March 27-28, 2021 Estates Auction by New Orleans Auction Galleries

New Orleans Auction galleries

Estates Auction: March 27-28, 2021

E STATES AUCT I ON

March 27-28, 2021

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Eichenwald #1922 | 25% Buyer’s Premium

Pictured Left: Lot 344 | Front Cover: Lot 355 | Back Cover: Lot 209 (detail)

featured property: The Estate of Joyce "Penny" & B. Garland Cupp Edmond, Oklahoma & Jesup, Georgia The Estate of Thomas Eugene "Tommy" Long Hattiesburg, Mississippi The Winston Collection of Newcomb Pottery New Orleans, Louisiana The Estate of Carol Austin Straus Houston, Texas

Exhibition: March 15 - 26, 2021 Monday - Friday 10:00 a.m. - 4:00 p.m. By Appointment Email info@neworleansauction.com or call us at 504-566-1849 to schedule an appointment

lot schedule:

Please note that times are approximate Session I (Lots 1 - 528): Saturday, March 27, 2021 10:00 a.m. CST

10:00

11:00

12:00

1 01

20 0

1:00

201

300

12:00

100

1:00

2:00

3 01

400

2:00

3:00

4 01

500

3:00

3:15

5 01

52 8

Session II (Lots 529 - 1018): Sunday, March 28, 2020 10:00 a.m. CST

10:00

11:00

52 9

600

11:00

12:00

6 01

680

1:00

681

78 0

12:00

1:00

2:00

78 1

880

2:00

3:00

881

980

3:00

3:30

981

Absentee

Live Online

bidding: Telephone

Bidding is available by telephone, absentee and live online with LiveAuctioneers and Invaluable

Pictured: Lot 860

1 01 8

Letter From the CEO It cannot be denied; guilty pleasures have been a bit of a saving grace during a year that just 13 months ago none of us could have imagined possible. But pandemic life has dulled the double-edge of indulgence, and therefore, in the name of comfort, I may have enjoyed an oyster po’boy or two, or 10; bought a few more shoes – not exactly required for Zoom meetings in my home office; and watched television. Not just watched, but binge watched, snuggled-in with my sweet husband, Fayez, for hours on end. Recently, we relented to all the recommendations and tuned into “Bridgerton.” The Netflix series, one of the most viewed in the provider’s history, is like the Harlequin Romances of old tempered with the wry wit and elegance of Jane Austen’s prose, and it is unapologetically enjoyable escapism. However, what I notice most simmering under the steamy plotlines is the regal beauty of England’s Regency era. From 1795 to 1837, the period is based on the regency of King George IV, and is one of my favorite eras of fashion, architecture and art and furnishings. While Bridgerton may be an aspirational fantasy, the gorgeous settings and furniture, saturated in lush colors, can be an aspirational reality. During New Orleans Auction Galleries’ March Estate Auction - Saturday, March 27 and Sunday, March 28 - we are pleased to feature many examples of the latter two categories. The Estate of Penny and Garland Cupp: Penny and Garland Cupp were longtime clients of NOAG, and we are honored to have the opportunity to offer their estate. The collection includes a stunning selection of fine English antiques that could easily be a backdrop to any of my Bridgeton’s fantasy setting. The Cupp’s discerning eye and commitment to seeking out the best-of-the-best is obvious; aside from the beautiful period paintings (including the one featured on our cover) and silver, one of the “crown jewels” of the collection is an exceptional 18th century George III bookcase that stands over 100” tall and 116” wide.

The Estate of Carol Austin Straus: We are also offering stunning Regency antiques from a more unusual source: The Estate of Carol Austin Straus. Carol and her husband, Robert D. Straus, were early modernists in Houston and legendary collectors, but amongst mid-century furniture and abstract expressionist paintings were Regency period antiques. While the antiques were acquired prior to the modernist pieces, the neoclassical sensibility and clean lines fit perfectly. Many legendary interior designers and collectors mix classical with contemporary as so much of modernism is rooted in classical motifs and designs. We will also be offering paintings and furniture from the Straus collection in our upcoming April 11 Modern + Contemporary Art & Design Sale. Jewelry: In true Bridgerton-style, the sale would not be complete without a dazzling selection of jewelry fit for a princess, from yellow diamonds to sapphires and emeralds. For the gentlemen, we are pleased to feature a vintage gold Patek Philippe wristwatch from the Cupp Estate. While we cannot bring you bring you Daphne Bridgerton, Viscount Bridgerton or the Duke of Hasting, we can light up your fantasies with 1,018 lots, including jewelry, art and furnishings from the Regency era, and before and after. On March 15, we open for exhibition by appointment, Monday through Friday, 10 a.m. to 4 p.m., daily, or you can view the entire catalogue online. Until then, I hope you find and enjoy some escapism of your own. But if you can, I recommend skipping the guilt, and going straight for the pleasure!

Susan D. Sarofim CEO

THE E STATE OF

Joyce "Penny" and B. Garland Cupp E d m o n d , o k l a h o m a & j e s u p, g e o r g i a New Orleans Auction Galleries is honored to present the Estate of Joyce "Penny" and B. Garland Cupp, which includes fine English antiques, paintings, jewelry and decorative arts. Joyce “Penny” Lenell Cupp was born in Rayville, Louisiana and later moved to Spearman, Texas. After graduating high school in Texas in 1960, Penny returned to Louisiana to attend Northeast Louisiana University with a major in speech therapy. She was a member of Phi Mu and continued her involvement with the sorority as National Chair and President of the House Corporation for the Epsilon Nu Chapter at Oklahoma State University. Penny became a flight attendant for Delta Airlines, a decision that would change her life as it was during this time that she met her husband, Garland. Penny and Garland were married for 51 years. B. Garland Cupp was born in Mangum, Texas, a small town west of Dallas. Cupp’s remarkable work ethic drove his successes in business; he started his first job at only 11 years old. Garland studied at West Texas University in Canyon, Texas and then attended

Washington University in St. Louis. Cupp later attended the Advanced Management Program at Harvard Business School and graduated with an MBA in 1984. Beyond his formal schooling, Cupp also taught himself computer programming. Penny and Garland married and relocated to St. Louis in 1963. Garland spotted a job listing for computer programmers from McDonnell Aircraft Corporation (which became McDonnell Douglas following a 1967 merger and then The Boeing Company in 1997) while attending the Oklahoma vs. Texas football game earlier that year. He applied and was offered a position. Penny also worked at McDonnell for several years, but after her daughter was born in 1973, she left her position to focus on her family. Garland joined American Express in 1978. By his retirement in 1995 at age 55, he achieved the position of Executive Vice President and CIO of the Travel Related Services Division. The Travel Related Services Division was the largest business unit at the time and was responsible for handling credit card transactions. Continued on next page...

THE E STATE Of joyce "Penny " and b. garl and cupp (continued)

A 1989 article in Computerworld noted that with Cupp at the helm of TRS, the department generated 32% of the firm’s $23 billion revenue and, even more remarkably, 70% of its $1.04 billion in profits. In 1988 alone, Cupp’s division processed transactions for 30.7 million credit cards. Cupp’s computer programming and business background made him the perfect fit for the rapidly growing world of credit card processing. Part of TRS’s role was to ensure that the volume needs were met in terms of CPU capacity, which included distributing processors throughout the American Express global network. The logistical and technical challenges of creating a global processing network in the context of 1980s infrastructure were immense, but Cupp’s knowledge and forward-thinking vision undoubtedly contributed to solidifying American Express as a global powerhouse. Garland’s successes in business allowed for the couple to travel extensively and pursue their shared interest for collecting art and antiques. The Cupps settled in Edmond, Oklahoma after Garland’s retirement. When Garland suggested to Penny that they build her “dream house”, Penny immediately thought of Crane Cottage on Jekyll Island, Georgia for the project’s inspiration. After attending a family wedding at Crane Cottage, Penny

was enamored by the grand architecture and beautifully appointed interiors of the historic property. The couple hired Hornbeek Blatt Architects of Edmond, Oklahoma to design the house and worked with Georgia-based decorator Alex Bridges on the interior design. While the Cupp’s house in Edmond did not have quite as many rooms (Crane Cottage boasts an impressive 21 bedrooms!), it took three years to complete and included a stunning courtyard, as well as many meticulously selected elements such as cobblestone sourced from South Carolina and staircase fittings bought in England. Perhaps even more impressive than the house itself were the couple’s collection of antiques and fine art that filled the house. For both Penny and Garland, collecting was something that brought them immense joy; the couple also happened to have discerning eyes. The Cupp’s collection includes an outstanding selection of fine Regency and Georgian furniture; a mix of 19thand 20th-century American, English and European paintings; English and American silver; and Asian arts. Penny and Garland were auction enthusiasts, but also acquired items from Royal Street in New Orleans and on trips abroad.

Tommy with one of his beloved King Charles Spaniels

THE E STATE OF

Thomas Eugene "Tommy" Long hat tie sburg, mississippi Thomas “Tommy” Long was born and raised in Hattiesburg, Mississippi. He studied commercial art and design at The University of Southern Mississippi before moving to New Orleans to begin his career. Tommy, along with friend and mentor Irving Eisenberg, opened La Cuisine Classique, the first gourmet kitchen shop in the city and a popular destination for locals and visitors alike. Located on Royal Street in the French Quarter, La Cuisine Classique was renowned for its selection of high-end cooking and baking accessories. Long owned and operated the shop for 31 years before retiring.

Tommy returned to Hattiesburg after retiring. He is remembered for his remarkable taste and ability to “make pretty”, skills that undoubtedly helped make the shop into a memorable destination. Tommy was also an accomplished pianist and organ player, an avid gardener and beloved host of countless dinner parties. He enjoyed collecting and decorating – a reflection of his love of the arts and his eye for beauty. New Orleans Auction Galleries is pleased to offer a handsome selection of antique furniture, lighting, carpets and decorative objects from the Estate of Tommy Long.

Tommy Long and Irving Eisenberg at La Cuisine Classique

Lot 863

The Winston Collection of Newcomb Pottery new orleans, louisiana The Winston Collection of Newcomb pottery (Lots 863-873) spans three generations and is rooted in the history of the Newcomb College. Mrs. Winston's father-in-law, Dr. James E. Winston, was a Professor of History at the College from 1919 until his retirement in 1939, and an avid supporter and collector of student and faculty pottery. Many of the early high-glaze pieces were gifted to Winston, like the jug from fellow colleague Mary Sheerer, Professor of Newcomb Pottery, or purchased at the College's annual Christmas pottery sale. Under Winston's son J. Barbee and his wife Margaret, the collection grew to include additional rare pieces, like the large pine tree vase Margaret purchased while riding her bike in the French Quarter in the 1950s, and later matte-glaze works. Various pieces of the Collection have been exhibited over the years, most notably, several pieces, selected for their diversity and scope, were chosen to represent the centennial anniversary of Newcomb College. Organized by Tulane University, in conjunction with the College, and the Smithsonian Institution Traveling Exhibition Service, 200 pieces of Newcomb pottery were exhibited in New York, Washington, D.C., and six other major cities before returning home to Newcomb in March 1987 where the exhibit closed.

property from

A Private Collection New orleans, louisiana

Lot 250

Session I Saturday, March 27 Lots 1-528

Lot 296

1 Biedermeier Revival Walnut Cabinet late 19th/early 20th century, the top fitted with a single frieze drawer, above classical columns joined to a lower section with tambour doors, raised on bun feet. h. 43-1/2”, w. 48”, d. 19” $1,500-$2,500 2 Biedermeier Revival Walnut Cabinet late 19th/early 20th century, the top fitted with a single frieze drawer, above classical columns joined to a lower section with tambour doors, raised on bun feet. h. 43-1/2”, w. 48”, d. 19” $1,500-$2,500 3 Suite of Nine 18th-Century Copperplate Engravings of classical statues, from “Raccolta di Statue Antiche e Moderne” by Francesco Faraone Aquila (ca. 1676-1740), all float mounted and presented in matching giltwood frames. sheet 19-1/2” x 15”, framed 24” x 19” $1,000-$1,500

5 Neoclassical Marble and Iron Center Table ca. 1900, the octagonal marble top with a central painted scene of a classical chariot, surrounded by scrolling foliate and oculus patterns, raised on a foliate, fluted columnar iron standard to an ebonized base. h. 30”, dia. 51” $1,200-$1,800

4 Cast Marble Sculpture of Aphrodite 20th century, the goddess of love holding one of the apples of the Hesperides, a slight variant after Bertel Yhorvalsen (Danish, 1770-1844), signed “Del Torrone” and numbered “1037” along base h. 46-1/2”, w. 14”, d. 14” $1,000-$1,500

6 Continental Swan-Carved Marble Birdbath 20th century, the base of the pedestal carved with swans, below a field of carved meandering vines and flowerheads, the top of the pedestal decorated with bas-relief swans on cartouches, supporting a kylix-form bowl. h. 46-1/4”, dia. 19” $1,500-$2,500 6

7 Pair of Neoclassical-Style Polychrome Cabinets 20th century, the molded concave cornice above a conforming case fitted with two glazed doors, opening to a shelved and mirrored interior, the conforming lower section with a faux marbre top over two paneled cupboard doors, raised on a plinth base. h. 90-1/2”, w. 38”, d. 22-1/2” $1,000-$1,500 8 Italian Decorative Arched Painting first half 20th century, with an oil-on-canvas scene of a “Capriccio with Classical Ruins”, signed illegibly lower right, in a conforming frame. 26” x 52”, framed 28” x 54” $1,000-$1,500

9 Large Polished Spelter and Brass Neo-Grec Centerpiece ca. 1900, after Ferdinand Levillain (French, 1837-1905), in the form of a Greek maiden holding aloft a kylix fitted with brass handles and surmounting receptacle, raised above a waisted pedestal with three brass paw feet, with cast signature of brass base top “F. Levillain”. h. 34-3/4”, base dia. 13”, w. 17-3/4” $1,000-$1,500 10 Italian Carved Alabaster Grand Tour Souvenir fourth quarter 19th century, depicting ruins of the Temple of Vespasian and Titus, in the form of three Corinthian columns, on a rusticated base supporting a carved cornice. h. 15-3/4”, w. 5-1/2”, d. 5-1/2” $1,000-$1,500 11 Neoclassical-Style Creme-Peinte and Parcel-Gilt Cabinet early 20th century, the central door flanked by a pair of narrow doors, each with a glazed panel over recessed panels, flanked by pilasters with giltwood-carved capitals and bellflower decor, the sides and back of bread-board construction. h. 80”, w. 62”, d. 15-1/2”

$1,500-$2,500

12 Pair of Italian Neoclassical-Style Polychrome and ParcelGilt Stands each with a circular top raised on shaped legs with leaf and bellflower carving, and with a central fluted column terminating in a low shelf, the legs extending to foliate- and scroll-carved feet. h. 49”, w. 21”, d. 21” $1,500-$2,500

14 Painted and Parcel-Gilt Tabernacle Mirror 20th century, in the Continental neoclassical taste, with upper and lower mirror plates framed with leaf-carved giltwood, the molded surround painted and with a giltwood molded crest. h. 48-3/4”, w. 30 $1,000-$1,500

13 Neoclassical Creme-Peinte, Parcel-Gilt and Marble-Top Side Table 19th century, the rectangular marble top above a conforming frieze with a central urn carving and applied medallions to each side, raised on fluted tapering square legs headed by Ionic capitals and ending in lotus feet. h. 35”, w. 60-1/2”, d. 24-1/2” $2,000-$4,000 13

15 Pair of Exceptional Neoclassical-Style Carved Giltwood Plaques fourth quarter 19th century, Italian, carved with serpenthandled fluted ewers, supported on scrolled and carved brackets, the ewers carved with flowers, leaves and grapes in high relief, all in contrasting matte and burnished gilding. h. 23-1/4”, w. 20-1/2”, d. 4-3/4” $1,200-$1,800

16 Pair of Painted and Parcel-Gilt Neoclassical Mirrors 20th century, in the Italian provincial taste, the upper tablets “hanging” from giltwood rods and decorated with baskets of flowers trailing leaves, the pedimented bases with carved medallions. h. 44-1/2”, w. 21” $1,200-$1,800

18 Neoclassical-Style Creme-Peinte and Parcel-Gilt Window Seat the long padded seat flanked to either end by turned armrests supported by lion’s heads, raised on a curule-form base ending in gilt caps. h. 28”, w. 52”, d. 18” $1,500-$2,500

17 Pair of Diminutive Parcel-Giltwood Lamps 20th century, in the neoclassical taste, the fluted column-form bases set with painted urns decorated with gilt lotus leaves and leaf-carved covers, fitted with custom shades. h. 22”, dia. 9-3/4” Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

19 Pair of Italian Neoclassical Giltwood Mirrors first quarter 19th century, now mounted as lamps, the mirrors with cove-molded frames and carved wreath-form crests, set with antique mirror plates, mounted on acrylic bases. h. 22-3/4”, w. 11-3/4”, d. 5” $1,200-$1,800 20 Continental Neoclassical-Style Walnut Commode 19th century, the rectangular top above a conforming case fitted with three long drawers, raised on tapering square feet. h. 34-1/2”, w. 40”, d. 19”

$1,000-$1,500 21 Pair of Giltwood and Metal Chandeliers 20th century, in the Italian provincial taste, the twelve-light chandeliers with gilt turned wooden standards accented with white, and scrolled metal arms on two levels, decorated with metal leaves and fitted with gilt turned wooden candle cups also accented with white, the top with a corona of giltwood faux tassels. h. 41”, dia. 61” $1,500-$2,500

22 Italian Walnut and Mixed Woods Writing Table 19th century, possibly Sorrento, the rectangular banded top featuring an inlaid cityscape and various drafting tools, centered by a mechanized lifting shelved structure, lifting when the frieze drawer is open, the drawer also fitted with a baizeinset writing surface, hinged and with an easeled back over a single drawer, flanked to either side by a secret drawer over a paneled drawer, verso fitted with three frieze drawers, raised on paneled tapering square legs. h. 32-1/2”, w. 70”, d. 32-1/2” $4,000-$7,000 23 Pair of Rock Crystal Obelisks 23

20th century, the tapered obelisks on rectangular plinth bases. h. 12-3/4”, w. 3-5/8”, d. 3-1/2”

$1,500-$2,500 24 Pair of Rock Crystal Obelisks 20th century, French or Russian, the tapered obelisks on rectangular plinth bases. h. 15-1/2”, w. 4”, d. 4” $2,000-$4,000 25 Pair of Rock Crystal Tazzas 20th century, French or Russian, with shallow bowls on turned bases, raised on rectangular plinth bases. h. 12”, dia. 11” 25

$2,500-$4,000

26 Pair of Italian Neoclassical-Style Polychrome Jardinieres each with a copper vessel in a bowl with a carved lip, raised on shaped columns on carved paw feet, joined to a concave low shelf with a central bronze medallion and patinated brass feet. h. 51-1/4”, w. 20”, d. 20” $2,000-$4,000 27 Large Neoclassical Creme-Peinte and Parcel-Gilt Table 19th century and later, the large rectangular top above a frieze centered by a foliate torchere carving flanked by applied garlands, raised on tapering circular legs headed by a garland capital and ending in foliate feet. h. 30-1/2”, w. 81”, d. 37” $2,000-$4,000 26

28 Italian Neoclassical Creme-Peinte Settee early 19th century, the rectangular back with three interlacing splats, joined by downswept foliate-carved arms to the padded seat, raised on fluted tapering square legs ending in pad feet, the whole with gilt accents. h. 33”, w. 55-1/2”, d. 19-1/2” $1,500-$2,500 29 Pair of Carved Deal Architectural Fragments 19th century, now mounted as lamps, the pilasters carved with bas-relief scrollwork and covered cups in the baroque taste, mounted on acrylic stands. h. 27-1/2”, w. 8”, d. 5-1/2” $1,000-$1,500

27 29

30 Carved Wood Figural Pedestal in the Neoclassical Taste 20th century, modeled as a draped female water carrier on a stepped base, fitted with a circular top. h. 36”, w. 11”, d. 11-3/4” $1,200-$1,800 31 Pair of Italian Neoclassical-Style Commodes/End Tables each in a natural wood surface with simulated worn and distressed paint, the tray-form top with ovolo corners, above a case with a bank of three drawers, raised on trumpet legs. h. 30-1/4”, w. 36-1/2”, d. 20-3/4” $1,000-$1,500

32 Italian Carved and Silver-Gilt Wooden Bust of Vespasian 19th century, in the neoclassical taste, the Emperor of Rome dressed in a toga. h. 16”, w. 10-1/2”, d. 5” $1,000-$1,500

33 Fine Northern European Neoclassical Giltwood, Bird’sEye Maple and Marble-Top Cabinet first quarter 19th century, possibly Russian, the black marble top over a cyma-molded frieze, the case with a pair of cupboard doors, each flanked and separated by pilasters with gilt foliate-carved bases and lotus-carved capitals, each door panel now with pleated sunburst bronze silk. h. 33-1/2”, w. 47-1/2”, d. 18” $1,200-$1,800 34 Pair of Continental Neoclassical-Style Inlaid Rosewood and Walnut Vitrines/Bibliotheques second quarter 19th century, each with a glazed door above a paneled lower door, flanked by full columns with marquetry-inlaid standards, the upper frieze with inlaid palmettes and classical motifs. h. 85”, w. 48”, d. 21” $2,000-$4,000 35 Pair of Italian Walnut and Brass Altar Candlesticks

mid-20th century, in the neoclassical taste, the fluted columnform standards with Corinthian capitals and leaf-carved candle cups fitted with brass prickets, raised on leaf- and scroll-carved ogee-form bases. h. 27”, dia. 7-1/2” $1,000-$1,500

36 Italian School (19th Century) “Travelers by a Lake, Ruins in the Background” oil on wood panel illegibly signed lower right. Framed. 11-3/4” x 17-3/4”, framed 17-1/2” x 24” $1,000-$1,500

37 Italian Neoclassical-Style Polychrome Cabinet with a pair of paneled doors, each with figural, urn and arabesque painting, the doors framed by molding, the case of recent manufacture, the panels and their molding antique. h. 45-3/4”, w. 44”, d. 13-1/4” $1,200-$1,800

38 Continental Neoclassical Onyx and Gilt-Metal Occasional Table the rectangular top with a molded edge, above a conforming frieze with applied scrolling foliate patterns, raised on tapering circular onyx legs joined by a scrolling urn-centered stretcher and ending in toupie feet. h. 31”, w. 25-1/2”, d. 16” $2,500-$4,000

39 Italian Neoclassical Polychrome Commode late 18th century and later, the rectangular top with a molded edge, banded and centered by a classical medallion within musical and scrolling patterns, above a conforming case fitted with three long drawers, all decorated with scrolling patterns, raised on bun feet. h. 37”, w. 54”, d. 25” Provenance: Private collection, New Orleans, Louisiana. $3,000-$5,000

40 Neoclassical-Style Giltwood Bench

late 19th century, with scroll arms capped by roundels, raised on foliate-carved and turned legs with brass cup casters. h. 24-1/2”, w. 34”, d. 20” $1,000-$1,500

41 Suite of Six Fruitwood Armchairs of Directoire inspiration, each with a padded square back within a molded frame, joined by downswept arms to the padded seat, raised on reeded tapering circular legs. h. 35” $1,000-$1,500

42 Empire-Style Walnut and Marble-Top Commode 19th century, the rounded rectangular variegated gray marble top above a conforming case fitted with a frieze drawer over three long drawers, all with decorative ormolu banding, raised on bun feet. h. 36-1/2”, w. 51-1/2”, d. 22-1/2” Provenance: Private collection, Houston, Texas. $1,500-$2,500

43 French Restauration Bronze Dore et Patine Clock second quarter 19th century, depicting Sir Francis Drake landing on a rock, set with the clock works, a mast and sail beneath him, peaking out of the waves, the base decorated with molded acanthus leaves and fluting, the scroll-decorated skirt with a pierced anthemion, set with a silk-string suspension movement. h. 19-3/4”, w. 14-3/4”, d. 5” $1,000-$1,500

44 Louis XVI-Style Kingwood and Ormolu-Mounted Vitrine/ Coffee Table early 20th century, the hinged top with a glass panel opening to a fabric-lined interior, raised on tapered legs ending in turned brass feet, profusely ornamented with brass mounts and trim. h. 20”, w. 38”, d. 23” $1,000-$1,500 44

45 Attributed to Jean-Baptiste Greuze (French, 1725-1805) “Thais” oil on canvas unsigned. Framed. 16-1/8” x 13”, framed 22-1/4” x 18-3/4” Provenance: Collection of Dr. and Mrs. John “Jack” Morgan Barron III, Memphis, Tennessee. Literature: This painting has been examined firsthand by Dr. Yuriko Jackall, Greuze specialist and Curator of French Paintings at the Wallace Collection, who suggests that it was made in Greuze’s studio, perhaps with his participation. $5,000-$8,000 A genre and portrait painter of prodigious innate talent, Greuze was born into a proletarian family; his father was a roofer/tiler. At a young age, he was apprenticed to a successful Lyonnais portrait painter, Charles Grandon, who eventually took him to Paris. In Paris, Greuze was accepted into the prestigious Académie Royale de Peinture et de Sculpture, studying under the rococo master Charles Joseph Natoire. Greuze soon gained the support of Louis de Silvestre, then Director of the Academie. In 1755 he was named an associate member of the Academie through whose auspice Greuze travelled to Italy under the patronage of Abbe Louis Gougenot. Upon his return, Greuze’s submissions to the Paris Salon were met with increasing admiration. The young artist, however, had a streak of stubbornness and a vanity that created tension between him and the Salon. One of the requirements for formal acceptance into the Salon was the submission of the “morceau de reception”, a representative work of the artist which was used to evaluate his placement within the Academie. Greuze refused. Finally, in 1769, under threat of being blocked from exhibiting, he submitted “Septimus Severus and Caracalla”his attempt at a grand historicizing scene. It was a resounding failure, and the judges declared Greuze a genre painter, then considered the “lowest” style. Furious, Greuze refused to take part in any future exhibitions, only showing his work in his studio; he did not exhibit at the Salon again until 1800. While this had a disastrous effect on his Academic reputation, art collectors were amused by his arrogance and patrons flocked to his studio, making Greuze one of the most sought-after genre and portrait painters. One such favored genre and recurring subject in Greuze’s work was the young penitent and/or the penitent Magdalene, in which young women with loose curls are depicted in prayer or in heavenly reflection with eyes gazing upward in contrition. This particular composition was painted at least three times by ca. 1779: Two compositions with slight variations in position, dress and color were offered at Christie’s, Paris ( June 24, 2004, as lot 130), and by Rafael Valls in London gallery. A third work nearly identical to the one offered here, but in oval form, was owned by the guillotined notary Charles Nicolas Duclos-Dufresnoy, who loaned it in 1785 for the commission of the Charles Levasseur engraving titled “Thais ou La Belle Penitente”.

Yuriko Jackall, Curator of French Paintings at the Wallace Foundation, examined this work firsthand and believes it to definitely be the studio and quite possibly an attribution of Greuze, as she cannot rule out the assistance of the artist’s hand. Alastair Laing, Curator of Pictures and Sculpture for the National Trust, following an examination of the painting by photographs, has expressed a strong hypothesis that not only is the work by the hand of the artist, an affirmative attribution, but it may also be identified as lot 21 in the posthumous sale of Duclos-Dufresnoy, August 18-21, 1795 that was sold alongside the Christie’s painting (identified as lot 26), and was formerly and falsely identified as the Vall painting in 2005. Laing stipulates that the description and measurements match on all points, but two- the fichu (scarf) in the catalogue entry is described as white, not brown, and the measurements are slightly larger. The pre-Revolutionary pouce, generally recognized as 1.066 in., recorded lot 21 as lot 14 pouce by 11 pouce, 6 ligne (~.0888 in.) bringing the painting measurements to ~14.92 in. x 12.25 in. The new canvas and stretchers on which the painting is relined are slightly larger than the painting itself with the lining visible along the side edges and bottom edge that is painted over with a ruddy brown wash. The actual measurement of the painting is 15.125 in. x 12.25 in. Under UV light examination, the scarf has been heavily overpainted with brown pigment and blended into the hair. The repairs account for the two discrepancies in the Declos-Dufresnoy description, begging the question and further research inquiry: was this one of the many Greuze paintings owned by the executed royalist, was it lot 21 or an autograph replica as Greuze was known to repeat himself, as is evidenced with the Rafael Valls painting- a reduced version of the Christie’s painting (Duclos-Dufresnoy, lot 26) and partner to the Thaïs offered here?

46 Napoleon III Giltwood Mirror in the Neoclassical Taste third quarter 19th century, the cove-molded surround decorated with ribbon-bound flowers on the outer edge and beading on the inner edge. h. 58-3/4”, w. 51” Provenance: Private collection, New Orleans, Louisiana. $1,200-$1,800

47 French Neo-Grec Bronze Tazza second half 19th century, cast by Ferdinand Barbedienne (French, 1810-1892), the neoclassical bas-relief panel depicting Orpheus, Diana and Hercules, after Ferdinand Levillain (French, 1837-1905), with masque-molded handles and raised on paw feet, signed “F. Barbedienne” on the outside edge of the tazza and “F. Levillain” on the lower right panel. h. 2-1/4”, w. 21”, d. 9” $1,000-$1,500 46

48 French Restauration Gilt-Bronze Figural Clock second quarter 19th century, mounted with a figure of Orpheus, the Greek god of music, playing his lyre, a bust of Athena mounted on the right, the case base with mounts of a swan with musical instruments, flanked by arrows bound with bowknots, the silk-string suspension movement mounted with an enamel dial marked “Souriau, Rue Faydeau No. 20, Pres La Bourse”. h. 21”, w. 13-3/4”, d. 5-1/2” $1,200-$1,800 48

Clock states “Souriau” “Rue Faydeau” “No. 20” “Pres La Bourse” - Pres La Bourse means “near the stock exchange”; it is still located on Rue Faydeau at this time in Paris.

49 Directoire-Style Polychrome and Marble-Top Console Table 20th century, the white marble top above a pierced interlocking swirl-carved apron and laurel swags, raised on fluted tapering square legs. h. 32”, w. 40”, d. 16” $1,200-$1,800 50 Directoire-Style Polychrome Window Seat 20th century, the long cushioned seat flanked to either end by padded out-scrolled arms, above a foliate- and patera-carved apron, raised on splayed legs ending in acanthine-carved scrolled toes. h. 30”, w. 84”, d. 28”

Provenance: Estate of Carol A. Straus, Houston, Texas. $1,200-$1,800

51 Jean-Baptiste Lallemand (French, 1710/16-1803) “Capriccio with Staffage” gouache on paper laid down on card signed lower right. Unframed. 9-1/4” x 15-5/8”, framed 15-5/8” x 23-5/8” $2,000-$4,000

52 Directoire-Style Painted and Parcel-Gilt Trumeau Mirror mid-20th century, with a tan ground, the mirror plate with a gilt cove-molded surround and the upper tablet decorated with a panel of musical trophies on sprays of roses, below a gilt covemolded crest. h. 70-3/4”, w. 51-1/2” $1,000-$1,500

54 Pair of Empire-Style Marble and Gilt-Metal Occasional Tables

each with a rounded triangular marble top raised above a smaller circular marble shelf on ribbed supports, headed by ringed ram’s masques and ending in hairy-hoof feet. h. 24”, w. 23”, d. 21” $1,500-$2,500

53 Empire Fruitwood and Marble-Top Commode early 19th century, the rectangular top with projecting ends, above a conforming case fitted with three long drawers, flanked to either side by a graduated upright headed by an ormolu maiden’s head, raised on ebonized paw feet. h. 35-1/4”, w. 49”, d. 22” $1,500-$2,500

55 French Gilt-Bronze and Marble Clock ca. 1900, in the Louis XVI style, the white marble body with giltbronze mounts and set with black marble Corinthian columns and matching finials flanking the dial, with a gilt-bronze eagle finial and swags of flowers, set with marked Vincenti et Cie works, signed “France”, the enamel dial marked “Plavin”, hung with a sunburst pendulum. h. 23”, w. 15”, d. 5” $1,200-$1,800

57 Attractive Restauration Mahogany and Marble-Top Pier Table second quarter 19th century, in Cuban mahogany with a Gris Turquin marble top, the upper apron drawer supported on a pair of carved paw-footed console brackets, the incurvate plinth supported on bun feet of mahogany. h. 36-1/2”, w. 51-1/4”, d. 19-1/2” $1,000-$1,500

56 Unusual French Patinated Bronze and Glass Chandelier mid-20th century, the nine-light chandelier with a bronze frame supporting six candle arms and decorated with a band of cut glass prisms, the lower portion with three concealed sockets and interior glass-beaded latticework hung with glass teardrop prisms, the upper portions with swags of glass beading and a spray of prisms serving as the corona. h. 33-1/2”, dia. 22-1/2” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi; Private collection, New Orleans, Louisiana. $1,200-$1,800

58 Pair of French Rouge Griotte Marble and Brass Tazzas fourth quarter 19th century, the urn-form red griotte marble garnitures on rectangular bases set with brass-trimmed panels, resting on low brass feet. h. 12”, dia. 8-1/2” $1,400-$1,800

59 Fine Restauration Five-Piece Carved Mahogany Salon Suite first quarter 19th century, retaining the extremely rare “Aesop’s Fables” Aubusson tapestry upholstery, comprising four fauteuils and a canape en suite, all with pedimented crest rails carved with addorsed horizontal foliate scrolls, the front legs of klismos form. fauteuil h. 38”, canape h. 39-1/2”, w. 71”, d. 24”

$5,000-$8,000

60 Directoire Mahogany and Marble-Top Center Table ca. 1800, the circular gray and rose dished marble top above a plain frieze, raised on three supports to a concave tripartite plinth base. h. 29-1/2”, dia. 40-1/2” $1,000-$1,500

61 Pair of Louis-Philippe Gilt- and Patinated Bronze Candelabra second quarter 19th century, one standard depicting Psyche and the other Mercury, each perched on a sphere above a base molded with acanthus leaves, and supporting molded, scrolled candle arms terminating in laurel-molded candle cups and matching drip pans. h. 26”, w. 8-1/2”, d. 7-1/4” Provenance: Private collection, Houston, Texas. $1,500-$2,500

63 Empire-Style Polychrome, Parcel-Gilt and Mirrored Glass Center Table 19th century, the circular antiqued mirrored top centered by a starburst and within a foliate-carved frieze, raised on three pharaonic-headed shaped supports ending in hairy-hoof feet on a concave tripartite faux marbre base. h. 29”, dia. 30” $1,500-$2,500

62 French Empire-Style Gilt- and Patinated Bronze Chandelier first quarter 20th century, the five-light chandelier with a reeded standard supporting the celestial-inspired spherical patinated body, decorated with gilt-bronze stars and set with reeded and leaf-molded, scrolled candle arms, terminating in optional molded glass bobeches, the bottom with a molded bronze pendant finial. h. 29-1/2”, dia. 18-1/2” $1,200-$1,800

64 Empire-Style Polychrome, Parcel-Gilt and Mirrored Glass Center Table 19th century, the circular antiqued mirrored top centered by a starburst and within a foliate-carved frieze, raised on three pharaonic-headed shaped supports ending in hairyhoof feet on a concave tripartite faux marbre base. h. 29”, dia. 30” $1,500-$2,500 65 Restauration Mahogany Meridienne mid-19th century, the long padded seat flanked by a tall out-scrolled arm and partial padded back to one side and by a lower padded in-scrolled arm to the other, above a paneled frieze with brass banding, raised on toupie feet. h. 35”, w. 28-1/2”, l. 75” $1,000-$1,500 66 Pair of Monumental 19th-Century Decorative Paintings depicting panoramic views of “Uzes, South of France”, each signed, localized and dated mid-right “L. G. Manega/Uzes/1892”, presented in contemporary matching giltwood frames. 103” x 44”, framed 106” x 45-3/4” $2,000-$4,000 66

67 Antique Lavar Kerman Carpet 11’ x 16’ 7” $1,500-$2,500 68 Semi-Antique Oushak Runner 2’ 10” x 12’ 3” $1,000-$1,500 69 Antique Sultanabad Carpet 9’ 6” x 11’ $6,000-$9,000

70 Persian Carpet 12’ 11” x 20’ 8” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $1,500-$2,500

71 Isfahan Silk and Wool Carpet 9’ 3” x 12’ $5,000-$8,000

72 Oushak Runner 3’ x 8’ 3” $1,000-$1,500 73 Turkish Angora Oushak Runner 2’ 7” x 19’ 4” $1,000-$1,500 74 Turkish Angora Oushak Carpet 9’ 10” x 14’ $1,200-$1,800 74

76 75

75 Semi-Antique Bidjar Carpet 10’ 6” x 12’ 9” $1,200-$1,800 76 Peshawar Sultanabad Carpet 7’ 8” x 9’ 7” $1,200-$1,800 77 Turkish Angora Oushak Carpet 8’ x 10’ $1,000-$1,500

78 Sultanabad Carpet 13’ 9” x 20’ 5” $4,000-$7,000 79 Heriz Carpet 11’ 4” x 14’ 7” $1,200-$1,800 80 Agra Serapi Runner 2’ 6” x 23’ 7” $1,000-$1,500

81 Continental Mahogany Library Table early 20th century, the rectangular top above a paneled and dentillated frieze, raised on shield- and patera-carved end supports joined by a shaped stretcher and ending in paw feet. h. 32”, w. 68”, d. 35-1/2” $1,200-$1,800 82 Joseph Jodocus Moerenhout (Belgian, 1801-1874/75) “The Falconry”, 1852 oil on wood panel signed and dated lower left center, and titled on a gallery label en verso from “Rococo Kunsthandel, Gulpen [Netherlands]”. Framed. 24” x 30-3/8”, framed 33-1/4” x 39-3/4”

Provenance: Christie’s Amsterdam, April 18, 2000, lot 145. $12,000-$18,000

83 Follower of David Teniers the Younger (Flemish, 1610-1690) “Kermesse” oil on canvas unsigned. Framed. 9” x 12-1/4”, framed 19-3/4” x 23-1/4” $1,000-$1,500 84 Follower of Giacomo Francesco Cipper (called Il Todeschini) (Feldkirch 1667-1738 Milan) “Peasant Smoking a Pipe” oil on canvas unsigned, verso with a “Christie’s” inventory label. Framed. 13” x 10”, framed 18” x 14-3/4”

Provenance: Christie’s South Kensington, July 13, 2001, lot 227. $1,000-$1,500 85 Impressive French Oak, Silvered Bronze and Glass Cave a Liqueur fourth quarter 19th century, the double serpentine oak case decorated with silvered bronze mounts of hunting dogs, fox heads and “nature morte” game, the interior with a lift-out oak and silvered bronze tray, supporting a set of four matching engraved decanters and sixteen liqueur glasses. h. 11-1/4”, w. 15-1/2”, d. 10” $1,200-$1,800

86 Provincial Iberian Oak Guard Room Table 20th century, of small proportions, the rectangular top with a carved edge, and raised on barley-twist legs joined by scrolling iron stretchers and ending in block-and-ball feet. h. 22”, w. 29”, d. 19-1/2” $1,000-$1,500 86

87 Flemish-Style Mahogany Sofa 19th century, the double-domed and padded back joined by outscrolled sides and arms to the cushioned seat, raised on turned and block legs, joined by molded and scrolling front stretchers and ending in molded feet, partially upholstered in period tapestry. h. 49”, w. 78”, d. 30” $1,000-$1,500 88 R. A. Hager (Dutch, 19th/20th Century) “Fishermen and Cattle Herd Resting Along the Road” oil on canvas signed lower left, a “John H. Surovek, Palm Beach, FL” gallery label on frame backing. Framed. 30” x 25”, framed 37-1/2” x 32-1/2” 88

$1,200-$1,800

89 Willem Heijkoop (Dutch, 20th Century) “Promenade Along the Canal” oil on canvas signed lower left. Framed. 28” x 36”, framed 38-1/2” x 45-1/2” $1,200-$1,800

90 Paul Weimar (German, 1855-1890) “Young Women Reading by the Fireplace”, 1889 oil on canvas signed, dated and localized “Berlin” lower left. Framed. 36-3/4” x 47-3/4”, framed 45” x 56” $1,000-$1,500

91 Continental School (Fourth Quarter 19th Century) “Break, Break, Break, On Thy Cold Gray Stones, O Sea” (Lord Tennyson) oil on canvas conjoined monogram lower right “TSG”. Period frame. 14” x 10”, framed 21” x 17” $1,000-$1,500 91

92 Pair of Flemish-Style Mahogany Wing Chairs

20th century, each with a domed back joined by dramatically outscrolled sides and arms to the cushioned seat, raised on paneled cup-and-cover legs, joined by an X-form stretcher and ending in bun feet, upholstered in a colorful velvet flame stitch pattern. h. 48-1/2”

94 Continental Carved Oak Desk early 20th century, the superstructure fitted with two central drawers over an open space flanked to either side by two small drawers, joined by pheasant supports to a pull-out leather-inset writing surface, over a central drawer flanked to either side by two small drawers, raised on fluted and turned legs to block-and-ball feet, the whole elaborately decorated with foliate and animal accents. h. 39”, w. 52-1/2”, d. 21-1/2”

$1,200-$1,800 93 Continental Rococo Giltwood Mirror third quarter 18th century, the inner and outer surrounds decorated with scrollwork on a cross-hatched ground, the corners decorated with carved leaves. h. 35-3/4”, w. 28-1/2”

Provenance: Hugh Heffner Collection. $2,500-$4,000

$1,200-$1,800

95 Ten Russian Lacquer Boxes fourth quarter 20th century, Fedoskino, Khouli and Moscow, decorated with troika, folk life and fairy tales (Frog Princess, Golden Cockerel, etc.), most signed and dated. the largest w. 7-1/2”, the smallest w. 2-1/4” Detailed list of boxes available on request. $1,000-$1,500 95

