N° 36
APRIL
TO BREAK THE RULES, YOU MUST FIRST MASTER THEM.
THE VALLÉE DE JOUX. FOR MILLENNIA A HARSH, UNYIELDING ENVIRONMENT; AND SINCE 1875 THE HOME OF AUDEMARS PIGUET, IN THE VILLAGE OF LE BRASSUS. THE EARLY WATCHMAKERS WERE SHAPED HERE, IN AWE OF THE FORCE OF NATURE YET DRIVEN TO MASTER ITS MYSTERIES THROUGH THE COMPLEX MECHANICS OF THEIR CRAFT. STILL TODAY THIS PIONEERING SPIRIT INSPIRES US TO CONSTANTLY CHALLENGE THE CONVENTIONS OF FINE WATCHMAKING.
Arabic Ad
ROYAL OAK DIAMOND SET IN YELLOW GOLD
English Ad
A B U D H A B I T H E G A L L E R I A A L M A R YA H I S L A N D D U B A I M A L L O F T H E E M I R AT E S D O H A V I L L A G G I O M A L L J E D D A H K H AY YAT C E N T E R R I YA D H C E N T R I A M A L L K U W A I T C I T Y T H E A V E N U E S P R E S T I G E M A N A M A B A H R A I N C I T Y C E N T R E S A K S F I F T H A V E N U E
©2016 COACH®
CHLOË CHLOË GRACE GRACE MORETZ MORETZ / Actress / Actress Mercer Mercer in Denim in Denim SkullSkull Print Print coach.com coach.com
©2016 COACH®
CHLOË GRACE MORETZ / Actress Coach Swagger in Beechwood Multi Viola Sandal in Black coach.com
Refresh and rejuvenate your wardrobe with a closet detox organised by Louis Fourteen. louisfourteen.com/fashion
22 Chairman SHAHAB IZADPANAH
EDITORIAL
PUBLISHING
Editor in Chief MOJEH IZADPANAH
Publishing Director RADHIKA NATU
Associate Editor SHERI IZADPANAH
Publishing Assistant DESIREE LABANDA-GAVERIA
Managing Editor KELLY BALDWIN
Junior Publishing Assistant Kisada Hurin
Senior Fashion Writer Natalie Trevis
Senior Advertisement Manager Pamela Bayram Cleave
Fashion Writer susan devaney
Advertising Inquiries Tel: +971 4 553 90 49 Email: advertising@mojeh.com
Senior Editorial Assistant Aishwarya Tyagi
Subscription Tel: +971 4 553 90 49 Email: subs@mojeh.com
Editorial Assistant Sophie pasztor
Paris Representative GHISLAIN DE CASTELBAJAC
Guest Fashion Stylists Sofia Odero James V. Thomas Pauline Roze
Published under HS Media Group FZ LLC Registered at Dubai Design District Building No. 8, Offices 212-213 P.O.Box 502333, Dubai, UAE.
MOJEH Men Group Peter Iantorno Dmitri Ruwan
LOUIS FOURTEEN FOR MOJEH
ART
Concierge Service Management daisy marchant
Producer LOUIS AGENCY
Corporate Manager JUBRAN HAMATI
Art Director AMIRREZA AMIRASLANI
Online Division Ali Roman
Graphic Designer Balaji Mahendran
Lifestyle Assistance kasia wawryszuk
Digital Strategy LOUIS AGENCY Contributing Photographers Norbert Kniat Sarvenaz Hashtroudi Vivienne Balla Julien Vallon Danilo Hess Karina Twiss Michelle Peric Rhys Simpson-Hopkins
Cover photographed by Karina Twiss, model wears high jewellery earrings and ring by Cartier.
WWW.MOJEH.COM Louis Fourteen for MOJEH Follow us on Twitter @MOJEH_Magazine MOJEH Swiss Representative Office: Rue de Rive 4, 1204 Geneva, Switzerland Average qualified circulation (January-June 2015): 13,306 copies. For the UAE printed by Emirates Printing Press LLC. Distribution- UAE: Al Nisr Distribution LLC. Qatar: Dar Al Sharq. Bahrain: Jashanmal & Sons BSC (C). Oman: United Media Services LLC. Lebanon: Messageries Du Moyen-Orient The publishers regret that they cannot accept liability for error or omissions contained in this publication, however caused. The opinions and views contained in this publication are not necessary those of the publishers. Readers are advised to seek specialist advice before acting on information contained in this publication which is provided for general use and may not be appropriate for the readers particular circumstances. The ownership of trademark is acknowledged, therefore reproduction in whole or in part without written permission is strictly prohibited. All credits are subjects to change. Copyright HS MEDIA GROUP FZ LLC 2011
24
M o j eh C o ntent s
FEATURES 74. The Meaning of Marni Consuelo Castigilioni, the founder and creative director of Marni, discusses stylish modern muses and why her fashion currency is confidence.
86. Under Construction Would you ditch your staple skinnies for an original fit? We take a closer look at the rising trend of the year so far.
158. Reimagining The Stone Take a journey with us to Zambia in Africa, as we discover the world’s largest mine and the many powers of the beautiful emerald.
STYLE 42. My Stylish Life: Tracey El Ghazal
47. Mulberry’s Main Man
The Lebanese-born blogger of ‘Fashion to Tracey’
Who’s Johnny Coca? As the newly appointed
gives us an insight into her life, love of interior
creative director of British brand Mulberry, the
design and fashion, and the things that mean
Spanish designer sat down with us days after his
the most to her.
debut runway show.
44. Where Do We Stand?
108. The Art of Getting Dressed
Where do we stand in line with fashion’s future?
It’s official: She knows what women want. After
We take a closer look at the current changes
three decades as creative director of her eponymous
in the fashion system and project our own
label, Spanish-born Purificación García is a woman
predictions for 2016.
of many talents.
26 BEAUTY AND CULTURE 198. In The Mix Is there anything Hannah Bronfman can’t do? We get to know the DJ and founder of beauty and fashion website HBFIT as her star continues to rise.
204. Chic Escapes From Havana and Oxford to Palm Springs, we delve into the hot spots that are influencing the fashion world in more ways than one.
208. At Home With Deema Al Asadi The Iraqi-born beauty invites us into her home as she gives us an insight into how she manages to balance work, life and everything in-between.
Photoshoots 52. The Longest Night
144. Blooming in style
Sleepwear steps into everyday life – from striped
From diamond earrings and emerald encrusted
pyjamas to sweet slip dresses, allow our edit to
bracelets to opulent necklaces, peruse our edit
transport you from sunrise to sunset.
of Cartier’s creations.
118. The Young Victoria
188. The Nature of Things
Embrace spring’s whimsical florals, lightly-rolling
As the seasons transform, turn to subtle shades of
ruffles and muted colour palette for a sweet less-
sunshine for glossy skin, blushed cheeks and lightly
is-more mood.
twisted hair – all with spring’s sun-kissed glow.
28
E d i t o r ’s L ette r
Beautiful Adventures After a winter of bold hues and sturdy prints, if I had to sum up the spring summer collections in just a few words, it would be spirited, adventurous and romantic. From hiking boots at Elie Saab to a strong salute towards sportswear at Atelier Versace, both the ready to wear and couture collections are loaded with functional styles imploring to be shown the great outdoors. But, in all the robust styles, soft and sensual haven’t been left behind, with designers appealing to our femininity through sugary shades, floral prints and overwhelmingly voluminous silhouettes. These are the kind of clothes you adorn while climbing mountains where the end game is a cliff-top Michelin star restaurant, or dresses perfect for lingering summer bike rides with numerous picnic stops along the way. The industry has finally embraced and now Photographed by Vivienne Balla
encourages our adventurous side. The one snag? We’re left with zero excuses for an off day, as high fashion becomes all encompassing. Our cover story sums up this new mood as Cartier’s high jewellery pieces sit beautifully with either casual knitwear or more opulent dresses and furs. Perfect for a studious dinner meeting or an afternoon adventure outside. The women featured within the issue – from Marni’s Consuelo Castiglioni to British actress and style icon Sienna Miller – each possess an air of beauty and grace along with a tenacious will for discovery and creation. And, with that in mind, our health section turns its focus towards the Middle East and looks at the benefits to be found in our great plains. From unconventional workouts and where to look for your vitamin D to the eateries and spas focusing on homegrown produce, we encourage you to spend your springtime right here. Finally, in February this year, Johnny Coca, Mulberry’s new creative director, sent out his first collection for the house and summed up today’s woman in one fell swoop. She’s tough, independent and still unapologetically girly. In one of his first ever interviews at the brand, we speak to the Spanish designer about the new era of design.
Follow me on Twitter and Instagram @Mojeh_I and write to me at editor@mojeh.com
Mojeh Izadpanah Editor in Chief
Possession Collection
possession.piaget.com
Abu Dhabi Piaget Boutique: Avenue at Etihad Towers, 02 667 0044
Dubai Piaget Boutiques: The Dubai Mall, 04 339 8222 Mall of the Emirates, 04 347 6336
30
E d i t o r ’s SN A P SHOT s
Fa shi o n G one Rogue 5
1
2
3&4
This season, it’s all about the journey, as we muster up adventurous highway styles for the free-spirited woman. Donning vintage biker influences with tough motorcycle jackets, tan leathers and bold lines, we play on the exploratory nature of the modern traveller. Take solace in patchwork prints and bring out your inner gypsy with cross-body bags. 1. PRADA | 2. A.LANGE AND SÖHNE | 3. BVLGARI | 4. CHLOÉ | 5. RALPH LAUREN | 6. MARC JACOBS | 7. GIUSEPPE ZANOTTI | 8. COACH
6
7
8
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st yl e note
G
lobal Flora
Styled by Olivia Cantillon and photographed by Sarvenaz Hashtroudi.
The new bloom loses traditional elements and turns to alternative methods of design. Fiercely opposing and contrasting in style, look to clashing prints, 3D visuals and brocade beauty.
Left to right: LAURENCE DECADE at Level Shoe District | FENDI
34
j e w ellery n ot e
Undenied Beauty Decorate your neckline with La Marquise’s glittering blue topaz and white diamond necklace, inspired by the blooming of a flower and encrusted with over 570 white diamonds. Get the most out of your jewels by wearing them throughout the day and night.
Styled by Olivia Cantillon and photographed by Sarvenaz Hashtroudi.
LA MARQUISE JEWELLERY
Malgosia Bela by Mikael Jansson – messika.com
Angel Collection
for English Ad
36
Hailed as the sandal of the season, Marni delivers everything you could require for a summer romance. Complete with suede panelling, tropical embellishments and daytime shine, not to mention the functional two-strap detailing, what’s not to love?
Sandals, MARNI
Styled by Olivia Cantillon and photographed by Sarvenaz Hashtroudi.
st yl e note
Home at last.
AGENT FOR GCC COUNTRIES Pia Colzani Tel. +39 335 8394824 pia.flexform@gmail.com
GROUNDPIECE SECTIONAL SOFA design by Antonio Citterio
FLEXFORM www.flexform.it
38
Fa sh io n IN F O C U S
A Novel Romance Reflect youthful whimsy in a soft palette of cream and lavender for a day spent in the sun. Look towards structured separates in crisp white and flaunt polished accessories in solid gold.
Words by Sophie Pasztor
1. CHRISTIAN SIRIANO @bysymphony.com | 2. TEMPERLY LONDON | 3. ROBERT WAN | 4. MULBERRY | 5. CÉLINE | 6. PAUL ANDREW at Level Shoe District | 7. VALENTINO @stylebop.com | 8. MIU MIU
Modern Artisan A minimalistic wardrobe will make for a perfect blank canvas to form the foundation of your look. Accessorise with artistic accompaniments that have a focus on shape and design like Dior’s artisanal earrings.
1. CÉLINE | 2. ROLAND MOURET | 3. DSQUARED2 | 4. PAULA CADEMARTORI | 5. WHISTLES at Harvey Nichols Dubai | 6. ISSA @ bysymphony.com | 7. CHRISTIAN DIOR
40 A Ray of Light Shine bright in joyful strokes of colour and empower yourself with positive vibes. Look to the rainbow for cheerful wardrobe inspiration or select bright accessories for a subtle inclusion to satisfy your free spirit.
1. PRADA | 2. EMILIO PUCCI @stylebop.com | 3. CHRISTIAN LOUBOUTIN | 4. PAULA CADEMARTORI | 5. GREY ANT @bysymphony.com | 6. MARNI | 7. MONSE @netaporter.com | 8. ZADIG & VOLTAIRE
Wild West Look to the great outdoors and channel your inner cowgirl with country elements. Opt for neutral shades and distressed denim, while incorporating details like fringe and textured embroidery to carry off the look.
1. CHLOÉ | 2. DSQUARED2 | 3. CÉLINE | 4. MARC JACOBS | 5. CHRISTIAN DIOR | 6. TALITHA @matchesfashion.com | 7. COACH
42
S o c i ety W o m en
Photographed by Nour Keyrouz on location at the Four Seasons Hotel, Beirut Hair styled by Georges El Mendelek
My Stylish Life:
Tracy El Ghazal Style maven, Lebanese born Tracy El Ghazal merges her love of interior design and fashion on her successful blog, ‘Fashion to Tracy’. Here, she channels streamline silhouettes for the season ahead, while talking us through her lifestyle must-haves.
Motto to live by: Never Look Back | Best advice: Never change for the sake of pleasing those who don’t see your true spirit | Person who has taught you the most in life: My parents | What inspires you the most: Paris, everything vintage and Christian Dior | Person you’d most like to meet: Fan Bing Bing | Goal for 2016: Graduating and becoming an interior designer | Most cherished possession: My grandmother’s vintage earrings and my shoe closet | Last book read: Coco Chanel and the Pulse of History | Favourite place to shop in Beirut: Aishti and Le Lobby | Indoors or outdoors: Outdoors | Downtime activities: Writing and dancing.
Tracy wears Elisabetta Franchi shirt, belt and pants with Christian Louboutin shoes
Top: Tracy wears Elisabetta Franchi dress and Christian Dior shoes | Bottom: Tracy wears Elisabetta Franchi jacket and skirt with Christian Dior shoes
Favourite fashion brands: Zara, Dior,
brand: Dior, Make up For Ever and Chanel
Bimba & Lola, Paul & Joe and Maje |
| Staple lipstick and shade: Pirate and
Favourite local designer: Elie Saab,
Gabrielle by Chanel | Best health or beauty
Dina Jsr, Basil Soda and Sandra Mansour
tip you’ve ever been given: Drink lots
| Must-have item for summer: A statement
of water and never forget your sunscreen
backpack and a pair of gold aviators |
| Favourite at-home beauty solution:
Style icon: Audrey Hepburn | Favourite
Apple cider vinegar cleansing once a week
bloggers: Kristina Bazan and Karla Deras
and spraying cold rose water on my face
| Signature style: A pencil skirt, oversized
every morning! | Signature scent: Coco
shirt and a pair of show stopping stilettos
Mademoiselle – Chanel | What’s your daily
| Favourite city to shop: Paris, Paris,
beauty regimen: I love a daily moisturiser
Paris | Trend to cover for s/s16: The
from Avene after washing my face with rose
Seventies and Spanish inspired looks –
water. I wash my face three times a day
fringe, suede, ruffles, off shoulder tops,
before applying my Benzamycin gel mask to
blue jeans and bold colours | Biggest
treat moderate acne and Shiseido under eye
fashion faux pas: Wearing leggings as
cream at night | Favoured workout: Weight
pants | Heels or flats: Heel | Blow-dry or
lifting, lunges and squats | Best beauty
au-natural: Blow-dry | Favourite beauty
secret: Vaseline jelly as an under eye cream.
44
Tal k ing P o i nt
Where Do We Stand? By Susan Devaney
It was the crash of 2015. The current fashion system that’s been in place for decades was challenged by the introduction of the see-now-buy-now model. So, where do we stand in line with fashion’s future?
How do we go about changing a system that’s been set in place for decades? And, will a ‘one size fits all’ model work? “We have designers, retailers and everybody complaining about the shows,” said Diane von Furstenberg last year. “Everything needs to be rebooted.” But that’s exactly what’s beginning to happen. The CFDA [Council of Fashion Designers of America] employed Boston Consulting Group at the end of last year to explore viable alternatives to the current format, with the view of turning New York Fashion Week into a customer-facing event that has prompted many discussions. And, von Furstenberg should know, being the president of the CFDA and a designer who has also initiated change herself. In February, DVF held a small presentation, instead of her usual annual show at Spring Studios in New York City, offering some pieces from her autumn/winter 16 collection to buy the very same night. Of course, the world’s biggest supermodels – from Gigi Hadid and Kendall Jenner to Karlie Kloss – were modelling the new garments with aplomb.
It’s like we’d been watching a sweeping
– a structure that would have collections
If the new model were to succeed,
tsunami from afar in slow motion, knowing
shown in current season rather than
where would it leave editors? As regular
it would eventually hit. And it did. From
six months ahead of time, putting the
attendees ourselves of fashion week
Raf Simons’ shock exit from Dior and
focus on consumers instead of editors,
season, from London, Milan and New
Alexander Wang’s decision to step away
buyers and stylists. Making it possible for
York to Paris, our publication, like many
from Balenciaga to concentrate on his
shoppers to buy what they want from the
others, allows the current system to fit with
own label to Alber Elbaz stepping down as
collections online and in stores the same
our own publishing model. The editorial
Lanvin’s creative director after 22 years,
day it’s hit the runway. Then Tom Ford
process relies on having six months to
the warning signs were there last year.
came forward, cancelling its New York
see the clothes, meet with brands and
Not to mention, Diane von Furstenberg
show during fashion week in February,
find their place in particular issues before
voicing, in December 2015, the number
and instead made it known that they too
publication. The see-now-buy-now model
of complaints the Council of Fashion
would be adopting the same model come
will heavily rely on the Internet and social
Designers of America had received in
September 2016. They’ve completely
media. Editors, too, will have to adjust
relation to the current crumbling system.
gone against the grain of the current
their print schedules. “It’s a mess,” said
Then came Burberry, announcing that
system and challenged it head-on. The
Karl Lagerfeld backstage at Fendi to
they’d (from now on) only hold two
aftermath it’s left in its wake is a lot of
the Financial Times. “It’s just powdering
season-less annual shows, and would
change, and a whole lot of uncertainty
something that people don’t want to see
be introducing a see-now-buy-now model
for fashion’s future.
anyway, to make a statement. But, the
Dries Van Noten
reality is that you have to give people
Italy’s most successful designer,
goes online right away on social media
the time to make their choice, to order
Giorgio Armani, hasn’t stayed quiet
– dailies have been doing this forever.
the clothes or handbags, and to produce
on the subject matter either, nor has
I would like to realign the timing of the
them beautifully, so that editors can
he initiated any changes just yet. “I
presentations with those of sales in
photograph them. If not, that’s the end
think that a revision of calendars is in
stores with intelligence, balance and
of everything.” The end of fashion as we
some ways desirable: The times, and
great functionality. This will require
know it? “This way is chaos,” continued
not only the digital revolution, require
time and naturally a strategy fit at all
Lagerfeld. “People who have 300 shops
it. However, I think it is premature to be
levels, which I am ready to undertake.”
like Fendi can do it, but then you have to
swept away by the enthusiasm over the
Has Mr. Armani offered the best
make it already six months before, show
see-now-buy-now; for this revolution
solution to fix a broken system? We
it to the editors and somebody will see it
to be effective and permanent, it
should tread with patience, but a
anyway. That’s impossible. And people
will be necessary to intervene on
change must occur.
who have no retail shops, well, they don’t
every step of the pipeline in order
In recent months, it’s been a turbulent
know what to do.” Lagerfeld isn’t the only
to create an operating mechanism,
time for fashion as designers have
one opposing this new system – from
not the umpteenth operation of mere
openly spoken of ‘the crash and burn’.
