PORTFOLIO
SELECTED WORKS I NIPUN GARG
Spaces & People are the two entities which define a region. The result of the former defines the result of the latter. Challenge is to attain equillibrium between the two for the success of the latter (region). This symbiosis of spaces & people and their collaboration into a unified whole is what intrigues me and indulges me to look into a region through variety of lenses, one which I surely aim to pursue.
NIPUN GARG Male I 6th Jan 1997 New Delhi, India
2
CONTACT +91 9818752012 gargnipun97@gmail.com 51, Parivar Apartments, 30 I.P Extension, Patparganj Delhi, 110092 https://www.linkedin.com/ in/nipun-garg-524506144/
EXPERTISE Technical - Autodesk Autocad - Autodesk Revit - Adobe Photoshop - Adoube Illustrator - Adobe InDesign - Adobe Premiere Pro - Google SketchUp & V-Ray - Lumion - Microsoft Office Core - Sketching - Physical Modelling - Analytical Thinking - Problem Solving - Team Collaboration - Organization & Planning - Research Work
PORTFOLIO Online link:
http://bit.ly/Portfolio_Vol_1 http://bit.ly/Portfolio_Vol_2
PROFESSIONAL EXPERIENCE Freelancing
JUL 2018 - Present
(3D Designer, Architectural Visualizations )
- Consulted with clients to evaluate & understand their design requirments & provide solutions in alignment with the clients requiremnets. - Involved in architectural visualization(Lumion) & 3D modelling(SketchUp) EGIS India Consulting Pvt. Ltd. Gurugram (Architecture Trainee)
JUL 2018 - APR 2019
- Contributed to a variety of projects ranging from hospitals, police headquarters to visualization of railway stations and masterplanning. - Drew and presented architectural drawings, working drawings in Auto Cad for a variety of projects. - Supported in 3D modelling and rendering AECOM, India Gurugram
JUN 2017 - AUG 2017
(Architecture Trainee)
- Contributed to design work on naval base residents headquarters - Supported in 3D modelling
EDUCATION
COMPETITIONS
2014 - 2019
2017 - Black Taj by UNFUSE - Skyscraper By CTBUH
Bachelors in Architecture University School of Architecture & Planning (USAP) (Guru Gobind Singh Indraprastha University) 2014 Passed the Senior Secondary School with a score of 89.6% 2012 Passed the Secondary School Examination with 10 GPA
2016 - GRIHA Trophy by NASA - Annual NASA Design Convention (ANDC) (Special Mention) 2015 - LIK Trophy by NASA (Special Mention)
- Reubens’ Trophy by NASA
INTERESTS - Sketching - Playing Piano - Sports
- Travelling - Photography - Listening to Music
PROJECTS SUPER SPECIALITY HOSPITAL MIXED USE BUILDING
RAILWAY STATIONS
RELIGIOUS BUILDING
RESIDENCE
WASTE MUSEUM (ANDC ENTRY, NASA) DOCUMENTATION (LIK TROPHY, NASA) LOW COST HOUSING
GOVERMENT POLICY FOR SQUATTERS
ADDITIONAL
01 02 03 04 05 06 07 08 09 10 11
BR LIFE HOSPITAL
4 - 13
A VISION TO CARE WITH COMPASSION
IPSC BUILDING OPTIMIZATION OF LAND
IRSDC RAILWAY STATIONS A VISION TO PROVIDE WORLD CLASS PASSENGER AMENITIES
14 - 15 16 - 25
- UDHNA STATION, SURAT
18 - 21 22 - 25
TEMPLE DESIGN
26 - 29
- THAKURLI STATION, MUMBAI
RESTORING THE RELATIONSHIP WITH GOD
RAMA NIWAS
30 - 33
BOOSTING CHI THROUGH VASTU SHASTRA
PARALLEL UNDERSIDE
34 - 37
UNVEILING THE SHROUD OF IGNORANCE
BUNDI
38 - 39
MODERNISING CONTEMPORARILY
KATHPUTLI COLONY
40 - 45
A VISION OF URBAN REINVENTION
RESEARCH PAPER
46 - 47
IS IN SITU REHABILITATION THE RIGHT FOOT FORWARD OR NOT?
