December 8-9, 2018 Estates Auction by New Orleans Auction Galleries

New Orleans Auction g a l l e r i eFINE s ART AUCTION

APRIL 22, 2017

DECEMBER 8-9, 2018

LOT 959 COVER: LOT 217 LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 25% Buyerâ&#x20AC;&#x2122;s Premium (3% Discount For Prompt Payments Made By Cash or Check)

WINTER ESTATES AUCTION December 8-9, 2018

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | Main: 504.566.1849 | Fax: 504.566.1851 LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 | 25% Buyerâ&#x20AC;&#x2122;s Premium Pictured Left: Lot 902 | Front Cover: Lot 894 | Back Cover: Lot 842

AUCTION: December 8-9, 2018

EXHIBITION: Monday - Friday, 9:00 a.m. - 5:00 p.m. Saturday, December 1, 10:00 a.m. - 4:00 p.m. Friday, December 7, 9:00 a.m. - 4:00 p.m.

EVENING RECEPTION: Thursday, December 6, 2018, 5 - 7:30 p.m.

F E AT U R E D E S TAT E S : The Estate of Mary Louise Christovich New Orleans, Louisiana The Estate of Frank Clancy Dupépé New Orleans, Louisiana The Estate of Richard Anthony Goula Lafayette, Louisiana The Estate of Jean and Jack Kelley Tulsa, Oklahoma

LOT SCHEDULE: Please note that times are approximate

Saturday, December 8, 2018 Lots 1-607

10:00 - 11:00

11:00 - 12:00

101

200

12:00

1:00

201

300

100

1:00

2:00

301

400

2:00

3:00

401

500

3:00

3:30

501

607

Sunday, December 9, 2018 Lots 608-1043

10:00 - 11:00

608

680

11:00 - 12:00

681

760

12:00

1:00

761

860

960

1:00

2:00

861

2:00

3:00

961

Pictured Right: Lot 151

1043

LETTER FROM THE CEO As I sit here in my home

At New Orleans Auction Galleries’ December Estates

office, surrounded by reams

Auction, Dec. 8 and 9, we stand ready to help you with your

of cheerful wrapping paper,

gift giving this year. We like to think of ourselves as Santa’s

an ungainly scattering of satin

workshop for unique and beautiful gifts, from sparkling

ribbon on spools and a teetering

jewelry, extraordinary watches, art for all price points, and

pile of boxes and bags, I realize

of course some of the most fabulous and eclectic antiques

that, for me, gift giving, and

to be found anywhere. A few of my favorites include Lot

wrapping, is a labor of love. It

894, Le Cheval Rouge, Fin de Journée by Marc Chagall

is, understandably, a prodigious

(featured on the cover!); Lot 718, a stunning natural

effort for some, but finding and wrapping the perfect

Ceylon sapphire and diamond ring set with a central

present for a treasured friend or beloved family member is

Ceylon sapphire weighing 31.64 carats; and Lot 1019, a

simply in my DNA.

Tiffany Studios leaded glass and bronze table lamp in the "Dogwood" pattern.

My mother was the best gift giver of all time. And thus, one of my favorite Christmas memories was assisting her with

Join us at our preview party on Thursday, Dec. 6, 5:00 to

shopping on the most epic shopping day of the year – the

7:30 p.m., for some festive cheer and to see these items

day after Thanksgiving. We had a well-planned and finely

and more in person. We are sure you can check off that gift

executed strategy, closing the day with armfuls of presents.

list in no time … and maybe start a wish list of your own!

During this time together, Mom taught me to try to give people what they value – and if you mess up, it is not a big

It is from the bottom of our hearts we wish you and yours

deal because they love you anyway.

a safe, happy holiday season. And we thank you for your support and friendship during the past year, which is truly

Clearly, Mom was a generous and joyful giver, but she

a gift we cherish.

also loved to get a present now and then, too. Her eyes would glimmer and a smile of absolute excitement, mixed

See you at the auction!

with a bit of bashfulness, would flash across her face as soon as you placed a wrapped gift in her hands. Her unfailing reaction showed me what the gift of thoughtful giving can be. That beautiful smile inspires my holiday shopping to this day.

CEO New Orleans Auction Galleries

Lot 718 Lot 894

Lot 1019

OCTOBER ESTATES AUCTION EVENING PREVIEW 1. athy Alexander Webbie Lee; . Susan Sarofim, Lori Eckert, ay Smith Taylor Eichenwald; 3. Adam enasci, Tessa Steinkamp Scott James; 4. Sarah Adami aul Morgan; 5. Ann John ookout

urke,

BOURBON & BIDDERS On Tuesday, October 9, New Orleans Auction Galleries hosted members of The Historic New Orleans Collection's Caillot Circle, a membership group focused on young professionals between the ages of 21 and 45, for Bourbon & Bidders, a bourbon tasting in collaboration with arrel roof, as well as an auction benefitting The Historic New Orleans Collection. Photos: Emily Hindin, Courtesy The Historic New Orleans Collection

1. Mark Caesar & Megan Braden-Perry; 2. Duncan Brown, Liam Deegan, Taylor Eichenwald & Grace Connors; 3. Ryan Anne Bell & Natalie H. Worsham; 4. Sarah Hava Valley, Laura Hobbs, Hannah Wilson & Sean Gilbert; 5. Caillot Circle members

FINE JEWELRY, FURS & ACCESSORIES: HOUSTON PREVIEW On Thursday, October 11, New Orleans Auction Galleries partnered with PaperCity Magazine to host a Houston preview of our November 17 Fine Jewelry, Furs & Accessories sale. Photos: Michelle Watson, Catchlight Group

1. Charlotte Nail & Burke; 2. Alp Gener & Lori Sarofim; 3. Kristina Somerville & Fady Armonious; 4. Sherry Smith & Susan Sarofim; 5. Sandy arrett Taylor Eichenwald; 6. eith Alice Mosing; 7. im Lemon Tessa Steinkamp; 8. Diane Lokey arb, Shafik ifaat & Alice Smith; 9. Lacy Baird, Walter Bering, Martha Adger & James Madget; 10. Tom LeCloux & Dr. Steve Hamilton; 11. Gigi Huang & Karen Bradshaw; 12. Yvonne Cormier & David Lee

THE ESTATE OF

MARY LOUISE CHRISTOVICH NEW ORLEANS, LOUISIANA

A lifelong resident of New Orleans, prolific author, and tireless advocate for preservation of the built environment and the written record, Mary Louise Mossy Christovich was a consummate humanist. In a career spanning more than seven decades, she worked to ensure future generations’ access to Louisiana’s artistic, architectural, and archival resources. The twinned values of education and preservation underscored Mary Lou’s life’s work. esearch and writing were constants in her life; perhaps the only thing she relished more than a successful archival treasure hunt was the chance to craft a persuasive narrative. She authored 10 books many with her close friend, oulhac Toledano including the landmark riends of the Cabildo New Orleans Architecture series (1971–97), which won an award of merit from the American Association for State and Local History in 1976 and an Alice Davis Hitchcock ook Award from the Society of Architectural Historians in 1977. These works, along with her preservation activities, earned her recognition as Alumna of the ear from her beloved Newcomb College, in 199 . Most recently, The Historic New Orleans Collection’s staff worked with her to produce Garden Legacy, a 016 publication exploring 300 years of rench and rench-influenced garden design in New Orleans. Described by Susan Larson as a garden of delights and by . Stephanie runo as an authoritative guide to New Orleans and its gardens, Garden Legacy was a labor of love for Mary Lou, who worked painstakingly on both the writing and design of the book. It’s the rare preservation-oriented group that Mary Lou didn’t touch with her energetic leadership. She was a charter member of the riends of the Cabildo, a founder and longtime director of Save Our Cemeteries, a cofounder of the reservation esource Center, and a vital player in the development of such neighborhood advocacy groups as the Coliseum Square Association, Esplanade idge Association, and elicity edevelopment Corporation. Mary Lou was dedicated to the preservation not only of neighborhoods but also of the archives that document their growth. While the explicit purpose of the New Orleans Architecture book series was to save the city’s architectural heritage, the volumes implicitly drew attention to the vulnerability

of local archives. Indeed, the launch of the series prompted an outpouring of public support for the New Orleans Notarial Archives and the eventual establishment of the Southeastern Architectural Archive at Tulane niversity. Garden Legacy, in turn, showcased the remarkable illustration art, to use her term, of the Notarial Archives while reminding readers that these fragile survivors demand constant care and attention. Here at The Collection, Mary Lou was known as a force of nature for nearly a half century. A member of the board of directors of the emper and Leila Williams oundation since 197 its president from 1996 to 003, and its chair from 003 to shortly before her death Mary Lou applied fiscal responsibility and intellectual curiosity to her governance role. Mary Lou was married to attorney William . Christovich for more than 50 years, until his death in 01 . She is survived by their four children, Michael and Jeffrey Christovich, Marie Elise itten Grote, and Terry Christovich Gay, as well as 10 grandchildren and five great-grandchildren. riscilla Lawrence resident Chief Executive Officer The Historic New Orleans Collection Previously Published in Volume XXXV, Number 2, Spring 2018 Issue of The Historic New Orleans Collection Quarterly

THE ESTATE OF

JEAN AND JACK KELLEY TULSA, OKLAHOMA

Growing up on a rural West Texas ranch, Jack Kelley learned the value of discipline, hard work and compassion. After attending high school at Cascia Hall Preparatory School in Tulsa, Jack graduated from Oklahoma State University with degrees in architectural design and structural engineering. That same year he won the prestigious Beaux Arts award for his excellence in architectural design. He later continued graduate work at Cornell University. Jack, along with a team of partners, gave rise to 16 iconic skyscrapers stretching all the way from Spokane, Washington to Ft. Lauderdale, Florida. He was a driving force behind establishing the Petroleum and Summit Clubs of Tulsa. After retiring from the development business, Jack's entrepreneurial spirit fueled a lasting career in the oil industry as well as a passionate interest in underwater archeology. A founding member of the Institute of Nautical Archeology (INA), his work as an explorer led to the discovery of numerous ancient shipwrecks whose artifacts changed our understanding of history and trade. elley was the first person to make a substantial financial commitment to the newly incorporated INA and also found other financial backers. He helped form the INA’s Board of Directors, on which he served as a member. elley’s contributions to the field of underwater archaeology cannot be overstated. He was instrumental in more than a dozen underwater excavations, including the Ser e Liman shipwreck (popularly called the “Glass Wreck”), a Byzantine merchant ship that sank after hitting rocks off the shore of Anatolia in the 11th century. One of the most significant discoveries was the luburun Shipwreck, a 14th century BCE Late Bronze Age shipwreck off the coast of southwestern Turkey. The first two excavation campaigns of the Uluburun project were featured in a 42-page cover story of the December 1987 issue

of National Geographic. Jack recognized the site’s importance while diving on the site before excavation began and was determined to record what he knew would be a major discovery. Kelley hired a worldclass crew and produced a film of the excavation, resulting in 40 hours of footage. The film was purchased by NOVA and aired on PBS. Jean Rhodes Kelley was born in Dallas, Texas to Alvah Mitchell Rhodes and Pauline May McCrary Rhodes. She attended Central High School, graduating in 1948. She attended the University of Tulsa where she was a member of the Kappa Alpha Theta sorority, a Sigma Alpha Epsilon sweetheart and 1951 homecoming queen. It was during that time she met her husband of 61 years, Jack. Jean spent much of her life as a wife, mother, friend, philanthropist and interior designer. She had an adventuresome spirit and would try anything, whether it was tennis, bridge, bowling, scuba diving or traveling. Jean was also an accomplished dancer, spending much of her time devoted to the Tulsa Ballet. An active member of the community, she spent many hours volunteering for Children's Day Nursery, CP organization, and was one of the original members of the Red Glove Revue. Jean was a member of Asbury United Methodist Church, Southern Hills Country Club, Summit Club, Philcrest Tennis Club, 3M Investment Club and Philbrook Art Museum. Jean and Jack’s eclectic tastes were reflected in their elegant, contemporary home in Tulsa, designed by Jack and decorated by Jean. The couple expertly wove together contemporary architecture with 19thand 20th-century American/California art, Asian antiquities and French furnishings. New Orleans Auction Galleries is honored to offer the lifetime collection of Jean and Jack Kelley.

THE ESTATE OF

RICHARD ANTHONY GOULA LAFAYETTE, LOUISIANA

Richard Anthony Goula, a native of Louisiana, was a prolific businessman, art and rare book collector and philanthropist. His career in the oil and gas industry spanned more than 45 years and two continents, including employment with Convexx, hillips etroleum, Inexco, Tenneco LOL, and Hamilton rothers Oil. He was the founder of ritish Acadian Ltd., Inc., and served for 30 years as resident and CEO. He served on the boards of Westmount, an energy company in the nited ingdom, L College of the Arts, Newcomb Art Museum at Tulane niversity, Acadiana Symphony Orchestra Conservatory, and the Musical Arts Society of New Orleans. ichard had residences in London, New Orleans and Lafayette, Louisiana. ichard was equally committed to the promotion and preservation of Southern art, culture and nature. rom an early age, he had an interest in drawing and painting the uniquely beautiful landscapes that surrounded him. The live oaks, exotic blooms, swamplands and bayous of South Louisiana greatly influenced his art. He was a talented artist who presented major shows of his works on the premises of Thistlewood. The musical arts were also an important part of his life. He was a gifted classical pianist and a supporter of MASNO s International iano Competition in New Orleans. An accomplished botanist, ichard was a member and

former president of the Society of Louisiana Irises. He researched and recorded the development of new hybrid Louisiana irises and published articles in various books and periodicals including "A History of Louisiana Irises". His philanthropic endeavors, which were associated with his passions for painting, music and botany, benefited many organizations and worthy causes. He established Thistlewood oundation, an organization devoted to providing financial support and educational opportunities for emerging artists, musicians and students of botany, to increase awareness of the arts and its richness, diversity and tradition in the region. He devoted many acres of land at Thistlewood to the project and hosted tours of his expansive iris gardens every spring. All of the proceeds from his Estate, including all items in this sale, are to benefit the Thistlewood oundation for the creation of new art and the cultivation of new and emerging artists. New Orleans Auction Galleries is pleased to offer fine pieces from the Estate of ichard Anthony Goula, including Old Master drawings, Newcomb pottery and ceramics, fine furs and a rare collection of 18th- and 19th-century botany books.

SESSION I Saturday, December 8 10:00 a.m. CT Lots 1-607

2 3

1 English Oak Draw-End Refectory Table late 19th century, the banded paneled top above a stylized foliate fret-carved frieze, and with a draw-end to either end, raised on large ribbed cup-and-cover supports joined by a stretcher and ending in runner feet. h. 31”, w. 39-1/2”, l. 88-1/2”, ext. l. 150” $1,200-$1,800 2 Pair of Silver-Gilt-Metal and Needlework Sconces ca. 1900, in the William and Mary style, each with a leaf-carved cloverleaf surround, the needlework backplate decorated with figures in Elizabethan costume, set with two-light candle arms. h. 20”, w. 12”, d. 5-1/2” $1,200-$1,800

3 Elizabethan-Style Fruitwood Chaise Longue 18th century, having six spiral-twist legs joined by similar spiral-twist block-and-turned stretchers, the head end fitted with a pull-out candle shelf on each side, uphostered in Loro Piana linen. h. 40-1/2”, w. 28”, l. 63” $1,000-$1,500

4 Pair of Chinese Blue and White Porcelain Covered Urns 20th century, in the Ming style, each of compressed globular form on a raised foot, the body narrowing to a flared neck surmounted with domed cover with ruffle edge and peach-form finial, decorated throughout with a floral design in sectional panels, the bases unglazed and unmarked. h. 23-1/2”, dia. 13-1/2” $1,000-$1,500 5 George III Oak Highboy late 18th century, the upper section fitted with two short drawers over three graduated long drawers, over a lower section fitted with a central long drawer flanked to either side by a short deep drawer, raised on cabriole legs ending in pointed toes. h. 59-3/4”, w. 38-1/2”, d. 20-1/2”

$1,500-$2,500

6 Pair of French Provincial-Style Fruitwood Wing Chairs early 20th century, each with a slightly domed and tufted back joined by shaped sides and outscrolled arms to the cushioned seat, raised on cabriole legs joined by an H-form stretcher and ending in scrolled toes. h. 45” $2,000-$4,000

7 George III-Style Mahogany Mule Chest late 19th century, the rectangular top with a molded edge, hinged and opening to a storage space, over a front fitted with three short faux drawers over two banks of three graduated long drawers, raised on ogee-molded bracket feet. h. 42”, w. 69-3/4”, d. 21-3/4” $1,000-$1,500 8 James Fellowes (British/Welsh, active 1719-1751) “Portrait of a Gentleman in a Gold-Embroidered Waistcoat and Brown Velvet Jacket”, 1740 oil on canvas feigned oval, signed and dated en verso, remnant of an old “Southport” transport label on stretcher. Framed. 30” x 24-3/4”, framed 35-1/4” x 30-1/4”

$1,500-$2,500 9 British School (Fourth Quarter 18th Century) “Portrait of a Gentleman in a Landscape” oil on canvas laid down on board unsigned. Antique giltwood frame. 30” x 25”, framed 38” x 32” $1,500-$2,500

10 George III Mahogany Chest-On-Chest

12A Good George III Mahogany Stool

ca. 1800, the cornice with inlaid dentil banding, the upper section with two-over-three graduated and beaded drawers, the bottom section with a bank of three like drawers, raised on bracket feet. h. 81-1/2”, w. 46”, d. 23”

18th century, probably Irish, having a shaped slip seat, raised on cabriole legs with shelf-and-bellflower carved knees and ending in trifid feet. h. 18", w. 22", d. 16" $1,000-$1,500

$1,500-$2,500 11 George III Oak and Mahogany Tall Case Clock ca. 1800, the hood with a swan’s-neck broken arch pediment with brass rosettes, the painted dial bearing the name “J.__ Ferry, Richmond” with a brass time and strike movement. h. 86”, w. 20”, d. 10” $1,000-$1,500 12 George III Mahogany Secretary fourth quarter 18th century, the molded cornice above two doors, each inset with a shaped panel, the lower section fitted with a slant front opening to a variety of drawers and cubbyholes, over three graduated long drawers, raised on bracket feet. h. 67”, w. 30”, d. 18”

12A

$1,000-$1,500

10 11

13 British School (18th/19th Century) “Portrait of a Gentleman in Restoration Costume” oil on canvas unsigned. Framed. 25-1/4” x 21”, framed 29-3/4” x 25-1/2” $1,000-$1,500 This engaging portrait appears to be the work of two hands. The face, with its delicately modeled features and carefully applied brushstrokes, reveals a style and technique that is decidedly 18th century. The body and clothing, however, are rendered in bold brushstrokes with thick applications of paint that are most indicative of the 19th century. 13

14 British School (Fourth Quarter 18th Century) “Portrait of a Lady in a Pearl and Black Lace Choker” oil on canvas unsigned. Framed. 25” x 20-3/4”, framed 30” x 25-1/2” $1,000-$1,500

15 Attributed to Richard Rothwell, R.H.A. (Irish, 1800-1868) “Portrait of an Unidentified Distinguished Gentleman”

oil on canvas unsigned, an old handwritten note and a “Grundy and Fox/ Fancy Repository/St. Ann’s Square/Manchester” label en verso frame. Period, possibly the original, carved giltwood frame affixed with artist plaque. 30-1/2” x 25-1/4”, framed 39-1/2” x 34” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,400-$1,800 John Clowes Grundy and Charles Fox established a fine art supply and repository business in 1827 on St. Ann’s Square, in Manchester. The company, which also offered carving and gilding services as well as serving as a printseller, remained at that location only until 1829. The company is mentioned in the 1828 and 1829 editions of “Pigot and Son’s General Directory of Manchester, Salford, etc”.

16 Irish George III-Style Mahogany Settee 19th century, the double chair back surmounted by foliate carvings over elaborately carved and intertwining backs, joined by padded arms to the like seat, raised on cabriole legs headed by shell carving and ending in scrolled acanthine toes. h. 43”, w. 46”, d. 23” $1,000-$1,500 17 English Giltwood Three-Part Overmantel Mirror second quarter 20th century, in the rococo taste, framed with rocaille work, the crest framed with scrolls and carved shells, the sides and lower edge with like carving. h. 27”, w. 60” $800-$1,200 18 George III-Style Mahogany Chest-on-Chest

mid-19th century, the rectangular cove-molded cornice above a case fitted with two small drawers over three graduated long drawers, the lower section fitted with a pull-out brushing slide over three graduated long drawers, all drawers banded, raised on shaped bracket feet. h. 72-1/2”, w. 30-1/2”, d. 17” Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. $1,000-$1,500 19 Associated Pair of Chinese Blue and White Porcelain Lidded Bowls

each with a Guangxu mark (1875-1909) and possibly of the period or later, the bowls of shallow form with everted lip, cradling the conforming covers, decorated to the exterior with floral and foliate sprays, one cover with a calligraphic inscription. h. 3-1/4”, dia. 6-1/2” $2,000-$4,000

19 detail

19 18

20 Two George III Lowboys including a walnut example, fourth quarter 18th century, with a banded and rounded rectangular top, quarter-veneered and above a case fitted with two small drawers over a single drawer, raised on cabriole legs ending in pad feet, h. 28-1/2”, w. 28”, d. 17”, and a mahogany and walnut example, fourth quarter 18th century and later, with a rectangular top above a conforming case fitted with two long drawers over two short drawers, raised on cabriole legs ending in pad feet, h. 28”, w. 29-1/2”, d. 17”. $1,000-$1,500 21 George III Mahogany Secretary fourth quarter 18th century, the broken swan’s-neck pediment pierced and centered by a finial, above two astragal-glazed doors, the lower section fitted with a slant front opening to a leather-inset writing surface and a variety of drawers and cubbyholes flanking a central double cupboard, over three graduated long drawers, raised on bracket feet. h. 82”, w. 33”, d. 18-1/2”

Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. $1,000-$1,500

22 Giltwood Mirror in the Chippendale Taste 20th century, elaborately decorated with pierced rocaille and scrollwork, the crest decorated with a phoenix supporting garlands of flowers and leaves, the lower edge with a pierced shell. h. 61-3/4”, w. 31-1/2” $1,000-$1,500 23 Chinese Export Porcelain Pierced Fruit Bowl and Matching Underplate third quarter 18th century, the flaring bowl with raised flowers on the exterior, the bottom painted with famille rose flowers, the underplate decorated to match. h. 4”, dia. 10-1/4” $1,000-$1,500 21

24 Collection of Three Chinese Export Porcelain Plates including a hexagonal “cockerel” plate decorated with chickens and pots of flowers, the border with flowers, second quarter 18th century, a famille rose example decorated with a European port scene and famille rose scenic borders, and a famille verte example with a central panel of blue flowers and a rich border of green, orange and gilt enameled flowers. dia. 8-3/4” to 9”

$1,000-$1,500 25 Collection of Three Chinese Export Porcelain Graduated Punch Bowls second half 19th century, Ch’ien Lung period, in the famille rose palette, the larger two bowls decorated with sprigs, bouquets and festoons of flowers and the smaller one with peonies and diapered borders outlined in black. h. 3-1/2” to 4-1/4”, dia. 7-1/4” to 10-1/2” $1,000-$1,500 26 Pair of George III-Style Mahogany Corner Cabinets

27 Unusual English Mahogany Cellarette

each with a molded canted cornice above a drop-finialapplied frieze, over a single astragal-glazed door and a paneled cupboard door, raised on plinth bases. h. 74-1/2”, w. 35-1/2”, d. 21”

fourth quarter 18th century, the ogee-molded case opening to reveal a divided interior, the facade decorated with two applied cut-corner panels, fitted with brass post and bail pulls and casters. h. 32-1/2”, w. 16”, d. 11”

$1,200-$1,800

$2,000-$4,000

28 George III-Style Mahogany Drum Table early 20th century, the banded circular top above a conforming frieze fitted with four drawers and four faux drawers, raised on a paneled standard to four splayed ribbed legs ending in brass caps on casters. h. 31”, dia. 41-1/2” $1,000-$1,500 31

29 George III Mahogany Sideboard fourth quarter 18th century, the banded rectangular top with a center breakfront, above a conforming case fitted with a central cutlery drawer, flanked to one side by two drawers and to the other by a single drawer faced as two, all banded, raised on tapering square legs ending in spade feet. h. 36”, w. 58”, d. 28” $1,000-$1,500 30 George III Mahogany Secretary fourth quarter 18th century, the broken swan’s-neck pediment with delicate inlays in the Adam taste and centered by a finial, over two astragal-glazed doors, the lower section fitted with a secretary drawer fitted with a leather-inset drop front and a variety of drawers and cubbyholes, over three graduated long drawers, raised on bracket feet. h. 94”, w. 41-3/4”, d. 20”

$1,000-$1,500 31 Collection of Three Chinese Export Porcelain Cream Jugs fourth quarter 18th century, including a jug with a sepia oval European or American scene, a jug with initials in a draped shield and a jug decorated with famille rose flowers. h. 5” to 5-1/4”, w. 6” to 6-1/4” $1,000-$1,500

32 Two Chinese Export Porcelain Chargers 18th century, including a famille verte example decorated with cranes in a landscape with pine trees and a temple, dia. 13-1/2”, and a famille rose example decorated in the Mandarin style with musicians in a garden, and borders of pink peonies, dia. 13-1/4”. $1,000-$1,500 33 Collection of Three Chinese Export Porcelain Teapots

18th century, including a “marriage” teapot with a pair of initials for husband and wife, holding hands beneath a crown, signifying a European royal family, with a famille rose diapered border, a teapot decorated with baskets of flowers and another decorated with sprigs of famille rose flowers. h. 6” to 6-1/2”, w. 8-1/4” to 8-3/4”, d. 4-1/2” to 4-3/4” $1,000-$1,500 34 Collection of Three Chinese Export Porcelain Canns 33

second half 18th century, including a barrelform cann decorated with famille rose flowers and insects, and two cylindrical examples decorated with famille rose flowers, one with a dragon handle and the other with an intertwined handle. h. 5” to 5-3/4”, dia. 6” $1,000-$1,500

35 George III-Style Mahogany and Giltwood Mirror 19th century, outlined with a swan’s-neck pediment decorated with giltwood leaf carving flanking a phoenix bird finial, with cascading carved gilt leaves on each side, the mirror plate lined with carved giltwood. h. 65-1/2”, w. 24” $1,000-$1,500 35

36 George III-Style Mahogany Linen Press mid-19th century and later, the upper section with a pair of paneled doors with perimeter banding and inlaid stringing, the base with three-over-three graduated drawers, each with inlaid stringing and beaded edges, raised on bracket feet. h. 91-1/2”, w. 46-1/2”, d. 22-1/2” $1,200-$1,800 37 Pair of Chippendale-Style Parcel-Gilt Mirrors 20th century, the gilt-trimmed swan’s-neck crests with phoenix bird finials, with leaf-carved side arms, below medallion-decorated corners. h. 58-1/2”, w. 32” $2,500-$4,000 38 Pair of English Carved Giltwood Eagle-Decorated Sconces the two-light sconces on fringed backplates tied with bowknots and mounted with displayed eagles, tha arms set with leaf-carved candle sockets and drip pans. h. 34”, w. 16”, d. 9-1/2”

$1,000-$1,500

39 George III-Style Mahogany and Walnut Dining Table the rounded rectangular top banded and with quarter veneering, raised on three pedestals, each with a turned bulbous standard to four splayed cabriole legs ending in pad feet. h. 31”, w. 48”, l. 108” $1,000-$1,500 39

40 George III Mahogany Sideboard fourth quarter 18th century, the breakfront D-form top above a conforming case fitted with a central cutlery drawer over a recessed well drawer, flanked to one side by a cupboard and to the other by a cellarette drawer, raised on ring-turned tapering circular legs ending in bulb feet. h. 37”, w. 80-1/2”, d. 31” $1,200-$1,800 41 Manner of John Hoppner (British, 1758-1810) “Portrait of a Lady in a White Lace Cap”, fourth quarter 18th century oil on canvas unsigned, a “J. Fieldhouse/Re-Gilding Works/Birmingham” label, a 1906 handwritten restorer’s note, and a “Bush Antiques/New Orleans” tag en verso frame. Handsome, antique gesso and giltwood frame. 30” x 25”, framed 43” x 36”

Provenance: Bush Antiques, New Orleans, Louisiana; Estate of Dr. Carroll Ball, Jackson, Mississippi. $2,000-$4,000 J. Fieldhouse is listed as a “provincial” art dealer in the 1890s editions of The Year’s Art compilation published in London yearly by the J. S. Virtue Company. 42 British School (18th Century) “Portrait of a Child with Pet Terrier, Against a Verdant Landscape” oil on canvas unsigned Framed. 42” x 32”, framed 48-1/2” x 39” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $2,000-$4,000 42

45 George III-Style Mahogany Chest 43

late 19th century, the rectangular top above a conforming case fitted with two short drawers over three graduated long drawers, raised on shaped bracket feet. h. 37-1/2”, w. 46”, d. 20” 43 George III Mahogany Chest-on-Chest

$1,000-$1,500

fourth quarter 18th century, the molded and dentillated cornice above a case fitted with two short drawers over three graduated long drawers, the lower section fitted with three graduated long drawers, all with line inlay and inlaid corner accents, raised on ogee-molded bracket feet. h. 69-3/4”, w. 42”, d. 22-1/2” $2,000-$4,000 44 George I-Style Giltwood Mirror 20th century, the scrolled crest decorated with scrollwork and flowers on a textured ground, the outset corners and surround carved with scrollwork, from the Historic Newport Collection. h. 46-1/2”, w. 28-3/4” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500 45

46 Pair of Chinese Porcelain Ginger Jars 20th century, in the famille verte style, decorated with raised ducks swimming in a lily pond, on carved hardwood stands. h. 15”, dia. 8-1/2” $1,000-$1,500 47 George III Mahogany Chest-on-Chest fourth quarter 18th century, the molded and dentillated cornice above a case fitted with two short drawers over three graduated long drawers, the lower section fitted with a brushing slide over three graduated long drawers, raised on bracket feet. h. 73-1/2”, w. 42”, d. 22”

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$2,500-$4,000 48 John Parkinson (1567-1650) Paradisi in Sole Paradisus Terrestris

London: Richard Thrale, 1656, second edition, folio, with woodcut title and 109 woodcuts (3 non-botanical), in full brown leather with decorative fillet, the flat spine with raised bands and red panel with gilt rule and lettering, the edges cut, the inside front board with bookplates of Peter DuCane Esq. Jr. (armorial) and Knut Olav Thulesius (monogram). [Cleveland 221; Nissen BBI 1489; STC II P495; Pritzel 6934] leaf 32.8 x 20.9 cm; overall 33.5 x 22.2 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,500-$2,500

46 47

49 Joseph Pitton de Tournefort (1656-1708) A Voyage Into the Levant London: for D. Browne, A. Bell, J. Darby and six others, 1718, demy quarto, first English edition (translated by John Ozell), in two volumes, with 150 plates (seven fold-out) of maps, flora, fauna, costumes, customs, architecture and landscapes of the Eastern Mediterranean, in full brown calf with gilt fillet, the flat spines with raised bands, black panel, and gilt decoration and lettering, the edges cut and tinted, with bookplate of the Reverend William Long (crest). [Howgego T58; Nizzen ZBI 4156; Hunt 445] leaf 25.0 x 19.5 cm; overall 25.9 x 20.6 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana.

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$1,200-$1,800

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50 Sir John Hill (1716-1775) The British Herbal: an History of the Plants and Trees, Natives of Britain

London: for T. Osborn, J. Shipton, J. Hodges, J. Newbery and three others, 1756, folio, with hand-colored engraved frontispiece, rubricated title page, engraved armorial dedication to the Earl of Northumberland, and 75 handcolored engraved botanical plates, in full brown leather with gilt fillet, the (later) spine with black panel and gilt rule, decoration and lettering, the edges cut and marbled, with marbled endpapers, with bookplate of Osbert Denton (armorial) and (on the inside flyleaf) presentation inscription dated 1896. [Cleveland 441; Hunt 557; Stafleu SL-II 2769; Nissen BBI 881; Stearn p. 100; Pritzel 4063] leaf 43.3 x 26.8 cm; overall 44.2 x 28.8 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,200-$1,800

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51 John Miller (1715-1790) Illustratio Systematis Sexualis Linnaei/Illustration of the Sexual System of the Genera Plantarum of Linnaeus London: the author, 1777, large folio, with 108 handcolored engraved plates, 1-4 of leaf forms numbered, the other 104 unnumbered without lettering and dates, the unnumbered plates each accompanied by a duplicate impression, uncolored but with lettering and dates [212 plates total], in brown calf with gilt fillet, the (later) spine with raised bands and gilt lettering and rule, the edges cut and tinted, with marbled endpapers. [Stafleu SL-II 6482; Nissen BBI 1372; Stearn p. 120] leaf 53.0 x 36.2 cm; overall 55.2 x 39.7 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. Literature: See also W. B. Hemsley, “John Miller and His Work”, in The Gardener’s Chronicle, March 1, 1890 (3:VII), pp. 255-256. $10,000-$15,000

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52 William Curtis (1746-1799) Flora Londinensis London: for the author by B. White and Son, 1777-1798, folio, in six volumes, with 432 hand-colored engravings by William Kilburn, James Sowerby, Sydenham Edwards et al., in full tan calf with gilt rule and dentelle, the (later) flat spines with raised bands, red panel and gilt lettering rule and decoration, with marbled endpapers and bookplate of W.P.B. Johnson (crest). [Hunt 650; Cleveland 532; Nissen BBI 439; Stafleu SL-II 1286; Stearn pp. 88; Pritzel 2005] leaf 46.0 x 28.8 cm; overall 47.1 x 30 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $5,000-$8,000 This important work by botanist and entomologist William Curtis was issued by subscription in 72 “numbers” of 6 plates each beginning in May 1775. The “numbers” were further divided into 6 “fascicles”, each containing 12 “numbers” (i.e. 72 plates). Curtis recommends in the binding instructions that “each fasciculus containing twelve numbers, be bound in boards and not cut at the edges; the plates to be placed in the same order in which they occur in the first index”. The first index follows Linnaean numbering, but the binder of the present lot has ignored Curtis’ instructions, instead arranging the plates in the order of the second index, in alphabetic order following Linnean taxonomy. 52 detail

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53 William Curtis (1746-1799) and John Sims (1749-1831) The Botanical Magazine, or Flower-Garden Displayed London: W. Curtis et al., 1787-1815, demy quarto, forty-two volumes (in 34) plus index, containing 1,770 numbered, handcolored floral plates by James Sowerby, Sydenham Edwards and F. Sansom et al, demy quarto, in full tan calf, the flat spines with black title and red oval volume panels with gilt lettering and rule, with armorial bookplate of William Henry Irby, together with three volumes of the second series - volumes 43 (1816), 51 (1824) and 53 (1826), containing (in total) another 299 plates, in brown quarter calf on marbled boards, the flat spines with gilt lettering and rule. [Hunt 689; Stearn p. 156-157; Stafleu TL-II 1290; Nissen BBI 2350; Cleveland 577; Pritzel 2007] 38 books total leaf 23.4 x 13.8 cm; overall 24.1 x 14.8 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana.

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54 Sir Joseph Paxton (1803-1856) Paxtonâ&#x20AC;&#x2122;s Magazine of Botany, and Register of Flowering Plants London: Orr and Smith, 1834-1849, quarto, sixteen volumes (of 16), containing 768 hand-colored plates (engraving and lithograph) by F. W. Smith and S. Holden, with numerous in-text woodcuts by C. J. Flemin and O. Jewitt, in half brown leather with embossed fillet on green moire cloth boards, the flat spines with raised bands and gilt rule and lettering, the edges cut and gilt, most with armorial bookplate of Gervaise Tottenham Waldo-Sibthorp, M.P. (1815-1861). [Stafleu TL-II 7544; Stearn p. 161; Nissen BBI 2351; Pritzel 7003] 16 books total leaf 32.1 x 15.9 cm; overall 23.9 x 17.2 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $3,000-$5,000

$4,000-$7,000

55 Two Books on Forest Trees John Evelyn (1620-1706) Silva, or a Discourse of Forest-Trees York: A. Ward for J. Dodsley, T. Cadell, J. Robson and three others, 1776, quarto, 6th edition (first thus, with the addition of notes by Alexander Hunter), with engraved portrait and 39 plates (one fold-out) and fold-out table, in full tan calf, the (later) spine with raised band and red panel with gilt lettering and rule, the edges cut, with bookplate of Charles Vere Dashwood, leaf 28.6 x 21.6 cm; overall 29.5 x 22.9 cm [Nissen BBI 615; Pritzel 2766; Brunet 1126] and Francois Andre Michaux (1770-1855) and Thomas Nuttall (1786-1859) The North American Sylva; or, a Description of ForestTrees of North America Philadelphia: William Rutter, 1865, octavo, six volumes (in five), the fourth edition of the combined works of Michauxâ&#x20AC;&#x2122;s 1818 original and Nuttallâ&#x20AC;&#x2122;s 1842 continuation, the former with 156 hand-colored engraved plates, the latter with 121 hand-colored lithographs, in uniform bindings of half brown leather with embossed fillet on marbled boards with beveled edges, the flat spines with raised bands, embossed rule and decoration and gilt lettering, the edges cut and gilt, with bookplate of the Medford, Massachusetts Public Library and associated markings throughout, leaf 26.2 x 16.8 cm; overall 27.5 x 18.5 cm [Sabin 48695/56531; Nissen BBI 1361/1458; Stafleu SL-II 5966/6930] 6 volumes total Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,800-$2,500

56 Two English Botanical Books William Hanbury (1725-1778) A Complete Body of Gardening and Planting London: the author, sold by Ed. & Chas. Dilly, 1770-1771, folio, in two volumes, with engraved frontispieces and twenty botanical plates, in full brown leather, the (later) flat spine with gilt fillet and embossed Greek-key rule, red panel and gilt lettering and floral decoration, the edges cut, with bookplate of the Horticultural Society of New York, bequest of Kenneth K. Mackenzie, October 1834, leaf 42.1 x 26.1 cm; overall 43.0 x 28.0 cm [Cleveland 499; Hunt 615] and Thomas Green The Universal Herbal, or Botanical, Medical and Agricultural Dictionary Liverpool: Nuttall, Fisher & Co., March 1816 (vol. 1), Henry Fischer, July 1820 (vol. 2), quarto, in two volumes, with engraved frontispieces, title page (vol. 1) and 108 hand-colored engraved plates, in full mottled brown calf with decorative gilt fillet, the (later) flat spine with raised bands and embossed lettering and rule, the edges cut and marbled, with marbled endpapers, leaf 26.7 x 20.8 cm; overall 27.5 x 22.3 cm [Cleveland 793; Nissen BBI 754; Stearn, p. 97] Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana.

$1,200-$1,800

57 Felix Edouard Guerin-Meneville (1799-1874) Atlas to Dictionnaire Pittoresque dâ&#x20AC;&#x2122;Histoire Naturelle Paris: second quarter 19th century, quarto, in three volumes, 720 natural history plates, most hand-colored, with printed table, in quarter green leather with gilt fillet on green moire cloth, the spines with gilt decoration and lettering, the edges cut and marbled, with yellow moire endpapers and bookplate of Robert and Madeleine Clamens. [Nissen ZBI 4616; Grasse III 171] leaf 29.1 x 19.3 cm; overall 30.0 x 20.6 cm Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $2,500-$4,000 This set is of the colored plates only and does not include the accompanying nine volumes of text. Without additional information, it is not possible to determine if they are from the first edition of 1834-39 or the second edition of 1844-1846.

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58 Italian Neoclassical-Style Parcel-Gilt Mirror 20th century, the rectangular frame set with a pierced crest decorated with leaves framing an oval medallion with a red ground, the sides with carved leaves and pinecone drops on a red ground. h. 29”, w. 16-1/4” $1,000-$1,500 59 Neoclassical Giltwood and Marble-Top Side Table 18th century, the rectangular top with a molded edge, above a conforming frieze with scrolling foliate and masque carving to all sides, raised on fluted tapering circular legs headed by waisted capitals and ending in peg feet. h. 34”, w. 40”, d. 18-1/4” $3,000-$5,000

60 Swedish Neoclassical Polychrome and Parcel-Gilt Settee early 20th century, having a curved and padded crest rail above a bas-relief carved grape and vine panel, raised on turned and fluted legs. h. 35”, w. 70”, d. 21” $2,500-$4,000

61 Interesting Faux Bamboo Cast Bronze and Marble-Top Gueridon 20th century, the inset circular marble top supported by three interlocking faux bamboo legs draped with tassels and ending in ball-and-claw feet. h. 24”, dia. 17-1/2” $1,000-$1,500 62 Continental School (19th Century) “Judgment of Midas” oil on canvas unsigned. Antique giltwood frame. 43-1/2” x 61-1/4”, framed 49-3/8” x 67-1/4” 62

Provenance: Estate of John Elliot Bradshaw, Houston, Texas. $2,000-$4,000 63 Neoclassically Inspired Three-Piece Giltwood Parlor Suite early 20th century, composed of a sofa, an arm chair and a side chair, with fluted stiles capped with Corinthian capitals, the arm supports of like form supporting scroll ends, the arms over pierced foliate- and scroll-carved panels, with bowed seats and cabriole legs with French toes. sofa h. 38-1/2”, w. 54”, d. 27-1/2”, armchair h. 38-1/4”, side chair h. 37-1/4” $1,000-$1,500

64 Pair of Italian Neoclassical Polychromed and Parcel-Gilt Side Chairs 19th century, each with floral- and leaf-decorated stiles, crest rail, seat rail and legs, a shaped splat and bowed seat rail. h. 35-5/8” $1,000-$1,500 65 Neoclassical-Style Gilt-Metal Chandelier second quarter 20th century, the twelve-light chandelier with a leaf-molded standard and arms on two tiers, hung with lotusmolded drip pans, the corona with sprays and festoons of drops. h. 32”, dia. 24” $1,200-$1,800

66 Italian Giltwood and Mirrored Oval Center Table late 19th century, the picture frame top with a gadrooned edge, over a carved apron and supported by four carved figural legs. h. 30”, w. 33-1/2”, d. 22” $1,000-$1,500 67 Italian Neoclassical-Style Giltwood Mirror 20th century, the crest decorated with a heart supported by a pierced bowknot and flanked by flowerheads, the sides with pierced scrollwork, set with a beveled mirror plate lined with beading and supported on pinecone-carved feet. h. 57”, w. 33-1/4” 66

$1,000-$1,500

68 Pair of Biedermeier-Style Burlwood Commodes each with a rectangular top with a recessed center section, above a conforming case fitted with three long drawers, raised on tapering square legs, the drawer interiors bearing a metal label, “John-Richard Fine Furniture”. h. 39”, w. 50-1/2”, d. 20-1/2”

69 Neoclassical Mahogany and Fruitwood Games Table early 19th century, the removable rectangular top with an inlaid floral spray within a banding to one side and a chess board to the other, removing to a leather-inset top, raised above a conforming frieze fitted on each side with a faux drawer and a drawer, all banded, raised on tapering square legs ending in brass caps. h. 29-1/2”, w. 33-1/2”, d. 19-1/4”

$1,000-$1,500 $1,200-$1,800

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70 Biedermeier Burl Walnut Secretary mid-19th century, the domed cornice above two doors, each with a shaped glazed panel, over three short drawers, the central one concave, and one long drawer, over a faux tambour roll-top opening to an inset leather surface and drawers and a central cupboard, over a long frieze drawer over three long recessed drawers, flanked to either side by a fluted upright, raised on turned turret feet. h. 69-1/2”, w. 38”, d. 24-1/2” $1,000-$1,500 71 Large Pair of Classical Cast Bronze Figural Torcheres 20th century, both crowned with floral wreaths, one example holding a pair of doves, the other a clusters of grapes, each with an upraised torch set with frosted glass flame-form shades, electrified. h. 86” and 88-1/2” Provenance: Estate of John Elliot Bradshaw, Houston, Texas. This pair flanked the front entrance of the Bradshaw home, standing as guardians lighting the way. 71

$2,000-$4,000

72 Austrian Neoclassical-Style Giltwood Three-Part Overmantel Mirror first quarter 20th century, divided with fluted Corinthian pilasters, the cornice dentillated on the side sections, with egg-and-dart molding on the bowed center section, labeled “Le Chant du depart”. h. 28-1/4”, w. 39-1/2” $1,200-$1,800 70

73 Italian Red Griotte Marble Grand Tour Souvenir of the “Colonna di Foca” fourth quarter 19th century, the fluted Corinthian column marked “Colonna Foca” in gilt on the verde antico marble base, the original in the Roman Forum in honor of Emperor Phocas. h. 23-1/2”, w. 8-1/2”, d. 8-1/2” $1,500-$2,500

74 Italian School, Probably Venetian (17th Century) 73

“Study of a Monk” sanguine chalk on laid paper unsigned, lower right with collection stamp attributed to Charles Henri Marcellis [L.609], the reverse with the collection stamp of Colonel General E. R. Lamponi-Leopardi [L.1760]. Matted, glazed and framed. 7” x 5-1/2”, framed 19-3/4” x 17” Provenance: Charles Marcellis (1798-1864), Belgium; Colonel General E. R. Lamponi-Leopardi (second half 19th century), Florence and Turin, Italy; (Probably) Sale of Lamponi-Leonardi Collection, Florence, November 6-9, 1902, lot 713; Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. Literature: Catalogue de la collection Lamponi de Florence, peintures et dessins de diverses ecoles et epoques, objets d’art et de curiosite, p. 37. $1,000-$1,500

75 Continental School (Fourth Quarter 17th/18th Century) Two Old Master Drawings

sanguines on laid paper including an Italian study of “David”, inscribed “no. 71” in sepia upper left, 8-5/8” x 8-5/8”, and a Dutch/Flemish drawing of a “Mercenary with Halberd”, 8-3/4” x 5-1/8”, each unsigned, each without watermarks. Each matted, glazed and framed. framed 23-1/8” x 19” and 15-3/4” x 14”, respectively $1,000-$1,500

76 Attributed to Ventura Salimbeni (Italian, 1568-1613) “Study of a Woman’s Head and a Male Nude” chalk on laid paper ink-signed lower margin, later inscribed “Federico Barocci”, 6-5/8” x 5-3/4”; together with two 19th-century studies after Old Master drawings, including two seated male nude studies, sanguine chalk, recto with figure with outstretched arm, verso (half folio) with a smaller study with outstretched arm, 17-1/2” x 14-1/2”; and two male figures wrestling, verso with additional studies of male and female heads, sepia ink, 7-3/4” x 7-1/4”. Each glazed, matted and frame. framed 17-3/4” x 16-1/2”; 28” x 22-3/4” and 17-1/2” x 16-1/2”, respectively Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. 76

$1,000-$1,500 77 Unusual Biedermeier-Style Fruitwood and Ebonized Center Table the circular top banded and with a decorative sunburst pattern, the band with a swirling pattern, raised on a bulbous stripe-patterned standard to a circular platform inlaid en suite with the top, to cabriole legs to scrolled toes, the underside bearing a metal plate, “Rho srl Mobili D’Epoca, Cabiate (Como) Italy.” h. 29-1/4”, dia. 37-1/2” $1,200-$1,800

78 Biedermeier-Style Mahogany Mirror late 19th century, German, decorated with a tablet depicting a gilt lyre crossed with arrows, a giltwood dentillated cornice and colonettes on each side terminating in baskets of fruit, with ebonized trim. h. 48-1/2”, w. 21-1/2” $1,000-$1,500 77

79 Pair of Baltic NeoclassicalStyle Parcel-Gilt, Faux Rosewood and Marble-Top Pier Tables partially comprised of antique elements, each with a Brescia marble top over a shell-carved frieze, raised on scrolling lyreform columns with carved paw feet, joined to a plinth base with brass perimeter molding. h. 33-1/4”, w. 33”, d. 16-1/4” $1,500-$2,500

80 Monumental French Neoclassical Bronze Dore et Patine Clock Set third quarter 19th century, the clock with an enamel dial signed by bronzier Leroy a Paris, and set with an eagle finial flanked by urns of flowers, supported on bronze figures of Nike, on a base decorated with neoclassical plaques, the works signed by Vincenti et Cie, h. 44-1/2”, w. 23”, d. 8-1/2”, the matching candleholders with patine bases decorated with mounts of winged male figures with pairs of lions, supporting Nike figures mounted with candle sockets on their heads, h. 30-1/2”, w. 7”, d. 7”. $5,000-$8,000

81 Attributed to Andries Cornelis Lens (Flemish, 1739-1822) “Young Child with Dog” oil on canvas Framed and with brass artist plaque. 22-3/4” x 18”, framed 27-1/2”x 22-7/8” Provenance: Robert van Steenberghe (b. 1909), Brussels, Belgium. $1,200-$1,800

82 Suite of Ten Ephraim Ståhl (1767-1820) Gustavian Painted Side Chairs ca. 1795-1805, the curved padded rectangular crest within a foliate-carved frame, above an X-form splat on a griffin-carved panel, the padded seat raised on lotus-carved tapering circular legs ending in peg feet, upholstered in dark charcoal linen. h. 36” Provenance: Selected Design & Antiques, Denmark; Private collection, New York, New York. $15,000-$25,000 Ephraim Ståhl (1767-1820) was a chairmaker and the court carpenter to Kings Gustav IV Adolph and Charles XIII. Examples of his work can be found in several Swedish royal residences, including the Royal Palace in Stockholm and Gripsholm Castle in Mariefred. 83 Pair of Neoclassical-Style Bronze, Marble and Crystal Torcheres 20th century, the twelve-light torcheres set with bronze figures of neoclassical maidens, after Julien Causse (French, 1869-1919), on cove-molded mauve and black marble bases raised on gilt paw feet, the gilt-bronze candle arms hung with prisms and decorated with cascades of drops beneath a scrolled gilt-bronze corona hung with prisms. h. 95-1/2”, dia. 13” $4,000-$7,000 83

84 Pair of Neoclassical-Style Marble Pedestals 19th century, each with a square top raised on a columnar standard to a stepped socle base, composed of various types of marble. h. 43-3/4”, w. 10-1/4”, d. 10-1/4” $2,000-$4,000 85 Giovanni Varlese (Italian/Neapolitan, active 1888-1922) “Narcissus” patinated bronze fourth quarter 19th century, incised signature, localized “Napoli”, and dated “1896” at base. h. 24”, w. 9-3/4”, d. 9-3/4” $1,000-$1,500

86 Italian Neoclassical Walnut Commode early 19th century, the rectangular top with decorative inlaid banding surrounding an inlaid floral arrangement, over a conforming case fitted with three long drawers, all with scrolling foliate and floral inlays, the sides inlaid en suite, raised on tapering square legs. h. 35-1/2”, w. 47-1/2”, d. 21-1/4” $1,200-$1,800

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87 Pair of Neoclassical Oil-on-Canvas Painted Panels first quarter 20th century, Continental, decorated with painted ovals of putti holding garlands of flowers, over neoclassical braziers decorated with ram’s heads. h. 59-1/2”, w. 20” $1,000-$1,500 88 Attributed to Sebastian Munoz (Spanish, 1654-1690) “Study of a Seated Male Nude Pointing” sanguine chalk on laid paper unsigned, 13-1/2” x 9-3/8”; together with a “Study of a Seated Male Nude”, attributed to Carlo Maratti (Italian, 1625-1713), sanguine on laid paper with a circular watermark, unsigned, 17-1/8” x 11-5/8”. Each matted, glazed and framed. 28-1/2” x 24-1/2” and 27-3/4” x 21-3/4”, respectively Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,000-$1,500 89 After Pompeo Girolamo Batoni (Italian, 1708-1787)

“Study of the Bust of a Sybil” sanguine and white chalk on paper unsigned, unmarked, 8-3/4” x 6-3/8”; together with two Italian School “Studies of a Standing and a Seated Male Nude”, each sanguine chalk on wove paper, 24-1/2” x 18-5/8” and 21-3/4” x 15”, respectively. The first matted, glazed and framed, 19” x 14”; the other two unframed. Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,000-$1,500 88

90 Italian/French School (18th Century) “Two Old Master Drawings” each chalk on laid paper with watermark each unsigned sanguine and white chalk on paper the reclining nude attributed to Marcantonio Franceschini (Italian, 1648-1729), 16-1/4” x 11-1/4”, the seated sanguine nude attributed to Jerome Chantereau (French, 1710-1757), 13-1/8” x 9-1/8”; together with an Italian School, 19th century, “Study of a Male Nude Leaning Against a Wall”, graphite on wove paper, unsigned, 7-1/8” x 6”. The first two glazed and framed, the third matted. framed 26” x 20” and 24” x 19”, respectively; matted 13-1/2” x 11-3/4” Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,000-$1,500

91 Pair of Neoclassical Giltwood Brackets decorated with swags of leaves and fruit held with bowknots, the lower portion with leaf-carved scrolls. h. 20-1/2”, w. 8-1/2”, d. 7-1/2” $1,000-$1,500 92 Italian Neoclassical-Style Giltwood Looking Glass late 19th century, the beveled mirror plate in a frame with a floral basket crest, the projecting “Greek Key” corners with grape and vine tracery and adorned in vintage decor throughout. h. 49”, w. 30”, d. 3” 91

$1,800-$2,500

93 Italian School (Fourth Quarter 18th Century)

94 Italian School (Fourth Quarter 18th Century)

“Africa, an Allegory”

“Asia, an Allegory”

oil on canvas unsigned; together with a copy of “certificate of originality and guarantee” issued by Orlando Petreni. Framed with a thin liner. 110-1/4” x 56-3/4”, framed 110-3/4” x 57-1/4”

oil on canvas unsigned; together with a copy of “certificate of originality and guarantee” issued by Orlando Petreni. Framed with a thin liner. 110-1/4” x 76”, framed 110-3/4” x 76-1/2”

Provenance: By repute, Senigallia noble palace, Marche, Italy; Orlando Petreni, Florence, Italy, 1971; Estate of Jean and Jack Kelley, Tulsa, Oklahoma.

