bimpe viii
the eighth biennial international miniature print exhibition
1
BIMPE VIII the eighth biennial international miniature print exhibition Vancouver bc, canada 2014
Front cover print: Cherry Top by Rebecca Allaigre, reduction woodcut Used with permission of the artist. Front and back cover designed by Andrea Van Schubert. The map depicted was sent to us by a BIMPE entrant who had wrapped their parcel with it. The stamps are from various BIMPE entries throughout the years. Juror photos provided by jury and used with permission. Richard Tetrault photo credit: Chris Stern. Catalogue designed by Daylen Luschinger and Andrea Van Schubert.
Published by The Society for Contemporary Works on Paper 1370 Cartwright Street Vancouver, British Columbia V6H 3R8 Canada ISBN 978-0-9782396-7-1 All copyrights to the artworks appearing are reserved by the artists. No unauthorized duplication or public exhibition is permitted. Distribution of the artworks through any means including electronic, is strictly prohibited without prior written permission from the artists and from BIMPE.
BIMPE SCWOP New Leaf Creative Solutions Federation Gallery Dundarave Print Workshop UBC Okanagan SNAP
FEDERATION of CANADIAN ARTISTS
EAT WELL AT HOME
NEW LEAF CREATIVE SOLUTIONS
Z ARA S
Italian Deli & Fresh Pasta
www.zarasdeli.com
速
bimpe.com scwop.org newleafeditions.com artists.ca dundaraveprintworkshop.ca ok.ubc.ca snapartists.com
BIMPE VIII
Presented by
The Society for Contemporary Works on paper
thank you 9 introduction 10 marijke nap 11 jurors’ statements 12 prize winners 17 honourable mentions 23 selected works 27 artist index 131
Thank you
We wish to extend our gratitude to all the volunteers and supporters of BIMPE VIII. BIMPE continues to succeed because of your encouragement and contributions.
A special thank you to Gwen Donaldson and the Canadian Tourism College for sponsoring our third place prize.
The jury in action.
To Bob Nowack and Melannie Warren of Conor Pacific who were instrumental in organizing our fundraising auction and gala event back in September 2012. To our Board of Directors: John Ramsay, Hannamari Jalovaara, Peter Braune, Katie Dey, Ross Penhall, Roslaind Rorke, Jane Justice, Lesley Anderson, Marsha McCall, Jamie Evrard, and to Caron Penhall for working tirelessly to promote the event and for your dedication to its success. We are still reaping the benefits of your efforts. We are also extremely grateful to the many artists and businesses who generously donated items on which to bid.
Thank you for sharing your insights and your varied experience. We are so grateful for the excitement and passion you brought to the colossal task put before you.
Thank you to our corporate sponsors: CMHC for their unwavering support over these last 14 years. To Opus Art Supplies and Gamblin for sponsoring prizes and donations that inspire the printmaking community to continue to create the work that we are exhibiting. To Zara’s Pasta, Terra Breads, and V&J Flowers, our fellow Granville Island businesses who provide the little things that make all the difference to our board and volunteers throughout the year. Thank you also to the Granville Island Hotel which provided a delicious three-course meal for our jury panel after a long day of assessing the submissions.
To Alyssa Burt from Zenhouse media for her amazing website problem-solving skills, and to our printers West Coast Reproduction Centres for working within our tight deadlines and budget.
To our esteemed jury: K. Gwen Frank, Richard Tetrault, and Alexandra Haeseker.
Thank you to our exhibiting galleries: the Federation Gallery, Dundarave Print Workshop, the FINA Gallery at UBC Okanagan, and SNAP. To our Board of Directors: thank you for your guidance, advice, and support through transitioning staff and for being so welcoming to the newcomers.
Thank you Lesley Anderson and Katie Dey for laying all the groundwork of BIMPE’s past and leaving behind such detailed files. And to our dream team of volunteers: Irene Laudan, Gail Fromson, Marsha McCall, Rosalind Rorke, Lisa MacLean, Oonagh Berry, Andrea Taylor, Katie Dey, Daemon Baldwin, Daylen Luschinger, Jaqueline Law, Corey Mah, and Hannamari Jalovaara, we want to thank you sincerely for your time without which BIMPE would not be possible. 9
INTRODUCTION
The Biennial International Miniature Print Exhibition (BIMPE) is held every two years in Vancouver, British Columbia. BIMPE’s only requirement is that a printed area be no larger than 4 by 6 inches (or 24 inches square) on paper that does not exceed 8 by 10 inches. It is open to images made using all printmaking techniques from traditional line etching to contemporary digital processes. This year, 314 artists from 48 countries entered BIMPE VIII. Each artist submitted up to three prints, and from the 835 submissions, our jury selected 425 prints for the show. The images are as varied as the places they travel from and we are ever grateful to the artists for creating the dynamic work that makes up our exhibition. Once again, BIMPE will kick off in September with an opening celebration at the Federation Gallery on Granville Island. The Federation Gallery is operated by the Federation of Canadian Artists (FCA), a not-forprofit society that offers visual arts education to the community and holds juried exhibitions of works by FCA members. They have been hosting BIMPE since 2004. One month later, the show travels down the street to Dundarave Print Workshop and Gallery. Dundarave is a cooperative artists’
BIMPE VII opening at Federation.
studio and gallery dedicated to fine art printmaking. Many of its members have consistently volunteered their time to help make BIMPE a success. For the second time in a row BIMPE will be shown at the FINA Gallery at UBC Okanagan. The gallery showcases work by Visual Arts faculty, students, and visiting artists throughout the year. We are delighted for the opportunity to once again engage with Kelowna’s creative community. Our final destination is Edmonton, Alberta at the Society of Northern Alberta Print-Artists (SNAP). SNAP is a not-for-profit artist-run centre with a gallery and a printmaking studio. Operating since 1982, the society has become increasingly important to the discussion, promotion, and innovation of print media in Canada. BIMPE is organized by the Society for Contemporary Works on Paper (SCWOP), a not-for-profit society created to support the exposure of art on paper.
SCWOP Board of Directors (clockwise from top left): Jamie Evrard, Marsha McCall, John Ramsey, Ross Penhall, Lesley Anderson, Hannamari Jalovaara, Katie Dey, Peter Braune. Not pictured: Rosalind Rorke, Jane Justice.
New Leaf Creative Solutions, the incubator of BIMPE, is a collaborative printmaking workshop, specializing in etching, relief printing, and almost anything that can be dreamt up. Peter Braune of New Leaf and Debra Yelva from Dundarave Print Workshop conceived the idea of BIMPE in 2000. During Peter’s absence from 2000 until 2002, the exhibition was nurtured and carried forward by the remarkable efforts of Katie Dey, Marijke Nap, and Debra Yelva.