WORKING DRAWINGS
48 - 51
BUILDING CONSTRUCTION
MISCELLANEOUS SELECTED WORKS 2014 - 2019
52 - 55
YEAR: 2018 I LOCATION: VARANASI I BUILDING: HOSPITAL I TYPE: INTERNSHIP
01
BR LIFE HOSPITAL A VISION TO CARE WITH COMPASSION SITE AREA: 14168 SQ.M ( 3.5 ACRES ) I BUILT-UP AREA: 28836 SQ.M I FAR - 2
TASKS HANDLED - Working Drawings - Interrior and Exterior Visualization - Vendor Meetings - Presentation - Renderings
6
With a strong belief of “giving back to the country”, BR Life is a leading healthcare services brand owned by Dr. BR Shetty. Dr. Shetty is a staunch believer in the dictim “charity begins at home” and has a strong passion for serving the state of Karnataka. It is trying to replicate this belief by making a 85 bed-
ded hospital in Varanasi at a place which earlier was used for a Vegetable Industry, now being redeveloped as an integrated township to serve the dense residential developments in the proximity.
The highlighted area is the structure that is being carried out in phase one.
The first image is the view from the road showing the OPD Block in front followed by Phase I & Phase II buildings respectively. The second image is of the entrance to the lobby in the OPD Block. Third image is the bird’s eye view of the whole site showing all the three buildings in proposal.
8
FLOOR PLANS
(DESIGN RESPONSE)
w
WAITING AREA
The figure depicts the plan of one of the consutant rooms in the hospital (highlighted).
The figure depicts the sections of the highlighted consultant room. Section AA’, Section BB’, Section DD’, Section BB’ (Clockwise)
10
The images are of one of the ICU (Intensive Care Unit) proposed.
The images are of wards rooms in the hosptal. Single Bedded Room, Double Bedded Room and Five Bedded Room respectively.
12
YEAR: 2018 I LOCATION: BHUBANESHWAR I BUILDING: MIXED - USE I TYPE: INTERNSHIP
02
IPSC BUILDING OPTIMIZING THE LAND VALUE SITE AREA: 2493.15 SQ.M I BUILT-UP AREA: 3533.6 SQ.M I FAR - 1.41
TASKS HANDLED - Elevation Visualization - 3D Modelling - Rendering
14
Mixed - Use developments have been around for a long time. Taking notice of having shops on the ground floor and residences above is a common sight for people on the streets of Mumbai. This has been the developer’s way of maximizing his land usage for years.
much larger pieces of land, yet the principles remain a constant - “How does one make the most efficient use of one’s land and get better returns?”
IPSC Building of Bhubaneshwar Smart City tries to answer the same question by developing a chunk In present times the conerns of land in Satya Nagar comare based upon having much bining commercial and instibigger developments on tutional spaces.
GROUND FLOOR
1ST FLOOR
2ND FLOOR
3RD FLOOR
AXONOMETRIC PLANS (DESIGN RESPONSE)
03
YEAR: 2018 - 2019 I LOCATION: N / A I BUILDING: RAILWAY STATIONS I TYPE: INTERNSHIP
IRSDC RAILWAY STATIONS A VISION TO PROVIDE WORLD - CLASS PASSENGER AMENITIES THAKURLI I SITE AREA: 519616 SQ.M ( 128.4 ACRES ) I BUILT-UP AREA: 951048 SQ.M ( 235 ACRES) I FAR - 1.83 UDHNA I SITE AREA: 156036 SQ.M ( 38.56 ACRES ) I BUILT-UP AREA: 410792.5 SQ.M ( 101.5 ACRES) I FAR - 2.63
TASKS HANDLED - Designing - Building Visualization - 3D Modelling - Rendering - Report & Presentation - Concept Stage Drawings - Masterplan Visualization
16
Railway being a major contributor in transporting people from one place to another faces the challenge of optimizing the defunked land under it’s blanket. To achieve so and provide world class facilities to peo-
ple it is developing its railway stations alongwith the commercial utilization of land as may be required in connection with the development of railway stations.
