by
Patrick Friesen
Bent out of Shape Productions’
by
Beth charlie Daniela Graham Tomlinson Vlaskalic
Message fro m the Artistic Director
As I write this, thick snow is falling on the city. The skylights in our office have gone dark at noon, and the parking lot outside looks as if it’s filled with white buffaloes. It is only January, and already everyone talks of the coming flood. We measure the falling snow with our eyes, and imagine it melting, amazed that something so soft, so benign can be a threat. We are, if the truth be told, a little afraid. At times like this, we welcome a brief journey into the heart of someone else’s fear. Peter Neufeld is one of us, a Manitoba farmer who’s doubtless known snow and flood, but doesn’t immediately recognize a greater danger: his friends and neighbours. Playwright Patrick Friesen has set The Shunning in a place and time when community solidarity was essential for physical—and spiritual— survival, and anyone who rebelled needed to be brought back into the fold. Putting the fear of
Flood and fear come together as three brides face a watery end in The Drowning Girls, a mesmerizing true story that steals each bride’s giddy joy and replaces it with a fearful sisterhood. The play seems simple—three bathtubs, three white dresses and three women undone—but co-creators Beth Graham, Charlie Tomlinson and Daniela Vlaskalic have plumbed the complexity of the murders. They help us understand how all three women could have failed, like Peter Neufeld, to see the danger that lurked so near them, the rising tide lapping at their naked feet. Together, the plays are a kind of baptism for the audience, a cathartic immersion in tragedy that, paradoxically, quells our fears. We emerge from the theatre cleansed, purified, reborn, and we are reminded again that the theatre is a kind of temple, where entertainment and tragedy are pathways to enlightenment and transformation.
God into him, some might say. Yet Peter’s God has made each man different from the next, like
Yours always,
snowflakes, and the only way you can change a snowflake is by melting it.
feb/mar 2011
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M a n i to ba T h e at r e C e n t r e
Theatre Abbreviation Legend
Arts Club ATF ATP BAM Belfry Blyth Broadway CBC Citadel COC CS Dora GCTC Grand LKTYP Mirvish MTYP NAC Necessary Angel Neptune NFB NTS PTAM PTE Rainbow RNT Royal Alex RSC RWB Segal Shaw SIR SNAC Soulpepper Stratford TA Tarragon TC TNB Toronto Free TPM TSO TVO U of M U of T U of W VP West End WJT WSO
Arts Club Theatre Company, Vancouver BC Atlantic Theatre Festival, Wolfville NS Alberta Theatre Projects, Calgary AB Brooklyn Academy of Music, NYC The Belfry Theatre, Victoria BC Blyth Theatre Festival, Blyth ON New York Theatre District Canadian Broadcasting Corporation The Citadel Theatre, Edmonton AB Canadian Opera Company, Toronto ON The Canadian Stage Company, Toronto ON Dora Mavor Moore Award, Toronto ON The Great Canadian Theatre Company, Ottawa ON The Grand Theatre, London ON Lorraine Kimsa Theatre for Young People, Toronto ON Mirvish Productions, Toronto ON Manitoba Theatre for Young People, Winnipeg MB National Arts Centre, Ottawa ON Necessary Angel Theatre Company, Toronto ON Neptune Theatre, Halifax NS National Film Board of Canada National Theatre School of Canada, Montreal QC Popular Theatre Alliance of Manitoba, Winnipeg MB Prairie Theatre Exchange, Winnipeg MB Rainbow Stage, Winnipeg MB Royal National Theatre, London, England The Royal Alexandra Theatre, Toronto ON Royal Shakespeare Company, Stratford-upon-Avon, England Royal Winnipeg Ballet The Segal Centre for Performing Arts, Montreal QC Shaw Festival, Niagara-on-the-Lake ON Shakespeare in the Ruins, Winnipeg MB St. Norbert Arts Centre, Winnipeg MB Soulpepper Theatre Company, Toronto ON Stratford Festival, Stratford ON Theatre Aquarius, Hamilton ON Tarragon Theatre, Toronto ON Theatre Calgary, Calgary AB Theatre New Brunswick, Fredericton NB Toronto Free Theatre, Toronto ON Theatre Projects Manitoba, Winnipeg MB Toronto Symphony Orchestra TV Ontario University of Manitoba University of Toronto University of Winnipeg Vancouver Playhouse Theatre Company, Vancouver BC Theatre District, London, England Winnipeg Jewish Theatre Winnipeg Symphony Orchestra
Black
MTC gratefully acknowledges the support of all corporate and individual donors and foundations, and the assistance of: CMYK
With the generous support of the Manitoba Arts Council
Pantone
We acknowledge the support of the Canada Council for the Arts which last year invested $5.9 million in the arts in Manitoba.
Nous remercions de son soutien le Conseil des Arts du Canada, qui a investi 5,9 millions de dollars I’an dernier dans les arts au Manitoba.
Vol 18 No 4
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feb/mar 2011
Manitoba Theatre Centre 174 Market Avenue Winnipeg, Manitoba R3B 0P8 Box office: (204) 942-6537 Administration: (204) 956-1340 www.mtc.mb.ca For advertising inquiries tel: (204) 934-0309 e-mail: promo@mtc.mb.ca Printing: Premier Printing Ltd. Ovation is published six times per theatre season and has a total circulation of 115,000. MTC is a member of the Professional Association of Canadian Theatres and engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of the Canadian Actors’ Equity Association. Scenery, Carpentry and Show Running Crew at the John Hirsch Theatre at the MTC Mainstage and the Tom Hendry Theatre at the MTC Warehouse are members of IATSE Local 63.
Ushers | MTC’s loyal volunteer ushers are available at every performance to assist patrons. Latecomers | Latecomers will be seated at the discretion of the House Manager. Courtesy to others | Talking, candy wrappers and coughing are distracting to fellow patrons and actors. We ask each patron to please keep noise to a minimum during a performance. Thank you for your cooperation. Scents and Allergies | A number of MTC patrons have expressed concerns regarding medical reactions caused by scented products, so much so that they can’t enjoy the show. Please consider others before using items such as colognes, perfumes and hairspray. Your thoughtfulness is appreciated. Hearing enhancement | Sennheiser Infrared Listening Devices are available free of charge in the lobby at the John Hirsch and Tom Hendry Theatres, supplied by the MTC Volunteer Corps of Ushers Capital Campaign donation. Please see the House Manager for details. Prohibited | The use of cameras and recording devices is strictly prohibited. Pagers and cellular phones must be turned off. To be contacted in an emergency, leave your name and seat number with the House Manager. Warnings | On occasion, MTC’s productions may contain scriptspecific smoking of non-tobacco products, special effects and language/content warnings. For more information on specific productions, please visit www.mtc.mb.ca. Subscriber Membership | Any person in whose name season tickets for either the John Hirsch or Tom Hendry Theatres have been purchased shall be a member of the Centre for one year, commencing on the date payment has been received for that season’s tickets.
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RBC Dominion Securities Inc.* and Royal Bank of Canada are separate corporate entities which are affiliated. *MemberCanadian Investor Protection Fund. ŽRegistered trademark of Royal Bank of Canada. Used under licence. RBC Dominion Securities is a registered trademark of Royal Bank of Canada. Used under licence. ŠCopyright 2010. All rights reserved.