Marijke nap
This catalogue and the first prize are dedicated to the constant memory of Marijke Nap (1965 – 2011)
I first met Marijke in 1998, a recent graduate from the Capilano University printmaking program. She was a very enthusiastic and intuitive printmaker to work with. Every challenge was a fun undertaking, and she really enjoyed the collaboration of working with other artists who were unfamiliar with print processes. We worked together for Stone Press in Seattle on Dale Chihuly prints and many projects at New Leaf Editions. Some of our most inventive prints were made while she worked with New Leaf. I got the opportunity to go to New York and Singapore for 2 years, working to set up the Singapore Tyler Print Institute. Just before I left, Debra Yelva and I set up BIMPE I in 2000/2001. Marijke and Katie Dey ran New Leaf and took over the creation of BIMPE. None of us thought this project would last as long as it has, but it has been a great opportunity for Vancouver artists and the world of printmaking to connect with one another. As we move forward each year there are constant reminders of Marijke’s influences, via students she worked with at the various studios and schools at which she taught.
humour and incorporate fun concepts. I have one of Marijke’s protégées working for me now and it is a great treat to realize how effective a teacher she was. Her joy in art making and print was infectious and we are the beneficiaries of it. For this reason we are dedicating the first prize of BIMPE in Marijke’s honour. It is a small thing we can do to commemorate and acknowledge her enthusiasm for what she helped create. Peter Braune 2014
Her most influential time was at the University of British Columbia as the technician/ teaching assistant. She worked with me there to create huge etchings not possible at my studio. She also worked on her own private practice which would always have a flair of 11
jurors’ statements
K. Gwen Frank K. Gwen Frank graduated with honours from ACAD (Alberta College of Art and Design) in 1983 and continued her fine art education through the University of Calgary. She holds a BFA in Printmaking from ACAD. Since the early ‘80’s she has participated in over a hundred national and international juried exhibitions, and has had a number of solo exhibitions. She participated in three artist-in-residence periods at Centrum Frans Masereel in Kasterlee, Belgium, and l’Association de la Cardabelle in Cruéjouls, Aveyron, France, and was invited to participate in Slovakia’s 1st International Printmaking Symposium and Exhibition in Bratislava. She has given intaglio workshops and lectures at Wake Forest University, North Carolina, Hollins University, Virginia, at University of Waterloo, Ontario, and throughout Alberta. She continues to work from her Calgary studio focusing on intaglio techniques, watercolour and drawing.
“On a cool and drizzling Granville Island
morning, muted light and dripping green evoked a reflective mood for our long day indoors. It would be a mood very much ‘interior’ in essence, and it set the tone for the next twelve hours as we dove into the contents of many fat binders placed nearby. Each binder was nearly bursting with 2014’s BIMPE VIII entries, all organized and perfectly protected. I could only guess at the enormous amount of devoted volunteer work that it took to get this show on the road, thus far. The trust that is placed in a juror demands an objective and fair approach to the challenge of assessing more than 800 entries. Alongside my eminent fellow jurors, Richard and Alexandra, who were equally quietly absorbed, I began with a quick overview of the works in order to get a sense of the great body of prints submitted. Soon after, I could focus my full attention upon each image with a sense of responsibility and great excitement! Before each of us lay the enormity of exploring brand new ‘inner’ territory. I felt delighted and greatly privileged to have this intimate look into many hundreds of inklings, ideas, narratives and worlds arising from both the individual and the collective creative mind. How such monumental perspective and sensibility can be conveyed through such a tiny window –– limited to the maximum image size of 4” x 6” –– often astonished me. This immersive experience was nothing short of thrilling. The very best of works were always the ones that moved me. They arrested me on the spot, and pulled me right into their intimate reality. Within each –– whether there be compelling beauty, or a stunning and colossal weirdness –– there was never enough time to wander!
I just did not want to come out again at all, until I absolutely had to. A most frustrating thing … Somehow, I had to find a way back to Earth out of the goosebump zone, in order for me to continue to assess, weigh, compare and (gulp) to eliminate entries. All works submitted were eligible for jurying, save the few that varied wildly beyond the size restriction, as well as the ones that were digitally printed photographic reproductions of paintings. There were many good submissions, often with such magic in them that worked beyond the masterful handling of formal elements and of technique. The winning pieces offered up a balance of these “technical” criteria, for me, while speaking with a unique voice and an individual viewpoint that yielded surprise.
Richard Tetrault Richard Tetrault is a Vancouver based painter, printmaker, muralist, and educator. His work has been shown in exhibitions in Mexico, the US, Cuba, Argentina, Canada, Europe, Africa, and Asia, and is in private and public collections worldwide. Tetrault studied at the Vancouver School of Art, the University of British Columbia, and the Arts Students’ League (New York). The impetus of the inner city and its sub-text of struggle and diversity have informed both his prints and his paintings. He has developed a distinct direction in printmaking practice, with a focus on large-scale woodcuts and mixed media prints. His paintings explore the inner city, urban mythologies, and the contemporary industrial landscape.
I was thankful for Richard and Alexandra’s help in addressing the challenge of jurying. After our many hours of individually scoring each and every piece submitted, the three of us engaged in several short stages of thoughtful dialogue and elimination, arriving at our final choices a half hour before midnight. Yet, the next morning, I felt more than ready to begin it all again. And for having had this delicious experience, I am so grateful. Many thanks for the invitation to be a part of this jury. Congratulations to Peter Braune and Andrea Van Schubert of New Leaf Editions. Thanks to the many artists all over the world who entered their wonderful works. And a big thank you to all of BIMPE’s dedicated volunteers for continuing to nurture the healthy development of international contemporary printmaking.” K. Gwen Frank Calgary, Alberta June 2014
“The prints submitted to BIMPE reflect the
diverse, innovative, and unpredictable nature possible within the realm of printmaking on a small scale. Being asked to be a juror was both exhilarating and daunting, and the process of choosing favourites difficult, to say the least. Many other works were strong 13
contenders and a selection of just a few to be highlighted as winners was not easy. I enjoyed working with the other jurors and seeing how our responses concurred or, only occasionally, differed. Finally, I am pleased to have been asked by SCWOP to be a part of this process and to participate in this vision that triumphs international miniature prints through BIMPE. About the selection: three jurors were given the mandate to make a selection, incorporating a point system that was tallied at the end. First impressions were balanced by second thoughts over the course of a day. The works were narrowed down to a list of ‘first picks’. In the strongest works, the balance of technique and reach in concept resonated with each of us; sometimes, they involved leaps of faith in the artist’s chosen medium. I am drawn to pieces that have immediacy of impression as well as a sustained concept and form. The specific medium is not as important as the impact and integrity of the piece, and my selections reflect this. “Souffle” by Roger Dewint, one of my favourite works, has a precociousness and spontaneity that in many respects, reflects ‘outsider art’ sensibilities in its irreverent tone. The drawing is convincing and full of character, as if the artist is present in the room, and there is little distance between the concept and the execution. The second place work, “Live”, by Tsuboi Fusano is a harmonious and poetic (and technically excellent) statement with strong overtones of protest. There is a disquieting tone in the balance of elegant execution and brutality of undertone, re: the international whaling industry, that sets up a resonance in this suite, and it was hard to choose between this artist’s three submissions. The pixilated and almost mechanistic appeal of Nicolas Poignon’s “Building 1”, a linocut in stark black and white has, as well, an overtone that echoes a dark history. It is a
past contained within miniature squares of tone that appear like a fragmented and austere veil in time. Not knowing the building and what it might contain adds to the elusive energy of this work. Gerry York’s beautiful work incorporates resin as an interference medium. The balance of control and chance is a stimulating facet of the print. It is a process of both elegance and murkiness, presented by way of contrary media. This makes “Pernicious Puddle #1” a captivating piece.” Richard Tetrault 2014
Alexandra Haeseker RCA Alexandra Haeseker RCA is Professor Emeritus at the Alberta College of Art + Design (ACAD) in Calgary. She has represented Canada in many important International Graphic Biennials, including: Krakow Poland, Alexandria Egypt, Oldenburg Germany, Seoul Korea, Liège Belgium, Novosibirsk Russia, and Bangkok Thailand. Public art projects commissioned for Calgary International Airport Air Canada Terminal, Savage Trailhead Centre Edmonton, The Danish Arts Council + ET4U, and Shawinigan Art Centre Quebec form part of her studio practice using advanced ink technologies and industrial materials. Major museum installations at the Shanghai Art Museum China, Künstlerhaus Museum Vienna, Akademija Art Research Center Belgrad and Centro de Arte Moderno in Madrid follow her research over the past decade of “swarm theory and the collective” as intended subject matter.