THAKURLI STATION (BID)
UDHNA STATION (ONGOING)
18
LEGEND 1. RAILWAY STATION 2. RETAIL MALL / COMMERCIAL 3. OFFICE TOWERS 4. PSP - TOURIST ORIENTED 5. PSP - AMENITY ORIENTED
4A. CONVENTION CENTER 4B. HOSPITALITY 5 STAR 4C. HOSPITALITY 5A. HOSPITAL 5B. STAFF RESIDENCE
(250 BEDDED WITH SUPER SPECIALITY HOSPITAL WITH STAFF RESIDENCES)
8A. TYPE I 8B. TYPE II 8C. TYPE III 8D. TYPE IV
6. PSP - EDUCATION (SCHOOL) 7. SALEABLE RESIDENTIAL 8. RESIDENTIAL MANDATORY RAILWAY COLONY 9. RAILWAY COLONY AMENTIES 10. RAILWAY INSTITUTE 11. TAXI & AUTO STAND 12. EVENT GARDEN 13. UTILITY
11
13A. UTILITY PLOT 13B. STP
EED
ER R
OAD
3A
ED F EVAT
8D
8A
5B 9
8C
5A 5
6
12A
ST
n D TO
OM
I/C L A BIV
WID
8
E EL
10
24 M
8B
2
3B
11
1
45
M
PR
OP
OS
ED
12
WI
UL DE
HA
AR
TE
4A 4
S
RIA
RI LR
VE
OA
R
D(
KD
4B
MC
4C
7 13 13A 13B
TO KALYAN
1
FSI - 1.83 MAXIMUM HEIGHT - 150M (AS PER AIRPORT NORMS) SITE AREA - 128.4 ACRES - 519616 SQ.M BUILT-UP AREA - 235 ACRES - 951048 SQ.M
)
SECOND FLOOR
FIRST FLOOR
GROUND FLOOR
RAILWAY STATION 22
FACILITIES
24
LANDUSE MAPPING
CIRCULATION
OPEN SPACE
UD PARAMETERS
n
YEAR: 2019 I LOCATION: A VILLAGE IN BIHAR I BUILDING: RELIGIOUS I TYPE: FREELANCING
04
TEMPLE DESIGN RESTORING THE RELATIONSHIP WITH GOD SITE AREA: 581.56 SQ.M I BUILT-UP AREA: 50.4 SQ.M I FAR - 0.1
TASKS HANDLED - Designing - Presentation - 3D Modelling - Rendering
26
“Buildings decay when they are abandoned without use and their spirit dies when they are frozen in time as near meuseum pieces” - M. Forsyth The Sarpanch (The head of the village) of one of the
villages in Bihar plans to restore and strives hard so that the former statement does not be the case with a temple in their village.
First figure depicts the roof plan of the new proposal with site plan in backdrop and indicates the sections. Second figure is the exploded view of the intervention with the existing temple (highlighted in yellow) and the new structures added to the existing temple for refurbishment. Detail of the proposed new entrance gateway for the refurbished temple. (Fig. 1) Detail showing how the existing dome’s height is increased by introduction of a hollow new dome joined using MS Inserts. (Fig. 2)
28
SECTION BB’
YEAR: 2019 I LOCATION: BHOPAL I BUILDING: RESIDENCE I TYPE: FREELANCING
05
RAMA NIWAS BOOSTING CHI THROUGH VASTU SHASTRA SITE AREA: 235.76 SQ.M I BUILT-UP AREA: 639.44 SQ.M I FAR - 2.71
TASKS HANDLED - Designing - Presentation - 3D Modelling - Rendering
30
According to several traditional beliefs, each house has its own energy type. Once a person starts living in a house he/ she comes under the influence of a specific energy field. These energies start influencing him/ her in some way or the other. This argument may not have many takers in earlier times, but still for those who believe, it is very important to have
homes that exude positive energy. Indian Vastu science has several remedies to ensure that the house remains blessed, without making any structural changes. With the same belief, one of the family plans to build a beautiful and pleasing house named “Rama Niwas� in Bhopal.
