Código Clone / Visual Identity / 2018

4748 days 113.952 hours 6.837.120 minutes 410.227.200 seconds 2018 Brandbook For Our Dysthopic Present

CODIGO

CLONE

BRANDBOOK 2018

01.

CODIGO

02.

COMFORT

03.

DREAMING

04.

ARTIFICIAL

05.

BACK

06.

DESENHO

IN

CLONE

1:57

FROM

A

WITH

BOMB SPIDERS

THE

LOVE DAY

LOGICO

4:17 3:13 3:26 1:35 4:31

About Founded in Sรฃo Paulo, Brazil, Cรณdigo Clone is an instrumental heavy metal band that mixes the most essential elements of metal music with brazilian rhythms, neoclassical, jazz and electronic music. The band was founded by Bruno Luiz in 2015 after the end of an era with the band Command6 in which they released two albums.

Hypnosis was the first single released and marked a time of musical maturity paving the way for the first self-titled debut Cรณdigo Clone now available on streaming.

Listen the Full Album: https://open.spotify.com/album/4FwTD1RaLaxsnzrqhyJS8F Cรณdigo Clone - Hypnosis (Official Music Video) https://www.youtube.com/watch?v=8zgAXlPlmgo Cรณdigo Clone - Dreaming with Spiders (Official Music Video) https://www.youtube.com/watch?v=bVJEhClfauA

Release 2005, SĂŁo Paulo, SP, Brazil Genre Instrumental Progressive Experimental Metal Band Members Guitar - Bruno Luiz (@brunoluizc6) Guitar - Eduardo Destri (@dudestri) Bass - Johnny Hass (@johnnyhass) Drums - Chris Oliveira (@chris_oliveiracc)

INSTRUMENTAL PROGRESSIVE EXPERIMENTAL METAL

Co-produced, Mixed and Mastered Wagner Meirinho (@wagnermeirinho) at Loud Factory Studios Artwork Nicolas Panseri (@nicolas_panseri) Independent Record Label

All rights of the producer and of the owner of the work reproduced reserved.

Unauthorized copying, hiring, lending, public performance and broadcasting of the recordings prohibited. @2018 All Rights Reserved.

Bruno Luiz is a Brazilian guitarist, known for his great musical versatility and his ability to explore different styles, methods a ​ nd techniques, achieving a unique musical sensibility. Influenced by bands like Black Sabbath, Iron Maiden, Metallica, Sepultura, Angra and Helloween, he began his musical studies at the age of 13, with the heavy metal style as his only inspiration.

2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018

RELEASED 23 46

33’ 38’

1’ 2’

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-23.550278 -46.633889 2005 PAULO BRAZIL

SAO

Somatic cell chromosomes

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INSTRUMENTAL PROGRESSIVE EXPERIMENTAL METAL

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ANTHROPOCENE DYSTOPIA APOCALYPSE BIOMECHANICAL

FIRST

SECOND

NUCLEOTIDE

NUCLEOTIDE

IN

IN

CONDON

CONDON

U

U

UUU UUA

PHE LEU

A

LEU

UAA

UCG

UAG CAU PRO

CCA

CAA

CUG

CCG

CAG

ILE

AUA AUG

MET

ACC

THR

VAL

AAA

ACG

AAG

GCC

GAU ALA

STP

HIS

GCA

GAA

GUG

GCG

GAG

STP

A

UGG

TRP

CGC GLN

AGU AGA

GLU

GGA GGG

Modified Adenosine N6-Carbamoyl-Methyladenine N6-Methyadenine Modified Guanine 7-Methylguanine

DECITPHERING THE GENETIC CODE

ARG

A

Modified Cytosine N4-Methylcytosine 5-Carboxylcytosine 5-Formylcytosine 5-Glycosylhydroxymethylcytosine 5-Hydroxycytosine 5-Methylcytosine Modified Thymidine α-Glutamythymidine α-Putrescinylthymine Uracil and modifications Base J Uracil 5-Dihydroxypentauracil 5-Hydroxymethyldeoxyuracil Others Deoxyarchaeosine 2,6-Diaminopurine

C G U

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A

U

AGG ASP

C

SER

AGC LYS

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CYS

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UUC

C

THIRD NUCLEOTIDE

GLU

C A G

5

UNITS

180

DEEGRES

63.44

DEEGRES

Cรณdigo Clone Typography Copyright Design @2018 All Rights Reserved Lowercase Standardized Kerning Leading Tracking Pixels Template Uniform Segments Mathematical Design Synthetic Form Sharp Angles Gothic Ornaments Wide Corpus Size Almost Monospaced Regular Counter Short Ascendents Height Short Decender Height Standardized Shapes Balanced Counterform Visually Recognisable

Construction is the process of constructing a building or infrastructure, a general term meaning the art and science to form objects, systems, or organizations, the style or method used in the building of something, also construction means an interpretation or formation of an abstract entity. Construction is used as a verb, the act of building, and a noun, how a building was built, the nature of its structure.

