

80 Knitted boxy tee

Owning our individuality, both as makers and as human beings, is one of the most important things we can do in life. After attending this year’s Mollie Makes Handmade Awards, I came away inspired by the amazing creatives that made the day so special. And, it wasn’t just their talent, but the way their brands are so reflective of who they are. Turn to page 36 to find out which nominees came top of their category, although I like to think we’re all winners! You’ll also find plenty of unique projects in this issue, from the floral wreath on page 18, with no two petals the same, to the handdyed napkins on page 62. Craft them in your own style, then share using #molliemakers.

59

Crochet cushion

LOVING Treats and treasures to fall in love with

Yvette Streeter Acting Editor

75 LOVING Beautiful things to adore and make

77 SASHIKO PENCIL CASE Stitch and sew a September essential

55

80 KNITTED TEE A boxy cropped top with mesh detail

Patchwork banner

85 LEMON EMBROIDERY Stitch your wish-you-were-here moments

91 PAPER BASKET Hello, simple craft storage idea

95 SUMMER FAVOURS Watermelon party favour boxes

98 TEMPLATES All the shapes for this issue’s makes

106 BACK PAGE PROJECT Floss and Mischief on staying inspired Subscribe at molliemakes.com

62

Marble napkins

Turn the page for more on this month's gift! Then Turn to page 67 for your papers


Contributors

EDITORIAL Editor (on maternity leave) Cath Dean Acting Editor Yvette Streeter Deputy Art Editor Sally Bufton Commissioning Editor Lindsey Newns Production Editor Becca Parker Picture Editor Emma Georgiou molliemakes@immediate.co.uk

Nikita Crocker London-based artist Nikita has always had crafty tendencies – one of her first ever makes was a milk bottle elephant. Now she creates stunning flowers with crepe paper, selling custom pieces through her Etsy shop. Make Nikita’s delicate wreath on page 18. www.wildpaperflorist.co.uk

Emily Hogarth Papercut designer Emily has only ever wanted to be an artist. If she’s not creating, she’ll be daydreaming about a long holiday in Italy, eating her favourite food – poached egg with asparagus, wrapped in Prosciutto. Take a tour of Emily’s creative home on page 50. www.emilyhogarth.com

ADVERTISING Call: 0117 300 8206 Senior Advertising Manager Penny Stokes Client Partnership Manager Beckie Pring Senior Sales Executive Emily Williams

MARKETING & CIRCULATION Head of Newstrade Marketing Martin Hoskins Newstrade Marketing Manager Janine Smith Subscriptions Director Jacky Perales-Morris Direct Marketing Manager Penny Clapp

PRODUCTION Production Director Sarah Powell Production Managers Louisa Molter/Rose Griffiths Production Coordinator Lily Owens-Crossman

LICENSING Director of International Licensing and Syndication Tim Hudson tim.hudson@immediate.co.uk

BUYING TEAM Paul Torre, Karen Flannigan, Jennifer Morgan

Imogen Lawry When Imogen was 16, her art teacher told her she couldn’t draw. Not one to concede to failure, she went on to study fine art at university and now helps hundreds of makers each year launch their own craft businesses. Read about Imogen and Cockpit Arts on page 26. www.cockpitarts.com

Joanne Hart Joanne’s a foundation paper piecing enthusiast based in Birmingham. Aside from quilting, she’s passionate about her pet chihuahua. She dreams of one day owning a giant pig and overcoming her fear of butterflies. Sew Joanne’s geometric banner on page 55. www.craftsy.com/profile/unicornharts

MANAGEMENT Managing Director, Lifestyle Catherine Potter Group Senior Editor Julie Taylor Chief Executive Officer Tom Bureau Group Managing Director Andy Marshall

SUBSCRIPTIONS For new orders and back issues sales call 03330 162 148 or visit www. buysubscriptions.com/craft. For enquiries relating to your subscription email molliemakes@buysubscriptions.com or call +44 (0) 1604 973 757.

COPYRIGHT GUIDELINES FOR PROJECTS We have requested permission from designers so you can make and sell selected projects on the following conditions. Just look for this icon. Please credit the designer where appropriate and when requested. Mollie Makes encourages creativity and as well as making for gifts and for yourself, we want to help you make small batches of handmade items to sell. You can individually handmake as many as you wish of our labelled projects, to sell for yourself, a local event or to raise money for charity. You cannot sell in shops (online or otherwise) or go into mass production, so you cannot manufacture in large quantities, especially by machine. Selling photocopies of any part of this magazine or its kit is prohibited. Please respect one another’s copyright.

Becki Clark Surface pattern designer and brush lettering pro Becki has a serious thing for flowers. When she’s not painting, you’ll find her teaching workshops or out and about with her little sausage dog Reggie. Find Becki’s floral papers on page 67. www.beckiclark.com

Holly Maguire Holly’s an illustrator living in London. She draws inspiration from her passions for nature, fashion and friendship. She also has a growing collection of vintage packaging and ephemera that’s slowing taking over her tiny flat. See Holly’s illustration on page 44. www.hollymaguire.co.uk

Other contributors Helen Anderson, Emily Ashbourn, Mike Aspinall,Valerie Bracegirdle, Genevieve Brading, Joanne Condon, Esther Curtis, Colette Earley, Alexandra Fia @ Mustard Models, Moira Fuller, Sophie Gibbons, Nicky Gotobed, Holly Johnson, Sarah Louise Matthews, Sharna Moore, Tiam Safari, Jennifer Santos, Rachael Smith, Philip Sowels, Caro Weiss, Helen Wilde

6 MOLLIEMAKES.COM 96

Mollie Makes is published by:

Immediate Media Company Limited, 2nd Floor, Tower House, Fairfax Street, Bristol, BS1 3BN. Tel: 0117 927 9009 We abide by IPSO’s rules and regulations. To give feedback about our magazines, please visit immediate.co.uk, email editorialcomplaints@immediate.co.uk or write to Yvette Streeter or Katherine Conlon, Immediate Media Co., Vineyard House, 44 Brook Green, London W6 7BT. Immediate Media Company Bristol Limited (company number 05715415) is registered in England and Wales. The registered ofice of Immediate Media Company Bristol Limited is at Vineyard House, 44 Brook Green, London W6 7BT. All information contained in this magazine is for information only and is, as far as we are aware, correct at the time of going to press. Immediate Media Company Bristol Limited cannot accept any responsibility for errors or inaccuracies in such information. Readers are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this magazine. If you submit unsolicited material to us, you automatically grant Immediate Media Company Bristol Limited a licence to publish your submission in whole or in part in all editions of the magazine, including licensed editions worldwide and in any physical or digital format throughout the world. Any material you submit is sent at your risk. Although every care is taken, neither Immediate Media Company Bristol Limited nor its employees agents or subcontractors shall be liable for loss or damage.


your gift this issue!

Crochet pincushion

THIS GIFT COMES WITH THE PRINT COPY OF THE MAGAZINE ONLY. ALTERNATIVE GIFT ON SOME OVERSEAS COPIES. PHOTOGRAPHY: PHILIP SOWELS; STYLING: SALLY BUFTON AND BECKI CLARK

Hook Jennifer Santos’ amigurumi doughnut, complete with rainbow sprinkles and a smile

Treat yourself.. “This kawaii doughnut wants nothing more than to be used as your pincushion! It’s quick and easy to make, so it’s great even for amigurumi beginners. Kawaii means super cute in Japanese and that’s what my designs are all about. As I have a huge sweet tooth and am a sucker for colourful stuf, I make lots of yummy rainbow things with happy faces. My motto is everything is better with sprinkles!

When embroidering the eyes or mouth, use a fine, sharp needle to get the precision you want. And take your time with the sewing. If you’re having trouble getting your crochet stitches tight enough, try a smaller hook size.” Crochet designer Jennifer Santos lives in Sweden with her husband and two small boys. www.supercutedesignshop.etsy.com See page 98 for instructions on making your doughnut, then share using #molliemakers.



INTRODUCING..

96

THE LATEST IN CREATIVE GOODNESS – HANDPICKED JUST FOR YOU

BE DAZZLING BY RACHEL BURKE (HARDIE GRANT, £8.99) PHOTOGRAPHY © RACHEL BURKE

Every now and then, a crafting gem bursts onto the scene in a haze of pom poms, and makes waves in glitter. Rachel Burke is exactly this kind of maker and now, in her new book Be Dazzling, she’s sharing her secrets. Make your wardrobe sparkle with projects including pom pom jackets, flower crowns and shoe-nicorns, because understated is overrated. www.hardiegrantbooks.com

Subscribe at molliemakes.com

96 MOLLIEMAKES.COM 9


Jessica Marquez’s beautiful Make + Mend celebrates the traditional Japanese art of sashiko, showing how simple stitching can be used to update, repair and customise modern projects for maximum impact. www.penguin randomhouse.com

Rifle Paper Co. x Hedley & Bennett present Rosa, an apron with signature floral print, fine detailing and – the clincher – in kids’ sizes too. www.hedleyandbennett.com

THIS MONTH’S WISHLIST

PHOTOGRAPHY: LILY GLASS

TOP READ Slow stitching

Ok, we’ve found them. The statement earrings made for work, wedding season, beach life and popping to the shops. Need any more reasons to click ‘add to bag’? They have both pom poms and a raffia tassel fan. You’re welcome. www.oliverbonas.com

What do you get when you cross onr. shop’s sweet illustrations with the plump, squishy cushions of Nikki McWilliams? Why, the happiest collab you ever did see. www.nikkimcwilliams.com

With just a hint of metallic and playful animal print, the cheetah mug in the new House collection is small but mighty. Check out the co-ord wallpaper, platter and lamp for spots on spots. www.johnlewis.com 10 MOLLIEMAKES.COM 96


Fibre artist Hello Hydrangea is a firm Mollie fave. Her work combines texture and colour in a way that gives us all the heart eyes, and this throw design for Anthropologie is no different. Layer it with velvet and linen for a luxe mix. www.anthropologie.com

Allyson sells a mix of large scale and smaller, wearable pieces

BRAND FOCUS Allyson Rousseau With a love for sculptural and wearable pieces, MontrĂŠal-based fibre artist Allyson Rousseau is challenging the traditions of weaving through shape and form. Always playing with new ideas, self-taught Allyson takes inspiration from the materials she works with, rather than others. Having taken commissions from all over the world, she shares her work on Insta @allyrous and sells smaller pieces on her site. www.allysonrousseau.com She creates sculptural forms to explore her craft

WEBSITE TO WATCH Jono Smart & Emily Stephen When potter Jono and woodturner Emily decided to combine their practices, they found a true harmony between clay and wood. Working from their Glasgow studio, the couple allow the natural surfaces of their materials to be at the fore of what they do, focusing on clean lines and finding a stunning simplicity in their work. www.jonosmart.co.uk Subscribe at molliemakes.com

Allyson works from her home studio in MontrĂŠal, QC

96 MOLLIEMAKES.COM 11


TOP READ Paper artist

Throw shade the right way with Play, a collection inspired by the bold colour work of Matisse. Available in cushions and as a fabric too. www.bluebellgrey.com

Say It With Paper, by set designer Hattie Newman, will change the way you see papercraft. With fun projects including pop-ups, papercuts and 3D makes for all levels, we recommend buying it if only to admire Hattie’s eyewateringly intricate artworks, dotted throughout the book. www.octopusbooks.co.uk

Keep little hands busy this summer with Hobbycraft’s free Kids’ Craft Club. From slime making to dreamcatcher workshops, book your places online before they get snapped up. For ages 4+, across UK stores. www. hobbycraft.co.uk/kids-craft-club

The latest COMME des GARÇONS PLAY Converse collab has landed, with iconic peeping heart logo in Chuck Taylor style. Pledge your allegiance to team Hi or team Low, then opt for max comfort all summer long. www.trouva.com 12 MOLLIEMAKES.COM 96

Embroidery artist Hiedra’s work blends the female figure, sexuality and classical sculpture. Now, she’s teamed up with The DMC Design Collective to create kits that went straight to the top of our wish list. www.dmc.com


Š 2018 moda fabrics. all rights reserved.


INTRODUCING trends

THIS MONTH WE’RE OBSESSING ABOUT...

DALMATIAN PRINT The polka dot goes artisan and now we want splodges on everything

Seeing spots, but in a good way. Embrace the trend with removable wallpaper. www. livetteswallpaper.com

14 MOLLIEMAKES.COM 96


INTRODUCING trends 01

03 02

01

Start small with

speckled jewellery. www.aliyahhussain. tictail.com 02

Dots on pots, done

the stoneware way. www.ellahookway.com 03

A little less Cruella,

still dotty. Oh, and it’s silk. www.boden.co.uk 04

Trainers just got

fancy. We’re never 07

taking these Gazelles

04

off. www.adidas.co.uk 05

06

The animal print of

the moment goes way beyond monochrome. www.gatherednest designs.etsy.com 06

Just spotted Quirk’s

lampshades – pick a

05

gold, silver or copper lining. www.noths.com 07

Irregular spots made

fresh. www.harperand blake.etsy.com

MAKE IT! TURN THE PAGE TO DIY THE DALMATIAN TREND Subscribe at molliemakes.com

96 MOLLIEMAKES.COM 15


INTRODUCING trends

MAKE IT!

