BIMPE X
the tenth biennial international miniature print exhibition Vancouver bc, canada 2018
Front cover image: Fluffy I, Janne Laine, Polymer gravure Used with permission by the artist Front and back cover, and catalogue design by Alejandra Montes de Oca Special thanks to Jocelyn, Raine, & Kathy Introduction by Rollin Milroy, Heavenly Monkey BIMPE photos by RedOranjes Jury photos provided by the artists The back cover stamps are from various BIMPE entries throughout the years Printed at West Coast Reproduction Centres LTD
ISBN 978-0-9782396-9-5 All rights reserved
Publisher: SCWOP The Society for Contemporary Works on Paper 1370 Cartwright Street, Vancouver, BC Canada
bimpe.com newleafeditions.com artists.ca dundaraveprintworkshop.ca ok.ubc.ca snapartists.com
BIMPE X
Presented by The society for Contemporary works on paper
Contents Thank you
6
Peter Braune’s Acknowledgements
8
Introduction
10
Jurors’ statements
12
Prize winners
17
Honourable mentions
25
Selected works
31
Artist index
128
tirelessly on the production of BIMPE X Jackie Nickolas for getting the process off the ground; Gail Fromson for the scanning of the chosen prints; Damon Baldwin who colour corrected images; Alex, who did the lion’s share of work to bring the catalogue to press; Dana, Marsha, Rosalind, and Lisa for their help with framing, and their conversation; Marsha McCall for the lovely Ikebana flower arrangement for our opening; and the Craft Council of BC for providing us with a home base when the New Leaf Editions studio was destroyed.
Thank You
Unpacking
While thinking about who to thank for making BIMPE X a reality, we are struck by the realization that we have been organizing the BIMPE exhibitions for 19 years! And as with all long-lived grassroots projects, so many people have been essential to its continued success; therefore, it is important to take a moment to extend our sincere gratitude and appreciation to all of those involved.
Dana framing the first prints
It is hard to remember all the volunteers that have been board members of the Society of Contemporary Works On Paper (SCWOP) over the years, but it is their continued encouragement that helps realize each BIMPE exhibition – they have been invaluable! Over these ten BIMPE iterations, there have been 30 artists from Canada and the USA who have been jurors. It has been a great pleasure to see all the jurors meet each other for the first time and to be flies on the wall as they review the submissions to create each BIMPE exhibition.
We would like to thank the many talented volunteers, and staff without whose expertise and time, the exhibition would not have happened. A heartfelt thanks goes out to everyone who has worked so 6
We’d like to thank this year’s artists for traveling to Vancouver to jury BIMPE X:
print work from all over the world. Thanks to these suppliers of high quality products that artists use in the production of their work:
Annalise Gratovich, from Flatbed Press, Austin, Texas Michael Barnes, Printmaking Professor at Northern Illinois University, DeKalb, Illinois
Opus Framing and Art Supplies, the main art supply store in British Columbia; Gamblin Artists Colors, producers of great ink and a constant supporter of print projects; and Awagami Factory, our most recent supporter and maker of beautiful Washi.
Briar Craig, Faculty of Creative and Critical Studies, UBC Okanagan Campus, Okanagan, British Columbia A big thank you to the Granville Island Hotel, who generously supported BIMPE X by helping out with accommodations and dining for the jurors. Their staff has been wonderful, and their service has been a much appreciated reward after a day of deliberations.
We would like to thank CMHC Granville Island for their contribution and support of this and all the past BIMPE exhibitions. Of course, in the end we would have nothing to show if artists did not submit their work to this exhibition - so thanks to all of you who continue to provide us with a glimpse of the very best in printmaking from across the world.
We also appreciate the Granville Island merchants’ support: Zara’s Pasta, Dussa’s, and Longliner Seafood, who generously provided treats for our jury and the openings; to V&J Plant Shop who provided amazing flowers for the opening and to Liberty Wine Merchants who have helped out with libations along the way. Thanks to the all the venues, and their staff, that hosted BIMPE X: Federation of Canadian Artists, Dundarave Print Workshop, University of BC Okanagan, and Society of Northern Alberta Printmakers, (SNAP). These venues have been a great vehicle to exhibit and promote BIMPE, while also creating a greater awareness of the wide varieties of 7
Peter Braune’s Acknowledgements
This is the tenth edition of our exhibition, spanning 20 years, and we never imagined how things would change over this time. From sending posters out to promote the first exhibition, to today’s social media outlets; from cash to paypal. We had at one point thought it would be great to send the catalogue out on a CD - now, new computers can’t even read CDs. However, I still feel it’s important for printmakers to see the real work of other artists, which is why we still print a paper catalogue.
be grateful to our friends and community members who have made BIMPE possible. As I reflect on the past 20 years, I personally would like to take a moment to remember some of the early supporters that we have sadly lost along the way: Marijka Nap, who worked hard to set up and manage the first Bimpe exhibition, along with Katie Dey and Debra Yelva. Marijka stayed involved as a volunteer and participant until she passed away in 2011. The first prize is awarded in her name.
It was initially the first BIMPE jury with Lyndel Osborn, Bill Lang and Noboru Sawaii that encouraged our ongoing production of the 10 BIMPE exhibitions. Their contacts around the world allowed us to get the word out about our exhibition, and their support was pivotal in getting BIMPE I off the ground. We will always
Beans Justice, who was a local architect and artist, was a generous supporter of BIMPE and the local arts community until his passing in 2006. His positivity and passion has stayed with us. He became a good friend and is missed by all who knew him. 8
Noboru Sawai, an inventive printmaker and professor of printmaking at the University of Calgary, worked with papermakers in Japan to create beautiful papers that allowed for the printing of his Mokuhanga prints and etchings. He founded his own Mokuhanga printmaking studio and produced prints with some of Canada’s most prominent artists. He also shared his knowledge and enthusiasm with his many students and fellow printmakers until he passed away in 2016. Finally, Kent Lovelace, who was one of my earliest mentors, and who was a juror for BIMPE III. I worked for him at Stone Press in Seattle on special projects, and often to work on his many building projects. Kent was one of the people I relied on for advice on how to run a collaborative print studio and learned so much from him as we worked together to solve many a technical problem. BIMPE X is an occasion to look back at these 20 years, during which many people have come and gone, and celebrate the indelible marks that each and every one of them has left on our mini print show.
