ROYAL MANITOBA THEATRE CENTRE
VOL 21 NO 2 | NOV/DEC 2013
BY
PHILIP GRECIAN BASED ON THE FILM BY
JEAN SHEPHERD, LEIGH BROWN & BOB CLARK
BY
TOM HENDRY WAREHOUSE SEASON SPONSOR
ALON NASHMAN PAUL THOMPSON AND
HIRSCH SPONSORED BY
Proudly continuing our family legacy of supporting the arts community that engages audiences today and inspires the artists of tomorrow.
MESSAGE FROM THE ARTISTIC DIRECTOR
At the recent wedding of a friend,
survived, alone and hungry, but never forgot the world
the minister read a passage
he’d left behind. He set out to
from the New Testament
recreate the wonders of his
with the line, “when I became
childhood in his adopted city
a man, I put away childish
of Winnipeg and, like Ralphie
things.” He made me glad I’m an artist for, in
with his BB gun, wouldn’t stop until he got what
some ways, we artists never put away childish
he wanted.
things. It would be like burning a treasure map, or shooting out the stars that light our way forward.
Thank goodness John Hirsch and Jean Shepherd never put away childish things. If Hirsch had, this
Look at Jean Shepherd, the creative force behind
theatre simply would not exist and our imagina-
A Christmas Story. He mined his childhood in
tions would not play across this stage. If Shepherd
Indiana, embellished it, and then shared it with
had, the Library of Congress wouldn’t have pre-
the world, turning something uniquely his into
served the film A Christmas Story for its “enduring
something universally ours. He makes us see
importance to American culture.” Not all of Hirsch
that the texture of youth – love and fear, play
and Shepherd’s childhood memories (or ours) are
and study, hope and despair – hasn’t really
pleasant. The bullies are always there, with yellow
changed since Shepherd was a boy in the ‘30s.
eyes or swastikas on their armbands. Yet the best
We recognize, in Ralphie’s quest for a Red Ryder
memories of childhood can feed our spirits and
BB gun, our own youthful longings for a seemingly
enrich the world around us.
unattainable object of desire, whether it was a bicycle, an Xbox, or even the girl next door.
Yours always,
Like Shepherd, John Hirsch never really left his Hungarian childhood behind. Its cultured magic (puppets and Schiller and dancing for Nijinsky) was shattered by the Nazis, who made him paint over the stars on the ceiling of his synagogue, before they destroyed the young boy’s family. Hirsch
NOV/DEC 2013
3
ROYAL MANITOBA THEATRE CENTRE
THEATRE ABBREVIATION LEGEND Arts Club Arts Club Theatre Company, Vancouver BC ATF Atlantic Theatre Festival, Wolfville NS ATP Alberta Theatre Projects, Calgary AB BAM Brooklyn Academy of Music, NYC Bard on the Beach Bard on the Beach Shakespeare Festival, Vancouver BC Belfry The Belfry Theatre, Victoria BC Blyth Blyth Theatre Festival, Blyth ON Broadway New York Theatre District CBC Canadian Broadcasting Corporation Centaur Centaur Theatre Company, Montreal QC Citadel The Citadel Theatre, Edmonton AB COC Canadian Opera Company, Toronto ON CS Canadian Stage, Toronto ON Dora Dora Mavor Moore Award, Toronto ON Drayton Drayton Entertainment, Ontario Dry Cold Dry Cold Productions, Winnipeg MB Factory Factory Theatre, Toronto ON GCTC The Great Canadian Theatre Company, Ottawa ON Grand The Grand Theatre, London ON Mirvish Mirvish Productions, Toronto ON MTYP Manitoba Theatre for Young People, Winnipeg MB NAC National Arts Centre, Ottawa ON Necessary Angel Necessary Angel Theatre Company, Toronto ON Neptune Neptune Theatre, Halifax NS NFB National Film Board of Canada NTS National Theatre School of Canada, Montreal QC Persephone Persephone Theatre, Saskatoon SK PTAM Popular Theatre Alliance of Manitoba, Winnipeg MB PTE Prairie Theatre Exchange, Winnipeg MB Rainbow Rainbow Stage, Winnipeg MB RNT Royal National Theatre, London, England Royal Alex The Royal Alexandra Theatre, Toronto ON RSC Royal Shakespeare Company, Stratford-upon-Avon, England RWB Royal Winnipeg Ballet Segal The Segal Centre for Performing Arts, Montreal QC Shaw Shaw Festival, Niagara-on-the-Lake ON SIR Shakespeare in the Ruins, Winnipeg MB SNAC St. Norbert Arts Centre, Winnipeg MB Soulpepper Soulpepper Theatre Company, Toronto ON Stratford Stratford Festival, Stratford ON SummerWorks SummerWorks Theatre Festival, Toronto ON TA Theatre Aquarius, Hamilton ON Tarragon Tarragon Theatre, Toronto ON TBTR Theatre By the River, Winnipeg MB TC Theatre Calgary, Calgary AB TNB Theatre New Brunswick, Fredericton NB Toronto Free Toronto Free Theatre, Toronto ON TPM Theatre Projects Manitoba, Winnipeg MB TSO Toronto Symphony Orchestra U of M University of Manitoba U of T University of Toronto U of W University of Winnipeg VP Vancouver Playhouse Theatre Company, Vancouver BC West End Theatre District, London, England WJT Winnipeg Jewish Theatre WSO Winnipeg Symphony Orchestra YPT Young People’s Theatre, Toronto ON MTC GRATEFULLY ACKNOWLEDGES THE SUPPORT OF ALL CORPORATE AND INDIVIDUAL DONORS AND FOUNDATIONS, AND THE ASSISTANCE OF:
We acknowledge the support of the Canada Council for the Arts, which last year invested $154 million to bring the arts to Canadians throughout the country.
With the generous support of the Manitoba Arts Council
With the generous support of the City of Winnipeg through the Winnipeg Arts Council
Nous remercions le Conseil des arts du Canada de son soutien. L’an dernier, le Conseil a investi 154 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays.
VOL 21 NO 2 | OCT/NOV 2013
ROYAL MANITOBA THEATRE CENTRE 174 MARKET AVENUE WINNIPEG, MANITOBA R3B 0P8 BOX OFFICE: 204-942-6537 ADMINISTRATION: 204-956-1340 www.mtc.mb.ca FOR ADVERTISING INQUIRIES TEL: 204-934-0309 EMAIL: promo@mtc.mb.ca PRINTING: PREMIER PRINTING LTD. OVATION IS PUBLISHED SIX TIMES PER THEATRE SEASON AND HAS A TOTAL CIRCULATION OF 115,000. MTC IS A MEMBER OF THE PROFESSIONAL ASSOCIATION OF CANADIAN THEATRES AND ENGAGES, UNDER THE TERMS OF THE CANADIAN THEATRE AGREEMENT, PROFESSIONAL ARTISTS WHO ARE MEMBERS OF THE CANADIAN ACTORS’ EQUITY ASSOCIATION. SCENERY, CARPENTRY AND SHOW RUNNING CREW AT THE JOHN HIRSCH MAINSTAGE AND THE TOM HENDRY WAREHOUSE ARE MEMBERS OF IATSE LOCAL 63.
Ushers | MTC’s loyal volunteer ushers are available at every performance to assist patrons. Latecomers | Latecomers will be seated at the discretion of the House Manager. Courtesy to others | Talking, candy wrappers and coughing are distracting to fellow patrons and actors. We ask each patron to please keep noise to a minimum during a performance. Thank you for your cooperation. Scents and Allergies | A number of MTC patrons have expressed concerns regarding medical reactions caused by scented products, so much so that they can’t enjoy the show. Please consider others before using items such as colognes, perfumes and hairspray. Your thoughtfulness is appreciated. Hearing enhancement | Sennheiser Infrared Listening Devices are available free of charge in the lobby at the John Hirsch and Tom Hendry Theatres, supplied by the MTC Volunteer Corps of Ushers Capital Campaign donation. Please see the House Manager for details. Prohibited | The use of cameras and recording devices is strictly prohibited. Pagers and cellular phones must be turned off. To be contacted in an emergency, leave your name and seat number with the House Manager. Warnings | On occasion, MTC’s productions may contain scriptspecific smoking of non-tobacco products, special effects and language/content warnings. For more information on specific productions, please visit www.mtc.mb.ca. Subscriber Membership | Any person in whose name season tickets for either the John Hirsch or Tom Hendry Theatres have been purchased shall be a member of the Centre for one year, commencing on the date payment has been received for that season’s tickets.
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SETTING THE STAGE Inspired by short stories and the movie of the same name, A Christmas Story is set in 1938 in the fictional town of Hohman, Indiana and is based on Jean Shepherd’s childhood recollections. It is a memory play that explores a child’s perspective on Christmas, family, friends and life in small town middleAmerica during the latter stages of the Great Depression. Because it is based on recollections of childhood, not only are the main characters children, but reality is seen through a child’s eyes. Adult Ralph, the narrator, tells the audience how young Ralphie felt at the time the events were happening as well as how he now sees these same events. Adult Ralph is able to find humour in the everyday adventures of an American family preparing to celebrate Christmas.
Glossary Air rifle/BB gun A replica rifle that uses air pressure to shoot small round pellets or BBs. Although an air rifle does not have enough air pressure to kill or seriously injure someone, you could shoot your eye out. Black Bart Full name Charles Earl Bowles, “Black Bart” was a notorious outlaw of the American Old West. In his fantasies, Ralphie uses his Red Ryder air rifle to defeat Black Bart and his gang. Decoder ring A device that allowed a person to encrypt or decipher a secret coded message. The decoder ring allowed Ralphie to participate in the adventures of his favourite radio show. GLOSSARY CONTINUED ON NEXT PAGE
AVERAGE PRICES OF 1940
1938 TRIVIA
MILK 34¢/gallon EGGS About 45¢/dozen BREAD 8¢/loaf POSTAGE STAMP 3¢ CAR $800 GASOLINE 18¢/gallon MOVIE TICKET About 24¢ HOUSE $6,550 AVERAGE ANNUAL SALARY $1,900 MINIMUM WAGE 30¢/hour (MINIMUM WAGE WAS FIRST ESTABLISHED IN 1938)
• Franklin D. Roosevelt was the President of the US from 1933 to 1945. • Orson Welles broadcast his radio play War of the Worlds on October 30, creating nation-wide panic as listeners believed aliens had landed in New Jersey. • US unemployment was at 19%. • George and Ladislav Biro invented the ballpoint pen.