$1,000-$1,500

95 Italian School (Fourth Quarter 18th Century)

96 Italian School (Fourth Quarter 18th Century)

“Pair of Grisaille Panels with Depictions of Saturn and Demeter”

“America, an Allegory”

oils on canvas unsigned; together with a copy of “certificate of originality and guarantee” issued by Orlando Petreni. Framed alike with thin liners. each 110-1/4” x 40-3/4”, framed 110-3/4” x 41-1/4”

oil on canvas unsigned; together with a copy of “certificate of originality and guarantee” issued by Orlando Petreni. Framed with a thin liner. 110-1/4” x 76”, framed 110-3/4” x 76-1/2”

Provenance: By repute, Senigallia noble palace, Marche, Italy; Orlando Petreni, Florence, Italy, 1971; Estate of Jean and Jack Kelley, Tulsa, Oklahoma.

$1,000-$1,500

97 Italian School (Fourth Quarter 18th Century)

98 Italian School (Fourth Quarter 18th Century)

99 Italian School (Fourth Quarter 18th Century)

“Pair of Grisaille Panels with Depictions of Erato and Vulcan”

“Europa, an Allegory”

“Pair of Grisaille Panels with Depictions of Mars and Euterpe”

oils on canvas unsigned; together with a copy of “certificate of originality and guarantee” issued by Orlando Petreni. Framed alike with thin liners. each 110-1/4” x 15-3/4”, framed 110-3/4” x 16-1/4” Provenance: By repute, Senigallia noble palace, Marche, Italy; Orlando Petreni, Florence, Italy, 1971; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500

oil on canvas unsigned; together with a copy of “certificate of originality and guarantee” issued by Orlando Petreni. Framed with a thin liner. 110-1/4” x 76”, framed 110-3/4” x 76-1/2” Provenance: By repute, Senigallia noble palace, Marche, Italy; Orlando Petreni, Florence, Italy, 1971; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500

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100 Italian School (Fourth Quarter 18th Century)

101 Italian School (Fourth Quarter 18th Century)

“Terra, an Allegory”

“Pair of Grisaille Panels with Depictions of Juno and Mercury”

oil on canvas unsigned; together with a copy of “certificate of originality and guarantee” issued by Orlando Petreni. Framed with a thin liner. 110-1/4” x 70”, framed 110-3/4” x 70-1/2”

Provenance: By repute, Senigallia noble palace, Marche, Italy; Orlando Petreni, Florence, Italy, 1971; Estate of Jean and Jack Kelley, Tulsa, Oklahoma.

$1,000-$1,500

102 Italian School (Fourth Quarter 18th Century) “Pair of Panels with Depictions of Vesperus and Luciferus” oils on canvas unsigned; together with a copy of “certificate of originality and guarantee” issued by Orlando Petreni. Framed alike with thin liners. each 58-1/4” x 47-1/4”, framed 58-3/4” x 47-3/4” Provenance: By repute, Senigallia noble palace, Marche, Italy; Orlando Petreni, Florence, Italy, 1971; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500 103 Louis XV-Style Polychrome Corner Table

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19th century, the top with a shaped front, above a conforming scalloped apron with foliate accents, raised on cabriole legs ending in hoof feet. h. 29”, w. 37”, d. 20” $800-$1,200 104 Louis XIV-Style Parcel-Gilt Mirror fourth quarter 19th century, framed with carved scrollwork and flowerheads, the pierced crest with a central pierced carving of flowerheads, mounted on a painted back with old mirror glass. h. 20-1/2”, w. 14” $1,000-$1,500

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105 Louis XV-Style Polychrome Bench early 20th century, the long padded rectangular top above a conforming foliate-carved frieze, raised on cabriole legs headed by foliate carving, joined by an X-form stretcher and ending in hoof feet. h. 17-1/2”, w. 45”, d. 16” $1,000-$1,500 106 Louis XVI-Style Polychrome and Marble-Top Console Table

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20th century, the shaped marble top over a conforming carved frieze and supported by large scrolled and downcurved brackets forming the legs and joined by a stretcher with a central carved pineapple finial. h. 33-1/2”, w. 36”, d. 17” $1,800-$2,500

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107 Louis XV-Style Painted Wood Sunburst Mirror the round center framed with carved scrolls and set with alternating short and long delicately carved “rays”. dia. 52-1/2” $1,200-$1,800 108 Pair of Louis XV-Style Polychrome Wing-Back Fauteuils early 20th century, each with a carved ribbon crest, acanthine arms and raised on cabriole legs. h. 31”, w. 30”, d. 24” 108

$1,800-$2,500

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109 Pair of Louis XVI-Style Polychrome Stools 19th century, each with a padded square top, raised on paneled tapering circular legs joined by an urn-centered X-form stretcher and ending in bun feet. h. 19”, w. 17-1/2”, d. 16-1/2” $1,000-$1,500 110 Carved and Painted Wooden Crown first quarter 20th century, of traditional form, the open sides carved with anthemia alternating with carved leaves, with an acanthus-carved finial, the lower edge carved with swagged fringe. h. 21”, dia. 19” $1,200-$1,800 111 Louis XV-Style Polychrome and Marble-Top Console Table ca. 1900, the shaped marble top above a conforming reliefcarved frame and raised on four cabriole legs with acanthine knees and joined by curved stretchers with a central urn-andgarland finial. h. 33-1/2”, w. 40”, d. 17-1/2” $1,400-$1,800

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112 Louis XV-Style Parcel-Gilt Overmantel Mirror fourth quarter 19th century, the serpentine crest elaborately molded with scrollwork and rocaille work, the lower edge similarly decorated, all four corners with pierced scrollwork, on a white ground. h. 96-1/2”, w. 51-1/2” 111

$1,500-$2,500

113 Pair of Louis XV-Style Painted Fauteuils early 20th century, each with a padded back surmounted by a molded floral-carved crest, joined by padded arms to the like seat, raised on molded cabriole legs headed by floral carving and ending in scrolled toes. h. 38-1/2” $1,800-$2,500 114 Pair of Diminutive Louis XV-Style Polychrome Settees first half 20th century, each with a carved and molded frame and a floral-carved crest rail, raised on floral-carved cabriole legs. h. 37-1/2”, w. 37”, d. 28”

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$1,400-$1,800 115 Louis XV-Style Bleached Oak Dessert Stand early 20th century, the removable picture frame top with an inset plated glass tray over two parquetryinlaid shelves, the frame with carved aprons and floral-carved legs. h. 25”, w. 31”, d. 18” $1,000-$1,500

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116 French Polychrome and Parcel-Gilt Adjustable Easel early 20th century, in the Louis XVI taste, the support shelf adorned with foliate swags, the base with carved dolphin brackets joined by a central stretcher. h. 82”, w. 25”, d. 24” 116

$1,500-$2,500

117 Louis XVI-Style Polychrome, ParcelGilt and Marble-Top Console Table 19th century, the shaped white marble top over a conforming frame with a carved and gilded frieze, raised on scrolled cabriole legs with acanthinecarved details. h. 34”, w. 56”, d. 19-1/2” $1,500-$2,500

118 Louis XVI Giltwood Mirror

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fourth quarter 18th century, the rectangular mirror mounted with a pierced crest decorated with a wreath and lovebirds perched on a quiver, the beaded and dents-de-loup-carved surround with rosettes and leaves at each corner. h. 49-1/2”, w. 22-3/4” $1,400-$1,800

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119 Pair of Louis XV-Style Polychrome Bergeres and a Pair of DirectoireStyle Stools the bergeres each with a shaped and padded back surmounted by a floral crest, joined by padded arms to the like seat, raised on molded cabriole legs ending in scrolled toes, h. 39”; the curule-form stools with conforming upholstery, h. 18”, w. 27”, d. 15-1/2”. $1,000-$1,500 118

120 Louis XVI-Style Polychrome Duchesse Brisee the chair with a low padded domed back sloping to the cushioned seat, with a conforming ovoid ottoman, both raised on fluted tapering circular legs ending in toupie feet. chair h. 27”, w. 29”, l. 48”, l. 60” with ottoman $1,000-$1,500 121 Louis XVI-Style Polychrome, Parcel-Gilt and Marble-Top Side Table

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the rectangular marble top above a conforming floral guilloche-carved frieze centered by a panel, raised on fluted tapering circular legs headed by a waisted foliate capital and ending in bulb feet. h. 34-1/4”, w. 55”, d. 19-1/4” $1,800-$2,500

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122 French Bronze and Crystal Chandelier 20th century, in the Baroque taste, the bronze scrolled frame set with a cut-glass-clad standard, the whole richly decorated with cut glass finials and graduated tiers of cut glass drops, and terminating in a large crystal spherule pendant finial. h. 39”, dia. 25” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $2,000-$4,000 123 Pair of Louis XV-Style Gilt-Bronze and Crystal Sconces second quarter 20th century, the five-light sconces with molded backplates decorated with draped-urn-form fire pots, the molded arms set with candle sockets, hung with festoons of drops and prisms and with sprays of drops, with glass inserts for votive candles. h. 29”, w. 17-1/4”, d. 10-1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,200-$1,800 122

124 French Giltwood Mirror and Console Table second quarter 20th century, of Louis XVI inspiration, the mirror with a pierced bowknot crest and swags of flowers, the surround with overlapping leaves, h. 57-1/2”, w. 12-1/2”, the matching hoof-footed console table fitted with a marble top, h. 33-1/2”, w. 13”, d. 6”. $1,000-$1,500 125 Max Albert Carlier (Belgium, 1872-1938) “Still Life of Roses in a Basket” oil on canvas signed lower left. Framed. 24” x 35-1/2”, framed 30-1/4” x 42” $1,500-$2,500 126 Louis XV Giltwood Mirror third quarter 18th century, with serpentine-molded edges decorated with raised scrollwork, the sides with shells on a latticed ground, accented with flowerheads. h. 54-1/2", w. 28" 126

$1,000-$1,500 127 Louis XV/XVI-Style Kingwood and Marble-Top Commode early 20th century, the breakfront rectangular marble top above a conforming case fitted with two long drawers, banded and with an inlaid floral basket, the sides with like inlay, raised on cabriole legs ending in sabots. h. 35”, w. 37-1/4”, d. 18-1/2” $1,000-$1,500

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128 Louis XV-Style Kingwood Occasional Table early 20th century, the banded oval top with a floral lattice parquetry panel, above a conforming frieze fitted with a single drawer, joined to a like-patterned kidney-form shelf by cabriole supports ending in sabots. h. 26-1/2”, w. 16-1/2”, d. 12-1/2” $1,000-$1,500 129 Pair of Louis XV/XVI-Style Kingwood Occasional Tables

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130 Louis XIV-Style Giltwood Mirror 20th century, the serpentine sides inset with mirror panels trimmed with scrollwork, the crest decorated with a mirrorbacked giltwood flower in a roundel, the lower edge with a shell. h. 48-1/2”, w. 31-1/2” $1,000-$1,500 131 Group of Two Louis XVI Bergeres

early 20th century, each with a banded and quarter-veneered shaped rectangular top centered by an inlaid floral spray, above a conforming frieze fitted with a small drawer and candle slide, joined to a like lower shelf by cabriole supports ending in sabots. h. 27”, w. 14”, d. 10-1/2”

18th century, the first a polychromed example with a padded back with downswept arms to the cushioned seat, raised on ring-turned tapering circular legs ending in toupie feet, h. 35, and the other a similar giltwood example, h. 36”, both with figural tapestry upholstery.

$1,000-$1,500

132 French Gilt-Bronze Centerpiece Bowl fourth quarter 19th century, in the Baroque style, set with handles molded as horned masques, the sides decorated in bas-relief with drunken putti enjoying a Bacchanalian celebration, the base with swirled fluting and egg-and-dart trim. h. 13”, w. 17”, d. 13-3/4” $1,000-$1,500 133 Louis XV/XVI-Style Kingwood and Marble-Top Commode late 19th century, the rectangular marble top with projecting corners and central section, above a conforming case fitted with three long drawers, all banded and with decorative inlay and veneers, raised on splayed legs ending in sabots. h. 35-1/4”, w. 50”, d. 20-3/4”

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$2,500-$4,000

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134 French Gilt- and Patinated Metal Chandelier mid-20th century, the eight-light chandelier with a scrolled frame decorated with gilt leaves and supporting candle arms set with floriform prism rings hung with drops, the upper portion with an umbrella-form finial. h. 30”, dia. 26” $1,000-$1,500 135 Pair of French Marble and Bronze Potpourri Urns first quarter 20th century, the verde antique marble urns of ginger jar form and set with pierced bronze necks, leaf-molded covers, lion’s-head handles framed with laurel wreaths and molded bronze bases. h. 15-1/4”, w. 7”, d. 5-3/4”

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$1,800-$2,500

136 Louis XVI-Style Giltwood and Marble-Top Center Table 19th century, the rectangular marble top with projecting corners, above a conforming pierced foliate frieze, raised on fluted tapering circular legs headed by a waisted capital, joined by a shaped X-form stretcher and ending in peg feet. h. 28-1/2”, w. 46”, d. 28-1/2” $1,000-$1,500 137 French Bronze Figural Garden Ornament fourth quarter 19th century, modeled as a putto, probably representing Melpomene, holding a masque of Buskin (“Tragedy”) with Sock (“Comedy”) at his feet, signed indistinctly. h. 25-1/2”, w. 9”, d. 10” $1,200-$1,800 138 French Rococo-Style Giltwood Mirror fourth quarter 19th century, the outer frame molded with leaves and buds, the pierced crest decorated with scrollwork, roses and flowerheads, the sides inset with beveled mirror plates lined with giltwood beading, the primary mirror plate also beveled. h. 53”, w. 36” $1,000-$1,500 138

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139 Monumental Parcel-Gilt Faux Marble Fireplace Surround in the neoclassical taste, the carved wood mantel over a frieze in foliate and floral decor, supported by caryatids in the form of a scroll with an allegorical bust of a maiden. h. 62-1/2”, w. 103-1/2”, d. 15-1/4” $1,000-$1,500 140 Louis XVI-Style Polychrome and Marble-Top Side Table late 18th century, the rectangular marble top with projecting corners, above a conforming frieze with carved foliate accents, raised on paneled tapering square legs headed by bellflower carving and ending in foliate ball feet. h. 33”, w. 43-1/4”, d. 23-1/4”

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$3,000-$5,000

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141 Victor Gabriel Gilbert (French, 1847-1933) “Quitter le Parc” oil on canvas signed lower left. Framed. 18” x 15”, framed 22-3/4” x 20” Provenance: Sotheby’s Arcade, New York, New York, September 29, 2004, lot 58. $4,000-$7,000

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142 Victor Gabriel Gilbert (French, 1847-1933) “Une Pomme pour un Jeune Fille, Marche aux Fruits” oil on canvas signed lower left. Framed. 18-1/4” x 15”, framed 23” x 19-3/4” Provenance: Sotheby’s Arcade, New York, New York, June 29, 2004, lot 93. $4,000-$7,000

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143 Antoine Blanchard (French, 1910-1988) “Les Quais: La Passerelle des Arts et Le Musee du Louvre [vers 1900]” oil on canvas signed lower left, signed, titled and stamped “Antoine Blanchard” en verso, also stamped “Andre Larde” and “artist inventory number N49”, frame backing with “Wally Findlay Galleries” label. Framed. 13” x 18”, framed 20-1/2” x 25-1/4” Provenance: Private collection, Massachusetts $4,000-$7,000 143

144 Hugues Claude Pissarro (French, b. 1935) “Le Carrefour Drouot-Richelieu” pastel on paper board signed lower center, signed and titled en verso. Matted, glazed and in a float-mount frame. 14-1/4” x 19-3/4”, framed 28-1/2” x 34-1/4” $5,000-$8,000

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145 Hugues Claude Pissarro (French, b. 1935) “Place de la Republique” pastel on paper board signed lower right, signed and titled en verso. Plexiglass-glazed and matted in a float-mount frame. 14-1/4” x 20”, framed 27-1/4” x 32-5/8” Provenance: Doyle, New York, February 23, 1994, lot 64. $5,000-$8,000

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146 Hugues Claude Pissarro (French, b. 1935) “La Maison l’Eveque” oil on canvas signed lower left. Framed. 19-3/4” x 24”, framed 27-1/2” x 31-1/2” Provenance: Christie’s, New York, February 14, 2008, lot 149. $10,000-$15,000 147 Georges Manzana Pissarro (French, 1871-1961) “Effet de Neige, Nezel”, 1906 oil on canvas signed lower left, titled and dated on stretcher. Framed. 21-5/8” x 25-1/2”, framed 33” x 37-3/8” Provenance: Sotheby’s, New York, February 13, 2008, Lot 100; Private Collection, New York. 146

$18,000-$25,000

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148 David Burliuk (Ukrainian/New York, 1882-1967) “Hampton Bay in Autumn”, 1960 oil on canvas signed and dated lower right. Framed. 12” x 15-3/4”, framed 17-5/8” x 21-3/8” $3,000-$5,000 149 Pierre-Eugene Montezin (French, 1874-1946) “Vase d’Oeillets sur la Commode” oil on canvas signed lower right, Sotheby’s labels en verso. Period oval frame. 25-3/4” x 32”, framed 33-1/2” x 40” Provenance: Private collection, Marseille, France; Sotheby’s, New York, October 7, 2008, lot 209; Private collection, New York.

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$18,000-$25,000

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150 Albert Andre (French, 1869-1954) “Nature Morte: Vase de Fleurs et Fruits Sur Une Table”, 1910 oil on canvas signed and dated “1910” lower right, verso with a “Collection of Arthur G. Altschul” label. Framed. 18-1/4” x 21-3/4”, framed 27” x 31” Provenance: Mademoiselle Sylvie; Galerie Durand-Ruel, Paris, acquired from the above, September 1923; Madame de la Chapelle, January 1943; Dr. Fenestre, Versailles, France; Collection of Arthur Altschul, as of 1953; Sotheby’s, New York, May 9, 2007, lot 109; Private collection, New York. Exhibited: New York, James A. Graham & Sons, “Albert Andre”, April 15-May 15, 1956. Literature: This work will be included in the forthcoming catalogue raisonne being prepared by Mme. Evelyne Yeatman

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$12,000-$18,000

151 Pierre-Eugene Montezin (French, 1874-1946) “Heron et Grenouilles” oil on canvas signed lower left. Framed. 73-1/4” x 44-1/4”, framed 83-1/2” x 53-3/4” Provenance: Sotheby’s, New York, “Impressionist and Modern Art”, February 13, 2008, lot 96; Private collection, New York. $25,000-$40,000

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152 Johannes Schiefer (Dutch/American, 1896-1979) “Monte Carlo” oil on canvas signed lower left. Framed. 37-7/8” x 52-3/4”, framed 43” x 59-1/2” Provenance: Christie’s, New York, September 10, 2008, lot 147; Private collection, New York. $15,000-$25,000

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153 Maximilien Luce (French, 1858-1941) “Le Trieux, Rochers dans La Mer”, ca. 1915 oil on wood panel signed lower right, a “Marc Ottavi” label on frame backing. Framed. 8-1/2” x 10-3/4”, framed 16-3/4” x 18-5/8” Provenance: Studio of the artist; by descent to his son Frederic Luce (1896-1974), Paris, France; Expertise Ottavi, Paris, France; Private collection. Literature: Jean-Bouin Luce and Denise Bazetoux. Maximilien Luce: Catalogue de l’oeuvre peint, volume III. Paris: Editions JBL, 1986, no. 939, p. 209. $5,000-$7,000 153

154 Maximilien Luce (French, 1858-1941) “La Cote Bretonne pres de Saint-Malo”, ca. 1934-1935 oil on canvas signed lower right, “Collection Baillet” stamp en verso. Framed. 7-1/2” x 11-3/4”, framed 16” x 20-1/2” Provenance: Eugene Baillet, France;; Sotheby’s, London (Olympia), March 15, 2007, lot 121; Private collection. Literature: To be included in the forthcoming volume IV of the Denise Bazetoux’s catalogue raisonne on Maximilien Luce. $5,000-$7,000 154

155 Dietz Edzard (German/Paris, 1893-1963) “Floral Still Life”, 1945 oil on canvas signed lower right, a “James Vigeveno Galleries, Los Angeles” label and “The Paris American Art Co., Paris” stamp en verso. Framed. 13” x 16”, framed 20” x 23” Provenance: Christine Edzard Goodwin, 2008; Collection of Leon Amar, Palm Beach, Florida. $3,000-$5,000 156 Dietz Edzard (German/Paris, 1893-1963) “Parisian Lady in Cafe”, 1950s oil on canvas signed lower right, verso with “Galerie Paul Petrides, Paris” label. Framed. 28-5/8” x 23-5/8”, framed 38-3/4” x 32-3/4” $5,000-$8,000 157 Dietz Edzard (German/Paris, 1893-1963)

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“Elegant Lady Followed by Her Footman in Palace Interior”, 1958 oil on canvas signed lower left. Framed. 17” x 9-1/2”, framed 22” x 14-3/4” Provenance: Atelier, New York, New York; Collection of Leon Amar, Palm Beach, Florida. $2,000-$4,000

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158 Dietz Edzard (German/Paris, 1893-1963) “Carnival in Venice”, 1958 oil on canvas signed lower right. Framed. 25-1/2” x 31-1/2”, framed 31” x 37” Provenance: Private collection, Canada; Christie’s, New York, February 12, 2009, lot 140; Collection of Leon Amar, Palm Beach, Florida. $10,000-$15,000

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159 Dietz Edzard (German/Paris, 1893-1963) “Femme sur Une Terrasse en Regardant Les Courses”, 1951 oil on linen signed lower right. Framed. 21-3/4” x 18-1/4”, framed 29-5/8” x 26-1/4” Provenance: Lock Galleries, New York, New York; Christie’s, New York, September 22, 2009, lot 47; Collection of Leon Amar, Palm Beach, Florida. $6,000-$9,000

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160 Dietz Edzard (German/Paris, 1893-1963) “Jeune Femme au Gueridon”, 1941-1942 oil on canvas signed lower left, verso with Kunsthaus Buhler, Stuttgart label with artist name, title and date of work. Framed. 25-3/4” x 19-1/8”, framed 31-1/2” x 25” Provenance: Kunsthaus Buhler, Stuttgart; Christie’s, New York, September 22, 2009, lot 69; Collection of Leon Amar, Palm Beach, Florida. $10,000-$15,000

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161 Francois Gall (French, 1912-1987) “Dans Le Jardin Public, Paris” oil on canvas signed lower left. Framed. 8-5/8” x 10-5/8”, framed 14” x 15-3/4” $1,200-$1,800

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162 Hayley Lever (American, 1876-1958) “Harbour at Night” oil on canvas signed lower left. Framed. 9-7/8” x 14-3/4”, framed 14-1/4” x 19-3/4” $1,000-$1,500

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163 Georgi Alexandrovich Lapchine (Russian, 1885-1950) “Paris by Night: View of the Tuileries and Pont Royal from the Seine” oil on canvas signed lower left. Framed. 20-3/8” x 25-3/8”, framed 24-1/2” x 27-1/2” Provenance: Private collection, Paris, France; Private collection, Porto, Portugal. $2,500-$4,000 164 Ferdinand Loyen du Puigaudeau (French, 1864-1930) “Menhir” oil on canvas signed lower right. Framed. 31-3/4” x 39-1/4”, framed 39-3/4” x 47-1/4” Provenance: Sotheby’s, Paris, July 2-3, 2008, lot 309; Private collection, New York.

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$18,000-$25,000

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165 Pair of Italian Silvered Bronze Candelabra fourth quarter 19th century, the six-light candelabra with bases molded with griffin monopodia flanking pierced anthemia, and holding fluted standards set with oil-lamp-form arms set with grape-molded candle sockets, now fitted as two-light lamps. h. 32”, dia. 10”

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$800-$1,200 166 Pair of Carved and Silver-Gilt Floor Lamps 20th century, of Renaissance inspiration, on square bronze bases, the monopodia standards carved with bearded and swathed male busts, the lower portions carved with fish and scallop shells. h. 59”, w. 10”, d. 8-1/4” $1,000-$1,500 167 Pair of Venetian Blown and Engraved Glass Mirrors 20th century, the rectangular mirrors with side panels lined with spiral blown glass and engraved with scrollwork and flowerheads, the crest with an oval panel engraved with sprays of flowers and trimmed with sculpted glass flowers and scrolls on the sides. h. 68”, w. 29-1/2” 165

$1,200-$1,800

168 Italian Walnut Commode late 18th century, the banded and bowed top quarterveneered and above a conforming case fitted with four long drawers, all banded, the sides banded en suite, raised on cabriole legs. h. 38”, w. 48”, d. 22-1/2” $2,000-$4,000 169 Pair of Carved, Painted and Parcel-Gilt Candle Sconces 20th century, the single-light sconces with backplates carved to resemble cloth swags, and set with “hand”-carved holders with candle arms depicting scroll-carved cornucopias with leaf-carved candle sockets. h. 32”, w. 7”, d. 10”

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$1,000-$1,500 170 Pair of Italian Molded Bronze Blackamoor Torcheres mid-20th century, the figures dressed in elaborately molded tunics and feathered turbans, standing on molded platforms, each supporting a torchere decorated with leaves and fitted with a glass flammiform shade, electrified. h. 57”, w. 28”, d. 14” $1,200-$1,800 171 Italian Carved Walnut Figural Bench late 19th century, each shaped arm with scroll ends supported by a carved blackamoor perched over cabriole legs with foliate and volute carving at the knees and a carved masque at each foot, the seat upholstered in brocade. h. 30”, w. 33”, d. 26” $1,000-$1,500 170

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172 Impressive Pair of Italian Carved Walnut Armchairs fourth quarter 19th century, in the Renaissance taste, each profusely carved with dragons, masques, fruit and scrollwork, the legs joined by carved box stretchers. h. 50”, w. 33”, d. 22” $4,000-$7,000 173 Italian Mahogany Center Table early 20th century, in the Renaissance taste, the rectangular top with a carved foliate edge and raised on pierced scrolling urn-form end supports joined by a shaped stretcher and ending in paw feet. h. 31-1/2”, w. 67”, d. 29”

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$800-$1,200 174 Italian Mahogany Center Table early 20th century, in the Renaissance taste, the banded parquetry top within a foliate carved band, raised on griffin and figural carved shaped end supports, joined by a galleried stretcher and ending in patera-carved scrolled toes. h. 32”, w. 68”, d. 35-1/2” $2,500-$4,000 175 Good Italian Walnut Cabinet 18th century, the rectangular top above a conforming case fitted with two paneled drawers flanking an acanthine carving, over two paneled cupboard doors, flanked to either side by an engaged caryatid and separated by a fluted upright, raised on paw feet. h. 42-3/4”, w. 59”, d. 20-1/4”

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$1,500-$2,500

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178 Continental Kingwood and Mahogany Commode early 19th century, the banded and chevron-veneered bowed top above a conforming case fitted with two long drawers, all with inlaid scrolling patterns, raised on cabriole legs. h. 34-1/2”, w. 48-1/2”, d. 20-1/2” $1,000-$1,500 176

176 Unusual Pair of Faux Bois and Molded Plaster Pedestals fourth quarter 19th century, Continental, the grain-painted wooden pedestals with integral brackets overhanging molded painted plaster lion’s heads on lotus leaves. h. 54-1/2”, w. 13”, d. 14” $1,000-$1,500 177 Pair of Italian Marquetry- and Parquetry-Veneered Corner Cabinets ca. 1900, in the rococo taste, each with a scrolling broken-arch pediment over a door with a serpentine glazed panel, the base with a serpentine top over a pair of conforming doors centered by sunburst inlays, the corners with line-strung shaped pilasters, on bracket feet. h. 87”, w. 37”, d. 22-1/2” $1,800-$2,500

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179 Continental Gilt-Metal and Silver-Gilt Chandelier 20th century, with a ball inset standard supporting scrolled candle arms set with silver-gilt leaf-molded sockets, the corona with silver-gilt leaves and flower buds. h. 39”, dia. 37-1/2” $1,000-$1,500 180 Pair of Continental Carved Giltwood Altar Sticks second quarter 19th century, now mounted as lamps, with scrolled feet and leaf-carved tapering standards, set with tole drip pans. overall h. 41”, dia. 6” $1,000-$1,500 181 Pair of Monumental Carved and Painted Wooden Torcheres late 17th century and later, probably Italian, the tripartite bases with bold scrolled corners framing carved swags of flowers, the upper portion of the standard with pierced scrollwork and carved shells, the base fitted at a later date with carved candle branches. h. 86”, dia. 26” 179

$4,000-$7,000

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182 Venetian Polychrome Side Cabinet late 19th century, the shaped faux marbre top over a pair of serpentine cabinet doors and raised on short cabriole legs. h. 31-1/2”, w. 42”, d. 19-1/2” $1,500-$2,500 183 Italian Carved, Painted and Parcel-Gilt Wooden Figure of Mary and Baby Jesus in the Baroque taste, depicting Mary wearing a crown and painted and gilt robes, and Jesus, as Salvator Mundi, holding a gilt sphere, all on a gilt trimmed, scrolled and painted base. h. 32”, w. 11”, d. 7” $2,000-$4,000 184 Italian Giltwood Mirror in the Baroque Taste ca. 1900, the beveled plate in a deep frame retaining a rich gilt surface, the sides carved with scrollwork, centered with scallop shells on each side. h. 44”, w. 50”

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$1,000-$1,500 185 French Gilt-Bronze Chandelier in the Baroque Taste second quarter 20th century, the vasiform standard set with Psyche heads and scrolled arms, decorated with molded leaves and set with reeded drip pans and bell-form candle sockets. h. 36”, dia. 31-1/2” $2,500-$4,000

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186 Italian Carved Giltwood Putto fourth quarter 19th century, posed with outstretched arms, wired to hang on a wall. h. 24”, w. 16-1/2”, d. 9-1/4” $1,000-$1,500 187 Pair of Italian Polychrome, Parcel-Gilt and Mirrored Side Tables

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20th century, each with a circular inset mirrored top mounted to a turned and carved standard with angels and raised on three scrolled legs. h. 28-3/4”, dia. 23-1/2” $1,500-$2,500 188 Baroque Carved and Painted Putto ca. 1700, Italian, the figure wearing a feathered skirt and standing amid boldly carved and pierced scrollwork. h. 17-3/4”, w. 16”, d. 6-1/2” $1,000-$1,500 189 Pair of Large Continental Carved and Painted Amorini first quarter 20th century, in the Renaissance taste, each with carved drapery, standing on a rocky carved base, set into boxform plinths decorated with carved oval medallions. h. 60”, w. 20”, d. 17-1/2”

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$8,000-$12,000

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190 Pair of Cast Stone Garden Figures second quarter 20th century, each depicting a putto reclining on stone, one holding wheat and representing autumn and one in a cloak representing winter. h. 25”, w. 22-3/4”, d. 12-1/2” $2,000-$4,000

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193 Handsome Carved Marble Fountain fourth quarter 19th century, the circular shallow pan set with a carved fountainhead, above an ogee base with a circular standard, each element carved with lotus leaves. h. 53-1/2”, dia. 41-1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500 191

191 Louis XV-Style Cast Stone Garden Planter first quarter 20th century, the oval-form planter with putti handles, the sides molded with swags of bellflowers and lion’s heads. h. 29”, w. 34”, d. 22” $1,000-$1,500 192 Pair of Continental Carved Marble Spherical Planters fourth quarter 19th century. h. 13”, dia. 15” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,200-$1,800

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194 French Terracotta Dolphin-Form Wall Fountain early 20th century, in the Baroque taste, on a base molded with shells, frogs and aquatic plants, with cattails on the sides, the water issuing from the dolphin’s mouth. h. 37”, w. 17-1/2”, d. 8-1/2” Provenance: Mr. Emmanuel Boo, Saint Ouen Flea Market, Paris, France; Estate of Jean and Jack Kelley, Tulsa, Oklahoma.

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$1,000-$1,500 195 Italian Bleached Fruitwood Center Table 20th century, the rectangular top with a foliate-, shell- and shieldcarved banding, raised on lion-masque-centered griffin-carved end supports to paw feet on an H-form stretcher. h. 31”, w. 70-1/2”, d. 38” $3,000-$5,000 196 Pair of Continental Carved, Painted and Parcel-Gilt Altar Sticks 17th century, each depicting St. Florian dressed in flowing robes and holding aloft a leaf-carved torch set with a pricket candleholder, above a base carved with scrollwork. h. 38-1/2”, w. 11-1/2”, d. 8-3/4” $3,500-$5,000 197 Pair of Painted and Parcel-Gilt Carved Winged Angel Heads fourth quarter 19th century, probably Italian, with realistically painted heads and gilt wings. h. 8”, w. 7-1/4”, d. 3-1/2” 196

$1,000-$1,500

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198 Italian Giltwood and Marble-Top Center Table 19th century, the rectangular marble top with projecting rounded corners, over a conforming lattice-incised frieze with a scrolling foliate masque-centered pendant, raised on molded cabriole legs headed by masque capitals, joined by an H-form stretcher and ending in scrolling hairy paw feet. h. 33”, w. 52-1/2”, d. 30-1/2” $2,500-$4,000 199 Italian Mirror in a Sansovino-Type Giltwood Frame second half 17th century, with a cove-molded corner surround, the frame pierced and richly molded with scrollwork, accented with flowerheads, the crest decorated with a carved putto masque on a shell, set with a beveled mirror plate. h. 63”, w. 38” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,200-$1,800

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200 Elaborate Italianate Marble and Gilt-Composition Center Table 20th century, the rectangular marble top with inset scrolling foliate patterns centered by a crowned “H”, within a foliate-modeled edge, raised on gilded caryatid figures, each bearing a pendant floral garland joining them to the masque-centered frieze, joined by a box and X-form stretcher centered by an urn and with floral and putti accents, raised on paw feet, the apron, scrolled legs, stretchers and urn all marble-clad. h. 33-1/2”, w. 56-1/2”, d. 30-1/4” 198

$5,000-$8,000

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201 Venetian Carved and Painted Blackamoor Gondolier ca. 1900, wearing a tan and elaborately carved and painted vest and breeches, holding a paddle in one hand and a giltwood platform in the other, standing on a gondola, on a period faux stone wooden pedestal decorated with a giltwood masque. h. 70”, w. 13”, d. 10”

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$1,000-$1,500 202 Venetian Carved and Painted Blackamoor Gondolier ca. 1900, wearing a painted jacket and pants with a fringed kerchief, standing on a gondola and holding a gilt cornucopia platform, above a period carved and painted pedestal. h. 68-1/2”, w. 13-1/2”, d. 10” $1,000-$1,500 203 Italian Rococo Parcel-Gilt Mirror fourth quarter 18th century, the rectangular plate edged with rocaille work and framed with scrollwork decorated with flowerheads, the chinoiserie crest molded and decorated with flowerheads. h. 55-1/2”, w. 26-1/2” $1,000-$1,500 204 Collection of Three Venetian Carved and Painted Blackamoors first quarter 20th century, the tallest example depicting a gondolier with a painted paddle, holding up a round platform, on a giltwood base with paw feet, h. 35-3/4”, w. 11”, d. 9”, the shorter gondolier holding a giltwood panel and signed “Testolini Venice” on the brim of his hat, for the maker, Fratelli Testolini, h. 32-1/2”, w. 9”, d. 6-3/4”, and the last example standing on a rocky base, holding a gilt cornucopia and wearing a decorated gilt tunic, h. 34”, dia. 11”. $1,000-$1,500 201

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205 Two Pairs of Venetian Carved and Painted Blackamoor Gondoliers first quarter 20th century, one pair decorated with gilt jackets and sashes with bows, their gondolas on bases with paw feet, h. 24”, w. 7-1/4”, d. 7-1/4”, and the other pair with gondoliers in caps and elaborately decorated clothes, holding up plateaus, now with electrified candles, on round painted bases, h. 34”, w. 8-1/2”, d. 7-1/2”.

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$1,000-$1,500 206 Continental Rococo Revival Carved and Stained Overmantel Mirror

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mid-19th century, the crest decorated with pierced rocaille work framing a bouquet of roses, the sides with flowers and leaves, the base with a carved leopard head framed with flowers, with parcel-gilt trim. h. 79”, w. 47-1/2” $2,500-$4,000 207 Continental Parcel-Gilt-Metal and Glass Chandelier

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second quarter 20th century, the twelve-light chandelier with a scrolled frame, decorated with gilt-metal leaves and hung with smoke and colorless glass drops. h. 31-1/2”, dia. 25-1/2” $1,200-$1,800 208 Venetian Carved and Painted Blackamoor ca. 1900, the handsomely carved female figure dressed in a gilt cloak decorated with polychrome flowers, holding a large presentation plateau on the top of her head, a smaller one in her other hand. h. 63-3/4”, w. 16-1/2”, d. 16-1/2” $1,000-$1,500 206

209 Venetian Carved and Polychrome Blackamoor Side Table late 19th century, having a circular plate glass top mounted to the carved figural standard and circular base. h. 18-1/2”, dia. 18” $1,000-$1,500 210 Venetian Blackamoor Gondolier Figure ca. 1900, on a gondola with carved waves on the base, wearing an elaborate painted vest and breeches, with a neckerchief, carrying a gilt paddle in one hand and a gilt cornucopia-form platform in the other. h. 54”, w. 22”, d. 13” $1,800-$2,500 211 Pair of Russian Painted Wood Icons fourth quarter 19th century, one depicting the Holy Mother holding Baby Jesus, the other depicting the adult Christ, trimmed in carved gilt scrollwork and set into contemporary shadowbox frames. h. 17-1/2”, w. 11-1/2”

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$800-$1,200 212 Adrien Dauzats (French, 1804-1868) “St. Sauveur Cathedral, Bruges, Belgium”, 1836 oil on linen signed and dated twice lower left, titled in period script on stretcher. Framed. 58-1/4” x 42-3/4”, framed 61-1/2” x 46” $4,000-$7,000

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213 School of Adriaen Jansz van Ostade (Dutch, 1610-1685) “Merrymakers” oil on canvas unsigned. Modern frame. 19-1/2” x 18-1/2”, framed 23-3/4” x 23” Provenance: Estate of Marianne Hochuli, Houston, Texas. $1,000-$1,500

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214 School of Frans van Mieris the Elder (Dutch, 1635-1681) “The Courting Couple” oil on wood panel unsigned. Framed. 14” x 10”, framed 18” x 14-1/2” Provenance: Estate of Marianne Hochuli, Houston, Texas. $1,000-$1,500

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215 Gerrit Adriaenszoon Berckheyde (Dutch, 1638-1698) “Shepherdess with Livestock in an Italian Landscape” oil on wood panel unsigned. Framed. 24-1/2” x 37-3/4”, framed 32” x 45” Provenance: Bonhams, Knightsbridge, October 30, 2007, lot 354. $2,500-$4,000

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216 School of Gaspar van den Hoecke (Flemish, ca. 1585-1648) “Antiochus and Stratonice” oil on canvas unsigned, titled inscribed on stretcher. Ebony and parcel-gilt frame. 17-3/4” x 21”, framed 26” x 29-1/4” $5,000-$8,000 This painting depicts the tale of “Antiochus and Stratonice” from Plutarch’s Lives (43:38), when the doctor Erasistratus uncovers the cause of Antiochus' illness. After it is discovered that he is dying of his love for his stepmother Queen Stratonice, his father King Seleucus gives Stratonice’s hand in marriage to Antiochus.

