May 19-20, 2018 Estates Auction

New Orleans Auction galleries

M AY 1 9 - 2 0 , 2 0 1 8

Estates Auction May 19-20, 2018 10:00 a.m. CDT

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, Louisiana 70130 www.neworleansauction.com | info@neworleansauction.com | Main: 504.566.1849 | Fax: 504.566.1851 LA Auction License AB-363, Steinkamp #1265, Thomas #1833, Eichenwald #1922 | 25% Buyer’s Premium Pictured Left: Lot 208 | Front Cover: Lot 252 | Back Cover: Lot 351

Exhibition: May 7 - 18, 2018 Monday-Friday, 9:00 a.m. - 5:00 p.m.

Saturday, May 12, 10:00 a.m. - 4:00 p.m.

Evening Reception: Thursday, May 17, 2018, 5 - 7:30 p.m.

L OT S CH E D U L E Please note that times are approximate

Session I Saturday, May 19 | Lots 1-473 10:00 - 11:00

1

11:00 - 12:00

101

-

200

12:00

1:00

201

-

300

-

-

100

1:00

-

2:00

301

-

400

2:00

-

2:45

401

-

473

Session II Sunday, May 20 | Lots 474-902 10:00 - 11:00

474

-

540

11:00 - 12:00

541

-

610

12:00

1:00

611

-

710

-

1:00

-

2:00

711

-

810

2:00

-

3:00

811

-

902

Pictured: Lot 207

letter from the CeO I have a confession to share, right here, right now: I like breaking rules.

So I’m naturally drawn to fellow firebrands, especially those amongst us who go against the grain to create something better or new. Therefore, when my dear friend Sandy Barrett, who can often be found working the phone bank during most NOAG’s auctions, urged me to read Bunny Mellon: The Life of an American Style Legend, I immediately did. And I immediately loved it.

Bunny, born Rachel Lowe Lambert, was famous for being fabulously wealthy, as she was heir to the Listerine fortune and married to Paul Mellon, once ranked the fifth richest man in the world. Her pedigree and lifestyle alone made her peerless among the who’s who, but her style … her remarkable rulebending and -breaking style, now that’s what made her a legend.

The biography, written by Meryl Gordon and published last fall, gives a provocative look at how the very rich live, quirks and all. However, the center of the story is about a woman who had immeasurable wealth and how she chose to live her life, all 103 years of it.

Bunny, a truly gifted designer, let style lead her on to many notable accomplishments, including famously redesigning the White House Rose Garden under the Kennedy administration.

She also happened to be a consummate shopper (one of my favorite traits of hers!). She had a highly individualized, self-confident style, which often veered from convention, and delighted in furnishing her many homes with her finds, but not in the grand way that you would expect.

Bryan Huffman, a notable North Carolina designer and great friend of Bunny’s said, “In going to visit Bunny, you expect to come to this big mansion, and you pass one on the way ... but you drive past that one and you come to this rather modest farm house.”

Bryan recalled Bunny’s words on the topic of her style: “When you think of the Mellon’s, people probably think we live like the Queen of England, with a lot of red velvet and gilt.” But Bryan said her style was “very relaxed, with all of this great art mixed in with worn slip covers and straw matting on the floor. Her genius was that if someone was sophisticated, they understood her style.” (To learn more about Bryan, go to BryanHuffmanInteriors.com).

After talking with Bryan and reading the beautifully written book, it was clear to me that Bunny’s acumen was to ignore trends. She mixed the everyday with exquisite collectables in classically tailored interiors which will always be imperfectly perfect. That gutsy, go-for-it approach completely appeals to me and has even inspired me to rethink a few of my own rooms.

Take a page from Bunny’s book, literally, and mix things up a little in your own home, too. Marry modern pieces with antiques, but do it with intention and confidence, as Bunny did, and find your own inner devil-may-care designer style.

We are honored to offer a fine art collection from a gentleman who is also famous for his own unique design style, Leon Amar. He was once a decorator for Jansen and was a former lover of Doris Duke. Leon’s life reads like a screenplay and we invite you to learn about this fascinating gentleman in the following pages.

We are also offering the contents of Gloria Crest, a storied New Jersey mansion what was once the home of Gloria Swanson. If only walls could talk!

New Orleans Auction Galleries’ upcoming Estates Auction, Saturday, May 19, and Sunday, May 20, offers an ever-eclectic mix of art, furnishings, jewelry and more. And flipping through this catalogue, I think Bunny would agree a provincial Regence commode (lot 95, page 37) coupled with an elegant painting by Francois Gall (lot 176, page 64) or a modern abstract painting (lot 886, page 322) paired with Chinese famille jaune jars (lot 647, page 230) could be the perfect start.

Come preview the sale during our two-week exhibition, or at our Evening Reception on Thursday, May 17 between 5 p.m. and 7:30 p.m. I’ll be there, and I hope you’ll join me in raising a glass to both Bunny and Leon, and breaking rules in the name of style and beauty!

See you at the auction,

Susan D. Sarofim CEO

March Estates Auction Evening Reception Featuring a Trunk Show by Adam Lippes

Fine Art Auction Evening Reception:

Featuring Live Music from the LA Philharmonic

This Page (Left-Right): Courtney Lubin (violin), Jee Yeoun Ko (cello) and Ila Rondeau (viola) Penny Francis and Casi St. Julian Jessica Retif and Saleem Nawaz Melanie Fischmann, Joey Davis, Jasmine Meyer and Diana Eustis David Oestreicher and Angele Thompson

Opposite Page (Left-Right): Dr. Charles Post, Lee Ali, Elissa Zengel Roberta Versteeg, Henry and Rebecca Albert Susan Sarofim, Adam Lippes and Lori Sarofim Kelley Saucier, Sandra Carter-Green and Burke Lauren St. Germain and Ann Smith Adam Lippes, Julie Durkee, Taylor Eichenwald

gloria crest englewood, new jersey

Gloria Crest, a storied New Jersey mansion that was once home to Gloria Swanson, is an architectural masterpiece. The stunning exterior includes white-glazed faience blocks and a red terracotta tiled roof, while the grand interior features two wings, two towers and a breathtaking double staircase in the entry.

A 2016 article from Galerie Magazine recounts the mansion’s storied past, “It was built in 1926 by architect J. C. Hameltman, of Paterson, New Jersey, for Count Stefan de Poniatowski, heir to the Polish throne, and his American wife, Edith von Stohn, daughter of the owner of what was then the largest silk mill in the state. The house took years to build and cost $2.5 million dollars in 1926.” The von Stohn’s lost the house during the Depression when the family silk business failed. The article continues, “In 1936, Joseph P. Kennedy, Sr., Boston patriarch of the Kennedy clan, was on the board of the Lincoln National Bank of New Jersey when it repossessed the Poniatowski house. Kennedy bought it for his mistress, the actress Gloria Swanson, who lived there for six years.”

In 2000, the current owners lovingly restored and furnished the home and gardens to their original glory, acquiring pieces with stories as illustrious as the home itself. Highlights include an impressive painting by Paul Francois Quinsac, a pair of vintage Cartier vitrines and a dining room suite that once adorned the Jockey Club of Sao Paulo, Brazil and purportedly belonged to Walter Chrysler. The collection also features an impressive selection of garden furniture and sculptures, including a pair of monumental cast iron garden urns on pedestals that stand nearly 13 feet tall.

New Orleans Auction Galleries is pleased to offer antiques and fine art from Gloria Crest Mansion.

property from the collection of

le o n a m a r palm beach, florida

From a modest upbringing in Casablanca to dining with the likes of Jacqueline Kennedy, Doris Duke and Gloria Swanson, Leon Amar has been a staple of the design world and international social scene for decades. As a young boy in Casablanca, he dreamed of coming to America and ultimately left for New York in 1953.

Amar began his illustrious design career at Clarence House, New York, a leader in the decorative fabric industry and a top choice of design professionals. It was there that Amar met some of the most prominent interior decorators and their clients, such as Stephane Boudin of Jansen, Inc. and Jacqueline Kennedy.

Henri Samuel, a master decorator and former assistant to Stephane Boudin, helped Leon land a coveted position at Jansen in the late 1960s under the directorship of Carlos Ortiz-Cabrera.

James Abbott writes in Jansen, “Leon Amar, a talented designer born in Morocco, joined the firm, enhancing the modern-design capabilities of the office. Within less than a year, Jansen, Inc., had gone from almost exclusive espousal of 18th-century taste to a concentration on contemporary design.”

Amar worked closely with Ortiz-Cabrera on various projects, including the penthouse at the Crillon Hotel for Bunny Mellon and 960 Fifth Avenue for Ailsa Mellon Bruce, Paul Mellon’s sister.

According to Abbott, Jansen founder Jean-Henri Jansen “[…] redefined the profession of decorator.

The best designers operated not as servants but as social equals: dinner partners or weekend guests who maintained a keen eye for architecture, design and antiques. Jansen never decorated a house for a client, noted one employee; the firm’s staff ‘instead assisted the individual… [This] is why you rarely see a period credit assigned to a Jansen interior… We merely aided… It was not proper for one to overshadow a client.’” Amar adhered to this

philosophy and received little recognition for the projects that he worked on during and after his time at Jansen.

Actress and fashion icon Lucy Douglas “C.Z.” Guest, a Jansen client, introduced Leon Amar to tobacco heiress Doris Duke. The two were instantly enamored by one another, becoming friends and lovers. Leon left Jansen to work for Duke as the Vice President of her Southeast Asian Art and Culture Foundation (S.E.A.A.C.). He worked closely with her to open a museum dedicated to the foundation’s collection of Thai and Burmese art at Duke Farms, her family estate in New Jersey. A December 10, 1972 New York Times article reads, “Mr. Amar, who spent three months supervising the transfer of the 1,400 art pieces […] was also responsible for arranging the exhibit.” The pieces were to be transported from Hawaii to New Jersey, which was no small undertaking.

In addition to his work at the S.E.A.A.C., Amar assisted in restoring and decorating Doris Duke’s properties, including Duke Farms Residence and Gardens, Shangri La in Hawaii, Falcon Lair in Beverly Hills (the former home of Rudolph Valentino and Gloria Swanson) and Rough Point in Newport, Rhode Island (formerly the mansion of Frederick Vanderbilt and now an historic museum).

Duke and Amar travelled the world together. A June 7, 1973 article from the Daily News titled “Docking with Baby Doc” offers a glimpse into this world. The article reads, “Jackie and Ari Onassis along with Caroline and John Kennedy, Geraldine and Andrew Fuller, tobacco heiress Doris Duke and Leon Amar all flew to Oliver Coquelin’s Habitation Leclerc in Haiti to spend a week at that hotel and pick up the yacht Christina O. The stunning party is dividing its days between Leclerc, once Pauline Bonaparte’s mansion, and the Onassis floating palace, complete with an El Greco, round pool and mosaic bidets.”

Above: Living Room of Leon Amar's New York Apartment (from Jansen). Below: Leon Amar's Palm Beach Library Years later, Amar was in Marrakech to decorate a palace for a Spanish banker. The job fell through and he ended up meeting his future wife, Charlotte Igoe. Charlotte was one of the earliest fashion models to be photographed rather than sketched and appeared in numerous ads in high-profile publications such as Mayfair, Town & Country and Vogue. After Igoe’s first husband, newspaper publisher and oil and gas executive Francis X. Murphy, died in 1958, she became the first woman newspaper publisher in Canada.

When her second husband, James V. Igoe, died in 1989, she assumed his seat on the New York Stock Exchange. Leon and Charlotte were married for 27 years.

New Orleans Auction Galleries is pleased to offer fine art from the collection of Leon Amar, including works by Dietz Edzard. Drawn to the impressionistic qualities of the artist’s work, Amar’s eye for style is evident in his collection.

session i Saturday, May 19, 2018 10:00am CDT Lots 1-473

Lot 217

1 Follower of Jan Davidsz de Heem (Dutch/Belgium, 1606‑1684) “Still Life of Flowers in a Glass Vase and a Catepillar” oil on canvas unsigned.

Presented in a carved wood frame.

30” x 25”, framed 37” x 33” $1,000‑$1,500 2 Follower of Jan Davidsz de Heem (Dutch/Belgium, 1606‑1684) “Floral Still Life in a Glass Vase” oil on canvas unsigned.

Framed.

22” x 18”, framed 29” x 24”

3 one of two

$1,000‑$1,500 3 Continental School (18th Century) “A Pair of Still Lifes with Flowers and Exotic Birds” two oval oils on canvas unsigned.

Presented in matching carved and polychrome frames. each 38” x 30‑3/4”, framed 42‑1/2” x 34‑3/4”

3 two of two

$3,000‑$5,000

1

2

2

4 Manner of Jan Dircksz Both (Dutch/German, 1615/18‑1652) “Figures and Livestock by the Sea” “Figures and Livestock near a Castle” pair of oils on wood panel each unsigned, frame backing on one with vintage gallery/auction catalogue description.

Framed alike. each 10‑1/4” x 14‑3/8”, framed 15‑3/4” x 19‑3/4” $1,000‑$1,500 4 one of two

5 Continental School (18th Century)

4 two of two

5

“Landscape with Figures, Boats and a Castle in the Distance” oil on canvas unsigned.

Framed.

29‑1/2” x 45‑1/2”, framed 36‑1/2” x 52” $1,000‑$1,500 6 V. Bianchini (Italian, 19th Century) “Susanna and the Elders” oil on canvas signed lower left, titled, signed and further inscribed en verso.

Presented in a handsome giltwood and gesso frame.

43‑1/2” x 57‑1/4”, framed 58” x 71‑1/2” $1,000‑$1,500 6

3

7 After Artus Wolfaerts (Flemish, 1581‑1641) “Mary Magdalene Anointing Christ’s Feet”, a detail oil on canvas Framed.

36‑1/2” x 49‑3/4”, framed 44‑1/4” x 58‑1/4” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $1,500‑$2,500

8 Italian School (18th Century) “Sybil”

7

oil on canvas unsigned.

Framed.