“The development and history of Cana-
dian Printmaking Exhibitions harkens back over five decades to Canadian Printmakers Showcase in Ottawa, The Burnaby Print Biennial, Bradford Ontario’s Graphex shows, Mount Allison New Brunswick’s Printed Matter, Calgary Graphics, the Print & Drawing Council of Canada Biennials, Canadian
Graphics Society, and the Society of PainterEtchers & Engravers Annuals based in Eastern Canada. Add to the list BIECTR Trois Rivières, EPI Edmonton, and the Okanagan Print Triennial. These, and other endeavors to promote printmaking dialogues across the country, were and are all generated by visionary individuals and their cohorts. There has been an evolution of these opportunities that have given Canadian print-artists a voice in the international context of the printmaking exhibition forum. With the above background, I have been aware for decades as well, of the opportunities that Peter Braune and his supporters have been creating for printmaking at New Leaf Editions, including organizing BIMPE with its ever-growing participation from print artists all over the world. And it was with pleasure and anticipation that I accepted Peter’s invitation to be one of three jurors for BIMPE VIII, and to visit New Leaf at last in person! What does a juror look for under these circumstances? There is the pleasure of tradition in techniques that always stirs a printartist in the way pigment applications might rise on a woodcut, the litho wash edge that reticulates like a stain, or the incision of the burin line in an engraving. There is recognition of subject matter that evolves as a reflection of contemporary politicized climate or public agendas. And there is the possibility of that moment when something that has tempted fate and steps outside expectation, catches you off guard, and you cannot help but be drawn to it graphically.
First prize: “Souffle” etching by Roger DeWint/ Belgium: The viewer is confronted by a fractured, open-mouthed visage dominating the partly broken format, printed in expressionistic mixed color. Interestingly, the translation of the title is ambiguous in English: “breath, expiration… inspiration”. Second Prize: “Live” aquatint and etching by Tsuboi Fusano/Japan: This poetic counterbalance to his country’s controversial whaling industry carries a poignant contemporary message presented with all the curvilinear beauty of famous historical Japanese Ukiyo-e. Third (Canadian Tourism College) Prize: “Building” linocut by Nicolas Poignon/ Germany: A haunting, nocturnal presence of a nightlit silhouetted building in stark black and white, monolithic but mysteriously wavering in outline… Fourth (Opus) Prize: “Pernicious Puddle #1” digital + resin by Gerri York/ Canada: Effective mixed media and inkjet combination: the warm tone and tactility of the poured resin transforms the image darkly, overflowing the borders.” Alexandra Haeseker RCA 2014
Approaching the task as a juror with all these credentials at the ready… engaged in a threeway dialogue and debate with my fellow jurors, Richard Tetrault and K. Gwen Frank, in our duties to select what works might be brought to the attention of our audience for this year’s exhibition. Here are some impressions on what we finally selected as the prize winners: 15
Prize Winners
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Roger Dewint, Belgium SoufflĂŠ Etching Marijke Nap Prize (First Place)
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Tsuboi Fusano, Japan Live Aquatint, Etching Second Prize
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Nicolas Poignon, Germany Building I Linocut Canadian Tourism College Prize (Third Place)
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Gerri York, Canada Pernicious Puddle #1 Digital, Resin The Opus Art Supplies Prize 22
Honourable Mention
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Mouna Abed, Canada Zone 51- III Monotype, Chine CollĂŠ
Michele James-Emirkanian, France Animal Writings IV Etching
Maki Kinichi, Japan Time Slip 1 Digital
Robin MacFarlan, United Kingdom Jim Etching
Ana Melano, Argentina ...un Botón Basta (III) Intaglio
Luc Nadeau, Canada Happy Wife, Happy Life Etching
Jyunko Ogawa, Japan The Leaves in Early Spring, Early Morning Wood Engraving
Cara Seccafien, Canada New Year’s Dancing Woodcut, Inkjet
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Robin Smith-Peck, Canada Road Trip 03 - 14 #3 Relief, Digital Ground
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Yongsheng Yang, China Insect Reduction Woodcut
Selected Work
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Jamal Abdul-Rahim, Bahrain Orient 1 Etching
Jamal Abdul-Rahim, Baharain Orient 2 Etching
Mouna Abed, Canada Zone 51- I Monotype, Chine Collé
Mouna Abed, Canada Zone 51- II Monotype, Chine Collé
Ajk Pierce & Tee Kho!, Ukraine Zazor Etching, Relief
Maija Albrecht, Finland Side glance Drypoint, Chine CollĂŠ
Jakabhazi Alexandru, Romania Dynamical Alternations Etching, Aquatint
Jakabhazi Alexandru, Romania Window Towards The Garden Etching, Aquatint
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Rebecca Allaigre, France Cherry Top Reduction Woodcut
Rebecca Allaigre, France Continental Breakfast Reduction Woodcut
Rebecca Allaigre, France Twin Top Reduction Woodcut
Mariko Ando, Canada Bird Etching, Chine CollĂŠ, Hand Colour
Mariko Ando, Canada Bird Etching, Chine Collé, Hand Colour
German Aparicio, Espana Site 312.2 Etching
Gillian Armitage, Canada Billet-doux 1116 Intaglio, Digital, Chine Collé
Gillian Armitage, Canada Billet-doux 1914 Intaglio, Digital, Chine Collé
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Gillian Armitage, Canada Billet-doux 2014 Intaglio, Digital, Chine CollĂŠ
Nastaran Asgari, Turkey Under the Istanbul Bridges, No:2 Monotype
Beverly Ashcroft-Johnson, USA Disparate Flights Mezzotint, Digital
Beverly Ashcroft-Johnson, USA Graveyard Shift Mezzotint, Digital
Beverly Ashcroft-Johnson, USA The Mind’s Studio II Mezzotint, Digital
Mari Aspola, Finland Undersea Drypoint, Relief
Patrick Aubert, France Sans Titre 2 Polymer Photogravure
Claire Auszenkier, France “Les Chanteurs” Concertiniste Etching, Aquatint
