Estates Auction: July 24-25, 2021 by New Orleans Auction Galleries

New Orleans Auction galleries

Estates Auction: July 24-25, 2021

ESTATES AUCTION

July 24-25, 2021

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium

Featured Collections: Rose Hill Rome, Georgia The Collection of Sue Trammell Whitfield Houston, Texas The Estate of Mae Clegg Baton Rouge, Louisiana The Estate of Evelyn Wilson Houston, Texas Property Descended in the Livaudais-Walshe Family New Orleans, Louisiana

Exhibition: July 12 - 23, 2021 Monday - Friday | 9:00 a.m. - 5:00 p.m. Saturday, July 17 | 10:00 a.m. - 3:00 p.m.

bidding: Telephone

Absentee

Live Online

In Person

Bidding is available in person, by telephone, absentee and live online with LiveAuctioneers and Invaluable

lot schedule:

Please note that times are approximate Session I (Lots 1 - 411): Saturday, July 24, 2021 10:00 a.m. CDT

10:00

11:00

12:00

160

1:00

161

24 0

12:00

1:00

2:00

241

320

2:00

3:00

32 1

400

3:00

3:15

4 01

41 1

Session II (Lots 412 - 811): Sunday, July 25, 2021 10:00 a.m. CDT

10:00

11:00

41 2

500

11:00

12:00

5 01

580

1:00

581

660

12:00

1:00

2:00

661

74 0

2:00

3:00

741

811

An Evening to Remember...

Texas Design Week 2021: PaperCity Design Awards A Celebration of Outstanding Design Hosted by Mark D. Sikes and Sponsored by NOAG

(From Left to Right): 1. Pamela Encinas and Rebecca Rios; 2. Mark D. Sikes kicking off the evening as Master of Ceremonies; 3. Alvin Abraham, Lloyd Princeton and Angel Rios; 4.Tony Bradf ield, Fady Armonious, Whitney Crane and Ceron; 5. Susan D. Sarof im and Mark D. Sikes; 6. Melinda Hildebrand and Marita Fairbanks; 7. John David Robbins, Gigi Huang and Jerry Hooker; 8. Heather Almond Good, MontaQ and Chris Hendel 9. Yesely and Justin Love; 10

10. Dan and Kirsten Seglem Zimmerman

Letterfrom the

CEO

An Unforgettable Collection at NOAG and a Warm Welcome Back to In-Person Bidding The Louisiana life, like most cultures, centers solidly around

Susan D. Sarofim and Taylor Eichenwald

gathering. From the city-stopping crowds of Mardi Gras to the impromptu backyard crawfish boils, we practically wrote the book on the joys of coming together. Therefore, like most of the country, if not a little more, the necessary precautions the pandemic pressed upon us have been

We are also offering the collection of Sue Trammell

trying to the heart of our unique human experience.

Whitf ield, which is personal to me. I met Sue, a f ifthgeneration Texan and an imitable force in philanthropy

While the struggles of these times aren’t over, we are

and civic leadership, when I relocated to Houston after

thankfully seeing a bright light guiding us into a new

Hurricane Katrina. She embodied all that Texans are

normal, and that includes being together again (safely as

known for: graciousness, charm, elegance and a lively wit.

possible, of course). For New Orleans Auction Galleries, this

I will always be grateful to Sue for her f riendship, and the

step forward includes our recent privilege as a lead sponsor

Houston community will fondly remember her for her

for Houston’s 2021 PaperCity Design Awards. On May 20,

generosity, especially through the Fondren Foundation

we hosted the interior design awards celebration, featuring

and the Trammell Foundation.

special guest Los Angeles-based designer Mark Sikes as a most charming master of ceremonies.

I’m also excited to share that you can actually see in person the more than 800 lots in the July 24-25 Estates

Winners were chosen from more than 300 project entries by

Auction during our two-week exhibition, July 12 through

interior designers and architects. To be amongst such a brilliant,

23, Monday to Friday, 9 a.m. to 5 p.m. and Saturday, July 17,

creative crowd, celebrating beauty – well, that is just the way

10 a.m. to 3 p.m.

NOAG wanted to embrace the ability to be together again. Of course, if you are unable to visit the viewing or attend We are equally delighted to sponsor Texas Design Week

the auction, you can bid online or by phone. Quick and

in Dallas, Sept. 20 through 24. Visit TexasDesignWeek.com

easy instructions are at NewOrleansAuction.com, under

to purchase tickets and learn about the stellar lineup of

the bidding tab, or call us at 504-566-1849.

nationally recognized designers and architects who will present throughout the week.

For those who wish to attend the auction, we will welcome you back with NOAG’s traditional hospitality. We will have

NOAG will be gathering more lovers of the artful aesthetic

your cool drink ready along with an array of delicious

soon—and you are invited! After more than a year of

nibbles, your comfy chair and some robust bidding!

online-only bidding, NOAG is throwing open our doors to in-person bidding, Saturday, July 24 and Sunday, July 25,

More than ever, it is a privilege to gather. NOAG is founded

starting at 10 a.m., daily.

on honoring the past, and that includes a deeply rooted heritage of the pleasures of being together. Let the good

To celebrate this first in-person auction of 2021, we are

times roll, once again.

honored to offer an exceptionally curated collection, including nearly the entire contents of Rose Hill, a marvelously historic

Welcome back,

property in Rome, Georgia. You’ll find more about the story of this meticulously restored estate on the following pages, but we’ve also included even more interior photographs throughout the catalogue alongside many of the items to

Susan D. Sarofim

share with you the breathtaking beauty of Rose Hill.

CEO

Rose Hill

An Iconic and Historic Property Rome, Georgia Rose Hill, an iconic property nestled in the “Between the Rivers Historic District” of Rome, Georgia and arguably one of the finest historic homes in North Georgia, is aptly named for the timeless beauty of the gardens that adorn its grounds. The original Gothic Revival wood frame structure was built ca. 1850 by Charles Henry Smith (1826-1903); however, it was rebuilt in 1909 in the Greek Revival style by a prominent local family. The original footprint of the sizable grounds included the entire block between Third and Fourth Streets and Third and Fourth Avenues.

▶

Photo by Liz Jurey Courtesy of the Preservation Resource Center

Mr. Smith, a prolif ic writer more widely known

had not been burned by Union forces, it had fared

by his pseudonym, Bill Arp, was one of the most

poorly. Mr. Smith served as Mayor of Rome before

popular syndicated columnists in the South before

moving to Cartersville, Georgia around 1877. He

and during the Civil War. Rome’s strategic location

continued to write under his pseudonym for the

and industrial production capabilities attracted the

remainder of his life.

attention of Union forces led by General William T. Sherman. Sherman’s troops occupied Rome, using Rose Hill f rom May to November 1864 as a base to plan their infamous March to the Sea. Given Smith’s views, it is not surprising that Sherman and his off icers chose his home as their headquarters. The famous photograph of Sherman’s off icers sitting around Smith’s dining table beside an oak sapling was taken in the f ront yard of Rose Hill’s original structure. The Smith family evacuated Rome before it fell to Union forces, but returned after the war. Mrs. Smith noted in later correspondences that while the house

Occupying an entire city block, the Rose Hill property

75 feet–the entire length of the house–and leads to

was subdivided by the 1870s given the construction

a matching set of double doors in the rear.

dates of several of the surrounding homes, which are built on Rose Hill’s original grounds. An early

In 1959, the property was sold to another local family

neighboring home belonged to the Reverend

who owned it until it was purchased by the present

Samuel Axson. Rev. Axson’s daughter, Ellen, would

owner in 2011. During that family’s ownership, the

later marry Woodrow Wilson and become First

home suffered major damage at two points in time.

Lady, and is notably responsible for establishing

When a large tree fell on what was then a two-

the Rose Garden at the White House. Rome locals

story open porch on the west side of the home, the

often wonder if she drew her inspiration f rom Rose

owners enclosed the damaged porches to create

Hill and its gardens. Tragically, Ellen Axson Wilson

the two-story white f ramed “sun rooms” presently

passed away while First Lady and was buried in a

on the west side of the residence. A second large

state funeral at Myrtle Hill in Rome.

oak tree, known as the Sherman Oak (it was the sapling beside the dining table in the famous photo

Another prominent local family purchased the

of Sherman and his off icers), fell on the f ront of the

property around 1890, and in 1909 constructed the

house in the late 1990s, destroying much of the

present red brick Greek Revival style home, partially

porch roof and the white cypress Ionic columns.

on the foundation of the original Rose Hill. The home

The roof and the f ront of the home were carefully

features six white cypress Ionic columns that stand

restored to ensure it remained historically accurate.

25 feet tall and an impressive pair of nine-foot-tall doors that open to a foyer that spans over

Read More ▶

The present owner, a native of Rome and only the

movement. After meeting Stowe, President Lincoln

third to own this 112-year-old beauty, acquired the

famously said, “So you are the little lady who started

property in March of 2011 and undertook a multi-year

this great war.”

restoration of the house and gardens. The property was “re-christened” as Rose Hill in honor of the first home

A rare pair of Paris porcelain “flare vases” that

built on the property. The footprint and room layout

depict characters and scenes f rom Uncle Tom’s

of the historic portion of the home is as it was built

Cabin in bisque relief were purchased by the

in 1909 and the colors used throughout are generally

present owner and prominently placed on the

believed to be a similar palette. The home was

living room mantel. Four known pairs of similarly

meticulously furnished with an extensive collection of

decorated vases exist in this size: one pair is

primarily 18th- and 19th-century American and British

brightly colored and in the Harriet Beecher Stowe

furniture, paintings and decorative arts, as well as an

Museum in Connecticut, another is painted ivory

impressive collection of china, stemware and flatware.

and gold and in the Newark Museum’s collection of American decorative arts, and the third pair is

Given the views expressed by Mr. Smith (Bill Arp),

similar in color to these and in the collection of the

the present owner felt the need to “exorcise” Smith’s

Museum of the City of New York.

beliefs from the house by prominently paying homage to a more important and forward-thinking

New Orleans Auction Galleries is honored to offer

author of the time: Harriet Beecher Stowe. Her most

this meticulously curated collection f rom such a

famous work, Uncle Tom's Cabin, sold more than one

storied, historic home. The attention to detail and

million copies and became a global best-seller that

historical mindfulness are evident in the collection’s

played a significant role in energizing the abolitionist

unrivaled breadth and quality. ■

A Texas Legend

Sue Trammell Whitfield

Southern Methodist University (SMU) for two years before transferring to The University of Texas at Austin (UT), which her father also attended, to major in Fashion Design and Textiles. She graduated f rom UT in May of 1954. In a 2005 interview conducted by Joan Gosness, the archivist for SMU, Sue fondly recalls her time at the school studying subjects as various as costume design, business, and languages including German and Spanish (she was fluent in Spanish and conversational in French and German). Sue nurtured a sense of curiosity in her children by encouraging them to pursue their own interests in the same manner that she had explored hers as a young woman. An active member of her Pi Beta Phi Sorority, Sue met her future husband, West Point cadet William Franklin Whitf ield, at the Pi Phi house at UT while he was visiting f riends who had transferred f rom the military academy. Later, when William was stationed at Ellington Air Force Base outside of Houston, Sue Sue Trammell Whitf ield, a f ifth-generation Texan

asked him to be one of her escorts during her debut

and an imitable force in philanthropy and civic

season. Love was in the air and the couple married

leadership, was born in Houston in 1933 to Susie Ella

on May 29, 1954.

Fondren (1904-1977) and Wash Bryan Trammell (19011988). Over the course of generations, the Trammell

In the early years of their marriage, the couple lived

and Fondren families have left a lasting impact

in Salina, Kansas, and Austin and Houston, Texas,

on communities across Texas and throughout the

eventually moving to New Mexico with their three

country with their work in education, healthcare and

young children. Bill “Whit” Whitf ield was engaged

business.

in ranching, oil and gas businesses and several automobile dealerships. By the time their fourth

Sue attended The Kinkaid School and graduated

child was born, they had moved to Albuquerque,

in 1950 at the age of sixteen. She went on to attend

where they lived until 1988.

fascinated with the stories behind them. Sue and her husband shared this passion for travel and collecting, taking frequent trips together. Each July, Sue and her husband rented a home in Switzerland for the family and would venture to France, Northern Italy and other surrounding areas to explore and, of course, go antiquing. Over the years, Sue amassed an impressive collection of antique furniture, silver, fine art and everything in between. Her fascination with fashion and costume design was also a lifelong hobby. Sue enjoyed attending the Santa Fe Opera to see the costumes the company would create for each show. After attending a show, she would often come home and sketch the pieces that had caught her eye. While her children were young, she would draw costume ideas for Halloween and, upon their approval, would go to the fabric store to bring her ideas to life. Sue even created custom outfits for her daughter’s figure skating competitions; her sketchpad was never far from her, which is a testament to her creative spirit By the early 1990s, Sue and Whit often returned to Houston, splitting their time between the two cities. Active in both communities, they enjoyed their memberships in the Albuquerque Country Club, Albuquerque Petroleum Club, The Houston Country Club, and the Bayou Club. Sue was a member of The Junior League of Houston, The Junior League of Albuquerque, and The River Oaks Garden Club helping to plan many fundraisers and creating designs for the flower shows.

A Lifelong Learner with an Eye for Beauty Sue’s artistic abilities and innate curiosity fueled her passion for collecting. She had traveled the world with her parents and grandparents, and this helped develop her deep appreciation for art and design. While her mother was an avid collector of Asian arts, Sue was drawn to European antiques. With an eye for beauty and a love for history, she appreciated the workmanship and artistry behind each piece, and was

▶

A Texas Legend Sue Trammell Whitfield .A

Legacy of Giving

Sue’s grandfather, Walter W. Fondren, Sr., was a legendary businessman and a founder of Humble Oil Company, which later became ExxonMobil. Her grandmother, Ella Fondren, met Walter while working as a young woman at her family’s boardinghouse following her father’s death. The prominent couple were a force to be reckoned with – Ella not only advised Walter in business decisions such as key oil acquisitions, but the couple also worked together in their philanthropic pursuits, a shared passion that Ella carried on even after his untimely death in 1939. Sue learned many valuable lessons from Ella that

Ella Fondren (top right) with her grandchildren. including Sue Trammell Whitf ield (second row, middle)

she carried throughout her life and passed to future generations, most especially the importance of giving

Foundation and the Trammell Foundation. She

back to the community.

was passionate about the missions of The Women’s Fund and the John P. McGovern Museum of Health

Ella established the Fondren Foundation in 1948,

and Medical Science and served as Board President

which provided crucial grants that helped to expand

of each organization and remained an enthusiastic

Methodist Hospital and shape it into the world-class

supporter for decades.

facility that it is today. Through the Foundation, she also helped to develop Baylor University College of

Aside from her prominent philanthropic achievements,

Medicine and St. Luke’s Episcopal Hospital. Ella served

Sue loved to attend events and entertain family and

on the board of Methodist Hospital for more than three

friends at her home. Her meticulous attention to

decades, as well as on the board of Baylor University.

detail and magnetic personality always made for an

The countless initiatives that Ella contributed to during

enjoyable gathering.

her lifetime set the stage for Sue’s own charitable efforts. A believer in the outstanding care that she

Texas Roots Run Deep

helped to foster, Ella ended up living the last years of her life in a suite at Methodist Hospital.

Fascinated by her familial heritage and inspired by her love of family and respect of her parents,

Sue perpetuated the philanthropic activities of her

grandparents and great grandmother, Sue spent

grandmother and her parents in countless ways,

many years in genealogical research, spending

including serving on Southern Methodist University’s

hours tracing family lines and even traveling with

Board of Regents, the University of Texas’s Library

her eldest daughter, Susan, to visit historic family

Board, the Methodist Hospital Board, the Advisory

homes or to seek out old cemetery markers. These

Board of the Fondren Library at SMU, the Fondren

endeavors, combined with her lifelong interest and

A Texas Legend Sue Trammell Whitfield love of history, culminated with Sue authoring a

Her great-great-great grandparents were among the

beautiful book, titled Aunt Mary’s Scrapbook, based

earliest Texas pioneers; remarkably, her great-great-

on her aunt, Mary Trammell.

great grandmother, Harriet Shipp Wyres (1816-1888), arrived in Texas f rom Alabama in the 1820s. She

Sue and her mother were both members of many

married Robert Wyres (1804-1888), who emigrated

patriotic

f rom Virginia in 1830, in 1834 near Nacogdoches.

organizations

that

included

Mayflower

Compact, Daughters of the American Revolution, Magna Carta Barons, Daughters of 1812, Colonial

The couple had fourteen children together, all

Dames of the 17th Century, Colonial Dames of America,

born on the same farm located on land near an

Jamestown Society, and Founders and Patriots.

abandoned Comanche Village, which later became the city of Waco. However, political upheavals were so f requent at the time that their f irst child was born a citizen of Mexico, their next six children were born citizens of the Republic of Texas, and the seven youngest were born citizens of the United States. The couple moved to Falls County, Texas ca. 1856, where they remained until their deaths in 1888. Harriet and Robert died within two weeks of each other – an obituary in an Abilene newspaper dated August 20, 1888 recognizes the couple as among the “old pioneers” and interestingly notes that, “Mr. Wyers [sic] claimed to have been in the battle of San Jacinto. After that he moved to Houston and made the f irst brick ever made in that village and erected one of the f inest cabins.” Later generations moved near Abilene, and eventually to Houston, where they engaged in various businesses, but primarily ranching. Sue had immense respect for the tenacity and grit of her forbearers that settled in Texas. She was extremely proud of her family’s Texas heritage and this reverence undoubtedly influenced her deep love for her home state. New Orleans Auction Galleries is honored to offer a range of antique furniture, paintings, decorative objects and more f rom the Collection of Sue Trammell Whitf ield .

■

Mae Goux and Robert T. “Bobby” Clegg, Sr., Wedding Day, January 1948

Mae and Bobby Clegg, 1950

Mae Goux Clegg

A Beloved Baton Rouge Businesswoman and an Avid Collector of Antiques and Fine Art

Mae Goux Clegg, a Louisiana native and longtime

LSU, he painted his fleet of nearly 80 trucks in an

resident of Baton Rouge, was born in Port Allen to

unmistakable combination of purple and gold to

Marie (Scallan) and Albert Goux. She grew up in

reflect his love for his alma mater. Under Bobby’s

Bunkie, Louisiana, but moved to Baton Rouge in 1947

leadership as president, Clegg Concrete, Inc., grew

to work at Louisiana State University (LSU). While

into a thriving business. When he acquired Dunham

there, she met her future husband, Robert T. “Bobby”

Concrete in the late 1960s, the company became the

Clegg, a running back for LSU. They married in Baton

second largest concrete company in the South at

Rouge in January 1948 and had five children together.

the time.

After graduating from LSU, Bobby worked as a

When Bobby passed away in 1971, Mae stepped into her

concrete salesman, but dreamed of starting his own

late husband’s role as president without any business

company. During this time, he developed many

experience, but she knew how much this company

important business and industry-related skills critical

meant to him and worked tirelessly to develop the

to his future success. Bobby was able to raise enough

skills necessary to run it. She learned from the bottom

money from investors to start his own company, Clegg

up, taking on everything from analyzing overhead

Concrete Incorporated, in 1961. As a proud graduate of

costs, to accounting and inventory management.

Mae also invested in real estate, including several local restaurants and Afton Village Shopping Center. She was also active in the Baton Rouge community as a member of The Eye Bank, Quota Club, Trianon and The Historical Foundation. Despite enduring the loss of three children and her husband, Mae still found joy in life. Her innate eye for beauty fueled a lifelong passion for fashion, design and collecting. In 1974, she was honored as one of the ten best-dressed women in Baton Rouge. One of Mae’s greatest passions was collecting antiques, fine art and decorative objects. She was proud of the impressive collection that she curated over many decades. Her love for travel also fueled her collecting pursuits and she eagerly anticipated the arrival of

Mae's beloved children: Pam, Mike, Chuck, Cannon and Bobby, Jr.

Above all else, Mae loved her family. Affectionately called “Mae Mae” by close f riends and family alike, she was cherished as a loving mother, grandmother and great-grandmother, and admired by many others as an incredible woman and beloved member of the Baton Rouge community. New Orleans Auction Galleries is pleased to offer French and English furniture, mirrors, decorative objects, paintings and more from the Estate of Mae Clegg. ■

Mae Clegg on the Cover of Register Magazine, July 1973

newly acquired pieces found along the way. Naturally, Mae was good friends with several interior decorators who often helped point her towards the next great find, whether it was an auction or a new arrival at a shop.

Mae at a family celebration surrounded by her children: Mike, Chuck, Pam and Cannon, 2006

Property Descended in

The Livaudais-Walshe Family An Antique and Decorative Arts Collection From a Family With a Fascinating Past That Includes Louis XV and Edgar Degas (wife of Carl Ernst Fehr), and granddaughter, Eileen Joan Fehr, all lifelong New Orleanians. These three generations of women were very proud of their family’s connection to the history of Louisiana and were pleased and privileged to maintain membership in the Society of the Founders of the City of New Orleans as well as the Daughters of the American Revolution. Jacques Julien Esnoul de Livaudais (1754-1838), a native of St. Malo, Brittany, established his permanent home in New Orleans in 1727 after commanding the Loirre (whose crew had staged an unsuccessful mutiny against its previous captain) to the Port of New Orleans. At 31, he was already a twenty-year veteran of the navy, having made at least six voyages to the New World, many to the French colony of Louisiana.

New Orleans Auction Galleries is pleased to present a selection of antique furniture and decorative arts from the estates of Aurora Dugue Livaudais (daughter of Walter D. Livaudais and Frances C. Ochsner and wife of Dr. Thomas J. Walshe), her daughter, Eileen Avis Walshe

Above: Aurora Dugue Livaudais, ca. 1920 Right: Aurora Dugue Livaudais Walshe, ca. 1965 Below: The March 2, 1698 baptismal record of Jacques Julien Esnoul de Livaudais f rom St. Malo Cathedral, St. Malo, Brittany (Ille-et-Vilaine, France)

A skilled sailor, fluent in Spanish and of courageous and adventurous temperament, he was well-suited to assisting in the establishment of la Nouvelle Orleans. After a harrowing adventure transporting 2,000 head of cattle from Spanish Florida (whose Governor permitted this transaction with the French after Livaudais managed to fend off a British frigate using two pirogues fashioned into a catamaran fitted with a single cannon) and serving in the Natchez War, he was ultimately appointed Captain of the Port of New Orleans in 1733 by Louis XV. He served admirably in this post under four Governors until the French ceded Louisiana to the Spanish in 1762. Livaudais was made a Knight of the Royal and Military Order of St. Louis in 1770 as thanks for his service. He died in New Orleans on May 6, 1773, survived by his wife Marie Genevieve Babin and nine children (among them Joseph Enoul Dugue de Livaudais (1854-1838), who served in Galvez’ Militia during the Revolutionary War and the patriot of the family’s D.A.R. descent). Livaudais owned many arpents of land, both rural plantation and urban plots; his plantation later became Faubourg Livaudais, comprising the city of Lafayette, then the seat of Jefferson Parish. His family remained there for some time, both prosperous and influential. Joseph’s great-grandson John Emile Livaudais (1835-1891), for instance, was a partner in the firm of important cotton factors Musson, Prestige & Co. (It is the offices of this firm depicted in Edgar Degas’ famous “A Cotton Office in New Orleans”.) His son Walter D. Livaudais (1869-1950), a fifty-year agent for the Louisiana and Nashville Railroad, was the father of Aurora Dugue Livaudais Walshe, the matriarch of three generations of New Orleans women whose estates we are proud to offer in this auction

■

Top Left: Eileen Avis Walshe, 1941 Top Right: Edgar Degas, “A Cotton Office in New Orleans” (1873); John E. Livaudais is shown at right (in shirtsleeves. checking the company ledgers), along with his partners Michel Musson (Degas’ uncle, seated front, judging the staple length of a cotton sample) and James S. Prestige (at the table, showing cotton samples to a customer) Middle Right: Eileen Joan Fehr and Avis Walshe Fehr, 1991 Bottom Right: Eileen Avis Walshe, 1941, pictured with items offered in the present auction (commode: lot 359; candelabrum: lot 360; urns: lot 361; and mirror: lot 362)

Evelyn Wilson A Noted Houston Interior Decorator and Antique Dealer With a Trusted Eye For Detail

Evelyn Tressa Wilson, noted Houston interior designer, antique dealer and esteemed expert of early American furniture, was widely celebrated for her trusted eye. Born in Thorndale, Texas in 1915, Evelyn met her husband, Thurman Lee Wilson, Sr., as a teenager while staying with her aunt in Baytown. Wilson, a native of Pasadena, Texas, worked for Shell Oil Company (initially as a star player on their professional baseball team). After marrying, Evelyn and her husband settled in the Park Place section of Houston. Evelyn considered her husband to be the love of her life, and the couple remained married for over 50 years. Evelyn had an undeniable self-assured drive to succeed and an entrepreneurial spirit. When she began working at a local appliance store as a young woman, she convinced the owner to allow her to utilize a corner of his shop to sell early American furnishings. That agreement came with the caveat that Evelyn would purchase whatever did not sell. Soon Evelyn’s curated corner produced more revenue than the entire store. They eventually became partners and transformed the shop into what became

Considered a respected expert of early American furniture, Evelyn was often asked to examine collections and estates across the country. Her location in Texas was considered an asset by collectors wishing to sell pieces from their collections as they could discreetly place pieces in Evelyn’s shop, located far away from the top dealers in New York and Philadelphia, without upsetting competitive neighboring dealers. As one would expect, Evelyn’s River Oaks home was considered an exceptional showcase for her style, but it tragically burned down and many of the pieces were lost. Evelyn and her husband moved to Bayou Bend Tower following the loss of their home. New Orleans Auction Galleries is honored to offer an outstanding selection of antique furniture and fine art from the Estate of Evelyn Wilson. ■

Evelyn and Thurman Lee Wilson, Sr.

one of the first early American furniture shops in Texas. Eager to fill the store with fresh inventory, she would have to travel in search of antiques and art, even going as far as California to make some of her first purchases. Around 1965, Evelyn opened her own shop on Main Street in downtown Houston, Evelyn Wilson Interiors, serving both commercial and private clients, and offering one of the most important collections of fine traditional furniture in the Southwest. Her taste began to expand to 18th- and 19th-century English furnishings, and during this time, Evelyn began to travel extensively to seek out pieces for her shop and her clients. When her husband retired from Shell, he joined her booming business to help Evelyn as she continued to work tirelessly until retiring and closing the store in the 1990s, then well into her 80s.

Evelyn Wilson pictured with a George III secretary bookcase (Lot 169)

Session I Saturday, July 24 Lots 1-411 PICTURED: LOT 13 (DETAIL)

1 Pair of Regency Mahogany Pedestal Cupboards early 19th century, of tapering rectangular form, the top with inlaid stringing and brass corner accents, above a star-inlaid frieze over a single paneled cupboard door, flanked by lion-masque-headed and canted pilasters, raised on paw feet. h. 37”, w. 25”, d. 26-1/4” Provenance: Villa Melrose Antiques, Los Angeles, California. $4,000-$7,000 2 Franco-Chinese Gilt-Bronze and Porcelain Centerpiece fourth quarter 19th century, the celadon bowl decorated with carefully detailed dragons amongst clouds, mounted with French gilt-bronze leaf-molded handles, a vine-molded rim and a gilt-bronze fluted base supported on leaf- and rocaille-molded scrolled bronze feet. h. 13-1/2”, w. 16”, d. 12” Provenance: Alexander’s Antiques, New York, New York. $4,000-$7,000

3 Gilt-Bronze-Mounted Porcelain Potpourri Urn mid-19th century, the celadon porcelain decorated with gilt incising, the exceptional gilt-bronze mounts with scrollwork and rocaille work, the cover molded with shells and piercing, the rim with scrollframed piercing, the handles molded with cattails, and the base with pierced scrolled feet. h. 14”, w. 16-1/2”, d. 11” Provenance: Alexander’s Antiques, New York, New York. $5,000-$8,000 4 Pair of Georgian-Style Japanned and Parcel-Gilt Mirrors 20th century, the red Japanned field decorated with chinoiserie figures and lotus blossoms, the beveled mirror plate lined with giltwood leaf carving, the crest with giltwood eagle heads, with scroll-carved corners and trailing bellflowers, the lower edge decorated to match. h. 54-1/2”, w. 33” $2,000-$4,000

5 5 English Cut Glass Chandelier in the Georgian Taste second quarter 19th century, probably Waterford, the cut glass vasiform standard with an upper prism ring hung with swags of drops and set with notched cut glass arms on two tiers, with alternating cut glass candle cups and prism rings. h. 45”, dia. 30” Provenance: Villa Melrose Antiques, Los Angeles, California. $3,000-$5,000 6 Pair of German Royal Vienna-Style Potpourri Urns fourth quarter 19th century, with clobbered decoration of figures in landscapes and scattered grapes, set with scrolled handles and pierced covers with artichoke knops, the bases with underglaze blue bindenschild or “beehive” marks. h. 12”, w. 7”, d. 6” $1,000-$1,500 7 British School (Second Half 18th Century) “Pair of Fete Champetre Scenes” oils on canvas each unsigned. Each framed alike. 24” x 20”, framed 31-1/8” x 27” $4,000-$7,000

8 Semi-Antique Oushak Carpet 12’ 2” x 20’ 8” $7,000-$10,000

9 Pair of Regence-Style Fruitwood Fauteuils late 19th century, each with a padded slightly domed back joined by padded acanthine-carved arms to the like seat, raised above a shaped foliate shell-carved apron on cabriole legs joined by an X-form stretcher and ending in scrolled toes. h. 44” Provenance: Parc Monceau Antiques, Ltd., Atlanta, Georgia. $1,500-$2,500 10 Late Regency Rosewood Games Table second quarter 19th century, the banded and hinged rectangular top opening to a baize-lined interior, above a conforming paneled frieze, raised on a U-form support to a concave rectangular plinth, on splayed legs to ormolu paw feet and casters. h. 29”, w. 36-1/4”, d. 18” Provenance: Parc Monceau Antiques, Ltd., Atlanta, Georgia.

11 Continental Carved Marble Bust of the “Hermes of Praxiteles” 20th century, after the 4th century B.C.E. sculpture excavated at the ruins of the Temple of Hera, Olympia, and now conserved at that city’s Archaeological Museum. h. 23”, w. 16-1/2”, d. 12” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,200-$1,800 12 Georgian Revival Parcel-Gilt Pier Mirror first quarter 20th century, the tablet decorated with giltwood acanthus leaves on an ebonized ground, the cove-molded projecting cornice with stars over colonettes decorated with ribbon-bound reeding and acanthus leaf-molded capitals. h. 71”, w. 23-3/4” $800-$1,200

$1,000-$1,500

13 detail

13 William IV Rosewood and Marble-Top Center Table

14 Japanese Bronze-Mounted Imari Porcelain Jardiniere

mid-19th century, the circular marble top inlaid in a star pattern with various specimen marble types and set into a ribbed and foliate brass-inlaid frieze, raised on a columnar standard to a concave rectangular base to massive ormolu paw feet. h. 29”, dia. 47-1/2”

fourth quarter 19th century, decorated with pots of plum branches on a cobalt, orange and turquoise ground, on bronze scrolled feet, with bronze dragon-molded handles and a pierced-bronze rim. h. 16-1/2”, w. 20”, d. 14”

Provenance: Villa Melrose Antiques, Los Angeles, California.

Provenance: F & P Associates, Gallery 39, New York, New York.

$5,000-$8,000

$1,200-$1,800

15 15 Continental Mahogany and Fruitwood Breakfront 19th century, the egg-and-dart-molded cornice above a panelapplied frieze, over a center section fitted with a tri-arched gallery opening over two glazed cupboard doors, flanked to either side by two long glazed doors, all separated by engaged Corinthian pilasters, the lower section fitted with three pairs of cupboard doors, divided en suite, the whole raised on a plinth base. h. 106”, w. 123”, d. 20” Provenance: Villa Melrose Antiques, Los Angeles, California. $3,000-$5,000 16 Unusual Pair of Chinese Export Porcelain Armorial Temple Jars 20th century, with large armorials trimmed with black and gilt floral swags and scattered bouquets of flowers. h. 24”, dia. 12” Provenance: Villa Melrose Antiques, Los Angeles, California.

$1,500-$2,500

17 Pair of Asian Bronze-Mounted Stoneware Cachepots 20th century, Asian, the transfer-printed and clobbered pots decorated with red, yellow and blue flowering vines, with bronze ring handles on foo dog heads, bronze reeded base ring and upper rim. h. 9-3/4”, dia. 10-1/2” Provenance: Alexander’s Antiques, New York, New York. $1,000-$1,500

18 Jan Mijtens (Dutch, 1614-1670) “Daifilo Pours Granida a Drink of Water,” ca. 1646-1659 oil on wood panel unsigned, Christie’s labels en verso. Framed. 29-1/8” x 23-5/8”, framed 37-3/8” x 32-1/8” Provenance: Christie’s, New York, New York, April 6, 2006, lot 255; Sotheby’s, London, England, December 8, 2016, lot 140; Bonhams, London, England, July 4, 2018, lot 92. Literature: According to sales records from Sotheby’s and Bonhams, the attribution of the work to Mijtens was confirmed in 2006 for the Christie’s sale by Dr. Rudi Eckart; and it was confirmed again in 2016 for the Sotheby’s sale by Dr. Fred Meijer. Both have suggested a date before 1660. $15,000-$25,000

18 19 Chinese Kangxi Period Bronze-Mounted Porcelain Bowl ca. 1661-1722, the French gilt-bronze mounts with leaf-molded handles and a beaded rim, the base with a garland of leaves, the bowl with a rabbit mark in a double blue ring. h. 6-1/2”, w. 11-1/4”, d. 8-1/2” $1,000-$1,500

20 Unusual Gilt-Bronze, Rock Crystal and Cut Glass Chandelier second quarter 20th century, possibly Baccarat, the standard set with cut glass elements and bronze scrollwork, hung with rock crystal drops, the bold, scrolled candle arms set with two tiers of lights, the upper tier with cut glass spear-point shades set into sprays of teardrop prisms, the lower tier with leafmolded light holders, hung with colorless and smoke-colored rock crystal drops. h. 46”, dia. 32” Provenance: Villa Melrose Antiques, Los Angeles, California. $3,000-$5,000

21 American Rococo Revival Laminated Rosewood Parlor Suite third quarter 19th century, attributed to J. & J.W. Meeks, New York, comprised of a settee, h. 48”, w. 56”, d. 27”, a pair of armchairs, h. 44-1/2”, w. 26”, d. 24”, and a pair of side chairs, h. 40”, w. 19”, d. 18”, each pierced and carved with a central floral cartouche and scrolled motifs. $3,000-$5,000

22 American Rococo Revival Laminated Rosewood Meridienne third quarter 19th century, attributed to J. & J.W. Meeks, New York, pierced and carved with a central floral cartouche and scrolled motifs. h. 40”, w. 23”, l. 52” $1,500-$2,500

23 American Rococo Revival Rosewood and Marble-Top Center Table third quarter 19th century, attributed to Charles Baudouine, New York, the shaped top with a conforming white marble top above a paneled and carved frame, supported by four carved in-curved legs joined by a turned central finial and terminating in stylized dolphin feet. h. 31”, w. 48”, d. 33” $2,500-$4,000

24 Semi-Antique Oushak Carpet 9’ 3” x 14’ 6” $4,000-$7,000

25 Pair of Impressive Japanese Imari Porcelain Temple Jars fourth quarter 19th century, the lobed bodies decorated with cobalt branches against a profusion of orange and gilt peonies and plum branches, the covers decorated to match. h. 29”, dia. 12” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,500-$2,500

26 Collection of Japanese Imari Porcelain Vases first quarter 20th century, decorated in the traditional orange and cobalt with gilt flourishes, the collection including: a ginger jar, h. 12-1/4”, dia. 6”; a pair of lobed jars, h. 7-1/4”, dia. 5-1/4”; two vases, h. 6-3/4” to 8-1/2”, dia. 2-3/4” to 3-3/4”; a trumpet vase, h. 6-1/2”, dia. 3-3/4”; a pair of bottle vases, h. 4-3/4”, dia. 2-1/4”; and a pair of lobed vases and a single smaller lobed vase, h. 6-1/4” to 8-1/2”, dia. 3” to 3-1/2”. 11 pieces total $1,000-$1,500

27 Two Japanese Imari Porcelain Umbrella Stands fourth quarter 19th century, one lushly decorated with orange, cobalt and gilt peonies and scrollwork, and the other with panels of figures shaded by bamboo against a ground of peonies and scrollwork, with a deep cobalt lower border. h. 24” to 24-3/4”, dia. 8-1/2” to 9-1/2” $1,000-$1,500

28 Collection of Japanese Imari Porcelain

first quarter 20th century and later, decorated in the traditional orange and cobalt with gilt flourishes, the collection including: two vases, h. 9-3/4” to 10”, dia. 4” to 4-1/2”, one with a character mark; ten scalloped dishes, dia. 7-1/4” to 9-1/2”; two round dishes, dia. 7-1/2”; a pair of covered rice bowls, dia. 5-1/4”; a pair of notched corner dishes, w. 5-1/2”, d. 5-1/2”; and a box, h. 2”, dia. 3-3/4”. 19 pieces total $1,000-$1,500 29 Collection of Japanese Imari Porcelain Dinnerware first quarter 20th century, decorated in the traditional orange and cobalt with gilt flourishes, the collection including: two chargers, dia. 12” to 14-1/4”; two bowls with scalloped edges, h. 3-1/4” to 3-1/2”, dia. 9-1/2”; and ten dishes, dia. 6” to 8-3/4”. 14 pieces total

$1,000-$1,500 30 Collection of Japanese Imari Porcelain first quarter 20th century, decorated in traditional orange and cobalt with gilt flourishes, the collection including: three chargers, dia. 12” to 12-1/4”; a shell dish, dia. 8-1/2”; an oval platter, w. 14”, d. 11-1/2”; a lobed dish, dia. 8-1/2”; and a pair of lobed vasiform jars, h. 9”, dia. 5-3/4”. 8 pieces total $1,000-$1,500

31 Pair of George III-Style Mahogany Bookcase Cabinets early 20th century, each with a domed and dentillated cornice above an acanthine-carved frieze, over two astragal-glazed doors and like sides, the lower section fitted en suite, raised on splayed bracket feet. h. 87”, w. 42”, d. 22-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $3,000-$5,000 32 French Bronze Argente Figure of Diana the Huntress first quarter 20th century, after Guillaume Coustou the Elder (French, 1677-1746), cast signature along back edge of selfbase. h. 25-1/2”, w. 11”, d. 11” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,500-$2,500

33 Hilda Anne Carline (British, 1889-1950) “Flora” oil on canvas signed lower left, artist plaque misidentifying artist as George Carline. Framed. 52” x 34”, framed 63” x 44” $3,000-$5,000 34 Pair of French Neo-Grec Bronze Dore et Patine Garniture Urns third quarter 19th century, decorated with bas-relief bacchanalian scenes on a patinated ground, mounted with pierced handles, raised on paw feet, the bases with gilt-bronze anthemia, the covers with molded fruit. h. 16”, w. 9-1/2”, d. 6” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

34 35 Irish Regency Mahogany Secretary first quarter 19th century, the domed cornice above an inlaid frieze and two astragal-glazed doors, the lower section fitted with a pull-out drop-front drawer opening to a leather-lined interior and a variety of drawers and cubbyholes, centered by a cabinet, over two cupboard doors, each inset with an oval panel, raised on inlaid block feet. h. 98”, w. 42”, d. 21-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $3,000-$5,000

36 Edouard Leon Cortes (French, 1882-1969) “Chemin a Travers Les Champs” oil on artist board signed lower left center. Framed. 11-5/8” x 15-3/4”, framed 19-3/4” x 23-1/2” Exhibited: Hammer Galleries, New York, New York, 2000. Literature: Edouard Cortes, Catalogue raisonné de l’oeuvre peint, Paris: Contexte, 2009, no. 564. $6,000-$9,000

36 37 Edouard Leon Cortes (French, 1882-1969) “Champs pres de Village” oil on artist board signed lower right. Framed. 11-5/8” x 15-3/4”, framed 19-3/4” x 23-1/2” Exhibited: Hammer Galleries, New York, New York, 2000. Literature: Edouard Cortes, Catalogue raisonné de l’oeuvre peint, Paris: Contexte, 2009, no. 563. $6,000-$9,000

38 American Classical Mahogany Curule-Base Work Table first quarter 19th century, New York, school of Duncan Phyfe, the case with a pair of drawers flanked by reeding over a floral-carved rosette, the sides and back paneled, veneered and finished, raised on a reeded curule-form base joined by a spiral-reeded stretcher. h. 29”, w. 23”, d. 16-3/4” $1,000-$1,500

39 Amphora-Form Opaline Glass Lamp 20th century, lushly decorated with a profusion of carefully detailed design elements, borrowed from the antique, on a brass base and mounted with a shade. h. 30-1/2”, dia. 18-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500 40 After Emile Louis Picault (French, 1833-1915) “Virtutes Civicae, Ense et Labore” patinated bronze 20th century, cast signature along back edge of self-base, titled along front. h. 22”, w. 8”, d. 6” $1,000-$1,500 41 Regency Rosewood Games Table first quarter 19th century, the rectangular top hinged and opening to a baize-lined interior, above a shaped frieze fitted with a single drawer, raised on rounded side supports to a canted square standard to a concave base on turned bun feet. h. 33”, w. 20-1/4”, d. 16”

Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

42 Pair of French Restauration Gilt-Bronze Candlesticks second quarter 19th century, with engine-turned trim, the bases with palmettes, the standards with delicate anthemia, griffins and scrollwork, the Egyptian-style capitals with molded acanthus leaves. h. 10-1/2”, dia. 5” Provenance: Parc Monceau Antiques, Ltd., Atlanta, Georgia. $800-$1,200 43 French Bisque Porcelain and Bronze Clock fourth quarter 19th century, in the Louis XV taste, the case decorated with frolicking cupids, lovebirds and fruit and flowers, the base with bronze scrollwork panels and bronze feet, the dial signed “Balthazar, Paris”. h. 17-3/4”, w. 15”, d. 5-1/4”

Provenance: Villa Melrose Antiques, Los Angeles, California. $1,500-$2,500 44 Important Pair of Limoges “Uncle Tom’s Cabin” Fan Vases ca. 1852-1853, based on the novel by Harriet Beecher Stowe, one vase with Little Eva hanging a garland of flowers around Uncle Tom’s neck and the other vase with Little Eva crossing the frozen Ohio River with baby Harry in her arms, the biscuit figures against mazarine blue vases decorated with overhanging leaves. h. 19”, w. 12-1/4”, d. 6-1/4” Literature: “Fragile Lessons: Ceramics and Porcelain Representations of Uncle Tom’s Cabin”, by Jill Weitzman Fenichell, published in Ceramics in America, Chipstone Foundation, 2006. $3,000-$5,000

45 Pair of French Sevres-Style Porcelain Vases fourth quarter 19th century, in the Louis XV taste, the faux lapis lazuli baluster-form bodies mounted with pierced bronze rococo-molded feet and reeded lip moldings, unmarked. h. 13-1/4”, dia. 5-3/4” $1,200-$1,800 46 French Porcelain and Gilt-Bronze Clock Set fourth quarter 19th century, the porcelain vasiform clock body set with signed Mougin works, the dial signed by Parisian retailer Lambert-Vormus, the sides set with bronze lion-head ring pulls, the bronze base decorated with swags of flowers, h. 20-1/2”, w. 10-1/4”, d. 9-1/4”, and the matching five-light candelabra set with scrolled branches with molded candle cups and drip pans, h. 21-1/2”, w. 9”, d. 7-1/2”. $1,500-$2,500

47 Pair of Monumental Bronze Altar Stick Floor Lamps fourth quarter 19th century, mounted as lamps, the fluted standards set with lotus leaf capitals supporting molded and reeded urn-form candle holders, the tripartite bases decorated with winged angel heads and raised on paw feet, mounted with shades. h. 69-3/4”, dia. 23” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,200-$1,800 48 American Rococo Revival Walnut and Specimen Marble-Top Side Table third quarter 19th century, the circular marble top mounted to a lathe-turned standard with three molded and scroll-cut legs. h. 30”, dia. 15-3/4” $1,000-$1,500

48 detail

49 Follower of Adrien Manglard (French/Rome, 1695-1760) “Harbor Scene” oil on canvas laid down on masonite unsigned. Framed. 38-1/4” x 81-1/2”, framed 41-1/4” x 89-1/2” Provenance: Christie’s, New York, New York, January 30, 2014, lot 240.