27‑3/4” x 20‑3/4”, framed 35‑1/2” x 29‑1/2” $1,000‑$1,500

9 Follower of Claude Vignon (French, 1593‑1670) “Offerings from the Kingdom to the Queen”, third/fourth quarter 17th century oil on wood panel unsigned.

Framed.

27‑3/8” x 39‑1/4”, framed 34‑1/2” x 46‑3/4”

10 8

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $2,000‑$4,000

10 French School (19th Century) “Madonna” oil on canvas unsigned.

Framed.

16” x 12‑3/4”, framed 21‑1/2” x 18” $1,000‑$1,500 9

4

11

Flemish Jesuit Cornelius a Lapide (1567‑1637) studied philosophy, humanities and theology in Maastricht and Cologne, entered the Society of Jesus in 1592 and was ordained in 1595. He was professor of Holy Scripture in Leuven from 1596 to 1616 and thence to the Roman College in the same capacity until his death.

Much of his tenure in Rome, however, was devoted to his Great Commentary on Holy Scripture. The first two volumes - on the Pauline Epistles and the Pentateuch - had been completed in Flanders, and he would finish commentaries on nearly all the books of the Old and New Testaments and Deuterocanonicals in Rome. He lived to see several editions of his earlier volumes, but the sheer scope of the work prohibited its publication during his lifetime, and the complete text was not published until the decade after his death. (Nor did he live to finish commentaries on Job or the Psalms; the Great Commentary is canonically completed with commentaries by Balthasar Cordier (1592‑1654) and St. Robert Bellarmine (1542‑1621), respectively.)

The ambitious exegesis - at once scholarly and personal - is expansive in its survey of the four classical methods of textual interpretation: literal, allegorical, tropological and anagogical. It has been republished several times in every century since it was written, and its status as one of the most important works of Biblical scholarship of the Counter-Reformation may be judged by its wide appeal among both Catholics and Protestants; indeed, the first complete English translation was overseen by Anglican clergyman Thomas W. Mossman (1826‑1885).

11 detail

11 Cornelius a Lapide (Flemish, 1567‑1637), Great Commentary 17th century, Antwerp, an assembled partial set in nine volumes, with six first editions, including: Pauline Epistles (Martin Nuyts II heirs and Jan van Meurs, 1617‑22?)

Major Prophets I (Martin Nuyts III & brothers, 1621), first edition Major Prophets II (Martin Nuyts III & brothers, 1622), first edition Minor Prophets (Martin Nuyts III, 1625), first edition Catholic Epistles (Martin Nuyts III, 1627), first edition Solomonic Books I (Martin Nuyts III, 1635), first edition Solomonic Books II (Jacob van Meurs, 1670) Four Evangelists (Jacob van Meurs, 1670) Historical Books I (Jan van Meurs, 1642) , first edition Demy folio, most in period tooled leather-covered wood boards, one in vellum, one in pigskin, two in late 19th-century American half leather.

Detailed bibliographic descriptions available on request. approximately 14” x 9‑1/2” Literature: Sommervogel 1511‑1522, passim. $1,000‑$1,500

The various owners’ statements and stamps show an impressive provenance for this set. The earliest dated (1640) autograph statements tie some of the volumes to the Corsendonk Priory, founded in 1393 by Maria, daughter of the Duke of Brabant. The Priory was noted for its scriptorium and library, and one volume here has written the name of Fr. Johannes Hoybergius, who compiled an inventory of Priory library manuscripts in 1633, served as prior from 1642 and finished the history of the monastery begun by former prior Johannes Latomus (1520‑1578) - Corsendonca - in 1644; he died in 1647. The Priory was closed by Emperor Joseph II in 1785, and the property seized and sold during the failed Brabant Revolution subsequent to Napoleonic occupation. Nearly a century later, the Corsendonk and other volumes found their way into the library of the Rev. Fr. John Baptist Eis (1845‑1922), the German-born pastor of the Sacred Heart parish in Columbus, Ohio, from its formation in 1875 until his death in 1922. (Eis had been a chaplain in the Franco-Prussian War, after which he taught in Blois, where he may have obtained the Corsendonk volumes; two other volumes bear binder’s labels for late 19th-century Columbus bindery The Ruggles-Gales Company, suggesting that Father Eis obtained - or at least re-bound - some volumes in the United States.) The set next passed to the Society of the Divine Word in Bay St. Louis, Mississippi, which had founded there in 1923 St. Augustine’s Seminary: the first Catholic Seminary in the United States for African Americans. The set at the time was still used for theological instruction, as evidenced by the contemporary library markings, pockets and cards.

Thus is the importance of this work documented in the signs and marks left by its readers, recording three centuries of study by Catholic clergy.

5

12 19th-Century Dutch Bible with Silver Clasps Amsterdam: Nederlands Bijbel Co., n.d. [ca. 1839], duodecimo, in full brown leather with embossed imbrication, the spine with raised bands, the edges cut and gilt, the head and tail edges with embossed decoration, with marbled endpapers, fitted with openwork silver clasps decorated with biblical figures. h. 6‑1/8”, w. 3‑7/8”, d. 2‑1/2” $1,200‑$1,800

12

14

13 Italian Stained Fruitwood Cabinet late 19th century, the molded, domed and dentillated cornice surmounted by a foliate crest over a putti medallion-carved frieze, with two cupboard doors below, each paneled and with, respectively, a high-relief shield and sword bearing figure, over a single drawer, joined by scrolling supports and a lionmasque-carved backpiece to the heavily molded base. h. 87‑1/2”, w. 38”, d. 18” $2,000‑$4,000 14 Florentine Giltwood Mirror in the Baroque Taste mid-19th century, Italian, with an inner liner carved with flowerheads and leaves, the outer frame carved with pierced scrollwork and leaves. h. 35”, w. 30” $1,000‑$1,500 13

6

15 Cast Iron Figures of 'Day and Night' second half 19th century, after Michelangelo di Lodovico Buonarroti (Italian, 1475‑1564), from The Tomb of Giuliano de Medici, possibly used as chenets. h. 24‑1/2”, w. 24‑1/2”, d. 12” $2,000‑$4,000 16 Two Italian Baroque Carved Walnut Cabinets 18th century, the larger one with carved and dentillated crown molding above a single drawer and flanked by carved masques, above a framed and paneled door flanked by figural pilasters and raised on a cut-out molded base, h. 35”, w. 29”, d. 12”, and the other with a deep overhanging dentillated top above a pair of paneled and inlaid doors and a scalloped base, h. 22‑1/2”, w. 27”, d. 18”.

15

$1,000‑$1,500 17 Pair of Italian Faux Marbre and Mahogany Pedestals 19th century, each with a rectangular top with projecting front, above a tapering paneled standard fronted by a lion’s masque and imbricate-carved upright, raised on a molded socle base. h. 56‑1/2”, w. 19‑1/4”, d. 23” $2,500‑$4,000

16

18

18 Pair of Handsome Molded Brass Garnitures fourth quarter 19th century, now mounted as lamps, the Baroque-form molded brass urns decorated with flowerheads, scrolls and fluting, on a wooden backing. overall h. 20‑3/4”, w. 13‑1/4”, d. 6‑3/4” $1,000‑$1,500 17

7

19

19 Unusual Pair of Italian Neoclassical Painted Trumeau Mirrors ca. 1900, each with a painted mahogany finish, the lower plate flanked with rounded pilasters with carved capitals, the top panel painted and parcel-gilt with incised Florentinetype decoration depicting lovebirds and serpents framed with scrollwork and flowers. h. 74‑1/2”, w. 42‑1/2” $5,000‑$8,000 20 Pair of Italian Giltwood Carvings mid-20th century, now mounted as lamps on acrylic bases, the carving depicting flowers and leaves. overall h. 23”, w. 15”, d. 6” $1,000‑$1,500 20

88

21 Collection of Ten Carved Wood Altar Sticks late 18th/early 19th century, Continental, including giltwood, silver-gilt and bluepainted examples. h. 16‑1/2” to 38‑1/2”, dia. 4‑1/4” to 7” $1,000‑$1,500 22 Grotto-Style Mahogany Center Table the shaped circular top carved to simulate waves and raised on three seahorse supports and a central dolphin-carved standard, to carved bases. h. 31”, dia. 39‑1/2” Provenance: Ex-collection Imelda Marcos.

21

$1,500‑$2,500

22

23 Grotto-Style Argente Armchair early 20th century, the shell-form back joined by dolphin arms to the like seat, raised on legs carved to simulate coral and ending in splayed feet. h. 34” $1,000‑$1,500

23

9

27

26

25 24

24 Italian Polychrome Side Table

26 Baroque Carved and Painted Putto

in the grotto taste, the canted rectangular top raised on a seaweed-modeled support centered by a carved shell, raised on a molded base. h. 48”, w. 37‑1/2”, d. 12‑1/2”

ca. 1700, possibly Italian, the figure wearing a feathered skirt and standing amid boldly carved and pierced scrollwork. h. 17‑3/4”, w. 16”, d. 6‑1/2”

$2,000‑$4,000

$1,200‑$1,800

25 Continental Carved Wooden Winged Angel Head

27 Pair of Italian Carved and Stained Wooden Figural Brackets

19th century, gazing heavenward with a beatific expression, retaining minor remnants of gesso. h. 19”, w. 24‑1/2”, d. 9‑3/4”

fourth quarter 19th century, with carved angel backplates supporting shell-carved shelves. h. 15‑1/2”, w. 15‑1/2”, d. 9‑1/2”

$1,000‑$1,500

$1,000‑$1,500

10

28 Pair of Bronze and Wrought Iron Andirons fourth quarter 19th century, Italian, in the 17th-century manner, on arched, scrolled bases, the standard decorated with bronze finials in the form of putti playing pipes, with bronze ram’s heads holding rings mounted below. h. 31‑1/2”, w. 14‑1/2”, d. 25” $1,200‑$1,800

29 detail

29

29 Impressive Italian Renaissance Revival Walnut Cabinet fourth quarter 19th century, the shield-form crest flanked by putti and further flanked by winged eagle finials, above a dentillated and garlandcarved frieze with two glazed doors below, flanked by canted figural uprights, over a single drawer with a lion’s masque and putti on a floralcarved background, the sides glazed, raised on scroll-carved feet. h. 105”, w. 67”, d. 27” $2,500‑$4,000 28

11

30 Italian Hand-Painted Majolica Covered Urn fourth quarter 19th century, the polychromedecorated urn supported on a base molded with three dolphins, the main body featuring peasants toiling in a field with Mount Vesuvius on one side and Middle Eastern traders with their camels on the other, the leaf-molded, scrolled handles and cover decorated with putti. h. 38”, w. 20”, d. 12” $1,000‑$1,500 31 Pair of Venetian-Style Polychromed Cabinets each with a serpentine top with canted corners, over a conforming case with a drawer over a paneled door, scalloped apron and shaped legs. h. 39”, w. 32”, d. 20‑1/2” $1,000‑$1,500 32 Capodimonte Polychrome Porcelain Floor Lamp first quarter 20th century, Italian, the standard decorated with relief-molded classical Dionysian figures supported by molded putti, alternating with polychrome anthemia and leaves with gilt, striped segments, with a crimson and gilt bell-form shade, marked on the edge of the base. h. 35‑1/2”, dia. 11” $1,500‑$2,500

32 detail

32

31 30

12

33 Nicholas Briganti (American/Italian, 1861‑1944) “Venetian Canal Scene with Gondoliers” oil on canvas signed lower right.

Framed.

20” x 30”, framed 25‑1/2” x 35‑1/2” $1,000‑$1,500

33

34 Louis Edward Herzog (American, 1868‑1943) “Venetian Canal Scene” oil on canvas signed lower right.

In an antique giltwood frame.

29‑1/8” x 39‑3/8”, framed 43‑1/4” x 54” $1,000‑$1,500

34

13

35 Nine-Piece Venetian Giltwood Parlor Suite late 19th century, including a settee, h. 54”, w. 73”, d. 28”, a pair of fauteuils, h. 47”, and six side chairs, h. 43‑1/4”, with padded shieldform backs surmounted by militaristic crests of crossed battle axes centered by a helmet, with padded arms on eagle-head hand rests to the generous shaped and padded seat, raised on cabriole legs ending in foliate scrolled toes. $3,000‑$5,000

35 nine-piece suite

35 nine-piece suite

35 nine-piece suite

14

36 Pair of Baroque Giltwood Garnitures ca. 1700, Italian, of urn form and carved with scrollwork, the central panels painted with horizontal russet lines. h. 17‑3/4”, w. 8”, d. 5” $1,000‑$1,500 37 Pair of Large Italian Giltwood Sconces mid-20th century, in the regency style, the threelight sconces on swag and tassel backplates supported on bowknots decorated with displayed eagles on Corinthian capital plinths, the spiralreeded candle arms supporting giltwood candle cups and drip pans, mounted with carved medallions on gilt wire scrolls. h. 48‑1/2”, w. 17”, d. 11” $1,000‑$1,500

37

36

38 Italian Rococo Giltwood and Faux Marbre Side Table 19th century, the shaped faux marbre top above a conforming foliate-carved frieze centered by a shield carving, raised on scrolling legs headed by deeply carved floral capitals, joined by an urncentered X-form stretcher and ending in foliate scrolled toes. h. 36‑1/2”, w. 50”, d. 21” $1,000‑$1,500

38

15

39 Giuseppe Gustavo Scoppa (Italian, 1856‑1940) “Messina” and “Naples from Posillipo” pair of gouaches on paper each titled lower bottom, the second signed lower left.

