Fierce, Fresh and Freethinking
N ° 43 DEC / JAN
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18 Chairman SHAHAB IZADPANAH
EDITORIAL
PUBLISHING
Editor in Chief MOJEH IZADPANAH
Publishing Director RADHIKA NATU
Associate Editor SHERI IZADPANAH
Senior Publishing Executive DESIREE LABANDA-GAVERIA
Managing Editor KELLY BALDWIN
Junior Publishing Assistant kisada hurin
Senior Writer Mary KeEnan
Advertising Manager Sian Hayes
Fashion Writer Laura Beaney
Paris Representative GHISLAIN DE CASTELBAJAC
Lifestyle Writer Annie Darling
Advertising Inquiries Tel: +971 4 553 90 49 Email: advertising@mojeh.com
Senior Editorial Assistant Sophie pasztor
Subscription Tel: +971 4 553 90 49 Email: subs@mojeh.com
Guest Fashion Stylists Joana Dacheville Jean-Charline Tomlinson Coline Peyrot
Online Division ALI ROMAN Afreen Khwaja
MOJEH Men Group Peter Iantorno Dmitri Ruwan
LOUIS FOURTEEN FOR MOJEH
ART
Concierge Service Management daisy marchant
Producer LOUIS AGENCY
Corporate Manager JUBRAN HAMATI
Art Director AMIRREZA AMIRASLANI
Published under HS Media Group FZ LLC Registered at Dubai Design District Building No. 8, Offices 212 P.O.Box 502333, Dubai, UAE.
Deputy Art Director Richard Lee Graphic Designer Balaji Mahendran Contributing Photographers Liv Friis-Larsen Anthony Arquier Vivienne Balla Pelle Lannefors
Cover photographed by Anthony Arquier, model wears coat by Versace.
WWW.MOJEH.COM Louis Fourteen for MOJEH Follow us on Twitter @MOJEH_Magazine MOJEH Swiss Representative Office: Rue de Rive 4, 1204 Geneva, Switzerland Average qualified circulation (January-June 2015): 13,306 copies. For the UAE printed by Emirates Printing Press LLC. Distribution- UAE: Al Nisr Distribution LLC. Qatar: Dar Al Sharq. Bahrain: Jashanmal & Sons BSC (C). Oman: United Media Services LLC. Lebanon: Messageries Du Moyen-Orient The publishers regret that they cannot accept liability for error or omissions contained in this publication, however caused. The opinions and views contained in this publication are not necessary those of the publishers. Readers are advised to seek specialist advice before acting on information contained in this publication which is provided for general use and may not be appropriate for the readers particular circumstances. The ownership of trademark is acknowledged, therefore reproduction in whole or in part without written permission is strictly prohibited. All credits are subjects to change. Copyright HS MEDIA GROUP FZ LLC 2011
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M o j eh C o ntent s
Mojeh Style 58. The Prince of Print As Pucci receives a new lease of life under the eye of MSGM’s Massimo Giorgetti, we share the voice of the man behind the power print.
70. Seasonal Style Loaded leathers, feather-like furs and a taste of the Orient: MOJEH marks out the must-wear pieces.
74. The Ones To Watch A new year signals a new era in design. Here, we share our edit of the labels leading us forth for 2017.
82. Leather, Leopard and Lamé Packing a pulse-racing punch into Saint Laurent’s new tone, MOJEH dissects the decadence of Anthony Vaccarello’s first collection.
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MOJEH Women 44. Championing Confidence Balancing success with style, we learn from the empowered habits of four of the region’s most dynamic female forces.
77. Five Firsts We consider the sizeable achievements of the five Middle Eastern women that reached new heights during 2016.
Talking Points
48. Feel Like A Fraud? Are women talking themselves out of their own success story? MOJEH investigates the impact of Imposter Syndrome.
156. Inflated Notions A hot topic across health and beauty, we ask the experts – is our body’s internal fight a cause for concern?
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Photoshoots 86. Last Dance Let tattered ruffles and billowing sleeves play out the siren call of old Havana. Pinks, blues, yellows and greens put forward the colours that sweep the city.
98. Fierce, Fresh and Freethinking The spirit of the ’70s is brought to the moment with vintage-inspired luxe leathers and pussy bow collars, juxtaposed with sharp cuts.
114. Natural Wonders Snake-green emeralds and inflamed rubies emit the energies of the raw earth.
132. Glistening Hope Woven gold and silver mimic the twists and turns of fabric while captivating blues recall the tone of Persia.
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Jewellery & Watches 140. Winter White Like the dance of a snowflake, the diamond commands and mesmerises. Van Cleef & Arpels celebrates the entrancing white diamond with pristinely-sparkling pieces.
148. Storied Stones Few objects are shrouded in as much mystery as our precious stones; here, we unveil the lore of our most treasured pieces.
Mojeh Culture
162. Me, Myself and I MOJEH discovers that solo is the only way to go when it comes to world exploration.
168. Untold Stories The meaning of migration is brought to fresh light as we uncover the provocative work of Iranian artist, Farzad Kohan.
EXPLORE NEW HORIZONS
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The Other Conversation Scighera sofa designed by Piero Lissoni at Atelier Rosa by Hermann Rosa, Germany - cassina.com
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E d i t o r ’s L ette r
Spirited Starts Freethinking. We debated for a while whether or not this was the correct cover word to follow ‘Fierce’ and ‘Fresh’ on our New Year’s issue, but in seeing it in all its glory standing tall next to our Versacewearing cover model, I can’t believe we even questioned it. The word can relate to various concepts and meanings: expressing novel thought; encouraging independence; breaking through that glass ceiling; or, in its immediacy and simplicity, perhaps just breaking free and doing something you never thought you would? That may refer to a simple style change-up that gives you a new lease of confidence for 2017, a hair cut that lightens the load making you feel liberated, or a life-changing moment such as packing your bags, picking up your passport and leaving everyone at the gate as you depart on a trip where you are your only companion – but whatever it is, embrace it wholeheartedly and never underestimate the power of following through with your thoughts. They may just take you some place wonderful. Our photoshoots this issue tell tales of storied women who have broken the mould, from our cover story in which traditional notions of luxury dressing are turned on their head, to our leading lady in Last Dance, who explores unfamiliar cultures, and Natural Wonders, where we unearth beauties from deep below the earth’s surface. Similarly, the women featured, from humanitarian Zainab Kufaishi and art gallery owner Asmaa Al-Shabibi, to designer Ayah Tabari, talk to us about fresh starts and their take homes from this year. Whatever attitude you choose to adopt for 2017, make it a spirited one and believe that the world really can be your oyster.
Follow me on Twitter and Instagram @Mojeh_I and write to me at editor@mojeh.com
Mojeh Izadpanah Editor in Chief
Photographed by Pelle Lannefors
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E d i t o r ’s SN A P SHOT s
Bright Start
1
2
3&4
5
Start the new year with a positive outlook and vivid brights. Navigate towards colour-saturated pieces, such as Pasquale Bruni’s violet ring, and small notes of cerulean, like those found in Sutra’s earrings. Luxe accompaniments in gilded gold will ensure the trend’s sophistication and provoke a penchant for extravagance. 1. EMILIO PUCCI | 2. VALENTINO | 3. ESTÉE LAUDER | 4. BURBERRY | 5. DIOR | 6. PASQUALE BRUNI | 7. SUTRA | 8. CHLOÉ
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6
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S t yl e N ote
While florals have been in full bloom for as long as we can remember, this season, designers reimagine the motif in vibrant shades. Embrace your inner romantic with Gucci’s Sylvie embroidered leather top handle bag, ideal for days spent in the sun.
Left to right: Shoe, SOPHIA WEBSTER at Harvey Nichols-Dubai | bag, GUCCI | necklace, CHANEL
Photographed by Rhys Simpson-Hopkins, styled by Sophie Pasztor
Petal Pusher
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B e a u ty N ote
Radiance
Eliminate dead skin build-up and accelerate cellular renewal with the convenience of an at-home peel. Look to brands like La Prairie or Elemis to gently polish and treat the face with skin-loving ingredients.
Clockwise from the top: Papaya Enzyme Peel, ELEMIS | Yam & Pumpkin Enzyme Peel, ÉMINENCE | Pure Peel Exfoliating Face Mask, BAKEL at Harvey Nichols-Dubai | Cellular 3-Minute Peel, LA PRAIRIE
Photographed by Rhys Simpson-Hopkins, styled by Sophie Pasztor
Revealed
Home at last.
AGENT FOR GCC COUNTRIES Pia Colzani Tel. +39 335 8394824 pia.flexform@gmail.com
GROUNDPIECE SECTIONAL SOFA
design by Antonio Citterio
FLEXFORM www.flexform.it
Photographed by Rhys Simpson-Hopkins, styled by Sophie Pasztor
38 S t yl e N ote
Down To
Earth Explore the city in style with a safari-inspired palette of olive green, beige, ochre and camel. Exotic skins and animal motifs offer a direct link, while explorer satchels and buckled sandals are more subdued. Left to right: Shoe, JIMMY CHOO | clutch, BOTTEGA VENETA | bag, CHANEL | belt, GUCCI | bag, MARNI
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F A SHION IN F O C US
8
1
PATRICIA MANFIELD
2
Sunshine Chaser Channel vibrant hues and lively prints as we enter cooler climates. Opt for playful styles such as Charlotte Olympia’s animated heels, and preserve sophistication by donning Cindy Chao’s Four Seasons Collection earrings. 1. CHARLOTTE OLYMPIA | 2. ALEXANDER MCQUEEN | 3. MATICEVSKI | 4. FENDI | 5. DOLCE&GABBANA | 6. PASQUALE BRUNI | 7. CHLOÉ | 8. CINDY CHAO
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Compiled by Sophie Pasztor
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8 1
OLIVIA PALERMO
2
’70s Remix
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In an ode to the Seventies,
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designers experiment with a variety of earth tones, eclectic kaleidoscopic prints and a juxtaposition of several contrasting styles. 1. DORATEYMUR @net-a-porter | 2. FRANCK MULLER | 3. FOR RESTLESS SLEEPERS @net-a-porter | 4. GIORGIO ARMANI | 5. BURBERRY | 6. BUCCELLATI | 7. GUCCI | 8. RESTLESS SLEEPERS @net-a-porter
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6 5
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2 8 AIMEE SONG
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Tough Love From combat boots and studded belts to athletic striped jumpers and drawstring trousers, this season, designers bring punk to athleisure. Complementary
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jewellery in hard metals and statement buckles are also encouraged. 1. CHLOÉ | 2. ZADIG&VOLTAIRE | 3. DIOR | 4. VERSACE | 5. EMPORIO ARMANI | 6. ANTONINI | 7. FRANCK MULLER | 8. ALEXANDER MCQUEEN | 9. CURRENT ELLIOTT @stylebop
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The Update
Doina Ciobanu
2 8
Break through sartorial confines by electing pieces that embrace a contemporary twist. Look towards Gucci’s space-age cowboy boots and Emporio Armani’s futuristic bag for restructured style.
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1. MESSIKA JOAILLERIE | 2. EMPORIO ARMANI | 3. MATICEVSKI | 4. DIOR | 5. FENDI | 6. ANTONINI | 7. CHANEL | 8. GIORGIO ARMANI | 9. JACQUEMUS @net-a-porter
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M OJEH w o m en
Championing Confidence As La Perla’s latest loungewear collection calls to our inner confidence, we discover the empowered habits of the four women who prove that strength and femininity do not have to be mutually exclusive. Interview By Laura Beaney
Ayah Tabari Founder and Designer at Mochi Vacation Destination: I love South Africa and the nature that it encompasses; I am in awe of watching wildlife and seeing how they fend for themselves in the wild | Key To Relaxation: On the beach with my family – they are my little bit of calm | Must-Read: The Art of Happiness by Dalai Lama is a must-read! | Sleep Early Or Stay Out Late: Love to sleep early, but love sleep in general! | GoTo Outfit: Levis, a comfy top and a good pair of shoes; loving my Chanel slingbacks at the moment as they add chic to even the simplest of outfits | I Feel The Most Empowered When: I’m giving back to the communities I work with and seeing how it has changed their lives, not only by adding monetary value but also to their quality of life. It’s inspiring | Must-Take Supplement: Spirulina | Skincare Saviour: Crème De La Mer Moisturiser | Item For Fall/Winter: My Mochi embroidered coat | Best Way To Start The Day: I meditate, put on some good music and I’m good to go | La Perla Makes Me Feel: The new collection makes me feel good. I think it empowers women in a stylish but conservative way | La Perla Gives Me Confidence Because: Of its fit and ambience as a brand. I also think that knowing Kendall Jenner is the new face Advice: Follow your heart, it’s almost always right | Lesson Of 2016: Balance. There are so many things in life we are expected to do and so many pressures that surround us. Learn to balance and you will lead a much happier life
Ayah Tabari wears La Perla Shape Allure body
Images courtesy of La Perla.
instantly makes you feel good when wearing it | The Best
Dalia Dogmoch wears La Perla Leisuring trouser, Cristallo Nero body and Giuseppe Zanotti shoes
Dalia Dogmoch Soubra Food author, presenter and entrepreneur Dining Destination: La Petite Maison in DIFC and Tomo at Raffles Dubai for casual dining; Mannaland Korean Restaurant in Satwa | Seek Inspiration: The Fish Market | Most Treasured Possession: An olive tree from my husband | Sleep early Or Stay Out Late? Both! Early during the week and late on the weekend | Dish To Cook: Savoury and sweet crêpes | Play On Repeat: Anything by Lenny Kravitz | Cheat Meal: I cheat all the time. These days, pregnancy cravings are stirring towards Mexican food | Must-Read: If Only It Were True by Marc Levy | Lipstick Shade: MAC’s Ruby Woo | Greatest Achievement Of 2016: My YouTube Channel: Dalia’s Kitchen | I Feel The Most Empowered When: My loved ones are around me | The Best Advice: Do not focus on too many things at once | La Perla Gives Me Confidence Because: It’s Photographed by Francesco Scotti and styled by Sofia Guellaty
comfortable, feminine and beautiful at the same time | Go-To La Perla Piece: Love their silk pyjamas. Comfy and beautiful | Life Lesson: Always trust your gut feeling
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Nathalie Trad wears La Perla Maison Atelier jumpsuit, and Giuseppe Zanotti shoes
Nathalie Trad Founder and designer at Nathalie Trad Dining Destination: Teatro in the Rotana Towers is my all-time favourite restaurant here | Seek Inspiration: The only place I will go is to this flower shop, a truly inspirational place where nature meets culture: Art & Flower. When I am there, it feels as though I have travelled to another world | The Best Way To Relax: When I need some pampering, I head to the Oriental Hammam at the One&Only Royal Mirage | Ultimate Workout: Physique57 | Must-Read: To name a few, I would say Milan Kundera’s Unbearable Lightness Of Being, Harper Lee’s To Kill A Mockingbird, Ernest Hemingway’s A Moveable Feast, and André Breton’s Nadja | The Best Advice: Be curious | Healthy Snack: Avocado | Signature Scent: Eau des Merveilles by Hermès | Beauty Hack: Touche Éclat by Saint Laurent | La Perla Makes Me Feel: Strong and empowered | La Perla Gives Me Confidence Because: The clean lines, the beautiful fabrics and the way the pieces are cut and fit | I Love This Piece Because: How beautifully and impeccably made it is. I also really love how it makes a woman feel | Bucket List For 2017: Take two months off to travel around South America with my husband
Dana Hourani wears La Perla Atelier Organza trouser, Silk Soul top, Maison Atelier Edition feathered bra and Giuseppe Zanotti shoes
Dana Hourani Founder of D Tales and Digital Influencer The Best Treat In Town: A Salt Burger at Kite Beach | Source Of Unusual Clothing: Online Georgian designers | Take A Break: Beirut with family | Most Treasured Possession: Guitar | Sleep Early Or Stay Out Late: A balance of both | Healthy Snack: Tabbouleh | The Ultimate Workout: Physique 57 | Cheat Meal: McDonald’s | Beauty Hack: Put powder on lashes right before mascara to make them thicker | Beauty Saviour: L’Occitane After Shower Body Oil | Go-To Outfit: White shirt and black pants with sneakers | MustWear La Perla Piece: The Leisuring Underwired Dress – you can wear it at home or dress it up for a night out | La Perla Makes Me Feel: Great in my own skin. Not to mention helps me embrace my femininity through the proper basic essentials without compromising on elegance and effortlessness | La Perla Gives Me Confidence Because: The sensual fabrics embrace femininity while maintaining a look of professionalism and elegance | I Feel Most Empowered When: I feel great in my own skin without having to put in much of an effort. Comfort is key | The Best Advice: Just do you, nobody else can | 2016’s Best Lesson: Simplify everything through your mindset | Bucket List For 2017: Tokyo
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Tal k ing P o i nt
Feel Like A
Fraud? Words by Annie Darling
The fear of being exposed, that you don’t deserve success, or aren’t as good as others. This is Imposter Syndrome, and it’s a feeling many women know well.