9
acquiring art, developing and trusting their eye, and curating their personal collection, new worlds open for them. Soon enough the challenge becomes not what to buy, but where to hang new acquisitions; again BIMPE provides a unique solution, allowing collectors to continue adding without requiring significant wall-space for new pieces.
Introduction Written by Rollin Milroy Publisher, Heavenly Monkey
Printmaking, unlike painting, shares a history with the graphic arts, which has been the path into fine art for many people. For me, selecting a painting – of any size – seems a much more fraught endeavour than bringing home a print. I don’t know why. The word “print” is often used casually and incorrectly, usually in reference to a reproduction. There’s nothing inherently wrong with reproductions, but they are mechanically reproduced – a picture of a piece of art. A true print is the mark left by some surface – the matrix – that has been cut, scratched or otherwise altered by the artist, inked, and pressed into a piece of paper. There is no original, just the piece of wood, copper or whatever medium the artist chooses. Outside of photography, digital prints occupy a tricky spot between traditional prints and reproductions. If the digital file is a scan of a piece of art, it’s a reproduction. If the digital file is itself the matrix — if the piece being printed was created entirely in cyberspace — I would argue it is a genuine print.
Few people have an excess of both wall space and money. In Vancouver, many people have neither; some are lucky to have one or the other: loose change (to buy art) or empty walls (to hang it). BIMPE is a rare event that bridges the divide. It holds an uncommon place in the modern art market, and plays an important role for artists, collectors, and, perhaps most important, people who would like to collect art but aren’t sure how to start. The sheer number of participating artists from around the world, representing all of the traditional printmaking techniques, ensures that everyone will see something that appeals. By focusing on the smaller format, the show also provides a welcoming entré for the uninitiated: a few small prints can be had for not much money, and once people discover the joy of seeking out and
From the outset, the show’s dimensional limitation was primarily logistical: it makes soliciting, shipping, organizing, hanging and managing easier. There is, however, also an aesthetic advantage: many printmaking 10
Assembling your own art collection however limited or expansive is an act of self-expression. Going out to see new art — and when the opportunities arise, purchasing some — opens new doors to local and broader communities, engaging you in conversations that might not otherwise have happened. BIMPE is an excellent place to join in.
techniques benefit from the focused attention imposed by a smaller format. Take the time to look very closely at the prints, to see and think about how each line was created. The skill in printmaking lies not just in how that medium is worked on by the artist, but also how it is printed. Most of the prints in BIMPE will have been printed by the artists, but not all; there is a long tradition of artists collaborating with master printers to realize their prints, with the printer providing technical suggestions to help the artist achieve their desired result. New Leaf Editions’ Peter Braune, the driving force behind BIMPE, is exactly this sort of master printer, and it is thanks to his reputation, connections, and tireless work that BIMPE now enjoys its tenth iteration, with entries from 193 artists representing 36 countries.
The Count, materials best not shared
11
on Granville Island, that BIMPE is a highly regarded exhibition and overall event, spoken highly of by everyone. It was a real pleasure being a part of such a vibrant community event, if only at the beginning of the entire production.
Jurors’ statements
The quality - and amount - of submissions was truly wonderful. There was a rich selection to jury the exhibition from. Michael and Briar were both wonderful company though this process; it was a pleasure to work with them both. I’m greatly looking forward to seeing the exhibition catalogue and following more BIMPE exhibitions in the future. Thank you to Peter, Jackie, and the artists of Granville Island for all you do!
Annalise Gratovich Annalise Natasha Gratovich lives and works in Austin, Texas. She is the Associate Director of Flatbed Press, and she is on the Board of Directors of PrintAustin, a month-long, citywide printmaking event for which she has helped organize exhibitions and special events, curate the PrintAustin Invitational, and has participated in artist and curator talks, and panel discussions. She has exhibited extensively nationally and internationally. Her work is included in numerous publications including Flatbed at 25, a UT Press monograph on the publisher. Joining Michael and Briar for the BIMPE X jurying process was a wonderful experience and opportunity; being hosted in the beautiful city of Vancouver for the duration of the process was a dream. Borderland by Annalise Gratovich Woodcut, 2018
It was apparent, through meeting the artists 12
professional experience offered interesting multiple perspectives, which we often discussed over the various pieces selected, especially when it came to the awards. In the end, I feel we selected a powerhouse exhibition and congratulate all of the artists included. This being one of the first times I have been to Vancouver was an added experience, and to work with Peter and Jackie at New Leaf Editions was especially enjoyable. They should be commended on all of the work that they put into the organization of the exhibition, from beginning to end, and for the immense benefit it brings to the Vancouver community. Thank you to all for this opportunity, and again, congratulations to all of the amazing artists included in this exhibition.
Michael Barnes Michael Barnes received his MFA from the University of Iowa. He is an Associate Professor of Art and is the Printmaking Area Head for the School of Art at Northern Illinois University, Dekalb, IL. It was an honor and pleasure to be one of the jurors in the selection of work for the BIMPE X. The format of this exhibition, which allows for actual work to be sent, made this process even more rewarding. Seeing the actual prints and being able to hold them up close to examine details of the lines and textures was especially valuable to the experience and to inform our selection of the best work. The array of work was all inclusive of print techniques and included a broad international representation. Working with two other jurors was a wonderful process, which I am sure is not always the case. It was a great pleasure to work with Briar and Annalise, as their
Optimist by Michael Barnes Lithograph, aluminum plate (photo plates, drawings on textured mylar), 2012 13
astonishing was the volume of really strong works that captivated and drew me into the artist’s ideas, as well as their imaginative (often strange) and convincingly expansive worlds beneath the picture plane. It seems that for many artists the miniprint has increasingly become a format of choice capable of everything, from the very subtle to the grandest of statements and everything in between. Perhaps the limitations of scale presented by the mini-print format provide artists with restrictions within which they can react and create in ways that are both idiosyncratic and meaningful. As an artist who has often succumbed to the idea that bigger is better, I found the immersion into a literal sea of miniature prints infinitely illuminating in part because of the intimate proximal relationship that tiny works demand and in part because so many of the prints on view were so involved in their content.