96 Collection of Russian Lacquer Boxes fourth quarter 20th century, including eight boxes, Fedoskino and Khouli, decorated with troika, Makovsky’s “Boyar Wedding Feast”, folk tales (Snow Maiden, Firebird) and folk life, some signed and dated; together with ten Palekh miniature boxes. 18 pieces total the largest w. 9-3/4”, the smallest w. 1-1/4”, the miniatures all 1” x 3/4” x 3/4” Detailed list of boxes available on request. $1,000-$1,500 96

97 Collection of Russian Lacquer Boxes and Folklore Eggs fourth quarter 20th century, Fedoskino, Khouli, Karpenko and St. Petersburg, including eight boxes and five eggs, decorated with landmarks (St. Basil’s Cathedral, Solovetsky Island), folk tales (Little Humpback Horse, Snow Maiden, Tsarevich Ivan & the Firebird, Rusland Confronting the Head), and folk life, many signed, some dated. 13 pieces total boxes, the largest 10-3/8”, the smallest 2-1/2”; eggs h. 3”, dia. 1-3/4” Detailed list of boxes available on request. $1,000-$1,500 97

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99 Italian Baroque-Style Walnut and Wrought Iron Side Table

19th century, the rectangular molded top with a carved underapron and mounted to a wrought iron trestle base. h. 24-1/2”, w. 43”, d. 24-1/2” $1,500-$2,500

98 Studio of Yulievich Klever (Russian, 1850-1924)

100 Josef Cornelius Correns (Flemish, 1814-1907)

“Winter Evening”, 1889 oil on linen signed in Cyrillic and dated lower right. Framed; together with a copy of the Sotheby’s sales catalogue. 29” x 22-1/2”, framed 38-1/2” x 32-1/4” Provenance: Sotheby’s, Olympia, London, November 30, 2006, lot 26. $2,000-$4,000

“The Amateur Artist’s Studio”, 1869 oil on cradled wood panel signed and dated mid-left on bed frame, initialed lower left on portfolio. Framed. 25” x 31”, framed 33-1/8” x 38-1/8” $1,500-$2,500 101 Swiss Cylinder Music Box in a Marquetry-Inlaid Case fourth quarter 19th century, decorated with inlaid musical trophies and oak leaves against a rosewood panel with walnut crossbanding, set with molded bronze handles, the interior cover with a card listing six airs. h. 7-3/4”, w. 24-3/4”, d. 11-1/2” $1,500-$2,500

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102 Junghans Gilt-Bronze-Mounted Mahogany Musical Bracket Clock ca. 1900, the dial with a painted chaper ring on a brass face with Art Nouveau spandrels, the top with a “shingled” mansard roof with bronze mounts and turned finials, the case with bronze corner mounts in the form of scrollwork supported on scrolls, on pierced bronze paw feet, triple train movement with time, strike and five bar chimes, signed on the back. h. 23”, w. 13”, d. 9” $1,200-$1,800 103 Continental Walnut and Tortoise-Inlaid Occasional Table first quarter 20th century, the rounded rectangular top with a foliate-carved edge and starburst inlay of tortoise panels, joined by shaped and pierced foliate-carved supports to a lower shelf, raised on foliate scrolled toes. h. 24”, w. 35-1/2”, d. 24-1/2” $2,000-$4,000

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104 Pair of Monumental Baronial Bronze Andirons fourth quarter 19th century, decorated with lions grasping shields, putti and satyr masques, the feet modeled as openmouthed dragons. h. 33-1/2”, w. 22-1/2”, d. 29” $1,200-$1,800

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105 Pair of Unusual Italian Glazed Terracotta Lions 20th century, the lions with luxuriant manes, each poised with one paw on a bracket, its head turned back. h. 29-1/2”, w. 11-3/4”, l. 22-1/2” $1,200-$1,800 103

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106 After Albrecht Durer (German, 1471-1528) “The Triumphal Procession of the Emperor Maximilian, 1522” after the 1609 Guldenmund woodblock copy all eight sections laid down on paper and presented together, backed by paper board. Matted, glazed and framed. 18” x 89-1/2”, framed 26” x 98” Provenance: By repute, deaccessioned from the Boston Athenaeum, Boston, Massachusetts. Literature: Meder 252 $1,000-$1,500 107 Dutch Brass Repousse Mirror in the Baroque Taste fourth quarter 19th century, the mirror-backed pierced crest depicting a basket of fruit with birds perched on each side, the “cushion” mirror trimmed in scroll-molded brass with shells at the corners, set with a beveled mirror plate. h. 35-3/4”, w. 22-1/4”

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$1,000-$1,500 108 Italian Walnut Credenza 19th century, the rectangular top with canted corners, above a conforming case fitted with two cabinet doors, each paneled and with an applied gilt shield of scrolling patterns centered by a cherub’s head, raised on a molded plinth base. h. 35”, w. 60”, d. 18” $2,000-$4,000

108

109 Pair of Continental Gilt-Bronze Andirons fourth quarter 19th century, the scrolled and pierced bodies set with lion’s heads grasping rings, set with urn-form flame finials, raised on platform bases decorated with molded medallions. h. 23-1/2”, w. 11”, d. 5-3/4” Provenance: Keil’s Antiques, New Orleans, Louisiana, 2006. $1,500-$2,500

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110 Spanish School (Second Half 18th Century) “Madonna and Infant Christ as Saviour of the World” oil on canvas unsigned. Framed. 18-5/8 x 14-3/8”, framed 31-1/2” x 25-3/8” $1,000-$1,500 111 Follower of Guido Reni (Italian, 1575-1642) “Virgin in Prayer”, 18th century oil on canvas laid on wood panel inscribed en verso. Presented in a rococo elaborately carved giltwood frame. 16-1/2” x 11-3/4”, framed 33” x 20” $6,000-$9,000

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112 After Bartolome Esteban Murillo (Spanish, 1617-1682) “Madonna and Child” oil on canvas Framed. 40” x 30”, framed 51-1/2” x 41” $1,000-$1,500 113 Large Carved and Painted Santos Figure of St. Joseph ca. 1700, possibly Italian, the standing, bearded figure dressed in a robe with a sash, the robe retaining worn red, green and Prussian blue paint with traces of gilt decoration. h. 28”, w. 10”, d. 6-1/2” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $1,000-$1,500 114 Italian Oak Cupboard in the Renaissance Taste early 19th century, the rectangular top above a case fitted with a single drawer over a cupboard, flanked to either side by a foliate urn-carved upright, raised on projecting carved paw feet. h. 32”, w. 28”, d. 13-1/2” $1,500-$2,500

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116 Italian Walnut Refectory Trestle Table 18th century, the rectangular top raised on shaped trestle supports joined by a scalloped stretcher with imbricate carving and ending in in-scrolled toes. h. 30-1/2”, w. 45”, l. 103” Provenance: Watkins-Culver Antiques, Houston, Texas; Private collection, Houston, Texas. 115

$2,000-$4,000

115 Italian Walnut Two-Part Cabinet

117 Stone Bust of a Woman in the German Medieval Style

18th century, the upper case with a canted rectangular top, above a carved and dentillated frieze, over a conforming case fitted with a paneled drawer over two paneled cupboard doors, and resting on the lower cabinet of similar form, raised on a molded base. h. 64”, w. 31”, d. 16”

20th century, wearing a veil, wimple and fillet. h. 19”, w. 12-3/4”, d. 9-1/2” Provenance: Private collection, Houston, Texas. $800-$1,200

$1,500-$2,500

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118 Pair of Italian Carved and Silver-Gilt Wood and Metal Sconces 20th century, in the Baroque taste, the pierced glass-backed backplates carved with leaves and scrollwork, the leafdecorated gilt-metal arms terminating in carved wooden candle cups and drip pans. h. 26”, w. 13”, d. 10” $1,000-$1,500

118

119 Rococo-Style Brass and Beveled Glass Lantern of hexagonal form, the six glazed panels within brass frames with serpentine tops with molded shell finials and supported on scroll-molded arms, the interior with a central standard set with brass candle sockets and drip pans on two levels. h. 42”, dia. 20” $1,000-$1,500 120 Pair of Continental Oak Stools 19th century, each with a padded square top raised on a curule-form base centered by a masque carving, joined by a foliate-carved and turned stretcher and ending in hairy-paw feet. h. 19”, w. 21”, d. 19”

119

$2,000-$4,000

120

121 Pair of Italian Neoclassical Carved and Painted Altar Sticks first quarter 19th century, now mounted as lamps, the vasiform column-form standards with Corinthian capitals, stop-fluting and acanthus leaves, above tapered three-sided bases with inset shields, raised on paw feet. h. 39-1/2”, dia. 10-3/4” $1,200-$1,800 122 Pair of Silverplate Pricket Sticks contemporary, in the Baroque taste, each of truncated triangular section, with knopped baluster standard and decorated with shells and acanthus scrolls. h. 27-3/4”, w. 10-1/4” $1,000-$1,500

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123 Pair of Silverplate and Ram’s Horn Candelabra contemporary, each horn mounted in a silverplate band above a knopped standard and domed base decorated with foliate banding, with two additional bands each supporting an inverted bell-form candle nozzle, the horn base with silverplate cap faced with a caprine masque. h. 15-1/4”, w. 6-1/2”, base dia. 5-1/4” $1,800-$2,500

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125 124

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124 Pair of Figural Melusine Silverplate Candlesticks ca. 1900, each in the form of a Melusine holding aloft a torch candle nozzle, above a reeded column and square plinth base. h. 16-1/4”, w. 6-1/4”, d. 4-3/4” $800-$1,200 125 French Silverplate Jardiniere and Plateau ca. 1900, in the rococo taste, the oval jardiniere decorated with elaborate openwork rococo scrolls and handles and fitted with a tinned liner, presented on an associated shaped-oval fused plate plateau with ring handles and mirrored plate. overall h. 8-1/2”, l. 20-1/2”, w. 11-1/2” Provenance: Private collection, Houston, Texas. $1,200-$1,800

126 Silverplate Plateau first quarter 20th century, Continental, of rounded rectangular form, in three sections (a central rectangular section and two “D” ends), the gallery with reticulated ovolos above tassel and drapery swags, each section fitted with a conforming mirrored plate, the whole raised on toupie feet. l. 47-3/4”, w. 17-3/4” Provenance: Private collection, Houston, Texas. $1,000-$1,500

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127 Pair of Italian Sterling Silver Dishes third quarter 20th century, Milan, retailed by Parenti, Florence, each of oval form with single out-scrolled acanthus handle on one narrow end. h. 2”, l. 11”, w. 5-1/2”; 20.05 total t. oz. $1,000-$1,500 128 Pair of Indian Nickel Silver-Clad Jardinieres/Wine Coolers 20th century, each of octagonal form, the wooden frame completely clad in sheet nickel silver hammered in a diapered pattern, fitted with a black lucite liner. h. 9-1/4”, dia. 13-1/2”

129 Italian Rococo-Style Bleached Rubberwood Bombe Chest the molded top with canted corners, above a bombe-form case with a pair of drawers, the drawers and sides with applied foliate and scroll decor, raised on cabriole legs. h. 31-1/2”, w. 37”, d. 17-1/2” $1,000-$1,500

Provenance: Loyd-Paxton, Dallas, Texas. $1,200-$1,800

130 Pair of Carved and Painted Sconces in the Venetian Rococo Taste 20th century, the mirrored and painted backplates with polychrome accents and parcel-gilt liners, set with pairs of gilt-metal candle arms ornamented with molded leaves, electrified. h. 26-1/4”, w. 17”, d. 4” $1,000-$1,500

131 Pair of Venetian Polychrome and Parcel-Gilt Twin Beds

130

ca. 1900, with bombe paneled headboards and shell-form crests, raised on splayed legs highlighted with gilt trim. h. 51”, inside w. 40-1/2”, l. 76”, outside w. 44”, l. 84” $1,200-$1,800

132 Pair of Murano Gilt-Spangled Glass Sconces 20th century, Italian, the twisted and reeded standards set with pairs of reeded arms with bell-form shades, the upper portion with tapered finials flanked by pairs of glass scrolls hung with glass flowers. h. 23-1/2”, w. 12-1/2”, d. 6-3/4” $1,000-$1,500

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133 Pair of Murano Glass Sconces 20th century, Italian, composed of quilted colorless and gilt-spangled glass, the sconces with two tiers and tapered supports decorated with glass ruffles, the twisted and reeded scrolled candle arms set with glass drip pans, the upper tiers with central finials and glass flowers, the lower one with glass finials and overhanging leaves. h. 31”, w. 15”, d. 5”

135

$1,200-$1,800

135 Italian Giltwood Mirror in the Rococo Taste

134 Collection of Three Glazed Terracotta Tabourets third quarter 20th century, Italian, including a pair of rectangular yellow-trimmed tabourets decorated with shells and scrollwork, h. 16”, w. 25”, d. 12-1/4”, and a singular circular example with a molded “ruffle” around the top, the sides molded with shells, h. 14-1/2”, dia. 12-1/2”.

fourth quarter 19th century, the ogee-carved surround ornamented with corner panels of scrollwork and flowerheads on a sanded ground, mounted with a pierced crest depicting an urn of flowers flanked by smaller urns and trailing flowers, the lower edge with a pierced and scrolled apron, and pierced corners decorated with flowerheads and scrolls. h. 53-1/2”, w. 31-1/2”

$1,000-$1,500

$1,500-$2,500

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136 Italian Rococo-Style Polychrome Bureau 19th century, the bombe top fitted with a slant front opening to a variety of drawers and cubbyholes, over three small drawers, raised on cabriole legs ending in pad feet, the whole accented with scrolling and floral patterns. h. 38-1/2”, w. 33”, d. 19” $1,200-$1,800 137 Five-Piece Collection of Italian Murano Blown Glass Table Garnitures 20th century, Venice, Italy, comprised of three compotes and a pair of candlesticks, each piece with blown glass baluster stem decorated with gilt-spangled scrollwork. h. 9” to 12-1/4”, dia. 4-1/2” to 8-3/4” Provenance: Pauly & Cie., Compagnia Venezia Murano; Private collection, Houston, Texas. $1,000-$1,500

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138 Italian Rococo-Style Fruitwood Commode 19th century, the banded serpentine top over a conforming case with a bank of three serpentine drawers, each with banded perimeters and brass pulls, a serpentine apron and bracket feet. h. 31-1/2”, w. 47-1/2”, d. 24” $1,000-$1,500

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139 Italian Giltwood Mirror in the Rococo Taste fourth quarter 19th century, the oval mirror plate with a large, pierced acanthus leaf crest, overhanging the frame, the frame with scrollwork and pierced lattice work, the lower corners decorated with dolphins supported on shells. h. 68”, w. 48” Provenance: Private collection, Houston, Texas. $1,500-$2,500 140 Pair of Continental Giltwood and Mirrored Sconces first quarter 20th century, the mirror plates set into baroquestyle scrolled and pierced surrounds, with bellflower-carved side drops, the bottom set with triple scrolled metal candle arms terminating in floriform drip pans and pricket candle holders. h. 31-1/4”, w. 17”, d. 9” Provenance: Mac Maison, Ltd., New Orleans, Louisiana; Private collection, New Orleans, Louisiana. $1,200-$1,800 139

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141 Venetian-Style Polychrome and Parcel-Gilt Secretary Bookcase in the rococo taste, in two parts, the upper section with a scrolling broken-arch pediment over a pair of paneled doors, opening to reveal an interior fitted with drawers, the serpentine base with a slant lid, opening to expose a fitted interior, over a bank of four drawers. h. 97”, w. 43”, d. 19” $1,000-$1,500 141

142 Murano Glass Chandelier 20th century, Venice, Italy, the twelve-light chandelier composed of ruby-trimmed gilt-spangled glass, the cone body set with a central glass standard and twelve scrolled arms, ornamented with glass scrolls on three levels, the arms terminating in flared, matching glass shades. h. 43”, dia. 46-1/2” $1,000-$1,500

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143 Murano Glass Chandelier 20th century, Venice, Italy, the twelve-light chandelier composed of ruby-trimmed gilt-spangled glass, the cone body set with a central glass standard and twelve scrolled arms, ornamented with glass scrolls on three levels, the arms terminating in flared, matching glass shades. h. 43”, dia. 46-1/2” $1,000-$1,500

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144 Italian Walnut and Mixed Woods Commode 18th century, the double-bowed and double-banded top centered by an inlaid bone heraldic device, over a conforming case fitted with three long drawers, all with decorative banding, raised on bun feet. h. 30”, w. 44”, d. 23” $1,000-$1,500

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146 Suite of Eight Continental Walnut Dining Chairs 19th century, consisting of two armchairs and six side chairs, each with a tri-pierced back surmounted by a foliate crest, the padded seat raised on cabriole legs headed by shield carving and ending in scrolled toes. h. 42” $1,500-$2,500 147 Pair of Italian Fruitwood and Olivewood Commodes early 20th century, each with a banded and shaped top above a conforming case fitted with two short banded drawers, the sides banded en suite, raised on cabriole legs ending in Flemish toes. h. 24-1/4”, w. 23”, d. 12” $1,000-$1,500

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145 Giltwood Mirror in the Italian Baroque Taste 20th century, the tombstone-shaped beveled mirror plate set into a rocaille-trimmed giltwood surround set with a delicate pierced crest with scrollwork and flowerheads, the lower corners with pierced and scrolled feet, engraved on the back of the brass hanger, “Chelini Giovannini”. h. 73-1/2”, w. 42”

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$1,200-$1,800

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148 Pair of Murano Glass Sconces 20th century, Italian, composed of quilted colorless and giltspangled glass, the sconces with two tiers and tapered supports decorated with glass ruffles, the twisted and reeded scrolled candle arms set with glass drip pans, the upper tiers with central finials and glass flowers, the lower one with glass finials and overhanging leaves. h. 31”, w. 15”, d. 5” $1,200-$1,800 149 Venetian-Style Mirrored and Parcel-Gilt Upholstered Headboard 20th century, the king-size headboard upholstered in diamondtufted violet velvet. h. 84”, w. 80” $1,000-$1,500

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150 Pair of Italian Giltwood, Gilt-Metal and Glass Sconces second quarter 20th century, the two-light sconces with urn-form giltwood backplates set with gilt-metal scrollwork supporting sprays of glass drops and candle cups mounted on gilt-metal floriform supports. h. 19”, w. 11”, d. 5” $1,000-$1,500 151 Murano Glass Chandelier 20th century, Venice, Italy, the eight-light chandelier composed of gilt-spangled glass and a baluster-turned standard, and various elements ornamented with blown glass medallions, the standard set with scrolled candle arms alternating with upturned and downturned scrolls. h. 39”, dia. 28”

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$1,200-$1,800

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152 Pair of Giltwood and Verdigris Girandole Mirrors ca. 1900, each bombe-form mirror with a scroll-carved surround and a crest decorated with pierced scrollwork and flowerheads, the bottom portion with a serpentine shelf flanked by leaf-molded candle arms, above a pierced bracket with cabochons and scrollwork. h. 51”, w. 24-1/4” Provenance: Private collection, Houston, Texas. $1,200-$1,800 153 Continental Giltwood Lantern composed of 18th-20th century elements, set with glass doors, the corners with engaged Corinthian capitals, sitting on an acanthus leaf-carved circular base, the top set with griffin-carved chain holders. h. 19-1/2”, dia. 11-1/2”

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$1,000-$1,500 154 Venetian Carved and Silver-Gilt Grotto Chair late 19th/early 20th century, the fantasy armchair with a shell- and seahorse-carved back joined to open arms on sea serpent supports, the seat modeled as a shell, with carved legs. h. 39-1/2” $1,000-$1,500 155 Italian Patinated Bronze Figural Group of “L’Enfant au Coq” fourth quarter 19th century, after Adriano Cecioni (Italian, 1838-1886), cast signature at base. $1,000-$1,500

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156 Continental Walnut Settee 18th/19th century, the shaped and domed padded back within a molded frame, joined by padded out-scrolled arms to the cushioned seat, raised above a scalloped apron on cabriole legs headed by foliate carving and ending in split toes. h. 41-1/2”, w. 88”, d. 25” $1,200-$1,800

157 Italian Fruitwood and Elm Commode

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early 19th century, in the rococo taste, the banded and shaped top inset with two panels with decorative corner inlays, above a conforming case fitted with three long drawers, all paneled and with like inlay, above a pierced foliate-carved apron, raised on cabriole legs ending in foliate toes. h. 34”, w. 38”, d. 22-1/2” $1,000-$1,500 158 Italian School (18th Century) “Floral Still Life with a Yellow Bird” and “Floral Still Life with a Spaniel” pair of oils on canvas unsigned. Each framed alike. each 19-1/2” x 24-5/8”, framed 22” x 27” $1,500-$2,500

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159 Louis XV-Style Giltwood Mirror mid-20th century, the ogee-molded surround decorated with bas-relief panels of scrollwork, rocaille work and flowerheads, the corners with piercing matching the crest, the apron with a carved shell. h. 54”, w. 34-1/2” $1,000-$1,500 160 Italian Venetian Carved and Painted Blackamoor 20th century, the male figure standing on a gondola, above a hexagonal painted base, wearing an elaborately brocaded polychrome vest and pantaloons, one arm raised to support a giltwood tray on a cornucopia standard. h. 50-1/4”, w. 14-3/4”, d. 10-1/2” $1,500-$2,500 161 Pair of Exceptional Venetian Blackamoor Torcheres on Stands first quarter 20th century, Italian, the male and female African figures dressed in elaborately carved, enameled and parcel-gilt fringed robes and turbans, each holding aloft an electrified torch set with an antique art glass flame-form shade, and supported on a faceted, inverted stand trimmed with polychrome lotus leaves and resting on paw feet. h. without shades 61-1/2”, h. with shades 69”, w. 29”

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$2,500-$4,000

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162 Venetian Polychrome Armchair 18th century, the shaped and domed back surmounted by a shield crest, joined by scrolling arms to the padded seat, raised above a like-carved apron on cabriole legs ending in scrolled toes. h. 43-1/2” $2,000-$4,000

163 Pair of Elaborate Italian Giltwood Mirrors fourth quarter 19th century, with shield-form mirror plates, the pierced crests lined with scrollwork and latticework, flanking central bird’s nests, the lower portion with bracket shelves, flanked by pairs of bracket shelves and pairs of candle arms, supported on gilt scrollwork and decorated with swags of bellflowers, flanking a cartouche with flowers. h. 54”, w. 28”, d. 7-1/2” $2,000-$4,000

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164 Josef Thoma (Austrian, 1828-1899) “Summertime in the Norwegian Fjord” oil on canvas laid on board signed lower left. Framed. 26-1/2” x 41-1/2”, framed 35” x 50” $2,000-$4,000

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165 Henri Place (French, 1812-1880) “Zeegezicht en Kunst”, 1849 oil on canvas signed and dated lower left, titled on “Guillaume Campo, Anvers” label en verso. Framed. 35” x 45-3/4”, framed 41” x 52” $5,000-$8,000

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166 After Alexandre Descatoire (French, 1874-1949) "Soldier's Goodbye", patinated bronze, first quarter 20th century, cast signature at base. h. 10-1/2”, w. 7-1/4”, d. 3-1/4” $1,000-$1,500

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167 Alois Boudry (Belgian, 1851-1938) “Interior Scene with a Fisherman and His Wife” oil on linen signed lower left. Framed. 48-1/2” x 53-1/2”, framed 58-3/4” x 66-3/8” $8,000-$12,000 168 After Karl Girardet (Swiss, 1813-1871) “The Old Riverside Bridge” fourth quarter 19th century oil on board monogramed “C.F.” lower right, inscribed en verso. Giltwood frame. 8” x 10-3/4”, framed 14” x 17” $1,000-$1,500 168

169 Pair of Queen Anne-Style Leather Lolling/Library Chairs each with a tufted back joined to shaped open arms, bowed seat and raised on cabriole legs ending in pad feet, adorned with brass tacks. h. 42” $1,000-$1,500 170 George III-Style Mahogany Desk early 20th century, the rounded rectangular top with three inset leather writing surfaces above a conforming frieze fitted with a central drawer flanked to either side by two small drawers, raised on cabriole legs headed by acanthine carving and ending in ball-and-claw feet. h. 32”, w. 64-1/2”, d. 37” $1,000-$1,500 169

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171 Pair of Chinese Porcelain Covered Ginger Jars 20th century, in the Wucai style, decorated in the famille verte palette with panels of peonies, the shoulders with green scrollwork and flowers, with matching covers. h. 13-1/2”, dia. 8-1/2” $1,000-$1,500

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172 George III Mahogany Highboy 18th century and later, the molded and dentillated cornice above a blind fret-carved frieze, over two short drawers and three graduated long drawers, the lower section fitted with two short central drawers, flanked to either side by two deep drawers, raised on cabriole legs headed by foliate carving and ending in ball-and-claw feet. h. 69-1/4”, w. 43-1/2”, d. 20-1/2”

174 Pair of Early Georgian-Style Polychrome and Parcel-Gilt Armchairs 20th century, each with a padded back surmounted by a gilt foliate crest, joined by padded arms to the like seat, raised above a shaped apron on cabriole legs ending in gilt foliate feet, upholstered in white boldly cut-velvet. h. 44” Provenance: Private collection, Houston, Texas. $2,000-$4,000

Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500 173 Carved and Painted Overmantel Mirror in the Georgian Taste 20th century, with a Greek fret-carved surround and crossetted corners trimmed in egg-and-dart decoration, the top with a crest decorated with a shell flanked by scrollwork, the sides with pierced carved scrollwork and bellflowers. h. 51”, w. 50-1/2” $2,500-$4,000

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175 176

175 Georgian-Style Mahogany Side Table/Server ca. 1900, the shaped rectangular top with canted corners and a gadrooned edge, hinged and opening to a felt-lined interior, above a conforming frieze fitted with a single long drawer, raised on shaped legs headed by acanthine scrolls and ending in foliate-carved block feet. h. 33-1/2”, w. 48”, d. 23” $2,000-$4,000 176 Pair of Exceptionally Well-Carved and Parcel-Gilt Pine Appliques early 20th century, probably English, in the manner of Grinling Gibbons (1648-1721), each with three arms, formerly outfitted with electric sockets, now with candles, the top with carved clusters of wheat and flowers held together with a carved ribbon and bow, the lower section with grapes, flowers and pinecones. h. 45”, w. 12”, d. 8” $1,000-$1,500 177 Georgian-Style Mahogany Settee 20th century, the double-domed back with foliate-carved interlacing splats, joined by shepherd’s-crook arms to the tapestry-upholstered seat, raised on cabriole legs ending in ball-and-claw feet. h. 40-1/2”, w. 51”, d. 22”

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$1,200-$1,800

178 George III-Style Mahogany Vitrine early 20th century, in the Chinese Chippendale taste, the stepped pediment with blind-fret carving, above a molded like-carved frieze, over astragal-glazed doors, the lower section with like carving over two short astragal-glazed doors, raised on cabriole legs ending in ball-and-claw feet. h. 82”, w. 36-1/4”, d. 13-1/2” $1,000-$1,500 179 Italian Giltwood Mirror in the Chinese Chippendale Taste third quarter 20th century, the rectangular mirror with a pierced crest decorated with rocaille-lined scrollwork and a pagoda-form finial with temple bells, the sides with pierced scrollwork. h. 62”, w. 31”

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$1,200-$1,800

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181 Porcelain and Brass Table Lamp in the Asian Taste 20th century, the celadon-ground vase decorated with Mandarin figures with goats and flowering plum branches, on a scrolled brass base, mounted with a shade. h. 30”, dia. 14” $1,000-$1,500 182 George III-Style Mahogany Chest 19th century, in the manner of eminent 18th-century English cabinet-maker Henry Hill, the banded serpentine top above a conforming case fitted with two small drawers over three graduated long drawers, all banded, and raised on splayed bracket feet. h. 36”, w. 48”, d. 24-1/2” h. 36”, w. 48”, d. 24-1/2” Provenance: Private collection, New Orleans, Louisiana. $2,500-$4,000

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183 George III Mahogany Tall Case Clock ca. 1800, the hood with an arched molding, above a blind fretwork frieze, with stop-fluted columns, the brass face engraved “Ednd Adams”, with a time and strike movement and raised on bracket feet. h. 84”, w. 22”, d. 11” $1,000-$1,500

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184 George III Mahogany Chest late 18th century, the rectangular top with string banding, above a conforming case fitted with three graduated long drawers, raised on tall bracket feet. h. 32-1/2”, w. 35”, d. 16-1/4” $1,000-$1,500 185 Rare George III Burled Walnut Dwarf Long Case Clock early 19th century, the hood with a shaped top and inset medallion with floral-painted swags above an arched door, with a polished brass face, the single-weight movement with time only, the mid-case with chamfered corners and floralpainted decoration, raised on shaped bracket feet. h. 58-1/2”, w. 13”, d. 8-1/2” $1,000-$1,500 186 French Empire Cut Crystal Basket-Form Chandelier first quarter 19th century, the handsome six-light fixture with a cut crystal corona over a cascade of cut drops leading to the circular frame, set with crystal arms terminating in cut glass prism rings, the lower portion with graduated tiers of prisms and a cut glass ball pendant finial. h. 42”, dia. 29-1/2” Provenance: Private collection, Houston, Texas. $1,400-$1,800

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187 Pair of Impressive English Silvered Bronze Andirons ca. 1900, in the neoclassical taste, the stop-fluted quiverform standards flanked by pierced, leaf-molded scrolls supported on molded paw feet, set with urn-form finials molded with acanthus leaves and bellflowers. h. 27”, w. 11-1/2”, d. 11-3/4” $1,500-$2,500 188 George III-Style Mahogany and Burl Walnut Dining Table the rounded rectangular burled top with a molded edge and raised on two pedestals, each with a turned standard to three splayed legs ending in pad feet, with three 18” leaves. h. 29”, w. 48”, l. 72”, ext. l. 126” $1,500-$2,500

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189 Suite of Ten George II-Style Mahogany and Burl Dining Chairs consisting of two armchairs and eight side chairs, each with a flat shell-carved crest over a vasiform splat, the padded slip-in seat raised on cabriole legs headed by shell carving and ending in pad feet. h. 41” $1,200-$1,800

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190 British School (18th Century) “Portrait of a Young Girl in a Beflowered Bonnet and Holding a Posy of Pink Damask Roses, Against a Vast Wooded Landscape” oil on canvas unsigned, an old stencil “FG551” and a “James Bourlet & Sons, Ltd./Nassau Street” framing label en verso. Framed. 44” x 35-1/2”, framed 52-1/4” x 42-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $2,000-$4,000

191 George III Mahogany Sideboard 19th century, the rectangular top with a projecting center section, above a conforming case fitted with a central drawer flanked to one side by a cupboard door and to the other by a deep cellarette drawer, the whole with decorative reeded panels, raised on ring-turned tapering circular legs ending in toupie feet. h. 36”, w. 68”, d. 28” $1,000-$1,500 190

191

192 George III-Style Mahogany Chest-on-Chest 19th century, the molded and dentillated cornice above a case fitted with two short drawers over three graduated long drawers, the lower section fitted with a pull-out brushing slide over three graduated long drawers, raised on bracket feet. h. 74”, w. 43-1/2”, d. 21” $1,500-$2,500

193 Hepplewhite Figured Mahogany Bowfront Chest of Drawers early 19th century, the top of highly figured “crotch” mahogany over a pair of side-by-side drawers and three graduated long drawers below, raised on a scalloped base with flared legs. h. 44”, w. 36”, d. 20-1/2”

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$1,000-$1,500 194 Regency Tortoiseshell Tea Caddy first quarter 19th century, the cover and sides divided into panels, the cover opening to reveal a pair of tortoiseshell lids over foil-lined interiors, raised on Sheffield-plate ball-form feet. h. 5-3/4”, w. 6-1/2”, d. 4” $1,500-$2,500

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195 Six-Piece Collection of William IV Small Tortoiseshell Boxes second quarter 19th century, including two card cases, h. 4”, w. 2-3/4”, and four rectangular snuffboxes, one rare example in the form of a tea caddy, h. 1”, w. 2” to 2-1/2”. $1,000-$1,500

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196 William IV Tortoiseshell Oxbow-Front Tea Caddy second quarter 19th century, the lid opening to a pair of tortoiseshell covers over a foil-lined interior, raised on bun feet. h. 5-1/2”, w. 6-1/2”, d. 5” $1,500-$2,500

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197 William IV Tortoiseshell Tea Caddy second quarter 19th century, with a pagoda-inspired cover opening to reveal two tortoiseshell lids over foil-lined interiors, the cover and facade divided into panels with vibrantly patterned tortoiseshell. h. 5-1/2”, w. 7-1/2”, d. 4-3/4” $1,500-$2,500 197

198 William IV Tortoiseshell Block-Front Tea Caddy second quarter 19th century, the cover opening to reveal a pair of tortoiseshell lids over foil-lined interiors, raised on Sheffield-plate ball feet. h. 5”, w. 7-3/4”, d. 4-1/4” $1,400-$1,800 198

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199 Exceptional Mother-of-Pearl-Inlaid Tortoiseshell Tea Caddy second quarter 19th century, English, the bowfront caddy with a cove-molded cover inlaid with a pair of peacocks on branches, flanking scrollwork emulating their open tail feathers, and inlaid trailing flowering vines, the twocompartment interior with tortoiseshell lids over a foil-lined interior. h. 5-3/4”, w. 8”, d. 5-3/4” $1,200-$1,800 200 Rare French Signed Boulle Box mid-19th century, with a rare tortoiseshell-lined interior, the lock signed by Maison Vervelle, the tortoiseshell box richly inlaid with chased brass on the cover and around the lock. h. 2”, w. 8”, d. 3-1/2” $1,000-$1,500 201 Rare Dutch Colonial Tortoiseshell Box

200 detail

second quarter 19th century, possibly Ceylon, with ripplemolded sides, the fittings possibly paktong, with bright-cut engraving, the interior fitted with an Asian silk cushion, retailed by Shreve, Crump & Low Co., Boston, Massachusetts, and retaining the partial label, key included. h. 2-1/2”, w. 7-3/4”, d. 6” $1,200-$1,800

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201 detail

202 George III-Style Mahogany Sideboard 19th century, the banded and bowed top above a conforming case fitted with two long drawers over two short end drawers, all banded and with string inlay, raised on tapering square legs ending in spade feet. h. 33-1/4”, w. 42”, d. 21” $1,200-$1,800 203 Pair of Chinese Export Porcelain Beaker Vases 18th century, now mounted as lamps, each decorated in the “Mandarin” palette with reserve figural panels on a geometric ground with scrolling floral decoration, on painted wooden bases. h. 24” $1,000-$1,500

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204 Gilt-Bronze-Mounted Rose Canton Baluster Vase

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fourth quarter 19th century, Sino-French, with well-executed panels of Mandarin decoration on a celadon ground, on a field decorated with birds, butterflies and flowers, resting on a pierced and scrolled gilt-bronze base. h. 27-1/2”, dia. 11” $1,500-$2,500 205 Pair of Mahogany Silver Tables in the Chinese Chippendale Taste 20th century, each with a pierced and carved gallery above a straight frieze, one end fitted with a drawer, raised on pierced tapering square legs joined by a finial-centered stretcher and ending in spade feet. h. 27”, w. 30”, d. 23” $1,500-$2,500

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206 Handsome Carved Giltwood Mirror in the Chinese Chippendale Taste third quarter 19th century, English, the rectangular mirror plate with a pierced crest decorated with a pagoda lined with temple bells, a willow tree in the center, on a rocaille-carved frame, the sides decorated with pierced, carved branches with leaves, and the base with carved rocaille work. h. 51-3/4”, w. 29-1/2” $1,000-$1,500 207 George III-Style Mahogany Dining Table the banded D-end top raised on two pedestals, each with a turned baluster-form standard to three splayed cabriole legs ending in brass caps and casters, with two 21” leaves. h. 29-1/2”, w. 42”, l. 84”, ext. l. 126” $1,000-$1,500 208 Suite of Twelve George III-Style Mahogany Dining Chairs 20th century, consisting of two armchairs and ten side chairs, each with a carved eagle’s head at the shoulders of the crest rail, the shaped splat with a pierced and carved pinwheel, with padded seat and raised on cabriole legs with acanthine-carved knees and ending in ball-and-claw feet. armchair h. 39”, w. 23”, side chair h. 39”, w. 22” Provenance: Keil’s Antiques, New Orleans, Louisiana, 2006.

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$5,000-$8,000

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209 Fine Edwards & Roberts Regency-Style Inlaid Mahogany Sideboard mid-19th century, the center bow-fronted section fitted with three side-by-side drawers with brass lion-head ring pulls and flanked by pedestal cabinets to each side, with a brass gallery rail along the back, the center drawer stamped “Edwards & Roberts”. h. 58”, w. 98-1/2”, d. 27-1/2” Provenance: Keil’s Antiques, New Orleans, Louisiana. $3,000-$5,000

209 detail

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210 Exceptional George III Mahogany and Satinwood-Inlaid Library Bookcase/Breakfront fourth quarter 18th century, with a complex dentillated and satinwood banded cornice above an inlaid frieze with a central musical trophy, each of the three sections with a glazed door and reeded Gothic mullions terminating in carved plumes, the interior sliding shelves with an inlaid leading edge, the base with a central double-door cabinet opening to an interior fitted with a shelf, each of the two flanking side cabinets fitted with drawers. h. 104”, w. 116”, d. 31” Literature: This bookcase relates closely to examples illustrated in Thomas Chippendale’s The Gentleman and Cabinet Maker’s Director. $10,000-$15,000

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211 Set of Twelve George II Sterling Silver Service Plates hallmarked London, 1741-1742, by George Wickes, each with a serpentine-lobed gadrooned edge, engraved on the rim with the drapery-mantled arms of Baronet Harpur of Calke Abbey, Derbyshire impaling Manners, Duke of Rutland. dia. 9-1/2”; 225.29 total t. oz. $9,000-$12,000 The arms here are those of Sir Henry Harpur, 5th Baronet (1708-1748), the son of Sir John Harper, 4th Bt. and Catherine Crew, and his wife Lady Caroline Manners (d. 1769), the daughter of John Manners, 2nd Duke of Rutland and Lucy Sherard. The couple were married on October 2, 1734. 212

212 Thirty-Two Pieces of Regency and Later Sterling Silver “Hourglass” Pattern Flatware London, first quarter 19th century, including twelve table forks, l. 8”, ten tablespoons, l. 8-1/2”, two tea forks, l. 6-1/2”, and two teaspoons, l. 5-1/2”, all hallmarked 1813-1814 by Thomas William Streetin (17691842) and engraved with the crest of Marjoribanks, with two dessert spoons, l. 7”, hallmarked 1818-1819 by Thomas William Barker and monogrammed “RES”, and four master salt spoons, l. 4-1/2”, hallmarked 1826-1827 by William Chawner and engraved with a crest of a demi-griffin rampant. 78.53 total t. oz. $1,200-$1,800 213 Old Sheffield Plate Hot Water Urn first quarter 19th century, of bulbous rounded rectangular form, raised on four mascaron and sheaf-crested flat acanthus legs with human feet, above a waisted rectangular base centering an urn-form burner, with opposing acanthus-mounted turned wooden handles, the tap with dolphin-mounted turned wooden key, the domed lid with sheaf finial, the whole with milled banding and raised on ball feet, the body with sterling silver plaque hallmarked 1815-1816, monogrammed “RST”. h. 16-3/4”, w. 14”, d. 12-3/4” 213

$1,000-$1,500

214 George IV Storr and Mortimer Sterling Silver Platter hallmarked London, 1829-1830, by Paul Storr, of shaped oval form, with well-chased shell-and-scroll rim, engraved, on the narrow sides, with the crest opposing the arms of Salwey quartering Hill, with Hooper quartering Hewitt and Ekins in pretence. l. 16-3/8”, w. 12-3/8”, 48.87 t. oz. $2,500-$5,000 The arms here are those of Henry Salwey (1794-1874), son of Theophilus Richard Salwey and Anna Maria Hill, who married, on March 13, 1828, Elizabeth Philippa Holder (1810-1886), daughter of John Hooper Holder and his first wife Elizabeth Alicia Hewitt. Salwey was a lieutenant colonel in the Coldstream guards and later served as M.P. for Ludlow, Shropshire 1837-1841 and 1847-1852. (His wife, Elizabeth Holder, is the “little girl” to whom Jane Austen referred in her October 1813 letter commenting - rather uncharitably - on the death of John Hooper Holder’s first wife and his marriage to his second, Anne Ekins: “Only think of Mrs. Holder’s being dead! Poor woman, she has done the only thing in the world she could possibly do to make one cease to abuse her. . . . Lucky for the little girl. An Anne Ekins can hardly be so unfit for the care of a child as a Mrs. Holder.”)

