August 26-27 Cakebread Decorative Arts & Design Auction Catalogue

cakebread decorative arts

&

design

August 26-27, 2017

cakebread decorative arts

&

design

Presented By New Orleans Auction Galleries

Lot 729 Cover: Lot 973

AUCTION:

AUGUST 26-27, 2017

EXHIBITION: August 14-25, 2017

Monday - Friday, 9 a.m. - 5 p.m.

Saturday, August 19, 10 a.m. - 4 p.m.

EVENING RECEPTION: Thursday, August 24, 2017, 5-7 p.m.

SESSION I

SESSION II

Saturday, August 26, 2017

Sunday, August 27, 2017

Lots 1-619

Lots 620-1168

10:00 - 11:00

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100

11:00 - 12:00

101

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200

12:00 - 1:00

201

-

300

1:00 - 2:00

301

-

400

2:00 - 3:00

401

-

500

3:00 - 4:15

501

-

619

10:00 - 11:00

620

-

700

11:00 - 12:00

701

-

800

12:00 - 1:00

801

-

900

1:00 - 2:00

901 - 1000

2:00 - 3:00

1001 - 1100

3:00 - 3:45

1101 - 1168

333 St. Joseph Street, New Orleans, Louisiana 70130 Website: NewOrleansAuction.com

Email: Info@NewOrleansAuction.com Tel: 504.566-1849 | Toll Free: 800.501.0277 | Fax: 504.566.1851 LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 25% Buyer’s Premium (3% Discount For Prompt Payments Made By Cash or Check)

LETTER FROM THE PRESIDENT

Welcome to the latest in our Cakebread Decorative Arts & Design Auction series. Once again, the team at New Orleans Auction Galleries has knocked it out of the park, assembling a fine collection of unique decorative pieces as well as antiques and fine art.

The casual atmosphere and diverse selection of our Cakebread sales provides an excellent opportunity for novice bidders to get their feet wet bidding at auction and it also is an excellent venue for seasoned bidders to find some incredible items.

The sale includes over 1,100 unusual lots ranging from traditional furniture and decorative arts to mid-century design. The auction features a charming collection of candlesnuffers, a gadget used to trim the “snuff” of a candle, from the collection of Winfield A. Gartner of Jacksonville, Florida. Other highlights include a selection of jewelry, modern silver, 19th and early 20th century British paintings, Art Deco furniture and a collection of portrait photographs of George Dureau from the artist’s estate.

We invite you to visit our third-floor gallery during our two-week exhibition to preview the sale. Exhibition begins Monday, August 14 and continues through Friday, August 25. The gallery will be open on Saturday, August 19 from 10:00 a.m. to 4:00 p.m. if you can’t make it during the week. As always, you won’t want to miss our evening reception on Thursday, August 25 from 5-7 p.m. The auction begins at 10 a.m. on Saturday and Sunday, August 26-27.

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See you at the auction,

Ashton Thomas President, New Orleans Auction Galleries

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JANUARY 28-29, 2017

EVENING RECEPTION HIGHLIGHTS 1. Roxanne Sanchez, Lauren Delaney George, Leah Blake,

and Zelda Fitgerald 2. Facundo Marolla and Kevin Sparrow 3.Jeremy Braud and Richard White 4. Randy Swartz, Rebecca Moss and Burke

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Evening Reception Highlights

Session 1 - Saturday, August 26 | 10:00 a.m. | Lots 1-619

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1 Pair of Flemish-Style Mahogany Fauteuils early 20th century, each with a padded rectangular back joined by downswept scroll- and acanthinecarved arms to the padded seat, raised on S-shaped legs joined by an H-form stretcher and ending in acanthine in-scrolled toes. h. 42‑1/2” $500‑$800

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2 French Provincial Walnut Cabinet 18th century, the molded cornice above a frieze featuring two carved winged cherub heads, over two cupboard doors, each paneled and with decorative carving, the lower section fitted with two doors over two paneled cupboard doors, each centered by a carved floral medallion, raised on bun feet. h. 70”, w. 51‑1/2”, d. 23‑1/4” $400‑$700 3 Vittorio Splendore (Italian, Contemporary) “Les Champignons” suite of four decorative oil paintings on canvas signed lower right.

Unframed. each 24” x 18” $300‑$500 4 Hand-Hewn Spanish Cedar Dough Bowl 19th century, possibly Latin American. h. 6”, dia. 29‑3/4” Illustrated Online $100‑$200

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5 Aubusson-Style Tapestry in the neoclassical taste, depicting a covered urn with a basket of fruit spilling out, hung from a decorative metal pole. h. 57‑1/2”, w. 72”, pole w. 86”

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Provenance: Inessa Stewart’s Antiques, Dallas, Texas and Baton Rouge, Louisiana.

7 Spanish-Style Wrought Iron Grillwork Door

$500‑$800

early 20th century, the iron frame surrounding four vertical scrollwork panels separated by iron bars, with a large lock box and S-curved handle. overall h. 81”, w. 38‑1/2”

6 Two Louis XIII-Style Fruitwood Fauteuils a la Reine 18th century, the first with a tall padded back joined by downswept arms on turned uprights to the padded seat, raised on turned and block legs joined by a like H-form stretcher and ending in ball feet, h. 45‑1/2”, and the second with a tall padded rectangular back joined to the padded seat by downswept acanthine-carved arms, raised on block-and-ball legs joined by like stretchers and ending in bun feet, h. 47”. $400‑$700

$400‑$700 8 Suite of Four Upholstered and Walnut-Finished Dining Chairs of provincial inspiration, each with an upholstered back cushion and seat, on baluster-form legs joined by a low box stretcher. h. 36” $300‑$500

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9 Contemporary Glass and Wrought Iron Cocktail Table with a glass top over a high shelf crafted from a vintage wrought and cast iron panel, with neoclassical decor. h. 20‑1/2”, w. 54‑1/4”, d. 25‑1/2” $300‑$500 10 Jean-Marie Mengue (French, 1855‑1939) “La Derniere Goutte” patinated bronze cast signature and a “Susse Freres/Paris” foundry mark at back. h. 25”, w. 8‑1/2”, d. 9”

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$800‑$1,200 11 Giuseppe Renda (Italian, 1859‑1939) “Il Regazzo”, first quarter 20th century patinated bronze cast signature on self-base, on a marble plinth. overall h. 17”, w. 5‑1/4”, d. 7” $400‑$700 12 Continental Patinated Bronze of “Sabre a Champagne” ca. 1900, illegibly signed along edge of self-base, on a black stone plinth. h. 12”, w. 5‑1/2”, d. 4‑1/2” $400‑$700 13 Large Provincial Louis XIV-Style Fruitwood Cabinet with a pair of shaped paneled doors over a pair of doors, raised on a stand with baluster-form columns joined by a serpentine stretcher. h. 84”, w. 66”, d. 27” $700‑$1,000

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15 Provincial Walnut and Marble-Top Buffet in the 18th-century style, the rounded and rectangular marble top above a case fitted with two cupboard doors, each inset with a shaped panel and with carved foliate accents, flanked to either side by canted shelland foliate-carved pilasters, raised on a plinth base. h. 42”, w. 67‑1/2”, d. 25‑1/2” $1,000‑$1,500 14

14 Mary Kirk Kelly (American/Alabama, 1918‑2013) ceramics collection of ten assorted vegetables, including a mango dated 1982, l. 5‑1/2”, a turnip, l. 5‑3/4”, a cayenne pepper, l. 3”, an ear of corn, l. 9‑3/4”, an apple, h. 2‑1/2”, a sweet potato, l. 4‑1/2”, a yellow squash, l. 6‑3/4”, a red bell pepper, l. 3‑1/4”, a tomato, h. 2‑3/4”, and a cucumber, l. 7‑1/4”, all but the cucumber signed “Mary Kirk Kelly” in script. $500‑$800

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16 Provincial Louis XV-Style Fruitwood Duchesse Brisee the chair with a molded crest rail, stiles and apron, the ottoman with like molding, both on cabriole legs, the chair with loose seat and back cushions. chair h. 36”, ottoman h. 17‑1/2”, w. 33‑1/2”, d. 20‑1/2” $300‑$500

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17 Large Contemporary Fruitwood Bookcase/Cabinet the upper section of tripartite form with open shelves, the projecting base with doors and open shelves. h. 95‑1/2”, w. 102”, d. 17” $400‑$700 18 Regence-Style Fruitwood Fauteuil a la Reine 19th century, the padded and slightly domed back joined by padded acanthine-carved arms to the like seat, raised on molded cabriole legs headed by foliate carving, joined by an X-form stretcher and ending in scrolled toes. h. 45” $400‑$700 19 Continental Mahogany and Fruitwood Buffet a Deux Corps early 20th century, the domed and heavily molded cornice centered by a foliate fan carving, over a tall central paneled door centered by a carved foliate shield and above two small drawers, flanked to either side by a lower cabinet over an open shelf, the lower section fitted with two drawers over two cupboard doors, all paneled and with carved foliate accents, raised on scrolled toes. h. 109”, w. 63”, d. 26‑1/2” $1,200‑$1,800

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20 Antique French Tapestry decorated with shells and foliage.

3’4” x 3’6” $200‑$400 21 Continental Gilt- and Patinated Metal Chandelier second quarter 20th century, hung with drops and colorless and amber glass fruit. h. 19‑1/2”, dia. 19” $300‑$500 22 Louis XV-Style Fruitwood Fauteuil 20th century, the domed and padded back with brass tack accents, joined to the cushioned seat by padded arms to scrolling hand rests, raised above a foliatecarved apron on cabriole legs ending in scrolled toes. h. 42” $300‑$500 23 Continental Faience Charger in the 18th-century style, depicting a hunter, framed with a border of tulips, flowerheads and leaves. dia. 17” Illustrated Online

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$300‑$500

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25 Henriot-Quimper Faience Tree Tub post-1984, French, in the 18th-century style, handpainted with blue and yellow arabesque decoration, marked “HB” in underglaze blue. h. 13‑3/4”, dia. 13” Illustrated Online $300‑$500 26 Quimper Faience Coffee Set

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24 Pair of Provincial Louis XIV-Style Beechwood Fauteuils each with an arched crest rail and like-molded wings, joined to open arms, scalloped seat rail and cabriole legs. h. 43‑3/4” $500‑$800

post-1984, French, the set comprised of a coffeepot, h. 6‑1/4”, a sugar bowl, h. 4‑3/4”, a cream jug, h. 2‑3/4”, five cups, h. 1‑3/4”, and a serving tray, w. 10‑1/2”, d. 8‑1/4”, each marked “HB”. $300‑$500 27 Painted and Parcel-Gilt Side Cabinet 20th century, of Louis XV inspiration. h. 28‑1/2”, w. 32”, d. 17‑1/4” $300‑$500 28 Quimper Grande Maison Faience Vase ca. 1895‑1942, French, on polychrome dolphin-form feet, the lily-form vase with polychrome decoration depicting a bagpipe player and a woman spinning yarn, and a Brittany coat-of-arms over a fleur-delis, marked inside “H.B.”, for Grande Maison de la Hubaudiere factory. h. 12”, dia. 8” $700‑$1,000

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29 French 18th-Century-Style Painted Ladderback Armchair 20th century, with removable headrest. h. 47‑1/2” $150‑$300 30 French Provincial Fruitwood Desk mid-19th century, the banded rectangular top with a molded edge, above a case fitted with two drawers flanking a kneehole, raised on cabriole legs. h. 30‑1/2”, w. 70‑1/2”, d . 27‑1/2” $500‑$800

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31 Two French Provincial Fruitwood Occasional Tables

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19th century, including a Louis XV-style example with a rectangular top above a shaped frieze fitted with a small side drawer, raised on cabriole legs, h. 28”, w. 33”, d. 21‑3/4”, and a Directoire-style example with a circular top above a conforming frieze fitted with a single drawer, raised on swan supports to a concave tripartite stretcher to tapering square legs, h. 27‑1/2”, dia. 18‑1/2”. $500‑$800 32 Collection of Six French Brass Candlesticks 18th century, including a pair of Louis XV ormolu sticks with arches framing engraved panels, h. 10”, dia. 5‑3/4”, a pair of Directoire ormolu sticks with original engraved decoration, h. 6‑1/4”, dia. 4‑1/2”, a single Louis XV engraved candlestick, h. 10‑1/2”, dia. 8‑1/2”, and a single Louis XIV candlestick with engraved decoration, h. 7‑1/2”, dia. 4”. $400‑$700

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33 Provincial Louis XV Fruitwood Fauteuil 18th century, the domed and caned back surmounted by a shell crest, joined to the cushioned caned seat by foliatecarved arms, raised on cabriole legs ending in foliate toes. h. 38”

35 Geoffrey Holt (British/American, 1882‑1977) “Still LIfe with a Peacock, On a Terrace” oil on canvas signed lower right.

Framed.

30” x 36” $700‑$1,000

$300‑$500 34 Provincial Fruitwood and Leather-Top Occasional Table the concave square top lightly padded and leather clad, above a plain frieze, raised on cabriole legs. h. 28‑1/2”, w. 23‑1/4”, d. 22‑1/4” $200‑$400

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36 Pair of Louis XV-Style Fruitwood Bergeres late 18th century, each with a padded and domed back surmounted by a floral-carved crest, joined by closed downswept sides to the cushioned seat, raised on cabriole legs headed by floral carving and ending in scrolled toes. h. 37‑1/2” $800‑$1,200

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37 Dutch School (Fourth Quarter 19th/First Quarter 20th Century) “The Knitter” oil on canvas signed “S. F. Wouter” lower right.

Framed.

26” x 18‑3/4” $400‑$700

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39 Evert-Jan Ligtelijn (Dutch, 1893‑1975) “Interior Scene with Mother and Children” oil on wood panel signed lower right.

Framed.

24” x 19‑3/4” $800‑$1,200

38 Evert Pieters (Dutch, 1856‑1932) “Peeling Potatoes” oil on wood panel signed lower left.

Framed.

7‑1/2” x 6‑3/4” $800‑$1,200

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40 J. Charles Arter (American, 1860‑1923) “The First Steps” 41 Augusto Daini (Italian, 1860‑1920)

oil on canvas signed lower right.

Framed.

23‑1/4” x 35‑1/4”

“Stuzzicare il Gatto”

$800‑$1,200

watercolor on paper signed lower right.

Matted, glazed and framed. sight 14‑1/2” x 21” $600‑$900 42 Hugo Kotschenreiter (German, 1854‑1908) “A Terrifying Tale” oil on panel signed upper right, verso with partial label.

In a period gesso and giltwood frame.

8‑5/8” x 12‑5/8” $800‑$1,200 41

43 Sinibaldo Tordi (Italian, 1876‑1955) “A Spirited Game of Chess” oil on canvas signed lower right.

Framed.

17‑3/4” x 21‑3/4” $800‑$1,200

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44 Follower of Pieter de Hooch (Dutch, 1629‑1688) “Interior Scene with an Elegant Couple and a Servant”, late 19th/early 20th century oil on canvas unsigned.

Presented in a Dutch Baroque-style frame.

24‑3/8” x 21‑1/2” Illustrated Online $500‑$800 45 Lloyd Branson (American/Tennessee, 1853‑1925) “Bad Habits Start Young” oil on board signed lower right.

Framed.

21‑1/4” x 16‑1/4”

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$800‑$1,200 46 Julius G. Segall (American, 1860‑1925) “La Vieille Bretonne” oil on canvas signed lower right.

Framed.

39” x 30‑1/4” $800‑$1,200

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47 Franz Quaglio (German, 1844‑1920) “The Flirtation” oil on board signed lower right.

In a giltwood exhibition frame.

12‑3/4” x 9‑1/2” $700‑$1,000

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49 William Maw Egley (British, 1826‑1916) “Portrait of a Spanish Lady on a Balcony”, 1873 oil on canvas signed and dated mid-left.

Presented in a period giltwood and gesso frame stenciled with the artist’s name.

18” x 14” $1,000‑$1,500

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48 Paulus-Ferdinand Parfony (Dutch, 1823‑1886) “The Letter” oil on wood panel signed lower right.

Framed.

24‑1/2” x 17‑1/2” $500‑$800

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50 Pablo d’Espinosa (Spanish, 19th/20th Century) “Christening” oil on panel signed lower right.

Framed.

17‑1/2” x 25‑1/2” $800‑$1,200

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51 Continental School (20th Century) “Portrait of a Spanish Soldier” oil on board signed lower left.

Framed.

29‑1/4” x 23‑1/4” $400‑$700 52 Flemish-Style Fruitwood Library Chair late 19th century, the domed and padded back, mechanized to recline, joined by padded arms to the like seat, raised on molded S-form legs joined by an H-form stretcher and ending in in-scrolled toes. h. 42‑1/2”

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$300‑$500 53 Wood and Metal Nine-Light Candelabrum now mounted as a table lamp, with two sockets and a painted shade, electrified. h. 36”, dia. 16” Illustrated Online $150‑$300

54 Two Impressive Continental Bronze Keys 19th century, one in the Empire style, l. 10‑1/2”, w. 4‑1/2”, and the other decorated with an armorial, l. 9‑1/4”, w. 3‑1/2”. $500‑$800

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55 Page from an Illuminated Manuscript in Shadowbox

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57 Five Carved and Painted Santos Figures

15th century, French, titled “Liber Oramis”, or “Free Coast”, mounted in a double shadowboxed giltwood frame, on an ebonized Asian-style base. h. 12‑3/4”, w. 8‑1/2”, d. 4” Illustrated Online

18th/19th century, Latin American or Filipino, including a figure of Christ on the cross, h. 17‑1/2”, w. 11”, a figure of St. John the Baptist, his hand extended to hold a staff, h. 13‑1/4”, w. 5”, a figure of St. Nicholas in his distinctive pointed hat and cape, h. 14‑1/4”, w. 5”, a figure of Christ draped in yellow and green robes, h. 12”, w. 3‑1/2”, and a small figure of St. Anthony of Padua, h. 7‑1/2”, w. 2‑3/4”.

$300‑$500

$400‑$700

56 Pair of Italian Assembled Carved Wooden Brackets with Figural Candlesticks

58 Near Pair of Flemish-Style Oak Fauteuils

the brackets with carved angel heads against carved, parcel-gilt wings, each supporting a gilt-edged shelf, 17th century, h. 10‑1/2”, w. 10‑1/2”, d. 8”, the carved and painted candlesticks on leaf-carved bases, with standing, polychromed angels supporting leaf-carved trumpet-form candle holders, late 18th/early 19th century, electrified, h. 26‑1/4”, w. 8‑1/4”, d. 8”.

late 19th century, each with a padded rectangular back joined by foliate-carved downswept scrolling arms to the padded seat, raised on shaped foliate-carved legs joined by an H-form stretcher and ending in in-scrolled toes. h. 42” $500‑$800

Provenance: Estate of the Honorable Nicolas M. Salgo, Ambassador of the United States to Hungary (1983‑1986), 4 East 72nd Street, New York, New York. $2,000‑$4,000

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59 Spanish Fruitwood Guard Room Table of traditional form, the two-board rectangular top with breadboard ends, pegged and raised on shaped end supports joined by scrolling iron stretchers. h. 29”, w. 31”, l. 83” $700‑$1,000 60 Royal Copenhagen Partial Dinner Service in the “Brown Iris” Pattern 1960, Denmark, including twelve dinner plates, dia. 10”, eleven luncheon plates, dia. 9”, twelve bread-and-butter plates, dia. 6”, eleven cream soup bowls, h. 2”, dia. 5”, and twelve matching underplates, dia. 6‑3/4”, the plates with Royal Copenhagen marks, with wavy blue lines, as well as decorator’s marks.

Provenance: Estate of Alice Evans Pratt, Houston, Texas. $500‑$800 61 Provincial Italian Neoclassical Oak and Mixed Woods Cabinet 18th century, the molded and domed canted cornice above two glazed doors, flanked to either side by a slender glazed panel, resting on a middle section fitted with three short drawers, all banded and with decorative chevron veneers, the lower section with a serpentine top inlaid with two latticepattern panels, above a conforming case fitted with three long drawers, all with three panels with decorative chevron veneers, the whole raised on molded feet. h. 92‑1/2”, w. 46‑1/2”, d. 27‑1/2”

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$2,000‑$4,000

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62 Pair of Italian Baroque-Style Giltwood Mirrors 20th century, the pierced surrounds decorated with scroll and rocaille work, grapes and grapevines, the serpentine crests with pierced shells and rocaille work. h. 45‑1/2”, w. 28” $900‑$1,200 63 Partial Wawel Porcelain Dinner Service 20th century, decorated with transfer-printed flowers, the set comprised of thirty-six dinner plates, dia. 9‑1/2”, twelve soup plates, dia. 9‑1/2”, twelve salad plates, dia. 7‑1/2”, a soup tureen, h. 7‑3/4”, dia. 9”, a pair of circular meat platters, dia. 12‑1/2”, a gravy boat, h. 3”, and five graduated oval platters, w. 9‑1/2” to 14”, d. 5‑1/2” to 10‑1/2”. $600‑$900

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64 French Gilt-Metal and Crystal Chandelier of Rococo Inspiration fourth quarter 20th century, with a cut crystal-clad standard with scrolled candle arms set with molded glass prism rings, the arms hung with crystal drops and swags, a corona of crystal drops at the top. h. 37‑1/2”, dia. 24” $600‑$900 65 Pair of Gilt-Metal and Crystal Sconces of Baroque inspiration, on molded backplates with scrolled candle arms, holding vasiform candle cups on floriate drip pans, with scrolled sprays of prisms at the top, the candles flanking a molded glass finial. h. 18‑1/4”, w. 13‑1/5”, d. 8” $300‑$500

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68 Venetian Blown and Engraved Glass Mirror mid-20th century, the central beveled mirror plate surrounded by plates engraved with scrollwork and grapes, framed with blown glass trim and flowers. h. 27‑1/2”, w. 17” $400‑$700 67

66 Italian Tin-Glazed Pottery Whippet third quarter 20th century, the seated whippet on a tasseled yellow cushion. h. 24”, w. 10‑3/4”, d. 16” $400‑$700 67 Italian Hand-Painted Faience Coffee Set first quarter 20th century, decorated in the Renaissance style with snake-form handles and knops, painted with winged creatures, with an unidentified mark, the set including a coffeepot, h. 8”, w. 6‑1/2”, a cream jug, h. 4‑3/4”, w. 3‑3/4”, a sugar bowl, h. 5‑3/4”, w. 4‑3/4”, two plates, dia. 7‑1/4”, and six cups and saucers, h. 3‑1/2”, dia. 4‑3/4”. $300‑$500

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71 Italian Rococo Giltwood Console Table late 19th century, the bowed marble top above a conforming pierced frieze with foliate scrolling patterns, raised on three shaped legs headed by floral and acanthine carving, joined by a shield pierced stretcher and ending in scrolled toes on modeled feet. h. 37‑1/2”, w. 57”, d. 25” 69

$800‑$1,200

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69 Continental Japanned Panel ca. 1700, decorated with a gilt cup and cover flanked by birds, and trimmed with swags and tassels. h. 26”, w. 71‑3/4” $500‑$800

70 Italian Variegated and Black Marble Bust 20th century, the classically draped figure with an acanthine circlet, on a socle base, presented on a marble columnar pedestal. bust h. 34‑1/2”, w. 23”, d. 10”, pedestal h. 43” $3,000‑$5,000 70

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72 Italian Rococo Giltwood Mirror late 19th century, the shaped and domed plate surmounted by a tall foliate pierced crest around a small mirror, surrounded by a molded frame with applied foliate patterns, to splayed foliate feet. h. 100”, w. 58” $1,000‑$1,500

73 Pair of Handsome Blackamoor Torcheres mid-20th century, the parcel-gilt and painted male blackamoors on bombe-form gilded bases with faux marbre tops, and supporting giltwood cornucopias set with fruit- and rococo-carved candle arms with pierced cups, electrified. h. 81‑1/2”, w. 19”, d. 14” $1,800‑$2,500

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74 Rare Blackamoor Musical Instrument Stool fourth quarter 19th century, Italian, the carved and painted revolving stool on bun feet, the kneeling Blackamoor dressed in a loincloth, looking upward as he balances the top of the stool on a cushion atop his head. h. 22‑1/2”, w. 12”, d. 12” $400‑$700 73

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76 Four Pairs of Brass and Iron Andirons including a pair of Continental Baroque-style andirons with vasiform standards and scrolled feet, fourth quarter 19th century; a pair of American wrought iron “knife blade” andirons with brass finials in the New York style, first quarter 20th century; a pair of Continental pierced andirons in the Beaux-Arts style, mid-20th century; and a pair of American urn-form andirons. h. 23‑3/4” to 25‑1/2”, w. 10‑1/2” to 15‑3/4”, d. 21” to 24‑1/2” $500‑$800 77 Pair of Italian Grand Tour Gilt-Bronze Candlesticks fourth quarter 19th century, in the Renaissance style, on paw feet molded with ivy leaves, the fluted standards decorated with chameleons, supporting candle cups molded with ivy leaves and vines. h. 11‑1/4”, dia. 4‑1/4” $300‑$500

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75 Pair of Italian Parcel-Gilt Mirrors in the Baroque Taste fourth quarter 19th century, with pilasters on each side decorated with fluting, flowerheads and masques at the crest, with three plates each, the lunette-form center mirror beneath “floating” putti, reflected in small mirrors beneath winged masques. h. 71‑1/4”, w. 25‑1/4” $2,000‑$4,000

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78 Italian Giltwood Barometer in the Neoclassical Taste third quarter 20th century, carved and pierced with flowers and fruit, marked “Made in Italy” on the back. h. 38”, w. 19” $500‑$800 79 Continental Giltwood Mirror in the Baroque Taste fourth quarter 19th century, the frame decorated with deeply molded and pierced scrollwork and acanthus leaves, the bolection-molded mirror surround with flowerheads and corner scrolls. h. 33‑1/2”, w. 31” $700‑$1,000 80 Pair of Italian Giltwood and Gilt-Metal Sconces mid-20th century, of rococo inspiration, on wooden backplates carved with shells and flowers, the metal candle arms set with leaves and fluted and carved candle sockets, marked “Paladio, handcrafted in Italy” on the back. h. 19”, w. 9‑1/2”, d. 6” $500‑$800

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81 Pair of Giltwood Mirrors in the Northern Italian Baroque Style 20th century, with bold, scrolled and pierced surrounds and a pediment-form crest decorated with flowerheads. h. 63‑1/2”, w. 55‑1/2” $700‑$1,000

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83 Dutch Rococo-Style Parcel-Gilt Figured Walnut Commode the cross-banded top on a serpentine case with two drawers over a carved and gilt apron, raised on cabriole legs with pad feet. h. 29”, w. 48‑1/2”, d. 24” $500‑$800

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82 Antique French Tapestry depicting a group in 18th century costume with a pet bird and lamb.

3’ 4” x 4’ 4” $300‑$500

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84 Pair of Italian-Style Giltwood Armchairs in the rococo taste, each with a guilloche-carved medallion back, joined to shaped open arms, bound seat rail and fluted trumpet-form legs. h. 39‑3/4” $400‑$700

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85 Continental Giltwood Bed Crown fourth quarter 19th century, in the neoclassical style, the cove-molded crown with a lower beaded edge, an upper border of carved acanthus leaves, and a displayed eagle perched over the front. h. 12”, dia. 23‑3/4” $300‑$500 86 Two Painted Composition Candlesticks

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20th century, in the Black Forest style, depicting birds on branches. h. 15‑1/2” to 24”, dia. 6” to 8” $200‑$400 87 Pair of Pietra Dura Plaques 20th century, Italian, depicting birds in prunus branches with moths fluttering nearby, signed indistinctly, in giltwood frames. h. 19”, w. 14‑3/4” $500‑$800 88 Italian Metal and Glass Chandelier mid-20th century, the brass-plated and scrolled frame lined with crystal beads and hung with red and amber drops, the eight candle arms set with floriate candle cups. h. 30”, dia. 24” $600‑$900

87 one of a pair

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93 89

89 Pair of Terracotta and Cloth Creche Figures early 19th century, Neapolitan, the Asian figures with terracotta heads and hands, dressed in old or original costumes. h. 21”, w. 7‑1/4”, d. 5‑1/2” $1,800‑$2,500 90 Italian Fruitwood Fauteuil 18th century, the padded rectangular back joined by shaped and padded sides and foliate-carved arms to the padded seat, raised on circular turned and block legs joined by an H-form stretcher and ending in block feet. h. 47” Illustrated Online $500‑$800 91 Carved Giltwood Bracket Shelf late 19th century, the serpentine shelf supported by a pair of angels with dolphin tails, flanking a shield with a rampant lion. h. 20‑1/2”, w. 25”, d. 11” $300‑$500 92 Bold Gilt and Painted Mirror in the Baroque Taste third quarter 20th century, the scrolled and pierced mirror set with a beveled mirror plate, the frame decorated with leaves, shells and scrollwork. h. 82‑1/2”, w. 45‑1/2” Illustrated Online $300‑$500

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93 Pair of Carved and Gilded Cherubim 18th century, possibly Italian, in the Renaissance taste, depicted as though floating, their hands poised to hold instruments. h. 24”, w. 15‑3/4”, d. 8‑3/4” $800‑$1,200 94 Italian Carved Marble and Parcel-Gilt Plaque in Stand fourth quarter 19th century, the plaque with a religious figure lying in state in a cathedral attended by a woman, in an elaborate giltwood stand carved with tracery, set with ogee molding, the bracketed feet set under carved lion’s heads. h. 51”, w. 38‑1/2” $1,800‑$2,500

95 Italian Alabaster Pedestal ca. 1900, on a faceted base, decorated with carved lotus leaves. h. 37”, w. 9”, d. 9” $400‑$700 96 Pair of Continental Metal Lamps 20th century, in the style of altar sticks, on acrylic bases, the silver-colored lamps decorated with molded leaves and fluting. base h. 27‑1/2”, overall h. 44”, dia. 7” $400‑$700 97 Nine-Piece Venetian Giltwood Parlor Suite late 19th century, including a settee, h. 54”, w. 73”, d. 28”, a pair of fauteuils, h. 47”, and six sidechairs, h. 43‑1/4”, with padded shield-form backs surmounted by militaristic crests of crossed battle axes centered by a helmet, with padded arms on eagle-head hand rests to the generous shaped and padded seat, raised on cabrile legs ending in foliate scrolled toes.

95

$4,000‑$7,000

96

97

97

97

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98

98 Large French Silvered Spelter Figure of Perseus

99

20th century, depicted bearing a shield and sword, modeled in the late 19th-century Academic style. h. 28”, dia. 8” $300‑$500 99 Engraved Venetian Mirror 20th century, Italian, with a segmented mirrored surround decorated with engraved sprays of flowers and glass trim, with a serpentine crest and corner panels with blown and applied flowers. h. 84”, w. 37‑1/2” $3,500‑$5,000 100 Pair of Venetian Glass and Brass Sconces first quarter 20th century, Italian, the two-light sconces with Baroque-form mirrored backplates, one engraved with a woman in a garden and the other with a man, the engraved mirror plate surrounds decorated with engraved blue glass medallions, the scrolled candle arms supporting drip pans and electrified candle sockets. h. 23”, w. 12‑1/4”, d. 4” $500‑$800

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100

101

103

101 Faience Lavabo in the Baroque Taste 20th century, Continental, mounted on a scroll-carved mahogany backboard, the blue and white lavabo molded with a dolphin, with its mouth near the spigot, his tail on the cover, the sides decorated with small dolphins, a shell-form basin to catch the water. h. 41”, w. 16‑1/2”, d. 7‑1/2” $400‑$700 102 Follower of Francesco Guardi (Italian/Venice, 1712‑1793) “Capriccio with Ruins, Figures and Boats Beyond” 102

oil on canvas Framed.

19‑1/4” x 25‑1/4” $400‑$700 103 John Devich (American, 20th Century) “Venice Harbor Scene” oil on canvas signed “J. Devich” lower right.

Framed.

26” x 44” $300‑$500 104 Italian School (19th Century) “Madonna and Child with St. Anne and St. John the Baptist” oil on canvas Framed.

39” x 30‑1/2”

104

$700‑$1,000

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106 Gustave de Lassalle-Bordes (French, 1815‑1886) “Etude pour Une Sainte Femme” graphite on paper unsigned, artist name and inventory number “EA8” inscribed in pencil en verso, lower corners en verso stamped “Atelier Gustave de Lassalle Bordes” and “Collection Richard Garcia”, laid paper with “KF” blind stamp.

Matted, glazed and framed.

14” x 9” Provenance: Collection Richard Garcia, Paris, France.

Literature: Garcia, Richard. Gustave de Lassalle-Bordes (1815‑1886): Catalogue de la Collection., 1995; Foucart, Jacques. “A propos de la Descente de croix de Gustave de Lassalle-Bordes (1843), a líeglise de Saint-Pal-deChalencon (Haute-Loire)”. La Tribune de l’Art. 2 July 2013.

Web. 25 July 2017. $400‑$700 105

105 Continental School (19th Century) “The Penitent Mary” watercolor portrait miniature monogrammed “C.T.” lower left.

Matted, glazed and framed. sight 5‑3/4” x 4‑1/4” $600‑$900

106

107 South American School (18th Century) “Story of Joseph, Son of Jacob” oil on canvas Unframed.

25‑1/2” x 21‑3/4” $700‑$1,000 107

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108

109

108 Italian School (18th Century) “Study for an Allegorical Painting of Diana and Cupid” oil on canvas unsigned.

Framed.

37‑1/2” x 37” $500‑$800 109 Flemish-Style Machine-Woven Tapestry mid-20th century, “Toilette de Venus”, D’apres Boucher woven in the lower right corner, along with two gilded hanging rods. h. 55”, w. 74” $500‑$800 110 Italian Capodimonte Covered Urn

111

111 Two Pieces of Vienna-Style Porcelain

third quarter 19th century, made by Richard Ginori, on a base molded with brackets and raised laurel leaves, the urn decorated with a neoclassical bas-relief boar hunt, and set with satyr-head handles, the swirl-molded cover set with a pineapple knop with polychrome leaves, marked with the Ginori underglaze crowned “N”. h. 17”, w. 8‑1/2”, d. 6” Illustrated Online

ca. 1900, Austrian, including an octagonal charger decorated with a center panel depicting Cupid and Psyche, signed “C. Forster”, the framboise and ivory border depicting “Dancing Hours”, alternating with framboise plaques of delicate scrollwork, the subject of the panel marked on the back, dia. 14‑1/2”, and a tea caddy decorated with like colors, with two hand-painted classical scenes, identified on the base, “Shakespeare und der Genius” and “Paesie”, artist signed “A. Heer”, marked with an underglaze blue beehive, h. 5”, w. 2‑3/4”.

$400‑$700

$300‑$500

31

115

113

112 Continental Gilt-Bronze and Slag Glass Vase ca. 1900, on pierced leaf-molded bronze feet, the glass vase mounted with a central bronze band of oak leaves and acorns, continuing up each side, with lizards framing a musical trophy, and a molded bronze band trimming the top. h. 22”, dia. 7‑3/4” Illustrated Online $300‑$500 113 Gilt-Brass Chandelier in the Florentine Taste ca. 1900, Italian, on a turned standard decorated with molded leaves and scrollwork, the arms set with pierce anthemion gas keys terminating in leaf-molded sockets and drip pans matching the standard, electrified. h. 23‑1/2”, dia. 24” $400‑$700

116

114 Mahogany and Marble-Top Occasional Table early 20th century, in the manner of Joseph-Emmanuel Zwiener (1848‑1925), the floriform marble top with brass banding and above a conforming ogee-molded frieze, with applied foliate ormolu accents, raised on cabriole legs headed by ormolu maidens and ending in sabots. h. 30”, w. 27”, d. 27” $2,500‑$4,000 115 Monumental Pair of French Gilt-Bronze Sconces ca. 1900, in the Baroque taste, the fifteen-light sconces on backplates decorated with masques on molded anthemia, framed with pierced leaves and scrollwork, the scrolled and leaf-molded candle arms set with vasiform standards on three levels, with beaded drip pans and molded matching candle cups, electrified. h. 30”, w. 23‑1/2”, d. 22‑3/4” $1,500‑$2,500 116 Monumental Pair of French Gilt-Bronze Sconces ca. 1900, in the Baroque taste, the fifteen-light sconces on backplates decorated with masques on molded anthemia, framed with pierced leaves and scrollwork, the scrolled and leaf-molded candle arms set with vasiform standards on three levels, with beaded drip pans and molded matching candle cups, electrified. h. 30”, w. 23‑1/2”, d. 22‑3/4” $1,500‑$2,500

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114

117 French Aubusson Tapestry depicting a streamside village, with villagers tending gardens and harvesting.

5’ x 7’ Illustrated Online $300‑$500 118 Pair of Louis XV-Style Rosewood Fauteuils late 19th century, each with a padded back surmounted by a floral crest, joined by padded scrolling arms to the like seat, raised on molded cabriole legs headed by fruit carving and ending in casters. h. 39” Illustrated Online

119

$400‑$700

121

119 Rare Bohemian Overlay Glass and Gilt-Bronze Chandelier

118

fourth quarter 19th century, Continental, the exceptional vasiform standard composed of white overlaid cranberry glass, decorated with gilt scrollwork, and an oval panel enameled with a depiction of Cupid and Psyche with a seashell in a rose garden, the standard on a swirl-molded bronze sphere, supporting four bronze leaf-molded scrolled candle arms set with fluted candle cups and beaded drip pans, electrified. h. 22‑1/2”, dia. 18‑1/2” $400‑$700 120 Louis XVI-Style Giltwood and Marble-Top Side Table late 19th century, the rectangular marble top above a pierced guilloche frieze, raised on fluted tapering circular legs headed by scrolling foliate capitals, joined by a pineapple-centered H-form stretcher and ending in ribbed toupie feet. h. 34‑3/4”, w. 35‑1/2”, d. 23‑1/2” $1,200‑$1,800 121 Pair of French Mirrored and Giltwood Sconces second quarter 20th century, in the rococo taste, each with three scroll-molded candle arms set with wooden candle cups and drip pans. h. 38‑1/2”, w. 14‑3/4”, d. 7‑1/2”

120

$600‑$900

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123 Pair of Belle Epoque Figural Candelabra ca. 1900, French, the bronze Louis XV-style candelabra on scrolled feet, set with patinated figures of draped putti, personifying winter, the leaf-molded candle arms supporting leaf-molded drip pans and vasiform candle sockets with matching bobeches. h. 14‑1/4”, w. 9”, d. 5‑3/4” $500‑$800

122

122 Rococo-Style Bronze Encrier fourth quarter 19th century, French, decorated with a cupid driving Pegasus, flanked by a pair of inkpots in the form of beehives, with porcelain liners, against pierced, scroll and rocaille work. h. 7”, w. 14”, d. 8‑3/4” $400‑$700

126

124 French Patinated Bronze Wall Sculpture of an Angel with Cornucopia 20th century, cast signature “Clodion” along proper left edge. h. 27”, w. 15”, d. 8‑1/4” Illustrated Online 123

$800‑$1,200 125 Set of Three French Bronze Sconces 20th century, the three-light sconces molded with winged angel heads, molded with sprays of wheat and scrollwork around the downturned lights. h. 40‑1/2”, w. 22”, d. 14” $500‑$800 126 Large Continental Gilt-Bronze Garniture Urn decorated with frolicking putti celebrating, molded with grapes and grapevines, fitted with a cover and a pinecone finial. h. 24‑1/2”, dia. 8‑1/2”

125

34

$400‑$700

127 128

127 French Baroque-Style Bronze Chandelier the standard molded with a fluted urn with leaf-molded, scrolled brackets terminating in busts, and set with eight molded candle arms with bellflowers, and fluted candle cups with beaded drip pans, the lower portion of the standard with scrolled brackets terminating in female heads on paw feet. h. 33‑1/2”, dia. 29‑1/2”

129 Assembled Brass Fender and Andirons Set 19th century, Anglo-American, comprised of a pair of period American classical andirons on cabriole legs with ball feet, h. 16‑1/2”, w. 9‑1/2”, d. 14‑1/2”, and an English brass fender ornamented with pierced scrollwork and reeded ball finials, h. 11‑1/2”, w. 56‑1/2”, d. 12‑1/4”.

$700‑$1,000 128 French Gilt-Bronze Dressing Mirror fourth quarter 19th century, in the Louis XV taste, the bronze asymmetrical surround pierced and molded with rocaille work, the sides set with candle holders, on tapered standards decorated with leaves and berries, on a mahogany easel support, labeled by Maison Hopilliart, R. Rue des St. Peres, Paris. h. 22‑1/4”, w. 16‑1/2”

$400‑$700

$500‑$800

129

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130 French Rococo Revival Inlaid Kingwood Center Table fourth quarter 19th century, of serpentine form with molded bronze trim, the marquetry-inlaid top decorated with flowers and mother-of-pearl accents, raised on cabriole legs. h. 30‑1/2”, w. 43‑1/2”, d. 27‑1/2” $500‑$800

131

130

131 Pair of Louis XV Fruitwood Fauteuils 18th century, each with a domed and padded back surmounted by a floral crest, joined by padded, scrolling arms to the padded seat, raised on cabriole legs ending in scrolled toes. h. 36‑1/4” $300‑$500

132

132 Louis-Philippe Mahogany and Marble-Top Commode mid-19th century, the inset rounded rectangular top above a conforming case fitted with four graduated and paneled long drawers, over a paneled apron, raised on cabriole feet. h. 41”, w. 46”, d. 21‑1/4” $500‑$800 133 Pair of Louis XV-Style Parcel-Gilt Fruitwood Commodes each with an inset marble top over three drawers with stenciled inlay, scalloped apron and cabriole legs with French toes, with a brass maker’s plaque reading “Marge Carson”. h. 34‑1/4”, w. 33”, d. 18” $500‑$800

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133

135 134

134 Continental Brass and Porcelain Chandelier in the rococo style, the brass vasiform standard adorned with scrollwork and molded feathers, and set with cobaltground porcelain decorated with flowers and raised gilt, set with six scrolled arms, each with three cobalt and gilt candle sockets, for a total of eighteen lights. h. 38”, dia. 30‑1/2” $700‑$1,000 135 Pair of Giltwood and Upholstered Bergeres early 20th century, in the Louis XV taste, each with a pierced scrolling crest above a trisected padded back, joined by outscrolled padded arms to the cushioned seat, raised on short cabriole legs ending in scrolled toes. h. 35”

136

$500‑$800 136 Pair of Giltwood and Upholstered Bergeres early 20th century, in the Louis XV taste, each with a pierced scrolling crest above a trisected padded back, joined by outscrolled padded arms to the cushioned seat, raised on short cabriole legs ending in scrolled toes. h. 35” $500‑$800 137 Porcelain Plaque Depicting “L’Horoscope accompli” after Sigmund Freudeberg (Swiss, 1745‑1801), fourth quarter 19th century, probably illustrating the prediction that a child would be born to a couple in a rural cottage, in an antique ebonized frame, and with a “Freudeberg” name plate on the front, the back with spurious Sevres marks. plaque h. 8‑1/8”, w. 10‑3/4”, overall h. 10‑1/2”, w. 14‑1/4” $400‑$700

137

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138 Louis XV-Style Giltwood Overmantel Mirror 20th century, French, with an ogee-molded surround, the serpentine crest with a shell-form finial, marked on the back “Made by David Pruett, Natchez, MS, 1960”. h. 81”, w. 54‑1/2” $400‑$700 139 Louis XV-Style Giltwood and Marble-Top Console Table late 19th century, the rounded rectangular top above a conforming frieze centered by a carved foliate shell and with lattice-incised panels, raised on cabriole legs headed by acanthine carving and ending in foliate scrolled toes. h. 29”, w. 47‑1/2”, d. 13‑3/4” $500‑$800

138

140 Pair of French Marble and Bronze Figural Candelabra fourth quarter 19th century,the five-light candelabra with hexagonal black marble bases, supporting patinated putti holding aloft leaf-molded candle branches set with shellmolded candle cups and leaf-molded drip pans. h. 19‑1/4”, dia. 9” $500‑$800 141 Ratislav Rakov (Russian/French, 1904‑1982) “Parisian Store Fronts”, 1969 oil on board signed and dated “Racoff 69” lower right, verso with “Bryant Galleries, Jackson, MS” label.

