May 18-19, 2019 Estates Auction

New Orleans Auction g a l l e r i eFINE s ART AUCTION

m ay 1 8 - 1 9 , 2 0 1 9

APRIL 22, 2017

Estates Auction

May 18-19, 2019

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | 504-566-1849 LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 | 25% Buyer’s Premium

Pictured Left: Lot 249 | Front Cover: Lot 188 | Back Cover: Lot 791

Exhibition:

May 6-17, 2019 Monday - Friday, 9:00 a.m. - 5:00 p.m.

Saturday, May 11, 10:00 a.m. - 3:00 p.m.

Evening Reception: Thursday, May 16, 2019, 4 - 6:00 p.m.

Lot Schedule:

Please note that times are approximate

Saturday, May 18, 2019 Lots 1-467 10:00 - 11:00

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11:00 - 12:00

101

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200

12:00

1:00

201

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300

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100

1:00

-

2:00

301

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400

2:00

-

2:45

401

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467

Sunday, May 19, 2019 Lots 468 - 901 10:00 - 11:00

468

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550

11:00 - 12:00

551

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650

12:00

1:00

651

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750

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1:00

-

2:00

751

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850

2:00

-

2:30

851

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901

Pictured: Lot 768

Letter From the Director of Marketing “A décor is like a 3D composition; all the elements relate and connect making something happen between all the elements from one room to another, creating an exciting story.”

—Jean-Louis Deniot Good design instills a sense of calm on those who experience it. Not every item in an interior has to be exceptional, but rather, and more importantly, it must relate to the other elements in an aesthetically pleasing way. This harmony, which can be difficult to achieve, is what separates mediocre and masterful design.

He adds he likes these particular styles because they “correspond to the highest level of France’s glory and history, le siècle des Lumières,” and mix well with contemporary pieces.

Several of my favorite items in the May sale that I think would fit perfectly in a Jean-Louis interior are pictured below. They include Lot 89, a transitional Louis XV/XVI commode with intricate inlay and the elegant lines. Effortlessly chic with a bit of history and drama, it is sure to add a wow factor to any room. I also love Lot 178, a unique mid-20th century giltwood mirror with a modern border mimicking woven branches and topped with a more traditional crest. Finally, Lot 819, a Pedro Friedeberg hand chair, is another piece that fits with Deniot’s philosophy. We have offered several of Friedeberg’s gilded hand chairs over the years, but I particularly like that this piece is left with a natural wood finish.

New Orleans Auction Galleries recently hosted a fabulous book signing and cocktail party on a Friday evening during Texas Design Week in Houston for renowned international architect/interior designer Jean-Louis Deniot. Houston, where I attended high school and am always eager to return, is not only diverse and culturally rich, but it is also a burgeoning design mecca; therefore the city provided the perfect backdrop to host our much-talked-about event honoring the world-renowned designer.

On Jean-Louis – who has worked on major projects throughout the world, including London, New York, Moscow, Istanbul, Dubai and New Delhi – Rebecca Sherman, Home Design Editor with PaperCity, one of Houston’s leading lifestyle magazines, writes, “The charming Parisian is known for his sophisticated interiors that layer contemporary furnishings with a strong dose of history and a dram of drama.” For me, his interiors are like a beautiful painting, flawlessly balanced – the type of harmonious perfection that makes you breathe a comforting sigh of relief. In my own home, I, too, like to mix antiques and modern pieces to add, as Sherman puts it, history and drama.

The May Estates Auction, to be held on Saturday, May 18 and Sunday, May 19, offers over 900 lots with a mix of modern and antique, from neoclassical to rococo. For the full schedule of events leading up to the auction, take a look on the opposite page.

As you flip through the pages of our catalogue, I invite you to search for the piece that adds a little drama, or as Jean-Louis says, has that “je ne sais quoi” quality to your own rooms.

See you at the auction,

I had the fortunate opportunity to speak with Jean-Louis, and, of course, as an auctioneer for NOAG, I asked about where he looks to source art and furnishings for his projects. It’s no surprise that Jean-Louis is an auction aficionado. When asked

by Sherman what he is currently buying, he says, “classical French Louis XVI and French transitional-style furnishings.”

Lot 819

Taylor Eichenwald Director of Marketing & Public Relations

Lot 89

Lot 178

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March Estates Auction Evening Reception Highlights 1. Adam Lippes, Susan Sarofim & Burke; 2. Kim & Mark Bruser; 3. Sophie Elsner & Tom Marcello; 4. David Lee & Jeremy Guyton; 5. Randall Hardouin & Jerry Hingle; 6. Gilbert Rivas, Tony Maenza, Gerard McGovern, Eric Martin & Cornell Owesny; 7. Michele Carolla, Louise Guidry & Brian Sands

Lot 189

The Estate of

Elizabeth "Betsy" Parish Houston, Texas

A fifth-generation Houstonian and member of one of Texas' pioneering families, Elizabeth Ellen "Betsy" Parish was a journalist as well as a successful marketing and public relations executive in the retail and hospitality industries.

Betsy was born March 20, 1946 in Houston to Marion Robbins and Walter Alvis Parish, Jr., and attended The Kinkaid School through 9th grade before transferring to Mirabeau B. Lamar High School and graduating in 1963. She attended Mount Vernon College in Washington, D.C., and later majored in journalism at the University of Houston.

Betsy spent over ten years of her career in the field of public relations, marketing and advertising, specializing in the hotel industry. Her career began as a sales representative for the Hotel America. She was the Astroworld Hotel Convention and Public Relations Coordinator for Judge Roy Hofheinz and Director of Sales and Public Relations for Houston International Hotels whose properties included the Warwick in Houston, Villa Vera and Marallsa hotels in Acapulco, and the Gran Bolivar in Lima. Recognition of her experience and understanding led to her becoming the Director of Public Relations and Advertising for the Hyatt Regency in Houston where she coordinated the opening activities of the hotel as well as Hyatt Hotels in Memphis, Savannah and other locations. She was one of the first women elected to serve on the international Board of Directors of the Hotel Sales Managers Association.

Betsy joined Sakowitz, Inc., a chain of department stores based in Houston, as Vice President of Sales Promotion, Marketing, Advertising, Public Relations, Visual Merchandising and Special Projects. Under her input and direction, Sakowitz became known around the world through publicity of the Christmas Catalog "Ultimate Gifts" and the annual storewide "Festivals". She also worked closely with the store planning division on the expansion stores opened in Dallas, Midland, Houston, and Tulsa.

After working at Sakowitz, Betsy wrote a daily column at the Houston Post for more than seven years, which resulted in her being saluted as "Houston's hot media personality".

Betsy was an advocate of all efforts to document and preserve the history of Houston health care. She was the author of Legacy: Fifty Years of Loving Care, Texas Children's Hospital, 1954-2004, published in 2008 and was a past President and board member of the Friends of the Texas Medical Center Library.

Betsy’s most recent book was Houston Hearts: A History of Cardiovascular Surgery and Medicine and the Methodist DeBakey Heart and Vascular Center at Houston Methodist Hospital.

New Orleans Auction Galleries is delighted to offer fine English antiques from the Estate of Elizabeth Ellen “Betsy” Parish.

Interior of Lucullus

Proprieter Patrick Dunne

Property From

Lucullus

New Orleans, Louisiana

For decades, Lucullus in New Orleans has attracted local clientele, sophisticated visitors and renowned designers from around the world by offering a special source for antique furnishings and period decorations.

The celebrated shop window displays have themselves become a destination in the Vieux Carré.

Because of the unique focus on culinary antiques, Lucullus has captured the interest of national and international media. The shop has been featured in House Beautiful, Condé Nast Traveler, Martha Stewart Living, Town and Country, Garden & Gun, Vogue, and the New York Times, as well as a number of publications abroad.

The proprietor, Patrick Dunne, has appeared on Martha Stewart’s television program, Mo Rocca’s Food(ography) on the Cooking Channel, and several PBS productions. In addition, he is the author of the book The Epicurean Collector (Bulfinch Press; Little, Brown and Company) and has both written for and served as contributing editor to a number of interior design and lifestyle magazines. Mr. Dunne also lectures to select groups on the history of food, table decoration and foodways.

After 35 years on Chartres Street in the heart of the French Quarter, Lucullus recently announced that they are leaving their charming 19th-century building to move in new and different directions.

New Orleans Auction Galleries is honored to assist Patrick Dunne and the entire Lucullus team in facilitating their move by offering a selection of furniture, mirrors and more from the iconic French Quarter shop.

Lot 251

SESSION I

Saturday, May 18, 2019 Lots 1-467

2

1 Continental Neoclassical-Style Painted Mirror fourth quarter 19th century, decorated with a turned and carved green urn crest flanked by swags of laurel leaves on a putty ground, the surround with crossetted corners and a lower matching swag. h. 65‑1/2”, w. 27‑1/2”

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$1,000‑$1,500 2 Pair of Italian Aesthetic Bronze Candelabra third quarter 19th century, now mounted as lamps, on paw feet terminating in lion’s heads, the standards decorated with anthemia and classical heads, mounted with Dionysian figures between the candle arms. h. 40‑1/2”, dia. 8” $1,000‑$1,500 3 Bronze Grand Tour Sculpture of a Dancer fourth quarter 19th century, probably Italian, the dancer holding a hoop with two birds, and another long-tailed bird perched on his shoulder. h. 26‑1/2”, w. 11‑1/4”, d. 9” $1,200‑$1,800 3

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4 detail

4 Italian Bronze Two-Tier Fountain 20th century, decorated with water gods, the base with putti and dolphin tails in front of the faceted base, the lower pan decorated with porpoises, a sculpture of ducks with cattails supporting the upper pan and putto finial. h. 88‑1/2”, dia. 42” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $2,500‑$4,000

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5 Four French Painted Canvas Panels 19th century, in the neoclassical taste, the rectangular top panels depicting various gods and goddesses, the lower oval panels with amusing scenes suspended from swags and fleursde-lis in the corners, the painted, dentillated borders with sunbursts in the corners. each panel h. 70”, w. 26” $2,000‑$4,000 6 Italian Baroque-Style Painted Pediment 20th century, with a swan’s-neck pediment flanking a carved finial, with scrolled ends and carved scrollwork. h. 34”, w. 60”, d. 2‑1/2”

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$1,000‑$1,500

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4

7 Marble and Polychrome Side Table in the neoclassical taste, the long rectangular marble top raised on two supports, each in the form of a stylized Ionic column with gilt beading accents, to a square marble on a plinth. h. 34‑1/2”, w. 79”, d. 21” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,500‑$2,500 8 Continental Weathered Lead Bust of a Greek Athlete fourth quarter 19th century, possibly Pheidippides, the runner from Marathon. h. 16”, w. 13”, d. 10” $1,000‑$1,500

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9 True Pair of Opposing Green Patinated Bronze Lions on Plinths 20th century, each poised serenely with one paw up. h. 20”, w. 41‑1/2”, d. 17” $4,000‑$7,000

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10 Italian Neoclassical-Style Parcel-Gilt and Polychrome Armchair

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late 19th/early 20th century, of barrel-back form, the arms ending in carved lion masques, raised on tapering paneled legs on paw feet. h. 34‑1/2” $1,000‑$1,500 11 Pair of Late Classical Giltwood Pier Mirrors second quarter 19th century, Continental, the molded frames decorated with molded ivy and arcading. h. 61”, w. 28” $1,000‑$1,500 12 Neoclassical Bas-Relief-Carved Marble Plaque

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19th century, probably Italian, with a neoclassical muse leaning on a globe and stack of books, representing knowledge, a putto on one side. h. 15‑1/2”, w. 24‑1/2”, d. 3‑3/4” $1,000‑$1,500 13 Italian Bas-Relief Marble Plaque of a Dionysian Scene second half 19th century, depicting drunken putti at play, during the celebration of the wine, on a custom stand. h. 15”, w. 21‑3/4”, d. 6” $2,000‑$4,000

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14 Italian Carved Marble Bust of the Venus de Medici ca. 1900, a variant after the 1st century BCE Greek sculpture (itself possibly a copy of an earlier bronze) now conserved at the Uffizi, Florence, on a self-socle base. h. 20”, w. 16”, d. 9” Reference: Haskell, Francis and Penny, Nicholas. Taste and the Antique - the Lure of Classical Sculpture, New Haven: Yale University Press, 1981. $2,000‑$4,000 15 Marble and Glass Table in the Neoclassical Taste the long beveled glass top raised on two marble supports in the form of addorsed griffins on a plinth base. h. 28‑1/2”, w. 95”, d. 30” $3,000‑$5,000

16 Joseph Gott (British/Rome, 1786‑1860)

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“Young Shepherd with Terriers” marble carved signature along edge of self-base, on a tripartite columnar plinth. sculpture h. 39”, overall h. 71”, w. 26‑1/2”, d. 15‑1/2” 14

$2,000‑$4,000

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17 Siena and Rouge Mottled Sarrancolin Marble Wall Fountain ca. 1900, in the Baroque style, with a dolphin-carved standard supporting the reeded bowl, the spout concealed in the plaque depicting a putto in a pond of bulrushes, pouring water from a ewer. h. 65‑1/2”, w. 39‑1/4”, d. 21‑1/2” $5,000‑$8,000 18 Italian Carved Marble Bust of Ajax fourth quarter 19th century, after the Antique. h. 26”, w. 19”, d. 11‑1/2” $1,200‑$1,800 19 Italian Neoclassical Parcel-Gilt Mirror ca. 1800, the crest with a roundel depicting an emperor of Rome, framed with roses and carved leaves, with carved laurel leaves and berries surrounding the mirror plate, accented with flowerheads, the lower sides with tapered feet. h. 47”, w. 30‑1/2” $1,400‑$1,800

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20 Italian Brown Alabaster and Gilt-Bronze Chandelier first quarter 19th century, with three pairs of candle branches alternating with pierced rocaille work and flowers, supported by molded chains. h. 35”, dia. 35”

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$1,000‑$1,500

22 Suite of Six Continental Neoclassical Polychrome Chairs

21 Pair of Polychrome Stools each with an upholstered floral-and-leaf-pattern cushion, the edges with contrasting cording, raised on animal-form legs on carved paw feet. h. 18”, w. 20‑1/2”, d. 16”

19th century, consisting of one armchair and five side chairs, each with a paneled lyre-carved crest supported by scrolling side rails joined by a turned splat, the cushioned caned seat raised on sabre legs, the whole with gilt accents. h. 34”

$1,000‑$1,500

$1,200‑$1,800

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23 Large Italian Scagliola Fluted Pedestal early 20th century, modeled as a fluted rouge griotte marble column on a stepped circular and octagonal base. h. 46‑1/2”, top dia. 14”, base dia. 22” $1,000‑$1,500 24 Italian Neoclassical Carved Wooden Bust mid-20th century, depicting an emperor of Rome wearing a laurel wreath, on a faux marbre socle. h. 13”, w. 6‑3/4”, d. 5” $1,000‑$1,500 25 Patinated Bronze of “Discobolus”

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first half 20th century, after the 1st century AD Roman sculpture (itself a copy of a lost 5th century BCE Greek work by Myron) now conserved at the Museo Nazionale Romano and displayed in the Palazzo Massimo, inscribed “Myron” in Greek letters along side of stump, with title plaque at front. h. 64”, w. 40”, d. 21” $6,000‑$9,000

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26 Large Pair of Neoclassical-Style Patinated Bronze Urns 20th century, the bodies with neoclassical female water carriers, and the handles with female busts terminating in paw feet. h. 45‑3/4”, w. 23”, d. 16” $4,000‑$7,000 27 Four Bronze and Wooden Objets d’Arts including a bronze cymbal player, after a Pompeiian original, fourth quarter 19th century, h. 13‑1/4”, an Italian bust of Apollo Belvedere, ca. 1900, h. 6”, w. 3‑1/4”, an Italian bronze figure of Athena on a marbleized base, fourth quarter 19th century, h. 9”, dia. 2‑3/4”, and an English Regency bronze bust of George IV, second quarter 19th century, marked “Georgius IV, D.G., Britt: Rex Pater Patriae”, h. 7”, w. 3‑3/4”.

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$1,200‑$1,800 28 Four Italian Grand Tour Bronze Souvenir Objects fourth quarter 19th century, including an oil lamp with two flame nozzles and an elaborately modeled handle and figural cover, h. 9‑1/2”, w. 5‑1/2”, d. 12‑3/4”, an open brazier with three figures, after a Pompeiian original, h. 9‑3/4”, dia. 5‑3/4”, a brazier with a figural cover above cow heads with hoof feet, on a red griotte marble base, h. 8”, dia. 4‑1/2”, and a covered brazier with a figure of Pan on the top, h. 7‑3/4”, dia. 5”. $1,200‑$1,800

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29 Egyptian Revival Bone-Inlaid Hardwood Armchair ca. 1900, the back with a carved sphinx masque, with a mother-of-pearl jewel in its hair, joined to wings wrapping around to form the arm supports, the apron with inlaid strips of bone, cherry and associated hardwoods, the legs with carved hoof feet. h. 35‑1/4”, w. 25”, d. 21” $2,500‑$4,000 Similar chairs have been in the collection of the Museo Nacional de Ceramica, Valencia, Spain.

30 Continental Neoclassical Marquetry- and Bone-Inlaid Sofa 19th century, the crest rail with ribbon, floral and marble inlay, supported by demi-lune ebonized and fruitwood columns, the apron adorned with like inlay, raised on columnar front legs, the seat and back with upholstered cushions, the ends with like bolsters. h. 38”, w. 81”, d. 25” $1,000‑$1,500 29

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31 Pair of Neoclassical-Style Wrought Iron Stools each with a curule-form base extending to shaped arm rests and fitted with a seat cushion in tufted linen. h. 28”, w. 27‑3/4”, d. 18‑1/2” $1,200‑$1,800 32 Italian Neoclassical Mahogany, Fruitwood and Marble-Top Commode

33 Pair of Neoclassical-Style Specimen Marble-Veneered Pedestals each with a square top with a molded edge and raised on a tapering paneled standard to a molded pitched square base. h. 54”, w. 17‑1/2”, d. 17‑1/2” $1,000‑$1,500 34 Baltic Fruitwood and Marble-Top Pietra-Dura Center Table

18th century, the rectangular marble top with turreted corners, above a conforming case fitted with three short drawers over two tri-paneled long drawers, all with decorative banding, raised on tapering circular legs ending in brass caps. h. 32”, w. 44‑1/2”, d. 23”

19th century, in the neoclassical taste, the inset octagonal marble top featuring a flowering urn, raised on an ebonized and paneled standard to a quarter-veneered concave base to ebonized paw feet. h. 31”, dia. 37”

$1,200‑$1,800

$1,000‑$1,500

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35 Italian Giltwood Mirror

37 French Patinated Bronze of the “Crouching Venus”

mid-20th century, the oval mirror plate lined with fluting, the crest with a pierced anthemia finial, on delicate, pierced scrollwork, the lower portion decorated with swags of flower buds and scrollwork. h. 58”, w. 38‑1/2”

ca. 1900, an “F. Barbedienne, Fondeur” inscription along edge of base, after the 2nd century AD Roman marble (itself a copy of a 2nd century BCE sculpture). h. 24”, w. 12”, d. 13”

$1,200‑$1,800 36 Biedermeier Parcel-Ebonized Burled Elm Console Table early 19th century, of demi-lune form, the top with an inlaid perimeter banding over a pair of swing-out drawers, on a columnar pedestal with a basket of fronds and a stepped base. h. 31‑1/4”, w. 29‑1/2”, d. 14‑5/8” $1,000‑$1,500

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Literature: Reference: Haskell, Francis and Penny, Nicholas.

Taste and the Antique - the Lure of Classical Sculpture, New Haven: Yale University Press, 1981. $2,500‑$4,000 The Crouching Venus is unusual for the number of period versions conserved in such collections as the Uffizi, the Louvre, the British Museum, and the Vatican Museum. The bronze offered here, with the fingers of the right hand slightly outstretched, most closely resembles the sculpture in the Vatican collection.

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38 Pair of Neoclassical Walnut Curved Armchairs 18th century, probably Swedish, each with a pierced and carved back panel, tapered and fluted legs, and mortise and tenon construction with wooden pegs. h. 30”, w. 21”, d. 16” $1,000‑$1,500 39 French Bronze and Crystal Chandelier first quarter 20th century, in the neoclassical taste, with a fluted standard, the top with molded bowknots. h. 25‑1/2”, dia. 15” $1,000‑$1,500 40 French Neoclassical-Style Giltwood Mirror first quarter 20th century, the surround decorated in "vintage motif" with molded grapes and grape leaves, the outside edge with egg-and-dart molding, the mirror plate in two sections. h. 75”, w. 45‑1/2” Provenance: Lucullus, New Orleans, Louisiana. $2,000‑$4,000

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41 Pair of Neoclassical-Style Rosewood and Exotic Woods Occasional Tables mid 19th century, Manner of Topino, each with a banded oval top with a central vase and vessel inlay, raised on a fluted columnar standard to a concave base on gilt bun feet. h. 28‑1/2”, w. 24‑1/2”, d. 18‑1/2” $1,500‑$2,500 42 Pair of Empire-Style Bronze and Glass Hurricane Lamps mid-20th century, French, with standing swans on the lotus-trimmed bases, the vasiform standards molded with laurel leaves, the beaded and fluted bronze candle sockets secured behind the blown candle shades. h. 26”, dia. 11‑3/4”

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Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,500‑$2,500 43 Empire-Style Iron and Marble-Top Occasional Center Table 19th century, the circular white marble top above a conforming garland-modeled frieze, raised on three shaped supports headed by sphinx capitals, joined by a scrolling stretcher and ending in claw feet on a tripartite base. h. 29”, dia. 24” $1,000‑$1,500 44 Pair of Directoire-Style Argente and Polychrome Fauteuils

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early 20th century, each with a paneled back and stiles adorned with floral rosettes, shells and foliage, columnar arms on lotus-carved and paneled supports, a bowed seat rail and turned legs, upholstered in deep green cut velvet. h. 36‑1/2” $1,000‑$1,500

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45 Pair of Empire-Style Iron and Marble-Top Pedestal Tables each with a circular marble top raised on three ram’s-head supports joined by a ring stretcher and continuing to bulbous supports, ending in splayed legs terminating in hoof feet. h. 43”, dia. 15” $1,000‑$1,500 46 Empire-Style Fruitwood and Marble-Top Center Table 20th century, the circular marble top above a gilt pateracarved frieze, raised on shaped supports headed by gilt winged swan capitals and ending in gilt paws on a concave plinth base. h. 33‑1/2”, dia. 36” $1,000‑$1,500 47 Set of Four Empire-Style Gilt- and Patinated Bronze Sconces mid-20th century, French, the three-light sconces on lion-head backplates set with leaf-molded arms decorated with swags, the vase-molded candle cups with molded acanthus leaves and beaded edges. h. 19”, w. 10”, d. 4‑1/4”

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$1,800‑$2,500 48 Empire-Style Bronze and Tole Chandelier first quarter 20th century, the black tole body mounted with pierced anthemia alternating with six cornucopiaform arms, with an artichoke-form finial, supported on molded chains to a canopy set with anthemia. h. 24”, dia. 17‑1/2” 47

$1,000‑$1,500

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49 Pair of Directoire-Style Brass and Glass Gueridons each with a circular black glass top on a conforming tripodal frame, the legs with ringed allegorical mounts at their top and acanthus mounts joined to hoof feet, the legs joined by high and low shaped stretchers with a central ring. h. 31‑1/4”, dia. 30” $1,000‑$1,500 50 Six French Gilt- and Patinated Bronze Sconces 20th century, in the Empire taste, decorated with medallions of Roman centurion heads on a black ground, the reeded arms with scrollwork, set with candle cups with engine-turned decoration and acanthus-molded drip pans. h. 19”, w. 4‑3/4”, d. 8‑1/2”

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$1,500‑$2,500 51 Empire-Style Mahogany Desk early 20th century, the rectangular top with an inset leather writing surface and within an ormolu edge, above a case fitted with a central drawer flanked to either side by a bank of three drawers, raised on tapering square legs ending in ball feet, the whole richly ornamented with ormolu mounts and millwork. h. 31‑1/2”, w. 71‑1/2”, d. 34‑1/2” $1,500‑$2,500

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52 Empire Mahogany and Marble-Top Bronze Mounted Commode early 19th century, the rectangular marble top above a conforming case fitted with a single frieze drawer over three recessed long drawers with gilt-bronze hardware, flanked to either side by a scrolling upright, raised on tapering block feet. h. 35‑1/2”, w. 51”, d. 23‑1/4” $1,200‑$1,800 53 Pair of Empire-Style Mahogany and Marble-Top Side Tables 19th century, each with a demi-lune marble top above a star-applied frieze, joined by square supports headed by ormolu maiden’s busts, and a mirrored back to a lower stretcher shelf on ormolu paw feet. h. 36‑1/2”, w. 42”, d. 20‑1/2”

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$3,000‑$5,000 54 French Empire-Style Gilt- and Patinated Bronze Clock 20th century, cast as the chariot of Telemachus with a lion, and Juno, the Goddess of War, with her shield and helmet, on a plinth with fasces legs, mounted with laurel wreathes and a trophee. h. 19‑3/4”, w. 19‑3/4”, d. 4‑3/4” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,500‑$2,500 52

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55 French Empire-Style Patinated Brass and Bronze Chandelier first quarter 20th century, the central figure of a caryatid blowing a trumpet, standing on a sphere, decorated with mounts of the zodiac, hung from an anthemion-molded corona, with cylindrical candle holders, on a pierced stardecorated ring. h. 39”, dia. 23”

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$1,000‑$1,500 56 Pair of French Gilt- and Patinated Bronze Campana-Form Urns second quarter 19th century, now mounted as lamps, the urns molded with acanthus leaves and set with handles with ram’s head terminals, the bases decorated with laurel wreath mounts and trimmed with egg-and-dart decoration. h. 29”, dia. 6” $1,000‑$1,500 57 Empire-Style Mahogany and Marble-Top Commode 19th century, the rectangular marble top above a plain frieze and three recessed long drawers, flanked to either side by an ormolu-mounted columnar upright, raised on turreted feet. h. 38”, w. 49”, d. 24‑1/2” $1,000‑$1,500

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58 Pair of Empire-Style Gilt- and Patinated Bronze Garniture Urns 20th century, the bases with lyre mounts trimmed with wreaths, the urns with reeded upper edges, and the bodies with lotus leaves over reeding. h. 15‑1/4”, w. 5‑1/2”, d. 5” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,200‑$1,800 59 Pair of Handsome French Gilt- and Patinated Bronze Sconces second quarter 20th century, in the Empire style, each lozenge-form backplate trimmed with anthemia and mounted with a blackamoor masque and an oval strapwork candle cup holder fitted with two lights, the cups molded with anthemia. h. 11‑1/2”, w. 9”, d. 5‑1/4” $1,000‑$1,500 60 Large French Empire Giltwood Mirror first quarter 19th century, with a cove-molded surround decorated with anthemia and lined with beading, with square corner blocks. h. 76”, w. 46‑1/4” $1,200‑$1,800

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62 Directoire Pine Box Settee 18th century, of traditional form, the padded back with a raised center section and within a foliate-modeled frame, joined by padded sides to the cushioned seat, over an annulated and foliate-carved frieze, raised on fluted circular legs ending in peg feet. h. 40”, w. 75”, d. 26‑1/2” $1,200‑$1,800 63 Pair of French Bronze and Marble Kylix-Form Garnitures fourth quarter 19th century, the cups molded with ivy leaves and set with bird-molded handles, on white marble bases with molded bronze trim. h. 9‑3/4”, w. 8‑1/2”, d. 6” $1,000‑$1,500

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61 French Neoclassical Bronze Chandelier first quarter 20th century, the eight-light chandelier with a vasiform standard mounted with medallions and scrollwork, the reeded arms terminating in leaf-molded scrolls and medallions, the leaf-molded candle cups with lotus-molded drip pans. h. 42”, dia. 23”

63

$1,000‑$1,500

62

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64 Empire-Style Mahogany and Marble-Top Fireplace Surround 20th century, the rectangular top above a frieze centered by an ormolu mount of a classical chariot, raised on square supports headed by ormolu maiden’s heads and ending in ormolu feet on block bases, the whole resting on a marble base. h. 41”, w. 54”, d. 19” $1,000‑$1,500 65 Empire-Style Painted and Parcel-Gilt Bench the ends of chair-back form, each with a scroll-molded top rail over a pair of overhanging rings with serpent carving, an upholstered seat and flare legs. h. 31‑1/4”, w. 31”, d. 21”

66

$1,000‑$1,500 66 French First Empire Marble and Gilt-Bronze Clock ca. 1800, the base inset with panels of gilt-bronze leaves and berries, the sunburst pendulum with swags of grapes, suspended from the works, the works mounted between a pair of colonettes mounted with medallions and anthemia, with an urn-form finial with scrolled gilt handles. h. 21”, w. 15‑1/2”, d. 4” $1,000‑$1,500

65

64

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67 Empire Gilt-Bronze-Mounted Mahogany and Marble-Top Dressing Table second quarter 19th century, with an arched tilting mirror mounted between two posts with highly detailed bronze finials, the work surface with a recessed inset marble and drawer below. h. 55”, w. 29”, d. 15‑1/2” $1,200‑$1,800 68 Impressive French Onyx and Gilt-Bronze Mantel Clock fourth quarter 19th century, with gilt-bronze wheat sheaves framing the dial, the sides set with ram’s-head handles, with a bronze and onyx cup-form finial and paw feet, the dial with an exposed escapement, marked with the retailer, “A.B. Griswold, New York”, the works marked by Marti. h. 24‑1/2”, w. 19‑1/2”, d. 8‑3/4” $2,500‑$4,000

67

68

69 Pair of Empire-Style Painted and Parcel-Gilt Benches the arms capped by carved heads, the frames with floral, leaf and vine decor, the flare legs terminating in carved paw feet, now in burgundy upholstery. h. 28‑1/2”, w. 29”, d. 19‑3/4” $1,500‑$2,500

69

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71 Directoire Polychrome Bergere late 18th century, the padded and domed back joined by downswept arms to the padded seat, raised on ring-turned tapering circular legs, the whole accented with delicate polychrome floral designs. h. 37‑1/4” $1,000‑$1,500 72 Louis-Philippe Fruitwood Daybed mid-19th century, the headboard and footboard each paneled and with a rounded crest, fronted by a paneled standard, joined by shaped rails and raised on molded block feet. h. 41”, inside w. 33”, l. 73”, outside w. 37”, l. 80” $1,200‑$1,800

71

70 Restauration Fruitwood Commode second quarter 19th century, the case with a projecting drawer over a bank of three graduated drawers, flanked by turned columns resting on projecting block feet. h. 38”, w. 51”, d. 23” Provenance: Lucullus, New Orleans, Louisiana. $1,000‑$1,500 70

72

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73 Pair of Restauration-Style Fruitwood Fauteuils late 19th century, each with a scrolled and relief-carved crest rail, scrolled and carved arms, and raised on shaped legs. h. 37”, w. 22‑1/2”, d. 18” $1,000‑$1,500 74 Pair of Restauration-Style Fruitwood Fauteuils late 19th century, each with a scrolled and relief-carved crest rail, scrolled and carved arms, and raised on shaped legs. h. 37”, w. 22‑1/2”, d. 18” $1,000‑$1,500 75 Restauration-Style Gilt-Bronze Chandelier 20th century, with a column-form standard decorated with reeding, the trumpet-form arms with molded leaves on two levels, with a leaf-molded and scrolled corona over a border of lotus leaves. h. 43”, dia. 31”

75

$1,000‑$1,500 76 Pair of Empire-Style Burlwood Side Tables each with a line-inlaid and banded top over a case with a bank of three drawers flanked by columns with ormolu capitals and bases, on turned legs. h. 28”, w. 12‑5/8”, d. 14‑1/2” $1,000‑$1,500

76

73

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74

79

77 Pair of Restauration Mahogany Armchairs second quarter 19th century, each with a molded crest rail above a figured mahogany-veneered panel, with down-curved and carved arms and raised on curved legs. h. 36”, w. 22”, d. 20” $1,000‑$1,500 78 Restauration Mahogany and Marble-Top Center Table second quarter 19th century, the circular marble top with a molded and dished perimeter, on a vasiform octagonal pedestal joined to scroll-carved legs with paw feet. h. 29”, dia. 38‑1/4”

77

$1,000‑$1,500 79 Rare Restauration Gilt-Bronze Sur la Table second quarter 19th century, in two parts, with joined ends, supported on paw feet on four sides, with bronze baskets of flowers trimmed with anthemia, alternating with molded pineapples, all supported on a latticed border with molded medallions, set with antique mirror glass. h. 7”, w. 26”, l. 51‑1/2” $8,000‑$12,000

78

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80 Louis-Philippe Giltwood Overmantel Mirror mid-19th century, with an ogee surround decorated with incised flowers. h. 74‑1/2”, w. 52‑1/2” $1,000‑$1,500 81 Empire-Style Mahogany Daybed 19th century, the headboard and footboard each paneled and with a rounded crest, fronted by a freestanding ormolumounted column, joined by shaped rails and raised on turret feet. h. 43”, inside w. 44”, l. 74”, outside w. 50”, l. 77” $1,000‑$1,500 82 Berlin K.P.M. Porcelain Rectangular Plaque first quarter 20th century, hand-painted by Andreas Blattner after “La Paresseuse” by Daniel Hernandez Morillo, signed “A. Blattner” lower right, reverse with impressed monogram, scepter, cipher marks and numbers “330‑200”, framed.

7‑3/4” x 13”, overall 11‑1/4” x 16‑1/2” $4,500‑$7,000 Original painting by Hernandez was exhibited at the 1899 Paris Salon to wide acclaim.