Matted, glazed and framed alike. each 18‑1/2” x 27”, framed 26” x 35‑1/2” $1,500‑$2,500 40 Pair of Baroque Giltwood Sphinxes on Reliquary Bases 18th century, probably Italian, the bases with bas-reliefcarved shells and scrollwork, with reliquary apertures, the female sphinxes with characteristics of Franco/Roman work. h. 13”, w. 12‑1/4”, d. 5‑1/2”

39 one of two

$1,000‑$1,500

40 39 two of two

41 Pair of Italian Walnut and Marble-Top Bombe Commodes early 19th century, each with a shaped marble top above a conforming bombe case fitted with two drawers, each banded, the sides banded en suite, raised on cabriole legs. h. 30”, w. 32”, d. 15” $1,000‑$1,500

41

16

43

42 Venetian Fruitwood Canape

43 Suite of Four Venetian Parcel-Gilt Side Chairs

early 19th century, the shaped, domed and padded back surmounted by a foliate shell-carved crest, joined by padded outswept arms to the shaped cushioned seat, raised above a shell-carved apron on cabriole legs ending in foliate scrolled toes. h. 42”, w. 77”, d. 27”

late 18th century, each with a padded rounded back within a foliate-carved frame, surmounted by a foliate shell crest, the padded seat raised on molded cabriole legs ending in scrolled toes. h. 41” $1,200‑$1,800

$2,000‑$4,000

42

17

44 Unusual Venetian Carved Blackamoor with a Mirrored Fan first quarter 20th century, on a pierced, gilt-trimmed pedestal, the female figure dressed in a polychrome and gilt-painted shawl trimmed with fringe, and holding a large scalloped and mirrored fan to reflect her face. h. 74‑1/4”, w. 22”, d. 14‑3/4” $1,500‑$2,500 45 Carved and Painted Overmantel Mirror 20th century, in the Italian rococo taste, the frame robustly carved with scroll and rocaille work, the crest decorated with a hand-painted bucolic scene with figures in 18th-century costume, resting with sheep and freshly harvested wheat. h. 39”, w. 55”

46

$1,000‑$1,500 46 Italian Rococo-Style Polychromed, Parcel-Argente and Onyx-Top Console Table the serpentine onyx top over a shell- and foliate-carved apron, raised on cabriole legs with shell and bellflower carving above the knees and carved feet on pads. h. 38‑1/2”, w. 52”, d. 26” $1,000‑$1,500

45

44

18

47 Italian Plaster and Faux Marbre Fireplace Surround early 20th century, the thick molded deck integral to the whole, the scalloped apron face under the shelf with a central cherub bust and flanked by figural standards on each side. overall h. 49”, w. 61”, d. 16”; opening h. 35”, w. 44” $3,000‑$5,000 48 Giuseppe Pastina (Italian, 1863‑1942) “Italian Landscape with Figures on the Shores of a Lake” oil on canvas signed lower center.

Framed.

29” x 39”, framed 41” x 51” $5,000‑$8,000

48

47

19

49 Italian Rococo-Style Parcel-Gilt and CremePeinte Sofa the scalloped crest rail extending to closed arms and a deep, concave seat rail, now upholstered in floral and foliate brocade on a gold ground. h. 44”, w. 79”, d. 35” $1,200‑$1,800 50 Pair of Venetian Creme-Peinte and Parcel-Gilt Side Chairs late 18th century, each with a domed and foliatemodeled crest above a padded back, the padded seat raised above a dentillated and foliate-carved apron on like-carved cabriole legs ending in scrolled toes. h. 41” $1,000‑$1,500

50

49

20

51 Italian Carved Marble Statue of an Odalisque fourth quarter 19th century, the Turkish dancing girl with a bare midriff, a scarf in her hand, her skirt hung with jangling coins, with well-carved palmettos in the background. h. 36‑1/2”, w. 12”, d. 15” $2,500‑$4,000 52 Italian Walnut Chest early 19th century, the rectangular top with decorative banding, above a case fitted with four drawers, all banded and with scroll inlays, the sides banded en suite, raised on scrolling bracket feet. h. 33‑1/4”, w. 25‑1/2”, d. 15‑1/2” $1,500‑$2,500 53 Pair of Italian Walnut Commodes early 20th century, each with a stepped, shaped and banded top above a conforming bombe case fitted with two banded drawers, raised on cabriole legs headed by bellflower carving and ending in Flemish toes. h. 28”, w. 25”, d. 14‑1/2” 51

$1,200‑$1,800

52

53

21

54 Suite of Four Continental Baronial-Style Armchairs early 20th century, each with a tall, padded rectangular back joined by acanthine-carved downswept arms to cherub-masque hand rests, the padded seat over a deep, padded apron, raised on square legs ending in gilt foliate scrolling feet. h. 59” $1,200‑$1,800 55 Giltwood and Gilt-Metal Chandelier in the Baroque Taste 20th century, the twelve-light chandelier with a turned and carved vasiform standard set with metal candle arms on two tiers, ornamented with leaves and scrolls and set with turned wooden candle cups and drip pans. h. 34”, dia. 38”

55

$1,200‑$1,800 56 Giltwood and Gilt-Metal Chandelier in the Baroque Taste 20th century, the twelve-light chandelier with a turned and carved vasiform standard set with metal candle arms on two tiers, ornamented with leaves and scrolls and set with turned wooden candle cups and drip pans. h. 34”, dia. 38” $1,200‑$1,800

56

54

22

57 Brussels Handwoven Wool Tapestry of a Betrothal first quarter 19th century, the figures within a lush garden setting, with an overall bird and vine border.

64” x 81” $1,500‑$2,500

57

58

58 Monumental Mahogany and Gilt-Bronze Club Fender late 19th century, in the Regency taste, of traditional form, the padded and tufted top raised on scrolling foliate-modeled supports, centered by a lion’s masque to a mahogany base. h. 19”, w. 107”, d. 32” $2,000‑$4,000 59 Giltwood Overmantel Mirror in the Baroque Taste fourth quarter 19th century, with a leaf-molded mirror plate surround, the pediment-form crest molded with pierced acanthus leaves and scrollwork, the corners decorated with scrollwork, leaves and grapes. h. 60”, w. 59‑1/2” $1,000‑$1,500 59

23

60

61

60 Pair of Continental Rococo Revival Giltwood and MarbleTop Console Tables

61 Flemish Handwoven Tapestry of a Courting Couple

third quarter 19th century, with boldly carved, scrolled legs and pierced aprons. h. 33”, w. 38”, d. 17”

fourth quarter 17th century, figures set within a lush park setting, with an allover floral vine border with architectural elements.

7’ x 9’

$1,500‑$2,500

$9,000‑$12,000

24

62 Continental Fruitwood Coffer 17th/18th century, the banded rectangular top hinged and opening to a baize-lined interior, the case also banded, the whole with decorative brass hardware. h. 23‑1/2”, w. 48”, d. 24” $1,500‑$2,500 63 Continental Polychrome Secretary Bookcase late 18th century and later, the broken swan’s-neck cornice above two doors, each bi-paneled and opening to an interior fitted with a variety of drawers and cubbyholes, the lower section fitted with a slant front opening to three tiers of twelve small drawers over three long drawers, raised on low bracket feet, the whole accented with gilt foliate and floral patterns. h. 95”, w. 42”, d. 23‑1/2”

62

$5,000‑$8,000

63 detail

63

25

64 detail

65

64

64 Exceptional Set of Twelve Fischer and Mieg Portrait Plates

65 Franco-Bohemian Glass Chandelier

ca. 1853‑1873, Austrian, the hand-painted plates decorated with beautifully painted portraits by various artists, each identified on the back, trimmed with raised gilt scrollwork on a cobalt ground, on KPM blanks, with impressed “KPM” marks, each plate marked “Wahliss Wien” in black script. dia. 9‑1/2”

third quarter 19th century, possibly Baccarat, the seven-light chandelier with a standard decorated with graduated cut glass prism rings above the strawberry-cut fan, supporting glass candle arms set with cut glass rings hung with spearpoint prisms. h. 39”, dia. 33‑1/2”

$1,200‑$1,800

$1,500‑$2,500

26

67

66

66 Dutch Rococo-Style Marquetry-Inlaid and MarbleTop Commode of bombe form, the serpentine marble top over a conforming case with a pair of deep drawers, flanked by cabriole legs with gilt-lacquered ormolu mounts, inlaid throughout with flora, vines, baskets and birds. h. 33‑1/2”, w. 33‑3/4”, d. 20” $1,000‑$1,500 67 Dutch Rococo-Style Marquetry-Inlaid and MarbleTop Commode

68

of bombe form, the serpentine marble top over a conforming case with a pair of deep drawers, flanked by cabriole legs with gilt-lacquered ormolu mounts, inlaid throughout with flora, vines, baskets and birds. h. 33‑1/2”, w. 33‑3/4”, d. 20” $1,000‑$1,500 68 Pair of Italian Parcel-Gilt Floral Carvings 20th century, now mounted as lamps on acrylic bases, with bronze-colored leaves and gilt blossoms. h. 23‑1/2”, w. 15”, d. 6‑1/4” $1,000‑$1,500 69 Pair of Meissen-Style Porcelain Mirrors post-1902, German, marked by Saxonian Porcelain Factory, Carl Thieme, Potschappel, the frames decorated with polychrome encrusted flowers and figures of frolicking angels, with a mirror-inset oval crest. h. 30‑1/2”, w. 17‑3/4”

69

$1,000‑$1,500

27

70 Continental Provincial Mahogany and Fruitwood Armoire 19th century and later, the molded and domed cornice above a case fitted with two long doors, each inset with three marquetry-inlaid panels of floral and equestrian scenes, opening to a shelved interior with three center small drawers, raised on scrolled toes. h. 90”, w. 58‑1/2”, d. 22‑1/2” $1,000‑$1,500 71 Italian Olivewood Bombe Commode in the 18th-century style, the shaped and banded case fitted with three short drawers over three long drawers, all paneled and banded, raised on cabriole legs. h. 36”, w. 57”, d. 22‑1/2”

71

$2,500‑$4,000

70 detail

28

70

72 Brussels Handwoven Tapestry of “Harvest Gatherers” fourth quarter 17th century, figures set within an orchard, an allover acanthine border with fruits and vegetables.

7’ x 10’ 6” $12,000‑$18,000 73 Small Belle Epoque Gilt-Bronze Chandelier fourth quarter 19th century, the eight-light chandelier with a standard molded with a tassel over a tapered and fluted element, the lower bowl decorated with delicate lotus leaves and reeding, the leaf-molded arms terminating in medallions and set with anthemion-molded drip pans and bellflower-molded candle cups. h. 22”, dia. 17‑1/2” $1,200‑$1,800

73

72

29

75

74

75 Extensive “Blue Onion” Pattern Partial Dinner Service 74 Continental Inlaid Burlwood and Parcel-Gilt Polychrome Side Table in the Baroque style, the D-form top with inlaid scrolling foliate patterns, hinged and opening to a like inlaid space, above a conforming fan-carved frieze with a central pendant shell carving, raised on foliate-carved fluted legs ending in toupie feet. h. 33”, w. 67‑1/2”, d. 19” (closed) $1,800‑$2,500

primarily Hutschenreuther, Selb, Bavaria, ca. 1930, consisting of thirteen dinner plates, dia. 10‑1/4”, eleven soup plates, dia. 9‑1/4”, eight salad plates, dia. 7‑1/2”, seven dessert dishes, dia. 5‑1/4”, sixteen dessert dishes in a “Blue Onion” variation, dia. 5‑3/4”, eleven bread-andbutter plates in a “Blue Onion” variation, dia. 6‑1/4”, five “Blue Danube” luncheon plates, dia. 8‑3/4”, fourteen cups, h. 2‑3/4”, six Hutschenreuther cream soup bowls, h. 2”, dia. 4‑1/2”, a Meissen platter, w. 13‑1/4”, d. 9‑1/2”, two Hutschenreuther platters, w. 12”, d. 7‑1/2”, and w. 15‑1/2”, d. 10‑1/2”, a Hutschenreuther square dish, w. 7”, d. 7”, two Hutschenreuther square bowls, h. 3” to 3‑3/4”, w. 7‑1/4” to 8‑1/4”, a Hutschenreuther covered tureen, h. 8”, w. 10‑1/2”, a Hutschenreuther sauce boat, h. 4”, w. 7‑1/2”, and a Hutschenreuther bread-and-butter plate, dia. 6”. $1,000‑$1,500

30

76 Continental Polychrome Armoire 19th century and later, the molded and canted cornice above a conforming case fitted with two long doors, each featuring pastoral village scenes, raised on bun feet. h. 70‑1/2”, w. 45‑1/2”, d. 17‑1/2” $1,000‑$1,500 77 Pair of Baroque-Style Stone and Bronze Pedestals 20th century, each with a spiral-reeded column set with a Corinthian capital and an octagonal top. h. 55‑1/2”, dia. 13‑1/2” $1,000‑$1,500 78 Continental Giltwood and Polychrome Cabinet 20th century, the floral-carved crest above a case fitted with two doors, each inset with a mirrored eglomise panel with an elaborate border and heraldic shield, raised on cabriole legs ending in shell toes. h. 62‑1/4”, w. 32‑1/2”, d. 16”

77

$1,500‑$2,500

78

76

31

79 Set of Four Carved Giltwood Armorial Wall Plaques 20th century, Continental, each with a crown over a central shield decorated with raised chevrons, horses and rampant lions, flanked by a rampant lion and a rampant hound. h. 18”, w. 20” $1,000‑$1,500 80 Pair of Carved and Gilded Oak Panels in the Gothic Taste

79

ca. 1900, now mounted as lamps on acrylic bases, the panels with bas-relief carvings of rose windows. overall h. 21‑3/4”, w. 9”, d. 5” $1,000‑$1,500

80

81 Continental Baronial-Style Fruitwood Hall Seat mid-19th century, the shield-form back with a broken masque-centered crest over a central carving of two frolicking cherubs, on a latticecarved background, flanked to either side by a winged figure, the foliate-carved wooden seat over an apron centered by a military medallion. h. 60”, w. 44”, d. 19‑1/2” $1,200‑$1,800

81

32

82 Brussels Handwoven Verdure Tapestry first quarter 18th century, with an allover elaborate floral vine border.

8’ x 14’ $6,000‑$9,000 83 Continental Mahogany Writing Table early 20th century, the canted rectangular top with an inset leather writing surface, above a conforming fret-carved frieze, raised on paneled tapering square legs headed by lionmasque capitals and ending in block feet. h. 31”, w. 64”, d. 33”

84

$1,000‑$1,500 84 Black Forest Carved Walnut Clock fourth quarter 19th century, carved with oak branches laden with leaves and acorns, and a pair of squirrels scampering across the top, a fox resting at the base with morning glory vines, set with Roblin French works. h. 22‑1/2”, w. 18‑1/4” $1,800‑$2,500 83

82

33

85 Monumental Continental Mahogany Cabinet

86 Pair of Continental Miniature Paintings of Battle Scenes

late 19th century, in the Renaissance taste, the heavily molded and dentillated cornice surmounted by two side lion finials, over a recessed central mirrored section flanked to either side by canted cupboards, each inset with an elaborately pierced iron panel over fabric backing with a caryatid upright to either side, joined by a paneled and shield-carved back and scrolling uprights to a lower canted section fitted with three frieze drawers over two central shieldcarved cupboards, flanked to either side by a like iron paneled cupboard with like caryatids, raised on foliate scroll-carved block feet. h. 102”, w. 96”, d. 24”

18th/19th century, with warriors dressed in Renaissance battle gear, framed in Late Regency rosewood frames with gilt liners. h. 5‑1/4”, w. 6” $1,000‑$1,500

$1,200‑$1,800 86

85

34

87 French Wrought Iron and Slate-Top Conservatory Table early 20th century, the ornate scrolled iron base with trestle-form ends and an elaborate stretcher, the rectangular mottled gray slate top with a molded edge. h. 30”, w. 71”, d. 35‑1/2” $2,500‑$4,000

88 A. Scheffermeyer (Belgian, Late 19th Century) “Still Life of Cards, Bread, Knife, Teapot and Pottery”, 1873

88

oil on wood panel signed and dated lower left, “...Otmont, Bruxelles” partial label en verso.