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setting the stage Mennonite religious and peasant heritage. But the story he told was a troubling one. Shunning is the ultimate form of punishment for Mennonites, reserved for serious misdemeanours and implicating the offender in severe social isolation within the community. There is a strong element of shaming involved in this practice, aimed at bringing the offender to repentance and forgiving re-integration into the community.
by Di Brandt
was first published as a narrative long poem by Turnstone Press in 1980. It was a startling and exhilarating book, widely celebrated for its innovative form, its bold dramatic gestures, punctuated by white space and unnerving gaps and silences, its gorgeous visceral poetry of horses and sun and flesh and dirt and blood. It was admired for the wrenching story it tells, of a man caught between the dictates of tradition and community and the truth of his own mind and heart. It was a dramatic book, an obvious candidate for theatrical production. For the Mennonites of Manitoba, a predominantly oral culture with a narrowly cohesive communal narrative and wish to remain apart from the modern mainstream, it was a shock to find themselves suddenly under critique in the bright light of contemporary Canadian poetry and theatre. Mennonites love poetry. It is a performancebased genre they understand and about which they care deeply. Most important events include poetic recitations of one kind or another, from formal church gatherings to family events. The poetry recited ranges from homespun satirical ballads to sacred verse to Goethe and Schiller. Drama is also a genre cherished and widely practiced in the community, from local skits in Plautdietsch at the village schoolhouse to full-scale Englishlanguage productions in rented halls. Patrick Friesen’s poetic drama vividly captured the Biblical and sensuous, earthy rhythms of the
1
Non-Mennonites are frequently horrified by this practice, particularly when it is used to enforce conformity of thought, speech and action within the community. For traditionalist communities with oral narrative identities and intentional community practices based to a large extent on oral agreements, “freedom of speech” is not an affordable luxury. Shunning, furthermore, is seen as a superior form of social enforcement, compared to more guilt-based and punitively minded practices, such as incarceration or capital punishment. (You will recall that Zacharias Kunuk’s 2001 award-winning feature film, Atanarjuat: The Fast Runner, set in a traditional Inuit village, ends with the exile of two young adult offending villagers, which re-establishes harmony in the community. In this story the offenders are sent away together to begin a new life. This is perhaps a less harsh alternative than being isolated within the community, as Peter Neufeld is in The Shunning. But there is perhaps also less hope of re-integration in the future.) Nevertheless, shunning is a harsh and painful practice, and there is considerable misgiving
2
photos courtesy of Prairie Theatre Exchange
the shunning among Mennonites about whether, indeed, it has been misused to suppress creativity, innovation and free-spiritedness, in ways that have been harmful to both individuals, their families and the larger community. As the pressures of assimilation to the mainstream have increased in the modern era due to the powerful influence of the electronic media, conformist pressures to preserve traditional ways have also increased, sometimes with tragic results.
October 10 to November 3, 1985. It was an electrifying and unforgettable performance for those fortunate enough to attend. The Shunning has, if anything, gained relevance to both the Mennonite community and to the larger cosmopolitan international community we all find ourselves in now, whatever our local affiliations and social practices. How wonderful that the Manitoba Theatre Centre has chosen to remount this important and insightful play this year.
All communities must ask themselves this question from time to time, whether the social practices that guarantee solidarity and security for the community are achieving their results in humane and acceptable ways, or whether, ironically, the community itself is being harmed by too-repressive conformist measures. It is a question modern nation-states are struggling with in very visible ways around the world at present, including Canada.
Fasten your seatbelts, or, rather, hold onto your horses—you’re in for quite a ride.
Di Brandt is an award-winning poet and critic, and holds a Canada Research Chair in Literature and Creative Writing at Brandon University.
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The Shunning was first produced as a play by Prairie Theatre Exchange, running from Photos from Prairie Theatre Exchange’s 1985 production of The Shunning: 1 Peter Smith as Peter Neufeld and Stephen Walsh as Reverend Loewen. 2 Peter Smith. 3 Stephen Walsh and Peter Smith. 4 Peter Smith as Peter and Maggie Nagle as his wife, Helen. 5 Robb Paterson—director of MTC’s 2011 production of The Shunning—as Johann Neufeld.
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5
curtain calls
the shunning writer. That was hard when self-conscious literary writing here in Manitoba pretty much began in his generation.” What one hears in Friesen’s work, including in The Shunning, is music. According to Mierau, Friesen “listened hard” to Bob Dylan and The Guess Who, as well as the cadences of the King James Bible, which played a large role in his youth. This is apparent in “Earth’s Crude Gravity,” where Friesen writes, “how shall I live well / in the body of my death?”—a question that could very well have been asked by Peter, the main character in The Shunning. The queries posed in Friesen’s work have no easy answers. While one wonders what is right and what is wrong, the theme that invades the subconscious is that the act of wondering is itself poetic. Patrick Friesen
by Tara Seel
“We worship everything, nothing is sacred” writes Patrick Friesen in “A Broken Bowl,” but to many, Friesen’s writing is nothing short of sacred. His pen has scratched a mark across the Canadian literary landscape, with work that is both lyrical and ambitious. Gord Shillingford of J. Gordon Shillingford Publishing, who published the latest edition of The Shunning, finds Friesen’s work imbued with a “lyrical toughness” that transcends the page, which is one reason The Shunning could shift from a long poem to a stage play.
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feb/mar 2011
It is no surprise, then, that Friesen has also collaborated with the theatre. The rhythms of his words make music on the stage. In The Shunning, Friesen does not hold anything back and creates an experience, for this play is not only about the story, which is a powerful tale, but about the mood and the act of creation. “The Shunning as a play is unusual in Canadian theatre for its range of language—moving between rhythmic and imagistic passages to more regular, unaccented prose,” says Mierau. Canadian literature nourishes itself on writers like Friesen, who refuse to be labelled and packed neatly into a genre. Friesen, the poet, the wordsmith, doesn’t fit any mold, just as his creation, Peter in The Shunning can’t conform, which makes this staging a beautiful experience of the essence of Friesen’s work.
To hear the author weave the tale of The Shunning, catch a brief reading by Patrick Friesen in the Shunning section of the MTC website under Videos/Extras. www.mtc.mb.ca
photo by Niko Friesen
Friesen is a Manitoba poet, in that he was born and raised in this province, but his poetry does not limit itself to these borders. “While his work is grounded in his experience, and hence his place, artistically he’s always seen himself as a world citizen,” explains Maurice Mierau, fellow poet and editor of TheWinnipegReview.com. “So he talked about Anna Akhmatova and Lorca, among others—he never saw himself as only a regional
Friesen is not satisfied with simply composing words—the sound is equally as important, and he reached across disciplines to entrench the lyrical quality in his poetry. “Patrick’s collaborations with artists from other disciplines were impressive and ambitious. Among others, he worked with choreographer Stephanie Ballard and did a number of remarkable recordings with the pianist/ composer Marilyn Lerner,” says Mierau. “These collaborations make him unique among poets in this region for his reaching across boundaries to the old sister-disciplines of poetry, especially dance and music.”