A CHRISTMAS STORY Flit gun A hand-pumped bug-spray dispensing tool that dispenses “Flit,” a brand-name insecticide. Schwartz gets his father a Flit gun for Christmas.
THE RINGING OF A CELL PHONE DURING A PERFORMANCE CAN BE QUITE DISTRACTING FOR BOTH ACTORS ONSTAGE AND AUDIENCE MEMBERS. DID YOU KNOW TEXTING AND VIBRATING PHONES CAN BE EQUALLY DISRUPTIVE?
Galoshes Rubber boots worn in winter or in wet and muddy weather. Lincoln Logs A children’s toy consisting of miniature “logs” that can be linked in order to build log structures such as cabins. Ralphie considers Lincoln Logs an inferior Christmas present, especially compared to a BB gun.
IN AN EFFORT TO ELIMINATE CELL PHONE DISRUPTIONS DURING PERFORMANCES, THE ROYAL MANITOBA THEATRE CENTRE WILL MAKE A DONATION TO THE ACTORS’ FUND OF CANADA FOR EVERY CELL PHONE-FREE PERFORMANCE.
Little Orphan Annie A popular comic strip character during the 1930s. Little Orphan Annie’s adventures were turned into a 15-minute radio serial that aired in the 1930s and 1940s. Ralphie is a devoted listener of the radio show.
AS OF
SATURDAY, NOVEMBER 9
Lug nuts A nut or screw-on fastener that secures wheels to an automobile. Ralphie is told to hold onto the lug nuts while his father changes a tire on their car.
WE’VE HAD
Monsoon A heavy rain occurring seasonally in parts of Asia.
36
Ovaltine A usually chocolate-flavoured milk additive derived from malt syrup. Ovaltine is the sponsor of the Little Orphan Annie radio show.
SHOWS THIS SEASON WITHOUT A
Peacemaker Slang term for a gun, especially one used by a lawman defending the innocent from criminals. Ralphie refers to his gun as a “peacemaker” when imagining himself defeating outlaws.
RING, BUZZ BEEP OR
Red Ryder The title character from a 1930s comic book series. Red Ryder was known as “America’s Famous Fighting Cowboy” and carried a Winchester rifle with him at all times, although he shot to disarm rather than kill his targets. Ralphie wants a Red Ryder BB gun for Christmas to be just like his hero.
KS TO MANY THAN ! NCE OUR AUDIE
Zeppelin Another name for an airship or blimp. These flying machines used hot air or hydrogen contained in a balloon in order to stay aloft. Ralphie is getting his kid brother Randy a toy tin Zeppelin for Christmas.
GREG ELLWAND IN STRONG POISON (2009/10). PHOTO BY BRUCE MONK.
Simoniz A brand name line of automobile products. In this case it refers to a product that is used to treat the exterior of a car to make it shine. Ralphie buys a family-size can of Simoniz as a Christmas present for his father.
IF YOU USE YOUR CELL PHONE AT INTERMISSION, TO PLEASE REMEMBER E TURN IT OFF BEFOR RE-ENTERING THE THEATRE.
SETTING THE STAGE
A CHRISTMAS STORY
Playwright’s Notes by Philip Grecian In the early 1970s Playboy magazine published Jean Shepherd’s short stories about his Indiana childhood. I loved them, but even better than that, my children loved them, and insisted upon them as bedtime stories. Shepherd’s stories did not appear in every issue, and so when one did (after months of waiting and disappointment), it was a family event. One evening, during the Christmas season of 1983, we decided to take the children to a film. There was a new one at the mall theatre about which we knew nothing; it was called A Christmas Story. We sat in the darkness as the coming attractions ended. The feature began, and these words appeared: “A film from the works of Jean Shepherd.” We jumped. Our Jean Shepherd? Yes! Our Jean Shepherd! There on the screen
were some of the stories we’d loved, woven together into a cinematic whole, narrated by Jean Shepherd! Our Jean Shepherd! As it turned out, everybody’s Jean Shepherd. A Christmas Story was an instant American Christmas classic. Sixteen years later, Dana Wolworth, my editor at Dramatic Publishing, asked me, “Have you ever seen the movie A Christmas Story? I think it’d make a great play.” By this time I owned the book, In God We Trust, All Others Pay Cash, which collected the stories that had been so much a part of our lives. I didn’t wait for the contracts to be signed, I began writing. I was three-quarters of the way through the first draft when all signatures were on the dotted lines. I could hardly wait for Shep (by this time I was referring to him by the nickname he preferred) to read the play. Two days later, Jean Shepherd died. I mourned his loss. We had never met, but he had helped me raise my children. He was an unbilled family member, a favourite uncle. He never got to read the play. That weighed heavily on me. But as I finished the first draft and moved on to the second, polished draft, I found myself asking more and more, “Would Shep do it this way? What would he think of this?” I read the original stories over and over again, trying to capture Jean Shepherd’s rhythms, the way he puts his words together. Sometimes, writing dialogue, I fancied that he stood over my shoulder, giving me pointers. Often, in my imagination, I heard that wonderful laugh of his when I made a scene work particularly well. So thank you to Dramatic Publishing, thank you, Dana, my friend and editor, and thank you, Jean Shepherd, the dear friend I never met. Ralphie Parker will ever continue in his quest for that Red Ryder 200-shot Carbine Action Range Model Air Rifle, on the printed page, on the screen and on countless stages. And you will live on.
gls_mtc_ovation_oct13.indd 1
13-10-24 3:32 PM
Bravo! Greg Selinger
Erin Selby
Nancy Allan
Theresa Oswald
Peter Bjornson
Flor Dave Marcelino Chomiak
MLA for St. Boniface MLA for Southdale Premier of Manitoba 204-253-3918 204-237-9247 ErinSelby.ca GregSelinger.ca
MLA for Seine River 204-255-7840 TheresaOswald.ca
MLA for Gimli 204-642-4977 1-866-253-0255 PeterBjornson.ca
MLA for St. Vital 204-237-8771 NancyAllan.ca
MLA for Logan 204-788-0800 FlorMarcelino.ca
Deanne Crothers
MLA for St. James 204-415-0883 DeanneCrothers.ca
MLA for Kildonan 204-334-5060 DaveChomiak.ca
Steven Schipper, ARTISTIC DIRECTOR
Camilla Holland, GENERAL MANAGER
PRESENTS
PLAY BY
PHILIP GRECIAN
A CHRISTMAS STORY
, BASED UPON © 1983 TURNER ENTERTAINMENT CO. DISTRIBUTED BY WARNER BROS. WRITTEN BY
JEAN SHEPHERD, LEIGH BROWN & BOB CLARK AND
IN GOD WE TRUST, ALL OTHERS PAY CASH BY JEAN SHEPHERD NOVEMBER 21 – DECEMBER 14, 2013 PREVIEWS | NOVEMBER 19 & 20
Director Set & Costume Designer Lighting Designer Sound Designer Fight Director
Assistant Director Stage Manager Assistant Stage Manager Apprentice Stage Manager Child Supervisor
Robb Paterson Brian Perchaluk Scott Henderson John Bent Jr. Jacqueline Loewen
Benjamin Wiebe Karyn Kumhyr Candace Maxwell Linsey Callaghan Kelly Wilson
THE CAST (IN ALPHABETICAL ORDER)
Mother Understudy – Ralphie/Randy/Flick Flick/Desperado 1 Understudy – Helen/Esther Jane Understudy – Scut/Schwartz Miss Shields/ Voice of Mrs. Schwartz Schwartz/Desperado 2 Ralphie Parker Scut Farkas/Black Bart
Sharon Bajer Omar Benson William Krovats Montana Lehmann Tyler Leighton Jennifer Lyon Tristan Mackid Ben McIntyre-Ridd Daniel McIntyre-Ridd
Ralph (as an Adult)/ Cowboy/Tree Lot Owner/ Delivery Man/ Voice of Neighbour/ Radio Announcer/ Goldblatt’s PA Voice Helen Weathers The Old Man/Santa Claus Esther Jane Alberry Randy
Rob McLaughlin
Meguire McRae-King Gordon Tanner Natalie Viebrock Mackenzie Wojcik
SETTING
Place: Hohman, Indiana Time: 1938
A Christmas Story is performed with one intermission. PRODUCED BY SPECIAL ARRANGEMENT WITH THE DRAMATIC PUBLISHING COMPANY OF WOODSTOCK, ILLINOIS
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NOV/DEC 2013
ARTISTS
Sharon Bajer
William Krovats
Mother
Flick/Desperado 1
MTC The Penelopiad, August: Osage County, Top Girls, Steel Magnolias, Humble Boy, Of Mice and Men (with Citadel), Six Degrees of Separation (with CS), Angels in America, The Good Sisters (Les Belles-Soeurs), Our Country’s Good, Romeo and Juliet (Theatre for Young Audiences production). OTHER THEATRE The Secret Mask, Here on the Flight
Path, Marion Bridge, Liar, Zadie’s Shoes, The Edible Woman, Walking on Water, Marvin’s Room, The Stone Angel (PTE); Urinetown, Company (Dry Cold); Molly’s Veil, Boeing-Boeing (Festival Antigonish); Footloose (Rainbow); The Weir (Belfry/Western Canada Theatre).
MTC First appearance. FILM Lead in What If (2011, NFB). TRAINING Manitoba Theatre for Young People. ET CETERA William is excited to be in his first
production at MTC. He would like to thank his family, friends and teachers. Also a special thanks to Leslee Silverman and MTYP.
Montana Lehmann Understudy – Helen/Esther Jane
TRAINING Studio 58, Michael Langham Workshop in
Classical Direction (two seasons, Stratford Festival). ET CETERA Sharon is the playwright of Molly’s Veil,
Burnin’ Love and Hersteria. Upcoming: Arkadina in The Seagull at the Tom Hendry Warehouse and Directing Artist-in-Residence at Rainbow Stage (2014 season). Thanks to my mother for looking after my own son while I mother my stage sons. Happy holidays, everyone!