50 American Late Classical Mahogany Daybed 19th century, fitted with a Fortuny brocade cushion and matching bolsters, the bed exuberantly carved with a “rolling pin” crest on the paneled headboard and footboard, supported by acanthus-carved columns, the rails with a molded perimeter edge, raised on robustly modeled and carved feet. h. 37-1/2”, inside w. 29”, l. 70-1/2”, outside w. 31-1/2”, l. 79-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

$3,000-$5,000

51 Italian Carved Alabaster Sculpture of a Young Fisherman first quarter 20th century, on a black marble columnar base. h. 30”, w. 10”, d. 9”, base h. 42-1/2”, overall h. 72-1/2” Provenance: Alexander’s Antiques, New York, New York. $1,500-$2,500 52 Mantuan School (First Half 16th Century) “John the Baptist” oil on pine wood panel backed by cradle board unsigned. Presented in a fine 19th-century Renaissance-style frame. 19-5/8” x 14”, framed 30-1/4” x 25-1/4” Provenance: Possibly collection of Benoist Montigneul; his sale, sold as a work by Andrea Solario, Jean-Antoin Masson [auctioneer], Paris, France, May 2, 1810, lot 153; Private collection, Italy; Christie’s, South Kensington, England, March 29, 2017, lot 30; Bonhams, New Bond Street, London, England, July 4, 2018; lot 87. $15,000-$25,000

53 Turkish Oushak Carpet 8’ 2” x 11’ 3” $2,000-$4,000 54 Late Regency Rosewood Games Table second quarter 19th century, the hinged, rounded rectangular top opening to a baize-lined interior, above a conforming brass-inlaid frieze, raised on a spiral-ribbed standard to a concave rectangular base to scrolled feet on casters. h. 29-1/2”, w. 36”, d. 18” Provenance: Parc Monceau Antiques, Ltd., Atlanta Georgia. $1,000-$1,500 55 Pair of American Renaissance Revival Walnut Chairs third quarter 19th century, attributed to George Hunzinger, New York, the crest carved depicting a floral roundel, foliate swags and dentillated brackets supported by figural carved heads, the stiles joined to low closed arms, bowed front seat rail and turned and fluted legs. h. 41-1/4” $1,000-$1,500

56 56 French School (Fourth Quarter 18th Century) “Sappho Singing Her Verses” oil on canvas unsigned. Framed. 30-5/8” x 42-5/8”, framed 36-1/4” x 48-1/4” Provenance: Christie’s, New York, New York, January 30, 2014, lot 307. $10,000-$15,000

57 57 Follower of Nicolas Poussin (French, 1594-1665) “Enlevement”, ca. 1700 oil on linen unsigned. Framed. 38-1/4” x 53-1/4”, framed 56-1/2” x 69-1/2” $4,000-$7,000

58 Pair of Paris Porcelain Fruit Coolers ca. 1800, the vasiform coolers mounted with vert-antique satyr-head handles with gilt-molded anthemia terminals, with claret-ground trim and the covers with ring-form handles. h. 15”, w. 8-1/4”, d. 7-1/4” $1,000-$1,500 59 Eighteen-Light Cut Crystal Chandelier second quarter 20th century, possibly Baccarat, with a standard clad with a vasiform cut glass element, the cut glass body set with notch-cut scrolled arms on two levels, terminating in tulip-form candle cups and prism rings, set with a cut glass corona set with prisms supporting strings of cut glass beads. h. 37”, dia. 31” Provenance: Villa Melrose Antiques, Los Angeles, California. $2,000-$4,000 60 American Late Classical Mahogany Sideboard second quarter 19th century, attributed to Steam Furniture Works, Green & Brother, Alexandria, Virginia, the front fitted with three side-by-side flatware drawers above four framed and paneled doors separated by spiral-carved half-round columns. h. 39”, w. 73”, d. 22-1/2”

Provenance: Villa Melrose Antiques, Los Angeles, California. $1,500-$2,500

61 Exceptional Restauration Bronze Dore et Patine Mantel Clock second quarter 19th century, in the neoclassical taste, decorated with emblems of war, the clock supporting a figure of Athena, Goddess of war, guarded by a Roman centurion, with a brazier of fire on the opposite side, with mounts of helmets and swords, the base with a bas-relief tablet of war horses and soldiers. h. 25-1/4”, w. 18-3/4”, d. 6-1/4” Provenance: Villa Melrose Antiques, Los Angeles, California. $3,000-$5,000 62 After Andrea del Sarto (Italian, 1486-1530) “John the Baptist”

oil on canvas signed “Eugenio Cappelli” lower left, further signed and localized “Lungarno Torrigiani N1A” [Florence, Italy],” with remnants of a red wax seal. Framed. 37-1/4” x 26-1/8”, framed 47-1/2” x 36” Provenance: Estate of Neville N. Simmons-Smith, Brooklyn, New York; Doyle, New York, New York, January 29, 2013, lot 42. $1,000-$1,500

63 Large Louis-Philippe Giltwood Mirror mid-19th century, the surround carved with egg-and-dart molding, with a lush crest decorated with an anthemion supported on scrollwork and trailing fruit and flowers, the lower edge with a shell on scrollwork, accented with flowerheads. h. 65”, w. 46” $1,200-$1,800

64 Large Capodimonte-Style Porcelain Cachepot ca. 1901-1920, German, with polychrome decoration of basrelief putti dancing with garlands of flowers, the upper portion with molded ram’s heads and putti grasping urns, with a blue crowned “N”, for Ernst Bohne Sons, Rudolstadt, Germany. h. 19”, dia. 22” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

65 Dresden Porcelain Figural Group ca. 1900, German, decorated with two figures stomping grapes in a barrel, another figure drinking wine and a female entertaining the group with her violin, on a molded gilt and white base, the bottom marked with an unidentified underglaze blue “R” and crossed swords. h. 10-3/4”, w. 7-1/4”, d. 5-1/4” $1,000-$1,500

66 American Late Classical Rosewood and MarbleTop Console Table second quarter 19th century, the inset marble top over a cove-molded frieze, supported by a lyre-form pedestal on a molded and stepped base. h. 37-1/2”, w. 43”, d. 20” Provenance: Alexander’s Antiques, New York, New York. $1,000-$1,500

67 Pair of Anglo-Irish Cut Glass Decanters 18th/19th century, the decanters with spherical cut-glass stoppers. h. 10-1/2” $1,000-$1,500

68 Pair of Anglo-Irish Cut Glass Decanters 18th/19th century, the decanters with cut glass mushroomform stoppers. h. 11”

$1,000-$1,500 69 Pair of Impressive Cut, Flashed, Enameled and Engraved Hurricane Lamps fourth quarter 19th century, the bases Bohemian with ruby-flashed trim and enameled anthemia, hung with cut glass spear-point prisms, set with panel-cut and engraved hurricane shades with gilt trim, possibly Baccarat. h. 25”, dia. 7-3/4”

$2,000-$4,000 70 Collection of Ruby Flashed and Overlay Glass fourth quarter 19th century, Bohemian, the collection including: a grape-engraved celery vase, h. 7-1/2”, dia. 4”; a trumpet-form vase engraved with stags, h. 9-1/4”, dia. 4-1/2”; four matching wine glasses, h. 5-1/4”; and a pair of finger bowls, h. 3-1/4”, dia. 4-1/4”. 8 pieces total $1,000-$1,500

71 71 Collection of Ruby-Overlay and Flashed Glass second quarter 20th century and later, Bohemian, the collection including: a pair of covered urns, h. 15-1/2”, dia. 7-1/2”; a flower-engraved compote, h. 7-1/4”, dia. 10-1/4”; a trumpet vase, h. 6-1/2”, dia. 5-1/4”; a low covered jar, h. 7”, dia. 6-1/2”; two unsigned Val St. Lambert ashtrays, including one emerald overlay example, h. 2-1/4”, dia. 6”; a large flower-engraved vase, h. 7-1/4”, dia. 7-1/2”; a smaller flower-engraved vase, h. 6-1/2”, dia. 5-1/4”; and a silverplate fitted cocktail shaker marked “Faberge”, English, 20th century, h. 8-1/2”, dia. 3-3/4”. 10 pieces total $1,000-$1,500

72 Set of Twelve Limoges Dinner Plates ca. 1900, decorated with a gilt Greek-key border on a claret ground, marked “Ovington Bro’s, New York”, with an underglaze green “France”. dia. 10” $800-$1,200 73 Set of Twelve Tiffany-Retailed Spode Soup Plates ca. 1900, with crimson borders and gilt serpentine edges, marked “Spode Copeland’s China England”, along with “Tiffany & Co., New York”. dia. 8-3/4” $800-$1,200

74 and 75 detail 74 Twelve St. Louis "Thistle" Pattern Red Hock Wine Glasses

75 Twelve St. Louis "Thistle" Pattern Red Hock Wine Glasses

20th century, French, decorated with rich raised gilt scrollwork and notch-cut stems, the bases with gilt bands. h. 8-1/4", dia. 3"

$1,200-$1,800

76 detail

77 77 detail

76 Fourteen St. Louis “Thistle” Pattern Burgundy Glasses

77 Fourteen St. Louis “Thistle” Pattern Burgundy Glasses

20th century, French, decorated with rich raised gilt scrollwork, notch-cut stems and openwork gilt foot band. h. 6-3/8”, dia. 3-1/4”

20th century, French, decorated with rich raised gilt scrollwork, notch-cut stems and closed, raised gilt foot bands. h. 6-3/8”, dia. 3-1/4”

$1,200-$1,800

78 78 Fifteen St. Louis “Thistle” Pattern High Ball Glasses 20th century, French, decorated with rich raised gilt scrollwork, with two versions of the gilt band on the lower edge, ten with a gilt pinstripe border and five without. h. 5-1/4”, dia. 2-3/4” $1,000-$1,500

78 detail

79 Three Piece Collection of St. Louis "Thistle" Pattern Crystal 20th century, French, including two ewers/pitchers and a decanter, each on a pedestal base, decorated with raised gilt scrollwork and notch cutting, the bases with closed gilt bands, the ewers/pitchers of slightly different sizes. ewer h. 11-3/4" to 12", dia. 4-1/2" to 4-3/4", decanter h. 16", dia. 4-3/4" $800-$1,200

80 Extensive Assembled Partial St. Louis “Thistle” Pattern Crystal Service 20th century, French decorated with rich raised gilt scrollwork, the service including: nine twelve-ounce highball tumblers, h. 5-1/2”, dia. 2-3/4”; eleven double old-fashioned glasses, h. 4”, dia. 3-3/4”; twelve old-fashioned glasses, h. 3-1/2”, dia. 3-1/4”; eighteen highball tumblers, h. 5-1/2”, dia. 2-3/4”; five highball glasses in two sizes, h. 5-7/8”, dia. 2-3/4” and h. 5-1/4”, dia. 2-1/2”; fourteen water goblets, h. 7”, dia. 3-3/4”; fourteen burgundy goblets, h. 6-3/8”, dia. 3-1/4”; and fourteen bordeaux goblets, h. 5-1/2”, dia. 2-1/2” (eight with a solid foot band border and six with an open foot band border). 97 pieces total $4,000-$7,000

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81 Twenty-Two St. Louis “Thistle” Pattern Champagne Flutes

82 Twenty-Two St. Louis “Thistle” Pattern Water Goblets

20th century, French, decorated with rich raised gilt scrollwork, notch-cut stems and closed gilt foot bands,. h. 7-1/2”, dia. 2-1/2”

20th century, French, decorated with rich raised gilt scrollwork, notch-cut stems and closed work gilt foot bands. h. 7”, dia. 3-1/2”

$1,500-$2,500

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83 Large Paris Porcelain-Style Urn first quarter 20th century, French, in the Empire Revival taste, decorated with a transfer-printed neoclassical scene framed with gilt eagles on a green ground, set with swan-form handles, over a sprig of flowers framed with a wreath, with a spurious crossed arrows mark. h. 18-1/4”, w. 9-1/2”, d. 9-1/2” $1,000-$1,500

84 Pair of Cut Crystal, Gilt-Bronze and Malachite Candlesticks 20th century, in the Georgian style, the malachite-mounted bronze bases set with cut crystal standards, supporting matching crystal prism rings and candle cups. h. 13”, dia. 4-3/4”

Provenance: Alexander’s Antiques, Inc., New York, New York. $1,000-$1,500

85 Forty-Two Raynaud Limoges “Horizon” Empire Vert Service Plates 20th century, French, with empire green borders, each piece marked on the back. dia. 11-3/4” $1,200-$1,800

86 Pair of “Dresden” Figures Personifying Art and Literature first quarter 20th century, German, one decorated with an angel and a putto writing, with open books spread about, and the other decorated with an angel with a brush and a palette, a painting on an easel to one side, both on flower-encrusted rococo bases with an unidentified “R” underglaze blue mark. h. 9-1/2”, w. 3-3/4”, d. 4-1/4” $1,000-$1,500 87 Pair of Chelsea-Style Porcelain Putti Groups 19th century, both on integral pierced rococo bases, one group featuring a putto riding a sheep and wearing a floral sash personifying spring, with an attendant putto and lamb, and the other group with a putto riding a goat and wearing a grape sash personifying autumn, with an attendant putto and a kid, both decorated with encrusted flowers, the bases with spurious gilt anchor marks. h. 9-1/2”, w. 6”, d. 4-1/4”

$1,000-$1,500 88 Set of Eleven Richly Gilt Service Plates second half 20th century, made for Ovington Bros., New York, the center with a gilt medallion, the gilt scrollwork border decorated with a thin green line, the back marked “Ovingtons, New York, Decorated in U.S.A.”. dia. 11” $800-$1,200

89 Set of Twelve Minton Dinner Plates ca. 1912-1950, English, the Tiffany-retailed plates decorated with delicate gilt scrollwork borders on a green ground, the edge with gilt gadrooning, the back with the Minton mark, and “Tiffany & Co., New York, Made in England”. dia. 10-1/2” Provenance: Hoffman-Gampetro Antiques, New York, New York. $1,000-$1,500 90 Set of Eighty-Five Val St. Lambert Overlay Cut Crystal OldFashioned Glasses 20th century, unsigned, the emerald green and colorless glasses cut in the Brilliant style. h. 4”, dia. 3-1/4”

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$1,000-$1,500

91 92 Set of Twelve Copeland Luncheon Plates

91 Paul Pauthe (French, 1850-1917)

ca. 1900, English, the borders decorated with raised gilt on a pink ground, with swags of flowers and garden trophies, marked “Copelands China England”, as well as the retailer, “Gilman Collamore & Co., 5th Ave. & 30th Street, New York”. dia. 8-3/4”

“Putti with a Still Life of Flowers and Fruit” oil on canvas signed “P. Pauthe, fils” lower left. Framed. 40” x 51-1/2”, framed 45” x 59-1/2”

$800-$1,200 Provenance: Villa Melrose Antiques, Los Angeles, California, August 27, 2012. $1,000-$1,500

93 93 Late 19th Century Antique Oushak Carpet 13’ x 16’ 3” Provenance: Bonhams, New York, New York. $6,000-$9,000 94 American Renaissance Revival Walnut and Marble-Top Console Table third quarter 19th century, Philadelphia, the shaped brescia marble top over a conforming frieze with a central bowfront drawer, raised on fluted columns joined to a low shelf, the back fitted with a mirror plate. h. 36-1/2”, w. 62-1/2”, d. 21-3/4” $1,000-$1,500

95 William IV-Style Mahogany Banquet Table 20th century, in the manner of Gillows of Lancaster, the top with a molded edge and rounded ends, opening to accommodate four skirted leaves, supported by shaped and reeded legs on brass cap casters. h. 31-1/4”, w. 50-1/2”, l. 93”, ext. l. 165” $2,500-$4,000

95 detail 96 Suite of Fourteen Queen Anne-Style Walnut Dining Chairs early 20th century, comprised of two armchairs and ten matching side chairs, each with a shaped and earred crest above a shaped splat, the inset saddle seat raised on cabriole legs ending in pad feet; together with two similar mahogany side chairs. h. 42” $2,500-$4,000

97 Fine George II Rococo Cruet Frame hallmarked London, 1756-1757, by Peter Taylor, with a pair of openwork cylindrical bottle holders decorated with scrolling grapevines and olive branches, joined by rocaille panels to an acanthus-crested “S”-scroll handle, fitted with a pair of cut glass bottles, the necks with silver collars with decoration and handle en suite, with out-turned spout with hinged hound’s-head cap, engraved on the neck with a crest of a goat’s head erased. h. 9-1/2”, w. 7-3/4”, d. 5”, 19.92 t. oz. (frame only) Provenance: Koopman Rare Art, The London Silver Vaults. $3,500-$5,000

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98 George IV Sterling Silver Toast Rack hallmarked London, 1825-1826, by Joseph Angell II, the sixsection rack with quatrefoil dividers to a scalloped rack, the center divider with ring handle, the whole with leaf accents and raised on three spherical feet. h. 4-1/2”, l. 7”, w. 4-1/2”; 9.00 t. oz. $500-$800

99 Good Regency Sterling Silver Cruet Frame hallmarked London, 1817-1818, by Solomon Hougham, Solomon Royes & John East Dix, of rounded rectangular form with floral border, surmounted by eight circular receptacles raised on four ornate palmette and shell legs and joined by floral and acanthus straps to a knopped standard with addorsed “C”-scroll ring handle, fitted with eight diamond-cut glass condiment bottles, some with silver fittings, the whole raised on four lion’s masquecrested paw feet, the stand and mustard pot lids engraved with a crest of an arm in armour embowed, holding a dagger. h. 10-1/4”, l. 10-1/4”, w. 7-3/4”; 33.64 total t. oz. (weighable silver) $1,800-$2,500

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100 detail 100 Good Five-Piece George IV Sterling Silver Tea Set hallmarked London, 1826-1827, by Joseph Angell I (the creamer 18211822 by Solomon Royes), including: a hot water urn, h. 16”, w 13-1/4”, d. 13-1/4”; a coffeepot, h. 10-1/4”, l. 10-1/2”, dia. 5-5/8”; a teapot, h. 6”, l. 10-3/4”, dia. 6-1/2”; an open sugar bowl, h. 5-1/2”, dia. 6”, w. 8-3/4”; and a cream jug, h. 4-7/8”, l. 7-1/4”, dia. 4-1/2”; each with a pear-shaped body handsomely decorated with repousse vignettes of Bacchic putti within “C”-scroll cartouches on a floral matte ground, accented with acanthus- and espagnolettecrested handles, the urn on a plinth base with rocaille feet, the rest on domed bases en suite, the domed lids with figural mandarin finials; the urn and pots engraved with the arms of Adderley, 199.99 total t. oz.

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Provenance: Koopman Rare Art, The London Silver Vaults. $7,000-$10,000

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101 William IV Sterling Silver Tray hallmarked Sheffield, 1832-1833, by John Watson & Son, of shaped oval form, with robustly chased rococo-scroll border and handles, the plateau engraved with a wide band en suite, the whole raised on four openwork acanthus-scroll feet, engraved center with the motto and crest of Pearson of Scotland: “Nil Desperandum” [“Never Despairing”] and an ostrich, in its mouth a horseshoe, proper. 31” x 20-3/4”; 172.14 t. oz. Provenance: Koopman Rare Art, The London Silver Vaults. $5,000-$8,000 102 Victorian Sterling Silver Tea Set hallmarked London, 1849-1850, by Joseph Angell Sr. & Jr., including: a teapot, h. 6-3/4”, l. 10-1/2”; a coffeepot, h. 9-3/4”, l. 9-1/4”; an open sugar bowl, h. 5-1/4”, w. 8”; and a cream jug, h. 5-3/4”, l. 5-1/4”; each with a waisted collar, shell and scroll feet, the pots with crested handles and floriform finials, with engraved floral decoration; together with: a Sterling Silver Teakettle-on-Stand, hallmarked Sheffield, 1850-1851, by Creswick & Co., of complimentary form and engraved with a double-crest, h. 13”, l. 10-3/4”; and an Old Sheffield Plate Tray with gadrooned rim and rocaille handles and feet, engraved with the arms of Mahon of Corbally, co., Clare, Ireland, 28” x 18-3/4”. 111.71 total t. oz. (excluding tray)

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$4,000-$7,000

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103 Collection of Five 19th-Century Silverplate Trays including: a William IV old Sheffield plate tray, second quarter 19th century, of rounded rectangular form with robust gadroon and rocaille rim, handles and feet, the plateau engraved with a floral scroll border centering the badge of Jeffrey of Edinburgh: the sun rising behind a cloud with the motto in a garter “Post Nubila Phoebus” [“After clouds, sunshine”], 29-1/4” x 19”; a French fused plate tray, third quarter 19th century, of shaped rectangular form with “vintage” border and handles, the plateau engraved with floral cartouche and grape cluster decoration, 32-1/2” x 22-1/4”; a Victorian electroplate tray, third quarter 19th century, of shaped oval form, with rocaille scroll border, handles and feet, the plateau engraved en suite, 30-1/4” x 21”; a Victorian electroplate tray, fourth quarter 19th century, of shaped oval form, with laurel edge and palmette-crested handles, the plateau with acid-engraved oval cartouches, 30” x 18-3/4”; and a Victorian electroplate tray, fourth quarter 19th century, oval, with reticulated rim, beaded edge and beaded scroll handles, the plateau acid-engraved with arabesques, centering a crest and motto, 28-3/4” x 19”.

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$1,200-$1,800

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104 Good Victorian Three-Piece Sterling Silver Tea Set hallmarked London, 1868-1869, by Stephen Smith for the Goldsmith’s Alliance, including: a teapot, h. 7-3/4”, l. 11-3/4”; an open sugar bowl, h. 4-3/4”, w. 9-1/4”; and a cream jug, h. 6-7/8”, l. 5-3/4”; each of lobed form with beautifully chased leaves and flowers on the shoulder, with acanthus-crested “S”-scroll handles and raised on four acanthus scroll feet, the teapot with short “gooseneck” spout, domed lid en suite with pumpkin finial, and presentation inscription to the Rev. Lewis T. Rowland from his parishioners at St. George’s, Tredegar. 49.89 total t. oz. $1,000-$1,500

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105 Pair of Victorian Silverplate Wine Coolers fourth quarter 19th century, each of campana form, the lower half gadrooned, with stirrup handles, gadrooned rim and domed foot en suite, fitted with a detachable collar and liner. h. 8-1/2”, dia. 8” $1,000-$1,500

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106 Victorian Silverplate Epergne fourth quarter 19th century, the baluster standard with rocaille banding above a circular molded plinth raised on four foliatecrested lion’s paw feet, surmounted by four “S”-scrolls to a gadrooned receptacle and surrounded by four reeded arms terminating en suite, fitted with one large and four small cut glass bowls of later date. h. 14-3/4”, w. 24-1/2” $1,200-$1,800 107 Large Pair of Late Victorian Silverplate Candelabra ca. 1900, each with a banded clustercolumn standard above a cavetto-domed square base decorated with ram’s masques and laurel swags and surmounted by a Corinthian capital decorated en suite, fitted with a second acanthus baluster standard surrounded by six intertwining scroll arms, all terminated in a drip-pan and nozzle en suite, fitted with detachable bobeches (one lacking) and a central flammiform finial. h. 39”, w. 17-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $2,000-$4,000 108 Pair of Silverplate Wine Coolers 20th century, marked “MP / Sheffield”, each of tapering cylindrical form, with opposing stag’s-head handles and decorated with Greek-key banding, with detachable conforming liner. h. 10-1/2”, dia. 8”, w. 11-3/4”

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$1,200-$1,800

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109 Late Classical Revival Mahogany Settee 19th century, the padded back-scrolled back flanked by molded, downswept sides to dolphin-head hand rests, the padded seat raised on large fluted toupie feet. h. 39”, w. 53-1/2”, d. 28” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,200-$1,800

110 Chinese Export Rose Medallion Porcelain Vase fourth quarter 19th century, decorated with well-detailed panels of mandarin figures alternating with panels of ho-ho birds and peonies, against a ground of gilt and green scrollwork, set with gilt foo dog handles. h. 24”, dia. 7-3/4” $1,000-$1,500

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111 112

111 Pair of Chinese Export Rose Medallion Porcelain Vases

113 Collection of Chinese Export Rose Medallion Porcelain

fourth quarter 19th century, decorated with panels of mandarin figures alternating with panels of ho-ho birds, peonies and butterflies, the necks mounted with foo dog handles resting on red balls. h. 14-1/2”, dia. 6-1/4”

the collection including: a brush pot, fourth quarter 19th century, h. 5-3/4”, dia. 4”; a covered vegetable dish, ca. 1900, h. 2-1/4”, l. 10-1/2”; an oblong bowl, ca. 1900, h. 1-3/4”, w. 8-1/4”, d. 6-1/4”; and a pair of plates, ca. 1900, dia. 8-1/4”; together with a charger, dia. 14-3/4”; and a dish, dia. 9”, both second quarter 20th century. 7 pieces total

$1,000-$1,500

112 Chinese Export Rose Medallion Porcelain Punch Bowl

$1,000-$1,500

ca. 1900, decorated with panels of peonies, birds and butterflies, on a carved wooden stand. h. 8-1/4”, dia. 15-1/2” $1,000-$1,500

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114 Four Pieces of Chinese Export Rose Medallion Porcelain fourth quarter 19th century, including a rare flask with foo dog supports, h. 10”, w. 7”, d. 2-1/2”, a double-gourd vase, h. 11-3/4”, dia. 4-1/4”, a bottle vase, h. 8-1/4”, dia. 4”, and a baluster vase with foo dog strap handles, h. 10-1/4”, dia. 3-1/2”. $1,000-$1,500

115 Pair of Chinese Export Rose Canton Porcelain Vases second quarter 19th century, decorated with carefully detailed mandarin scenes framed with gilt fretwork, trimmed with peonies and moths, the upper border on a gilt ground. h. 15”, dia. 7-1/2” $1,000-$1,500

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116 Pair of Chinese Export Porcelain Covered Garniture Vases ca. 1800, in the famille rose palette, the baluster-form vases decorated with mandarin scenes framed in gilt fretwork, trimmed with floral- and moth-decorated panels on a gilt ground, the covers and sides decorated with flowers and fans. h. 18-1/2”, dia. 6-1/4” $1,000-$1,500 117 Chinese Polychromed Cabinet 19th century, fitted with two central bi-fold cupboard doors, all paneled and retaining remnants of polychromed figural scenes, surrounded by small foliate- and floral-carved panels, raised on shaped and incised feet. h. 65”, w. 62”, d. 16-1/4”

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$1,000-$1,500

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118 118 Pair of Cut-Velvet Fringed Pillows 20th century, each with a central floral motif in lush terracotta and framboise with midnight-blue leaves, all against a rich light caramel brown ground, the sides with tan ball fringe. 20” x 27”

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$800-$1,200

119 Empire-Style Mahogany and Marble-Top Occasional Table 20th century, the inset circular marble top within a molded frame, raised on three supports headed by lion’s-masque capitals and ending in paw feet. h. 24”, dia. 33” Provenance: Villa Melrose Antiques, Los Angeles, California. $500-$800

120 Antique Oushak Carpet 11’ 9” x 13’ 8” Provenance: Samuels Rugs, Beverly Hills, California. $6,000-$9,000

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121 Pair of Regency-Style Turned Wooden Chinoiserie Lamps 20th century, the urn-form lamps decorated with raised chinoiserie figures on a green ground, with terracotta trim, mounted with shades. h. 31”, dia. 17-3/4” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

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The Works of Shakspere [sic] With Notes by Charles Knight London: Virtue and Co., Ltd., nd, with steel engravings, complete in two volumes, leather boards and spine, spine tooled and with gilt lettering and design, marbled endpapers. 15” x 11-1/2”

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$800-$1,200

123 Collection of French Leather-Bound Books French text, in full or half/quarter leather on marbled boards and gilt lettering, including: Charles Rollin, Works, 1817-1818 (14) Palace Journal (Ordinances of State) , 1827-28 & 1832 (5) Adolphe Thiers, History of the Consulate & Empire, 1847-1861 (8) Bulletin of the Paris Chemistry Society, 1871-1880 (8) Liturgical Annual, 1927 (1) Paul Bourget, Tragic Idyl, 1896 (1) 37 books total the largest 8-3/4” x 5-1/2”, the smallest 7-1/4” x 4-1/2” $1,000-$1,500

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124 Collection of English and American Leather-Bound Books

125 Collection of Scandinavian Leather-Bound Books

English text, in full or half leather on marbled boards, with gilt lettering, including: Dickens, Novels, 1873-1874 (9) Robert Browning, Works, 1874 (7) Samuel Pepys, Diary, 1899 (7) John Ruskin, Fors Clavigera, 1871-1877 (6) Robert Bulwer-Lytton, Novels, 1874-1875 (7) Samuel Smiles, Works, 1882-1883 (2) Washington Irving, Works, [n.d., ca. 1880] (2) Rafael Sabatini, Works, 1924 (11) Griesbach’s New Testament, 1830 (1) Thomas Macaulay, History of England, 1856 (1) Sir Walter Scott, The Monastery, [n.d., ca. 1890] (1) 54 books total the largest 8-1/2” x 5-3/4”, the smallest 7” x 5”

Swedish or Norwegian text, all in quarter leather on marbled boards with gilt lettering and decoration, with partial sets and individual volumes including: Albert Engstrom, Works, 1942 (8) Magnus Jacob Crusenstolpe, House of Holstein-Gottorp in Sweden, 1916-1917 (5) August Blanche, Works, 1927 (9) Sigrid Onset, Jenny, 1928 (1) Gerhart Hauptmann, Atlantis, 1929 (1) August Strindberg, Plays and Novellas, 1928-1929 (6) Henrik Ibsen, Plays, 1922 (6) Jagerskiold & Pehrson, Natural History, 1928-1930 (4) Erikson & Wallin, Swedish Cultural Images, 1935-1938 (12) 52 books total the largest 11” x 8”, the smallest 7-1/2” x 5”

$1,200-$1,800

$1,000-$1,500

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126 Pair of French Provincial-Style Walnut and LeatherUpholstered Armchairs 20th century, each with a padded and tufted domed back within a molded frame, joined by shaped sides and carved scrolling padded arms to the tufted seat, raised above a shaped apron on molded cabriole legs to peg feet. h. 39”

127 George III Mahogany Tripod Table late 18th century, the tilting piecrust top raised on a turned and spiral-ribbed baluster-form standard to three splayed legs headed by acanthine carving and ending in ball-and-claw feet. h. 28”, dia. 29” $1,000-$1,500

Provenance: Villa Melrose Antiques, Los Angeles, California. $2,000-$4,000

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128 Hermanus Jan Hendrik Rijkelijkhuysen (Dutch, 1813-1883) “Landscape with Cottages” oil on wood panel signed lower right. Framed. 14-1/2” x 22”, framed 26” x 33-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California, September 24, 2012. $1,000-$1,500

129 J. Graham (British, 19th Century)

128

“Two Landscapes with Waterfalls” oils on board each signed lower left. Framed alike. each 8” x 14”, framed 14-3/4” x 25-5/8” $1,000-$1,500

130 Near Pair of George III Mahogany Candlestands 19th century, each with a piecrust-form top raised on a turned and spiral-ribbed standard, to three splayed legs headed by acanthine carving and ending in ball-and-claw feet. h. 26-1/2”, dia. 13” $1,000-$1,500

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131 Circle of Jacques-Louis David (French, 1748-1825) “Portrait of a Young Artist” oil on canvas unsigned. Framed. 47” x 36-1/2”, framed 53-1/2” x 45-1/8” Provenance: Christie’s, London, England, April 10, 2019, lot 142. $3,000-$5,000

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132 Attributed to Marie-Genevieve Bouliard (French, 1763-1825) ìPortrait of the Artistî oil on wood panel unsigned, handwritten label en verso with artist information. Framed. 6” x 4-1/8”, framed 7-5/8” x 6” Provenance: Private collection, Europe, where acquired by Margot Gordon, ca. 2000; Christie’s, New York, New York, April 27, 2017, lot 114. $1,000-$1,500 This sketch relates to two other self-portraits of the artist at Musee díAngers (inv. no. MBA J 189 (J1881)P), and at Musee des Beaux-Arts, Dijon.

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133 Large Louis XV-Style Giltwood Mirror 20th century, the cove-molded surround with an outer edge decorated with rocaille work and pierced scrollwork, the frame with scrollwork in the corners and centers of the panels, the beveled mirror plate lined with beading. h. 60-1/2”, w. 58” $1,000-$1,500 134 French Molded and Cut Glass Chandelier second half 20th century, the glass-clad standard hung with multiple prism rings terminating in glass scrolls hung with swags of drops and cut glass prisms, set with two tiers of rope-twist arms with molded prism rings, the lower portion decorated with large cut glass prisms and a spherical drop. h. 46-1/2”, dia. 44” Provenance: Villa Melrose Antiques, Los Angeles, California.