Framed.

14” x 11” $800‑$1,200

140

139 141

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144 Michel Delacroix (French, b. 1933) “Grand Bal” offset lithograph pencil-signed lower right, numbered “3/150” lower left.

Matted, glazed and framed. sight 21‑1/2” x 25‑1/4” Illustrated Online $500‑$800 145 Michel Delacroix (French, b. 1933) "Amboise"

142

offset lithograph pencil-signed lower left.

Matted, glazed Framed.

22" x 26-1/2" $500-$800

142 Ratislav Rakov (Russian/French, 1904‑1982) “Parisian Street”, 1966 oil on board signed and dated “Racoff 66” lower left, verso with “Bryant Galleries, Jackson, MS” label.

Framed.

14” x 11” $700‑$1,000

143 Michel Delacroix (French, b. 1933)

143

“Souvenirs de Paris” and “Petite Ballade” pair of offset lithographs former pencil-signed lower right and numbered “189/500” lower left, latter pencil-signed lower right and numbered “LVI/CL” lower left.

Each matted, glazed and framed. former sight 11‑1/4” x 14‑1/4”, latter sight 17‑1/4” x 20‑1/2” $800‑$1,200

145

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151

148

146

146 Baroque-Style Painted Slant-Lid Desk with Bookcase

149 Pair of Italian Polychromed Commodes

20th century, depicting a tropical island being settled by Europeans. h. 85‑1/2”, w. 36”, d. 18”

in the 18th-century style, each with a serpentine faux marble top over a conforming case with a pair of drawers over a pair of doors, the door panels painted with genre scenes, raised on bracket feet. h. 38”, w. 44‑1/2”, d. 19‑3/4”

$500‑$800 147 Continental Neoclassical Polychrome Cabinet 20th century, the rectangular top centered by a floral spray, above a conforming case fitted with two cabinet doors, each inset with a raised oval panel of a classical maiden, over a single drawer, raised on splayed bracket feet. h. 41‑1/2”, w. 26”, d. 13‑3/4” $400‑$700 148 KPM Hand-Painted Porcelain Plaque ca. 1900, German, depicting a Greek maiden carrying an amphora on her head, the reverse impressed with “KPM’’ and scepter marks, in a giltwood frame. overall h. 13‑1/2”, w. 7‑1/4” Illustrated Online $800‑$1,200

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149

$800‑$1,200 150 Two Pairs of Continental Carved Corbel-Form Brackets fourth quarter 19th century, including a large painted and parcel-gilt pair with egg-and-dart trim, h. 12”, w. 10”, d. 10”, and a smaller walnut pair with leaf carving, h. 15”, w. 4”, d. 6”.

Illustrated Online $500‑$800 151 French Parcel-Gilt and Painted Plaster Bracket first quarter 20th century, in the Louis XV style, of bombe form, decorated with gilt scrollwork and flowers, under a serpentine top. h. 14‑3/4”, w. 20‑1/2”, d. 9‑3/4” $300‑$500

152 Two Neoclassical-Style Painted Mirrors including a Directoire trumeau mirror, ca. 1800, with giltwood trim on an ivory ground, the side panels with torch trophees, the painting depicting a harbor scene, h. 43‑3/4”, w. 26‑3/4”, and an English tabernacle mirror in the Adam style, second quarter 20th century, painted pale green, the upper molded plaque decorated with putti, h. 40”, w. 26”. $600‑$900 153 Trio of Painted Wood Pedestals with Lathe-Turned Urns the blue and gray bases with molded edges, the sides paneled and set with ogee-molded trim, the urns of campana form. h. 66”, w. 15‑1/2”, d. 15‑1/2” $800‑$1,200

154

152

155

154 Pair of Unusual Sconces with Parcel-Gilt Boiserie Backplates 20th century, decorated with period engravings of European royalty. h. 35‑3/4”, w. 11‑3/4” $400‑$700 155 Pair of Italian Giltwood Sconces first quarter 20th century, in the Baroque taste, the two-light sconces decorated with carved leaves, scrollwork and beading. h. 7‑1/2”, w. 12”, d. 7‑1/2” 153

$400‑$700

41

158

156

156 Painted and Parcel-Gilt Mirror 20th century, in the Continental neoclassical taste, with molded sides and a cove-molded cornice, the cut-corner plate trimmed with gilt, and carved, gilded corner medallions. h. 53‑3/4”, w. 42‑1/2” $350‑$500 159

157 Painted and Parcel-Gilt Mirror 20th century, in the Continental neoclassical taste, with molded sides and a cove-molded cornice, the cutcorner plate trimmed with gilt, and carved, gilded corner medallions. h. 53‑3/4”, w. 42‑1/2” $300‑$500 158 Louis XVI-Style Painted Center Table ca. 1900, the rectangular table with a scroll-carved skirt and a black marble top. h. 30”, w. 49”, d. 26” $500‑$800 159 Two Pairs of Louis XVI-Style Painted Armchairs each covered in leather, including a pair of fauteuils, h. 39”, and a pair of armchairs with carved backs, h. 38‑3/4”.

157

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$500‑$800

160 Directoire-Style Polychrome Window Seat 19th century, the padded rectangular seat flanked to either side by uprights with turned crests over an urnand torchere-carved frieze, over a pierced palmetto splat, raised on splayed square legs. h. 31”, w. 30‑1/4”, d. 15‑1/2” $500‑$800 161 Carved and Painted Mirror in the Baroque Taste deeply carved with leaves, set with a beveled mirror plate, with pierced metal hangers. h. 51‑1/2”, w. 42‑1/2” 160

$500‑$800 162 Regence-Style Painted and Marble-Top Commode ca. 1900, the serpentine Brescia marble top over a conforming case with three drawers of bombe form. h. 30‑1/2”, w. 46”, d. 23‑1/2” $1,500‑$2,500

161

163

163 Continental Painted Mirror in the Baroque Taste the surround decorated with carved, pierced scrollwork and trimmed with egg-and-dart molding. h. 43”, w. 35” $150‑$300

162

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164 166

164 Pair of Carved, Painted and Parcel-Gilt Wooden Sconces third quarter 20th century, Italian, the pierced backplates decorated with carved oak leaves, acorns and bowknots, the scrolled arms terminating in faceted drip pans, electrified. h. 25”, w. 12‑1/2”, d. 6‑1/4” $400‑$700 165 George III Painted Pine Bowfront Chest 18th century and later, with four graduated drawers, on bracket feet. h. 32”, w. 36‑1/2”, d. 22” $500‑$800

167

166 Giltwood and Silver-Gilt Mirror 20th century, of Italian Rococo inspiration, decorated with carved scrollwork and leaves on a silver-gilt ground. h. 49‑3/4”, w. 40” $150‑$300 167 Pair of Baroque-Style Giltwood Urns 20th century, Italian, now mounted as lamps, with leaf-carved bases, pierced and scrolled handles, and carved pineapples set with lamp fittings. h. 27‑3/4”, w. 16‑1/4”, d. 8” $300‑$500

165

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168 Louis XV-Style Painted Chest with three paneled serpentine drawers over a scalloped apron with floral basket carving, cabriole legs and French toes. h. 25‑1/2”, w. 82‑1/2”, d. 22‑1/2” $500‑$800 169 Louis XV Carved, Painted and Parcel-Gilt Wood Barometer third quarter 18th century, with a green ground, carved and pierced with vines and berries terminating in a bowknot, the dial framed with rocaille work. h. 36‑1/4”, w. 10‑1/4” $400‑$700 169

171

171 Painted Wood Urn Table Lamp 20th century, mounted with an ivory parchment shade. h. 22‑3/4”, dia. 11‑1/4” $100‑$200

168

170 Suite of Ten Louis XVI-Style Polychrome and Parcel-Gilt Dining Chairs comprised of two armchairs and eight sidechairs, each with a tapering rectangular back with paneled vertical slats, the padded seats raised on fluted legs with ringturned bulbous feet. h. 43” $700‑$1,000

170

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173

172

172 Pair of Faux Marbre and Parcel-Gilt Pilasters 18th century, each with a Corinthian capital above a reeded standard, and raised on a molded plinth base. h. 67‑1/4”, w. 17‑1/4”, d. 8‑1/2” $800‑$1,200 173 Italian Neoclassical-Style Parcel-Gilt and Eglomise Commode with distressed glazed panels, the top stenciled, two drawers and fluted legs. h. 34‑1/2”, w. 42‑1/4”, d. 21” $700‑$1,000

174

174 Pair of Louis XVI Polychrome Low Sidechairs late 18th century, each with a padded oval back within a molded frame, the padded seat raised on fluted tapering circular legs ending in toupie feet. h. 32‑1/2” $500‑$800 175 Neoclassical-Style Polychrome and Marble-Top Side Table late 19th century, Continental, the shaped and bowed marble top with a molded edge, and raised on a mirrored back and scrolling acanthine-carved supports joined by gilt foliate garlands and ending in dolphin supports, on a plinth base. h. 35”, w. 42”, d. 18‑1/2” $800‑$1,200

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175

177 Regence-Style Polychrome Commode 18th century and later, the shaped faux marbre top above a conforming case fitted with a long drawer over two banks of two short drawers, all with molded paneling, raised on cabriole feet ending in scrolled toes. h. 35‑1/2”, w. 42‑1/2”, d. 20‑1/2” $800‑$1,200 176

176 Louis XV-Style Polychromed Cocktail Table with an inset glass top, the scalloped apron with shell carving and cross-hatching, raised on cabriole legs. h. 17‑1/2”, w. 36‑1/2”, d. 20” $400‑$700

177

178 Painted Composition Pedestal 20th century, with an ogee-molded top and base, the standard inset with panels molded with baskets of flowers. h. 35‑1/2”, w. 19”, d. 19” $300‑$500

178

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180 Italian Grand Tour Patinated Bronze of a Satyr with a Kymbala fourth quarter 19th century. h. 9‑3/4”, w. 5‑1/4”, d. 3” $500‑$800

179

179 Pair of Continental Patinated Bronze Busts of Plato and Homer ca. 1900, each philosopher identified along the front edge, each on a square marble plinth. former h. 9‑1/4”, w. 5”, d. 4”, latter h. 9‑1/2”, w. 5‑1/8”, d. 4‑1/2” $800‑$1,200

180

181 Pair of French Patinated Bronze Figural Candleholders 20th century, each in the form of a winged putto holding aloft an urn, after Edouard Drouot (French, 1859‑1945), one with cast signature on self-base, each on a circular green marble base. overall h. 10‑1/4”, w. 3‑3/4”, d. 3‑1/2” Provenance: Le Pavillon Hotel, New Orleans, Louisiana. $300‑$500 182 Italian Grand Tour Souvenir of an Assyrian Sphinx first quarter 20th century, the patinated bronze figure with a human head, a lion body and bird wings, on a black marble base. h. 4‑3/4”, w. 3‑1/2”, l. 9‑1/2” Illustrated Online 181

48

$400‑$700

184 Suite of Four French Architectural Prints including three hand-colored engravings of “Le Nouvel Opera de Paris”, by Charles Garnier (French, 1825‑1898), published by Charles Chardon, and a lithograph of “La Colonne Alexandrine” after Auguste Ricard de Montferrand (French, 1786‑1858), engraved by Louis Jules Arnout (French, 1814‑1868), published by Thierry Freres, Paris.

All matted, glazed and framed. former each sight 24” x 16”, latter sight 23” x 15” $500‑$800

183 one of two

183 two of two

184 one of four

183 Bernard Picart (French, 1673‑1733) “Temple of Mars Ultor, Forum Augustus, Rome” and “Temple of Venus Genetrix, Forum Caesar, Rome” pair of engravings 1719, each inscribed “B. Picart sculp direxit” lower left, likely inspired by drawings by Andrea Palladio (Italian, 1508‑1580).

Attractively matted, glazed and framed alike. each sight 13‑1/2” x 19” $400‑$700

184 two of four

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186 Suite of Four Continental Architectural Engravings including three of “Le Nouvel Opera de Paris”, by Charles Garnier (French, 1825‑1898), sight 24” x 16”, and one of “The Wall of Aurelian”, after Giovanni Battista Piranesi (Italian, 1720‑1778), sight 10‑1/2” x 17”.

All matted, glazed and framed. $500‑$800

186 one of four

187 Decorative Six-Panel Painted Wood Screen first quarter 20th century, after the 1878 oil on canvas “Working the Skein” by Lord Frederic Leighton P.R.A. (British, 1830‑1896) now conserved at the Art Gallery of New South Wales, Sydney, Australia, verso panels in forest green, upper and lower edges and sides of outermost panels edged in tan leather accented with brass tacks. each panel h. 71‑1/2”, w. 15‑3/4”, overall w. 94‑1/2” $700‑$1,000

186 two of four

185 Giovanni Battista Piranesi (Italian, 1720‑1778) “Veduta Interna del Tempio della Tosse (Temple of the Cough)”, ca. 1764 etching Matted, glazed and framed. sight 25‑1/2” x 19” Illustrated Online Provenance: Private collection, New Orleans, Louisiana. $300‑$500

187

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189 Egisto Sarri (Italian, 1837‑1901) “The Tease”, 1877 oil on canvas signed, dated and localized “Firenze” lower left.

Presented in a period giltwood and gesso frame affixed with an artist plaque.

15” x 11‑1/2” $2,500‑$4,000

188

188 Virgilio Tojetti (American, 1851‑1901) “Venus and Cupid” oil on canvas signed lower left.

Presented in a period giltwood and gesso frame.

14” x 10” Provenance: Estate of Nancy Nye Harrell, Houston, Texas. $700‑$1,000 189

190 Johannes Christiaan Karel Klinkenberg (Dutch, 1852‑1924) “Putti Frolicking in a Classical Garden with Armor, a Cat and a Bird” oil on canvas signed lower left.

Unframed.

41‑1/4” x 33‑1/2” Provenance: Auktionshaus Georg Rehm, Augsburg, Germany, November 13, 2004, lot 8073. $2,000‑$4,000

190

51

192 Northern Italian Faux Marbre Mantel Mirror 19th century, in the neoclassical taste, with an arched pediment over a shaped mirror plate, flanked by columnar pilasters. h. 70”, w. 47”, d. 7” $400‑$700

193 Neoclassical-Style Polychrome Eight-Panel Screen

191

20th century, the whole depicting a scene of various classically garbed figures on a loggia engaging in recreational activities with a classical landscape in the background, flanked to either end by architectural elements. h. 84”, w. 144” $700‑$1,000

191 Lajos Markos (Hungarian/American, 1917‑1993) “Caesar”

194 Continental Faux-Marbre-Painted Wood Column-Form Pedestal

oil on canvas signed lower left, titled upper right.

Framed.

36” x 36”

20th century, with a “verde antico” painted base and a “rosso antico” painted standard. h. 48‑1/4”, w. 17”, d. 17” Illustrated Online

$800‑$1,200

$300‑$500

192

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193

195

196

195 Seven Pieces of Terracotta Pottery

197 Biedermeier Mahogany Pier Mirror

fourth quarter 19th century, German and Danish, including a two-handled vase with enamel decoration, unsigned, h. 11‑3/4”, w. 6‑3/4”, a marked Villeroy & Boch bowl with enamel decoration, h. 3”, dia. 6”, and five amphorae and vases with enamel decoration, all marked “Peter Ipsen, Kjobenhavn (Copenhagen) Eneret”, h. 5‑1/4” to 6‑1/4”, dia. 3” to 3‑3/4”.

second quarter 19th century, with a molded pitch pediment crest, set with two pieces of antique mirror glass. h. 68”, w. 32”

$400‑$700

$400‑$700

198 Dutch Walnut and Marquetry Settee

196 Collection of Four Continental Grand Tour Metal Objets d’Art fourth quarter 19th century, including a patinated metal vase on a black marble base, decorated with molded bulls and lions, and anthemion-molded handles, h. 16‑1/2”, w. 8”, a patinated bronze compote with a dolphin-form standard, on an egg-and-dart base, h. 6‑3/4”, dia. 7”, an Italian bronze mortar decorated with “The Eagle of Zeus”, h. 4‑1/2”, dia. 5‑1/2”, and an Italian bronze dome with a Gorgon against a field of frolicking cherubs, h. 3‑1/2”, dia. 6‑1/4”.

first quarter 19th century, the padded back surmounted by a shaped crest centered by a finely inlaid eagle among scrolling foliate patterns, joined by outswept arms to the padded seat, raised above a plain frieze on outscrolled feet, the whole finely inlaid with intricate scrolling foliate patterns. h. 40‑1/2”, w. 81”, d. 26‑1/2” $500‑$800

$400‑$700

198 197

53

201 Italian Painted Terracotta Garden Finial 20th century, in the form of a neoclassical covered urn, the base decorated with swags of fruit beneath a Greek-key border, the “cover” with scrolled handles and a honeysuckle leaf-molded knop, marked “LB” and “Made in Italy”. h. 38”, w. 21‑1/2”, d. 11‑1/2” $500‑$800

199

199 French Bronze Figure of a Centaur Driving a Chariot ca. 1838‑1867, one wheel marked on the back “Maison Alph.

Giroux Paris”, a major Parisian luxury goods retailer. h. 6‑1/4”, w. 5‑1/4”, d. 3‑1/4” $500‑$800 200 Italian Grand Tour Patinated Bronze “Warwick Vase” fourth quarter 19th century, on a rosso antico marble base, the vase with twisted vine-form handles and a molded rim, with a removable brass liner for use as a jardiniere. h. 7‑3/4”, w. 10‑1/2”, d. 7” Illustrated Online

201

$300‑$500

202 Patinated Metal Figure of “David” after Gian Lorenzo Bernini (Italian, 1598‑1680), on a black marble base. h. 10‑3/4”, w. 4”, d. 5‑3/4” Illustrated Online $300‑$500 203 Bronze Fountain of Eros Riding the Dolphin third quarter 19th century, Italian, cast after the 2nd century CE Roman marble conserved in the Archaeological Museum, Naples, Italy, the base incised “Made Italy”. h. 27‑1/2”, w. 14” $1,000‑$1,500

54

203

204 Bronze Fountain in the Form of a Child Holding a Goose probably after the Antique. h. 43”, w. 26‑1/2”, d. 14” $800‑$1,200 205 Two Patinated Bronze Grand Tour Souvenirs ca. 1900, Italian, after the Antique, one depicting a putto holding a dolphin, h. 8‑3/4”, w. 3‑1/4”, and the other an amphora with a handle in the form of a male nude with a pair of lambs, h. 18”, w. 4‑1/2”. $400‑$700

205

204

206 Italian Grand Tour Miniature Bronze Brazier ca. 1900, after the original discovered at Pompeii, the brazier pan with a pierced rim on a tripod-form base molded with monopodia depicting classical male figures, terminating in paw feet, the whole with verdigris patination. h. 10‑1/4”, dia. 5‑3/4” $500‑$800

206

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207 Marble, Wood and Faux Marbre Column-Form Pedestal ca. 1900, Continental, on an ebonized wooden base, with a verde antique faux marbre column and a white marble top. h. 42”, dia. 11‑3/4” Illustrated Online $300‑$500 208 Ormolu-Mounted and Inlaid Game Table of neoclassical inspiration, the parquetry top with a vine- and scroll-inlaid perimeter, the frieze with ormolu and patera mounts at the corners. h. 30‑1/2”, w. 44”, d. 44” $500‑$800 209 Neoclassical Giltwood Pier Mirror first quarter 19th century, Swedish or Baltic, the top tablet decorated with a mourning widow with her dog, the lower tablet with a quiver of arrows and a sheaf of wheat. h. 67‑1/2”, w. 27” $400‑$700 210 Pair of Gold-Leafed Obelisks in the classical style, on molded, inverted stands. h. 41”, w. 8‑1/4”, d. 8‑1/4”

209

$300‑$500

208

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210

211

216

214

215 Italian Neoclassical-Style Parcel-Gilt and Polychromed Etagere

211 Continental Alabaster and Bronze Chandelier ca. 1900, in the neoclassical style, the two-light chandelier supported on rope-molded “chains”, terminating in sprays of laurel and oval medallions. h. 17”, dia. 14‑1/2”

with a shell-carved crest over open serpentine shelves, a two-drawer case of bombe form, raised on cast iron winged caryatids with paw feet. h. 67‑3/4”, w. 19”, d. 14‑1/2”

$300‑$500

$400‑$700

212 Continental Brass and Glass Boudoir Clock

216 Continental Neoclassical Bas-Relief Stone Sculpture

ca. 1900, the brass-mounted case composed of cut blocks of cobalt glass, set with a brass-trimmed enamel dial. h. 8‑1/4”, w. 5”, d. 2‑1/2” Illustrated Online

20th century, modeled as a pair of putti playfully wrestling with a bowknot, against a draped background. h. 23‑1/2”, w. 31‑1/2”, d. 8” $600‑$900

$400‑$700 213 Pair of Carved, Turned and Parcel-Gilt Floor Lamps 20th century, in the neoclassical taste. h. 72‑1/2”, dia. 13‑1/2” $400‑$700 214 Neoclassical Biscuit Porcelain Figural Group late 19th century, probably Continental, comprised of a group of nymphs attending a number of cherubs supporting swags of roses, unmarked. h. 16‑1/4”, w. 13‑1/4”, d. 9‑1/4” $400‑$700

213

215

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217

218

217 Semi-Antique Shiraz Carpet 4’ x 6’ 4” $400‑$700 218 Louis XV-Style Needlepoint Carpet 10’ 3” x 13’ 11” $700‑$1,000 219 Turkish Angora Oushak Carpet 8’ 1” x 10’ 1” $700‑$1,000 220 Peshawar Hotan Carpet 6’ 7” x 9’ 8” $700‑$1,000 Illustrated Online

219

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221 Semi-Antique Kashan Carpet 9’ 2” x 13’ $1,000‑$1,500 222 Sultanabad Carpet 8’ 2” x 10’ 9” $400‑$700 223 Tabriz Carpet 8’ 2” x 11’ Illustrated Online $600‑$900 224 Semi-Antique Shiraz Carpet 3’ 8” x 8’ 9” $400‑$700

221

222

224

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226 John Lawson Bradford English Regency Mahogany Tall Case Clock early 19th century, the case with inlaid details, the face with engraved motifs and painted moon dial. h. 88”, w. 21”, d. 9” $500‑$800 227 Regency Rosewood Game Table first quarter 19th century, the hinged rounded rectangular top banded and with intricately inlaid cut brass scrolling patterns, opening to a baize-lined gaming surface, raised on a paneled standard to a concave base on nicely carved paw feet. h. 36”, w. 29‑1/2”, d. 18” (closed) $500‑$800 225

225 Two Banjo-Form Barometers including an English Regency mahogany example, second quarter 19th century, signed “Buchanan, Boston”, referring to the Boston in Lincolnshire, h. 37”, w. 9‑1/2”, and a French cherry example, second quarter 19th century, signed by Pouvillion Optical, Paris on the dial, with an engine-turned dial bezel, and bronze trim, h. 37”, w. 13‑1/2”. $400‑$700

227

228 Handsome Regency Mahogany-Cased Wheel Barometer second quarter 19th century, Sheffield, set with a hydrometer, thermometer and a barometer over a level signed “Fornelli, Sheffield”, all under a swan’s-neck pediment, each side mounted with Regency brass spheres in lotus-molded bezels. h. 43‑3/4”, w. 13‑1/2” $400‑$700

228

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226

229 Regency Mahogany and Caned Recamier first quarter 19th century, the long cushioned and caned seat flanked to one side by an outscrolled end and partial shaped and caned back, to the other by a lower outscrolled end, raised above a ribbed and scroll-carved apron on splayed legs ending in decorative brass caps and casters, with two conforming bolsters. h. 34”, w. 26”, l. 78”. $900‑$1,200

229

231 Unusual William IV Rosewood and Mother-of-PearlInlaid Tea Caddy second quarter 19th century, probably Scottish, on reeded bun feet, with matching handles, the doors and casket top inlaid with thistles, opening to reveal a series of foil-lined drawers. h. 13‑1/2”, w. 11‑3/4”, d. 10‑1/4” $500‑$800 232 Regency Rosewood Credenza

230

230 Regency-Style Rosewood Sofa Table 20th century, the rectangular top with two rounded drop leaves, above a conforming frieze fitted with two drawers to one side and two faux drawers to the other, raised on end supports joined by a turned and ribbed stretcher and ending in splayed legs to brass caps and casters, the whole accented with inlaid brass stringing. h. 28”, w. 39”, d. 27‑1/2”, ext. w. 63”

early 19th century, the double-tiered superstructure with a mirrored back and three-quarter pierced brass gallery, the lower section with a recessed center section over a conforming case fitted with two cupboards, each with an inset brass grille, flanked to either side by a paneled door, raised on a molded plinth base, the whole accented with brass banding. h. 61‑1/4”, w. 72”, d. 15‑3/4” $300‑$500

$600‑$900

231

232

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234 Adam-Style Parcel-Gilt Mirror mid-20th century, New York, the tablet decorated with classical figures on a black ground, the frame reeded and ribbon bound, labeled “Feldman Bros., New York”. h. 44”, w. 27” $400‑$700 235 Regency-Style Rosewood-Banded Mahogany Dining Table ca. 1900, the oval top opening to accommodate two 14” leaves, raised on turned columns joined to a base with saber legs. h. 27‑7/8”, w. 39”, l. 52”, ext. l. 80” $300‑$500 233

233 Pair of Late Regency Mahogany Chairs second quarter 19th century, each with a gadrooncarved pediment crest over a scroll- and foliatecarved crest centered by an oval panel, over a like-carved horizontal splat, the padded seat raised on sabre legs. h. 35‑1/2” 236

$400‑$700

235

236 Pair of English Worcester-Style Porcelain Cachepots third quarter 19th century, each on a cobalt ground with gilt vermicelli and panels hand-painted with game birds, unmarked. h. 4”, dia. 4‑3/4” $500‑$800

234

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238

237

237 Regency Mahogany Teapoy on Stand first quarter 19th century, of sarcophagus form, the case edged in contrasting light woods, the top opening to reveal a rosewood interior with lidded compartments and fitted for jars, on a tapering column joined to saber-form legs ending in cup casters. h. 28‑3/4”, w. 14‑3/4”, d. 11‑1/4” $500‑$800

238 Pair of Bronze and Glass Two-Light Sconces mid-20th century, English, in the neoclassical taste, on beaded circular backplates with scrolled arms, set with hurricane shades engraved with rows of leaves. h. 18‑1/2”, w. 11”, d. 7” $400‑$700

239 Late Regency Mahogany Secretary Bookcase second quarter 19th century, the molded cornice above two astragal-glazed doors, the lower section fitted with a drop-front secretary drawer, opening to a baize-lined surface and a variety of drawers and cubbyholes over three graduated long drawers, raised on splayed bracket feet. h. 85‑1/2”, w. 42‑3/4”, d. 20” $700‑$1,000

239

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240

240 Suite of Four William IV Mahogany Dining Chairs

241

second quarter 19th century, each with a reeded, rounded and scrollcarved crest rail, carved splat, slip seat and saber-form front legs. h. 33‑1/4” $400‑$700 241 English Regency-Style Bronze and Brass Chandelier first quarter 20th century, the brass body with impressed ivy vines and set with an artichoke finial and twelve leaf-molded candle cups, with molded chain holders terminating in pierced anthemia and decorated with reeding, beading and inset lion’s head medallions. h. 35”, dia. 21‑3/4” $1,200‑$1,800 242 Regency Revival Giltwood Convex Mirror ca. 1900, the convex mirror plate set into a reeded ebonized liner, the cove-molded frame set with gilt spherules and supporting a displayed eagle crest flanked by pierced scrollwork, the lower portion decorated with a carved fan set with fruit. h. 38”, w. 24‑1/2”

242

$400‑$700 243 Pair of English Polished Bronze Andirons fourth quarter 19th century, on paw-footed bases trimmed with scrollwork, featuring rampant lions resting against leaf-trimmed cabochons. h. 16”, w. 18‑3/4”, d. 7‑1/4” $800‑$1,200

243

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244 “Patchwork” Quilt-Style Tapestry trimmed with tassels and decorated with various solid and floral fabric panels.

8’ 4” x 8’ 10” Illustrated Online $600‑$900 245 Regency Mahogany Breakfast Table early 19th century, the tilting, rounded rectangular top with string inlay, and raised on a columnar standard to four splayed and banded legs ending in brass caps and casters. h. 29”, w. 37‑3/4”, l. 50” 247

$900‑$1,200 246 Myott Staffordshire “Chelsea Bird Green” Partial Dinner Service second quarter 20th century, English, the transfer-printed pottery set comprised of nine dinner plates, dia. 10”, four salad plates, dia. 8”, six square bread-and-butter plates, w. 5‑1/2”, d. 5‑1/2”, nine round bread-and-butter plates, dia. 5‑1/4”, eight cream soup bowls, dia. 6‑1/2”, with nine matching underplates, dia. 7”, nine cups, h. 1‑3/4”, with nine matching saucers, dia. 5‑1/2”, a covered sugar bowl, h. 3‑3/4”, a covered cream jug, h. 3‑3/4”, and a sandwich tray, w. 11‑1/2”, d. 6”.

246

$300‑$500

247 Late Regency Mahogany Pedestal Sideboard second quarter 19th century, the arched backplate above a D-form center section fitted with two cutlery drawers, supported by two pedestal ends, one fitted with two short drawers over two banded cupboard doors, the other fitted with a single deep drawer faced as two, over a like cupboard, raised on turned toupie feet. h. 44”, w. 78”, d. 28” $300‑$500 248 Regency Mahogany Cellarette first quarter 19th century, of octagonal form, the hinged lid opening to a lined interior, raised on a vasiform standard to three shaped and splayed legs. h. 40”, dia. 18” $400‑$700

245

248

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250 Regency Burl Maple Center Table first quarter 19th century, the banded circular top raised on a paneled and gilt foliate-carved standard to a concave square base, raised on gilt paw feet. h. 30”, dia. 44‑1/2” 249

249 Late Regency Bronze and Steel Fire Fender second quarter 19th century, the serpentine-form fender on reeded bun feet, the pierced sides with carefully delineated trumpet flowers and a gadrooned upper edge, the molded lower edge decorated with lotus leaves, the steel floor set with bronze scrolled tool rests on each side, with raised stops in the center. h. 9”, w. 67”, d. 22‑1/2”

$800‑$1,200 251 William IV Mahogany Settee second quarter 19th century, the shaped crest centered by a wheat sheaf and scrolling acanthine-carved crest, above a padded back and tri-cushioned seat, flanked to each end by padded outscrolled arms, raised above a ribbon apron on splayed legs ending in paw feet. h. 36‑1/2”, w. 74‑1/2”, d. 24‑1/4” Illustrated Online $400‑$700

$800‑$1,200

253

252 Contemporary Polychrome Four-Post Bed

250

in the neoclassical style, the turned and fluted posts with carved capitals and finials, the headboard panel upholstered in white linen. h. 89”, inside w. 60”, l. 80”, outside w. 66”, l. 88” Illustrated Online $800‑$1,200 253 Pair of Continental Painted Wood and Metal Sconces 20th century, the three-light sconces with backplates depicting swans grasping wreaths, with a spray of wheat trimming the tops. h. 25‑1/2”, w. 24”, d. 15‑1/2” $800‑$1,200 254 Regency Mahogany Double Salt Box

254

66

first quarter 19th century, with a serpentine crest and slanted lids with breadboard ends, one interior section divided into two compartments. h. 12‑3/4”, w. 25‑3/4”, d. 7” $300‑$500

257

255

256

258

255 Edmund Johann Niemann (British, 1813‑1876)

257 John Bates Noel (British, 1870‑1927)

“Yorkshire Landscape with Richmond Castle in the Distance”

“Feeding the Ducks”, 1906

oil on canvas signed lower right.

Presented in an antique gesso and giltwood frame.

30” x 50”

oil on canvas board signed and dated lower right.

Framed.

15‑3/4” x 24”

$500‑$800

$500‑$800

256 British School (Fourth Quarter 19th Century)

258 William Henderson (British, 1844‑1904)

“By the Rocky Shore”

“Mother and Child Walking on Path Near Cottages”

oil on canvas unsigned.

In a carved wood frame.

14‑1/2” x 21‑1/4”

oil on canvas signed lower right.

Framed.

12” x 20”

$400‑$700

Provenance: I. and E. Campbell, Dealers in Antiques, Edinburgh, Scotland, 1969. $700‑$1,000

67

259

259 Isaac Cooke, R.B.A. (British, 1846‑1922)

260

“Looking Towards Trefriw from Llanbedr, Wales” oil on beveled wood panel signed lower left, signed and titled on old handwritten label en verso.

Framed.

8‑1/4” x 12‑1/4” $500‑$800 260 Clarence Henry Roe (British, 1850‑1909) “Travelers in a Highland Landscape with a Windmill and a Pond” oil on canvas signed lower right.

Framed.

30” x 50”

261

$500‑$800 261 Edmund Johann Niemann (British, 1813‑1876) “Extensive Highland Landscape with Cattle by a Stream” oil on canvas signed and dated “61” lower left.

Framed.

25” x 44” $2,000‑$4,000 262 J. R. Escott (British, Active ca. 1900) “Mountain Stream” oil on canvas signed lower center.

24” x 20” $800‑$1,200 262

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263

263 Myles Birket Foster (British, 1825‑1899)

264 one of two

“Child and Sheep by the Brook” watercolor on paper monogrammed lower left.

Matted, glazed and framed. sight 4‑7/8” x 7‑3/8” $500‑$800 264 John Strickland Goodall (British, 1908‑1996) “A Posy For Mother” and “A Good View” pair of watercolors on paper former signed lower right, latter signed lower left.

Matted, glazed and framed alike. former sight 5‑3/4” x 7‑1/4”, latter sight 6‑3/4” x 5‑1/4”

264 two of two

$600‑$900 265 Frederick T. W. Cook (British, 1907‑1982) “Polperro, Cornwall Port Scenes” pair of watercolors and ink on paper each signed lower right.

Matted, glazed and framed. each 10” x 13‑1/4” Provenance: Provenance: The Estate of Elaine Smith Frost White, Houston, Texas and East Hampton, New York.

Notes: New Orleans Auction Galleries would like to thank Mr. Graham who provided this additional information: “These pictures are of Polperro, Cornwall, UK, which is where Cook lived. One is called ‘The Jew’s House’, a local landmark house, and the other is a harbour scene. He was a Fireman Artist in WW2. His pictures of WW2 bombings of London in the Blitz are held in the Imperial War Museum of England.” $500‑$800

265 one of two

69

268 266

266 Edward William Lara (British, b. 1870)

268 English Oak Drop-Leaf Table late 18th century, the rounded top with two ovoid leaves, raised on a gateleg support of bobbinturned legs joined by box stretchers and ending in bun feet. h. 28”, w. 51‑1/2”, l. 19”, ext. l. 61”

“Pulling Into Port” oil on canvas signed lower left.

Framed.

16‑1/8” x 24”

$400‑$700

$800‑$1,200

267 Jacobean Revival Fruitwood Console Table second quarter 20th century, the top on baluster supports joined to a base with foliate-carved brackets. h. 31”, w. 60”, d. 12” $400‑$700

269

269 Two Graduated Pottery Foot Baths 20th century, in the Staffordshire “Blue Willow” style, each with blue, shell-molded handles. h. 8”, w. 17”, d. 10‑1/2” and h. 10‑1/2”, w. 23‑1/2”, d. 13‑1/2” $400‑$700 267

70

270 Henri II-Style Fruitwood Desk and Chair 20th century, the desk with a banded rectangular top with an inset leather surface, above a frieze fitted with a central drawer, flanked to either side by two small drawers, all paneled and with decorative carving, raised on barley-twist legs to two lower side shelves, on bun feet, h. 31”, w. 55”, d. 29‑1/2”, and the chair with a padded rectangular back joined to the padded seat by lion-carved arms, raised on barley-twist legs joined by a like stretcher and ending in bulb feet, h. 37”. $700‑$1,000

271 Chinese Blue and White Porcelain Garden Seat 20th century, of octagonal form with slightly convex sides, having pierced cash-coin symbols and raised bead detail, decorated throughout with birds, flowers and auspicious symbols. h. 17‑1/2”, dia. 12”

272

$400‑$700

272 Chinese Blue and White Porcelain Garden Seat late 20th century, of cylindrical form with slightly convex sides, with two bands of raised bead detail and opposing pierced cash-coin symbols, decorated all over with a dense scrolling floral design. h. 19‑1/2”, dia. 13” $500‑$800

271

270

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274 George II Oak Drop-Leaf Table 18th century, in the Queen Anne taste, the pair of demi-lune leaves supported by gate legs, one end fitted with a drawer. h. 32”, w. 36”, l. 15‑1/2”, ext. l. 43‑1/4” $400‑$700 273

273 Suite of Four Queen Anne Oak and Elm Sidechairs late 18th century, each with a rounded crest above a baluster-form splat, the padded seat raised on cabriole legs joined by a block and turned H-form stretcher and ending in pad feet. h. 41” $500‑$800

274

275 Queen Anne-Style Walnut Bookcase 20th century, the scrolling foliate crest above a domed and molded frieze and two doors, each with a glazed upper portion and paneled lower, raised on cabriole legs headed by acanthine carving and ending in scrolled toes. h. 70”, w. 46”, d. 17” $500‑$800

275

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278 Queen Anne Mahogany Silver Table 18th century, the dished, rounded rectangular top above a frieze fitted to each end with a small candle slide over a drawer, raised on cabriole legs ending in pointed pad feet. h. 29”, w. 30‑1/2”, d. 20” $500‑$800

276

276 Queen Anne-Style Mahogany Drop-Leaf Table

278

19th century, the rectangular top with rounded ends and two ovoid drop leaves, raised on tapering circular legs ending in pad feet. h. 28‑1/2”, w. 40‑1/4”, l. 16”, ext. l. 72‑1/2” $400‑$700 277 Chinese Export Porcelain Armorial Mug mid-19th century, painted with a shield-form crest flanked by floral sprays in blue and gilt, monogramed with the initials “J.A”, with foliate twist handle. h. 6” $300‑$500

279

279 Pair of Chinese Blue and White Porcelain Vases Mounted as Table Lamps late 19th/early 20th century, each vase of baluster form, painted with mirrored phoenix at lakeside design, mounted on a hardwood stand with scroll feet, with single bulb fixture, complete with shades. h. 34” (including fixture and stand), w. 8” 277

$400‑$700

73

280 Five-Piece George II-Style Mahogany Gaming Suite comprised of four chairs in the Queen Anne taste with shaped backs, cabriole legs and pad feet, h. 42‑1/2”, and a table with an inset cloth playing surface, raised on turned legs, h. 30‑1/2”, w. 39”, d. 39”. $300‑$500 281 George III Mahogany Tripod Table fourth quarter 18th century, the tilting pie-crust top raised on a ribbed and acanthine-carved standard to three splayed legs headed by foliate carving and ending in pad feet. h. 28‑1/2”, dia. 31‑1/2” $400‑$700

280

281

282 Georgian Walnut-Veneered Looking Glass third quarter 18th century, the crest with a pierced giltwood shell flanked by carved scrolls with “ears” on the sides, the bottom with a serpentine skirt, the interior liner comprised of an ogee walnut molding with a carved and scrolled giltwood inner liner. h. 41”, w. 22‑1/4” $400‑$700

74

282

285 Victorian Mahogany Three-Tiered Waiter late 19th century, in the Queen Anne taste, with graduated, dished single-board shelves, on a tripodal base with pad feet. h. 46‑3/4”, dia. 25” $400‑$700

283

283 Queen Anne-Style Console Table composed of elm and figured elm, with a shaped top, shell-carved apron and cabriole legs ending in paw feet. h. 29‑3/4”, w. 44”, d. 18” $400‑$700

285

286 George II-Style Mahogany Dished-Top Side Table 20th century, fitted with a silver drawer and raised on cabriole legs with pad feet. h. 27‑1/2”, w. 28‑1/2”, d. 17‑1/2” $300‑$500 284

284 Group of Three Chinese Export Porcelain Plates 19th century, comprising a pair of armorial saucers, each centered by an elaborate crest above an indistinct monogram, within multiple borders, together with a famille verte plate, decorated with an even design of flowers and foliage stemming from rockwork, the reverse with two fluid floral motifs, centered by two concentric bands in underglaze blue. largest dia. 11” $400‑$700

286

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287

288

287 Pair of Queen Anne-Style Burl Walnut Armchairs 20th century, English, with carved crests and ball-and-claw feet. h. 40”

288

$300‑$500 288 Two Hanging Hall Lanterns

289 English Dressing Table and Kneehole Desk

second quarter 20th century, French, one with an inverted bellform glass shade mounted on a pierced ball-form standard, the top decorated with molded swags and tassels hung from supporting chains, h. 29”, dia. 11”, and the other a Colonial Revival-style cherrywood lantern with glass panels on each side, h. 21”, w. 9”.

including a George III mixed woods dressing table, 18th century, with a pair of drawers over a scalloped apron and trifid feet, h. 23”, w. 29‑1/2”, d. 19‑1/2”, and a George III-style mahogany kneehole desk, 20th century, with an inset tooled leather top and double pedestals with drawers, h. 29‑3/4”, w. 52”, d. 27‑1/2”.

$500‑$800

$400‑$700

289

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290 George III-Style Mahogany Tripod Table 19th century, the tilting pie-crust top with a full and dished shaped edge, and raised on a birdcage support on a turned columnar and foliate-carved standard, to three splayed legs headed by acanthine carving and ending in ball-and-claw feet. h. 28”, dia. 30‑1/2” $400‑$700 291 British School (Fourth Quarter 19th Century) “Fishing Boats on the Beach of Leith Harbor, Edinburgh, Scotland” oil on panel Presented in a period giltwood and gesso frame.

11” x 17” $800‑$1,200

290

292 Chippendale-Style Mahogany Tea Table 20th century, retaining the label “Weiman Heirloom Quality”, the shaped top with a conforming carved gallery, on a tripodal base. h. 30”, dia. 31‑3/4” Illustrated Online $300‑$500 293 Suite of Eight George III-Style Mahogany Dining Chairs 20th century, consisting of two armchairs and six sidechairs, each with an earred and shell-carved crest above an interlacing torchere-carved splat, the padded seat raised on cabriole legs ending in ball-and-claw feet. h. 43” $600‑$900

291

293

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294 George III Mahogany Secretary Bookcase late 18th century, in two parts, the upper section with a pair of glazed mullioned doors on a slant lid base, with four graduated drawers and bracket feet. h. 82”, w. 36‑1/2”, d. 21‑1/2” $500‑$800

295 Anglo-Irish Cut Glass Chandelier second quarter 20th century, the standard clad with ball and vasiform cut glass elements, the eight blown and molded glass arms set with cut glass candle cups and drip pans, with cascades of drops hung from the corona and between the drip pans. h. 42”, dia. 24” $400‑$700

295

296 George III Mahogany Slant-Lid Desk ca. 1800, in the Chippendale taste, with two-over-three graduated drawers, raised on ogee bracket feet, the elaborate interior later. h. 39‑3/4”, w. 36‑1/4”, d. 18‑1/4” $400‑$700

294

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296

297

297 Forty-One-Piece Collection of Waterford Crystal Stemware 20th century, Anglo-Irish, including seven Rosslare water goblets, h. 6‑3/4”, four Rosslare champagne/ sherbets, h. 4‑3/4”, eight Rosslare claret glasses, h. 6”, two Lismore fluted champagne glasses, h. 7‑1/4”, two Lismore champagne/tall sherbets, h. 4‑3/4”, six Lismore small brandy glasses, h. 4‑3/4”, and twelve Kenmore port glasses, h. 4‑3/4”, each signed.