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217 Spanish School (17th Century) “Still LIfe of Ripe Pomegranates” oil on linen unsigned. Unframed. 13-7/8” x 20-3/4” $2,000-$4,000

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218 Circle of Jacob Toorenvliet (Dutch, 1635/40-1719) “Portrait of an Old Man Holding a Tankard” and “Portrait of an Old Woman with a Basket of Eggs” pair of oils on wood panel Presented in matching frames. each 6-3/4” x 5-3/8”, framed 11” x 9-3/4” $4,000-$7,000

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219 Frans de Momper (Flemish, 1603-1660) “Coastal Scene with Swimmers and Fishermen” oil on wood panel backed by cradled board signed lower left, remnants of an old handwritten label and “Galerie Dominion” label affixed to cradle board. Framed. 30-1/4” x 44-1/8”, framed 39-1/8” x 54” Provenance: Galerie Dominion, Montreal, Canada. $20,000-$40,000

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220 Attributed to Jan Brueghel the Younger (Flemish, 1601-1678) and Jan van Balen (Flemish, 1611-1654) “Spring Processional” oil on wood panel unsigned, “A” incised en verso of panel. Unframed with partial cradle board hooks for metal supports. 18-7/8” x 27-1/8” $5,000-$8,000 221 After Andrea Mantegna (Italian, 1431-1506) “Judith with the Head of Holofernes” pen and ink wash on paper inscribed along right edge “Andreas Mantinia”, along with Roman numerals, probably early 20th century. Antique giltwood and gesso frame. sheet 11-3/8” x 8-3/8”, framed 19-1/2” x 16” $1,000-$1,500 221

222 Studio of Onorio Marinari (Italian, 1627-1715) “Judith and Holofernes” oil on canvas laid down on masonite unsigned, a “Dominion Gallery” stamp and Christie’s labels en verso of masonite and frame backing. Framed. masonite 46-3/8” x 34-5/8”, framed 54-1/2” x 42-5/8” Provenance: Dominion Gallery, Montreal, Canada; Christie’s House Sale, New York, September 30, 2003, lot 372; Christie’s, London, July 6, 2011, lot 208; Private collection. Literature: Illustrated in Silvia Benassai, Onorio Marinari: Pittore nella Firenze degli Ultimi Medici. Florence, 2011. $25,000-$40,000

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223 Continental School (18th/19th Century) “Virgin and Child with Donors” oil on cradled panel unsigned. Unframed. 33” x 23-1/4” $5,000-$8,000 This interesting devotional panel merges stylistic elements of both Northern and Italian Renaissance. The central figures of the enthroned Madonna and Christ are modeled on an altarpiece (now conserved at Pinacoteca di Brera) by the 15th-century Venetian artist Carlo Crivelli. The two donors were inspired by 15th-century Netherlandish artist Hans Memling’s portraits of Tommaso di Folso Portinari and Maria Portinari, in the permanent collections of The Metropolitan Museum of Art in New York. Hans Memling was also most likely the inspiration for composition of this work and the background landscapes. Although a curious panel, it appears to be executed by an artist consumed with attention to details and one clearly enamored of 15th-century Marian art. 223

224 Arturo Michelena (Venezuelan, 1863-1898) “Virgin and Child with Lilies” oil on tin signed lower left. Unframed. 10-3/4” x 8” $1,000-$1,500

225 Eugene Delacroix (French, 1798-1863)

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“Ecce Homo (Christ du Roseau)”, 1833 etching on chine colle paper printed by Cabinet de l’Amateur, Strasbourg signed, dated and printer inscribed in lower plate. Matted, glazed and framed. plate 6-5/8” x 4”, framed 10-3/4” x 8-3/8” $1,000-$1,500

226 Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) “Descent from the Cross”, 1633 etching with engraving on wove paper inscribed and dated lower margin. Matted. plate 19-5/8” x 13-3/4”, sheet 19-3/4” x 13-3/4”, matted 25-1/4” x 19-3/8”

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$1,000-$1,500

227 Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) “Joseph Telling His Dream”, 1638 etching on laid paper without watermark. Matted, glazed and framed. plate 4-3/8” x 3-1/4”, framed 15-1/4” x 13-1/4” $1,000-$1,500

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228 Albrecht Durer (German, 1471-1528) “Portrait of Ulrich Varnbuler”, ca. 1522 chiaroscuro woodblock on laid paper sitter identified, dated and inscribed in block. Matted and unframed. sheet 17-5/8” x 13-1/8” $1,500-$2,500

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229 Circle of Marcello Venusti (Italian, 1512/1515-1579) “The Crucifixion” oil on wood panel with cradled board backing, after Michelangelo’s drawing for Vittoria Colonna, verso with various labels with numbers unsigned. Framed. 17-1/4” x 10-7/8”, framed 22-3/4” x 17-1/2” $2,000-$4,000

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230 Italian School (17th Century) “St. Jerome in the Wilderness” oil on wood panel unsigned. Framed. 22” x 17-3/4”, framed 29-1/4” x 25-3/8” $2,000-$4,000

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231 Italian-Flemish School (Fourth Quarter 16th/First Quarter 17th Century) “Ecce Homo” oil on wood panel unsigned, various labels en verso including a mid-20th century one titled and attributed to the Cologne School in German, and a late 19th century “Kunstpalast, Dusseldorf” one. 39-3/8” x 31-7/8”, framed 48-5/8” x 42-5/8” $5,000-$8,000 232 Continental Fruitwood Armchair 18th century, in the Renaissance style, the tall, padded rectangular back surmounted by a domed and molded crest centered by a figure of the god Mercury, flanked to either side by carved sphinx uprights, joined to the cushioned wooden seat by flat arms on putti uprights, raised on fluted columnar legs joined by an H-form stretcher and ending in bun feet. h. 48-1/2” $1,200-$1,800 233 Dutch Neoclassical Brass-Mounted and Marquetry-Inlaid Mahogany Secretaire a Abattant

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19th century, with a drawer over a fall front and a pair of paneled doors below, flanked by canted corners and adorned throughout with floral and foliate urn inlay, the front opening to reveal a partitioned interior with bands of three drawers flanking a central door, the drawers now with segmented velvet bottoms fitted for intaglios or medals. h. 61-3/4”, w. 37”, d. 17-1/2” $1,000-$1,500

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234 Continental Carved and Stained Pine Figure of Don Quixote fourth quarter 19th century, the famed noble adventurer of literature wearing the plumed morion helmet associated with the Spanish explorers, with a removable key at his belt. h. 65”, w. 23”, d. 15” $1,200-$1,800 235 Pair of Continental Gilt-Metal and Mirrored Sconces mid-20th century, the shield-form mirrored backplates decorated with a reverse-painted gilt shepherdess framed with gilt scrollwork, with a pair of gilt-metal scrolled candlearms on a leaf- and scroll-decorated base. h. 15-3/4”, w. 12-1/2”, d. 7” 235

$1,000-$1,500 236 Brussels Handwoven Wool Tapestry of a Betrothal first quarter 19th century, the figures within a lush garden setting, with an overall bird and vine border. 64” x 81” $1,000-$1,500

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237 Exceptional Continental Mixed Woods Inlaid and Carved Oak Coffer 18th century, probably German, the lift lid with wrought iron strap hinges and shaped raised panels, each with an inlaid star, the front with inlaid raised panels and various inlaid border motifs, the lower base with a central relief-carved and polychromed panel flanked by a drawer to each side and a scalloped skirt, the ends with shaped raised panels with inlay and fitted with wrought iron handles, the interior retaining its working lock and key and a till on the left side with a secret compartment. h. 31”, w. 60”, d. 27” $1,800-$2,500 238 Continental Polychrome and Faux Bois Cabinet late 19th century, the shaped pediment above a turreted ogeemolded frieze, above a conforming case fitted with a single paneled door, flanked to either side by a freestanding barley-twist upright, over a single drawer, raised on turreted feet. h. 93”, w. 35-1/2”, d. 28-1/2” $1,200-$1,800

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239 Pair of Delft Garden Seats ca. 1700, possibly Dutch, the corners molded with lion’s heads and paw feet, the “cushion” tops decorated with casters. h. 15-1/2” $800-$1,200 239

240 Dutch Walnut Cupboard mid-19th century, the molded and double-domed cornice above two doors, each inset with a shaped, highly figured panel, the lower section fitted with two short drawers over a single long drawer and two long bombe drawers, the whole raised on block feet. h. 94”, w. 62-1/2”, d. 22” $1,000-$1,500 241 Continental Walnut and Seaweed Marquetry Chest-onStand early 19th century, the rectangular top banded and with a central seaweed marquetry panel, above a conforming case fitted with two short drawers over three graduated long drawers, all with like panels, on a stand of paneled cabriole legs. h. 39-1/2”, w. 47”, d. 23-1/2”

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$1,000-$1,500

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242 Alex Dzigurski (Serbian/American, 1911-1995) “The Ninth Wave (Homage to Aivazovsky)” oil on canvas signed lower right “Homage to Aivazovsky, A. Dzigurski”, after an 1850 painting by Ivan Aivazovsky (1817-1900), conserved in the State Russian Museum, St. Petersburg. Framed. 74” x 107-1/4”, framed 85” x 118-1/4” Provenance: Simic Galleries, Carmel-by-the-Sea, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $7,000-$10,000 243 Auguste Henri Musin (Belgian, 1852-1923) “Moored Sailboats” oil on canvas signed lower right. Framed. 26-1/2” x 47-1/2”, framed 32” x 53-1/4”

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$3,000-$5,000

244 William Shayer, Sr. (British, 1787-1879) “Fishermen Coming Ashore” oil on canvas signed lower left. Framed. 24” x 36”, framed 32” x 44-1/4” $1,200-$1,800

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245 Gerard Jozef van Luppen (Belgian, 1834-1891) “By The Falls” oil on beveled wood panel signed lower left. Framed. 21-1/4” x 28”, framed 31-1/2” x 38-3/4” $1,500-$2,500

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246 Pieter Gerardus van Os (Dutch, 1776-1839) “Shepherd and His Flock” oil on wood panel signed lower right. Framed. 14-3/4” x 19-3/4”, framed 24” x 29” $1,500-$2,500

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247 Dutch Mahogany Linen Press 19th century, of bombe form in the rococo taste, the scalloped bonnet top with a scroll- and floral-carved cartouche, the paneled doors with ribbon carving and half-round columns with brass Corinthian capitals, the lower section with a bank of shaped drawers flanked by scroll columns, raised on carved paw feet. h. 97”, w. 72”, d. 26” $3,000-$5,000 248 Continental Silvered Metal and Crystal Chandelier the eight-light chandelier with a molded glass-clad standard and set with scrolled candle arms and cut glass drip pans, hung with an upper spray of drops, cascades of drops and cut glass drops on the arms. h. 26-1/2”, dia. 21-1/2” $1,500-$2,500 249 Hendrick Gerrit ten Cate (Dutch, 1803-1856) “Deer at the Water’s Edge”, 1853 oil on canvas signed and dated lower left. Framed. 21-1/4” x 26”, framed 28” x 33-1/2” $1,200-$1,800 247

250 Johannes Jacobus Heppener (Dutch, 1826-1898) “Wash Day”, 1872 oil on canvas affixed to board signed and dated lower left. Framed. 23-1/2” x 38”, framed 29” x 43-3/4” $1,400-$1,800

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251 Continental Polychromed Pine Secretary Bookcase mid-18th century, in the rococo taste, in two parts, the upper section with a bonnet top and a conforming door fitted with a mirrored panel, the base with a slant lid opening to reveal a fitted interior, over a bank of serpentine drawers, on bun feet, decorated throughout with parcel-gilt, floral and painted arabesques. h. 85-1/2”, w. 34-1/2”, d. 22” $1,000-$1,500 252 French Baroque-Style Giltwood Mirror fourth quarter 19th century, the pedimented crest with a leaf-carved finial with a basket of flowers on a lattice-incised ground, the mirror surround with scrollwork and leaves, the mirror plate with gadrooning. h. 38-1/2”, w. 20-1/2” $1,200-$1,800

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253 Emile Godchaux (French, 1860-1938) “Bouquet de Fleurs” oil on canvas signed lower right. Period giltwood and gesso frame. 36-1/2” x 23-3/4”, framed 50-1/8” x 37-3/8” $7,000-$10,000 254 Jules Felix Ragot (French, 1835-1912) “Nature Morte Aux Fleurs et Aux Fruits” oil on canvas signed lower right. Period frame with artist plaque. 34-3/4” x 25-3/4”, framed 46-1/2” x 37” $1,400-$1,800 255 Continental Polychrome Armoire 19th century and later, probably Dutch, the shaped and scrolled crest above a slightly bowed case fitted with two long doors, each with two shaped floral-patterned panels, the sides with like panels, over a single drawer, raised on bun feet. h. 75-1/2”, w. 46”, d. 17-1/2”

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$1,200-$1,800

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256 Pair of Italian Rococo-Style Giltwood Mirrors mid-20th century, with pierced crests decorated with scrollwork, flowerheads and shells, the sides with baskets of fruit and scrollwork and terminating in tassel feet. h. 50”, w. 31-1/2” Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. $1,000-$1,500

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258 Continental School (19th Century) “ Reminiscence “ oil on canvas unsigned. Period giltwood and gesso frame. 26” x 20-1/2”, framed 37” x 31-3/8” $1,000-$1,500

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257 Fritz Wagner-Hohenberg (German, 1902-1976) “Important Correspondence” oil on canvas signed lower right. Framed. 21-3/4” x 27-3/4”, framed 27-1/2” x 33-1/8” $1,200-$1,800

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259 Henri Joseph Gommarus Carpento (Belgian, 1820-1874) “Outside of the Inn” oil on canvas signed lower right. Framed. 22-1/2” x 19-1/2”, framed 26-1/2” x 23-1/2” $1,400-$1,800 260 Eugenio Eduardo Zampighi (Italian, 1859-1944) “The Happy Family” oil on canvas signed upper center. Framed. 22-1/4” x 30-3/8”, framed 29-1/4” x 37-1/2” Provenance: Sotheby’s, New York, April 23, 2004, lot 181; Private collection, New York.

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$20,000-$40,000

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261 Continental School (19th Century) “Christopher Columbus at the Royal Court of Queen Isabella I and King Ferdinand V” oil on canvas unsigned. Carved, ebonized and parcel-gilt frame. 26” x 32”, framed 33” x 39”

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$1,000-$1,500 262 Arthur Heyer (Hungarian, 1872-1931) “Two White Angora Cats”, 1919 oil on canvas signed and dated lower right. Framed, 39-1/2” x 29-1/4”, framed 47” x 37” $1,800-$2,500 263 Jstvan Cserney (Hungarian, 1882-1943) “Field of Flowers” oil on canvas signed lower right, handwritten label with artist and “MeisterBabook” label en verso. Framed. 21-1/2” x 12-1/4”, framed 25” x 16” $1,000-$1,500

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264 Ernesto Fontana (Italian, 1837-1918) “The Holly-Gatherers” oil on canvas signed lower left, remnant of a “Costa & Conti/Florence” gallery label en verso. Elaborate period Italianate gessoed and carved giltwood frame. 32” x 24-1/8”, framed 49” x 38” Provenance: Costa & Conti Gallery, Florence, Italy; Private Collection. $3,000-$5,000 265 Antoine Ponthus-Cinier (French, 1812-1885) “To the Watering Hole” oil on canvas signed lower right. Framed. 14” x 18”, framed 19” x 22-1/2” $1,200-$1,800

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266 Adolphe Joseph Thomas Monticelli (French, 1824-1886) “Adoration of the Magi” oil on cradled wood panel unsigned. Framed. 19-1/2” x 28-1/2”, framed 26” x 35” Provenance: Sotheby’s, New York, “Important 19th Century European Paintings and Sculpture”, Nov. 10, 1998, lot 28. $5,000-$8,000 265

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267 Regence-Style Fruitwood Commode 19th century, the slightly bowed top banded and paneled, above a conforming bombe case fitted with two small drawers over two graduated long drawers, all paneled, raised above a shell-carved apron on pointed toes. h. 33-1/2”, w. 45”, d. 22-1/4” $2,500-$4,000 268 Provincial Louis XV-Style Fruitwood Desk 269

the rectangular top above a frieze fitted with a short paneled drawer to each end, raised on cabriole legs. h. 28-1/2”, w. 69”, d. 29” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,200-$1,800 269 Continental Carved and Stained Tall Case Clock 18th century and later, in the rococo style, decorated with exotic figures, carved leaves and a basket of flowers, the arched hood carved to match. h. 96-1/2”, w. 15”, d. 11” $1,500-$2,500

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270 French Provincial Fruitwood Draw-End Table the planked rectangular top with a draw-end to either end, raised above a scalloped frieze on cabriole legs. h. 30”, w. 39-1/2”, l. 72”, ext. l. 108” $1,000-$1,500 271 Henry Schouten (Belgian, 1864/67-1927) “A Flock of Goats” oil on canvas signed lower left. Framed. 25-1/2” x 19-3/4”, framed 32-1/2” x 26-1/2” 271

$1,200-$1,800 272 Jef Louis van Leemputten (Belgian, 1865-1948) “Sheep, Chickens and Goat in the Stable” oil on wood panel signed lower right. Framed. 20-1/4” x 27-3/4”, framed 28-3/4” x 36-1/4” $1,000-$1,500

272

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273 French Provincial Cherrywood Armoire mid-19th century, the molded and domed cornice above a case fitted with a paneled frieze over two long doors, each inset with two shaped panels, over a serpentine apron, raised on scrolled toes. h. 112”, w. 68”, d. 27” $1,000-$1,500 274 Provincial Louis XV-Style Fruitwood Buffet of large scale, the D-form top above a conforming case fitted with five paneled cupboard doors, above a shaped shell-carved apron, raised on scrolled toes. h. 35-1/2”, w. 114”, d. 21-1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,400-$1,800

273

274

275 Bela von Spanyi (Hungarian, 1852-1914) “Shepherd at Rest” oil on canvas signed lower right. Framed. 36-1/4” x 49-1/2”, framed 47” x 61” $2,000-$4,000

275

276 Marie Henrie MacKenzie (Dutch, 1878-1961) “Country Summer Day” oil on canvas board signed lower right. Framed and with artist/title plaque. 14” x 17-1/2”, framed 21” x 25” $1,400-$1,800

276

277 Gaston Anglade (French, 1854-1919) “Mountain Landscape with Stream” oil on canvas signed lower left. Framed. 15” x 18-1/8”, framed 22-5/8” x 25-5/8” $1,000-$1,500

277

278 Continental Fruitwood Settee 18th century, in the Louis XV style, the triple-domed and padded back surmounted by a floral- and foliate-carved crest, joined by shaped padded sides to the shaped and cushioned seat, raised above a floral-carved apron on cabriole legs ending in scrolled toes. h. 43”, w. 80”, d. 30” $1,000-$1,500 279 Provincial Regence Fruitwood and Marble-Top Commode 18th century, the rectangular marble top with a shaped front, above a conforming case fitted with three long drawers, all with shaped panels, raised on pointed toes. h. 37”, w. 49-1/2”, d. 25”

281

$1,800-$2,500 280 French Provincial Walnut Panetiere 19th century, the carved crest and ends fitted with turned finials, the front and sides comprised of turned spindles, raised on cabriole legs. h. 44-1/2”, w. 31”, d. 17” $1,000-$1,500 281 Henry Schouten (Belgian, 1864/67-1927) “The Three Pets” oil on canvas signed lower left. Framed. 15-7/8” x 23-3/4”, framed 21” x 28-1/2” 279

$1,500-$2,500

280

278

282 Paul Henry Schouten (Belgian, 1860-1922) “Two Setters” oil on canvas signed lower left. Framed. 27-3/4” x 39-3/4”, framed 34-3/4” x 46-3/4” $1,500-$2,500 283 Vincent de Vos (Belgium, 1829-1875)

283

“The Mouse Hole: Two Dogs in Pursuit” oil on wood panel signed upper left. Period giltwood frame. 7-1/2” x 9-1/2”, framed 17” x 18-3/4” $1,200-$1,800 284 French Provincial Fruitwood Side Table early 19th century, the rectangular top with crimped corners, above a frieze fitted with a single side drawer, over a scalloped apron, raised on cabriole legs ending in hoof feet. h. 28-1/4”, w. 43”, d. 27”

284

$1,400-$1,800 285 French Provincial Oak Armoire mid-19th century, the rounded rectangular cornice above a conforming case, above a foliate-carved frieze and over two doors, each inset with a grilled panel, raised on shaped feet. h. 87”, w. 59”, d. 22-1/2” $1,200-$1,800

282 285

286 Alfred Bastien (Belgian, 1873-1955) “Still Life of Red and White Flowers” oil on board signed lower right. Framed. 18-1/4” x 15”, framed 25-3/8” x 22-1/4” $1,500-$2,500 287 French Metal and Glass Hall Lantern 20th century, the three-light lantern with hexagonal sides decorated with gilt leaves and pierced baskets of flowers, the scrolled upper portion set with a chain support. h. 34”, dia. 19” 287

$1,500-$2,500 288 French Provincial Fruitwood Panetiere 20th century, the front with a relief-carved floral basket crest above a shaped door with glass panel, the sides glazed as well, raised on cabriole legs. h. 38-1/2”, w. 23-1/2”, d. 13-1/2” $1,000-$1,500 289 Provincial Louis XV-Style Fruitwood and Marble-Top Center Table early 20th century, the rectangular marble top with in-curved sides over a conforming base, one side fitted with a drawer, raised on cabriole legs. h. 28-1/2”, w. 36”, d. 23” $1,000-$1,500

288

289

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290 Provincial Regence Fruitwood Commode 20th century, the rectangular top with a shaped front, above a conforming case fitted with two short drawers over two long drawers, all with molded paneling, raised on block feet. h. 32”, w. 47-1/2”, d. 24-1/2” $800-$1,200 291 Victor de Grailly (French/New York, 1804-1889) 291

“River Landscape with Boat, Figures and Cattle oil on canvas signed lower left. Framed. 21-1/8” x 28-3/4”, framed 29-1/2” x 37-1/4” $3,000-$5,000 292 Henry Schouten (Belgian, 1864/67-1927) “Out to Pasture” oil on canvas signed lower right. Framed. 19-3/4” x 29-1/2”, framed 29-1/8” x 38-5/8”

292

$1,200-$1,800 293 French Provincial Fruitwood Draw-End Table early 19th century, the planked rectangular top with two like draw ends, above a conforming scalloped frieze, raised on cabriole legs. h. 31”, w. 33-1/2”, l. 78-1/2”, ext. l. 150-1/2” $1,500-$2,500

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294 Pair of Provincial Parcel-Gilt Wood and Metal Chandeliers 20th century, each twelve-light chandelier with an urnform standard set with metal scrolled arms terminating in turned giltwood candle sockets. h. 29”, dia. 34-1/2”

294

$1,000-$1,500 295 Provincial Regence-Style Polychrome and Fruitwood Commode the slightly bowed top above a conforming bombe case fitted with two long drawers, with foliate-carved fronts, over a shaped apron, raised on cabriole feet ending in scrolled toes. h. 32”, w. 46”, d. 19-1/4” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,500-$2,500 296 Twelve-Piece Collection of Hammered Copper Cookware

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19th/20th century, including a hammered cooking pot, h. 8”, dia. 10-1/2”, an egg poacher, h. 2”, dia. 14-1/4”, a saute pan, h. 2-1/4”, dia. 14”, a dipper, h. 3”, dia. 6-1/2”, two small saute pans, h. 2” to 3”, dia. 13” to 20-1/2”, three molds decorated with flowers, h. 2” to 2-3/4”, dia. 9” to 16”, and three colanders/steamers, h. 2-1/2” to 4-1/4”, dia. 12” to 19-3/4”. $1,000-$1,500 297 Three-Piece Collection of Hammered Copper Cooking Vessels 19th/20th century, the vessels with iron handles and including two pots with tapered sides, h. 13” and 17”, dia. 16” and 21-1/2”, and a basin, h. 8”, dia. 25-1/2”. $1,000-$1,500 295

100

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298 Napoleon III-Style Brass, Marble and Wrought Iron Baker’s Table the figured marble top supported on curved scroll legs joined by stretchers with brass mounts and finials. h. 31”, w. 44-1/4”, d. 23-1/4” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500 299 Jules-Alexis Muenier (French, 1863-1942) “La Jeune Lavandiere”, 1910 oil on canvas signed and dated “Sept. 1910” lower left, a “Bonfoey Gallery, Cleveland, Ohio” label on frame backing. Framed. 25-1/2” x 21-1/2”, framed 33-3/4” x 29-1/2”

298

$20,000-$40,000

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301

301 Provincial Pine and Polychrome Farmhouse Table composed of antique elements, the long plank pine top raised on a polychrome base with a plain frieze to cabriole legs ending in block feet. h. 30”, w. 29”, l. 86” $1,000-$1,500 302 Jacob van Strij (Dutch, 1756-1815) “Herding Cattle” oil on panel signed lower right, a “Huis Vyncke Kaders, Borgerhout (Belgium)” label en verso. Framed. 18-1/4” x 26”, framed 25” x 32-3/4” $2,000-$4,000

300

300 Provincial Louis XV-Style Polychromed Oak Armoire 19th century, the molded cornice over a frieze adorned with a carved floral basket, vines and flora, the pair of doors with a pair of shaped panels and like carving, raised on cabriole legs with French toes, the interior doors, four shelves, sides and part of the back now lined in fabric. h. 88”, w. 55-3/4”, d. 23-1/2” $1,000-$1,500 302

102

305 Henry Schouten (Belgian, 1864/67-1927) “Shepherd on Horseback” oil on canvas signed lower right. Period giltwood and gesso frame. 39-1/2” x 29”, framed 51-3/4” x 40-1/2” $2,500-$4,000

303 pair

303 Ildephonse Stocquart (Belgian, 1819-1889) “Farm Scenes with Cattle” two oils on canvas each signed and dated “1872” lower right. Framed alike. 19-3/4” x 31-3/4”; 20-3/4” x 31-5/8”, framed 28-1/2” x 40-1/4”; 28-3/4” x 40”

305

$2,500-$4,000

304 Edmond de Schampheleer (Belgian, 1824-1899) “Landscape with a Fisherman and a Windmill in the Background” oil on canvas signed lower left. Period giltwood and gesso frame. 23-7/8” x 44”, framed 39” x 58-1/2” $2,000-$4,000 304

103

306 Italian Neoclassical-Style Giltwood Mirror 20th century, the cove-molded surround lined with beading, the pierced crest with a sheaf-of-wheat finial against a field of carved leaves. h. 53”, w. 32” $1,000-$1,500 307 French Provincial Polychrome Armoire Cabinet early 20th century, the molded domed cornice above a case fitted with a torchere- and dove-carved frieze over four doors, the central ones fitted with a long grilled panel with a lower fabric backing, the outer two doors bi-paneled, all opening to lower banks of drawers, raised on cabriole legs ending in scrolled toes. h. 93”, w. 105”, d. 19” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500 306

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308 Provincial Pickled Pine Farmhouse Table the long rectangular top raised on X-form end supports joined by a plank stretcher and ending in runner feet. h. 30”, w. 44-1/2”, l. 96” $1,200-$1,800 309 Suite of Four Pressed Skeleton Botanicals of Roses including specimens from England, Canada and California, each pencil-signed and illegibly signed lower center. Matted, glazed and framed alike. each sight 23” x 15”, framed 29-3/4” x 22” $1,000-$1,500 309 Suite of Four

310 Louis XV-Style Provincial Fruitwood Buffet mid-19th century, the rounded rectangular top with a molded edge, above a conforming case fitted with two drawers over two cupboard doors, each inset with a shaped panel above a shaped fan-carved apron, raised on shaped toes. h. 33-1/2”, w. 54”, d. 22” $1,000-$1,500

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311 French Provincial Cherrywood Farmhouse Table mid-19th century, the rectangular top above a conforming frieze fitted with a pullout slide to one end and a drawer to the other end, raised on tapering circular legs ending in ring-turned feet. h. 29”, w. 29-1/2”, l. 66” $1,000-$1,500 312 French Provincial Fruitwood Rafraichissoir

311

late 18th century, the square top fitted with a marble surface with two metal bottle inserts, one still with the green glass metalmounted bottle, the front with an upward sliding panel over a single drawer, raised on tapering square legs ending in brass caps. h. 30”, w. 16”, d. 15” Provenance: Estate of Frank Clancy Dupepe, New Orleans, Louisiana. $1,000-$1,500 313 Large Wrought Iron Entrance Gate and Frame the frame with a broken-arch pediment centered by a fleur-delis and centered by a segmented door with vertical bars on top, the wrought scrolls with a fleur-de-lis below, and mounted with a lock, accompanied by a large key. h. 109-5/8”, w. 58-1/2”, d. 1-1/2” $1,000-$1,500

313 312

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314 Leon Bazile Perrault (French, 1832-1908) “Enfant pres de La Source” oil on canvas signed lower right. Framed. 40” x 26”, framed 45-3/8” x 31-1/2” $10,000-$15,000

314

315 Charles Olivier de Penne (French, 1831-1897) “Nu au Repos” oil on canvas signed lower left, stretcher with “Christie’s Nureyev” label. Framed. 15-1/8” x 11-1/8”, framed 21” x 17” Provenance: Probably (Collection of Rudolph) Nureyev, Part II, Christie’s, London, November 20-21, 1995; Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,000-$1,500

315

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316 Alexander Demetrius Goltz (Hungarian/Austria, 1857-1944) “Aeneas Being Escorted to the Underworld by the Sibyl of Cumae”, 1896 oil on canvas signed and dated lower left. Period carved giltwood frame. 76” x 112”, framed 87” x 122” $3,000-$5,000

This painting was reproduced in postcard format several times ca. 1900; one such edition suggests the work was exhibited at the Vienna Kunstlerhaus.

108

317 Continental School (Fourth Quarter 19th Century) “Semiramis, the Warrior Queen of Babylon, Receiving the Oracle’s Prophecy” oil on canvas unsigned. Unframed. 86-1/2” x 85-1/2” $3,000-$5,000

317

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318 Fine French White Marble Roundel of Napoleon III third quarter 19th century, the Emperor sculpted in high relief and in profile, now in a custom-made easel-form mahagony and ebonized wood presentation frame. roundel dia. 30”, frame h. 42-1/2”, w. 37”, d. 21-1/2” Provenance: Ronald Wright, Brussels, 1998; Collection of Christopher Forbes (VP of Forbes Publication), New York, New York, 1998-2016; Osenat Auction, Paris, March 5, 2016, lot 277; Collection of the Count of Raban, 2016-present. $4,000-$7,000 319 Louis-Philippe Fruitwood and Marble-Top Center Table mid-19th century, the circular marble top above a conforming frieze, raised on an ebonized bulbous standard with gilt foliate accents, to a concave tripartite base on gilt foliate bun feet. h. 29-1/2”, dia. 31”

318

Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,400-$1,800 320 Suite of Ten Empire-Style Mahogany Dining Chairs late 19th century, consisting of two armchairs and eight side chairs, each with a paneled crest featuring a gilt floral urn flanked to each side by a griffin, above a padded oval splat, the padded seat raised on gilt ring-turned columnar legs ending in ball feet. h. 38” $1,500-$2,500

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321 Empire-Style Polychrome and Ebonized Pedestal early 20th century, the ebonized circular top within a molded edge and raised on paneled tapering square supports headed by ringed lion masque mounts and joined by X-form stretchers, to a concave tripartite base on bun feet. h. 43”, dia. 18” $1,500-$2,500 322 Pair of French Empire-Style Bronze and Cut Glass Lamps 20th century, the gilt-bronze and cut glass standards with molded bronze capitals, and raised on cut glass bases. h. 23-1/2”, dia. 7-1/2” $1,500-$2,500 323 Pair of Restauration-Style Polychromed Fauteuils each with dolphin-form arms, modeled as tails at the juncture with the stiles, the supports modeled as dolphin heads, with bowed seat rail and saber-form legs. h. 37”

322 321

Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500 324 Empire-Style Mahogany Bookcase early 19th century, the molded cornice above an ormolu masqueapplied frieze over two long doors, each inset with an upper glass and grilled panel over an ormolu wreath-applied panel, raised on tapering square legs ending in brass paw feet. h. 89”, w. 55”, d. 17” $1,200-$1,800

323

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325 French Empire Giltwood Barometer first quarter 19th century, the cove-molded lozenge-form surround decorated with anthemia, the lyre-form finial decorated with a masque, the painted wooden dial signed “Seton, Torricelli.” h. 36-1/2”, w. 19-1/2” $1,000-$1,500 326 Empire-Style Polychrome, Parcel-Gilt and Marble-Top Bracket Shelf early 20th century, the Griotte de Campan Rouge marble top over a framed shelf with a central floral rosette and foliate spray, flanked by tapered brackets with gilded eagles perched at the top. h. 32”, w. 49”, d. 11”

325

$1,000-$1,500 327 Empire-Style Polychrome, Parcel-Gilt and Marble-Top Bracket Shelf early 20th century, the Griotte de Campan Rouge marble top over a framed shelf with a central floral rosette and foliate spray, flanked by tapered brackets with gilded eagles perched at the top. h. 32”, w. 49”, d. 11” $1,000-$1,500 328 Large French Parcel-Gilt Overmantel Mirror second quarter 19th century, the tablet with a gray ground, decorated with a bas-relief of the muse Euterpe, flanked by centurions, the crest molded with egg-and-dart decoration, the mirror surround with molded leaves. h. 73-1/2”, w. 51” $1,800-$2,500

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329 French Neoclassical-Style Polychrome Settee 20th century, the segmented back with painted classical maidens within a floral wreath and plumes above, raised on tapering square legs. h. 37-1/2”, w. 78”, d. 22” $1,800-$2,500 330 Pair of French Neo-Grec Terracotta Vases fourth quarter 19th century, now mounted as lamps, the sides decorated with bas-relief satyrs and dancers performing a Bacchanalian dance, over a border of molded laurel leaves. overall h. 32”, dia. 9-1/4” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,200-$1,800

330A

330A Monumental Crystal and Gilt-Bronze French Thirty-Light Chandelier ca. 1900, having five arms with five clusters of lights each and a central crystal stem with five additional lights around the perimeter. h. 62", dia. 56" $1,500-$2,500 330

329

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331 Pair of French Neoclassical-Style Bronze Gas Sconces fourth quarter 19th century, the two-light sconces with tapered backplates, the spiral-reeded arms mounted with birds holding a swag of flowers and terminating in ram’s heads, a masque decorating the center, the leafmolded sockets with beaded drip pans. h. 26-1/4”, w. 12”, d. 5” $1,000-$1,500 332 Louis-Philippe-Style Fruitwood Commode

331

by Baker, the banded rectangular top above a conforming case fitted with three long drawers, flanked to either side by engaged pilasters, raised on block feet. h. 32”, w. 47”, d. 22-1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500 333 Three Pairs of Restauration Mahogany Fauteuils mid-19th century, all with paneled crests above padded backs, the padded seats raised on square, sabre and bulbous turned legs. h. 36”, 37” and 36” $1,000-$1,500 332

333

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334 335

334 Louis-Philippe Walnut “Dog’s Bed” second quarter 19th century, probably produced as a salesman’s sample, the headboard, footboard, rails and slats with period “6” stencils, now with a custom mattress and pillow. h. 19-1/4”, w. 19”, l. 31-1/2” $1,000-$1,500 335 French School (Second Half 19th Century)

336

“Portrait of a Child” oil on canvas unsigned, frame backing with French inventory and framer’s labels, and “Alan Smith” U.K. shipping label. Glazed and framed. 10-3/4” x 9”, framed 16-5/8” x 14-3/4” $1,500-$2,500 336 Unusual French Bronze, Tole and Glass Chandelier second quarter 20th century, the eight-light chandelier with a serpentine body with painted tole sides and bronze trim, and set with four molded rococo candle arms and four interior sockets over a frosted glass base, with a bronze rococomolded support. h. 17”, w. 27”, d. 13-1/2” $1,800-$2,500 337 French Neoclassical-Style Giltwood Mirror 20th century, the elaborate arched crest decorated with a pair of lovebirds under a wreath, flanked by carved oak leaves and acorns, the mirror surround lined with beading and carved lotus leaves. h. 64”, w. 37” $1,800-$2,500

337

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340 341 338

338 French Empire Premiere Carved Silver-Gilt Torchere first quarter 19th century, supported on a box base raised on paw feet, the tapering standard decorated with leaf carving and fluting, and supporting a turned drip pan and a bell-form socket. h. 70”, w. 17” $800-$1,200 339 Empire-Style Mahogany and Marble-Top Commode

341 Louis-Philippe Mahogany Secretaire a Abattant mid-19th century, the rectangular top above a conforming case fitted with a concealed frieze drawer over a drop front opening to a leather-inset surface and a mirror-backed galleried interior fitted with three small drawers to either side, over three long drawers, raised on ribbed ebonized feet. h. 63”, w. 39”, d. 19-3/4” $800-$1,200

19th century, the rectangular marble top above a plain frieze and three recessed long drawers, flanked to either side by an ormolu-mounted columnar upright, raised on turreted feet. h. 38”, w. 49”, d. 24-1/2” $1,500-$2,500 340 Louis-Philippe Mahogany and Marble-Top Center Table mid-19th century, the circular dished marble top raised above a plain frieze on a paneled bulbous standard to a scroll-mounted tripartite base on paw feet and casters. h. 29”, dia. 32” $1,200-$1,800

339

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342 Louis-Philippe Mahogany Demi-lune Fold-Over Table fourth quarter 19th century, having an oval top when opened and supported by a center rear leg attached to a drawer, the whole raised on turned legs ending in brass cup casters. h. 29-1/2”, w. 45”, l. 56” $1,000-$1,500 343 French Empire-Style Parcel-Gilt Trumeau Mirror 20th century, the upper tablet decorated with swags of flowers, the mirror plate lined with egg-and-dart giltwood trim, on a taupe ground. h. 62-1/2”, w. 49”

344

$1,200-$1,800 344 Pair of Restauration-Style Mahogany Fauteuils 20th century, each with a domed crest above a padded back, joined by downswept scrolling arms to the padded seat, raised on molded sabre legs ending in casters. h. 36-1/2” $1,000-$1,500 345 Empire-Style Mahogany Occasional Table the circular top with a gilt foliate border and raised on three ebonized supports headed by gilt ram’s heads, joined by a circular stretcher and ending in hoof feet. h. 27-1/2”, dia. 19-3/4” $1,000-$1,500

343

345 342

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346 Empire-Style Gilt-Brass and Cut Glass Chandelier the six-light chandelier with a cut glass pan set with a pineapple finial, the edge set with six molded candle arms with trumpet-form drip pans, with molded chains hung from the cut glass and bronze canopy. h. 21-1/4”, dia. 27” $1,000-$1,500 347 Pair of French Neoclassical-Style Ebonized, Parcel-Gilt and Mirrored Side Tables 20th century, each with a circular mirrored top with a pierced brass gallery, mounted to a turned and reeded standard with three outstretched legs. h. 26-1/2”, dia. 24” $1,200-$1,800

346

348 Directoire-Style Ebonized and Parcel-Gilt Iron Bed 20th century, the matching headboard and footboard each with cast male busts for finials, the rails with applied gilt wreaths. h. 48”, inside w. 35”, l. 77-1/2”, outside w. 37-1/2”, l. 81” $1,500-$2,500

347

348

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349 Louis-Philippe Giltwood Mirror

349

second quarter 19th century, retaining an exceptional gilt surface, the pulvinated surround decorated with incised trailing flowers and leaves on a matte ground. h. 34”, w. 27” $1,000-$1,500 350 Good Empire Walnut and Marble-Top Commode mid-19th century, the rectangular marble top above a conforming case fitted with a frieze drawer over three recessed long drawers, flanked to either side by an ormolumounted columnar upright, raised on block feet. h. 36-1/2”, w. 51-1/4”, d. 23-3/4” $1,500-$2,500 351 Pair of Patinated Bronze Jardinieres

351

in the Egyptian Revival taste, each with a circular bowl adorned with laurel swags, raised on legs capped by a figural sphinx and extending to hoof feet on a concave base. h. 36-3/4”, dia. 23” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,500-$2,500 352 Empire-Style Mahogany and Marble-Top Center Table early 20th century, the rectangular marble top above a frieze with applied laurel and patera mounts, raised on end supports and corner ormolu caryatid figures, all raised on an H-form stretcher base. h. 31-1/2”, w. 47”, d. 27-1/2” $2,000-$4,000

352

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353 Twelve Royal Paul de Lamerie (1688-1751) Sterling Silver Dinner Plates hallmarked London, 1741-1742, of hexagonally serpentine-lobed circular form, with gadrooned edge and recessed circular plateau, engraved on the rim with the cypher of George II. dia. 9-1/2”; 208.37 total t. oz. Provenance: Sotheby’s, London, March 5-6, 2014, The Private Collection of the Late Stanley J. Seeger, lot 604. Christie’s, Geneva, April 27, 1976, lot 231. $25,000-$40,000

353 detail

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354 George III Sterling Silver Cake Basket hallmarked London, 1795-1796, by Peter & Ann Bateman, of oval form with reeded rim and pierced and engraved scrolland-swag band, with conforming swing handle and raised on a conforming waisted reticulated foot-ring. h. 4-1/4” (11-1/4” with handle), l. 15”, w. 10-3/4”; 23.02 t. oz. $1,000-$1,500

355 Pair of George III Sterling Silver Sauce Tureens hallmarked London, 1779-1780, by William Holmes (1732-1805; free 1765), each of oval form with beaded rim and arched, reeded handles, the fitted domed lid with toupie finial, the whole raised on a conforming waisted pedestal foot, engraved on the body with a crest of a ram’s head cabossed. h. 6”, l. 9”, w. 4-1/2”; 33.24 total t. oz.

354

$1,200-$1,800

355 detail

355

356 George III Sterling Silver Covered Cup hallmarked London, 1797, by John Schofield (fl. 1776-1799), the ovoid body with gadrooned calyx and arched, acanthusmounted handles, the tall, waisted fitted lid with gadrooned toupie finial, the whole raised on a waisted pedestal foot above a square plinth, engraved on the body with the arms of Browne impaling Graham quartering Burninghill. h. 14”, w. 9-1/2”, dia. 5-1/2”; 39.01 t. oz. $1,800-$2,500

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357 Fine Pair of Regency Paul Storr (1771-1844) Sterling Silver Entree Dishes hallmarked London, 1818-1819, the sterling silver entree dishes of rounded rectangular form with gadrooned banding and detachable shell-crested addorsed reed-and-acanthus handle, presented on the original Old Sheffield Plate warming stands with handles en suite and raised on four acanthuscrested scroll feet, engraved on the lid with the arms and on the body and warmer with the crest of Pett of Chatham, Kent. overall h. 8-1/2”, l. 15-3/4”, w. 8-3/4”; 126.08 total t. oz. (excluding stands) The arms here are those as borne by the important Pett dynasty of 17th- and 18th-century shipbuilders. $12,000-$18,000 357 detail

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357 detail

358 Thirty-Two Pieces of Regency and Later Sterling Silver “Hourglass” Pattern Flatware London, first quarter 19th century, including twelve table forks, l. 8”, ten tablespoons, l. 8-1/2”, two tea forks, l. 6-1/2”, and two teaspoons, l. 5-1/2”, all hallmarked 1813-1814 by Thomas William Streetin (1769-1842) and engraved with the crest of Marjoribanks, two dessert spoons, l. 7”, hallmarked 1818-1819 by Thomas William Barker and monogrammed “RES”, and four master salt spoons, l. 4-1/2”, hallmarked 1826-1827 by William Chawner and engraved with a crest of a demi-griffin rampant. 78.53 total t. oz. $1,200-$1,800

359 Late Victorian Sterling Silver Tureen hallmarked London, 1897-1898, by F. B. Thomas & Co., of bulbous oval form, with shaped gadrooned rim, a pair of “Vintage” handles and four acanthus-crested spade feet, the fitted lid with gadrooned band and rose finial. h. 8-1/2”, l. 13”, w. 7-1/2”; 76.26 t. oz. $3,000-$5,000

358

360 Regency Sterling Silver Cake Basket hallmarked London, 1813-1814, the maker’s mark rubbed, of rounded rectangular form, with wide gadrooned band and rim, the latter with shell motifs at the corners and sides, with conforming acanthus-mounted swing handle and raised on a conforming foot. h. 4-1/2” (10” with handle), l. 13-1/4”, w. 10-3/4”; 34.13 t. oz. $1,000-$1,500

361 Eight-Piece Old Sheffield Plate Table Lighting Set

359

second quarter 19th century, including a pair of three-light candelabra, h. 19-1/4”, w. 20”, base dia. 5-1/2”, and six candlesticks, h. 9”, base dia. 4-1/2”, each with a tapering standard and palmette-and-shell banding, with detachable bobeches. $1,000-$1,500

360 361

123

362 detail

362

362 Victorian Sterling Silver Tea Tray hallmarked Birmingham, 1899-1900, by Barker Brothers, oval with “Chippendale” rim and rocaille edge, with addorsed acanthus-mounted reeded handles, the plateau with a wide engraved rococo scroll, shell and flower band centering the crest of Smith of Braco and Methven, the whole raised on four acanthus-scroll feet. 28-3/4” x 18-3/4”; 92.91 t. oz. $3,000-$5,000 363 Four English Sterling and Other Silver Goblets/Cups including: Scotland, hallmarked Edinburgh, 1801-1802, by McHattie & Fenwick, ovoid bowl with repousse acanthus calyx and engraved with the crest of Dalgliesh of Errol, Perths., and Westgrange, Fifes., h. 7-1/8”, dia. 3-7/8”; 8.88 t. oz. England, hallmarked Birmingham, 1867-1868, by Thomas White, thistle-form bowl decorated with repousse roses, shamrocks and thistles, h. 9-1/2”, dia. 7-1/2”; 12.88 t. oz. England, hallmarked Birmingham, 1879-1880, by George Unite, waisted ovoid bowl with repousse floral swags, crested handles and later hunting inscription, h. 9-1/4”, dia. 4-3/4”, w. 8-3/4”; weighted. Switzerland, dated 1882, bell-shaped bowl with embossed “Vintage” calyx and foot, with Neuchatel shooting competition plaque, h. 9-1/4”, dia. 3-3/4”; 6.47 t. oz. 28.23 total t. oz. (weighable silver)

363

364 Impressive Victorian Silverplate Figural Centerpiece third quarter 19th century, the figural standard of The Three Graces supporting an openwork reeded arch basket with reed and ribbon band, above a waisted plinth with applied ribboned floral swag and issuing from a trefoil jardiniere with beaded rim and raised on three palmette-, wing- and shell-mantled pad feet, engraved on the base with a badge of a dove with a rose in its beak surrounded by the motto “Vergiss Mein Nicht”. h. 27-1/2”, w. 24” $2,000-$4,000

Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. $1,000-$1,500

364

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365 George V Sterling Silver Tray hallmarked London, 1915-1916, by Holland, Aldwinkle & Slater, oval with applied Vitruvian scroll rim and beaded edge, with addorsed scrolling serpent handles. 29” x 16-3/4”; 88.73 t. oz. $3,500-$5,000

365

366 George V Sterling Silver Gilt Table Box hallmarked London, 1928-1929, by Lionel Alfred Crichton, of rectangular form with molded base, the conforming hinged, domed lid molded en suite, raised on four button feet, the lid engraved with an earl’s crown and monogram “EM of B”. h. 5”, w. 11”, d. 8-1/2”; 57.07 t. oz. $1,800-$2,500 366

367 Six Pieces of English Sterling Silver Gilt Tableware hallmarked Sheffield, by Garrard & Co. Ltd., including a set of 1980 graduated platters, oval with “Vintage” rim, the largest 22” x 17”, the smallest 16” x 12-1/4”, and a 1988 sauceboat and underplate en suite, overall h. 3-3/4”, l. 8”, w. 6”; together with a William IV “Hourglass” pattern sauce ladle, hallmarked London, 1834-1835, by Mary Chawner, l. 6-7/8”. 195.79 total t. oz. $2,500-$4,000 367

125

368 English “King’s” Pattern Sterling Silver Flatware Set hallmarked Sheffield, 1993, by Carr’s of Sheffield, including a dozen ten-piece place settings and thirteen serving pieces, no monograms, presented in the “Knightsbridge” model canteen with mahogany finish, lift-top and two drawers, lined in indigo blue cotton velvet and with silverplate maker’s plaque, 10-1/4” x 19-1/2” x 15-3/4”. 133 pieces 215.98 total t. oz. (weighable silver) $4,000-$7,000

368

369 English Tiffany & Co. Sterling Silver Ice Bucket hallmarked London, 1985, by Tiffany & Co., in the form of a large tankard in the Late Stuart taste, with flat hinged lid, thick “S”-scroll handle and molded rim, the interior with mirrored glass insulation. h. 7-1/4”, dia. 5-3/4”, l. 9-1/4” Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,000-$1,500

369

8 126

370 Large Victorian Mahogany Cellarette mid-19th century, of tapering rectangular form, the hinged stepped top centered by a gadroon-carved panel, opening to a void interior, the paneled tapering body raised on carved dolphin supports to casters. h. 27”, w. 36-1/2”, d. 27” $3,000-$5,000

370

371 William IV Mahogany Cellarette first quarter 19th century, of sarcophagus form, the tapered body fitted with brass handles, the interior segmented for bottles, raised on turned legs. h. 27”, w. 33”, d. 24” $1,800-$2,500

371

372 William IV Mahogany Bracket Clock second quarter 19th century, the mahogany case decorated with leaf-carved corner ornaments, the top set with period giltbronze pineapple finials, the sides set with pressed brass ring pulls. h. 24”, w. 11-1/2”, d. 6-1/2” $1,000-$1,500

372

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373

373 Regency Mahogany Triple-Section Dining Table

375 Suite of Four Regency-Style Polychrome Armchairs

second quarter 19th century, the center section supported by a large turned baluster-form pedestal with four outstretched legs, the extensions supported by a pair of console ends, each with turned legs and ending in brass cup casters. h. 30”, w. 54”, l. 50”, ext. l. 126”

each with a curved palmetto-patterned crest above a caned fan-form back centered by a lion’s masque, joined by scrolling arms to the cushioned caned seat, raised on circular ring-turned legs ending in splayed feet. h. 34”

$2,500-$4,000 $1,000-$1,500

374 Pair of Regency Bronze Dore et Patine Argand Lamps second quarter 19th century, English, on paw feet, the arms decorated with pierced scrollwork mounts, the tanks molded with “stripes” and leaves, retaining pierced gilt-bronze shade holders, mounted with pierced prism rings and hung with spear-point prisms. h. 17-1/4”, w. 15-3/4”, d. 9-1/4” $1,000-$1,500

374

375

128

376 Pair of Carved Wood Urn-Form Wall Plaques 20th century, in the Adam taste, each half urn decorated with carved medallions framed with bellflower swags, the reeded “covers” with carved finials. h. 30”, w. 12-1/2”, d. 6” $1,000-$1,500

376

377 Pair of Regency Mahogany Firescreens early 19th century, each with an elongated octagonal screen featuring a central oval with a finely worked embroidery, one of a lady placing flowers on Shakespeare’s grave, and the other of a lady praying, within a floral garland, raised on a tapering square standard to a stepped square base with satinwood banding and resting on bun feet. h. 55” $1,000-$1,500

377

378 British School (Second Quarter 19th Century) “Portrait of a Lady with Corkscrew Ringlets in a Cerulean Watered Silk Dress” oil on canvas unsigned. Giltwood frame. 30” x 25”, framed 38” x 32” $1,400-$1,800

378

129

379 Pair of Edwardian Satinwood Side Tables early 20th century, in the Adam taste, each with a scrolling foliate border surrounding a polychrome floral swag and inlaid half-patera, above a conforming like-decorated frieze, raised on bellflower-patterned tapering square legs. h. 30”, w. 42”, d. 16-1/2” 379

$1,800-$2,500 380 Regency Faux Bois Cabinet early 19th century, the rectangular top with turreted ends, above a conforming case fitted with a single drawer over two cupboard doors, each grilled and backed by a mirrored panel, flanked to either side by a gilt cluster-column upright, raised on gilt turned feet. h. 38-1/4”, w. 38-1/4”, d. 16-1/2” $2,000-$4,000 381 Pair of Regency-Style Giltwood and Gilt-Metal Sconces 20th century, the two-light sconces with pierced backplates with carved anthemia ovals set in bellflower-decorated openings, the leaf-carved bases set with turned giltwood candle sockets, electrified. h. 30-3/4”, w. 12-1/2”, d. 5-1/4” $1,800-$2,500 382 Edwardian Satinwood and Mahogany Cellarette

380

first quarter 20th century, in the George III taste, the satinwood body decorated with inlaid oval mahogany panels, and set with brass post bail handles. h. 27-1/4”, w. 17-1/4”, d. 11-1/4” $1,000-$1,500

382

130

381

383 Regency-Style Mahogany Dining Table the banded circular top raised on four turned supports to a concave platform base on four splayed legs ending in brass paws and casters. h. 30-1/2”, dia. 62” Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. 383

$1,000-$1,500

384 Late Regency Mahogany Cellarette second quarter 19th century, the stepped top with a gadrooncarved panel centered by a carved cluster of grapes, opening to a metal-lined interior, the paneled tapering body raised on a paneled plinth base. h. 21”, w. 32-1/2”, d. 22” $2,500-$4,000 384

385 Regency-Style Parcel-Gilt and Brass-Inlaid Mahogany Desk late 19th century, the tooled leather top in a brass inlaid frame, over a frieze fitted with three drawers, raised on a lyre-form base on saber legs with ornate brass cup casters. h. 30-1/4”, w. 58”, d. 34” $1,200-$1,800 385

131

386 Suite of Ten Regency-Style Mahogany Dining Chairs consisting of two armchairs and eight side chairs, each with a paneled curved crest above a lyreform splat, the padded seats raised on reeded sabre legs. h. 37” $1,400-$1,500

386

387 Regency Mahogany Double-Pedestal Dining Table first quarter 19th century, each section with a tilt top, the tops with a reeded edge, raised on a turned pedestal joined to reeded saber-form legs ending in brass cup casters. h. 28-7/8”, w. 47-3/4”, l. 87-1/2” 387

$1,000-$1,500

388 British School (19th Century) “Portrait of a Lady with Coral Beads and Holding a Posy” oil on canvas unsigned. Framed. 30” x 25”, framed 38” x 32” $1,000-$1,500

388

132

389 William IV Yew and Fruitwood Cabinet mid-19th century, the covemolded cornice above six glazed paneled doors, the lower section fitted with three large paneled cupboard doors, raised on a plinth base. h. 95-1/2”, w. 98”, d. 20-3/4” $3,000-$5,000

389

390 English Mahogany Triple-Section Armoire ca. 1825, the arched pediment flanked by a pair of taller sections, each with a molded cornice over a door, the central section with a bank of six drawers, the piece incorporating carefully selected figured “plum pudding” veneers, the back bearing a paper label, “From Taylor’s Upholstery and Cabinet Warerooms, No. 12, High Ousegate, York.” h. 72”, w. 82”, d. 23” $1,000-$1,500

390

133

391 British School (Mid- to Late 19th Century) “Portrait of a Seated Man Holding a Scarf” oil on canvas unsigned, a later pencil inscription “Musgrave Joy...” en verso. Period frame. 50” x 38”, framed 64” x 51” $1,000-$1,500

391

392 William IV Mahogany Sideboard second quarter 19th century, the long rectangular breakfront top above a conforming case fitted with a central drawer flanked to either side by a cupboard with inlaid banding, raised on tapering square legs ending in spade feet. h. 37-1/2”, w. 83-1/2”, d. 33” $1,000-$1,500 392

393 Louise Steffens (Belgian, 1841-1865) “The Fox Hunt” oil on canvas signed lower right. Framed. 27” x 41-1/2”, framed 33” x 47-1/2” $2,000-$4,000

393

134

394 Pair of Victorian Cut Glass Candelabra fourth quarter 19th century, on faceted vasiform bases, the two-light arms set with tulip-form candle cups, hung with prism rings and prisms. h. 24”, w. 13”, d. 6-1/2” $1,500-$2,500 395 British School (Second Quarter 19th Century) “Portrait of a Lady Wearing a Ferronniere” 394

oil on canvas unsigned. Framed. 30-1/4” x 25”, framed 35” x 29-1/2” $1,000-$1,500 396 Victorian Chinese Export Ebonized Work Table mid-19th century, the rounded rectangular top with a dragondecorated band, opening to an interior fitted with various compartments, some lidded, and a central lift-out tray, above a pull-out fabric storage well, raised on pierced lyre-form supports joined by a turned stretcher and ending in gilt paw feet, the whole richly decorated in gilt designs in the chinoiserie manner. h. 28-1/2”, w. 25”, d. 16-1/2” $1,000-$1,500 397 Victorian Chinese Export Ebonized Work Table mid-19th century, the shaped rectangular top with a raised central panel, opening to a tri-compartmented interior, over a pull-out fabric storage well, raised on turned and bulbous columnar uprights, joined by a stretcher and ending in gilt dragon feet, the whole richly decorated in gilt designs in the chinoiserie manner. h. 28-1/2”, w. 25”, d. 17”

395

$1,000-$1,500

397 396

135

398 Victorian Chinese Export Ebonized Work Table mid-19th century, the rounded rectangular top opening to an interior fitted with various compartments, some lidded, and a central lift-out tray, above a slide-out fabric storage well, raised on turned columnar supports joined by a turned stretcher and ending in gilt paw feet, the whole richly decorated in gilt designs in the chinoiserie manner. h. 29-1/2”, w. 25”, d. 17” $1,000-$1,500 399 Victorian Chinese Export Ebonized Work Table mid-19th century, the shaped rectangular top with a raised central panel, opening to an interior fitted with a variety of compartments, some lidded, and a central lift-out tray, raised on pierced lyre-form supports joined by a stretcher and ending in paw feet, the whole richly decorated in gilt designs in the chinoiserie manner. h. 27”, w. 25-1/4”, d. 17”

398

$1,000-$1,500 400 Suite of Six Regency Ebonized Side Chairs early 19th century, each with a curved crest featuring a polychrome and gilt scrolling design, the padded seat raised on sabre legs with gilt banding. h. 35-1/2” $1,200-$1,800 401 Interesting Cast Bronze and Cast Iron Occasional Table late 19th century, in the manner of Oscar Bach, unsigned, the thick circular glass top within a rope-twist-modeled edge, over a pendant shell and scrolling foliate frieze, raised on three double iron supports joined by a pierced collar stretcher and ending in scrolled toes. h. 29”, dia. 20”

399

$1,000-$1,500

400 401

136

402 Daniel Ridgway Knight (American, 1839-1924) “A Cavalier and His Lady” oil on canvas signed and dated lower right. Framed. 29” x 23-1/2”, framed 35-1/2” x 30” $3,000-$5,000

402

403 John Wells Smith (British, fl. 1870-1875) “The Fisherman’s Tale” oil on canvas signed and dated “1882” lower left. Framed and with artist plaque. 28” x 36”, framed 35” x 43” $1,500-$2,500

403

404 Edward Sherard Kennedy (British, active 1863-1890) “My Lord’s Gentleman”, 1874 oil on canvas signed and dated lower left. Framed. 29” x 40-1/2”, framed 36” x 47” Provenance: Bonhams, London, July 14, 1977, lot 129; Private collection. $3,000-$5,000

404

137

405 British School (Fourth Quarter 19th Century) “Playing Dress-Up” oil on canvas faintly and illegibly signed/inscribed mid-left. Framed. 16-5/8” x 12-5/8”, framed 21-1/2” x 17-1/2” $1,000-$1,500

405

406 Attributed to Lewis George Fry (British, 1860-1930)

407 William Holyoak (British, 1834-1894)

“The Two Black Aberdeen Spaniels” oil on canvas unsigned, titled en verso. Framed. 28” x 36”, framed 36” x 44” x 44”

“The Farmer’s Family” oil on canvas signed lower left. Giltwood frame with artist plaque. 29-1/2” x 15-3/4”, framed 36” x 21-1/2”

Provenance: Arthur Stewart Gallery, Hertfordshire, U.K; Mayfair Collection, Tulsa, Oklahoma; Estate of Jean and Jack Kelley, Tulsa, Oklahoma.