Omar Benson Understudy – Ralphie/Randy/Flick
MTC First appearance. OTHER THEATRE The Nutcracker – 2008, 2009 (RWB);
Joseph and the Amazing Technicolor Dreamcoat (Rainbow). FILM/TV Bunks (Disney XD), Cry/Fly, National Curling
Association commercial. TRAINING RWB, MTYP, Spirited Music, Talent Inc.
Canada, Expressions Studio.
MTC First appearance. OTHER THEATRE Sunday in the Park with George
(Gallery Works/SondheimFest 2013); The House at Pooh Corner (MTYP); Strike! The Musical (Danny Shur/MTYP 2009, 2010); Honk! (MTYP). FILM/TV Voice work for radio, including commercials for HUB Insurance, Recycle Everywhere and the Manitoba Children’s Museum; Tayo the Little Bus (animated series). Various independent films and appearances as an extra in major movie and TV productions. TRAINING/TEACHING Teacher assistant at MTYP; PTE Young Company; Canadian Conservatory Voice (six years) and Theory (three years); Randolph Academy Master Class 2013; RWB Dance Intensive; MTYP. ET CETERA Winnipeg Music Festival’s Rainbow
Stage Trophy Award and Scholarship winner, 2010; Manitoba Children’s Museum Great Friends to Kids Award recipient, 2010. Montana is very excited and proud to be working with such a wonderful cast and crew on this classic winter tale.
FOR A FULL LIST OF THEATRE ABBREVIATIONS, PLEASE REFER TO LEGEND ON PAGE 4
NOV/DEC 2013
11
ARTISTS
Tyler Leighton
Tristan Mackid
Understudy – Scut/Schwartz
Schwartz/Desperado 2
MTC First appearance.
MTC First appearance.
OTHER THEATRE Peter Pan, Joseph and the Amazing
OTHER THEATRE The House at Pooh Corner (MTYP);
Technicolor Dreamcoat (Rainbow); 13: The Musical (Winnipeg Studio Theatre); Gypsy (MTC/MBA Lawyers Play); The 25th Annual Putnam County Spelling Bee, Willy Wonka and the Chocolate Factory, Joseph and the Amazing Technicolor Dreamcoat (Edmund Partridge School). FILM/TV An American Girl: McKenna Shoots for the
Stars, Bunks (Disney XD). TRAINING Dance: Ken Peters Dance Express (seven
years); Theatre & Voice: Brenda Gorlick through Winnipeg Studio Theatre.
The Who’s Tommy – Winnipeg Fringe, Joseph and the Amazing Technicolor Dreamcoat (Winnipeg Broadway Theatre); My Son Pinocchio, The Music Man (St. James School Division Musical Theatre). TV Bunks (Disney XD). TRAINING MTYP. ET CETERA Tristan will also be featured in the upcom-
ing animated film Santa’s Apprentice 2. He would like to thank his parents and his little brother Sawyer… who always claps the loudest.
ET CETERA Tyler would like to thank Robbie for this
Ben McIntyre-Ridd
opportunity, as well as his family for their support.
Ralphie Parker
Jennifer Lyon Miss Shields/ Voice of Mrs. Schwartz MTC First appearance. OTHER THEATRE As You Like It, The Tempest (Knavish MTC The Penelopiad, Next to Normal, White Christmas, Pride and Prejudice, Guys and Dolls (with TC/Citadel), My Fair Lady, A Christmas Carol – The Musical, Steel Magnolias (1993). Assistant Director: The Fighting Days. OTHER THEATRE Selected: The Drowsy Chaperone
(Globe); Guys and Dolls (Talk Is Free Theatre); The Father (WJT); My Fair Lady (Arts Club); Skylight (TNB); I Love You, You’re Perfect, Now Change (PTE, Belfry); The Road to Hell, Communicating Doors (Persephone); Jacques Brel is Alive and Well and Living in Paris, Godspell (PTE); Hairspray, Footloose (Rainbow); Comet in Moominland (MTYP, YPT, Montreal, NYC); Camelot, Man of La Mancha, The Miracle Worker (Stratford); The Who’s Tommy (Elgin Theatre, Canadian Tour).
Hedgehog Productions, Winnipeg Fringe Festival); Raising Roger (getting there productions, Winnipeg Fringe Festival); Henry V, A Midsummer Night’s Dream, A Comedy of Errors, Twelfth Night, The Tempest (Such Stuff Players). TRAINING Voice: Melanie Whyte; Acting: Mariam
Bernstein, Susan Proctor, Jacquie Loewen; Screen: Lois Brothers; Piano: Tricia Reimer; Dance & Musical Theatre: RWB. ET CETERA Thank you to all my teachers! Thank you
to Robb and everybody involved at MTC for this great opportunity!
Daniel McIntyre-Ridd Scut Farkas/Black Bart
TRAINING York University BFA (Hons.) program
(theatre performance). ET CETERA Dedicated with love and gratitude
to all of my wonderful teachers at Oakenwald Elementary School.
MTC First appearance. OTHER THEATRE As You Like It, The Tempest (Knavish
Hedgehog Productions, Winnipeg Fringe Festival);
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NOV/DEC 2013
ARTISTS Henry V, A Midsummer Night’s Dream, The Comedy of Errors, Twelfth Night (Such Stuff Players). FILM/TV Sarah (Omand’s Creek Films). TRAINING Voice: Melanie Whyte; Acting: Mariam
Bernstein, B. Pat Burns (MTYP). ET CETERA Daniel would like to say a huge thank-you
to everyone who has ever acted with him, directed him or supported him in any way. Watch for Daniel in The Devil and Anton Chekhov as part of MTC’s upcoming Master Playwright Festival, and watch for Daniel, his brother Ben, and Meguire in Such Stuff Players’ performance of Cymbeline in April at the U of W Asper Centre for Theatre and Film.
OTHER THEATRE The Merry Wives of Windsor, Othello,
The Taming of the Shrew, A Midsummer Night’s Dream, As You Like It (SIR); Grand-Guignol On The Prairie (Echo Theatre); The Universal Wolf (No Sugar Added Productions); Blue Kettle (ChurchillFest 2010). FILM/TV Capote, Nobody, Something Beneath (movie of the week).
Meguire McRae-King Helen Weathers
Rob McLaughlin
MTC First appearance.
Ralph (as an Adult)/Cowboy/ Tree Lot Owner/Delivery Man/ Voice of Neighbour/ Radio Announcer/ Goldblatt’s PA Voice
OTHER THEATRE Henry V, A Midsummer Night’s Dream,
MTC Gone With the Wind, The Shunning, The Seafarer, Pride and Prejudice. Assistant to the Director: Fiddler on the Roof.
The Comedy of Errors, Twelfth Night (Such Stuff Players). TRAINING Voice/Violin: Zohreh Gervais; Acting:
Karen Ridd & Marilyn Firth, Such Stuff Players; Dance/Aerial/Acrobatics: Monica’s Danz Gym. ET CETERA Meguire would like to thank all of her
mentors, friends and family for their support. Watch for Meguire as Adele in MTC’s upcoming production of Jane Eyre!
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ARTISTS TRAINING Acting classes at MTYP and PTE.
Gordon Tanner
ET CETERA Mackenzie would like to thank his family,
The Old Man/Santa Claus
especially his father, for all the love and support.
Philip Grecian Playwright MTC Mrs. Warren’s Profession, in the next room or the vibrator play (with Tarragon), Calendar Girls (with Mirvish), White Christmas, It’s a Wonderful Life: A Radio Play, Strong Poison, Our Town, The Retreat from Moscow, Guys and Dolls (with TC/Citadel), A Christmas Carol, Much Ado About Nothing, The Winslow Boy (with TA), The History of Manitoba from the Beginning of Time to the Present in 45 Minutes. OTHER THEATRE Favourites include: Three Sisters, In
The Chamber, The Elmwood Visitation (TPM); Death of a Salesman, Lebensraum (WJT); Magical Mystery Munsch, Moonlight and Magnolias, Something Drastic (PTE); The Full Monty (Rainbow); Des Fraises en janvier, La Trappe (Le Cercle Molière); The Mousetrap (Segal); Paradise Lost (Adhere And Deny); Assassins (Dry Cold). ET CETERA Best wishes for a very merry Christmas
and a happy New Year!
Natalie Viebrock
Philip Grecian’s authorized stage adaptation of the film A Christmas Story is performed by over 100 professional and amateur companies annually. His adaptations of Dickens’ A Christmas Carol and his staged radio version of It’s a Wonderful Life (seen on MTC’s stage in 2009) are also popular seasonal productions. Grecian is an alumnus of the Creede Repertory Theatre in Colorado. Other stage works include The Dragon of Nitt, The Lion and the Lyre, In His Steps, Little Pills, Toby Saves the Farm, and a translation of Mozart’s opera The Magic Flute. His work has been produced throughout North America. Additionally, he has written numerous staged and televised radio scripts, including: Twisted Tales of Poe, The Hound of the Baskervilles, The Blood Countess, Frankenstein and Dracula, which won an Emmy in 2010.
Esther Jane Alberry
Jean Shepherd Author MTC First appearance. OTHER THEATRE Helena in A Midsummer Night’s
Dream (Queenston School). TV What’s Your News? (Nick Jr./CBC Kids). TRAINING MTYP, RWB (Winnipeg); YPT (Toronto). ET CETERA Big thanks to all my friends, teachers and
especially family for all your love and support!
Mackenzie Wojcik Randy
MTC First appearance. OTHER THEATRE Into the Woods (District Theatre
Collective/SondheimFest); The House at Pooh Corner (MTYP).
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NOV/DEC 2013
Jean Shepherd (1921-1999) was a master storyteller. He took bits and pieces from his own life to weave tales of the joy, humour, intrigue and angst of growing up. His youth in Hammond, Indiana and his adventures in the Army Signal Corps were both fertile sources for his tales. For almost three decades, he told these stories to eager radio audiences, in Cincinnati from 1950 to 1954 and on WOR in New York from 1956 to 1977. His producer at WOR, Leigh Brown, would later become his wife and collaborator, and help pen the screenplay – along with director Bob Clark – of his most popular and enduring work: the film A Christmas Story (1983). Shepherd, no stranger to performance, also narrated the film. Shepherd began his entertainment career in Chicago as a performer at the Goodman Theatre, later performing in nightclubs and revues in addition to his
ARTISTS radio broadcasts. In the 1970s he took his talents to television for PBS. He wrote articles for several magazines, including Playboy and Omni, and was an early contributor to The Village Voice. His books include The America of George Ade, In God We Trust, All Others Pay Cash, Wanda Hickey’s Night of Golden Memories and Other Disasters, The Ferrari in the Bedroom and A Fistful of Fig Newtons.