80

82

81

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83 Louis-Philippe Giltwood Mirror mid-19th century, the corners with molded sprays of flowers, with bright gilt center panels, the mirror panel lined with reeding. h. 64”, w. 44” Provenance: Lucullus, New Orleans, Louisiana. $1,000‑$1,500 84 Louis XVI-Style Fruitwood and Marble-Top Occasional Table 20th century, the inset circular Breche d’Alep marble top within a carved frieze banding, raised on fluted tapering circular legs headed by a foliate capital, joined by an X-form stretcher and ending in foliate peg feet. h. 23‑1/2”, dia. 23‑1/2” $1,000‑$1,500 85 Pair of Louis XVI-Style Wood and Marble Wall Brackets second quarter 20th century, French, mounted with red griotte marble tops, the frames painted white and carved with ribbon-wrapped reeds and swags of carved fruit, with cabriole center legs. h. 16‑3/4”, w. 15”, d. 7‑1/4” 83

$1,000‑$1,500 86 Pair of Carved and Limed Wooden Brackets 20th century, in the Baroque style, with half-round shelves, the imposing backplates carved with fruit hanging from ribbon-carved swags. h. 56‑1/2”, w. 12‑3/4”, d. 9‑1/2” 86

$1,000‑$1,500

84

85

29

87 Louis XV-Style Oak, Fruitwood and Marble-Top Console Table 19th century, the rectangular marble top with rounded corners, above a conforming foliate-, bellflower- and ribbon-carved frieze, raised on stop-fluted tapering circular legs, joined by a shaped floral-basket-carved centered stretcher and ending in toupie feet. h. 35”, w. 50”, d. 16” $1,500‑$2,500

87

88 Gracie, New York, Framed Chinoiserie Wallpaper Panel 88

20th century, with a lavender ground and depicting a brookside fenced garden filled with various birds, butterflies and flowers beneath a graceful flowering tree, presented in a contemporary silvered frame. overall h. 60‑1/2”, w. 38” $1,000‑$1,500

89 Louis XV/XVI Kingwood, Exotic Woods and Marble-Top Commode late 18th century, the marble top with projecting corners and central section, above a conforming case fitted with three frieze drawers, all with decorative banding and diamond inlay, over two long drawers, both tri-paneled with decorative banding and floral basket inlays, raised on cabriole legs ending in sabots. h. 36”, w. 50‑1/2”, d. 22” $4,000‑$7,000 89

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90 Louis XVI-Style Parcel-Gilt Trumeau Mirror ca. 1900, with a gilt egg-and-dart upper crest, the mirror plate with a beaded surround and decorated with a basket of flowers on a platform molded with acanthus leaves, the corners with giltwood medallions. h. 63‑1/2”, w. 37‑1/2” $1,500‑$2,500

91 90

91 Louis XVI-Style Polychrome and Marble-Top Side Table 19th century, the D-form marble top above a conforming guilloche pateracarved frieze, raised on fluted tapering circular legs headed by bellflower carving and ending in block feet, joined by an urn-centered stretcher. h. 32”, w. 37”, d. 14‑1/2” $1,500‑$2,500 92 Louis XVI-Style Beechwood Sofa late 19th century, with a carved top rail and stiles joined to shaped open arms with beaded scroll ends, a bound seat rail and tapering fluted and stopfluted front legs, retaining antique needlework upholstery depicting an allegorical scene. h. 44”, w. 82‑1/2”, d. 26”

92

$1,000‑$1,500

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93 Louis XVI-Style Giltwood and Marble-Top Center Table ca. 1900, the variegated marble top with a molded edge and projecting corners, over a conforming pierced apron with turnings and foliate-carved swags, raised on legs with leaf- and vine-carved panels joined by guilloche-carved stretchers. h. 29‑1/2”, w. 36”, d. 23‑1/2” $1,500‑$2,500 94 French Giltwood Mirror of Louis XVI Inspiration fourth quarter 19th century, the frame with ribbon-wrapped leaves, the pierced crest with an urn of flowers flanked by pierced scrollwork, the sides decorated with carved bellflower drops. h. 65”, w. 31” $1,200‑$1,800 95 Pair of French Bronze Chenets fourth quarter 19th century, of Regence inspiration, with urns draped in swags of fruit on hoof feet, supported on a draped platform with toupie feet, a small urn on the side platforms, decorated with inset panels of foliage on square tapered and fluted feet. h. 23‑1/2”, w. 17‑1/2”, d. 6‑3/4” $1,500‑$2,500

96 94

96 Pair of Louis XVI-Style Bronze Sconces first quarter 20th century, each two-light sconce with a quiver-form backplate terminating in a draped urn finial, and reeded arms decorated with acanthus leaves and terminating in flaring, molded candle cups. h. 16‑1/2”, w. 8”, d. 12‑1/2” $1,000‑$1,500

95

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93

97 Louis XVI Giltwood and Marble-Top Console Table late 18th century, of demi-lune form, the white marble top over a conforming apron with ribbon carving and floral swags, raised on fluted legs, each with a leaf-carved top and base, joined by a stretcher with a swag- and flame-carved finial. h. 36‑1/4”, w. 30‑1/2”, d. 13” $1,500‑$2,500 98 Louis XVI-Style Giltwood Settee late 19th century, with a ribbon-carved crest, fluted back posts and arms, and acanthine-carved details, raised on turned and fluted legs, covered in 19th-century woven Aubusson upholstery. h. 44‑1/2”, w. 72”, d. 25” $2,500‑$4,000

97

98

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99 Pair of Louis XVI-Style Giltwood and Marble-Top Corner Consoles each with a serpentine variegated rouge and grey marble top over a conforming apron centered by shell, floral and foliate carving and raised on a cabriole leg. h. 37”, w. 33”, d. 18” $1,000‑$1,500 100 Assembled Pair of Louis XVI Giltwood Pier Mirrors fourth quarter 18th century, the rectangular frames decorated with dents-de-loup outer edges and beaded inner edges, set with two pieces of antique glass. h. 51”, w. 26‑1/2” and h. 56‑1/2”, w. 26‑1/2” $1,000‑$1,500 101 Louis XVI-Style Mahogany and Burl Wood Petite Commode

99

early 20th century, the oval top banded and within a full pierced brass gallery, above a conforming case fitted with three small paneled drawers and a paneled and banded back and sides, joined to a concave lower shelf by tapering circular legs ending in toupie feet. h. 31”, w. 17‑1/4”, d. 13‑1/4” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,200‑$1,800

101

100

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102 Pair of Louis XVI Fruitwood Fauteuils 18th century, each with a padded medallion back within a molded frame, joined by padded, scrolling arms to the like seat, raised on fluted tapering circular legs ending in bulb feet. h. 37” $1,000‑$1,500 103 Louis XVI-Style Marquetry-Inlaid and Marble-Top Demi-lune Side Table

104

first half 19th century, the brescia marble top with a cove-molded edge, over a conforming frieze with inlaid panels depicting flora, leaves and vines, raised on tapering legs with bellflower-inlaid panels. h. 30‑1/4”, w. 38”, d. 15‑1/4” $2,500‑$4,000 104 French Cut Glass and Gilt-Bronze Centerpiece second quarter 20th century, probably Baccarat, the oval bowl cut in the diamond point pattern, with bronze paw feet, pierced acanthus-molded fittings on both the upper and lower edges, and pierced and scrolled handles terminating in medallions. h. 6‑1/2”, w. 18”, d. 9‑1/4” $1,000‑$1,500 103

102

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105 Pair of French Bronze and Crystal Sconces first quarter 20th century, with oblong backplates decorated with pierced scrollwork and beading, the scrolled candle arms supporting turned candle cups with reeding, set with crystal bobeches hung with prisms, swags of crystal drops hung from the arms. h. 19”, w. 15”, d. 12” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $1,000‑$1,500 106 Louis XVI-Style Gilt-Bronze and Tole Clock and Barometer second quarter 20th century, French, decorated with beading, an intertwined border of ribbons and laurel leaves and berries, with pierced ribbon crests, the clock with works marked “Samuel Marti”, the barometer unmarked. h. 13‑1/2”, w. 7‑3/4”, d. 4” $1,500‑$2,500 107 Louis XVI-Style Parcel-Gilt Trumeau Mirror ca. 1800, decorated with carved appliques of instruments held with ribbon-carved swags, the mirror plate lined with giltwood dents de loup, the sides decorated with carved medallions on a pine ground. h. 65‑1/2”, w. 44‑1/2” $1,200‑$1,800

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106

108

108 Large French Painted and Framed Chinoiserie Scene late 19th century, gouache on plastered canvas, with peach ground, decorated with scrolling treillage, flowers and Asian figures among rockwork and delicate structures, presented in a molded celadon-banded giltwood frame. overall h. 54‑1/2”, w. 73”

109

$1,000‑$1,500 109 Lowestoft Porcelain Armorial Export Punch Bowl fourth quarter 18th/first quarter 19th century, bearing the Clan Grierson crest with the motto “Hoc Securior”, below a scrolling foliate border with floral swags, the interior centered with a floral spray, the base with an Elinor Gordon collection label. h. 6‑1/4”, dia. 14‑1/4” $1,000‑$1,500 110 Louis XV Giltwood Barometer fourth quarter 18th century, the case now mounted with Victorian works, decorated with trophies of war, with a helmet finial supporting a carved swag, the surround carved with a sword and horns. h. 43”, w. 20” $1,000‑$1,500

110

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111 Louis XVI-Style Giltwood and Marble-Top Center Table late 19th century, the inset “turtle”-form marble top above a conforming pierced frieze centered by a torchere panel and with pendant floral garlands, raised on stop-fluted tapering circular legs joined by an urn-centered X-form stretcher and ending in toupie feet. h. 32”, w. 48‑1/2”, d. 29‑1/2” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $2,500‑$4,000 112 Louis XVI Giltwood Mirror

111

fourth quarter 18th century, the pierced crest carved with a pair of lovebirds and musical trophies, a tambourine, flutes and a horn, the cove-molded surround trimmed with rope carving, with carved laurel leaves on each side. h. 49”, w. 33‑1/2” $1,000‑$1,500 113 Pair of French Gilt-Bronze and Crystal Sconces first quarter 20th century, on scrolled backplates, the molded arms set with urn-form candle cups and glass drip pans, hung with swags of crystal drops. h. 14”, w. 13‑1/2”, d. 11‑1/2” $1,000‑$1,500 114 Louis XVI-Style Giltwood and Marble-Top Center Table late 19th century, the “turtle”-form top with an inset white marble and a gadroon-carved edge, above a paneled guilloche-carved frieze centered by a torchere panel, raised on fluted tapering circular legs joined by an urn-centered X-form stretcher and ending in toupie feet on casters. h. 30”, w. 51‑1/2”, d. 31” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,500‑$2,500

113

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112

114

115 Louis-Philippe-Style Giltwood Mirror 20th century, the surround with ribbon-bound acanthus leaves and carved medallions in the corners, the crest with a torch and quiver held with a laurel wreath, flanked with sprays of leaves and set with a beveled mirror plate. h. 62”, w. 43” $1,500‑$2,500 116 Group of Nine Botanical Pressings of Hydrangeas each initialed “SW” lower right.

Glazed and presented in matching giltwood frames.

16” x 12”, framed 17‑1/2” x 13‑1/4” $1,200‑$1,800 117 Pair of Louis XVI-Style Polychrome Fauteuils 19th century, each with a padded medallion back within a molded frame, joined by padded arms on bulbous uprights to the padded seat, raised on stopfluted tapering circular legs ending in toupie feet. h. 34‑1/2” $1,000‑$1,500

116

117

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119

118 Louis XVI-Style Giltwood Trumeau Mirror ca. 1900, the painting of a pair of courting couples in an oval giltwood frame with sprays of leaves and bellflowers, and unfurled ribbons on either side, sitting atop the lower mirror joined with vertical reeding framed with scrollwork. h. 63‑1/2”, w. 39‑1/2” 118

$2,000‑$4,000 119 Louis XVI-Style Giltwood and Marble-Top Center Table late 19th century, the oval marble top inset into a molded edge and above a conforming guilloche-carved frieze, raised on stop-fluted tapering circular legs joined by a convex box stretcher and ending in tall toupie feet. h. 30”, w. 40‑1/2”, d. 28” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,400‑$1,800 120 Louis XVI Polychrome Day Bed 18th century, stamped “G. JACOB”, for Georges Jacob (1739‑1814), with a padded headboard and footboard, the fluted and carved posts with plumecarved finials. h. 50”, inside w. 38”, l. 71”, outside w. 42”, l. 77” $1,000‑$1,500

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120

121

121 Pair of Louis XVI-Style Painted Stools

122 Pair of Louis XVI-Style Giltwood Bergeres avec Orielles

each with a molded frame joined to fluted and stop-fluted legs capped by a rosette-carved corner block. h. 17”, w. 20”, d. 20”

early 20th century, each with a domed and padded back surmounted by a floral crest, joined by shaped and padded sides and scrolling arms to the cushioned seat, raised on stopfluted tapering circular legs ending in toupie feet. h. 40‑1/2”

$1,000‑$1,500

$2,000‑$4,000

122

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123

123 Louis XVI-Style Polychrome, Parcel-Gilt and Marble-Top Side Table

124 Louis XVI-Style Polychrome, Parcel-Gilt and Marble-Top Side Table

the long canted rectangular marble top above a conforming dentillated frieze, raised on paneled square legs headed by a scrolling capital, joined by a shaped stretcher and ending in peg feet. h. 35”, w. 72”, d. 19‑3/4”

the long canted rectangular marble top above a conforming dentillated frieze, raised on paneled square legs headed by a scrolling capital, joined by a shaped stretcher and ending in peg feet. h. 35”, w. 72”, d. 19‑3/4”

$3,000‑$5,000

$3,000‑$5,000

124

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125 Suite of Four Louis XVI-Style Giltwood Ballroom Chairs 19th century, each with a domed crest centered by a ribbon, above a carved urnform splat, the padded seat raised on fluted tapering circular legs ending in toupie feet. h. 34” $1,000‑$1,500 126 Pair of French Chinoiserie Porcelain and Bronze Vases 126

fourth quarter 19th century, the lapis-colored faceted vases mounted with lion-head ring pulls and trimmed with molded bronze on the upper and lower edges. h. 9‑1/2”, w. 4‑1/2”, d. 4” $1,000‑$1,500 127 Chippendale-Inspired Cabinet in Chinoiserie Taste the inset serpentine onyx top on a conforming parcel-gilt and polychrome case with a bank of three drawers over a scalloped apron, with bombe-form sides and carved cabriole legs. h. 37”, w. 57‑1/2”, d. 26” $1,000‑$1,500

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125

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128 French Parcel-Gilt Trumeau Mirror second quarter 19th century, with fluted, rounded columns on each side, the table decorated with a view of Cupid standing on his bow, beckoning to two angels holding wreaths, on a painted green ground. h. 76‑1/4”, w. 30‑1/2” Provenance: Lucullus, New Orleans, Louisiana.

130

$1,200‑$1,800 129 Louis XVI Mahogany and Marble-Top Commode late 18th century, the rectangular marble top with turreted corners, above a conforming case fitted with three long paneled drawers, raised on tapering circular legs ending in brass caps. h. 33”, w. 46”, d. 21‑1/2” Provenance: Lucullus, New Orleans, Louisiana. $1,000‑$1,500 130 Louis XVI-Style Mahogany Bureau Plat late 19th century, the rectangular top with an inset leather writing surface, above a case fitted with a central drawer, flanked to either side by a deep drawer faced as two short drawers, raised on tapering square legs ending in brass caps. h. 31‑1/2”, w. 65”, d. 30‑1/2” $1,500‑$2,500

129

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131 Large French Bronze and Cut Crystal Tazza in the Baroque taste, the gilt- and patinated bronze base with three putti against a group of banners, acanthus leaves, reeding and beadwork, the finely cut bowl with amber overlay striping. h. 15”, dia. 15” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,200‑$1,800 132 Unusual Gilt-Bronze and Cut Glass Cave a Liqueur mid-20th century, probably Baccarat, in the Empire style, on paw feet with molded mounts, the interior with crystal and bronze liqueur bottles, h. 10‑1/2”, w. 16”, d. 10”, and matching glass and gilt-bronze bar glasses, eight of the larger size, h. 4”, dia. 3”.

131

$2,500‑$4,000 133 Partial Set of Baccarat, France, “St. Remy” Stemware comprised of ten fluted champagnes, h. 8‑1/2”, six wine/water goblets, h. 8‑1/2”, nine claret wines, h. 7‑3/4”, eleven port wines, h. 6‑7/8”, nine cordials, h. 4‑3/4”, four brandy snifters, h. 5‑3/8” and seven tall cordials, h. 7”, each labeled with the acid-etched Baccarat logo. $1,000‑$1,500

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133

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134 Louis XVI-Style Kingwood and Marble-Top Commode 19th century, the demi-lune marble top above a conforming case fitted with a central drawer over two banded and quarter-veneered cupboard doors, flanked to either side by a like-banded and veneered cupboard, raised on tapering circular legs ending in brass caps, the whole with decorative inlays. h. 36”, w. 54”, d. 21” $2,000‑$4,000 135 Pair of Bronze-Mounted Glass Covered Vases mid-20th century, probably French, the emerald green overlay vases cut with vertical fluting and bellflowers, mounted with domed covers with pinecone knops, the sides decorated with swags of flowers supported with bowknots, the reeded handles with roses, the bronze feet with molded acanthus leaves. h. 29”, dia. 8” $1,500‑$2,500 136 Russian Neoclassical Malachite, Bronze and Crystal Chandelier first quarter 20th century, the twelve-light chandelier with a basket base hung with strands and swags of prisms, set with candle branches, four arms on the upper tier supported by a vasiform malachite standard, the top with a corona of pierced anthemia hung with swags of drops. h. 35”, dia. 32”

136

$1,200‑$1,800

133

134 135

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137 detail

138 137

137 Faberge Imperial Napoleonic Egg 2000, special millennial edition, the shell with translucent green enamel and 24K gold leafed guilloche, set with sixty-five Austrian crystals and surmounted with military trophies; the interior with a conforming six-panel folding screen with the crowned cipher of Empress Maria Feodorovna on one side, the other side with scenes of the Empress’ regiment; the whole on a tripartite stand with scrolled feet, overall h. 5‑1/2”, w. 3”.

Presented in its original blue velvet box with card of authenticity.

Together with a banner from the 1996 Faberge Exhibition at the New Orleans Museum of Art. $1,500‑$2,500 This extraordinary Faberge egg is a reproduction of the 1912 egg Czar Nicholas II gave to his mother, the Dowager Empress Marie, on the centennial anniversary of the defeat of Napoleon at the Battle of Bordino. The Empress kept the original egg at the Anichkov Palace. In 1917 it was confiscated during the Russian Revolution, and later sold in 1930. Today it is part of the Mathilda Gedding Gray Foundation Collection at the New Orleans Museum of Art. 138 Franco-Russian Malachite and Bronze Tazza mid-20th century, the malachite base decorated with bronze wreaths and medallions, the patinated bronze bowl decorated with scrollwork and armorial devices, resting on a gilt-bronze foot supported on a malachite base with gilt-bronze star mounts. h. 16‑1/2”, w. 10‑1/2” $1,400‑$1,800

139

139 Pair of Franco-Russian Gilt-Bronze and Malachite Palace Urns mid-20th century, the upper portion trimmed with molded flowers and leaves, the bronze covers with molded leaves and cone-form knops, the bases with rope-twist and anthemionmolded trim. h. 33‑3/4”, dia. 8” $4,000‑$7,000

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140 Pair of Louis XV/XVI-Style BronzeMounted Malachite Side Cabinets early 20th century, each with a brass gallery on a case with a bank of three drawers, the upper drawer adorned with bronze laurel swags, raised on bronzemounted cabriole legs, the drawer flanked by ram’s-head mounts, the malachite cladding later. h. 31‑1/4”, w. 25‑3/4”, d. 19‑3/4” $15,000‑$25,000 141 Louis XV-Style Malachite Vitrine 20th century, the molded cornice centered by a scrolling foliate ormolu crest, above three full-length doors, the upper section glazed and opening to a mirrored interior with two conforming glass shelves, a padded ivory moire floor and padded lower storage area, raised on splayed legs ending in sabots, the whole with ormolu mounts and millwork, the entirety veneered in malachite. h. 81”, w. 63”, d. 19” $7,000‑$10,000

141

140

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142 Attributed to Kontorsky El’pidfor Konstantinovich (Russian, 19th Century) “Moonlit Landscape with Boats and Campfire” oil on canvas faint signature lower right.

In a custom-made gesso and giltwood frame.

20” x 25‑1/2”, framed 28‑1/2” x 34‑1/4” $1,500‑$2,500

142

143 Attributed to Sebastian Pether (British, 1790‑1844) “Moonlit Landscape Outside the City, with Travelers in Boats” oil on wood panel unsigned.

Framed.

12‑5/8” x 17”, framed 16” x 20‑5/8” Provenance: Whisnant Galleries, New Orleans, Louisiana. $1,000‑$1,500

143

144 Nicolas Riegen (Dutch, 1827‑1889) “Pulling into Harbor in Stormy Weather” oil on canvas signed lower left.

Framed.

20” x 32”, framed 28” x 40” $1,000‑$1,500

144

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145 Follower of Jacob Isaacksz van Ruisdael (Dutch/Haarlem, 1628‑1682) “Figures on a Wooded Path, Sailboats and a Church Spire in the Distance” oil on canvas unsigned.

Presented in a giltwood and gesso frame.

44‑3/8” x 36‑3/4”, framed 51‑1/2” x 53‑3/4” Provenance: Deaccessioned from Friends University, Wichita, Kansas; gifted to the University by the Sam and Rie Bloomfield Foundation, Newport Beach, California. $4,000‑$7,000

145

146 Giovanni Bartolena (Italian, 1866‑1942) “Village Scene” oil on canvas signed lower right.

Presented in a giltwood frame.

25” x 31‑1/2”, framed 35‑1/2 x 43” $4,000‑$7,000

146

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147 Jacob van Strij (Dutch, 1756‑1815) “Herding Cattle” oil on panel signed lower right, a “Huis Vyncke Kaders, Borgerhout (Belgium)” label en verso.

Framed.

18‑1/4” x 26”, framed 25” x 32‑3/4” $1,000‑$1,500

147

148 Gerard Jozef van Luppen (Belgian, 1834‑1891) “By The Falls” oil on beveled wood panel signed lower left.

Framed.

21‑1/4” x 28”, framed 31‑1/2” x 38‑3/4” $1,000‑$1,500

148

149 Antoine Ferdinand Attendu (French, 1845‑1908) “Still Life with Pewter Urn, Pears, Draperies and Butterfly” oil on canvas signed lower right.

Framed.

24‑3/8” x 21‑1/4”, framed 30‑3/4” x 28” $1,000‑$1,500

149

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150 Johann Jungblut (German, 1860‑1912) “Ice Fishermen by the Shore” oil on canvas affixed to board signed lower right.

Framed.

27‑1/2” x 39”, framed 32‑1/2” x 44‑1/2” $1,000‑$1,500 150

151 Attributed to Friedrich Behrendt (German, 1863‑1946) “Wooded Landscape”, 1894 oil on canvas signed “F.O. Behrendt” lower right.

Framed.

29‑1/2” x 37‑1/2”, framed 37” x 44‑1/2” $2,000‑$4,000

151

152 Gaston Anglade (French, 1854‑1919) “Bruyeres en Fleurs, Correze, France” oil on canvas signed lower right.

Framed.

21‑1/4” x 25”, framed 27‑1/4” x 31‑1/2” $1,000‑$1,500

152

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153 Rococo-Style Giltwood Bracket third quarter 20th century, probably Italian, with a serpentine shelf, the bracket decorated with pierced rocaille work and scrolled trim. h. 12”, w. 14”, d. 5‑1/2”

153

$1,000‑$1,500 154 Italian Rococo Giltwood Mirror fourth quarter 18th century, the surround lined with carved and pierced scrollwork, the lower edge on scrolled feet, the crest with oval pierced scrollwork, set with divided antique mirror plates. h. 49‑1/2”, w. 27‑1/2” $1,200‑$1,800 155 Italian Polychrome and Granite-Top Table in the Baroque taste, the rectangular granite top above an exuberantly carved scrolling foliate frieze, raised on likecarved legs joined by an urn-centered X-form stretcher and ending in up-scrolled toes. h. 34”, w. 77”, d. 37‑1/2” $2,000‑$4,000

154

155

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156 Pair of Italian Giltwood Stools in the Rococo Taste each with an articulated X-form frame with foliate decor and upholstered in striped cut velvet with tasseled cushions. h. 22‑1/2”, w. 27”, d. 21‑1/2” $2,500‑$4,000 157 Carved Pine Figure of Putto at a Dionysian Feast late 19th century, the figure holding a wine cup and a bunch of grapes, on a pedestal decorated with raised and cut-corner panels. h. 60”, w. 13‑3/4”, d. 18”

158

$1,000‑$1,500 158 Pair of Carved and Painted Putti fourth quarter 19th century, on gilded and fluted pedestals, the realistically painted putti poised as if playing instruments. h. 25‑1/2”, w. 7‑1/2”, d. 7” $1,200‑$1,800 159 Three Baroque Painted Wood Carvings ca. 1700, probably Italian, the collection including an angel with gilt wings on a custom acrylic base, h. 20”, w. 11‑3/4”, d. 5‑1/2”, and a pair of cherubim heads on matching acrylic bases, h. 12‑1/2”, w. 6”, d. 6”.

159 157

$1,500‑$2,500

156

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160 Follower of Titian (Italian, ca. 1485‑1576) “Venus Reclining with Satyr in Background” oil on canvas unsigned, variant of the 1538 “Venus of Urbino”.

Framed.

47” x 75”, framed 53” x 80” Provenance: Sotheby’s Olympia, July 6, 2004; Sold in these rooms October, 16, 2015, lot 394. $4,000‑$7,000 161 Berlin K.P.M. Porcelain Rectangular Plaque late 19th century, finely hand-painted after “Venus of Urbino”

by Titian, reverse with impressed monogram, scepter, cipher marks, numbers “297 158” and printed fleur-de-lis inscribed “Firenze”, framed.

6‑1/8” x 9‑1/8”, overall 12‑1/4” x 15”

161

$4,500‑$7,000

160

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163 162

162 Unusual Italian Baroque-Style Giltwood Mirror ca. 1900, possibly Venetian, the crest with a bust against a pierced frame of leaves and scrollwork, flanked by a pair of female figures, the surround decorated with pierced scrollwork and rocaille work, scattered with flowerheads. h. 49”, w. 31‑1/2” $1,400‑$1,800 163 Pair of Italian Faux Marbre, Giltwood and Marble-Top Pedestals 20th century, each with a square marble top above an Ionic capital, the standard paneled and fronted by a winged maiden’s head, to a square base with faux marbre panels, raised on splayed legs ending in scrolled toes. h. 48‑1/2”, w. 10‑1/2”, d. 10‑1/2” $3,000‑$5,000 164 Figural Carved Giltwood Stand with a Psyche “butterfly wing” standard holding aloft the top and terminating in beading, above a trio of scrolled leafcarved feet. h. 47‑1/2”, dia. 12” $1,500‑$2,500

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164

165 Giltwood Mirror in the Italian Rococo Taste 20th century, the oval surround decorated with rocaille work, the crest with downturned leaves and pierced scrollwork, the sides with pierced leaves and flowers, the lower edge with pierced scrollwork. h. 56‑1/2”, w. 31” $1,000‑$1,500 166 Suite of Four Painted and Parcel-Gilt Side Chairs of Italian inspiration, each with a lyre-form backsplat and circular upholstered seat, raised on shaped legs with paw feet, adorned with carved griffin heads throughout. h. 33‑3/4” $3,000‑$5,000 167 Pair of Venetian Rococo-Style Silver-Gilt and Engraved Glass Mirrors fourth quarter 19th century, with scroll-carved surrounds, the mirror plates engraved with classical figures holding wine cups, beneath delicately engraved drapery, the edges with engraved scrollwork. h. 34‑1/2”, w. 23‑1/2” $1,400‑$1,800 165

167

166

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168 Italian Fruitwood and Elm Commode early 19th century, in the rococo taste, the banded and shaped top inset with two panels with decorative corner inlays, above a conforming case fitted with three long drawers, all paneled and with like inlay, above a pierced foliate-carved apron, raised on cabriole legs ending in foliate toes. h. 34”, w. 38”, d. 22‑1/2” $1,200‑$1,800 169 Pair of Italian Marquetry- and Parquetry-Veneered Corner Cabinets ca. 1900, in the rococo taste, each with a scrolling broken-arch pediment over a door with a serpentine glazed panel, the base with a serpentine top over a pair of conforming doors centered by sunburst inlays, the corners with line-strung shaped pilasters, on bracket feet. h. 87”, w. 37”, d. 22‑1/2”

168

$1,200‑$1,800

169

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170 Italian School (First Half 19th Century) “Landscape with Washwomen Beneath an Aquaduct” oil on canvas unsigned.

Framed.

15‑1/2” x 23‑1/2”, framed 22‑3/4” x 29‑3/4” $1,000‑$1,500

170

171 Louis-Philippe Brass and Ruby Glass Chandelier mid-19th century, with a lobed glass pan fitted with grapeembossed brass chains, and molded candle arms and corona, fitted with decorative brass drops. h. 22”, dia. 18” $1,000‑$1,500

171

172 Italian Fruitwood and Marble-Top Commode 19th century, the rectangular marble top with a molded edge and serpentine front, above a conforming case fitted with three long drawers, all with inlaid banding, raised on cabriole legs ending in block feet. h. 35‑1/2”, w. 49”, d. 26‑1/2” $1,000‑$1,500

172

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173 Pair of Venetian Engraved Glass Mirrors fourth quarter 19th century, the inverted pear-form frames decorated with scroll and rocaille work, the top panels lined with engraved scrolls, one mirror with an engraved male figure, the other with a female figure, framed with engraved scrollwork, each mirror set with matching giltwood candle arms carved with acanthus leaves, the candle cups with beading. h. 34”, w. 20”, d. 7” $1,500‑$2,500 174 Interesting Pair of Italian Walnut, Bone and Mixed Woods Inlaid Hall Chairs late 19th century, in the Renaissance taste, each with a relief-carved foliate crest, the backs with an inlaid panel of a female and male soldier, with geometric inlaid seats and raised on square inlaid legs joined by box stretchers. h. 48”, w. 16”, d. 15”

173

$1,000‑$1,500 175 Italian Provincial Walnut Desk 18th century, the rectangular top with a molded edge, above a case fitted with a pull-out fabric-inset slide over a small drawer, flanked to either side by a small drawer over a cupboard door, raised on fluted tapering circular legs ending in toupie feet, the sides and verso with carved floral patera and foliate patterns. h. 30‑1/4”, w. 40” ,d. 19‑1/2” Provenance: Foster-Gwin Gallery, San Francisco, California. $1,200‑$1,800

174

175 detail

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175

176 Venetian Rococo-Style Giltwood and Engraved Glass Mirror fourth quarter 19th century, the cartouche-form mirror decorated with rocaille work and set with a mirror plate engraved with a crown, ribbons and trailing engraved vines, a small panel under the pierced crest engraved with the initials “FB”, and small side panels engraved with scrollwork. h. 39”, w. 24‑1/2” $1,000‑$1,500

176

177

177 Venetian School (ca. 1800) “St. Mark’s Square, Venice” oil on canvas unsigned.

Framed.

15‑3/4” x 19‑3/4”, framed 24” x 27‑3/4” $1,000‑$1,500 178 Unusual Italian Giltwood Mirror mid-20th century, the wood-grained surround “woven” in two parts, with knots at the corners and sides, the crest with a hippocampus above a “wave”, set with a beveled mirror plate. h. 51”, w. 28‑3/4” $1,000‑$1,500 178

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179

179 Pair of Venetian-Style Ebonized and Parcel-Gilt “Hand” Sconces 20th century, with carved and draped backplates mounted with ebonized hands and gilt cuffs, supporting leaf-carved gilt- and bronze-finished candle holders. h. 37”, w. 7”, d. 12‑1/2”

180

$1,000‑$1,500 180 Venetian Polychrome and Parcel-Gilt Blackamoor Table 18th century, the shaped top with polychrome foliate, floral and avian designs, over a shaped frieze, supported by a blackamoor figure bearing grapes and a chalice to a foliatecarved tripartite base ending in shaped feet. h. 36”, w. 14”, d. 13” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,000‑$1,500 181 Italian School (18th Century) “Frolicking Putti” “Battle Scene (Dedicated to the Duke of Mantua)” two copperplate engravings after Raphael each engraved by G. Le poer, Milan, ca. 1728.

Each glazed and framed.

9‑3/4” x 15‑3/8” and 18‑1/2” x 27”, respectively, framed 14” x 19‑1/2” and 22” x 30” Provenance: Lucullus, New Orleans, Louisiana. $1,000‑$1,500 181

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182 Italian Polychrome and Faux Bois Commode 18th century and later, the rectangular top with decorative faux bois and polychrome geometric patterns, above a conforming case fitted with two long drawers, raised on tapering square legs. h. 33”, w. 45‑1/2”, d. 19‑1/2” $1,200‑$1,800 183 Pair of Venetian Carved and Painted Blackamoors ca. 1900, the figures wearing colorful tunics and fringed breeches, each holding aloft a presentation salver, their feet on painted gondolas, each on octagonal green faux marbre, raised on gilt paw feet. h. 55‑1/2”, w. 10”, d. 8‑1/2” $1,800‑$2,500 184 Pair of Italian Enameled Metal Blackamoor Lamps 20th century, now mounted as lamps on giltwood bases, the black and gilt blackamoors with pierced, feathered headdresses, their tunics molded with leaves and supporting candlesticks, mounted with faux-painted parchment shades. h. 31”, w. 7”, d. 9” $1,000‑$1,500 183

182 184

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185 Continental Astrological Zodiac Giltwood and Scagliola Marble-Top Center Table mid -19th century, the circular top painted to resemble a specimen marble arrangement of the constellations, over a molded and half-patera-carved frieze, raised on a tripartite standard ending in acanthine scrolled toes to a molded conforming plinth base. h. 31”, dia. 45‑1/2” $1,800‑$2,500 186 After Gaston Veuvenot Leroux (French, 1854‑1942) “Othello, the Moor of Venice”

187

patinated bronze first quarter 20th century, cast signature and dated 1881 along proper left shoulder truncation. h. 30”, w. 18”, d. 17” $1,000‑$1,500 187 Handsome Venetian Polychrome Blackamoor Wall Bracket mid-20th century, the figure dressed in a colorful costume and a fringed wrap, the serpentine shelf with a gilt edge and curved with fluting, with a faux marbre top. h. 20”, w. 17”, d. 10‑1/2” $1,200‑$1,800

186

185

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185 detail

188 Rubens Santoro (Italian, 1859‑1942) “Venezia” oil on canvas signed lower right, verso with “Richard Green Gallery, London, UK” label.

Framed.

19‑3/4” x 14‑1/2”, framed 26” x 21” Provenance: RIchard Green Gallery, London, UK; Private collection. $40,000‑$70,000

188

Venice has for centuries been an inspiration for artists and writers, but in the 19th century the lagoon city’s Gothic architecture became a focal point in paintings. John Ruskin, the English writer and artist, fell in love with the city at age 16 upon his first visit. He eventually wrote a 3‑volume treatise on Venetian architecture, The Stones of Venice, in which he fervently praises its beauty and fragility. This important work spearheaded an awareness of the need to preserve this medieval city precariously floating on water.

As Ruskin writes, “[Venice] is still left for our beholding in the final period of her decline: a ghost upon the sands of the sea, so weak-so quiet,-so bereft of all but her loveliness, that we might well doubt, as we watched her faint reflection in the mirage of the lagoon, which was the City, and which the Shadow. I would endeavor to trace the lines of this image before it be forever lost, and to record, as far as I may, the warning which seems to me to be uttered by every one of the fast-gaining waves, that beat, like passing bells, against the Stones of Venice.”

Venice is about light and the myriad ways in which it is reflected on the golden facades of the ancient buildings and water. In Rubens Santoro’s painting simply titled “Venezia” we present here, the city appears to float between water and sky, preying on the viewer’s imagination and contributing to the myth of this dreamy, and at once decadent and crumbling place. This painting, almost a photographic view of a Venetian canal, provides a glimpse of what the city looked like, with its inhabitants and eternally present gondolas. Here is a moment caught by the painter’s brush, of serene summer midday, with people lazily strolling along the canals, pigeons looking for crumbs and gondoliers waiting for customers. It is also the Venice Ruskin helped to preserve and one that is formed in our collective imagination.

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189 Italian Specimen Marble Plaque 20th century, of figures within an architectural setting. h. 17”, w. 22” $1,500‑$2,500

190

190 Venetian Giltwood and Engraved Glass Mirror ca. 1900, the ogee surround decorated with scrollwork and flowerheads on a stippled ground, the crest and sides with delicately detailed pierced scrollwork and rocaille work, set with engraved glass panels of birds and cornucopias of flowers. h. 41”, w. 54‑1/2” $1,000‑$1,500 191 After Clodion (b. Claude Michel, French, 1738‑1814) “Bacchantes” patinated bronze first quarter 20th century, cast signature at edge of self-base, on a conforming red griotte marble plinth. h. 18”, w. 12”, d. 9” $1,500‑$2,500 192 After Clodion (b. Claude Michel, French, 1738‑1814)

191

“Bacchantes” patinated bronze first quarter 20th century, after the 1762 sculpture, cast signature and dated at back of self-base, on a conforming black marble plinth. h. 22‑1/2”, w. 12”, d. 9”, overall h. 27” $3,000‑$5,000

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192

193 Friedrich Schlegel (German, 1865‑1935) “Merry-Making Children” oil on canvas signed lower right.

Framed.

20‑1/2” x 37‑1/2”, framed 25” x 42” $1,800‑$2,500

193

194 Henry Bonnefoy (French, 1839‑1917) “Floral Still Life Within a Lush Landscape” oil on canvas signed lower right.

Framed.

36‑1/2” x 47‑1/2”, framed 46” x 54” $1,000‑$1,500

194

195 Eugene Henri Cauchois (French, 1850‑1911) “Still Life of Chrysanthemums” oil on canvas signed lower right, a French frame label en verso.

Period gilt frame.

25‑1/2” x 35‑1/4”, framed 39‑1/4” x 48‑1/2” $1,800‑$2,500

195

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196 Jules Adolphe Goupil (French, 1839‑1883) “Elegante” oil on cradled wood panel signed lower right, a “Liberty Gallery/New Orleans” label and several old inventory and auction stencils en verso.

Framed.

22‑1/2” x 19”, framed 31‑1/2” x 28‑1/4” Provenance: Liberty Gallery, New Orleans, Louisiana; Private collection. $2,000‑$4,000

196

197 Louis XV-Style Inlaid Mahogany Bureau Plat with an inset tooled leather top over a frieze with a central drawer flanked by a pair of drawers, each with foliate inlay and ormolu mounts, raised on cabriole legs with shell and foliate mounts at their tops, the feet with ormolu sabots. h. 30”, w. 59”, d. 30‑1/4” $1,000‑$1,500 198 Louis XV-Style Giltwood and Marble-Top Console Table 19th century, the shaped marble top above a foliate- and floralpierced frieze, raised on acanthine-carved C-scroll legs joined by a pierced stretcher and ending in scrolled toes. h. 35”, w. 33‑1/2”, d. 18”

198

$1,200‑$1,800

197

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199 Louis XV Carved Walnut Barrel-Back Bergere 18th century, the molded frame with a central floral-carved crest, raised on cabriole legs, with pegged construction throughout. h. 40”, w. 31”, d. 30” $1,000‑$1,500 200 Lucius Rossi (Italian, 1846‑1913) “Portrait of a Lady with a Bouquet” oil on wood panel signed left center.

Framed.

16” x 12‑3/4”, framed 24‑1/2” x 20‑1/2” Provenance: Collection of Leon Amar, Palm Beach, Florida. $3,000‑$5,000 201 Exceptional Napoleon III Gilt-Bronze and Porcelain Mantel Clock

199

third quarter 19th century, the clock depicting the muse of the arts, the muse reclining with a putto, showing him a handpainted porcelain plaque, with a lyre and artist’s palette to one side, sitting over the dial with a hand-painted bleu celeste ground, flanked by matching plaques of angels and putti, the lower edge decorated with a bust and palette. h. 20”, w. 21‑3/4”, d. 6‑1/4” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $3,000‑$5,000

201 200

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202

202 French Kingwood, Porcelain and Bronze Tray late 19th century, the serpentine-shaped tray with bronze trim and handles, and set with five porcelain plaques depicting courting figures in Arcadian landscapes. h. 19‑3/4”, w. 31‑1/4” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,000‑$1,500 203 French Parcel-Gilt Trumeau Mirror ca. 1900, the painted upper panel with a courting couple in 18th-century costume, on a soft green background with swags of flowers held by bowknots on the upper side panels, and vases of flowers on the lower panels. h. 75”, w. 47”

203

Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,200‑$1,800 204 Louis XV-Style Fruitwood Sofa late 19th century, the tripledomed back with foliate shell-carved crests over a padded back, joined by scrolling outswept arms to the padded seat, raised above a foliate shell-carved apron on molded cabriole legs ending in scrolled toes. h. 43”, w. 73”, d. 26” $1,000‑$1,500

204

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205 Pair of French Gilt-Bronze-Mounted Marble Lamps first quarter 20th century, in the Louis XVI taste, the mottled green marble urn-form bases mounted with ram’s head handles and swags of flowers, the “covers” with molded leaves. h. 39”, w. 12‑1/2”, d. 7‑1/2” $1,800‑$2,500

206 Follower of Jacques-Philippe Caresme (French, 1734‑1796) “Bacchanal”

205

oil on canvas unsigned.

Framed.

