Estates Auction: March 26-27, 2022 by New Orleans Auction Galleries

New Orleans Auction galleries

Estates Auction: March 26-27, 2022

ESTATES

AUCTION MARCH 26-27, 2022

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 Auction License LA AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium

Front Cover: Lot 124 Back Cover: Lot 125 Pictured Left: Lot 97, Lot 132

Women’s H i s t o r y Month is a time to honor and celebrate the brave, trailblazing women who have changed the world, and also an opportunity to reflect on the inspiration and invaluable lessons provided by the special women in our own lives. I feel fortunate to have been surrounded by remarkable women throughout my life. For example, I learned about the importance of hard work and determination f rom my mother, who raised three boys while pursuing a full-time career, and also found time to earn a master’s degree along the way. My grandmothers taught me the importance of kindness and compassion. And there are numerous other mentors, teachers, family members and friends along the way who have helped shaped my personal life and professional pursuits. With that said, I could not be prouder that NOAG is a women-owned, women-led business. Our CEO, Susan Sarofim, a businesswoman and philanthropist, has guided NOAG through challenging times, including a major hurricane and a global pandemic, and this company would not be what it is today without her thoughtful leadership and forward-looking vision. Tessa Steinkamp, NOAG’s Director of Auctions, not only works tirelessly to curate successful sales, but also leads and inspires our team each and every day. Her achievements throughout her career in the auction business, a historically male-dominated industry, are countless. I had the distinct honor of apprenticing under Tessa to earn my auctioneer’s license and am humbled to have the opportunity to continue learning from her. I’d also be remiss to not acknowledge the many inspiring women on our team, with whom I have the privilege of working with every day.

Pictured Left: Lots 136-142

At NOAG, we have had the honor of presenting the collections and estates of some truly incredible women. From the larger-than-life Bonnie Swearingen and arts patron Carol Austin Straus, to the beloved antique dealer and collector Allain Bush, the stories we have had the chance to share with you over the years have been nothing short of inspiring. It thus seems fitting that during this special month, we find ourselves presenting the estates of two remarkable women: Anne Hise and Nancy Morrison. In 1952, Anne became the first woman to graduate with a degree in Petroleum Engineering at the University of Oklahoma. Anne’s love for design and collecting is evident in the beautiful furniture, fine art and decorative objects offered in this auction. A fellow successful businesswoman and passionate collector, Nancy Morrison, a native Houstonian, was a lifelong learner whose philanthropic efforts and support for the arts left a lasting mark on her community. We are pleased to offer an impressive selection of Nancy’s fine art and jewelry in our first major sale of the year. I invite you to read more about both of these remarkable women in the pages that follow. Finally, I am thrilled to invite you all to once again join us for in-person bidding at our March 26-27 Estates Auction. We’ve missed seeing you all and appreciate your patience and understanding as we’ve navigated the challenges of the past couple of years. As always, we are here to help and are happy to provide condition reports, additional photos or arrange a virtual meeting to assist you! See you at the auction,

Taylor Eichenwald Assistant Director

ESTATES AUCTION MARCH 26-27, 2022

LOT SCHEDULE: Please note that times are approximate.

Saturday, March 26, 2021

Sunday, March 27, 2021

10:00 a.m CST

10:00

11:00

10:00

11:00

491

570

11:00

12:00

160

11:00

12:00

57 1

650

1:00

161

24 0

12:00

1:00

651

73 0

12:00

1:00

2:00

241

320

1:00

2:00

73 1

810

2:00

3:00

32 1

400

2:00

3:00

811

9 03

3:00

4:00

4 01

491

EXHIBITION: MARCH 14-25, 2022 Closed Sunday, March 20

Monday - Friday 9:00 a.m. - 5:00 p.m. Saturday, March 19 10:00 a.m. - 3 p.m.

BIDDING: Bidding is available in-person, by telephone, absentee and live online with LiveAuctioneers and Invaluable.

Telephone

Absentee

Live Online

In-Person

Pictured Right: Lot 149

EATURING:

The Estate of Anne Warren and Bill Rollin Hise Baton Rouge, Louisiana The Estate of Nancy R. Morrison Houston, Texas Property from the Collection of Dr. Arnold and Celia Lupin New Orleans, Louisiana The Estate of Dr. Carroll Ball Jackson, Mississippi

Lot 169 Jean-Baptiste-Camille Corot "Les Ruins du Chateau de Pierrefonds" From The Estate of Nancy R. Morrison

Lot 452 French Restauration Bronze Dore Clock Set

Lot 515 Spectacular Convertible David Webb Diamond Brooch

Lot 617 Convertible Diamond, Emerald and Tahitian Pearl Necklace

Lot 785 Italian Neoclassical Polychromed Commode

Lot 521 Pair of David Webb Diamond and Enamel Ear Clips

Lot 868 Rare Lalique "Deux Figurines" Clock

Lot 711 American School (19th/20th Century) "Portrait of a Young Man"

Lot 423 French Belle Epoque Cased Silver Tea Set

Lot 794 Pair of KPM Hand-Painted Ewers From The Collection of Dr. Arnold and Celia Lupin

Lot 726 Rare Newcomb College Pottery Chocolate Set

Lot 824 Fine and Rare (Pair) of Qing Dynasty Huanghuali Cabinets Descended in the Family of Dr. Eugene L. Opie

THE ESTATE OF

NANCY R. MORRISON PHILANTHROPIST, COLLECTOR, WORLD TRAVELER

Beloved philanthropist, businesswoman and collector Nancy Reed Morrison was born on January 23, 1936 in Houston, Texas. Curious from a young age, Nancy had an inherent love for learning about the world around her. She was a formidable student at Milby High School, where she was recognized for her outstanding academic achievements and artistic talents and, in 2001, was inducted into the school’s Hall of Honor. True to her conviction of lifelong learning, Nancy attended the University of St. Thomas later in life, graduating magna cum laude in 1979. Nancy also thrived in the business world, marketing oil field equipment and services and later, as a marketing manager of nationwide environmental services company Pan Am World Services, Inc.

▶

The couple’s mutual interest in music led them to generously support the Brockman Hall for Opera, which houses the Lucian and Nancy Morrison Theater, at Rice University, an institution which both long supported, with Nancy also having In 1992, Nancy married Lucian Leeds Morrison, III, an accomplished attorney. The two, the loves of each other’s lives, were married for 22 years before Lucian’s death in 2014. Together, following Nancy’s retirement from business, the couple set a course of distinguished service and philanthropy, becoming involved in causes and organizations close to their hearts.

the Chief” banquet honoring Barbara and George H.W. Bush, a black-tie event that broke all previous Houston fundraising records. In 1999, she was honored as a Woman of Distinction by the Crohn’s and Colitis Foundation, for which she served on the Advisory Board and chaired the Winter Ball in 2000. Together, Nancy and Lucian chaired the very successful 1996 Opera Ball. The “Splendor on the Nile” gala, to which the couple arrived on a camel, reflected the couple’s signature sense of humor. They often joked about their formal portrait from Dorian Gray.”

Institute Roundtable. In addition to lending their time and talents to worthy causes, Nancy and Lucian enjoyed traveling and being in the company of family and friends. They especially relished their escapes to their idyllic house high up on a mesa outside of Santa Fe, New Mexico.

It was Nancy who in 1998 co-chaired the “Hail to

that evening, referring to it as

served on the board of the university’s Baker

“The Portrait of

Nancy passed away in 2021, leaving behind a legacy of philanthropy, friendship and style. A Houston’s Best Dressed Hall of Fame Inductee, Nancy was also well known for the latter. Nancy’s eye for beauty and her love for Santa Fe, is splendidly reflected in her collection, which includes a mix of antique and modern furniture, fine art and decorative objects. New Orleans Auction Galleries is honored to present the Estate of Nancy R. Morrison.

Pictured Left: Lot 516, Lot 572 Pictured Right: Lot 569

Lot 169 Jean-Baptiste-Camille Corot "Les Ruins du Chateau de Pierrefonds"

THE ESTATE OF

ANNE WARREN BILL ROLLIN HISE TRAILBLAZER, DESIGNER, MATRIARCH

Anne Warren Hise was born on July 15, 1931 in Shreveport, Louisiana to Gladys Patterson Warren and Lehr Arthur Warren. A graduate of Byrd High School, she attended her freshman and sophomore years at Centenary College in Shreveport, where she was a member of the Chi Omega Sorority. In 1949, Anne transferred to the University of Oklahoma (OU) in Norman, Oklahoma and affiliated with the Chi Omega Sorority, where she was elected President of the Chapter her senior year. She completed her undergraduate degree in Petroleum Engineering in 1952 and a second undergraduate degree in Geological Engineering in 1953. Anne was the first woman to graduate with a degree in Petroleum Engineering at OU and the only woman in a class of 1,000 men. It was during her time at OU that Anne met Bill Rollin Hise, her husband of 67 years, in 1951. READ MORE

▶

The Shreveport Journal beautifully captured the elegant Anne walking down the aisle:

“The bride entered on the arm of her father and was gowned in blush, pure silk satin fashioned along empire lines. The bodice, of re-embroidered Alencon lace, sprinkled with seed pearls, had a scooped neckline, fitted sleeves and a full, flowing skirt ending in a cathedral train. The airy veil of blush pink illusion framed her beauty and fell from a tiny crown of seed pearls. She wore a single strand of pearls and carried a bouquet of stephanotis surrounding a pure white, fuchsia-throated orchid from which fell blush satin streamers.”

Bill joined the United States Air Force and was

made the decision for Bill to leave LSU and go into

stationed in Lancaster, California, where he was based at

the consulting business full-time together.

Edwards Air Force Base (AFB), which serves as the Air Force Flight Test Center and as the Air Force Material

In 1983, Anne and Bill welcomed their son, Richard,

Command Center, and houses the Armstrong Flight

an LSU engineer formerly with Exxon, into the oil

Research Center. While at Edwards AFB, Bill served as

and gas company and renamed it The Hise Company,

an Officer while Anne worked as a civilian employee on

with Richard opening the company’s Lafayette offices

the Convair F-102 Fighter. While living in California,

that same year. In 1996, Pennington Oil Company hired

Anne and Bill welcomed their first child, Richard

Anne, Bill and Richard to take over the drilling and

Warren, on November 8, 1955.

operations parts of the Pennington family-owned oil company. “Doc” Pennington was really impressed with

After Bill’s Air Force service was completed, Anne

Anne as a woman in the oil and gas field. In 2017, Bill,

and Bill moved to Donaldsonville, Louisiana for Bill

Anne and Richard later welcomed Richard and Debra’s

to complete the Advanced Training Program as a

son and Anne’s grandson, Forrest, also an LSU engineer

Petroleum Engineer for Shell Oil Company. While living

formerly with Freeport McMoRan Oil & Gas, into The

in Donaldsonville, Anne and Bill welcomed their second

Hise Company. To this day, the oil company still sustains

child, Beverly Jean, on October 25, 1958. They were soon

the legacy begun by Bill and Anne in the 1970s.

transferred to New Orleans with Shell Oil Company and remained there for three years until 1960. In 1963, Bill

Anne and Bill took great pride in their children, their

was transferred by Shell Oil Company again, this time

spouses and their grandchildren. Richard married

to Houston, Texas. During their time there, Anne worked

Debra Salter, a teacher and women’s clothing retailer,

at Rice University.

in 1984, and they have two children, Taylor Hise, MD, a child and adolescent psychiatrist in Houston,

In 1964, Anne and Bill made the decision to leave Shell

and Forrest Salter Hise of Lafayette. Beverly, a LSU

Oil Company to spend more time raising their family

letterman, teacher and volleyball coach married

without the expected numerous transfers in the future.

Rory Russell, a former Air Force pilot and currently

Bill accepted a position on the Petroleum Engineering

a pilot for Southwest Airlines, in 1993, and they have

faculty at Louisiana State University (LSU). Anne

two children, Bailey Anne Russell of Dallas, a fashion

accepted a position at the Coastal Studies Institute on

merchandiser, and Charlotte Elaine Russell of Baton

the LSU campus.

Rouge, also working in the fashion industry. All of Anne and Bill’s children, their spouses and grandchildren

In 1968, Anne and Bill decided to begin an oil and

attended LSU.

gas consulting company, which they named Hise & Hise and for which they both served as consulting

In addition to her countless professional achievements,

petroleum engineers and geologists. Anne favored

Anne had a love for design and collecting. The

the “Landman” role in the business, where she spent

couple’s stately Baton Rouge home, Hise House, was

countless hours working with landowners who needed

filled with unique and beautiful antiques, paintings

advice and help with leasing their land to large oil

and decorative objects. New Orleans Auction Galleries

companies. In 1980, at the time of the Tuscaloosa

is honored to offer pieces from the Estate of Anne

Trend “oil and gas boom” in Louisiana, Anne and Bill

Warren and Bill Rollin Hise.

Session I

Saturday, March 26

Lots 1-491 Pictured: Lot 128

1 Italian Walnut Cabinet 18th century, the dentillated overhanging cornice above a concealed frieze drawer and two paneled cupboard doors, flanked to either side by a caryatid and turned columnar upright, the lower section fitted with three short frieze drawers over two cupboards, flanked to either side by an acanthine panel and ringed columnar upright, raised on paw feet. h. 58”, w. 38-1/2”, d. 16” $1,200-$1,800

2 Latin American Carved and Painted Santos Figure of Jesus Christ ca. 1800, with one arm raised, dressed in a loin cloth, the figure retaining remnants of paint and gilt, on a rectangular base. h. 34-1/2”, w. 8-3/4”, d. 8-3/4” $1,000-$1,500

3 French Bronze and Glass Hall Lantern

second quarter 20th century, the four-light lantern with a bronze frame set with engraved glass side panels and a pierced crest above the sides, decorated with scrollwork, the corners with leafmolded finials, fitted with scrolled arm supports. h. 34”, dia. 15-1/2” $1,000-$1,500

4 Attributed to Taddeo Zuccaro (Italian 1529-1566) “The Nurture of Bacchus” pen and ink on laid paper, laid down on paperboard attribution inscribed in ink in border, further inscribed en verso with provenance and inventory number pertaining to the collection of “Sir Anthony Westcomb”, frame backing with “Christie’s” label. Matted, glazed and framed. drawing 8-7/8” x 11-1/4”, mat 11-1/4” x 14-7/8”, framed 16-1/2” x 19-1/2” Provenance: By repute, collection of Sir Anthony Westcomb, Liverpool, England. $1,000-$1,500 1

5 Swedish Polychromed Commode 19th century and later, the rectangular top banded and with canted corners, above a conforming case fitted with three long drawers, all with three fruit-painted panels, raised on tapering square legs. h. 36”, w. 48”, d. 23-1/2” Provenance: The Collection of Adam Lippes. $1,500-$2,500

6 Set of Twelve Louis XIII-Style Fruitwood Dining Chairs comprised of two armchairs and ten side chairs, each with an upholstered back and seat, the backs with tall stiles with fleur-de-lis scroll-carved finials, on baluster-turned legs joined by a like H-form stretcher. armchair h. 50-3/4”, w. 31” d. 26”, side chair h. 49-5/8”, w. 21”, d. 21”

7 Spanish Colonial-Style Fruitwood Guard Room Table the plank top supported by shaped legs with a scalloped stretcher and anchored by wrought iron braces. h. 30-1/2”, w. 40”, l. 95”

Provenance: Heritage Auctions, Los Angeles, California, December 18-20, 2015, lot 89506, Sylvester Stallone Collection.

$1,200-$1,800

8 Pair of Italian Walnut Commodes 19th century, each with a shaped rectangular top with a molded edge, above a case fitted with three drawers, all with molded fronts, raised on shaped bracket feet. h. 26”, w. 20-1/2”, d. 13” $1,800-$2,500

9 Giltwood Mirror in the Italian Rococo Taste mid-20th century, the pierced surround decorated with carved rocaille work and leaves, the crest with a central shell flanked by scrollwork, and a downturned acanthus leaf, the corners with flowerheads and acanthus leaves. h. 43”, w. 31-3/4”

$1,000-$1,500

10 Italian Walnut and Fruitwood Commode 19th century, the rectangular top above a conforming case fitted with three paneled drawers, all with seaweed marquetry panels, raised on block feet with applied scrolls. h. 39”, w. 54-1/2”, d. 20-1/2” $1,800-$2,500

11 Italian School (Late 17th Century) “Sacrifice at Lystra” pen and brown and gray wash on cream laid paper probably a design for a ceiling mural. Matted, glazed and framed. sight 10-1/2” x 9-1/2”, framed 17” x 15” Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

12 Pair of Continental Baroque-Style Giltwood Girandole Mirrors fourth quarter 19th century, set with oval mirror plates, the scrolled crest supported by angels, set with leaf-carved scrolled candle arms with pricket candle holders, the lower portion decorated with roses and pierced scrollwork. h. 23-1/2”, w. 12-1/2”, d. 5-1/4” Provenance: Private collection, Houston, Texas. $1,200-$1,800

13 Pair of Italian Giltwood Putti

fourth quarter 18th century, poised as though floating, each carved in the round, with carved diaphanous scarves. h. 21”, w. 12”, d. 6-1/4” $1,500-$2,500

14 Continental Fruitwood Cabinet early 19th century, the rectangular top above a conforming case fitted with a dentillated frieze over two end cupboard doors and a central arched panel, over a ribbed guilloche-carved base to bun feet. h. 35”, w. 58-1/2”, d. 21-1/2” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,400-$1,800 13

14 5

15 Pair of Carolean-Style Mahogany Armchairs 19th century, each with a tall back surmounted by a scrolling foliate crest above an elaborately pierced and carved foliate splat, joined by downswept acanthus-carved arms to the padded seat, raised on block and turned legs joined by a shaped and pierced front stretcher, pegged construction and ending in ball feet. h. 56-1/2” $1,000-$1,500

16 Continental Giltwood and Metal Chandelier second quarter 20th century, the eighteen-light chandelier with a carved giltwood standard decorated with carved scrollwork and latticework piercing accented with flowerheads, the patinated metal arms decorated with delicate metal roses and leaves, set with carved giltwood candle cups on two levels. h. 38”, dia. 43”

$1,200-$1,800

17 Monumental Carved Walnut Overmantel Mirror ca. 1900, the circular beveled mirror plate set into a carved and pierced surround with grapes and grape leaves, the crest decorated with three putti supporting swags of flowers. h. 84-1/2”, w. 74” $1,200-$1,800

18 Follower of Jacopo da Ponte Bassano (Italian, 1510/15-1592) “Holy Family/Adoration”, 17th century oil on copper laid down on wood panel with cradle board support unsigned, cradle backing with a red wax seal of Erle-DraxSawbridge family crest, and a “James Bourlet & Sons, Ltd” framers/ packers label, ca. 1911-1930. Framed. 12-1/4” x 9”, framed 19-3/8” x 16-1/4” Provenance: Probably John Rushout Northwick, 2nd Baron, his sale, Phillips, Cheltenham, England, July 26-August 30, 1859; John Samuel Wanley Sawbridge Erle-Drax, M.P. (1800-1887), Charborough, Dorset, England; thence by descent; Private collection, Vienna, Austria; Sotheby, Parke-Bernet Galleries, New York, New York, September 29, 1972, lot 9; Collection of Sue and Andy Schwartz, Houston, Texas.

$1,000-$1,500

19 Large Provincial Louis XIII-Style Walnut Farm Table late 20th century, the thick plank top mounted to baluster-form turned legs. h. 30”, w. 59”, l. 143” Provenance: Heritage Auction, Los Angeles, December 18-20, 2015, lot 89506, Sylvester Stallone Collection. $1,200-$1,800

20 Continental Stained Oak Cabinet-on-Chest late 18th century, the recessed upper section tri-paneled and fitted with a cupboard door, the lower section fitted with two banks of two deep drawers, raised on bracket feet, the whole with carved geometric and floral patterns. h. 53-1/2”, w. 49-1/2”, d. 19” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

19 7

21 English Oak Armchair 18th century, the rectangular back centered by a carved floriform design and surmounted by a scrolled crest, joined by downswept arms to the wooden seat, the top of one arm branded “GH”, raised on turned circular legs joined by a box stretcher. h. 46”, w. 24”, d. 22” $1,000-$1,500

22 Pair of Baroque-Style Iron Torcheres the 17th-century-style strapwork candle holders with pierced surrounds decorated with leaves, the twisted standards supported on tripod bases. h. 61-1/4”, dia. 18-1/2” Provenance: Selected for the interior of a Pacific Palisades, California villa decorated by Richard Brayton of BraytonHughes Design Studios, San Francisco, California.

Literature: One illustrated in situ: “A California Villa”, Architectural Digest, July 1999, p. 78. $1,000-$1,500 This pair of baroque-style torcheres was selected by interior designer Richard Brayton, co-founder of BraytonHughes Design Studios in San Francisco, for the interior of an impressive Italian villa-style Pacific Palisades residence decorated with antique and modern pieces to achieve a rustic Italian theme. The home was featured four times in Architectural Digest, but most notably on the cover of the July 1999 issue.

23 Continental Fruitwood and Wrought Iron Guard Room Table 20th century, the plank top with breadboard ends and mounted to a scrolled ironwork base with parcel-gilt highlights. h. 30-1/2”, w. 39”, l. 95” $1,500-$2,500 22

24 Pair of Continental Giltwood Altar Sticks second quarter 19th century, now mounted as lamps, on tripartite bases, the tapered standard decorated with carved lotus and laurel leaves, with a turned drip pan at the top. h. 58”, w. 15”, d. 15” $1,500-$2,500

25 Iberian-Style Mahogany Commode the rectangular top with a molded edge, above a conforming case fitted with two banks of two drawers, all with three diamondpattern panels, the central one with a large pierced metal escutcheon, raised on molded block feet. h. 37-1/2”, w. 61”, d. 22” $1,200-$1,800

26 Iberian-Style Mahogany Commode

the rectangular top with a molded edge, above a conforming case fitted with two banks of two drawers, all with three diamond-pattern panels, the central one with a large pierced metal escutcheon, raised on molded block feet. h. 37-1/2”, w. 61”, d. 22” $1,200-$1,800

27 After Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) “The Raising of Lazarus: small plate” and “Young Man in Velvet Cap (Ferdinand Bol?)” two etchings both later imprints, former on wove paper, latter on laid paper. Unframed. sheets: 6” x 4-3/4”; 4” x 3-1/4”

$1,000-$1,500

28 German Mahogany and Hardwoods Cabinet

28 detail

19th century, the hinged top opening to a paneled storage area, the front with two doors opening to an interior fitted with an arrangement of four faux drawers above eleven working drawers surrounding two central cupboards, the whole with elaborate figural and scrolling foliate inlay, raised on paneled square legs to block feet. h. 39-1/2”, w. 31-3/4”, d. 16-1/2” Provenance: The Collection of Adam Lippes. Literature: Brad Goldfarb, “Home Again”, Architectural Digest, September 2014, illustrated pp. 172-173. $4,000-$7,000

29 After Antoine Pierre Aubert (French, 1853-1912) “Le Savant” patinated bronze cast signature along edge of self-base, on a black marble base. overall h. 16-1/2”, w. 5-1/2”, d. 5-1/2” $1,000-$1,500 28

30 Christian Georg Schutz the Elder (German, 1718-1791) “The Village”, 1775 oil on copper signed and dated “Schutz, fecit, 1775” lower right. Framed. 18-1/4” x 24”, framed 29-1/2” x 34-1/2” Provenance: Mary Helen Tandy Morrison (1880-1972), Tulsa, Oklahoma and San Antonio, Texas; to her son Lucian Leeds Morrison (1906-1986), San Antonio, Texas; to his son Lucian Leeds Morrison III (1937-2014), Houston, Texas; Estate of Nancy Reed Morrison (19362021), Houston, Texas. $12,000-$18,000

31 Monumental Continental Parcel-Gilt Lantern in the Rococo Taste 20th century, having six lights concealed by pierced and inverted scrollwork, with a coved and graduated upper portion with egg-anddart carving and fluting, and a flute-carved graduated base. h. 59”, dia. 34” $2,000-$4,000

32 Large Dutch Burl Walnut Bibliotheque 19th century, the molded triple-arched cornice with shell-carved cartouches, above a pair of conforming glazed doors opening to three scalloped shelves, the bombe-form base fitted with three graduated long drawers. h. 96”, w. 74”, d. 20” $5,000-$8,000

33 Handsome Dutch Mahogany-Cased Barometer third quarter 19th century, with a Renaissance Revival case, the shelland scroll-carved crest supported by a panel of brass stringing, the double engraved thermometer and barometer panels signed “Taroni and Crose, Amsterdam”, the reverse serpentine base hung with turned drops. h. 48”, w. 9-3/4”, d. 4-1/2”

$2,000-$4,000

33 detail

34 Alexis van Hamme (Belgian, 1818-1875) “The Constant Companion”, 1874 oil on wood panel signed and dated lower right. Framed. 24” x 19”, framed 27-1/2” x 23-1/2” $2,000-$4,000

35 Bernard Johan de Hoog (Dutch, 1867-1943) “Interior with Mother and Her Children” oil on canvas signed lower right. Framed. 22” x 25-1/2”, framed 30-1/2” x 33-3/4” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

36 Dutch Rococo-Style Mahogany Bookcase/Vitrine fourth quarter 19th century, in the 18th-century rococo taste, the doublearched and molded cornice over a pair of mullioned doors, on a base with a pair of drawers over a wide drawer, resting on carved paw feet. h. 95-1/4”, w. 81”, d. 23-1/4” $1,500-$2,500

37 Verdure Needlepoint Tapestry of a Lush Park Setting with pond, road and chateau in the background, now on stretchers for hanging. 52-1/2” x 62-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

38 Emile Jacques (French, 1848-1912) “Berger et Ses Moutons”, 1861 oil on canvas signed lower right, verso with “Osenant Fontainebleau” labels. Framed. 32” x 26”, framed 38-1/2” x 32” Provenance: Osenant, Fontainebleau, April 6, 2014, lot 50; Private collection, California. $1,000-$1,500

39 Constant Troyon (French, 1810-1865) “Vaches dans en Paysage” oil on canvas signed lower right, verso with a “Christie’s” label. Unframed. 21-3/4” x 28-1/4” Provenance: Michaan’s Auctions, March 2, 2014, lot 9; Private collection, California. $2,000-$4,000 39

40 Henry Schouten (Belgian, 1864/7-1927) “A Chestnut and White Horse in the Field” oil on canvas signed lower left. Framed. 24” x 16”, framed 33” x 24-1/2” $1,500-$2,500

41 Rudolf Albert Becker-Heyer (German, 1862-1930) “Horses in the Paddock” oil on canvas signed lower right. Framed. 20” x 28-1/2”, framed 25-3/4” x 35” $1,200-$1,800

42 Louis Pierre Verwee (Belgian, 1807-1877)

“Shepherd and His Flock Crossing a Bridge” oil on canvas signed lower center (at bridge). Framed. 21” x 30-1/2”, framed 25” x 35-1/2” $2,000-$4,000

43 Joseph Antonio Hekking (Dutch/New York, 1830-1903) “Landscape” oil on canvas signed and inscribed “Paris” lower right. Framed. 18-1/4” x 24-1/4”, framed 25-1/2” x 31-1/4” $1,800-$2,500 43

44 Emile van Damme-Sylva (Belgium, 1853-1935) “Vaches a L’abreavoir” oil on canvas signed lower right. Framed. 28” x 37-1/2”, framed 35” x 44” $1,500-$2,500

45 Pair of Louis XVI-Style Fruitwood Fauteuils a la Reine late 19th century, each with a tall padded back joined by downswept reeded arms to the padded seat, raised on reeded S-scroll legs joined by an H-form stretcher and ending in scrolled toes, upholstered in period needlework. h. 46”, w. 25”, d. 25” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

46 Provincial Regence Fruitwood Commode 18th century, the rounded rectangular top with a slightly bowed front, above a conforming case fitted with two small drawers over two long drawers, each bi-paneled, raised on block legs. h. 36-1/2”, w. 49”, d. 26” $2,000-$4,000

47 Provincial Louis XV-Style Oak Cabinet 19th century, in three parts, the molded cornice on an upper case with a floral- and urn-carved frieze over a pair of doors with shaped panels, the base with like doors, a scalloped apron and cabriole legs. h. 100-1/2”, w. 62”, d. 26-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,800-$2,500 47

48 Pair of Louis XIV-Style Fruitwood Fauteuils each with a shaped and padded back surmounted by a pierced foliate crest, joined by acanthinecarved scrolled arms to the padded seat, over a likecarved apron, raised on cabriole legs headed with foliate carving and ending in scrolled toes. h. 46-1/2”, w. 30”, d. 23” $2,000-$4,000

49 French Provincial Fruitwood Commode early 20th century, the rounded rectangular top above a conforming case fitted with two long drawers, each with carved foliate accents, above a shell-carved apron, raised on cabriole legs. h. 33”, w. 36-1/4”, d. 17-1/2” $1,000-$1,500

50 Provincial Regence Walnut Commode 18th century, the rectangular top with canted corners and a slightly bowed front, above a conforming case fitted with three long drawers, all bi-paneled, raised on Flemish toes. h. 37-3/4”, w. 51”, d. 24-1/2” $2,000-$4,000

51 Leon Richet (French, 1847-1907) “Nature Morte” oil on board signed lower right. Framed. 13” x 10”, framed 17-5/8” x 14-1/2” Provenance: Charlton Hall Galleries, Inc., West Columbia, South Carolina, June 11-12, 2011, lot 241; Private collection, California. $1,000-$1,500

52 Pair of Transitional Louis XV/XVI-Style Fruitwood Fauteuils early 20th century, each with a padded rectangular back surmounted by a foliate shield crest, joined by out-scrolled arms to the padded seat, raised on cabriole legs ending in scrolled toes. h. 41”, w. 27”, d. 24” $1,000-$1,500

53 Provincial Louis XV-Style Fruitwood Occasional Table early 19th century, the scalloped rectangular top above a frieze fitted with a single drawer, raised on cabriole legs headed by scroll capitals and ending in hoof feet. h. 29-1/2”, w. 44”, d. 27” $1,200-$1,800

54 Provincial Louis XV Fruitwood and Oak Armoire 19th century, the molded cornice over a pair of doors with shaped panels, with a scalloped apron and cabriole legs. h. 81-1/4”, w. 50”, d. 21” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,500-$2,500

55 French Provincial Fruitwood and Leather-Clad Wine Table 19th century, the tilting leather-clad top with a carved gilt design, and raised on a swinging support and block legs to runner feet. h. 29-1/2”, w. 48-1/2”, d. 38-1/2” $1,000-$1,500

56 Louis XV-Style Fruitwood and Leather Bergere early 20th century, the molded crest rail and stiles extending to closed arms on shaped supports, a serpentine seat rail and cabriole legs, the seat with a loose cushion. h. 42-1/4”, w. 24”, d. 18-1/2”

$1,000-$1,500

57 Charles Clair (French, 1860-1930) “Les Moissons” oil on canvas signed lower left, verso with “Osenant Fontainebleau” labels. Framed. 21-1/4” x 25-3/4”, framed 28-1/2” x 33” Provenance: Osenant, Fontainebleau, April 19, 2015, lot 41; Private collection, California. $1,200-$1,800

58 Provincial Louis XV-Style Fruitwood Games Table 19th century, the square top with turreted corners and with an inset leather surface, above a shaped frieze fitted with a small drawer to each side, raised on cabriole legs ending in foliate-carved hoof feet. h. 29”, w. 34”, d. 34” $1,500-$2,500

59 Provincial Louis XV-Style Fruitwood Buffet a Deux Corps 19th century, the molded cornice with canted corners, above a pair of doors with shaped panels, the base with a pair of drawers over a pair of doors with like panels, raised on cabriole legs. h. 86-1/2”, w. 51”, d. 25” $1,500-$2,500

60 French Provincial Cherrywood Farm Table early 20th century, the plank top with breadboard ends, above a scalloped apron, one end fitted with a drawer, the other end with a pull-out slide, raised on cabriole legs. h. 29-1/2”, w. 34-1/2”, l. 91” $2,500-$4,000

61 Julien Dupre (French, 1851-1910) “Paysan et Paysanne” pair of red chalk on paper studies each signed lower right, former, a study for “Petit glaneur au soleil”, ca. 1879. Each float-mounted, glazed and framed. 15-3/4” x 11-1/2”, framed 29” x 22”

$2,000-$4,000

62 Camille Pissarro (French, 1830-1903) “Paysage a l’Hermitage a Pontoise”, 1880 drypoint etching from a posthumous edition, later imprint, stamped monogram lower left, numbered “8/12” lower right. Matted, glazed and framed. sight 4-7/8” x 5-1/4”, framed 13-1/4” x 14-1/2”

62 detail

$1,000-$1,500

63 French Provincial Fruitwood Buffet mid-19th century, the rectangular top with canted corners and a molded edge, above a conforming case fitted with two drawers over two paneled cupboard doors above a scalloped apron, raised on shaped feet. h. 44”, w. 61”, d. 25” $1,200-$1,800

64 detail

64 Provincial Louis XV-Style Oak Draw-End Table early 20th century, the rounded rectangular parquetry top with two like draw-ends, raised above a foliate- and shell-carved frieze on cabriole legs ending in scrolled toes. h. 30”, w. 39-12”, l. 62”, ext. l. 106” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

65 French Provincial Walnut Armoire early 19th century, the rounded rectangular molded cornice above a conforming case fitted with two doors, each with two chevron-veneered panels, over a shaped apron, raised on shaped toes. h. 82-1/2”, w. 52-1/2”, d. 26” $1,000-$1,500

66 French Provincial Fruitwood Cabinet early 19th century, the rounded and graduated rectangular top above a conforming case fitted with two cupboard doors, each inset with a shaped panel, raised on cabriole feet ending in scrolled toes. h. 36”, w. 43-1/4”, d. 21” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500 65

67 Unusual Continental Fruitwood Secretary 18th century, the rounded and ogee-molded cornice above two doors, each inset with a shaped panel within a scrolling frame, the lower section fitted with a slant front opening to an inset leather writing surface and stepped drawers and cubbyholes around a central cupboard and storage well, over two short drawers and a long drawer, all with decoratively carved fronts, raised on shaped toes. h. 86”, w. 44”, d. 27” $1,000-$1,500

67 detail

68 Monumental Provincial Walnut and Mixed Woods Farm Table 20th century, the long top with breadboard ends, pegged construction and raised on tapering square legs. h. 30”, w. 34”, l. 166” $2,000-$4,000

69 French Provincial Fruitwood Buffet mid-19th century, the rounded rectangular top above a conforming case fitted with three drawers over two cupboard doors, each inset with a shaped panel, raised above a scalloped apron on ogee-molded feet ending in pointed toes. h. 38-1/2”, w. 60”, d. 24-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,200-$1,800

70 Provincial Louis XV Fruitwood Bonnetiere 69

19th century, the molded cornice over a frieze with an inlaid vase, flora and vines, above a bisected door with shaped panels, scalloped apron and cabriole legs. h. 82”, w. 42-1/4”, d. 25” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

71 Provincial Louis XV-Style Oak Wing Chair the molded back and stiles extending to the arms, on shaped supports, a serpentine apron and cabriole legs, retaining its foliate needlepoint upholstery. h. 44-1/2”, w. 28”, d. 23” $1,000-$1,500

72 Provincial Louis XV-Style Fruitwood Occasional Table early 19th century, the rounded rectangular top above a scalloped frieze fitted with a single end drawer, raised on cabriole legs ending in hoof feet. h. 29”, w. 36-1/2”, d. 22-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500 72

73 Provincial Louis XV-Style Fruitwood Writing Table early 19th century, the banded rectangular top with a molded edge, above a conforming frieze fitted with a single drawer, raised on cabriole legs ending in peg feet. h. 28-1/2”, w. 37-1/2”, d. 24-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

74 Narcisse-Virgile Diaz de la Pena (French, 1807-1876) “Two Girls with a Parrot” oil on canvas signed lower left. Framed. 23-1/2” x 18-3/4”, framed 25-3/4” x 22” Provenance: James D. Julia, Inc., Fairfield, Maine, August 19-22, 2014, lot 1246; Private collection, California. $1,500-$2,500

75 Provincial Louis XV-Style Three-Piece Fruitwood Parlor Suite

76 Louis XV Walnut Commode ca. 1800, of bombe form, the serpentine case with two-over-two drawers, each with carved panels, raised on shaped legs. h. 34”, w. 50”, d. 25-1/2”

consisting of a settee, h. 41-1/2”, w. 44”, d. 23”, and a pair of fauteuils, 38”, w. 25”, d. 22”, each with a floral crest above a double-caned back, the caned seats raised on cabriole legs ending in scrolled toes.

$2,000-$4,000

Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

77 Louis XV-Style Oak and Marble-Top Center Table ca. 1900, the marble top with a molded edge, above a foliateand shell-carved apron, raised on cabriole legs. h. 29-3/4”, w. 49-1/2”, d. 26” $1,000-$1,500

78 Pair of Louis XV-Style Fruitwood and LeatherUpholstered Armchairs each with a padded and domed leather back with brass tack accents, joined by downswept arms to the padded seat, raised above a shaped, foliate-carved apron on cabriole legs ending in scrolled toes. h. 47”, w. 27”, d. 24” $1,000-$1,500

79 Louis Welden Hawkins (British/French, 1849-1910) “Breton Woman in the Field” oil on canvas signed lower left. Framed. 11-3/8” x 14-1/2”, framed 14-1/4” x 17-1/4” $1,000-$1,500

80 Sir Alfred East, R.A., R.B.A. (British, 1849-1913) “The Faggot-Gatherers” oil on canvas signed lower left, titled on old catalogue listings en verso. Framed. 20” x 30”, framed 24-1/2” x 35” Provenance: By repute, Henry Spencer and Sons, Retford, 1966; Private collection. $1,000-$1,500 80

81 Paul Desire Trouillebert (French, 1829-1900) “Vue de Riviere pres de Moret-sur-Loing” oil on canvas signed lower right, artist label with address on stretcher. Framed. 15” x 24-1/8”, framed 19-1/2” x 28” $2,000-$4,000

82 Pair of White-Glazed Faience Covered Urns in the Louis XV Taste

83 Provincial Louis XV-Style Polychromed and Faux Marbre Buffet

first half 20th century, possibly Italian, with ram’s-head handles and swags of flowers held with bowknots, the narrow, fluted necks set with leaf-molded covers, both raised on an oval gadrooned foot resting on a plinth base, both urns with blue underglaze marks. h. 27”, w. 12-1/2”, d. 9-1/4”

19th century and later, the shaped rectangular faux marbre top with a bowed center section, above a conforming case fitted with a central bowed drawer and cupboard, flanked to either side by a paneled cupboard door, raised above a shaped shellcarved apron on scrolled toes. h. 39-1/2”, w. 75”, d. 22-1/2”

Provenance: Guinevere Antiques, London, England; Collection of Ruth and Michael Burke, Covington, Louisiana.

Provenance: Villa Vici, Covington, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana.