DALMATIAN PRINT NOTEBOOK

MATERIALS Q A5 hardback notebook Q A3 white paper Q Black acrylic paint Q Paint brush Q Glue stick Q Glue gun Q 50cm (19ž") pink ribbon Start off by painting irregular circle shapes over the white paper with black paint, using the image as a guide. Leave to dry for 10-15 minutes. 01

16 MOLLIEMAKES.COM 96

To add a ribbon bookmark, place a little glue on one end of the ribbon with the glue gun and quickly place it in the gap at the top of the spine. This can be fiddly, but the glue will secure it. Trim the ribbon as required. 03 Lay the paper painted side down and place the notebook on top, as shown. Trim the paper to 2.5cm (1") around the notebook. Cover the front of the notebook evenly with the glue stick. Place the notebook glue side down on 02

01

02

03

04

05

06

the paper and press it down. Gently push the paper into the crease so it bends easily when opening. Repeat with the back. 04 From the paper, cut out a diamond shape from the corners and a 1cm (3/8") strip from the spine, then trim at a diagonal. This helps to wrap the paper around more neatly. 05 Cover the overhanging paper with the glue stick and carefully fold over and press down. Repeat on the other side.

To finish, trim the strip cut on the spine down to a few millimetres and glue over the edge. Press down to set. 06

Sophie Gibbons lives in Stafordshire with her husband, two daughters and a grumpy cat. She began designing on paper but moved into embroidery after the birth of her second daughter. She loves knitting, true crime podcasts and Mexican food. www.junkandglitter.etsy.com


The

Possibilities are Endless

Recycle your magazine and seven days later it could come back as your newspaper

www.recyclenow.com


Curated Snip, shape and style Nikita Crocker’s exuberant paper wreath


PHOTOGRAPHY: PHILIP SOWELS; STYLING: BECKI CLARK AND SALLY BUFTON


02

03

04

09

10

11

HOW TO MAKE… A PAPER WREATH MATERIALS Q Extra fine crepe paper (we used Lia Griffith Extra Fine Crepe paper in Coral and Blush) Q Crepe paper in pink, yellow, cream, peach and green Q Wooden skewer Q 24-gauge floral wire Q 20 orange wooden beads, 0.5cm (¼") diameter Q Embroidery hoop, 15cm (6") Q 20 x 40cm (77/8 x 15¾") tulle fabric in pale pink or nude Q Tacky glue

20 MOLLIEMAKES.COM 96

We like our botanicals wild and our petals permanent, so this paper wreath is granting all of our floral wishes right now. The leaves and blooms are made with delicate crepe paper, and there’s a layer of hazy tulle fabric in the centre of the hoop so you can weave your handmade climbers across it, or even embroider into it. Hooray for bringing nature indoors. To make the sweet peas, cut 18 2 x 2cm (¾ x ¾") squares in a combination of coral, blush, peach, pink, cream and yellow paper. Cut the squares into heart shapes with deep central grooves. 02 Next, cut 18 3 x 3cm (1¼ x 1¼") squares in a combination of coral, blush, peach, pink, cream and 01


05

06

08

12

13

14

yellow paper and then cut them into heart shapes with shallow central grooves. 03 Cut nine floral wires in half. Place a tiny dot of glue on the bottom point of each small heart. Attach these to the wires and pinch to secure. Place the skewer against the two tops of each heart and use your fingers to help gently curl the paper over the skewer so the two pieces close in on each other. 04 Taking three or four of the larger hearts at a time to prevent tearing, gently stretch the tops of the hearts to create soft waves. Place a tiny dot of glue on the bottom points of the hearts. Attach these to the wires behind the small hearts and pinch to secure, pairing the colours as shown.

Cut 18 2 x 2cm (¾ x ¾") squares from the green crepe. Cut five-pointed shapes from the base of the squares. Place a tiny dot of glue onto the base point of each piece of greenery. Attach to the base and back of each sweet pea, pinching to secure. 06 Gather three sweet pea pieces together and arrange as shown. Cut a 0.5cm (¼") wide strip of green paper to make a ribbon and, starting just below the bottom flower, secure with glue then wind the ribbon around and down the stems, securing along the way with glue, and at the end. 07 For the leaves, take eight floral wires and curl and wind the ends over and around the wooden skewer to create the curling fronds. 05

Cut thin, 4-5cm (15/8-2") long balloon shapes from the green paper. Apply glue at the bottom point of the leaves and attach to the wire in pairs below the curling fronds, two pairs for each stem. Pinch the tops of each leaf together to create a realistic shape. 09 To make the berries, cut 10 floral wires in half. Apply a blob of glue to the end of each of the wires and carefully place inside each orange bead. Once dry, form the berry shapes by dividing the stems into four groups. Within each group, place each stem at different levels and slightly bend them outwards from each other. Cut another 0.5cm (¼") wide strip of green paper to make a ribbon and secure with glue a couple of centimetres below the 08

96 MOLLIEMAKES.COM 21


15

16

17

18

HOW TO MAKE… A PAPER WREATH lowest berry. Wind the ribbon around and down the stems, securing along the way and when you reach the end. 10 To make the wild flowers, cut a 2.5 x 13cm (1 x 5¼") strip from both the coral and blush paper. Cover one piece lightly with glue and laminate together with the second colour strip. Repeat three times, so that you have three laminated strips, and leave until dry. 11 Snip vertically with the grain of the paper along the strip, making cuts as narrow as possible to create a delicate fringe, and leaving only 0.5cm (¼") of the base fully intact, as shown. 12 Apply a light layer of glue on the base of the fringed crepe and wrap around the top of a floral wire. 22 MOLLIEMAKES.COM 96

Cut another 0.5cm (¼") wide strip of green paper to make a ribbon. Apply glue and just cover the base of the wild flower, as shown, don’t move it further down the stem. Use your fingers to lightly rough up the fringe. 14 To decorate the inner hoop, secure a stem of sweet pea by holding the stem with your thumb where you’d like it positioned, then wind the stem tightly around the inner hoop. Arrange sweet peas around the hoop at organically regular intervals, referring to the image as a guide. 15 Repeat the Step 14 process with the clusters of berries. 16 Once again, repeat the Step 14 process with the sweet pea leaves to complete the inner hoop. 13

Unscrew the outer part of the embroidery hoop to its loosest fitting. Fold the tulle fabric in half to form a double layered 20 x 20cm (77/8 x 77/8") square and place it over the outer hoop. Now carefully place the decorated inner hoop in the outer hoop and push down so they’re sitting snugly together. Screw the outer part of the hoop tighter if necessary. Secure the fabric to the outer hoop with glue and trim away the excess. 18 To finish, thread the wires of the wild flowers through the tulle fabric at your desired points. Bend the wire at 90° to the flower head and feed through the fabric again to secure it around the hoop once or twice. Trim away any excess wire ends to neaten. 17


Nikita Crocker Nikita’s the creative hands and heart behind Wild Paper Florist. Outside of the craft world, she loves playing water polo, travelling and getting lost in a great story through any medium – books, movies or Netflix. www.wildpaperflorist.co.uk


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words. Describe your style in three larious Awesome, colourful and h

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Francesca Kletz and Francesca shares their story. drop in weaving studio in 2017. Photographs Words LOTTIE STOREY

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ambitions Did you have any particular when you first started out? a very open We always wanted this to be that are space inclusive with classes And we’ve unpretentious yet substantial making our always had the same goal of ty But overall? space work in our commun what we had We really just wanted to turn feel ng l ke it’s in our heads into real ty, and happen ng is just glorious

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businesses There aren’t many creative year of that celebrate their second book on business and launch their first Loom is the same night, but the London one such success story in After closing her sewing studio with London to move to and Zea New her first her family, Brooke bought gentle, loom and fell in love with a her to flow tact le practice that allowed fol owing with her intu tion rather than patterns Meanwhile, Francesca at a discovered freesty e weav ng vis ting beginner’s class n Japan while

teach the her sister, before training to technique in New York The pair met in London, bonded decided over bagels and looms, and “just a to open their own studio (or and goo colourful place with ace tunes The chat”, according to their website) bright, London Loom is modern and that’s abou a true creative community a as far away from twee or disposable endlessly you could get We met the it all began energetic pair to chat how there are what drives them, and why yarn more shades of neon green

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Growing and learning with...

IMOGEN LAWRY We chat to Imogen from Cockpit Arts to find out how this awardwinning social enterprise helps put designer-makers on the map Words: HOLLY JOHNSON Photographs: RACHAEL SMITH

From the mid-1970s onwards, people flocked to Camden markets for their mix of music, street food, handmade clothes and vintage wares. With this in mind, it’s no real surprise that the area has continued to attract craftspeople, entrepreneurs and creative enterprises. It was 1986 when the seeds of one such venture were first sewn. On the site of a disused 18th century cockfighting arena, five units were set up to help unemployed young people launch their own craft businesses. The area, known as Cockpit Yard, has 26 MOLLIEMAKES.COM 96

since become a thriving community of talented designers, artists and makers, and under the umbrella of social enterprise Cockpit Arts, now houses 170 fledgling craft companies. Be it woven textiles, jewellery, ceramics, toys, bespoke headpieces or book art, it’s all handmade with love on this site. We visited the Holborn-based studios and caught up with Imogen Lawry, Cockpit Arts’ Business Incubation Project Manager, to learn how creatives and small businesses are given guidance to launch their careers.

Tell us more about Cockpit Arts. Cockpit Arts is an award-winning social enterprise and the UK’s only business incubator for craftspeople, housing numerous small businesses at our two centres. Cockpit Arts has been in Holborn for 32 years, and in 2002 we purchased a second building in Deptford. We support craft practitioners at the start of their careers, as well as those who are more established, to grow and build successful businesses. We work with a wide range of talented individuals, including master craftspeople, artist-makers, batch producers and makers at the beginning of their careers through our awards and bursaries. When and how did you get involved with the venture? I joined Cockpit Arts back in 2013 as the Business Incubation Project Manager, and since then have had the opportunity to develop our young people initiatives: the Creative Employment Programme, Creative Careers and our School Tours. In 2016 my colleague and I won the CCSkills Craft Award for making a diference to the lives of young people entering the creative industries. Before joining Cockpit Arts I worked at a craft gallery in London, helping


INTRODUCING tea & a chat

“We provide intensive support for makers – from coaching to practical workshops.”

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with a busy exhibitions programme and working with over 350 craftspeople – it was here I first found my passion for supporting makers.

skills. By exploring different craft events, I discovered the organisations that support makers in London and then got involved behind the scenes.

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is home to Dovile B, a Lithuanian

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What benefits do creatives take away from their time at Cockpit Arts? Essentially, we provide intensive wraparound support for makers – from oneto-one business coaching to a wide range of more practical business workshops. We call it incubation support as it’s designed to provide the building blocks for growing

printed from her original artworks. 03

jewellery designer. 02

Do you come from a creative background yourself? I studied Fine Art at University and, unknowingly, was using a lot of craft skills to create my work – from embroidery to mould making. It was only when I left university and wanted to create work without a studio space that I really got into learning new craft

This bright studio

Textile artist

Onome Otite – who has won numerous

Aisling Duffy’s

vegan, sustainable

awards since joining

and wonderfully

Cockpit Arts – uses

bright cushions are

colourful cloth.

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INTRODUCING tea & a chat

02

a successful craft business. As well as our in-house team of experts, we also have a growing network of industry specialists that support studio holders in a whole range of areas such as accounting, intellectual property, manufacturing and branding. Describe a typical day at the studios. There’s always something going on at Cockpit Arts – it’s never a quiet day! Generally, I’m either involved in a business workshop, having a one-to-one meeting with a maker, delivering a tour round the studios for a school, or I’ll be of-site talking about our Business Incubation Programme. When it’s a bit quieter, the team get together and plan our workshop programme for the year ahead. This is one of my favourite parts of the job, as we’re always thinking about who we can work with or what new workshop content we can develop.

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Onome Otite adds

pencil shading to a design from her 2018 ‘Cirque’ collection. 02

An inspirational,

kitsch corner in Aisling Duffy’s workspace. 03

Dovile B’s simple

jewellery pieces feature 3D textures.

03

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Tell us more about the workspaces. We house over 140 diferent craft businesses across our two buildings in Holborn and Deptford, and all our studios have lots of natural light, and are ofered at afordable prices, too. Because both our buildings have 24 hour access, there always seem to be makers about, no matter what the time of the day. Some of our makers use their studios during the weekday, and some in the evenings or the weekends.


INTRODUCING tea & a chat

“We’re always thinking about new workshop content we can develop.”

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01

What’s been key to keeping Cockpit Arts going for so long? We’re always looking at how we can develop our Incubation offer and closely monitor the impact we have through our annual report: The Cockpit Effect. And, when we see new trends or needs emerging, we look at how we can best support our makers. For instance, back in 2013 we established our Creative Employment Programme, as we were keen to create an programme which not only developed the ability of craft employers to offer sustainable employment, Subscribe at molliemakes.com

but also supported young people aged 1624 to gain employment. Our aim was to change the mindset and culture in the sector of unpaid internships, reduce barriers to employment, and create more employment opportunities over the longer term.