The Tale of the Allergist’s Wife (WJT); Beauty and the Beast (2005, 2009), Peter Pan, The King and I, Crazy for You, 42nd Street (Rainbow); Rick: The Rick Hansen Story, Seussical the Musical, Pippi Longstocking (MTYP). Other acting credits include roles at PTE, Centaur, Rainbow, WJT, Neptune, Vancouver Playhouse. ET CETERA Robb has appeared in more than 150 productions in Canada over the past 33 years.
Robb Paterson
Brian Perchaluk
Director
Set & Costume Designer
MTC Directing credits include: Miracle on South Division Street, Next to Normal, The Fighting Days, The Shunning, White Christmas, It’s a Wonderful Life: A Radio Play, Bleeding Hearts, Pride and Prejudice, Our Town, Trying, My Fair Lady, The Retreat from Moscow. Acting credits include: True West, Little Shop of Horrors, Hamlet, Billy Bishop Goes to War, A Christmas Carol – The Musical.
MTC Recent and favourites: Harvey, Other People’s Money, Miracle on South Division Street, August: Osage County, The Fighting Days, The Shunning, After Miss Julie, The Boys in the Photograph (with Mirvish), Pride and Prejudice, Our Town, Trying, My Fair Lady, The Lonesome West, To Kill a Mockingbird (with Citadel), Patience, Quills, Travels with My Aunt, Picasso at the Lapin Agile, Oleanna, M. Butterfly (with NAC).
OTHER THEATRE Directing credits include: The Drowsy
OTHER THEATRE Brian’s work has been featured at
Chaperone (Globe); Oliver! (Centaur); The Immigrant,
theatres across the country, including two seasons
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ARTISTS each at the Shaw and Stratford festivals. Selected recent credits include: The Drowsy Chaperone (Globe); Vimy (NAC/GCTC); To Kill a Mockingbird (TC); The Dishwashers, The Brink, Till It Hurts, The Secret Mask (PTE); Sweeney Todd, The Light in the Piazza (Dry Cold); King Lear, Fidelio (Atlantic Ballet Theatre of Canada); John & Beatrice (TPM); Spring Awakening (Winnipeg Studio Theatre); Les Disparus (Théâtre Vice Versa Theatre); Henry V (SIR).
in the Streets (Sage Theatre); Some Assembly Required (Northern Light Theatre). ET CETERA Two Betty Mitchell Awards (Grace, Lion in
the Streets). Member of IATSE Local 63 and the Eclub. Founding member of Eternal Rose Theatre.
Jacqueline Loewen Fight Director
Scott Henderson Lighting Designer MTC Fight Director: Gone With the Wind, August: Osage County, Romeo and Juliet, The Seafarer. Actor: Top Girls. Assistant Director: Other People’s Money. MTC More than 40 productions since 1995, including
Miracle on South Division Street, Next to Normal, The 39 Steps, White Christmas, Doubt, A Parable (with TC), Pride and Prejudice, Shakespeare’s Dog (with NAC), Humble Boy (Mainstage); Red (with Belfry), Top Girls, The Shape of Things, Closer, Poor Super Man (Warehouse). OTHER THEATRE Recent credits: The Best Brothers
OTHER THEATRE Selected fight directing: Tosca,
Carmen (Manitoba Opera); Macbeth, The Merry Wives of Windsor, The Taming of the Shrew (SIR); All Restaurant Fires Are Arson (PTE). TEACHING Jacqueline has taught stage combat at MTYP and PTE, and assistant taught at the U of W. ET CETERA Jacqueline is very pleased to be working
with both MTC and such fine performers.
(PTE); The Miser of Middlegate (zone41 theatre/ TPM). Scott has designed for opera, dance and theatre companies in Winnipeg and across Canada, including the Stratford and Shaw festivals.
Benjamin Wiebe Assistant Director
TRAINING Scott is a graduate of Ryerson Theatre
School and a member of the Associated Designers of Canada. ET CETERA Special thanks to Karen, Sean and Alex
for love and support.
MTC The Shunning, Pride and Prejudice. OTHER THEATRE Director: Noises Off!, Miss Julie,
John Bent Jr. Sound Designer
Surrender Dorothy, Chopsticks, The Long Christmas Dinner (Winnipeg Mennonite Theatre). Playwright: Notes from the Nuthouse, Chopsticks. TRAINING Stratford Shakespeare Festival Directing
Workshop I and II. ET CETERA Ben would like to gratefully acknowledge
support from the Winnipeg Arts Council. MTC More than 40 shows since ‘98, including Harvey,
Other People’s Money, Gone With the Wind, Miracle on South Division Street, Next to Normal, The 39 Steps, The Drowsy Chaperone (with TC), The Boys in the Photograph (with Mirvish), The Syringa Tree, Fiddler on the Roof, Over the Tavern, The Rocky Horror Show (with CS), Evita (with TC), Camelot (with TC/Citadel), King Lear, Wit.
Karyn Kumhyr Stage Manager
OTHER THEATRE The Shadowy Waters (Eternal Rose
Theatre); The Diary of Anne Frank (Segal/Neptune); The Search for Signs of Intelligent Life in the Universe, Keely and Du, The Heart as It Lived, Grace (ATP); Lion
16
NOV/DEC 2013
MTC Ed’s Garage, Next to Normal, The Shunning, Steel Magnolias, It’s a Wonderful Life: A Radio Play, Bleeding Hearts, Pride and Prejudice, Fiddler on the Roof, Our
ARTISTS Town, The Tempest, Driving Miss Daisy, The History of Manitoba from the Beginning of Time to the Present in 45 Minutes. Assistant Stage Manager: A Christmas Carol, The Foreigner, Doc. Crew: The Gin Game, Thimblerig, A Moon for the Misbegotten, The Tempest (1981), Side by Side by Sondheim.
TRAINING University of Winnipeg (Production &
Design); The Banff Centre. ET CETERA Candace is thrilled to be in the Christmas
spirit with this wonderful cast and crew. Love and thanks to my family and friends for putting up with this Christmas elf since October! Merry Christmas!
OTHER THEATRE Anne & Gilbert (The Guild, PEI);
Rick: The Rick Hansen Story, Frog and Toad, Invisible Girl, The Happy Prince (MTYP); Altar Boyz, The Secret Mask, The Fly Fisher’s Companion, Here on the Flight Path, Unity (1918) (PTE); Molière, The Beauty Queen of Leenane (ATP); The Woman in Black, The Gin Game (Valley Summer Theatre); Bump, Snow Dance (Ship’s Company Theatre); Urinetown (Dry Cold); The Drawer Boy (ATF).
Linsey Callaghan Apprentice Stage Manager
MTC First engagement.
Candace Maxwell Assistant Stage Manager
MTC The Fighting Days, The Boys in the Photograph (with
Mirvish), The Syringa Tree, Over the Tavern, Fiddler on the Roof, The Constant Wife, Driving Miss Daisy. OTHER THEATRE Pride and Prejudice (Banff Centre/
Citadel); Siren Song, The Tragedy of Carmen (Banff Centre); Aida, The Magic Flute, Carmen (Manitoba Opera); Aida, Tales of Hoffman (Edmonton Opera); Munscha Meeya, Bingo!, The Savannah Disputation (PTE).
TAKE A
PIECE OF
ONLY
20
$
OTHER THEATRE Production Assistant: Romeo and
Juliet, Fiddler on the Roof, The Three Musketeers, The Merchant of Venice (Stratford). Apprentice Stage Manager: Gifts of the Magi, Joseph and the Amazing Technicolor Dreamcoat (Chemainus Theatre Festival); Initiation Trilogy (Electric Theatre Company). Assistant Stage Manager: Gordon (SideMart Theatrical Grocery). TRAINING Production graduate 2012, National Theatre
School of Canada. ET CETERA Upcoming: Apprentice Stage Manager for
The Seagull at the Tom Hendry Warehouse.
HOME
WITH YOU! AVAILABLE AT THE CONCESSIONS & BOX OFFICE
TAX INCLUDED
5” LEG
LAMP NIGHT LIGHT
EDUCATION & OUTREACH
MTC’s partnership with the Winnipeg Public Library will immerse you in the world of the play. With events and resources to prepare you before seeing a show or to enrich your experience after the production, Play on Words is designed with you in mind!
Explore More
EXPLORE THE QUIRKY SIDE OF THE HOLIDAY
Christmas Curiosities: Odd, Dark, and Forgotten Christmas by John Grossman THE ORIGINAL STORIES
A Christmas Story by Jean Shepherd Gathers in one volume the stories that inspired the movie, which were previously published in separate collections. EXPLORE MORE CHRISTMAS LAUGHS
The Best Christmas Pageant Ever by Barbara Robinson The horrible Herdman kids hijack the Christmas pageant – and surprise everyone with their version. The original book for children has been adapted into both a play and a picture book.
The Dreaded Feast: Writers on Enduring the Holidays Edited by Michele Clarke & Taylor Plimpton Numerous contributors offer (at times, darkly) humorous musings on those parts of the holidays that don’t often make it into the storybooks.
Holidays on Ice by David Sedaris Hysterically funny essays on the difficulties of the holiday season, including the SantaLand Diaries, his unforgettable tale of what it’s like to be a Macy’s elf (not for kids!).
Scaredy Squirrel Prepares for Christmas by Mélanie Watt Everyone’s favourite neurotic squirrel prepares for Christmas in this fun children’s picture book.
The Shepherd, the Angel, and Walter the Christmas Miracle Dog by Dave Barry It’s 1960 in a small town, and drama and holiday miracles surround Doug Barnes, his family and the annual church Christmas pageant.
Surviving the Holidays with Lewis Black [DVD] A comedian’s take on staying sane during the holiday craziness.
18
NOV/DEC 2013
A revealing look into the little-known origins and forgotten traditions of Christmas past.
God Rest Ye Grumpy Scroogeymen: New Traditions for Comfort & Joy at Christmas by Laura Jensen Walker & Michael K. Walker A dose of practicality and insight for those looking for alternative ways to participate in the holiday season.