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Claire Auszenkier, France “Les Chanteurs” Halidou Etching, Aquatint
Claire Auszenkier, France “Les Chanteurs” Patricia Etching, Aquatint
Frederique Badonnel, France Tocapu I Etching, Linocut
Tom Baggaley, United Kingdom Trouble Etching
Kate Baillies, Canada Small Pile of Sticks Intaglio
Daemon Baldwin, Canada Divided Paths II Etching
Daemon Baldwin, Canada Divided Paths III Etching
Betty Ball, USA En Route to Aix No. XIV Monotype
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Betty Ball, USA Peak No. XX Monotype
Betty Ball, USA Vermont September No. VI Monotype
Ruth Barrett-Danes, United Kingdom First Signs of Spring Linocut, Chine Collé
Ruth Barrett-Danes, United Kingdom Into the Dark Linocut, Chine Collé
Jo Barry, United Kingdom A Little Gleam of Time Etching
Jo Barry, United Kingdom Against a setting sun Etching
Micheline Bertrand, Canada Filon Wood Engraving
Micheline Bertrand, Canada InquiĂŠtude Wood Engraving
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Micheline Bertrand, Canada RĂŞverie Wood Engraving
Tonia Bonnell, USA Converge I Relief Etching
Tonia Bonnell, USA Converge II Relief Etching
CĂŠcile Boucher, Canada Plancher Digital
Peter Boyadjieff, Canada Allegories Bound Digital
Marie-Ange Brassard, Canada Autosome Relief, Collage
Leonard Brett, Canada Housewife Engraving
Patrick Bulas, Canada Regal Mezzotint
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Aleksandra Bury, Poland Hops! Etching
Adriano Castro, Brazil Wave Digital
Adriano Castro, Brazil High Tide Digital
Michel Charbonnel, Canada Studies 1 Intaglio
Michel Charbonnel, Canada Studies 2 Intaglio
Michel Charbonnel, Canada Studies 3 Intaglio
Eric Cheung, Canada (Sunset) Serigraph
Akiko Chiba, Italy Forest Mezzotint
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Akiko Chiba, Italy Moon Flowers Mezzotint
Akiko Chiba, Italy Plenilunio Mezzotint
Kraisak Chirachaisakul, Thailand Long Live The King Everywhere 3 Mezzotint
Kraisak Chirachaisakul, Thailand Long Live The King Everywhere 4 Mezzotint
Majella Clancy, United Kingdom Family Portrait VIII Monotype, Chine Collé
Majella Clancy, United Kingdom Family Portrait VII Monotype, Chine Collé
Majella Clancy, United Kingdom Family Portrait VI Monotype, Chine Collé
David Clifford, Canada Take a Bath Letterpress
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Jane Cooper, USA Light Study V Oil Monotype
Jane Cooper, USA Over the Hudson II Oil Monotype
Jane Cooper, USA Over the Hudson I Oil Monotype
Margot Cormier Splane, Canada Bird on a Wire Serigraph
Margot Cormier Splane, Canada Ready Aim Serigraph
Alain Costaz, Canada Disappearing Drypoint
Maeve Coulter, Ireland Reparation II Silkscreen, Iron Flocking, Stitching
Maeve Coulter, Ireland Reparation III Silkscreen, Iron Flocking, Stitching
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Maeve Coulter, Ireland Reparation Silkscreen, Iron Flocking, Stitching
Briar Craig, Canada Small Black Cookie UV Screenprint
Robert Creighton, Canada Brendan’s Boat Etching, Chine Collé
Lukasz Cywicki, Poland Mr. Time III Linocut
Lillianne Daigle, Canada Desert Storm Digital
Alyson Davies, Canada Deep Digital, Chine CollĂŠ, Silkscreen
Alyson Davies, Canada Nomads Digital, Chine CollĂŠ, Silkscreen
Eugeniusz Delekta, Poland Early Spring Mixed technique
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Eugeniusz Delekta, Poland Lonely Ash Mixed technique
Eugeniusz Delekta, Poland Wheel of Fortune Mixed technique
Pawel Delekta, Poland Tower of Babel IX Mixed technique
Pawel Delekta, Poland Tower of Babel VII Mixed technique
Anne Desmet, England BT Tower Wood Engraving
Anne Desmet, England Kings X Lighthouse Wood Engraving
Anne Desmet, England St. Bride’s Wood Engraving
Roger Dewint, Belgium Bergère Etching
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Roger Dewint, Belgium Garde Etching
Abel Dewitz, Germany A Dip in December Woodcut
Dimitar Diankov, Germany L´Homme et la Mer II Wood Engraving
Dimitar Diankov, Germany L´Homme et la Mer I Wood Engraving
Gerry Dotto, Canada Le et La Relief, Collage
Gerry Dotto, Canada MEN N WOMEN / WOMEN N MEN Linocut, Rubber Stamp
Lorraine Douglas, Canada World Etching, Chine CollĂŠ
Nicholas Dowgwillo, USA Elegy to Mike Kelley Mezzotint
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Nicholas Dowgwillo, USA Nature is a Drooling Idiot (in the springtime), Etching
Holly Drewett, England Dancing with fire Solar plate, Embossing
Holly Drewett, England Workman Solar plate, Laser cut
Maria Duhteva, Bulgaria Forms II Drypoint
Maria Duhteva, Bulgaria Forms III Drypoint
Maria Duhteva, Bulgaria Forms V Drypoint
Victoria Edgarr, Canada Beside Yourself with Hope Etching
Manfred Egger, Austria Crossroads I Woodblock Print
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Neige Elbaum Tariel, France Ruche X Etching
Randie Feil, Canada Victorians II Mezzotint
Aidan Flanagan, Ireland Foreshore Carborundum, Drypoint
Ian Forbes, Canada Mr. Poopy Objects Etching
Juttmarie Fricke, France Pasiphae Aquatint
Grzegorz Frydryk, Poland Relic III Linocut
Donald Furst, USA Night Curve Sandblast Mezzotint
Donald Furst, USA 421 Nights: DownUp Sandblast Mezzotint
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Donald Furst, USA 421 Nights: Midnight Sandblast Mezzotint
Tsuboi Fusano, Japan Gently Snow Aquatint, Etching
Tsuboi Fusano, Japan Pulses Aquatint, Etching
Jayant Gajera, India Formations I Etching
Jayant Gajera, India Formations II Etching
Jayant Gajera, India Formations III Etching
Emily Garrison, Canada Future Forests Screenprint, Forestry flag
Emily Garrison, Canada Keep Cool Screenprint, Forestry flag
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Colin Gillespie, United Kingdom End of the Line Collage, Relief
Colin Gillespie, United Kingdom Identity Crisis Collage, Relief
Colin Gillespie, United Kingdom The Pond Collage, Relief
Neala Glass, New Zealand Burden Monotype
Neala Glass, New Zealand Cognitive Dissonance Monotype
Neala Glass, New Zealand Liminal Monotype
Barbara Broff Goldman, USA Hands Photopolymer Gravure, Chine CollĂŠ
Jerzy Gorbas, Poland Portrait VIII Linocut