$1,400-$1,800

$1,200-$1,800

84 French Provincial Polychromed Armoire 19th century, the rounded and molded cornice above a conforming case fitted with a floral-basketcarved frieze over two bi-paneled doors with carved floral and foliate accents, raised on a molded plinth base. h. 80-1/2”, w. 59”, d. 20” $2,000-$4,000

85 Pair of Louis XV-Style Polychromed Fauteuils early 20th century, each with a shaped and padded back surmounted by a foliate crest, joined by padded, ribbed arms to the like seat, raised on molded cabriole legs headed by floral capitals and ending in foliate toes on pegs. h. 38-1/2” $1,200-$1,800

87 Mildred Nungester Wolfe (American/Mississippi, 1912-2009) “The Blue Hydrangeas”, 1974 oil on canvas signed and dated lower left. Framed. 20” x 16”, framed 27” x 22” $1,500-$2,500

87 Niek van der Plas (Dutch, b. 1954) “Parc de Fontainebleau” oil on wood panel signed lower right. Framed. 18” x 29”, framed 24” x 36” $2,000-$4,000

88 Italian Giltwood, Metal and Crystal Chandelier second quarter 20th century, the sixteen-light chandelier with a leaf-carved giltwood standard set with two tiers of scrolled metal candle arms, hung with swags of crystal drops accented with colored drops, the upper portion with graduated coronas of drops supporting swags to the lower arms. h. 58”, dia. 40” $1,500-$2,500

89 Italian Giltwood, Metal and Crystal Chandelier second quarter 20th century, the sixteen-light chandelier with a leaf-carved giltwood standard set with two tiers of scrolled metal candle arms, hung with swags of crystal drops accented with colored drops, the upper portion with graduated coronas of drops supporting swags to the lower arms. h. 58”, dia. 40” $1,500-$2,500

90 Pair of Louis XV-Style Polychromed Sidechairs ca. 1900, each with a guilloche-carved back, stiles, rails and fluted front legs, upholstered in floral brocade. h. 37-1/2”, w. 21”, d. 18” $1,000-$1,500

91 Louis XV-Style Polychromed Settee ca. 1900, with a guilloche-carved back, stiles, rails and fluted front legs, upholstered in floral brocade. h. 38”, w. 49-3/4”, d. 25-1/2” $1,500-$2,500

92 Large Continental Polychromed Corner Cabinet 19th century, the bowed and molded cornice above a conforming case fitted with a small upper cabinet, above a taller bi-paneled cabinet door, raised on a plinth base. h. 97”, w. 38”, d. 22” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

93 Pair of Louis XV-Style Polychromed Fauteuils early 20th century, each with a padded and rounded back surmounted by a floral crest, joined by ribbed, padded arms to the like seat, raised on cabriole legs headed by floral carving and ending in scrolled toes. h. 37” $1,000-$1,500

94 Pair of Louis XV-Style Polychromed Fauteuils early 20th century, each with a curved and rounded padded back surmounted by a floral crest, joined by padded arms to the like seat, raised on cabriole legs headed by floral carving and ending in scrolled toes. h. 33-1/2”, w. 24”, d. 21”

$1,000-$1,500

95 Provincial Louis XV-Style Polychromed Buffet 19th century, the rounded rectangular top with a bowed center section, above a conforming case fitted with two central drawers over a paneled cupboard door, flanked to either side by a paneled cupboard door, raised on cabriole feet to scrolled toes. h. 41-1/2”, w. 73”, d. 22-1/2” $1,200-$1,800

96 Antal Berkes (Hungarian, 1874-1938) “Promenade Along the Seine”, ca. 1915 oil on canvas signed lower left. Framed. 31” x 39”, framed 40-1/2” x 50-3/4” $4,500-$7,000

97 Louis XVI-Style Polychromed Easel of typical folding form, with an adjustable palmetto finial, the shelf fronted by foliate carving with a foliate torchere medallion, raised on tapering circular legs. h. 66”, w. 24” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. 96

$1,000-$1,500

98 Pair of Louis XVI-Style Polychromed Bergeres each with a double caned and cushioned back joined by padded and caned arms to the cushioned seat, raised on fluted tapering circular legs headed by a floral block capital and ending in toupie feet. h. 37” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500 97

100

99 Provincial Louis XV-Style Polychromed Armoire 19th century, the rounded, domed cornice centered by a carved floral basket, above a case fitted with two doors, each with a grilled upper section and a lower floral avian-carved medallion, raised above a shaped apron on scrolled toes. h. 89-1/2”, w. 59”, d. 23” Provenance: R & G, Ltd., Dallas, Texas; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $2,000-$4,000

100 Pair of Painted Wooden Windows, Mounted as Mirrors 20th century, with intersecting Gothic arched mullions around a circular center. dia. 38-3/4” Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

101

101 Astier de Villatte Faience Partial Dinner Service French, the handmade service with a white glaze on a black terracotta body, including ten simple dinner plates, dia. 11-1/2”, eleven simple soup bowls, h. 2-3/4”, dia. 6”, seven small simple soup bowls, h. 2-3/4”, dia. 5-1/2”, nine simple luncheon plates, dia. 9-1/4”, nine simple dessert plates, dia. 7-1/2”, eight simple ramekins, dia. 4-1/4”, a simple salad bowl, h. 4-1/4”, dia. 8-1/2”, a simple oval platter, d. 12-1/4”, l. 16”, a masque-molded bulb pot, h. 5-1/4”, w. 17”, d. 7-1/4”, a large simple salad bowl, h. 4-3/4”, dia. 9-1/2”, a pair of star-form shell-molded vases, h. 6”, dia. 10”, a Regence sauce boat, h. 3-3/4”, dia. 8”, a Marguerite bowl, h. 3”, dia. 7-1/4”, ten pineapple-molded Etoile cream jugs, h. 5-1/2”, w. 3-1/2”, six simple chocolate cups, h. 3-1/2”, and ten Regence tea cups, h. 2-1/2”. Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

102 Directoire-Style Polychromed Iron Chaise Longue late 19th century, the backswept end with an X-form splat, above a long slatted seat, raised on splayed legs joined by an X-form stretcher. h. 32-1/2”, w. 22”, l. 62” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

103 Issa Abou-Issa (American/Louisiana, Contemporary) “Number Series #315” mixed media on canvas signed and titled en verso. Unframed. 60” x 48” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

103

102

104

104 Pair of Louis XV-Style Pickled Wood Bergeres with Conforming Ottomans each with a slightly domed and padded back joined by padded, closed arms to the cushioned seat, raised on cabriole legs, the ottomans with cushioned rectangular tops and raised on cabriole legs. h. 38” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana.

105 Louis XV-Style Polychromed Sofa late 19th century, the shaped and padded back surmounted by a pierced foliate wreath and floral crest, joined by padded arms to the like serpentine seat, raised on cabriole legs headed by shield carving and ending in scrolled toes. h. 44”, w. 70”, d. 24” $1,000-$1,500

$1,000-$1,500

105

106 Pair of Unusual Continental Basket-Form Appliques third quarter 20th century, the crown and mid-section decorated with carved wood flowers and molded metal leaves, and strung with strands of twisted wire. h. 34”, w. 24” Provenance: Gerrie Bremermann, New Orleans, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,500-$2,500

107 Pair of Louis XVI-Style Pickled Wood Fauteuils 106

each with a padded medallion back within a molded frame, joined by padded, scrolling arms to the like seat, raised on fluted tapering circular legs headed by floral block capitals and ending in toupie feet. h. 40” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

107

108 Louis XVI-Style Polychromed Bergere avec Oreilles early 20th century, the padded back surmounted by a floral crest and joined by padded downswept sides to the cushioned seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 41” $1,000-$1,500 108

109

109 Commodious Upholstered Camel-Back Sofa of box form, the tall padded and arched back joined by domed, slightly outswept sides to the cushioned seat, raised on an upholstered base, with two bolsters and five various throw pillows. h. 43”, w. 90”, d. 37-1/2” Provenance: Rogers & McDaniel, Ltd., Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

110 Louis-Philippe Silver Gilt Pier Mirror second quarter 19th century, the ogee-molded surround decorated with delicately incised leaves and flowers and a beaded liner. h. 56-1/2”, w. 35-1/2” $1,500-$2,500 110

111

111 Regence Polychromed Commode 18th century, the bowed top with projecting rounded corners, above a bowed case fitted with three long bi-paneled drawers, raised on bun feet, with later polychrome decoration. h. 34”, w. 51”, d. 28-1/2” Provenance: Gerrie Bremermann, New Orleans, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $2,500-$4,000

112 Contemporary Steel and Glass-Top Dining/ Conference Table the beveled smoked glass top over inset ornamental metal panels, supported by straight paired legs at each corner, and an apron in the form of a horizontal bar beneath the top. h. 30”, w. 44-3/4”, l. 68-5/8” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,800-$2,500

113 French Crystal Chandelier in the Form of a Galleon 20th century, the five-light chandelier with a metal frame set with five interior sockets, the sails hung with strands of clear and emerald drops, the masts with a crystal bead crow’s nest and rope ladder, the hull lined with a row of cut prisms and rows of cut crystal and crystal beads. h. 43”, w. 48-1/2”, d. 17” 113

$1,800-$2,500

112 detail

112

114 Diminutive Pair of Spanish Painted and ParcelGilt Mirrors fourth quarter 19th century, Majorca, in the Baroque taste, each with a leaf-carved surround culminating in a pierced, scroll-carved crest, and raised on carved paw feet against a blue-painted interior ground with beaded liners. h. 15”, w. 9-3/4” Provenance: Private collection, Houston, Texas. $1,000-$1,500

114

115 Continental Polychromed Side Table 19th century, in the Louis XV taste, the faux marbre rounded rectangular top above a frieze fitted with two small drawers, raised on cabriole legs, the whole accented with scrolling foliate patterns. h. 31”, w. 39”, d. 22” Provenance: Private collection, Houston, Texas. $1,000-$1,500

115

116 Harry Farlow (American, 1882-1956) “Young Girl Seated on a Floral Sofa” oil on canvas signed lower left, verso with a 1934 “Ontario Society of Artists” exhibition label. Framed. 36” x 30”, framed 43” x 37” Exhibited: Ontario Society of Artists, 1934. $1,800-$2,500

116 47

117 Unusual French Gilt-Bronze Chandelier in the Empire Taste mid-20th century, the circular frame decorated with leafmolded mounts and hung with gilt spherules, the sides set with turned bronze candle sockets, and supported on bronze chains from a lobed canopy. h. 49-1/2”, dia. 36” $1,000-$1,500

118 Louis XVI-Style Creme-Peinte and Parcel-Gilt Bench the turned and foliate-carved “rails” on scroll- and leafcarved supports, above an upholstered seat cushion and a ribbon-carved apron, raised on leaf-carved and fluted legs. h. 25-1/4”, w. 29”, d. 17-1/2” $800-$1,200

119 Elisabeth Sonrel (French, 1874-1953) “Portrait of a Breton Girl” watercolor on paper signed lower right. Glazed and framed. 13” x 10”, framed 16-3/8” x 12” Provenance: Galerie Scot, Paris; Guarisco Gallery, Washington, D.C.; Private collection, California.

117

$3,000-$5,000

118 119

120

120 Louis-Philippe Fruitwood Desk mid-19th century, the rounded rectangular top with an inset leather surface, above a conforming frieze fitted with a central drawer, flanked to either side by two small drawers, raised on bulbous circular legs ending in bun feet. h. 31”, w. 59”, d. 29” Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

121 Napoleon III Mahogany, Gilt-Brass and Glass Barometer third quarter 19th century, Lyon, France, the carved rococo revival case with a shell- and leaf-carved crest, and spiral turnings adjacent to the thermometer, the opaline dial signed “Richard, Lyon” and set into a gilt-brass bezel molded with stars and flowers. h. 40-1/4”, w. 12-1/4” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $800-$1,200

121

122 Regency-Style Mahogany Hooded Campaign Chaise 19th century, the upholstered arched canopy supported by turned posts with brass urn finials, the chair seat hinged with two fold-out frames extending to 75” long, raised on turned legs with brass cup casters and fitted with loose cushions. h. 89”, w. 33-1/2”, l. 27”, ext. l. 75” Provenance: Bruce Givens Foreman, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $2,000-$4,000

122

123 Pair of Hollywood Regency Enameled Metal Palm Tree Lamps third quarter 20th century, attributed to Hans Kogl, Germany, in the form of palm trees, the palm fronds concealing three candle sockets on each lamp, each supported on sprays of leaves at the base. h. 45”, w. 23” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,500-$2,500

123

124 Walter Inglis Anderson (American/Mississippi, 1903-1965) “Tern” watercolor and graphite on paper Estate stamp lower right. Matted, glazed and framed. 8-1/2” x 11”, framed 19” x 22” Provenance: Estate of Frank Fleming, Birmingham, Alabama. $6,000-$9,000

124

125 Walter Inglis Anderson (American/Mississippi, 1903-1965) “Terrapin Turtles” watercolor and graphite on paper Estate stamp upper left. Matted, glazed and framed. sight 8-1/4” x 10-3/4”, framed 18” x 20-1/2” Provenance: Estate of Frank Fleming, Birmingham, Alabama. $6,000-$9,000

125

126 Pair of Egyptian Revival Painted Steel Garden Obelisks each with a tapering lattice body terminating in a point. h. 76-1/2”, w. 16”, d. 16” Provenance: Mac Maison Ltd., New Orleans, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

126

127 Contemporary Iron and Marble-Top Table the rectangular marble top supported by a folding, scrolling iron base. h. 34”, w. 36”, d. 16” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

127

128 Pair of Patinated Bronze Monkey Candelabra second half 20th century, the standards of monkeys in 18th-century costume, inspired by Meissen monkey band figures, holding aloft pairs of leaf-molded candle branches set with tulip-form candle sockets and drip pans. h. 21”, w. 10-3/4”, d. 8” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

129 Cowhide Rug 79” x 87” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500 128

129

130 Provincial Pine Trestle Table 19th century, the narrow rectangular top with canted corners, and raised on X-form end supports joined to the top by plank stretchers. h. 30”, w. 24”, l. 72” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500 130

131 Pair of American Wicker Armchairs of Barrel-Back Form second quarter 20th century, each with a curved back wrapping around to open arms, the legs joined by low stretchers, painted green and fitted with loose upholstered seat cushions. h. 42-1/2” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

131

132 Alexander John Drysdale (American/Louisiana, 1870-1934) “Live Oak in the Bayou”, 1914 oil on board signed and dated lower right, and with a “W. E. Seebold, Academy Board, 132 Carondelet Street, New Orleans” label en verso. Framed. sight 17-3/4” x 23-3/4”, framed 24” x 30” Provenance: W.E. Seebold Fine Art Dealer, New Orleans, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $2,000-$4,000 132

133 Continental Galvanized Metal Bistro Table 20th century, the circular top with small decorative piercings, raised on four tubular supports joined by a ring stretcher and ending in four splayed legs. h. 27-1/2”, dia. 31” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $800-$1,200

133 55

134 American Renaissance Revival Zinc Architectural Finial third quarter 19th century, the urn-form base with flat, scrolled “handles” on each side and a spire-form finial. h. 45-1/4”, w. 16-1/2” Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

134

135 Unusual American Moorish Revival Zinc Architectural Finial fourth quarter 19th century, decorated in the round with lobed, leaf-molded extrusions, on a circular standard, set beneath an onion dome cap with a lotus-molded gallery. h. 41”, w. 25-1/2” Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

135

136

137

136 American Renaissance Revival Zinc Architectural Finial

137 American Renaissance Revival Zinc Weather Vane

fourth quarter 19th century, the turned standard on an obelisk-form base and supporting a spray of morning glories and a pennant, probably once fitted with directionals. h. 50-3/4”, w. 24”

fourth quarter 19th century, the directionals set into molded lotus blossoms, with a leaf-molded surround on a vasiform base, the spire-form finial with a pierced pennant. h. 51-1/4”, w. 22”

Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

138 American Renaissance Revival Painted Zinc Architectural Finial fourth quarter 19th century, decorated with molded flowers set into a ring of acanthus leaves, over a graduated turned base, the top set with a pierced pennant. h. 45-1/2”, dia. 17” Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

139 American Renaissance Revival Zinc Architectural Finial fourth quarter 19th century, the spire-form finial decorated with two graduated tiers of molded leaves, the lower one with downturned buds, supported on a faceted tapered standard raised on a rectangular base decorated with medallions. h. 67”, w. 16”

138

Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

139

140 American Renaissance Revival Zinc Architectural Finial fourth quarter 19th century, the spire-form finial emanating from turned elements, raised on an obelisk-form base. h. 62-1/4”, w. 10” Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

140

141 American Zinc Rooster Weathervane early 20th century, the hollow-bodied rooster resting on a ball, supported by a standard on a wooden base. h. 36-1/2”, w. 21-1/2”, d. 7-1/4” Provenance: Bremermann Designs, New Orleans, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,200-$1,800

141

142 American Zinc Full-Bodied Rooster Weather Vane Figure first quarter 20th century, carefully molded, now mounted on a contemporary wooden base. h. 24”, w. 21-1/2”, d. 9” Provenance: Bremermann Designs, New Orleans, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,200-$1,800

142

143

143 Louis Philippe-Style Galvanized Steel Daybed 20th century, of sleigh form, each end with an outswept panel joined by sloping rails, raised on tubular legs. h. 38-1/2”, w. 93”, d. 41-1/2” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

144 Zuber Three-Panel Scenic Wallpaper Floor Screen first half 19th century, French, printed en grisaille, depicting consecutive sections from “Les Courses de Chevaux”, the panels now mounted on gris-deTrianon-painted wood and hinged. h. 71”, w. 57” Provenance: Gerrie Bremermann, New Orleans, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,500-$2,500

144

145 Pair of Figured Violette Marble Obelisks 20th century, of traditional form with white and gray veining. h. 24”, w. 4”, d. 4” Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

145

146

146 Zebra Rug

147 Zebra Rug

70” x 116”

73” x 111”

Provenance: Dixon Smith Interiors, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana.

$800-$1,200

147

148 Continental Galvanized Metal Bistro Table 20th century, the tilting circular top raised on a crossover tubular folding base ending in pad feet. h. 27”, dia. 39” Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $800-$1,200

149 Charming French-Style Tole Espaliered Apple Tree Applique second quarter 20th century, with a terracotta-painted flower pot base, and enameled apples and leaves. h. 73-1/2”, w. 3-1/2”, d. 6-1/4”

148

Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,200-$1,800

150 Pair of Victorian-Style Wire Work Garden Armchairs each of barrel-back form, the lattice wire work back wrapping around to closed arms, the legs with scroll feet and joined by an X-form stretcher. h. 36” Provenance: Rogers & McDaniel, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,000-$1,500

150

149

151 Suite of Nine Botanicals of Pressed Hydrangeas each initialed “SW” and dated lower right. All glazed and framed alike. each framed 17-1/4” x 13-1/4” $1,200-$1,800

152 Napoleon III-Style Iron Daybed of box form, with a galleried back and sides, above a cushioned seat, the front with shaped corner pieces, raised on splayed feet, with five matching throw pillows. h. 34”, w. 79”, d. 31” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,200-$1,800

151

152

153 Napoleon III-Style Iron Daybed of box form, with a galleried back and sides, above a cushioned seat, the front with shaped corner pieces, raised on splayed feet, with five matching throw pillows. h. 34”, w. 79”, d. 31” Provenance: Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,200-$1,800

154 Alexander John Drysdale (American/Louisiana, 1870-1934) “Cabin by the Shore” oil on canvas board signed lower right and with a “W. E. Seebold, Stationer, Engraver & Fine Art Dealer, 130 Carondelet St., New Orleans” label en verso. Framed. 16” x 20”, framed 22” x 26” (oval) 154

Provenance: W.E. Seebold Fine Art Dealer, New Orleans, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $3,000-$5,000

153

155 Turkish Angora Oushak Carpet 9’ 2” x 12’ $1,200-$1,800

156 Turkish Angora Oushak Carpet 8’ 1” x 10’ 1” $1,000-$1,500

157 Louis XV-Style Needlepoint Carpet 14’ x 16’ 8” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

157

155

156

158 Oushak Carpet 11’ 4” x 15’ 3” Provenance: The Collection of Adam Lippes. Literature: Mitchell Owens, “In the Heights”, Architectural Digest, July/August 2019, illustrated p. 100; Emily Holt, “Inside Adam Lippes’s Berkshires Home”, Vogue, February 2015 (illustrated). $4,000-$7,000

159 Northwest Persian Carpet 5’ 7” x 10’ 7” $2,000-$4,000

160 Turkish Angora Oushak Runner 2’ 7” x 25’ 9” $1,000-$1,500 159

160

158

161 Turkish Angora Oushak Carpet 8’ x 10’ $1,000-$1,500

161

162 Turkish Angora Oushak Carpet 10’ 2” x 14’ $1,500-$2,500

162

164

163 Turkish Angora Oushak Runner 2’ 7” x 24’ 3” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

164 Peshawar Sultanabad Carpet 10’ 2” x 13’ 7” $2,500-$4,000

163

165

165 Oushak Carpet 12’ x 15’ 2” $6,000-$9,000

166 Peshawar Hotan Carpet 9’ x 12’ $1,500-$2,500

167 Turkish Angora Oushak Carpet 8’ x 10’ $1,000-$1,500

168 Northwest Persian Carpet 6’ x 11’ 6” $2,000-$4,000

166

168

167 75

169

169 Jean-Baptiste-Camille Corot (French, 1796-1875) “Les Ruins du Chateau de Pierrefonds” oil on cradled wood panel signed lower left, several inventory/ sales numbers en verso. Framed. 10-1/2” x 19-3/4”, framed 18-5/8” x 27-7/8” Provenance: M. Defoer; Georges Petit, Paris, 22 Mai 1886, collection Defoer; M. Criot; Mary Helen Tandy Morrison (1880-1972), Tulsa, Oklahoma and San Antonio, Texas; to her son Lucian Leeds Morrison (1906-1986), San Antonio, Texas; to his son Lucian Leeds Morrison III (1937-2014), Houston, Texas; Estate of Nancy Reed Morrison (1936-2021), Houston, Texas. Literature: A. Robaut, L’Oeuvre de Corot: Catalogue raisonne et illustre, Paris, 1905, vol. II, pp. 298-299, no. 965 (illustrated). $50,000-$80,000

The ruins of the Chateau de Pierrefonds on the edge of the Foret de Compiegne in the (then) Picardy region of France were depicted in several works by Jean-Baptiste Corot between the years of 1834-1866. The most well-known version is in the permanent collection of the Cincinnati Art Museum, Ohio, while a study is conserved at the Musee des Beaux Arts, Quimper. The painting offered here is a third, documented version. The once grand chateau was built in 1400 under the auspices of Louis, Duc de Orleans, the brother of King Charles VI, on the grounds of a 12th-century castle. It was intentionally destroyed by Louis XIII, who feared its strategic location posed a potential military threat to his power. By the mid-19th century, the ruins were a visual juxtaposition of the glory of medium aevum, romantic nationalism, and the inevitable ravages of time; they were viewed by most with nostalgia for what was perceived as a simpler time. Corot - with his deft straddling of Neoclassical and Romantic styles - unsurprisingly approached the ruins as simply a part of the landscape, presenting them in an unidealized manner. In the work offered here, painted en plein air, the cream-hued ruins are flanked by the verdant greens of the encroaching, lush foliage and set against the grayish blue of the sky. The ruins were purchased by Napoleon in 1813, named a monument historique by the French Ministry of Culture in 1848, and renovated by Napoleon III in 1862. They are presently managed by the Centre des Monuments Nationaux.

170 Maximilien Lambert Gelissen (Belgium, 1786-1867) “Eleveur de Chevre” oil on canvas signed “Max Gelissen” lower right. Framed. 22-1/2” x 29”, framed 31” x 37-1/2” $2,000-$4,000

170

171 Aster Richard Chilton Corbould (British, 1811-1882) “Milking Time, Around the Farm”, 1862 oil on canvas unsigned, titled, inscribed and dated “1862” en verso. Framed. 18” x 28”, framed 25” x 35” $2,000-$4,000

171

172 Joseph Jodocus Moerenhout (Belgian, 1801-1874/75) “A Place to Rest” oil on wood panel signed lower right. Framed. 15” x 20-1/4”, framed 24” x 29-1/4” $5,000-$8,000

172

173 Jules Jacques Veyrassat (French, 1828-1893) “Pause by the River” oil on panel signed lower left. Framed. 13” x 10-1/2”, framed 17-1/2” x 15” Provenance: Shapiro Auctions, New York, May 16, 2015, lot 541; Private collection, California. $1,000-$1,500

173

174 Amedee Julien Marcel-Clement (French, 1873-ca. 1950) “Les Trois Amazones”, 1911 oil on canvas board signed and dated lower right. Framed. 18-5/8” x 22-1/4”, framed 21-7/8” x 25-3/8” Provenance: Private collection, Houston, Texas. $1,000-$1,500

174

175 Henri-Joseph Harpignies (French, 1819-1916) “Etude: Cheval et Chien”, 1871 oil on canvas signed and dated lower left. Framed. 12” x 14-1/4”, framed 17” x 21-1/4” Provenance: Private collection, Houston, Texas. $1,000-$1,500

175

176

177

178

176 Continental Well-Carved Mahogany Center Table 19th century, the rounded rectangular top with a molded edge, above a deep shaped frieze fitted with a drawer and with scrolling foliate patterns centering a shell, raised on large cabriole legs ending in hoof feet. h. 30”, w. 60”, d. 30-1/2” $1,500-$2,500

177 Italian Carved Wooden Mirror in the Baroque Taste fourth quarter 19th century, the surround with flowerheads, the crest carved with a putto supporting fringed drapes, falling down each side and carved with knots, the lower corners with putti supporting the corners, framing pierced, stippled scrollwork. h. 55”, w. 38-1/2”

178 Italian Provincial Fruitwood Settee 19th century, the padded serpentine back within a molded frame joined by shaped arms to the padded seat, over a serpentine apron, raised on cabriole legs ending in hoof feet, upholstered in ecru treillage silk damask. h. 41”, w. 57”, d. 19” Provenance: Private collection, Houston, Texas. $1,000-$1,500 Reportedly to have graced the receiving area of the Governor’s Mansion in Palma de Mallorca, Spain, for many years.

$1,200-$1,800

179 Large Giltwood and Onyx-Top Center Table late 19th century, in the Louis XV taste, the inset shaped onyx top above a conforming gadrooned frame with shell-carved aprons with floral motifs, raised on bold cabriole legs. h. 35-1/2”, w. 62”, d. 39” Provenance: Private collection, Houston, Texas. $1,500-$2,500

180 Giltwood Mirror in the Italian Rococo Taste mid-20th century, the crest with piercing framed with carved acanthus leaves, the surround with a scrollcarved interior edge framed with carved and pierced leaves, the lower edge with rocaille-carved piercing and scrollwork. h. 50”, w. 31-3/4” $1,000-$1,500

181 Continental Giltwood Chandelier in the Rococo Taste ca. 1900, the ten-light chandelier with a turned central standard, set with scrolled candle arms decorated with carved leaves and flowerheads, the upper portion with pierced scrollwork and reeding. h. 43”, dia. 30-1/2”

181

$1,500-$2,500

179

180

182 Continental Mahogany and Kingwood Bureau Cylindre 19th century, the rectangular top quarterveneered and with inlaid ribbon banding and lattice-patterned inlays, within a three-quarter pierced brass gallery, above a tambour roll top opening to a pull-out leather-inset writing surface and a variety of drawers and cubbyholes, over a central drawer flanked to either side by two small drawers, raised on tapering square legs ending in gilt bun feet, the whole accented with decorative bandings and inlays. h. 48”, w. 56”, d. 31-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,200-$1,800

182

183 Continental Mahogany and Kingwood Parquetry Bureau 19th century, the rounded rectangular top above a slant front opening to an inset leather writing surface and a variety of drawers and cubbyholes, above a frieze fitted with two short end drawers over a single long drawer, raised on cabriole legs ending in sabots. h. 38-1/2”, w. 35-1/2”, d. 19” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500 183

184 Pair of Italian Giltwood Girandole Mirrors mid-19th century, in the rococo taste, the scroll-carved surrounds with robust crests terminating in baskets of flowers, over mirror-inset scrollwork with rocaille carvings and flowerheads, the pairs of leaf-carved candle branches set with leaf-molded brass candle sockets. h. 35-1/4”, w. 18”, d. 7” Provenance: Private collection, Houston, Texas. $1,000-$1,500 184

185

185 Pair of English Carved Giltwood Brackets

186

20th century, in the Chippendale taste, the pair with scroll, rocaille and leaf carving, the tops set with serpentine shelves. h. 14-1/2”, w. 10-1/4”, d. 5-3/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

$1,000-$1,500

186 Continental Fruitwood Commode in the neoclassical taste, the rounded rectangular quarterveneered top centered by an oval panel, above a conforming case fitted with three long drawers, all with decorative banding and veneers, raised on ormolu paw feet. h. 33”, w. 40”, d. 20” $1,200-$1,800

187 Pair of Unusual Carved and Parcel-Gilt Mirrored Sconces

187

20th century, in the Italian rococo taste, in the form of barometers, each with rocaille- and scroll-carved giltwood edges against a green-painted ground, set with beveled, oxidized mirror plates, the circular mirror divided into sections and set with three patinated metal scrolled candle branches. h. 43-1/2”, w. 15” $1,000-$1,500

188 Pair of Italian Neoclassical-Style Walnut Armchairs 20th century, each with a concave back with an X-form splat, with a carved rosette at each cross point, molded open arms, serpentine pressed cane seat and fluted legs, now with a loose seat cushion. h. 36”, w. 23-1/4”, d. 20” $1,000-$1,500 188

189 Giltwood Beveled Mirror in the Italian Neoclassical Taste 20th century, the pierced surround decorated with an urn of flowers flanked with pierced sprays of laurel leaves resting on scrollwork and fluting, the upper and lower sides decorated with fluting and carved Greek keys, resting on carved pinecones. h. 55-1/2”, w. 32” $1,000-$1,500

190 Italian Neoclassical Walnut and Mixed Woods Work Table 19th century, the rectangular top banded and quarterveneered, hinged and opening to a compartmented interior, the front fitted with two small end drawers, raised on tapering square legs. h. 29”, w. 28”, d. 17” Provenance: Private collection, Houston, Texas. $1,400-$1,800

189

191 Swiss Inlaid Rosewood Single Cylinder Music Box ca. 1900, inlaid and painted with a spray of flowers, the case cross-banded and trimmed with ebonizing, the program on the lid interior enumerates eight airs, and is marked with the Mermod Freres shield. h. 7-1/2”, w. 28-1/2”, d. 10-3/4” $1,000-$1,500

192 Neoclassical-Style Rosewood and Marble-Top Occasional Table 20th century, the rectangular marble top above a conforming frieze fitted with a single brass-inlaid drawer joined by a curuleform support with gilt eagle’s heads to a plinth base, fitted with a single drawer and raised on casters. h. 27”, w. 22-1/4”, d. 17-1/2”

190

$2,000-$4,000

191 192

193 Continental Mirror in the Neoclassical Taste 19th century, probably Swedish, the painted and parcel-gilt surround decorated with reeding bound with acanthus leaves, the crest with an octagonal tablet framed in giltwood bellflowers and with a giltwood neoclassical figure playing a lyre, on a black leather ground. h. 60-1/4”, w. 28-3/4” $1,200-$1,800

194 Ron Liod Sauvage (French, 19th/20th Century) “Venus de Milo” patinated bronze marked “R. Sauvage” along one side and “AV” along the other. h. 16-1/2”, w. 5”, d. 5” $1,000-$1,500

195 Collection of Seven Grand Tour Objects fourth quarter 19th century, consisting of a pair of covered tazzas decorated with gilt-bronze and silver neoclassical ornament on rosso antico bases, h. 9”, w. 11”, d. 6-1/4”, a carved wooden bust of a youth wearing a wreath of laurel leaves on a faux marbre socle, h. 12-3/4”, w. 7-3/4”, d. 4-3/4”, a pair of verde antico marble columns mounted with bronze busts of Roman emperors, h. 9-3/4”, w. 1-3/4”, d. 1-3/4”, a bronze bust of Juno and a bronze bust of Mars, both on stained alabaster bases, h. 6-1/4”, w. 3-1/4”, d. 2-3/4”. Provenance: Private collection, New Orleans, Louisiana. 193

$1,200-$1,800

195

194

196

196 Ivan Konstantinovich Aivazovsky (Russian, 1817-1900) “Cairo Seen from the Nile, Sunrise”, 1848 oil on canvas signed in Cyrillic and dated lower left. Period giltwood frame. 13-1/2” x 15-1/2”, framed 18-1/2” x 21” Provenance: Thomaston Place Auction Galleries, August 29-30, 2020, lot 2106. $40,000-$70,000

197 French Scenic Wallpaper Panel Printed en Grisaille first quarter 19th century, Paris, by Dufour or Dufour et Leroy, in consecutive sections from “Vues D’Italie” depicting a sailboat and harborside figures, presented in a Louis XVI-style giltwood frame. h. 68”, w. 51-3/4” $1,000-$1,500

198 French Bronze and Crystal Basket Chandelier mid-20th century, in the French Empire taste, the sixteen-light chandelier with a bronze frame hung with strands of cut glass beads, set with eight leaf-molded arms terminating in bronze candle cups, mounted with molded glass prism rings hung with prisms, the interior concealing eight additional sockets. h. 50”, dia. 41” $1,500-$2,500

199 Russian Neoclassical Mahogany Secretaire a Abattant 19th century, the stepped cornice fitted with a small drawer, over a case fitted with a frieze drawer over a drop front, opening to an interior fitted with an inset baizelined surface and a variety of drawers and cubbyholes around a central cupboard, over three long drawers, raised on bracket feet, the whole with inset brass banding. h. 62”, w. 36-1/4”, d. 17”

197

Provenance: The Collection of Adam Lippes. $4,000-$7,000

198

199

200 Gustavian-Style Fruitwood Writing Table 19th century, probably Swedish, the rectangular top banded and brass bound, above a conforming frieze fitted with two drawers, raised on tapering square legs ending in caps. h. 31”, w. 41-1/2”, d. 22” Provenance: The Collection of Adam Lippes. $1,400-$1,800

201 Biedermeier Fruitwood Cabinet mid-19th century, the rectangular top above a conforming frieze drawer and a demi-lune cabinet, joined by ormolu-mounted columns to a lower shelf on square feet. h. 34-1/4”, w. 37”, d. 20”

200

Provenance: Estate of Nancy R. Morrison, Houston, Texas. $2,500-$4,000

202 Pair of Giltwood Mirrors in the Italian Neoclassical Taste 20th century, the pierced crests carved with crossed arrows and laurel leaves, the sides with trailing laurel leaves and tassels, the ogee-molded surrounds with beaded liners, the bases with carved pinecones. h. 38-3/4”, w. 22” $1,000-$1,500

203 Italian Provincial Walnut Occasional Table late 18th century, the rectangular top above a frieze fitted with a small drawer, raised on cabriole legs. h. 24”, w. 26-1/4”, d. 18-1/4” Provenance: Private collection, Houston, Texas.

201

$1,000-$1,500

203

202

204 Louis XVI-Style Giltwood Pier Mirror 20th century, the rectangular surround decorated with a ribbon-bound reed and a beaded liner, set with an urn-form finial, framed with pierced laurel sprays and berries, set with a two-part mirror plate. h. 60-1/2”, w. 26” $1,000-$1,500

205

205 Pair of Neoclassical-Style Carved Giltwood Klismos Chairs

204

each exuberantly modeled with a shell- and foliate-carved splat, serpentine stiles, bowed, fluted seat rail and fluted sabre legs, one with a Maitland-Smith maker’s label. h. 36-3/4” $1,000-$1,500

206 Iberian Neoclassical Mahogany and Satinwood Secretary Chest 19th century, Mallorca, the stepped rectangular top above an ogee-molded dropfront secretary drawer, opening to an inset baize-lined surface and an arrangement of six drawers, over three long drawers and a concealed apron drawer, all flanked by undulating palmetto-inlaid corner pieces, raised on ribbed wheel-form feet. h. 42-1/2”, w. 51-1/2”, d. 24-1/2” Provenance: Private collection, Houston, Texas. $2,000-$4,000

206

207 Austrian Neoclassical Walnut and Marble-Top Console Table 19th century, the rectangular marble top above a conforming frieze fitted with a single drawer, joined by double ormolu-mounted columnar supports to a concave lower shelf, raised on bun feet. h. 39-1/2”, w. 50-1/4”, d. 25-3/4” Provenance: The Collection of Adam Lippes. Literature: Emily Holt, “Inside Adam Lippes’s Berkshires Home”, Vogue, February 2015 (illustrated). $2,500-$4,000

208 Pair of Italian Empire-Style Giltwood Mirrors mid-20th century, the large lyre-form mirrors decorated with eagle-headed terminals flanking a flower-carved finial, with stars on the cross bar, the lower portion carved with acanthus leaves and ebonized lion-head masques, the mirror plates with giltwood “strings”. h. 52-1/2”, w. 27” $1,800-$2,500

208

207 89

209 Italian Gilt-Metal, Giltwood, Rock Crystal and Glass Chandelier first quarter 20th century, the twelve-light chandelier with a reeded vasiform and spherical giltwood standard, set with six scrolled gilt-metal branches, each with lights on two tiers, hung with rock crystal and glass drops, the upper standard set with a spray of scrollwork and hung with more drops. h. 41”, dia. 32-1/2” $1,200-$1,800

210 Giltwood Mirror in the Venetian Rococo Taste 20th century, the surround set with scroll-engraved mirror segments framed with giltwood, decorated with beaded edges, the crest decorated with scrollwork set with a leafcarved crest and accented with carved and scattered giltwood flowerheads. h. 56”, w. 38-3/4” $1,000-$1,500

211 Italian Argente Bombe Commode 20th century, the shaped top above a conforming bombe case fitted with two short drawers and two long drawers, raised on cabriole feet, the whole with gilt accents. h. 32”, w. 45”, d. 19-1/2”

209

$1,000-$1,500

211 210

212 Venetian-Style Argente and Parcel-Gilt Commode of bombe form, the dramatically serpentine case with three shelves over two pairs of deep drawers, with a scalloped and carved apron and cabriole legs. h. 33”, w. 68-1/2”, d. 21” $1,500-$2,500

213 Continental Ebonized Wood, Parcel-Gilt and Brass Pier Mirror fourth quarter 19th century, in the neoclassical taste, the mirror plate with an ogee-molded and leaf-carved giltwood surround and beaded brass trim, surmounted by a crest decorated with a lion’s head flanked on either side with a Grecian sphinx, the corners with carved giltwood leaves and scrollwork. h. 95”, w. 50” $1,000-$1,500

213

212

214 Pair of Silvered Bronze Sconces in the Baroque Taste second quarter 20th century, probably Caldwell, the fluted and inverted pear-form backplates set with flame-form finials, the square scrolled arms on pierced supports decorated with female busts, the arms molded with bellflowers and acanthus leaves, set with reeded tulip-form candle cups and laurel-molded drip pans. h. 18”, w. 16-3/4”, d. 9” $1,500-$2,500

215 Impressive French Polished Bronze Floor Lamp ca. 1900, in the Classical Revival taste, featuring a trio of Grecian nymphs standing on the molded and scrolled tripod base, supporting a tapered standard decorated with acanthus and lotus leaves, fluting and flowerheads, with molded swags beneath the reeded drip pan, now with a frosted white glass ball-form shade. h. 75”, dia. 18”

214

$1,000-$1,500

216 Italian Silver-Leaf, Polychromed and Onyx-Top Table early 20th century, the long oval top with a conforming inset onyx slab, above a base with two pedestals, each carved with a pair of garbed male figures modeled supporting the top. h. 30”, w. 82”, d. 42” $3,000-$5,000

215

216

219

217

217 Giltwood Mirror in the Italian Rococo Taste early-20th century, the pierced crest decorated with a bold urn filled with grapes, framed in pierced, leaf-carved scrollwork, each side set with small vases of flowers, the surround “wrapped” with pierced grapevines, the corners with carved Greek keys. h. 57-1/4”, w. 32-1/2” $1,200-$1,800

218 Venetian Polychromed and Parcel-Gilt Vitrine early 20th century, with an exuberantly carved and molded cornice with a central cartouche, the front with a single glazed door, raised on cabriole legs ending in scrolled toes. h. 88”, w. 40”, d. 21” $3,000-$5,000

219 Arthur Vidal Diehl (American/Massachusetts, 1870-1929) “Venice Port” oil on board signed lower left. Framed. 32” x 20”, framed 38” x 26” $1,000-$1,500 218 93

220 Thomas Charles Leeson Rowbotham (British, 1823-1875) “An Italian Lake”, 1859 watercolor heightened with white on paper signed and dated lower left, inscribed with artist name on mat lower right, titled on mat lower left, verso with “William Rodman & Co., Belfast” gallery label. Matted, glazed and framed. sight 8” x 12-1/2”, framed 14-1/2” x 18-3/4” Provenance: William Rodman & Co., Belfast, Ireland; Private collection, United States. $1,000-$1,500 220

221 Pair of Italian Well-Carved and Parcel-Gilt Venetian Blackamoors mid-20th century, the muscular kneeling figures dressed in scroll-carved and fringed loincloths, and wearing studded parcel-gilt necklaces and headbands. h. 32”, w. 24”, d. 10-3/4” $2,500-$4,000

222 Pair of Italian Carved and Painted Blackamoor Tabourets third quarter 20th century, the blackamoors dressed in red breeches with fringed giltwood sashes, sitting with their legs crossed on rectangular bases, supporting removable tray tops with carved tassels hanging from each corner. h. 24”, w. 13-1/4”, d. 13-1/4”

221

$1,000-$1,500

222

223 Pair of Handsome Bilbao-Style Parcel-Gilt and Faux Marbre Beveled Mirrors second quarter 20th century, possibly Spanish, each with a faux marbre surround lined with giltwood beading, the crest with a central urn and a flameform finial, framed with leaf-carved scrollwork, and small finials on each end, set with beveled mirror plates. h. 47”, w. 23-1/4” 223

$1,000-$1,500

224 Venetian Carved, Painted and Gilt-Decorated Blackamoor late 19th century, modeled as a female figure poised on a draped pedestal, painted in a typically colorful, fringed costume, and supporting a plateau in each hand, the higher one on a cornucopia-form standard. h. 47-1/4”, w. 13”, d. 12” $1,200-$1,800

225 Handsome French Belle Epoque Bronze Dore et Patine Chandelier fourth quarter 19th century, the six-light chandelier with a molded tassel-form standard, supporting bold leaf-molded candle arms decorated with molded berries, the reeded arms supporting fluted candle cups, the patinated bronze lower standard with a fruit- and flower-molded pendant finial. h. 33”, dia. 31” $2,000-$4,000

226 Pair of Italian Giltwood Altar Sticks ca. 1800, of tripartite form, now mounted as lamps, the tapered standards set with panels framed with scrollwork, raised on scrolled feet and electrified. h. 35”, dia. 15”