298

$400‑$700 298 George III Mahogany Commode Chair fourth quarter 18th century, the flat crest above a pierced vasiform splat, joined by padded outscrolled arms to the padded seat, above a deep apron, raised on square legs. h. 36” $400‑$700 299 George III Mahogany and String-Inlaid Bedside Commode 18th century, the top with a scalloped gallery surround, above a pair of doors and over a single drawer disguised as two drawers, raised on Marlborough legs. h. 32”, w. 20”, d. 19”

299

$400‑$700 300 Calamander Wood Dressing Case ca. 1900, English, the brass-inlaid box with a cover opening to reveal an array of glass and silverplate cosmetics containers, a “hidden” lock opening a lower writing drawer with fittings for jewelry below, set with sophisticated cylinder and spring locks. h. 7‑1/4”, w. 12”, d. 9” $400‑$700

300

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301 George III Mahogany Hanging Corner Cabinet fourth quarter 18th century, the broken swan’s-neck pediment above a canted dentillated frieze, over a conforming case fitted with a single paneled cupboard door, on a molded base. h. 52”, w. 32”, d. 16‑1/2” $600‑$900 302 Collection of Eight Derby Imari Plates English, 18th-19th centuries, including a pair of salad plates with the mark used 1784‑1820, dia. 7‑3/4”, and six luncheon plates with the mark used 1877‑1890, dia. 8‑3/4”. $300‑$500 303 Georgian-Style Painted Game/Dining Table in the Chinese Chippendale taste, with a rotating fold-over top, raised on cluster-column legs with fretwork brackets. h. 29‑1/2”, w. 35‑3/4”, l. 35‑3/4”, ext. l. 71‑1/2” $500‑$800 301

304 Georgian-Style Upholstered and Mahogany Wing Chair early 20th century, the tall, tufted and padded back with a backswept crest, joined by shaped sides and outscrolled arms to the cushioned seat, raised on cabriole legs headed by scroll carving and ending in pad feet. h. 57” $800‑$1,200

302

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303

304

305 Louis XV-Style Painted Kneehole Desk mid-20th century, with an inset leather top. h. 30”, w. 45‑3/4”, d. 25” $300‑$500

306 Pair of George III-Style Polychromed Corner Cabinets each with a molded and dentillated cornice over an arched opening with serpentine shelves and paneled door below. h. 84‑1/2”, w. 38”, d. 15‑1/2” $500‑$800 305

306

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311

308

314

313 312

82

307 Semi-Antique Hamadan Carpet 3’ 2” x 4’ 7” Illustrated Online $500‑$800 308 Heriz Runner 3’5” x 10’8” 315

$300‑$500 309 Turkish Oushak Carpet

315 Bavarian Rococo Silver Sugar Box

8’ x 10’ Illustrated Online

1757‑1759, Augsburg, by Johann Leonhard Wirsing (ca. 1720‑1784; Master 1750), of serpentine-lobed oval form, with fitted lid and raised on four bifurcated scroll feet. h. 3‑1/4”, l. 15/1/4”, w. 4‑1/4”; 7.12 t. oz.

$800‑$1,200 310 Semi-Antique Moroccan Carpet

$1,000‑$1,500

4’ x 5’ Illustrated Online $300‑$500 311 Tabriz Carpet signed “Taba Tabai”.

8’ 4” x 10’ 4” $600‑$900 312 Fine Agra Serapi Carpet 8’ 1” x 9’ 8” $1,000‑$1,500 313 Nain Carpet 3’9” x 6’1” $500‑$800 314 Semi-Antique Serab Runner 3’ 7” x 9’ 10” $600‑$900

316

316 Continental Silver Coffeepot unmarked, probably 19th century, in the Venetian Ottocento taste, with serpentine-lobed baluster body, hinged domed lid and squared “duck’s beak” spout, with ebonized wood handle of later date. h. 12‑1/2”, dia. 5‑1/4”; 27.31 t. oz. (including wooden handle) $300‑$500

83

317

317 Italian Silver Covered Sugar Urn third quarter 20th century, by Renzo Pizzera, Milan, .800 silver, in the early Settecento taste, decorated with textured calyx, beaded banding and engraved scrolls, with fitted lid and crested handles. h. 8‑1/4”, dia. 4”, w. 6‑3/4”; 15.44 t. oz. $500‑$800

318

319 German Silver Center Bowl first quarter 20th century, .800 silver, oval with shaped and pierced rim, gadrooned with acanthus banding, with ornate gadrooned handles and feet. h. 3‑1/2”, l. 14‑1/2”, w. 8‑1/2”; 19.89 t. oz. $500‑$800 320 German Silver Fruit Basket first quarter 20th century, Hanau, .800 silver in the Louis XVI taste, oval with pierced latticework, laurel swags and ribboned portrait medallions, with stirrup handles and four pad feet. h. 4‑1/2”, l. 13”, w. 8”; 23.34 t. oz.

319

$400‑$700 321 German Silver Double Vase first quarter 20th century, by Friedrich Reusswig, Hanau, in the rococo style, in the form of a pair of addorsed cornucopia, decorated with embossed rococo-scroll cartouches and flowers, the cornucopia joined by a strap handle and centered by a garland-draped putto, the whole raised on a domed foot. h. 10”, w. 14”, base dia. 4‑1/2”; 25.78 t. oz. $500‑$800

320

318 Italian Silver and Glass Cornucopia Vase third quarter 19th century, Novara, maker “CD”, the second standard (.800) silver base with serpentine-molded rim and leafy dome with peasant figure supporting a rococo cornucopia fitted with an opaque light green conforming vase with gilt decoration. overall h. 12”, l. 8”, w. 5”; 5.23 t. oz. (base only) $400‑$700

84

321

323

322

324

322 Continental Gilt-Metal and Glass Decanter first quarter 20th century, the teardrop-shaped colorless glass body held in a gilt-metal “vintage” frame, with twist handle and seated Bacchante, the gilt-metal collar with a bust stopper. h. 14‑1/2”, dia. 4‑1/4” $400‑$700

325 Amusing Twelve-Piece Set of German Sterling Silver Figural Place Card Holders

by Ludwig Neresheimer, Hanau, with London import marks 1913‑1914 of Berhold Mueller, in the form of a putti band with a conductor and eleven different musicians. h. 1‑1/2”; 5.24 total t. oz. $400‑$700

323 German Silver and Glass Centerpiece first half 20th century, by J. D. Schleissner Sohne, Hanau, retailed by Buchholz & Zelt, New York, New York, oval .800 silver frame in the form of floral and ribbon swags held by male and female putti, fitted with a conforming scalloped colorless glass liner etched with rococo cartouches. overall h. 5‑1/4”, l. 19”, w. 7‑1/2”; 29.47 t. oz. (silver frame only) $500‑$800

326 Contemporary Art Nouveau-Style Sterling Silver Bottle Holder the figural handle in the form of a nude female within a trailing grapevine, with circular plinth base and hinged collar. h. 10‑1/4”, dia. 4‑1/2”; 19.29 t. oz. $400‑$700

324 Pair of German Silver Condiment Carriages first quarter 20th century, probably Hanau, .800 silver, each in the form of a pierced rococo handcart drawn by a putto, with functioning wheels and conforming glass liner. h. 3‑1/4”, l. 6”, w. 3‑3/4”; 14.49 total t. oz. (excluding liners) $400‑$700

325

326

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327 Pair of German Silver Historizmus Candlesticks first quarter 20th century, Hanau, .800 silver, in the neoclassical taste, with fluted standard, decorated with ram’s masques and floral swags. h. 9‑5/8”, dia. 5‑1/4”; 39.50 total t. oz. $500‑$800 328 German Silver Ewer first quarter 20th century, by Wolf & Knell, Hanau, .800 silver, in the Empire taste, urn form with hinged lid and S-scroll handle, decorated with ovolo banding, ribbon swags and satyr masques, the whole raised on three legs with cloven feet. h. 12”, dia. 4‑3/4”; 32.30 t. oz.

327

$500‑$800 329 Pair of Continental Silver Shabbat Candlesticks first quarter 20th century, .800 silver, in the neoclassical taste, with squared standard and domed footed base, engraved on the base with later inscription “Shin Alef [Hebrew] 1931”. h. 13‑1/2”, dia. 4‑1/2”; 16.31 total t. oz. $500‑$800 330 Edwardian Sterling Silver Desktop Menorah hallmarked London, 1902‑1903, in the form of a bombe pedestal desk, decorated with applied menorahs, embossed Shabbat scenes, and “Chanukkah” in Hebrew, the hinged lid with finial of the crowned tablets of the law supported by lions, opening to reveal eight oil wells with wick rings flanked by a pair of candleholders. h. 5‑1/2”, w. 8”, d. 2‑1/2”; 21.75 t. oz. $3,000‑$5,000

328

329

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330

331 Pair of Continental Sterling Silver Shabbat Candlesticks fourth quarter 20th century, imported by Grand Sterling, New York, New York, baluster form with embossed basketweave decoration and shield-form feet. h. 12‑1/2”, dia. 5”; 22.71 total t. oz. $500‑$800 332 Pair Napoleon III Maison Odiot Silver Salts third quarter 19th century, Paris, first standard (.950) silver, of canted rectangular form, with molded rim, ovolo banding and raised on four rocaille-crested lion’s paw feet, the liners lacking. h. 1‑3/8”, l. 3‑3/4”, w. 2‑3/4”; 10.80 total t. oz. $500‑$800 331

333 Four-Piece French Silver Empire-Style Coffee and Tea Set first quarter 20th century, by Marandet & Nichelini, Paris, first standard (.950) silver, including a coffeepot, h. 12‑1/4”, a teapot, h. 10‑1/4”, a covered sugar bowl, h. 7‑1/2”, and a cream jug, h. 5‑3/4”, each with an ovoid body and waisted collar, decorated with leaf-and-dart banding, with eagle’s head spouts, acanthus bud finials and raised on swan-crested flat-column pad feet, with ebonized wood handles.

80.65 total t. oz. (including wooden fittings)

332

$500‑$800

333

87

334 Pair of Christofle Silverplate Ecuelles 1903‑1906, Paris, circular with stirrup handles, the fitted lids serpentine lobed with acanthus bud finials. h. 6‑1/2”, dia. 8‑3/4”, w. 11‑1/4” $300‑$500

334

335 Four Pieces of Christofle “MalmaisonBeauharnais” Silverplate Hollowware contemporary, including a sauceboat-onstand, h. 6‑1/4”, l. 8‑3/4”, a serving bowl, h. 6”, dia. 8‑3/4”, a covered vegetable dish, h. 7”, dia. 8‑3/4”, and a stand for either of the latter two pieces, h. 2‑1/4”, dia. 14”, the vegetable dish accompanied by the original box. $500‑$800 335

336 Pair of French First Standard (.950) SilverClad Cut Glass Whiskey Decanters first quarter 20th century, by Andre Roberge, Paris, the glass bottle with jar-shaped base cut with panels and foliate banding, the tall neck clad in silver with reed-and-laurel banding, with stopper en suite. h. 10‑1/2”, dia. 4‑1/2” $300‑$500

fourth quarter 20th century, executed by Clementi Fabbrica Argenteria, Bologna, in the Empire taste, with reed-andacanthus strapwork handles and receptacles, fitted with a pair of colorless glass cruets with ovoid stoppers. overall h. 8”, w. 7‑1/2”, d. 4‑1/4”; 8.73 t. oz. (frame only) $500‑$800

336

888

337 Gianmaria Buccellati Sterling Silver Cruet Frame

337

338 Follower of Nicolaes Berchem (Dutch, 1620‑1683) “Off to Market” oil on beveled wood panel unsigned.

Framed.

11” x 13‑1/8” $800‑$1,200

339 Attributed to Sandor Bihari (Hungarian, 1855/56‑1906) 338

“The Village Girls” oil on canvas unsigned.

Presented in a giltwood frame affixed with artist plaque.

12‑1/4” x 15” $800‑$1,200

340 Dutch School (18th Century) “Court Figures in a Country Landscape” 339

oil on copper Framed.

19” x 16‑1/2” $800‑$1,200

341 Continental School (Mid-19th Century) “The Caravan” oil on linen unsigned.

Framed.

15‑3/4” x 14‑1/4” Illustrated Online $600‑$900

340

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342 Arthur Heyer (Hungarian, 1872‑1931) “Goats in Toulon” oil on canvas signed lower left and titled “Kecskek a Toulon” in Hungarian on stretcher.

Framed.

19‑3/4” x 27‑1/2” $800‑$1,200 342

343 Guy Cambier (French, 1923‑2008) “A Gypsy Camp” oil on canvas signed lower right.

Framed.

26” x 32” Provenance: Galerie D’Art de la Place Beauvau, Paris, France, 1976; The Estate of Elaine Smith Frost White, Houston, Texas and East Hampton, New York. $600‑$900 343

344 Attributed to Meindert Hobbema (Dutch, 1638‑1709) “Country Landscape with a Pond, Figures and a Cottage” oil on canvas unsigned.

Presented in a giltwood and gesso frame affixed with artist plaque.

33‑1/2” x 46” $800‑$1,200

344

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345

345 Dutch School (Fourth Quarter 19th Century) “Skating on the Lake”

346

oil on beveled wood panel unsigned.

Framed.

5‑1/2” x 8‑1/4” $800‑$1,200 346 French School (First Half 18th Century) “Landscape with Villagers on the Road into Town” oil on canvas unsigned.

Framed.

38” x 49‑3/4”

347 one of two

$800‑$1,200 347 Louis van der Pol (Dutch, 1896‑1982) “Winter Village Scene with Figure” and “Autumnal Village Scene with Figure” pair of oils on board both signed lower right.

Both framed. one 5” x 10”, one 4‑1/2” x 10”

347 two of two

$800‑$1,200 348 Cornelis Bouter (Dutch, 1888‑1966) “Cabin by the Lake” oil on canvas signed lower right.

Framed.

19‑3/4” x 27‑3/4” $800‑$1,200 348

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349 Pair of Gilt-Metal and Glass Table Lamps third quarter 20th century, probably Italian, on metal standards with paw feet, the blown glass bases decorated with pink, claret and gilt spangled loops. h. 22‑3/4”, dia. 6‑1/2” $300‑$500

349

350 Italian Mahogany and Marble-Top Center Table 19th century, the rectangular marble top above a conforming shaped scrolling foliate frieze, raised on fluted, turned and foliate-carved legs and shaped and interlacing dolphin- and avian-carved end supports, joined by a cherub-centered X-form stretcher and ending in bun feet. h. 30‑1/2”, w. 30”, d. 20‑1/2” $400‑$700

350

351 Flemish-Style Mahogany Stool early 20th century, the padded rectangular top above a conforming foliate shell-carved frieze, raised on paneled tapering square legs headed by foliate capitals, joined by curule-form stretchers and ending in tapering square feet. h. 18”, w. 25‑1/4”, d. 18” 351

92

$700‑$1,000

354 352

352 Continental Giltwood Mirror of Baroque Inspiration deeply carved, the outside frame molded with a scroll-framed scale pattern, the inside with molded drops lining the mirror h. 61‑1/2”, w. 43‑1/2” $400‑$700 353 Set of Four Continental Brass Sconces ca. 1900, with fruit-trimmed backplates and cornucopia-form candle arms set with fruit, electrified and mounted with period fluted and engraved gas shades. h. 12”, w. 7‑1/2”, d. 10”

354 Continental Carved Mahogany Desk early 20th century, in the Renaissance taste, the rectangular top with a wide carved foliate banding, above a conforming frieze fitted with a single like-carved drawer centered by a lion’s masque pull, raised to a lower shelf by bulbous and columnar legs ending in paw feet. h. 31”, w. 42”, d. 28” $300‑$500

$700‑$1,000

353

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355 Three Continental Snuff Boxes first half 19th century, decorated with portraits of notables, including Leonardo da Vinci. h. 1/2” to 3/4”, dia. 3‑1/2” to 4” $600‑$900

355

356 Pair of Italian Walnut Armchairs 19th century, in the Renaissance taste, each with a tall padded back with two gilt acanthine finials and centered by a stamp-work heraldic shield, joined by flat arms to the padded seat, raised on square legs joined by a tall carved box stretcher. h. 60” $400‑$700

356

357 Monumental Mahogany Hall Chair late 19th century, in the Baronial taste, the shaped back surmounted by a masque over two cherubs bearing a shield over griffin and foliate carving, flanked to either side by garland-entwined barley-twist uprights with heraldic lion finials, joined by imbricate-carved arms on heraldic lion uprights to the padded seat, raised on barley-twist legs joined by a box stretcher and ending in bun feet. h. 73” $1,500‑$2,500 357

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359

359 Continental School (First Quarter 20th Century) “Still Life with Grapes and Peaches” oil on canvas indistinctly signed “H/Kimmier(?)” lower right.

Framed.

16” x 20‑1/8”

358

358 Continental Wrought Metal and Stained Glass Architectural Torchere

$500‑$800 360 Set of Five Black Metal Sconces

second quarter 20th century, the wall-mounted lantern in the baronial taste, decorated with scrollwork and twisted elements, the sides set with mauve stained glass roundels. h. 53‑1/2”, w. 11”, d. 16‑1/4”

in the Continental style, decorated with applied leaves and pierced heart finials. h. 33‑1/2”, w. 24”, d. 15”

$300‑$500

$500‑$800

360

95

361 Continental Enameled Metal and Porcelain Chandelier second quarter 20th century, the bell-form chandelier decorated with enameled leaves interspersed with light sockets and set with white encrusted porcelain flowers. h. 29”, dia. 22” $500‑$800

362 Wrought Iron Fireplace Trammel Hook with twisted elements. h. 61‑1/2”, w. 3‑1/2” Illustrated Online $200‑$400

363 Renaissance-Style Carved Walnut and Parcel-Gilt Mirror early 20th century, the frame with foliate, fruit and scroll-carved motifs. h. 44”, w. 29” $300‑$500

361

364 Pair of Monumental Continental Walnut Torcheres 18th/19th century, in the Baronial taste, each with a bulbous and bobbin-turned graduated standard with carved acanthine accents, to a lower sphere supported by three scrolling foliate legs to large bun feet. h. 65‑1/2” $1,000‑$1,500

363

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364

365 Continental Carved Oak Hall Chair 18th century, the tall pierced “fish and bird” crest above a domed back featuring an elaborate urn, masque and griffin carving, joined by flat, paneled arms to the wooden seat, the seat removing to a storage space, the front and sides paneled and with carved foliate and fruit designs, raised on a plinth base. h. 76‑1/2” $600‑$900 366 Continental Mahogany Hall Chair late 19th century, in the Baronial taste, the tall back with a foliate-earred crest over a foliate- and urn-modeled pierced splat, joined by padded and scrolling arms to the padded seat, raised on carved bobbin-turned legs joined by an H-form stretcher and ending in molded toes. h. 54” $300‑$500 367 Pair of Impressive French Gilt-Bronze Sconces first quarter 20th century, of neoclassical inspiration, on molded circular backplates, the scrolled candle arms decorated with laurel leaves, the candle cups and bobeches leaf-molded, hung with strands of crystal drops and prisms, electrified. h. 32”, w. 16”, d. 10” $1,200‑$1,800

365

367

366

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368 Italian Giltwood and Marble-Top Center Table in the Renaissance taste, the large circular marble top with a molded edge, above a molded frame raised on three large supports headed by foliate scrolling capitals over a graduated standard, joined by a foliate stretcher and ending in shaped feet. h. 33”, dia. 59‑1/2” $1,200‑$1,800 369 Italian Hand-Painted Majolica Covered Urn fourth quarter 19th century, the polychrome-decorated urn supported on a base molded with three dolphins, the main body featuring peasants toiling in a field with Mount Vesuvius on one side and Middle Eastern traders with their camels on the other, the leaf-molded, scrolled handles and cover decorated with putti. h. 38”, w. 20”, d. 12”

368

$1,200‑$1,800 370 Pair of Continental Burled Elm Bookcases ca. 1900, each with a projecting molded top, open face and plinth base. h. 40‑1/2”, w. 45‑1/2”, d. 11” Illustrated Online $500‑$800 371 Suite of Four Continental Baronial-Style Armchairs early 20th century, each with a tall padded rectangular back joined by acanthine-carved downswept arms to cherub masque hand rests, the padded seat over a deep padded apron, raised on square legs ending in gilt foliate scrolling feet. h. 59” 369

$1,500‑$2,500

371

98

372 Pair of Germanic Bronze and Bone Drinking Horns fourth quarter 19th century, each with a molded, footed base supporting a putto holding aloft a drinking horn fitted with molded bronze trim. h. 16”, w. 8”, d. 4‑1/2” Illustrated Online $400‑$700

373

373 Collection of Four Wood and Bronze Boxes 4 boxes including a George III inlaid mahogany three-section tea caddy, ca. 1800, h. 6‑1/4”, w. 12”, d. 6”, a Continental bronze and silvered bronze jewelry casket in the Baroque taste, fourth quarter 19th century, h. 7‑1/4”, w. 8”, d. 5‑1/2”, a Latin American carved Spanish cedar dome-top box, ca. 1900, h. 7”, w. 10‑1/4”, d. 5‑3/4”, and a Chinese cricket cage-type box, 20th century, h. 6”, w. 8‑1/4”, d. 6‑1/2”. $500‑$800

374

374 Two Inlaid Wooden Boxes fourth quarter 19th century, one example with a domed top, Islamic-inlaid with parquetry executed with bone and various exotic woods, an Islamic star inlaid in the center of the cover, with a fabric-lined interior, h. 6”, w. 7‑1/4”, d. 4‑1/2”, and the other a rectangular rosewood example, parquetry-inlaid with various exotic hardwoods, the cover slightly domed and the interior lined with velvet, h. 6”, w. 9‑3/4”, d. 6”. $600‑$900

375 Continental Giltwood Mirror in the Baroque Taste 20th century, boldly carved with pierced, overlapping scrollwork, the mirror set in an ogee-molded surround, a carved shell decorating the base. h. 44”, w. 31‑1/2” $500‑$800

375

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376 Pair of Baroque-Style Brass Sconces third quarter 20th century, the five-light sconces with ball-form backplates and scrolled candle arms. h. 14‑3/4”, w. 17”, d. 11” $300‑$500 377 Pair of Continental Walnut Sidechairs 18th century, possibly Portuguese, each with a domed and foliate- and scroll-carved crest above a shaped and pierced like-carved splat, the padded seat raised on cabriole legs headed by shield carving, joined by a scrolling H-form stretcher and ending in scrolled toes. h. 49”

376

$500‑$800 378 Dutch Marquetry-Inlaid Mahogany Game Table fourth quarter 19th century, the fold-over top supported by a fly leg, the frieze with a single drawer, on cabriole legs with pad feet. h. 28‑3/4”, w. 29”, d. 14”, ext. l. 28” $400‑$600 379 Brass Chandelier in the Dutch Baroque Taste mid-20th century, with a turned standard terminating in a large ball-form finial and set with scrolled candle arms with swan’shead ends, terminating in brass candle cups and drip pans. h. 32”, dia. 31” $400‑$700

377

378 379

100

380

380 Pair of Continental Brass Gas Wall Sconces fourth quarter 19th century, the front sockets on a lotus-molded arm with pierced and scrolled socket holders, set with engraved shades, now electrified, the rear sockets formerly gas, not electrified. h. 10‑1/4”, w. 5”, d. 10‑1/4” $400‑$700 381 Continental Oak Vitrine late 19th century, the broken swan’s-neck crest centered by a carved maiden above a case with projecting, canted corners and a like-centered frieze, over a single glazed door, flanked to either side by a turned and fluted Ionic columnar upright, over a single drawer, raised on a molded, canted base to bun feet. h. 99”, w. 54”, d. 24” $800‑$1,200 382 Handsome Bohemian Cobalt Overlay Glass Butter Tub

381

third quarter 19th century, with a cover and underplate, panel-cut and with an applied handle. h. 5”, dia. 7‑1/2” $400‑$700 383 Delft Hand-Painted Jug with Pewter Cap fourth quarter 18th century, Dutch, decorated with free-hand white flowers on a white ground, an “L” mark on the bottom. h. 15”, w. 7”, d. 5‑1/2” $400‑$700

382

383

101

384 Pierre LeBoeuff (French, Active 1899‑1920) “Vezelay Abbey, France” watercolor on paper signed lower left.

Glazed and framed. sight 28‑1/2” x 19” $700‑$1,000

384

385 Pierre LeBoeuff (French, Active 1899‑1920) “Cathedral Square” watercolor on paper signed and titled lower right.

Glazed and framed. sight 28‑1/2” x 19” $700‑$1,000

385

102

386 Henri Schafer (German/French, 1833‑1916) “Utrecht, Holland” oil on canvas signed lower left and signed and titled en verso.

Framed.

15” x 11” $700‑$1,000 387 Henri Schafer (German/French, 1833‑1916) “Bruges, Belgium” and “Chartres, France” pair of oils on canvas each monogramed and signed and titled en verso.

Framed alike. each 8” x 6” $500‑$800 386

387 one of two

387 two of two

103

388 Zsigmond Palnagy (Hungarian, 1896‑1959) “The Harvest” oil on canvas signed lower left.

In a lacquered wood frame.

39” x 55‑1/4” $2,000‑$4,000

388

389 Zsigmond Palnagy (Hungarian, 1896‑1959) “Farmer’s Respite” oil on canvas signed lower right.

Framed.

31‑1/2” x 23‑3/4” $800‑$1,200

389

390 George Vuillard (French, b. 1956) “The Basket of Berries” oil on wood panel signed lower right.

Framed.

18‑3/4” x 23” $800‑$1,200

390

104

391 Domenico Quattrociocchi (Italian, 1874‑1941) “Paesaggio con Mucche” oil on wood panel signed lower right, an old “Casa D’Arte Baldi/Roma” label en verso.

Framed.

11‑3/4” x 18” $700‑$1,000 391

392 Jef Louis van Leemputten (Belgian, 1865‑1948) “Chevaux” oil on canvas signed and localized “Antwerpen” lower right.

Framed.

18” x 25‑1/3” $800‑$1,200

393 British School (Fourth Quarter 19th Century) “In the Stableyard” 392

oil on canvas unsigned.

Framed.

24” x 32‑1/4” Illustrated Online $500‑$800

394 Louis Basset (French, b. 1948) “The Steeplechase” oil on wood panel signed lower left.

Framed.

19‑1/4” x 28” $800‑$1,200

394

105

395 Carl Hayden (American, 20th Century) “Ready for the Hunt” oil on canvas signed lower left.

Framed.

30” x 27” $800‑$1,200

395

396 American School (First Quarter 20th Century) “The Autumn Hunt” oil on artist board indistinctly signed lower left.

Framed.

14” x 20” $500‑$800 396

397 British School (20th Century) “Ready for the Hunt” oil on canvas signed “Scott” lower right.

Framed.

30” x 40” $700‑$1,000

397

106

398

399 one of two

398 British School (Fourth Quarter 19th/First Quarter 20th Century) “English Setter on the Hunt” oil on canvas unsigned.

Framed.

36” x 50” $600‑$900 399 Two British Paintings of Dogs one oil on wood panel, signed “D. Gilpin” and dated 1924, 9” x 7”, the other oil on canvas, signed “EM Nelson” and dated 1926, with an “Aldridge Bros/Worthing” label en verso, 8‑3/8” x 10‑1/4”. Both in giltwood frames. $800‑$1,200

two of two

400 French School (First Quarter 20th Century) “The Family Pets” oil on wood panel signed “Ch. Leroux” upper right, verso with old stamp and faint pencil inscription, incorrectly attributed to “Marie-Guillaume Charles Leroux” on stretcher.

Framed.

6‑1/4” x 14‑1/2” $800‑$1,200

400

107

401 Ernesto Biondi (Italian, 1855‑1917) “The Jockey Tom Cannon, Sr. and Horse” patinated bronze fourth quarter 19th century, cast signature and a Fonderia Nelli Roma foundry inscription along edge of self-base, titled on self-plaque at front, on a thin black marble plinth. overall h. 16‑1/4”, w. 15”, d. 6” $500‑$800 402 Continental Bronze Plaque of a Horse’s Head 20th century, inscribed “Nick” along edge. h. 17‑1/4”, w. 15”, d. 3‑1/2” Illustrated Online

401

$300‑$500 403 Pair of Continental Patinated Bronzes of Horses 20th century, including “Cheval”, h. 7”, w. 8‑1/2”, d. 2‑3/4”, and “Pouliche et Poulain”, on a green marble plinth, h. 9”, w. 11‑3/4”, d. 4”. $500‑$800 404 French Patinated Bronze of “Levrier Afghan Couche”

403

20th century, after the 1848 sculpture by Joseph Raymond Paul Gayrard (French, 1807‑1855), inscribed “GAYRARD/LONDON/1848” along back edge. h. 5”, w. 11”, d. 6‑3/4” $300‑$500

404

405 Harry Jackson (American, 1924‑2011) “Fly Time”, 1969 patinated bronze cast signature, dated and with copyright mark along one edge of self-base, numbered “20” along the other, now on a black marble plinth. h. 10‑1/2”, w. 11‑1/2”, d. 9‑1/2” $3,000‑$5,000 405

108

Lots 406-412: A Selection of Silver Candlesnuffers from the Collection of Winfield A. Gartner, Jacksonville, Florida Candlesnuffers: implements so obsolete that even their definition is obscured in modern times. What we now call “candlesnuffers” would have two centuries ago been more properly called “candle extinguishers”. A true candlesnuffer was a device to trim the “snuff” of a candle: the charred end of the wick which had not burned down. 18th century tallow and spermaceti candles required large wicks to draw up the heavier oil; these heavy wicks would not burn down, reducing the brightness of the flame and causing the burning wick to curl down and melt the candle unevenly. So special implements were invented to trim the snuff, trapping it in a box on one blade of a pair of scissors (and usually with a pointed end to pry a spent candle snub from the candle socket).

Some were fitted onto stands which held the snuffbox closed, others rested on a tray to catch the falling snuff and any burning ciders, and still others were fitted with a spring-action lid (patented in 1749 by Benjamin Cartwright) to trap the snuff inside. Common examples were of iron or brass, but as all household items in the 18th century, fine silver examples were made for the new wealthy industrial class. The introduction of lighter colza and paraffin waxes and self-consuming braided wicks in the early 19th century led to the demise of the candlesnuffer, and by the end of the century electric light had rendered them completely obsolete. New Orleans Auction Galleries’ Cakebread Auction is pleased to present these beautiful pieces of silver history from the collection of Winfield A. Gartner of Jacksonville, Florida.

406 Two Georgian Sterling Silver Snuffers second half 18th century, London, by “IB”, the first hallmarked 1768‑1769, with rococo scroll decoration, l. 6‑5/8”, the second hallmarked 1778‑1779, with palmette and bead decoration, engraved with a regimental badge, l. 6‑1/4”.

6.98 total t. oz. $500‑$800

406

407 Three Late Georgian Sterling Silver Snuffers first quarter 19th century, London, two examples by Wilkes Booth (1751‑1817), one hallmarked 1801‑1802, with reeded edge and engraved laurel cartouche, l. 6‑1/2”, the other hallmarked 1806‑1807, with reeded edge and openwork “rope” decoration, l. 6‑3/4”, and one example by Robert Metham (1780‑1854), hallmarked 1810‑1811, with gadroon and shell decoration, l. 7‑1/4”.

9.42 total t. oz. $500‑$800

407

109

408 Georgian Sterling Silver Snuffer and Tray fourth quarter 18th century, London, the snuffer hallmarked 1793‑1794, by Abstainando King (1764‑1833), with reed, ribbon and quatrefoil decoration, monogrammed “IG”, l. 6‑1/4”, the tray hallmarked 1780‑1781, by John Schofield (fl. 1776‑1799), navette form, with beaded rim and reeded handles, monogrammed “JMH”, l. 10‑1/4”.

6.59 total t. oz.

408

$500‑$800

409 Two Late Georgian Sterling Silver Snuffers

409

first quarter 19th century, the first hallmarked Dublin, 1809, by James Scott (fl. 1809‑1820), with pricked oak leaf decoration and engraved with a crest of an arm in armour embowed, l. 6‑3/4”, the second hallmarked London, 1811‑1812,

by Duncan Urquhart & Napthali Hart (fl. 1791‑1812), with reeded edge, monogrammed “C”, l. 7”.

7.43 total t. oz. $500‑$800

410 Regency Sterling Silver Snuffer Set and Single Snuffer

410

first quarter 19th century, London, by Rebecca Emes & Edward Barnard (fl. 1808‑1829), the set with snuffer, l. 6‑7/8”, and tray, l. 9‑1/8”, hallmarked 1812‑1813, with gadrooned rim and monogrammed “JC” within a garter cartouche, the single snuffer hallmarked 1816‑1817, with mechanical snuff trap action, with leaf and dart decoration, monogrammed “IT”, l. 7”.

14.61 total t. oz. $600‑$900

110

411

411 Five Silver and Silverplate Snuffers first quarter 19th century, including a sterling chamberstick example part-marked by Joseph Willmore of Birmingham, engraved with the crest of Viscount Clanwilliam of Tipperary, l. 5”, a Biedermeier .813 silver example by Andreas Weichesmuller of Vienna, with gadrooned handles and applied fruit decoration, l. 6”, and three English silverplate examples with foliate bosses, l. 6‑3/4”.

4.77 total t. oz. (weighable silver) $500‑$800 412 Two William IV Sterling Silver Snuffers and a Tray second quarter 19th century, London, including a snuffer, l. 6‑1/2”, and tray, l. 8‑3/4”, both hallmarked 1835‑1836 by Edward Barnard & Sons (fl. 1829‑1846), the former with wavy handles and floral boss, the latter with gadrooned rim and engraved crest of a moor’s head, and a small chamberstick snuffer, l. 5‑1/2”, hallmarked 1832‑1833 by Charles Thomas Fox (1801‑1872; free 1827).

12.99 total t. oz.

412

$500‑$800 413 Two George III Sterling Silver Teapot Stands both oval, one example hallmarked London, 1792‑1793, by Charles Aldridge, with engraved leaf-and-dart banding, scalloped cartouche and four threaded spatulate feet, l. 6‑1/4”, the other hallmarked London, 1783‑1784, by William Vincent, with beaded edge and later Victorian floral scroll decoration, rococo cartouche, and four claw-and-ball feet, engraved with the crest of Hay and monogrammed “C.C.H”, l. 6‑1/4”.

8.30 total t. oz. $500‑$800

413

111

414 Late Georgian Irish Sterling Silver Sugar Basket hallmarked 1805, Dublin, by Joseph Jackson, of navette form, with fluted panels and swing handle, decorated with bright-cut and pricked decoration, engraved with the crest of Cassidy, Fitz-Allen, etc. h. 4‑5/8” (7‑1/2” with handle), l. 7‑1/2”, w. 4‑5/8”; 8.77 t. oz. $500‑$800

414

415 Regency Irish Sterling Silver Teapot hallmarked Dublin, 1813, by “MF”, bulbous rounded rectangular form, decorated with pricked ovolo and Greek-key banding, with squared “gooseneck” spout, crested ebonized handle and ball feet, engraved with a crest of a demi-lion rampant. h. 6‑3/4”, l. 11”, w. 5‑1/4”; 20.52 t. oz. (including wooden handle) $400‑$700

415

416 Pair of William IV Silverplate Entree Dishes second quarter 19th century, each with lid, dish and warming stand, with gadrooned banding and robust acanthus handles and feet, the lid engraved with the badge of the 2nd Somerset Militia. h. 7‑1/4”, l. 13‑1/8”, w. 9” $400‑$700 416 detail

416

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417 William IV Old Sheffield Plate Wine Cooler second quarter 19th century, of campana form with applied “vintage” banding and handles, the liner lacking. h. 10”, dia. 9‑1/2” $400‑$700

418 Victorian Silverplate and Glass Epergne second quarter 19th century, the large baluster standard above a plinth base and lion’s paw feet, with four scrolling arms, one central and four surrounding later glass baskets. overall h. 13”, w. 15‑1/2”

417

$400‑$700 419 Early Victorian Provincial Sterling Silver Toast Rack hallmarked Newcastle, 1841‑1842, by John Walton, rounded rectangular form with seven oval dividers, ring handle and shell feet. h. 5‑1/4”, l. 6‑3/4”, w. 4‑1/4”; 6.86 t. oz. $300‑$500 420 Late Victorian Gilt-Metal Wine Trolley fourth quarter 19th century, comprising two wine coasters on turned wooden bases and medallion gallery, the front with all the English monarchs from Henry IV to James I, the rear with 18th- and early 19th-century British statesmen and military heroes, with beaded rim and handle, raised on four functioning wheels, engraved on the boss with a baronial crest. h. 5”, l. 18‑1/2”, w. 7‑1/4”

418

$400‑$700

419

420

113

421 Silverplate Whiskey Trolley first quarter 20th century, probably English, in the form of a barrel cart, with chain-swag sides, working wheels and hinged yokeshaft, the barrel with stopper and tap. overall h. 9‑1/4”, l. 16‑1/2” $400‑$700 422 Late Victorian Sterling Silver-Mounted Dresser Mirror hallmarked London, 1897‑1898, by William Comyns & Sons, rectangular form, the silver frame embossed with birds and rococo scrolls crested by a rococo cartouche monogrammed “JCB”, with beveled mirrored plate and wooden easel backing.

17‑1/4” x 12‑1/4”

421

$500‑$800 423 Three Large Pieces of 19th-Century English Silverplate including a graduated pair of William IV meat domes, oval with addorsed acanthus finials and handsomely engraved matching armorials, h. 7‑3/4”, l. 14”, and h. 10”, l. 17‑3/4”, and a Victorian tray, oval with beaded rim, the plateau with a large band of oval “Renaissance” cartouches, 34” x 23‑1/2”. $500‑$800 424 Set of Four Edwardian Silverplate Candlesticks first quarter 20th century, in the rococo taste, each with a baluster standard and urn-form nozzle, decorated with acanthus scrolls and fitted with a detachable bobeche. h. 9‑1/2”, dia. 5” 422

$400‑$700

424

423

114

425 Pair of Late Victorian Sterling Silver and Glass Claret Jugs hallmarked Sheffield, 1896‑1897, by W. & C. Sissons, each with a colorless glass urn-form body mounted in a waisted silver collar and foot, with hinged lid and arched handle, with beaded decoration. h. 10‑1/2”, dia. 4” $500‑$800

425

427 Pair of Edwardian Sterling Silver Trumpet Vases

426

426 Late Victorian Sterling Silver Footed Bowl hallmarked London, 1898‑1899, by Charles Stuart Harris (1830‑1918), hemispherical with domed foot, decorated with embossed floral swags and scrolls centering rococo cartouches. h. 5‑1/2”, dia. 8‑1/4”; 19.70 t. oz. $300‑$500

hallmarked London, 1905‑1906, by William Comyns & Sons, each of trumpet form embossed with irises and bamboo in the Japonaise taste. h. 7‑1/2”, dia. 3”; weighted $400‑$700 428 Three Pieces of English and American Sterling Table Silver including an English teapot, hallmarked 1901‑1902, by T. Wilkinson & Sons, flattened spherical form with crested ebony handle, l. 8”, dia. 4‑1/2”, and two American near-identical coquille dishes, one by Hunt Silver Co., the other by Meriden Britannia Co., each with crested handle and ball feet, l. 7‑3/4”, w. 5‑3/8”.

20.56 total t. oz. (including ebony fittings) $400‑$700

427

428

115

429 Pair of Silverplate Wine Coasters second half 20th century, probably English, in the Georgian taste, cylindrical with rococo rim and pierced decoration with embossed laurel swags and lion masques, raised on four flatcolumn legs with lion’s paw feet. h. 8‑1/4”, dia. 6‑3/4” $400‑$700 429

430 English Silverplate Meat Dome and Platter contemporary, by Royal Castle, Sheffield, circular with shelland-banding, cornucopia-mounted acrylic handles, floralcrested acanthus feet, and lion-and-shield figural finial, the platter above a hot-water reservoir. overall h. 17”, dia. 20‑1/2”

431 Adam-Style Silverplate Hot Water Urn contemporary, urn form with arched reeded handles, waisted domed lid and Prince-of-Wales-Feathers-crested reeded legs. h. 22‑1/2”, w. 13”, d. 10” $500‑$700

$800‑$1,200

430

431

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432 George III Mahogany Sideboard fourth quarter 18th century, the long rectangular top with a central bowed section, above a conforming case fitted with three central cutlery drawers, flanked to either side by a deep cellarette drawer, faced as two graduated drawers, all banded, raised on tapering square legs ending in spade feet. h. 38‑3/4”, w. 85”, d. 27‑1/2” $1,000‑$1,500

432

433 George III Mahogany Dining Table 19th century, the rounded rectangular top with a reeded edge and raised on two pedestals, each with a bulbous columnar standard to three splayed and molded legs ending in brass caps on casters, with two 23” leaves. h. 29”, w. 46”, l. 53”, ext. l. 99” $600‑$900 434 Suite of Eight George III-Style Mahogany Dining Chairs in the Chippendale taste, consisting of two armchairs and six sidechairs, all with shaped and earred crests above a pierced splat, the padded seat raised on cabriole legs headed by acanthine carving and ending in ball-and-claw feet. h. 38”

433

$500‑$800

434

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435 437

435 After Sir John Everett Millais, P.R.A. (British, 1829‑1896) “Bubbles, or a Child’s World”, fourth quarter 19th century oil on canvas unsigned.

Presented in an antique gessoed and giltwood frame.

30” x 25”

437 George III-Style Fruitwood and Leather Wing Chair

Notes: The work presented here is after the 1886 painting of the artist’s grandson Sir William Milbourne James (later Admiral) now conserved on loan at the Lady Lever Art Gallery, Liverpool. The painting, and its copyright, had been acquired by the owner of the Pears Soap Company, and it was replicated in an extensive, and highly successful and popular, series of advertisements.