20‑3/8” x 25‑3/8”, framed 25” x 30” $1,000 - $1,500

207 Fine Louis XV-Style Gilt-Bronze-Mounted Kingwood and Mahogany Desk late 19th century, the shaped rectangular top with a tooled inset leather blotter, with a central drawer above the kneehole and flanked by a pedestal to each side fitted with a bank of four drawers each, the back side outfitted with similar faux drawers. h. 30‑1/2”, w. 56”, d. 33” $4,000‑$7,000 206

207

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210

208

208 Louis XV-Style Kingwood Occasional Table early 19th century, the rectangular top banded and quarterveneered and above a conforming frieze fitted with one end drawer, raised on delicate cabriole legs. h. 27”, w. 23‑1/2”, d. 17” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,000‑$1,500 209 Louis XV-Style Ormolu-Mounted Kingwood Vitrine early 20th century, the domed cornice with a gadroon ormolu band above a bombe glazed door with lower floral panel, the sides en suite, raised on splayed legs ending in sabots, the whole accented with ormolu mounts and millwork. h. 67”, w. 34”, d. 15” $1,200‑$1,800 210 Pair of Louis XVI-Style Molded Plaster Appliques 20th century, each molded with lush black-painted fruit in a gilt ribbed basket, the handle hung from ribbons. h. 22‑1/2”, w. 14‑3/4” $1,000‑$1,500

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209

211

211 Napoleon III Gilt-Bronze-Mounted Ebonized Bureau Plat in the Louis XV-Style, mid 19th century, the inset tooled leather top set in an ormolu frame, with a central drawer flanked by a pair of drawers, each with bronze perimeter molding and foliate and scroll escutcheon plates, the back side in like decor, raised on cabriole legs with mounts at the knees and ending in bronze sabots, bronze possibly marked/wood signed. h. 30‑1/2”, w. 60”, d. 28‑3/4” Provenance: Lucullus, New Orleans, Louisiana. $1,500‑$2,500 212 French Crystal and Silver-Plate Chandelier 20th century, of Louis XV inspiration, the six-light chandelier with scrolled candle branches and sprays of colorless and mauve drops, hanging from glass stars, a prism ring hung with drops at the bottom. h. 37”, dia. 19”

212

$1,000‑$1,500 213 Louis XV-Style Polychrome and MarbleTop Commode 19th century, the shaped marble top above a conforming case fitted with two cupboard doors opening to three long drawers, raised on splayed legs to sabots. h. 33‑1/2”, w. 50”, d. 21‑1/2” $1,000‑$1,500

213

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214 Pair of Charming French Bronze Chenets fourth quarter 19th century, with patinated bronze monkeys with gilt-bronze clothing, one playing a flute and the other a drum, resting on rococo-molded bases decorated with seashells and rocaille work. h. 12‑1/2”, w. 11”, d. 8‑3/4” Provenance: Collection of Leon Amar, Palm Beach, Florida. $2,500‑$4,000

214

215 Louis XV-Style Giltwood Mirror first quarter 20th century, the serpentine crest set with a scrollwork finial flanked with sprays of flowers, the molded frame with molded flowers and scrollwork at the base. h. 72‑1/2”, w. 44‑1/2” $1,500‑$2,500 216 Suite of Fourteen Louis XV-Style Beechwood Dining Chairs comprised of two armchairs and twelve side chairs, each with a tall molded back with a carved flower centering the crest, flanked by leaves and a vine, serpentine front and side seat rails and cabriole legs with French toes, upholstered in forest green velvet. armchair h. 42‑1/2”, side chair h. 43” $2,500‑$4,000

215

216

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217 Continental School (First Quarter 20th Century) Pair of Floral Still Lifes each oil on masonite each signed “E. Lecroix” lower right.

Framed similarly. each 20” x 16‑1/4”, framed 25‑1/8” x 20” $1,000‑$1,500

217

219 Louis XV-Style Gilt-Bronze Mantel Clock, Signed Daniel Vauchez decorated with chinoiserie figures seated on cushions, molded leaves and berries supporting the clock, with a finial depicting a Chinese figure holding a parasol, set with a silk-string suspension movement, signed by Daniel Vauchez (Paris, 1767‑1790). h. 21‑1/2”, w. 12‑3/4”, d. 8‑1/2” $3,000‑$5,000

219

218 Pair of Louis XV-Style Giltwood Corner Brackets fourth quarter 19th century, each with a thumbnail-molded shelf and a backplate decorated with incised latticework and carved scrollwork, one on each side and one pierced in the center of the basket. h. 18‑1/2”, w. 11‑1/2”, d. 11‑1/2” $1,000‑$1,500

218

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220 Pair of Rococo-Style Gilt-Bronze Sconces ca. 1900, with intertwined leaves forming the backplates, the tulipform candle cups molded with matching leaves. h. 24”, w. 12‑1/2”, d. 8” $1,000‑$1,500 221 French Carved Giltwood and Polychrome Mirror fourth quarter 19th century, the mirror surround decorated with scrollwork and garlands of flowers, on a painted gray ground. h. 58”, w. 44‑1/2”

220

$1,000‑$1,500 222 Louis XV-Style Marble Fireplace Surround the shaped marble top over a scalloped face centered by a carved shell flanked by foliage and flowers, the serpentine legs with like carving, on a rectilinear marble hearth. firebox h. 32”, w. 39‑1/2”, base h. 1‑3/4”, w. 59‑1/4”, d. 11‑3/4”, overall h. 42”, w. 58‑1/4”, d. 12” $2,000‑$4,000 223 Pair of Louis XV-Style Oak Bergeres each with a molded crest rail and stiles with a central carved flower and foliate decor, joined to closed arms on shaped supports, with a serpentine seat rail and cabriole legs, the seats fitted with loose cushions, upholstered in celery and gold brocade. h. 35‑1/4”

223

$1,000‑$1,500

222

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221

224 Louis XV-Style Giltwood Trumeau Mirror fourth quarter 19th century, the upper tapestry panel depicting a shepherd and shepherdess with their sheep and dog, the mirror trimmed with giltwood, scroll and rocaille work. h. 110”, w. 42” $1,200‑$1,800

225

225 Pair of French Gilt-Bronze-Mounted Marble Urns 20th century, in the Louis XV style, now mounted as lamps, the handles depicting putti playing pan pipes, the bodies decorated with bronze oak leaves, and the base stems with fluting trimmed with acanthus leaves. h. 20‑3/4”, w. 7”, d. 5”

224

$2,000‑$4,000 226 Pair of Louis XV-Style Gilt-Bronze Sconces ca. 1900, in the Louis XV style, each having a backplate with a female figure mounted on a bracket with scrollwork and garlands of flowers, and holding a pair of cornucopia-form candle arms with reeded and molded drip pans and scrollmolded candle cups. h. 23‑1/2”, w. 12‑1/2”, d. 5‑1/2” $1,000‑$1,500

226

77

227

227 Extensive Assembled Herend “Rothschild Bird” Dinner Service some ca. 1939, Hungarian, the set including sixteen dinner plates, dia. 10‑1/2”, sixteen salad/dessert plates, dia. 6”, fifteen flat cups, h. 2”, and seven saucers, dia. 5‑3/4”, a pair of demitasse cups, h. 2‑1/4”, and a pair of saucers, dia. 2‑1/4”, seven cups with scrolled handles, h. 3‑1/4”, and seven matching saucers, dia. 6”, now with seven added covers with strawberry finials, a covered vegetable dish with a lemon knop, h. 6‑3/4”, dia. 9”, a coffeepot with a bird finial, h. 6”, w. 8‑1/2”, d. 5”, a small covered sugar, h. 3”, dia. 3‑1/4”, a cream jug, h. 3‑1/2”, dia. 3”, a coffeepot stand, dia. 6”, a cake plate, w. 10‑3/4”, d. 9‑1/2”, a coaster, dia. 3”, a dinner bell, h. 2‑3/4”, eight crescent-form salad plates, w. 6‑3/4”, d. 5”, and a shell-form condiment dish, h. 4”, w. 11”, d. 11”.

Provenance: Descended in the family of Flora Root Cody, Houston, Texas. $2,500‑$4,000

227 detail

228 Suite of Four Louis XV-Style Polychrome Fauteuils late 19th century, each with a molded back joined to open arms on shaped supports, a serpentine seat rail and cabriole legs, the backs retaining antique needlepoint upholstery in avian decor, the arms and seats now upholstered in yellow moire. h. 34‑1/2” $1,000‑$1,500

228

78

229 Pair of Rococo-Style Giltwood Mirrors ca. 1900, each with a pierced scrollwork surround decorated with flowerheads, the crest with lovebirds perched on scrollwork. h. 41‑1/2”, w. 20‑1/4” $1,400‑$1,800 230 Louis XV-Style Polychrome Corner Table 19th century, the top with a shaped front, above a conforming scalloped apron with foliate accents, raised on cabriole legs ending in hoof feet. h. 29”, w. 37”, d. 20” $1,000‑$1,500

229

230

231 Louis XV-Style Parcel-Gilt Overmantel Mirror fourth quarter 19th century, the serpentine crest elaborately molded with scrollwork and rocaille work, the lower edge similarly decorated, all four corners with pierced scrollwork, on a white ground. h. 96‑1/2”, w. 51‑1/2” $1,500‑$2,500 231

79

232 Pair of Louis XV-Style Gilt-Bronze Candelabra fourth quarter 19th century, with bell-shaped feet decorated with scrollwork and vasiform standards decorated to match, the candle socket fitted with scrolled candle branches terminating in leaf-molded candle cups and scrolled bobeches. h. 13‑1/4”, w. 10‑3/4”, d. 5‑1/4” $1,000‑$1,500 232

233 Louis XV-Style Kingwood and Marble-Top Commode 20th century, the shaped marble top above a conforming bombe case fitted with two long quarterveneered drawers above a shaped ormolu-mounted apron, raised on splayed legs ending in sabots. h. 37”, w. 48”, d. 23” $1,000‑$1,500

233

234 Louis XV-Style Parquetry-Inlaid and Kingwood Table ca. 1900, the patterned parquetry top of various specimen woods, over a concave frieze fitted with a pair of drawers, on cabriole legs with bronze sabots. h. 29‑1/4”, w. 35”, d. 23‑3/4” $1,000‑$1,500

234

80

235 Suite of Eight Louis XV-Style Parcel-Gilt Beechwood Dining Chairs comprised of a pair of armchairs and six side chairs, each with a molded back with foliate and floral carving, a serpentine front and side seat rails, and cabriole legs, upholstered in brown leather trimmed with hobnails. h. 38” $3,000‑$5,000

236

236 Louis XV-Style Mahogany Bureau Plat late 19th century, the shaped rectangular top inset with a leather writing surface, above a frieze fitted with three drawers to one side and three faux drawers to the other, raised on cabriole legs ending in sabots, the whole richly decorated with ormolu mounts and millwork. h. 33”, w. 63”, d. 33‑1/2” $1,500‑$2,500 237 KPM Porcelain Plaque of a Young Girl fourth quarter 19th century, Austrian, the polychromepainted panel in an Italian giltwood frame, the back impressed “KPM s2”, along with a baton, and painted “6015”. h. 19‑1/2”, w. 15” $3,000‑$5,000 237

235

81

238 Louis XV-Style Kingwood and Marble-Top Commode 19th century, the shaped marble top above a conforming bombe case fitted with two short drawers over two long drawers, all banded and quarter-veneered, the sides veneered en suite, raised on splayed legs ending in sabots. h. 33‑1/2”, w. 46”, d. 19‑1/2” $1,000‑$1,500 239 Louis XV-Style Giltwood and Marble-Top Console Table 19th century, the shaped red marble top above a conforming paneled and shell-carved frieze, raised on C-scroll legs joined by a shell-centered stretcher and ending in foliate scrolled toes. h. 37”, w. 33‑1/2”, d. 15”

238

$1,500‑$2,500 240 Louis XV-Style Giltwood Mirror fourth quarter 19th century, the rectangular surround lined with rocaille work, the corners lined in scrollwork, the crest decorated with a seashell and trimmed with flowerheads, and the lower edge with pierced rocaille work. h. 49”, w. 35‑1/2” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $1,400‑$1,800 241 Pair of French Rococo-Style Silver-Plated Sconces ca. 1900, each having a cartouche-form backplate and six arms molded as branches with leaves and berries, and fitted with leaf-molded candle cups set with glass drip pans, hung with cut glass drops. h. 20”, w. 18‑1/2”, d. 14‑3/4”

239

$1,000‑$1,500

241

82

240

242

242

242 Five-Piece Louis XV-Style Giltwood Parlor Suite

243 Six-Piece Louis XV-Style Giltwood Salon Suite

late 19th century, consisting of a settee and four fauteuils, all with a slightly domed padded back surmounted by a foliate shell and floral crest, joined by padded out-scrolled arms to the like seat, raised above a shaped apron on paneled cabriole legs headed by floral capitals and ending in scrolled toes on casters, all upholstered in floral-patterned tapestry. settee h. 46”, w. 74‑1/2”, d. 25‑1/2”, fauteuil h. 41”

late 19th century, consisting of two fauteuils and four side chairs, all with a slightly domed and padded back surmounted by a foliate shield crest, the padded seat raised above a likecarved frieze on cabriole legs headed by a foliate capital and ending in scrolled toes, all upholstered in floral-patterned tapestry. fauteuil h. 40”, side chair h. 37‑1/2”

Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi.

Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi.

$3,000‑$5,000

$2,500‑$4,000

243

83

244 Louis XV-Style Giltwood and Marble-Top Console 20th century, the shaped marble top above a conforming pierced frieze centered by a shell shield, raised on foliatecarved scrolling legs joined by a pierced stretcher and ending in scrolled toes. h. 34”, w. 46”, d. 22‑1/2” $1,200‑$1,800 245 Gerardus Johannes Delfgaauw (Dutch, 1882‑1947) “View of Stompwijk Cottages, South Holland” oil on canvas signed with a pseudonym “H. V. Gessel” lower right.

Framed.

12” x 16”, framed 17‑1/2” x 21‑1/2”

245

$1,000‑$1,500 246 Antal Berkes (Hungarian, 1874‑1938) “Street Scene” oil on wood panel signed lower left.

Framed.

10” x 15‑3/8”, framed 15‑1/2” x 20‑3/4” $2,500‑$4,000

246

244

84

247 Eugene Louis Gillot (French, 1867/68‑1925) “Rue Ensoleille” oil on artist board signed lower left, effaced remnant of an old handwritten inventory/exhibition label and red wax seal en verso.

Framed.

17‑1/4” x 27‑3/4”, framed 25” x 35‑5/8” $2,000‑$4,000

247

248 Yvonne Canu (French, 1921‑2008) “Bateau Vert sur la Seine, Paris” oil on canvas signed lower right, signed en verso, inscribed “L’Institut de Paris” and with an inventory number en verso canvas.

Framed.

14‑3/4” x 21‑1/2”, framed 23‑1/2” x 30” Provenance: Collection of Leon Amar, Palm Beach, Florida. $8,000‑$12,000

248

85

249

249 Yvonne Canu (French, 1921‑2008) “Fete a St. Tropez” oil on canvas signed lower left, signed, titled and with an inventory number en verso.

Framed.

28‑3/4” x 36‑1/4”, framed 39‑1/2” x 47‑1/2” Provenance: Christie’s New York, Sept. 22, 2009, lot 134; Collection of Leon Amar, Palm Beach, Florida. $12,000‑$18,000

86

250 Yvonne Canu (French, 1921‑2008) “Sechage des filets a Honfleur” oil on canvas signed lower right, signed, titled and with an inventory number en verso, verso with a partial “Le Monde Galleries, New York” label.

Framed.

18‑1/4” x 21‑3/4”, framed 29” x 33” Provenance: Le Monde Galleries, New York, New York; Alice Fine, Tucson, Arizona; Christie’s New York, February 11, 2009, lot 71; Collection of Leon Amar, Palm Beach, Florida. $10,000‑$15,000

250

251 Francois Gall (French, 1912‑1987) “Ballerinas, Paris” oil on canvas signed and localized lower right.

Framed.

18” x 24”, framed 27” x 34” Provenance: Collection of Leon Amar, Palm Beach, Florida. $12,000‑$18,000

251

87

252 Charles Blondin (French, 1913‑1991) “Place Vendome, Paris” oil on canvas signed lower left, titled en verso stretcher.

Framed.

13” x 18”, framed 22‑1/4” x 27” Provenance: Collection of Leon Amar, Palm Beach, Florida. $1,000‑$1,500

252

253 Jack Gage Stark (American, 1882‑1950) “Landscape with Reflective Lake” oil on canvas signed lower right, “Lucien Lefebvre-Foinet, Paris” supplier’s stencil en verso.

Framed.

25‑1/2” x 21‑1/4”, framed 33‑1/2” x 29‑1/4” Provenance: Collection of Leon Amar, Palm Beach, Florida. $2,000‑$4,000

253

88

254 Luigi Cagliani (Italian, 1910‑1987) “The Carousel” oil on canvas signed lower right.

Framed.

12‑3/4” x 16”, framed 20‑1/2” x 24‑1/2” Provenance: Collection of Leon Amar, Palm Beach, Florida. $1,000‑$1,500

254

255 Willem Heytman (Dutch, b. 1950) “Arc de Triomphe” oil on wood panel signed lower right.

Framed.

24‑1/4” x 30‑1/4”, framed 35” x 41” $1,400‑$1,800

255

256 Hugues Claude Pissarro (French, b. 1935) “Le Carrefour Drouot-Richelieu” pastel on paper board signed lower center, signed and titled en verso.

Matted, glazed and in a float-mount frame.

14‑1/4” x 19‑3/4”, framed 28‑1/2” x 34‑1/4” $4,000‑$7,000

256

89

257 Bela Kadar (Hungarian/French, 1877‑1956) “Still Life of Peaches and Apples” oil on canvas signed lower right and en verso.

Framed.

24‑1/4” x 30‑1/4”, framed 33‑1/2” x 40” Provenance: Collection of Leon Amar, Palm Beach, Florida. $2,500‑$4,000

257

258

258 George II Sterling Silver Salver hallmarked London, 1738‑1739, by Robert Abercrombie, of circular form with molded “Chippendale” rim and raised on four pad-and-scroll feet, engraved on the plateau with an unhatched armorial, but probably Oke impaling Pemberton. dia. 13‑1/2”; 36.34 t. oz. $1,500‑$2,500

90

259

259 George III Northumbrian Sterling Silver Coffeepot hallmarked Newcastle, 1784‑1785, by Laglands & Robertson, the pear-shaped body decorated with engraved and bright-cut banding at the collar, with palmette-mounted “gooseneck” spout and crested wooden handle, steeply domed hinged lid with urn-form finial, and circular pedestal foot with gadrooned banding. h. 13‑1/2”, l. 8‑1/2”, dia. 4‑3/4”; 27.37 t. oz. (including wooden handle) $1,000‑$1,500

260 detail

260

260 Fine George II Sterling Silver Tureen hallmarked London, 1758‑1759, by George Methuen (fl. 1743‑1765), of bulbous oval form with shaped gadrooned rim, rocaille-mounted stirrup handles and scrolling legs, the fitted domed lid with gadrooned band en suite and large applied pomegranate finial, engraved on both sides of the body with the foliate mantled arms of Brough impaling Charlton; the interior fitted with a later sterling silver liner hallmarked 1840‑1841, by Robert Hennell III. h. 8‑3/4”, l. 17‑1/4”, w. 8‑1/2”; 94.05 total t. oz.

260 detail

Provenance: Collection of Leon Amar, Palm Beach, Florida. $6,000‑$9,000 The arms here are probably those of Richard Brough of Thoroton, Nottingham, who married, in 1716, Anne Charlton, daughter of Gilbert Charlton and Anne Staunton.

261

261 George III Cased Sterling Silver Tea Set hallmarked London, 1789‑1790, by William Plummer (the cream jug 1790‑1791, by John Robins), including a teapot, h. 6‑1/4”, l. 10”, a teapot stand, l. 6‑3/4”, w. 4‑3/4”, a sugar basket, h. 4‑1/4”, l. 6‑1/2”, a tea basket, h. 3‑5/8”, l. 5”, and a cream jug, h. 4‑1/4”, l. 4‑3/4”, each of cavetto-canted square section with fluted corners, and decorated with engraved and bright-cut paterae banding, the teapot with gadrooned conical spout, squared crested handle and domed lid with pineapple finial, the baskets each with swing handle, gilt interior and raised on a conforming pedestal foot, the cream jug with gilt interior and strap handle, each engraved with a crest of a demi-lion rampant holding a sabre (the cream jug with wolf’s head couped), presented in a later fitted green moire- and velvet-lined taupe poplin case, 5‑1/4” x 21” x 16”.

5 pieces (plus case) 38.88 total t. oz. (excluding silver-clad wood teapot stand) $1,800‑$2,500

261 detail

91

262 George III Hester Bateman Sterling Silver Cake Basket hallmarked London, 1787‑1788, of oval form with upswept ends, decorated with gadrooned rim and two concentric bright-cut and engraved bands, one leaf-and-dart, the other of floral swags and tassels, with reeded swing handle and raised on a conforming waisted foot-ring, engraved with the arms of Berche. h. 4‑1/2” (11‑1/4” with handle), l. 14‑3/4”, w. 10‑1/2”; 24.23 t. oz. $2,000‑$4,000 263 George III Sterling Silver Inkstand hallmarked London, 1775‑1776, by Richard Meach, of oval form and raised on four triangular openwork scroll feet, fitted with three galleried receptacles with silver-capped cut glass wells (ink, water and pounce) between two pen trays, the whole decorated with beaded banding. h. 3‑3/4”, w. 19‑1/4”, l. 12‑1/4”; 25.51 t. oz. (excluding glass wells)

262

$1,000‑$1,500 264 George III Sterling Silver Covered Cup hallmarked London, 1796‑1797, by Henry Chawner, the goblet-form body with reeded rim and arched handles, raised on a cavetto-domed circular foot and fitted with a tall, waisted lid with vasiform finial, reeded en suite, engraved with the arms of Baron Clive of Walcot, Shropshire. h. 14”, w. 9”, dia. 5‑1/2”; 34.01 t. oz.

263

$2,000‑$4,000 The arms here are those of Edward Clive (1754‑1839), who was created Baron Clive of Walcot in 1794, and in 1804 elevated to Earl of Powis. He served as MP from Ludlow 1774‑1794, after which he took his seat in the House of Lords upon his baronetage. He also served as Lord Lieutenant of Shropshire 1775‑1798 and 1804‑1839, and Lord Lieutenant of Montgomeryshire 1804‑1830.

264 detail

92

264

265 George III Sterling Silver Tureen hallmarked London, 1777‑1778, by Wakelin & Taylor, of bulbous oval form with gadrooned rim and arched reeded handles, the fitted lid with gadrooned dome and spherical finial, the whole raised on a conforming pedestal foot with gadrooned edge, engraved on the lid with the crest and the body with the arms of Radclyffe impaling Patten. h. 9”, l. 16”, w. 8‑1/4”; 69.74 t. oz. $3,000‑$5,000 The arms here are those of Robert Radclyffe (1773‑1854) of Foxdenton Hall, Chadderton, Manchester, and his wife Mary Patten (1777‑1851); as the couple were married on April 14, 1796, the arms are evidently a later addition.

265

266 English Oak Drop-Leaf Wake Table ca. 1900, in the Jacobean style, the oval top with two drop leaves supported by a pair of swing-out legs and joined by box stretchers. h. 29”, w. 23”, l. 94” $1,000‑$1,500

265 detail

265 detail

267 English Oak Wake Table the rectangular top with rounded ends and two ovoid leaves, raised on a gateleg support of turned and bulbous legs joined by stretchers and ending in block feet. h. 30”, w. 22”, l. 78”, ext. w. 60” $1,000‑$1,500

267

266

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268 Pair of Italian Polychrome Cabinets and Parcel-Gilt Cabinets each with a broken swan’s-neck pediment and side finials, above two glazed cabinet doors, the lower section fitted with two paneled cupboard doors, raised on block feet. h. 108”, w. 50‑1/2”, d. 18‑1/2” $3,000‑$5,000 269 Two Chippendale-Style Mahogany Armchairs each with an upholstered back joined to open arms and raised on cabriole legs, each now upholstered alike and trimmed with brass tacks. h. 39‑1/4” and 39”

269

$1,000‑$1,500

268

94

270 Charles S. Shaw (British, 19th Century) “Ruins Upon a Hill” oil on canvas signed lower right.

Framed.

14‑1/2” x 24”, framed 25” x 35” $1,000‑$1,500

270 271

271 English Chippendale-Style Giltwood Mirror mid-19th century, the mirror plate lined with rocaille molding, the crest with a scrollwork finial, the crest and lower edge decorated with latticed panels, and the sides with fruit- and flower-decorated drops. h. 52”, w. 28‑1/2” $2,000‑$4,000 272 Georgian Mahogany Games Table 18th century, in the Queen Anne taste, the fold-over top supported by a concertina-action extending rear leg, on cabriole legs with foliate-carved knees and pad feet, retaining a tag, “Guaranteed Genuine, A Stair & Co., 59 East 57th Street New York”. h. 29‑1/8”, w. 35‑3/4”, d. 17”, ext. d. 35‑3/4” $1,000‑$1,500

272

95

275 273

273 George III-Style Mahogany Tripod Table 19th century, the tilting floriform top with recessed circular panels, raised on a fluted and turned columnar standard to three legs headed by foliate carving and ending in balland-claw feet. h. 28‑1/2”, dia. 34” $1,200‑$1,800 274 George III Mahogany Chest-on-Chest fourth quarter 18th century, the molded and dentillated cornice above a case fitted with two short drawers over three graduated long drawers, the lower section fitted with three graduated long drawers, all with line inlay and inlaid corner accents, raised on ogee-molded bracket feet. h. 69‑3/4”, w. 42”, d. 22‑1/2” $1,200‑$1,800 275 Pair of George III-Style Mahogany Gainsborough Chairs 20th century, each with a tall padded and domed back joined by outscrolled padded arms to the like seat, raised on cabriole legs headed by foliate carving and ending in hairy-paw feet. h. 45” $1,500‑$2,500 274

96

276 Late George III Polychrome Side Table ca. 1800, in the Adamesque taste, executed in mixed woods, including fruitwood, rosewood and mahogany, the top centered by an ovoid floral-painted panel, the perimeter with inlaid stringing, leaf and vine polychrome and rosewood cross-banding, the frieze in like decor over a panel with figural painting and fitted with a single drawer, raised on fluted and stop-fluted Sheraton legs joined by an X-form stretcher with an ovoid painted panel. h. 30”, w. 22”, d. 17‑1/4” $1,500‑$2,500 277 British School (Fourth Quarter 18th Century) “Portrait of Anne Oakes, Wife of Thomas Oakes” oil on canvas unsigned, an old handwritten note en verso detailing lineage of sitter.

Framed.

30” x 24‑1/4”, framed 33‑1/2” x 28”

276

$5,000‑$8,000 Anne (ca. 1757-1825) was the daughter of Anne (nee Leigh) and Thomas Harrison , Esq. of Cranage Hall, Chester. She wed Thomas Oakes, a druggist, on October 12, 1781, in St. Anne's Church, Liverpool. The Oakes had several children, including two sons, Samuel and Thomas.

278 Robert Adam-Style Pine Console Table late 18th/early 19th century, retaining the celluloid label, “Tozer 25 Brook St. London W.1”, of demi-lune form, with a fluted and urncarved frieze, raised on fluted tapering legs in the late George III taste. h. 31‑1/2”

276 detail

$1,500‑$2,500

278

277

97

279 Pair of George III-Style Giltwood Stools each with an upholstered cushion in burgundy moire, over a foliate- and floral-carved and molded apron, raised on cabriole legs ending in ball-andclaw feet. h. 19”, w. 25”, d. 18” $2,500‑$4,000 280 Pair of English Walnut and Giltwood Torcheres

279

18th century, each with a banded, quarterveneered shaped circular top raised on a paneled, foliate-carved shaped giltwood standard to three splayed legs ending in scrolled toes. h. 37”, dia. 12” $3,500‑$5,000 281 Hepplewhite Amboyna Burl Pembroke Table ca. 1800, the top with an inlaid oval panel and banded edge, both ends fitted with a drawer and raised on slender tapered legs. h. 29”, w. 21”, d. 32‑1/2”, ext. w. 38” $1,500‑$2,500 282 George III-Style Mahogany Cellarette on Stand mid-19th century, of octagonal form, the lift top with an inlaid patera and pre-wedge veneers, the interior with dividers and the case with brass strapwork, on a later conforming line-inlaid base. h. 27‑1/4”, w. 18‑1/4”, d. 17” $1,200‑$1,800

280

281 282

98

283 George III Inlaid Satinwood Demi-lune Table fourth quarter 18th century and later, the top with parquetry and cross-banded veneers, the frieze with banded panels, raised on Hepplewhite legs on spade feet. h. 31”, w. 43”, d. 17” $1,000‑$1,500 284 Sidney Richard Percy (British, 1821‑1886) “River near Dolgelthy, North Wales” 283

oil on canvas signed lower right, titled “River near Dolgetty [sic], N. Wales” on brass artist plaque.

Framed.

23” x 42”, framed 27‑3/8” x 45‑1/2” $1,000‑$1,500 285 Suite of Eight George III-Style Mahogany Dining Chairs in the Chippendale taste, comprised of two armchairs and six side chairs, each with a leaf-carved serpentine crest rail over a pierced splat with like carving, fluted and stopfluted stiles, upholstered seats and Marlborough legs joined by stretchers. h. 38‑1/2” $2,000‑$4,000

284

285

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286

286 George III-Style Mahogany Dining Table

287 George III Mahogany Sideboard

the rounded rectangular top with a molded edge and raised on three pedestals, each with a stop-fluted standard to three splayed legs, all with floral and foliate carving to foliate scrolled toes, with three leaves. h. 29”, w. 48‑1/2”, l. 108”

early 19th century, the triple-banded breakfront D-form top surmounted by a brass rail and above a conforming case fitted with a central drawer over a recessed well drawer, flanked to either side by a rounded cupboard door, opening to three small drawers to one side and two small drawers to the other, raised on tapering square legs ending in spade feet, the whole accented with decorative banding and stringing. h. 51‑1/2”, w. 84”, d. 29‑1/2”

$3,000‑$5,000

$1,500‑$2,500

287

100

288 George III Mahogany Secretary late 18th century, the upper case with two astragal glazed doors, the slant lid opening to a fitted interior with three graduated long drawers below. h. 86”, w. 43”, d. 22” $1,500‑$2,500 289 Pair of George III-Style Leather and Mahogany Wing Chairs each with a loose seat cushion and Marlborough legs joined by stretchers, the oxblood leather upholstery edged with polished brass tacks, labeled “Huntington House”. h. 43‑1/2” 289

$1,200‑$1,800

288 detail

288

101

290 Edouard Joseph Dantan (French, 1848‑1897) “On the Scent” “Searching the Skies” pair of oils on canvas former signed lower left, latter signed lower right.

Framed alike. each 21‑3/8” x 25‑1/2”, framed 28” x 31‑1/2” $4,000‑$7,000 291 Louise Steffens (Belgian, 1841‑1865) “The Fox Hunt” oil on canvas signed lower right.

Framed.

27” x 41‑1/2”, framed 33” x 47‑1/2”

291

$1,200‑$1,800

290

102

292 George III-Style Mahogany Corner Cabinet early 20th century, the molded and dentillated cornice with canted corners, above a case fitted with a single astragalglazed door, the lower section with a deep banded frieze joined by tapering supports to a lower shelf, raised on spade feet. h. 79”, w. 31”, d. 18” $1,000‑$1,500 293 Handsome Regency Inlaid Mahogany Work Box possibly American, first quarter 19th century, the hinged cover over a fitted removable tray, with a pair of drawers in the base, inlaid with lozenges and fitted with period lion’s head ring pulls, likely original to the box. h. 12‑1/2”, w. 15‑1/2”, d. 10” $1,000‑$1,500 294 George III Walnut Chest with “Seaweed” Marquetry late 18th century, the banded top quarter-veneered and above a conforming case fitted with two short drawers over three graduated long drawers, all banded and inset with seaweed marquetry panels, raised on bracket feet. h. 37”, w. 38”, d. 22” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $1,200‑$1,800

292

294

293

103

295

295 George III Mahogany and Exotic Woods Chest late 18th century, with later inlays, the rectangular top with an elaborately inlaid floral, foliate and avian oval panel, above a conforming case fitted with two small drawers over three graduated long drawers, all with like panels, raised on shaped bracket feet. h. 36”, w. 37‑1/2”, d. 21‑1/2”

297

$3,000‑$5,000 296 True Pair of George II-Style Giltwood Mirrors 20th century, in the rococo taste, each example set with three oval china shelves, decorated with scrollwork and rocaille pierced carving. h. 32‑1/2”, w. 19” $1,000‑$1,500 297 English Carved and Pierced Giltwood Mirror fourth quarter 19th century, in the Chippendale taste, in two parts, the crest with a phoenix, the elaborate surround decorated with panels of latticework, flowers and scrollwork, and ho-ho birds on each side. h. 73”, w. 37‑1/2” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $2,000‑$4,000

104

296

298 George III Mahogany Secretary late 18th century, the upper case with a dentillated pediment above a pair of raised panel blind doors, the slant lid opening to an elaborate fitted interior, and four graduated long drawers below. h. 84”, w. 39”, d. 23” $1,800‑$2,500 299 English Giltwood and MahoganyVeneered Mirror first quarter 20th century, in the Chippendale style, with cosseted corners, the sides molded with oak leaves and acorns, the swan’s-neck pediment with an eagle finial. h. 60”, w. 26‑3/4”

300

$1,000‑$1,500 300 Pair of George III-Style Leather Wing Chairs in the Chippendale taste, each with a tufted back and seat cushion, closed arms trimmed with brass tacks and raised on cabriole legs with ball-and-claw feet. h. 41‑3/4” $1,000‑$1,500

299

298

105

301 George III-Style Mahogany Overseer’s Secretary 19th century, the molded cornice above two astragal-glazed doors, the lower section fitted with a drop front opening to a central easel-backed baize-lined writing surface and two small drawers, pushing back to further reveal three lidded compartments to either side, each with inlaid alphabetical oval panels, over two paneled cupboard doors, raised on a plinth base. h. 93”, w. 53”, d. 24‑1/2” $3,500‑$5,000 302 James Stark (British, 1794‑1859) “Figures Fishing on the Yare River” oil on wood panel unsigned.

Framed.

15‑3/4” x 23‑1/4”, framed 26‑1/2” x 33” $1,000‑$1,500 303 Frederick William Hulme (British, 1816‑1884) “Mountain Gorge”, 1876 oil on linen signed and dated lower right, old black stencil on stretcher.

Framed.

20” x 30”, framed 28‑1/2” x 38‑1/2”

301

$1,000‑$1,500

302

106

303

304 Attributed to Samuel Bough, R.S.A. (British, 1822‑1878) “Lake Scene with Castle Ruins” oil on canvas unsigned, a partial old London canvas maker’s stencil en verso.

Framed.

12” x 18”, framed 18‑1/8” x 24‑1/8” Provenance: Lucullus, New Orleans, Louisiana. $1,000‑$1,500 305 George III-Style Mahogany Sideboard

304

ca. 1900, in the Hepplewhite taste, the figured serpentine top with a line-inlaid and banded perimeter, the conforming case with a bowfront drawer flanked by cupboard doors, raised on tapering legs with spade feet. h. 37”, w. 61‑1/8”, d. 24‑3/4” $1,500‑$2,500 306 George III-Style Mahogany Dining Table the rounded rectangular top with a reeded edge and raised on two pedestals, each with a turned and bulbous standard to three splayed ribbed legs ending in brass paws on casters, with two 21” leaves. h. 29”, w. 45”, l. 70”, ext. l. 112” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas.

305

$1,200‑$1,800

306

107

307

307 Suite of Eight George III-Style Mahogany Dining Chairs late 19th/early 20th century, comprised of a pair of armchairs and six side chairs, each with a ribbon back, dished seat and banded legs joined by H-form stretchers, with pegged construction throughout. h. 39‑1/4” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $1,200‑$1,800 308 Pair of Queen Anne-Style Chinoiserie-Decorated Sconces 20th century, painted red with gilt decor and bronze candle arms set in front of the mirrors, marked “Made in Italy”. h. 27‑1/2”, w. 8‑1/2”, d. 6‑1/2”

309 Edward Sherard Kennedy (British, active 1863‑1890) “My Lord’s Gentleman”, 1874 oil on canvas signed and dated lower left.

Framed.

29” x 40‑1/2”, framed 36” x 47” Provenance: Bonhams, London, July 14, 1977, lot 129; Private collection. $2,000‑$4,000

$1,200‑$1,800

308

108

309

310 George III Mahogany Chest-on-Chest late 18th century, the molded and canted crest above a conforming case fitted with two short drawers over two long drawers, the lower section fitted with two graduated long drawers, raised on ogee-molded bracket feet. h. 56”, w. 46”, d. 22” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $2,000‑$4,000 311 George III-Style Mahogany Butler’s Desk 19th century, the rectangular top with a molded edge, above a conforming case fitted with a drop-front secretary drawer, opening to an inset leather writing surface and a variety of drawers and cubbyholes, over two cupboard doors, each paneled and inset with a circular design, raised on bracket feet. h. 42”, w. 49”, d. 22”

310

Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $1,400‑$1,800 312 Pair of George III-Style Mahogany Side Tables 19th century, each with a bowed top above a case fitted with two graduated drawers, raised on slender tapering square legs. h. 31‑1/2”, w. 25‑1/2”, d. 17‑1/2” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas. $1,000‑$1,500

312

311

311 detail

109

313 George III Mahogany Sideboard early 19th century, the rectangular breakfront top above a conforming case fitted with a central drawer, flanked to one side by a cupboard and to the other by a cellarette drawer, raised on ring-turned tapering circular legs ending in peg feet. h 36”, w. 68”, d. 28‑1/2” $1,000‑$1,500 313

314 Pair of George III Mahogany-Inlaid Knife Boxes fourth quarter 18th century, English, the serpentine facades lined with barber-pole inlay, a patera on the lid, with an inlaid and fitted interior. h. 13‑1/2”, w. 8‑3/4”, d. 10‑1/2” $2,500‑$4,000

314

315 Pair of Mahogany Tray Tables 20th century, in the Georgian taste, each with a quarter-veneered oval top with a full pierced gallery, with an out-scrolled handle to either side, raised on a bulbous standard to four splayed legs ending in patera-mounted in-scrolled toes. h. 25”, w. 32”, d. 24” $1,000‑$1,500 315

110

316

316 George III-Style Mahogany Chest 19th century, the banded and bowed top above a conforming case fitted with four graduated long drawers, all with inlaid line stringing, raised on bracket feet. h. 38”, w. 46‑1/2”, d. 24‑1/2” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas.