225

Provenance: Private collection, Houston, Texas. $1,000-$1,500

226

224 95

227 detail

227 Venetian Polychromed Secretary Bookcase in the Rococo Taste ca. 1800 and later, in two parts, the upper section with a broken-arch pediment over a pair of paneled doors, on a slant-lid base, the top opening to reveal a fitted interior and two drawers below, raised on cabriole legs. h. 89-1/2”, w. 44-1/2”, d. 23-1/2” $3,000-$5,000

227

228 Large Italian Baroque-Style Parcel-Gilt and Faux Marbre Jardiniere ca. 1900, the serpentine body painted with gray faux marbre with a central roundel framed with a laurel swag, and supporte`d on a cove-molded base with carved giltwood leaves, fitted with a metal insert. h. 31-1/2”, w. 31-1/2”, d. 11-1/2” $2,000-$4,000

228

229 Auguste Henri Musin (Belgian, 1852-1923) “Visserboten te Zeeland” oil on canvas unsigned, verso with a certificate of authenticity issued by Bart Wouters Kunsthandel, Bredabaan, Belgium. Framed. 27” x 48”, framed 34” x 55-1/2” $2,500-$4,000

229

230 Gerardus Johannes Delfgaauw (Dutch, 1882-1947) “Windmill by the Shore” oil on canvas signed lower right. Framed. 16” x 20”, framed 19-1/2” x 23-1/4” $1,000-$1,500

230

231 Jakob Dahmen (Dutch, 1821-1900) “Dutch Landscape with a Farm Scene” oil on wood panel signed lower left (at the fence), verso with handinscribed label. Framed. 12-1/2” x 18”, framed 20-1/4” x 25” $2,000-$4,000

231 97

232

232 Two William IV Sterling Silver Entree Dishes the first hallmarked London, 1829-1830, by William Brown, with egg-and-dart banding and acanthus-mounted branch handle, engraved with the crest of Burder, 5-1/4” x 11-3/4” x 8-1/2”; and the second hallmarked London, 1834-1835, by William Ker Reid, with reeded banding and acanthus-mounted reeded handle, engraved with the arms of Douglas, 5” x 11-1/2” x 8-3/4”. 110.70 total t. oz. Provenance: Private collection, Houston, Texas. $2,500-$4,000 232 detail

233 Early Victorian Silverplate Epergne second quarter 19th century, the epergne with central knop-form baluster with four scrolling arms supporting a gadrooned circular frame and four outscrolled arms, each terminating in a smaller frame, the frames fitted with later cut glass bowls, the whole above a rounded and concave square plinth raised on four acanthus-crested lion’s paw feet. h. 14”, w. 22-3/4” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

233

234 Continental Silvered Bronze Warwick Vase 19th century, after the 2nd century antique, handsomely detailed and fitted with a hemispherical liner. h. 11-1/4”, w. 16-1/2”, dia. 12” Provenance: Private collection, New Orleans, Louisiana. $2,000-$4,000

234

235 Old Sheffield Plate Epergne first quarter 19th century, with a wide reeded oval frame with rose bouquet medallions, raised on four rocaille-decorated legs terminating in lion’s paw feet and joined by palmettes to a central beaded mount fitted with four detachable reeded scrolling arms, each terminating in an ovolo-banded drip pan with conical candle nozzle, the frame fitted with a scalloped diamond-pattern cut glass bowl. h. 10-1/2”, l. 13-1/2”, w. 13-3/4” (arms detached l. 11-1/2”, w. 9-1/4”) $1,000-$1,500

235

237

237 detail

236 Pair of Elkington & Co. Rococo-Style Silverplate Candelabra

237 detail

1852 and 1857, Birmingham, each with a scrolling diapered standard decorated with grapevines and acanthus fronds, above a base of triangular section with reclining bacchic putto and bold acanthuscrested scroll feet, surmounted by one central and three scrolling arms each ending in an acanthus-scroll nozzle and drip-pan, the central nozzle with detachable flower and acanthus finial. h. 25-1/2”, base w. 8”, overall w. 12-1/4” $1,000-$1,500

237 George IV Sterling Silver Tea Set hallmarked London, 1827-1828, by John Fry II, including: a teapot, h. 6-1/2”, l. 11-3/4”; an open sugar bowl, h. 5”, w. 8-3/4”; and a creamer, h. 4”, l. 7-3/4”; each of squat lobed form and richly decorated with repousse flowers and acanthus fronds on a matte ground, with milled fox masque and grapevine rim, the bowl and creamer with addorsed acanthus handle(s), the teapot with figural butterfly finial and insulated handle decorated with repousse birds and waves. 55.38 total t. oz. $1,200-$1,800 236

100

238 Impressive Victorian Egyptian Revival Silverplate Epergne 1891, by Walker & Hall, Sheffield, the circular base with three rectangular projections, each with a recumbent sphinx, surrounding a central gadrooned and knopped standard with three scrolling arms and central baluster, each terminating with a glass bowl of later date, draped with chains and raised on lion’s paw feet. h. 27-3/4”, w. 17-1/4” Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

238 238 detail

239 Victorian Silverplate Hot Water Urn second quarter 19th century, of serpentine-lobed urn form above a squared pedestal base, with robust acanthusmounted handles, feet and addorsed scroll key, the domed lid with floriform finial lifting to reveal the original billet chamber and cap, the whole decorated with reeded floral and foliate banding. h. 16”, w. 13-1/2”, d. 11-1/4” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $700-$1,000

239

101

240 William and Mary Chinoiserie Tall Case Clock 18th century, English, with a brass dial, the ebonized case with brass scrolled corner mounts, brass beading around the door and brass trim around the base. h. 91”, w. 14”, d. 8” $3,000-$5,000

241

241 After Sir Anthony van Dyck (British, 1599-1641) “Portrait of Queen Henrietta Maria (1609-1669), 17th Century oil on canvas unsigned, after the location unknown pendant to the Portrait of King Charles I conserved in the Royal Collection at Windsor Castle. Framed. 24” x 20”, framed 33” x 27” Provenance: Josephine Bryant Moran, El Paso, Texas and Mexico City, Mexico; thence by descent. Notes: A contemporaneous copy of the original portrait is conserved in the Throne Room of the Palace of Holyroodhouse and was reproduced in popular engravings. $4,000-$7,000 240

102

242 Giltwood Mirror in the George III Taste late 20th century, the giltwood crest with a Prince-ofWales finial and masque framed with sprays of leaves, the scrolled upper surround ornamented with bird’s heads, the surround decorated with flowers and scrollwork on a stippled ground, the bottom with a shell framed with scrollwork, set with a beveled mirror plate. h. 47”, w. 26” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,500-$2,500

243 Fine Queen Anne Figured Walnut Secretary Bookcase mid-18th century, the upper case with a pair of doors fitted with shaped beveled mirrors, the base with a fold-open slant-lid writing surface and fitted interior above a pair of side-by-side drawers over two long drawers, raised on bracket feet. h. 80”, w. 40”, d. 23” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

$2,000-$4,000

244 William-and-Mary-Style Banded Burl Walnut Chest

242

18th century and later, with a pair of side-by-side drawers over three graduated long drawers and raised on turned bun feet. h. 40”, w. 41-1/2”, d. 19-1/2” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

$1,000-$1,500

244

243

103

245 Pair of Italian White Faience Figures third quarter 20th century, inspired by Derby’s “Mansion House Dwarfs” of 18th-century England, the male and female figures dressed in 18th-century costume h. 27” to 27-1/2”, w. 12” to 14”, d. 8” to 11-3/4” $1,000-$1,500

246 Oak Welsh Dresser in the Georgian Taste contemporary, in two parts, the upper section with a molded cornice over two rows of open shelves, on a base with three-over-two banks of two drawers, each with perimeter mahogany crossbanding and raised on ogee bracket feet. h. 88-3/4”, w. 70-3/4”, d. 21-1/2” $1,000-$1,500 245

246

104

247

247 Provincial George III Oak Sideboard 19th century, the molded top over a case with a band of three drawers and a scalloped apron, raised on cabriole legs ending in ball-and-claw feet. h. 30-1/2”, w. 72”, d. 23” $1,000-$1,500

248 William Lucas (British, 1840-1895) “A Scottish Beauty” watercolor on paper signed lower right. Matted, glazed and framed. sight 10” x 9”, framed 18-1/4” x 16” $1,000-$1,500

248

249 English Oak Cabinet 19th century, in the Georgian taste, the rectangular top above a conforming case fitted with two banded drawers and two paneled cupboard doors, flanked to either side by engaged fluted uprights, raised on bracket feet. h. 33”, w. 43-1/2”, d. 17” $1,000-$1,500

249 105

250 Pair of Chinese Export Blue and White Tree Tubs 20th/21st century, decorated with plum trees, pine trees and bamboo, the upper rim with leaves and molded faux ring pulls. h. 15-1/2”, dia. 17” $1,200-$1,800

250

251 Three Pieces of Chinese Export Blue and White Porcelain 19th/20th century, consisting of a pair of cachepots decorated with peacocks and peonies, h. 9-1/4”, dia. 8-3/4”, and a vase decorated with birds and peonies, and having pierced cobalt handles, h. 23-1/2”, dia. 8-1/4”. $1,000-$1,500

252 Suite of Four George III-Style Chippendale Armchairs each executed in pine with a foliate-carved crest, pierced vasiform splat, open arms with robustly modeled scroll ends, caned slip seat and cabriole legs joined by H-form stretchers. h. 44”, w. 26-1/2”, d. 23”

251

$1,000-$1,500

252

106

253 George III Mahogany Chest 19th century, the rectangular top above a conforming case with a dentillated frieze over two short drawers and three graduated long drawers, raised on shaped bracket feet. h. 44-1/4”, w. 46-1/4”, d. 21-1/4” $1,200-$1,800

254 Set of Four Chinese Export Blue and White Ginger Jars 20th century, decorated with birds and peonies, the shoulders with masque-molded lugs, the necks with key decoration, and the domed covers with foo dog knops. h. 17-1/2”, dia. 7-1/2” $1,500-$2,500

253

254

255 Pair of Chinese Export Blue and White Tea Canisters 20th century, hand-painted with mandarin figures in landscapes, the shoulders and covers with scrollwork. h. 14-1/2” $1,000-$1,500

255

107

256 Pair of Chinese Export Blue and White Ginger Jars 20th century, decorated with bold peonies on a blue ground, decorated with white scrollwork. h. 16”, dia. 7-3/4” $1,000-$1,500

256

258 George III Mahogany Butler's Chest-on-Chest late 18th/early 19th century, in carefully selected figured mahogany, the dentillated cornice with a carved frieze, over two-over-four graduated, beaded drawers, on a base with a pair of paneled doors, raised on bracket feet, the lower drawer fitted with a fold-out face opening to reveal a writing surface and fitted secretary interior. h. 75”, w. 47”, d. 26” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

258

257 Pair of Chinese Export Blue and White Tree Tubs 20th/21st century, decorated with mandarin figures, bridges and pine trees, the upper portion with borders of leaves and molded faux ring pulls. h. 16”, dia. 15-3/4” $1,200-$1,800

257

108

259 Queen Anne Mahogany Silver Table 18th century, the dished tray top above a single long drawer and raised on slender Queen Anne-form legs. h. 28”, w. 32”, d. 20-1/2” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

260 George III-Style Mahogany Double-Pedestal Dining Table the figured top with contrasting light wood and rosewood banding with ebonized stringing, and raised on two foliate-carved vasiform tripodal pedestals with leaf-carved legs and feet, together with a pair of 22” leaves. h. 30”, w. 48”, l. 74”, ext. l. 118” 259

Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,500-$2,500

261 Suite of Ten George III-Style Mahogany Dining Chairs 20th century, consisting of one armchair, h. 41”, w. 26”, d. 20”, and nine side chairs, h. 41”, w. 22”, d. 18”, each with a pierced and carved backsplat, slip seat, and raised on cabriole legs with acanthus-carved knees and ending in ball-and-claw feet. Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500 260

261

109

262 Handsome Chinese Export Polychrome Vase ca. 1900, beautifully hand-painted with ho-ho birds and peonies, the ground with gnarly branches, birds and butterflies, the green handles molded with pairs of foo dogs. h. 23-1/2”, dia. 7-3/4” $1,200-$1,800

263 Queen Anne-Style Mahogany Side Table 19th century, the shaped top with a molded edge, above a single long drawer, with deeply scalloped aprons and raised on slender Queen Anne legs. h. 30”, w. 31”, d. 21” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

262

264 George III-Style Mahogany Desk the rectangular top with an inset leather writing surface and a gadroon-carved edge, above a frieze fitted with a central drawer flanked to either side by two short drawers, raised on cabriole legs headed by acanthine carving and ending in ball-and-claw feet. h. 29”, w. 54”, d. 32” $1,000-$1,500

263

264

110

265 George III-Style Mahogany Flatware Chest in the Chippendale Taste second quarter 20th century, the serpentine top with a gadrooned edge, above a conforming case with three beaded drawers, raised on cabriole legs with foliate-carved knees and ball-and-claw feet. h. 33”, w. 38-3/4”, d. 22” $1,000-$1,500

265

266 British School (18th Century) “Portrait of a Gentleman, Possibly a Member of the Swinfen (Swynfen) Family of Staffordshire” oil on canvas unsigned, inscribed, localized, and dated “1756” en verso re-lining. Framed. 30” x 25”, framed 35” x 30” Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,000-$1,500 266

267 George II Walnut Drop-Leaf Table 18th century, in the Queen Anne taste, the top with a pair of drop leaves opening to form a circle, supported on each side by a fly leg and secured by wrought iron hardware, raised on cabriole legs with pad feet. h. 28-7/8”, w. 44”, l. 18-1/2”, ext. l. 49-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

267 111

268

268 Regency Mahogany Triple-Pedestal Banquet Table

269 Suite of Ten George III-Style Mahogany Dining Chairs

ca. 1825, each tilt-top section supported by a baluster-form pedestal on reeded splayed legs with brass paw casters. h. 30-3/8”, w. 45-1/2”, l. 92-3/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

early 20th century, consisting of two armchairs and eight side chairs, each with a domed and earred crest above a pierced and interlacing splat, the inset seat above a foliateand shell-carved apron, raised on cabriole legs headed by foliate carving and ending in ball-and-claw feet. h. 39-1/2”

$1,200-$1,800

269

112

271

270

270 George III Mahogany Chest early 19th century, the banded rectangular top with a molded edge, above a case fitted with two short drawers over three graduated long drawers, raised on ogee-molded bracket feet. h. 32”, w. 39-1/2”, d. 21” $1,200-$1,800

271 detail

271 Collection of Eighteen Minton Porcelain Plates ca. 1919, in the “Cuckoo” pattern, consisting of six dinner plates, dia. 10-1/4”, and twelve luncheon plates, dia. 9-1/2”, each with a “Mintons” printed mark, a “Mintons” impressed mark, a 1919 date mark, and a decorator’s mark. Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

272 George III Mahogany Tripod Table fourth quarter 18th century, the tilting pie-crust-form top raised on a fluted and spiral-ribbed column base to three splayed legs headed by wheat sheaf carving and ending in ball-and-claw feet. h. 29”, dia. 32” $1,200-$1,800

272

113

273 English Delicately Carved Giltwood Mirror in the Chippendale Taste 19th century, the surround carved with pierced scrollwork and rocaille work, the scroll-carved crest with a spray of roses and leaves, the sides carved with trailing flowers and leaves. h. 43-1/4”, w. 22” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana; Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,500-$2,500

273

275 Pair of Franco-Chinese Gilt-Bronze-Mounted Lamps 18th/19th century, the Chinese Imari covered urns decorated with gilt-trimmed panels of flowers in the traditional blueand-orange palette, mounted in late 19th-century French bronze dore fittings, with a beaded rim under the cover, the fluted base set with a laurel wreath, now electrified. h. 25”, dia. 6-3/4” $1,000-$1,500

274

274 Georgian-Style Mahogany Wing Chair 20th century, the tall, domed back joined by shaped sides and outscrolled arms to the cushioned seat, raised on square legs joined by an H-form stretcher, accented with brass tacks. h. 59-1/2”, w. 30”, d. 26” $1,500-$2,500

114

275

277

278 George III Polychromed Cabinet 19th century, the molded rectangular cornice with polychromed gilt dentillation, above a conforming case fitted with two glazed doors, each backed by a sheer fabric panel, raised on shaped bracket feet, the whole with gilt accents. h. 81”, w. 66”, d. 17-1/2” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $2,500-$4,000

276

276 Georgian-Style Mahogany Oval Kneehole Writing Desk early 20th century, the top with an inset writing blotter, above a central long drawer and flanked by a bank of drawers to each side, the back side fitted with a built-in bookshelf. h. 30”, w. 48”, d. 30” $1,000-$1,500

277 Suite of Twelve George III-Style Polychromed Dining Chairs consisting of one armchair and eleven side chairs, each with a carved crest above a pierced wheat-sheaf splat, the padded seat raised on chamfered tapering square legs. h. 42” $2,000-$4,000

278 115

279 British School (19th Century) “Groom with White Stallion” oil on canvas unsigned. Framed. 25” x 30”, framed 28-1/2” x 33-1/2” $1,000-$1,500

280 Silver-Gilt Mirror in the Adam Taste 20th century, the pierced crest decorated with a central urn framed with pierced scrollwork, hung with a carved swag draped over the top of the mirror plate, set into a carved surround. h. 47”, w. 23-1/4” 279

$1,000-$1,500

281 Collection of Seven Glass Vessels 19th/20th century, American and English, including a pearform apothecary window display bottle with a cut glass stopper and pontil mark, a cut glass pub fountain engraved “Paris”, a covered and footed blown glass urn, a tall covered jar, two fish bowls, and a tilted blown glass decanter. h. 8” to 31”, w. 4-1/4” to 11-1/2”, d. 4-1/2” to 11-1/2” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,200-$1,800

281 280

116

282 George III-Style Mahogany Demi-lune Side Table 19th century, the deep demi-lune top above a conforming frieze fitted with a central drawer and a faux drawer to either side, raised on fluted tapering square legs ending in spade feet. h. 34”, w. 54”, d. 29-1/2” $2,000-$4,000

283 Pair of Adam-Style Ebonized and Parcel-Gilt Armchairs early 20th century, each with a padded shield-form back joined by padded arms on gilt bellflower-accented uprights to the padded seat, raised on fluted tapering circular legs ending in toupie feet. h. 36”, w. 24”, d. 20”

282

$1,000-$1,500

284 Set of Ten Royal Worcester Dinner Plates ca. 1922, in the classical revival taste, decorated in noir et dore with classical panels joined by swags of bellflowers, the base of each marked with Royal Worcester’s underglaze mark for 1922, along with the retailer’s mark, “Ovington Brothers Co., New York”. dia. 10-1/2” $1,000-$1,500

284

283

117

285

285 George III-Style Mahogany Camelback Sofa early 20th century, with scroll arms terminating in rosettes, a generously deep seat and raised on carved tapering square legs, together with a group of six needlepoint pillows. h. 36”, w. 79”, d. 35” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,800-$2,500

286 Pair of Pembroke-Style Banded Mahogany and Satinwood Tables

286

late 19th century, each fitted with a drawer and raised on tapered legs with brass casters. h. 29”, w. 19-1/2”, d. 24”, ext. w. 37-1/2” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500 287

287 Set of Twelve Minton Raised-Gilt Dinner Plates ca. 1922, decorated with raised medallions and beaded swags on a cream ground, each with “Mintons” printed mark, a printed “Burley & Co. Chicago” retailer’s mark, an impressed “Mintons”, a date letter, and a decorator’s mark. dia. 10-1/4” Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

118

287 detail

288

288 Pair of Giltwood Mirrors in the Regency Taste 20th century, the segmented surround carved with oval floral medallions, flanked on the outside by a surround carved with bellflowers and on the inside by a surround carved with lotus leaves. h. 38”, w. 29-1/2” $1,000-$1,500

289 George III Mahogany Secretary Bookcase late 18th century, in two parts, the molded cornice over a pair of mullioned doors, the interior with shelves and a low bank of drawers, on a base with an upper drawer with a fold front creating a tooled leather writing surface backed by a fitted interior, over three graduated drawers, on bracket feet. h. 81-1/4”, w. 43-1/2”, d. 22-1/4” $1,800-$2,500

289

119

290 George II Japanned Tall Case Clock 18th century, the brass filigree dial signed “Wm Champ, London”, the hood with a sarcophagus-form top and turned finials, having a time-and-strike movement with a calendar dial. h. 98”, w. 20”, d. 10” $1,800-$2,500

291

291 George III-Style Mahogany Secretary Chest late 19th century, the banded rectangular top above a case fitted with an oval paneled drop-front drawer opening to a variety of drawers and cubbyholes around a central cupboard, over three graduated long drawers, all with lineinlaid oval patterns, raised on bracket feet. h. 43”, w. 41-1/4”, d. 21-1/2” $1,200-$1,800

290

120

293

292 Molded and Cut Glass Chandelier in the French Taste 20th century, the eighteen-light chandelier with a molded glass-clad standard set with glass candle arms supporting glass sockets, set with molded prism rings on two levels, hung with swags of drops, the upper portion with a corona of glass scrolls. h. 55”, dia. 36” Provenance: The Anne Rice/Nicolas Cage Garden District Mansion, New Orleans, Louisiana. $2,500-$4,000

293 Set of Twelve Royal Doulton Porcelain Dinner Plates ca. 1902-1922, decorated with raised gilt scrollwork against a narrow band of apple-green latticework, gilt with swags and sprigs of flowers, each piece with the Royal Doulton mark, the retailer’s mark, Arthur A. Everts Co., Dallas, and the decorator’s mark. dia. 10-1/2” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

292

121

294

294 Georgian Mahogany Dining Table early 19th century, comprised of a drop-leaf center section and two D-ends, all raised above a plain apron on tapering square legs. h. 29”, w. 47-1/2”, ext. l. 105” $2,500-$4,000

294 detail

122

294 detail

295

295 Suite of Eight George III-Style Mahogany Dining Chairs

296 Regency Mahogany Sideboard

early 20th century, each with a shaped and earred crest above a pierced and interlocking splat, the padded seat raised on square legs joined by an H-form stretcher. h. 38”

early 19th century, the single-board top backed by a wraparound upper cabinet with ebony stringing, the bowed front with a frieze drawer with three figural panels and flanked by a drawer with concealed release over a bowed door, raised on tapering, reeded legs with spade feet. h. 44”, w. 81-1/2”, d. 30-3/4”

$1,200-$1,800

Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,500-$2,500

296 123

297 Regency Brass-Inlaid Rosewood Secretary Bookcase 19th century, in two parts, the cornice with a die-cut brass panel over a molded and beaded frieze, over a pair of glazed doors with horizontal mullions, the base with a fold-out drawer opening to reveal a tooled leather writing surface, open shelves and drawers with satinwood faces, and a pair of paneled doors below, decorated throughout with inlaid brass stringing and die-cut ornament. h. 95-1/4”, w. 47”, d. 22” $1,200-$1,800

298 Pair of Chinese Export Polychrome Bottle Vases 19th century, now mounted as lamps, decorated with mandarin panels on celadon grounds, against lavender grounds with molded scrollwork, the bases with a border of polychrome leaves, now on brass bases and mounted with shades. h. 28”, dia. 17”

298

Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

299

299 Regency-Style Rosewood Writing Table late 19th century, the rectangular top with an inset leather surface and a three-quarter palmetto-pierced brass gallery, over a frieze fitted with two short drawers, raised on lyreform end supports joined by a turned stretcher and ending in splayed legs and paw feet on casters. h. 31”, w. 36-1/2”, d. 22” $1,500-$2,500 297

124

300 British School (19th Century) “Portrait of a Child” oil on canvas unsigned, with a “Gallery Carolyn/Dublin” label en verso. Framed. 24” x 20”, framed 31” x 27” Provenance: Gallery Carolyn, Dublin, Ireland; private collection. $1,000-$1,500

301 George III Polychromed Satinwood and Maple Bench ca. 1800, of chair-back form with a woven cane seat and back, each section with a painted crest beneath a segmented frieze, open arms and turned legs. h. 32-1/4”, w. 64-1/2”, d. 25” 300

$2,000-$4,000

302 Regency-Style Mixed Woods Drop-Leaf Library Table 20th century, the inset tooled leather top flanked by drop leaves with like inset leather, the frieze in highly figured satinwood burl, one side fitted with a bank of three drawers, raised on a mahogany lyre-form trestle base with saber legs ending in brass paw caps. h. 30”, w. 58-1/2”, d. 33”, ext. w. 82-1/2” $1,200-$1,800 302

301

125

303

303 Les Chefs d’Oeuvre de Frank G. Slaughter Les Presses de la Cite: Geneva, 1973, illustrations by Andre Nicolas Suter, brown leather boards with gilt lettering and design, no dust jackets, 33 volumes. 7-1/4” x 5” $1,000-$1,500

304

304 Four Georgian Mahogany Tea Caddies fourth quarter 18th/first quarter 19th century, two examples with batwing escutcheons, one example with inlay around the top, now with leather-lined interiors, and the fourth example with the original tin tea caddies and mixing bowl. h. 4-1/4” to 6”, w. 9” to 12”, d. 5” to 6” $1,000-$1,500

305 Regency-Style Mahogany Bowfront Chest mid-19th century, the banded and bowed top above a conforming case fitted with two short drawers over three graduated long drawers, raised on splayed bracket feet. h. 42”, w. 41-1/2”, d. 21-1/2” $1,200-$1,800 305

126

306

306 Suite of Ten George III and George III-Style Mahogany Dining Chairs

307 Baker “Historic Charleston” Collection Dining Table in the Regency/Federal taste, the double-pedestal table with a shaped mahogany top with contrasting perimeter cross-banding, supported by vasiform leaf-carved pedestals joined to saber legs with like carving and terminating in brass paw cap casters, together with three matching 16” wide leaves, labeled. h. 29”, w. 46”, l. 70”, ext. l. 118”

including four late 18th-century chairs and six 20th-century chairs, each with a domed and earred crest above a pierced vasiform splat, the padded seat above pierced corner pieces on chamfered square legs, joined by an H-form stretcher. h. 38-1/2” $2,000-$4,000

$1,000-$1,500

307

127

308 William IV Mahogany Server mid-19th century, the rectangular top with a scalloped backpiece, joined to a lower shelf by bulbous supports, raised on bulbous legs headed by square capitals and ending in brass caps and casters. h. 42-1/2”, w. 48-1/2”, d. 20-1/4” $2,000-$4,000

309 Pair of Franco-Chinese Gilt-Bronze-Mounted Porcelain Lamps 18th/19th century, the Imari vases depicting women carriers beneath plum trees, with gilded age gilt-bronze lamp fittings, the necks with beading and leaf molding, the bases set into a ring of laurel leaves, on medallionmolded bases, now electrified. h. 26-1/2”, dia. 5-3/4” $1,000-$1,500

308

310 Two Handsome Regency-Style Decanter Cases 20th century, English, the brass-bound tropical hardwood cases with campaign-style handles, including a rosewood example with a pair of cut crystal decanters, and a burrwalnut example with a velvet-lined interior and labeled “Vincent Weymouth”. h. 10-1/4”, w. 8-1/4” to 10-1/4”, d. 5-1/2” to 8” Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

310

310 detail 309

128

311 Regency-Style Mahogany and Leather-Clad Folding Pole Library Ladder the whole clad in green leather, with brass tack accents and brass end caps, opening to seven rungs. w. 12-1/2”, l. 93”, ext. l. 102-1/2” $1,000-$1,500

312

312 Two Similar William IV Mahogany Library Chairs mid-19th century, each with a curved and earred crest and tufted back, joined by closed downswept arms with curled handgrips, cushioned seats, raised on turned circular legs, one with carved details, both ending in toupie feet on casters. h. 36-1/2”

311

Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

313 C. Hammond (British, 19th Century) “The Prize Stallion”, 1858 pencil and chalk on paper signed and dated lower right, inscribed “Chatham House Ramsgate” lower left. Glazed and framed. 14-1/2” x 22”, framed 22” x 27-1/2” Provenance: Christie’s London, 28 April 2010, lot 381; Collection of Shirley and Rolling Stones drummer, Charlie Watts, Devon, England; Private collection, Houston, Texas. $1,000-$1,500

313 129

314 Articulated Stained Maple Lay Figure of a Horse on Stand 20th century, the head and legs with movable joints, the rump issuing a horse hair tail, mounted on adjustable brass supports and raised on a beveled wood plinth. overall h. 13-1/2”, w. 14” Provenance: Private collection, Houston, Texas. $1,200-$1,800

315 Regency-Style Mahogany Bookcase 19th century, in two parts, the upper case with a molded cornice above a pair of framed doors with brass grillwork panels, the base with a pair of drawers above two framed and paneled doors. h. 88”, w. 49”, d. 18” Provenance: Private collection Lafayette and New Orleans, Louisiana.

314

$1,000-$1,500

316

316 Edwardian Mahogany Desk early 20th century, the rectangular top with concave corners and an inset leather oval panel, above a conforming case fitted with three frieze drawers, raised on two banks of drawers, one fitted with three drawers and the other with a deep file drawer over a drawer, all banded, the whole with banded and inlaid urn accents. h. 30”, w. 50”, d. 28” $1,800-$2,500

315

130

317 Regency Mahogany, Paper and Bronze Celestial Globe post-1830, on a turned mahogany Sheraton stand, with a bronze meridian, the paper-covered globe signed “Newton’s Celestial Globe... recalculated in the year 1830, Manufactured by J.J. Newton, 66 Chancery Lane”. h. 17”, dia. 18-1/2” $1,500-$2,500

318 Edwardian-Style Painted Leather-Upholstered Chesterfield Sofa 20th century, of traditional form, the tufted back and sides above the like seat, raised on casters. h. 28”, w. 91”, d. 36” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

319

319 William IV Mahogany Center Table 19th century, the circular top above a plain frieze, raised on large bulbous and turned legs ending in peg feet. h. 29-1/2”, dia. 30” $1,000-$1,500

317

318 131

320 detail

320

320 Victorian Mahogany Metamorphic Three-Tier Stand

321 Belgian School (First Half 20th Century)

second half 19th century, the rectilinear molded top raising and collapsing to form three shelves, supported by a base with fluted and lotus-carved columns, shaped legs and a baluster gallery. h. 30-3/4”, ext. h. 51”, w. 43-1/8”, d. 21-1/8”

“Horse and Jockey”, 1943 oil on canvas signed and dated “C. Verkinderen 1943” lower left. Framed. 25” x 34”, framed 36-3/4” x 45-1/4”

$1,000-$1,500

$2,000-$4,000

321

132

322 Victorian Mahogany Desk second half 19th century, the top with a central tooled leather slant-lid writing surface backed by a pair of drawers, a door and niches, flanked on each side by a bank of three drawers with a side lock mechanism, raised on tapering turned legs on brass cup casters. h. 45”, w. 47”, d. 24” $1,000-$1,500

323 Near Pair of Banded and Line-Inlaid Mahogany Desk Chairs one Edwardian, ca. 1900, and the other crafted to match by Kohlmaier of New Orleans, both of tub form with swivel bases, a molded and banded top rail over a pierced splat, open arms on fluted and line-inlaid supports, a circular leather seat cushion and a base with shaped legs with contrasting light wood inlaid panels, on brass casters, the base of the later chair fixed to the seat. h. 31-1/4”, w. 23-1/2”, d. 21-3/4” 322

$1,200-$1,800

324 Anglo-Japonesque Pottery and Gilt-Bronze Encrier ca. 1900, the polychrome pottery body decorated with pine trees and flowers, set with a pair of ink pots with removable covers flanking a candle stick, the font with a pen tray, the base set with gilt-bronze molding. h. 7-1/4”, w. 11-1/2”, d. 7-1/4” $1,000-$1,500 324

323 133

325 Continental Crystal Chandelier in the Neoclassical Taste second quarter 20th century, the twenty-one-light chandelier with a metal frame mounted with two tiers of scrolled glass candle branches terminating in tulipform molded glass candle cups and molded prism rings, the tiers hung with prisms, the cut glass canopy over cascades of crystal drops, the bottom with a spherical cut glass pendant finial. h. 48”, dia. 33” $2,000-$4,000

326 Thomas Sidney Cooper (British, 1803-1902) “Highland Sheep”, 1849 oil on wood panel signed lower right, verso with “William Rodman & Co., Belfast” gallery label. Framed. 17” x 21”, framed 27” x 30-1/2” Provenance: William Rodman & Co., Belfast, Ireland; Private collection, England. $4,000-$7,000 325

326

134

327

327 English Inlaid Mahogany Sideboard

328 Suite of Twelve George III-Style Mahogany Dining Chairs

ca. 1800, the rectangular top with a banded and shaped front and inlaid shell accents, above a conforming case fitted with a central cutlery drawer flanked to either side by a deep drawer, and with delicate inlaid scrolling foliate accents, raised on tapering square legs ending in spade feet. h. 37”, w. 68”, d. 31”

in the Chippendale taste, each with a shaped top over a pierced splat, reeded stiles, upholstered seat and square legs joined by an H-form stretcher. h. 38-3/4” Provenance: Private collection Lafayette and New Orleans, Louisiana.

$1,000-$1,500

$1,200-$1,800

328 135

329

329 Regency-Style Walnut and Banded Mahogany Dining Table 20th century, labeled Henredon, the walnut top with a figured mahogany and kingwood banded edge, and raised on a pair of turned pedestals with splayed and reeded legs, opening to accommodate three 22” leaves. h. 29”, w. 45”, l. 68”, ext. l. 134” $2,000-$4,000

329 detail

330 Pair of Ch’ien Lung Chinese Export Garniture Vases third quarter 18th century, now mounted as lamps, the vases with turquoise grounds, decorated with panels of polychrome mandarin scenes, framed with raised grapevines, leaves and fruit, now fitted with wooden caps and bases. h. 22-1/2”, w. 5-1/2”, d. 4” $1,000-$1,500

330

136

331 Mahogany Birdcage of Regency Inspiration with a central dome supported by carved columns, and smaller columns in the four corners, all with spear-form finials, the cage with arched doors, corner colonettes and suspended balustrades, supported on a matching stand with cross stretchers. h. 77”, w. 28-1/4”, d. 28-1/4” $1,000-$1,500

332 English Carved Mahogany Wall Shelf

333

mid-20th century, in the Chinese Chippendale taste, with an arched and carved frame and central finial above four open shelves and a branch-carved apron below. h. 61”, w. 36”, d. 7” $1,000-$1,500

333 Pair of Large Gilded Age Bronze Sconces fourth quarter 19th century, probably English, the scrolled arms decorated with masques and molded leaves, the ends with strapwork and cabochons, supporting leaf-molded shade holders, mounted with engraved and ruffled apricotcolored fitterless gas shades, mounted on impressive wall brackets decorated with leaves, flowerheads and scrollwork, electrified. h. 18”, w. 7-3/4”, d. 18” $1,000-$1,500

331 332

137

334

334 Victorian Gilt-Stenciled, Polychromed and Slate-Top Cabinet

336

335 Two Handsome Regency Japanned Boxes

third quarter 19th century, the paint-decorated slate top over a case with a pair of doors, each with a shaped panel painted with a floral vase, decorated throughout with leaf and vine gilt stencils and flowers with mother-of-pearl petals. h. 38”, w. 46-1/2”, d. 19”

first quarter 19th century, the red example with a coved cover, decorated with raised and flat gilt mandarin scenes and a painted interior, and the black example with a coved cover and ogee sides, decorated with raised and flat gilt scenes, the sides mounted with period ring pulls, the interior lined with wallpaper. h. 6-3/4” to 8”, w. 10-3/4” to 12-3/4”, d. 6-1/4” to 8-1/4”

$3,000-$5,000

$1,000-$1,500

336 Exceptional English Cut Glass and Bronze Banquet Lamp fourth quarter 19th century, the fluted column-form standard raised on paw feet and cabriole legs, set with a “Russian” pattern cut glass font and a cut glass shade decorated with alternating panels of sawtooth and strawberry cutting. h. 36”, dia. 10-1/2” $1,000-$1,500

335

138

337

337 William IV-Style Mahogany Triple-Pedestal Banquet Table

338 Suite of Eight George III-Style Mahogany Dining Chairs in the Chippendale taste, comprised of a pair of armchairs, h. 40-1/4”, w. 25-1/2”, d. 25-3/4”, and six side chairs, h. 39-1/2”, w. 24”, d. 23”, each with a shaped foliate-carved top rail over a pierced ribbon- and rosette-carved splat, cabriole front legs with shell- and foliate-carved knees and ball-and-claw feet, labeled “Maitland-Smith / Hand Made in Philippines”.

each section with a tilt top, raised on a turned pedestal joined to shaped legs with lotus-carved feet, together with a pair of leaves. h. 29-1/4”, w. 52”, l. 127-1/2”, ext. l. 161” $1,000-$1,500

$1,200-$1,800

338 139

339

339 detail

339 Rare Mason’s (Attributed) Ironstone Partial Dessert Service first quarter 19th century, English, the set consisting of a comport, h. 6”, dia. 10-1/2”, twelve plates, dia. 9”, a pair of leaf dishes, l. 10-1/4”, w. 9”, a pair of oblong dishes, l. 11-1/4”, w. 7”, and a rectangular dish, l. 11-1/4”, w. 8”, with orange and blue clobbered flowers and peacocks, and green borders with mauve shell-molded rims, the forms executed in ironstone, unmarked. Provenance: Private collection, New Orleans, Louisiana. Literature: Geoffrey A. Godden, The Illustrated Guide to Mason's Patent Ironstone China (London: Barrie & Jenkins, 1971), similar design illustrated plate no. 42. $1,000-$1,500

340 William IV Mahogany Dressing Table second quarter 19th century, the hinged sunburst-veneered “turtle” top opening to various lidded compartments, with a pull-out velvet-upholstered storage well below, joined by four shaped supports with a paneled vasiform standard to three splayed legs. h. 30”, w. 21”, d. 18”

340

$1,000-$1,500

341 Anglo-Colonial Mahogany Desk 19th century, the top with a gadrooned edge and supporting a recessed cabinet with a pair of sunburstcarved panels, a bank of three drawers beneath the top, raised on heavily reeded Sheraton legs. h. 49”, w. 54”, d. 30-1/2” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,200-$1,800

341

140

342

342 Two Indian Pichhavai (Pichhwai) of Lord Krishnu in the Guise of Shri Nathji ca. 1900, gouache on fabric, including “Shri Nathji with Dancing Gopis and Sacred Cows” and “Shri Nathji Flanked by Gopis and Celebrants”. Each matted, glazed and framed alike. 30-1/2” x 24-1/2”, framed 40” x 34” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

343 Anglo-Indian Leather-Covered and Painted Trunk on Stand 343

early 20th century, the top and sides with polychrome floral motifs and decorated with brass banding and tacks. h. 19-1/2”, w. 29-1/2”, d. 16” $1,000-$1,500

344 Anglo-Indian Carved Teakwood Stool ca. 1800, the upholstered top over an open-carved apron depicting leaves, vines and flora, raised on tiger-head legs with serpent feet. h. 15-1/2”, w. 34-3/4”, d. 21” $1,000-$1,500

344

141

345 Max Albert Carlier (Belgian, 1872-1938) “Mother Cat and Kittens Playing”, ca. 1935 oil on canvas signed lower left, a “Campo & Campo” seal on stretcher, dated on brass artist plaque on frame. Framed. 31-1/2” x 24”, framed 39-1/4” x 31-1/2” $4,500-$7,000

345

346 Anglo-Indian Bamboo and Lacquered Etagere late 19th/early 20th century, the superstructure with a pagoda-form crest over a central beveled mirrored cupboard, flanked to either side by bowed open shelves joined by bamboo uprights and a lacquered paneled back to a lower section with a lacquered rectangular top, over a single drawer and a single side cupboard and two tiered open shelves, raised on splayed bamboo legs. h. 66”, w. 25-1/2”, d. 16” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

346

142

347

347 Pair of Edwardian Chinoiserie Mirrors first quarter 20th century, in the Queen Anne style, the arched crest decorated with a mandarin figure crossing a bridge, the sides and base with leaves and flowers, set with beveled mirror plates. h. 22-1/2”, w. 23” $1,000-$1,500

348 Carved and Painted Wood Figure of a Monkey first quarter 20th century, possibly Venetian, dressed in a blue smock and giltwood kerchief, sitting contemplatively, poised on a rocky outcropping, raised on a carved wood base with a molded surround. h. 25-3/4”, w. 10-3/4”, d. 11-1/4” $1,200-$1,800

348

143

349 Trevor Haddon (American/British, 1864-1941) “Tending to the Wee Ones” oil on canvas signed lower right. Framed. 36” x 28”, framed 42-1/2” x 33” $3,000-$5,000

349

350 Charles Burton Barber (British, 1845-1894) “Playing Mother” oil on canvas signed lower left. Framed. 12” x 10”, framed 22” x 20-1/4” $2,500-$4,000

350

144

351 Wilhelm Schutze (German, 1840-1898) “The Stolen Treat”, 1872 oil on canvas signed and dated lower left. Framed. 22” x 18-1/2”, framed 30-1/2” x 26” Provenance: Guarisco Gallery, Washington, D.C.; Private collection, United States. $5,000-$8,000