Calendar Girls, West End Cast. Photo by John Swannell.
next at
Based on the MiraMax Motion picture ‘calendar Written By
tiM Firth and Juliette toWhidi
presented By arranGeMent With
directed By MarTi Maraden
Girls’
david puGh & daFydd roGers starrinG
FiOna HigHeT FiOna reid
“The stage version of Calendar girls achieves the rare and pleasing feat of outstripping the film both in terms of heart and humour.” – london’s eveninG standard Based on a true story and the award-winning movie, a group of extraordinary women puzzle their husbands and embarrass their children after posing nude for what looks like a classic Women’s Institute calendar. After attracting global attention, the women end up revealing more than they ever planned. Warning discreet nudity a co-production With DaviD Mirvish (toronto)
previeWs Mar. 14, 15 & 16
learn MOre aT
March 17 – april 9
www.mtc.mb.ca
Steven Schipper, Artistic Director
Zaz Bajon, General Manager
Presents
by
Patrick Friesen February 10 – March 5, 2011
Director Set & Costume Designer Lighting Designer Composer/Sound Designer Assistant to the Director Stage Manager Assistant Stage Manager Apprentice Stage Manager
Robb Paterson Brian Perchaluk Larry Isacoff Danny Carroll Ben Wiebe Karyn Kumhyr Kathryn Ball Michael Duggan
The Cast (in alphabetical order)
Deacon Penner Johann Neufeld Reverend Loewen Helen Neufeld Peter Neufeld
Murray Farnell Kevin Klassen Rob McLaughlin Daria Puttaert Mike Shara
There will be one intermission.
adapted for the stage by patrick friesen from his book The Shunning (turnstone press, 1980), and premiered in 1985 at prairie theatre exchange, winnipeg. the playwright would like to dedicate this production to margaret sawatzky friesen. Thank you: Kevin Aichele, Lily Barg, Ted Barg, Hilary Carroll, Erika Engbrecht, Henry Engbrecht, Royden Loewen
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feb/mar 2011
ARTISTS
Murray Farnell
Rob McLaughlin
Deacon Penner
Reverend Loewen
MTC First appearance. OTHER THEATRE The Laramie Project (PTE); The Chip,
Bloodless: The Trial of Burke and Hare (White Rabbit Productions); Pirates of the North Saskatchewan (Celebrations Dinner Theatre); Paper Jack (Avatar Theatre). TV Voice actor/puppeteer for Lost Tales of the Brothers
Grimm (Sunburst Productions). TRAINING PTE@PTE, Adult Company, Film &
Television (PTE). ET CETERA Much love to my parents, to my wife and
best friend, Kathryn, and to all of my friends and family for all of their love and support.
MTC The Seafarer, Pride and Prejudice. Assistant to the Director: Fiddler on the Roof. OTHER THEATRE The Merry Wives of Windsor, Othello,
The Taming of the Shrew, A Midsummer Night’s Dream, As You Like It (SIR); Grand-Guignol On The Prairie (Echo Theatre); The Universal Wolf (No Sugar Added Productions); Blue Kettle (ChurchillFest 2010). FILM/TV Capote, Nobody, Something Beneath (movie of the week).
Daria Puttaert Helen Neufeld
Kevin Klassen Johann Neufeld
MTC Top Girls, Pride and Prejudice, Shakespeare’s Dog (with NAC), The Tempest, A Christmas Carol. OTHER THEATRE Strawberries in January, Unity (1918),
MTC White Christmas, It’s a Wonderful Life: A Radio Play, Bleeding Hearts, Our Town, The Tempest, A Christmas Carol, The Dresser, Feelgood (with GCTC), King Lear, Romeo and Juliet. OTHER THEATRE Grand-Guignol On The Prairie, The
Skriker, The Poet and the Rent, Jumpers, The Twits (Echo Theatre); Death of a Salesman (WJT); Peter Pan (Rainbow); Urinetown (Dry Cold Productions); Mesa (PTE); well over a dozen productions as a member of Shakespeare in the Ruins. FILM/TV New in Town, Elijah, Gavin Alcock, Niagara Motel.
Who Was That Masked Munsch? (PTE); Honour (PTE/ Belfry); Stretching Hide (TPM); Stripped Down Hamlet (SIR); Troilus and Cressida, Measure for Measure (TomTom Theatre); To the Country (Winnipegger Ensemble). FILM Zooey and Adam (Bed Bug Films). TRAINING Daria is a graduate of the University of
Winnipeg and the National Theatre School of Canada. ET CETERA Much love to Jamie.
Mike Shara Peter Neufeld
ET CETERA Go see Kevin in the Shakespeare in the
Ruins production of King Henry IV, Parts 1 and 2 this year in Assiniboine Park! Love always to Charlie. MTC It’s a Wonderful Life: A Radio Play, The Importance of Being Earnest, Long Day’s Journey into Night, Mating Dance of the Werewolf. OTHER THEATRE As You Like It, The Winter’s Tale,
For a full list of theatre abbreviations, please Refer to legend on page 4
Cyrano de Bergerac (Stratford); The Heiress, Arms and the Man, You Never Can Tell, Nothing Sacred, You Can’t Take It With You, The Doctor’s Dilemma, Picnic, Hobson’s Choice, Hay Fever, Candida, An Ideal Husband, feb/mar 2011
11
ARTISTS The Petrified Forest, Marsh Hay (Shaw); It’s a Wonderful Life: A Radio Play, Take Me Out (CS); An Inspector Calls (TC); Black Comedy, The Real Inspector Hound, The Way of the World, Our Town, Platonov, The Play’s the Thing (Soulpepper); Picasso at the Lapin Agile, Opening Night, The Two-Headed Roommate (TA); Mojo (Theatrefront); Richard III, A Man for All Seasons, The Cherry Orchard, Caesar and Cleopatra (Citadel); Skylight, Rutherford and Son (NAC).
Immigrant, The Tale of the Allergist’s Wife (WJT); Beauty and the Beast (2009, 2005), Peter Pan, The King and I, Big: The Musical, Footloose, Crazy for You, 42nd Street (Rainbow); Rick: The Rick Hansen Story, Seussical the Musical, Pippi Longstocking (MTYP). Acting credits include: Marvin’s Room (PTE); Oliver!, Angels in America (Centaur); Chicago, The Music Man, Fiddler on the Roof, Oklahoma!, Damn Yankees (Rainbow).
FILM/TV XIII: The Series, King (Global TV), The Gathering,
ET CETERA Robb has appeared in more than 150
Little Mosque on the Prairie, Due South, Queer as Folk, Mayday, F/X, Aldrich Ames: America Betrayed, The Naked City 2.
productions in Canada over the past 30 years.
Patrick Friesen
OTHER THEATRE Directing credits include: The
Brian Perchaluk Set & Costume Designer
Playwright
Patrick Friesen, a resident of Winnipeg for 30 years, now lives on Vancouver Island. He has published more than a dozen books of poetry, a book of essays, and has written numerous stage and radio plays. Friesen has collaborated with choreographers, dancers, dramatists, musicians and composers, including Per Brask, Margie Gillis, Stephanie Ballard, Big Dave McLean, Cate Friesen and Michael Matthews. He has also produced two spoken word/music CDs, in collaboration with improv pianist Marilyn Lerner. Friesen has been nominated for several awards, including the Governor General’s Award and the Dorothy Livesay Award; he won the McNally Robinson Award for poetry in 1996. Jumping in the Asylum, a book of poems, will be coming out in the fall of 2011 with Quattro Press in Toronto.