317

$1,400‑$1,800 317 Chippendale-Style Giltwood Mirror

318 Group of Six Chinese Export Porcelain Fitzhugh Pattern Pieces

mid-20th century, in the chinoiserie taste, with a finial in the form of a Chinese temple, above rocaille decoration, the sides with pierced leafy vines and birds, and the lower edge with rocaille work. h. 64”, w. 29”

19th century, comprising a covered vegetable tureen, h. 6‑1/2”, w. 11”, d. 9‑1/2”, a scalloped dish, w. 10”, d. 8‑1/4”, a pair of pierced fruit baskets, each h. 7‑1/2”, w. 6”, d. 3”, and a pair of oval dishes with reticulated rims, each w. 9‑1/2”, d. 8‑1/4”.

$1,800‑$2,500

$1,000‑$1,500

318

111

319

319 Two Associated Pairs of Chinese Export Porcelain Fitzhugh Pattern Platters first half 19th century, the first pair of oval form, decorated with floral sprays with auspicious objects, w. 14‑1/4”, d. 11‑3/4”, and the second pair having one example with a raised lip, similarly decorated, w. 14‑3/4”, d. 12” and w. 14‑1/4”, d. 11‑3/4”. $1,000‑$1,500

320 Chinese Export Porcelain Fitzhugh Pattern Soup Tureen and Cover first half 19th century, the deep tureen on a raised, slightly splayed foot, with applied twist handles, having a domed cover with floral finial, decorated throughout with floral sprays and medallions. h. 12”, w. 14”, d. 8‑1/2” $1,000‑$1,500

321

321 British School (19th Century) “Portrait of a Gentleman” oil on board unsigned.

Framed.

13‑1/2” x 11”, framed 19‑1/2” x 16‑3/4” $1,000‑$1,500

320

112

322 George III-Style Mahogany Linen Press second half 19th century, in two parts, the upper section with a molded cornice over a pair of paneled doors, opening to reveal an interior fitted with a pair of linen drawers, the base with two-over-two drawers, all with banded perimeters, raised on bracket feet. h. 80‑1/4”, w. 47‑1/2”, d. 22” $1,000‑$1,500

323 Suite of Eight George III Mahogany Shield-Back Dining Chairs ca. 1800, each with a delicately carved back with swags and rosettes, and raised on tapered Marlborough legs. h. 36‑1/2”, w. 22”, d. 20” $2,000‑$4,000 322

323

113

324

324 George III-Style Mahogany Sideboard

324A Pair of English Hepplewhite Inlaid Mahogany Knife Boxes

the bowed rectangular top above a conforming case fitted with a central drawer, flanked to one side by a deep drawer and to the other by a cupboard door, opening to baize-lined sliding cutlery trays, raised on tapering square legs ending in spade feet. h. 36‑1/2”, w. 72”, d. 25‑1/2”

ca. 1800, now retrofitted as decanter holders, with cut corner slides, crossbanded and inlaid with stringing, the front mounted with Sheffield plate ring pulls, escutcheons and shields. h. 15”, w. 9”, d. 10‑1/4”

Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas.

$1,200‑$1,800

$1,000‑$1,500

324A

114

324A detail

326

325 Giltwood Mirror in the Chinese Chippendale Taste ca. 1900, the pierced surround decorated with a ho-ho bird on each side, the crest with a pagodaform finial hung with a temple bell, the lower edge with pierced scrollwork. h. 53”, w. 31” $1,500‑$2,500 326 George III-Style Chinoiserie Games Table ca. 1900, with a shaped fold-over top opening to a tooled leather interior and dished corners, raised on cabriole legs ending in ball-and-claw feet. h. 29‑1/2”, w. 32”, d. 16‑1/2”, ext. d. 33”

325

$1,500‑$2,500 327 Pair of Chinoiserie Parcel-Gilt Mahogany Armchairs in the Chinese Chippendale taste, each with a pagoda-form crest over a fretwork back, joined to open arms over like panels, with a dished slip seat and raised on pierced fretwork legs. h. 40‑1/2” $1,500‑$2,500

327

115

330

328

328 Antique Sultanabad Carpet 10’ 4” x 13’ 4” $9,000‑$12,000 329 Semi-Antique Heriz Carpet 9’ 2” x 11’ 9” $2,000‑$4,000 330 Antique Malayer Carpet 3’ 8” x 6’ 2” $1,000‑$1,500

329

116

331

332

333

331 Turkish Oushak Carpet

332 Turkish Angora Oushak Runner

333 Semi-Antique Tabriz Carpet

9’ 8” x 13’ 4”

2’ 6” x 29’ 3”

10’ 4” x 12’ 10”

$1,200‑$1,800

$1,000‑$1,500

$1,000‑$1,500

117

334

335

334 Laristan Transitional Carpet 9’ 2” x 11’ 10” $1,000‑$1,500 335 Turkish Sultanabad Carpet 7’ 9” x 11’ 3” $1,000‑$1,500 336 Agra Sultanabad Carpet 10’ 1” x 13’ 7” $2,000‑$4,000

336

118

337 Agra Serapi Carpet 9’ 10” x 14’ $2,000‑$4,000

337

338 Laristan Sultanabad Carpet 6’ 3” x 8’ 10” $1,000‑$1,500

338

119

340

339 341

339 Uzbek Sultanabad Runner

340 Semi-Antique Mahal Carpet

341 Turkish Angora Oushak Carpet

2’ 6” x 19’ 9”

7’ x 10’ 2”

8’ 1” x 9’ 10”

$1,000‑$1,500

$1,000‑$1,500

$1,000‑$1,500

Provenance: Estate of Margaret "Pat" Breen, Houston, Texas.

120

343

342 Fine Carved Mahogany Linen Press in the Chippendale Taste first quarter 20th century, possibly by Waring and Gillow, Liverpool, with a molded and dentillated overhanging cornice above a pair of framed and paneled doors with finely carved foliate borders, the base fitted with a pair of side-by-side drawers over a single long drawer and raised on carved ogee bracket feet. h. 78”, w. 57”, d. 23”

342

$1,400‑$1,800 343 Victorian Inlaid Mahogany Miniature Side-Lock Chest fourth quarter 19th century, the top inlaid with a conch shell, quarter fans and a barber pole border, the drawers with line inlay, on ogee bracket feet. h. 17‑3/4”, w. 14”, d. 9‑3/4” $1,000‑$1,500 344 Unusual English Mahogany Cellarette fourth quarter 18th century, the ogee-molded case opening to reveal a divided interior, the facade decorated with two applied cut-corner panels, fitted with brass post and bail pulls and casters. h. 32‑1/2”, w. 16”, d. 11” $1,000‑$1,500

344

344

121

347

347 Diminutive Tiger-Striped Satinwood Pembroke Table

345

345 Fine Edwardian Inlaid Two-Tier Stand

early 19th century, the top with rosewood banding and flanked by drop leaves, the apron fitted with a slide, raised on lineinlaid tapering legs on brass cup casters. h. 28‑1/2”, w. 15‑3/4”, d. 21”, ext. w. 29” $1,000‑$1,500

fourth quarter 19th century, composed of satinwood and various inlaid veneers, the upper ovoid bowl with parquetry inlay over an oval marble shelf with a brass gallery, on an inlaid tripodal base with brass beading and ormolu mounts. h. 32”, dia. 18”

348 George Dunlop Leslie, R.A. (British, 1835‑1921)

$1,500‑$2,500

oil on board signed lower right.

Framed.

36” x 48”, framed 48” x 59”

346 Three Irish Cut Crystal Decanters 20th century, including a mallet-form decanter and a vasiform example, both marked “Waterford”, and an unmarked ship’s decanter. h. 10‑1/2” to 13”, dia. 3‑1/2” to 6‑1/2”

“The Old Squire’s Nuptial Preparations”

$3,000‑$5,000

$1,000‑$1,500

346

122

348

349 Edwardian Inlaid Mahogany and Mixed Woods Chest-onChest comprised of antique elements, with a molded cornice above an inlaid frieze, the upper case with two side-by-side drawers over three graduated long drawers, the base with three graduated long drawers, each with rosewood banding and brass pulls. h. 75‑1/2”, w. 43”, d. 21” $2,000‑$4,000 350 Edwardian Mahogany and Mixed Woods Inlaid Bowfront Chest comprised of antique elements, the front fitted with a pair of side-by-side drawers over three graduated long drawers, each with rosewood banding and brass pulls. h. 40”, w. 42”, d. 20” $1,200‑$1,800

349

351

351 Attributed to George Paul Chalmers, R.S.A. (Scottish, 1833‑1878) “Portrait of a Lady in a Black Lace Shawl” oil on canvas In an attractive cove-molded frame.

30‑1/4” x 25‑1/8”, framed 42” x 36‑1/2” $1,000‑$1,500

350

123

352 Rare English Opaline Glass and Bronze Hall Gasolier second quarter 19th century, the scrolled arms delicately detailed, the standard fitted with one trumpet-form element and a tapered element, in bronze scrollwork, with a corona of molded bronze bellflowers. h. 36”, w. 24”, d. 12” $1,000‑$1,500

352

353 Delicate Edwardian Inlaid and Polychrome Side Table late 19th century, the top with an applied painted panel in “Swan and Vase” decor under glass, the satinwood and mahogany table with inlaid line stringing, the tapered legs joined by curved stretchers. h. 29”, w. 19”, d. 13‑1/2” $1,500‑$2,500

353

354 Early Victorian Mahogany Cabinet mid-19th century, the D-form banded top above a conforming case fitted with a patera- and garland-inlaid frieze over two doors, each inset with a glazed oval panel backed by a pleated fabric screen, raised on sabre feet. h. 35”, w. 50‑3/4”, d. 12‑1/2” $3,000‑$5,000

354

124

355

355 Extensive Royal Worcester Vitreous China Partial Dinner Service ca. 1891, English, transfer-printed in the Aesthetic taste, the set including twenty-four dinner plates, dia. 10‑1/2”, twenty-three luncheon plates, dia. 9‑1/4”, twelve soup plates, dia. 10”, a nest of eight graduated platters, including two pairs, w. 7‑1/4” to 22”, d. 5‑1/2” to 11”, a soup tureen, h. 11”, w. 15”, d. 6‑1/2”, four covered vegetable dishes with elephant-head handles, h. 7‑1/2”, w. 9‑1/4”, d. 6‑1/4”, a pair of sauce tureens on stands, h. 7‑1/4”, w. 8‑1/4”, d. 6”, a pair of gravy boats, h. 4‑1/2”, w. 7‑1/4”, d. 3”, marked with a registry for 1886‑1887, and a printed Royal Worcester mark introduced in 1891, lacking a date and code. $1,200‑$1,800 356 Pair of Edwardian Inlaid Mahogany Knife Urns ca. 19th century, set with brass eagle finials, with fitted interiors, the coved covers with supports. h. 32‑1/2”, dia. 8‑1/4”

356

$1,000‑$1,500 357 Pair of English Mahogany Washstands fourth quarter 19th century, each with a concave canted square top with an opening for a wash bowl, joined by shaped supports to a like-shaped lower surface, fitted with a conforming drawer, joined by molded scrolling supports centered by a circular stretcher shelf and ending in scrolled toes. h. 33”, w. 15”, d. 15” $1,500‑$2,500

357

125

358

359

358 Pair of William IV Giltwood Brackets

360 Victorian Walnut Center Table

first quarter 19th century, supported by displayed eagles, the rectangular shelves with cove-molded edges, incised with sunburst decoration. h. 7‑1/2”, w. 9”, d. 6‑3/4”

late 19th century, the floriform tilting top quarter-veneered and highly figured, raised on a bulbous standard to three splayed foliate- and scroll-carved legs ending in casters. h. 31”, dia. 53‑1/2”

$1,000‑$1,500

$1,500‑$2,500

359 Unusual English Giltwood Oval Mirror

361 George III-Style Inlaid Mahogany Games Table

mid-19th century, the mirror plate lined with pierced scrollwork and rocaille work, the top with a leaf-molded finial, the bottom edge with a “winged” finial with central piercing. h. 29‑1/2”, w. 36‑1/2”

19th century, the top with inlaid figures playing cards, the inside with an inlaid backgammon board, and the recessed corners with inlaid game cards, the apron frieze fitted with a drawer, raised on cabriole legs ending in ball-and-claw feet. h. 29”, w. 32”, d. 16”, ext. d. 32”

$1,000‑$1,500

$1,200‑$1,800

361

360

126

362 British School (Second Quarter 19th Century) “Portrait of the Young Master with His Pet Spaniel, Seated Within a Landscape”, 1867 oil on canvas signed “J. S. Lonsdale” and dated lower left.

Presented in a contemporary giltwood frame.

50‑1/2” x 40”, framed 57” x 45‑1/2” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $2,000‑$4,000

362

363 Collection of Four 19th-Century Canes the collection including a malacca sword cane with a horse-hoof handle carved from a hoof, l. 38‑1/2”, an oak cane with inlaid handle and a silver button, l. 34‑1/2”, a silver-clad cane with elaborate decoration, l. 36‑3/4”, and a carved maple cane with a hound-dog handle, l. 34”.

363

Provenance: M. S. Rau Antiques, New Orleans, Louisiana. $1,000‑$1,500

364 Collection of Three Antique Canes including a maple cane with a carved dog-head handle, l. 34”, a cane carved with a monkey-head handle in the “rustic” pattern, l. 34‑1/2”, and a bamboo painted sword cane with a dog-head handle and a concealed gauge, l. 37‑1/2”. $1,000‑$1,500

364

127

365

365 Burgundy Leather Chesterfield Sofa second half 20th century, of traditional form with rolled armrests and back, diamond tufted and raised on turned bun feet. h. 30”, w. 88”, d. 34” $1,500‑$2,500

366 Victorian Birch Eight-Step Folding Library Ladder ca. 1900, with graduated treads of tapered form. closed h. 88”, open h. 73‑1/2”, w. 22‑1/2” $1,000‑$1,500

366

128

367 Group of Four Botanical Pressings of Mushrooms each initialed “SW” lower right.

Matted, glazed and framed alike.

20” x 15‑3/4”, framed 21‑3/4” x 17‑1/2” $1,000‑$1,500

368 Victorian Wrought Iron and Marble-Top Conservatory Table early 20th century, the rectangular top raised on scrolling end supports joined by an X-form stretcher and ending in scrolled toes. h. 31”, w. 60”, d. 30” $1,200‑$1,800

367

368

129

369 Louis van der Pol (Dutch, 1896‑1982) “The Young Seamstresses” oil on canvas signed lower right.

Framed.

31‑3/4” x 23‑3/4”, framed 39” x 30” Provenance: Sold in these rooms, December 4, 2015, lot 258; Private collection. $2,000‑$4,000

369

370 Louis van der Pol (Dutch, 1896‑1982) “Tete a Tete” oil on canvas signed lower right.

Framed.

39‑1/2” x 31‑5/8”, framed 45‑1/2” x 37‑1/2” Provenance: Sold in these rooms, December 4, 2015, lot 259; Private collection.

370

$2,000‑$4,000

371 Louis van der Pol (Dutch, 1896‑1982) “School Girls, Amsterdam” oil on canvas signed lower right.

Framed.

26‑1/4” x 31‑3/4”, framed 31‑1/4” x 36‑3/4” $1,000‑$1,500

371

130

372 373

372 Pair of Louis XIV-Inspired Leather and Mahogany Fauteuils a la Reine each of generous proportions, the arched back joined to shaped arms with leaf- and scroll-carved ends, the cabriole legs joined by shaped stretchers, upholstered in brown on brown embossed leather. h. 49”

374 Regence Kingwood and Marble-Top Commode 18th century, the shaped marble top above a conforming bombe case fitted with two short drawers flanking a small drawer, over two long drawers, all banded and inset with floral-inlaid panels, raised on splayed legs ending in sabots. h. 35‑1/2”, w. 51”, d. 26” $1,000‑$1,500

$1,000‑$1,500 373 American Late Victorian Brass, Gas and Electric Chandelier fourth quarter 19th century, the conical standard fitted with four arms and decorated with filigree scrollwork. h. 37; dia. 27" $1,000‑$1,500

375 French Baroque-Style Gilt-Bronze Chandelier first quarter 20th century, the standard with a fluted vasiform top element over a turning mounted with putti heads on pierced scrolls, the bold arms molded with gadrooning and leaves, terminating in reeded candle cups and bobeches, with a floral-molded base. h. 41”, dia. 34” Provenance: M. S. Rau Antiques, New Orleans, Louisiana. $3,000‑$5,000

374 375

131

377

376 French Baroque-Style Giltwood Mirror fourth quarter 19th century, the pedimented crest with a leaf-carved finial with a basket of flowers on a lattice-incised ground, the mirror surround with scrollwork and leaves, the mirror plate with gadrooning. h. 38‑1/2”, w. 20‑1/2” 376

$1,000‑$1,500 377 Pair of French Bronze Jardinieres fourth quarter 19th century, in the Louis XIV style, the beautifully cast jardinieres on bases decorated with brackets with medallions and ribbon-bound fronds of leaves, the urns molded with panels of flowers and borders of flowers, with removable liners. h. 15‑1/2”, dia. 11‑1/4”

378 Louis XIV-Style Carved and Parcel-Gilt Wooden Chandelier the standard carved with lotus leaves, the fluted and scrolled arms carved with leaves, the bold reeded candle cups supporting gilt drip pans. h. 34”, dia. 34” $1,000‑$1,500

$3,000‑$5,000 379 Pair of Unusual Continental Gilt-Bronze Sconces ca. 1900, each with a grotesque masque backplate with a leafmolded cornucopia-form candle arm, retaining a handsome gilt finish. h. 15‑3/4”, w. 5‑3/4”, d. 5” $1,000‑$1,500

379 378

132

382

380

380 Nineteenth-Century Flemish Tapestry

382 French Baroque-Style Gilt-Bronze Chandelier

depicting a courting couple within a verdant park, a chateau in the distance, with an acanthine and floral posy border.

120” x 114”

early 20th century, the standard with a ball and fluted vasiform section over a turning mounted with winged angels, having eight arms with bellflower decor. h. 28”, dia. 33”

$2,000‑$4,000

$1,500‑$2,500

381 Pair of Monumental Regence-Style Giltwood Sconces 20th century, the urn-form bodies carved with flame finials, scrolled candle arms and acanthus-carved sockets, on corbel-form supports with carved bellflowers and acanthus leaves on the facades, and with deeply carved scrollwork on the sides. h. 32”, w. 18”, d. 8” $1,000‑$1,500

381

133

383 Louis XIV-Style Oak Fauteuil a la Reine late 19th century, the tall, padded rectangular back joined by foliate-carved arms to the padded seat, raised on foliatecarved S-scroll legs joined by an X-form stretcher and ending in scrolled toes, upholstered in floral- and avian-patterned needlework. h. 51” $1,000‑$1,500

383

384 Regence Oak Commode

384

18th century, the rectangular top with a shaped front, above a conforming case fitted with two small drawers over two long drawers, all paneled and with incised lattice-patterned designs, raised on rounded feet. h. 32”, w. 45‑1/2”, d. 25” Provenance: Kevin Stone Antiques, New Orleans, Louisiana. $2,500‑$4,000

385 Pair of Regence Fruitwood Side Chairs 18th century, each with a caned back surmounted by a foliate shell crest, above a shaped caned seat, raised above a shell-carved apron on cabriole legs ending in foliate toes. h. 36‑1/2” Provenance: Royal Antiques, New Orleans, Louisiana 385

134

$1,000‑$1,500

387 Painted and Giltwood Trumeau Mirror ca. 1900, the top panel decorated with an oil-on-canvas painting of a village wedding scene, set into a Louis XIV-style giltwood surround with shell corners, trimmed with rocaille work, the mirror with like decoration. h. 87”, w. 38‑1/2” $1,000‑$1,500

386

388 French Verdure Tapestry

386 Dutch/Continental School (19th Century) “The Pipe Smokers”, 1863 oil on wood panel signed “Netcher” and dated “63” lower right.

Framed.

11‑1/4” x 8‑1/2”, framed 19” x 16‑3/4”

the central scene of Hermes delivering the Golden Apple of the Hesperides to Paris of Troy, set within a lush landscape, allover acanthine and floral posy border.

117” x 115” $1,000‑$1,500

$1,000‑$1,500

388

387

135

389

390

389 Regence-Style Kingwood and Marble-Top Commode early 20th century, the shaped marble top above a conforming case fitted with two short drawers over three long drawers, all banded and quarter-veneered, raised on block feet, the whole accented with ormolu mounts. h. 33‑1/2”, w. 49‑1/2”, d. 27‑1/2” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $3,000‑$5,000

391 Regence-Style Mahogany, Burl Wood and Marble-Top Commode the rectangular marble top with canted corners, above a bombe case fitted with two long drawers, raised on splayed legs to sabots, the whole accented with ormolu mounts. h. 35‑1/2”, w. 54”, d. 22” $1,200‑$1,800

390 Handsome French Bronze and Crystal Chandelier in the Louis XIV taste, possibly Baccarat, the standard clad with molded glass, the scrolled and molded corona hung with swags and strands of drops, the fluted candle cups with glass prism rings, and the lower section richly decorated with swags of crystal drops. h. 34”, dia. 24” $1,400‑$1,800

391

136

392

393 French Bronze and Crystal Chandelier 392 Pair of Louis XIV-Style Metal and Crystal Chandeliers the fourteen-light chandeliers with scrolled frames and hung with glass and rock crystal drops, accented with colored glass fruit, with glass spears mounted in the center. h. 40”, dia. 32”

second quarter 20th century, in the Louis XIV style, the six-light chandelier with a patinated bronze frame and a molded glassclad standard, hung with a profusion of cut glass prisms with molded floriform medallions. h. 34”, dia. 14” $1,000‑$1,500

$1,200‑$1,800 394 Regence-Style Fruitwood Commode 19th century, the slightly bowed top banded and paneled, above a conforming bombe case fitted with two small drawers over two graduated long drawers, all paneled, raised above a shell-carved apron on pointed toes. h. 33‑1/2”, w. 45”, d. 22‑1/4” $1,500‑$2,500

393

394

137

396

395

395 Louis XIV-Style Silvered Metal and Crystal Chandelier

396 Regence-Style Mahogany and Marble-Top Commode

the eight-light chandelier with a molded glass-clad standard and set with sprays of cut glass drops, the silvered metal candle arms set with molded glass drip pans over sprays of cut glass drops. h. 28‑1/4”, dia. 20‑1/2”

the shaped marble top above a conforming bombe case fitted with two short drawers over two long drawers, all banded, raised on splayed legs ending in sabots. h. 33”, w. 47”, d. 21‑1/2”

$1,000‑$1,500

$1,000‑$1,500

397 Emile van Damme-Sylva (Belgian, 1853‑1935) “Cattle Resting in the Pasture” oil on canvas signed lower right.

Framed.

32” x 46”, framed 43‑1/2” x 58” $2,500‑$4,000

397

138

398 Louis Robbe (Belgian, 1806‑1887) “Cattle in the Pasture” oil on wood panel signed lower right.

Framed.

22‑7/8” x 31”, framed 31‑5/8” x 39‑1/2” $2,000‑$4,000

398

399 Charles Coumont (Flemish, 1822‑1889) “Cattle Resting by the Duck Pond”, 1887 oil on canvas signed and dated lower left.

Framed.

29‑1/4” x 41‑7/8”, framed 35‑1/2” x 49” $1,800‑$2,500

399

139

401

400 French Provincial Fruitwood Vaisselier 19th century, the molded cornice above a scalloped frieze and three plate shelves, the lower section with a banded and canted rectangular top over a case fitted with two drawers over two paneled cupboard doors, above a fancarved apron, raised on scrolled toes. h. 91”, w. 53”, d. 23” $1,500‑$2,500

400

401 French Provincial Fruitwood Panettiere 19th century, of traditional form, the domed top with corner finials, above a spindled case fitted with a single urn-carved door, above a wheel-carved apron, raised on scrolled toes. h. 35”, w. 32”, d. 19” $1,200‑$1,800

402 Henry Schouten (Belgian, 1857‑1927) “Shepherd with His Flock” oil on canvas signed lower right.

Framed.

31‑1/2” x 24”, framed 37‑1/2” x 30” $2,000‑$4,000

140

402

403 French Provincial Fruitwood Armoire Quatre Portes 19th century, the rounded rectangular molded cornice above a conforming case fitted with two paneled cupboard doors over three small drawers, with two paneled doors below, raised above a shaped apron on pointed toes. h. 91”, w. 80”, d. 26‑1/2” Provenance: Lucullus, New Orleans, Louisiana. $1,500‑$2,500

403

404 French Provincial Fruitwood Buffet early 19th century, the rectangular top with canted corners, above a conforming case fitted with two drawers over two paneled cupboard doors, above a shaped foliate urn-carved frieze, raised on shaped feet. h. 38‑1/2”, w. 51‑1/2”, d. 23‑1/2” $1,000‑$1,500

404

141

405 Henry Schouten (Belgian, 1857‑1927) “Horses and Hunting Dog by the Stable Door” oil on canvas signed lower left.

Framed.

27‑5/8” x 39‑1/2”, framed 37” x 48‑1/4” $2,500‑$4,000

406 French Provincial Fruitwood Armoire 18th century, the molded cornice with canted corners, above a conforming case fitted with a scroll-carved frieze over two long doors, each inset with a shaped panel, above a scalloped apron, raised on scrolled toes. h. 80”, w. 54”, d. 26‑1/2”

405

$1,000‑$1,500

407 Provincial Regence-Style Walnut and Mahogany Commode 19th century, the rounded rectangular top above a case fitted with three long drawers, each paneled, above a shell-carved apron, raised on scrolled toes. h. 39”, w. 50‑1/2”, d. 25‑1/2” $1,200‑$1,800

407

142

406

408

408 Albert Caullet (Belgian, 1875‑1950)

409 Louis XV-Style Fruitwood Canape ca. 1900, of double chair-back form with floral-carved crests, raised on cabriole legs. h. 40”, w. 68”, d. 29”

“Cattle by a Stream” oil on canvas signed lower right.

Framed.

40‑1/4” x 59‑1/4”, framed 46” x 66”

$1,000‑$1,500

$4,000‑$7,000

409

143

412

410 French Provincial Polychrome Armoire 19th century, the rounded rectangular crest above a conforming case fitted with two bi-paneled doors, opening to a fabric-lined shelved interior, over a shell-carved apron, raised on scrolled toes. h. 83‑1/2”, w. 58‑1/2”, d. 23” $1,000‑$1,500

411 Group of Six Pressed Botanicals

410

Glazed and presented in matching creme-peinte frames.

16” x 12”, framed 18” x 14” $1,000‑$1,500

412 French Provincial Fruitwood Side Table early 19th century, the rectangular top with crimped corners, above a frieze fitted with a single side drawer, over a scalloped apron, raised on cabriole legs ending in hoof feet. h. 28‑1/4”, w. 43”, d. 27” $1,400‑$1,800

411

144

413 Provincial Louis XV Walnut Bergere 18th century, the carved and molded frame with a central foliate-carved cartouche, the seat and back covered in brown leather, raised on cabriole legs. h. 30” $1,200‑$1,800 414 Provincial Louis XV Walnut Buffet late 18th century, probably Provence, the case with a pair of drawers over a pair of doors, each with an arched, raised panel, a scalloped apron and cabriole legs. h. 43‑3/4”, w. 53‑1/2”, d. 22‑1/2” 413

Provenance: Lucullus, New Orleans, Louisiana. $1,000‑$1,500 415 Charles Ferdinand Venneman (Belgian, 1802‑1875) “The Peasant Dance” oil on beveled wood panel signed lower left.

Framed.

23‑1/8” x 18‑1/4”, framed 26” x 20” $2,000‑$4,000 416 Francois Dumont (Belgian, b. 1850)

414

“Tavern Courtiers Courting a Bar Maiden”, 1900 oil on canvas signed and dated lower right.

Framed.

25‑3/4” x 20”, framed 31‑1/4” x 25‑1/2” $1,000‑$1,500

415

416

145

417 French Provincial Fruitwood Armoire 19th century, the rectangular molded crest above a conforming case fitted with two long doors, each inset with three shaped panels, raised on block feet. h. 81‑1/2”, w. 62‑1/2”, d. 25‑1/4” Provenance: Lucullus, New Orleans, Louisiana. $1,000‑$1,500

418 Provincial Regence Fruitwood Commode 418

18th century, the rectangular top with a slightly bowed front, above a conforming case fitted with two short drawers over two long drawers, all paneled, raised on block feet. h. 31”, w. 42‑1/2”, d. 22” $1,800‑$2,500

419 French Provincial Fruitwood Wine Table 19th century, the banded tilting rectangular top raised on a swinging lyre-form support and square legs to runner feet on casters. h. 29”, w. 32‑1/4”, d. 25‑1/2” Provenance: Lucullus, New Orleans, Louisiana. $1,000‑$1,500

419 417

146

420

420 Large Continental Pine Lift-Seat Bench mid-19th century, with a scalloped back crest with stylized splats, the single-board plank seat opening to a divided interior for storage, retaining a red/mustard-painted surface. h. 37”, w. 101”, d. 23” $1,000‑$1,500 421 Arthur Trevor Haddon, R.B.A. (British, 1864‑1941)

422 Provincial Louis XV-Style Fruitwood Bonnetiere 19th century, with an arched cornice over a pair of shaped and paneled doors, the mid-section with a row of three drawers above another pair of doors, raised on short cabriole legs. h. 91”, w. 59”, d. 24” $1,000‑$1,500

“Tending to the Wee Ones” oil on canvas signed lower right.

Framed.

36‑1/8” x 28”, framed 42‑1/2” x 33‑1/2” $5,000‑$8,000

421

422

147

423 George III Sterling Silver Tea Tray hallmarked London, 1790‑1791, by James Young, of oval form, the gallery decorated with engraved and bright-cut foliate banding with reeded rim and handles, the plateau with a wide engraved band en suite centering the elaborately erminemantled armorial of Lopes impaling Yeates. l. 2‑1/4”, w. 19‑1/2” (weighted with wood base) $3,000‑$5,000 The arms here are those of Sir Manasseh Masseh Lopes, 1st Baronet (1755‑1831) and his wife Charlotte Yeates (1761‑1833) who were married on October 19, 1795. Lopes was the son of a wealthy Jewish Jamaican planter and served as M.P. of various Devonshire boroughs from 1802 to 1829. He and his wife are buried in Bickleigh Church, where there are monumental inscriptions to them both.

423

424 Late George III Sterling Silver Inkstand hallmarked London, 1805‑1806, by William Allen III, of rounded rectangular form and raised on four scroll-crested lion’s paw feet, fitted with four receptacles with silver-capped cut glass wells (ink, water, pounce and nibs) between two pen trays, all decorated with gadrooned edging. h. 4‑3/4”, l. 12”, w. 8‑1/4”; 46.83 t. oz. (excluding glass wells) $1,800‑$2,500

424

425 Paul Storr George IV Sterling Silver Teapot

425

hallmarked London, 1826‑1827, of flattened spherical form, with reeded band and gadrooned above and below, with a shallow collar and flat-hinged lid and carved finial gadrooned en suite, with a crested wooden handle and “gooseneck” spout, engraved with a crest “out of a ducal crown, a demiswan”. h. 5”, dia. 7‑1/4”, l. 11‑1/4”; 34.53 t. oz. (including wooden handle) $1,200‑$1,800 426 Paul Storr Regency Sterling Silver Cruet Frame hallmarked London, 1818‑1819, the square base with gadrooned edge and rocaille corners, with four receptacles raised on flat imbricate column legs with lion’s masque capitals and surrounding a central knopped acanthus standard with heart-shaped ring handle finial, fitted with four gadrooned and diamond-cut footed cruet bottles with silver palmette and acanthus collar spouts and diamond-cut spherical stopper. h. 9‑1/4”, w. 6”; 23.72 t. oz. (excluding bottles) $1,500‑$2,500

426

148

427

428 Pair of Paul Storr George IV Sterling Silver Vegetable Dishes

427 Paul Storr Regency Sterling Silver Tea Set hallmarked London, 1815‑1816, including a teapot, h. 6‑1/8”, l. 10‑1/2”, a hot water jug, h. 8‑1/4”, l. 8”, an open sugar bowl, h. 4”, w. 8‑3/4”, and a cream jug, h. 4”, l. 5‑3/4”, each hemispherical gadrooned body below a waisted collar with shell-and-scroll quartered gadrooned band, the two former with crested wooden handles, hinged domed lids and “duck’s beak spouts”, the two latter with flat acanthus-mantled flowerhead handles.

66.38 total t. oz. (including wooden elements) $6,000‑$9,000

hallmarked London, 1824‑1825, each of rounded rectangular form, the gadrooned rim with shell-and-scroll motifs at the corners and long sides, engraved on the sides with the crest and the plateau with the arms of Smith of Cropwell Butler impaling Chatfield. h. 1‑1/2”, l. 12‑1/2”, w. 9‑3/4”; 67.54 total t. oz. $4,000‑$7,000 The arms here are those of Samuel George Smith (1789‑1865) and his wife Eugenia Chatfield (1803‑1838), who were married on July 4, 1821, at Chatteris In The Isle of Ely, Cambridge.

428

149

429 Pair of George IV Sterling Silver Entree Dishes hallmarked London, 1820‑1821, by William Bateman I, each of rounded rectangular form with gadrooned rim and rocaille corners, the fitted domed lid banded en suite and with acanthus-mounted reeded ring handle. h. 4‑3/4”, l. 11‑3/4”, w. 8‑3/8”; 103.65 total t. oz. $4,000‑$7,000 430 George IV Sterling Silver Tea Tray hallmarked London, 1820‑1821, by John Mewburn, of rounded rectangular form with gadrooned rim and rocaille crested handles en suite, raised on four triangular feet, the plateau engraved with an unidentified armorial (erm, a chevron argent, on a chief gules a crescent between two escallops of the second), with a crest of a demi-lion rampant and the motto “Tenax In Fide”, the underside engraved “J. G. 1820”. l. 24‑1/4”, w. 14‑1/4”; 106.42 t. oz.

429

$3,500‑$5,000 431 George III Sterling Silver Inkstand hallmarked London, 1792‑1793, by John Touliet, comprising a rectangular tray fitted with three molded receptacles, each with a cylindrical pot (ink, pounce and nibs) with molded band and fitted cap. h. 2‑5/8”, l. 12‑1/4”, w. 8‑1/2”; 42.62 t. oz. $1,800‑$2,500 432 Late Georgian Sterling Silver Center Bowl hallmarked London, 1802‑1803, by Peter Carter, the flared bowl with stepped bottom, above a steeply domed pedestal foot, engraved near the rim with “oak branch” banding. h. 7‑3/4”, dia. 10‑3/4”; 55.54 t. oz.

430

$1,800‑$2,500

431

432

150

433

433 Edwardian Sterling Silver Punch Bowl hallmarked Sheffield, 1904‑1905, by Atkin Brothers, of hemispherical form, the lower half spiral gadrooned, with shaped rocaille rim and raised on a conforming gadrooned foot. h. 9‑3/4”, dia. 14‑1/2”; 58.76 t. oz. $1,800‑$2,500

434

434 English Sterling Silver Swan Centerpiece hallmarked Sheffield, 1946‑1947, by Walker & Hall, in the form of a realistically detailed swimming swan jardiniere, the head fitted with a funnel-form vase. h. 12‑1/2”, l. 12‑1/2”, w. 7‑3/4”; 39.34 t. oz. $1,000‑$1,500 435 Edwardian Sterling Silver Presentation Bowl hallmarked London, 1905‑1906, by Harrison Brothers & Howson, the hemispherical bowl with shaped and molded rim and decorated on the lower half with elaborated beaded and leafy spiral gadroons and flutes, raised on a conforming domed foot, engraved on the body with a presentation inscription “To Belford G. Royal / from the London Branch / Gramophone & Typewriter Ltd. / “Don’t Forget Us”. h. 7”, dia. 9‑1/4”, 35.88 t. oz. $1,000‑$1,500

435

435 detail

Belford Grant Royal (1865‑1933), a tobacconist’s son from Paulsboro, New Jersey, was a machinist and foreman of the Standard Machine Shop when he teamed with Eldridge Johnson to form the United States Gramophone Company.

A copyright infringement lawsuit forced the company to change the name to the Victor Talking Machine Company, but the British branch retained the Gramophone Company name. (Although it was briefly - as evidenced here - called the Gramophone & Typewriter Company after a merger with the Lambert Typewriter Company). Belford Royal moved to England to oversee operations there in 1897 and remained until 1906: the occasion of the presentation of this fine bowl.

Royal was later the General Superintendent (1912‑1919), Vice-President (1923‑1925) and Chairman of the Board (1926‑1928) of Victor; he was still on the Board of Directors when he died on June 24, 1933. By that time, Victor and Gramophone were two of the largest record companies in the world, known for their iconic HMV - “His Master’s Voice” label. The Gramophone Company would continue well into the 1970s under that name, eventually becoming part of E.M.I. in 1973; one of the last records released under the Gramophone copyright was Pink Floyd’s Dark Side of the Moon.

151

436 Regency Rosewood Parcel-Gilt and Marble-Top Side Table early 19th century, the rectangular marble top above a conforming brassinlaid frieze, raised on ebonized lion masques to foliate-carved gilt paws on runner feet. h. 38‑1/2”, w. 45‑1/2”, d. 18‑1/2” $1,500‑$2,500 437

437 Late Regency Rosewood Bookcase mid-19th century, the top with a gadroon-carved edge above a straight frieze, the front fitted with four glazed doors with brass astragal dividers. h. 46”, w. 103”, d. 20” $1,000‑$1,500

438 Fine Suite of Eight Regency Figured Mahogany and BrassStrung Chairs first quarter 19th century, each with a rolled crest rail above a brass string-inlaid panel, with a central curved and rope-twistcarved back slat, raised on down-curved klismos-form legs. h. 33”, w. 18”, d. 18”

436

$2,000‑$4,000

438

152

439 Pair of Regency Mahogany Cylindrical Side Cabinets 19th century, each with a circular top above a molded frieze and fitted with a curved door with wirework panel. h. 37‑1/2”, dia. 16‑1/2” $1,500‑$2,500 440 Regency Mahogany Canterbury/Etagere first quarter 19th century, the galleried top with turned finials at each corner, the canterbury section with balustrade-form dividers over a drawer, the lower section with an open shelf and drawer below. h. 54‑1/2”, w. 18”, d. 18” $1,000‑$1,500

440

441 Regency Mahogany Sideboard first quarter 19th century, of double pedestal form, each end with a deep drawer over a tapering paneled door, one drawer designed to hold wine bottles, joined by a bowed center section with a long drawer fronting an arched backboard, raised on reeded and foliate-carved legs.