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Violet Blue Indigo Green Yellow Orange Red

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Cosmic Rays Gamma Rays X Ray Ultra-violet Rays Infrared Microwaves Radar Radio Low frequency

In the Book of Revelation, often called the Revelation to John, the last book in the New Testament of the Bible, the chapter tells of a book in God's right hand that is sealed with seven seals. The Lamb of God opens the first four of the seven seals, the Four Horsemen, so they are supposed to announce the Apocalypse before the Last Judgment. The first horseman or the Antichrist rides a white horse and the third horseman rides a black horse, bringing famine and penurity. Both welcoming the end of time.

TYPOGRAPHY ALPHANUMERIC BARCODE SIGNALS The signals rests upon a broad range of signatures reflecting humanity's significant and increasing modification of Earth geological systems.

Increased levels of climate warming CO2 in the atmosphere at the fastest rate for 66m years, with fossil-fuel burning pushing levels from 280 parts per million before the industrial revolution to 400ppm and rising today.

Put so much plastic, aluminium and concrete in our environment, this particles are now virtually ubiquitous. Sediments containing any of these materials will be a clear sign for future generations.

Doubled the nitrogen and phosphorous in our soils in the past century with fertiliser use. This is likely to be the largest impact on the nitrogen cycle in 2.5 billion years, increasing the amount of reactive nitrogen by 120 per cent compared to the Holocene Current rates of carbon emission are thought to be higher than at any time in the last 65 million years, leaving a permanent layer of airborne particulates like carbon-12 and carbon-13 in sediment and glacial ice such as black carbon from fossilfuel burning.

Last century, Earth’s temperature rose by between 0.6 and 0.9 °C, more than the amount of natural variability seen in the Holocene. Average global sea levels are higher than at any point in the past 115,000 years and are rising rapidly, which may also be detectable in future.

Since the first nuclear weapon was detonated, deposits of radionuclides habe been spread throughout the planet, leaving a signature of isotopes such as carbon-14 and plutonium-239.

More than 50 per cent of Earth’s land area have been transformed, this implies in deforestation, farming, drilling, mining, landfills, dam-building and coastal reclamation, all having widespread effects on sedimentary processes, disrupting how layers of rock are laid down.

Pushed extinction rates of animals and plants far above the long-term average. The Earth is on course to see 75% of species become extinct in the next few centuries.

TYPOGRAPHY

CATEGORIES

NAME

DENOMINATION

AND

ABOUT

DEVELOPMENT

Anton Sans Serif Open Source Apache License Vernon Adams (2013)

Anton is a reworking of many traditional advertising sans serif typefaces. The letter forms have been digitised and then reshaped for use as a webfont, the counters have been opened up a little and the stems optimised for use as bold display font in modern web browsers. Anton was extended from a single bold style into a family in March 2013, named Antonio

PRESS START 2P

Press Start 2P Monospaced Bitmap Open Source Zone38 CodeMan38 (2011)

Press Start 2P is a bitmap font based on the font design from 1980s Namco arcade games. It works best at sizes of 8px, 16px and other multiples of 8. Although the design of uppercase letters and digits dates back to Atari's Sprint (1977), the specific glyph forms in this TrueType conversion are based on those from Return of Ishtar (1986), one of the first games to include and regularly use lowercase as well as uppercase letters in its screen font.

Roboto

Roboto Humanist Sans Serif Open Source Apache License Christian Robertson (2011)

Roboto has a dual nature. It has a mechanical skeleton and the forms are largely geometric. At the same time, the font features friendly and open curves. While some grotesks distort their letterforms to force a rigid rhythm, Roboto doesn’t compromise, allowing letters to be settled into their natural width. This makes for a more natural reading rhythm more commonly found in humanist and serif types.