SITE PHOTOS
EXPLODED VIEW (PROPOSAL)
32
EAST ELEVATION
06
YEAR: 2016 I LOCATION: YAMUNA I BUILDING: PAVILION I TYPE: COMPETITION
THE PARALLEL UNDERSIDE UNVEILING THE SHROUD OF IGNORANCE
Yamuna I The River That is Not
Visual Imposition
Familiarity
A parallel projection may be interpreted as the simultaneous coexistence of an entity i.e its being in a parallel fashion.
TASKS HANDLED - Designing - Presentation - 3D Modelling - Rendering - Details (Dynamic Screen
34
Acquaintanceship
Recognition
is what the project primarily has. The truth has been projected as is, onto the fabric of acknowledgement without any alteration to its reality.
The negative parallel represents the underside of the The project is simply a revapresumed utopia. It is the lation. It is not an interventruth one choses to hide for tion. It is not an intersection. the sake of convinence. Thus, the attempt has been The Yamuna is now saturat- at revitalization of mentaled by waste, and that being front as opposed to revitalithe only thing left to embrace zation of riverfront.
Since the main purpose of the pavilion is to project the truth therefore display mounds have been created to showcase the waste inside the river (Fig.1).
like character (Fig. 2).
itself
The dynamic screens which reprensent the Yamuna from outside are painted black from inside to represent the negative parallel that exists which one The exterior of the choses to hide.(Fig. 3) pavilion adorns art installations bearing an installation
The mirrors are attached to the respected frames and pivoted to steel rods running throughout the parallel sccreens. They induce water current like effect when they are swayed by the wind about their horizontal axes. the insides of these mirror adorned facades to the screens are, infact, devoid of all colour and serve to represent the murky, sorry soul of what the Yamuna has become. They frame a dark walkway that connects the meuseum to the pavilion.
36
VARIANT 1 VARIANT 2
VARIANT 3 ASSEMBLY OF MIRROR PANE ON THE SCREENS
DYNAMIC SCREENS
SUPPORTING MEMBERS FOR SCREENS
SUPPORTING MEMBERS FOR SCREENS
DYNAMIC SCREENS
DYNAMIC SCREENS
PAVILION
EXPLODED VIEW (DESIGN RESPONSE)
UNDERWATER ACCESSIBILITY
YEAR: 2015 I LOCATION: BUNDI I BUILDING: N / A I TYPE: COMPETITION
07
BUNDI DOCUMENTATION MODERNIZING CONTEMPORARILY
TASKS HANDLED - Pen & Ink Rendering - Composition
38
The theme of the brief was to document “ Heritage structurees who have kept their values intact while adapting to change”. Historic structures and their existence are a proof of their survival through testing times. These can be categorized as either tangible or intangibe. Tangible aspects such as structures of archeological / architectural
importance and intangible aspects such as natives having collective memories of particuar spaces. Heritage is one such thing that tells the story of a region and distinguishes it from every other place. This can be in the form of buildings, streetscapes and even local cultures and tradition.
08
YEAR: 2019 I LOCATION: SHADIPUR I BUILDING: HOUSING I TYPE: ACADEMIC
KATHPUTLI COLONY A VISION OF URBAN REINVENTION SITE AREA: 32500 SQ.M ( 8.03 ACRES ) I BUILT-UP AREA: 107871 SQ.M ( 26.65 ACRES ) I FAR - 3.32
Kathputli Colony though thriving as a world renowned artists’ colony is an urban slum facing its fate just like any other squatter under the beautification drive of the government to make the city “Slum - Free“. It has been chosen as the first “In - Situ Rehabilitation slum“ in Delhi. Despite having differences in culture & having challenging living conditions, people of the colony share something
40
which goes beyond just sharing the common walls. The project aims to blur the line between beautification of the city & the community sentiment. It tries to explore the prospect of experiential tourism as opposed to observational tourism & tries to provide such spaces at every step so as to engage visitors & allow them to fully soak into the atmosphere.
In - situ rehabilitation land distribution 60% - Rehabilitated slum 40% - Remunerative area for the developer
artisans are accomodated in g+8 clusters as they require more closeness to the ground due to the activities they perform. non artists are accomodated in s+23 and s+18
housing concept
re-thinking residential keeping the remunerative area as designed by the developer, proposal is only for residential area
keeping the area constant (30 sq. m), various iterations were tried
unit variations
site conditions
- site is at a resonable distance of 40 m (Approx.) from railway tracks - site is naturally oriented in the prevailing wind direction.