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215 George IV Sterling Silver Standish hallmarked London, 1829-1830, by Joseph Angell, of lobed and darted rectangular form, raised on four winged lion’s-paw feet, the longer sides each with a conforming pen tray, the center fitted with three leaf-and-dart milled circular receptacles, the outer two with glass bottles cut with Gothic arches and fitted with silver “lobe-and-dart” caps en suite, the center fitted with a later engine-turned and annulated table bell with monogram and date “D.L.G./1860”. standish l. 8-3/4”, w. 5-3/4”, bottles h. 2-1/2”, dia. 2-1/4”, bell h. 5-1/4”, dia. 2-1/4”; 24.24 total t. oz. (excluding glass jars)

215

$1,000-$1,500

216 Victorian Silver Plate Hot Water Urn and Later Plateau second quarter 19th century, in the Georgian rococo taste, the ovoid body decorated with repousse floral scrolls on a matte ground, with acanthus-mounted handles, griffin-head tap with scrolling key, with waisted lid and standard, the whole above a square plinth raised on four acanthus-crested lion’s paw feet, monogrammed “JKW”, the plinth with later inscription “From / Mother and Father / April 16, 1898 / April 16, 1937”, h. 21”, w. 13-1/4”, d. 12-1/2”; together with a Wallace “Baroque” circular silverplate mirrored plateau, dia. 16-1/2”. $1,000-$1,500

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217 Victorian Sterling Silver Tea Set with Silverplate Coffeepot the tea set hallmarked London, 1862-1863, by William Smily (A. B. Savory & Sons), including: a teapot, h. 7-1/4”, l. 9-1/4”; an open sugar bowl, h. 4-1/4”, w. 8-1/4”; and a cream jug, h. 6-5/8”, l. 5”; in the Rococo Revival style, decorated with repousse flowers and rococo scrolls, with acanthus-crested handles and feet, the teapot with dove finial, monogrammed “TRJG”; together with a silverplate coffeepot of similar date and design, h. 10-3/4”, l. 8-1/2”. 47.20 total t. oz. (sterling pieces) $1,200-$1,800 218 Victorian Silverplate Salver third quarter 19th century, the plateau decorated with a flatchased band of rococo cartouches on an imbricate ground, set in an elaborate cast openwork rim of mythological scenes quartered by Bacchus and Bacchante masques, raised on four rocaille dolphin masque scroll feet, monogrammed “LT”. dia. 19”

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$800-$1,200 219 Large Edwardian Sterling Silver Punchbowl hallmarked London, 1900-1901, by David & John Wellby, the hemispherical bowl elaborately decorated with repousse spiral gadroons and cabochon strings, below a rococo-scroll band and centering a rococo cartouche, the whole raised on a waisted and domed foot-ring. h. 8-1/4”, dia. 13-1/2”, 59.22 t. oz. Provenance: Mrs. George P. Kelley, Houston, Texas. $1,500-$2,500 219

220 John Califano (American/Italian, 1862/64-1946) “Time for a Lesson” oil on canvas signed lower right. Framed. 13” x 19”, framed 17-1/2” x 23” $1,400-$1,800 220

221 Wright Barker (British, 1864-1941) “Newest Member of the Family” oil on canvas signed lower right. Framed. 24” x 30”, framed 29-1/2” x 35” $4,000-$7,000

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222 Henry Schouten (Belgian, 1864/7-1927) “On the Scent” oil on canvas signed lower right. Framed. 35-1/2” x 28”, framed 46” x 39-1/2” $2,500-$4,000

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223 George III Mahogany Breakfast Table early 19th century, the tilting banded, rounded rectangular top raised on a turned and bulbous pedestal to three splayed legs ending in brass paw feet on casters. h. 29-1/2”, w. 35-1/4”, l. 51” Provenance: Estate of Carol A. Straus, Houston, Texas. Literature: Illustrated in situ of the Straus’ River Oaks home in Houston, House & Garden, March, 1950, p. 137 $1,000-$1,500 224 Suite of Eight Regency Mahogany Dining Chairs early 19th century, consisting of one armchair and seven side chairs, each with a curved back crest with line-carved border, above an interlocking scrollwork splat, with reeded seat frame and legs. armchair h. 34-1/2”, w. 20”, d. 20”, side chair h. 34”, w. 19”, d. 18”

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Provenance: Estate of Carol A. Straus, Houston, Texas. Literature: Illustrated in situ of the Straus’ River Oaks home in Houston, House & Garden, March, 1950, p. 137. $1,400-$1,800 225 Regency Rosewood Credenza mid-19th century, the banded, rectangular breakfront top with a three-quarter quatrefoil-pierced brass gallery, above a conforming case fitted with four cabinet doors, each inset with a brass grille with fabric backing, raised on a plinth base. h. 40”, w. 73”, d. 21” Provenance: Estate of Carol A. Straus, Houston, Texas. Literature: Illustrated in situ of the Straus’ River Oaks home in Houston, House & Garden, March, 1950, p. 137

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$1,500-$2,500

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Carol and Robert Straus’s Regency dining chairs in their Houston home pictured in House & Garden, March 1950

226 Regency Brass-Mounted Faux Rosewood Bookcase second quarter 19th century, in two parts, the projecting molded cornice over a pair of doors with brass latticework panels, the base with a drawer over a pair of doors with like panels, the doors all flanked by molded pilasters, retaining its period faux bois surface. h. 77”, w. 50”, d. 15-1/4” $1,500-$2,500 227 Regency-Style Rosewood and Parcel-Gilt Center Table 19th century, the circular top with a burl elm banded edge and mounted to a triangular base supported by three giltwood seated hippocampi, above a platform base raised on giltwood out-curved, scrolled feet. h. 30”, dia. 67” $1,000-$1,500 228 William IV Rosewood Cellarette second quarter 19th century, of sarcophagus form, the stepped top opening to a fabric-lined interior, the lower section fitted with a single drawer, the whole with elaborate scrolling foliate brass inlays. h. 17”, w. 23-1/2”, d. 15-3/4” $1,200-$1,800

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229 Kittinger George III-Style Mahogany Dining Table the banded rounded rectangular top raised on two pedestals, each with a turned vasiform standard to four splayed legs ending in brass caps and casters, with two 18” leaves. h. 29”, w. 48”, l. 78”, ext. l. 114” Provenance: Private collection, Houston, Texas. $1,200-$1,800 230 Mason’s Ironstone Japan-Style Dinner Service ca. 1830-1848, comprising fifteen dinner plates, dia. 10-1/2”, ten soup plates, dia. 10-1/2”, three luncheon plates, dia. 9”, seven graduated platters, w. 10” to 22”, d. 7-1/2” to 16”, a covered soup tureen, h. 9”, w. 13-1/2”, d. 10-3/4”, a pair of covered round vegetable dishes, h. 6”, w. 8”, d. 6-1/4”, a round handled platter, dia. 14”, and an open handled bowl on a pedestal, h. 6”, w. 12-1/2”, d. 10”. $1,400-$1,800 231 Pair of Monumental William IV Gilt-Brass Candelabra second quarter 19th century, with cluster-column standards, set with leaf-molded and scrolled candle arms. h. 46-3/4”, dia. 19”

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$1,000-$1,500

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232 Regency-Style Mahogany Bench with an upholstered seat, the apron adorned with swags of brass tacks, raised on flared tapering square legs. h. 18-3/4”, w. 41”, d. 16” $1,000-$1,500

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233 Regency-Style Mahogany Bench with an upholstered seat, the apron adorned with swags of brass tacks, raised on flared tapering legs. h. 18-3/4”, w. 41”, d. 16” $1,000-$1,500

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234 Regency Mahogany Rent Table first quarter 19th century, the inset circular tooled leather top with rosewood crossbanding, over a frieze fitted with beaded pull-out and swing-out drawers, raised on a turned column joined to molded saber legs ending in brass cup casters. h. 28-3/4”, dia. 44-3/4” $1,000-$1,500

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235 Regency-Style Rosewood and Marble-Top Bookcase 19th century, the rectangular marble top above a pateraapplied frieze over three banks of three open adjustable shelves, flanked and separated by fluted, engaged pilasters, raised on a plinth base. h. 58”, w. 91”, d. 12-1/2” $1,500-$2,500 236 Pair of Chapman Brass and Wood Figural Lamps second half 20th century, in the Regency taste, the brass figures in the form of recumbent whippets, on ebonized wooden bases, atop a stack of faux books, mounted with shades and labeled on sockets. h. 17-1/4”, w. 11-1/2”, d. 7-1/4”

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$1,000-$1,500 237 Chinese Trade Lacquer Jewelry Casket second quarter 19th century, with ogee-molded sides, decorated with gilt Mandarin figures on an oxblood ground, raised on carved and gilt dragon feet, the interior with a lift-out tray over a well. h. 5-1/2”, w. 9-1/2”, d. 7-1/2” $1,000-$1,500

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235

This pair of Hepplewhite armchairs was featured in a March 1950 House & Garden article about the Houston home of Carol and Robert Straus

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238 Pair of Hepplewhite Beechwood Polychrome Armchairs

239 Regency-Style Chinoiserie Polychrome Cabinet

early 19th century, the caned rectangular back joined by downswept arms to the cushioned and caned seat, raised on tapering square legs, the whole with decorative polychrome striping. h. 32-1/2”

the breakfront top featuring a floral vase, above a conforming case fitted with four cabinet doors, all with painted avian scenes in the chinoiserie taste, raised on ring-turned tapering circular feet. h. 34”, w. 69”, d. 20”

Provenance: Estate of Carol A. Straus, Houston, Texas.

$1,500-$2,500

Literature: Illustrated in situ of the Straus’ River Oaks home in Houston, House & Garden, March, 1950, p. 98 $1,000-$1,500

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240 Rare George III Red Tortoiseshell Tea Caddy ca. 1800, with a hipped cover and Sheffield-plate fittings, the single-compartment interior with a matching lid over a foillined well. h. 6-1/2”, w. 4-1/2”, d. 3-1/2” $1,200-$1,800 241 Rare George III Green Tortoiseshell Tea Caddy ca. 1800, the oval-form caddy with molded, plated trim, the cover with a Sheffield-plate pull and opening to reveal a matching green tortoiseshell lid over a foil-lined interior. h. 4-1/2”, w. 6”, d. 3”

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$1,500-$2,500 242 Elegant George III Tortoiseshell Pointed Oval Tea Caddy ca. 1800, veneered in vibrantly figured tortoiseshell, the cover set with a Sheffield-plate ring pull, the interior retaining traces of a foil lining, with a matching interior lid. h. 5-1/4”, w. 6-3/4”, d. 3” $1,200-$1,800 243 Exceptional George III Tortoiseshell Tea Caddy ca. 1800, with a cross-banded cover set with a Sheffield-plate engraved ring pull, the interior set with a pair of removable mahogany caddies, set with hinged tortoiseshell covers, the interior lid with a tortoiseshell inlaid oval. h. 5”, w. 8”, d. 5”

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$1,500-$2,500 244 English Restauration Tortoiseshell Tea Caddy second quarter 19th century, with rounded corners and cover, divided into panels of tortoiseshell, the cover opening to reveal a pair of tortoiseshell lids over foil-lined interiors. h. 6”, w. 6-3/4”, d. 3” $1,500-$2,500

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246 Handsome Eagle-Decorated Bullseye Mirror first quarter 19th century, American or English, the covemolded surround decorated with gilt spherules, supporting an eagle-carved crest, perched on a rocky outcropping flanked by carved leaves, set with spiral-decorated candle arms terminating in engine-turned candle cups and drip pans, flanking a leaf-decorated lower portion. h. 39”, w. 24” $2,500-$4,000

245 detail

245 Suite of Ten Regency-Style Ebonized and Polychrome Dining Chairs 19th century, comprised of two armchairs and eight side chairs, all with a back-scrolled crest featuring gilt palmettes and a central black-figure scene of classical warriors, the caned seats raised on sabre legs. h. 33-1/2” $5,000-$8,000

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247 Fine Pair of Regency-Style Rosewood Cabinets ca. 1900, each with a mirrored back superstructure fitted with two shelves, the rectangular top over a single frieze drawer and two cabinet doors, each inset with a brass grille with fabric backing, raised on a socle base. h. 54-1/2”, w. 42”, d. 15-3/4” $7,000-$10,000 248 Regency-Style Ebonized, Faux Marbre and ParcelGilt Pier Table and Mirror comprised of antique elements, the mirror with an overhanging cornice and applied classical motifs to the frieze, the base with a faux marble top above an ornamented frieze, supported by large animal-leg brackets mounted to a platform base. h. 113”, w. 50”, d. 15” $2,000-$4,000 249 English Regency Bronze and Glass Sinumbra Lamp second quarter 19th century, the bronze dore et patine base supporting a standard decorated with long, elegant lotus leaves, the period cut and frosted glass shade decorated with panels of strawberry cutting alternating with stars, previously electrified. h. 32-1/2”, dia. 9”

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$1,000-$1,500 248

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250 Sir Samuel Luke Fildes, KCVO, RA (British, 1843-1927) “The Italian Flower Seller”, 1888 oil on canvas signed, dated and localized “Venezia” at lower left. Framed. 74” x 47”, framed 92-1/2” x 62” Provenance: Private collection, London, England; Private collection, New Orleans, Louisiana. Literature: David Croal Thomson, The Life and Work of Luke Fildes, (London: J.S. Virtue & Co., Ltd., 1895), lithograph of painting offered here illustrated p. 15.; “Progress in English Art: A Day with an Academician”, New York Times, 16 March 1880; “Obituary”, The Times, 28 February 1927; Christopher Wood, Victorian Painters, (Suffolk: Antique Collectors’ Club, 1998) $5,000-$8,000

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Fildes was one of the most acclaimed social realist artists of 19th-century Britain. His paternal grandmother, Mary Fildes, who eventually adopted him and financially supported his artistic training and schooling, was a well-respected social reformer associated with the Chartist Movement. Fildes shared many of his grandmother’s views and he saw art as an opportunity to raise the general public’s awareness of the plight of their fellow citizens. He attended Warrington School of Art and the South Kensington Art School, before gaining entrance to the Royal Academy School. One of his first jobs was as a permanent staff illustrator for The Graphic, a weekly publication known for its social reform stance. He also produced illustrations for other journals of the time, including Cornhill Magazine and the Gentleman’s Magazine. He soon gave up illustrative work to concentrate on painting, creating a series of works exploring the various difficulties faced by the British working class.

In 1887, a trip to Italy exposed him to the American expatriate artists, including James McNeill Whistler and John Singer Sargent. The resulting contemporary Venetian portraits, of which the painting offered here is an exemplary model, were extremely popular and many, including this one, were made into widely produced lithographs. Here, the relatively somber figure, rendered in delicately applied brushstrokes of thin layers of subdued hues, is juxtaposed with the riotous color that forms the bundles of fresh flowers created in thick impasto which encircle her. In a technique cleverly cribbed from his years as an illustrator in stark black and white, Fildes has the figure emerging from a nebulous darkness which acts as a foil for the creams and blushes of her skin. While these paintings were true to the tenets of social realism - he was depicting the actual Venetian working class in situ - they also had an aesthetically pleasing quality that was not evident in his earlier work. As a result, Fildes found himself a desired portrait painter, and by his death in 1927, he was considered one of the best society portraitists. Fildes was named an Associate of the Royal Academy in 1879, made a full Academician in 1887, Knighted in 1906, and appointed a Knight Commander of the Royal Victorian Order in 1918.

251 William Affleck (British, 1869-1909) “All in a Garden Fair” watercolor on paper signed lower left, titled on frame, frame backing with labels from “W. H. Clifford & Co., High Street, Strood, Rochester [UK], and “R. Jackson & Sons, Liverpool, 1923” Matted, glazed and framed. sight 11” x 16”, framed 20” x 24-1/2” Provenance: Sotheby’s, London, U.K., December 19, 2001, lot 70; Simpson Galleries, Houston, Texas, September 11, 2005, lot 303. $1,000-$1,500 251

252 Eugene Hippolyte Forest (French, b. 1808) “Courtship in the Countryside”, 1902 oil on canvas signed and dated lower left, verso with “The Madison Gallery, Atlanta” label. Framed. 15” x 18”, framed 22-1/2” x 26” $1,500-$2,500

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253 British School (Fourth Quarter 19th Century) “Picnic by the Loch” oil on canvas unsigned. Period giltwood frame. 20” x 24”, framed 29” x 33” $1,000-$1,500

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255 Large Chinese Bronze Planter 20th century, the sides decorated with bas-relief dragons on a field of mushrooms, the rim with a molded fret and the sides with dragon-molded handles. h. 13”, w. 28”, d. 23-3/4” $1,000-$1,500 256 Chinese Ming Dynasty Portrait (1638-1644) 16th/17th century, on silk laid down on board, depicting five Buddha, an indistinct vertical signature on the top center. sight 54-1/4” x 26-1/4”, overall 58-3/4” x 30-3/4” Provenance: Estate of Carol A. Straus, Houston, Texas. $3,000-$5,000

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254 William and Mary-Style Walnut Highboy 18th century and later, the molded cornice above two short drawers and three graduated long drawers, the lower section fitted with two long drawers, the lower one faced as an arrangement of four small drawers, raised on a base of bulbous supports joined by a shaped stretcher and ending in bun feet. h. 68”, w. 42”, d. 22” $1,200-$1,800

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257 Two Japanese Patinated Bronze Jardinieres one example decorated with a carefully detailed phoenix bird on the sides and foo dog handles, probably Meiji, h. 7”, dia. 11-1/4”, and the other lobed example on elephant-head feet, 20th century, h. 9-3/4”, dia. 15”. $1,000-$1,500

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258 Pair of Japanese Patinated Bronze Trumpeting Elephant Censers 20th century, in the form of ceremonial elephants supporting pierced pagodas with dragon-molded finials on their backs, and wearing elaborate blankets and swags of beading. h. 18”, w. 15”, d. 5” $1,400-$1,800

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259 Pair of Chinese Cloisonne Elephants 20th century, each carrying a covered pot on its back, the saddles decorated with dragons against a scrolldecorated turquoise ground, accented with brass tusks, tails and ears. h. 15”, w. 12”, d. 5” $1,000-$1,500

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260 Pair of Chinese Export Silver Filigree Ducks with cloisonne eyes and beaks, and various accents on the bodies, the sides decorated in lotus flowers and scrollwork, set with turquoise and coral stones. h. 8-3/4”, w. 9-1/2”, d. 4” $800-$1,200

261 Life-Size Bronze Goose

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20th/21st century, in the Japanese taste, the goose modeled standing, with carefully delineated details. h. 29”, w. 11-1/2”, d. 20-1/4” $1,000-$1,500

262 Alfred Augustus Glendening, Sr. (British, ca. 1840-1917) “Thames River with Swans” oil on canvas monogrammed and dated “’92” lower right, verso with “The Cooling Galleries, London/Toronto” label. Giltwood frame. 12” x 20”, framed 18” x 26” Provenance: DuMouchelle Auction House, April 17, 2009, lot 2007. $3,000-$5,000 261

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265 Suite of Six English Yew Wood Brace-Back Windsor Side Chairs early 20th century, branded “Maple & Co. Ltd, 1915”, of bowback form with six turned spindles and a pair of spindle back supports, each with a single-board scooped seat, the legs through-mortised. h. 34-1/2”, w. 14-1/2”, d. 18” $1,200-$1,800 266 Four English Market Pottery Spirit Barrels

263

fourth quarter 19th century, German, decorated with polychrome grapevines and inscribed “G. Farmiloe & Sons, 34 St. John St., London”, set with nickel-plated brass tops, the bottoms marked “Manufactured in Germany”, the lid interiors bearing ca. 1980s Sotheby’s, New York stickers. h. 13”, w. 10-1/4”, d. 9-3/4” $1,500-$2,500

263 Robert Langbein (German, First Quarter 20th Century) “Ducks in a Pond” oil on board signed lower right. Giltwood frame. 11” x 13”, framed 16” x 18” $800-$1,200 264 English Oak Occasional Table

266

18th century, the rectangular top above a frieze fitted with a single fluted drawer, raised on bulbous turned legs joined by a box stretcher and ending in bulb feet. h. 28”, w. 34-1/2”, d. 22-1/2”

265 detail

$1,000-$1,500

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267 Large English Carved Oak Refectory Table in the Jacobean Taste late 19th century, the plank top with breadboard ends and pull-out leaves at each end, mounted to a base with two large turned and carved standards and trestle-form legs and stretcher. h. 30”, w. 32”, l. 78”, ext. l. 126” $1,500-$2,500 268 Pair of Carved Wooden Figures by Gerrard Robinson (English, 1834-1891) second half 19th century, one figure holding a staff and walking into the wind, retaining an old label on the bottom reading, “The Wandering Jew”, and the other possibly depicting St. John the Baptist, each signed “G. Robinson Sculpt”, on a wooden base plinth. h. 23” to 25”, w. 6-3/4” to 9”, d. 7-1/2” to 9-1/2” 268

$1,500-$2,500 269 Heywood Hardy (British, 1843-1933) “The Saxons’ Tribute to King Edward”, 1872 oil on canvas signed and dated lower left. Framed. 39-1/4” x 62-3/4”, framed 48-7/8” x 72-3/4” Exhibited: 1872 Royal Academy Exhibition, London, inventory #358. $5,000-$8,000 Literature: Algernon Graves, The Royal Academy Exhibitions, Vol. III (London: Chiswick Press) 1905/6; London Society: An Illustrated Magazine of Light and Amusing Literature, Vol. XXI (London: W. Clowes & Sons) 1872, p. 279. 269

270 Anglo-Dutch Walnut Secretary early 19th century, the molded and double-domed cornice above two doors, each inset with a domed and beveled mirrored panel, opening to a shelved interior, over two small candle slides, the lower section fitted with a banded slant front opening to a leather-inset writing surface and a variety of drawers and cubbyholes surrounding a central cupboard, over two short drawers and two graduated long drawers, raised on bun feet. h. 92”, w. 42”, d. 24” $1,000-$1,500 271 Queen Anne-Style Feathered Walnut Chest-on-Stand late 19th century, English, set with two side-by-side drawers over two long drawers, the top and drawer fronts with highly figured veneers and banded edges, raised on cabriole legs with shell-carved knees and ending in Spanish feet, mounted with engraved brass hardware. h. 47”, w. 32”, d. 17” $1,000-$1,500 272 Pair of English Tole Tea Canisters fourth quarter 19th century, now mounted as lamps, giltdecorated with Chinese characters on a black ground, each numbered and with the retailer’s label of “Rudduck & Compy, Complete Shop Fitters for All Trades, 262 Old St., London”, on stained pine bases. h. 23”, dia. 8-1/2” $1,000-$1,500

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273 detail

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273 Three Moroccan-Style Graduated Wooden Chests

274 English Pine and Leather-Top Writing Table

20th century, inlaid with bone and mother-of-pearl medallions and lozenges against a field of shallow scroll carving, with scalloped bases. h. 8” to 16”, w. 14” to 30-1/2”, d. 8” to 16”

late 19th century, the framed top with inset green leather with a gilt-tooled edge, one side fitted with two drawers, raised on turned legs. h. 30”, w. 84”, d. 35”

$1,200-$1,800

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275 Suite of Four Gothic-Style Pine and Elmwood Windsor Armchairs mid-19th century, with pierced and carved backsplats and curved arms joined to the saddle-shaped dished seats, with through-mortised legs. h. 41”, w. 24”, d. 17” $1,000-$1,500 276 William IV Mahogany Linen Press early 19th century, with a removable overhanging cornice above a pair of arched, paneled doors, the lower case fitted with a pair of side-by-side drawers over two long drawers, ending in a molded plinth base. h. 84-1/2”, w. 56-1/2”, d. 23-1/2” $1,000-$1,500

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277 Pair of William IV Mahogany Hall Chairs second half 19th century, the backs with carved drapery swags along the top, above a central oval panel with a painted horse head, each with a round plank seat raised on out-curved tapering square legs. h. 35”, w. 16-1/2”, d. 16-1/2” 277

$1,500-$2,500

278 Monumental William IV Giltwood Cheval Mirror second quarter 19th century, the serpentine crest carved with scrollwork and leaves, the rectangular mirror frame supported on tapered, fluted standards set with carved pinecone finials and raised on scrolled feet mimicking architectural brackets, painted with green and red accents. h. 91-3/4”, w. 56-1/2”, d. 31-1/2” $1,500-$2,500 278

279 Attributed to Garnet Ruskin Wolseley (British, 1884-1967) “Story Time by the Garden Window” oil on canvas unsigned. Presented in a giltwood frame. 42” x 52”, framed 54” x 62-1/2” Provenance: Sold in these rooms, May 20, 2006, lot 164. $6,000-$9,000

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281 detail

280 Interesting Edwardian Mahogany and Satinwood Desk early 20th century, the superstructure with a recessed central section fitted with a hinged lift-top cupboard over slotted compartments, flanked to either side by an arrangement of small drawers and open cupboard, the rectangular top with three inset leather surfaces over two long banded friezes, raised on banded tapering square legs ending in brass caps and casters, the whole accented with stringing and decorative banding. h. 39-1/2”, w. 63-1/2”, d. 21-1/2” Provenance: Private collection, Houston, Texas. $1,400-$1,800 281 George III Mahogany Work Table with Firescreen

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ca. 1800, the canted rectangular top double-banded and above a conforming frieze fitted with two end drawers and a pull-up fabric screen, raised on tapering square legs ending in brass caps and casters. h. 26-1/2”, w. 19-1/2”, d. 15-1/4” Provenance: The Estate of Ward Lay, Sr.; Private collection, Dallas, Texas. $1,200-$1,800 282 British School (First Quarter 20th Century) “Portrait of a Young Girl Holding a Sparrow” oil on canvas unsigned. Framed. 48” x 30”, framed 58-1/4” x 40-1/4” $1,000-$1,500 282

283 German Novelty “Rabbit” Sterling Silver Cocktail Shaker contemporary, Ludwig Neresheimer Co., Hanau, in the form of a realistically detailed European hare, seated on its haunches, its mouth a faux spout fitted with a chained “stopper” with a carrot, the head fitted with glass eyes and removing to reveal the detachable strainer. h. 10-1/2”, l. 5-1/4”, w. 4-1/4”; 26.65 t. oz. $3,500-$5,000

284 German Novelty “Cat” Sterling Silver Cocktail Shaker contemporary, Ludwig Neresheimer Co., Hanau, in the form of a realistically detailed seated cat, its mouth a faux spout fitted with a chained “stopper” of a fish, the head fitted with glass eyes and removing to reveal the detachable strainer. h. 7-1/4”, l. 6-1/4”, w. 4”; 29.05 t. oz.

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$3,500-$5,000

285 Twelve Silverplate Figural Cat Napkin Rings contemporary, cast and assembled from vintage elements, with floral, foliate, grapevine and banded rings, with cats, in a variety of playful poses with slide, see-saw, bench and washtub, with some other animals: chickens, bear and birds. the longest 5”, the shortest 2-3/4” $1,200-$1,800

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286 Twelve Silverplate Figural Animal Napkin Rings contemporary, cast and assembled from vintage elements, with floral, foliate and grapevine rings, with various animals (owl, rabbit, duck, goose, dog, cat, frog, pig, swan and squirrel), in a variety of playful poses with slide, see-saw, bench and wagon. the longest 4-3/4”, the shortest 3” $1,200-$1,800

287 German Sterling Silver Automaton Singing Bird Box

287

second quarter 20th century, by the Vereinigte Silberwarenfabriken Hanau, the sterling oval box decorated with embossed putti and scrolls, the top with an oval hinged cover, opening to reveal a singing bird, with a bird-shaped winding key. h. 2-1/4”, l. 4-3/4”, w. 3-1/4” $900-$1,200

288 Unusual German Sterling Silver Pigeon Automaton 20th century, in the form of a realistically detailed pigeon with glass eyes, with pull lever in its wing opening an oval hinged cover on its back to reveal a singing bird automaton, complete with its bird-shaped winding key. h. 7-1/2”, l. 11”, w. 3-1/2”; 31.63 t. oz. (including works) $4,000-$7,000

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Tussie Mussies

Small, hand-held containers were used in medieval times to carry fragrant herbs and spices to ward off the “bad air” thought to be the cause of disease (hence “malaria”). Although ineffective against illness, the pleasant aromas from these containers helped greatly to allay the unpleasant odors of the streets in the days of horse transport and before modern sanitation systems. By the Victorian era, herbs and spices had given way to small, sweet-smelling floral bouquets or “tussies”, the stems of which were wrapped in moss to keep them moist, giving rise to the name “tussie mussie”. These containers, also known as porte-bouquets, bouquetiers, posey or nosegay holders, were an essential part of ladies’ walking-dress fashion and came in a wide variety of designs and materials. Many had turned motherof-pearl, hardstone or wooden handles to hold the flowers directly under the nose if necessary, some had chained pins to hold the tussies in place, still others had a chained ring to go on a finger or a pin to clip to a bodice or waistband, freeing the hands for counting change, disembarking carriages or such.

289 Three Victorian and Edwardian Tussie Mussies including two fourth quarter 19th century examples: a silver example with embossed “vintage” cup and turned orange banded agate handle, complete with chained pin and finger-ring, l. 5-5/8”; and a gilt metal example with paneled bowl, each peaked, pierced and engraved with openwork scrolls, one hinged and with locking octagonal band, with turned and acanthus-scroll carved nacre handle, complete with chained finger ring, l. 6-1/4”; and a sterling silver example, hallmarked Birmingham, 1912-1913, by Adie & Lovekin, Ltd., of conical form with shaped scroll rim, l. 4-1/2”. 0.60 t. oz. (sterling example only) Provenance: Private collection, Houston, Texas. $1,200-$1,800 289

290 Three Victorian Tussie Mussies fourth quarter 19th century, including: a gilt metal example with waisted champleve enamel bowl and floral Limoges-style enamel handle, complete with chained pin and finger ring, l. 6”; a gilt metal example with looped wire bowl and embossed acorn and rose bands, with rococo-scroll handle, complete with chained finger ring, l. 5-3/4”; and a silver example with peaked panels embossed with lattice and roses, with carved scrolling nacre handle, complete with chained pin, l. 5”. Provenance: Private collection, Houston, Texas. $1,200-$1,800

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291 Three Victorian Tussie Mussies fourth quarter 19th century, including: a silver example with thistle-form cup comprising embossed foliate panels, with knopped handle wrapped by a long, narrow leaf, complete with chained pin and finger ring, l. 6”; a gilt metal example with openwork conical cup decorated with floral trelliswork and rococo scrolls, with turned nacre handle, complete with bodice pin, l. 5”; and a gilt metal example with openwork conical cup embossed with acorns and foliate scrolls, with carved acanthus scroll nacre handle, complete with bodice clip, l. 5-1/4”. $1,200-$1,800 292 Three Victorian Tussie Mussies

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fourth quarter 19th century, including: a silver example of waisted conical form, with beaded rim and engraved and wrigglework floral panels, with integrated hinged and chained tripod stand, the feet joining to form the ball finial, l. 4-1/2”; a gilt metal example of waisted conical form, with embossed openwork cup, complete with bodice clip, l. 2-1/2”; and a gilt metal example with openwork cup embossed with rococo scrolls and demi-putti, with baluster handle, complete with chained pin and finger ring, l. 5-1/4”. Provenance: Private collection, Houston, Texas. $1,200-$1,800 293 Three Victorian Tussie Mussies fourth quarter 19th century, including: a gilt metal example with embossed lily pads centered by a faux pearl, with turned nacre handle, complete with chained pin and finger ring, l. 6-1/4”; a silver example with tapering paneled cup and handle, the cup panels with engraved scrolls, complete with chained pin and finger ring, l. 5-3/4”; and a gilt metal example with embossed acanthus fronds and grape clusters, the scroll handle with ball finial, complete with chained pin and finger ring, l. 5-1/2”.

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$1,200-$1,800 294 Good Victorian Sterling Silver Gilt and Coral Baby’s Rattle hallmarked Birmingham, 1860-1861, by George Unite, in the Georgian taste, the silver-gilt baluster body decorated with embossed floral and acanthus paterae, with whistle finial and four pendant bells, with red coral teething handle. l. 6”, w. 2”; 1.99 t. oz. (including coral) $1,000-$1,500

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295 Eugene Joseph Verboeckhoven (Belgian, 1798/99-1881) “Moutons et Coqs au Repos” oil on canvas signed lower right. Framed. 27-1/4” x 22-1/4”, framed 43” x 39” Provenance: Property of the Estate of the Late John List Crawford, Parke-Bernet Galleries, New York, New York, February 20-21,1946; By repute, Douthitt Gallery, New York, New York to William Randolph Hearst in 1946 and the painting was stored in Hearst Castle warehouse, San Simeon, California until it was purchased by Mrs. E. A. Tovrea of Phoenix, Arizona on January 19, 1961; thence by descent in the Tovrea family; sold in these rooms, September 30, 2006 lot 83. $6,000-$9,000

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296 Eugene Joseph Verboeckhoven (Belgian, 1798/99-1881) “Moutons Effrayes par la Tempete”, 1847 oil on canvas signed and dated lower left. Presented in a period giltwood frame. 40-1/4” x 54-1/2”, framed 54-1/2” x 69-1/2” Provenance: Sold in these room, December 5, 2008, lot 861. $8,000-$12,000

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297 After Willem Roelofs (Dutch, 1822-1897) “Landscape with Lake and Wading Cows” oil on canvas bears signature lower left. Framed. 16” x 24” framed 28-5/8” x 36-5/8” $1,000-$1,500

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298 Henri de Beul (Belgian, 1845-1900) “Farm Scene” oil on canvas signed lower left. Framed. 15-1/2” x 20-1/2”, framed 21-1/2” x 26” $1,400-$1,800

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299 Eugene Joseph Verboeckhoven (Belgian, 1798/99-1881) “Goats and Sheep in a Pasture” oil on wood panel signed lower left. Framed. 8-1/2” x 10-1/2”, framed 14” x 16” $1,500-$2,500 299

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300 Louis de Winter (Belgian, 1819-1900) “Landscape with a Farm” oil on wood panel signed lower left. Framed. 22” x 28-3/4”, framed 28” x 34” $2,000-$4,000

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301 Ferdinand de Prins (Belgian, 1859-1908) “Sunset Over a Landscape with Cattle, Farm and a Distant Windmill” oil on canvas signed lower right. Period frame. 24” x 32”, framed 36” x 43” $1,500-$2,500

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302 Maurits Ernest Hugo Kerkhoff (Dutch, 1830-1908) “Landscape with a Milkmaid, Shepherd and Farm Animals” oil on wood panel signed lower right. Framed. 13” x 19”, framed 18” x 24” $2,000-$4,000

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303 Rosa Venneman (Belgian, 1825-1909) “Dutch Landscape with a Boy and His Herd” oil on canvas signed lower left. Framed. 29” x 41-1/2”, framed 36” x 49” $2,500-$4,000

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304 Marinus Adrianus Koekkoek the Elder (Dutch, 1807-1868) “Wooded Landscape with a Shepherd and His Flock” oil on canvas signed lower right. Framed. 20” x 26-1/2”, framed 29-1/2” x 35-1/2” $1,500-$2,500

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305 Cornelis Verschuur (Dutch, 1888-1966) “Cattle in a Landscape” oil on canvas signed lower left. Framed. 16” x 24”, framed 19” x 27” $1,200-$1,800

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306 Edmond de Pratere (Belgian, 1826-1888) “Cattle Watering” and “Boy with Two Ponies” pair of oils on canvas each signed lower right and lower left, respectively. Both framed alike. 26” x 32”, framed 26-1/2” x 32-1/2” $1,200-$1,800

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310 Attributed to Ida Baumann (Swiss, 1864-1932) 307

“Her New Pet”

307 Pair of Impressive French Copper and Wrought Iron Street Lights

oil on canvas unsigned, typewritten biography and several old labels en verso, artist plaque at front. Framed. 40” x 27-3/4”, framed 45-3/4” x 33-1/4”

19th century and later, each copper-capped, carriage-type lamp set with four interior lights, hanging inside an iron “C”, atop a standard set with iron scrollwork, on a platform base, now electrified. h. 118”, w. 30”, d. 30”

$5,000-$8,000

$2,000-$4,000 308 Victorian-Style Wrought Iron and GraniteTop Conservatory Table the rectangular granite top raised on a scrolling base with gilt accents to casters. h. 30”, w. 41”, d. 25-1/2” $1,000-$1,500 309 Patinated Bronze Figure of a Little Girl Feeding a Bird 20th century, in the French Belle Epoque style, on a marble base, illegibly signed. h. 23-1/2”, dia. 6-3/4” $800-$1,200

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312 detail 311

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311 French Cut Glass and Brass Four-Light Gasolier

313 Silverplate Decanter Set

ca. 1900, the standard clad with diamond-point cut glass, supporting four notch-cut glass arms set with grape-engraved frosted shades, the lower portion with a tapered glass pendant finial. h. 32”, dia. 37”

fourth quarter 19th century, probably Bohemian, the three cut and engraved overlay glass decanters decorated in emerald green, cranberry and cobalt blue, respectively, and fitted in an unmarked, flower-molded silverplate stand. h. 19-3/4”, dia. 8-1/2”

$1,200-$1,800

$1,000-$1,500

312 Napoleon III Porcelain-Mounted Cave a Liqueur Case

314 Napoleon III Ebonized and Boulle Games Table

third quarter 19th century, the walnut-veneered case with ebonized trim and set with Sevres-style polychrome plaques decorated with children and trophies, set into brass bezels, the interior now fitted as a jewelry box. h. 8-3/4”, w. 12-3/4”, d. 10-1/2”

mid-19th century, the shaped rectangular top hinged and opening to an inset leather gaming surface and decorative brass banding, above a shaped frieze centered by an ormolu masque, raised on cabriole legs ending in sabots. h. 31”, w. 34”, d. 17-1/2”

$1,200-$1,800

$1,000-$1,500

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315 Pair of Aubusson Drapery Panels each incorporating an antique woven panel with floral decor on a creme and salmon ground, now framed by a burgundy velvet border. h. 133-1/2”, w. 55” $1,500-$2,500 316 Pair of Aubusson Drapery Panels each incorporating an antique woven panel with floral decor on a creme and salmon ground, now framed by a burgundy velvet border. h. 135”, w. 58” $1,500-$2,500 317 Pair of Aubusson Drapery Panels each incorporating an antique woven panel with floral decor on an creme and salmon ground, now framed by a burgundy velvet border. h. 136”, w. 56” $1,500-$2,500

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318 Pair of Aubusson Drapery Panels each antique panel depicting flora and vines, with a woven border. h. 131”, w. 51-1/2” $1,500-$2,500 319 Pair of Chinoiserie Lacquered and Marble-Top Corner Cabinets 19th century, each with a shaped and bowed marble top above a conforming case fitted with a single glazed cupboard door, the whole with gilt floral accents, raised on block feet. h. 34-1/2”, w. 26”, d. 17” $1,800-$2,500 320 Unusual Gilt-Bronze and Japanese Porcelain Chandelier fourth quarter 19th century, French, the twelve-light chandelier with a standard comprised of Arita porcelain with a persimmon ground, mounted with pierced and scrolled gilt-bronze arms set with matching candle cups and drip pans, and gilt-bronze chains hung from the upper trim, set with a bronze cone-form pendant finial. h. 39”, dia. 26-1/4” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $2,000-$4,000 318

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321 Pair of Chinese Export Famille Rose Porcelain Baluster Vases fourth quarter 19th century, decorated with peacocks perching on plum branches, framed with peonies, the necks with molded chameleons and green-glazed foo dog handles. h. 17-3/4”, dia. 7-1/2” $1,000-$1,500 322 Two Asian Figures Mounted as Lamps 20th century, including a cloisonne male figure with a carved bone face and a turquoise beaded headdress, and a porcelain female figure of Guanyin, a seated child and a water bottle at her side, her foot resting in a lotus blossom, each lamp mounted with a shade. h. 35-1/2” to 36”, w. 16-1/2” to 17-1/2”, d. 14” to 16-1/2”

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$1,000-$1,500 323 French Satinwood, Mahogany and Marble-Top Cabinet 20th century, the shaped rectangular Breche d’Alep marble top above a conforming case fitted with a central cabinet, inset with an ebonized and gilt chinoiserie panel, flanked to either side by a quarter-veneered cabinet, raised on bracket feet. h. 43-1/2”, w. 77”, d. 18” $1,200-$1,800

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325 detail

324 Pair of Chinese-Style Parcel-Gilt Wooden Brackets 20th century, of double inverted pagoda form, decorated with gilt leaves and flowers on a textured ground, the edges hung with gilt-metal temple bells. h. 19”, w. 15”, d. 8-1/2” $1,000-$1,500 325 Louis-Philippe Brass-Inlaid Ebony Tea Caddy

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second quarter 19th century, the cover and facade inlaid with chased brass scrollwork, the interior with two covered, foil-lined compartments. h. 5-1/4”, w. 9-1/2”, d. 5-1/4” $1,000-$1,500 326 French Boullework Writing Case and Portfolio Album third quarter 19th century, each decorated with engraved brass scrollwork inlaid onto a field of tortoiseshell, the flat portion of the writing case set with an ink pot and pen compartments, the writing slope lined with stamped velvet, the base ebonized, h. 4”, w. 13-1/2”, d. 10-1/2”, and the portfolio interior lined with mazarine blue silk and set with blank pages, h. 11-3/4”, w. 9-1/4”, d. 1”. $1,000-$1,500 327 Beaux-Arts Gilt-Bronze Electrolier first quarter 20th century, the five-light electrolier with an urnform body decorated with swags and bowknots, supported on a fluted standard, with five scrolled down-turned lights mounted with later gold aurene art glass shades, alternating with fluted scrolls ornamented with shell-framed masques. h. 51”, dia. 16-1/2” $1,000-$1,500

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328 Napoleon III Ebonized, Boulle and Granite-Top Parlor Cabinet third quarter 19th century, the rounded rectangular granite top above a case fitted with an ogee-molded frieze above a single cupboard door, raised on flat feet, the whole accented with Boulle work panels. h. 42-1/2”, w. 41”, d. 16-1/2” $1,000-$1,500 329 Two Pairs of Aubusson Drapery Panels with Valances the antique tapestry panels now framed in deep blue velvet, the matching velvet swag and jabot valences edged with a woven border with tassels, including two pairs of like tassels and cords, and giltwood rods with acorn finials. each panel h. 112-1/2”, w. 57” $1,500-$2,500 328

330 Three Pairs of Georgian-Style Gilt-Plaster and Metal Figural Tie-backs 20th century, decorated with opposing pairs of phoenix birds on gilt-metal rods. h. 8”, w. 14”, d. 5” $1,000-$1,500

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331 Giltwood Stand in the Rococo Taste 20th century, the tripodal base supporting a standard modeled with a swan and cattails, the circular top carved with stalactites. h. 33-3/4”, w. 18-1/4”, d. 11” $1,000-$1,500 332 Chinese Eight-Panel Coromandel Screen 20th century, the screen decorated with parcel-gilt cranes framed with scrollwork borders, marked with Chinese characters in the upper left, the lower potion decorated with vases, teapots and vases of flowers. overall h. 94-1/2”, w. 148” $1,800-$2,500

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333 Wood Carving of a Great Egret by Leland Brewsaugh (American, 1935-2003) ca. 1984, the delicately carved and painted bird poised on a step amid water plants, above an integral wooden base, the impressive example signed “Leland Brewsaugh 1984”. h. 27-1/2”, w. 32-1/2”, d. 10-3/4”