$500‑$800

adorned with brass tacks, with Marlborough legs joined by a box stretcher. h. 41‑1/2”

$800‑$1,200

436 George III-Style Mahogany DoublePedestal Partner’s Desk the top with inset leather panels, the pedestals fitted with a bank of drawers on one side and a paneled door on the opposing side, flanked by reeded pilasters. h. 30”, w. 71”, d. 41” $600‑$900

436

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438

438 Suite of Six George III-Style Mahogany Dining Chairs

439 George II Mahogany Banquet Table

20th century, in the Sheraton taste, consisting of two armchairs and four sidechairs, each with a domed back over a bellflowercarved and fanned splat, the padded seat raised on molded square legs headed by waisted capitals and ending in splayed feet. h. 38‑1/2”

ca. 1900, in the style of William Kent, the oval top over an eggand-dart and Greek-key-carved frieze, on foliate- and scrollcarved legs, opening to accommodate three skirted leaves. h. 30‑1/2”, w. 52”, l. 72”, ext. l. 132” $500‑$800

$900‑$1,200

439

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440

440 Suite of Eight George III-Style Mahogany Armchairs each with an ovoid back and wheel-form splat with gilt patera accents, joined by molded outscrolled arms to the padded seat, raised on chamfered tapering square legs ending in block feet. h. 37” $700‑$1,000

441 Georgian-Style Pine and Creme Peinte Mirror early 20th century, the exuberantly modeled mirror with a broken swan’sneck pediment with foliate and eggand-dart molding, above an annulated breakfront cornice, the rectangular mirror plate surmounted by a foliatecarved frieze and flanked to either side by large garland-adorned pilasters headed by a carved child’s head on a scrolling bracket, with a foliate-carved apron below. h. 84”, w. 79” $1,000‑$1,500

441

120

442 Pair of Carved and Pierced Wooden Lion Appliques first quarter 20th century, from the British royal coat of arms, the lions standing on a field of scrollwork. h. 24‑3/4”, w. 19‑1/2” $500‑$800

442

443 George III-Style Brass-Mounted Mahogany Game Table 19th century, with a fold-over single-board top, supported by a gate leg, frieze drawer and tapering legs. h. 31”, w. 35”, d. 17”, ext. l. 34” $300‑$500

444 English Carved Wooden Figure of a Knight ca. 1800, the knight on horseback, carrying a spear, a dragon to one side. h. 14‑3/4”, w. 7‑1/2”, d. 5” $500‑$800

443

444

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445

445 Majolica Covered Cheese Dish

447

20th century, in the style of George Jones, the cover in the form of a woven beehive, with a flowering vine forming the handle, the base with matching trim and a turquoise center, impressed “1189” on the base. h. 13”, dia. 13‑1/4” $500‑$800 446 Collection of Ten Pieces of Majolica

447 George III-Style Mahogany Chest

fourth quarter 19th century, American and English, including a marked “Etruscan” ivy pattern cake stand, h. 5‑1/2”, dia. 9‑1/2”, a marked “Etruscan” leaf dish, w. 9”, d. 6‑1/2”, two signed Wedgwood leaf dishes, dia. 8”, and w. 5”, d. 4‑1/2”, a round leaf plate, dia. 8”, a leaf dish, w. 5”, d. 4‑1/2”, a nut dish with a squirrel handle, h. 5”, w. 10”, and three unmarked dishes, w. 7‑3/4” to 11‑1/2”, d. 7” to 10‑1/2”.

late 19th century, the rectangular top above a conforming case fitted with a brushing slide over three graduated long drawers, raised on slightly splayed bracket feet. h. 33”, w. 39‑1/4”, d. 22” $500‑$800

$500‑$800

446

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449

449 Hepplewhite Inlaid Mahogany Game Table 448

ca. 1800, with a cross-banded top and inlaid fluting on the top of the legs. h. 29”, w. 17‑3/4”, d. 17‑1/2”, ext. l. 35‑1/4” $500‑$800

448 Giltwood and Burr Walnut Mirror third quarter 20th century, English, in the George II taste, the veneered surround trimmed with carved and pierced giltwood ornamentation. h. 44”, w. 28‑3/4” $150‑$300

450 Associated Japanese Export Porcelain Partial Dinner Service, Decorated in Hong Kong 20th century, comprising eleven dinner plates, twentyfour side plates, sixteen bread plates, five cups and saucers, three finger bowls and one serving bowl, all decorated with a floral design in green, with gilt and black detail, some pieces with Z.P.C. mark to the base, others with “Decorated in Hong Kong”. largest plate dia. 10‑1/2” $600‑$900

450

123

451 George III Mahogany Game Table fourth quarter 18th century, the D-form top hinged and opening to a larger surface, above a conforming frieze with string and inlaid panels, raised on tapering square legs. h. 28‑1/2”, w. 35‑1/2”, d. 17‑1/2” $400‑$700

451

452 Two Georgian Mahogany Trays 19th century, comprising a large Regency kidney-shaped tray inlaid with a conch shell, and set with a scalloped gallery and supported with period brass handles, w. 22‑3/4”, d. 13‑1/2”, and a Chippendale-style tray with a molded rim and acanthuscarved handles, w. 20”, d. 11‑3/4”. $400‑$700

452

453 English Oak Tall Case Clock mid-18th century, on a bracket-footed base, the hood set with fluted columns, under a swan’s-neck pediment with brass finials, now set with a brass dialed movement with spandrels in the corners and a handsomely engraved center panel, signed “James Pepper, Biggleswade”. h. 86”, w. 16‑3/4”, d. 9” $500‑$800 453

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454

454 Chinese Famille Rose Porcelain Charger with Ormolu Mounts first quarter 20th century, the charger centered with a floral motif, and quartered by four panels with scenes of figures on terraces and birds and insects amid blossoming flowers, the surround densely decorated with a scrolling floral design, later mounted with pierced gilt-metal rim and handles, and raised on three lion-head-form legs. h. 7”, w. 21”, d. 16‑1/2”

455

Provenance: Estate of Nancy Nye Harrell, Houston, Texas. $400‑$700 455 George III Mahogany Chest fourth quarter 18th century, the rectangular top with a molded edge, above a case fitted with four graduated long drawers, raised on shaped bracket feet. h. 33”, w. 35”, d. 19‑1/2” $500‑$800

456

456 George III Mahogany Game Table composed of period elements, the hinged rectangular top with a ribbed edge, opening to a larger surface, above a conforming frieze, raised on tapering square legs. h. 29”, w. 35‑1/2”, d. 16” $400‑$700 457 George III Mahogany Sidechair

457

late 18th century, the foliate-carved, shaped and earred crest above a pierced splat, the padded seat raised on chamfered square legs joined by an H-form stretcher and ending in casters. h. 38” $300‑$500

125

458 Irish Queen Anne Mahogany Armchair 18th century, the shaped and earred crest above a shaped and pierced splat, joined by shaped arms on turned uprights to the slip-in seat, raised on cabriole legs with shaped knees and ending in pad feet. h. 37” Illustrated Online $300‑$500 459 Two 19th-Century Wooden Boxes including an English burr walnut dome-top tea caddy with gilt-brass trim, h. 7”, w. 9”, d. 5”, and a French mahogany tambour letter box with brass trim, h. 8‑3/4”, w. 12‑3/4”, d. 11‑1/2”.

459

$500‑$800

460 Assembled Suite of Twelve George III-Style Mahogany Chairs mid-20th century, comprised of a matching set of ten with two armchairs and eight sidechairs, along with a similar pair of sidechairs, with carved backsplats and square molded legs. armchair h. 28”, sidechair h. 29” $1,500‑$2,500

460

461 Chinese Export Porcelain Dish Mounted as a Tazza late 19th/early 20th century, the celadon-ground dish decorated with flowers and butterflies in the famille rose palette, the reverse with a six-character mark in underglaze blue, having foliate ormolu mounts to rim, raised on three scroll-form legs and form-fitting base. h. 7”, dia. 10‑3/4” $1,800‑$2,500 461

126

462

462 Chippendale-Style Leather and Mahogany Camelback Sofa

464 George III Mahogany Chest-on-Chest

with tufted seat and back, the legs adorned with festoons in the Chinese taste. h. 36”, w. 78‑1/8”, d. 33”

early 19th century, the molded and dentillated cornice above a case fitted with two short drawers over three graduated long drawers, the lower section fitted with a brushing slide over three graduated long drawers, raised on shaped bracket feet. h. 70”, w. 46‑3/4”, d. 22”

$400‑$700

$600‑$900

463 English Bronze Caricature of an Admiral mid-19th century, probably inspired by Derby’s “Grotesque Punches” of the late 18th century. h. 8‑1/2”, dia. 3‑1/2” $500‑$800

463 464

127

465 Pair of Derby Mansion House Dwarfs or “Grotesque Punches”

467 George III-Style Mahogany Center Table 19th century, the tilting circular top with a reeded edge and raised on a turned columnar standard to four splayed and molded legs ending in brass caps and casters. h. 29‑1/2”, dia. 51‑1/2”

post-1806, one incised 13/8 and the other 11/8, after etchings

by J. Callot, one figure playing a mandolin and the other a violin, both in colorful waistcoats with checked center panels, marked with well-defined crown and crossed baton marks. h. 8‑1/4”, w. 4‑3/4”, d. 3‑1/2” and h. 8‑1/4”, w. 5‑1/4”, d. 5‑3/4”

$500‑$800

$900‑$1,200

465

466 English Lowboy and American Writing Table including a Queen Anne mahogany lowboy, mid-18th century, h. 27‑1/2”, w. 32‑1/2”, d. 19”, and a Regency-style brass-inlaid elm writing table, labeled by J&S Furniture, New York, 20th century, h. 29”, w. 38”, d. 25”.

467

$400‑$700

466

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468

468 Suite of Six Georgian-Style Mahogany Chairs in the Chippendale taste, each with a foliate- and shell-carved crest rail, pierced splat, gadrooned seat rail and cabriole legs on ball-and-claw feet. h. 39‑1/2” $800‑$1,200 469 Pair of Chinese Porcelain Vases Mounted as Table Lamps

470 Pair of Queen Anne-Style Red-Lacquered Looking Glasses 20th century, with gilt chinoiserie decor. h. 49”, w. 26” $1,000‑$1,500

each of baluster form, decorated with figural panels surrounded by a scrolling floral design on a red ground, mounted on a hardwood base, with a single bulb fixture. h. 35‑3/4” (including fixture ), w. 7‑1/2” $500‑$800

470

469

129

471 William Auerbach-Levy (Belarusian/American, 1889‑1964) “Untitled - Sketch of a Rabbi” graphite on paper signed lower right.

Matted, glazed and framed. sight 6” x 8‑3/4” $500‑$800 471

472 Three 20th-Century Drypoint Etchings including Muirhead Bone (British, 1876‑1953), “Joseph Conrad”, pencil-signed, “Arthur H. Harlow and Co.” label en verso, sight 12‑1/4” x 7‑1/4”; Andrew Freeth (British, 1912‑1986), “W. Somerset Maugham”, 1949, pencil-signed, dated and inscribed “A.P.”, sight 11‑1/4” x 6‑3/4”; and Earl H. Reed (American, 1863‑1931), “The Song of the East Shore”, pencil-signed and titled lower margin, sight 8‑1/2” x 10‑1/4”.

Each matted, glazed and framed. $500‑$800

472 one of three

130

472 two of three

472 three of three

473 Ludwig Koch (Austrian, 1866‑1934) “Garde-Kurassier”, 1916 ink on paper signed and dated lower left, an old inventory label en verso.

Matted, glazed and framed. sight 11‑1/4” x 7‑1/2” $400‑$700

474 Italian School (First Quarter 19th Century)

473

“Two Drawings after Old Masters” including a study after Raphael’s horses, probably from the Quirinal marbles, sanguine on paper, inscribed “disegno di Raffaello Sanzio Urbino”; and a study of Bacchus with a serpentine scepter of vinery, gouache on paper, unsigned.

Each matted, glazed and framed. sight respectively 7” x 9‑1/8” and 6” x 3‑7/8” $500‑$800

474 one of two

474 two of two

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475 David Hagerbaumer (American/California, 1921‑2014) “Mallards Coming In” and “Quail”, 1968 pair of watercolors on paper ovals, each signed and dated.

Matted, glazed and framed alike. each sight 4” x 5” Provenance: Long & Company, Houston Galleries, Houston, Texas, 1968; The Estate of Elaine Smith Frost White, Houston, Texas and East Hampton, New York. $500‑$800 475

476 Leo J. Meissner (American, 1895‑1977) “Oyster Shells”, 1933 engraving pencil-signed and dated lower right, titled lower left.

Matted, glazed and framed.

8‑1/2” x 6” $300‑$500

476

132

477 Victorian Black Tole Tray third quarter 19th century, the shaped tray with a full raised edge with scrolling gilt accents surrounding an elaborate and exotic avian scene, raised on a later conforming stand of splayed tapering square legs. h. 18‑1/2”, w. 32”, d. 24” $400‑$700

477

478 Victorian Papier-Mache Tray third quarter 19th century, on a later conforming stand, the shaped tray with a gilt-decorated full raised edge centering a polychrome floral spray, now on a conforming ebonized stand on ring-turned tapering splayed legs. h. 19‑1/2”, w. 31”, d. 24” $400‑$700

478

479 Victorian-Style Chinoiserie Table first half 20th century, the circular top decorated with a central figural scene surrounded by a dense foliate design, above a turned pedestal stem on shaped tripod legs. h. 31‑1/4”, dia. 36” $400‑$700

479

133

480 Pair of Transfer-Printed Aesthetic Vases fourth quarter 19th century, probably English, now mounted as lamps, the blue and white vases trimmed with yellow and decorated with landscape panels and depictions of cranes and grasshoppers. vase h. 15‑3/4”, overall h. 33‑1/2”, dia. 7‑1/4” $400‑$700 481 Pair of American Brass and Mirrored Eglomise Sconces second quarter 20th century, with scalloped, mirrored backplates painted with silver and gilt Chinese Chippendale patterns, mounted with scrolled candle arms with leaf-molded drip pans. h. 10‑1/2”, w. 7‑1/2”, d. 4” $400‑$700

480

482 Pair of Edwardian Painted Pole Screens

481

first quarter 20th century, English, in the chinoiserie taste, the delicate Adamesque tripod bases with sweeping legs terminating in turned feet, the poles supporting octagonal screens decorated with Mandarin scenes painted in black, gilt and ivory, the tops with turned finials. h. 58”, w. 16‑1/2” Illustrated Online $300‑$500

483 Two English Victorian-Style Tole Tea Dispensers fourth quarter 19th century, including a white example with an inset mirror, h. 21‑3/4”, w. 17”, d. 18”, and a black example with chinoiserie painting, h. 22‑3/4”, w. 19‑1/2”, d. 18”. $500‑$800

483

134

485 Victorian Mahogany Etagere Cabinet third quarter 19th century, the superstructure with two graduated shelves joined by scrolling supports, the rectangular top above a single frieze drawer over two cupboard doors, each inset with a shaped glazed panel, raised on a plinth base. h. 59”, w. 38‑1/2”, d. 15” $500‑$800

484

484 Rare Miniature Rococo Revival Sideboard/Tea Caddy third quarter 19th century, English, with a scrolled backsplash, the top hinged at the rear and opening to reveal three foil-lined compartments. h. 11”, w. 19”, d. 6‑1/2” $700‑$1,000

486

486 Four Pieces of Wedgwood Jasperware 19th/20th century, English, the collection including a jug marked with an “1895” date code, h. 7‑1/2”, dia. 5‑3/4”, a cachepot, h. 4‑1/2”, dia. 5”, and a pair of candlesticks, h. 6‑3/4”, dia. 4‑1/4”. $400‑$700 487 Pair of Bristol Enameled Glass Vases 485

fourth quarter 19th century, English, with tulip-form necks, wrapped with blown glass serpents, the vases decorated with applied enamel, now drilled for lamps. h. 13‑3/4”, dia. 4” Illustrated Online $400‑$700

488 Pair of Royal Worcester Molded Porcelain Plaques fourth quarter 19th century, English, decorated with molded water nymphs on a blue ground, with impressed marks. h. 6‑1/2”, w. 13‑3/4” $400‑$700 488

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490

489 Henri II-Style Carved Oak Fireplace Surround late 19th century, the upper section with dentil molding above a carved frieze with drapery swags and an opening for a mirror, the lower section with fruit-carved side posts. h. 95”, w. 60”, d. 14” $800‑$1,200

489

490 Walter I. Cox (British/American, 1867‑1930) “Portrait of a Young Girl Seated” oil on canvas signed lower right.

Framed.

30” x 25” $700‑$1,000

491 Maitland Smith Cocktail Table molded as three embossed books, each with a drawer in the side, raised on turned feet, retaining the maker’s label. h. 16‑1/4”, w. 35‑1/2”, d. 30” 491

136

$300‑$500

493

492

492 Glazed Stoneware Crock fourth quarter 19th century, probably English, with a “rustic” pattern. h. 24‑1/2”, dia. 20” $500‑$800 493 English Painted Pine Lift-Top Chest later painted to commemorate the “Cowdray Polo Tournament, Midhurst, 1935”, mounted with side handles. h. 21”, w. 31”, d. 19‑3/4”

494

$500‑$800 494 Wemyss Hand-Painted Pottery Pig probably 1930‑1957, Scottish, decorated with cabbage roses on a crazed white-glaze ground, the base marked “Nekola Pinxt” in underglaze green-painted script. h. 11‑1/2”, w. 8”, d. 17” $1,200‑$1,800 495 Anglo-Indian Hardwood Sideboard/Desk late 19th century, the rectangular-form top comprised of two broad panels, having a narrow backboard carved with a repeating foliate motif, the front with two short drawers, the whole raised on four block legs. h. 36”, w. 35”, d. 23” $400‑$700 495

137

496

496 Collection of Nine Majolica Mugs

497 Ten Pieces of Majolica and a Motto Mug

fourth quarter 19th century, American, English and Continental, including a marked Wedgwood aesthetic jug with a pewter cover, h. 7‑1/2”, a jug with ivy on a “wood” ground, signed “Etruscan”, h. 6‑1/4”, and seven unmarked jugs, h. 6” to 10‑3/4”.

fourth quarter 19th century, American and English, including two marked Etruscan pieces: a compote with daisies, h. 5‑1/4”, dia. 8‑1/2”, and a small jug, h. 4‑1/2”, an open basket, possibly Brown, Westhead and Moore, h. 8”, w. 8‑1/2”, an English motto jug inscribed “if ye cant [sic] be aisy, be as aisy as ye can be, 1821”, h. 1‑1/2”; and unmarked majolica pieces including three aesthetic teapots, h. 6‑1/2” to 8‑1/2”, w. 8‑3/4” to 9‑1/4”, a mug, h. 3”, and two small jugs, h. 4‑1/2” and 4‑3/4”.

$500‑$800

$500‑$800

497

138

498 Edwardian Rosewood Etagere ca. 1900, the broken swan’s-neck pediment above a frieze with two beveled mirror panels flanking an inlaid urn panel, over a central beveled mirror flanked to either side by two shaped shelves, the lower bowed section fitted with an open central spindled gallery with a mirrored back, flanked to either side by an urn-inlaid paneled cupboard, joined to a lower shelf by turned uprights, raised on toupie feet. h. 101‑1/2”, w. 55”, d. 18” $700‑$1,000

498

499 Victorian Brass, Ebony and Steel Fire Tool Set fourth quarter 19th century, English, including shell-molded and pierced rests, h. 8”, w. 7‑1/2”, d. 3‑1/4”, supporting a poker, l. 25”, a pierced engraved shovel, l. 28‑1/2”, and a pierced pair of tongs, l. 28”. $1,000‑$1,500 499

139

500 Set of Twelve Royal Doulton Dinner Plates ca. 1922‑1927, English, the H2036 dinner plates with borders decorated with cobalt panels and urns of flowers on stands, with gilt floral tracery in the field, and hand-painted roses in the center panel and scattered within the border. dia. 10‑1/2” $500‑$800 501 Suite of Six Henry II-Inspired Painted Dining Chairs

500

comprised of an armchair, h. 42‑1/2”, and five sidechairs, h. 40”, each with a carved crest and cabriole legs. $500‑$800 502 Bronze Bust of Queen Victoria 20th century, on her Diamond Jubilee, mounted on a marble base, after a Robinson and Leadbeater parian model. h. 16‑1/2”, w. 7”, d. 5‑1/2” Illustrated Online $300‑$500 503 Set of Twelve Minton Porcelain Cabinet Plates ca. 1880, English, with carefully painted European polychrome landscapes, retailed by J. E. Caldwell, Philadelphia, each with the printed “Mintons” mark, including the retailer and the 1880 date code, presented in their original leatherette case, signed “J. E. Caldwell, Philadelphia” inside the cover. dia. 9‑1/4”

503

$500‑$800

501

140

505 504

504 Edwardian Satinwood Cabinet early 20th century, the bowed and shaped top banded and centered by a polychrome landscape and floral basket, above a conforming case fitted with a floral garland-decorated frieze over two cabinet doors, each banded, quarter-veneered and centered by an oval panel with a floral vase, raised on tapering square legs ending in block feet. h. 37‑1/2”, w. 48‑1/4”, d. 21” $600‑$900 505 English Hand-Painted Bristol Glass Vase fourth quarter 19th century, decorated with a nymph releasing a bird, framed with carefully detailed foliage and flowers, signed “Ahne”. h. 14‑1/4”, dia. 6”

506 Royal Dux Art Nouveau Porcelain Vase pre-1914, Bohemian, depicting a sea nymph on a shell, executed in typical ivory, green and brown colors, with flourishes of gold, with the Royal Dux mark, including the matte pink triangle impressed “E”. h. 13”, w. 12‑1/2”, d. 6‑1/4” Illustrated Online $400‑$700 507 Victorian Walnut Parlor Cabinet third quarter 19th century, the D-form top with a projecting center section, above a conforming case fitted with a central cupboard door, banded and centered by a raised oval ebonized panel with an inlaid floral spray, flanked to either side by a curved, glazed cupboard door, raised on a plinth base. h. 41‑1/2”, w. 65‑1/2”, d. 16” $800‑$1,200

$400‑$700

507

141

508 Unusual Brass and Mahogany Floor Lamp ca. 1800 and later, in the form of a brass candlestick on a mahogany candlestand, now electrified, and incorporating period elements, mounted with a shade. h. 18‑3/4”, dia. 12” $200‑$400 509 Maitland Smith MarquetryInlaid Low Table

510

in the provincial taste, the inlaid top over a frieze with two drawers, one retaining the firm’s brass label. h. 18”, w. 42”, d. 30” Illustrated Online $400‑$700

508

510 Lenox “Autumn” Partial Dinner Service 1918‑1953 and later, American, each piece marked, the service including twelve dinner plates, dia. 10‑1/4”, twelve soup plates, dia. 8‑1/2”, twelve bread-and-butter plates, dia. 6”, eleven dessert dishes, dia. 5‑1/2”, five cups, h. 2‑1/4”, with six matching saucers, dia. 5‑1/2”. $400‑$700

511 Maitland Smith Polychromed Mahogany Secretary Bookcase in the George III Chippendale taste, in two parts, the upper section with a carved scrolling broken-arch pediment over a pair of mullioned doors, the interior fitted with shelves and drawers on a slant-lid base, the top opening to reveal an elaborate fitted interior, the case with two over three graduated drawers, on bracket feet, retaining a Maitland Smith “handmade” label. h. 88‑1/2”, w. 38‑1/2”, d. 21” $1,200‑$1,800

511

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512 Sidney Gross (American, 1921‑1969) “The Artist’s Studio” oil on canvas signed lower left.

Framed.

30‑1/8” x 25‑1/8” Provenance: Collection of the Lempert Research Foundation, Inc. $800‑$1,200

512 513 Wallace Bassford (American, 1900‑1998)

“Composition - Seated Nude”, 1964 oil on canvas signed lower right, signed, dated and titled en verso, a “Provincetown Art Association” exhibition label en verso.

Framed.

40” x 30‑1/4” Exhibited: Provincetown Art Association Exhibition $1,200‑$1,800

513

514 Leon Kroll (American, 1884‑1974) “After the Bath” oil on canvas signed lower left, verso with “Pierce Galleries, Inc., Hingham, Massachusetts” label.

Framed.

36” x 27” $5,000‑$8,000

514

143

515 Tully Filmus (American/New York, 1903‑1998) “Reclining Figure” mixed media on paper signed lower right.

Matted, glazed and framed.

16‑1/4” x 22‑3/4” $800‑$1,200

515

516 Hilde B. Kayn (Austrian/American, 1903‑1950) “Happy Hosts” tempera on board signed lower left, titled en verso stretcher in pencil.

Framed.

21‑1/3” x 25‑1/4” $1,500‑$2,500

516

517 Hilde B. Kayn (Austrian/American, 1903‑1950) “Jazz”, 1947 watercolor on paper signed lower left, verso with “Mitch Gallery, New York, New York” label.

Matted, glazed and framed, and affixed with an artist plaque inscribed “Ida Wells Stroud Prize/American Water Color Society 1947”. sight 19‑1/2” x 25‑1/4” $1,500‑$2,500

517

144

518 Elliott Seabrooke (British, 1886‑1950) “Still Life of Flowers and Fruit”, 1932 oil on canvas signed and dated lower right.

Framed.

24” x 20” $600‑$900 519 G. Willis Price (British, 20th Century) “Chequers, Luncheon House” oil on canvas signed lower right, verso with “W. H. Batchellor, Ltd., Horley...” label.

Framed.

20” x 34” Illustrated Online 518

$300‑$500 520 Royal Bonn Hand-Painted Porcelain Portrait Vase fourth quarter 19th century, German, the portrait against a ground of luminous flowers, with cobalt and gilt trim, marked with hand-painted, impressed and printed marks. h. 11”, w. 10”, d. 8” $400‑$700 521 Noritake Partial Dessert Service post-1928, Japanese, including a pair of handled cake plates, w. 9‑1/2”, d. 8‑3/4”, nine dessert plates, dia. 6‑1/2”, ten cups, h. 2”, ten saucers, dia. 6‑1/4”, and a cream jug, h. 4”, with a Noritake J Design mark.

520

$300‑$500

521

145

522 523

522 Louis XV-Style Beechwood Bergere with a carved crest, closed arms and cabriole legs, fitted with a loose deep seat cushion. h. 37‑1/2” $300‑$500 523 Louis XV-Style Gilt-Bronze Chandelier ca. 1900, the six-light chandelier with a turned and molded standard, with twisted and leaf-molded, pierced, scrolled candle arms. h. 32‑1/2”, dia. 25” $400‑$700

524 Giltwood Mirror in the Rococo Taste 20th century, the frame carved with acanthus leaves and rocaille work, lined with beading. h. 56‑3/4”, w. 44” $300‑$500 525 Pair of French Louis XV-Style Gilt-Bronze and Crystal Girandoles second quarter 20th century, on candlestick-form bases set with leaf-molded, scrolled candle arms and glass-clad standards, supporting bronze sprays with cascades and swags of crystal drops, the tops set with crystal spires. h. 27”, dia. 11‑1/2” $700‑$1,000

525

146

524

528

526

526 Louis XVI-Style Mahogany Commode early 20th century, the rectangular top with a molded edge, above a conforming case fitted with three graduated long drawers, raised on tall toupie feet. h. 33”, w. 44”, d. 21‑1/2” $300‑$500 527 Two Louis XVI-Style Fruitwood Bergeres early 20th century, the larger chair with a shaped and padded back surmounted by a floral crest and joined by downswept arms to the padded seat, raised on fluted tapering circular legs ending in toupie feet, h. 35”, and the smaller, conforming chair with a lower back, h. 27”. $600‑$900

528 Pair of French Gilt-Bronze Sconces mid-20th century, in the Louis XVI taste, the two-light sconces on quiver-shaped backplates terminating in urn finials, the leaf-molded, scrolled candle arms set with beaded and leafmolded drip pans and candle cups. h. 16‑1/4”, w. 16‑1/4”, d. 3‑3/4” $300‑$500 529 Mahogany and Marquetry Occasional Table 19th century, the Louis XV-style table with a shaped rectangular top centered by an inlaid floral spray, above a conforming frieze fitted with a pull-out leather-inset writing slide and a single side drawer, raised on cabriole legs ending in sabots. h. 28‑1/4”, w. 21‑1/4”, d. 14‑1/2” $500‑$800

527

529

147

530 French Cylinder Desk and Commode both early 20th century, including a Louis XV-style marquetry- and parquetry-inlaid fruitwood cylinder desk, h. 41‑3/4”, w. 27‑1/2”, d. 16‑1/2”, and a Restauration-style mahogany commode with a drawer over a tambour door, h. 30”, w. 32‑1/2”, d. 14‑1/2”. $500‑$800

530

531 Art Nouveau-Style Mahogany Wing Chair the wrapped high back of barrel form, raised on foliate-carved and reeded legs with flared feet. h. 44‑1/4” $400‑$700

531

532 Pair of French Mahogany Bedside Commodes early 20th century, in the rococo taste, each with a marble top and a drawer over a cupboard with marble lining, raised on cabriole legs. h. 32‑1/2”, w. 16‑1/2”, d. 16‑1/2” $400‑$700 532

148

533

534

533 Louis XVI-Style Parquetry-Inlaid and Ormolu-Mounted Armoire early 20th century, fitted with a pair of beveled mirrored doors in the center and flanked by inlaid paneled doors to each side. h. 106”, w. 82”, d. 24” $600‑$900

534 Louis XVI-Style Giltwood Pier Mirror and Console ca. 1900, the console with a demi-lune marble top above a conforming pierced foliate shield-carved frieze with pendant floral swags, and raised on stop-fluted tapering circular legs headed by acanthine carving joined by an urn-centered frieze issuing floral garlands and ending in toupie feet, h. 33”, w. 20”, d. 10‑3/4”, the rectangular mirror decorated with musical trophies, h. 71‑1/4”, w. 18‑1/4”. $500‑$800

149

536

537 Pair of Louis XV-Style Painted and Parcel-Gilt Pedestals

535

535 Pair of Rococo-Style Brass and Glass Hall Lanterns mid-20th century, probably French, the three-light lanterns with cylindrical shades supported by scroll-molded arms. h. 21‑3/4”, dia. 10‑1/2” $400‑$700 536 Pair of Maria Theresa-Style Gilt-Metal and Glass Sconces the gilt-metal frames lined with glass beads, the five scrolled candle arms set with molded glass prism rings, and the top set with two tiers of prism sprays. h. 19‑1/2”, w. 16”, d. 9”

first quarter 20th century, with cane-inset lower shelves. h. 45‑1/2”, dia. 13” $500‑$800 538 Pair of Impressive French Classical Revival Bronze Sconces ca. 1900, the five-light sconces on quiver-form backplates supported by bowknots and ribbon-bound laurel leaves, and decorated with a cabochon and molded fringed drapery, the downturned arms mounted with acanthus leaves and terminating in leaf-molded shade holders. h. 40”, w. 12‑1/2”, d. 9” $700‑$1,000

$400‑$700

538

537

150

539 Louis XVI-Style Giltwood Three-Fold Screen 20th century, the taller central panel with a ribbon crest over a floral festoon overlaid on a mirrored panel over an astragal mirrored plate, each side panel with a circular beveled glass panel over a tall mirrored panel, all within a guilloche-carved frame. h. 66”, w. 57” $500‑$800

540 Two Pairs of Molded Bronze Sconces 20th century, including a three-light pair with quiver-form backplates with Prince-ofWales feather arm holders, h. 25”, w. 13‑1/2”, d. 7‑1/2”, and a two-light pair with pierced backplates decorated with molded ribbons and laurel leaves, h. 19‑1/2”, w. 11”, d. 6”.

539

$400‑$700

540

151

541 After Jean Claude Francois Rosset (French, 1706‑1786) “Voltaire and Rousseau”, fourth quarter 19th century pair of patinated bronzes each on a black composition plinth. h. 15”-15‑1/2”, w. 6‑1/4”, d. 5‑3/4” $500‑$800 542 Unusual French Erotic Bronze Covered Basket 19th century, with a basket-form base, the cover, possibly a lady of the evening, resting on the basket, her bare derriere concealed until removing the cover. h. 7‑1/4”, w. 5‑1/2”, d. 7‑1/2”

541

$1,500‑$2,500 543 Pair of French Bronze and Marble Busts of Bacchus and Ariadne fourth quarter 19th century, the patinated busts on white marble cylindrical bases set with engine-turned bronze trim, on mottled black marble bases. h. 12‑1/2”, w. 6”, d. 4” $1,500‑$2,500 544 Pair of Belle Epoque Candelabra fourth quarter 19th century, French, on white marble columnform bases trimmed with gilt-bronze laurel wreaths, the figural standards depicting a patinated bronze faun and his female companion, supporting leaf-molded candle branches with fluted candle cups and beaded bobeches. h. 17‑3/4”, w. 10”, d. 9”

542

$500‑$800

544

152

543

545 Louis XV-Style Kingwood Armoire late 19th century, the heavily molded and domed cornice centered by a large pierced foliate crest, above a case fitted with two long doors, each inset with a beveled mirror panel, and above a shaped floral-carved apron, raised on foliate scrolled toes. h. 107”, w. 63”, d. 24” $700‑$1,000

546

546 Louis XV-Style Night Stand ca. 1900, constructed of parquetry-inlaid kingwood and mahogany with Brescia marble tops, the scalloped upper gallery over a well, with a scalloped apron and parquetry returns, raised on cabriole legs with gilt-bronze mounts. h. 34‑3/4”, w. 19‑1/2”, d. 15” $500‑$800 545

547 French Rococo-Style Bronze Firescreen first quarter 20th century, on pierced and scrolled feet, the bronze surround framing a central mount depicting two putti reaching for a rose. h. 30”, w. 25‑1/4”, d. 9” $500‑$800 547

153

548 Pair of French Bronze Candelabra fourth quarter 19th century, in the Baroque taste, now mounted as lamps, on scroll-footed bases, the standards decorated with pierced griffin monopodia, supporting scrolled candle arms set with scalloped drip pans and pierced candle cups, electrified. overall h. 36”, w. 13”, d. 9” $400‑$700 549 Franco-Japonesque Gilt-Bronze and Lacquer Encrier fourth quarter 19th century, in the Louis XV style, with a pierced, scrolled gilt-bronze frame supporting the lacquer base, decorated with cockerels, and three lacquer inkpots with pierced gilt-bronze covers and liners. h. 4”, w. 11‑3/4”, d. 9‑1/2”

548

$800‑$1,200

549

550

550 Pair of French Aesthetic Movement Porcelain Vases fourth quarter 19th century, probably Paris, hand-painted with birds and insects on branches and flowers, against a black ground, with a pierced gallery rim and scrolled gold and white handles terminating in dragon heads. h. 13‑1/2”, w. 9”, d. 4” $500‑$800 551 Pair of Bronze and Engraved Mirror Glass Candelabra second quarter 20th century, on molded bases with prismhung candle arms flanking pierced chinoiserie-decorated central panels, set with mirrored panels engraved with phoenix birds, electrified. h. 14‑3/4”, w. 11”, d. 2‑1/4” $400‑$700

154

551

552 553

552 Pair of Rococo-Style Bronze Sconces the two-light sconces with quiver-form backplates decorated with grapes and acanthus leaves, the scrolled candle arms with swags of fruit and molded leaves, with additional grapes hung from the leaf-molded drip pans. h. 21”, w. 14”, d. 7” $500‑$800 553 Continental Brass and Tole Automaton

554

first quarter 20th century, the brass birdcage set with two tole singing birds perched on a tole tree, a key-wind clockworks mechanism concealed in the base, powering the birds’ chirping and moving beaks. h. 10‑3/4”, w. 5” $500‑$800 554 Meissen Hand-Painted Monteith ca. 1800, with fruit, flower sprigs, birds and butterflies beneath a complex border of diapering and a twisted ribbon, the unusual mark, an underglaze blue crossed swords over a star, over an 11, is typically on biscuit porcelain produced during the Marcolini period (1774‑1817). h. 5‑1/4”, w. 10‑1/4”, d. 8‑1/4” $1,800‑$2,500 555 Marquetry-Inlaid and Ormolu-Mounted Mahogany Center Table

555

in the Louis XVI style, the circular top with inlaid foliage, raised on tapering square legs with trophy mounts, joined by an X-form stretcher centered by a finial. h. 32‑3/4”, dia. 39‑1/2” $400‑$700

155

556

556 Near Pair of Marquetry-Inlaid and Ormolu-Mounted Occasional Tables in the Louis XVI style, each inlaid top with a brass gallery, a single drawer with a writing surface, and fluted legs joined by stretchers. h. 30‑3/4”, w. 26”, d. 15‑1/2” $400‑$700 557 French Glass Twelve-Light Chandelier in the Baccarat style, the baluster-form standard cut in diamond patterns, and issuing tiered molded glass arms with reeded bobeches, hung with glass swags and faceted prisms. h. 26”, w. 22‑1/2” $500‑$800

557

558 Engraved Crystal Epergne ca. 1900, French, on a gilt-bronze base trimmed with beading, the standard molded with dolphin feet, both the trumpet base and pan delicately engraved with a grid pattern leading to sawtooth-cut rims. h. 17”, dia. 9” $500‑$800 559 Pair of French Patinated Metal Figures of Muses fourth quarter 19th century, now mounted as lamps, on turned ebonized bases, each figure classically draped, one with a tambourine and the other with a lyre, mounted with shades. h. 32‑1/2”, dia. 16‑1/2”

558

$500‑$800 560 Rare French Carved Hardwood and Specimen Marble Box fourth quarter 19th century, the hexagonal box set with panels of various wedge-shaped specimen marble and stone, framed with “rustic” carved trim on carved, scrolled feet, lined with watered silk, the base retaining a worn label from the maker or retailer, “a Paris” in part, indicating an origin in Southwest France. h. 4”, dia. 5‑1/4” $400‑$700

156

559

560

561 Bertoldo Taubert (French, 1915‑1974) “Toilette Avant la Sortie” oil on canvas signed lower right, verso with a “Findlay Galleries Inc., Chicago” label.

Framed.

9” x 11” $500‑$800

561

562 Juan Valera Montoro (Spanish, b. 1923) “Portrait of a Young Beauty with a Vase of Roses” oil on canvas signed lower left.

Framed.

20” x 24” $700‑$1,000

562

563 Pierre Guillaume (Dutch, b. 1954) “Dancing Under the Lights” oil on canvas signed lower right.

Framed.

24‑1/2” x 36‑1/4” $1,000‑$1,500

563

157

564 Continental School (20th/21st Century) “Turn-of-the-Century Street Scene” oil on canvas illegibly signed lower right.

Framed.

36‑3/4” x 48‑1/4” $700‑$1,000

564

565 Louis van der Pol (Dutch, 1896‑1982) “Autumn Stroll” oil on wood panel signed lower right.

Framed.

24‑3/4” x 29” $1,000‑$1,500

565

566 Anton Nicolaas Marie Karssen (Dutch, b. 1945) “Winter Evening” oil on wood panel signed lower right.

Framed.

12” x 15‑1/2” $800‑$1,200

158

566

567 Pierre LeBoeuff (French, Active 1899‑1920) “Probably Saint-Pere sous Vezelay” watercolor signed lower left and localized lower right.

Matted, glazed and framed.

29‑3/8” x 19‑3/8” $500‑$800

568 Paul Renard (French, 1941‑1997) “Champs-Elysees” and “Paris in the Snow” pair of oils on panel each signed lower right.

Both framed alike. each 5” x 7”

567

$700‑$1,000

568 one of two

568 two of two

159

569 Paul Renard (French/Dutch, 20th Century) “Shoppers, Late Evening, Paris” gouache and watercolor on paper signed lower right.

Matted, glazed and framed. sight 7” x 11” $800‑$1,200

569

570 Willem Heytman (Dutch, b. 1950) “Les Terrasses aux Champs Elysees” oil on canvas signed, titled, and with an “Atelier/Heytman” stamp en verso canvas.

Framed.

16” x 23‑3/4” $1,000‑$1,500

570

571 Niek van der Plas (Dutch, b. 1954) “Cafe de Flore” oil on wood panel signed lower right, signed en verso.

Framed.

17‑3/4” x 29‑3/4” $2,000‑$4,000

571

160

572 Marilyn Guerinot (American/Texas, b. 1947) “Balloons” oil on canvas signed lower left Framed.

16‑1/2” x 12” $700‑$1,000

573 Andre Chalet (French, b. 1954)

572

“Beach Scenes” pair of oils on panels each signed lower right.

Framed alike. each 9” x 12” Illustrated Online $500‑$800

574 Jean Lefort (French, b. 1948) “Playing on the Beach” oil on canvas signed lower right.

Framed.

19‑1/2” x 23‑1/2”

574

$800‑$1,200

575 Claude-Marie Buford (French, b. 1946) “A Day at the Beach” oil on wood panel signed lower right.

Framed.

20‑1/8” x 23‑3/4” $700‑$1,000

575

161

576 Aldo Luongo (Italian/Argentinian, b. 1941) “Young Lovers” serigraph pencil-signed lower right, numbered “289/350” lower left.

Matted, glazed and framed. sight 35” x 46‑1/2” Illustrated Online $300‑$500

577 Niek van der Plas (Dutch, b. 1954)

577

“Sand Castles” oil on beveled wood panel signed lower right and en verso.

Framed.

6‑1/4” x 8‑1/4” $800‑$1,200

578 Niek van der Plas (Dutch, b. 1954) “The Sailboats”

578

oil on beveled wood panel signed lower right and en verso.

Framed.

6‑1/4” x 8‑1/4” $800‑$1,200

579 S. George Phillips (American, 1890‑1965) “Sunset Over the Ocean” oil on canvas board signed lower left.

Framed.

20” x 24” $500‑$800

162

579

582

580

581

583

580 Juan Soler (Spanish, 1941‑1984)

582 Willem Heytman (Dutch, b. 1950)

“Waiting for the Tide”

“Minis Racing”

oil on canvas signed lower left.

Framed.

13” x 16‑1/8”

oil on canvas signed lower left.

Framed.

9‑1/2” x 15‑3/4”

$400‑$700

$500‑$800

581 E. Haines (American, 20th Century)

583 Henry Richards (American, b. 1923)

“Picking Wildflowers”

“Landscape with a Farmhouse”, 1951

oil on canvas signed lower right.

Framed.

24” x 36”

oil on canvas signed and dated lower right.

Framed.