Presented in a period frame.

9‑1/2” x 10‑3/4”, framed 17” x 18‑1/4” $1,200‑$1,800

89 Provincial Regence Fruitwood Commode 18th century, the rounded rectangular top slightly bowed and above a conforming case fitted with three long tri-paneled drawers, raised on cabriole feet. h. 38”, w. 52”, d. 22” $1,800‑$2,500 89

87

35

90 Louis XIV-Style Fruitwood Fauteuil a la Reine

91 French Provincial Fruitwood Coffer

early 20th century, the tall, padded rectangular back joined by downswept arms to the padded seat, raised on cabriole legs headed by floral carving and joined by a shaped X-form stretcher and ending in hoof feet. h. 50‑1/2”

late 18th century, the banded and hinged rectangular top opening to a void storage space, the front tri-paneled, the whole raised on cabriole feet. h. 28‑1/2”, w. 61”, d. 29” $1,200‑$1,800

$1,000‑$1,500

92 French Provincial Fruitwood Cabinet early 19th century, the long canted rectangular top above a conforming case fitted with four cupboard doors, each inset with a shaped panel, raised above a shaped frieze on scrolled toes. h. 36‑1/2”, w. 79”, d. 22‑1/2” $1,500‑$2,500

90

91

92

36

94

95 Provincial Regence Fruitwood Commode 18th century, the rectangular cabinet with a bowed top, above a case fitted with two short drawers over two long drawers, all with incised accents, raised on block feet, each side bearing the branded mark “E.U.”, accompanied by the original certificate of authenticity. h. 32‑1/2”, w. 49”, d. 23‑1/2” 93

Provenance: Charles-Henri Messageot, Versaille, France.

The “E.U.” brands are possibly partial marks for Chateau d’Eu, a royal residence in Eu, Normandy.

93 Prince Leopold von Hohenzollern (German, 1835‑1905)

$3,000‑$5,000

“Sunflowers” oil on canvas unsigned, handwritten inventory label en verso frame.

Framed.

39‑3/4” x 28‑1/2”, framed 46” x 34‑3/4” $1,000‑$1,500

94 Continental School (19th Century) “Still Life of Fruit and Daffodils” oil on canvas signed lower right “M. Burgh....d”.

Framed.

16‑1/2” x 26‑1/2”, framed 23‑1/2” x 33‑1/2” $1,000‑$1,500 95

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98 Country French Carved Pine and Metal Chandelier the six-light chandelier with a quiver-form wooden standard carved with bold bunches of fruit and the feather ends of arrows, set with patinated metal scrolled candle arms. h. 40”, dia. 46” $1,800‑$2,500

98

96 Pair of Louis XV-Style Fruitwood Fauteuils early 20th century, each with a padded and slightly domed back surmounted by a floral crest, joined by padded arms to the like seat, raised on molded cabriole legs headed by foliate carving and ending in scrolled toes. h. 36‑1/4” $1,000‑$1,500

96

97 Provincial Regence Fruitwood Commode late 18th century, the slightly bowed top above a conforming case fitted with three graduated, paneled long drawers, raised on cabriole feet. h. 31‑1/2”, w. 49‑1/2”, d. 24‑1/2” $1,000‑$1,500

97

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99

99 Provincial Louis XV-Style Fruitwood Farmhouse Table the rectangular top above a serpentine frieze, raised on cabriole legs. h. 30‑1/2”, w. 38”, l. 84” $1,000‑$1,500

100 Aubusson Handwoven Tapestry of Figures by a Fountain fourth quarter 17th century, with an allover floral border.

8’ 6” x 8’ 9” $10,000‑$15,000 100

39

101 Regence Walnut Fauteuil early 18th century, the padded rounded square back surmounted by a scrolling foliate crest, joined to the padded seat by like arms, above a shaped foliate-carved apron on cabriole legs headed by shield carving and ending in like toes, with a conforming bolster pillow, upholstered in Fortuny fabric. h. 35” $1,000‑$1,500

102 Provincial Regence Fruitwood Commode 18th century, the bowed top on a conforming case fitted with two tri-paneled long drawers, above a shaped apron with shell and foliate carving, raised on cabriole legs. h. 32‑1/2”, w. 51‑1/2”, d. 28”

101

$3,000‑$5,000

103 Provincial Pickled Pine Farmhouse Table the long rectangular top raised on X-form end supports joined by a plank stretcher and ending in runner feet. h. 30”, w. 44‑1/2”, l. 96” $1,200‑$1,800

102

103

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104 Henry Schouten (Belgian, 1864/67‑1927) “The Goatherd” oil on canvas signed lower left, titled “paysage hollandais” on a 19th-century handwritten label en verso, stretcher with red wax seal from “Campo & Campo, Antwerp”.

Framed.

31‑3/4” x 23‑7/8”, framed 39‑3/4” x 31‑1/2” $1,500‑$2,500

104A Pair of Suede Wing Chairs and Ottomans of Louis XIII inspiration, the chairs with closed arms, loose seat cushions and turned legs, h. 51‑1/2”, and the ottomans with bobbin-turned stretchers, h. 17”, w. 24”, d. 15”.

104

$1,000‑$1,500

105 Jules Hereau (French, 1839‑1879) “The Sheep Herders” oil on canvas monogrammed lower left.

Framed.

13‑3/4” x 21”, framed 25” x 32” 105

$1,500‑$2,500

104A

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106 Henri De Beul (Belgian, 1845‑1900) “La Fermiere Decouvrant la Nichee de Carnards”, 1867 oil on wood panel signed and dated lower left.

Framed.

11‑3/4” x 17‑1/2”, framed 18” x 23‑1/2” $2,500‑$4,000

106

107 Continental School (19th Century) “Travelers on a Mountainous Path” oil on canvas unsigned.

Presented in a period giltwood and gesso frame.

29” x 36‑1/4”, framed 39” x 45‑1/2” $1,000‑$1,500

107

108 Hendrick van der Poorten (Belgian, 1789‑1874) “Le Repas des Vaches” oil on canvas signed lower left.

Framed.

27” x 36”, framed 36” x 45‑1/4” $1,500‑$2,500

108

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109 Louis Robbe (Belgian, 1806‑1887) “Cattle and Sheep in the Pasture” oil on wood panel signed lower right.

Framed.

23” x 31”, framed 31‑1/2” x 39‑1/2” $3,000‑$5,000

109

110 Albertus Verhoesen (Dutch, 1806‑1881) “Sheep Among the Cows”, 1860 oil on wood panel signed and dated lower center.

Framed.

10” x 13”, framed 18‑1/2” x 21‑3/4” $2,500‑$4,000

110

111 Pablo Martinez del Rio (French, b. 1838) “Recolte des Foins” oil on linen signed “Martinez” lower right, inscribed en verso “Kathleen Wales/Barbizon, France/Sept. 19, 1938”.

Framed.

25‑5/8” x 36‑1/8”, framed 35” x 45” $1,000‑$1,500

111

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112 Jan Willem van Borselen (Dutch, 1825‑1892) “The Faggot Gatherers” oil on canvas faintly signed lower right.

Framed.

14‑1/4” x 12‑1/4”, framed 22‑1/2” x 18‑1/2” $1,000‑$1,500

112

113 Adrien Ferdinand de Braekeleer (Belgian, 1818‑1904) “The Fox Hunt” oil on canvas signed lower right.

Framed.

26‑1/4” x 32‑1/2”, framed 33‑1/2” x 40” $3,000‑$5,000

113

114 Jean-Baptiste Kindermans (Belgian, ca. 1822‑1876) “Le Passage du Gue” oil on wood panel signed lower right.

Framed.

23‑3/4” x 31‑1/2”, framed 28‑3/4” x 36‑3/4” $2,000‑$4,000 114

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115 William-and-Mary-Style Walnut Chest-on-Stand 19th century and later, the rectangular top with elaborate oyster veneer inlays, above a conforming case fitted with two short drawers, all banded and with decorative veneers, raised on a stand fitted with a single drawer and raised on cup-andcover legs joined by a shaped box stretcher ending in bun feet. h. 40”, w. 44‑1/2”, d. 23” $1,000‑$1,500 116 Pair of William-and-Mary-Style Carved Oak Stools early 20th century, each with a padded seat and scalloped aprons, raised on turned legs joined by a scrolling X-form stretcher. h. 19‑1/2”, w. 16”, d. 23” $1,000‑$1,500

115

117 William-and-Mary Oak Chest 18th century, the rectangular top above a conforming case fitted with two short drawers over three graduated long drawers, all with geometric molded fronts, raised on bun feet. h. 39”, w. 37”, d. 23‑1/2” $1,800‑$2,500 118 Continental School (First Half 19th Century) “Portrait of Elizabeth I, Queen of England (1533‑1603)” oil on canvas backed by masonite unsigned, inscribed upper right “Anno 1620”.

Framed.

21‑3/4” x 19‑1/2”, framed 29‑1/2” x 26‑5/8” The painting was probably painted after a posthumous portrait, ca. 1620.

118

$1,500‑$2,500

116 117

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119 William and Mary Walnut Side Table 18th century, the banded rectangular top with inlaid stringing in various circular patterns, above a conforming frieze with pendant finials and fitted with a single drawer, raised on open barley-twist legs joined by a shaped X-form stretcher and ending in ball feet. h. 29”, w. 26‑1/2”, d. 23‑1/2” $1,000‑$1,500 120 Pair of English Wrought Metal and Brass Floor Lamps 20th century, in the late 19th-century style, on tall, scrolled feet, the standard encircled with winding vines and leaves, terminating in a reeded brass drip pan. h. 66”, w. 24”, d. 24” $2,000‑$4,000

119

121 Beautifully Constructed Large Scale Model of a Knight on Horseback first half 20th century, English, composed of painted wood, steel, leather and fabric, both the knight and horse dressed in carefully articulated steel armor like that of the Medieval and Early Renaissance periods, with a stuffed lower body and velvet breeches, the horse composed of painted wood with a velvet saddle blanket and a leather-trimmed wooden saddle. h. 50”, w. 53”, d. 11‑1/2” $5,000‑$8,000

120

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121

122 Exceptional Pair of Wax Portraits second quarter 19th century, English, depicting Mary, Queen of Scots and John Norreys, her lifelong friend, decorated with “jewels”, seed pearls, cloth and wood, and mounted in oak frames that are likely original. dia. 8” $1,200‑$1,800 122

123 Pair of English Carved, Painted and Parcel-Gilt Bracket Shelves composed of 17th/18th-century elements, one with carved scrolls flanking the “keys to heaven”, and the other with an Anglican crest, one shelf incised “Cor unum et anima una” (one heart and one soul), and the other “proelia domini tu proeliaris” (fight the battles). h. 9”, w. 17”, d. 4‑1/2” $1,000‑$1,500 124 Impressive Old-Growth Mahogany Refectory Table

123

19th century, in the George III taste, boasting a thick singleboard figured mahogany top and mounted to a framed base with mortise-and-tenon construction and pegged joints. h. 30‑1/2”, w. 38‑1/2”, l. 98‑1/2” $2,000‑$4,000 125 English Polychrome Pine Dresser mid-19th century, in the Georgian taste, the rectangular top with a molded edge, above a case fitted with three central drawers flanked to either side by a drawer over a paneled cupboard, raised on bracket feet. h. 34”, w. 78‑1/2”, d. 21‑1/2” $1,000‑$1,500

124

125

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127

126 Follower of Hyacinthe Rigaud (French, 1659‑1743) “Portrait of a Noble Woman”, 18th century oil on canvas faintly and spuriously signed “Rigaud” lower right.

Framed.