335

$1,000-$1,500 334 Boehm Porcelain Sculpture of a Nesting Flamingo and Chick ca. 1987, American, the limited edition, numbered sculpture modeled as an adult flamingo feeding a chick, a stray feather attached to the nest, signed by “Helen Boehm”, presented on a Chinese carved hardwood stand with cabriole legs. h. 18”, w. 15-3/4”, d. 9-1/4” $1,000-$1,500 335 Burmese Carved Rosewood Jardiniere Stand

336

late 19th century, the pierced, leaf-carved bowl supported by phoenix bird monopodia grasping snakes in their mouths, on an acanthus-carved standard, set on a tripod base with acanthus-carved feet and egg-and-dart molding. h. 36-3/4”, dia. 33” $2,500-$4,000 336 Regal Stuffed and Taxidermied Peacock poised with its head up, its long tail feathers behind, presented on a section of tree trunk. h. 70”, w. 19-1/2”, d. 34” $1,000-$1,500

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337 Circle of Marmaduke Craddock (British, 1660-1716) “A Peacock and Birds of a Feather in an Aviary Park” pair of oils on shaped canvases each unsigned. Framed alike. each 45” x 35-1/4”, framed 49” x 37-3/8” $1,500-$2,500 338 Continental Rococo-Style Fruitwood Desk and Chair late 19th century, the desk with a turtle-form top fitted to one side with a superstructure consisting of a single-door cabinet and galleried shelf, over a pull-out slide and single side cabinet, raised on cabriole legs ending in scrolled toes on pegs, h. 54”, w. 38-1/2”, d. 23-1/2”, and the conforming chair with a shaped and padded back and seat, raised on like legs, h. 41”, all with elaborately carved decorations in lattice, floral and foliate patterns. $1,200-$1,800

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339 Unusual French Fruitwood and Onyx Vanity/Sink early 20th century, the top with a carved onyx mirror frame, backsplash and countertop, set with a porcelain basin along with a tipping silver-plated liner, the base with a central faux drawer flanked by drawers and three cabinets below. h. 85”, w. 59”, d. 30” $2,000-$4,000

340 Partial Service of St. Louis Crystal “Renaissance Frost” Stem and Tableware ca. 1993-2007, French, the service comprised of six champagne flutes, h. 7-3/4”, twelve water goblets, h. 6-1/2”, seven hock wine glasses, h. 8-1/4”, four Continental goblets, h. 6-1/8”, seven burgundy wine glasses, h. 5-3/4”, eight claret glasses, h. 5-3/8”, a footed dessert dish, h. 4-3/8”, dia. 5-1/4”, a compote, h. 6-1/4”, dia. 9”, and a stoppered decanter, overall h. 14”, dia. 4-1/4”, each piece signed, with some retaining the original labels. $1,000-$1,500

341

341 French Gilt-Bronze and Cut Crystal Chandelier ca. 1900, the seven-light chandelier with a scrolled giltbronze frame accented with laurel leaves and berries, set with five down-turned sockets on scrolled arms, the lower portion with a frosted and cut bowl-form shade concealing two interior sockets, the center with a spiralmolded shaft, with floriform frosted glass shades. h. 31”, dia. 25-1/2” $1,000-$1,500 339

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343 Pair of Napoleon III Giltwood Fauteuils

342 French Belle Epoque Giltwood, Glass and Fabric FourPanel Screen

mid-19th century, in the Louis XV taste, each with a shaped and padded back surmounted by a shield-form crest, joined by padded, molded arms to the cushioned seat, above a floral and foliate apron, raised on cabriole legs headed by foliate carving and ending in scrolled toes, upholstered in Aubusson tapestry featuring various flora and fauna and chinoiserie figures. h. 41”

fourth quarter 19th century, the Louis XV-style frame carved with rocaille and scrollwork, the upper portion set with glass panes, the lower portion with pink silk. h. 40-1/2”, w. 58” $1,000-$1,500

$1,500-$2,500

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344 Emile Vernon (French, 1872-1919) “Young Woman with a Japanese Parasol” oil on canvas signed lower left. Framed. 29” x 24”, framed 34” x 31” $9,000-$12,000

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345 British School (Fourth Quarter 19th/First Quarter 20th Century) “Day Dreams” oil on linen monogrammed “CL” lower right, titled on frame. Framed. 28-3/4” x 23”, framed 41-1/2” x 36” $1,000-$1,500 346 Emile Tabary (French, 1857-1927) “Dans Le Boudoir”, 1924 oil on canvas signed lower left, signed, dated and further inscribed “Salon de L’Ecole Francaise” en verso. Presented in a carved giltwood frame. 40” x 30”, framed 49” x 39-1/4” $3,500-$5,000

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347 Louis XV-Style Polychrome and Giltwood Vitrine 20th century, the arched bonnet above a bombe-form door with a serpentine glass panel over a painted scene depicting putti and a maiden, the sides with carved glass panels, raised on cabriole legs and adorned with ormolu mounts throughout. h. 20-1/4”, w. 32”, d. 17” $1,200-$1,800 348 After Auguste Moreau (French, 1834-1917) “L’Aurore”, second quarter 20th century bronze a variant of the sculpture exhibited at the Paris Salon in 1893, formerly fitted as a newel post figure. h. 31”, w. 13”, d. 7-3/4” $1,200-$1,800

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349 Continental School (First Quarter 20th Century) “Reclining Nude” oil on canvas signed “Bernaute 11” lower right, inscribed “Berkontozsi 74A870.94” en verso. Framed. 23” x 47”, framed 33-1/2” x 57-1/2” $1,000-$1,500 350 Louis XVI-Style Creme-Peinte and Parcel-Gilt Chaise Longue the chair back with a foliate-carved crest joined to shaped arms, the rear one extending, both with scroll ends and foliate decor, joined to a long cushion, raised on turned and fluted tapering circular legs. h. 38-1/2”, w. 28-3/4”, l. 67” $1,000-$1,500

351 Napoleon III-Style Giltwood Mirror 20th century, the oval mirror with a floral wreath crest with lovebirds, above a carved surround “wrapped” with carved leaves, the lower portion with a scroll carving and set with an inner carved giltwood liner, supported on leaf carvings. h. 67-3/4”, w. 41” $1,000-$1,500 352 Constant Aime-Marie Cap (Belgian, 1842-1915) “Jeune Femme Contemplant un Tableau”, 1872 oil on wood panel signed and dated lower right. Framed. 18-1/4” x 13-1/2”, framed 22-1/2” x 18” $2,000-$4,000 353 Jos van Bree (Belgian, 1784-1859) “Masterpiece Beheld Before the Sitters” oil on wood panel signed lower right, titled “Atelier du peintre” on early 20th-century label en verso. Framed.

351

22-1/4” x 30-1/4”, framed 33” x 36” $3,000-$5,000

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354 Jean Beraud (French, 1849-1936) “Escrimeuse” oil on wood panel signed lower left, verso with “F. Dupre” stencil and various stenciled numbers. Framed. Accompanied by a Certificate of Authenticity issued by Patrick Offenstadt, Neuilly-sur-Seine, France, November 20, 2019. 21-1/4” x 13”, framed 26-1/2” x 17-1/2” $15,000-$25,000

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355 Eugene Accard (French, 1824-1888) “Portrait of a Lady in a Black Velvet Dress Before a Parlor Mirror” oil on canvas signed lower left, a “Hardy-Alan” French suppliers label en verso, with various remnants of auction labels. Framed. 28-3/8” x 20-1/2”, framed 32” x 24-1/2” Provenance: Sotheby’s Arcade, New York, New York, July 18, 1996, lot 289; Sotheby’s, New York, New York, October 6, 2007, lot 183. $3,000-$5,000

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356 Angelo Asti (French/Italian, 1847-1903) “Young Woman at the Piano” oil on canvas signed lower right. Framed. 16-1/4” x 12-1/4”, framed 20” x 16” $1,000-$1,500 357 Attributed to Jean-Jacques Henner (French, 1829-1905) “Portrait of a Red-Haired Woman”

356

oil on wood panel unsigned. Framed. 13-3/4” x 10-1/2”, framed 22” x 19” Provenance: Probably Christie’s East, New York, New York, February 18, 1992. $2,000-$4,000 358 Pair of Louis XV-Style Giltwood Bergeres avec Oreilles late 19th century, each with a padded back surmounted by a foliate crest, joined by shaped and padded sides and out-scrolled arms to the cushioned seat, raised on molded cabriole legs ending in foliate-carved toes. h. 43-1/2” $2,000-$4,000

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361 Louis XV-Style Carved Walnut Pier Mirror 20th century, the pierced crest carved with scroll and rocaille work, flanked by bunches of flowerheads, the mirror plate lined with delicate scroll carving, the lower corners with rocaille work. h. 93-1/2”, w. 45” Provenance: Private collection, Houston, Texas. $1,000-$1,500

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359 Fine Gillows Burl Walnut Banded Center Table in the Louis XV Taste late 19th century, English, one apron fitted with a drawer that bears the stamped “Gillow” on the top front edge, raised on molded cabriole legs ending in cast bronze toes. h. 29-1/2”, w. 48-1/2”, d. 34” $2,000-$4,000

360 Collection of Herend “Rothschild Bird” Dessert and Dinnerware 20th century, Hungarian, including a fish platter with a strainer, w. 29”, d. 9-1/2”, nine footed cups, h. 2”, and eight matching saucers, dia. 5-3/4”, eleven flat demitasse cups, h. 2”, and ten saucers, dia. 4”, a coffeepot, h. 8-1/2”, w. 6-3/4”, a creamer, h. 4”, w. 5”, a pair of mini tureens, h. 4”, w. 4-3/4”, a rectangular ashtray, w. 7-1/2”, dia. 5-1/2”, an oval ashtray, w. 5-1/2”, d. 3-1/2”, a small oval vegetable dish, w. 8-3/4”, d. 7”, and a mini tureen and underplate, h. 4-1/2”, dia. 6”, together with a “Queen Victoria” footed, covered cachepot, h. 7-1/4”, w. 6-3/4”. $1,500-$2,500

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362 Regence-Style Mahogany Burl and Marble-Top Commode the rectangular marble top with a molded edge, above a bombe case fitted with three long banded, graduated drawers, raised on splayed feet ending in sabots. h. 35”, w. 52”, d. 21” $1,000-$1,500 363 Louis XV-Style Mahogany Vitrine

363

early 20th century, the bowed top above a conforming frieze with an applied ormolu garland, over a single door with a glazed upper section, the lower section with a painted panel in the style of Vernis Martin, the sides glazed and paneled en suite, raised on cabriole legs ending in sabots. h. 59-1/4”, w. 26”, d. 18” $1,000-$1,500 364 Emile-Auguste Pinchart (French, 1842-1924) “The Visitation” oil on canvas signed lower left. Framed. 36-1/2” x 29-1/4”, framed 44-3/8” x 38-1/4” Provenance: Sotheby’s, New York, New York, October 12, 1994, lot 95; Sotheby’s Arcade, New York, New York, September 29, 2004, lot 18; sold in these rooms, September 30, 2007, lot 1651. $2,000-$4,000 364

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367

365 Louis XV-Style Carved Giltwood and Marble-Top Console Table 19th century, the shaped marble top above a conforming deep relief-carved frame, the front apron with a central shell with foliate and lattice relief, the cabriole legs joined by carved stretchers and centered with a shell-form cartouche. h. 36”, w. 45-1/2”, d. 21-1/2” $1,400-$1,800 366 Venetian Murano Partial Stemware Service 20th century, comprised of twelve water goblets, h. 6-3/4”, twelve wine goblets, h. 6”, and twelve champagne coupes, h. 4”, all with pink bodies engraved with baskets of fruit and scrollwork, supported on inverted trumpet-form stems with gilt-flecked terminals. $1,000-$1,500

128

367 Pair of Louis XV-Style Fruitwood Fauteuils 19th century, each with a padded and rounded back surmounted by a floral crest, joined by padded, scrolling arms to the like seat, raised on molded cabriole legs headed by floral carving and ending in scrolled toes. h. 40” $1,000-$1,500

368 369

370

371

368 Pair of French Diminutive Gilt-Bronze and Crystal Appliques

370 Four-Piece Collection of Brass and Crystal Objects

Provenance: Private collection, New Orleans, Louisiana.

mid-20th century, in the Empire taste, including a diamondpoint cut glass centerpiece on a molded bronze base, h. 6-1/4”, dia. 9-1/2”, a molded glass and brass oval jewel casket, h. 5”, w. 5-1/4”, d. 3-1/2”, a crystal basket set into a molded and pierced brass frame, h. 12-1/2”, w. 10”, d. 6-1/2”, and a centerpiece with a molded crystal bowl, supported by two brass neoclassical maidens, h. 13-1/2”, w. 9-1/2”, d. 9-1/2”.

$1,000-$1,500

369 Pair of Louis XV/XVI-Style Mahogany and Marble-Top Occasional Tables

371 Louis XV/XVI-Style Kingwood and Marble-Top Commode

mid-20th century, of half-basket form with polished steel backplates, the anthemia-molded crowns supporting strands of crystal beads concealing electric candles. h. 11-3/4”, w. 5-1/4”, d. 3”

early 20th century, each with a kidney-form white marble top within a three-quarter pierced brass gallery, above a conforming frieze fitted with a single drawer, joined by ribbed supports to a like-shaped galleried shelf, raised on cabriole legs ending in sabots. h. 30”, w. 27-1/2”, d. 16”

19th century, the rounded,rectangular marble top with a projecting center section, above a conforming case fitted with two long drawers, both with decorative banding and parquetry veneers, raised on cabriole legs ending in sabots. h. 36”, w. 51”, d. 22” $1,000-$1,500

$1,000-$1,500

129

372

372 Louis XV/XVI-Style Mahogany and Marble-Top Occasional Table early 20th century, the ovoid marble top within a brass band and above a shaped frieze joined to a lower shelf by cabriole supports ending in sabots, the whole accented with ormolu mounts. h. 29-1/2”, w. 25-1/2”, d. 16-1/2”

373

$1,000-$1,500 373 Louis XV-Style Giltwood Mirror ca. 1900, the sides carved with undulating water leaves, the crest with a carved shell and flowerheads, nestled into a pair of rocaille-carved scrolls, the serpentine base carved to match. h. 50-1/2”, w. 34” $1,000-$1,500 374 Louis XV-Style Polychrome Bergere early 19th century, the domed back padded and surmounted by a floral crest, joined by low padded arms to the cushioned seat, raised above a floral-carved apron on molded cabriole legs ending in scrolled toes, upholstered in floral-patterned needlework. h. 38” $1,000-$1,500

130

374

375 Jean-Louis Prevost II (French, 1760-1810) “Vase de Fleurs et Fruits, puis d’un Escargot” gouache on paper signed lower right. Matted, glazed and framed. sight 9-1/4” x 6-3/4”, framed 15-1/4” x 12-7/8” $1,200-$1,800 376 Maria Theresa-Style Glass Chandelier

375

the twelve-light chandelier with glass-clad arms decorated with cut glass spires, terminating in molded prism rings supporting swags of crystal drops and accents of mauve drops, the corona with sprays of mauve and colorless drops and crystal swagging. h. 31”, dia. 37” Provenance: Private collection, Houston, Texas.

376

$1,500-$2,500 377 Louis XV-Style Polychrome and Marble-Top Console Table early 20th century, the conforming marble top above a pierced and relief-carved frame, raised on cabriole legs joined by a cartoucheform stretcher. h. 33”, w. 35-1/2”, d. 16-1/2” $1,000-$1,500 378 Extensive Wawel Gilt and White Partial Dinner Service second half 20th century, Polish, in the “WAV19” pattern, the service comprised of eleven dinner plates, dia. 10-1/2”, ten salad/ dessert plates, dia. 7-3/4”, ten bread-and-butter plates, dia. 6-3/4”, twelve coupe soup bowls, dia. 7-1/2”, twelve fruit/sauce dishes, dia. 5-1/2”, fifteen cups, h. 2”, and seventeen saucers, dia. 5-3/4”, an oval, open vegetable dish, h. 3-1/2”, w. 12-3/4”, d. 9”, two graduated platters, w. 13”, d. 9” and w. 14-1/2”, d. 10-1/2”, a round covered vegetable tureen, h. 5-1/2”, w. 9-1/4”, d. 7”, a coffeepot, h. 10”, w. 9-1/2”, a teapot, h. 7”, w. 12”, a cream jug, h. 4-1/4”, w. 5”, a sugar bowl with no lid, h. 3”, w. 6-1/4”, and a gravy boat, h. 3-1/4”, w. 7-1/4”.

377

$1,000-$1,500

378

378 detail

131

379 Louis XV-Style Mahogany Vitrine 20th century, the scrolling pediment centered by an ormolu foliate mount with pendant swags, above a case fitted with a single glazed door and glazed sides, above a shaped masque-centered frieze, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 77”, w. 33-1/2”, d. 18” $1,000-$1,500 380 Louis XV-Style Mahogany Vitrine 20th century, the scrolling pediment centered by an ormolu foliate mount with pendant swags, above a case fitted with a single glazed door and glazed sides, above a shaped masque-centered frieze, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 77”, w. 33-1/2”, d. 18” $1,000-$1,500

379

380

381

382

381 Pair of Rococo Revival Porcelain Bottle Vases

382 Gilt-Bronze-Mounted Sarreguemines Majolica Jardiniere

mid-19th century, now mounted as lamps, with panels of dancers in 18th-century costume on the obverse and musical trophies on the reverse, framed with Jacob Petitstyle encrusted flowers, the necks with gilt scrollwork, mounted on hardwood stands and fitted with shades. overall h. 32-1/2”, shade dia. 18”

fourth quarter 19th century, French, the cobalt jardiniere mounted with bronze handles depicting Athena, the owl of wisdom on her head, framed in oak leaf sprays with scrollmolded gilt-bronze feet and a pierced gilt-bronze rim, stamped “Sarreguemines 269” on the bottom. h. 21-1/2”, w. 18-1/4”, d. 14”

$1,000-$1,500

$1,500-$2,500

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383 Diminutive French Gilt-Bronze Chandelier in the Rococo Taste second quarter 20th century, the six-light chandelier with a vasiform-molded standard supporting leaf-molded arms terminating in molded drip pans, hung with mauve, amber and colorless cut glass drops, the bottom with a faceted cut crystal spherical drop, one prism signed “Pettigrew”. h. 18”, dia. 13-1/2” Provenance: Private collection, Houston, Texas. $800-$1,200

383

384 Follower of Jan van Os (Dutch, 1744-1808) “Still Life of Flowers, Grapes, Plums, Pineapple, Nuts, Bird’s Nest and Insects”, ca. 1800 oil on canvas unsigned. Framed. 29” x 19-1/2” $1,000-$1,500

385 French/Belgian School (Fourth Quarter 19th Century)

384 385

“Still Life with Lilacs and a Copper Urn”, 1891 oil on canvas unsigned, dated lower right “23 Mai 91”. Framed. 23-1/2” x 28-5/8”, framed 30-1/2” x 35-3/4” $1,000-$1,500

386 Louise Meyer (German, 1789-1861) “Still Life with Flowers”, 180_ oil on canvas signed and dated lower right. Framed. 34” x 28-1/2”, framed 45-1/4” x 40” Provenance: Private collection, Belgium. $4,000-$7,000 386

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387 Attributed to Jan van Huysum (Dutch, 1682-1749) “Floral Still Life with Butterflies and Bird’s Nest” oil on canvas signed “Jan Van Huysum/fecit” lower right. Presented in a carved wood frame inlaid with mother-ofpearl. 35-3/4” x 24”, framed 41” x 29-1/4” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $20,000-$40,000 388 Regence-Style Mixed Fruitwoods and Marble-Top Commode the shaped marble top with a molded edge, over a conforming bombe case fitted with two short drawers over two long drawers, all banded and with parquetry veneers, raised on splayed feet to sabots. h. 35”, w. 43”, d. 18” $1,500-$2,500 389 Louis XV-Style Fruitwood Occasional Table early 20th century, the rectangular top with canted projecting corners and a gilt-tooled leather surface under a glass panel, above a conforming frieze fitted with a single drawer, raised on cabriole legs ending in sabots. h. 29-1/2”, w. 24”, d. 17”

387

$1,200-$1,800

389

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388

390 Maria Theresa-Style Molded Glass and Gilt-Metal Chandelier the sixteen-light chandelier with a glass-clad scrolled frame set with arms on two levels, the lights with molded glass prism rings, swags of drops hung from the corona and on the lower portion of the chandelier. h. 26”, dia. 34” Provenance: Private collection, Houston, Texas. $1,000-$1,500 391 Aubusson Needlepoint Carpet 12’ x 17’ 7” $5,000-$8,000

390

391

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392 Louis XV-Style Giltwood Mirror ca. 1900, the cove-molded surround and serpentine crest with rocaille molding and flowerheads, the lower corners with scrollwork, set with a beveled mirror plate. h. 68”, w. 40” $1,200-$1,800 393 Unusual Patinated Bronze and Marble-Mounted Pedestal ca. 1900, the thick rouge marble top mounted to a cast bronze foliate standard and supported by a square rouge marble base. h. 39-1/2”, w. 10-1/2”, d. 10-1/2” $1,000-$1,500 394 Louis XV-Style Ebonized Chinoiserie and Portor MarbleTop Commode early 20th century, the slightly bowed portor marble top above a conforming case fitted with two long drawers, the sides and drawers decorated with a gilt and polychrome chinoiserie landscape and fishing scene, raised on cabriole legs ending in sabots. h. 33”, w. 46-1/2”, d. 23-1/2” Provenance: Private collection, New Orleans, Louisiana. $2,000-$4,000

392

394 393

136

395 Circle of Jakob Bogdani (Hungarian, 1660-1724) “Still Life with Cockatoo, Bird and Spaniel” oil on canvas laid down on board unsigned. Framed. 29-5/8” x 52-1/2”, framed 39” x 69-3/4” $4,000-$7,000 Jakob Bogdani, a native of Presov, Hungary, moved to Amsterdam in 1684 where he was trained in the Dutch Golden Age tradition of the masters Melchior de Hondecoeter (16361695) and Willem van Aelst (1627-1683) - who specialized in still lifes with wild game and flowers. In 1688 Bogdani traveled to London, where he would remain for the rest of his life, seeking employment first with William III, Prince of Orange, before being appointed court painter to Queen Anne. Under the tutelage of the court, Bogdani achieved great success, earning commissions from some of the most esteemed aristocrats, such as Queen Mary II and Admiral George Churchill, brother of the Duke of Marlborough. Churchill, one of his chief patrons, owned the famous aviary at Windsor Park, affording Bogdani ample access to the many exotic birds he depicted like the cockatoo in the painting offered here. Bogdani’s superb still lifes typically featured the imported goods of London’s rich maritime trade; foreign species of birds and flowers crowded his paintings with white and scarlet highlights in the plume and foliage accentuated by dark backgrounds. Examples of his work are conserved in the Royal Collection and Fitzwilliam Museum in London and in Magyar Nemzeti Galeria in Budapest.

388

396 Pair of Bronze-Mounted Porcelain “Parrot” Candlesticks 20th century, the rococo-style candlesticks modeled as polychrome parrots perched on stumps decorated with flowering vines and grasping bronze twigs, fitted with molded bronze candle sockets, the bases fitted with scrolled bronze feet, with spurious Chinese character marks on the base. h. 14”, w. 6”, d. 6” $1,000-$1,500

395

137

397 Louis XV-Style Polychrome Wood and Leather Fauteuil early 20th century, of generous proportions, the padded and embossed leather back surmounted by a floral foliate crest, joined by padded arms to the padded seat, all upholstered in celadon leather, the seat raised above a like-carved frieze on cabriole legs ending in floral scrolled toes. h. 42” Provenance: Private collection, Houston, Texas. $1,400-$1,800 398 Louis XV-Style Kingwood Bureau Plat 20th century, the shaped top banded and inset with a leather writing surface, above a frieze fitted with three drawers, all with decorative banding, raised on cabriole legs headed by a foliate ormolu mount and ending in sabots. h. 32”, w. 67”, d. 34”

397

$1,000-$1,500 399 Pair of Louis XV-Style Beechwood and Leather Bergeres each of generous proportions, the carved crest wrapping around to closed arms on scroll supports, with serpentine seat and cabriole legs on French toes, the apron and crest with floral carving. h. 40-3/4” $1,000-$1,500

398

400 French Rococo-Style Giltwood Mirror ca. 1900, with a cove-molded surround and serpentine crest, decorated with scrollwork and molded leaves, the rocaille-trimmed corners with flowerheads, the lower corners decorated with scroll and rocaille work, set with a beveled mirror plate. h. 60”, w. 37-1/2” Provenance: Private collection, New Orleans, Louisiana. $1,200-$1,800

399

138

400

401

401 Louis XV-Style Kingwood and Marble-Top Commode 18th century, the rouge marble top with a slightly bowed center, above a conforming bombe case fitted with two short drawers over two long drawers, all with inset parquetry veneers and finely figured ormolu mounts, raised on splayed legs ending in sabots. h. 35”, w. 49-1/2”, d. 22” Provenance: Private collection, Houston, Texas. $2,500-$4,000 402 Eugene Galien-Laloue (French, 1854-1941) “Landscape with Figure and Cottage” oil on panel signed with pseudonym lower right. Giltwood frame. 9” x 6-1/4”, framed 15” x 13”

402

Provenance: Heritage Auctions, Dallas, Texas, May 8, 2009, lot 63247. $2,500-$4,000 403 Louis Aime Japy (French, 1840-1916) “Shepherd’s Rest” oil on wood panel signed lower right. Framed. 13-3/4” x 10-3/4”, framed 19” x 16-1/2” Provenance: Heritage Auctions, Dallas, Texas, May 8, 2009, lot 63220. $1,000-$1,500 403

139

404 Leon Richet (French, 1847-1907) “Paysage avec une Paysanne” oil on canvas signed lower left. Framed. 17” x 26”, framed 25” x 34” Provenance: Keil’s Antiques, New Orleans, Louisiana. $1,000-$1,500

404

405 Leon Richet (French, 1847-1907) “La Chaumiere a Fontainbleau”, 1872 oil on panel signed and dated lower left, verso with “Callan Fine Art, New Orleans, LA” label en verso. Framed. 19-3/4” x 27-1/16”, framed 25-3/4” x 33-3/8” Provenance: Callan Fine Art, New Orleans, Louisiana; Salis et Vertes, Munich, Germany, March 1996; Van Ham Kunstauktionen, Cologne, Germany, April 21, 2007, lot 253. $1,000-$1,500 405

406 Circle of Jean-Charles Cazin (French, 1841-1901) “A Sylvan Path in Provence” oil on board unsigned, reverse with “Figures Galantes” sketch. Giltwood frame. 9” x 13”, framed 12” x 16-1/2” Provenance: Sold in these rooms, December 5, 2008, lot 385. $1,000-$1,500

406

140

407 Charles-Emile Jacque (French, 1813-1894) “Bergere au Repos avec Son Troupeau” oil on canvas signed lower left. Framed. 19” x 31-1/2”, framed 32” x 44-1/2” Provenance: Atelier Charles-Emile Jacque, Paris, France, 1894; Galerie Georges Petit, Paris, France; Callan Fine Art, New Orleans, Louisiana; Keil’s Antiques, New Orleans, Louisiana, 2008. Exhibited: Return to Nature: J. F. Millet, the Barbizon Artists and the Renewal of the Rural Tradition, Yamanashi Prefectural Museum of Art, Kofu The Barbizon Artists: Coexistence with Nature, Yamanashi Prefectural Museum of Art, Kofu, 2001 Literature: Jean-Pierre Chambon confirmed the authenticity of this painting for Callan Fine Art.

407

$1,500-$2,500

408 Hippolyte Camille Delpy (French, 1842-1910) “Village au bord de la Riviere” oil on canvas signed lower left center, “Christie’s, New York”, labels en verso. Framed. 14-1/8” x 20-1/8”, framed 19-5/8” x 25-1/2” $2,500-$4,000 408

409 Gerardus Johannes Delfgaauw (Dutch, 1882-1947) “Country Home by a Stream”, ca. 1925 oil on linen signed lower left with the pseudonym “H.V. Gessel”, dated on stretcher and indistinctly inscribed on stretcher. Framed. 12” x 16”, framed 16-1/2” x 20-3/4” $1,000-$1,500

409

141

410 Hendrik-Dirk Kruseman van Elten (Dutch/American, 1829-1904) “Dutch Canal in Winter” oil on canvas signed lower right. Framed and with artist plaque. 17” x 25-1/2”, framed 24” x 33” $1,200-$1,800

411 French Provincial Fruitwood Farmhouse Table

410

19th century, the rectangular top raised on square legs joined by an H-form stretcher. h. 29”, w. 29-1/4”, l. 70-1/2” Provenance: Estate of Carol A. Straus, Houston, Texas. $1,000-$1,500

412 Pair of Carved and Stained Oak Wine Bottle Racks 20th century, in the French provincial taste, each with a shellform crest carved with Dionysus and bunches of grapes, the lower portion with carved grapes on a cross-hatched ground. h. 47-3/4”, w. 9-1/4”, d. 4-3/4” $1,000-$1,500 412

411

142

413 Charles van Sluys (Dutch, First Half 19th Century) “Still Life with Oysters, Lemons and Cruet”, 1846 oil on wood panel signed “Ch. van Sluys” and dated “1846” lower right and en verso. Framed. 16” x 17-3/4”, framed 27” x 28-3/4” $1,000-$1,500 414 French Provincial Fruitwood Wine Table 19th century, the tilting circular top raised on a swing-leg base and upright supports to runner feet. h. 28”, dia. 48” Provenance: Private collection, New Orleans, Louisiana.

413

$1,000-$1,500 415 Pair of Terracotta Vasiform Olive Jars early 20th century, set with lug handles, the sides decorated with horizontal bands of ribbing, with a heavily patinated surface. h. 41-1/2”, dia. 20” $1,500-$2,000 416 Louis XIII-Style Walnut Sofa the tall back with wing-form sides, extending to open arms on turned supports, raised on turned legs joined by like stretchers. h. 46-3/4”, w. 72”, d. 28”

414

$1,500-$2,500

415 416

143

417 Henry Schouten (Belgian, 1864/7-1927) “Poultry at Mealtime” oil on canvas signed lower right. Framed. 17” x 24”, framed 24” x 31” $1,200-$1,800 418 Attributed to Charles Collins (British, 1851-1921)

417

“Rooster and Hens in a Barn” oil on wood panel unsigned. Framed. 13” x 19”, framed 21-1/4” x 27-1/2” $1,000-$1,500 419 French School (Fourth Quarter 19th Century)

418

“Poultry in the Farm Yard”, 1890 oil on canvas signed “Tureau” and dated lower right. Framed. 28-3/4” x 45-3/4”, framed 38-1/4” x 54-1/4” $1,000-$1,500 420 Impressive Provincial Oak Refectory Table early 20th century, the long banded top raised on turned columnar end supports and center supports, and joined by a stretcher to runner feet, mortised and pegged throughout. h. 30”, w. 43-1/2”, l. 118” $3,000-$5,000

419

420

144

421 422

421 Provincial Continental Oak and Marble-Top Buffet early 20th century, the rounded rectangular marble top with a molded edge, above a conforming case fitted with two drawers over two cupboard doors, all paneled and with scrolling foliate carvings, raised on a molded base to squat bun feet. h. 48-1/2”, w. 75”, d. 27” $2,000-$4,000 422 Molded Terracotta Figure of Two Children first quarter 20th century, modeled as a seated young girl holding a flower, and a boy standing over her, with an unidentified stamped mark utilizing the initials “MES”. h. 40-1/2”, w. 14-1/4”, d. 18” $1,200-$1,800

423

423 Pair of French Provincial Fruitwood Fauteuils 19th century, each with a shaped and caned back joined by scrolling arms to the cushioned and caned seat, raised above a molded and shaped frieze on cabriole legs ending in scrolled toes. h. 38” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $1,200-$1,800 424 Provincial Louis XV Fruitwood Fauteuil 18th century, the slightly domed and padded back joined by outscrolled arms to the padded seat, over a shaped apron, raised on cabriole legs joined by a shaped H-form stretcher and ending in hoof feet. h. 40” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. 424

$1,000-$1,500

145

426

425 French Provincial Fruitwood and Marble-Top Table de Chevet early 19th century, the slightly bowed rectangular marble top within a three-quarter shaped gallery, above an open marbleinset shelf, one side fitted with a small drawer, raised on cabriole legs. h. 31-1/2”, w. 17”, d. 10-1/2” $1,000-$1,500 426 French Provincial Fruitwood Farm Table mid-20th century, the mortised and pegged framed top with inset hewn planks mounted to the base with cock-beaded aprons and raised on cabriole legs. h. 30”, w. 42”, l. 84” $1,200-$1,800

427

427 French Provincial Fruitwood Buffet a Deux Corps early 19th century, the top with a removable molded cornice above a case fitted with a pair of shaped and paneled doors, the base with a pull-out slide flanked by two drawers and a pair of paneled doors below, the lower portion scalloped and carved, raised on short cabriole legs. h. 87”, w. 23”, d. 57-1/2” 425

146

$1,800-$2,500

428 Provincial Louis XV Fruitwood Settee 18th century, the slightly domed back surmounted by a floral crest over three needlework panels, each with a floral border around a petiit point pastoral scene, joined by scrolling arms to the padded floral-patterned needlework seat, raised on molded cabriole legs ending in scrolled toes, with two fur pillows. h. 39-1/2”, w. 72”, d. 22-1/2” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $1,200-$1,800

428

429 French Provincial Fruitwood Bench 19th century, the long banded top bi-paneled and above a shaped frieze, raised on cabriole legs ending in block feet. h. 20”, w. 80”, d. 16” $1,000-$1,500 430 Dutch School (18th Century) “Still Life of Flowers in an Urn” oil on canvas laid on board unsigned. Framed. 48” x 42-1/2”, framed 52-1/2” x 46-1/2” Provenance: The Estate of The Honorable Lloyd & Beryl Ann Bentsen.

430

$1,500-$2,500 431 Pair of Louis XV-Style Fruitwood Fauteuils 19th century, each with a shaped and padded back surmounted by a foliate crest, joined by padded arms to the like seat, above a foliate shell crest, raised on cabriole legs joined by an X-form stretcher and ending in scrolled toes, upholstered in period needlework in various mythological floral and avian scenes. h. 36” $1,200-$1,800 431

429

147

432 Provincial Louis XV-Style Fruitwood Armoire 19th century, the domed and molded cornice above a case fitted with a foliate basket-carved frieze, over two bi-paneled doors, raised on scrolled toes. h. 91”, w. 56”, d. 22-1/2” Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,200-$1,800 433 Palissy-Style Majolica Pottery Vase second half 19th century, possibly Victor Barbizet or Thomas Victor Sergent, decorated with salamander handles, applied shells, moths, “rustic” trim and three-dimensional flowers and leaves, the foot rim with an illegible inscription. h. 11-1/2”, dia. 5-1/4” $1,000-$1,500 434 French Provincial Carved Oak and Marble-Top Commode 18th century, with three shaped and carved paneled drawers, brass bail handles and raised on short cabriole legs ending in scrolled toes, set with the original thick Gris Sainte-Anne Belge marble top. h. 35”, w. 46”, d. 21” $1,500-$2,500 432

434

148

433

435 French Carved Mahogany Trumeau Mirror fourth quarter 19th century, of Directoire inspiration, the crest with a carved basket of roses framed by scrollwork, above a tablet with an oil-on-canvas panel depicting an urn of roses, the tablet and mirror plate with serpentine crests carved with scrollwork, the panel between the two carved with tendrils of flowers. h. 74-1/4”, w. 49-1/2” Provenance: Joyce Horn Antiques, Houston, Texas; Private collection, Houston, Texas. $1,500-$2,500 436 Provincial Louis XV-Style Fruitwood Writing Table the shaped rectangular top with burled veneers, above a frieze fitted with two drawers, raised on cabriole legs ending in scrolled toes. h. 30”, w. 72”, d. 33” $1,500-$2,500

435

437 Provincial Louis XV-Style Fruitwood Occasional Table early 19th century, the canted square top with a needleworkinset panel under a glass covering, over a scalloped frieze, raised on cabriole legs ending in scrolled toes. h. 27”, w. 30-1/4”, d. 25” 437

$1,000-$1,500

436

149

438 Two French Provincial Fruitwood Chairs including a vanity chair, 19th century, in the Louis XVI style, with a caned back within a rope-twist frame joined by downswept sides to the padded seat, raised above an annulated frieze on tapering circular legs ending in toupie feet, h. 30-1/2”, and a corner chair, 19th century, in the Louis XV style, with a bisected caned back surmounted by a floral crest joined by downswept arms to the cushioned caned seat, raised on molded cabriole legs ending in scrolled toes, h. 36”. Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

438

439 Narcisse Chaillou (French, 1837-1916) “La Petit Tricoteuse de Pont-Aven” oil on linen signed upper right, stretcher with anchor in circle stamp. Framed. 25-1/2” x 18”, framed 37” x 29” Provenance: Deburaux Patrick (S.V.V.), Barbizon, France, May 21, 2006, lot 229. $1,000-$1,500 440 Jules Benoit-Levy (French, 1866-1952) “Britton Woman Peeling Fruits and Vegetables”

440

439

oil on canvas signed lower left. Framed. 22” x 18-1/2”, framed 26-3/4” x 23” Provenance: Sotheby’s, New York, New York, June 13, 2007, lot 184. $1,500-$2,500 441 Cornelis Wouter Bouter (Dutch, 1888-1966) “Morning Light” oil on canvas signed lower left. Giltwood frame with artist plaque. 25” x 30”, framed 33-1/2” x 39” Provenance: Doyle New York, November 12, 2008, lot 1041. $1,000-$1,500

150

441

442 Bernard Jean Corneille Pothast (Dutch, 1882-1966) “Blowing Bubbles” oil on canvas signed lower right. Framed. 24-1/2” x 29-1/2”, framed 33-1/4” x 38-1/4” Provenance: Private collection, U.K.; The Marchman collection, Dallas, Texas; Callan Fine Art, New Orleans, Louisiana. $2,000-$4,000

443 Andreas Franciscus Vermeulen (Belgian, 1821-1884)

442

“Evening Market Scene” oil on wood panel signed lower left. Framed. 22-1/2” x 19-1/2”, framed 34” x 30” $3,000-$5,000

444 Lillian Thomas Schmidt (American, 1875-1955) “In the Farmyard” oil on canvas signed and further inscribed mid-right “D’ Apres Troyon” Framed. 16” x 13”, framed 20-3/4” x 16-1/4”

444 443

$800-$1,200

445 French Provincial-Style Fruitwood Buffet the rounded rectangular top above a conforming case fitted with three short drawers over two cupboard doors, each inset with a shaped panel, raised on cabriole feet ending in scrolled toes. h. 38”, w. 55”, d. 19-1/2” Provenance: Private collection, New Orleans, Louisiana. $1,200-$1,800 445

151

446 detail

446

446 Provincial Louis XV Cherrywood Armoire late 18th/early 19th century, the molded cornice over a pair of doors with shaped panels, the doors opening to reveal a partitioned interior with a drawer and shelves, now lined with toile. h. 93”, w. 58-1/2”, d. 26-1/2” Provenance: Private collection, New Orleans, Louisiana. $1,400-$1,800 447 Paul-Charles Chocarne-Moreau (French, 1855-1931) “Enfant de Choeur et Patissier” pastel on paper signed lower left and localized “Paris”, titled on label on frame backing. Glazed and framed. sight 26-1/4” x 20-3/4”, framed 33-1/2” x 38-1/2” $1,200-$1,800

152

447

448 Provincial Louis XV Fruitwood Settee 18th century, the triple-domed and padded back surmounted by shell crests and joined by molded scrolling arms to the padded seat, raised on molded cabriole legs ending in foliate toes. h. 38”, w. 66”, d. 25” $1,200-$1,800

449 French Provincial Fruitwood Buffet early 20th century, the rounded rectangular top with a molded edge, above a conforming case fitted with two cupboard doors, each inset with a shaped panel, raised on a plinth base. h. 36”, w. 57-1/2”, d. 27-1/2”

448

$1,500-$2,500

450 Provincial Louis XVI-Style Fruitwood Breakfront early 20th century, the molded cornice above a conforming case fitted with four glazed doors, the lower section fitted with a central pull-out leather-inset slide over four paneled cupboard doors, raised on fluted tapering square legs ending in block feet. h. 68-1/2”, w. 72”, d. 15” $2,500-$4,000 449

451 Provincial Louis-Philippe Fruitwood Center Table mid-19th century, the square top raised above a plain frieze on turned bulbous legs with ebonized accents and ending in ball feet. h. 27”, w. 35-1/2”, d. 34” $1,000-$1,500

450

451

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452 Provincial Directoire-Style Fruitwood Settee mid-19th century, the padded back and outswept padded sides within a paneled frame, the cushioned seat above a plain frieze and raised on sabre legs. h. 38”, w. 92”, d. 27-1/2” $1,200-$1,800

452

453 Louis-Philippe Fruitwood and Burl Elm Buffet mid-19th century, with a molded and framed top above a pair of drawers, each with brass bails and above two framed and paneled doors. h. 41”, w. 53-1/2”, d. 24” $1,000-$1,500

453

454 Oushak Runner 2’ 10” x 13’ $1,000-$1,500

455 Antique Tabriz Carpet 10’ x 13’ 5” $5,000-$7,000

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454

455

456 Nain Carpet 6’ x 9’ $1,000-$1,500

457 Antique Mashad Carpet 16’ 2” x 31’ 6” $10,000-$15,000

458 Tabriz Silk and Wool Carpet signed Banam. 9’ 9” x 13’ 6” $7,000-$10,000

456 458

457

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459 Oushak Carpet 5’ 5” x 11’ 5” $1,200-$1,800 460 Peshawar Sultanabad Carpet 9’ x 11’ 9” $2,500-$4,000 461 Antique Tabriz Carpet 11’ 7” x 14’ 7” $3,000-$5,000