1
2
3
4
to maintain the social & visual interation as it is, terraces are connected
cluster formations
zoning (proposal)
DESIGN DEVELOPMENT PROCESS All the above steps give a glimpse of the development of the complete design response
verticalizing streets of urban india 42
Overall view of the design response with Raheja’s 54 floor residential tower in the backdrop. First image is a view of the childrens play area as proposed in the design. Second image is of the rezoned masjid that has been incorporated in the proposal. Third Image shows the display area for the artists in the colony so as to get the visitors acquainted to the culture and art of the colony. Last image is a view of the performance area for the puppeteers and other artists living in the colony which acknowledeges the artists living in the colony for years.
44
- SITE AREA - 32500 SQ.M - OVERALL BUILT UP AREA ON GROUND - 9595 SQ.M - TOTAL BUILT UP AREA - 10781 SQ.M - GROUND COVERAGE - 29.5% - F.A.R - 29.5% - UNDERGROUND WATER TANK + PUMP ROOM - 300 SQ.M
- ELECTRIC SUB - STATION - 160 SQ.M - SCHOOL - 2500 SQ.M - AMPHITHEATRE - 600 SQ.M - TOTAL UNITS - 2800
N
SITE PLAN
(DESIGN RESPONSE)
YEAR: 2018 I LOCATION: N/A I BUILDING: N/A I TYPE: ACADEMIC
09
RESEARCH PAPER IS IN- SITU REHABILITATION THE RIGHT FOOT FORWARD OR NOT?
Slums have long been & continue to be the ugly truth that cities continue to hide behind their so - called “development“. Envisioning the city to be “Slum - Free” by commissioning policies have ironically elevated their existence instead of alliveating them. The latest being the “In - Situ Rehabilitation” which envisions to integrate them into the urban fabric
46
of the city rather than treating them as an altogether a separate entity. Aim of the research is to study the national and international development models & see whether “In - Situ Rehabilitaion is the right foot forward or not?“
YEAR: 2018 I LOCATION: N/A I BUILDING: N/A I TYPE: ACADEMIC
10
WORKING DRAWINGS BUILDING CONSTRUCTION
Aim of the studio was to introduce, methods for implementation drawings onto the site and handlinling various constraints & problems that occur during the course of actual construction process. A variety of topics were introduced but no general solu-
48
tion was provided that could be applied in every scenario. Different solutions for the same problem were constantly derived which were site specific on the basis of basic theory of every topic.
째 56
STONE WALL 400 MM THK.
22 40 16
925
230 W3 230 W3 230 W3 A19 A19 A19
375
42
24
40
45
W3 230 W3 230 W3 A19 A19 A19
LIFT WELL
455
2800 X 2100 MM
710
W7 A19
D4 A19
22
2800 X 2100 MM
21
SHAFT
D5 A19
D6 A19
W6 A19
D2 A19
W6 A19
19
4885
19A
1550
W3 A19
115
115
W3 A19
17770
W3 A19
STUDIO FIRST YEAR 036 O.B D. P.O.P. KOTA
W3 A19
W3 A19
18A
16 15
W7 A19
W3 A19
W7
14
230
300
W3 A19
115
115
5120
115
230
230
2500
W3 A19
D2 A19
230
4890
115
2095
W3 A19
STORE
9770
4870
230
STUDIO FIRST YEAR
40
4365 2230
2500
230 230 460
115
7230
W3 A19
035 O.B D. P.O.P. KOTA
3000
W3 A19
300
115
115
W3 A19
7230
115 230 95
W3 A19
115
W3 A19 W3 A19
1640
W7 A19
T-10 034 TILES P.O.P. TILES O.B.D.