Kearns, “but many men experience it, too.” He elaborates, “Many women will attribute their success to external factors, including luck and being in the right place at the right time, or people liking them rather than respecting their abilities or efforts.” The syndrome was first identified in 1978 by Pauline Clance and Suzanne Imes, who published a report entitled The Imposter Phenomenon in High Achieving Women, which examined 150 successful women who believed they were neither intelligent nor talented, and had somehow fooled everyone into thinking otherwise. Award-winning novelist Maya Angelou, Academy Award-winning actress Kate Winslet, and comedian Tina Fey have all admitted suffering from Imposter Syndrome. After winning Best Actor for The Accused in 1988, Jodie Foster revealed she thought there had been a mistake and that she’d have to give her Oscar back. UN Women Goodwill Ambassador Emma Watson has expressed similar sentiments, telling an interviewer: “Any moment, someone’s going to find out I’m a total fraud – I can’t possibly live up to what everyone thinks I am.” Lauren Drogos is a postdoctoral fellow at the University of Calgary, Hotchkiss Brain Institute, and her research frequently studies
Imagine you just received a great bit of news
MOJEH. “Imposter Syndrome comes about
women’s mental health. “I hate admitting this,
at work – a promotion. You’re feeling a range
because we are not very good at accepting
but yes,” she concedes, when asked whether
of emotions. It’s probably taken months,
the evidence of our achievements. We tend
she suffers from Imposter Syndrome. “The
maybe even years, to snag this lofty title,
to discount them.” He adds, “In some cases,
number of women in academia decreases
but the day has finally come and you’ve
this might be cultural, or perhaps it was the
as the rank increases, meaning that there
been notified that your hard work has paid
way you learned to behave in early life.”
are fewer women in senior positions. Right
off. Only problem is, you feel undeserving of
People who experience Imposter Syndrome
now, I’m at a critical transition in my career –
your success. 70 per cent of people feel this
often report having feelings of inadequacy.
looking for a faculty position. I have watched
way, according to a study in the International
They also tend to be high achievers who are
many extraordinarily talented women struggle
Journal of Behavioral Science. It’s called
unable to accept their success, regularly
to find a faculty position and this is often the
Imposter Syndrome, and you’re not alone.
attributing their accomplishments to a lucky
source of my struggle. If these other amazing
Hugh Kearns is a renowned public speaker,
break rather than dexterity. These negative
women can’t find a job, why would I?”
educator and researcher who regularly lectures
thoughts regularly amount to more than an
Research has long suggested women
at universities across the world, including
anxious temperament; they can become
undervalue themselves and it’s a phenomenon
Oxford, Cambridge, Harvard, Berkeley and
detrimental to one’s self-esteem and typically
that’s especially apparent in the workplace.
Stanford. “Imposter Syndrome is the feeling
affect women, especially when they’re
The Institute for Fiscal Studies put the gender
that you’re a fraud or imposter, despite there
doing well. “Women tend to report imposter
pay gap for graduates in the 10 years after
being clear evidence that you are not,” he tells
feelings more often than men,” explains
leaving university at around 23 per cent.
The Longest Night, photographed by Norbert Kniat, MOJEH Issue 36
Mariam Al Hashemi, Executive Director at Dual Investments, tells MOJEH, “When I first started [at Dual Investments], I was definitely guilty of undervaluing myself, but with continued experience I am learning my true value and capability day by day.” While the evidence continues to indicate that women are less self-assured than men, girls are achieving more than ever before – they regularly outperform boys in the classroom, and female undergraduates are growing at a faster rate than male university students. Alia Khalifa Al Nabooda, co-founder of VoucherSkout, has always been ambitious. “I think women in the Middle East, particularly in the UAE, have proven what they are capable of accomplishing. You see them today as leaders across various sectors and industries.” Nonetheless, a survey by the Girl Guides Association claimed that 87 per cent of young women felt they were judged on what they looked like, rather than their ability. “Historically, women have always had to work twice as hard to achieve half as much,” reminds Al Hashemi. We have a history of being discriminated against in the workplace, and while overt displays of sexism are fortunately less frequent, subtler and more ingrained cognitive biases remain deeply rooted in our society. For example, “When you think of a scientist, you’re unlikely to think of a woman,” explains Drogos. Women are under-represented in many high-earning, traditionally maledominated roles. The statistics are well known: At the top, especially, women are nearly absent, despite making up half the workforce. “The further away a person is from the image of someone who embodies their profession, the more they’ll struggle with feeling like an imposter, no matter how great their achievements.” Living with unsettling anxiety or a need for perfectionism can be debilitating, and while Imposter Syndrome is more likely to affect women, Al Hashemi reminds MOJEH that men are also susceptible to feelings of self-consciousness. “Whether someone
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For those of us who are parents, the opinion of others matters even more. Millennial mothers report feeling overwhelmed and judged, according to a report by Baby Center – more so than baby boomers or generation X. While conventional wisdom tells us to suppress this unforbearing voice, self-recrimination can be difficult to ignore. Perhaps those who suffer from Imposter Syndrome have unrealistically high standards, muses Drogos. “Research has suggested certain traits are more associated with the feeling of Imposter Syndrome, including a high need for achievement, self-monitoring, social anxiety, and depressive symptoms.” If it’s not perfect, it’s a disaster; if we’re not the best, we’re useless. Negative thoughts are natural and inevitable, but there’s a fine line between self-deprecation and selfdestruction. Millennial women are more likely to bottle up these feelings. We project confidence and stoicism when we’re with our friends and family, but behind closed doors we desperately try to ignore painful feelings of self-doubt. “Although I think modesty is important, I believe that humility is more important,” reveals Al Hashemi. “You should also be proud of your achievements, and not feel embarrassed for having accomplished something, no matter what it is.” New research by Ghent University has found that, rather than addressing their insecurities, undervalues themselves isn’t a gender issue,”
outing herself as a phony. She revealed that
those with Imposter Syndrome immerse
insists the business-driven Emirati, “it’s about
the lifestyle she had depicted on social media
themselves in their tasks and pretend to be
their mindset. It’s an issue of self-confidence.
was fictitious and relied upon the financial
self-assured. They avoid extra responsibility,
In a world where social media, as well as
backing of corporate brands.
preferring to remain unsure rather than seek
the media, creates unrealistic expectations
According to research from EY, formerly Ernst
advice and help. To combat the syndrome,
– especially for women – we can often feel
& Young, the number of millennials taking on
it’s important to acknowledge that these
like we don’t measure up.”
leadership roles has surged, yet we continue
uncertainties are all in your own head.
Earlier this year, a study from Pew Research
to feel as though we have something to prove.
Refusing to respond to a negative thought
found that 62 per cent of people say social
Millennials are the ‘Trophy Generation’; we
gives us time to recognise it for what it is: a
media makes them feel inadequate about their
grew up hearing mixed messages from our
thought, not a fact.
life and achievements. That means at any
parents, who alternated between over-praise
Examining negative feelings, softening them,
given time, six out of 10 of your colleagues
and unwarranted criticism – just 39 per cent
and acknowledging them for what they
are experiencing emotions associated
of respondents perceived millennials as
are will better inform our future decisions.
with Imposter Syndrome. Essena O’Neill,
hard workers. According to the American
Take time to reflect on your success – by
a teenage Instagram star with 612,000
Psychological Association, this upbringing
doing so, you’ll know that you’re capable of
followers, deleted her online accounts after
has increased the risk of fraudulent feelings.
handling new responsibilities and challenges.
What does an average day for you entail? I wake up early, around six, and do yoga or go to the gym three to four times a week. Then, I head to the Schiaparelli headquarters at Place Vendôme to do my work. I go to the cinema during the day quite often; I see a lot of movies by myself. What are your plans for 2017?
Five Minutes With
We’re focusing on our next haute couture collection for Schiaparelli, coming up in January. I’m also hoping to concentrate on a new film next year. Out of the many careers you’ve pursued
Farida Khelfa Interview by Mary Keenan
Photographed by Bertrand Rindoff Petroff at Getty
Farida arrives at the Schiaparelli Haute Couture autumn/winter16 show
MOJEH gets to know former model and muse, documentary filmmaker and brand ambassador for the House of Schiaparelli, Farida Khelfa.
professionally, would you say that film is your favourite? Yes, I like being a director and I love being in the editing room – it’s the best thing in my life, I could spend 24 hours in there! It’s amazing to put pictures and images together and make meaning from them. With a documentary, you just film all day and then you have to do something with that footage. How would you describe your personal style? My style is very classic; I wear suits with heels a lot. It’s nothing revolutionary, but I like it. What is the most important piece of advice you’ve been given? I’ve been given a lot of good advice; but, you have to do your own thing. Never wait too long for anything, because life goes by so quickly. You make a lot of mistakes in life, but you learn much more by making mistakes than you do through success. What would you tell young women pursuing their dreams? Do what you want, but believe in yourself when you do it – it’s a very important thing to believe in yourself. If you have something that you really want to pursue, go and do it. It doesn’t matter if you fail, you can do it again and again and again – that’s life. When you’re young, you think failing is the end of the world, but it’s not. What’s the most valuable lesson you’ve learnt from your time in the fashion industry? I’ve learnt a lot about style. I make a lot of fashion mistakes – but sometimes, doing the wrong thing results in a look that is much more interesting and different from anyone else’s.
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M OJEH N ew s
New For NOW From the Dubai Opera’s foray into world-class classical music to Prada’s unisex perfume launch that challenges fragrance stereotypes, MOJEH acts as your compass as we navigate through December and January’s most notable moments.
The Vulgar: Fashion Redefined Until February 5, 2017 The Vulgar is a first of its kind. The exhibition explores the challenging and compelling territory of taste in fashion and examines the constantly evolving notion of vulgarity, showcasing over 120 intriguing objects, from historical costumes to couture. The Barbican, London
Against the Darkness: Until January 7, 2017 Ayyam Gallery, Beirut, opens its doors to the solo exhibition of leading Iranian calligrapher and painter Mohammad Bozorgi, Against the Darkness. Recognised as a trailblazer among a new wave of contemporary calligraphers, Bozorgi takes an experimental approach through vivid colour and geometry to create abstract illusions. Ayyam Gallery, Beirut
Prada Launches Olfactories Breaking away from the traditional conventions of perfumery, Prada launches a series of 10 unisex scents. Potent concoctions of the unexpected, Olfactories evoke a surreal, cinematic experience, each united by a disregard for traditions. A series with a sense of mystery, the feminine and the masculine combine while embracing the spirit of collage, shying away from the ingredients typical to perfumery.
Dior Launches Prestige Crème Riche Helping us to start 2017 with a hydrated glow, Dior now offers its cult Crème in a new rich texture, perfectly adapted to dry skin and cold climates. Thanks to its highly penetrating 100 per cent natural ingredients (mango butter, waxes and oils), Dior Prestige instantly blends into the skin to satiate it.
BBC Proms: March 21 to 24, 2017 Dubai Opera brings the magic of classical music to the Middle East. The aim of this much loved British tradition is to bring the genre to as wide an audience as possible. Highlights include contributions from living composers Gary Carpenter and Mohammed Fairouz, the BBC Symphony Orchestra and, of course, The Last Night of The Proms, which is known to entertain and delight with its lighthearted approach. Dubai Opera
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Sunglasses, MARNI | top, FENDI
Large lenses look for larger dreams. Pairings of duck egg shell blue and tortoiseshell brown remind us that retro aspirations can always be revived.
Photographed by Vivienne Balla Styled by Kelly Baldwin
Sunglasses, MARNI | top, FENDI
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Sunglasses, knit and skirt, MARNI
Sunglasses, MARNI | top, CHANEL
Model: Christina Maria Anderson at MMG Hair and makeup: Marisol Steward Styling assistant: Sophie Pasztor Location: Nikki Beach Resort & Spa Dubai Marni Eyewear is exclusively available at Grand Optics
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DESIGNER INTERVIEW
of Print MOJEH speaks exclusively with Massimo Giorgetti and gets to know the man steering the house of Emilio Pucci in a bold new direction, while respecting its rich history.
Words by Mary Keenan
Boldly patterned separates in bright hues characterised Giorgetti’s spring/summer17 collection for the house
Massimo Giorgetti’s journey into fashion hasn’t exactly followed a conventional route. The Italian-bor n designer had stints as an accountant, salesman, fit model and DJ before eventually starting his own label, MSGM, in 2008, which marked the beginning of his meteoric rise through the Italian fashion industry. Since then, business has been booming – MSGM has enjoyed unprecedented success by tapping a niche in the market for affordable yet stylish luxury fashion – and, in March last year, Giorgetti was appointed creative director of heritage Italian house, Emilio Pucci. “Pucci is one of the houses that has truly made a mark on Italian fashion history,” explains Giorgetti. “Not only was it one of the early pioneers in defining the quality and distinctive characteristics of local fashion, it also established itself internationally, taking Italian style worldwide. The challenge of working for a brand with such a strong heritage is to find a way to remain true to the Maison’s roots, while still appealing to a modern customer.” This challenge has been a significant one for Giorgetti, whose first runway show last year met with mixed reviews. But, he’s slowly and steadily found his feet at Pucci. “After a year and a half, I finally feel inside the brand. I’m really lear ning a lot here. Every time I step into the archives, I discover something new, which drives my curiosity,” he says, pausing slightly b e f o re c o n t i n u i n g , “ I t ’s l i k e o p e n i n g marvelous little boxes of toys; it’s both interesting and exciting. T ime always flies when you do things with passion.”