Briar Craig Briar is currently a professor of Printmaking, Photography and Drawing at the Faculty of Creative and Critical Studies in The University of British Columbia, Okanagan Campus. His research interests include contemporary printmaking theory and practice, popular culture, interactive installation, innovation sustainability and safe practices in printmaking, as well as curatorial practices.
Apparently, the three of us worked differently from previous BIMPE juries in that we went through all of the works together as a group rather than looking at them individually. What resulted from this collective approach was the chance to have short discussions about each of the works we were viewing and to learn from alternate takes concerning content, materiality and what might be positive or not so positive about each print. Printmaking has often been called a most ‘democratic’ of art forms in part because of its ability to be shared broadly. Each of the BIMPE exhibitions has come to epitomize that sense of community and sharing; and, this particular jury process
Having been lucky enough to serve on the jury panels for a few International exhibitions, I entered New Leaf full of confidence that jurying BIMPE 2018 would provide a mix of familiar imagery and technical processes along with the occasional surprise from the works submitted. What I can say without reservation though, is that viewing the vast number of submissions provided many, many more surprises than I could have anticipated. The sheer volume of works at hand immediately suggested that we were going to see a lot of different ideas, materials and processes at play but what was most 14
was in large part about sharing – sharing thoughts, experiences and opinions. It was a pleasure to have been so thoroughly engaged.
Post Truth by Briar Craig Ultra-violet screen print, 2017
15
Prize Winners
F ish J umping
C uckoo C lock
Engraving by burin
Engraving by burin
Masaaki Sugita Japan
MARIJKE NAP PRIZE (First Place)
F ace
to face
Engraving by burin 19
T okyo
fruit conversion plan
Lithograph
II
T okyo F ruit conversion Lithograph
plan
III
fruit conversion plan
IV
Ayane Sato Japan Second Place
T okyo 20
Lithograph
A.W.C. 1
A.W.C. 2
Intaglio
Intaglio
German Aparicio Spain Third Place
A.W.C. 3 Intaglio
21
S omething /S omeplace VI
D ream T ree
Etching , digital, screenprint, Chine-collĂŠ
Wood Engraving
Vanessa Hall-Patch Canada THE OPUS PRIZE
Kayoko Moriyama Japan THE AWAGAMI PRIZE
22
H azard
Mezzotint & Drypoint
Hedieh Jafari Iran THE GAMBLIN PRIZE
23
Honourable Mentions
Michael DeVito
Catherine Gillet
Kalli Kalde
Antoni Kowalski
N ight B urden Etching , Aquatint , USA
A bandoned V illages II Intaglio , Estonia
C ommencements ( b ) Burin , France
26
F reedom Mezzotint , Poland
Karen Kunc
Janne Laine
David Morrish
Reneta Murauskaite
S plashes Etching Aquatint , USA
F luffy I Polymergravure , Finland
W rapped H orse
Photopolymer gravure & Chine-collĂŠ, Can ada
27
T able Etching , Lithuania
Miriam Rudolph
Anna Trojanowska
M igration II Intaglio, Chine-collĂŠ , Canada
R ebase _03 Lithograph , Poland
28
Selected Work
Merja Ala-Olla F ragile Etching , Drypoint, Aquatint, Finland
Suzie Allen R eflets IV Etching, Canada
Suzie Allen R eflets VI Etching, Canada
Mariko Ando A lphabet “M” Intaglio, Canada 32
Mariko Ando A lphabet “Y� Intaglio, Canada
Claire Auszenkier B lue D og Mezzotint, France
Claire Auszenkier G renade Mezzotint, France
Kate Baillies C onnecting the D ots Intaglio, Canada 33
Jo Barry F rosty F ires Etching, UK
Jo Barry H oary H eaded F rost Etching, UK
Jo Barry A B lue F rost B right D awn Etching, UK
Margaret Becker F eathered H en Drypoint, Ireland 34
Marcelle Benhamou R adiolaire I Ink, China paper, France
Georg Bothe CNG XV ( e . a . II/VI) Tetra Pak Engraving, Germany
Paulina Buzniak D ad is watching Lithography, Poland
Paulina Buzniak C himera Lithography, Poland 35
Mariela Canchari M emory I Etching , Drypoint, Burin, France
Mariela Canchari M emory II Etching , Drypoint, burin, France
Mariela Canchari M emory III Aquatint, Etching , Drypoint, burin, France
Ed Catley E dward Etching, England 36
Elvira Cerda E nvolees E n M er Photo polymere, Chine-collé, Belgium
Mitchell Chalfoux T umble dry gentle Monoprint, Chine-collé, Fibres, Canada
Mitchell Chalfoux H and W ash Monoprint, Chine-collé, fibres, Canada
Mitchell Chalfoux D o not bleach Monoprint, Chine-collé, fibres, Canada 37
Nastazja Ciupa H alda Lithography, Poland
Jane Cooper H alcyon B lue VI Monotype on 22k Gold Leaf, USA
Jane Cooper H alcyon R ed I Monotype on 22K Gold Leaf, USA
Jane Cooper H alcyon R ed II Monotype on 22 k Gold Leaf, USA 38
Margot Cormier Splane W e survived T rump Serigraph, Canada