459 460

461

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462 Turkish Angora Oushak Carpet 10’ 2” x 13’ 10” $1,200-$1,800 463 Oushak Carpet 8’ x 10’ $800-$1,200 464 Dagestan Gendje Caucasian Carpet 5’ 6” x 7’ $1,000-$1,500 465 Laristan Tabriz Mahi Runner 2’ 7” x 16’ 3” $1,000-$1,500

464

465

462

463

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466 Louis XVI-Style Carved Giltwood Daybed 19th century, the elaborately carved headand footboards adorned with shell, floral, cornucopia, masque and avian carvings, the rails carved with shells, foliage and allegorical masques, raised on shaped legs joined by carved stretchers. h. 50”, w. 28”, d. 34” $2,000-$4,000 467 French Giltwood Mirror in the Louis XIV Taste early 19th century, the segmented surround with a beveled mirror plate framed with scroll-carved giltwood, the serpentine tombstone crest decorated with a back-cut vase of flowers. h. 64-1/2”, w. 30-1/2”

466

$3,000-$5,000 468 Regence-Style Giltwood Bench 19th century, the long padded seat raised above a pierced scrolling apron on turned foliate-carved and beaded legs ending in peg feet. h. 18”, w. 59”, d. 17”

468

$1,400-$1,800 469 Pair of Louis XIV-Style Fruitwood Fauteuils each with an arched back and padded seat joined to open arms with parcel-gilt foliate- and rosette-carved hand rests, and raised on turned legs joined by an H-form stretcher with a carved and pierced apron, upholstered in gold cut velvet. h. 47” $1,000-$1,500

469

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470 Regence-Style Kingwood and Marble-Top Commode 19th century, the serpentine rouge marble top with a molded edge, above a conforming case fitted with three short drawers over two long drawers, all double-banded and quarterveneered, raised on rounded block feet, the whole accented with ormolu mounts and millwork. h. 33”, w. 45”, d. 19-1/2” Provenance: Norbert Antiques, Houston, Texas; Private collection, Houston, Texas. $2,000-$4,000 471 Continental School (Second Half 19th Century) 470

“The Finding of Erichthonius” oil on wood panel unsigned, the frame backing with a later ink inscription in English of the Greek myth recounted, indistinctly signed and dated 1923. Framed. 11-5/8” x 8-1/8”, framed 15-1/4” x 12” $1,000-$1,500 472 Louis XIV-Style Mahogany High-Back Settee the serpentine back joined to open arms, the tripartite seat frame on cabriole legs with shell- and foliate-carved aprons, raised on cabriole legs with French toes. h. 47”, w. 67”, d. 26-3/4” $1,000-$1,500

471

472

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473 Italian Giltwood Fauteuil 18th century, the padded back surmounted by a pierced foliate crest, joined by molded acanthine-carved arms to the padded seat, raised above a like-carved frieze on cabriole legs ending in scrolled toes. h. 45” $1,000-$1,500

474 Two Pieces of French Majolica fourth quarter 19th century, including a bracket decorated with a bearded masque framed with C-scrolls, supporting a serpentine shelf, with an impressed “Sarreguemines Majolica” mark, h. 17”, w. 13”, d. 9-1/2”, and a covered urn molded with twisted reeding and guilloche trim, the leaf-molded handles with goat-head terminals, h. 18”, dia. 8-3/4”. $1,200-$1,800 473

475 Italian Polychrome Commode 19th century and later, the shaped and banded faux marbre top above a conforming case fitted with three long drawers, each with two floral-decorated panels, the sides decorated en suite, raised on cabriole feet. h. 35-1/2”, w. 48”, d. 24” $2,000-$4,000 475 detail

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477 detail

477

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479 478

476 Manner of Hendrick Ter Brugghen (Dutch, 1588-1629) “The Lute Player” oil on canvas unsigned. Presented in a carved wood frame with hand-painted border. 44-1/8” x 38-1/8”, framed 57” x 50-1/2” $1,000-$1,500 477 After Jean Francois Marie Etcheto (Spanish, 1853-1889) “Minstrel - Francois Villon”

478 Pair of Louis XIV-Style Five-Light Sconces 20th century, the shaped patinated metal backplates decorated with sprays of crystal drops at the top, and supporting scrolled arms with cylindrical candle cups and floriform drip pans, the whole hung with large cut glass drops, electrified. h. 18-1/2”, w. 10-3/4”, d. 6” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $1,000-$1,500 479 Louis XV-Style Polychrome, Parcel-Gilt and Marble-Top Side Table

patinated bronze first quarter 20th century, cast signature and a “Thiebaut Freres/Paris” foundry mark at rear of self base. h. 29-1/2”, w. 10-3/4”, d. 12”

the rectangular taupe marble top with a molded edge, above a shaped shield-centered frieze, decorated all around, raised on cabriole legs joined by an X-form stretcher and ending in hoof feet. h. 28”, w. 37”, d. 24”

$2,000-$4,000

$1,500-$2,500

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480 Napoleon III Terracotta Sculpture third quarter 19th century, likely inspired by the works of Francois Boucher (French, 1703-1770), depicting a reclining putto gathering a cockerel, while a standing putto feeds it and baby chicks from a basket of fruit, supported on a giltwood base. h. 27”, w. 20”, d. 12” $1,200-$1,800 481 Large Louis XIV-Style Carved Oak and Marble-Top Console Table 19th century, the shaped and bowed marble top with projecting rounded corners and a molded edge, above a conforming pierced foliate frieze centered by a shell shield with pendant grape cluster, raised on molded cabriole legs headed by acanthine carving, joined by a floral basketcentered stretcher and ending in foliate scrolls on toupie feet. h. 37”, w. 71-1/2”, d. 27”

480

$2,000-$4,000 482 “Two Putti with Flowers” Terracotta Sculpture ca. 1900, by Pierre de Leonard (French, 19th/20th century), the painted terracotta sculpture signed “P. de Leonard” in script on the reverse. h. 15-3/4”, w. 18-3/4”, d. 5” $1,000-$1,500 483 Louis XV-Style Gilded Beechwood Cartel Clock 20th century, lavishly carved with rocaille scrollwork and flowerheads, a pair of lovebirds carved above the dial, the lower portion with a putto against a carved shell, with a signed “FHS” (Hermle) German clock movement. h. 38”, w. 20”

482

$1,500-$2,500

481

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484 Louis XV-Style Polychrome Canape ca. 1900, the molded serpentine back with a floral- and leaf-carved crest, the back joined to closed scroll arms, the scalloped apron raised on cabriole legs, fitted with a loose seat cushion and a pair of cylindrical bolsters. h. 35-3/4”, w. 85-1/2”, d. 29-3/4” $2,000-$4,000

485 Louis XIV-Style Polychrome and Marble-Top Side Table 20th century, the bowed marble top with projecting canted corners, above a conforming shaped foliate-carved frieze, raised on molded cabriole legs headed by a foliate shield capital and ending in scrolled toes. h. 33”, w. 47”, d. 24” $2,000-$4,000

485

486 French-Style Kingwood, Inlaid and Marble-Top Commode early 20th century, in the Louis XV taste, the serpentine front with three side-by-side drawers above two long drawers, set with its original Breche d’Arzo marble top. h. 35”, w. 52”, d. 24” $1,000-$1,500

486

487 Six Louis XV-Style Polychrome Side Chairs each with a shaped and padded back surmounted by a scrolling shell crest and within a pierced scroll frame, the padded seat raised on molded cabriole legs ending in foliate scrolled toes. h. 41” $1,500-$2,500 487

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488 Joseph Caraud (French, 1821-1905) “Lecon d’Art au Jardin” oil on canvas signed lower right. Framed. 29-1/4” x 20-1/2”, framed 34” x 26” $4,000-$7,000 489 Twelve-Light Molded Glass Chandelier the glass-clad standard set with glass arms on two levels, with green and mauve glass grapes hung from the standard and prism rings, and scattered emerald-green drops and swags of cut crystal drops on the lower portion. h. 24”, dia. 24” 488

Provenance: Private collection, Houston, Texas. $1,400-$1,800

490 489

490 Louis XV-Style Polychrome Console Table 20th century, the shaped top above a conforming frieze with a shaped floral-incised pendant, raised on cabriole legs joined by a scrolling foliate-centered stretcher and ending in balland-claw feet. h. 33”, w. 49”, d. 18-1/2” $2,500-$4,000 491 Napoleon III-Style Creme-Peinte and Parcel-Gilt Fauteuil 20th century, the shaped and padded back surmounted by a floral crest, joined by padded arms to the like seat, above a floral-carved apron, raised on cabriole legs ending in foliate scrolled toes. h. 42” 491

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$1,200-$1,800

492 Collection of Six 17th- to 19th-Century Continental Drawings on laid paper, including three sanguine chalk works: a “Roman in the Gardens with Two Sentry”, sanguine graphite on paper, attributed to Hyacinthe Corrado (1710-1768) and titled en verso in French, “Retour de Nero dans Ses Jardins”, lower right of drawing with illegible collector’s mark, 9-5/8” x 6-1/2”; “Study of an Angel” from an architectural element, unsigned, sight 4-3/4” x 4”; and “Paysannes au Travail pres de Ruines”, unsigned, 7-1/2” x 9-3/4”; and three pen and ink/ink wash works: “Sentry Resting Outside the City Walls”, indistinctly signed lower right, 10” x 7-5/8”; “Unloading Sacks from a Cart”, monogrammed and dated “P.C. 81”, 5-1/2” x 10”; and “Return of the Prodigal Son”, unsigned, 8-1/4” x 11-1/2”. All matted, glazed and framed. framed 12-1/8” x 11-1/4” to 20-1/2” x 24” $1,000-$1,500 493 Pair of Louis XV-Style Polychrome Fauteuils 19th century, each with a padded and shaped rectangular back surmounted by a foliate shell crest, joined by molded arms to the padded seat, raised above a shell-carved frieze on cabriole legs, joined by an X-form stretcher and ending in foliate scrolled toes. h. 36” $1,500-$2,500 494 Pair of Large French Gilt-Bronze Sconces

492 collection of six

mid-20th century, in the Louis XVI taste, the quiver-and-arrowform standards supported by bowknots, the leaf-molded arms hung with swags of roses and set with tulip-form candle sockets and molded drip pans. h. 32-1/2”, w. 17”, d. 11” $1,200-$1,800

494

493

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495

495 Pair of Louis XV-Style Polychrome Beechwood Fauteuils

496 Louis XV-Style Polychrome and Upholstered Queen-Size Bed

19th century, each covered in period conserved needlework upholstery with scenes of classical figures within lush park settings, raised on cabriole legs ending in carved, scrolled toes. h. 42”, w. 29”, d. 26”

early 20th century, the shaped and padded back surmounted by a floral crest, joined by shaped rails to the carved and padded footboard, raised on molded cabriole legs ending in scrolled toes. h. 48”, inside w. 56”, l. 77”, outside w. 60”, l. 80”

Provenance: Private collection, New Orleans, Louisiana.

$1,500-$2,500

$2,000-$4,000

496

166

497 Louis XV-Style Polychrome Cabinet 19th century, the shaped rectangular faux marbre top with a full gallery, above a conforming case fitted with a single door, the whole with carved and polychrome floral sprays, raised on cabriole legs headed by shell carving and ending in scrolled toes. h. 31-1/4”, w. 26”, d. 18-1/2” 497

$1,000-$1,500 498 Pair of Giltwood Bergeres in the Louis XV Taste 20th century, each with a shaped and padded back surmounted by a shell crest, joined by out-scrolled arms to the cushioned seat, raised on foliate-carved cabriole legs ending in scrolled toes, upholstered in aqua silk taffeta with cut-velvet “ribbon” stripes. h. 41-1/2” Provenance: Private collection, Houston, Texas. $1,800-$2,500 499 French Giltwood Mirror in the Louis XV Style ca. 1900, the surround composed of carved scrollwork with rocaille accents, the crest with a central piercing, and flowerheads on each side, the apron with a carved central shell with scrolls on each side. h. 48”, w. 28” $1,000-$1,500

499

498

167

501 500

500 Large Giltwood and Onyx-Top Center Table late 19th century, in the Louis XV taste, the inset shaped onyx top above a conforming gadrooned frame with shell-carved aprons with floral motifs, raised on bold cabriole legs. h. 35-1/2”, w. 62”, d. 39” Provenance: Private collection, Houston, Texas. $2,000-$4,000 501 Louis XVI-Style Carved Giltwood Tabouret ca. 1900, the circular recessed top with a carved laurel wreath border, and mounted to four foliate-carved legs ending in scrolled toes. h. 21”, w. 21”, d. 21”

502

$1,000-$1,500 502 Louis XV-Style Polychrome, Parcel-Gilt and Marble-Top Console Table 19th century, the thick, shaped Rouge Royale marble top over a conforming apron with deeply carved flowers and foliage, and raised on carved cabriole legs joined by an elaborate cartoucheform stretcher. h. 37”, w. 38”, d. 18-1/2” $1,800-$2,500 503 French Carved Giltwood Mirror in the Louis XV Style first quarter 20th century, the rectangular mirror plate lined with carved scrollwork, the surround carved with rocaille work, pierced leaves and flowerheads, the crest with a large pierced double scroll accented with leaf carving. h. 58”, w. 30-1/2” $1,200-$1,800

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503

504 Louis XV Giltwood Barometer third quarter 18th century, the giltwood body framed in carved rocaille and scrollwork against a body decorated with incised latticework, the lower portion with carved flowerheads, both the dial and temperature panel hand-painted with pink and green roses. h. 36”, w. 10-3/4” $1,000-$1,500 505 Fanciful French Polychrome Glass and GiltMetal Chandelier 20th century, the ten-light chandelier with a glass bead-lined gilt-metal frame hung with glass florettes and sprays of various colored glass fruit, over scrolled glass beaded arms hung with more colored glass fruit and lozengeform colored glass drops, with a central spherical cut glass pendant finial. h. 39”, dia. 29” Provenance: Private collection, Houston, Texas.

504

505

$1,500-$2,500 506 French Sevres-Style Porcelain and Gilt-Bronze Jardiniere second half 20th century, decorated with roses on a celeste blue grid, the bronze base with fluting and an acanthus leaf wreath above the pierced feet, with a spurious Sevres double “L” mark and signed “Modele et decoration, exclusive a la main”. h. 17”, dia. 17” $1,000-$1,500 507 Circle of Jean-Baptiste-Simeon Chardin (French, 1699-1779)

506

“La Pourvoyeuse/Return from Market”, 1745 oil on wood panel inscribed “Chardin” and dated “1745” en verso. Framed. 12-3/4” x 10”, framed 18-1/4” x 15-1/2” $1,000-$1,500 According to both the 1969 and 1983 online catalogue raisonne’s published on the artist, Chardin is recognized as having painted at least three versions of the “Pourvoyeuse” - referred to as “Return from Market” in English. In 1742, Bernard Lepicie produced an etching of the work, from which a few other copies are known as they exhibit the same reversal of the image as the print. The composition of this work suggests that it was either copied from one of the editions Chardin painted or by another period painted copy. Access to the artist, work(s), and well-executed composition and glazing technique is indicative of an artist, perhaps pupil, working within the circle of the artist. 507

169

508 French Creme-Peinte and Parcel-Gilt Sofa early 20th century, in the Louis XV taste, the shaped frame with deeply molded edges and raised on short cabriole legs ending in scrolled toes, fitted with a long cushion and pillows. h. 35”, w. 74”, d. 28” $1,200-$1,800

509 Pair of Napoleon III Giltwood Fauteuils

508

mid-19th century, in the Louis XV style, each with an elaborate foliate crest above the rounded and padded back, joined by scrolling arms to the padded seat, raised on molded cabriole legs headed by floral carving and ending in scrolled toes, now upholstered in Aubusson floral fabric. h. 38” $1,500-$2,500

509

510 Louis XV-Style Kingwood Bureau de Dame early 20th century, the superstructure with a three-quarter pierced brass gallery over two cupboard doors, each quarter-veneered and centered by a “Sevres”-style plaque, over two small drawers, the quarter-veneered top above a single scalloped frieze drawer inset with two similar plaques and opening to a pushback writing slide, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 50”, w. 28-1/2”, d. 20” 510

170

$2,000-$4,000

512

511

514

513

511 French Bronze-Mounted Porcelain Urn in the Sevres Style

513 Pair of French Brass Chenets

ca. 1900, decorated with figures in 18th-century costume on the obverse and a landscape on the reverse, with bleu celeste trim, mounted with molded bronze wreath handles and fittings, the cover with a bronze cone-form finial, with a spurious “Sevres, France” mark. h. 26”, w. 12-3/4”, d. 7-1/4”

ca. 1900, of Louis XV inspiration, decorated with molded scrollwork and piercing, the tops set with winged female masques. h. 19”, w. 11-1/2”, d. 17-1/2”

$1,500-$2,500

514 Louis XV-Style Gilt-Bronze Six-Light Chandelier

512 Louis XV-Style Kingwood Occasional Table early 20th century, the rectangular banded and quarterveneered top within a decorative ormolu band, above a case fitted with a single cupboard centered by a “Sevres”-style plaque in an ormolu mount, joined by caryatid-headed cabriole legs to a lower shelf, continuing to sabots. h. 32”, w. 18”, d. 15-1/2”

$1,000-$1,500

third quarter 20th century, the reeded standard set with finials of molded grapes, the scrolled arms decorated with putti, each holding a pair of C-molded candle branches, hung from a pierced canopy with bronze fringed drapery. h. 36”, dia. 20” $1,200-$1,800

$1,200-$1,800

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515 Semi-Antique Kurdish Runner 3’ 9” x 14’ 4” $1,500-$2,500 516 Antique Tabriz Carpet 10’ 1” x 15’ 10” $2,000-$4,000 517 Agra Heriz Carpet 9’ 6” x 14’ $1,000-$1,500 518 Oushak Carpet 4’ 5” x 9’ 6” $1,500-$2,500

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517

518

516

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519 Antique Sultanabad Carpet 10’ 5” x 13’ 3” $4,000-$7,000 520 Turkish Angora Oushak Carpet 7’ 10” x 9’ 9” $1,000-$1,500 521 Antique Sivas Carpet 10’ 2” x 13’ 9” $1,000-$1,500

519

521

520

173

522 Turkish Angora Oushak Carpet 9’ 2” x 11’ 8” $1,200-$1,800 523 Turkish Angora Oushak Carpet 8’ 2” x 10’ 3” $1,000-$1,500 524 Laristan Serapi Carpet 9’ 9” x 13’ 7” $2,000-$4,000

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523

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526

525 Sultanabad Carpet 13’ 4” x 21’ 4” $8,000-$12,000 526 Turkish Angora Oushak Runner 2’ 7” x 16’ 2” $1,000-$1,500 527 Turkish Angora Oushak Carpet 9’ 10” x 13’ 10” $1,200-$1,800 528 Persian Nain Carpet 8’ x 10’ 3” $2,000-$4,000

525

175

Session II Sunday, March 28 Lots 529 - 1018

Lot 1000

529 detail

529 18k rose gold, the automatic wristwatch with a 35.0 mm champagne-colored dial and a calendar window at the 6:00 marker, the face marked “Patek Philippe Geneve Swiss”, the back of the case featuring a hinged cover, the inside of the cover marked “Patek Philippe Geneve Swiss, 18k, 750, 4159744, 5053”, with an alligator strap with a rose gold buckle, case #4159744, movement #3326417, together with the inner and outer boxes and papers. l. 7” to 8”, total weight 62.3 grams $10,000-$15,000

529

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530 18k yellow gold, the quartz watch with a 32.0 mm case with a champagne dial and a mesh bracelet, model #15146, serial #1304428. inside circumference 7-3/4”, total weight 71.4 grams $2,000-$4,000

530

531 stainless steel, the automatic wristwatch with a 34.0 mm case, a white dial, and a Rolex Oyster band with a deployant clasp, model #R15200, serial #K803697. inside circumference 7”, total weight 89.6 grams 531

$1,800-$2,500

532 stainless steel, the watch with a sapphire crystal and a brilliantcut diamond at the 12:00 marker, the back stamped “H. Stern, water resistant 100 meters, patented sapphire on stainless”, with a matching H. Stern band. inside circumference 7-3/4”, total weight 98.9 grams $1,000-$1,500

532

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533

533 sterling silver/14k yellow gold, the suite including a cable bracelet accented with yellow gold and mounted with 7.2 mm white cultured pearls, stamped “D.Y.”, l. 7-1/2”, a pair of sterling silver and yellow gold cable earrings, stamped “D. Yurman”, l. 1”, and a diamond cross pendant mounted with round brilliant-cut diamonds weighing approximately 0.95 carats in total, stamped “DY”, l. 2-3/8”, suspended from a 20” sterling silver chain, stamped “DY”. total weight 107.5 grams $1,400-$1,800

180

534

535

14k yellow gold/sterling silver, the hinged bracelet mounted with round single-cut white and black diamonds weighing approximately 12.95 carats in total. inside circumference 6-1/2”, total weight 53.8 grams

14k yellow gold/sterling silver, the bracelet mounted with single-cut diamonds weighing approximately 7.68 carats in total. w. 3/4”, l. 7-3/4”, total weight 33.9 grams $2,500-$4,000

$2,000-$4,000

535

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538

$1,000-$1,500

the 18k white gold pendant mounted with a dangling round brilliant-cut diamond weighing approximately 0.72 carats, approximate color I and clarity VS1, suspended from an open ring mounted with round brilliant-cut diamonds weighing approximately 1.68 carats in total, stamped on the back “Roberto Coin Cento”, l. 1-1/2”, the whole suspended from a black leather cord finished with a 14k white gold clasp, l. 18-1/2”. total weight 24.7 grams

537

$2,000-$4,000

18k white gold, the bracelet composed of diamond links mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 3.23 carats in total, separated by a black onyx ring. l. 6-5/8”, total weight 14.4 grams

539

536 18k white gold, the earrings mounted with baguette- and round brilliant-cut diamonds weighing approximately 0.37 carats in total. l. 1/4”, total weight 2.7 grams

$6,000-$9,000

18k white gold, the pendant mounted with round brilliantcut diamonds weighing approximately 1.90 carats in total, stamped “Roberto Coin”, l. 1-3/4”, suspended from an 18” white gold chain. total weight 11.4 grams $1,400-$1,800

183

540 14k white gold, the three-row necklace mounted with round brilliant-cut diamonds weighing approximately 21.48 carats in total, approximate color H-I-J and clarity VS1-SI1. l. 18”, total weight 37.7 grams $12,000-$18,000

540

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541

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543 14k white gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 3.78 carats in total. l. 16”, total weight 14.0 grams

541 $3,000-$5,000 18k white gold, the ring mounted with a central round brilliant-cut diamond weighing approximately 0.50 carats, approximate color H and clarity SI2, accented by round brilliant-cut diamonds weighing approximately 0.36 carats in total. size 6-3/4, total weight 2.9 grams

544

$1,000-$1,500

14k white gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 8.00 carats in total, approximate color I-J-K and clarity SI1-I1. l. 7”, total weight 12.2 grams

542

$5,000-$8,000

14k white gold, the three-row bracelet mounted with round brilliant-cut diamonds weighing approximately 15.28 carats in total, approximate color H-I-J and clarity VS1-SI1. l. 7”, total weight 26.6 grams

545 18k white gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 3.67 carats in total. inside circumference 6-7/8”, total weight 20.2 grams

$8,000-$12,000 $4,000-$7,000

185

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546 18k white/rose gold, the necklace mounted with round brilliantcut diamonds weighing approximately 7.55 carats in total. l. 16”, total weight 27.7 grams $6,000-$9,000 547 18k rose gold, the earrings mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.99 carats in total. l. 3/8”, total weight 3.0 grams $1,000-$1,500 548

550 14k rose gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.62 carats in total. l. 1”, total weight 4.0 grams $1,000-$1,500 551 18k rose gold, the earrings mounted with pear-, oval-, marquise-, square- and round brilliant-cut diamonds weighing approximately 1.69 carats in total. l. 1-1/2”, total weight 6.0 grams

18k rose gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.80 carats in total. size 6, total weight 3.3 grams

$1,500-$2,500

$1,000-$1,500

14k rose gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.47 carats in total. l. 1-1/8”, total weight 2.7 grams

549 14k white gold, the ring mounted with a central pear-cut Fancy Light Pinkish Brown diamond weighing approximately 0.40 carats in total, approximate clarity I2, surrounded by a row of round brilliant-cut very light pink diamonds weighing approximately 0.15 carats in total, accented by round brilliantcut white diamonds weighing approximately 0.80 carats in total. size 7-1/4, total weight 5.7 grams

552

$1,000-$1,500

$1,800-$2,500

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553 14k yellow gold, the necklace composed of graduated hand-cut rock crystals measuring from 30.0 mm to 50.0 mm, separated by twisted gold beads and finished with a 14k yellow gold hook clasp. l. 20”, total weight 338.1 grams $1,000-$1,500

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18k yellow gold, the ring mounted with a central light yellow rose-cut diamond weighing approximately 0.60 carats, surrounded by a double halo of round brilliant-cut white diamonds weighing approximately 0.36 carats in total. size 6-1/2, total weight 4.0 grams $1,200-$1,800

557

555

18k yellow gold, the wide band mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 2.25 carats in total. size 7-1/4, total weight 8.8 grams

18k yellow gold, the earrings mounted with pear- and roundshape rose-cut diamonds weighing approximately 1.43 carats in total. l. 1-1/2”, total weight 2.1 grams

$3,500-$5,000

$1,000-$1,500

558

556

14k white/yellow gold, the ring mounted with a long cluster of cushion-, oval- and pear-cut Fancy Orange diamonds weighing approximately 2.95 carats in total, accented by round brilliant-cut white diamonds weighing approximately 1.10 carats in total. size 7, total weight 10.9 grams

14k yellow gold/sterling silver, the unusual bracelet mounted with slice-cut and single-cut diamonds weighing approximately 13.16 carats in total. w. 1-1/4”, l. 7-3/4”, total weight 30.6 grams

$3,500-$5,000 $2,500-$4,000

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559 14k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 16.50 carats in total, approximate color N-O-P and clarity SI2-SI3. l. 17”, total weight 26.4 grams $10,000-$15,000 560 14k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 1.46 carats in total. inside circumference 6-3/8”, total weight 7.6 grams $1,500-$2,500

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561 14k yellow gold, the links mounted with round brilliant-cut diamonds weighing approximately 2.80 carats in total. l. 7”, total weight 30.5 grams $4,000-$7,000 562 18k yellow/white gold, the necklace mounted with a five dollar coin pendant in the center, two 20 Kronen gold coins and four 1958 Iranian one Pahlavi gold coins, each coin framed and mounted with round brilliant-cut diamonds weighing approximately 5.04 carats in total. l. 31”, total weight 251.7 grams

563 18k yellow gold, the quartz watch with a 20.0 mm case with a mother-of-pearl dial, the bezel and markers mounted with round brilliant-cut diamonds weighing approximately 0.32 carats in total, with a polished gold Baume & Mercier band, model #18259, serial #1854818. inside circumference 7-1/2”, total weight 44.4 grams $1,200-$1,800 564

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

the 24k yellow gold ingot in a 14k yellow gold frame, l. 1-1/2”, suspended from a 14k yellow gold omega necklace, l. 17”. total weight 37.3 grams

$7,000-$10,000

$1,200-$1,800

191

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565 14k yellow gold, the necklace composed of smooth treated emerald nuggets, accented by corrugated gold beads and finished with a gold ball clasp. l. 18”, total weight 87.0 grams $1,000-$1,500

18k yellow gold, the suite including a necklace mounted with square-cut treated emeralds weighing approximately 1.54 carats in total and round brilliant-cut diamonds weighing approximately 0.64 carats in total, l. 17”, a hinged bracelet mounted with square-cut treated emeralds weighing approximately 1.30 carats in total and round brilliant-cut diamonds weighing approximately 0.40 carats in total, inside circumference 6-3/4”, and a pair of earrings mounted with square-cut treated emeralds weighing approximately 0.64 carats in total and round brilliant-cut diamonds weighing approximately 0.38 carats in total, l. 1-1/8”. total weight 51.5 grams

566 $2,000-$4,000 14k yellow gold, the ring mounted with an emerald-cut treated emerald weighing approximately 8.50 carats, accented by two rows of rose-cut diamonds weighing approximately 1.50 carats in total. size 7, total weight 6.6 grams $3,000-$5,000

570 14k yellow gold, the ring mounted with an emerald-cut treated emerald weighing approximately 2.58 carats, accented by round brilliant-cut diamonds weighing approximately 0.21 carats in total. size 6-3/4, total weight 3.5 grams

567 $1,200-$1,800 14k yellow gold, the bracelet mounted with oval-cut treated emeralds weighing approximately 4.55 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.60 carats in total. l. 7”, total weight 13.0 grams $1,800-$2,500

571 18k yellow gold, the earrings mounted with carved treated emerald “leaves” accented by round brilliant-cut diamonds weighing approximately 1.01 carats in total. l. 2”, total weight 14.0 grams

568 $3,500-$5,000 18k yellow gold, the ring mounted with an emerald-cut treated emerald weighing approximately 6.00 carats, accented on each side by a round brilliant-cut diamond weighing approximately 0.80 carats in total, approximate color I-J and clarity SI1, and further accented by smaller round brilliant-cut diamonds weighing approximately 1.15 carats in total. size 6, total weight 9.8 grams $2,500-$4,000

572 18k yellow gold, the pendant bezel-set with an emerald-cut treated emerald weighing approximately 2.50 carats, l. 3/4”, suspended from a 17” gold snake chain. total weight 13.0 grams $1,200-$1,800

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573 14k white gold, the pendant mounted with an emerald-cut tanzanite weighing approximately 2.53 carats, accented by pear-cut treated emeralds weighing approximately 1.91 carats in total, and further accented on the pendant and chain with round brilliant-cut diamonds weighing approximately 2.16 carats in total. pendant l. 2-1/8”, chain l. 18”, total weight 9.0 grams $2,500-$4,000 574 14k white gold, the ring mounted with a triangle-cut treated tanzanite weighing approximately 3.56 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.49 carats in total. size 7-1/2, total weight 5.0 grams $1,400-$1,800 575 14k yellow gold, the earrings mounted with a central cushion-cut tanzanite weighing approximately 4.52 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total. l. 5/8”, total weight 6.8 grams $1,800-$2,500 576 14k yellow gold/sterling silver, the earrings mounted with pear-cut carved black onyx weighing approximately 45.48 carats in total, and pear-cut turquoise cabochons weighing approximately 8.85 carats in total, accented by single-cut diamonds weighing approximately 1.07 carats in total. l. 2-1/4”, total weight 17.0 grams $1,000-$1,500

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577 14k yellow gold/sterling silver, the ring mounted with a pearcut turquoise weighing approximately 8.85 carats, accented by single-cut diamonds weighing approximately 0.57 carats in total. size 6-1/2, total weight 5.6 grams $1,000-$1,500 578 14k yellow gold/sterling silver, the earrings mounted with pear-cut turquoise cabochons weighing approximately 2.23 carats in total, accented with faceted black onyx and singlecut diamonds weighing approximately 2.10 carats in total. l. 2-1/2”, total weight 18.9 grams $1,200-$1,800 579 18k yellow gold, the ring mounted with a central roundcut turquoise cabochon weighing approximately 1.78 carats, accented by round brilliant-cut diamonds weighing approximately 0.17 carats in total, accented further by a lapis lazuli and white enamel border. size 7, total weight 8.8 grams $1,000-$1,500 580 14k yellow gold, the long necklace composed of 23.0 mm lapis lazuli “flowers” separated by polished gold-filled beads and finished with a 14k yellow gold ball clasp. l. 44”, total weight 79.5 grams $1,000-$1,500

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22k yellow gold, the necklace composed of 10.0 mm lapis lazuli beads accented with free-form gold beads, stamped “Mahie, 22k”. l. 16”, total weight 90.1 grams $1,500-$2,500 586 582

14k yellow gold/sterling silver, the earrings mounted with black opal doublets weighing approximately 12.40 carats in total, framed by black onyx and accented by single-cut diamonds weighing approximately 1.16 carats in total. l. 2”, total weight 13.9 grams $1,800-$2,500 583 14k yellow gold, the ring mounted with a free-form opal doublet weighing approximately 0.85 carats, accented by single-cut diamonds weighing approximately 0.23 carats in total. size 6-3/4, total weight 3.0 grams $1,400-$1,800 584 sterling silver, the necklace mounted with oval cabochon-cut opals weighing approximately 30.00 carats in total, accented with round-cut diamonds weighing approximately 4.20 carats in total. l. 19”, total weight 41.4 grams

14k yellow gold, the suite including a hinged bracelet mounted with oval cabochon-cut opals weighing approximately 4.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.48 carats in total, inside circumference 6-1/4”, a pair of earrings mounted with oval cabochon-cut opals weighing approximately 2.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.01 carats in total, l. 3/8”, and a ring mounted with an oval cabochon-cut opal weighing approximately 1.50 carats, accented by rose-cut diamonds weighing approximately 0.18 carats in total, size 5-1/2. total weight 24.5 grams $1,000-$1,500 587 14k yellow gold/sterling silver, the earrings mounted with carved matte-finished rock crystal drops, suspended from mountings set with triangle-cut light reddish-brown diamonds weighing approximately 2.87 carats in total, accented by single-cut diamonds weighing approximately 2.67 carats in total. l. 2”, total weight 23.8 grams $1,500-$2,500

$1,000-$1,500

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585

14k yellow gold/sterling silver, the earrings mounted with pear-cut carved chalcedony weighing approximately 31.85 carats in total, accented by single-cut diamonds weighing approximately 0.99 carats in total. l. 1-1/2”, total weight 12.3 grams

14k yellow gold/sterling silver, the earrings mounted with ovalcut opal cabochons weighing approximately 10.15 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.50 carats in total. l. 3”, total weight 8.0 grams

$1,000-$1,500 $1,000-$1,500

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589 592 18k yellow gold, the necklace composed of two strands of gray freshwater pearls measuring 9.50 mm with a fair luster, finished with a pendant mounted with a central faux sapphire, accented by cabochon-cut treated rubies weighing approximately 6.50 carats in total and round brilliant-cut diamonds weighing approximately 1.87 carats in total. l. 21-1/2”, total weight 23.0 grams Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

the 14k yellow gold earrings mounted with 13.0 mm Tahitian pearls with an excellent luster, accented by removable earring jackets mounted with round brilliant-cut diamonds weighing approximately 0.36 carats in total, l. 5/8”, and the 18k yellow gold pendant mounted with a 14.0 mm Tahitian pearl with an excellent luster, accented on the bail by round brilliant-cut diamonds weighing approximately 0.24 carats in total, l. 1”, suspended from a 14k yellow gold Omega necklace, l. 16-1/2”. total weight 38.3 grams

$800-$1,200 $1,800-$2,500 590 593 18k white gold, the necklace mounted with graduated Tahitian pearls, ranging in size from 8.1 mm to 12.1 mm, with an excellent luster, finished with a ball clasp, marked “Mikimoto”, l. 16”, and the earrings mounted with 11.0 mm Tahitian pearls with an excellent luster, accented by round brilliant-cut diamonds weighing approximately 0.30 carats in total, l. 5/8”. total weight 70.5 grams

platinum, the ring mounted with a 12.00 mm Tahitian pearl with an excellent luster, accented by round brilliant-cut diamonds weighing approximately 0.97 carats in total. size 7-1/2, total weight 13.3 grams $2,500-$4,000

$1,800-$2,500

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591

platinum, the earrings mounted with 13.0 mm Tahitian pearls with an excellent luster, accented by round brilliant-cut diamonds weighing approximately 1.25 carats in total. l. 1-7/8”, total weight 17.1 grams

14k white gold, the necklace composed of graduated Tahitian pearls with an excellent luster, measuring from 11.00 mm to 13.00 mm, finished with a white gold ball clasp. l. 17-1/2”, total weight 82.9 grams $1,800-$2,500

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$3,000-$5,000

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597 595 14k yellow gold, the necklace composed of graduated white South Sea pearls with a rose overtone and a good luster, ranging in size from 12.9 mm to 15.2 mm, finished with a gold ball clasp mounted with round brilliant-cut diamonds weighing approximately 0.14 carats in total. l. 19”, total weight 114.4 grams

14k yellow gold, including a cream-colored baroque cultured pearl necklace, the pearls measuring approximately 7.0 mm in diameter and with a good luster, finished with a gold clasp, l. 24”, and a cream-colored cultured pearl necklace, the pearls measuring approximately 7.0 mm to 7.4 mm and with a very good luster, finished with a gold clasp mounted with round brilliant-cut diamonds weighing approximately 0.10 carats in total, l. 36”. total weight 101.9 grams

$1,200-$1,800 $1,000-$1,500 596 598 18k yellow gold, the necklace composed of graduated white South Sea pearls with a good luster, ranging in size from 12.5 mm to 15.8 mm, finished with a gold clasp. l. 17”, total weight 207.6 grams

14k white gold, the necklace mounted with graduated South Sea pearls measuring from 10.00 mm to 13.00 mm, with an excellent luster, finished with a white gold ball clasp. l. 18-1/2”, total weight 56.6 grams

$1,800-$2,500 $1,400-$1,800

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18k yellow gold, the bracelet mounted with cushion-cut Fancy Intense Yellow diamonds weighing approximately 57.46 carats in total, GIA report #2211376198, approximate clarity VS1-SI2. w. 3/4”, l. 7-1/2”, total weight 72.6 grams $70,000-$100,000

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600 14k white/yellow gold, the ring mounted with pear- and ovalcut Fancy Yellow diamonds weighing approximately 2.85 carats in total, accented by round brilliant-cut white diamonds weighing approximately 0.29 carats in total. size 7, total weight 7.6 grams $2,500-$4,000 601 18k white gold, the earrings mounted with cushion-cut Fancy Yellow diamonds weighing approximately 3.11 carats in total, approximate clarity SI1-SI2, accented by round brilliant-cut white diamonds weighing approximately 0.38 carats in total. l. 7/8”, total weight 5.3 grams $12,000-$18,000 602 14k yellow gold, the ring mounted with cushion-cut and round brilliant-cut Fancy Yellow diamonds weighing approximately 1.93 carats in total. size 7-1/4, total weight 4.2 grams

603 18k white/yellow gold, the ring mounted with a central oval-cut Fancy Yellow diamond weighing approximately 0.52 carats, surrounded by a halo of round brilliant-cut Fancy Yellow diamonds weighing approximately 0.11 carats in total, and further accented by triangle-cut and round brilliant-cut white diamonds weighing approximately 0.82 carats in total. size 7-1/4, total weight 4.2 grams $2,500-$4,000 604 14k white/yellow gold, the ring mounted with round- and pearcut Fancy Yellow diamonds weighing approximately 1.10 carats in total, accented by round brilliant-cut white diamonds weighing approximately 0.48 carats in total. size 7, total weight 5.7 grams $1,400-$1,800

$1,500-$2,500

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with broad notched collar, one button and three hook closures with padded shoulders, set-in cuffed sleeves, on-seam pockets and a Martingale-style belted back, the chocolate silk-lined interior with self tie and forward glove pocket, labeled “Giorgio Sant’Angelo - Robert Sidney”, monogrammed. l. 48” $800-$1,200 606

1970s, size 38, with bold notched collar, inset full sleeves, three hook closure and on-seam pockets, the taupe acetate-lined interior with a forward glove pocket and brick suede banding. l. 27-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 607

2019, limited edition “So Black Collection”, in quilted chevron aged calfskin, with leather-threaded adjustable chain and leather-topped shoulder guard, the recessed top-zippered closure with chain and looped leather “CC” tab, the black faille-lined interior with a zippered pocket patch-labeled “Chanel/Made in Italy” opposite a slip pocket, with a thin leather and lobster-claw “key” strap attached at one side, includes the serial number sticker and matching authenticity card, dust bag and Chanel box. h. 6-1/4”, w. 8”-9”, d. 3-1/4”; chain drop: 16-1/4”-28”

605

$2,000-$4,000

607 606

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608 14k yellow gold, the necklace mounted with round-cut treated rubies weighing approximately 9.25 carats in total and round brilliant-cut diamonds weighing approximately 2.80 carats in total. l. 15-1/2”, total weight 16.8 grams $3,500-$5,000

609 18k yellow gold, the pendant mounted with quadrillioncut treated rubies weighing approximately 5.87 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.59 carats in total, the back with a removable bail, allowing it to be worn as a pin or pendant. l. 1-3/4”, total weight 12.8 grams

609

$1,000-$1,500

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610 14k rose gold, the ring mounted with an oval-cut treated ruby weighing approximately 2.40 carats, accented by round brilliant-cut diamonds weighing approximately 0.96 carats in total. size 7, total weight 5.8 grams $1,000-$1,500 611 18k white gold, the earrings mounted with oval-cut natural rubies, one weighing 1.04 carats, GIA report #2203910458, and the other weighing 1.05 carats, GIA report #6204911099, both accented with round brilliant-cut diamonds weighing approximately 0.76 carats in total. l. 3/4”, total weight 4.8 grams $3,500-$5,000 612 platinum, the earrings mounted with round-cut treated rubies weighing approximately 3.63 carats in total, and round brilliant-cut diamonds weighing approximately 0.80 carats in total. l. 1-7/8”, total weight 13.7 grams $2,500-$4,000 613 platinum, the bracelet mounted with pear-cut treated rubies weighing approximately 9.92 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.43 carats in total. l. 7”, total weight 17.7 grams

614 18k white gold, the ring mounted with a cushion-cut ruby weighing 6.16 carats, GIA report #2201618745, accented by round brilliant-cut diamonds weighing approximately 0.56 carats in total. size 7-1/4, total weight 5.3 grams $2,500-$4,000 615 18k white gold, the earrings mounted with round-cut treated rubies weighing approximately 1.84 carats in total, and round brilliant-cut diamonds weighing approximately 0.66 carats in total, approximate color E-G and clarity SI1-SI2. l. 1-1/4”, total weight 7.0 grams $1,000-$1,500 616 14k yellow gold, the ring mounted with an emerald-cut amethyst weighing approximately 11.20 carats, accented by single-cut diamonds weighing approximately 0.07 carats in total, size 5-3/4, and the earrings mounted with emerald-cut amethysts weighing approximately 4.00 carats in total, l. 3/8”. total weight 11.0 grams $1,000-$1,500