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These days, time is a precious commodity
believing in myself and my aspirations.
for Giorgetti, who spends his working week
Historically, Pucci is a brand that is
travelling between MSGM’s headquarters
synonymous with print, which is a theme
in Milan and Pucci’s offices in Florence.
that has always been very important to
“I’m not a workaholic, but I do work a
me. Additionally, I feel like I can relate to
lot,” he smiles. In the years preceding his
the way Emilio Pucci anticipated trends
appointment at Pucci, Giorgetti carved
and created something new.”
out his playful style signature displaying
Giorgetti’s own creative process when
his flair and penchant for print from
designing for the house begins with a
MSGM’S very first collection. His fun,
specific source of inspiration, such as a
energetic and fashion-forward aesthetic
film, song or photograph. His time spent
has been eagerly embraced by fashion’s
on the sales floor before becoming a
youthful ‘it’ crowd. The offer to join Pucci
designer also plays a part, “It helped a
in 2015 came as a welcome surprise, “I
lot,” he says. “It allowed me to experience
certainly couldn’t have imagined all of
fashion from a different perspective.
this,” he reflects, “But, I never stopped
When I design, I first try to visualise the
Alpine motifs inspired by Slim Aarons’ photography adorned the autumn/ winter16 collection’s knitwear and outerwear
pieces displayed in the showrooms and the stores. For the autumn/winter16 collection, I was inspired by Slim Aarons’s photography and the idea of a timeless, moder n jet set. I was also inspired by Emilio Pucci’s beginnings as a sportswear designer. Not many people know that he actually began his career with a ski-outfit he designed for a friend in Zermatt in 1947, so I wanted to take the Maison back to its roots, with a modern point of view, for this collection.” Giorgetti is one of a growing number of young creatives who have taken the helm at a storied fashion house in the last two years. This gravitation towards younger designers is perhaps indicative of the fashion industry’s recognition of the increasing importance of attracting and engaging millennial consumers to develop brand loyalty from early on,
Pucci’s Resort collection shot at the Museo Marino Marini in Florence consisted of luxe athleisure-style jackets
a notion that the Italian designer fully comprehends. “Millennials are wiser than previous generations; they’re also more self-conscious, but they are not
she’s also self-confident, sophisticated,
the textile research,” notes Giorgetti,
passive consumers,” he muses. “They
ironic and nonchalant,” he explains. “I
“Emilio Pucci himself was always at the
are both creators and curators. Today,
don’t have a specific muse, I think it’s
forefront of technological innovation when
the idea of status is not only shaped by
a very old concept. But, I do believe
it came to fabrics. Therefore, I wanted
luxurious and exclusive possessions,
in charm: The way you move, how you
to create garments from jersey, one of
but also by a commitment to freedom of
behave, what you say and how you say
the founding fabrics of the Maison.”
expression, as well as new experiences
things, and the way you dress. It’s not
Working with jersey afforded the designer
and technology that can keep up with a
about age for our woman, but it’s all
an excellent opportunity to drape,
busy lifestyle. Just luxury alone will not
about positivity and colours instead.” This
resulting in beautifully light, floaty and
cut it for consumers anymore – freedom
emphasis on colour was evident in the
feminine dresses of varying lengths and
is the key concept.”
brand’s vividly coloured spring/summer17
proportions, were ornately and delicately
G i o r g e t t i ’s
millennial
collection, which was comprised of
draped and ruched across shoulders
consumers has had a direct impact on
viewpoint
on
shades of daffodil yellow, bright orange,
and torsos. As well as the dresses,
his perception of today’s Pucci woman.
aqua blue, baby pink, cobalt blue and
Giorgetti sent out a legion of boldly
“The Pucci woman is culturally rich, she
lime green. “One of the most important
printed separates, accessorised with
doesn’t take herself too seriously, but
aspects of our spring/summer show was
coordinating ankle boots and oversized
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Vibrant separates cut from lightweight jersey fabric set a playful tone at the spring/summer17 show
fringed raffia clutches. The combination
feat finding inspiration to design collections
So, where to from here then? Our
of block colours and prints proved to
for two very different brands season after
conversation with the Italian designer takes
be a smart move on Giorgetti’s behalf –
season, but Giorgetti seems to be taking
place shortly after his spring/summer17
the wildly patterned shorts, jumpsuits,
it all in his stride. “Pucci has such a rich
show; therefore – understandably – he’s
miniskirts, playsuits and summer trenches
universe in which you always discover new
still basking in his well-deserved post-
are sure to hold boundless appeal for
stories; it’s a wonderful journey from which
show success before divulging too much
Pucci’s younger clients, while the finely
I’ve learnt so much so far by working in the
information about the direction his next
draped dresses and printed accessories
archives, reading books about Pucci and
collection will take, but confirms that
will cater to those reluctant to wear print.
speaking to different people who are part
creating wearable garments is of paramount
For a man simultaneously managing two
of the brand’s history,” Giorgetti enthuses.
importance to him. “Emilio Pucci was one
of Italy’s most successful fashion brands,
“I was born and raised in Rimini, just like
of the greatest pioneers of Italian fashion –
Giorgetti seems remarkably composed,
Federico Fellini, which is why the Italian
a world-renowned figure who made Italian
calm and positive. As we broach the topic
seaside and its colours are a constant
fashion famous for a variety of reasons.
of designer burnout, he offers a wry smile
source of inspiration for me. Music also
Of these reasons, the wearability of
before saying, “To ensure I remain relaxed
constantly influences my life. It punctuates
Pucci’s collections, that enabled women
and focused on my work, I run, do yoga and
my days, evokes memories and creates
to go effortlessly from one occasion to
I go for a walk with Pane, my beloved Jack
many new ones. Music amplifies life, and
the other, is the most important and is
Russell. I also make sure I eat regularly,
I like to think that my collections are a
what makes a Pucci piece so special.”
take time to breathe, disconnect my phone
material interpretation of sound – music
We look forward to seeing what each new
and listen to a good album.” It’s no easy
for your eyes.”
season under Giorgetti’s tenure will bring.
MOJEH.COM
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Your go-to source for daily updates and inspiration from the worlds of fashion, beauty, culture and society.
The essential daily guide to luxury living for modern gentlemen in the Middle East and beyond.
64
The Mood
PRABAL GURUNG
PETER PILOTTO
When one thinks of ski season sweaters, it’s hard not to imagine bobbly, ’80s-style jumpers with reindeer and snowflakes emblazoned across them in lurid colours. However, designers have (thankfully) brought an air of refinement to après dressing by choosing to craft superfine knitwear in cuts and prints that exude a timeless luxury. At Emilio Pucci, Massimo Giorgetti alluded to Slim Aarons’s concept of the modern jet set with boxy jumpers depicting snow-capped mountain ranges. He kept the kitsch element usually associated with skiwear jumpers in check by selecting wool in rich shades of forest green and burgundy, and created a contemporary silhouette by pairing voluminous sleeves with a contrasting turtleneck. At Peter Pilotto, a palette of purple, grey, navy and cream was spun into oversized diamond patterns on form-fitting knitwear. Tucked into high-waisted trousers, these jumpers were both grown-up and incredibly chic. This new offering of après-style knitwear shouldn’t just be confined to the slopes. Look for high quality knits in boxy or oversized cuts that can be worn over a structured shirt or with a pair of leather trousers for a look that’s right on trend. For slightly softer Alpine-inspired attire, consider a chunky cable knit, similar to Prabal Gurung’s icy blue sweater dress.
Words by Mary Keenan
Après Hour
Elevate your post-skiing attire to a whole new level with the season’s fresh take on a winter staple.
The Lady Dior handbag is made from shiny calfskin and is printed with an oversized orchid in full bloom
The Lady Dior croisière clutch bag features a vividly colourful print of Marc Quin’s composition artwork
A r t is t ic I
m
p
r
e
ssi
o
n
s
Images courtesy of Dior
An exclusive collaboration sees the Lady Dior handbag undergo a bright and colourful makeover this winter.
Dior has teamed up with seven international multi-
flowers, foliage and fruit in his London studio, and
disciplinary artists, including Matthew Porter, Chris
then photographs. Quinn’s bags for Dior feature
Martin and Ian Davenport, to create an exclusive
vivid images of his still-life paintings on one side
limited edition collection of handbags and leather
of the bag and the same motif with the colours
goods for the holiday season. Contemporary
reversed on the other side of the bag. He also
British sculptor, designer and painter Marc Quinn
designed a complementary range of clutches
was one of the artists chosen to collaborate
and wallets to match the Lady Dior bags, as well
with the brand, fusing the bold, vibrant and
as a silvered leather Lady Dior, decorated with
modern design aesthetic that has become his
flower petals worked in relief. These bright and
signature with the classic silhouette of the Lady
beautiful accessories make for a bold, striking
Dior bag. Quinn drew inspiration from his own
and unique style statement. The line of handbags
hyperrealist oil paintings, which are based on still-
will be available at Dior’s Mall of the Emirates
life compositions that he creates with fresh exotic
boutique from the beginning of December.
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T h e A cces s o ry
Crafting The Club MOJEH takes a behind-the-scenes look at the careful craftsmanship required to create one of Miu Miu’s most coveted handbags
Left: Each bag takes approximately five hours to make, with all of the bag’s components stitched and assembled by hand
Images courtesy of Miu Miu, Words by Mary Keenan
Top: The Club’s chain strap is adjustable, enabling it to be worn as a cross body or short flap bag
Made from a special mix of aluminium, zinc, magnesium and copper the chain detailing is surprisingly lightweight
Taking its name from the eclectic and spirited excess of the 1980s nightlife scene, Miu Miu’s Club handbag exudes vintage cool. Inspired by the vision of a girl out dancing in a vinyl pencil skirt and chandelier earrings, the bag is constructed from striped nappa lambskin leather set with matelassé quilting – an effect which is created by layering and joining three separate materials together. The pieces are then carefully hand-pieced and sewn together by Miu Miu’s team of highly skilled artisans. Metal hardware detailing such as the classic Palladian chain shoulder strap, French welting and polished steel lettering provide a toughened juxtaposition against the bag’s softly structured silhouette. A second chain strap drapes across the front flap of the Club like a necklace, heightening its edgy appearance. Aside from the pictured cherry red leather model the Club is available in a vast array of different
The Club bag is finished with a French piping trim which runs along the entire perimeter of the bag
coloured leather including black, ice blue, beige and blush pink as well as versions in velvet and denim. The perfect accessory to harness and complement this season’s rebellious ‘80s redux trend, pair with a denim shirt and sleek biker jacket or oversized knitwear with distressed denim for grungy cool girl glamour. If a sophisticated uptown vibe is more your scene, then the special edition Club which features a bejewelled chain embellished with pearls and crystals is a must-have.
The bag’s matelassé effect is created by joining together an elastic cloth panel, a layer of wadding and the nappa leather
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T h e F i nis h i ng To u ch
At Valentino, fur was soft and feminine with delicate patchwork detailing in gentle pastel hues used to create cropped capelets
F i
n
r e
r
y
Soft and tactile fur stoles and capelets make their mark as the season’s most elegant and versatile accessories.
Words by Mary Keenan
F
u
Elegant fur stoles fastened loosely at the neck with velvet bows were the perfect accompaniment to Alberta Ferretti’s evening gowns
Seen across many autumn/winter16 runways from New York to Paris, delicate fur accents bring an air of sophistication to any cold weather ensemble. Ideal for those staying within the region this winter, tap into the trend by wearing a fur scarf, shrug or stole. There are plenty of excellent faux fur options available to satisfy the ethically–minded, with Ralph Lauren, Stella McCartney and Calvin Klein all offering up chic synthetic fur alternatives. To make a statement at a black tie event, opt for Valentino’s timeless pastel-hued cropped capelet that sits over the shoulders, or loosely drape one of Alberta Ferretti’s plush stoles diagonally across the shoulders and upper torso. When it comes to daywear, establish an off-duty look that packs a sartorial punch by pairing a brightly coloured fur stole with relaxed knitwear and indigo or white denim, and add a felt fedora to complete the look. To channel a more formal daywear vibe, pair a grey, black or fawn stole with a silk white shirt and flared trousers. When purchasing, invest in a high quality real or faux pelt that will stand the test of time.
Icy blue undertones an aura of a winter wonderland at Lanvin where fur stoles were draped nonchalantly over one shoulder
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In Transit
se a s o n al s ty le
Use the transition to your next jaunt as a way of expressing your creativity. Forgo conventional style and migrate towards unlikely fabric choices such as leather to update your look, while finding comfort in relaxed culottes and practical shoes.
Compiled by Sophie Pasztor
BARBARA BUI
1. ALEXANDER MCQUEEN | 2. FENDI | 3. MAISON MICHEL | 4. REPOSSI | 5. CLAUDIE PIERLOT | 6. GUCCI | 7. CHANEL | 8. BAMFORD
Oriental Express
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DRIES VAN NOTEN
From bamboo prints at Pucci to delicate silk from Phillip Lim, designers encourage us to journey East, where traditional Oriental motifs are given new life. Ornate jewellery and exotic bird bags direct attention to details, while a subtle injection of red bestows good luck.
1. JIMMY CHOO | 2. BURBERRY | 3. MAISON MICHEL | 4. CINDY CHAO | 5. ELISABETTA FRANCHI | 6. CHRISTIAN LOUBOUTIN | 7. EMILIO PUCCI @net-a-porter | 8. KAMUSHKI
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D e sig n er F o c u s
Cinq à Sept Inspired by the hours between 5 and 7 pm, Cinq à Sept derives its name from the French term, which describes the moment when afternoon becomes evening. Designer: Jane Siskin Location: New York Designer background: Siskin was formerly a designer for denim label 7 For All Mankind and then played a pivotal role in the launch of Mary-Kate and Ashley Olsen’s brand, Elizabeth and James, before starting Cinq à Sept in 2015. Worn by: Michelle Obama, Jessica Chastain, Harley VieraNewton, Kate Hudson and Priyanka Chopra. Design aesthetic: Sophisticated, feminine and modern, the brand embraces unexpected details and striking silhouettes, resulting in carefully considered, highly wearable garments that
The Ones to Watch
enhance the confidence and allure of the woman wearing them.
We get to know the designers and brands set to make their sartorial mark in 2017
Novis Jordana Warmflash launched Novis in 2012 after struggling to find an outfit to wear to a wedding. In the ensuing four years, Warmflash has gained critical acclaim for her bold, feminine and youthful designs. Designer: Jordana Warmflash Location: New York Designer background: Jordana Warmflash launched her own label in 2012 after stints at Peter Som, Alice + Olivia and Zac Posen. Defining moment so far: Nominee for International Woolmark Prize 2016 and winner of the Ecco Domani the company of past winners: Alexander Wang, Proenza Schouler and Prabal Gurung. Design aesthetic: Inspired heavily by the Sixties, Novis playfully uses colour and texture to create unique and upbeat clothes you would be hard-pressed to find anywhere else.