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$2,500-$4,000 135 Pair of Bronze-Mounted Blanc-de-Chine Vases fourth quarter 19th century, possibly German, the vases decorated with encrusted flowers and vines on the pierced handles, on rocaille- and scroll-molded gilt-bronze bases. h. 8-1/2”, dia. 4” Provenance: Alexander’s Antiques, New York, New York. $1,000-$1,500 136 Unusual Pair of White Hard Paste Porcelain Candlesticks second half 18th century, German, each modeled as a rampant lion supporting a castle with a crenellated tower candle holder, the base with encrusted flowers and foliage, with an underglaze blue mark, possibly Gotthelf Greiner, Limbach, 1772-1787. h. 13-1/2”, w. 8”, d. 5-3/4” $1,000-$1,500

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137 Three Large Chinese Porcelain Figures of Immortals second half 20th century, one carrying the peach of immortality, one representing children and the other carrying the mushroom of immortality, with a pale celadon glaze and unglazed beards and hands, the bases with impressed character marks. h. 26” to 28-1/2”, w. 13-1/2” to 15”, d. 6-3/4” to 7-1/4” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,800-$2,500

138 Collection of Three Blanc-de-Chine Figures

137

20th century, including a figure of Quanyin riding an elephant, h. 19-1/2”, w. 11-1/2”, d. 7-1/2”, a pottery figure of Kwanyin riding a dragon, h. 24-1/4”, w. 6”, d. 7”, and a Japanese group depicting three laughing elders, h. 13-3/4”, w. 8-3/4”, d. 8-1/2”. $1,000-$1,500

139 Large Chinese Porcelain Plaque 20th century, the plaque with a peony tree with polychromed blossoms and scattered butterflies, character marks to one side, in a wooden frame with pierced brass hangers. h. 55”, w. 28” $1,200-$1,800

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142 140

140 Pair of Chinese Export Porcelain Vases third quarter 19th century, with polychrome figures of mandarins beneath pine trees, the backs with red character mark seals. h. 8-1/4”, dia. 3-3/4” $1,000-$1,500

141 Pair of Iron and Brass Floor Lamps second quarter 20th century, in the Spanish Colonial taste, the standards set with balusterturned brass ornaments and brass drip pans, raised on scrolled feet with brass finials and mounted with shades. h. 80-1/2”, dia. 28” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,800-$2,500

142 Pair of Continental Patinated Bronze Bookends of Recumbent Lions 20th century, each lion with one paw resting atop a sphere. h. 8”, w. 6-1/4”, d. 13-1/2” $1,000-$1,500

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143 William and Mary BlackLacquered Cabinet-on-Stand late 18th century, in the chinoiserie taste, the molded rectangular cornice above a conforming case fitted with an arrangement of thirteen variously sized drawers, raised on a conforming stand fitted with one long drawer on shaped scrolling legs joined by a shaped box stretcher and ending in bun feet, the whole richly decorated with gilt and polychrome floral and fauna accents in the chinoiserie taste. h. 54”, w. 34-3/4”, d. 16-1/2” Provenance: Collection of Lord Cornwallis; Michael Hughes Ltd., London, England. $6,000-$9,000

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144 Italian School (First/Second Quarter 17th Century) "Angelica and Medoro" oil on canvas unsigned, inscribed on tree “A. Medo”. Framed. 47” x 53-1/8”, framed 53-1/2” x 59-1/2” Provenance: Doyle, New York, New York, October, 26, 2011, lot 1. $4,000-$7,000

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145 Pair of Continental Patinated Bronze Bookends of Reclining Classical Figures first quarter 20th century, on black marble bases. h. 10-1/2”, w. 12”, d. 4-1/2” and h. 9”, w. 12”, d. 4-1/2”, respectively $1,000-$1,500 146 Italian Patinated Bronze Figure of Dionysus

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first quarter 20th century, after the sculpture (originally identified as Narcissus) excavated in 1862 in the ruins of Pompeii and now conserved at the Museo Nazionale, Naples, presented on a black marble columnar plinth. sculpture h. 41-1/2”, overall h. 81-1/2”, w. 12”, d. 12” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,500-$2,500 147 English Patinated Bronze Figures of Oliver Goldsmith and Edmund Burke third quarter 19th century, now mounted as lamps, after John Henry Foley (Irish, 1818-1874), cast by Elkington, marked on the sides of the plinths, “J.H. Foley, R.A. London”, and “Elkington & Co. Founders”, on wooden bases and mounted with shades. h. 35”, w. 19-1/4”, d. 19-1/4” $1,000-$1,500

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148 Pair of William IV Mahogany and Leather-Upholstered Library Chairs mid-19th century, each with a tufted and padded rectangular back joined by padded arms, supported by spiralribbed uprights to the padded seat, raised on toupie feet headed by a large ribbed capital and ending in casters. h. 39” Provenance: Christie’s, New York, New York, April 18, 2012, lot 376. $2,000-$4,000

148

149 Edward Charles Williams (British, 1807-1881)

150 British School (Fourth Quarter 19th Century)

“Near Dorking, Surrey”, 1853

“Herdsmen Transporting Cattle Across a River”

oil on wood panel signed and dated lower right, remnants of old label en verso. Framed. 22” x 28-3/4”, framed 28-3/4” x 36”

oil on canvas unsigned. Framed. 20” x 24”, framed 28” x 31”

$1,000-$1,500

Provenance: Villa Melrose Antiques, Los Angeles, California, April 30, 2012. $1,000-$1,500

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150

151 Pair of Chinese Export Qing Dynasty Porcelain Vases ca. 1900, decorated with birds in willow trees and plum branches, set with pierced handles. h. 17”, dia. 7-1/2” $1,200-$1,800

152 Pair of George II-Style Mahogany Armchairs 20th century, each with a shaped crest with eagle’s-head ends, above a shaped wheel-pierced splat, joined by eagle-carved arms to the padded seat, raised on cabriole legs headed by acanthine carving and ending in ball-and-claw feet. h. 41”

151

Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

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153 153 George Morland (British, 1763-1804) “After the Shipwreck” oil on canvas signed lower left, “Leger Galleries/London” label en verso. Framed. 28” x 37”, framed 34” x 44-1/4” Provenance: Leger Galleries, London, England. $5,000-$8,000 154 English School (19th Century) “Boating on the River” oil on canvas unsigned. Framed. 25” x 30”, framed 30-1/2” x 35-1/4” Provenance: Villa Rosa, Los Angeles, California, April 21, 2011. $800-$1,200

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155 Pair of Brass and Mahogany Peat Buckets 20th century, in the George III Irish style, the gadrooned mahogany bodies set with spiral-molded brass swing handles and brass liners. h. 24-1/4”, dia. 14” $1,500-$2,500

156 Pair of Brass and Mahogany Peat Buckets 20th century, in the George III Irish style, the gadrooned mahogany bodies set with spiral-molded brass swing handles and brass liners. h. 24-1/4”, dia. 14”

155

$1,500-$2,500

157 Three Brass-Bound Buckets including an oak example with a brass swing handle and a mahogany bucket with side pulls and a tole liner, second half 19th century, h. 13” to 21”, dia. 13-1/2” to 14”; together with a wooden bucket-form magazine holder, 20th century, h. 21”, dia. 14-1/2”. $1,000-$1,500

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157

158 Arthur Charles Dodd (British, act. 1878-1891) “Hunting Dogs on the Scent”, 1866 oil on canvas signed and dated lower right. Framed. 36” x 24”, framed 40-1/2” x 28-1/4” $4,000-$7,000

158 159 George Armfield (British, 1808-1893) “Mischief” oil on canvas signed lower right. Framed. 20” x 24”, framed 25” x 29” $1,000-$1,500

159

160 William Eddowes Turner (British, ca. 1820-1885) “Standoff in the Stable”, 1871 oil on canvas signed and dated lower left. Framed. 13-1/2” x 10-1/2”, framed 16-1/4” x 13-1/4” $1,000-$1,500

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161 Charles Dudley (British, 19th Century) “Eyeing the Prey” oil on canvas signed lower left. Framed. 10” x 14”, framed 17” x 21” $1,000-$1,500

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162 Jean Lefort (French, b. 1948) “My Two Dearest” oil on wood panel signed lower right, titled on “De Schildercamer, Amsterdam Fine Art Centre” label en verso. Framed. 12” x 16”, framed 19” x 23” $1,000-$1,500

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163 Paul Henry Schouten (Dutch, 1860-1922) “Two Hunting Dogs” oil on canvas signed with pseudonym “J. David” lower right. Framed. 30” x 39”, framed 37” x 47” $2,000-$4,000

163

164 George III Chippendale Mahogany Tea Table

166 George II Walnut-Veneered Tall Case Clock

mid-18th century, English or Irish, the rectilinear top with a gadrooned edge, the frieze fitted with a single drawer, raised on cabriole legs with shell and foliate carving at the knees and ball-and-claw feet. h. 28-3/4”, w. 32-1/2”, d. 20-1/4”

mid-18th century, the brass dial signed “George Lomax, London”, with spandrels decorated with dolphins and scrollwork, the flat-top hood mounted with columns, the case set with a door with an oxbow crest, the whole walnutveneered and line-inlaid, featuring a time-and-strike movement with calendar dial. h. 61-3/4”, w. 19-3/4”, d. 10-1/2”

$1,000-$1,500 165 Pair of George III Fruitwood Stools

$1,500-$2,500

19th century, each with an inset oval geometric needlework seat above a plain frieze, raised on cabriole legs headed by acanthine carving, joined by an X-form stretcher and ending in pad feet. h. 18”, w. 17”, d. 13” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

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165 166

167

167 George III-Style Mahogany Partner’s Desk

168 Pair of George II-Style Leather Wing Chairs

early 20th century, the rectangular top with an inset gilttooled leather top, above a frieze fitted with three drawers to either side, raised on two pedestals, each fitted with a paneled cupboard to one side and three graduated short drawers to the other, each raised on a plinth base on casters. h. 31”, w. 67”, d. 41-1/2”

in the Queen Anne taste, of traditional form with tufted seats and backs, bowed front seat rails and cabriole legs on paw feet, upholstered in tufted cream leather. h. 42-1/2” $1,000-$1,500

Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

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169 George III Mahogany Secretary Bookcase late 18th century, in the Chippendale taste, in two parts, the upper section with a scrolling broken-arch pediment over a pair of mirrored doors, on a slant-front base, the lid opening to reveal an interior fitted with niches and shaped drawers, the central line-incised door flanked by columnar pilasters and twoover-three graduated drawers with beaded edges, raised on ogee bracket feet. h. 87-1/2”, w. 45”, d. 23” $1,800-$2,500 170 George III Mahogany Tilt-Top Table

170

mid-18th century, in the Queen Anne taste, the single-board top tilting on a birdcage joined to a tapering columnar tripodal pedestal with cabriole legs and pad feet. h. 28-5/8”, dia. 36-1/4” $1,000-$1,500 171 George III-Style Mahogany Settee early 20th century, the padded camel back joined by downswept outscrolled arms to the cushioned seat, raised on cabriole legs headed by acanthine carving and ending in foliate scrolled toes, now upholstered in Fortuny fabric. h. 36-1/2”, w. 84”, d. 31” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas.

169

$1,500-$2,500

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172 George III-Style Mahogany Sideboard the shaped D-form top above a conforming case fitted with a central cutlery drawer flanked to one side by two drawers and to the other by a cupboard door, raised on tapering square legs ending in spade feet. h. 36”, w. 75”, d. 20-1/2” $1,000-$1,500

173 George III-Style Mahogany Chest-on-Chest 19th century, the molded and dentillated cornice above a case fitted with two short drawers over three graduated long drawers, the lower section fitted with a pull-out brushing slide over three graduated long drawers, raised on bracket feet. h. 74”, w. 43-1/2”, d. 21” $1,000-$1,500

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174 Pair of George II-Style Mahogany Wing Chairs

175 Pair of Chinese Porcelain Covered Ginger Jars

in the Queen Anne taste, of traditional form with arched backs, closed arms extending to cylindrical supports, serpentine front seat rails and raised on cabriole legs in the front and rear, ending in trifid feet, retaining Hickory Chair labels. h. 49-1/2”

20th century, in the Wucai style, decorated in the famille verte palette with panels of peonies, the shoulders with green scrollwork and flowers, with matching covers. h. 13-1/2”, dia. 9-1/2” $1,000-$1,500

$1,000-$1,500

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The Sporting Magazine and New Sporting Magazine the former London: John Wheble [and others], 1793-1863, volumes 1-142, the latter, London: Baldwin & Cradock [and others], 1831-1844, volumes 1-27 (vol. 26 lacking), each presented in an armorial binding for Henry Arthur Johnstone, of full tan pigskin with double-stitched edges, the front board giltembossed with crossed sword and horseshoe escutcheon monogrammed “HAJ”, with a horse and jockey flanked by fox faces above and the date of each volume below, the spine with gilt lettering and decoration; fox face, running hare and horseshoes, (seventeen volumes with no stitching or front board decoration, one with single horseshoe on spine), with leather endpapers, the free front endpaper embossed with Johnstone’s bookplate (a ship), his name and the date “1899”, the inside front board with later bookplate of Howard Gould, the top edges cut and gilt. 168 books total each 8-1/8” x 5-1/4” to 8-5/8” x 5-5/8” $50,000-$80,000 Spanning the late Georgian to the High Victorian era, no periodical better illustrated the recreations of English landed gentry than The Sporting Magazine. It was the first periodical devoted exclusively to sportsmanship, but its focus and features would evolve over the near-century of its publication. Early issues are devoted primarily to the Sport of Kings and other pastimes of the nobility (the regular column “Affairs of Honour” reported on the outcome of duels), but by the 1820s the focus has shifted to the estates of the landed gentry: fox-hunting, fishing, gameshooting. The staff addition of Welsh Charles James Appleby (pen name Nimrod) proved a boon to the periodical, benefiting from his wide network of colleagues and contributors, giving the magazine a tone both authoritative and chummy. The series is a record of laws and mores of the time, not the least of which was a fairly consistent anti-cruelty stance and would eventually gain the patronage and sponsorship of Prince Albert. Each issue was extensively illustrated with engravings, including the works of prominent artists such as The Herrings, Henry Alken, George Stubbs and George Morland. The magazine’s chief competitor was New Sporting Magazine, founded in 1831 by Northumbrian Robert Smith Surtees (1805-1864), a lawyer until 1838 when he inherited the family estate, which allowed him to pursue his singular passion of riding to hounds. (He even gave up editorship of the magazine, though he would continue as a contributor; his Mr. Jorrocks, the cockney grocer obsessed with fox hunting, is one of the great comic characters of English literature.)

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The two magazines were merged in 1855, and continued publication until 1870. The industrial age had shifted economic focus from the countryside to the big cities, and the emerging middle class found new lawn sports and other leisure activities for their amusement. The magnificent bindings of Henry Arthur Johnstone are well-known; examples are conserved at both the Folger Shakespeare Library and the University of Toronto collection of British Armorial Bindings. The library was sold en bloc in 1921 to British bibliopole H.J.B. Clements, and occasional volumes from Johnstone’s library (primarily natural history and sporting works, but also classics, popular novels and histories) still surface on the market from time to time, all with the same distinctive binding. It is surprising then that so little is known of Johnstone himself. He is very likely the Henry Arthur Johnstone born in 1861 and baptized at Christ Church, Camden on September 9, 1863, the son of William David and Harriet Johnstone. The elder Johnstone was a maker of surgical instruments, and his son followed him in this trade. He married, on August 1, 1880, Harriet Pimlett, and the couple had five children. The 1901 census - two years after these bindings were made - show the family at 28 Tysoe Street, an affluent upper middle class address on Wilmington Square, Clerkenwell. Johnstone retired sometime between the marriages of his daughters Rose and Ruby in 1922 and 1928, respectively, and died in October of 1938.

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177 Regency-Style Mahogany Campaign Partner’s Desk the inset leather top over a band of three drawers supported by two pedestal bases, each with a bank of three drawers, the sides with recessed panels, the corners with brass mounts. h. 30”, w. 69”, d. 42” $1,000-$1,500

177

178 Albert Clark (British, active 1821-1910) “A Chestnut Horse in Stable”, 1877 oil on canvas signed and dated “Albert Clark IN 77” lower right. Framed. 16” x 20”, framed 20” x 24” $1,500-$2,500

179 George II-Style Leather Sofa in the Queen Anne Taste the shaped back joined to closed scroll arms, the bowed seat rail raised on cabriole legs with carved knees and scroll feet, the seat fitted with three loose cushions, labeled “Lillian August Collections”. h. 42-3/4”, w. 83”, d. 24-1/2” $1,000-$1,500

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180 Georgian Japanned Tall Case Clock third quarter 18th century, with a pagoda-form hood, set with works mounted with a brass dial signed “Robert Grinling, Yarmouth”, the case decorated with chinoiserie architectural scenes, figures and a ship, the hood with wooden finials. h. 91-3/4”, w. 19”, d. 9” $2,500-$4,000 181 George III-Style Mahogany Bowfront Butler’s Chest in the Hepplewhite taste, the upper drawer folding down to create a tooled leather writing surface, fronting a concave gallery of niches and drawers, over a bank of four drawers with beaded perimeter molding, scalloped apron and bracket feet. h. 36-1/2”, w. 42-1/4”, d. 20-1/2” $1,400-$1,800

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181 detail

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182 George III-Style Mahogany Linen Press 20th century, the molded and dentillated cornice above an inlaid frieze and two banded, paneled doors, the lower section fitted with two short drawers over two graduated long drawers, raised on bracket feet. h. 72”, w. 54-1/2”, d. 22” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,200-$1,800

183 Monumental Late George III-Style Mahogany Dining Table fourth quarter 20th century, by Councill Craftsmen, the top with curved ends, the edge with string inlay and perimeter banding, each of the five top sections supported by a pair of pedestals with a reeded and ringturned baluster-form column, joined to reeded sabre legs with brass caps. h. 29-3/4”, w. 84”, l. 240”

182

$7,000-$10,000

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183 detail

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184 Suite of Fourteen George III-Style Mahogany Dining Chairs in the Chippendale taste, comprised of a pair of armchairs and twelve side chairs, each with a serpentine carved top rail over a ribbon-carved splat, slip seat, scalloped apron and cabriole legs. armchair h. 40”, side chair h. 39-1/4” $3,000-$5,000

185 British School (18th Century) “Portrait of a Lady in Blue Silk Holding a Blossom, Beside a Flowering Citrus Tree” oil on canvas unsigned, old sale stencil en verso. Framed. 55-1/2” x 41”, framed 62” x 48” $4,000-$7,000

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186 Three Pieces of Japanese Imari Porcelain ca. 1900, including a punch bowl with bronze scrollmolded handles and a pierced rocaille-molded rim, on a shell-decorated bronze base, h. 13-1/2”, w. 18-1/2”, d. 8-1/2”, a dish with similar bronze mounts, h. 6”, w. 8-1/2”, d. 6”, and a small punch bowl with lotus leaf-form sides and character marks on the bottom, h. 3-3/4”, dia. 9”. $1,000-$1,500

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187 George III-Style Mahogany Sideboard 19th century, the banded and bowed top above a conforming case fitted with two long drawers over two short end drawers, all banded and with string inlay, raised on tapering square legs ending in spade feet. h. 33-1/4”, w. 42”, d. 21” $1,000-$1,500

187

188 George II-Style Concertina-Action Mahogany Games Table 19th century, in the Chippendale taste, the fold-over top supported by extending rear legs, the frieze with fruit- and floral-carved swags, raised on cabriole legs with leaf carving at the knees and pad feet. h. 28-3/4”, w. 32”, d. 15-5/8”, ext. l. 31-1/4” $1,000-$1,500

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189 Rare English Diminutive Tortoiseshell Tea Caddy second quarter 19th century, the cove-molded and hinged cover concealing two lidded compartments, raised on ball feet, the facade with a silverplate escutcheon. h. 5-1/2”, w. 5”, d. 3-3/4” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500 190 Handsome Regency Tortoiseshell Tea Caddy second quarter 19th century, of sarcophagus form with a cove-molded cover, concealing two interior compartments with lids, the facade book-matched with vibrant, patterned tortoiseshell, the cover with an engraved armorial plaque. h. 6”, w. 7-1/4”, d. 4-1/2”

189

$1,400-$1,800 191 William IV Tortoiseshell Tea Caddy second quarter 19th century, with rounded corners and set with silverplate ball feet and fittings, the two-compartment interior fitted with tortoiseshell covers over foil-lined interiors. h. 5”, w. 6-1/4”, d. 4” $1,200-$1,800 192 Regency Tortoiseshell Tea Caddy first quarter 19th century, with silverplate bun feet and fittings, the two-compartment interior fitted with segmented, bookmatched tortoiseshell, over foil-lined interiors, the cover in the form of a pagoda. h. 6”, w. 7-1/4”, d. 4-3/4”

190

$1,200-$1,800

192

191

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193 193 Regency Faux Bois and Parcel-Gilt Settee

194 Pair of Regency-Style Ebonized and Parcel-Gilt Armchairs

early 19th century, the quadruple back with curved crests over X-form splats, joined by downswept arms to the cushioned and caned seat, raised on ring-turned tapering circular legs to casters, the whole with delicate gilt foliate accents. h. 34”, w. 73-1/2”, d. 24”

early 20th century, each with a back-scrolled crest with gilt palmetto and lion’s-masque accents, joined by scrolling arms to the cushioned caned seat, raised on sabre legs with gilt fluting. h. 34-1/2”

Provenance: Collection of Sue Trammell Whitfield, Houston, Texas.

$1,000-$1,500

$1,400-$1,800

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195 British School (First Quarter 19th Century) “Portrait of a Bearded Gentleman in a White Ruffled Collar” oil on canvas unsigned. Framed. 22” x 16”, framed 26-1/2” x 20-1/4” $1,500-$2,500

196 Five-Piece Regency-Style Cast Aluminum Garden Suite in the “Dolphin and Star” pattern, comprised of a doublechairback settee, h. 31”, w. 43-1/2”, d. 24-1/2”, and four armchairs, h. 30-1/2”, each with a concave back with swags over a central star medallion, joined to open arms on dolphin supports, the pierced seats in foliate decor, probably by Florentine Craftsmen, Connecticut, unmarked.

195

$1,000-$1,500

197 Fine Pair of Regency-Style Rosewood Cabinets ca. 1900, each with a mirrored back superstructure fitted with two shelves, the rectangular top over a single frieze drawer and two cabinet doors, each inset with a brass grille with fabric backing, raised on a socle base. h. 54-1/2”, w. 42”, d. 15-3/4” $6,000-$9,000

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198 Anglo-American Engraved Hurricane Shade second quarter 19th century, with a folded foot rim, engraved with flowers, ferns and sprays of leaves, the lower portion with a ring of engraved leaves. h. 23-1/4”, dia. 8” $1,000-$1,500

199 William IV-Style Mahogany and Mixed Woods Center Table

200 William Frederick Witherington (British, 1785-1865) “Vegetable and Fruit Sellers Resting en Route to Market” oil on canvas signed and dated lower right. Framed. 31-3/8” x 41”, framed 38-1/2” x 48” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

20th century, the banded circular top featuring a sunburst inlay, above a conforming plain frieze, raised on a paneled octagonal standard to a concave square base with gadroon-carved banding to foliate-carved toes. h. 29-3/4”, dia. 59-1/2” $1,000-$1,500

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201 S. J. Hunter (British, 19th/20th Century) “Fisherman’s Departure” “Return at the End of the Day” two oils on canvas each signed lower left, the latter titled on brass artist plaque. Framed. 20” x 30”, framed 30” x 39-3/4” $1,500-$2,500

201

202 Robert Antoine Muller (British, 1821-1883) “Contemplation” oil on wood panel signed lower left, “R. Ackermann/Regent Street” supplier’s label en verso. Framed. 16” x 12”, framed 20-1/2” x 16-1/2” $1,200-$1,800

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203 203 Edwin Henry Boddington (British, 1836-1905)

204 Richard Henry Nibbs (British, 1816-1893)

“Fishing on Loch Kinardochy with Mt. Schiehallion, Scotland in the Distance”

“Harbor Scene” oil on canvas signed lower left. Framed. 20” x 35-1/2”, framed 24-1/2” x 40-1/2”

oil on canvas signed lower left. Framed. 24” x 36”, framed 30-1/2” x 42-3/8”

$5,000-$8,000 $4,000-$7,000

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205 Large Victorian Mahogany Sideboard third quarter 19th century, in the transitional William IV to Rococo Revival style, the mirror in a frame adorned with carved fruit and foliage, above a double-pedestal base, each with a vasiform front panel, one opening to reveal a bank of openface linear drawers, the other with a pair of drawers over a deep drawer, the pedestals joined by a serpentine drawer. h. 85”, w. 84-1/4”, d. 26” $2,000-$4,000

206 Victorian Burlwood and Walnut Game/Work Table third quarter 19th century, the highly figured shaped top with line inlay, opening to reveal a pivoting fold-over top with an inlaid chess board on one side, and an inlaid backgammon and cribbage board on the other, over a frieze drawer with a segmented interior and pin cushion, and a yarn drawer below, raised on a fluted and carved trestle base. h. 29-1/2”, w. 26-1/2”, d. 20-1/2”, extended w. 33-1/2”, d. 26-1/2”

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$1,500-$2,500

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207 Doulton Lambeth Faience Jardiniere on Stand ca. 1873-1880, in the Neo-Grec taste, the reeded jardiniere decorated with square medallions, fitted with leaf-molded handles, and resting on winged dragon feet, atop a matching Ionic column pedestal decorated with leaf molding, impressed “Doulton Lambeth” on the rim. h. 52-1/4”, w. 27-3/4”, d. 23-3/4” $1,800-$2,500

208 Victorian Ebonized and Amboyna Center Table third quarter 19th century, the burlwood top with rounded ends and inlaid stringing, over a conforming beaded frieze fitted with a classical jasperware plaque, raised on fluted columns joined to blocks with similar plaques and splay legs, the fluted stretcher also centered by a finial and jasperware plaques. h. 30”, w. 47-3/4”, d. 24-3/4” $1,000-$1,500

209 Victorian Papier-Mache Tea Caddy mid-19th century, with bombe sides, decorated with bouquets of flowers framed with delicate rocaille penwork, the interior divided into two lidded compartments with mother-of-pearl knobs. h. 4-3/4”, w. 7-1/2”, d. 5-1/4” Provenance: Mrs. Henry Ford II, New York, New York and London, England. $1,000-$1,500

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210 Anglo-Dutch Black-Lacquered and Chinoiserie-Decorated Chest 18th century and later, the rectangular top with a serpentine front, above a conforming case fitted with four graduated long drawers, flanked to either side by canted, shaped and projecting uprights, raised on gilt paw feet, the whole elaborately accented with red and gilt figural landscape designs in the chinoiserie manner. h. 32”, w. 36”, d. 20” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas.

211 Rare Victorian Papier-Mache Reading Stand second quarter 19th century, English, now mounted as a floor lamp, the top decorated with delicate gilt chinoiserie gardens accented with mother-of-pearl, supported on a painted standard and scroll feet decorated with gilt penwork, the top with brass scrolled supports, the parcel-gilt lamp standard fitted with a silk shade. h. 59-1/4”, table w. 15”, d. 20” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

$1,500-$2,500

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212 Regency-Style Polychromed Games Table 19th century, the rounded rectangular top with a removable center section featuring a checkerboard and removing to reveal a backgammon well, above a paneled frieze, raised on barley-twist legs joined by an H-form stretcher and ending in bulb feet. h. 29”, w. 31”, d. 19-1/2” $1,200-$1,800

213 Four Antique Persian Miniatures Muraqqa scene paintings, each gouache, ink and gold leaf, with Arabic inscriptions. Each matted, glazed and framed alike. sights 8” x 5” to 11-3/4” x 6-3/4”, framed 19” x 14-3/8” $1,200-$1,800

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214 Japanese Bronze Buddha ca. 1900, the Great Buddha of Nava in a serene pose, retaining a rich patinated surface. h. 17”, dia. 9-3/4”

214

$1,000-$1,500

215 Three Moroccan-Style Graduated Wooden Chests 20th century, inlaid with bone and mother-of-pearl medallions and lozenges against a field of shallow scroll carving, with scalloped bases. h. 8” to 16”, w. 14” to 30-1/2”, d. 8” to 16” $1,000-$1,500

216 Chinese School (20th Century) “Calendar” ink and gouache on paper central buddha amidst numerous immortals, the sky with deities, allover stylized floral border, framed against a silk backing. h. 49-1/4”, w. 35” Provenance: Property Descended in the Livaudais-Walshe Family, New Orleans, Louisiana. $1,200-$1,800

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217 Pair of Chinese Export Porcelain Ginger Jars mid-19th century, the gilt ground with clobbered decoration of dragons, pagodas and flowers in landscapes, with pierced wooden covers and turned wooden bases. h. 9-1/2”, h. with top 13”, w. 9-1/2”

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219

Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500 218 Chinese Partially Glazed Stoneware Figure of a Woman ca. 1900, the figure wearing a peacock feather headdress and carrying a baby, standing on a square base decorated with turquoise-glazed scrollwork, marked “China” on the bottom. h. 24-1/2”, w. 9”, d. 8” $1,500-$2,500 219 Chinese Partially Glazed Stoneware Figure of a Menacing Male ca. 1900, with distinctive hat and boots, supported on a stoneware base with turquoise-glazed scrollwork. h. 25-3/4”, w. 9-1/4”, d. 9-1/4” $1,500-$2,500 220 Chinese Four-Panel Coromandel Screen 20th century, decorated on both sides, one side with mandarin figures in gardens, with flowers in the top panels and deer on the bottom, and the other side with mountains and lakes with figures, egrets in the top panels and cockerels in the lower panels. h. 72”, w. 76” $1,000-$1,500

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221 Two Chinese Glazed Earthenware Figures of Robed Attendants

18th century, Qing Dynasty, each glazed in blue and green, including a barefoot figure holding a basket with the remains of a stalk in the raised hand, and a figure in slippers and holding a lotus stalk in the raised hand, both on integral pierced rockwork bases and conforming ebonized wood under-bases, now presented on later carved rosewood tiered stands. figures with under-bases overall: h. 25-3/4”, 25-1/2”, w. 12-1/4”, 11-3/4”, d. 9-1/4”, 9”; stands: h. 31-1/2”, w. 16-1/4”, d. 12” Provenance: Mr. and Mrs. Theodore Pettibone Case, Auburn, New York; by descent to Mr. and Mrs. Willard Erastus Case, Auburn, New York; by descent to Mr. and Mrs. Theodore Willard Case, Auburn, New York; by descent to the consignor. $2,500-$4,000 The Case family were prominent in Auburn, Cayuga county, New York since railroad magnate Erastus Case (1789-1857) moved there in 1843. His son, Theodore Pettibone Case (18181891), was a local scholar and philanthropist, and his daughter Jane Frances Case (1813-1890) married Dr. Sylvester Willard (1799-1866) in 1830; the Cases and Willards had magnificent neighboring homes at 196 and 203 Genesee Street, respectively. Theodore’s son Willard Erastus Case (1857-1918) was trained as an attorney, but his true passion was science; he obtained numerous patents from his studies in converting heat to mechanical energy. He inherited the Willard home now known as the Willard-Case Mansion - in 1916, and he and his son Theodore Willard Case (1888-1944), who shared his father’s enthusiasm for light and energy, converted one of the ground’s greenhouses to a laboratory.

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It was here that Theodore W. Case would invent the lightsensitive thalofide cell used as a top-secret ship-to-ship signaling system during World War I. Discoveries made during the development of this vacuum tube led to the technology of using light to record sound on film and the first true “talking” motion pictures. (His charming test Gus Visser and His Singing Duck (1925) is conserved by the National Film Registry.) After a falling out with the notoriously litigious Lee De Forest, developer of the Phonofilm process (largely derived from Case’s technology), Case sold the talking picture patents to William Fox of the Fox film corporation in 1926 and worked with Fox technicians to develop the groundbreaking Movietone process. The success of Movietone and true talking pictures made Case a very wealthy man, and he moved to a new mansion on South Auburn Street. The Chinese figures in the present lot, which had been displayed in the entrance of the Willard-Case Mansion, followed to a place of prominence in the entrance hall of the new South Auburn Street home. The Willard-Case Mansion, and the Case Research Lab on its grounds, are now the Cayuga Museum of History and Art.

221 detail

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222 Burmese Carved Rosewood Jardiniere Stand late 19th century, the pierced, leaf-carved bowl supported by phoenix bird monopodia grasping snakes in their mouths, on an acanthus-carved standard, set on a tripod base with acanthus-carved feet and egg-and-dart molding. h. 36-3/4”, dia. 33” $1,500-$2,500

223 Handsome Chinese Carved Four-Panel Screen 20th century, set with lushly embroidered panels, decorated with birds nesting in dogwood and prunus branches, with wisteria and peonies, the profusion of birds including a peacock, quail, swallows and cockerels, the lower portion with smaller reverse serpentine matching panels, the hardwood frames decorated with carved and pierced scrollwork and with lotus blossoms in the corners. h. 64-1/2”, w. 89” $3,000-$5,000

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224 Bechstein Inlaid Art Case Satinwood Grand Piano ca. 1900 based on the seriel number 56128, the case inlaid with line stringing and bellflower and patera swags, raised on tapering Hepplewhite legs with brass cap casters, the case number stamped on the frame, “16511”. h. 40-3/8”, w. 57-1/2”, l. 76” $3,000-$5,000 225 Pair of Edwardian Satinwood Chinoiserie Side Chairs early 20th century, in the Chinese Chippendale taste, each with a polychrome pagoda crest and side finials above a fret-pierced back centered by a canted ebonized panel featuring an Asian figure in a landscape, the padded seat raised on square legs joined by an H-form stretcher. h. 39-1/4” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,200-$1,800 226 Edwardian Polychromed Mahogany Cabinet early 20th century, the case with a pair of paneled drawers over paneled doors, the top decorated with an oval panel depicting a dancing maiden, the perimeter with a floral band, the drawers and door with floral painting, on a plinth base. h. 34”, w. 43-3/4”, d. 21-1/2”

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$1,500-$2,500

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227 After Giovanni Paolo Panini (Italian, 1691-1765) “Gallery of Views of Modern Rome” oil on canvas signed “J. Foster” lower right. Framed. 36” x 48”, framed 44-3/8” x 56-1/2” $1,000-$1,500 228 George III-Style Mahogany Armchair early 20th century, in the Chinese Chippendale taste, of generous proportions, with a ribbon-carved back joined to open arms with foliate-carved scroll ends, upholstered seat and fretwork-carved legs joined by stretchers. h. 39-3/4” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500 229 Asian Silvered Bronze-Mounted Porcelain Potpourri Urn 20th century, in the rococo taste, raised on scrolled feet, the center with arcaded piercing, the handles with applied flowerheads, with a scrolled and rocaille-molded knop. h. 14-1/2”, w. 10-3/4”, d. 7-3/4” $2,000-$4,000

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230 Chinoiserie Mahogany and Ebonized Highboy early 20th century, the domed cornice above a case fitted with two short drawers over three long drawers, the lower section fitted with two drawers over three short, deep drawers, raised on reeded circular legs joined by a shaped stretcher and ending in ribbed feet, the whole with ebonized panels in the chinoiserie taste. h. 71”, w. 40-1/2”, d. 21” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500 231 Pair of Neo-Grec Bronze and Marble Candelabra third quarter 19th century, French, the seven-light candelabra with silvered and gilt-bronze standards depicting putti riding dolphins, supporting scrolled candle branches set with molded candle cups and drip pans, the central cups with removable flame finials, the black and red griotte marble bases raised on molded silvered bronze feet. h. 25-1/2”, w. 13-1/2”, d. 11-1/2”

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Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500 232 Imposing Capodimonte-Style Porcelain Urn ca. 1901-1920, German, richly decorated with bas-relief figures of Grecian gods and goddesses, the swan-form handles mounted on the neck and decorated with grapes and grapevines, on a polychrome-decorated base, the bottom marked with an underglaze blue crowned “N” for Ernst Bohn Sons, Rudolstadt, 1901-1920. h. 28”, dia. 16-1/2”, d. 11-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,200-$1,800

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233 Late Regency-Style Walnut and Marble-Top Side Table early 20th century, the rectangular marble top with canted corners, above a plain conforming frieze with a pendant fan, raised on shaped scrolling legs headed by a scrolling capital, joined by a shaped lower shelf and ending in scrolled feet. h. 36”, w. 58”, d. 36”

234 American School (Mid-19th Century) “Moonlit Harbor with Merchant Ships”

Provenance: Villa Melrose Antiques, Los Angeles, California.

oil on canvas unsigned, “Edward Dechaux/New York” supplier’s stencil en verso. Framed. 31” x 43”, framed 42” x 54-1/2”

$1,200-$1,800

$3,000-$5,000

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235 Rococo-Style Majolica Jardiniere f irst quarter 20th century, Bohemian or Czech, decorated with molded flowers f ramed with large scrollwork cartouches on a brown and burgundy ground, the interior with a turquoise glaze. h. 13-3/4”, dia. 19” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

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236 Pair of French Neo-Grec Silvered Bronze and Marble Candlesticks fourth quarter 19th century, now mounted as lamps, the f igural standards signed “Auguste Moreau”, after Auguste Moreau (French, 1855-1919), the marble bases raised on bronze paw feet, decorated with bas-relief silvered bronze mounts depicting battle, mounted with shades. h. 37-1/2”, w. 16”, d. 16” $1,200-$1,800

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237 American Late Classical Mahogany Game Table second quarter 19th century, the highly figured serpentine fold-over top with club-form front corners, raised on scroll supports joined to a serpentine base with ribbon molding and shaped legs ending in club form. h. 29”, w. 36”, d. 18-3/4”, ext. l. 37-1/2” $1,000-$1,500

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238 Louis Remy Matifas (French, 1847-1896) "Sunset Over a Riverscape", 1879 oil on canvas signed and dated lower right. Framed. 40-3/4” x 57-1/2”, framed 49” x 67” Provenance: Bonhams, New York, New York, October 26, 2011, lot 99. $4,000-$7,000

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239 Pair of Continental Mahogany Fauteuils early 20th century, in the Art Nouveau taste, each with a padded shield-form crest surmounted by a pierced shell and foliate crest, joined by scrolling hooped arms to the padded seat, raised on garland-entwined tapering circular legs ending in splayed feet. h. 39” $1,000-$1,500

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240 Set of Twelve Royal Crown Derby “Chinese Birds” Sheffield Dessert Plates third quarter 20th century, decorated with molded birds and vines on a salmon ground with a ruffled edge, each piece marked “Royal Crown Derby, Made in England, Chinese Birds”. dia. 8-3/4”

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$1,000-$1,500

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242 detail

241 Pair of George III-Style Mahogany Bookcases-on-Stands

242 Limoges Fish Set

early 20th century, in the Chinese Chippendale taste, each with a molded and dentillated broken pediment centered by a carved finial, above a blind fret-carved frieze with two astragal-glazed doors below, the lower section fitted with two blind fret-carved drawers joined by fluted supports to a lower concave shelf, raised on tapering square legs ending in spade feet. h. 84-1/2”, w. 36”, d. 16-1/2”

ca. 1891-1920, made by L. & E. Coiffe, each piece artist-signed “Rene” and decorated with a different fish, the set including a fish platter, w. 11”, l. 24”, and twelve plates, dia. 9-1/2”, each piece marked on the back. $1,000-$1,500

Provenance: Villa Melrose Antiques, Los Angeles, California. $2,500-$4,000

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243 Victorian-Style Mahogany Dining Table

244 Suite of Six Late Regency Rosewood Side Chairs

20th century, the oval top with a double stepped and carved edge, bisected and opening to accommodate two 20” leaves, raised above a plain frieze on cabriole legs headed by foliate carving and ending in ball-and-claw feet on casters. h. 30”, w. 44”, l. 54”, ext. l. 94”

second quarter 19th century, each with a scrolling crest above a rail featuring brass-inlaid combatant griffins amidst scrolling patterns, over a shaped horizontal splat centered by a brassinlaid medallion, the padded seat raised on ribbed tapering circular legs ending in toupie feet. h. 35”

$1,500-$2,500 $1,200-$1,800

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245 Pair of Large Chinese Export Porcelain Temple Jars 20th century, in the famille rose palette, each decorated with a garden scene of a fence and peonies with meandering branches, the sky with scattered butterflies, the border with peonies and diapering on a raised-edge ground, the covers with green and yellow foo dog knops, on hardwood stands with cabriole legs. h. 46-3/4”, dia. 11-3/4” $1,800-$2,500

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246 French Gilt- and Patinated Bronze and Cut Glass Chandelier second quarter 20th century, the sixteen-light chandelier with a standard set with cut glass and gilt eagle heads grasping rings hung with cut glass drops, above two tiers of sprays of prisms, set with leaf-molded and scrolled candles branches, the arms hung with large cut glass drops. h. 44”, dia. 29” Provenance: Villa Melrose Antiques, Los Angeles, California. $2,000-$4,000

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247 Antique Oushak Carpet 10’ 9” x 16’ 3” Provenance: Samuels Rugs, Beverly Hills, California. $2,500-$4,000

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248 Italian School (Mid-16th Century) "Virgin and Child with St. Anne and John the Baptist" oil on wood panel unsigned, Christie’s labels on stretcher and frame backing. Framed. 39-1/2” x 35-1/4”, framed 52-1/2” x 44-5/8” Provenance: Collection of Robert de Balkany, Rome and the Cote d’Azur; his sale, Christie’s, London, England, March 22, 2017, lot 62. $7,000-$10,000

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249 American Late Victorian Mahogany Vitrine fourth quarter 19th century, attributed to R. J. Horner, New York, of bowfront form with a carved egg-and-dart molding above a pair of curved and beveled glass doors, and a heavily carved frieze, flanked by tall pilasters with lion’s masques above acanthine scrolled supports. h. 72”, w. 59”, d. 17-1/2” $2,000-$4,000

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250 Collection of Val St. Lambert Cranberry-Overlay Cut Crystal Old-Fashioned Glasses 20th century, unsigned, including forty-one glasses decorated with two variations of waffle cutting and twenty-six glasses cut in the Brilliant style. h. 3-3/4” to 4”, dia. 3-1/4” $1,000-$1,500 251 Two Pairs of Val St. Lambert Cranberry-Overlay Decanters mid-20th century, unsigned, including a pair of tall decanters cut in the Brilliant style with hobstars and diamond-point panels, h. 16”, dia. 3”, and a pair of shorter decanters cut in the “Russian” pattern with cut and faceted stoppers, h. 10”, dia. 3-1/2”. $1,000-$1,500 252 Set of St. Louis Cranberry-Overlay Cut Crystal

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mid-20th century, unsigned, the set including three decanters in the Regency taste with diamond-point and panel cutting, with cut mushroom-form stoppers, h. 11-1/4”, dia. 4-1/4”, and seven matching highball glasses, h. 4-1/2”, dia. 3”. $1,000-$1,500

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253 Set of Thirty-Three Val St. Lambert Cranberry-Overlay Cut Crystal Claret Glasses 20th century, unsigned, decorated with panel-cut bowls and faceted stems. h. 5-1/2”, dia. 2-3/4” $1,000-$1,500 254 Rare American Brilliant Period Cut Glass Punch Bowl and Ladle fourth quarter 19th century, made by Pairpoint in the “Catalpa” pattern, decorated with hobstars and panels of crosshatching, with a separate bowl, stand and a ladle with a matching glass handle, the silverplate marked “Pairpoint Mfg. Co.”. bowl h. 11-1/4”, dia. 11-1/2”, ladle l. 14-1/2” Provenance: Alexander’s Antiques Inc., New York, New York. $1,000-$1,500 255 Partial Service of Fifty-Four Val St. Lambert Cut Crystal Wine Goblets

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20th century, unsigned, with panel-cut bowls and faceted stems, the feet cut to match the bowls. h. 6-3/4”, dia. 3-3/4” $1,200-$1,800

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256 Set of Twelve Hutschenreuther Service Plates ca. 1918-1945, Bavarian, decorated with raised gilt alternating with gilt on a cream border and crimson lines, the back with the mark used in 1918-1945, along with a decorator’s mark. dia. 10-3/4” $800-$1,200

257 Set of Sixteen Tiffany-Retailed Coalport Dinner Plates

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ca. 1894-1920, English, with handsome raised gilt border decoration on a crimson ground, the back with Coalport’s green crown England mark and “Tiffany & Co., New York”. dia. 10-1/4” $1,000-$1,500

258 Mahogany and Glass Display Cabinet third quarter 19th century, American or Continental, the side panels outlined in piecrust molding, a rope-twist lower edge and a gallery top, with hinged doors on the back and side, the bottom lined in velvet. h. 24-1/4”, w. 26-1/2”, d. 12” $1,000-$1,500

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259 Two-Piece Napoleon III Parlor Suite in the Turkish Revival Taste second half 19th century, comprised of a settee, h. 37”, w. 53-1/2”, d. 36”, and an armchair, h. 34”, both with a tripartite back, the ends canted, joined to closed arms, with a serpentine seat rail, both upholstered in red velvet with a tassel, cord and swag apron and stained beechwood legs. $1,000-$1,500

260 Baccarat Art Nouveau Acid-Etched, Overlaid and Parcel-Gilt Art Glass Bowl ca. 1900, decorated with cranberry poppies, with gilt engraved details on a “cracked ice” ground, the rim originally silver plate. h. 4-1/2”, dia. 9” $800-$1,200

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261 Murano Blown Glass Chandelier 20th century, Venetian, the blown-glass-clad standard decorated with pink and blue ruffled trim, hung with matching blown, colored drops, set with blown glass arms below scrolled leaves alternating with blown glass pink flowers, the lower portion hung with matching pink and blue drops. h. 32-3/4”, dia. 22” Provenance: Villa Melrose Antiques, Los Angeles, California.