Christmas Miscellany: Everything You Always Wanted to Know About Christmas by Jonathan Green More trivia and facts about the most well-known Christmas symbols and customs, from stockings to reindeer to mistletoe.
mtc.mb.ca/PlayOnWords
Get a Leg Up this Christmas! Know someone who deserves a
Major Award? RetroFestive.ca is Canada’s #1 source for Leg Lamps, Moose Mugs and other memorable gifts from your favourite holiday movies. only at : Available in Canada
ANNUAL GIVING
What we want for Christmas “What I want for Christmas is a legendary official Red Ryder 200-Shot Carbine Action Range Model Air Rifle with a compass and this thing which tells time built right into the stock.” – Ralphie Parker Oh, how Ralphie Parker dreamed of that BB gun! He asked his parents; he asked Santa Claus; he wrote a persuasive school paper; and he stuffed the family mailbox with Red Ryder ads. But, alas, almost everyone told him, “You’ll shoot your eye out!” Here at the Royal Manitoba Theatre Centre there are many individuals, like Ralphie, who are also asking for a very special gift this holiday season. For example, here is the request from the folks who manage the budgets and who know too well that only half of MTC’s revenue comes from ticket sales: “What we want for Christmas are legendary, official and generous donations from loyal MTC patrons who value the arts and who wish to express their love for the theatre in a powerful and significant way.” On further checking, we discovered that others at MTC want the very same special gift for the holidays! People like: • The Outreach Department, who look forward to providing educational opportunities and discounted tickets for young people, as well as special events and programs such as the Talkback series, Play on Words and Backstage Pass; • Those who are taking Miracle on South Division Street on the Regional Tour to more than 25 communities in Manitoba and Northwestern Ontario; • The good folks who bring us the Master Playwright Festival and the Winnipeg Fringe Theatre Festival; • Artisans who build our wonderful sets, props and costumes; • Actors from near and far who bring to life over 250 performances annually on the John Hirsch and Tom Hendry stages. What a coincidence! And to think, all legendary, official and generous donors also get great benefits in return, depending on the level of their gift. *ALL FULL PRIORITY SUBSCRIPTION PACKAGES INCLUDE ONE FREE EXCHANGE FOR EACH PRODUCTION. A $5 PER TICKET SERVICE CHARGE FOR SAME-DAY EXCHANGES AND/OR UPGRADE CHARGES TO HIGHER-PRICED SEATING MAY APPLY. SORRY, EXCHANGES NOT AVAILABLE FOR AN ALTERNATE PLAY OR MISSED PERFORMANCE.
With a $75 donation to the Annual Fund, donors become Star Patrons and receive benefits at the Friend level, plus their ticket exchange fees will be waived for the 2013/14 season!* Also, as part of the 2013 federal budget, the First Time Donors Super Credit (FTDSC) gives first-time donors and those who have not claimed a charitable donation in the last five years an extra 25% on their tax credit for charitable gifts. The FTDSC is applicable to any single cash donation of up to $1,000 made by an individual or couple between now and 2017. Goodness, so many benefits for MTC and for our donors! And no one is going to warn us about shooting our eye out. But MTC’s 2013/14 season is so great, so exciting and so fabulous, it might just knock your socks off!
Donate by mail, phone or online at www.mtc.mb.ca. For more information, contact Garth in the Development Office at 204-956-1340 ext. 240.
Fresh adaptation breathes new life into Charlotte Brontë’s Jane Eyre “Literature, meet theatre.” – BOOK-IT THEATRE
JAN. 8 – FEB. 1
On the strength of literary classics such as Jane Eyre and Wuthering Heights, the Brontë sisters have a following that has reached near cult status, which is ironic considering how many of us can’t seem to keep them straight. Wuthering Heights – Emily. Agnes Grey – Anne. Jane Eyre – Charlotte. Thanks to its omnipresence on school curricula and book club lists, Jane Eyre has retained a storied place on the worldwide literary scene. Charlotte’s romantic novel has inspired a myriad of film, radio and stage adaptations, and even one fan website called ‘The Enthusiast’s Guide to Jane Eyre Adaptations’. For years, MTC had been searching for the perfect Jane Eyre for our audience and we knew we’d found it with Julie Beckman’s fresh and original adaptation for Seattle’s Book-It Theatre. Book-It Theatre’s mission is “to transform great literature into great theatre.” Their singular approach incorporates the novel’s original narrative without using a physical narrator. Instead, all the characters tell the story. The result is anything but a sleepy period piece. Needless to say, we’re thrilled to share our own production of Julie Beckman’s exciting adaptation with you.
25
TICKETS $ START AT
ON SALE NOW! CALL 204-942-6537 VISIT mtc.mb.ca
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Come stop for a tasty pizza
- before or after the show -
XTRY ONE OF OUR EMPANADAS
HOLDING A SPECIAL EVENT? CORRIENTES DOES CATERING!
SETTING THE STAGE
About
John Hirsch 1930–45 | Born in Hungary to a cultured, upper middle-class Jewish family. After the Nazi invasion of Hungary, he lived with his grandfather and other Jews in the Budapest ghetto and suffered greatly during the war years. His grandfather did not survive the war and Hirsch learned his mother and brother had perished in Auschwitz and the Nazis had executed his father.
1947 | Came to Canada with the help of the Canadian Jewish Congress. Hirsch insisted on Winnipeg because its geographical location made it feel safe from potential invasions. Arriving in Winnipeg, Hirsch was taken into the home of Alex (Sasha) and Pauline Shack. He remained close to the Shacks for the rest of his life.
1949 | Enrolled at the University of Manitoba and became an active member of the Winnipeg performing arts scene through the Winnipeg Little Theatre (WLT). He also toured a puppet show around Manitoba schools through the Children’s Theatre, and produced musicals for the newly established Rainbow Stage.
1953–57 | Established Muddiwater Puppet troupe and was hired by WLT as their first paid director/ manager. Directed William Saroyan’s The Time of Your Life (1953). He worked at CBC as one of Canada’s first television producers. Directed Jean Giraudoux’s The Enchanted (1954). In partnership with Tom Hendry, he formed Theatre 77 in the old Dominion Theatre, 77 footsteps from Portage and Main.
Opposite: Drawing by Sylvia Drake of John Hirsch directing The Dybbuk at the Mark Taper Forum, Los Angeles, 1975, from Journey Into Our Heritage: The Story of the Jewish Peaple in the Canadian West by Harry Gutkin, Lester & Orpen Dennys Publishers, 1980.
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1958–65 | Became founding artistic director of the Manitoba Theatre Centre, which was formed by the merger of Theatre 77 and WLT. MTC was the first professional regional theatre in Canada and became a model for similar theatres across North America. In MTC’s first seven seasons, he directed 31 plays, including Of Mice and Men (1959); Anastasia (1960); An Enemy of the People (1962); Pygmalion (1963); A Midsummer Night’s Dream (1964); Who’s Afraid of Virginia Woolf? (1965); and The Importance of Being Earnest (1965). He also directed numerous plays for Rainbow Stage and children’s theatre groups.
HIRSCH
1970–74 | Directed Brecht’s A 1965–66 | Directed Chekhov’s The Cherry Orchard at Stratford and became a resident director at Lincoln Center’s Vivian Beaumont Theatre in New York.
1967 | Directed a modern version of Richard III at Stratford. 1968 | Met Bryan Trottier, who became his partner for the rest of his life. Directed James Rainey’s Colours in the Dark, only the second Canadian play ever produced at Stratford, and won an Outer Critics’ Circle Award for his production of St. Joan at Lincoln Center.
Man’s a Man, the opening production at MTC’s new theatre. He also directed Orton’s What the Butler Saw in 1971 and his own version of The Dybbuk for MTC in 1974.
1974–78 | Served as Head of Television Drama in English for CBC.
1969 | Reaction to his production
1979-85 | Became Consulting Artistic Director of Seattle Repertory Theatre while also accepting Artistic Directorship of Stratford. During this time, he was a visiting lecturer at universities such as Yale, New York, Columbia and Southern Methodist.
of Petronius’ Satyricon caused him to leave Stratford.
1988–89 | While preparing
1971 | Won an Obie for Distinguished Direction of his off-Broadway production of Heathcoate Williams’ AC/DC.
a production of You Can’t Take It with You for Southern Methodist, he became ill and had to return to Toronto, where he died on August 1, 1989.
CURTAIN CALLS
HIRSCH Far left: Nashman channels Hirsch. PHOTO BY LEIF NORMAN Inset: Sybil Shack, Hirsch’s adoptive sister, left an heirloom at their house on Churchill Drive: a collection of matchbooks and a picture of her and Ma Shack, which has been passed from homeowner to homeowner. PHOTO BY CASEY SHAPIRA
at Yad Vashem. Paul went to a refugee camp in Aschau, Germany, where John Hirsch had set up a puppet theatre. We scoured archives in New York, Israel, Ottawa, Stratford and Winnipeg. Then there were the people we met. John affected umpteen lives and we had the privilege of speaking with many of these individuals, such as Len Cariou, Zoe Caldwell, Martha Henry, Tom Hendry, Roberta Maxwell, Brian Bedford, Maggie Smith and Gordon Pinsent. Stories about John abound, and every actor and colleague we spoke to had some illuminating memory, often inspiring and intimidating in equal measure.
In search of John Hirsch by Alon Nashman
IN A CHURCHILL DRIVE BUNGALOW,
where John Hirsch kept a basement bedroom until the day he died, Paul Thompson and I were shown a shoebox full of matchbooks. Not a single match in the vast collection had been struck. The matchbooks were souvenirs of John’s travels, part of a collection kept by his stepsister Sybil, a noted Winnipeg educator. New York, Istanbul, Budapest, Tel Aviv, Seattle, Montreal, Ottawa, theatres, hotels, restaurants, airlines, bowling alleys, political campaigns and gas stations were all represented. They formed pinpoints on the map of John’s life. Over the past five years, director Paul Thompson and I have travelled to many of those pinpoints in search of John Hirsch. We visited the home where he was born, in a Hungarian lakeside resort, and the puppet theatre in Budapest where he spent hours as a boy. Paul and I researched in Jerusalem where John’s UN refugee documents are stored
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Wherever we could we’d create scenes for the play, in particular the rehearsal hall at Stratford where John often worked. Paul would suggest a topic or a style, such as “try the Paris orphanage episode, but as done by Steve Martin,” and off I would go. My improvs were recorded and then massaged into script form. As much as possible, we would invite the spirit of John into the room with us. Certain scenes would stick, prove themselves to be theatrically piquant, and we’d keep them. In the North End, we met the family who now lives in John’s first Winnipeg home on Polson Avenue. Wonderfully friendly, active boosters of the community and local school, the youngest son walking proud with a snake around his neck, this family is like the buoyant brood at the heart of You Can’t Take It with You, the play John was directing in 1989 when he was diagnosed with AIDS. We could not help thinking that the house itself seemed imbued with the joyful spirit of the Shack family, who welcomed John into a new life in Winnipeg. These homes, on Churchill, Polson, and on the very stage of MTC, were a refuge for a lost and lonely, yet vibrantly creative young soul, who survived the horrors of the Holocaust and changed the course of Canadian culture. It is our great joy to bring him back home again.