Margot Cormier Splane A ngry B irds Serigraph, Canada
Margot Cormier Splane Y ou are being watched Serigraph, Canada
Sabrina Costa I nsomnia Drypoint, Italy 39
Sabrina Costa T eeth Drypoint, Italy
Jack Craft U ntitled CMY Y,M Steel plate Intaglio, USA
Robert Creighton F ar S tone Mixed Intaglio/Chine-collé, Canada
Robert Creighton B eyond T his Mixed Intaglio/Chine-collé, Canada 40
Pal Csaba S ix plates 01 Drypoint, Hungary
Pal Csaba S ix plates 02 Drypoint, Hungary
Pal Csaba S ix plates 03 Drypoint, Hungary
Lukasz Cywicki P erson of T ime -26 Linocut, Poland 41
Lukasz Cywicki P erson of T ime -29 Linocut, Poland
Lukasz Cywicki P erson of T ime -28 Linocut, Poland
Theo Damsteegt U nititled Linocut, Netherlands
Mehdi Darvishi L amp Mezzotint, Iran 42
Pamela de Bri W aiting Etching, Ireland
Pamela de Bri W atching Etching, Ireland
Bernabe Del Castillo P aysage 1 Engraving on plaster, France
Bernabe Del Castillo P aysage 2 Engraving on plaster, France 43
Bernabe Del Castillo P aysage 3 Engraving on plaster, France
Martine Desilets L e V oilier Collagraphie, Canada
Martine Desilets L a F orĂŞt Collagraphy, Canada
Michael DeVito B efore everything else Etching , Aquatint, USA 44
Nicole Dore Brunet N ordet Woodcut, Canada
Lorraine Douglas P ool Sugar Lift Etching, Canada
Narda Doyle M onster II Aquatint, Canada
Narda Doyle M onster III Soft ground, Canada 45
Teddi Driediger
Teddi Driediger
The Clouds are Square Today Larissa Claire
Searching for floomooroos in a Deliquesce forest
Block Print, Canada
Block Print, Canada
Agata Dworzak-Subocz S pace _1814 Digital, Poland
Agata Dworzak-Subocz S pace _1914 Digital, Poland 46
Agata Dworzak-Subocz S pace _4377 Digital, Poland
Olesya Dzhurayeva P uddle Linocut, Ukraine
Olesya Dzhurayeva 300 G rams Linocut, Ukraine
Susan Early K nocknarea T ree Etching & Aquatint, Ireland 47
Victoria Edgar REPRIVE T ales Etching, Canada
of
Victoria Edgar ARISE T ales of G ood Etching, Canada
G ood & E vil
Eve Eesmaa XY Intaglio, blockprint, Estonia
and
Eve Eesmaa XX I Intaglio, Blockprint, Estonia 48
E vil
Eve Eesmaa XX II Intaglio, blockprint, Estonia
Steven Foutch F alling B ack Engraving , relief print, USA
Steven Foutch T he D evil and his W ife Engraving , relief print, USA
Steven Foutch M oving F orward Engraving , relief print, USA 49
Alison Frank S nowball C atapult A ssistance Intaglio, Canada
Alison Frank M ending F light P ath Intaglio, Canada
Tsuboi Fusano S hining W orld #1 Etching, Japan
Tsuboi Fusano S hining W orld #2 Etching, Japan 50
Tsuboi Fusano F lowering P lanet Etching, Japan
Allison Gaines 1386 N icola S treet Screen Printing, Canada
Renee Gelinas M igration no .1 Linocut, Chine-collĂŠ, Canada
Renee Gelinas M igration no .2 Linocut, Chine-collĂŠ, Canada 51
Renee Gelinas M igration no .3 Linocut Chine-collĂŠ, Canada
Colin Gillespie V ote F or M e Collage/Relief, UK
Colin Gillespie L ook - T here ’ s a D rone Collage/Relief, UK
Catherine Gillet C ommencements ( a ) Burin, France 52
Catherine Gillet C ommencements ( c ) Burin, France
Roberto Godoy E l C orista S olista Etching & Chine-collĂŠ, Canada
Roberto Godoy L e L oft Serigraphy, Canada
Jerzy Gorbas S elf - portrait with Linocut, Poland 53
his hands
Barbara Graham T he W atchers III Etching, New Zealand
Barbara Graham T he W atchers IV Etching, New Zealand
Mark Graver I ntroduced B irds - S parrow Inkjet, New Zealand
Mark Graver I ntroduced B irds - C haffinch Inkjet, New Zealand 54
Mark Graver I ntroduced B irds - S ongthrush Inkjet, New Zealand
Colette Greco-Riddle M eticulous A ttention Etching, Canada
Carol Grespan I lha G rande Ething, Brazil
Carol Grespan N uvens Etching, Brazil 55
Aditi Gupta L ayers Etching, India
Aditi Gupta W ild C ard Etching, India
Aditi Gupta R eserved T raits II Etching, India
Alicja Habisiak-Matczak U rbino L unettes I Salt Aquatint, Poland 56
Alicja Habisiak-Matczak U rbino L unettes III Salt Aquatint, Poland
Vanessa Hall-Patch S omething /S omeplace IV Etching, digital, screen print, Chine-collĂŠ, Canada
Vanessa Hall-Patch S omething /S omeplace V Etching, digital, screen print, Chine-collĂŠ, Canada
Lacey Hawthorne S ounding L ight II Etching , Aquatint, Canada 57
Sylvie Heslot L e T orchon Mezzotint, France
Sylvie Heslot U ntitled Mezzotint, France
Yoon Hong L ego 1 Wood Engraving, South Korea
Yoon Hong L ego 2 Wood Engraving, South Korea 58
Yoon Hong R ollei Wood Engraving, South Korea
Tomoko Horiguchi F aces 24 Monotype Drypoint, Japan
Tomoko Horiguchi F aces 25 Monotype Drypoint, Japan
Tomoko Horiguchi F aces 26 Monotype Drypoint, Japan 59
Bill Horne A urora I Silkscreen; glow in the dark ink;VE, Canada
Bill Horne A urora II Silkscreen; glow in the dark ink; VE, Canada