$1,500-$2,500

$1,000-$1,500

406

138

407

408 409

410 Theodore Hines (British, fl. 1876-1889)

408 Henry Charles Woollett (British, ca. 1826-1893)

“Great Marlow on Thames”

“Outside the Village Inn” oil on board signed lower right. Framed. 20” x 36”, framed 25-1/2” x 41-1/4”

oil on canvas signed lower left. Framed and with artist plaque. 19-1/2” x 29-1/2”, framed 25-3/8” x 35-1/4” $1,000-$1,500

$1,400-$1,800

411 Daniel Sherrin (British, 1868-1940)

409 William Shayer, Sr. (British, 1787-1879)

“A Worcester Hamlet Evening”

“The Village Meeting Place” oil on canvas signed lower right. Framed and with artist/title plaque. 28-1/4” x 36-1/4”, framed 35-1/2” x 43-1/2”

oil on canvas signed lower left. Framed and with artist plaque. 20” x 30”, framed 25-1/2” x 36” $1,000-$1,500

$3,000-$5,000

410

411

139

412 Sir David Murray, R.A. (British, 1849-1933) “Cattle Watering by a Ruined Castle” oil on canvas signed lower right, “European Art Gallery” label en verso. Framed and with artist plaque. 24” x 36”, framed 33” x 44-3/4” $1,500-$2,500 412

413 John Francis Murphy, N.A. (American, 1853-1921) “Upland Cornfields, Harvest Time”, 1880 oil on canvas signed and dated lower left, a partial “Schweitzer Gallery/New York” label and an old auction lot label (#101) on stretcher. Framed. 24-1/2” x 33-1/2”, framed 31-1/2” x 40-1/2” Provenance: Schweitzer Gallery, New York, New York; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $4,000-$7,000 Schweitzer Gallery of New York specialized in fine American paintings and worked out of their Madison Avenue location between the years of 1960-1975.

413

414 William Alfred Gibson (British, 1866-1931) “A Highland Burn” oil on canvas signed lower left. Framed. 40” x 50”, framed 52” x 63” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $6,000-$9,000

414

140

415 Edmund Johann Niemann (British, 1813-1876) “East Gate Row - Chester” oil on canvas signed lower right, verso with a partial “Frost and Reed” exhibition label and a “Bonfoey Gallery, Cleveland, Ohio” label. Framed. 44” x 34”, framed 50-1/2” x 40-3/4” $1,000-$1,500

415

416 British School (19th/First Quarter 20th Century) “Bridge Over the Seine” oil on canvas illegibly signed lower right. In an attractive gesso and giltwood frame. 34” x 44”, overall 43” x 53” $1,000-$1,500

416

417 Manner of Richard E. Miller (American, 1875-1943) “Poling on the River”, third quarter 20th century oil on canvas laid down on board signed bottom left in boat. Framed. 24” x 29-1/2”, framed 31-1/2” x 38” $1,500-$2,500

417

141

418 Good Regence Rosewood and Walnut Commode late 18th century, the slightly bowed top with a molded edge, above a case fitted with three highly figured long drawers, raised above a shaped apron on cabriole feet. h. 33”, w. 51-1/2”, d. 26” $1,500-$2,500 419 Louis XV-Style Giltwood Sunburst Mirror 20th century, the circular convex mirror glass with a flowermolded surround, the straight “rays” alternating with curved “rays”. dia. 31” 418

$1,000-$1,500 420 Pair of Louis XV-Style Bronze Four-Light Sconces first quarter 20th century, each with a lyre-form backplate mounted with a masque, the upper portion with a bowknot crest, the arms decorated with laurel leaves and berries, the candle sockets molded to match. h. 38”, w. 10”, d. 7-1/4” $1,500-$2,500 421 Louis XV-Style Giltwood and Marble-Top Console Table 19th century, the shaped marble top above a foliate- and floralpierced frieze, raised on acanthine-carved C-scroll legs joined by a pierced stretcher and ending in scrolled toes. h. 35”, w. 33-1/2”, d. 18” $1,800-$2,500

419

420 421

142

422 French School (Fourth Quarter 17th Century) “Portrait of Francoise d’Aubigne, Marquise de Maintenon (1635-1719)” oil on canvas verso with a typed biography of the sitter. Framed. 19-3/4” x 15-3/8”, framed 24-1/2” x 20-7/8” $1,000-$1,500

422

423 Follower of Francois Boucher (French, 1703-1770) “Pastoral Scene with a Shepherd and a Shepherdess”

418

oil on canvas unsigned. Antique giltwood frame. 26-1/4” x 22-1/4”, framed 31-1/2” x 28” $1,000-$1,500

423

424 French Gilt-Metal, Glass and Porcelain Chandelier first quarter 20th century, the six-light chandelier with a pagoda-form frame, the center with porcelain roses on giltmetal branches, the arms hung with amethyst and crystal drops. h. 20-1/2”, dia. 15” $1,000-$1,500

424

143

425 French Pottery and Gilt-Bronze Mantel Clock post-1914, in the Louis XV style, the facade trimmed with gilt bronze and decorated with a hand-painted image of the goddess Ariadne with an amorino, the view signed “Petit”, the works marked by Vincenti et Cie. h. 18-1/4”, w. 9-1/4”, d. 5” $1,000-$1,500

426 French Porcelain, Bronze and Alabaster Vase 425

ca. 1900, the neck decorated with raised gilt, the handpainted body with Bacchanalian putti on the obverse and garden trophies on the reverse, mounted with bronze handles depicting the goddess Hera, with an alabaster base on scrolled bronze feet. h. 22-1/2”, w. 11-1/2”, d. 8-3/4” $1,500-$2,500

426

427 Louis XVI-Style Giltwood Oval Mirror fourth quarter 19th century, the rocaille-carved and pierced crest inset with a mirror plate and flanked by trailing pierced flowerheads, the beaded central plate framed with segmented mirror plates decorated with ribbon-bound leaves and shellcarved ornaments. h. 52-1/2”, w. 34-1/2” $2,000-$4,000

428 Louis XV-Style Kingwood Occasional Table mid-19th century, the banded and quarter-veneered shaped rectangular top within a brass banding, above a conforming frieze fitted with a single drawer, raised on molded cabriole legs headed by ormolu mounts and ending in sabots, the inside of drawer signed “A. SEGUY”. h. 29-1/2”, w. 30-1/2”, d. 19-1/2” $2,000-$4,000

427

144

428

429

429 Louis XV-Style Parquetry-Veneered Mahogany Bureau Plat ca. 1900, with brass and bronze mounts, the tooled leather writing surface edged with brass molding, the frieze with a band of three drawers, raised on cabriole legs capped by figural bronze mounts retaining elements of their gilt surface, the feet with like sabots. h. 31”, w. 71”, d. 37-1/2” $1,000-$1,500

430 Manner of Elisabeth Louise Vigee Le Brun (French, 1755-1842) “Portrait of a Young Artist” oil on canvas Framed. 24-1/8” x 19-7/8”, framed 29” x 24-1/2”

430

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,400-$1,800

431 Louis XV-Style Fruitwood Occasional Table early 20th century, the rectangular top with canted projecting corners and a gilt-tooled leather surface under a glass panel, above a conforming frieze fitted with a single drawer, raised on cabriole legs ending in sabots. h. 29-1/2”, w. 24”, d. 17” $2,000-$4,000

431

145

434

433 Pair of Handsome French Giltwood Sur la Portes fourth quarter 18th century, delicately pierced and carved with arabesque scrollwork, laurel swags and Greek-key frets, with leaf-carved finials. h. 20”, w. 44-1/4”

432

$2,500-$4,000

432 Louis XIV-Style Giltwood Mirror

434 Pair of French Giltwood Barometers

20th century, with a surround of richly gilded scrollwork accented with flowerheads and shells, the sides and crest inset with mirror glass, and the crest with a shell. h. 47”, w. 29”

fourth quarter 18th century, the case edge carved with garlands of laurel leaves held with bowknots, the top set with thermometers with original snail-form glass tubes, the barometers with painted wooden dials signed “Galles a Paris.” h. 38-1/2”, w. 10-3/4”

$1,000-$1,500

$3,500-$5,000

433

146

435 Louis XIV-Style Silvered Metal and Crystal Chandelier the eight-light chandelier with a molded glass-clad standard and set with sprays of cut glass drops, the silvered metal candle arms set with molded glass drip pans over sprays of cut glass drops. h. 28-1/4”, dia. 20-1/2” $1,500-$2,500

435

436 Louis XV-Style Kingwood Marquetry and Marble-Top Commode early 20th century, the slightly bowed breche d’Alep marble top above a conforming case fitted with five graduated long drawers, all bi-paneled and with marquetry panels, the sides paneled en suite, raised on cabriole legs ending in sabots. h. 44”, w. 35-1/2”, d. 22-1/2” $1,800-$2,500

436

437 Louis XV-Style Kingwood Bureau Plat early 20th century, the shaped rectangular top with an inset leather surface and ormolu corner accents, above a conforming frieze fitted with three drawers, all with latticepatterned parquetry inlay, verso and sides inlaid en suite, raised on cabriole legs headed by espagnolettes and ending in sabots. h. 32”, w. 49-1/2”, d. 25-1/2” $1,000-$1,500 437

147

438 Attributed to Jean-Baptiste Perronneau (French, 1715-1783) “Portrait of a Nobleman in a Fur-Trimmed Coat” oil on canvas unsigned, old labels identifying artist as Perronneau or Maurice de la Tour en verso. Framed. 28-3/4” x 23-3/8”, framed 36” x 30-1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,500-$2,500

438

439 Bronze Dore et Patine Chandelier second quarter 20th century, the pierced standard decorated with patinated putti on two levels, the vasiform standard with swags of roses, scrollwork, winged angel heads and swirled fluting, the arms decorated with molded leaves and set with leaf-molded sockets and matching drip pans. h. 39”, dia. 32” $3,000-$5,000

439

440 Regence-Style Polychrome Commode 19th century, the bowed rectangular top above a conforming case fitted with three long drawers, flanked to either side by fluted uprights, raised on shaped feet with applied ormolu mounts. h. 33-1/2”, w. 43-1/2”, d. 22-1/2” $1,500-$2,500

440

148

441 Louis XV-Style Gilt-Bronze and Ebonized Long Case Clock 20th century, the serpentinesided hood lined with bronze scrollwork, the serpentinesided case decorated with gilt bronze and pierced with a circular pendulum “window”. h. 86-1/2”, w. 22”, d. 11-1/2” $2,000-$4,000

442

441

442 Pair of Marble-Clad and Gilt-Composition Palace Urns 20th century, in the rococo taste, the obverses decorated with pierced panels of a courting couple, flanked by putti and pairs of swans drinking, with leafcarved handles terminating in mermaids, resting on paw feet. h. 60-1/2”, w. 21”, d. 12-1/2” $1,000-$1,500

443 Louis XVI-Style Fruitwood and Marble-Top Semainier late 19th century, the rectangular marble top above a conforming case fitted with seven chevron-veneered banded drawers, raised on slightly cabriole legs. h. 59-1/2”, w. 27-1/2”, d. 16-1/2” 443

$1,500-$2,500

149

444 Unusual French Giltwood Chandelier second quarter 20th century, the six-light chandelier decorated with carved bellflowers, fluting and acanthus leaves, set with a carved finial, the scrolled arms with beaded drip pans and turned sockets. h. 26-1/2”, dia. 23” $1,500-$2,500

445 Pair of Impressive French Gilt-Bronze Chenets mid-20th century, of large scale in the Louis XV manner, the fluted and leaf-molded brackets supporting molded scrolls trimmed with rocaille work, resting on fluted rear feet. h. 13-1/2”, w. 19”, d. 6-1/4”

444

Provenance: Loyd-Paxton, Dallas, Texas. $2,000-$4,000

445

446 Louis XV-Style Rosewood Occasional Table

446

early 20th century, the shaped rectangular top banded and quarter-veneered, above a conforming frieze fitted with a single drawer, raised on cabriole legs ending in sabots. h. 29”, w. 30”, d. 20-1/2” $1,000-$1,500

447 Diminutive Louis XV-Style Kingwood and Marble-Top Commode 20th century, the shaped marble top above a conforming bombe case fitted with three drawers, all with millwork banding and parquetry panels, the sides en suite, raised on splayed legs ending in sabots. h. 26”, w. 21”, d. 13-1/2” $1,000-$1,500 447

150

448 Pair of Louis XVI-Style Giltwood and Marble-Top Corner Consoles each with a serpentine variegated rouge and grey marble top over a conforming apron centered by shell, floral and foliate carving and raised on a cabriole leg. h. 37”, w. 33”, d. 18” $1,400-$1,800

448

449 Louis XV-Style Giltwood Vitrine early 20th century, of rounded rectangular form, with a double scrolling foliate crest above two paneled glazed doors, over two like doors, the sides also glazed, over an apron with polychrome scenes of courtiers in the manner of Vernis Martin, raised on molded legs ending in scrolled toes. h. 70-1/2”, w. 61”, d. 17-1/2” $3,000-$4,000

449

450 French Bronze Cartel Clock in the Baroque Style fourth quarter 19th century, the dial signed “Richmond Montmartre”, framed with laurel leaves, the crest with pierced scrollwork and flowers, the base with ribbon-bound scrollwork and roses. h. 32”, w. 17” $1,000-$1,500

450

151

451 Louis XV-Style Gilt-Bronze Dressing Table early 20th century, the adjustable shaped mirror within a foliate frame and supported by a spiral-fluted upright, over a full pierced gallery mirrored tray, raised on a spiral-fluted bulbous standard to three splayed cabriole legs headed by acanthine molding and ending in scrolled toes. h. 66”, w. 14”, d. 10” $2,500-$4,000

451

452 Louis XV-Style Giltwood and Marble-Top Console Table 452

19th century, the shaped marble top above a conforming frieze with pierced floral panels flanking a foliate shell, raised on molded cabriole legs headed by acanthine capitals, joined by a foliate shield-centered X-form stretcher and ending in acanthine scrolled toes. h. 33-1/2”, w. 53-1/2”, d. 23” $3,000-$5,000

453 Six Royal Copenhagen “Flora Danica” Pierced Porcelain Fish Dinner Plates mid-20th century, model “3553”, depicting assorted fish, all fully marked. dia. 10” Provenance: Private collection, New Orleans, Louisiana. $2,000-$4,000 453

152

454 Royal Copenhagen “Flora Danica” Nine-Piece Partial Coffee Service mid-20th century, including a covered coffee pot, model “3620”, with ebony handle, depicting “Fragaria vesca L.”, the cover flower-topped, h. 6-3/4”, w. 9”, d. 5-3/4”, a covered sugar bowl, model “3502”, the cover depicting “Stellaria sp.” with twig handle, bearing a paper crown and wave sticker, h. 3-1/4”, w. 4-3/4”, d. 3-3/8”, a creamer, model “3626”, depicting “Thymus Chamaedrys Fr.”, h. 2-7/8”, w. 3-5/8”, d. 2-1/4”, and three coffee cups, h. 2-1/4”, w. 3-1/4”, d. 2-1/2”, with saucers, h. 7/8”, dia. 4-1/2”, models “3518” and “3618”, the cups having twig handles and depicting various flowers, all pieces fully marked.

454

Provenance: Private collection, New Orleans, Louisiana. $2,000-$4,000

455 Seven Royal Copenhagen “Flora Danica” Porcelain Covered Custard Cups and Saucers mid-20th century, models “3514” and “3515”, the cups depicting various flowers identified underneath in Latin, the covers with flower-trimmed twigs, all fully marked. cups with covers: overall h. 3-3/8”, w. 3-1/8”, d. 2-1/2”, saucers h. 7/8”, w. 4”, d. 4”

455

Provenance: Private collection, New Orleans, Louisiana. $2,000-$4,000 456 Royal Copenhagen “Flora Danica” Porcelain Covered Vegetable Bowl and Sauce Boat the round vegetable bowl mid-20th century, model “3568”, the cover depicting “Vicia silvatica L.”, with flower-trimmed twig handle, h. 7”, dia. 9-1/4”, the sauce boat with fixed stand, 20th century, model “3556”, depicting “Scabiosa suaveolens Desf.”, with flower-trimmed twig handle, 5-3/4”, w. 9-1/4”, d. 6-3/4”, both examples fully marked. Provenance: Private collection, New Orleans, Louisiana. 456

$1,500-$2,500

457 Royal Copenhagen “Flora Danica” Porcelain Game Series Covered Vegetable Bowl third quarter 20th century, model “3568”, the cover depicting “Canis lagopus” and “Rangifer tarandus”, with flower-trimmed twig handle, fully marked. h. 7”, dia. 9-1/4” Provenance: Private collection, New Orleans, Louisiana. 457

$1,000-$1,500

153

459

458

458 French Rococo-Style Giltwood Mirror

460 Louis XV-Style Giltwood and Marble-Top Console Table

ca. 1900, with a beveled mirror plate, the surround decorated with pierced rocaille work and a pierced shell-form crest trimmed with molded leaves. h. 45”, w. 29”

19th century, the shaped and bowed marble top raised on a floral- and foliate-carved pierced frieze, on acanthine-carved scrolled legs joined by a foliate pierced stretcher and ending in scrolled toes. h. 35”, w. 47-1/2”, d. 21”

$1,000-$1,500

$2,500-$4,000

459 French Brass and Crystal Chandelier

461 Pair of French Gilt-Bronze and Mirrored Sconces

20th century, in the rococo taste, the fifteen-light chandelier having a vasiform scroll-molded standard set with scrolled candle arms and matched sockets on two levels, hung with cut crystal drops and a faceted sphere pendant finial. h. 37”, dia. 28”

first quarter 20th century, the five-light sconces in the rococo style, the backplates inset with oval beveled mirror plates framed with molded scrollwork and leaves, the matching candle arms hung with prisms and festoons of drops. h. 25”, w. 15”, d. 11”

$2,000-$4,000

$1,500-$2,500

461 460

154

462 French Baroque-Style Giltwood Mirror fourth quarter 19th century, the pierced crest decorated with a basket of flowers framed with scrollwork, with additional pierced scrollwork forming the sides, a bouquet of flowers at the lower edge. h. 39”, w. 24-1/4” $1,000-$1,500 463 Virginie de Sartorius (Belgian, 1828-1908) “Still Life of Fruit in a Basket”, 1856 oil on canvas signed and dated lower right. Framed. 38-1/2” x 24-1/2”, framed 50” x 36-3/4”

462

$3,000-$5,000 464 Louis XV-Style Giltwood and Marble-Top Console Table late 19th century, the shaped marble top above a conforming lattice-patterned frieze centered by a foliate shell shield, raised on C-scroll legs joined by an X-form stretcher centered by a foliate shell and ending in scrolled toes. h. 36”, w. 45-1/2”, d. 21-1/2” $2,000-$4,000 465 Capodimonte Porcelain Casket fourth quarter 19th century, in the form of a building, with pierced roof trim and set with bronze handles and trim, with bas-relief neoclassical-style decoration, with polychrome enamels, marked with an underglaze blue crowned “N”. h. 14”, w. 14”, d. 7” $1,200-$1,800

463

465 464

155

466

466 Pair of Louis XV-Style Polychrome Bergeres early 20th century, each with a floral crest over a padded domed back and downswept sides, the cushioned seat raised on molded cabriole legs headed by floral carving and ending in scrolled toes. h. 34-1/2”

468

468 Louis XIV-Style Bronze and Crystal Chandelier

$1,500-$2,500

the six-light chandelier with a molded glass-clad standard and bronze scrolled candle arms set with bell-shaped candle cups, the standard with two sprays of drops, hung with a mixture of colorless, amber and mauve drops, some cut and others molded as pears and grapes. h. 28-1/2”, dia. 17”

467 Constant Joseph Brochart (French, 1816-1899) “Sisterly Devotion” and “The Gossips” pair of pastels on paper latter signed mid-right. Glazed and presented in exceptional matching gessoed and carved giltwood Belle Epoque frames. sight 35” x 27”, framed 59” x 41”

$1,400-$1,800

$5,000-$8,000

467

156

469

470

469 Louis XV-Style Polychrome, Parcel-Gilt and Marble-Top Occasional Table 19th century, the shaped marble top inset into a conforming edge, above a pierced frieze with pendant floral swags, raised on molded cabriole legs ending in acanthine scrolled toes. h. 29-1/2”, w. 26-1/2”, d. 17” $1,400-$1,800 470 Pair of French Bronze and Red Griotte Marble Candelabra fourth quarter 19th century, the six-light candelabra on bronze bases draped with fringed covers, the standards composed of red griotte marble with a bronze guilloche border, set with leafmolded candle arms, electrified. h. 35-3/4”, dia. 18-1/2” $1,500-$2,500

471

471 Regence Kingwood and Marble-Top Commode 18th century, the rectangular marble top with a bowed front, above a bombe case fitted with two short drawers over two long drawers, all quarter-veneered and with decorative banding, raised on splayed legs ending in sabots. h. 33”, w. 51-1/2”, d. 25” $1,500-$2,500 472 Louis XIV-Style Bronze and Crystal Chandelier second quarter 20th century, the eight-light chandelier with a gilt-bronze frame set with scrolled arms terminating in floriform drip pans and turned candle sockets, decorated with molded glass finials and mauve and colorless drops. h. 33”, dia. 23” $1,500-$2,500

472

157

473 Chet Engle (American/California, 1918-1994) “Veiled Sun” oil on board signed lower right, verso with “O’Brien Art Emporium, Scottsdale, Arizona” label, printed with artist name and title of work. Framed. 18” x 14”, framed 26” x 20” Provenance: O’Brien’s Art Emporium, Scottsdale, Arizona; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500

474 Ron Barsano (American/New Mexico, b. 1945)

473

“Seated Nude”, 1973 oil on canvas signed lower left, and signed, titled, dated and inscribed “Taos” and with “Talisman Gallery, Bartlesville, Oklahoma” artist and title label en verso. Framed. 18” x 14”, framed 26” x 22” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500

474

475 Loran Speck (American/California, 1943-2011) “Sudeley Castle, Study with Urn” oil on canvas signed lower left. Framed. 36” x 24”, framed 44” x 32” Provenance: Loran Speck Gallery, Carmel, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $15,000-$25,000

158

476 Joseph Jost (Austrian, 1888-1969) “Still Life of Lilies of the Valley in a Red Vase” oil on canvas signed lower right. Framed. 27” x 25”, framed 32” x 30-1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500

476

477 Ernest Morton Baber (American, b. 1949) “Flo Blue with Fruit” oil on canvas signed lower left, verso with hand-inscribed label with artist name and title of work. Framed. 14” x 12”, framed 19-1/2” x 17-1/2” Provenance: Jones & Terwilliger Fine Art Gallery, Carmel-bythe-Sea, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500 477

478 David Hettinger (American/Illinois, b. 1946) “Sugar Bowl” oil on canvas signed lower right, titled, signed and dated “69-72” and localized “New York, NY” en verso. Framed. 10” x 14”, framed 15” x 18-3/4” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500 478

159

479 Marie Madeleine de Rasky (French, 1897-1972) and Loran Speck (American/California, 1943-2011) “Pommes sur Font Vert”, oil on canvas, signed upper left, signed, titled, inscribed “Chicago, Wally Findlay” and with an “Arthur Lenars & Co., Paris” label en verso. Framed and with artist/title plaque; together with “Study: Plums”, watercolor, signed and titled lower left, a “Loran Speck Gallery, Carmel, CA” label en verso. Matted, glazed and framed. 8-1/2” x 23-1/2” and sight 8-1/4” x 16”, respectively; framed 15” x 30” and 18” x 25-1/2”, respectively Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500

479

480 Loran Speck (American/California, 1943-2011) “Iris” and “Study: Iris” pair of watercolors each signed, former titled lower left. Each matted, glazed and framed alike. sight 11” x 7-1/2”, framed 21” x 16-1/2” Provenance: Loran Speck Gallery, Carmel, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500

480

481 Loran Speck (American/California, 1943-2011) “Calla Lily” and “Study: Calla Lily” oil on masonite, and watercolor and graphite signed lower left and lower right, respectively, former with “Loran Speck Gallery, Carmel, CA” en verso. Former framed and latter matted, glazed and framed. 16” x 12” and sight 14” x 11”, framed 24” x 20” and 27” x 23-1/4”

481

Provenance: Loran Speck Gallery, Carmel, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $4,000-$7,000

160

482 Henri Joseph Pauwels (Belgian, 1903-1983) “Picking Flowers” oil on canvas signed lower right. Framed. 32” x 38”, framed 42” x 47-1/2” $1,400-$1,800

482

483 Henri Joseph Pauwels (Belgian, 1903-1983) “Tea in the Garden” oil on canvas signed lower right. Framed. 32” x 40”, framed 41-3/4” x 49-3/4” $1,400-$1,800

483

484 Evelio Garcia Mata (Cuban/New York, 1908-1984) “Galloping Stallions”, 1960 oil on coarse linen signed and dated upper right. Framed. 38-1/4” x 45”, framed 45-1/4” x 52-3/8” $1,500-$2,500

484

161

485 Sandi Lebron (American, Late 20th/Early 21st Century) “Children and Their Dog, Puppies and Cat on a Fence” oil on canvas signed lower center. Framed. 15-1/4” x 20-3/4”, framed 23-1/4” x 30-1/4” $1,200-$1,800

485

486 Gerard Johan Staller (Dutch, 1880-1956) “The Brass Band” oil on beveled wood panel signed lower left, localized “Frankfurt” lower right. Framed. 15-5/8” x 23-1/2”, framed 20-1/2” x 28-1/4” $1,200-$1,800

486

487 Pierre Guillaume (Dutch, b. 1954) “The Wailing Wall” oil on canvas signed lower right, signed and titled en verso. Framed. 24” x 20”, framed 30” x 26-1/4” $1,500-$2,500

487

162

489 488

488 E. Haines (American, 20th Century)

490 Niek van der Plas (Dutch, b. 1954)

“Children Playing at the Beach”

“Venice”

oil on canvas signed lower right. Framed. 19-3/4” x 27-1/2”, framed 23-1/2” x 31-3/4”

oil on wood panel signed lower left. Framed. 9-1/2” x 11-3/4”, framed 17-1/4” x 19-1/4”

$1,000-$1,500

489 Niek van der Plas (Dutch, b. 1954)

491 Niek van der Plas (Dutch, b. 1954)

“Nantucket Beach”

“Naples Beach”

oil on panel signed lower right, signed and titled en verso. Framed. 9-1/2” x 16”, framed 14-1/2” x 20”

oil on wood panel signed and titled en verso, signed lower right. Framed. 20” x 23-1/2”, framed 26” x 30”

$1,500-$2,500

$1,800-$2,500

490

491

163

492 Willem Heytman (Dutch, b. 1950) “London” oil on canvas signed lower left, signed, titled and further inscribed en verso, “Atelier Heytman” stamp en verso. Framed. 29-3/4” x 39-1/2”, framed 38-3/4” x 49” $1,400-$1,800

492

493 Niek van der Plas (Dutch, b. 1954) “[View of] Montelbaanstoren, Amsterdam” oil on wood panel signed lower right, signed, titled and inscribed en verso. Framed. 12” x 16”, framed 19-1/8” x 23-1/4” Exhibited: Katwijks Museum, Netherlands, 2011 $1,000-$1,500

493

494 Willem Heytman (Dutch, b. 1950) “Cafe de la Paix, Paris” oil on canvas signed lower right, “Atelier Heytman” stamp, titled and further inscribed en verso. Framed. 20” x 27-1/2”, framed 26-1/4” x 34-1/8” $1,000-$1,500

494

164

496

495

497

499

500

498

495 Heriz Carpet

497 Peshawar Bakshaish Carpet

499 Peshawar Serapi Carpet

11’ x 14’ 7”

6’ x 8’ 8”

9’ x 12’

$1,000-$1,500

$2,000-$4,000

496 Antique Sarouk Carpet

498 Semi-Antique Oushak Carpet

500 Peshawar Sultanabad Carpet

4’ x 9’

9’ 8” x 10’ 9”

9’ 8” x 14’

$1,200-$1,800

$3,000-$5,000

165

501 Antique Oushak Carpet 11’ 6” x 14’ 6” $8,000-$12,000

501

502 Antique Oushak Carpet 10’ 5” x 15’ 6” $12,000-$18,000

502

166

503

506

507

505 504

503 Mahal Carpet

506 Peshawar Sultanabad Carpet

9’ 2” x 11’ 10”

8’ 10” x 12’ 1”

$1,500-$2,500

$2,000-$4,000

504 Agra Serapi Runner

507 Peshawar Kazak Carpet

2’ 6” x 21’ 6”

7’ 6” x 9’ 5”

$1,000-$1,500

$3,000-$5,000

505 Antique Serapi Carpet

508 Antique Oushak Carpet

10’ x 12’ 3”

9’ x 11’

$7,000-$10,000

$5,000-$8,000

508

167

509 Piotr Ivanovitch Livoff (Russian, 1882-1944) “The Bridge, Winter at Dusk” oil on board signed lower right. Framed. 19-3/4” x 25-1/2”, framed 25-1/4” x 31-1/4” $5,000-$8,000

509

510 Harald Julius Niels Pryn (Danish, 1891-1968) “A Snowy Forest Path” oil on canvas signed lower left. Framed. 27-1/2” x 39-1/2”, framed 35” x 47” $3,500-$5,000

510

511 Arnold Jenny (Swiss, 1831-1881) “The Berner Oberland with a View to Jungfrau” oil on canvas unsigned. Framed. 47-3/4” x 69”, framed 60-1/8” x 82-1/8” Provenance: Galerie Fischer, Luzern, Switzerland, 1984; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $4,000-$7,000

511

168

512 Georg Anton Rasmussen (Norwegian, 1842-1914) “Coastal Village by the Fjord”, 1888 oil on canvas signed and dated lower right. Framed. 26-3/4” x 39-1/2”, framed 36-3/4” x 49” $3,000-$5,000

512

513 Johann Holmstedt (Swedish, 1851-1929) “Fjord in Norway” oil on canvas signed lower left. Ornate gilt frame with artist plaque. 29” x 39-1/4”, framed 43-1/4” x 53” $2,000-$5,000

513

169

514 515

514 Louis XVI-Style Mahogany and Marble-Top Bouillotte Table the circular marble panel within a sunburst banding and full pierced brass gallery, above a conforming frieze fitted with a leather-inset candle slide and two small drawers, raised on fluted tapering circular legs ending in brass caps. h. 28”, dia. 35” Provenance: Estate of Frank Clancy Dupepe, New Orleans, Louisiana. $1,000-$1,500

516 Louis XVI-Style Kingwood and Marble-Top Cabinet late 19th century, the D-form marble top above a conforming case fitted with a central drop front, opening to a leatherinset surface and drawers and cubbyholes, over a tambour cupboard opening to two small drawers, flanked to either side by a drawer over a tall cupboard door, raised on tapering square legs ending in brass caps, the whole accented with decorative banding and quarter veneers. h. 47-3/8”, w. 43-1/2”, d. 17-1/2” $1,000-$1,500

515 French Patinated Bronze and Marble Clock Set ca. 1882, the clock with a presentation plaque dated 1882 and set with a bust of a young woman with flowers in her hair, after Mathurin Moreau (1822-1912), and marked on the base of the socle, the round cove-molded base set with guilloche bronze panels and the clockworks marked by the retailer, Barrard et Vignon, Paris, h. 26-1/4”, dia. 10”, the matching seven-light candelabra decorated with lion’s heads supporting swagged garlands, h. 26-1/2”, dia. 14”.

517 Louis XVI-Style Ormolu-Mounted Mahogany and MarbleTop Center Table early 20th century, the circular marble top within a bronze banded rim, above a frieze with applied mounts, raised on turned and fluted tapering circular legs. h. 29-1/2”, dia. 24” $1,000-$1,500

$2,500-$4,000

517 516

170

518 Neoclassical Mahogany Bureau Cylindre mid-19th century, the superstructure with a canted and molded cornice, above a tambour cabinet over two drawers, the lower section fitted with a cylinder bureau opening to a pullout writing surface and a central tambour cupboard flanked to either side by two small drawers, over a long central drawer flanked to either side by two small drawers, raised on fluted tapering circular legs ending in toupie feet. h. 72”, w. 58”, d. 28” $1,200-$1,800 519 Louis XVI-Style Bronze-Mounted Mahogany Bureau Plat mid-20th century, the top with a tooled inset leather blotter, the edge with a molded bronze border, one side fitted with three drawers, raised on tapering square legs. h. 31”, w. 63”, d. 34” $1,500-$2,500 520 Louis XVI-Style Giltwood and Marble-Top Console Table 19th century, the D-form marble top above a conforming floral guilloche frieze with pendant floral swags, raised on fluted tapering circular legs joined by a floral urn-centered stretcher and ending in bulbous toupie feet. h. 33-1/2”, w. 45”, d. 21-1/2”

518

$1,000-$1,500 521 Pair of Marbro Porcelain Table Lamps mid-20th century, Los Angeles, the lamps with bases in the Paris style, with swan-form handles and tooled gilt panels hand-painted with exotic birds and flowers, on giltwood bases, labeled on the standards. overall h. 38-1/2”, w. 9”, d. 6”

519

$1,000-$1,500

520 521

171

522 French Neo-Grec Gilt-Bronze and Majolica Mantel Clock fourth quarter 19th century, the inverted, fluted cobalt sides with gilt and “jewels”, the urn-form finial decorated with turquoise molded oak leaves and acorns on a cobalt ground, with bronze handles, the dial with hand-painted amorini. h. 13”, w. 12-1/2”, d. 6-1/2” $1,000-$1,500 523 Franco-Bohemian Frosted and Cut Crystal Chandelier

522

third quarter 19th century, the ten-light chandelier with a frosted and cut crystal standard set with rope-twist glass arms terminating in cut glass prism rings, with cascades of drops hanging from the corona to the rings, decorated with three tiers of prisms on the standard, above the pendant finial. h. 44-1/2”, dia. 30-1/2” $1,200-$1,800 524 Franco-Bohemian Frosted and Cut Crystal Chandelier third quarter 19th century, the ten-light chandelier with a frosted and cut crystal standard set with rope-twist glass arms terminating in cut glass prism rings, with cascades of drops hanging from the corona to the rings, decorated with three tiers of prisms on the standard, above the pendant finial. h. 44-1/2”, dia. 30-1/2” $1,200-$1,800

523

524

525 Fine Louis XVI-Style Giltwood and Marble-Top Center Table ca. 1900, the circular marble top with a molded edge, above a pierced and carved frame with portrait busts and medallions, raised on fluted and carved legs with flower basket tops. h. 30-1/2”, dia. 24” $1,800-$2,500 525

172

526 Fine Louis XVI-Style Giltwood Looking Glass late 19th century, the rectilinear beveled mirror plate in a frame with an urn-carved crest and elaborately modeled with leaves and vines, the sides in foliate decor and mounted with twisting tendrils, the lower corners with volutes centered by ribbon and laurel swags. h. 62”, w. 33”, d. 3” $2,500-$4,000 527 Louis XVI-Style Mahogany Bookcase early 20th century, the rectangular top with a three-quarter pierced brass gallery above a case fitted with two long doors, both with an upper grilled panel and a lower panel, raised on turned toupie feet. h. 69-1/2”, w. 33-1/2”, d. 13-1/4” $800-$1,200

527

526

528 Louis XVI-Style Mahogany and Marble-Top Commode late 19th century, the rectangular marble top with a molded edge, above a conforming case fitted with one frieze drawer faced as three short drawers, over two long drawers, all with brass banding, raised on turned toupie feet. h. 34”, w. 50”, d. 24” 528

$1,500-$2,500

529 Pair of Louis XVI-Style Fruitwood Fauteuils 20th century, each with a padded domed back surmounted by a ribbon crest and foliate finials, joined by padded arms to the cushioned seat, raised on fluted tapering circular legs ending in toupie feet, upholstered in custom Fortuny fabric. h. 39-1/2” $1,000-$1,500

529

173

530 Pair of Louis XVI-Style Bronze Andirons ca. 1900, the standards shaped like fluted quivers of arrows, set with urn-form log stops. h. 26”, w. 11”, d. 25” $800-$1,200 531 Louis XVI Fruitwood and Marble-Top Side Table 18th century, the demi-lune marble top above a conforming guilloche-carved frieze centered by a shield-carved panel, raised on fluted tapering circular legs ending in toupie feet. h. 34”, w. 50-1/2”, d. 23-1/2”

530

$1,200-$1,800 532 Louis XVI-Style Giltwood Mirror fourth quarter 19th century, with engraved mirrored side panels framing the primary plate, the pierced crest decorated with a flaming urn finial flanked by pierced scrollwork decorated with ivy and flowerheads, the outside edges decorated with ribbon-wrapped flowers. h. 71”, w. 42-3/4” $2,000-$4,000

531

533 Louis XVI-Style Mahogany and Kingwood Games Table mid-19th century, the banded rounded rectangular top with a marquetry panel, hinged and opening to a baize-lined interior above a like-paneled frieze, raised on fluted tapering circular legs ending in brass caps. h. 30-1/2”, w. 25-1/4”, d. 16” $800-$1,200

533 532

174

534

534 Pair of Louis XVI-Style Giltwood Fauteuils late 19th century, each with a padded slightly domed rectangular back surmounted by a floral crest, joined by padded foliate-carved arms to the padded seat, raised on fluted tapering circular legs ending in toupie feet. h. 40”

535

$1,800-$2,500 536 French Silvered Metal and Crystal Chandelier

535 Fine Louis XVI-Style Bronze-Mounted Vitrine

the nine-light chandelier with a glass-clad and molded metal standard, scrolled arms set with molded candle cups and drip pans, and sprays and cascades of drops. h. 40”, dia. 24-1/2”

in the manner of Francois Linke, having an inset marble top and curved glass ends, the front fitted with a single glazed door, the trim in finely cast bronze and the mounts depicting birds, grapevines and floral swags. 54-1/2”, w. 43”, d. 18-1/2”

$3,000-$5,000

537 Napoleon III Giltwood Mirror third quarter 19th century, with a serpentine top, the frame lined with cabochons, the crest with pierced scrollwork framing a shell, flanked by scrollwork and flowerheads. h. 48-1/2”, w. 32-1/2” $1,200-$1,800

536 537

175

538 Pair of French Rococo Giltwood Mirrored Sconces mid-19th century, each with an oval mirrored backplate trimmed in pierced scroll and rocaille work, the crest ornamented with molded roses, set with a pair of candle arms molded with scrollwork and terminating in lotus-molded candle cups. h. 30-3/4”, w. 20”, d. 5” $1,200-$1,800

539 Large French Mahogany Center Table

538

20th century, the circular top above a plain frieze, raised on four scrolling imbricate-carved legs joined by a molded X-form stretcher and ending in bun feet. h. 30”, dia. 64” $800-$1,200

540 Napoleon III Brass-Mounted Rosewood Six-Piece Parlor Suite third quarter 19th century, comprised of a sofa, h. 42-1/4”, w. 71-1/2”, d. 30”, four armchairs, h. 40”, and a side chair, h. 39-1/4”, each piece with a floral- and leaf-carved crest, brass moldings on the back, arms, seat rails and cabriole legs, each retaining its period Aubusson floral upholstery.