Dior, Chanel, Chloé, Isabel Marant and
communication,” he said in a press
The fashion industry is no stranger to
Balenciaga to Lanvin – they have all opted
release issued in March. “I am not
speed when it comes to the creative
out of paving this new way.
worried about the fact that everything
process. Designers can appear to play
46
a musical game of chairs as they hop
freedom. “I think you decide that
a vanishing point: a lack of design and
from one label to the next, churning
yourself. I think that is something in
textile education, dire manufacturing
out (at least) six collections per year
the person. You know whatever you feel
conditions and unrealistic expansion
and, leaving a feeling of a merry-go-
is right. At the moment for me it feels
expectations, overworked designers
round style state of play (the most
right to work at Loewe – if that makes
and absurd delivery drops, an overdose
recent being Bouchra Jarrar taking
sense? I feel completely creatively free
of marketing and a surplus of out-
the reins at Lanvin). January is haute
in a very large company – because I
of-touch advertising, an absence of
couture; March is ready-to-wear, May is
live and breathe it. I pretend it in my
responsible and critical journalism, old-
cruise, July couture again; September
head that it’s mine. [This allows me] to
fashioned retail concepts dating from
ready-to-wear again; November resort
do my job,” he concluded. Surely, if he
the 19th and 20th century, a drastic
– before we’ve even added menswear
adopts the see-now-buy-now model,
economic slowdown and uninspired
to the long list. But, the speed limit
the fashion wheel will turn at an even
shoppers, who are no longer interested
has been reached on nearly all aspects
faster pace than before?
in the recycling of vintage styles. This
of the system. It is clear that brands
Is it time to switch seasons? During
means that the economy of clothes
cannot create any faster, a topic that
February and March, the spring/
will take over from the turnover of
we discussed in our December/January
summer collections are shown, and
fashion,” she told us during an interview
issue earlier this year, concluding that
in September the autumn/winter.
in March 2015. As labels continue to
everyone in fashion needs just a little
Respected trend forecaster Li Edelkoort
come forward, announcing changes
more time. The young up-and-coming
declared to MOJEH many months
both big and small to their delivery
designer, J. W. Anderson, who designs
ago that ‘this is the end of fashion as
schedules, the future of fashion hangs
for his own label and Loewe, explained
we know it.’ “The accumulation of a
in the balance. It may be a turbulent
to us in an interview this year with
variety of elements indicates that the
time for the industry, but (finally) we’re
MOJEH how he protects his creative
current fashion systems have reached
acknowledging and embracing change.
Photo courtesy of Getty
Mary Katrantzou
Congratulations on your appointment as creative director. Tell us about your first months at the house – how did you tackle things? It was important for me to follow what was done in the past, but also turn a new chapter, a new page for the brand, with more love, more modernity and more international designs. We are trying to make sure everything we do is relevant on a global scale, while keeping the sense of the Britishness inside the product. This could be felt through the colours, treatment of fabrics – it could be in any of the details. Did this motivate your decision to change the house’s logo? I took on the role in July and then started designing in September, at which point I went through the archives and looked at all the bags, on which I saw the old Mulberry writing. I noticed how English it was…
Johnny Coca, creative director of Mulberry.
the way it was written was more unique. I
Mulberry’s M
ain
M
an
realised that during their last changeover, they completely lost their DNA. I often like to go back to the way things started, and I wanted to bring back the uniqueness. You’re obviously very respectful towards the roots of the house. How will you harness the Mulberry DNA while staying true to your own creative expression? It’s important to understand what the customer wants successfully, and where it comes from. I went, saw all the products, saw all the knowledge and the craft, and
Last month, Johnny Coca revealed his first runway offering as creative director of Mulberry during London Fashion Week. The collection was both nostalgic and novel, and offered a fresh lease of life for the British design house and those who buy into it. Just days after the show, MOJEH sat down with the Spanish designer to discuss the women he admires and reawakening a heritage house.
I was thinking it’s British, but it can be stronger. I need to keep the heritage but also bring modernity. I want to understand the philosophy of the brand and why they are so popular in the United Kingdom. Because they respect the product, they made it functional and desirable in the past and there is a value behind that.
48
d e sig n er i nter vie w
I wanted to bring something fresh to every aspect of the brand, from the image to its advertising and, of course, the product itself. It’s for a strong character, who lives a global lifestyle, and this should be reflected in everything from the bags to the jewels, ready-to-wear and sunglasses. We want to focus on one item, but it’s really important that we appeal on a global scale when we do that. If it’s a bag, what is the message behind it, what was it designed for? Focusing on the attitude, movement, silhouette and coming up with something quite modern and quite cool, but in the meantime ensuring that everything is relevant – in a way, it’s like a new page, a new story for the brand. So, how did you get inspired for this collection? The street. I love when you have a coffee on a terrace or at a bar and you see all the girls walking with so much style. In my collection, you have so much attitude. You have all these different types of girls, who all want to be beautiful and they know how to dress, they know what looks nice on them. I just look at them. I ask myself why she has that bag or why she has that coat or why those shoes. So, you can identify the type of person based on how she dresses. My best way to evoke creation is when I am traveling and looking at people on the street. Backstage at the designer’s first show for the house. Below: Johnny Coca creates the new emblem.
How would you describe the Mulberry woman under your creative direction? She is a strong woman, she is cool. For me, there is no age, because I love to design You were born in Spain and have since
for everyone – everything I do needs to be
worked in both Paris and Italy. How did
flexible. She is quite powerful, and I love, love
you get in to the mindset of a brand that
strong girls. Today, girls have more and more
is traditionally very British?
power, and it’s really nice and really important
There were so many things I loved about
to me. They can be quite romantic and poetic
England before I moved to it and because
but still completely in control.
I’ve lived around Spain, Paris, Italy and Switzerland I’m very at ease with settling
Yes she is the boss of her life!
in to new places. It was really important
Yes and this is nice, I love that. She’s like
for me to analyse the key elements that
my mother for example. In the past it was
made it such a special British house but
so much about men, they had the power to
then look at how we can also make it
say and do anything but now it’s different,
more international.
it’s all about her.
With that in mind, talk us through the
How does the creative process happen
meaning behind your first collection.
for you?
Tailoring features heavily throughout the collection.
Well, anything I design needs to be right
done for this first collection I realise how
and have a function, so I’m not designing
accessible it all is. 950 euros, 750 euros,
just for pleasure – I want to make everything
even the exotic shoes are reasonable. It
useful and strong. So, if I need a bag, it
feels good to make something that’s great
needs to be right and functional or small or
quality with attention to craftsmanship
big or for business or for evening. We take
and still attainable.
care in everything we do; I go through the detail, construction, weight, function and
How do you ensure you are appealing
price. You can make a more beautiful bag
to all women?
or coat, but if it’s too expensive, it will stay
I have two sisters. If it’s not comfortable,
in the shop. I design to evoke desire among
they will say ‘I can’t wear it’. My sister had
people, not for myself.
a baby and she needed a big bag with a long strap, because she had a lot of things
Yes it’s incredibly important; too many
as well as a baby to hold, and it’s not easy.
people forget that at times.
If you travel, you understand the importance
I know and when I look at everything I’ve
of how the bag needs to be organised
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Soft, white shearling offers a lighter take on winter.
I think creating desire is really important in fashion – you do everything with so much love. Johnny Coca
inside. Because I’m living around girls, I try to understand what they need and bring them something special. We are seeing a rise in young designer appointments at top roles in many established houses. What do you think about this shift? It’s positive and I think it’s important for all young or old designers just to understand why they are designing. Also, to take care in their work and design incredibly strong, successful, desirable and powerful items. Social media plays a huge role in the industry. How do you think Mulberry can utilise that? It’s really dependent on each brand and how they want to play with it. I think it’s important in terms of communication, because some people don’t have access to certain magazines, and social media allows them to access these. So, I think that’s a nice message. You look at these bloggers that like a certain product and they voice their appreciation from places like Korea, Spain, Italy and South Africa. You feel like there is a desire coming and it’s a good window sometimes. I’m not always behind it, because it’s not my way to work, but there are people that are doing that for me. I think it’s the new way to communicate today, but I love
Leather was thin and styled with bright hues, perfect for warmer climes. Below: Johnny Coca’s shoe of the season.
print. I love magazines, too, my corridor is full of them. There’s also a shift in the way designers are showing their collections, like the
thing, but actioning it is another. I’m
way Burberry is pioneering ‘seasonless’
not all for it because I think the dream
collections. What are your thoughts
of communication, press, adverting and
on this?
creating something is special. It’s okay
I understand, but it really depends on
for one or two products and for super
who you are and what you want to pass
strong companies, but it’s not as easy
on as a message. I think creating desire
for the younger companies. So, I think
is really important in fashion – you do
we have to be more clever.
everything with so much love, you cant treat it like a supermarket. If we want
What are your goals for the future of
to do instant delivery, we can – we’ve
the house?
already started to in some cases. The
To make it stronger, more international
pre-collection, for example, is delivered
and cater to new clients from Asia, the
in one or two weeks. But, I’m not sure
US and Middle East; also, coming up
how everyone will manage if its taken
with new creative concepts that others
further than this. Discussing it is one
will also adopt and move forward with.
The Longest Night Sleepwear steps into everyday life. Embody the carefree existence in striped pyjamas, matching separates and sweet slip dresses with our edit of the styles that will transport you from sunrise to sunset.
Photographed by NORBERT KNIAT Styled by NATALIE TREVIS
Jacket and trousers, LA PERLA | Top, BALENCIAGA | Earrings, ISABEL MARANT | Cuff, CéLINE
Exquisite handmade lace meets silk organza in darkly sensual separates, creating an evening look that travels beyond the boudoir.
A slip dress speaks to simplicity and ease of movement, elevated in sheer embroidered fabrics. Layer woven separates or knits under or over for a luxurious texture clash.
Dress, SAINT LAURENT | Top, BALENCIAGA | Earrings, CéLINE | Rings, SAHAG JEWELRY | Shoes, JIMMY CHOO
Jacket, 3.1 PHILLIP LIM and dress TIBI at Boutique 1 | Slip, SILENT ASSEMBLY at RIGBY & PELLER
Step through the looking glass and channel Nineties charm in a sheer bomber jacket layered over a simple shift dress. Minimal makeup and tousled bedhead tresses spell style freedom.
The pyjama party continues beyond sunrise in chic silky stripes, made office-worthy with neutral heels and the tough talk of a leather jacket.
Pyjamas, OLIVIA VON HALLE @net-a-porter.com | Jacket, SAINT LAURENT | Shoes, STUART WEITZMAN | Earrings, GIVENCHY
Jacket, trousers, shirt and shoes, GUCCI | Bodysuit, LA PERLA
Tailored suiting in cheerful spring tones fits the pyjama-dressing temperament. Worn with backless loafers, nonchalantly relaxed shirting and a hint of lingerie, this look works indoors or out.
Jacket and shorts, MARNI | Bodysuit, MIMI HOLLIDAY at Rigby & Peller | Shoes, CéLINE | Earrings, BALENCIAGA
Play with proportions with the exaggerated sleeves and nipped in waist of a Marni shorts suit. Neither pyjamas nor traditional tailoring, this look is an elusive sleeping beauty.
Robes rule as the only outerwear option for spring. Double-breasted kimono styles atop silk trousers make a freespirited combination.
Robe, ACNE STUDIOS | Shirt, GIVENCHY | Pyjama trousers, MARJOLAINE at Rigby & Peller | Shoes, STUART WEITZMAN | Bag, MAX MARA
The season’s sporting trouser silhouettes and easy tunics are a licence to dress for comfort without compromising on style.
Top and trousers, CHLOÉ | Necklace, SERAPHINE DESIGN at Boom & Mellow
Top (inner), LA PERLA | Top (outer), CéLINE | Necklace, CHLOÉ | Cuff, SAHAG JEWELRY
Highlighted cheekbones, defined brows and artfully smudged layers of warm-toned eyeshadow combine clarity and depth for a fresh-faced beauty approach, while underwear becomes outerwear in silky layers.
Robe and trousers, PUCCI | Pyjama top, FOR RESTLESS SLEEPERS @net-a-porter.com | Earrings, MARNI | Shoes, ALEXANDER MCQUEEN
Stride out in style with a cityready look in which the silk robe replaces the trench, the pyjama top is a playful alternative to the buttondown shirt and embroidered clogs are the nearest thing to slippers.
Model: Maud at The Agenc Hair and makeup artist: Manuel Losada Digital retouching: Jheny Avila With special thanks to Al Barari, Dubai
66
Back To The Future
Maison Margiela, spring/summer 2016
T h e A cces s o ry
This utilitarian pseudo-backpack by Maison Margiela is our pick of the season.
John Galliano offered a trip to another dimension in a “lo-fi sci-fi” collection that proposed a selection of delectable accessories, combining vintage notes from the Fifties with geisha styling and a prescient Ziggy Stardust whimsy in a way only Galliano can. The second half of the Maison Margiela collection morphed into a series of elaborately tied obi belts, kimono silhouettes and wrapped skirts, the rope belts transitioning into straps for a boxy leather bag neatly perched between shoulder blades. With its large rectangular buckle, single handle and compact proportions, the handbag would be a ladylike addition to an everyday look; yet, knotted secures its place as the hands free It-bag of the future. “For me, creativity must be free… this is the key to success,” says Renzo Rosso, president of the parent company of Margiela. Galliano channels both creativity and freedom in this fiery red accessory that promises a space age escape.
Words by Natalie Trevis.
across the back, it takes on an interstellar appeal that
Both effortless and confident, the striped shirt has escaped its corporate overtones and offers a sense of optimism and simplicity.
Walk The Line Max Mara, spring/summer 2016
When it comes to quintessential wardrobe staples there’s nothing quite so classic as the striped shirt.
Is it really possible to distil a wardrobe into a series of classic pieces? In a season in which there’s a trend to satisfy any mood – from maximalist excess to techcentric futurism - it seems like a challenge. And yet served up on the runways amidst the embroideries, texture clashes and high concept styling, were a series of timeless pieces that had us reminiscing about the days of normcore. Key among these was the solid stripe, seen everywhere from Roksanda Ilincic to Jonathan Saunders, but executed most beautifully in the seafaring striped button down shirts and double breasted blazers at Ralph Lauren and Max Mara. Both effortless and confident, the striped shirt has escaped its corporate overtones and offers a sense of optimism and simplicity in our everyday dressing: room to breathe. Think of the understated elegance of Words by Natalie Trevis.
Lauren Santo Domingo, the blazer-topped insouciance of Caroline de Maigret or the London-centric chic of Sarah Harris (who styles hers with oversized cuffs dangling) and the humble striped shirt begins to sum up an ageless finesse that never goes out of style.
Ralph Lauren, spring/summer 2016
68
The Mood
Backstage at Christian Dior, spring/summer 2016
Age of Innocence
With frothy gowns and bonbon colours, fashion is experiencing a moment of innocence.
It’s almost intuitive: When the fashion industry is in need of something to smile about, designers deliver in kind, with collections bursting with a youthful innocence, executed in sweet colours and ethereal textiles. Giorgio Armani focused on sophisticated yet shorter hemlines, Alexander McQueen and Balenciaga proposed layers of feminine ruffles and even the usually provocative Givenchy turned to understated chiffon cross tops and lace embroidered skirts topped neatly with a bow. Diaphanous fabrics abounded at Chloé and lavender tones likewise at Carolina Herrera. From beauty to fashion to accessories and even locations – Dior’s delphiniumdrenched dome as one example – the collections searched for hope and the eternal optimism of youth in fresh-faced models, dainty silhouettes and heritage romanticism. Industry-wide change is afoot and we look for reassurance in clothes that offer beauty and emotion simultaneously: The collections are a charm offensive capable of wooing customers, buyers and editors alike. The age of innocence is not a fleeting mood, but seems set to continue into fall. “We wanted to give the audience a smile, dreams of happiness – we know that real life is different, but our job is to give something lighter to the
Words by Natalie Trevis.
people,” said Domenico Dolce of the Dolce & Gabbana fairytale dream of an autumn/winter collection. This season and beyond, empowered dressing includes charming florals, sequins and pastels – we really can have it all.
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T h e D es i g n er
T h r o ug h
The Kaleidoscope
Top: Backstage at Emilio Pucci, autumn/winter 2016 Bottom: Designer Massimo Giorgetti
Massimo Giorgetti finds his voice at Emilio Pucci.
To print or not to print? That question was resolved by Massimo Giorgetti in his second and most recent outing for Emilio Pucci, in a collection that merged Giorgetti’s youthfully exuberant style with the much-loved patterned codes of an established house. Giorgetti, who is also creative director and founder of the playfully quirky MSGM, shied away from print in his debut for Pucci, focusing instead on net-like textures and embroidery, but made a confident return this February in the form of sports-luxe zipped jumpsuits, abstract mountain prints (a reference to the skiwear with which Emilio launched his fashion career?) and a bout of logo-mania that could well be a first for the Italian giant. has made his bread and butter - and will surely ensure that Pucci is a name that becomes familiar to a whole new generation of customers. Accountant turned sales clerk turned designer, Giorgetti is no stranger to change and seems to have found his groove in what he knows best. He makes no bones about the importance of the freedom of youth in his collections: “I think it’s the secret of fashion right now.”
Words by Natalie Trevis.
The result is overwhelmingly fresh – anchored in the street style fodder that Giorgetti
Ashley Williams
A game-changing beauty, L.A.-based Adwoa Aboah is a woman offering inspiration in more ways than one.