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$1,200-$1,800

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262 Pair of Murano Gilt-Spangled Blown Glass Sconces 20th century, Venetian, in the form of pots of flowers, with rope-twist arms terminating in leaf-blown shades, on pots of blown glass lilies, the quilted glass pots decorated with pink ruffled trim and hung with blown glass drops. h. 19-3/4”, w. 21”, d. 8-3/4” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500 263 French Sevres-Style Bronze-Mounted Porcelain Urn fourth quarter 19th century, in the Louis XV style, the inverted pear-form swirl-molded body decorated with alternating raised gilt on a pink ground and hand-painted flowers on a white ground, the bronze base decorated with laurel leaves and acanthus rosettes, the cover with a bronze knop, the bottom with a spurious Sevres mark. h. 19-1/2”, dia. 7-1/2” $1,000-$1,500

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264 Set of Twelve Hutschenreuther Porcelain Service Plates ca. 1939-1965, Bavarian, the raised gilt plates with pink borders, decorated with gilt scrollwork framing a gilt central medallion, each marked on the back. dia. 10-3/4” $1,000-$1,500

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265 265 Rare Ginori Doccia Partial Dinner Service 266 Two Sets of Handsome English Gilt-Decorated Plates

mid-19th century, with gilt-trimmed pink borders, each piece marked “Manifra Ginori, a Doccia, Presso Firenze”, the service including: twenty-one dinner plates, dia. 9-1/2”; ten soup plates, dia. 9-1/4”; eleven salad/dessert plates, dia. 8-1/4”; a soup tureen, h. 12”, w. 9-1/2”, d. 8-3/4”; four graduated oval platters, l. 14” to 16”, d. 9-3/4” to 10-3/4”; a pair of round chop plates, dia. 15-1/4”; three celery dishes, l. 9-1/2”, w. 5”; a pair of round covered vegetable dishes, h. 6”, dia. 11”; a dessert compote, h. 4”, dia. 9”; a pair of round dessert bowls, dia. 9”; and a corbeille, h. 7”, dia. 9-1/2”, together with a spare vegetable dish cover. 59 pieces total

including a set of twelve dinner plates decorated with raised gilt on a pink ground, marked “Cauldon Ltd. England” and the retailer “Ovington Bros. Co., New York”, ca. 1904-1920, dia. 10-1/2”, and a set of twelve luncheon plates with Coalport’s green crown mark, ca. 1891-1920, dia. 8-3/4”. Provenance: Parc Monceau Antiques, Ltd., Atlanta, Georgia. $1,000-$1,500

$1,000-$1,500

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267 267 Collection of Twelve Oyster Plates late 19th century, each with decoration incorporating pink and gilt, the collection including both square and round examples, most made in Austria and others in Limoges, France. dia. 9” to 9-1/4” $1,000-$1,500 268 Pair of French Bronze-Mounted Potpourri Urns ca. 1900, in the Sevres style, the rococo-style urns with a pink ground and piercings framed in gilt scrollwork, decorated with flowers and gilding, with bronze guilloche-molded bases, the necks set with pierced bronze scrollwork, the covers with molded bronze knops. h. 11-1/4”, dia. 4-1/4” Provenance: Alexander’s Antiques, New York, New York. $1,000-$1,500 269 Partial Service of Woodmere’s James Buchanan White House China

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20th century, New Castle, Pennsylvania, based on Buchanan’s Paris porcelain, each piece marked, some dessert plates documenting on the back that they are copies of White House china, the set including: twenty-two dinner plates, dia. 10-1/2”; eleven dessert plates, dia. 7-1/2”; eight cups, h. 3-1/4”; and five saucers, dia. 6”. 46 pieces total $1,000-$1,500

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270 Italian Giltwood and Parcel-Gilt Mirror in the Rococo Taste second quarter 20th century, the segmented mirrored surround decorated with scrollwork etching framed with carved acanthus leaves, the parcel-gilt crest with a central cartouche framed with scrollwork, terminating in foliate medallions, the sides with scrollwork and trailing leaves decorated with flowerheads. h. 63”, w. 37-1/2” $1,200-$1,800 271 Pair of Bronze-Mounted Porcelain Vases in the Chinese Export Style 19th century, decorated in the famille rose palette with cockerels and peonies on a pink ground, the bases and upper rims with Louis XV-style gilt-bronze mounts, the dragon handles with gilt-bronze husk-molded ring pulls. h. 15-3/4”, w. 5-1/2”, d. 5-1/2” $4,000-$7,000 272 Sino-Chinese Bronze-Mounted Porcelain Bowl 18th/19th century, the fourth quarter 18th-century bowl decorated in the famille rose palette with mandarin scenes on a mauve diapered ground, the late 19th-century gilt-bronze mounts depicting a pair of naiads on the base, the pierced scrolled handles decorated with putti. overall h. 12”, w. 14”, d. 11” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,500-$2,500

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273 Cut and Molded Glass Chandelier in the Georgian Taste 20th century, the standard clad with cut glass balusters, with an upper prism ring supporting strands of crystal drops, leading to rope-twist arms on two tiers, all set with molded glass prism rings and candle cups. h. 32”, dia. 28” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,200-$1,800

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274 274 English Cut Glass Chandelier 20th century, of Georgian inspiration, the twelve-light chandelier with a cut-glass-clad vasiform standard, set with scrolled cut glass arms on two tiers, all terminating in cut glass candle cups and prism rings, hung with swags of cut glass drops. h. 36”, dia. 35” $1,200-$1,800 275 Belgian Hand-Woven Verdure Tapestry of a lush, wooded park setting with a seated traveler, chateau in the background, allover floral border. Framed. sight 112-1/2” x 79”, framed 123” x 89” Provenance: Villa Melrose Antiques, Los Angeles, California. $2,000-$4,000

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276 Provincial Louis XV-Style Oak Armoire early 19th century, the heavily molded and rounded rectangular crest above a scrolling foliate-carved frieze centered by a shell carving, above a case fitted with two long doors, each inset with a beveled mirrored panel, raised above a shaped and carved apron on scrolling toes. h. 97”, w. 69”, d. 30-1/2” $1,500-$2,500 277 Empire-Style Mahogany and Marble-Top Occasional Table mid-19th century, the rounded square marble top above a conforming frieze fitted with a single drawer, raised on a paneled standard to a shaped quatrefoil base to gilt bun feet, the whole with applied ormolu accents. h. 30-1/4”, w. 17”, d. 17” $1,000-$1,500 278 Three Piece Collection of St. Louis “Thistle” Pattern Crystal 20th century, French, including two ewers/pitchers and a decanter, each on a pedestal base, decorated with raised gilt scrollwork and notch cutting, the bases with closed gilt bands, the ewers/pitchers of slightly different sizes, one ewer and the decanter signed. jug h. 11-3/4” to 12”, dia. 4-1/2” to 4-3/4”, decanter h. 16”, dia. 4-3/4” $1,000-$1,500

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279 Louis XV-Style Giltwood Lit de Jour early 20th century, the long cushioned seat flanked to either end by padded outscrolled arms, above a shaped shell- and foliate-carved apron, raised on cabriole legs headed by foliate carving and ending in scrolled toes. h. 28”, w. 88”, d. 31” Provenance: Villa Melrose Antiques, Los Angeles, California.

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$1,200-$1,800

280 Pair of Italian Rococo Silver-Gilt Wall Brackets fourth quarter 18th century, carved with pierced scrollwork and bellflowers, and supporting serpentine shelves with molded edges, with a slightly distressed orange shellac finish, the brackets appearing to retain their original hardware. h. 12”, w. 15”, d. 7-1/2” $1,000-$1,500

281 French Belle Epoque Giltwood Mirror fourth quarter 19th century, decorated with carved anthemia framed with acanthus leaves and panels of flowers on a latticed ground, the corners with large acanthus leaves. h. 50”, w. 39” $800-$1,200

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282 Pair of Edwardian Satinwood Commodes ca. 1900, each with an oval sunburst-veneered top above a conforming case fitted with a frieze drawer over three quarter-veneered and banded drawers, with a scrolling foliate polychrome design, raised on ribbed tapering circular legs ending in pad feet. h. 34”, w. 16-1/2”, d. 18-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

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283 Leon Richet (French, 1847-1907)

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"Shepherdess near Fontainebleau” oil on canvas signed lower right. Framed. 28” x 20”, framed 41-3/4” x 35-1/4” $2,000-$4,000

284 Pair of Empire-Style Mahogany and Marble Torcheres each with a circular top above a conforming frieze with a ribbed pendant below, raised on three supports headed by carved ram’s masques joined by a tripartite stretcher and ending on a concave tripartite marble base. h. 53”, dia. 13” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

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286 American Late Classical Mahogany Recamier

285 H . Meullemans (Belgian, 19th/20th Century)

second quarter 19th century, the serpentine back with a Gothic arch, joined to scroll arms, molded seat rail and demilune feet. h. 38-3/4”, w. 85-1/2”, d. 24-1/2”

"Fishing Boats off the Coast" oil on canvas signed lower right. Framed. 25-1/2” x 39-1/2”, framed 40-3/8” x 54”

$1,000-$1,500

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287 Victorian Walnut Low Table third quarter 19th century, the top of traditional “turtle” form and quarter-veneered, now cocktail table height and raised on a bulbous standard to four splayed acanthine-carved legs ending in scrolled toes on casters. h. 23”, w. 57”, d. 45” Provenance: Villa Melrose Antiques, Los Angeles, California. $800-$1,200

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289 Louis XV-Style Beechwood Settee

288 John Campbell Mitchell (Scottish, 1862-1922)

19th century, the slightly domed and padded back surrounded by a carved guilloche frame and surmounted by a floral crest, joined to the cushioned seat by padded, downswept arms, raised on molded cabriole legs ending in scrolled toes. h. 42”, w. 82”, d. 28”

“Sheeps Grazing in an Autumn Landscape”, 1894 oil on canvas signed and dated lower right. Framed. 36” x 60”, framed 49” x 72-5/8”

Provenance: Villa Melrose Antiques, Los Angeles, California. Provenance: Villa Melrose Antiques, Los Angeles, California, April 20, 2011.

$1,000-$1,500

$2,000$4,000

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290 290 Sevres-Style Bronze-Mounted Porcelain Centerpiece

291 Pair of Napoleon III Marble and Gilt-Bronze Candelabra

ca. 1900, the oblong porcelain bowl with figures in 18th-century costume, framed with a gilt-trimmed yellowground border decorated with panels of flowers, on bronze scrolled feet, the base hung with swags of oak leaves and acorns, the sides mounted with bronze leaf-molded handles, the bottom with a spurious “Sevres” mark. h. 8-1/4”, w. 22-1/2”, d. 11-1/4”

third quarter 19th century, now mounted as lamps, with black marble standards set on gilt-bronze bases decorated with harpies, the leaf-molded scrolled branches set with octagonal candle cups decorated with cabochons, on matching drip pans, mounted with tole shades. h. 41-1/2”, dia. 20-1/4” Provenance: Villa Melrose Antiques, Los Angeles, California.

$1,000-$1,500 $1,200-$1,800

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292 Extensive Partial Raynaud “Allee Royale” Dinner Service post-1995, French, each piece marked, the service including: sixty-four dinner plates, dia. 10-3/4”; twenty rim soup bowls, dia. 8”; ninety-five salad/dessert plates, dia. 7-3/4”; seventy-one bread-and-butter plates, dia. 6-1/2”; sixty-six flat cups, h. 2-3/8”; sixty-four matching saucers, dia. 6”; and an oval platter, l. 14”, w. 10-1/4”. 381 total pieces $3,000-$5,000 293 Extensive Haviland Limoges “Oasis Green” Dinner Service

292 detail

late 20th century, French, the service includin: twenty-four dinner plates, dia. 10-1/4”; twenty-four salad plates, dia. 8-1/2”; twenty-four bread-and-butter plates, dia. 6-1/4”; twenty-four individual salad bowls, h. 2”, dia. 6-1/4”; twenty-four flat cups, h. 2-3/4”, and saucers, dia. 5-3/4”; a salad serving bowl, h. 4”, dia. 9-1/2”; an oval platter, l. 15-1/2”, d. 12-1/2”; a round chop plate, dia. 12-1/2”; a coffeepot, h. 6-3/4”, w. 9-1/4”; a cream jug, h. 4”, w. 4-3/4”; and a sugar bowl, h. 4”, w. 5-3/4”. 150 pieces total $2,000-$4,000

293 detail

293

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294 Louis XVI-Style Fruitwood and Marble-Top Occasional Table early 20th century, the inset oval marble top within a ribboncarved frieze, above a conforming foliate-carved frieze, joined by fluted tapering circular legs to a concave caned lower shelf, ending in foliate-carved toupie feet. h. 31”, w. 34-1/2”, d. 23-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500 295 Pair of George III-Style Mahogany Armchairs 19th century, each with a padded and domed back joined by padded acanthine-carved arms to the like seat, above a Greek-key-carved frieze, raised on cabriole legs headed by a foliate-shield capital and ending in scrolled toes. h. 43-1/2” $1,200-$1,800

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294

296 Manner of Tiziano Vecellio (called “Titian”) (Venetian, 1488/90-1576) “Venus at Her Toilet” oil on canvas unsigned. Framed. 48-3/4” x 36-1/4”, framed 60-1/2” x 48-1/4” Provenance: Villa Melrose Antiques, Los Angeles, California, 2012 $4,000-$7,000

296

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297 Pair of French Belle Epoque Bronze Candlesticks fourth quarter 19th century, in the Louis XV style, molded with leaves and scrollwork, the bases with “BD” foundry marks. h. 5-1/4”, w. 4-1/2”, d. 4”

298

$800-$1,200

298 Pair of French Gilt-Bronze and Cut Glass Candlesticks second quarter 20th century, probably Baccarat, mounted with diamond-cut crystal standards set with carefully detailed engine-turned gilt-bronze mounts in the Charles X taste. h. 11-1/4”, dia. 4-1/4” $1,000-$1,500

299 Pair of Empire-Style Mahogany and Marble-Top Pedestal Tables mid-19th century, each with a circular marble top above a conforming frieze, raised on three ribbed supports headed by acanthine carving and ending in paw feet on a tripartite base to turned cone feet. h. 42-1/2”, dia. 15” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

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300 Italian Marble Bust of a Nymph with Bird fourth quarter 19th century, on a socle base. h. 25”, w. 12-1/2”, d. 8” $1,000-$1,500

301 Cesare Lapini (Italian/Florence, 1848-ca. 1893) “Bust of a Nymph with Bird”, 1895 marble incised signature, localized “Firenze” and dated, on a socle base. h. 25”, w. 12-1/2”, d. 8” $1,000-$1,500

300

302 Pair of Turkish Revival Armchairs each upholstered in gold cut velvet, with tufted backs, closed arms, bowed seats and fringe skirts. h. 34-1/4” Provenance: Parc Monceau Antiques, Ltd., Atlanta, Georgia. $1,000-$1,500

301

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303 304 American Late Classical Revival Mahogany Settee

303 Henry Thomas Schafer (British, 1854-1915)

late 19th/early 20th century, the tall serpentine back joined to scroll arms, each terminating in a swan’s head, raised on splayed and carved paw feet. h. 41-3/4”, w. 50”, d. 25-1/2”

“Cathedral of Saint Mary of Burgos, Spain” “Market Day, Antwerp Town Center, Belgium” two watercolors on paper laid down and backed in canvas each signed lower left, localized and signed en verso backing. Each attractively matted, glazed and framed. each 18-1/4” x 14-1/4”, framed 29” x 25”

$1,000-$1,500

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305 Pair of American Late Classical Mahogany Banquettes/ Slipper Benches

306 Kranich & Bach, New York, Rosewood Parlor Grand Piano mid-19th century, in the rococo taste, the rectilinear case with a scalloped apron, on cabriole legs with a leaf- and fruit-carved cartouche at the knees and scroll toes, the pedal mechanism of lyre form, h. 41”, w. 99-3/4”, d. 40”, together with a late 19th-/ early 20th-century walnut and iron stool with a rotating and extending serpentine cushion on a tripodal base, h. 20-3/4”.

second quarter 19th century, each with a serpentine back centered by a scroll-carved crest, a seat with serpentine sides and front, and raised on bracket feet. h. 32”, w. 49-1/2”, d. 28-3/4” $800-$1,200

$800-$1,200

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307 307 After Jacopo Amigoni (Italian, ca. 1682-1752) “Copy of Venus and Adonis (1739)”, mid-18th century oil on canvas unsigned. Framed. 38-1/2” x 53-1/4”, framed 56-1/4” x 69-1/4” $3,000-$5,000 A native Venetian, Jacopo Amigoni was a prolific painter of portraits and mythological scenes that received wide recognition across Europe. Demand for his work by the aristocracy yielded a lucrative market in England where Amigoni moved in 1729, perfecting “parlor scenes”, such as this, which depicted large-scale works with sensuous deities and mythological figures in languor or sporting games for British estates and country homes. The subject of “Venus and Adonis” was particularly popular in the U.K. as the tale from Ovid’s Metamorphoses was also adopted into poetry by Shakespeare, Constable and an opera by John Blow. This copy, contemporaneous with one of the artist’s period, was likely executed by a follower or pupil of the artist. 308 Pair of Specimen Marble Pedestals 20th century, of unusual triangular form, each of green variegated marble with two varieties of contrasting marble panels and inserts. h. 45-3/4”, w. 18”, d. 17” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

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309 Semi-Antique Kerman Carpet 11’ 6” x 16’ 11” $4,000-$7,000 310 Turkish Oushak Carpet 11’ 8” x 14’ 3” $3,000-$5,000 311 Semi-Antique Peshawar Sultanabad Carpet 10’ x 13’ 9” $1,500-$2,500

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312 Semi-Antique Kerman Carpet 10’ 4” x 16’ 11” $7,000-$10,000 313 Antique Bijar Carpet 4’ 6” x 6’ 4” $1,000-$1,500 314 Semi-Antique Eagle Kazak Carpet 5’ 9” x 8’ 8” $1,500-$2,500

312

313 314

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315 Louis XV Fruitwood Console Table 18th century, the slightly bowed and rectangular top above a conforming frieze with foliate shell patterns, raised on molded C-scroll legs joined by a shell stretcher and ending in scrolled toes, bearing a metal plaque to the apron reverse reading “meubles/objets d’art/anciens et modernes/cassard et cie/ paris 61. Av. Philippe Auguste/new-york/The cassard-romano Co. Inc. /234 East 59. th St”. h. 31”, w. 30-1/2”, d. 16” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,200-$1,800

315

316 French Empire Revival Tole Chandelier second quarter 20th century, the six-light chandelier with a circular body with pierced upper trim, supported on a corona decorated with leaves, in yellow decorated with blacktrimmed green anthemia and leaves, with cylindrical lights set with tole shades. h. 29-1/4”, dia. 28-3/4” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500 317 Gabriele Humbert (Bermuda, 1898-1980) “Nature Morte aux Poissons” oil on canvas signed lower right. Framed. 18” x 26”, framed 23” x 30” $1,200-$1,800

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318 French Provincial Pine Farm Table early 20th century, the top with a framed edge and inset with panels in a herringbone pattern, with scalloped aprons and raised on cabriole legs, mortised and pegged joinery. h. 30-1/2”, w. 37”, l. 88-1/2” $1,200-$1,800

319 French Provincial Oak Armoire mid-19th century, the molded, rounded rectangular cornice above a fruit basket and foliate-carved frieze, over two long bi-paneled doors with foliate accents, raised on a plinth base. h. 89”, w. 60”, d. 23” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,500-$2,500

319

171

320 320 Provincial Continental Oak and Marble-Top Buffet

321 Pair of Louis XIV-Style Painted and Parcel-Gilt Settees

early 20th century, the rounded rectangular marble top with a molded edge, above a conforming case fitted with two drawers over two cupboard doors, all paneled and with scrolling foliate carvings, raised on a molded base to squat bun feet. h. 48-1/2”, w. 75”, d. 27”

each with a tall upholstered back joined to shaped arms with scroll ends, raised on like supports, the lobed paneled legs joined by serpentine stretchers, the seats in suede upholstery. h. 46”, w. 48”, d. 25” $1,000-$1,500

$1,200-$1,800

321

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322 Regence-Style Giltwood Bench

323 Pair of Louis XIII-Style Mahogany Fauteuils a la Reine

19th century, the long padded seat raised above a pierced scrolling apron on turned foliate-carved and beaded legs ending in peg feet. h. 18”, w. 59”, d. 17”

late 19th century, each with a padded tall rectangular back, joined by downswept acanthine-carved arms, the padded seat raised on barley-twist legs joined by an X-form stretcher and ending in patera-carved block-and-ball feet. h. 48”

$1,000-$1,500 $1,000-$1,500

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324 French Hand-Woven Tapestry of a Royal Wolf Hunt 18th century, the central figure of the grand louvetier (grand wolfcatcher) about to spear the cornered wolf, flanked by two huntsmen on horseback, all set within a lush and verdant park setting with a chateau in the background, an allover stylized floral vine border, backed with natural linen, now displayed on a rod with gilt-metal pinecone finials. 105” x 124”; display rod l. 136” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $5,000-$8,000 The position of grand louvetier dates back to the reign of Charlemagne when the Emperor created a corps of elite huntsmen specifically tasked with the eradication of the wolf population. As described in Section 69 of the Capitulare de villis, the guide to the governance and management of the numerous royal estates, methodical records were to be kept of the number of wolves killed, pelts of said wolves were to be sent to court, and aggressive hunts were to be undertaken each May to rout out and kill as many wolf cubs as possible. The position was briefly suspended in the 18th century, but re-formed several years later; it exists to this day as an administrative position that oversees the maintenance of wildlife and the control of pests and vermin.

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325 Louis XV-Style Giltwood and Marble-Top Console Table ca. 1900, the serpentine marble over a conforming shell-, foliate- and scroll-carved frieze, raised on cabriole legs with a carved cartouche over the knees, grape and leaf carving. h. 34-3/8”, w. 30-3/4”, d. 14” $1,200-$1,800

326 Pair of French Mirrored Gilt-Bronze Sconces mid-20th century, in the Louis XIV taste, the mirrored backplates framed with scrollwork and decorated with rocaille work and bellflowers, set with leaf-molded finials, the lower portion set with leaf-molded scrolled candle arms terminating in gadrooned candle cups and leaf-molded drip pans. h. 27-1/2”, w. 15-3/4” $1,000-$1,500 327 Regence-Style Kingwood and Marble-Top Bombe Commode 19th century, the thick, shaped marble top above a conforming bombe case fitted with two short drawers over two long drawers, all banded and with decorative parquetry veneers, raised on splayed feet. h. 35-1/2”, w. 54”, d. 27”

326

$1,200-$1,800

327

328 Pair of Regence-Style Fruitwood Fauteuils 19th century, each with a slightly domed and padded back joined by padded bellflower-carved arms to the padded seat, raised above a foliate shell-carved apron, on cabriole legs joined by an X-form stretcher and ending in scrolled toes, upholstered in Fortuny fabric. h. 43-1/2” $1,800-$2,500

328

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329 Handsome Continental Baroque-Style Engraved and Silverplated Chandelier second quarter 20th century, with a bold baluster-turned standard, the lower portion divided into panels with raised reeds, each panel decorated with engraved scrollwork panels on a stippled ground, the scrolled candle branches engraved with bellflowers. h. 33”, dia. 29-1/2” $1,000-$1,500

330 Henry Schouten (Belgian, 1864/7-1927) “Still Life with Flowers” oil on canvas signed with pseudonym “Jos. Klaas” lower right. Framed. 31-1/2” x 39-1/2”, framed 43” x 50-1/2” $3,000-$5,000

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331 Continental School (19th Century) “Still Life of Tulips and Chrysanthemums” oil on copper unsigned. Framed. 13-3/4” x 12”, framed 19-1/2” x 18” $1,000-$1,500

331

332 Continental School (19th Century) “Still Life of Flowers and Peaches” oil on canvas monogrammed lower right. Framed. 36” x 29”, framed 41” x 34” $1,500-$2,500

332

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333 Rare Miniature Louis XVI-Style Giltwood Fauteuil fourth quarter 19th century, the arms supporting the leafcarved and notched corner back, with a gadrooned crest and leaf-carved finial, raised on fluted tapering circular legs, covered in old pink-striped satin decorated with scattered flowers. h. 19”, w. 12”, d. 9-1/4” $1,000-$1,500 334 French Fin de Siecle Giltwood Mirror fourth quarter 19th century, in the rococo style, the bold, pierced crest decorated with a central shell framed with pierced scrollwork and molded leaves, the beaded giltwood surround set with segmented beveled mirrors decorated with scrolled cartouches on the sides and a shell on the base, set with a beveled mirror plate. h. 69”, w. 52”

333

$1,200-$1,800

335

334

335 Louis XVI-Style Fruitwood Bureau Cylindre 19th century, the superstructure with a three-quarter pierced brass gallery over three small herringbone-veneered drawers, over a cylinder opening to a pull-out writing surface and a variety of drawers and cubbyholes, over a central drawer flanked to either side by two small drawers, raised on inlaid tapering square legs ending in brass caps. h. 42-1/4”, w. 44”, d. 22-3/4” $1,500-$2,500

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335 detail

336 Monumental French Parcel-Gilt Trumeau Mirror ca. 1900, in the neoclassical taste, the top panel set with a still life painting of trailing roses in an urn, framed with gilt beading, the corners with raised wreaths, the white-painted surround with a gilt liner near the mirror plate. h. 115-1/4”, w. 52” $1,200-$1,800

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337 Pair of Louis XVI-Style Polychromed Bergeres each with a padded square back within a molded frame, joined by padded arms to the cushioned seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 38” $1,000-$1,500 338 Louis XVI-Style Painted King-Size Tester Bed and Bed Steps the bed having a canopy with a ribbon- and foliatecarved tester frame supporting a pleated canopy with a central rosette, raised on fluted posts joined to the headboard and footboard with floral-carved swags, the headboard with a ribbon- and floral-carved crest with a central medallion with the letter “R”, manufactured to accommodate a modern king-size mattress, h. 116-1/2”, inside w. 78-1/2”, l. 83”, outside w. 89”, l. 88”; together with matching bed steps, h. 20”, w. 18”, d. 18”. $2,000-$4,000

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339 Pair of Louis XVI-Style Polychromed Bergeres each with a domed back and shaped sides within an imbricate-carved frame, joined by padded arms to the cushioned seat, raised on fluted tapering circular legs headed by a floral capital and ending in toupie feet. h. 48-1/2” $1,200-$1,800 340 Robert de Chatelenne (American, 20th/21st Century) “Paris Street Scene” oil on canvas signed lower right. Framed. 13” x 18”, framed 23-3/4” x 29”

339

$2,500-$4,000 341 Pair of French Gilt-Metal Sconces in the Louis XVI Taste mid-20th century, the three-light sconces with quiver-form backplates mounted with scrolled candle arms, set with fluted candle cups and leaf-molded drip pans, decorated with cast putti playing instruments on acanthus leaves, with a mark reading “Paris Francais, Made in France”. h. 20”, w. 12-1/4”, d. 8-3/4” $1,000-$1,500

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342 Three-Piece Louis XVI-Style Giltwood Parlor Suite late 19th century, consisting of a settee and two side chairs, the settee of modified box form with a rectangular frame, joined to the padded seat by shaped sides and a padded arm, raised on stop-fluted tapering circular legs ending in toupie feet, h. 34-1/2”, w. 52”, d. 27”, one side chair with a like crest and padded back, h. 34-1/2”, and the other with a caned back, h. 33”. $1,000-$1,500

343

343 Pair of Aubusson Tapestry and Silk Velvet Pillows 19th century and later, the tapestry panels depicting a woman and a man, both with wrists crossed and wearing a pointed cap with ram’s horns, the panels trimmed with gold passementerie tape and backed with silk velvet edged in passementerie rope. 22-1/2” x 17” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500 344 Pair of Cut Glass and Bronze Campana-Form Urns mid-20th century, now mounted as lamps, probably Baccarat, the diamond-cut urns with egg-and-dart bronze rims, masque-molded handles supporting grapevines, and ribbon-bound laurel foot rims on double step bases with corner medallions. h. 31”, dia. 7-1/4” $1,000-$1,500

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345 Pair of Louis XV-Style Gilt-Bronze Chenets fourth quarter 19th century, French, one decorated with a menacing wild boar and the other with a stag, nestled among pierced bronze rocaille and scrollwork, after a model used in the Dauphin’s bedroom at Versailles, which was used as a hunting lodge. h. 11”, w. 15-1/4”, d. 9-1/2” $1,200-$1,800 346 Pair of French Polished Bronze Sconces 20th century, in the Louis XVI taste, the three-light sconces with backplates in the form of a bowknot and swags, supporting oak leaves and acorns, set with hunting-hornform candle arms with leaf-molded trim. h. 35-3/4”, w. 17”, d. 10”

345

$1,000-$1,500

346

347 Monumental Louis XVI Revival Pier Mirror fourth quarter 19th century, French, the crest decorated with lovebirds framed with sprays of laurel leaves and berries, the rounded corners with floral-carved finials, the top with a central guilloche-carved panel supporting swags of flowers, the giltwood surround lined with carved honeysuckle, the corners with carved scrollwork. h. 90-1/2”, w. 57” $3,000-$5,000

347

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348

349 Suite of Eight EJ Victor “Newport Collection” Polychromed Dining Chairs

348 Louis XVI-Style Creme-Peinte and Parcel-Gilt Sofa the molded frame centered by a ribbon-carved crest, joined to closed arms on reeded and spiral-reeded supports, the bowed and molded seat rail raised on leaf-carved and fluted legs, the back and seat each fitted with a trio of loose cushions. h. 37-1/2”, w. 82”, d. 28-1/2”

in the neoclassical taste, comprised of a pair of armchairs and six side chairs, each with a molded medallion back with ribbon-carved crest, fluted serpentine seat rail, flared rear legs with French toes and fluted tapering circular front legs, labeled. h. 38-1/2”

$1,000-$1,500

$2,000-$4,000

349

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350 EJ Victor “Newport Collection” Walnut and Polychromed Banquet Table in the Italian neoclassical taste, the top with figured walnut geometric veneers, inlaid banding and crossbanding, opening to accommodate two leaves, over a painted apron adorned with foliate, floral and swag carving, raised on fluted tapering circular legs with leaf-carved capitals and bases, labeled “Premier Furniture Crafters EJ Victor”, together with two skirted leaves. h. 30-1/2”, w. 91”, d. 50”, ext. l. 138-1/2” $2,000-$4,000

351 EJ Victor “Newport Collection” Polychromed Cabinet in the Italian neoclassical taste, in two parts, the upper section with a dentillated cornice and foliate-, floraland swag-carved frieze, over the glazed doors, each flanked by fluted pilasters with leaf-carved capitals and bases, the concave sides with conforming glazed panels, on a like-shaped base with similar modeling, the china cabinet interior lighted. h. 91-3/4”, w. 86”, d. 19-1-/2” $2,000-$4,000

351

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353 352 French Neoclassical-Style Painted Trumeau Mirror 20th century, the upper tablet decorated with an oil on canvas depicting a shepherdess and her companions dressed in 18th-century costume in a pastoral setting, the painted and mirror-plate frame with a leaf-carved and beaded surround. h. 75”, w. 44”

352

$1,000-$1,500 353 French Patinated Bronze and Crystal Chandelier second quarter 20th century, in the Louis XIV taste, the eightlight chandelier with a molded glass-clad standard, the bronze frame set with scrolled candle arms with bronze candle cups and drip pans, hung with cut glass colorless, mauve and smoke-colored drops, with two tiers of sprays of drops near the top. h. 26”, dia. 36” $1,000-$1,500 354 Pair of Sevres-Style Bronze-Mounted Urns 20th century, with panels decorated with figures in 18th-century costume on the obverse and views of castles on the reverse, each framed in raised gilt scrollwork on a cobalt ground, the sides set with leaf-molded bronze handles with masque terminals, the covers with cone-form bronze knops, on bronze bases decorated with medallions. h. 27-1/2”, w. 8”, d. 6-1/2” $1,000-$1,500

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355 Louis XV-Style Parcel-Gilt Trumeau Mirror fourth quarter 19th century, French, each panel with scrollcarved surrounds accented with flowerheads, the lower panel set with a beveled mirror and the upper panel with an oilon-canvas painting of a group playing blind man’s bluff in a pastoral setting. h. 72-1/2”, w. 37-1/4”

355

$1,800-$2,500 356 Gilt-Metal and Porcelain Chandelier in the rococo taste, the nine-light chandelier with a cobalt porcelain body hung with gilt-bronze floral swags, supported on molded rod-form chains and set with nine scrolled candle arms terminating in rococo-molded candle cups and drip pans. h. 32”, dia. 29” $1,500-$2,500 357 French Bronze-Mounted Porcelain Urn in the Sevres Style fourth quarter 19th century, decorated with impressionist views of classical maidens in a landscape, signed “I. Juramy”, the cobalt foot and neck set into gilt-bronze trim, the sides with bronze handles depicting trumpeting putti supported on acanthus leaves. h. 27-3/4”, w. 8-1/2”, d. 7-1/4” $1,200-$1,800

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358 French Pierced Bronze Firescreen first quarter 20th century, of Louis XV inspiration, raised on leaf-molded paw feet, pierced and decorated with gargoyles and scrollwork framing trophies of a bow and arrows, the crest with a central flame finial with female busts on each side. h. 32”, w. 29-1/2”, d. 8” $1,000-$1,500

358

359 Louis XVI-Style Gilt-Bronze-Mounted Mahogany Commode a Vantaux early 20th century, after a design by Benneman & Stockel for Marie-Antoinette, the marble top with a molded edge, the case with a bank of three drawers over a pair of doors, opening to reveal an interior fitted with drawers, adorned throughout with bronze mounts and moldings, each side with a large central medallion. h. 37-1/4”, w. 20”, d. 26” Provenance: Property Descended in the Livaudais-Walshe Family, New Orleans, Louisiana.

359

$3,000-$5,000

359 detail

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360 360 Sevres-Style Porcelain and Bronze Jardiniere-Form Candelabrum third quarter 19th century, with a celeste bleu ground, painted in the round with putti frolicking in a pastoral landscape, set with bronze flowers interspersed with candle sockets, mounted with bronze handles terminating in winged angel heads, on a bronze base decorated with a fringed bronze table cover and coneform finials. h. 23”, dia. 21” Provenance: Property Descended in the LivaudaisWalshe Family, New Orleans, Louisiana.