Robb Paterson Director
MTC More than 40 productions, including recent and favourites: After Miss Julie, Steel Magnolias, Educating Rita, The Boys in the Photograph (with Mirvish), Pride and Prejudice, Shakespeare’s Dog (with NAC), Our Town, Trying, My Fair Lady, The Lonesome West, To Kill a Mockingbird, Patience, Quills, Travels with My Aunt, Picasso at the Lapin Agile, Oleanna, M. Butterfly (with NAC), Morning’s at Seven, A Midsummer Night’s Dream, Filthy Rich. OTHER THEATRE Brian’s work has been featured at
theatres across the country, including two seasons each at the Shaw and Stratford Festivals. Selected recent credits include: Vimy (NAC/GCTC); Semele (Pacific Opera Victoria); Souvenirs, Bordertown Café, Lawrence and Holloman, Glorious (PTE); Transit of Venus (Manitoba Opera); The Light in the Piazza (Dry Cold Productions); King Lear, Fidelio (Atlantic Ballet Theatre of Canada). TRAINING Brian is a graduate of the National Theatre
School and the University of Winnipeg. ET CETERA Brian has received a Gemini Award for
production design and a Jessie Richardson Award for set design. He is a member of the Associated Designers of Canada. MTC Directing credits include: White Christmas, It’s a Wonderful Life: A Radio Play, Bleeding Hearts, Pride and Prejudice, Our Town, Rope’s End, Guys and Dolls (with TC/Citadel), Trying, My Fair Lady, Steel Magnolias, An Inspector Calls, The Retreat from Moscow (MTC); Chicago, Cabaret, Grease, Little Shop of Horrors, The Pajama Game (MBA/MTC). Acting credits include: Richard III, Lady, Be Good!, True West, Little Shop of Horrors, Romeo and Juliet, Hamlet, Billy Bishop Goes to War, A Christmas Carol – The Musical.
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Larry Isacoff Lighting Designer
MTC The Seafarer, Looking Back – West, Bleeding Hearts, Rope’s End, The Retreat from Moscow, Fully Committed, Mating Dance of the Werewolf, The Miracle
WORLD PREMIE ERE! Theatre Projects’ heart clappers to present Armin Wiebe’s lostijch comedy
MOONLIGHT SONATA The
of
by Armin Wiebe Directed by Kim McCaw Featuring: Tom Keenan, Eric Nyland, Tracy Penner and Daria Puttaert
April 7-17, 2011 Rachel Browne Theatre – 211 Bannatyne FOR INFO & TICKETS: www.theatreprojectsmanitoba.ca or call 204-989-2400. Armin Wiebe has won The McNally Robinson Book of the Year Award, the Prairie Fire Fiction contest and The Margaret Laurence Award for Fiction.
DRAMA
“Armin Wiebe does for Gutenthal…what Stephen Leacock did for Mariposa and its inhabitants. The results are similarly uproarious and touching, side-splittingly anarchic and wistful.” – Patrick Dunn for CM Magazine
The Moonlight Sonata of Beethoven Blatz Armin Wiebe
The Shunning Patrick Friesen
Available at McNally Robinson Booksellers
Thunderstick Kenneth T. Williams
ARTISTS Worker, Cloud Nine, Bedroom Farce, How I Got That Story, The Affections of May, Mrs. Klein, The Gin Game, Paper Wheat. OTHER THEATRE Globe Theatre, 25th Street Theatre,
Karyn Kumhyr Stage Manager
Winnipeg’s Contemporary Dancers, PTE, MTYP. ET CETERA Larry divides his time between engaging
theatre projects and teaching yoga.
Danny Carroll Composer/Sound Designer
MTC It’s a Wonderful Life: A Radio Play, Pride and Prejudice, Rope’s End, Over the Tavern, The Retreat from Moscow, The Tempest, A Christmas Carol, Trying. OTHER THEATRE Composer: Lenin’s Embalmers, Death
of a Salesman, Lebensraum, Einstein’s Gift, Via Dolorosa, Tales of the Allergist’s Wife (WJT); Having Hope at Home (PTE). Music Director: Company, Nine (Dry Cold Productions). TRAINING Bach. of Music Composition (U of M),
MTC Steel Magnolias, It’s a Wonderful Life: A Radio Play, Bleeding Hearts, Pride and Prejudice, Fiddler on the Roof, Our Town, The Tempest, Driving Miss Daisy, The History of Manitoba from the Beginning of Time to the Present in 45 Minutes. Assistant Stage Manager: A Christmas Carol, The Foreigner, Doc. Crew: The Gin Game, Thimblerig, A Moon for the Misbegotten, The Tempest (1981), Side by Side by Sondheim. OTHER THEATRE Rick: The Rick Hansen Story, Frog and
Toad, Invisible Girl, The Happy Prince (MTYP); The Savannah Disputation, The Fly Fisher’s Companion, Here on the Flight Path, Unity (1918) (PTE); Molière, The Beauty Queen of Leenane (ATP); The Woman in Black, The Gin Game (Valley Summer Theatre); Bump, Snow Dance (Ship’s Company Theatre); Urinetown (Dry Cold Productions); The Drawer Boy (ATF).
Master of Education (U of M).
Kathryn Ball
ET CETERA Danny is thrilled to be back at MTC and
Assistant Stage Manager
working with this talented cast and crew. Hugs to Laura and the girls. www.dannycarroll.ca
Benjamin Wiebe Assistant to the Director
MTC Steel Magnolias, Orpheus Descending, The Importance
of Being Earnest, Dreamgirls, Bad Dates. OTHER THEATRE The Nutcracker, Carmen: The Passion
MTC Pride and Prejudice. OTHER THEATRE Noises Off!, Miss Julie, Surrender
Dorothy, The Right Reason, Chopsticks, Archaeopteryx (Winnipeg Mennonite Theatre). Actor: The Long Christmas Dinner (WMT). Playwright: Notes from the Nuthouse (WMT). TRAINING Stratford Shakespeare Festival Directing
Workshop I and II.
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(RWB); Tosca, The Barber of Seville, Madama Butterfly, Il Trovatore (Manitoba Opera); The Full Monty, Forever Plaid (Rainbow); An Illustrated History of the Anishnabe (MTYP); To the Country (Winnipegger Ensemble); Bloodless: The Trial of Burke and Hare (White Rabbit Productions). TRAINING Theatre Production, Grant MacEwan College. ET CETERA Kathryn is thrilled to be working on this
production, and she hopes you enjoy the show!
Canadian Brass FRIDAY, FEBRUARY 25 I SATURDAY, FEBRUARY 26 I SUNDAY, FEBRUARY 27 I
8:00 PM 8:00 PM 2:00 PM
This pioneering quintet certainly has no shortage of past glories upon which to reflect, but they are way too busy for that. Whether rooted in classical, opera, jazz, or pop, they tackle their chosen compositions with a potent combination of enthusiasm, technical virtuosity and a charming sense of humour.