Words by Mary Keenan
womenswear award in 2014, which puts Warmflash in
Y/Project Launched as a menswear label by Gilles Elalouf and Yohan Serfaty in 2010, Belgian-born designer Glenn Martens was appointed creative director of the house in 2013 following Serafty’s sudden death. Marten’s designs were extremely popular with female customers, which led to his decision to implement womenswear in 2014. Designer: Glenn Martens Location: Paris Designer background: A graduate of The Royal Academy of Fine Arts, Antwerp, Martens worked at Jean Paul Gaultier and left to launch his own eponymous brand in 2012. Defining moment so far: Finalist for the LVMH Prize for Young Fashion Designers Design aesthetic: Martens’s fascination with gothic architecture is evident in the structural, androgynous and versatile streetwear pieces that have become his calling card. There’s a Rick Owens-style rawness to his collections, which embrace gender fluidity.
Sandy Liang Initially an architecture student, native New Yorker Sandy Liang traded buildings for fashion, launching her eponymous label upon graduating from the Parsons School of Design two years ago. Since then, she has garnered a loyal following of cool girls. Location: New York Designer background: Liang completed internships at Jason Wu, Opening Ceremony and Phillip Lim while studying at Parsons, and describes the decision to launch her own brand straight after graduating as a mix of naivety and optimism. Worn by: Kate Foley, Soo Joo Park, Kate Bosworth and Hanneli Mustaparta. Design aesthetic: Offbeat and playful, Liang’s designs are nonchalantly cool, yet also very simple – think highly covetable fur, leather and shearling jackets, and coats that embody an edgy Downtown New York vibe.
76 A.V. Robertson Amie Robertson launched her namesake label after graduating from the Central Saint Martins College of Art and Design in 2014. Creating off-duty staples with a contemporary edge, Robertson’s designs transition effortlessly from day to night. Designer: Amie Victoria Robertson Location: London Designer background: Robertson studied at Central Saint Martins College of Art and Design, and started working as a Design Assistant for Marc Jacobs in New York and Paris upon graduating in 2014, as well as creating a line for ASOS based on her graduate collection. Defining moment so far: Marc Jacobs sitting front row at her debut runway show during London Fashion Week in February. Design aesthetic: Robertson’s highly appealing silhouettes play with proportion and volume and the designer’s flair for embellishment sees painstaking detail paid to each garment.
Koché Central Saint Martins alumna Christelle Kocher founded Koché in 2010 and has since been shortlisted for the LVMH Prize twice, for her seamless fusion of artisanal techniques on streetwear-style garments. Designer: Christelle Kocher Location: Paris Designer background: Kocher launched her own brand after stints at Emporio Armani, Chloé, Bottega and Dries van Noten, and is also the artistic director for Maison Lemarié, a specialist feather atelier owned by Chanel subsidiary, Paraffection. Defining moment so far: Finalist for LVMH Emerging Designer prize in 2015 and 2016. Design aesthetic: Refined, elegant and intriguing, Koché blurs the boundaries between streetwear and high fashion by applying couture-like techniques to fashion forward, urban silhouettes.
5 F i r s t s
Five women took a new turn in 2016, their actions lending light to the world around them. Here, we shine the
spotlight on the trailblazing paths of Middle Eastern
women raising the bar in sport, society and structure.
Words by Laura Beaney
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multinational companies to embrace this type of sabbatical, today’s employees are often encouraged to give back to the world, their experiences contributing to the CSR programmes that hold increasing importance in the ever-globalised workplace. Navigating her way through Softex, the notorious Greek refugee camp, Kufaishi was there to offer aid to those who had been fortunate enough to make it to shore. Exposed to extreme conditions and intense suffering, she felt a minority. One of just two Arabic speakers amongst a larger group of European volunteers, to her it highlighted the disconnect between the two Middle Eastern worlds. “There are so few on the ground. I was especially saddened to see that,” she reflects. “We all did much needed work, but the Arabic speakers filled an emotional gap. Our presence meant we could get projects done faster and according to what the refugees actually needed.” Aside from conflicts in communication, the days were long, and beyond the physical demands of distributions and translation, it was emotionally taxing. “The hardest part for me was seeing so many young children, out of school, playing in rubble and exposed to the growing cynicism and hopelessness of the future.” Shattering an illusion that a career and humanitarian efforts might collide, Kufaishi reveals that the risk she took paid off in “I thought about my future children, who
my degree at Warwick University.”
ways that she never imagined. “It has
would ask where I was during one of the
For Kufaishi, perhaps more than most,
made me more humble, more forgiving,
worst times in humanity. I wanted to say: At
the Syrian war struck a cord, “I thought
more patient, and braver. Seeing people
least I did something,” Iraqi by birth, Zainab
about my family 25 years ago. I thought
in those types of situations gives you
Kufaishi was sharply reacquainted with her
that it could have very easily been me if
immense perspective.” As well as personal
past when, years later, images of Syrians
life had taken a different turn and we
lessons, actions like Kufaishi’s have the
helping their children onto boats flashed
weren’t so lucky as to escape.” An Invesco
power to spark critical dialogues, begging
before her. Her childhood in Baghdad
employee working in Asset Management,
the question: What am I capable of? “One
brimmed with political unrest. Having
her professional merits are typical of the
colleague in the UK donated the entire
endured two wars by the age of 10, when
success stories that punctuate the Middle
medical costs for a little girl at the camp
the Gulf War was over, her family left for
East, yet dissatisfied with easy answers,
who needed a vital operation,” she smiles.
Algeria, where they were faced with turmoil
Kufaishi wanted to do more than simply
Of course, it’s clear that returning is not
once again. “In the early ’90s, my parents
donate. “When I asked my boss for a month
easy and detachment is not always possible.
made a snap judgement to apply for asylum
of unpaid leave to volunteer, I was pleasantly
“I know that this is an ongoing situation,
in the UK,” she remembers. “I was slotted
surprised at how excited and positive he
which may last several years. I plan to return
into the education system, completing
was,” she recounts. Part of a new wave of
early next year, and help in any way I can.”
Zainab Kufaishi photographed by Julia at The Factory ME at Dusty’s DIFC, Leila Araghian photographed by Amir Jadidi at Tabiat Bridge, Tehran, Fatma Al Nabhani photographed by Bin Ali and Rand Abdul Jabbar and Meitha Al Mazrooei photographed by Talal Al Ansari
The Humanitarian – Zainab Kufaishi
M OJEH W o m en
The Visionary – Leila Araghian
Architecture in Iran has long been an anchor point for public gathering. During the 1979 revolution, Amanat’s Freedom Tower marked the meeting place of protesters and today, Daneshmir’s sweeping Pardis Mellat cinema is a space where young Persians like to hang out post-movie. The 2008 cinema, commissioned by Tehran’s Mayor, was perhaps the catalyst in a new wave of postrevolution architectural projects that have gained international acclaim; the 2014 Tabiat Bridge was the next. “I think it responds nicely to human needs both psychologically and physically,” says Leila Araghian, the young architect, whose inaugural project was the Tabiat or ‘nature’ bridge. “We have benches, green spaces and restaurants. The whole spaces are so complex and serendipitous that every time someone visits the bridge, they can experience it in a new way.” The inspiration behind Tabiat goes back to 2004, when Araghian was walking with her business partner, Alireza Behzadi. “We were crossing a bridge on a small river in Tehran and we saw an old couch; we pulled it onto the bridge and sat on it.” It was at this point they realised a new perspective. An oasis amongst the heave of the traffic-choked city, the multi-level, 270-metre bridge curves and winds its way between two parks in north Tehran. In the two years since it opened, it has the overtaken the city’s other notable structures as a hub of congregation for the youth. “People are the most important
private car and contribute to the pollution
more international recognition and, in turn,
element we must always have in mind during
or do we take a bike? How do we consume
more projects.”
design,” says Araghian on her vision for the
water or energy? These are all extremely
Despite international acclaim Araghian
Iranian people’s latest point of contact.
simple, but important ways in which every
has still felt the effects of previous political
As with many artistic ventures, during the
single person can contribute,” she enthuses.
tensions, with the aftermath of the sanctions
construction she experienced a great deal
Tabiat has attracted much attention
imposing upon her efforts. “Signing the
of criticism and mixed emotions from her
worldwide. Amongst Araghian’s accolades,
contract with a European ETFE fabricator
community, but once it was opened tourists,
which include the prestigious Architizer A+
and transferring money was the biggest
runners and pedestrians alike started to make
award, 2016 saw her win the Aga Khan Award
challenge,” she shares. “You hear that the
use of her dynamic space, the seating, like
for architecture. Given every three years, it
sanctions are lifted, but most of the banks in
her sofa, encouraging them to linger and
recognises projects that set new standards
Europe have still not accepted this.”
indulge in enticing conversation.
of excellence in architecture and successfully
One of our most powerful legacies lies in
Beyond thoughts of structure and space,
address the needs and aspirations of
architecture, yet Araghian’s contribution
Araghian is deeply concerned with the
societies across the world. “Of course this
extends far beyond this. Capturing the spirit of
environment, her bridge making a minimal
award is one of the most prestigious,” she
her community once more, she has opened up a
impact on its surroundings. “Do we use our
smiles. “Having won this, I hope it will give us
creative dialogue between Tehran and the world.
The Game Changer – Fatma Al Nabhani
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two gold and two silver medals. From there, I knew that I wanted to be a professional tennis player,” she enthuses. And, while her peers considered careers in more conventional disciplines, Al Nabhani disrupted the status quo and refused to let her love for her sport waver. “I was the only female tennis player around. I didn’t have the right team or facilities to train with,” she admits. Of course, in Europe and the US, tennis plays a large part in the culture, so aspiring players are equipped with coaching, physiotherapy and crucially, community understanding. Training professionally is tough for most teenagers, but in Muscat, where the sport is still finding favour, the experience was an isolating one, the infrastructure and potential partners were simply not there. “For me, the biggest challenge was being the only person in the fray,” Al Nabhani admits. “I didn’t have a training partner or professional support system when I started out.” In the Middle East, we are becoming increasingly aware of the many fit, smart and nuanced women like Al Nabhani, who are offering an alternative model. “Growing up, the notion of an Arab girl
Turn back a few decades, and for all but
The epitome of power and prowess, what
aspiring to become a professional athlete
the most liberal of Omani families, the
she has managed to do is change the
was literally unheard of,” reflects Fatma Al
female stereotype aligned with marriage,
image of the female tennis player in her
Nabhani, whose love for tennis began the
children and domestic duties. A career
region – and today, she is not alone.
age of four. A lithe figure with an undeniable
came second place, much less a career
Stories of women like Raha Moharrak, the
sense of glamour, at 25, Al Nabhani’s
as a professional athlete. Yet, Al Nabhani
youngest Arab to summit Mount Everest,
year saw her charter new territory as a
grew up in what she describes as a
and Elnaz Rekabi, Iran’s multiple-award
professional athlete with attempts to qualify
‘tennis family’, which is now in its third
winning rock climber, are becoming
for the 2016 Rio Olympics, celebrations at
generation – her brother, a professional
typical of the new generation. “Young
the Finals in Las Palmas and Casablanca,
tennis player, was her muse while her
Arab women need to know that nothing
and her current preparations underway for
mother is her coach, mentor and greatest
is beyond their reach,” she stresses.
the Arab Tennis Championships. “I’m still
supporter. “I played my first tournament
“Whether it’s running a 10k or winning
hanging on and trying to grab a single title
at nine years old; it was the West Asian
the Grand Slam, it’s important for us
for 2016,” she says.
Championships Under 13s, and I won
to know that we can aim and achieve.”
The City Shapers – Rand Abdul Jabbar & Meitha Al Mazrooei
The main artery facilitating blood flow through the Emirates, the E11 is the region’s longest road connecting the UAE to Saudi Arabia. For many, the most conspicuous images of the route recall empty barren landscapes, a long and monotonous journey into a vast expanse of desert and dust, with little else to encounter. But, for Rand Abdul Jabbar, an architect and designer, and Meitha Al Mazrooei, the editor of biannual architecture and design platform, WTD Magazine, the route conjured curiosity. Their intrigue manifested itself in different ways – a photobook, short film and diagrammatic map documented the places and spaces discovered along E11, exposing architecture only known to a few. “It was a personally initiated project that was the culmination of the various road trips we would take across the UAE in search of diversity,” reveals Jabbar, whose processdriven practice responds to the forces of the city, adding, “In terms of landscapes, but also alternative architectural or urban models.” Their visual journey reveals the region’s little known experiments in architecture; stark blanched exteriors collide with ornate arabesque details connecting tradition, and development, East and West. “We discovered
it in a different way,” says Al Mazrooei. “It’s
clichés that proliferate in the region. Their
an interesting model for urban and housing
a gateway to other regions and it instigates
aim: To engage the creative community in
development in Al Ruwais,” Al Mazrooei says
a response to the environment around us.”
critical conversations around architecture
of the oil village in the Western region of
A response to frustration felt by the lack of
and urbanism, encouraging the public to
Abu Dhabi that caters predominantly to the
critical conversation surrounding architecture
respond to issues surrounding the built
employees of ADNOC. Sir Bani Yas Island
in the region, E11 is the inaugural element of a
environment and surrounding landscapes.
was another highlight. “We frequented it as
greater vision that began to take shape during
“We found a lot of architects coming to the
children, only to rediscover and appreciate
2016. “The vast majority of the projects we
region and working on projects without a
these places with a new outlook and
observed here were commercially driven
deep understanding of the culture. We are
experience today.”
and centred around real estate, lacking on
creating a context to counteract these forces,”
Indeed, the element of rediscovery is what
the ground research,” says Jabbar. The
enthuses Jabbar on the role of the center.
helps E11 resonate with the community
newly launched Center for Architectural
“There are, of course, people here looking
at large. “Everyone has had some form of
Discourse (CAD) is the pair’s antidote and
critically, but there hasn’t been an opportunity
interaction with the route and now they see
deliberate attempt to break from aesthetic
for people to engage publicly, until now.”