Provenance: Lucullus, New Orleans, Louisiana.

439

$1,000‑$1,500

441

153

442 Pair of Regency-Style Glass Hurricane Shades 20th century, with stepped bases, the shades engraved with Greek keys on the upper and lower edges. h. 17”, dia. 11‑1/4” $1,000‑$1,500

443 Regency-Style Polychrome and Caned Window Bench

442

early 20th century, with scrolled arms joined by a turned stretcher and raised on similarly shaped legs. h. 25”, w. 54”, d. 16”. $1,000‑$1,500

444 Suite of Ten Hepplewhite-Style Mahogany Dining Chairs late 19th century, each with a shaped, paneled crest rail over a reeded and leaf-carved splat, the fluted stiles capped by foliate-carved capitals and panels with like carving, a bowed seat rail and fluted front legs joined by H-form stretchers. h. 39”

443

$3,000‑$5,000

444

154

445 Regency Mahogany Drop-Leaf Table 19th century, the rectangular top with a reeded edge, banded and with two rounded drop leaves, above a frieze fitted with one end drawer, raised on a ribbed standard to four splayed legs ending in brass paws on casters. h. 28‑1/2”, w. 28”, d. 42‑1/2”, ext. w. 57” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,000‑$1,500

445

446 Regency Mahogany Bowfront Chest early 19th century, the bowed top above a case fitted with two short drawers and three graduated long drawers, all with inlaid line accents, raised on splayed bracket feet. h. 41”, w. 39”, d. 19‑1/4” Provenance: Estate of Elizabeth “Betsy” Parish, Houston, Texas.

446

$1,000‑$1,500

447 Regency-Style Inlaid Mahogany Dining Table 20th century, the circular top with figured book-matched mahogany veneers and central inlaid star, mounted to a turned pedestal base with five down-curved legs ending in brass caps. h. 31”, dia. 60” $1,000‑$1,500 447

155

448

448 Suite of Eight Late Regency Mahogany Dining Chairs

449 Pair of English Giltwood Mirrors

second quarter 19th century, comprised of a pair of armchairs and six side chairs, each with a concave tablet back joined to rounded stiles with carved capitals, a rounded seat rail and turned front legs, the arms with scroll ends. armchair h. 33”, side chair h. 32‑3/4”

second quarter 20th century, in the Adam style, the rectangular surrounds with gadrooned edges, the crests with reeded urns emanating delicate wiresupported flowers and leaves, the lower portions with like decoration. h. 50”, w. 21‑1/2”

$2,000‑$4,000

$1,200‑$1,800 450 Handsome Venetian Painted Pet’s Bed first half 20th century, on turned feet, the facade decorated with sprays of hand-painted flowers on a cream ground, against red-trimmed gray borders, beautifully upholstered in yellow silk. h. 18‑1/4”, w. 24‑1/2”, d. 15‑1/2” Provenance: Collection of Leon Amar, Palm Beach, Florida. $1,200‑$1,800

449

156

450

451 Pair of Regence-Style Kingwood and Marble-Top Corner Cabinets early 20th century, each with a bowed marble top with projecting corners, above a conforming case fitted with a single door featuring an elaborately inlaid scrolling foliate panel, raised on bracket feet to sabots. h. 35”, w. 25”, d. 17” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,000‑$1,500

452 Queen Anne Chinoiserie-Decorated Tall Case Clock late 18th century, the dial signed “Thos. Pilch North Walsham”, the hood with three turned brass finials, the arched middoor with a chinoiserie-decorated panel, with an eight-day movement with time, strike and calendar dial. h. 93‑1/2”, w. 20”, d. 9‑1/2” $1,000‑$1,500

451

452

157

453 454

453 Peshawar Serapi Carpet 5’ 1” x 8’ $1,000‑$1,500

454 Turkish Angora Oushak Carpet 8’ 4” x 10’ $1,000‑$1,500

455 Qum Silk Carpet 8’ 10” x 12’ 4” $1,200‑$1,800

455

158

456 457

456 Peshawar Sultanabad Carpet 8’ 10” x 10’ 6” $1,500‑$2,500

457 Turkish Transitional Carpet 9’ x 12’ $1,000‑$1,500

458 Kashan Carpet 10’ 2” x 14’ 3” $1,500‑$2,500

458

159

460

461

459

160

459 Agra Serapi Runner

460 Peshawar Sultanabad Carpet

461 Antique Serapi Carpet

2’ 6” x 19’ 7”

8’ 5” x 11’ 6”

10’ x 11’ 6”

$1,000‑$1,500

$1,000‑$1,500

$12,000‑$18,000

462 Agra Sultanabad Carpet 12’ x 14’ 10” $2,500‑$4,000

462

463 Semi-Antique Oushak Carpet 7’ 2” x 8’ $2,000‑$4,000

463

161

464 Turkish Transitional Carpet 9’ x 12’ $1,000‑$1,500

464

465 Mahal Carpet 9’ 10” x 11’ 11” $3,000‑$5,000

465

162

466 Antique Tabriz Carpet 11’ 6” x 14’ $6,000‑$9,000

466

467 Antique Malayer Carpet 3’ 3” x 5’ $1,000‑$1,500

467

163

SESSION II

Sunday, May 19, 2019 Lots 468-901

Lot 761

468

469

470

472

471

473

468 Smoky Quartz and Diamond Ring 18k white gold, the ring mounted with a hexagonal-cut smoky quartz weighing approximately 23.22 carats, accented by flowers mounted with round brilliant-cut diamonds weighing approximately 0.46 carats in total. size 7, total weight 12.0 grams $1,000‑$1,500 469 Diamond Necklace 18k white gold, the articulated cascading pendant mounted with round brilliant-cut white and light brown diamonds weighing approximately 0.92 carats in total, l. 1‑3/4”, suspended from a 16” white gold chain. total weight 6.0 grams $1,500‑$2,500

471 Sliced Diamond Earrings and Bracelets rose gold vermeil, the earrings mounted with sliced-cut diamonds weighing approximately 1.66 carats in total, l. 2‑5/8”, and the two hinged bracelets mounted with sliced-cut diamonds weighing approximately 12.17 carats in total, inside circumference 7‑1/4”. total weight 42.4 grams $1,200‑$1,800 472 Morganite and Diamond Earrings 18k rose gold, the earrings mounted with oval- and roundcut morganites weighing approximately 11.26 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.20 carats in total. l. 2‑1/4”, total weight 12.0 grams $2,000‑$4,000

470 Diamond Earrings 18k white gold, the articulated cascading earrings mounted with round brilliant-cut white and light brown diamonds weighing approximately 2.77 carats in total. l. 1‑3/4”, total weight 8.0 grams

473 Rose Quartz and Diamond Ring 18k rose gold, the domed ring set with a rose quartz stone with carved and polished grooves, overlain with a free-form design mounted with round brilliant-cut diamonds weighing approximately 0.84 carats in total. size 7, total weight 10.0 grams

$1,800‑$2,500

$1,500‑$2,500

167

474 Diamond Earrings 18k yellow/white/rose gold, the earrings with a retractable post, mounted with round brilliant-cut diamonds weighing approximately 2.97 carats in total. l. 1”, total weight 11.0 grams $3,000‑$5,000 475 Diamond Earrings 18k yellow/rose gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.55 carats in total. l. 2‑1/2”, total weight 10.0 grams

479 Diamond Ring 18k white/rose gold, the ring mounted with a central princess-cut diamond weighing approximately 1.02 carats, approximate color H and clarity SI1, accented with round brilliant-cut white diamonds weighing approximately 0.38 carats in total, and round brilliant-cut pink diamonds weighing approximately 0.08 carats in total. size 6‑3/4, total weight 5.0 grams $8,000‑$12,000

$2,500‑$4,000 476 Diamond Necklace 18k yellow, white, rose gold, the pendant composed of removable bars, allowing it to be worn as desired, mounted with round brilliant-cut white and yellow diamonds weighing approximately 1.45 carats in total, suspended from an adjustable white gold chain. l. 16” to 18”, total weight 13.0 grams $3,000‑$5,000 477 Diamond Earrings 18k rose gold, the earrings mounted with round brilliantcut diamonds weighing approximately 4.76 carats in total. l. 1‑1/4”, total weight 14.0 grams

479

$6,000‑$9,000 478 Beautiful Diamond Necklace 18k white gold, the custom-made necklace in the form of blooming flowers and foliage, mounted with round brilliant-cut diamonds weighing approximately 5.94 carats in total. l. 18”, total weight 53.0 grams $10,000‑$15,000

480 Diamond Bracelet 18k white/rose gold, the flexible bracelet mounted with marquise-, princess-, baguette-, and round brilliant-cut diamonds weighing approximately 4.27 carats in total, approximate color E-F and clarity VVS2‑VS1. l. 6‑1/2”, total weight 12.0 grams $4,000‑$7,000

168

476

474

478

477

475

480

169

483

481

484

482 485

170

481 Amethyst and Diamond Necklace and Earrings Suite 18k yellow gold, the pendant and earrings composed of custom-cut amethysts weighing approximately 31.30 carats in total, each accented with round brilliant-cut diamonds weighing approximately 1.33 carats in total. pendant l. 2”, necklace l. 16”, earring l. 2”, total weight 19.0 grams $2,500‑$4,000 482 Amethyst and Diamond Ring 14k rose gold, the ring mounted with a round-cut amethyst weighing approximately 5.62 carats, accented by white and brown round brilliant-cut diamonds weighing approximately 1.24 carats in total. size 7, total weight 6.0 grams $1,000‑$1,500 483 Ametrine and Diamond Necklace 14k rose gold, the pendant mounted with an emerald-cut ametrine weighing approximately 9.36 carats, accented by round brilliant-cut diamonds weighing approximately 0.24 carats in total, l. 1‑1/8”, suspended from an 18” rose gold chain. total weight 6.3 grams

484 Opal and Diamond Earrings 18k yellow gold, the earrings with custom-cut pink opals accented by baguette- and round brilliant-cut diamonds weighing approximately 1.18 carats in total. l. 2”, total weight 9.0 grams $1,800‑$2,500 485 Opal and Diamond Bracelet gold vermeil, the hinged bracelet mounted with oval cabochon-cut opals weighing approximately 10.40 carats in total, and accented with clusters of round-cut diamonds weighing approximately 0.49 carats in total. inside circumference 7”, total weight 39.0 grams $1,000‑$1,500

$1,000‑$1,500

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486 Opal and Diamond Bracelet and Ring 14k yellow gold/sterling silver, the hinged bracelet and ring mounted with oval cabochon-cut opals weighing approximately 17.02 carats in total, and rose-cut diamonds weighing approximately 3.42 carats in total. ring size 6‑3/4, bracelet inside circumference 7‑1/4”, total weight 38.0 grams $1,400‑$1,800 487 Opal and Diamond Earrings 18k yellow gold, the earrings mounted with oval cabochon-cut opals weighing approximately 5.20 carats in total, accented with round-cut diamonds weighing approximately 0.65 carats in total. l. 1‑1/2”, total weight 6.0 grams $1,200‑$1,800 488 Opal, Ruby, Diamond and Tsavorite Bracelet sterling silver, the hinged bracelet mounted with sliced-cut diamonds weighing approximately 1.35 carats in total, oval cabochon-cut opals weighing approximately 15.68 carats in total, oval-cut treated rubies weighing approximately 1.20 carats in total, and round-cut tsavorite garnets weighing approximately 0.16 carats in total. inside circumference 7‑1/2”, total weight 54.0 grams $1,000‑$1,500

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489 Opal, Emerald and Diamond Earrings sterling silver, the earrings mounted with opal doublets weighing approximately 3.10 carats in total, accented with oval-cut treated emeralds weighing approximately 2.52 carats in total and round-cut diamonds weighing approximately 0.76 carats in total. l. 2”, total weight 10.0 grams $1,000‑$1,500 490 Opal, Emerald and Diamond Chandelier Earrings sterling silver, the earrings mounted with oval cabochon-cut opals weighing approximately 16.44 carats in total, pear-cut treated emeralds weighing approximately 5.17 carats in total and sliced diamonds weighing approximately 1.03 carats in total. l. 2‑1/2”, total weight 14.0 grams $1,000‑$1,500

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491 Aquamarine Necklace 14k yellow gold, the necklace composed of teardrop-shaped polished aquamarine beads measuring 3/4” to 1‑1/2” in length, each separated by gold beads and finished with a gold toggle clasp. l. 16‑1/2”, total weight 76.9 grams $1,000‑$1,500 492 Aquamarine, Pink Tourmaline and Diamond Earrings 18k white gold, the earrings mounted with round-cut aquamarines weighing approximately 3.60 carats in total, accented by pear- and marquise-cut pink tourmalines weighing approximately 2.16 carats in total and round brilliantcut diamonds weighing approximately 0.04 carats in total. l. 3/4”, total weight 4.0 grams $1,000‑$1,500

493 Tourmaline and Diamond Necklace sterling silver, the necklace composed of pendants mounted with pear-shaped tourmalines weighing approximately 15.10 carats in total, each surrounded by round-cut diamonds weighing approximately 2.20 carats in total. l. 16”, total weight 14.7 grams $1,000‑$1,500 494 Ruby and Diamond Bracelet sterling silver, the hinged bangle bracelet mounted with oval-cut treated rubies weighing approximately 18.60 carats in total, and sliced- and round-cut diamonds weighing approximately 3.75 carats in total. inside circumference 8”, total weight 66.0 grams $1,000‑$1,500 495 Ruby and Diamond Ring 18k white gold, the ring mounted with a pear-cut treated ruby weighing approximately 2.12 carats, accented by round brilliant-cut diamonds weighing approximately 0.97 carats in total. size 6‑1/2, total weight 4.8 grams $3,500‑$5,000

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496 Spectacular Emerald Bracelet 18k white gold, the bracelet mounted with a central emeraldcut treated emerald weighing approximately 9.61 carats, and oval-cut treated emeralds down each side of the bracelet weighing approximately 10.28 carats in total, the whole accented by pear-, marquise- and round brilliant-cut diamonds weighing approximately 24.39 carats in total, approximate color E-F and clarity VS1‑SI1. w. 1‑1/8”, l. 7”, total weight 52.0 grams $70,000‑$100,000

497 Emerald and Diamond Ring 18k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 2.38 carats, flanked on either side by baguette-cut diamonds and further accented by round brilliant-cut diamonds weighing approximately 1.11 carats in total, approximate color E-G and clarity VVS1‑VS2. size 7, total weight 7.0 grams $4,500‑$7,000

498 Emerald and Diamond Ring 18k white gold, the ring mounted with three emerald-cut treated emeralds weighing approximately 2.59 carats in total, accented by pear- and marquise-cut diamonds weighing approximately 1.66 carats in total. size 7‑1/4, total weight 9.0 grams $4,500‑$7,000

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499 Diamond and Ruby Ring platinum, the ring mounted with a princess-cut diamond weighing approximately 1.01 carats, approximate color G and clarity I1, surrounded by a border of baguette mixed-cut treated rubies weighing approximately 0.82 carats in total and accented by round brilliant-cut diamonds weighing approximately 0.21 carats in total. size 6, total weight 6.60 grams $3,500‑$5,000 500 Le Vian Diamond and Ruby Bracelet 18k white gold, the flexible bracelet mounted with round brilliant-cut diamonds weighing approximately 1.54 carats in total, accented with square-cut natural rubies weighing approximately 3.52 carats in total, stamped “Le Vian, 18k”. w. 1/2”, l. 6‑1/2”, total weight 36.0 grams $1,800‑$2,500

502 Diamond and Ruby Ring platinum, the ring mounted with a central round brilliant-cut diamond weighing approximately 0.73 carats, approximate color H and clarity I1, accented by round brilliant-cut diamonds weighing approximately 0.20 carats in total and square mixed-cut treated rubies weighing approximately 0.30 carats in total. size 6, total weight 7.0 grams $1,800‑$2,500 503 Natural Ruby and Diamond Ring 18k white gold, the ring mounted with a natural oval-cut ruby weighing 2.22 carats, FGA report #SS16145421, surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.51 carats in total. size 7, total weight 8.0 grams $1,500‑$2,500 504 Ruby and Diamond Ring 18k yellow gold, the ring mounted with a background of roundcut treated rubies weighing approximately 1.65 carats in total, overlain with a raised leaf design mounted with round brilliantcut diamonds weighing approximately 1.12 carats in total. size 7, total weight 16.0 grams $2,000‑$4,000 505 Emerald, Ruby and Diamond Ring platinum, the ring mounted with an emerald-cut treated emerald weighing approximately 1.39 carats, accented by channel-set mixed-cut treated rubies weighing approximately 1.46 carats in total and round brilliant-cut diamonds weighing approximately 0.30 carats in total. size 6‑3/4, total weight 8.9 grams

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501 Diamond and Ruby Ring platinum, the ring mounted with a central round brilliant-cut diamond weighing approximately 1.26 carats, approximate color H and clarity I2, accented by round brilliant-cut diamonds weighing approximately 0.80 carats in total, and rectangular-cut treated rubies weighing approximately 1.86 carats in total. size 7, total weight 15.1 grams $4,500‑$7,000

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$2,000‑$4,000 506 Tsavorite Garnet, Ruby and Diamond Bracelet sterling silver, the hinged bracelet mounted with oval-cut tsavorite garnets weighing approximately 16.45 carats in total, oval-cut treated rubies weighing approximately 5.18 carats in total, and sliced-cut diamonds weighing approximately 3.88 carats in total. w. 1”, inside circumference 8”, total weight 72.0 grams $1,000‑$1,500

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507 Emerald and Diamond Necklace 18k white gold, the necklace mounted with a square step-cut treated emerald weighing approximately 2.94 carats, and round brilliant-cut diamonds accenting the emerald and the necklace, weighing approximately 7.61 carats in total. l. 17”, total weight 36.1 grams $10,000‑$15,000 508 Emerald and Diamond Earrings 18k white gold, the earrings mounted with square step-cut treated emeralds weighing approximately 3.09 carats in total, accented by round brilliant-cut diamonds weighing approximately 3.67 carats in total. l. 1‑7/8”, total weight 9.4 grams $4,000‑$7,000 509 Emerald and Diamond Bracelet 18k white gold, the bracelet mounted with a square stepcut treated emerald weighing approximately 2.20 carats, accented by round brilliant-cut diamonds weighing approximately 3.54 carats in total. l. 7”, total weight 19.7 grams $6,000‑$9,000

510 Diamond and Emerald Bracelet 18k white gold, one end of the bracelet mounted with an emerald-cut treated emerald weighing approximately 0.79 carats, surrounded by round brilliant-cut diamonds, and the other end mounted with a cluster of round brilliant-cut diamonds, the bracelet further accented with a round brilliantcut diamond on each side, with an approximate total diamond weight of 0.64 carats. inside circumference 6”, total weight 6.0 grams $1,800‑$2,500 511 Emerald and Diamond Necklace 18k white gold, the necklace mounted with pear- and round-cut treated emeralds weighing approximately 21.84 carats in total, and round brilliant-cut diamonds weighing approximately 0.43 carats in total. l. 17”, total weight 41.0 grams $8,000‑$12,000 512 Emerald and Diamond Ring 14k white gold, the ring mounted with an oval-cut treated emerald weighing approximately 2.30 carats, accented on each side by baguette-cut diamonds weighing approximately 0.65 carats in total. size 7, total weight 9.0 grams $1,200‑$1,800

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513 Diamond Earrings 18k white gold, the dangle earrings mounted with baguetteand round brilliant-cut diamonds weighing approximately 2.97 carats in total. l. 2‑1/4”, total weight 15.0 grams $7,000‑$10,000 514 Diamond Bracelet 18k white gold, the bracelet mounted with baguette- and round brilliant-cut diamonds weighing approximately 7.65 carats in total. l. 7”, total weight 16.0 grams $8,000‑$12,000 515 JB Star Diamond Ring platinum, the large band mounted with marquise-, baguetteand round brilliant-cut diamonds weighing approximately 4.08 carats in total, approximate color G-H and clarity VVS2‑VS1. size 8‑1/2, total weight 19.0 grams $4,500‑$7,000

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516 Diamond Earrings 18k white gold, the earrings mounted with pear-cut and round brilliant-cut diamonds weighing approximately 5.29 carats in total. l. 1”, total weight 12.0 grams $4,000‑$7,000 517 Diamond Chandelier Earrings 18k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 2.46 carats in total. l. 2”, total weight 7.9 grams $1,800‑$2,500 518 Diamond Ring 18k white gold, the wide domed ring with a free-form design, mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 2.08 carats in total. size 7‑1/4, total weight 8.6 grams $1,400‑$1,800

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519 Diamond Bracelet 18k white gold, the bracelet mounted with baguette- and round brilliant-cut diamonds weighing approximately 2.99 carats in total. l. 6‑1/2”, total weight 14.0 grams $5,000‑$8,000 520 Diamond Earrings 18k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 1.50 carats in total, approximate color E-G and clarity SI1‑I1. l. 1/2”, total weight 2.0 grams $1,800‑$2,500 521 Diamond Tennis Necklace 18k white gold, the necklace mounted with round brilliantcut diamonds weighing approximately 9.99 carats in total, approximate color G-I and clarity I1‑I2. l. 17”, total weight 26.2 grams

522 Diamond Studs platinum, each earring mounted with a round brilliantcut diamond, one weighing approximately 1.98 carats, approximate color J and clarity I1, and the other weighing approximately 1.89 carats, approximate color I and clarity I2. total weight 2.6 grams $14,000‑$18,000 523 Diamond Earrings 18k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 2.10 carats in total. l. 2”, total weight 8.3 grams $1,800‑$2,500

$8,000‑$12,000

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524 Rock Crystal Necklace and Bracelet 14k yellow gold, the necklace composed of faceted rock crystal in various shapes, separated by gold roundels, designed to be worn opera length or doubled-up to be worn as a choker, the bracelet en suite, each finished with a gold toggle clasp. necklace l. 36”, bracelet l. 7‑1/2”, total weight 210.3 grams $1,000‑$1,500

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525 Yellow and White Diamond Ring 18k white gold, the ring mounted with a central cushioncut fancy light yellow diamond weighing approximately 1.01 carats, approximate clarity I1, accented with round brilliant-cut white diamonds weighing approximately 0.88 carats in total. size 6‑1/2, total weight 8.0 grams $3,000‑$5,000 526 Diamond Bracelet 18k white gold, the bracelet mounted with thirteen round brilliant-cut diamonds weighing approximately 10.91 carats in total, approximate color O-P and clarity SI2‑I1, each surrounded by a halo of round brilliant-cut diamonds weighing approximately 2.82 carats in total. l. 7”, total weight 34.0 grams $15,000‑$25,000 527 Diamond Earrings 18k white gold, the earrings mounted with cushion-cut fancy yellow diamonds weighing approximately 4.46 carats in total, approximate clarity VS1‑SI1, accented with round brilliant-cut white diamonds weighing approximately 0.78 carats in total. l. 1‑1/2”, total weight 7.0 grams

527

$8,000‑$12,000 528 Yellow and White Diamond Band 18k white gold, the ring mounted with cushion-cut fancy yellow diamonds weighing approximately 1.03 carats in total, alternating with rows of round brilliant-cut white diamonds weighing approximately 0.30 carats in total. size 7, total weight 4.0 grams

528

$1,200‑$1,800 529 Diamond Hoop Earrings 18k white gold, the earrings mounted with pear-cut and oval-cut yellow diamonds weighing approximately 0.90 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.38 carats in total. l. 3/4”, total weight 7.0 grams $1,400‑$1,800

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530 Diamond Earrings 18k yellow gold, the earrings with two articulated hoops, mounted with round brilliant-cut diamonds weighing approximately 1.58 carats in total. l. 1‑1/2”, total weight 10.4 grams $1,800‑$2,500 531 Diamond Necklace 18k yellow gold, the necklace composed of brushed gold interlocking links, six mounted with round brilliant-cut diamonds weighing approximately 1.25 carats in total. l. 36”, total weight 24.4 grams $3,000‑$5,000

533 Diamond Earrings 18k yellow gold, the earrings composed of brushed gold discs mounted with round brilliant-cut diamonds weighing approximately 0.44 carats in total. l. 2”, total weight 8.4 grams $1,200‑$1,800 534 Diamond Bracelet gold vermeil, the bracelet mounted with sliced-cut diamonds weighing approximately 21.38 carats in total. w. 5/8”, l. 7”, total weight 39.0 grams $1,000‑$1,500 535 Lady’s Piaget Diamond Quartz Wristwatch 18k yellow gold, the round gold champagne-colored dial signed “Piaget” and set with twelve round brilliant-cut diamonds weighing approximately 0.12 carats in total, the case back stamped “Piaget, quartz, 861 C 701”, serial #518XXX, with the inner and outer boxes. l. 7‑1/4”, total weight 91.0 grams $3,500‑$5,000

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536 Diamond Bracelet 14k yellow gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 2.57 carats in total, separated by gold sections with a Florentine finish. l. 7”, total weight 13.0 grams $1,400‑$1,800

532 Diamond Cuff Bracelet 18k yellow gold, the brushed gold bracelet mounted with round brilliant-cut diamonds weighing approximately 0.45 carats in total. inside circumference 6‑1/8”, total weight 13.0 grams

537 Diamond Ring and Earrings Suite 18k yellow gold, the large custom-made looped earrings with a tiger motif and mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total, l. 1”, and the wide band with a matching motif, size 7. total weight 48.0 grams

$1,400‑$1,800

$1,800‑$2,500

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538 Unusual Green Quartz, Ruby and Diamond Bracelet gold vermeil, the bracelet mounted with treated oval-shaped green quartz stones weighing approximately 23.44 carats in total, accented with oval-cut treated rubies weighing approximately 2.10 carats in total and rose-cut diamonds weighing approximately 1.46 carats in total. w. 3/4”, l. 7‑1/2”, total weight 60.0 grams $1,000‑$1,500 539 Peridot, Tsavorite Garnet and Diamond Ring 14k yellow gold, the ring mounted with a central emeraldcut peridot weighing approximately 5.78 carats, accented on each side by round-cut Tsavorite garnets weighing approximately 0.72 carats in total, and bordered by round brilliant-cut diamonds weighing approximately 0.49 carats in total. size 7, total weight 6.0 grams $1,400‑$1,800 540 Emerald, Ruby and Diamond Butterfly Brooch 18k yellow gold, the brooch mounted with round-cut treated emeralds weighing approximately 1.62 carats in total, roundcut treated rubies weighing approximately 2.30 carats in total and round brilliant-cut diamonds weighing approximately 1.39 carats in total. size 1‑7/8” x 1‑1/4”, total weight 18.0 grams $1,000‑$1,500

190

541 Victorian Opal and Emerald Earrings fourth quarter 19th century, probably English, 18‑karat yellow gold, of modified teardrop shape decorated with engraved scrolls, centering emerald-cut treated emeralds weighing approximately 0.14 carats in total, surrounded by cabochoncut opals weighing approximately 0.40 carats in total, suspending a chevron-tapered wheat-link fringe, with later locking “fish-hook” backs. l. 1‑1/2”, total weight 10.0 grams $1,000‑$1,500 542 Giodoro Blackamoor Brooch 18k yellow gold, the carved black coral figure wearing a gold turban and vestment set with assorted round faceted emeralds and faceted emerald beads outlined with seed pearls and small freshwater pearls, set with a pear-shaped ruby cabochon at the center, the brooch with an approximate total emerald weight of 1.75 carats and ruby weight of 5.00 carats, stamped “Giodoro, 750”, with an Italian control mark. size 1‑3/8” x 3”, without stem pin, total weight 36.8 grams $1,800‑$2,500

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543 Gold Lariat Necklace 14k yellow gold, the 7.5 mm woven link necklace designed with two cast knot tassels, one set with an 8.0 mm round treated ruby cabochon and the other with a 7.5 mm round treated emerald cabochon, the fixed slide with a molded glass cameo of a classical Roman profile wearing a laurel wreath. l. 18‑1/2”, total weight 77.5 grams $2,500‑$4,000 544 Gold and Enamel Indian Bangle Bracelet 22k yellow gold, the bracelet decorated with delicate enameled filigree, in six sections, three with a flower pattern accented with ruby-, emerald-, sapphire- and citrine-colored enamels, the center of the flowers raised, alternating with three sections decorated with two semicircles accented with ruby-, emerald- and sapphire-colored enamels. w. 1‑1/4”, inside circumference 7”, total weight 60.8 grams

545 Multi-Gold Necklace and Earrings Suite 14k gold, the necklace and earrings with a Florentine finish in yellow, rose and brown gold links. necklace l. 18‑1/2”, earring l. 1‑3/4”, total weight 58.0 grams $1,800‑$2,500 546 Pair of Football Cufflinks 14k yellow gold, the polished gold cufflinks in the form of footballs, accented with blue enamel. l. 1”, total weight 20.0 grams $1,400‑$1,800

$1,500‑$2,500

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547 Gold Necklace 14k yellow gold, the flexible necklace stamped “14k” and “Italy”. w. 1/2”, l. 16‑1/2”, total weight 52.5 grams $1,000‑$1,500 548 Lady’s Concord Wristwatch 18k yellow gold, the rectangular dial signed “Concord”, with a quartz movement and designed after a Piaget “Polo” model, the case back stamped “water resistant”, serial #5061XXXA7, model #597414, with the outer box with pouch and papers. l. 7”, total weight 62.0 grams $1,500‑$2,500 549 Italian Gold Necklace 18k yellow gold, the necklace composed of an elongated Turkish link. w. 10.0 mm, l. 18”, total weight 89.0 grams $2,000‑$4,000 550 Coral, Onyx and Diamond Earrings 18k yellow gold, the earrings mounted with oval cabochon-cut coral weighing approximately 12.94 carats in total, pear-cut treated rubies weighing approximately 0.83 carats in total, round brilliant-cut diamonds weighing approximately 2.54 carats in total, and accented with polished black onyx. l. 2”, total weight 23.0 grams $3,000‑$5,000

551 Coral and Diamond Earrings 18k yellow gold, the earrings mounted with round coral cabochons weighing approximately 8.16 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.10 carats in total. l. 1/2”, total weight 10.0 grams $1,000‑$1,500 552 Turquoise and Diamond Bangle Bracelet sterling silver, the hinged bracelet mounted with disc-shaped turquoises weighing approximately 45.00 carats in total, accented by rose-cut diamonds weighing approximately 3.40 carats in total. inside circumference 8”, total weight 46.9 grams $1,000‑$1,500 553 Persian Turquoise and Diamond Ring 18k yellow gold, the ring mounted with an oval cabochon-cut turquoise weighing approximately 18.76 carats, accented by round brilliant-cut diamonds weighing approximately 0.92 carats in total. size 8‑1/2, total weight 29.0 grams $6,000‑$9,000 554 Two David Yurman Bracelets 14k yellow gold/sterling silver, one bracelet with a hinged locking clasp and mounted with round cabochon-cut iolites weighing approximately 0.58 carats in total, and roundcut tourmalines weighing approximately 0.22 carats in total, stamped “YURMAN” and “STERLING # 14K”, inside circumference 6”, and the other bracelet mounted with round brilliant-cut diamonds weighing approximately 0.56 carats in total, stamped “D.Y. 925 750”, inside circumference 6”. total weight 72.0 grams $1,400‑$1,800

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555 Beautiful Sapphire and Diamond Bracelet 18k white gold, the bracelet mounted with pear-cut treated sapphires weighing approximately 32.14 carats in total, accented with pear-, marquise- and round brilliant-cut diamonds weighing approximately 20.30 carats in total, approximate color E-F and clarity VS1‑SI1. w. 1‑1/8”, l. 7‑1/4”, total weight 65.0 grams

556 Spectacular Natural Sapphire and Diamond Ring 18k white gold, the ring mounted with a natural cushioncut sapphire weighing 5.39 carats, GRS lab report #GRS2017‑122041, surrounded by a halo of round brilliantcut diamonds weighing approximately 1.88 carats in total, approximate color E-F and clarity VVS2‑VS1. size 7‑1/4, total weight 11.0 grams

$45,000‑$70,000

$18,000‑$25,000

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557 Stunning Natural Sapphire and Diamond Earrings 18k white gold, the earrings mounted with cushioncut natural sapphires, weighing approximately 15.13 carats in total, each accented with a 0.90‑carat round brilliant-cut diamond, color G and clarity VS1, GIA report #1287382460 and #1267980682. l. 3/4”, total weight 9.0 grams $60,000‑$90,000 557

558 Beautiful Natural Sapphire and Diamond Ring 18k white gold, the ring mounted with a cushioncut sapphire weighing approximately 7.95 carats, flanked on either side by a cushion-cut diamond, one weighing 0.82 carats, color G and clarity VS1, GIA report #6261056252, and the other weighing 0.81 carats, color G and clarity VS2, GIA report #2266707615. size 6‑3/4, total weight 10.0 grams $35,000‑$50,000 558

197

559 Sapphire and Diamond Collar Necklace sterling silver, the necklace mounted with pear-cut treated sapphires weighing approximately 26.40 carats in total, and sliced- and rose-cut diamonds weighing approximately 6.97 carats in total. l. 16”, total weight 184.0 grams $1,000‑$1,500 560 Sapphire and Diamond Ring 14k white gold, the ring mounted with an oval-cut treated sapphire weighing approximately 0.50 carats, accented by round brilliant-cut diamonds weighing approximately 0.26 carats in total. size 7, total weight 6.6 grams $1,400‑$1,800

565 Tanzanite and Diamond Ring 14k white gold, the ring mounted with an oval-cut tanzanite weighing approximately 5.27 carats, accented by round brilliant-cut diamonds weighing approximately 1.74 carats in total. size 7, total weight 5.1 grams $3,500‑$5,000 566 Tanzanite and Diamond Ring platinum, the ring mounted with a cushion-cut tanzanite weighing 5.43 carats, GIA report #6177872472, accented with round brilliant-cut diamonds weighing approximately 0.53 carats in total. size 7, total weight 8.3 grams $3,000‑$5,000

561 Sapphire and Diamond Ring 18k white gold, the ring mounted with an emerald-cut treated sapphire weighing approximately 1.16 carats, accented by round brilliant-cut diamonds weighing approximately 0.37 carats in total. size 6, total weight 4.0 grams $1,400‑$1,800 562 Sapphire and Diamond Earrings 14k white gold, the earrings mounted with round- and pear-cut treated sapphires weighing approximately 6.18 carats in total, and round brilliant-cut diamonds weighing approximately 0.68 carats in total. l. 3‑3/4”, total weight 12.0 grams $1,000‑$1,500 563 Natural Cat’s Eye Chrysoberyl and Diamond Ring platinum, the ring mounted with an oval cabochon-cut cat’s eye weighing approximately 1.57 carats, accented by baguette- and round brilliant-cut diamonds weighing approximately 2.07 carats in total. size 5, total weight 12.0 grams $2,500‑$4,000 564 Natural Sapphire and Diamond Ring 18k white gold, the ring mounted with a central oval-cut natural sapphire weighing 5.42 carats, IGI report #279763810, accented on each side by four round brilliant-cut diamonds weighing approximately 0.56 carats in total. size 6‑3/4, total weight 10.8 grams $2,500‑$4,000

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567 Tanzanite, Aquamarine and Diamond Ring 14k yellow gold, the ring mounted with an emerald-cut tanzanite weighing approximately 1.02 carats and an emerald-cut aquamarine weighing approximately 0.94 carats, accented by round brilliant-cut diamonds weighing approximately 0.98 carats in total. size 7, total weight 5.0 grams $1,000‑$1,500

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566

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565

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568 Multi-Colored Sapphire and Diamond Earrings 18k white gold, the earrings mounted with oval-cut orange, pink, blue, yellow, green and purple treated sapphires weighing approximately 15.00 carats in total, accented with round brilliant-cut diamonds weighing approximately 1.16 carats in total. l. 2‑1/2”, total weight 27.0 grams

573 Sapphire and Ruby Earrings sterling silver, the earrings composed of articulated concentric ovals mounted with round-cut yellow, white and blue treated sapphires weighing approximately 5.41 carats in total and round-cut treated rubies weighing approximately 0.94 carats in total. l. 2‑1/2”, total weight 21.0 grams $1,000‑$1,500

$3,000‑$5,000 569 Diamond and Sapphire Ring 18k white gold, the large ring with a criss-cross design, mounted with round brilliant-cut diamonds weighing approximately 1.96 carats in total, and round-cut yellow, blue, pink and purple treated sapphires weighing approximately 4.38 carats in total. l. 1‑1/2”, size 7‑1/2, total weight 18.0 grams $5,000‑$8,000 570 Sapphire and Diamond Ring 18k yellow gold, the large ring mounted with oval- and roundcut pink and yellow treated sapphires weighing approximately 48.76 carats in total, and round brilliant-cut diamonds weighing approximately 2.09 carats in total. size 7‑1/2, ring top l. 1‑5/8”, total weight 20.0 grams $7,000‑$10,000 571 Sapphire and Diamond Earrings 18k rose gold, the earrings mounted with round- and marquise-cut pink and purple treated sapphires weighing approximately 6.02 carats in total, and round brilliant-cut diamonds weighing approximately 1.98 carats in total. l. 2‑1/2”, total weight 26.0 grams $8,000‑$12,000 572 Sapphire and Diamond Bracelet 18k yellow gold, the bracelet mounted with sections of squarecut treated sapphires weighing approximately 6.24 carats in total, alternating with sections of princess-cut diamonds weighing approximately 6.65 carats in total, approximate color E-G and clarity VVS2‑VS1. l. 7”, total weight 24.0 grams

571

574 Sapphire and Diamond Bracelet 14k yellow gold, the bracelet mounted with baguette-cut treated sapphires weighing approximately 4.41 carats in total, alternating with round brilliant-cut diamonds weighing approximately 1.25 carats in total. l. 7‑1/2”, total weight 6.0 grams $1,400‑$1,800