Jeff Huckeby F issure Intaglio, Relief, Hand Colouring, USA
Marcel Huguet M asque Lithograph, Canada 60
Anita Hunt L odge XIV Etching , Aquatint, USA
Anita Hunt R oot C ave Etching , Aquatint, USA
Anita Hunt L odge XV Etching , Aquatint, USA
Louise Hunt D iamonds Monotype, Canada 61
Eeva Huotari T ools Etching , Aquatint, Finland
Eeva Huotari A rtist ’ s B rushes Drypoint, Finland
Eeva Huotari S towaway Mezzotint, Finland
Ayako Iguchi V iew -29 Etching & Aquatint, Japan 62
Ayako Iguchi V iew -30 Etching & Aquatint, Japan
Kiyoharu Ishimoda B on V oyage ! Mezzotint, Japan
Kiyoharu Ishimoda N atural L antern Mezzotint, Japan
Kiyoharu Ishimoda O kayama D enim Mezzotint, Japan 63
Suzuna Iwasa F issiparity 1 Monotype, Japan
Suzuna Iwasa F issiparity 2 Monotype, Japan
Suzuna Iwasa F issiparity 3 Monotype, Japan
Cecilia Jackson 35° 45’ 25.0”S 150° 10’ 03.7” E Linocut, Australia 64
Cecilia Jackson 38° 55’ 22”N 077° 05’ 03” W Linocut, Australia
Tibor Jaeger A pproaching 1 Digital and Screenprint, Sweden
Tibor Jaeger A pproaching 4 Digital and screen print, Sweden
Alexandru Jakabhazi M arks in the G arden Aguaforte, Relief print, Romania 65
Michéle James Petites écritures animales/Small Animal Writing
Etching & Polymer, France
Mich_le James R êve de liberté /D ream of F reedom Etching and polymer, France
Anu Juurak U ntitled 3 Lithography, Estonia
Anu Juurak U ntitled 4 Lithography, Estonia 66
Kalli Kalde A bandoned V illages I Intaglio, Estonia
Kalli Kalde A bandoned V illages III Intaglio, Estonia
Tomoko Kanzaki S urface Mimeograph, Japan
Søren Kastalje P rivate V iew 4 Linocut, Denmark 67
Søren Kastalje P rivate V iew 5 Linocut, Denmark
Søren Kastalje P rivate V iew 6 Linocut, Denmark
Maura Keating J apanese A nemone Etching, Ireland
Emily Kester T hree P hase Etching, Canada 68
Hyun-Jin Kim B eyond -8 Woodcut, Taiwan
Hyun-Jin Kim B eyond -9 Woodcut, Taiwan
Hyun-Jin Kim B eyond -10 Woodcut, Taiwan
M. Simpson King G enetic O verload Linocut Reduction, Australia 69
Maggie Kitching B essie Vinyl Cut, UK
Maggie Kitching N ext D oor N eighbour Vinyl Cut, UK
Judith Klugerman N oel 2013 Etching, Canada
Te Knudsen A utumn Mokuhanga, Canada 70
Ariel Kofman S creen TV W atcher Waterless Lithograph, Argentina
Ariel Kofman TV watcher ’ s gastrophile Woodcut, Argentina
Ariel Kofman L ittle gastrophile Woodcut, Argentina
Yui Koike C ross the B ridge Mezzotint, Japan 71
Yui Koike W ait for a B us Mezzotint, Japan
Yui Koike T ake a T rain Mezzotint, Japan
Yuta Konno U ntitled Etching , Engraving, Japan
Yuta Konno E lement 2 Etching Aquatint, Japan 72
Yuta Konno E lement 3 Etching Aquatint, Japan
Antoni Kowalski S ky Mezzotint, Poland
Agnieszka Koziarz E n P lein A ir Screenprint, Embossment, Digital, Canada
Edith Krause A re we there yet ? Screenprint, Drypoint, Chine-collĂŠ, Canada 73
Edith Krause W here to land ? Screenprint, Drypoint, Chine-collé, Canada
Edith Krause A liens Screenprint, Drypoint, Chine-collé, Canada
Claire Kujundzic W ildfire W oman Silkscreen; VE, Canada
Sana Kulic M onstera Digital Print, Serbia 74
Karen Kunc B lue N ight Etching and Aquatint, USA
Yolaine Labelle H azard Monoprint/Collage, Canada
Yolaine Labelle -3ยบ C Linocut, Canada
Janne Laine F luffy II Polymer gravure, Finland 75
Janne Laine F luffy V Polymer gravure, Finland
Katherine Laird N ight M oves I Etching, Canada
Katherine Laird N ight M oves II Etching, Canada
Katherine Laird N ight M oves III Etching, Canada 76
Clara Laratta B loom I PhotoEtching , Chine-collĂŠ, Canada
Clara Laratta B loom II Photo Etching , Chine-collĂŠ, Canada
Francoise Legris T rio Lithography, Canada
Francoise Legris A da Lithography, Canada 77
Jose Leite Z eppelin S obre Woodcut, Brazil
a
Victor Lipkin E xodus I Reductive Relief, Israel
G uanabara
Victor Lipkin E xodus II Reductive Relief, Israel
Adriana Lucaciu G raphic S pace CGD, Romania 78
Bernadette Madden Y ellow G orse Screenprint, Ireland
Bernadette Madden D ark green sea Screenprint, Ireland
Bernadette Madden E arly S unlight Screenprint, Ireland
Armelle Magnier E n C hien D e F usil Drypoint, mezzotint lyno, France 79
Armelle Magnier E closion Mezzotint Lino, France
Armelle Magnier S ur un lit de plumes Burin Lino, France
Paule Mainguy N o title (H ead of K ingfischer ) Etching, Canada
Paule Mainguy P aruline B leue (B lue W arbler ) Etching, Canada 80
Paule Mainguy B ird is a bird is a Etching, Canada
Samuel Maita Argote M artyr II Woodcut, Bolivia
bird is a birdรณ
Samuel Maita Argote M artyr III Woodcut, Bolivia
Bernadette Marechal E closion Aquatint & Mezzotint, Belgium 81
Bernadette Marechal S ans T itre Aquatint, Belgium
Bernadette Marechal S ans T itre Aquatint, Belgium