32” x 25‑3/4”, framed 43‑3/4” x 35‑1/4”

126

$4,000‑$7,000 127 Louis XIV-Style Metal and Crystal Chandelier 20th century, Continental, the eight-light chandelier with a baroque-style patinated metal frame set with scrolled candle arms hung with smoke-colored and colorless drops, mauve glass fruit, colorless glass leaves and bold lozengeform drops. h. 34”, dia. 27” $1,000‑$1,500 128 Louis XV-Style Giltwood Settee 20th century, the shaped and padded rectangular back surmounted by a floral crest and joined to the padded seat by like scrolling arms, raised on molded cabriole legs ending in foliate toes, the whole upholstered in tapestry in the chinoiserie taste. h. 37”, w. 49”, d. 26” $1,200‑$1,800

48

128

129 Louis XIV-Style Carved Walnut Stool early 20th century, with a padded seat and shellcarved aprons, raised on carved legs with graduated bellflowers and joined by shaped stretchers. h. 19”, w. 26”, d. 18” $1,000‑$1,500

130 Pair of Carved Giltwood Sconces in the Louis XIV Style

129

20th century, Italian, the three-light sconces on quiver-form backplates carved with bellflowers, the leaf-carved and scrolled candle arms set with vasiform candle cups and hanging giltwood tassels, with firepot finials decorated with carved leaves, electrified. h. 35”, w. 23”, d. 15” $1,000‑$1,500

131 Louis XV/XVI-Style Giltwood and Marble-Top Center Table the white marble top with projecting ormolu corners, above a conforming apron with foliate carving, raised on cabriole legs joined by serpentine stretchers centered by a finial. h. 31”, w. 58”, d. 35” 130

$1,800‑$2,500

131

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134

132

133

135

132 Meissen Porcelain Figure of “The Racegoer’s Companion”

134 Pair of Meissen Marcolini Pierced Dishes

ca. 1824‑1850, German, depicted with a muff on one hand and a race card in the other, wearing a hat and dress trimmed with delicate “lace”, signed with underglaze blue crossed swords, an incised “D. 66”, an impressed “45”, and incised initials. h. 8‑1/4”, w. 3‑3/4”, d. 3”

ca. 1773‑1814, German, with hand-painted flowers in the center panels, the sides molded, pierced and decorated with polychrome flowers. h. 2‑1/4”, dia. 7‑1/4”

$1,200‑$1,800 133 Pair of Meissen Porcelain Children Playing with Goats German, including a male, ca. 1850‑1924, and a female, 20th century, both decorated with grapes, both with underglaze blue crossed swords, the female incised “H.81.”, impressed “74”, and with a “7” in overglaze rouge de fer, the male incised “H 82.” and impressed “59”. h. 6”, w. 4‑1/2”, d. 3” $1,400‑$1,800

50

$1,000‑$1,500 135 Meissen Porcelain Figure of a Dionysian Couple 20th century, German, depicting two figures in 18th-century dress, a seated male with a grape picker’s basket and a standing female with a jug of wine and a beaker, marked with underglaze blue crossed swords and incised “F92.” and impressed “156‑”. h. 6‑1/2”, w. 5‑1/4”, d. 3‑1/2” $1,200‑$1,800

136 Pair of Louis XV/XVI-Style Giltwood Side Chairs late 19th century, each with a padded rectangular back surmounted by a foliate- and shell-carved crest, the padded seat above a shaped foliate shell apron, raised on molded cabriole legs joined by an X-form stretcher and ending in foliate toes. h. 38” $1,000‑$1,500 137 Louis XV-Style Giltwood and Faux Marbre Console Table 19th century, the shaped faux marbre top above a pierced shield- and foliate-carved frieze, raised on C-scroll legs joined by a shield-form stretcher and ending in foliate scrolled toes. h. 37”, w. 35‑1/2”, d. 15‑1/2” $1,000‑$1,500

136

138 Pair of Bronze and Cut Crystal Girandoles first quarter 20th century, in the Louis XIV style, the twelve-light girandoles on bronze-trimmed circular bases, the standards clad with panelcut glass and set with scrolled bronze arms on two tiers, with an upper spray of prisms, beneath a panel-cut glass finial, hung with prisms. h. 35”, dia. 15” $1,000‑$1,500

138

137

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139 Louis XV-Style Polychrome Corner Chair mid-19th century, the domed crest above a bi-sected and padded back, joined by downswept foliate-carved sides to the padded seat, raised on molded cabriole legs headed by floral carving and ending in scrolled toes. h. 35‑1/2” $1,000‑$1,500 140 Malachite and Gilt-Bronze Tazza ca. 1900, French or Russian, the flattened malachite bowl held with a laurel-molded medallion to a Louis XIV-style bronze fluted base decorated with acanthus leaves and swags of laurel. h. 8‑3/4”, dia. 13” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma.

141

$1,500‑$2,500

140 139

141 Louis XV-Style Gilt-Bronze Chandelier second quarter 20th century, French, the pierced lyre-form standard hung with swags of flowers, atop the fluted turned base set with scrolled arms molded with acanthus leaves, terminating in reeded drip pans and fluted candle cups. h. 34”, dia. 23‑1/2” $1,000‑$1,500 142 Louis XV-Style Kingwood Cartonnier late 19th century, of bombe form, fitted with an arrangement of seven gilt-tooled leather-fronted drawers, raised on splayed legs to sabots, the sides banded and with inlaid floral sprays, the back banded and with circular inlays. h. 30‑1/2”, w. 37”, d. 13” 142

52

$1,000‑$1,500

144

143

143 Louis XV-Style Mahogany Bureau Plat mid-20th century, the shaped rectangular top brass-bound and with a leather inset surface, above a conforming frieze centered by a foliate ormolu shield and fitted with three drawers, all with floral lattice-patterned parquetry inlays, raised on cabriole legs headed by foliate mounts and ending in scrolled sabots, the side of one drawer with a branded logo and “MAPLE 261”. h. 29”, w. 62”, d. 32” $2,000‑$4,000

144 Regence-Style Kingwood and Marble-Top Commode early 20th century, the shaped serpentine marble top above a conforming case fitted with two short drawers over a single long drawer, all with decorative ormolu banding and a central ormolu masque, raised on splayed legs ending in ormolu paws. h. 31‑1/2”, w. 42”, d. 23” $1,000‑$1,500

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145 Gilt-Bronze-Mounted Tortoiseshell Musical Bracket Clock, Stephen Rimbault, London, act. 1744‑1788 created for the French market, with a glazed door opening to a gilt-brass dial surround with hand-painted floral festoons and floral and musical figural decoration flanking a ship at lower center, the brass dial with a silvered chapter ring having Roman numerals and a matte center, the faux pendulum aperture with engraved “S. Rimbault London”, the hands blued cut-steel, with eight-day, brass, five-pillar, fusee movement with front-mounted rack and snail hour strike, verge escapement, 5‑1/2” flat bob pendulum, separate fourpillar, fusee pin barrel musical train with eight bells, fourteen hammers and outboard adjustable fly, “God Save the Queen” and a period piece play on the hour and on pull repeat. h. 21”, w. 10‑3/4”, d. 5‑1/4” Provenance: Collection of Dr. S. P. “Serge” Pechin, Pennsylvania, to a private collector. $8,000‑$12,000

145

146

146 Louis XV-Style Gilt-Bronze-Mounted and Polychromed Kingwood and Marble-Top Commode the serpentine brescia marble top over a conforming case with a shaped door with a painted panel depicting a courting couple, the serpentine sides with painted landscapes, raised on cabriole legs. h. 35‑3/4”, w. 40”, d. 18‑1/4” $1,000‑$1,500 147 Louis XV-Style Kingwood Poudreuse 19th century, the canted, banded, quarter-veneered and shaped rectangular top tri-sected, the center section opening to a mirrored interior, the side sections opening to storage wells, above a frieze fitted with a central pull-out slide over a drawer flanked to either side by two small drawers, raised on cabriole legs ending in sabots. h. 30‑1/2”, w. 31”, d. 14‑1/2”

147

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$1,000‑$1,500

148

148 Impressive Pair of Gilded Age Gilt-Bronze-Mounted Lapis Lazuli Garniture Urns ca. 1900, French, in the Louis XV style, on rocaille bronze bases, the handles mounted with putti holding tridents, the sides decorated with swags of fruit supported by bowknots. h. 34”, w. 17‑1/2”, d. 9‑1/2” $7,000‑$10,000 149 French School (First Quarter 19th Century) “Portrait of a Gentleman in a Lace Cravat” oil on canvas unsigned.

Framed.

18‑3/8” x 15‑5/16”, framed 24‑3/4” x 21‑3/4” Provenance: Dixon & Dixon, New Orleans, Louisiana; Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,200‑$1,800

149

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150 Charming French Hand-Painted Canvas Four-Panel Screen ca. 1800, the obverse with bucolic landscapes on the upper panels and various covered urns on the lower panels, the reverse with oriental figures in the upper panels and laurel-leaf drops in the lower panels. h. 59‑3/4”, w. 92” $1,800‑$2,500 151 Provincial Regence Fruitwood Commode 18th century, the rounded rectangular top above a bombe case fitted with three long drawers over a pierced pendant apron, raised on splayed feet ending in scrolled toes. h. 33‑1/2”, w. 48”, d. 23‑1/2”

152

$1,500‑$2,500 152 Louis XV-Style Bronze Fireplace Set first quarter 20th century, French, consisting of a screen with a scrollwork surround, framing a pair of lovebirds supported by a bowknot, h. 32”, w. 26‑1/2”, d. 9‑1/2”, and a pair of pierced scrollwork chenets with an integral cove-molded fender, decorated with a pierced scrollwork central finial, h. 15‑1/2”, w. 42‑1/2”, d. 4”. $1,000‑$1,500 151

150

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153 French Rock Crystal and Silvered Metal Sconce 20th century, the seven-light rococo-style sconce with cut crystal ornaments on the central standard, and set with scrolled candle arms with reeded rock crystal candle cups, and hung with sprays of rock crystal leaves and lavender rock crystal drops. h. 27”, w. 41” $1,200‑$1,800 154 Meissen Porcelain Figure of Two Cupids ca. 1850‑1924, German, the cupids depicted putting a sword in its hilt, probably personifying peace, marked with underglaze blue crossed swords, an impressed “167” and “163”, an incised “2344.” and a rouge-de-fer overglaze “12”. h. 6”, w. 7”, d. 3‑1/2”

156

$1,200‑$1,800

153

154

155 Meissen Porcelain Figure of the Goddess Minerva ca. 1850‑1924, German, Minerva assisted by cupids, a globe to one side and a shield to the other, wearing a distinctive “Goddess of War” helmet, with underglaze blue crossed swords marks, an impressed “145” and an incised “D.2”. h. 8‑1/4”, w. 5‑1/2”, d. 3‑1/4” $1,200‑$1,800 156 Two Meissen Porcelain Figures of Putti German, both with underglaze blue crossed swords, one putto depicted as a blacksmith forging a heart, ca. 1860, with incised “R261.” and impressed “50_”, h. 8‑1/4”, w. 3‑1/2”, and the other with a bull, post-1924, with incised “L114.” and impressed “91”, h. 5‑3/4”, w. 6”. $1,000‑$1,500 155

57

157 Pair of Louis XV-Style Gilt-Bronze-Mounted Marble Garniture Urns fourth quarter 19th century, French, on pierced bronze bases, the lobed urns mounted with scrolled handles, the domed covers with scrolled and leaf-molded knops. h. 18‑1/2”, w. 7”, d. 6‑1/4” $1,000‑$1,500 158 French Giltwood Pier Mirror in the Louis XV Taste fourth quarter 19th century, with a gadrooned surround, the serpentine crest decorated with pierced scrollwork and flowerheads, the acanthus leaf finial framed with rocaille work, set with a beveled mirror plate. h. 102”, w. 53” $2,000‑$4,000

157

159 Carlos Alonso-Perez (Spanish, 1882‑1949) “Garden Blossoms” oil on wood panel signed lower right, partial label en verso.

Framed.

14‑1/4” x 10‑5/8”, framed 24” x 20” $4,000‑$7,000

159

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158

160 Louis XV-Style Creme-Peinte and Parcel-Gilt Gondola Chair late 19th century, the padded and domed back surmounted by a floral crest, joined by downswept sides to the cushioned seat, raised on molded cabriole legs headed by floral capitals. h. 37‑1/2” $1,200‑$1,800 161 Louis XV Polychrome and Slate-Top Console Table 18th century and later, the black slate top above a conforming frieze fitted with two small drawers over a shell-centered serpentine apron, raised on cabriole legs ending in peg feet. h. 34‑1/4”, w. 47”, d. 23‑1/2” $1,200‑$1,800 162

162 Pair of Louis XV-Style Bronze Sconces 20th century, the three-light sconces with quiver-form backplates supported by bowknots, the reeded candle arms decorated with acanthus leaves, the lower portion with a masque of a goat on a ground of laurel leaves. h. 24‑1/2”, w. 9‑1/2”, d. 8” $1,000‑$1,500 163 Collection of 19th-Century Grand Tour Medallions 163

the medallions mounted on oval backplates behind glass, framed in a pair of 20th-century bronze frames with beaded surrounds hanging from bowknots. h. 16‑1/4”, w. 7” $1,200‑$1,800

160

161

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165

164 Louis XVI-Style Polychrome and Marble-Top Side Table

165 Pair of Louis XV-Style Polychrome Fauteuils mid-19th century, each with a padded, slightly domed back surmounted by a foliate shell crest, joined by molded arms to the padded seat, raised above a shell-carved apron on cabriole legs headed by foliate carving, joined by an X-form stretcher and ending in scrolled toes. h. 36”

the thick D-form marble top with projecting ends, above a conforming foliate- and guilloche-carved frieze fitted with a single drawer, raised above a pierced pendant apron on scrolled legs, joined by a shaped stretcher and ending in toupie feet. h. 37‑1/2”, w. 84”, d. 22”

$2,000‑$4,000

$3,000‑$5,000

164

60

167

166 Molded and Cut Crystal Chandelier, Attributed to Baccarat second quarter 20th century, French, the cut and molded crystal-clad standard and spiral-reeded arms terminating in glass prism rings and tulip-form candle sockets, hung with cascades of crystal drops and a bell-form pendant finial. h. 42”, dia. 31”

166

$5,000‑$8,000

167 Louis XV-Style Polychrome and Marble-Top Console Table 20th century, the shaped marble top above a conforming frieze centered by a carved foliate shield, raised on scrolling supports joined by a shield-centered urn and ending in foliate feet. h. 34”, w. 45‑1/2”, d. 18” $1,800‑$2,500