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through the

Tessy Cooper

rents this Cockpit

Creative Careers

space to create for

Programme.

her jewellery label Thousand Ores. 02

03

Offcuts and

pieces from Aisling’s

Aisling Duffy was

awarded her studio

hand-embroidered vintage collection.

Are there any Cockpit Arts success stories you can tell us about? Dovile joined Cockpit Arts in 2015 through our Creative Careers programme, which supports young crafts practitioners in the very early stages of their career. She was 96 MOLLIEMAKES.COM 29


INTRODUCING tea & a chat

02

encouraged to apply for New Designers ‘OneYear On’ in 2016, and as a direct result was invited to exhibit at galleries throughout the UK, including Studio Fusion at Oxo Tower Wharf in London. Plus, Dovile’s now been selected as part of Goldsmith’s Fair 2018 – a prestigious selling event for designer-led contemporary jewellery.

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Aisling’s workspace

displays her colourful printed textiles, including her new scarf collection. 02

A simple frame sets

off one of Onome Otite’s designs against the white-washed studio walls.

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Cockpit Arts Cockpit Arts is an awardwinning social enterprise designed to support craftspeople in London and across the UK. Ofering a ‘business incubator’ service, it helps makers and designers launch their business as well as providing support to more established companies. www.cockpitarts.com

If there were no time or budget restraints, what would Cockpit Arts do? It would be amazing to work more intensely with local schools to put craft back on the curriculum.With one third of all creative industries jobs being in London, I think it’s really important we support the next generation of makers to have the skills and opportunities to be craft entrepreneurs. We’re working hard to demonstrate there are career opportunities in the craft industry through our School Tours programme, but it would be great to go into schools and teach young people practical craft skills. What plans are there for the future? We plan to build on our accomplishments over the past few years by preparing for the next stage of growth.We’ve now got an opportunity to buy a long leasehold on bespoke new premises in central London, and we’ll continue to develop our incubator model to support the needs of our makers.


On the 28th September, people up and down the country are takin SDUW LQ WKH :RUOG·V %LJJHVW &RIIHH 0RUQLQJ 6R ZK\ QRW JHW LQYROYH and host it your way for Macmillan? (YHU\ &RIIHH 0RUQLQJ FKDQJHV OLYHV :KHWKHU LW·V ELJ RU VPDOO at home or at work, the money you raise helps us support people ZLWK FDQFHU WR OLYH OLIH DV IXOO\ DV WKH\ FDQ

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PHOTOGRAPHY: JOANNE CONDON; HOME SWEET HOME SIGN FROM WWW.COTTONCLARA.COM; HANDLES FROM WWW.SARAHBEENYHOME.CO.UK; GIRL PRINTS FROM WWW.RACHELJPOWELL.COM; OTHER PRINTS FROM WWW.EASTENDPRINTS.CO.UK

bright sid e

Give a mid-century gem a geometric paint job – Joanne Condon shows you how


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HOW TO MAKE… AN UPCYCLED SIDEBOARD MATERIALS Q Undercoat (we used ColourTrend) Q Satinwood paint (we used Colourtrend Satin in Island Breeze, Purple Hollyhock, Pink Explosion, Wildflower Boutique, Pale Petunia, Happy Face, Blue Bliss and Cyan Sky) Q Paint brush Q Sketchpad Q Painter’s tape (we used FrogTape) Q Sugar soap

Q Sanding block Q Medium grit sandpaper Q Rubber gloves Q Sideboard

There’s upcycling, and then there’s this – fully transforming a so-so retro sideboard into a total stunner. How? With fearless geometric paintwork in the brightest of brights. Choose a heart-pounding colour combo and refer to the main images as a guide for your own geo design. To speed up the process, you could paint the piece all over in one colour first, then tape your triangles to add colour pops. Prepping the furniture is key for a neat finish, as is good quality tape. To prepare, clean down the furniture with sugar soap. Making 01

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sure you wear gloves, spray the surface and leave it to sit for a minute. With a slightly dampened cloth, wipe down the piece to make sure you don’t have any sugar soap residue. Once dry, use a sand block and medium grit sandpaper to smooth the surface. Always sand in the direction of the grain – this is to avoid scratching the surface and creating visible scratch lines. Remove the dust with the brush attachment on a vacuum cleaner, then rub with a dry cloth. 02 Remove hinges and hardware, or wrap them in tape to protect them. Apply two coats of undercoat, painting all the awkward areas first.


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After you’ve prepared and undercoated the piece, make a quick sketch to plan your overall geometric look to guide the approximate size of the triangles you’ll use, as shown. It doesn’t have to be perfect, but getting an idea of how you want to arrange the colours will make it easier. You 03

Furniture Crush This project appears in Furniture Crush by Joanne Condon (£19.50), published by Kyle Lane. The book features 12 upcycling projects and demonstrates how to transform furniture using basic tools. www.kylelane.ie

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could use a ruler and make this really precise, but that might take the fun out of it. After the first set of triangles are complete, work off these triangles every time. Make triangles out of every shape left. There may be some larger triangles and some smaller triangles. 04 Working from the plan, begin with taping the first layer of triangles, making sure that each piece of the tape is firmly in place. Run your fingers along the edge of the tape to make sure it’s fully stuck to the surface. 05 Now it’s time to start painting the triangles. Don’t go too heavy on the paint or you’ll be left with a

thick edge line. Gently peel back the tape straight away, then leave the paint to dry. 06 Once the first layer of paint is completely dry, tape the next layer of triangular shapes over the edges of the dry ones as in Step 5. 07 Paint in the next colour of your choice. Peel back the tape and leave the paint to fully dry. 08 Keep repeating this process until you’ve covered all the areas in your chosen colours, remembering to gently peel back the tape in between each layer immediately. 09 To finish, replace or update the hardware on the furniture, then attach it back in place. 96 MOLLIEMAKES.COM 35


INTRODUCING out & about

In Colourful company ran our photo walk around Islington

Take a look behind the scenes at this year’s Mollie Makes Handmade Awards, a celebration of handmade creativity

T

he nominees were ready to present, the judging panel was assembled, and the entertainment was good to go. On 9th July, some of the top names in the UK creative community gathered at The Dead Dolls House in Islington for our fifth annual Mollie Makes Handmade Awards, and they all came dressed to impress! This year’s awards saw a record amount of entries, with hundreds of talented designer-makers entering our UKwide competition. And, the day was an opportunity for the shortlisted finalists to pitch their businesses to our star judging panel – Keith Brymer Jones, The Brand Stylist Fiona Humberstone, Catherine Nice,

owner of Kitty McCall, Kat Molesworth of Blogtacular, Reena Rai from Pinterest and Anna Denise Floor from Etsy. There were also lots of opportunities to get creative and be inspired, with a macramé workshop by Lucy Rowan of Peas and Needles, a photo walk with Toni Bee and Zabby Allen of In Colourful Company, and a talk on overcoming self doubt by expert Sas Petherick. Guests also heard a panel discussion on working smarter, not harder, with Katie Leamon, Sara Tasker, AKA Me and Orla, and Elisalex de Castro Peake from By Hand London, plus a heartfelt keynote speech from Keith Brymer Jones. Turn over to meet this year’s winners, then start planning your entry for 2019!

SHORTLISTED

READ MORE ABOUT OUR SHORTLISTED NOMINEES ON OUR BLOG www.molliemakes.com

See more at #HandmadeAwards and @incolourfulcompany on Insta, and check out their website at www.incolourfulcompany.

SMALL BUSINESS AWARD: Baked By Lou, Button and Blue, Cotton Clara ESTABLISHED BUSINESS AWARD: Hello Marilu, Katie Jones Knit, The New Craft House HANDMADE CHAMPION AWARD: Make It Better Social Club, The Fibre Lounge,The Crafty Gentleman BEST ILLUSTRATOR AWARD: Nikki Miles, Grace Easton, Holly Maguire BEST WORKSHOPS AWARD: Emma May Stitching, Kyle Lane, London Craft Club BEST PRODUCT AWARD: Abbie Gaiger, Jade Gallup Studio, La Basketry, Little Paisley Designs, Shh by Sadie, BON, Dakota Rae Dust, Wren & Wilson, Mean Mail

PHOTOGRAPHY: IN COLOURFUL COMPANY

Photography: WILL IRELAND


This year’s panel of industry expert judges

The category winners pose for a group picture!

Holly Maguire shared her artwork inspiration

Each nominee presented their brand to the judges


INTRODUCING out & about

WINNER SMALL BUSINESS AWARD

WINNER ESTABLISHED BUSINESS

WINNER HANDMADE CHAMPION

AMY PHILIP

KATIE JONES

THE FIBRE LOUNGE

Amy wowed the judges with her children’s knitwear kits, and with her potential. To help develop her business, Amy’s won a pop-up at West Elm’s new Westfield store, a £250 voucher for online training with The Design Trust, a Pinterest bootcamp, and a starter advertising package in Mollie Makes. “I’m so grateful to have won the Best Small Business Award. I was really nervous about pitching to the panel of judges, but it was such a valuable experience, and I got some really helpful feedback and advice for moving forward with Button and Blue. The day itself was full of creative inspiration and it was so good to meet other makers and creative business owners. I left feeling inspired and very excited for what the future holds.” www.buttonandblue.com

Katie’s clear aesthetic, strong business knowledge, and her ability to adapt and grow her brand won her the top spot in this competitive category. Her prizes include a stand at The Handmade Fair at Hampton Court Palace, a year’s membership to The Design Trust Business Club, a telephone mentoring session with Keith Brymer Jones, and a Mollie Makes Instagram takeover. “For me, the Awards were great, as I got to meet people who are passionate about what they do. A lot of crafters work independently, so it was brilliant to share stories, meet craft heros, and chat to online friends in reality. I was so happy to be shortlisted for Best Established Business and to share my journey with the amazing judges, and I was completely blown away to win.” www.katiejonesknit.co.uk

Showing passion for sharing craft with their local community, and for promoting fellow creatives, Louisa and Mel from The Fibre Lounge impressed the judges no end. They win a day with Pinterest, a feature in Mollie Makes, a Q&A feature on the Mollie blog, and a mentoring session with Kat Molesworth. “Taking part in the Mollie Makes Handmade Awards was a nerveracking, overwhelming and amazing experience. We had no expectation of winning, but were thrilled to spend a fantastic day with other talented, creative folk. To actually win was flabbergasting – we cannot thank the panel enough. We hope this will allow us to give our little business a wider audience, and more opportunity to grow and share our crafty dreams.” www.thefibrelounge.com

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INTRODUCING out & about

WINNER BEST ILLUSTRATOR

WINNER BEST WORKSHOPS

WINNER PRODUCT OF THE YEAR

HOLLY MAGUIRE

KYLE LANE

LITTLE PAISLEY DESIGNS

Applying her unique work to prints, books, clothing and more, Holly showed the judges how she’s turned her illustration skills into a creative enterprise. Holly’s prizes include a day with Etsy, a behind-the-scenes visit to the Kitty McCall shop and studio with owner Catherine Nice, a Good Read illustration in Mollie Makes (turn to page 44 to see it!), and a feature on the Mollie blog. “I’m so excited to have taken part in the Handmade Awards. It was such a fantastic day filled with fun and a lovely community of inspiring creatives. I’m still in shock and very honoured to have won the Best Illustrator award. It’s helped me to feel more confident in what I do and I’m looking forward to using this opportunity to help build and develop my little business!” www.hollymaguire.co.uk

Joanne Condon pipped her fellow nominees to the post with her dedication to making her workshops inclusive and friendly. She wins the opportunity to host a workshop at West Elm’s Westfield store, an online course with The Brand Stylist, a feature in Mollie Makes, and inclusion in the Mollie Makes online diary for a year. “What a day! Taking part was so exciting – I was honoured to be shortlisted and up against two other great businesses. Pitching in front of the panel was such a valuable experience, and taking away some of the best advice in the business was a huge benefit. Winning was the icing on the cake and made my heart burst. I think this’ll have such a positive impact on my business and will help me push it forward.” www.kylelane.ie

Eleanor Longhurst of Little Paisley Designs was the winner of our Product of the Year category, voted for by Mollie Makes readers. Her wildflower temporary tattoos will be shot and styled in the Mollie Makes studio, and featured in the mag. They’ll also appear in a post on Mollie Makes’ Instagram, which has over 140,000 followers. “It means so much to win – I was honoured to even be shortlisted, so I definitely didn’t expect it. I think it means even more that it was voted for by the public! It’s the first award I’ve won for my business, and it makes all the doubts, late nights and worries worth it. It’s given me so much confidence in my ability and self-worth as a designer, and hopefully stopped me feeling so much like an imposter!” www.littlepaisleydesigns.co.uk