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DESIGNER F O C US
MOJEH explores Anthony Vaccarello’s highly anticipated spring/summer17 collection debut for Saint Laurent at Paris Fashion Week
Words by Mary Keenan
Images courtesy of Saint Laurent photographs by Inia Arcaro, Jason Lloyd-Evans and Saskia Lawaks
Leather, Leopard and LamĂŠ
Large oversized gemstones crafted into playful logo detailing made for bold statement earrings
Deep V-neck cuts and voluminous ‘80s-style shoulder detailing were softened with delicate draping and pleating
Lightweight lamé fabric in molten gold brought a graceful and effortless movement to the runway
Anthony Vaccarello had some pretty high expectations to live up to ahead of his first runway show for Saint Laurent in late September. The Italian-Belgian designer took up the reins at the iconic Parisian house following Hedi Slimane’s shock departure in April. Slimane’s four-year tenure saw the brand famously renamed – dropping the Yves and gravitating towards a grungy, Nineties rock and roll-style aesthetic, in which biker jackets, military parkas and glittery minidresses ruled the Saint Laurent runway, leading to phenomenal profits and financial growth. If Vaccarello – who made a name for himself with his highly structural angular cuts, short hemlines and provocative designs at his namesake label (which has been sidelined in order to focus solely on Saint Laurent) – was feeling the pressure, his super cool collection most certainly didn’t show it. Held on Day One of Paris Fashion Week, bright blue and white neon lighting spelling out YSL, suspended from a crane outside the show venue, alerted showgoers to the fact that a new era was well and truly underway. The show took place in the brand’s soon-to-be new headquarters, a cavernous and derelict former monastery turned military base in the heart of Paris. The exposed columns, raw concrete and roughly hewn walls proved to be a dramatic backdrop for the collection, further signifying that a new chapter for the house had begun. On the runway, however, Vaccarello chose to eschew big changes, building
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Patent leather ankle strap stilettos were fitted with a retro YSL logo heel
instead from where Slimane left off, with sharply tailored separates cut from a mix of leather, denim, velvet and sheer tulle. Inspired by a vintage dress from an early ’80s Yves Saint Laurent collection, Vaccarello’s runway looks featured puffed retro shoulders, sweetheart necklines and leg o’mutton sleeves, as well as sleek smoking style jackets and suits. The collection proved to be immensely wearable, holding appeal not only for the loyal legion of young twenty-somethings that have been attracted to the brand in the last five years, but also for discerning women, who appreciate understated, high quality craftsmanship in the form of effortlessly chic leather jackets, tailored trousers and structured blazers that will transition easily from the work day to the weekend. A series of looks featuring beautifully draped liquid gold lamé brought graceful fluidity and movement, injecting some molten magic into the collection’s mostly monochrome colour palette, which was also punctuated by a number of cropped bolero-style jackets woven from a rich tapestry-like fabric and asymmetric bodycon leopard print mini dresses. Vaccarello excelled when it came to accessories, too, sending out stiletto heels spelling out YSL that are sure to sell out everywhere when they do eventually hit stores. While not revolutionary, Vaccarello’s debut paid a fitting homage to the house’s renegade history, while focusing very much on the future. A solid start with a lot of promise, we wait to see what the designer does next.
Leopard print fabric in rich shade burnished amber provided a visual break from the dark colour palette
Vaccarello’s runway looks featured puffed retro shoulders, sweetheart necklines and leg o’mutton sleeves, as well as sleek smoking style jackets and suits.
Patent leather mini dresses were cinched at the waist further enhancing their bodycon silhouettes
Tactile tapestry-like prints and patterns juxtaposed against the collection’s sleek leather separates
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The siren call of old Havana plays out through the subtle pinks, blues, yellows and greens that sweep the city. Tattered ruffles and billowing sleeves reference Hispanic dancers, and embellished flats find favour with the cruise crowd once more.
Photographed by Liv Friis-Larsen Styled by Kelly Baldwin
Multicoloured lace dress embellished with leaf motif and white collar, silver leather belt, golden metal, white resin and yellow and brown fantasy pearl cuff, golden metal cuff embellished with strass, CHANEL
Iridescent golden fabric pullover with multicoloured palm tree motif, black and golden jersey shorts, dark golden leather belt, golden metal, golden resin and pink fabric cuff and golden metal belt, CHANEL
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Black transparent silk tulle top, white cotton voile blouse and multicoloured printed crepe de chine trousers, CHANEL
Multicoloured printed silk skirt, multicoloured printed crepe de chine top, golden metal, black resin and pink, red and white fantasy pearl necklace and golden metal, red strass and pink and white fantasy pearl necklace, CHANEL
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Multicoloured striped silk dress, fuchsia fabric mules, beige wood bag, golden metal, golden resin and pink fabric cuff and golden metal necklace, CHANEL
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Beige leather shorts, multicoloured cotton pullover, pink, golden and black leather lace-up derbies shoes, multicolour printed bag and golden and black metal brooch, CHANEL
White, turquoise and coral cotton t-shirt, multicoloured printed silk skirt, cream, orange and green fantasy tweed jacket and golden metal necklace, CHANEL
Green, red, khaki, black and cream fantasy tweed jumpsuit, black gabardine jacket embellished with fringing, brown leather belt embellished with strass and black cord, beige lambskin and white fantasy pearl mule, CHANEL Face throughout: Complexion, Sublimage Le Teint N°20 Beige, Éclat Lumière N°20 Beige Clair, Poudre Universelle Libre N°20 Clair, Joues Contraste N°360 Hyperfresh | Eyes, Les 4 Ombres N°278 Codes Subtils | Lips, Rouge Allure Gloss N°137 Super Nude | Nails, Le Vernis N°542 Pink Rubber, CHANEL BEAUTY
Model: Iben Sund at Le Management Makeup by CHANEL Hair stylist: Annesofie Begtrup
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Fierce, Fresh and Freethinking Luxe leathers reimagined as high necks and embellished pussy bow collars signal our return to retro. Pair with military stylings and sharp cuts, with vintageinspired pieces for contemporary ’70s spirit.
Photographed by Anthony Arquier Styled by Joana Dacheville and Jean-Charline Tomlinson
Top, jacket and skirt, GIVENCHY
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Coat, LOUIS VUITTON
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Top, coat and trousers, CÉLINE | shoes, WESTON
Hat, shirt and skirt, BALENCIAGA
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Top, CÉLINE
Coat, CÉLINE
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Jacket and shirt, MASION KAYROUZ | skirt, PAUL KA | shoes, BALENCIAGA
Coat, VERSACE
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Top and trousers, ELLERY
Suit, PLEIN SUD | coat, CHLOÉ
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Top and coat, LANVIN
Coat and shoes, DIOR
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T-shirt, HERMÈS | trousers, LANVIN | coat, CHLOÉ | shoes, PIERRE HARDY
Model: Maria Bedicka at Supreme Management Makeup artist: Annabelle Petit Hair stylist: Kazuko Kitaoka Photography assistant: Nicolas Mephane Casting director: Nicolas at The Art Board Production: Louis Agency
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N at u r a l
Wonders Our sartorial embellishments are reflected in jewels that emit the energies of the raw earth. A light and airy palette calls for standout pieces in snake-green emerald and fiery ruby.
Photographed by Pelle Lannefors Styled by Kelly Baldwin
Dress, CÉLINE
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Dress, CÉLINE | Ruby Kalinda Ring with round rubies and diamonds set in 18-karat yellow gold, platinum and sterling silver and Mala Ruby Earrings with rubies, set in 18-karat yellow gold and sterling silver, FABERGÉ
Suit and jacket, DIOR
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Jacket, FENDI | Dissonance Earrings with an oval pink tourmaline, an oval green tourmaline, round white diamonds and a round ruby set in 18-karat white and rose gold, FABERGÉ
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Top, skirt and jacket, DIOR
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Dress, ALEXANDER MCQUEEN | Magnolia Ring with an oval pink sapphire centre stone of 4.52 carats, round white, brown and pink diamonds set in 18-karat pink gold, platinum and sterling silver FABERGÉ | Ruby Ring complimented with diamonds and 18-karat white and yellow gold, DHAMANI 1969
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Top, skirt, jacket and shoes, GIVENCHY
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Jacket, GIORGIO ARMANI | Foliage Earrings with emeralds and round white diamonds, set in 18-karat white gold, FABERGÉ
Coat, FENDI | trousers and shoes, DELPOZO
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Knit, CHANEL | earrings from Emerald Set consisting of necklace, ring and earring, adorned with emeralds and diamonds with 18-karat white and yellow gold, DHAMANI 1969
Coat, FENDI | Délices D’Été Lumière Necklace with round white diamonds and multicoloured round and pear-shaped sapphires set in 18-karat white gold and Fallen Poppy Petal Brooch with white, yellow, pink and round violet diamonds and round demantoids and opals, set in 18-karat gold and sterling silver, FABERGÉ
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Dress, LOUIS VUITTON | Le Chat Pushkin Brooch features a cabochon emerald, pink tourmaline, a pear-shaped and round white diamonds, round pink sapphires and emeralds, set in 18-karat white gold, FABERGÉ
Model: Corinna Ingenleuf at M4 Models Management Videographer: Viktor Sloth (Video live on www.mojeh.com) Hair and makeup: Manuel Losada Styling assistant: Sophie Pasztor Location: Gemfields Kagem Emerald Mine, Zambia. Special thanks to their team.
Hope G lis t ening
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Woven gold and silver mimic the twists and turns of fabric,
while captivating blues recall the hues of Persia. Precious pieces speak volumes when worn against a backdrop of black.
Photographed by Vivienne Balla Styled by Kelly Baldwin
White gold Ispahan earrings with rock crystals, chalcedonies, sapphires and diamonds and white gold Ispahan necklace with rock crystals, chalcedonies and diamonds, BOUCHERON | top, TIBI at BySymphony
Pink gold paved with diamonds Serpent Bohème sleeper earrings and pink gold paved with diamonds Serpent Bohème medallion necklace, BOUCHERON | dress, LOUIS VUITTON
Pink gold paved with diamonds large Serpent Bohème ring, pink gold paved with diamonds Quatre cuff and pink gold Ava Ma Jolie jewellery watch set with diamonds, white mother-of-pearl with four diamond indexes and a jewellery bracelet, BOUCHERON | skirt and dress, VALENTINO
White gold Bagha the Tiger ring with black sapphires, diamonds, emeralds and green tourmaline, white gold Quatre Radiant ring, white gold paved with diamonds Serpent Bohème necklace and white gold paved with diamonds Serpent Bohème long necklace, BOUCHERON | top, PETER PILOTTO at BySymphony | trousers CÉLINE
White and black gold Cypris the Swan earrings with black sapphires, diamonds and rubies, BOUCHERON | Dress, ROLAND MOURET
Yellow gold paved with diamonds Serpent Bohème long necklace, yellow gold Quatre Radiant ring and yellow gold paved with diamonds Serpent Bohème bangle, BOUCHERON | jumper dress, LOUIS VUITTON
Fleur du jour Necklace, in white gold and diamonds and Fleur du jour Ring, in white gold, black mother-of-pearl and diamonds, BOUCHERON | long sleeve top and belt, SAINT LAURENT | short sleeve top and trousers, CÉLINE
Model: Inez at MMG Hair and makeup: Manuel Losada
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J e w ellery N ot e s
Winter W
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Enthralled by the natural beauty of white diamonds, Van Cleef & Arpels celebrate their full brilliance by showcasing the maison’s most timeless snow-sparkling pieces.
High jewellery, when it truly deserves to be called so, requires extraordinary talent, the highest quality materials and unremitting inspiration. Throughout history, Van Cleef & Arpels has been notable for its exceptional expertise and taste. It has acquired legendary gems, including the spectacular Prince Edward of York Diamond (a pear-shaped jewel from Africa weighing over 60 carats), and the illustrious maison has subsequently stood out for the sheer brilliance of its creations. In keeping with this phenomenal tradition and just in time for the winter season, Van Cleef & Arpels has unveiled an enchanting jewellery collective, which features all of the brand’s collections that are adorned entirely with white diamonds. This year, both in boutiques and on the jeweller’s website, the Snowflake necklace, punctuated with breathtakingly delicate diamond flakes, stands alongside the Cosmos collection, as well as show-stopping pieces from Flowerlace and À Cheval High Jewellery. If there is a gift almost guaranteed to make the recipient swoon with joy, it’s a sparkling diamond. These timeless stones are forever appealing, but the value of coloured diamonds (whether they be a candy floss pink, royal navy blue or blood red) has skyrocketed while the cost of white diamonds dwindles. Today’s pieces are set with splendid stones that all perfectly match in size and graduation – but, what many white diamond creations lack is character.
Bandeau ring, large model earrings and bracelet from Snowflake collection, VAN CLEEF & ARPELS
Pendant earrings and high jewellery watch from À Cheval collection, VAN CLEEF & ARPELS
The Van Cleef & Arpels collective, however, has the decadent distinction and opulent style of a bygone era. Central stones and paved surfaces of white gold or platinum boast meticulous attention to detail, which accentuates each diamond’s brilliance and celebrates the Parisian jeweller’s longstanding love affair with these incandescent gems. Particularly in vogue during the Art Deco period, and again in the Fifties and Sixties, each piece is a feat of high jewellery engineering and is set, uninterrupted, with diamonds of various cuts. After the austerity of World War I and II, graphic and geometric forms were manipulated, giving way to more feminine and emblematic designs. This White Period of Art Deco produced some of Van Cleef & Arpels’s most abstract silhouettes. The Flowerlace collection, for example, brings together the elegance of nature and couture by combining the delicacy of lace with the vulnerable grace of flowers. Pieces resemble interlaced ribbons, as well as delicate diamond petals and blossoms. Cosmos, meanwhile, draws inspiration from the four-leaf clover, which is thought to bring good luck. As its name would suggest, the Snowflake collection’s magnificent round diamonds form sensational snow crystal motifs. Perhaps the most breathtaking piece from the whole collective is this collection’s sensational curved necklace, which elegantly falls on the wearer’s collarbone. Meanwhile, thanks to a relief setting technique, À Cheval’s stones are elegantly superimposed to create a remarkable effect of brilliance.
Compiled by Sophie Pasztor
142 HIGH NOTES
PRADA
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Fine Feathers Following the popular bird motif from a/w16, feathers take flight as the next must-have. Its artisan aesthetic appeals to fine jewellery designers, like that of Dior and Piaget, who mould the natural material to everything from watches to cuffs.
1. DIOR FINE JEWELLERY | 2. PASQUALE BRUNI | 3. PIAGET | 4. LYDIA COURTEILLE | 5. AKILLIS
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DOLCE&GABBANA
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Once Upon A Time Regality is heightened with stately jewels and majestic hues. Princess-cut necklaces and royal clover motifs add to the fairy-tale charm of the trend. Wear with embroidered dresses and decorative piping details.
1. PIAGET | 2. ELIZABETH GAGE | 3. CHOPARD | 4. CINDY CHAO | 5. ISTANA JEWELLERS
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T h e C o llec tio n
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D a n c e We enter into the innovative world of Vinita Michael as she explores fluidity in movement. It’s the mesmeric movement of light-weight ribbon that has captivated the innovative mind of jewellery designer, Vinita Michael. “The designs reflect the fluid movements of ribbons floating through air,” recounts Michael. Each piece from the collection has been meticulously designed using a unique paper sculpture technique that provides Michael with creative freedom and the ability to explore the fluidity of shapes for a threedimensional effect. The collection is crafted using the finest Swarovski crystals, with a pale palette of colours such as blush pinks, pearly whites and mint greens. “I personally gravitate towards the crystals from Swarovski. I love the way the facets on the crystals interact with light,” says Michael, going on to add, “It has this brilliance to it which is not in your face. It creates an overall premium look, which is very refined and understated.”