Topshop Unique
The identity of the Brit-model of the moment might change with the passing seasons, but that’s not something that’s likely to concern the poised and unfiltered Adwoa Aboah as she steps up to take her turn in the limelight. It’s a turn that will surely last beyond the cover shoots and runway walks – Aboah features in Calvin Klein’s spring campaign and has walked in shows from Fendi to Marc Jacobs – because she is a model with something to say. Open about her past struggles with addiction, Aboah is the founder of Gurls Talk, an educational online platform and call to arms encouraging honesty and openness among Words by Natalie Trevis.
young women about mental health, addiction and eating disorders. Aboah is also taking Gurls Talk to the grassroots with workshops in schools. “I felt a huge responsibility to help girls who might be going through the same thing,” said the self-proclaimed feminist in an interview earlier this year with long time bestie Cara Delevingne (the two even share matching heart tattoos). “The basis of my recovery is honesty.” Style, grace and a message of empowerment, Aboah is a wise soul making a difference. Marc Jacobs
72
T h e S to ry
The Nineties have never strayed too far from the zeitgeist. This season in particular marks the return of the grunge era.
The Nineties revisited at Alexander Wang, spring/summer 2016
Words by Natalie Trevis.
Imaan Hammam backstage at Rag & Bone, spring/summer 2016
Fashion loves a dose of Nineties nostalgia – an instant reminder of heady teenage years or coolly unknowable older siblings, the bands that inspired the grunge era and the ascendance of a new kind of anti-supermodel. Nostalgia is personal, it speaks to us; it sells. It’s a timewarp opportunity to reinvent the past and one that designers from Hedi Slimane at Saint Laurent to Alexander Wang have seized. Nirvana, plaid shirts, slip dresses with sneakers. Tiaras, clunky shoes, mom jeans and Kate Moss at the Elite Model Agency party in 1993. Pick your favourite Nineties reference. Rag & Bone looked to tube dresses and hoop earrings reminiscent of the Notting Hill Carnival, DKNY offered spaghetti straps over t-shirts, while slinky slips at Calvin Klein captured the glory days of the brand’s characteristic simplicity. The iconic Nineties codes reflected back at us from the runways endure because they belong in the histories of many of the 30-something designers, who recognise the power they contain. And, they also belong to us, rising as they did from popular culture and an excitement at the possibilities a new millennium would bring.
Saint Laurent
74
D e sig n er I nter vie w
The Meaning of Marni
Designer Consuelo Castiglioni
Consuelo Castiglioni, the founder and creative director of Marni, has her own unique take on what it means to be a stylish modern muse. Meet the designer whose fashion currency is confidence.
Images courtesy of Marni.
By Natalie Trevis
From her headquarters in Milan,
Backstage at Marni spring/summer 2016
Consuelo Castiglioni presides over a fashion empire that is tireless in its pursuit of intelligent modern fashion. More than 20 years after Swiss-born Castiglioni first envisaged the Marni philosophy in 1994, the brand has extended its reach into everything from menswear to leather goods and fragrances. “My husband’s family own a fur company,” says Castiglioni. “Way back then, furs were seen as bourgeois, conservative and old fashioned. I tried to create something different, working the fur as a fabric and taking it out of its usual context. It was an immediate success with the press and the buyers.” Best described as offering an alternative elegance, often overlooked on today’s runways in favour of click-worthy sex appeal, Marni delivers the playfully complex prints and distinctly antibodycon silhouettes loved by stylish women from London to New York. Personal style always triumphs over trend in Castiglioni’s world. “Since the beginning, each collection has come from continuous research on textures, materials and colours. We try to experiment and create something that can last and be worn with pieces from different collections.” Marni’s family origins are crucial to Castiglioni, who continues to work with a very small team of designers – husband Gianni is CEO and daughter Carolina is director of special projects – which makes the Marni enterprise feel more niche and homely than its global expansion might suggest. The
the current schedule and myriad external
it look like she is still having fun at the
team works together on pattern cutting
pressures, not least commercial,
helm. The spring/summer collection
without sketches and experiments with
Castiglioni remains anchored and
was a riot of gargantuan leaf prints
each design on fit models until the look
continues to find joy in the process of
and asymmetric garments layered
is complete. It’s just this inclusive and
creating. “At the beginning, with just
together in a way that formed a cohesive
family-oriented feel that allows softly
one collection per year, it was certainly
whole. Colours careened from egg yolk
spoken Castliglioni to concentrate
easier,” she admits. “On the other hand
yellow to bottle green, often colliding
on the abstract thoughts and artistic
now, even if we are always incredibly
happily in a single look. Textiles are
expression that guides the label from
busy, we have the chance to exploit
consistently employed in architectural
season to season. “We all work in the
every facet of our vision, to collaborate
forms, in boxy leather jackets, neat
company in different departments,” she
with artists, to create special projects.
aprons and macramé overlays, while
says of the family involvement, “and
This is fun to me!”
the most recognised Marni accessory
we all share the same aesthetic, even
The view from the front row at Marni’s
might just be the chunky resin bangle,
though each one has his own personal
packed shows as Castiglioni’s creations
often stacked on both wrists with
vision.” Even with the frenetic pace of
waft down the runway certainly makes
abandon. “My designs often start from
76
Spring/summer 2016
the fabric,” notes Castiglioni, who has
upon austere Japanese minimalism,
had no formal education in design “I am
aristo fairytales or quirky sportif notes.
most attracted to textures, patterns,
Castiglioni is known for her outright
colours and the effect you can achieve
rejection of the notion that sex sells.
with different materials when working on
No matter the prevailing skin-baring
a silhouette.” One look at the autumn/
norms, Castiglioni has a different, and
winter collection confirms just that,
in some ways more powerful, version
where teeny fur boleros, buttoned capes
of femininity. “I think that sensuality
and gathered balloon sleeves in the
comes from a woman’s confidence,
signature muted Marni hues hark back
from being truly herself in what she is
to the dark romanticism of the Italian
wearing,” she confirms. “It has nothing
aristocracy of decades past. Or that’s
to do with showing off the body.”
one interpretation at least: The beauty
Loose tunics, wide-legged trousers
of every Marni collection is in its slightly
and oversized shoulders are just a
indecipherable nature, whether touching
few of the codes Castiglioni uniquely
Even if we are always incredibly busy, we have the chance to exploit every facet of our vision, to collaborate with artists, to create special projects. This is fun to me! Consuelo Castiglioni
employs to present a woman’s body as
Bold graphic accessories are a Marni signature
something to be revered and indulged, but never overtly displayed. Eccentric, intelligent and bold, with no sign of pretension, she might be covered up, but the Marni woman is no wallflower in her sky-high ugly-beautiful flatform sandals. And, she is no specific age either – the Marni aesthetic working equally well for a fashion-conscious gallery owner as a street-style savvy teen. Fans of the brand become true aficionados and yet it’s no surprise to learn that Castiglioni does not court celebrities, preferring to communicate simply via the shows and its stylised stores. The customer must choose Marni: Castiglioni is not in the business of forcing the issue. It was as recently as 2015 that the brand launched its first, predictably and beautifully off-kilter advertising campaign, photographed by Jackie Nickerson. The less is more approach has worked: Marni is the secret style weapon of the creative
equally fearless Miuccia Prada, also
collaborators. The event, described by
industries, from the fashion editor in-
springs to mind), Castiglioni shows no
Carolina Castiglioni as “revealing each
crowd to the likes of Meryl Streep, Lena
sign of wanting to do anything other
facet of Marni, which is distinctive for its
Dunham, comedian Sarah Silverman and
than continue to innovate at Marni. “It
prismatic character,” affirmed that, more
film director Sofia Coppola. How does
was particularly exciting celebrating our
than a fashion label, Marni is becoming
Castiglioni keep up with the constantly
20th anniversary last year,” she says.
a lifestyle. “We created not only special
changing landscape? “By being faithful
It was an event marked in style with
events worldwide exploring Marni’s
to Mar ni’s values of research and
Marni Prisma, a series of celebrations
identity,” says Consuelo, “but also had
experimentation,” she says, “and always
including a flower market at Rotondo
the spin to keep evolving and moving to
trying to create something that actual
della Besana for the spring/summer
the next step.” One of the most crucial
women would wear.” Pragmatic music
2015 show in Milan, a roof market in
next steps was the total acquisition
to many a woman’s ear.
Hong Kong, blossom market in Tokyo
of the brand by Only The Brave, the
One of a dwindling band of designers
and the Becoming Marni exhibition at the
Renzo Rosso holding company that also
still in creative control of a self-founded
56th Venice Biennale, all in conjunction
owns Maison Margiela and Viktor & Rolf,
label decades in (Castiglioni’s peer, the
with symbiotic artists and long term
which has proven a relatively seamless
Backstage at autumn/winter 2016
78
Thun. “They have all been special because of the deep connection with the collections,” says Castiglioni. “Gary Hume, with whom we collaborated in 2010, also became a friend.” British artist Hume’s modern abstract forms plastered in neat rectangles over the Neapolitan ice cream colours of the a/ w10 collection make inexplicable but infinite sense, amidst paillette-adorned dresses and mustard Bermuda shorts. Eclecticism is honed into an art form at Marni, and it is made all the more special by Castiglioni’s instincts to include the artists themselves. What comes across more than anything when looking back at the Marni archive is that this is a brand completely selfassured in its message. Experimentation without fanfare, quality craftsmanship without complication. Mar ni is a family business turned Italian heritage
transition. Castiglioni remained in full
sell-out Mar ni for H&M collection
brand and Castliglioni is its lifeblood.
control of the direction of the brand as
in 2012, which now forms a rite of
It is Castiglioni’s personal touch that
creative director and, with a renewed
passage for many luxury brands into
comes across in Marni’s wider vision
focus on growing the menswear line
the mainstream, and the collaboration
– you can see she has touched every
with the help of Rosso, sales reached
with uber-perfumer Daniela Andrier on
fabric and overseen every stitch –
$173 million in 2014.
the first Marni fragrance – but, as an art
and this is why new Marni converts
Castiglioni certainly knows a good
lover, Castigliano has made a personal
turn into lifelong devotees. Castiglioni
collaboration when she sees one, which
point of working on Marni’s beloved
understands her customer. When
has consistently helped Marni strike its
prints with artists from photographer
asked for the secret that the Marni
signature balance of culture and cool.
Richard Prince to Sir Peter Blake,
woman is seeking in her designs, she
Of course, there was the ubiquitous
Claude Caillol and architect Matteo
doesn’t miss a beat: “Self-confidence”.
Montenapoleone’s
Best Kept Secret The Montenapoleone VIP Lounge offers members a unique and efficient shopping experience. We spent a day here, away from the crowded streets of Milan.
the busy shopping streets of Milan, where brands such as Gucci, Prada, Cartier and Rolex attract international tourists along with Italy’s most dedicated shoppers. ‘The Key to Exclusivity: Exclusively For You’ are words that ring true throughout the building, and what is presented is a two-storey sanctuary designed by the Galante Menichini team, including a private fitting room, rest areas and security controlled holding areas for your Milanese purchases. Whether utilising it as a space to pause between shops or a last-minute coffee break before departing for the airport, the minimal design along with the homely scent of Aqua di Parma make it difficult to leave. The VIP Lounge’s services extend far out of its four walls and once accepted as members, we were suddenly privy to a concierge team guiding us towards the best restaurants and cultural spots Milan has to offer, specialised personal shoppers who made the two-day trip more efficient, and a bevvy of interesting invites for special events held within Milan’s fashion community. The real relief came upon checkout, where not only was our luggage transported directly to the airport and our very precious items cared for through dedicated and safe shipping – all handled by VIP partner Ferrari – but the membership allowed us direct access to VAT refunds at the airport, saving hours of queuing time. As the first of its kind, the lounge’s creation and its unique benefits were only made possible through strong relationships with the surrounding community, mainly the backing of the Montenapoleone Association comprised of 140 luxury
Nestled within the bustling streets of Milan’s luxury shopping
brands – a relationship which members benefit from through
district is a new haven, built for those looking for an exceptional
various activities. ‘Exclusivity’ is the main momentum
experience. With a concierge service, personal shoppers,
flowing throughout the concept and so, of course, as with
airport transfers and priority tax returns, the Montenapoleone
any exceptional experience, membership is not easy to
VIP lounge is an exclusive project and the first of its kind,
come by. Other than purchasing access, clients can only
reimagining the way the world’s elite shop. On entering
be invited in to the lounge through one of the boutiques
the lounge, located at 23 Montenapoleone, we’re instantly
or the luxury partners, such as five star hotels and tour
transported to another place, one that’s a world away from
operators. Efficient, serene and reimagining the way we shop.
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Urban Safari
se a s o n al s ty le
Explore the city in style and channel the great outdoors by opting for an earthy colour palette of camel and gold. Muted hues in soft sumptuous textures offer functionality, while touches of metallic found in accessories suggest opulence.
Words by Sophie Pasztor
BOTTEGA VENETA
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4 6 7 5 1. MARNI | 2. CHLOÉ | 3. VALENTINO @Stylebop.com | 4. CHRISTIAN LOUBOUTIN | 5. ETRO @Stylebop.com | 6. LOEWE | 7. CARTIER
Setting Sail
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CARVEN
Embrace the cooler months and take your weekend activities to the water. Relax and unwind on a yacht while fashioning a crisp and clean palette of white for serene daywear. Stay grounded with a pair of stylish gladiator sandals or luxe silver trainers.
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1. LOEWE | 2. MAX&CO | 3. VALIMARE | 4. PALOMA BLUE | 5. KENZO | 6. ROLAND MOURET | 7. PIAGET
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Midnight Beauty
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ELISABETTA FRANCHI
Reveal the darker side of spring with long evening dresses, reflecting a moodier side to the season. Subtle inclusions of flowers and feathers salute femininity, while lace nods towards an edgier disposition.
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1. BVLGARI | 2. LONGCHAMP | 3. TIBI @Bysymphony.com | 4. TEMPERLEY LONDON | 5. GIUSEPPE ZANOTTI | 6. CHARLOTTE CHESNAIS @Matchesfashion.com | 7. MIU MIU
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F a sh i o n F eatu r e
Under Construction Would you ditch your staple skinny jeans for an original fit? As more women start to make the switch, we take a closer look at the rising trend of 2016.
By Susan Devaney
88
We may be delving into sartorial archives, but this new denim appreciation is a completely fresh approach.
Freedom. That’s what women wanted from a pair of jeans. Think Thelma and Louise taking on the highway, decked out in high-waisted Levi’s and motif tees (and obligatory branded leather cowboy boots) or Jane Birkin in sky blue versions and a plain white cotton t-shirt. Understatedly cool. The original denim dream consisted of rigid, 100 per cent cotton denim – no lycra, no stretch. Since Kate Moss donned her stretchy spray-on skinnies over a decade ago, women briskly turned their backs on the once-loved androgynous style. So quickly did they make their way up to the top of the denim charts that we lost sight of real denim? Instead, we embraced the skinny for what it was – an imposter, but one that created the likeable illusion of a lean figure for all. However, a proper pair of jeans can be a friend for life. How many pairs of skinnies have you loved and lost throughout the past decade? “The best benefit of a pair of non-stretch jeans is that they’re built to last and they’ll improve along the way. A good pair of real jeans will be with you for life – the odd rip and patch only enhances its character, which is a rare thing in modern day fashion,” says Samuel Trotman, Denim Editor at WGSN. “While a pair of rigid, unwashed jeans may be a tough thing to get used to after years of elastane stretch against your skin, the rewards will be worth it once you’ve given them their six-month gracing period (with no wash).” Yeah, that’s right, true denim needs to be broken in. But, the rewards will be fruitful when they’ve moulded to your shape, and achieved their ‘hold’ (a.k.a a pert-looking behind). “One thing every denim lover says they love about their jeans is how they mould to you and tell a story through the fades. You can only If you’re not into 100 per cent cotton non-stretch, there are comfort stretch raw fabrics on the market that will give you an added bit of ease before you commit to the real deal,” says Sam. What’s the fit to wear now? “Women are looking for those truly authentic looking jeans, but with a contemporary look and fit. Think hip-hugging, highrise fits with hems cropped above the ankle or slimfits that have been opened up at the hem to create a modern micro kick flare,” advises Sam. A daily dose of inspiration is constantly streaming on social media channels, with hashtags like #janebirkindaily,
Photographs courtesy of Anna Palermo and Valentina Frugiuele
achieve this through breaking in a raw pair of jeans.
#levis and #debbieharry generating millions of hits,
Demna Gvasalia (a Maison Martin Margiela alumnus
especially after the summer music festivals taking
and newly appointed creative director of Balenciaga)
place across the world. It’s evident that we’re turning
started the cult Parisian label Vetements (it translates
to long-standing style icons for encouragement,
to ‘clothing’ in French) to go against the old in
and dependable, old-school brands like Levi’s and
creating the new. In doing so, they’ve created one
Wrangler for a good fit. Do you remember Debbie
of the most in demand pair of jeans of the season.