539

$1,500-$2,500

540

176

541 French Giltwood and Polished Granite-Top Side Table ca. 1900, the circular top with inset blue granite, supported by three shaped legs ending in scrolled toes. h. 23”, top dia. 16” $1,000-$1,500

542 Monumental Napoleon III Giltwood Overmantel Mirror third quarter 19th century, the pulvinated surround molded on three sides with cabochons alternating with anthemia, on a molded ground, the bottom with a base molding. h. 86”, w. 60-1/2”

541

$3,000-$5,000

543 Unusual Gilt-Bronze Electrolier ca. 1900, the ten-light electrolier with five upturned gas arms and five downturned electric arms, now electrified, with a rope-twist standard and scrolled arms decorated with rococo piercing and ivy. h. 41-1/2”, dia. 29” $1,000-$1,500

542

543

177

544 Victor Marais-Milton (French, 1872-1968) “The Cardinal and the Goldfish” watercolor on board signed lower right. Glazed and framed. 16” x 13-1/4”, framed 22” x 19” $1,500-$2,500

544

545 Ludovic Mouchot (French, 1846-1893) “The Persistent Suitor” oil on canvas signed lower left. Framed. 18-3/8” x 15-1/4”, framed 24-1/8” x 21” $1,500-$2,500

545

178

546 French School (Second Half 19th Century) “The Suspicious Dog” oil on canvas signed “Th. Boit” lower left. Framed. 9-1/2” x 12-3/4”, framed 15” x 18” $1,000-$1,500 546

547 Pair of Napoleon III-Style Cast Iron Garden Figures modeled as hunting dogs seated on plinths with game birds at their feet. h. 38”, w. 37”, d. 15-3/4” $1,000-$1,500

548 School of Alfred Dedreux (French, 1810-1860) “Cavalier with His Horse” oil on canvas unsigned. Antique giltwood frame. 29” x 23-1/2”, framed 35” x 29” $2,000-$4,000

548

179

549 19th-Century Tuscan “Fiddle Shell” Silver Flatware Set second quarter 19th century, by Onorato Pini, Livorno and Florence, probably .800 silver, including eighteen table forks, l. 8-1/4”, twelve tablespoons, l. 8-1/2”, eleven place spoons, l. 7”, and seventeen teaspoons, l. 5-5-/8”, no monograms. 58 pieces 90.89 total t. oz. $2,000-$4,000

549

550 Five-Piece Portuguese Silver Coffee and Tea Set third quarter 20th century, Vila Nova de Gaia, by Abilio Ferreira de Oliveira, second standard (.833) silver, in the neoclassical taste, including a coffeepot, h. 12-1/2”, l. 8-1/2”, a teapot, h. 12”, l. 10”, a covered sugar urn, h. 9-1/4”, dia. 4-1/4”, a cream jug, h. 8-1/4”, l. 6-1/4”, and a tray, 25-1/4” x 15-1/8”; the hollowware with vasiform bodies decorated with fluted calyces and flat-chased laurel banding, with steeply domed lids, vasiform finials and arched and crested wooden handles, the oval tray with acanthus-mounted stirrup handles and decorated en suite. 163.85 total t. oz. (including wooden handles) $2,500-$4,000

550

551 German Novelty “Owl” Sterling Silver Cocktail Shaker second half 20th century, in the form of a realistically detailed owl, its beak as faux spout fitted with a chained “stopper” with a frog on a lily pad, the head fitted with glass eyes detaching to reveal the detachable strainer. h. 6-3/4”, w. 3-1/2”, d. 5-1/4”; 27.60 t. oz. $5,000-$8,000

551

180

552 Fine Maison Puiforcat “Bougainville” First Standard Silver Flatware Set second quarter 20th century, Paris, .950 silver, including two dozen eleven-piece place settings and nineteen serving pieces, monogrammed “F” (on the handle) and “L” (on the heel), presented in the original fitted, gray suedelined oak case with lift-top, fall front and five drawers with brass “campaign”-style fittings, 13-1/4” x 20-3/4” x 15”. 283 pieces 411.95 total t. oz. Detailed list of pieces available on request. $18,000-$25,000 552 detail

553 Christofle Silverplate and Mahogany Roast Beef Trolley

552

mid-20th century, Paris, of rounded rectangular form, the revolving, ventilated silverplate dome with molded bands and incised threading opening by a finger-latch to reveal the twin warming stands (covers lacking) on a detachable reservoir, fitted to a conforming mahogany stand with turned legs above a shelf stretcher, with silverplate handles, utensil tray, plate stand and manufacturer’s plaque, the whole raised on four casters. h. 43”, w. 43” (36-3/4” with plate stand down), d. 22” $1,800-$2,500

554 Pair of Cased Georg Jensen “Acorn” Sterling Silver Salt Cellar Sets the pattern designed in 1915 by Johan Rohde (1856-1935), Copenhagen, including eight salt cellars with cobalt enamel interiors, dia. 1-5/8”, l. 2-1/5”, and eight salt spoons, l. 2-3/8”, presented in the original pair of turquoise velvetand cream satin-lined cases. 7.10 total t. oz. (including enamel) $1,000-$1,500

554 553

181

556

555

555 Buccellati Sterling Silver Center Bowl

557 Assembled Norwegian Silver Tea Set

fourth quarter 20th century, Milan, Italy, of lobed oval form. h. 3-3/4”, l. 10-1/8”, w. 8”; 19.43 t. oz.

mid-20th century, .830 silver, including a teapot by Magnus Aase, Bergen, h. 10-3/4”, l. 10”, and an unmarked associated cream jug, h. 4”, l. 5-1/2”, and open sugar bowl, h. 4”, w. 6-1/2”, each decorated with floral swags and scrolls, raised on four pad feet. 28.85 total t. oz.

$1,000-$1,500

556 Continental Four-Piece Sterling Silver Tea Set mid-20th century, no hallmarks or maker’s marks, including a coffeepot, h. 9-1/2”, l. 9-3/4”, a teapot, h. 7-1/4”, l. 9-3/4”, an open sugar bowl, h. 5-3/4”, w. 7-1/2”, and a cream jug, h. 5-3/4”, l. 4-1/4”, each with a lobed, pear-shaped body, with crested handle, “gooseneck” spout and floriform finial. 75.15 total t. oz. $1,400-$1,800

$1,200-$1,800

558 Continental Silver Plateau mid-20th century, .900 silver, in the rococo taste, of shaped oval form, decorated with acanthus scrolls, with handles and feet en suite, fitted with a conforming mirrored plateau. 22-3/4” x 14-1/2” $1,000-$1,500

558 557

182

560

559

559 Fine Chinese Export Silver Tall Mug

561 Chinese Export Silver Goblet

first quarter 20th century, Wang Hing, Shanghai and Canton, .900 silver, the slightly tapering cylindrical body decorated with chased birds among bamboo on a matte ground and centering an escutcheon, with “bamboo” rim, base and handle. h. 5-3/4”, dia. 4”, l. 6-1/4”; 15.67 t. oz.

first quarter 20th century, Tuck Chang & Co., Shanghai, .900 silver, the bowl with four panels of prunus, bamboo, a dragon and townspeople, with a melon-knopped stem and prunusbanded foot. h. 7-3/4”, dia. 3-1/4”; 8.99 t. oz. $1,000-$1,500

$1,000-$1,500

560 Chinese Export Silver “Dragon” Tea Set first quarter 20th century, by Tu Mao Xing, Jiujiang, Jiangxi Province, including a teapot, h. 6”, l. 9-1/2”, a covered sugar bowl, h. 5-1/2”, w. 8”, and a lidded cream jug, h. 5”, l. 6-3/4”, each with a spherical body decorated with a repousse dragon on a pebbled ground, with incised meander line band above, with figural dragon handles and finials, raised on a band of clouds foot-ring. 61.71 total t. oz. $3,000-$5,000

561

183

562 Japanese Silver Vase Showa period (1926-1989), of ovoid form with waisted neck, decorated with two bands of engraved chrysanthemums centering a gilt chrysanthemum kamon. h. 9-3/8”, dia 4-1/2”; 18.81 t. oz. $1,200-$1,800

562

563 Japanese Silver Gilt Presentation Model of a Junk Showa period (1926-1989), realistically detailed with twisted wire rigging, the underside with Japanese inscription. h. 12”, w. 7-3/4”, l. 14”; 66.15 t. oz. $3,000-$5,000

563

564 Set of Ten Asian Silverplate and Spinach Jade Cordials contemporary, each with a funnel-shaped silverplate bowl above a carved, fluted jade stem and foot en suite. h. 5-1/4”, dia. 3” $1,000-$1,500

564

184

566 565

565 Miniature Pre-Columbian Tumbaga Gold Figure 18k yellow gold, possibly Peruvian. h. 4”, total weight 296.5 grams $15,000-$25,000

566 Thai Gold Leaf Figure of the Buddha Shakyamuni possibly 18th century, in the Ayutthaya style, gold leaf encasing a probable clay core, modeled seated in virasana on a lotus throne, with a hand positioned in bhumisparshamudra, wearing traditional robes. h. 7”, w. 5-1/4” Provenance: Anderle, Carmel, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $2,000-$4,000

567 Large Thai Silver Repousse Figure of Buddha Ayutthaya period, fourth quarter 19th century, the worked silver sectional sheets modeled to depict a figure standing in samabhanga, with both hands raised, palms facing outward, wearing traditional robes, the whole mounted on custom plinth base. figure h. 38-3/4”, w. 13”, overall h. 68”, w. 16” Provenance: Wisen Antiquites Ceramiques-Objets d’Art, Paris; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $7,000-$10,000 567

185

568 Japanese Black and Gilt Lacquer Kimono Tray on Stand Meiji period, ca. 1900, the rectangular-form tray with rounded corners and steep sides, decorated with floral mons amid a stylized scrolling foliate design, with fitted gilt bamboo-style stand having eight tapering legs terminating in neat out-turned feet, joined by double X-form stretchers. h. 20-1/4”, w. 31-1/4” Provenance: Therien & Co., San Francisco, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. 568

$1,000-$1,500

569 Chinese Terracotta Horse probably Tang Dynasty (618-907), modeled standing, leaning back slightly on its hind legs, having a strong arched neck with a groove running from ears to withers, two splashes of tan glaze to either side of its back, the rest of the body unglazed, later mounted on a custom base. h. 25”, w. 21” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,500-$2,500

569

570 Southeast Asian School (20th Century) “Bird Standing on One Leg, Beneath a Banana Tree” oil on wood panel Mounted and framed. sight 65-1/2” x 39-1/2”, framed 70-1/4” x 44” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500

570

186

571

571 Chinoiserie-Style Eight-Panel Floor Screen fourth quarter 19th/first quarter 20th century, in the coromandel style on a black ground, the panels depicting a continuous scene of birds and butterflies amid blossoming trees and rockwork in a garden setting, between upper and lower butterfly borders. h. 96-1/4”, w. 192-1/2” Provenance: S. M. Hexter Company, Cleveland, Ohio; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500

572 Chinese Carved Stone Buddhist Stele likely Ming Dynasty (1368-1644) after the Tang style, the petalform stele pierced and carved in relief to depict the figure of Guanyin seated on a lotus throne flanked by attendants and foo dogs. h. 18-1/2”, w. 14”

572

Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $3,000-$5,000

187

575

574

573 Tibetan Carved and Painted Wood Figure of Guan Yin

575 Chinese Elm Altar Table

20th century, standing on a lotus leaf, riding a dragon with lotus leaves carved on the base, holding a vase of the waters of compassion. h. 37”, w. 12”, d. 5-1/2”

20th century, the long rectangular top with up-scrolled ends, above a shaped frieze, raised on four slightly slender legs terminating in molded feet. h. 38”, w. 88-1/2”, d. 17-1/4”

$1,200-$1,800

$1,500-$2,500

574 Carved Marble Mudras Buddha

576 Northern Indian Jewelry Box

19th century, Indian, carved with a serene expression, sitting with legs crossed and hands open. h. 23”, w. 15-1/2”, d. 9-1/2”

late 19th/early 20th century, probably Hoshiarpur, shisham with bone and wood inlay and brass corner braces, decorated with scrolling floral designs within quatrefoil-banded borders and chevron-banded edges, the hinged lid opening to reveal velvet-padded compartments, one with tambour lid and one lifting to reveal the lower section, the lid with inset mirror and two pockets, the whole raised on flattened spherical feet. h. 5-1/2”, w. 12-1/4”, d. 9”

$1,000-$1,500

Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. $1,000-$1,500

576 573

188

577 Chinese White Jade Plaque and Belt Hook Mounted as a Hand Mirror probably second half 19th century, the oval-form plaque carved in light relief to depict a crane amid a garden setting, the reverse with conforming mirror, having white metal mounts with butterfly detail to the neck, the slightly tapering belt hook fashioned as a handle, carved to the body with a prowling qilin, terminating in a dragon-head design. h. 8-1/4”, w. 2-1/2” $2,000-$4,000

577

578 Pair of Chinese Porcelain Pillows in the Famille Verte Palette

578

each side decorated with mandarin figures in gardens, the sides pierced and decorated with flowers. h. 7”, w. 8-1/2”, d. 6” $1,000-$1,500

579 Japanese Carved Hardwood Altar Table 20th century, the rectangular-panel top within a conforming frame over a carved and pierced geometric scroll frieze, having inturned scroll-form ends with stylized cloud detail, raised on four straight legs carved with floral designs and terminating in neat block feet. h. 33-1/2”, w. 46-1/2”, d. 15-/14” $1,200-$1,800 579

577

189

580 detail

580 Chinese Handscroll possibly Qing Dynasty, 18th century, ink and color on silk laid down on paper, depicting continuous scenes of figures at leisure in garden and pavilion settings, with calligraphic inscription and multiple seal marks. h. 13-1/2”, overall length 345”, length of painting 118”, length of calligraphic inscription 28” 580 detail

$7,000-$10,000

580 detail

580 detail 580 detail

190

583

583 Unusual Pair of Chinoiserie Lacquered and Mirrored Side Tables 20th century, each with a circular inset mirrored top mounted to a turned standard and complex stepped base. h. 28-1/2”, dia. 26”

581

581 Pair of Japanese Gilt-Decorated Black Lacquer Vases on Stands mid-20th century, decorated with figures in tea houses shaded by willow trees, the borders with flying cranes. h. 44-3/4”, dia. 12-1/2” $1,000-$1,500 582 Metal Occasional Table

$1,500-$2,500 584 Suite of Five Chinese Watercolor and Ink Paintings on Paper of birds amongst branches, 20th century. All matted, glazed and framed. sight 11” x 16”, framed 19” x 23” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000-$1,500

19th/20th century, the table with straight fluted legs and cross braces, the Chinese lacquered top decorated with mandarin figures riding a dragon in a landscape. h. 24”, w. 18-1/2”, d. 18-1/2” $1,000-$1,500

582

584

191

585 Large Pair of Japanese Bronze Temple Lanterns fourth quarter 19th/first quarter 20th century, each of foliate form, with lotus leaf cover and finial over a pierced body, raised on a waisted foliate foot with rounded plinth base. h. 56”, w. 18” Provenance: Lawrence Green, San Francisco, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,800-$2,500

586 Unusual Chinese Carved, Painted and Parcel-Gilt Pedestal 20th century, the standard decorated with deeply carved and painted flowers and leaves, and terminating in a giltwood reeded base and capital. h. 41”, dia. 14-1/2” $1,000-$1,500 585

587 Chinese Celadon Jade Brush Washer with Hardwood Stand first half 20th century, the stone of even celadon tone, carved in oval form, with a mythical creature forming a handle to one side, and a flowing ribbon and brocade ball depicted along the edge, with fitted naturalistic hardwood stand. overall h. 4”, w. 5-1/2” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $700-$1,000

586

192

587

588 Chinese Spinach Jade Cup likely second half 19th century, in the archaic style, the slightly tapering body carved to the exterior with taotie designs between scroll borders, raised on short tripod legs carved to depict rams’ heads, with single dragon-form handle. h. 2-3/4”, w. 2-1/2” $3,000-$5,000 589 Chinese Green-Glaze Pottery Vase

588

possibly Han Dynasty (206 BC-AD 220), of globular form with neck tapering to an everted, slightly flared lip, the body raised on a neat foot rim, decorated with bow-string bands and flanked by molded handles, with all-over deep green glaze. h. 18-1/2”, dia. 11-1/2” $1,500-$2,500 590 Chinese Lapis Lazuli Covered Censer likely second half 19th century, in the archaic style, the body of slightly compressed globular form on a raised foot, narrowing to a short neck with everted rim carved with a geometric scroll design, flanked by ram’s-head-form handles, carved to the exterior with taotie designs, the domed cover similarly worked. h. 4-1/2”, w. 6” $2,500-$4,000 591 Heavily Carved Bleached Teakwood Center Table probably Burmese, early 20th century, having an oval top with relief-carved edge, pierced and floral carved aprons and raised on cabriole legs with stylized crocodiles and birds. h. 30”, w. 32”, d. 24”

589

$1,000-$1,500

591 590

193

592 Chinese Cloisonne Incense Burner first half 20th century, of pagoda form, having a delicate floral design throughout depicted in red, yellow and green enamels on a sky-blue ground, with pierced crown-form finial atop a domed cover, with gilt embellishments, raised on four elephant-head-form legs. h. 25”, w. 12-1/2” $1,000-$1,500

593 Chinese Twelve-Panel Coromandel Screen third quarter 20th century, decorated with various mandarin figures, including one riding a crane, and a group of three figures, one holding a scroll, one holding a miniature pagoda and one embracing a tiger, all under an elephant. h. 96”, w. 216”

592

$1,000-$1,500

593

194

595

594

597

596

594 Antique Mashad Carpet

595 Antique Oushak Carpet

596 Turkish Angora Oushak Carpet

597 Agra Serapi Carpet

11’ x 19’

10’ x 12’

9’ 3” x 11’ 10”

9’ 1” x 11’ 3”

$6,000-$9,000

$3,000-$5,000

$1,000-$1,500

$1,200-$1,800

195

599

600

598

602

601

196

598 Semi-Antique Oushak Runner

600 Bamboo Silk Serapi Carpet

602 Semi-Antique Heriz Carpet

3’ x 16’

10’ 1” x 13’ 9”

10’ x 13’

$2,500-$4,000

$1,500-$2,500

$2,000-$4,000

599 Semi-Antique Sultanabad Carpet

601 Semi-Antique Heriz Carpet

8’ 7” x 11’ 8”

9’ x 11’

$6,000-$9,000

$8,000-$12,000

604

605

606

603

607

603 Agra Serapi Runner

605 Heriz Carpet

607 Heriz Carpet

2’ 6” x 21’ 7”

7’ 9” x 11’ 6”

8’ 2” x 11’ 10”

$1,000-$1,500

604 Oushak Carpet 9’ x 12’ $1,000-$1,500

606 Agra Amritsar Carpet 12’ x 12’ 3” $4,500-$7,000

197

SESSION II Sunday, December 9 10:00 a.m. CT Lots 608-1043

Lot 982

610

611

608

612

609

608 Two-Strand Pearl and Ruby Necklace 14k yellow gold, the necklace composed of two strands of 8.0 mm to 9.0 mm cream/white cultured pearls with a high luster, finished with a gold clasp mounted with round-cut treated rubies weighing approximately 0.20 carats in total. l. 23”, total weight 114.0 grams

612 Baroque Pearl and Diamond Earrings 18k yellow gold, the earrings mounted with white baroque pearls, accented by round brilliant-cut diamonds weighing approximately 0.68 carats in total. l. 3/4”, total weight 14.0 grams $1,500-$2,500

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,800-$2,500 609 Pearl and Diamond Bracelet and Earrings the four-strand bracelet, 14k yellow gold, composed of 6.0-7.0 mm white/rose cultured pearls with a good luster, separated by three bars mounted with round brilliant-cut diamonds weighing approximately 0.36 carats in total, w. 1-1/8”, l. 7”, and the screw-back earrings, 14k white gold, mounted with 3.6 mm and 8.0 mm white/rose cultured pearls with a good luster, accented with round brilliant-cut diamonds weighing approximately 0.24 carats in total, l. 3/4”. total weight 56.1 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,800-$2,500 610 Three Pearl Brooches the first example, 14k yellow gold, designed as a grape cluster and mounted with 6.3 mm white cultured pearls with a good luster, mounted with a bail to be worn as a brooch or pendant, l. 1-1/2”, the second example, 14k yellow gold, with a leaf and vine design and mounted with 6.0-7.0 mm cultured white pearls with a good luster, l. 2-1/8”, and the last example, 14k white gold, in the form of two calla lilies, one mounted with a 10.8 mm white cultured pearl and the other with a 11.3 mm black cultured pearl, accented with round brilliantcut diamonds weighing approximately 0.42 carats in total, l. 3-1/8”. total weight 33.5 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,500-$2,500 611 Pearl and Diamond Ring 14k yellow gold, the ring set with a 9.00 mm cream-colored cultured pearl with a low luster, mounted on a ring set with round-cut yellow diamonds weighing approximately 0.80 carats in total. size 6, total weight 12.0 grams

613

613 Pearl and Diamond Earrings and Brooch 18k yellow gold, the clip earrings mounted with a 10.5 mm white cultured pearl with a good luster, accented with baguette-, marquise- and round brilliant-cut diamonds weighing approximately 0.87 carats in total, l. 7/8”, and the brooch in the form of a bee, the body mounted with a 10.7 mm white cultured pearl with a good luster, accented on the wings with round brilliant-cut diamonds weighing approximately 0.16 carats in total, l. 1”. total weight 17.9 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $2,000-$4,000

$1,000-$1,500

201

614 a ’s le rist at h 18k yellow gold/stainless steel, the self-winding, sweep second, calendar mechanical movement watch with a motherof-pearl dial set with single-cut diamonds, the dial signed “Rolex, Oyster Perpetual, Datejust, Superlative Chronometer, officially certified”, the bezel set with round brilliant-cut diamonds, with an approximate total diamond weight of 1.00 carat, the Rolex jubilee band with a deployant clasp signed “Rolex, Steelinox, L9, Swiss Made, 62523D18”, reference #69173, serial #R293,XXX. inside circumference 6-1/2”, total weight 53.0 grams

617 Diamond Earrings 18k white gold, the earrings mounted with baguette- and round brilliant-cut diamonds weighing approximately 1.65 carats in total. l. 3/4”, total weight 4.7 grams $1,800-$2,500 618 Diamond Hoop Earrings 18k white gold, the inside-outside earrings mounted with marquise-, baguette- and round brilliant-cut diamonds weighing approximately 2.92 carats in total, approximate color E-F and clarity VVS2-VS2. l. 3/4”, total weight 8.4 grams

$5,000-$8,000 $3,000-$5,000 615 Diamond Bracelet 18k white gold, the bracelet designed with sections mounted with baguette- and round brilliant-cut diamonds, each section surrounded by a border of round brilliant-cut diamonds, and alternating with four-stone sections mounted with round brilliant-cut diamonds, with an approximate total diamond weight of 7.20 carats, approximate color E-F and clarity VVS2-VS2. l. 7”, total weight 27.0 grams

619 Diamond Ring 18k white gold, the wide band mounted with a central emerald-cut diamond weighing approximately 1.75 carats, approximate color H and clarity SI2, accented with baguettecut and princess-cut diamonds weighing approximately 3.05 carats in total, approximate color G-I and clarity VVS2-SI1. size 8, total weight 19.0 grams

$14,000-$18,000

$3,500-$5,000

616 Diamond Ring 18k white gold, the ring mounted with baguette- and round brilliant-cut diamonds weighing approximately 2.41 carats in total, approximate color F-G and clarity VVS2-VS2. size 7-1/4, total weight 7.8 grams

620 Diamond Necklace 18k white gold, the necklace mounted with baguette-, pearand round brilliant-cut diamonds weighing approximately 5.19 carats in total, approximate color E-F and clarity VVS2-VS2. l. 18”, total weight 23.0 grams

$4,500-$7,000

$7,000-$10,000

202

620

616

614

617

615

618 619

203

622

621

623

624

625

627

626

204

621 Movable Diamond Bracelet 18k white gold, the bracelet mounted with movable sections of baguette- and round brilliant-cut diamonds weighing approximately 1.30 carats in total. inside circumference 6”, total weight 9.0 grams $2,000-$4,000

622 Diamond Earrings 18k white gold, the earrings mounted with baguette- and round brilliant-cut diamonds weighing approximately 1.55 carats in total, approximate color E-F and clarity VVS2-VS1. l. 3/4”, total weight 6.0 grams $2,500-$4,000

623 Diamond Ring 18k white gold, the ring mounted with baguette- and round brilliant-cut diamonds weighing approximately 0.91 carats in total, approximate color E-F and clarity VS1-VS2. size 6-1/2, total weight 3.0 grams $1,500-$2,500

624 Diamond Earrings 18k white gold, the earrings mounted with baguette- and round brilliant-cut diamonds weighing approximately 1.42 carats in total. l. 1”, total weight 4.0 grams $1,500-$2,500 625 Diamond Bracelet 18k white gold, the bracelet mounted with baguette- and round brilliant-cut diamonds weighing approximately 4.11 carats in total, approximate color E-F and clarity VVS2-VS2. l. 7”, total weight 15.0 grams $7,000-$10,000 626 Diamond Earrings 18k white gold, the earrings mounted with baguette- and round brilliant-cut diamonds weighing approximately 2.20 carats in total, approximate color E-F and clarity VVS2-VS2. l. 1”, total weight 7.0 grams $2,500-$4,000 627 Diamond Ring and Earrings 18k white gold, the ring and earrings mounted with baguetteand round brilliant-cut diamonds weighing approximately 1.50 carats in total. ring size 7, earring l. 3/4”, total weight 6.0 grams $1,500-$2,500

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628 Sapphire and Diamond Bracelet sterling silver, the wide bracelet mounted with oval-cut treated sapphires weighing approximately 9.00 carats in total, and accented throughout with rose- and round brilliantcut diamonds weighing approximately 3.17 carats in total. w. 1-1/2”, l. 7”, total weight 55.0 grams

634 Sapphire and Diamond Bracelet 18k white gold, the bracelet mounted with oval-cut treated sapphires weighing approximately 13.44 carats in total, alternating with sections mounted with baguette-, emeraldand round brilliant-cut diamonds weighing approximately 3.34 carats in total. l. 7”, total weight 16.0 grams $7,000-$10,000

$1,000-$1,500 629 Sapphire and Diamond Necklace sterling silver, the necklace mounted with slice-cut treated sapphires weighing approximately 18.56 carats in total, and slice-cut diamonds weighing approximately 4.80 carats in total. l. 15”, total weight 166.0 grams $1,200-$1,800 630 Sapphire and Diamond Ring 18k white gold, the ring mounted with an oval-cut treated sapphire weighing approximately 2.44 carats, accented by round brilliant-cut diamonds weighing approximately 0.31 carats in total. size 7-1/4, total weight 4.7 grams $2,500-$4,000 631 Sapphire and Diamond Bangle Bracelet 18k white gold, the hinged bracelet mounted with oval-cut treated sapphires weighing approximately 6.72 carats in total, flanked on either side by a border of round brilliant-cut diamonds weighing approximately 1.01 carats in total. inside circumference 6-1/2”, total weight 22.0 grams

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635 Beautiful Sapphire and Diamond Ring platinum, the ring mounted with an oval-cut treated sapphire, with an approximate weight of 5.88 carats, surrounded by thirty-six round brilliant-cut diamonds weighing approximately 2.49 carats in total, approximate color E-G and clarity VVS2-VS1. size 9, 10.0 grams total weight $6,000-$9,000

$3,000-$5,000 632 Sapphire and Diamond Earrings 18k white gold, the earrings mounted with oval-cut treated sapphires weighing approximately 7.20 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.38 carats in total. l. 2-1/2”, total weight 9.0 grams 636

$1,000-$1,500 633 Sapphire and Diamond Ring 14k white gold, the ring mounted with a central oval-cut treated sapphire, flanked to either side by a triangle-cut treated sapphire, with an approximate total weight of 19.14 carats, accented by round brilliant-cut diamonds weighing approximately 0.94 carats in total. size 7-3/4, total weight 12.9 grams $1,800-$2,500

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636 Sapphire and Diamond Bracelet 18k white gold, the bracelet mounted with oval-cut treated sapphires weighing approximately 14.10 carats in total, alternating with sections mounted with baguette-cut diamonds weighing approximately 3.14 carats in total. l. 7”, total weight 13.0 grams $3,000-$5,000

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637 Gemstone and Diamond Parrot Brooch platinum/18k rose gold, the brooch mounted with calibrecut treated rubies weighing approximately 4.25 carats in total, calibre-cut treated sapphires weighing approximately 2.75 carats in total, calibre-cut treated emeralds weighing approximately 1.35 carats in total, calibre-cut citrines weighing approximately 1.50 carats in total, and round brilliant-cut diamonds weighing approximately 3.65 carats in total, approximate color G-H and clarity VS1-SI2. size 3-1/2” x 2”, total weight 20.1 grams

643 Opal and Diamond Pendant 18k yellow gold, the pendant mounted with an oval cabochoncut opal weighing approximately 9.98 carats, accented on the top and bottom by a square-cut treated sapphire weighing approximately 0.28 carats in total, flanked on either side by a round-cut green garnet weighing approximately 0.08 carats in total and bordered by round brilliant-cut diamonds weighing approximately 0.55 carats in total. l. 1-1/2”, total weight 7.0 grams $1,500-$2,500

$9,000-$12,000 638 Emerald and Diamond Ring 18k yellow gold, the ring mounted with an emerald-cut natural emerald weighing approximately 5.22 carats, accented on the ring shank and a border around the emerald with baguetteand round brilliant-cut diamonds weighing approximately 0.60 carats in total. size 7, total weight 7.0 grams $3,500-$5,000 639 Emerald and Diamond Necklace 18k white gold, the necklace mounted with an emeraldcut treated emerald weighing approximately 5.44 carats, accented with baguette- and round brilliant-cut diamonds weighing approximately 3.71 carats in total, approximate color E-F and clarity VVS2-VS2. l. 18”, total weight 19.0 grams $14,000-$18,000 640 Emerald and Diamond Ring platinum, the ring mounted with an emerald-cut treated emerald weighing approximately 2.72 carats, accented by round brilliant-cut diamonds weighing approximately 1.06 carats in total. size 7-1/2, total weight 8.0 grams

644 Opal and Diamond Pendant/Brooch with Chain 14k yellow gold, the pendant/brooch mounted with round cabochon-cut opals weighing approximately 1.35 carats in total, accented with single- and round brilliant-cut diamonds weighing approximately 1.08 carats in total, l. 2”, suspended from a 16” 14k yellow gold chain. total weight 15.3 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,500-$2,500 645 Vintage Chanel, Paris, Classic Quilted Black Caviar Leather “Medallion” Tote 2000-2002, gold hardware, rolled handles and recessed zippered top closure having a textured chain and “CC” medallion pull, the front body with trapunto interlocked “CC”, the back with a large slip pocket, the black lambskin-lined interior with a slip pocket and opposing zippered pocket with “CC” disc pull, the front stamped in gold “Chanel/Made in Italy”. h. 9-1/2”, w. 12-1/4”, d. 6”, handle drop: 6-1/2” $1,000-$1,500

$3,500-$5,000 641 Stunning Emerald and Diamond Earrings platinum, the earrings mounted with natural emerald-cut emeralds weighing approximately 9.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.92 carats in total. l. 1-1/4”, total weight 10.6 grams $8,000-$12,000 642 Emerald and Diamond Ring 14k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 2.00 carats, accented by round brilliant-cut diamonds weighing approximately 0.55 carats in total. size 8-1/2, total weight 3.9 grams $1,400-$1,800

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647 Chanel, Paris, Boucle Jacket size 36, the boucle in black, white, moss green and silver metallic, with notched collar, yoke detail, one hook closure, inset sleeves and four slip pockets, the taupe silk-lined interior labeled “Chanel/CC logo” and “Made in France/04A/P24398V14872/M2579 36”. back l. 20-1/2” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $1,200-$1,800

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648 Vintage Chanel, Paris, Metallic Silver Goatskin “Modern Chain” Tote 2005-2006, silver hardware, soft body with trapunto “CC”,with “modern chain” straps and detailing on both sides, rolled top with recessed zippered closure having a metal “CC” pull, the tan kidskin-lined interior with a slip pocket, cell phone pocket and an opposing zippered pocket having a “Chanel” pull and fronted with a metal plaque stamped “Chanel/Made in Italy”, resting on four cabochon feet, includes a Chanel dust bag. h. 11-1/4”, w. 13”, d. 4-3/4”, strap drop: 6-1/2” 647

646 hanel ti e Paris e a et

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$1,000-$1,500

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size 36, with notched collar, two pearl closure, molded inset sleeves and four slip pockets, the black silk-lined interior labeled “Chanel/ Boutique/CC logo” and “Made in France/P0141W02362/94305/36”. back l. 24-1/2” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $1,200-$1,800

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649 Chanel, Paris, Black Sequined Short Jacket size 36, the tweed with linear black metallic threads and sequins, jewel neck, two “Chanel/Paris” button closure and molded inset 3/4 sleeves, the black silk-lined interior labeled “Chanel/CC logo” and “Made in France/00C/ P14996V08298/94305/36”. back l. 19” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $1,400-$1,800

650 Vintage Chanel, Paris, Gunmetal Lambskin Frame Evening Bag 1996-1997, gold hardware, quilted front and back with stitched “CC” underneath, two leather-woven chain straps and kiss-lock closure, the matching kidskin-lined interior with one satin-lined zippered pocket having a “CC” disc pull, the pocket front stamped in gold “Chanel” and “Made in Italy” on the opposing side, includes the authenticity card. h. 5-1/2”, w. 6-1/4”, d. 2-1/2”, strap drop: 6”

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size 38, the body with horizontal chevron design, lined and trimmed with ivory panne shearling lambswool, the molded inset sleeves lined with ivory silk satin, with two front slip pockets, labeled “Chanel/CC logo” and “Made in France/09A/ P35972W04341/B3687/38”. back l. 21” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $1,400-$1,800

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652 Chanel, Paris, Lesage Tweed Coat size 36, the tweed in blue, magenta, slate and metallic silver, with jewel neckline, six button closure, two breast and two lower buttoned patch pockets, with molded and inset 3/4 “jewel length” sleeves, all buttons labeled “CC”, the midnight silk-lined interior labeled “Chanel/CC logo” and “Made in France/P49853V36940/M9937/36”. back l. 33” Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $1,400-$1,800

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653 Vintage Chanel Mahogany Suede Tasseled Saddle Bag 653

1997-1999, bronze hardware, unstructured body with “CC”stitched front flap, magnetic closure, a large slip pocket on the reverse and large side tassel topped with a faux tortoise “CC” bead, with a wide kidskin-lined shoulder strap, the open chocolate satin-lined interior with opposing zippered pockets each having a “CC” disc pull, one pocket leather-labeled “Chanel/Made in Italy” within an oval. h. 9”, w. 11”, d. 4-1/2”, strap drop: 14” $1,000-$1,500 654 hanel Paris S all “Surpique” Satchel

ise aviar eather

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2003-2004, matte gold hardware, the exterior with contrast top-stitching, two flat handles, matte gold “CC”, rear slip pocket and dual zippered closure having leather pulls, the larger pull tapered and impressed “Chanel” on both sides, the tan logo fabric-lined interior with a snap rivet on each side, slip pocket and opposing zippered pocket leather labeled “Chanel/Made in Italy”, the zipper tab stamped “Chanel”, resting on four cabochon feet. h. 7”, w. 9-1/2”, d. 3-1/2”, handle drop: 6” 654

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$1,200-$1,800

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655 Blue Zircon and Diamond Ring 14k white gold, the ring mounted with a round-cut blue zircon weighing approximately 6.18 carats, accented by round brilliant-cut diamonds weighing approximately 0.60 carats in total. size 7, total weight 5.2 grams $1,400-$1,800 656 Turquoise and Diamond Bracelet 14k white gold, the bracelet mounted with cabochon-cut turquoises weighing approximately 15.00 carats in total, alternating with round brilliant-cut diamonds weighing approximately 0.49 carats in total. l. 7”, total weight 15.0 grams $1,800-$2,500 657 Peridot, Turquoise, Emerald and Diamond Ring 14k yellow gold, the ring mounted with a central ovalcut treated peridot weighing approximately 4.76 carats, surrounded by a border of oval cabochon-cut turquoises weighing approximately 3.12 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.20 carats in total and round-cut treated emeralds weighing approximately 0.56 carats in total. size 7, total weight 9.0 grams $1,200-$1,800

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658 Turquoise, Emerald and Diamond Ring 18k yellow gold, the ring mounted with a cushion-shaped cabochon-cut turquoise weighing approximately 6.96 carats, accented on the sides with pear-cut treated emeralds weighing approximately 0.56 carats in total and round brilliantcut white and light brown diamonds weighing approximately 0.34 carats in total. size 7, total weight 10.0 grams $1,400-$1,800 659 Turquoise and Diamond Necklace and Earrings Suite sterling silver, the necklace and earrings mounted with oval turquoise cabochons measuring 16.0 mm x 22.0 mm, each framed with a border of rose-cut diamonds weighing approximately 2.50 carats in total. necklace l. 20”, earring l. 2-1/8”, total weight 91.0 grams $1,000-$1,500

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664 Ruby and Diamond Necklace 18k white gold, the necklace mounted with emerald-cut treated rubies weighing approximately 29.06 carats in total, accented by round brilliant-cut diamonds weighing approximately 5.55 carats in total. l. 17”, total weight 37.2 grams

660 Turquoise, Ruby and Diamond Between-the-Finger Ring 14k white gold/sterling silver, the ring in a flower design, mounted in the center with a cabochon-cut turquoise weighing approximately 2.48 carats, the “petals” mounted with pear-cut treated rubies weighing approximately 2.94 carats in total, and the whole accented with round single-cut diamonds weighing approximately 0.32 carats in total. size 6-1/2, total weight 10.0 grams

$9,000-$12,000 665 Ruby and Diamond Earrings 18k white gold, the earrings mounted with emerald-cut treated rubies weighing approximately 6.53 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.95 carats in total. l. 1-3/8”, total weight 7.6 grams

$1,000-$1,500 661 Ruby and Diamond Earrings 18k white gold, the earrings mounted with pear-cut treated rubies weighing approximately 2.70 carats in total, and baguette- and round brilliant-cut diamonds weighing approximately 0.90 carats in total. l. 1”, total weight 6.0 grams

$1,800-$2,500 666 Star Ruby and Diamond Ring 18k white gold, the ring mounted with a cabochon-cut treated star ruby with a moderately-defined six-point star, accented on the band with baguette- and round brilliant-cut diamonds weighing approximately 0.70 carats in total. size 7-1/4, total weight 6.0 grams

$1,400-$1,800 662 Diamond and Ruby Ring platinum, the ring with a hinged shank and mounted with baguette- and round brilliant-cut diamonds weighing approximately 2.00 carats in total, and round-cut treated rubies weighing approximately 1.18 carats in total. size 6, total weight 8.9 grams

$1,800-$2,500 667 Two Amethyst Bracelets 14k yellow gold, the bracelets mounted with oval cabochoncut amethysts weighing approximately 12.50 carats in total, set on a woven mesh gold bracelet. w. 9/16”, l. 7”, total weight 49.4 grams

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

$1,400-$1,800 663 Fle i le an ia n ra elet 18k white gold, the wide bracelet mounted with round-cut treated rubies weighing approximately 36.04 carats in total and round brilliant-cut diamonds weighing approximately 2.50 carats in total, approximate color E-F and clarity VS2-SI2. w. 1”, l. 7”, total weight 49.0 grams

$1,800-$2,500 668 Amethyst, Aquamarine and Diamond Pendant with Chain sterling silver, the large pendant mounted with a central round cabochon-cut aquamarine weighing approximately 14.11 carats, surrounded by a large border of oval-cut amethysts weighing approximately 29.50 carats in total, and accented with single-cut diamonds weighing approximately 3.36 carats in total, l. 4”, suspended from an 18” chain. total weight 39.0 grams

$8,000-$12,000

$1,000-$1,500

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669 Nardi Blackamoor Brooch 18k yellow gold/sterling silver, the blackamoor with a turban mounted on the top with an oval-cut garnet weighing approximately 2.55 carats and round brilliant-cut diamonds weighing approximately 0.49 carats in total, with two seed pearls dangling from the ears and the collar mounted with round-cut treated sapphires weighing approximately 1.47 carats in total, and cabochon-cut treated rubies weighing approximately 2.09 carats in total. l. 2-1/4”, total weight 30.0 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

673 Coral and Diamond Ring 18k yellow gold, the ring mounted with an oval-shaped coral cabochon with an approximate weight of 11.13 carats, surrounded by eighteen round brilliant-cut diamonds with an approximate total weight of 1.03 carats. size 9-1/2, total weight 15.0 grams $1,000-$1,500 674 Intaglio Earrings 14k yellow gold, the earrings each mounted with a sliced onyx and agate stone carved with an intaglio. l. 1-1/2”, total weight 9.2 grams

$3,000-$5,000 $1,000-$1,500 670 Nardi Multi-Gemstone and Diamond Brooch 18k yellow gold, the “bust of a masker” brooch with a white enamel “Pierrot”-style hat mounted with an oval treated ruby cabochon, the shirt mounted with oval treated tourmalines, peridots, aquamarines, citrines, garnets and amethyst cabochons, with an approximate total gemstone weight of 13.22 carats, accented by round brilliant-cut diamonds weighing approximately 1.05 carats in total. size 3” x 1-3/4”, total weight 52.0 grams

675 Spessartite Garnet and Diamond Ring 14k yellow gold, the ring mounted with an oval-cut treated spessartite garnet weighing approximately 1.61 carats, accented by round brilliant-cut diamonds weighing approximately 0.59 carats in total. size 7, total weight 4.0 grams $1,000-$1,500

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $5,000-$8,000 671 Assembled Three-Piece Victorian and Later Enamel Suite including a 20th century bangle bracelet with central oval medallion with a flower spray of single-cut diamonds on a cobalt enamel ground, surrounded by prong-set rose-cut diamonds, detaching to be worn as a brooch, the bangle with scrolling mantling set with rose- and single-cut diamonds, total diamond weight approximately 2.34 carats, inside circumference 6-1/2”, a late 19th century teardrop-shaped pendant mounted with a central pearl-centered, diamondsurrounded star on a cobalt ground, with pearl and diamond accented drop and bail, total European-, rose-cut diamond weight approximately 1.24 carats, with open locket back, h. 3”, w. 1-1/2”, and a pair of late 19th century earrings with central flower spray set with three rose-cut diamond six diamonds totalling approximately 0.03 carats) on a cobalt ground, with leafy gold surround, the original “fish-hook” backs removed and replaced with Omega clip backs (no post), l. 1”. total weight 91.0 grams $3,000-$5,000 672 Carved Coral and Diamond Ring 14k yellow gold, the unusual ring mounted with a carved angel skin coral, accented on the border with seed pearls and a round brilliant-cut diamond at the top and bottom, with an approximate total weight of 0.10 carats, the whole accented with black, red and green enameling. size 12, total weight 13.0 grams $1,000-$1,500

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676 Three-Piece Garnet Jewelry Suite with Garnet Ring 14k yellow gold, the matching necklace, bracelet and earrings mounted with oval- and round-cut garnets weighing approximately 94.55 carats in total, the associated ring mounted with oval- and round-cut garnets weighing approximately 11.37 carats in total. necklace l. 15”, bracelet l. 6-1/2”, earring l. 3/4”, ring size 7-1/2 $1,200-$1,800

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677 Brown Diamond Ring 18k yellow gold, the domed ring with overlapping bands with light brown and brown round-cut diamonds weighing approximately 3.36 carats in total. size 7, total weight 16.0 grams $3,000-$5,000 678 Diamond Necklace 14k yellow gold, the necklace mounted with a central row of round brilliant-cut diamonds weighing approximately 6.80 carats in total, flanked on either side by a chevron-designed gold border. l. 15”, total weight 65.2 grams

682 Diamond Hoop Earrings 14k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.44 carats in total. l. 1”, total weight 6.0 grams $1,000-$1,500

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

683 Light Brown Diamond Ring 18k yellow gold, the ring featuring a round brilliant-cut light brown diamond weighing approximately 2.31 carats, approximate clarity I1, mounted in a setting accented with baguette-cut diamonds weighing approximately 2.15 carats in total. size 8, total weight 13.6 grams

$6,000-$9,000

$8,000-$12,000

679 Diamond Loop Earrings 14k yellow gold, the earrings mounted with a central row of round brilliant-cut diamonds weighing approximately 1.00 carat in total, flanked on either side by a chevron-patterned gold border. l. 3/4”, total weight 12.6 grams

684 Diamond Bracelet 18k yellow gold, the chain-link bracelet with four sections mounted with round brilliant-cut diamonds weighing approximately 0.94 carats in total. l. 7-1/2”, total weight 21.0 grams

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

$1,000-$1,500

$1,500-$2,500 680 Diamond Bracelet 14k yellow gold, the bracelet mounted with a central row of round brilliant-cut diamonds weighing approximately 3.20 carats in total, flanked on either side by a chevron-designed gold border. l. 7-1/4”, total weight 31.7 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $3,000-$5,000 681 Fancy Light Brown Diamond Ring 14k yellow gold, the ring set with a central round brilliant-cut fancy light brown diamond weighing approximately 5.08 carats, approximate clarity I2, supported in a mounting set with round brilliant-cut white diamonds weighing approximately 1.58 carats in total, approximate color G-I and clarity I1-I2. size 7-3/4, total weight 8.2 grams

685 Two Diamond Brooches one example, 14k yellow/white gold, designed as a horse and mounted with single-cut diamonds weighing approximately 0.24 carats in total, l. 2”, and the other example, 14k yellow gold/platinum, designed as a snake and mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total, l. 2”. total weight 21.2 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,000-$1,500 686 Diamond Bracelet 18k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 1.17 carats in total. inside circumference 6”, total weight 16.0 grams $1,800-$2,500

$20,000-$40,000

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687 Diamond Necklace 14k yellow gold/sterling silver, the necklace accented on the clasp and the five lower rings with rose-cut diamonds weighing approximately 8.45 carats in total. l. 18-1/2”, total weight 72.6 grams

692 Diamond Pendant with Chain 18k white gold, the pendant mounted with a pear-cut diamond in the center, surrounded by six rows of round brilliant-cut diamonds, with an approximate total diamond weight of 2.00 carats, l. 1-3/8”, suspended from an 18” 18k white gold chain. total weight 6.0 grams

$1,200-$1,800 $3,500-$5,000 688 Diamond Bracelet sterling silver/14k yellow gold, the bracelet mounted with sliced-cut and rose-cut diamonds weighing approximately 4.10 carats in total. w. 5/8”, l. 7”, total weight 60.6 grams $1,000-$1,500 689 Diamond Necklace and Earring Suite gold vermeil/sterling silver, the necklace and earrings mounted with slice-cut and rose-cut diamonds weighing approximately 19.56 carats in total. necklace l. 17”, earring l. 2”, total weight 76.0 grams $1,200-$1,800 690 Diamond Bracelet and Earrings sterling silver, the hinged bracelet and earrings mounted with rose-cut diamonds weighing approximately 6.39 carats in total. bracelet inside circumference 7”, earrings l. 2-1/2”, total weight 46.1 grams

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$1,000-$1,500 691 Diamond Earrings 18k white gold, the ear clips with a wide chevron design, set with round brilliant-cut diamonds weighing approximately 0.75 carats in total. l. 7/8”, total weight 12.4 grams

693 Diamond Hoop Earrings 14k white gold, the inside-outside earrings mounted with round brilliant-cut diamonds weighing approximately 1.67 carats in total. l. 1-1/4”, total weight 5.4 grams $1,200-$1,800

$500-$800

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694 Diamond Necklace 18k white gold, the graduated diamond necklace mounted with round brilliant-cut diamonds weighing approximately 4.35 carats in total. l. 16-1/2”, total weight 16.7 grams $4,500-$7,000 695 Diamond Butterfly Brooch 14k white gold, the delicate brooch mounted with round brilliant-cut diamonds weighing approximately 2.25 carats in total, approximate color F-G and clarity VS1-SI1. size 2” x 1-1/2”, total weight 12.2 grams $3,500-$5,000 696 Diamond Ring platinum, the ring mounted with a cushion-cut diamond weighing 1.01 carats, color F and clarity SI1, E.G.L. report #2357009026, accented by round brilliant-cut diamonds weighing approximately 0.42 carats in total. size 7-3/4, total weight 4.7 grams $4,500-$7,000 697 Diamond Earrings 18k white gold, the ring mounted in the center with princesscut diamonds weighing approximately 0.91 carats in total, approximate color E-F and clarity VS1-VS2, accented by round brilliant-cut diamonds weighing approximately 0.39 carats in total, approximate color E-G and clarity VS1-VS2. l. 3/4”, total weight 4.0 grams

698 Three Diamond Bands 18k white gold, two of the bands mounted with round brilliantcut diamonds and one mounted with baguette- and round brilliant-cut diamonds, with an approximate total diamond weight of 5.95 carats for all three, approximate color G-I and clarity VS1-VS2. size 6-1/2, total weight 11.0 grams $5,000-$8,000 699 Cartier Diamond Ring platinum, the ring mounted with a round brilliant-cut diamond weighing 2.19 carats, color H and clarity VS1, GIA report #6137420885, accented on the ring shank and around the center stone with round brilliant-cut diamonds weighing approximately 0.50 carats in total, approximate color E-F and clarity VVS2-VS1, stamped “Cartier, PT950, 51, 2.19, 66NNZZ” and with a “C” enclosed in a circle. size 5-3/4, total weight 5.0 grams $20,000-$40,000 700 Beautiful Diamond Dangle Earrings 18k white gold, the earrings mounted with heart-cut and round brilliant-cut diamonds weighing approximately 4.13 carats in total, approximate color E-F and clarity VS1-VS2. l. 3”, total weight 20.0 grams $7,000-$10,000

$1,800-$2,500

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701 Beautiful Rose-Cut Diamond Bracelet 18k white gold, the bracelet mounted with three rows of round rose-cut diamonds weighing approximately 11.20 carats in total, approximate color E-G and clarity VS2-SI2. w. 3/8”, l. 7”, total weight 23.0 grams $7,000-$10,000 702 Rose-Cut Diamond Necklace 18k white gold, the necklace mounted with pear-shaped rose-cut diamonds and round single-cut diamonds, with an approximate total diamond weight of 1.40 carats, approximate color E-F and clarity VS2-I1. l. 16”, total weight 3.0 grams

706 Tanzanite and Diamond Bracelet 18k yellow gold/sterling silver, the flexible bracelet mounted with round-cut tanzanites weighing approximately 29.48 carats in total, and single-cut diamonds weighing approximately 0.64 carats in total. w. 1”, l. 7”, total weight 66.0 grams

$1,000-$1,500

703 Diamond Bracelet and Earrings sterling silver, the hinged bracelet and long earrings mounted with rose-cut diamonds weighing approximately 5.62 carats in total. bracelet inside circumference 7”, earring l. 3”, total weight 43.9 grams