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Bring the sunshine

Crochet Helen Anderson’s artisan update on the tassel trend

PHOTOGRAPHY: PHILIP SOWELS; STYLING: BECKI CLARK AND SALLY BUFTON; MODEL: ALEXANDRA FIA


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HOW TO MAKE… CROCHET EARRINGS MATERIALS Q Puppets Eldorado No.10, 100% cotton, 265m/290yd per 50g ball, one ball in Yellow (7516) (Yarn A) Q Anchor stranded embroidery cotton, 100% cotton, 8m/9yd per skein, one skein in Yellow (0295) (Yarn B) Q Silver plated hoop earrings, 3cm (1¼") diameter Q 18 pink beads, 4mm (¼") diameter, 1.2mm (1/8") drill hole (we used Hobbycraft Crystal Bicone beads in Solid Pink) Q 2mm (UK 14, US steel 4) crochet hook 42 MOLLIEMAKES.COM 96

Q Collapsible eye beading needle Q Yarn needle Q Fine-tooth comb TENSION Tension isn’t essential for this project, but working a slightly tight tension will create a neater appearance ABBREVIATIONS (UK) st(s) stitch(es) ch chain ss slip stitch dc double crochet htr half treble tr treble dtr double treble dc2tog double crochet 2

together – (insert hook in next st, yrh and draw loop through) twice, yrh and draw through all 3 loops on hook magic ring hold yarn in your hand and wrap working yarn around forefinger twice to create ring, slip ring off your finger and insert hook to pick up first st, ch1, then work the necessary sts for Round 1 and close ring tightly by pulling the loose end FINISHED SIZE Total length including tassels approx. 13.5cm (53/8")

Is there a pair of earrings that better captures the joyous spirit of the dancing lady emoji than these ones? Nope. With thread crochet, beading and the simplest of knots, you’ve got yourself a summer tassel winner here. Pack these sunny danglers in your holiday case and you’ll be all set for that post-siesta spruce up before heading out in search of top-notch tapas/a dreamy sunset/more sangria (delete as appropriate). Viva la fiesta. Earrings (make two) The project begins with three rows of crochet and continues in steps. Attach Yarn A around the hoop earring with a ss Row 1 hold the yarn tail against the hoop, work 15dc around the


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outside of the hoop earring, covering the yarn tail, turn [15 sts] Row 2 ch1 (does not count as st), dc2tog, 2htr, 2tr, 3dtr, 2tr, 2htr, dc2tog, turn [13 sts] Row 3 (RS) ch1 (does not count as st), dc2tog, 1htr, 2tr, 3dtr, 2tr, 1htr, dc2tog [11 sts] Break yarn, fasten off and sew in

Helen Anderson Helen’s a crochet designer from the Midlands. She’s always loved crafting but after learning to crochet two years ago, she was totally hooked. Supported by her husband, two lovely children and crazy cats, Helen loves to create colourful, textured pieces. www.instagram.com/made.by.hem

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the ends using the yarn needle Tassels 01 Begin by cutting 14 25cm (97/8") lengths of Yarn B. 02 Make tassels with Yarn B along the last row of stitches as follows: holding two strands together, fold the strands in half, with right side (RS) of the crochet facing and using the crochet hook, miss the first st and feed the strands through the second stitch along, creating a small loop, pull the tails through the loop created, pulling tight to secure. 03 Repeat Step 2 across the next eight stitches – this will mean that the first and last stitches will remain unused. 04 Securing the earring to the work surface with a piece of sticky tape

from this step onwards to prevent it from moving while you’re working. Thread the first tassel through the collapsible eye needle, then thread on a bead. Pull the bead right to the top of the tassel, as shown, and secure it with a simple knot if required. 05 Repeat Step 4 across the eight remaining tassels. 06 Use the fine-tooth comb to comb through the tassels until all the strands are separated. If the tassels aren’t lying flat after being combed through, try covering them with a damp cloth and gently applying some heat. 07 Using a straight edge, such as a ruler or a piece of card, as a guide, and a pair of scissors, trim the tassels into a V shape to mirror the beaded line to finish. 96 MOLLIEMAKES.COM 43


ILLUSTRATION: HOLLY MAGUIRE


INTRODUCING good read

SHAKING OFF SELF–DOUBT If you love what you do, but the thought of shouting about it fills you with fear, you’re not alone. Welcome to Creative Confidence 101... Words: YVETTE STREETER Illustration: HOLLY MAGUIRE

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icking up your cheerleader pom poms for a friend or fellow maker is something most of us find both easy and rewarding. Banishing their negative thoughts, raising them up from the funk they’re in, reinforcing their skills and talent – it feels good to make someone realise their true worth. So, why do we find it so difficult to do the same when it comes to ourselves? Why is it we often only see the flaws in the things we do, make, or achieve? You might think the biggest challenge to growing a creative business is time or money, but more often than not, it’s that nagging voice called self-doubt. That maker you shop from on Etsy, the illustrator that shares their beautiful art on Instagram, the editor of that magazine you read – so many of them have fallen for the words of that tiny devil on their shoulder, letting fear hold them back. So, when the only way to develop both you and your business is to put yourself out there, how do you go about overcoming it?

TAKE THE LEAP While we can sit and hide behind our products, our brand, or our carefully curated feed, showing your authentic self is not only what encourages people to connect with you, it’s your USP. Corporations massproducing products are everywhere, but you’re the only one who can do you, so you have to have to shout about it. When Mary-Ann Aveline started Hello Marilu (www.hellomarilu.com), marketing herself never even crossed her mind. “I set up my Etsy shop and naively thought sales would just come flooding in. I wasn’t even on Instagram at the time and didn’t realise what a powerful tool it could be.” And now? “I know that promoting your brand is a really big part of running a small business. You have to put yourself out there if you want people to know your brand exists.” For many creatives though, that can be hard. It can feel like when you’re asking people to like – and buy – your products, you’re asking them to invest in you. And what if they don’t love what you do? What if they don’t want to part with their hard-earned cash to own the idea you conceived, developed and brought to life?

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The thought of rejection is downright scary, but it’s also a natural instinct everyone has. As Sas Petherick (www.saspetherick.com), a self-doubt researcher, coach and podcaster, explains: “Self-doubt is a self-protection mechanism. Whenever we imagine doing anything that risks criticism, disappointment or failure, a part of our brain warns us by making us feel this discomfort.” But, simply ignoring it isn’t the solution – Sas advises questioning these thoughts instead. “Do you really need to be protected in this moment? It might be that you’re doing something for the first time, or something that feels vulnerable or just really uncertain.” Gaining the perspective needed to take those risks can be hard – it’s called a comfort zone for a reason, after all. However, pushing through it and believing in you is one of the most rewarding things you’ll ever do.

TRUST YOURSELF Luxury stationery brand designer Katie Leamon (www.katieleamon.com) openly admits to having moments of uncertainty regarding her work. “It’s such a personal process, it’s inevitable. Self-doubt has made me question things, but I’ve always gone with my gut. Not much of a business plan, but I’m someone that believes your instinct is a far greater decider than anything else. If you’re unsure about something, hold back and consider your options, but if it feels right, I think you have to be brave.” Moving forward, even with the smallest steps, also gives you the opportunity to look back and see how far you’ve come. When Mary-Ann entered this year’s Mollie Makes Handmade Awards, she found the experience to be a huge learning curve. “Being shortlisted meant pitching to a panel, which was both scary and challenging. Preparing for the pitch was really useful however, as it allowed me time to reflect on my brand, where I was going, what I wanted to achieve and what I’d already achieved.” The more you push yourself, the easier it becomes. So, pack away that self-doubt safety net, focus on the positives, and remember to celebrate your successes. Pom poms and peppy motivational cheer optional.

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G E T T H E L AT E S T I S S U E ! Welcome to our beautiful magazine packed with creative projects & ideas, gorgeous photography and insightful features. Discover new ways to bring the joys of mindfulness & making into your life. £9.99* ISSUE

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ORDER YOUR COPY TODAY O R D E R O N L I N E W W W. B U Y S U B S C R I P T I O N S . C O M / C R A F T S P E C I A L O R CA L L 03 3 3 0 16 2 13 8 A N D QUOT E ‘CA L M 10 P R I N T 1 ’ Lines open weekdays 8am to 6pm and Saturday 9am to 1pm. Overseas please call +44 (0) 3330 162 138. * EUR price £11.99, ROW price £12.99. All prices include P&P. Please allow up to 28 days for delivery.


LIVING

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INSPIRATION ALERT! SPACES, PLACES & NEW DESIGNERS TO WATCH

PHOTOGRAPHY: GRAHAM CARLOW WWW.GRAHAMCARLOW.COM

Fuzzy Felt-inspired homewares, where have you been all our lives? The Up My Street range by Playroom Interiors blends a sense of fun with retro sensibilities. Pick up a lampshade, or go the whole hog with their wallpaper and colourful stickers. www.playroominteriors.com

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Animal, vegetable or mineral? Curate a playful gallery wall with your favourite photos and quirky prints. A Scandi-style linocut works a treat, or pick a clean line drawing to balance it. www.mabelfox.etsy.com; www.aweatheredpenny.co.uk

GET THE LOOK

Subtle might not be what comes to mind when you think tropical, but Ferm Living have nailed it with their Fruiticana bedding for both little and big beds. www.fermliving.com 48 MOLLIEMAKES.COM 96

FAMILY GALLERY

A haughty ceramic character to sit amongst the house plants – that’s exactly what our mantelpiece has been missing. Take up your rightful place, cheetah. www2.hm.com

Couverture x Samuji’s exclusive cushions have landed, with digital prints in cool linen. Geo’s basically a neutral now. www.couvertureandthe garbstore.com

Just add this felt raindrop garland to the list of stuff we’ll buy ostensibly for a kids’ room or party, but will then display proudly in the lounge all year round. www.houseofhooray.com


Each of Liz’s pieces are packed with personality

BRAND FOCUS BIRDCANFOX Self-confessed clay squidger Liz hand-sculpts her porcelain BIRDCANFOX creatures and home accessories in her garden studio in Bristol. Following collaborations with Anthropologie and John Lewis, plus a relaunch of her Etsy shop, we can’t wait to see what whimsical creations will be next for this brand. www.birdcanfox.etsy.com Plain white walls = the ultimate blank canvas, so indulge your inner collector and bring on the statement pieces. Kit out the lounge, bedroom and beyond with offbeat accessories, House of Rym style. www.houseofrym.com

WEBSITE TO WATCH Jane Foster

Added gold lustre details help them shine

Use the mini dishes for soap, jewellery or trinkets

Author, illustrator and textiles designer Jane Foster has such a distinctive style – her childrens’ books are the kind you’ll definitely want to keep out on show as you would any of her prints. She’s based in South Devon, but sells her prints, cards, books and toys through her website and is always adding to the range. www.janefoster.co.uk Subscribe at molliemakes.com

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LIVING home tour

Creative gallery wall: a collection of Emily’s artwork, displayed with her childrens’ drawings and a piece by a friend. Right: Emily’s living room looks out onto her garden studio space

Emily Hogarth’s Scottish home is full of collected tresasures with stories to tell Words: COLETTE EARLEY Photography: CARO WEISS

After outgrowing their home in the south side of Edinburgh, illustrator Emily Hogarth, husband Conor, children Maggie (five) and Finn (three), and Mary the West Highland terrier moved to Musselburgh, just outside the city. In search of a property they could renovate, that ofered a lot of space, they found their dream project in the shape of their now-home. The family have lived in the house for a year, after spending 18 months renovating, and the

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LIVING home tour

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LIVING home tour

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TWO BY TWO The kids’ wooden Noah’s Ark is displayed below one of Emily’s favourite paintings, by her dear friend Melanie Williamson. Emily painted the the ark itself and the animals as something special for Maggie when she was little, that could be passed down. The kids and their friends love playing with it, so it’s always out in the living room so it’s easily accessible.

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space has transformed tremendously in that time. “The property had a magic about it that allowed us to envision our family home – and it had a wonderful old Scots pine tree in the garden which we fell in love with,” Emily tells us. The house is painted white in every room, except for just one. “I’ve always liked clean white, bright walls… they remind me of art galleries,” Emily says. “I’m quite indecisive so white works. It allows our furniture and possessions to be the colour and decoration.” So, why the one dark room? “I thought it would be nice to have a space that felt like a big cosy hug,” she explains. “Especially in the winter. Our house has huge, high ceilings so can take a strong colour – I chose Railing by Farrow and Ball. I just love it.” This passion for her surroundings extends beyond the paint and décor – it’s clear from the get-go that home is really important to Emily. 52 MOLLIEMAKES.COM 96

She works as an illustrator from her studio, located at the bottom of the garden. “It works well for us being able to walk the kids to school or nursery, and then be back home and at my desk just after 9am. I love the space and enjoy pottering about, and just being at home.” Emily creates personal papercut commissions that tell individual stories, often representing meaningful celebrations and family, and this creative storytelling spills out into her space. “My home has lots of pieces of my work hanging on the walls, and also pieces that inspire me – I love being surrounded by things that not only have a use but make me smile.” Around the house there’s an assortment of beautiful objects, none of which tie together necessarily, but somehow work in tandem to create a eclectic vibe. They’re items Emily’s collected over the years, dating back to when she was a student at Edinburgh College of Art,

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The Donna

Wilson dog was a gift and the little ceramic pieces are by Myer Halliday and Jode Pankurst. 02

Plants surround

family photos, a tiger by Maggie and an illustration by Emily’s friend Astrid Trugg.