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Laura Grossett, USA Egression Relief
Emma Grover, United Kingdom Fat Birds Can Fly Etching, Chine Collé
Emma Grover, United Kingdom Submarine Girl Etching, Chine Collé
Emma Grover, United Kingdom Submarine Man Etching, Chine Collé
Laurence Guichon, France Envol II Engraving
Laurence Guichon, France Envol III Engraving
Aditi Gupta, India Tricky Dominance X Etching
Annu Gupta, India Metropolitan Tree XII Etching
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Annu Gupta, India Metropolitan Tree XIII Etching
Annu Gupta, India Tree VI Etching
Kelly Haydon, Canada Possibilities Etching
Anneli Hilli, Finland Brothers Etching, Monotype
Eleanora Hofer, South Africa Celebrating 13 Hardground, Aquatint, Solar Etching
Eleanora Hofer, South Africa The Power of 13 Hardground, Aquatint, Solar Etching
Yoon Hong, Korea CafĂŠ Etching, Collage
Yoon Hong, Korea Episode Wood Engraving
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Bill Horne, Canada Banff Beetles Silkscreen
Bill Horne, Canada Canopy Silkscreen
Bill Horne, Canada Probe Silkscreen
Ursula Hulsewig, Germany Untitled II Intaglio, Monotype
Anita Hunt, USA Brush II Etching, Aquatint, Chine Collé
Anita Hunt, USA Lodge II Etching, Aquatint, Chine Collé
Eeva Huotari, Finland Tea Party Aquatint, Etching
Heather Huston, Canada Presence Etching, Chine Collé
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Heather Huston, Canada Realization Etching, Chine Collé
Douglas Ibbott, Canada Michigan Creek Photopolymer Intaglio
Tomoyo Ihaya, Canada Zampa (Bridge) Etching, Chine Collé
Okana Ikuko, Japan A Firm Voice Screenprint
Okana Ikuko, Japan She speaks in a gentle voice. Screenprint
Okana Ikuko, Japan A Warm Home Screenprint
Maja Ilic, Holland Herba Lex Est II Mezzotint
Maja Ilic, Holland Herba Lex Est III Mezzotint
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Takeo Ishiwata, Japan Urban Life 4 Woodcut
Suzuna Iwasa, Japan From a Line and Dots â…Ľ Monotype
Suzuna Iwasa, Japan From a Line and Dots V Monotype
Andrew Jagniecki, USA Good Morning Woodcut
Michele James-Emirkanian, France Animal Writings V Etching
Michele James-Emirkanian, France Small Writings Etching
Milos Jones, Canada Cocooned Lithograph
Milos Jones, Canada Structure Lithograph
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Mariko Kakiuchi, Japan Voices echo Etching, Aquatint
Leena Kaplas, Finland Problema I Photopolymer Etching
Leena Kaplas, Finland Problema II Photopolymer Etching
Kaoru Kawasaki, Japan a Nest I Woodcut
Tomaz Kawelczyk, Poland Socrates Square II Woodcut
So Yeon Kim, USA Tigre & Watermelon Stone Lithography
Hyun-Jin Kim, Taiwan Spacetime-I Woodcut
Hyun-Jin Kim, Taiwan Spacetime-II Woodcut
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Maki Kinichi, Japan Time Slip 2 Digital
Maki Kinichi, Japan Time Slip 3 Digital
Maggie Kitching, United Kingdom Coppice Embossed Relief
Maggie Kitching, United Kingdom Llys-Y Graig Embossed Relief
Maggie Kitching, United Kingdom Wood View Embossed Relief
Edith Krause, Canada Bread for the World Screenprint
Edith Krause, Canada Fruits de Mer Screenprint
Edith Krause, Canada Poison Pen Screenprint
73
Kari Kristensen, Canada Untitled Linocut, Monoserigraph
Nasil Kwak, Korea Interlace III Woodblock
Nasil Kwak, Korea Interstice 14 Woodblock
Nasil Kwak, Korea Interlace II Woodblock
Janne Laine, Finland Cousin XVI Etching
Janne Laine, Finland Cousin XXVI Etching
Bill Laing, Canada Memory I Etching, Aquatint
Bill Laing, Canada Memory II Etching, Aquatint
75
Stephen Lawlor, Ireland Drama Etching
Stephen Lawlor, Ireland South Etching
Stephen Lawlor, Ireland Vignette Etching
Heather Leier, Canada Untitled Photo Lithography, Chine CollĂŠ
Lotta Leka, Finland Heritage II Lithography
Louise Lemieux Bérubé, Canada Making Paper Collagraphy
Victor Lipkin, Israel In the Desert 3 Relief
Susan Litsios, Switzerland Hovering Etching, Drypoint
77
Kathleen Lochhead, Canada Childhood: Huscroft Swamp Serigraph
Kathleen Lochhead, Canada Childhood: Kootenay Lake Serigraph
Valerie Loewen, Canada S. Cervisiae Photolithography, Screenprint
Chiarina Loggia, Canada Diamond Light Photopolymer Gravure
Chiarina Loggia, Canada Sake 3 Photopolymer Gravure
Janet Lowry, Canada Prairie Ghost Etching, Chine CollĂŠ
Adriana Lucaciu, Romania Movement 3 Drypoint
Yvette Lucas, USA Weeping Bridge Photo Intaglio
79
Ranka Lucic Jankovic, Serbia Shadow 1 Mixed Technique
Ranka Lucic Jankovic, Serbia Shadow 2 Mixed Technique
Robin MacFarlan, United Kingdom Game Plan Etching
Robin MacFarlan, United Kingdom Odd Ball Etching
Alastair Mack, Scotland Small Infinity Digital
Alastair Mack, Scotland Bigger Infinity Digital
Alastair Mack, Scotland Biggest Infinity Digital
Laurie Mackie, Canada Bliss: The Garden Etching on Plexi
81
Laurie Mackie, Canada Bliss: Water Wings Etching on Plexi
Laurie Mackie, Canada Celebration Photo Etching, Monoprint, Emboss, Mixed Media
Lisa MacLean, Canada The Fire Ceremony III Digital
Lisa MacLean, Canada The Fire Ceremony II Digital
Lisa MacLean, Canada The Dream Digital
Bernadette Madden, Ireland Fire Screenprint
Bernadette Madden, Ireland Gorse Screenprint
Armelle Magnier, France Breiz Etching, Chine CollĂŠ
83
Armelle Magnier, France Marais I Etching, Aquatint
Armelle Magnier, France Marais IV Etching, Chine CollĂŠ
Beatriz Mahan, Spain Aquella Tarde V Etching, Drypoint
Beatriz Mahan, Spain Aquella Tarde VI Etching, Drypoint
Beatriz Mahan, Spain Aquella Tarde VII Drypoint
Joyce Majiski, Canada Rocks 1 Etching, Digital
Joyce Majiski, Canada Rocks 2 Etching, Digital
Joyce Majiski, Canada Rocks 3 Etching, Digital
85
Claude Malchiodi, France Pasage aux Corbeaux et a la Ligne Electrique Monotype
Claude Malchiodi, France Petite Riviere au Bouquet D’arbres Monotype
Claude Malchiodi, France Riviere et Barriere au Soleil Couchant Monotype
Brenda Malkinson, Canada March Fourteenth Woodcut
Brenda Malkinson, Canada March Twenty Eighth Woodcut
Susan Mannion, Ireland Organic Forms Wood Engraving
Susan Mannion, Ireland Stitched Lines Wood Engraving
Bernadette MarĂŠchal, Belgium Ouverture Aquatint
87
Knicki (Loreen) Markolf, Canada Apart But Connected Silkscreen
Ann Mccall, Canada Arbor Collagraph