Harry’s beloved stone-washed Levi’s 505s? We may
“We founded Vetements because we simply wanted
be delving into sartorial archives, but this new denim
to make clothes for our friends, girls we know. It’s a
appreciation is a completely fresh approach. Denim
brand that makes clothes, inspired by clothes. There
is being deconstructed for 2016 thanks to emerging
are no seasonal themes, we always work with the
labels. The real denim revolution happening now is
existing wardrobe and every season try to give the
not simply about adopting a throwback look, it’s
garments we like a new shape, concept and frame,”
fashion’s youth who are leading the pack. Designer
Gvasalia told MOJEH in August last year. Within
Photographs courtesy of Anna Palermo, Valentina Frugiuele, Getty and Corbis
90
days of being stocked by luxury online retail site
still produced in a mill using pebbles to stonewash
Net-A-Porter, Vetements’s reworked vintage jeans
the denim. Does it get more authentic than that?
were sold out, and at around AED4,000 a pair –that’s
But they’re not the only ones.“Other brands to look
a heavy price tag for denim. “This is where brands
out for are MiH, Simon Miller and Brock Collections
like Vetements, Redone and Aries are capturing the
– they’re also hitting the trend with their authentic
market. Each of the styles have that nostalgic feel,
styles,” Sam concludes.
but with an idiosyncratic, asymmetric, DIY finish that
There’s a strong rock ‘n’ roll attitude to the emerging
feels completely fresh in today’s saturated denim
names and the women who are already tackling the
market,” says WGSN’s Sam. Aries, a London-based
new trend head on. During fashion week season,
label, has garnered a whole host of young fans
throughout the months of February and March,
(who’ve probably never previously owned a pair of
street style stars took on the look with aplomb.
proper denim jeans) by sticking to simple cuts and
From cropped cuts with distressed hems to high-
delightful patches. Their ‘Lilly style’ is apparently
waisted silhouettes in a series of blue shades, it was
Photographs courtesy of Anna Palermo and Valentina Frugiuele
92
From cropped cuts with distressed hems to high-waisted silhouettes in a series of blue shades, it was obvious that jeans are taking on a new shape for the future.
obvious that jeans are taking on a new shape for the future. “The women that are adopting the raw jean, archival look, I think are tapping into a more lifestyle driven trend: Caring where things are made, by whom and how. It’s mostly the Millennials who are getting in on this vibe. And yes, personally I think this will mean a long-term lifestyle shift, not a quick flash trend,” says Amy Leverton of Denim Dudes. Like the rest of the buying habits of consumers across the fashion industry, attentions are turning to ethics and commercialisation. “Women are starting to care more where their denim comes from and are going back to a more archival denim look…My thoughts are that we are coming into a long phase of ‘being yourself’ of wearing what you want to wear and being true to yourself. That makes it harder for brands because they are trying to be everything to everybody, but for consumers, it means less rules,” says Amy. We’re welcoming less rules, and looking for the personal touch instead. Before you start to wear in your brand new pair of Levi’s, the brand is now offering a bespoke service to help you get the perfect fit, tailoring a brand new pair of jeans to your exact body shape. “We will be launching a campaign a bit later in the year which talks to the 501 fit and Levi’s being the original blue jean,” says Simone Fichtl, Brand Manager for Levi’s in Africa and the Middle East. But are consumers searching for something even more personal? “Buying from a small, artisanal brand is far more rewarding because the brand is small, they can give you the personal touch. Recently, I bought unisex jeans from a guy called Evan Kinori in San Francisco. I went to visit his studio, talked with him and hung out for like four hours,” says Amy. “There’s a lot of big brands out there I adore but you simply cannot say the same when you buy something from a chain store.” With celebrities such as Gigi Hadid, Amber Heard and Caroline de Maigret achieving the new look with ease, this boy-fit denim is one for everyone to give a go – and why not? If it means we’re conscientiously looking for jeans that are built to last and love for a long time, it can only be a (really) good thing, as we take back that livedin and locked-in feeling. Unlike our slimming skinnies, in a decade’s time from now, we’ll still feel the freedom of our love-worn original fit.
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se a s o nal s ty le
Decoding
The Trends
Cushnie et Ochs s/s16
Modernism was on fine form on the runways for spring/ summer 2016 as designers used new age military inspirations and the period drama of chiffon cascades across the globe, pushing the envelope even further with more focus on craftsmanship and detail than ever. We’re breaking down four key looks to swear by this season.
This season, designers take a softer spin on utilitarian trends, with a global appeal for a modern woman seeking an adventure. From urban camouflage suits to combat boots, the military trend is on the frontline with a luxe factor.
Designers to watch: Versace for impeccably tailored camouflage suits, 3.1 Phillip Lim for mannish oversized khakis and Sonia Rykiel for feminine sundresses in army prints. Derek Lam s/s16
If you’re feeling bold, then clash different patterns for an intense take on the trend.
Style notes: • An otherwise androgynous look can be softened with lighter greens and bright, colourful accessories. Metallic heels and statement earrings salute femininity. • For subtlety, your headto-toe uniform can be the same army green and neutral colour palette, but if you’re feeling bold, then clash different patterns for an intense take on the trend. • The muted colours allow freedom to play with makeup. Go for a dark berry lip for evening and pull up a sleek ponytail with nude makeup during the day.
Versace s/s16
Where to buy: At a local store in Texas for authentic khaki separates or at the Burberry store in Regent’s Street, London for luxe tailored trenches and leather boots. Barbara Bui s/s16
Urban Explorer
Antonio Marras s/s16
96 Style notes: • This season, accessories are everything. Be sure to break an ethereal sheer outfit with an edgy bag or statement necklace. • Keep the makeup soft with feminine hues to complement the look. • Make sure to invest in a good piece with lavish lacework to add a rich Victorian touch.
Vionnet s/s16
Dries Van Noten s/s16
Simone Rocha s/s16
Designers to watch:
Sheer Perfection
Prabal Gurung presented a plethora of dreamy pieces in pastel hues embodying sophistication and sexiness in equal measure, while Elie Saab and Chloé offer dressier options.
Seduction is the name of the fashion game this season, thanks to a touch of sheer delight seen in delicate layers of ivory, peach and silver. The beautifully wispy creations come in diaphanous gowns and prim buttoned-up blouses.
Where to buy: Take a walk down Rue Saint Honoré, Paris, and stop by Collette to explore sultry Parisian designs. Rodarte s/s16
Julien Macdonald s/s16
We’re seeing a wealth of quirky accessories, signature embellishments and ornate details making a delightful comeback after a normcore phase in fashion. Designers are looking to 3D embellishments inspired by flora and fauna from around the world.
Designers to watch: Prada’s royally embellished coats; Dries Van Noten’s baroque brilliance; Gucci’s aristo-English imagery in intricate details of lace and sequins.
Where to buy: A vintage treasure trove boutique in Morocco for artisanal jewellery.
Prada s/s16
Style notes: • Express yourself! Pick an inspiration, something you love, and add a charm or trinket to your outfit to truly personalise your look. • When wearing a statement piece, keep the distractions minimal. Team a trophy jacket with neutral separates. • A rich work of art needs to be teamed with opulent gemstone hues. The season’s offerings are filled with ruby reds and emerald greens, set against gold embellishments and sequins.
Fausto Puglisi s/s16
Ornate Details
Gucci s/s16
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Designers to watch: Brands like Dolce & Gabbana and Missoni showed bold colours reminiscent of rainbows, while Jonathan Saunders and Anya Hindmarch showcased an all-stripe takeover. MSGM s/s16
Where to buy: Make your way across New York’s Fifth Avenue and stop by Bergdorf Goodman’s to explore the young and innovative graphic play of Anya Hindmarch and Altuzarra. Osman s/s16
The simplest ideas are always the best. The tried and tested winning graphic is supersized and power-packed with pop colours. Be it horizontal or vertical, on ribbed jerseys or billowing silks, the linear approach to decoration is here to stay.
Gareth Pugh s/s16 Jonathan Saunders s/s16
Style notes:
Graphic accessories are your best investment for the season.
• Graphic accessories are your best investment for the season. Find an eye-catching bag to team with a monochrome outfit to carry you from work to after-hours festivities. • Clash your graphic top with a contrasting skirt for a bold impact. • Choose a free moving fabric like silk or chiffon to allow flow and the creation of a spectacular trompe-l’oeil. Anya Hindmarch s/s16
Graphic Stripes
J JS Lee s/s16
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T h e C o lla b o r at io n
Massimiliano Giornetti and Sara Battaglia on:
Reawakening a Masterpiece What happens when the creative director of heritage house Salvatore Ferragamo and a young Italian designer merge their artistic minds? Only days before his departure from the brand, we met with Massimiliano Giornetti to talk about his final collaboration.
Why did the Rainbow Wedge in particular inspire this collection? Sara: It couldn’t have been anything other than the Rainbow Wedge! You immediately recognise the brand with this fantastic shoe. It’s an emblem. They originally conceptualised it in the ’30s and it’s still popular to this day – it was a brilliant choice. How did the idea for the capsule first come about? Massimiliano: It’s about trying to envision the history of Ferragamo through a fresh set of eyes. I wanted to give the project to a talent such as Sara, so that there is an opportunity to explore it completely freely – it’s important to approach the 100-year history with a free mind and without limits. It’s about linking together the talents of young designers, while revisiting the spirit of Salvatore Ferragamo. Massimiliano, Italy breeds young, talented designers. What was it that drew you towards Sara in particular? Massimiliano: I was naturally thinking about Sara, because she is an Italian woman, who understands the needs of a woman. Her attention to detail and making every aspect feel special is exceptional: The inside lining, pocket details, everything… she is a woman who both carries and designs bags. She understands the needs of a consumer and she represents the joyful, elegant and Italian culture of the brand. The collection features a few select styles of bags from the bucket shape to the popular Sofia. How did you determine these? Sara: We wanted to ensure that all areas are covered. The clutch, for example, can be worn across the body, whereas the Sofia is a classic shape known and loved by everyone. Sara, when did you first discover the house of Ferragamo? Sara: I grew up in Florence, so the brand comes as a part of our DNA! It feels completely natural to be a part of it and getting the opportunity to discover its archive was paradise to me. Massimiliano: Sara was actually working around the corner from me; we lived close to each other. Did you enjoy working together? Massimiliano: It was very easy and natural. We actually had very few meetings as I was already confident of her talent and creativity. The first time
Massimiliano Giornetti and Sara Battaglia
The original Rainbow wedge
Sara: Yes, it’s a black rainbow! This was actually very challenging as the focus is on the different types of leathers, so we needed to find a way to combine crocodile, ostrich and suede. In one combination, it’s not just black, its deep like a rainbow, and the only way to get the effect is by working with the fabrics. What was it like being face to face with their archive Sara? Sara: It was like paradise to me! What were your favourite moments during the collaboration? Massimiliano: It was an interesting process. At every step, when we started thinking about the overall theme and when Sara was exploring the archives, we tried to modernise the spirit of Salvatore Ferragamo. Sketches and sourcing the we spoke about it was in Paris, where Sara was
suppliers is always very challenging.
showing her own collection, and then she later came to Florence to visit our archive. It’s nice to
What most impressed you about Sara’s work?
share the Italian spirit, ideas and emotions with
Massimiliano: She was brave and tough enough
another designer.
to fight the odds. It’s like every season, trying to find a new limit in creativity and craftsmanship.
In terms of colour palette, there’s a very literal
The collection is extremely modern, balancing
interpretation of the Rainbow Wedge, but
the heritage of Salvatore Ferragamo out for
then there’s also a much darker side to the
the modern woman. The black rainbow is
collection. What made you take that route?
fascinating to me.
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se a s o nal s ty le
Suit Yourself
The suit, a cornerstone of the modern woman’s wardrobe, is back in an array of styles. For summer, La Garçonne dressing is reinvented, taking this professional look to new heights with a spectrum of colours, patterns, and textures; turning them from a work wear staple to a possible night-out or weekend option.
Emporio Armani s/s16
Blumarine s/s16
1
2 The Boyfriend Suit The oversized suits of the season went up a size and are bigger and broader than ever. From a slouchy to tailored silhouette, the trendy look guarantees a sultry androgynous appeal.
3
Detail 1: Keep your hair and makeup girly and flirty to counter the androgynous trend. Opt for pink accents and keep the hair au-naturel for sultry movement. Detail 2: For a polished, professional look, opt for this matching set similar to a perfectly tailored Acne Studios suit, with a long torso that reveals an elongated feminine silhouette. Detail 3: Not only do a relaxed pair of wide-leg trousers feel comfortable, but they also reveal a truly stylish retro feel. Experiment with silk pyjamas in an oversized fit, like Blumarine’s s/s16 offering.
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2 3 The Evening Suit This season, designers dressed up the runways with fancy blazers in a plethora of textures like sequin, jacquard, stone-embellished, leopard, and so on; putting the mannish attire at the forefront a party-ready wardrobe.
Detail 1: When dressing for a night-out, be sure to add lots of feminine accessories, like statement earrings, stacks of bracelets and cocktail rings to further the glam factor. Detail 2: A sophisticated mix of textures is a fail-safe style must. This season, you’re spoilt for choice with embellished pieces in velvet and jacquard. Detail 3: The right accessories can instantly update the evening suit. Look to single strapped sandals in black or nude to heighten the drama with no distractions.
Rodarte s/s16
Dolce&Gabbana s/s16
2
Tommy Hilfiger s/s16
1 Trussardi s/s16
3 The Retro Suit The modern reinvention of the Seventies’ classic comes complete with groovy stripes in bold retro palettes, flared bottoms and a matching necktie if you’re feeling adventurous.
Detail 1: Seventies’ stripes are no good if you don’t opt for a brightly hued palette. We love Marc Jacobs’s blood red stripes and Tommy Hilfiger’s rainbow delight. Detail 2: Layering is compulsory, even for the hotter months. Add a fancy scarf, a shirt beneath or a turtleneck for the full-blown retro look. Detail 3: Pick a flared bottom and highlight with a standout pair of heels, or go cropped and team with flat loafers, bringing the runway look to the streets.
106 The Statement Suit
Gucci s/s16
Whether you prefer wearing a matching set, or like to mix the blazer and pants with other separates, a perfectly tailored suit in creative textures can bring out the best of a feminine silhouette.
Detail 1: Give the hairstyle a runway up-do taking cues from Max Mara’s quiff or Gucci’s sleek bun to keep distraction from the look at bay. Detail 2: Add a neutral layer to break the matchy-matchy pattern. If the weather does not allow a cashmere top then opt for silk camisoles in plain pastels. Detail 3: The key to a statement suit is to go bold or go home. If the Gucci brocade is too intimidating for you, then choose eye-catching prints like masculine plaids.
1
2
3
Max Mara s/s16
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Wo ma n o f S ty le
The Art of Getting Dressed Purificación García
After three decades as creative director of her eponymous label, Spanish-born Purificación García has perfected the art of knowing what women want. With an artistic eye that extends to authoring the book Tener Estilo and establishing the prestigious Purificación García Photography Prize, García is an eternally contemporary Renaissance woman.
On photography: I have worked with photographers Chema Madoz and Juan Gatti. We work a lot with poetic photographs and a poetic philosophy. I like black and white photography so much because it is neutral, you can express whatever you feel, including the feeling of the brand. On life lessons: I have faced a lot of rocky
On the art of getting dressed: A woman should
paths along my journey. The most important
have clothes in her closet that are coherent and
thing is to get up again and keep going. You
easy, things that work together so that it is not
have to learn from it.
difficult for her to choose an outfit for the day. I try to help women not to see their wardrobe as
On women around the world: Whether she is
their enemy: The versatility of the garments and
from Germany, China or Japan, the feeling of the
the coexistence of classic and trendy achieve a
woman is the same. Women need the right clothes
balanced wardrobe.
at the right moment. We live very quickly and need clothes to pack, travel and go.
On cultivating style: She has to be herself, first of all. The simpler, the better. Choose what you like
On the most stylish woman: There are lots, but
–whether a strong jacket or a dress – it’s important
Angelina Jolie. She is very stylish and elegant.
to choose something that makes you unique. I On daily dressing: For me, I have a very casual
interesting, with her contradictions, her changes
style. I wear sneakers and jackets that I can
of mind and weaknesses, which after all are sides
work in.
of her wonderful complexity. On the Middle East: It was very important for me On what to avoid: Everything in excess.
to bring the brand to the Middle East, as it is
Whether it’s makeup or jewellery, everything
the centre of the world. All brands are available
should be simple.
in Dubai: It’s global. And, the Emirates are great for art.
On style influences: Since I was young, I have been autodidactic. I like to wear my own line. I
On success: I am not interested in fashion as a
consider myself a stylist who knows her business
privilege of the few. Success is not measured
and the needs of the street.
only by who wears your clothes, but by how many wear them.
On art: It is very important that art and fashion always work together. There is a momentum
On a philosophy for life: Time is my luxury – to
– they come from the same information, from
spend with my kids, with my dog and to listen
the same details.
to music. Finding a balance is very important.
Interview by Natalie Trevis. Images courtesy of Purificacion Garcia.
Designer and founder Purificación García
do not like definitions. I find the real female more
Photography by Chema Madoz
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B e h i nd th e Scene s
Access All Areas
For backstage photographer Jason Lloyd-Evans, the fashion show season involves five months of living on the road, non-stop shooting and backstage access to some of the most coveted shows of the season. We follow him behind the scenes to see fashion week through his lens.
What was this season like to shoot? Every city is different. The autumn/winter season is tough because I do menswear in January, I do couture and then I’ve got the month of womenswear shows. It’s a lot to be thinking about doing, but once you’re up and running with it after three days in New York, you’re up to speed. You need the adrenalin, you need to be in the flow of it. It was a really good season. How do you cope with the frenetic pace? You must have to be quite quick on your feet backstage. It’s like playing fly-half rugby at school! The thing with backstage is that a lot of people want backstage pictures: It’s good for the PRs because the images appear in the magazines, and it’s good for the casting directors and the hair and makeup artists, because it’s profiling their work. In one sense, we are very wanted there. In another sense, we are kind of a pain. As photographers, we think the show is about what’s going on backstage, but it’s really what happens when the show starts. Besides shooting in all the different locations backstage and being very active, you also have to be quite a simpatico person, who gets on with people and can assess situations, because it could be anyone who makes a fuss about you being there, whether a stylist or a designer freaking out. As long as you get on with everyone and everyone thinks you’re not the
By Natalie Trevis
How did you get your break?
annoying photographer, you’re alright.
When I was getting into photography, I started to think about travelling to the shows, and I met and
How do you approach each show?
assisted Sean Cunningham, who was shooting
You need to be a bit instinctive on how it’s going
backstage for Harper’s Bazaar US. I didn’t have
to play out. There are certain images that work
a clue about assisting. What I used to do was
because I feel they fit with a show and each show
set him up with his camera and just go off with
is different so you have to be a bit schizophrenic.
my own to snap. I was quite lucky, because as
If you are shooting an editorial you have a distinct
an assistant, you often don’t get the chance to
style, but when you’re shooting shows and you’re
shoot; but, through that, I was able to get the
working across all of the brands, you are trying to
ball rolling with my own clients. My big break was
reflect each one. For example, Jil Sander when Raf
with 10 Magazine. I met the editor-in chief, Sophia
Simons was there is very different than shooting
Neophitou – this was 12 years ago when there
a Dolce & Gabbana show backstage. You have
were backstage pictures, but there weren’t really
to flip what you are actually trying to get out of
profiles as such – and the magazine decided to
the pictures in each case, not least because you
run about 24 pages per season just on backstage.
are working for multiple titles and what works
It got the work profiled and as soon as you start
for I-D is different than what works for Glamour
getting that exposure, other brands jump on it.
or Vogue. If you’re backstage at a certain show,
you might have a really short time to shoot it. You need to set yourself a challenge: Just turning up and doing a bit of beauty, doing a bit of fashion, doesn’t really work. What are some of the best bits of shooting backstage? In Paris, you can go from doing Givenchy to Dior, to all these other different shows, within one day. And in that one day you’ve seen the creativity of the likes of Guido Palau, Eugene Souleiman and Pat McGrath as well as all the top stylists, models and the collections that haven’t been seen before. It’s crazy to think that you are in a position where that is all happening at once and being witness to that creative process. It’s not a normal shoot environment, like if you were on location with 20 people and a closed set. There are troops of people, there’s a time pressure, there’s a show about to happen, there’s production, casting, all these different factions – the fact that it actually works is a great thing. How has the industry changed for you over time? Backstage photography has been around for a long while now and it’s an exciting time trying to find different ways to create unique content. Say this season for example, in some shows, like Rag & Bone, I was using a Fuji polaroid camera. It’s about doing something that is personal to you, but also that the brands will pick up on and want to work with you for. Another show I might try and shoot on my Monochrom Leica. How has social media changed your world? Our whole take on what the images should be has changed because of social media. Previously, you used to shoot a frame and that was your frame, but now sometimes you have to think about that image being squared off. When I first started, I was young – I was more of a kid just going out and having fun with it. I’d go out in the evening and party. As you get older, you do that less anyway, but I also think the industry – because of the demands of it – has changed. You have a need for content right away, so images have to be edited and processed immediately. It’s a different game. It’s fun in a different way now.