352 Henry Jules Jean Geoffroy (French, 1853-1924) “Le Jeune Hussard” watercolor on paper signed lower right. Matted, glazed and framed. sight 7” x 6”, framed 15-1/2” x 13-1/8” $1,500-$2,500

353 Henry Jules Jean Geoffroy (French, 1853-1924) “Farandole d’Enfants Costumes” watercolor on paper signed lower right. Matted, glazed and framed. sight 7” x 6”, framed 15-1/2” x 13-1/8”

351

$1,500-$2,500

352

353 145

354 Henry Jules Jean Geoffroy (French, 1853-1924) “A L’Ecole”, 1883 pen and ink on paper signed and dated lower right. Matted, glazed and framed. sight 8” x 12”, framed 16” x 20” $1,000-$1,500

355 Regence-Style Kingwood and Marble-Top Commode the serpentine Breche d’Alep marble top with a beveled edge, above a conforming case with a bank of three drawers over a pair of wide drawers, each in crossbanded veneers, flanked by brass-inset fluted corners, on ormolu feet. h. 34-3/4”, w. 48-1/2”, d. 23-1/2”

354

$1,500-$2,500

356 Pair of French Giltwood “Cushion” Mirrors second half 20th century, in the rococo taste, each with a gadrooned outer surround and a scroll-carved inner surround, the corners decorated with pierced scrolland-leaf carvings, set with beveled mirror plates. h. 44-1/4”, w. 37-1/4” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,200-$1,800

355

146

356

357 Pair of Louis XIV-Style Fauteuils a la Reine 19th century, each with a tall, domed and padded back joined to the padded seat by bellflower-carved arms, raised above a pierced shell-carved stretcher on cabriole legs, headed by a shield, joined by a shaped X-form stretcher and ending in foliate scrolled toes. h. 48” $1,500-$2,500

357

358 Louis XVI-Style Giltwood and Marble-Top Console Table late 19th century, the shaped marble top above a conforming beaded and lattice-pierced frieze, raised on exaggerated acanthine-carved legs joined by an urncentered stretcher and ending in foliate toupie feet. h. 33”, w. 44”, d. 20” $3,000-$5,000

358

359 Louis Eugene Charpentier (French, 1811-1890) “Venus et Amours dans les Nuages” oil on wood panel signed lower center, verso frame with “P. Desbordes/Grand Garde-Meubles, Paris” label. Framed. dia. 25-1/2”, framed dia. 34” Provenance: Tajan, Paris, 5 April 2001, lot 39; Guarisco Gallery, Washington, D.C.; Private collection, United States. $4,000-$7,000

359 147

360 French Tole, Bronze, Glass and Parcel-Gilt Chandelier mid-19th century, the ten-light chandelier in the neoclassical taste with creme-peinte accents, the leafmolded standard supporting a gilt-bronze body, set with scrolled candle branches in two tiers, the branches set with prism rings and gilt-bronze sockets, the upper leaf-molded prism rings supporting cascades of drops to the branches, the bottom with a handsome bronze artichoke pendant finial. h. 37-1/4”, dia. 30-3/4” $3,000-$5,000

360

361 Giltwood Mirror in the Louis XV Taste first half 20th century, the surround set with mirror panels, framed with gilt scrollwork and decorated with rocaille carving, the pierced crest with a carved shell framed with carved rocaille and scrollwork, the matching lower edge with a carved shell framed with scrollwork and set with mirror panels. h. 58-1/4”, w. 33-1/2” $1,200-$1,800

361

148

362

362 Belgian Partial Service of “Danse de Flore” Crystal Glassware 20th century, attributed to Val St. Lambert, the cut, etched and gilded neoclassical-style service consisting of eighteen water goblets, h. 6-3/4”, twelve bowls, h. 2-1/2”, dia. 4-1/2”, and sixteen plates, dia. 8-1/2”. Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

363 Pair of Louis XV-Style Giltwood Fauteuils ca. 1900, each with a molded back extending to open arms, bowed and molded seat rail joined to cabriole legs with French toes, and fitted with a loose seat cushion. h. 36”, w. 25-1/2”, d. 22” 362 detail

Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,500-$2,500

363 149

364 Pair of French Gilded Age Gilt-Bronze Candelabra ca. 1900, of Louis XV inspiration, the six-light candelabra bases and standards molded with sinuous rocaille and scrollwork, the leaf-molded arms terminating in candle cups and decorated with flowerheads, set with leaf-molded drip pans and rococo-molded bobeches. h. 21”, dia. 12-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

365 French Painted and Parcel-Gilt Cheval Mirror mid-20th century, of Louis XV inspiration, the mirror decorated with a serpentine crest and base and carved giltwood scrolled legs, set into a pierced stand of interlaced gilt-trimmed scrollwork, on scrolled feet with carved giltwood leaves, and set with a beveled mirror plate. h. 69”, w. 28”

364

$2,000-$4,000

366

366 Louis XV-Style Giltwood Sofa ca. 1900, the molded crest centered by cabochon and wing carving, with open arms on molded supports, serpentine front seat rail and cabriole legs on French toes. h. 42-1/4”, w. 72”, d. 27-1/2” $2,000-$4,000

365

150

367

367 Pair of Louis XIV-Style Giltwood Fauteuils each with an upholstered arched back joined to shaped open arms, scalloped seat rail and cabriole legs. h. 38-1/4”, w. 26”, d. 23-1/2” $2,000-$4,000

368 Italian Olivewood and Burled Wood Commode 20th century, of bombe form, the top with figured burlwood and a crossbanded perimeter, the case with two-over-two drawers in like veneer, raised on molded legs. h. 33”, w. 45-1/2”, d. 21” $1,500-$2,500

368

369 George Vuillard (French, b. 1956) “La Lecteur” oil on wood panel signed lower right. Framed. 16” x 24”, framed 22-1/8” x 30-1/8” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

369 151

370 J. Medvej (German, 19th/20th Century) “Die Ersten Rosen” oil on wood panel signed lower right, verso with label identifying the artist. Framed. 17-1/4” x 12-5/8”, framed 25” x 20-1/2” Provenance: Private collection, United States. Exhibited: Berlin, 1874; Munich, 1883. $3,000-$5,000

370

371 Louis XV-Style Creme-Peinte and Parcel-Gilt Center Table 20th century, by Frederick P. Victoria & Sons, Inc., New York, the dished, square salmon marble top over a frieze with carved shells, baskets and scrolls, raised on cabriole legs, stamped “FREDERICK P. VICTORIA”. h. 29”, w. 33”, d. 33” Provenance: The Collection of Adam Lippes. $1,500-$2,500

371

152

372 Three French Gilt-Bronze Boudoir Objects ca. 1900, including a shaped gilt-bronze and crystal jewel casket, the top with an inset enamel portrait of a lady initialed “L.C” and trophee-mounted crystal sides, h. 2-1/2”, w. 5”, d. 4”, an enamel portrait of Marie Antoinette signed “Stefane” mounted on an onyx back set in an Empire-style gilt-bronze frame, h. 5”, w. 3-1/4”, and a gilt-bronze jewel box with acanthus-decorated serpentine sides set with a porcelain portrait of Marie Antoinette, h. 1-1/4”, w. 3-3/4”, d. 3-3/4”. Provenance: Estate of Margaret McDermott, Shreveport, Louisiana. $1,000-$1,500

373 French Provincial Polychromed Cabinet late 19th century, the molded and rounded cornice above a conforming case fitted with three open central shelves over two bowed cupboard doors, each inset with a shaped panel, flanked to either side by a long door inset with a grilled panel, above a serpentine foliate-carved apron, raised on scrolled toes. h. 67”, w. 67”, d. 17”

372

$1,500-$2,500

373 153

374

374 Set of Meissen Porcelain “Scattered Flowers” Dinner and Soup Plates ca. 1861-1924, decorated with scattered hand-painted sprigs of flowers and a molded basket-weave border, the set comprised of fourteen dinner plates, dia. 9-1/2”, and four soup plates, dia. 8-3/4”, each with the underglaze blue crossed swords mark. Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

374 detail

375 Berlin (KPM) Attributed, Gilt-Bronze-Mounted Porcelain Potpourri Bowl fourth quarter 19th century, the covered bowl with a bacchanalian putto knop, the bowl and cover painted with celebratory genre scenes and basketweave borders with scattered flowers, the gilt-bronze mounts with ring holders, a pierced rim and raised on a footed base decorated with bellflowers and a laurel wreath. h. 17-1/2”, w. 15”, d. 10-1/2” Provenance: Estate of Margaret McDermott, Shreveport, Louisiana. $1,000-$1,500

375

154

376

376 Pair of Louis XV-Style Parcel-Gilt Fruitwood Canapes each with a beaded and foliate-carved top rail wrapping to closed arms, serpentine seat and cabriole legs, and each fitted with a loose seat cushion. h. 36”, w. 47”, d. 26” $1,000-$1,500

377 Raoul Maucherat de Longpre (French, 1843/59-1911) “Spring Bouquet” gouache on paper signed lower right. Matted, glazed and framed. sight 23” x 19”, framed 27-1/2” x 23-1/2” $1,000-$1,500

377

378 Pair of Louis XV-Style Kingwood Parquetry Inlaid Side Tables early 20th century, each with a shaped and banded rectangular top with projecting canted corners, above a bombe case fitted with an upper side drawer and two drawers to the front, joined to a lower shelf by cabriole legs ending in sabots. h. 27”, w. 13-1/2”, d. 11” $1,000-$1,500

378 155

379 Pair of French Bronze and Marble Candelabra ca. 1900, in the Louis XIV taste, each with a Rosso Antico marble plinth supporting a leaf-molded base set with three scrolled, leaf-molded candle arms hung with laurel swags, the arms set with guilloche-molded candle cups and beaded bobeches, around a flame finial. h. 13”, dia. 8” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

380 Regence Walnut, Mixed Woods and Marble-Top Commode 18th century, the shaped marble top above a conforming case fitted with two short drawers over two long drawers, all with herringbone veneers and inlaid scrolling foliate and floral garlands, the sides en suite, raised on block feet. h. 33”, w. 47”, d. 26”

379

$1,500-$2,500

380

156

381

381 Cesare Augusto Detti (Italian, 1847-1914) “The Flower Gatherers” oil on canvas signed lower left. In an ornate gessoed and giltwood frame. 54” x 34”, framed 74” x 51” $20,000-$40,000

157

383 Pair of Louis XV-Style Fruitwood Fauteuils late 19th/early 20th century, each with a floral- and leafcarved top rail, open arms in like decor, serpentine seat and cabriole legs, and retaining their vintage needlepoint upholstery. h. 41”, w. 27”, d. 25” $1,200-$1,800

384 Pair of Giltwood Beveled Mirrors in the Rococo Taste 20th century, the bold, pierced oval surround carved with rocaille work, acanthus leaves and scrollwork, the sides with carved flower buds, the base with a scroll-framed cabochon. h. 50”, w. 31-3/4” $1,200-$1,800

382

382 French Bronze and Crystal Chandelier in the Baroque Taste second quarter 20th century, the eight-light chandelier with a reeded frame decorated with molded leaves and an interior with a glass finial, the frame and corona hung with cut glass prisms, and the lower portion with a cut glass spherical pendant finial. h. 38-1/2”, dia. 27” $1,500-$2,500 383

384

158

385 Regence-Style Walnut Diminutive Commode late 19th century, the banded top with a shaped front, above a conforming case fitted with two banded drawers, each with elaborate ormolu hardware, raised on cabriole legs ending in sabots. h. 31”, w. 32”, d. 18” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

386 Unusual French Painted Canvas Four-Panel Screen second quarter 20th century, decorated with hand-painted bucolic pastoral scenes depicting figures in 18th-century costumes, shepherds with animals and lush gardens with columns and urns, the ebonized frame with arched crests. h. 78”, w. 100” $3,000-$5,000 385

386 159

387

387 Pair of French Rococo-Style Gilt-Bronze Candelabra mid-19th century, after the 1734/35 model by Juste-Aurele Meissonnier (1695-1750), the robust acanthus standard above a swirling base draped with rose garlands and surmounted by an intricately branching superstructure with six arms decorated en suite, each terminating and surrounding a central flambeau-form candle nozzle. h. 22”, dia. 18-1/4” $2,000-$4,000 Juste-Aurele Meissonnier was born in Turin on March 17, 1695, the son of second-generation French Provencal goldsmith Etienne Meissonnier II (1660-1746). None of the elder Meissonnier’s work survived numerous later melting campaigns, but contemporaneous records show numerous commissions to the Court of Savoy, including a 1726 crucifix from King Victor Amedeo II to Pope Benedict XIII. He was also noted as both a sculptor and designer, and it is undoubtedly under his tutelage that Juste-Aurele learned his craft. His earliest commissions were as a die engraver for the Turin mint, the success of which led to his employ in Paris to assist in the creation by the Royal French Mint a series of medals commemorating the reign of Louis XIV. His later patrons included Madame le Duchesse, Louise Francoise de Bourbon, and her son Louis Henri, Duc de Bourbon, for whom he executed a monumental wine cooler in 1723. He created the gold hilts for the marriage of Louis XV in 1725, and an enormous (120 cm x 120 cm) silver reliquary for the church of St. Aignan in Orleans in 1730.

160

He was appointed designer of the King’s Cabinet in 1726, and expanded his design virtuosity to include stage sets, painting, case furniture and architecture (such as designs for the facades of the Palace of the Order of Saint Esprit and St. Sulpice in Paris). There is but a single surviving piece - a gold and lapis lazuli box for Marie-Anne de Baviere-Neubourg, widow of Charles II of Spain - which bears Meissonnier’s mark as a goldsmith. Like his father, few of his works escaped the melting pots that financed France’s later wars and revolutions. (The St. Aignan reliquary, for instance, was destroyed in the revolutionary fervor of 1792.) However, several contemporaneous pieces executed by other artists from Meissonnier’s designs are still extant, including a 1727 standing clock in the Galerie Gismondi, Paris, porcelains attributed to him from Chantilly, and the extravagant silver tureen by Bonnestrenne & Adnet in the Cleveland Museum of Art. These designs are the height of rococo extravagance; virtually no part of them is not ornamented, decorated with naturalistic motifs combining both precise realism and wild artifice. The effect is one of untamed nature in motion. Engravings of his designs were collected around 1730 into Livres d’ornements en trente pieces, republished and expanded in 1748, two years before Meissonnier’s death on July 31, 1750. This second edition contains the original design for the present lot as plate 31. Contemporaneous examples in gilt bronze are conserved in the Metropolitan Museum of Art in New York and in silver at Musee des Arts Decoratifs in Paris.

161

388 Pair of Louis XV/XVI-Style Mahogany and Mixed Woods Occasional Tables early 20th century, each with a banded oval top inlaid with various vessels and within a three-quarter pierced brass gallery, above a conforming like-inlaid frieze fitted with one drawer, joined to a concave lower shelf by shaped supports ending in sabots. h. 25”, w. 21-1/2”, d. 17” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

389 Philippe Budelot (French, ca. 1770-1841) “A Stag Hunt” oil on canvas signed lower right. Framed. 16-1/8” x 21-3/4”, framed 20-1/2” x 25-3/4”

388

Provenance: Christie’s New York, May 28, 1993, lot 2. $5,000-$8,000

389

162

390 detail

390

390 French Marquetry-Inlaid Metamorphic Games Table/ Desk early 20th century, the inlaid top edged with brass molding, the fold-over top with a green felt playing surface, the scalloped inlaid frieze with a drawer fitted with a tooled leather writing surface over a well, raised on cabriole legs. h. 29-3/4”, w. 28-3/4”, d. 20-1/4” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

391 French Bronze and Crystal Chandelier second quarter 20th century, in the Baroque taste, the eight-light chandelier with three additional inner sockets, a bronze frame and a standard clad in molded glass, the scrolled arms set with turned candle sockets and molded drip pans, both arms and upper portion decorated with sprays of cut crystal drops. h. 35”, dia. 21” $1,000-$1,500

391

163

392

392 Regence Mahogany, Mixed Woods and MarbleTop Commode 18th century, the slightly bowed marble top with a molded edge, above a conforming case fitted with two short drawers over a long drawer, all banded and with quarter-veneering, raised on slender cabriole legs. h. 33”, w. 51”, d. 24” $1,500-$2,500

393 Pair of Franco-Chinese Bronze-Mounted Vases 18th/19th century, now mounted as lamps, the Ch’ien Lung vases with an orange ground, decorated with panels of polychrome mandarin scenes framed with gilt scrollwork, and set in rococo revival bronze dore fittings, with a flower-molded rim, pierced rocaille-molded handles and pierced bases decorated with scrollwork. h. 23-1/2”, w. 9”, d. 6-1/4”

393

$1,000-$1,500

394 Pair of Transitional Louis XV/XVI-Style Bergeres ca. 1900, each with a molded back with a ribboncarved crest, closed arms terminating in leaf-carved ends, bowed seat rail and fluted trumpet legs, upholstered in cut velvet, with loose seat cushions and matching pillows. h. 42-3/4”, w. 30”, d. 29” $2,000-$4,000

164

394

395 French Bronze and Crystal Petit Chandelier the standard clad with molded glass supporting the scrolled bronze candlearms, set with molded prism rings and hung with swags of cut crystals and molded glass drops, the upper portion with sprays of glass drops. h. 22-3/4”, dia. 19-3/4” $1,000-$1,500

395

397 Italian Giltwood Mirror in the Louis XVI Taste third quarter 20th century, the pierced crest with an urn-offlowers finial, flanked by pierced sprays of laurel branches, the surround with corner Greek keys and panels of fluting trimmed with carved acanthus leaves. h. 55-3/4”, w. 32-3/4” $1,000-$1,500

397

396 Large Composition Oval Ceiling Medallion 21st century, with a molded outer edge surrounding printed scenes of cupids amongst clouds. w. 62”, l. 78”, d. 3” $1,000-$1,500

396 165

399

398 Pair of Directoire-Style Bronze Chenets first quarter 20th century, decorated with pierced urns with handles molded with female busts, supported on bombe bases molded with masques and trophies on a stippled ground, the opposite supports molded with crowned lion heads on monopodial supports, the billet bars with molded fringed “covers” draped over the facade. h. 15-1/2”, w. 12”, d. 6” Provenance: Private collection, Houston, Texas. 398

$800-$1,200

399 Transitional Louis XV/XVI-Style Kingwood and MarbleTop Commode late 19th century, the breakfront marble top above a conforming case fitted with a frieze drawer over two long drawers, all with decorative geometric and floral inlays, raised on cabriole legs headed by a foliate ormolu mount and ending in sabots. h. 37”, w. 47”, d. 23” $2,500-$4,000

400 Pair of French Belle Epoque Bronze Dore Candlesticks fourth quarter 19th century, in the Louis XV taste, the pair with vasiform standards and candle cups, decorated with scroll- and rocaille-work, set with stippled panels, the bases molded with various insects and scattered flowers with scroll-molded bobeches. h. 10-3/4”, dia. 6-1/2”

400

Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

166

401 Large Carved Giltwood Mirror late 19th century, in the Louis XV taste, the frame with exuberant foliate motifs along with various birds and animals. h. 76”, w. 46” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,200-$1,800

402

402 French Bronze and Crystal Chandelier in the Baroque Taste second quarter 20th century, possibly Baccarat, the twentyone-light chandelier with a bronze frame set with a cut crystal standard, mounted with nine candle branches in two tiers and twelve interior sockets, the primary branches alternating with cut glass finials, the frame hung with numerous sprays of cut glass pendeloques suspended from rosettes. h. 44-1/2”, dia. 28” $3,000-$5,000

401

167

403

403 Set of Four French Gilt-Bronze Sconces second half 20th century, in the Louis XV taste, with scrolled backplates, ornamented with leaves and scrollwork, the matching scrolled arms set with scroll-molded candle cups and matching drip pans. h. 29”, w. 17”, d. 8-3/4” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

404 Louis XVI-Style Oak and Marble-Top Table 18th/19th century, the rectangular top above a conforming frieze with carved scrolling patterns, raised on fluted tapering circular legs ending in toupie feet. h. 29-1/4”, w. 48-1/2”, d. 23”

404

$1,200-$1,800

405 Louis XVI-Style Mahogany and Marble-Top Bouillotte Table 20th century, the brass gallery framing a circular marble top, above a frieze fitted with a pair of drawers and a pair of pull-out slides, raised on fluted tapering circular legs. h. 30”, dia. 25-3/4” $1,000-$1,500

405

168

406 Louis XVI-Style Mahogany Triple-Top Games Table 20th century, the demi-lune top brass-banded and opening to a larger surface, further opening to a gilt-tooled leather-inset surface, above a conforming paneled frieze, raised on fluted tapering circular legs ending in brass caps on casters. h. 30-1/2”, w. 43”, d. 21-1/2” (closed) $1,200-$1,800

407 Extensive Herend “Rothschild Bird” Partial Dinner Service 20th century, Hungarian, the service comprised of sixteen dinner plates, dia. 10-1/4” to 10-1/2”, sixteen soup plates, dia. 9-1/2”, sixteen salad plates, dia. 7-1/2”, sixteen bread-and-butter plates, dia. 6-1/4”, sixteen mugs, h. 4”, a soup tureen with a bird finial, h. 11”, w. 12-1/2”, d. 8”, three graduated platters, d. 10” to 11-3/4”, l. 13-1/4” to 19-1/2”, a square open vegetable dish, h. 2-1/4”, w. 10-1/2”, d. 10-1/2”, a square salad bowl, h. 3-3/4”, w. 10-1/2”, d. 10-1/2”, a triangular open dish, h. 1-3/4”, w. 10-1/4”, d. 10-1/4”, a coffeepot, h. 8-1/2”, w. 6-1/4”, a teapot, h. 5-1/4”, w. 7-1/4”, a pair of sugar bowls, h. 4”, dia. 3-1/2”, another pair of sugar bowls, h. 4”, dia. 4”, a pair of cream jugs, h. 4”, w. 4-3/4”, another pair of cream jugs, h. 4-1/4”, w. 4-3/4”, sixteen napkin rings, h. 1-1/2”, d. 2-1/4”, a bell, h. 2-1/4”, dia. 1-1/2”, four salt shakers and four pepper shakers, h. 2-3/4”, dia. 1-1/2”, a heart-shaped dish, w. 3-3/4”, d. 4-1/4”, and three demitasse cups, h. 1-1/2”.

406

Provenance: Estate of Nancy R. Morrison, Houston, Texas. $3,000-$5,000

406 detail

407 detail

407 169

408 Pair of Louis XVI-Style Giltwood Fauteuils early 20th century, each with a padded and domed back surmounted by a floral crest, joined by padded foliate-carved arms to the padded seat, raised on fluted tapering circular legs ending in peg feet. h. 42”, w. 25”, d. 24” $1,500-$2,500

408

409 Louis XVI-Style Mahogany Bureau Plat early 20th century, the rectangular top with an inset leather surface, above a conforming case fitted with a central drawer flanked to either side by two small drawers, raised on tapering square legs ending in brass caps. h. 29”, w. 56”, d. 28-1/2” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,500-$2,500

409

410 Louis XVI-Style Brass-Mounted Mahogany Bouillotte Table early 20th century, the circular marble top within a pierced brass gallery, above a frieze with brass moldings, a pair of drawers and a pair of pull-out slides, raised on fluted tapering circular legs. h. 30”, dia. 25” $1,000-$1,500

410

170

412 Louis XVI-Style Parcel-Gilt Walnut Secretary Bookcase early 20th century, in two parts, the upper section with a laurel wreath- and ribbon-carved crest over a pair of glazed doors, on a base with a slant lid opening to reveal a writing surface and fitted interior, with a frieze drawer below, on fluted legs joined by a shaped stretcher. h. 82-1/2”, w. 39-1/2”, d. 20-1/4” $1,200-$1,800

413 French Gilt-Bronze Firescreen in the Rococo Taste first quarter 20th century, the oval screen framed with a pierced gilt-bronze surround, ornamented with scrollwork, rocaille work and flowers, raised on molded, scrolled feet, the center with a bronze mount of a crossed torch, bow and quiver, secured with a bowknot. h. 30-1/2”, w. 26”, d. 9” Provenance: Private collection, Houston, Texas. $800-$1,200

411

411 Louis XVI-Style Mahogany Porter’s Chair ca. 1900, of traditional form, the removable arched and domed padded hood above a padded back, joined by shaped sides to the cushioned seat, all within a foliateand bead-carved frame, raised on fluted tapering circular legs ending in toupie feet. h. 56”, w. 27-1/2”, d. 24” $1,800-$2,500

413 412 171

414

414 Pair of D. Milch, New York, Painted and Parcel-Gilt Trumeau Mirrors in the French neoclassical taste, the tablets decorated with urns of flowers and laurel branches framed with scrollwork, leaves and tendrils of flowers, the mirror plates with giltwood guilloche-molded surrounds, against a cream-painted ground, one example retaining the firm’s paper label on the back. h. 23-1/4”, w. 37-1/2” $1,000-$1,500

415 Unusual Pair of French Gilded Age Gilt-Bronze Sconces fourth quarter 19th century, the six-light sconces with pierced backplates supported on bowknots, set with scrolled candle branches ornamented with molded leaves, and set with beaded, lotus-molded prism rings and candle cups molded with swagging, hung with swags of glass beading, cut- glass drops and spearpoint prisms. h. 32-3/4”, w. 18-1/2”, d. 14-1/2” $1,500-$2,500

172

415

416 Fine Napoleon III Mixed Woods Inlaid and Marble-Top Parlor Cabinet fourth quarter 19th century, the inset shaped white marble top within a cast and molded bronze trim, above a conforming case centered by a single door with an inlaid flower basket, the in-curved sides with an inlaid bow and quiver, raised on turned legs, the whole with elaborate gilt-bronze trim. h. 42”, w. 47”, d. 19” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,500-$2,500

416

417 Continental School (Fourth Quarter 19th Century) “Floral Still Life in a Basket” oil on canvas unsigned. Framed. 36-3/4” x 29”, framed 46” x 39” $1,500-$2,500

417

173

418

418 Max Albert Carlier (Belgian, 1872-1938) “Nature Morte” oil on canvas signed lower right. Framed. 35-1/2” x 24”, framed 47” x 36” $2,500-$4,000

174

419 Max Albert Carlier (Belgian, 1872-1938) “Nature Morte” oil on canvas signed lower left. Framed. 35-1/2” x 24”, framed 47” x 36” $2,500-$4,000

419

420 Charles van den Eycken II (Belgian, 1859-1923) “Distraction” oil on wood panel signed lower right. Framed. 17-3/4” x 13-1/2”, framed 24” x 20” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $2,000-$4,000

420

175

421

421 Fine Maison Cardeilhac Silver and Engraved Glass Centerpiece ca. 1900, Paris, the first standard (.950) silver frame of oval form in the rococo taste, richly decorated with beautifully chased acanthus fronds extending to form two handles and four feet, fitted with a conforming glass bowl with serpentine-lobed rim and decorated with engraved oak and laurel branches. h. 5-1/4”, l. 18-1/4”, w. 10-3/4”; 55.51 total t. oz. (frame only) Provenance: Private collection, New Orleans, Louisiana. $2,500-$4,000

421 detail

422 Fine Maison Cardeilhac Silver Plateau ca. 1900, Paris, the first standard (.950) silver frame of quarter-lobed oval form in the rococo taste, richly decorated with beautifully chased acanthus fronds and scrolls extending to form two handles and four feet, fitted with a conforming mirrored plate. 32” x 19-3/4” Provenance: Private collection, New Orleans, Louisiana.

422 detail

$3,000-$5,000

422

176

423 French Belle Epoque Cased Silver Tea Set for One fourth quarter 19th century, by Jean Granvigne (1822-1885), Paris, first standard (.950) silver, including: a teapot, h. 5”, l. 6-1/2”; a covered sugar bowl, h. 4-1/4”, w. 5-1/4”; a teacup, h. 2-3/4”, l. 3-1/2”; a saucer, dia. 4-1/2”; and a teaspoon a la Russe, l. 4-1/2”; each decorated with tiny quatrefoils on a finely hatched ground and banded with engraved trailing leaves, monogrammed “EB” conjoined, all presented in a fitted plum velvet- and satin-lined case with canted corners and edges and gilt Greek-key banding and initials “E.B.”, 4-1/4” x 14” x 9-1/2”; together with replacement associated sugar tongs by Philippe Berthier (1813-1882), l. 5-1/2”. 22.52 total t. oz.

423

Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

424 Cased Belle Epoque Silver Gilt-Mounted Glass Cordial Set by Bouclier & Paris, active 1880-1886, Paris, first standard (.950) silver gilt, including a pair of liqueur decanters and twelve cordial cups, the bottles with silver gilt-clad necks and stoppers, the bodies fluted, the cylindrical cups wheelengraved with foliate banding and fitted in silver gilt bases, the silver gilt elements with reed-and-ribbon banding, presented in the original cream satin- and velvet-lined case as retailed by E. Auber, Paris, the case exterior with giltembossed banding en suite with the silver gilt elements, 4-1/2” x 15-1/2” x 9-1/2”. Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

423 detail

424

424 detail

177

425

425 Norwegian Cloisonne Enamel Sterling Silver Gilt Tea Set first quarter 20th century, by Marius Hammer, Bergen, including: a teapot, h. 7-1/4”, l. 7”; an open sugar bowl, h. 2-1/4”, w. 5-1/4”; and a creamer, h. 2-1/4”, l. 4”; each with an ovoid body decorated with wide bands of opaque turquoise and white foliate cloisonne enamel, “S”-scroll handles and scroll feet, the teapot with lion’s masque spout. 24.90 total t. oz. Provenance: Estate of Margaret McDermott, Shreveport, Louisiana. $1,800-$2,500

426

426 Pair of Continental Silverplate Candlesticks 19th century, of rounded square section, the standard with a palm tree at each corner, the base with a lion confronting a serpent at each corner, each serpent’s tail coiled around an acanthus scroll foot, surmounted by a lotus-form nozzle with lobed drip pan and detachable candlesocket. h. 13-3/4”, w. 5-3/8” Provenance: Estate of Margaret McDermott, Shreveport, Louisiana. $800-$1,200

178

426 detail

427

427 South American Sterling Silver Plateau

429 German Novelty “Rabbit” Sterling Silver Cocktail Shaker

contemporary, of lobed oval form, with embossed silver acanthus scroll rim and conforming mirrored plate. l. 22-3/4”, w. 12-3/4”

contemporary, Ludwig Neresheimer Co., Hanau, in the form of a realistically detailed European hare, seated on its haunches, its mouth a faux spout fitted with a chained “stopper” with a carrot, the head fitted with glass eyes and removing to reveal the detachable strainer. h. 10-1/4”, l. 5-1/4”, w. 2-3/4”; 24.32 t. oz.

$1,000-$1,500

$3,500-$5,000

428

429

428 Unusual German Sterling Silver Pigeon Automaton 20th century, in the form of a realistically detailed pigeon with glass eyes, with pull lever in its wing opening an oval hinged cover on its back to reveal a singing bird automaton, complete with its bird-shaped winding key. h. 7-1/2”, l. 11”, w. 3-1/2”; 31.63 t. oz. (including works) $1,500-$2,500

428 detail

179

430

430 Three Pieces of Selezioni Domus, Firenze Elephant Tableware

431 Georg Jensen “Acorn” Sterling Silver Flatware Set

Provenance: Estate of Nancy R. Morrison, Houston, Texas.

the pattern designed in 1915 by Johan Rohde (1866-1935), Copenhagen, Denmark, including eight seven-piece place settings, with an additional eighteen place pieces, twentythree serving pieces, and a cased three-piece hors d’oeuvres set, presented in a fitted, blue “silversmith’s cloth”-covered zippered drawer insert, 19” x 12”. 100 pieces plus drawer insert 120.27 total t. oz. (weighable silver)

$800-$1,200

Provenance: Private collection, New Orleans, Louisiana.

contemporary, gilt and chromed metal and glass, including a pair of candlestands, each with a parading elephant, one with calf behind, l. 4-3/4” and 7-3/4”, and a fruit dish with three elephants joined to a rope-twist frame supporting a ribbed and frosted glass bowl, frame w. 16”, bowl dia. 14”.

Notes: Detailed list of pieces available on request. $4,000-$7,000

431

180

431 detail

432

432 Pair of French Bleached Fruitwood Recamiers

433 Pair of Continental Fruitwood End Tables

20th century, in the Directoire taste, each with a padded and tufted back, raised and in-scrolled to one side, the padded seat above a garland-carved frieze, raised on paneled sabre legs. h. 34”, w. 60”, d. 28”

of Directoire inspiration, each with a rectangular top with raised edge, above a conforming frieze fitted with one drawer, joined to a lower shelf by tapering square legs. h. 24”, w. 26”, d. 22” Provenance: Estate of Nancy R. Morrison, Houston, Texas.

$1,200-$1,800

$800-$1,200

433

181

434 Pair of Directoire-Style Satinwood Twin Beds ca. 1900, the paneled headboards and footboards with carved tops and turned posts and legs. h. 43”, inside w. 35”, l. 76”, outside 38-1/2”, l. 80” $1,000-$1,500

435 Girardin (French, 18th/19th Century) “Portrait of a Seated Gentleman” and “Portrait of a Seated Lady Wearing Citrine Jewelry”

435

pair of oils on canvas former signed “Girardin pinxit/anno 7 me”. Period giltwood frames. 26” x 21”, framed 32” x 26” Provenance: Butterfield & Butterfield, San Francisco, California, November 19, 1997, lot 4054; Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,400-$1,800

435

434

182

436 French Bronze and Crystal Basket-Form Chandelier in the Empire Taste second quarter 20th century, the six-light chandelier decorated with a bronze frame with mounts of fringed swags and scrollwork, hung with cascades of cut crystal drops and set with six interior sockets, the bottom with a faceted spherical pendant finial. h. 34”, dia. 24” h. 34”, dia. 23” $1,000-$1,500

436

438 Empire-Style Mahogany and Parcel-Gilt Console Table 19th century, the D-form top above an ogee-molded frieze fitted with a single drawer, joined by a paneled back and gilt winged mermaid supports to a lower shelf, raised on squat bun feet. h. 32-1/2”, w. 54”, d. 15” $1,400-$1,800

437

437 French Empire Giltwood Pier Mirror ca. 1800, the pierced crest decorated with a masque of Mercury, flanked by pierced panels of overlapping reeded roundels, the mirror plate framed with inner and outer borders of ribbon-wrapped reeds. h. 60-1/4”, w. 36-1/8” $1,000-$1,500

438

183

439 French Bronze and Tole Chandelier second quarter 20th century, in the Empire taste, the sixlight chandelier with a green tole body, decorated with pierced bronze mounts and a flame-form pendant finial, the candle arms decorated with masques, supported on bronze chains molded with medallions, the upper crown set with molded leaves. h. 41”, dia. 27” $1,000-$1,500

440 Empire-Style Mahogany Bibliotheque 20th century, the rectangular molded cornice above an ormolu-mounted frieze with three partially glazed doors below, all flanked by engaged uprights with ormolu maiden’s-head capitals, the whole raised on a plinth base. h. 78”, w. 88”, d. 18-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,500-$2,500 439

440

184

441 Louis XVI-Style Mahogany Semainier 20th century, the rectangular top above a conforming case fitted with seven drawers, all paneled and with ormolu millwork, raised on toupie feet, the whole accented with ormolu mounts. h. 58”, w. 31-3/4”, d. 16-1/2” $1,000-$1,500

442 Handsome French Empire Revival Gilt-Bronze, Brass and Patinated Metal Chandelier fourth quarter 19th century, the four-light patinated brass pan set with molded candle branches, with giltbronze and lotus-molded drip pans alternating with leafmolded and gilt-bronze chain holders, the bottom fitted with a molded bronze acorn-form pendant finial. h. 33”, dia. 27” $1,500-$2,500

442

443 Tall Pair of French Four-Light “Nike” Candelabra composed of gilt-lacquered and patinated bronze in the Restauration style, each bronze-patinated winged Nike bearing a pair of gilded flambeaux and supporting the four candle arms on her head, the front three with eagle cresting, the square-section pedestal bases mounted at the facade with a gilded flaming brazier in the Antique style, the sides mounted with gilded figures of Vestals, each candle socket fitted with a detachable gilt-brass bobeche. h. 26”, w. 10” Provenance: Private collection, New Orleans, Louisiana. $1,200-$1,800

441

443

185

444 Handsome Empire Revival Mahogany Overmantel Mirror first quarter 20th century, the crest with a lozenge-form bronze mount decorated with a masque of Mercury, the sides with giltwood Corinthian pilasters and bronze laurel wreath and acanthus leaf mounts. h. 54-1/2”, w. 40” $1,000-$1,500

445 Pair of Empire Mahogany and Parcel-Gilt Fauteuils 19th century, with carved and gilded crest rails, the arms in the form of dolphins, having padded backs and seats and down-curved legs. h. 36-1/2”, w. 23”, d. 20” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500 444

445

446 Fine Empire-Style Bronze Dore-Mounted Mahogany Dressing Table ca. 1900, the circular mirror in a bronze frame, supported by columns with bronze flame capitals and swiveling candle arms, on a base with a dished marble top over a swagmounted frieze drawer, raised on columns joined by an H-form stretcher. h. 58-3/4”, w. 32”, d. 18-1/4” $3,000-$5,000 446

186

447 Pair of French Empire-Style Bronze Candelabra mid-20th century, the six-light candelabra with reeded column standards decorated with molded acanthus leaves and grape-molded capitals supporting leaf-molded scrolled candlearms, set with molded candle cups and matching drip pans, the rectangular bases ornamented with satyr mounts. h. 31-1/2”, dia. 12” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

448 Louis-Philippe Circassian Walnut and Marble-Top Commode second quarter 19th century, the reeded marble top above a case with a frieze drawer over a bank of three drawers, each with figured veneers, raised on bracket feet. h. 36-1/4”, w. 48-1/2”, d. 22-1/2” $1,000-$1,500 447

448

449 Louis-Philippe Giltwood Pier Mirror second quarter 19th century, the ogee-molded surround decorated with delicate incised, burnished flowers on a matte ground, with a scroll-carved interior liner, gadrooned outer edge, and rounded upper corners. h. 71”, w. 39-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500 449

187

450 Pair of French Bronze Dore et Patine and Antico Verde Marble Candelabra second quarter 19th century, on tripartite marble bases raised on bronze feet, the marble column-form standards set with lotus-leaf bronze capitals supported on scrolled bronze patine bases, the bronze patine arms terminating in molded masques, set with leaf-molded candle cups and matching drip pans, the center lights with optional flamemolded inserts. h. 29”, w. 11-1/2”, d. 8” $1,000-$1,500

451 French Mahogany and Marble-Top Cabinet mid-19th century, the demi-lune marble top above a conforming case fitted with two paneled doors, raised on a plinth base. h. 39-1/4”, w. 63-1/2”, d. 15-1/2” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,500-$2,500 450

451

188

452

452 French Restauration Bronze Dore Clock Set second quarter 19th century, the clock and matching four-light candelabra with figures of male and female troubadours, the clock base with scrollwork, shell-form feet, an applied cartouche and pierced scrollwork, mounted with a silk-string suspension movement, the works marked by clockmaker “Honore Pons” (1807-1846), and Parisian retailer “Taveau Freres”. clock h. 20-1/4”, w. 17”, d. 6”, candelabra h. 22”, dia. 8” $3,000-$5,000

453 Louis-Philippe Bronze Dore et Patine Chandelier second quarter 19th century, the eighteen-light chandelier with a bold hexagonal standard, set with gilt-bronze masques supporting molded candle branches decorated with gilt-bronze drip pans and patinated sockets, the lower portion decorated with gilt-bronze acanthus leaves, the upper portion with spiral reeding framed with pierced scrollwork and swags of fruit. h. 38-1/2”, dia. 28-1/2” $3,000-$5,000

453 189

454 French Giltwood Oval Mirror 19th century, the pierced crest with a shell framed with scrollwork, the outer edge with trailing tendrils of flowers, leaves and scrollwork, the beveled mirror plate secured with beaded liners, the lower edge with pierced flowers, leaves and scrollwork. h. 55”, w. 32-1/2” $1,800-$2,500

454

455 Edouard Louis Dubufe (French, 1819/1820-1883) “Le Prince Imperial Enfant, Saint Cloud, 10 Aout 1859” oil on canvas signed lower left. Framed. 45-3/4” x 35”, framed 53” x 42-1/4” Provenance: Christie’s, London, 1 July 1927; Sotheby’s, New York, 17 October 1991, lot 179; Guarisco Gallery, Washington, D.C.; Private collection, United States. $4,000-$7,000

455

190

456

456 Set of Ten Limoges Dinner Plates second quarter 20th century, decorated with gilt filigree on a cobalt ground, framed in raised gilt, the backs with the “black knight” mark used by importers, Graham & Zenger, New York, along with “Limoges, French decoration, hand painted”. dia. 10-3/4” $1,000-$1,500