Ann Mccall, Canada Coupe a Blanc Collagraph
Ann Mccall, Canada Trio Collagraph
Ana Melano, Argentina ...un Bot贸n Basta (I) Intaglio
Ana Melano, Argentina ...un Bot贸n Basta (IV) Intaglio
Richard Metzger, Canada En route Engraving
Sakae Miida, Japan Ponytail Woodcut
89
Sakae Miida, Japan Road Woodcut
Sakae Miida, Japan Tender Game Woodcut
David Morrish, Canada Cicada Photopolymer Gravure
David Morrish, Canada Mouse Photopolymer Gravure
David Morrish, Canada Tooth Photopolymer Gravure
Bob Morouney, Canada Healing Etching, Engraving
Marsha Morrain, Trinidad and Tobago Snow Embossed Etching
Gunn N. Morstoel, Norway Memory I Etching
91
Gunn N. Morstoel, Norway Memory II Etching
Nan Mulder, Holland Absence & Presence II Mezzotint
Luc Nadeau, Canada It’s Gonna Rock Tonight Aquatint
Luc Nadeau, Canada J’ai La Tete Ailleurs Etching, Chine Collé
Klara Nagy, Sweden Alone Mixed Media
Klara Nagy, Sweden Made in Hungary Mixed Media
Klara Nagy, Sweden My Village Mixed Media
Ryo Natsukari, Japan #12 (chairs) Etching, Hand Colour
93
Cleo Neville, Canada The Pacifica Hop Relief
Sara Norquay, Canada Guess Who? Drypoint, Woodcut
Michal Novak, Czech Republic Bird on the Wire Etching
Michal Novak, Czech Republic Something From King Lear Etching
Michal Novak, Czech Republic Wild Horses Etching, Mezzotint
Darryl Nunn, Canada Goat Walk Mezzotint, Collograph
Darryl Nunn, Canada Untitled (the lost animal series) Mezzotint
Jyunko Ogawa, Japan The Drowsy Little Tulip Wood Engraving
95
Jyunko Ogawa, Japan Froth is Formed and Froth is Broken, and Once More ‌ Wood Engraving
Louis Antonio Palumbo, Italy Eye Mezzotint
Galina Pavlova, Bulgaria 2 Moons Mixed technique
Natalia Pawlus, Poland 125 Linocut
Natalia Pawlus, Poland ST-120 Linocut
Natalia Pawlus, Poland “MP” Linocut
Pierre Philippe, France Roches et Météores Etching, Aquatint
Nicolas Poignon, Germany Building II Linocut
97
Nicolas Poignon, Germany Building III Linocut
Laurence Prévost, Canada Cantando Etching, Chine Collé
Laurence Prévost, Canada Con Allegrezza Etching, Chine Collé
Laurence Prévost, Canada Poco Lento Etching, Chine Collé
Michelle Purchase, Canada Deep Dark Woods Etching, Chine Collé
Michelle Purchase, Canada Sky’s the Limit Etching, Chine Collé
Courtenay Quist, Canada Dive Etching, Roulette
Ross Racine, Canada Sighting #4 Digital
99
Simonida Radonjic, Serbia Fox I Mixed Technique
Simonida Radonjic, Serbia Fox II Mixed Technique
Sally Reesman, Canada Guitarist & Acrobat Etching, Drypoint
Sally Reesman, Canada Muse in the Piano Etching, Drypoint
Kurt Ries, Germany King Linocut
Marty Ritchie, Canada Flight Over Fireweed Relief
Marty Ritchie, Canada Hunkered Down Relief
Marty Ritchie, Canada The Storyteller Relief
101
Julie Robinson-Southward, United Kingdom Topiary II Linocut
Sarah Rogers, Ireland Elements Etching
Sarah Rogers, Ireland Home Perfect Etching
Mary Romanuck, Canada The Burden of a Heavy Head Linocut
Iwona Rypeść-Kostović, USA Her Serene Highness The Princess of Hohenberg 1900 Digital
Reti Saks, Estonia Art in Hand Intaglio
Reti Saks, Estonia Book Faced Intaglio
Tomiyuki Sakuta, Japan Annabelle Intaglio
103
Tomiyuki Sakuta, Japan Ria Intaglio
Tomiyuki Sakuta, Japan Tess Intaglio
Arpad Salamon, Slovenia Scarecrow Linocut
Feliks Sarv, Estonia Midsummer Intaglio
Feliks Sarv, Estonia Opposition Intaglio
Feliks Sarv, Estonia Philosopher Intaglio
Lukman Satrio, Indonesia Scene #2 Mixed Technique
Aine Scannell, Scotland Last Book II Digital, Drypoint
105
Elizabeth Sigalet, Canada Blue Bowl Screenprint
Louise Simard, Canada Suite Logique I Drypoint
Louise Simard, Canada Suite Logique III Drypoint
Janis Sinclair, Canada Solstice Vessel Photocopy Transfer
Amaryllis Siniossoglou, USA no 721 Polymer Plate
Amaryllis Siniossoglou, USA no 731 Polymer Plate
Vincent Smets, Belgium Cadran Lunaire Aquatint
Robin Smith-Peck, Canada Road Trip 03 - 14 #4 Relief, Digital Ground
107
Robin Smith-Peck, Canada Road Trip 03 - 14 #2 Relief, Digital Ground
Angela Snieder, Canada Skein IV Etching, Chine Collé
Angela Snieder, Canada Skein V Etching, Chine Collé
Darian Goldin Stahl, Canada Dualism I Solarprint, Encaustic
Darian Goldin Stahl, Canada Dualism II Solarprint, Encaustic
William Steinberg, Canada Old Bones Etching
William Steinberg, Canada Rise over Run Etching
William Steinberg, Canada Spring Flight Etching
109
John Steins, Canada Bear Berries Wood Engraving
John Steins, Canada Cottonwood Wood Engraving
John Steins, Canada Lichen Wood Engraving
Kelsey Stephenson, Canada Don’t Look Back Etching, Mezzotint, Chine Collé, Digital
Kelsey Stephenson, Canada Tear Etching, Mezzotint, Chine CollĂŠ, Digital
Kelsey Stephenson, Canada Venture Etching, Mezzotint, Chine CollĂŠ, Digital
Gatoku Masanori Sugimoto, Japan a Cat With the Camera (bridge) Linocut
Gatoku Masanori Sugimoto, Japan a Cat With the Camera (ijinkan) Linocut
111
Gatoku Masanori Sugimoto, Japan a Cat With the Camera (roses) Linocut
Masaaki Sugita, Japan Archangel Michael Copper Engraving
Masaaki Sugita, Japan In a Small Globe Copper Engraving
Masaaki Sugita, Japan Hero is here! Wood Engraving
Ella Sun, Canada Was II Etching
Heather Swenson, USA Let’s table it for now Screenprint
Heather Swenson, USA Untitled Screenprint
Valerie Syposz, Canada External Linocut
113
Valerie Syposz, Canada Internal Linocut
Valerie Syposz, Canada Reciprocal Linocut
Andrea Taylor, Canada Time Jump I Oil Monoprint
Andrea Taylor, Canada Time Jump II Oil Monoprint
Andrea Taylor, Canada Time Jump III Oil Monoprint
Sylvia Taylor, USA I Just Want You To Be Happy Relief
Sylvia Taylor, USA Microcosm Relief
Lisette Thibeault, Canada Bio-fiction I Digital
115
Beverley Thompson, Canada Mt Muktinath Etching
Mirjana Tomaťević, Serbia Hurry Up... Aquatint
Rhonda Uppington, Canada Handpicked Spikes Collagraph
Heather Urness, Canada Bonneville Revisited I Etching, Embossing, Polaroid Transfer
Heather Urness, Canada Bonneville Revisited II Etching, Embossing, Polaroid Transfer
Heather Urness, Canada Bonneville Revisited III Etching, Embossing, Polaroid Transfer
Matthew Van Asselt, USA Climbing the Mountain II Silkscreen
Jozina van Hees, Netherlands Living your Live 1 Digital
117
Jozina van Hees, Netherlands Living your Live 2 Digital