707 Rare Judith Leiber Gilt Cornflower Blue Fabric Frame Evening Bag

$1,000-$1,500 704 Tanzanite and Diamond Earrings 18k white gold, the earrings mounted with oval cabochoncut tanzanites weighing approximately 11.24 carats in total, accented by baguette- and round brilliant-cut diamonds weighing approximately 1.60 carats in total. l. 1-1/4”, total weight 9.0 grams $1,800-$2,500

gold hardware, with doubled chain set with faceted semiprecious stones and crystals and faceted crystalset push-lock closure, the cornflower blue satin-lined interior with a zippered pocket having a tiny gold “purse” pull and opposing scalloped slip pocket below the gold metal “Judith Leiber/New York” label, with a matching satin coin purse, labeled tasseled comb, swing mirror and drawstring cotton pouch, includes the original Product Registry card No. 76661. h. 6-1/4”, w. 6-3/4”, d. 3”, chain drop: 4-3/4” $1,200-$1,800

705 Tanzanite, Sapphire and Diamond Ring 18k yellow gold, the ring mounted with a central cabochoncut tanzanite weighing approximately 6.15 carats, accented with an inner border of round brilliant-cut diamonds weighing approximately 0.36 carats in total and an outer border of round-cut treated sapphires weighing approximately 1.10 carats in total. size 7, total weight 9.0 grams $1,200-$1,800

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708 Vintage Judith Leiber Chestnut Karung and Enamel Convertible Clutch 1990s, gold hardware, with gusseted trapezoid body, enamel and rhinestone-set flip closure and drop-in chain, the aubergine faille-lined interior with opposing scalloped slip pockets, one below the metal label stamped “Judith Leiber/ New York”, with a matching faille coin purse, tasseled comb and swing mirror, these having a small labeled dust bag, includes the Product Registry card No. 74261. h. 5-1/2”, w. 7-3/4”, d. 2”, chain drop: 18-1/4” $1,000-$1,500

708

709 Vintage Judith Leiber Brown Alligator Demi-lune Frame Shoulder Bag 1990s, gold hardware, with flat strap ending in textured goldenclosed large faceted barrel-form chalcedony beads, with gold push-lock closure, the taupe kidskin-lined interior with a zippered pocket having a tiny gold “purse” pull and opposing scalloped slip pocket below the gold metal “Judith Leiber/ New York” label, with a matching coin purse, labeled tasseled comb, swing mirror and drawstring cotton pouch, resting on four tiny ball feet, includes the original Product Registry card No. 81938. h. 6”, w. 11-1/2”, d. 2-1/2”, strap drop: 7-1/4” $1,200-$1,800

709

710 Judith Leiber Couture “Samantha” Gold Snakeskin and Crystal Convertible Evening Bag gold hardware, with removable chain and hidden magnetic closure, of envelope form with gold metallic snakeskin body and matching pave crystal flap, the cafe au lait and pale gray satin-lined interior with a slip pocket gold plaque-labeled “Judith Leiber/Couture”, accompanied by the authenticity card and presented in the original box with dust bag. h. 5”, w. 8-3/4”, d. 1-1/2”, chain drop: 16-3/4” 710

226

$1,800-$2,500

711 Spectacular Fancy Intense Yellow Diamond Ring platinum, mounted with a certified cushion-cut fancy intense yellow diamond, with a weight of 5.03 carats, and a clarity of VS2, EGL report #US 913283620D, accented by round brilliant-cut diamonds, with an approximate total weight of 0.48 carats, approximate color G-I and clarity VS1-VS2. size 7, total weight 8.0 grams $40,000-$70,000 712 le an rite an ia n ing 14k white gold, the ring mounted with a rectangular cushion-cut alexandrite weighing 12.73 carats, with a color change from greenish yellow to yellowish brown, GIA report #3215416480, accented with round brilliant-cut diamonds weighing approximately 1.54 carats in total, approximate color F-H and clarity VS1-VS2. size 7-3/4, total weight 9.6 grams $25,000-$40,000

714

713 ell w an hite ia n ing 18k white gold, the ring mounted with a radiant-cut faint yellow diamond weighing approximately 0.45 carats, approximate clarity SI2, accented with round brilliantcut white diamonds weighing approximately 0.44 carats in total. size 7-1/4, total weight 4.0 grams

711

$1,000-$1,500

713

714 a ’s le rist at h 14k yellow gold, the self-winding, sweep second mechanical movement watch with a mother-of-pearl dial set with eleven single-cut diamonds, the bezel set with round brilliant-cut diamonds, with an approximate total diamond weight of 1.00 carat, the Rolex 14k riveted oyster band with a deployant clasp signed “Rolex, Swiss Made, 14K, 585, 7204”, with Swiss hallmarks, the dial signed “Rolex, Oyster Perpetual, Superlative Chronometer officially certified”, reference #6719, serial #5,660,XXX. inside circumference 6-3/4”, total weight 52.0 grams $4,500-$7,000

712

715 Yellow Sapphire and Diamond Earrings 18k yellow gold, the earrings in a wheel design and mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total, and round-cut treated yellow sapphires weighing approximately 2.84 carats in total. l. 3/4”, total weight 14.0 grams 715

$1,800-$2,500

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723

724

722

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719

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725

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716 Sapphire and Diamond Ring 14k yellow gold, the ring with a hinged shank and in a swirl design and mounted with round brilliant-cut diamonds weighing approximately 0.92 carats in total, and round-cut treated sapphires weighing approximately 1.00 carat in total. size 4-1/2, total weight 7.4 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

720 Natural Sapphire and Diamond Ring platinum, the ring set with a cushion-cut natural brownish yellow-orange sapphire weighing 1.84 carats, GIA report #5182163529, accented by round brilliant-cut diamonds weighing approximately 0.68 carats in total. size 7-1/2, total weight 6.5 grams

$1,400-$1,800

$2,500-$4,000

717 Diamond and Sapphire Butterfly Brooch 18k yellow gold, the brooch mounted with round brilliant-cut diamonds weighing approximately 1.40 carats in total, and with marquise-cut treated sapphires accenting the head and tail and weighing approximately 0.73 carats in total. size 1-1/2” x 1-1/4”, total weight 13.0 grams

721 Tourmaline and Diamond Necklace and Ring 14k white gold, the necklace mounted with an oval-cut pink tourmaline weighing approximately 1.28 carats, surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.43 carats in total, l. 1/2”, suspended from an 18” white gold chain, and the ring mounted with an ovalcut pink tourmaline weighing approximately 1.22 carats, surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.43 carats in total, size 7. total weight 5.0 grams

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $3,000-$5,000

$1,000-$1,500 722 ater el n r aline an ia n ing 18k yellow gold, the ring mounted with an emerald-cut watermelon tourmaline weighing approximately 11.56 carats, accented by round brilliant-cut diamonds weighing approximately 0.81 carats in total. size 6, total weight 18.0 grams $1,500-$2,500 717

718 Stunning Large Natural Ceylon Sapphire and Diamond Ring 18k yellow/white gold, the custom-made ring mounted with a natural octagonal step-cut Ceylon sapphire weighing 31.64 carats, GIA report #2191732634, surrounded by a halo of round brilliant-cut white diamonds weighing approximately 2.51 carats in total, approximate color E-F and clarity VS1-VS2, the sides mounted with round brilliant-cut white diamonds weighing approximately 8.11 carats in total, approximate color E-F and clarity VVS2-VS1, and round brilliant-cut light yellow diamonds weighing approximately 4.98 carats in total, approximate clarity VVS1-VS1. size 7, total weight 32.0 grams

723 Indicolite Tourmaline and Diamond Pendant with Chain 14k white gold, the pendant mounted with an oval-cut indicolite tourmaline weighing approximately 1.06 carats, accented by round brilliant-cut diamonds weighing approximately 0.32 carats in total, l. 5/8”, suspended from a 14k white gold chain, l. 18”. total weight 3.0 grams $1,000-$1,500 724 Indicolite Tourmaline and Diamond Ring 14k white gold, the ring mounted with an emerald-cut indicolite tourmaline weighing approximately 3.67 carats, accented by baguette- and round brilliant-cut diamonds weighing approximately 0.71 carats in total. size 7, total weight 5.0 grams

$120,000-$180,000

$1,500-$2,500

719 Sapphire and Diamond Ballerina Ring 14k yellow gold, the ring mounted with an oval-cut treated sapphire weighing approximately 4.74 carats, surrounded by baguette- and round-brilliant-cut diamonds weighing approximately 2.34 carats in total. size 6-1/2, total weight 10.0 grams

725 H. Stern Tourmaline and Diamond Earrings 18k white gold, the earrings mounted with an emerald-cut green tourmaline weighing approximately 9.72 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.83 carats in total. l. 2”, total weight 8.0 grams $3,500-$5,000

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $4,000-$7,000

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726 Diamond Band 18k white gold, the band mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total. size 6-1/2, total weight 5.0 grams

730 Beautiful Diamond Dangle Earrings 18k white gold, the earrings mounted with baguette- and round brilliant-cut diamonds weighing approximately 3.90 carats in total, approximate color E-F and clarity VVS2-VS2. l. 2”, total weight 15.0 grams

$1,000-$1,500 $4,500-$7,000 727 Diamond Necklace 18k white gold, the necklace mounted with round brilliantcut diamonds weighing approximately 7.99 carats in total, approximate color E-G and clarity VS2-SI2. l. 16”, total weight 31.0 grams $14,000-$18,000

730A Diamond Ring platinum, the ring mounted with a central oval-cut diamond weighing 2.82 carats, color G and clarity SI1, GIA report #10672750, accented on the ring shank and around the center stone with round brilliant-cut diamonds weighing approximately 1.09 carats in total, approximate color E-F and clarity VS1-VS2, stamped “PT950”. size 6, total weight 8.0 grams $18,000-$25,000 731 Diamond Ring 18k white gold, the ring mounted with baguette- and round brilliant-cut diamonds weighing approximately 2.68 carats in total, approximate color E-F and clarity VVS2-VS2. size 7, total weight 8.0 grams $2,500-$4,000

730

728 Diamond Ring 14k white gold, the ring mounted with a central pear-cut diamond weighing approximately 0.63 carats, approximate color G and clarity SI2, surrounded by a double border of round brilliant-cut diamonds weighing approximately 0.79 carats in total. size 8, total weight 5.7 grams $1,800-$2,500 729 Beautiful Diamond Necklace 18k white gold, the necklace mounted with pear- and round brilliant-cut diamonds weighing approximately 29.62 carats in total, approximate color E-F and clarity VS1-SI1. l. 18”, total weight 45.0 grams $40,000-$70,000

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732 Diamond Pendant with Chain platinum/14k white gold, the pendant mounted with a pear-cut diamond weighing approximately 1.60 carats, surrounded by an open frame mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total, l. 1”, suspended from a 16” 14k white gold chain. total weight 5.8 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $6,000-$9,000 733 Diamond Earrings 14k white gold, the clip earrings mounted with marquise-, pear- and round brilliant-cut diamonds weighing approximately 4.90 carats in total, approximate color I-J and clarity SI1-SI2. l. 1-1/4”, total weight 9.1 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $2,000-$4,000

733 727

732

726

730A

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731 729

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232

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736 Diamond Bracelet 18k white gold, the bracelet with a cross-over design and mounted with round brilliant-cut diamonds weighing approximately 1.01 carats in total. inside circumference 6”, total weight 32.0 grams $3,000-$5,000 737 Diamond Rectangular Hoop Earrings 14k white gold, the inside-outside earrings mounted with round brilliant-cut diamonds weighing approximately 1.40 carats in total. l. 1-1/2”, total weight 5.3 grams 734

$1,200-$1,800 738 Morganite and Diamond Necklace 14k white gold, the necklace mounted with oval-cut light morganites weighing approximately 8.56 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.41 carats in total. l. 17”, total weight 27.0 grams

734 Diamond Bracelet platinum, the bracelet with floral sprays alternating with links, all mounted with round brilliant-cut diamonds weighing approximately 14.25 carats in total, approximate color H-J and clarity VS1-SI1. l. 7”, total weight 39.5 grams

$3,000-$5,000

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

739 Mikimoto Pearl Necklace 18k white gold, the necklace mounted with 7.0 mm to 8.0 mm white cultured pearls with a high luster, finished with a white gold clasp and the signature Mikimoto “M” charm, together with the original inner Mikimoto fabric folder and the outer Mikimoto box. l. 34”, total weight 64.8 grams

$5,000-$8,000 735 Tiffany & Co. Signature X Diamond Necklace 18k white gold, the classic necklace mounted with round brilliant-cut diamonds weighing approximately 1.26 carats in total, stamped “T & Co. 750.” l. 16-1/4”, total weight 62.0 grams

$1,400-$1,800

$2,500-$4,000

739

233

740 South Sea Pearl and Diamond Ring platinum, the ring mounted with a 13.0 mm white South Sea pearl with a high luster, on a band mounted with two rows of baguette-cut diamonds weighing approximately 2.04 carats in total. size 6, total weight 9.0 grams $1,400-$1,800 741 Pearl and Diamond Necklace 18k white gold, the elongated baroque pearl pendant measuring 15.0 mm x 13.0 mm, with a white body with pink overtones and a medium luster, mounted on a bail set with round brilliant-cut diamonds weighing approximately 0.15 carats in total, the pendant suspended from a 17” 18k white gold mesh chain. total weight 15.0 grams $1,400-$1,800 742 Pearl and Diamond Earrings 18k white gold, the earrings mounted with 11.50 mm white cultured pearls with a high luster, accented with round brilliantcut diamonds weighing approximately 0.43 carats in total. l. 1/2”, total weight 8.0 grams $1,200-$1,800 743 South Sea Pearl and Diamond Pendant with Chain 18k white gold, the pendant mounted with a 15.0 mm x 12.0 mm gray/white South Sea pearl with a high luster, accented with round brilliant-cut diamonds weighing approximately 1.10 carats in total, l. 1”, suspended from an 18” 18k white gold chain. total weight 9.0 grams $1,200-$1,800

744 Pearl and Diamond Ring 18k white gold, the ring mounted with a gray South Sea baroque pearl measuring approximately 17.00 mm x 16.00 mm, with a medium luster, accented on the sides of the mounting with round brilliant-cut diamonds weighing approximately 1.06 carats in total. size 7, total weight 9.0 grams $1,500-$2,500 745 Mikimoto Tahitian Pearl and Diamond Earrings 18k white gold, the earrings mounted with an 11.8 mm Tahitian pearl with a high luster, suspended from a cluster of round brilliant-cut diamonds weighing approximately 1.04 carats in total, stamped with the Mikimoto “M”, together with the inner and outer Mikimoto boxes. l. 1-1/8”, total weight 9.0 grams $7,000-$10,000 746 Tahitian Pearl and Diamond Necklace 18k yellow gold, the necklace composed of 10.0 mm Tahitian pearls with a medium luster, finished with a clasp mounted with round brilliant-cut diamonds weighing approximately 0.32 carats in total. l. 19-1/2”, total weight 57.4 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,800-$2,500 747 Tahitian Pearl and Diamond Jewelry Suite 18k yellow gold, in the form of flowers, the ring mounted with a central 12.0 mm Tahitian black pearl with a high luster, accented on the “petals” with round brilliant-cut diamonds weighing approximately 0.49 carats in total, size 6, and the earrings mounted with a central 9.0 mm Tahitian black pearl with a high luster, accented on the “petals” with round brilliantcut diamonds weighing approximately 1.00 carat in total, l. 1”. total weight 37.0 grams $3,500-$5,000

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743

741 742

744

745

746 747

235

748 Full-Length Chocolate Brown Ranch Mink Coat size 6-8, with notched collar, three hook closure, inset straight sleeves, on-seam pockets and soft petal hem, the black embroidered silk-lined interior with forward glove pocket, a 2-1/2” bound on-seam slit on both sides, possibly to accommodate a belt, and a self strap with extra bound eyes for hooks, labeled “Furlan-Spritzer/ furriers exclusively for/Isabell Gerhart/Houston”, monogrammed. l. 44” $1,000-$1,500 749 Vintage Christie Brothers Bi-Color Mink Stroller size 6, broad chestnut notched collar and chocolate body, with two hook closure, raglan straight sleeves, on-seam pockets and a bound 1-3/4” slit on both sides, possibly to accommodate a belt, the black silk-lined interior with forward glove pocket, labeled “The/Christie Brothers/New York Atlanta”, monogram removed. l. 30” Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

entle an’s ar Hooded Jacket

$1,000-$1,500 750 Full-Length Chocolate Brown Ranch Mink Coat size 8-10, with notched collar, three hook closure, inset straight sleeves, on-seam pockets and soft petal hem, the black silk-lined interior with forward glove pocket, labeled “Furlan-Spritzer/furriers exclusively for/Isabell Gerhart/ Houston”, monogrammed. l. 44” $1,000-$1,500

749

751 late r wn Shirre

eaver

size 48, black velvet-lined hood, zippered closure, straight raglan sleeves and on-seam pockets, the black silk-lined interior with a self pocket labeled “Theo/Vourantonis/ Fur Design Fourrures” and “Saks/Fifth/Avenue”, monogrammed. l. 34” Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,000-$1,500

750

236

748

751

752 Vintage Christie Brothers Full-Length Brown Mink Coat size 6, medium brown, rolled collar with one hook and laced with a thin brown leather tie, inset flared sleeves with angled pelts, on-seam pockets, the chocolate brown silk-lined interior with a forward glove pocket, labeled “The/Christie Brothers/ New York Atlanta”, with partially removed monogram. l. 38” Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,200-$1,800 753 St nning F ll ength e F

size 12, with stand-up collar, self yoke detail, inset full sleeves, seven hook closure and on-seam pockets, the taupe fabric-lined interior with self tie and forward glove pocket, monogrammed. l. 48” $1,200-$1,800 754 entle an’s h 752

late r wn Shirre

size 48, with notched collar, five button closure, inset straight sleeves and on-seam pockets, the back with a 10” vent, the black poplin-lined interior with two welt pockets, interior of one pocket monogrammed. l. 38” Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,000-$1,500

754 753

237

755 Emerald and Diamond Bracelet 14k yellow gold/sterling silver, the bracelet mounted with five rows of oval-cut treated emeralds weighing approximately 32.00 carats in total, accented throughout with single-cut diamonds weighing approximately 0.36 carats in total. w. 5/8”, l. 7-1/4”, total weight 36.0 grams

758 Emerald and Diamond Necklace 14k white gold, the necklace mounted with oval-cut treated emeralds weighing approximately 11.82 carats in total, accented by round brilliant-cut diamonds weighing approximately 3.23 carats in total. l. 17”, total weight 20.0 grams $3,000-$5,000

$1,400-$1,800 756 Emerald and Diamond Jewelry Suite 14k white gold, the necklace and earrings mounted with oval-cut treated emeralds weighing approximately 22.23 carats in total, each surrounded by a halo of round brilliantcut diamonds weighing approximately 7.61 carats in total. necklace l. 17”, earring l. 1”, total weight 30.5 grams $5,000-$8,000 757 Emerald, Amethyst and Diamond Earrings sterling silver, the dangle earrings mounted with oval- and round-cut treated emeralds weighing approximately 1.24 carats in total, round-cut amethysts weighing approximately 0.28 carats in total and accented with rose- and round brilliantcut diamonds weighing approximately 3.69 carats in total. l. 3”, total weight 18.0 grams $1,000-$1,500

759

759 Emerald and Diamond Brooch 18k white gold, the brooch mounted with pear- and emeraldcut treated emeralds weighing approximately 1.93 carats in total, and accented with single- and round brilliant-cut diamonds weighing approximately 1.64 carats in total. size 1-1/2” x 2-3/8”, total weight 12.0 grams $1,500-$2,500

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239

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760 Stunning Emerald and Diamond Collar Necklace 18k white gold, the hinged necklace mounted with two pearshaped treated emeralds weighing approximately 5.80 carats in total, and accented by pave-set round brilliantcut diamonds weighing approximately 8.69 carats in total, approximate color E-F and clarity VVS2-VS1. l. 14-1/2”, total weight 32.0 grams

763 Emerald and Diamond Ring 14k white gold, the ring mounted with a central oval-cut treated emerald weighing approximately 3.31 carats, flanked on either side by a smaller oval-cut treated emerald weighing approximately 0.52 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.62 carats in total. size 7-3/4, total weight 5.8 grams

$35,000-$50,000 $3,000-$5,000 761 Emerald and Diamond Ring 14k white gold, the ring mounted with an oval-cut treated emerald weighing approximately 2.30 carats, accented on each side by baguette-cut diamonds weighing approximately 0.65 carats in total. size 7, total weight 9.0 grams $2,000-$4,000 762 Emerald and Diamond Necklace 18k white gold, the pendant mounted with an oval-cut treated emerald weighing approximately 3.40 carats, accented by baguette- and round brilliant-cut diamonds weighing approximately 2.75 carats in total, l. 1-3/8”, suspended from an 18k white gold chain, l. 18”. total weight 10.0 grams

764 Stunning Fred Leighton Gemstone and Diamond Bib Necklace ca. 1950s, 18k yellow gold, the bold necklace mounted with an array of natural ruby, sapphire and emerald cabochons in various sizes, interwoven with carved emerald stones and round brilliant-cut diamonds, with an approximate total ruby weight of 111.85 carats, total sapphire weight of 201.12 carats, total emerald weight of 342.39 carats and total diamond weight of 46.50 carats, approximate color E-G and clarity VVS1-VS2. inside l. 17”, outside l. 22”, widest w. 2-3/4”, total weight 289.0 grams $125,000-$250,000

$4,000-$7,000

241

765 Ruby and Diamond Ring 18k yellow gold, the ring mounted with a central oval-shaped cabochon-cut treated ruby weighing approximately 1.89 carats, accented by baguette- and round brilliant-cut diamonds weighing approximately 1.61 carats in total. size 5-1/2, total weight 9.0 grams $1,500-$2,500 766 Garnet and Diamond Chandelier Earrings 14k yellow gold, the earrings mounted with baguetteand square-cut garnets weighing approximately 6.72 carats in total, and round brilliant-cut diamonds weighing approximately 0.84 carats in total. l. 1-3/4”, total weight 16.0 grams

769 Pearl and Diamond Lion Ring-Pull Pendant 14k yellow gold, the lion’s head mounted with two round-cut rubies for the eyes weighing approximately 0.16 carats in total, with two rings mounted with round brilliant-cut diamonds weighing approximately 0.18 carats in total, and a 15.50 mm light gray baroque pearl with a medium luster suspended from the bottom ring. l. 2-1/2”, total weight 18.0 grams $1,500-$2,500 770 Two Pairs of Gold Earrings 18k yellow gold, each pair of dangling earrings with delicate leaf-shaped drops. l. 1-1/2” and 3”, total weight 22.0 grams $1,200-$1,800

$1,500-$2,500 767 Ruby and Diamond Bracelet 18k yellow gold, the flexible interlocking link bracelet mounted with European-cut diamonds weighing approximately 1.77 carats in total, and oval-cut treated rubies weighing approximately 2.10 carats in total. l. 7-1/2”, w. 1/4”, total weight 36.0 grams

771 Gold Coin Pendant 18k yellow gold, the pendant mounted with a Mexican 50 Pesos coin. l. 1-1/2”, total weight 43.9 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,400-$1,800

$3,000-$5,000 772 Two Gold Coin Pendants one example a 1978 Belize 250 dollar coin in an 18k yellow gold frame, l. 1”, and the other example a Mexican 1917 coin in a 14k yellow gold frame, l. 1-1/8”. total weight 31.6 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,000-$1,500 773 Gold Bracelet 14k yellow gold, the textured bracelet with a Greek-key design. w. 3/4”, l. 7-1/4”, total weight 58.8 grams 767

Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana.

768 Ruby and Diamond Ring 10k yellow gold, the ring mounted with a central cabochoncut treated ruby weighing approximately 0.70 carats, flanked on either side by a European-cut diamond weighing approximately 0.34 carats in total. size 6-3/4, total weight 7.0 grams

$1,000-$1,500

$2,000-$4,000

242

774 i an ven esh Earrings 18k yellow gold, probably Elsa Peretti, the earrings woven in the shape of a cone, with loose tassels at the bottoms, stamped “T & Co., 750.” l. 3”, total weight 9.0 grams

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771

770

768

773 774

772

766

769

243

775

775 Hermes, Paris, Toile and Leather “2-in-1 Herbag” 1999, palladium hardware, with flat leather handle and strap and clochette, the front and side discs stamped “Hermes Paris”, the labeled padlock attached to a ring at the rear leather top above impressed “Hermes/ Paris/Made in France”, the underside blind-stamped “V” and boxed “C”, accompanied by a larger interchangeable toile body and extra leather handle, includes the original box and labeled dust bag. smaller bag: h. 12-1/4”, w. 15-1/4”, d. 5-1/4”; larger bag: h. 16-1/4”, w. 15-1/2”, d. 5-1/2”; handle drop: 2”, strap drop: 16” $1,000-$1,500 776 Two Pieces of Louis Vuitton Monogrammed Canvas Luggage including an “Alize Trois Poche”, a soft case with three zippered compartments, leather trim, handles and a lock and key set, h. 14”, w. 21”, and a “Keepall Duffle”, a soft bag with one compartment, leather trim, handles and shoulder strap, h. 11”, w. 23”. 777

$1,200-$1,800

777 le an ra Knight range la e lligat r “Taylor” Tote with brushed silver hardware and rolled handles, the open matching kidskin-lined interior with a zippered pocket brushed silver metal-labeled “Alexandra Knight”, a slip pocket below, zippered center divide and two gusseted pockets, resting on four tapered feet, includes an associated dust bag. h. 8”, w. 11-3/4”, d. 6”, handle drop: 4”

776

Provenance: Estate of Margaret “Pat” Breen, Houston, Texas. $2,000-$4,000

244

778 le an ra Knight herr Tote

la e

lligat r

gold hardware, shaped flap having two buckled straps with magnetic closure and two rolled handles, the matching kidskin-lined interior with a zippered pocket gold metallabeled “Alexandra Knight”, zippered center divide and two cellphone pockets, resting on five tapered feet, includes a labeled dust bag. h. 10-1/2”, w. 14”, d. 7-1/4”, handle drop: 5-1/2” $2,000-$4,000

779 Two Christian Dior, Paris, Totes 778

the first example a black cannage lambskin shopping tote, 2008, silver hardware, with two leather and chain straps with Dior charms, magnetic closure with open top, the black lambskin-lined interior with one zippered pocket fronted with a leather tab labeled in silver “Christian Dior/Paris/Made in Italy” and “04-RU-1018” on the reverse, resting on five conical feet, includes the authenticity card, h. 11-1/2”, w. 10-1/2”, d. 4-1/4”, strap drop: 7-1/4”; the second example a coral cannage coated canvas medium Panarea tote, 2010, silver hardware, flat leather straps with Dior charms, buckled side straps and magnetic closure, the matching textured nylon-lined interior with a metal key ring on one side and small ring on the other, two slip pockets and opposing zippered pocket fronted with a leather tab labeled in silver “Christian Dior/Paris/Made in Italy” and “01-BO-0190” on the reverse, resting on four conical feet, h. 11”, w. 13-1/2”, d. 6-3/4”, strap drop: 8-1/4”; one large dust bag included. $1,800-$2,500

779

780 le an ra Knight la Flap” Tote

la e

lligat r “ e rgia with

silver hardware, the flap cover with magnetic closure and two rolled handles, the black kidskin-lined interior with a zippered pocket silver metal-labeled “Alexandra Knight”, zippered center divide and two cellphone pockets, resting on five tapered feet, includes a labeled dust bag. h. 10”, w. 14-3/4”, d. 7-1/4”, strap drop: 6-1/4” $2,000-$4,000 780

245

781 Pate Phili e “ alatrava” i er’s rist at h 18k yellow gold, the self-winding, sweep second, calendar mechanical movement watch with a silver-colored dial with black Breguet numerals and signed “Patek Philippe, Geneve, Swiss”, the brown crocodile Patek Philippe strap with an 18k yellow gold Patek Philippe buckle, the watch with the original inner and outer boxes, leather pouch with “Certificate of Origin” and booklets, reference #5053J, movement calibre 3.15 SC with serial #3357713/425.9096, with thirty jewels. total weight 63.5 grams

785 entle an’s le a ate rist at h 18k yellow gold, the self-winding, sweep second quick-set calendar mechanical movement watch with a silver-colored dial set with round brilliant-cut and baguette-cut diamonds, the dial signed “Rolex, Oyster Perpetual, Day-Date, Superlative Chronometer officially certified”, the brown leather strap with a gold-plated Rolex-style buckle, reference #1803, serial #1,077,XXX. total weight 63.0 grams $3,000-$5,000

Provenance: Coleman E. Adler & Sons, New Orleans, Louisiana. $10,000-$15,000

786 Gold and Ruby Cufflink/Stud Set 14k yellow gold, the pair of swivel-back cufflinks and three shirt studs designed with concentric circles, each with a round-cut ruby at the center, with an approximate total weight of 0.30 carats, together with a golf club tie bar set with a 3.0 mm round cultured pearl. cufflink dia. 3/4”, total weight 27.5 grams $1,000-$1,500 787 Two Pairs of Gold Coin Cufflinks the first example, 18k yellow gold, each mounted with a 1904 Venezuela 20 Bolivares coin, dia. 1-1/4”, and the second example, mounted with the same coin, one dated 1904 and the other 1911, in 14k yellow gold frames, dia. 1-1/8”. total weight 51.8 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,000-$1,500

781

782 Elizabeth Locke Cufflinks

788 Emerald and Diamond Cufflink/Stud Set 18k yellow gold, the pair of swivel-back cufflinks and four shirt studs designed as three-dimensional cubes, mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total and emerald- and table-cut treated emeralds weighing approximately 2.00 carats in total, accompanied by a Tiffany & Co. black onyx tie tack, stamped “Tiffany & Co. 18K”. cufflink l. 1/2”, total weight 30.4 grams $1,200-$1,800

18k yellow gold, the cufflinks mounted with Venetian glass molded in the shape of a moon face, backed with mother-ofpearl and stamped “18k” and with the Elizabeth Locke mark. l. 1”, total weight 22.0 grams $1,800-$2,500 783 Gold Coin Cufflinks 22k/14k yellow gold, the 1899 $5.00 gold coins mounted in 14k yellow gold frames. l. 1”, total weight 28.0 grams $1,800-$2,500 784 Sapphire and Diamond Cufflinks 18k yellow gold, the cufflinks mounted with round-cut treated sapphires weighing approximately 5.20 carats in total and round brilliant-cut diamonds weighing approximately 0.39 carats in total, all contained within a rope-twist border. l. 1”, total weight 20.0 grams $1,500-$2,500

246

789 Krugerrand Cufflinks 22k/10k yellow gold, the cufflinks composed of 1973 Krugerrands in 10k yellow gold frames. l. 1”, total weight 22.0 grams $1,000-$1,500 790 Enamel Cufflinks 14k yellow gold, one cufflink with a racehorse and jockey and a champagne bottle with two glasses and the other with a posing woman and three playing cards. l. 3/4”, total weight 12.4 grams Provenance: Estate of Lois Chalona Hawkins, New Orleans, Louisiana. $1,000-$1,500

782

785

783

786

784

788

787

790

789

247

791 Cornell Capa (Hungarian/American, 1918‑2008) “Grandma Moses with Her Great-Granddaughter, Eagle Bridge, New York”, 1966 gelatin silver print printed by Igor Bakht, ink-signed lower right, titled and dated lower left, pencil-signed, dated and titled en verso. Matted, glazed and framed. photo 14” x 11, framed 20‑1/4” x 16‑1/4” Provenance: G. Ray Hawkins Gallery, Santa Monica, California; Private collection, New Orleans, Louisiana. $1,000‑$1,500

793

793 Edward Weston (American, 1886‑1958) “Lake Tenaya, Yosemite National Park” gelatin silver print later printing by Cole Weston from a 1937 negative, inscribed “T.L.1g”, titled, signed by Cole Weston, and with Edward Weston estate stamp en verso. Mounted, matted, glazed and framed. photo 7‑3/8” x 9‑1/2”, mount 13‑1/4” x 15” Provenance: The Northgate Galleries, Jackson, Mississippi; Private collection, New Orleans, Louisiana. $2,000‑$4,000

791

792 Jacques Henri Lartigue (French, 1894‑1986) “Villerville, My Cousin Simone” gelatin silver print 1978 English edition printing from a 1904 negative, pencilnumbered “263/5,000” lower right, mounted in an archival presentation portfolio with embossed stamp. photo 6‑1/8” x 8‑1/2”, portfolio 16” x 13” Provenance: G. Ray Hawkins Gallery, Santa Monica, California; Private collection, New Orleans, Louisiana. $1,000‑$1,500

792

248

794

794 Johann Berthelsen (Danish/American, 1883‑1972) “Nocturne: Manhattan Skyline Seen from Brooklyn” oil on canvas signed on verso canvas, titled on stretcher. Framed. 20” x 26”, framed 27” x 33” Provenance: The artist; Virginia Warren Daly and John Charles Daly; Doyle Auctions, “European, American, Modern & Contemporary Art”, November 5, 2010, lot 197; Private collection, New York. $7,000‑$10,000 795 Nan Sheets (American, 1885‑1976) “Gloucester Fishing Boats” oil on canvas signed lower right, titled en verso stretcher and canvas. Period giltwood frame. 27” x 30”, framed 33” x 36” $5,000‑$8,000 795

249

796 Kathryn E. Bard Cherry (American, 1860‑1931) “Gloucester Harbor” oil on canvas board signed lower right. Presented in an Arts-and-Crafts-style giltwood frame. 16” x 18‑1/2”, framed 21‑1/2” x 23‑1/2” $2,500‑$4,000

796

797 Edward Charles Volkert (American, 1871‑1935) “Cool Retreat” oil on board signed lower center, pencil-titled en verso. Framed. 9” x 12”, framed 13” x 16” $3,000‑$5,000

797

798 Kathryn E. Bard Cherry (American, 1860‑1931) “Harvest” oil on canvas board signed lower right. Framed. 16” x 20”, framed 21” x 25” $3,000‑$5,000

250

798

799 Douglas Shively (American/California, 1896‑1991) “Rabbit Bush and Sycamores”, 1974 oil on masonite signed and dated lower left, signed, titled and dated en verso. Framed. 16” x 20”, 19‑1/2” x 23‑1/2” $1,500‑$2,500

799

800 Julian Walbridge Rix (American/California, 1850‑1903) “Autumn Scene” oil on canvas signed lower right, pencil-signed en verso. Period frame. 25” x 30”, framed 31‑1/2” x 36‑3/4” $2,000‑$4,000

800

801 Robert Lougheed (American, 1910‑1982) “A Village in Puy de Dome” oil on masonite signed lower right, signed, titled and further inscribed “Laroche Blanc, Central France” en verso, and with a “Jackson Hole Art Auction” label. Framed. 12” x 24”, framed 19” x 31” Provenance: Jackson Hole Art Auction, November 15‑16, 2017, lot 329. $5,000‑$10,000

801

251

802

802 Gino Martini (Italian, b. 1935) “Pensive Woman Beside Tree” oil on canvas signed lower left. Framed. 30‑1/4” x 24‑1/4”, framed 36‑5/8” x 30‑3/4”

803

$1,500‑$2,500 803 Jacques Renard Lejeune (French, 1930‑2003) “Looking Out to the Sea” oil on canvas signed lower left. Framed. 39‑1/2” x 39‑1/2”, framed 46‑3/4” x 46‑3/4” $3,500‑$5,000 804 Gustavo Novoa (Chilean, b. 1941) “Couples in the Sunset”, 1972 oil on masonite signed and dated lower right, pencil-inscribed “New York” and label with title en verso. Framed and with artist/title plaque. 36‑1/4” x 23‑1/2”, framed 45‑1/2” x 33” $1,000‑$1,500

804

252

805 David Pryor Adickes (American/Texas, b. 1927) “Soho Solo”, 1970 oil on canvas signed lower left, signed, dated and a “Wally F Galleries, New York” label en verso. Framed and with artist/title plaque. 36‑1/4” x 25‑1/2”, framed 44” x 33” $1,000‑$1,500 806 Alan Bean (American/Texas, 1932‑2018) “Moon Rock - Earthbound”, 1984 oil on masonite signed and dated lower right, verso with a Meredith Long & Company, Houston, Texas, signed and inscribed exhibition poster and a “The Museum of Fine Arts, Houston” exhibition label. Framed. 24” x 36”, framed 31‑1/2” x 42‑1/2” Exhibited: The Museum of Fine Arts, Houston, Texas, “The Moon: Houston, Tranquility Base Here. The Eagle Has Landed”, September 27, 2009‑January 10, 2010.

805

$12,000‑$18,000

806

253

807

807 Malcolm Rains (British/Canadian, b. 1947) “Pytiousa” oil on canvas signed lower right. Framed. 44” x 66”, framed 53‑3/4” x 73‑1/2” Provenance: Meyer Gallery, Santa Fe, New Mexico. $4,000‑$7,000 808 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Estampas Lirico Musicales”, 1968 oil on canvas board signed and dated vertically at lower right, a “Galerie Simonne Stern” label en verso with title. Framed. sight 13‑1/2” x 9‑3/8”, framed 20‑1/8” x 16‑1/8” Provenance: Galerie Simonne Stern, New Orleans, Louisiana; Private collection. 808

8 254

$1,500‑$2,500

809 Noel Rockmore (American/Louisiana, 1928‑1995) “Nocturnal Bather”, 1960 tempera on masonite signed and dated lower right, signed, titled and inscribed by artist en verso. Glazed and framed. 15” x 21‑1/2”, framed 18‑7/8” x 25‑7/8” $1,000‑$1,500

810 Jan Gilbert (American/Louisiana, Contemporary)

809

“An Offering to Nemesis”, 1984 mixed media on gallery-wrapped canvas signed, titled and dated en verso. Unframed. 61‑1/4” x 60‑7/8” $4,000‑$7,000

810

811 Allison Stewart (American/Louisiana, b. 1941) “Untitled Collage” mixed media on handmade paper unsigned. Float-mounted, glazed and framed. 53” x 34”, framed 65” x 44‑1/4” $1,500‑$2,500

811

255

812 Richard Johnson (American/New Orleans, b. 1942) “Red River”, 1979 acrylic and mixed media on paper signed and dated lower right, a “Galerie Simonne Stern, New Orleans, LA” label with artist, title and date en verso. Framed. sight 37‑1/2” x 49‑1/2”, framed 39‑1/2” x 51” $1,000‑$1,500

812

814 Leonid Sokov (Russian, 1941‑2018) “Hammer and Sickle” print with mixed media on paper pencil-signed lower right and numbered “10/99” lower left. Float-mounted, glazed and framed. 30‑1/2” x 22‑1/4”, framed 34‑1/4” x 26‑1/4” $2,000‑$4,000

813

813 Leonid Sokov (Russian, 1941‑2018) “Paws”, 1990 print with impressions on paper pencil-signed and dated lower right and numbered “10/99” lower left. Float-mounted, glazed and framed. 30‑1/2” x 22‑1/4”, framed 34‑1/4” x 26‑1/4” $2,000‑$4,000

256

814

815 Peter Dayton (American/New York, b. 1955) “Untitled: Flowers”, 1999 color laser Xerox collage with resin signed, dated and with “Winston Wachter Mayer Fine Art, New York” artist’s label en verso. Unframed. 24” x 60” $1,000‑$1,500

815

816 Eric Freeman (American, b. 1970) “Untitled” oil on canvas signed and dated “2004” upper right en verso, titled and dated “2002” upper left en verso, and with a dedicated upper center en verso. Thin gallery frame. 60” x 60”, framed 61‑1/8” x 61‑1/4” $3,000‑$5,000 816

257

817 French Art Nouveau Polychrome Jardiniere early 20th century, adorned with painted poppies, leaves and vines, fitted with a removable metal liner. h. 44”, dia. 25” $1,000‑$1,500 818 French Art Nouveau Polychrome Occasional Table early 20th century, the circular glass top on a conforming frame adorned with painted poppies, leaves and vines, formerly fitted as a jardiniere. h. 39‑1/2”, dia. 26” $1,000‑$1,500 819 Pair of Pierced and Painted Metal Floor Lamps on tripartite bases raised on paw feet, set with scrollwork, the tapered upper portion set with latticed standards mounted with lotus leaves. h. 60‑1/2”, dia. 17” $1,200‑$1,800

819

817

258

818

820 Interesting Pair of Italian Art NouveauStyle Figured Maple and Faux Bois Fauteuils 20th century, having molded back frames and downswept arms and serpentine seats raised on cabriole legs. h. 40”, w. 27”, d. 23” $1,500‑$2,500

820

821 French Giltwood Sunburst Mirror 20th century, with a beveled circular mirror plate, decorated with leaf-carved “rays” alternating with mirror-inset “rays” terminating in carved flames. dia. 34‑1/4” $1,000‑$1,500

821

822 Fine Brushed Steel, Gilt-Bronze and Stone-Top Coffee Table possibly Maison Jansen, the rectangular top with an inset polished stone top, raised on tapered legs joined by a swirling stretcher with bronze beaded trim and reticulated bronze basket. h. 16”, w. 45‑1/4”, d. 23‑1/2” $1,500‑$2,500 822

259

823 Art Deco-Style Metal Curule-Form Stool the arms with scrolled panels, the front and back “hammered”, with a leather seat. h. 31”, w. 23‑1/2”, d. 18” $1,000‑$1,500

824 Art Deco Painted Metal Armillary Sphere on a Molded Stone Base

825

second quarter 20th century, the sphere with a figure of Hercules holding aloft a globe with a molded arrow, on a fluted column-form base. h. 65”, dia. 17” $1,000‑$1,500

825 Pair of Directoire-Style Brushed Argente Metal Stools, Attributed to Maison Jansen each with a padded leather square top raised on a curule-form crossover base with gilt ram’s head accents and gilt hoof feet. h. 16‑1/2”, w. 22‑1/2”, d. 22‑1/2” $2,500‑$4,000

260

823

824

826 Contemporary Brass and Glass Etagere of neoclassical inspiration, with six ovoid shelves supported by segmented columns on hoof feet. h. 78‑3/4”, w. 30”, d. 19‑1/2” $1,000‑$1,500 827 Pair of French Parcel-Gilt Metal and Wooden UrnForm Lamps 20th century, the Directoire-style urns mounted with swan-form handles and reeded base trim, set on acrylic plinths. urn h. 19”, overall h. 24”, dia. 8‑1/2” $1,000‑$1,500

827

828

828 Dennis Perrin (American, b. 1950) “Arrangement with Silver and Fruit” oil on canvas signed lower right, verso with a gallery label. Framed. 22” x 28”, framed 27” x 33” $1,000‑$1,500

826

261

829

829 Pair of Art Deco-Style Leather Wing Chairs

830 Edwardian-Style Leather-Upholstered and Mahogany Chesterfield Sofa

each with a quilted back and seat, the arms trimmed with brass hobnails, upholstered in black leather. h. 38”

the back and sides padded and tufted, the bi-cushioned seat above a tufted apron and raised on bulbous toupie feet to casters. h. 31”, w. 70”, d. 39”

$1,500‑$2,500

$1,000‑$1,500

830

262

831 Harriet Whitney Frishmuth (American, 1880‑1980) “Desha”, 1927 patinated bronze cast signature, dated, copyright marked and with “Roman Bronze Works Inc., N.Y.” foundry inscription along edge of self-base, on a black marble plinth. overall h. 14‑1/8”, w. 7”, d. 7‑1/2” Provenance: Obrien’s Art Emporium, Scottsdale, Arizona; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $12,000‑$18,000

Frishmuth was born into an affluent Philadelphia family, which afforded her the opportunity to travel and study in Europe. An academically trained sculptor, she had - somewhat unusually - as thorough and complete an education as any male sculptor of the time; she attended classes in Paris with Auguste Rodin, studied with Jean Antoine Injalbert at the Academie Colarossi, and worked with Cuno von Uechtritz-Steinkirch at the Berlin Academy of Arts. Her first exhibition was a plaster bust at the Paris Salon of 1903. Upon her return to the U.S., she attended the Art Students League and took anatomy/dissection classes at the College of Physicians and Surgeons in New York. She began her sculptural career by producing small, decorative objects, which were well received and soon garnered her considerable attention. In 1912, she took part in an exhibition of women sculptors in New York; by the following year, she had her own studio. While the commissions she received were initially diverse in subject, Frishmuth preferred to create bronzes of idealized female nudes. Her most successful works were those that depicted the female figure as active and powerful, with sinuous, flowing lines and smooth surfaces. The inspiration of the sculpture offered here was the Yugoslav-born dancer Desha Delteil (1899‑1980). Delteil first posed for Frishmuth in 1916, when she was 19 years old. For Frishmuth, Delteil’s elegant, well-proportioned figure, combined with her ability to maintain difficult poses for a lengthy period of time, made the dancer an ideal model. The gracefully athletic young woman was to pose for nearly all of Frishmuth’s most successful and well-known works. Frishmuth was elected to the National Academy of Design, becoming a full Academician in 1929. Her papers are conserved at the Department of Special Collections, Syracuse University, Syracuse, New York.

831

References: Dreiss, Joseph G., “The Sculpture of Harriet Whitney Frishmuth and New York Dance”, The Courier, Volume xxix, 1994, pp. 29‑40.; Proske, Beatrice Gilman, “Harriet Whitney Frishmuth: Lyric Sculptor”, Aristos - The Journal of Esthetics, Volume 2, No. 5, June 1984, pp. 1‑5.

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832

832 Henri de Toulouse-Lautrec (French, 1864‑1901) “Jane Avril”, 1893 color lithograph on wove paper with linen backing monogrammed lower left in print, printed by Chaix, Paris, published by Jardin de Paris. Unframed. 49‑5/8” x 36‑7/8” $20,000‑$40,000

264

833 Louis Icart (French, 1888‑1950) “Mimi” and “Minuet” two drypoint etchings with aquatint both hand-signed lower right, blindstamped lower left and with copyright information upper left. Each handsomely matted, glazed and framed. sights 20‑5/8” x 13‑3/4” and 21‑1/2” x 14‑1/2”, framed 37” x 30” and 35‑3/4” x 29‑1/2” $1,200‑$1,800

834 Art Deco Marquetry- and Abalone-Inlaid and Parcel-Ebonized Calamander Cabinet second quarter 20th century, the backboard with a shelf supported by ebonized brackets and centered by an inlaid panel, on a base with a central frieze drawer and three doors, each door with an inlaid panel. h. 59”, w. 74”, d. 20‑1/2”

833 one of two

833 two of two

Provenance: Maison Gallery, New York $1,500‑$2,500

834

265

835 Epstein Brothers Art Deco Burled Elm and Leather Parlor Suite in the “Cloud” pattern, comprising a settee and two armchairs, after a design by Harry and Lou Epstein of London, each upholstered in ivory leather and fitted with loose seat cushions, the arms and backs trimmed with burled elm. settee h. 33‑3/4”, w. 67‑1/2”, d. 36”, armchair h. 33” The Epstein firm, founded by a Polish immigrant, was in operation from 1895 until 1970. The Art Deco Cloud series was introduced in the 1930s and remained in production at least into the 1950s.

836

$1,800‑$2,500

837 Set of Twelve St. Louis Molded and Gilded Crystal Double Old-Fashioned Glasses

836 Three-Piece Collection of St. Louis Crystal 20th century, French, with gilt scrolled and engraved upper borders and molded lower borders, the collection including a wine bucket, h. 8”, dia. 8‑3/4”, an ice bucket with tongs, h. 6”, dia. 6‑1/4”, and a caviar dish with a bowl suspended over the ice bowl, h. 6”, dia. 9”.

20th century, with gilt scrolled and engraved borders, signed “Cristal, St. Louis, France” on the base, in the original box. h. 4”, dia. 4” $1,000‑$1,500

$1,200‑$1,800

837

835

266

838 Continental Burl Walnut Breakfast Table 20th century, the circular top mounted to a turned and paneled standard with a stepped platform base. h. 30”, dia. 45” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000‑$1,500

838

839 Art Deco Cherry and Burled Elm Fireplace Surround in the manner of Leon Jallot, first quarter 20th century,the legs with a carved panel depicting a tree with stylized flora and foliage, the face with a brass heat shield, surmounted by an upper section of Egyptianesque form with burlwood panels, floral and leaf carving and an open niche at the top. h. 94‑1/2”, w. 51‑3/4”, d. 19” $2,000‑$4,000

839

267

840

840 Hunt Slonem (American, b. 1951) “Ocelots”, 1998 oil on canvas signed, titled and dated en verso. Framed. 42‑1/2” x 35”, framed 54” x 46‑1/2” Provenance: Private collection, Miami, Florida. $6,000‑$9,000 841 Hunt Slonem (American, b. 1951) “Madras”, 1992 oil on canvas signed, titled and dated en verso. Framed. 10” x 8”, framed 20” x 18” Provenance: Private collection, Miami, Florida. $1,000‑$1,500 841

268

842 Boris Lovet-Lorski (Lithuanian/American, 1899‑1973) “Golden Girl” gilt bronze cast signature at bottom of foot, on a square black stone base. Accompanied with letters to and from the artist. overall h. 24”, w. 10”, d. 6” $20,000‑$40,000 A trained architect, Lovet-Lorski attended the Imperial Academy of Art in Petrograd (now the Russian Academy of Arts, St. Petersburg), before emigrating to the United States in 1920. He eventually settled in New York, where he made the decision to concentrate on sculpture. Influenced by his architectural training and inspired by the emerging stylistic trend of Art Deco, Lovet-Lorski began to create a series of nude figures in bronze. With their slightly exaggerated, elongated limbs and sharp, angular contours, these exquisite figures reference both the emerging technology of the early 20th century and the tenets of classical sculpture. With their extremely polished surfaces, these sculptures practically glow with a sense of vitality. The bronze offered here, “Golden Girl”, is one of the artist’s most well-known models and is a wonderful example of his work at its most successful and accomplished. Lovet-Lorski was made a Chevalier du Legion d’Honneur in 1950, and was a Fellow of the National Academy of Design.