Tickets available at the Winnipeg Symphony Orchestra and all Ticketmaster outlets WSO Box Office
949-3999 www.wso.ca I
780-3333
The ManiToba TheaTre CenTre and The ManiToba bar assoCiaTion presenT The 2011 CoMMuniTy play
May 3 – 7, 2011 the tom hendry theatre at the mtc warehouse
TickeTs $95 on sale noW! Call 942-6537 CliCk www.mtc.mb.ca/gypsy
Generously sponsored by: wine sponsors:
reception sponsors:
Doowah Design Inc. Client: MTC Job no: 1684 insertion: Ovation 4 Gypsy ad / CMYk / 4.75” x 3.75”
ARTISTS
The ringing of a cell phone
Michael Duggan Apprentice Stage Manager
during a performance can be quite distracting for both actors onstage and audience members. did you know texting and vibrating phones can be equally disruptive?
MTC Brief Encounter (with VP), The Seafarer, Steel Magnolias.
in an effort to eliminate cell phone disruptions during performances, the manitoba theatre centre will make a donation to the actors’ fund of canada for every cell phone-free performance.
OTHER THEATRE The Barber of Seville (Manitoba
Opera); Fen, FemFest (Sarasvàti Productions); Billy Bishop Goes to War, Saint Joan, Habitat (Theatre by the River); Monsieur d’Eon is a Woman (U of W); Zombie Prom (Winnipeg Fringe Festival); Altar Boyz (Winnipeg Studio Theatre); The Late Show (White Rabbit Productions).
as of
tuesday, february 1
TRAINING Mike has recently finished his BA (Hons.) at
the U of W in theatre production/stage management.
we’ve had
ET CETERA Mike is happy to be back at MTC.
116 Photo by David Cooper, Shaw Festival
shows this season without a
RING, BUZZ BEEP or
ks to Many than ! nce our audie
directing debut this winter when she discovered she had cancer. Four weeks later, she married actor and long-time partner Tom Rooney, who’d been rehearsing The Seafarer with her at our Tom Hendry Theatre. Eleven days later, she died at the age of 50 in Toronto. MTC audiences will remember her best as an actor — a dark- haired beauty with brains and a throaty voice — in a series of leading roles. She played Constance Ledbelly, the gender-bending, time-travelling scholar-sleuth in Goodnight Desdemona (Good Morning Juliet), and Li’l Bit, the niece with irresistible physical and intellectual endowments in How I Learned to Drive. Most recently (and perhaps memorably), she played the grown-up Scout, narrating To Kill a Mockingbird from an onstage swing, looking like an angel in her crisp white shirt and well-scrubbed face. She was, as Constance Ledbelly said of Shakespeare’s Juliet, “the essence … of beauty that will never fade, / of passion that will never die.”
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feb/mar 2011
GreG ellwand in StronG PoiSon (2009/10). Photo by bruce Monk.
Gina Wilkinson was making her MTC
if you do brinG a cell into Pho ne or bee Per turn it the theatre, PleaSe ance orM Perf the off before you r cell beG inS. if you uSe Se Plea , Sion rMiS Phone at inte n it off reM eMb er to tur rinG nte re-e bef ore the the atr e.
Your MeMbers of the LegisLative asseMbLY continue to
Work hard for
the Arts flor marcelino
nancy allan
jennifer howard
MLA for st. vitAL
MLA for fort rouge
MLA for weLLington
237-8771 nallan-mla@shaw.ca
946-0272 fortrouge@mts.net
788-0800 wellington.constit@shaw.ca
theresa oswald
dave chomiak
MLA for seine river
MLA for KiLdonAn
kerri irvin-ross
MLA for fort gArry
255-7840 theresaoswald@mts.net
334-5060 kildonanmla@mts.net
475-9433 kerriirvinross@mts.net
diane mcgifford
chris melnick
peter bjornson
MLA for Lord roberts
MLA for rieL
MLA for giMLi
253-5162 christinemelnick@mts.net
642-4977 gimlimla@mts.net
452-4320 dianemc@mts.net
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setting the stage O r i g i n a l ly p u b l i s h e d i n T h e N e w Yo r k T i m es, M a r c h 1 9 1 5
Beatrice Mundy
Alice Burnham
Margaret Lofty
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LONDON, March 23.—George Joseph Smith was charged by Public Prosecutor Bodkin in the Bow Street Police Court today with murdering three of his wives, the crime in each case being committed shortly after he had married the woman. Each of these women was found dead in her bath. Consequently the case has come to be known as the “Brides in Baths” case. Smith has described himself as a man of independent means. According to the evidence of Scotland Yard, which has been inquiring into the deaths of these women, Smith
made use of various fictitious names in his matrimonial ventures. The women he married were found dead a few days after the ceremonies. Verdicts of accidental death were returned, but now some of the bodies have been exhumed, with the result that the charges of murder have been preferred. The Public Prosecutor gave the names of the three women and the dates of the alleged murders as Beatrice Mundy, July, 1912; Alice Burnham, December, 1913, and Margaret Lofty, December 1914.
the drowning girls Smith, according to the police, was born in London, the son of an insurance agent, and is 45 years of age. He was married, according to the evidence given at the preliminary hearing today, under the name John Lloyd, to Margaret Elizabeth Lofty at a registry office at Bath in December, 1914. The couple came to London the same day, and the next morning the bride was found dead in her bath, her husband calling in a doctor, who reported the matter, as a result of which an inquest was held. The jury brought in a verdict of accidental death. In February, information having reached the police that Lloyd was not the husband’s name, he was arrested and identified, the police say, as George Joseph Smith, who in November, 1913, had married at Portsmouth Miss Alice Burnham, who a month later also had been found dead in her bath. In this case, too, a Coroner’s Jury brought in a verdict of accidental death. The police also have had the body of another woman exhumed. This woman, who also died in her bath shortly after her marriage, at Herne Bay, was married to a man who gave the name of Henry Williams, and who is believed by the police to be George Joseph Smith. Prosecutor Bodkin said the accused had been married five times in
all. His first wife was Caroline Beatrice Thornhill, whom he married in 1898, and who was now on her way to London from Canada. “The prisoner will now be charged with the murder of the three of these five women,” Mr. Bodkin continued. “The case is remarkable for the greed for wealth which was the dominant motive in the taking of these three lives. We shall show that at the death of two of them £2,800 ($14,000) was obtained, and that the prisoner when arrested was in a fair way to obtain £700 ($3,500) more.” The Public Prosecutor related how Smith had ardently courted each woman and had obtained from each a will making him the sole legatee. “In the death of these three women precisely similar circumstances existed,” Mr. Bodkin went on. “Each was found in her bath; each died of drowning, and each was first discovered by the prisoner.” The prosecutor said he considered it remarkable that the prisoner had been able to face the Coroner’s Juries untrapped after each death, and that he should only at the last have been brought to court on a technicality regarding the use of a false name in an application for a marriage license.
Below: Handwritten note by George Joseph Smith to his counsel, Edward Marshall Hall, indicating that he did not wish to give evidence in his own defence.
George Joseph Smith
On July 1, 1915, George Joseph Smith was found guilty by a jury of his peers. The jury took a mere 20 minutes to decide Smith’s verdict. He was sentenced to death and hanged in Maidstone Gaol on August 13, 1915.
curtain calls
Taking a shower.