Jozina van Hees, Netherlands Living your Live 3 Digital
Lise Vézina, Canada Enchainée Photopolymer, Drypoint, Etching
Lise Vézina, Canada Et si ... Aquatint, Drypoint, Chine Collé
Lise VĂŠzina, Canada Flottement Aquatint, Chine CollĂŠ
Gabriel Vieira, Brazil Autoestima (Self Esteem) Wood Engraving
M. Vilhamy, Indonesia Daily Art Intaglio
Irma Vodeva, Bulgaria Secret I Drypoint
119
Irma Vodeva, Bulgaria Secret II Drypoint
Irma Vodeva, Bulgaria Secret III Drypoint
Monika Wanyura-Kurosad, Poland Verges 34 Digital
Monika Wanyura-Kurosad, Poland Verges 35 Digital
Monika Wanyura-Kurosad, Poland Verges 36 Digital
Carolyn Watts, United Kingdom Break Out Digital, Mixed Media
Carolyn Watts, United Kingdom Dusk to Dawn Digital, Mixed Media
Carolyn Watts, United Kingdom Rush Digital, Mixed Media
121
Elaine Watts, Canada Flight of the Cicada Solar Etching
Jim Westergard, Canada Groucho’s Trade Marx Wood Engraving
Jim Westergard, Canada Open Minded Wood Engraving
Jim Westergard, Canada Pig-Headed Wood Engraving
Cleo Wilkinson, Australia Becalmed Mezzotint
Cleo Wilkinson, Australia Inception III Mezzotint
Cleo Wilkinson, Australia Whisperer Mezzotint
Laurent Wilmet, Belgium La Chica Mecanica Linocut
123
Katarzyna Winczek, Poland Site plan D.1 Etching, Aquatint
Katarzyna Winczek, Poland Site plan T.2 Etching, Aquatint
Katarzyna Winczek, Poland Site plan T.3 Etching, Aquatint
Elaine Winter, United Kingdom Help Mezzotint
Sylvia Wong, Canada Bleeding Love III Collagraph
Yongsheng Yang, China Bird Reduction Woodcut
Yongsheng Yang, China Moon Reduction Woodcut
Gerri York, Canada Pernicious Puddle #2 Digital, Resin
125
Kazuhiro Yoshioka, Japan A.D 148 Silkscreen & BluePrint
Kazuhiro Yoshioka, Japan Apple Silkscreen & BluePrint
Kazuhiro Yoshioka, Japan Wave Silkscreen & BluePrint
Piotr Ĺťaczek, Poland Trace Linocut
Piotr Ĺťaczek, Poland Trace II Linocut
Piotr Ĺťaczek, Poland Untitled Linocut
Samira Zamani, Netherlands Ear Mezzotint
Samira Zamani, Netherlands Hair Mezzotint
127
Samira Zamani, Netherlands Heart Mezzotint
Daniela Zekina, Canada Metamorphoses 1 Drypoint, Mix Media
Daniela Zekina, Canada Metamorphoses 2 Drypoint, Mix Media
Daniela Zekina, Canada Metamorphoses 3 Drypoint, Mix Media
Sergey Zlotnikov, USA Concerned Copper Photogravure
Sergey Zlotnikov, USA Together Copper Photogravure
Sergey Zlotnikov, USA On The Pond Photogravure
Domenico Zullo, Italy Maleficus Drypoint on Linoleum
129
artist index
131
A Abdul-Rahim, Jamal ................. 26 Abed, Mouna ....................... 22, 26 Ajk Pierce & Tee Kho! ............... 27 Albrecht, Maija .......................... 27 Alexandru, Jakabhazi ............... 27 Allaigre, Rebecca ....................... 28 Ando, Mariko ....................... 28, 29 Aparicio, German ...................... 29 Armitage, Gillian .................. 29,30 Asgari, Nastaran ........................ 30 Ashcroft-Johnson, Beverly . 30, 31 Aspola, Mari ............................... 31 Aubert, Patrick ........................... 31 Auszenkier, Claire ............... 31, 32
Delekta, Pawel ........................... 46 Desmet, Anne ............................. 47 Dewint, Roger ................ 17, 47, 48 Dewitz, Abel ............................... 48 Diankov, Dimitar ....................... 48 Dotto, Gerry ............................... 49 Douglas, Lorraine ...................... 49 Dowgwillo, Nicholas .......... 49, 50 Drewett , Holly ......................... 50 Duhteva, Maria .................... 50, 51
E Edgarr, Victoria ......................... 51 Egger, Manfred .......................... 51 Elbaum Tariel, Neige ................ 52
B
F
Badonnel, Frederique ............... 32 Baggaley, Tom ........................... 32 Baillies, Kate ............................... 33 Baldwin, Daemon ...................... 33 Ball, Betty .............................. 33, 34 Barrett-Danes, Ruth ................... 34 Barry, Jo ...................................... 35 Bertrand, Micheline ............ 35, 36 Bonnell, Tonia ............................ 36 Boucher, Cécile .......................... 36 Boyadjieff, Peter ......................... 37 Brassard, Marie-Ange ............... 37 Brett, Leonard ............................ 37 Bulas, Patrick .............................. 37 Bury, Aleksandra ....................... 38
Feil, Randie ................................. 52 Flanagan, Aidan ........................ 52 Forbes, Ian .................................. 52 Fricke, Juttmarie ........................ 53 Frydryk, Grzegorz ..................... 53 Furst, Donald ....................... 53, 54 Fusano, Tsuboi ..................... 18, 54
C Castro, Adriano ......................... 38 Charbonnel, Michel ............. 38, 39 Cheung, Eric ............................... 39 Chiba, Akiko ........................ 39, 40 Chirachaisakul, Kraisak ........... 40 Clancy, Majella .......................... 41 Clifford, David ........................... 41 Cooper, Jane ............................... 42 Cormier Splane, Margot ..... 42, 43 Costaz, Alain .............................. 43 Coulter, Maeve .................... 43, 44 Craig, Briar ................................. 44 Creighton, Robert ...................... 44 Cywicki, Lukasz ........................ 44
D Daigle, Lillianne ........................ 45 Davies, Alyson ........................... 45 Delekta, Eugeniusz ............. 45, 46
G Gajera, Jayant ....................... 54, 55 Garrison, Emily .......................... 55 Gillespie, Colin .......................... 56 Glass, Neala .......................... 56, 57 Goldman, Barbara Broff ........... 57 Gorbas, Jerzy .............................. 57 Grossett, Laura ........................... 58 Grover, Emma ............................ 58 Guichon, Laurence .................... 59 Gupta, Aditi ............................... 59 Gupta, Annu ........................ 59, 60
H Haydon, Kelly ............................ 60 Hilli, Anneli ................................ 60 Hofer, Eleanora .......................... 61 Hong, Yoon ................................. 61 Horne, Bill .................................. 62 Hulsewig, Ursula ...................... 62 Hunt, Anita ................................ 63 Huotari, Eeva ............................. 63 Huston, Heather .................. 63, 64