We are proud to support the Royal Manitoba Theatre Centre and bring you the 2013/2014 season at the Tom Hendry Warehouse.
Registered trade-marks of Bank of Montreal.
速
Steven Schipper, ARTISTIC DIRECTOR
Camilla Holland, GENERAL MANAGER
PRESENTS
BY
ALON NASHMAN
AND
PAUL THOMPSON
PRODUCED BY THEATURTLE, RICHARD JORDAN PRODUCTIONS AND ELIZABETH BRADLEY ARTS ENTERPRISES (IN ASSOCIATION WITH THE PLEASANCE)
NOVEMBER 28 – DECEMBER 14, 2013 PREVIEW | NOVEMBER 27
Director Set & Costume Designer Lighting Designer Sound Designer Dramaturge Stage Manager Apprentice Stage Manager Research Assistant/Apprentice Stage Manager
Paul Thompson Gillian Gallow Itai Erdal Verne Good Bob White Lisa Nelson Suzie Martin Casey Shapira
THE CAST
John Hirsch Alon Nashman
Hirsch is performed without an intermission. GENEROUSLY SPONSORED BY
HIRSCH WAS ORIGINALLY COMMISSIONED AND THE WORLD PREMIERE WAS PRODUCED BY THE STRATFORD FESTIVAL DES MCANUFF, ARTISTIC DIRECTOR AND ANTONI CIMOLINO, EXECUTIVE DIRECTOR OPENING NIGHT: JULY 12, 2012 HIRSCH WAS DEVELOPED OUT OF EXTENSIVE RESEARCH AND GUIDED IMPROVISATIONS, MOST NOTABLY IN THE MAGIC ZONE OF THE TYRONE GUTHRIE REHEARSAL HALL AT THE FESTIVAL THEATRE, STRATFORD. GIL GARRETT SERVED AS SCRIBE AND COLLABORATOR IN THE EARLY WORKSHOPS. THANK YOU TO OTHER ARTISTS WHO PARTICIPATED IN THE DEVELOPMENT OF THIS PIECE: ROBERT BLACKER, SOO GARAY, RENATE HANSON, JULIA LEDERER, KEIRA LOUGHRAN, BOB WHITE SPECIAL THANKS TO THE FOLLOWING WHO GENEROUSLY SHARED THEIR PERSONAL MEMORIES OF JOHN HIRSCH: GRAHAM ABBEY EVIE ANDERSON ANNE ANGLIN LOUIS BAKO BRIAN BEDFORD JOHN BLUETHNER DOREEN BROWNSTONE ZOE CALDWELL DOUGLAS CAMPBELL LEN CARIOU RAY CONLOGUE VICTOR DAVIES MADONNA DECKER ELSIE DOUGLAS ROSEMARY DUNSMORE
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NOV/DEC 2013
DAVID EHRLICH COLM FEORE DEAN GABOURIE TOM HENDRY MARTHA HENRY PAUL HENTELEFF PETER HERRNDORF SPENCER & ROBYN HOLMES TIM & MONIKA HOOPER & FAMILY JOHN JARVIS MARY JOLLIFFE KATI KEMENY MARTIN KNELMAN ALAN LAING LILLIAN LEWIS
MARILYN LIGHTSTONE BRIAN MACDONALD MARTI MARADEN DR. FRANCESCA MARINI FRAIDIE MARTZ ROBERTA MAXWELL DES MCANUFF CATHERINE MCKEEHAN SEANA MCKENNA BILL NEEDLES LOUIS NEGIN RICHARD OUZOUNIAN CHARLES PACHTER GORDON PINSENT MILES POTTER
VIVIAN RAKOFF JUDITH RICHARDSON KATHLEEN RICHARDSON BRIAN RINTOUL JIM ROE DORA ROSENBAUM JAMES ROY RORY RUNNELLS STEVEN SCHIPPER MICHAL SCHONBERG DESMOND SCOTT MICHAEL SHAMATA PAUL SHAW DAVID SILCOX STANLEY SILVERMAN
GAIL SINGER REG SKENE CEDRIC SMITH R.H. THOMSON DAVID & PHYLLIS TODD BRYAN TROTTIER KEITH TURNBULL YAD VASHEM TWYLA WEIXL KENNETH WELSH ANDREW WILSON FRANK WINEFELD MOSES ZNAIMER
ARTISTS ET CETERA Instrumental in the formation of a group
Alon Nashman Playwright/John Hirsch
of companies creating Canadian plays across the country, such as Codco (Newfoundland), 25th Street (Saskatchewan) and Theatre Network (Alberta). Officer of the Order of Canada and recipient of the Governor General’s Lifetime Achievement Award in the Performing Arts.
MTC Advisor: Romeo and Juliet. Actor: None is Too Many.
Gillian Gallow
OTHER THEATRE Scorched – Dora nomination,
Set & Costume Designer
Remnants – Dora Award for Outstanding Production (Tarragon); Talley’s Folly, A Midsummer Night’s Dream (Resurgence Theatre); Hedda Gabler (Volcano); A Short History of Night, Reading Hebron (Factory); THIS – Toronto Theatre Critics Award 2013, Picasso at the Lapin Agile – Dora nomination (CS); Howl (Buddies in Bad Times/Threshold Theatre); If Jesus Met Nanabush (De-ba-jeh-mu-jig Theatre); The Wild Duck (Soulpepper). With the creation of Theaturtle, Alon has nurtured new work such as The Song (Dora nomination) and Kafka and Son (Outstanding Performance at Prague Fringe 2013, Brickenden Award, Dora nomination), which toured across Canada, to the National Theatre of Iceland and throughout Europe, Wajdi Mouawad’s Alphonse (Dora and Brickenden nominations) and The Snow Queen, developed with the Banff Centre for the Arts, which toured across Canada (Dora nominations). FILM/TV It Was You Charlie, The Newsroom, Cracked,
Slings and Arrows, Due South, Cinderella Man.
MTC Venus in Fur, God of Carnage (with VP), One Flew Over the Cuckoo’s Nest (costumes, with TC). OTHER THEATRE Costume Designer: The Three
Musketeers (Stratford); The Kite Runner (TC/ Citadel); Dust (ATP/Human Cargo); Awake and Sing! (Soulpepper); Pride and Prejudice, Cinderella (Grand). Set & Costume Designer: Hirsch (Stratford); King Lear, Thirsty (NAC); Night (Human Cargo/ NAC); Calendar Girls (Grand); Appetite (Volcano/ Theatre Passe Muraille). Set Designer: The Mill (Theatrefront). Upcoming: Mary Poppins (Citadel/ TC); The Red Priest (ATP). TRAINING York University, BFA. ET CETERA Gillian is the recipient of three Dora
Mavor Moore awards.
TRAINING Graduate of the National Theatre School
of Canada.
Itai Erdal
ET CETERA Alon is thrilled to bring this commemo-
Lighting Designer
ration of John Hirsch home to Winnipeg. www.alonnashman.com
Paul Thompson Playwright/Director
MTC First engagement. OTHER THEATRE Titus Andronicus, Elektra, The
MTC First engagement. OTHER THEATRE Co-founder and longtime Artistic
Director, Theatre Passe Muraille (Toronto). Implemented an approach to “writing” plays called collective creation – created more than 50 original Canadian plays, including The Farm Show, 1837, Maggie and Pierre and The West Show. TV Several of the above works for CBC and TVOntario. TEACHING Director General of the National Theatre School of Canada.
Best Brothers, Hirsch, Taking Shakespeare, The Thrill (Stratford); Vincent in Brixton, A Christmas Carol, Where the Blood Mixes (VP); Billy Bishop Goes to War, Intimate Apparel, She Stoops to Conquer (Arts Club); Sweeney Todd, Rick: The Rick Hansen Story (Citadel). ET CETERA Itai has won the Jack King award in
2005, a Dora Mavor Moore award in 2007, the Best Design award in the Dublin Fringe in 2008, Jessie Richardson awards in 2003, 2009 and 2011 and Victoria’s Critics’ Choice Spotlight Award in 2012. His one-man show How to Disappear Completely (The Chop), was produced in Vancouver and toured to Seattle, Victoria, Toronto, Portland and Stratford. It is scheduled to travel to Whitehorse, Halifax, Montreal and Albuquerque. He is the artistic director of The Elbow Theatre. www.itaierdal.com
FOR A FULL LIST OF THEATRE ABBREVIATIONS, PLEASE REFER TO LEGEND ON PAGE 4
NOV/DEC 2013
29
ARTISTS
Verne Good Sound Designer
(Prairie Scene Festival & Stage One English Festival/ WJT). Apprentice Stage Manager: Angels in America: Millennium Approaches, Way to Heaven, Sunday Father (WJT); The Moonlight Sonata of Beethoven Blatz (TPM); Hybrid Human (Wanda Koop: On the Edge of Experience/Winnipeg Art Gallery).
Suzie Martin
MTC Assistant Sound Designer: in the next room or
Apprentice Stage Manager
the vibrator play (with Tarragon). OTHER THEATRE In This World (Roseneath); Communion,
Was Spring (Tarragon); The Normal Heart (Studio 180); Free as Injuns (Native Earth); Alphonse (Theaturtle); Eurydice (The Theatre); The Epic of Gilgamesh (Groundwater Productions); Stockholm, The Red Queen Effect, Or, 9 Parts of Desire (Seventh Stage); Buried (Theatre Awakening); Assistant Sound Designer at the Stratford Festival for three seasons. Upcoming: Daniel MacIvor’s Bingo! at Factory Theatre.