Words by Sophie Pasztor
Top to bottom: Swarovski crystal earrings crafted in 925 sterling silver and Swarovski crystal necklace crafted in 925 sterling silver, VINITA MICHAEL
Piaget blurs the lines between high jewellery and haute horlogerie. Whether it is concealed in a ring, strategically positioned in a bracelet or coiled around the wrist, the context of a watch continues to evolve. The Extremely Piaget Sautoir watch is one of the latest designs to join this motion, capitalising on the ingenuity of haute horlogerie. Its incredible construction resembles that of a high jewellery necklace, but with an added and unexpected twist. Moulded with 195 marquise-cut, 287 brilliant-cut, 35 cushion-cut and 16 pear-cut diamonds, for a truly opulent statement. Each platinum setting has been customised for the stone that it encloses, and has a delicate link that webs the structure together, allowing the incorporation of several varying shapes to be included in the design. Suspended at the tip of the sautoir’s chain is an elegant watch module with a 56P
Words by Sophie Pasztor
quartz movement, encased in a gem-set ball measuring a diameter of 26mm.
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J e w ellery & Wat ch e s Ex t r act
Storied
As precious stones continue to command our attention and drive jewellery trends, we explore the historical significance and lore of coloured gems.
An extract from MOJEH Jewellery and Watches 2017 Edition, published November 2016 and available now.
Words by Laura Beaney
Main image Winter’s Palace, MOJEH Issue 23 Photographed by AMBER GRAY. Images courtesy of CHANEL, Getty and Van Cleef & Arpels.
StoNES
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A story shrouded in myth and superstition the Les Talismans de Chanel high jewellery collection refers to Gabrielle’s penchant for symbols of charm and protection
Kagem and Montepuez stream vivid green
cut and manufactured, and the way the woman
pearls that had formerly belonged to the Queen
and rich red stones to suppliers each day.
wears the stone is completely different to the way
of France, Marie Antoinette. When the necklace
The Gemfields mines, based in Zambia and
she would wear her watch or a pair of shoes.”
went up for auction in 2007, it was valued at
Mozambique, cater to the soaring demand
For millennia, stones have played a part in our
almost AED 3 million, but to great surprise, it
for precious, coloured stones that have seen
spirituality in its various guises, from crystal
failed to meet the reserve. Perhaps the no-sale
the prices of emeralds and rubies growing at
healing to talismans. This connection was
is a testament to the enduring sense of power
an exceptional pace.
recently realised in high jewelley medium, with
and superstition we afford to gemstones, indeed
Coloured stones in general are experiencing a
the Les Talismans de Chanel collection referring
in many cultures both opals and pearls are said
renaissance. From the sapphire engagement
to Coco Chanel’s famously heightened sense
to bring bad luck when purchased second-hand.
ring that once belonged to Princess Diana and
of superstition. Known to draw inspiration
But who decides that opals are unlucky and
is worn today by the Duchess of Windsor, to
from Eastern mysticism, the founder of the
that blue sapphires are fit for royalty? The
the opulent emerald necklace designed by Van
French fashion house surrounded herself with
meaning of a certain stone can change greatly
Cleef & Arpels for the Maharani of Baroda, our
talismans and symbols of good luck that later
according to geography, theology, culture and
connection to colour has deeper roots than a
fed through into her designs.
time. “Gemstones were often attributed healing
trend in time. Indeed, jewellery is arguably the
While high-profile royals like Princess Mary drove
powers because of the symbolism of their colour,
most personal of collectable items, with pieces
mainstream trends for coloured stones after she
not because of any chemical constituent,” says
often individually commissioned to the taste of
was recorded wearing an emerald engagement
Richard Liddicoat of the Gemological Institute of
the owner. And, when passed down or resold,
ring during the Twenties, bad press and negative
America. “For example, red or reddish stones,
that piece relays the story of its creator. “These
connotations can equally affect the popularity
such as the ruby, spinel, garnet, carnelian
stones were hidden for 500 million years,” says
of precious stones for the wrong reasons.
and bloodstone were thought to be sovereign
Ian Harebottle, Gemfields CEO. “If you’re the first
The Sutherland necklace, for example, bears
remedies for all types of haemorrhages.”
one to touch that stone it does something to you.
a heavy burden. Belonging to the Countess
The colour of heat and blood, the power of
The energy sits there once the stone has been
of Sutherland, the piece was made up of 33
the ruby has typically lent itself to passionate
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The Sutherland necklace is the culmination of 33 of Marie Antoinette’s pearls set with diamonds and rubies. It was auctioned at Christie’s London in 2007
activities. In religion, Hindus credited rubies
particularly substantial collection of the stones,
resonate with women today,” says Harebottle.
with their personal safety, while culturally, many
while the 25-carat Burmese Sunrise ruby is the
While rubies conjure fire, emeralds are said
Indians believed that the stone allowed them to
most expensive in the world, recently selling for
to soothe the soul. “Emeralds are generally
live in peace with their enemies. “In the south of
an incredible AED 110 million at auction. Today,
recognised as the first reported luxury good
India, a marriage is incomplete without a ruby,”
the stone’s legacy continues to be celebrated.
known to man: this goes back to the Incas and
notes Harebottle. “While in the Ming dynasty,
Catering to the increased demand for information
Aztecs,” says Harebottle. “The people realised
rubies played a very important role, they were
surrounding gemstones, their origins and history,
that when it rained, the fields were green and
taken into battle for protection,” he continues.
earlier this year, Gemfields released a triptych of
life was good,” he continues. Associated with
With the belief that rubies made their warriors
films detailing ruby inspired stories, tapping into
calm, spring and rebirth, the colour green is
invincible in battle, the Burmese like the Chinese
the mysticism and legend surrounding the stones
prevalent in both African culture and Islam.
were prolific collectors of the red stones. The
rather than just the aesthetic. “Rubies have been
Thailand is home to the sacred emerald
rubies hailing from Burmese mines are still today
renowned for their magical properties since the
Buddha, which is in fact made from jade, while
benchmarked as the most expensive and rare
beginning of civilisation… we wanted to explore
the lapidaries of the First Century were said to
in the world. Burma’s King Thibaw owned a
how these beautiful and mysterious gemstones
use emeralds to restore damaged eyesight.
Attesting to the supposed medicinal benefits of the green stone, in 1609, Belgian physician Anselmus de Boodt claimed that emeralds could cure a plethora of aliments from dysentery to epilepsy. And from Cleopatra to the Empress of Iran, the world’s most revered rulers were documented wearing emeralds. The stones are said to signal protection against evil and for many they are a symbol of both enlightenment and high social status in equal measure. “Since the beginning, the Maison has taken the time to search the world for exceptional emeralds,” says Alessandro Maffi, managing director at Van Cleef & Arpels, Middle East and India. Twenty times as scarce as diamonds, these rare stones were carved with verses of the Quran by the Emperors of the Moghul period, while Shah Jahan, creator of the Taj Mahal, had emeralds inscribed with sacred text that he wore as protection. In a rich cultural exchange during the 1900s, high jewellery maisons like Cartier and Van Cleef & Arpels were commissioned to create custom pieces for India’s dignitaries. Exposed to the new and opulent traditions of India, the country’s influence is palpable in the high jewellery collections that followed and found
The Indian emerald necklace was a special order for H.H. Prince Aga Khan, 1971
favour with the European elite - Cartier’s 1936 Hindu necklace commissioned by socialite Daily Fellows is one such standout piece. Historically, jewellers have set emeralds in yellow gold – a pure metal thought to enhance
gemology remains as rife today as it was when
the tradition has been prevalent since the First
the radiance of the stone – yet in Emeraude
the Burmese first discovered their ruby mines.
Century many today afford significant emotional
en Majeste, a collection created to celebrate
Discovered by an Indian tailor in 1967 the
attachment to their appointed birthstones.
Van Cleef & Arpels’ enduring affection for the
Tanzanian tanzanite, which is associated with
Whether selecting a simple stone tied with
stone, emeralds are set among diamonds and
communication, became the latest addition to
string for protection or commissioning an
sapphires in white gold. Mined in Colombia,
the list of birthstones, updated in 2002.
elaborate piece like that of a Maharaja, the
Brazil and Zambia, the stones are scarce and
“Birthstones have long been identified with
selection of any gemstone carries a greater
today’s elevated market prices further fuel our
healing powers and talismans,” says Liddicoat.
importance than simply considering a colour
fixation with the mysterious emerald.
“The list has evolved over centuries and many
to match our mood. From the realms of
Transcending cultures, religions and traditions,
variations of it have been used.” Throughout
tradition and folktales to the skilled maisons
the stories surrounding our stones are vast and
history the bounds of birthstone definition have
creating custom designs for dignitaries at Place
varied. While many of the merits we assign to
altered with birth month, zodiac sign and even
Vendome, our choice in precious stones has
our stones have been borrowed from legend
the time of day of birth, acting as deciding factors
the ability to communicate complex messages
or folklore, the conversation surrounding
when it comes to assigning stones. Although
and install power and prowess into the owner.
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d
Face mists are the new buzzword in beauty. Shower thirsty skin with Clinique’s Moisture Surge Face Spray for rapid hydration and select Clarins Fix’ Makeup with invigorating grapefruit extract and organic rosewater to revitalise your makeup throughout the day.
Left to right: Fix’ Make-up, CLARINS | The Mist, LA MER at Harvey Nichols-Dubai | Moisture Surge Face Spray, CLINIQUE
Photographed by Rhys Simpson-Hopkins, styled by Sophie Pasztor
B e a u ty N ote
Larger Than Life As our lips continue to steal the beauty limelight, we look at the latest phenomenon in our quest for fullness – enhancing masks. Bigger brows became fuller lips as we transitioned into 2017. Since then, there have been many innovations that fight for our thirst for a fuller pout, from the lip pump popularised by YouTubers to cosmetic fillers and, of course, Kylie’s cult lip kit. The latest craze in the year of the lip comes in the form of the lip mask. Like many beauty discoveries, we first came across it in the Far East, with the Japanese and Koreans applying the collagen-infused mini sheet masks for 15-20 minutes to achieve temporary plumpness. Do we really need a lip mask? Perhaps not, but from natural formulations designed by
Whispered Beauty, photographed by Christophe Donna, MOJEH Issue 24
beauty bloggers to Korean-style packaging that brings pure Instagram pleasure, we share our edit of the top three to try.
The Natural: All Natural Collagen Infused Lip
The Perfectly Packaged: Kiss Kiss Lovely
Mask, KNC Beauty | Beauty Benefits: Kristen
Lip Patch, Tony Moly | Beauty Benefits:
Noel Crawley first discovered lip masks in
With an exterior that calls out to our inner
Tokyo. An antidote to chemically concentrated
kawaii lover, this lip sheet is packed with
options, she came up with an all-natural
The Calm: Dreamkiss, Starskin | Beauty
vitamin C and a sweet strawberry fragrance
alternative. The short ingredient list promotes
Benefits: A potent 15-minute bio-cellulose
to leave lips feeling soft and smooth. The
plumpness naturally, the formulation blends
mask specially created for the delicate skin on
formulation includes extracts of bearberry
rose flower oil, cherry extract and vitamin E,
your lips, the formulation harnesses naturally
leaf, blackberry, blueberry and strawberry.
with collagen, glycerin and hyaluronic acid.
fermented coconut juice, sea fern, collagen and hyaluronic acid to instantly plump lips and diminish fine lines. Coconut oil, honey and chia seeds moisturise and smooth the lips.
156
M OJEH H ealth
I n f l at e d
Notions As inflammation remains at the heart of the health debate, MOJEH asks: Is it a health craze or cause for concern?
Words By Laura Beaney
into curcumin the plant compound that
and, ultimately, a new way of eating fights
gives turmeric its bright colour and has
its way into our consciousness. There were
demonstrated both anti-inflammatory and
acai berry bowls designed to revive our
anti-cancer properties.
flailing levels of antioxidants, then there was
To explain the matter further, when we
our acidity intake that became balanced
catch a cold or cut ourselves, inflammation
with avo-based everything. The avocado
fights against the infection for us. Indeed,
has, rightly, remained a dietary staple well
Like most wellness waves, widespread
the vast majority of us will have been
into 2016, but our fascination has found
interest in inflammatory-related issues first
prescribed anti-inflammatories for a range
a new focus – our body’s natural defence
sparked our interest via digital media. With
of ailments following a visit to the GP. But,
system, inflammation. A phenomenon rising
the announcement of the anti-inflammatory
how does our body’s protective response
from the typical combination of recent
diet by those at the crossroads of health,
become detrimental? Our immune system
medical research, media attention and, of
beauty and wellness, our green juices soon
is designed to identify tissue under stress.
course, those at the heart of digital health,
turned to yellow lattes as turmeric was
To combat this, the system first employs
inflammation has been named as a culprit
heralded as one of the most potent anti-
a pathway called primary inflammation.
for both physical and mental health
inflammatory ingredients of them all. And,
The pathway works on two levels by
concerns that range from depression
as our Instagram feeds were flooded with
detoxifying the tissues and by working to
and ADHD to chronic illnesses like cancer
captions coveting a certain yellow spice, we
repair the injured cells. Usually, in low-stress
and heart disease.
started to wonder – should inflammation be
situations, this response goes unnoticed as
“Inflammation is our body’s natural and
of grave concern? Yes and no.
long as our system is working efficiently.
appropriate response to injury,” explains
Of course, with the Internet comes a
We are, however, alerted to inflammation
Tanya Zuckerbrot, registered dietician and
great deal of misinformation and, indeed,
when there is a high-stress situation, for
founder of the high fibre, lean-protein
confusion. While research is ongoing,
example, a physical trauma, recurring
F-Factor Diet. Based in New York,
Harvard Health Publications agree with
emotional stress, or an allergic reaction.
Zuckerbrot’s food habits are counted
the online platforms on two points. Firstly,
But, this inflammatory response isn’t just a
upon by the hot and high-powered from
cancer, heart disease, diabetes, arthritis,
by-product of injury or illness. Inflammation
Ralph Lauren’s daughter, Dylan, to Molly
depression, and Alzheimer’s have all been
can be triggered by a range of aggravators,
Sims and Rachel Roy.
linked to chronic inflammation and secondly,
including a preservative-laden diet, exposure
“Symptoms include reddening, swelling,
one of the most powerful tools to fight
to chemicals, pesticides and pollutants,
heat, soreness, and restricted range of
against inflammation comes from the fridge.
persistent stress, gastrointestinal issues,
movement. It can also be both internal and
“Many experimental studies have shown
a sedentary lifestyle and the consumption
external,” she continues.
that components of foods or beverages may
of food allergens, like gluten and dairy.
have anti-inflammatory effects,” according to Dr. Frank Hu, professor of nutrition and epidemiology in the Department of Nutrition at the Harvard School of Public Health. His claims are further supported by studies
Rouge Awakening, photographed by Julien Vallon, MOJEH Issue 26
Every now and again, a new health concern
158
Spices like cloves, ginger, rosemary and, of course, turmeric have also been proven to have antiinflammatory effects on the body.