361 361 Pair of Bronze-Mounted Sevres-Style Urns fourth quarter 19th century, French, with bleu celeste grounds, the necks with portraits of Marie Antoinette and Louis XVI, over figures in 18th-century costume in pastoral settings, each framed with enamel beading and rich gilt flowers and scrollwork, with bronze ring handles terminating in masques, on molded bronze bases, the covers with bronze cone-form knops. h. 24-1/2”, w. 10-1/4”, d. 7-1/4” Provenance: Property Descended in the Livaudais-Walshe Family, New Orleans, Louisiana. $1,200-$1,800

$1,400-$1,800

362 Unusual Giltwood Overmantel Mirror first quarter 20th century, probably French, of rococo inspiration, with a leaf-carved surround, the crest carved with a crown and scrollwork, the lower section decorated with an arch delineated with carved morning glory vines, the mirror segmented with carved rocaille work, scrollwork and lotus blossoms. h. 67-1/4”, w. 87” Provenance: Property Descended in the LivaudaisWalshe Family, New Orleans, Louisiana. $1,500-$2,500

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363 Pair of Exceptional Sevres-Style Urns fourth quarter 19th century, English, now mounted as lamps, with celeste blue grounds, decorated with allegorical depictions of art on one, and music on the other, the reverse panels decorated with flowers framed with boughs of raised gilt laurel leaves tied with bowknots, with an unidentified Sevres-style mark. h. 28-1/2”, w. 18”, d. 13” Provenance: Property Descended in the Livaudais-Walshe Family, New Orleans, Louisiana. $1,000-$1,500 364 Louis XV-Style Giltwood Mirror and Console Table the mirror with a leaf- and scroll-carved crest over a shaped looking glass with foliate tracery, and the console table with a serpentine marble top over a conforming frieze, in foliate and scroll decor, raised on cabriole legs joined by stretchers with like carving. h. 94”, w. 47”, d. 13-3/4”

363

$1,000-$1,500

364

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365 Suite of Six Louis XV-Style Bronze-Mounted Beechwood Dining Chairs each with a shaped and molded back with perimeter mounts and a foliate crest, a serpentine-front seat rail with a shell-and-leaf bronze mount, and raised on cabriole legs with bronze mounts and sabots, now upholstered in black leather with brass tacks. h. 43-3/4” $1,200-$1,800 366 Pair of Patinated Bronze and Crystal Nine-Light Appliques second quarter 20th century, attributed to Baccarat, the molded backplates set with three tiers of graduated scrolled candle arms, hung with lush cut crystal drops, the top decorated with a spray of drops. h. 26-3/4”, w. 17-3/4”, d. 9-1/2” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,500-$2,500

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367 Louis XV-Style Fruitwood Occasional Table early 20th century, the rectangular top with canted projecting corners and a gilt-tooled leather surface under a glass panel, above a conforming frieze fitted with a single drawer, raised on cabriole legs ending in sabots. h. 29-1/2”, w. 24”, d. 17” $800-$1,200 368 Louis-Philippe Gilt-Bronze Candelabrum mid-19th century, probably the work of Charles Stanislas Matifat, the palm-tree-molded standard and branches decorated with a dragon and a grapevine, the base with grapes, pears, walnuts and a turtle, raised on a pierced bronze base with delicately molded scroll- and rocaille work. h. 25”, dia. 15-1/4” $1,000-$1,500 369 French Belle Epoque Parcel-Gilt Trumeau Mirror

367

fourth quarter 19th century, in the Louis XV style, the mirror panel with a serpentine crest framed with a giltwood surround, the crest with scrollwork, rocaille work and flowerheads, the corners with winged angels, the upper tablet decorated with a painting of figures being serenaded by troubadours in a pastoral setting, the giltwood surround with a pierced scrollwork crest. h. 90-3/4”, w. 55-1/2” $2,000-$4,000

368 369

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370 Continental/Belgian School (Fourth Quarter 19th Century) “Kitten Peering Over the Puppies” oil on canvas monogrammed “JK” lower right. Framed. 21” x 17”, framed 29-3/4” x 25-3/8” $1,000-$1,500

371 Cornelius Raaphorst (Dutch, 1875-1954) “Kittens Playing” oil on canvas signed lower right. Framed. 16” x 23-1/4”, framed 20-1/2” x 28-1/4” $3,000-$5,000

370

371

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373 373 Directoire Fruitwood Fold-Over Demi-lune Table ca. 1800, the top hinged and opening to form a circular surface above a plain frieze, raised on tapered legs. h. 30-1/2”, w. 46”, closed d. 22-1/2”

372

$1,000-$1,500

374 Suite of Four Restauration-Style Mahogany Fauteuils

372 Charles Michel Maria Verlat (Belgian, 1824-1890)

late 19th/early 20th century, each with a lotus-carved crest rail over an upholstered cushion, the open arms extending to curved and reeded supports, bowed seat rail and shaped legs with carved knees, upholstered in teal and bronze brocade. h. 37”

“Mother Teaching Her Daughter Her Letters”, 1866 oil on wood panel signed and dated lower right, partial red wax seal from Campo & Campo [auction] en verso. Framed. 22” x 17-1/8”, framed 27-3/4” x 23-1/2”

Provenance: Fireside Antiques, Baton Rouge, Louisiana. $2,000-$4,000

$2,000-$4,000

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375 Restauration Gilt-Bronze-Mounted Mahogany and Marble-Top Center Table second quarter 19th century, the circular gray marble top over a conforming apron mounted with laurel leaves and berries, raised on three columns with bronze capitals and bases on a shaped tripartite base. h. 26-1/2”, dia. 37-1/4” $1,500-$2,500

376 French Griotte de Campan Rouge Marble and GiltBronze-Mounted Pedestal early 20th century, the square top mounted to a tapering cylindrical column with a gilt-bronze Corinthian capital, the stepped base with cast bronze moldings. h. 44”, top w. 9-1/2”, d. 9-1/2”, base w. 10-1/2”, d. 10-1/2” $1,000-$1,500

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377 Pair of French Rouge Griotte Marble and Brass Tazzas fourth quarter 19th century, the urn-form red griotte marble garnitures on rectangular bases set with brass-trimmed panels, resting on low brass feet. h. 12”, dia. 8-1/2” $1,000-$1,500

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378 379

378 Pair of Louis-Philippe Mahogany Gondola Chairs mid-19th century, the padded back joined to the like seat by downswept sides, raised on sabre legs headed by a scrolled capital and ending in like toes. h. 39-1/2” $1,000-$1,500 379 Empire-Style Gilt-Bronze and Brass Chandelier the six-light chandelier with a brass body set with six masquemolded bronze arms alternating with shell mounts, supported on rod-form chains from a canopy decorated with a corona of pierced anthemia, the lower portion with a cone-form pendant finial. h. 29”, dia. 18-3/4” $1,000-$1,500 380 Empire-Style Parcel-Gilt Mahogany Center Dining Table 20th century, the circular top with a reeded edge and raised on a tripodal pedestal base, the column with canted corners on a low concave base supported by carved and gilded paw feet with winged brackets. h. 30-1/4”, dia. 54”

380

$1,000-$1,500 381 Egyptian Revival Marble, Bronze and Onyx Three-Piece Clock Set fourth quarter 19th century, the pylon-form marble clock with hieroglyph-decorated onyx with a recumbent sphinx on the top, with winged leopards flanking the clock, h. 17”, w. 19-1/4”, d. 6-3/4”, the onyx urns with marble bases and decorated to match, h. 22-1/2”, w. 6-3/4”, d. 4-3/4”, all three pieces with winged “suns” decorating the bases. $1,200-$1,800

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382 Large Louis-Philippe Giltwood Overmantel Mirror mid-19th century, in the rococo taste, the pierced crest decorated with a central cartouche framed with scrollwork, decorated with a swag of bellflowers, the lower corners with pierced scrollwork, the ogee-molded surround with a reverse serpentine crest and beaded liner. h. 85”, w. 53” $2,000-$4,000

382

383 Gilt-Bronze Chandelier in the Neoclassical Taste second half 20th century, the turned standard decorated with trumpeting putti, the scrolled and molded arms with seated putti, the corona decorated with anthemia. h. 34-3/4”, dia. 31-1/2” $1,500-$2,500

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384 Patinated Bronze Fountain of a Putto Astride a Dolphin 20th century, after Sylvain Kinsburger (French, 1855-1935), cast signature along back, water apertures in dolphin’s mouth, the base with a shell-molded basin. h. 57-1/2”, w. 49”, d. 41” $2,000-$4,000

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385 Figural Bronze Fountain after Emile Carlier (French, 1849-1927) modeled as a classical maiden perched on a shell basin and pouring from an amphora, the base signed “Carlier”. h. 58-1/2”, w. 35”, d. 38” $1,400-$1,800

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386 Bronze Fountain in the Neoclassical Taste 20th century, in the form of three putti at play, each piped to spout water, raised on a circular molded platform. h. 72”, w. 20”, d. 17-1/2” $1,800-$2,500

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387 Pair of Molded Bronze and Glass Hall Lanterns the four-light cylindrical lanterns with bronze frames molded with neoclassical motifs and supported on molded bronze scrollwork. h. 27-1/4”, dia. 14-1/4” $1,000-$1,500

388 French Gilt-Bronze and Glass Hall Lantern mid-20th century, the pierced frame decorated with scrollwork crests, supported by scrollwork, the corners with leaf-molded finials, set with glass engraved with floral sprigs. h. 38”, dia. 18-1/2” $1,000-$1,500

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390 French Gothic Revival Bronze Dore et Patine and Marble Encrier

389 Pair of Rococo-Style Gilt-Metal Hall Lanterns the tapered lanterns with scrolled frames fitted with curved glass panels, supported on molded scrollwork and set with one interior light. h. 28”, dia. 17”

second quarter 19th century, the patinated bronze and gilttrimmed encrier in the form of a domed church, the dome hiding a bell and the roof lifting to reveal a gilt-bronze pounce pot, opening for glass ink pots, on a marbre vert base. h. 8-1/4”, w. 7-1/2”, d. 4”

$1,000-$1,500

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391 The Important Delmas-Massion French Neo-Renaissance Walnut Buffet a Deux Corps 1880, Nantes, France, with a maker's engraved brass plaque reading "Alfred Delmas 1880", the upper section with a brokenarch pediment centered by a cartouche with a carved masque of Silenus, over a pair of glazed doors flanked by figural carved Heraclean atlantes, supporting the bracketed cornice, the cabinet over figural carved back panels of mythological scenes (a young Dionysus, Triton and his entourage, and a Maenad and young satyr), the sideboard base with curved ends and a drawer over a large paneled door, the door carved depicting a historical scene of Francis I at Fontainebleau presenting a painting of the Holy Family to his court, flanked by doors with medallion-carved panels with the busts of Rafael and da Vinci, the cabinet carved throughout in historical revival and renaissance motifs. h. 133", w. 101", d. 30" Literature: Revue de Bretagne et Vendee (Nantes: Bureaux de Redaction, 1881), 5th series, volume IX, pp. 83-84 Catalogue des Meubles Anciens, Tapisseries de Bruxelles, etc.: Collection de feu M. Gustave Massion, Sale Catalogues, A. Normand, Nantes, March 14, 1892, lot 244 $15,000-$25,000

The 1881 first semester edition of Revue de Bretagne et Vendee, a journal of arts and culture in historic Brittany, contained an article on the emerging art movement in the region, and singled out the wood sculpture of Alfred Delmas. It noted that several Parisian journals had taken note of the artist, among them the prestigious Monde Illustre, many of which had published his designs. (The July 28, 1878 Monde Illustre, for instance, illustrated three panels of ValoisAngouleme courts carved by Delmas after the manuscripts of Bernard de Montfaucon which were shown at the 1878 Exposition Universelle.)

to house his large collection of paintings, antiques and, most importantly, significant Belgian tapestries. Delmas' buffet was showcased among these treasures. (The building and street are now renamed the Hotel de la Marine, place GeneralMellinet, and is currently the headquarters of the Akeneo software company.) After Massion's death in 1891, his collection was auctioned by A. Normand at the hotel Massion on March 14, 1892. The sale catalogue lists the buffet as lot 244: "Grand Meuble de salle a manger . . . une grande composition: Francois Ier, a Fontainebleau . . . signed: Delmas". (The subsequent lot - a Renaissance-style credenza - was also by Delmas.) The first semester edition of "L'Art et L'Idee" reports that the buffet brought 2500 francs: a princely sum, equivalent to about $13,500 today. The purchaser is not known, nor is any subsequent history of the buffet until its appearance a century later and a continent away in a 2001 auction in North Hills, California.

This is unquestionably the present lot: "in two parts, with a pediment . . . at the bottom, three panels; the one in the middle representing Francois I presenting a painting of the Holy Family to his court; the other two, portraits of Leonardo da Vinci and Raphael . . . above, three bas reliefs . . . flanked by two extensively sculpted colossi".

Given his talent and appeal, it is surprising then that virtually nothing is known of Delmas himself. His name appears in art journals through the mid-1880s (the 1884/85 Revue des Arts Decoratifs said of his carved floral medallion which received a bronze medal at the 8th Exposition des Industries d'Art: "it is difficult to understand that it is possible to carve wood with a similar perfection"), but thereafter disappears. The Delmas family was in Nantes since at least the early 18th century, but a thorough search of the vital records, censuses and poll registers shows no Alfred Delmas that might be the sculptor. The likeliest candidate is the Alfred Isaac Constant Delmas born in Nantes on September 9, 1850, the son of merchant Louis Auguste Delmas and his wife Victoire Genie. The Revue de Bretagne article noted that Delmas was "not yet 40" in 1881, and he is the only Alfred Delmas born in Nantes of the right age; moreover, his brother, Georges Aime Delmas, was a "menuisier" - a carpenter or joiner - suggesting his possible association with transforming Delmas' sculpture into furniture.

"M. Massion", the original owner of the buffet, was Nantaise industrialist and sugar refiner Gustave Massion (1832-1891). In 1874, Massion built the hotel Massion at no. 2 place Launay in Nantes: a grand 2,800 square-foot neoclassical mansion after an 1828 design of Etienne Blon and Louis Amouroux, created

This magnificent buffet - well-recorded and handsomely placed in its time - is spectacular evidence of Delmas' talent, and its re-discovery merits further research into the life and identity of Alfred Delmas so that he might be restored to his position of one of the great wood carvers of La Belle Epoque.

The article mentions several important pieces of furniture by Delmas in the Renaissance and Louis XIII style - an armoire, several bibliotheques, a credenza - and "un magnifique buffet Renaissance, que possede M. Massion". "Ce meuble est a deaux corps, avec fronton. Dans le bas, trois panneaux; celui du milieu represent Grancois Ie montrant a so cour le tableau de la Sainte-Famille; les deux autres, les portrais de Leonard de Vinci et de Raphael. Au-dessus, trois bas reliefs d'un travail tres soigne. Le haut du buffet est flanque de dex colosses sculptes largement".

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392 French Belle Epoque Giltwood Mirror of Rococo Inspiration ca. 1900, the corners mounted with acanthus leaves, the surround decorated with flowers and leaves on a stippled ground, the liner decorated with strapwork and flowerheads, set with a beveled mirror plate. h. 59-1/2”, w. 35-1/2” $1,000-$1,500

392 393

393 Pair of Louis XIV-Style Brass-Inlaid Pedestals each with a black slate top with a molded edge, on an ormolumounted tapering base, flaring at its top with inlaid brass on all sides, the fronts fitted with a cupboard door, resting on a plinth base. h. 46-1/4”, w. 14-3/4”, d. 14-3/4” $1,000-$1,500 394 Pair of Chinoiserie Lacquered and Marble-Top Corner Cabinets 19th century, each with a shaped and bowed marble top above a conforming case fitted with a single glazed cupboard door, the whole with gilt floral accents, raised on block feet. h. 34-1/2”, w. 26”, d. 17” $1,500-$2,500

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395 Napoleon III Giltwood Mirror in the Rococo Taste third quarter 19th century, framed with delicately pierced scrolls and rocaille work, and scattered with carved flowerheads, the finial depicting a plumed crown, the surround with carved rocaille work. h. 41-3/4”, w. 33-3/4” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,400-$1,800 396 Napoleon III-Style Boulle and Ebonized Serpentine Vitrine the top edged with bronze molding, the case with a serpentine glazed door set in a brass line-inlaid frame, flanked by pilasters with brass and faux tortoiseshell inlay and foliate-modeled mounts on the top and bottom, the sides with serpentine glazing, the base with a central masque mount. h. 40-3/4”, w. 47-1/4”, d. 19” $1,200-$1,800

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397 Napoleon III Ebonized and Boulle Center Table second half 19th century, the inlaid tortoise-form top edged with cast bronze, above a conforming frieze centered by bronze figural mounts, fitted with a single drawer, raised on cabriole legs with bronze espagnolettes and sabots. h. 30”, w. 51-1/4”, d. 29-1/4” $1,200-$1,800

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398 French Belle Epoque Giltwood Overmantel Mirror fourth quarter 19th century, in the neoclassical taste, the arched crest decorated with ribbon-bound tendrils of laurel leaves, forming a central wreath, the sides with firepot finials, the cornice decorated with carved honeysuckle, the sides with flowers and acanthus leaves alternating with panels, set with a beveled mirror plate. h. 68-3/4”, w. 43-3/4” $1,200-$1,800 399 French Bronze and Engraved Glass Chandelier first quarter 20th century, the nine-light chandelier in the Classical Revival taste, supported on a scroll-molded frame, the body set with engraved and frosted glass, decorated with bronze flower swags and supports, four pairs of scroll-molded arms and with one interior light, with molded and frosted floriform shades. h. 33”, dia. 32” $1,000-$1,500

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400 Pair of Elaborate French Bronze Sconces ca. 1900, of Renaissance Revival inspiration, the lobed backplates decorated with shells and fruit, the leaf-molded scrolled arms set with angels supporting molded drip pans and candles on their heads, electrified. h. 22-3/4”, w. 15-1/4”, d. 12” $1,200-$1,800

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401 Napoleon III Walnut Pedestal fourth quarter 19th century, the raised circular top mounted to a fluted standard and four acanthus-carved buttresses, mounted to a square platform base with in-cut corners. h. 39”, base w. 21”, d. 21”, top dia. 13” $1,000-$1,500 402 Unusual Parcel-Gilt Mahogany Double Easel 20th century, of Louis XV inspiration, the crest with a shellcarved cartouche above a pair of graduated adjustable shelves, each with an elaborate pierced and carved back panel and designed to exhibit multiple paintings. h. 86”, w. 38” $1,200-$1,800 403 After Emile Henri LaPorte (French, 1841-1919) “Actaeon”, 20th century

401

patinated bronze cast signature along back of self-base, titled across front edge, on a carved marble columnar plinth. sculpture h. 33”, overall h. 67”, w. 17”, d. 17” $1,200-$1,800

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404 Semi-Antique Heriz Carpet 9’ 4” x 12’ 10” $2,000-$4,000

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405 Semi-Antique Kashan Carpet 8’ 8” x 12’ 3” $1,200-$1,800

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406 Oushak Carpet 8’ 8” x 11’ 11” $3,000-$5,000

407 Semi-Antique Sultanabad Carpet 13’ 8” x 19’ 11” $8,000-$12,000

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408 Agra Sultanabad Carpet 9’ 3” x 22’ 8” $3,000-$5,000

409 Antique Caucasian Karabagh Runner 3’ 6” x 10’ 9” $1,500-$2,500

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410 Antique Persian Feraghan Sarouk Carpet 4’ 4” x 6’ 8” $2,000-$4,000

411 Semi-Antique Lilihan Runner 3’ 7” x 9’ 5” $1,000-$1,500

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Session II Sunday, July 25 Lots 412 - 811 PICTURED: LOT 713

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412 Diamond Necklace 14k white gold, the open mesh necklace mounted with round brilliant-cut diamonds weighing approximately 2.52 carats in total. w. 5/8”, l. 16”, total weight 28.8 grams

414 Diamond Tennis Bracelet 14k white gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 8.00 carats in total, approximate color I-J-K and clarity SI1-I1. l. 7”, total weight 12.2 grams

$3,000-$5,000 $5,000-$8,000 413 Diamond Hoop Earrings 14k white gold, the inside-outside earrings mounted with round brilliant-cut diamonds weighing approximately 2.41 carats in total. l. 1”, total weight 7.0 grams

415 Pair of Diamond Stud Earrings 14k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 1.75 carats in total, approximate color H-I and clarity SI3-I1. total weight 1.2 grams

$1,500-$2,500 $2,000-$4,000

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416 Pair of Diamond Earrings 18k white gold, the cluster earrings mounted with round rosecut diamonds weighing approximately 3.20 carats in total. l. 5/8”, total weight 5.8 grams $2,000-$4,000 417 Diamond Bracelet 18k white gold, the hinged bracelet mounted with pear-, round- and triangle-shaped rose-cut diamonds weighing approximately 11.86 carats in total. inside circumference 6-1/2”, total weight 36.0 grams $12,000-$18,000

418 Diamond Engagement Ring 14k white gold, the ring mounted with a central round brilliant-cut diamond weighing approximately 0.75 carats, approximate color H-I and clarity SI3, surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.36 carats in total. size 7, total weight 5.5 grams $1,200-$1,800 419 Lady’s Cyma Diamond Wristwatch 18k white gold, the quartz-movement wristwatch with a mother-of-pearl face, accented on the markers and bezel with round brilliant-cut diamonds weighing approximately 1.25 carats in total, the face marked “Cyma, Quartz, Swiss Made”, with an 18k white gold band with a deployant clasp. inside circumference 6-1/2”, total weight 84.1 grams $1,800-$2,500

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420 Beautiful Diamond Necklace 18k white/rose gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 7.55 carats in total. l. 16”, total weight 27.7 grams

424 Pair of Diamond Hoop Earrings 14k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.28 carats in total. l. 1-3/8”, total weight 5.7 grams

$6,000-$9,000

$1,000-$1,500

421 Diamond Ring 18k rose gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.80 carats in total. size 6, total weight 3.3 grams

425 Two Diamond Bangle Bracelets 14k yellow gold, the bracelets mounted with round brilliantcut diamonds weighing approximately 0.50 carats in total. inside circumference 6-3/4”, total weight 9.1 grams

$1,000-$1,500

$1,500-$2,500

422 Diamond Bracelet 14k yellow gold, the bracelet mounted with baguette- and round brilliant-cut diamonds weighing approximately 3.75 carats in total. l. 7-3/8”, total weight 17.9 grams

426 Diamond Bangle Bracelet 14k yellow gold, the hinged bracelet mounted in the round with stations of round brilliant-cut diamonds weighing approximately 0.95 carats in total. inside circumference 6-1/2”, total weight 9.6 grams

$3,500-$5,000 $1,200-$1,800 423 Diamond Pendant Necklace 14k yellow gold, the pendant mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 0.25 carats in total, the pendant fixed to the adjustable yellow gold chain. l. 16” to 18”, total weight 2.3 grams

427 Pair of Diamond Earrings 14k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.25 carats in total. l. 2-1/2”, total weight 4.0 grams

$1,000-$1,500

$1,200-$1,800

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428 Pair of Yellow and White Diamond Earrings 18k white gold, the earrings mounted with two oval-cut Fancy Yellow diamonds weighing approximately 0.79 carats in total, surrounded by a border of round brilliant-cut Fancy Yellow diamonds weighing approximately 0.19 carats in total, accented on the tops with pear-cut white diamonds weighing approximately 0.20 carats in total, and accented throughout with round brilliant-cut white diamonds weighing approximately 0.76 carats in total. l. 1-1/2”, total weight 8.5 grams $3,500-$5,000 429 Yellow Diamond Ring with Emerald and White Diamond Accents 18k white gold, the ring mounted with a central oval-cut yellow diamond weighing 1.00 carat, color Y-Z and clarity I1, GIA report #6235203091, surrounded by a border of round brilliant-cut yellow diamonds weighing approximately 0.11 carats in total, flanked on either side by an oval-cut treated emerald weighing approximately 0.72 carats in total, and accented on the outer borders and ring shank by round brilliant-cut white diamonds weighing approximately 0.51 carats in total. size 7-1/4, total weight 5.9 grams

430 Carved Emerald and Diamond Pendant Necklace 14k yellow gold, the fixed pendant mounted with a carved leaf-shaped treated emerald weighing approximately 2.50 carats, accented by round brilliant-cut diamonds weighing approximately 0.20 carats in total. adjustable l. 16-1/2” to 18-1/2”, total weight 2.9 grams $1,000-$1,500 431 Emerald and Diamond Bangle Bracelet 18k yellow gold, the hinged bracelet mounted with square-cut treated emeralds weighing approximately 2.25 carats in total, accented by emerald-cut diamonds weighing approximately 1.38 carats in total. inside circumference 6-1/2”, total weight 30.1 grams $5,000-$8,000 432 Emerald and Diamond Necklace 14k yellow gold, the fixed pendant mounted with an oval-cut treated emerald weighing approximately 1.50 carats, accented by round brilliant-cut diamonds weighing approximately 0.70 carats in total, the pendant fixed to a yellow gold herringbone chain. l. 17”, total weight 9.8 grams

$3,500-$5,000 $1,200-$1,800

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433 Diamond Chain Bracelet 14k yellow gold, the chain bracelet with a bar mounted with a double row of round brilliant-cut diamonds weighing approximately 0.50 carats in total. adjustable l. 6” to 6-3/4” to 7-1/2”, total weight 1.7 grams

435 Diamond Tennis Bracelet 14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 5.20 carats in total. l. 7”, total weight 6.7 grams $2,500-$4,000

$1,000-$1,500 434 Pair of Diamond Earrings 14k yellow gold, the three-stone earrings mounted with round brilliant-cut diamonds weighing approximately 2.18 carats in total, approximate color I-I-J and clarity SI3. l. 3/4”, total weight 3.5 grams

436 Van Cleef & Arpels Diamond Bangle Bracelet 18k yellow gold, the oval hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 2.33 carats in total, approximate color E-F-G and clarity VVS2-VS2, stamped “V.C.A. 750 B0195” and with a “C” inside a circle. inside circumference 5-7/8”, total weight 40.5 grams

$2,500-$4,000

$4,000-$7,000

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437 Emerald and Diamond Ring 18k white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 1.15 carats in total and emerald-cut treated emeralds weighing approximately 1.06 carats in total. size 5-1/2, total weight 11.2 grams $1,800-$2,500 438 Pair of Emerald and Diamond Hoop Earrings 14k white gold, the inside-outside earrings mounted with round-cut treated emeralds weighing approximately 2.70 carats in total and round brilliant-cut diamonds weighing approximately 0.71 carats in total. l. 1-5/8”, total weight 8.7 grams $1,200-$1,800 439 Emerald and Diamond Ring platinum, the ring mounted with an emerald-cut emerald weighing approximately 5.11 carats, surrounded by two borders of round brilliant-cut diamonds weighing approximately 2.45 carats in total. size 7, total weight 14.7 grams $4,500-$7,000 440 Emerald and Diamond Ring 18k white gold, the ring mounted with an oval-cut treated Zambian emerald weighing 8.28 carats, IGI report #23J8372721, accented by round brilliant-cut diamonds weighing approximately 2.76 carats in total, approximate color E-G and clarity VS2-SI2. size 7, total weight 8.7 grams

441 Emerald and Diamond Ring 14k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 5.25 carats, accented by round brilliant-cut diamonds weighing approximately 0.27 carats in total. size 6-1/2, total weight 4.9 grams $1,500-$2,500 442 Emerald and Diamond Ring 18k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 2.85 carats, flanked on either side by a baguette-cut diamond weighing approximately 0.41 carats in total. size 7-1/4, total weight 5.8 grams $3,000-$5,000 443 Tourmaline and Diamond Pendant 18k white gold, the pendant mounted with a rectangular-cut tourmaline weighing approximately 14.27 carats, suspended from a rectangular gold frame mounted with round brilliantcut diamonds weighing approximately 1.10 carats in total. l. 1-3/4”, total weight 15.8 grams $1,200-$1,800

$4,500-$7,000

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444 Pair of Opal, Emerald and Diamond Earrings 14k yellow gold/sterling silver, the earrings mounted with cabochon-cut opals weighing approximately 3.50 carats in total, accented by round-cut treated emeralds weighing approximately 1.28 carats in total, and single-cut diamonds weighing approximately 1.12 carats in total. l. 1-1/2”, total weight 9.0 grams $1,200-$1,800 445 Opal, Emerald and Diamond Necklace 14k yellow gold, the pendant mounted with a cabochon-cut opal weighing approximately 8.46 carats, accented by ovalcut opals weighing approximately 0.93 carats in total, and round brilliant-cut diamonds weighing approximately 0.08 carats in total, further accented on the pendant and chain with round-cut treated emeralds weighing approximately 0.51 carats in total, l. 1-1/4”, the pendant suspended on a yellow gold adjustable chain, l. 16” to 18”. total weight 10.1 grams $1,000-$1,500

446 Opal and Diamond Ring 14k yellow gold, the ring mounted with an oval cabochon-cut opal weighing approximately 3.08 carats, accented by round brilliant-cut diamonds weighing approximately 0.15 carats in total. size 7, total weight 5.4 grams $1,000-$1,500 447 Pair of Opal and Diamond Earrings 14k yellow gold, the earrings mounted with oval cabochon-cut opals weighing approximately 6.22 carats in total, accented throughout with round brilliant-cut diamonds weighing approximately 0.94 carats in total. l. 1-3/4”, total weight 9.1 grams $1,400-$1,800 448 Pair of Opal and Diamond Earrings 14k yellow gold/sterling silver, the earrings mounted with cabochon-cut opals weighing approximately 20.89 carats in total, accented by single-cut diamonds weighing approximately 3.34 carats in total. l. 2-3/4”, total weight 23.9 grams $1,800-$2,500

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449 Black Opal and Diamond Ring platinum, the ring mounted with an oval-shaped black opal weighing approximately 1.10 carats, accented by round brilliant-cut diamonds weighing approximately 0.80 carats in total. size 6-3/4, total weight 6.3 grams

452 Opal, Diamond and Black Onyx Ring 14k yellow gold/sterling silver, the ring mounted in the center with a cabochon-cut opal weighing approximately 3.00 carats, surrounded by a border of faceted black onyx, accented on the inner and outer borders with single-cut diamonds weighing approximately 0.58 carats in total. size 7, total weight 8.0 grams

$2,500-$4,000

$1,000-$1,500

450 Pair of Black Opal and Diamond “Feather” Earrings 14k yellow gold/sterling silver, the earrings mounted with black opal doublets weighing approximately 6.86 carats in total, accented with single-cut diamonds weighing approximately 2.94 carats in total. l. 2-1/4”, total weight 15.3 grams

453 Black Opal and Diamond Pendant Necklace 14k yellow gold, the fixed pendant mounted with a black opal doublet weighing approximately 2.14 carats, accented by round brilliant-cut diamonds weighing approximately 0.10 carats in total. adjustable l. 16-1/2” to 18-3/4”, total weight 3.0 grams

$1,800-$2,500 451 Black Opal and Diamond Ring 14k yellow gold, the ring mounted with a free-form opal doublet weighing approximately 0.85 carats, accented by single-cut diamonds weighing approximately 0.23 carats in total. size 6-3/4, total weight 3.0 grams $1,400-$1,800

$1,000-$1,500 454 Opal, Diamond and Onyx Ring 14k white gold, the ring mounted with a pear-shaped cabochon-cut opal weighing approximately 2.45 carats, accented by baguette- and round brilliant-cut diamonds weighing approximately 0.16 carats in total, bordered by black onyx. size 7, total weight 4.4 grams $1,000-$1,500

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455 Pair of Turquoise, Diamond and Onyx Earrings 14k yellow gold/sterling silver, the earrings mounted with pear-cut turquoise cabochons weighing approximately 2.23 carats in total, accented with faceted black onyx and single-cut diamonds weighing approximately 2.10 carats in total. l. 2-1/2”, total weight 18.9 grams $1,200-$1,800 456 Pair of Turquoise and Diamond Earrings 14k yellow gold, the earrings mounted with pear-shaped turquoise cabochons weighing approximately 6.13 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.66 carats in total. l. 1”, total weight 5.1 grams $1,000-$1,500 457 Turquoise and Diamond Ring and Earrings 14k yellow gold, the ring and earrings mounted with cabochon-cut turquoise weighing approximately 2.38 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.32 carats in total. ring size 6-3/4, earring l. 1”, total weight 4.2 grams $1,000-$1,500

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458 Pair of Aquamarine and Diamond Earrings 18k white gold, the dangle earrings mounted with emeraldcut aquamarines weighing approximately 4.40 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total. l. 1-3/4”, total weight 8.2 grams $2,000-$4,000 459 Pair of Aquamarine and Diamond Earrings 14k yellow gold, the pierced omega clip-back earrings mounted with cushion-cut aquamarines weighing approximately 6.36 carats in total, each bordered by a row of round brilliant-cut diamonds weighing approximately 1.27 carats in total. l. 1/2”, total weight 9.2 grams $1,800-$2,500

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460 Tanzanite and Diamond Ring 14k yellow gold, the ring mounted with a central cushion-cut tanzanite weighing approximately 3.02 carats, accented by round brilliant-cut diamonds weighing approximately 1.36 carats in total. size 7-1/4, total weight 4.9 grams $1,800-$2,500 461 Tanzanite, Diamond and Lapis Lazuli Ring 18k yellow gold, the ring mounted with a central oval-cut tanzanite weighing approximately 1.38 carats, round brilliantcut diamonds weighing approximately 0.23 carats in total, and accented by lapis lazuli. size 7, total weight 6.2 grams $1,000-$1,500

462 Gold and Lapis Lazuli Jewelry Suite 14k yellow gold, the suite including a necklace and bracelet composed of 6.00 mm lapis lazuli beads separated by round polished gold beads, a pair of ear clips mounted with lapis lazuli cabochons measuring approximately 13.0 mm x 16.9 mm and a ring mounted with a lapis lazuli cabochon measuring approximately 14.9 mm x 20.0 mm, surrounded by a border of seed pearls. necklace l. 16-1/2”, bracelet l. 7-1/2”, earring l. 3/4”, ring size 6 Provenance: The Claiborne-Humphreys Mansion, Esplanade Avenue, New Orleans, Louisiana. $1,000-$1,500 463 Gold and Enamel Fringe Bracelet 14k yellow gold, the bracelet composed of a mesh center section flanked on the top and bottom by a row of round, textured bars, the clasp finished as a “buckle”, accented by blue enamel and fringe. w. 1”, l. 7-1/4”, total weight 62.0 grams Provenance: The Claiborne-Humphreys Mansion, Esplanade Avenue, New Orleans, Louisiana. $1,500-$2,500

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464 Pair of Sapphire and Diamond Earrings 18k yellow gold, the earrings mounted with oval-cut treated sapphires weighing approximately 1.76 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total. l. 1/8”, total weight 5.2 grams $4,000-$7,000 465 Diamond and Sapphire Bolo Bracelet 18k yellow gold, the adjustable bracelet mounted with round brilliant-cut diamonds weighing approximately 1.37 carats in total, accented by round-cut treated sapphires weighing approximately 0.50 carats in total. adjustable length, total weight 8.0 grams $1,800-$2,500 466 Pair of Sapphire and Diamond Earrings 14k white gold, the earrings mounted with emerald-cut treated sapphires weighing approximately 1.00 carat in total, accented by round brilliant-cut diamonds weighing approximately 0.20 carats in total. l. 1”, total weight 2.2 grams $1,000-$1,500 467 Pair of Sapphire and Diamond Earrings platinum, the earrings mounted with oval-cut treated sapphires weighing approximately 6.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 3.00 carats in total. l. 3/4”, total weight 6.1 grams $4,000-$7,000 468 Sapphire and Diamond Bracelet 14k white gold, the bracelet mounted with baguette-cut treated sapphires weighing approximately 27.21 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.78 carats in total. l. 7-1/4”, total weight 25.1 grams $4,000-$7,000

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469 Pair of Sapphire and Diamond Earrings 14k white gold, the earrings mounted with cushion-cut treated sapphires weighing approximately 8.25 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.36 carats in total. l. 9/16”, total weight 4.1 grams $1,000-$1,500 470 Sapphire and Diamond Tennis Bracelet 14k white gold, the bracelet mounted with round-cut treated sapphires weighing approximately 2.40 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. l. 7”, total weight 6.0 grams $1,400-$1,800 471 Pair of Sapphire and Diamond Earrings 14k white gold, the earrings mounted with oval-cut treated sapphires weighing approximately 4.40 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total. l. 1-1/2”, total weight 8.1 grams $1,800-$2,500 472 Pair of Sapphire and Diamond Earrings 18k white gold, the dangle earrings mounted with cushioncut treated sapphires weighing approximately 9.35 carats in total, accented by round rose-cut diamonds weighing approximately 2.10 carats in total. l. 1-1/2”, total weight 9.0 grams $1,800-$2,500 473 Pair of Sapphire and Diamond Earrings 18k white gold, the post-back pierced earrings mounted with oval-cut treated sapphires weighing approximately 1.20 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.01 carats in total. l. 1-3/8”, total weight 4.8 grams $1,500-$2,500

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474 Diamond Bolo Bracelet 18k white gold, the adjustable bracelet mounted with round brilliant-cut diamonds weighing approximately 2.12 carats in total. adjustable length, total weight 8.9 grams

477 Diamond Bracelet 14k white gold, the bracelet mounted with diamond stations, each mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 2.75 carats in total. l. 7”, total weight 11.1 grams

$1,800-$2,500

$3,500-$5,000

475 Wide Diamond Band 14k white gold, the band mounted with round brilliant-cut diamonds weighing approximately 1.50 carats in total. size 6-1/4, total weight 5.9 grams

478 Diamond Horseshoe Brooch first quarter 20th century, American, platinum, the brooch mounted with European-cut diamonds weighing approximately 2.77 carats in total, approximate color G-H-I and clarity VS1-VS2. size 1-5/8” x 1-1/2”, total weight 7.5 grams

$1,200-$1,800 476 Diamond Pendant on Chain 14k white gold, the pendant mounted with a princess-cut diamond weighing approximately 0.50 carats, approximate color H-I and clarity VS2, suspended from an 18” white gold rope chain. total weight 1.4 grams $1,000-$1,500

$1,800-$2,500 479 Diamond Bracelet 14k white gold, the flexible bracelet with a chevron design and mounted with round brilliant-cut diamonds weighing approximately 8.00 carats in total. l. 7-3/8”, total weight 22.1 grams $4,000-$7,000

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480 Diamond Ring 18k white gold, the ring with a free-form design and mounted with baguette- and round brilliant-cut diamonds weighing approximately 1.56 carats in total. size 7-1/4, total weight 7.1 grams $1,400-$1,800 481 Pair of Diamond and Black Enamel Ear Clips 18k white gold, the earrings accented with black enamel and mounted with round brilliant-cut diamonds weighing approximately 1.40 carats in total. l. 7/8”, total weight 14.7 grams $1,000-$1,500 482 Wide Diamond Ring 14k white gold, the ring mounted with baguette- and round brilliant-cut diamonds weighing approximately 2.28 carats in total. size 7-1/4, total weight 9.1 grams $1,800-$2,500

483 Baroque Pearl, Diamond and Ruby “Swan” Brooch 14k yellow gold, sterling silver, the body of the swan mounted with a white baroque pearl, and accented by single-cut diamonds weighing approximately 1.76 carats in total, the eye mounted with a round-cut treated ruby weighing approximately 0.04 carats. size 1-7/8” x 2”, total weight 22.8 grams $1,000-$1,500 484 Diamond “Snake” Bracelet 14k yellow gold/sterling silver, the hinged bracelet mounted with round single-cut white and black diamonds weighing approximately 12.95 carats in total. inside circumference 6-1/2”, total weight 53.8 grams $2,000-$4,000 485 Diamond and Ruby “Panther” Brooch 14k yellow gold/sterling silver, the brooch mounted with single-cut and rose-cut diamonds weighing approximately 3.24 carats in total, the eye accented with a round-cut treated ruby weighing approximately 0.01 carat. size 1” x 2-1/4”, total weight 10.1 grams $1,000-$1,500