I Ibbott, Douglas .......................... 64 Ihaya, Tomoyo ........................... 64
Ikuko, Okana ........................ 64, 65 Ilic, Maja ..................................... 65 Ishiwata, Takeo .......................... 66 Iwasa, Suzuna ............................ 66
J Jagniecki, Andrew ..................... 66 James-Emirkanian, Michele . 22, 67 Jones, Milos ................................ 67
K Kakiuchi, Mariko ....................... 68 Kaplas, Leena ............................. 68 Kawasaki, Kaoru ....................... 68 Kawelczyk, Tomasz .................. 69 Kim, Hyun-Jin ............................ 69 Kim, So Yeon .............................. 69 Kinichi, Maki ........................ 22, 70 Kitching, Maggie ................. 70, 71 Krause, Edith ............................. 71 Kristensen, Kari ......................... 72 Kwak, Nasil ................................ 72
L Laine, Janne ................................ 73 Laing, Bill .................................... 73 Lawlor, Stephen ......................... 74 Leier, Heather ............................ 74 Leka, Lotta .................................. 75 Lemieux Bérubé, Louise ........... 75 Lipkin, Victor ............................. 75 Litsios, Susan ............................. 75 Lochhead, Kathleen .................. 76 Loewen, Valerie ......................... 76 Loggia, Chiarina .................. 76, 77 Lowry, Janet ............................... 77 Lucaciu, Adriana ....................... 77 Lucas, Yvette .............................. 77 Lucic Jankovic, Ranka ............... 78
M MacFarlan, Robin ................ 22, 78 Mack, Alastair ............................ 79 Mackie, Laurie ..................... 79, 80 MacLean, Lisa ...................... 80, 81 Madden, Bernadette .................. 81 Magnier, Armelle ................ 81, 82 Mahan, Beatriz ..................... 82, 83 Majiski, Joyce ............................. 83 Malchiodi, Claude ..................... 84 Malkinson, Brenda .............. 84, 85 Mannion, Susan ......................... 85 Maréchal, Bernadette ................ 85
Markolf, Knicki (Loreen) .......... 86 Mccall, Ann ................................ 86 Melano, Ana ......................... 23, 87 Metzger, Richard ....................... 87 Miida, Sakae ......................... 87, 88 Morouney, Bob .................... 88, 89 Morrain, Marsha ........................ 89 Morrish, David .......................... 89 Morstoel, Gunn N. .............. 89, 90 Mulder, Nan ............................... 90
N Nadeau, Luc ......................... 23, 90 Nagy, Klara ................................ 91 Natsukari, Ryo ........................... 91 Neville, Cleo ............................... 92 Norquay, Sara ............................ 92 Novak, Michal ...................... 92, 93 Nunn, Darryl .............................. 93
O Ogawa, Jyunko .............. 23, 93, 94
P Palumbo, Louis Antonio .......... 94 Pavlova, Galina .......................... 94 Pawlus, Natalia .................... 94, 95 Philippe, Pierre .......................... 95 Poignon, Nicolas ........... 19, 95, 96 Prévost, Laurence ...................... 96 Purchase, Michelle .................... 97
Q Quist, Courtenay ....................... 97
R Racine, Ross ................................ 97 Radonjic, Simonida ................... 98 Reesman, Sally ........................... 98 Ries, Kurt .................................... 99 Ritchie, Marty ............................ 99 Robinson-Southward, Julie .... 100 Rogers, Sarah ........................... 100 Romanuck, Mary ..................... 100 Rypeść-Kostović, Iwona ......... 101
S
Sarv, Feliks ....................... 102, 103 Satrio, Lukman ........................ 103 Scannell, Aine .......................... 103 Seccafien, Cara ................... 23, 104 Sigalet, Elizabeth ..................... 104 Simard, Louise ......................... 104 Sinclair, Janis ............................ 104 Siniossoglou, Amaryllis .......... 105 Smets, Vincent ......................... 105 Smith-Peck, Robin ..... 24, 105, 106 Snieder, Angela ........................ 106 Stahl, Darian Goldin ....... 106, 107 Steinberg, William ................... 107 Steins, John ............................... 108 Stephenson, Kelsey ......... 108, 109 Sugimoto, Gatoku Masanori ... 109 Sugita, Masaaki ........................ 110 Sun, Ella .................................... 111 Swenson, Heather ................... 111 Syposz, Valerie ................. 111, 112
Y Yang, Yongsheng ................. 24, 123 York, Gerri ........................... 20, 123 Yoshioka, Kazuhiro .................. 124
Z Żaczek, Piotr ...................... 124, 125 Zamani, Samira ................. 125, 126 Zekina, Daniela ......................... 126 Zlotnikov, Sergey ...................... 127 Zullo, Domenico ....................... 127 *page numbers apply to print version only*
T Taylor, Andrea ................. 112, 113 Taylor, Sylvia ............................ 113 Thibeault, Lisette ..................... 113 Thompson, Beverley ............... 114 Tomašević, Mirjana ................. 114
U Uppington, Rhonda ................ 114 Urness, Heather ............... 114, 115
V Van Asselt, Matthew ............... 115 van Hees, Jozina .............. 115, 116 Vézina, Lise ...................... 116, 117 Vieira, Gabriel .......................... 117 Vilhamy, M. .............................. 117 Vodeva, Irma .................... 117, 118
W Wanyura-Kurosad, Monika ... 118 Watts, Carolyn ......................... 119 Watts, Elaine ............................. 120 Westergard, Jim ....................... 120 Wilkinson, Cleo ....................... 121 Wilmet, Laurent ....................... 121 Winczek, Katarzyna ................ 122 Winter, Elaine .......................... 122 Wong, Sylvia ............................ 123
Saks, Reti ................................... 101 Sakuta, Tomiyuki ............ 101, 102 Salamon, Arpad ....................... 102
133
135