Sounds simple, right? Well, not if you’re onstage. You can’t have The Drowning Girls if you don’t have water, and getting water onstage is a tad tricky. There are so many considerations when integrating water into a production, and The Drowning Girls is no different. First, there’s actually running the water lines to the shower heads above the bathtubs, then the added weight of the water on the stage, the removal of the water
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feb/mar 2011
during and after the performance, the protection of the stage floor, and the matter of recognizing the actors appearing in this production are going to get soaking wet. Despite the myriad of concerns, MTC Warehouse Technical Director Rick MacPherson has it covered. “The three actors are in wedding dresses, and they’re in the tubs immediately. I think within the first five minutes of the show, they’re all wet. So the big challenge for this
the drowning girls show is the temperature in the theatre—because we’re doing it in February—and also (keeping the water) temperature constant for the three shower heads because the shower heads are operational during the show,” he explains.
All photos this spread by Cylla von Tiedemann
The water has to be kept warm, so the first order of business for the Warehouse crew was to check on the hot water tanks because hot water is not only a necessity for the stage, but for the Green Room, the dressing rooms and the washrooms. After determining the two large hot water tanks in the building were sufficient to run the show and the rest of the building, the next step was to actually get the water on stage. Many theatres do not have water easily accessible to the stage, but the Warehouse is equipped with two taps within easy reach. “As far as running the taps,” says MacPherson, “we’ll run a hose to a three-way splitter, and the three-way splitter will feed each of the shower heads. Each shower head has a chain, and the chains operate a lever. When the lever is pulled, water will come out.” When it came to the added weight of tubs full of water on the stage, MacPherson knew the stage could hold it. “Our deck is masonite plywood and then about three inches under that is concrete,” he says. The stage is protected with a pond liner that sits right on the stage floor. The removal of the water during and after the performance is a little more complicated. The Drowning Girls runs approximately 90 minutes, but the clean-up process keeps the production crew working long after the audience has left the theatre. After each performance, the crew uses little sump pumps and a shop-vac to drain all the water from the stage. After the water is drained, everything has to be thoroughly dried out so the humidity in the theatre is not affected. Not only the stage needs to be dried out, but the costumes as well, as the same dresses are used for every performance. The whole process is a well-oiled machine, making sure the show is top-notch for every audience.
Staying soaking wet in the afterlife: Natascha Girgis as Margaret, Beth Graham as Alice and Daniela Vlaskalic as Bessie in The Drowning Girls (above). Opposite: Girgis, Vlaskalic and Graham.
As Technical Director, MacPherson has to plan for any contingencies well in advance. Whether it be getting warm water on stage or timing the striking and hanging of lighting grids between shows, MacPherson has to consider a wide variety of factors when planning a production, even something as seemingly simple as snow removal. “For example, I’ve had to approach (snow-removal companies) and ask the guys to not clean the parking lot until after 10 pm during the duration of the run of The Drowning Girls because when you clean that parking lot with a loader, it shakes the building,” he chuckles. As you sit in the darkened theatre watching The Drowning Girls, enjoying the riveting performances given by the actors and the haunting tale they tell, MacPherson and his crew are waiting in the wings to make sure everything runs smoothly. After all, the show must go on.
For more behind-the-scenes magic, catch a peek at how these beautiful actors transform into the haunting dead brides in the Drowning Girls section of the MTC website under Videos/Extras. www.mtc.mb.ca feb/mar 2011
23
Steven Schipper, Artistic Director
Zaz Bajon, General Manager
Presents
bent out of shape productions’
by
Beth Graham, charlie tomlinson, daniela Vlaskalic February 24 – March 12, 2011
Director Set & Costume Designer Lighting Designer Sound Designer Stage Manager
Charlie Tomlinson Bretta Gerecke Narda McCarroll Peter Moller Cheryl Millikin
The Cast (in alphabetical order)
Margaret Natascha Girgis Alice Beth Graham Bessie Daniela Vlaskalic
The Drowning Girls runs approximately one hour and 15 minutes (no intermission).
bent out of shape productions acknowledges with gratitude their producing mentor eva cairns.
24
FEB/mar 2011
ARTISTS
Natascha Girgis
Daniela Vlaskalic
Margaret
Bessie/Co-creator
MTC Evita (with TC).
MTC First appearance.
OTHER THEATRE Selected: Communion, The Palace of
OTHER THEATRE The Drowning Girls (Tarragon, Gateway
the End, Life Skills (Theatre Network); The Trespassers (Belfry); The Drowning Girls (Canadian tour); Humble Boy (TC/Citadel); Love (Northern Light Theatre); Seussical the Musical, Blue Light, Picking Up Chekhov, Oliver Twist, The Stone Angel, Scary Stories, Mad Boy Chronicle, Oleanna, Two Weeks with the Queen (ATP); Counsellor-At-Law, Dangerous Corner, Sherlock Holmes (TC); Lion in the Streets (Sage Theatre); Amadeus, Macbeth (ATF); Blues in the Night, The Complete Works of William Shakespeare (abridged) (Lunchbox Theatre); Abundance, The Beggar’s Opera (Caravan Farm Theatre); Speak (Globe); The Barber of Seville (Persephone Theatre); Man of La Mancha (Royal Alex); Possible Worlds, Philanthropist (Theatre Junction); The Mystery of Edwin Drood (Vertigo Theatre); Beautiful Lake Winnipeg (Pleiades Theatre); The Last Resort, Nunsense II (Stage West Calgary); Lend Me a Tenor (Arts Club); Speaking in Tongues (Shadow Theatre).
Theatre, Belfry, Persephone Theatre, Citadel); Boston Marriage (Skeleton Key Theatre); Doubt, A Parable (CS); All’s Well That Ends Well, Hamlet, The Taming of the Shrew (Stratford); Vimy, Equus, Einstein’s Gift (Citadel); Arms and the Man (NAC/Citadel/VP); The Cripple of Inishmaan (TC); The Blue Light (Firehall Arts Centre); A Doll’s House (Persephone Theatre); Hippies and Bolsheviks, Picking Up Chekhov (ATP playRites ’06); Twelfth Night, Strawberries in January, The Red Priest (Globe). As a playwright, Daniela has collaborated with Beth Graham on several plays, including: Comrades, The Last Train, Mules, A Foolish Boy and The Unknown Woman.
Charlie Tomlinson Director/Co-creator
TRAINING Mount Royal College.