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486 Tahitian Pearl and Diamond Earrings and Pendant on Omega Necklace the 14k yellow gold earrings mounted with 13.0 mm Tahitian pearls with an excellent luster, accented by removable earring jackets mounted with round brilliant-cut diamonds weighing approximately 0.36 carats in total, l. 5/8”, and the 18k yellow gold pendant mounted with a 14.0 mm Tahitian pearl with an excellent luster, accented on the bail by round brilliant-cut diamonds weighing approximately 0.24 carats in total, l. 1”, suspended from a 14k yellow gold Omega necklace, l. 16-1/2”. total weight 38.3 grams $1,500-$2,500

487 South Sea Pearl Necklace 14k yellow gold, the necklace composed of graduated white South Sea pearls measuring 12.3 mm to 15.5 mm, with a good luster and finished with a yellow gold ball clasp. l. 17-1/2”, total weight 104.9 grams $1,400-$1,800 488 South Sea Pearl Necklace 14k yellow gold, the necklace composed of graduated white South Sea pearls with a good luster, ranging in size from 12.6 mm to 15.2 mm, finished with an openwork ball clasp mounted with round brilliant-cut diamonds weighing approximately 0.20 carats in total. l. 31-1/2”, total weight 191.7 grams $1,800-$2,500

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489 Kunzite and Diamond Ring 14k white gold, the ring mounted with an emerald-cut kunzite weighing approximately 7.22 carats, accented by round brilliant-cut diamonds weighing approximately 0.63 carats in total. size 7, total weight 7.6 grams

492 Pair of Ruby and Diamond Earrings 14k yellow gold/sterling silver, the earrings mounted with faceted treated rubies weighing approximately 7.77 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.49 carats in total. l. 1”, total weight 4.1 grams

$1,800-$2,500

$1,200-$1,800

490 Pair of Ruby and Diamond Earrings 14k yellow gold, the earrings mounted with cushion-cut treated rubies weighing approximately 12.52 carats in total, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 3.32 carats in total. l. 1-3/8”, total weight 16.4 grams

493 Watermelon Tourmaline and Diamond Pendant Necklace 14k yellow gold, the fixed pendant mounted with a slicecut watermelon tourmaline weighing approximately 2.83 carats, accented by round brilliant-cut diamonds weighing approximately 0.18 carats in total. adjustable l. 16-1/2” to 18-1/2”, total weight 3.0 grams

$1,800-$2,500

$1,000-$1,500

491 Ruby and Diamond “Frog” Brooch/Pendant 18k yellow gold, the pendant mounted with quadrillioncut treated rubies weighing approximately 5.87 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.59 carats in total, the back with a removable bail, allowing it to be worn as a pin or pendant. l. 1-3/4”, total weight 12.8 grams

494 Ruby and Diamond Ring 18k yellow gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 1.33 carats in total, accented by square-cut and calibre-cut treated rubies weighing approximately 0.79 carats in total. size 7, total weight 7.6 grams $1,400-$1,800

$800-$1,200

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495 Convertible Diamond Flower Bracelet/Brooch 14k yellow gold, the hinged bracelet mounted with a “flower”, set with round brilliant-cut diamonds weighing approximately 4.01 carats in total, approximate color J-K-L and clarity VS1-VS2, the “flower” portion removing to be worn as a brooch. bracelet inside circumference 6-1/8”, brooch dia. 1-5/8”, total weight 45.9 grams $3,500-$5,000

496 Diamond “Flower” Ring 18k yellow gold, the ring in the form of a flower, the “center” and “petals” mounted with rose-cut diamonds, each bordered by round brilliant-cut diamonds, weighing approximately 3.42 carats in total. size 7, total weight 6.7 grams $1,800-$2,500 497 Pair of Diamond Earrings 18k white/yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.09 carats in total. l. 5/8”, total weight 5.2 grams $1,200-$1,800

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498 Rose-Cut Diamond Snake Bangle Bracelet 18k yellow gold, the bracelet in the form of a coiled snake, the head mounted with rose-cut diamonds weighing approximately 1.35 carats in total. inside circumference 8-1/4”, total weight 35.6 grams $2,500-$4,000

499 Diamond Ring 14k yellow gold, the crossover ring mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 7-1/2, total weight 2.8 grams $1,000-$1,500 500 Diamond Bracelet 14k yellow gold, the coiled bracelet mounted with round brilliant-cut diamonds weighing approximately 2.25 carats in total. inside circumference 7”, total weight 10.1 grams $2,500-$4,000

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501 Gold and Diamond Bangle Bracelet 18k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 14.00 carats in total, approximate color J-K-L and clarity VS1-VS2. inside circumference 8”, total weight 46.1grams

503 Diamond Bangle Bracelet 14k yellow gold, the hinged bracelet designed with rope-twist gold hearts mounted with round brilliant-cut diamonds weighing approximately 1.62 carats in total. inside circumference 6-1/4”, total weight 15.8 grams

$7,000-$10,000

$1,000-$1,500

502 Diamond Band 14k yellow gold, the band mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total. size 7, total weight 8.3 grams

504 Diamond Ring 14k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 1.26 carats in total. size 5-1/4, total weight 9.7 grams

$1,500-$2,500

$1,200-$1,800

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505 Ten Dollar Liberty Gold Coin Pendant on Wire Necklace the 22k yellow gold Liberty coin dated 1905, framed by a 14k yellow gold border, l. 2”, suspended from a 14k yellow gold wire necklace, l. 20”. total weight 43.6 grams $1,500-$2,500

507 Lady’s Audemars Piguet Wristwatch 18k yellow gold, the mechanical-wind watch with an off-white dial marked “Audemars Piguet Geneve” and “Swiss”, the case measuring 23.0 mm and stamped “28203”, with a mesh gold band and the original box. inside circumference 6-3/4”, total weight 41.1 grams

506 Gold Bracelet with Diamond Locket 14k yellow gold, the curb-link bracelet with a gold locket edged with a rope border and accented with a single-cut diamond weighing approximately 0.01 carat. locket dia. 1-1/2”, bracelet l. 7-3/4”, total weight 49.0 grams

$2,500-$4,000

$1,400-$1,800

$3,000-$5,000

508 Wide Gold Mesh Bracelet 18k yellow gold, the wide textured gold bracelet with a polished gold design. w. 11/16”, l. 7-1/2”, total weight 80.4 grams

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509 French Gold Mesh Bag 18k yellow gold, the small bag opening to reveal two compartments formed by a divider composed of gold mesh, matching the outside of the bag, the inside of the clasp marked “Lucy Claiborne N.O. La.”. size 4” x 5”, handle drop 4”, total weight 150.0 grams Provenance: Lucy Marie Claiborne Coleman (1888-1919), The Claiborne-Humphreys Mansion, Esplanade Avenue, New Orleans, Louisiana, to her sister Marie Louise Claiborne Perrilliat (1877-1957), to her son Howard K. Perrilliat (19041975), thence by descent through the family. $4,500-$7,000 Lucy Marie Claiborne was born on June 17, 1888, the daughter of Judge Charles Ferdinand Claiborne (1848-1938) and his wife Amelie Soniat Dufosat (1855-1917), and greatgranddaughter of first Louisiana Governor W.C.C. Claiborne (1775-1817). She made her debut in the winter of 1906, attending dozens of cotillions, such as the December 30 Flower Cotillion given by Mr. & Mrs. Norvin Harris (“Miss Lucy Claiborne [was] queenly as a scarlet poppy”) , culminating in her reign as Queen of Atlanteans in the 1907 Carnival” “Miss Claiborne assumed the role she was so well-fitted to fill with extreme grace and loveliness. Her robe was of chantilly lace over a silk chiffon, heavily embroidered in gold and spangles. A deMedici collar, formed of gold and lace spanned the shoulders, and from it fell the long court mantle of creamtinted satin, richly embossed win gold epaulettes and gold embroideries.” She was presented in France that summer, traveling with her mother and maiden aunt and namesake, Lucie Claiborne (1845-1915). Her name appears literally hundreds of times in the society pages in the following years as a popular guest and hostess of social and charitable functions. On January 11, 1916, she married Illinois Central Railroad executive Samuel Carey Coleman (1878-1923), who later held a seat at the New York Cotton Exchange. The marriage was sadly short-lived, however; Lucy Claiborne Coleman died at her home at 1905 Esplanade Avenue on January 19, 1919, a victim of the Spanish Flu epidemic. As she had no children, her estate was divided among her siblings and their children, among them Marie Louise Claiborne Perrilliat (1877-1957), in whose family the present and following lot have descended.

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510 American Gold, Diamond and Sapphire Small Bag 14k yellow gold, the small bag composed of gold mesh, probably worn on a belt, the top of one side of the bag accented with European-cut diamonds weighing approximately 0.08 carats in total and round-cut sapphires weighing approximately 0.28 carats in total, the bottom of the bag with ball fringe, the inside of the top of the bag marked “Lucy Claiborne 14K N.O. La.”. size 2-1/2” x 2”, total weight 36.7 grams Provenance: Lucy Marie Claiborne Coleman (1888-1919), The Claiborne-Humphreys Mansion, Esplanade Avenue, New Orleans, Louisiana, to her sister Marie Louise Claiborne Perrilliat (1877-1957), to her son Howard K. Perrilliat (1904-1975), thence by descent through the family. $1,200-$1,800

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511 Montblanc Meisterstuck Solitaire Sterling Silver, Rose Gold-Plated and Diamond-Set Rollerball Pen limited anniversary edition, stamped “0970/1924” and “XP1071360” and with Swiss sterling hallmarks at cap, with a black hinged-lid display box, usage manual included. $1,400-$1,800

512 Three Chopard and Must de Cartier Rollerball Pens including a Chopard Racing Pen with palladium plating, black rubber “tire-tread” body with black cap, label marked “95/8016” and with style number “95013-0016”, in a black hinged-lid display case and outer storage box; a Chopard Racing Pen with palladium plating, black rubber “tire-tread” body with palladium cap, label marked “95/8031” and with style number “95013-0031”, in a black hinged-lid display case and outer storage box; a Must de Cartier Louis Stylo Rollerball Pen, numbered “019377”, with hallmark and stamped “made in France” and “plaque or G” at cap, label marked with style number “ST170027”, with certificate and care pamphlet, in a gilt-decorated red hinged-lid display case.

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$1,000-$1,500

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513 Louis Vuitton Monogram Attache Bag 2009, France, the coated canvas bag with a brown fabric-lined interior, with brass hardware, Vachetta leather trim, a luggage loop and tag, adjustable and removable strap and a lock and two keys. Date code: AS0089 h. 11”, w. 15”, d. 6”, handle drop: 6”, adjustable strap drop: 14” $1,000-$1,500

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514 Louis Vuitton Large Pegase Monogram Roller Bag 2009, France, the coated canvas bag with a retractable handle, with a nylon interior, brass hardware, Vachetta leather trim, a luggage loop and tag, lock and two keys, hanging bag and cover. Date code: SP0089 h. 25”, w. 17”, d. 9”, handle drop: 1-1/4”, retractable handle drop: 14” $1,500-$2,500

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515 Gentleman’s Longines Chronograph Wristwatch stainless steel, the mechanical-wind watch with a 37.0 mm case and a champagne dial, with blue-trimmed hands, reference #6234-3, with a navy blue suede band. l. 6-3/4” to 8-1/4”, total weight 46.1 grams $1,800-$2,500

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516 Gentleman’s H. Stern “Safira” Wristwatch stainless steel, the watch with a sapphire crystal and a brilliantcut diamond at the 12:00 marker, the back stamped “H. Stern, water resistant 100 meters, patented sapphire on stainless”, with a matching H. Stern band. inside circumference 7-3/4”, total weight 98.9 grams $800-$1,200

517 Diamond and Enamel Cross Pendant 14k yellow gold, the pendant mounted with round brilliantcut diamonds weighing approximately 2.00 carats in total, approximate color H-I and clarity VS2-SI3, accented with black enamel. l. 3-3/8”, total weight 30.4 grams $3,000-$5,000

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518 Garrard Diamond Cufflinks 18k white gold, the shield-form cufflinks mounted with round brilliant-cut white diamonds and round-cut black diamonds weighing approximately 3.01 carats in total, stamped “GARRARD” and “Austria 750”. l. 7/8”, total weight 20.1 grams

521 Gold and Ruby Cufflinks 18k yellow gold, the cufflinks each mounted with a round cabochon-cut ruby weighing approximately 0.40 carats in total. dia. 3/4”, total weight 24.2 grams $1,800-$2,500

$3,500-$5,000 519 Gold and Blue Enamel Cufflinks 14k yellow gold, the cufflinks with a blue enamel back and with the initials “JLS”. dia. 7/8”, total weight 19.4 grams

522 Blue Topaz Cufflinks 14k yellow gold, the cufflinks mounted with cabochon-cut blue topaz, faceted on the reverse, weighing approximately 12.26 carats in total. l. 5/8”, total weight 12.2 grams

$1,000-$1,500

520 Emerald and Diamond Cufflinks 18k yellow gold, the cufflinks mounted with cabochon-cut treated emeralds weighing approximately 1.06 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.84 carats in total. dia. 1/2”, total weight 8.7 grams

523 Diamond Cufflinks sterling silver, the cufflinks mounted with round brilliantcut diamonds weighing approximately 1.12 carats in total, stamped “SA” on the backs. l. 5/8”, total weight 12.6 grams

$2,000-$4,000

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$1,500-$2,500

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524 Set of Sixteen Hans Turnwald Peacock Napkin Jewels

525 Set of Sixteen Hans Turnwald Peacock Napkin Jewels

contemporary, enamel and Swarovski crystal on gilt metal, each with a pavonated peacock perched on a circular disc above an oval napkin ring, presented in the original red and black fitted boxes (four to a box). each h. 3”, l. 2-1/2”; boxes 3-1/4” x 10” x 6”

$1,000-$1,500

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527 Four Jay Strongwater Enamel and Swarovski Crystal Objets d’Art

526 Fourteen Pairs of L’Objet Pagoda Salt and Pepper Shakers contemporary, New York, the spice jewels in the form of pagodas, gold plate with freshwater pearls and yellow and red Swarovski crystals, presented in the original fitted boxes. each h. 3-1/2”, w. 2-1/4”; boxes 3” x 6” x 5”

contemporary, including: a mother and calf elephant with blanket and headdress, h. 5” and 3-3/4”; a magnolia desk clock, h. 4-3/4”, w. 5-3/4”; and a limited edition Meadow egg, #39/350, overall h. 6”, dia. 3-1/2”.

$800-$1,200

$1,000-$1,500

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528 528 Five Cased Sets of Sterling Silver Swan Placecard/Menu Holders hallmarked London, 1997, by J. A. Campbell, twenty-eight holders with a swan in a cutwork fluted semi-circular surround, presented in five midnight blue boxes with white satin and blue velvet interior (two places vacant). each holder h. 1-1/8”, dia. 1-1/4”; 12.96 total t. oz.; each case 2” x 10-1/2” x 2-1/2” $800-$1,200 529 Twelve Silverplate Figural Dog Napkin Rings contemporary, cast and assembled from vintage elements, with floral, foliate and grapevine rings, with various dog breeds (Scottie, bulldog, dachshund, basset hound, poodle, St. Bernard, retriever, etc.), including two carriage type with wheels, others with doghouse, bench, bone or water bowl. l. 2-3/4” to 4”

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$1,200-$1,800

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530 Set of Twenty-Four L’Objet Bird Napkin Jewels contemporary, New York, gilt metal, each in the form of a bird perched on a ringed branch, with faux garnet eyes, presented in the original boxes (one box lacking). h. 2-1/4”, dia. 1-1/2”; boxes 3-1/4” x 6” x 5” $700-$1,000

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531 Set of Twelve Hans Turnwald Peacock Napkin Jewels contemporary, enamel and Swarovski crystal on gilt metal, each with a pavonated peacock perched on a circular disc above an oval napkin ring. each h. 3”, l. 2-1/2” $700-$1,000

532 Set of Twelve Hans Turnwald Blue Jay Napkin Jewels

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contemporary, enamel and Swarovski crystal on gilt and silvered metal, each with a blue jay perched on a branch above an oval napkin ring, presented in the original red and black fitted boxes (four to a box). each h. 3-1/4”, l. 3”; boxes 3-1/4” x 10” x 6” $1,000-$1,500

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533 Faberge Collection Reproduction Imperial Easter Egg 20th century, after the 1895 “Rosebud” egg, gilt metal, golden enamel and crystal, the egg opening to reveal an enameled rosebud which itself opens to reveal an egg pendant chain, complete with stand, and insert card, presented in the original cream satin-lined, gilt-stamped indigo velvet case. h. 2-3/4” (3-1/4” with stand), dia. 2-1/8”; case 8-1/4” x 6” x 4” $800-$1,200 The original, by workmaster Michael Perkhin, was in a dark orange enamel as opposed to the gold here, and contained three “surprises” in all (nesting doll style): a rosebud containing a Tsarina’s crown containing a cabochon ruby egg pendant. The latter two “surprises” are long missing.

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534 Faberge Collection Reproduction Imperial Easter Egg 20th century, after the 1897 “Imperial Coronation” egg, gilt metal, dark blue enamel and crystal, the egg opening to reveal a miniature coronation carriage, the stand lacking, presented in the original cream satin-lined, gilt-stamped indigo velvet case. h. 5-1/4”, dia. 3-1/4”; case 10-3/4” x 7-3/4” x 5-1/2” Provenance: Berkshire Gallery Ltd., New York, New York. $700-$1,000

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535 Faberge Collection Reproduction Imperial Easter Egg 20th century, after the 1897 “Imperial Coronation” egg, gilt metal, dark blue enamel and crystal, the egg opening to reveal a miniature coronation carriage, complete with stand, presented in the original cream satin-lined, gilt-stamped indigo velvet case. h. 5-1/4” (7” with stand), dia. 3-1/4”; case 10-3/4” x 7-3/4” x 5-1/2” $700-$1,000 The original, designed by Peter Carl Faberge and executed by workmasters Michael Perkhin and Henrik Wigstrom, is in a golden yellow enamel, unlike the deep blue here and the green of the previous lot; the carriage, however, is a faithful reproduction of the original “surprise”, honoring the Empress Alexandra as a replica of her coronation carriage.

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536 Faberge Collection Reproduction Imperial Easter Egg 20th century, after the 1899 “Bouquet of Lilies” egg, gilt metal, enamel and crystal, presented in the original cream satin-lined, gilt-stamped indigo velvet case. h. 10”, w. 3-7/8”; case 12-1/2” x 6-1/2” x 6-1/2” Provenance: Berkshire Gallery Ltd., New York, New York. $1,000-$1,500 Although this replica does not have a functioning revolving cylinder dial clock like the original, the base does contain a music box.

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537

537 Faberge Collection Reproduction Imperial Easter Egg

538 Faberge Collection Reproduction Imperial Easter Egg

20th century, after the 1907 “Cradle with Garlands” egg, gilt metal, enamel, faux pearls and chalcedony, the egg opening to reveal a locket on chain, presented in the original cream satinlined, gilt-stamped indigo velvet case. h. 6-3/4”, w. 6-1/2”, d. 5-1/2”; case 12” x 5-1/2” x 6-1/2”

20th century, after the 1911 “Fifteenth Anniversary” egg, gilt metal, enamel and crystal, with painted vignettes of the Imperial family, the stand lacking but presented with a rectangular trinkets box with pink enamel and crystals, the lid centering a swan and decorated with Romanov double eagles, presented in the original cream satin-lined, gilt-stamped indigo velvet case. egg h. 5-1/4”, dia. 3-1/2”; box 3-3/4” x 2-1/2”; case 10-3/4” x 7-3/4” x 5-1/2”

$1,000-$1,500 The original, by workmaster Henrik Wigstrom, is one of the few Imperial eggs in private hands (other than the nine owned by Russian billionaire Viktor Vekselberg and displayed in the museum he constructed for them). The “surprise” is missing in the original; Faberge records show that it was a miniature of the Imperial children.

$900-$1,200

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539 Large Faberge Ltd. “Opera Russe” Sterling Silver Flatware Set 20th century, including thirty-two five-piece place settings (one piece lacking) with an additional sixtythree place pieces and fourteen serving pieces, no monograms, with a “Grand Duchess” two-piece carving set, all presented in the original gilt-stamped indigo velvet flatware rolls with gold tasseled cords. 238 pieces total 271.15 total t. oz. (weighable silver) $15,000-$25,000

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539 detail 539 detail

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540 Large Napoleon III Bronze Argente Figural Clock third quarter 19th century, by Auguste Lemaire (ca. 1816-1876), Paris, after the Germain Pilon (French, ca. 1525-1590) ca. 1590 original “Three Graces”, a monument containing the heart of Henri II of France, commissioned by his widow, Catherine de’ Medici, and now conserved at the Louvre, with one plaque of the plinth base gilded and fitted with a clock, with brass hands and applied chapters. h. 29”, w. 12-1/4” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,500-$2,500

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541 French Belle Epoque Silverplate Boudoir Mirror fourth quarter 19th century, in the rococo taste, decorated with scrollwork, rocaille work and flowerheads, the lower edge pierced, the crest with reniform cartouche monogrammed “GH”, to a wood backing and set with a beveled mirror plate, on an easel support. h. 19-3/4”, w. 18” $1,000-$1,500

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542

542 detail 542 Set of Thirty-Six Ebony and Silver Dinner Knives

543 Christofle “Sceaux” Sterling Silver Flatware Set

Finland, fourth quarter 19th century, each with a “lancet”style ebony handle and rococo .813 silver ferrule, with later pointed stainless steel blades, presented in a chocolate brown buckram covered and Kenized flannel-lined fitted case, with zippered top and two lift-out trays. knives l. 10-1/4”; case 3-1/4” x 23” x 13”

the pattern introduced in 1991, Paris, France, including twentyeight five-piece place settings, with eight additional place pieces, no monograms, presented in two fitted, Pacific clothlined wooden cases, one 5-1/2” x 15” x 11-1/2” with lift-top and two drawers, the other 5-1/2” x 16” x 11-1/2”, with lift-top. 148 pieces plus 2 cases 214.28 total t. oz. weighable silver

$800-$1,200 $6,000-$9,000

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544 Pair of German Sterling Silver Pheasant Table Garnitures by Ludwig Neresheimer, Hanau, with English import hallmarks for Chester, 1907-1909, sponsor Berthold Mueller, in the form of a realistically detailed cock and hen. male h. 8-1/2”, l. 13”; female h. 7”, l. 11-3/4”; 34.21 total t. oz. $1,000-$1,500

544

545 Large Silverplate Covered Platter contemporary, Southeast Asian, of oval form, with gadrooned rim, the conforming dome decorated with a wide band of deer and birds separated by flowers on a matte ground, with ring handle. h. 9-1/4”, l. 25-1/2”, w. 17” $800-$1,200 546 Christofle “Perles” Silverplate Flatware Set Paris, France, comprising a dozen ten-piece place settings with three additional place pieces and nine serving pieces, no monograms, presented in the original gilt-stamped green bookboard case with four fitted drawers, 10-3/4” x 18-3/4” x 14-1/2”. 132 pieces plus case $1,800-$2,500

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547 Impressive Thirty-Two-Piece Sterling Silver Dinner Service

548 Five-Piece Sterling Silver Table Service

1927-1929, by William B. Durgin Co., Concord, New Hampshire and Graff, Washbourne & Dunn, New York, New York, for Brand-Chatillon, New York City, New York, including sixteen service plates, dia. 10-3/4”, and sixteen bread and butter plates, dia. 7”, each with a rim decorated with threaded panels engraved with rocaille swags and applied reed-and-acanthus edge, no monograms. 466.58 total t. oz. Provenance: New Orleans Auction Galleries, October 11, 201, lot 990.

1929-1930, by William B. Durgin Co., Concord, New Hampshire, for Brand-Chatillon, New York City, New York, including: a tureen, h. 5-3/4”, l. 12”, w. 7-1/4”; a stand for the above, l. 17-3/4”, w. 13”; a pair of vegetable dishes, l. 11-1/4”, w. 8-1/4”; and a tazza, h. 9-1/4”, dia. 9-1/4”; each with a rim decorated with threaded panels engraved with rocaille swags and applied reed-and-acanthus edge, the tureen with ring handles en suite, the stand with rocaille feet, each piece monogrammed “JCM” or “JJM”. 145.53 total t. oz.

$10,000-$15,000

$3,500-$5,000

En suite with the following lot.

En suite with the preceding lot.

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549 Reed & Barton “Francis I” Sterling Silver Center Bowl the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts. h. 2-1/2”, dia 11-1/2”; 20.89 t. oz. $800-$1,200

549

550 George III Sterling Silver Cake Basket hallmarked London, 1768-1769, by William Plummer, of oval form with pierced basketwork side and “braided” edge, with swing twist handle, raised on a conforming foot en suite. h. 4” (11” with handle), l. 13”, w. 10-3/4”; 27.10 t. oz. Provenance: Bonhams, London, England, February 24, 2016, lot 409. $1,800-$2,500

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551 American Sheraton Cherry and Mahogany Chest second quarter 19th century, the single-board top on a case with a projecting drawer over a bank of three drawers, each with cock-beaded edges, and flanked by spiral-reeded pilasters, raised on ball-turned legs. h. 43-3/4”, w. 41-1/2”, d. 20-1/4” $1,000-$1,500

551 552 American Sheraton Cherry Chest early 19th century, the single-board top on a case with twoover-three graduated drawers, each drawer line-scribed about its perimeter, the sides paneled, raised on turned legs. h. 46-1/2”, w. 40-3/8”, d. 18-1/8” $1,000-$1,500

552

553 American Federal Mahogany Tilt-Top Table late 18th century, the circular top on a tripodal base witha turned and vasiform spiral-reeded column joined to cabriole legs on pad feet. h. 28-1/2”, dia. 33-1/4”

553

$1,000-$1,500

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554 554 Five-Piece Collection of Porcelain late 19th/20th century, German, including a Meissen soup tureen with an underglazed blue crossed swords mark, h. 11”, w. 12-1/2”, d. 9-3/4”, a pair of Meissen pierced compotes, h. 9-3/4”, dia. 9”, and a Carl Teichert “blue onion” platter, marked “Meissen” in an oval, w. 17-1/2”, d. 12”, and a three-tier sweetmeats tazza with underglazed blue crossed swords, h. 15”, dia. 11”. $1,000-$1,500

555 American Chippendale Mahogany Drop-Leaf Table 18th century, Boston, the single-board top flanked by like drop leaves with a scalloped corner, the leaves supported by a fly leg, the legs of cabriole form with carved ball-and-claw feet. h. 28-1/4”, w. 47-1/4”, d. 18-1/4”, ext. l. 47-3/4”

555

$1,200-$1,800

556 James E. Buttersworth (British/New Jersey, 1817-1894) “Sandbaggers” oil on millboard signed lower right. Framed. 8-1/2” x 12-3/8”, framed 12-1/2” x 16-3/4” Provenance: Obtained from the Buttersworth family in New Jersey by the present owner’s grandfather; thence by descent. Literature: Rudolph J. Schaefer, J. E. Buttersworth, (Mystic, Connecticut: Mystic Seaport, 1975), illus. 185, p. 208. $20,000-$40,000

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557 American Late Federal Mahogany Game Table in the Manner of Samuel McIntire ca. 1825, Salem, Massachusetts, the molded fold-over top supported by a fly leg, the bowed and serpentine frieze flanked by projecting corners with foliate-carved panels on a stippled ground, raised on reeded legs with crisp foliate carving and ring turnings at the top. h. 29”, w. 37”, d. 17-5/8”, ext. l. 35-1/2” $1,000-$1,500

557

558 American Classical Parcel-Gilt Mahogany Game Table ca. 1820, the figured and cross-banded fold-over top over a frieze with paired brass line stringing on its lower molding, raised on rosewood columns with foliate-carved capitals, on a concave base raised on leaf-carved paw feet. h. 29-1/2”, w. 36”, d. 18” (closed) Provenance: Formerly from the McGehee collection, Dr. Dubs House, Natchez, Mississippi; to the current owner. $1,000-$1,500

558

559 Pair of Carved Oak Eagles late 19th/early 20th century, with carved feathers, the birds poised looking down from a rocky outcropping, each with wall bracket hanging hardware on the back. h. 17”, w. 12-3/4”, d. 7” $1,000-$1,500

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560 American Classical Brass-Inlaid Mahogany Drop-Leaf Table ca. 1820, attributed to Duncan Phyfe or a competitor of equal rank, the single-board top flanked by like drop leaves with canted corners, the frieze fitted with a single drawer, the lower edge with an ebony band with inlaid paired brass line stringing, supported by turned baluster-form and foliatecarved columns on a concave base, raised on acanthus-carved and gilt paw feet. h. 29-1/4”, w. 24-3/4”, d. 36”, ext. w. 47” $1,000-$1,500

561 American Classical Mahogany Sideboard ca. 1825, possibly by Michael Allison, New York, the scroll backboard edged in foliate carving and like-carved rosettes, the ends with figured columns capped by ebonized pineapple carvings, the case with a central drawer over a paneled door, flanked by inlaid brass-strung pilasters and paneled doors, the ends with acanthus-carved pilasters, raised on carved paw feet. h. 56-1/4”, w. 61-1/4”, d. 25”

560

Provenance: Didier, Inc., New Orleans, Louisiana; to the current owner. $1,000-$1,500

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562 Johann Nepomuk Ender (Austrian, 1793-1854) “Portrait of a Young Lady in a White Lace Gown”, 1854 graphite and watercolor on card stock signed and dated lower left. Matted, glazed and framed. sight 8-1/4” x 6-1/2”, framed 13-1/2” x 11” $1,000-$1,500

562

563 Manner of Thomas Sully (British/American, 1783-1872) “Portrait of a Young Child with Flaxen Curls” oil on wood panel unsigned. Framed. 13-3/4” x 10-1/2”, framed 21-1/2” x 18” $1,000-$1,500

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564 American Late Classical Mahogany Bookcase second quarter 19th century, the projecting cornice over an arched, recessed frieze, the pair of doors with a pair of glazed windows over a figured recessed panel, the doors with 45-degree miters at the cornices, with brass astragal and embossed brass escutcheon plates, and flanked by columnar pilasters with carved capitals, on a conforming base with ribbed melon-form legs and brass ball feet with straight ferrules. h. 100-3/4”, w. 71-1/2”, d. 23” Provenance: The Claiborne-Humphreys Mansion, Esplanade Avenue, New Orleans, Louisiana. $2,000-$4,000

564

565 “A Map of Louisiana and of the River Mississipi [sic]” by John Senex, copper-plate engraving with hand-coloring, published London, 1721. Matted, glazed and framed. pl. 19-1/4” x 22-5/8”, framed 30-1/4” x 33-1/2” $2,000-$4,000 Drawn from De L’Isle’s famous 1718 map, Senex’s work represents the first English Map of the French Louisiana Territory and the Mississippi Valley.

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566 American Gothic Revival Rosewood and Marble-Top Center Table ca. 1845, after a design by Alexander Jackson Davis, and probably executed by Alexander Roux, New York, the period hexagonal marble top with a reeded edge, over a conforming apron with ripple molding along its top edge, and a scalloped lower edge with pendant finial with a ball end, supported by cluster-column posts on a base with trefoil feet, this example retaining its tracery hanging lanterns between columns. h. 31”, w. 36-5/8”, d. 36-5/8” $10,000-$15,000 The design for this iconic table is attributed to the New York architect Alexander Jackson Davis (18031892) who is noted for designing the famous country villa “Kenwood” located outside of Albany, New York and built in 1842 for industrialist Joel Rathbone. An illustration of the drawing room at Kenwood is featured in Andrew Jackson Downing’s book The Architecture of Country Houses and shows an example of this Gothic table as its centerpiece. The present table is part of an elite group of American Gothic Revival furniture, the most notable of which is a table that was purchased for the Davis-designed Gothic villa Belmead, in Powhatan County, Virginia, about 1845. That table sold in these galleries in 2000 and is now in the collection of the Art Institute of Chicago. Other examples of this form are in the collections of the High Museum of Art, Atlanta, Georgia (The Virginia Carroll Crawford Collection), The Detroit Institute of Arts, The Virginia Museum of Fine Arts and The Museum of Fine Arts, Boston.

566

Drawing room at Kentwood

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568 567 Pair of Continental Porcelain Potpourri Urns fourth quarter 19th century, now mounted as lamps, in the chinoiserie taste and trimmed with flowers on a gilt ground, with mauve and green decorated handles and pierced necks, the wooden bases decorated to match. h. 33”, w. 19-1/2”, d. 15-1/2” $1,200-$1,800 568 Two John Henry Belter Laminated Rosewood Chairs third quarter 19th century, New York, comprised of a “Rosalie” pattern armchair and a slipper chair, both in matching floral needlepoint upholstery on a black ground, the armchair with a fruit-, floral- and grape-carved crest, the slipper chair with a floral- and leaf-carved crest over a pierced foliate- and scrollcarved back. armchair h. 42-3/4”, slipper chair h. 40-3/4”

569 Pair of American Rococo Revival Walnut Console Tables second half 19th century, each with a serpentine top over a conforming frieze with a cabochon- and leaf-carved cartouche, on cabriole legs joined by stretchers with a carved finial. h. 24-1/2”, w. 39-1/4”, d. 16-1/2” Provenance: Property Descended in the Livaudais-Walshe Family, New Orleans, Louisiana. $1,000-$1,500

$1,200-$1,800

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570 Pair of Bronze-Mounted Ruby Overlay Cut Glass Vases mid-20th century, probably Bohemian, in the Brilliant style, the vases mounted with gilt-bronze masque-molded handles, and the bronze bases decorated with acanthus leaves and ribbon-bound laurel. h. 15-1/2”, w. 8”, d. 6” $1,000-$1,500

571 American Neo-Grec Rosewood, Gilt-Incised and PorcelainMounted Sofa ca. 1871, based on the stamped production number 28892, attributed to Pottier & Stymus, New York, the back of tripartite form, with double chairbacks centered by a low upholstered back with a porcelain plaque decorated in the Renaissance Revival taste, the plaque surmounted by bow- and laurelcarved swags, with Greek-key incising below, the closed arms on supports extending to join a serpentine seat rail. h. 37-1/2”, w. 74”, d. 36”

570

$1,000-$1,500

571

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572 William J. McCloskey (American, 1859-1941) “Lady Apples in Overturned Basket” oil on board signed lower right, verso with “Berry-Hill Galleries, Inc.” exhibition labels. Framed. 9-1/4” x 12”, framed 20” x 23” Provenance: Sotheby’s, New York, New York, May 28, 1987, lot 10; Berry-Hill Galleries, New York, New York; Christie’s, New York, New York, December 5, 2002, lot 43; Sotheby’s, New York, New York, October 2, 2018, lot 115; Private collection, New York. Exhibited: New York, Berry-Hill Galleries, The Apple of America: The Apple in 19th Century American Art, May-June 1993. $30,000-$50,000

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573 Attributed to Edmund Marion Ashe (American, 1870-1942) “The Artist’s Studio”, ca. 1896-1898 oil on canvas unsigned, “Berry-Hill Galleries, Inc.” label en verso. Framed. 18-1/4” x 13-1/2”, framed 26” x 21” Provenance: Berry-Hill Galleries, New York, New York; Collection of Esther B. Ferguson, Secessionville Manor, South Carolina; Leland Little Auction, Hillsborough, North Carolina, September 16, 2017, lot 472; Private collection. $1,500-$2,500 574 John Henry Belter “Rosalie” Pattern Laminated Rosewood Sofa third quarter 19th century, New York, in the Rococo Revival taste, the back of tripartite form, each section with an unusually deeply carved crest with a single rose amidst various fruit and nuts, the two wings with carved clusters of grapes, the serpentine seat centered by like carving, on cabriole front legs. h. 38-1/4”, w. 72”, d. 25”

573

$1,500-$2,500 575 Pair of Large Continental Cut Crystal Compotes mid-20th century, the bowls cut with hobstars and sawtooth edges, raised on stepped bases. h. 7”, dia. 14”

575

$1,000-$1,500

574

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576 American Rococo Revival Rosewood and Marble-Top Center Table

577

third quarter 19th century, attributed to John Henry Belter, New York, the oval marble top with a molded edge, over a conforming apron with a cabochon-centered cartouche and leaf and floral carving on each side, raised on cabriole legs joined by stretchers with a ribbed finial. h. 29-1/2”, w. 38”, d. 29-1/4” $1,500-$2,500

577 Rare American Rococo Revival Laminated Rosewood “Bustle” Chair third quarter 19th century, attributed to John Henry Belter, New York, in the “Tuthill King” pattern, with a floral-carved crest and scrolled details, pierced and carved with grape and leaf motifs, the generous seat proportions presumably for lady’s bustles, raised on carved cabriole legs. h. 39”, w. 21”, d. 22” $1,500-$2,500

578 American Neo-Grec Giltwood Porthole Mirror third quarter 19th century, the corners molded with pierced scrollwork and anthemia, the field with anthemia and scrolls, the outer edge decorated with strapwork alternating with anthemia. h. 41-3/4”, w. 35” $1,000-$1,500

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579

579 A. A. Turner, “Villas on the Hudson” “A Collection of Photo-Lithographs of Thirty-One Country Residences” (New York: Appleton, 1860), thirtyone lithographic plates with gold-printed frames and legend, some with one- or two-color stencil tinting, with additional plates of floor plans, in black half morocco on green buckram, the front board with fancy gilt-stamped title and author, the preliminary blank leaf with penciled owner’s signature “Gallier”. plates 13-1/4” x 18-1/4”; overall 19-1/4” x 13-1/2” Provenance: Ex libris: James Gallier, Jr. (1827-1868), New Orleans, Louisiana. $1,500-$2,500

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This record of the country homes of New York’s elite on the eve of the Civil War was taken by photographer Austin Augustus [born Abijah Austin] Turner (ca. 18311866) in the late 1850s. It is widely regarded as the first major work published featuring the new technology of photolithography. It is not surprising, then, that a copy would find its way into the library of the noted New Orleans architect James Gallier, Jr.