842

269

844

843

843 Vintage Charles and Ray Eames Lounge Chair and Ottoman ca. 1965, for Herman Miller Co., models 670 and 671, constructed of Brazilian rosewood, black leather and polished and enameled aluminum, each retaining a manufacturer’s label. chair h. 32”, ottoman h. 15‑1/2”, w. 25”, d. 20‑1/4”

844 Venini Poliedri Glass Chandelier ca. 1960s, Murano, the six-light chandelier designed by Carlo Scarpa and retaining its original level, set with interior light sockets on two levels. h. 19‑1/2”, dia. 20‑1/2” $1,500‑$2,500

$1,800‑$2,500

845 Pair of “Brutalist” Chrome and Glass Etageres ca. 1980s, after a design by Milo Baughman, American. h. 79‑1/2”, w. 35”, d. 17” $2,000‑$4,000

845

270

846 George Valentine Dureau (American/Louisiana, 1930‑2014) “Masquerade” mixed media on paper signed lower center. Matted, glazed and framed. sight 37‑1/2” x 29”, framed 46” x 36‑1/2” Provenance: Private collection, New Orleans, Louisiana. $3,000‑$5,000

846

847 Jean Seidenberg (American/Louisiana, b. 1930) “Standing Child”, 1966 verdigris-patinated bronze incised signature, dated and numbered “1/8” at side of self-base. h. 32‑1/2”, w. 10‑1/4”, d. 6” An earlier edition of this model is illustrated in Jean Seidenberg Louisiana Endowment for the Humanities: Silkmont & Count, 2009; p. 26. $1,000‑$1,500

847

271

848 Swiss Contemporary Reuge Music Box Automaton 20th century, with a stainless steel case, the enameled top decorated with scattered hearts, the top door opening to reveal a singing bird, marked “Reuge Manufacteur Sainte-Croix, Switzerland.” h. 1‑1/2”, w. 5”, d. 3‑1/2”

848

849

$1,800‑$2,500

849 Swiss Charles Reuge Lacquer and GiltBrass Music Box Automaton 20th century, the black lacquer case mounted with an oval door, springing open to reveal a singing feathered bird, marked “Charles Reuge, Swiss Made.” h. 1‑1/2”, w. 5‑1/4”, d. 3‑1/4” $1,800‑$2,500

850 Wook-Kyung Choi (Korean, 1940‑1985) “Untitled” oil on canvas unsigned. Stretched and unframed. 36” x 23‑1/2” Provenance: Estate of the artist. $2,000‑$4,000

850

851 Wook-Kyung Choi (Korean, 1940‑1985) “Untitled” oil on canvas unsigned. Stretched and unframed. 23” x 23” Provenance: Estate of the artist. $3,000‑$5,000 851

272

852 Pair of Contemporary Chromed Steel and Brass Etageres each with columnar uprights joined by square brass connectors, fitted with glass shelves. h. 70‑3/4”, w. 30‑1/2”, d. 14‑1/2” $1,500‑$2,500

853 Silver-Gilt, Giltwood and Glass Cocktail Table mid-20th century, the Venetian table composed of two carved kneeling blackamoors with giltwood hair and loin cloths and silver bodies, surmounted by a plate glass top. h. 20‑3/4”, w. 59‑1/2”, d. 27‑1/2” $1,500‑$2,500

852

853

854 Pair of Contemporary Carved Giltwood and Bronze Architectural Elements 18th/20th century, now mounted as lamps, the 18th-century Italian giltwood columnar elements with acanthus leaves and scroll capitals and bases, mounted on bronze plinths with adjustable bronze lights. h. 29”, w. 16‑1/2”, d. 8‑1/2” $1,000‑$1,500

854

273

855 Shirley Thomson-Smith (American, b. 1929) “Nude Study”, 1994 variegated marble patinated bronze cast signature, dated, copyright marked, and numbered “9/30” at base, artist’s card with title at bottom, seated figure set upon an integral carved wood base. overall h. 17‑3/4”, w. 7”, d. 8” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. Exhibited: Thomas Gilcrease Institute of American History and Art, Tulsa, Oklahoma $1,000‑$1,500

856 Leonardo Nierman (Mexican, b. 1932) “Bird in Flight” polished bronze incised signature and numbered “V/VI” along back edge, on a carved wood plinth. overall h. 19”, w. 43”, d. 10”

855

$1,000‑$1,500

856

274

857 Steinway & Sons Ebonized Model A Salon Grand Piano ca. 1982, of traditional form and bearing the serial number 473294. h. 41”, w. 59‑1/2”, l. 72” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $6,000‑$9,000

857

275

858

858 George Rodrigue (American/Louisiana, 1944‑2013) “Oh Say Can You See” acrylic on canvas signed lower right. Framed. 47‑1/2” x 35‑1/2”, framed 51‑1/4” x 39‑1/4” $50,000‑$80,000

276

860

860 Romare Bearden (American/North Carolina, 1911‑1988) “Stomp Time” color lithograph signed and numbered “156/175” lower left. Float-mounted, glazed and framed. 24” x 34”, framed 36‑5/8” x 46‑1/2” $1,200‑$1,800

859 Alex Katz (American, b. 1927)

859

“The Emperor Jones” color silkscreen signed and numbered “51/60”. Unframed. 60” x 32” $2,000‑$4,000

861 John “CRASH” Matos (American, b. 1961) “Flash”, 1991 watercolor signed “Crash” and dated lower right; together with a letter of authenticity issued in 2003 by C & L Fine Arts, Bohemia, New York. Plexiglass-glazed in a float mount frame. 41‑1/2” x 29‑1/2”, framed 49‑1/4” x 37” $1,800‑$2,500

861

277

862

862 George Rodrigue (American/Louisiana, 1944‑2013) “Palm Tree Blue Dog”, 1996 acrylic on canvas signed lower right. Framed. 24” x 24”, framed 34‑3/4” x 34‑3/4” Provenance: Nina Kuzina Gallery, Nashville, Tennessee. $30,000‑$50,000

278

863

863 George Rodrigue (American/Louisiana, 1944‑2013) “Blue Dog Speaks”, 2008 acrylic, mixed media and silkscreen on illustration board signed lower left. Framed. 20” x 24”, framed 26‑1/4” x 30” Provenance: Rodrigue Studio, Carmel, California. $20,000‑$40,000

279

866 Hunt Slonem (American, b. 1951) “Fan Dance with Monkeys”, 1995 oil on canvas signed, titled and dated en verso. Framed. 30” x 40”, framed 37” x 47” Provenance: Private collection, Miami, Florida. $4,000‑$7,000

864

864 Ulla Darni Painted Glass and Metal Chandelier 21st century, New York, the three-light chandelier with a shade painted purple and gold, with a scrolled metal finial and scrolled metal fittings. overall h. 36”, glass dia. 24” $1,200‑$1,800 865 Suite of Twelve Contemporary Mahogany and Upholstered Dining Chairs each with a tall padded domed back above a padded seat, raised on square legs. h. 44”

866

$1,500‑$2,500

280

865

867 Armando Amaya (Mexican, b. 1935) “Mujer Flexionada Sonriendo”, 1988 carved black marble incised signature and dated at back, on an integral shaped black plinth. overall h. 19‑1/4”, w. 18”, d. 15” Provenance: Pasquale Iannetti Art Galleries, Inc., San Francisco, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $4,000‑$7,000 A native of Mexico City, Amaya attended the Escuela Nacional de Pinture, Escultura y Grabado - later known as La Esmeralda - where he studied with Jose Luis Ruiz (1903‑?) and Francesco Zuniga (1912‑1998), eventually serving as the latter’s studio assistant for several years. In 1969, Amaya was named a professor of the School, a position he held for many years. His sculptures, with their slightly abstracted solid limbs and exaggerated curves, are explorations of the dignity and power of the female form. Amaya’s artistic approach incorporates his strict Academic training, his appreciation for the artifacts of his native region, and his respect for his subjects. 867

868 Sherry Sander (American, b. 1941) “Cat on a Rock”, 1984 patinated bronze cast signature, dated, and copyright marked at back, on a green marble and carved wood base. overall h. 17‑1/2”, w. 20‑1/2”, d. 10” Provenance: GWS Galleries, Carmel, California; Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,200‑$1,800

868

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869

869 Pair of Contemporary Cast Bronze and Stone-Top Center Tables

870 Lalique Molded, Frosted and Cut Crystal SwanForm Centerpiece

each with an inset circular gray stone top in a shaped apron, supported by tiered legs, each modeled as a cluster of three bamboo stems, joined by a stretcher centered by a foliate roundel. h. 29‑1/2”, dia. 39”

1973, French, with an oval mirrored plateau decorated with waves, unsigned, but accompanied with the original receipt where it was purchased in Paris. swan h. 9‑1/2”, w. 11”, d. 7”, plateau w. 24‑1/2”, d. 17”

$2,000‑$4,000

$1,000‑$1,500

870

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871

871 Hunt Slonem (American, b. 1951) “Sunset”, 1997 oil on canvas signed, titled and dated en verso. Framed. 30” x 40”, framed 38‑3/4” x 48‑1/2” Provenance: Private collection, Miami, Florida. $5,000‑$8,000

872 Hunt Slonem (American, b. 1951) “Witness”, 1997 oil on canvas signed, titled and dated en verso. Framed. 40” x 30”, framed 49” x 39” Provenance: Private collection, Miami, Florida. $4,000‑$7,000

872

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873 Kees Verkade (Dutch, b. 1941) “Lueur dans la Brume”, 2012 patinated bronze titled along one side of self-base, cast signature, dated and numbered “2/8” along the other, a “Venturi Arte/ Bologna” foundry mark along back edge. h. 67”, w. 22”, d. 24” $12,000‑$18,000

874

874 Scavo Glass “Cardinale” probably designed by Ermanno Nason (Italian/ Murano, b. 1928), unmarked. h. 14‑1/4”, w. 3‑1/2”, d. 2” $1,000‑$1,500 Introduced in the 1950s by the great Murano glass artisans Alfredo Barbini (1912‑2007) and Gino Cenedese (1907‑1973), scavo is a technique that mimics the hazy or occluded surface of ancient glassware. During the heating process, a powdered mixture of carbonates, nitrates, talcs and/or silica is applied to the surface, resulting in a somewhat opaque piece with depths.

873

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875 Vladimir Zakrzewski (Polish, b. 1946) “Untitled: Abstraction”, 1987 acrylic and mixed media on canvas signed, dated, inscribed and with “Vanderwoude Tananbaum Gallery, New York” label with artist en verso. Framed. 48” x 48”, framed 51‑1/4” x 51” $1,000‑$1,500 876 Shirley Thomson Smith (American, b. 1929) “Seated Figure”, 1980 faux marbre patinated bronze cast signature, dated, and numbered “18/30” along back edge of figure, on a beveled lucite base. sculpture h. 7‑5/8”, overall h. 9”, w. 8‑3/4”, d. 8” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $1,000‑$1,500 876

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878

877

877 Antique Prayer Carpet 3’ x 4’ 6” $1,000‑$1,500 878 Semi-Antique Silk Prayer Carpet

880 Turkish Angora Oushak Carpet 10’ x 13’ 10” $1,200‑$1,800 881 Agra Serapi Carpet

4’ 11” x 3’ 4”

9’ 8” x 13’ 9”

$2,000‑$4,000

879 Antique Malayer Carpet

882 Agra Sultanabad Carpet

5’ 2” x 12’ 9”

10’ x 14’

$3,000‑$5,000

$2,000‑$4,000 883 Heriz Carpet 7’ 8” x 10’ 3” $1,500‑$2,500

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879

880

881

882

883

287

884 Antique Agra Carpet 12’ x 21’ $20,000‑$40,000

885 Antique Tabriz Carpet 11’ x 17’ $12,000‑$18,000

885

288

884

886 887

886 Semi-Antique Kerman Carpet 8’ 7” x 12’ 1” $2,000‑$4,000

887 Peshawar Carpet 6’ x 18’ $3,500‑$5,000

888 Heriz Carpet 8’ 2” x 11’ 10” $2,000‑$4,000

888

289

889

891

889 Semi-Antique Sultanabad Carpet 11’ 2” x 13’ 3” $9,000‑$12,000

890 Antique Tabriz Carpet 9’ x 15’ $7,000‑$10,000

891 Heriz Carpet 8’ 4” x 11’ 7” $1,500‑$2,500

890

290

892

892 Peshawar Serapi Carpet 8’ 2” x 10’ $1,500‑$2,500

893 Turkish Angora Oushak Runner 2’ 6” x 29’ 8” $1,000‑$1,500

893

291

894 Marc Chagall (Russian/French, 1887‑1985) “Le Cheval Rouge: Fin de Journee”, 1945 oil on canvas signed and dated lower right, together with a letter of authenticity issued by the Comite Marc Chagall. Framed. 21‑1/2” x 26‑1/2”, framed 30‑1/4” x 35” Provenance: Collection of Mrs. Tekla Bond, New York, New York; Galerie Nichido, Paris, France; Christie’s, New York, November 6, 2007, lot 83. $2,000,000‑$4,000,000 894

This work was authenticated in 1990 by the Comite Marc Chagall, and a duplicate certificate was reissued in 2007 through Christie’s. Exhibited: “Hommage a Marc Chagall”, Grand Palais, Paris, December 1969‑March 1970. Literature: Franz Meyer, Marc Chagall, Life and Work (New York, 1963), p. 758, no. 746 (illustrated); Chagall, Marc and Jean Leymaire et al. Hommage a Marc Chagall, Grand Palais, Decembre 1969‑Mars 1970 (exhibition catalogue). Paris: Ministere d’Etat Affaires Culturelles, 1969, no. 98 (illustrated). “For me life divides itself into two parts--Life and death--Without love an art is not art, and a life is not life. Without love we see all the chaos into which art and life periodically descend, in which I fear they find themselves at this moment. The great crisis of art and of life is a crisis of Love.” -- Marc Chagall “Le Cheval Rouge: Fin de Journee” with its mesmerizing colors and figures is the end of an epic journey that uprooted, displaced and took so many lives. Created the year World War II ended, and just months after the artist’s wife, Bella, died an emigre in a foreign land from a wartime shortage of medicine, it is an elegy to life and to his wife, captured through three of the most recurring themes painted by the artist: lovers, Jewish folklore, and the crowded rooftops of his childhood village in Vitebsk, Belarus (then part of the Russian Empire), where Chagall met his young bride. Bella was Chagall’s endless muse and ultimate raison d’etre as an artist.

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She represented a purity of love that spilled forth in his paintings, defying gravity and perspective, causing figures to soar through the skies and objects to dance in tandem in a kaleidoscope of colors and forms. As Chagall stated in his autobiography My Life: “All I had to do was open my window and in streamed the blueness of the sky, love and flowers with her [Bella]... she has long been haunting my paintings, the great central image of my art.” Indeed Bella is the wellspring of this painting around which all else centers in a dueling play that memorializes the past in vignettelike psalms that sing of life. Bella is the communion of giving; from her bosom bloom the greenery of grain and the feed tin beneath which another hand receives the alms. Chagall is her Janusface inseparably attached to her head, and his/her head is a consecrated rooftop of Vitebsk. While Bella’s feet are effaced, she is a veritable geist in gradients of blue - her skirt transformed into a bird about to embark on a homebound flight to the Belarusian village below. The Chada Gadya - the little playful goat of Jewish folklore and music that is sung at the end of Passover is a metaphor of Chagall rendered in red, and the cockerel - the kapparot (ritual of atonement) and a marker of time and celestial manifestations in Jewish mysticism is both the golden glow requiem of the setting sun and the cockcrow of tomorrow. References: Chagall, Marc. My Life. London: Peter Owen Publishers, 1965; Wullschlager, Jackie. Chagall: A Biography. New York: Knopf, 2008; Chagall, Marc. Marc Chagall on Art and Culture, edited Benjamin Harshav. Stanford University Press, 2003.

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895: OPEN LOT

896 Pablo Picasso (Spanish/French, 1881‑1973) “Bouquet”, 1955 earthenware ceramic platter, glazed in colors base marked “Edition Picasso” and stamped “Madoura Plein Feu” and “D’Apres Picasso”. w. 11‑7/8”, l. 14‑1/4” $3,000‑$5,000

896

897 Pablo Picasso (Spanish/French, 1881‑1973) “Cavalier et Cheval (A.R. 137)”, ca. 1952 earthenware ceramic pitcher, partially glazed in colors base numbered “87/300”, marked “Edition Picasso” and “Madoura”, and stamped “Edition Picasso” and “Madoura Plein Feu”. h. 8”, w. 6‑7/8” $6,000‑$9,000

897

294

898 Joan Miro (Spanish, 1893‑1983) “Bronzes [Exhibition Poster, Hayward Gallery, London]”, 1972 color lithograph pencil-signed lower right and numbered “125/150” lower center left, published Art Council, London. Matted, glazed and framed. sight 33‑1/2” x 23‑3/4”, framed 43” x 33” Literature: Mourlot 846 $1,500‑$2,500 899 Caio Fonseca (American, b. 1959) “Fifth Street P11.7”, 2011 gouache on paper unsigned, a “Paul Kasmin Gallery” label en verso. Float-mounted and framed. 12‑1/2” x 16‑1/4”, framed 16‑1/2” x 20‑1/2” Provenance: Paul Kasmin Gallery, New York, New York; Private collection, New Orleans, Louisiana.

898

$3,000‑$5,000

899

295

900 Georges Rouault (French, 1871‑1958) “Pierrot”, 1935, from the series Cirque de l’Etoile color aquatint monogrammed and dated in plate lower left, ed. of 280, printed by Lacouriere, published by Vollard, Paris. Glazed, matted and framed. plate 12” x 8‑1/4”, sheet 17‑5/8” x 13‑1/8”, framed 36” x 21” Literature: Francois Chapon and Isabelle Rouault, Rouault: Oeuvre Grave. Monte-Carlo: Editions A. Sauret, 1978, no. 253. $4,000‑$7,000

900

901 Moise Kisling (Polish, 1891‑1953) “Portrait de Jeune Femme au Buste Nu (Ingrid Rouge)”, 1937 oil on canvas signed upper left corner. Framed. 21‑1/2” x 15”, framed 27‑/12” x 20‑1/2” Provenance: Sotheby’s, New York, November 6, 2002; Private collection, New York. $60,000‑$90,000

296

901

902 Francoise Gilot (French, b. 1921) “Glory in the Sun” gouache on paper signed lower left, verso with a “Vincent Mann Gallery” label, typed with artist name and title. Glazed and framed. 29‑1/2” x 22”, framed 36‑1/2” x 29” Provenance: Vincent Mann Gallery, New Orleans, Louisiana. $8,000‑$12,000 902

Things I have seen, I want to take them out of my mind... Art doesn’t come from what is around you, but from what is inside you. Francoise Gilot, 2018 An artist, author and poet, Francoise Gilot spent her formative years at the epicenter of post-Occupation Paris’ fertile cultural and intellectual community, surrounded by such luminaries as Picasso, Chagall and Matisse. Interested in art at a young age, she was simultaneously encouraged by her mother, an adept artist herself and her daughter’s first instructor, and emphatically discouraged by her father, who had decided on a career in the law for his only child. Gilot dexterously juggled both expectations; while attending the University of Paris (eventually graduating with a degree in philosophy) she would often skip classes to attend art lessons. In 1943, at the precociously young age of 23, Gilot had her first exhibition; shortly after, she met Picasso, with whom she would spend the next decade, and found herself thrust into the amazingly influential and productive maelstrom that was post-war Paris. It was an atmosphere

that was both invigorating and stifling for the young woman. Throughout her career, Gilot’s works reveal an emphasis on form and color - she has stated that of all the artistic theories and stylistic approaches to which she was exposed, it was Matisse’s attitude to color that she most appreciated and which, ultimately, most influenced her. Her mastery of the use of color is in evidence with the work presented here; the bold application of deep golds and grays against the orange background, in combination with the stark forms of the vase and flowers, make the central blossoms appear as if emerging from the paper. It is a sly homage to the series of Sunflower paintings by Van Gogh, one of Matisse’s influences. In 1990, Gilot was made a Chevalier de Legion d’Honneur, being named an Officer in 2010. She is also a Member of the National Academy of Design, New York. She is still active at the age of 96. Reference: Christensen, Lauren. “In a New Book of Sketches, Francoise Gilot Clears Her Mind of the Past”, New York Times, 27 August, 2018. Web. 16 November, 2018.

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903 Bela de Kristo (Hungarian, 1920‑2006) “Rhum et Cafe”, 1960 tempera and pencil on board signed lower right, titled and dated en verso. Framed. 19‑3/4” x 17‑1/4”, framed 26‑7/8” x 24‑5/8” Provenance: Sotheby’s, New York, October 7, 2008, lot 72; Private collection, New York. $7,000‑$10,000

903

904 David Davidovich Burliuk (Russian/American, 1882‑1967) “The Bookstore” oil on canvas signed lower right. Framed. 16” x 12”, framed 19‑3/4” x 15‑3/4” Provenance: Sotheby’s, New York, February 12, 2009, lot 162; Private collection, New York. $7,000‑$10,000

904

298

905 David Davidovich Burliuk (Russian/American, 1882‑1967) “Fish Market” oil on canvas board signed lower right. Framed. 12‑1/4” x 15‑3/4”, framed 20‑1/2” x 24‑1/4” Provenance: MacDougall’s Auctions, June 6‑9, 2011, lot 29; Private collection, New York. $7,000‑$10,000

905

906 David Davidovich Burliuk (Russian/American, 1882‑1967) “East River Scene” oil on canvas board signed mid-right. Framed. 12” x 15‑3/4”, framed 20” x 23‑3/4” Provenance: MacDougall’s Auctions, June 6‑9, 2011, lot 28; Private collection, New York. $7,000‑$10,000

906

299

907 Kirk & Son “Repousse” Sterling Silver Flatware Set first half 20th century, Baltimore, Maryland, including ten six-piece place settings (two pieces lacking and some replacements), eleven serving pieces, a baby spoon and a letter opener, most pieces monogrammed “S”, presented in a plum baize-lined fitted wooden case with lift-top and single drawer, 6‑1/2” x 16” x 11‑1/4”. 71 pieces 78.96 total t. oz. (weighable silver) Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. Detailed list of pieces available on request. $1,500‑$2,500

908 Gorham “Versailles” Sterling Silver Flatware Set the pattern designed in 1888 by Florentin Antoine Heller (1839‑1904), Providence, Rhode Island, including a dozen twelve-piece place settings (twelve pieces lacking) with an additional ten teaspoons, plus six citrus spoons, eight twopiece place fish sets and ten serving pieces, monogrammed “L”, presented in two fitted, Pacific cloth-lined wooden lift-top cases with single drawer, 6‑3/4” x 17‑1/4” x 11‑1/2”. 174 pieces 220.97 total t. oz. Detailed list of pieces available on request.

907

907 detail

$4,500‑$7,000

908 detail

908

300

909

909 detail

910

909 Whiting “Lily” Sterling Silver Flatware Set

911 Large Pair of Gorham Sterling Silver Japonaise Vases

the pattern designed in 1902 by Charles Osborne (1847‑1920), Providence, Rhode Island, an assembled set with a dozen eleven-piece place settings (eleven pieces lacking) with an additional dozen teaspoons, four other place pieces and twenty-four serving pieces, with three re-cast and/or altered pieces, seventy-nine pieces variously monogrammed, presented in a fitted, Pacific cloth-lined wooden case with lift-top and single drawer, 6‑1/2” x 16” x 11‑1/2”. 164 pieces 220.6 total t. oz.

1902, Providence, Rhode Island, each with ovoid body and tall waisted neck, the body decorated with applied and repousse flowers, the deeply everted rim and domed foot decorated with openwork embossed floral “whiplash” scrolls. h. 20”, dia. 5‑3/4”; 87.99 total t. oz. $2,000‑$4,000

Detailed list of pieces available on request. $4,000‑$7,000

910 Three American Gilded Age Sterling Silver Soup/Punch Ladles each with gilt bowl, including patterns: Gorham “Maryland”, designed in 1896 by William Christmas Codman, monogrammed “MMC”, l. 12‑1/2”. Whiting “Dresden”, designed in 1896 by Charles Osborne, monogrammed “JBD”, l. 12‑3/4”. Gorham “King George”, designed in 1894 by William Christmas Codman, monogrammed “EPS”, l. 13”. 23.40 total t. oz. $1,000‑$1,500

911

301

913

912

912 Shreve & Co. Sterling Silver Punch Bowl

914 Tiffany & Co. “Winthrop” Sterling Silver Flatware Set

first quarter 20th century, San Francisco, California, the double ogee bowl with wavy everted rim decorated with scrolling openwork “whiplash” edge, raised on a waisted footring en suite, monogrammed “DA”. h. 9‑1/2”, dia. 14‑1/2”; 57.86 t. oz.

the pattern designed in 1909 by Albert Angell Southwick (1872‑1960), New York, New York, including sixtythree place pieces and two tablespoons, removed monograms, presented in a maroon tarnish-resistant felt-lined, fitted, wooden case with lift-top and R. H. Macy retailer’s label, 3‑3/4” x 18” x 11‑1/4”. 65 pieces 85.25 total t. oz. (weighable silver)

$1,800‑$2,500 913 American Sterling Silver Tea Tray

Detailed list of pieces available on request.

first quarter 20th century, by Black, Starr & Frost, New York, New York, rectangular with molded serpentine sides and stirrup handles, the plateau engraved with a wide band of scrolls and flowers centering an oval cartouche monogrammed “MAP”. 29” x 17‑3/4”; 125.38 t. oz.

$1,500‑$2,500

914

302

914 detail

915 Tiffany & Co. Sterling Silver Cocktail Shaker and Beaker contemporary, in the Arts & Crafts taste, with “hammered” finish, the shaker embossed with bulrushes and a dragonfly on the cap, h. 8‑1/2”, dia. 3‑1/2”, the beaker of slightly tapering cylindrical form and embossed with bulrush leaves and a turtle, h. 3‑5/8”, dia. 3‑1/4”. 22.35 total t. oz. Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,000‑$1,500 916 Collection of Tiffany & Co. “Japanese/Audubon” Sterling Silver Tableware

915

the pattern designed in 1871 by Edward C. Moore (1827‑1891), New York City, New York, including in the early “Japanese” pattern a pastry server, l. 11‑1/2”, and cracker scoop, l. 9‑1/2”, and in the revival “Audubon” pattern five salad forks, l. 6‑3/4”, four demitasse spoons, l. 4”, four napkin rings, dia. 1‑5/8”, and a ginger jar-form vase, h. 7‑1/4”, dia. 6‑1/2”. 16 pieces 39.70 total t. oz. Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. Tiffany’s multi-motif pattern depicting various birds was introduced originally in 1871 as the “Japanese” pattern at the height of the Aesthetic movement. Available with a wide variety of gilded and engraved enhancements - the Japanese influence on which can be seen in the two early pieces here - the pattern declined in popularity as the Japonaise fad waned and was discontinued sometime before 1904. It was later revived (with some modifications) on August 3, 1956 as the “Plantation” pattern, though it was quickly re-christened “Audubon” two months later, which it remains today.

916

$1,000‑$1,500 917 Dominick & Haff “Marie Antoinette” Sterling Silver Flatware Set the pattern introduced in 1917, this set retailed by Black, Starr & Frost, New York, New York, including a dozen thirteen-piece place settings (nine replacements) and nine serving pieces, monogrammed “CEE” and presented in a blond mahogany-stained, brown felt-lined fitted case with lift-top, single drawer and brass fittings, 6” x 15‑1/4” x 11‑1/4”. 165 pieces 165.27 total t. oz. (weighable silver)

917 detail

$4,000‑$7,000 917

303

919 Five Pieces of Reed & Barton “Francis I” Sterling Silver Tableware the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including a medium footed bowl, dia. 8”, a bread tray, l. 33‑3/4”, salt and pepper shakers, h. 3‑1/2”, and a letter opener, l. 7‑3/4” (the latter still sealed and presented in the original box). 28.73 total t. oz. (weighable silver) $1,000‑$1,500 920 Three Pieces of Reed & Barton “Francis I” Sterling Silver Tableware the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including a candlestick, h. 10‑1/4”, a wine coaster, dia. 7”, and a toothpick holder, h. 2‑1/8”. 28.04 total t. oz. $1,000‑$1,500

918

918 Reed & Barton “Francis I” Sterling Silver Flatware Set the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including a dozen nine-piece place settings with an additional ten teaspoons and six serving pieces, no monograms, older “eagle-R-lion” trademark”, presented in a Reed & Barton cherry-stained, fitted, Pacific cloth-lined wooden case with lift-top and two drawers, 9‑1/2” x 17‑1/4” x 11‑3/4”. 124 pieces 143.16 total t. oz. (weighable silver) $2,500‑$4,000 920

919

304

921 Large and Impressive Reed & Barton “Francis I” Sterling Silver Flatware Set the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including a dozen fifteen-piece place settings and fiftyfour serving pieces, no monograms (but for two pieces). 234 pieces 351.07 total t. oz. (weighable silver) $12,000‑$18,000

921

305

923

922

922 Reed & Barton “Burgundy” Sterling Silver Flatware Set the pattern introduced in 1949, Taunton, Massachusetts, including a dozen eight-piece place settings with an additional fourteen place pieces and twenty-two serving pieces, most monogrammed “MSD” for Mary Shea Dixon, presented in a fitted, Pacific cloth-lined wooden case with lift-top and single drawer, 7‑1/2” x 17‑3/4” x 12”. 132 pieces 183.24 total t. oz. (weighable silver) Provenance: Collection of David and Mary Shea Dixon, New Orleans, Louisiana. Detailed list of pieces available on request. $2,500‑$4,000 923 Towle “French Provincial” Sterling Silver Flatware Set the pattern designed in 1948 by Harold Edward Nock (1875‑1952), Newburyport, Massachusetts, including a dozen twelve-piece place settings (seven pieces lacking) with an additional three teaspoons and sixteen serving pieces, all monogrammed “C”, presented in a blue felt fitted, zippered storage tray, 12” x 19”. 156 pieces 151.45 total t. oz. (weighable silver) Detailed list of pieces available on request. $2,500‑$4,000

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923 detail

924 Mexican Sterling Silver Tea Tray mid-20th century, oval with stirrup handles. 24‑3/4” x 16‑1/4”; 59.47 t. oz. $900‑$1,200

925 Reed & Barton “Silver Sculpture” Sterling Silver Flatware Set the pattern designed in 1954 by Robert Howard Ramp (1920‑2012), Taunton, Massachusetts, including a dozen six-piece place settings (one place spoon lacking) with an additional eight teaspoons, no monograms. 79 pieces 77.62 total t. oz. (weighable silver) $1,200‑$1,800

924

926 Gorham “Lily of the Valley” Sterling Silver Flatware Set the pattern designed in 1950 by James Russell Price (1907‑1974), Providence, Rhode Island, including a halfdozen six-piece place settings (three pieces lacking) with an additional seven place pieces and ten serving pieces, no monograms. 50 pieces 54.03 total t. oz. (weighable silver) Detailed list of pieces available on request.

925

$900‑$1,200

926

926 detail

307

927 American Queen Anne Cherry Bonnet-Top Cheston-Chest third quarter 18th century, the top with a brokenarch pediment and three flame twist finials, above a central fan-carved drawer and a smaller drawer to each side, over four graduated long drawers, the associated base fitted with four graduated long drawers, the whole raised on short Queen Anne legs. h. 95”, w. 40”, d. 19” $2,000‑$4,000

927

928 American Chippendale Cherry Chest-on-Chest second half 18th century, in two parts, the upper case with a molded cornice and a bank of five graduated drawers, the base with four graduated drawers, a carved apron and ball-and-claw feet. h. 74”, w. 37”, d. 20” $1,500‑$2,500

928

308

929 Attributed to Charles Bridges (British/Virginia, 1672‑1747) “Portrait of a Seated Toddler Wearing a Pudding Cap” oil on canvas unsigned. Framed. 36” x 27‑1/2”, framed 41‑1/2” x 32‑1/2” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $3,000‑$5,000 A somewhat elusive figure, little is known of the schooling or artistic training of Charles Bridges, though he worked in the British portrait tradition of artists such as Sir Godfrey Kneller. In his late 60s, he made the extraordinary decision to travel to Williamsburg, Virginia to set up a studio. Virginia was then the largest and wealthiest Colony, but had not yet received the influx of British artists that other American colonies had. This afforded Bridges a unique opportunity, and he quickly assumed the role of a “house” painter for many of the most influential and prosperous families, living with them while he completed the commissioned portraits of the various members. Several of the portraits attributed to Bridges during this time of members of the Grymes, Byrd and Ludwell families bear a striking resemblance to the portrait presented here. Two in particular - “Child with Dog” and “The Boys of the Grymes Family” (private collections) - reveal nearly identical white-feathered black velvet pudding caps. These caps, common in Britain and Colonial America, were padded headwear for toddlers to prevent injury; the ones depicted in these three portraits are very distinctive in design. The composition of the painting offered here, with a young child and his beloved pet dog set against a vague landscape, was one frequently employed by Bridges in his portraits of children. Bridges was not known to sign or date his portraits.

929

References: Hood, Graham. Charles Bridges and William Dering: Two Virginia Painters, Virginia: The Colonial Williamsburg Foundation, 1978; Federal Writer’s Project .Virginia: A Guide to the Old Dominion. New York: Oxford University Press, 1956; Howard, Samantha. A New Theatre of Prospects: 18th Century British Painters and Artistic Mobility. 2010. University of York, Ph.D.

930 American Walnut Tall Chest in the Chippendale Taste second half 18th century, the cove-molded cornice over a bank of six graduated drawers, the upper two with panels simulating three and two drawers, respectively, the drawers flanked by fluted pilasters, raised on bracket feet. h. 65”, w. 43”, d. 24‑1/2” $800‑$1,200 930

309

931

932

931 American Giltwood Convex Mirror late 19th century, the cove-molded surround set with spherules, the eagle crest with sprays of laurel leaves and berries, with a scrolled lower ornament. h. 33”, w. 26” $1,200‑$1,800 932 George III Mahogany Chest of Drawers ca. 1750, in the Chippendale taste, with a bank of graduated beaded drawers flanked by rounded and fluted quarter columns, raised on ogee bracket feet. h. 34”, w. 39‑1/2”, d. 22‑1/4” $1,000‑$1,500 933 Colonial American School (ca. 1800) “Portrait of a Member of the Knight Family of North Carolina and Georgia” oil on canvas unsigned, old handwritten label en verso stretcher. Framed. 30” x 25”, framed 37” x 30‑3/4” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $2,000‑$4,000 933

310

934 American Federal Bellflower-Inlaid Mahogany Sideboard late 18th/early 19th century, Baltimore, school of Bankson and Lawson, the bowed front with a central drawer over inlaid panels, each end with a highly figured drawer face, raised on tapering bellflowerinlaid legs. Yellow pine and poplar secondary wood. h. 37‑3/4”, w. 72”, d. 25‑1/2” Literature: For a discussion of Baltimore Federal furniture and the work of Bankson and Lawson see: Priddy, Flanigan and Weidman, “The Genesis of Neoclassical Style in Baltimore” American Furniture 2000 $1,000‑$1,500

935 American Federal Walnut and Line-Strung Chest ca. 1800, in the Hepplewhite taste, each of the four graduated drawers with inlaid line-stringing and a shield-form escutcheon, the perimeter edges beaded, over a scalloped apron and flare feet. h. 41”, w. 40‑1/2”, d. 19‑1/4”

935

$800‑$1,200

934

311

936 American Federal Line-Inlaid Mahogany Sideboard ca. 1800, in the Hepplewhite taste, the projecting cutlery drawer over a recessed door flanked by bottle drawers, the curved ends with a drawer over a door, raised on tapering legs edged with line stringing. h. 42‑1/2”, w. 73”, d. 27‑3/4” $1,000‑$1,500

937 Acadian Cypress and Yellow Pine Armoire early 19th century, Louisiana, the molded cornice above a pair of doors, each with a single panel and of pegged construction, over a scalloped apron, raised on cabriole legs, each side fitted with two panels. h. 56‑1/4”, w. 42‑1/2”, d. 16‑3/4”

936

Provenance: Estate of Frank Clancy Dupepe, New Orleans, Louisiana. $2,500‑$2,500

938

938 Acadian Cypress and Yellow Pine Side Table 19th century, the projecting top on a frieze fitted with a single drawer, raised on octagonal legs with lamb’stongue transition to square at its upper section, joined by X-form stretchers, of pegged construction. h. 29‑1/2”, w. 20”, d. 20” Provenance: Estate of Frank Clancy Dupepe, New Orleans, Louisiana. $1,000‑$1,500

937

312

939 Folk Art Carved and Painted Female Figure second quarter 19th century, possibly American, the figure with her hair in a bun, poised and walking into the wind, mounted on a box plinth. h. 44‑3/4”, w. 13‑1/2”, d. 13‑1/2” $1,000‑$1,500

939

940 American Late Classical Mahogany Four-Post Bed second quarter 19th century, with turned and acanthus-carved foot posts and smooth, turned head posts, the shaped headboard with a central urn-form finial. h. 95”, inside w. 54‑1/2”, l. 61‑1/2”, outside w. 77”, l. 80‑1/2” $1,500‑$2,500

940

313

941 American Classical Mahogany Chest ca. 1825, with a pair of projecting drawers over a bank of four drawers, flanked by foliate and pineapple-carved pilasters, on paw feet, the top fitted with a scroll backboard with pineapple-carved finials. h. 64‑1/2”, w. 48‑1/2”, d. 23” $1,000‑$1,500

943

942 Handsome English Neoclassical Giltwood Overmantel Mirror second quarter 19th century, English or American, the corners molded with bold floral medallions, the sides with double colonettes with lotus-molded capitals. h. 35”, w. 62‑1/2” $800‑$1,200 943 American Classical Brass-Inlaid and Parcel-Ebonized Mahogany Center Table ca. 1830, Philadelphia, school of Quervelle, the circular tilt top with brass perimeter stringing, the molded apron with brass banding at its lower edge, raised on a crisply carved foliate- and ring-turned pedestal joined to a concave base with a trio of carved paw feet. h. 28‑1/2”, dia. 48‑1/4”

941

$1,500‑$2,500

942

314

944 English Classical Revival Argand-Style Chandelier ca. 1900, the three-light chandelier with a turned standard set with scrolled arms in the Messenger style, alternating with scrolled chain holders, the top with pierced scrolls and acanthus leaves and a flower finial, the lower portion reeded and with a scrolled finial. h. 36”, dia. 31” $2,000‑$4,000 945 American Late Classical Mahogany Sofa second quarter 19th century, the back with a turned crest rail ending in leaf-carved scrolls and rosettes, the scrolled arms on cornucopia-carved supports, with a molded seat rail and cornucopia-carved paw feet, now upholstered in gold laurel leaf brocade with matching hobstars. h. 32‑1/2”, w. 81”, d. 23” $1,000‑$1,500 944

946 American Late Classical Mahogany Sideboard second quarter 19th century, with a band of three molded drawers over a pair of paneled doors, flanked by foliate-carved columns and single doors with like panels, raised on carved paw feet. h. 42‑1/2”, w. 64”, d. 21‑1/2” $1,000‑$1,500

946

945

315

947 American Late Classical Mahogany Banquet Table late 19th century, the circular top with a gadrooned edge and opening to accommodate three skirted leaves, raised on a pedestal comprised as six foliate-carved and turned columns, the concave base also with a gadrooned edge, raised on carved paw feet. h. 29‑3/4”, dia. 60”, ext. l. 130‑1/2” $3,000‑$5,000 948 William Jennys (American, 1774‑1859) “Portrait of a Gentleman” oil on canvas signed en verso, typewritten label identifying artist. Framed and with artist plaque. 27‑1/2” x 18‑1/2”, framed 32” x 23” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $3,000‑$5,000 948

949 American Classical Mahogany Settee second quarter 19th century, the back with a molded crest rail flanked by avian-carved brackets and scroll arms in foliate decor, the gadrooned seat rail supported by cornucopia-carved paw feet, upholstered in brocade in laurel and berry wreath decor with matching balusters. h. 42‑3/4”, w. 84”, d. 24‑1/2” $1,000‑$1,500

947

949

316

950

950 American Late Classical Mahogany Sofa second quarter 19th century, having scrolled arms with acanthus carved fronts, a turned crest rail with acanthus and rosette carvings and raised on carved paw feet. h. 32”, w. 86”, d. 25” $1,000‑$1,500

951 American Late Classical Mahogany FourPost Canopy Bed second quarter 19th century, having blockand-turned posts with a paneled headboard in heavily figured mahogany, the canopy with a molded edge above a straight frieze. h. 109”, inside w. 58”, l. 74”, outside w. 71”, l. 86” $1,500‑$2,500

951

317

952 Four Sets of Curtains and Valances each with a gold and crimson brocade valance over a crimson swag and jabot, and each with two gold panels, accompanied by gilt-bronze tie-backs and cord tie-backs with tassel ends. h. 128" $1,500‑$2,500 953 Pair of Burgundy and Gold Curtains each with two panels in patterned brocade, and accompanied by cord tie-backs with tassels. h. 128" $800‑$1,200

318

952 two of four

954 Pair of Impressive Louis-Philippe Giltwood Pelmets mid-19th century, in the Rococo Revival style, the serpentine crests decorated with pierced leaves and scrollwork, the central pierced finial decorated with trumpet flowers framed with scrollwork. h. 18”, w. 68”, d. 6‑1/2” $1,000‑$1,500

953

954 one of a pair

319

955 Group of Four Neoclassical-Style Cast Iron Garden Urns

956 Pair of French Gothic-Style Cast Iron Garden Benches

957 Four Campana-Form Cast Iron Garden Urns

each of campana form with egg-anddart rim and fluted body. h. 24”, dia. 20‑1/2”

first half 20th century, the backs decorated with quatrefoils, the seats with hexagonal piercing, set on straight legs. h. 33‑1/2”, w. 54”, d. 16‑1/2”

20th century, in the neoclassical taste, with reeded bases and mounted with floral swags, with handles on each side. h. 23‑1/2”, dia. 16‑1/2”

$1,000‑$1,500

955

956

320

957

$1,000‑$1,500

958

959

958 American Classical Mahogany Pier Table ca. 1825, the marble top with a molded edge, above a figured frieze raised on tapering columns with foliate- and egg-and-dart-carved capitals and a bowed low shelf backed by a looking glass, raised on foliate- and melon-carved turned feet. h. 39”, w. 42‑1/2”, d. 19‑1/4” $800‑$1,200 959 American Late Classical Mahogany Armoire second quarter 19th century, the projecting covemolded cornice over a pair of paneled doors, flanked by reeded pilasters on scroll feet, one side of the interior fitted with linen drawers over closed-face drawers. h. 97”, w. 22‑1/2”, d. 65” $1,000‑$1,500 960 American Southern Cherry Four-Post Bed second quarter 19th century, with boldly turned posts, paneled headboard with turned blanket-roll and framed canopy. h. 106”, inside w. 52”, l. 75”, outside w. 62”, l. 82” $2,500‑$4,000

960

321

961 Auguste Edouart (French, active U.K., U.S., 1789‑1861) “Portrait Silhouette of Three Generations of Livingstons”, 1829‑1831 cut-outs on paper including a group portrait of Mrs. Cunningham (1754‑1837), Mrs. Theed and Miss Henrietta Jane Theed, April, 1829, sitters identified en recto and verso, and stamped with Mrs. Nevill Jackson Collection stamp; together with Miss Heron of Edinburgh, January 25, 1831. Each glazed in near matching bird’s-eye maple frames. sights 10” x 13‑1/4” and 9‑1/4” x 8‑1/4”; framed 12‑1/2” x 16‑1/4” and 13” x 11”, respectively Provenance: Collection of Mrs. F. Nevill Jackson (1861‑1947), London, U.K.; Estate of Dr. Carroll Ball, Jackson, Mississippi. Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 169. $1,000‑$1,500

961

962 Auguste Edouart (French, active U.K., U.S., 1789‑1861) “Portrait Silhouetttes of a Philadelphia Lady and a New York Gentleman”, 1843‑1844 paper cut-outs on lithographs each signed, dated and localized lower right. Each glazed and framed, the gentleman matted. sights 11” x 7” and 10‑1/2” x 6‑7/8”, framed 14‑3/4” x 10‑3/8” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

962

$800‑$1,200

963 American Late Classical Mahogany Sideboard second quarter 19th century, the top with a tripartite backboard centered by a foliate-carved rosette in a carved diamond-shaped panel and flanked on each end by a carved urn, the case with a pair of drawers over a pair of recessed bowed doors ending in panels, creating a demilune-form when closed, flanked by turned pilasters with Ionic capitals, raised on carved paw feet. h. 54‑1/4”, w. 54”, d. 26” $800‑$1,200

963

322

964 American Late Classical Mahogany Sofa second quarter 19th century, probably Boston, with a figural and molded crest rail with ring-turned ball finials, scroll arms, a seat rail with a molded panel and scroll legs, upholstered after the period fashion in black horsehair fabric. h. 34”, w. 87‑1/2”, d. 22” $800‑$1,200 965 American Late Classical Mahogany Pier Table second quarter 19th century, the wooden top with a molded edge, above a figured cyma-molded frieze and a lyre-form pedestal fitted with a looking glass, the ogee-molded platform base on scroll feet. h. 36‑1/4”, w. 37”, d. 17‑1/2” $1,000‑$1,500 966 Auguste Edouart (French, active U.K., U.S., 1789‑1861)

965

“Portrait Silhouette of Mr. John D. Wolfe, his Wife, and Her Sister Miss Mary Lorrilard of Saratoga Springs, New York”, August 25,1840 cut-outs on paper sitters identified localized and dated in keyhole cut-outs en recto and en verso. Glazed in a bird’s-eye maple frame. sight 11‑3/4” x 12”, framed 15‑7/8” x 16‑1/2” Provenance: Collection of Mrs. F. Nevill Jackson (1861‑1947), London, U.K.; Arthur S. Vernay (1877‑1960), New York, New York; Peggy McClard American and Folk Art, Houston, Texas; Estate of Dr. Carroll Ball, Jackson, Mississippi. Literature: Mrs. Nevill Jackson, Ancestors in Silhouette Cut by Auguste Edouart. New York: John Lane Co., 1921, p. 231. 966

$1,000‑$1,500

964

323

967 American Late Classical Mahogany Bookcase/Cabinet mid-19th century, in two parts, the upper section with an arched cornice, concealing a hidden compartment at its top, over a pair of glazed doors, the base with a molded frieze drawer raised on paneled scroll columns, with a concave low shelf and scroll feet. h. 72‑3/4”, w. 44‑1/4”, d. 27” $1,000‑$1,500 968 Auguste Edouart (French, active U.K., U.S., 1789‑1861) “Two Portrait Silhouettes of the Perg Brothers”, 1835 paper cut-outs on paper accompanied with a handwritten letter from the artist to the sitters, dated and localized “Cork”. Matted, glazed and frame together. sight 19” x 11‑1/8”, framed 22” x 14‑1/4”

968

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $800‑$1,200

969

969 Louisiana School (Second Quarter 19th Century) “Portrait of a Creole Lady with Bonnet” oil on canvas Period giltwood frame. 24” x 19‑1/2”, framed 31‑1/4” x 27” $1,000‑$1,500

967

324

970 Louisiana School (Second Quarter 19th Century) “The Widow: Portrait of a Woman in Black, Wearing Jewelry” oil on canvas unsigned, “The Royal Co. Antiques/Keil’s Antiques, Royal St., New Orleans” tags en verso. Framed. 32” x 25‑1/2”, framed 32‑3/4” x 26‑1/4” $1,000‑$1,500

971 Hortaire J. Guenard (American, b. ca. 1827‑1899, active New Orleans, 1850‑1899)

970

“Portrait of Marie-Joseph Guenard, Madame Domingo de Fleitas” oil on canvas after Jean Joseph Vaudechamp (French, 1790‑1866, active New Orleans, 1831‑1839), signed and inscribed “After Vaudechamp” upper left. Giltwood frame. 32” x 26”, framed 38‑1/2” x 32‑1/4” Provenance: Ex-collection William E. Groves, New Orleans, Louisiana. $1,500‑$2,500 Literature: Louisiana Painters and Paintings from the Collection of W. E. Groves, 1971, illustrated p. 57; Rudolph, William Keyse, “Jean Joseph Vaudechamp (1790‑1864) in France and Louisiana,” PhD Dissertation, Bryn Mawr College, 2003, pp. 318‑322. In 1834, Jean Joseph Vaudechamp painted two identical portraits of “Marie-Joseph Guenard, Madame Domingo de Fleitas.” Both portraits were eventually donated by family members to museums. One portrait is in the collection of Musee du Nouveau Monde, La Rochelle, France and the other is in The Historic New Orleans Collection. Evidently a member of the family commissioned Hortaire J. Guenard to paint a third portrait. Guenard appropriately inscribed the portrait as being “After Vaudechamp.”