18” x 24”

$800‑$1,200

$700‑$1,000

163

585 584

587

586

584 Tabriz Silk Carpet

586 Turkish Angora Oushak Carpet

4’ 2” x 6’ 3”

9’ 2” x 11’ 9”

$500‑$800

$800‑$1,200

585 Donegal Carpet

587 Semi-Antique Shiraz Carpet

4’ x 4’

6’ 8” x 9’ 7”

$350‑$500

$500‑$800

164

588

589

588 Overdyed Carpet 9’ 2” x 12’ $1,200‑$1,800 589 Peshawar Mahal Carpet 11’ 10” x 11’ 10” $800‑$1,200 590 Kerman Carpet 10’ 6” x 14’ Illustrated Online $600‑$900 591 Bakshaish Runner 2’ 10” x 10’ 9” $400‑$700

591

165

592 Unusual Japanese Kakiemon-Style Vessel possibly 19th century, having a globular body raised on three short legs, flanked by loop handles surmounted by applied ox head-form decoration curving to form an upper pair of handles on either side of a broad, everted lip, decorated to the exterior with a chrysanthemum design, with other floral motifs, the interior of the lip with opposing phoenix amid stylized clouds. h. 8”, w. 10‑3/4”, d. 9‑1/4” $400‑$700 593 Japanese Satsuma Pottery Vase

592

ca. 1900, now mounted as a lamp, decorated with flowers, butterflies and birds. h. 19”, dia. 5‑1/4” $200‑$400 594 Japanese Bronze Model of an Oxherd and Ox late Meiji period, signed Seiya Saku (Workshop of Genryusai Seiya), the ox modeled walking steadily, with bundles of firewood strapped to its back, ahead of the herdsman walking with a stick in one hand and carrying a wide-brimmed hat over one shoulder, with a naturalistically styled base, impressed with a three-character “Seiya Saku” mark, on a carved hardwood stand. h. 9”, w. 22”, d. 11” $800‑$1,200 595 Pair of Japanese Satsuma Floor Vases

593

first half 20th century, each of ovoid form, the exterior decorated with a dense design of figures and mon badges, centered by an eagle, with metal mounts. h. 32‑1/2”, dia. 14” $500‑$800

595 594

166

596

596 Japanese Bronze Sculpture of a Tiger late Meiji period, modeled striding forward, with face contorted in a roar, having a three-character maker’s mark impressed to the underside in a rectangular reserve. h. 7”, w. 17” $900‑$1,200 597 Large Japanese Sumida-ware Vase 20th century, of baluster form, with broad shoulders narrowing to a short neck with flared lip, neck and shoulders with all-over thick blue-green glaze, the remainder of the body unglazed, with applied figures of various forms, having a four-character studio mark within a double-gourd-form reserve to the back. h. 25”, w. 12‑1/2” $500‑$800 598 Japanese Kutani Charger late Meiji period, of circular form with a slightly everted lip, the interior painted with a figural scene centered by two children holding a scroll painting of a mountainous landscape, depicted in blue, green, yellow and copper red enamels, all within a broad border composed of geometric patterns and floral flourishes, the reverse painted with auspicious symbols, the base with a two-character mark in copper red within a square reserve. dia. 19”

597

599 Asian-Style Glazed Terracotta Lamp Base second quarter 20th century, decorated with molded gilt medallions and decorative devices against a green and brown mottled ground, spangled with gilt. h. 22”, dia. 8” $400‑$700

$500‑$800

598

599

167

600 Ornamental Buddhist Crown Mounted on a Tiered Stand having three gilt-metal sections of graduated size, each with slightly flared pierced rim and floral detail, the upper section surmounted by a decorative finial, below a repousse-work arch with foliate design and Sanskrit inscription to the lower section to both sides and the base. h. 23”, w. 13‑1/4” $600‑$900

600

601 Bronze Head of Buddha probably early 20th century, Thailand, the peaceful face modeled with eyes cast downward, with traditional elongated earlobes, mounted on a wooden stand. h. 19‑1/4” (including stand), w. 7‑1/2”, d. 8” $400‑$700 602 Pair of Indian Parcel-Gilt Marble Elephants 20th century, with gilt harnesses and painted blankets, dressed for a parade or festival, on marble bases with molded edges. h. 14”, w. 15”, d. 5‑3/4”

601

$500‑$800

602

168

603 Associated Pair of Chinese Champleve Cranes first half 20th century, each modeled standing on a wooden base, with enamels of various colors highlighting the filigree detail. tallest h. 12‑3/4”, w. 7” $700‑$1,000

603

604 Associated Pair of Chinese Cloisonne “Da Ji” Elephants on Stands second half 20th century, each elephant modeled standing four-square and draped with a blanket decorated with a four-clawed dragon chasing the flaming pearl motif, surmounted by a doublegourd-form vase with “da ji da li” design, each raised on a galleried plinth base. h. 21”, w. 12‑3/4”, d. 8” $700‑$1,000

604

605 Very Large Chinese Cloisonne Incense Burner and Cover early 20th century, of quatrefoil form with a broad flared lip, the body decorated with a dragon and floral design in blue, red, green, yellow and pink enamels, flanked by two bird’s-headform handles and raised on four unusual lion-dog legs, the cover similarly enameled, with a pierced metalwork band of scrolling floral design, surmounted by a horse-form finial. h. 25”, w. 25‑1/4”, d. 18‑1/2” $800‑$1,200 605

169

606 Chinese Silk Carpet 8’ 2” x 10’ 3” $800‑$1,200

607

606

607 Two Chinese Porcelain Vases Converted to Table Lamps both of baluster form, one example having foo-dog-form handles and decorated to the exterior in the famille rose palette with floral and peach motifs interspersed with the “double happiness” symbol, and the other example with a deep green glaze and floral design, each mounted on a hardwood stand with a single bulb fixture. tallest h. 33‑1/2” (including fixture and stand), w. 8” $400‑$700

608 Pair of Chinese Wig Stands Mounted as Table Lamps Republic period (1912‑1949), each of cylindrical form with pierced detail, decorated to the exterior with continuous scenes of figures in a river landscape, each with a single bulb fixture and mounted on a hardwood base. h. 28‑1/2” $400‑$700 608

170

609 Asian Hardwood Altar Cabinet 20th century, the rectangular top with rounded raised ends, above a case fitted with two drawers over two cabinet doors, the whole elaborately carved in cloud and dragon patterns, raised on block feet. h. 35”, w. 65”, d. 17‑1/2” $1,000‑$1,500

609

610 Six Pieces of Chinese Export Porcelain and a Spode Bowl the collection including a bowl decorated in the mandarin palette with a continuous figural scene to the exterior, a jar with a scrolling design in copper red and four celadon glaze plates, of various sizes, each decorated with flowers and insects in the famille rose palette, together with a Spode bowl in the Chinese style. largest bowl h. 4‑1/2”, dia. 10‑1/2” $600‑$900 610

611 Chinese Carved Hardwood Low Table late 19th/early 20th century, having a sectional panel top set within a thick rectangular frame with a carved and pierced frieze centered on each side by a shou medallion flanked by ruyi bats, deer and double gourd plants, raised on four short legs terminating in scroll feet. h. 10‑1/2”, w. 31‑3/4”, d. 20‑1/4” $600‑$900

611

171

613

612 Chinese Silk Carpet 7’ x 10’ 4” $800‑$1,200 613 Pair of Chinese Famille Rose Porcelain Vases late 19th/early 20th century, each of baluster form, with flared lip flanked by applied foo dog handles, decorated to the exterior with auspicious symbols and scholarly objects between key-pattern and trellis borders. h. 23‑1/2”, w. 9”

612

$1,200‑$1,800 614 Pair of Chinese-Style Horseshoe-Back Armchairs each with an all-over green lacquer finish, having an upholstered seat set within a thick frame, supporting the scrolling horseshoe back over a single panel backsplat painted with a floral design. h. 32”, w. 28‑1/2”, d. 28” $500‑$800 615

615 Pair of Porcelain and Bronze Three-Light Candelabra of chinoiserie inspiration, the faux-malachite-painted porcelain bases resting on scrolled bronze feet, the candelabra in the form of bronze tree branches interspersed with white porcelain flowers, polychrome birds and three bronze ribbed candle cups. h. 20”, w. 14”, d. 9‑1/2” 614

172

$500‑$800

616 Chinese Porcelain Garden Seat 20th century, of octagonal form with ribbed, slightly convex sides, having opposing circular holes for handles, the remaining sides with rectangular panels containing archaic script. h. 18‑1/2”, dia. 14” $600‑$900 617 Chinese Porcelain Garden Seat late 19th century, the green-glazed drum-shaped seat with reticulated cash-coin symbols and raised bead decoration. h. 17‑1/4”, dia. 12” Illustrated Online 616

$300‑$500 618 Pair of Chinese “Peking Yellow” Glass Vases late 19th/early 20th century, each of double gourd form, with slightly flared lip and subtle foot rim, having a vibrant “imperial yellow” tone consistent throughout, with hardwood stands. h. 6”, w. 3” $300‑$500 619 Chinese Carved Wood Altar Table second half 20th century, with a carved and pierced floral frieze to the front, and panels to the side. h. 36‑1/2”, w. 86‑1/2”, d. 14”

618

$500‑$800

619

173

624 Ruby and Diamond Pendant 14k yellow gold, the pendant mounted with baguette-cut rubies, with an approximate total weight of 0.80 carats, and round brilliant-cut diamonds, with an approximate total weight of 0.34 carats, l. 3/4”, suspended from a 14k yellow gold chain, l. 18”. total weight 4.0 grams $600‑$900

620

620 Three Vintage Judith Leiber Convertible Frame Handbags 1980s and 90s, including a chevron-stitched taupe snake bag with flip-over closure set with cabochon stones and a drop-in chain, the silver faille-lined interior labeled above a zipper pocket, h. 5”, w. 9”, d. 2‑1/4”, chain drop: 14”, a black snake bag with flip-over rose quartz closure and drop-in chain, the black faille-lined interior labeled above a zipper pocket, h. 4‑1/2”, w. 9‑1/2”, d. 2”, chain drop: 19‑1/2”, and a bone karung bag with flip-over cabochon closure and drop-in chain, the peach faille-lined interior labeled above a zipper pocket, h. 5”, w. 9‑1/2”, d. 2”, chain drop: 19‑1/2”, dust bags included.

Provenance: Estate of Nancy Nye Harrell, Houston, Texas. $300‑$500

Session 2 - Sunday, August 27 | 10:00 a.m. | Lots 620-1168

621 Morganite and Diamond Earrings gold vermeil, each earring mounted with an oval-cut morganite weighing approximately 1.16 carats in total, surrounded by baguette- and single-cut diamonds weighing approximately 1.07 carats in total. l. 3/4”, total weight 5.0 grams $300‑$500 622 Two-Strand Garnet Necklace 14k yellow gold, the necklace composed of faceted onionshaped garnet beads separated by 2.5 mm and 4.0 mm gold beads, finished with a ribbed gold clasp. l. 16‑1/2”, total weight 36.8 grams

625 Le Vian Diamond and Ruby Ring 18k white gold, the open flower design ring set with fiftythree round brilliant-cut diamonds, with an approximate total weight of 0.50 carats, the three flowers set with eighteen round faceted rubies, stamped “Le Vian, 18k”. size 6‑3/4, total weight 9.0 grams $400‑$700 626 Three Vintage Judith Leiber Convertible Frame Handbags 1980s and 90s, including a sand karung bag with flip-up closure inset with assorted semi-precious cabochon stones, the cream faille-lined interior labeled above a scalloped slip pocket, includes a matching coin purse, flip mirror and comb, with a drop-in karung strap, h. 5‑1/2”, w. 8”, d. 3”, strap drop: 20”, a pink karung bag with cabochon-inset flipover closure, with removable gold chain, the pink faille-lined interior labeled above a zipper pocket, h. 4”, w. 9”, d. 2‑1/2”, chain drop: 19”, and a taupe snake bag with flip-over self closure and drop-in chain, the taupe faille-lined interior labeled above a zipper pocket, h. 4‑1/4”, w. 9‑1/2”, d. 2”, chain drop: 19”, dust bags included.

Provenance: Estate of Nancy Nye Harrell, Houston, Texas. $300‑$500 627 Two Pearl Necklaces 14k yellow gold, each necklace composed of 7.5 mm round rose-colored cultured pearls with an excellent luster, finished with a yellow gold clasp. l. 17” and 18‑1/4”, total weight 56.9 grams $400‑$700

$300‑$500 623 Ruby and Diamond Necklace sterling silver, composed of a large 21.0 mm x 28.0 mm faceted, treated ruby “wheel” pendant, flanked on either side by two graduated diamond roundels and a round diamond bead, the pendant attached to a strand of graduated and faceted treated rubies, separated in three sections by diamond roundels, and finished with a sterling silver and diamond clasp, the necklace with an approximate total diamond weight of 2.29 carats. l. 19‑1/2”, total weight 132.3 grams $500‑$800

174

626

621 624

625

623

622

627

639 630

636 637

633 628

634

629

635

176

631

638

628 Mabe Pearl Earrings 14k yellow gold, each Victorian-style earring frame set with an 11.0 mm round mabe pearl with a halo of seed pearls, and a 4.0 mm round dangling pearl pendant. l. 1‑1/8”, total weight 11.0 grams $500‑$800 629 Pearl Tassel Necklace with Mabe Pearl Earrings 14k yellow gold, the 7.0 mm round silver-white cultured pearls with a good luster, each end with a gold pineapple tassel, l. 35‑1/2”, and the 15.0 mm round rose-colored mabe pearl earrings framed in gold, dia. 3/4”. total weight 71.5 grams $400‑$700 630 Two Gold and Pearl Necklaces with Ear Clips 14k yellow gold, each necklace composed of a 4.0 mm rope chain, twisted and wrapped with 3.0 mm round cultured pearls, one with an extender, l. 18‑1/2” and 21‑1/2”, together with a pair of matching earrings, l. 5/8”. total weight 71.5 grams $400‑$700 631 Opera-Length Pearl Necklace 14k yellow gold, the hand-knotted necklace composed of silverwhite pearls measuring approximately 7.5 mm in diameter, finished with a yellow gold clasp. l. 31”, total weight 54.0 grams $500‑$800 632 Three Vintage Judith Leiber Convertible Frame Handbags 1980s and 90s, including a cream snake bag, the frame and kiss clasp set with cabochon stones, with a removable snake strap, the cream faille-lined interior labeled above a scalloped slip pocket across from a zipper pocket, h. 5‑3/4”, w. 9‑1/2”, d. 3‑1/2”, strap drop: 21‑1/2”, a raspberry snake bag with flip-over stoneset closure and drop-in chain, the raspberry faille-lined interior labeled above a zipper pocket, h. 5”, w. 9‑1/2”, d. 2”, chain drop: 19‑1/2”, and an off-white snake bag with stone-set flip-over closure and drop-in chain, the off-white faille-lined interior labeled above a zipper pocket, h. 5”, w. 9”, d. 2”, chain drop: 19‑1/2”, dust bags included.

Provenance: Estate of Nancy Nye Harrell, Houston, Texas. $300‑$500

633 Coleman E. Adler & Sons Inc. Jewelry Suite 18k yellow gold, including a brooch in a foliage design set with nineteen round brilliant-cut diamonds and a pair of matching ear clips set with seven round brilliant-cut diamonds, together with an associated 14k yellow gold enhancer set with four round brilliant-cut diamonds, with an approximate total diamond weight of 1.75 carats for the suite. brooch l. 1‑3/4”, earrings l. 1”, enhancer l. 1‑1/8”, total weight 55.5 grams $1,500‑$2,500 634 Gold Bead Necklace 14k yellow gold, the necklace composed of forty-five 10.0 mm round ribbed beads. l. 18”, total weight 21.2 grams $300‑$500 635 Gold and Diamond Bracelet 14k yellow gold, the hinged bangle bracelet with a Florentine finish, set with nine round brilliant-cut diamonds weighing approximately 0.50 carats in total. inside circumference 6‑3/16”, total weight 16.8 grams $600‑$900 636 Two Gold and Diamond Brooches including a 14k yellow gold brooch with a foliage design, set with three round faceted sapphires weighing approximately 0.30 carats in total and six round brilliant-cut diamonds weighing approximately 0.40 carats in total, size 2‑1/2” x 2‑1/4”, and an 18k yellow gold shaggy dog brooch set with single-cut diamonds weighing approximately 0.06 carats in total and two round emeralds weighing approximately 0.03 carats in total, size 7/8” x 1‑3/8”. total weight 28.2 grams $500‑$800 637 Gold and Diamond Earrings 18k yellow gold, the oval-shaped hinged hoop earrings paveset with round brilliant-cut diamonds, with an approximate total weight of 1.61 carats, approximate color E-F and clarity VS1‑VS2, stamped “Adler”. l. 1”, total weight 9.0 grams $500‑$700 638 Diamond Flower Earrings gold vermeil, the earrings pave-set with rose-cut diamonds weighing approximately 0.75 carats in total. dia. 3/4”, total weight 4.9 grams $300‑$500 639 Diamond and Rock Crystal Jewelry Suite 14k yellow gold/sterling silver, the pendant composed of a faceted tabernacle-shaped rock crystal, surrounded by a border of rose-cut diamonds, with an approximate total weight of 0.04 carats, l. 1‑1/4” including bail, suspended from a three-strand fourteen-karat yellow gold and sterling silver chain, l. 18”, together with a pair of earrings en suite, with an approximate total diamond weight of 0.09 carats, l. 1‑1/4”. total weight 12.0 grams $300‑$500

632

177

640 Diamond Bangle Bracelet sterling silver, the bangle with an openwork design mounted with rose-cut diamonds weighing approximately 5.20 carats in total. h. 1”, inside circumference 6‑1/4”, total weight 36.5 grams $350‑$500 641 Diamond Earrings 14k white gold, the diamond cluster earrings set with round brilliant-cut and baguette-cut diamonds weighing approximately 1.00 carat in total. l. 3/4”, total weight 3.7 grams $400‑$700

645 Lady’s Rolex and Ebel Wristwatches including a 14k yellow gold Rolex with an oval face and an eighteen-jewels manual wind mechanical movement, the case, dial, crown and movement signed by Rolex, reference #8453, size without crown 15.0 mm x 28.0 mm, and an 18k white gold Ebel with a round face and manual wind mechanical movement, set with twelve round brilliant-cut diamonds weighing approximately 0.50 carats in total, the case, dial and movement signed by Ebel, size without crown 15.0 mm x 27.0 mm. total weight 21.2 grams $700‑$1,000 646 Diamond Earrings sterling silver, the earrings in a sunburst design, each set with a central slab-cut diamond surrounded by baguette-cut diamonds, with an approximate total weight of 1.00 carat. dia. 1/2”, total weight 3.8 grams $300‑$500 647 Silver and Diamond Cuff Bracelet sterling silver, the three-row twisted anodized silver rope bands separated by six round diamond clusters, each composed of seven single-cut diamonds weighing approximately 0.25 carats in total. inside circumference 6‑1/4”, total weight 16.6 grams $300‑$500

647

642 Hamilton Diamond Wristwatch 14k white gold, the flexible link band and square case set with single-cut and full-cut diamonds weighing approximately 1.00 carat in total, the white dial and manual wind movement signed “Hamilton”. inside circumference 7‑1/8”, total weight 22.0 grams $700‑$1,000 643 Diamond Cocktail Ring 14k white gold, the ring set with a central marquise-cut diamond weighing approximately 0.15 carats, accented with round brilliant-cut and baguette-cut diamonds weighing approximately 0.90 carats in total. size 8‑1/4, total weight 6.9 grams $500‑$800 644 Diamond Heart Pendant with Chain 14k white gold, the heart pendant with a filigree design, set with round brilliant-cut diamonds weighing approximately 1.00 carat in total, l. 7/8”, suspended from a 14k white gold box-link chain, l. 18”. total weight 3.8 grams $400‑$700

178

648 Diamond Hoop Earrings sterling silver, each earring mounted with a round-cut light brown diamond, accented by rose-cut white diamonds, with a total approximate diamond weight of 1.50 carats for the pair. dia. 1‑3/4”, total weight 8.6 grams $300‑$500 649 Diamond Dangle Earrings sterling silver, the delicate openwork earrings mounted with rose-cut diamonds weighing approximately 0.90 carats in total. l. 2‑1/4”, total weight 4.2 grams $300‑$500 650 Opal and Diamond Bracelet sterling silver, the flexible bracelet mounted with oval cabochon-cut opals weighing approximately 70.7 carats in total, interspersed with rose-cut diamonds weighing approximately 1.00 carat in total. h. 5/8”, l. 7‑1/2”, total weight 36.1 grams $350‑$500 651 Opal and Diamond Ring 14k white gold, the opal cabochon weighing approximately 5.25 carats, surrounded by single-cut diamonds weighing approximately 0.60 carats in total. size 6, total weight 5.9 grams $700‑$1,000

641 643

644

642

640 646

645 649

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651

648

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654

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655 653

656

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180

657 Native American Silver and Turquoise Concho Belt the oval buckle set with four turquoise nuggets, six silver conchos, each set with a turquoise nugget, separated by seven silver butterflies, all mounted to a 1‑1/2” wide brown leather belt. l. 36” $300‑$500

657

658 Native American Turquoise Necklace sterling silver, the squash blossom-designed necklace composed of hand-fabricated beads and blossoms set with seventeen bezel-set, polished turquoise nuggets. l. 26”, total weight 6.5 t. oz. $500‑$800

652 Gold and Chalcedony Necklace 14k yellow gold, the necklace composed of free-form chalcedony drops, separated by gold tubes and finished with a ball clasp. l. 18”, total weight 15.2 grams $300‑$500 653 Boulder Opal Pendant 14k yellow gold, the large 21.0 mm x 29.0 mm free-form boulder opal enhanced by a pear-cut treated emerald weighing approximately 1.00 carat and two round faceted quartz crystals. size 1” x 2‑3/8”, total weight 6.5 grams $400‑$700 654 Blue Topaz and Opal Pendant with Chain 14k yellow gold, the pendant mounted with a pear-cut blue topaz, with an approximate weight of 16.74 carats, and an oval black opal, with an approximate weight of 1.20 carats, l. 1‑1/4”, the whole suspended from a fourteen-karat yellow gold rope chain, l. 16”. 10.0 grams total weight $600‑$900 655 Blue Zircon and Diamond Ring 14k white gold, the emerald-cut blue zircon weighing approximately 3.71 carats, set in a tapered mounting set with princess- and brilliant-cut diamonds weighing approximately 0.65 carats in total. size 8, total weight 4.5 grams

659 Tommy Moore Navajo Turquoise Concho Belt sterling silver, the oval sterling buckle set with six turquoise nuggets and hallmarked “Tommy Moore, Sterling”, the eleven sterling conchos fastened to the 1” wide black leather belt, each set with seven turquoise nuggets. l. 41” $400‑$700 660 Native American Squash Blossom Necklace sterling silver, the necklace mounted with turquoise cabochons, the pendant marked “Sterling JW”. pendant dia. 3”, necklace l. 21‑1/2”, total weight 3.4 t. oz. $500‑$800 661 Jane Bolinger Pearlized Olive Green Snake Convertible “Francesca” Handbag the gusseted body with snap closure and removable snaketopped chain, the interior lined with gunmetal kidskin, with the gold metal “Jane Bolinger/Made in Italy” label above a slip pocket, the exterior front panel with a horizontal slip pocket and zipper pocket along the top edge, the fold-over cover with a zipper pocket, includes a dust bag. h. 5‑1/4”, w. 10”, d. 2”, strap drop: 10‑1/4” $500‑$800

$500‑$800 656 Three-Piece Old Newbury Crafters Jewelry Suite sterling silver, including a hand-wrought choker, bracelet and earrings, marked “O.N.C., Handwrought, sterling” and stamped with the whale hallmark. choker circumference 13‑1/2”, bracelet circumference 6‑5/8”, earring dia. 1‑1/4”, total weight 7.5 t. oz. $300‑$500

661

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662 Labradorite and Diamond Tassel Earrings gold vermeil, the tassels composed of strands of 3.0 mm labradorite beads, suspended from bead caps mounted with rose-cut and sliced diamonds weighing approximately 0.20 carats in total. l. 3‑1/2”, total weight 26.1 grams $300‑$500 663 Jane Bolinger Pearlized Tangerine Lizard Convertible “Francesca” Handbag the gusseted body with snap closure and removable lizardtopped gold chain, the interior lined with orange kidskin and candlelight silk satin, with the gold metal “Jane Bolinger/Made in Italy” label above a slip pocket, the exterior front panel with a horizontal slip pocket and zipper pocket along the top edge, the fold-over cover with a zipper pocket, includes a dust bag. h. 5‑1/4”, w. 10”, d. 2”, strap drop: 10‑1/4” $500‑$800 664 Smoky Quartz Ring 14k yellow gold, the ring with a large round faceted smoky quartz weighing approximately 16.85 carats, set in a mounting with a flowing design. size 7, total weight 19.4 grams $400‑$700 665 Yellow Gold Necklace 14k yellow gold, the chain designed in a milled “S” link. l. 18”, total weight 60.5 grams $1,200‑$1,800 666 Diamond Starburst Brooch 14k yellow gold, the brooch mounted with round brilliantcut diamonds weighing approximately 1.50 carats in total, approximate color D-E and clarity VS1‑SI1. dia. 1‑1/2”, total weight 11.3 grams $500‑$800 667 Yellow Gold Bracelet 14k yellow gold, the heavy curved link bracelet with textured outer links. l. 7‑1/2”, total weight 52.0 grams

670 Braided Necklace with Extender 14k yellow gold, the simple braided two-strand necklace with a matching 2‑1/2” extender. l. 16‑3/4”, ext. l. 19‑1/4”, total weight 30.8 grams $500‑$800 671 Gold and Diamond Earrings 14k yellow gold, the huggie ear clips in a flared rope design, set with round brilliant-cut diamonds weighing approximately 0.09 carats in total. l. 5/8”, total weight 7.0 grams $400‑$700 672 Diamond Pendant with Chain 18k yellow gold, the pendant in a pine needle design and set with eight round brilliant-cut diamonds weighing approximately 0.60 carats in total, l. 7/8”, suspended from a 14k yellow gold box link chain, l. 18”. total weight 5.0 grams $600‑$900 673 Braided Gold Necklace 14k yellow gold, the braided choker with a diameter of 3.5 mm. l. 15‑1/2”, total weight 19.8 grams $400‑$700 674 Gold and Diamond Ear Clips 18k yellow gold, the domed rice-link earrings set with eighteen round brilliant-cut diamonds weighing approximately 1.00 carat in total. l. 3/4”, total weight 13.1 grams $700‑$1,000 675 Gold and Diamond Cross 14k yellow gold, the Victorian-style cross set with eleven round brilliant-cut diamonds weighing approximately 0.75 carats in total. size 1‑1/2” x 2”, total weight 11.4 grams $1,000‑$1,500

$1,000‑$1,500 668 Engraved Gold Bracelet 14k yellow gold, the flexible square block-link bracelet handengraved with a foliage design. l. 7‑1/2”, total weight 52.0 grams $1,000‑$1,500 669 Diamond Ear Clips 14k yellow gold, each huggie ear clip set with round brilliantcut diamonds in two channel-set rows weighing approximately 1.00 carat in total. l. 3/4”, total weight 6.7 grams $400‑$800

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683

681

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678

676 Yellow Gold Choker with Extender 14k yellow gold, the 7.5 mm rope chain wrapped with a fine braided herringbone chain. choker l. 15‑1/2”, with extender 20”, total weight 54.5 grams $1,000‑$1,500 677 Gold and Coral Necklace 14k yellow gold, the necklace composed of red coral branches separated by round gold beads and finished with a gold toggle clasp. l. 18‑1/2”, total weight 198.1 grams $300‑$500 678 Three Vintage Handbags including a structured alligator frame bag with flip-over closure, the mocha faux leather-lined interior with two zipper pockets and two slip pockets, labeled “Prado Bags/Baby Alligator/Mexico City”, h. 6‑1/4”, w. 11”, d. 3‑1/2”, handle drop: 3‑1/2”, along with two convertible clutches with similar feather decoration, both with adjustable handles, removable shoulder straps and gold tone clasps, both fabric-lined interiors with a center zipper pocket and opposing half-gusseted slip pockets, h. 6‑1/4”, w. 11‑1/4”, d. 3”, handle drop: 3‑3/4”, strap drop: 16”.

685 681 Emerald and Diamond Slide Pendant 14k yellow gold, the stylized hear-shaped pendant set with an oval-cut emerald weighing approximately 0.35 carats, surrounded by round brilliant-cut diamonds weighing approximately 0.10 carats in total. l. 3/4”, total weight 4.0 grams

$300‑$500 682 Carved Emerald Necklace 14k yellow gold, composed of approximately 590.0 carats of 13.0 mm to 14.0 mm carved, treated emerald beads, finished with a fourteen-karat yellow gold clasp. l. 18”, total weight 204.0 grams $500‑$800 683 Emerald and Diamond Ring 14k white gold, the ring with a bypass design, set with an oval-cut treated emerald weighing approximately 0.35 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 0.20 carats in total. size 7, total weight 4.8 grams

Provenance: Estate of Nancy Nye Harrell, Houston, Texas.

$400‑$700

$300‑$500

684 Jade Bangle Bracelet inside circumference 7”, total weight 34.3 grams

679 Gold and Peridot Necklace 14k yellow gold, the necklace composed of two strands of peridot in multiple shapes and sizes, finished with a toggle clasp. l. 16”, total weight 86.5 grams

$300‑$500

$300‑$500

685 Vintage Whiting & Davis Art Deco “Dresden” Mesh Handbag

680 Emerald Cabochon Ring 18k yellow gold, the ring mounted with a large cushion-shaped treated emerald cabochon weighing approximately 20.0 carats. size 9, total weight 9.3 grams

first quarter 20th century, with gold-plated Art Deco frame and snake chain, the silk-screened body with stepped fringe, the peach silk-lined interior with a small gathered pocket, the frame stamped “Mesh/Whiting & Davis/Bags”. h. 7‑3/4”, w. 5”, chain drop: 6‑1/4”

$500‑$800

$300‑$500

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691 Six Gold Charms 14k yellow gold, including “A Date to Remember” charm, a trumpet charm with two faceted rubies and sapphires, a bride and groom charm with three pearls, two emerald beads and two sapphire beads, a monogram charm, a kneeling maiden charm and a circular charm engraved with initials. dia. 1‑1/4” to 1‑1/2”, total weight 69.5 grams $1,400‑$1,800 692 Four Gold Chains 14k yellow gold, including a 24” filigree chain and a 29‑1/2” filigree chain, an 18” rope chain and a 20” serpentine chain. total weight 20.6 grams $300‑$500 691

686 Gold and Pearl Pendant with Chain 14k yellow gold, the circular pendant designed with a stylized star, set with six 2.5 mm cultured pearls and round faceted green paste, l. 1‑3/8”, suspended from a 14k yellow gold 3.0 mm rope chain, l. 15‑3/4”. total weight 14.9 grams $300‑$500 687 Gold and Diamond Earrings 14k yellow gold, the Victorian-style pendant earrings mounted with four round brilliant-cut diamonds weighing approximately 0.40 carats in total. l. 1”, total weight 4.7 grams

693 Gold Cross with Chain 14k yellow gold, the simple straight-line cross, l. 2‑1/2”, suspended from a 3.0 mm rope chain, l. 24‑1/2”. total weight 28.0 grams $400‑$700 694 Yellow Gold Bangle Bracelet 14k yellow gold, the hinged bracelet with a Florentine finish engraved with a foliage design. inside circumference 6‑3/8”, total weight 37.6 grams $700‑$1,000

$700‑$1,000 688 Diamond and Pearl Bar Pin 10k yellow gold, the delicately designed pin set with a brilliantcut and single-cut diamonds weighing approximately 0.25 carats in total, accented with freshwater seed pearls. l. 3”, total weight 5.1 grams $300‑$500 689 Victorian-Style Dangle Earrings 14k yellow gold, the earrings set with a mine-cut diamond weighing approximately 0.20 carats in total, a faceted round ruby weighing approximately 0.06 carats in total and accented with freshwater seed pearls. l. 1‑3/8”, total weight 6.6 grams

692

$300‑$500 690 Citrine and Pearl Ring 14k yellow gold, the ring with rose and yellow gold floral accents, set with an oval-cut citrine weighing approximately 14.75 carats, surrounded by a halo of seed pearls. size 5‑1/4, total weight 9.5 grams

695 Amethyst Necklace 14k yellow gold, the necklace composed of twenty large amethyst beads measuring 20.0 mm in diameter, each separated by a ribbed gold roundel and finished with a gold toggle clasp. l. 19‑1/2”, total weight 230.0 grams

$300‑$500

$350‑$500

186

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686

689

688

687

690

695 694

187

704

703

701

697

700

705

696

706

188

702

698

696 Amethyst and Diamond Ring 14k white gold, the ring mounted with three oval-cut amethysts weighing approximately 2.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 7, total weight 4.7 grams $500‑$800 697 Sapphire and Diamond Necklace gold vermeil, the necklace composed of a pendant mounted with a central oval-cut treated sapphire, with an approximate weight of 5.14 carats, fourteen pear-shaped and eight roundcut treated sapphires, with an approximate total weight of 6.42 carats, and seventy-three rose-cut diamonds, with an approximate total weight of 0.82 carats, suspended from a necklace composed of graduated treated oval-shaped sapphire beads, finished with a gold vermeil clasp mounted with eighty-three rose-cut diamonds, with an approximate total weight of 0.67 carats. pendant. l. 1‑1/2”, necklace l. 18”, total weight 74.6 grams 699

$500‑$800 698 Lapis Lazuli Necklace 14k yellow gold, the necklace composed of thin polished slices of lapis lazuli, finished with a gold clasp. l. 19”, total weight 132.2 grams $300‑$500 699 Three Pocket Watches including a 14k yellow gold “B.W.C. Co” watch, 12 size case and a seventeen jewels Omega movement and dial, a multicolored gold-filled American Waltham watch, 18 size, the hunter case with an elk head, and a lever set full plate nickel finish movement, and a white gold filled Elgin open face dress watch, 12 size, with a fifteen jewels nickel finish stem set movement. total weight 267.1 grams $400‑$700 700 Gentleman’s Gold and Diamond Bracelet 14k yellow gold, the I.D. bracelet with a Florentine finish and the initials “C.N.P.” set with a round brilliant-cut diamond weighing approximately 0.40 carats. inside circumference 8‑1/4”, total weight 88.0 grams $1,800‑$2,500 701 Gentleman’s Jade Seal Ring 14k yellow gold, the oval 16.6 mm x 22.6 mm green jade with an intaglio of a family crest. size 8‑1/4, total weight 12.4 grams $600‑$900 702 Gentleman’s Bulova Accutron Wristwatch 14k yellow gold, the electronic 218 movement with date and a satin finish goldtone dial marked “Accutron”, the case back marked “Bulova, waterproof, patented, 14k gold case”. l. 7‑1/2”, total weight 91.5 grams

703 Gentleman’s Suite gold filled, including a pair of black mother-of-pearl hexagonal cufflinks with three studs, retailed by Hausmann of New Orleans, and a set of gold-tone collar stays retailed by Godchaux of New Orleans. $300‑$500 704 Men’s Gold Identification Bracelet 14k yellow gold, the bracelet engraved with the name “Charles”. l. 8‑1/4”, total weight 47.0 grams $900‑$1,200 705 Gentleman’s Rolex Datejust Wristwatch 14k yellow gold and stainless steel, the black dial with gold markers, with a self winding mechanical movement without a quick change date, the two-tone jubilee band with an adjustable Rolex deployment clasp, reference #1601, serial #3, 918, XXX. inside circumference 8”, total weight 94.1 grams $1,200‑$1,800 706 Gentleman’s Gold and Diamond Jewelry Suite 14k white gold, including a pair of cufflinks engraved with the initials “CNP” and set with a single-cut diamond, a tie tack set with a round brilliant-cut diamond and a tie clip with the initial “C”, set with twelve single-cut diamonds, with an approximate total diamond weight of 0.28 carats for the suite. total weight 14.2 grams $300‑$500

$1,000‑$1,500

189

707 Dick Wray (American, 1933‑2011) “Composition in Black and Yellow”, 2009 mixed media collage on canvas signed and dated en verso. Unframed.

24” x 18” $800‑$1,200 708 Dick Wray (American, 1933‑2011) “Untitled”, 2002 mixed media collage on canvas signed and dated en verso. Framed.

24” x 18” $800‑$1,200

707

708

709 Joseph Marioni (American, b. 1943) “Green Painting”, 2004 acrylic on Belgian linen signed, dated and titled on stretcher, with “Matthews Gallery” and “Larry Becker/ Philadelphia, Pennsylvania” labels en verso.

Unframed.

52” x 42” Provenance: Larry Becker Contemporary Art, Philadelphia, Pennsylvania; Matthews Gallery, Santa Fe, New Mexico; Private collection, Santa Fe, New Mexico. $15,000‑$25,000

709

190

711

710 710 David Harouni (American/Louisiana, Contemporary)

“Untitled: Figure in Gray and Red” oil on gallery-wrapped canvas signed en verso canvas.

Unframed.

48” x 24” $500‑$800 711 Louise Guidry (American/Louisiana, b. 1930)

712 Louise Guidry (American/Louisiana, b. 1930)

“As Time Goes By”

“Lady in Red”

encaustic on paper signed lower right.

Matted, glazed and framed. sight 25‑1/4” x 19‑1/4”

collage and mixed media on paper signed lower right.

Matted, glazed and framed. sight 18” x 8‑1/2”

$1,800‑$2,500

$800‑$1,200 712

191

715

715 Alexander Robinson (American, 1867‑1952) “A Woman of Tunis” watercolor on paper signed, illegibly dated (possibly 1911), and localized lower left.

Matted, glazed and framed.

9‑1/4” x 6‑1/4” 714

Provenance: Private collection, New Orleans, Louisiana. $600‑$900

713 Shelly Barq (American, Contemporary) “Untitled Abstract” mixed media on canvas signed lower left 78” x 78” $400‑$700 714 Lyle Carbajal (American, Contemporary) “Patria” mixed media on panel signed and titled en verso.

48” x 48” Provenance: Gallery Orange, 819 Royal Street, New Orleans, Louisiana. $800‑$1,200

713

192

716 Augustin Ubeda (Spanish, 1925‑2007) “Abstract Landscape” oil on canvas signed lower left.

Framed.

32” x 25‑3/8” $700‑$1,000

717 Leonardo Nierman (Mexican, b. 1932) “Spectral Lights”, 1961

717

mixed media on masonite signed and dated upper left.

Presented in a custom-made frame.

16‑1/4” x 24” Provenance: Collection of Jack and the late Sherril Neal, Ridgeland, Mississippi. $700‑$1,000

718 Billy Morrow Jackson (American, 1926‑2006) “Relic and Memory” watercolor on board signed lower right, verso with “Bonfer Gallery, New York, New York” and “Kenmore Galleries Inc., Philadelphia, Pennsylvania” labels.

Framed.

39” x 25”

718

716

$600‑$900

719 Continental School, Possibly Alphonso Milo (Mid-20th Century) “Green-Eyed Tabby” oil on canvas signed/inscribed “Milo” upper right.

Framed.

24‑1/2” x 21‑1/2” $900‑$1,200 719

193

720 Norman Lundin (American/Norweigan, b. 1938) “Grey Landscape” and “Bird” two works on paper former pastel on paper, signed lower right, latter watercolor on paper, signed lower left, with “Otto Seligman Gallery, Seattle, WA” label. Both framed. sight: former 13” x 18‑3/8”, latter 16‑5/8” x 15‑1/2” Provenance: Otto Seligman Gallery, Seattle, Washington; Private collection. $700‑$1,000 721 Stan Brodsky (American, New York, b. 1925) “Paros - Orange”, 1977 oil on canvas signed and dated lower right, signed and titled en verso.

Presented in a thin gallery frame.

60” x 50”

721

Provenance: Lerner-Heller Gallery, New York, New York. $2,000‑$4,000 722 Louise Guidry (American/Louisiana, b. 1930) “Out of the Blue” acrylic on gallery-wrapped canvas signed lower right.

36” x 36” $2,000‑$4,000

722

720 one of two

194

720 two of two

723 Oscar Soteno (Mexican, Contemporary) “Arbol de los Nacimientos”, 2007 polychromed molded clay signed, dated and localized along bottom edge, signed and localized along top arch h. 29‑1/2”, w. 21”, d. 6‑1/4” $2,000‑$4,000 724 Joseph Meerbott (American, Contemporary) “Untitled”, 2002 enameled metal signed and dated “2002” on integral base. overall h. 25”, w. 14”, d. 7”

724

$400‑$700 725 Graham Sutherland (British, 1903‑1980) “Toad II”, “Beetles”, “Ram’s Head” and “Armadillo” suite of four lithographs in colors edition of 70, each numbered lower left and signed lower right.

Presented in matching contemporary metal frames. three sight 25‑3/8” x 19‑1/4”, one 19‑1/4” x 25‑1/2” $1,800‑$2,500

725 one of four

723

725 two of four

195

726 Max Papart (French, 1911‑1994) “Man in Yellow and Spotted Dog in the Green” and “JanusFaced Man with Pipe” color aquatint etchings both pencil-signed and numbered respectively lower margin “epreuve d’artiste” and 3/150”.

Matted, glazed and framed alike. each sight 20” x 20” $500‑$800 727 Theo Tobiasse (Palestinian/French/New York, 1927‑2012) “L’Homme Qui Chante dans Les Cours des Maisons” and “Partout Ou Tu Iras, J’Irai”

726 one of two

color lithographs each pencil-signed and numbered respectively “E.A. XXII/ XXV” and “E.A. 14/25”.

Matted, glazed and framed alike.

20‑3/4” x 26‑1/2” and 24‑1/4” x 18‑3/4” $500‑$800 728 Marc Chagall (Russian/American, 1887‑1985) “David and Bathsheba” color lithograph unsigned, verso frame with “DuBose Gallery, Houston, Texas” label.

Matted, glazed and framed. sight 14” x 10” Provenance: Estate of Carolyn G. Fay, Houston, Texas. $700‑$1,000 728

196

727 one of two

727 two of two

729 Suite of Six Posters from the “Save Our Planet” Series 1971, offset lithographs, edited by Jean Lipman (American 1909‑1998), published by H. K. L. Ltd in cooperation with the Olivetti Corporation, New York, including “Save Our People” after Ernest Trova (American, 1927‑2009), sight 31‑3/4” x 31‑3/4”; “Save Our Wildlife” after Alexander Calder (American, 1898‑1976), sight 29‑1/2” x 21‑1/2”; “Save Our Wilderness” after Edward Steichen (American, 1879‑1973), sight 33‑3/4” x 18‑3/4”; “Save Our Cities” after Buckminster Fuller (American, 1895‑1983), sight 24‑1/2” x 27”; “Save Our Air” after Georgia O’Keeffe (American, 1887‑1986), sight 19‑3/4” x 32”; and “Save Our Water” after Roy Lichtenstein (American, 1923‑1997), sight 21‑1/2” x 30‑1/2” All matted, glazed and framed. various sizes $800‑$1,200 729 one of six

729 three of six 729 two of six

730 Yaacov Agam (Israeli, b. 1928) “Abstract in Color” silkscreen signed lower right and numbered “VII/XVIII”.

Matted, glazed and framed. sight 23‑5/8” x 24‑3/4” $400‑$700

730

197

731 James Rosenquist (American, 1933‑2017) “Toy Prism”, 1972 color lithograph pencil-signed and dated lower right, titled and numbered “149/150” lower left.

Matted, glazed and framed. sight 20‑1/4” x 27” Provenance: Circle Gallery, New Orleans, Louisiana. $400‑$700 732 Group of Czech “Velvet Revolution” Memorabilia 1989, including an “Inter Grafik” poster, 45” x 32”; an “Obcanske Forum” T-shirt; a “Je To Mozny, Tohleto” poster, 33” x 22‑3/4”; a “Gloria In Excelsis/Obcanske Forum” poster, 23‑1/2” x 32‑3/4”; two small pins; and three small posters - one 16‑1/2” x 11‑3/4” and two 11‑3/4” x 11‑3/4”.

731

Provenance: Private collection, New Orleans, Louisiana. $400‑$700 733 Group of Marc Chagall (Russian French, 1887‑1985) Memorabilia 1973 and 1981, including “Concert d’Inauguration en Hommage a Marc Chagall”, Musee National, Nice, signed by Chagall; an exhibition invitation card; a “Musee National Biblique Marc Chagall” poster, printed by Mourlot; six black and white photos from the exhibition opening; and “Derriere le Miroir” folio of lithographs, printed by Galerie Maeght. poster 30‑1/4” x 20”, others various sizes

732

Provenance: Private collection, New Orleans, Louisiana. $1,000‑$1,500

733

198

734 Henri Cartier-Bresson (French, 1908‑2004) “The University of Tennessee, Knoxville, Tennessee”, 1947 silver gelatin print localized in pencil en verso and stamped “Nov. 1, 1947/Editorial Auditing Dept.” with photographer’s copyright credit. Unframed.

6‑3/4” x 9‑3/4” $2,000‑$4,000 735 Henri Cartier-Bresson (French, 1908‑2004)

734

“Nebraska Legislature”, 1957 gelatin silver print titled and dated en verso with Life magazine photo credit stamp.

Unframed.

8‑1/4” x 11‑1/2” Provenance: Christie’s, New York, October 4‑13, 2016, lot 94.

Literature: Life. 40:15 (April 15, 1957) pp. 40‑48. $800‑$1,200

736 American School (Contemporary)

735

“Dance 20” color photograph illegibly signed lower right, titled lower left and numbered “1/10” lower center.

Matted, glazed and framed. sight 15” x 22‑1/4” $300‑$500

737 David Shapiro (American, 1944‑2014) 736

“Savasan”, 1992 lithograph and collograph on handmade paper pencil-signed, titled, dated and numbered “15/25” lower right.

Matted, float-mounted, glazed and framed. sheet 7‑1/2” x 37” $700‑$1,000 737

199

738 Curtis Knapp (American/Louisiana, Contemporary) “Andy Warhol Red Series 3” color photograph earlier image printed in 2004, ink-signed lower right and numbered “2/35” lower left.