Maryse Marpsat E rrances U rbaines 7 Mezzotint, France
Monique Martin J ust B ecause ... Monoprint, Canada 82
Monique Martin G ames of Y esteryear Ink & Silver Leaf, Canada
Marie-Louise Martin D ream I Etching, Ireland
Marie-Louise Martin L ove L etter Etching, Ireland
Marie-Louise Martin D ream III Etching, Ireland 83
Henri Martraix 180115 Digital Print, France
Henri Martraix 180122 Digital Print, France
Henri Martraix 180128 Digital Print, France
Atsushi Matsuoka S ound of the P acific Wood Engraving, Japan 84
Atsushi Matsuoka T he D epth of P upil Wood Engraving, Japan
Atsushi Matsuoka P aper C rown Wood Engraving, Japan
Lily May B etter T han O ne Vinyl block print, Canada
Ann McCall A rborescence XI Collagraphy, Canada 85
Amanda McKenzie T ilefish jig Silkscreen, Canada
Nicole Milette
Nicole Milette N uit /N ight Drypoint, Canada
Kay Miller L andscape II Etching/Aquatint, USA
V ienne
la nuit sonne l ’ heure /T he night falls and the hours ring
Mezzotint, Chine-collĂŠ, Canada
86
Kayoko Moriyama V essel with B ubbles Wood Engraving, Japan
Kayoko Moriyama B reeze Wood Engraving, Japan
David Morrish T rap Photopolymer gravure, Canada
David Morrish S kull Photopolymer gravure, Canada 87
Setsuko Moulton Y ou Woodblock print, Canada
Eric Mummery F ace to face with one Wood Engraving, Canada
Eric Mummery F ace to face with T wo Wood Engraving, Canada
Eric Mummery F ace to face with T hree Wood Engraving, Canada 88
Reneta Murauskaite T he S ystem Hardground Aquatint, Lithuania
Reneta Murauskaite G love Etching, Lithuania
Luc Nadeau M ieux que ça tu Etching, Canada
Luc Nadeau Et si on se mangeait la laine sur le dos Etching, Canada
serais là
89
Barbara Neu S haring T ree Etching, USA
Barbara Neu S econd R ing , S eventh C ircle Etching, USA
Franciszek Niec F ield XV Linocut, Poland
Franciszek Niec F ield XVI Linocut, Poland 90
Franciszek Niec F ield VI Linocut, Poland
Kristina Norvilaite M eetings in an O cean I Linocut, Lithuania
Kristina Norvilaite M eetings in an O cean III Linocut, Lithuania
Elisabeth Odmann B efore Drypoint, Sweden 91
Elisabeth Odmann B etween Drypoint, Sweden
Elisabeth Odmann B ehind Drypoint, Sweden
Jyunko Ogawa T he B lack Y ork of S pace Wood Engraving, Japan
Jyunko Ogawa A fter the rain Wood Engraving, Japan 92
Jean-Pierre Pain S peech S ettles /L a parole se décante Drypoint, Aquatint, Etching, France
Jean-Pierre Pain
Barbora Paulovicova M usic from S ambu Etching and mezzotint, Slovakia
Audrey Pearson S hallow D ip Etching, Canada
On a Nave of Astonishment/Sur une nef d’étonnement
Drypoint, Aquatint, Etching, France
93
Audrey Pearson S oft W ax and S and P aper Etching, Canada
Audrey Pearson C offee S leeve C rater Etching, Canada
Rolande Pelletier E chafaudage Drypoint, Canada
Rolande Pelletier C onstruction Drypoint, Canada 94
Taras Plishch J oyful W oman Drypoint, Czech Republic
Taras Plishch W oman on a H orse Drypoint, Czech Republic
Taras Plishch I llusionists Drypoint, Czech Republic
Nicolas Poignon N ight and L ight Linocut, Germany 95
Nicolas Poignon A t D ay Linocut, Germany
Mareu Pospiech S ign VXI Intaglio, Poland
Henry Pouillon É rotisme d ’A thènes 2 Digital Print, Belgium
Henry Pouillon É rotisme d ’A thènes 3 Digital Print, Belgium 96
Jaco Putker G irl and S wan N o .1 Photopolymer Etching, Netherlands
Jaco Putker G irl and S wan N o . 3 Photopolymer Etching, Netherlands
Jaco Putker G irl and S wan N o . 5 Photopolymer Etching, Netherlands
Suzy Quirke G oats in W inter S now Etching, Ireland 97
Suzy Quirke S pringtime G oats Etching, Ireland
in
Ross Racine N umber 22 s Digital, Canada
C herry B lossom
Farzaneh Radmehr L onging -S uperstition Mezzotint, Iran
Farzaneh Radmehr L onging -S uperstition II Mezzotint, Iran 98
Simonida Radonjic G olden S ilence Etching, Serbia
Simonida Radonjic A bout S ilence Etching, Serbia
Vladimir Ranković L ola ’ s gift Intaglio, Serbia
Kurt Ries G eometric M oment Etching, Germany 99
Sandra Ritter R ucksack Linocut, UK
Sandra Ritter P edestrian Linocut, UK
Sandra Ritter P edestrian II Linocut, UK
Gervasio Robles Hurtado R ocio I S tage II Mezzotint, South Africa 100
Sue Roe A lchemy II Collagraph, UK
Sue Roe A ncient V essel Collagraph, UK
Hermann Rommel S puren 1 Etching , Aquatint, Germany
Hermann Rommel S puren 2 Etching , Aquatint, Germany 101
Hermann Rommel S puren 3 Etching , Aquatint, Chine-collĂŠ, Germany
Christie Rosenberg P assages Photo Etching , Aquatint, a la poupee, USA
Christie Rosenberg W atershed Photo Etching , Aquatint, a la poupee, USA
Miriam Rudolph M igration III Intaglio, Chine-collĂŠ, Canada 102
Miriam Rudolph M igration IV Intaglio, Chine-collĂŠ, Canada
Dom & Jean Paul Ruiz ni 1240 Engraving/linocut, France