168 Louis XV-Style Silver Gilt Overmantel Mirror mid-20th century, the “antiqued” mirror plate cut with a grid and fitted with brass rosettes, the finger-molded surround with a serpentine crest and lower edge decorated with carved scrollwork, shells and leaves. h. 67‑1/2”, w. 54” $1,000‑$1,500 168

61

169 Louis XV-Style Polychrome Bergere and Ottoman mid-20th century, of generous proportions, the molded and carved frame with floral crest, the seat with a reversible cushion, the ottoman with an attached cushion, both with carved aprons and cabriole legs. chair h. 38”, w. 36”, d. 30”, ottoman h. 21”, w. 36”, d. 23” $1,200‑$1,800 170 Two-Panel Mirrored Screen in the Rococo Taste ca. 1900, French, the giltwood frames with roundel crests set with shells and carved trailing flowers, the distressed mirror glass lined with carved lotus leaves. h. 80”, w. 44” Provenance: Ex-collection Marlene Dietrich. $1,000‑$1,500 171 French Gilt-Bronze and Crystal Chandelier fourth quarter 19th century, possibly Baccarat, the eight-light chandelier with a standard clad with blown and cut glass hung with cascades of drops beneath a corona of molded leaves hung with swags of drops, the leaf-molded arms set with anthemion-molded bronze candle cups and molded glass drip pans hung with multiple swags of drops. h. 33”, dia. 24”

171

Provenance: A New Orleans, Louisiana estate. $1,500‑$2,500

169

170

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172 Louis XV/XVI-Style Kingwood and Marble-Top Commode 20th century, the rounded rectangular breakfront marble top above a conforming case fitted with two long drawers, quarter-veneered and centered by a musical trophee, flanked to either side by decorative floral inlays, raised on cabriole legs ending in sabots. h. 36”, w. 51”, d. 22” $1,400‑$1,800 173 Pair of Louis XV/XVI-Style Mahogany and Marble-Top Occasional Tables

172

late 19th century, each with a kidney-form marble top within a full pierced brass gallery, above a conforming paneled frieze fitted with a single drawer, joined by ribbed supports to a lower like-shaped and galleried shelf, raised on cabriole legs ending in sabots. h. 29‑1/2”, w. 25”, d. 16‑1/2” $1,000‑$1,500

173

175

174 Pair of Louis XV-Style Giltwood Fauteuils mid-19th century, each with a padded and shaped back surmounted by a molded foliate-carved crest, joined by padded arms on molded scrolling uprights to the padded seat, raised on cabriole legs headed by foliate carving and ending in scrolled toes. h. 39” $1,500‑$2,500 175 Louis XV-Style Mahogany Lady’s Desk early 20th century, the kidney-form top with a parquetry inlay within a banding and three-quarter pierced brass gallery, above a conforming frieze fitted with three banks of two small drawers, raised on cabriole legs ending in sabots. h. 29”, w. 39”, d. 21”

174

$1,000‑$1,500

63

176 Francois Gall (French, 1912‑1987) “La Seine avec le Bateau”, 1938 oil on canvas signed and dated lower right.

Framed.

25‑1/2” x 39‑1/4”, framed 32” x 46” $12,000‑$18,000

176

177 Antal Berkes (Hungarian, 1874‑1938) “Busy Street Scene, Spring”, ca. 1915 oil on canvas signed lower right.

Framed.

22” x 28‑3/4”, framed 31” x 36‑1/2” $5,000‑$8,000

177

64

178 Otto Dinger (German, 1860‑1928) “Winter in Berlin” oil on canvas signed lower right.

Framed.

25‑1/2” x 36”, framed 34‑1/2” x 45” $3,500‑$5,000 179 Pair of Louis XV-Style Marquetry-Inlaid Mahogany and Rosewood Occasional Tables each with a brass gallery surrounding a circular top with floral-basket inlay and rosewood crossbanding, the apron and low shelf with like decor, the legs with ormolu mounts. h. 29‑1/2”, dia. 24” $1,200‑$1,800 178

179

180 French Belle Epoque Giltwood Mirror fourth quarter 19th century, set with an oval center plate, the crest with a crossed quiver and trumpet supporting swags of trumpet flowers and leaves, the ends decorated with fire pot finials, set with beveled mirror plates. h. 59”, w. 36‑1/2” $1,200‑$1,800 180

65

182 181

184

183

181 Pair of Impressive French Gilt-Bronze Sconces first quarter 20th century, of neoclassical inspiration, on molded circular backplates, the scrolled candle arms decorated with laurel leaves, fitted with leaf-molded candle cups and bobeches, and hung with strands of crystal drops and prisms, electrified. h. 32”, w. 16”, d. 10”

183 Pair of Louis XV/XVI-Style Mahogany, Burl and Marble-Top Commodes late 19th century, each with a canted square Breche d’Alep marble top within a three-quarter pierced brass gallery, above a case fitted with three small banded drawers, raised on tall, slender cabriole legs ending in sabots. h. 31”, w. 10”, d. 10”

$1,000‑$1,500

$1,000‑$1,500

182 Handsome Pair of French Gilt-Bronze Chenets

184 Pair of Louis XV/XVI-Style Occasional Tables

ca. 1900, in the Louis XVI style, decorated with panels of scrollwork supported on laurel-molded feet, the crests with flame pots flanking quivers of arrows piercing floral wreaths. h. 10‑3/4”, w. 11‑1/2”, d. 8‑3/4”

each with a circular parquetry- and marquetry-inlaid top over an inlaid apron, raised on cabriole legs with foliate ormolu mounts. h. 28‑1/4”, dia. 20”

$1,000‑$1,500

$1,000‑$1,500

66

187 Louis XVI-Style Polychromed, Parcel-Gilt and Marble-Top Center Table 19th century, the inset circular marble top over a ribbon-, lotusleaf- and berry-carved frieze, raised on fluted legs joined by a serpentine stretcher, joined by a floral-carved urn. h. 32‑1/4”, dia. 35‑1/2” $3,000‑$5,000

187 186

185 Pair of Louis XVI-Style Giltwood Fauteuils ca. 1900, each with a foliate-carved trophy chest, open arms on beribboned cornucopia-form supports, and bowed seat rail, raised on foliate-carved and twist-fluted legs. h. 37‑1/4” $1,000‑$1,500 186 French Giltwood Mirror of Louis XVI Inspiration mid-20th century, the reeded surround decorated with molded leaves and a pierced bowknot crest, the mirror plate cut in a grid pattern. h. 63‑1/2”, w. 34” $1,000‑$1,500

185

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188 Meissen Porcelain Figure of Two Cupids ca. 1880‑1924, German, one cupid with a trumpet and the other with sheet music and a tambourine to one side, marked with underglaze blue crossed swords over an overglaze painted “45”, an impressed “69” and an incised “2464.”. h. 5‑3/4”, w. 6‑1/4”, d. 3‑1/4” $1,200‑$1,800 189 Pair of Louis XVI-Style Polychrome Fauteuils early 20th century, each with a padded medallion back surmounted by a foliate ribbon crest, joined by foliatescrolled and padded arms to the like seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 39”

190

$1,200‑$1,800 190 Louis XVI-Style Polychrome and Marble-Top Side Table late 18th century, the rectangular marble top with projecting corners, above a conforming frieze with carved foliate accents, raised on paneled tapering square legs headed by bellflower carving and ending in foliate ball feet. h. 33”, w. 43‑1/4”, d. 23‑1/4” $3,000‑$5,000 191 Louis XVI-Style Giltwood Window Seat early 20th century, the padded and tufted seat flanked to either side by a galleried side surmounted by an imbricate-carved crest with finials, raised on stop-fluted tapering circular legs ending in toupie feet. h. 35‑1/2”, w. 44”, d. 16”

189

$1,000‑$1,500

191 188

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192 French Gilt-Bronze Chandelier in the Louis XVI Taste ca. 1900, the eight-light chandelier of cage form and dressed with teardrop and faceted pendalogues. h. 40”, dia. 23” $4,000‑$7,000 193 Louis XVI-Style Ormolu-Mounted Mahogany and MarbleTop Writing Table early 20th century, in the manner of Adam Weisweiler (1744‑1820), the inset rectangular marble top above an ormolu-mounted frame fitted with a single drawer, raised on tapering square legs ending in sabots, the bronze mounts of the quality of Pierre Gouthiere and Francois Remond. h. 30”, w. 41”, d. 24” $2,000‑$4,000

192

194 Pair of Louis XVI-Style Fruitwood and Parcel-Gilt Side Tables each with a rectangular distressed gilt top with projecting corners, above a foliate-pierced frieze centered by a gilt patera, raised on foliate-carved and spiral-fluted tapering circular legs joined by an annulated stretcher and ending in toupie feet. h. 33”, w. 54‑1/2”, d. 18”

193

$1,200‑$1,800

194

69

195 Pair of Louis XVI-Style Mahogany and Marble-Top Occasional Tables 20th century, each with a circular marble top within a full pierced brass gallery, above a conforming frieze joined by graduated supports to two lower shelves, the lower one fitted with a single drawer, raised on tapering circular legs. h. 29‑1/4”, dia. 21” $1,000‑$1,500 196 French Molded Glass Chandelier second quarter 20th century, the ten-light chandelier with a molded glass-clad standard supporting rope-twist arms on two levels, set with glass prism rings hung with swags of glass drops, from the corona to the prism rings and from arm to arm. h. 31”, dia. 28” $1,000‑$1,500 196

197

195

197 Louis XVI-Style Kingwood and Marble-Top Center Table 20th century, the circular marble top within a full pierced brass gallery, above a conforming foliate-inlaid frieze fitted with a single drawer, raised on tapering square legs ending in sabots. h. 28‑1/4”, dia. 23‑3/4” $1,000‑$1,500 198 Louis XVI-Style Kingwood and Marble-Top Bouillotte Table

198

70

early 20th century, the circular Rose deValence marble top within a full pierced brass gallery, above a conforming frieze fitted with two small drawers and two candle slides, raised on tapering square legs ending in caps. h. 31‑1/2”, dia. 25” $1,000‑$1,500

199 Dietz Edzard (German/Paris, 1893‑1963) “Nature Morte des Fleurs et d’un Masque”, ca. 1958 oil on canvas signed lower right, partially titled/inscribed on stretcher “Ga... a la rose bleue”, frame backing with old sales/ inventory label.

Framed.

21‑3/4” x 18‑1/4”, framed 29” x 25‑1/4” $2,500‑$4,000 200 Pal Fried (American/Hungarian, 1893‑1976) “Woman Shopping near the Arc de Triomphe, Paris” oil on canvas signed lower left.

Framed.

23‑3/4” x 20”, framed 27‑1/2” x 23‑1/2” $1,500‑$2,50

199

201

201 Francois Gall (French, 1912‑1987) “Girl Reading a Letter” oil on canvas signed lower left.

Framed.

11” x 8‑3/4”, framed 15‑5/8” x 13‑3/4” $3,000‑$5,000 200

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204

202 Pair of French Mahogany, Kingwood and Marble-Top Cabinets

203

early 20th century, of elongated D-form, each with a marble top above a conforming case fitted with a drawer over a single cupboard door inset with a banded and floral-inlaid panel, the interior of one fitted with four drawers, the other with a medial shelf, raised on fluted tapering circular legs. h. 40‑1/4”, w. 19”, d. 14‑1/2” $1,200‑$1,800 203 Pair of Louis XV-Style Bronze Girandoles second quarter 20th century, French, the twelve-light girandoles on fluted giltwood plinths, each with a cabochonmolded base and fluted standard decorated with molded acanthus leaves and set with scrolled arms on two tiers, with bronze candle cups and molded crystal prism rings, the tops with pineapple finials, electrified. h. 31”, dia. 15” $1,000‑$1,500 204 Louis XV/XVI-Style Kingwood and Marble-Top Commode early 20th century, the canted rectangular top with a projecting center section, above a conforming case fitted with a long frieze drawer over two long drawers, all banded and with parquetry veneers, raised on cabriole legs ending in sabots. h. 35”, w. 45”, d. 23” $1,000‑$1,500

72

202

205

205 Set of Two Third Republic Mahogany Night Stands second half 19th century, in the Louis XVI taste, each with a brass gallery and marble top, the tops with rounded front corners, one stand with a bank of three drawers and the other with faux drawers and a cupboard door opening to reveal a chamber with a marble bottom, trimmed with brass moldings, on fluted and stop-fluted legs joined by a shelf. h. 35‑1/2”, w. 22‑1/2”, d. 13” and h. 34‑1/2”, w. 23”, d. 13‑1/2” $1,000‑$1,500 206 Louis XVI-Style Mahogany Tall Chest 20th century, the inset marble top with a brass gallery, the case with six paneled drawers flanked by fluted pilasters and raised on trumpet legs. h. 55‑1/2”, w. 43”, d. 23” $1,000‑$1,500

206

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207

207 Suzanne Eisendieck (German/Paris, 1908‑1998) “Loges aux Varietes”, ca. 1960 oil on canvas signed lower right, titled en verso.

Framed.

32” x 25‑1/2”, framed 38‑3/4” x 32‑1/4” $4,000‑$7,000

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208 Dietz Edzard (German/Paris, 1893‑1963) “Repetition Sur Scene”, ca. 1962 oil on canvas signed lower right.

Framed.

24” x 28‑3/4”, framed 33” x 37‑1/4” $7,000‑$10,000 209 Dietz Edzard (German/Paris, 1893‑1963) “Bal Masque a Venise”, ca. 1961 oil on canvas signed lower right.

Framed.

15‑3/4” x 13”, framed “23” x 20” Provenance: Christie’s, New York, February 27, 1992, lot 22. $2,000‑$4,000 208

Dietz Edzard came from a talented German family of artists and studied with the celebrated “German Expressionist” Max Beckmann in Berlin, before moving to France in the late 1920s.