Zuckerbrot informs us that inflammation
ground flax seeds and ice. “Blueberries
becomes problematic when it is persistent,
and blackberries contain antioxidants that
long-term and chronic; for example, when
can reduce inflammation and aid in healing,
the inflammatory response is excessive or
chia seeds and ground flax seeds provide a
in response to something inappropriate, like
boost of Omega-3 fatty acids, which have
in the case of somebody with celiac disease
an anti-inflammatory effect on the body,
who ingests gluten. “An inflammatory
In the case of the inflamed, a game plan
and ice creates higher water content, which
response
causes
for balance is required. The answer is, of
in the body takes healing nutrients to the
gastrointestinal damage,” Zuckerbrot points
is
initiated
and
course, one we are all accustomed to. Dr.
cells where they’re needed and removes
out. Chronic inflammation is the type that
Miller recommends a routine of exercise
waste products,” she shares. Spices like
calls for concern; it can not only inhibit our
including meditation and yoga, social
cloves, ginger, rosemary and, of course,
ability to lose weight, but the results can
activity and a Mediterranean diet, which
turmeric have also been proven to have
also lead to an increased risk of psoriasis,
includes lean proteins, vegetables, legumes,
anti-inflammatory effects on the body.
rheumatoid arthritis, lupus, asthma, Crohn’s
and olive oil. Zuckerbrot, however, who is
The dietician also recommends sipping
disease, Alzheimer’s, cardiovascular
known for advising her high profile clients
chamomile tea and snacking on pieces of
disease, and depression.
on minute details concerning restaurant
pineapple in between meals, “Bromelain is an
In recent years, there has been much talk
menus around the clock, takes a highly
anti-inflammatory enzyme found in the core.
of anti-inflammatory drugs being used
targeted approach to her ingredients. “In
The bromelain works best when pineapple
to treat mental health problems. Yet, Dr.
order to combat inflammation, one should
is eaten separately from other foods.”
Andrew Miller, who is leading studies
lower their intake of pro-inflammatory
Thankfully, chronic inflammation is not a
in the link between inflammation and
substances and increase their intake of anti-
cause for concern for the vast majority of
disorders like depression, says that one
inflammatory substances,” says Zuckerbrot.
us. But, as supplements and yellow drinks
of our most common misconceptions is
Refined carbohydrates and sugars are to
continue to captivate, we can’t help but
that inflammation is labelled as the “root
be avoided, as well as Omega-6, which
wonder what colour our next juice will be.
of all evil”. “Realistically, it is only relevant
features heavily in modern diets and is
Inevitably, getting completely wrapped up in
to those who have it,” he says. How do
found in vegetable oils like safflower,
a hot health topic often holds little longevity
we know if this is the case? For most of
sunflower oil, corn oil, soybean, and
or power in our everyday lives, but taking
us, inflammation alone is not a disease or
canola oil. Mayonnaise, salad dressings,
the type of diet recommended by both
singular cause for concern. “Go to your
and sunflower seeds are also out, as they
Miller and Zuckerbrot into account comes
doctor and get tested,” says Miller. “If your
carry high levels of Omega-6 fatty acids.
with common sense. The bottom line? Our
C-reactive protein (CRP) is greater than
Thanks to the proliferation of the ‘anti-
health relies upon our own education and
1mg/L, you are in the moderately inflamed
inflammatory diet’, the information
insight, so a little online guidance towards
category. If it is greater than 3 mg/L, you
surrounding alternatives is plentiful, with
the dietary developments can always help
are into the high range,” he advises.
options suitable for any balanced diet.
us to move in the right direction.
Omega-3 fatty acids can be found in fatty fish like salmon, mackerel, herring and sardines, as well as in flax, chia and hemp seeds. “If you don’t eat fish, you may want to consider taking a fish oil supplement,” advises Zuckerbrot, whose breakfast smoothie blends berries, chia seeds,
160
B e a u ty F o c u s
Is this your first visit to Dubai? No it’s not, I love the Middle East. I don’t know why, but I’m sure in another past life I was a Middle Eastern woman! When I first started at Hermès, I arranged to have appointments with a lot of women from the UAE and Bahrain to gain an understanding of the culture of perfume for women here. So many perfumers work from France and just imagine the region when creating a perfume for Middle Eastern women. Tell us about your new fragrance. My first creation for the brand is Galop d’Hermès. The story starts in the Maison’s leather caves, which are in a top secret location – it’s a very special place for the house. I was very surprised and excited to discover the many different leathers there in a vast array of colours. I was touching them all and one in particular gave me the goosebumps – it was as soft as a woman’s skin! I kept that piece of leather and I’ve carried it everywhere with me for the last year! The idea to create a fragrance based on this piece of leather struck me immediately when I touched
When we meet Christine Nagel, the in-house perfumer for Hermès, at the brand’s boutique in BurJuman, she’s clutching the dusky pink piece of Doblis leather that inspired her sensual new fragrance Galop d’Hermès and greets me with a sincere smile. As we sit down to chat about the
feminine perfume with it. And what about the rose? I liked the idea of pairing a feminine rose in equal parts to the leather, but it took me a year to obtain the equilibrium. When you put the perfume on your skin, you can smell both rose and leather, it’s like a dance between the two. I also added saffron, which gives the leather a bite, and quince. I imagined a cut, pulpy quince – it’s more sensual and definitely very feminine. I’m so excited about this perfume and I really hope it will be a success. Has your study of Arabian women played a part in this fragrance? Everything I love in the Middle East has come through in the perfume. After speaking to many Middle Eastern women, I realised how so many love to mix oud or musk with their perfumes, which is why the top of the Galop d’Hermès bottle can be opened to give the accessibility of putting the oud or musk inside directly. It’s
first fragrance she has created for the French Maison, Nagel radiates
a mark of freedom, even though I think it’s
excitement and pride, as well as a passion for her craft that is truly palpable.
perfect the way it is!
Words and interview by Mary Keenan, Images courtesy of Hermes photographs by Sofia Sanchez and Mauro Mongiello
Notes From A Nose
it – I knew straightaway I wanted to create a
I went into the men’s section of a department store; there, I went along with my eyes shut and touched all the jackets. The salesman thought I was crazy! Hermès’s clothing really feeds my creativity with its many textures and colours. Where do you look for inspiration? It always starts with an idea that matters to me, such as a place that moves me, a landscape imprinted on my mind, a memory suddenly resurfacing, a painting that transports me or even the shimmering colours of a sari in Cochin. How do you develop and hone your sense of smell? Developing one’s sense of smell is a very long learning process that requires high sensitivity, a genuine curiosity about the You’ve been at Hermès for a few years now.
which ones are good and which are not. My skin
Why did joining the house feel like the right
is also my blotter – if you see me at the office,
fit for you?
I have many different coloured stickers on my
What are your key tips for finding a fragrance?
It was instinct. A lot of my personal values and
skin, which I smell constantly throughout the
Patience and time. When you walk into a
the house’s values align; we both have the same
day. I also put samples on the skin of different
perfumery with no clear idea of what you are
taste for work well done as well as a love of
people in the office… there are a lot of women
looking for, using a blotter is perfect for a first
attention to detail and creativity. For the Maison,
and men walking around the Hermès office
approach and a preliminary selection. Trying a
the insides of things are just as important as
with stickers on their skin! I smell all day and
fragrance on the skin is also essential, and using
they appear on the outside and that applies to
tweak my formula. Each day, I also smell and
a sample for one or two days to ensure the initial
everything they do, which I love.
discover four raw materials in order to train and
emotion and attraction is still there.
world and open-mindedness.
expand my sense of smell. I’m very curious! What’s an average working day like for you?
In your opinion, what is the most appealing
My working day starts in the morning, when I
How does the house’s history influence your
characteristic of perfume?
leave my house and open the door of my car.
creative process?
The fact that the right perfume resonates with
The evening before I’ll spray a sample in the car
I joined Hermès at the same time as Nadège
our emotions and memories and communicates
and close the door. My nose is very tired and
Vanhee-Cybulski, so we’ve got to know each
with us on a personal level.
fatigued at the end of the day, therefore I spray
other well. I go to the atelier very often to talk
a sample so that in the morning, when my nose
with her, and touch and look at her samples. It’s
What was your first scent memory?
is very fresh and I’m alone for 20 minutes, I can
something I’ve been doing for a long time and
My mother putting talcum powder on my
analyse the scent in depth. When I arrive at
it’s an important part of my creative process.
baby brother – she used an Italian talc called
my office, my assistant prepares a blotter and I
For example, 15 years ago I wanted to create
Borotalco. But, don’t spread that around too
smell a number of different samples and decide
a sensual fragrance – as part of my research,
much, my brother also works in perfumery!
162
M o j eh tr av el s
Me,
Myself Words by Annie Darling
AND I
Where are you next going on holiday? Will you
The number of wander women, otherwise known
winning travel blog, Girl About The Globe.
spend the week sprawled on sun-drenched,
as solo female travellers, has skyrocketed in the
Eldridge has spent the last 19 years visiting
white-sand beaches after several afternoons
past few years. At Overseas Adventure Travel, for
over 100 countries and she regularly writes
paddle-boarding atop tranquil Maldivian waters?
instance, 80 per cent of unaccompanied holiday-
about her wayfaring online. “The solo female
Or, will you be waiting for the awe-inspiring
goers are women. Of course, travelling alone is
market has boomed in the last few years and
Barcelona sunset, which bleeds bittersweet
by no means a new concept – Dutch explorer
the trend doesn’t seem to be tied to age either.
red-yellow across the thicket-snuffed Serra de
Alexandrine Tinné was the first female to attempt
Women of all generations are no longer restricting
Collserola? That is, before feasting on tapas
to cross the Sahara in the 19th Century, shortly
themselves to travelling with a partner, preferring
in one of the city’s 14th Century plazas, amid
before Swiss adventurer Isabelle Eberhardt
to take off to a far-flung destination alone instead
towering temple columns and ancient city walls.
voyaged across North Africa and Europe (albeit
of waiting for someone to come with them.” I,
Perhaps you’ll savour a weekend soaking in
dressed as a man), after which she and her
myself, know many people who have put off
one of Budapest’s steaming hot springs,
mother both converted to Islam. Nonetheless,
globetrotting plans and abandoned bucket
while falling snowflakes prickle your skin. Full
a record number of independent women are
list destinations because they haven’t found
from scrumptious sweet-pastries bursting
choosing to travel the world, unfettered and
a travel companion. For them, the prospect of
with homemade sticky apricot jam; delicacies
free-spirited. “Travelling is food for the soul,”
going alone sounds either too daunting or just
Hungary’s renowned for.
coos Lisa Eldridge, founder of the award-
not all that fun. Nonetheless, when done right,
Photographed by Ullstein Bild, Ben Davies and Thomas Lohnes at Getty
Is going it alone the best way to holiday? Solo travel can be an intimidating prospect, especially for the Middle Eastern woman, but it means, among other benefits, never having to compromise your plans.
The Hideaway, photographed by Federico De Angelis, MOJEH Issue 15
solo travel can be exhilarating and enlightening.
In fact, many travellers claim that solo holidays
shares travellers’ adventures and recommends
“Travelling helps you to put everything into
are the best way to see the world; free from a
enlightening getaways. “Travelling solo is
perspective and makes you appreciate the
friend’s influence or partner’s preference. Going
therapeutic. It allows me to listen to my heart
smaller things in life,” insists Eldridge, “and
alone, among other benefits, means never
and to my mind. It gives me time to re-collect my
travelling alone is one of the best ways to travel.
having to compromise. You’re independent and
thoughts after a busy month. It encourages me
You have the freedom to do what you want,
in control, able to sightsee at your own pace,
to step back and evaluate situations I was stuck
when you want. It teaches you how to overcome
do what interests you, and dine wherever and
on.” Once upon a time, this trend was reserved
obstacles, connect with your emotions, and
whenever you want. You don’t have to sit and
for hardened backpackers, who spent months
cope entirely by yourself.” For years, holidays
twiddle your thumbs while waiting for your travel
roughing it around the globe. Fast forward to
have gone hand-in-hand with company:
partner to emerge from their bed, and you can
2016 and it appears almost everyone is doing
family bonding, honeymoons, and girlfriend
break out from that stuffy museum the moment
it – and they’re doing it in style.
getaways. Today, that much-deserved break
the Rembrandts begin to blur together. “We often
According to the 2015 Visa Global Travel
is also an excellent opportunity to broaden
compromise on our holidays and what we really
Intentions Study, which was conducted across
one’s horizons, says Jess Horne, Marketing
want to do,” says Eldridge. “By choosing to travel
25 countries by Millward Brown, a market
Executive at luxury travel enterprise,
alone, there’s no one judging you if you want to
research organisation, solo travel has more than
Abercrombie & Kent. “It’s a great chance
stay longer in a place, go clothes shopping or
doubled among affluent travellers. Furthermore,
to meet new people,” she explains. “It’s an
just lay on the beach.”
some 24 per cent of people travelled alone on
opportunity to tick off bucket list destinations
Michelle Karam has been travelling by herself
their most recent overseas leisure vacation, an
without being held back by partners or family
since she was 16 years old. She’s also the founder
increase of 15 per cent in 2013, and while the
members who don’t share similar interests.”
of Travel Junkie Diary, an online platform that
stereotypical solo traveller had traditionally been
164
Panoramic views of Arco and Lake Garda from Mount Colodri in Italy
single and unattached, today’s solo traveller is
who plan to holiday alone. “More and more
yourself. Your intuition is your greatest asset
just as likely, if not more likely, to be married
hotels are also now no longer charging a
when you travel alone.”
or in a committed relationship. Furthermore,
single supplement, making solo travel more
Karam agrees that it’s important to be extra
a recent survey by BookYogaRetreats.com
affordable,” reveals Horne.
aware of your surroundings. “Always make sure
found that 51 per cent of people are taking
Undoubtedly, the foremost concern of the solo
you have a spare phone when you travel, in case
their next holiday alone.
traveller is safety. The fact remains that travelling
yours breaks or gets lost. Always make sure your
Solo travel is perhaps a reflection of women’s
as a female, either alone or with a companion,
hotel room is locked and always let someone
growing independence, increased equality and
isn’t without its dangers. However, with a positive
know where you are.” Karam believes wander
the cultural trend of women waiting longer to
attitude and well-researched information, wander
women from the Middle East are more likely
get married and have children. Middle Eastern
women come home stronger and more confident
to stay in touch with their families. “They call
women contemplating solitary exploration, as
than ever before. “The tourist industry is making
home more often,” she smiles, “they bring back
well as those who have no qualms about jet-
it easier for women, with companies catering
souvenirs and most of the time, they miss home
setting alone, have to overcome more obstacles
to women who want to travel alone, but in the
when they’re gone for a long time.” Despite this,
than most, often making the eventual experience
comfort of a group,” affirms Eldridge. “There
she firmly asserts, “The Middle Eastern woman
all the more rewarding. Whatever the reason,
are also more female-friendly hotels, with some
is adventurous. She climbs mountain peaks and
mainstream tour operators are tapping into this
creating women-only floors.” It’s important to
crosses continents. Today, she’s the humanitarian
growing market, offering adventurous trips for
be sensible, prepared and to always keep your
with no boundaries. She is the explorer.”
solo travellers who want to meet like-minded
wits about you. “Listen to your gut instinct,” she
While the destination you choose should be
people. Travel fees are also being dropped, and
advises. “If something feels right, go with it, but
somewhere you’ve always wanted to go, some
more packages are being marketed to people
if you feel uncomfortable in a situation, remove
regions are more accommodating than others
Koh Phi Phi Island off the coast of Krabi in Southern Thailand
and will alleviate major worries for first-time
and travel longer distances, and the digital world
solo travellers. “We are seeing more and more
allows shopping for travel easier. Travellers can
women independently booking adventures and
now directly find out all the information they
healing trips to Bali, Kenya, Maldives, Nepal
need online and this instantly allows women to
and the Alps,” reveals Karam, while Eldridge
feel more comfortable and at ease.”
recommends visiting Australia and Thailand.