457 Louis XVI-Style Marquetry-Inlaid Center Table late 19th/early 20th century, of Napoleon III form, the top of various mixed woods centered by trophy inlay, the perimeter with gilt-bronze molding, on an apron with burlwood panels and bronze trophy mounts, raised on fluted trumpet legs joined by shaped stretchers with a vasiform finial. h. 29”, w. 52”, d. 28-1/4” 456 detail

$1,200-$1,800

457

191

458 French Carved Marble Sculpture of “Frere Enfant” ca. 1900, in the manner of Mathurin Moreau (1822-1912), illegibly inscribed and localized “Paris” along edge of selfbase, on a white marble socle. overall h. 18-1/2”, w. 5-1/2”, d. 6” $1,000-$1,500

459 Charles Hermans (Belgian, 1839-1924) “Contemplation” oil on canvas signed lower left. Framed. 40-1/2” x 55”, framed 48-1/2” x 63” Provenance: Carlo Bonte Auctions, Bruges, Belgium, September 26, 2017, lot 792. $20,000-$40,000

458

192

459

460

460 Louis-Eugene Collin (French, born after 1859) “Woman with Dove” oil on canvas signed lower right. Framed. 30” x 25”, framed 43” x 39” Provenance: Private collection, South America; Anderson Galleries, Los Angeles, California; Private collection, United States. $8,000-$12,000

461 French Bronze and Crystal Chandelier in the Neoclassical Taste second quarter 20th century, the eight-light basket-form chandelier decorated with bold masques of Dionysus supporting swags of fruit, the “basket” strung with crystal beading concealing eight interior lights, supported on leafmolded and scrolled arms. h. 39”, dia. 30” $1,500-$2,500 461 193

462

462 After Emmanuel Villanis (French, 1858-1914) “Phryne” patinated and cold-painted bronze a “Societe des Bronzes Paris” foundry mark and inscribed “2596” and “HP” along back of self-base. h. 24-3/4”, w. 13”, d. 11-1/2” $1,000-$1,500

463 Josue Dupon (Belgian, 1864-1935) “Sonneur de Trompe Bangala” patinated bronze cast signature along edge of self-base, now on a shaped marble plinth. overall h. 21-1/4”, w. 5”, d. 4-1/4” $2,000-$4,000

194

463

465 After Emile Egaze (French, 19th Century) “Bust of Mephistopheles” patinated bronze fourth quarter 19th century, cast signature and dated “1880” at back of self-base, on a shaped black marble plinth, now with a gray marble columnar pedestal. h. 18”, w. 8-3/4”, d. 7-1/4”, pedestal h. 41”, overall h. 59” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

464

464 Edmond Louis Charles Tassel (French, 19th/20th Century) “Bust of Perseus” patinated bronze bas-relief plaque inscribed “E. Tassel, ed.”. 20” x 13-3/4” $1,000-$1,500

465 detail

465 195

466 Three-Piece Bronze Champleve Clock Garniture late 19th century, made by Samuel Marti, Paris, and stamped on the back plate of the movement, of temple form with a time-and-strike movement, together with a pair of urn-form garnitures. clock h. 10”, w. 6-1/2”, d. 4-3/4”, garniture h. 9-1/2”, w. 3”, d. 2-1/2” $1,000-$1,500

467 Continental Bronze Chandelier

466

second quarter 20th century, the four-light chandelier with a circular scrolled frame supported on leaf-molded standards, the two outer lights set with gold Aurene art glass shades, decorated with flying dragons perched on the top, the frame set with amber glass and decorated with oval enamel neoclassical medallions, electrified. h. 33-1/2”, w. 32”, d. 16” $1,000-$1,500

467

468 Parcel-Gilt Mirror 20th century, decorated with rococo detail, with dark brown latticed panels framed with incised scrollwork, the liner with carved rocaille work and a beaded edge. h. 43”, w. 31-3/4” h. 43”, w. 31-3/4” $1,000-$1,500

468

196

469 French Art Bronze and Copper Chandelier first quarter 20th century, the six-light chandelier with a copper strapwork standard supporting the primary bronze ring molded with laurel leaves and berries, set with leafmolded lights on copper and bronze brackets, the upper portion with a spray of leaf-molded prism holders and pierced copper keys, set with bronze medallions. h. 37”, dia. 20-1/2” $1,000-$1,500

470 Pair of Napoleon III Fruitwood Fauteuils early 20th century, each with a padded and rounded back within a guilloche- and floral-carved frame, joined to the padded seat by like arms, raised above a guilloche-carved apron on cabriole legs ending in scrolled toes, covered in silk damask. h. 40” $1,400-$1,800

469

470

471 Italian Fin-de-Siecle Giltwood Mirror fourth quarter 19th century, possibly Venetian, the center oval beveled mirror plate set into leaf-carved roping, the mirror-backed surround with engraved mirrored trim, the four corners decorated with scrolls of laurel leaves, the lower edge with pineapples on scrolled backs and the upper edge with scrollwork cabochons set with flower pots, the crest depicting a basket spilling fruit. h. 60-3/4”, w. 39-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $2,000-$4,000

471 197

472 Large Art Nouveau Figural Newel Post Lamp ca. 1900, French, composed of patinated spelter, marble and frosted glass, the figural standard, after Jules-Felix Coutan (French, 1848-1939), of a woman holding an arching grapevine set with green frosted glass grape shades and grape leaves, the base signed “Coutan” and with “J. Jourdan” foundry inscription, raised on a rosso antico marble plinth. h. 79-1/2” $1,500-$2,500

472

198

473 French School (20th Century) “Allegories of Spring and Summer” pair of oils on canvas each indistinctly signed. Framed alike. each 34-3/4” x 14-1/2”, framed 39-3/4” x 18-3/4” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,500-$2,500

473

474 French School (19th/20th Century) “A Springtime Garden”, 1901 pair of oils on canvas diptych one inscribed “Juillet” and the other signed “Jean Barrill” and dated lower right. Unframed. 62-1/2” x 26-5/8” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,200-$1,800

474

199

475

475 Pair of Belle Epoque Molded Terracotta Plaques ca. 1900, likely of Flora surrounded by putti, self framed with delicately molded scrollwork and bunches of flowers. dia. 24-1/2” $1,000-$1,500

476 French Art Nouveau-Style Mahogany Bibliotheque 20th century, the carved cornice over a pair of doors with three glazed panels over carved panels. h. 88-1/2”, w. 47”, d. 14-1/4” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

476

200

478 Impressive French Classical Revival Bronze Floor Lamp ca. 1900, the quiver-form standard decorated with reeding and stop-fluting on an acanthus leaf-molded base, the feathers in the quiver securing a light with a flame-molded and frosted glass shade, the leaf-molded integral bronze harp set with a shade and three light sockets. h. 80”, dia. 25-1/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

$1,500-$2,500

477

477 French Bronze Floor Lamp in the Neoclassical Taste first quarter 20th century, the pierced standard mounted with bronze ram’s heads and decorated with bellflowers and molded acanthus leaves, the tripartite base with incurvate sides molded with swags of bellflowers, mounted with a shade. h. 67-1/2”, w. 18”, d. 16-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

478 201

479 Turkish Angora Oushak Carpet 10’ 1” x 13’ 8” $1,500-$2,500

479

481

480 Turkish Angora Oushak Carpet 9’ x 12’ 1” $1,200-$1,800

481 Oushak Carpet 5’ 1” x 12’ 4” $2,000-$4,000

202

480

483 482

482 Turkish Angora Oushak Carpet 8’ x 10’ 2” $1,000-$1,500

483 Peshawar Sultanabad Carpet 7’ 9” x 9’ 11” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

484 Peshawar Art Deco Carpet 8’ x 9’ 5” $1,000-$1,500

484

203

485

485 Persian Nain Carpet 9’ 8” x 14’ $2,000-$4,000

204

486 Turkish Oushak Carpet 8’ x 10’ 3” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

486

487 Distressed Semi-Antique Persian Tabriz Carpet 7’ x 10’ 11” $1,500-$2,500

487

205

488

488 Turkish Oushak Carpet 11’ 7” x 15’ 4” $4,000-$7,000

489 Turkish Angora Oushak Runner 2’ 8” x 25’ 1” $1,000-$1,500

489

206

490 Turkish Oushak Carpet 6’ x 9’ Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

490

491 Turkish Angora Oushak Carpet 9’ 2” x 12’ $1,200-$1,800

491

207

Session II Sunday, March 27 Lots 492 - 903 Pictured: Lot 711

493

495

210

492

492 Diamond Bangle Bracelet 14k yellow gold, the flexible bracelet mounted with graduated round brilliant-cut diamonds weighing approximately 1.35 carats in total. inside circumference 6-1/2”, total weight 7.0 grams

494 Diamond Bracelet 14k yellow gold, the flexible, open bracelet mounted with graduated round brilliant-cut diamonds weighing approximately 0.75 carats in total. inside circumference 6-1/4”, total weight 3.8 grams

$1,800-$2,500

$1,200-$1,800

493 Two Diamond Eternity Bands 14k yellow gold, the bands mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. size 6-1/4, total weight 4.0 grams

495 Diamond Necklace 14k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 1.00 carat in total. adjustable l. 16” to 18”, total weight 1.8 grams

$1,800-$2,500

$1,000-$1,500

494

211

212

496

498

497

497 Lady’s Diamond Rolex Oyster Perpetual Datejust Wristwatch 18k yellow gold, ca. 1982, the watch with a champagne dial, the markers and the bezel mounted with round brilliantcut diamonds weighing approximately 0.76 carats in total, model #691788 and serial #7513453, with a deployant clasp. inside circumference 4-1/2”, total weight 71.3 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas.

496 Fancy Intense Yellow and White Diamond Necklace 18k yellow gold, the necklace mounted with a fixed pendant set with a pear-cut Fancy Intense Yellow diamond weighing 6.62 carats, clarity I1, GIA report #6224248667, further accented with round brilliant-cut white diamonds weighing approximately 3.12 carats in total. l. 15-3/4”, total weight 47.4 grams $30,000-$50,000

$5,000-$8,000

498 Diamond Bangle Bracelet 14k yellow gold, the hinged bracelet mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 5.70 carats in total. inside circumference 6-3/8”, total weight 15.3 grams $3,500-$5,000

213

499

500

214

499 Italian Mori & Pasquini Bold Gold Necklace 18k yellow gold, the necklace composed of interlocking chain links, centered by a large decorative gold clasp, made to be worn in the front, stamped “Mori”, “750” and with Italian marks. w. at widest point 1-3/4”, l. 17-1/2”, total weight 177.2 grams

501 Bold Diamond Ring 14k yellow gold, the knotted-style ring mounted with round brilliant-cut diamonds weighing approximately 1.20 carats in total. size 6-1/2, total weight 41.0 grams

$5,000-$8,000

502 Diamond and Ruby Fringe Bracelet 18k yellow gold, the braided multi-strand bracelet set with single-cut diamonds weighing approximately 0.45 carats in total, and accented on the ends of the tassels with roundcut rubies weighing approximately 0.75 carats in total. inside circumference 7”, total weight 140.0 grams

500 Bold Nicolis Cola Diamond and Gold Bracelet 18k yellow/white gold, the large chain link bracelet mounted with round brilliant-cut diamonds weighing approximately 2.38 carats in total, stamped “NICOLIS COLA, H. Gold, 166VI, 750, 18K, ITALY”. w. 1-1/4”, l. 7-3/4”, total weight 126.9 grams $4,000-$7,000

$1,800-$2,500

$2,000-$4,000

501

502

215

504

503 Diamond Necklace 14k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 2.66 carats in total. l. 16”, total weight 8.9 grams

505 Diamond Bangle Bracelet 14k yellow gold, the flexible bracelet mounted with round brilliant-cut diamonds weighing approximately 0.55 carats in total. inside circumference 6-1/2”, total weight 5.5 grams

$2,500-$4,000

$1,000-$1,500

504 Diamond Ring 14k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total. size 8-1/4, total weight 6.8 grams

506 Diamond Bangle Bracelet 14k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 1.48 carats in total. size 6-1/4, total weight 11.3 grams

$1,000-$1,500

$1,800-$2,500

506

8 216

503

505

217

507

509

218

508

510

507 Convertible Diamond Necklace/Bracelet 18k yellow/black gold, the necklace/bracelet composed of yellow gold links mounted with round brilliant-cut diamonds weighing approximately 5.70 carats in total, accented by polished black gold links, the piece designed to be connected together and worn as a 23-1/2” necklace, or broken down into a 16” necklace and 7-1/2” bracelet. total weight 118.3 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $4,000-$7,000

508 Pair of Marilyn Cooperman Moonstone and Diamond Ear Clips 18k yellow gold/sterling silver, the ear clips mounted with cabochon-cut moonstones weighing approximately 26.08 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.97 carats in total, stamped MFC 2011 750 925”. l. 1-1/4”, total weight 34.4 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas.

509 Marilyn Cooperman Gem-Set Brooch and Earring Suite 18k yellow gold/sterling silver, the suite mounted with various cuts of amethysts, citrines, tourmalines, aquamarines, peridots and emeralds weighing approximately 88.75 carats in total, stamped “MFC 750 925”. earrings dia. 7/8”, brooch size 3-1/4” x 2-7/8”, total weight 85.8 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $3,500-$5,000

510 Marilyn Cooperman Fancy Diamond Moth Brooch 18k yellow gold/sterling silver, the brooch mounted with round brilliant-cut Fancy Orange and Yellow diamonds weighing approximately 1.62 carats in total, and accented with two cabochon-cut treated rubies for the eyes, stamped “MFC 750”. size 3” x 2-3/4”, total weight 29.2 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

$1,500-$1,800

219

514

511 Marilyn Cooperman Fancy Orange, Yellow and Brown Diamond Huggies 18k yellow gold, the huggies mounted with round brilliantcut Fancy Orange, Yellow and Brown diamonds weighing approximately 6.59 carats in total, stamped “MFC”. l. 3/4”, total weight 14.9 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,400-$1,800

512 Angela Cummings Diamond Calla Lily Brooch 18k yellow gold, the brooch mounted with round brilliantcut greenish-yellow diamonds weighing approximately 5.26 carats in total, stamped “1997 CUMMINGS 18K”. size 3-1/4” x 1-1/2”, total weight 34.6 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,500-$2,500

513 Angela Cummings and Valentin Magro Jewelry Lot 18k yellow gold, including an Angela Cummings twisted rope diamond brooch, mounted with a round brilliant-cut diamond weighing approximately 0.16 carats, stamped “1985 CUMMINGS 18K”, l. 2”, and a pair of Valentin Magro opal ear clips, mounted with a cacholong opal accented by gold rope twists, stamped “VALENTIN MAGRO 750”, l. 1”. total weight 43.8 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $900-$1,200

514 Pair of Angela Cummings Diamond Ear Clips platinum/18k white gold, the spiral ear clips mounted with round brilliant-cut diamonds weighing approximately 5.00 carats in total, approximate color F-G and clarity VVS2-VS2, stamped “1997 CUMMINGS PLAT. 750”. l. 1”, total weight 20.8 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $3,500-$5,000

220

511

512

513

221

222

515

515 Spectacular Convertible David Webb Diamond Brooch 18k yellow gold/platinum, the brooch in the form of a flower, mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 25.38 carats in total, including two larger diamonds in the center, one weighing approximately 3.00 carats, approximate color J-K-L and clarity VS2 and another weighing approximately 1.00 carat, approximate color J-K-L and clarity VS1, the diamond portion of the brooch designed to be worn alone or attached and worn with the yellow gold frame, stamped “WEBB PLATINUM 18K”. overall size 3” x 2-5/8”, diamond flower only size 2-3/4” x 1-3/4”, total weight 107.8 grams $18,000-$25,000 515 detail

223

516

516 David Webb Rock Crystal and Diamond Brooch/Pendant 18k yellow gold/platinum, the brooch mounted with rock crystals beads on a gold frame, accented by round brilliantcut diamonds weighing approximately 3.50 carats in total, the brooch with a retractable bail, allowing it to be worn as a pendant, stamped “DAVID WEBB 18K PLAT”. dia. 2-3/4”, total weight 64.3 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $12,000-$18,000

517 Pair of David Webb Ear Clips 18k yellow gold, the ear clips with a lightly hammered finish, stamped “WEBB 18K”. l. 1-3/8”, total weight 44.1 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $3,000-$5,000

224

518 David Webb Gold Ring 18k yellow gold, the scalloped ring with a lightly hammered finish, stamped “WEBB 18K”. size 5-3/4, total weight 21.0 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,800-$2,500

519 David Webb Gold Maltese Cross Brooch 18k yellow gold, the brooch in the form of a Maltese cross, stamped “WEBB 18K”. size 2” x 2”, total weight 40.4 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $3,000-$5,000

517

518

519

225

520 David Webb Diamond Ring 18k white gold/platinum, the large domed ring mounted with round brilliant-cut diamonds weighing approximately 5.00 carats in total, approximate color G-H-I and approximate clarity VVS2-VS2, stamped “WEBB 18K PLAT”. size 6-3/4, total weight 18.3 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $12,000-$18,000

521 Pair of David Webb Diamond and Enamel Ear Clips 18k yellow gold, the door knocker-style ear clips mounted with round brilliant-cut diamonds weighing approximately 0.98 carats in total, accented throughout with black enamel, stamped “WEBB 18K”. l. 2-1/4”, total weight 56.8 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $4,000-$7,000

522 David Webb Diamond and Enamel Ring 18k yellow gold/platinum, the ring mounted with round brilliant-cut diamonds weighing approximately 0.70 carats in total, stamped “WEBB 18K PLAT”. size 6, total weight 26.7 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $3,000-$5,000

226

523 David Webb Diamond and Gem-Set Bull Brooch 18k yellow gold/platinum, the black enamel brooch mounted with round brilliant-cut diamonds weighing approximately 2.80 carats in total, accented by a cabochoncut treated ruby weighing approximately 2.00 carats, cabochon-cut emerald eyes weighing approximately 0.14 carats in total and a cabochon-cut treated sapphire weighing approximately 0.12 carats in total, stamped “18K WEBB 900 PLAT”. size 2” x 2-1/2”, total weight 47.8 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $7,000-$10,000

524 David Webb Enamel and Gold Earrings and Ring 18k yellow gold, the large domed earrings and ring with black enamel overlain with gold, each stamped “WEBB 18K”. earrings l. 1-1/8”, ring size 6-1/2, total weight 93.8 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $7,000-$10,000

521

523

520

520 detail

524

522

227

526

525

528

527

228

525 Lapis Lazuli and Diamond Calla Lily Brooch 18k yellow gold, the large brooch mounted with cabochoncut lapis lazuli, accented by round brilliant-cut diamonds weighing approximately 3.80 carats in total. size 3-1/2” x 1-7/8”, total weight 72.5 grams

527 Bulgari Citrine Pyramid Ring 18k yellow gold, the ring mounted with a sugarloaf citrine weighing approximately 7.62 carats in total, stamped “BVLGARI”, “750” and the Bulgari serial number. size 6-3/4, total weight 15.8 grams

$2,500-$4,000

$1,400-$1,800

526 Pair of Van Cleef & Arpels Onyx and Diamond Ear Clips 18k yellow gold, the ear clips mounted with round brilliantcut diamonds weighing approximately 0.90 carats in total, accented with black onyx, stamped “V.C.A. 18K”. dia. 7/8”, total weight 22.0 grams

528 Pair of Bulgari Blue Topaz, Diamond and Pearl Earrings 18k yellow gold, the earrings mounted with cabochon-cut blue topaz weighing approximately 4.00 carats in total, suspended from a white pearl measuring approximately 9.20 mm and accented with a round brilliant-cut diamond weighing approximately 0.08 carats in total, stamped “BVLGARI”, “750” and the Bulgari serial number. l. 1-1/4”, total weight 13.7 grams

Provenance: Estate of Nancy R. Morrison, Houston, Texas. $2,500-$4,000

$2,000-$4,000

229

529 Aquamarine and Diamond Ring 14k yellow gold/sterling silver, the ring mounted with a polished irregular-shaped aquamarine weighing approximately 48.98 carats, accented on the border and the ring shank with single-cut diamonds weighing approximately 1.12 carats in total. size 8, total weight 16.3 grams $1,500-$2,500

530 Aquamarine and Diamond Pendant Necklace 14k white gold, the necklace mounted with a fixed marquise-cut aquamarine weighing approximately 2.70 carats, bordered by round brilliant-cut diamonds weighing approximately 0.30 carats in total, on an adjustable white gold chain. l. 17” to 19”, total weight 3.5 grams $1,000-$1,500

531 Aquamarine and Diamond Ring 14k white gold, the ring mounted with a cushion-cut aquamarine weighing approximately 4.60 carats, accented by round brilliant-cut diamonds weighing approximately 0.45 carats in total. size 7-1/4, total weight 4.9 grams $1,000-$1,500

230

532 Blue Topaz and Diamond Ring 18k yellow gold, the ring mounted with a pear-cut blue topaz weighing approximately 3.20 carats, accented by round brilliant-cut diamonds weighing approximately 1.12 carats in total. size 6-1/4, total weight 9.6 grams $1,200-$1,800

533 Aquamarine, Tanzanite and Diamond Ring 14k yellow gold/sterling silver, the ring mounted with a central pear-cut aquamarine weighing approximately 9.20 carats, surrounded by a halo of single-cut diamonds weighing approximately 1.12 carats in total and an outer border of oval-cut tanzanites weighing approximately 3.81 carats in total. size 7, total weight 8.0 grams $1,400-$1,800

533 530

531

532

529

231

537

535

534

536

534 Turquoise, Rock Crystal and Diamond Ring 14k yellow gold/sterling silver, the ring mounted with a central cabochon-cut turquoise weighing approximately 3.73 carats, set into a faceted rock crystal border and accented with single-cut diamonds weighing approximately 1.12 carats in total. size 7-1/4, total weight 8.4 grams 538

$1,000-$1,500

535 Turquoise and White Sapphire Earring and Ring Suite 18k yellow gold, the suite mounted with turquoise nuggets surrounded by round-cut white sapphires weighing approximately 2.13 carats in total. earring l. 1-1/8”, ring size 9, total weight 66.9 grams Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $1,500-$2,500

537 Black Opal and Diamond Pendant Necklace 14k yellow gold, the pendant mounted with a black opal doublet weighing approximately 2.47 carats, surrounded by a border of round brilliant-cut diamonds weighing approximately 0.18 carats in total, fixed on an adjustable yellow gold chain, l. 16” to 19”. total weight 2.9 grams

536 Opal, Diamond and Ruby Phoenix Pendant/Brooch 14k yellow gold/sterling silver, the pendant/brooch mounted with single-cut diamonds weighing approximately 5.02 carats in total, the phoenix carrying a pear-shaped cabochon-cut opal weighing approximately 18.41 carats, and accented on its eye with a round-cut ruby weighing approximately 0.05 carats. size 2” x 3-1/4”, total weight 19.3 grams

$1,000-$1,500

$3,000-$5,000

$1,000-$1,500

232

538 Pair of Black Opal and Diamond Earrings 14k yellow gold, the earrings mounted with oval black opal doublets weighing approximately 2.68 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.26 carats in total. l. 1/2”, total weight 3.8 grams

540

539

539 Black Opal Snake Ring 22k yellow gold, the ring mounted with a cabochon-cut black opal in matrix, set in a stylized snake mounting, stamped “AT” inside a “C”. size 5-3/4, total weight 12.4 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

540 Convertible Necklace, Pendant/Brooch and Earring Suite 22k yellow gold, the suite including a five-strand necklace composed of carnelian, amber and freshwater pearl beads, finished with a gold hook clasp, l. 16”, a pendant/brooch mounted with a cabochon-cut amber weighing approximately 5.50 carats, pear-cut smoky quartz weighing approximately 2.00 carats in total, and a detachable freshwater dangling brown pearl, l. 3”, the pendant created with a removable bail, allowing it to be worn as a brooch, it is also mounted with loops on the back of each side so it can be worn as a pendant in either direction, or a smaller necklace, size without the bail or pearl 1-3/4” x 1-3/4”, together with a pair of matching convertible ear clips, the ear clips with retractable posts and mounted with a cabochon-cut amber weighing approximately 4.00 carats in total, and a detachable freshwater brown pearl, l. with pearl 1-1/2”, all pieces stamped with an “AT” inside a “C”. total weight 130.1 grams

539

Provenance: Estate of Nancy R. Morrison, Houston, Texas. $2,500-$4,000

233

541

542 543

234

541 Gem-Set Collar Necklace 14k yellow gold, the hinged necklace mounted with an ovalcut citrine weighing approximately 3.00 carats, a trianglecut garnet weighing approximately 17.20 carats, an oval-cut peridot weighing approximately 2.00 carats, an oval-cut blue topaz weighing approximately 20.57 carats, an ovalcut pink tourmaline weighing approximately 4.72 carats, an emerald-cut green tourmaline weighing approximately 12.35 carats, and a cabochon-cut amethyst weighing approximately 3.25 carats, three of the stones bordered with round brilliant-cut diamonds weighing approximately 2.22 carats in total. w. at widest point 1-3/8”, inside l. 15”, total weight 204.0 grams $6,000-$9,000

542 Sapphire, Diamond and Ruby Ring 18k yellow gold/platinum, the ring mounted with a cabochon-cut treated sapphire weighing approximately 2.25 carats, accented with round brilliant-cut diamonds weighing approximately 1.64 carats in total and baguettecut treated rubies weighing approximately 0.40 carats in total. size 7, total weight 20.1 grams $2,500-$4,000

543 Pair of Sapphire, Diamond and Ruby Earrings 18k yellow gold/platinum, the earrings mounted with cabochon-cut treated sapphires weighing approximately 1.50 carats in total, round brilliant-cut diamonds weighing approximately 2.46 carats in total, and baguette-cut treated rubies weighing approximately 0.70 carats in total. l. 7/8”, total weight 16.1 grams $2,000-$4,000

235

545

544 Emerald-Cut Diamond Tennis Necklace 14k white gold, the necklace mounted with emerald-cut diamonds weighing approximately 15.00 carats in total, approximate color H-I and clarity VS2-SI3. l. 16”, total weight 20.3 grams

547 Pair of Diamond Ear Studs 14k white gold, the stud earrings mounted with emeraldcut diamonds weighing approximately 2.08 carats in total, approximate color I-J and clarity VS2. l. 5/16”, total weight 1.6 grams

$18,000-$25,000

$5,000-$8,000

545 Emerald-Cut Diamond Tennis Bracelet 14k white gold, the bracelet mounted with emerald-cut diamonds weighing approximately 6.10 carats in total, approximate color H-I-J and clarity VS2-SI3. l. 7”, total weight 11.6 grams

548 Diamond Bracelet 18k white gold, the bracelet mounted with princess-, baguette- and round brilliant-cut diamonds weighing approximately 12.00 carats in total, approximate color G-H and clarity VS1-VS2. w. 7/16”, l. 6-3/8”, total weight 51.7 grams

$7,000-$10,000

Provenance: Estate of Nancy R. Morrison, Houston, Texas.

546 Diamond Eternity Band 14k white gold, the band mounted with emerald-cut diamonds weighing approximately 2.45 carats in total. size 6-1/4, total weight 2.8 grams

$8,000-$12,000

549 Pair of Diamond Earrings 18k white gold, the earrings mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.98 carats in total. l. 5/16”, total weight 1.8 grams

$2,500-$4,000

548

236

544

547 549

546

237

551

550

553

552

238

554

550 Beautiful Diamond Ring platinum, the ring mounted with a central oval-cut diamond weighing 4.03 carats, color D and clarity SI2, GIA report #2125116063, set on a band mounted with baguettecut diamonds weighing approximately 3.86 carats in total, approximate color D-F and clarity VVS2-VS1. size 6, total weight 12.1 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $40,000-$70,000

551 Oval-Cut Diamond Tennis Bracelet 14k white gold, the bracelet mounted with oval-cut diamonds weighing approximately 5.85 carats in total, approximate color H-I-J and clarity VS2-SI3. l. 7”, total weight 9.9 grams $6,000-$9,000

552 Diamond Tennis Necklace 14k white gold, the necklace composed of round brilliantcut diamonds weighing approximately 23.25 carats in total, approximate color H-I-J and clarity VS2-SI2. l. 16-1/4”, total weight 24.5 grams $18,000-$25,000

553 Pair of Diamond Stud Earrings 14k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 1.95 carats in total, approximate color H-I and clarity VS2-SI2. l. 1/4”, total weight 1.3 grams $4,500-$7,000

554 Diamond Bangle Bracelet 14k white gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 1.05 carats in total. inside circumference 6-3/4”, total weight 5.7 grams $1,200-$1,800

239

558

557

559

555 Pair of Diamond Hoop Earrings 14k white gold, the inside/outside earrings mounted with round brilliant-cut diamonds weighing approximately 2.75 carats in total. dia. 2”, total weight 8.3 grams $2,500-$4,000

556 Long Diamond Necklace 14k white gold, the necklace mounted with round brilliantcut diamonds weighing approximately 8.97 carats in total. l. 20”, total weight 20.0 grams $7,000-$10,000

557 Diamond Ring platinum/18k yellow gold, the ring mounted with round brilliant-cut and rose-cut diamonds weighing approximately 1.51 carats in total. size 9-3/4, total weight 5.0 grams $1,500-$2,500

240

558 Diamond Bar Pin platinum/18k yellow gold, the pin mounted with a central European-cut diamond weighing approximately 1.00 carat, approximate color I-J and clarity I2, accented throughout with European-cut diamonds weighing approximately 3.00 carats in total, approximate color G-I and clarity VS2-SI2, the back with a later yellow gold pin. l. 2-7/8”, total weight 10.3 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $2,500-$4,000

559 Diamond Ring 14k white gold, the ring mounted with European-cut diamonds weighing approximately 2.20 carats in total. size 5-1/4, total weight 8.9 grams $1,800-$2,500

555

556

241

561

560

562

563

242

565

564

560 Bold Morganite and Diamond Ring 18k white gold, the ring mounted with a square-cut morganite weighing approximately 27.45 carats, accented on the ring shank and gallery with round brilliant-cut and baguette-cut diamonds weighing approximately 2.56 carats in total. size 8, total weight 21.8 grams

566

$3,000-$5,000

561 Morganite and Pearl Necklace 14k yellow gold, the eight-strand pearl necklace mounted with a large cushion-cut morganite weighing approximately 68.56 carats, finished with a yellow gold hook and eye clasp. l. 17-1/2”, total weight 164.2 grams $1,800-$2,500

562 South Sea Pearl and Diamond Ring platinum, the ring mounted with a 14.80 mm white South Sea pearl with a very good luster, nestled in a setting mounted with round brilliant-cut diamonds weighing approximately 6.48 carats in total. size 7-1/2, total weight 33.3 grams $3,000-$5,000

564 South Sea Pearl and Diamond Necklace sterling silver, the necklace composed of graduated white South Sea pearls measuring approximately 3.30 mm to 5.70 mm with a fair luster, finished with a silver ball clasp mounted with single-cut diamonds weighing approximately 1.30 carats in total. l. 19”, total weight 135.5 grams $1,400-$1,800

565 South Sea Pearl and Diamond Ring 18k white gold, the ring mounted with a 14.7 mm white South Sea pearl with a good luster, accented by round brilliant-cut diamonds weighing approximately 0.18 carats in total. size 7-1/2, total weight 25.2 grams

563 Pearl and Diamond Necklace and Bracelet 14k white gold, the three-stand necklace composed of ivory cultured pearls with a good luster and measuring approximately 9.20 mm in diameter, and a two-strand bracelet composed of ivory cultured pearls with a good luster, measuring approximately 10.00 mm in diameter, each finished with a white gold clasp mounted with round brilliant-cut diamonds weighing approximately 1.22 carats in total. necklace shortest l. 16-1/2”, longest l. 18-3/4”, bracelet l. 8”, total weight 207.7 grams

Provenance: Estate of Nancy R. Morrison, Houston, Texas.

$1,500-$2,500

$1,200-$1,800

$6,000-$9,000

566 Pair of South Sea Pearl Earrings platinum, the earrings mounted with white baroque South Sea pearls measuring approximately 14.70 mm x 30.00 mm, with a very good luster. l. 1-1/2”, total weight 16.4 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas.

243

570

571

569 Pearl and Diamond Ring and Earrings the 18k yellow gold ring mounted with a 10.25 mm white South Sea pearl with a good luster, accented by round brilliant-cut diamonds weighing approximately 2.23 carats in total, stamped “GEMLOK”, size 6, and the pair of 14k yellow gold earrings mounted with white South Sea baroque pearls measuring approximately 16.75 mm in diameter, accented with gold beads and round brilliant-cut diamonds weighing approximately .16 carats in total, l. 1-1/8”. total weight 24.7 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas.

567 Lava Cameo and Pearl Brooch/Pendant 18k yellow gold, the brooch/pendant mounted with a highrelief lava cameo, suspended from petal-shaped pearls. size 1-1/2” x 2-1/2”, total weight 32.5 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

568 South Sea Pearl and Diamond Necklace and Earring Suite 18k yellow gold, the earrings composed of 14.90 mm white South Sea pearls with a good luster, together with a necklace composed of graduated white South Sea pearls measuring approximately 3.10 mm to 17.30 mm, finished with a gold clasp mounted with round brilliant-cut diamonds weighing approximately 0.08 carats in total, l. 17-1/2”. total weight 121.0 grams $2,500-$4,000

244

$3,000-$5,000

570 Convertible Two-Strand South Sea Pearl Necklace 18k yellow gold, the necklace composed of two graduating strands of white South Sea pearls with a good luster, measuring approximately 2.90 mm to 5.80 mm, each strand with a smaller separate clasp, allowing it to be removed from the main clasp, and to be worn as a single-strand necklace. one strand l. 18” and the other strand l. 19”, total weight 226.8 grams $2,000-$4,000

571 Pair of South Sea Pearl and Diamond Ear Clips 18k yellow gold, the ear clips mounted with white South Sea pearls measuring approximately 11.20 mm, accented by round brilliant-cut diamonds weighing approximately 2.90 carats in total. l. 3/4”, total weight 17.7 grams $1,800-$2,500

568

567

569

245

575

574

573 572

246

576

572 Multi-Colored Tahitian Pearl and Diamond Necklace 18k white gold, the necklace composed of 9.30 mm to 12.80 mm multi-colored Tahitian pearls with a good luster, finished with a white gold ball clasp mounted with round brilliant-cut diamonds weighing approximately 0.33 carats in total. l. 18”, total weight 72.5 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,800-$2,500

573 Baroque Pearl and Diamond Ring 18k yellow gold, the bold ring mounted with a light gray baroque pearl measuring approximately 26.00 mm x 18.20 mm, accented by round brilliant-cut diamonds weighing approximately 1.05 carats in total. size 6-1/2, total weight 27.8 grams $2,500-$4,000

574 Tahitian Pearl and Diamond Ring and Earrings the 18k white gold ring mounted with a 17.40 mm Tahitian pearl with a good luster, accented by round brilliant-cut diamonds around the pearl, on the ring shank and the gallery, weighing approximately 1.90 carats in total, size 6, and the 14k white gold earrings mounted with 14.25 mm Tahitian pearls with a good luster, accented with round brilliant-cut diamonds weighing approximately 0.58 carats in total, l. 3/4”. total weight 25.0 grams

575 Pearl Necklace, Ring and Brooch including a 14k white gold necklace composed of baroque freshwater pearls with a good luster, finished with a white gold clasp, l. 37”, an 18k yellow gold ring mounted with a 12.47 mm Tahitian pearl with a good luster, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 0.50 carats in total, size 6-1/4, and a 22k yellow gold bee brooch mounted with a baroque Tahitian pearl with a good luster, the eyes accented with marquise-cut tourmalines weighing approximately 0.20 carats in total, l. 1”. total weight 88.2 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,200-$1,800

576 Three-Strand Multi-Colored Baroque Pearl and Diamond Necklace 14k yellow gold, the necklace composed of three strands of multi-colored baroque pearls accented by a white, yellow and black gold bead mounted with round brilliant-cut diamonds, finished with a gold clasp mounted with round brilliant-cut diamonds, with an approximate total diamond weight of 1.38 carats. l. 17-1/2”, total weight 202.4 grams $1,500-$2,500

Provenance: Estate of Nancy R. Morrison, Houston, Texas. $800-$1,200

247

579

577

580 578

577 Lady’s Cartier Panthere Vendome Wristwatch 18k yellow gold/stainless steel, the quartz watch with a white face and deployant clasp, the back stamped “Cartier Quartz Swiss Made 1057920 09060”. inside circumference 6”, total weight 42.9 grams

579 Diamond Pendant with Chain 14k yellow gold, the pendant mounted with a marquise-cut diamond weighing approximately 0.75 carats, approximate color J-K-L and clarity I2, suspended from an 18” yellow gold chain. total weight 1.8 grams

Provenance: Estate of Nancy R. Morrison, Houston, Texas.

$1,000-$1,500

$700-$1,000

578 Lady’s Piaget Polo Wristwatch 18k yellow gold, the quartz watch with three extra links, the back case stamped “761 C701” and “354339”. l. 6-1/2”, total weight 95.1 grams

580 Diamond Ring 14k yellow gold, the ring mounted with a marquise-cut diamond weighing approximately 1.72 carats, approximate color I-J and clarity SI3. size 6, total weight 11.6 grams

Provenance: Estate of Nancy R. Morrison, Houston, Texas.