Beth Graham Alice/Co-creator
MTC First engagement. OTHER THEATRE Director: A Beautiful View, Hedwig
MTC Summer of My Amazing Luck. OTHER THEATRE Nevermore (Catalyst Theatre, Vertigo Theatre, NYC’s New Victory Theater, London’s Barbican Theatre, Luminato Festival, Magnetic North Festival); The Drowning Girls (ATP playRites Festival 2008, Tarragon, Gateway Theatre, Belfry, Persephone Theatre, Citadel); Strawberries in January (Globe); A Christmas Carol, Penelope vs. The Aliens (Citadel); The Blue Orphan (Catalyst Theatre, Edinburgh Fringe Festival, Glasgow’s Tron Theatre). Beth has co-written several plays with Daniela Vlaskalic, including: Comrades, A Foolish Boy, The Last Train and Mules. TRAINING Beth received her Bachelor of Fine Arts in
and the Angry Inch, The Shape of a Girl, The Anger in Ernest and Ernestine, Closer, Bash, Never Swim Alone, Cherry Docs, The Yalta Game, Jewel, Proof, The Shape of Things (c2c theatre); The Infinity Plays, Say Nothing Saw Wood, The Atom Station (Resource Centre for the Arts Theatre Company); The Innocence of Catherine Snow, The Nobleman’s Wedding, Salt-Water Moon, Jewel, Stars in the Sky Morning (Rising Tide Theatre); To the Wall, King o’ Fun (Andy Jones Productions). Actor (selected): Rising Tide Theatre, Wonderbolt Productions, Resource Centre for the Arts Theatre Company, c2c theatre (St. John’s); Catalyst Theatre, River City Shakespeare Theatre Company (Edmonton); Grand Theatre (London, Ontario); Theatre Passe Muraille, Nightwood Theatre, Theatre Smith-Gilmour (Toronto); Nakai Theatre (Whitehorse, Yukon).
acting from the University of Alberta, where she met Charlie and Daniela.
For a full list of theatre abbreviations, please Refer to legend on page 4
feb/mar 2011
25
ARTISTS
Bretta Gerecke
Narda McCarroll
Set & Costume Designer
Lighting Designer
MTC First engagement.
MTC First engagement.
OTHER THEATRE Bretta works extensively with
OTHER THEATRE Lighting Designer: As You Like It
Catalyst Theatre, the Citadel Theatre, the Canadian Stage Company, Factory Theatre, Edmonton Opera, Calgary Opera, Victoria Opera, Theatre Calgary and the Globe Theatre. TRAINING Bretta graduated from the U of M with a
Bachelor of Interior Design and from the University of Alberta with a Master of Fine Arts in Theatre Design. ET CETERA Bretta is the recipient of 20 Awards for
Outstanding Achievement in Set, Lighting and Costume Design, the Enbridge Award for Best Emerging Artist, The Global Women of Vision Award, Edmonton’s Top 40 Under 40, and was shortlisted twice for the Siminovitch Prize.
(Citadel); Shakespeare’s Dog (ATP); The Forbidden Phoenix (MTYP/ LKTYP/Citadel). Set & Lighting Designer: The 39 Steps (Vertigo Theatre). Set & Costume Designer: The Trespassers (Belfry/VP). Production Designer: Extinction Song, Vimy (with Bretta Gerecke), Shining City (Citadel); Mary’s Wedding, Apple (Workshop West Theatre). Costume Designer: Julius Caesar, The Pillowman (Citadel). Narda has designed costumes for Edmonton’s Freewill Shakespeare Festival for 12 seasons. ET CETERA Narda is the recipient of three Sterling
Awards and one Betty Mitchell Award. She would like to thank Beth and Daniela for the incredible experience of touring this wonderful, wet and wild production across the country. continued on page 28
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ARTISTS
Peter Moller
Cheryl Millikin
Sound Designer
Stage Manager
MTC Assistant Stage Manager: To Kill a Mockingbird (with Citadel), Of Mice and Men (with Citadel).
MTC First engagement. OTHER THEATRE Selected: The Forbidden Phoenix
(Citadel/LKTYP); When That I Was … (The Shakespeare Company); The Pillowman (Ground Zero Theatre); The Syringa Tree (ATP); Dream Machine, Mata Hari (One Yellow Rabbit Performance Theatre). ET CETERA Peter is a Calgary-based musician/
designer/performer. He has run Egg Press Co., a graphic and sound design establishment, forever. He is the recipient of a number of Betty Mitchell and Sterling Awards and nominations for his theatre sound designs. He plays and tours with Calgary’s Kris Demeanor and His Crack Band. A new CD of his music, The Responsibilities of Evolution, was released this year by Concrete Discs. Selections of his sound and graphic designs can be heard and seen at www.eggpress.ca.
be inspired
OTHER THEATRE Cheryl has been stage managing
shows across Canada and abroad for many years. Selected credits include: Extinction Song, Popcorn (Citadel); The Importance of Being Earnest (Citadel/ Grand); The Blue Light, My One and Only, The Red Priest, Mary’s Wedding, Apple (Workshop West Theatre); Get Away, The Leisure Society (ATP playRites Festival); Buddy, Alias Godot, Choke (Theatre Network); The Blue Orphan, Carmen Angel (Catalyst Theatre, Edinburgh, Glasgow, Cardiff and Adelaide); Thunderstick (Theatre Network/Persephone Theatre, Kamloops, Vancouver). Upcoming: Thunderstick at PTE in March/April 2011! FILM/TV Cheryl works regularly in the film, television and music industries. TRAINING Graduate of the National Theatre School
of Canada.
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Winnipeg Jewish Theatre presents
A wickedly tempting new comedy!
One of
OURS Written & Directed by Michael Nathanson
MARCH 31 to APRIL 10 THE BERNEY THEATRE, 123 DONCASTER STREET
TICKETS 477-7478
www.wjt.ca SET & LIGHTING DESIGN: Hugh Conacher COSTUME DESIGN: Janelle Regalbuto STAGE MANAGER: Ivory Seol FEATURING: Gwendolyn Collins, Aviva Hoffman, Adrian Marchuk, Dov Mickelson Warning: language, brief nudity.
SEASON SPONSORS:
The Gail Asper Family Foundation Inc.
WE GRATEFULLY ACKNOWLEDGE ALL OF OUR SPONSORS:
individual giving
“It’s not so easy to live apart.” – Peter Neufeld in The Shunning
It has always been important
FO
ERS’ D N U
MTC is blessed with a strong and dedicated community of actors, artisans, staff, volunteers, subscribers and donors. Within this collection of supporters is a passionate group of individuals called The Founders’ Circle. Established in 2009, The Founders’ Circle was set up to honour MTC Artistic Director Steven Schipper—with Ruth Abernethy’s Tom Hendry and John Hirsch statue, Imagine, MTC—extends the invitation to take a seat in the Founders’ Circle.
Making a planned gift is relatively easy and can take several forms:
CIRCLE
for individuals to be part of a community. For generations, we’ve gathered with family, friends and kindred spirits to celebrate special occasions, share common interests and accomplish collective goals. Similarly, we come together at the theatre to be entertained, challenged and inspired. In The Shunning, Peter Neufeld is deprived of this social interaction when he is isolated from his community.
and recognize those who make a planned gift to MTC. From modest beginnings, the Founders’ Circle has grown to 17 members: individuals committed to ensuring that great theatre and programming excellence are enjoyed by future generations of audiences and performers.
• A bequest in your will • Life insurance • Charitable gift annuity • Charitable remainder trust
You or your estate can potentially realize tax benefits from a planned gift as well. Talk to your financial advisor about possible tax savings.
photo by steve salnikowski, chroniccreative.com
In addition to his annual gift, past MTC Board Member Gordon Keatch has committed to a planned gift. He believes that, “MTC creates great community spirit and is an integral part of the local scene … and is deserving of the support each of us can give.” For MTC Artistic Director and Founders’ Circle member Steven Schipper, “MTC is where I have spent some of the happiest hours of my life, and I want future generations to find their own glorious moments here.” It was this kind of forward thinking that inspired MTC co-founders John Hirsch and Tom Hendry to create a professional theatre company 53 years ago as “a celebration of community, of the values which a society holds.” With the visionary support of Founders’ Circle members, their dream will live on for generations to come. We are all part of a greater community. Consider joining the Founders’ Circle by making a planned gift today. Information about our Planned Giving program and the Founders’ Circle is available in the lobby or from the MTC Development Office.