$2,000‑$4,000

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575 Gold Necklace 14k yellow gold, the herringbone necklace stamped “14k” and “Italy”. w. 5/8” at widest point, l. 17‑1/2”, total weight 65.8 grams $1,400‑$1,800 576 Diamond Bracelet gold vermeil, the bracelet mounted with rose-cut diamonds weighing approximately 3.50 carats in total. w. 1/2”, l. 6‑7/8”, total weight 35.7 grams $1,000‑$1,500 577 Omega Necklace 14k yellow gold, the 8.0 mm wide omega necklace stamped “14k” and “Italy”. l. 17”, total weight 53.5 grams $1,000‑$1,500 578 Multi-Colored Diamond Cuff Bracelet sterling silver, the wide bracelet mounted with various cuts of yellow, white, gray, brown and black diamonds weighing approximately 2.67 carats in total. w. 1‑7/8”, inside circumference 6‑1/2”, total weight 67.0 grams $1,500‑$2,500 579 Diamond Ring 14k yellow gold, the ring mounted with a round brilliant-cut diamond weighing approximately 0.53 carats, approximate color F and clarity I1, accented by round brilliant-cut diamonds weighing approximately 0.25 carats in total. size 7‑1/4, total weight 3.0 grams $1,000‑$1,500

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580 Diamond Bracelet and Earrings sterling silver, the hinged bracelet mounted with gray, green and blue clover-cut sliced diamonds and rose-cut diamonds weighing approximately 25.50 carats in total, inside circumference 7‑1/2”, together with a pair of dangle earrings mounted with sliced- and rose-cut gray, white and yellow diamonds weighing approximately 7.27 carats in total, l. 2‑1/4”. total weight 50.0 grams $1,400‑$1,800

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581

204

581 Two Diamond Bracelets sterling silver, the hinged bracelets mounted with round-cut diamonds weighing approximately 8.60 carats in total. w. 1/2”, inside circumference 7”, total weight 42.6 grams $1,000‑$1,500 582 Diamond Necklace 18k white gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. l. 18”, total weight 46.0 grams $7,000‑$10,000

583 Diamond Ring 18k white gold, the band designed with overlapping bands, accented with round brilliant-cut diamonds weighing approximately 1.15 carats in total. size 7, total weight 15.0 grams $1,800‑$2,500 584 Diamond Ring and Earrings Suite 18k white gold, the ring with a polished and satin finish, mounted with round brilliant-cut diamonds weighing approximately 0.90 carats in total, size 7, and the matching earrings mounted with round brilliant-cut diamonds weighing approximately 1.27 carats in total, l. 1”. total weight 16.0 grams $1,800‑$2,500

205

585 Diamond Necklace 18k white gold, the pendant mounted with princess- and round brilliant-cut diamonds weighing approximately 1.49 carats in total, l. 1”, suspended from an 18” white gold chain accented with round brilliant-cut diamonds weighing approximately 0.24 carats in total. total weight 5.0 grams $1,800‑$2,500 586 Diamond Bracelet sterling silver, the bracelet mounted with four rows of slicedcut diamonds weighing approximately 9.42 carats in total. w. 1”, l. 7”, total weight 90.0 grams $1,000‑$1,500

206

587 Diamond Necklace and Earring Suite gold vermeil/sterling silver, the necklace and earrings mounted with slice-cut and rose-cut diamonds weighing approximately 19.56 carats in total. necklace l. 17”, earring l. 2”, total weight 76.0 grams $1,200‑$1,800 588 Two Diamond Bracelets sterling silver, the hinged bracelets mounted with round-cut diamonds weighing approximately 3.00 carats in total. inside circumference 6‑3/4”, total weight 30.0 grams $1,000‑$1,500

585

587

586

588

207

593

590

589 592

595

208

594

589 Natural Emerald and Diamond Ring 18k white gold, the ring mounted with a central emeraldcut natural emerald weighing approximately 1.14 carats, accented by baguette- and round brilliant-cut diamonds weighing approximately 0.90 carats in total, approximate color E-F and clarity VVS2‑VS1. size 6‑1/4, total weight 6.0 grams $2,000‑$4,000

591 Emerald and Diamond Ring 18k white gold, the ring mounted with a rectangular stepcut treated emerald weighing 7.03 carats, AGL report #1096882, accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total. size 6, total weight 11.4 grams $9,000‑$12,000 592 Emerald and Diamond Earrings 18k yellow gold, the earrings mounted with oval-cut treated emeralds weighing approximately 3.50 carats in total, accented with round brilliant-cut diamonds weighing approximately 0.40 carats in total. l. 1‑1/8”, total weight 4.6 grams $1,000‑$1,500

591

590 Emerald and Diamond Earrings 18k yellow gold, the dangle earrings in the shape of a teardrop, mounted with round brilliant-cut diamonds weighing approximately 1.25 carats in total, each with an oval-cut treated emerald mounted at the top and suspended in the center of the drop by a gold chain, weighing approximately 5.25 carats in total. l. 2‑1/8”, total weight 7.7 grams

593 Emerald and Diamond Necklace and Earrings 14k yellow gold, the necklace mounted with an emeraldcut treated emerald weighing approximately 0.57 carats, accented by triangle-cut diamonds weighing approximately 0.32 carats in total, approximate color G-I and clarity VS1‑VS2, suspended from an 18” gold chain, together with a pair of earrings mounted with round-cut treated emeralds weighing approximately 0.56 carats in total, alternating with round brilliant-cut diamonds weighing approximately 0.44 carats in total, approximate color G-I and clarity VS1‑VS2, l. 3/4”. total weight 3.0 grams $1,000‑$1,500

$1,400‑$1,800

209

594 Emerald and Diamond Ring 18k yellow gold, the ring mounted with an emerald-cut treated emerald weighing approximately 0.61 carats, accented by round brilliant-cut diamonds weighing approximately 0.41 carats in total. size 7‑1/4, total weight 8.0 grams $1,200‑$1,800 595 Emerald and Diamond Earrings with Pendant 14k yellow gold, the omega clip-back earrings and pendant mounted with round-cut treated emeralds weighing approximately 0.80 carats in total and round brilliant-cut diamonds weighing approximately 0.17 carats in total. earring l. 3/4”, pendant l. 1”, total weight 21.0 grams $1,000‑$1,500 596 South Sea Pearl and Diamond Ring 14k white gold, the ring mounted with a 14.00 mm white/ gray pearl with a fair luster, accented by round brilliant-cut diamonds weighing approximately 1.20 carats in total. size 8, total weight 9.0 grams $1,800‑$2,500 597 South Sea Pearl Necklace 14k yellow gold, the necklace composed of graduated white South Sea pearls with a good luster, ranging in size from 11.0mm to 13.0mm, finished with a gold clasp. l. 15‑1/2”, total weight 88.3 grams $1,400‑$1,800

210

598 South Sea Pearl and Diamond Earrings 18k white gold, the earrings mounted with 12.00 mm white South Sea pearls with a medium luster, each accented by a round brilliant-cut diamond weighing approximately 0.47 carats in total, approximate color E-G and clarity VS1‑VS2. l. 1”, total weight 3.0 grams $1,400‑$1,800 599 Unusual Mother-of-Pearl and Diamond Ring 18k white gold, the ring in the form of a “flower”, the “petals” mounted with calibrated-cut mother-of-pearl, accented by inlaid bands of round brilliant-cut diamonds, with two of the bands raised off the “flower”, with an approximate total diamond weight of 0.77 carats. size 7, total weight 16.0 grams $1,400‑$1,800 600 Two-Strand Pearl Necklace 14k yellow gold, the necklace composed of white South Sea pearls measuring 11.0 mm to 13.0 mm in diameter, with a medium luster, finished with a yellow gold clasp. l. 16”, total weight 151.8 grams $1,500‑$2,500

598

600

596

599

597

211

601 Dutch School (Fourth Quarter 17th/First Quarter 18th Century) “Portrait of a Lady in a Cap with a Lace Bodice” oil on canvas laid down on masonite unsigned.

Framed.

30‑1/2” x 25‑1/4”, framed 38” x 32” $1,000‑$1,500

602 Circle of Dirck Hals (Dutch, 1591‑1656) “The Garden Party” oil on wood panel backed by cradled board unsigned.

Framed.

21” x 30”, framed 31‑3/4” x 40‑5/8” Provenance: Private collection, Chicago, Illinois. $3,000‑$5,000

601

602

212

605

603

603 Swedish Rococo Armchair late 19th century, made in the 18th century style, the shell crest above a central padded splat, joined by outscrolled arms to the padded seat, above a scalloped apron, raised on cabriole legs joined by an H-form stretcher and ending in hoof feet. h. 45‑1/2” $1,800‑$2,500 604 Continental Provincial Polychrome Cabinet composed of antique elements, the molded cornice above a case fitted with two long doors, the upper section inset with a scrolling iron panel, the lower section paneled, raised on bracket feet. h. 97”, w. 67”, d. 19” $1,000‑$1,500 605 Continental Painted Wooden Chandelier the six-light chandelier painted in a putty color and trimmed with hunter green, with scrolled supports and a central gilt flame finial, the scrolled arms decorated with strapwork and fluted candle cups. h. 39”, dia. 14” $1,000‑$1,500 604

213

606 Pair of Monumental Baroque-Style Bronze Andirons fourth quarter 19th century, Continental, on scrolled feet, flanking molded shells, with urn-form reeded finials terminating in molded balls. h. 35‑3/4”, w. 21”, d. 10‑1/4” $1,500‑$2,500 607 Continental Carved and Painted Armorial Device early 20th century, the crowned double eagle with carved wings and a four-part hatchet. h. 39‑3/4”, w. 36” $1,200‑$1,800

606

608 Jacobean-Style Oak Refectory Table ca. 1900, the parquetry-inlaid top, with a pull-out leaf at each end, mounted to a carved apron and supported by a pair of large turned and carved standards joined by a stretcher. h. 30”, w. 40‑3/4”, l. 70”, ext. l. 112” $1,500‑$2,500

607

608

214

609 Carolean-Style Mahogany Bench the long padded rectangular top raised on eight turned and bulbous legs joined by scrolling pierced X-form stretchers centered by a delicate finial, raised on bulbous feet. h. 18‑1/2”, w. 57”, d. 14” $1,000‑$1,500 610 Pair of Continental Baroque Bronze Pricket Sticks mid-17th century, with vasiform, cup and ring turnings, incised on the underside “P. Lorenzo Martini Priora di Ronta 1663” flanking a coat of arms with a tree between two rams rampant and three fleurs-de-lis above. h. 29”, dia. 6‑1/4” $3,000‑$5,000

611

611 Circle of Valentin de Boulogne (French/Rome, 1591‑1632) “Girl with a Gold Earring and Violin” oil on canvas, relined on linen and backed by masonite unsigned, a “Hiram H. Hoelzer (Greenwich, Fairfield, Connecticut)” art restoration label on stretcher.

Framed.

26” x 19”, framed 32‑1/2” x 25‑7/8” $1,200‑$1,800

610

609

215

612 Rare Spanish Colonial Silver-Mounted Gilt and Painted Wood Casket first quarter 18th century, Olinala, Mexico, the front marked “Viva Espana”, decorated with gilt lions, scrollwork and flowers on a scarlet ground, mounted with a silver escutcheon, twoheaded eagles, rosettes and pierced end medallions, raised on scroll-molded silver feet, with cotter pin hinges, the top handle attached with rose-head nails. h. 9”, w. 11‑1/4”, d. 7‑1/4” $1,000‑$1,500

612

613 Iberian Provincial Side Table and Armchair the oak side table, 18th century, with a rectangular top above a frieze fitted with two short drawers, raised on turned bulbous supports joined by a box stretcher and ending in bun feet, the whole with incised designs, h. 31‑1/2”, w. 50”, d. 25‑1/2”, and the mahogany armchair with a padded rectangular back surmounted by ribbed finials, joined by flat arms to the padded seat, raised on square legs joined by a box stretcher, h. 44”. $1,000‑$1,500 614 Spanish Polychrome and Mahogany Guard Room Table early 20th century, the rectangular top inset with a diamondpatterned incised panel and two like end leaves, raised on lyre-form end supports joined by scrolling iron stretchers and ending in shaped feet. h. 29‑1/2”, w. 39‑1/2”, l. 88”, ext. l. 118”

613 one of two

$1,000‑$1,500

614

216

615

615 Circle of Jakob Bogdani (Hungarian, 1660‑1724) “Still Life with Cockatoo, Bird and Spaniel” oil on canvas laid down on board unsigned.

Framed.

29‑5/8” x 52‑1/2”, framed 39” x 69‑3/4” $5,000‑$8,000

Jakob Bogdani, a native of Presov, Hungary, moved to Amsterdam in 1684 where he was trained in the Dutch Golden Age tradition of the masters Melchior de Hondecoeter (1636‑1695) and Willem van Aelst (1627‑1683) - who specialized in still lifes with wild game and flowers. In 1688 Bogdani traveled to London, where he would remain for the rest of his life, seeking employment first with William III, Prince of Orange, before being appointed court painter to Queen Anne. Under the tutelage of the court, Bogdani achieved great success, earning commissions from some of the most esteemed aristocrats, such as Queen Mary II and Admiral George Churchill, brother of the Duke of Marlborough.

Churchill, one of his chief patrons, owned the famous aviary at Windsor Park, affording Bogdani ample access to the many exotic birds he depicted like the cockatoo in the painting offered here. Bogdani’s superb still lifes typically featured the imported goods of London’s rich maritime trade; foreign species of birds and flowers crowded his paintings with white and scarlet highlights in the plume and foliage accentuated by dark backgrounds. Examples of his work are conserved in the Royal Collection and Fitzwilliam Museum in London and in Magyar Nemzeti Galeria in Budapest.

217

616 detail

616

616 Unusual Continental Carved Walnut and Engraved Amber Glass Cave a Liqueur fourth quarter 19th century, with Black Forest-style carving, the top and doors carved with game birds, on a stippled ground carved with ivy, fitted with a trio of engraved amber liqueur bottles and six glasses. h. 17‑1/2”, w. 12”, d. 12‑1/4” Provenance: The Estate of Mary Elizabeth Little McDannald Detrick (1913‑2000), Houston, Texas, wife of Robert Morris McDannald (1914‑1967), by descent to their son, Robert Morris McDannald, Jr. (R. M. McDannald, Jr. is grandson of Arthur Thomas MacDannald (1887‑1962), whose extensive collection of Native American and Western Art was bequeathed to the Museum of Natural Art and the Museum of Fine Arts, Houston). $1,000‑$1,500 617 Follower of Ambrosius Benson (Italian/Netherlands, ca. 1495‑1550) “The Magdalene” oil on canvas unsigned.

Framed.

28” x 20‑1/4”, framed 37‑1/8” x 29” $1,500‑$2,500 617

218

620

619 Continental Oak Coffer 18th century, the hinged rectangular top opening to a storage interior, the front with scroll and foliate carving, raised on block feet. h. 28”, w. 53‑1/2”, d. 25‑1/2”

618

$1,000‑$1,500 620 Two Russian Polychromed Wood Ikons,

618 Two Pairs of Baroque-Style Bronze Sconces

including: “The Virgin and Child in Benediction”, first quarter 19th century, fitted with an engraved brass riza and the reverse with shponki; and “Christ Pantocrator”, third quarter 19th century, fitted with a conforming sterling silver riza hallmarked St. Petersburg, 1872, the maker’s mark rubbed.

second quarter 20th century, possibly Caldwell, decorated with contrasting gold and silver, one pair decorated with turned backplates and scrollwork, h. 19‑3/4”, w. 14”, d. 9”, and the other pair with bands of gilt anthemia alternating with scrolled candle arms, set with reeded backplates and cylindrical candle cups, h. 20”, w. 16‑1/2”, d. 11‑1/2”.

former, h. 12‑1/2”, w. 10‑1/4”; latter h. 9”, w. 7”

$1,000‑$1,500

$1,200‑$1,800

619

219

622

621 Wrought Iron and Marble-Top Conservatory Table the rectangular verdigris marble top with a molded edge and raised on scrolling waisted end supports joined by a stretcher and ending in upturned toes. h. 31‑1/2”, w. 72”, d. 27” $1,000‑$1,500 622 Four Continental Porcelain and Metal Sconces first quarter 20th century, with intertwined twisted metal branches set with molded metal leaves, porcelain flowers and leaf-molded candle sockets. h. 13‑3/4”, w. 14”, d. 12‑1/2”

623 Continental Bronze Faceted Lantern second quarter 20th century, the tapered sides set with beveled glass and trimmed with tapered finials above the panels, a swag finial at the base, the top with molded acanthus leaves and a ring chain holder. h. 41”, dia. 14‑1/2” $1,000‑$1,500

$1,000‑$1,500

621

220

623

624 Pair of Patinated Metal Torcheres in the Medieval Taste second quarter 20th century, Continental, each standard with turned and round decorative elements, the candle chaser and molded holder above the hammered drip pan, the whole resting on cabriole legs. h. 51‑3/4”, dia. 17‑1/2” $1,000‑$1,500 625 German Bronze and Onyx Table Thermometer ca. 1897, mounted with a patinated bronze bust after Eugen Bormel (German, 1858‑1932) and dated 1897, the onyx column-form base with rococo gilt-bronze trim, the thermometer tube on an opaline glass plaque. h. 20‑1/2”, w. 4‑3/4”, d. 4‑1/2” $1,000‑$1,500 626 Continental Walnut and Fruitwood Secretary 19th century, the top section fitted with a central drawer over a diamond-inlaid cupboard, flanked to either side by a bank of three drawers and above a long drawer, all banded, over a slant front opening to a variety of drawers and cupboards, flanked to either side by a small, deep angled drawer, the lower “kidney”-form section fitted with three tri-paneled drawers, all banded, the whole raised on bun feet. h. 72‑1/2”, w. 50‑1/2”, d. 24‑1/2”

625

$1,000‑$1,500

624

626

221

627 Continental Walnut and Fruitwood Secretary 19th century, the kidney-form upper section fitted with a central banded cupboard opening to shelves and two small drawers, flanked to either side by a bank of four small banded drawers, over a drop front, opening to a fabric-lined interior and four small drawers, the lower section of kidney form and fitted with three banded long drawers, raised on bun feet. h. 68”, w. 51”, d. 30” $1,200‑$1,800 628 Continental Mahogany Commode in the Rococo Taste second half 18th century, the cross-banded parquetry serpentine top over a case with three conforming banded drawers, raised on cabriole legs, the drawers of shallow depth, the case fitted with a false interior back. h. 28”, w. 25”, d. 16‑1/2” $1,000‑$1,500

628

629

629 Imposing Continental Baroque-Style Giltwood Mirror fourth quarter 19th century, the mirror plate lined with molded fruit, the frame composed of scroll and rocaille work, retaining a soft gilt patina. h. 68”, w. 48” $1,800‑$2,500

627

222

630 Pair of Baroque-Style Giltwood Sconces first quarter 20th century, on leaf-carved circular backplates, the leaf-carved, torch-form candle holders fluted and flaring at the tops. h. 22”, w. 6”, d. 7‑3/4” $1,000‑$1,500

630

632

631 Continental Mahogany Secretary 19th century, the domed cornice centered by a floral foliate shield and above two doors, each inset with a mirrored panel and opening to a shelved interior, the lower section fitted with a secretary, opening to a storage well and various drawers and cubbyholes surrounding a central cupboard, above a kettle-form base fitted with three long drawers, raised on balland-claw feet, the whole with gilt accents. h. 96”, w. 56”, d. 27” $1,500‑$2,500 632 Pair of Continental Porcelain and Brass Candelabra second quarter 20th century, each candelabrum on a pierced brass base and fitted with seven brass candle sockets and leaves mixed with sculpted porcelain flowers. h. 31”, w. 12‑1/2”, d. 6” $1,000‑$1,500

631

223

633 Italian Baroque-Style Giltwood Mirror fourth quarter 19th century, the arched top with pierced flowers and the bottom with swags of flowers, the sides with finials in the form of baskets of flowers, over classical figures atop square colonettes terminating in Corinthian capitals, the base with a bas-relief-molded masque. h. 45‑1/4”, w. 31‑1/2” $1,000‑$1,500 634 Continental Silvered Metal and Crystal Chandelier the eight-light chandelier with a molded glass-clad standard and set with scrolled candle arms and cut glass drip pans, hung with an upper spray of drops, cascades of drops and cut glass drops on the arms. h. 26‑1/2”, dia. 21‑1/2” $1,000‑$1,500 635 German Meissen-Style Porcelain Dressing Mirror ca. 1900, with serpentine sides and crest, the edges molded with pink and blue rocaille work, decorated with encrusted flowers, birds and putti, set with a beveled mirror plate, on an easel back. h. 25‑3/4”, w. 15”

634

$1,000‑$1,500

635 633

224

636 Two Pieces of Continental Miniature Enamel Furniture 20th century, each decorated in the Baroque taste with raised masques, including a Jacobean-style cabinet-on-stand decorated with figures in period costume, marked “VP”, h. 12‑1/4”, w. 8”, d. 4‑3/4”, and a slant-lid desk with a “windmill” mark, and probably Dutch, h. 9‑3/4”, w. 10”, d. 5‑3/4”. $1,500‑$2,500

636 638

638 Continental Molded Bronze Chandelier

637 Assembled Collection of Bohemian or Czech Wine Glasses 20th century, comprising twenty-four glasses plated in various colors and styles, each with cut decoration. h. 8‑1/4” to 9”

first quarter 20th century, supported on a rococo molded chain, the ball-form standard set with reeded arms, the shade holders molded with fleurs-de-lis. h. 34‑1/2”, dia. 22‑1/2”

$1,000‑$1,500

$1,000‑$1,500

637

225

639 Viennese Silver Gilt, Enamel and Painted Miniature Tobacco Box fourth quarter 19th century, the maker’s mark rubbed, second standard (.900) silver, the square box with black and white champleve enamel panels featuring allegorical symbols of the seasons flanked by comical tobacco harvesters, the corners with figures of satyrs on monopodal paw feet, the hinged lid with a glazed miniature of “Der Rauchgesellschaft” [“The Smoking Club”] after David Teniers the younger (1610‑1690), glazed, the interior ornately engraved. h. 2‑1/4”, w. 3‑5/8”, d. 3‑1/2”; 13.81 t. oz. (including enamel and glazing) $1,000‑$1,500

639

641 Napoleon III Cased French Provincial Fiddle Thread Silver Flatware Set third quarter 19th century, Bordeaux, by E. Maitreau and Ducot Jeune, first standard (.950) silver, comprising a dozen each table forks, l. 8‑1/4”, tablespoons, l. 8‑1/2”, and teaspoons, l. 5‑1/2” (one of the latter lacking and replaced with a Christofle silverplate example), and a ladle, l. 13‑1/2”, each monogrammed “TL” and presented in a fitted, red baize-lined black leather case with brass handle, 3‑1/4” x 15‑3/4” x 12”.

79.25 total t. oz. $1,200‑$1,800

641

640 Good Norwegian Sterling Silver Plique a Jour Enamel Salt Cellar first quarter 20th century, Bergen, by Marius Hammer (1847‑1927), of oval form with horsehead “prow” handles, decorated with filigree flowers and scrolls in transparent blue, green, red, violet and colorless enamels. h. 2‑3/4”, l. 4‑1/4”, w. 2‑3/4”; 2.28 t. oz. (including enamel) $1,000‑$1,500

640

226

642 Impressive French Belle Epoque “Chateaubriand” Silver Flatware Set fourth quarter 19th century, by Adolphe Boulenger (1834‑1898), Paris, first standard (.950 silver, complete with eighteen eight-piece place settings, with a carving set and fish-serving set, monogrammed “BR”, in the original gray suede-lined, fitted case with lift-top and fall front revealing four drawers, fitted with brass escutcheons and handles, 11” x 20‑3/4” x 13‑3/4”.

148 pieces (plus case) 238.46 total t. oz. (weighable silver) $8,000‑$12,000 643 Good Pair of Barbedienne Bronze Argente Rhytons third quarter 19th century, after a model by Constant Sevin (1821‑1888), each decorated with realistically molded grapevines and clusters, with an addorsed leaf-and-dart band and terminating in an acanthus-mounted feline head (one a lion, the other a tiger); supported by an oval base banded en suite and a Bacchus-masque-mounted bifurcated thyrsus handle, signed on the basal edge “F. Barbedienne”. h. 7‑1/2”, l. 8‑3/4”, w. 4‑1/4” Provenance: Collection of Leon Amar, Palm Beach, Florida.

642

$2,500‑$4,000 Sevin’s original model of this rhyton featured the head of a fox, an example of which is illustrated in the memorial tribute to him published in the 1888‑1889 edition of Revue des arts decoratifs, v. 9, p. 167.

643

644 Cased French Flatware Set first quarter 20th century, by Keller Freres, Paris, including a dozen thirteen-piece place settings (dinner knives lacking) with an additional sixteen serving piece (and a mismatched serving spade), no monograms, presented in the original fitted mahogany green baize-lined case, with lift-top, three drawers and brass campaign handles.

173 pieces (plus case) 254.4 total t. oz. (weighable silver) $5,000‑$8,000 644

227

645 Pair of German Silver “Jousting Knights” Table Garnitures first quarter 20th century, by Ludwig Neresheimer, Hanau, .800 silver, the combatants depicted in full armor with articulated visor, holding a lance and on a rearing armored horse rampant, the canted rectangular base with ferns, frogs and lizards above a reticulated foliate scroll plinth. h. 12‑1/2”, base 8” x 3‑3/4”, overall l. 13”, overall w. 6‑1/2”; 98.08 total t. oz. $4,500‑$7,000

645

646 Christian Walter (American, 1872‑1938) “Sylvan Landscape” oil on canvas signed lower left and en verso.

Framed.

12” x 18”, framed 16‑1/4” x 22‑3/8” $1,000‑$1,500

646

647 J. M. G. Anglade (American, 19th/20th Century) “The Woodland Home in Fall”, 1901 oil on canvas signed and dated lower right.

Framed.

24” x 29”, framed 35‑1/2” x 40‑1/2” Provenance: Christie’s New York, August 31, 2010, lot 60; Private collection. $2,000‑$4,000

228

647

648 Dwight Williams (American, 1856‑1932) “Grand Canyon”, ca. 1915 oil on canvas unsigned, a “Doyle” label on stretcher.

Framed.

22” x 36”, framed 30‑1/4” x 42‑1/4” Provenance: Doyle, New York, November 29, 2006, lot 2442. $1,000‑$1,500

648

649 Wayman Elbridge Adams (American/Louisiana, 1883‑1959) “Mother and Child” oil on board signed upper right.

Framed.

8‑1/4” x 7‑3/4”, framed 12‑7/8” x 12‑3/8” $2,000‑$4,000

649

650 Ambrose Patterson (Australian/Washington, 1877‑1967) “On the Beach” oil on wood panel signed lower right.

Framed.

8‑1/2” x 10‑5/8”, framed 13‑3/8” x 15‑5/8” Provenance: Christie’s London, October 11, 2011, lot 10; Private collection. $2,500‑$4,000

650

229

651

651 Julian Onderdonk (American/Texas, 1882‑1922) “Cuernavaca, Mexico Street Scene” oil on millboard signed and localized lower left, a partial supplier’s label en verso.

Framed.

7‑7/8” x 10‑7/8”, framed 15” x 18” $7,000‑$10,000

652 Daniel MacMorris (American, 1893‑1981) “Clipper Ship Race”, Paris, 1929 oil on canvas signed, titled and dated localized en verso.

Framed.

24‑1/4” x 33”, framed 31‑3/4” x 40‑5/8” $1,500‑$2,500 652

230

653

653 George Draper, Sr. (American, 1923‑2017) “The Berkshires (Massachusetts)” oil on canvas titled and numbered “#35” en verso, remnants of a handwritten inventory/exhibition label on stretcher.

Presented in a House of Heydenryk frame.

24” x 30”, framed 29‑1/2” x 35‑1/2”

654

$1,000‑$1,500 654 Eduardo Leon Garrido (Spanish/French, 1856‑1949) “Coquette” oil on wood panel signed upper right.

Framed.

11” x 6”, framed 19‑3/8” x 15” Provenance: Jackson’s Auctioneers, Iowa, December 8, 2009, lot 8; Private collection. $2,000‑$4,000 655 Henri Joseph Pauwels (Belgian, 1903‑1983) “Tea Time” oil on canvas signed lower right.

Framed.

27” x 29”, framed 35” x 37” $1,000‑$1,500

655

231

656 American Queen Anne Cherry and Birch Bonnet-Top High Chest third quarter 18th century, the upper case with a brokenarch pediment and turned finials, fitted with a central fan-carved drawer flanked by smaller drawers and four graduated long drawers below, the base with a narrow long drawer over a central fan-carved drawer and a small drawer to each side, raised on cabriole legs, the top and base associated. h. 87”, w. 38”, d. 19”

658 American Chippendale Cherry Three-Drawer Chest late 18th century, the case with a bank of three graduated drawers, each with contrasting ebony and blonde wood stringing around their perimeters, flanked by fluted and canted corners, raised on ogee bracket feet. h. 32”, w. 32‑3/4”, d. 18‑1/4” $1,200‑$1,800

$1,500‑$2,500 657 American Chippendale Maple High Chest third quarter 18th century, the upper case with four graduated long drawers, the base with two long drawers, each disguised as a row of three drawers, raised on cabriole legs ending in ball-and-claw feet, the top and base associated. h. 65”, w. 39”, d. 20‑1/2” $1,000‑$1,500

658

232

656

657

659 Joseph Rusling Meeker (American, 1827‑1887) “Cypress with Spanish Moss, Probably Bayou Teche”, 1880 oil on canvas signed and dated lower left.

Framed.

20” x 12”, framed 26‑1/2” x 19‑1/2” Provenance: Heritage Auctions, Dallas, Texas, May 2, 2015, lot 68185, from the Jean and Graham Devoe Williford Charitable Trust, Fairfield, Texas. $15,000‑$25,000

659

660 Achille Peretti (Italian/Louisiana, 1857‑1923) “Seated Female Nude”, 1882 oil on canvas signed and dated upper left.

Period frame.

21” x 13‑1/4”, framed 29” x 21‑1/4” $2,000‑$4,000

660

233

661 American Classical Mahogany Butler’s Secretary first quarter 19th century, the broken-arch pediment with a fan-carved frieze above a pair of glazed doors, the base with a drop-down drawer front opening to a writing surface and fitted interior with tiger maple drawers. h. 103”, w. 49”, d. 24” $1,000‑$1,500

662 American Eagle-Decorated Parcel-Gilt Convex Mirror mid-19th century, the surround set with spherules, molded leaves and an ebonized liner, the displayed eagle flanked by carved leaves. h. 34”, w. 23‑1/2” $1,200‑$1,800 662

663

663 American Federal-Style Inlaid Mahogany Dining Table mid-20th century, consisting of two D-end tables, a dropleaf table and an additional leaf to replace the central dropleaf table, the legs with satinwood and bellflower inlays, the aprons with an inlaid moth. h. 30”, D-ends l. 33‑1/2”, d. 43”, dropleaf d. 43”, l. 29”, ext. l. 69”, additional leaf l. 22” $1,200‑$1,800

661

234

664 American Brass and Crystal Gasolier late 19th century, the standard hung with strands of crystal prisms, the scrolled rope-twist arms held with a pressed brass ring hung with prisms, a spherical glass finial in the center. h. 36”, dia. 24” $1,000‑$1,500 665 Pair of Colonial Revival Knife Boxes and Stands in the Adam Taste ca. 1900, probably American, the square boxes with leafcarved covers and swags supporting paterae on the front, the pedestals with leaf-carved upper edges, the doors with raised ovals and corner leaf carving. h. 65”, w. 19‑1/2”, d. 25” $1,000‑$1,500

664

666

666 Rococo Revival Patinated Bronze Chandelier mid-19th century, probably Philadelphia, with handsome molded chains, the pierced arms decorated with molded grapes, the standard with a vasiform support and a pierced finial, set with period frosted glass shades. h. 55”, dia. 22” $1,000‑$1,500

665

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668 667

667 Brass and Bronze Figural Gasolier third quarter 20th century, probably Philadelphia, the three-light gasolier with a figure of a Berber standing on the standard with a polished lower pan and rope-twist “chains” held by writhing snakes, the top with a pierced corona set with engraved and frosted gas shades. h. 41”, dia. 21” $1,000‑$1,500 668 American Federal Mahogany Butler’s Chest first quarter 19th century, the deep upper drawer with a fold-out face opening to reveal a fitted interior, over three graduated and banded drawers, raised on flare feet. h. 42‑3/4”, w. 47‑1/4”, d. 21‑3/4” $1,200‑$1,800 669 Pair of Colonial Revival Inlaid Mahogany Knife Urns ca. 1900, probably Baltimore, with chevron inlay, on ogee bracket feet with acorn finials, the lid on a ratcheted standard with a silver-plated shield-shaped escutcheon, opening to reveal a fitted interior. h. 23‑1/2”, w. 8”, d. 8” $2,000‑$4,000 669

236

670 American Late Classical Mahogany Sofa second quarter 19th century, the columnar top rail with parcel-ebonized gilt rosette scroll ends, the scroll arms with leaf carving, the molded apron joined to carved paw feet with gilt leaf- and fruit-carved brackets, now upholstered in blue/green brocade in a bumblebee decor. h. 34”, w. 92”, d. 25‑3/4” $1,500‑$2,500 671 American Classical Mahogany Pier Table ca. 1815, New York, School of Charles-Honore Lannuier, the marble top with a reeded edge, over a figured frieze with die-cut brass along its lower edge, raised on marble columns with gilt-bronze capitals and bases, the back mounted with a mirror plate, on a low shelf, the vertical face of the shelf with ebony molding at the top and bottom edges, the moldings with inlaid brass and light wood stringing, raised on later bun feet. h. 33‑1/4”, w. 42”, d. 18”

671

$1,000‑$1,500 The present table shares design characteristics of pier tables associated with Lannuier, and some constructon details with the work of his cross-town competitor, Duncan Phyfe.

672 Pair of Handsome Patinated Bronze and Engraved Glass Argand Lamps ca. 1825, English, retailed by Baldwin Gardiner, New York, and labeled on the burner tubes, with urn-form molded oil tanks and leaf-molded standards, the square bases with reeded feet, the frosted shades engraved with thistles. h. 14”, w. 5”, d. 10‑1/4” $1,000‑$1,500

672

670

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674 American Giltwood Convex Mirror second quarter 19th century, with a displayed eagle crest flanked by pierced scrollwork, the lower edge with fans of reeding, the plate set into a cove-molded surround with spherules and a reeded, ebonized liner. h. 39”, w. 23‑1/2” $2,000‑$4,000

673

673 American Brass Gasolier in the Late Classical Taste mid-19th century, the standard with a handled urn and acanthus-molded turnings, the arms with pierced scrollwork and molded leaves, the base with beading and leaf molding. h. 35”, dia. 34‑1/2” $1,000‑$1,500

675

675 American Classical Mahogany Cabinet/Mixing Table second quarter 19th century, New England, probably Boston, the marble top with canted corners, on a conforming case with a cove-molded projecting single drawer, over a pair of paneled doors, each with X-form ornaments, the doors flanked by canted pilasters with lotus- and leaf-carved capitals and bases. h. 34‑1/2”, w. 43‑3/4”, d. 25” $1,000‑$1,500

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674

678

676 American Classical Mahogany Sofa ca. 1825, probably Boston, the back with a carved top rail joined to closed arms on reeded supports with foliate carving and capped by carved rosettes, continuing to a figured and paneled seat rail and raised on foliate- and scroll-carved feet. h. 37‑5/8”, w. 84”, d. 25‑1/2” 677

$1,000‑$1,500 677 American Aesthetic Gasolier

679 Exceptional Burl Bowl

third quarter 19th century, with a fluted standard, set with three weights decorated with Elizabethan strapwork, for raising and lowering the gasolier, set with reeded gas arms decorated with panels of pierced aesthetic decoration, the center finial molded with lotus leaves. h. 48”, w. 28‑1/2”

ca. 1700, English or New England, with burl sides and straight ground bottom. h. 9”, dia. 23‑1/2” $1,000‑$1,500

$1,000‑$1,500 678 American Southern Pine and Fir Farm Table second half 20th century, in the traditional style, with a two-board thick plank top mounted to a framed base, one edge fitted with a drawer, raised on turned legs with pegged construction. h. 30‑1/2”, w. 32”, l. 85” $1,000‑$1,500 679

676

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681 Clarence Millet (American/Louisiana, 1897‑1959) “Courtyard of the Artist’s Studio, ‘Governor Claiborne House’ at 628 Toulouse Street”

680 Andres Molinary (Gibraltar/New Orleans, 1847‑1915)

oil on canvas signed lower right; together with original frame that has loan/exhibition labels.

Framed.

30” x 24”, framed 38‑1/2” x 32”

“Northshore Landscape” oil on canvas signed lower right.

Framed.

8‑1/4” x 16”, framed 13” x 21”

Provenance: Dr. and Mrs. Joseph Sabatier, Baton Rouge, Louisiana, purchased from the artist; thence by descent.

$12,000‑$18,000

Exhibited: Baton Rouge Little Theater, 9 May-18 May, 1957.

Literature: “Work of Millet on Exhibit at the Little Theater”, State Time Advocate, 9 May 1957: 9 $20,000‑$40,000

680

240

681

The courtyard of the “Governor Claiborne House” at 628 Toulouse Street, which Millet painted numerous times, is one of the most iconic scenes of the French Quarter. The Spanish-Creole-style courtyard with brickwork, covered porches/logge, fan-windows and banana trees that he painted from his studio has been lauded as a southern masterpiece of architecture, flora and lighting. The building’s fan windows and courtyard, according to New Orleans’ historian Arthur Stanley, “are probably the most photographed, etched and painted... in New Orleans, and there are many in the Vieux Carre.” Millet’s bravura for capturing the nuances of Southern lighting as it is reflected, pooled, even distilled by the humidity on edifices and landscapes is poignantly captured here in the early-mid morning light as it scintillates off the tops of the banana leaves and alights the masonry on the steps below in warm hues of taupe and beige. As art critic Carter Stevens writes, “Millet is closer to the wellspring of the Louisiana scene than any other artists... He must have absorbed all the sense and color of the earth, plant growth, tree forms and sky as a growing boy.”