$4,500-$7,000

248

581

582 584

583

581 Gold Chain Link Necklace 21k yellow gold, the necklace composed of long oval links, finished with a toggle clasp. l. 15-1/2”, total weight 79.0 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $3,500-$5,000

582 Diamond Brooch 14k yellow gold, the brooch mounted with a cushion-cut diamond weighing approximately 1.52 carats, approximate color I-J and clarity VS2. l. 2”, total weight 7.5 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $4,500-$7,000

583 Gold Piaget Wristwatch 18k yellow gold, the manual-wind watch with a mesh-style bracelet, the case back stamped “92110D2” and “234858” and inscribed on the case back, “WHAT THE F*** IT’S ONLY MONEY”. w. 1”, l. 7-7/8”, total weight 125.0 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $4,500-$7,000

584 Diamond Ring and Earrings the 14k yellow gold ring mounted with a round brilliant-cut diamond weighing approximately 0.55 carats, approximate color I and clarity SI1, size 6-1/2, and the pair of 10k yellow gold earrings mounted with round brilliant-cut diamonds weighing approximately 0.95 carats in total, approximate color N-O-P and clarity VS2. total weight 3.8 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

249

587

586

589

585

588

250

585 Pair of Large Diamond Ear Clips 18k yellow gold, the ear clips mounted with round brilliantcut and baguette-cut diamonds weighing approximately 5.84 carats in total. l. 1”, total weight 22.2 grams $2,500-$4,000

586 Three Interlocking Diamond Bracelets 18k white gold, the bracelets mounted with round brilliantcut diamonds weighing approximately 3.60 carats in total. inside circumference 8”, total weight 38.3 grams $2,500-$4,000

587 Pair of Diamond Ear Clips 18k yellow gold, the ear clips mounted with round brilliantcut diamonds weighing approximately 0.79 carats in total. l. 1-1/8”, total weight 23.0 grams

588 Three Interlocking Diamond Bangle Bracelets 14k yellow/rose/white gold, the interlocking bracelets mounted with round brilliant-cut diamonds weighing approximately 2.90 carats in total. inside circumference 8-1/8”, total weight 28.1 grams $2,000-$4,000

589 Pair of Diamond Ear Clips 18k yellow gold, the ear clips mounted with round brilliantcut diamonds weighing approximately 2.49 carats in total. l. 1-1/8”, total weight 37.5 grams $2,000-$4,000

$1,500-$2,500

251

590 Rose Gold and Spinel Bracelet 18k rose gold/sterling silver, the large chain-link bracelet accented by round-cut blue spinels weighing approximately 6.98 carats in total. w. 5/8”, l. 7-3/4”, total weight 83.0 grams $2,000-$4,000

591 Diamond Ring 14k yellow gold, the flower-style ring mounted with round brilliant-cut diamonds weighing approximately 1.12 carats in total. size 5, total weight 16.1 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,400-$1,800

592 Diamond and Enamel Brooch 14k yellow gold, the brooch mounted with round brilliantcut diamonds weighing approximately 1.10 carats in total, accented throughout with black enamel. size 1-5/8” x 1-1/2”, total weight 11.1 grams $1,000-$1,500

593 Diamond and Enamel Bangle Bracelet 14k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 1.33 carats in total, accented with black enamel. inside circumference 6-3/8”, total weight 25.6 grams $1,500-$2,500

594 Diamond and Enamel Cocktail Ring 14k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 1.60 carats in total, accented throughout with black enamel. size 7-3/4, total weight 16.5 grams $1,500-$2,500

252

590

593

592

591

594

253

595 597

598

596

599

600

602

601

254

595 Black Onyx and Diamond Ring 18k yellow gold, the ring mounted with a central band of faceted black onyx weighing approximately 6.50 carats in total, flanked on the top and bottom by a band of princesscut diamonds weighing approximately 1.56 carats in total. size 5-3/4, total weight 12.3 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

596 Pair of Onyx and Diamond Ear Clips 18k yellow gold, the ear clips mounted with a central band of graduated and faceted onyx, weighing approximately 7.80 carats in total, flanked on either side by a row of round brilliant-cut diamonds weighing approximately 2.45 carats in total. l. 1”, total weight 19.4 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,800-$2,500

597 Sapphire and Diamond Ring 14k white gold, the ring mounted with a cushion-cut treated sapphire weighing approximately 8.50 carats, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 7, total weight 5.8 grams $1,000-$1,500

598 Pair of Sapphire and Diamond Ear Clips 18k yellow gold, the ear clips mounted with pear-cut treated sapphires weighing approximately 4.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 3.10 carats in total. l. 1”, total weight 23.0 grams

599 Natural Burmese Sapphire and Diamond Bangle Bracelet 18k yellow gold, the hinged bracelet mounted with a sugarloaf natural Burmese sapphire weighing 4.12 carats, Gubelin report #21102192, surrounded by a halo of European-cut diamonds weighing approximately 1.10 carats in total. inside circumference 6-3/4”, total weight 17.7 grams $7,000-$10,000

600 Pair of Sapphire and Diamond Earrings 14k white gold, the earrings mounted with oval-cut treated sapphires weighing approximately 10.84 carats in total, surrounded by a halo of round brilliant-cut diamonds weighing approximately 1.96 carats in total. l. 3/4”, total weight 9.3 grams $1,800-$2,500

601 Natural Burmese Sapphire and Diamond Ring platinum, the ring mounted with a cabochon-cut natural Burmese sapphire, GIA report #2225173298, weighing approximately 4.35 carats, surrounded by a halo of European-cut diamonds weighing approximately 1.30 carats in total. size 6-1/4, total weight 5.0 grams $3,000-$5,000

602 Sapphire and Diamond Ring platinum, the ring mounted with an emerald-cut treated sapphire weighing approximately 6.33 carats, flanked on either side by a trilliant-cut diamond weighing approximately 2.06 carats in total, approximate color H-I-J and clarity SI1-SI3. size 5-3/4, total weight 9.8 grams $6,000-$9,000

$2,500-$4,000

255

256

603 605

603 Sapphire and Diamond Bangle Bracelet sterling silver, the hinged bracelet mounted with clusters of oval-cut treated sapphires weighing approximately 34.00 carats in total, the clusters set on a ground mounted with single-cut diamonds weighing approximately 6.95 carats in total. w. 5/8”, inside circumference 7-1/2”, total weight 60.5 grams $1,400-$1,800

605 Tourmaline and Diamond Bangle Bracelet 14k yellow gold/sterling silver, the hinged bracelet mounted with round and oval cabochon-cut tourmalines weighing approximately 35.00 carats in total, set on a ground mounted with single-cut diamonds weighing approximately 34.38 carats in total. w. 1-1/4”, inside circumference 7-3/8”, total weight 79.8 grams $2,500-$4,000

604 Bold Multi-Colored Sapphire and Diamond Ring 18k white gold, the ring designed with a background of “flowers”, the “petals” mounted with oval-cut treated orange, pink and green sapphires weighing approximately 4.35 carats in total, each “flower” centered with a round brilliant-cut brown diamond weighing approximately 0.45 carats in total, the top and the bottom with a border of round-cut treated blue sapphires weighing approximately 0.32 carats in total, the ring further accented with a raised center row of round-cut treated yellow sapphires weighing approximately 0.26 carats in total, and two raised rows of round brilliant-cut diamonds weighing approximately 0.46 carats in total. size 7, total weight 18.9 grams

606 Ruby and Diamond Butterfly Brooch 14k yellow gold/sterling silver, the brooch mounted with round-cut treated rubies weighing approximately 7.18 carats in total, accented throughout with round-cut diamonds weighing approximately 2.38 carats in total. size 2-1/8” x 2”, total weight 21.9 grams $2,000-$4,000

$3,000-$5,000

604 606

257

607

608

609

610

611

607 Pair of Ruby and Diamond Earrings 14k white gold, the earrings mounted with pear-cut rubies weighing approximately 1.20 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.36 carats in total. l. 1/2”, total weight 2.6 grams $1,000-$1,500

608 Ruby and Diamond Pendant 18k white gold, the pendant mounted with an oval-cut treated ruby weighing approximately 32.34 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 1.85 carats in total. size 7/8” x 1-3/4”, total weight 15.3 grams $2,500-$4,000

609 Ruby, Opal and Diamond Ring 14k yellow gold/sterling silver, the domed ring mounted with an oval-cut treated ruby weighing approximately 9.67 carats, surrounded by a halo of single-cut diamonds weighing approximately 1.29 carats in total, and accented by cabochon-cut opals weighing approximately 4.99 carats in total. size 7-1/4, total weight 9.2 grams $1,000-$1,500

258

610 Ruby and Diamond Ring 14k yellow gold, the ring mounted with a cushioncut treated ruby weighing approximately 1.32 carats, surrounded by a border of round brilliant-cut diamonds weighing approximately 0.50 carats in total, stamped “PJ & Co 14K”. size 6-3/4, total weight 9.8 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $700-$1,000

611 Ruby and Diamond Ring 18k yellow gold, the ring in the form of a flower, the center mounted with a round brilliant-cut diamond weighing approximately 0.05 carats, and the “petals” mounted with pear-cut treated rubies weighing approximately 4.53 carats in total. size 7, total weight 4.3 grams $1,200-$1,800

612

613

615

616

614

612 Three Gem-Set Stackable Rings 14k yellow gold, the rings in the form of flowers and made to be worn alone or stacked together, each mounted with round brilliant-cut diamonds weighing approximately 0.30 carats in total, accented with round-cut treated rubies, sapphires and emeralds weighing approximately 0.72 carats in total. size 6-1/4, total weight 10.2 grams $1,000-$1,500

613 Pair of Gem-Set Ear Clips 14k yellow gold, the ear clips mounted with oval-cut treated sapphires weighing approximately 1.00 carat in total, marquise-cut treated emeralds weighing approximately 0.30 carats in total, square-cut treated rubies weighing approximately 0.64 carats in total, and round brilliant-cut diamonds weighing approximately 0.16 carats in total. l. 3/4”, total weight 10.1 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $700-$1,000

614 Emerald and Diamond Pendant/Brooch 14k yellow gold, the pendant/brooch mounted with pear-cut treated emeralds weighing approximately 1.60 carats in total, and round brilliant-cut diamonds weighing approximately 1.29 carats in total. dia. 1-1/2”, total weight 10.4 grams $1,200-$1,800

615 Pair of Emerald and Diamond Earrings 14k yellow gold, the earrings mounted with cushion-cut treated emeralds weighing approximately 0.96 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.25 carats in total. l. 5/16”, total weight 1.7 grams $1,000-$1,500

616 Emerald and Diamond Bracelet 14k yellow gold, the bracelet mounted with cushion-cut treated emeralds weighing approximately 9.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.88 carats in total. l. 7”, total weight 14.2 grams $4,000-$7,000

259

617 618

617 Convertible Diamond, Emerald and Tahitian Pearl Necklace 18k white gold, the necklace featuring a removable pendant mounted with a teardrop-shaped Tahitian pearl measuring approximately 21.00 mm x 15.10 mm, the pendant suspended from a cap and necklace mounted with round brilliantcut diamonds weighing approximately 18.06 carats in total and round-cut treated emeralds weighing approximately 2.60 carats in total. pendant l. 1”, necklace l. 15-1/2”, total weight 75.1 grams $6,000-$9,000

618 Emerald and Diamond Ring platinum, the ring mounted with a central cushion-cut treated emerald weighing approximately 0.75 carats, flanked on either side by a European-cut diamond weighing approximately 0.60 carats in total. size 7-3/4, total weight 4.1 grams $1,500-$2,500

619 Lady’s Baume & Mercier Diamond Quartz Watch 14k white gold, the watch with a round mother-of-pearl face stamped “BAUME & MERCIER GENEVE, SWISS MADE”, the bezel and marker accented with round brilliant-cut diamonds weighing approximately 0.38 carats in total, the back of the case stamped “BAUME & MERCIER GENEVE, 14K, 3200384, MX000N0M”. l. 6”, total weight 39.9 grams $1,800-$2,500

619

260

621

620

622 623

620 Large Diamond Ear Clips 18k white gold, the ear clips mounted with round brilliantcut diamonds weighing approximately 6.36 carats in total. l. 1-1/8”, total weight 27.6 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $2,000-$4,000

621 Diamond Ring and Earrings 18k white gold, the eternity ring mounted with round brilliant-cut diamonds weighing approximately 1.50 carats in total, size 6, and the earrings mounted with princess-cut and baguette-cut diamonds weighing approximately 2.00 carats in total, l. 1-1/2”. total weight 9.7 grams

622 Pair of Diamond Ear Studs 18k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 2.08 carats in total, approximate color I-J-K and clarity VS1-VS2. dia. 1/4”, total weight 3.8 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $5,000-$8,000

623 Pair of Diamond Earrings 18k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 1.50 carats in total, approximate color H-I and clarity VS2-SI1. l. 1-1/2”, total weight 7.5 grams

Provenance: Estate of Nancy R. Morrison, Houston, Texas.

$1,500-$2,500

$800-$1,200

261

629

630

628 625

262

627

624

624 Diamond Buckle Ring 18k yellow gold, the ring in the form of a buckle, mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 6-1/2, total weight 13.4 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $600-$900

625 Gold and Diamond Ring and Bracelet 18k yellow gold, the wire-wrapped ring mounted with round brilliant-cut diamonds weighing approximately 0.15 carats in total, size 6-1/4, and the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.59 carats in total, l. 6-1/2”. total weight 14.5 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $800-$1,200

626 Pair of Large Diamond Heart Ear Clips 14k yellow gold, the large clip-back earrings mounted with pear-, marquise- and round brilliant-cut diamonds weighing approximately 4.72 carats in total. size 1-1/4” x 1-3/8”, total weight 40.2 grams Provenance: Collection of Ronnie Brenner, New Orleans, Louisiana. $1,500-$2,500

627 Diamond Bracelet 14k yellow gold, the Cuban-link bracelet accented with round brilliant-cut diamonds weighing approximately 2.40 carats in total. l. 7-1/4”, total weight 17.7 grams $3,500-$5,000

626

628 Two Gold Watches including a 14k yellow gold Omega watch, l. 6”, and a 14k yellow gold Cortina watch, the bezel mounted with singlecut diamonds weighing approximately 0.35 carats in total, and a bamboo-style band, l. 6”. total weight 63.0 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,500-$2,500

629 Tiffany & Co. Elsa Peretti Necklace and Credit Suisse Pendant the 18k yellow gold necklace with a teardrop-shaped pendant stamped “TIFFANY & CO. PERETTI”, l. 1/2”, suspended from a 16” gold necklace stamped “TIFFANY & CO.”, together with a 24k yellow gold Credit Suisse pendant mounted in a 14k yellow gold frame, l. 1-1/4” (including bail). total weight 13.5 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $800-$1,200

630 Two Pairs of Gold Earrings 18k yellow gold, including a pair of twisted pierced hoop earrings, l. 1-1/2”, and a pair of clip-back basketweave huggies, l. 7/8”. total weight 30.2 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,200-$1,800

263

632

631 Three-Piece Brooch Suite including an 18k yellow gold and enamel dragonfly, size 1-3/4” x 2”, a 14k yellow gold bull with a round-cut treated emerald eye, weighing approximately 0.01 carat, size 1-3/8” x 7/8”, and a 14k yellow gold and blue enamel ladybug, size 7/8” x 5/8”. total weight 23.9 grams $800-$1,200

632 Two Pairs of Gold Earrings 18k yellow gold, including a pair with clip backs, and with a “LAGOS” mark, l. 1-1/4”, and a pair composed of twisted loops dangling from pierced hoops, l. 2”. total weight 32.8 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,400-$1,800

633 Jadeite Jewelry Suite 14k yellow gold, the suite including two hinged carved jadeite bracelets, inside circumference 6-1/2” and 6-3/4”, and a pair of carved jadeite ear clips, dia. 1-1/4”. total weight 101.2 grams $1,400-$1,800

634 Six English Watch Fobs and a Signet Ring the fobs late 19th and early 20th century, all rolled gold, one with glass intaglio, one with a carnelian intaglio, the rest with flat onyx, bloodstone or carnelian base, h. 7/8” to 1-1/8”; together with an 18k yellow gold signet ring, hallmarked London, 1931-32, by Charles Green & Son, carved with a wingless griffin on a ducal crown, size 8-1/2. 9.7 grams (ring only) Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,000-$1,500

264

631

633

634

265

635

639 636

638

637

266

635 Gold Money Clip the money clip mounted with a U.S. 1876-S $20 gold coin in a 14k yellow gold frame. dia. 1-7/8”, total weight 53.4 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $2,500-$4,000

636 Franck Muller Cintree Curvex Gold and Diamond Watch 18k yellow gold, the quartz watch with a bezel mounted with round brilliant-cut diamonds weighing approximately 1.51 carats in total, the face marked “Franck Muller Geneve Curvex”, the back of the case stamped “Franck Muller Geneve, No 54, 1752 QZ D”, with a deployant clasp, together with the original inner and outer box, papers and extra links. inside circumference 6-1/4”, total weight 94.8 grams $5,000-$8,000

637 Onyx and Diamond Tuxedo Dress Set 18k yellow gold, the set mounted with carved onyx “knots” mounted with round brilliant-cut diamonds weighing approximately 0.43 carats in total. cufflink l. 9/16”, total weight 30.2 grams

638 Knotted Gold Cufflinks 14k yellow gold, the cufflinks composed of a large knot joined to a smaller knot by an arched bar. l. 1”, total weight 9.8 grams $800-$1,200

639 Gentleman’s Three-Stone Diamond Ring 14k yellow gold, the ring mounted with a central round brilliant-cut diamond weighing approximately 1.00 carat, flanked by two round brilliant-cut diamonds weighing approximately 1.00 carat in total, approximate color H-I-J and clarity VS2-SI1. size 12, total weight 7.6 grams Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $3,000-$5,000

Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,400-$1,800

267

642 T. F. Cooper / Hyde & Goodrich Gold Pocket Watch 1850s, New Orleans, Louisiana, white porcelain dial with Roman chapters, black sunken sub-seconds and gold fleurde-lys hands, signed “T. F. Cooper London”, movement by Thomas Frederic Cooper, London for Hyde & Goodrich, New Orleans, #5198, key-wind and set, 18k yellow gold hunter case, the front guilloche engraved centering an anchor, with presentation inscription on the cuvette “R. M. McAlpin to Peter J. Cockburn”, with 14k yellow gold half-Albert watch chain with rolled gold T-bar and two watch keys. watch dia. 2”, 121.6 grams; chain l. 12-1/2”, 22.9 grams (excluding keys) Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

640 Gold Knot Cufflinks and Studs and Nugget Cufflinks 14k yellow gold, the pair of engraved knotted cufflinks with three engraved knotted studs, cufflink dia. 5/8”, together with a pair of cast nugget cufflinks, l. 1”. total weight 59.4 grams $800-$1,200

641 Gentleman’s Lapis Lazuli and Diamond Ring 14k yellow gold, the ring mounted with a flat oval lapis lazuli cabochon weighing approximately 3.09 carats, surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.36 carats in total. size 9-3/4, total weight 13.2 grams Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi. $1,000-$1,500

The precise circumstances of the presentation of this watch are not known, but the gentlemen involved are readily identified as prominent New Orleans businessmen of the time. Robert Merrie McAlpin (1820-1863) was a native of Cincinnati, Ohio who moved to New Orleans in the 1840s, serving as an officer in the 42nd Regiment of the Louisiana Militia. He later established a grocery business (importing hams and lard from his native Cincinnati) and was active in local Whig politics, running for Sheriff in 1849 and appointed Superintendent of the New Orleans Mint in 1850-1853. Advertisements in the Times-Picayune in 1853 show him selling “Mexican petit gulf cotton seed” and it is likely that he made the acquaintance of London-born cotton factor Peter John Cockburn (1811-1894). Cockburn was associated with commission merchants Oakey and Hawkins, and became a partner in the firm after Oakey’s death in 1856. McAlpin returned to Ohio after the outbreak of the war, perhaps conflicted by both his Northern heritage and Whig politics, and there soon after in 1863. Cockburn remained a successful cotton merchant in New Orleans until his death in 1894. $3,000-$5,000

643 Angela Cummings Tuxedo Set 18k yellow gold, the tuxedo set mounted with mother-ofpearl and onyx, stamped “1984 ANGELA CUMMINGS 750”, l. 7/8”; together with another tuxedo set, 14k yellow gold, mounted with black mother-of-pearl, l. 1/2”. total weight 31.1 grams Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

268

641

642

640

643

269

644 detail

644

644 Antebellum New Orleans Coin Silver Pitcher and Ladle ca. 1855, by Hyde & Goodrich, the pitcher with a pear-shaped body, annular collar, bulbous calyx, integral spout, circular foot and double “C”-scroll handle, decorated with repousse rococo cartouches of floral bouquets flanking a central bucolic scene, with rococo scrolls throughout, no monograms, h. 13”, dia. 6-3/4”, l. 9-1/4”; together with a fiddle thread ladle with flat, round bowl, monogrammed “CBF”, l. 12-1/4”.

645

Provenance: Private collection, New Orleans, Louisiana. $3,000-$5,000

645 Antebellum New Orleans Coin Silver Pitcher ca. 1850, by Adolphe Himmel (1825-1877) for Hyde & Goodrich, with bulbous pear-shaped body, lobed collar, palmette spout and milled foot ring, decorated with repousse arrowhead leaves and bellflowers, monogrammed “McCWH”. h. 9-1/2”, l. 10-1/4”, dia. 6-3/4”; 33.02 t. oz. $3,000-$5,000 645 detail

270

646 detail

646

647 Tiffany & Co. Sterling Silver Smoker’s Tray and Cigar Lighter

646 George V Sterling Silver “Lion’s Pelt” Center Bowl

first quarter 20th century, New York, New York, the smoker’s tray model no. 19048 designed in 1916, of rounded rectangular form bordered with acid-engraved rinceaux pattern and fitted with a two-handled lighter and a pair of ashtrays flanked by cigar/cigarette trays, 13-1/2” x 8-3/4”; the lamp-form lighter model no. 1616 in the Arts & Crafts taste, the ovoid body with hinged cap, squared strap handle, and waisted spout with chained snuffer, all raised on a thin trumpeting standard, with hammered finish, monogrammed on the foot “CGL”, h. 5-1/2”, l. 5”, dia. 2-1/2”. 46.64 total t. oz. (weighable silver)

hallmarked Sheffield, 1931-1932, by Sydney Hall & Co., of bulbous circular form, with repousse lion’s pelt shoulder and opposing ringed lion’s masque handles, with ivy-decorated collar and molded foot ring. h. 5”, dia. 9-1/2”, w. 11”; 32.38 t. oz. Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

647

271

648

648 Large Tiffany & Co. “Audubon” Sterling Silver Flatware Set designed in 1871 by Edward C. Moore (1827-1891), New York, New York, including eight twelve-piece place settings (one piece lacking) and a further dozen six-piece place settings and two dozen teaspoons, with an additional forty place pieces and ten serving pieces, fifty-two pieces monogrammed (most “L”), presented in two wooden cases, one with rosewood finish, lift-top and two drawers, 9-1/2” x 18-3/4” x 12-3/4”; the other with mahogany finish, lift-top and single drawer, 7” x 18-1/2” x 12”. 241 pcs. plus two cases 354.8 total t. oz. (weighable silver) Provenance: Private collection, New Orleans, Louisiana. Notes: Detailed list of pieces available on request. $12,000-$18,000

648 detail

272

649

649 Tiffany & Co. “Shell and Thread” and “Palm” Sterling Silver Flatware the patterns introduced in 1901 and 1871, respectively, New York, New York, including twenty-seven assorted “Shell and Thread” place pieces and five “Palm” citrus spoons, some monogrammed, with assorted Tiffany blue box, felt rolls and pouches. 32 pieces total 26.88 total t. oz. (weighable silver) Provenance: Private collection, New Orleans, Louisiana. Notes: Detailed list of pieces available on request. $1,000-$1,500

649 detail 273

650

650 Tiffany & Co. “English King” Sterling Silver Flatware Set the pattern designed in 1885 by Charles T. Grosjean (18411888), New York, New York, including a dozen twelve-piece place settings (eight pieces lacking) with an additional dozen teaspoons and seven serving pieces, most monogrammed “JuPB”, together with a fitted, baize-lined wooden case with brass hardware, 5-1/4” x 17-1/2” x 12-1/4”. 155 pieces plus case 257.79 total t. oz. (weighable silver) Provenance: Private collection, New Orleans, Louisiana. Notes: Detailed list of pieces available on request. $6,000-$9,000

650 detail

274

651

651 Tiffany & Co. Sterling Silver Tea Set with Silverplate Tray the tea set pattern #18889 introduced in 1915, New York, New York, in the Colonial Revival taste, including: a teapot, h. 8”, l. 11-3/4”; a covered sugar bowl, h. 7”, w. 7-3/4”; a cream jug, h. 5-1/2”, l. 6”; and a waste bowl, h. 4”, l. 6”; each of serpentine lobed navette section, with narrow reedand-ribbon edging, tall waisted domes, flowerpot finials and squared strap or wooden handles, monogrammed “D” opposing and engraved crest of a wyvern; together with a silverplate tray of similar date and form, pattern #394, monogrammed “FLA”, 27-3/4” x 17-1/4”. 53.5 total t. oz. (excluding tray) Provenance: Private collection, New Orleans, Louisiana. $1,800-$2,500

652 Twelve Gorham “Etruscan” Sterling Silver Gumbo Spoons the pattern designed in 1913 by William Christmas Codman (1839-1923), Providence, Rhode Island, l. 6-1/2”, together with three tablespoons, l. 8-1/4”; and gilt serving pieces: a cake knife with sterling blade, l. 10-1/4”, a cake server, l. 10”, and a cheese/pate server, l. 6-1/4”, with steel blades, all monogrammed “R”. 18 pieces total 21.75 total t. oz. (weighable silver) Provenance: Estate of Nancy R. Morrison, Houston, Texas.

652

$600-$900

275

653

653 Watson Sterling Silver Tea Set first quarter 20th century, Attleboro, Massachusetts, in the Colonial Revival taste, including: a teapot, h. 9-1/2”, l. 9-1/2”; a coffeepot, h. 8”, l. 10”; a covered sugar bowl, h. 6-1/2”, w. 7-1/2”; a cream jug, h. 5-3/4”, l. 5-1/2”; and a waste bowl, h. 4”, l. 4-3/4”; each of elongated hexagonal section, with steeply domed lids, squared handles and conforming pedestal bases, monogrammed “MLM”. 57.06 total t. oz.

654 Twelve Sterling Silver Service Plates mid-20th century, by International Silver, Meriden, Connecticut, model 81B, each of circular form, the rim decorated with acanthus-mantled floral bouquets, with laurel banded edge, no monograms. dia. 11”; 208.38 total t. oz. Provenance: Private collection, New Orleans, Louisiana. $6,000-$9,000

$1,000-$1,500

654

8 276

655 American Poplar Sugar Chest first quarter 19th century, probably Southern, in the Sheraton taste, the lift lid with an applied molded edge and opening to a void interior, having framed and paneled ends and front, with a long drawer at the bottom, raised on integral turned legs, pegged throughout, retaining its original red wash surface. h. 28-1/2”, w. 37”, d. 18” $1,000-$1,500

656 Clementine Hunter (American/Louisiana, 1886/87-1988)

655

“Nativity: Mary and Angels Awaiting the Birth of Jesus”, ca. 1960 oil on canvas board monogrammed lower right and titled en verso. Framed. 16” x 20”, framed 17” x 21” Provenance: Private collection, New Iberia, Louisiana. $3,000-$5,000

657 Pair of Early American-Style Stained Maple Windsor Benches second half 20th century, of traditional form with spindled backs and plank seats, raised on turned legs joined by stretchers, bearing the stenciled label “David T. Smith & Co., Cabinet Makers & Grainers, Morrow, Ohio”. h. 30”, w. 63”, d. 19” $1,000-$1,500

656

657

277

658 Louisiana Creole Armoire in the Federal Taste second quarter 19th century, with a pair of flush panel doors on fiche hinges, the doors retaining their embossed brass escutcheons, the interior with shelves and a medial belt of three drawers, one end fitted with a side closet, raised on unusual original square legs on brass ball feet. h. 83-1/2”, w. 57-1/2”, d. 20-7/8” Provenance: By repute, removed from Darby Plantation, New Iberia, Louisiana, by the present owner; Private collection Lafayette and New Orleans, Louisiana. $1,200-$1,800

658

659 Southern Cherrywood Four-Post Canopy Bed second quarter 19th century, in the Sheraton taste, with turned posts and paneled headboard, the canopy with a flared molding. h. 108”, inside w. 52”, l. 74”, outside w. 59”, l. 81”, canopy w. 67”, l. 86” $1,500-$2,500

659

278

660 American Chippendale-Style Cherry Corner Cupboard third quarter 19th century, in the Philadelphia Chippendale style, in two parts, the upper section with a scrolling broken-arch pediment over shell and leaf carving flanked by flamecarved finials and a mullioned door, on a conforming gadrooned base with a drawer over a pair of shell-carved doors, on bracket feet. h. 94-1/2”, w. 48”, d. 25” $1,000-$1,500

661 American School (First Quarter 19th Century)

662

“William Millington (1783-1863)” and “Sarah Millington (d. 1846)” pair of watercolor miniatures unsigned. Handwritten note identifying sitters, “Century House, Los Angeles, California” and “David Lackey Antiques Art, Houston, Texas” labels en verso. Glazed and framed alike. 3” x 2-1/2”, framed 10-1/2” x 9-1/2” Provenance: Century House, Los Angeles, California; David Lackey Antiques Art, Houston, Texas; Private collection, Houston, Texas.

660

$1,000-$1,500

662 Signed Aaron Willard Giltwood, Mahogany and Brass Banjo Clock ca. 1825, Boston, Massachusetts, the mahogany case set with giltwood doors and brackets, mounted with pierced brass side arms, the eglomise throat tablet decorated with scrollwork, the lower tablet decorated with the USS Constitution, with a giltwood eagle finial, the painted dial signed “Aaron Willard, Boston”. h. 42”, w. 10”, d. 4” $1,200-$1,800

661

279

663

663 Large American Late Classical Giltwood Tripartite Mirror

664 American Late Classical Mahogany Recamier

second quarter 19th century, with a projecting overhanging cornice molding above a turned half-round ornamented molding and matching side columns. h. 30”, w. 72”, d. 4”

second quarter 19th century, probably from the workshop of Anthony Quervelle, Philadelphia, with scrolled arms and back, gadroon-carved front apron and raised on carved paw feet. h. 31”, w. 70”, d. 23”

Provenance: Private collection Lafayette and New Orleans, Louisiana.

Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.

$1,000-$1,500

$2,000-$4,000

664

280

665

667

665 American Classical Bronze-Mounted Mahogany Pier Table

667 Pair of Paris Porcelain Urns, Attributed to Jacob Petit

ca. 1825, the marble top over a figured frieze with inlaid brass stringing, raised on columns with bronze capitals and bases, on a figured concave low shelf supported by carved paw feet, the back with a mirror plate flanked by pilasters with giltwood capitals and bases, the marble later. h. 36-7/8”, w. 41-7/8”, d. 18”

second quarter 19th century, with cobalt chinoiserie decor accented in gilt, the burnished handles with matte masques, the body with a border of bold gilt inverted cabochons on octagonal burnished bases, raised on square plinths decorated to match the body. h. 16”, dia. 8”

$1,000-$1,500

Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

666 Set of Twelve Lenox Porcelain Dinner Plates

Literature: A porcelain bulb pot with similar decoration is illustrated in “Porcelain of Paris, 1770-1850”, by Regine de Plinval de Guillebon, p. 61.

ca. 1906-1930, decorated with raised gilt scrollwork on a stippled ground and a cobalt border, each piece with the Lenox mark and a decorator’s mark. dia. 10-1/2”

$1,000-$1,500

Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

666 281

668

668 American Classical-Style Mahogany Dining Table bearing a brass plaque reading “Ralph Lauren, Fine Quality Goods, 867 Madison Avenue, New York”, of traditional form, the top with a reeded edge and opening to accommodate two 25” leaves, raised on turned spiral-twist legs. h. 30”, w. 52”, l. 76”, ext. l. 126” $2,000-$4,000

669 Monumental American Late Classical Mahogany and Parcel-Gilt Overmantel Mirror second quarter 19th century, with a mahoganyveneered ground framed with a giltwood molding, set with a beveled mirror plate. h. 59-3/4”, w. 47-1/4” $1,500-$2,500

670 American Late Classical Revival Mahogany Pier Table

669

ca. 1900, the top over a cyma-molded frieze fitted with a drawer, raised on scroll supports, joined to a concave base on scrolled feet, the base fitted with a looking glass. h. 35”, w. 42-1/2”, d. 22” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

670

282

671

671 American Late Classical Revival Mahogany Extension Dining Table fourth quarter 19th century, the round top with a gadrooned edge, opening to accommodate six 14” leaves (present) and mounted to an acanthus-carved split pedestal with four outstretched legs ending in carved paw feet. h. 30”, dia. 60”, ext. l. 144” $1,000-$1,500

672 Lenox Porcelain “Renaissance” Partial Dinner Service ca. 1953-1988, American, the service including twenty dinner plates, dia. 10-1/2”, eight square salad/dessert plates, w. 8-1/2”, twelve round salad/dessert plates, dia. 8-1/4”, sixteen footed cups, h. 2-1/2”, and sixteen saucers, dia. 5-1/2”, seven cream soup bowls, dia. 6”, and eight underplates, dia. 6”, six flat bouillon cups, h. 2-1/4”, and seven underplates, dia. 5-3/4”, and a gravy boat with integral stand, h. 4-1/4”, w. 7-1/2”, d. 5-3/4”.

Provenance: Estate of Nancy R. Morrison, Houston, Texas.

672 detail

$1,400-$1,800

672

283

673 American Late Classical Mahogany Dining Table mid-19th century, possibly by Joseph Meeks & Sons, New York, the circular top opening to accommodate five leaves of various widths, supported by a shaped octagonal pedestal on a base with Gothic trefoil feet, the top with a pair of drop legs at each end for stability when extended. h. 30”, dia. 49”, ext. l. 114” Notes: Duncan Phyfe & Sons of New York also produced tables of this form. $1,000-$1,500

673

674 Charles R. Walter Cherrywood Baby Grand Player Piano and Bench 21st century, in the Queen Anne taste, fitted with a QRS Pianomation 2000 C player unit, together with a matching tufted leather adjustable bench. piano h. 39”, w. 57-1/2”, l. 76-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $2,000-$4,000

674

284

675

675 Peter Schmidt (German, 1829-1866, act. New Orleans 1858-1866) “Three Sisters from the Crescent City” oil on canvas signed lower center. Period gilt frame. 34-1/2” x 28-3/4”, framed 39-1/2” x 32-1/2” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $3,000-$5,000 The German artist Peter Schmidt traveled to New Orleans, as did many European artists in early and mid-nineteenth century, seeking portrait commissions. Portraits of children reflected the prosperity and refined tastes of their parents. During the Civil War, Schmidt closed his Royal Street studio and then reopened it as the war came to an end. Schmidt’s portraits are in the collection of the Louisiana State Museum.

285

676 Exceptional Paris Porcelain Cornucopia Vase mid-19th century, probably Jacob Petit, decorated with a mermaid riding a dolphin, the mazarine-blue ground decorated with gilt scrollwork, the feet and rim with bold pierced rocaille and scrollwork, the base with a panel of gilt gridwork. h. 21”, w. 12-1/4”, d. 6-1/2” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

677 Pair of Exceptional French Porcelain Fan Vases

676

mid-19th century, Paris or Limoges, decorated with tinted biscuit figures, one of a putto with a swan and a putto fishing, the other of a pair of putti with a deer and its mate, the bold fan vases molded with scrollwork and gilt and white rococo decoration, the centers with oval panels of well-executed hand-painted flowers. h. 22-1/4”, w. 12-3/4”, d. 8” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,500-$2,500

677

678 Pair of French Haviland “Old Limoges” Figural Vases ca. 1850, depicting “Cornet Fleuve et Riviere”, executed in porcelain with biscuit figures of a river god and goddess, accented with aquatic plants and coral. h. 16-1/4”, w. 8-1/4”, d. 5-1/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. Literature: The female is depicted on page 139 of Old Limoges: Haviland Porcelain Design and Decor, 1845-1865, by Barbara Wood and Robert Doares. They illustrate a drawing of the male vase from the original Haviland pattern book in the Collection of the Metropolitan Museum of Art, New York City. $1,000-$1,500

678

679 Pair of Exceptional Paris Porcelain Covered Vases second quarter 19th century, probably Jacob Petit, the pear-form vases in the chinoiserie taste, the obverses lushly decorated with oval, hand-painted panels of mandarin scenes, and the reverses decorated with panels of cockerels, with twig handles and domed covers with mandarin figural knops, the necks with panels of Chinese characters, the whole with a profusion of cobalt, blue and red with molded polychrome flowery vines. h. 18-1/2”, w. 6-1/2”, d. 4-3/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500 679

286

680

680 American J. H. Belter Laminated Rosewood Sofa third quarter 19th century, in the “scroll” pattern, the serpentine back extending to closed arms, with a serpentine seat rail and cabriole legs. h. 38-5/8”, w. 77-1/2”, d. 32” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

681 New Orleans Market Rococo Revival HalfTester Bed third quarter 19th century, probably from the McCracken warerooms, the serpentine arched and beaded tester supported by tapering cluster-column posts with scrollcarved brackets, supporting a headboard with a characteristic convex oval panel beneath a carved crest, joined to telescoping foot posts to support mosquito netting by shaped rails with applied carving, the center of the headboard crest a later replacement. h. 118”, inside w. 61-1/2”, l. 79-1/2”, outside w. 72-1/2”, l. 90” $5,000-$8,000

681

287

682

682 Pair of Rococo Revival Mahogany Stools third quarter 19th century, attributed to J. H. Belter, each with serpentine sides centered by a carved rose and feathers, raised on cabriole legs, each now upholstered in needlepoint with a bluegreen background. h. 15-1/4”, w. 17-1/2”, d. 18-1/2” Notes: A similar ottoman attributed to Belter is illustrated in The Furniture of John Henry Belter and the Rococo Revival, by Schwartz, Stanek and True, page 67. That example is currently in the collection of the Metropolitan Museum of Art, New York. $1,000-$1,500

683 English Rococo Revival Silverplate and Cut and Molded Glass Banquet Lamp

683

fourth quarter 19th century, the standard of the goddess Demeter supporting a cornucopia set with a cut glass font, on a pierced base decorated with scrollwork and cabochons, the burner marked “Hinks Duplex Patent” and set with a molded glass shade and chimney, electrified. h. 34”, dia. 7-1/2” $1,000-$1,500

684 Pair of French Raised Gilt Covered Urns mid-20th century, the fluted, covered urns hand-painted with lovebirds and garlands of flowers, framed in raised scrollwork, with claret-ground borders with gilt accents, marked “Made in France”, along with unidentified blue underglaze marks. h. 17-1/2”, dia. 5-3/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500 684

288

685 Pair of French Rococo Revival Vases mid-19th century, Paris or Limoges, the obverses decorated with panels of couples in 18th-century costume in pastoral landscapes, and the reverses decorated with flowers, all on a framboise ground, the handles with pierced scrollwork, and the bases and necks accented with gilt and scattered sprigs of gilt flowers. h. 16-1/4”, w. 9”, d. 4-3/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $800-$1,200

685

686 Pair of French Porcelain Urns in the Rococo Revival Taste mid-19th century, Paris or Limoges, decorated with robust gilt scrollwork against a sky-blue ground and accented with framboise panels, the upper portion with hand-painted flowers framed in gilt scrollwork, marked “France” on the bottom. h. 13-1/2”, w. 7”, d. 7” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

686

687 First Empire Paris Porcelain Corbeille on Stand, Decorated by Charles Halley ca. 1780-1810, decorated with rose faux marbre borders with vert antique and white trophies, the basket and undertray pierced in a guilloche pattern trimmed with gilt, the base signed “Halley”, in script. h. 8-1/2”, dia. 11-3/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

687

289

688 Pair of Impressive French Porcelain Figures on Stands mid-19th century, Paris or Limoges, of a couple in Elizabethan dress, richly decorated with gilt, the male leaning on a metal sword, wearing a cape and boots, h. 25”, w. 9”, d. 8”, and the female holding sheet music, h. 23”, w. 8”, d. 9”, on mazarine blue and pink rococo bases, hand-painted with roses on scrolled feet. Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

688

689 Handsome Pair of Old Paris Porcelain Rococo Revival Vases ca. 1850, the oblong vases hand-painted and lined with gilt scrollwork, one side decorated with exceptionally well-painted landscapes with buildings in the distance, the other side decorated with young women in Renaissance dress, feeding a swan in a lush garden, and a pair of young women fishing. h. 15-1/2”, w. 8”, d. 6-1/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

689

690 Pair of Old Paris Vases, Attributed to Jacob Petit mid-19th century, the obverses decorated with flowers on white grounds and the reverses decorated with flowers on tan grounds, all against black grounds decorated with raised gilt and scrolled gilt handles, the rims decorated with scrollwork and shells. h. 16”, w. 8-1/4”, d. 5” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

$1,000-$1,500

690

290

691

691 American Rococo Revival Rosewood and Marble-Top Console Table

692 Large Rococo Revival Recamier, Attributed to J. H. Belter

third quarter 19th century, New York, in the manner of J. and J. W. Meeks, the serpentine marble top over a conforming carved frieze and fitted with a central drawer, raised on cabriole legs joined by shaped stretchers with an urn finial. h. 30-1/2”, w. 51-3/4”, d. 21”

third quarter 19th century, New York, executed in laminated and solid rosewood, the applied floral-, fruit- and leaf-carved crest flanked by open carved scrolls, grapes, leaves and vines, the tufted back wrapping around to closed arms, with a serpentine apron and cabriole legs with French toes. h. 40-1/4”, w. 80”, d. 36”

$1,000-$1,500

$3,000-$5,000

692

291

693

693 Adolph Schreyer (French/German, 1828-1899) “The Broken Wheel” oil on canvas signed lower left, an “M. Knoedler & Sons, Successions to Goupil & Co., 355 Fifth Avenue, New York” label en verso. 17-1/2” x 29-3/4”, framed 28” x 40-1/2” Provenance: M. Knoedler & Sons, New York, New York; Goupil & Co., New York, New York; Mary Helen Tandy Morrison (1880-1972), Tulsa, Oklahoma and San Antonio, Texas; to her son Lucian Leeds Morrison (1906-1986), San Antonio, Texas; to his son Lucian Leeds Morrison III (1937-2014), Houston, Texas; Estate of Nancy Reed Morrison (1936-2021), Houston, Texas. $20,000-$40,000

292

694 Marquetry-Inlaid Rosewood and Mahogany Occasional Table ca. 1875, in the manner of Herter Brothers, the top with a central inlaid panel flanked by inlaid perimeter banding, each side with floral and vine marquetry, raised on tapering square legs. h. 29-1/4”, w. 21”, d. 19” $1,000-$1,500

695 American Aesthetic Movement Cherry and Walnut Fireplace Surround fourth quarter 19th century, probably Philadelphia, the projecting mantel over a frieze with burlwood panels flanking a floral- and leaf-carved panel, the legs each with a pair of fluted columns with carved capitals beneath inlaid banding. firebox opening h. 36-3/4”, w. 42”, overall h. 49-3/4”, w. 70”, d. 14” $1,000-$1,500 694

695

293

696

696 John Singer Sargent (American, 1856-1925) “Fortress, Road and Rocks”, ca. 1905/6 watercolor, gouache and charcoal on paper laid down on board unsigned. Matted, glazed and framed. sight 11-1/2” x 17”, framed 19-3/4” x 25-1/2” Provenance: The artist; thence by descent to the artist’s sisters Emily and Violet Sargent; Sir Alec Martin, London, England, gift from above ca. 1925; by descent to Mary Martin (Lady Flett); Private collection; Christie’s online sale May 2017, lot 133; Private collection, Birmingham, Alabama. $20,000-$40,000

697 Pair of Victorian Ebonized and Parcel-Gilt Pedestals late 19th century, in the Neo-Grec taste, each with a square top on a fluted and turned support joined to a tapering column, the column with urn- and bellflower-carved incised panels, on a square base. h. 45-1/2”, w. 11-1/2”, d. 11-1/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,200-$1,800 697

8 294

698 American Renaissance Revival Inlaid Fireplace Surround and Mirror third quarter 19th century, in the style of Herter Brothers, in two parts, the mirror frame with a looking glass beneath an oval panel with trophy inlay, adorned with burlwood panels with incised carving on a base with a Neo-Grec inlaid panel at the keystone, the frame inlaid with floral panels, the legs with carved pilasters flanked by inlaid curved corner panels, retaining its molded brass cover frame labeled “Jackson & Sons”. mirror h. 82-1/2”, w. 69”, d. 7”, fireplace h. 48”, w. 72”, d. 18”, fireplace opening without insert h. 31”, w. 25”, fireplace opening with insert h. 28”, w. 18” $10,000-$15,000

698

295

699 James Carroll Beckwith (American, 1852-1917) “A Sylvan Toilette”, ca. 1898 oil on canvas signed mid-right, verso with “Berry-Hill Gallery, New York, New York” exhibition label and “Levis Fine Arts” gallery label. Framed. 28-1/8” x 20-1/8”, framed 38-3/4” x 31” Provenance: Berry-Hill Gallery, New York, New York; Private collection, United States. Exhibited: Society of American Artists, New York, 1898; “Intimate Revelations: The Art of Carroll Beckwith”, BerryHill Galleries, New York, 1 December 1999-15 January 2000. Literature: Franchi and Weber, Intimate Revelations: The Art of Carroll Beckwith (exh. cat., 1999), p. 69, 116 (illus). $10,000-$15,000

699

700 Set of Twelve Tiffany-Retailed Minton Raised Gilt Soup Plates 1891-1912, the cream borders decorated with raised gilt scrollwork, the backs with the “Mintons” mark, along with “Tiffany & Co., New York” and the gilder’s mark. dia. 9” $1,200-$1,800 700

296

701 fifteen-piece suite

701 American Neo-Renaissance FifteenPiece Oak Dining Suite late 19th century, in the manner of R. J. Horner, comprised of a banquet table, h. 30-3/4”, dia. 66”, ext. l. 120-1/2”, two curved glass china cabinets, h. 69-1/4”, w. 74”, d. 18” and h. 69-1/4”, w. 65”, d. 18”, a sideboard/ console table, h. 39-1/2”, w. 90”, d. 28-1/2”, a server, h. 48-3/4”, w. 54”, d. 23-1/4”, and ten dining chairs, including two armchairs, h. 46”, and eight side chairs, h. 43-3/4”, the table with carved apron friezes and scrolled columnar legs, and opening to accommodate four leaves. $6,000-$9,000 701 fifteen-piece suite

297

702

702 Ralph Albert Blakelock (American, 1847-1919) “Indian Encampment” oil on canvas signed lower right. Framed. 16” x 24”, framed 24-1/4” x 32-1/4” Provenance: Mary Helen Tandy Morrison (1880-1972), Tulsa, Oklahoma and San Antonio, Texas; to her son Lucian Leeds Morrison (1906-1986), San Antonio, Texas; to his son Lucian Leeds Morrison III (1937-2014), Houston, Texas; Estate of Nancy Reed Morrison (1936-2021), Houston, Texas. $12,000-$18,000

298

"But the man was a born colorist, and he secured tones and combinations of pigment that few have discovered. His process was slow and laborious; some times years would elapse from the beginning to the end of his pictures, and many years at that. He piled on pigment and he scraped, he varnished and he repainted" –Unidentified Critic Frederick W. Morton, “Work of Ralph A. Blakelock”, Brush and Pencil, Volume IX, No. 5, February 1902

A native New Yorker, Blakelock attended the Free Academy of the City of New York and had his first exhibition at the National Academy of Design in 1867. In 1869 he embarked on a trip to the Western territories of the United States, traveling alone by railcar and coach. This trip was to irrevocably alter the trajectory of his career. The young man was inspired equally by the lushness of the landscape, so vastly different from anything he had so far experienced, and the lives of the indigenous peoples he encountered. He spent time with the tribes of the Great Sioux Nation, feverishly sketching. Upon his return to New York, he began a series of paintings of Native American Encampments of which the painting offered here is one. These mystically moody landscapes were rendered in thickly applied layers of deeply pigmented paint which were then pumiced, creating the distinct surface and texture for which the artist has become so well-known.