To make a planned gift or for more information, visit www.mtc.mb.ca or contact Garth in the Development Office at 956-1340 ext. 240.
Winnipeg culture on every corner
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DiD you know your ticket price only pays for half your seat? The other half is covered by grants, endowment income, sponsorships and individual donations. To continue offering exciting and innovative productions at accessible prices, we need your full support. DONATE TODAY!
Call 956-1340 | www.mtc.mb.ca
Supporting Partners MTC expresses sincere thanks to our major corporate and government sponsors.
Black
| SEASON PARTNERS |
CMYK
|
John Hirsch Theatre |
Babs & Gail Asper
| Tom Hendry Theatre |
Production co-Sponsors
|
production sponsor
Pantone
John Hirsch Theatre | Performance SPONSORS
WITH
|
theatre for young | audiences
|
wordplay |
| BACKSTAGE PASS: THEATRE | perspectives for STUDENTS
S T R O N G E R C O M M U N I T I E S T O G E T H E R TM
|
regional tour |
|
black & white |
| Community
play |
| Design
Sponsor
|
Gala Ball
|
2010
winnipeg fringe theatre festival |
2010 S T R O N G E R C O M M U N I T I E S T O G E T H E R TM
| StrindbergFest
|
calendar |
2011
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media sponsors |
Sponsor
feb/mar 2011
33
Behind the scen es Honorary Members
Accounting/Finance
Patron Services Office
His Honour, Lt. Governor Philip S. Lee The Honourable Greg Selinger, Premier of Manitoba His Worship, Mayor Sam Katz
Sharon Burden, Accounting Yvonne O’Connor, Accounting Shelley Stroski, Controller
Executive Officers
Administration
Gary Hannaford, FCA, Chair Gerry Couture, past chair Jim McLandress, Secretary,
Brian Adolph, IT Manager Zaz Bajon, General Manager Natascha Hainsworth, Outreach Coordinator Daphne MacMillan, Administrative Secretary Landin Marten, IT Assistant Debbie Neufeld, Reception/Marketing Assistant Alan Waite, Assistant General Manager
Laurie Fletcher, Patron Services Office Manager Melanie Sexton, Ticketing Services Director Jennifer Skelly, Tessitura Application Coordinator Patron Services Representatives: Katie Adamson, Sheena Baird, Natercia Doucet, Alana Odokeychuk, Michaela Porter, Ali Robson, Jessica Ross
chair, governance & Strategic planning
Patrick Green, Treasurer Kerry Dangerfield, chair, community relations Robert Eastwood, chair, resource development Shannon Ernst, Chair, Organizational Performance
Trustees David Carefoot David Christie Derrick Coupland Anthony C. Fletcher Debbie Gray Jeff Lamothe Bruce Leslie Michelle Weinberg Rod Woodcock Rick Workman Brenda Zaporzan
Advisory Council Lawrence Prout, Chair Gail Asper Morley Blankstein Doneta Brotchie Angus Campbell Albert D. Cohen Hy Dashevsky Glen Dyrda, FCA John F. Fraser Jean Giguere Charron Hamilton Yude Henteleff Ken Houssin Gordon Keatch Colin R. MacArthur, QC Patrick J. Matthews Claire W. Miller Jeffrey Morton, FCA Hon. Jack Murta Lillian Neaman Shelley Nimchonok Andrew Ogaranko, QC James Pappas John Petersmeyer Jeff Quinton Patricia Rabson Margaret Redmond Susan Skinner Al Snyder Maureen Watchorn
Artistic Jeff Kennedy, Wordplay Coordinator Laurie Lam, Producer Robb Paterson, Associate Artistic Director Steven Schipper, Artistic Director Melinda Tallin, Artistic Coordinator
Carpentry Louis Gagne, Layout Carpenter Chris Hadley, Scenic Carpenter Brent Letain, Master Carpenter Chris Seida, Scenic Carpenter
Communications Sue Caughlin, Marketing & Communications Manager Doowah Design, Design Bruce Monk, Photographer Brent Phillips, Director of Marketing & Communications Mark Saunders, Marketing & Communications Coordinator Tara Seel, Publicist/Web Editor
Development Kristine Betker, Director of Fund Development Garth Johnson, Major, individual & planned Giving Officer Michael Joyal, Development Assistant Stephanie Lambert, Special & Donor Events Coordinator
John Hirsch Theatre Front-of-House Deborah Gay-de Vries, Front-of-House Manager Sheena Baird, Assistant House Manager Jamie Chapman, Kim Cossette, Jenny Hall, Jonny Hall, Elfie Harvey, Heather Kennedy, Sherri Kostecki, Erica Lasker, Tia Levine, Rex McTavish, Robyn Milligan, Jessica Olson, Chris Pearce, Amariah Peterson, Angela Rajfur, Ray Strachan, Jennifer Schmidt, Caroline Shields, Cristin Sinclair, Kevin Stroski, Phyllis Van Drunen, Rita Vande Vyvere, Chelsea Zacharias, Derek Zorniak
Maintenance Andrew Drinnan, Building Superintendent Chris Fletcher, Assistant Building Superintendent
Paint Susan Groff, Head Scenic Artist Lawrence Van Went, Scenic Artist
34
feb/mar 2011
Production Laura Enns, Bookkeeper/Assistant Ian Kirk, Assistant to the Technical Director Laura Lindeblom, Assistant to the Production Manager Rick MacPherson, Technical Director, Tom Hendry Theatre Russell Martin, Production Manager Crystal L. Spicer, Technical Director, John Hirsch Theatre
Properties Larry Demedash, Senior Properties Builder Kari Hagness, Head of Properties Lorne Morriss, Properties Buyer James Sutherland, Properties Builder
Stage Crew John Bent Jr., Head of Sound Hart Greenberg, Head Carpenter Joan Lees-Miller, Head of Wardrobe Benjamin Ross, Head Electrician John Tomiuk, House Stage Hand
Tele-Sales Representative Sandra Rubin
Tom Hendry Theatre Nancy MacPherson, Stage Crew Rick MacPherson, Technical Director Alison Nutt, Head Carpenter Claude Robert, Head Electrician Michael Wright, Head of Sound
Tom Hendry Theatre Front-of-House Kim Cossette, Front-of-House Manager Phyllis Hildebrand, Pam Neal, Cristin Sinclair, Scott Tweedy
Wardrobe Thora Lamont, Cutter Lorraine O’Leary, Head of Wardrobe/Cutter Lois Powne, First Hand Jackie Van Winkle, Buyer/Accessories
Wigs Beverly Covert, Wigs & Makeup Supervisor
Winnipeg Fringe Theatre Festival & Master Playwright Festival Deborah Axelrod, Festival Director Samantha Harrison, Festival Assistant Chuck McEwen, Executive Producer
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