The quilt in the living room was sewn for Emily by a very talented lady in America, in exchange for a papercut artwork.


LIVING home tour

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doing a Masters in design. “All the items have a story. For example, the Noah’s Ark is something I painted for my children. I bought the ark when Maggie was six months old and painted it and the animals bit by bit when I had spare time, finishing it for Finn’s second birthday.” In fact, Emily’s life dedicated to the arts shines through all over the house. “Most of our vessels are by ceramic artists I’ve known over the years, especially ones who’ve worked at Coburg House Art Studios in Edinburgh, where I’ve had a studio for over 10 years.” And each piece of artwork on the walls also tells a tale. For example, The Whales, by Gerry Turley, was the first thing they bought for their new home. The Bear, hanging in the family room, is one of Emily’s degree show pieces, one that helped to hone her distinct illustration style. Maggie and Finn’s bedrooms are also white – for now. Emily encourages both children to 54 MOLLIEMAKES.COM 96

express themselves, and the white walls act as a blank canvas, allowing them to grow with the space and change the artwork to suit. “Maggie already has lots of opinions – she wanted the room with the alfresco painting in it.” While there’s still more renovations planned – floor-to-ceiling book shelves and finishing of the pantry – Emily’s current focus is on the area that made her fall for the house in the first place; the garden. “It has my heart,” she smiles.

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Maggie’s room

is decorated with leaves her and Emily made for a rainforest project. 02

Emily and

Conor’s room – above the bed is a collection of kids’ art and photos.

Emily Hogarth Illustrator Emily grew up in Scotland and studied at the Edinburgh College of Art. She’s been freelancing ever since and now lives with husband Conor, their children Maggie and Finn and their dog, Mary. www.emilyhogarth.com


PHOTOGRAPHY: PHILIP SOWELS; STYLING: BECKI CLARK AND SALLY BUFTON; VELVET AND LINEN CUSHIONS FROM WWW.COXANDCOX.CO.UK


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HOW TO MAKE… A PATCHWORK WALL HANGING MATERIALS Q 28 x 45.5cm (11 x 18") Cotton + Steel Basics Sprinkle in Peaches (Fabric 1) and Jelly Bracelet Neon (Fabric 2) Q 50cm (19¾") Robert Kaufman Essex Linen in Steel (Fabric 3) Q 28 x 45.5cm (11 x 18") RJR Fabrics Cotton Supreme Solids in Black (Fabric 4) and Optical White (Fabric 5) Q 28 x 45.5cm (11 x 18") Art Gallery Fabrics Anna Elise Rhythmic Hatch in Vivid (Fabric 6)

Q 25.5 x 38cm (10 /8 x 15") fusible fleece Q White sewing thread Q 30.5cm (13¼") wooden dowel, 1cm (3/8") thick Q 50cm (19¾") brown string Q Rotary cutter Q Appliqué glue Q Erasable fabric pen 1

Those three little words: foundation paper piecing. It’s a trickier patchwork technique to master, but dipping your toe in with a small make like this banner will have you smitten. Clean lines, neat shapes and bewitching doe eyes? FPP, you’ve got it going on. Instructions On the templates on page 98, the printed side will be the reverse side of the finished block. The dotted outside lines are the seam allowances, the solid black lines are the sew lines and the letters indicate the different sections. The numbers show the order of sewing. Cut out templates A-H on page 98 along the dotted lines. Shorten the machine stitch length to 1.5 to make it easier to tear off the paper. 02 On the wrong side (WS) side of template A, place a tiny dot of temporary glue in the middle of section A1 and place Fabric 4 on top, right side (RS) up. Ensure the 01

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section is covered plus at least 0.5cm (¼") extra all the way around. A good way to check this is to hold the template up to the light. 03 Turn the template back over and fold along the solid line between sections A1 and A2. Trim the edge of the fabric to 0.5cm (¼") beyond the folded paper, being careful not to cut the paper. 04 Unfold the template and place Fabric 2 against the edge of A1 with RS together. Make sure that when sewn, the fabric will cover the whole of section A2, then pin. 05 With the printed side of the template facing up, sew along the line between sections A1 and A2, starting and ending two or three stitches beyond the printed line. Press the fabric open. 06 Repeat Step 3 to trim the fabric 0.5cm (¼") beyond the line between sections A2 and A3. Add Fabric 2 for A3 following Steps 4-5. Continue piecing the rest of the template A sections in the same way, adding the fabric sections in


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numerical order. Refer to the layout diagram on page 98 as a guide. 07 Piece template sections B, C, D, E, F, G and H as per Steps 2-6. Once all the sections are complete, trim to the outer dashed line around each section. 08 Align the template A and B sections along the straight raw edges and sew together. Press the seams open. Repeat to join the other sections together, adding them one by one in alphabetical order. Remove the paper templates, gently tearing along the seam lines. The block should now measure 21.5 x 24cm (8½ x 9½"). 09 Cut a 9cm x 24cm (3½ x 9½") piece from Fabric 3. With RS together, sew this to the bottom of the block using a 0.5cm (¼") seam allowance. Repeat with the top of the block using a 4 x 24cm (1½ x 9½") piece of Fabric 3. 10 Measure and mark 15cm (6") up from the bottom on either side using a temporary fabric pen. Place a mark along the bottom in

the centre (12cm (4¾") from either side). Using the ruler and rotary cutter, trim a straight line from each side mark to the centre mark. You should now have a banner shape. 11 Using the banner as a template, cut a piece of fusible fleece to the same size. Fuse the fleece to the back of the banner. Cut a piece of Fabric 3 in the same way for backing the finished banner. 12 For the hanging tabs, cut two 5 x 7.5cm (2 x 3") strips from Fabric 3. Fold each strip in half along the length with RS together and press. Unfold, press each raw edge into the middle to meet the first centre

fold line, then press again. Fold in half along the length, press, then topstitch along each long edge to secure. Measure 4cm (1.5") in from either side along the top edge of the banner, fold the tabs in half, then tack along the raw edges. 13 Place the Fabric 3 backing piece on top the banner with RS together and sew around the outside, leaving a 7.5cm (3") gap at the top. Turn through to the RS, pushing out the corners, then fold the raw edges of the gap to the WS. Press, topstitch all the way around, then slide the dowel through the hanging loops. Add string to finish.

Joanne Hart Joanne lives in Birmingham with her husband, son and pet chihuahua. She started out wanting to be a dressmaker but fell in love with quilting. Foundation paper piecing is her favourite thing – she loves how an image can be transformed into fabric. www.craftsy.com/profile/unicornharts

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comfort zone

PHOTOGRAPHY: PHILIP SOWELS; STYLING: BECKI CLARK AND SALLY BUFTON

Transform any space into the ultimate lounging nook with Sharna Moore’s crochet floor cushion


HOW TO MAKE… A CROCHET FLOOR CUSHION MATERIALS Q Hayfield Bonus Super Chunky, 100% acrylic, 82m/90yd per 100g ball, one ball in Pink Shock (686) (Yarn A) and four balls in Aran (993) (Yarn B) Q Hayfield Super Chunky with Wool, 80% acrylic, 20% wool, 72m/80yd per 100g ball, six balls in Hay Bale (65) (Yarn C) Q 9mm (UK 00, US M/13) crochet hook Q Yarn needle Q 60 x 60cm (235/8 x 235/8") cushion pad

TENSION Each small square is approx. 23 x 23cm (91/8 x 91/8") ABBREVIATIONS (UK) st(s) stitch(es) ch chain ss slip stitch dc double crochet tr treble crochet FINISHED SIZE Approx. 70 x 70cm (275/8 x 275/8")

Got a stellar cushion collection already? Us too. In fact, we’re loathe to disrupt the sacred sofa configuration now, so we’re thinking creatively. Enter the floor cushion – a squashy, comfy extra that’ll work just about anywhere. And it ticks all the crochet crush boxes as it’s quick and easy to make with a bold pop of colour. Instructions The cover is made from two different pieces. The front is made of nine small squares which have alternating colour schemes and are joined into one large square, then a final round added. The back is made from one large square in a solid colour. The two pieces are then crocheted together and the cushion pad inserted before the final sts are made. Front Small squares (make nine) Make four squares starting with Yarn A, changing to Yarn C for Round 2, Yarn A for Round 3 and Yarn B for Rounds 4 and 5.

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Make five squares starting with Yarn C, changing to Yarn A for Round 2, Yarn C for Round 3 and Yarn B for Rounds 4 and 5. Foundation ch4 and join with a ss to form a ring Round 1 ch3 (counts as 1tr), 11tr in ring, join with ss to 3rd ch from start, break yarn and fasten off [12 sts] Round 2 work this round into the spaces between tr of Round 1, join next colour to any space, ch3 (counts as 1tr), 1tr in the same space, 2tr in next and every space to end of round, join with ss to 3rd ch from start, break yarn and fasten off [24 sts] Round 3 work this round into the spaces between groups of 2tr of Round 2, join next colour to any space, ch3 (counts as 1tr), 2tr in the same space, 3tr in next and every space to end of round, join with ss to 3rd ch from start, break yarn and fasten off [36 sts] Round 4 work this round into the spaces between groups of 3tr of Round 3, join next colour to any space, ch3 (counts as 1tr), (2tr, ch2,


3tr) into same space, *3tr in each of next 2 spaces, (3tr, ch2, 3tr) in next space; repeat from * 2 more times, 3tr in each of next 2 spaces, join with ss to 3rd ch from start [4 sts and 4 corner 2ch spaces] Round 5 work this round into the spaces between groups of 3tr of Round 3 and the 2ch spaces at the corners, ss across to first 2ch space in corner, ch3 (counts as 1tr), (2tr, ch2, 3tr) into same 2ch space, *3tr in each of next 3 spaces, (3tr, ch2, 3tr) in 2ch space at corner; repeat from * 2 more times, 3tr in each of next 3 spaces, join with ss to 3rd ch from start, break yarn and fasten off [6 sts and 4 corner 2ch spaces] Joining Weave in all yarn ends and join the

Sharna Moore Crochet artist Sharna makes and sells her own patterns. While she loves designing, her goal is always to spread the crochet love, to make people smile and to inspire them to pick up a hook. www.sweetsharna.simplesite.com

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nine small squares as follows, using the colour layout in the main image as a guide: Place the squares side by side with right sides (RS) facing up and ss through the back loops of each square to form a neat flat seam. Make three rows each of three squares first, then join the rows together using the same technique. Sew in all ends. To complete the front, a final round is required all the way around the joined square Final round work this round into the spaces between groups of 3tr of each square, the spaces where the squares join (one either side of the join) and the 2ch spaces at the corners, join B to a 2ch space in corner, ch3 (counts as 1tr), (2tr, ch2, 3tr) into same 2ch space, *3tr in each space along the side, (3tr, ch2, 3tr) in 2ch space at corner; repeat from * 2 more times, 3tr in each space along the final side, join with ss to 3rd ch from start, break yarn and fasten off [60 sts and 4 corner 2ch spaces]

Back Using Yarn C, follow the Small square pattern up to the end of Round 5 but do not break yarn, then continuing in Yarn C repeat Round 5 adding an extra group of 3tr on each side of the square. Continue in this way, adding extra rounds until the cushion back measures the same size as the nine joined squares – this will be 14-16 rounds in total Weave in all ends Finishing Hold the cushion front and back pieces with wrong sides (WS) together. Using Yarn C, join the sides together with dc through the sts of both pieces, working 3dc in the 2ch spaces at the corners. Ease the sides together if the stitch count differs slightly by working 2dc through the same st on one side. Join three of the sides in this way, then insert the cushion pad into the cover before finishing the last side seam with dc. Fasten off and weave in ends. 96 MOLLIEMAKES.COM 61



Make an impression

PHOTOGRAPHY: PHILIP SOWELS; STYLING: BECKI CLARK AND SALLY BUFTON

Throw a bit of a do with fancy marbled napkins by Emily Ashbourn


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HOW TO MAKE… MARBLE DYED NAPKINS MATERIALS Q White 100% cotton napkins, approx. 40 x 40cm (15¾ x 15¾") Q 250g Dylon handwash fabric dye in Bahama Blue and Pure Black Q Fixing salt Q Rubber gloves Q Measuring jug Q Large aluminium roasting tray Q Four cans of shaving foam Q Squeegee Q Plastic tablecloth Q Wooden skewer 64 MOLLIEMAKES.COM 96

Stylists and faffers, we know you’re out there – this one’s for you. Get your seasonal styling on and create a beautiful summer tablescape with handmade marbled napkins, just because. Shaving foam, dye and a roasting tray may sound like a recipe for disaster, but this DIY is a fun and simple way to get swirling colour onto fabric. The pattern on each napkin will be totally unique. Rinse the napkins in warm water. While waiting for them to dry, prepare a workspace with a plastic table cloth making sure to cover any areas you don’t want to 01

get stained. Once the napkins are dry, give them a quick iron. 02 In the measuring jug, mix 1 tbsp of Dylon Bahama Blue dye with 1 tbsp of salt. Add 200ml of warm water and stir thoroughly until all the salt has dissolved. 03 Squirt shaving foam into the aluminium tray until the bottom is completely covered, as shown. 04 Put rubber gloves on. Using the pipette, add streaks of dye on top of the foam. Be careful not to add too much or you’ll lose the desired marbling effect. 05 Using a wooden skewer, swirl the dye gently into the foam until you’re happy with the look.