579 detail

580 George Woolworth Colton, “Colton’s Atlas of the World” (New York: J. H. Colton & Co., 1856), complete in two volumes, folio, V. I, “North and South America”, containing 61 plates (frontispiece and maps numbered 2-63, with maps 15/16 and 35/36 combined into a single plate and maps 7/8 and 17/18 double plates), V. II, “Europe, Asia, Africa &c.”, containing 49 plates (frontispiece and numbered maps II-XIII and 1-36, maps II/III and 2/3 double plates), with printed text, black quarter morocco on blind-stamped brown buckram boards, the front boards with gilt-stamped title and decoration, the spines with gilt bands and lettering, the edges cut and marbled. plates 18-1/2” x 16”; overall 19-1/4” x 17” $1,000-$1,500 581 American Rococo Revival Walnut Sideboard

580

third quarter 19th century, the upper section with a fruit-carved crest over a pair of stepped shelves on scroll bracket supports with like carving, on a base with curved sides, retaining its period marble top, with a pair of central drawers over doors, the doors with applied fruit carving and flanked by curved paneled doors. h. 87-1/2”, w. 72”, d. 22” Provenance: The Claiborne-Humphreys Mansion, Esplanade Avenue, New Orleans, Louisiana. $1,000-$1,500

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582 Melvin Charles Warren (American/Texas, 1920-1995) “The Drifter”, 1967 patinated bronze cast signature, dated, numbered “16/20”, titled and copyrightmarked at front of self-base, a “Harold Phippen” foundry mark at back edge of self-base, on a carved wood base. h. 12”, w. 16”, d. 9-1/2” $1,000-$1,500

583 Melvin Charles Warren (American/Texas, 1920-1995) “Cow Country”, 1965 oil on canvas signed and dated lower right, signed, dated, titled and localized “Ft. Worth, Texas” en verso. Framed. 18” x 30”, framed 31” x 43”

582

$10,000-$15,000

583

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584 Melvin Charles Warren (American/Texas, 1920-1995) “Searching for a Pass”, 1966 oil on canvas signed and dated lower left, signed, dated, titled and localized "Little Grand Canyon, Arizona" en verso. Framed. 30-1/2” x 24”, framed 41” x 36” $15,000-$25,000

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585 Melvin Charles Warren (American/Texas, 1920-1995) “Sunrise on the Texas Range”, 1966 oil on canvas signed and dated lower right, signed, dated and titled en verso. Framed. 18-1/4” x 24-1/4”, framed 29-5/8” x 35-3/4” $8,000-$12,000

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586 Melvin Charles Warren (American/Texas, 1920-1995) “Run for the Pass”, 1962 oil on canvas signed and dated lower right. Framed. 24” x 36”, framed 35-1/2” x 47-1/2” $20,000-$40,000

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588 Four-Piece Cast Iron Garden Suite in the “Vintage” Pattern

587

early 20th century, comprised of a settee, a pair of side chairs and a table, all modeled as grape leaves and vines, the settee and chairs with pierced, scroll seats and grape- and leafmolded legs, the table with a circular top and tripodal base with cast griffins. settee h. 29”, w. 32”, d. 22”, side chair h. 27”, table h. 25-1/2”, dia. 21-1/2”

587 Pair of Continental Wrought Iron “Carriage” Lantern Sconces second quarter 20th century, the elaborately scrolled brackets decorated with applied leaves, irises and rope-twist turnings, with large scrolls supporting the lanterns, and scrolled corner decorations terminating in irises and leaf-molded crests, electrified. h. 48”, w. 14-1/4”, d. 15”

$1,200-$1,800 589 Large Cast Iron Garden Bench the back with a serpentine top rail over pierced twining vines and figures facing winged serpents, the arms with wings on a like field, with iron slat seats and shaped legs on hoof feet. h. 43”, w. 72-1/2”, d. 21”

Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,500-$2,500

$1,200-$1,800

588

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590 Cast Iron Garden Table in the Rococo Taste late 19th/early 20th century, the rectilinear faux marble cast stone top on an iron trestle base, the ends modeled as foliage, flowers and scrolls on a dolphin base, joined by a stretcher in like decor with a central flower basket. h. 30-1/2”, w. 36”, d. 24” $1,000-$1,500

591 Victorian-Style Cast Iron “Medallion” Pattern Garden Bench

590

after a model by Coalbrookdale, the pierced back with a central cameo depicting a robed classical maiden with a bird, surrounded by a field of twining vines, leaves and birds, the closed arms similarly modeled, and fitted with a metal slat seat, raised on shaped legs with splayed feet. h. 43”, w. 78”, d. 28” $1,200-$1,800

591

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592 Dana Bartlett (American/California, 1882-1957) "California Landscape with a Mission" oil on artist board signed lower right. Framed. 15” x 14”, framed 21” x 20” Provenance: George Stern Fine Arts, Hollywood, California; Villa Melrose Antiques, Los Angeles, California, April, 21, 2011. $1,500-$2,500

592

593 Dana Bartlett (American/California, 1882-1957) “Coastal Scene with Yellow Rocks, Possibly Morro Bay” oil on canvas signed lower right, “George Stern Fine Arts” label on frame backing. Framed. 16” x 20”, framed 23-1/2” x 27-1/2” Provenance: George Stern Fine Arts, Hollywood, California; Villa Melrose Antiques, Los Angeles, California, April, 21, 2011. $2,000-$4,000

593

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594 David Damm (American/California, 20th Century) “Marina Light” oil on canvas board signed lower right. Framed. 15” x 20”, framed 21-1/2” x 26-3/4” Provenance: Villa Melrose Antiques, Los Angeles, California, April 20, 2011. $1,000-$1,500

594

595 William Alexander Gaw (American/California, 1891-1973) “Big Sur, Coastal Scene with Two Fishermen” oil on canvas signed lower right, “George Stern Fine Arts” label en verso. Framed. 16” x 20”, framed 23-5/8” x 27-3/4” Provenance: George Stern Fine Arts, Hollywood, California; Villa Rosa, Los Angeles, California, April 21, 2011. $2,000-$4,000

595

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596 Maurice Braun (American/California, 1877-1941) “Hills Toward Evening [above San Diego]” oil on canvas signed lower right, titled on stretcher and on “George Stern Fine Arts” label on frame backing. Framed. 16” x 20”, framed 26” x 29-7/8” Provenance: George Stern Fine Arts, Hollywood, California; Villa Melrose Antiques, Los Angeles, California, April 21, 2011. $15,000-$25,000

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597 Pair of Stained and Leaded Glass Windows fourth quarter 19th century, decorated with scrollwork, strapwork and fleurs-de-lis, the windows with colorless beveled and leaded glass accented with ruby and sapphire “jewels” on a textured mauve ground. h. 26-1/4”, w. 70-1/2” $1,500-$2,500

598 American Sheraton Cherry Sugar Chest second quarter 19th century, probably Kentucky or Tennessee, the slightly domed single-board lift-top with an applied molded edge, the case with a lower pair of drawers, raised on ring-turned legs. h. 30”, w. 33-1/8”, d. 17-1/2” $1,500-$2,500

598

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599

599 Extensive Collection of “Mustard Seed & Moonshine” Colorful Botanical Pottery Dinnerware late 20th/early 21st century, South African, celebrating the botanical form in flowers, leaves and vegetables, the collection including: twenty-seven flower-form dinner plates, dia. 11”; twenty-six salad/dessert plates, dia. 8” to 9”; four bread-and-butter plates, dia. 6-1/2”; four round serving plates, dia. 12-1/2” to 14-1/2”; two leaf-form plates, l. 12”, d. 10-1/2”; six small leaf-form plates, l. 7-1/2” to 8-1/2”, d. 5-3/4” to 7-1/2”; four graduated bowls, dia. 6” to 7-1/2”; twenty-three flower-form ramekins, dia. 3-3/4” to 4-1/2”; a sauce boat, h. 2-3/4”, w. 5-3/4”; and a pair of hostess plates, l. 11-3/4”, d. 9-1/2”. 99 pieces total $1,500-$2,500

600 French Legras Art Glass Vase ca. 1900, now mounted as a lamp, the cut and enameled glass vase decorated with mauve trumpet flower vines on a frosted ground, signed “Legras”, on a silver giltwood base, mounted with a shade. h. 39-3/4”, dia. 21” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

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601 detail

601 Partial Service of Val St. Lambert Cut and Overlay Crystal Wine Goblets mid-20th century, unsigned, in the Brilliant style, with hobstars and fans, the stems notch-cut, the service comprised of eleven cranberry overlay examples, six mazarine blue overlay examples, thirteen chartreuse overlay examples and four emerald green overlay examples. h. 8-1/2”, dia. 3-1/2” $1,000-$1,500

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601 detail

602 Antique Serapi Carpet 9’ x 12’ $1,500-$2,500

602

603 Antique Ersari Turkmen Carpet 4’ 9” x 10’ 7” $2,000-$4,000

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291

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604 Oushak Carpet 8’ 11” x 11’ 7” $3,000-$5,000

605 Antique Mahal Carpet 6’ 9” x 10’ 1” $3,000-$5,000

606 Antique Oushak Carpet 8’ x 8’ 5” Provenance: Samuels Rugs, Beverly Hills, California. $3,000-$5,000

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292

607 Antique Oushak Carpet 9’ 3” x 12’ Provenance: Samuels Rugs, Beverly Hills, California. $3,000-$5,000 608 Antique Sarouk Carpet 12’ 6” x 20’ 9” $2,000-$4,000

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609 American Rococo Revival Rosewood Half-Tester Bed third quarter 19th century, attributed to Charles Lee, Manchester, Massachusetts, stamped “C. Lee 2577”, the serpentine tester upholstered in claret and silver cut velvet, supported by tapering cylindrical posts with a paneled headboard with carved crest. h. 115”, inside w. 64”, l. 85”, outside w. 73-1/2”, l. 93” $4,000-$7,000 610 American Rococo Revival Rosewood and Marble-Top Commode third quarter 19th century, the wash stand with a molded and arched marble backsplash joined to a like top, the case with a frieze drawer with a central bow over a like drawer and a deep drawer with a pull-out commode retaining a fitted porcelain basin, the center drawers flanked by paneled doors, the ends with leaf-carved brackets. h. 44”, w. 40”, d. 22” $1,000-$1,500

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611 American Rococo Revival Rosewood Dresser third quarter 19th century, the tall mirror with an arched top in a conforming frame with a bombe arch pediment centered by a fruit- and foliate-carved crest, the frame supported by leaf-carved scroll brackets, on a dramatically modeled double serpentine base with a marble top over a band of four drawers, flanked by canted corners with carved mounts and a scalloped apron. h. 94-1/2”, w. 44-1/2”, d. 24” $1,000-$1,500

611

612 Pair of American Rococo Revival Walnut Side Chairs third quarter 19th century, each with a pierced foliateand scroll-carved back, serpentine seat and cabriole legs, the seats now upholstered in burgundy velvet. h. 41” $700-$1,000

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613 Antique Kerman Carpet 9’ 8” x 13’ 11” $1,500-$2,500

614 Attributed to Pieter Faes (Flemish, 1750-1814) “Two Floral Still Lifes in Sculpted Bronze Urns Set Beside Fruit”, ca. 1780 pair of oils on canvas one bears signature lower centre “p faes” the other bears signature and date lower right “p faes. 1780”, both formerly attributed to Johann Baptist Halszel on brass artist plaques. Framed. 34-1/2” x 26-1/2”, framed 41-3/8” x 33-1/2” Provenance: Sotheby’s, London, England, May 3, 2017, lot 255. $10,000-$15,000

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614

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615 French Rock Crystal, Glass and Metal Chandelier third quarter 20th century, the six-light chandelier with a metal frame lined with glass beading and hung with swags and strands of prisms, the corona with a spray of rock crystal drops, the rococo bronze candle cups set with glass prism rings hung with swags of crystals and rock crystal drops. h. 33”, dia. 25” Provenance: Villa Melrose Antiques, Los Angeles, California. $2,000-$4,000 616 Large Louis-Philippe Giltwood Overmantel Mirror mid-19th century, in the rococo taste, the arched top surround decorated with egg-and-dart molding and a pierced crest with a shell and trailing flowers and leaves, trimmed with scrollwork. h. 77”, w. 48” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,200-$1,800 617 Regency-Style Ormolu-Mounted and Line-Inlaid Mahogany Bed Steps

615

each of the three steps with tooled leather treads, the upper step hinged, the second step with a pull-out and hinged compartment for a chamber pot, each riser flanked by turned columns with ormolu mounts. h. 25”, w. 17”, d. 28” $600-$900

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618 Louis XVI-Style Gilt-Bronze and Marble Figural Mantel Clock third quarter 19th century, Diana the Huntress, after a model by Victor Evrard (French, 1807-1877), the clock decorated with a young Hercules, after performing his third labor, killing the Goddess Diana’s pet deer, along with a bust of a fawn, set with signed “Marti” works, the dial signed by retailer, “Graverand, Bd des Capucines No 1, Paris”, the base decorated with nature morte game birds and pierced bronze panels backed with marble. h. 19”, w. 21”, d. 8-3/4” Provenance: Bonhams, New York, New York, April 13, 2011, lot 2100. $1,000-$1,500

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619 619 Charles Leonard (Belgian, 1894-1953)

620

“Still Life of Fruit and Flowers”, 1943 oil on canvas signed lower right, inscribed “Pour Raimond...” and dated lower left. Framed. 20” x 24”, framed 28-1/2” x 31” $1,000-$1,500 620 American Rococo Revival Laminated Rosewood Armchair third quarter 19th century, attributed to John Henry Belter, New York, the back with corset-form upholstery set in a pierced and carved foliate frame, supporting an applied rose-, leaf- and acorn-carved crest, the closed arms with scroll ends, with serpentine front seat rail and cabriole legs ending in French toes, now upholstered in claret velvet. h. 45-3/4” $1,000-$1,500 621 Pair of Bohemian Cut, Enameled and Overlay Glass Lamps mid-20th century, the white-cut-to-cranberry glass standards decorated with sprigs of enameled flowers, on molded and pierced brass bases, mounted with shades. h. 36-1/4”, dia. 17-1/2” $1,000-$1,500

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621

622 Continental Brass, Marble and Walnut Center Table third quarter 19th century, in the rococo taste, the octagonal top of alternating Carrara and dark figured marble, set in a brass frame, surrounded by leaf and vine carving, raised on cabriole legs joined by a leaf- and scroll-carved stretcher. h. 30”, w. 35”, d. 35” Provenance: Villa Melrose Antiques, Los Angeles, California. $2,000-$4,000

622

623 Continental School (Fourth Quarter 19th Century) “Castle Courtship” “Garden Courtship” two oils on wood panels the first signed “L. Dagmar” lower right, the second signed “L. Dagmar” lower left. Framed alike. 10-1/4” x 15-5/8”, framed 15-1/2” x 21” $1,200-$1,800

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624 Four-Piece American Renaissance Revival Burled Walnut and Walnut Bedroom Suite third quarter 19th century, comprised of a high-back bed, h. 98-1/2”, inside w. 56-1/2”, l. 79”, outside w. 65-1/2”, l. 85”, a matching marble-top dressing bureau, h. 107”, w. 53-1/2”, d. 24-1/2”, and two associated compatible night stands, h. 30-5/8”, w. 18”, d. 15-1/2” and h. 31-1/4”, w. 18”, d. 15-7/8”, the bed and dresser each with a broken-arch pediment centered by a carved anthemion bisected by turning and flanked by finials, burled panels and fluted columns, the night stands with marble tops, a drawer over a door, each with burled panels, the dresser with a stenciled retailer’s label, “From Hungren & Shindler Furniture Cor. First & Salmon Sts. Portland O”. $2,500-$4,000

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625 Regency Mahogany and Tooled Leather Bed Steps early 19th century, each of the three steps with reeded edges and tooled leather treads, the upper step with a hinged top, the case dovetailed to its back, raised on faux bamboo turned legs. h. 27”, w. 16-1/4”, d. 27-1/2” $700-$1,000 626 George III-Style Mahogany Bench/ Stool in the Chippendale taste, the rectilinear cushion upholstered in a needlepoint cover with a velvet apron, raised on anthemion- and bellflower-carved cabriole legs with ball-and-claw feet. h. 17-1/2”, w. 35”, d. 20-1/2” $800-$1,200 627 Semi-Antique Donegal Carpet 13’ 5” x 14’ $2,500-$4,000

627

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628 American Aesthetic Movement Walnut Side-Lock Chest fourth quarter 19th century, the pierced scroll-cut threequarter gallery above a bank of six long drawers, the right column hinged and fitted with a locking mechanism. h. 61”, w. 37-1/2”, d. 22-1/2” $1,000-$1,500 629 Monumental Nippon Artist-Signed Presentation Vase mid-20th century, decorated with fruits and flowers, framed with orange-ground borders, richly decorated with Renaissance-style tracery, the painting signed “O. Nakajima”, the bottom marked “Noritake Studio Collection, Otojiro Nakajima, Member of Noritake Design Group, Japan”, with the original silk-lined velvet presentation case. h. 26”, dia. 10-1/2” $1,500-$2,500 630 Pair of Napoleon III Mahogany Fauteuils mid-19th century, in the Louis XVI style, each with a domed and padded back surmounted by a ribbon and foliate crest, joined by acanthine-carved padded arms to the padded seat, raised on fluted circular legs ending in toupie feet. h. 42” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,200-$1,800

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629

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631

631 Pair of Continental Gilt-Decorated Opaline Glass Lamps third quarter 20th century, the vasiform standards decorated with delicately detailed scrollwork and flowers, the necks with grapes and grape leaves, on giltwood bases, mounted with shades. h. 30”, dia. 17-1/2” $1,000-$1,500

632

632 Napoleon III Giltwood Mirror in the Rococo Taste third quarter 19th century, with a beaded liner, the surround decorated with egg-and-dart molding, the serpentine crest with scrollwork supporting a central shell and trailing flowerheads and leaves. h. 55”, w. 38” $1,200-$1,800

633 French Restauration Gilt-Bronze Figural Mantel Clock second quarter 19th century, decorated with a lute player in a chair, a dog at her feet, a music stand in front, the dial marked “Couchols a Paris”, set with a silk-string suspension movement, with a bas-relief panel of a classical maiden to one side, the base decorated with ogee molding ornamented with molded anthemia, raised on engine-turned feet. h. 15-1/4”, w. 10-3/4”, d. 4-3/4” $1,000-$1,500

633

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634 Edwardian Chandelier in the Regency Taste first quarter 20th century, with a molded glass pan, the standard clad with a glass “vase” and rope-twist turning, supporting a prism ring with strands of drops leading to the molded glass drip pans, the pan concealing four light sockets. h. 30”, dia. 27-1/2” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

634

635 Pair of Regency-Style Cut and Engraved Crystal Urns fourth quarter 19th century, the upper portion engraved with grapes and grape leaves, the lower body with strawberry cutting and the base with star cutting. h. 9-1/4”, dia. 7-1/4” $1,000-$1,500

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636 Assembled Pair of Charles X Cut Glass Sweetmeat Jars second quarter 19th century, of urn form, cut with diamondpoint, strawberry and fan variations, the French covers with slight variations in lid cutting. h. 10”, dia. 4” $1,000-$1,500

636

637 Pair of Anglo-Irish Cut Glass and Brass Hurricane Lamps with diamond-cut stands supported on petal-form bases, one standard is late 18th century, the other standard, fittings and shades are fourth quarter 19th century. h. 20-1/2”, dia. 5-3/4” $2,000-$4,000

637

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638 Three-Piece Transitional Rococo into Renaissance Revival Walnut Bedroom Suite third quarter 19th century, attributed to Mitchell & Rammelsberg, Cincinnati, Ohio, comprised of a high-back bed, h. 91-1/2”, inside w. 61-1/4”, l. 79-3/4”, outside w. 65”, l. 84”, a deep-well dressing bureau, h. 124-1/2”, w. 56-1/2”, d. 21”, and a marble-top commode, h. 41-3/4”, w. 36-1/2”, d. 19”, all with burled walnut veneers, the bed and dresser with a broken-arch crest centered by a carved cabochon and adorned with scalloped and molded trim and roundels, the washstand with a marble top and backsplash, the case with a drawer over a pair of doors, the cast iron rail hardwood stamped “MR” for Mitchell & Rammelsberg, the wrap footboard artfully extended to accommodate a contemporary mattress. $2,500-$4,000

638

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639 Pair of Large Chinese Covered Stoneware Vases 20th century, the octagonal-form vases decorated with celadon bas-relief dragons on a cobalt ground, the upper portions decorated with panels depicting deer in a forest. h. 21”, dia. 10” $1,200-$1,800

640 Pair of Victorian-Style Mahogany Chairs 20th century, each with a padded and tufted back within a molded frame, joined to the cushioned seat by outscrolled arms, raised on cabriole legs ending in scrolled toes. h. 38”

639

$800-$1,200

640

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641

641 Semi-Antique Mashad Carpet 10’ 4” x 13’ 6” $2,000-$4,000

642 Continental School (Mid-18th Century) “Italianate Capriccio” oil on canvas laid down on masonite indistinctly inscribed lower right, MGM and film notations inscribed en verso. Framed. 34-3/8” x 44-3/4”, framed 55-1/4” x 56-1/2” $4,000-$7,000

642

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643 Follower of Francesco Lazzaro Guardi (Italian, 1712-1793) “Pair of Venetian Vedute Scenes”, ca. 1800 oils on shaped canvas unsigned. Presented in matching giltwood frames. 18-1/2” x 11-1/4”, framed 22” x 13-1/2” Provenance: Collection of Sir Daniel Donohue; his sale, Bonhams and Butterfield, Los Angeles, California, April 5, 2011, lot 716. $3,000-$5,000

643

644 Italian School (Fourth Quarter 18th/First Quarter 19th Century) “Capriccio, Ships Docked Amid Ruins” oil on linen unsigned. Framed. 31-1/8” x 41-1/8”, framed 37-1/4” x 47-1/8” Provenance: Parc Monceau Antiques, Atlanta, Georgia, February 20, 2012. $3,000-$5,000

645

645 After Jean-Baptiste Le Prince (French, 1734-1781) “The Astrologer” oil on copper unsigned. Framed. 16-7/8” x 13-1/2”, framed 25-1/4” x 20-3/4” Provenance: Bonhams, London, England, April 6, 2017, lot 142. $2,000-$4,000

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646 Napoleon III Bronze and Marble Mantel Clock third quarter 19th century, French, in the rococo taste, the clock decorated with figures of Venus and Cupid, the sides with scrolled bronze mounts and bunches of fruit, the marble base with a plaque depicting putti hunting boar, the whole raised on bronze feet. h. 15”, w. 11-1/4”, d. 4-1/4” $800-$1,200

647 French School (18th Century)

646

“Portrait of a Lady in Blue Silk” oil on canvas unsigned. Framed. 32-1/2” x 25-1/2”, framed 36-1/4” x 30” Provenance: Villa Melrose Antiques, Los Angeles, California, September 24, 2012. $2,000-$4,000

648 Continental School (Mid-19th Century) “Putti Frolicking in the Clouds” oil on canvas laid down on shaped wood indistinctly signed lower right. Presented in a conforming fan-shaped giltwood frame. 16-1/2” x 35-1/2”, framed 19” x 37-1/2” $1,000-$1,500

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649 Dresden Porcelain Chandelier second quarter 20th century, unmarked, German, in the rococo taste, shaded pink and green, with gilt-edged scrollwork, the lower arms with putti playing instruments, the upper arms hung with encrusted flower drops alternating with porcelain scrolls, decorated overall with encrusted flowers, the lights with unusual porcelain candle sleeves painted with flowers. h. 34-3/4”, dia. 30-1/4” $1,200-$1,800 650 Meissen Porcelain “Four Seasons” Mantel Clock fourth quarter 18th century, German, in the rococo taste, the top finial representing the summer wine, the lower center figure representing the autumn wheat harvest, flanked by winter in a cloak and spring with flowers, decorated with encrusted flowers and pierced latticework, raised on scrolled feet, with an underglaze blue crossed swords mark, now with late 19th-century works. h. 19”, w. 10-1/2”, d. 5” Provenance: Sakai Antiques, Inc., New York, New York. $1,500-$2,500 651 Dresden Porcelain Figural Group of Musicians first half 20th century, unmarked, German, decorated with a couple and two children playing a violin and lute, and a putto playing the tambourine astride a goat, all scampering about on a rocky outcropping, with encrusted flowers and leaves, on a gilt rococo-molded base. h. 14”, w. 6-3/4”

649

$1,000-$1,500

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652 Meissen Porcelain Figure Personifying “Day” ca. 1861-1924, German, the putto wearing a crown of sun rays and carrying a torch, sunflowers to one side, alluding to the light of day, dressed in a pink flowing cloak on a perched gilt dome, with an underglaze blue pommel-end crossed swords mark, along with “L, 134, 136, 111”. h. 14”, w. 5-3/4”, d. 4-1/4” $1,200-$1,800

653 Meissen Porcelain Figure Personifying “Day” ca. 1861-1924, German, the putto wearing a crown of sun rays and carrying a torch, sunflowers to one side, alluding to the light of day, dressed in a pink flowing cloak on a perched gilt dome, with an underglaze blue pommel-end crossed swords mark, along with “L, 134, 136, 111”. h. 14”, w. 5-3/4”, d. 4-1/4”

652

$1,200-$1,800

653

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654 Meissen and KPM Figures of Musicians 19th century, German, the Meissen figure with Cupid and a broken heart, with baton-ended underglaze crossed swords mark, h. 7-1/2”, dia. 3-1/4”, and the KPM figure of two musicians with a lute and printed music, with an underglaze blue sceptre mark, h. 5-3/4”, w. 5-3/4”, d. 3-1/2”. $1,000-$1,500

655 Two Meissen Figures

654

ca. 1861-1924, one figure of Cupid sharpening his arrows and the other of a putto fishing, holding two fish, a basket at his feet, an open creel to one side, each with underglaze batonended blue crossed swords marks. h. 4” to 4-3/4”, w. 4” to 5”, d. 2-1/4” to 2-1/2” $1,000-$1,500

655

656 Nymphenburg Figure of Putti Catching Birds ca. 1862-1887, German, with a central tree with a trap near the top, one putto grasping a startled owl, a birdcage at the base, with an impressed mark, shield and “725”. h. 9”, w. 4-1/4”, d. 5” $1,000-$1,500

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657 Pair of German Porcelain Allegorical Candlesticks probably Meissen, late 18th/early 19th century, one decorated with a man and boy in fur-trimmed cloaks, warming their hands, symbolizing winter, and the other decorated with a woman and boy picking flowers, symbolizing summer, both on gilt-trimmed rocaille bases, the scrolled candle supports decorated with applied flowers and vines, supporting mauvedecorated candle cups with green and mauve leaf-form drip pans, with underglaze blue crossed swords to the rear of the base. h. 11-1/2”, w. 4-3/4”, d. 4-1/4” Provenance: Bonhams, New York, New York, September 21, 2011, lot 8189. $1,000-$1,500 658 Pair of Dresden Porcelain Figures of Gardeners first quarter 20th century, Potschappel, Germany, the couple in 18th-century costume, gathering flowers, on pierced rococo bases and against flowering trees, marked by Saxonian Porcelain factory Carl Thieme. h. 9-1/2”, w. 4”, d. 3-1/2” $1,000-$1,500 659 Samson Polychrome Porcelain Figures of a Shepherd and Shepherdess

657

fourth quarter 19th century, in the Chelsea style, each dressed in 18th-century costume with lambs and dogs, decorated with encrusted flowers, on gilt-decorated rococo bases with a gilt anchor mark and a crossed “S” Samson mark. h. 11-1/4”, w. 6”, d. 3-3/4” $1,000-$1,500

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660 Luther E. Van Gorder (American, 1861-1931) “Golden Hour, Venice” oil on canvas signed lower right, titled on label on stretcher. Framed. 18” x 24”, framed 25-3/4” x 36” Provenance: Villa Melrose Antiques, Los Angeles, California, August 20, 2011. $5,000-$8,000

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661 Rare New Orleans Market Bird’s-Eye Maple and Walnut Five-Piece Bedroom Suite third quarter 19th century, attributed to the warerooms of Prudent Mallard, comprised of a high-back bedstead, a dressing bureau, a single-door armoire, a washstand and a nightstand, the suite executed in bird’s-eye maple veneers with contrasting walnut carving and moldings, the bed headboard with a cabochon-centered crest cartouche over shaped and rectilinear panels, supported by turned posts capped by finials, h. 80”, inside w. 61-1/2”, l. 83”, outside w. 70”, l. 88-1/4”, the armoire with a similar integral crest over a single door framed by ogee moldings and flanked by distinctive segmented twist turnings at the corners, with a full-width drawer below, h. 1031/2”, w. 57-1/2”, d. 28”, the dressing bureau in two parts, with a shaped mirror beneath a similar crest, the case with a marble top, a projecting molded drawer over a pair of drawers framed by ogee moldings and a slipper drawer below, the pair of drawers flanked by segmented twist turnings, h. 97”, w. 47-1/2”, d. 21-3/4”, the washstand with a white marble top over a molded drawer, with a pair of doors below, h. 31-1/2”, w. 41”, d. 22”, and the nightstand with a dished marble top, a drawer and cupboard door below, h. 33”, w. 19-1/4”, d. 17-1/2”. $7,000-$10,000 Pieces in this pattern surface occasionally in mahogany, rosewood and walnut. Individual pieces executed in maple with contrasting walnut have rarely been found. The Bouny/Miltenberger suite, a nearly identical set in rosewood with a half tester bed and a Mallard bill of sale, sold in this gallery on March 13, 2016, lot 1016. The headboard and rail brackets of this bed are very similar to those on the documented suite in the Gallier House, New Orleans, Louisiana.

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662 Pair of Faience Vases, Mounted as Lamps 20th century, probably Italian, in the 17th-century faience style, depicting a stag hunt accompanied by dogs, trimmed with flowers, on giltwood bases and mounted with shades. h. 32”, dia. 21-1/2” $1,200-$1,800

662

663 William IV Mahogany and Tooled Leather Bed Steps second quarter 19th century, each of the three steps with an inset tooled leather tread, the top step with a hinged lid, the middle pulling out with a lift-top fitted for a chamber pot, raised on turned legs. h. 25”, w. 17-1/2”, d. 30” $800-$1,200

663

664 American Renaissance Revival Rosewood and Marble-Top Nightstand third quarter 19th century, New York, the period marble top with rounded front corners over a conforming case with a drawer over a paneled door, the sides and back similarly paneled, veneered and finished. h. 28-3/4”, w. 22”, d. 19” $700-$1,000

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665 Antique Mahal Carpet 10’ 4” x 13’ 5” $2,000-$4,000

666 George III-Style Mahogany and Leather Bench early 20th century, in the Chippendale taste, the tufted leather cushion over an apron with foliate and shell carving, raised on cabriole legs with leaf carving at the knees and like-carved toes. h. 20”, w. 59”, d. 22” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,000-$1,500

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667 Unusual Empire-Style Brass and Crystal Chandelier the twenty-light basket-form chandelier set with three groups of four candle branches, each on scrolled supports alternating with pairs of rope-twist brass supports, hung with strands of crystal drops. h. 37”, dia. 28” Provenance: Villa Melrose Antiques, Los Angeles, California. $1,500-$2,500

668 After Emil Teschendorff (German, 1833-1894) “Antigone and Ismene”, 1896 oil on canvas laid down on board titled, illegibly signed and dated lower left. Framed. 37” x 29-1/2”, framed 47-1/2” x 39” $1,500-$2,500

669 American School (Fourth Quarter 19th Century)

667

“Boating on the River, Fortress in the Background” oil on canvas illegibly signed “J. Pal...” lower right. Framed. 12” x 18”, framed 18-1/4” x 24-1/4” $1,000-$1,500

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670 John Falconer Slater (British, 1857-1937) “Fishermen in Cobles on Choppy Seas” oil on canvas faintly signed lower right, old handwritten labels en verso. Framed. 20” x 30”, framed 26-1/2” x 36” Provenance: Villa Melrose Antiques, Los Angeles, California, April 30, 2012. $1,500-$2,500

670

671 Spanish/Italian School (First Half 19th Century) “Harvesters” oil on linen unsigned. Framed. 30-5/8” x 24-3/4”, framed 38-3/8” x 30-1/4” Provenance: The Seymour Stein Collection, Guernsey’s, New York, New York, May 2, 2015, lot 300. $1,500-$2,500

671

672 Belgian School (Fourth Quarter 19th Century) “Cairo Beneath Giza”, 1882 oil on canvas signed “F. Brauer” and dated lower right, titled and inscribed on stretcher label in French and German. 14-3/4” x 23-3/8”, framed 18-1/2” x 27” $1,000-$1,500

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673 673 Georg Schmitz (German, 1851-1917) “Steamership at Sea”, 1888 oil on canvas signed, dated and localized “Hamburg” lower left. Framed. 19” x 43”, framed 34-3/4” x 59-3/4” Provenance: Arenskjold Antique Art, Hudson, New York, February 5, 2012. $2,000-$4,000

674 Karl Heilmayer (German, 1829-1908) "Stormy Evening with View of a Lighthouse" oil on canvas signed lower left. Framed. 21-3/4” x 30”, framed 30” x 38-1/4”

674

$1,000-$1,500

675 Pair of French Sevres Porcelain Baluster Vases second quarter 20th century, with a lapis lazuli-colored glaze, the central panel decorated with alternating lyres and classical masques framed with bowknots and ribbons against a grid of rosettes, with a paper tag reading “Manufacture Nationale de Sevres, Paris” and with incised letters and numbers. h. 14-1/2”, dia. 7” $1,200-$1,800

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676 Semi-Antique Hamadan Carpet 4’ 1” x 9’ 8” $1,500-$2,500 677 Kashan Carpet 10’ x 14’ $1,200-$1,800 678 Turkish Angora Oushak Carpet 9’ 2” x 11’ 8” $1,000-$1,500

679 Semi-Antique Russian Kazak Carpet 5’ 4” x 10’ 2” $2,000-$4,000

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680 681

682 680 Tabriz Carpet

682 Kazak Carpet

4’ 9” x 6’ 6”

5’ 7” x 7’ 6”

$800-$1,200

681 Peshawar Carpet

683 Kashan Carpet

9’ 2” x 10’

9’ 7” x 13’ 5”

$1,000-$1,500

683

337

684 Odilon Redon (French, 1840-1916) “La Tentation de Saint-Antoine”, 1896 eight lithographs (out of twenty-three) on paper; three laid down on paper third series, published by Antoine Vollard and printed by Blanchard, Paris. Each matted, glazed and framed. 6-3/8” x 4-1/8” to 12-1/4” x 8-1/4”, framed 19-3/4” x 16” to 24-5/8” to 21-5/8” $5,000-$8,000

685 Odilon Redon (French, 1840-1916) “Apocalypse de Saint-Jean”, 1899 five (out of thirteen) lithographs on wove paper edition of 100, published by Ambroise Vollard and printed by Blanchard, Paris, including: “Frontispiece” “Et il avait dans sa main droite” “Et un autre ange” “Et le diablo” “C’est moi, Jean” Each matted, glazed and framed. sights 11-5/8” x 9-3/4” to 16” x 11-5/8”, framed 22-5/8” x 13-5/8” to 24-5/8” x 21-5/8” $3,000-$5,000

338

684

685

686 Marc Chagall (Russian/French, 1887-1985) “Petits Paysans, I”, 1968 color lithograph on arches paper pencil-signed lower right and numbered “25/50” lower left. Matted, glazed and framed. sheet 21-1/2” x 19”, framed 26-5/8” x 24-5/8” Provenance: Private collection. Literature: Mourlot 546 $5,000-$8,000

686

687 Joan Miro (Spanish, 1893-1983) “Creation Miro MCMLXI”, 1961 aquatint and drypoint pencil-signed and numbered “58/75” left side, published Editorial R.M., Barcelona, 1962. Glazed in a float-mount frame. 7-3/4” x 7-3/4”, framed 14-1/4” x 22” Provenance: Private collection. $1,200-$1,800

687

339

688 French Macassar Ebony and Circassian Walnut Console Table mid-20th century, attributed to Andre-Leon Arbus (1903-1969), the top supported by large C-scroll brackets, joined by a chromed metal bar and fitted with chromed metal feet. h. 30”, w. 70”, d. 17-1/2” Provenance: Estate of Jacob Manguno, New Orleans, Louisiana. $1,800-$2,500 689 French Art Deco-Style Walnut-Veneered and Ebonized Console

688

the top supported by an arched base with a boldly reeded front and fitted with a single drawer. h. 29”, w. 56”, d. 16” Provenance: Estate of Jacob Manguno, New Orleans, Louisiana. $1,500-$2,500 690 Dramatic Pair of French Art Deco Chrome and Polished Wood Torchere Lamps second quarter 20th century, each with a flared circular chrome shade supported by a tapering chrome-banded rosewood-stained maple standard mounted to a circular base, electrified. h. 75”, dia. 24” Provenance: Estate of Jacob Manguno, New Orleans, Louisiana. $2,000-$4,000

689

690

340

691

691 Suite of Twelve Wrought Iron Dining Chairs late 20th/early 21st century, after a design by Mario Papperzini for Salterini, comprised of two armchairs and ten side chairs, all with woven lattice backs and seats, the stiles capped by spherical finials, the legs joined by lapping demi-lune stretchers, together with seat cushions in white upholstery. h. 43-1/4” $1,000-$1,500

692 William “Bill” Hemmerling (American/Louisiana, 1943-2009) “Sweet Olive” mixed media on wood crate slats signed and titled lower center. 47” x 17” $4,000-$7,000

692

341

693 Robert Gordy (American/Louisiana, 1933-1986) “Red Sofa #2” acrylic on canvas unsigned. Framed. 25-1/2” x 33”, framed 28-3/4” x 36” Provenance: The Collection of Ken McBride, New Orleans, Louisiana and Port Townsend, Washington; “Glen Auburn”, Natchez, Mississippi; Estate of Dr. Glenn and Sarah McNeal, Sparta, Georgia; the Succession of M.N. Grossel-Rossi, New Orleans, Louisiana; New Orleans Auction Galleries, New Orleans, Louisiana, September 13, 1997, lot 782; Private collection, New Orleans, Louisiana. $3,000-$5,000

693

694 Robert Gordy (American/Louisiana, 1933-1986) “Study for By the Sea”, 1971 marker and graphite on paper signed and dated lower right. Matted, glazed and framed. sight 16-1/2” x 33-1/2”, framed 27-3/4” x 44” $2,000-$4,000

694

342

695 695 Tony Green (American/Louisiana, b. 1954) “Tony’s View”, 2014 oil on canvas signed and dated lower right, titled and dated en verso. Framed. 39” x 47”, framed 46” x 54” $5,000-$8,000

696 Clarence Millet (American/Louisiana, 1897-1959) “St. Louis Cathedral from Chartres Street”, 1934 oil on canvas board signed lower left, signed, dated and titled en verso. Framed. 18” x 15”, framed 25-1/8” x 22-1/8” Provenance: Private collection. $8,000-$12,000

696

343

697 697 Modern Upholstered and Lucite Bench the ovoid upholstered cushion supported by tapering acrylic legs. h. 20”, w. 47-1/2”, d. 21-1/2” $1,000-$1,500

698 Continental Patinated Bronze of a Bather 20th century, cast signature “Renoir”, on a thin marble base. overall h. 54”, w. 16”, d. 15” $1,500-$2,500 699 Pair of Faux Alligator Even-Arm Club Chairs late 20th century, covered in faux alligator leather, each with a woven Southwest pattern reversible cushion and woven pillow. h. 26”, w. 35”, d. 36” $1,000-$1,500

699

344

698

700 Edward Wormley for Dunbar, Pair of Mid-Century Modern Occasional Tables third quarter 20th century, the circular inset rosewood top supported by paired lacquered legs, each pair joined by a conforming convex base, each retaining a paper label and a brass plaque reading “Dunbar, Berne, Indiana”. h. 18-3/4”, dia. 15” $1,000-$1,500

700

701 Pair of Table Lamps in the Chinese Blanc-de-Chine Taste 20th century, on carved hardwood stands, mounted with custom shades with gold-painted interiors. h. 33”, dia. 18” $1,000-$1,500

702 Vintage Zebra Rug 64” x 104” $1,000-$1,500

701

702

345

703

703 Vintage Zebra Rug 68” x 118” $1,000-$1,500

704 Ebonized Cocktail Table

704

the rectangular top with an inset 19th-century chinoiserie panel depicting an avian-filled gilt and polychrome landscape, raised on square legs joined by an H-form stretcher. h. 20”, w. 39-1/2”, d. 26-1/4” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,200-$1,800

704 detail

346

707

705 705 James Kennedy (Irish/American, b. 1962)

707 Cleo Hartwig (American, 1911-1988)

“The Middle Realm”, 2014

“Dove”

acrylic polymer on incised masonite monogrammed and dated en verso. 30” x 30”

cast foundry-stone cast signature at bottom of bird belly, on a black presentation base. overall h. 7-1/4”, w. 9”, d. 4-1/4”

$1,500-$2,500 $1,000-$1,500

706 Krishna Reddy (Indian/New York, 1925-2018) “Demonstrators” resin with bronzed patina cast signature along back. h. 10-1/2”, w. 14-1/2”, d. 3-1/2” $1,500-$2,500

706

347

709

708

708 Jean-Pierre Pincemin (French, 1944-2005) “Untitled”, 1985 mixed media on paper laid down on canvas signed and dated en verso, “Denise Cade Gallery” and “Shannon’s Auction” labels en verso. Framed. 17-3/4” x 10-5/8”, framed 22-1/4” x 14-1/2” Provenance: Denise Cade Gallery, New York, New York; Private collection; Shannon’s Fine Art Auctioneer’s, Milford, Connecticut, April 26, 2018, lot 155; Private collection. $1,500-$2,500

710 709 Robert Rauschenberg (American, 1925-2008) “Arrow”, 1983 color lithograph pencil-signed, dated and inscribed “PP” for printer’s proof lower left, from a numbered edition of 90. Float-mounted, glazed and framed. 23” x 18-3/4”, framed 27” x 22-1/2” $1,000-$1,500

710 Armand Pierre Arman (French, 1928-2005) “Symphony”, 1959 mixed media and ink on paper signed and dated lower left. Matted, glazed and framed. sight 29-1/2” x 41-1/2”, framed 38-1/2” x 52-1/2” Provenance: Heritage, Dallas, Texas, December 9, 2017, lot 61625. Literature: This work is recorded in the Arman Studio Archives, New York, under the APA number: 100.59.14. $3,000-$5,000

348

711 Feliciano Bejar (Mexican, 1920-2007) “Magiscope”, 1968 industrial steel auto parts, perforated metal sheets and cut glass incised signature and dated along proper left edge of scope. overall h. 59”, w. 17”, d. 7” $3,000-$5,000 712 Endre Nemes (Hungarian/Swedish, 1909-1985) “Abstract Composition” oil on paper laid mounted on canvas signed lower right. Framed. 40” x 32”, framed 48” x 40” Provenance: Million & Associes, Paris, France, March 29, 2017, lot 175. $7,000-$10,000

712

711

349

713 Bernard Cathelin (French, 1919-2004) “Nu a Toilette”, 1957 oil on canvas signed and dated lower left. Framed. 29” x 45”, framed 37” x 54” Provenance: Christie’s, New York, New York, December 2, 2016, lot 29 $8,000-$12,000

713

714 Peter Upward (Australian, 1932-1984) “Taurus with Venus” oil and PVA on canvas signed, titled and inscribed “Rowan Gallery” en verso. Framed. 45” x 30”, framed 50” x 40” Provenance: Private collection, UK (acquired from the artist through Rowan Gallery in London, thence by descent). $8,000-$12,000

714

350

715

715 Jean Souverbie (French, 1891-1981) “Baigneuses s’eclaboussent”, 1978 oil on canvas signed and dated lower right, signed, dated and titled en verso canvas. Framed. 23-1/2” x 32”, framed 31” x 39-1/2” Provenance: Collection of Dr. Henri A. Martin, France; thence by descent; Artcurial, Paris, France, April 5, 2016, lot 302 Literature: According to the sales record at Artcurial, the authenticity of this work has been confirmed by Frederic Souverbie. $15,000-$20,000

351

716 716 Lauren Barksdale Hill (American/Louisiana, Contemporary) “Untitled - Pears”, ca. 2005 oil on wood panel signed lower right. Unframed. 36” x 80” $1,000-$1,500

717 Carlos Cruz-Diez (Venezuelan, 1923-2019) “Couleur Additive”, 1970 silkscreen in colors pencil-signed and dated lower right, numbered “42/200” lower left, verso with “Redfern Gallery, London, UK” label. Matted, glazed and framed. sight 26-1/2” x 26-1/2”, framed 34-1/2” x 34-1/2” Provenance: Redfern Gallery, London, England. $4,000-$7,000

717

352

718 Harold Edgerton (American, 1903-1990) Harold Edgerton Ten Dye Transfer Photographs, Littleton, Massachusetts: Palm Press, Inc., 1985, negatives from 193873, complete portfolio from an edition of 300, this numbered “8” on colophon, each pencil-signed en verso, each matted, in archival clamshell presentation box with cloth boards in navy and cordovan. Complete listing available upon request. each sheet 20” x 16”, box 25-3/8” x 21-1/4” $7,000-$10,000 Edgerton was an electrical engineer who was most well-known for his experimentation with stroboscopy and photography. It was during his dissertation at MIT that he first used strobe lights, with the capacity of up to 120 flashes per second, to take images of the intricate workings of motors to better understand the interactions of the various elements. Realizing the potential of this technology could go well beyond the confines of the laboratory, he joined with naturalists, marine biologists, and artists to create then inconceivable images of motion. These photographs were published in some of the most read magazines of the time, including National Geographic and Life magazines. The portfolio of photographs offered here include some of Edgerton’s most acclaimed images, including “Milk Drop Coronet”, “Ballet Piercing an Apple” and “Cutting the Card Quickly”. In 1956, Edgerton was named a Fellow of the American Academy of Arts and Sciences.