971

325

972 Louisiana School (Third Quarter 19th Century) “Young Girl with Fish Bowl on a Gothic Revival Table” oil on canvas unsigned. Framed. 45” x 36”, framed 54‑1/4” x 45‑1/4” $1,000‑$1,500 973 Alexander John Drysdale (American/Louisiana, 1870‑1934) “Louisiana Bayou”, 1923 oil wash on board signed and dated lower left. Period frame. sight 19‑1/2” x 29‑1/2”, framed 23‑1/4” x 33‑1/2” $1,500‑$2,500

972

973

974 William Aiken Walker (American/South Carolina, 1839‑1921) “Young Boy with a Straw Boater Hat and Cane” oil on canvas signed lower right, Louisiana State Museum (Presbytere), “The World of William Aiken Walker”, 1972‑73, exhibition labels en verso. Framed. 20‑1/4” x 16‑1/4”, framed 24” x 19‑3/4” $3,000‑$5,000 974

326

975 Joseph Rusling Meeker (American/Missouri, 1827‑1887) “Fishing from the Bridge”, 1878 oil on canvas signed and dated lower left, pencil-inscribed “1876 Centennial Philadelphia, Penn” en verso. Period gilt frame with artist plaque. 20” x 12”, framed 29‑1/4” x 21‑1/4” $18,000‑$25,000 975

Joseph Rusling Meeker studied painting at the National Academy of Design where he was inspired by the luminist landscapes of Asher B. Durand, the academy’s director. Settling in St. Louis, Missouri, Meeker became an active participant of the emerging local art community and was a founding member of the St. Louis Art Society and St. Louis Sketch Club. During the Civil War, Meeker closed his studio and served as a paymaster for the Union forces on a U.S. Navy gunboat whose assignment was to traverse the Mississippi River and bayous of Louisiana. Personally, experiencing the variances

of the seasons and times of the day of the southern bayous and waterways, profoundly impacted the artist. Upon reopening his studio after the war, Meeker used his sketches and experiences to create his luminous southern landscapes. This charming painting set within a landscape depicts a young couple who have strolled on to a bridge overlooking a stream. The young man carries a fishing pole and tackle bag revealing their intention of going on a fishing expedition and perhaps, more importantly, having the opportunity to spend time together.

327

976

976 William Henry Buck (Norwegian/Louisiana, 1840‑1888) “Moored Schooner, Possibly North Shore, Lake Pontchartrain”, 1878 oil on canvas signed and dated lower right, “Morton’s Auction” labels en verso. Period gilt and stenciled framed with cornstalk motif. 12” x 20”, framed 19” x 27” $60,000‑$90,000

The demand for portraiture waned after the Civil War, giving way to the emergence of the Louisiana Landscape School led by Richard Clague, an academically trained artist working in the French Barbizon style. The establishment of art galleries and associations provided the landscape artists opportunities to exhibit their paintings to the public and earn a living. Among Clague’s most talented students was William Henry Buck. A native of Norway, Buck emigrated to the northeast in 1865 and studied with landscape artist Ernest Ciceri. Arriving in New Orleans around 1870, Buck worked in a cotton merchant’s office and furthered his studies with Clague. To accurately represent and experience the unique topography and waterways of southern Louisiana, Clague led his students on “plein air” painting expeditions. By 1880, Buck opened his own studio on Carondelet Street specializing in Louisiana landscape paintings. Continuing to make forays into southern Louisiana, Buck became familiar with life in the rural and isolated communities. In this engaging painting, Buck provided a glimpse of life along the north shore in the late 19th century. Surrounded by Spanish-moss-draped live oak trees, lumber has been stacked up by the shore, while a moored sailing boat readies to transport the wood to a mill.

328

978 Alexander John Drysdale (American/Louisiana, 1870‑1934) “Louisiana Bayou Scene” oil wash on paper signed lower left. Matted, glazed and framed. sight 13” x 21”, framed 20‑1/2” x 28” $1,200‑$1,800

977

977 Sidonia (Mrs. Lewis Crager) Loeb (American/New Orleans, 1871‑1944) “Live Oak, Louisiana Bayou”, 1889 oil on canvas signed and dated lower right. Period frame. 12‑1/4” x 16‑1/4”, framed 16‑3/4” x 20‑3/4” $1,000‑$1,500 The late 19th century saw the development of Louisiana landscape tradition lead by the French-born artist Richard Clague. At the time, pursuing a career as an artist was predominantly viewed as a male profession. Sidonia Loeb was among the first women artists, including Blanche Blanchard and Marie Seebold Molinary, who embraced painting the Louisiana landscape. Loeb studied at the New York School of Art and exhibited at the Artists’ Association of New Orleans and the 1893 Chicago Columbian Exposition.

978

979 Alexander John Drysdale (American/Louisiana, 1870‑1934) “Lily Pads, Louisiana Bayou” oil wash on board. signed lower left. Framed. 20” x 30”, framed 22‑3/4” x 32‑1/2” $2,000‑$4,000

979

329

980

980 Southern School (Fourth Quarter 19th Century)

981 Julian Onderdonk (American/Texas, 1882‑1922)

“Pirogue in the Bayou”

“Wooded Landscape with a Pond”

oil on canvas signed “A. E. Hounsell” lower left, a “G. Rowney & Co., London” canvas stamp en verso. Period frame. 8‑3/4” x 18‑3/4”, framed 12‑3/4” x 23‑1/2”

oil on canvas signed lower left. Framed. 12” x 16”, framed 19” x 23” $7,000‑$10,000

$1,000‑$1,500

330

981

982 Paul Ninas (American/New Orleans, 1903‑1964) “Dominica” oil on canvas unsigned, titled and inscribed “PN 120” en verso. Framed. 36‑1/4” x 46”, framed 37” x 47‑1/4” Provenance: Private collection, New Orleans, Louisiana; Neal Auction Co., New Orleans, Louisiana, October 13, 2001, lot 510. Exhibited: Vincent Mann Gallery, New Orleans, “Paul Ninas Retrospective Exhibition”, March 1974. $9,000‑$12,000 982

983 Marion Sims Souchon (American/New Orleans, 1870‑1954) “Mardi Gras Parade” oil on board signed lower right, numbered “392” en verso. Framed. 31” x 29”, framed 33” x 30‑3/4” Provenance: Private collection, New Orleans, Louisiana. $5,000‑$8,000 983

331

984 Charles Woodward Hutson (South Carolina/Louisiana, 1840‑1936) “Pattern of Pine Needles on Forest Floor”, “Yellow Road Running by the Bay”, “The Road on Back Bay, Biloxi” and “Plantation House” three pastels and a watercolor each initialed “C. H.” lower right, three with labels identifying artist and title. Each matted, glazed and framed. 14” x 10” to 9” x 7”, framed 21” x 16‑3/4” to 16‑1/2” x 13‑1/4” $1,500‑$2,500 A native of South Carolina, Charles Woodward Hutson initially followed in his father’s footsteps and studied to be a lawyer. He gave up his legal career and taught Greek at Louisiana State University and other southern universities. Upon his retirement, Hudson moved to New Orleans and became an artist. Favoring pastels and watercolor, his lack of formal art education appears to have given him a sense of freedom in terms of style and approach. In 1931 at the age of 91, Hudson had a one-man show of his work at the Delgado Museum of Art (today NOMA). His work was included in Sidney Janis’ landmark folk art book They Taught Themselves: American Primitive Painters of the 20th Century.

984

985 Gideon Townsend Stanton (American/Louisiana, 1885‑1964) “City Park Lagoon, New Orleans” oil on canvas signed lower left. Framed. 24‑1/4” x 18‑1/4”, framed 31” x 26‑1/2” $1,200‑$1,800

986

986 Walter Inglis Anderson (American/Mississippi, 1903‑1965) “City Scene” pen and ink on paper estate stamp lower right, pencil-titled en verso. Framed. 11” x 8‑1/2”, framed 19‑1/2” x 17” $1,500‑$2,500

332

985

987 Clementine Hunter (American/Louisiana, 1886/87‑1988) “Funeral Procession” oil on board monogrammed mid-right, “Christie’s, New York, Rockefeller Center, Sept. 24th, 2015” labels en verso. Framed. sight 16‑1/4” x 23‑1/2”, framed 17‑1/4” x 24‑1/4” $4,000‑$6,000 987

988 Clementine Hunter (American/Louisiana, 1886/87‑1988) “Wash Day” oil on board monogrammed mid-right. Framed. 18” x 24”, framed 19‑1/4” x 25‑1/4” $4,000‑$6,000 988

333

989 American Transitional Late Classical-into-Rococo Revival Mahogany Four-Post Bed ca. 1850, attributed to C. Lee, Manchester, Massachusetts, with four cluster-column posts, the paneled headboard with a fruit-carved crest. h. 102”, inside w. 59‑1/2”, l. 76‑1/2”, outside w. 67”, l. 85” Provenance: Henry Ward Beecher/Harriet Beecher Stowe, Croton-on-Hudson, New York. $2,500‑$4,000 990 Antebellum New Orleans Market Rosewood TripleSection Armoire third quarter 19th century, attributed to the New Orleans warerooms of William and James McCracken, in the transitional Late Classical into Rococo Revival style, the arched projecting cornice with characteristic beading, over a central section with a pair of arched and paneled doors, over a pair of drawers, flanked by paneled side doors, the scalloped apron on distinctive cabochon-carved feet. h. 104”, w. 78”, d. 27” 990

$2,000‑$4,000

989

334

991 Exceptional American Rococo Revival Pier Mirror mid-19th century, the pulvinated surround decorated with bright and matte gilt, the crest decorated with a swan’s-neck cornice trimmed with molded fruit and pierced with scrollwork and flowerheads. h. 122‑1/2”, w. 30” $1,500‑$2,500

992

992 Lilly Martin Spencer (American, 1822‑1902) “Romeyn Pierson’s Children”, ca. 1859‑60 oil on canvas unsigned, verso with “Newark, New Jersey Colorman” stamp. Period giltwood frame. 40” x 50”, framed 52” x 61” Literature: “Lilly Martin Spencer”. Antiques and Fine Art. 2008. Web. Feb. 17, 2018. This painting has been authenticated by Robin Bolton Smith, the leading expert on Lilly Martin Spencer, and co-author of Lilly Martin Spencer: The Joys of Sentiment; and by Holly Pyne Connor, curator of 19th Century American Art at the Newark Museum of Art. $5,000‑$8,000

991

335

993 American Rococo Revival Rosewood Etagere attributed to Bembe & Kimbel, New York, third quarter 19th century, the upper section with five shaped mirrors and open shelves, the mid-section with a stepped shelf and a lidded storage box in the center, the base with a central drawer, shaped shelves and cabriole legs. h. 77”, w. 54”, d. 20” An etching illustrated in Joseph T. Butler’s American Antiques 1800‑1900, page 58, shows a suite of furniture from Sloan’s “Homestead Architecture” with a similar etagere. $1,500‑$2,500

993 detail

993

994 Napoleon III Gilt-Bronze and Giltwood Mantel Clock third quarter 19th century, the oblong case decorated with a figure of Erato removing an arrow from the quiver of a sleeping cupid, the works signed “Japy Freres” and “A. Waggand, Paris”. h. 16”, w. 24‑1/2”, d. 8” $1,200‑$1,800

995 American Rococo Revival Walnut Marble Top Center Table

994

third quarter 19th century, the marble top of tortoise form, over a conforming frieze with clusters of carved grapes and leaves, raised on cabriole legs with like carving at the knees, joined by a serpentine stretcher centered by a carved floral basket. h. 29‑1/4”, w. 44‑1/2”, d. 32‑3/4” $1,500‑$2,500

336

995

996 Rococo Revival Brass and Gilt-Metal Gasolier mid-19th century, attributed to Archer and Warner, Philadelphia, the two-light gasolier decorated with mounts depicting pierced grapes and grapevines. h. 35”, w. 26‑1/2”, d. 7” $1,000‑$1,500

996

997 Cesare Lapini (Italian/Florence, 1848‑ca. 1893) “La Serenata”, 1886 “Ciociara”, 1886 pair of carved marble sculptures each signed, localized "Firenze", and dated on base, presented on tripartite green marble columnar plinths with carved floral design. h. 42”, w. 19”, d. 13” and h. 40”, w. 16”, d. 11”, respectively $3,000‑$5,000 Cesare Lapini was one of the most accomplished and influential sculptors working in Florence in the mid to late 19th century. Through his profitable Galleria Lapini, he produced exquisitely detailed allegorical, religious and historical sculptures, which were particularly appealing to the wealthy American and British tourists. He eventually expanded his gallery to a workshop where he offered the works of his fellow sculptors, such as Augusto Passaglia (1838‑1918). Lapini’s considerable skill is evident in the two works presented here, especially with the attention to detail and the careful delineation of the various textures of flesh, cloth and stone. 997

337

998 American Rococo Revival Laminated Rosewood Settee ca. 1850, attributed to John H. Belter, New York, in the pattern commonly referred to as “Rosalie with Grapes”, the undulating back with three fruit- and floral-carved crests, having a diamond-tufted back and raised on carved cabriole legs. h. 37”, w. 62”, d. 32” $1,500‑$2,500 999 American Rococo Revival Giltwood and Marble-Top Pier Mirror third quarter 19th century, the crest with a winged cupid holding a cluster of grapes, above a central shield-form plaque, the whole resting on a marble shelf supported by a pair of gilded brackets. h. 107”, w. 38‑1/2”, d. 11‑1/2” $1,200‑$1,800 1000 Wurlitzer Starke Model No. 962 Rock Maple and Parcel-Gilt Harp set for forty-four strings and seven pedals, accompanied with its original case. h. 67‑1/2”, d. 32”

1000 999

$1,200‑$1,800

998

338

1001 American Rococo Revival Rosewood Half-Tester Bed third quarter 19th century, attributed to the New Orleans warerooms of William and James McCracken, the tester of serpentine form supported by tapering octagonal posts centered by a paneled headboard with a crisply carved shell-and-floral crest, the side rails with foliateand scroll-carved brackets joined to a wrap-around footboard with carved eagle heads at each corner, the head posts now reduced in height. h. 103”, inside w. 64”, l. 81‑1/2”, outside w. 71”, l. 90‑1/2” $7,000‑$10,000

1001

339

1002 John Neagle (American/Philadelphia, 1796‑1865, active New Orleans early 1820s) “Portrait of Mrs. Negus (1789‑1879) with Her Granddaughter Sarah Negus (1840‑1915)”, 1851 oil on fine linen signed, dated, localized and sitters identified en verso, old handwritten note attached to stretcher, Philadelphia supplier stamp en verso canvas. Framed. 23‑1/2” x 20‑1/4”, framed 52‑1/4” x 44‑3/4” Provenance: J. Engle Negus, Esq., Philadelphia, Pennsylvania; by descent in family; Estate of Dr. Carroll Ball, Jackson, Mississippi. $5,000‑$8,000

1002

The sitters, both named Susan Engle Negus, are the mother and daughter of James Engle Negus (1809‑1884) of Philadelphia and Somerset, New Jersey. His mother was born Susan Engle in Philadelphia on June 18, 1789, the daughter of patriot, lawyer and later Speaker of the Pennsylvania House James Engle (1757‑1821) and his wife Margaret Adam (1760‑1821). She married tavern keeper John Negus (1784‑1823) in 1808, and their son James was born in Philadelphia on June 2, 1809. He became a prosperous merchant and chief weigh-clerk at the U.S. Mint in Philadelphia, and married Isabella Van Syckel (1814‑1892) of Mercer County New Jersey in 1835. Their first daughter Susan Engle Negus, named after her grandmother, was born on November 3, 1840 in Philadelphia and baptized there on April 7, 1841 at the Tenth Presbyterian Church. (At the time of this portrait in 1851, grandmother Susan E. Negus would have been

340

62 and granddaughter Susan 11.) In June of 1854, James Engle Negus was exposed with uncharacteristic and inexplicable short-weighting at the Mint and, when confronted, confessed to the depredation of $14,000 in gold. He made full and immediate restitution and moved with his family to Bound Brook, Somerset County New Jersey, where he eventually became a rehabilitated and respected country gentleman. His mother died there on February 22, 1879, and he on August 17, 1884. Susan Engle Negus the younger never married but traveled extensively and was active in both the Daughters of the American Revolution and the Mayflower Society. She died on July 16, 1915 in Atlantic City. She, her father, and her grandmother are all buried in Woodlands Cemetery in Philadelphia.

1003 American Transitional Late Classical-into-Rococo Revival Rosewood Bedstead mid-19th century, attributed to C. Lee, Manchester, Massachusetts, the turned posts with carved beaded details, the paneled headboard with a fruit- and floralcarved crest. h. 89”, inside w. 62”, l. 77”, outside w. 69”, l. 86” $3,000‑$5,000

1004 Two-Piece Cast Iron Garden Suite in the “Fern” Pattern

1004

late 19th/early 20th century, comprised of a bench and an armchair, each with a back modeled as fronds and extending to closed arms, a dished openwork seat and legs joined at the sides by leaf brackets. bench h. 33‑1/2”, w. 51‑1/4”, d. 22”, chair h. 32‑1/4” $1,500‑$2,500

1004

1003

341

1005 American Folk Art School (Mid-19th Century) “Portrait of a Man by a Window” oil on canvas unsigned. Framed. 36‑1/2” x 28”, framed 46” x 38‑1/4” $1,000‑$1,500

1006 Pair of Coalbrookdale Cast Iron “Peacock” Garden Benches fourth quarter 19th century, each with a fanform panel in the pierced back, decorated with scrollwork, a slatted cast iron seat and cabriole legs. h. 37”, w. 45‑1/2”, d. 18‑1/2” $1,000‑$1,500

1005

1006

342

1007 Dr. Augustus Choate Hamlin (American/Maine, 1829‑1905) “Probably a Self-Portrait of Dr. Augustus Choate Hamlin”, 1870 oil on canvas signed and dated lower left. Framed. 53” x 41”, framed 61‑1/2” x 49‑1/2” $1,000‑$1,500 1007

Born into a prestigious Maine family, Dr. Augustus Choate Hamlin served as a medical doctor and medical inspector for the union forces during the Civil War, Surgeon-General of Maine (1882‑1886), and Bangor’s mayor (1879‑1880). His uncle Hannibal Hamlin was elected as Abraham Lincoln’s first vice president (1861‑1865) and U.S. Senator from Maine. Dr. Hamlin was also an avid collector of the gemstone tourmaline found in Maine. In 1895 he published a definitive book on the History of Mount Mica which documented his father’s original discovery of the gemstone. Dr. Hamlin was a painter, known for his landscapes, and a founding member of the Bangor Historical Society. Despite his productive career, Dr. Hamlin was plagued during his lifetime by the reports of his unplanned departure during the First Battle of Manassas on July 21, 1861. As a doctor, Hamlin served with the surgeon Dr. William H. Allen in the Second Maine Infantry Regiment. Under heavy fire from Confederate General J.E.B. Stuart and the First Virginia Cavalry Regiment, Hamlin impulsively stole the horse of his Union commander Colonel Charles Jameson and fled away from the battle front towards Washington, D.C. The Daily Whig and Courier’s newspaper editor William Wheeler alluded to Dr. Hamlin leaving the battlefield when he wrote in the July 24, 1861 edition:

“Dr. Allen of Orono, surgeon of the 2d regiment, was taken prisoner by the rebels while performing the humane duties of his profession on the field of battle... The conduct of Dr. Allen stands out in bright contrast with that of a portion of the surgical forces, who mounted their horses and disgracefully fled[,] leaving the wounded and wearied soldiers to the mercies of the enemy.” Dr. Hamlin’s cousin Union General Cyrus Hamlin was an early advocate of enlisting African-American troops in the Union Army. In February 1863, he was appointed the first colonel of the 80th United States Colored Troops in Louisiana and participated in the Siege of Port Hudson. Cyrus Hamlin was promoted to brigadier general and assigned command of the military district of Port Hudson, Louisiana. Since Dr. Hamlin was so discredited in Maine at the time, he may have joined his cousin in Louisiana in the aftermath of the Civil War where he painted his self-portrait. Ref: Swartz, Brian, “A Hamlin could get away with cowardice,” Maine at War, October 23, 2014: maineatwar.bangordailynews.com/2014/10/23/a-hamlincould-get-away-with-cowardice/ and “Hamlin, Augustus (1829 - 1905),” Maine Public Library, www.maine.gov/msl/ maine/writdisplay.shtml?id=284455

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1008 American Aesthetic Giltwood Overmantel Mirror third quarter 19th century, the pierced crest decorated with a reeded medallion on a shield flanked by scrollwork and flowers, the sides with molded frames terminating in leaf-molded brackets beneath anthemiamolded side crests. h. 79”, w. 54‑1/2” $1,500‑$2,500 1009 Hermann Ottomar Herzog (German/American, 1832‑1932) “Chalet in the Alpine Mountains” oil on canvas signed lower left. Period gilt frame with artist plaque. 20‑1/4” x 19‑1/4”, framed 30‑1/2” x 29” $3,500‑$5,000

1008

344

1009

1010 Hermann Ottomar Herzog (German/American, 1832‑1932) “A North African Man in a Courtyard” oil on board signed lower left, verso with “Galt Gallery, Ft. Lauderdale, Florida” label. Framed. 15” x 10”, framed 23‑1/4” x 17‑1/4” Provenance: Estate of Jean and Jack Kelley, Tulsa, Oklahoma. $2,000‑$4,000

1010

1011 American Cast Iron Jockey-Form Hitching Post ca. 1875, attributed to J. W. Fiske, New York, illustrated in Fiske’s 1875 catalogue and later editions, the figure standing on a bale and holding a buckle-form rein holder. h. 46”, w. 15‑1/2”, d. 15” $1,200‑$1,800

1011

345

1012 Louis Julien (Jules) Franceschi (French, 1825‑1893) “Isis” patinated bronze third quarter 19th century, cast signature along proper right side and with a Delesalle et Cie foundry inscription along left. h. 38”, w. 17‑1/2”, d. 11‑3/4” $7,000‑$10,000 Franceschi was from a Franco-Italian artistic family both his father and brother were sculptors. Receiving a rigorous Academic training, first at l’Ecole de Design in Besancon and later in Paris with Francois Rude (1784‑1855), Franceschi was a darling of the Paris Salon from the moment of his debut in 1848. His impeccably composed allegorical and mythological depictions of women were popular with collectors and critics alike, and he received numerous prestigious commissions for public monuments, including the Hotel de Ville, the Jardin du Luxembourg, the Louvre, and the facade of the Opera Garnier. Franceschi received numerous awards and was named a Chevalier de la Legion d’Honneur in 1874. Edouard Delesalle et Cie was active ca. 1860‑1874, when the company was dissolved and its property sold at auction. This bronze, with a joint Delesalle foundry inscription and Jules Franceschi signature, can therefore be dated to that fourteen-year span. Reference: “Jules Franceschi Obituary”, 1893, New York Times, September 16.

1012

346

1013 American Renaissance Revival Parcel-Gilt Walnut and Marble-Top Pier Mirror third quarter 19th century, the top with a heavily molded overhanging molding centered by a molded Minerva head, the base with applied ornamentation and raised on turned legs. h. 104”, w. 70”, d. 14” $2,000‑$4,000

1014 Suite of Seven American Late Victorian Carved Oak Dining Chairs fourth quarter 19th century, in the manner of R. J. Horner, New York, comprised of two armchairs and five side chairs, each with a central plaque flanked by carved cornucopia in the crest and acanthus carved details to the back frames, raised on cabriole legs with clovenhoof feet. armchair h. 47‑1/2”, w. 26”, d. 24”, sidechair h. 43”, w. 21”, d. 20” $3,000‑$5,000

1013

1014

347

1015 American Late Victorian Mahogany Writing Desk fourth quarter 19th century, attributed to R. J. Horner, New York, the rectangular top with a molded edge and rounded corners, one side fitted with drawers with carved lion’s-head pulls, the opposite side with the same configuration in faux drawers, each corner leg with a carved stylized lion and ending in carved paw feet. h. 30‑1/2”, w. 55”, d. 34” $3,000‑$5,000

1015

1016 William Stanley Haseltine (American, 1835‑1900) “The Cliffside Monastery” oil on canvas monogrammed lower left. Framed. 15” x 19‑1/2”, framed 21‑1/2” x 25‑1/2” $2,000‑$4,000

1016

348

1017 After Frederick William MacMonnies (American/New York, 1863‑1937) “Bacchante and Infant Faun” patinated bronze fourth quarter 19th century, cast signature, inscribed “PARIS”, dated “1894”, and copyright-marked along self-base. h. 33”, w. 11”, d. 12” $2,500‑$4,000 The original model of this bronze was created in 1893, and was initially offered to the Boston Public Library for display in its courtyard. MacMonnies’ intentionally sensuous depiction of an inebriated celebrant (based on a sitter he resolutely refused to name) caused quite an uproar, and after several months of heated political discourse on what was considered by the people of Boston as the inherent immorality of the figure, and its gross inappropriateness, the sculpture was withdrawn from consideration. This notoriety eventually worked in the sculptor’s favor, and this model became one of his most popular, being reproduced in several different sizes. Editions of this sculpture are conserved at such illustrious institutions as Atlanta’s High Museum of Art, the Metropolitan Museum of Art, Indianapolis Museum of Art, and the Delaware Art Museum. Reference: Janis Conner and Joel Rosenkranz. Rediscoveries in American Sculpture Austin: University of Texas Press, 1989; pp. 128‑131.

1017

1018 Harry Herman Roseland (American, 1866‑1950) “Visit to the Tea Leaf Reader” oil on canvas signed lower left, an “Artists Framing Co., J. Lowenbein, Prop., Picture Frames, Fine Paintings, 57 East 59th Street, New York” label and handwritten inscription “This picture belongs to Mary E. Voorhees” en verso. Period frame. 20” x 30”, framed 24‑1/4” x 34‑1/4” $1,500‑$2,500 1018

349

1019 Tiffany Studios, New York, Leaded Glass and Bronze Table Lamp in the “Dogwood” Pattern early 20th century, with white flowers against a mottled green background, the inside lower edge of the shade stamped “TIFFANY STUDIOS NEW YORK 1478”, the bronze base with an adjustable telescopic stem in an air-root design, raised on favrile glass balls mounted to a circular bronze base and fitted with a three-socket swirling cluster, signed and numbered “TIFFANY STUDIOS NEW YORK 10917.” shade dia. 18”, adjustable h. 24” to 28” $25,000‑$40,000

1019 top view

1019 signature

350

1019 signature

1020 Tiffany Studios, New York, Leaded Glass Chandelier in the “Nasturtium” Pattern early 20th century, with mottled yellow and amber flowers with green mottled leaves, set against a mottled blue/green background, the lower edge of the shade trimmed with a beaded bronze border, the upper edge also beaded and with three hanging hooks, suspended by three bronze chains from the beaded bronze canopy, the three-cluster socket suspended by a later electrical cord, the shade bearing its original applied tag inside the lower rim, “Tiffany Studios New York 610.” overall h. 41”, shade h. 11”, dia. 28‑1/2” $60,000‑$90,000

1020 top view

1020

1020 underside view

1020 signature

351

1021 Tiffany Studios “Zodiac” Pattern Gold Dore Seven-Piece Desk Set ca. 1906‑1930, New York, comprised of a letter holder, h. 8‑1/4”, w. 12”, d. 3‑1/4”, a pair of blotter ends, l. 19‑1/4”, d. 2”, an inkwell with a molded glass insert, h. 4”, dia. 6‑1/2”, a magnifying glass, l. 8‑3/4”, a letter opener, l. 10‑1/4”, a pen tray, l. 9‑3/4”, w. 3”, and a desk calendar with a 1943 insert, h. 4”, w. 4‑3/4”, d. 5‑3/4”. $1,000‑$1,500

1022 Tiffany Studios, New York, Patinated Bronze and PrismHung Hall Light early 20th century, bearing the stamped signature “TIFFANY STUDIOS NEW YORK 3055”, and dressed with various unsigned gold aurene and opalescent favrile glass prisms. h. 30”, dia. 11” $2,500‑$4,000

1023 Circle of William Merritt Chase (American, 1849‑1916)

1022

“Portrait of a Woman” oil on canvas unsigned, “Hackley Art Gallery, Muskegon, Michigan” label on frame backing. Framed. 21” x 17”, framed 33‑5/8” x 29‑5/8” $1,500‑$2,500

1021

352

1022 signature

1023

1024 Newcomb College Art Pottery

1026 Three Van Briggle Art Pottery Vases

matte-glazed vase, 1920, decorated by Sadie Irvine with live oaks, moss and moon in yellow, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter mark, registration no. “LG51” and shape no. “49”. h. 6‑1/4”, w. 8”

ca. 1995‑2005, including “Despondency”, a matte turquoise glazed vase with a recumbent male figure around the opening, after the famous 1903 model, h. 16‑1/2”, w. 8‑1/2”; “Iris”, a matte turquoise glazed vase with handles and relief of longstemmed irises, h. 14”, w. 7”; and a two-toned matte periwinkle and blue vase with relief of anthuriums, h. 10”, w. 6‑1/2”. Each base marked with the AA monogram, potter’s/ decorator’s initials and “Van Briggle/Colo. Spgs. Co”.

Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $2,500‑$4,000

Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,000‑$1,800

1025 Newcomb College Art Pottery matte-glazed vase, 1925, decorated by Sadie Irvine with incised magnolia leaf veins and paperwhite flower spandrels in yellow, green and blue underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter mark, registration no. “OY44” and shape no. “319”. h. 8”, w. 3‑1/2” Provenance: Estate of Richard Anthony Goula, proceeds to benefit the Thistlewood Foundation, Lafayette, Louisiana. $1,000‑$1,500

1024

1025 1026

353

1027 Continental Majolica Jardiniere fourth quarter 19th century, set with scrolled handles, the sides decorated with scrollwork and flower-molded drops against a glazed ground, the base molded with leaves. h. 16”, w. 20‑1/4”, d. 16‑3/4” $1,000‑$1,500 1028 Edward Sheriff Curtis (American, 1868‑1952) “Tipi Construction A (Sioux)” and “Tipi Construction B (Sioux)”, 1907 two photogravures published in The North American Indian, vol. III, Cambridge, MA: The University Press, 1908; titles and “From Copyright Photograph 1907 by E. S. Curtis” lower margins. Matted, glazed and framed together. sight 5‑7/8” x 7‑1/2”, framed 12‑3/4” x 24‑3/4” $1,000‑$1,500

1027

1028

354

1030

1029

1029 Semi-Antique Mahal Carpet 9’ x 10’ $2,000‑$4,000 1030 Laristan Sultanabad Carpet 6’ x 9’ $1,000‑$1,500 1031 Hamadan Carpet 4’ 5” x 6’ 6” $1,000‑$1,500

1031

355

1032

1033

1032 Uzbek Lesghi Star Kazak Carpet 8’ 10” x 12’ 5” $1,400‑$1,800 1033 Turkish Angora Oushak Runner 2’ 7” x 19’ 9” $1,000‑$1,500 1034 Agra Mahal Carpet 9’ x 12’ $1,000‑$1,500

356

1034

1035 Agra Mahal Carpet 11’ 9” x 14’ 8” $1,200‑$1,800 1036 Peshawar Serapi Carpet 9’ 10” x 13’ 8” $2,500‑$4,000

1036

1035

357

1037 Vintage Custom Hand-Woven Silk and Wool Carpet 21’ 7” x 12’ 7” $3,000‑$5,000

1038 Antique Oushak Carpet 9’ x 12’ 9” $5,000‑$8,000

1038

358

1037

1041 1039

1039 Peshawar Senneh Carpet 9’ 4” x 12’ 3” $2,000‑$4,000

1040 Heriz Carpet 9’ 3” x 12’ $1,000‑$1,500

1041 Semi-Antique Esari Carpet 4’ x 6’ 6” $1,400‑$1,800

1040

359

1043

1042 Turkish Angora Oushak Runner 2’ 6” x 20’ 1” $1,000‑$1,500

1043 Semi-Antique Sarouk Carpet 10’ x 15’ 6” $1,000‑$1,500

1042

360

ARTIST INDEX | DECEMBER 8-9, 2018 Adickes, David Pryor 805

de Kristo, Bela 903

Amaya, Armando 867

de Momper, Frans 219

American Folk Art School 1005

de Penne, Charles Olivier 315

Anderson, Walter Inglis 986

de Rasky, Marie Madeleine 479

Andre, Albert 150

de Sartorius, Virginie 463

Anglade, Gaston 277

de Schampheleer, Edmond 304

Baber, Ernest Morton 477

de Vos, Vincent 283

Barsano, Ron 474

Dedreux, Alfred (school of) 548

Bastien, Alfred 286

Delacroix, Eugene 225

Batoni, Pompeo Girolamo (after) 89

Drysdale, Alexander John 973, 978, 979

Bean, Alan 806

Dureau, George Valentine 846

Bearden, Romare 860

Durer, Albrecht 228

Berckheyde, Gerrit Adriaenszoon 215

Dzigurski, Alex 242

Berthelsen, Johann 794

Edouart, Auguste 961, 962, 966, 968

Blanchard, Antoine 143

Edzard, Dietz 155-160

Boucher, Francois (follower of) 423

Engle, Chet 473

Bridges, Charles (attributed to) 929

Fellowes, James 8

British School 9, 13, 14, 42, 378, 388, 391, 395, 405, 416

Fonseca, Caio 899

Brochart, Constant Joseph 467

Fontana, Ernesto 264

Brueghel the Younger, Jan (attributed to) 220

Franceschi, Louis Julien (Jules) 1012

Buck, William Henry 976

Freeman, Eric 816

Burliuk, David 148

French School 90, 335, 422, 546

Burliuk, David Davidovich 904-906

Frishmuth, Harriet Whitney 831

Capa, Cornell 791

Fry, Lewis George (attributed to) 406

Carlier, Max Albert 125

Gall, Francois 161

Carpento, Henri Joseph Gommarus 259

Gibson, William Alfred 414

Chagall, Marc 894

Gilbert, Jan 810

Chase, William Merritt (circle of) 1023

Gilbert, Victor Gabriel 141, 142

Cherry, Kathryn E. Bard 796, 798

Gilot, Francoise 902

Choi, Wook-Kyung 850, 851

Godchaux, Emile 253

Colonial American School 933

Goltz, Alexander Demetrius 316

Continental School 62, 75, 223, 258, 261, 317

Guenard, Hortaire J. 971

Cserney, Jstvan 263

Guillaume, Pierre 487

Cundin, Jose-Maria 808

Haines, E. 488

Curtis, Edward Sheriff 1028

Hamlin, Dr. Augustus Choate 1007

Dauzats, Adrien 212

Haseltine, William Stanley 1016

Dayton, Peter 815

Heppener, Johannes Jacobus 250

de Grailly, Victor 291

Herzog, Hermann Ottomar 1009, 1010

361

ARTIST INDEX | DECEMBER 8-9, 2018 Hettinger, David 478

Maratti, Carlo (attributed to) 88

Heyer, Arthur 262

Marinari, Onorio (studio of) 222

Heytman, Willem 492, 494

Martini, Gino 802

Hines, Theodore 410

Mata, Evelio Garcia 484

Holmstedt, Johann 513

Matos, John â&#x20AC;&#x2DC;CRASHâ&#x20AC;&#x2122; 861

Holyoak, William 407

Meeker, Joseph Rusling 975

Hoppner, John (manner of) 41

Michelena, Arturo 224

Hunter, Clementine 987, 988

Miller, Richard E. (manner of) 417

Hutson, Charles Woodward 984

Miro, Joan 898

Icart, Louis 833

Montezin, Pierre-Eugene 149, 151

Italian School 90, 93-102, 230

Monticelli, Adolphe Joseph Thomas 266

Italian School, Probably Venetian 74

Mouchot, Ludovic 545

Italian-Flemish School 231

Muenier, Jules-Alexis 299

Jenny, Arnold 511

Munoz, Sebastian (attributed to) 88

Jennys, William 948

Murphy, N.A., John Francis 413

Johnson, Richard 812

Murray, Sir David 412

Jost, Joseph 476

Musin, Auguste Henri 243

Katz, Alex 859

Neagle, John 1002

Kennedy, Edward Sherard 404

Newcomb College Art Pottery 1024, 1025

Kisling, Moise 901

Niemann, Edmund Johann 415

Knight, Daniel Ridgway 402

Nierman, Leonardo 856

Lapchine, Georgi Alexandrovich 163

Ninas, Paul 982

Lapini, Cesare 997

Novoa, Gustavo 804

Lartigue, Jacques Henri 792

Onderdonk, Julian 981

Lebron, Sandi 485

Pauwels, Henri Joseph 482, 483

Lejeune, Jacques Renard 803

Perrault, Leon Bazile 314

Lens, Andries Cornelis (attributed to) 81

Perrin, Dennis 828

Lever, Hayley 162

Perronneau, Jean-Baptiste (attributed to) 438

Livoff, Piotr Ivanovitch 509

Picasso, Pablo 896, 897

Loeb, Sidonia (Mrs. Lewis Crager) 977

Pissarro, Georges Manzana 147

Lougheed, Robert 801

Pissarro, Hugues Claude 144-146

Louisiana School 969, 970, 972

Ponthus-Cinier, Antoine 265

Lovet-Lorski, Boris 842

Pryn, Harald Julius Niels 510

Luce, Maximilien 153, 154

Puigaudeau, Ferdinand Loyen du 164

MacKenzie, Marie Henrie 276

Ragot, Jules Felix 254

MacMonnies, Frederick William (after) 1017

Rains, Malcolm 807

Mantegna, Andrea (after) 221

Rasmussen, Georg Anton 512

Marais-Milton, Victor 544

Rix, Julian Walbridge 800

362

ARTIST INDEX | DECEMBER 8-9, 2018 Rockmore, Noel 809

van Leemputten, Jef Louis 272

Rodrigue, George 858, 862, 863

van Luppen, Gerard Jozef 245

Roseland, Harry Herman 1018

van Mieris the Elder, Frans (school of) 214

Rothwell, R.H.A., Richard (attributed to) 15

van Os, Pieter Gerardus 246

Rouault, Georges 900

van Ostade, Adriaen Jansz (school of) 213

Salimbeni, Ventura (attributed to) 76

van Rijn, Rembrandt Harmenszoon 226, 227

Sander, Sherry 868

van Strij, Jacob 302

Schiefer, Johannes 152

Varlese, Giovanni 85

Schouten, Henry 271, 281, 292, 305

Venusti, Marcello (circle of) 229

Schouten, Paul Henry 282

Verkade, Kees 873

Seidenberg, Jean 847

Vigee Le Brun, Elisabeth Louise (manner of) 430

Shayer, Sr., William 244, 409

Volkert, Edward Charles 797

Sherrin, Daniel 411

von Spanyi, Bela 275

Sheets, Nan 795

Wagner-Hohenberg, Fritz 257

Shively, Douglas 799

Walker, William Aiken 974

Slonem, Hunt 840, 841, 866, 871, 872

Weston, Edward 793

Smith, John Wells 403

Woollett, Henry Charles 408

Smith, Shirley Thomson 876

Zakrzewski, Vladimir 875

Sokov, Leonid 813, 814

Zampighi, Eugenio Eduardo 260

Souchon, Marion Sims 983 Southeast Asian School 570 Southern School 980 Spanish School 217 Speck, Loran 475, 479-481 Spencer, Lilly Martin 992 Staller, Gerard Johan 486 Stanton, Gideon Townsend 985 Steffens, Louise 393 Stewart, Allison 811

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere. The Artistâ&#x20AC;&#x2122;s Name: In our qualified opinion, a work by the artist. Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist. School of / Follower of: In our qualified opinion, a work by a follower of the artist. Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence. Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence.

Stocquart, Ildephonse 303

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

ten Cate, Hendrick Gerrit 249

After: In our qualified opinion, a copy of a known work by the artist.

Thomson-Smith, Shirley 855

Signed: In our qualified opinion, has the signature which is that of the artist.

Toorenvliet, Jacob (circle of) 218

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.

Toulouse-Lautrec, Henri de 832 van Balen, Jan (attributed to) 220

Dated: In our qualified opinion, is so dated and was executed on or around that date.

Van Briggle 1026

Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.

van den Hoecke, Gaspar (school of) 216 van der Plas, Niek 489-491, 493

363

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2. Before the Auction

ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d b a New Orleans Auction Galleries ( NOAG ), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the uyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). nder these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction is a public auction conducted by NOAG, at which idders may place ids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer is the auctioneer calling the Auction conducted by NOAG; A id is a bid made by a party at the Auction to purchase a Lot; • A “Bidder is (i) a person making a id at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and or (ii) a person who attends the Auction and registers to make a id (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer is the party that commits to purchase a Lot by submitting the Winning id at Auction; • “Bu er’s Pre iu

is defined in Section 4 below;

• “Catalogue is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “ sti ates are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and or announced at the Auction; • The “ a er Pri e” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, uyer’s remium, expenses, and any taxes or other charges; • A “Lot is specific item of property offered for sale at Auction; The serve is defined in Section 3 below;

• The “Purchase Price is defined in Section 4 below; A Sale of a Lot occurs when a Winning id is declared at Auction for the Lot; • The “Seller of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid is, as to a particular Lot, the Auctioneer as the highest and best id for that Lot.

id recognized by the

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the uyer. (d). y bidding at the Auction as a idder or uyer, and or by your signature below, you agree to be bound by these terms.

(a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION O THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. idders and uyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition eport, or in any other statement or writing provided. All Sales are final and are AS IS WHE E IS. (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for uyer’s intended use or for uyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST E ICTION IS WAI ED AND E CL DED. In the event that uyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the urchase rice to uyer. uyer is buying at uyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAI ED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property Condition eports. rospective uyers and idders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, idders may request that NOAG produce a Condition eport ( Condition eport ) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition eport for any specific Lot, for any reason and in NOAG’s sole discretion.

ev. 01 04 17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition eport, and or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. eferences in the Catalogue entry or the Condition eport to damage or restoration are for guidance only and should be evaluated by personal inspection by the idder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of roperty is a statement of opinion only and shall not be relied upon by idders or prospective idders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the roperty. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). urther acknowledgement. As a idder and prospective uyer, you further agree and acknowledge that:

(i) ou are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition eport, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) our purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition eport or elsewhere would cause a nonpecuniary loss to a uyer.

3. At the Auction (a). egistration before bidding idding requirements. In order to be accepted as a idder and allowed to place a id, all idders must meet all of the following requirements: (i) A idder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a id, a idder is accepting personal liability to pay the urchase rice in full in the event that the idder submits the Winning id, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the idder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All ids are to be made in .S. currency unless agreed upon between NOAG and the idder; and (v) At NOAG’s sole discretion, NOAG may require any idder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 5 of the Maximum id (or another amount set in NOAG’s sole discretion) in the case of Absentee ids (defined below). (b). efusal of admission ejection of idders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any idder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids Telephone bids. (i) As a convenience to idders, NOAG may allow a idder to submit an absentee bid ( Absentee id ) or telephone bid ( Telephone id ) by filling out (in full) the section of the attached registration form marked Absentee ids Telephone ids. In order to submit an Absentee id or Telephone id for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee id or Telephone id submissions in NOAG’s sole discretion.) All Absentee id submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee id is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee id at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee id is the Winning id; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and or NOAG. If NOAG receives Absentee ids on a particular Lot with identical Maximum id amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee id was received and accepted first. In the event of a tie bid between an Absentee id and a id submitted by a idder physically present at the Auction (or a Telephone id), the Lot will be sold to physically present idder (or bidder submitting the Telephone id).

ev. 01 04 17

(iii) If a Telephone id is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the idder using the telephone number provided. If successfully contacted, the idder shall then be afforded the opportunity to place a id on the Lot by telephone. Telephone ids may be recorded. y submitting a Telephone id, the idder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee ids and Telephone ids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee id or Telephone id or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any idder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone id in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the eserve ). The eserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the eserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the eserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer rice below the eserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a id on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any id, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning id, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. nless otherwise announced by the Auctioneer at the time of Sale, all ids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning id and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning id and the conclusion of a contract for sale between the Seller and the uyer. isk and responsibility for the Lot but not its title passes to the uyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning id at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute ids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the uyer must tender payment in full of all of the following amounts (all such amounts together being the urchase rice ) to NOAG: (i) the Hammer rice; and (ii) the uyer’s remium consisting of a premium of 5 of the Hammer rice (discounted to if the method of payment is by check, cash, or wire transfer subject to a 30 fee for domestic wires and a 60 fee for international wires by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer rice of 00,000 and 10 of the amount by which the Lot’s Hammer rice exceeds 00,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the idder contemporaneously with the execution of the attached registration form. (b). ayment and passing of title. The uyer and any other idders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the uyer must pay the full urchase rice no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. ayments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. ayments may be made by certified check, cash, wire transfer, or credit card ( isa, Mastercard, and American Express). ayments will be accepted by non-certified check only in NOAG’s sole discretion, from uyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the uyer until the full amount of the urchase rice has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the uyer. (c). Credit Cards. our signature on this form constitutes permission to charge the full amount of the urchase rice on your credit card, if you are the uyer on a Lot and payment is not received within five business days of the close of the Auction. our signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). elease of Lot to uyer. No Lot will be released to the uyer unless and until NOAG receives full payment of the urchase rice, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the uyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a uyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export Import license and Dealers. It is the uyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the uyer herein. Dealers purchasing for resale must enter appropriate their Dealer esale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of 5.00 per Lot per day ( Storage Charge ) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the urchase rice) before such Lot will be released to the uyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the uyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). emedies for non-payment. If the uyer fails to make payment in full of the urchase rice in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the uyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5 ) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the uyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting uyer; (viii) to set off against any amounts which NOAG may owe the uyer in any other transactions, the outstanding amount remaining unpaid by the uyer; (ix) where several amounts are owed by the uyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the uyer so directs; (x) to reject at any future Auction any ids made by or on behalf of the uyer or to obtain a deposit from the uyer before accepting any ids; (xi) to exercise all the rights and remedies of a person holding security and or privilege over any property in our possession owned by the uyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3 47, La. .S. 10:7- 09 and 10:7- 10 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the uyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the uyer as collateral security for such uyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the uyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the uyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the uyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of uyer. NOAG may, as a courtesy, assist uyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to uyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. or any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer rice for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning id, with the balance of the urchase rice being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the uyer or idder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the uyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from idders or obtain information about idders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of idders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for idders’ benefit. y participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. y bidding at the Auction and or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the ederal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries 333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | ax: 504-566-1851 | info neworleansauction.com

REQUEST FOR CONDITION REPORTS Condition reports are completed in the order in which they are received. Please allow ample time for large requests. Condition reports will not be given verbally. Name (Please Print): ________________________________________________________ Date: ____________ Email Address: ___________________________________________ Phone: (_______)______________

Fax: (_______)______________________________

lease submit this form by 5:00 p.m. two days prior to the first day of the auction.

Lot #

Description

Special Requests

________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ ________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________

New Orleans Auction Galleries 333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dea er Resa e

(Dea ers must a so si n o cia State o Louisiana document):

Address: City:

State:

IP:

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E mai Address: Conditions o Sa e: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot

Bid Amount (not inc udin

uyer’s premium) OR Te ephone Num er to Ca :

$ $ $ $ $ $ $ $ $ VISA MasterCard :

E piration Date:

CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Si nature (Re uired): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

ABSENTEE/TELEPHONE BID FORM (continued) Name (Please Print): ______________________________________

Lot

Bid Amount (not inc udin

$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $

uyerâ&#x20AC;&#x2122;s premium) OR Te ephone Num er to Ca :

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie n ish ontinenta urniture Ira Savoie ndependent ertified emo o ist ppraiser Claudia Kheel ine rt

Charles C. Cage Silver Specialist Office Manager

ADMINISTRATION Denise Haik ffice dministration Gary Michael Gittelson hoto rapher

Christa Ougel raphic esi ner Bettina Bausa raphic esi ner

Grace Connors ana er of a ebread uction

Colleen Ryan Director of Human Resources

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson Theadrow Mark