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Lay the first napkin right side (RS) down into the tray, starting with the corner. Gently press the fabric down onto the foam until you see the dye coming through. Leave for 30 seconds then peel the napkin away. Add some more smaller spots of shaving foam and a little more dye, swirl the foam 06

Emily Ashbourn Self-confessed make-aholic Emily loves creating modern makes for her family and home. Outside of craft, she’s into road trips, lakes, mountains, and adventures with her girls and husband. www.makeeshop.com

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and dye again in the same way. Lay the napkin onto the foam again until all four corners have been pressed in the tray. 07 Carefully lay the napkin out with the foamy side facing up. Take a squeegee or palette knife and scrape off the foam to reveal the marble effect, as shown. 08 Be sure to rinse the squeegee in warm water and wipe dry between scrapes – it’s really important to keep the fabric as dry as possible to stop the marbling from bleeding into the fabric. 09 Repeat Steps 3-8 with all of the napkins, then leave them to dry overnight. Alternatively, you can

dry them in a tumble dryer on a quick-dry setting. 10 Once the napkins are completely dry, rinse them off under cold water until the water runs away clear. 11 Dry the napkins again, this time as quickly as possible. If you can pop them in the dryer this is the best option, then give them a quick iron. Alternatively, squeeze out as much excess water as possible, then iron them dry on an old towel. 12 Now you’ve created the base blue effect, repeat Steps 2-11 with Pure Black Dylon dye to add the second colour. Make sure to wash out all the utensils before you start. 96 MOLLIEMAKES.COM 65


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OH, YOU PRETTY THINGS! MOODBOARDS & MUSINGS TO INSPIRE US If you believe in the enduring romance of handwritten letters, you need to know about Scout Edition’s decorative botanical stamps – a set of tiny artworks that elevate snail mail to the next level. www.scouteditions. squarespace.com

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PHOTOGRAPHY: PHILIP SOWELS; STYLING: BECKI CLARK AND SALLY BUFTON; STATIONERY ACCESSORIES FROM WWW.PAPERSMITHS.CO.UK


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HOW TO MAKE… A SASHIKO PENCIL CASE MATERIALS Q Two 24 x 13.5cm (9½ x 53/8") pieces of Merchant & Mills Laundered Linen in Goodnight (Fabric 1) (ours was from www. raystitch.co.uk) Q Two 24 x 13.5cm (9½ x 53/8") pieces of Robert Kaufman Essex Linen Mix Chambray in Denim (Fabric 2) Q 15cm (6") brown faux leather tape Q 20.5cm (81/8") white zip Q White embroidery thread Q Tapestry needle Q Tailor’s chalk

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September, season of freshly sharpened pencils, is on its way and our stationery-loving hearts have never quite outgrown that annual yearning for a new pencil case. We’d like ours handmade this time please, with sashiko-inspired embroidery on inky blue linen. Follow the template given to complete this simple sew, or go off piste and dream up your own take on sashiko design. Cut out the template on page 98 and place it centrally on the right side (RS) of one of the Fabric 1 pieces. Use tailor’s chalk to mark where the dotted lines end. 02 Use the tailor’s chalk marks as a guide to copy the curved lines from the pattern onto the fabric. 01

Run the lines out past the edges of the template, as shown. 03 Using all six strands of embroidery thread, sew the pattern onto the fabric with running stitch. To get the Japanese sashiko stitch effect, load the needle with a few stitches at a time, then pull the thread through, referring to the image. For the little dashes and stars, sew one at a time, using the template on page 98 as a guide. 04 Place one of the Fabric 2 lining pieces RS up, then place the zip RS up at the very top, as shown, so it aligns neatly. Place the embroidered piece RS down on top. Pin all three layers together along the top edge. 05 Next, using the zipper foot on the sewing machine, sew along the


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pinned edge of the zip in a straight line, removing the pins as you work. 06 To continue when you reach the zip tag, place the needle down into the fabric to hold it in place and unzip the tag away from the foot. Continue sewing along to the end. Repeat Steps 4-6 for the other side of the zip, pinning and sewing together the other Fabric 2 piece, zip and Fabric 1 piece.

Moira Fuller Lifelong crafter Moira is the founder of Craftiosity, a subscription box of modern craft kits. When she’s not crafting, she loves walking and is lucky to have moorlands, canals and rivers on her Yorkshire doorstep. www.craftiosity.co.uk

Flatten out the fabric pieces on either side of the zip and iron them open so the top edge by the zip is crisp. Sew a line of top stitching on Fabric 1 approximately 0.5cm (Âź") down from the zip on both sides. 08 Open the zip. With the wrong sides (WS) of the Fabric 2 lining pieces facing, fold the zip so the teeth are together, facing towards the opposite edge of the lining, as shown. 09 Place both the lining pieces and both the outer fabric pieces RS together, as shown. Pin at the zip edges on both sides, making sure the teeth are still facing towards the lining, then pin all the way around, leaving a gap of around 7.5cm (3") in the long edge of the lining for turning out. 07

Fold the faux leather ribbon in half along the length to create a loop and tuck it inside the outer fabric pieces on the top right-hand side, close to the zip, so the loop is on the inside and the ends poke out. Pin in place. 11 Leave a 1.5cm (5/8") seam allowance and sew from one side of the gap in the lining all the way around the outside to the other side of the gap. Using a pair of scissors, trim the fabric corners and ends of the zip. 12 Turn the pencil case RS out and push out the corners on the outer fabric. Fold the raw edges of the lining at the gap to the WS, then pin and sew to close. Tuck the lining inside the pencil case and give it a final press. 10

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PHOTOGRAPHY: PHILIP SOWELS; STYLING: BECKI CLARK AND SALLY BUFTON; MODEL: ALEXANDRA FIA


t hE kni T ted t eE Summer knits are totally a thing, and Tiam Safari’s boxy crop is top of the list

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HOW TO MAKE… A KNITTED TEE MATERIALS Q Stylecraft Linen Drape, 70% viscose, 30% linen, 185m/202yd per 100g ball, 4 (4, 5) balls in Sangria (3907) Q 4mm (UK 8, US 6) circular knitting needle, 80cm (31½") or 1m (393/8") long Q Yarn needle Q Two stitch markers TENSION Approx. 18 sts x 20 rows in both st st and lace pattern to measure 10 x 10cm (4 x 4") ABBREVIATIONS (UK) st(s) stitch(es) k knit p purl yo yarn over ssk slip one st, slip one st, 82 MOLLIEMAKES.COM 96

knit slipped sts together st st stocking st (when knitting in the round, knit all rounds) FINISHED SIZE The pattern includes instructions for three sizes. When the instructions between each size differ, the instructions are given for the smallest size first, with medium and large shown in brackets thus: small (medium, large).

Those light knit layers you’ve been hearing about? This is one of them – a relaxed fit tee that’ll slip into your wardrobe like a missing puzzle piece. The mesh back makes it cool enough to rock with shorts, and you can layer it up when autumn rolls around. That’s transitional dressing nailed. No mind-boggling techniques here, just Netflix-friendly stocking stitch and simple lace. Settle in for a straightforward, satisfying knit.

Top Cast on 186 (206, 226) sts using the Long Tail Cast On method Join the sts in the round, taking care not to twist the cast on edge, place a stitch marker to mark the beginning of the round Rounds 1-48 (50, 52) k Separate for the front and back of the top Place a second stitch marker 94 (104, 114) sts along, to mark the

Size

Small (UK 8-10)

Medium (UK 12-14)

Large (UK 14-16)

Length measure from top of shoulder to hem

43cm (17")

45cm (17¾")

47cm (18½")

Width measure flat across garment

51cm (201/8")

57cm (22½")

63cm (247/8")

Armhole measure flat from top of

20cm (77/8")

21cm (8¼")

22cm (8¾")

16cm (63/8")

17cm (6¾")

18cm (71/8")

shoulder to underarm Sleeve measure flat from top of shoulder to edge of sleeve


end of the back of the top Back Worked in rows Next row k to 2nd stitch marker, turn leaving the remaining 92 (102, 112) sts on the knitting cable Next row p, turn Lace section Next row k1, *ssk, yo, repeat from * to last st, k1, turn [94 (104, 114) sts] Next row p, turn Next row k1, *yo, ssk; repeat from * to last st, k1, turn Next row p, turn Repeat last 4 rows a further 9 (10, 11) times Cast off loosely Front Rejoin the yarn to the remaining 92 (102, 112) sts and starting with a k Subscribe at molliemakes.com

row work st st in rows for 42 (46, 50) rows Cast off all stitches loosely Sleeves (make two) Cast on 72 (76, 80) sts using the Long Tail Cast On method Join the stitches in the round, taking care not to twist the cast on edge, place one stitch marker to mark the beginning of the round Rounds 1-28 (30, 32) k Cast off loosely

Finishing Seam the front and back together at the shoulders for 13cm (5Âź") each side. Place two stitch markers evenly around the cast off edge of one sleeve, match these to the shoulder seam and underarm point on the top, and sew the sleeve in, taking care not to pull too tightly and pucker the seam. Repeat for the second sleeve, then weave in all ends and block gently.

Tiam Safari London-based yarn hoarder Tiam is a cosmetics developer by day and a knitter by night. She’s knitted pieces for London Fashion Week and has been featured online by Vogue Australia and Elle Belgium. She shares yarny updates on Instagram @knitsafari. www.knitsafari.com

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Beautiful, easy-to-make craft projects INTRODUCING tea & a chat

“We’ve always the same goal of making our space work in our community.”

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Talking tequila and textiles with…

THE LONDON LOOM Francesca Kletz and Brooke Dennis launched London’s first drop in weaving studio in 2017 Francesca shares their story

Describe your style in three words. Awesome colourful and hilarious Did you have any particular ambitions when you first started out? We always wanted this to be a very open space inclusive with classes that are unpretentious yet substantial And we’ve always had the same goal of making our space work in our community But overall? We really just wanted to turn what we had in our heads into real ty and feeling like t’s happen ng is just glorious 01

Words LOTTIE STOREY Photographs INGRID RASMUSSEN

There aren’t many creat ve bus nesses that celebrate their second year of business and launch their first book on the same night but the London Loom is one such success story A ter closing her sewing studio in New Zealand to move to London w th her family Brooke bought her first loom and fell in love with a gentle tactile pract ce that allowed her to flow w th her intuition rather than fo lowing patterns Meanwhile Francesca discovered freestyle weav ng at a beginner’s class in Japan wh le visit ng

her sister before training to teach the technique n New York The pair met in London bonded over bagels and looms and decided to open their own studio (or “just a colourful place with ace tunes and good chat” according to the r webs te) The London Loom is modern and bright a true creative community that’s about as far away from twee or disposable as you could get We met the endlessly energet c pair to chat how it a l began what drives them and why there aren t more shades of neon green yarn.

How did you get into weaving? Weaving just came for us! We love yarn we love kn tting and we love to sew and make garments In a roundabout sort of way weaving allows us to be a bit more cross curricular with our crafts I still wouldn’t call us professional weavers as we don’t produce cloth for sale Instead we’ve always been an educational bus ness imparting knowledge alongside our joy of fibres and making th ngs with your hands Tell us more about why you both love this craft so much. There are so many benefits to hand weaving There’s a long history of hand-

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Plus!

weav ng be ng used as a therapy the term basket case came from occupational therap sts working on hand weaving with veterans with PTSD It’s extremely rhythm c which is soothing and very simple for both beginners and children to get to gr ps with Weaving especially on our floor looms is also really speedy Unlike a lot of beginners’ craft classes you can make something very substantial very qu ckly which is super satisfy ng There is a lot of set up involved in weaving but we do that all for our beginners so they can

just get straight into the stud o and start weaving right away

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Brooke and

Freestyle weaving

Francesca set up

is fun and fast and

The London Loom

What’s your typical working day like? We have a big meet ng about the week ahead and catch up on each other’s weekends Brooke’s more practical moving around the studio at light speed preparing everything for the week while I’m on the computer responding to customers and arranging meetings for var ous businessy plans When there are customers in the studio the music is on, the atmosphere

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to be somewhere

the end results can be impressive

“colourful and bright

Francesca adds

a place with

green pom poms to

good equipment and

a salmon-coloured

quality materials”

weave on the loom.