112 Jil Sander spring/summer 2011 When Raf Simons was at Jil Sander, I used to shoot in-house for them and, especially in Milan, where you have the fashion powerhouses, he was just something really unique. I remember that show in particular was really colourful and bright and started that whole trend of colour blocking. I couldn’t talk about shooting the shows without mentioning him, because when he was there, all the girls that did the shows for him really respected him: He is such an intelligent designer.
Louis Vuitton autumn/winter 2009 This image is from Marc Jacobs’s time at Louis Vuitton. This was quite a fun collection with the bunny ears. The thing with Louis Vuitton was that you were never really allowed access backstage, so if you got there and shot something, it was alright. You’ve done 25 days, shooting every day, and that’s pretty much the last show on the last day. It’s the final challenge of fashion month to get to shoot it, and nine times out of 10, I would.
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Chanel Haute Couture autumn/winter 2015 Chanel is one of those epic shows. It’s really strict backstage, so when it’s your time to do it, it’s always nice. It is amazing shooting it backstage, but funnily it’s sometimes, ridiculously, better front of house, like when the set was a huge supermarket. It’s the sets, the guests, the whole thing. It’s a big insane show and one where you never know what’s going to be thrown at you.
116
Dolce & Gabbana autumn/winter 2012 For this Dolce & Gabbana show, I shot a cover and story for the Telegraph. It’s always really nice to have a set focus when doing a show. I like the clean graphic nature of it, that’s the way I like to shoot: Where the girls aren’t necessarily looking and you’ve got the elements of the clothes. The girls all have their numbers with them as well. Dolce & Gabbana is a great client to work with. Shooting on location in Alta Moda every summer is a really unique experience.
Prada autumn/winter 2013 You get to Milan and you want to do Prada. It’s always the show of the season, whether it’s a really good one or not. When I look back over the archive, it’s always got its own totally unique sense of style. It’s very conceptual, but it also has that sense of humour with it as well. Even if it’s dark, it’s kind of playful. There’s a lot of energy and a lot of fun at Prada.
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The Young Victoria Gallant but emotive, innocent but determined, pretty but empowered – summer’s take on Victorian-inspired styles says everything about the woman you’ve become.
Photographed by Vivienne Balla Styled by Olivia Cantillon
Jacket, shorts and collar, CHRISTIAN DIOR
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Dress, ERDEM | Shoes, STUART WEITZMAN | Earrings, GUCCI
Shirt, MSGM at S*uce
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Dress and top, FENDI
Dress, PRADA
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Dress and trousers, ETRO | Shoes, SALVATORE FERRAGAMO | Necklace, CHRISTIAN DIOR
126
Top and trousers, CHLOÉ | Shoes, STUART WEITZMAN
Shirt, ALEXANDER MCQUEEN | Skirt, SONIA RYKIEL @net-a-porter.com | Shoes, STELLA MCCARTNEY | Brooch, OSCAR DE LA RENTA
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Shirt, FENDI | Shorts, ALEXIE at Bloomingdales
Top, ALEXIE at S*uce
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Dress and shoes, GUCCI
Model: Angelika at MMG Models Hair and makeup artist: Annesofie Begtrup Editor: Kelly Baldwin With special thanks to Al Barari
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End Cre dits Determined, considered and fearless - Raf Simons’ tenure at the house of Christian Dior was short in its time scale but mighty in its message. Here we offer homage to his final vision.
Photographed by Danilo Hess Styled by Sofia Odero
Bar jacket, cotton top, pleated skirt and shoes, CHRISTIAN DIOR
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Bar jacket and Dioroscope necklace, CHRISTIAN DIOR
Silk organza dress, cotton top, cotton shorts, shoes and earrings, CHRISTIAN DIOR
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Sleeveless jacket, cotton top and Dioroscope necklace, CHRISTIAN DIOR
Silk organza dress, cotton top, cotton shorts and earrings, CHRISTIAN DIOR
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Sleeveless jacket, cotton top, pleated skirt, Dioroscope necklace and Dioressence shoes, CHRISTIAN DIOR
Bar jacket, cotton shorts, Diorever bag, CHRISTIAN DIOR
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Embroidered chiffon dress, cotton top, cotton shorts and earrings, CHRISTIAN DIOR
Silk organza dress, cotton top, cotton shorts and earrings, CHRISTIAN DIOR
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Three-piece short suit and Dioroscope necklace, CHRISTIAN DIOR
Silk organza dress, cotton top, cotton shorts and earrings, CHRISTIAN DIOR
Models: Luciana at IMG NYC Marcelina at One Management Makeup artist: Elena Perdikomati Hair stylist: Jeff Francis Local production: Utopia Production: Louis Agency
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Blooming In Style High jewellery has the ability to evoke the many moods of a woman. From soft romance to a fiercer form, see our edit of the Cartier pieces to flourish from.
Photographed by KARINA TWISS Styled by JAMES V. THOMAS
High Jewellery earrings and ring with pear-shaped and brilliant-cut diamonds in platinum, CARTIER | Dress, LOUIS VUITTON
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High Jewellery bracelet with 10 heartshaped diamonds, baguette-cut diamonds and brilliant-cut diamonds in platinum, CARTIER | Jumper, ACNE STUDIOS | Skirt, STELLA MCCARTNEY
Panthere de Cartier earrings with 374 brilliant-cut diamonds, onyx in yellow gold, and Panthere de Cartier necklace with 1,929 brilliant-cut diamonds, onyx in white gold, CARTIER | Top, CÉLINE
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High Jewellery necklace with pearshaped diamonds and brilliant-cut diamonds in platinum, CARTIER | Dress, SAINT LAURENT PARIS
DestinĂŠe Solitaire ring with brilliant-cut diamonds in platinum, and Juste un Clou bracelet with set with 624 brilliant-cut diamonds in white gold, CARTIER | Top and jumper, CHRISTIAN DIOR
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High Jewellery necklace with 14 heart-shaped diamonds, baguettecut diamonds and brilliant-cut diamonds in platinum, CARTIER | Dress, BALENCIAGA
High Jewellery earrings with pear-shaped diamonds and brilliant-cut diamonds in platinum, Juste un Clou ring set with 77 brilliant-cut diamonds in white gold, and High Jewellery bracelet with pear-shaped diamonds and brilliant-cut diamonds in platinum, CARTIER | Sleeveless jacket, LANVIN | Fur stole, MIU MIU
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High Jewellery necklace with eight emerald drops, cultured pearls and brilliant-cut diamonds in platinum, and High Jewellery bracelet with engraved emeralds, brilliant-cut diamonds in platinum, CARTIER | Top, ANTHONY VACCARELLO
Model: Maja Mayskar at IMG Photographer’s assistants: Marco Rochas ClÊmentine at Studio Zero Digital assistant: Manu Pestrinaux at Imagin Makeup artist: Maria Olson Hair stylist: Kazue Deki Manicurist: Virginie Mataja Production: Louis Agency
Words by Sophie Pasztor
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Phoenix of Fire Jewellers distil earth tones of silver, rose, brown and gold, skilfully manipulating them into beautiful works of art. Opt for designs focusing on architectural form, such as Robert Wan’s pearl ring, to add some structure to the otherwise earthy hues. 1. PARMIGIANI FLEURIER | 2. NAYLA ARIDA at S*uce Rocks | 3. CHANEL | 4. BVLGARI | 5. S*uce Rocks
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Treasure Trove Take a step back in time and uncover the meticulousness of details in vintage inspired pieces. Adorn a crisp white palette for timeless elegance and look towards precious pearls and hypnotic diamonds to add interest. Wear with casual attire to propel the pieces into the modern day. 1. CHRISTIAN DIOR | 2. CHANEL | 3. CARTIER | 4. ELISE DRAY @Matchesfashion.com | 5. FORTUNA JEWELRY at S*uce Rocks
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J e w ellery d is cove ry
Zambia, Africa - home to the world’s largest emerald mine owned by Gemfields.
Reimagining
the Stone By Kelly Baldwin
For centuries emeralds have been celebrated as emblems of beauty and power but today they have even greater intentions. We travelled to Africa to discover the world’s largest mine, where the stone’s real worth is being uncovered.
Driving through a small and relatively desolate town in the heart of Zambia was invigorating to say the least. The fresh, untouched air flowed against my face, arresting in its energy while the vast landscape – a heady blend of gold, beige and crisp greens – offered a vast and infinite vision of serenity. Under the burnt orange and deep dusky pink light of sunset, this was Africa at its most breathtaking. But there was more to it, the spirit and pull of its atmosphere suggested something magical, a type of beauty that at this point, on the first of our four-
Fabergé pieces using Gemfields’ Zambian emeralds..
day expedition, could only be felt and not seen. We were here to discover what lies unearthed. “There is no stone the colour of which is more delightful to the eye, for whereas the sight fixes itself with avidity upon the green grass and the foliage of the trees, we have all the more pleasure in looking upon the emerald, there being no green in existence more intense than this,” wrote Pliny, a Roman scholar from the 19th century. As the sun set on the south of Africa, we had made it to our final destination deep in the Zambian Emerald Belt, just south of Kitwe, to the west of the Copperbelt Province and 100 miles from Victoria Falls. This is now home to the world’s largest Emerald mine, Kagem, spanning 41 square kilometres and owned by gemstone company Gemfields. Even at nighttime it was striking as the air danced with energy and the ambience signalled towards something perplexingly beautiful. Had we left in that moment, without stepping foot on the mine or having set eyes on an emerald, I would have still held the belief that something charmed happens on this plot of land. ‘Emerald’ derives from the Persian word meaning
For ‘in the know’ buyers and those with a
green gem and has enjoyed a very rich history.
conscience, second to whether a high jewellery
Said to have first been discovered in Egypt under
piece is a Fabergé or Van Cleef, what’s important is
Cleopatra’s rule, it later became the gem of
that their emerald is Zambian and mined at Kagem,
choice for powerful women, from Queen Victoria
for reasons we’d discover. “Our approach is to set
to Jacqueline Onassis, and was recognised as the
new benchmarks for environmental, social and
greatest emblem of prowess and power by the
safety practices in the coloured gemstone sector.
Maharajahs of India. Fine emerald has only ever
Recognising our leadership role, we are working to
been found in fewer than 20 countries. Of these,
support increased transparency across the wider
only 11 are capable of producing quality stones,
downstream supply chain,” says Ian Harebottle,
but at incredibly small quantities. And so, while
Gemfields’ CEO. Here we met a small group of
diamonds and other coloured gemstones danced
impassioned people graciously redefining the way
around the necks of women, emeralds lay almost
the world approaches the gemstone, from the
dormant for decades, either lost in the personal
method used to mine it and the route used to reach
collections of Andy Warhol and Elizabeth Taylor,
the consumer (private auctioning), to its impact on
or buried metres underground in Brazil, Colombia
the surrounding society.
and Zambia, (the latter of which has now become its
On waking the next morning, we embarked on a
capital city and is where we took two plane journeys
short journey to the top of a cliff where a visual
and a rather volatile car journey to reach).
masterpiece presented itself upon looking down
160 on the mine. Deep rivers of silvery black markings
Islamic lore, the medicinal effects of emeralds have
ran through it - each a natural indication of where
garnered much conversation since 13th century
emeralds might have once formed - defining the
scholar Ahmad ibn Yusuf Al Tifaschi suggested
great big grey pit. Few and very, very far between,
that it could strengthen eyesight, protect from
the mineralisation of the stone can only happen
epilepsy and diminish stomach related diseases.
when two different and contrasting rocks merge
The jeweller Rajroop Tank once set out the merits
under unique conditions. In the case of Zambian
that a fine emerald should posses and including
emeralds, it was the specific combination of the
luminescence, reflection and richness of colour, he
1.6-billion-year-old high-grade metamorphic rock
also cited: “It should captivate the heart and bring
named the Talc Magnetitie Schist and the younger
a feeling of peace to the mind, it should almost
500-million-year-old intruding pegmatite. Over
physically soothe the eye.”
millions of years, the chemical reaction between
Perhaps it was the vast and astonishing
the two rocks allowed emerald fluids to be collected
landscape surrounding us, the fresh Zambian
and later crystalized. Once a trace element of
air, it might have even been the few days respite
chromium is absorbed, it creates the rich, green
from an office and computer screen, or just
hue – spectacular and almost enigmatic.
maybe it was the fragments of exceptional
We carefully walked down the exterior of the open
stones being plucked from the earth, but I was
mine and stood at one of these points, observing
the calmest I’d felt for a long time.
the process while a handful of men delicately dug for
With its flexible and mysterious nature, the stone
the rare stone. Like small green fireballs being pulled
has provoked much conversation and this has
from the earth, pieces of the precious material were
been evident through the pages of MOJEH.
uncovered, light shattered through each one and imploded along its natural curves and rough edges. “Of all the precious stones this is the only one that feeds the sight without satiating it. Neither sunshine, shade nor artificial light effects any change in its appearance,” said Pliny. “Even when the vision has been fatigued…it is refreshed by being turned upon this stone, there is nothing more gratefully soothing for the eyes.” Hours passed in the unforgiving African heat and less than a handful were found. One perhaps big enough to eventually claim a spot along Bond Street or Via Montenapoleane while the rest were tiny, almost dust sized fragments but perfect for decoration on watch faces. Other than the impressiveness of the discoveries, what was most remarkable was the temperament on set - calm, almost subdued. The greatest of juxtaposition considering the might and worth of an emerald. It was in this moment, 105 metres down and surrounded by earth, that we discussed the gem’s apparent healing powers. In as early as the 2nd and 3rd centuries the emerald was believed to harness intellect and an ability to communicate, through its alignment with the planet Mercury. Hindu culture later cited it as a powerful energy source that was able to lift a person’s aura, and subsequently low-grade stones were thought to bring unhappiness and misfortune. In
Right: A rough emerald found in a reaction zone inside the open pit mine. Above: An aerial shot of Gemfields’ mining area in Zambia. Left: Necklace set with Gemfields’ Zambian emeralds, Dhamani. Photographed for MOJEH Issue 32
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With its flexible and mysterious nature, the stone has provoked much conversation and this has been evident through the pages of MOJEH.
Left: Necklace set with various emeralds in different hues, Piaget. Photographed for MOJEH JW Issue 2. Below: Emerald ring surrounded with pink sapphires, Christian Dior. Photographed for MOJEH Issue 12+1.
Above: Emeralds surrounded with yellow diamond, pink sapphire, tsavorite garnet and diamonds, Wallace Chan. Photographed for MOJEH JW Issue 1. Right: Emerald earrings, Christian Dior. Photographed for MOJEH Issue 25.
Its interchangeable beauty allows for a rich offering of diverse jewellery pieces, but seeing it in its rawest of forms, only just unearthed, is most magnetising.
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Left: Graded emeralds inside the Kagem sorting house. Right: Ring featuring a Zambian emerald, Giampiero Bodino. Photographed for MOJEH JW Issue 2.
As the centrepiece of a Giampiero Bodino emerald
are still carried out by hand at Kagem, where the
and diamond ring for example (seen below), the
world’s most comprehensive grading system
stone stands tall and robust with its rich green light
has been established. On walking around the
projecting itself onto the surrounding diamonds.
site over the following days and in speaking with
Deep, dark and commanding. Alternatively, smaller
those responsible for most of Zambia’s emeralds
pieces in different gradients are scattered across
- gemologists, archaeologists and miners who in
a Piaget necklace and form a delicate flowerbed
the main originate from nearby towns and have
where size and colour creates the ultimate light
worked at the mine for decades – we found a
show cascading throughout the piece. Other than
profound dedication to ethical and transparent
size, cut and facets, the most important measure
mining methods to be the one factor anchoring
of quality in an emerald is its colour, and green or
everyone together, and since acquiring Kagem
very slightly bluish green tend to be more desirable,
in 2007, Gemfields have been successful in
both of which Kagem possesses when you search
their quest to lift the world’s appreciation of
far enough. Its interchangeable beauty allows for a
the stone, while setting the highest standards
rich offering of diverse jewellery pieces, but seeing
in mining and selling.
it in its rawest of forms, only just unearthed, is
There’s a raw and innocent elegance felt through
most magnetising.
their work, also seen in their campaigns, the first
The journey from discovery to eventually finding
of which found Peter Lindbergh photographing
its home in a jewellery piece is of course a long
Mila Kunis in a rare and intimate moment. “I think
and delicate one, and many components, from
it was probably the most natural I’ve ever felt on
washing and sorting to grading and later polishing
a shoot. It was all about being free, present and totally at peace with nature and the environment,” the actress said in 2014 after visiting Kagem. “While in Africa, I learned that the entire journey that each Gemfields’ stone takes is carefully considered and that the environment and the local communities where its mines are located are held in the highest regard.” On our final day in Zambia we took the same journey as Mila by visiting the surrounding schools and hospitals funded by Gemfields. In an industry still facing challenges such as bribery, corruption, land rights and grave environmental impacts, it was encouraging to see a colourful and welcoming community clearly benefiting from having an international gemstone house on its doorstep. Other than being responsible for 20 percent of the world’s emerald production, this is Gemfields’ greatest success. As we departed and I took in my surroundings one final time, it struck me that in all the colours that offer this small corner of Africa its magnetism – the deep blue river running through, the marbled beige and bronze dust making up the dirt track leading us away from Kagem, the soft olive roughage framing said river and track – one hue, arguably the most powerful of them all, lays silent and invisible, metres below. But it’s the hidden emerald that’s provoking the powers of change.