Matted, glazed and framed. sight 13‑1/2” x 13‑1/4” $800‑$1,200 739 Francesco Scavullo (American, 1921‑2004) “Sting (Song)”, 1984 silver gelatin print printed in 2004 by Motion Picture Group Inc., signed en verso by the artist’s photo editor Sean M. Byrnes, and numbered “69/150”, titled and numbered on “Martin Lawrence Galleries” label on frame backing, and accompanied by a letter of authenticity from Martin Lawrence Galleries. Matted, glazed and framed.

21” x 17‑3/8”

738

Provenance: Martin Lawrence Gallery, New Orleans, Louisiana; Private collection. $600‑$900 740 Curtis Knapp (American/Louisiana, Contemporary) “Nude I” and “Nude II” sepia-toned photographs each ink-signed lower right and numbered “3/35” lower left.

Matted, glazed and framed alike. sight 13‑1/2” x 13 and 13‑1/2” x 13‑1/4”, respectively $500‑$800

200

739

740 one of two

740 two of two

741 Paul J. Woolf (American, 1899‑1985) “Still Life with Standing Buddha Sculpture and Decanter”, ca. 1930 platinum print verso inscribed with notation on composition and printing process, artist name inscribed on mat lower right. Matted.

4‑5/8” x 6‑1/2” $700‑$1,000 741

742 Collection of Seven Photograph Portraits of George Dureau 1979‑2010, by various artists and friends of the artist, including “Dureau in His Studio with Models B.J. Robinson and Glen Thompson”, inscribed, signed and dated “To George with Best Wishes, Joseph Aster (?), 1994”, 14” x 11”; “Dureau in His Studio Before a Charcoal Drawing”, inscribed, signed and dated “George Dureau, Painter, Photographer, New Orleans/ Sarah Bauhause, 1979”, 14” x 11”; “George Dureau, New York City”, inscribed, signed and dated “Becket Logan,1979”; “Color Portrait in His Studio”, signed and dated “John R. Miller, 1981”, 20” x 16”; “Dureau in His Studio Before Life-Sized Charcoal Drawing”, signed and dated lower right “G. Miles, ‘05”; Two Digital Bust Shots”, accompanied with a thank you note signed and dated “Kenneth Burke”, 2010, each 12” x 18”.

All unframed.

742 two of seven

742 one of seven

Provenance: Estate of George Dureau, New Orleans, Louisiana. $800‑$1,200 743 Unusual Group of Three Photographs including a portrait of a prostitute and a soldier outside a French brothel, ca. 1915, silver gelatin print, titled on mount backing “maison close”, 9‑1/4” x 6‑7/8”; a Southern shanty with baby dolls and chickens, silver gelatin print , ca. 1915‑1945, 9‑1/4” x 6‑7/8”; and a view of City Park, New Orleans, liquid light emulsion print, ca. 1985‑2000, localized and signed “M. David” lower margin, 11” x 14”.

The first two prints are mounted, the third is mounted and matted. All three are unframed. $500‑$800

742 three of seven

743 one of three

743 two of three

743 three of three

201

746

745

747

744 Pair of German Silver Figural Bookends

747 German Silverplate Figure of an Owl

first quarter 20th century, retailed by Buchholz & Zelt, New York, New York, .800 silver, in the form of an equestrian show jumper. h. 5‑3/4”, l. 5‑1/2”; 30.28 total t. oz.

first quarter 20th century, the realistically detailed bird with glass eyes and perched on a stump above a music box (the workings removed and lacking). h. 14‑1/2”, w. 4”

$500‑$800

$400‑$700

745 Set of Four Bronze Argente Fighting Cockerel Table Garnitures 20th century, the realistically detailed figures posed in combat. h. 8‑1/2” to 10” $400‑$700 746 Set of Ten Italian Silver Salt Cellars and Spoons second quarter 20th century, by Renato Contini, Florence, .800 silver, hemispherical figural handle of either a grouse or pheasant, fitted with a cobalt glass liner and complete with ten floral stem salt spoons. dia. 1‑1/2”, l. 2‑5/8”; 7.65 total t. oz. (excluding liners) $400‑$700

202

744

748 Two Pairs of Novelty Figural Sterling Silver Salt & Pepper Shakers contemporary, including a pair of Tiffany & Co. ducks, l. 2”, and a pair of English owls with glass eyes, hallmarked Birmingham, 2011, h. 2‑1/4”.

5.09 total t. oz. $500‑$800 749 Amusing Tiffany & Co. Sterling Silver Figural Salt & Pepper Shakers

749

contemporary, New York, New York, the pair in the form of seated pigs with gilt bow ties, presented in the original Tiffany pouch and box. h. 1‑5/8”; 4.21 total t. oz. $500‑$800 750 Franco Lapini Silverplate Covered “Carciofi” Dish contemporary, Florence, with shallow oval dish and conforming domed lid, the lid with applied realistic, lifesized artichoke stalks. overall h. 10‑3/4”, l. 17”, w. 12”

748

$800‑$1,200 751 Pair of Scandinavian Modern Silver Candelabra second quarter 20th century, with Swedish import marks and underside inscription dated 1949, .830 silver, each of oval form with central “blossom” standard and scrolling arms, each with urn-form nozzle, with gadrooned base and drip-pans. h. 5‑1/4”, w. 12‑1/4”, d. 3‑1/4”; weighted

751

$500‑$800

750

203

752 Pair of Elsa Peretti Tiffany & Co. Sterling Silver Champagne Glasses contemporary, each with an inverted bell-form bowl and shaped abstract standard. h. 8‑3/4”, dia. 4”; 11.40 total t. oz. $400‑$700 753 Bulgari Sterling Silver Ashtray fourth quarter 20th century, Rome, circular with shaped shoulders, one with matchstrike, the other with cigarette rests, centering a detachable match cup. h. 1‑5/8”, dia. 4‑3/4”, l. 7‑5/8”; 17.27 t. oz. $400‑$700 754 Puiforcat Modernist Silverplate and Lucite Pitcher mid-20th century, Paris, of inverted “beehive” form, with curved clear lucite handle. h. 6‑3/4”, dia. 5‑1/2”

752

$500‑$800 755 Three-Piece Italian Modernist Silver and Enamel Table Garniture contemporary, by Cassetti, Florence, including two bottle-form pieces with detachable silverplate stoppers and a conical piece with silverplate finial and lucite disc collar, decorated with pink, blue and green marbleized enamel. h. 5‑1/2” to 8‑3/4”; 24.27 total t. oz. (weighable silver) $500‑$800

753

754

204

755

756 Assembled Pair of Steuben Aurene Candlesticks ca. 1904‑1933, Corning, New York, with twist stems and variations in color, each signed “Steuben Aurene 686”. h. 10”, dia. 4‑1/4” $1,000‑$1,500 757 Set of Twelve Colorless Wine Glasses 20th century, the air twist wine glasses in the 18th-century style. h. 8‑3/4”, dia. 2‑1/2” 756

$300‑$500

759

758

757

758 Art Deco-Style Mahogany and Aluminum Dining Table fourth quarter 20th century, the oval top opening to accommodate a pair of leaves, on a curved pedestal joined with a metal band, on an oval platform base. h. 30”, w. 79”, l. 54”, ext. l. 90” $1,200‑$1,800 759 French Gilt-Bronze and Crystal Hall Lantern mid-20th century, the four-light lantern with rope-twist crystal standards set with engine-turned fittings, alternating with lights set with cut crystal drip pans. h. 27”, dia. 13” $400‑$700 760 Continental Molded Bronze Lamp Standard 20th century, decorated with a dragon, with a round base in the Gothic style. h. 27”, dia. 7‑1/2” 760

$400‑$700

205

764 767

766

761 American “Dancing Nymphs” Molded Glass Vase ca. 1930s, attributed to the Consolidated Glass Company, with gilt-metal mounts and cranberry-flashed figures. h. 13‑3/4”, dia. 7‑3/4” Illustrated Online $300‑$500 762 Art Deco Gilt-Metal Floor Lamp second quarter 20th century, with a pierced, molded base, the standard decorated with rope twists and a fleur-de-lis. h. 66‑3/4”, dia. 11” $400‑$700 763 After Ferdinando De Luca (Italian, 19th/20th Century) “Salut”, 20th century patinated and cold-painted bronze signed “Lorenzo” along top edge of stool base. overall h. 27”, w. 10”, d. 11‑1/2” $600‑$900 764 French Art Nouveau-Style Patinated Bronze of a Nymph 20th century, the floral-draped figure with gilt accents, on a round marble plinth. overall h. 16‑1/4”, w. 7”, d. 6‑1/2” $500‑$800

206

763

762

765 Franciszek Jozef Kucharzyk (Austrian, 1880‑1930) “Madchen”, first or second quarter 20th century patinated bronze incised signature “Kucharzyk/Austria” and with mark at back. h. 9”, w. 3‑3/4”, d. 4” Illustrated Online $300‑$500 766 Continental Patinated Bronze of a Rhinoceros 20th century, now on a carved and incised wooden plinth. h. 9”, w. 8‑1/4”, d. 15‑1/2” $400‑$700 767 Faux Alligator-Upholstered and Mahogany Club Chair the domed and padded back joined by outscrolled arms to the cushioned seat, raised on large turned toupie feet, the whole with brass tack accents. h. 38‑1/4” $500‑$800

768 Black Metal Floor Lamp with a tapered standard supported by scrolled feet. h. 66”, dia. 17” $400‑$700 769 Emile Galle Art Nouveau Marquetry-Inlaid Occasional Table

769 detail

early 20th century, the top depicting an inlaid cockerel and “Quand je chanterai l’Amour Finira” and “Galle”, the marquetry employing various woods, the top appears to be beechwood, the base mahogany. h. 29‑1/2”, w. 29‑3/4”, d. 15‑1/2” $600‑$900 770 Painted and Engraved Mirror 20th century, the molded and faux-marbre-painted frame set with mirror glass engraved with a swan flanked by cattails. h. 42”, w. 82‑1/2” $400‑$700 771 Lalique Crystal “Sylvie” Vase post-1978, French, the molded and frosted crystal vase depicting two birds, signed with an engraved signature. h. 8‑1/2”, w. 6‑3/4”, d. 4”

769

768

$400‑$700 772 Lalique Crystal “Bagatelle” Vase post-1978, French, the molded and frosted crystal vase depicting birds and foliage, signed with an engraved signature. h. 7”, dia. 4‑1/2” Illustrated Online $300‑$500 773 Art Deco-Style Ebonized and Chrome Fold-Over Table

771

770

mid-20th century, the rectangular top supported by a block-form standard with three vertical chrome tubes mounted in the front and back, and resting on a platform base, finished on all sides, can be used as a console table or dining table. h. 30”, w. 60”, d. 24”, ext. d. 48” $300‑$500 774 Pair of Tole Two-Light Sconces the backplates depicting a drape of fringed fabric held with a bowknot and tassel. h. 34”, w. 15” Illustrated Online $150‑$300

773

207

777 Vintage Murano Glass Hourglass second half 20th century, attributed to Charles Lin Tissot (American, 1904‑1994) for Venini, Murano, Italy, composed of latticino glass with brass fittings. h. 23‑1/2”, w. 6”, d. 6” Notes: The fittings on this piece are very similar to the brass fittings on the Tissot-designed “Zanfirico” glass bird cage sculptures produced by Venini. $1,000‑$1,500 778 Pair of Glass and Gilt-Metal Columar Table Lamps mid-20th century, of Corinthian column form, set with pleated shades. h. 35‑1/2”, dia. 16‑1/2” 777

Provenance: Estate of Cheryl Barousse Frischhertz, New Orleans, Louisiana.

778

$400‑$700 779 Art Deco-Style Satinwood Dining Table fourth quarter 20th century, the parquetry top with draw leaves, raised on tapering square legs. h. 29‑1/8”, w. 27‑1/2”, l. 39‑1/2”, ext. l. 66” $500‑$800

775

775 Whimsical Painted Metal F-30 Model Airplane Clock

776

contemporary, the face labeled “Grand Hotel 285, Rue De Paris”, mounted on wheels, the clock battery operated. h. 40”, w. 77”, d. 43” $700‑$1,000 776 Contemporary Tiger Maple, Ebonized and Maple Console Table of Art Deco inspiration, the figured maple top over a wavemolded apron, raised on tapering legs with ebonized cuffs. h. 28”, w. 60”, d. 18” $600‑$900

779

208

780 French Empire-Style Opaline Glass Lamp second quarter 20th century, the panelmolded glass trimmed with gilt, on an engine-turned bronze base, resting on paw feet, with an engine-turned capital and mount. h. 25‑1/2”, dia. 5‑3/4” $500‑$800 781 Pair of Sapphire Blue Blown Glass Candlesticks 20th century, probably Pairpoint, with vasiform standards and ground pontils. h. 9‑1/4”, dia. 4” $600‑$900 782 Unusual Pair of Middle Eastern Silverplated-Brass Sconces

781

780

the single-light sconces with moth-form backplates engraved with flowers. h. 7”, w. 10‑1/2”, d. 4” $500‑$800 783 Patinated Plaster Bust of a Polynesian Youth

782

h. 21”, w. 11‑1/2”, d. 9” Provenance: Estate of Carolyn G. Fay, Houston, Texas.

Illustrated Online $300‑$500 784 Marble Architectural Fragment mid-19th century and later, now mounted as a lamp with a shade. h. 20‑1/2”, w. 9”, d. 6” $100‑$200 785 Rare Laurel Lamp Company Brass Torchere ca. 1960s, New Jersey, the three-light torchere with one light facing up and two facing down, decorated with beaded chain, signed “Laurel Lamp” on the Underwriters Laboratories label. h. 64”, dia. 9‑1/2” 784

$600‑$900

785

209

790

787 788

786

789

786 Lee Industries Wingback Settee

789 Contemporary Upholstered Sofa

ca. 2008, American, after a design by Alabama architect Bobby McAlpine, with a wool and mohair pillow. h. 44‑1/2”, w. 65”, d. 26‑1/2”

of concave form with loose cushions and detached seat cushion, upholstered in gold brocade, bench-made, labeled “TRS” for the TRS Furniture Company of Thomasville, North Carolina. h. 34”, w. 74”, d. 41”

$500‑$800 787 Brass and Plate Glass Coffee Table mid-20th century, with reeded legs, X-form stretchers and a glass top. h. 17‑1/2”, w. 43‑1/2”, d. 20‑1/4” $400‑$700 788 Pair of Mid-Century Modern Gilt-Metal and Giltwood Trees in Tubs ca. 1950s-60s, attributed to Curtis Jere, New York, the name used by the design team Curtis Freiler and Jerry Fels for their company, Artisan House. h. 76‑3/4”, w. 30”, d. 13” $1,200‑$1,800

210

$500‑$800 790 Glass-Topped Dining Table the wooden base carved and painted in the form of coral, the lower section painted green and decorated with shells. h. 29‑3/4”, dia. 48” $500‑$800 791 Upholstered Ottoman in the Turkish Taste with a tufted seat cushion and skirt in striped brocade. h. 18”, w. 28”, d. 29” $300‑$500

794

793

795 791

792 Pair of Shaw-Pezzo Emerald Glass and Brass Table Lamps

794 Continental “Hollywood Regency”-Style Chandelier

20th century, Canadian, on brass bases with glass urn-form standards, decorated with brass leaves, labeled on the bottom. h. 34”, dia. 10” Illustrated Online

second quarter 20th century, decorated with descending tiers of painted metal swags trimmed with gilt-metal roping and hung with prisms, hanging from scrolled supports, three sockets concealed on the interior. h. 28”, dia. 14”

$300‑$500

$400‑$700

793 French Crystal and Bronze Floor Lamp

795 Henry F. Miller Ebonized Baby Grand Piano

mid-20th century, attributed to Baccarat, with a spiral-reeded crystal standard with bronze fittings, on Greek-key-form bronze feet, mounted with a shade. h. 64”, dia. 20”

fitted with a player mechanism, the piano of traditional form, the DVD player by Q.R.S., together with a matching bench. h. 39‑1/2”, w. 59”, d. 60”

$300‑$500

$1,500‑$2,500

211

801 pair

798

797 Contemporary Standing Floor Mirror after a design by Antonio Citterio (Italian, b. 1950), in a brushed metal frame. h. 79‑1/2”, w. 44” Illustrated Online $400‑$700 798 Vintage Bruce Hannah and Andrew Morrison”Sling” Settee

799 800

1970s, for Knoll International, the frame of white-enameled, extruded aluminum, the cushion newly upholstered in cherry red Knoll chenille. h. 30‑1/2”, l. 56” $500‑$800 799 Contemporary Acrylic Saddle-Seated Foot or Vanity Stool 20th century. h. 19‑1/2”, w. 17”, d. 12‑1/2” $150‑$300 800 Unusual Acrylic Lamp

796

796 Nam June Paik (South Korean, 1932‑2006) “Gaze”

the standard molded as a sheet of stone, mounted with a shade. h. 26‑1/2”, w. 16‑1/4” $100‑$200 801 Pair of Mid-Century Modern Chrome, Brass and Crystal Chandeliers

acrylic on 20,000 Eyes movie poster Framed.

21” x 27”, framed 26” x 32”

third quarter 20th century, attributed to Gaetano Sciolari (Italian, 1927‑1994), each set with three lights. h. 13”, dia. 17”

$500‑$800

$300‑$500

212

802 Pair of Laverne “Jonquil” Lucite Lounge Chairs ca. 1965, from the “Invisible Group”, introduced in 1957 by Erwine (1909‑2003) and Estelle (1915‑1997) Laverne and manufactured by Laverne International. h. 28‑1/4” $1,500‑$2,500

806 “Tavolo con Ruote” Glass and Steel Cocktail Table after a design by Gae Aulenti, of contemporary manufacture, unmarked. h. 11”, w. 48”, d. 32” Illustrated Online

803 Contemporary Acrylic Tabouret

$300‑$500

with a circular marble top. h. 21‑1/2”, dia. 12”

807 Pino Signoretto (Italian, b. 1944)

$200‑$400 804 Helmut Newton (German/American, 1920‑2004), “SUMO” London: Taschen, 2009, edited and revised by June Brunell Newton (b. 1923), a collection of the artist’s iconic works including portraiture, fashion and erotica. pages 14‑3/4” x 10‑1/2”, boards 15” x 11” $200‑$400 805 Contemporary Brass-Mounted Plate Glass Dining Table in the mid-century modern taste, the full-inch plate glass top with rounded corners, resting on two Y-form plate glass pedestals with brass trim. h. 29‑1/2”, w. 42”, l. 72” Illustrated Online

glass sculpture signed on base. h. 46‑1/2”, w. 12” $500‑$800 808 Pair of Contemporary Table Lamps fourth quarter 20th century, composed of rectangular blocks of polished stone mounted on silver-gilt wooden bases and caps. overall h. 25‑1/4”, w. 9‑3/4”, d. 4‑3/4” $2,500‑$4,000

$200‑$400 807

808

804

803 802

213

809 Vintage Pair of Giovanni Offredi “Lewes” Bar Stools 1970s-1980s, for Saporiti, Italia, upholstered in bone textured leather with stitched black leather seats, with chrome foot rests, raised on casters, stencil-labeled: “Saporiti/Italia”. h. 45” $500‑$800 810 Pair of Gold-Leafed Gemsbok Skulls each retaining their original horns. h. 44‑1/2”, w. 22”, d. 6‑3/4” $400‑$700 811 Robert Wyland (American, b. 1956) 810

“Surf Riders” lucite and pewter incised signature lower left, numbered “AP10/200” at lower right. h. 11‑1/4”, w. 13‑1/2”, d. 10” $300‑$500 812 Modern Chromed Steel and Glass Dining Table of rectilinear form, with inset glass supported by square legs. en suite with the following lot h. 28‑1/4”, w. 48”, l. 72” $600‑$900

811

812 809

214

813 Modern Chromed Steel and Glass Server/Etagere of rectilinear form, with a cantilevered glazed top and two shelves. en suite with previous lot, center shelves are removable and can be attached to the ends of the dining table h. 36”, w. 48”, d. 21‑5/8” $500‑$800 814 Patinated Plaster Figure of a Bishop ca. 1963, in his distinctive hat and robe, signed “Austin Productions, 1963” on the back. h. 17‑1/4”, w. 9‑1/2”, d. 8” $500‑$800 815 Black Metal and Brushed Bronze Floor Lamp 20th century, with matching base and upper trim, fitted with a shade. h. 73‑3/4”, w. 20‑1/2”

817

$150‑$300

815

816

814

816 Contemporary Brushed Stainless Steel Table Lamp with a cubic finial. h. 19‑3/4”, w. 14”, d. 6” $700‑$1,000 817 Large Brass-Plated and Beveled Glass Lantern third quarter 20th century, the brass-plated frame set with beveled glass panels, supporting two six-light interior “chandeliers”. h. 49”, dia. 21” $500‑$800

813

215

819

820

822

818

818 Suite of Ten Upholstered Parson’s Chairs comprised of two armchairs and eight sidechairs, each fully upholstered in an off-white geometric brocade. h. 39‑3/4” $400‑$700 819 Modern White Laminate Dining Table model C2 by Bulthaup Communication, Germany, the underside retaining the maker’s label, of rectilinear form, raised on straight legs. h. 29‑7/8”, w. 43”, l. 87” $300‑$500 820 Contemporary Chrome Chandelier

821 Chris Navarro (American/Wyoming, b. 1956) “Cliff Cat”, 1987 patinated bronze cast signature, dated and numbered “10/20” at rear of selfbase, presented on an integral carved wood pedestal with artist’s plaque. overall h. 35‑3/4”, w. 8” Illustrated Online $400‑$700 822 Jurgen Gorg (German, b. 1951) “Janus-Faced Muse”, 1990

on a standard composed of cylindrical and spherical elements, set with curved arms on two levels, with spheres beneath each light. h. 29‑1/2”, dia. 28”

patinated bronze signed, dated and numbered “XIV/XX” with “LC” foundry mark on black marble base. overall h. 25‑3/4”, w. 8”

$300‑$500

$600‑$900

216

823 Bill Mack (American, b. 1949) “Lustrous” bonded sand relief sculpture signed upper right.

Presented in an integral linen filleted cove-molded painted wood frame. overall 30” x 13‑3/4” Illustrated Online $600‑$900 824 Italian Gilt-Metal Chandelier mid-20th century, the eight-light chandelier in the form of a palm tree, with prisms hanging from the leaves and beaded glass covers on the bulbs. h. 24”, w. 22”

824

$500‑$800 825 William IV-Style Mahogany and Upholstered Sofa the padded back joined by padded outscrolled arms to the cushioned seat, raised on turned toupie feet. h. 35”, w. 84”, d. 35” $400‑$700 826 Contemporary Oak and Brass Console Table late 20th century, the top over a molded frieze and legs, the frieze fitted with a pair of drawers, the legs joined by a spun gilt-metal stretcher. h. 34”, w. 68”, d. 17‑3/8”

826

$800‑$1,200

825

217

829 827 one of two

827 two of two

828 830

827 Two French Works on Paper including SEM (Georges Goursat, French, 1863‑1934), “Caricature of a Woman in a Black-plumed Hat”, pencil and watercolor on paper, signed lower right, and Henri de Toulouse-Lautrec (French, 1864‑1901), “Elsa, Dite la Viennoise”, lithograph in colors, later printing, blind stamp lower left. former 11” x 7‑1/2”, latter 17” x 12” $500‑$800 828 Louis Icart (French, 1888‑1950) “Les Hortensias (Hydrangeas)”, 1929 aquatint etching signed lower center.

Matted, glazed and framed. sight 17‑1/2” x 21‑1/2” $500‑$800

218

829 Louis Icart (French, 1888‑1950) “Belle Rose”, 1933 aquatint etching signed lower center.

Matted, glazed and framed. sight 17” x 21‑1/4” $500‑$800 830 Jean-Gabriel Domergue (French, 1889‑1962) “Ballerine” oil on canvas signed lower left.

Framed.

24” x 19‑3/4” Provenance: Private collection, Beverly Hills, California. $2,000‑$4,000

831 Robert Philipp (American, 1895‑1981) “Standing Nude” pastel on paper signed lower right “Philipp”. Glazed and framed.

21” x 14” $800‑$1,200 832 Attributed to Enrico Caruso (Italian, 1873‑1921) “Caricature: Self-Portrait”

834

graphite on “L. H. Schubert” letterhead paper unsigned, a “Wurlitzer-Bruck/New York, NY” label en verso backing.

Matted and framed.

10” x 7‑3/4”

832

$500‑$800 833 After Henri Matisse (French, 1869‑1954) “Ladies in Their Decor” two lithographs each signed and dated in print lower left.

Matted, glazed and framed alike. each sight 7‑3/4” x 10‑1/4” $500‑$800 834 Burny Myrick (American/Louisiana, b. 1919) “Seated Beauty”, 1967

833 831

pastel and ink on paper signed and dated lower right.

Matted, glazed and framed. sight 18” x 18” $500‑$800 835 Continental School (20th Century) “Reclining Nude” watercolor and ink on paper signed indecipherably “....sotas” lower right with red seal.

Matted, glazed and framed.

13‑1/2” x 17‑1/4” $800‑$1,200 835

219

836

837 one of two

836 Hazel Guggenheim McKinley (American, 1903‑1995) “The Collection”, 1954 watercolor on paper signed and dated lower right.

Matted, glazed and framed.

17‑1/2” x 23‑1/4” Provenance: Naomi Damonte Marshall/ Downtown Gallery, New Orleans, Louisiana. $700‑$1,000 837 Salvador Dali (French/Spanish, 1904‑1989) “Three Punishments” and “Angel of Mercy” from the Divine Comedy series

838

838 Charles Levier (French, 1920‑2003)

two woodblocks latter signed lower right, numbered “33/150” lower left.

Both glazed and framed. former sheet 12‑3/4” x 10”, latter sight 12‑1/2” x 9”

“Le Canal”

$400‑$700

$500‑$800

220

oil on canvas signed lower left, signed and titled en verso canvas.

Framed.

24” x 30”

839 American School (Contemporary) “Mediterranean Seaport” acrylic on canvas signed lower left “R. Roberts”.

Framed.

27‑1/2” x 27‑1/2” $500‑$800 840 Andre Beronneau (French, 1886‑1973) “Carqueiranne” oil on canvas signed lower right, titled and signed en verso.

Framed.

24” x 30” $800‑$1,200

839

841 J. H. Stermer (American, 20th Century) “The Oil Tanker” oil on canvas signed lower right.

Framed.

25” x 36” $600‑$900 842 Andre Lachaise (French, 19th/20th Century) “Seascape at Majorca” oil on linen monogrammed lower right, titled on typewritten label en verso.

Framed.

25‑5/8” x 21‑1/4”

840

$600‑$900

841

842

221

846 843

845

847

844

843 Xander Smith (First Quarter 20th Century) “The Breakers”, 1918 watercolor on paper initialed and dated lower right.

Matted, glazed and framed. sight 7” x 5” $600‑$900 844 Georgi Alexandrovich Lapchine (Russian, 1885‑1950) “Terrace View of the Amalfi Coast” oil on artist’s board signed lower left.

Framed.

18” x 25” $900‑$1,200

845 Louis XV-Style Giltwood Firescreen late 19th century, the floral tapestry screen surmounted by a floral crest and within a molded frame, raised on splayed end supports ending in scrolled toes. h. 40”, w. 26” $500‑$800 846 Pair of Louis XVI-Style Pickled Beechwood Beds 20th century, each with a padded headboard surmounted by an urn- and guilloche-carved crest, joined by padded guilloche-carved rails to the like lower footboard, raised on cabriole feet ending in scrolled toes. h. 46”, inside w. 43‑1/2”, l. 77”, outside w. 80‑1/2”, l. 46‑1/2” $500‑$800 847 Italian Tin-Glazed Terracotta Figure of Two Cats second quarter 20th century, the resting cats on a yellow cushion trimmed with green tassels. h. 16‑1/2”, w. 17”, d. 12‑1/2” $500‑$800

222

848 Pair of French Silverplate Sconces second quarter 20th century, in the Louis XIV style, the five-light sconces on molded backplates set with two tiers of scrolled candle branches with octagonal drip pans and turned candle sockets, decorated with crystal drops. h. 19‑1/2”, w. 11‑1/2”, d. 6‑3/4” $300‑$500

848

849 Pair of Gilt-Bronze and Alabaster Candlesticks first quarter 20th century, French, the two-light candlesticks in the neoclassical style, with pierced standards. h. 8”, w. 5‑1/2”, d. 4‑1/4” $300‑$500

849

850 Pair of Louis XVI-Style Slipper Chairs 19th century, the finely carved, polychromed and parcel-gilt chairs with detailed frames and a pierced foliate crest, raised on turned and fluted legs. h. 28” Provenance: Kevin Stone Antiques, New Orleans, Louisiana. $700‑$1,000 851 Pair of Unusual Continental Lidded Vases

851

ca. 1900, with a ground of applied daisies, the front decorated with a scrolled escutcheon, a profile of an 18th-century female figure, and a scroll-trimmed cabochon, with elaborate branch-form handles decorated with hydrangeas, female classical figures sitting on the tops, the domed covers comprised of scrolled shields supported by a pair of putti, marked with unidentified molded marks of a tower, flanked by rampant crowned lions. h. 19‑1/4”, w. 13”, d. 7‑3/4” $700‑$1,000 850

223

854

855

853

852

852 Artist-Signed Porcelain Plaque ca. 1815, English, attributed to Coalport, depicting a delicately rendered bouquet perched on a white table top, signed “Cecil Jones, 1815”. Framed. plaque h. 6”, w. 5”, overall h. 13‑1/2”, w. 12‑1/4” Cecil Jones is included on a list of Coalport artists documented

by Geoffrey Godden in Coalport and Coalbrookdale Porcelains, page 113, where he gives his birthdate as 1799 and his working period as ca. 1820‑45. Godden says he “established himself as one of John Rose’s leading flower painters”. Godden goes on to say, “it is highly probable that he painted some of the finest Coalport ornamented porcelain...”. $500‑$800 853 Louis XV-Style Giltwood Settee ca. 1900, with a shell- and foliate-carved top rail, closed arms, scalloped apron and cabriole legs. h. 40”, w. 65”, d. 23” $400‑$700

224

854 Pair of French Bronze and Marble Candelabra ca. 1900, in the Louis XIV taste, each with a Rosso Antico marble plinth supporting a leaf-molded base set with three scrolled, leaf-molded candle arms hung with laurel swags, the arms set with guilloche-molded candle cups and beaded bobeches, around a flame finial. h. 13”, dia. 8” $300‑$500 855 Italian Giltwood and Gilt-Metal Chandelier third quarter 20th century, in the neoclassical taste, the pagoda-form interior frame set with a giltwood finial, hung with swags of glass beads, sprays of glass medallions decorating the top, the scrolled candle arms set with turned candle cups with molded glass drip pans and hung with drops. h. 29”, dia. 25‑1/4” $800‑$1,200

856 Vienna-Style Hand-Painted Creamware Plaque ca. 1900, decorated with a nymph depicted floating in the clouds and feeding a peach to a putto, flanked by putti blowing a shell horn and playing a tambourine, signed “W. Lopf”, in a modern giltwood frame. overall h. 14”, w. 18” $500‑$800 857 Louis XVI-Style Mahogany Dining Table 20th century, the ovoid top bisected and opening to accommodate six 9” leaves (five present), above a bellflowercarved frieze, raised on tapering circular legs ending in foliatecarved feet. h. 29”, w. 50‑1/2”, l. 44”, ext. l. 89”

856

$500‑$800 858 Louis XV-Style Bronze-Mounted Mahogany Barometer mid-20th century, probably French, the mahogany case with gilt-bronze scrollwork, a pierced brass gallery framing the silvered dial, embellished with hand-painted scrollwork and flowers. h. 12‑1/2”, w. 21‑3/4” $400‑$700 859 Hand-Painted Meissen Covered Potpourri Basket ca. 1860‑1924, on scrolled feet, the oval-form basket with a pierced cover and sides, decorated with oval panels of flowers and molded and painted ribbon trim, the delicately molded finial depicting a chestnut in its outer shell, with an underglaze blue pommel-ended crossed swords mark. h. 9‑1/4”, w. 8‑1/4”, d. 6”

859

$1,500‑$2,500

857 858

225

860 Hand-Painted Meissen Tray ca. 1860‑1924, decorated with a shipwreck scene executed in mauve, the handles molded as intertwined serpents, marked with underglaze blue crossed swords with pommel ends. w. 15‑1/4”, d. 10‑1/4” $500‑$800 861 Pair of Meissen Pierced and Hand-Painted Plates ca. 1860‑1924, each with a pierced border with hand-painted trim, one plate with roses and the other with tulips, with an underglaze blue pommel-ended crossed swords mark. dia. 9”

860

$400‑$700 862 Pair of Louis XIV Painted Fauteuils first quarter 18th century. h. 41‑1/2” $400‑$700 861

863 Pair of Italian Blanc de Chine “Capodimonte” Pottery Figures 20th century, the figures of courting couples in 18th-century costume, under trees, decorated with sculpted flowers, marked with an underglaze blue crowned “N”. h. 12‑1/4”, w. 4‑1/4”, d. 4‑1/4” $300‑$500 864 Pair of Gilt-Bronze and Blanc-de-Chine Candelabra second quarter 20th century, French, the two-light candelabra in the rococo taste, with pierced bronze stands set with porcelain chinoiserie figures and bronze candle sockets. h. 8‑3/4”, w. 8”, d. 5‑1/2”

864

$500‑$800

863

226

862

869

865

867 Chinese-Style Double Gourd Table Lamp

868

865 Pair of Samson Armorial Urns second quarter 20th century, French, now mounted as lamps, the lobed urns decorated with polychrome armorial devices, scattered flowers and raised white scrollwork, mounted on pierced bronze bases, partially obscuring the Samson marks. base h. 12”, overall h. 17”, dia. 6” $300‑$500 866 Set of Six Faience Dishes fourth quarter 19th century, Continental, hand-painted with armorials and underglaze blue script, “RD 1756”, some with a printed vase of flowers. dia. 7‑3/4” Illustrated Online $300‑$500

having an all-over pale lavender glaze, the lower bulb and neck decorated with floral sprays, the upper bulb reticulated throughout, with a single bulb fixture. h. 18‑1/2”, dia. 8‑1/2” Illustrated Online $300‑$500 868 Louis XVI-Style Mahogany and Marble-Top Center Table early 20th century, the circular marble top within a full pierced brass gallery, above a conforming frieze fitted with two leatherinset slides and two small drawers, raised on tapering square legs ending in brass caps. h. 29‑1/4”, dia. 26” $500‑$800 869 Louis XV-Style Mahogany Sideboard mid-20th century, the parquetry top over a case with a pair of drawers over a pair of shell-carved raised panel doors, flanked by curved doors, raised on cabriole legs. h. 40‑1/2”, w. 90”, d. 22” $700‑$1,000

227

870 Unusual Continental Gilt-Brass and -Metal Chandelier ca. 1900, the pear-shaped molded body decorated with flowers and scrollwork, the ten candle arms framed with scrollwork and set with leaf-molded drip pans and candle cups, electrified. h. 25”, dia. 25” $1,200‑$1,800 871 Louis XV Giltwood Fauteuil third quarter 18th century, carved with rocaille and scrollwork. h. 36‑1/2” 870

$700‑$1,000 872 Pair of Louis XIV-Style Bronze and Crystal Girandoles second quarter 20th century, each with four lights, the bronze bases with reeded lower standards, the scrolled candle arms set with bronze candle cups and drip pans, the upper standards set with molded glass and crystals hung from the candle arms, and with two upper tiers of sprays and drops, set with molded glass finials. h. 26‑1/2”, dia. 14‑1/2” $300‑$500 873 Louis XV-Style Needlepoint Carpet 14’ x 19’ 4” $700‑$1,000

872

873

228

871

874 French Glass Jewel Casket mid-19th century, composed of cobalt glass, hand-painted with scrollwork and flowers, the hinged cover with an inside mirror. h. 3‑1/2”, w. 6”, d. 3‑1/2” $400‑$700 875 Four Sevres-Style Hand-Painted Spoon Trays 874

second quarter 20th century, French, with Limoges marks and Sevres-style marks, in a gilt-metal stand. overall w. 6‑1/2”, l. 10” $300‑$500 876 Meissen-Style Figure of Count Bruhl’s Tailor on a Goat 20th century, with polychrome decoration, unmarked. h. 16”, w. 13‑1/2”, d. 6‑1/4” $500‑$800 877 Pair of French Bronze Sconces mid-20th century, in the Louis XV style, the five-light sconces on scroll- and rocaille-molded backplates, with matching arms, flaring drip pans and vasiform candle cups. h. 22‑1/4”, w. 14‑1/2”, d. 8‑3/4” $300‑$500

875

877 876

229

881

880

879

882

880 Pair of Sevres-Style Porcelain Covered Urns with hand-painted scenes of courting couples in landscapes, framed with gilt and “jewel” surrounds, molded with faux rigging, some gilded, the covers with cone-form knops, with spurious Sevres marks. h. 18”, w. 6”, d. 6” 878

$300‑$500

878 Louis XV-Style Giltwood Mirror

881 Assembled Pair of French Opaline Vases

20th century, set with a beveled mirror plate, the frame molded with scrollwork and shells, and fleurs-de-lis in the corners. h. 56”, w. 45”

ca. 1900, blown with polished lips, one drilled for use as a lamp. h. 19‑1/2”, dia. 5” and h. 20”, dia. 5‑3/4”

$400‑$700

$500‑$800

879 Pair of Gilt-Porcelain Figural Candlesticks

882 Pair of Alabaster, Gilt-Bronze and Champleve Enamel Garniture Urns

third quarter 19th century, on circular porcelain bases set with painted flowers, supported on bracketed feet hung with chains, modeled with kneeling cupids supporting leaf-molded standards and set with flower-molded candle cups. h. 6‑3/4”, dia. 2‑1/2” $400‑$700

230

first quarter 20th century, French, on paw feet, the alabaster urns set with gilt-bronze fittings and panels of champleve enamel. h. 9”, w. 7”, d. 5” $500‑$800

883 French Gilt-Bronze and Champleve Enamel Encrier

886 French Gilt-Brass Musical Jewel Box

first quarter 20th century, on a tray decorated with turquoise enamel, the ends set with inkpots with hinged enameled covers, flanking a pair of gilt-bronze classical maidens supporting an enameled amphora. h. 7‑1/2”, w. 14‑1/2”, d. 5‑1/2”

first quarter 20th century, the case with scroll decoration, the cover with a hand-painted portrait of Madame de Pompadour, indistinctly signed, playing a tune when opened and revealing a velvet-lined interior. h. 3”, w. 6‑1/2”, d. 4‑3/4”

Provenance: Estate of Nancy Nye Harrell, Houston, Texas.

$400‑$700

$400‑$700

887 Pair of Gilt-Metal Tazzas

884 Kingwood and Marble-Top Commode late 18th century, in the transitional Louis XV/XVI style, the marble top within a shaped and banded rectangular surround, above a case fitted with a leather-inset surface sliding back to a storage space, all with quarter veneering, joined to a concave lower shelf by cabriole legs ending in sabots. h. 28”, w. 17”, d. 11‑1/4”

20th century, in the Neo-Renaissance taste, molded with satyr masques and neoclassical figures. h. 6” h. 6”, dia. 5‑3/4” $500‑$800

$600‑$900 885 Beaux-Arts Gilt-Bronze Picture Frame ca. 1900, French, the bolection-molded outer edge decorated with molded laurel leaves, bound with silvered “ribbon”, with a beaded inner edge. h. 10‑3/4”, w. 9‑1/2”

883

$800‑$1,200

886

887

884

885

231

890 Two Pairs of French Glass and Brass Table Lamps 20th century, including a tall pair of lamps mounted with strawberry pattern cut glass, the column-form standards with Egyptian capitals, resting on paw feet, h. 36‑1/4”, w. 6‑1/4”, d. 6‑1/4”, and a shorter pair of urn-form lamps on circular bases, h. 25”, dia. 4‑3/4”, both pairs with double light sockets.

Illustrated Online $500‑$800 889

891 Slovakian Gilt-Bronze and Cut Glass Centerpiece second quarter 20th century, the gilt-bronze base resting on sphinx-form feet, with classical dancers supporting the engine-turned bezel set with a cut glass bowl insert, signed indistinctly on the base in three lines, the last line reading “Slovakia”. h. 9”, w. 11‑1/2”, d. 7‑3/4” $300‑$500 892 Pair of French Bronze, Crystal and Glass Girandoles second quarter 20th century, in the Louis XIV taste, on engineturned bases with glass-clad standards, set with gilt-bronze scrolled candle arms with brass rosette drip pans, hung with cut glass drops, electrified. h. 17”, w. 11”, d. 3‑3/4” $300‑$500

891

888 Gilt-Bronze and Malachite Inkwell and Candlesticks fourth quarter 19th century, in the rococo style, all three pieces engraved with scrollwork, the inkwell resting on scrolled feet, the cove-molded base supporting the pagoda-form inkpot, a tiny putto sitting in the front and a pierced scrollwork pen holder in the back, with malachite cabochons set in the cover and around the base, the inkpot with a crystal liner, probably original, with a bezel matching the exterior, h. 3‑1/2”, w. 4”, d. 4‑1/2”, the tapersticks with notched bases set with malachite cabochons and tapered standards set with candle cups, h. 3‑3/4”, dia. 2‑3/4”.

888

$500‑$800 889 French Gilt-Bronze and Glass Assembled Cave a Liqueur fourth quarter 19th century, in the Aesthetic taste, the case resting on a mirrored platform with molded legs, and fans on the edge of the skirt, and trimmed with “bamboo” and an Asian-style trim and lock, the cover lifts and locks, with three 19th-century cut glass decanters and ten faceted liqueur glasses. h. 13‑1/4”, w. 17‑1/2”, d. 9‑3/4” $1,500‑$2,500

232

892

893 Marcel Delmotte (Belgian, 1901‑1984) “Vase de Fleurs dans une Fenetre” oil on canvas signed lower left.

Framed.

20” x 24” $700‑$1,000 894 Elizabeth Rouviere (American/French, 20th Century) “Still Life with Pink Peonies in a Glass Vase” oil on canvas signed lower left.

Framed.

893

32” x 26” $500‑$800 895 French School (21st Century) “Floral Still Life in a Confit Jar” decorative oil on canvas Unsigned.

Presented in a contemporary silvered frame.

16” x 12” $200‑$400 896 Antoinette Schulte (American, 1897‑1981) “Picnic”

895

894

oil on canvas signed lower left.

Framed.

25” x 36” $800‑$1,200 897 Continental School (20th Century) “Flowering Forsythia” oil on canvas signed lower left.

Framed.

31‑5/8” x 27‑1/2” Illustrated Online $500‑$800 896

233

898 Remo Farruggio (American, 1904‑1981) “Through a Window” oil on canvas signed lower left.

Presented in a mid-century, wide, hardwood frame.

20” x 24” $400‑$700 899 Vladan Stiha (American/New Mexico, 1908‑1992)

898

899

“Lobster Still Life”, 1982 oil on canvas signed and dated lower right, signed en verso, with a “Stiha Studio & Gallery, Santa Fe, New Mexico” label on stretcher.

Framed.

19‑7/8” x 24” $1,000‑$1,500 900 Maria Rosenberg (Canadian, b. 1969) “Still Life of Poppies and Roses” acrylic on canvas signed lower right and en verso.

Framed.

60” x 48” $700‑$1,000 901 Maria Rosenberg (Canadian, b. 1969)

902

“Floral Still Life in a Blue Vase” acrylic on canvas signed lower right and en verso.

Framed.

48” x 36” $700‑$1,000 902 Elizabeth (LIZO) Shahenian (American, b. 1950) “Still Life with Flowers, Fruits and Watermelon” oil on canvas signed lower left.