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Inspiration from creatives and designer-makers

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PHOTOGRAPHY: PHILIP SOWELS; STYLING: BECKI CLARK AND SALLY BUFTON


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HOW TO MAKE… A LEMON EMBROIDERY HOOP MATERIALS Q 30 x 30cm (117/8 x 117/8") grey linen fabric Q Embroidery thread (we used DMC stranded cotton in 3852 (mustard yellow), 3051 (dark green), 743 (yellow), 3346 (green), 898 (brown) and 580 (bright green) Q Sewing thread (we used DMC sewing machine thread size 50 in 801 (brown) and B5200 (white)

Q Embroidery needle Q 18cm (71/8") embroidery hoop Q Craft glue

Whether you’ve escaped to the Med this summer or not, recreate your own little corner of lemon grove sunshine with the power of stitch. The botanical embroidery really sings out against the dark grey linen background and definitely has more than a hint of the Amalfi coast about it. And, it’s also triggered our latest obsession – the idea of a stitched holiday scrapbook wall, filled with embroidery hoops or sampler designs based on all the best bits of latest getaways. Instructions Use all six strands of embroidery thread throughout, and turn to

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page 98 to find instructions for each of the stitches used. Using the template on page 98, trace the pattern onto the linen fabric, then secure the fabric in the embroidery hoop. 02 Using mustard yellow thread and straight stitch, embroider and fill the plant pots, paying close attention so you don’t stitch over any of the leaf outlines. 03 With a combination of straight stitch and satin stitch, and using the images as a guide, use the bright green thread to stitch the leaves of the lemon tree. Change the angle of the stitches slightly for each leaf – this adds more texture. 01


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Stitch the leaves of the top two planters and the bottom hanging vine foliage with dark green thread and straight stitch. 05 Use French knots and green thread to fill the string of pearl plant leaves in the last remaining planter. You can change the size of 04

Helen Wilde Helen has worked in the design world for many years, designing products for companies like Harrods and Lush. Her embroidery business Ovo Bloom was born more recently, and the hobby that Helen loved in her spare time has become her true passion. www.ovobloom.etsy.com

the pearls by wrapping the thread around the needle more or fewer times as you work the French knots. 06 Fill in the lemon shapes using yellow thread and satin stitch, carefully angling the direction of the satin stitches on each lemon away from the lemon immediately next to it. The different directions will add more texture to the piece. 07 Use satin stitch and brown thread to carefully fill in the empty shelf voids, as shown, stitching around the leaf shapes and keeping within the lines. 08 Next, using brown thread and small horizontal satin stitches, carefully fill in the narrow trunk of the lemon tree.

For the smaller, finer branches and stems of the lemon tree and other plants, use brown sewing thread and simple straight stitch throughout the design. 10 Finish the tops of the plant pots with a simple straight line using the white sewing thread to give an extra pop of colour. 11 Adjust the fabric in the hoop until you’re happy with the position of the design. Trim off the excess fabric and then glue the overhanging fabric carefully on the reverse of the hoop, taking care to not get any glue on the main body of the fabric. 12 Trim away any excess threads on the back of the hoop to finish. 09

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The Handmade Fair Returns to Hampton Court

14-16 September 2018 The Green at Hampton Court Palace Visit The Handmade Fair for the ultimate creative day out, filled with hands-on craft workshops and shopping galore!

LEARN A NEW CRAFT Playing host to some of the country’s most talented makers, The Handmade Fair at Hampton Court is bigger and better than ever this year! Whether you’re looking to learn something new, brush up on existing skills, or take inspiration from industry experts, there’s a whole host of creative sessions you’ll love. And this year, when you buy your ticket, you can add on as many as you can fit in! Get hands on with the interactive Skills Workshops sessions, where you’ll be taught techniques ranging from weaving to calligraphy by a professional in that field. Add a Grand Makes to your basket, too – you’ll 88 MOLLIEMAKES.COM 96

join 300 like-minded crafters and learn to make a quick project with maximum impact. You’ll also want to pay a visit to the Super Theatre, where you can take inspiration from creatives such as Annie Sloan, and Tilly Walnes from Tilly and the Buttons.

MEET THE CELEBS Visit The Handmade Fair on Friday or Saturday and you’ll find Kirstie Allsopp hosting, and on stage in the Super Theatre. Or, book tickets for Sunday to see Max McMurdo hosting, and sharing the story behind his creative journey, and what it’s like to work on TV and write books.

EXCLUSIVE TICKET OFFER! Save £3 on Entry Tickets and £10 on VIP Tickets for the Handmade Fair at Hampton Court – book now with code MOLLIE2! Discount on full price Entry Only tickets (£16) and full price VIP tickets (£95). *Booking and transaction fees apply.


OUR PICK

Grand Makes

Super Theatre

Sessions £6 each Meeting fellow crafters and making new friends is one of the best things about The Handmade Fair. Book a Grand Makes session, crafting as part of a group alongside 300 others, and you’ll make more than pretty butterfly origami or fabriccovered buttons to take home – you’ll make plenty of creative pals, too!

Sessions £6 each The Super Theatre is an insight into Kirstie’s world, featuring talks and demonstrations from some of the amazing people she’s worked with. Hear MasterChef Champion 2018 Kenny Tutt’s story – plus see him cook! – and watch some of the UK’s top crafters go head-to-head at the Mollie Makes Mash Ups.

Use colourful collage techniques and a liberal dose of mt washi Masking Tape to whip up cards your friends will love you for. Or, keep your finished make for yourself and frame it – instant on-trend wall art!

OUR PICK

Skills Workshops

Masterclasses Sessions from £20 Elevate your crafting with expert-led discussions and demonstrations in a slightly longer session. Lasting between 1½ and 3 hours, you’ll learn more in-depth techniques including freehand machine embroidery, appliqué, and other sewing skills. Plus, you’ll leave each session with a beautiful new item.

Sessions £12 each If you want to learn new skills from expert tutors, make sure to book an interactive Skills Workshop session. Each one lasts an hour and you can paint, print, sew, hand-dye, make jewellery, brush letter... The possibilities are endless. Plan out your day so you can squeeze in lots of these!

OUR PICK

Master the art of macramé – our latest craft crush – with Becky John from My Blooming Day’s plant hanger workshop. Combining boho vibes with a new home for your greenery, this make is a must.

Renowned knitwear and crochet designer Erica Knight shares her design process on stage. She’ll be discussing everything from inspiration to finishing techniques, giving tips to help you bring your own ideas to life.

OUR PICK

If you fancy getting into dressmaking but don’t know where to begin, Sophia-Palmer Jessalli’s elasticated skirt masterclass is for you. Learn how to measure, cut and make your first me-made wardrobe update.

BOOK YOUR TICKETS AT WWW.THEHANDMADEFAIR.COM/HAMPTON OR VIA THE TICKET HOTLINE ON 0871 230 7153* USING CODE MOLLIE2 *Calls cost 10p per minute plus network extras. Booking fees apply. VIP tickets cost £85 with offer, saving £10 on face value of £95. Entry Only tickets cost £13 with offer, saving £3 on face value of £16.


E 018 L SA T 2 ON SEP H 1T

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NEXT MONTH’S ISSUE PLANS!

Sew a statement clutch bag

make starburst straw mirrors MAKE IT

Crochet a weave-look pouffe

¤ CROCHET HAT AND BOOTEES ¤ WOVEN VELVET BOLSTER ¤ PATCHWORK GEO QUILT ¤ EMBROIDERED CHRISTMAS LIGHTS ¤ MACRAMÉ FLOWER NECKLACE ¤ LATCH HOOK MAT

PLUS LEARN TO WEAVE LOOM & WINTER HOMESTYLE BOOK Make a wall hanging with your kit

97 COVER GIFT AND CONTENTS SUBJECT TO CHANGE.



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HOW TO MAKE… A WOVEN PAPER BASKET MATERIALS Q Roll of brown paper Q A4 piece of thick card Q Pair of compasses Q Strong double-sided sticky tape

Craft projects that are even simpler to make than they look? They’re the best kind. The secret to this basket is that while it looks like wood, it’s actually made with strips of carefully folded paper. Get cutting and weaving and take the basket trend in an understated Scandi direction. Because we might as well face it: we’re crafters, we’re always going to need more storage. For the paper basket base, cut out a 20cm (77/8") diameter circle from a piece of thick card. 02 Using a pencil and ruler, draw 16 equally spaced lines through the centre of the card circle. The 01

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resulting pattern should look like a sliced pizza, as shown. 03 Cut out a 12 x 16cm (4¾ x 63/8") piece of brown paper and lay it flat on the work surface. Fold both of the long edges in towards the centre, so they meet in the middle. 04 Repeat the process of folding the long edges in towards the middle, as shown. 05 Fold the paper again, this time along the length through the centre so the two sides meet. This fold will hide the raw edges of the paper. Stick the sides of paper together with double-sided sticky tape on the inside of the fold. 06 Repeat Steps 3-5 until you have 16 identical strips of folded paper.


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Using the same folding process as for Steps 3-5, make five more folded strips of brown paper, each at least 75cm (29½") long so they’ll be the right length to wrap around the full circumference of the circular basket base. 07

Mike Aspinall Mike’s a craft fanatic from Nottingham. He’s the UK Brand Ambassador for Singer and was recently named the fifth most popular DIY blogger in the UK. Mike shares weekly tutorials on his blog, ranging from sewing to woodwork and everything in between. www.thecraftygentleman.net

Using double-sided sticky tape, stick each of the 16 smaller strips of paper to the edge of the circle cut in Step 1. Use the grid lines drawn in Step 6 as a guide, to ensure they are evenly spaced. 09 Turn the circle upside down, so the grid is on the underside. Fold one of the 16cm (63/8") strips of paper over, across the top of the circle. Stick one of the longer paper strips to it with a small piece of double-sided sticky tape. They should be joined at a 90º angle. 10 Weave this longer strip all the way around the circle. Alternate between weaving it over one of the outer paper strips, then under the next, and so on, until you reach 08

the end of the paper. At this point, use more double-sided sticky tape to stick the end of the long strip against the final outer strip it was woven across. 11 Repeat Steps 9 and 10 with the rest of the longer paper strips. Each time, move them 2-3cm (¾-1¼") further up the outer strips. You also need to make sure to alternate the weaving with each piece you add – so instead of going over/under, go under/over – to build up the woven design. 12 Once all the horizontal pieces are woven in, fold over the excess lengths of the shorter vertical pieces and stick them down with double-sided sticky tape. 96 MOLLIEMAKES.COM 93


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Take a slice


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HOW TO MAKE‌ A WATERMELON FAVOUR BOX MATERIALS For each box Q One A4 sheet of card in teal Q One A4 sheet of paper in blush pink Q One A5 sheet of paper in green Q Craft knife Q Cutting mat Q Embossing tool Q Metal ruler

Q Bone folder Q Tacky glue Q Hole punch Q 30cm (117/8") pale pink ribbon

How sweet would these paper craft pyramid wonders look on your table for a birthday party or summer shindig? Put that craft knife to work, then fill your watermelon boxes with treats – rainbow confetti and fruity sour sweets get our vote. For a stronger pop of colour, swap the blush paper for bright pink and the teal for bright green. Using the templates on page 98, carefully cut one box piece from 01

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the teal card, four side pieces from the pink paper and four edge pieces from the green paper for each favour box, with a craft knife and a cutting mat. 02 Referring to the templates on page 98, use an embossing tool and a metal ruler to score the fold lines. Fold all the scored lines into mountain folds using a bone folder. 03 Take a pink side piece and apply a thin layer of tacky glue to the back of the main area, avoiding the side tabs. Press onto the teal piece,


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aligning the points and edges. Repeat this step with the remaining pink side pieces.