Adams, “Pop” Hart, Morris Henry Hobbs, Charles Reinike and Albert Riecker all had studios in the building, and writers Roarke Bradford, Lyle Saxon and William March also maintained quarters there. Though Claiborne, the first governor of Louisiana, never lived at the property, the litany of other famous personages who did caused the misnomer that history has perpetuated for more than a century.

Since the late 19th century, the “Claiborne House” has been an edifice of New Orleans art and culture, and is believed to be the only one in the Quarter devoted solely to artist studios. Wayman

This painting, which descended in the family, was exhibited in 1957 at the historic Baton Rouge Little Theater.

This stunning depiction of one of the most historically significant courtyards is equally matched by its provenance. Dr. Joseph Sabatier, who purchased the painting in the 1950s from the artist, was one of the physicians who attended Huey P. Long, former Louisiana Governor and Senator, after he was shot in 1935. Dr. Sabatier, who passed away in 2013, founded the Baton Rouge Clinic and was a former president of the Louisiana State Medical Society, the Alton Ochsner Surgical Society and the New Orleans Council on Aging’s Board of Directors. He also was a former chairman of the Tulane University Emeritus Club.

241

682 Colette Pope Heldner (American/New Orleans, 1902‑1990) “Old Brulatour Patio, French Quarter”, New Orleans oil on canvas board signed and titled en verso, with “The Little Gallery, 622 Rue Royale, N.O., La.” stamp en verso.

Framed.

20” x 24”, framed 24” x 28” $1,000‑$1,500

682

683 Marie Madeleine Seebold Molinary (American/New Orleans, 1866‑1948) “Still Life with Pineapple and Apples” oil on board signed upper left corner.

Period frame.

17‑1/2” x 13‑1/4”, framed 22‑3/4” x 18‑3/4” $3,000‑$5,000

683

242

684 Viggo Hauser (American/Louisiana, 20th Century) “French Quarter Courtyard, New Orleans”, ca. 1930s oil on artist board monogrammed lower right, localized lower left, artist identified and titled on label on frame backing.

Framed.

14” x 9‑1/2”, framed 19‑1/2” x 15” $1,000‑$1,500

684

685 Will Henry Stevens (American/New Orleans, 1881‑1949) “Magnolia” pastel on paper signed lower left.

Matted, glazed and framed.

22” x 18”, framed 30” x 25‑1/2” $3,000‑$5,000

685

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686

686 American Three-Piece Coin Silver Tea Set 1834‑1845, by Gale, Wood & Hughes, New York, New York, including a teapot, h. 6”, l. 10‑1/4”, a covered sugar bowl, h. 4‑1/4”, w. 7‑1/2”, and a cream jug, h. 5‑1/4”, l. 6‑1/4”, each of fluted oval section and decorated with engraved and brightcut floral paterae banding and centering a laurel-mantled shield-form cartouche, with domed lids and squared handles, the teapot with gooseneck spout, monogrammed (on the cartouches “HM” opposing “MWM”).

35.53 total t. oz.

687 Pair of American Sterling Silver Candelabra first quarter 20th century, by the Watson Co., Attleboro, Massachusetts, part of the “Exemplar” line of reproductions after the 1739 original, each with a baluster standard of octagonal section surmounted by a central conforming nozzle with circular drip-pan, surrounded by four scrolling branches each terminating in a nozzle en suite, all raised above a domed base and decorated with engraved rococo and applied gadroon-and-shell banding; the standard with applied monogram “G”. h. 15‑7/8”, w. 13‑3/4”; 138.41 total t. oz.

Provenance: Lucullus, New Orleans, Louisiana. $1,200‑$1,800 Inscriptions on the underside identify the monograms as those of Henry Munro (1802‑1862) of Westchester County, New York, and his daughter Margaret White Munro (1845‑1885); additional inscriptions trace the provenance down two more generations, to Margaret’s son Henry Munro Bruen (1874‑1959) and grandson, the Rev. Henry Munro Bruen, Jr. (1936‑2018).

244

$4,000‑$7,000

687

688

688 Frank M. Whiting Four-Piece Sterling Silver Tea Set mid-20th century, North Attleboro, Massachusetts, including a coffeepot, h. 10‑1/4”, a teapot, h. 8‑3/4”, a covered sugar bowl, h. 6‑1/4”, and a cream jug, h. 5‑1/4”, each with a pear-shaped body decorated with hand-chased floral rococo cartouches, with acanthus-mounted “gooseneck” spouts, crested handles and domed lids with toupie finials; together with a complimentary E. G. Webster & Sons silverplate tray, 27” x 16”.

123.87 total t. oz. (excluding tray) $1,500‑$2,500

689 Gorham “Versailles” Sterling Silver Flatware Set the pattern designed in 1888 by Florent Antoine Heller (1839‑1904), Providence, Rhode Island, an assembled set comprising a dozen seventeen-piece place settings with an additional dozen teaspoons, variously monogrammed, presented in a fitted, Pacific cloth-lined wooden case with lift-top and two drawers, 13” x 20‑1/2” x 14‑1/2”.

216 pieces (plus case) 224.68 total t. oz. (weighable silver) Detailed list of pieces available on request. $6,000‑$9,000 689

245

690 Large Pair of Victorian-Style Silverplate Epergnes mid-20th century, by the Goldfeder Silver Co., Yalesville, Connecticut, each with a canted and concave triangular base raised on three robust acanthus feet, centering a pigeage tub within a scrolling grapevine standard with six branches around a large openwork grapevine banded basket, the branches each terminating in a smaller basket en suite, the base with a putto reaching to pick the grapes. h. 24‑1/4”, dia. 20‑1/4” $3,000‑$5,000

690

691 Four Pieces of Reed & Barton “Francis I” Sterling Silver Hollowware the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including a tazza, h. 3‑3/4”, dia. 11‑1/2”, a sandwich plate, dia. 11‑1/2”, and a pair of compotes, h. 4‑3/4”, dia. 8”, no monograms.

66.56 total t. oz. $1,000‑$1,500

691

692 Fourteen Pieces of Reed and Barton “Francis I” Sterling Silver Tableware the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including a dozen service plates and a pair of bread trays. plates dia. 10‑3/4”; trays 11‑3/4” x 7‑1/4”; 204.98 total t. oz. $3,000‑$5,000

246

692

693 detail 693

693 Tiffany & Co. “English King” Sterling Silver Flatware Set the pattern designed in 1885 by Charles Grosjean (1841‑1888), New York, New York, including a dozen thirteen-piece place settings with an additional dozen teaspoons and ten serving pieces, monogrammed “L”, presented in a fitted, green velvet-lined mahogany case with lift-top, three drawers, and brass campaign-style fittings, 15‑3/4” x 23‑3/4” x 17‑1/4”.

178 pieces (plus case) 253.52 total t. oz. (weighable silver) Detailed list of pieces available on request. $18,000‑$25,000

247

694 Tiffany & Co. Sterling Silver Vase New York, New York, the pattern introduced in 1904, this example before 1907, of loutrophoros form, decorated with acid-engraved rococo panels and applied rococo banding. h. 17‑1/4”, w. 7‑1/2”, dia. 5‑1/4”; 53.28 t. oz. $1,800‑$2,500

695 Tiffany & Co. Sterling Silver Tiered Cigar and Cigarette Box fourth quarter 20th century, comprising three graduated rectangular boxes, each fixed to the ogee-domed hinged lid beneath it, with a cedar-lined cigar box on the lower tier, a cedar-lined cigarette box in the middler tier, and a matchbox, matchstrike (stone lacking) and cigar cutter on the upper tier. h. 5‑1/2”, w. 9‑3/4”, d. 6” $1,400‑$1,800

696 Good Tiffany & Co. Sterling Silver Mid-Century Modern Punch Service

694

second quarter 20th century, New York, New York, including a punch bowl, platter, and fifteen punch cups, the bowl and cups of hemispherical form with slightly everted rim and cavetto foot ring, the cups with flat ring handle, all decorated with three threaded bands at the upper edge and a single threaded band on the foot, the circular plateau with triple-threaded rim en suite, each centered with a stylized monogram “M.R.O’B”. punch bowl h. 8‑1/2”, dia. 15‑1/4”, platter dia. 24”, cups h. 2‑1/2”, dia. 3‑1/8”; 365.75 total t. oz. $14,000‑$18,000

695

248

696

697 Rare Judith Leiber Sterling Silver Horse Desk Box dated 1992, limited edition, with cabochon sapphire eyes, hinged and opening to a silver-gilt interior bearing an oval disc stamped “Judith Leiber/Sterling”, the underside with engraved “JLO-909‑12‑1992”, manufactured for Judith Leiber by Fulvio Casamonti, Impruneta, Italy, presented on a conforming wood stand with pen tray, includes a sterling silver retractable pencil labeled “Tiffany & Co. W-Germany”, the horse 12.14 t. oz. horse h. 4‑1/8”, l. 6‑1/4”, d. 3”; stand h. 3/4”, l. 8‑3/8”, d. 5‑1/8”; pencil l. 4‑1/4” $1,400‑$1,800 See Enid Nemy & John Bigelow Taylor, Judith Leiber: The Artful Handbag (New York: Harry N. Abrams, 1995), p. 136 for identical examples fitted as minaudieres.

699

697

698 Alfredo Sciarrotta (1907‑1985) Sterling Silver Modernist Center Bowl third quarter 20th century, Newport, Rhode Island, of hemispherical form, raised on a foot ring of joined “S”-scrolls. h. 4”, dia. 9‑1/2”; 24.55 t. oz. $1,000‑$1,500

699 Rococo Revival Brass and Bronze Gasolier mid-19th century, possibly Philadelphia, the six-light gasolier with a turned standard terminating in reeded and stippled elements, supporting scrolled gas arms decorated with banana leaves and oak leaves, hanging from a turned upper standard. h. 64‑1/2”, dia. 35” $1,000‑$1,500

698

249

700 American Rococo Revival Laminated Rosewood Armchair third quarter 19th century, attributed to J. H. Belter, New York, in the “Rosalie Without Grapes” pattern, the concave back with a floral fruit- and leaf-carved crest, open arms, serpentine seat and cabriole legs. h. 42‑1/2” $1,200‑$1,800

702

702 Unusual American Rococo Revival Steel and Brass Gasolier third quarter 19th century, the standard with molded lotus leaves and strapwork, the arms molded with scrollwork and lotus leaves, with lotus leaves forming the lower finial. h. 48”, dia. 30” $1,000‑$1,500

700

701 American Rococo Revival Rosewood and Marble-Top Console third quarter 19th century, attributed to J. H. Belter, New York, the shaped white marble top over a conforming frieze with a projecting drawer flanked by concave panels, raised on cabriole legs with leaf and fruit carving above the leaves and joined by a floral- and scroll-carved stretcher. h. 32‑1/4”, w. 49‑1/4”, d. 18” $1,500‑$2,500

701

250

703 Suite of Ten American Rococo Revival Walnut Dining Chairs third quarter 19th century, attributed to J. H. Belter, New York, in the pattern commonly referred to as “Shield Back”, each laminated walnut chairback of concave form, with serpentine seat rail and cabriole front legs. h. 37‑1/2”, seat h. 18‑1/2” $2,000‑$4,000

704 Martha Simkins (American/Texas, 1866‑1969) “Highland Park Lady”, 1945 oil on canvas signed and dated upper left, backing with provenance and “Irving Arts Center” exhibition labels.

Unframed.

30” x 25” Provenance: Ex-collection of Edward and Muriel Denari, Euless, Texas.

Exhibited: Martha Simkins Rediscovered, 24 September-16 Nov. 2003, Irving Arts Center, Irving, Texas.

704

$1,000‑$1,500

703

251

706 705

705 American Aesthetic Gilt-Bronze and French Pottery Chandelier

707 American Rococo Revival Mahogany and Marble-Top Cabinet

third quarter 19th century, the standard with inset Longwy pottery and scrolled trim, the arms with similar applied scrollwork. h. 33”, dia. 24”

third quarter 19th century, probably Alexander Roux, New York, the figured marble top with projecting ovolo corners, on a conforming case with a pair of drawers over a pair of doors, each door panel mounted with carvings depicting trophies of the hunts and flanked by columnar pilasters with carved capitals. h. 35”, w. 58”, d. 22‑3/4”

$1,000‑$1,500

$1,000‑$1,500

706 Gilt-Brass and Bronze Gasolier mid-19th century, probably American, the scrolled arms with griffins supporting the burners, molded with dragons and alternating with putti, the standard decorated with delicately molded masques, swags and ram’s heads, set with cut and frosted gas shades. h. 27‑1/2”, dia. 24” $1,000‑$1,500

252

707

708 American Renaissance Revival Rosewood Armchair third quarter 19th century, attributed to John Jelliff, Newark, New Jersey, the center crest with a carved female portrait bust, the arm fronts also carved with female busts, and raised on trumpet-turned legs. h. 44”, w. 28”, d. 30” $1,000‑$1,500 708A American Renaissance Revival Cast-Iron Newel Post Light third quarter 19th century, originally outfitted for gas, depicting a robed maiden holding a torch. h. 72", dia. 13" $2,000-$4,000 709 Large Renaissance Revival Giltwood Pier Mirror third quarter 19th century, American, flanked with fluted Corinthian columns on faceted bases, the crest with a bust of Minerva, molded leaves and scrollwork, with molded anthemions flanking each side. h. 95‑1/2”, w. 60” $2,500‑$4,000

709

708

708A

253

709A

709A Impressive American Cast Brass Six-Arm Gasolier

710

third quarter 19th century, the ornate central shaft with elaborate scrolled mounts, the central pierced ring with angel faces and fitted with six arms terminating in male portraits just below the shades. h. 61”, dia. 46” $1,000‑$1,500 710 Bronze Ten-Light Electrolier first quarter 20th century, the ball-molded standard with wreath mounts and five upturned gas arms alternating with five downturned electrical sockets, the arms hung with strands of brass beads. h. 40”, dia. 24” $1,000‑$1,500 711 Handsome American Renaissance Revival Walnut Umbrella Stand third quarter 19th century, in the manner of Gustave Herter, carved with a lion’s head grasping a bronze umbrella holder, supported on a back carved with drapery and an anthemion, on paw feet, retaining the original drip pan. h. 34”, w. 19‑1/2”, d. 9‑1/2” $2,500‑$4,000 711

254

712 Four-Piece American Renaissance Revival Walnut Parlor Suite third quarter 19th century, commonly attributed to John Jelliff or M. & H. Schrenkeisen, consisting of a triple-back settee, h. 43”, w. 74”, d. 28”, an armchair, h. 44‑1/2”, w. 29”, d. 25”, and two lady’s bustle chairs, each carved with female portrait busts, h. 40‑1/2”, w. 23”, d. 21”. $1,000‑$1,500

712

712

255

714 American Brass and Crystal Gasolier in the Aesthetic Taste fourth quarter 19th century, the standard hung with prisms, the scrolled corona with ball finials, the cut-work ring pierced with gas arms. h. 34”, dia. 29” $1,000‑$1,500 715 Rare American Patinated Metal and Brass Gasolier mid-19th century, the four-light chandelier in the medieval style, with four patinated figures gathered around the ropetwist standard, the lobed base with mythological figures supporting the molded gas arms, fitted with battle-axe-form gas keys. h. 35”, dia. 32” $1,000‑$1,500

714

715

713 Exceptional American Rococo Revival Pier Mirror mid-19th century, the pulvinated surround decorated with bright and matte gilt, the crest decorated with a swan’s-neck cornice trimmed with molded fruit and pierced with scrollwork and flowerheads. h. 122‑1/2”, w. 30” $1,000‑$1,500

256

713

716 Rococo Revival Brass Five-Light Chandelier mid-19th century, probably Philadelphia, with bronzecolored mounts and leaves at the top, with larger pierced leaves, pierced rocaille work with masques and larger masques, possibly Mary Queen of Scots, between pierced arms decorated with dragons. h. 33”, dia. 29” $1,000‑$1,500 717 American Rococo Revival Walnut Half-Tester Bed third quarter 19th century, the serpentine canopy with a pierced and carved crest, the triple-panel headboard with a foliate-carved crest and carved star in the central cartouche, with octagonal posts, the foot end with bold carved finials. h. 101”, inside w. 57”, l. 77”, outside w. 66”, l. 82” 716

$1,000‑$1,500

717

257

719

718

718 Philadelphia Bronze Three-Light Gasolier third quarter 19th century, with leaf-molded and scrolled arms alternating with rod-type “chains”, secure in molded scrollwork, with an upper twisted rod attached to a molded ring, set with engraved frosted gas shades. h. 61”, dia. 18” 720

$1,000‑$1,500

719 Cast Iron Garden Settee in the “Fern” Pattern late 19th/early 20th century, the back molded as fronds, extending to closed arms and with a dished and pierced latticework seat. h. 33”, w. 54‑1/2”, d. 20‑1/2” $1,000‑$1,500

258

720 Pair of Cast Iron Garden Armchairs in the “Fern” Pattern late 19th/early 20th century, each with a back modeled as fronds wrapping to arms over like foliage, with dished seat and shaped legs. h. 32‑3/4” $1,000‑$1,500

721 Two Large Polychrome Cast Iron Garden Stags late 19th century, probably J. W. Fiske and Company, New York, each mounted to a rectangular platform base. h. 62‑1/2”, w. 49”, d. 24” and h. 62‑1/2”, w. 49”, d. 21” $8,000‑$12,000

722 Gothic Revival Cast Iron Garden Bench after a 19th-century French design, the back molded as quatrefoils amidst arches, with an openwork honeycomb seat over an apron with Gothic tracery. h. 30‑1/2”, w. 51”, d. 19” $1,000‑$1,500

721

723 Pair of Victorian-Style Cast Iron Garden Benches in the “Peacock” pattern, introduced by Coalbrookdale, each with a back with a pierced central arched panel, scrolled arms and splayed legs. h. 37”, w. 46‑1/2”, d. 21‑1/2” $1,000‑$1,500

722

723

259

724 Monumental American Victorian Zinc Garden Urn second half 19th century, possibly Fiske, the base with three molded storks, the upper section decorated with a border of shells alternating with lily pads. h. 49‑1/2”, dia. 42” $1,800‑$2,500

725 Pair of Gothic-Style Cast Iron Garden Benches after a 19th-century French design, the backs modeled as quatrefoils and arches, the seats cast in a honeycomb pattern. h. 33‑1/2”, w. 55‑1/2”, d. 20” $1,000‑$1,500

724

726 American Late Victorian Mahogany Writing Desk fourth quarter 19th century, attributed to R. J. Horner, New York, the tooled leather-inset rectangular top with a molded edge and rounded corners, both sides fitted with drawers with carved lion’s head pulls and a cabinet door, each corner leg with a carved stylized lion ending in a carved paw foot. h. 30‑1/4”, w. 55”, d. 34” $2,500‑$4,000

726

260

725

727 Impressive Art Nouveau Bronze and Stained Glass Electrolier ca. 1900, Continental or American, the upper portion of the nine-light electrolier with swirling Art Nouveau flowers, with matching flowers on the downturned electric sockets, fitted with art glass shades, the upturned gas jets molded as morning glories, the swirling Art Nouveau leaded panels depicting foliage and flowers. h. 59‑1/2”, dia. 40” $5,000‑$8,000

729

729 Late 19th-Century Brass Electrolier possibly American, with a hammered spherical standard, fitted with brass scrollwork, the downturned electric sockets with pink satin glass shades, the upturned gas jets with pink satin candle-like sleeves and ruffled pink bobeches. h. 44”, dia. 26‑1/2” $1,000‑$1,500 727

728 Pair of Handsome Art Nouveau Bronze and Stained Glass Sconces first quarter 20th century, American or Continental, the Art Nouveau-style backplates molded with lotus flowers, the shade holders molded with leaves and set with paneled shades set with striped polychrome stained glass shades; en suite with previous lot. h. 12”, w. 17”, d. 5‑1/2” $1,500‑$2,500 728

261

730 Impressive American Aesthetic Copper-Washed Brass Gasolier late 19th century, the corona with sprays of prisms, the scrollwork standard hung with prisms, the pierced chandelier ring pierced with spherical prisms, the scrolled arms with spherical prisms and sprays of prisms. h. 51”, dia. 46” $1,000‑$1,500

731

732 Late Victorian Marquetry-Inlaid Ebonized Cabinet fourth quarter 19th century, the top with inlaid burlwood banding and bird’s-eye edge molding, over a slightly recessed center with a banded marquetry frieze over a door with two panels with Adamesque inlay, over a pair of contrasting inlaid light wood panels, flanked by fluted brass columns and projecting glazed doors, raised on turned feet. h. 42‑1/2”, w. 62”, d. 18” 730

$1,200‑$1,800

731 American Bronze Rococo Revival Gasolier mid-19th century, probably Archer and Warner, Philadelphia, the four-light gasolier with a fluted standard terminating into a vasiform element with cabochons and scrollwork, the pierced gas arms decorated with dragons and scrolls, the bottom with a tapered finial. h. 52”, dia. 28” $1,000‑$1,500

262

732

733 American Renaissance Revival Brass and Metal Hall Lantern fourth quarter 19th century, decorated with standing griffins on the frame and brass drops molded with griffins, the frame with molded and incised Eastlake decoration, with a period engraved cylindrical shade and smoke bell. h. 48‑1/2”, w. 17” $1,000‑$1,500 734 Cornelius and Baker Patinated Metal and Polished Bronze Gasolier second quarter 19th century, Philadelphia, the four-light gasolier with arms resembling classical oil lamps, the standard with gilt-bronze leaves and square medallions, set with marked gas keys and cut and engraved gas shades. h. 38”, dia. 28” $1,000‑$1,500

733

735

735 American Aesthetic Movement Ebonized Occasional Table fourth quarter 19th century, the rectilinear top over a pierced foliate-carved frieze, over a platform with a pair of carved deer, raised on carved paw feet. h. 32‑1/2”, w. 21”, d. 16” $1,000‑$1,500

734

263

737 American Neo-Grec Bronze Gasolier third quarter 19th century, the fluted standard mounted with lotus leaves, the pan mounted with anthemia alternating with gas arms, decorated with reeding and Greek keys, with a cone-form pendant finial. h. 32”, dia. 23” $1,000‑$1,500 738 American Neo-Grec Bronze and Opalescent Glass Gas Hall Light third quarter 19th century, set with a ribbed bell-form opalescent shade, the frame decorated with pierced anthemia, the upper frame with a Greek wave motif. h. 38”, dia. 9‑1/2” $1,000‑$1,500 737

739 Rare Aesthetic Copper-Painted Pool Table Chandelier third quarter 19th century, the finial decorated with incised medallions, the arms with dark painted fluting. h. 41‑1/2”, w. 53” $1,000‑$1,500

739 738

736 Fine Sypher & Co., New York, Marquetry-Inlaid KidneyForm Desk late 19th/early 20th century, the shaped inset leather top in a line-strung and satinwood-banded frame, the conforming case of double-pedestal form, each with a bank of four bowfront drawers with urn and vine inlay in the manner of Robert Adam, and flanked by bellflower-inlaid pilasters, raised on line-inlaid tapering feet, the bottom of a drawer retaining a paper label “Sypher & Co. New York”. h. 30”, w. 59”, d. 27” $1,000‑$1,500 The Sypher firm manufactured furniture of the highest quality, as well as retailing antiques and fine Edwardian and Continental furniture.

264

736

740

740 After Frederic Sackrider Remington (American, 1861‑1909) "Bronco Buster" "Cheyenne" pair of patinated bronzes 20th century, each with cast signature along base. former h. 24", w. 14", d. 7"h., latter h. 20", w. 22-1/2", d. 6-1/2 $1,000‑$1,500

741

741 American Aesthetic Movement Walnut Side-Lock Chest fourth quarter 19th century, the upper top with a rectilinear mirror supported by a carved and reeded frame, the case with a projecting drawer over three drawers, all with burlwood faces, and secured by a pivoting pilaster, the drawers joined by Knapp Patent Dovetails, the back retaining a paper label, “Sumner A Kingman Wholesale & Retail Dealer Cabinet Furniture... New York”. h. 74”, w. 34‑1/2”, d. 20” $1,000‑$1,500 742 American Rococo Revival Brass Gasolier mid-19th century, the fluted standard decorated with ram’s heads supporting swags of flowers over a fluted lower portion, the three arms decorated with scrollwork alternating with pierced anthemia. h. 42”, dia. 24‑1/2” $1,000‑$1,500 742

265

743 Unusual Bronze Gasolier late 19th century, probably American, with a twisted and reeded standard with piercework ball and ball finial, the scrolled arms decorated with conforming mounts h. 37‑1/2”, dia. 30” $1,000‑$1,500

744 George Rodrigue (American/Louisiana, 1944‑2013) “Paint Your Wagon” oil on canvas signed lower left and signed, titled and artist stamp en verso.

Framed.

18” x 24”, framed 22” x 28” $18,000‑$25,000 743

744

266

745 Noel Rockmore (American/Louisiana, 1928‑1995) “Allan Jaffe on Tuba, Preservation Hall”, 1964 oil on masonite signed and dated lower left and titled en verso, “Upbeat for Old Jazz” reprinted article from Business Week, 1964 en verso.

Framed.

20” x 15”, framed 29‑1/4” x 24‑1/4” $2,000‑$4,000 746 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Church”, 1961 oil on wood panel signed and dated lower left and illegibly titled lower right.

Framed.

9‑1/2” x 12”, framed 16‑3/4” x 18‑1/2” $1,000‑$1,500 747 Alberta Kinsey (American/New Orleans, 1875‑1952) “Still Life of Daisies in a Green Vase” oil on canvas affixed to masonite signed lower left.

Framed.

18” x 22‑1/2”, framed 21‑3/4” x 26‑1/4”

745

$1,000‑$1,500

746

747

267

748 Louis Oscar Griffith (American/Indiana, 1875‑1956) “Along the Creek, Nashville, Ind” oil on canvas board signed lower right, signed and a “Hoosier Salon Exhibition” label with artist and title en verso.

Framed.

16” x 20”, framed 21‑1/2” x 25‑1/2” $1,500‑$2,500

748

749 Robert Rucker (American/Louisiana, 1932‑2001) “Homestead on the Bayou” oil on canvas signed lower right, verso with “Gilley’s Gallery, Baton Rouge, LA” label.

Framed.

18” x 24”, framed 21‑1/2” x 27‑1/2” Provenance: Gilley’s Gallery, Baton Rouge, Louisiana; Private collection, New Orleans, Louisiana. $1,000‑$1,500

749

750 Robert Rucker (American/Louisiana, 1932‑2001) “Steamboat on the Mississippi” oil on canvas signed lower right, verso with “Gilley’s Gallery, Baton Rouge, LA” label.

Framed.

18” x 24”, framed 21‑1/2” x 27‑1/2” Provenance: Gilley’s Gallery, Baton Rouge, Louisiana; Private collection, New Orleans, Louisiana. $1,000‑$1,500

268

750

751

751 Walter Inglis Anderson (American/Mississippi, 1903‑1965) “Oysters” watercolor and graphite on paper unsigned, a “Robert Thompson Fine Arts, Little Rock, Arkansas” label with artist and title en verso.

Matted, glazed and framed.

11” x 8‑1/2”, framed 21‑1/4” x 17‑1/2” Provenance: Robert Thompson Fine Arts, Little Rock, Arkansas; Private Collection. $8,000‑$12,000

269

752

752 William “Bill” Traylor (American/Alabama, ca. 1854‑1949) “Four Figures and Basket in Blue” pencil, tempera and conte crayon on cardboard unsigned, “Gallery Ricco/Maresca, New York” and “Carl Hammer Gallery, Chicago” labels with artist and title en verso.

Framed.

11” x 11”, framed 18‑3/4” x 18‑1/4” Provenance: Gallery Ricco/Maresca, New York, New York; Carl Hamer Gallery, Chicago Illinois; Private Collection $40,000‑$70,000

270

271

753 Clementine Hunter (American/Louisiana, 1886/87‑1988) “It was a Day in Spring when I Painted This” oil and graphite on paper monogrammed mid-left and titled en verso.

Matted, glazed and framed with a title plaque.

11” x 15”, framed 18‑1/2” x 22” $3,000‑$5,000

753

753 Elemore Madison Morgan, Jr. (American/Louisiana, 1931-2008) "Untitled 13692 (Flowers in Pots)" gouache on paper monogramed lower right, verso with "Arthur Roger Gallery" label.

Glazed and framed.

32" x 20", framed 37-3/4" x 25-1/4" $5,000‑$8,000

754

272

755

755 Herman Leonard (American, 1923‑2010) "Charlie Parker & Dizzy Gillespie, NYC", 1949 "Miles Davis, NYC", 1948 "Charlie Parker, Miles Davis, Allen Eager & Kai Winding, Royal Roost, NYC", 1948 collection of three silver gelatin prints each signed lower right and titled and dated lower left.

Unframed.

11” x 14” $2,000‑$4,000 "I saw photographing jazz artists as a visual diary of what I was hearing. I wanted to preserve the mood and atmosphere as much as possible. My goal was to capture these artists at the height of their finest creative moments…The thrill of actually being there has never left me."

Herman Leonard as interviewed by Marc Myers/JazzWax October 9, 2009 Herman Leonards’s black and white photographs of mid-century jazz musicians in New York and Paris and their rapt audiences have had an indelible effect on American musical culture. His intimate images of these iconic performers, many of whom became close personal friends, were the result of a fortuitous combination of circumstances; Leonard was shooting in smokedrenched clubs during actual sessions, with only two small portable strobe lights for illumination. To be as un-intrusive as possible during these live performances and rehearsals, he would place the lights behind or to the sides of the figures and shoot only a small number of frames. The resulting photographs revel in the interplay of light and shadow, which is only enhanced by the smoky atmosphere and the sparse overhead lighting of the clubs.

While the above described process would seem to allow the artist little control over the final composition, Leonard was unerringly able to predict the best moment to take his shot.

Leonard opened his first studio in Greenwich Village in 1948.

An avid admirer of jazz music, he convinced the owners and managers of the local clubs to allow him free access to the performances in exchange for the use of his photos for promotional purposes. He spent some time in Paris, before moving to New Orleans in 1992, where he was to remain until Hurricane Katrina destroyed his home and thousands of his silver gelatin prints.

Keith Thursby, “Herman Leonard Dies at 87”, The Los Angeles Times, August 16, 2010 Margalit Fox, “Herman Leonard Dies at 87”, The New York Times, August 17, 2010

273

756

756 Herman Leonard (American, 1923‑2010) “Diahann Carroll, Duke Ellington & Louis Armstrong, Paris”, 1960 “Louis Armstrong, Paris”, 1960 “Duke Ellington, Paris”, 1958 collection of three silver gelatin prints all signed lower right, titled and dated lower left.

Unframed.

16” x 20”; 11” x 14” $2,000‑$4,000

757 Herman Leonard (American, 1923‑2010) “Ella Fitzgerald with Duke Ellington, Benny Goodman & Richard Rogers, NYC”, 1949 silver gelatin print signed lower right, titled and dated lower left.

Unframed.

11” x 14” $1,000‑$1,500

757

274

This photograph shows Ella Fitzgerald singing on stage at the Downbeat Club in New York, with the adoring Duke Ellington in the crowd. Herman Leonard remembering the moment he captured this image, stated on jazzwax.com “It was (Ella Fitzgerald’s) birthday party, I believe she was turning 31, and she was singing at New York Down Beat for people she loved most.”

758 Herman Leonard (American, 1923‑2010) “The Spirit of New Orleans”, 2001 silver gelatin print signed lower right, titled, dated and localized “New Orleans” lower left.

Unframed.

14” x 11” $2,000‑$4,000 “The Spirit of New Orleans” is one of the most iconic images of Leonard’s New Orleans period. It captures Michelle Gibson dancing during the performance of “A Creole Mass”, composed by Wardell Quezergue at St. Louis Cathedral in 2001 and produced by Bubby Valentino.

758

275

759 William Tolliver (American/Mississippi, 1951‑2000) “The Serenade” pastel on paper signed lower right.

Framed. sight 37‑1/2” x 23‑3/4”, framed 52” x 36‑1/2” $2,000‑$4,000

759

760 Michael Ledet (American/Louisiana, b. 1941) “Barads #3” acrylic on canvas signed, verso with “The Glade Gallery, New Orleans, LA” label.

Thin gallery frame.

46‑1/4” x 28”, framed 47” x 28‑3/4” Provenance: The Glade Gallery, New Orleans, Louisiana; Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $1,000‑$1,500

276

760

761

761 George Rodrigue (American/Louisiana, 1944‑2013) “Paul Revere”, 2000 acrylic on canvas signed lower left.

Framed.

36” x 48”, framed 40” x 52” Rodrigue: The Sanders Collection (New Orleans: Rodrigue Studio, 2015), pp. 32-33, 200 $60,000‑$90,000

277

762 Ida Rittenberg Kohlmeyer (American/Louisiana, 1912‑1997) “Untitled: Striae Series”, 1972 oil and mixed media on linen signed and dated lower right.

Glazed and framed.

24‑1/2” x 34‑1/2”, framed 29‑1/4” x 39‑1/4” $4,000‑$7,000

762

763 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Two Figures”, 1970 oil on canvas signed and dated mid-right, a “Bienville Gallery, New Orleans” label with artist en verso.

Matted, glazed and framed. sight 8‑1/2” x 7‑1/2”, framed 17‑1/2” x 14‑1/2” $1,000‑$1,500

763

278

764 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Don Carmelo Camiruga Antes Legionorio y Hoy Tronte e Vindes”, 1966 oil on wood panel signed and dated mid-right and titled upper left.

Presented in a thin gallery frame.

15‑1/2” x 18‑1/4”, framed 16‑1/2” x 19” $3,000‑$5,000

764

765 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Don Jacinto da Nino y Silva Torero Portugues”, 1969 oil on canvas signed and dated lower left, titled lower right.

Framed.

29‑1/2” x 22‑3/4”, framed 38” x 31‑1/2” $5,000‑$8,000

765

279

766 Hunt Slonem (American, b. 1951) “Healer, Dr. Gregorio Hernandez”, 1986 oil on canvas signed, dated and titled en verso.

Framed.

84” x 72”, framed 88” x 75‑3/4” Provenance: Private collection, Connecticut.

Illustrated in Donald Kuspit, Hunt Slonem: An Art Rich and Strange (New York: H. N. Abrams, 2002), p..... $12,000‑$18,000

766

Dr. Gregorio Hernandez, a pivotal recurring figure in Hunt Slonem’s art of the mid-1980s and 1990s, was a Venezuelan doctor, who died in 1919 after being hit by a car while bringing a sick patient medicine to his home. A devout Roman Catholic, who gave alms and spiritual guidance to the poor, he became revered in death as a “saint”. His name is invoked for healing purposes, and miracles are believed to have occurred after praying for his intercession to God. The Roman Catholic Church has honored him with the title “Venerable”, and since 1949 he has been in the process of beatification.

As a contemporary “saint”, he is worshipped as a spiritual healer, who communes with people and animals, syncretizing Maria Lionza- the Mother/Goddess of nature in indigenous faiths in Central America- with Roman Catholicism. Dr. Gregorio has been a wellspring for songs and native art, and is readily identified through both Venezuelan edifices and art by his iconic suits,

280

mustache and boller hat.

His shaman-like persona equally inspired Slonem, who was drawn to the figure as a medium of transcendence for his own art through which his innermost beliefs are channeled, imbuing images with metaphysical meaning. Animals, monkeys in this painting, commune with the healer, creating a constellation around the Doctor that radiate against the gold ground, redolent of Byzantine icons, framing the Doctor in an Apotheosis as he levitates upward from the bottom of the painting. Regarding Dr. Gregorio, Slonem said, “I have chosen to paint him a lot because I like the fact that he’s this great metaphysician….who is always in a suit, tie, and pants....He is also contemporary which is meaningful since most people think saints or saintly powers were to the time of Christ”.

This large scale painting is historically significant, since it was the impetus for the artist’s South American-inspired , spiritual artistic explorations.

281

767

767 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Tablon Primo De La Autentica Historia De La Nina (Hoy Adulta), Rosita Camargo”, 1966 oil on canvas signed and dated upper right.

Presented in a thin gallery frame.

48” x 42”, framed 48‑3/4” x 42‑1/2” $8,000‑$12,000

282

768

768 James Michalopoulos (American/Louisiana, b. 1951) “Sunflowers” oil on canvas signed lower left.

Thin gallery frame.

58‑3/4” x 39”, framed 60‑3/4” x 40‑3/4” $4,000‑$7,000

283

769 Louise Guidry (American/Louisiana, b. 1930) “One Day in April” acrylic on gallery-wrapped canvas signed lower right.

36” x 36” $1,200‑$1,800

769

770 Louise Guidry (American/Louisiana, b. 1930) “Reflecting Back” acrylic on masonite signed lower left.

Unframed.

36” x 36” $1,200‑$1,800

770

284

771 Louise Guidry (American/Louisiana, b. 1930) “Rhythmic Repetition” acrylic on gallery-wrapped canvas signed lower right.

36” x 36” $1,200‑$1,800

771

772 Hunt Slonem (American, b. 1951) “Red Flight”, 2006 oil on canvas signed, titled and dated en verso.

Unframed.