Solo travel is delightfully self-indulgent, but for
“Activity holidays are increasingly popular,”
many people, loneliness is their biggest fear.
she says, whether they’re “boot camps on a
Spending a day café hopping in downtown Los
Caribbean beach” or “yoga and surfing holidays
Angeles or hiring a guide to visit remarkable
on the coast of Morocco”. Both women agree
remote ruins may sound appealing, but
that utilising social media is also important, as it
many women fret about doing these things
provides a sense of safety and companionship.
alone, especially in a foreign environment.
“Social media, I believe has really helped women
However, the beauty in solo travel is the ability
gain confidence and then inspire others to travel
to immerse yourself in the local community
solo,” says Eldridge.
and when travelling alone, you’re more
A 2014 survey commissioned by online travel
approachable and likely to meet temporary
agency Booking.com concurs, additionally
travel partners. Ultimately, many women
confirming that social media impacts solo
wanderers enjoy their first unaccompanied
travellers during their holiday, with 58 per cent
trip enough to embark on another. “Solo
admitting online platforms make them feel safer
travel is addictive,” warns Eldridge. “Once
when travelling alone. Karam also believes that
you’ve done it, you’ll want to do it again and
this increased connectivity has fuelled the trend’s
again. The hardest thing about solo travel
popularity. “Trains are faster, planes are bigger
is making the decision to actually do it.”
166
M OJEH C u ltu r e
S l im ’ s
Gilded G
i
r
l
s
Words By Laura Beaney, Images courtesy of Slim Aarons and Getty Images
His lens lent itself to a gilded world that’s all but lost. MOJEH speaks to Slim Aarons’s former assistant, Laura Hawk, to discover the world of his women.
Wendy Vanderbilt Lehman, 1964
Canellopoulos, Athens, 1961
“We fought all over the world,” laughs Laura Hawk. “Walking down the Avenida Alvear in Buenos Aires, walking down a cobblestoned street in Patmos, Greece, driving through the Mont Blanc Tunnel connecting France and Italy...” The quarrels in question took place with none other than Slim Aarons, the celebrated society photographer who once
Lady Daphne Cameron, 1959
branded his life’s work as “photographing attractive people doing attractive things in attractive places”. In the year that would have seen Aarons turn 100, his winning formula finds focus once more in Hawk’s retrospective photobook, ‘Slim Aarons: Women’.
let a bad photo surface. He had a propensity for putting them at ease and
A spotlight shone onto the image-maker’s female muses from Kennedy
carried all of his equipment himself, including his film. “He loaded his own
to Monroe, the tome encapsulates their photographs, which are the fruit
film and unpacked and packed his own equipment,” says Hawk. Aarons
of the many fights that took place while Hawk was Aarons’s assistant.
was content with making the stars shine even more brightly. He captured
“His work habits were set in stone,” recalls Hawk, who was tasked with
his subjects relaxed in their own environment, with soft, natural lighting.
handling everything for Aarons from writing and problem-solving to on-
But, what was life like for Aarons’s women? His definitive photographs
set bouncer. For 10 days every other year, the pair would descend upon
that depict a nervous Monroe surrounded by fan mail or guests gathered
the watering holes where the glitterati gathered in Gstaad, St. Moritz,
around the Canellopoulos penthouse pool have been celebrated, and
Lyford, and Cay. Their routine at these locales remained meticulous and
endlessly. With an emphasis on pleasure, this almost fictional world
unaltered. “We arrived at the hotel, usually jet-lagged, and went to sleep
makes Aarons’s oeuvre an antidote to society’s fixation with raw reality.
for a couple of hours – no more!” Hawk smiles. “Then, we would wake
“Beautiful women often hold a fascination for many people,” muses Hawk
up from the sleep of the dead, have a quick snack in one of the public
on Aarons’s enduring appeal. “When you add a great name or background,
rooms of the hotel (always with the idea of seeing who is in town), and
a wonderful sense of style and sophistication, as many of his subjects
strike out on foot.” Their mission was to discover the latest haunts
had, it’s just a winning combination.”
for Aarons’s subjects and to see whom they might run into. “This was
Despite the exuberant exteriors as with life, at times, the cracks appeared.
Slim’s formula and it worked beautifully,” she recounts. Invariably, they
“I’ve been entranced by this photo from the first time I laid eyes on it,” says
would run into people Aarons knew, set up appointments and the story
Hawk when she looks to the shot of Lady Daphne Cameron, sprawled on a
would unfold from there.
tiger skin throw. “I find her to be quite sad, in the vein of some photos of
The history of photography has produced few image-makers that were
Marilyn Monroe over the years. Quite beautiful, but not terribly happy.”
able to move amongst elite circles as freely as Aarons did. Lending his
Fortunately, as Hawk recounts, Slim was ‘quick to get over irritations’,
lens to Life, Town & Country and Holiday, Aarons documented a pristine
as was she. They moved beyond whatever the momentary slump was
luxury that was available to none but a privileged few. Through charm and
and continued to make the good life look great well into the ’80s. Much
charisma, he became a trusted member of an inner circle that included
has changed of the world that Aarons knew, yet his work still strikes a
royals, socialites, the ultra famous and the ultra wealthy. Their trust was
cord. Perhaps that’s the draw. He lets us in to a gilded and nostalgic
built, in part, due to the widespread knowledge that Aarons would never
world that’s no longer there.
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A rt is t in E x h i bit ion
UNTO L D S TOR I ES
Without hesitation, he embraces me. “I’m so delighted you were able to come,” he gushes. Born in Tehran in 1967, an 18-year-old Kohan was forced to flee his native country because of the armed conflict between
Los Angeles-based Iranian artist, Farzad Kohan, draws on his own experience of immigration, as well as that of others, in his latest body of thought-provoking artwork.
Iran and Iraq, which lasted from 1980 to 1988 and resulted in at least half a million casualties. “I was being drafted,” he reveals, “and I basically didn’t want to go to war. So, my family had me smuggled out of the country. I crossed borders illegally and ended up in Sweden, where I became a refugee.” Although he had a brother who was already living there, a vulnerable Kohan had no choice but to complete his “unexpected and crazy” odyssey alone. “I’m the only one from that group of people – there were about 19 of us escaping – who didn’t get caught.” In the early Nineties, Kohan moved to
It’s a relatively cool weekday evening during
California where he trained as a sculptor
Dubai Watch Week, and the city’s financial
and currently resides with his teenage
district, commonly known as DIFC, is
daughter. “I look at my daughter and other
humming with the soft murmur of curious
kids who are roughly the age I was when I left
watch connoisseurs, as well as the pitter-
Tehran,” he reveals, “and I think about what
patter of businessmen and women, who
I had to go through. I look at the differences
are roaming the dimly lit courtyards that
and how time has changed, particularly
are lined with art exhibits. It’s my first visit
because of technology.” He steadfastly
to Ayyam Gallery, which is renowned for
acknowledges, however, that modern-day
showcasing the best in Middle Eastern art,
migration, particularly in Europe and the
and I’m surprised when I locate it rather
Mediterranean, is proof that a refugee’s
quickly – my sense of direction usually
fortune has not improved. “It’s one of
abandons me in this part of town. Before
the main reasons why I started my latest
entering, I pause to examine the artwork
project,” he concedes, when discussing the
draped in the window. I had already seen
current crisis in Syria. “Migration has always
Farzad Kohan’s artwork online, but to see it
been a part of what I do because being a
in the flesh was something else altogether.
migrant dominates my life.”
Simple yet curiously complex swaths of
Kohan’s latest body of work, which is titled
canvas are weightily drenched in paint,
Migration Stories, tells the experiences of
which bleeds downward like mascara-
migrants who have resettled in the United
sodden tears. Kohan, dressed in a crisp
States or Europe. In some instances,
white shirt and jeans, is lounging in a
these stories are being told for the first
reclining chair at the gallery’s centre,
time. Kohan sourced these narratives using
surrounded by his own immersive creations.
social media, by asking friends, colleagues
I had spoken with him over the phone a
and acquaintances to summarise and share
week prior to our meeting. Based in Los
what defined the process of migration for
Angeles, he’s travelled to Dubai for the
them. “The entire thing [project] became
exhibition’s opening. His jovial smile is all-
a learning experience for me,” he reveals.
encompassing, stretching from ear to ear.
“You have to understand that not everyone
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is comfortable with sharing personal stories
Using a projector, Kohan carefully paints
and not everybody I spoke to had told their
the text onto the canvas, after accumulating
story before. They’d kept it a secret or had
countless thin layers of paint that weeps
only told a few people. Then I suddenly
into the canvas. Multigenerational and
show up and tell them I want to paint their
from diverse communities, his respondents
story. It’s intimidating.”
represent a cross-section of today’s ever-
Some of his subjects responded with partial
increasing migrant population, and through
memories of leaving home as children, while
Migration Stories they are able to disclose
others offered harrowing accounts of fleeing
their experiences without revealing their
due to political persecution or the outbreak
identities. The difficulties of assimilation
of war. “I spoke to this girl from Australia,”
are further characterised by Kohan’s use
he says. “She was a victim of domestic
of oil and water-based paints that separate
violence and that’s why she escaped. In
upon contact. He attempts to unify these
the end, what she escaped from killed her
two paints, an apt metaphor for a migrant’s
father. As a result, she became an advocate
struggle to integrate into broader society.
for people like herself.” Kohan’s optimism is
“I carry around their stories with me,” he
inspiring. “She went through a dark period,
admits. “These stories, they are not just
but she tur ned a negative story into a
paintings. They are somebody’s life. It’s
positive.” This is frequently portrayed in his
in front of me and I am responsible for
use of paint, which in several artworks starts
that, I’m responsible for bringing it out in
off ominously dark, before brightening. His
the best way I can.” The vertical folded
biographical portraits almost always explore
canvases feature delicate creases that give
themes like love. “Love is the only way of
the impression that the artwork is a lost
surviving the madness of this world,” he
letter that’s been shared in secret or tucked
sighs, “even though it’s cheesy, it’s reality.
away for safekeeping. The soft material was
It’s the only way the world is going to
additionally chosen for practical reasons;
become a better place.”
it’s flexible and easy to fold, which is
He continues, “The kind of love I’m talking
essential for a migrant’s lifestyle. “When
about happens through the act of migration.
you’re a refugee, you need to be able to
It’s about acceptance, going through
pack things up quickly so you’re able to
hardships, gaining ground, and then losing
flee or quickly move on.”
things. It’s a constant game of gaining and
The notion of home is instrumental to
losing, but in the end this is what keep us
Kohan’s artwork. “Home is important.
strong as individuals.” After all, “migration
We all want to lead a happy life, we all
is nothing new,” he points out. “It’s just
want stability. When you’re a migrant, all
the stories that are new. It used to be my
those things change, because home isn’t
story, now it’s your story, and one day, it’ll
your home anymore. The concept of home
be someone else’s story.” Encapsulating a
changes.” Kohan admits that he no longer
refugee’s tale in only a few words, however,
considers Tehran his home. His own family
proved to be difficult. “I asked them to send
is dispersed around the world, which is
me two or three short sentences and they’d
far from uncommon for migrants. H e
send me closer to half a page,” he laughs,
speaks English, albeit with a Farsi accent,
before becoming serious. “They told me, ‘I
and strongly identifies as American. But
can’t put my life into a sentence for you.’
for Kohan, home is not where you live,
You have to respect that about people.”
but where the heart is. His overriding
Kohan’s text-based paintings are written in
message is one of “peace and unity”, he
American typewriter, a font he specifically
concludes with an encouraging smile.
chose to represent his Californian identity.
“I’m all about bringing people together.”
172
Behind The Scenes With Asmaa Al-Shabibi From hiking holidays to seeking inspiration in Dubai’s creative quarters, we discover what makes the Lawrie Shabibi gallery co-owner tick.
Images courtesy of Asmaa Al-Shabibi
M OJEH w o man
Lawrie Shabibi Gallery, Alserkal
Asmaa Al-Shabibi
Source Of Inspiration: Interior, art and travel magazines. Walking around Alserkal Avenue and chatting to the gallerists and other shop owners | Ultimate Vacation: I love hiking and holidays that involve nature (one of my favourite holidays was a summer in Whistler), and anywhere in Asia, where you can’t beat the culture, food and wonderful scenery | December Destination: This Christmas, we are heading to Vietnam, which I can’t wait for | The Best Way To Work Out: I have a road bike and cycle in Al Qudra or Nad Al Sheba during the winter months. I love yoga, swimming and walking. I am so over exercise classes with loud music! | Favourite Book: Love in the Time of Cholera by Gabriel García Márquez. I have read it five times | Favourite Song: “I Wanna Be Your Lover” – Prince. Still so fresh after all those years | Cheat Meal: Burgers and fries and a chocolate milkshake | Dish To Cook: I love tarts of all kinds | Healthy Snack: My homemade granola with yoghurt | Natural Beauty Hack: Argan oil – I use it daily everywhere! | Skincare Solution: Kiehl’s Microdermabrasion Exfoliator | Lipstick Shade: MAC’s Russian Red | Travel Tip: Don’t eat aeroplane food! Take ziplock bags with lots of nuts, seeds and dark chocolate, and a few bottles of water | Best Way To Start The Day: A swim or yoga class in the garden | Biggest Achievement of 2016: Buying a home and renovating it | Sleep Early or Stay Out Late? Sleep early | The Best Advice: Don’t believe what they tell you on the news
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F i n al N ote
Stark Future Whether it’s through an ultramodern shade or a space-age silhouette, futuristic pieces will add fun and edge to your new year’s wardrobe. Pair visionary pieces with solid separates for a wearable style.
Photographed by Rhys Simpson-Hopkins, styled by Sophie Pasztor
Top to bottom: Bag, M2MALLETIER at Harvey Nichols-Dubai | shoe, MARNI | clutch, ALEXANDER MCQUEEN at Harvey Nichols-Dubai