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T h e P i ec e
Refined Time
A new model of sophistication has been designed, seamlessly merging functionality and beauty. The seductive beauty of Bulgari’s Diva watch echoes the essence of femininity and tailors it to combine a dynamic complexity. Slim and sensual, the enthralling timepiece has been devised with a delicate 30 mm case for practicality. Stemming inspiration for its design from Roman culture, the artisans from Bulgari infuse comparable design elements from antique mosaics. Drawing on the sleek and polished finish of the tiles, they create a soft satin strap that provides both comfort and style. A diamond-pavÊ dial is set with 233 brilliant-cut diamonds and set with an 18 karat white gold pin buckle. Each and every element of its design and functionality has been meticulously thought out. The level of detail and craftsmanship employed in the watch positions it to not only Haute Horlogerie, but also a piece of fine
Words by Sophie Pasztor
jewellery. This timeless piece will perfectly complement any modern woman’s existing collection.
A Woman’s
R i t ua l We uncover the newest edition to Piaget’s captivating Possession collection. Swiss fine jewellery and watchmaker Piaget is expanding its stunning Possession collection with a new bracelet. Injecting the same level of expertise and craftsmanship into its designs, the artisans behind this latest piece have offered a sense of familiarity to its newest member. The design showcases the original turning ring in each of the bracelet’s two ends. Formed in pink or white gold, the bracelets have the ability to decorate the wrist in either stackable arrangements or be left alone as a refined sentiment. The Words by Sophie Pasztor
choice is yours – to create your own ritual of accessorising. Adorned for any occasion, the charm of its allure will make for an exquisite extension of your personality. Its ‘turn and the world is yours’ campaign highlights the conscious or unconscious lore of the Possession collection – where the hypnotic charm of the original rings’ turning mechanism will have you captivated. The collection allows you to freely choose your own individual jewellery ritual, offering you an endless realm of divine possibilities.
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T h e T r end
The
Brooch Code
The once archived accessory is stepping into the light this season. Adorn yourself with the world’s most versatile piece of fine jewellery, the brooch. We have seen a resurgence in retro styles on the a/w16 runways, with John Galliano’s Edwardian inspired designs or Isabel Marant’s infusion of Eighties fever as examples. But, we cannot shy away from this season’s heirloom brooch for being the vintage accessory of the moment. The 18th century saw the versatile object fasten finery, such as coloured feathers and treasured fabrics, to one’s clothing. By the 19th century, the brooch expanded into many decorative styles, in turn widening its appeal. Whether one is ornately positioned to one side of your evening dress or delicately pinned to the lapel of an elegant suit, we can’t help but be wooed by the sartorial power of this opulent jewel. Their generous size provides a perfect canvas to exhibit an artisan’s talent, where meticulous workmanship can be showcased in impeccable detail. No one does this better than Cindy Chao – her sculptural threedimensional creations use a 360-degree gem-setting technique, making her designs distinctly dynamic. Look to one of the world’s oldest and most loved
Words by Sophie Pasztor
accessories for spring and breathe new life into this age-old piece.
Brooch, CINDY CHAO
EVERYTHING IN MOJEH MAGAZINE IS AVAILABLE TO
BY CONTACTING LOUIS FOURTEEN.
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S t yl e I ns ider
Adelya Bakhtiyarova at home in Dubai, photographed by Michelle at The Factory ME. Adelya wears Envy Hand Bangle with black, champagne and white diamonds in 18k rose gold | Love Letter collection, letter M in diamonds set in 18k white gold | Love Capsule collection evil eye bracelet with black and white diamonds set in 18k yellow gold | Baroque collection roses ring with white and champagne diamonds in 18k rose gold | Love Capsule lock necklace with white diamonds in 18k yellow gold | Line collection earrings with diamonds in 18k rose gold | dress, Chanel
Precious
Char m s Jewellery designer Adelya Bakhtiyarova of Adelya Jewellery has a natural instinct for all things rare and precious. The Dubai-based fashion fanatic tells us what jewellery means to her, and her favourite ways to wear it.
Inspiration always starts with the stones for me, because I love their natural colours and I’m fascinated with looking at them under the microscope. All of my designs always come out of that. When it comes to wearing jewellery myself, I go through stages. Sometimes, I like to be very bold, but right now, I’m going through a slightly more conservative stage. I like the letters from my Love Letters collection: I wear my own letter, my boyfriend’s, my sister’s, it all really depends on my mood. Sometimes, I wear four letters on my forefingers and it looks kind of cool when you can almost spell something. It’s very personal. I’m into creating personal things, like the Zodiac keys, which include the stones of the zodiac. It’s quite important to wear your own stone. Certain elements in these minerals don’t always work with our bodies, which is why sometimes we feel bad or good if we wear a certain stone. A lot of stones have these positive qualities. I love to play around and mix different metals and stones. If you wear white and rose gold together, they offer a contrast to each other and pop more. I think it’s what gives layered jewellery an interesting look. I don’t have any rules – I mix all my semi-precious stones with the precious – and it always depends on my mood. For the evening, I tend to wear something that I want to focus on, whether it’s a big pair of earrings or a string of pearls, and would keep my rings very simple and small. If I want to wear a really huge ring, like the flower Kaleidoscope rings, then I’ll just wear the ring and let everything else fade out it’s a natural ruby. Rubies and emeralds age and they are very soft, it’s quite easy to break them, so I try not to touch the setting and I wear it as it is, layered up with other rings around it to make it look more modern. For me, it’s always a little black dress that shows off a great piece of jewellery. Black suits everybody. I really like to show some leg, because I think that’s very feminine and beautiful: A little black dress is definitely a canvas.
Interview by Natalie Trevis
a little bit. Otherwise, pieces get lost. I have a really pretty ring from my grandmother;
I don’t have any rules - I mix all my semi-precious stones with the precious - it always depends on my mood.
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B e au ty F o cus
Laurels of Arabia
The tales of Middle Eastern beauty rituals date back to over thousands of years and have been passed on through generations. The best kept secrets to the luscious raven hair and olive skin glow lie in the wealth of the region’s offerings of enriched produce and geographic delights. Across the following pages we look at the skincare and wellness tricks Arabian women are keeping in their beauty arsenals, and celebrate the cultural riches of the great Middle Eastern terrains.
Glamour Cruise, photographed by Greg Gex in the Middle East, MOJEH Issue No 2
Moroccan Black Soap, Elma and Sana Key Ingredient: Black Olive Oil and Eucalyptus Derived from: Morocco
Facial Toner, Suti Key Ingredient: Rose Water Derived from: Egyptian and Persian Roots
Body Mud, Ahava Key Ingredient: Dead Sea Minerals Derived from: Jordan and Lebanon
Sweet Orange and Cinnamon Soap, The Camel Factory Key Ingredient: Camel Milk Derived from: Egypt
Facial Ubtan, Forest Essentials Key Ingredient: Turmeric Derived from: Iran Rhassoul Clay, Biopark Key Ingredient: Rhassoul Clay Derived from: Atlas mountains of Morocco
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The terrains of the Middle East offer a wealth of landscapes to enjoy natural sollutions to workouts.
The Great Outdoors Whether you’re looking to lose weight, increase fitness levels or just show your soul some love, it’s time to break free
from the gym and embrace the benefits of Mother Nature.
“Exercising outdoors leaves you feeling revitalised, helps decrease feelings of anger and increases overall energy and vitality levels, too” says Claire Falconer, Dubaibased personal trainer, health coach and advocate for using what the earth offers in both workouts and diet. “The best part about it is that is doesn’t even feel like exercise – it can be fun and explorative. There’s nothing more exhilarating than doing something enjoyable and
We all understand the allure of the gym. The air
exploring the UAE’s adventure races such, as WadiBih,
conditioning, the convenience and the predictability
where you get to run in between the beautiful and cool
of your workouts make for a pretty safe exercise
valleys and mountains of Oman.”
environment, especially here where we tend to enjoy
There’s no denying we need to feed our soul with
just a handful of months of bearable weather. Yet,
nature’s antidote to stressful, modern-day living by
at the same time, artificial light, climate control and
ditching the gym. “Sunshine – that’s definitely one of
crowded spaces are all things we’re all exposed to
the most important reasons for training outdoors,” says
on a day-to-day basis at the office and home, so why
Ronny Terry, a UK-based personal trainer, who dedicates
do you need any more? Emerging science suggests
his time to getting people lean and strong using natural
there are benefits to exercising outdoors that can’t be
terrains. An alarming rate of UAE residents are vitamin
replicated on a treadmill, and at MOJEH, we agree
D deficient, so spending more time in the sun will help
that there’s no better training ground than the great
raise levels and keep our bones strong. “Research
outdoors. Fresh air, beach access and green grass – we
shows it can decrease the risk of type-2 diabetes,
have entry to some of the most beautiful terrains in the
too, and help improve our mood,” he continues.
world, so why not utilise them at any given moment.
“Variety is another hugely important factor,” says Ronny.
“The hill programmes on treadmills and x-trainers can’t compete with the good old outdoors. The changes in gradient, camber and even wind resistance can help keep things fresh and burn more energy.” For one thing, you stride differently when running outdoors. Studies find that people flex their ankles more, and will occasionally run downhill, something that isn’t easily done on the treadmill. The same dynamic can be applied to cycling, where the wind drag can result in much greater energy demands during 25 miles of outdoor cycling compared to the same distance on a stationary bike. Perfect for when you have minimal time, but want to burn maximal calories. Perhaps the most important benefits of all, however, are mental stimulation and well-being. “The agonising
Libya
process of watching the miles mount up on the treadmill,
What to do: With endless highlands of the undiscovered city of Nalut, set amidst an arid desert, ancient ruins and high mountains, is perfect for an adventurous mountain trek and climbing trip. When: November to March
or the glorious backdrops of local beauty spots? You decide,” says Ronny. It’s amazing how simply looking at pictures of nature can lower blood pressure and bring us to a calm state, so actually experiencing them first hand takes this to a whole new level. “Exercising in nature can reduce stress and lift self-esteem,” he continues. “Even without sunshine, getting active outside will clear your mind, energise your body and promote feelings of happiness.” And, let’s not forget the benefits to our body caused by sweating – the chemical releases, removal of toxins and weight-loss opportunities are endless. Sweating is half of what constitutes health. How exactly do you go about it? While jogging and cycling are amazing for health benefits, they don’t always lead to muscle-build and toning that same way that hitting the machines at a gym can achieve, but that doesn’t make it any less possible. “I see how outdoor gyms have grown so quickly out here in Dubai,” says body coach Daniel Sten, Swedish boxing champion and trainer to some of the most prestigious royal women in
Jordan What to do: The ancient Nabatean route is filled with the mystic of the city of Petra that is carved in rock in a hidden valley. Adventure enthusiasts make their way from Amman to Wadi Araba on hiking trips that last over a week. When: September to March
the UAE. “The purpose of these spaces is to encourage physical activity and improve quality of life, making them a free invitation to exercise in a colourful and different environment.” If all you’ve got is your own body weight, a bench and a chair, even a dedication to squats and bench presses will reap rewards. We spend so much of our lives working, subjected to a stressful and intense routine full of goals and deadlines that most of the time, we just want to return to the sanctuary of our cosy home and trusted television set. We forget how amazing and peaceful it is to sit in front of the sea and hear the roar of the waves, or the feeling of heading to the tops of the mountains to clear our busy minds. “Exercising in the fresh air is the best and total combination of health, brain and mind,” says Daniel. “It’s by far the best way to decrease levels of the stress hormone cortisol and something we don’t experience anywhere near enough.” It’s all about connecting with the outdoors, with nature.
Morocco What to do: Explore the great terrain of the High Sahara Desert on mountain bikes, pedalling more than 31 miles a day across along old jeep tracks, sipping mint tea in Berber villages, and camping at ancient kasbahs. When: October to April
176 One Desert Journey at The Spa, The Palace Downtown, Dubai Taking you on a true Arabian beauty adventure, the One Desert Journey begins with a dry body scrub using a home made concoction of desert sand, salt and naturally cleansing Aragon oil. It gently removes dead skin cells and promotes healthy blood circulation while the oil pumps moisture back in to the body. After a warm shower using the Spa’s herb infused products, you indulge in a full body massage using a hot ‘oussada’ cushion and an energising ‘khemoussa’ pouch. The sounds of Arabia gently flow in the background while the smell of Moroccan mint melds its way through the body.
What do you know about Halal cosmetics? We’re seeing an increasing interest and a growing niche market for ‘halal’ beauty that cater to Muslim clients. Major beauty giants including Shiseido and Estée Lauder, have also tapped into the growing global halal consumer market. But, what does it really mean and how is it different from regular products? “Halal”—essentially means “permissible”— and is one of the tenets of morality in Islam, Halal cosmetics prohibit the inclusion of animal-derived ingredients or animal testing and also stresses on the significance of a holistic lifestyle. The holistic all-natural organic appeal is very attractive to Muslims and non-Muslims within the affluent Middle Eastern market. Major halalonly brands such as One Pure Beauty and Amara Cosmetics have an array of lipsticks, serums and hair products with all natural goodness.
Cleopatra Milk Wrap, Cleopatra spa, Wafi Pyramids, Dubai If the majestic architecture and ornate interiors inspired by ancient Egypt don’t convince you enough, the opulence and richness of the treatments at the Cleopatra’s Spa will surely turn you into a believer. Guests are treated like royalty from the moment they step into the fantasy world of ancient pharaohs and the royal indulgence of the Cleopatra Milk Wrap will leave you feeling like a goddess. A combination of full body scrub and a nourishing milk mask and finish with a body wrap to ease away your aches and pains in a relaxed serenity.
Homegrown Produce in Local Restaurants There is no better time than the beginning of spring to hit the refresh button on your health and wellbeing. We’re seeing a diverse range of restaurants and cafés popping up around the block, offering organic, sustainable and local options, utilising the wealth of delicious offerings from the Emirati land. The newly opened Levantine- Emirati restaurant, Siraj is on our radar this month for its authentic homemade jams and pickles and use of genuine regional spices and ingredients.
Jumeirah Dhevanafushi, Maldives TStretched across two islands, this enchanting hideaway offers lush foliage, crystal blue waters and stretches of white sandy beach to create a wellness sanctuary. The exotic retreat offers an idyllic island escape to immerse in the wealth of nature incorporating an array of ayurvedic practices to promote organic wellbeing. The Talise spa offers a variety of bathing rituals. The Rose Bliss in particular is a divine experience that includes a rose and tuberose blend with argan oil and shea butter to nurture the deepest sense of bliss.
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B e au ty F o cus
Your
Game Living in the Middle East, we have the advantage of basking in glorious year-long sunshine. So, why do we have one of the highest records of vitamin D deficiency worldwide? MOJEH investigates.
If there’s one thing that we’re not short on here,
SPF content. This, in turn, blocks vitamin D from
it would be an abundance of sunshine. Yet,
penetrating into the skin.”
ironically, when it comes to vitamin D levels, a
Studies show individuals with pigmented skin
recent study announced at the third international
are also less able to convert sun exposure to
conference on vitamin D deficiency showed
vitamin D, whereas pregnant women use up their
that UAE residents have some of the lowest
resources much faster. Other factors to take into
figures in global records, with 78 per cent of
consideration are smoking and obesity, which
the population suffering from what’s known in
are highly linked to deficiency, whereas people
the industry as the ‘silent killer’. What’s more,
with dark skin are said to be less able to absorb
Cod Liver Oil
researchers at Dubai Hospital also found that
the nutrients. All things to keep in mind if we
more than 80 per cent of Dubai residents don’t
want to overcome the epidemic. So, if you think
Benefits: Anti-aging properties, heals and nourishes scars and acne
get enough vitamin D, according to the largest
that consuming a wide variety of foods that are
study of its kind ever carried out in the UAE.
high in vitamin D – think egg yolk, fortified milk,
But, with year-round sunshine and beaches
salmon, sardines and cod liver oil – on a daily
aplenty, how is this even possible? And, more
basis is enough to keep you fit and healthy, then
importantly, what does it mean for us as a
you need to think again. It’s time to start actively
population? Vitamins are essentially micro-
doing more to protect your health.
nutrients needed by the body to maintain healthy
Experts suggest that a small amount of early
tissues and for the upkeep of vital processes.
sunshine is crucial for wellbeing, and to help
A lack of vitamin D – which is absorbed by
bones remain healthy. “It takes as little as 20
the body through numerous food sources and
minutes of daily sun exposure for the body to
supplements, as well as synthesis in the skin
utilise UVA rays and convert them into vitamin
by the reaction of sunlight on it – has been
D in the body,” says Dr Hoda. “And, if this still
linked to everything from bone metabolism
isn’t possible, then supplementation is vital.” The
disorders, cancer and cardiovascular disease
optimum time to get out of the house is from
to diabetes. “In the short-term, there can be
dawn to 11 am, before the sunshine gets too
a decrease in calcium absorption in the body,
intense, meaning you can enjoy direct sunlight to
resulting in bone ache and weakness in muscles,
your face, arms, hands and back. Aim for three
fatigue and insomnia,” says Dr Hoda Makkawi,
to four days a week initially, and then try upping
Family Medicine Consultant at Euromed Clinic
this to a daily occurrence. Make sure you don’t
Center based in Dubai. “In the long-term, it may
apply sun cream, either, as this will completely
increase the risk of cancers, dementia, diabetes
block out the vitamin D – just make sure you
and auto-immune diseases such as thyroiditis
get yourself out of the sun before midday so
and multiple sclerosis.”
you don’t burn. Obviously there are drawbacks
What most people aren’t aware of is that you
to the method – we all know the dangers of
can’t get the right amount of vitamin D from
high sun exposure – so it’s important to strike
food alone. In fact, 90 per cent of the sources
a sensible balance. Much less time is needed in
are normally obtained from direct exposure to
the UAE than in cooler climes, so precautions
the sun’s UV rays. And, in this lies the cause of
against sunburn need to be prioritised. When
the problem, as the majority of us spend our
it comes to supplements, the current thinking
time in air-conditioned environments for the
is that around 400 units of vitamin D a day for
9-5, while weekends are typically spent at home
adults should suffice.
or in the mall. “In general, there are two main
In some cases, deficiency can still occur despite
reasons behind the UAE’s prominent deficiency
a healthy diet and sun exposure, as a handful of
of vitamin D,” says Dr Hoda. “For local or Arab
people may have absorption problems in their
women, they tend to have limited exposure, or
intestine. Vitamin D blood tests are therefore
sometimes even a complete lack of exposure to
vital to diagnose the problem, as apart from
sunlight, due to the fact they adhere to modesty
tiredness and some general aches and pains,
in dressing by wearing either a hijab or traditional
there are very few symptoms that are noticeable.
abaya.” In fact, the majority of suffers in the UAE
This is why they call it the silent epidemic. More
are Emirati women, who rarely expose their skin
than 75 per cent of the world’s population is
to the sunlight. “There is also a real awareness
vitamin D deficient and most of them don’t even
about how the sun can be linked to cancer,”
know it. To make sure you’re not part of that
she continues. “Because of this, most women
majority, it takes the right balance of sunshine,
avoid sun exposure or wear sunscreen with high
supplements and the right food groups.