48” x 36” $6,000‑$9,000

772

285

773 Antique Turkish Silk Carpet 4’ 2” x 6’ $1,000‑$1,500

774 Antique Oushak Carpet 5’ 3” x 8’ 3 $1,000‑$1,500

773

774

775 Semi-Antique Heriz Carpet 7’ 9” x 10’ 7” $1,500‑$2,500

286

775

776

776 Antique Mahal Carpet 7’ x 13’ 8” $5,000‑$8,000 777 Semi-Antique Karaji Runner 3’ 2” x 10’ 9” $1,000‑$1,500

777

287

778 Antique Serapi Carpet 9’ 11” x 12’ 9” $4,000‑$7,000

778

779 Semi-Antique Isfahan Carpet signed.

9’ 6” x 12’ 10” $8,000‑$12,000

288

779

780 Antique Oushak Carpet 10’ x 13’ 4” $5,000‑$8,000

781 Antique Feraghan Sarouk Carpet late 19th century.

8’ x 10’ 4” $1,200‑$1,800

782 Heriz Carpet 8’ 2” x 11’ 10” $1,400‑$1,800

780

781

782

289

783

784

783 Turkish Oushak Carpet 12’ x 15’ 2” $1,500‑$2,500 784 Semi-Antique Heriz Carpet 7’ 10” x 10’ 11” $1,500‑$2,500 785 Antique Oushak Carpet 9’ 6” x 13’ $10,000‑$15,000

785

290

786 Antique Oushak Carpet 9’ 10” x 12’ $7,000‑$10,000 787 Semi-Antique Malayer Carpet 3’ 6” x 15’ 11” $1,000‑$1,500 788 Antique Oushak Carpet 10’ 4” x 14’ $12,000‑$18,000

786

788

787

291

790 789

789 French Belle Epoque Bronze Chandelier first quarter 20th century, the six-light chandelier with a central frame, reeded and decorated with sprays of laurel leaves, over a molded bronze urn, set with leaf-molded and scrolled arms, each set with two sockets and mounted with ruffled and engraved cut glass shades. h. 28‑3/4”, dia. 19” $1,000‑$1,500 790 Continental Bronze Two-Light Lamp ca. 1900, molded as a young woman holding two enormous flowers, each pierced and concealing a light socket. h. 19”, w. 10‑1/2”, d. 5”

791

$1,500‑$2,500 791 Contemporary Galvanized Iron and Marble-Top Center Table the circular specimen marble top with various marbles in the pattern of a rose window, raised on four supports centered by a ball finial and ending in upturned toes. h. 29‑1/2”, dia. 48” $3,000‑$5,000

292

791 detail

792 Art and Crafts Patinated Bronze, Glass and Marble Terrarium

by Friedrich Gornik (Austrian, 1895-1925), cast as a girl attending her flock of geese, on a mottled green marble base, with glass sides, signed near her feet. h. 20‑1/2”, w. 30”, d. 18‑1/2” $2,500‑$4,000 793 Louis Icart (French, 1888‑1950) “Mimi” and “Minuet” two drypoint etchings with aquatint both hand-signed lower right, blind stamped lower left and with copyright information upper left.

Each handsomely matted, glazed and framed. sights 20‑5/8” x 13‑3/4” and 21‑1/2” x 14‑1/2”, framed 37” x 30” and 35‑3/4” x 29‑1/2”

792

$1,000‑$1,500

793

794

794 Continental Carved Alabaster of “Pan and Nymph” first quarter 20th century, the Greek god of the wild playing the pipes to an enraptured nymph, incised “Henry” along back. h. 15‑1/2”, w. 9‑1/2”, d. 6‑1/2” $1,000‑$1,500

793

293

795 American Brass and Glass Electrolier first quarter 20th century, the seven-light electrolier with a faceted standard supporting scrolled arms, three electric and three gas, over a faceted umbrella-form textured milk glass shade, the edges set with polychrome glass beading, with an electric socket in the center. h. 41”, dia. 20” $1,000‑$1,500 796 American Brass Five-Light Chandelier first quarter 20th century, the molded brass canopy supporting brass light sockets, suspended on molded chains, the sockets set with handsome Quezal gold and white iridescent glass shades. h. 47”, dia. 18” $1,000‑$1,500

795

797

797 Modern Brushed Steel and Granite Side Table the circular stone top on a tripodal base with ungulate-form legs on hoof feet. h. 21”, dia. 16” $1,000‑$1,500

796

294

798 Pair of French Porcelain, Gilt-Bronze and Marble Cachepots on Stands 20th century, the hexagonal black-glazed cachepots flecked with gilt and raised on gilt-bronze bases, with spurious Sevresstyle marks on the bottom, on black marble bases. h. 25‑1/4”, w. 15”, d. 15” $1,000‑$1,500 799 Charming Gilt-Bronze and Patinated Metal Table Lamp second quarter 20th century, possibly Caldwell, New York, with three patinated metal circus elephants standing on a molded gilt-bronze platform, with a tasseled and fringed curtain on top, mounted with a fringed and pleated shade. h. 23‑1/4”, dia. 15”

798

Provenance: Collection of Leon Amar, Palm Beach, Florida. $2,000‑$4,000 800 Pair of Polychrome Bookcases in the Georgian Taste each with a molded and dentillated cornice above three open shelves, the lower section fitted with two paneled cupboard doors, on a plinth base. h. 87”, w. 45‑1/2”, d. 20‑1/4” $1,000‑$1,500 799

800

295

801 Pair of Continental Bronze Horse-Head Andirons first quarter 20th century, on ogee bases, with iron rear billet bars, the horses with a brown patina. h. 16”, w. 6‑1/4”, d. 9” $1,000‑$1,500 802 American Silverplate and Crystal Chandelier first quarter 20th century, the support ring hung with prisms and mounted with crystal spears, strings of glass drops hung from the glass canopy. h. 47”, dia. 19” $1,000‑$1,500

802

801

804

803 Pair of Modern Brass and Chromed Steel Etageres each with five rectilinear glass shelves supported by tubular columns joined to square shelf supports by polished brass fittings. h. 72”, w. 31”, d. 15” $1,400‑$1,800 804 Sixteen St. Louis Crystal Goblets in the “Cosmos Gold” Pattern 20th century, French, engraved with roundels and trimmed in gilt. h. 8‑3/4” $1,000‑$1,500

296

803

805 Contemporary Brushed Steel and Polished Brass Tea Cart with three plate-glass shelves, the ends with curved arms supporting brass handles with acorn-form finial ends. h. 31”, w. 41”, d. 23‑1/2” $1,000‑$1,500

806 Lalique Clear and Frosted Glass “Deux Poissons” Sculpture the base engraved “Lalique France”. h. 11‑1/4”, w. 10‑1/2”, d. 5‑1/2” 806

$1,000‑$1,500

807 Contemporary Faux Tortoise and Bronze-Inset Coffee Table the circular top supported by four stylized supports and mounted to a shaped shelf below. h. 22”, dia. 40‑1/4” $1,000‑$1,500

807

808 Maison Bagues-Style Bronze Faux-Bamboo Coffee Table French, with a smoky mirrored top, splayed feet and crossed stretchers. h. 16”, w. 48”, d. 17” $1,200‑$1,800

805

808

297

809 Modern Polychromed Aluminum Five-Piece Dining Suite second half 20th century, attributed to Thinline of California, comprised of a table, h. 27”, dia. 50‑3/4”, and four chairs, h. 29”, the table with an inset circular glass top, and the chairs of klismos form, now fitted with a back cushion and loose seat cushion. $1,000‑$1,500

810 Pair of Metal Box Planters of Classical Inspiration 20th century, with ball finials on the corners and X-shaped supports on the sides. h. 19‑1/2”, w. 18‑1/2”, d. 19‑1/2” $1,000‑$1,500 811

811 Unusual French Silver-Plated Chandelier first quarter 20th century, the five-light chandelier with a standard molded with fringe and tassels, the arms with gargoyles supporting reeded drip pans, their feet grasping the lower pan. h. 24”, dia. 20” $1,000‑$1,500

810

809

298

813

813 Raynaud “Byzance” Platinum and Gold Partial Dinner Service 1980s, Limoges, France, with encrusted gilt and platinum borders, the service consisting of twenty-one dinner plates, dia. 10‑1/2”, seventeen salad/dessert plates, dia. 7‑1/2”, thirteen flat cups, h. 2‑1/4”, and thirteen saucers, dia. 6”. $1,200‑$1,800 814 Continental Black-Lacquered and Parcel-Gilt Bombe Commode first half 20th century, the shaped top over three conforming drawers and raised on short scrolled legs. h. 32”, w. 47‑1/2”, d. 23” $1,200‑$1,800

812

812 French Patinated Bronze Figure of “Victory” 20th century, the figure holding a garland of flowers and perched on a black and gold marble spherule, the whole resting on a marble base. h. 17”, w. 10”, d. 6‑1/2” $1,000‑$1,500

814

299

815 Pair of French Gilt-Bronze Sconces third quarter 20th century, each having a leaf-molded backplate terminating in scrollwork, and fitted with seven beaded and leaf-molded arms set with lily-form candle cups and cut glass prisms hanging from glass star medallions. h. 19”, w. 18‑1/2”, d. 13‑1/2” $1,000‑$1,500 816 Suite of Twelve Mid-Century Fruitwood Dining Chairs third quarter 20th century, comprised of two armchairs and ten side chairs, each with a back modeled as joined leaves, with upholstered back and seat cushion, raised on neoclassically inspired fluted front legs with foliate-carved tops. h. 44‑1/2”

815

$1,500‑$2,500 817 Continental Mahogany Dining Table the circular top banded and bi-sected to accommodate two leaves, raised on a bi-sected square standard to a concave square base, raised on brass banded feet. h. 30”, dia. 60” $1,000‑$1,500 818 Italian Mid-Century Modern Lacquered Cocktail Table

817

attributed to Mario Quarti, ca. 1930-1950, the rectangular top mounted to four square tapered legs joined by shaped stretchers. h. 15”, w. 65”, d. 26‑1/4” Provenance: Fred Silberman Antiques, New York. $1,500‑$2,500 818

300

816

819

819 detail

819 Pedro Friedeberg (Mexican, b. 1936) “Hand Chair” carved wood signed in interior of base. h. 35‑1/2”, w. 18”, d. 20” Provenance: Collection of Leon Amar, Palm Beach, Florida. $6,000‑$9,000

301

820 Jean Cocteau (French, 1889‑1963) “Visage, Orphee a la Lyre”, 1959 pastel on paper signed lower right.

Matted, glazed and framed.

22‑1/4” x 15”, framed 31‑5/8” x 24‑7/8” Provenance: Collection of Leon Amar, Palm Beach, Florida.

Accompanied with a copy of a letter of authenticity issued

by Christian Dermit. $1,500‑$2,500

821 Interesting Chrome and Leather Writing Desk in the manner of Jacques Adnet, the top and drawers upholstered in tan leather, the drawer pulls in the form of a belt buckle, mounted to a chrome base. h. 29‑1/2”, w. 48”, d. 20” $2,000‑$4,000

820

821

302

822

822 Suite of Four Contemporary Biedermeier-Style Mahogany Armchairs

823 Christian Liaigre for Holly Hunt “Pirogue Bench” 1990s, hand-finished dark oak, the underside stamped “Christian Liaigre/pour/Holly Hunt”. h. 14‑1/2”, w. 70”, d. 14‑1/2”

each of gondola form, the concave backs extending to open arms on scroll supports, with saber-form front legs, upholstered in gold brocade. h. 34‑3/4”

$1,500‑$2,500

$1,000‑$1,500

823

303

824 Mariano Fortuny for Pallucco, Italy, Floor Lamp after the original 1907 design, with adjustable fabric shade and adjustable metal tripod base. h. 74”, w. 36” Provenance: Ray Langley Interiors, New Orleans, Louisiana. $1,200‑$1,800 "It is not the quantity, but the quality of light, that makes things visible" - Mariano Fortuny An artist, set designer and textile manufacturer, the prodigiously talented Mariano Fortuny was born in Granada in 1871, and made Venice his permanent home in 1889. Fortuny first created his namesake lamp in 1907, and it continues to be just as iconic and contemporary today as it was when initially produced. Conceived as a means for a new system of indirect lighting for the stage, the inspiration for the base of the lamp was a camera tripod with its adjustable central leg. For the lampshade, Fortuny inverted the usual shape, allowing for the shade to be manipulated as an adjustable tool to direct the light. Pallucco has continuously produced the Fortuny lamp since 1985 in several variants.

824

825 John Kearney (American, 1924‑2014) “Horse”, 1972 steel car bumpers initialed and dated at proper right flank. h. 48”, w. 48”, d. 16” $5,000‑$8,000

825

304

826 Mid-Century Modern Suite of Garden Furniture second half 20th century, comprised of a table, h. 29‑1/4”, dia. 48”, and four armchairs, h. 30”, the circular table with a strapwork top, the supporting pedestal with four legs, the chairs of spring steel, the straps extending to create the rolled arms and back, the wrought iron tubular legs joined by a box stretcher. $1,200‑$1,800

827

827 Pair of Asian-Inspired Metal Planters 20th century, with tapered sides and strap-mounted ring pulls, the bottoms with drainage holes. h. 23‑1/2”, w. 23”, d. 23” $1,000‑$1,500

828 Pair of Asian-Inspired Metal Planters 20th century, with tapered sides and strap-mounted ring pulls, the bottoms with drainage holes. h. 23‑1/2”, w. 23”, d. 23” $1,000‑$1,500 828

826

305

829 Werner Drewes (American, 1899‑1985) “Untitled Composition” oil on canvas signed lower left.

Framed.

25‑1/4” x 20‑1/4”, framed 30‑3/4” x 25‑3/4” $5,000‑$8,000

830 Kenneth Stubbs (American, 1907‑1967) “Provincetown”, 1960 oil on canvas signed and dated lower right.

Framed.

9‑1/2” x 13”, framed 14‑1/4” x 18” $2,000‑$4,000

829

830

306

831

831 Victor Khromin (Russian/American, 1948‑2015) “By the Window”, 1992 mixed media on canvas signed, titled both in Russian and English, and dated en verso.

Framed.

32” x 40”, framed 41” x 49” $3,000‑$5,000 832 Victor Khromin (Russian/American, 1948‑2015) “Reflections #1”, 1998‑2009 acrylic on handmade paper signed, titled, dated and further inscribed en verso.

Glazed, float-mounted and framed.

25” x 33‑1/2”, framed 37‑1/2” x 45‑1/2” $1,000‑$1,500 832

307

833 John von Wicht (German/American, 1888‑1970) “Still Life with Pitcher, Pear and Other Kitchen Miscellany” oil on canvas signed lower right.

Framed.

24” x 18”, framed 30‑3/4” x 25‑1/4” $1,000‑$1,500

833

834 Joseph Solman (Russian/New York, 1909‑2008) “Still Life with Encrier and Pipe” oil on canvas monogrammed lower right.

Framed.

12” x 24”, framed 14‑3/8” x 26‑3/4” $1,000‑$1,500

834

835 Henri Malvaux (French, 1908‑1994) “Still Life with Pear and Eggs” oil on canvas signed lower right.

Framed.

13” x 21‑5/8”, framed 19‑1/4” x 26” $1,000‑$1,500

308

835

836 Romeo Tabuena (Filipino/Mexican, 1921‑2015) “The Village People” oil on board signed and dated lower left.

Framed.

18‑1/4” x 24‑14”, framed 19‑1/4” x 25‑1/2” $1,500‑$2,500

836

837 Ira Moskowitz (Polish/New York, 1912‑2001) “The Rooftop Garden”, 1966 oil on canvas signed and dated lower right.

Framed.

35‑1/2” x 46”, framed 42” x 53” $1,200‑$1,800

837

838 David Burliuk (Ukrainian/New York, 1882‑1967) “Young Peasant Leading the Cow Out to Pasture” oil on canvas signed lower right.

Framed.

10” x 12”, framed 14‑3/8” x 16‑1/8” $1,500‑$2,500

838

309

839 Marcel Vertes (French, 1895‑1961) “Tete Ronde” oil on canvas signed upper right.

Framed.

Together with Claude-Roger-Mark’s book, Variations...by Vertes.

16” x 13”, framed 25” x 22” Provenance: Collection of Leon Amar, Palm Beach, Florida.

Literature: Lithograph after painting illustrated in ClaudeRoger-Mark’s book, Variations...by Vertes (Greenwich: New York Graphic Society, 1961) no. 111. $1,000‑$1,500 839

840 Peter Agostini (American/New York, 1913‑1993) “Untitled”, 1950 bronze numbered “4/7” and dated on self-base. h. 6‑1/2”, w. 3”, d. 2” $1,000‑$1,500

840

310

841 Alex Katz (American, b. 1927) “The Emperor Jones” color silkscreen signed and numbered “51/60”.

Unframed.

60” x 32” $1,800‑$2,500 842 Romare Bearden (American/North Carolina, 1911‑1988) “Stomp Time” color lithograph signed and numbered “156/175” lower left.

Float-mounted, glazed and framed.

24” x 34”, framed 36‑5/8” x 46‑1/2” $1,000‑$1,500

842

841

843 Gronk Nicandro (American, b. 1954) “Fertile Landscape”, 1996 and “Salad Days”, 1998 color woodcuts on handmade paper pencil-signed and dated lower right.

Glazed, float-mounted and framed.

24” x 24”, framed 33‑1/2” x 33‑1/2” $1,000‑$1,500

843

311

845

844 Hunt Slonem (American, b. 1951) “Lady Gouldians”, 2003 oil on board signed, titled and dated en verso.

Framed.

24‑1/2” x 17‑3/4”, framed 29‑1/2” x 23‑1/2” $3,000‑$5,000

845 Malou Flato (American, b. 1953) “China Bench” watercolor on paper signed lower right, titled lower left.

Glazed, float-mounted and framed.

8‑1/2” x 36‑3/4”, framed 16‑1/2” x 45‑1/2” $1,000‑$1,500

844

312

846 Manuel Perez Coronado (Mexican, 1929‑1970) “Young Girl Resting by Stoop”, 1960 “Young Boy with Broom”, 1960 pair of oils on board former signed and dated lower right, latter signed and dated upper right.

Framed alike. each 18” x 12”, framed 24” x 18” $1,000‑$1,500 847 Yoshitomo Nara (Japanese, b. 1959) Untitled Double-Sided Drawing 846

marker on paper, and color pencil on paper one side with stylized figure paddleboarding, with TOKYO to upper right corner, signed and dated 2001 below, the reverse with stylized figure in yellow robe and hat with inscription below.

8” x 11‑3/4” Provenance: Gifted directly from the artist to the current owner. $1,000‑$1,500 848 Malou Flato (American, b. 1953) “China Bench” watercolor on paper signed lower right, titled lower left.

Glazed, float-mounted and framed.

8‑1/2” x 36‑3/4”, framed 16‑1/2” x 45‑1/2” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $1,000‑$1,500

847

848

313

849 Sandy Chism (American/Louisiana, 1957‑2013) “Swan Song”, 1998 oil and mixed media on masonite signed, dated, and titled en verso.

Unframed.

12” x 16” $1,000‑$1,500 850 Wook-Kyung Choi (Korean, 1940‑1985) “Untitled”, 1970s 849

oil on canvas unsigned.

Unframed.

41” x 56” Provenance: Estate of the artist. $1,000‑$1,500 851 Richard Stout (American/Texas, b. 1934) “Untitled”, 1977 oil on canvas signed and dated en verso.

Framed.

50” x 72”, framed 54” x 76” $2,500‑$4,000

850

314

851

852 Antique Shirvan Carpet 4’ x 5’ 5” $2,000‑$4,000 853 Peshawar Sultanabad Carpet 8’ 6” x 11’ 11” $1,200‑$1,800 854 Pair of Turkish Angora Oushak Runners each 2’ 6” x 12’ $1,000‑$1,500

852

853

854

315

855

856

855 Laristan Hajalili Tabriz Carpet 9’ 10” x 14’ 1” $1,800‑$2,500 856 Antique North West Persian Carpet 3’ 2” x 8’ 2” $1,000‑$1,500 857 Irish Donegal-Style Carpet signed “FA” on back.

9’ 1” x 11’ 10” $1,800‑$2,500

316

857

858 Semi-Antique Heriz Carpet 8’ 7” x 11’ 11” $1,000‑$1,500 859 Semi-Antique Bakhtiari Carpet 6’ 9” x 9’ 1” $1,000‑$1,500 860 Turkish Oushak Carpet 9’ x 12’ $1,000‑$1,500

858

859

860

317

862

861

861 Pair of Peshawar Kazak Runners 2’ 7” x 13’ 4” and 2’ 7” x 13’ 5” $1,400‑$1,800 862 Persian Pictorial Carpet 9’ 10” x 12’ 6” $1,500‑$2,500 863 Semi-Antique Turkish Carpet 8’ 4” x 11’ 7” $1,200‑$1,800 863

318

864 Agra Serapi Runner

866 Uzbek Kazak Carpet

2’ 6” x 21’ 7”

9’ 9” x 12’ 3”

$1,000‑$1,500

$1,000‑$1,500

865 Laristan Sultanabad Carpet 9’ 1” x 12’ $1,000‑$1,500

865

864

866

319

867 Napoleon III Giltwood Mirror third quarter 19th century, with a beaded surround framing the inner, beveled mirror plate, the outer surround framed with molded leaves and buds, the crest with swags of molded flowers framed with rococo C-scrolls, flanked by pierced, molded leaves, the corners with shells and pierced scrollwork. h. 74‑1/2”, w. 46” $2,500‑$4,000

870

869 Transitional Louis XV/XVI Kingwood, Mahogany and Marble-Top Commode mid-18th century, the rounded rectangular marble top above a conforming case fitted with four long drawers, all banded and with chevron veneers, raised on shaped feet to sabots, signed "GH LUTZ" (Gerard-Henri Lutz, French, maitre en 1766). along back top edge, old handwritten label at backh. 36", w. 51", d. 24" Provenance: Lucullus, New Orleans, Louisiana. $6,000‑$9,000 870 French Brass Electrolier 867

the twelve-light electrolier with a ball-shaped standard mounted with swags and scrolled gas arms, alternating with tulip-molded and pierced electric sockets, the bottom with a pierced, molded finial. h. 41”, dia. 32‑1/2” $1,000‑$1,500

868

868 Handsome Napoleon III Pierced Gilt-Bronze Jardiniere with lion’s-headed monopodia forming the feet on the four corners, and egg-and-dart upper edge, the sides decorated with delicate scrollwork and flowerheads, the front and back with pierced anthemia. h. 7”, w. 22‑1/2”, d. 14‑1/2” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,500‑$2,500

320

869

871 Louis-Philippe Giltwood Overmantel Mirror mid-19th century, with an arched top, the outside edge with molded acanthus leaves, the crest with a pierced oval frame of a vase of flowers, flanked by angels and pierced scrollwork. h. 66‑1/2”, w. 47‑1/2” Provenance: Collection of Reuben L. “Buzz” Harper, Natchez, Mississippi. $1,400‑$1,800 872 Napoleon III Parcel-Gilt and Ebonized Walnut Center Table third quarter 19th century, the top with a molded edge and rounded ends, over a conforming apron in rosewood veneers with a Neo-Grec classical plaque, raised on turned legs with carved swags and tassels, joined by stretchers in the Renaissance Revival taste. h. 29‑3/4”, w. 45‑1/2”, d. 25‑1/2” $1,000‑$1,500 871

872

873 Impressive Pair of French Gilded Age Giltwood Mirrors

873

fourth quarter 19th century, in the Louis XV taste, the oval-form mirrors decorated on the outside with boldly molded rocaille work and sprays of flowers, the lower edge with a pierced anthemion, the segmented mirrored inner edge framed with cabochon molding, with oval paterae covering the seams. h. 58‑1/2”, w. 40‑1/2” $2,500‑$4,000 874 Napoleon III Boullework, Glass and Gilt-Bronze Cave a Liqueur third quarter 19th century, French, the serpentine-fronted case decorated with a grid of brass inlay, and fitted with a lift-out tray set with gilt-bronze hardware, retaining four decanters and sixteen matching liqueur glasses, the lock signed “Th Annee 22 R. CHAPON”. h. 17”, w. 13”, d. 10” $1,000‑$1,500 874

321

875 876

875 Louis-Philippe Rosewood, Burl Wood and Marble-Top Commode mid-19th century, the inset rounded rectangular top above a conforming case fitted with a bi-paneled drop-front secretary drawer, opening to an inset leather writing surface and four small drawers, over two paneled cupboard doors, raised above a shaped apron on scrolled feet. h. 39‑1/2”, w. 51”, d. 21‑1/2” $1,000‑$1,500

876 French Belle Epoque Bronze Chandelier first quarter 20th century, the four-light chandelier with a quiver-form standard, rising up to a sunburst corona, the leafmolded arms with eagle-head finials and downturned light sockets mounted with engraved art glass shades. h. 31”, dia. 21” $1,000‑$1,500

877 French Giltwood Mirror in the Rococo Taste fourth quarter 19th century, with an arched crest and cut corners, the exterior lined with gadrooning, the crest decorated with pierced scrollwork and rocaille work, and the lower edges of each side with pierced scrollwork. h. 50”, w. 33” $1,200‑$1,800

322

877

878 Napoleon III Bronze and Specimen Marble-Top Figural Side Table late 19th century, the inlaid circular marble top resting on the cast bronze figural standard, supported by three feline-cast legs ending in paw feet. h. 27‑1/2” $2,500‑$4,000

879 Continental Ruby Overlay Glass Chandelier 20th century, the bronze-mounted six-light chandelier with Brilliant-style cut decoration with an inverted trumpet-form top and a matching lower pan, the bronze arms set with matching ruby overlay cut glass shades, hung with strands of red glass drops from the corona and swags of drops from the arms. h. 28”, dia. 29” $2,000‑$4,000 879

878

878 detail

323

880 Monumental Ruby Overlay Glass and Bronze Epergne 20th century, Continental, with ruby cut-to-clear glass in the tapered standard, the compotes and the sweetmeat baskets, the base supported on paw feet with molded scrollwork supporting the standard, the central bowl with a pierced, downturned rim. h. 41”, dia. 30‑1/2” $2,000‑$4,000 881 Pair of French Gilt-Bronze-Mounted Ruby Overlay Glass Palace Urns 20th century, in the Belle Epoque style, the ruby-plated and cut-to-clear glass urns with glass covers with bold coneform knops, the handles decorated with female masques, flowerheads and pierced scrollwork, on lotus-molded feet. h. 42”, w. 16” $2,500‑$4,000

880

882

882 Napoleon III Boulle Center Table late 19th century, the top of tortoise form, inlaid with brass and tortoiseshell, the ebonized frame with a single frieze drawer, raised on cabriole legs with figural bronze mounts. h. 30”, w. 53‑1/2”, d. 33” $1,500‑$2,500 881

324

884

883

883 French Giltwood “Porthole” Mirror fourth quarter 19th century, with a gadrooned edge, set with an oval beveled mirror plate, the corners decorated with acanthus leaves and trimmed in beading. h. 39‑1/2”, w. 33‑1/2” $1,000‑$1,500 884 French Belle Epoque Gilt-Bronze Chandelier fourth quarter 19th century, the eight-light chandelier with a quiver-form standard terminating in feathers, the gas arms on two levels, the upper arms with putti supporting the gas jets, hung with strands of bronze bellflowers, set with art glass shades. h. 57”, dia. 23” $1,000‑$1,500 885 Moroccan Carved, Painted and Gilded Ceiling Panel 19th century, with a gilded circular carved gadrooning and inner chip-carved medallions, painted with a red ground, flowers, leaves and swirls, with raised corners painted to match. h. 82”, w. 82” $1,000‑$1,500

885

325

886 Moroccan Inlaid Mirror 20th century, the rectangular mahogany mirror with a pierced crest flanking a mother-of-pearl-inlaid roundel, over a panel of incised Middle Eastern script, the mirror framed with panels of turnings alternating with panels of bone inlay, set with a beveled mirror plate. h. 61‑1/2”, w. 36‑1/2” $1,000‑$1,500 887 North African Fruitwood Bench 20th century, the long padded seat flanked by a tall side piece inset with pierced spindled panels with mother-ofpearl accents, raised above a paneled apron on bracketed legs, headed by spindled panels and ending in bun feet. h. 37”, w. 53”, d. 15” $1,000‑$1,500 888 KPM-Style Porcelain Plaque of “Odaliske” post-1914, German, depicting a well-painted Turkish dancing girl, the back marked “Made in Germany” and “Odaliske Nach Sidiel”, in a scroll-decorated giltwood frame, possibly original. plaque h. 7‑3/4”, w. 5‑1/2”, overall h. 15”, w. 12‑1/2” $1,000‑$1,500

886

887

326

888

889 Pierre Guillaume (Dutch, b. 1954) “The Hunt” oil on canvas signed lower right, signed and titled en verso.

Framed.

30‑1/4” x 42‑1/2”, framed 34‑3/8” x 47‑1/2” $1,500‑$2,500

889

890 Evelio Garcia Mata (Cuban/New York, 1908‑1984) “Galloping Stallions”, 1960 oil on coarse linen signed and dated upper right.

Framed.

38‑1/4” x 45”, framed 45‑1/4” x 52‑3/8” $1,000‑$1,500

890

327

891 James Miller (British, b. 1962) “Classics on the Solent” oil on canvas signed lower left.

Framed.

24” x 30”, framed 29‑1/2” x 35‑1/2” $3,000‑$5,000

891

892 Niek van der Plas (Dutch, b. 1954) “Beach Scene” oil on beveled wood panel signed lower right, signed en verso.

Framed.

24‑1/4” x 28‑5/8”, framed 30‑1/2” x 36” $2,500‑$4,000

892

893 Niek van der Plas (Dutch, b. 1954) “Picnic in Vondelpark, Amsterdam” oil on beveled wood panel signed lower right, signed and titled en verso.

Framed.

10” x 12”, framed 18” x 19‑5/8” $1,200‑$1,600

328

893

895

894 Assembled Chinese-Style Carved Hardwood Six-Piece Bedroom Suite

894 six piece suite

second half 20th century, comprising a bed, h. 72”, outer l. 91”, outer w. 87”, inner l. 67”, inner w. 49”, a mirrored vanity desk, h. 69‑1/2”, w. 55”, d. 30”, with chair, h. 41‑1/2”, w. 23”, d. 18‑1/2”, two chests of drawers mounted with mirrors, h. 71‑1/2”, w. 41‑1/4”, d. 23‑1/2” and h. 75‑3/4”, w. 49‑3/4”, d. 21”, and a night stand, h. 29‑1/4”, w. 21”, d. 18‑3/4”, all densely carved in relief with various designs of dragons, birds and blossoming orchids and foliage. $1,500‑$2,500 895 Continental Ormolu-Mounted Porcelain Vase first quarter 20th century, possibly Samson, of baluster form, having a domed cover with broad lip, decorated to the exterior with blossoming flowers amid other foliage on a terrace, mounted on an ormolu base, with maker’s mark to the base. h. 24”, dia. 8‑1/2” $1,000‑$1,500 896 Chinese Famille Rose Porcelain Plaque first quarter 20th century, late Qing/early Republic period, the circular plaque painted with a scene of a river meandering through mountains, with a boat, pagoda top, and figure in the foreground, with a calligraphic inscription to the upper right, mounted within a hardwood frame carved with butterflies and flowers. plaque dia. 10”, framed h. 13‑3/4”, w. 12‑1/2”

896

$1,000‑$1,500

329

897 Chinese-Style Tropical Hardwood Altar Table mid-20th century, the rectangular top with an unusual bow front, having a carved and pierced apron with a scrolling stylized cloud design, raised on four block legs. h. 36‑1/2”, w. 70”, d. 31‑1/4” $1,500‑$2,500

898 Chinese Carved White Marble Figure of Guanyin fourth quarter 19th/first quarter 20th century, depicted seated on rockwork, with one arm draped across her raised knee, holding a flower in her left hand, adorned in traditional robes and headdress. h. 21”, w. 11”, d. 8” $2,500‑$4,000

899 Chinese Porcelain Baluster Vase

898

20th century, having a heavily gilded, polychrome exterior mounted with Kui dragon handles, decorated with two central circular panels depicting a five-claw dragon and phoenix with a flaming pearl, surrounded by ruyi clouds, the underside fully decorated with floral sprays on a yellow-ground, centered by an apocryphal four-character Kangxi mark. h. 19‑3/8”, w. 8‑3/4” $1,000‑$1,500

899

330

897

901

900 Pair of Chinoiserie Polychrome Armchairs

901 Pair of French Signed Henri Picard, Enamel and GiltBronze Cachepots

20th century, each with a pierced patterned faux bamboo back, joined by like-patterned arms to the removable caned seat, raised on ring-turned circular legs joined by an H-form stretcher, the whole with polychrome chinoiserie accents. h. 38”

fourth quarter 19th century, the enamel decorated with flowers in the Aesthetic taste, mounted with eagle-head handles grasping rings, the top and base molded with piercing, on square molded feet, stamped on the inside rim, “H. Picard 45”, for Henri Picard, founder and gilder working in Paris from 1831‑1864. h. 10‑1/4”, dia. 10”

$1,000‑$1,500

$3,000‑$5,000

900

331

ARTIST INDEX | MAY 18-19, 2019 Adams, Wayman Elbridge 649

Dutch School 601

Agostini, Peter 840

Dutch/Continental School 386

Aivazovsky, Ivan Konstantinovich (circle of) 142

Flato, Malou 845, 848

Anderson, Walter Inglis 751

Friedeberg, Pedro 819

Anglade, Gaston 152

Gainsborough, Thomas (circle of) 277

Anglade, J. M. G. 647

Gall, Francois 251

Attendu, Antoine Ferdinand 149

Garrido, Eduardo Leon 654

Bartolena, Giovanni 146

Gillot, Eugene Louis 247

Bearden, Romare 842

Gott, Joseph 16

Behrendt, Friedrich (attributed to) 151

Goupil, Jules Adolphe 196

Benson, Ambrosius (follower of) 617

Griffith, Louis Oscar 748

Berkes, Antal 246

Guidry, Louise 769-771

Blondin, Charles 252

Guillaume, Pierre 889

Bogdani, Jakob (circle of) 615

Haddon, R.B.A., Arthur Trevor 421

Bonnefoy, Henry 194

Hals, Dirck (circle of) 602

Bough, R.S.A., Samuel (attributed to) 304

Hauser, Viggo 684

British School 321, 362

Heldner, Colette Pope 682

Burliuk, David 838

Heytman, Willem 255

Cagliani, Luigi 254

Hulme, Frederick William 303

Canu, Yvonne 248-250

Hunter, Clementine 753

Caresme, Jacques-Philippe (follower of) 206

Icart, Louis 793

Cauchois, Eugene Henri 195

Italian School 170, 181

Caullet, Albert 408

Jungblut, Johann 150

Chalmers, R.S.A., George Paul (attributed to) 351

Kadar, Bela 257

Chism, Sandy 849

Katz, Alex 841

Choi, Wook-Kyung 850

Kearney, John 825

Clodion (after) 191, 192

Kennedy, Edward Sherard 309

Cocteau, Jean 820

Khromin, Victor 831, 832

Continental School 217

Kinsey, Alberta 747

Coronado, Manuel Perez 846

Kohlmeyer, Ida Rittenberg 762

Coumont, Charles 399

Ledet, Michael 761

Cundin, Jose-Maria 746, 763-765, 767

Leonard, Herman 755-758

Dantan, Edouard Joseph 290

Leroux, Gaston Veuvenot (after) 186

de Boulogne, Valentin (circle of) 611

Leslie, R.A., George Dunlop 348

Delfgaauw, Gerardus Johannes 245

MacMorris, Daniel 652

Draper, Sr., George 653

Malvaux, Henri 835

Drewes, Werner 829

Mata, Evelio Garcia 890

Dumont, Francois 416

Meeker, Joseph Rusling 659

ARTIST INDEX | MAY 18-19, 2019 Michalopoulos, James 768

Tolliver, William 759

Miller, James 891

Traylor, William ‘Bill’ 752

Millet, Clarence 681

van Damme-Sylva, Emile 397

Molinary, Andres 680

van der Plas, Niek 892, 893

Molinary, Marie Madeleine Seebold 683

van der Pol, Louis 369-371

Morgan, Jr., Elemore Madison 754

van Luppen, Gerard Jozef 148

Moskowitz, Ira 837

van Ruisdael, Jacob Isaacksz (follower of) 145

Nara, Yoshitomo 847

van Strij, Jacob 147

Nicandro, Gronk 843

Venetian School 177

Onderdonk, Julian 651

Venneman, Charles Ferdinand 415

Patterson, Ambrose 650

Vertes, Marcel 839

Pauwels, Henri Joseph 655

von Wicht, John 833

Percy, Sidney Richard 284

Walter, Christian 646

Peretti, Achille 660

Williams, Dwight 648

Pether, Sebastian (attributed to) 143 Pisarro, Hugues Claude 256 Remington, Frederic Sackrider (after) 740 Riegen, Nicolas 144 Robbe, Louis 398 Rockmore, Noel 745 Rodrigue, George 744, 760 Rossi, Lucius 200 Rucker, Robert 749, 750 Santoro, Rubens 188 Schlegel, Friedrich 193 Schouten, Henry 402, 405 Shaw, Charles S. 270 Simkins, Martha 704 Slonem, Hunt 766, 772, 844 Solman, Joseph 834

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

The Artist’s Name: In our qualified opinion, a work by the artist.

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

School of / Follower of: In our qualified opinion, a work by a follower of the artist.

Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence.

Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence.

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

After: In our qualified opinion, a copy of a known work by the artist.

Stark, Jack Gage 253

Signed: In our qualified opinion, has the signature which is that of the artist.

Stark, James 302

Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.

Steffens, Louise 291 Stevens, Will Henry 685 Stout, Richard 851 Stubbs, Kenneth 830 Tabuena, Romeo 836 Titian (follower of) 160

Dated: In our qualified opinion, is so dated and was executed on or around that date.

Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

LIST OF RECOMMENDED SHIPPERS Please note that New Orleans Auction Galleries does no packing or shipping. Our clients have successfully used the following drayage companies.

COMPANY

PHONE

EMAIL

Bayou Movers 504-228-3827 bayoumoversla@gmail.com Craters & Freighters 800-733-0310 nola@cratersandfreighters.com RB Shipping 404-524-9122 info@rbshippingllc.com The Box 504-568-0281 woodenbox@bellsouth.net N.O. Packaging & Shipping

504-885-4544

info@nolapackandship.com

Specialty Pack and Ship Co

504-304-3969

loufou@specialtypackandship.com

Pakmail 800-230-5229 pakmail493@yahoo.com Wintersteen Trucking 800-253-0617 wintersteentrucking@yahoo.com Kid Gloves 504-309-6894 tanya@lakidgloves.com UPS Store #4134 504-866-8664 store4134@theupsstore.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

Charles C. Cage Silver Specialist & Office Manager

Colleen Ryan Director of Human Resources

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie English & Continental Furniture Ira Savoie Independent Certified Gemologist Appraiser Claudia Kheel Fine Art

ADMINISTRATION Christa Ougel Denise Haik Office Administration Graphic Designer Gary Michael Gittelson Bettina Bausa Graphic Designer Photographer Grace Connors Manager of Online Auctions

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson Theadrow Mark