703 Alexander Helwig Wyant (American, 1836-1892) “Summer” oil on canvas signed lower right, pencil-titled “Summer” and handwritten label with title en verso of stretcher bar. Framed. 16” x 24”, framed 24-1/2” x 32-1/2” Provenance: Mary Helen Tandy Morrison (1880-1972), Tulsa, Oklahoma and San Antonio, Texas; to her son Lucian Leeds Morrison (1906-1986), San Antonio, Texas; to his son Lucian Leeds Morrison III (1937-2014), Houston, Texas; Estate of Nancy Reed Morrison (1936-2021), Houston, Texas. $2,000-$4,000 703

704 (Robert) Bruce Crane (American, 1857-1937) “Mohawk Hills” oil on canvas signed lower right and titled en verso. Framed. 14” x 20”, framed 23-1/2” x 29” Provenance: Mary Helen Tandy Morrison (1880-1972), Tulsa, Oklahoma and San Antonio, Texas; to her son Lucian Leeds Morrison (1906-1986), San Antonio, Texas; to his son Lucian Leeds Morrison III (1937-2014), Houston, Texas; Estate of Nancy Reed Morrison (1936-2021), Houston, Texas. $1,500-$2,500 704

299

705

705 American Late Victorian Mahogany Writing Desk fourth quarter 19th century, attributed to R. J. Horner, New York, the rectangular top with a carved perimeter edge and rounded corners, both sides fitted with drawers with carved lion’s-head pulls, the central drawer with like carving, each corner leg with a carved stylized lion and ending in carved paw feet, the side panels with leonine masques amidst leaf carving. h. 30-1/2”, w. 55”, d. 34” $3,000-$5,000

706 Collection of Fifty-Nine Volumes of British and American Literature including: The Writings in Prose and Verse of Rudyard Kipling, Charles Scribner’s Sons: New York, 1898, cloth bound with embossed medallion and gilt lettering and design; The Novels and Tales of Robert Louis Stevenson, Charles Scribner’s Sons: New York, 1897, half bordeaux leather and marbled paper boards, with gilt lettering and design; The Works of James Fenimore Cooper, G. P. Putnam and Sons, nd, the Otsego Edition, half black leather boards, with gilt lettering and design; The Complete Works of Oscar Wilde, National Library Company: New York, 1907, Edition de Luxe, this numbered 62 of 1,000, half bordeaux leather and cloth boards, with gilt lettering and design. 8-1/2” x 5-1/2” to 8-1/2” x 5-5/8” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

706

300

707 “A New Map of Louisiana with its Canals, Roads & Distances from Place to Place, Along the Stage & Steamboat Routes” mid-19th century, published by Thomas, Cowperthwait & Co., Philadelphia. Matted, glazed and framed. sight 11” x 14”, framed 19-1/4” x 22-1/4” $1,000-$1,500

708 Regina Model 35 Mahogany Curved Glass Music Box ca. 1899-1910, with a twelve disk automatic changer, double comb with serial number 51353, and a base fitted with a storage drawer, accompanied by eighteen 15-1/2” disks. h. 68”, w. 27”, d. 21”

707

$5,000-$8,000

708

709 American Renaissance Revival Walnut Jeweler’s Regulator Clock ca. 1870-1875, attributed to the William L. Gilbert Clock Co. , Winsted, Connecticut, floor model no. 8, with an eight-day singleweight movement, sweep second hand, porcelain dial and large lyre-form brass pendulum. h. 91”, w. 34”, d. 13” 709

$5,000-$8,000

301

710 John George Brown (British, 1831-1913) “Young Boy and His Dog”, 1886 oil on canvas signed and dated lower right. “John Levy Galleries, High Class Paintings, 559 Fifth Ave., New York” label en verso. Framed. 24” x 16”, framed 33-1/2” x 25-1/2” Provenance: John Levy Galleries, New York, New York; Estate of Nancy R. Morrison, Houston, Texas. $10,000-$15,000

710

711 American School (Fourth Quarter 19th/First Quarter 20th Century) “Portrait of a Young Man”, 1898 oil on canvas inscribed “Painted by Price” and dated en verso. Framed. 20” x 16”, framed 26” x 22” $1,000-$1,500

711

302

712 American Golden Oak Cane Display Case late 19th century, possibly by Oscar Onken & Co., Cincinnati, Ohio, of traditional form with a framed curved glass and hinged lid opening to a fitted interior designed to hold seventy canes or walking sticks. h. 48-1/2”, w. 26-1/2”, d. 26-1/2” Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

712

713 Five “Gadget” Walking Sticks late 19th/early 20th century, including: a Continental walking stick with steel pommel-handle fitted with a spring-loaded spike, with a snakeskin-covered shaft and steel ferrule, l. 35-3/8”; an American walking stick with patinated spelter pommel handle with inset compass, beech shaft and steel tip, l. 37”; a Continental walking stick with caricature-carved antler handle, with sterling silver cap, and collar, unscrewing to reveal a steel and rosewood orange knife, with “blackthorn”carved shaft and applied silver cartouche monogrammed “CR”, and antler ferrule, l. 37-1/4”; a French walking stick with white metal harmonica handle, beech shaft and horn ferrule, l. 35”; and an English walking stick with sterling silver watch case pommel handle hallmarked Chester, 1872-1873, by Thomas R. Russell, fitted with a scenic painted porcelain dial keywind watch, attached with a silverplate connector to a later silver collar hallmarked Birmingham, 1908-1909, by J. Howell & Co., with engraved inscription “Dr. J. T. Williams / from F.R.C. / Ambulance First Class/ Barrow Center / 15 Apr 1909”, with ebonized shaft and brass ferrule, l. 35”. Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

713

303

714 Five Asian Walking Sticks late 19th/early 20th century, including: a Chinese walking stick with silver capstick handle, unmarked, with embossed panels of dragon, flowers, monkey, Mandarin and Chinese characters, malacca shaft and brass ferrule, l. 34-3/8”; a Moroccan walking stick with brass and copper wirework capstick handle and collar, bone- and horn- inlaid ebony shaft with wide brass and copper wire bands, l. 37-1/2”; a Southeast Asian sword stick with damascened and boneinlaid brass elephant’s head handle, fitted with a small capped (snuff?) reservoir and round, pointed steel blade, with ebonized wood shaft and damascened brass ferrule, l. 35-1/4”; a Chinese walking stick with silver opera handle by Wing Fat, Canton & Hong Kong, decorated with bamboo, prunus and Chinese characters, ebonized shaft and horn ferrule, l. 35-5/8”; and an Indian sword stick with brass lion’s head capstick handle, engraved and stained bone collar with brass lock withdrawing a steel blade, chip-carved ebonized wood shaft and brass ferrule, l. 35-1/2”. Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

714

715 Six Elegant American and English Walking Sticks late 19th/early 20th century, including: an American walking stick with sterling silver crook handle by Amasa Lyon & Co., New York, with embossed scroll decoration, engraved “Miss C.M. Delano”, with palmwood shaft and horn ferrule, l. 36”; an English walking stick with celluloid faux tortoiseshell crook handle with silverplate collar, rosewood shaft and bone ferrule, l. 36”; an American walking stick with sterling silver parasol-style handle by Gorham Co., Providence, Rhode Island, decorated with embossed poppies, palmwood shaft and horn tip, l. 36”; an Art Deco walking stick of square section, with bone cap, rosewood shaft and horn ferrule, l. 35-3/4”; an American walking stick with gold-filled pommel handle with embossed flowers and scrolls, rosewood shaft and steel ferrule, l. 35-3/8”; and an American walking stick with gold-filled pommel handle with embossed flowers, monogrammed “GWL”, thin ebonized shaft and steel ferrule, l. 37-3/8”. Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

715

304

716 Four Continental Sword and “Gadget” Walking Sticks late 19th/early 20th century, including: a Continental walking stick with figural carved bone pommel handle, in the form of a grinning man and drawing to reveal a steel sword of square section, with brass collar, bamboo shaft and brass ferrule, l. 36-1/4”; a German walking stick with figural carved root palm-grip handle in the form of a maiden’s head with flowing hair, with .800 silver collar, blackthorn shaft and horn ferrule, the handle unscrewing to reveal a steel seeding spike, l. 36”; and a Continental walking stick with silver capstick handle decorated with diaper pattern and armorial cartouche, the cap embossed with a cross mantled with antlers and banded by pinecones, with ebonized wood shaft and brass ferrule, the handle drawing to reveal a steel sword of square section, l. 37”; and a Continental walking stick with horn pommel handle, malacca shaft and horn ferrule, the handle drawing to reveal a steel sword of lozenge section, l. 35-1/2”. Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500 716

717 Five Walking Sticks late 19th/early 20th century, including: an Asian walking stick with engraved curved horn handle with applied sterling silver filigree and collar, the collar engraved “MK Bowen / Dec 25, 1897”, beechwood shaft and horn ferrule, l. 36”; an Italian walking stick with “Riempito” (resin-filled sterling silver) pommel handle of a frog on a sphere, ebonized shaft and brass ferrule, l. 37-1/2”; an American walking stick with hardwood angled handle with an inset 1912 Liberty head nickel cap, sterling silver “buckle” collar, mahogany shaft and steel ferrule, l. 34-1/2”; an American walking stick with “Homeric”-style sterling silver opera handle and collar by Amasa Lyon & Co., New York, palmwood shaft and pointed steel ferrule, l. 35”; and an American walking stick with celluloid “Eight Ball” handle with brass collar, ebonized shaft and rubber ferrule, l. 35-3/4”.

Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500 717

305

718 Imperial Russian-Style Agate-Handled Walking Stick the grayish-green and honey-colored agate crook handle carved in the form of a bear climbing a tree, the bear with garnet eyes and the handle fitted with a circular cabochon garnet, with translucent white guilloche enamel collar flanked by 14k yellow gold reeded bands with rose cutdiamond-set “ribbons”, with mahogany shaft and goldplated ferrule. l. 39-1/4” Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

719 Three Horse-Measuring Walking Sticks including: an English example with crook-handle rattan walking stick fitted with brass escutcheon drawing to reveal an aluminum and brass horse measuring stick, with aluminum ferrule, l. 37-1/2”; an American example with sterling silver capstick handle embossed with fig leaves, drawing to reveal a steel and maple horse measuring stick, with malacca shaft and steel ferrule, l. 36-5/8”; and an English example with crook-handle bamboo walking stick with sterling silver escutcheon hallmarked London, 1910-1911, by Edward Swaine Adeney, drawing to reveal a maple and brass horse measuring stick, the ferrule lacking, l. 35-3/4”. Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

719

718

720 Five “Gadget” Walking Sticks late 19th/late 20th century, including: a Continental walking stick with copper knob handle and banded collar, both unscrewing to reveal hollow chambers, with rattan shaft and steel ferrule, l. 35-3/8”; an American walking stick with brass duck’s head handle unscrewing to reveal a cigarette lighter, with mahoganystained wood shaft and brass ferrule, l. 35-1/4”; an English walking stick with sterling silver capstick handle hallmarked London, 1985 by “RA”, twisting and unlocking to reveal a cigarette lighter, with rosewood shaft and plastic ferrule, l. 36”; an American walking stick with brass pommel handle unscrewing to reveal a compass, the brass collar unscrewing to reveal a stoppered glass specimen tube, the mahogany shaft brass and ebonized banding unscrewing to collapse into three segments, with rubber-tipped brass ferrule, l. 35”; and an English walking stick with sterling silver knob handle hallmarked London, 1891-92, by James Hawthorn Bishop, with guilloche decoration and applied gold monogram “LG” crowned, turning and unlocking to reveal a glass reservoir, with ebonized shaft and bone ferrule, l. 36-1/2”. Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

720

306

721 Six Walking Sticks late 19th/early 20th century, including: an American walking stick with horn crop handle with sterling silver tip and collar by Gorham Co., Providence Rhode Island, engraved on the collar “WWM / 1910”, with palmwood shaft and steel ferrule, l. 35-1/2”; an English walking stick with celluloid crop handle with white metal coils and collar, ebonized shaft, and brass ferrule, l. 35-3/4”; an American walking stick with Rococo-scroll engraved gold-filled crop handle with inscription “Presented to James Yalden by his assistant in the Newark Investigation”, with ebonized shaft and white metal ferrule, l. 36”; an Asian walking stick with bamboo crook handle and metal ferrule, l. 39”; an English walking stick with sterling silver crop handle cap and collar hallmarked London, 1902-1903, by Jonathan Howell & Co., palmwood shaft, ferrule lacking, l. 35-1/4”; and a German walking stick with .800 silver crop handle and collar by Wilhelm Binder, Schwaebisch-Gmuend, engraved on the collar “von May zu Nathan”, thornwood shaft and silverplate ferrule, l. 36”.

Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

721

722 Five Continental Animal-Themed Walking Sticks late 19th/early 20th century, including: a Continental walking stick with carved ebony stylized shoebill handle, white metal collar and carved ebony shaft, l. 34”; a Continental walking stick with sterling silver horse head and jockey handle, ebonized shaft and bone tip, l. 35”; a German walking stick with sterling silver crook handle by Arthur Moehrle, Schwabisch Gmund, with reclining greyhound and oak branches, rosewood shaft and brass ferrule, l. 38-1/2”; a Swiss walking stick with chamois horn, fur and hoof handle, maple shaft marked “Interlaken”, iron ferrule and tip, l. 34-1/2”; and a Continental walking stick with white brass horse hock handle, maple shaft and steel tip, l. 35”.

Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

722

307

723 The Abbeville Edition After John James Audubon (1785-1851), The Birds of America Abbeville Press Facsimile, New York: Abbeville Press for the National Audubon Society, 1985, four atlas portfolio volumes with 435 elephant folio plates and seven octavo volumes of text/commentary, from an unmarked edition of 350, all volumes in full green leather with gilt lettering and design, all with marbled end-papers, together with the original wood and glass display case. 40” x 27” and 10-3/4” x 7-1/2”, case h. 30-1/2” $8,000-$12,000 The Abbeville Edition of Audubon’s Birds of America was published to commemorate the 200th birthday anniversary of the naturalist. It was produced from the original National Audubon Society’s double elephant folio printed between 1827 and 1839. 723

723 detail

724 Clarence Millet (American/Louisiana, 1897-1959) “Plantation Road at Dusk” oil on canvas board signed lower left, remnant of old label with artist and title en verso. Framed. 15” x 18”, framed 19-1/2” x 22-1/2” $3,000-$5,000 724

308

725

725 Two Newcomb College Art Pottery Vases both in matte glaze and marked with the Newcomb cipher, the larger example decorated by Corinne Marie Chalaron with stylized leaves and small flowers in underglaze blue, pink and yellow, the base marked CMC, 10B and reg. no. KO99, h. 4-3/4”, dia. 5-1/2”; the smaller example decorated by Henrietta Davidson Bailey with vining leaves and berries in underglaze blue, green and pink, the base marked HB, 8 and reg. no. OK65, h. 3-3/4”, dia. 4-1/4”. Provenance: Private collection, Houston, Texas. $1,200-$1,800

726 Rare Newcomb College High-Glaze Pottery Chocolate Set 1907, decorated by Marie Levering Benson, with flowering Japanese quince in geometric bands, each base marked with the Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. nos. “CA17-CA29” in sequence and “Q” for buff clay body. overall pot h. 10-1/2”, w. 6”; cup h. 3”; saucer dia. 5-1/4” Provenance: Estate of Margaret McDermott, Shreveport, Louisiana.

726 detail

$10,000-$15,000

726

309

727 Copper and Glass Clock Set, Attributed to Riviere Studios, New York first quarter 20th century, decorated with patinated copper panels pierced in the “Grapevine” pattern, set over green slag glass panels, the clock with Seth Thomas works, h. 10-1/4”, w. 4-3/4”, d. 4-3/4”, and the candlesticks with turned candle cups set over obelisk-form standards and tapered bases with beaded trim, h. 12-1/2”, w. 7-1/2”, d. 5-1/2”.

Provenance: Private collection Lafayette and New Orleans, Louisiana. 727

$1,000-$1,500

728 Wayne E. Smythe (American, 20th Century) “The Majestic Peacock” acrylic, gold-leaf, silk fabric a six-panel screen of Meiji inspiration, signed lower right and with inscription in Japanese, bordered in silk fabric, backed in burgundy moire, all set within thin black lacquer. each panel h. 81”, w. 19”, overall w. 114” Provenance: Private collection Lafayette and New Orleans, Louisiana. $800-$1,200

728

310

729 Reynolds-Chalou Cast Iron Garden Bench fourth quarter 19th century, New York, the bench with a tripartite back in the “curtain” style, scrolled arms, geometrically modeled pierced seat and a Gothic apron, the back with the molded signature “Reynolds-Chalou Fdy. Co. Watervliet, NY.” h. 36”, w. 44-1/2”, d. 14-1/2” $1,000-$1,500 These benches, also referred to as the “Arlington” pattern, were a distinctively American pattern, cast by a number of American Foundries.

730 Three-Piece “Lyre and Rose” Pattern Cast Iron Garden Suite

729

American, probably by the Robert Wood Foundry, Philadelphia, the suite comprised of a settee and a pair of armchairs, now painted white. settee h. 33-1/4”, w. 40-1/4”, d. 14”, armchair h. 32-1/2” $1,200-$1,800 The Philadelphia pattern in production from about 1840 into the 20th century.

731 Pair of Carved Wooden Caryatid Pilasters in the neoclassical taste, each depicting an allegorical female masque bracket beneath a ribbed urn-form capital, with fluting below. h. 78”, w. 17”, d. 6-3/4” $1,000-$1,500

731

730

311

732 Pair of Cast Iron Garden Urns each of campana form, with a molded rim, fluted body and a lobed lower section, resting on a square base. h. 28-1/2”, dia. 23” $1,200-$1,800

733 Pair of Gothic Revival Cast Iron Benches after a 19th-century French design, the back molded as quatrefoils amidst arches, with an openwork honeycomb seat over an apron with a Gothic meander border, now painted white. h. 34”, w. 55-3/8”, d. 20” $1,500-$2,500

734 Pair of Large Neoclassical-Style Cast Iron Garden Urns

732

each of campana form, with an egg-and-dart rim and a lobed body on a fluted base, now painted white. h. 41-1/2”, dia. 55” $2,500-$4,000

733

734

312

735 Pair of “Serpent and Grape” Pattern Cast Iron Garden Benches the arms terminating in a serpent’s head with the body wrapping around to form the sides of the bench, with grapeleaf decor and paw feet, the back and seat with paired parallel flat slats. h. 29-1/2”, w. 48”, d. 23” Notes: The pattern was originally introduced in 1844 by the Coalbrookdale Company, England.

735

$1,500-$2,500

736 Gothic Revival Cast Iron Garden Bench after a 19th-century French original, the back modeled as quatrefoils amidst arches, with an open honeycomb seat and an apron with a Gothic meandering border. h. 35”, w. 56-1/2”, d. 19” Provenance: Fireside Antiques, Baton Rouge, Louisiana; Estate of Anne Warren and Bill Rollin Hise, Hise House, Baton Rouge, Louisiana. $1,500-$2,500 736

737 five-piece suite

737 Five-Piece Group of Cast Iron Garden Furniture 20th century, comprised of four pieces in the “Gothic Arch and Rose” pattern, including a long bench, h. 37”, w. 59”, d. 18”, an armless bench, h. 16-1/2”, w. 53”, d. 18”, and a pair of armchairs, h. 35-1/2”, w. 26”, d. 18”, together with an associated stool with a dished honeycomb seat and curule base, h. 16-1/2”, w. 14”, d. 15”. Provenance: Private collection Lafayette and New Orleans, Louisiana.

737 five-piece suite

$1,500-$2,500

313

738

738 Pair of Gothic Revival Cast Iron Benches after a 19th-century French design, the back molded as quatrefoils amidst arches, with an openwork honeycomb seat over an apron with a Gothic meander border, now painted black. h. 34”, w. 55”, d. 20-1/4” $1,500-$2,500

739 Pair of Egyptian Revival Cast Iron Garden Urns each of modified campana form with a ring around the body supporting figures of sphinxes, applied acanthus leaves above the ring and mounted with classical masques, now painted green. h. 29-3/4”, w. 22-1/4”, d. 17-1/2” $1,200-$1,800 739

314

740 Bronze Garden Statue of Zephyr and Flora in the Classical Style after a model by Christian Gottfried Juechtzer (1752-1812), the standing pair of mythological figures in a fond embrace, her in a gown and adorned with floral garlands, the male figure winged. h. 62”, w. 38”, d. 27” $2,500-$4,000

740

741 After Hippolyte Francois Moreau (French, 1832-1927) “Les Jeunes Pecheuses” verdigris-patinated bronze ca. 1900, cast signature along edge of self-base. h. 29”, w. 16”, d. 15” $1,500-$2,500

741

315

742 Constant Aime-Marie Cap (Belgian, 1842-1915) “Jeune Femme Contemplant un Tableau”, 1872 oil on wood panel signed and dated lower right. Framed. 18-1/4” x 13-1/2”, framed 22-1/2” x 18” $1,000-$1,500

743 Josef Cornelius Correns (Flemish, 1814-1907) “The Amateur Artist’s Studio”, 1869 oil on cradled wood panel signed and dated mid-left on bed frame, initialed lower left on portfolio. Framed.

742

25” x 31”, framed 33-1/8” x 38-1/8” $1,200-$1,800

743

744 Semi-Antique Northwest Persian Carpet 5’ 4” x 10’ 2” $3,000-$5,000

744

316

745 Oushak Carpet 8’ x 10’ $2,000-$4,000

746 Turkish Angora Oushak Carpet 9’ 9” x 13’ 9” $2,500-$4,000

747 Semi-Antique Persian Kerman Carpet 11’ 6” x 16’ 11” $2,000-$4,000

747

745 746

317

748 Turkish Angora Oushak Carpet 10’ 3” x 14’ $1,000-$1,500

749 Turkish Oushak Carpet 9’ 9” x 14’ 8” $1,500-$2,500

750 Semi-Antique Persian Mahal Carpet 9’ 7” x 12’ 5” $7,000-$10,000

748

750 749

318

751 Antique East Turkestan Hotan Carpet 4’ 1” x 8’ 2” $3,000-$5,000

752 Turkish Angora Oushak Runner 2’ 7” x 19’ 5” $1,000-$1,500

753 Turkish Oushak Carpet 9’ 2” x 11’ 10” 753

Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,500-$2,500

752

751 319

754 Turkish Angora Oushak Runner 2’ 6” x 21’ 7” $1,000-$1,500

755 Semi-Antique Caucasian Carpet 4’ x 8’ 2” $1,000-$1,500

756 Semi-Antique Persian Heriz Carpet 10’ x 12’ 10” $1,200-$1,800

755

754

756

320

757 Semi-Antique Bakhtiari Carpet 9’ 10” x 12’ 6” $1,200-$1,800

758 Semi-Antique Mahal Carpet 9’ 5” x 14’ 1” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

$1,000-$1,500

759 Semi-Antique Persian Karajeh Runner 3’ 3” x 18’ 2” $800-$1,200

757

759

758

321

760 Bidjar Carpet 7’ 10” x 17’ 5” $6,000-$9,000

760

322

761 Wallace “Sir Christopher” Sterling Silver Flatware Set the pattern designed in 1936 by William S. Warren (18881965), Wallingford, Connecticut, including eight seven-piece place settings (one salad fork lacking) with an additional thirteen place pieces, no monograms. 68 pieces total 59.83 total t. oz. (weighable silver) Notes: Detailed list of pieces available on request. $1,000-$1,500

762 Wallace “Sir Christopher” Sterling Silver Flatware the pattern designed in 1936 by William S. Warren (1888-1965), Wallingford, Connecticut, including a dozen five-piece place settings (one piece lacking) with an additional twelve place and four serving pieces, no monograms, together with six Gorham “Old Baronial” seafood/cocktail forks, variously monogrammed, all presented in a fitted, Pacific cloth-lined wooden case with lift-top and single drawer, 6-1/8” x 14-3/4” x 11-1/4”. 77 and 6 pieces total plus case 92.75 total t. oz. (weighable silver)

761

Provenance: Private collection Lafayette and New Orleans, Louisiana. Notes: Detailed list of pieces available on request. $1,800-$2,500

763 Twelve Silverplate Figural Napkin Rings

762 detail

contemporary, cast and assembled from vintage elements, with floral, foliate, grapevine and banded rings, including a trio with alligators, a pair with perched birds, and single rings with a pair of putti, a lion and lamb, a cat and rooster, a pair of frogs, a kitten on a toy train, a horse and a Kate Greenaway-style child. the largest l. 5”, the smallest l. 2-1/4”

762

$1,000-$1,500

763 323

764

765

766

764 Reed & Barton “Georgian Rose” Sterling Silver Tea Set

766 Pair of Silverplate “Tells You How” Cocktail Shakers

mid-20th century, Taunton, Massachusetts, including: a coffeepot, h. 9-1/2”, l. 10-1/2”; a teapot, h. 8”, l. 10-1/2”; a covered sugar bowl, h. 6-1/2”, l. 7-1/4”; and a cream jug, h. 5-1/2”, l. 5-3/4”; together with a “Tara Hall” silverplate tray, 26-3/8” x 16”. 74.60 total t. oz. (excluding tray)

second quarter 20th century, by the Napier Co., Meriden, Connecticut, designed in 1932 by Le Roy Haviland Fontan (1891-1964), of slightly tapering cylindrical form, the gilt insert engraved around the rim with the names of sixteen cocktails and turning to reveal the ingredients for each in the cut-out windows on the body below, with ogee-domed strainer cap and domed lid. h. 10-3/4”, dia. 3-3/4”

$1,500-$2,500

765 Twelve Wallace Sterling Silver Water Goblets mid-20th century, Wallingford, Connecticut, model 2806, with ovoid body and trumpeting foot, no monograms. h. 6”, dia. 3”; 81.21 total t. oz. Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

324

Literature: Stephen Visakay, Vintage Bar Ware (Paducah, Kentucky: Collector Books, 1997), pp. 79-80 (illustrated). Simon Khachadourian, The Cocktail Shaker (London: Philip Wilson, 2000), pp. 97-98 (illustrated). $1,000-$1,500 The “Tell-You-How” cocktail shaker was one of the most popular and useful of the 1930s. Designed in 1932 and patented in 1935, it was offered at Saks Fifth Avenue for $7.50 (about $100 today). The concept was imitated in England, France, Italy and many other countries.

767 detail

767

767 Towle “Lafayette” Sterling Silver Flatware Set

768 Towle “King Richard” Sterling Silver Flatware

the pattern introduced in 1906, Newburyport, Massachusetts, including eight fourteen-piece place settings (six pieces lacking) with an additional twentyeight place pieces and ten serving/specialty pieces, monogrammed “RGM”, presented in a Pacific cloth-covered fitted and zippered drawer insert, 19-3/4” x 12”. 144 pieces plus insert 129.69 total t. oz. (weighable silver)

the pattern designed in 1935 by Ferdinand Poppenhauser (1868-1956), Newburyport, Massachusetts, including a dozen four-piece luncheon place settings (no teaspoons and five pieces lacking) with an additional nine place and one serving pieces, most monogrammed “DDP”. 53 pieces total 70.08 total t. oz. (weighable silver)

Provenance: Estate of Nancy R. Morrison, Houston, Texas.

Provenance: Private collection Lafayette and New Orleans, Louisiana.

Notes: Detailed list of pieces available on request.

$1,500-$2,500

768 768 detail 325

769 Gorham “Strasbourg” Sterling Silver Tea Set 1957, Providence, Rhode Island, including: a coffeepot, h. 9-1/2”, l. 8-1/2”; a teapot, h. 8”, l. 8-3/4”; a covered sugar bowl, h. 5”, w. 5-3/4”; a cream jug, h. 5”, l. 4-1/2”; and a waste bowl, h. 3-1/4”, dia. 4”; together with a silverplate tray, 26-1/4” x 19-1/4”; no monograms. 72.42 total t. oz. (excluding tray) Provenance: Private collection, New Orleans, Louisiana. $2,000-$4,000

769

770 Italian Rococo-Style Polychromed and Silver-Gilt Side Table 19th century, the shaped faux marbre top above a conforming pierced foliate- and scroll-carved frieze, raised on exaggerated cabriole legs headed by shield carving and ending in peg feet. h. 34”, w. 51”, d. 18” Provenance: Private collection, Houston, Texas. $1,200-$1,800 770

771 Two Pairs of Continental Carved Altar Sticks 19th century, in the rococo taste, the larger parcel-gilt pair with ochre bole visible on one side and carved with scrollwork-lined panels below faceted drip pans set with pricket candle holders, top of pricket h. 30-1/4”, candlestick h. 27-1/4”, dia. 8”; and the silver-gilt examples carved with scrollwork on serpentine stands with molded and cut metal drip pans, h. 18-3/4”, w. 11”, d. 9-1/2”.

Provenance: Private collection, Houston, Texas. $1,000-$1,500

771

326

772 Lev Feliksovich Lagorio (Russian, 1826/27-1905) “Fishing Boats Near a Fortress Along the Crimean Peninsula” oil on linen signed lower left, a Clars Auction label attached to stretcher. Framed. 11-1/2” x 22-1/2”, framed 15-1/2” x 26” Provenance: Clars Auction Gallery, Oakland, California, September 8, 2016, lot 6193. $6,000-$9,000

772

773

773 Attributed to Charles-Francois Grenier, dit Lacroix de Marseille (French, ca. 1700-1782) “Pecheurs dans des Rochers pres d’ un Petit Port” oil on canvas partially signed/inscribed “Lac...” lower right and identified in old French script on stretcher. Framed. 19” x 23-1/4”, framed 22-3/4” x 26-7/8” Provenance: Private collection, thence by descent. $3,000-$5,000

Charles Francois Grenier de Lacroix, also known as Lacroix de Marseille, was a prolific 18th-century landscape/seascape painter, who specialized in capriccio scenes, characterized by fantasy landscapes and seaports with Roman ruins, fishing boats and staffage. Little is known of his early years. Born in Marseille, Lacroix is believed to have apprenticed with Claude Joseph Vernet, traveling in Rome with him in 1750, and 1751 where he gained international recognition after he copied four of Vernet’s paintings for Sir Matthew Fetherstonhaugh, 1st Baronet, with near identical bravura as Vernet - the hand reportedly indistinguishable aside from the signature. After Vernet was summoned back to France in 1753 by Louis XV for a royal commission, Lacroix remained in Rome for nearly a quarter of a century, creating a lucrative career in capriccio scenes for wealthy patrons that further aggrandized the Grand Tour, working under the name Della Croce and Lacroix de Marseille. The work offered here exhibits many of the key characteristics associated with Lacroix’s mature oeuvre, notably the rocky bluffs with natural or carved arches offset by low horizons and wide expansive skies, deep ultramarine blue and green reflective seas seamlessly integrated with diminutive maritime trade in warm colors of ochre and brown. The work is vaguely reminiscent of French and Italian Mediterranean harbors, yet idealized and intimate. As Vernet notoriously stated about his seascapes and the genre he imparted to his followers and pupils: “Others may know better how to paint the sky, the earth, the ocean; no one knows better than I how to paint a picture.”

327

774 Italian Neoclassical Polychromed Commode early 19th century and later, the canted rectangular faux marbre top above a case fitted with three long drawers, all with painted scrolling foliate designs, raised on tapering square feet. h. 30”, w. 41”, d. 14-1/2” Provenance: Private collection, Houston, Texas. $1,400-$1,800

775 Italian Cut and Engraved Venetian Mirror 20th century, the octagonal mirror surround formed of beveled mirror segments engraved with sprays of flowers and leaves, the outside edge with ebonized trim. h. 44”, w. 28” $1,000-$1,500

776 Continental Neoclassical Partial Polychromed Pine Commode

774

19th century, the rectangular top with a carved edge, above a case fitted with a frieze drawer over three long paneled drawers, flanked to either side by engaged fluted uprights, raised on paw feet. h. 38”, w. 48”, d. 22-1/2” $2,000-$4,000

776 775

328

777

778

777 Pair of Italian Polychromed Side Chairs 19th century, each with a rounded back above a pierced splat, the padded seat raised on cabriole legs ending in peg feet. h. 38” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $700-$1,000

778 Pair of Italian Fruitwood Altar Sticks first quarter 19th century, now mounted as lamps and raised on paw feet with tripartite bases, the standards fluted and carved with lotus leaves, the sockets with egg-and-dart carvings, mounted with shades. h. 32”, dia. 13-3/4” $1,000-$1,500

779 Provincial Northern European Polychromed Secretary late 18th century, the molded cornice above two glazed doors, the lower section fitted with a slant front opening to stepped small drawers and a hinged center compartment flanked by shallow pull-out arch-headed drawers, each above a cubbyhole, the desk over three long drawers, the whole raised on bracket feet. h. 80”, w. 47”, d. 23-1/2” Provenance: Private collection, Houston, Texas. $1,400-$1,800 779

329

780 Italian Neoclassical Polychromed and Marble-Top Side Table 19th century, the rectangular marble top above a conforming fluted frieze centered by a floral bouquet, with floral block corners, raised on stop-fluted tapering circular legs headed by acanthine capitals and ending in lotus feet. h. 34-1/2”, w. 44”, d. 24-1/2” Provenance: Private collection, Houston, Texas. $1,400-$1,800

780

782 Pair of Neoclassical-Style Polychromed Fauteuils each with a padded back surmounted by a backswept foliate-urn-carved crest, joined by padded arms to the like seat, raised on ring-turned tapering circular legs ending in peg feet. h. 40” $1,000-$1,500

781

781 Italian Giltwood and Peint-Vert Mirror in the Neoclassical Taste first half 20th century, the crest decorated with an urn flanked by flowerheads on a green-painted ground, the sides carved with sprays of flowers, and the rests decorated with giltwood pendant pinecones. h. 25”, w. 13-1/4” Provenance: Private collection, Houston, Texas. $1,000-$1,500

782

330

783

783 Enrico Tarenghi (Italian, 1848-1938) “A Sympathetic Critic” watercolor on paper signed lower right. Framed. sight 20-1/4” x 16”, framed 31” x 26-1/2” Provenance: Private collection, Europe. $2,000-$4,000

784 Pair of Baroque Parcel-Gilt Architectural Fragments late 17th century and later, in the form of wooden pilasters carved with swags of fruit on one side, painted and decorated with rosso faux marbre and inset carved giltwood panels, the bases and caps painted Prussian blue, with giltwood molded trim. h. 58-1/4”, w. 8-3/4”, d. 2” Provenance: Private collection, Houston, Texas. $1,200-$1,800

784

331

785

332

785 Italian Neoclassical Polychromed Commode early 19th century, the rectangular faux marbre top with projecting corners, above a case fitted with three long paneled drawers, all with polychromed accents, raised on tapering square legs. h. 33-1/4”, w. 39-1/2”, d. 20” Provenance: Private collection, Houston, Texas. $1,000-$1,500

786 Giltwood Overmantel Mirror early 20th century, the pierced surround decorated with laurel leaves and berries, the crest decorated with a tablet depicting a classical scene, the corners with carved medallions, set with a beveled mirror plate. h. 30-3/4”, w. 41-3/4” $1,000-$1,500

785

786 333

787 Pair of Neoclassical-Style Figured Marble and Brass Pedestals each with a square top over a tapering column with embossed brass base and capital, and resting on a square plinth base. h. 42”, w. 10-1/2”, d. 10-1/2” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana. $1,000-$1,500

788 Four Carved Glass and Parcel-Gilt Metal Sconces in the Bagues Taste mid-20th century, decorated with carved glass flowers and leaves, two on each sconce set with molded candle cups, the painted metal stems secured with gilt-metal bowknots. h. 21”, w. 16-3/4”, d. 8-3/4”

787

$2,000-$4,000

789 Italian Polychromed, Parcel-Gilt and Marble-Top Center Table 19th century, the inset serpentine-shaped marble set within a molded and gilt frame, the apron friezes with female portraits and laurel swags, raised on turned and fluted legs. h. 32”, w. 49”, d. 41” $1,400-$1,800

789

788

334

790 Neoclassical-Style Polychromed and Marble-Top Side Table and Mirror 20th century, the table with a rectangular white marble top above a conforming gilt swag-carved frieze, raised on fluted tapering square legs, h. 32”, w. 39-1/2”, d. 12”, and the rectangular mirror surmounted by a gilt garland-carved crest, h. 43-1/2”, w. 25”. $1,000-$1,500

791 Pair of Neoclassical-Style Polychromed Bedside Commodes each with a canted top over a conforming case fitted with three drawers, all paneled and flanked by fluted corners, raised on waisted tapering square legs. h. 27-1/2”, w. 17”, d. 15-3/4” $1,200-$1,800

790

791 335

792

792 Pair of Transitional Louis XV/XVI-Style Creme-Peinte Bergeres each with a padded and domed back surmounted by a rose crest, joined to the cushioned seat by padded arms, raised on stop-fluted tapering circular legs ending in toupie feet. h. 39” $1,500-$2,500

793 Louis XVI-Style Polychromed Bench ca. 1900, the arm rests on lyre-carved supports flanked by fluted columns, above a caned seat and a ribbon-carved apron, raised on fluted tapering circular legs, fitted with a loose seat cushion. h. 31-7/8”, w. 35-3/4”, d. 17” 793

$1,200-$1,800

794 Pair of KPM Hand-Painted Ewers 1870-1945, the pair decorated with 18th-century figures in pastoral landscapes, framed in scattered flowers, the shellmolded rims and pierced, scrolled handles tinged in pink, the molded bases with a ring of polychrome cabochons, with underglaze blue scepter marks. h. 18-1/4”, dia. 5-1/2” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

$1,200-$1,800

794

336

796 Industrial-Style Steel, Bronze and Concrete-Top Console with an ornamented grillwork front mounted with a cast bronze panel and having a molded concrete top with a beveled edge. h. 36”, w. 53”, d. 17” $3,000-$5,000

797 Industrial-Style Steel, Bronze and Concrete-Top Console with an ornamented grillwork front mounted with a cast bronze panel and having a molded concrete top with a beveled edge. h. 36”, w. 53”, d. 17” $3,000-$5,000

795

795 French Painted Trumeau Mirror in the Neoclassical Taste second quarter 19th century, the upper tablet painted with a neoclassical roundel supported by a pair of putti framed with delicate arabesque scrollwork, the side panels with carved bellflowers supported by bowknots at the top and painted vases of roses at the bottom. h. 64”, w. 46-1/2”

796

Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

797

337

798

798 Charles Euphrasie Kuwasseg (French, 1833-1904)

799 Joseph Henderson (Scottish, 1832-1908)

“Rough Seas by the Village”, 1865

“Wind in the South”, 1877

oil on wood panel signed and dated “1865” lower right. Framed. 8-1/4” x 16”, framed 16” x 23”

oil on canvas signed and dated lower left. Framed. 24” x 38”, framed 32” x 44”

$2,000-$4,000

$1,000-$1,500

799

338

800

800 James Miller (British, b. 1962) “Ranger, Lionheart and Val Shedan Racing in the Caribbean” oil on canvas signed lower left, titled on stretcher. Framed. 35-1/2” x 48”, framed 42” x 53-1/2” $3,000-$5,000

339

801

801 Ralph Lauren Leather Sofa

802 French Art Deco-Style Mahogany Games Table

of box form with rolled arms, adorned with brass tacks, upholstered in Brompton saddle-colored leather, with its original reversible loose cushion in cloth upholstery, labeled. h. 35-1/2”, w. 85”, d. 37-1/2”

the rotating fold-over top in quartered parquetry veneer, and raised on a curule base with chromed caps at the juncture of the legs, labeled with a brass plate, “Global Views / Dallas, Texas”. h. 30”, w. 39”, l. 23-1/2”, ext. l. 47”

$1,000-$1,500

802

340

803

803 Collection of Eight Molded and Cut Crystal Decanters 20th century, French and English, including a signed Lalique molded and frosted “Femmes” decanter, a circular cut decanter with a silver-clad neck, an obelisk-form decanter and five molded glass decanters in the Waterford style. h. 8” to 13-3/4”, w. 3-3/4” to 6-1/4”, d. 2-1/4” to 6-1/4” h. 8” - 13-3/4”, w. 3-3/4” - 6-1/4”, d. 2-1/4” - 6-1/4” Provenance: Estate of Nancy R. Morrison, Houston, Texas. 804

$800-$1,200

804 Ten-Piece Collection of Baccarat “Perfection” Claret Glasses

805 Set of Seven Tiffany-Retailed Crystal Old-Fashioned Glasses

post-1933, each piece marked. h. 6-1/4”, dia. 3-1/4”

20th century, molded and decorated with a bullseye motif, each marked “Tiffany” on its base. h. 4”, dia. 3-1/4”

Provenance: Estate of Nancy R. Morrison, Houston, Texas.