Framed.

36” x 48” $700‑$1,000 900

234

901

903 Charles X Mahogany and Marble-Top Dressing Table first quarter 19th century, the dodecagonal mirror within a molded frame and raised on dolphin supports, the inset rounded rectangular marble top above a conforming frieze fitted with a single compartmented drawer, raised on columnar legs joined by a swan’s-neck stretcher and a concave stretcher shelf and ending in bun feet. h. 59”, w. 34‑1/2”, d. 19” $500‑$800 904 Pair of Restauration-Style Mahogany Gondola Chairs 20th century, each with a ribbed and pierced scrolling acanthine crest above a padded back, joined by downswept sides and scrolling ribbed arms to the padded seat, raised on sabre legs ending in upturned toes. h. 32‑1/2” $400‑$700 905 French Empire-Style Bouillotte Lamp 20th century, with an engine-turned base and standard, mounted with a pair of swan-molded candle arms set with candle cups, with a black tole shade. h. 24‑3/4”, w. 13”, d. 10‑3/4”

905

$400‑$700 906 French Cast Iron and Bronze Jardiniere

906

ca. 1900, the pierced bowl mounted with bronze lion-head ring pulls, the stand on a scroll-molded base, marked “Paris, S6D6”. h. 38”, dia. 13” $400‑$700

904

903

235

907 French Empire-Style Ebonized, Parcel-Gilt and Marble-Top Side Table late 19th century, the rectangular marble top above a conforming top with applied giltwood florets, raised on shaped supports headed by gilt lion masques and ending in paw feet. h. 38”, w. 38‑1/2”, d. 23‑1/2” $1,000‑$1,500 908 Empire-Style Mahogany and Marble-Top Occasional Table 20th century, the circular marble top above a conforming frieze, and raised on delicate metal supports of winged sphinxes and scroll patterns, to a tripartite base. h. 20‑1/2”, dia. 14‑1/2” $500‑$800 909 Pair of Marble, Bronze and Crystal Girandoles

910

second quarter 20th century, in the Russian taste, on marble bases with urn-form marble and bronze standards, set with four graduated tiers of prisms, the lower level set with four candle sockets, alternating with crystal spires, electrified. h. 30‑3/4”, dia. 11‑3/4” $700‑$1,000 910 French Parcel-Gilt Mirror in the Neoclassical Taste ca. 1900, the mirror with a molded gilt edge and a greenpainted inner frame, with ram’s heads and a spray of bellflowers on each side. h. 32‑3/4”, w. 24” $400‑$700

909

907 908

236

911 Impressive Pair of Napoleon III Candelabra third quarter 19th century, the seven-light candelabra composed of marble, bronze and cut glass, the shaped black marble bases mounted with bronze patine et dore scrolled standards decorated with masques of bearded males and leopard’s heads, and supporting strawberry-cut glass columns mounted with patinated scrolled candle arms, set with gilt-bronze egg-and-dart candle cups. h. 28”, dia. 9‑3/4” $1,200‑$1,800 912 French Bronze and Glass Hurricane Lamp

912

first quarter 20th century, the seven-light lamp in the Baccarat style, the diamond-point-molded standard with bronze dore et patine fittings, the tripartite lotus-molded base supporting paw feet, the standard with an acanthus-molded bronze base and a Corinthianmolded capital, the molded and scrolled arms terminating in bronze dore drip pans, fitted with cylindrical glass hurricane shades, electrified. h. 48‑1/4”, dia. 17‑3/4” $500‑$800 913 Directoire-Style Ebonized and Parcel-Gilt Fauteuil early 20th century, the foliate-carved rail above a paneled crest and a pierced fan and urn-form splat, joined by paneled and padded arms to the cushioned and caned seat, raised above a gilt foliate apron on fluted tapering circular legs ending in toupie feet. h. 37”

914

$400‑$700 914 Pair of Brass Sconces in the French Empire Style 20th century, decorated with molded swans and pierced anthemia. h. 16”, w. 9‑1/4”, d. 4‑1/2” $400‑$700

913

911

237

915 Empire-Style Casket-Form Mantel Clock ca. 1900, composed of brass and gilt and patinated metal, the facade with gilt mounts depicting a masque flanked by a pair of flambeaux with owls, the base with classical mounts and the top with a pinecone finial. h. 19”, w. 9”, d. 6” $600‑$900 916 French Bronze Dore et Patine Tazza third quarter 19th century, in the Neo-Grec taste, in the form of a brazier, with scrolled feet and on gilt monopodia supports, the patinated bronze top set with a gilded roundel decorated with two cherubs with a goat, framed with grapes and grapevines. h. 17”, dia. 15‑1/4”

915

$400‑$700 917 Empire-Style Mahogany and Marble-Top Side Table 20th century, the rectangular marble top above a conforming frieze with applied ormolu mounts, raised on tapering square legs ending in brass caps. h. 31‑1/2”, w. 42”, d. 30” $400‑$700 918 Impressive Pair of French Restauration Bronze Dore et Patine Candelabra second quarter 19th century, on lotus-molded tripartite bases, the patinated bronze paw feet supporting the reeded standards, terminating in gilt-bronze Corinthian capitals, the seven leaf-molded, scrolled candle arms with pierced scrollwork and floriate medallions, and set with fluted drip pans and reeded candle sockets. h. 32‑3/4”, w. 18‑3/4”

916

$1,000‑$1,500

917

238

918

919 French Glazed Pottery Plaque second quarter 20th century, depicting one of Napoleon’s campaigns, signed “Mignet”, possibly referring to Francois Mignet, Napoleon’s scholar, in a painted contemporary frame. sight 18‑1/2” x 16‑1/2”, overall h. 19”, w. 22” $800‑$1,200 920 French Marble Mantel Clock fourth quarter 19th century, the black and red griotte marble clock with copper-washed brass mounts, the works marked “EM”, the dial marked by the retailer, “J. Schneeberger, Rue Jeanne d’Arc, Rouen”. h. 9‑3/4”, w. 15‑1/2”, d. 6” $400‑$700

919

921 Louis-Philippe Rosewood and Granite-Top Center Table mid-19th century, the circular granite top above a conforming frieze and raised on a paneled bulbous standard to three scrolling supports to paw feet, now reduced to cocktail table height. h. 24‑1/2”, dia. 38” $700‑$1,000 922 Pair of Late Louis-Philippe Mahogany and Parcel-Gilt Fauteuils mid-19th century, each with a padded square back surmounted by a dolphin-flanked shield crest, joined by padded arms on dolphin uprights to the padded seat, raised on ring-turned tapering circular legs ending in casters. h. 43‑1/2” Illustrated Online $300‑$500

921

923

920

239

927

926 925

925 Pair of Neo-Grec Porcelain Urns

924

third quarter 19th century, English, each with a bleu de France ground, decorated with a polychrome depiction of Aurora driving her chariot on the obverse and a roundel depicting a classical soldier’s head on the reverse, formerly mounted as a lamp. h. 21”, w. 6‑3/4” $600‑$900

923 Pair of Andirons and Fender ca. 1900, the Empire Revival brass and silvered andirons on winged, silvered paw feet, supporting brass spiral-cast standards and silvered flame finials, h. 23”, w. 5‑1/2”, d. 7”, and the Victorian brass fender with faceted posts set with hexagonal/horizontal members, h. 11”, w. 41‑1/2”, d. 14‑1/2”. $500‑$800 924 Victorian Mahogany Bowfront Chest in the Empire Taste late 19th century, with two-over-three drawers, flanked by pilasters with bronze capitals, modeled as Egyptian masks, and human-form feet. h. 38‑1/2”, w. 43‑1/2”, d. 20” $500‑$800

240

926 Empire-Style Mahogany Shaving Stand late 19th century, the square metal screen of adjustable height and opening to form a triptych mirror, each panel with applied ormolu mounts, the circular marble top above a conforming single-drawer frieze with like mounts, raised on three supports headed by ram’s-head capitals and ending in hoof feet on a circular plinth base. h. 58‑1/2”, dia. 16‑1/2” $400‑$700 927 Suite of Six Directoire-Style Mahogany Sidechairs 20th century, each with a curved and paneled crest above an urn-carved splat, the padded seat raised on tapering circular legs ending in toupie feet. h. 34” $700‑$1,000

930 French Empire-Style Gilt-Bronze Hanging Clock first quarter 20th century, with a key-wind movement, the rectangular case set with mounts of wreaths tied with bowknots, the bezel with engine-turned decoration. h. 7‑3/4”, w. 5‑1/4” $400‑$700 931 Gilt-Lacquered-Brass, Tile and Burlwood Game Table in the Empire taste, the center of the top with an inset tile game board, with porcelain figural game pieces. h. 30”, w. 32‑3/4”, d. 32‑1/4” $800‑$1,200

931

928 Empire-Style Mahogany Cabinet

930

929

early 20th century, the molded cornice above an ormolu palmetto-applied frieze, with a central door below, the upper part grilled, the lower paneled, flanked to either side by a paneled door with angel mounts, divided by engaged pilasters headed by maiden’s heads, the whole raised on gilt paw feet. h. 68‑3/4”, w. 80”, d. 23‑1/4” $600‑$900 929 Unusual French Gilt-Bronze, Enamel and Marble Tazza ca. 1900, the molded marble base with scrolled and leaf-molded feet, and supporting the engineturned and gilt-bronze bowl, set with a circular enamel portrait of a jeune fille, and fitted with pierced, rolled handles decorated with flowers. h. 9‑1/2”, dia. 11‑1/2” $200‑$400 928

241

932 Pair of Siena Marble, Brass and Gilt-Bronze Garniture Urns ca. 1900, in the Empire style, the marble bases set on toupie feet and supporting the marble urns, decorated with engineturned mounts and handles with laurel leaves. h. 13”, w. 3‑3/4”, d. 3‑3/4” Illustrated Online $300‑$500 933 Charles X Mahogany and Marble-Top Center Table second quarter 19th century, the circular rim with a conforming white marble mounted to a hexagonal faceted standard and trifid base with carved paw feet. h. 27‑1/2”, dia. 38”

935

$400‑$700 934 Pair of Restauration Bronze Dore et Patine Candlesticks second quarter 19th century, now mounted as lamps, decorated with patinated bronze figures of Athena supporting gilt-bronze lotus-molded candle cups on cornucopia-molded urns. overall h. 25”, dia. 6” $400‑$700 935 Pair of Silverplated Bouillotte Lamps first quarter 20th century, French, on circular bases with fluted column-form standards and scrolled candle arms set with beaded candle cups and drip pans, set with adjustable greenpainted tole shades, electrified. h. 22”, w. 11”, d. 6‑1/4” $400‑$700 936 Pair of Empire-Style Mahogany Tub Chairs

934

19th century, each with a curved and rounded crest above a padded back, joined by downswept arms on dolphin uprights to the padded seat, raised on sabre legs. h. 32‑1/4” $400‑$700

936

242

933

937 Louis-Philippe Mahogany Pier Table second quarter 19th century, with a serpentine top with beaded edge, on scroll supports, over a serpentine low shelf, the back with a mirror plate, on ring-turned feet. h. 33‑3/4”, w. 38‑3/4”, d. 22‑1/2” $500‑$800 938 Pair of French Crystal and Brass Urn-Form Lamps mid-20th century, molded with fluting and reeding, and resting on square bases. h. 23‑1/2”, w. 5‑1/2”, d. 5‑1/2”

937

$500‑$800 939 Two Banquet Lamps and a Bouillotte Lamp the English Victorian brass and glass banquet lamps with standards terminating in Corinthian capitals, the larger example with a panel-cut crystal font and the smaller one with a swirl-molded glass font, now electrified, h. 20‑1/2” to 32‑1/3”, and the French gilt-bronze and tole-peinte bouillotte lamp with an engine-turned base supporting two hunting horn candle branches, set with engine-turned candle cups and drip pans, with a gilt and white striped tole shade, h. 26‑3/4”, dia. 12‑3/4”. $300‑$500

942 Empire-Style Mahogany, Parcel-Gilt and Marble-Top Console and Mirror early 20th century, the base with carved legs in the form of a cluster of arrows, and decorated with carved and gilded floral swags, and the rectangular beveled mirror above with like decoration, the backside bearing the label of Berkey & Gay Furniture Co., Grand Rapids, Michigan. h. 85‑1/2”, w. 36”, d. 16” $600‑$900

940 Pair of Directoire-Style Fruitwood and Marble-Top End Tables each with a rectangular marble top within a reeded frieze, raised on curule-form end supports, joined by a turned stretcher and ending in foliate ball feet. h. 17”, w. 22‑1/4”, d. 16” Illustrated Online $300‑$500 941 Pair of French Neoclassical-Style Bronze Sconces mid-20th century, the three-light sconces with backplates depicting bowknots and oak leaves, the arms molded as hunting horns, impressed “G&J” on the back. h. 27”, w. 11‑3/4”, d. 7‑3/4” $500‑$800

941 938

942

243

943

943 Suite of Five Restauration-Style Fruitwood Sidechairs late 19th/early 20th century, of gondola form, each with a concave top rail and saber legs. h. 33‑1/2” $500‑$800 944 French Bronze and Marble Garniture Vase second quarter 20th century, in the neoclassical style, with a removable flower holder in the pierced neck, the green-veined marble body surrounded by bronze elements decorated with roses, swags of laurel and acanthus leaves, and resting on bronze fluted feet. h. 24‑1/2”, dia. 9”

945

$400‑$700 945 Pair of French Empire-Style Bronze and Marble Candelabra on green marble bases with gilt-bronze mounts, the patinated bronze male and female standards set with gilt-bronze serpent-molded candle arms supporting molded candle cups. h. 27‑1/4”, w. 10”, d. 8‑1/2” $700‑$1,000

944

244

946 Pair of Directoire-Style Polychrome Sidechairs 19th century, each with a square back centered by a pierced architectural-patterned splat, the caned seat raised on tapering square legs, the whole with delicate polychrome floral accents. h. 35”

950 Empire-Style Bronze and Tole Bouillotte Lamp second quarter 20th century, French, the two-light lamp set with a tole shade, the pierced base supporting the standard, set with a pair of candle arms terminating in dog’s heads. h. 25‑1/2”, w. 9‑3/4”, d. 7‑1/4” $300‑$500

$300‑$500 947 Pair of Blown and Hand-Painted Opaline Vases third quarter 19th century, French, in the Neo-Grec style, decorated with profile portraits in raised gilt “frames”, each with a pontil mark on the bottom. h. 17” $300‑$500 948 Paris Porcelain and Silverplate Tazza third quarter 19th century, French, on a silverplate standard, the bowl decorated with a hand-painted portrait of a young woman wearing a wreath of flowers in her hair, framed with a gilt surround against a Paris green ground. h. 6‑1/4”, dia. 10” Illustrated Online $300‑$500 949 Louis-Philippe Mahogany Desk second quarter 19th century, the superstructure fitted with three drawers, above a paneled rectangular surface, pushing back to reveal a drop-front secretary drawer fitted with an inset leather writing surface and various drawers and cubbyholes, over three short drawers, raised on circular ribbed legs ending in ball feet. h. 41‑1/2”, w. 51‑1/2”, d. 25”

950

$500‑$800

947

949 946

245

951 Semi-Antique Sarouk Carpet 3’ 2” x 5’ 6” Illustrated Online $500‑$800 952 Silk Tabriz Pictorial Carpet 6’ 4” x 10’ 3” Provenance: Estate of Nancy Nye Harrell, Houston, Texas. $500‑$800 953 Semi-Antique Hamadan Carpet 3’ 8” x 11’ Illustrated Online $400‑$700 954 Semi-Antique Moroccan Carpet

957

955

2’ 10” x 5’ Illustrated Online $500‑$800 955 Turkish Angora Oushak Carpet 10’ x 13’ 10” $1,000‑$1,500 956 Kazvin Carpet 10’ x 13’ $1,000‑$1,500 957 Mazlagan Runner 3’ 5” x 9’ 9” $350‑$500

952

246

956

958 Semi-Antique Kashan Carpet 8’ 8” x 11’ 10” $1,000‑$1,500 959 Agra Carpet 11’ x 21’ $1,000‑$1,500

958

959

247

960 Semi-Antique Mashad Carpet 9’ 6” x 12’ 8” $500‑$800 961 Semi-Antique Kashan Carpet 4’ 5” x 5’ 10” $700‑$1,000 962 Antique Turkish Silk Carpet 4’ x 6’ $400‑$700

960

962

961

248

963 Alan Flattmann (American/Louisiana, b. 1946) “Cooking Syrup”, 1978 oil on canvas signed lower right, titled, signed and dated en verso stretcher.

Framed.

18” x 28” $800‑$1,200 964 Catherine “Tinka” Tarver (American/Texas/San Antonio, b. 1932) “Three Pillars”

965

965 Noel Rockmore (American/Louisiana, 1928‑1995) “Just Hangin’ Out”

three wood and mixed media sculptures from the “Reunion” series, two signed and titled on bottom. Together with the original receipt from the artist.

83” x 9‑1/4” to 88” x 10‑3/4”

oil and collage on canvas board signed lower right.

Framed.

24” x 36”

Provenance: Purchased directly from the artist, 1995; Estate of Carolyn G. Fay, Houston, Texas.

Provenance: Naomi Damonte Marshall/Downtown Gallery, New Orleans, Louisiana.

A native of San Antonio, Texas, Tarver attended the University of Texas at Austin before returning to her hometown. In the 1990s, she began a series of monumental painted wood pillars. Incorporating various media, including metal, these sculptures were meant to be arranged in groups of three or more to form an imposing totemic phalanx.

$600‑$900

$1,400‑$1,800

963

964

249

966 Noel Rockmore (American/Louisiana, 1928‑1995) “Portrait of a Man in Red”, 1963 oil on coarsely woven canvas signed and dated upper right.

Framed.

38” x 30‑1/2” $800‑$1,200 967 Alan Flattmann (American/Louisiana, b. 1946) “Portrait of a Young Israeli Girl with a Basket” pastel on paper signed lower left, a “Bryant Galleries/Jackson” label en verso.

Matted, glazed and in a frame with artist’s plaque. sight 23‑3/4” x 15” Illustrated Online $500‑$800 968 Jack Cooley (American/Louisiana, 1923‑2008)

966

“Cabildo Alley” oil on canvas board signed lower right, signed and titled en verso.

Framed.

24” x 20” $600‑$900

968

969 Rolland Golden (American/Louisiana, b. 1931) “American Opulence”, 1969 acrylic on canvas laid down on board signed and dated lower right.

Matted, glazed and framed. sight 29” x 20‑3/4” $500‑$800

969

250

970 George Thurmond (American/Mississippi, b. 1949) “Autumn Clouds”, 1993 oil on paper signed lower right, signed, titled and dated en verso.

Matted, glazed and framed.

5” x 7” $500‑$800 971 Phil Sandusky (American/Louisiana, Contemporary) “The Gray House”, 1987

971

oil on canvas signed and dated “1987” lower right, a “The Carol Robinson Gallery/New Orleans, Louisiana” label en verso.

Framed.

20‑1/4” x 23‑1/4” $600‑$900

972

972 Southern School (First Quarter 20th Century) “Audubon Park” oil on canvas board illegibly signed lower right.

Framed.

14” x 17” $400‑$700

970

251

973 Tony Green (American/Louisiana, b. 1954) “Quarter Rooftops”, 2004 oil on canvas monogrammed lower right, signed, dated, titled and with studio stamp en verso canvas.

Framed.

24” x 36” $600‑$900 974 Charles Reinike (American/Louisiana, 1906‑1983) “River Cabin”

974

watercolor on paper signed lower right.

Matted, glazed and framed. sight 10‑1/4” x 13‑3/4” $600‑$900 975 Charles Reinike (American/Louisiana, 1906‑1983) “The Red Pirogue” watercolor on paper signed lower left.

Matted, glazed and framed. sight 10‑1/2” x 14” $700‑$1,000 975

973

252

976 Karl Wolfe (American/Mississippi, 1904‑1985) “Jonquils” oil on canvas signed lower right, titled and further inscribed en verso stretcher.

Framed.

16” x 20” $600‑$900

977 Donny Finley (American/Alabama, b. 1951) “Sunset”

976

pastel on paper signed lower right.

Matted, glazed and framed. sight 5‑3/4” x 6‑1/2” Illustrated Online $600‑$900

978 Noel Rockmore (American/Louisiana, 1928‑1995) “Mardi Gras Crowd” pastel on paper unsigned.

Glazed and framed.

38‑1/2” x 13‑1/4”

978

$800‑$1,200

979 Lamar Briggs (American/Louisiana, b. 1935) “Cosas VIII”, Houston oil on canvas mongramed, titled and localized en verso.

Presented in a thin gallery frame.

50” x 60” Provenance: Collection of George L. Murray, Houston, Texas. $500‑$800 979

253

980 Lamar Briggs (American/Louisiana, 1935‑2015) “Mountain Mist” oil on canvas signed and titled with a “DuBose Gallery” label en verso.

Presented in a thin gallery frame.

60” x 60” Illustrated Online $800‑$1,200 981 Nell C. Tilton (American/New Orleans, b. 1946)

981 two of two

981 one of two

“Reclining Female Nude”, 1999, and “Still Life with Vases”, 1998 former watercolor and crayon on paper, signed and dated lower right; latter gouache on paper, signed and dated lower right.

Both matted, glazed and framed. sight 11‑1/2” x 8‑1/2” and 9” x 15”, respectively Illustrated Online $400‑$700 982 John McCrady (American/Louisiana, 1911‑1968) “Sketch of Eve” graphite on paper unsigned.

982

sheet 13‑3/4” x 16‑3/4” Provenance: Naomi Damonte Marshall/Downtown Gallery, New Orleans, Louisiana. $700‑$1,000 983 Robert Gordy (American/Louisiana, 1933‑1986) “Mountain Landscape”, 1979 mixed media signed and dated lower left.

Matted, glazed and framed. sight 10” x 16‑1/4” $700‑$1,000 983

254

984 Leonard Flettrich (American/Louisiana, 1916‑1970) “Jesters’ Gestures” pastel on paper signed lower right.

Float-mounted, glazed and framed. sheet 22‑1/2” x 19” Provenance: Naomi Damonte Marshall/Downtown Gallery, New Orleans, Louisiana. $700‑$1,000 985 Justin Garcia (American/Texas, Contemporary) “Green Reflection” mixed media on gallery-wrapped canvas unsigned.

40” x 40” Provenance: Private collection, Houston, Texas; purchased directly from the artist. $1,500‑$2,500 986 George Dureau (American/Louisiana, 1930‑2014)

986

“A Carnival Bestiary, Mardi Gras New Orleans” color lithograph pencil-signed lower center, titled lower left and marked “Artists proof” lower right.

Matted, glazed and framed. sight 34‑1/2” x 23” $700‑$1,000

985

984

255

987 John McCrady (American/Louisiana, 1911‑1968)

988 John McCrady (American/Louisiana, 1911‑1968)

“Carnival in New Orleans”, 1947

“Standard Oil”

lithograph on paper pencil-signed lower right, titled lower left, initialed in plate lower right.

Glazed and framed. sheet 12” x 16”

lithograph initialed in plate lower left.

Glazed and framed. sheet 17‑1/2” x 13”

Provenance: Naomi Damonte Marshall/Downtown Gallery, New Orleans, Louisiana. $800‑$1,200

Provenance: Naomi Damonte Marshall/Downtown Gallery, New Orleans, Louisiana. $500‑$800 989 George Rodrigue (American/Louisiana, 1944‑2013) “The 53rd Presidential Inaugural” artist proof serigraph signed lower right, bearing signatures of Bill Clinton and Al Gore lower center, numbered “14/100” and further inscribed lower left.

Glazed and framed. sight 38” x 23‑1/2” Notes: Accompanied by a Certificate of Authenticity issued by ProCReations Publishing Company $1,000‑$1,500

987

988

256

989

990 George Rodrigue (American/Louisiana, 1944‑2013) “Blue Dog and Brees” 2007 color silkscreen, limited edition to benefit the Brees Dream Foundation signed lower right in print, and pencil numbered “558/15000” lower left margin.

Matted, glazed and framed. sight 32‑1/2” x 19‑5/8” $900‑$1,200 991 George Rodrigue (American/Louisiana, 1944‑2013) “We Will Rise Again”, 2005 color silkscreen, limited edition to benefit Hurricane Katrina Relief titled lower center, pencil-signed lower right, accompanied by a September 2005 printed statement by the artist regarding the print.

Matted, glazed and framed. sight 27” x 20” $1,000‑$1,500 992 George Rodrigue (American/Louisiana, 1944‑2013) “Choo-Choo Ch’Boogie”, 2014

990

color lithograph signed lower left in print and numbered “13/275” lower right, lower left margin with Rodrigue Estate Stamp, and accompanied by Rodrigue Foundation certificate of authenticity.

Unframed. image 24” x 36”, sheet 28‑1/4” x 41‑1/2” $1,000‑$1,500

991 992

257

993 George Rodrigue (American/Louisiana, 1944‑2013)

995 Harold Finster (American/Georgia, 1916‑2001)

“We Blues Dem Away (Ain’t That Super)”, 2010

“News Cast. Oklahoma City...”, 1985

color silkscreen, limited Superbowl edition pencil-signed and numbered “89/5000” lower margins.

Matted, glazed and framed. sight 31” x 23‑7/8”

carved and painted wood with glitter signed at proper left foot, inscriptions at base and at back. h. 16‑3/4”, w. 8‑3/4”, d. 3‑3/4”

$1,200‑$1,800 994 George Rodrigue (American/Louisiana, 1944‑2013)

Provenance: Collection of Julia Brooks and Clarke Thomas Reed, Greenville, Mississippi. $600‑$900

“Easel”, 2004 enameled metal signed and dated along one side of base, inscribed “To Charles” along the other. h. 75‑1/2” $800‑$1,200

995 front

995 back

994

994 detail

258

993

996

1001

998

997

996 Pair of American Chippendale Sidechairs mid-18th century, Pennsylvania, each with a shaped crest rail and splat, raised on cabriole legs with trifid feet. h. 40” $600‑$900 997 Early American Cherrywood Chest of Drawers mid-18th century, New Hampshire, in the Chippendale taste, with a rectangular single-board top mounted to the case, fitted with two long drawers over three side-by-side drawers, the central drawer with a fan-carved motif, raised on short legs ending in ball-and-claw feet. h. 36‑1/2”, w. 41”, d. 20”

999 American Cherry Dressing Table 18th century and later, the case with two drawers, raised on period legs with pad feet. h. 27‑1/4”, w. 32”, d. 17” Illustrated Online $300‑$500 1000 Pair of American Colonial Revival Brass Ball-Top Andirons ca. 1900, resting on paw feet, with ball-top finials on hexagonal standards, set with log stops matching the tops of the finials. h. 29‑1/2”, w. 13‑3/4”, d. 24” Illustrated Online

$500‑$800

$300‑$500

998 American Chippendale Cherry Game Table

1001 Philadelphia Chippendale-Style Mahogany Tripod Table

second half 18th century, New England, the serpentine foldover top supported by a fly leg, the apron fitted with a drawer over a dentillated lower edge, raised on molded Marlborough legs. h. 28‑3/8”, w. 34”, l. 16‑3/4”, ext. l. 33‑1/2”

20th century, the large tilting piecrust top with a full raised edge, above a birdcage support to a turned baluster-form standard to three splayed legs headed by foliate shield carving and ending in ball-and-claw feet. h. 29”, dia. 34‑1/2”

$500‑$800

$500‑$800

259

1002 Good American Carved Mahogany Lolling Chair 18th century, New England, the arched and peaked, padded back with graceful curved arms and dramatic knuckleroll, raised on Marlborough legs with pegged construction throughout. h. 41‑1/2” $1,200‑$1,800 1003 American Patinated Bronze of “George Washington”, ca. 1900 the first President of the United States depicted as a Roman Senator, draped in a toga. h. 12‑3/4”, w. 4‑1/2”, d. 4‑1/2” $500‑$800 1004 American Mahogany-Veneered Tall Case Clock 1002

second quarter 19th century, probably Pennsylvania, with turned feet and a paneled base, turned colonettes matching those on the hood, flanking the door, the painted sheet iron dial with basket-of-fruit spandrels and a cottage painted in the lunette, the works set with a calendar and miniature hand, the hood set with a swan’s-neck pediment and brass finials. h. 94‑1/2”, w. 20‑1/2”, d. 10” $400‑$700 1005 American Federal Mahogany “Butler’s Chest” first quarter 19th century, in the Hepplewhite taste, the upper drawer with an oval veneered panel edged by stringing and opening to reveal a fitted interior, over a bank of three graduated drawers, each with perimeter cross-banding and beading, a scalloped apron and tall flare feet. h. 44‑3/4”, w. 43”, d. 20‑3/4” $300‑$500

1003

260

1005

1004

1006 Pair of Chinese Blue and White Ginger Jars

1008 Colonial Revival Mahogany Sideboard

in the Ming style but later, each of eight-sided squat baluster form, decorated to the exterior with three-claw dragons chasing the flaming pearl, with an apocryphal six-character Xuande mark, each cover of dome form with peach-form finial, the base unglazed and unmarked, together with hardwood stands. h. 16”, dia. 10”

20th century, in the Hepplewhite taste, retaining the brass plaque “Landstar Furniture, Rockford, IL”, the case with a pair of drawers flanked by rounded doors, raised on tapering linestrung legs on spade feet, the drawers and doors edged with satinwood banding, the legs with inlaid stringing, the base of the case with “checkerboard” stringing. h. 37”, w. 72”, d. 23”

$300‑$500

$600‑$900

1007 American Federal-Style Mahogany Game Table

1009 Two Pieces of Blue and White Porcelain

late 19th century, in the Hepplewhite taste, with a fold-over top, line stringing throughout, the frieze centered by a figural panel. h. 29‑3/4”, w. 36”, d. 17‑3/4”, ext. l. 35‑1/2”

comprising a Japanese bowl with flared lip, decorated to the interior and exterior with a fluid floral design, dia. 15‑1/2”, and a Chinese-style lamp, of elongated baluster form, having elephant-form hanging loop handles and decorated with grapes and flowers, mounted on a hardwood base, with single bulb fixture, h. 20‑3/4”.

$500‑$800

$600‑$900

1007

1009

1006

1008

261

1010 Vernacular American Cherry Corner Cupboard second quarter 19th century, in two parts, the upper section with a cyma-molded cornice over a pair of arched mullioned doors, the base with a pair of drawers, over a pair of paneled doors, with scalloped apron and bracket feet. h. 85”, w. 56”, d. 20‑1/2” $700‑$1,000 1011 American Federal-Style Cherry Chest second half 19th century, with a bank of four beaded and graduated drawers, on bracket feet. h. 35‑1/4”, w. 38‑3/8”, d. 21” $500‑$800 1012 American Sheraton Stained Poplar Tester Bed second quarter 19th century, the sunburst-upholstered tester supported by segmented turned posts, supporting a single-board shaped headboard. h. 92”, inside w. 53”, l. 72‑3/8”, outside w. 59‑1/4”, l. 80” 1010

$500‑$800

1011 1012

262

1015

1016

1013 American Late Federal Figured Birch Slant-Lid Desk early 19th century, in the Sheraton taste, the lid opening to reveal a segmented interior, over a bank of four graduated drawers, a scalloped apron and turned legs. h. 43”, w. 41‑1/4”, d. 20” $700‑$1,000 1014 Vernacular American Sheraton Walnut Drop-Leaf Breakfast Table second quarter 19th century, the single-board top and leaves with molded edges, raised on turned legs. h. 29”, w. 36”, l. 19‑3/4”, ext. l. 53” Illustrated Online $500‑$800 1017

1015 Assembled Brass Fender and Andirons Set first quarter 19th century, Anglo-American, including a pair of American andirons with faceted urn finials and penny feet, h. 20”, w. 11”, d. 20‑1/2”, and a Regency brass fender decorated with pierced ivy leaves and a raised bolection molding, h. 8”, w. 54‑1/2”, d. 15‑1/2”. $400‑$700 1016 American Cherry Drop-Leaf Dining Table mid-19th century, with two leaves. h. 28”, w. 45”, l. 25‑1/2”, ext. l. 55” $300‑$500 1017 Two American Tiger Maple Stands 19th century, one with a rectilinear tilt top with shaped corners, on a ring-turned pedestal with tripodal base, h. 26‑1/2”, w. 23”, d. 15‑1/2”, and the other with a circular dished top affixed to a tripodal stand, h. 27‑1/4”, dia. 21”. $400‑$700

1013

263

1018 Assembled Brass Fender and Andirons Set first quarter 20th century, Anglo-American, including a Regency-style pierced brass fender on paw feet, h. 11‑1/2”, w. 48‑1/2”, d. 11‑1/2”, and an unusual pair of Colonial Revival brass beehive-turned andirons on balland-claw feet, h. 20‑1/2”, w. 9‑1/2”, d. 19‑1/2”. $400‑$700 1019 Suite of Six American Sheraton Painted Fancy Chairs 1023

second quarter 19th century, each with stenciled decor, a faux rosewood finish, reed seat and turned legs. h. 33” $400‑$700 1020 American Rock Maple Butcher Block early 20th century, the thick solid maple chopping block mounted to four removable slightly tapered square legs. h. 30”, w. 20”, d. 20” $300‑$500 1021 Painted and Paneled Cypress Architectural Column ca. 1900, Louisiana, now mounted as a floor lamp, with a shade. h. 77‑1/2”, dia. 28” $150‑$300 1022 American Painted Pine Architectural Medicine Cabinet first quarter 20th century, the door set with a mirror. h. 38”, w. 28”, d. 7” Illustrated Online

1020

$50‑$80

1021

1019

264

1023 American Sheraton Table and a Classical-Style Stool the early 19th-century maple and cherry table with drawers at each end, the face with banded birdseye maple and knobs simulating a drawer, on turned legs, h. 29‑1/4”, w. 33‑1/4”, d. 18‑1/2”, and the Classical-style mahogany stool of curule form, h. 17‑1/2”, w. 18”, d. 13”. $400‑$700 1024 Two American Classical Mahogany Tilt-Top Stands first quarter 19th century, New York, each with an oval top on a tapering turned and vasiform pedestal joined to a tripodal base, with slight variations in shape and size. h. 27‑1/4”, w. 23”, d. 16‑1/2” and h. 29‑5/8”, w. 23”, d. 16‑1/4” $500‑$800 1025 New England Federal Giltwood Tabernacle Mirror

1026

first quarter 19th century, with rope-twist columns flanking the tablet, decorated with grapes and grape leaves beneath a cove-molded cornice set with gilt spherules and molded wreaths and anthemia. h. 56‑1/4”, w. 31” $300‑$500 1026 American Classical Mahogany Work Table first quarter 19th century, the top flanked by drop leaves, the frieze with a pair of drawers over a yarn drawer upholstered in yellow silk sunburst, on reeded saber legs with brass paw cup casters. h. 30‑1/4”, w. 18‑1/2”, d. 21”, ext. w. 35” Provenance: Acquired by the consignor from Don Didier, New Orleans. $400‑$700

1024

1025

265

1029 Late Classical-Inspired Mahogany Poster Bed

1027 Exceptional Paris Porcelain Urn

the headboard with a “vintage”-carved rolling pin top rail, the headboard and footboard panels supported by carved paneled posts, on turned feet with like carving. h. 88”, inside w. 61”, l. 82”, outside w. 67”, l. 92”

first quarter 19th century, attributed to Dagoty, with a band of molded biscuit flowers around the top, the primary portion of the urn with a matte blue ground, decorated with a roundel portrait of “Calliope” on the obverse and delicately tooled gilt neoclassical ornamentation on the reverse. h. 13‑1/4”, dia. 8‑1/2”

$500‑$800

1030 American Classical Mahogany Drop-Leaf Table

$400‑$700 1027

1028 Pair of Paris-Style Porcelain Urns

ca. 1825, the single-board top with a reeded edge, flanked by like drop leaves, each end of the frieze fitted with a drawer, raised on a turned column joined by sabre-form legs with foliate-carved upper scrolls and brass paw cup casters, the drawers and legs adorned with brass stringing. h. 30‑1/2”, w. 48”, l. 24‑1/2”, ext. l. 47” $500‑$800

mounted as lamps, on molded brass bases, the vases decorated with polychrome landscapes and set with biscuit seated sphinx handles. base h. 20”, overall h. 37‑1/4”, w. 7‑3/4” $500‑$800

1030

1029 1028

266

1032

1031 Paris Porcelain “Anneau d’Or” Dessert Stand second quarter 19th century, with four tiers, the top “dish” designed to hold a “finial” of fruit, on paw feet. h. 16‑1/2”, dia. 9‑1/2” $300‑$500 1034

1032 Suite of Six American Late Classical Mahogany Dining Chairs second quarter 19th century, school of Duncan Phyfe & Son, each with a shaped back with well-figured splat, the serpentine seat over a conforming apron, raised on canted cabriole legs. h. 34‑1/4” $700‑$1,000 1033 American Late Classical Mahogany Drop-Leaf Table

1031

second quarter 19th century, the single-board top flanked by like leaves, over a cyma-molded apron, raised on a vasiform pedestal on a concave base with scroll feet. h. 30”, w. 41”, l. 24‑3/4”, ext. l. 57‑3/4” $400‑$700 1034 American Classical-Style Mahogany Center Table second quarter 20th century, the gadrooned circular top raised on a foliate-carved vasiform pedestal supported by legs with like carving and paw feet. h. 28‑1/2”, dia. 40 h. 28‑1/2”, dia. 40” $400‑$700

1033

267

1035

1037 American Classical Revival Mahogany Nine-Tube Chiming Case Clock ca. 1900, with an arched cornice, the beveled and glazed door flanked by columns, on scroll feet, the movement by J. J. Eliot, London, and the face so marked. h. 92‑1/2”, w. 25‑1/2”, d. 18” $1,000‑$1,500

1036

1035 Pair of Paris Porcelain Hand-Painted Cachepots second quarter 19th century, the black grounds hand-painted with flowers and decorated with scrollwork and lion’s head handles, formerly fitted with undertrays. h. 6”, dia. 5‑3/4” $400‑$700 1036 American Gothic Revival Walnut Secretary Bookcase mid-19th century, of late classical form, in two parts, the upper section with a cove-molded column over a pair of glazed doors, each with Gothic tracery, the base with a fold-over top, the underside fitted with a tooled leather writing surface, the interior with storage niches, over a pair of paneled doors with Gothic arches and trefoils, veneered throughout with carefully selected burlwood. h. 92‑1/4”, w. 46‑1/2”, d. 24‑1/2” $800‑$1,200

268

1037

1038 Twelve-Piece Suite

1038 Twelve-Piece Suite 1038 Twelve-Piece Suite

1038 American Late Classical Revival Twelve-Piece Dining Suite ca. 1900, comprised of a banquet table with a split pedestal and a rack of six leaves, h. 30”, dia. 60”, ext. l. 134”, a server with paw feet, h. 40‑1/2”, w. 48‑1/4”, d. 23”, and a suite of ten chairs, including two armchairs, h. 41‑1/2”, and eight sidechairs, h. 39‑3/4”. $1,200‑$1,800 1039 Mahogany Tester Bed of Late Classical Inspiration the projecting cornice supported by “vintage”-carved twist-reeded and paneled posts, the rolling-pin headboard with like carving. h. 88‑7/8”, inside w. 80”, l. 81”, outside w. 87”, l. 89” $1,000‑$1,500 1039

269

1040 British School (Second Half 19th Century) “Portrait of Five Siblings” oil on canvas unsigned.

Framed.

26” x 33‑1/4” $800‑$1,200

1041 British School (Mid-19th Century) 1040

“Portrait of a Young Girl” oil on board unsigned.

Presented in a giltwood frame.

39‑1/2” x 26‑1/2” $700‑$1,000

1042 American School (Second Quarter 19th Century) “Folk Art Portrait of a Gentleman and His Son” oil on canvas unsigned.

Framed.

36” x 28‑3/4” $700‑$1,000

1042

1041

1043 British School (Fourth Quarter 19th Century) “Rest for the Weary” oil on panel unsigned.

Presented in a giltwood frame.

16” x 24” $800‑$1,200

1043

270

1044 American School (Second Quarter 19th Century) “Pair of Pendant Portraits of a Gentleman and a Lady” oils on canvas unsigned.

Framed alike.

30” x 23‑3/4” and 29‑1/2” x 24‑3/4”, respectively $700‑$1,000

1044 one of two

1044 two of two

1045 British School (Fourth Quarter 19th Century) “Portrait of a Scottish Woman with a Fur Stole” oil on canvas unsigned.

Framed.

31” x 25” $400‑$700

1046 French School (Mid-19th Century)

1045

“Portrait of Marie de Sentmanat (1841‑1861), Wife of Esquire Philippe Villere”, ca. 1860 pastel on paper unsigned, frame backing with French and English handwritten inscriptions identifying the sitter. Matted, glazed and framed.

25‑5/8” x 21‑1/4” Provenance: With the sitter; to her sister Anais de Sentmanat Eustis, New Orleans, Louisiana, 1861‑1907; to her niece Lydia E. Eustis Loudon, Wassenaar, Holland, 1907‑1957; to her great niece Lydia E. Eustis Rogers, Birmingham, Alabama, 1958‑1991; to her great-great nephew, Ms. Rogers’ son, the late William “Wayne” Rogers, III, Birmingham, Alabama, 1991‑2015. $400‑$700 1046

271

1049

1047

1048

1050

1047 Tiffany & Co. Sterling Silver Butter Dish the pattern introduced in 1875, this example before 1891, New York, New York, domed with button finial and milled ovolo edging, the liner lacking, monogrammed “JF”. h. 4‑1/4”, dia. 6”; 13.22 t. oz. $400‑$700 1048 Four American Mid-Atlantic Coin Silver Serving Pieces first half 19th century, including a a Shepherd & Boyd, Albany, “Coffin Handle” tablespoon, monogrammed “LS”, l. 9‑3/8”, and a Fletcher and Gardiner, Philadelphia, soup ladle, l. 13‑7/8”, and two sauce ladles, l. 7‑7/8”, all in the “Fiddle Thread and Shell” pattern, monogrammed “CSB”.

18.03 total t. oz. $400‑$700

1049 Twenty-Five Pieces of Wood & Hughes “Engraved” Sterling Silver Flatware fourth quarter 19th century, New York, retailed by James R. Reed & Co., Pittsburgh, Pennsylvania, including four tablespoons, l. 8‑1/4”, eleven place spoons, l. 6‑3/4”, seven teaspoons, l. 5‑3/4”, a punch ladle, l. 12‑1/2”, a sauce ladle, l. 7”, and a cream ladle, l. 6‑1/2”, the ladles with gilt bowls, all monogrammed “HMMcC”.

32.74 total t. oz. $500‑$800 1050 American Sterling Silver Fruit Basket first quarter 20th century, oval with shaped and pierced rim, with engraved decoration and swing handle and domed foot en suite. h. 14‑1/2” (with handle), l. 12”, w. 9‑3/4”; 22.65 t. oz. $400‑$700

272

1051 Fifty-Five Pieces of Assorted Sterling Silver Tableware fourth quarter 19th century and later, including a dozen Whiting “Louis XV” pastry forks, monogrammed “GCW”, l. 6‑1/4”, a dozen Gorham “Old Baronial” bouillon spoons, l. 4‑7/8”, six Whiting “Old King” gumbo spoons, monogrammed “GCW”, l. 6‑3/4”, eight Gorham unidentified dessert knives with close plate blades, l. 7‑1/2”, five John R. Wendt “Florentine” individual berry spoons, l. 5”, and a berry server, l. 8‑3/8”, with gilt bowls and monogrammed “GCW”, six French Boin “King” sorbet spoons, l. 5‑1/2”, and five amusing Gorham 1881 butter pats engraved with cows, a sheep and a milkmaid, w. 2‑7/8”.