$2,500-$4,000

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617 621 14k white gold, the wide band mounted with a central row of baguette-cut treated pink sapphires weighing approximately 3.00 carats in total, flanked on the top and bottom by a row of round brilliant-cut diamonds weighing approximately 0.90 carats in total. size 9, total weight 7.7 grams

18k white gold, the necklace mounted with square-cut treated sapphires weighing approximately 2.07 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.40 carats in total. necklace l. 17”, drop l. 3”, total weight 34.7 grams

$1,800-$2,500 $1,400-$1,800 618 622 14k white gold, the ring mounted with oval-, pear-, cushionand round-cut natural pink, blue, white, yellow, yellow/green and purple sapphires weighing approximately 13.8 carats in total, IGL report #2310346001, accented by round brilliant-cut diamonds weighing approximately 0.53 carats in total. size 7, total weight 10.2 grams

18k white gold, the earrings mounted with pear-cut and cushion-cut treated sapphires weighing approximately 7.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.59 carats in total. l. 1-5/8”, total weight 8.5 grams

$2,000-$4,000

$1,800-$2,500

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623

18k white gold, the earrings mounted with oval-, roundand pear-cut blue, green, orange, yellow and pink natural sapphires weighing approximately 10.92 carats in total, IGL report #2303780001, accented by round brilliant-cut diamonds weighing approximately 0.45 carats in total. dia. 5/8”, total weight 9.1 grams

14k white gold, the earrings mounted with cushion-cut treated sapphires weighing approximately 8.25 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.36 carats in total. l. 9/16”, total weight 3.5 grams $1,000-$1,500

$2,500-$4,000

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620

14k white gold, the ring mounted with an oval-cut treated sapphire weighing approximately 5.70 carats, accented by round brilliant-cut diamonds weighing approximately 0.38 carats in total. size 7, total weight 4.3 grams

18k yellow gold, the ring mounted with round-cut treated sapphires weighing approximately 0.89 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.24 carats in total. size 7-3/4, total weight 7.5 grams $1,000-$1,500

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$1,500-$2,500

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625 18k white gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 9.17 carats in total, accented by square-cut treated sapphires weighing approximately 1.31 carats in total. w. 3/4”, l. 7”, total weight 48.3 grams

627

$14,000-$18,000 626 platinum/14k white gold, the pin mounted with a central European-cut diamond weighing approximately 1.00 carat, approximate color K-L-M and clarity VS1, accented by European-cut and mine-cut diamonds weighing approximately 2.18 carats in total and square-cut treated sapphires weighing approximately 0.28 carats in total, l. 3”, together with the original box. total weight 10.9 grams

625

$2,000-$4,000 627

14k white gold, the necklace mounted with oval-cut treated sapphires weighing approximately 22.04 carats in total, accented by round brilliant-cut diamonds weighing approximately 5.78 carats in total. l. 17”, total weight 27.0 grams $5,000-$8,000

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628 14k white gold, the necklace mounted with oval-cut treated sapphires weighing approximately 53.83 carats in total, accented by round brilliant-cut diamonds weighing approximately 7.18 carats in total. l. 17”, total weight 36.5 grams $7,000-$10,000 629 platinum, the earrings mounted with oval-cut treated sapphires weighing approximately 4.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.30 carats in total. l. 1-7/8”, total weight 15.9 grams

630 18k white gold, the ring mounted with a central pear-cut natural sapphire weighing 3.00 carats, GIA report #6204887594, accented by round brilliant-cut white diamonds weighing approximately 0.92 carats in total. size 6-1/2, total weight 4.6 grams $5,000-$8,000

$4,000-$7,000

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631 Paraiba Tourmaline and Diamond Ring platinum, the ring mounted with an oval-cut Paraiba tourmaline weighing 3.31 carats, GIA report #2191733491, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 1.65 carats in total. size 7-1/4, total weight 10.0 grams $10,000-$15,000 632 Tourmaline and Diamond Ring 14k white gold, the ring mounted with an elongated emeraldcut green tourmaline, weighing approximately 1.85 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.46 carats in total. size 7-3/4, total weight 3.5 grams $1,000-$1,500 633 Tourmaline and Diamond Pendant 18k white gold, the pendant mounted with a rectangular-cut tourmaline weighing approximately 14.27 carats, suspended from a rectangular gold frame mounted with round brilliantcut diamonds weighing approximately 1.10 carats in total. l. 1-3/4”, total weight 15.8 grams $1,800-$2,500 634 Pair of Tourmaline and Diamond Earrings 18k white gold, the earrings mounted with emerald-cut tourmalines weighing approximately 18.96 carats in total, accented by marquise- and round brilliant-cut diamonds weighing approximately 1.26 carats in total. l. 1-1/2”, total weight 12.8 grams $1,500-$2,500 635 Emerald and Diamond Ring 18k white gold, the ring mounted with an oval cabochoncut treated emerald weighing approximately 3.00 carats, accented by round brilliant-cut diamonds weighing approximately 0.64 carats in total. size 6, total weight 4.3 grams

$1,400-$1,800 636 Beautiful Emerald and Diamond Ring 18k white gold, the ring mounted with an oval-cut treated emerald weighing approximately 5.30 carats, flanked on either side by a triangle-cut diamond weighing approximately 1.63 carats in total, approximate color G and clarity I1. size 7, total weight 5.3 grams $7,000-$10,000 637 Pair of Emerald and Diamond Earrings 14k white gold, the earrings mounted with oval-cut treated emeralds weighing approximately 3.90 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.75 carats in total. l. 7/8”, total weight 8.8 grams $1,800-$2,500 638 Emerald and Diamond Ring platinum, the ring mounted with a cushion-cut treated emerald weighing 2.98 carats, GIA report #62007819842, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 1.04 carats in total. size 7-1/4, total weight 11.1 grams $4,500-$7,000 639 Emerald, Diamond and Sapphire Necklace and Earrings the 14k yellow gold and sterling silver necklace mounted with round-cut treated emeralds weighing approximately 20.00 carats in total, accented with round brilliant-cut diamonds weighing approximately 1.15 carats in total, l. 16-1/4”, and the matching earrings mounted with round-cut treated emeralds weighing approximately 2.26 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.24 carats in total, and further accented on the top with oval-cut treated sapphires weighing approximately 1.04 carats in total, l. 1-1/4”. total weight 71.6 grams $1,400-$1,800

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640 Diamond Necklace 18k white gold, the necklace mounted with baguette-, pearand round brilliant-cut diamonds weighing approximately 3.40 carats in total. l. 16”, total weight 19.2 grams

644 Diamond Ring 14k white gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 1.86 carats in total, approximate color F-G and clarity VS1-SI1. size 7-3/4, total weight 6.6 grams

$4,500-$7,000

$2,500-$4,000

641 Diamond Ring 18k white gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 1.08 carats in total. size 6-3/4, total weight 4.0 grams

645 Pair of Diamond Earrings 18k white gold, the stylized earrings mounted with baguettecut and round brilliant-cut diamonds weighing approximately 2.17 carats in total. l. 3/4”, total weight 6.0 grams

$1,400-$1,800

$4,500-$7,000

642 Pair of Diamond Earrings 18k white gold, the earrings mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 1.99 carats in total. l. 1-3/8”, total weight 6.9 grams

646 Diamond Ring 18k white gold, the ring in a crossover design and mounted with baguette- and round brilliant-cut diamonds weighing approximately 2.70 carats in total. size 7-1/2, total weight 18.9 grams

$1,800-$2,500 643 Pair of Diamond Earrings 18k white gold, the earrings mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 0.68 carats in total. l. 1/4”, total weight 2.2 grams $1,400-$1,800

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$4,500-$7,000 647 Diamond Band 18k white gold, the ring mounted with baguette- and round brilliant-cut diamonds weighing approximately 4.21 carats in total. size 6-1/2, total weight 12.8 grams $6,000-$9,000

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648 Diamond Tennis Necklace 14k white gold, the graduated diamond necklace mounted with round brilliant-cut diamonds weighing approximately 23.41 carats in total, approximate color E-G and clarity I1-I2. l. 17”, total weight 29.0 grams $18,000-$25,000 649 Diamond Ring platinum, the ring mounted with a round brilliant-cut diamond weighing approximately 0.50 carats, approximate color K-L-M and clarity VS2, accented by single-cut diamonds weighing approximately 0.29 carats in total. size 6-1/2, total weight 3.3 grams $1,400-$1,800 650 Pair of Rose-Cut Diamond Earrings 18k white gold, the earrings mounted with round rose-cut diamonds weighing approximately 1.80 carats in total. l. 1/2”, total weight 4.6 grams $1,800-$2,500 651 Diamond Ring platinum, the ring mounted with a European-cut diamond weighing approximately 0.75 carats, approximate color K-L-M and clarity VS2, accented by round brilliant-cut diamonds weighing approximately 0.32 carats in total. size 7, total weight 4.5 grams $1,000-$1,500

652 Lady’s Cyma Diamond Wristwatch 18k white gold, the quartz movement wristwatch with a mother-of-pearl face, accented on the markers and bezel with round brilliant-cut diamonds weighing approximately 1.25 carats in total, the face marked “Cyma, Quartz, Swiss Made”, with an 18k white gold band with a deployant clasp. inside circumference 6-1/2”, total weight 84.1 grams $2,500-$4,000 653 Pair of Diamond Earrings 18k white gold, the earrings mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 2.69 carats in total. l. 1-1/4”, total weight 7.1 grams $3,500-$5,000 654 Diamond Band 18k white gold, the ring mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 2.50 carats in total. size 6, total weight 3.3 grams $3,000-$5,000 655 Pair of Diamond Earrings 18k white gold, the earrings mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 2.26 carats in total. l. 1/2”, total weight 4.6 grams $4,000-$7,000

217

656 Aquamarine and Diamond Ring 18k white gold, the ring mounted with a pear-cut aquamarine weighing approximately 2.70 carats, accented by round brilliant-cut diamonds weighing approximately 0.80 carats in total. size 8, total weight 5.9 grams $1,500-$2,500 657 Pair of Aquamarine and Diamond Earrings 18k white gold, the earrings mounted with rectangular faceted aquamarines weighing approximately 30.97 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.26 carats in total. l. 1-3/8”, total weight 13.1 grams

659 Imperial Topaz and Diamond Pendant on Chain 18k yellow gold, the pendant mounted with a pear-cut imperial topaz weighing approximately 13.22 carats, accented by a round brilliant-cut diamond weighing approximately 0.08 carats, l. 1”, suspended from an 18k gold snake chain, l. 18” to 20”. total weight 10.8 grams $1,200-$1,800 660 Spessartite Garnet and Diamond Ring platinum, the ring mounted with an emerald-cut spessartite garnet weighing approximately 5.84 carats, accented by round brilliant-cut diamonds weighing approximately 0.72 carats in total. size 7, total weight 12.0 grams

$3,000-$5,000

$2,000-$4,000

658 Topaz and Diamond Pendant on Chain the 18k white gold pendant mounted with a faceted cushioncut topaz weighing approximately 22.90 carats, backed by mother-of-pearl, and accented with round brilliant-cut diamonds weighing approximately 0.83 carats in total, l. 1-1/8”, suspended from a 14k white gold chain, l. 16”. total weight 17.0 grams

661 Coral, Onyx and Diamond Ring 18k yellow gold, the ring mounted with an oval cabochoncut coral weighing approximately 6.19 carats, accented by calibrated-cut black onyx and round brilliant-cut diamonds weighing approximately 0.31 carats in total. size 7-1/4, total weight 8.5 grams

$1,000-$1,500

218

$1,400-$1,800

658 659

656

660

661

657

219

662

662 Gorham/Durgin “Fairfax” Sterling Silver Hollowware and Associated Tray mid-20th century, Providence, Rhode Island, including: a coffeepot, h. 6-5/8”, l. 10-1/4”; a teapot, h. 4-1/4”, l. 10-3/4”; a covered sugar bowl, h. 4”, l. 7-5/8”; a creamer, h. 3-1/8”, l. 6-5/8”; a waste bowl, h. 2-3/4”, l. 5-3/4”; a water pitcher, h. 7-3/4”, l. 9-1/4”; and twelve nut dishes, 3-1/4” x 2-1/4”; together with a tea tray by Barbour Silver Co., Hartford, Connecticut, 10-1/4” x 15”; no monograms. 142.37 total t. oz.

663

$3,000-$5,000

663 Towle “King Richard” Sterling Silver Flatware Set designed in 1931 by Ferdinand Poppenhauser (1868-1956), Newburyport, Massachusetts, comprising a half-dozen twelve-piece place settings (eighteen pieces lacking) with an additional dozen demitasse spoons, seventeen place pieces and thirty-three serving pieces, no monograms. 116 pieces total 146.16 total t. oz. (weighable silver) Detailed list of pieces available on request. $3,500-$5,000

220

663 detail

664 Set of Nine Sterling Silver and Glass Sorbet Cups second quarter 20th century, by Shreve, Treat & Eacret, San Francisco, California, each with a hemispherical bowl above a baluster stem and trumpeting foot, with molded rim and fitted with a glass insert (one lacking). h. 5” (5-1/2” with insert), dia. 3-3/8”; weighted $1,000-$1,500 665 Whiting Sterling Silver Tea Set

664

mid-20th century, Providence, Rhode Island, pattern number 6693, including: a kettle-on-stand, h. 10-1/2” (12-3/4” with handle), l. 9-1/4”; a teapot, h. 7-1/4”, l. 10-1/4”; a coffeepot, h. 9”, l. 10”; a covered sugar bowl, h. 6”, w. 7-1/2”; a cream jug, h. 4-3/4”, w. 5-3/4”; and a waste bowl, h. 4-1/2”, dia. 5”; each with an inverted pear-shaped body with applied rococo scroll rim, with crested handles and gooseneck spouts, monogrammed “LMS”. 132.89 total t. oz.

666 Twenty-Five Reed & Barton “Queen Elizabeth” Sterling Silver Water Goblets Taunton, Massachusetts, twenty-three with large monogram “D”. h. 6-3/8”, dia. 3-1/4”; 139.02 total t. oz. $3,000-$5,000

$2,500-$5,000

665

666

667 Twenty Sterling Silver Bread and Butter Plates mid-20th century, including: ten International Silver “Lord Saybrook” plates, dia. 6”; nine Simpson, Hall and Miller plates with reeded edge, dia. 6-1/2”; and one Wallace plate with molded edge, dia. 6”; no monograms. 58.47 total t. oz. $1,000-$1,500 668 Impressive International “Blossom Time” Sterling Silver Table Service the pattern designed in 1950 by Robert Lee Doerfler (19162004), Meriden, Connecticut, including a dozen twentyfour-piece place settings (two gumbo spoons lacking), with an additional cocktail fork, sixty-six serving pieces and thirteen pieces of hollowware, no monograms. 366 pieces total 340.74 total t. oz. (weighable silver)

667

Detailed list of pieces available on request $6,000-$9,000 669 Large Silverplate Revolving Supper Service mid-20th century, by the Birmingham Silver Co., Yalesville, Connecticut, the large circular service with applied rococo rim and turned wood handles, fitted with a central covered tureen with ladle and surrounded by three covered vegetable dishes, with a sauce pot and two lacking elements, the whole above a revolving hot water reservoir. h. 18-1/4”, dia. 22-3/4” $800-$1,200

669

668

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668 detail

670 Gorham “La Scala” Sterling Silver Flatware Set the pattern designed in 1964 by Richard Carleton Gavette (1930-2018), Providence, Rhode Island, including eight seven-piece place settings and ten serving pieces, no monograms. 87.21 total t. oz. (weighable silver) Detailed list of pieces available on request. $1,200-$1,800

671

671 Mexican Sanborns Sterling Silver Demitasse Set second quarter 20th century, Mexico City, including: a coffeepot, h. 7”, l. 7-3/4”; a covered sugar bowl, h. 3-1/4”, w. 4-1/4”; and a cream jug, h. 2-3/4”, l. 3-3/8”; in the Spanish Colonial taste, with lobed body, repousse band of roses, and “S”-scroll handles. 35.23 total t. oz. $800-$1,200 672 Twenty-Four Mexican Sterling Silver Punch Cups mid-20th century, each with a hemispherical body above a pedestal foot, with foliate-crested “S”-scroll handle, the foot with applied scroll edge. h. 3-3/4”, dia. 3-1/2”; 160.88 total t. oz. $3,000-$5,000

670

672

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673 Continental Carved Half-Moon Fantasy Mirror first quarter 20th century, the beveled half moon mirror with a dragon-carved surround, its paws grasping the frame, its head over the top. h. 23-1/2”, w. 16”, d. 6” $1,000-$1,500

673

675 Interesting Grotto-Style Patinated Iron and Marble-Top Console Table 20th century, the inset marble top above a three-sided apron featuring shells and starfish, raised on tall cabriole legs. h. 35”, w. 39”, d. 14” $1,000-$1,500

674

674 Bronze Figure of Harlequin from Commedia dell’Arte ca. 1900, French, the masked lute player after Paul Dubois (French, 1827-1905), unsigned. h. 33-1/2”, w. 12”, d. 11” $2,000-$4,000

675

224

677

677 Pair of Giltwood and Gilt-Metal Mirrored Sconces the backplates in the form of rose wreaths set with patinated mirror glass, mounted with carved candle arms set with giltmetal drip pans and faux candles. h. 13”, w. 12-1/2”, d. 8”

676

$1,000-$1,500 678 Set of Eight Monumental Faux Bois and Tooled Leather Panels

676 Carved, Silver-Gilt and Parcel-Gilt Dressing Stand the circular mirror over a pair of drawers, trimmed with carved roping and tassels, the mirror stand and drawers carved with roses, the base with a carved ruffle. h. 25-1/2”, w. 23”, d. 7”

early 20th century, in the Art Nouveau taste, each leather panel decorated with birds and foliate motifs, and set within a faux bois frame and panel below. each panel h. 136”, w. 36”, overall w. 288”

$1,000-$1,500

$2,500-$4,000

678

225

679 Elaborate Mahogany-Cased Games Set by Jeux et Jouets, Paris 20th century, the cover opening to reveal a removable game board, a roulette wheel, chess pieces, painted lead race horses and leather cups for tossing dice, the lower drawer with a backgammon board, various other game pieces and Art Nouveau printed pamphlets and instructions. closed h. 14-1/4”, w. 21-1/4”, d. 18” $1,000-$1,500

679 detail

680 English Giltwood and Metal Girandole Mirror first quarter 20th century, in the Adam taste, the medallion-decorated horizontal backplate supporting a mirror embellished with ivy leaves and an urn finial, and set with scrolled candle arms with gilt-metal candle sockets and drip pans, the lower portion decorated with swags of laurel leaves. h. 30-1/2”, w. 18”, d. 6-3/4” $1,000-$1,500 681 Unique Carved, Silver-Leafed and Plate-Glass Etagere

679

early 20th century, with a central carved and fluted standard, segmented and fitted with four graduated circular plate-glass shelves. h. 71”, dia. 22” $1,000-$1,500

226

680

681

682 Nguyen Tuan (Vietnamese, b. 1963) “Tranquility” patinated bronze cast signature and numbered “52/100” at sole of foot, on an integral stepped plinth. overall h. 38”, w. 27”, d. 29” $1,500-$2,500 683 Art Nouveau Patinated Bronze Desk Lamp first quarter 20th century, Austrian, with a pierced bronze base and curving standard, the shade holder molded with leaves and vines, and holding a nautilus shell shade. h. 20-1/2”, w. 7-1/2”, d. 9” $1,000-$1,500

682

683

684 (Romain de Tirtoff) Erte (Russian/French, 1892-1990) “Scheherazade”, 1990 patinated and cold-painted bronze inscribed “SevenArts Ltd., London”, dated, numbered “81/500” along back edge of base, published by Dyanson Corporation, New York and with certificate by publisher. h. 19-1/2”, w. 14-1/2”, d. 7-1/2”

684

$1,500-$2,500

227

685 Lalique Molded, Frosted and Enameled Crystal “Nemours” Bowl fourth quarter 20th century, French, decorated with molded poppies with black enameled centers, marked “Lalique, France” on the bottom. h. 3-1/2”, dia. 10” $1,000-$1,500 686 Pair of Lalique St. Francois Crystal and Silverplate Hurricane Lamps

685

fourth quarter 19th century, French, the molded and frosted crystal bases with silverplate candle nozzles and drip pans, and set with cylindrical hurricane shades, with engraved script “Lalique France” signatures on the bases. h. 15-1/2”, dia. 7” $1,000-$1,500 687 Pair of Louis XVI-Style Beechwood Bergeres each with a padded back joined by downswept arms and paneled uprights to the cushioned seat, raised on paneled tapering circular legs. h. 33” $1,500-$2,500 688 Pair of Indian Engraved Metal Urns 20th century, now mounted as lamps, decorated with leaves and scrollwork, raised on acrylic bases. h. 28-1/2”, dia. 6”

686

$1,000-$1,500

687 688

228

689 Italian Cut and Engraved Venetian Mirror

690

20th century, with an arched top and mirrored surround decorated with back-cut borders and engraved flowers, the pierced crest with a central cartouche flanked by trailing leaves and scrollwork, with like cut and engraved decoration. h. 51-1/2”, w. 23-3/4” $1,000-$1,500 690 Suite of Eight Queen Anne-Style Polychrome Side Chairs each with a shell-carved scroll back crest above a vasiform standard, the padded seat raised on cabriole legs headed by shell carving and ending in pad feet, the seats upholstered in aqua suede. h. 40-1/2” Provenance: Private collection, Houston, Texas. $1,000-$1,500 691 George III-Style Polychrome Dining Table the rectangular top with projecting corners and a conforming inset antiqued mirrored surface, above a scroll-carved frieze, raised on cabriole legs headed by foliate carving and ending in ball-and-claw feet. h. 33”, w. 44”, l. 95” Provenance: Private collection, Houston, Texas.

689

$1,500-$2,500

691

229

692

692 detail

692 Set of Six George III-Style Gray-Painted Dining Chairs in the Adam taste, each with a custom hand-painted gray finish and silvered accents, the pierced oval wheel back above an upholstered seat, the embroidered silk chinoiserie fabric with a metallic silver ground and colorful accents, raised on paneled tapering square legs with spade feet. h. 37" $1,800-$2,500 693 Chinese Imperial Portrait (Chinese, 20th Century) “Third Emperor of the Ming Dynasty, Yongle (1360-1424)” ink and color on silk painted after the prominent 15th century portrait of the Emperor Yongle, conserved at the National Palace Museum in Tapei, with character inscriptions and seal marks, within silk mounts, later framed. sight 62” x 35”, overall 71” x 40” $2,500-$4,000

230

693

694 Post-Modern Steel Mirror

695

20th century, decorated with a pierced steel fan light crest above a rectangular patinated mirror glass. h. 54-1/2”, w. 34” $1,000-$1,500 695 Contemporary Upholstered Sofa in the Edwardian Taste with a tufted back wrapping around to closed arms, the tufted seat cushion with a concave front and fitted with a conforming skirt, upholstered in Brunschwig & Fils “Devon Woven Patchwork” in Oxford Blue. h. 36-1/2”, w. 87”, d. 36” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,000-$1,500 696 Contemporary Upholstered Sofa in the Edwardian Taste with a tufted back wrapping around to closed arms, the tufted seat cushion with a concave front and fitted with a conforming skirt, upholstered in Brunschwig & Fils “Devon Woven Patchwork” in Oxford Blue. h. 36-1/2”, w. 87”, d. 36” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama.

694

$1,000-$1,500

696

231

697 Unusual Pair of Beaux-Arts Aluminum Mirrors second quarter 20th century, probably French, the circular mirror plates within ogee-molded surrounds decorated with acanthus leaves, the upper and lower crests with leafdecorated scrollwork terminating in medallions. h. 37”, w. 24” $1,200-$1,800

698 Marble and Glass Table in the Neoclassical Taste

697

the long rectangular beveled glass top raised on two antique marble supports in the form of addorsed griffins on a plinth base. h. 28-1/2”, w. 95”, d. 30” $1,500-$2,500

699 Pair of Handsome Parcel-Silver-Gilt Knife Urns first quarter 20th century, the Edwardian urns decorated with medallions and fluting over bas-relief swagging, decorated in verdigris on a silver-gilt ground, the cover on a telescopic standard, concealing a felt-lined interior. h. 20-1/2”, dia. 9” $2,000-$4,000

699

598

232

700 Wrought Iron and Marble-Top Console Table the serpentine variegated green marble top on a conforming base adorned with patinated foliate decor. h. 36”, w. 72”, d. 21” $1,000-$1,500

701 Pair of Rare and Monumental French Cast Bronze Door Handles early 20th century, the backplate in the form of large fern and ivy plants, along with clusters of roses to each side of the handle, one with a lizard-form handle, the other of a pike eating a smaller fish.

700

$3,000-$5,000

701

233

702 Patinated Bronze of a Mythical Deity in the Art Deco Style 20th century, unsigned, on a square black wood plinth. figure h. 25-1/2”, w. 12”, d. 5-1/4”, overall h. 28-1/2” $1,000-$1,500

703 Pair of Large Italian Parcel-Giltwood Mirrored Brackets fourth quarter 19th century, the serpentine shelves supported by enameled cattails and oval mirrored backplates with giltwood bamboo surrounds, the crests depicting giltwood birds perched in enameled plaster cattails. h. 32”, w. 14-1/2”, d. 7” $1,200-$1,800

702

703

704 David Adickes (American/Texas, b. 1927) “Untitled, Surrealist Figural Group”, 1957 oil on canvas over masonite signed and dated lower center. Framed. 40” x 36”, framed 44” x 40” $1,500-$2,500

704

234

707

706

708

705

705 Chinese Jade Figure of a Mongolian Warrior

707 Chinese Carved Rosewood Box

20th century, the figure with a separate carved head, sporting a thick mustache and extreme hairstyle, depicted in traditional dress. h. 41-1/4”, w. 11-3/4”, w. 10”

19th century, intricately carved with bats and flowerheads against a field of mushrooms. h. 6-1/2”, w. 15”, d. 5-1/2”

$1,000-$1,500 706 Collection of Five Balinese Carved and Painted Wood Musicians each seated figure with a different instrument and ornamented gilt scrollwork clothing accented with bits of colored mirror glass. h. 14” to 15-1/2”, w. 9” to 11-1/4”, d. 7-3/4” to 8-1/4” $1,200-$1,800

$1,400-$1,800 708 Chinese School (First Quarter 20th Century) “Interior Courtyard Scene” watercolor and gouache on paper unsigned. Matted, glazed and framed. sight 13-1/2” x 19”, framed 21-1/2” x 26-1/2” $1,000-$1,500

235

709 Pair of Mottahedeh “Tobacco Leaf” Epergnes Portuguese, the standards in the form of Chinese character figures, their robes decorated in the “Tobacco Leaf” pottery, set with two graduated pierced baskets, a conical posy holder on the top, marked on the base. h. 26”, dia. 11” $1,500-$2,500 710 Patinated Bronze “Hear No Evil” Monkey 20th century, the seated monkey with crossed legs and arms covering its ears, incised three at bottom, on an integral metal support base. overall h. 32”, w. 12-1/2”, d. 14” $1,000-$1,500 711 Pair of Carved Marble Architectural Corbels

709

19th century and later, now mounted as side tables, each with a white marble top set in a steel frame and supported above a corbel resting on a steel platform base. h. 23”, w. 15”, d. 17” $1,500-$2,500 712 Post-Modern Terracotta Bust 20th century, the neoclassically inspired bust with a raku glaze and supported on a patinated metal stand. h. 18-1/2”, w. 7-3/4”, d. 5” $1,000-$1,500

711

236

710

712

713 Post-Modern Bronze Bust of Homer the image of the Greek poet presented on a contemporary stepped base. h. 29”, w. 9”, d. 9” $1,000-$1,500 714 Suite of Four Regency-Style Faux Bamboo Windsor Tub Chairs each mahogany chair with a tablet back joined to wraparound arms on shaped supports, the spindles modeled as bamboo, the legs in like decor, joined by X-form stretchers. h. 34” $1,200-$1,800 715 Regency-Style Chinoiserie-Decorated Partners Desk

716

late 19th/early 20th century, the inset leather top edged by faux bamboo moldings, and supported by a base with kneeholes and pedestals on each side, the ends with a bank of drawers, the drawers and panels in chinoiserie decor and framed by faux bamboo rails and stiles, the top replaced. h. 34”, w. 62-1/4”, d. 55-1/2”

713

$5,000-$8,000 716 Carved Sandstone Torso of Buddha Thailand or Cambodia, probably Ayutthaya (15-17th century) or Khmer (12-13th century), stele with standing figure carved in high relief with fisted mudras, stylized linear sampot and broad waistband, on a carved wood presentation base. sculpture h. 17”, w. 19-3/4”, d. 2-1/2”, base h. 5”, w. 9-1/4”, d. 6” Provenance: Kiko Galleries, Houston, Texas; Estate of Carol A. Straus, Houston, Texas. 715

$1,200-$1,800

714

237

717 Stylish Faux Alligator-Veneered Writing Desk in the Art Moderne taste, the rectangular top trisected and above a frieze fitted with a single drawer, raised on square legs narrowing to splayed feet. h. 30-1/2”, w. 63”, d. 33-1/4” $1,000-$1,500 718 Pair of Polished Bronze and Granite-Top Gueridons 717

20th century, each with an inset circular polished black granite top within a tooled, banded bronze rim, supported by curved legs ending in paw feet and joined by a circular medial shelf and stretcher below. h. 28”, dia. 27-1/2” $2,500-$4,000 719 Suite of Eight Baker Biedermeier-Style Maple Dining Chairs in the manner of Swedish chairs of the Karl Johan era, comprised of a pair of armchairs and six side chairs, each maple and birdseye maple chair with a concave top rail over a shaped ebonized splat, a seat fitted with a loose cushion, and raised on tapering square legs, retaining the “Baker Furniture” metal plaques. h. 37” $1,000-$1,500

718

719

238

720 Suite of Nine Pressed Hydrangea Botanicals 20th century, mounted, glazed and presented in giltwood frames. each h. 17-1/2”, w. 13-1/2” $1,200-$1,800

721 Pair of Louis XVI-Style Bleached Beechwood Fauteuils early 20th century, each with a ribbon-carved crest above a padded square back, acanthine-carved arm fronts and raised on turned and stop-fluted legs. h. 38”, w. 25”, d. 20” $1,000-$1,500

720

721

722 Louis XVI-Style Polychrome Cabinet early 20th century, the shaped faux marbre top above a conforming case fitted with a central cupboard and flanked to either side by a bowed cupboard, all paneled and with applied floral garland accents, raised on a faux marbre conforming plinth base. h. 35-1/2”, w. 42-1/2”, d. 15” $1,200-$1,800

722

239

723 French Painted and Parcel-Gilt Trumeau Mirror 20th century, of Louis XV inspiration, the upper tablet decorated with a carved giltwood basket of roses framed with scrollwork, carved grapes and grapevines, the painted surround with molded panels, trimmed in contrasting colors. h. 61-1/4”, w. 48” Provenance: Negrel Antiques, Austin, Texas; Private collection, Houston, Texas. $1,200-$1,800

723

725 George Vuillard (French, b. 1956) “The Banquet” oil on wood panel signed lower left. Framed. 20-1/4” x 31-1/4”, framed 30-3/4” x 41-1/4” $1,000-$1,500 724

724 Geza Kende (Hungarian/California, 1889-1952) “Still Life of Yellow Roses in a Porcelain Vase” oil on canvas signed lower left. Framed. 24-1/4” x 20-1/4”, framed 31-1/4” x 27-1/4” $1,000-$1,500

725

240

726 Baldwin Ebonized Baby Grand Piano and Bench ca. 1925-1930, stamped with the serial number 50307, now outfitted with an electronic player system, but lacking the C.D. unit, with an adjustable ebonized bench, the seat diamondtufted in black leather. piano h. 39”, w. 58”, l. 63” $3,000-$5,000 727 Polychrome and Parcel-Gilt Stool of nautical inspiration, the carved seat simulating fabric, raised on a crossover base of gilt rope-bound “masts”. h. 25”, w. 32” 727

$1,200-$1,800

728 Pair of Naive Carved Marble Lions early 20th century, Indian, the recumbent lions on plinths, their heads canted inward. h. 9”, w. 6”, d. 12-1/4” $1,000-$1,500

728

726

241

729 Masque-Molded Architectural Keystone fourth quarter 19th century, the “North Wind”-style masque supported on a contemporary metal stand. h. 22-1/2”, w. 10”, d. 7” $1,000-$1,500

729

730

730 Indian School (20th Century) “Portrait of a Mughal Maharaja” tempera on paper backed by wood panel Presented in a polychrome, carved wood frame. 47” x 34”, framed 59” x 46” $1,500-$2,500 731 Chinese Polychrome Figures of Three Immortals 20th century, one with a child, one with a staff and one with a flute, on pierced hardwood stands, two presented on a double carved hardwood table, and the other on a single hardwood table, the figures with impressed character marks. figure h. 26-1/2” to 27-1/2”, dia. 6-1/2” to 6-3/4”, stand h. 21” to 38-1/2” $1,000-$1,500

242

731

732 Patinated Bronze Lantaka Cannon on Stand 18th century, mounted to a swiveling and pivoting bracket and 1-1/2” boring. cannon l. 46”, stand h. 10”, w. 58”, d. 12” $1,200-$1,800 732

733 Patinated Bronze Lantaka Cannon 18th century, mounted to a swiveling and pivoting bracket and 1-3/8” boring. l. 48” $1,200-$1,800 734 Patinated Bronze Lantaka Cannon 18th century, mounted to a swiveling and pivoting bracket and 1-3/8” boring. l. 42-1/2”

733

$1,200-$1,800

735 Red Leather Chesterfield Sofa 20th century, of traditional form, diamond tufted throughout and raised on turned legs. h. 29”, w. 84”, d. 34” $1,000-$1,500 734

735

243

736

737

736 Chinese Kesi Silk Robe ca. 1900, with silk and gold threads and applied handwoven ribbons. h. 48” $1,000-$1,500 737 Chinese Kesi Silk Robe 19th century, intricately embroidered with silk thread and gold bullion threads, featuring eight circular medallions with a dragon motif. h. 57” $1,500-$2,500 738 Pair of Painted Leather and Faux Bois Three-Panel Screens 20th century, Middle Eastern, the screens decorated with scrolled gilt leaves and painted lotus flowers, peacocks, wolves and squirrels, the wooden frames painted to resemble calamander wood with ebonized trim. h. 106-1/2”, each panel w. 21” $1,500-$2,500

738

244

739

739 Suite of Eight Ralph Lauren Fruitwood Dining Chairs in the Baronial taste with heraldic crests and barley-twist legs, manufactured by Henredon for Ralph Lauren, each bearing a “Polo Ralph Lauren” metal label and customupholstered in coordinating vintage Kuba cloth. h. 43” $1,500-$2,500

740

740 Regency-Style Chinoiserie Writing Table the inset tooled leather top edged by faux bamboo moldings, over a frieze with three doors, each with gilt-stenciled decor, raised on sabre legs with brass cup casters. h. 30-1/2”, w. 56-1/4”, d. 30” $1,200-$1,800 741 Pair of Bronze “Sunburst” Lamps the bronze sunbursts on metal standards, raised on acrylic bases. h. 24-1/4”, w. 6-3/4”, d. 5” $1,000-$1,500 741

245

742 Suite of Eight Wrought Iron Dining Chairs early 20th century, in the manner of Ilana Goor, comprised of two armchairs and six side chairs, each with a tall back and iron stiles joined by a segmented wrought iron crest rail, with scrolled front legs joined to the stiles with H-form stretchers, covered in faux ostrich leather. armchair h. 49”, w. 21”, d. 26”, side chair h. 48”, w. 19”, d. 26” $1,500-$2,500

742

744 Tall Pair of Japanese Carved and Polychrome Hardwood Figures 18th/19th century, each in a robe, the left hand extended and holding a pear, standing on a carved lotus-leaf plinth. h. 60”, w. 18”, d. 17-1/2” and h. 59”, w. 18”, w. 17” $1,800-$2,500

743

743 details

743 Pair of Table Lamps in the Chinese Blanc-de-Chine Taste 20th century, on carved hardwood stands, mounted with shades. h. 33”, dia. 18” $1,200-$1,800

246

744

745

745 Contemporary Polychrome and Slate-Top Low Console in the neoclassical taste, the long rectangular slate top raised on ring-turned tapering circular legs joined by stretchers. h. 24”, w. 84-1/4”, d. 15”

747 Fine Contemporary Pair of Robert Kuo Cream Lacquer Geese

$1,200-$1,800

the repousse bodies with exposed copper beaks and feet, on metal stands, signed “Robert Kuo” with a metal tag under the base. overall h. 37, w. 24”, d. 15”

746 Chinese Ebonized Altar Table

Provenance: Purchased at McHugh Antiques, Aspen, Colorado, 2011.

early 20th century, the top with molded gallery ends mounted to a pair of paneled legs. h. 37”, w. 72”, d. 15-1/2”

Literature: Together with correspondence from McHugh Antiques.

$1,000-$1,500

746

$1,000-$1,500

747

247

748

749

748 Seven-Piece Collection of Herend Porcelain Animal Figures 20th century, Hungarian, including two seated rabbits, a standing rabbit with a floppy ear, a rabbit with a raised paw, a pair of ducks, a seahorse perched on a shell, and a frog on a lily pad, each marked. h. 2” to 5-1/2”, w. 1-1/4” to 3”, d. 1-1/2” to 3” $1,000-$1,500 749 Sixteen Millefiori Glass and Brass Door and Cabinet Pulls

751

20th century, Italian, the set comprised of four door pulls, h. 3-1/2”, dia. 2-1/2”, and twelve cabinet pulls, h. 1-3/4”, dia. 1-3/4”, the bezels on the door pulls marked “Made in England”. $1,000-$1,500 750 Taylor Llorente Gilded Forged Steel “Throne” Armchair the back encircled with a reticulated band of scrolls and flowers, the finial set with a crystal ball, the padded arms inset in front and back with gilded flowerheads, the tufted seat raised on scrolled front feet and outswept rear feet, upholstered in powder blue bee-and-wreath embroidered silk. overall h. 52-3/4”, w. 44-1/2”, d. 42”, seat h. 14-1/2” Provenance: Private collection, Houston, Texas. $2,500-$4,000 751 Pair of Herend Porcelain Rabbits 20th century, Hungarian, the mammals with gilt noses and paws, and seated on molded rocks, each piece marked. h. 12”, w. 7-1/2”, d. 4-1/4” $1,000-$1,500

750

248

752 Five-Piece Collection of Herend Porcelain Animal Figures 20th century, Hungarian, including a male and female lion, a kangaroo with a baby in her pouch, a frog and a conch shell, each piece marked. h. 1-3/4” to 7-1/4”, w. 2” to 7-3/4”, d. 2” to 5-1/4” $1,000-$1,500 753 Contemporary Polished Brass and Steel Console Table in the manner of Maison Jansen, the glass top and shelf supported by eight columns modeled as bamboo and capped by brass finials. h. 26-1/2”, w. 71”, d. 18”

752

$1,000-$1,500

753

754 Collection of Six Fortuny Gilt-Glass and Bronzed Metal Sconces 20th century, Italian, including four Cesendello sconces, the inverted gilt rope-twist shades suspended from beaded netting, h. 28-1/2”, w. 6-1/4”, d. 8-1/2”, and a pair of Cesendello appliques, h. 25”, w. 7-1/2”, d. 8-1/2”, each shade signed “Fortuny”. $1,000-$1,500

754

249

755 Pair of Egyptian Revival-Style Bleached Rubberwood Side Chairs each with a beaded and paneled back and shaped legs on carved feet, upholstered in leopard-stained hide. h. 35-1/4” $1,000-$1,500 756 Pair of Egyptian Revival-Style Bleached Rubberwood Side Chairs each with a beaded and paneled back and shaped legs on carved feet, upholstered in leopard-stained hide. h. 35-1/4” $1,000-$1,500 757 Contemporary Upholstered Ottoman in the Turkish Taste in faux tiger skin print velvet, the tufted top on a serpentine frame with a skirt. h. 18”, w. 32”, d. 33”

755

$1,000-$1,500 758 Pair of Italian Glazed Terracotta Tigers ca. 1967, the seated tigers glazed in natural colors, signed “Nucci” on one side and “CVE 1967” on the other. h. 40”, w. 16-1/2”, d. 20-3/4” $2,500-$4,000

756

758

250

757

759

760

759 Pair of Decorative Composition Faux Leopard-Skin Brackets 20th century, the serpentine shelves on fluted and tapered faux leopard-skin backplates terminating in leaf-carved giltwood finials, the sides with green floral-painted swags. h. 17-1/2”, w. 15-1/4”, d. 7-1/4” $1,000-$1,500 760 Asian Polychrome and Parcel-Gilt Teakwood Stand early 20th century, with a rectangular top and relief-carved aprons and legs, the center open to a lower shelf, raised on carved paw feet and mounted to a rectangular frame. h. 41”, w. 26”, d. 15” $1,000-$1,500 761 Large Japanese Satsuma Vase first quarter 20th century, with polychrome decoration depicting scholars, the molded handles in the form of winged dragons grasping fringed rings, on a hardwood stand, the cabriole legs carved with animal heads. h. 56”, dia. 16” $1,000-$1,500

761

251

762 Chinese Coromandel Red-Ground and Parcel-Gilt Pedestal 20th century, the sides incised and depicting traditional scenes highlighted in gold. h. 42”, w. 12”, d. 12” $1,000-$1,500 763 Carved Rosewood Buddha on Stand 19th century, the meditating figure seated with legs crossed, on a carved lotus-leaf plinth and resting on a later teakwood stand. figure h. 21-1/2”, w. 12-1/2”, d. 8”, base h. 14”, w. 15-1/2”, d. 10-1/2” Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $1,500-$2,500

762

764 Edwardian-Style Oxblood Leather Sofa of traditional form with tufted back and scroll arms, adorned with brass tacks, labeled “Hancock & Moore, Fine Leather Furniture, Hickory, North Carolina”. h. 28-3/4”, w. 85-1/4”, d. 33-1/4” $1,000-$1,500

763

252

764

765 Four Antique Persian Miniatures Muraqqa scene paintings, each with gouache, ink, gold leaf and Arabic inscriptions. Each matted, glazed and framed alike. sights 8” x 5” to 11-3/4” x 6-3/4”, framed 19” x 14-3/8” $1,500-$2,500 766 Suite of Four Victorian-Style Brass Ballroom Chairs early 20th century, each with a shaped crest rail supported by brass spindles, a padded seat and raised on slender outcurved legs. h. 37-1/2”, w. 15”, d. 15” $1,000-$1,500

765

767 Aesthetic Movement Gilt-Brass Firescreen fourth quarter 19th century, probably French, of Japonesque design, the faux bamboo framed fitted with a handle/crest decorated with bamboo leaves, with hanging brass spheres on the corners and at the base, the feet on cartouche-form supports. h. 38-1/4”, w. 26”, d. 17-1/2” Provenance: Keil’s Antiques, New Orleans, Louisiana, 2006. 767

$1,200-$1,800

766

253

768

768 Buddhist Brass Altar Figure

769

20th century, Tibetan, the female figure wearing an elaborate headdress and hoop earrings, the back of the base pierced to receive rolled prayers or blessings. h. 34-3/4”, w. 12”, d. 7-3/4” $1,000-$1,500 769 Chinese Four-Panel Coromandel Screen mid-20th century, the central panels decorated with carved hardstone flowers and fruiting plum branches, cockerels and pine trees, the upper and lower panels pierced and carved with dragons and scrollwork, the frame decorated with gilt keys and scrolls. overall h. 91”, w. 91-1/2” $1,200-$1,800 770 Chinese Rosewood, Mother-of-Pearl-Inlaid and Marble-Top Demi-lune Console Table 19th century, the rouge marble top set in a molded rosewood frame, the aprons with floral mother-of-pearl inlay, the legs joined by curved stretchers. h. 33-1/2”, w. 41”, d. 20-1/2” $2,000-$4,000

254

770

772

771

771 Chinese Carved and Pierced Jade Censer 20th century, the pierced pagoda-form turret set with a figure of Buddha, the roof hung with temple bells and the domed cover with pierced scrollwork, the base with elaborate scrollcarved handles set with rings and the sides decorated with prunus and mushrooms, on a pierced and carved hardwood stand. h. 22”, w. 12”, d. 7-1/2” $1,000-$1,500 772 Pair of Chinese Hardwood and Marble-Top Stands 20th century, of small size, the stands carved with bamboo and the pierced skirts carved with grapes, each inset with a chocolate brown marble top. h. 8”, w. 17-1/4”, d. 9-1/4” $1,000-$1,500 773 Chinese Carved Mahogany Collector’s Cabinet on Stand ca. 1900, the dragon-carved crest above a pair of dragoncarved paneled doors, opening to an interior fitted with drawers, raised on an elaborately carved base. h. 78”, w. 37”, d. 22” $2,000-$4,000

773

255

774 Chinese Carved and Stained Mahogany Round Center Table early 20th century, the raised circular top with a floral-carved border and mounted to cabriole legs in the form of foo lions. h. 29”, top dia. 32” $1,000-$1,500 775 Two Chinese Rosewood and Marble-Top Tables early 20th century, each with an inset rouge marble top, the larger example with a floral- and foliate-carved border, raised on carved legs joined by a circular medial shelf, h. 23”, dia. 22”, and the smaller one with a beaded edge around the top, the legs joined by a circular stretcher, h. 18”, dia. 20”.