Bob White Dramaturge
MTC Director: Clearances (1984). OTHER THEATRE Directed more than 75 productions,
most recently: Mary’s Wedding, Abraham Lincoln Goes to the Theatre (ATP); Cosi fan Tutte (Calgary Opera/Emerging Artists); The Clockmaker (Tarragon and ATP). Dramaturge: Taking Shakespeare, Hirsch, Hosanna, King of Thieves (Stratford). Artistic Director, Alberta Theatre Projects (1999-2009); Co-director, Banff Playwrights Colony (1997-2009); Artistic Director, Factory Theatre (1978-87).
MTC First engagement. OTHER THEATRE Apprentice Stage Manager: Angels
in America: Perestroika (WJT). Stage Manager: The Walworth Farce (Incompletely Strangled Theatre Co.); Sunday in the Park with George (Gallery Works/SondheimFest). Stage Manager/Assistant Director: The Universal Wolf (No Sugar Added Productions); The Story of a Sinking Man (Theatre Dirigible). Director: Feet of the Angels, Four Lives of Marie (readings for TPM’s Salon Series); Artichoke Heart, The Gas Heart (Theatre Outgrabe); Shabbat (WJT); Pariah (Fancy Bred Theatre/StrindbergFest). Assistant Director: North Main Gothic (TPM); The Winter’s Tale (Tom Tom Theatre). TRAINING University of Winnipeg. ET CETERA Next up, directing The Cherry Orchard for
Theatre by the River & Little Echo Theatre as part of ChekhovFest. Love to Dylan and Mom!
Casey Shapira Research Assistant/ Apprentice Stage Manager
ET CETERA He has received eight nominations and
three wins for Outstanding Direction at Calgary’s Betty Mitchell Awards. This past January, Bob was appointed Director of New Plays at the Stratford Festival after serving four seasons as a consulting director.
MTC First engagement. OTHER THEATRE Dramaturge: The Miser of Middlegate
Lisa Nelson Stage Manager
(TPM/zone 41 theatre); Transit Diaries (Humber Theatre/Chameleon Co-Op). Actor: June’s Window, Above the Empress of China (Theatre Anywhere); Thimblerig (MAP); Spinning You Home (Sarasvàti Productions); wasted on the young, Year 25 Vigil, The Backspace Project (Humber Theatre). TRAINING Graduate of Humber College’s theatre
MTC Apprentice Stage Manager: The Fighting Days. OTHER THEATRE Stage Manager: The Miser of Middlegate, Encore (TPM); Angels in America: Perestroika (WJT); Magical Mystery Munsch (PTE); Tough Case (MTYP); Henry V, Julius Caesar (SIR); Talk
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NOV/DEC 2013
conservatory program and the University of Winnipeg’s Department of Theatre and Film. ET CETERA Casey is entering her third year as the
Literary Apprentice in MTC’s Artistic Department. Special thanks to Mom, Dad, Stephen, Paul, Alon and Laurie. This one’s for the late Tom Hendry.
is proud to sponsor the ROYAL MANITOBA THEATRE CENTRE
production of
PRAIRIE THEATRE EXCHANGE
C A FirehAll Arts Centre produCtion H the songs of E L traCey power steve ChArles S E A January 22 - February 9 / 2014
leonard cohen ConCeived and direCted by
HOTEL
musiCal arrangements by
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photos: AdriAn Glynn, MArlene GinAder, steve ChArles, rAChel Aberle, lAuren bowler. photo by dAvid Cooper
$25
call (204) 942-5483
www.pte.mb.ca
ARTISTS
Elizabeth Bradley Arts Enterprises
Richard Jordan Productions Ltd.
Producer
Producer
Elizabeth Bradley is an educator, producer, festival founder and international arts consultant. After a 25-year career in the performing arts in her native Canada, notably working with John Hirsch during his tenure as artistic director at the Stratford Festival, she was recruited in 2001 to serve as Head of the School of Drama at Carnegie Mellon University, and subsequently as Chair of Drama at the Tisch School for the Arts, New York University, where she remains a professor. Recently Bradley returned to Stratford as senior artistic associate under Artistic Director Des McAnuff. Currently she is a strategic and creative consultant to Seattle’s Intiman Theatre, chair of the US Board of the National Theatre of Scotland, and on the advisory board of Bejing-based Ping Pong Productions. In August, after the opening of Hirsch in Edinburgh, she travelled to South Africa to teach “Artistic Entrepreneurship” at the Market Theatre to emerging and mid-career artists.
Richard Jordan Productions Ltd. is a UK and international Olivier- and Tony award-winning theatre production company. Since 1998, under the leadership of producer Richard Jordan, the company has produced over 180 productions in 18 different countries, including 56 world premieres. Described by The Stage newspaper as “one of the UK’s most prolific theatre producers,” Richard has been at the forefront of developing and presenting works by a diverse range of established and emerging writers and artists. Richard has previously produced Alon Nashman’s work in the award-winning plays Alphonse and Kafka and Son. In the UK his co-production of Roadkill received the 2012 Laurence Olivier Award for Outstanding Achievement at an Affiliate Theatre. In New York, his co-production of Christopher Durang’s new play Vanya and Sonia and Masha and Spike was the 2013 Tony Award winner for Best New Play and also the Drama Desk, Drama League, New York Critics and Outer Critic Circle Best New Play Awards. Richard is also a regular commentator on UK and international theatre for the BBC and a monthly
Doowah Design Inc. Client: MTC Job no: 3962
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ARTISTS columnist for the UK’s The Stage newspaper (www.thestage.co.uk/columns/mister-producer).
The Pleasance, Edinburgh Associate Producer Production Sponsor
The Asper Foundation is a private philanthropic organization that undertakes and develops major initiatives in the areas of Jewish charity as well as culture, education, community development and human rights locally, nationally and internationally. In 2008, it spearheaded the establishment of the Canadian Museum for Human Rights as a Canadian national museum, which will open September 20, 2014.
Acting classes for adults & teens Classes starting this January, including: Acting Just for Fun Film & TV Acting Musical Theatre For a complete list of upcoming classes and descriptions, visit pte.mb.ca or call 204.925.5253
PE MA RF KE EC S T TH GI E FT .
LEAVE A MARK
The Pleasance was founded by Christopher Richardson in 1985 to present, support and develop the very best talent at the world’s largest international Arts Festival, the Edinburgh Festival Fringe. In 1995, in order to continue developing the work it was supporting on the Fringe, the Pleasance built two theatres in Islington, North London. In 2004, Anthony Alderson took over the Directorship with the intention to develop artistic entrepreneurship and the opportunities the Pleasance platform offers artists and audiences alike by developing the touring platform, increasing the number of venues in Edinburgh, expanding the site in London, and exploring new art forms. With 26 performing spaces in Edinburgh and London, ranging from 50 to 800 seats, the Pleasance has been able to present artists at the pinnacle of their careers alongside those just beginning. www.pleasance.co.uk
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A GET E! AST T
AIR CANADA POPS SERIES
Natalie MacMaster FRIDAY, DECEMBER 13 SATURDAY, DECEMBER 14 SUNDAY, DECEMBER 15 > Julian Pellicano, conductor
I 8:00 PM I 8:00 PM I 2:00 PM
Natalie MacMaster, Cape Breton fiddler extraordinaire
Electrifying Cape Breton fiddling by a Canadian legend Pops Series Sponsor:
Tickets available at the Winnipeg Symphony Orchestra Box Office and all Ticketmaster outlets
204-949-3999 www.wso.ca I 1-855-985-ARTS Ticketmaster.ca
EDUCATION & OUTREACH
John Hirsch: Haunted by Dreams Wednesday, Dec. 4, 7:00pm | Cinematheque, 100 Arthur Street | www.winnipegcinematheque.com
BETWEEN THEN AND NOW: TWENTY YEARS OF THEATRE PROJECTS MANITOBA By Gordon Tanner, 2012, Canada, 16 min.
Made to celebrate Theatre Projects Manitoba’s 20th anniversary in 2010, this documentary explores the origins of the company and the critical role it plays in encouraging new growth in Winnipeg’s vibrant theatre ecosystem.
JOHN HIRSCH: PORTRAIT OF A MAN AND A THEATRE By Mort Ransen, 1965, Canada, 29 min.
This rarely-seen portrait of the MTC pioneer reflects his radical beliefs about what theatre means. John Hirsch’s infectious enthusiasm led to the creation of the Manitoba Theatre Centre. This film is about his passion for theatre and its contribution to the city of Winnipeg.
HIRSCH Dir. Noam Gonick, 2010, Canada, 11 min.
Noam Gonick’s Hirsch is a creative interpretation of Hirsch’s life with inventive set design and innovative visuals. As a teenaged World War II orphan, Hirsch came to Winnipeg from Europe, his only possession a suitcase puppet show. He became an agitator for culture on the Canadian prairies, co-founding the Manitoba Theatre Centre and going on to direct on New York’s Lincoln Center stage. He died in Toronto in 1989 at age 59 from complications due to AIDS.
proudly sponsoring MTC 204-783-9463 942 Portage Ave. • R3G 0R1 www.delucafinewines.com
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NOV/DEC 2013
PHOTOS COURTESY OF THE WINNIPEG FILM GROUP
One of the founders of the Manitoba Theatre Centre, John Hirsch was a pioneer in the Winnipeg theatre community for his outspoken views on developing drama and the need to take risks in presenting live theatre. In conjunction with Hirsch at the Tom Hendry Warehouse, the Winnipeg Film Group’s Cinematheque presents two films which speak to his legacy and one on the importance of the independent theatre group Theatre Projects Manitoba, which champions independent theatre in Winnipeg.
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Become a member of our donor family and attend special events, a dress rehearsal or meet a cast of actors at a private home reception.*
Make Your Gift todaY!
www.mtc.mb.ca OR CALL 204-956-1340 today! DONATE ONLINE AT
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Marina Stephenson Kerr as Nelli
e McClung in The Fighting Days.
photo by
Bruce Monk.
Join Us Today!