Iwona Rypesc-Kostovic B ridging the G ap II Digital Print, Poland
Iwona Rypesc-Kostovic Q uite unprepared II Digital Print, Poland 103
Iwona Rypesc-Kostovic U nforgiven II Digital Print, Poland
Awni Sami B odies 1/3 Etching, Northern Iraq
Awni Sami B odies 2/3 Etching, Northern Iraq
Awni Sami B odies 3/3 Etching, Northern Iraq 104
Amy Sands C onstellation X Monoprint, Serigraph, lasercut, USA
Amy Sands C onstellation XXIII Monoprint, Serigraph, lasercut, USA
Amy Sands C onstellation I Monoprint, Serigraph, Lasercut, USA
Anita Seltzer G ranville I sland Photopolymer Intaglio Etching, USA 105
Anita Seltzer A night in M obile Photopolymer Intaglio Etching, USA
Anita Seltzer H omage Photopolymer Intaglio Etching, USA
Deirdre Shanley T rees Drypoint, Ireland
Christopher Shore R ooster Etching, USA 106
Toshiaki Shozu A ll are vanity . 18.4.7-1 Photogravure, Japan
Toshiaki Shozu A ll are vanity 18.4.7-2 Photogravure, Japan
Janis Sinclair E arly B irds Photocopy transfer, Canada
Amaryllis Siniossoglou #918 Relief, USA 107
Amaryllis Siniossoglou #919 Relief, USA
Alicja Snoch-Pawlowska D iffusion B1 Mixed technique, Poland
Alicja Snoch-Pawlowska D iffusion B2 Mixed technique, Poland
Alicja Snoch-Pawlowska D iffusion B3 Mixed Technique, Poland 108
Lena Spencer W heel W omen Digital, USA
Tsvetelina Spiridonova S ymphony Drypoint, monotype, Bulgaria
Tsvetelina Spiridonova A mour Mezzotint, Drypoint, Bulgaria
Tsvetelina Spiridonova A llegro Drypoint, Monotype, Bulgaria 109
William Steinberg I’ m T elling A S tory Intaglio, Canada
William Steinberg F ull H ead of S team Intaglio, Canada
Kelsey Stephenson C avern Mezzotint, Canada
Kelsey Stephenson E ddies Mezzotint, Canada 110
Kelsey Stephenson S moke S creen Etching , digital, Canada
Motoko Suenaga S phere I-1 Etching/Aquatint/m’special, Japan
Motoko Suenaga S phere III-1 Etching/Aquatint/m’special, Japan
Linda Suffidy C urrencies N o . 10 Lino Embossment, Canada 111
Linda Suffidy C urrencies N o 13 Lino Embossment, Canada
Linda Suffidy L egacy ( study ) N o . 1 Lino Embossment, Canada
Gatoku Sugimoto S hijimi Linoleum, Japan
Gatoku Sugimoto T ai Linoleum, Japan 112
Roger Sutcliffe O rbital M otion Electro-Etching, Canada
Roger Sutcliffe U nder the S urface Electro-Etching, Canada
Roberta Pyx Sutherland G oing the D istance Drypoint with Chine-collĂŠ, Canada
Roberta Pyx Sutherland D istance III Drypoint with Chine-collĂŠ, Canada 113
Svetlana Swinimer O ctopus Electric Etching, Canada
Valerie Syposz T o N ot B e Wood Engraving, USA
Valerie Syposz B oxes Wood Engraving, USA
Valerie Syposz R eflection Wood Engraving, USA 114
Silvia Taira P ucón -V illarica Woodcut, Brazil
Yasufumi Takano L ight V erse Drypoint, Japan
Yasufumi Takano C hattering Etching, Japan
Catherine Tam T ile 10 Intaglio, Chine-collé, Canada 115
Shoko Tanaka A T ale of L 1 Lithogr pah, Japan
Shoko Tanaka A T ale of L 2 Lithograph, Japan
Shoko Tanaka A T ale of L 3 Lithograph, Japan
Andrew Testa F ound and T aped
to
H old
in
P lace
Photopolymer gravure, Chine-collĂŠ, oil paint, Canada 116
Veronique Trimming T hreshold Engraving, France
Veronique Trimming L etter to a distant friend Engraving Etching, France
Anna Trojanowska R ebase _01 Lithograph, Poland
Anna Trojanowska X Lithograph, Poland 117
Zita Uiterwijh B etween S paces Etching, The Netherlands
Zita Uiterwijh B etween S paces Etching, The Netherlands
Zita Uiterwijh B etween S paces Etching, The Netherlands
Susan Underwood T hree G races Sugarlift Etching, Canada 118
Susan Underwood C etona Aquatint Etching, Canada
Rafal Urbanski QR 15 I nteractive Digital Print, Poland
Jozina Van Hees S tillive B Inkjet Printing, Netherlands
Jozina Van Hees S tillive C Inkjet Printing, Netherlands 119
Manuel Vermeire I l C inghiale Wood Engraving, Belgium
Manuel Vermeire S koda P opular M onte C arlo Wood Engraving, Belgium
Manuel Vermeire J ana Wood Engraving, Belgium
Smets Vincent J eudi M atin Serigraphy, Belgium 120
Smets Vincent D imanche 9H Serigraphy, Belgium
Smets Vincent D imanche 15H Serigraphy, Belgium
Irma Vodeva J ourney VIII Drypoint, Bulgaria
Irma Vodeva J ourney IX Drypoint, Bulgaria 121
Irma Vodeva J ourney X Drypoint, Bulgaria
Kazumi Wakayama F lower C hafer I Plywood Lithograph, France
Kazumi Wakayama F lower C hafer II Plywood Lithograph, France
Claudia Waters M onarch Etching Aquatint, USA 122
Claudia Waters G ood F ortune Etching Aquatint, USA
Claudia Waters B umble B ee Etching Aquatint, USA
Jim Westergard B ig H air Wood Engraving, Canada
Jim Westergard D ove D ove Colour reduction wood Engraving, Canada 123
Jim Westergard P roboscis M onkey Wood Engraving, Canada
Cleo Wilkinson E ntropia Mezzotint Print, Australia