Anton Press Start 2P Roboto

THE

Title Subtitle and Charts Text and Complements

Regular Regular Regular or bold

28.0-6.5mm 6.35-2.5mm 2.95-1.6mm

Filled content or outlined Filled content Filled content

AXIAL SKELETON 175 85 55 40 25 15 10 5

35 17 11 8 5 3 2 1

8000 Ago 2000 Ago 1712 1790 1945 1950

1-1 1-2 1-3 1-4 1-6 1-9 1-12 1-18

Neolithic Revolution Final Phase of Holocene Newcomen Atmospheric Engine Industrial Revolution Trinity Nuclear Test The Great Acceleration

Akira - Katsuhiro Otomo (1988) Before The Flood - Fisher Stevens (2016) Blade Runner - Ridley Scott (1982) Brazil - Terry Gilliam (1985) Earth - Yann Arthus-Bertrand, Michael Pitiot (2015) Elysium - Neill Blomkamp (2013) Gattaca - Andrew Niccol (1997) Ghost in The Shell - Masamune Shirow (1989 - 1991) Kwun-Wai, Ng Ka-leung (2015) Logan's Run - Michael Anderson (1976) Mad Max - George Miller (1980) Matrix - Lana Wachowski, Lilly Wachowski (1999) Metropolis - Fritz Lang (1927) Ten Years - Kwok Zune, Wong Fei-pang, Jevons Au, Chow (2015) The 11th Hour - Nadia Conners, Leila Conners (2007) The Wall - Pink Floyd (1975) THX 1138 - George Lucas (1971) Trashed - Candida Brady (2012) Samsara - Ron Fricke (2011) Soylent Green - Richard Fleischer (1973)

The standard deviation of a random variable, statistical population, data set, or probability distribution is the square root of its variance. It is algebraically simpler, though in practice less robust, than the average absolute deviation. A useful property of the standard deviation is that, unlike the variance, it is expressed in the same units as the data. The 5 sigma is a measure of how confident scientists feel their results are. If experiments show results to a 5 sigma confidence level, that means if the results were due to chance and the experiment was repeated 3.5 million times then it would be expected to see the strength of conclusion in the result no more than once.

Adam Jones Agostino Arrivabene Albert Goodwin Alex Grey Dariusz Zawadzki Erich Kettelhut Giotto Di Bondone Hans Ruedi Giger Hieronymus Bosch Jacob Isaaczs Van Swanenbur Jan Mandyn Jeff Jordan Joseph Heinz The Younger Krzysztof Krawiec Pieter Bruegel The Elder Richard Clifton-Dey Storm Thorgerson Wayne Barlowe Wolfgang Grasse Zdzislaw Beksinski

1984 - George Orwell (1949) Androids Dream of Electric Sheep - Philip Kindred Dick (1968) Ape and Essence - Aldous Huxley (1948) Blindness - Jose de Sousa Saramago (1999) Brave New World - Aldous Huxley (1932) Fahrenheit 451 - Ray Bradbury (1953) Invisible Cities - Italo Calvino (1972) I, Robot - Isaac Asimov (1950) Make Room, Make Room - Harry Harrison (1966) Men Like Gods - Herbert George Wells (1923) Metropolis - Thea Von Harbou (1925) Neuromancer - William Gibson (1984) On the Beach - Nevil Shute (1957) The Birth of the Anthropocene - Jeremy Davies (2016) The Burning World - James Graham Ballard (1964) The Crystal World - James Graham Ballard (1988) The End of Nature - Bill McKibben (1989) The Shock of the Anthropocene - Christophe Bonneuil, Jean-Baptiste Fressoz (2016) The Sixth Extinction - Elizabeth Kolbert (2014) We - Yevgeny Zamyatin (1924)

@2018 Nicolas Costa Panseri

nicolas.cpanseri@gmail.com issuu.com/nicolaspanseri @nicolas_panseri

Projeto GrĂĄfico Tipografia

Formato Papel Miolo Papel Capa

Nicolas Panseri Christian Robertson CodeMan38 Vernon Adams 205-205 mm Offset 90 g/m2 CouchĂŞ 210 g/m2

2018 2011 2011 2013

Apache License Zone38

Apache License

All rights of the producer and of the owner of the work reproduced reserved.

Unauthorized copying, hiring, lending, public performance and broadcasting of the recordings prohibited. @2018 All Rights Reserved.