W3 A19
9770
115 W3 A19
STAIRCASE: ST-22 NO. OF RISERS=08 RISER=150 TREAD=300 WIDTH=1500
18
W6 A19
17770
115
W3 A19
20
3715 230 W6 A19
D6 A19
W3 A19 W3 A19
4810
20A D5 A19
LIFT WELL
D6 A19
17
115 W3 A19
600
230
200 OD uPVC RWP
27 26 25 24 23 22 21 20 19
3900 3785
5
6 51
230
645 645
W6 A19
3500
5390
345 D2 A19
640
UP
D6 A19
1000
W A1 3 9
W A1 3 9
STAIRCASE: ST-20 NO. OF RISERS=08 RISER=150 TREAD=300 WIDTH=2900
40
64
345 D2 A19
1250
470
STAIRCASE: ST-21 NO. OF RISERS=26 RISER=150 TREAD=300 WIDTH=1500 34 33 32 31 30 29 28 27 26
W6 A19 W6 A19
T-09 033 TILES P.O.P. TILES O.B.D.
230
0
UP
200 OD uPVC RWP
D6 A19 D6 A19
D5 A19
34 35 36 37 38 39 40 41 42 43 44 45 46 47
W3 A19
W6 A19
D2 A19
230
W3 A19
D5 A19
SHAFT
230
59 58 57 56 55 54 53 52 51 50 49 48
DN
460
760
FOR DETAILS REFER DRAWINGS T-09,T-10 5515
460
W3 A19
W3 A19
230
W3 A19
230
4890
230 D4 A19
115
300
230
920
1448
W3 A19
33 34
5190
230 132
9750
W3 A19
230
032 O.B D. P.O.P. KOTA
115
115
W3 A19
W3 A19
230
115
5째 21
13
STAIRCASE: ST-19 NO. OF RISERS=08 UP26 27 28 29 30 31 32 RISER=150 TREAD=300 WIDTH=3940
031 O.B D. P.O.P. KOTA
618
5885
200 OD uPVC RWP
5 11
300
W3 A19
2000
45
W3 A19
5778
17
W3 A19
11770
COMMON ROOM
85
6319
1110
230
5885
200 OD uPVC RWP
78
037 O.B D. P.O.P. KOTA
W3 230 W3 A19 A19
W3 A19
750 1565
5째
13
CAFETERIA
375
1002
W3 A19 W3 A19
4700
A1 9
69 0 W A1 2 9
A1 9
29 72 D4 A19
230
230
5 55
5째
W3 A19
W7 A19
5215
115
2800
038 O.B D. P.O.P. KOTA
23
230
460
D2 A19
STATIONARY AND REPROGRAPHICS
4865
W3 A19
230
4725
4870
230
230
W3 A19
W3 A19
STONE WALL 40 MM THK.
D4 A19
230
230
375
030 O.B D. P.O.P. KOTA
230
0
4360
26
60
27
28
29
30
31
32
W7 A19
W3 A19
9 A1
W7 A19
COMPUTER ROOM
375
W3 A19
200 OD uPVC RWP
W3 A19
9750
2165
STAIRCASE: ST-18 NO. OF RISERS=08 RISER=150 TREAD=300 WIDTH=14260
11770
230
W3 A19
UP
W3 A19
230
W7 A19
WASHROOM PLAN
TERRACE GARDEN LAYERS DETAIL
GUTTER DETAIL SECTION AA’
SECTION CC’ 50
FOUNDATION LAYERS DETAIL
PIPE 700 MM IL=-2550 LVL. IL=-2330 LVL.
ENTRY FOR ADMINISTRATION BLOCK
ENTRY FOR UNDERGRADUATE STUDENTS
R9
40
3610
CB
UP
0
30
10650
GL=00 LVL. IL=-2200 LVL. FOR DETAILS REFER A-212 MH23
LIFT WELL
2505
805 12525
6350
1575
10811
9039
IL=-450 LVL. CB GL=00 LVL.
IL=-1520 LVL. CB GL=00 LVL.