Cleo Wilkinson F ruit Mezzotint Print, Australia
Cleo Wilkinson B eyond Mezzotint Print, Australia 124
Roy Willingham O btuse L andscape #1 - B uilding Linocut, UK
Roy Willingham O btuse L andscape #6 - C hurch Linocut, UK
Roy Willingham O btuse L andscape #8 - S quare Linocut, UK
Laurent Wilmet V oodoo D oll Linocut, Belgium 125
Laurent Wilmet G runge C ouple Linocut, Belgium
Laurent Wilmet G irl , I nterrupted Linocut, Belgium
Sylvia Wong L ifeblood II
Tracy Wormsbecker T ether Intaglio, Chine-collĂŠ, Canada
Relief, Collagraphy, Chine-collĂŠ, Thread, Canada 126
Artists Index
A
Ala-Olla, Merja Allen, Suzie Ando, Mariko Aparicio, German Argote, Samuel Maita Auszenkier, Claire
32 32 32, 33 21 81 33
33 34 34 35 35 35
C Canchari, Mariela Catley, Ed Cerda, Elvira Chalfoux, Mitchell Ciupa, Nastazja Cooper, Jane Cormier Splane, Margot Costa, Sabrina Craft, Jack Creighton, Robert Csaba, Pal Cywicki, Lukasz
36 36 37 37 38 38 39 39, 40 40 40 41 41
D Damsteegt, Theo Darvishi, Mehdi de Bri, Pamela Del Castillo, Bernabe Desilets, Martine DeVito, Michael Dore Brunet, Nicole Douglas, Lorraine Doyle, Narda Driediger, Teddi
46, 47 47
E
42 42 43 43, 44 44 26, 44 45 45 45 46
Ishimoda, Kiyoharu Iwasa, Suzuna
63 64
J
Early, Susan Edgar, Victoria Eesmaa, Eve
47 48 48, 49
F
B Baillies, Kate Barry, Jo Becker, Margaret Benhamou, Marcelle Bothe, Georg Buzniak, Paulina
Dworzak-Subocz, Agata Dzhurayeva, Olesya
Foutch, Steven Frank, Alison Fusano, Tsuboi
49 50 50, 51
G Gaines, Allison Gelinas, Renee Gillespie, Colin Gillet, Catherine Godoy, Roberto Gorbas, Jerzy Graham, Barbara Graver, Mark Greco-Riddle, Colette Grespan, Carol Gupta, Aditi
51 51, 52 52 26, 52, 53 53 53 54 54, 55 55 55 56
H Habisiak-Matczak, Alicja Hall-Patch, Vanessa Hawthorne, Lacey Heslot, Sylvie Hong, Yoon Horiguchi, Tomoko Horne, Bill Huckeby, Jeff Huguet, Marcel Hunt, Anita Hunt, Louise Huotari, Eeva
56, 57 22, 57 57 58 58, 59 59 60 60 60 61 61 62
I Iguchi, Ayako
62, 63
128
Jackson, Cecilia Jaeger, Tibor Jafari, Hedieh Jakabhazi, Alexandru James, MichĂŠle Juurak, Anu
64, 65 65 23 65 66 66
K Kalde, Kalli Kanzaki, Tomoko Kastalje, Søren Keating, Maura Kester, Emily Kim, Hyun-Jin King, M. Simpson Kitching, Maggie Klugerman, Judith Knudsen, Te Kofman, Ariel Koike, Yui Konno, Yuta Kowalski, Antoni Koziarz, Agnieszka Krause, Edith Kujundzic, Claire Kulic, Sana Kunc, Karen
26, 67 67 67, 68 68 68 69 69 70 70 70 71 71, 72 72, 73 26, 73 73 73, 74 74 74 27, 75
L Labelle, Yolaine Laine, Janne Laird, Katherine Laratta, Clara Legris, Francoise Leite, Jose Lipkin, Victor Lucaciu, Adriana
75 27, 75, 76 76 77 77 78 78 78
Q Quirke, Suzy
M Madden, Bernadette Magnier, Armelle Mainguy, Paule Maita Argote, Samuel Marechal, Bernadette Marpsat, Maryse Martin, Marie-Louise Martin, Monique Martraix, Henri Matsuoka, Atsushi May, Lily McCall, Ann McKenzie, Amanda Milette, Nicole Miller, Kay Moriyama, Kayoko Morrish, David Moulton, Setsuko Mummery, Eric Murauskaite, Reneta
79 79, 80 80, 81 81 81, 82 82 83 82, 83 84 84, 85 85 85 86 86 86 24, 87 27, 87 88 88 27, 89
N Nadeau, Luc Neu, Barbara Niec, Franciszek Norvilaite, Kristina
89 90 90, 91 91
O Odmann, Elisabeth Ogawa, Jyunko
91, 92 92
P Pain, Jean-Pierre Paulovicova, Barbora Pearson, Audrey Pelletier, Rolande Plishch, Taras Poignon, Nicolas Pospiech, Mareu Pouillon, Henry Putker, Jaco
93 93 93, 94 94 95 95, 96 96 96 97
97, 98
R Racine, Ross 98 Radmehr, Farzaneh 98 Radonjic, Simonida 99 Ranković, Vladimir 99 Ries, Kurt 99 Ritter, Sandra 100 Robles Hurtado, Gervasio 100 Roe, Sue 101 Rommel, Hermann 101, 102 Rosenberg, Christie 102 Rudolph, Miriam 28, 102, 103 Ruiz, Dom & Jean Paul 103 Rypesc-Kostovic, Iwona 103, 104
S Sami, Awni Sands, Amy Sato, Ayane Seltzer, Anita Shanley, Deirdre Shore, Christopher Shozu, Toshiaki Sinclair, Janis Siniossoglou, Amaryllis Snoch-Pawlowska, Alicja Spencer, Lena Spiridonova, Tsvetelina Steinberg, William Stephenson, Kelsey Suenaga, Motoko Suffidy, Linda Sugimoto, Gatoku Sugita, Masaaki Sutcliffe, Roger Sutherland, Roberta Pyx Swinimer, Svetlana Syposz, Valerie
104 105 20 105, 106 106 106 107 107 107, 108 108 109 109 110 110, 111 111 111, 112 112 19 113 113 114 114
T Taira, Silvia Takano, Yasufumi
129
115 115
Tam, Catherine Tanaka, Shoko Testa, Andrew Trimming, Veronique Trojanowska, Anna
115 116 116 117 28, 117
U Uiterwijh, Zita Underwood, Susan Urbanski, Rafal
118 118, 119 119
V Van Hees, Jozina Vermeire, Manuel Vincent, Smets Vodeva, Irma
119 120 120, 121 121, 122
W Wakayama, Kazumi Waters, Claudia Westergard, Jim Wilkinson, Cleo Willingham, Roy Wilmet, Laurent Wong, Sylvia Wormsbecker, Tracy
122 122, 123 123 124 125 125, 126 126 126
How many BIMPE logo frogs can you find on the back cover?