774

$1,000-$1,500 776 Pair of Carved and Painted Foo Dogs on Stands first half 20th century, the seated foo dogs painted gros rouge with worn traces of gilt, one paw on a carved ball, vintage tasseled ropes around their necks, seated on carved stands decorated to match. h. 29”, w. 12”, d. 19” $1,000-$1,500 777 Chinese Bronze Censer first quarter 20th century, the hexagonal censer with a pierced cover decorated with lotus flowers and hares, the body with like decoration, and the leaf-decorated foot with a molded fret border. h. 12-3/4”, dia. 9”

775

$1,000-$1,500

776

256

777

778

778 Antique Mahal Carpet 13’ 3” x 24’ 6” $3,000-$5,000

778 detail

257

779 Antique Khotan Carpet 4’ 2” x 8’ 6” $2,000-$4,000 780 Antique Serapi Carpet 9’ x 12’ $5,000-$8,000 781 Heriz Carpet 3’ 4” x 14’ 3” $1,000-$1,500

779

258

781

780

782 Semi-Antique Oushak Carpet 8’ x 12’ $1,500-$2,500

783 Pair of Antique Sultanabad Runners 3’ x 18’ and 3’ x 18’ 7” $8,000-$12,000

782

783

784 Turkish Angora Oushak Carpet 13’ 4” x 16’ $1,500-$2,500

784

259

785 Antique Kerman Carpet 11’ 8” x 15’ 3” $5,000-$8,000

786 Antique Khotan Runner 3’ 3” x 12’ 10” $1,500-$2,500 787 Antique Heriz Carpet 8’ 8” x 13’ 6” $5,000-$8,000

787

785

260

786

788 Oushak Carpet 9’ x 12’ $7,000-$10,000

788

789

789 Signed Isfahan Silk and Wool Carpet 9’ 5” x 12’ 6” $6,000-$9,000

790 Oushak Carpet 8’ x 10’ 2” $5,000-$8,000

790

261

791 Semi-Antique Oushak Runner 2’ x 10’ 5” $1,000-$1,500

792 Oushak Carpet 10’ 10” x 16’ 11” $7,000-$10,000

791

262

792

793 Semi-Antique Oushak Carpet 5’ 9” x 8’ 4” $1,000-$1,500

794 Agra Sultanabad Carpet 10’ 1” x 13’ 10” $1,800-$2,500

793

794

263

795 Pair of Argente Metal and Leather Stools in the Baronial taste, each with a sling leather seat supported by a base of crossover “swords”, joined by twisted stretchers and ending in ball feet. h. 21”, w. 29-1/2”, d. 14-1/2” $1,000-$1,500 796 Contemporary Carved and Polished Hardwood Root Depicting a Swan

795

ca. 1986, probably American, with a carved head and beak, set with glass eyes, signed on the base “G. Mille, Jan. (?) ‘86”. h. 18-1/2”, w. 27-1/2”, d. 13” $1,000-$1,500 797 Pair of Kreiss Collection Armchairs in the Louis XVI Taste each polychromed fauteuil with open arms terminating in scrolls on baluster-form supports, the front legs similarly modeled, the frame adorned throughout with guilloche carving, upholstered in brown leather. h. 41”

796

$1,200-$1,800 798 Pair of Faux Alligator Even-Arm Club Chairs late 20th century, covered in faux alligator leather, each with a woven Southwest pattern reversible cushion and woven pillow. h. 26”, w. 35”, d. 36” $1,500-$2,500

797

798

264

799 Good Pair of French Art Deco Mixed Metal and PlateGlass Pedestals second quarter 20th century, the square tops each inset with a plate glass, trimmed with a reeded brass molding, raised on tall, tapered cylindrical legs joined by an X-form stretcher. h. 45”, w. 18-1/2”, d. 18-1/2” $1,200-$1,800 800 Pair of Modern Leather and Chrome-Plated Steel Armchairs the upholstered back cushion joined to open arms extending to a cantilevered U-form base, upholstered in brown leather. h. 34-3/4” $1,000-$1,500

799

801 Pair of Carved Rock Crystal Swans on Stone Bases 20th century, with yellow stone beaks and enameled eyes, one sitting on an amethyst agglomerate base and the other on a lapis lazuli base. h. 6-1/2”, w. 3-1/4”, d. 3-1/4” $1,000-$1,500 802 Pair of Contemporary Steel and Onyx-Top Side Tables the rectangular tops each with twelve inset onyx tiles and supported by four flat bent steel legs and small ball feet. h. 24”, w. 15”, d. 9” $1,000-$1,500

800

802

801

265

803 Pair of Modern Leather and Chrome-Plated Steel Armchairs the upholstered back cushion joined to open arms extending to a cantilevered U-form base, upholstered in gray leather. h. 34-3/4” $1,000-$1,500 804 Contemporary Lucite and Plate-Glass Console the thick plate-glass top with canted corners and resting on a conforming double-pedestal lucite base with a pair of flat columns mounted to a plinth base. h. 31”, w. 50”, d. 16”

803

Provenance: Private collection, Houston, Texas. $1,200-$1,800 805 Stephen Wolverine (American, b. 1947) “Dawn on the Lake”, 1992 acrylic on canvas signed lower right. Framed. 28” x 38”, framed 29-1/8” x 39-1/8” $1,000-$1,500

804

266

805

806 Rare Art Deco Gilt-Bronze Sunburst Chandelier second quarter 20th century, possibly E. F. Caldwell, New York, the eleven-light chandelier with a large sunburst backplate and a smaller sunburst concealing a halo of light sockets, another central socket in a molded “cloud”. h. 6”, dia. 26-1/2” $2,000-$4,000 807 American Contemporary Polished Brass Mirror fourth quarter 20th century, in the manner of Karl Springer (American, 1931-1991), with a bolection-form brass surround. h. 59-1/2”, w. 39” $1,000-$1,500

807

808 Partial Service of Waterford “Curraghmore” Crystal Stemware ca. 1971-2017, Irish, the service including ten water goblets, h. 10-1/2”, twelve claret glasses, h. 7-1/2”, eight champagne flutes, h. 8-1/4”, and six old-fashioned glasses, h. 3-1/2”. $1,000-$1,500 806

808

267

809 Moser “Coral Fish” Globe Vase post-mid-1990s, Czechoslovakia, with cut panels and carefully detailed engraving depicting fish swimming among coral, signed “Moser” on the bottom. h. 9-1/2”, dia. 8-1/2” $800-$1,200 810 Baccarat Cut Crystal Vase 20th century, French, the cylindrical vase decorated with geometric cutting, marked with Baccarat’s acid-etched “decanter” mark. h. 8”, dia. 7-1/2” 809

$800-$1,200 811 Contemporary Baccarat Molded Crystal “Eye” Vase 21st century, French, the tapered, colorless glass vase with a sawtooth exterior design and an interior vertical sawtooth design to enhance the optical effect, with the Baccarat etched “decanter” mark on the base, together with the original box. h. 9-1/4”, w. 7”, d. 6” $800-$1,200

810

812

812 Bronze “Sea Turtle” Fountain 20th century, the base molded with coral and seashells, the turtles “swimming”, suspended on three coral branches. h. 24”, w. 31-1/2”, d. 32” $1,200-$1,800

811

268

814

813

813 Pair of Bronze Pricket Torcheres 20th century, the pierced, tapered and twisted standards set with drip pans fitted with pricket candle holders and raised on bell-form bases. h. 43-1/2”, dia. 10-1/2” $1,000-$1,500 814 Suite of Twelve Brown Jordan Venetian-Patterned Armchairs of Directoire inspiration, each aluminum chair in verdigris polychromy, the back modeled with an X and joined to open arms with scroll ends, the shaped lattice seat joined by an X-form stretcher, fitted with removable seat cushions, each chair with a maker’s label. h. 35-1/2” $1,000-$1,500 815 Pair of Patinated Bronze Egrets in the Japanese Style 20th century, each modeled standing, one with its neck turned. h. 60”, w. 30”, d. 17” and h. 52-1/2”, w. 16”, d. 17” $1,000-$1,500

815

269

816 Alan Shuptrine (American, b. 1963) “Flowering Dogwood”, 2007 watercolor on paper signed and dated lower right. Matted, glazed and framed. sight 7” x 11”, framed 15-1/2” x 19-1/2” $1,000-$1,500

816

817

817 Javier Mulio (Spanish, b. 1957) “Royalty” oil on panel signed lower right. Framed. 15-1/2” x 12-1/2”, framed 24-1/4” x 21-1/4”

818

$1,000-$1,500 818 Jose Royo (Spanish, b. 1941) “Custos” oil and pastel on paper signed lower right, together with the book Sagittas Royo Matted, glazed and framed. sight 30-1/2” x 42”, framed 47” x 59-1/2” Literature: Alberto de la Hera, Sagittas Royo, (Valencia, Spain: Editorial La Mascara, 1998), illus. p. 75. $5,000-$8,000

270

818

819 Jose Royo (Spanish, b. 1941) “Junto a Las Rocas”, from the Sagittas Collection oil on canvas signed lower left. Framed. 11” x 16”, framed 23” x 28-1/2” Provenance: Brilliance in Color, St. Augustine, Florida, 2006. $1,000-$1,500

819

821 Jose Royo (Spanish, b. 1941) “Azuelas” oil on canvas signed lower right. Framed. 15-7/8” x 8”, framed 24” x 16-1/4” Provenance: Brilliance in Color, St. Augustine, Florida, 2009 $1,000-$1,500

820

820 Jose Royo (Spanish, b. 1941) “Luz Blanca” oil on canvas signed lower right. Framed. 15-7/8” x 8”, framed 24” x 16-1/4” Provenance: Brilliance in Color, St. Augustine, Florida, 2009 $1,000-$1,500

821

271

823 822

822 Ramon Vilanova (Spanish, b. 1947) “Entre soles y estrellas florecieron los lirias” oil on canvas signed lower right, titled and signed en verso. Framed. 29” x 24”, framed 39” x 33-1/2” $1,000-$1,500 823 Niek van der Plas (Dutch, b. 1954) “Beach Scene” oil on panel signed lower right. Framed. 9-5/8” x 11-3/4”, framed 16-1/2” x 18-1/2” $1,200-$1,800 824 Niek van der Plas (Dutch, b. 1954) “Celebration in New Orleans” oil on panel signed lower right. Framed. 18” x 24”, framed 25” x 31” $3,000-$5,000

272

824

826

825

825 French Gilt-Bronze and Crystal Chandelier first quarter 20th century, the six-light basket-style chandelier with strands of crystal beads hung from the acanthus leafmolded top to the waist, and fitted with five bronze torch-form leaf-molded candle holders alternating with pierced laurel wreaths, the bronze leaf-molded canopy hung with strands of glass beads, with five additional interior sockets. h. 40”, dia. 26” $2,000-$4,000 826 Franco-Chinese Gilt-Bronze-Mounted Mandarin Rose Export Bowl third quarter 19th century, the bowl decorated with Mandarin scenes and raised on a pierced bronze base with putti supporting swags of flowers, the scrolled and leaf-molded bronze handles set on the pierced and scroll-molded bronze rim. h. 14-1/4”, w. 20”, d. 15-1/2”

827

827 Gilt-Bronze-Mounted Rose Medallion Centerpiece fourth quarter 19th century, Sino-French, the Chinese export porcelain centerpiece decorated with panels of Mandarin figures and panels of birds, butterflies and flowers, with gilt-bronze dragon-form handles, and a pierced gallery rim, resting on a pierced base on dragon feet. h. 13-1/2”, w. 19-3/4”, d. 10-3/4” $1,500-$2,500

$1,200-$1,800

273

828

828 Louis XVI-Style Mahogany Dining Table early 20th century, the banded ovoid top with a molded brass edge, above a conforming brass-banded frieze, raised on fluted tapering circular legs ending in brass caps. h. 31”, w. 42”, l. 69” $2,000-$4,000 829 Suite of Four Louis XVI-Style Polychrome Fauteuils 19th century, each with a caned medallion back joined by padded arms to the cushioned, caned seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 38” $1,500-$2,500 830 Carved, Parcel-Gilt and Metal Chandelier in the French Empire Taste 20th century, the eight-light chandelier with a bowl-form body decorated with medallions and set with curved metal arms with Psyche heads and wings, terminating in reeded candle cups and drip pans, hung on brass chains from a parcel-gilt eagle-headed canopy. h. 44”, dia. 34”

830

$1,500-$2,500

274

829

831 Parcel-Gilt and Painted Mirror in the French Empire Taste second quarter 20th century, the upper tablet decorated with carved laurel leaves against a painted ground, mounted with a cove-molded crest, the cove-molded and painted surround trimmed with a gilt ribbon-bound reed, the inner liner with gilt beading. h. 48”, w. 31” $1,000-$1,500

831

832

832 Louis XVI Mahogany Bergere 18th century, the domed and padded back joined by downswept sides and scrolling arms to the cushioned seat, raised on stop-fluted tapering circular legs ending in torpedo feet. h. 38” $1,000-$1,500 833 Louis XVI Fruitwood and Marble-Top Console Table 18th century, the shaped marble top above a pierced and carved frieze, raised on carved and fluted legs joined by an X-form stretcher centered with a large turned and carved finial. h. 35”, w. 41”, d. 20” $1,500-$2,500 833

275

834 Francois Gerome (French, b. 1895) “La Belle Parisienne” oil on canvas signed and localized “Paris” lower right. Giltwood frame. 20” x 24”, framed 24” x 28” $1,200-$1,800 835 Pair of French Gilt-Bronze Sconces of Rococo Inspiration second quarter 20th century, the two-light sconces with pierced backplates in the form of grapes and grapevines, supported on bowknots, with leaf-molded candle arms set with reeded candle cups and fluted drip pans. h. 23”, w. 11-1/2”, d. 6-1/2”

834

Provenance: Private collection, Houston, Texas. $1,200-$1,800 836 Louis XVI-Style Kingwood and Mahogany King-Size Bed designed by Frank Livaudais, New Orleans, the headboard with a central quarter-veneered panel flanked by caned panels and surmounted by an ormolu ribbon crest, joined by paneled rails to the lower footboard, veneered and paneled en suite, raised on tapering circular legs ending in toupie feet. h. 59”, inside w. 78”, l. 82-1/2”, outside w. 83”, l. 86” Provenance: Private collection, New Orleans, Louisiana. $1,500-$2,500 835

836

276

837 Louis XVI-Style Kingwood and Mahogany Armoire early 20th century, the molded and domed cornice surmounted by an ormolu wreath, torchere crest and side finials, over a case fitted with three mirrored doors, raised on toupie feet. h. 100”, w. 71”, d. 22” Provenance: Keil’s Antiques, New Orleans, Louisiana; Private collection, New Orleans, Louisiana. $1,800-$2,500

837

838

838 Louis-Philippe-Style Aubusson Needlepoint Carpet 10’ x 13’ 9” $1,000-$1,500 839 Louis XVI-Style Rosewood and Kingwood Occasional Table late 19th century, the rectangular top quarter-veneered and with intricate decorative banding, above a conforming frieze fitted with a single drawer, raised on banded and inlaid tapering legs. h. 28”, w. 16-1/4”, d. 12” $1,200-$1,800

839

277

842 840

840 Louis XVI-Style Polychrome Prie-Dieu 19th century, the padded crest above a back featuring a flaming cross within a carved frame, the hinged and padded seat opening to a storage interior, raised above a guilloche frieze on fluted tapering circular legs, the underside stamped “Hopilliart & Leroy, 12 Rue des St. Peres”. h. 33-1/2” $1,000-$1,500 841 French Carved and Painted Trumeau Mirror ca. 1900, in the neoclassical taste, the upper tablet with an oval portrait of Marie Antoinette, framed with garlands of flowers on a grid of square rosettes, the mirror plate with a parcel-gilt guilloche-carved inner surround, egg-and-dart molding on the outer edges, and guilloche and rosettes with gilt centers. h. 92”, w. 41” Provenance: Private collection, New Orleans, Louisiana. $1,200-$1,800 842 Louis XVI-Style Polychrome Cabinet early 20th century, the rectangular faux marbre top with projecting ends, above a case fitted with two paneled cupboard doors, featuring a floral urn within a scrolling framework, raised on bracket feet. h. 38”, w. 46-1/2”, d. 15” $1,000-$1,500 841

278

844

843

843 Vladimir Nasonov (Russian, b. 1962)

844 Charles Louis Menneret (French, 1876-1946)

“Evening Lights”, 1999

“House in the Woods”

oil on canvas signed, titled and dated en verso. Framed. 24” x 30”, framed 34-1/2” x 40”

oil on canvas signed lower left. Framed. 21” x 26”, framed 30” x 34”

$1,000-$1,500

845 Louis XVI-Style Polychrome Bergere 19th century, the padded and domed back within a ropetwist frame, joined by downswept sides and padded arms to the cushioned seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 38” Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

845

279

846 French Silvered Bronze Chandelier first quarter 20th century, in the neoclassical taste, the ninelight chandelier with a ribbon-decorated circular frame supported on rope-twist “chains” and set with leaf-molded candle arms, a posy of flowers supported by a pair of putto floating below, supported by molded chains. h. 38-1/2”, dia. 25” $1,000-$1,500 847 Pair of Louis XVI-Style Polychrome Side Chairs early 20th century, each with a domed shield-form back within a molded frame, the padded seat raised on fluted tapering circular legs ending in toupie feet. h. 34” $1,000-$1,500 846

847

848 French Empire-Style Parcel-Gilt and Painted Mirror mid-20th century, the upper tablet decorated with a gilt medallion and laurel leaves on a painted ground, the cornice with ribbon-wrapped reed trim, the painted cove-molded surround with egg-and-dart giltwood decoration. h. 52-1/4”, w. 33” $1,200-$1,800 848

849 Pair of Louis XVI-Style Oak Occasional Tables late 19th century, each with a rectangular top with projecting corners, above a paneled and fluted frieze, raised on paneled tapering square legs ending in spade feet. h. 21”, w. 30”, d. 19-3/4” $1,000-$1,500

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849

850 Pair of French Gilt-Bronze Three-Light Sconces 20th century, in the neoclassical taste, the pierced quiver-form backplates terminating in leaf-molded finials, the beaded, scrolled candle arms set with fluted drip pans and leaf-molded candle cups. h. 21”, w. 9”, d. 5-1/2” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $1,000-$1,500 851 Pair of Louis XVI-Style Polychrome Fauteuils

850

early 20th century, each with a padded circular back joined by downswept arms and fluted uprights to the deep padded seat, raised on fluted tapering circular legs ending in toupie feet. h. 21-1/2” $1,000-$1,500 852 Louis XVI-Style Creme-Peinte, Parcel-Gilt and Marble-Top Side Table 19th century, the D-form marble top with a projecting center section, above a conforming pierced guilloche frieze with foliate patera accents, raised on fluted tapering circular legs headed by foliate capitals and ending in peg feet. h. 38-1/2”, w. 39”, d. 10” $1,000-$1,500

851

852

853 French Giltwood Mirror in the Neoclassical Taste second quarter 20th century, the pierced crest carved with garden trophies, a sheaf of wheat and trailing oak leaves and acorns, the surround trimmed with carved bellflowers and corner medallions, and with a swag-carved skirt, set with a beveled mirror plate. h. 64”, w. 30” $1,500-$2,500 853

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854 Louis XVI-Style Beechwood and Marble-Top Coffee Table the inset marble top over a conforming ribbon-carved frieze, raised on fluted legs joined by a shaped stretcher. h. 21”, w. 33”, d. 21-1/4” $1,000-$1,500

855 Pair of Louis XVI-Style Giltwood Fauteuils 20th century, each with a padded medallion back surmounted by a foliate torchere crest, joined by scrolling padded arms to the like seat, raised above a guilloche-carved frieze, on stopfluted tapering circular legs ending in peg feet. h. 40-1/2” $3,000-$5,000 854

855

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856

856 Good American Sterling Silver Meat Platter

857 Assembled Graduated Pair of Tiffany & Co. Sterling Silver Wave Edge Platters

1903, by Dominick & Haff, New York, New York, for J. E. Caldwell & Son, Philadelphia, Pennsylvania, of oval form with molded edge, the ends with realistically detailed bovine masques mantled with oak leaves and acorns, monogrammed on one long rim “KMC”. l. 20-3/4”, w. 11-1/2”; 43.13 t. oz.

the pattern introduced in 1893, New York, New York, one example 1902-1907, the other after 1907, of oval form with repeating wave edge, the smaller monogrammed “MLC”. 15-5/8” x 11” and 18-1/4” x 13-1/8”; 86.15 total t. oz. $3,000-$5,000

$2,000-$4,000

857

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858 Tiffany & Co. Sterling Silver Water Pitcher the pattern introduced in 1883, New York, New York, this example 1891-1902, the cylindrical body flaring broadly at the base and decorated with a wide milled band of scrolling acanthus, the tapering handle acanthus-mounted at the base and scrolling at the apex, the molded rim with integral spout h. 7”, dia. 6-1/2”, l. 8”, 28.42 t. oz. $1,000-$1,500 859 19th-Century Tiffany & Co. Sterling Silver Covered Dish 1883-1891, of bulbous oval form, decorated with a wide milled band of scrolling acanthus, with a pair of acanthus-mounted stirrup handles, fitted domed lid en suite and raised on a waisted foot-ring with gadrooned edge. h. 7-1/4”, dia. 8”, w. 10-5/8”; 36.49 t. oz.

858

$1,500-$2,500

859

860

860 19th-Century Tiffany & Co. Sterling Silver Water Pitcher 1882-1891, New York, New York, of ovoid form, with “Wave” pattern decorated with a wide milled band of scrolling acanthus, with reeded, acanthus-crested and -mounted handle, integral spout and milled foot-ring en suite. h. 11-1/2”, dia. 6”, l. 8-1/4”; 48.14 t. oz. $1,800-$2,500 861 American Sterling Silver “Chrysanthemum” Platter first quarter 20th century, after a design by Charles T. Grosjean (1841-1888), of oval form with shaped recess and cast and applied rim. 19-3/4” x 14”; 89.44 t. oz. $3,000-$5,000

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862

862 S. Kirk & Son “Mayflower” Sterling Silver Flatware Set the pattern introduced in 1846, Baltimore, Maryland, including a dozen six-piece place settings (four pieces lacking) and eleven serving pieces, most monogrammed “MNBS”. 79 pieces total 106.26 total t. oz. (weighable silver) Provenance: Estate of Carol A. Straus, Houston, Texas. Detailed list of pieces available on request. $2,500-$4,000

862

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The Winston Collection of Newcomb Pottery lots 863 - 873

863 Newcomb College Art Pottery rare, high-glaze, tall vase, 1907, decorated by Marie de Hoa LeBlanc with incised tall pine trees on a banded ground in green and blue underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. “BN31” and “V” for clay body. h. 11-1/4”, dia. 4-1/2” Provenance: Collection of Mrs. J. Barbee Winston, New Orleans, Louisiana. Exhibited: Newcomb Pottery: An Exhibition Organized by Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibition Service, November 2, 1984May 18, 1987 $6,000-$9,000

863

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864 Newcomb College Art Pottery rare, high-glaze teapot, 1903, decorated by Ada Wilt Lonnegan with stylized leaves and stems in green, blue and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. “DD45” and “Q” for buff clay body. h. 3-1/4”, w. 4-1/2” Provenance: Collection of Mrs. J. Barbee Winston, New Orleans, Louisiana. Exhibited: Newcomb Pottery: An Exhibition Organized by Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibition Service, November 2, 1984May 18, 1987 $2,500-$4,000 864

865 Newcomb College Art Pottery matte-glaze bowl, 1932, decorated by Sadie Irvine with incised irises in green, pink and blue underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter mark, reg. no. “TQ92” and shape no. “68”. h. 4”, dia. 8” Provenance: Collection of Mrs. J. Barbee Winston, New Orleans, Louisiana. Exhibited: Newcomb Pottery: An Exhibition Organized by Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibition Service, November 2, 1984May 18, 1987 $2,000-$4,000 865

866 Newcomb College Art Pottery matte-glaze vase, 1932, decorated by Sadie Irvine with stylized foliage and stems, similar in design to other lotus leaf examples, in yellow, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt potter’s mark, reg. no. “TN17” and shape no. “05”. h. 5-1/2”, dia. 5-1/2” Provenance: Collection of Mrs. J. Barbee Winston, New Orleans, Louisiana. Exhibited: Newcomb Pottery: An Exhibition Organized by Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibition Service, November 2, 1984May 18, 1987 $1,800-$2,500 866

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867 Newcomb College Art Pottery matte-glaze bowl, 1921, decorated by Sadie Irvine with a garland of narcissus in low relief with green, pink and blue underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter mark, reg. no. “LP25” and shape no. “246”. h. 2-1/2”, dia. 8” Provenance: Collection of Mrs. J. Barbee Winston, New Orleans, Louisiana. $1,800-$2,500 867

868 Newcomb College Art Pottery unique, high-glaze pitcher, 1904, decorated by Mary Sheerer with geometric designs in blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. “SS46”, “Q” for buff clay body, and “X” for piece reserved for decorator and/or College. h. 7”, w. 5-1/2” Provenance: Collection of Mrs. J. Barbee Winston, New Orleans, Louisiana. Exhibited: Newcomb Pottery: An Exhibition Organized by Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibition Service, November 2, 1984-May 18, 1987 $1,500-$2,500

868

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869 Newcomb College Art Pottery rare, high-glaze vase, 1903, decorated by Browning Coleman with dogwoods lined in blue over a blue and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. “DD99” and “Q” for buff clay body. h. 5-3/4”, dia. 7” Provenance: Collection of Mrs. J. Barbee Winston, New Orleans, Louisiana. Exhibited: Newcomb Pottery: An Exhibition Organized by Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibition Service, November 2, 1984-May 18, 1987 $4,000-$7,000

869

870 Newcomb College Art Pottery rare, high-glaze inkwell/covered jar, 1907, decorated by Marie Levering Benson with flowering Japanese quince in geometric bands, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. “BP96” and “Q” for buff clay body. h. 3-3/4”, dia. 3-1/2” Provenance: Collection of Mrs. J. Barbee Winston, New Orleans, Louisiana. Exhibited: Newcomb Pottery: An Exhibition Organized by Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibition Service, November 2, 1984May 18, 1987 $3,000-$5,000 870

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871 Newcomb College Art Pottery rare, high-glaze bowl, 1903, decorated by Esther Huger Elliot, incised with stylized irises, cross-section plant designs and vertical bands in underglazes of blue, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. “II18” and “W” for white clay body. h. 4”, dia. 8” Provenance: Collection of Mrs. J. Barbee Winston, New Orleans, Louisiana. Exhibited: Newcomb Pottery: An Exhibition Organized by Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibition Service, November 2, 1984May 18, 1987 $3,000-$5,000

871

872 Newcomb College Art Pottery matte-glaze vase, 1920, decorated by Henrietta Bailey with pine cones and needles in low relief with pink, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. “KY35” and “M” for mold and shape no. “89”. h. 5-3/4”, dia. 4” Provenance: Collection of Mrs. J. Barbee Winston, New Orleans, Louisiana. Exhibited: Newcomb Pottery: An Exhibition Organized by Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibition Service, November 2, 1984May 18, 1987 $1,200-$1,800 872

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873 detail

873 Newcomb College Art Pottery unique, matte-glaze, tall vase, 1910, decorated by Julia Michel Hoerner in blue and green underglaze with hanging Beale’s barberry and two hidden fairies with billowing tresses, base marked with Newcomb cipher, decorator’s mark lightly incised and in blue glaze, Joseph Meyer potter’s mark, reg. no. “DR80” and “K” for white clay body. h. 12-1/4”, dia. 4-1/2” $1,800-$2,500 873 detail

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874 The Fortier-Ganucheau Cherrywood Louisiana Commode circa 1820, the projecting top centered by a cross Alisee patee over a bank of three drawers, each with broad inlaid stringing in contrasting light wood, over a scalloped apron, the rails and stiles pegged, supported by cabriole legs. Cherry with maple stringing; secondary woods of poplar, cypress, walnut and an unidentified wood which is possibly sycamore, beech or cherry sapwood. Replaced brasses, with indications it may originally have employed brass pulls with embossed brass backplates. h. 31-1/2”, w. 21”, d. 16-3/4” $8,000-$12,000

Provenance: Anna J. Fortier (1842-1930) to her nephew Pierre Francois Ganucheau, Sr. (1890-1949) to his son, Pierre Francois Ganucheau, Jr. (1919-1966) upon his death to his spouse, Gloria Dickenson Ganucheau (1922-2000), then by descent to the present owner. By family tradition, the present commode is believed to have been among the furnishings owned by Francois-Gabriel “Valcour” Aime (1797-1867), owner of the legendary “Le Petite Versailles” Plantation, Vacherie, Louisiana. In 1816, Valcour wed Josephine Roman, daughter of Jacques Etienne Roman who was part of a prominent creole family. Josephine’s brother Andre Bienvenue Roman was a two-term governor of Louisiana. Aime acquired the Roman’s French Colonial plantation house and in the 1830’s expanded and modernized it to create le Petit Versailles. The Aime’s had four children. The two girls were gifted plantations as a wedding gift. Felicite Emma Aime (1823-1905) married her second cousin, Alexandre Septime Fortier (1816-1898), son of Louis Edmond Fortier (1784-1849) and Felicite Labranche (17871859). They resided at Felicity Plantation. Anna Fortier, their eldest daughter, never married. The present commode along with a walnut half-tester bed and a portrait of Josephine Aime, daughter of Valcour, by Jacques Amans were reputedly found in her basement and given to her nephew Pierre Ganucheau.

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Literature: The present somnoe/commode is one of a handful of Louisiana cases in this form to survive. One is illustrated in Early Louisiana Furniture; another, now in a private Louisiana collection, was sold at Leland Little Auction, North Carolina, July 2017. In a 1980 correspondence with Gloria Ganucheau, the late Pat Bacot, co-author of Furnishing Louisiana Creole and Acadian Furniture 1735-1835, and then a curator at LSU’s Anglo-American museum of Art, indicated “Your commode joins a body of three surviving ones that I know of”. It is unclear if he was aware of the one that later sold in North Carolina.

The bubbles and holes in the Alisee cross adorning the top is indicative of sulfur inlay (sulfur is the Biblican “brimstone”). The sulfur was poured into a shaped recess in its molten state. Sulphur melts at about 240 degrees. When the hot sulfur hits the wood, evaporation of remaining water in the underlying wood causes the release of water vapor. That creates the characteristic pitting found on sulphur inlay. This technique has been employed in a small but significant number of pieces of furniture in Pennsylvania, Maryland, Virginia, and North Carolina. Heretofore, sulfur has not been found in any known pieces of Louisiana or lower Mississippi Valley furniture. That it may have been employed in the deep South independent of the Mid-Atlantic cabinet-making tradition is quite likely. Pipe fitters frequently employed molten sulfur to join iron waste pipes and water pipes in the same fashion lead was used. Masons also used molten sulfur to set iron handrails into masonry. In addition, decorative sulfur molds were produced and used by candy makers.

874

874 detail

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875 “Course of the River Mississipi [sic], from the Balise to Fort Chartres...” map by Lieutenant John Ross of the 34th Regiment, engraved and published with hand-colored outlines by Robert Sayer and John Bennett, London, 1775. Matted, glazed and framed. plate 45” x 14”, framed 55” x 25-1/4” Provenance: Sold in these rooms as part of the map collection of Hugo Wedemeyer, New Orleans, Louisiana, March 17, 2018, lot 952; Private collection, Alabama. $2,000-$4,000 This map was the first official English survey of the lower Mississippi region, published at the outset of the American Revolution in Thomas Jefferys’ watershed American Atlas by Sayer and Bennett. It was commissioned by the British government in 1765 to illustrate the scope of the economical and strategical gains it acquired in the French and Indian War. Lieutenant John Ross, a distinguished member of the 34th Regiment of Foot, who served in the siege of Havana and garrison of West Florida, charted the lower Mississippi River from the mouth of the Mississippi (Fort Belise) just south of New Orleans north to Fort Chartres, just south of St. Louis. Ross’ map depicts the River’s course in excellent detail with comprehensive information on boundaries, forts, villages, arable lands and cane fields, as well as navigational data on the depths and soundings of the Mississippi and Gulf for approaching ships. To date, it is one of the most important maps of the late 18th century in terms of cartography and American colonial history.

875

876 Le Vieux Carre de la Ville, Nouvelle Orleans mid-20th century, depicting a 19th-century view of the Port of New Orleans, lithograph in colors on wood panel and varnished, limited edition, printed/produced by Tattersfield Associates, Philadelphia. 36” x 36” Provenance: Private collection, New Orleans, Louisiana. $1,000-$1,500

876

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877 Good Early American Cherry Dressing Table third quarter 18th century, New England, in the Queen Anne taste, the deep overhanging top with a molded edge mounted to a three-drawer base and boldly scalloped aprons, raised on Queen Anne-form cabriole legs ending in pad feet. h. 32”, w. 35-3/4”, d. 19-1/2” $1,000-$1,500 878 American Heart Pine Farm Table constructed from antique elements, the three-board plank top with breadboard ends mounted to a polychrome base with mortised and pegged joints and tapered legs. h. 31”, w. 40”, l. 115” $1,500-$2,500 879 American Federal Mahogany Tall Case Clock in the Hepplewhite Taste ca. 1800, New England, the hood with a broken-arch pediment and central turned finial, the mid-section of the case with chamfered corners, the base with flared Hepplewhite legs, the time-and-strike movement also including a rotating calendar dial. h. 94”, w. 18”, d. 10” $1,000-$1,500

877

879

878

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880 Alvyk Boyd Cruise (American/Louisiana, 1909-1988) “University of Louisiana, Baronne and Dryades” ink and watercolor on paper signed lower right. Matted, glazed and framed. sight 15-1/4” x 33-1/2”, framed 24-3/4” x 42” $1,200-$1,800 881 Pair of Colonial Revival Inlaid Mahogany Knife Urns

880

ca. 1900, possibly Potthast, Baltimore, with inlaid stringing on ogee bracket feet, mounted with shield-form escutcheons, the covers raised on ratcheted central standards and revealing fitted interiors. h. 22-1/4”, dia. 9” $1,500-$2,500 882 American Sheraton-Style Mahogany Sofa ca. 1900, the molded frame with down-curved arms, supported by a turned standard in the front and raised on turned legs. h. 36-1/2”, w. 71-1/2”, d. 28-1/2” $1,000-$1,500 883 Pair of Neoclassical Ebonized and Stenciled Armchairs early 19th century, each with a Greek-key-stenciled back rail above an X-form splat, joined by curved arms, a caned seat and raised on turned legs. h. 23”, w. 20”, d. 17-1/2”

883

$1,000-$1,500

881 882

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884

884 Jean Joseph Vaudechamp (French, 1790-1866; Active New Orleans 1831-1839) “Portrait of a Young Woman, Partially Draped” oil on canvas signed and dated “Vaudechamp 1844”. Framed. 36-3/4” x 29”, framed 45” x 38” $30,000-$50,000

This portrayal of a partially nude woman with her self-assured gaze is a rare glimpse into Jean Joseph Vaudechamp’s later career, painted two years before his only other known nude, “Portrait of a Young Girl, Partially Clothed”. Both paintings reveal Vaudechamp’s masterful modeling of the human form, his elegant composition, and use of soft light dappling the sitter’s body. A French academically trained artist and a pupil of the famous Anne-Louis Girodet-Trioson, Vaudechamp became the most sought-after portraitist in New Orleans during the 1830s, where he spent his winters painting members of the prominent Creole families. His success in New Orleans appears to have provided him with financial security, and although he continued to exhibit at the Salon, this brought him little critical acclaim. The two nudes are a departure from his usual subject matter, suggesting that perhaps he was experimenting with different genres in his later years. This evocative portrait is the first nude by the artist to have been offered for sale outside of Paris. Reference: William Kayse Rudolph, Vaudechamp in New Orleans, The Historic New Orleans Collection, 2007.