43.23 total t. oz. (weighable silver) $500‑$800 1052 Set of Four Sterling Silver Columnar Candlesticks

1051

second quarter 20th century, by International Silver, Meriden, Connecticut, each with a bulbous standard, beaded bobeche and square base. h. 6‑1/4”, w. 2‑3/4”; weighted $400‑$700 1053 Two American Coin Silver Porringers second quarter 19th century, one by Davis, Palmer & Co., Boston, Massachusetts, dia. 5”, the other unmarked, dia. 4‑1/2”, both of traditional circular form with strapwork handle, the unmarked example monogrammed “CC to EBH”.

10.20 total t. oz.

1052

$500‑$800 1054 Tiffany & Co. Sterling Silver Bowl the pattern introduced in 1884, this example before 1891, New York, New York, oval with lobed side and scalloped rim. h. 2‑1/2”, l. 9‑1/2”, w. 7‑1/2”; 14.48 t. oz. $300‑$500 1055 Pairpoint Silverplate and Glass Center Bowl ca. 1900, New Bedford, Massachusetts, the oval silverplate frame with espagnolette-crested lion’s paw feet joined by laurel and ribbon swags centered with portrait medallions, fitted with a cut glass bowl. overall h. 6‑3/4”, l. 14‑1/4”, w. 10‑3/4”

1055

$600‑$900

1053

1054

273

1056

1058 1059

1060

1056 American Silverplate Covered Casserole third quarter 20th century, by the Continental Silver Co., Brooklyn, New York, scalloped oval form with shell-andscroll banding and edging, with cornucopia-mounted acrylic handles and shell-and-acanthus finial and feet. h. 8”, l. 20‑3/4”, w. 14” $300‑$500 1057 Reed & Barton “King Francis” Silverplate Tray third quarter 20th century, Taunton, Massachusetts.

30‑1/2” x 21‑1/2” $500‑$800 1058 Lunt “Modern Victorian” Sterling Silver Flatware Set the pattern designed in 1941 by Frederick William Koonz (1868‑1958), fifty-five pieces, including a dozen five-piece place settings (seven pieces lacking) and two serving pieces, no monograms.

54.92 total t. oz. (weighable silver) Detailed list of pieces available on request. $600‑$900

274

1057

1059 Twelve International “Prelude” Sterling Silver Demitasse Cups and Saucers the pattern designed in 1939 by Alfred Grover Kintz (1885‑1963), Meriden, Connecticut, including twelve cup holders, twelve saucers and twelve unmarked porcelain “anneau d’or” liners. overall h. 2‑3/4”, dia. 4”; 27.80 total t. oz. (excluding liners) $500‑$800 1060 Two Pieces of American Sterling Silver Hollowware including a Gorham divided vegetable bowl, 1902, circular, lobed with rococo scroll rim, dia. 10‑1/4”, and an S. Kirk & Son bread tray, second quarter 20th century, oval with repousse flowers, l. 11‑3/4”.

29.42 total t. oz. $400‑$700

1061 Thirty Pieces of Reed & Barton “Spanish Baroque” Sterling Silver Flatware the pattern introduced in 1965, Taunton, Massachusetts, including six each place forks, l. 7‑1/4”, salad forks, l. 6‑1/4”, teaspoons, l. 5‑7/8”, iced tea spoons (one lacking), l. 7‑1/4”, and place knives, l. 9”, with one tablespoon, l. 8‑1/2”, no monograms.

36.96 total t. oz. (weighable silver) $400‑$700 1062 Pair of Gorham Sterling Silver “Cambridge” Convertible Candelabra third quarter 20th century, Providence, Rhode Island, each pair in four parts - base, standard, arms and finial socket permitting them to be arranged as candlestands, h. 4‑1/2”, candlesticks, h. 10”, or four heights of candelabra, 7‑1/2” to 15‑1/4”, w. 15‑1/8”. weighted $400‑$700

1063 Pair of South Asian Silver Candlesticks mid-20th century, each with a spiral column standard and Corinthian capital nozzle, raised above a domed base decorated with three tiger pelts separated by three figural angel legs above tiger paw feet. h. 6‑3/4”; 35.34 total t. oz.

Illustrated Online $400‑$700 1064 South American Silver Candlestick late 19th century, unmarked, in the colonial taste, with tall socket and beaded circular saucer base. h. 9‑3/4”, dia. 6”; 17.46 t. oz. $400‑$700 1065 South American Silver Bowl late 18th/early 19th century, maker’s mark “J.L”, of serpentinelobed oval form with molded rim, monogrammed “NL”. h. 2‑1/4”, l. 16‑1/2”, w. 11”; 41.44 t. oz. $700‑$1,000

1061

1062

1065 1064

275

1069 Two Sets of Wine Glasses

1066 Handsome Bohemian Hand-Painted Glass Vase

including a set of six rhine wine glasses with cranberry bowls and raised gilt decoration, possibly Moser, Czech, second quarter 20th century, h. 8‑3/4”, dia. 2‑1/2”, and a set of four Bohemian green cut-to-clear glasses with gilt decoration, h. 7‑1/2”, dia. 3”.

Illustrated Online

third quarter 19th century, decorated with flowers and trimmed with gilt, the neck with a ruffled edge. h. 13‑3/4”, dia. 6” Illustrated Online $400‑$700

$300‑$500

1067 Pair of Bohemian Hand-Painted Glass Trumpet Vases

1070 American Aesthetic Movement Stained Cherry Parlor Suite

third quarter 19th century, decorated with flowers and trimmed with gilt, the bottoms with ground pontil marks. h. 10”, dia. 6”

fourth quarter 19th century, comprised of a settee, h. 33”, w. 58‑3/4”, d. 22‑1/2”, a pair of armchairs, h. 39”, and a pair of sidechairs, h. 36‑1/2”, each with a crest rail with a carved masque, the stiles capped by carved children’s heads.

$500‑$800

Similar carved heads sit atop the stiles of a sidechair by George Schastey, New York, as well as dressing room furniture in the Metropolitan Museum of Art, New York. In later years, Schastey also managed a factory making production furniture.

1068 Pair of Franco-Bohemian Opaline Vases third quarter 19th century, the trumpet-form clambroth vases with a blue ruffled upper rim and decorated with gilt vines and berries, with a polished pontil mark. h. 9‑1/2”, dia. 4‑1/4” Illustrated Online

$600‑$900

$400‑$700

1070 detail

1067

1070

276

1071 Silvered Bronze Chandelier in the Neo-Gothic Taste ca. 1900, of small size, the frame decorated with Gothic piercing and a molded Gothic standard with three standing classical figures, the downturned lights around the base and set with frosted shades. h. 24”, dia. 13” $700‑$1,000 1072 American Aesthetic Ebonized and Marble-Top Pedestal fourth quarter 19th century, the column-form standard with a capital incised with sunflowers and lotus flowers. h. 41”, dia. 14‑1/2”

1073 pair

$300‑$500 1073 Pair of Black Metal and Textured Glass Lanterns

1071

20th century, the faceted sides set with Gothicstyle panels. h. 21”, dia. 10” $400‑$700 1074 Keuffel & Esser Bronze Telescope early 20th century, New York, with leveling devices, signed on the base. h. 9” to 12”, w. 4” to 5”, d. 19‑1/2” Illustrated Online $300‑$500

1075

1075 Collection of Fireplace Implements 19th century and later, including a pair of Victorian brass andirons in the Renaissance taste, h. 18”, w. 8‑1/2”, a three-piece American Classical cast iron fire tool set comprising a pair of tongs, h. 21‑1/2”, a shovel, h. 30‑1/2”, and a poker, h. 31‑1/2”, a pair of Victorian brass andirons in the Renaissance taste, h. 10‑3/4”, and a Federal-style fire tool holder with matching poker and tongs, h. 23”, w. 5”, d. 7‑1/2”. $300‑$500 1076 Collection of Brass Fireplace Implements late 19th century and later, including a pair of Victorian brass andirons in the Renaissance taste, h. 10‑3/4”, and a Federal-style fire tool holder with matching poker and tongs, h. 23”, w. 5”, d. 7‑1/2”.

Illustrated Online $300‑$500 1072

277

1077

1078

1077 American School (Fourth Quarter 19th Century) “The Gardens in Grisaille”

1080

1079 Two Rootwood Canes

oil on canvas Unframed.

74” x 40”

one carved with a snake encircling the cane, a carved courting couple forming the handle, l. 35‑1/2”, and the other a memory cane inscribed with various names, done in various hands, first quarter 20th century, l. 34”.

Illustrated Online

$600‑$900

$300‑$500

1078 American Aesthetic Movement Walnut Bookcase

1080 American Arched Stained Glass Window

fourth quarter 19th century, the carved crest flanked by a spindle gallery over a pair of bisected glazed doors on a projecting base with two drawers. h. 106”, w. 54”, d. 17”

fourth quarter 19th century, decorated with leaded, colored flowers interspersed with colorless beveled glass flowers. h. 28‑1/4”, w. 82”

$600‑$900

278

$700‑$1,000

1081 American Slag and Leaded Glass Chandelier first quarter 20th century, with caramel panels and a border of polychrome flowers. h. 14”, dia. 24‑1/2” $400‑$700 1082 American Aesthetic Movement Cherry Etagere

1081

fourth quarter 19th century, molded with a panoply of shaped display shelves backed by beveled mirror plates, raised on gilt-metal ball-andclaw feet. h. 77”, w. 43‑1/2”, d. 12‑1/2” $700‑$1,000 1083 Aesthetic Movement Lacquer and Bamboo Bookcase ca. 1900, the gallery over a lacquered top, with two glazed doors, the sides and interior shelves in chinoiserie decor. h. 49‑1/4”, w. 30‑1/2”, d. 12‑3/4” $500‑$800 1084 Continental Faux Bamboo Pine Armoire fourth quarter 19th century, in the Aesthetic taste, with an arched cornice, single mirrored door and drawer below. h. 90”, w. 37‑1/4”, d. 18”

1083

$600‑$900

1082

1084

279

1085 Suite of Eight American Late Victorian Oak Dining Chairs fourth quarter 19th century, comprised of six sidechairs, h. 44‑1/2”, and two armchairs, h. 47”, each with a carved broken-arch crest with gargoyle-carved ears and raised on bobbin-turned legs. $800‑$1,200 1086 Set of Twelve Hand-Painted Haviland Plates ca. 1872‑1883, Paris, in the Aesthetic style, from Charles Field Haviland’s “l’Atelier Haviland de Paris-Auteuil”, marked “CFH” and “Chateau St. Germain” on the back. dia. 9” $400‑$700 1087 Large Pickard Arts and Crafts Vase

1088 Partial Service of Vintage Steuben Model “6268‑2” Cut Crystal Stem and Tableware second quarter 20th century, New York, including fourteen finger or berry bowls, dia. 4”, twelve luncheon plates, dia. 8‑1/2”, twelve wine goblets, h. 5”, and thirteen aperitif glasses, h. 4‑1/2”.

Provenance: Estate of Alice Evans Pratt, Houston, Texas. $500‑$800 1089 Set of Six Steuben Pulled-Feather Art Glass Shades pre-1932, New York, each with remnants of a silver Steuben mark. h. 5‑3/4”, dia. 4” $700‑$1,000

ca. 1905‑1910, Chicago, Illinois, the faceted vase handpainted with poppies, the flowerheads against a gilt ground accented with red scrollwork, decorated on a Jean Pouyat Limoges blank, the bottom with both their mark and the circular “Pickard Handpainted China” mark. h. 17‑1/4”, dia. 7” $400‑$700

1089

1088

1086

1087

280

1085

1090 Two Historic Storyville Brothel Beveled Mirrors ca. 1900, removed from Josie Arlington’s “Chateau Lobrano d’Arlington” in New Orleans, now in later frames, accompanied by a letter outlining their provenance. h. 30”, w. 23‑1/2” and h. 27‑1/2”, w. 22‑1/2” $400‑$700 1091 Suite of Eight American Late Victorian Oak Dining Chairs fourth quarter 19th century, in the manner of R. J. Horner, comprised of a pair of armchairs, h. 50‑1/4”, and six sidechairs, h. 48‑1/4”, each with a carved crest, the arms terminating in leonine heads, scalloped apron and cabriole legs ending in carved paw feet.

1093

$800‑$1,200 1092 American Oak Standing Desk late 19th century, the case with a spindle gallery over a slantlid writing surface with pencil stop, lifting to expose a storage well over a pair of drawers and raised on turned legs joined by an H-form stretcher. h. 52‑3/4”, w. 30”, d. 23” $400‑$700 1093 American Arts and Crafts Brass and Slag Glass Chandelier first quarter 20th century, set with canary and white mottled glass, the muntins decorated with raised scroll and strapwork, trimmed with spiral fluting, the upper portion in the form of a pierced crown, the interior fitted with seven light sockets. h. 16”, dia. 26”

1090

$800‑$1,200

1091

1092

281

1094 American Late Victorian Oak Bench fourth quarter 19th century, Cincinnati, Ohio, the stiles with foliate carving and a scroll top rail supported by spiral reeded balusters, the seat with two panels, the facade adorned with foliate and scroll carving, on paw feet. h. 32‑1/4”, w. 89”, d. 23” Illustrated Online $500‑$800

1095

1095 Pair of Moser-Style Gilt-Metal and Threaded Art Glass Vases first quarter 20th century, Czechoslovakia, the amphora-form vases supported on satyr-headed monopodia terminating in hoofed feet. h. 13‑1/4”, dia. 5‑1/2” 1097 one of two

$400‑$700 1096 Silverplate and Art Glass Centerpiece fourth quarter 19th century, possibly American, the silverplate standard depicting an Arabian figure standing under a palm tree, strumming an instrument, supporting a ruffled art glass insert, pink fading to clambroth, with a cracked ice surface. h. 19‑1/4”, dia. 11‑3/4” Illustrated Online $300‑$500 1097 After John James Audubon (American, 1785‑1851) “Rusty Grackle” and “Grass Finch or Bay-Winged Bunting” pair of chromolithographs published by Julius Bien (American, 1826‑1909), New York, 1860.

Matted, glazed and framed alike. each sight 34” x 23‑3/4”

1097 two of two

$700‑$1,000 1098 John Gould (British, 1804‑1881) and H. C. Richter (British, 1821‑1902) suite of three hand-colored ornithological lithographs, including “Sitta Formosa: Blyth”, “Thaumatias Leucogaster” and “Delattria Clemenciae”, published by Hullmandel & Walton. All matted, glazed and framed. each sight 19‑1/4” x 13” $500‑$800

282

1098 one of three

1098 two of three

1098 three of three

1099 Suite of Ten British and French Hand-Colored Botanical Engravings fourth quarter 18th century and first quarter 19th century, including three from Botanical Magazine by William Curtis (British, 1746‑1799) and seven from Flora Medicale after drawings by Pierre Jean Francois Turpin (French, 1775‑1840) and others, several with additional pages en verso. All matted, glazed and framed alike. sight 6‑3/4” x 4‑1/4 to 7‑3/4” x 4‑3/4” $500‑$800 1100 Three Hand-Colored Engraved Maps of the United States of America, 1791‑1874 including a “Map of the United States with Part of the Adjoining Provinces...”, by Robert Wilkinson, engraved by Thomas Conder, published London, 1791, sight 7‑3/4” x 8‑3/4”; “General Map of North America from the Best Authorities”, engraved by James Barlow, published by Brightly and Kennersley, Suffolk, 1806, sight 8‑3/4” x 11‑1/2”; and “Rail Road [sic] Map of the United States Prepared Especially for Tackabury, Mead and Co.’s Illustrated Historical Atlas”, engraved by H. H. Lloyd and Co., New York, 1874, sight 16‑1/2” x 27‑1/4”.

1100 one of three

$500‑$800 1101 Five U.S. Army Corps of Engineers Colored Lithograph Maps of the Lower Mississippi including two 1890s examples that chart the river improvements and levee lines from Lake Providence in Louisiana to the southern tip of the Delta, sight 8‑1/2” x 11 and 8” x 17‑1/2”; and three maps from the 1950s that chart the river stages and improvements to the bends between Concordia Parish, Louisiana and Jefferson County, Mississippi, illustrating Cowpens Island and the surrounding plantations, each sight 13” x 18”. All five matted, glazed and framed similarly.

1101 one of five

$400‑$700

1099 one of ten

1099 two of ten

1099 three of ten

283

1102 American Rococo Revival Mahogany and Marble-Top Center Table third quarter 19th century, the Portoro marble top of tortoise form, over a foliate- and scroll-carved frieze, raised on cabriole legs joined by carved stretchers. h. 30”, w. 38‑3/4”, d. 27‑1/2” $500‑$800 1103 American Rococo Revival Rosewood Six-Piece Parlor Suite third quarter 19th century, comprised of a sofa, an armchair and four sidechairs, the sofa of tripartite form with double chair backs centered by an upholstered shaped panel with pierced floral-carved crest, serpentine apron and cabriole legs, h. 48”, w. 80”, d. 28”, the chairs with medallion backs with a floralcarved crest over an upholstered cushion set in a pierced fretwork frame, the fretwork with a solid core with veneer laminated to the face, sidechair h. 39‑1/2”, w. 18”, d. 21”, armchair h. 44”, w. 24‑1/2”, d. 24”.

1104

$1,000‑$1,500 1104 French Belle Epoque Giltwood Three-Part Mirror ca. 1900, with a pagoda-shaped central section and arched side sections, lined with pierced giltwood grapes and grapevines and set with beveled mirror plates. h. 65‑1/2”, w. 32‑1/2” $300‑$500 1102

1103

284

1105 Bohemian Enameled Overlay Glass Vase first quarter 20th century, composed of opaline-plated glass cut to emerald green and decorated with enameled floral panels in both the upper and lower portions. h. 16”, dia. 7” $500‑$800 1106 American Rococo Revival Mahogany Center Table third quarter 19th century, of tortoise form, the marble top over a conforming apron, raised on cabriole legs joined by a stretcher. h. 29‑3/4”, w. 39‑1/2”, d. 26‑1/2” $300‑$500

1105

1107 Suite of Six American Renaissance Revival Mahogany Sidechairs fourth quarter 19th century, each with a padded medallion back and a molded frame with a carved cartouche, raised on cabriole legs. h. 37” $500‑$800 1108 American Rococo Revival Giltwood Mirror mid-19th century, decorated with rocaille work and flowerheads, the mirror plate surround with grapevines. h. 64”, w. 42” $400‑$700 1106

1107

1108

285

1109 American Rococo Revival Rosewood Dressing Bureau mid-19th century, probably New York, the shaped mirror in a conforming frame with a shell-carved crest, supported by foliate- and floral-carved scroll brackets on a serpentine case with a marble top, over a bank of four conforming drawers, raised on bracket feet. h. 78‑1/2”, w. 40”, d. 23” $500‑$800 1110 American Rococo Revival Laminated Mahogany Parlor Set second half 19th century, comprised of a settee, h. 40”, w. 49”, d. 29”, and an armchair, h. 37‑3/4”, each with a period foliate- and scroll-carved back, open arms, serpentine seat rail and cabriole legs.

Illustrated Online $400‑$700 1111 Victorian Walnut Jardiniere third quarter 19th century, the shaped circular top with a conforming metal liner, the conforming foliate shell-carved frieze raised on a fluted baluster-form standard with shell and foliate carving, to four splayed like-carved scrolling legs ending in scrolled toes. h. 37”, dia. 28‑1/2” $1,200‑$1,800

1109

1112 French Gilt-Bronze and Cut Glass Banquet Lamp third quarter 19th century, now electrified, with a Rococo Revival gilt-bronze base decorated with scroll and rocaille work, set with a Russian pattern cranberry-plated cut glass font, mounted with a Wild & Wessel “Kosmos” burner. h. 27”, dia. 7” Illustrated Online $400‑$700 1113 Enameled Glass Covered Punch Bowl and Cups second quarter 20th century, Czech, attributed to Moser, composed of shaded amber glass decorated with gilt panels, with raised edges and enamel flowers, the set comprised of a covered bowl with a ladle, h. 10‑1/2”, dia. 7”, and six cups, h. 3‑3/4”.

Illustrated Online 1111

286

$300‑$500

1114 Bohemian Ruby-Flashed Glass Tazza fourth quarter 19th century, in two parts, with Gothic Revivalstyle cut edges trimmed in gilt, the separate baluster base cut in patterns. h. 9‑1/4”, dia. 12” $500‑$800 1115 Pair of Bohemian Cranberry-Plated Glass Tea Caddies fourth quarter 19th century, reeded with matching stoppers, decorated with gilt, the bottoms with a ground pontil. h. 4‑1/2”, w. 3‑1/2” $400‑$700 1116 Two Similar American Polished Brass Gasoliers including a four-arm gasolier, h. 29‑1/2”, dia. 26”, and a three-arm gasolier, h. 28”, dia. 21”, both with pierced brass decoration, electrified.

1116 one of two

$500‑$800 1117 Pair of Bohemian Ruby Overlay Cut Glass Vases ca. 1900, of trumpet form, engraved with stags, scrollwork and castles. h. 12”, dia. 5‑3/4” $500‑$800

1115

1117

1114

287

1120

1118 American Giltwood Oval Mirror mid-19th century, in the Rococo Revival style, decorated with pierced scrollwork and molded flowerheads. h. 61”, w. 30‑1/2”

1118

$400‑$700 1119 Pair of Amber Overlay Cut Glass Vases 20th century, Eastern European, of hurricane shade form, decorated with various cut glass patterns. h. 13‑1/4”, dia. 5” $500‑$800 1120 Bohemian Blown Glass Ewer first quarter 20th century, the ruby glass ewer with a colorless blown and applied handle decorated with interior ruby twisted threading, the body with tooled gilt grape leaves, a ground pontil mark on the base. h. 10”, w. 6” $500‑$800

288

1119

1121 American Renaissance Revival Partners Library Table third quarter 19th century, probably Grand Rapids, Michigan, composed of walnut and inlaid mixed woods, the top with a central inlaid reserve depicting musical instruments and the outer borders with floral reserves, the apron fitted with a working drawer together with a faux drawer along each long side, raised on trumpet turned legs. h. 30”, w. 48”, d. 27” $700‑$1,000 1122 American Renaissance Revival Walnut Dining Table

1121

third quarter 19th century, the circular top over a figured apron, opening to accommodate four skirted leaves, raised on molded cabriole legs. h. 28‑3/4”, dia. 47‑1/4”, ext. l. 108‑1/4” $600‑$900

1121 detail

1122

1122 extended

289

1123 Assembled Egyptian Revival Clock third quarter 19th century, French, the pylon-form rusticated clock case composed of black Belgian and red griotte marble, with a vulture god on the lower edge, the handles in the form of Apis, the bull god, and the top centered by a figure of Osiris, the god of the underworld, the dial decorated with enamel flowers and marked with the partially legible name of the retailer “Savage Ly(...), Montreal”, and set with marked Achille Brocot works. h. 19‑1/4”, w. 10‑3/4”, d. 6‑3/4” $1,000‑$1,500

1123

1124 Handsome Pair of Paris Porcelain Vases fourth quarter 19th century, formerly mounted as lamps, with biscuit and gilt caryatid-molded handles, the vases decorated with carefully painted birds, flowers and butterflies trimmed in bleu celeste, on platinum grounds, with painted wood bases on the lower cylindrical portion, made to conceal electrical fittings. h. 17”, w. 8‑1/2”, d. 4‑1/4” $800‑$1,200 1125 Bohemian Engraved Drinking Glasses 20th century, including lavender flashed examples: four highball glasses, h. 5‑3/4”, four water goblets, h. 7”, four champagne coupes, h. 5‑3/4”, and four dessert dishes, dia. 4‑1/2”, and blue flashed examples: four water goblets, h. 7”, two wine goblets, h. 7‑1/4”, and four mixed glasses, h. 5” to 5‑3/4”.

1124

$500‑$800 1126 Victorian Cast Aluminum Bird Bath fourth quarter 19th century, with a fluted, leaf-molded columnform standard, the basin with a molded rim. h. 32‑1/2”, dia. 20” $300‑$500

1126

290

1125

1127 Marty Ricks (American, b. 1961) “Late Autumn Showers” oil on board signed lower right, signed, titled and further inscribed en verso.

Framed.

24” x 32” $700‑$1,000

1128 Eliot Candee Clark (American, 1883‑1980)

1127

“Summer Landscape” oil on beveled wood panel pencil-signed lower right, signed and titled en verso.

Framed.

9” x 12” $600‑$900 1129 Hudson Kitchell (American, 1862‑1944) “Autumnal Landscape” oil on canvas signed lower left.

Framed.

16” x 24” Illustrated Online $500‑$800

1128

1130 American School (Second Quarter 19th Century) “Figures on a Wooden Bridge in a Mountainous Landscape” oil on canvas unsigned.

Framed. 14‑1/4” x 19‑1/2” $500‑$800

1130

1 9 2

1131

1132

1134

1133

1131 Samuel Klein (American, Second Quarter 20th Century) “Out of Work”, 1936 oil on board signed and dated lower right, titled en verso.

Framed.

20” x 24” $700‑$1,000 1132 Joseph Dickinson (American, 20th Century) “Fishermen Throwing Nets”, 1967 oil on canvas signed and dated lower left.

Framed.

29” x 39‑1/2” $700‑$1,000

292

1133 Marty Ricks (American, b. 1961) “Sailboat Dock - San Francisco”, 2004 oil on canvas board signed lower right, signed, titled and dated en verso.

Framed.

24” x 32” $800‑$1,200 1134 John Hauser (American/Ohio, 1859‑1913) “The Scouting Party” watercolor on paper signed lower right.

Framed.

16‑3/4” x 24‑1/4” $1,500‑$2,500

1135 Suite of Six Hand-Colored Lithographs from The Aboriginal Portfolio 1835/6, including “Ash-E-Taa-Na Quet”, “Kee-O-Tuck-Kee”, “Chat-O-Nis-See”, “A Celebrated Ottawa Chief”, Mauck-Coo-Maun”, and “Richardville”, after paintings by James Otto Lewis (American, 1799‑1858), completed in person at treaty site, published by Lewis, printed by Lehman & Duval Lithographers, plates by J. Barincou and P. Rindisbacher.

Matted, glazed and framed alike. each sight 14” x 11” Provenance: Private collection, New Orleans, Louisiana.

1135 two of six

1135 one of six

$1,000‑$1,500

1136 Balinese School (20th Century)

1137 R.C. Gorman (American, 1931‑2005)

“Bali”

“Mother and Child”, 1986

oil on canvas board illegibly signed lower right and localized “Bali”.

Framed.

33‑1/4” x 22‑3/4”

lithograph in colors signed and dated lower right, numbered “15/150” lower right.

Float-mounted and framed. sheet 31” x 35”

$800‑$1,200

$600‑$900

1137 1136

293

1139 1138

1141

1138 Peshawar Hotan Carpet 6’ 7” x 8’ 1” $500‑$800 1139 Semi-Antique Hamadan Carpet 3’ 7” x 6’ 2” $300‑$500

294

1140

1140 Tabriz Carpet 8’ 10” x 12’ 4” $600‑$900 1141 Semi-Antique Tabriz Carpet 6’ 2” x 9’ $500‑$800

1143

1144

1142 Mahal Evolution Carpet 9’ 10” x 13’ Illustrated Online $1,000‑$1,500 1143 Semi-Antique Kerman Carpet 10’ 4” x 15’ $600‑$900 1144 Bidjar Carpet 10’ 3” x 13’ 8” $700‑$1,000 1145 Bidjar Runner 3’ 7” x 9’ 10” $400‑$700

1145

295

1146 Four Chinese Jade and Hardstone Carvings 19th and 20th centuries, comprising a mutton fat jade carving of a qilin and cub, a hardstone carving of a ram in repose, a Shoushan-style stone seal surmounted by a seated qilin, and a further hardstone carving of a qilin. largest h. 3‑1/2”, w. 3‑1/4”, d. 1‑1/2” $600‑$900

1146

1147 Three Chinese Carved Soapstone Pieces first half 20th century, comprising a spill vase carved to the front with a flowering peony plant, another spill vase with a dragon chasing a flaming pearl design, and an ornamental carving of a bird and flowers amid rockwork. largest h. 12”, w. 6‑1/2” $400‑$700

1148 Large Chinese Blanc de Chine Foo Dog 20th century, modeled as a male, with front paws placed on a pierced brocade ball. h. 20‑1/2”, w. 16”, d. 14” $400‑$700 1149 Chinese Silk Carpet 9’ 5” x 6’ $600‑$900

1147

1148 1149 8 296

1151

1152 Collection of Three Lamps Mounted with Figures of Quan Yin 1150

1150 Chinese Embroidered Panel late 19th/early 20th century, depicting the figure of the god of longevity, Shou Lao, with a child and a deer on a scarlet ground, glazed and framed. h. 59”, w. 23‑1/4”

20th century, including a two-light lamp with a blanc-de-chine figure on a pierced brass base, a single-light lamp with a blanc-de-chine figure on a molded brass base, and a singlelight lamp with a glass figure on a pierced wood and molded brass base. h. 25‑1/2” to 34‑1/2”, w. 5‑1/2” to 9‑1/2” $500‑$800

$400‑$700 1151 Two Pairs of French Blanc-de-Chine Lamps 20th century, comprising a pair of Louis XV-style two-light lamps on engineturned bases set with foo dogs, the candle arms molded as branches, set with blanc-de-chine-encrusted flowers and gilt-brass candle cups molded as leaves, marked “France” on the base, h. 10‑3/4”, w. 10”, d. 3‑3/4”, together with a pair of Guanyin lamps with blanc-dechine figures of the goddess on wooden bases, mounted with double sockets, h. 24”, dia. 5‑3/4”. $500‑$800 1152

297

1154

1153

1154 Chinese Pottery Figure of a Soldier possibly Sui Dynasty (581‑618 A.D.), modeled standing with fists clenched and pierced, wearing traditional armor, having an all-over cream glaze with black and red detail. h. 15‑1/2”, w. 5” 1155

1153 Chinese Silk Painting of a Deity with Attendant and Phoenix

$1,200‑$1,800 1155 Chinese Export Lacquer Cabinet

first half 20th century, painted in vibrant tones on a red silk ground. h. 64”, w. 36‑1/2”

first half 20th century, having a rectangular top over a conforming case, the front with twin doors decorated with scenes of children playing in a garden setting, on a red lacquer ground, the doors opening to reveal a two-shelf interior. h. 46”, w. 47‑1/2”, d. 24‑1/4”

$400‑$700

$400‑$700

298

1156 Chinese Four-Panel Room Divider mid-20th century, each panel depicting scenes of figures at leisure on garden terraces to the upper section, and flowers, fruit and vegetables to the lower section, with details in hardstone, bone and resin on lacquer boards, the reverse painted with birds amid branches, fruit and foliage. h. 71‑3/4”, w. 72” $300‑$500 1157 Pair of Molded and Painted Plaster Lamps mid-20th century, on Asian-style stained wooden bases, the serene bodhisattva decorated in brown and green. overall h. 33‑1/2”, w. 7‑1/4”, d. 6‑1/2” Illustrated Online $500‑$800 1158 Pair of Chinese Bronze Table Lamps 20th century, each of baluster form with an everted lip, the vase base modeled as a stand, raised on four ruyi-form feet, each body with applied foliate detail, forming handles of naturalistic design, all on a dense geometric scroll ground, having a hardwood stand and mounted with a single bulb fixture, lacking shades. overall h. 21”, w. 6‑3/4” Illustrated Online

1156

$400‑$700 1159 Chinese Bronze Sculpture of Guan Yu likely 20th century, modeled seated on rockwork, wearing traditional robes, staring intently at a text. h. 20”, w. 10”, d. 7” $600‑$900

1159

1160 Chinese Bronze Zun-Form Vessel first half 20th century, the drum-form body raised on a straightsided foot, supported by three sitting foo dogs, with a broad trumpet neck with tao-tie mask details encircling the base, the neck with opposing panels containing inscriptions, flanked by qilin-form handles, the flared lip with repeating blade motif enclosing geometric designs. h. 12‑3/4”, dia. 11” Provenance: Estate of Carolyn G. Fay, Houston, Texas. $500‑$800 1160

299

1161 Chinese “Faux Bronze” Ceramic Censer probably 19th century, of fang ding form, with slightly concave sides, each of which is decorated with two stylized dragons confronting each other on a geometric ground, below a studded band, the whole raised on four blade-form legs, each with zoomorphic and archaic scroll detail, the base with a three-character “Hall of the South Office” mark within a square reserve, the later cover, possibly zitan with lacquered finish, surmounted with a carved finial of a figure lying on a standing elephant. overall h. 13‑1/2”, w. 8”, d. 8” Provenance: From the estate of Ouyang Ju (Mayor of Canton, 1946‑1949). $600‑$900 1162 Chinese Thangka second half 20th century, the upper section with three Buddhas, each seated on a lotus throne in a temple setting, the lower section with multiple panels depicting auspicious scenes, with inscriptions above and below. overall h. 60‑1/4”, w. 27‑1/2”

1161

$500‑$800 1163 Chinese Inscribed Lingbi Scholar’s Rock Qing Dynasty (1644‑1911), the dark gray stone with brown areas and inclusions, of mountainous form with a distinct point above a flat face with two inscriptions, each with a different seal mark, separated by an arched gap in the rock creating two “legs”, the reverse with a rugged finish and two deep grooves running on either side, with a fitted two-piece hardwood stand, with an Arthur J. Harris Collection label to the base. h. 9‑3/4”, w. 7‑1/2”, d. 4” (excluding stand) $1,200‑$1,800

1163 1162

300

1165

1164 Two Chinese Occasional Tables including a rosewood table with an inset scalloped marble top in a floral- and foliate-carved frame, the shaped legs with paw feet and supporting a circular medial shelf, ca. 1900, h. 32‑1/4”, dia. 24”, and an ebonized stand with an inset square marble top and a low shelf stretcher, h. 30‑1/4”, w. 18”, d. 18”.

Illustrated Online $400‑$700 1165 Continental School (Fourth Quarter 19th Century) “Cleopatra and Marc Antony; the Ten Million Sestertii Feast” oil on coarsely woven canvas unsigned.

Stretched and unframed.

53‑1/2” x 58” $1,000‑$1,500

1166

1166 Attributed to Charles Zacharie Landelle (French, 1812‑1908) “Les Femmes Algeriennes” oil on thick composition panel signed lower right.

Accompanied by a frame.

51‑1/2” x 38‑1/2” $3,000‑$5,000 1167 French School (Second/Third Quarter 19th Century) “Ottoman Palace Slave Trade” oil on canvas signed indistinctly lower left “Pasalggeria (?)”.

Framed.

22” x 29‑1/4” $500‑$800 1168 Continental ViennaStyle Cold-Painted Bronze Camel the large bronze figure resting on a fruitwood base. h. 18‑3/4”, w. 19‑1/2”, d. 9‑1/2” $500‑$800

1167

1168

301

ARTIST INDEX | AUGUST 26-27, 2017

Agam, Yaacov, 730

Finley, Donny, 977

American School, 396, 736, 839, 1042, 1077, 1130

Finster, Harold, 995

Arter, J. Charles, 40

Flattmann, Alan, 963, 967

Audubon, John James (after), 1097

Flettrich, Leonard, 984

Auerbach-Levy, William, 471

Foster, Myles Birket, 263

Balinese School, 1136

French School, 346, 400, 895, 1046, 1167

Berchem, Nicolaes (follower), 338

Garcia, Justin, 985

Beronneau, Andre, 840

Garnier, Charles, 186

Bihari, Sandor (attributed), 339

Gayrard, Joseph Raymond Paul (after), 404

Biondi, Ernesto, 401

Goodall, John Strickland, 264

Bone, Muirhead, 472

Gordy, Robert, 983

Bouter, Cornelis, 348

Gould, John, 1098

Branson, Lloyd, 45

Green, Tony, 973

Briggs, Lamar, 979, 980

Guardi, Francesco (follower), 102

British School, 256, 393, 397, 398, 1040, 1041, 1043,

Guerinot, Marilyn, 572

1045

Guidry, Louise, 712, 722

Brodsky, Stan, 721

Hagerbaumer, David, 475

Buford, Claude-Marie, 575

Harouni, David, 710

Cambier, Guy, 343

Hauser, John, 1134

Carbajal, Lyle, 714

Hayden, Carl, 395

Caruso, Enrico (attributed), 832

Heyer, Arthur, 342

Chagall, Marc, 728, 733

Heytman, Willem, 582

Clark, Eliot Candee, 1128

Holt, Geoffrey, 35

Continental School, 51, 105, 341, 359, 564, 897, 1165

Icart, Louis, 828, 829

Cook, Frederick T. W., 265

Italian School, 104, 108, 474

Cooke, Isaac, 259

Kelly, Mary Kirk, 14

Cooley, Jack, 968

Kitchell, Hudson, 1129

Cox, Walter I., 490

Klein, Samuel, 1131

Dali, Salvador, 837

Knapp, Curtis, 738, 740

de Hooch, Pieter (follower), 44

Koch, Ludwig, 473

de Luca, Ferdinando (after), 763

Kotschenreiter, Hugo, 42

Delacroix, Michel, 143-145

Kucharzyk, Franciszek Jozef, 765

Delmotte, Marcel, 893

Landelle, Charles Zacharie (attributed), 1166

Devich, John, 103

Lara, Edward William, 266

Dureau, George, 742, 986

Lassalle-Bordes, Gustave de, 106

Dutch School, 37, 345

LeBoeuff, Pierre, 384, 385, 567

Egley, William Maw, 49

Levier, Charles, 838

Escott, J. R., 262

Luongo, Aldo, 576

Farruggio, Remo, 898

Marioni, Joseph, 709

Filmus, Tully, 515

Markos, Lajos, 191

Soler, Juan, 580

McCrady, John, 982, 987, 988

Southern School, 972

McKinley, Hazel Guggenheim, 836

Splendore, Vittorio, 3

Meerbott, Joseph, 724

Stermer, J. H., 841

Meissner, Leo J., 476

Stiha, Vladan, 899

Montoro, Juan Valera, 562

Taubert, Bertoldo, 561

Myrick, Burny, 834

Thurmond, George, 970

Niemann, Edmund Johann, 255

Tilton, Nell C., 981

Noel, John Bates, 257

Tobiasse, Theo, 727

Paik, Nam June, 796

Tojetti, Virgilio, 188

Palnagy, Zsigmond, 389

Tordi, Sinibaldo, 43

Papart, Max, 726

van der Plas, Niek, 577, 578

Parfony, Paulus-Ferdinand, 48

van der Pol, Louis, 347

Phillips, S. George, 579

van Leemputten, Jef Louis, 392

Picart, Bernard, 183

Vuillard, George, 390

Pieters, Evert, 38

Wolfe, Karl, 976

Piranesi, Giovanni Battista, 185

Wyland, Robert, 811

Piranesi, Giovanni Battista (after), 186 Price, G. Willis, 519 Quaglio, Franz, 47 Rakov, Ratislav, 141, 142 Reinike, Charles, 974, 975 Richards, Henry, 583 Richter, H. C., 1098 Ricks, Marty, 1127, 1133 Robinson, Alexander, 715 Rockmore, Noel, 965, 978

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

The Artist’s Name: In our qualified opinion, a work by the artist.

Rodrigue, George, 989-994

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

Roe, Clarence Henry, 260

School of: In our qualified opinion, a work by a follower of the artist.

Rosenberg, Maria, 900, 901 Rosenquist, James, 731 Rouviere, Elizabeth, 894 Sandusky, Phil, 971 Schafer, Henri, 386, 387 Seabrooke, Elliott, 518

Circle of: In our qualified opinion, a work of the period of the artist and showing his/ her influence.

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

After: In our qualified opinion, a copy of a known work by the artist.

Signed: In our qualified opinion, has the signature which is that of the artist.

Segall, Julius G., 46

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.

Shahenian, Elizabeth (LIZO), 902

Dated: In our qualified opinion, is so dated and was executed on or around that date.

Shapiro, David, 737 Signoretto, Pino, 807 Smith, Xander, 843

Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.

ARTIST INDEX | AUGUST 26-27, 2017

Matisse, Henri (after), 833

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art.

No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and

(iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith.

(ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and

(d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors.

NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above.

(iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form.

(e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive.

Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer.

Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j).

NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

(b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly.

All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries 333 Saint Joseph St., New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | Info@NewOrleansAuction.com

REQUEST FOR CONDITION REPORTS Condition reports are completed in the order in which they are received.

Please allow ample time for large requests. Condition reports will not be given verbally.

Name (Please Print): ________________________________________________________ Date: ____________ Email Address: ___________________________________________ Phone: (_______)______________ Fax: (_______)______________________________

Please submit this form by 5:00 p.m. two days prior to the first day of the auction.

Lot #

Description

Special Requests

________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________

_____________________________________________________________________________________ _____________________________________________________________________________________ ________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________

New Orleans Auction Galleries

333 Saint Joseph St., New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | Info@NewOrleansAuction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue.

Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted

by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

New Orleans Auction Galleries

333 Saint Joseph St., New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | Info@NewOrleansAuction.com

A U T H O R I Z E D R E L E A S E F O R M / WA I V E R Buyer’s Name: _________________________________________________________ Business Name: ________________________________________________________ Telephone(s): __________________________________________________________ Email Address: ________________________________________________________ I authorize (Shipper’s name): ________________________________ to pick up items.

New Orleans Auction No. / Sale Date:________________________________________ Lot #(s): ______________________________________________________________ ______________________________________________________________________

New Orleans Auction Galleries is not responsible for damage to property during pickups and loading. We will assist clients with moving and loading items at the client’s own risk.

We are not responsible for any damage to items during moving, packing or unloading within or outside our premises.

I have read and understand the above statement: Signature: __________________________________________Date:_______________ Print name: ____________________________________________________________

Please fax this form to 504-566-1851 or Email to Info@NewOrleansAuction.com Note: Items will not be released without a signed authorization.

New Orleans Auction Galleries Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

consignments FINE ART:

DECORATIVE ARTS:

SILVER:

Jelena Restovic James

Ireys Bowman

Charles C. Cage

Nicole Casi, PhD

BOOKS, MANUSCRIPTS & EPHEMERA:

Director of Fine Art; Continental and American

Michele M. Carolla

Continental and English

American and Continental

British and American; Sculpture

Nicole Casi, PhD Continental and American; Prints and Maps

FURNITURE: Ireys Bowman

Charles C. Cage Jewelry:

Continental and English

Kim Lemon

Greg S. Kowles

FINE CARPETS & TEXTILES:

Asian Arts:

American, Continental and English

Rebecca Moss

Thomas Halverson

Sean Ranson

American

a d m ini s t r at ion Charles C. Cage

Grace Connors

Burke

Colleen Ryan

Nicole Casi, PhD

Taylor Eichenwald

Office Manager

Director of Human Resources

Manager of Cakebread Auctions Research

Denise Haik

Office Administration

Leigh Firestone

Designer

Marketing & Public Relations

Christa Ougel Gary Michael Gittelson Photographer

Administrative Assistant

Graphic Designer

Bettina Bausa

Graphic Designer

auctioneers

consultants

ope r at ion s

Tessa Steinkamp #1265

Ellen McKenzie English and Continental Furniture

Cedric Roberts | Sean Ranson

Ira Savoie Independent Certified Gemologist Appraiser

Emmitt Kendrick, Jr.

James Callahan Asian Arts

Sol Carter | Thomas Johnson

Ashton Thomas #1833 Taylor Eichenwald #1922 Michael DeGeorge #1774

Bennie Amos | Eddie Daigrepont

Gerald Hampton | Juanita Bazile

David Abney | James Collins