R70
90
UP
STAIRCASE: ST-01
R68
80
5
UP NO. OF RISERS=06
4 24
FOR REMAINING DIMENSIONS REFER A-203 & A-204
95
00
24
12
5°
30
20
45
13
R15451 R12451
PIPE 550 MM GL=+00 LVL. IL=-1970 LVL. CL=-250 LVL. MH 19
57
70
RISER=150 TREAD=300
31 GT
300
110 OD uPVC RWP
GL=00 LVL. IL=-1915 LVL. FOR DETAILS REFER A-212
STAIRCASE: ST-22 NO. OF RISERS=06 RISER=150 TREAD=300 WIDTH=1500
2830 160 OD 410 uPVC RWP
W EL L T LIF L W EL T LIF
8210
90
12
00
5120 1200
MH 16
160 OD uPVC RWP
FOR LOCATING CAFETERIA REFER A-203 & A-204
00 12
LVL. CB IL=-450 GL=00 LVL.
5
15
PIPE 220 MM GL=00 LVL. MH IL=-900 LVL. 13 51196
160 OD uPVC RWP
17
FOR REMAINING DIMENSIONS REFER A-203 & A-204
0
1200
RAINWATER HARVESTING PIT IL=-660 LVL. CB GL=00 LVL.
°
IL=-450 LVL. CB GL=00 LVL.
PIPE 46 GL=00 LV IL=-1650 0
MH IL=-620 13 CL=-250 LVL. GL=00 LVL. PIPE 150 MM
5°
24
GT
13
10
GT
3935 5°
13
130
MH 2 IL=-620 LVL. CL=-250 LVL. GL=00 LVL. PIPE 150 MM
6660
UP
20
STAIRCASE: ST-19 NO. OF RISERS=06 RISER=150 TREAD=300 WIDTH=1500
30
31
110 OD uPVC RWP
20
75
MH 3 =-680 LVL. L=00 LVL. IPE 180 MM
WWP SWP
SWP WWP
RAINWATER HARVESTING PIT
GT
SWP WWP
49
6660
1790
GL=00 LVL. IL=-600 LVL. FOR DETAILS REFER A-212 MH12
UP
1200
0
1 17
10
5690
23350
VL. . GL=00 LVL. IL=-600 LVL. FOR DETAILS REFER A-212 MH1
STAIRCASE: ST-20 NO. OF RISERS=06 RISER=150 TREAD=300 WIDTH=1500
70
UP
CB
IL=-450 LVL. GL=00 LVL.
GL=00 LVL. IL=-1765 LVL. FOR DETAILS REFER A-212 MH17
00
UP 78
STAIRCASE: ST-18 NO. OF RISERS=06 RISER=150 TREAD=300 WIDTH=1500
MH 18 78
=-770 LVL. L=00 LVL. IPE 225 MM
00
MH 4
PIPE 510 MM GL=00 LVL. IL=-1810 LVL. CL=-250 LVL.
UP
WWP SWPMH24
2780
12
1200
07
6295
1610 3030
21
ON
71°
1770
5180
GT
WWP
5 99 15
SWP
MH IL=-2170 LVL. 20 GL=00 LVL. PIPE 600 MM
3 86 14
LIFT WELL
PIPE 615 MM GL=00 LVL. IL=-2230 LVL. CL=-250 LVL. MH 21 2385
805
IL=-670 LVL. CL=-250 LVL. GT PIPE 150 MM GL=00 LVL. 5110
2500
77
160 OD uPVC RWP
12
R7775
160 OD uPVC RWP
89
CB
STAIRCASE: ST-13
R1
IL=-450 LVL. GL=00 LVL. MH 11
35
IL=-1960 LVL. CB GL=00 LVL.
R84
33 11
IL=-2210 LVL. GL=00 LVL. R26539
655
30
R23539
CB
0
R1
89
IL=-2450 LVL. GL=00 LVL. PIPE 670 MM CL = -250 LVL.
30
R5
4
R2
IL=-1910 LVL. GL=00 LVL.
30°
89 °
7680
MH 22 NO. OF RISERS=06 RISER=150 TREAD=300
SITE DEVELOPMENT PLAN (ARCHITECTURAL COLLEGE) CB
IL=-920 LVL. GL=00 LVL.
RAINWATER HARVESTING PIT
YEAR: 2014 - 2019 I LOCATION: N/A I BUILDING: N/A I TYPE: ADDITIONAL
11
MISCELLANEOUS SELECTED WORKS 2014 - 2019
Following are some of the ing, sketching and painting, additional projects that have photography, graffiti, 3D visbeen carried out during the ualization and crafts. span of five years. Projects include model mak-
52
NIPUN GARG
ARCHITECT CONTACT
+91 9818752012 gargnipun97@gmail.com