The Seagull reveals Anton Chekhov’s lighter side JAN. 22 – FEB. 8
“I’m fifty-five. It’s a bit LATE to change my life.” – DORN
Although he lived to only 44, Anton Chekhov left behind a serious body of work. Plays like The Seagull, Three Sisters and The Cherry Orchard and hundreds of short stories have stood the test of time. Chekhov counted stalwarts such as Leo Tolstoy, Vladimir Nabokov and Tennessee Williams among his admirers. Even his life outside of writing bore a certain gravitas. After a childhood Chekhov described as a “tyranny,” he trained as a medical doctor. Throughout his life, he remained a practicing physician, saying, “Medicine is my lawful wife and literature my mistress; when I get tired of one, I spend the night with the other.” While Anton Chekhov earned his lofty place among the pantheon of master playwrights for his dramatic prowess, his gift for comedy sometimes goes unheralded. During medical school, Chekhov supported his family by publishing comic short stories. His deft touch with comedy is evident in many of his short stories and plays, including The Seagull. MTC’s production of The Seagull won’t be your only chance to experience the range of Anton Chekhov’s work. The 14th Master Playwright Festival features 22 companies presenting stage and radio plays, readings, films and short stories. We encourage you to take a serious look.
TICKETS START AT $20 ON SALE NOW! CALL 204-942-6537 VISIT mtc.mb.ca
TOM HENDRY WAREHOUSE SEASON SPONSOR
PART OF
Experience fire in new Revo Series ways in nearly any room! Wall-hung Gas Fireplaces
• Only 7 inches deep • Projects as little as 4 inches into room • High efficient
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SUPPORTING PARTNERS
|
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SEASON PARTNERS |
TOM HENDRY WAREHOUSE | SEASON SPONSOR
|
PRODUCTION | SUPPORTER
JOHN HIRSCH MAINSTAGE |
|
PRODUCTION SPONSORS
The Gail Asper Family Foundation & The Babs Asper Fund of The Asper Foundation
|
TOM HENDRY WAREHOUSE |
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PRODUCTION SPONSORS
|
ARTSVEST |
|
Debbie Gray
JOHN HIRSCH MAINSTAGE PERFORMANCE SPONSORS |
THEATRE FOR YOUNG AUDIENCES |
|
WORDPLAY |
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BACKSTAGE PASS |
S T R O N G E R C O M M U N I T I E S T O G E T H E R TM
|
REGIONAL TOUR |
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2013
BLACK & WHITE | GALA BALL
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| CAPITAL ASSISTANCE | LAWYERS | PLAY
|
DESIGN | SPONSOR
WINNIPEG FRINGE THEATRE FESTIVAL |
S T R O N G E R C O M M U N I T I E S T O G E T H E R TM
|
SONDHEIMFEST 2013 |
|
MEDIA SPONSORS |
NOV/DEC 2013
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BEHIND THE SCENES HONORARY MEMBERS
ACCOUNTING/FINANCE
PAINT
HIS HONOUR, Lt. Governor Philip S. Lee THE HONOURABLE Greg Selinger, Premier of Manitoba HIS WORSHIP, Mayor Sam Katz
Sharon Burden, ACCOUNTING Yvonne O’Connor, ACCOUNTING Shelley Stroski, CONTROLLER
EXECUTIVE OFFICERS
ADMINISTRATION
Susan Groff, HEAD SCENIC ARTIST Lawrence Van Went, SCENIC ARTIST ASSISTED BY: Tiffany Taylor, Kim Hamin, Bryn Vargas, Kayla McSwain, Pam Tubman, Carla Schroeder
Kerry Dangerfield, CHAIR Jim McLandress, CHAIR-ELECT, CHAIR, COMMUNITY RELATIONS David Carefoot, TREASURER Brenda Zaporzan, SECRETARY David Christie, CHAIR, GOVERNANCE & STRATEGIC PLANNING Anthony C. Fletcher, CHAIR, RESOURCE DEVELOPMENT Patrick Green, CHAIR, ORGANIZATIONAL PERFORMANCE
Brian Adolph, IT MANAGER Jennifer Cheslock, OUTREACH MANAGER Camilla Holland, GENERAL MANAGER Daphne MacMillan, ADMINISTRATIVE SECRETARY Debbie Neufeld, RECEPTION/MARKETING ASSISTANT Alan Waite, ASSISTANT GENERAL MANAGER
TRUSTEES David Atkins Suzi Bonk Heather Clark Robert Eastwood Sandy Gousseau Rita Gunn John Guttormson Shawn Hughes John Kearsey Brenda Kriss Evan Kuz Jeff Lamothe Andrea Robertson Judy Wakefield Michelle Weinberg Richard L. Yaffe
ADVISORY COUNCIL Gary Hannaford, FCA, CHAIR Gail Asper Morley Blankstein Doneta Brotchie Angus Campbell Gerry Couture Hy Dashevsky Glen Dyrda, FCA John F. Fraser Jean Giguere Charron Hamilton Yude Henteleff Ken Houssin Gordon Keatch Colin R. MacArthur, QC Patrick J. Matthews Jeffrey Morton, FCA Hon. Jack Murta Lillian Neaman Shelley Nimchonok James Pappas John Petersmeyer Lawrence Prout Jeff Quinton Patricia Rabson Margaret Redmond Susan Skinner Al Snyder Maureen Watchorn
ARTISTIC Jeff Kennedy, LITERARY COORDINATOR Laurie Lam, PRODUCER Robb Paterson, ASSOCIATE ARTISTIC DIRECTOR Steven Schipper, CM, ARTISTIC DIRECTOR Melinda Tallin, ARTISTIC COORDINATOR
BOX OFFICE Laurie Fletcher, PATRON SERVICES OFFICE MANAGER Melanie Sexton, TICKETING SERVICES DIRECTOR Jennifer Skelly, TESSITURA APPLICATION COORDINATOR BOX OFFICE REPRESENTATIVES: Katie Adamson, Sheena Baird, Gwendolyn Collins, Paige Lewis, Brett Mikulik, Robyn Pooley, Victoria Popp, Jessica Ross
CARPENTRY Louis Gagné, LAYOUT CARPENTER Brent Letain, MASTER CARPENTER Van McLean, CARPENTER Chris Seida, SCENIC CARPENTER Taavos Sult, CARPENTER Chris Thompson, CARPENTER
COMMUNICATIONS Hayley Brigg, PUBLICIST Sue Caughlin, MARKETING & COMMUNICATIONS MANAGER Doowah Design, DESIGN Katie Inverarity, DIRECTOR OF MARKETING & COMMUNICATIONS Brent Neill, INTERIM PUBLICIST Mark Saunders, MARKETING & COMMUNICATIONS COORDINATOR
DEVELOPMENT Garth Johnson, MAJOR, INDIVIDUAL & PLANNED GIVING OFFICER Michael Joyal, DEVELOPMENT ASSISTANT Stephanie Lambert, SPECIAL & DONOR EVENTS COORDINATOR Shelly Smith-Hines, DIRECTOR OF DEVELOPMENT
JOHN HIRSCH MAINSTAGE FRONT-OF-HOUSE Deborah Gay-de Vries, FRONT-OF-HOUSE MANAGER ASSISTED BY: Sheena Baird
Jamie Chapman, Kim Cossette, Rylen de Vries, Caroline Graham, Johnny Hall, Elfie Harvey, Tia Levine, Rachael Neal, Jessica Olson, Kayla Parke-Wilson, Amariah Peterson, Angela Rajfur, Jennifer Schmidt, April Smith, Kevin Stroski, Rita Vande Vyvere, Phyllis Van Drunen, Kira Watson, Kirk Wright, Chelsea Zacharias, Derek Zorniak
PRODUCTION Laura Enns, TOURING & PRODUCTION COORDINATOR Ian Kirk, ASSISTANT TECHNICAL DIRECTOR Rick MacPherson, TECHNICAL DIRECTOR, TOM HENDRY THEATRE Russell Martin, PRODUCTION MANAGER Eleni McKinnon, ASSISTANT PRODUCTION MANAGER Benjamin Ross, TECHNICAL DIRECTOR, JOHN HIRSCH THEATRE
PROPERTIES Larry Demedash, SENIOR PROPERTIES BUILDER Steve Goetze, PROPERTIES BUILDER Chris Hadley, PROPERTIES BUYER Courtney Jensen, APPRENTICE PROPERTIES BUILDER Kari Hagness, HEAD OF PROPERTIES James Sutherland, PROPERTIES BUILDER Brenda Zack, SOFT PROPERTIES
STAGE CREW Doug Antoine, STAGE CREW John Bent Jr., HEAD OF SOUND Ray Galinaitis, STAGE CREW Hart Greenberg, HEAD CARPENTER Joan Lees-Miller, HEAD OF WARDROBE Claude Robert, HEAD ELECTRICIAN John Tomiuk, HOUSE STAGE HAND
TOM HENDRY WAREHOUSE Randy Zyla Harder, HEAD ELECTRICIAN Rick MacPherson, TECHNICAL DIRECTOR Burkhart Weiss, CARPENTER Alison Nutt, HEAD CARPENTER Michael Wright, HEAD OF SOUND
TOM HENDRY WAREHOUSE FRONT-OF-HOUSE Kim Cossette, FRONT-OF-HOUSE MANAGER Jamie Chapman, Chelsea Zacharias, Rachael Neal
WARDROBE Caroline Bradshaw, SEAMSTRESS Amanda Isaak, FIRST HAND Norma LaChance, SEAMSTRESS Thora Lamont, CUTTER Barbara Mackenzie, SEAMSTRESS Lorraine O’Leary, DIRECTOR OF WARDROBE Lois Powne, FIRST HAND Jackie Van Winkle, BUYER/ACCESSORIES Joy Willis, SEAMSTRESS Iris Wood, SEWER
WIGS Beverly Covert, WIGS & MAKEUP SUPERVISOR
WINNIPEG FRINGE THEATRE FESTIVAL & MASTER PLAYWRIGHT FESTIVAL
MAINTENANCE
Chuck McEwen, EXECUTIVE PRODUCER Jason Neufeld, FESTIVAL MANAGER
Andrew Drinnan, BUILDING SUPERINTENDENT Chris Fletcher, ASSISTANT BUILDING SUPERINTENDENT
HONORARY STAFF Zaz Bajon, GENERAL MANAGER EMERITUS
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Entrance scholarships and bursaries are available.Contact us today for more information or to arrange a tour of our campus!
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