Paper Craft Home This project appears in Paper Craft Home by Sarah Louise Matthews (£10.99), published by Search Press. The book features 25 modern paper craft projects to make for your home – everything from cards and cake toppers to fairy lights and a clock. www.searchpress.com

Next, take a green piece and apply a thin layer of glue to the back of the main area, avoiding the side tabs. Press a green piece onto one of the glued pink pieces, aligning the bottoms of the pieces. Repeat this step with the remaining green pieces, as shown. 05 Use a hole punch to make a hole 1cm (3/8") from the end of each point, punching through both the pink and teal layers. 06 To add the ribbon, turn the glued piece upside down, then 04

lift the four triangular faces upwards. Take a 30cm (117/8") length of ribbon and thread it in and out of the holes as shown, working around the piece by threading into the first hole, out of the second, into the third and out of the fourth hole. 07 To finish, fill the watermelon favour box with little gifts and treats, then pull the ribbon tight and tie in a bow to close the box. Repeat Steps 1-7 to make as many boxes as you need. 96 MOLLIEMAKES.COM 97


MAKES

TEMPLATES All the shapes for this issue’s makes. Unless otherwise stated, templates are shown at 100%.You can find the full-size templates ready to download from www.molliemakes.com FIND CROCHET TUTORIALS ON molliemakes.com

YOUR GIFT BY JENNIFER SANTOS PAGE 7

TENSION Tension isn’t important for this design, but it’s important that stitches are dense so the stuffing doesn’t show through ABBREVIATIONS (UK) st(s) stitch(es) ch chain ss slip stitch dc double crochet inc increase by working 2 dc in next st dec decrease by working 2 dc together thus: (insert hook in next st, yarn round hook and draw loop through) twice, yarn round hook and draw through all 3 loops on hook FINISHED SIZE Approx. 7.5cm (3") diameter

INSTRUCTIONS The doughnut is made in one continuous piece in the round, working in a spiral. Do not join at the end of each round – use a stitch marker to mark the start. When changing colour, do so on the last yarn round hook of the previous st. Foundation with light brown yarn, ch18 and join into a ring with a ss Round 1 ch1 (does not count as st), 18dc in the ring, do not join but continue next round in a spiral [18 sts] Round 2 1dc in each st around Change to pink yarn Rounds 3-4 1dc in each st around Round 5 1dc, inc, (2dc, inc) 5

times, 1dc [24 sts] Round 6 (3dc, inc) 6 times [30 sts] Round 7 2dc, inc, (4dc, inc) 5 times, 2dc [36 sts] Round 8 (5dc, inc) 6 times [42 sts] Round 9 3dc, inc, (6dc, inc) 5 times [48 sts] Round 10 (7dc, inc) 6 times [54 sts] Round 11 4dc, inc, (8dc, inc) 5 times, 4dc [60 sts] Rounds 12-13 1dc in each st around Change to light brown yarn Rounds 14-15 1dc in each st around Round 16 4dc, dec, (8dc, dec) 5 times, 4dc [54 sts] Round 17 (7dc, dec) 6 times [48 sts] Round 18 3dc, dec, (6dc, dec) 5 times, 3dc [42 sts]

Round 19 (5dc, dec) 6 times [36 sts] Round 20 2dc, dec, (4dc, dec) 5 times, 2dc [30 sts] Round 21 (3dc, dec) 6 times [24 sts] Round 22 1dc, dec, (2dc, dec) 5 times, 1dc [18 sts] Finish with a ss in next st Break yarn and fasten off, leaving a long tail. Fold the narrow base (Rounds 1-4) into the centre Sew the starting edge to the last round, stuffing as you go FINISHING Use black embroidery thread to embroider the mouth and eyes, referring to the images as a guide. Use dark pink yarn to sew the cheeks, and yellow, mint and blue yarn to sew the sprinkles.

Thank you for making this project from Mollie Makes. We have requested specific permission from designers so that you can recreate and sell selected projects from this issue on the following conditions. Just look for this icon. You can individually hand make as many as you wish of our labelled projects, to sell either for yourself, your local event or to raise money for charity. You cannot sell in shops (online or otherwise) and you cannot go into mass production, which means you cannot manufacture in large quantities, especially by machine. Selling photocopies of any part of this magazine, its kits or supplements is prohibited. We don’t mind if you make a copy of the templates for a friend but please do not make any part of the templates or instructions available to others through your website or a third party website, or copy it multiple times without our permission. Please respect one another’s copyright.

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WATERMELON FAVOUR BOXES BY SARAH LOUISE MATTHEWS PAGE 95 Photocopy at 200%

Cut Score (Mountain fold)

Box Cut 1

FIND FULL SIZE TEMPLATES ON molliemakes.com

Edge Cut 4

Side Cut 4

Thank you for making this project from Mollie Makes. We have requested specific permission from designers so that you can recreate and sell selected projects from this issue on the following conditions. Just look for this icon. You can individually hand make as many as you wish of our labelled projects, to sell either for yourself, your local event or to raise money for charity. You cannot sell in shops (online or otherwise) and you cannot go into mass production, which means you cannot manufacture in large quantities, especially by machine. Selling photocopies of any part of this magazine, its kits or supplements is prohibited. We don’t mind if you make a copy of the templates for a friend but please do not make any part of the templates or instructions available to others through your website or a third party website, or copy it multiple times without our permission. Please respect one another’s copyright.

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96 MOLLIEMAKES.COM 99


MAKES

PATCHWORK WALL HANGING BY JOANNE HART PAGE 55 Photocopy at 125%

FIND FULL SIZE TEMPLATES ON molliemakes.com

LAYOUT DIAGRAM

H6

G6

H5

G5

G7

H7 H3

G3 D1 H1

G1 G2

H2 H4

G4

B9

C9 A8

B6

C6

B2

G8

C2

B10

C10 B5

B8

C8

A7 E1

H8

C5

A6

A5

A4 A3 A11

A9 A10 A13

F1

A2 A12

Thank you for making this project from Mollie Makes. We have requested specific permission from designers so that you can recreate and sell selected projects from this issue on the following conditions. Just look for this icon. You can individually hand make as many as you wish of our labelled projects, to sell either for yourself, your local event or to raise money for charity. You cannot sell in shops (online or otherwise) and you cannot go into mass production, which means you cannot manufacture in large quantities, especially by machine. Selling photocopies of any part of this magazine, its kits or supplements is prohibited. We don’t mind if you make a copy of the templates for a friend but please do not make any part of the templates or instructions available to others through your website or a third party website, or copy it multiple times without our permission. Please respect one another’s copyright.

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MAKES

H6 H5 H7 FIND FULL SIZE TEMPLATES ON molliemakes.com

H3

PATCHWORK WALL HANGING BY JOANNE HART PAGE 55 Photocopy at 125%

H1 H2

TEMPLATE A Nose Cut 1

H4

BX B6

H8 A8

B10

B4

B3 B2

B5

B1 B7

C9 C6

B8

C3 C2 C7 C1

C4 C10 C5 A7

C8

A6

A5

TEMPLATE B Left face Cut 1

A1 A3

TEMPLATE C Right face Cut 1

TEMPLATE H Right ear Cut 1

A11

A4 A2

A9 A10

A12

A13

Thank you for making this project from Mollie Makes. We have requested specific permission from designers so that you can recreate and sell selected projects from this issue on the following conditions. Just look for this icon. You can individually hand make as many as you wish of our labelled projects, to sell either for yourself, your local event or to raise money for charity. You cannot sell in shops (online or otherwise) and you cannot go into mass production, which means you cannot manufacture in large quantities, especially by machine. Selling photocopies of any part of this magazine, its kits or supplements is prohibited. We don’t mind if you make a copy of the templates for a friend but please do not make any part of the templates or instructions available to others through your website or a third party website, or copy it multiple times without our permission. Please respect one another’s copyright.

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96 MOLLIEMAKES.COM 101


MAKES

PATCHWORK WALL HANGING

TEMPLATE D Cut 1

BY JOANNE HART PAGE 55 Photocopy at 125%

D1 [1]

G6 G5 G7

G3

TEMPLATE F Cut 1

G1 G2

G4

F1 [1]

G8

[1] E1

TEMPLATE G Left ear Cut 1 TEMPLATE E Cut 1

FIND FULL SIZE TEMPLATES ON molliemakes.com

Thank you for making this project from Mollie Makes. We have requested specific permission from designers so that you can recreate and sell selected projects from this issue on the following conditions. Just look for this icon. You can individually hand make as many as you wish of our labelled projects, to sell either for yourself, your local event or to raise money for charity. You cannot sell in shops (online or otherwise) and you cannot go into mass production, which means you cannot manufacture in large quantities, especially by machine. Selling photocopies of any part of this magazine, its kits or supplements is prohibited. We don’t mind if you make a copy of the templates for a friend but please do not make any part of the templates or instructions available to others through your website or a third party website, or copy it multiple times without our permission. Please respect one another’s copyright.

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MAKES

PENCIL CASE BY MOIRA FULLER PAGE 77

Thank you for making this project from Mollie Makes. We have requested specific permission from designers so that you can recreate and sell selected projects from this issue on the following conditions. Just look for this icon. You can individually hand make as many as you wish of our labelled projects, to sell either for yourself, your local event or to raise money for charity. You cannot sell in shops (online or otherwise) and you cannot go into mass production, which means you cannot manufacture in large quantities, especially by machine. Selling photocopies of any part of this magazine, its kits or supplements is prohibited. We don’t mind if you make a copy of the templates for a friend but please do not make any part of the templates or instructions available to others through your website or a third party website, or copy it multiple times without our permission. Please respect one another’s copyright.

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96 MOLLIEMAKES.COM 103


MAKES

LEMON EMBROIDERY HOOP BY HELEN WILDE PAGE 85

Thank you for making this project from Mollie Makes. We have requested specific permission from designers so that you can recreate and sell selected projects from this issue on the following conditions. Just look for this icon. You can individually hand make as many as you wish of our labelled projects, to sell either for yourself, your local event or to raise money for charity. You cannot sell in shops (online or otherwise) and you cannot go into mass production, which means you cannot manufacture in large quantities, especially by machine. Selling photocopies of any part of this magazine, its kits or supplements is prohibited. We don’t mind if you make a copy of the templates for a friend but please do not make any part of the templates or instructions available to others through your website or a third party website, or copy it multiple times without our permission. Please respect one another’s copyright.

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STITCH GUIDE USE OUR HANDY STITCH GUIDE FOR THE EMBROIDERY PROJECTS IN THIS ISSUE

FRENCH KNOT This is a stitch that everyone should learn, because it’s so useful. The secret is to hold the working thread taut while you pull it through. Come up at point 1, then wrap the thread around the needle twice. Holding the working thread with your non-dominant hand, bring the needle down at point 2 (close to point 1, but not the same hole) and pull slowly until the knot is formed.

02

01

01

02

STRAIGHT STITCH The simplest of stitches, straight stitch can be grouped together or used alone. Come up at point 1, then go down at point 2. Repeat.

01

02

03

04 01

02

SATIN STITCH When you want to fill an area with a smooth finish, this stitch is the ideal choice. It’s best worked in small areas, because if the stitches are too long, they may snag. Come up at point 1, then go down at point 2. Come up at point 3, then go down at point 4. Repeat. Always work the stitches across the area you’re filling, coming up on the opposite side where your needle went down.

Mollie Makes (ISSN 20460228) (USPS 20517) September 18 is published 14 times a year (monthly, with a Spring issue in March and a Christmas issue in November) by Immediate Media Company Bristol Ltd., Tower House, Fairfax St. Bristol BS1 3BN, United Kingdom. Distributed in the U.S. by NPS Media Group, 2 Corporate Dr., Suite 945, Shelton, CT 06484. Periodical Postage paid at Shelton, CT and additional mailing offices. POSTMASTER: Send address change to Mollie Makes, 3330 Pacific Ave., Suite 500, Virginia Beach, VA 23451. Thank you for making this project from Mollie Makes. We have requested specific permission from designers so that you can recreate and sell selected projects from this issue on the following conditions. Just look for this icon. You can individually hand make as many as you wish of our labelled projects, to sell either for yourself, your local event or to raise money for charity. You cannot sell in shops (online or otherwise) and you cannot go into mass production, which means you cannot manufacture in large quantities, especially by machine. Selling photocopies of any part of this magazine, its kits or supplements is prohibited. We don’t mind if you make a copy of the templates for a friend but please do not make any part of the templates or instructions available to others through your website or a third party website, or copy it multiple times without our permission. Please respect one another’s copyright.

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96 MOLLIEMAKES.COM 105


Stitcher Genevieve Brading on letting creativity flow

Name: Genevieve Brading Occupation: Author and needlework designer

Time off is key for generating new Floss and Mischief ideas

Rather selfishly, I design what I want to stitch, without having a plan. One design often flows into the next: when researching colourful bugs, I discovered incredible moths which led to my moth cross stitch kits. Inspiration is like love – you’ll only find it when you stop looking.When I’ve forced it, it’s become a hideand-seek nightmare! Inspiration strikes when my mind’s elsewhere – visiting an exhibition, sewing for me, reading the papers... I don’t feel guilty about taking time off, I’m more creative for it. I brain-dump ideas as I get them, my

notebook’s full of half-baked concepts. I can sit on ideas for months, letting them percolate, before designing them. The most important design stage is stitching the pattern to know if the colours and stitch experience work. When creating my tropical bird kits, I dabbled with cross stitch flowers and want to do more. I’ve enrolled on a flower-themed art class to push my skills, and hope creativity will breed creativity.

Genevieve’s designs often begin as sketches in her notebook

Currents Visit www.flossandmischief.com to find Genevieve’s contemporary cross stitch kits, patterns and book. On Instagram she’s @flossandmischief.

Next issue: Jenniffer Taylor’s sewing revolution 106 MOLLIEMAKES.COM 96

Learning: On Victoria Johnson’s Explore Florals class. Making: Lots of diferent Merchant & Mills Camber tops. Thinking about: Visiting the Mister Finch exhibition at Yorkshire Sculpture Park, 23 June – 23 September 2018.

HEADSHOT PHOTOGRAPHY: JOHNATHAN CHERRY; FLOSS AND MISCHIEF TROPICAL BIRD CROSS STITCH KITS PHOTOGRAPHY: HOLLY BOOTH

I can sit on ideas for months, letting them percolate, before designing them


d n Wooaddvla entu re Embrace the colours of nature and take a magical walk in the woods (wherever you are!) Go green; feel serene.

NATURE-POWERED

SHOP ONLINE!

www.gudrunsjoden.com

Stockholm | Est. 1976

Artist-smock style blouse in linen and cotton, £79

UNITED KINGDOM | SWEDEN | GERMANY | NORWAY | DENMARK | FINLAND | IRELAND | USA | FRANCE | SWITZERLAND | AUSTRIA | NETHERLANDS


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