In Paris, he received wide acclaim, exhibiting regularly with the Post-Impressionists at the Jeu de Paume and at Durand-Ruel, where he met Suzanne Eisendieck, a fellow German artist, whom he married in 1938. Eisendieck, who was represented by Madame Zak, studied under Fritz August Pfuhle and attended the Berlin State Academy for Fine and Applied Arts. During the German Occupation of France, Edzard’s work, like most great modern artists of the time, was determined to be “degenerate”; both his and Eisendieck’s paintings of women did not “celebrate German womanhood”, but chose to depict the “ideal cretin and whore” instead at the theatre and opera.

209

Edzard’s and Eisendieck’s oeuvre are compositionally very similar, sometimes overlapping in execution to the point that occasionally it is difficult to discern between the two. While both artists embraced Impressionist and Post-Impressionist study of optics and plein-air observations, they were equally influenced by the Fauves and Expressionists, preferring instead to examine color from a personal emotive experience culled from the drama of the streets, cabarets, theaters and the denizens who frequented them. The painting offered here is a stunning example of Edzard’s command of mood and color. While the rapid, short brushstrokes command movement indicative of the dancers themselves, stasis and reverie are invoked through the downward gaze of the dancer in the foreground and the reduction of the dancers in the background, the twodimensional planes of color.

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210

210 Suzanne Eisendieck (German/Paris, 1908‑1998) “Maree Basse a Trouville-sur Mer”, ca. 1972 oil on canvas signed lower left, titled en verso.

Framed.

21‑1/2” x 25‑1/2”, framed 32” x 35‑1/2” $4,000‑$7,000 211 Jean-Pierre Dubord (French, b. 1949) “Le Marche aux Fleurs, Place de la Madeleine, a Paris” oil on canvas signed lower right, titled and signed en verso.

Framed.

20” x 24”, framed 29” x 33‑1/8” $1,200‑$1,800 211

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212 Group of Four Third Republic Mahogany Night Stands second half 19th century, in the Louis XVI taste, comprised of a pair with oval tops over a conforming case with a tambour door, the compartment with a marble bottom, the legs joined by a kidney-form shelf and fitted with brass cup casters, h. 33‑1/4”, w. 19‑1/2”, d. 15”, together with an example with a single frieze drawer flanked by gilt-brass panels, and turned fluted legs joined by a shelf, h. 34‑1/2”, w. 22‑1/2”, d. 13‑3/4”, and another example with a rectilinear top with projecting ovolo corners over a tambour door, h. 31‑1/4”, w. 18”, d. 13‑1/2”.

212

$1,000‑$1,500 213 Louis XVI-Style Fruitwood Commode mid-19th century, the rectangular top above a conforming case fitted with two long paneled drawers, flanked to either side by fluted uprights, raised on tapering square legs. h. 34”, w. 43‑1/4”, d. 19‑1/4” $1,000‑$1,500 214

214 Set of Four Louis XVI-Style Sconces 20th century, French, the two-light sconces with backplates decorated with swags and tassels, the reeded candle arms decorated with medallions, and the leaf-molded drip pans set with candle sockets with ribbon-bound reeds, electrified. h. 20‑1/2”, w. 12”, d. 4‑1/2” $1,200‑$1,800

215

215 Louis XVI-Style Fruitwood Writing Table

213

early 20th century, the brass-bound rectangular top with an inset leather writing surface, above a conforming frieze fitted with two drawers to one side and two faux drawers to the other, all with floral lattice-patterned inlays, raised on tapering square legs ending in brass caps. h. 30”, w. 50‑1/2”, d. 25” $1,500‑$2,500

77

216 Hugues Claude Pissarro (French, b. 1935) “Le Coin de Pecheurs” pastel on paper signed lower center, titled and signed en verso; accompanied with a letter of authenticity from the artist.

Matted, glazed and in a float-mount frame.

14‑1/2” x 20”, framed 31” x 36‑3/4” This painting was authenticated in 2017

by Hugues Claude Pissarro. $5,000‑$8,000 216

217 Hugues Claude Pissarro (French, b. 1935) “La Maison le Blond a Placy, Clecy, Normandie” oil on canvas signed and titled lower center, signed and titled en verso; accompanied with a letter of authenticity from the artist.

Framed.

18‑1/4” x 21‑5/8”, framed 23‑3/4” x 26‑3/4” This painting was authenticated in 2017 by Hugues Claude Pissarro. $7,000‑$10,000 217

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218 Cornelis Koppenol (Dutch, 1865‑1946) “Donkey Ride” oil on panel signed lower left.

Framed with brass artist plaque.

20” x 23‑1/2”, framed 26‑1/2” x 30‑1/2” $1,000‑$1,500

218

219 Franz Mark (Hubert Kaplan) (German, b. 1940) “Hunter and His Two Dogs” oil on canvas signed lower right.

Framed.

23‑3/4” x 32”, framed 29‑1/4” x 37‑3/4” $1,000‑$1,500

219

220 Suzanne Eisendieck (German/Paris, 1908‑1998) “Ete, d’apres Renoir”, ca. 1951‑1953 oil on canvas signed, titled and inscribed lower left, “Perls Galleries, New York” label on stretcher.

Framed.

23‑3/4” x 28‑3/4”, framed 30‑1/2” x 35‑1/2” $5,000‑$8,000

220

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221 Andre Gisson (American/French, 1921‑2003) “In the Walled Garden” oil on canvas signed lower left.

Presented in a giltwood frame with a wide mat and affixed with artist plaque. sight 15‑1/2” x 11‑1/2”, framed 28‑1/4” x 23” $1,400‑$1,800 222 E. J. (Jose Fernandez) Cygne (American, b. 1929) “Mother and Child by a Fountain” oil on canvas signed lower right.

In a carved wood frame.

36” x 24”, framed 45‑1/2” x 34” $1,000‑$1,500 221

223

223 Andre Gisson (American/French, 1921‑2003) “Place Vendome, Paris” oil on canvas signed lower right.

Framed.

12” x 16”, framed 18‑1/2” x 22‑1/2” $1,200‑$1,800 222

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224 Andre Michel (French, 1908‑1975) “Vue de Opera de Paris” oil on canvas signed lower right.

Framed.

12‑1/2” x 15‑1/2”, framed 22‑1/2” x 25‑1/2” $1,000‑$1,500 225 French Giltwood Mirror in the Louis XIV Taste fourth quarter 19th century, the frame lined with molded lotus leaves, the corners ornamented with medallions, the crest decorated with lovebirds and crossed instruments in a molded wreath, with trailing vines. h. 45‑1/2”, w. 36‑1/4” $1,000‑$1,500 226 Louis XVI-Style Giltwood and Marble-Top Side Table mid-19th century, the D-form marble top with projecting edges, above a conforming pierced guilloche frieze, raised on stopfluted tapering circular legs joined by an urn-centered X-form stretcher and ending in toupie feet. h. 34”, w. 45”, d. 20‑3/4”

225

$1,000‑$1,500

224

226

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227 Pair of Louis XVI-Style Polychrome Fauteuils late 19th century, each with a padded tapering rectangular back within a molded frame, joined by padded arms on vasiform uprights to the padded seat, raised on fluted tapering circular legs ending in casters. h. 34‑1/2” $2,500‑$4,000

227

228

228 Pair of Louis XIV-Style Gilt-Bronze Sconces ca. 1900, French, the five-light sconces with backplates decorated with scrollwork and laurel-leaf drops, and supporting leaf-molded and scrolled candle arms terminating in leaf-molded drip pans and inverted bell-form candle cups, hung with cut glass prisms. h. 21‑1/2”, w. 18”, d. 10” $1,000‑$1,500 229 Monumental Painted Architectural Mirror in the Classical Taste fourth quarter 19th century, French, with pilasters carved with Corinthian columns over fluted bases, the mirror surround carved with acanthus leaves and corner medallions. h. 91”, w. 61‑1/4” $3,000‑$5,000

229

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230 Gino Martini (Italian, b. 1935) “Busy Italian Market Scene” oil on canvas signed lower right.

Framed.

40” x 41”, framed 47‑1/4” x 47‑1/4” $3,000‑$5,000 230

231

232

231 Niek van der Plas (Dutch, b. 1954)

232 Niek van der Plas (Dutch, b. 1954)

“Regatta at Harbor in Normandy”

“De Seine, Paris”

oil on wood panel signed lower right, signed en verso.

Framed.

7” x 9‑1/2”, framed 13” x 15”

oil on wood panel signed lower right, signed and titled en verso.

Framed.

12” x 19‑1/4”, framed 19” x 26‑1/2”

$1,000‑$1,500

Literature: Niek van der Plas: Een impressionist uit Katwijk, TheoSanders, 2011, pp. 102‑103. $2,000‑$4,000

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233 Niek van der Plas (Dutch, b. 1954) “[View of] Montelbaanstoren, Amsterdam” oil on wood panel signed lower right, signed, titled and inscribed en verso.

Framed.

12” x 16”, framed 19‑1/8” x 23‑1/4” Exhibited: Katwijks Museum, Netherlandss, 2011 $1,500‑$2,500

233

234 Niek van der Plas (Dutch, b. 1954) “Beach Scene” oil on wood panel signed lower right and en verso.

Framed.

6” x 6”, framed 12‑1/2” x 12‑1/2” $1,000‑$1,500

234

235 Niek van der Plas (Dutch, b. 1954) “Boating near the Coast” oil on wood panel signed lower right and en verso.

Framed.

5‑1/2” x 13‑1/4”, framed 13‑1/4” x 20‑3/4” $1,200‑$1,800

235

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238

237

236

236 Louis XVI-Style Polychrome and Marble-Top Console Table 20th century, the demi-lune marble top with projecting corners, above a conforming pierced floral guilloche-carved frieze, raised on stop-fluted tapering circular legs joined by an urn-centered stretcher and ending in toupie feet. h. 34‑1/2”, w. 37”, d. 16‑1/2” $1,000‑$1,500 237 Louis XVI-Style Polychrome Settee 20th century, the padded medallion back surmounted by a wreath crest, joined by downswept padded arms to the padded seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 41”, w. 54”, d. 26”

238 Pair of Louis XVI-Style Polychrome and Parcel-Gilt Fauteuils each with a padded rectangular back within a molded frame, joined by padded scrolling arms to the like seat, raised on stop-fluted tapering circular legs ending in toupie feet. h. 37‑1/2” $1,200‑$1,800

$1,500‑$2,500

85

239 detail

239 French School (Fourth Quarter 18th/First Quarter 19th Century) “Allegory of Spring” oil on canvas unsigned, 254‑1/2” x 33‑1/8”, now inset into a late 19th century giltwood trumeau mirror with an embossed cove moulding surround overall h. 80”, w. 39‑1/2” $2,000‑$4,000 239

240 Louis XVI-Style Giltwood and Marble-Top Side Table 19th century, the D-form marble top with projecting ends, above a conforming paneled frieze centered by a foliate guilloche-carved panel, raised on spiral-reeded and fluted legs headed by a foliate capital, joined by a shaped urncentered stretcher and ending in block and toupie feet. h. 36‑1/2”, w. 37‑3/4”, d. 15” $1,500‑$2,500

240

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243 one of two

243 two of two

241

241 Gilt-Bronze and Crystal Chandelier fourth quarter 19th century, possibly Baccarat, the fourteen-light chandelier formerly fitted for gas, the central basket-shaped cut glass standard with bronze-mounted elements fitted above, set with gilt-bronze arms and reeded “candle” cups, decorated with molded leaves and scrollwork on two levels. h. 58‑1/2”, dia. 45”

242

$3,000‑$5,000 242 Unusual Pair of Bronze-Mounted Porcelain Urns ca. 1891‑1914, French, with gilt-bronze bases, the upper portions revolving to exhibit the obverse or reverse, decorated with handpainted muses personifying spring or summer, with leaf-molded handles, the bases with hand-painted underglaze spurious Sevres marks, with “BB” within the crossed “L’s” and “France” below, handpainted notations along the base edge. h. 18”, dia. 6” $1,200‑$1,800

243 French School (20th Century) “Allegories of Spring and Summer” pair of oils on canvas each indistinctly signed “Pasterie?”.

Framed alike. each 34‑3/4” x 14‑1/2”, framed 39‑3/4” x 18‑3/4” $1,500‑$2,500

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244 After Josef-Michel-Ange Pollet (French, 1814‑1870) “Une Heure de la Nuit” patinated and cold-painted bronze cast signature at edge of base. h. 38‑1/2”, w. 11‑1/2”, d. 16‑1/2” $2,000‑$4,000

245 After Francisque Joseph Duret (French, 1804‑1865) “Neapolitan Dancer with Tambourine” “Neapolitan Dancer with Castanets” pair of pendant patinated bronzes third or fourth quarter 19th century, cast by AugusteMaximilien Delafontaine (French, 1813‑1892), each with cast signature and foundry inscription on selfbase, marked “AD” along edge of base. h. 17”, w. 6” to 6‑1/2”, d. 5”

244

Provenance: Private collection, Connecticut.