Salmon Benefits: The Selenium in Salmon protects skin from sun exposure, and the Vitamin D provides strength to bones and teeth
Active Vitamin D serum oil, Dr Dennis Gross Benefits: Tightens pores, and helps fade sunspots while providing an even complexion.
Un-wrinkle Peel Pads, Thomas Roth Benefits: Anti-aging properties, heals and nourishes scars and acne
180
B e au ty F o cus
nine
Steps to
Better
Skin By Aishwarya Tyagi
1
2
3
1. Hydralife Jelly Sleeping Mask, Dior | 2. Hydralife Water BB, Dior | 3. Hydralife Beauty Awakening Rehydrating Mask, Dior Making Tracks, Photographed by Julien Vallon, MOJEH Issue 30, using DIOR skincare and beauty
We sit down with Eduard Mauvais Jarvis, the environmental and scientific communication director of Dior Skincare, to learn how to keep our skin on track in the unforgiving Middle Eastern heat. From moisturisers using the hydrating properties of water and gels and masks actively working to preserve and protect the skin to compulsory food groups, here’s nine things to be aware of.
get used to a product and that it is necessary to change regularly. This is false – a moisturiser is not a drug, skin doesn’t get used to it, and if it is conceived to help the skin, assuming its natural functions, it should not be stopped. The third for me is to consider that skincare is only about immediate effect. It’s not true. Consider the face of a 40-year-old woman today and compare it to a 40-year-old woman’s face 20 years ago – you will see that they have 10 years of apparent difference. What is the most common mistake that women make in their skincare and how can they avoid it? The most common one is to mistake dry skin for a lack of moisture. Skin exposed to air conditioning and dry air can be dehydrated and require water essentially, while dry skin constitutively requires water and a lot of lipids. Mistaking one for another leads to using textures
With an increasingly busy lifestyle, how
The key elements in the new Hydra Life range
that are too heavy and suffocating the skin.
important has it become to use hydration
remain the core ingredients of the range,
Hydra Life textures are purely hydrating, without
products?
centred around mallow extract to stimulate
skin suffocation.
A busy life has multiple impacts. Especially in
the production and activity of aquaporins –
the modern world, where air conditioning is
the natural water channels that allow for the
Keeping the products aside, what advice
everywhere – from your home to the car, public
circulation of water in the skin and for the
do you have for a healthy skincare routine?
transportation, work and even restaurants. The
ultimate availability of water in cells.
Drinking a lot of water is key... it makes a
very principle of air conditioning is that it induces
real difference.
the condensation of water contained in air and
What is the best age to start using age
therefore releases dry air. The dryer the air,
preventive skincare?
What’s your top tip for coping with the
the harder it is for skin to retain water, which
When it comes to prevention, I would say that the
Middle Eastern heat, humidity, sun, and
in turn causes chronic dehydration. It is thus
sooner the better. From the end of the teenage
air conditioning?
crucial to regularly use efficient hydrators to
years, skin has to be regularly moisturised
Never go out without a capsule of Hydra Life
pamper your skin.
to avoid the damaging effect of chronic skin
Beauty Awakening Rehydrating Mask in your
dehydration. When skin lacks water, it is
bag! Heat, perspiration, sun, air conditioning
Tell us more about the benefits of a
unable to perform its own regeneration and
all end up in skin dehydration. These nomadic
hydration mask as opposed to a cream-
antioxidant protection. It becomes more
single use capsules are a lifesaver to recover
based moisturiser.
vulnerable to environmental aggressions and
from all these aggressions anywhere, anytime.
When you apply a thick layer of a hydration mask
can age faster.
and leave it on for an extended period, the water
Are there any food or lifestyle choices you
content stays high throughout the application
What
time. The skin is occluded under a layer of water
misconceptions about skincare?
our skin look younger and fresher?
that penetrates into it, soaking more layers and
For me, the first one is to consider that anti-
Eat a lot of fresh fruits and vegetables, because
thus resulting in a higher moisturising efficiency.
aging is a mature woman’s problem. Anti-aging
they are rich in natural antioxidants. Avoid too
is, before all, a prevention business and should
much sugar; this can accelerate the course of
What are the key ingredients in the new Hydra
be started as soon as possible with a good
aging. Don’t eat too much salt and drink a lot
Life range and what are their benefits?
moisturiser. The second is that skin tends to
of water to avoid dehydration.
are
the
three
most
common
think we should be making in order to help
182
B e au ty & B o dy Se cre t s
Setting
the Pace
Finding an equal work-life balance can at times be a daunting task, but Ivana Bruic has made health a priority in her life. The CEO of Austyle shares with us her fitness secrets and what motivates her to stay in shape.
By Sophie Pasztor
Photographed by Rhys Simpson-Hopkins
When did you first become a runner? I was a competitive runner at school and represented my state at the 400, 800, 1,500 and 3,000m tracks. During the 2000 Sydney Olympics, I was honoured to be nominated in my region to accompany the Olympic torch, which was such an overwhelming moment for a 17-year-old at the time. Do your workouts favour cardio or strength training? Definitely both. I think women sometimes shy from strength training believing they will bulk up, but unless you’re lifting very heavy and taking a lot of supplements, this is definitely not the case. Strength training goes wonderfully in hand with cardio, and if you are looking at burning fat, it’s a surefire way to speed up the process. How important is maintaining a clean diet?
Ivana wears sports top, jacket and tights, LORNA JANE | Trainers, ADIDAS.
I’m conscious of what I consume, but I also don’t hold back if I’m craving something. It’s literally all about balance. If you start saying no to yourself too frequently, you will eventually fall back to old habits.
What motivates you to stay in shape?
Training) with a muscle conditioning
Exercise is my ‘time out’ – it allows me to
class, like Barre. HIIT training allows you
What is your favourite ‘cheat’ meal?
take my mind off business and personal
to exercise for a shorter amount of time,
I’d have to say the ‘Salt’ burger
matters. It has more than just aesthetic or
intensively, while muscle conditioning
accompanied by their pink lemonade –
health orientations for me. I’ve implemented
classes help you tone, stretch and elongate
and, the cheat meal wouldn’t be complete
working out into my life as a ‘lifestyle choice’.
muscles – for me, the two work hand in
without their ice-cream softie!
Fitness activities energise me for the day
hand beautifully.
and help me achieve deeper sleep at night.
What’s your favourite outfit to work out Can you take us through your daily
in and why?
How do you fit in your workout with
workout regimen?
I love Lorna Jane, our top Australian active
your career?
The first thing I do when I get up in the
wear label that now has a store at Town
It’s about making wiser choices, whether
morning at 7am is grab a banana and a black
Centre, Jumeirah.
than means ditching your late night Netflix
coffee. I get hungry very quickly, so I need
for an earlier sleep or skipping a Thursday
to have a small amount of energy before I
Do you have any fitness secrets?
night out to get up earlier on the weekend
hit any activity. I scroll through my Guava
Aim to stay active, even if it means only
– you can do it if you focus and make it
Pass app or liaise with my fitness buddy,
taking a walk around your neighbourhood,
your priority.
who lives along Kite Beach, for a catch up
walking your dog, or even a friend’s dog!
training session, where we practice the ‘Kayla
There are many activities you can engage in
What is your favourite form of exercise?
Itsines’ routine or attend one of the Guava
that involve small lifestyle changes, which can
I love to mix HIIT (High Intensity Interval
Pass classes together.
make a huge difference to your overall health.
184
b e au ty n ote
Brush Away
Top to bottom: CLARINS, Body Shaping Cream | THE ORGANIC PHARMACY at Harvey Nichols Dubai, Skin brush | LAURA MERCIER, AmbreVanille Body Butter | MOLTON BROWN, Heavenly Gingerlily Caressing Body Polish
Styled by Olivia Cantillon and photographed by Sarvenaz Hashtroudi.
Give your summer body a head start by renewing and rejuvenating your skin. Begin your prep by exfoliating with Molton Brown’s Tahitian sand body polish and follow with a deep moisturise from Laura Mercier’s vanilla-infused body butter.
Hervé Léger s/s16
Power Plaits This season, we’ve fallen back in love with the versatility of a braid. This tried and tested look has catapulted hairstyles into looking more grown-up and powerful than ever. We witnessed an all over the hair technique of braiding at the Desigual show, and a tightly plaited “crown” on the front at Hervé Léger. The only trick to nail the runway-ready style for spring is to keep your hair slightly lessthan-perfect, with undone loose strands falling carefree and casually. Jessica Hart is a vision in a goddess plait crown
Does your closet Spark Joy? The Japanese high priestess of tidying up, Marie Kondo, has our spring cleaning goals set since the release of her recent de-cluttering bible, Spark Joy: An Illustrated Master Class on the Art of Organizing and Tidying Up. This is an illustrated guide helps readers implement the philosophy of her ‘KonMarie’ method, with tricks and tips to re-align your life; the process, in return, leads to a spiritual manoeuvre that guarantees to help reduce stress and fight depression. Here’s what we’re taking away from the book:
1. 2.
3. 4.
Do it all at once. Marie suggests taking time out to tackle the tidying in one go, rather than little increments, and do it sooner rather than later. Consider the joy factor. Don’t throw things away for the sake of it. Kondo advises you to consider each item, hold it in your hands and if it “brings you joy”, keep it. If it doesn’t, throw it away and forget the “maybe” pile. Go easy. Start with things that have less emotional attachment, Kondo says. Kitchen utensils are more useful than old photographs, which are bound to slow you down. Fold everything. With the exception of heavy coats and expensive suits. Grab one of the copies for Kondo’s exceptional folding techniques that save twice the amount of storage space.
186
H e alth a nd B e au t y ne ws
The Soup Cleanse Takeover The golden era of the juice cleanse finally came to an end, and in its place is the ‘Soup Cleanse’, holding more nutritional value than any juice-based diet. A nourishing detox soup primarily relies on vegetables rather than fruits; hence, it’s low on the glycaemic scale and packed with fibre, which makes it pretty filling. Typically lasting from three to five days, not only will you end up feeling lighter and slimmer, but your body will also thank you in the form of glowing skin, renewed energy and sound sleep.
Detox Delight’s soup delight box comes with a week’s worth of mixed vegan vegetable soups and purees. Tel: 04 338 3565
Beauty Apps For a Beautiful You From virtually trying on makeup to booking salon appointments at your fingertips, these are the best beauty apps to download now. 1.
2.
3.
4.
Visada Skipping the need to waste hours in a beauty store, the app analyses your fine lines and dark spots based on a selfie. From there, you’ll get specific skin care recommendations and also makeup recommendations based on your skin and eye colour. Think Dirty If you are looking to avoid chemicals like phthalates, parabens and synthetic fragrances, this app scans the barcode of your beauty products and helps the user make informed decisions about which cosmetic products to buy, by putting that information at our fingertips. Beem The new must-have virtual personal secretary is fast and discreet and allows you to find and book your emergency beauty appointments anytime, anywhere across Dubai. iDrated The game-changing app monitors how hydrated your body is at any given moment, keeps track of the last time you had a drink of water, and tells you when you are due to drink again. The charming app is an excellent way to kick-start a health regimen or detox programme.
2
3
4 1 5
Pretty in
Pink
Mark the change of seasons by switching to new spring fragrances that instantly transport you to the aroma of blooming fields, fresh air, sunshine and roses blossoming on a dreamy summer afternoon.
1. Rose Pompon, ANNICK GOUTAL | 2. Ever Bloom, SHISEIDO | 3. Brit Rhythm, BURBERRY | 4. Rose Couture, ELIE SAAB | 5. Olympéa, PACO RABANNE
Complexion throughout: Le Blanc de Chanel, Les Beiges Healthy Glow Foundation N°20, Correcteur Perfection 30 Beige Pétale, Éclat Lumière 20 Beige Clair, Soleil Tan de Chanel, CHANEL
The
Nature of Things As the seasons transform, turn to subtle shades of sunshine for glossy skin, blushed cheeks and lightly twisted hair - all with spring’s sun kissed glow.
Photographed by Julien Vallon Styled by Pauline Roze
Left: Eyes, Les 4 Ombres 266 Tissé Essentiel, Stylo Eyeshadow 187 Brun Châtain, Stylo Eyeshadow 157 Beige Doré, Dimensions de Chanel 20 Brun, Le Palette Sourcils de Chanel 40 Naturel | Lips, Rouge Coco Stylo 218 Script, CHANEL | Right: Eyes, Stylo Eyeshadow 187 Brun Châtain, Stylo Eyeshadow 157 Beige Doré, Stylo Eyeshadow 167 Bronze Platine | Lips, Rouge Coco Stylo 204 Article & Rouge Coco Stylo 206 Histoire, CHANEL
190
Left: Eyes, Les 4 Ombres 266 Tissé Essentiel, Stylo Eyeshadow 157 Beige Doré, Stylo Eyeshadow 167 Bronze Platine, Dimensions de Chanel 20 Bru, Rouge Coco Stylo 218 Script | Lips, Rouge Coco Stylo 216 Lettre, CHANEL | Right: Eyes, Stylo Eyeshadow 157 Beige Doré, Stylo Eyeshadow 167 Bronze Platine, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 202 Conte | Nails, Le Vernis 512 Mythique, CHANEL
Left: Eyes, Les 4 Ombres 266 Tissé Essentiel, Stylo Eyeshadow 187 Brun Châtain, Stylo Eyeshadow 167 Bronze Platine, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 218 Script, CHANEL | Right: Eyes, Stylo Eyeshadow 187 Brun Châtain, Stylo Eyeshadow 167 Bronze Platine, Stylo Eyeshadow 157 Beige Doré, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 208 Roman & Rouge Coco Stylo 206 Histoire | Nails, Le Vernis 167 Ballerina, CHANEL
Eyes, Les 4 Ombres 266 Tissé Essentiel, Stylo Eyeshadow 187 Brun Châtain, Stylo Eyeshadow 167 Bronze Platine, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 218 Script, CHANEL
Left: Eyes, Les 4 Ombres 266 Tissé Essentiel, Stylo Eyeshadow 167 Bronze Platine, Stylo Eyeshadow 157 Beige Doré, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 202 Conte, CHANEL | Right: Eyes, Stylo Eyeshadow 167 Bronze Platine, Stylo Eyeshadow 157 Beige Doré, Stylo Eyeshadow 197 Vert Grisé | Lips, Rouge Coco Stylo 208 Roman & Rouge Coco Stylo 206 Histoire, CHANEL
194
Left: Eyes, Stylo Eyeshadow 167 Bronze Platine, Stylo Eyeshadow 157 Beige Doré, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 212 Récit, CHANEL | Right: Eyes, Les 4 Ombres 266 Tissé Essentiel, Stylo Eyeshadow 187 Brun Châtain, Stylo Eyeshadow 167 Bronze Platine, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 218 Script, CHANEL
Left: Eyes, Les 4 Ombres 266 Tissé Essentiel, Stylo Eyeshadow 187 Brun Châtain, Stylo Eyeshadow 167 Bronze Platine, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 208 Roman, CHANEL | Right: Eyes, Les 4 Ombres 266 Tissé Essentiel, Stylo Eyeshadow 187 Brun Châtain, Stylo Eyeshadow 167 Bronze Platine, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 202 Conte, CHANEL
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Models: Maja Mayskar at IMG Models Paris Dominika B at Marilyn Agency Paris Makeup artist: Jolanta Cedro at B Agency Hair stylist: Stéphane Delahaye at B Agency Photographer’s assistant: Louis Yago Clothing: All Chanel Ready-to-Wear Spring/ Summer 2016 Collection Special thanks: Studio Rambuteau-Championnet Local production: SWAP Production: Louis Agency
Left: Eyes, Les 4 Ombres 266 Tissé Essentiel, Stylo Eyeshadow 187 Brun Châtain, Stylo Eyeshadow 167 Bronze Platine, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 206 Histoire & Rouge Coco Stylo 208 Roman | Nails, Le Vernis 522 Monochrome, CHANEL | Right: Eyes, Les 4 Ombres 266 Tissé Essentiel, Stylo Eyeshadow 187 Brun Châtain, Stylo Eyeshadow 167 Bronze Platine, Stylo Eyeshadow 157 Beige Doré, Dimensions de Chanel 20 Brun | Lips, Rouge Coco Stylo 218 Script | Nails, Le Vernis 520 Garçonne, CHANEL
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Wo ma n o f S ty le
In the
Mix
When did you realise that you wanted to be a DJ? I started DJing in college as a hobby. When I came back to NY during the summer, I started to do sets at nightclubs, and was having such a great time with it that I thought I could take it more seriously and make it a real career. Then, I started getting approached by fashion brands and was able to use those relationships to grow my presence. From there it has turned into my main career.
By Natalie Trevis
DJ and founder of fitness and beauty website HBFIT, Hannah Bronfman is a fashion industry favourite, who has played for everyone from Balmain to Public School. We talk music, beauty and inspiration with the stylish Manhattanite.
What does music mean to you? I grew up in a musical family [Bronfman’s mother is actress Sherry Brewer and her father is former chairman and CEO of Warner Music Group, Edgar Bronfman Jr.] and have always been moved by music and how it affects everyone differently. Music means everything to me. I love that music can make me feel better and always change my mood. I love to discover new music and find new artists to follow.
Who is your musical inspiration? I find musical inspiration everywhere. From what my 15-yearold sister is listening to, to what the guy in the subway is playing. I love Disco and African music as well as Motown. I played the drums in college and started DJing around the same time. How would you describe your personal style? Elevated casual chic. I like to be a bit edgy, but also classic. How does your work influence your style? I’m constantly working on my style and finding ways in which I feel comfortable and confident while being on the go. I’ve DJ’d everything from yoga events to the Balmain Paris Fashion Week after party, so I always need to be fully prepared for anything. It’s a good thing, as I love to dress up as much as wearing a workout outfit. Who inspires your style? I really love Lauren Bacall’s style. Bianca Jagger and Kate Moss are others that I admire for their style. Strong women who are effortlessly chic influence me the most. What has been your most memorable collaboration? I opened for Alicia Keys and Young Guru at Swizz Beatz’s No Commission Art Fair during Art Basel 2015. What are your beauty recovery tips after a late night? It’s important to take all your makeup off before bed! I usually like to do a brightening mask after a long night out. I also love Air Repair’s hydrating face mist. How has discovering fitness made an impact on your life? It’s pushed me to find the balance between a hectic work schedule and taking time to do something I enjoy. Where is your favourite place to be in the world? I absolutely love Byron Bay in Australia. My aunt has a sustainable farm in a small town near Byron and my fiancé and I have been there twice and absolutely love it. What was the inspiration behind creating NY salon booking app Beautified? Beautified was built out of the idea of on-demand beauty appointments during a time in which on-demand services were becoming very hot. Beautified opened many doors for me in the beauty industry and ultimately was what lead me to start HBFIT. HBFIT was founded as a unique online
Images courtesy of Hannah Bronfman.
destination to explore all things health, beauty and fitness related, and I’m so proud of what it has become. What does the rest of 2016 hold? I’m excited to launch my digital show, HANNAHGRAM with POPSUGAR, which will explore various trends within pop culture, fashion, beauty and beyond. I’m also so happy to be part of the Adidas family and excited to promote a positive message to women around the world.