$800-$1,200

805

341

806

806 Ralph Lauren Tufted Leather “Writer’s Chair” and Ottoman labeled, the chair of Chesterfield form with tufted back, cylindrical arm rests, large brass tacks and bun feet, h. 37”, w. 41”, d. 41”, and the matching ottoman with tufted top and like feet, h. 16”, w. 32”, d. 27”.

Notes: An icon of Ralph Lauren’s design, the Writer’s Chair was produced in the U.S. by Henredon. $1,000-$1,500

807 Pair of Continental Mahogany and Marble-Top Bedside Commodes 20th century, each with a rounded rectangular top with an inset marble surface, above a conforming case fitted with a paneled frieze drawer over four graduated short drawers, raised on gilded ribbed bun feet. h. 34-1/2”, w. 14”, d. 16” $1,000-$1,500

807

8 342

808

808 Ernest Leonard Blumenschein (American/New York/New Mexico, 1874-1960) “Backstage (Study of a German Tragedian)” mixed media on paper signed lower right, verso with “Fenn Galleries, Santa Fe, New Mexico” and “Nedra Matteucci Galleries, Santa Fe, New Mexico” labels. Matted, glazed and framed. sight 20” x 15”, framed 27” x 22” Provenance: Fenn Galleries, Santa Fe, New Mexico; Nedra Matteucci Galleries, Santa Fe, New Mexico; Estate of Nancy R. Morrison, Houston, Texas. $2,000-$4,000

809 Gilt-Metal Sunflower Mirror mid-20th century, set with a convex mirror plate in a reeded surround, and decorated with graduated giltmetal “petals”. dia. 33-1/2” $1,000-$1,500 809 343

810

810 Pair of Hancock & Moore Leather Club Chairs each labeled, the shaped, flare back joined to closed arms, fitted with a loose seat cushion and raised on square legs. h. 35-1/2” $1,000-$1,500

811 English Leather Travel Trunk on Stand the vintage trunk with leather strapwork secured with copper-plated rivets, on a conforming Georgian-style mahogany stand. trunk h. 13”, w. 34”, d. 21-1/2”, overall h. 26-3/4”, w. 34”, d. 22”

811

$1,000-$1,500

812 Contemporary Brass-Mounted Leather-Clad Steamer Trunk in oxblood leather with darker strapwork throughout, the lift top opening to reveal a shallow well, over a fall-front panel opening to reveal a pair of deep drawers. h. 20”, w. 36”, d. 20” $1,000-$1,500

812

344

813 detail 813

813 Vintage Louis Vuitton Wardrobe 85 Casier Trunk 1980s, covered in “LV” leather-trimmed monogram canvas with brass hardware throughout, the vachetta leather handles inside and out stamped, the closures marked with the center lock also numbered “172072”, the interior with two fittedout halves, the left with various hangers, the right with two drop down drawers having leather handles, with label and serial number. h. 21-1/2”, w. 33-1/2”, d. 9” Provenance: Private collection, New Orleans, Louisiana. $2,000-$4,000

813 detail

345

814 Fine French Gentleman’s Cased Silver, Glass and Mahogany Necessaire de Voyage second quarter 20th century, Paris, by Andre & Lucien TissotDupont, first standard (.950) silver, including a talc bottle, a toothbrush case, two cologne bottles, a pomade jar, a deodorant tube, a toothpaste tube, three mahogany brushes, and a bookfold case fitted with mahogany-handled shoehorn, cuticle pusher, nail file and buttonhook, and leather-handled corkscrew and two comb cases, the glass elements with engraved threaded panels, the lids with engraved and the wooden elements with inlaid monogram “EU”, all presented in a drop-front brown pigskin fitted case with three trinkets boxes and a razor case, complete with the original canvas cover with embossed leather panel monogrammed “EU”. case h. 8-1/2”, w. 13-1/2”, d. 4-1/2”; 9.25 total t. oz. (weighable silver) Provenance: The Collection of Adam Lippes. Notes: Simon Tissot-Dupont founded his leather case workshop in 1872, after his earlier carriage-making enterprise was destroyed in a fire. His briefcases were the favorites of businessmen and diplomats, and in 1884 he became a supplier for the famous Grands Magasins du Louvre. He retired in 1919 and was succeeded by his sons Andre and Lucien Tissot-Dupont. They oversaw a staff of over 250 leather workers, silversmiths, woodworkers, engravers, lacquerers, glass makers and locksmiths to produce trunks, luggage and travel cases for the wealthy elite. In 1929, Lucien TissotDupont traveled to New York, where he was engaged by Cartier to supply cases for their 5th Avenue shop. His visit was marred by the stock market crash and the advent of the Great Depression. Undeterred - and quite boldly - Lucien decided to move farther upscale and cater exclusively to those unaffected by the crash. (He is quoted as saying: “Make it more beautiful. Make it expensive. Make it innovative.”) Clientele of Les Fils de S.T. Dupont included the Princess (later Queen) Elizabeth, Aga Khan III, Humphrey Bogart and Audrey Hepburn. In 1941, he designed a pocket petrol lighter for a travel case for the Maharajah of Patiala, which was perfected and patented in 1952: the Ligne 1 was a spectacular success, supplied to Dunhill, Cartier, Hermes and others. Their famous luxury pen was designed specifically for Jackie Kennedy to accompany their Ligne 1 lighter. The company, still a premier producer of leather goods, lighters and pens, will celebrate their 150th anniversary in 2022.

814

815 Cased Cartier Sterling Silver and Glass Necessaire de Voyage first quarter 20th century, manufactured by William B. Kerr, Providence, Rhode Island, for Cartier, including two cosmetic jars, two cologne bottles, a soap box, a talc bottle, a toothbrush case, a toothpaste case, a cosmetic tube, a hair brush, a clothes brush, a nail file and a buttonhook, each decorated with finely engraved threading and monogrammed “FMT”, presented in the original black leather case gilt-stamped “Cartier / New York - Paris London”. 11.58 total t. oz. (weighable silver); case 4” x 11-3/4” x 8-1/2” $1,200-$1,800

$1,500-$2,500

346

815

816 Nicolai Ivanovich Fechin (Russian/New Mexico, 1881-1955) “Head of a Poet - The Artist’s Best Friend” charcoal with white highlights on brown paper signed “N. Fechin” lower right, an “Owings-Dewey Fine Art, Santa Fe, N.M.” label with artist and title, and handwritten note with title and provenance en verso. Matted, glazed and framed. sight 15-1/2” x 12”, framed 24-1/2” x 20” Provenance: Estate of the artist, ca. 1956, acquired from the artist’s widow, Alexandra, Santa Monica, California; Maria Poskanzer, prior to 1982; Estate of Ernest Shapiro, Doyle Auction House, May 22, 2007, lot 1055; Owings-Dewey Fine Art, Santa Fe, New Mexico; Estate of Nancy R. Morrison, Houston, Texas. $6,000-$9,000

816

817 Nicolai Ivanovich Fechin (Russian/New Mexico, 1881-1955) “Eya”, the artist’s daughter charcoal with white highlights on brown paper initialed “N.F.” lower right, an “Owings-Dewey Fine Art, Santa Fe, N.M.” label with artist and title en verso. Matted, glazed and framed. sight 17-1/4” x 14”, framed 27” x 24” Provenance: Estate of the artist; By descent to his daughter; Owings-Dewey Fine Art, Santa Fe, New Mexico; Estate of Nancy R. Morrison, Houston, Texas. $7,000-$10,000

817

347

818 Catherine Lorain (French, b. 1941) for Daum France, Pate de Verre “Nu Accroupi” opaque amber glass, incised signature along front of selfbase. h. 10”, w. 8”, d. 8” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

819 Italian Giltwood Cheval Mirror in the Art Nouveau Taste early 20th century, with an oval tilting mirror supported by carved drapery swags mounted to a shaped platform base. h. 67”, w. 41”, d. 24” $1,200-$1,800 818

819

348

820

820 Quang Ho (Vietnamese/American, b. 1963) “Blue Kimono” oil on canvas signed mid-left, verso with “Jack Meier Gallery, Houston, Texas” label. Framed. 60” x 36”, framed 66-1/2” x 42” Provenance: Jack Meier Gallery, Houston, Texas; Estate of Nancy R, Morrison, Houston, Texas. $5,000-$8,000

349

821

821 Chinese Polychromed and Parcel-Gilt Headboard

822 Pair of Chinese Polychromed and Parcel-Gilt Bedside Tables

of rectangular form, featuring an arched panel with figural and foliate carving, over a figural medallion to either side, raised on plank legs. h. 48-1/2”, w. 82”

each with a rectangular top above a single drawer, the drawers faced by an intricately carved figural and foliate panel, over a pierced frieze, raised on square legs. h. 27”, w. 25-1/2”, d. 14-1/2”

Provenance: Uptown home of philanthropist “Sunny” Norman, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

$1,000-$1,500

822

350

823

823 Japanese Six-Panel Screen of Noh Performers Meiji Period (1868-1912), paper, ebonized wood, silk and cotton fabric, dancers upon an open stage set within a mountainous landscape, the gilt sky trimmed in silk ribbon, set into a brass-mounted ebonized wood frame. h. 66”, w. 121” Provenance: The Collection of Adam Lippes. Literature: Brad Goldfarb, “Home Again”, Architectural Digest, September 2014, illustrated pp. 172-173. $2,500-$4,000

823 detail

351

824 Fine and Rare Pair of Qing Dynasty (1636-1912) Huanghuali RoundCorner, Tapered Cabinets, Yuanjiaogui each having a rounded, protruding cushion-form molded top mounted to slightly splayed rounded corner posts exhibiting mitred, mortise-and-tenon frame construction, the doors with wood-pin hinges and floating panels contained within a mitred-and-cushion molded frame, and separated by a cushion-form center stile and mounted with baitong brass hardware, both retaining their original locks and keys, the interiors fitted with a shelf above a pair of side-byside drawers and repainted in the 20th century. h. 70-1/2”, w. 40-1/2”, d. 21-1/2” $15,000-$25,000 Provenance: Dr. Eugene Lindsay Opie, New York, New York; by descent in the family to the present owner.

824 detail

824

352

“I believe there will be universal agreement… that Opie combined the scientific disciplines of epidemiology, pathology, clinical medicine and public health in a manner that had never been accomplished before.”

824 detail

–Esmond R. Long DIABETES – The Journal of the American Diabetes Association Nov.-Dec. 1958 Volume 7, No. 6, pp 496-499

Dr. Eugene Lindsay Opie (1873-1971) was born in Virginia, but the family soon relocated to Baltimore where his father was one of the founders and the eventual Dean of Faculty, at the College of Physicians and Surgeons. The younger Opie attended Johns Hopkins University, receiving his undergraduate degree in 1893 and graduating in the University’s inaugural medical class in 1897. It was while still a student that he f irst identif ied the lesions of the islands of Langerhans of the pancreas in a diabetic patient; he published his f irst paper on the subject the following year and his research was utilized by doctors in the f ield for decades. He served as an Associate of Pathology on the staff of Johns Hopkins for several years, before accepting a position at the newly founded Rockefeller University in 1904; he was to maintain his association with this institution for almost 70 years. Dr. Opie was not only one of the pioneering researchers in the study of diabetes, but also served on the faculty of numerous prestigious medical institutions including Washington University, St. Louis; University of Pennsylvania; Cornell University; and Peking Union Medical College, Beijing, China – through its association with Rockefeller University, where he led a research project studying the spread of tuberculosis through the Chinese populace. It is believed that while in Beijing, Dr. Opie acquired the handsome and rare pair of Yuanjiaogui cabinets offered here.

Dr. Eugene Lindsay Opie

353

825 Thai Bronze Buddha Head 19th/20th century, oxidized patina, with symbolic serene expression, resting on a burlwood base. h. 19”, w. 7”, d. 7” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

826

825

826 Pair of Thai Teak Howdah/Elephant Chairs 20th century, the balustrade sides accented with colored mirror glass, raised on pierced outswept supports. h. 10”, w. 23-1/2”, d. 11-1/2” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $800-$1,200

827 Chinese Hardwood Apothecary Cabinet early 20th century, the paneled rectangular top with metalbanded corners, above a conforming case fitted with eighty-five small drawers and a pair of cupboards, all with painted Chinese calligraphy, raised on shaped bracket feet. h. 54-1/2”, w. 42”, d. 12-1/2” $1,000-$1,500

827

354

828 Chinese Chinoiserie-Decorated Ebonized Altar Table 20th century, the rectilinear top with a chinoiserie genre scene, the shaped apron and square legs with gilt decoration. h. 30”, w. 50”, d. 17-1/2” $1,200-$1,800

828

830 Framed Chinese Textile 19th century, silk, fragment of a dragon robe. Glazed and framed. 34” x 28”, framed 36” x 30” $1,200-$1,800

829

829 Framed Chinese Textile 18th century, silk, fragment of a dragon robe, bordered in tan and black silk bands. Glazed and framed. 38-3/4” x 28-1/2”, framed 40-1/2” x 30-1/2” $1,200-$1,800

830

355

831 Framed Chinese Textile 19th century, silk, fragment of a dragon robe, now pieced to peach silk. Glazed and framed. 44-1/2” x 29”, framed 47” x 31-1/2” $1,200-$1,800

831

832

832 Bamboo Cushion-Form Mirror of Japanese Inspiration 20th century, with a bamboo surround, the outer portion decorated with pierced bamboo panels, the inner surround with a lacquer border decorated with maple leaves and birds on a black ground. h. 49-3/4”, w. 36-3/4” $1,000-$1,500

833 Chinese Polychrome Figures of Three Immortals 20th century, one with a child, one with a staff and one with a flute, on pierced hardwood stands, two presented on a double carved hardwood table, and the other on a single hardwood table, the figures with impressed character marks. figure h. 26-1/2” to 27-1/2”, dia. 6-1/2” to 6-3/4”, stand h. 21” to 38-1/2” $1,000-$1,500

833

356

834 Chinese Porcelain Table Screen 19th century, polychrome-painted with birds and butterflies in flowery branches, set in a carved sandalwood surround with trestle-form feet, decorated with carved piercings. h. 16”, w. 17-3/4”, d. 7-3/4” $1,500-$2,500

834

835 Chinese Sancai Pottery Figure of a Boy Riding a Frog 835

first quarter 20th century, the boy holding the animated frog by the head, decorated in traditional sancai colors, on an acrylic base. h. 11-3/4”, w. 11-1/2”, d. 9” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $800-$1,200

836 Contemporary Faux Bamboo and Eglomise Mirror Latin American, with an inner and outer bamboo-turned giltwood surround, set with wide eglomise panels decorated with scattered gilt flowers on a dark brown ground. h. 47”, w. 39-1/2” $1,000-$1,500

836 357

837 Asian School (ca. 1900) “Noble Lady Receiving Tribute of a Strawberry” ink and colors on paper Glazed and framed. sight 64” x 36”, framed 67” x 38-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

838 Large Metal Model of a Horse 20th century, of Chinese inspiration, the galloping gray metal horse now mounted on a black base. h. 34”, w. 12”, l. 56-1/2” $1,000-$1,500

837

838

8 358

839 Unusual Contemporary Painted Chandelier 20th century, of 18th-century inspiration, the six-light chandelier with a metal frame set with curved candle branches, turned candle sockets and drip pans, hung with glass cascades of beading and cut glass drops, the whole decorated with an off-white frosted, painted surface. h. 38”, dia. 28” $1,000-$1,500

840

840 Pair of Louis XVI-Style Polychromed Side Chairs early 20th century, each with a padded rectangular back above a like seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 37” $1,000-$1,500

841 Pair of Contemporary Pickled Mango Wood Bedside Commodes each with a rectangular top above a dentillated frieze over three drawers, raised on a molded base on bun feet. h. 28”, w. 24”, d. 16” $1,000-$1,500

839

841 359

842 Pair of Gustavian-Style Creme-Peinte Commodes

842

each with a bank of four drawers with perimeter molding, raised on bun feet. h. 35”, w. 41-1/2”, d. 20” $1,000-$1,500

843 Napoleon III-Style Rope-Carved Rubberwood Chair of barrel-back form, the arm supports, apron and legs modeled as knotted ropes, fitted with a loose seat cushion. h. 29”, w. 24-1/2”, d. 30” $1,000-$1,500

844 Four Metal-Clad Seashells 20th century, probably Continental, in the Verdura style, the metal coverings with silver and brass colorings, two marked “FI-I-G” and “DG-AG”. h. 5-3/4” to 8”, l. 2-3/4” to 22” Provenance: Estate of Nancy R. Morrison, Houston, Texas.

843

$1,000-$1,500

844

360

845 Silver-Leaf Iron and Marble-Top Center Table 20th century, of neoclassical inspiration, with a hexagonal white marble top, the base and aprons with interesting iron strapping. h. 31”, w. 31-1/2”, d. 31-1/2” $1,000-$1,500

846 Albert Matignon (French, 1860-1937) “Moored Sailboat” oil on canvas signed lower right. Framed. 26” x 36”, framed 30” x 40” Provenance: Estate of Nancy R. Morrison, Houston, Texas.

845

$1,000-$1,500

846

361

847 Lalique Molded and Frosted Crystal Double Fish Sculpture 20th century, of two carefully detailed fish surrounding an opening, on a circular based, signed “Lalique (R) France”, with the original label. h. 11-1/4”, w. 9-3/4”, d. 4-3/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

$1,000-$1,500

847

848 Collection of Three Lalique Crystal Molded and Frosted Vases second half 20th century, each decorated with birds, consisting of a “Bagatelle” vase and two similar “Dampierre” vases, each with etched signature. h. 4-1/2” to 6-3/4”, dia. 4” to 4-1/4” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $800-$1,200 848

849 Lalique Molded and Frosted Crystal “Bacchantes” Vase 20th century, molded with female nudes, retaining the original label. h. 9-3/4”, dia. 8-1/4” Provenance: Property from the collection of Dr. Arnold and Celia Lupin, New Orleans, Louisiana.

$1,000-$1,500

849

362

852 Pair of Bronze Egret Garden Figures in the Japanese Style both modeled standing, one with its head twisted to look down, h. 59”, w. 19”, d. 16”, and the other open-mouthed and looking skywards, h. 70”, w. 16”, d. 14”. $1,500-$2,500

850

850 Unusual Italian Cushion Mirror the outer and inner surrounds decorated with black and gilt faux stone eglomise, set into ebonized wood trim. h. 60-1/4”, w. 48” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

851 Wrought Iron and Glass-Top Dining Table the glass top over a scroll-adorned iron panel, the apron in like decor, on a wrought iron trestle base. h. 29”, w. 30-1/2”, l. 61-1/4” 852

$1,000-$1,500

851 363

853 Barovier & Toso Blown Murano Glass Pendant Chandelier the inverted beehive-form shade in white pulegoso glass suspended by a brass rod and fitted with a single socket. h. 30”, dia. 8” Provenance: The Collection of Adam Lippes. $1,200-$1,800

854 Barovier & Toso Blown Murano Glass Pendant Chandelier the beehive-form bowl blown in white pulegoso glass and fitted with three internal sockets, suspended by a metal rod with a spiral glass outer tube. h. 32”, dia. 11”

853

Provenance: The Collection of Adam Lippes. $2,000-$4,000

855 Suite of Four Thonet Ebonized Oak Armchairs first half 20th century, Josef Hoffmann for Thonet, each of barrel-back form, having gray leather seats and raised on square tapered legs ending in brass caps. h. 30-1/2”, w. 21-1/2”, d. 20” Provenance: The Collection of Adam Lippes. $1,800-$2,500

854

364

855

856

856 Baccarat Molded Crystal “Diva” Vase 20th/21st century, designed to hold flowers on their side, the contemporary vase with the engraved Baccarat mark. h. 4-1/4”, d. 7”, l. 16-1/4” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $800-$1,200

857 Contemporary Wood, Metal and Glass-Top Dining Table of neoclassical inspiration, the rectangular smoked glass top supported by a pair of columnar pedestals, each with an ebonized top and base, joined to an ivory-painted column with a stepped brass base. h. 30-1/2”, w. 42”, l. 83-1/2” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

858 Bronze and Marble-Top Gueridon 858

20th century, the inset circular black marble top mounted to a scrolled base with a ring-form central stretcher above a triangular stretcher joining the legs. h. 29-1/2”, dia. 31-1/2” $1,000-$1,500

857 365

859 Modern Carpet 8’ 10” x 11’ 8” $1,200-$1,800

860 Mid-Century Modern Bleached Mahogany and Brass-Mounted Bar Cart the fold-open top opening to reveal a faux slate work surface, above a single long drawer and a pair of cabinets below. h. 30”, w. 30”, d. 18”, ext. w. 60” $1,000-$1,500

859

861

861 Partial Service of Baccarat “St. Remy” Stemware 20th century, French, the service consisting of ten water goblets, h. 8-1/2”, nine champagne flutes, h. 8-3/4”, ten claret goblets, h. 7-3/4”, and twelve port glasses, h. 7”.

Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500 860

366

862

862 Thirty-Six-Piece Collection of Waterford Cut Crystal Glassware

863 Pair of Contemporary Leather and Aluminum Lounge Chairs

20th century, including eight “Curraghmore” sherry glasses, h. 6-1/2”, eight “Curraghmore” cordial glasses, h. 4-3/4”, five “Alana” roly polys, h. 3-1/2”, four “Kylemore” roly polys, h. 3-1/2”, and eleven “Kylemore” double old-fashioned glasses, h. 4-3/8”.

the ends of sling form, upholstered in quilted beige leather, on brushed bronze-finished X-form bases. h. 35-3/4” $1,500-$2,500

Provenance: Estate of Nancy R. Morrison, Houston, Texas. $1,000-$1,500

863

367

864 Contemporary Bronze-Patinated Steel and Glass-Top Occasional Table of neoclassical inspiration, the oval glass top on a rectilinear frame raised on tapering legs with ribbed and foliate-carved capitals, the legs joined by arched stretchers joined at a pendant finial. h. 29”, w. 48”, d. 26” Provenance: Estate of Nancy R. Morrison, Houston, Texas. $800-$1,200

865 Metal and Onyx Mirrored Console in the Manner of Oscar Bach early 20th century, of classical inspiration, the arched mirror with an anthemion crest, the sides with like mounts supported by winged female busts, on a demi-lune base with a conforming onyx top, pierced, scrolled apron and legs with winged bust capitals and hoof feet. h. 72-1/2”, w. 23-3/4”, d. 10-3/8”

864

$1,000-$1,500

866

866 Pair of Bronze and Cut Glass Lanterns first half 20th century, set with frosted glass panels with star cutting divided by bellflower-molded bronze elements, the upper rim with molded piercings, supported on leafmolded scrolled arms, hanging from leaf-molded and reeded standards. h. 31”, dia. 20” $1,200-$1,800

865

368

867

867 Silk and Wool Modern Carpet 9’ 11” x 13’ 9” $3,000-$5,000

868 Rare Lalique Molded and Frosted Glass “Deux Figurines” Clock ca. 1926, a pair of Grecian female figures draping a wreath of flowers around an Art Deco electric clock movement, the dial marked “Made in France”, raised on an ogee-molded aluminum base marked “R. Lalique, France” in engraved block letters on the lower right front. h. 15”, w. 13-3/4”, d. 6” $3,000-$5,000

868 369

869

869 After Pierre le Faguays (French, 1892-1962) “Depart Pour la Crusade” chryselephantine sculpture 20th century, incised signature at proper right edge of shaped brown onyx base, on a specially made presentation pedestal of black and brown onyx with decorative metal medallion of two dancing women. sculpture h. 21-1/2”, w. 22”, d. 9”; pedestal h. 38-1/2”; overall h. 60” $6,000-$9,000

370

870

871

870 Signed Birger Ekman Swedish Grace Movement Sewing Table dated 1938 and signed in script, the mahogany case with a lift-top opening to reveal pivot-out bins with a well below, the face with figural inlay in wood and metal, on a tapering birch column joined to a plinth base. h. 24-1/2”, w. 15-3/4”, d. 12” Provenance: The Collection of Adam Lippes. Literature: Emily Holt, “Inside Adam Lippes’s Berkshires Home”, Vogue, February 2015 (illustrated). $1,000-$1,500

871 Suite of Four Biedermeier Fruitwood Side Chairs ca. 1900, each with a pierced balloon back with scroll decor, bowed seat rail and tapering flared legs, each with an upholstered and padded slip seat. h. 38-3/4”, w. 18”, d. 17-1/2” $1,000-$1,500

872 English Pollard Oak and Mahogany Tall Case Clock early 19th century, in the Biedermeier taste, the hood with a stepped crown and turned ball finial, the circular dial labeled “Jas Davis, Leominster”, with a time-andstrike movement along with a calendar dial, the case with an inlaid panel above the pendulum door and having a rusticated base inset with an inlaid recumbent lion. h. 95”, w. 20”, d. 12” Provenance: The Collection of Adam Lippes. $1,800-$2,500

872 371

873 French School (Second Quarter 20th Century) “Jeune Fille” oil on canvas illegibly signed lower left, verso with “Christie’s” sale sticker and two “Sennelier, 3 Quai Voltaire, Paris” stamps. Period giltwood frame. 9-1/2” x 7-1/2”, framed 15” x 12-1/2” $1,000-$1,500

873

874 Louis van der Pol (Dutch, 1896-1982) “In the Dressing Room” oil on canvas signed lower right. Framed. 37” x 34”, framed 44” x 41” $1,400-$1,800

874

372

875 Contemporary Arch-Top Mirror the segmented surround decorated with panels set with concave cut roundels, the central panel beveled, all set into a wooden surround decorated to resemble patinated metal. h. 67”, w. 31” $1,000-$1,500

876 Three Polychromed Iron and Cloth Bar Stools after the bridle tack design by Jacques Adnet for Hermes, each with a shaped back and stiles modeled after leather straps, an upholstered bow seat and similarly modeled cabriole legs joined by a bridle-form stretcher. h. 39-1/2”, w. 22-5/8”, d. 21”, seat h. 27” $1,000-$1,500

875

876

373

877 Continental Painted and Parcel-Gilt Egypto Revival Console third quarter 20th century, the monopedia-form standards crowned with handsomely carved nemesdraped pharoah heads, the monopedia bases terminating in giltwood paw feet and carved acanthus leaves, resting on serpentine plinths, the backs with carved parcel-gilt palm trees, with a thick plate-glass top. h. 37”, d. 12”, l. 72” $2,000-$4,000

878 Georges Fay (French, 1871-1916) “Le Quartier”, 1897 lithograph in colors plate-signed and dated “Georges Fay 97”, printed by Imp. P. Vercasson, Paris. Matted, glazed and framed. sight 43-1/2” x 28-1/2”, framed 58-1/4” x 42” Provenance: Estate of Dr. and Mrs. Arthur Burdon, New Orleans, Louisiana; Sold in these galleries July 21, 2007, lot 1678; Private collection. $1,000-$1,500 878

877

374

879 Jules Cheret (French, 1836-1932) “Exposition Universelle des Arts Incoherents” lithograph in colors plate-signed lower right, printed by Imp. Chaix, Paris. Matted, glazed and framed. sight 47-1/2” x 33-3/4”, framed 58-5/8” x 43-1/4” Provenance: The Sheraton New Orleans Hotel, New Orleans, Louisiana; Sold in these galleries July 21, 2007, lot 1680; Private collection. $1,000-$1,500

879

880 Pair of Iron and Glass Obelisk-Form Etageres 20th century, each tapered frame with a ball finial and fitted to accommodate five graduated glass shelves, raised on ball feet. h. 70”, w. 17”, d. 17” $1,200-$1,800

880 375

881

881 Monumental Carved Marble Garden Table

882 Pair of Contemporary Gray Metal Tree Tubs of Classical Inspiration

early 20th century, with two Carrara marble standards of seated griffins and supporting a thick breche verte d’Egypte marble top. h. 32-1/2”, w. 76”, d. 21”

with tapered bodies, the sides set with ring pulls, the bottoms with drainage holes. h. 23-1/2”, w. 23-1/2”, d. 23-1/2”

$1,000-$1,500

882

376

883

883 Pair of McKinnon and Harris Chaise Lounges and Side Table each Sun Chaise in the “McNeil” pattern, with an adjustable back with shaped crest, parallel slats and scrolling “Empire” arms, h. 40-1/4”, w. 30-1/2”, l. 73-1/2”, together with a circular table, h. 21-1/4”, dia. 20”, all executed in painted aluminum, labeled “McKinnon Harris Inc. / Handmade in Richmond Virginia Since 1991”. $2,000-$4,000

884 Pair of McKinnon and Harris “McNeil” Armchairs each aluminum chair of neoclassical inspiration, with curved back slats continuing to form the seat, open arms and shaped legs joined by a U-form stretcher, each labeled “McKinnon Harris Inc. / Handmade in Richmond Virginia Since 1991”. h. 38-3/4” $1,000-$1,500

884

377

885 Three-Piece Group of McKinnon and Harris Garden Furniture comprised of a pair of tall dining chairs in the “Beaufort” pattern, of neoclassical inspiration, each with an X-form back, slat seat and tall tapered legs joined by a box stretcher and ending in spade feet, labeled, h. 49”, seat h. 26-1/2”, and a compatible round table raised on tall Hepplewhite legs, h. 42-1/4”, dia. 38-1/2”, all executed in painted aluminum. $1,200-$1,800

886 Five-Piece Group of McKinnon and Harris Garden Furniture comprised of a pair of armchairs, h. 37”, two ottomans, h. 16-3/4”, w. 26-1/2”, d. 22”, and a side table, h. 21-1/2”, dia. 21-1/4”, all executed in painted aluminum and labeled, the pair of armchairs of neoclassical inspiration with a shaped mesh back curving into a seat, open scroll arms and saber legs with a scroll bracket, the ottomans with parallel slats, straight legs and an H-form stretcher, the table in their “Hepplewhite” pattern with a circular “Adams” top, labeled “McKinnon Harris Inc. / Handmade in Richmond Virginia Since 1991”.

885

$2,000-$4,000

886

378

887 Modern Silk and Wool Carpet 9’ x 12’ 8” $6,000-$9,000

888 William Shepherd (American/New Mexico, b. 1943) “Ride ‘em Cowboy” oil on panel signed and further inscribed en verso, verso with “Gerald Peters Gallery, Santa Fe, New Mexico” label. Framed. 34” x 60”, framed 36” x 62” Provenance: Gerald Peters Gallery, Santa Fe, New Mexico; Estate of Nancy R. Morrison, Houston, Texas. $2,000-$4,000

887

888 379

889

889 Paul Pletka (American/New Mexico, b. 1946) “Sings to the Wind”, 1975 acrylic on canvas signed lower right edge, verso with “Matthew Chase Ltd.” label. Framed. 48” x 60”, framed 49-1/2” x 61-3/4” Provenance: Matthew Chase Ltd., Santa Fe, New Mexico; Estate of Nancy R. Morrison, Houston, Texas. $30,000-$50,000

380

890 Henry Cornelius Balink (Dutch/New Mexico, 1882-1963) “Portrait of a Native American Man” oil on canvas board signed lower left, partial supplier label en verso. Unframed. 20” x 16” Provenance: Private collection, Illinois. $5,000-$8,000

890

381

891 Turkish Angora Oushak Carpet 7’ 10” x 10’ $1,200-$1,800

891

892 Turkish Angora Oushak Carpet 9’ 1” x 12’ 3” $1,200-$1,800

382

892

893

893 Antique Oushak Carpet 9’ 6” x 13’ 4” $8,000-$12,000

383

894 Turkish Angora Oushak Carpet 10’ 4” x 13’ 9” $1,500-$2,500

894

896

895 Silk Tabriz Carpet 4’ x 6’ 9” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,200-$1,800

896 Turkish Angora Oushak Carpet 8’ 1” x 10’ 3” $1,000-$1,500

895

384

897 Agra Carpet 8’ 10” x 12’ $800-$1,200

897

898 Oushak Carpet 8’ 3” x 10’ Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

898

385

899 Turkish Oushak Runner 2’ 7” x 19’ 7” Provenance: Private collection Lafayette and New Orleans, Louisiana. $1,000-$1,500

899

900 Agra Serapi Runner 2’ 7” x 19’ 10” $1,000-$1,500

900

386

901 Turkish Angora Oushak Carpet 9’ 1” x 12’ 1” $1,200-$1,800

902 Turkish Kazak Carpet 6’ x 9’ $1,200-$1,800

902

903

903 Semi-Antique Persian Tabriz Carpet 6’ 6” x 10’ $1,000-$1,500

901

387

ARTIST INDEX Abou-Issa, Issa 103

Diehl, Arthur Vidal 219

Aivazovsky, Ivan Konstantinovich 196

Drysdale, Alexander John 132, 154

American School 661, 711

Dubufe, Edouard Louis 455

Anderson, Walter Inglis 124, 125

Dupon, Josue 463

Asian School 837

Dupre, Julien 61

Aubert, Antoine Pierre (after) 29

East, R.A., R.B.A., Sir Alf red 80

Balink, Henry Cornelius 890

Egaze, Emile 465

Barber, Charles Burton 350

Farlow, Harry 116

Bassano, Jacopo da Ponte (follower of) 18

Fay, Georges 878

Becker-Heyer, Rudolf Albert 41

Fechin, Nicolai Ivanovich 816, 817

Beckwith, James Carroll 699

French School 473, 474, 873

Belgian School 321

Gelissen, Maximilien Lambert 170

Berkes, Antal 96

Geoff roy, Henry Jules Jean 352-354

Blakelock, Ralph Albert 702

Girardin 435

Blumenschein, Ernest Leonard 808

Haddon, Trevor 349

British School 266, 279, 300

Hammond, C. 313

Brown, John George 710

Harpignies, Henri-Joseph 175

Budelot, Philippe 389

Hawkins, Louis Welden 79

Cap, Constant Aime-Marie 742

Hekking, Joseph Antonio 43

Carlier, Max Albert 345, 418, 419

Henderson, Joseph 799

Charpentier, Louis Eugene 359

Hermans, Charles 459

Cheret, Jules 879

Ho, Quang 820

Clair, Charles 57

Hunter, Clementine 656

Collin, Louis-Eugene 460

Italian School 11

Continental School 417

Jacques, Emile 38

Cooper, Thomas Sidney 326

Kuwasseg, Charles Euphrasie 798

Corbould, Aster Richard Chilton 171

dit Lacroix de Marseille, Charles-Francois Grenier

Corot, Jean-Baptiste-Camille 169

(attributed to) 773

Correns, Josef Cornelius 743

Lagorio, Lev Feliksovich 772

Crane, (Robert) Bruce 704

le Faguays, Pierre (after) 869

Dahmen, Jakob 231

Lorain, Catherine 818

de Hoog, Bernard Johan 35

Lucas, William 248

de la Pena, Narcisse-Virgile Diaz 74

Marcel-Clement, Amedee Julien 174

de Longpre, Raoul Maucherat 377

Matignon, Albert 846

Delfgaauw, Gerardus Johannes 230

Medvej, J. 370

Detti, Cesare Augusto 381

Miller, James 800

Millet, Clarence 724 Moerenhout, Joseph Jodocus 172

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

Moreau, Hippolyte Francois (after) 741 Musin, Auguste Henri 229 Newcomb College Pottery 725, 726

The Artist’s Name: In our qualified opinion, a work by the artist.

Pissarro, Camille 62 Pletka, Paul 889 Richet, Leon 51 Rowbotham, Thomas Charles Leeson 220

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

Sargent, John Singer 696 Sauvage, Ron Liod 194 Schmidt, Peter 675

School of / Follower of: In our qualified opinion, a work by a follower of the artist.

Schouten, Henry 40 Schreyer, Adolph 693 Schutz the Elder, Christian Georg 30

Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence.

Schutze, Wilhelm 351 Shepherd, William 888 Smythe, Wayne E. 728 Sonrel, Elisabeth 119

Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence.

Tarenghi, Enrico 783 Tassel, Edmond Louis Charles 464

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

Trouillebert, Paul Desire 81 Troyon, Constant 39 van Damme-Sylva, Emile 44

After: In our qualified opinion, a copy of a known work by the artist.

van den Eycken II, Charles 420 van der Plas, Niek 87 van der Pol, Louis 874

Signed: In our qualified opinion, has the signature which is that of the artist.

van Dyck, Sir Anthony (after) 241 van Hamme, Alexis 34 van Rijn, Rembrandt Harmenszoon (after) 27

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.

Verwee, Louis Pierre 42 Veyrassat, Jules Jacques 173 Villanis, Emmanuel (after) 462

Dated: In our qualified opinion, is so dated and was executed on or around that date.

Vuillard, George 369 Wolfe, Mildred Nungester 86 Wyant, Alexander Helwig 703 Zuccaro, Taddeo (attributed to) 4

Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Jelena Restovic James Director of Fine Art

Tessa Steinkamp Director of Auctions

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Charles C. Cage Silver Specialist & Office Manager

Michele Carolla Fine Art Specialist

Burke Designer

Taylor Eichenwald Assistant Director of Auctions

Sarah Agnew Client Services & Administrative Assistant

Thomas Halverson American Furniture Specialist

Grace Connors Manager of Online Auctions

AUCTIONEERS

CONSULTANTS

ADMINISTRATION & MARKETING

Tessa Steinkamp, LA #1265 Taylor Eichenwald, LA #1922 Michael DeGeorge, LA #1774

Ellen McKenzie English & Continental Furniture

Denise Haik Office Administration

Ira Savoie Independent Certified Gemologist Appraiser

Christa Ougel Photographer & Graphic Designer Mark Hebert Marketing Coordinator & Graphic Designer

Kim Lemon Director of Fine Jewelry

Amelia Schussler Creative Director

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Theadrow Mark Jermaine Hargrove