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885 American Classical Mahogany Tilt-Top Center Table ca. 1825, Philadelphia, school of Quervelle, the top with figured sunburst mahogany veneers, extending to purpleheart lunettes and a rosewood band, raised on a vasiform pedestal with swags and joined to a concave base on paw feet with foliate-carved brackets. h. 29”, h. with top lifted 53-1/4”, dia. 41-1/2” Literature: A drawing of a similar table top from the sketch book of Anthony Quervelle is illustrated on page 107 of Boor, Philadelphia Empire Furniture. $1,000-$1,500 886 Pair of Marble Sculptures of Woodland Nymphs 20th century, each modeled against a tree stump, one holding a floral wreath. h. 42”, w. 14”, d. 12” and h. 42”, w. 18”, d. 13” $2,000-$4,000 887 Pair of Asian-Inspired Zinc Jardinieres each of tapering square form with a protruding rim, ring handles and raised on ball feet. h. 16”, w. 16”, d. 16” $1,000-$1,500 888 Pair of Regency-Style Patinated Steel and Wood Planters the steel frame with crossbars on two sides, raised on small cast feet, each with a removable wooden liner. h. 11”, w. 20”, d. 11-1/2”

885

$1,000-$1,500

887

886 888

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889

889 Four Molded Stone Garden Statues Personifying “Les Quatre Saisons”

890 Pair of Gothic Revival Cast Iron Benches

first half 20th century, the draped maidens each with objects representing the season, presented on faux stone metal pedestals decorated with cut corner panels. h. 70”, w. 15”, d. 15” $3,000-$5,000

after a 19th-century French design, the back molded as quatrefoils amidst arches, with an openwork honeycomb seat over an apron with a Gothic meander border. h. 33-1/2”, w. 54-1/2”, d. 18-1/2” $1,500-$2,500

890

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891

891 Pair of Gothic Revival Cast Iron Benches after a 19th-century French design, the back molded as quatrefoils amidst arches, with an openwork honeycomb seat over an apron with a Gothic meander border. h. 33-1/2”, w. 54-1/2”, d. 18-1/2” $1,500-$2,500

892

892 Pair of Bronze Campana-Form Garden Urns 20th century, in the neoclassical taste, the bodies with molded leaves over reeded bases, and egg-and-dart rims, set with dolphin-molded handles, the bases molded with acanthus leaves. h. 26-1/2”, w. 25-1/2”, d. 21” $2,000-$4,000

893 Rustic Pattern Concrete Garden Bench constructed of concrete over an iron frame, modeled as joined branches forming the back, arms and legs. h. 37-1/2”, w. 60-3/4”, d. 26” $1,500-$2,500

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894 Oushak Carpet 4’ 7” x 10’ 9” $1,200-$1,800 895 Antique Oushak Carpet 13’ x 15’ 9” $6,000-$9,000 896 Antique Mahal Carpet 10’ 4” x 14’ 7” $3,000-$5,000

894

896

895

301

897 Turkish Angora Oushak Carpet 8’ 8” x 12’ $1,000-$1,500 898 Silk and Wool Nain Carpet 6’ 1” x 10’ $1,000-$1,500 899 Antique Sultanabad Carpet 10’ 5” x 13’ 8” $5,000-$8,000

899

898

302

897

900 Malayer Runner 3’ 3” x 19’ $2,000-$4,000 901 Oushak Carpet 7’ 2” x 9’ $1,500-$2,500 902 Semi-Antique Tabriz Carpet 11’ 4” x 14’ 10” $3,000-$5,000

902

900

901

303

903 Turkish Angora Oushak Runner 2’ 7” x 17’ 9” $1,000-$1,500 904 Agra Heriz Carpet 9’ 6” x 14’ $1,000-$1,500 905 Turkish Angora Oushak Carpet 10’ x 14’ $1,400-$1,800

904

903

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905

906 George III Mahogany Bachelor’s Chest of Drawers 18th century, the case fitted with a pair of side-by-side drawers over three graduated long drawers, raised on bracket feet. h. 35”, w. 36”, d. 21-1/2” $1,000-$1,500

906

908

907 George III Mahogany Chest-on-Chest fourth quarter 18th century, the canted, molded and dentillated crest above three short drawers and three graduated long drawers, the lower section fitted with three graduated long drawers, raised on shaped bracket feet. h. 72”, w. 42”, d. 21-1/2” $1,000-$1,500 908 George III Mahogany Kneehole Desk fourth quarter 18th century, the rectangular top with a molded edge, above a case fitted with a pull-out slide over a single drawer, over a central concealed apron drawer and recessed cupboard, flanked to either side by a bank of three short graduated drawers, raised on bracket feet. h. 31-1/2”, w. 33”, d. 19-1/2” $1,200-$1,800 907

305

909 Victorian-Style Mahogany and Leather-Covered Folding Library Ladder 20th century, with seven treads and trimmed with brass tacks. h. 91”, w. 12-1/2” $1,000-$1,500 910 Sir Walter Scott, Novels London: Adam & Charles Black, 1897, the “Victoria” edition, complete in 25 volumes, in brown half calf on cloth, the spines with raised bands and green panels with gilt lettering and thistle decoration, with printed marble endpapers, the edges cut, the top edges gilt. 7-1/2” x 5-3/8”

909 detail

$1,000-$1,500 911 Patinated Bronze Sculpture of a Jockey Leading a Horse 20th century, after Sir Edgar Bertram Mackennal (Australian, 1863-1931), marked “Edgar Bertram 1872” on the marble plinth. h. 18-1/4”, w. 17-1/4”, d. 12-1/2” $1,000-$1,500 912 Georg Mauckner (German, 1829-1862) “Horses in the Stable” oil on canvas signed lower left. In an antique frame. 9-1/4” x 11-1/4”, framed 14” x 16” $1,000-$1,500 909 912

911

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910

913 Henry Schouten (Belgian, 1864/7-1927) “Two Horses at a Fence” oil on canvas signed lower left. Framed. 20” x 28”, framed 29” x 37” $1,500-$2,500

913

914 Samuel Fulton (Scottish, 1855-1941) “Resting by the Stables”, 1885 oil on canvas signed and dated lower left. Framed. 23-1/2” x 35-1/2”, framed 27-3/4” x 39-3/4” $1,000-$1,500 914

915 Henry Schouten (Belgian, 1864/7-1927) “The Boar Hunt” oil on canvas signed lower right, a Belgian framer’s label on frame back. Framed. 39-1/2” x 58-3/8”, framed 48-1/4” x 69” $5,000-$8,000

915

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917

916 George III-Style Mahogany Secretary Bookcase early 19th century, the overhanging molded cornice centered by a turned finial, above a blind fretwork frieze over a pair of astragal-glazed doors, the base with a slant lid opening to a fitted interior, the lower portion fitted with a pair of side-by-side drawers over three graduated long drawers. h. 93”, w. 44”, d. 22” $1,500-$2,500 917 George III-Style Mahogany Breakfast Table

916

19th century, the tilting oval top raised on a turned vasiform standard to three splayed and reeded legs ending in brass caps and casters. h. 29”, w. 52”, d. 38” $1,000-$1,500 918 George III-Style Mahogany Sideboard early 20th century, the banded and slightly bowed top above a conforming case fitted with a central drawer flanked to either side by a cupboard door faced as two drawers, raised on tapering square legs ending in spade feet. h. 35-1/2”, w. 78”, d. 24-1/2” Provenance: Private collection, Houston, Texas. $1,200-$1,800

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918

921 Hepplewhite Mahogany Bachelor’s Chest early 19th century, the rectangular top with a string-inlaid border, above a pair of drawers and two additional long drawers below, raised on a scalloped base with flared feet. h. 32”, w. 34”, d. 18” $1,000-$1,500 922 Pair of Large Chinese Moon Flasks on Stands

919

20th century, decorated with Mandarin scenes against a mazarine blue ground, scattered with images of fish, crabs, lobsters, seahorses, shrimp and shells, the handles molded as chameleons, marked with Chinese characters, on ebonized wood stands. flask h. 19”, overall h. 24-1/2”, w. 12-1/2”, d. 5-1/2” Provenance: Evelyn Anderson Galleries, Nashville, Tennessee. $1,200-$1,800

920 922

919 Pair of Chinese Export Porcelain Vases fourth quarter 19th century, in the famille rose palette, with both obverse and reverse decoration with Mandarin scenes beneath molded chameleons, on a field of clobbered peonies, the necks molded with foo dog handles and scalloped rims, on circular painted wood stands. vase h. 13-1/4”, dia. 6-1/2”, h. with stand 14-3/4” $1,000-$1,500 920 George III Banded Mahogany Tall Chest of Drawers ca. 1800, the rectangular molded and banded top over a pair of side-by-side drawers and four long drawers, raised on bracket feet. h. 53”, w. 47”, d. 23-1/2” $1,200-$1,800 921

309

923 George III-Style Mahogany Bowfront Chest-on-Chest late 19th century, the molded and bowed cornice above a conforming case fitted with two short drawers over three graduated long drawers, the lower section fitted with three graduated long drawers, all banded, raised on splayed bracket feet. h. 77”, w. 44”, d. 23” $1,000-$1,500 924 George III Mahogany Sideboard early 19th century, the shaped and bowed top above a conforming case fitted with a central drawer, flanked to one side by a drawer over a cupboard and to the other by a single deep drawer, raised on tapering square legs ending in spade feet. h. 35-1/2”, w. 72”, d. 30”

924

$1,000-$1,500

925

925 Pair of English Steel and Brass Andirons mid-19th century, in the Rococo Revival style, one example decorated with the figure of a lion crushing a snake, the other with a lioness overcoming a wild boar, with brass climbing ivy vines with buds, the bases with like decoration. h. 27-1/2”, w. 13”, d. 7” $1,000-$1,500

923

310

926 George III Mahogany Gainsborough Chair late 18th century, the slightly domed and padded back joined by foliate-carved and padded arms to the like seat, raised on cabriole legs headed by foliate shield carving and ending in hairy-paw feet, upholstered in silk damask. h. 40” Provenance: Estate of Thomas Eugene Long, Hattiesburg, Mississippi. $1,400-$1,800 927 New Orleans Bench-Made Mahogany Secretary Bookcase in the George III/Federal taste, with the engraved signature “New Orleans..Summer 1941. Home Cabinet Shop. Frank G. Frost”, the finely crafted piece in two parts, the upper section with a molded cornice over a pair of glazed mullioned doors, on a base with a fold-out upper drawer opening to form a desk and reveal a fitted interior with drawers and cubbyholes, and a bank of three drawers below, all in book-matched crotch mahogany veneers, raised on ogee bracket feet. h. 86-1/2”, w. 42”, d. 21”

926

$1,000-$1,500 928 George III-Style Mahogany Chest 19th century, the rectangular top with a molded edge, above a conforming case fitted with four graduated long drawers, raised on shaped bracket feet. h. 33”, w. 33”, d. 16-1/2” $1,000-$1,500

928

927

311

931 929

930

932

929 Peruvian Sterling Silver Cocktail Shaker

931 Two Silver Cocktail Shakers

second half 20th century, by Camusso, San Isidro, Lima, the body of tapering cylindrical form, with crested “C”-scroll handle, rounded shoulder and waisted conical spout, the mouth and spout fitted with knob-topped cap and stopper. h. 10-3/4”, dia. 4-3/4”, l. 8-1/2”; 19.28 t. oz.

mid-20th century, including: an American sterling silver example, with a tapering cylindrical body, detachable straining top and cylindrical cap, h. 7”, dia. 3”; and a Continental .800 silver example, with a tapering cylindrical body above a cavetto foot-ring, with detachable straining top and cylindrical cap, all decorated with beaded banding, h. 7-1/4”, dia. 3-1/4”. 17.26 total t. oz.

$1,000-$1,500 930 Two American Sterling Silver Cocktail Shakers mid-20th century, one by Currier & Roby, New York, of tapering cylindrical form, with rounded shoulder and conical spout, the mouth and spout fitted with knob-topped cap and chained stopper, the body with engraved crossed standards bearing the New York Yacht Club burgee opposing the engraved date “September 15 1954”, h. 6-1/2”, dia. 3-1/4”; the other R. Blackinton & Co., North Attleboro, Massachusetts, of bulbous cylindrical form with straight neck, crested “C”-scroll handle, integral straining spout, fitted with a stepped and domed stopper cap, h. 9”, dia. 4-1/4”, l. 7”. 29.12 total t. oz. $1,000-$1,500

312

$1,500-$2,500 932 Two Silver and Glass Cocktail Shakers mid-20th century, including: a large American sterling silver example, the tapering cylindrical glass body cut with a block pattern, with silver collar, straining spout and cap, h. 12”, dia. 5”; and a German .835 silver example by Emil Hermann, Waldstetten, the tapering cylindrical glass body cut with spiral flutes, with silver collar, straining spout and cap, h. 8”, dia. 4”. 6.51 total t. oz. (weighable silver) $1,200-$1,800

933 Set of Six Kentucky Sterling Silver Julep Cups

935 Large Sterling Silver-Mounted Carved Antler “Alligator” Corkscrew

2005-2009 (Presidential initials GWBII), by Wakefield-Scearce Galleries, Shelbyville, Kentucky, of traditional slightly tapering cylindrical form with beaded and molded rims, each with the original blue felt Wakefield-Scearce storage bag. h. 3-3/4”, dia. 3”; 32.55 total t. oz.

20th century, American, the large antler carved in the form of an alligator on a log, the beam mounted with a conforming sterling silver cap, with polished steel two-column mechanical corkscrew fitting. l. 9-1/4”, h. 6-1/2”

$1,200-$1,800

$1,000-$1,500

934 Nine Silverplate Wine Coasters and Cooler

936 Two Sterling Silver-Mounted Carved Antler “Boar” Corkscrews

20th century, English and American, including: An unmarked tall, reticulated bottle holder with wavy rim, shell handles and fanciful armorial, h. 7-1/4”, dia. 5-5/8”; A Webster/Wilcox Silverplate bottle cooler/wine bucket with gadrooned bands and ringed lion’s-masque handles, with insulated milk glass liner, h. 8-1/2”, dia. 8-3/4”; An Israel Freeman wine coaster with rococo scroll rim and wood base, dia. 7-3/4”; A Corbell & Co. Silverplate wine coaster with “vintage” rim and wood base, dia. 7-1/4”; An unmarked silverplate wine coaster with bulbous body and wood base, dia. 5-1/4”; An unmarked near pair of silverplate split-size wine coasters with cylindrical body and wood base, dia. 3-3/4”; and An unmarked pair of silverplate wine coasters with bulbous body and gadrooned rim and wood base, dia. 6”.

20th century, American, each with a stag antler retaining much of its surface, the end carved in the form of a boar, one with an embossed silver band, the other with fitted silver cap on the point, both with steel bell-type corkscrew fitting. l. 7”, h. 5” $1,000-$1,500

Provenance: The Estate of Bonnie Bolding Swearingen, Birmingham, Alabama. $800-$1,200 935

936 933

934

313

937

937 Twelve Good Sterling Sterling Wine Goblets

938 Large Sterling Silver Punch Set

second quarter 20th century, by A. G. Schultz & Co., Baltimore, Maryland, each with an ovoid body and trumpeted stem, decorated with repousse grape clusters and leaves, with gilt interior and applied edges, monogrammed “MHW”. h. 6-1/2”, dia. 3-1/4”; 73.86 total t. oz.

first quarter 20th century, by Graff, Washbourne & Dunn for Black, Starr and Frost, New York, New York, including: a punchbowl, h. 10-1/4”, dia. 15-1/2”; a platter, dia. 22-3/4”; and twelve punch cups with glass inserts, h. 3-1/2”, dia. 3”, l. 4”; all decorated with a wide rim of realistically detailed grapevines with pendant clusters, the cups with arched handles en suite, the liners with incised reeded band; together with a later Wallace “Baroque” silverplate punch ladle, l. 13”. 251.08 total t. oz. (sterling only)

$1,200-$1,800

$5,000-$7,000

938 detail

938

314

939 Large Victorian Silverplate and Glass Centerpiece fourth quarter 19th century, by Mappin & Webb, Sheffield, in the form of a realistic twining grapevine with pendant clusters and four scrolling arms, each fitted with a cut class basket, surmounted by a larger basket, the base with two stags, all presented on a lobed and waisted plinth decorated with applied grapevines. h. 29-3/4”, w. 22-3/4” $1,000-$1,500

939 940

940 Pair of Large and Exceptional Jacob Petit Paris Porcelain Vases second quarter 19th century, the vases with Poseidon and Amphitrite, respectively, each figure seated on a polychrome dolphin and holding aloft a mazarine-ground trumpet vase molded with cattails and decorated with panels of hand-painted flowers, the mazarine-ground bases molded with seashells and coral, each signed “J.P.” in underglaze blue. h. 22”, w. 12”, d. 7-1/2” Provenance: M.S. Rau Antiques, New Orleans, Louisiana; The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500

941 Unusual American Brass and Spelter Rococo Revival Gasolier third quarter 19th century, the six-light “war”-themed gasolier decorated with dolphin heads supporting the candle arms, the arms curving in front of the lobed spelter pan, set with rondels of American Indians alternating with Roman centurions, and with spear-carrying helmeted putti alternating with hanging, spiked flails above the arms, the corona with crossed shields, battle axes and bull heads. h. 35”, dia. 32” Provenance: Private collection, New Orleans, Louisiana. $1,800-$2,500

941

315

942 Impressive Jacob Petit Paris Porcelain Potpourri Vase second quarter 19th century, gilded and hand-painted with panels of flowers, the domed cover pierced and mounted with a removable flame-molded cap, and supported on griffin-headed monopodia, signed “JP” in underglaze blue, h. 19”, dia. 9-1/2”, under a 19th-century glass dome with a later mahogany base, h. 23-1/2”, dia. 13”. Provenance: The Collection of the Late Dr. E. Ralph Lupin, New Orleans, Louisiana. $1,500-$2,500 943 Attributed to Bass Otis (American, 1784-1861) “Portrait of a Mother and Child, Possibly Sara Watson and Her Daughter Fanny” oil on canvas unsigned. Framed. 36” x 30”, framed 44-1/2” x 37-1/2” Provenance: Deaccessioned by North Carolina Museum of Art, Raleigh; Brunk Auctions, Asheville, North Carolina, April 10, 2004, lot 602; Private collection; Doyle New York, November 19, 2012, lot 8; Private collection.

942 detail

$2,000-$4,000

942 943

316

944 American Rococo Revival Carved Rosewood and MarbleTop Dressing Mirror mid-19th century, attributed to J. H. Belter, New York, the pierced floral- and grape-carved crest over an arched mirror plate supported by carved columns, joined to a serpentine low base with a white marble top. h. 72-1/4”, w. 47”, d. 16-1/2” Provenance: Descended in an Uptown New Orleans family. $10,000-$15,000

945

945 Patinated Brass and Metal Gasolier, Attributed to Cornelius mid-19th century, Philadelphia, the six-light Rococo Revival gasolier with a baluster-turned standard decorated with dragons, masques and seated classical maidens, busts of Spanish conquistadors peering down from the body, the delicately scrolled and pierced arms set with gas keys associated with Cornelius. h. 48-1/2”, dia. 41” $2,500-$4,000

944

317

946 detail

946 Monumental Patinated Bronze Garden Fountain in the Beaux-Arts neoclassical taste, signed “S. Keliam”, of two-tier form, the upper bowl on a lion-masque pedestal over a tazza-form bowl, the sides adorned with cabochons, fruit scrolls and lion masques, the basin on an octagonal pedestal fronted by standing full-figured classical maidens depicting Lasaone, Laloire, Veronica and Meranie. h. 96”, dia. 49” $3,000-$5,000

946

318

947 Set of Four Cast Cement Garden Figures on Pedestals 20th century, modeled as putti depicting the various arts, and standing on patinated steel pedestals. h. 64-1/2”, w. 15”, d. 15” $3,000-$5,000 948 Cast Cement Garden Sculpture early 20th century, depicting three frolicking putti, the base signed “PCS”. h. 23”, w. 20”, d. 10” $1,000-$1,500 949 Large Cast Stone Garden Obelisk late 19th/early 20th century, in two parts, with the upper tapered column mounted to a large molded base. h. 60”, w. 23-1/2”, d. 23-1/2” $2,000-$4,000

948

949

947

319

950

950 Pair of Victorian-Style Cast Iron Garden Benches in the Gothic Taste each with an arched back in Gothic tracery patterns, flanked by stylized foliage, joined to scroll arms, the seat modeled as iron slats, the scroll apron centered by a classical masque. h. 43”, w. 52”, d. 20” $1,500-$2,500

951 Philadelphia Brass and Glass EightLight Gasolier mid-19th century, in the Rococo Revival taste, probably made by Archer and Warner, the pierced arms with flowers and scrollwork, and set into a three-tiered standard decorated with masques and scrollwork, suspended from an inverted rope-twist rod with a flower-molded canopy. h. 44”, dia. 32-1/2” $1,500-$2,500 952

952 Rococo Revival Brass and Gilt-Metal Gasolier mid-19th century, attributed to Archer and Warner, Philadelphia, the two-light gasolier decorated with mounts depicting pierced grapes and grapevines. h. 35”, w. 26-1/2”, d. 7” $1,000-$1,500 951

320

953 Alfred Thompson Bricher (American, 1837-1908) “New England Coastal Scene with Sailboats” watercolor on paper signed lower left. Matted, glazed and framed. sight 10-3/8” x 18-1/2”, framed 19-1/4” x 25-1/4” $1,500-$2,500 954 Thomas Doughty (American, 1793-1856) “Sketch of a Small Settlement Nestled in the Mountains” oil on canvas signed en verso, dated and further inscribed with provenance en verso. Framed and with artist plaque. 12” x 16”, framed 20-1/4” x 24-1/4”

953

Provenance: By repute, presented to Dr. Henry F. Quackenbos (1820-1888) following the death of Doughty, New York, New York; J. Hedden, 1865+; thence by descent. $4,000-$7,000 Born into a Philadelphia family and apprenticed at a young age to a leather smith, Thomas Doughty was largely self-taught, debuting as a landscape painter in 1816 at the Pennsylvania Academy of the Fine Arts. An early pioneer in the American landscape tradition, Doughty adapted the English style he learned through copying paintings in the collection of his Baltimore patron, Robert Gilmor, Jr., into a distinctly American genre - the conservative and subdued palette, and masses of indistinguishable foliage characteristic of English landscapes were transformed under Doughty into contemplative vignettes drawn from outdoor sketches of New England rivers and mountains. The study of nature created a comparative realism unique to the American experience that revitalized interest in the landscape painting and laid the foundation for the Hudson River School’s epic canvases drawn from light and infused with Romantic grandeur. This fine sketch, believed to be the last work by the artist, freely executed with somber clouds and sable grounds, belies the sublime skies to come.

954

955 Hayley (Richard) Lever (Australian/New York, 1875-1958) “Cottage by a River” oil on canvas signed lower right. Framed. 18” x 12”, framed 25” x 19” $1,000-$1,500 955

321

956 Karl Witkowsky (Polish/American, 1860-1910) “Young Boy Fishing” oil on board signed lower left, an old Christie’s inventory label en verso. Framed. 24” x 20”, framed 27” x 23” $1,500-$2,500

957 Francis Hopkinson Smith (American, 1838-1915)

956

957

“Giverny”, ca. 1880 watercolor and gouache on paper board signed lower right. Matted, glazed and framed. 19-1/2” x 24-1/4”, framed 23-5/8” x 28-5/8” Provenance: Doyle, New York, New York, November 12, 2008, lot 1224. $2,000-$4,000

958 Franco-Bohemian Crystal Gasolier third quarter 19th century, the four-light gasolier with a vasiform frosted and cut glass-clad standard hung with cut crystal swags, the frosted and cut scalloped prism rings set beneath the shades, hung with cut glass spear-point prisms. h. 33-1/4”, dia. 33-3/4”

958

$1,000-$1,500

959 American Neo-Grec Bronze-Mounted and Inlaid Rosewood Cabinet ca. 1869, attributed to Pottier & Stymus, New York, the frieze with a banded inlay, the pattern common to both Pottier & Stymus and Herter Brothers, over a pair of doors, each with finely inlaid panels depicting musical trophies, and framed by banded inlay, the stile separating the doors capped by a cast-bronze head in the Renaissance Revival taste, the concave ends with inlaid panels flanked by fluted columns. h. 46-1/2”, w. 82”, d. 24” $2,000-$4,000 959

322

960 Patinated Bronze Gasolier in the Neoclassical Taste mid-19th century, probably Henry Hooper, Boston, or English, the standard set with graduated lozenge-form, leaf-molded prism rings with cut prisms, the arms with molded cornucopia-form terminals, and with matching circular prism rings at each burner, electrified. h. 35”, w. 37”, d. 35” $2,500-$4,000

960

961 Mary Belle Williams (American, 1873-1943) “Portrait of a Lady in Black” oil on canvas signed lower left. Framed. 32” x 20”, framed 39-1/2” x 28” $1,000-$1,500

962 Edward Percy Moran (American, 1862-1935) “Off to Market” oil on canvas signed and with artist’s device lower right. Framed. 28” x 20”, framed 39” x 33”

962

961

$1,200-$1,800

963 British/American School (Fourth Quarter 19th/First Quarter 20th Century) “Scullery Drama” oil on canvas unsigned. Framed. 23” x 44”, framed 30-1/2” x 50-1/4” $1,000-$1,500 963

323

964 Gilt-Bronze and Crystal Gasolier, Attributed to Henry Hooper, Boston mid-19th century, the standard with four graduated leafmolded rings hung with prisms, the lower ring and arms with arcaded trim hung with prisms, the shade holders decorated to match, electrified. h. 29”, dia. 28-1/2” $1,200-$1,800 965 “Modern Gothic”-Style Brass and Crystal Chandelier fourth quarter 19th century, American or English, the six-light chandelier with a brass standard hung with multiple registers of brass prism rings over scrolled gas arms, set with prismhung scalloped brass “wings”, the corona formed by a ring of prism-hung scalloped brass umbrellas. h. 35”, dia. 32-1/2”

964

Provenance: Private collection, New Orleans, Louisiana. $1,500-$2,500

966

966 Louisiana School (First Quarter 20th Century) “Landscape on the Bayou” 965

oil on canvas unsigned. Framed. 21-1/4” x 28”, framed 27-1/4” x 33-5/8” $800-$1,200 967 Robert M. Rucker (American/Louisiana, 1932-2001) “Bayou Scene with Fisherman on Skiff” oil on canvas signed lower right. Framed. 20” x 24”, framed 26-1/2” x 30-1/2” $2,000-$4,000

967

324

968 Cornelius (Haly) Hankins (American, 1863/64-1946) “Tennessee Landscape with Haystacks” oil on board signed lower right. Framed. 10” x 14”, framed 12-1/2” x 16-1/2” $1,000-$1,500

969 George Coulon (American/Louisiana, 1822-1904)

968

“Bayou Landscape” watercolor on paper dated “1896” lower right. Matted, glazed and framed. sight 3” x 9-3/4”, framed 8” x 14” $1,000-$1,500

970 William Aiken Walker (American/South Carolina, 1839-1921)

969

“Cabin Scene” oil on board signed lower left, verso with “The Sportsman’s Gallery, Ltd., Atlanta, GA” label. Giltwood frame. 6” x 12”, framed 12-1/2” x 18-1/2” To be included in the forthcoming catalogue raisonne on William Aiken Walker by John Fowler. $4,000-$7,000 970

971 William Aiken Walker (American/South Carolina, 1839-1921) “Cabin Scene” oil on board signed lower left, verso with “Doyle, New York” label. Giltwood frame. 6” x 12”, framed 9” x 14-3/4” Provenance: Doyle, New York, November 12, 2008, lot 1229. $4,000-$7,000 971

325

972 American/Southern School (Fourth Quarter 19th Century) “Cotton Pickers” oil on board unsigned, verso frame inscribed “Georg A. Dickey/1894”. Giltwood frame. 7” x 13”, framed 11” x 16-1/2” $1,000-$1,500

972

973

973 Pair of American Polychrome Terracotta Figures of Flower Sellers late 19th century, consisting of a young man and woman, with straw hats and carrying decorated pots, their bare feet resting on square bases formed as paving stones. h. 22-1/2”, w. 6-1/2” $800-$1,200 974 American Aesthetic Movement Faux Bamboo Bed fourth quarter 19th century, possibly by R. J. Horner, New York, in maple and birdseye maple, the head and footboard with a bamboo-turned gallery over panels framed by like moldings, raised on turned posts, the side rail edges with bamboo-style turnings. h. 58”, inside w. 56”, l. 78-1/2”, outside w. 60”, l. 83” $2,000-$4,000 975 American Aesthetic Movement Faux Bamboo Tall Chest fourth quarter 19th century, possibly by R. J. Horner, New York, executed in maple and birdseye maple, the top with a spindle gallery, above a bank of six drawers flanked by pilasters turned to simulate bamboo, the side panels with like molding. h. 61-1/4”, w. 34-1/2”, d. 21-3/4”

975

$2,500-$4,000

974

326

977 976

976 American Aesthetic Movement Faux Bamboo Dressing Table fourth quarter 19th century, possibly by R. J. Horner, New York, in maple and birdseye maple, the rectilinear mirror plate in a frame modeled to simulate bamboo, on like supports flanked by shelves and a turned gallery, the case with a frieze drawer over a pair of smaller drawers forming a kneehole opening, raised on turned legs joined by an H-form stretcher. h. 58-1/2”, w. 42-1/2”, d. 21” $2,000-$4,000 977 Exceptional Franco-American Gilt-Bronze and Faience Gasolier fourth quarter 19th century, the six-light gasolier with a gilt-bronze frame decorated with pierced scrollwork, ivy, medallions and engaged columns, the center set with a Longwy faience insert decorated with peonies and scrolling leaves. h. 40”, dia. 38” $2,500-$4,000 978 Antonio Nicolo Gasparo Jacobsen (Danish/American, 1850-1921) “SS Zeeland”, 1910 oil on board signed lower left. Framed. 22” x 36”, framed 29-1/2” x 44” $7,000-$10,000

978

A native of Denmark, Jacobsen was born into a musical family; his father was a well-respected violin maker with his own workshop. He attended the prestigious Royal Danish Academy of Fine Arts in Copenhagen. Upon completion of his studies, Jacobsen emigrated to the United States, settling along the New Jersey shore. Initially supporting himself as a professional musician, Jacobsen began to sketch the boats in nearby New York harbor in his free time. This led to commissions from ship captains, and by 1876 he was listed as an artist in the New York City Directory. Admired for his painstaking attention to detail, he soon became one of the most sought-after and well-known maritime artists of the region; his main competition was his neighbor and friend James E. Buttersworth. The ship depicted in the painting offered here, the SS Zeeland, was a joint British and Belgian ocean liner of the Red Star Line built by John Brown and Co., Glasgow. For most of its service it ran the Antwerp-New York route. During WW I the name was temporarily changed to the less German sounding SS Northland; it was eventually changed back. The ship was removed from service in 1929, and was scrapped the following year.

327

James E. Butterworth lots 979 - 982

One of the most acclaimed maritime artists of the 19th century, James E. Buttersworth was born in England. Little is known of his earliest years (genealogical information regarding the Buttersworth family is scant and often conflicting) though it is believed he was the son or grandson of the painter Thomas Buttersworth, with whom he received his artistic training. In the 1840s, the younger Buttersworth relocated with his family - then consisting of his wife and three children - to the shores of New Jersey, within view of New York Harbor. His paintings caught the attention of famed American lithographers Currier and Ives, and several popular prints were made of Buttersworth’s ship portraits. The artist began to make a name for himself in his newly adopted country, and he soon opened his own studio.

A prolific artist, Buttersworth was lauded for his meticulously detailed depictions of the various sea-faring vessels of the day. His paintings, with their straightforward yet highly effective “side-view” composition, reveal tightly controlled and concise brushstrokes, an intentionally restrained color palette, and close attention to the specific characteristics of the ship; the intricacies of the rigging, the placement of the masts and sails, and the construction of the hull and how it “sits” upon the water, creating veritable maritime portraits. Considered a maritime historian as well as an artist, Buttersworth’s paintings are in numerous collections, including Mariner’s Museum, Newport News, Virginia; U.S. Naval Academy Museum, Annapolis, Maryland; Bath Marine Museum, Maine; Peabody Museum, Salem, Massachusetts; and Mystic Seaport Museum, Connecticut.

979 James E. Buttersworth (British/New Jersey, 1817-1894) “Regatta” oil on millboard faintly signed lower right (under matting). Matted and framed. 7-1/4” x 11”, framed 12” x 16” Provenance: Obtained from the Buttersworth family in New Jersey by the present owner’s grandfather; thence by descent. $20,000-$40,000

979

328

980

980 James E. Buttersworth (British/New Jersey, 1817-1894) “Sandbaggers” signed lower right. Framed. 8-1/2” x 12-3/8”, framed 12-1/2” x 16-3/4” Provenance: Obtained from the Buttersworth family in New Jersey by the present owner’s grandfather; thence by descent. Literature: Rudolph J. Schaefer, J. E. Buttersworth, (Mystic, Connecticut: Mystic Seaport, 1975), illus. 185, p. 208. $25,000-$40,000

329

981

982 James E. Buttersworth (British/New Jersey, 1817-1894)

981 James E. Buttersworth (British/New Jersey, 1817-1894)

“Small Schooner on Northern Hudson River”

“Racing Yachts Leaving Harbor”

oil on wood panel signed lower right. Framed. 5” x 10-3/8”, framed 8-3/4” x 14-1/4”

oil on canvas laid down on board signed lower right. Framed. 8-1/4” x 12-1/4”, framed 12” x 16”

Provenance: Obtained from the Buttersworth family in New Jersey by the present owner’s grandfather; thence by descent.

Literature: Rudolph J. Schaefer, J. E. Buttersworth, (Mystic, Connecticut: Mystic Seaport, 1975), illus. 153, p. 177.

$20,000-$40,000

$4,000-$7,000

982

330

983 After Theodore Bauer (German/American, 1835-1898) “The Buffalo Hunt”, 1980 bronze cuivre cast signature, numbered “26/48”, dated, inscribed “EX NY”, copyright-marked, and with a Sterling Excalibur Foundry mark along back edge, after the 1876 sculpture commissioned by the Meriden Brittania Company (later the International Silver Co.) for the Centennial Exhibition in Philadelphia, on a carved wood plinth. overall h. 22-3/4”, w. 30-1/2”, d. 14-1/2”

983

$1,500-$2,500

984 Edward Sheriff Curtis (American, 1868-1952) “Assiniboin Hunter”, 1926 copyright, later printing photogravure on paper Plate 630 from The North American Indian, printed by Suffolk Eng. Co., Cambridge, Massachusetts. Glazed and framed. image 15-1/2” x 11-5/8”, sheet 22” x 18”, framed 26-1/4” x 22-1/4” $1,500-$2,500 984

985 Brett James Smith (American/Louisiana, b. 1958) “Outhouse Covey”, 1987 oil on masonite signed and dated lower left, titled on brass artist plaque on front. Framed. 22” x 28-3/4”, framed 32” x 39” $3,000-$5,000

985

331

986 Keith Fay (American/Wyoming, 1920-2008) “The Old Buck and Rail” oil on canvas signed and copyright-marked lower right, titled on plaque at front. Framed. 16” x 20”, framed 21-1/4” x 25-1/4” $1,500-$2,500 986

987 Philip Brinkman (American, 1916-2000) “Conch Fishing, Bahamas”, 1973 oil on canvas signed, dated and titled lower right. Framed. 30” x 40”, framed 34” x 44” $1,000-$1,500

987

988 American School (20th Century) “Harbor Town” oil on canvas signed “Weiller” lower left. Framed. 30” x 40”, framed 38-1/8” x 48-1/8” $1,000-$1,500

988

332

989 American School (Contemporary) “Wooded Interior” oil on canvas illegibly signed lower left. Framed. 36” x 48”, framed 44” x 56” $1,000-$1,500

989

990 American School (Contemporary) “Autumnal Woods” oil on canvas illegibly signed lower left. Framed. 36” x 48”, framed 44” x 56” $1,000-$1,500

990

333

991 Oak and Maple Mechanical Architect’s Drafting Table late 19th century, with an adjustable tilting writing surface supported by a counter-weight, one side fitted with a drawer, the other with a pencil and instrument trough. adjustable h. 68”, w. 47”, d. 48” $1,200-$1,800 992 Albany Slip-Glazed Anna Pottery Stoneware Pig Flask fourth quarter 19th century, by Wallace and Cornwall Kirkpatrick, Anna, Illinois, anatomically correct prone pig, incised inscriptions “Fine Old Bourbon In” along side and “Lard Oil Drill” on underside, flask opening under tail. h. 3-1/8”, l. 6-5/8” $1,500-$2,500 993 Suite of Eight Monumental Late Victorian-Style Carved Mahogany Chairs

991

20th century, the crests with a central flower flanked by phoenix birds to each side, above a central padded back, raised on carved legs ending in stylized ball-and-claw feet. h. 59”, w. 24”, d. 20” $3,000-$5,000

992

993

334

994 Monumental French Patinated Metal Billiard Table Light 20th century, with three lights in tapered rectangular shades, on scrolled metal supports decorated with applied leaves and vases of roses, the center with metal tasseled pelmets, supported on chains from a matching canopy. h. 47-1/2”, w. 61”, d. 9” $2,000-$4,000 995 Victorian Walnut Desk late 19th century, the “turtle”-form top above a conforming case fitted with a central drawer and two short rounded drawers to either side, raised on large cabriole legs headed by foliate shield carving and ending in pad feet. h. 29-3/4”, w. 62-1/2”, d. 35” $1,500-$2,500

994

996 Pair of Rare Gilt-Bronze Gasoliers in the Renaissance Revival Taste fourth quarter 19th century, the complex baluster-turned standards decorated with fluting, flowers and palmettes, and set with curved arms decorated with molded leaves, the lower portion with ball-form pendant finials molded with strapwork and lozenges. h. 60-3/4”, dia. 25-1/2” $3,500-$5,000

995

996

335

997 Twelve-Piece Neo-Renaissance Dining Suite signed American Art Furniture Co NY executed in walnut, mahogany, various burlwoods and figured veneers, and contrasting light and dark wood line stringing, comprised of a banquet table with a pair of 20” outside skirted leaves, h. 30”, w. 41”, l. 78-1/2”, ext. l. 118-1/2”, a long marble-top server/console, h. 38-3/4”, w. 86”, d. 23”, a marble-top cabinet, h. 37-1/2”, w. 53”, d. 24”, a cupboard on integral stand/china cabinet, h. 75-1/2”, w. 44-1/2”, d. 20-1/2”, two armchairs, h. 46-1/2”, and six side chairs, h. 39-1/2”, all elaborately carved, the table with draw ends opening to accommodate the leaves, the conforming case with a central bank of drawers flanked by frieze drawers over doors opening to reveal a bank of drawers, the cupboard on stand with a pair of doors on a base with cabriole legs joined by a carved stretcher, the armchairs with carved crests, all chairs with cabriole front legs and shaped stretchers. $10,000-$15,000

997 twelve-piece suite

336

997 twelve-piece suite

337

1000 998

998 Doulton Lambeth Faience Jardiniere on Stand ca. 1873-1880, in the Neo-Grec taste, the reeded jardiniere decorated with square medallions, fitted with leaf-molded handles, and resting on winged dragon feet, atop a matching Ionic column pedestal decorated with leaf molding, impressed “Doulton Lambeth” on the rim. h. 52-1/4”, w. 27-3/4”, d. 23-3/4” $2,500-$4,000 999 Gustav Becker Floor Model Walnut Regulator Clock fourth quarter 19th century, in two parts, the upper case with an overhanging cornice and carved frieze, fitted with a twoweight movement, the face, weights and pendulum engraved, the back of the movement signed “Gustav Becker”. h. 75”, w. 24”, d. 11” $1,200-$1,800 1000 Ray Ellis (American, 1921-2013) “Swinging from an Oak by the Water”, 1989 oil on canvas signed and dated lower right. Framed. 38” x 60”, framed 48-1/4” x 72-1/4” $10,000-$15,000

999

338

1001 American Late Victorian Mahogany Gun Cabinet ca. 1900, in the manner of R. J. Horner, New York, the top with a molded edge and carved front corners, the front with two long raised panel doors flanked by fluted columns and carved capitals, the base with a faux drawer, raised on turned bun feet, the interior fitted for five rifles. h. 63-1/2”, w. 24-1/2”, d. 18-1/2” $1,000-$1,500 1002 Large Framed Fabric Texas State Flag post-1933, the Lone Star Flag design was used from 18391845 and re-adopted in 1933, the machine sewing likely dates this to the later date, presented in a contemporary burlwood frame. flag h. 44", w. 72", overall h. 62-1/2", w. 88-1/2" $1,000-$1,500

1001

1002

339

1003 French Bronze Oil Lamp in the Louis XIV Taste fourth quarter 19th century, the standard, centered by a flaming torch, supporting a stamped brass font and fitted with a diamond-quilted opalescent glass shade, now electrified. h. 32-1/4”, dia. 7-1/2” $1,000-$1,500 1004 Thirteen-Piece Collection of Boehm Porcelain Flower and Bird Sculptures fourth quarter 20th century, English, including the “Golden Jubilee Opera Rose”, the “Dominican Rose” and the “French Opera House Camellia”, all artist-signed in addition to the porcelain mark, together with “Flamingo”, “Paphiopedilum”, “Bing Crosby Rose”, “Spanish Iris”, “Helen Boehm Camellia”, “Marigolds” and “Yellow Rose”, all marked and numbered with limited editions, and two “Camellias” and a “Rose”, marked on stems but not limited editions. h. 2-1/2” to 8-1/2”, w. 3” to 8-1/2”, d. 3” to 5-1/4” $800-$1,200 1005 Boehm Porcelain Sculpture of a Brown Pelican

1003

20th century, American, the pelican standing on a barnacleencrusted step, with a sculpted vine adorned with a rendered bug on one leaf, signed “Edward Marshall Boehm” and numbered “400-22”. h. 23-1/2”, w. 14”, d. 15-3/4” $1,500-$2,500

1005

1004

340

1006 Antique Bakhtiari Carpet 10’ 10” x 14’ 8” $1,800-$2,500 1007 Antique Sarouk Carpet 10’ x 15’ 8” $1,800-$2,500 1008 Semi-Antique Oushak Carpet 10’ x 13’ 9” $1,200-$1,800

1006

1007

1008

341

1009 Agra Serapi Runner 2’ 6” x 19’ 7” $1,000-$1,500 1010 Agra Serapi Carpet 11’ 9” x 15’ 3” $2,000-$4,000 1011 Oushak Carpet 6’ x 7’ 8” $1,000-$1,500

1011

1009

1010

342

1012 Afghan Tribal Runner 2’ 8” x 15’ 6” $1,000-$1,500 1013 Turkish Angora Oushak Carpet 8’ x 10’ $1,000-$1,500 1014 Oushak Carpet 7’ x 9’ 10” $800-$1,200

1013

1012

1014

343

1015 Tabriz Carpet 9’ 3” x 13’ 3” $1,500-$2,500

1016

1016 Oushak Carpet 5’ x 9’ 9” $1,500-$2,500

1015

344

1017 Heriz Carpet 9’ 8” x 13’ 8” $1,000-$1,500

1017

1018 William Morris Arts and Crafts Design Carpet 9’ x 12’ 3” $1,500-$2,500

1018

345

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Taylor Eichenwald Assistant Director of Auctions

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Director of Fine Jewelry

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Charles C. Cage Silver Specialist & Office Manager

Thomas Halverson American Furniture Specialist

Burke Designer

AUCTIONEERS Tessa Steinkamp, #1265 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Kelly McMahon Client Services & Administrative Assistant

CONSULTANTS

Grace Connors Manager of Online Auctions

ADMINISTRATION

Ellen McKenzie English & Continental Furniture

Denise Haik Office Administration

Christa Ougel Graphic Designer

Ira Savoie Independent Certified Gemologist Appraiser

Gary Michael Gittelson Photographer

Bettina Bausa Graphic Designer

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Theadrow Mark