Kevin Maher / The Times / The Interview People, Images courtesy of Getty images Tristan Fewings, Samir Hussein and John Phillips.
200 M OJEH W o man
This Is
Sienna
Sienna Miller is about to grace our screens once again, and so, we meet up with the British actress and style enthusiast to talk coming of age and what’s important to her.
the past, were now more willing to back me.” Miller is wearing a grey, woollen, neck-to-floor dress. Her blond hair is lightly tousled and her brain, she says, is frazzled from all-night flu-watch over her three-year-old daughter, Marlowe (Miller split last summer from Marlowe’s father, the actor Tom Sturridge). She claims to be groggy and incoherent, but mostly the impression she creates is a sympathetic cocktail of self-deprecation, world-weary cynicism (Donald Trump, she says, is “a Ballardian horror show, and sums up the state of where we are
Sienna Miller wants you to know three things. 1)
protean seductress, who roams the floors of
now”), and occasional spiky defensiveness
This interview will not be a therapy session for a
a nightmarish tower block, pinging with ease
— “Here we go with the analysis again!” she
34-year-old actress, mother of one and former
from the rough ‘n’ tumble of the blue-collar
groans, when we mention her early years. “Back
media punchbag. 2) As she demonstrated in
lower levels to the highfalutin whimsies of the
to my childhood? What are we doing?”
American Sniper and Foxcatcher, she makes
upper-crust penthouse.
For now, though, we stick with movies, and
proper films now. 3) In a 13-year movie career
In a film populated with mainly unhinged women
with the commonly held belief that Miller has
that began with Layer Cake and Alfie, and was
(Elisabeth Moss, Keeley Hawes and Stacy
been essentially, and professionally, reborn.
repeatedly overshadowed by torrid off-screen
Martin are all on the verge), Miller coolly inhabits
The theory states that she did some modelling,
events (break-up with Alfie co-star Jude Law,
what is easily the most sympathetic female role
she made some movies and she had some
accusations of marriage-wrecking, starring role
(Charlotte is, fundamentally, a survivor), perhaps
boyfriends — Law, Rhys Ifans and Balthazar
in the Leveson inquiry) and undercut by some
even the most sympathetic part, in the movie
Getty. She was pursued relentlessly by the
hit-and-miss films (GI Joe: The Rise of Cobra)
(Tom Hiddleston’s middle-class hero, Dr Laing,
paparazzi (so thoroughly that, in 2008, she
before she triumphed at the 11th hour with
is deliberately blank).
launched successful court action against one
serious roles for award-winning directors, she
The meaty role, says Miller, and indeed her
photography agency), her phone was hacked,
never once, in any way, changed. We did.
easy casting in High-Rise (she did not have to
she appeared at the Leveson inquiry into press
The second proposition is the easiest to
audition), is another sign of the domino effect
standards, and then, hey presto, with all that bad
prove. First and third, not so much. We are in
defining her heavyweight career phase. “Once
stuff behind her, she finally started making ace
London to discuss her role in the madcap social
important and respected film-makers (such
movies. Right? Wrong, apparently. “Everyone
satire, High-Rise, directed by Ben Wheatley
as American Sniper’s Clint Eastwood) started
talks about that, as if they’re surprised that
(Sightseers). The movie, an adaptation of
putting faith in me, things began to change,”
they can finally see me as an actor,” she says.
the 1975 JG Ballard novel, casts Miller as
she says. “It meant that other, less artistic types,
“But, I think what they’re actually talking about
the sultry single mum Charlotte Melville, a
who may have paid attention to reputation in
is a shift in their own perceptions rather than
202
I want to keep dancing, keep making and keep creating. Sienna Miller
the fact that I’m suddenly doing good work.”
it wasn’t being created any more. But, it does
“But, I was really freaked out by that attention,
And yet, at the Leveson inquiry, Miller spoke
feel like another lifetime now. I do feel like it
and the more aggressive that became, the
authoritatively about the four years of hell
was damaging.”
more aggressive I became in my response.
she endured, from the commencement of
How damaging? She mentions the Amy
Like, ‘I’m not going to let them get me!’ In my
her relationship with Law in 2004 until her
Winehouse documentary, Amy. “I shook when
mind it was resilience, but it was really just
legal action against the paparazzi. Was this a
I was watching that film,” she says. “Because
perpetuating this cycle.”
transformative moment, one in which she went
I remembered what it was like. I was exposed
The resilience, she notes, is a childhood thing.
from frothy tabloid fodder to serious person?
to that level of pursuit. It was that aggressive.”
She is the younger of two daughters (her sister
“I think some things about that experience
She says that everything changed for her
is the fashion designer Savannah Miller) born to
were maturing,” she says, cautiously. “As I was
overnight when she emerged from the Alfie
a former model mother and banker father (“very
turning 30 and getting pregnant, and having
shoot on the arm of Law. “From 0 to 60 in zero
liberal, follow-your-heart types”). Her parents
a baby. All of these things aligned in a way.
seconds,” she says. “No one copes with that
divorced when she was six years old, and she
And to be honest, in my mind, I had sued the
unless you’re surrounded by a huge PR team.”
was sent to boarding school in Berkshire at
paparazzi a long time ago. So, my whole world
She says that the mistake she made at the time
the age of eight.
shifted once I wasn’t being followed around
was to be open, unguarded and to refuse to
“I was far too young,” she says (she adds that
every day. And, maybe it took a long time for
change her life in any way. “I was 21 and being
she would not dream of sending her daughter
that perception of me to die down, because
irresponsible, as I should’ve been,” she says.
to boarding school). “But, something about
going to boarding school at that age and finding
Miller is based in north London, where she lives
the wife of explorer Percival Fawcett in The
it really difficult made me quite rambunctious
with Marlowe, and will happily admit to a social life
Lost City of Z, for the director James Gray (The
and a bit punchy and very resilient, and also
that’s not exactly, well, scorching. “I don’t really
Yards). There’s an off-Broadway play, too, and
very soft, and, er... analysis! Analysis!”
do much else these days,” she says, with a shrug.
a possible chance to direct.
By the age of 12, she was already, she says,
“Except for working and looking after a child.”
So, is it safe to say that she has slayed some
“outgoing and rebellious”, and regularly
On the working front, she’s up next in the
beasts, put a reputation behind her, and is
socialising with Savannah (then 15). “There
Ben Affleck-directed gangster drama, Live by
finally satisfied? “No!” she says, aghast. “I
were 15-year-old boys around, having fun, so
Night, adapted from the Dennis Lehane novel.
want to keep dancing, keep making and keep
you try to tag along, unwelcomed a lot of the
“I play an Irish immigrant daughter of a pimp
creating.” She chuckles at the sound of herself,
time, but making some effort.”
in prohibition-era Boston — I think it might be
and then she announces, almost a warning, “I
She bounced from boarding school into a
my favourite role,” she says. Then, she’ll play
am just beginning. This is just the beginning!”
modelling contract that paid for a move to New York at the age of 18, and some on-again-offagain study at the city’s Lee Strasberg Theatre and Film Institute. “I did three months, then I went travelling, then I did another three months, then a play off-off-Broadway,” she says. “I just couldn’t sit still. I was desperate to start working and start my life.” Eventually, she landed the fluff role of a gangster’s moll in Layer Cake, and began shooting Alfie the day when Layer Cake finished. Of her time with Law she says, “Let’s just dodge that one. I’ve said everything I want to say about that, a million times.” Then, in the context of her seeming transition from party girl to respected actress, she says, “I was 21, and newly famous, and in love with someone very famous. And now, I’m 34 and I have a baby, and I’m a bit more grown up. It’s not rocket science. Everyone’s like, ‘What happened?’ I just grew up.” She once complained, “I think all that people care about is my private life. But they don’t want to read about my opinions on politics!” And so, what are her thoughts on her home country’s current political climate? “Er, I don’t want to particularly comment, but I’d say we probably should align with Europe.” UK politics in general? “I feel very despondent about it.” She has, though, nonetheless, been to No. 10. “It was some British fashion thing, by newly appointed Cameron, and it felt like a fun thing, just to see inside. Although it’s not like we really got to see inside. We were just in some big room.” And, finally, how to fix the immigration crisis? “Oh, stop it! I don’t want to get into that. I’m an actor. Although I will say that it is horrendous when people feel the need to risk their children’s lives because they are desperate to flee from a situation that we caused, and are reticent to fix. It’s a monumental, overwhelming disaster that we are completely responsible for.”
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T r av el
Chic Escapes From Oxfordshire’s intelligentsia hideouts to Havana’s bustling art-deco hotels, we’re looking at three distinct destinations that have inspired the fashion world in more ways than one.
By Aishwarya Tyagi
Oxford
The old-school glory of this academic seat and its
The Radcliffe Camera at Oxford University was built in the NeoClassical style in the 1700’s to house the Radcliffe Science Library.
marvellous antiquity has always been the forte of Oxfordshire. Not only did Alessandro Michele make the scholarly look the mostsought after collection for Gucci, but Dior’s upcoming cruise 2017 collection will take place in the iconic Blenheim Palace, bringing the county into the spotlight.
Where to eat Situated in the picturesque Oxfordshire village of Great Milton, The Belmond Le Manoir aux Quat’Saisons is renowned for offering one of Britain’s finest gastronomic experiences. Gucci spring/summer 2016
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Belmond Le Manoir aux Quat’Saisons
What to do When in Oxford, punting is a must. It’s a way to explore the city by water, and a favourite of both city dwellers and tourists. There’s also a plethora of vintage stores, where you’ll find original Chanel and YSL pieces.
What to pack 1. Sandro | 2. Paris Raye | 3. Prada
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Palm Springs
Once known as “Hollywood’s Playground”, Palm Springs has long been a haven for A-list
The iconic palm trees of the desert mountainous region glisten at sunset.
elite, who enjoy relaxing in style who trade in the bustle of Los Angeles for the palm trees and idyllic mountain backdrop of this oasis, that most recently played host to Hedi Slimane’s ‘Palladium’ collection.
Where to stay Recharge at the newly revamped L’Horizon Palm Springs, which boasts classic mid-century modern architecture along with a rich Hollywood history. The iconic hotel has been a favourite celebrity destination since the Fifties, attracting high profile guests including Temperley London spring/summer 2016
Marilyn Monroe and Betty Grable and several U.S. Presidents.
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The newly refurbished L’Horizon Hotel
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What to do Take the aerial tramway up to Mount San Jacinto State Park, where
What to pack 1. Saint Laurent | 2. Chloé| 3. Guiseppe Zanotti
you are 8,500 feet up the mountain. The spectacular view from the cable car ranges from the sandy desert of Palm Springs to alpine snow-fields, where the temperature drops from 32°C to 2°C.
Havana
Strolling through the streets of La Habana Vieja, amongst
Hotel Nacional de Cuba has pictures and autographs of all its famous visitors and stands like a museum in Old Havana
the candy coloured buildings and weatherworn facades still standing elegant, one can see how the city of Havana a melting pot of talent and culture, is a jarring collision between antique and nouveau.
Where to stay When in Havana, do not miss the historically significant Hotel Ambos Mundos, which was writer Ernest Hemingway’s first residence in Cuba. Room 511, in particular, has been preserved exactly the way he left it; it is where he began to write his novel For Whom the Bell Tolls in the Forties.
Alberta Ferretti spring/summer 2016
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Restaurant El Floridita Ernest Hemingway’s favourite spot tourist landmark in Old Havana.
Where to EAT The Cuban gastronomic treasure La Bodeguita del Medio is a hotspot for travellers, writers and philosophers, who visit to get the real Havana experience. Past visitors have included Salvador Allende, Fidel Castro, Nicolás Guillén and Nat King Cole, all of whom have left their autographs on La Bodeguita’s wall – along with thousands of others.
What to pack 1. Christian Siriano | 2. M Missoni | 3. Isabel Marant
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S t yl e I ns ider
At Home with
Deema Al Asadi With an acute eye for style and penchant for colour, Iraqi born beauty Deema Al Asadi is making her mark on the fashion scene. MOJEH sits down with the style star to talk clothing, beauty and interiors.
By Sophie Pasztor
Photographed by Rhys SimpsonHopkins inside Deema’s home. Pieces all from her personal collection.
Deema wears OTT Dubai dress, Zara shoes, Bulgari watch and Cartier ring
Deema wears Zara skirt and jacket, Creo T-shirt and River Island shoes
How would you define your personal style? I would define it as classy and feminine, but sometimes I go crazy, depending on my mood. How do you manage a healthy work life balance? Staying focused and having good time management is essential. What items would you say you couldn’t live without and why? Of course, my phone! I wouldn’t be able to live without my phone. What was the last book you have read? What women do you like to follow on
I start reading the Revenge Wears Prada,
Instagram?
but I haven’t finished it just yet.
I follow so many. Of course, the Kattan Sisters are on the top of the list, but I like
What are you planning to do for the
therealfouz as well. I am also a big fan of
summer?
the Fashion Byble by Carli Byble.
I am planning to travel with my husband.
What is on your wish list?
What activities would you typically do
A coloured classic Chanel, I think it’s perfect
in your down time?
for summer! Maybe pink or blue.
I am not usually an activities person, but I like tanning and using the pool in
What inspired the décor for your home?
my house.
I just wanted something practical and comfortable. That’s why I decided to go
What has been your biggest achievement
for light colours.
so far? Marrying my best friend, my husband.
Where’s your favourite lunch spot? I love having lunch at Dubai Mall in the
Talk us through your goals for the year
outdoor area mainly for its amazing fountain
ahead?
display and view of the Burj Khalifa. It also
My goal this year is definitely to launch my
makes the perfect excuse to go shopping
website. I have been working on it for three
after lunch.
months now and I’m so excited to launch it.
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Cultu r e C lub
It’s fair to say it was a childhood favourite for many, and it’s still a much-loved classic today. The Jungle Book, written by Rudyard Kipling, has been adapted and directed by Jon Favreau for the second time for the big screen. There’s so much anticipation for its release this month that even Kenzo collaborated with Disney last month for Kenzo X Disney.
As Gucci’s creative director Alessandro Michele continues to win fashion hearts, we can’t get enough of his work, too. Taken from their Tian Capsule collection, this fun-loving printed headband is the ideal adornment to take you from spring into summer. The birds, the flowers – it’s all a celebration of our wonderful wildlife.
Cultural
Notes for April
British brothers and chefs Jeff and Chris Galvin are bringing their culinary talents to Dubai. Having opened their first restaurant over 10 years ago, they plan to emulate their London success overseas. Due to open both a pub and a restaurant this month in City Walk, we’re placing our bets on a long waiting list for a table.
From the exhibition everyone’s waiting for to the most covetable bag of the season and the restaurant we’re lining up to eat at, take note
It may have debuted last month, but the collaboration between Lebanese designer Nadine Kanso and Robert Wan is still a hot topic. The Ya Noor El Ain ring, featuring a black pearl and encircled by rose gold, blue sapphires, diamonds and Arabic letters, evokes the beauty of the region’s history.
Born a rebel, always a rebel? The latest volume from Assouline.com, Radical Renaissance 60, celebrates the fashion industry’s risk-takers – from Martin Margiela and John Galliano to Nicola Formichetti – because there’s a lesson to be learned in going against the grain. With a forward written by Renzo Rosso, the book illustrates passion, freedom and dreaming big.
She’s no stranger to our shores, having played to many an excitable crowd here in the UAE. With the imminent release of her first album in four years, Emily’s D + Evolution, American jazz musician Esperanza Spalding looks set to inspire her fans with a new sound and a new direction.
Words by Susan Devaney, Image courtesy of Getty
and let MOJEH guide your month ahead.
Underwear: We all own some. Curated by Edwina Ehrman of the Victorian & Albert Museum textiles department, Undressed: A Brief History of Underwear will open its doors to the public this month. Exhibiting an array of archival pieces – from David Beckham’s boxers and a Paul Poiret silk slip to whalebone corsets – it’s a visual history lesson.
Continuing to throw the spotlight on emerging regional designers, Design 971 is hosting its second edition this month. Located in Dubai Mall, the popup store will showcase the work of Arwa Al Banawi, Dima Ayad, DRESSADDICT and IAMMAI for the next two months. Swing by and be inspired.
Candy, it’s the perfect addition to your spring wardrobe. Made from ribbed acrylic panelling, its lightweight structure is an added bonus. Featuring a playful palm leaf print and an adaptable chain strap, this clutch by Jimmy Choo will take you from day to night with ease – not to mention giving off a whole lot of good holiday vibes.
As it continues to gain international interest year after year, FFWD autumn/winter 2016 will showcase once more. From 31st March to 3rd April, regional emerging designers – from Lama Jouni and Jelena Bin Drai to Hussein Bazaza – will exhibit their latest work for season 7 in the newly established Dubai Design District.
It’s been a long time coming, but the esteemed Four Seasons hotel has arrived on the sandy shores of Abu Dhabi. With its stunning, modern architecture, a view of the Gulf skyline and six restaurants to fine dine in, it’s the perfect place to spoil yourself by indulging in a weekend away from the norm.
If you only read one book this month, make it Frida Kahlo: Fashion as the Art of Being. Published by Assouline, the book delves into her life (one full of pleasures and pain), her paintings and love for all things fashion. It’s a celebration of an original icon, who is still as relevant today as ever.
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f i n al n ote
Spring Clean
Clockwise from top centre: FENDI | DOLCE & GABBANA at Harvey Nichols Dubai | CHRISTIAN DIOR | JIL SANDER at Level Shoe District
Styled by Olivia Cantillon and photographed by Sarvenaz Hashtroudi.
Nothing feels more immaculate than fresh white goods. Let your accessories speak through structured lines and crisp colour ways, with attention in the detail. Look to Jil Sander’s platform brogue for minimalist glory and Fendi’s micro baguette for optic fun.
Photographed by MAX PAPENDIECK
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