718 detail

718

719 Pair of Directoire-Style Brass, Iron and Glass Gueridons each with a circular smoked glass top with a molded edge, above a pierced brass frieze, the tubular legs joined by pairs of crossed arrows, raised on brass-capped ball-and-claw feet. h. 25-1/4”, dia. 22” $1,000-$1,500

719

353

721

720 722 Therien Studio Birch Double-Pedestal Dining Table 720 Italian Patinated Bronze of “Antinous-Osiris”

of Baltic neoclassical form, veneered in figured Karelian birch, the oval top with a line-inlaid perimeter band, over a conforming apron, raised on vasiform octagonal columns joined to concave bases with scroll feet, each foot mounted with a giltwood ormolu rosette, labeled. h. 30-1/2”, w. 54-1/2”, l. 106”

20th century, the young favorite of the Emperor Hadrian in the guise of the Egyptian god of the afterlife, after the 1st century CE Roman sculpture in the Egyptian style excavated at Hadrian’s Villa, Tivoli, and now conserved at the Museo Gregoriano Egizio, Musei Vaticani, on a marble base. h. 32-3/4”, w. 11-1/2”, d. 7-1/2”

$1,500-$2,500

$1,200-$1,800 721 Pair of Contemporary Swivel Lounge Chairs by Old Hickory Tannery, of Southwestern inspiration, each closed-arm chair upholstered in brocade and leather, accented by large nails, with loose seat and back cushions and a fringe skirt, together with matching pillows. h. 32-1/4”

722 detail

$1,200-$1,800

722

354

723 Rare Lalique Molded and Frosted Glass “Pavot” Vase second quarter 20th century, French, the fluted vase resting on a poppy-form standard with a mocha applied patina, on a fluted base, signed “R. Lalique, France” in etched block letters. h. 9-3/4”, dia. 5-1/2” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500 724 Lalique Molded and Frosted Crystal “Alicante” Vase third quarter 20th century, French, decorated with three pairs of facing parrots, designed in 1927, signed in engraved script, “R. Lalique, France”. h. 9-3/4”, dia. 9”

723

Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $2,000-$4,000 725 Large Lalique Molded and Frosted Crystal Charger fourth quarter 20th century, French, decorated with molded Bacchantes against a ground of molded grapes, the back marked “Lalique, France”. dia. 15-3/4” $1,000-$1,500

724

726 Franco Luce Modernist Murano Glass and Brass Chandelier 20th century, Italian, the six-light chandelier with frosted leaf-form shades and brass fittings. h. 25-1/2”, dia. 30-1/2” $1,000-$1,500

725

726

355

727 Pair of Chrome and Glass CubeForm Etageres after a Milo Baughman design, the modernist geometric design comprised of stacked cubes creating a five-tier display, each with an inset glass top. h. 66-3/4”, w. 17-1/2”, d. 17-1/2” $1,000-$1,500

728 Vintage Murano Glass and Chromed Metal Chandelier 20th century, design attributed to Venini, manufactured by Camer Glass, the three-light chandelier hung with three tiers of staggered Murano glass triedri prisms, labeled “Camer Glass / Made in Italy”. h. 33”, dia. 13-1/2”

728

$1,000-$1,500 729 Six Vintage Wrought and Polished Steel “Loop” Garden Chairs third quarter 20th century, after Frances Elkins, each with a back comprised of paired horizontal ovoid loops joined to a pierced base, raised on cabriole legs. h. 37-1/2”

727

$1,500-$2,500 After an iconic 1930 design by Frances Elkins, a modernist interpretation inspired by 18th-century Georgian chairs of similar form.

729

356

730 Suite of Nine Botanicals of Pressed Hydrangeas 2021, each initialed “SW” and dated lower right. All glazed and framed alike. each framed 17-1/4” x 13-1/4” $1,200-$1,800

730

731 Pair of Distressed Metal and Zinc Tree Tubs in the neoclassical style, the metal frames with lattice sides and spherical corner finials, set with zinc liners. h. 18-1/2”, w. 18-1/4”, d. 18-1/4” $1,000-$1,500

731

357

732 nine-piece suite

733 Michael Vanderbyl for Janus et Cie Seven-Piece Dining Suite

732 Nine-Piece Suite of Brown Jordan “Venetian” Pattern Garden Furniture

in the “Azimuth” pattern, comprised of a glass-top table, h. 30”, w. 40”, l. 80”, and four side chairs, h. 32-1/4”, all of neoclassical inspiration, geometrically modeled in cast aluminum, the chair backs with X-splats, the table top with like decor, the seats with parallel slats, labeled “Janus et Cie”.

comprised of a pair of swivel “Motion” lounge chairs, h. 31”, w. 28”, d. 28”, an ottoman, h. 13”, w. 27”, d. 24”, a low table, h. 29-1/2”, w. 37-1/4”, d. 27-1/2”, four armchairs, h. 35-1/2”, and a glass-top dining table, h. 29-1/2”, w. 37-1/4”, d. 27-1/2”, all chairs of Regency inspiration with X-backs and slat seats, all in original white paint, labeled, manufacturer’s upholstered cushions for each.

$1,200-$1,800

$1,000-$1,500

733

358

734

734 Cast Iron, Steel and Glass-Top Garden Table

735 Seven-Piece Wrought Iron Patio Set, after John Salterini

the rectilinear smoked glass top set into a frame supported by end uprights incorporating a cast iron panel depicting a North Wind head amongst leaves and vines, and with wrought scrolls above and below, joined by a stretcher with scrolling wrought iron supporting a circular frame for a planter. h. 30”, w. 66-1/4”, d. 32”

comprised of an oval table with a glass top, a pair of armchairs and six side chairs, the chairs with hoop backs, adorned with vines with leaves and buds, the table similarly modeled, now powder-painted white. table h. 29-1/2”, w. 63”, d. 31”, chair h. 32-3/4” $1,000-$1,500

$1,000-$1,500

735

359

736

736 Maurice B. Prendergast (American, 1859-1924) “The Donkey Driver”, ca. 1920 watercolor, ink and charcoal on paper signed lower left, several old inventory labels en verso. Matted, glazed and framed. sight 13” x 19-1/2”, framed 20-1/2” x 26-1/2” Provenance: Sotheby’s, New York, New York May 25, 1995, lot 88; Estate of Dr. Gerald F. Ross; Christie’s, New York, New York, May 24, 2017, lot 132; private collection. $20,000-$40,000

360

737

737 Charles Ephraim Burchfield (American, 1893-1967) “Late Spring Storm”, 1916 watercolor on paper signed and dated lower right, “Bernard Danenberg Galleries” and “Sotheby’s” labels en verso. Matted, glazed and framed. sight 9-3/4” x 13-1/2”, framed 19” x 23-1/2” Provenance: Bernard Danenberg Galleries, New York, New York; Sotheby’s New York, New York, March 6, 2019, lot 7; Private collection. $15,000-$25,000

361

738 Sawasdi Tantisuk (Thai, 1925-2009) “Figures on the River” oil on board signed lower left. Framed. 16” x 24”, framed 20” x 28” $1,800-$2,400

738

739 Jacques Chapiro (Latvian/French, 1887-1972) “Paysage de l’Auvergne” oil on canvas Framed. 22” x 26”, framed 32” x 36” Provenance: Artcurial, Paris, France, April 2, 2015, lot 187. $1,200-$1,800

739

740 Robert Charles Gruppe (American, b. 1944) “Seascape with Sailboats” oil on canvas signed lower right. Framed. 30” x 36”, framed 34-1/4” x 40-1/4” $1,500-$2,500

740

362

741 Niek van der Plas (Dutch, b. 1954) “Beach Scene” oil on wood panel signed lower right. Framed. 17” x 24”, framed 25” x 32” $2,000-$4,000

741

742 Yolande Ardissone (French, b. 1927) “Les Iris” oil on canvas signed lower right center, titled on stretcher. Framed. 29” x 36-1/4”, framed 36-1/2” x 44” $2,000-$4,000

742

743 Anna Mary Richards Brewster (American, 1870-1952) “Tunisia: Carthage” oil on canvas signed lower left, old inventory label en verso. Framed. 18” x 24-1/4”, framed 24” x 30” $1,500-$2,500

743

363

744

744 Willard Leroy Metcalf (American, 1858-1925) “Kennebunkport, Maine”, 1920 oil on artist board signed, dated and inscribed “To Tark/en souvenier/Metty 1920” lower right, initialed, localized and with a “Do Not Varnish” notation en verso. Framed. 7-1/2” x 9-1/2”, framed 15” x 17” Provenance: Gift of the artist to Booth Tarkington; Lepore Fine Arts, Newburyport, Massachusetts; Sotheby’s, New York, New York, June 24, 1988, lot 152; Reverend John R. Spitler, California; thence by descent; Shannon’s Fine Art Auctioneers, Milford, Connecticut, October 25, 2018, lot 99; private collection. According to Shannon's sale, this is to be included in the upcoming catalogue raisonne of the artist by Betty Krulik and the Willard Leroy Metcalf Catalogue Raisonne Project, Inc. $6,000-$9,000

364

365

745

745 Tula Telfair (American, b. 1961) “Within the Reality of Ideas”, 1997 oil on canvas signed, dated and titled dated en verso. Framed 58-1/2” x 100”, framed 60” x 102” Provenance: Private collection, Louisiana. $5,000-$8,000

746 French Giltwood Stool 20th century, of curule form with relief-carved details, upholstered in Fortuny fabric. h. 19”, w. 24”, d. 18” $1,000-$1,500

366

746

747 Ludolfs Liberts (Latvian, 1895-1959) “Pont des Arts, Paris” oil on canvas signed lower right. Framed. 24” x 20”, framed 33” x 28” Provenance: Barridoff Galleries, Portland, Maine, October 28, 2016, lot 21. $3,000-$5,000

747

748 John Terelak (American, b. 1942) “Still Life with Lobster”, 1989 oil on canvas signed lower left. Framed. 36” x 36-1/2”, framed 46” x 46” $3,000-$5,000

748 749 Bernard Lorjou (French, 1908-1986) “Nature Morte aux Raisins” oil on canvas signed lower left. Framed. 23” x 28”, framed 31-1/2” x 37” Provenance: Million & Associes, Paris, France, March 29, 2017, lot 267. $3,000-$5,000

749

367

751

750

752

753

750 Tabriz Carpet

751 Tabriz Carpet

752 Hamadan Carpet

753 Semi-Antique Lilihan Carpet

5’ 4” x 10’

7’ 10” x 10’ 7”

5’ 2” x 9’ 10”

8’ 11” x 11’ 10”

$1,200-$1,800

$1,000-$1,500

$1,200-$1,800

$1,000-$1,500

368

754 756

754 Mashad Carpet 9’ 7” x 12’ 7” $2,000-$4,000

755 Semi-Antique Mashad Carpet 10’ 2” x 15’ 10” $4,000-$7,000

756 Antique Persian Heriz Runner 3’ 6” x 14’ 4” $2,000-$4,000

755

369

757 Willem Cornelis Rip (Dutch, 1856-1922) “Molens by Elshout [Hague]” oil on canvas signed mid-right, signed, titled and localized en verso. Framed. 29” x 47”, framed 38” x 55” $4,000-$7,000

757

758 Frans Keelhoff (Belgian, 1820-1891) “Cattle Pasturing in a Clearing Near a Bluff” oil on linen signed lower left, remnant of a 19th-century English framer’s label. Framed. 34-1/2” x 55”, framed 42-1/4” x 63-1/4” $4,000-$7,000

758

370

759

759 Louis George-Legrand (Swiss, 1801-1883) “Alpine Landscape”, 1850 oil on canvas signed and dated lower left. Framed. 35” x 47”, framed 42” x 58-1/2” $2,000-$4,000

371

760

760 Spanish Colonial-Style Oak and Iron Guard Room Table early 20th century, of traditional form, the plank top with breadboard ends and raised on lyre-form end supports joined by wrought iron scrolling supports. h. 29”, w. 40”, l. 80” $1,500-$2,500

761 Pair of Continental Oak Armchairs early 18th century, each with a rectangular back with a scroll-carved crest over two stylized foliate-inlaid panels, joined by downswept arms to the cushioned wooden seat, raised on columnar legs joined by a box stretcher. h. 36”

761

$1,000-$1,500

762 Spanish Carved Pine Clothes Press 18th century and later, comprised of antique elements, the front with a pair of heavily carved framed and paneled doors with pineapple motifs, opening to an interior retro-fitted with two banks of five drawers, the doors mounted with cotter pin hinges, raised on bun feet. h. 47-1/2”, w. 53-1/2”, d. 21-1/2” Provenance: Descended in the family of Garland Bonner Howard, Houston, Texas. $1,000-$1,500

762

372

763

763 Italian Fruitwood and Pine Inlaid Coffer 19th century, in two parts, the banded rectangular top opening to a storage interior, the front and sides architecturally modeled as an arched gallery with inlaid accents, the lower section paneled and with inlaid diamond patterns. h. 35”, w. 76-1/2”, d. 20” $1,800-$2,500

764 Alex de Andreis (Belgian, 1880-1929) “The Gentlemen’s Toast” two oils on linen each signed lower right. Framed alike. 18-1/4” x 15”, framed 21-1/4” x 18-3/8” $1,000-$1,500

764

373

765

374

765

765 Twelve-Piece Neo-Renaissance Oak Dining Suite fourth quarter 19th century, comprised of a sideboard, h. 88”, w. 88”, d. 31”, a banquet table with four leaves, h. 31”, w. 58”, l. 62-1/2”, ext. l. 122”, a china cabinet, h. 75”, w. 62-1/2”, d. 23”, a suite of eight dining chairs, including a pair of armchairs, h. 54-1/4”, and six side chairs, h. 45-1/2”, all robustly carved in grape, leaf, vine and fruit motifs, the sideboard with a front basket crest flanked by grapes, leaves and vines, over a pair of shelves, each backed by panels in similar decor, the base with two drawers over two doors, flanked by curved sides, with paneled doors, all robustly fruit-carved, the dining table with vintage-carved and double-knuckled paw feet, the china cabinet with glazed doors and sides and five adjustable shelves, the three-tier server with a pair of drawers, the dining chairs carved in the Renaissance Revival taste. Provenance: Property Descended in the LivaudaisWalshe Family, New Orleans, Louisiana. $3,000-$5,000

765

375

766 Jean-Baptiste Madou (Belgian, 1796-1877) “Tavern Scene”, 1863 oil on wood panel signed and dated lower right. Framed. 10” x 12-1/2”, framed 20” x 22” $2,000-$4,000

767 Friedrich Kottmann (German, 19th/20th Century) “The Prized Game” oil on canvas, laid down on wood panel signed lower left. Framed. 33-1/8” x 52-1/2”, framed 48” x 59-1/2”

766

$1,000-$1,500

767

376

768

768 Filippo Maratonio (Italian, 1863-1937) “Monks Observing Fish in the Kitchen” oil on canvas signed lower right. Presented in a period polychromed and parcel-gilt frame. 20-1/8” x 30-1/8”, framed 26” x 36” $1,200-$1,800

769 Oval Giltwood Mirror first quarter 20th century, the mirror with a reeded surround decorated with grapevines, leaves, bunches of grapes and scrolled giltwood flourishes. h. 41”, w. 35” Provenance: Property Descended in the Livaudais-Walshe Family, New Orleans, Louisiana. $1,000-$1,500

769

377

770 Flemish Hand-Woven Verdure Tapestry early 19th century, wooded landscape with crane to the left, flowering plants in the foreground, and chateau in the distance, rendered in a rich color palette of greens, tans and umbers, allover fruit and flora border with small architectural medallions at mid-left and mid-right, backed with fine linen in a windowpane arrangement. 110” x 58” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $2,500-$4,000

771 770 771 Pair of Turned Wooden Silver-Gilt and Giltwood Lamps 20th century, decorated with alternating finishes, the turnings of baroque inspiration. h. 31”, w. 6-1/2” $1,000-$1,500

772 English Oak and Granite-Top Console Table 19th century, in the manner of William Kent, the rectangular granite top above two short drawers centered by a foliate shield carving and with pendant foliate swags, raised on exuberantly modeled cabriole legs headed by acanthine carving and ending in scrolled toes on a square foliate pad. h. 33-1/2”, w. 54-1/2”, d. 23” $2,500-$4,000

8 378

772

773

773 Pair of Italian Giltwood, Gilt-Metal and Glass Sconces second quarter 20th century, the two-light sconces with urn-form giltwood backplates set with gilt-metal scrollwork supporting sprays of glass drops and candle cups mounted on gilt-metal floriform supports. h. 19”, w. 11”, d. 5”

774 Rare Miniature Baroque-Style Inlaid-Walnut Secretary third quarter 19th century, German, the block-front base with drawers lined with checked inlay, the fall board supported on candle drawers, with an inlaid writing surface and serpentine interior, the bookcase with a swan’s-neck pediment over a mirrored door, both the top and base with scrolled outset corners. h. 35-1/2”, w. 14-1/2”, d. 8-3/4”

$800-$1,200 Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

774

774 detail

379

775

775 Pair of Italian Giltwood Mirrors first quarter 20th century, in the rococo style, the mirrors set in carved giltwood surrounds, with a pierced, arched crest decorated with rocaille work framing a carved flower, flanked by carved scrollwork, the sides with carved tendrils of leaves, resting on scroll-carved feet. h. 60”, w. 34-1/2” Provenance: Property Descended in the Livaudais-Walshe Family, New Orleans, Louisiana. $1,200-$1,800

776 Italian Inlaid Mixed Woods and Marble-Top Commode early 20th century, retaining its original griotte rouge marble top over a conforming case of bombe form and fitted with three drawers, floral inlaid throughout and with bronze mounts. h. 34-1/2”, w. 29-3/4”, d. 14-3/8” $1,000-$1,500

776

380

777 Venetian Walnut Settee 18th century, the domed and padded back within a molded frame, joined by exaggerated outswept padded arms to the cushioned seat, raised on molded cabriole legs ending in scrolled toes. h. 42”, w. 68”, d. 29” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

778 Italian Fruitwood and Elm Commode early 19th century, in the rococo taste, the banded and shaped top inset with two panels with decorative corner inlays, above a conforming case fitted with three long drawers, all paneled and with like inlay, above a pierced foliate-carved apron, raised on cabriole legs ending in foliate toes. h. 34”, w. 38”, d. 22-1/2”

778

$800-$1,200

777

381

779 Pair of Italian Carved and Silver-Gilt Wood and Metal Sconces 20th century, in the Baroque taste, the pierced glass-backed backplates carved with leaves and scrollwork, the leafdecorated gilt-metal arms terminating in carved wooden candle cups and drip pans. h. 26”, w. 13”, d. 10” $800-$1,200 780 Pair of Continental Fruitwood Occasional Tray Tables early 20th century, in the Renaissance taste, the shaped rectangular tray top with an inset beveled glass panel and pierced end handles, removing to a like-shaped top centered by a carved medallion, joined by griffin supports to an incised lower shelf, raised on splayed legs ending in hoof feet. h. 30”, w. 32”, d. 20-1/2”

779

$1,000-$1,500 781 Venetian Polychromed Armchair 18th century, the shaped and domed back surmounted by a shield crest, joined by scrolling arms to the padded seat, raised above a like-carved apron on cabriole legs ending in scrolled toes. h. 43-1/2” $1,500-$2,500

780

781

382

780 detail

784 782

782 Pair of Italian Giltwood and Metal Sconces second half 19th century, in the neoclassical taste, the threelight sconces with pierced giltwood backplates carved with acanthus and laurel leaves, supporting scrollwork terminating in carved medallions, the upper portion with plume-form finials, set with leaf-molded scrolled candle arms with candle cups and drip pans. h. 26-1/4”, w. 16-1/2”, d. 11-1/4” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,200-$1,800 783 Pair of Carved and Painted Venetian Blackamoors on Pedestals ca. 1900, Italian, the figures dressed in elaborate polychromed and parcel-gilt fringed costumes, holding aloft torchform trays and standing on carved and painted gondolas, supported on column-form pedestals with gilt and silver-gilt base molding. h. 67-3/4”, w. 11-3/4”, d. 11-3/4” $1,000-$1,500 784 Pair of Venetian Carved and Silver-Gilt Wooden Sconces second quarter 20th century, in the rococo taste, the threelight sconces with oblong backplates with serpentine crests, decorated with carved shells and scrollwork, supporting scrolled, leaf-carved candle arms set with turned wood candle cups, electrified. h. 17-1/2”, w. 27-1/2”, d. 8-3/4” $1,200-$1,800

783

383

785 785 Andrew F. Bunner (American, 1841-1897) “Venetian Canal Scene with View of St. Mark’s Basilica”, 1880 signed and dated lower left. Framed. 48” x 72”, framed 54” x 77” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $2,000-$4,000 786 Henry Malfroy-Savigny (French, 1895-1944) “The Martigues” oil on canvas signed lower right. Framed. 13” x 18-1/8”, framed 21-1/2” x 27” $2,500-$4,000

786

384

787 Italian Polychromed Commode 19th century and later, the shaped and banded faux marbre top above a conforming case fitted with three long drawers, each with two floraldecorated panels, the sides decorated en suite, raised on cabriole feet. h. 35-1/2”, w. 48”, d. 24” $1,500-$2,500 788 Pair of Italian Giltwood Altar Sticks fourth quarter 19th century, in the neoclassical taste, the baluster-form standards decorated with acanthus leaves and fitted with flaring drip pans and pricket candle holders, raised on tripartite bases decorated with panels of flowers and leaves and ending in paw feet. h. 20-1/2”, dia. 6-1/4” $1,000-$1,500

787

789

789 Pair of Murano Glass Sconces 20th century, Italian, composed of quilted colorless and gilt-spangled glass, the sconces with two tiers and tapered supports decorated with glass ruffles, the twisted and reeded scrolled candle arms set with glass drip pans, the upper tiers with central finials and glass flowers, the lower one with glass finials and overhanging leaves. h. 31”, w. 15”, d. 5” $1,000-$1,500

788

385

790 Provincial Polychromed Commode early 20th century, the serpentine top above a conforming case fitted with four graduated long drawers, all with vibrant scrolling foliate designs, raised on splayed legs. h. 35”, w. 40-1/2”, d. 20-1/2” Provenance: The Anne Rice/Nicolas Cage Garden District Mansion, New Orleans, Louisiana. $1,200-$1,800

791 Italian Carved and Painted Santos Figure of St. Joseph fourth quarter 18th century, the figure with outstretched arms and dressed in flowing gilt-trimmed robes, standing on a gilttrimmed faux marbre painted base. h. 29”, w. 16”, d. 8-1/4” $1,800-$2,500

790

792

792 Unusual Italian Marble Still Life Sculpture third quarter 19th century, of Renaissance inspiration, depicting a bouquet of flowers and a calling card resting on a book, the whole on a beveled onyx plinth. h. 10-3/4”, w. 12-3/4”, d. 9” $1,000-$1,500

791

386

793 Italian Marble Bust of a Lady Wearing a Hooded Cloak second half 19th century, the smiling figure possibly personifying winter, signed “Duccini” on the back and mounted on a cove-molded socle. h. 18”, w. 12-1/2”, d. 9” $1,000-$1,500 794 Pair of Carved Marble Lions early 20th century, Indian, the recumbent lions on plinths, their heads canted inward. h. 9”, w. 6”, d. 12-1/4” $1,000-$1,500 795 Italian Neoclassical Walnut Mechanical Cylinder Desk 18th century, the top with a row of three side-by-side drawers, the center drawer with a drop front opening to a compartmented interior for use as a lap desk, above a cylinder roll and pull-out writing deck, the base with two long drawers, the framed and paneled construction with carved moldings and beaded trim, the writing desk and cylinder with a unique locking system. h. 52”, w. 53”, d. 27”

793

$1,500-$2,500

794

795

387

796

796 Italian Walnut and Mixed Woods Writing Table 19th century, possibly Sorrento, the rectangular banded top featuring an inlaid cityscape and various drafting tools, centered by a mechanized lifting shelved structure, lifting when the frieze drawer is open, the drawer also fitted with a baize-inset writing surface, hinged and with an easeled back over a single drawer, flanked to either side by a secret drawer over a paneled drawer, verso fitted with three frieze drawers, raised on paneled tapering square legs. h. 32-1/2”, w. 70”, d. 32-1/2” $3,000-$5,000

797

797 Collection of Three Carved Alabaster Grand Tour Souvenirs ca. 1900, Italian, each depicting an ancient building in Rome. h. 4” to 5”, w. 3-3/4” to 7”, d. 2” to 5-1/4” $1,000-$1,500 798 Pair of Italian Carved, Polychromed and Parcel-Gilt Wood Wall Brackets second quarter 20th century, the demi-lune tops painted in vert faux marbre, the scrolled supports carved with ribbonbound reeding and acanthus leaves terminating in scrolls, with painted rocaille-carved sides. h. 20-1/4”, w. 16-1/2”, d. 10-1/4” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,000-$1,500

798

388

799

799 Pair of Empire-Style Molded Brass Andirons

800 Pair of Italian Neoclassical-Style Polychromed Commodes

ca. 1900, each modeled with a stylized restrained dolphin, its tail arching up into an acanthine scroll, above a pierced base, with cast iron billet bars. h. 16-3/4”, w. 12-1/2”, d. 18”

decorated in the Venetian taste, each with a pair of doors flanked by paneled stiles and raised on tapering square legs with ribbon-carved swags, decorated throughout with foliate arabesques and swags. h. 35-1/4”, w. 40”, d. 18”

Provenance: Collection of Sue Trammell Whitfield, Houston, Texas.

$1,000-$1,500

800

389

801

801 Gustavian Neoclassical Creme-Peinte and Parcel-Gilt Settee 19th century, the padded rectangular back joined by downswept arms and gilt griffin supports to the padded seat, raised on tapering circular legs headed by lotus capitals and ending in ball feet. h. 34”, w. 82”, d. 29-1/2” Provenance: Collection of Sue Trammell Whitfield, Houston, Texas. $1,200-$1,800

802

802 Pair of Italian Giltwood and Faux Marbre Consoles mid-20th century, supported by giltwood putti, the serpentine wall-mounted consoles set with drawers in the skirt, the faux Siena marble tops with molded edges. h. 21-1/2”, w. 19”, d. 11-3/4” $1,000-$1,500

803 Italian Carved Alabaster Group of Frolicking Putti 20th century, in the manner of Guglielmo Pugi (Italian, 18501915). h. 14-1/2”, w. 9-1/2”, d. 7” $800-$1,200

390

803

804 Pair of Large Continental Painted Terracotta Brackets ca. 1900, decorated with pairs of winged angel heads supported on molded scrollwork and acanthus leaves, the top with ogee-molded edges, painted with gilt trim. h. 17-3/4”, w. 19”, d. 16” $1,000-$1,500

805 Set of Four Bronze Figural Garden Ornaments

804

20th century, each modeled as an angel poised on a rocky outcropping, one playing the cymbals, one playing the pan pipes, another playing a tambourine and one playing a trumpet. h. 36”, w. 13”, d. 18” $1,200-$1,800

806 Continental Fruitwood Center Table early 20th century, the circular top with a central star inlay with radiating panels, above a conforming frieze, raised on cabriole legs. h. 31-1/2”, dia. 63” $1,500-$2,500

806

805

391

807 Henri Houben (Belgian, 1858-1931) “Young Courtship by the Well” oil on linen signed lower right. Framed. 44-1/2” x 33-1/2”, framed 49-1/4” x 38-1/4” Provenance: Private collection, Rhenish Hesse, Germany. $4,000-$7,000

807

808 Continental/German School (Second/Third Quarter 19th Century) “The Merry Brigadier with Tankard and Barmaid” oil on canvas indistinctly signed lower left. Framed. 7-5/8” x 9-1/2”, framed 13-1/2” x 15” $1,000-$1,500

808

392

809 Fritz Zuber-Buhler (Swiss/French, 1822-1896) “Young Woman Reading Beside the Window” oil on canvas signed lower right. Framed. 16-3/8” x 13”, framed 20-1/2” x 18-1/2” $1,000-$1,500 Zuber-Buhler, a Swiss artist, was well known for his mythological scenes and portraits. He studied in Germany, Italy and the Ecole des Beaux-Arts in Paris where he debuted at the Paris Salon of 1850. For the next 40 years he exhibited throughout European Salons with considerable success that attracted the attention of the U.S. collectors after an exhibition at the Pennsylvania Academy of the Fine Arts.

809

810 Belgian School (Second Half 19th Century) “The Chess Game” oil on linen indistinctly signed lower right. Framed. 19-1/2” x 30-1/2”, framed 28-1/2” x 38-1/2” $1,200-$1,800

810

811 Dutch School (19th Century) “On the Way to Market” oil on canvas illegibly signed lower right. Framed. 35-1/2” x 44-1/2”, framed 45-1/2” x 54” $1,500-$2,500

811

393

ARTIST INDEX American School 234, 669 Amigoni, Jacopo (after) 307 Ardissone, Yolande 742 Arman, Armand Pierre 710 Armfield, George 159 Ashe, Edmund Marion (attributed to) 573 Barksdale Hill, Lauren 716 Bartlett, Dana 592, 593 Bejar, Feliciano 711 Belgian School 672, 810 Boddington, Edwin Henry 203 Bouliard, Marie-Genevieve (attributed to) 132 Braun, Maurice 596 Brewster, Anna Mary Richards 743 British School 7, 150, 185, 195 Bunner, Andrew F. 785 Burchfield, Charles Ephraim 737 Buttersworth, James E. 556 Carline, Hilda Anne 33 Cathelin, Bernard 713 Chagall, Marc 686 Chapiro, Jacques 739 Chinese School 216 Clark, Albert 178 Continental School 331, 332, 623, 642, 648 Continental/Belgian School 370 Continental/German School 808 Cortes, Edouard Leon 36, 37 Cruz-Diez, Carlos 717 Damm, David 594 David, Jacques-David (circle of) 131 de Andreis, Alex 764 de Chatelenne, Robert 340 del Sarto, Andrea (after) 62 Dodd, Arthur Charles 158 Dudley, Charles 161 Dutch School 811 Edgerton, Harold 718 Ender, Johann Nepomuk 562 English School 154 Faes, Pieter (attributed to) 614 French School 56, 647 Gaw, William Alexander 595 George-Legrand, Louis 759 Gordy, Robert 693, 694 Graham, J. 129 Green, Tony 695 Gruppe, Robert Charles 740 Guardi, Francesco Lazzaro (follower of) 643 Hartwig, Cleo 707 Heilmayer, Karl 674 Hemmerling, William ‘Bill’ 692 Houben, Henri 807 Humbert, Gabriele 317 Hunter, S. J. 201 Italian School 144, 248, 644 Keelhoff, Frans 758 Kennedy, James 705 Kottmann, Friedrich 767 Lapini, Cesare 301 LaPorte, Emile Henri (after) 403 Le Prince, Jean-Baptiste (after) 645 Lefort, Jean 162 Leonard, Charles 619 Liberts, Ludolfs 747 Lorjou, Bernard 749 Madou, Jean-Baptiste 766 Malfroy-Savigny, Henry 786 Manglard, Adrien (follower of) 49 Mantuan School 52 Maratonio, Filippo 768 Matifas, Louis Remy 238 McCloskey, William J. 572 Metcalf, Willard Leroy 744 Meullemans, H. 285 Mijtens, Jan 18 Millet, Clarence 696 Miro, Joan 687

Mitchell, John Campbell 288 Morland, George 153 Muller, Robert Antoine 202 Nibbs, Richard Henry 204 Panini, Giovanni Paolo (after) 227 Pauthe, Paul 91 Picault, Emile Louis (after) 40 Pincemin, Jean-Pierre 708 Poussin, Nicolas (follower of) 57 Prendergast, Maurice B. 736 Raaphorst, Cornelius 371 Rauschenberg, Robert 709 Reddy, Krishna 706 Redon, Odilon 684, 685 Richet, Leon 283 Rijkelijkhuysen, Hermanus Jan Hendrik 128 Rip, Willem Cornelis 757 Schafer, Henry Thomas 303 Schmitz, Georg 673 Schouten, Henry 330 Schouten, Paul Henry 163 Slater, John Falconer 670 Souverbie, Jean 715 Spanish/Italian School 671 Sully, Thomas (manner of) 563 Tantisuk, Sawasdi 738 Telfair, Tula 745 Terelak, John 748 Teschendorff, Emil (after) 668 Turner, William Eddowes 160 Upward, Peter 714 van der Plas, Niek 741 Van Gorder, Luther E. 660 Vecellio (called ‘Titian’), Tiziano (manner of) 296 Verlat, Charles Michel Maria 372 Warren, Melvin Charles 582-586 Williams, Edward Charles 149 Witherington, William Frederick 200 Zuber-Buhler, Fritz 809

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only an d are subject to the Conditions of Sale set forth elsewhere. The Artist’s Name: In our qualified opinion, a work by the artist. Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist. School of / Follower of: In our qualified opinion, a w ork by a follower of the artist. Circle of: In our qualified opinion, a w ork of the period of the artist and showing his or her influence. Studio of: In our qualified opinion, a w ork possibly associated with the studio of the artist and showing his or her influence. Manner of: In our qualified opinion, a w ork in the style of the artist, possibly of a later period. After: In our qualified opinion, a c opy of a known work by the artist. Signed: In our qualified opinion, has th e signature which is that of the artist. Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist. Dated: In our qualified opinion, is so dat ed and was executed on or around that date. Bears Date: In our qualif ied opinion, is so dated and may have been executed at about that date

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Taylor Eichenwald Assistant Director of Auctions

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Director of Fine Jewelry

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Charles C. Cage Silver Specialist & Office Manager

Thomas Halverson American Furniture Specialist

Burke Designer

AUCTIONEERS Tessa Steinkamp, #1265 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Kelly McMahon Client Services & Administrative Assistant

CONSULTANTS

Grace Connors Manager of Online Auctions

ADMINISTRATION

Ellen McKenzie English & Continental Furniture

Denise Haik Office Administration

Ira Savoie Independent Certified Gemologist Appraiser

Gary Michael Gittelson Photographer

Christa Ougel Graphic Designer Photographer Bettina Bausa Graphic Designer

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Theadrow Mark

New Orleans Auction galleries

Estates Auction: July 24-25, 2021