Duret was an academically trained sculptor whose most popular and familiar works reveal his deep love and appreciation for the antiquities of the Classical Age. The son of an artist, he trained with his father and studied under Francois-Joseph Bosso, before traveling to Europe where he soon immersed himself in the history, culture, and artistic traditions of the region. The original models for the works presented here (part of his debut exhibition at the Paris Salon of 1838), bear a resemblance in form and composition to the Dancing Satyr, a 1st/2nd century CE Roman sculpture (itself a copy of the 2nd century Hellenistic work), now conserved at the Uffizi Gallery, Rome, and the Dancing Faun, a 2nd century BC Greco-Roman sculpture, now conserved at the National Archeological Museum in Naples. Duret’s figures, however, exhibit more freedom from the somewhat controlled postures of his inspiration; his dancers turn, twist and contort, revealing exuberant expressions and easily conveying to the viewers their pleasure and enthusiasm for the dance in which they are so completely engrossed. $1,800‑$2,500

245

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246 After Emmanuel Villanis (French, 1858‑1914) “Valkyrie”, first quarter 20th century patinated bronze cast signature and titled on self-base. h. 24‑1/2”, w. 14‑1/2”, d. 9” $1,800‑$2,500

247

247 Unusual French Gilt-Bronze Chandelier the twelve-light chandelier with a leaf-molded standard set with scrolled candle arms terminating in ram’s heads, each hung with flower-form candle sockets set with molded glass drip pans. h. 43‑1/2”, dia. 28” $2,000‑$4,000

246

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248 Unique Pair of French Wrought Iron and Curved Glass Vitrines

250 After Emile Louis Picault (French, 1833‑1915)

fourth quarter 19th century, each arched and mounted to a mahogany outer frame, a central gilt-bronze wreath affixed to the top of each door, the interior with a mirrored back and adjustable plate-glass shelves. h. 91”, w. 50”, d. 8”

“Le Genie de l’Humanite”

$2,000‑$4,000

$1,000‑$1,500

249 Exceptional French Gilded Age Mirror

251 After Emile Louis Picault (French, 1833‑1915)

fourth quarter 19th century, the arched crest decorated with a masque set into a shell, framed with arching pierced leaves and berries, the mirror plate overlaid with scrolled panels, the inner liner molded with bound reeds. h. 72”, w. 45”

patinated bronze cast signature along edge. h. 21‑1/4”, w. 8”, d. 7”

“La Volonte”

Provenance: Sotheby’s.

patinated bronze first quarter 20th century, cast signature along back, on a green marble base. overall h. 12‑1/2” w. 7”, d. 6”

$3,000‑$5,000

$1,200‑$1,800

90

248 one of a pair

248 one of a pair

250

249

251

91

252 Paul Francois Quinsac (French, 1858‑1932) “La Sculpture”, 1896 oil on canvas signed and dated lower right, titled on “Michelle Rosenfeld, New York” gallery label en verso.

Framed.

98‑1/2” x 53”, framed 108‑1/2” x 63” Provenance: Sotheby’s, New York, October 12, 1994, lot 175. $50,000‑$80,000

92

Paul Quinsac was an accomplished painter trained in the 19th century canon of the French Academy that privileged classically drawn figures executed in mythological and historical genre scenes over the avant-garde experimentation of the Romantics and later Impressionists. He studied under Jean-Leon Gerome and regularly exhibited at the Salon, winning honorable mentions at the Salon of 1884 and the Universal Exposition of 1900 and a third class medal at the Universal Exposition of 1900. In 1901 Quinsac became a professor of art and drawing at the Ecole des Beaux-Arts in Bordeaux, and was awarded the prestigious Legion of Honor in 1908. This stunning allegory of sculpture was part of a larger commission/series Quinsac painted on the theme of the Arts.

Two other allegories (Music and Painting) of the same scale, size and execution were also sold at Sotheby’s, New York in 2015 and 1993 respectively.

252

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253 Continental Gilt-Bronze and Green-Glazed Pottery Chandelier third quarter 19th century, in the rococo taste, the eight-light chandelier standard with pottery inserts set into scrolled and anthemion-molded gilt-bronze fittings, set with leaf-molded bronze arms, each with a pair of vasiform-molded candle cups on leaf-molded drip pans. h. 30”, dia. 30 Provenance: J. F. Chen Antiques, Los Angeles, California; Collection of Julia Reed, New Orleans, Louisiana and Greenville, Mississippi.

This chandelier can be seen in numerous publications including the One Kings Lane online “At Home With...” series, the July 2012 edition of Elle Decor and Thomas Jayne’s American Decoration. $1,500‑$2,500 253

254 Monumental Pair of French Barbotine Vases ca. 1900, decorated with delicately sculpted flowers and “twig” handles against a ground of impressionist hand-painted flowers, the plaster-filled bases inscribed “GS, EH, 1911”. h. 33”, w. 13” $2,000‑$4,000

255 Napoleon III Walnut and Burl Center Table late 19th century, in the Louis XV taste, the turtle-form top triple-banded and centered by an inlaid scene of cavorting putti, above a conforming banded frieze, raised on cabriole legs ending in sabots. h. 29‑1/2”, w. 45‑1/2”, d. 29‑1/2” $1,000‑$1,500

255

254

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257

256 256 Napoleon III Giltwood Mirror of Louis XVI Inspiration

257 Napoleon III Kingwood Games Table

third quarter 19th century, French, the oval mirror with a segmented surround, framed with beaded giltwood, the outer edge with carved gadrooning, the crest decorated with lovebirds carrying a quiver of arrows and a torch, flanked by laurel sprays. h. 54”, w. 38”

late 19th century, in the Louis XV style, the serpentine top banded and quarter-veneered, hinged and opening to a leather-inset surface, above a conforming paneled frieze, raised on cabriole legs headed by foliate ormolu mounts and ending in sabots. h. 31‑1/2”, w. 33‑1/4”, d. 18” (closed)

$1,500‑$2,500

$1,500‑$2,500

258 French Handwoven Tapestry of an Allegory of Plenty late 19th-century, the central motif of lush fruit and flowers in a bucolic park setting, with an allover acanthine border, now with a decoratively carved wooden bar for display. h. 68”, w. 93” $1,000‑$1,500

258

95

261

259 Continental Rococo-Style Gilt-Brass Chandelier fourth quarter 19th century, the eighteen-light chandelier with a pierced standard decorated with swirling leaves and flowers, and set with scrolled and leaf-molded arms and pierced drip pans and rocaille-molded candle cups on three levels, hung with cascades of drops hung from the corona, the drip pans hung with spear-point prisms. h. 50”, dia. 34” $3,000‑$5,000

259

260 Exceptional French Giltwood Mirror fourth quarter 19th century, set with an oval beveled mirror plate framed with laurel leaves under a crest decorated with doves, framing a torch, supporting swags of flowers hanging over the mirror plate, the lower edge with pierced fringe swags. h. 45‑1/2”, w. 32‑1/2” $1,000‑$1,500 261 After Georges Gardet (French, 1863‑1939) “Perruches Inseparables”, first quarter 20th century bronze dore cast signature along front, an “F. Barbedienne, Fondeur” inscription along back edge. h. 9‑1/2”, w. 4‑1/4”, d. 4‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma.

An onyx version of this figural group was exhibited at the Paris Salon of 1895 and is now conserved at the Musee d’Orsay, France. $1,000‑$1,500 260

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262 Unusual Belle Epoque Cast Brass Beveled Mirror Armoire ca. 1900, the front with three beveled plate-glass mirrored doors with an ornate cast brass frieze above and a pierced cast brass frieze below, raised on brass cabriole legs ending in ball-and-claw feet. h. 74‑1/2”, w. 74”, d. 25” $2,000‑$4,000 263 Pair of French Patinated Bronze Moderator Lamps third quarter 19th century, the bulbous base with cast portrait mounts and chased decor, now electrified and fitted with period-style etched glass shades. h. 33‑1/2”, dia. 7‑1/2” $1,000‑$1,500 264 Rare Belle Epoque Giltwood and Engraved Glass Mirror fourth quarter 19th century, French, set with an oval beveled mirror plate, lined with a scroll-molded giltwood frame set with frosted and engraved glass, the crest with an engraved glass cartouche with a pierced giltwood surround. h. 61”, w. 41” $3,000‑$5,000 264

263

262

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265 Napoleon III Ebonized, Boulle and Marble-Top Parlor Cabinet third quarter 19th century, the rectangular marble top above a case fitted with a gilt-bronze acanthine and guilloche frieze over a single door inset with a Boulle-work panel, flanked to either side by acanthine and bellflower mounts, raised on a bracket base. h. 45”, w. 29”, d. 14‑1/2” $1,000‑$1,500 266 Pair of French Cast Metal and Gold-Painted Moderator Lamps third quarter 19th century, decorated with frolicking putti and supported by flaming torch legs, now electrified and fitted with period-style etched glass shades. h. 36”, w. 10‑1/2”, d. 7‑1/2” $1,000‑$1,500 267 Hippolyte Jean-Baptiste de Vergeses (French, 1847‑1896) “Portrait of a Lady”, 1862

266

oil on canvas signed and dated lower mid-left.

Framed.

28‑3/4” x 23‑1/2”, framed 35‑1/2” x 29‑3/4” $1,000‑$1,500

267

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265

268 Peshawar Carpet 8’ 9” x 13’ 6” $3,000‑$5,000 269 Khorassan Carpet 10’ 6” x 15’ 10” $1,000‑$1,500 270 Peshawar Sultanabad Carpet 10’ x 13’ 8” $1,800‑$2,500 268

270

269

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271 Turkish Angora Oushak Carpet 10’ 1” x 14’ $1,200‑$1,800 272 Turkish Angora Oushak Carpet 9’ 1” x 11’ 10” $1,000‑$1,500 273 Turkish Angora Oushak Runner 271

2’ 6” x 24’ 3” $1,000‑$1,500

273

100

272

274 Heriz Carpet 8’ 2” x 11’ 4” $1,000‑$1,500

275 Turkish Angora Oushak Carpet 8’ 10” x 11’ 10” $1,000‑$1,500

274

275

276 Semi-Antique Tabriz Carpet 9’ 9” x 12’ 7” $1,000‑$1,500

276

101

277 Semi-Antique Tabriz Carpet 7’ 10” x 11’ $1,000‑$1,500 278 Mahal Carpet 7’ 2” x 10’ 7” $1,000‑$1,500 279 Heriz Carpet 11’ 2” x 14’ 6” $3,000‑$5,000 280 Peshawar Carpet 6’ 10” x 9’ 4” $1,000‑$1,500 280

278

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277

279

281 18th-Century Polish Silver Sugar Box 1770‑1774, Gdansk, by Michael Schleich (Master 1743; d. 1775), of ovoid form, decorated with scroll-mantled oval repousse medallions of people encountering their mythological counterparts (e.g. a hunter meeting Artemis, a soldier meeting Ares, an inebriate meeting Dionysus, a laborer meeting Ponos, etc.) the lid with applied acanthus hinge and hasp, decorated with engraved Green Man masques and scroll, with applied branch finial, the whole raised on four acanthus-crested pad feet. h. 4‑1/2”, w. 5‑1/2”, d. 4‑1/4”; 12.55 t. oz. $1,000‑$1,500 281

282 18th-Century Continental Silver Chocolate and Hot Milk Pots the larger chocolate pot, Augsburg, 1747‑49, by Johann Christian Girschner, the smaller hot milk pot, Forbach, Lorraine (Moselle) ca. 1750, each with a pear-shaped body decorated with spiral serpentine flutes and gadroons, the beaked spout with hinged cap, the hinged, domed lid with toupie finial and scrolled billet, with crested, scrolling wood handle, the body engraved with an armorial.

Augsburg, h. 9‑1/2”, l. 7”; Forbach, h. 7‑1/2”, l. 5‑3/4”; 26.94 total t. oz. (including handles) The chocolate pot is distinguished by its detachable finial for the insertion of a muddler. $2,000‑$4,000

282

283 Prussian Neoclassical Silver Sugar Box 1803, Koenigsberg/Kaliningrad, by Johann Gottlieb Zimmermann II (1768‑1857; Master 1791), 12 lot (.750) silver, of rectangular form, engraved with leaves and swags, the hinged and locking lid with cavetto molded edge and centering an applied medallion of Hope, the whole raised on four bracket feet. h. 3”, w. 5‑1/4”, d. 3‑5/8”; 13.42 t. oz. $1,000‑$1,500

283

103

284 Fine George II Sterling Silver Tureen hallmarked London, 1758‑1759, by George Methuen (fl. 1743‑1765), of bulbous oval form with shaped gadrooned rim, rocaille-mounted stirrup handles and scrolling legs, the fitted domed lid with gadrooned band en suite and large applied pomegranate finial, engraved on both sides of the body with the foliate mantled arms of Brough impaling Charlton; the interior fitted with a later sterling silver liner hallmarked 1840‑1841, by Robert Hennell III. h. 8‑3/4”, l. 17‑1/4”, w. 8‑1/2”; 94.05 total t. oz.

The arms here are probably those of Richard Brough of Thoroton, Nottingham, who married, in 1716, Anne Charlton, daughter of Gilbert Charlton and Anne Staunton.

284 detail

$10,000‑$15,000

284 detail

284 detail

284 detail

284

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285 Good Set of Twelve Victorian Sterling Silver Service Plates hallmarked London, 1872‑1873, by Hunt & Roskell, each of hexagonally serpentine-lobed circular form with applied ovolo rim and recessed circular plateau, engraved with a crest opposing a quartered armorial. dia. 10”; 232.5 total t. oz. $7,000‑$10,000 286 Russian Nicholas I Silver Water Pitcher 1845, St. Petersburg, assayer Mikhail Mikhailovich Karpinski, maker’s mark “Henze”, 84 zolotnik (.875) silver, of ovoid form, the lower half gadrooned, the shaped rim with integral spout and gadrooned rim, with crested arched handle and conforming cavetto domed foot, the interior gilt, monogrammed “AK” with a crown of nobility. h. 11‑1/2”, l. 8‑3/4”, w. 4‑3/4”; 37.22 t. oz. $1,800‑$2,500 286

285 detail

285 detail

285

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287

288

289

287 Fine Pair of Austrian Parcel-Gilt Silver and Hardstone Renaissance Revival Salt Cellars fourth quarter 19th century, by Wilhelm Haarstrick, Salzburg, each of square form, with openwork scrolling aprons centering a Green Man masque, the corners with harpy caryatid scrolling legs and dolphin feet, each above a bloodstone sphere, the top with engraved spandrels and centering a detachable hemispherical rouge de Languedoc marble liner with gadrooned silver rim. h. 2‑3/4”, w. 3‑1/4”; 19.55 total t. oz. (excluding liners, but including bloodstone) $1,500‑$2,500

288 Maltese Silver Sottocoppa 1861, by Giuseppe Tortell, of hexagonally lobed circular form with molded rim, raised on a tall domed foot. h. 3‑5/8”, dia. 11‑3/4”; 27.43 t. oz. $1,800‑$2,500 289 Good Pair of Christofle Silverplate Wine Coolers ca. 1871, Paris, each of ovoid form and decorated with floral mantled oval cartouches, one with putti of Triton, the other with putti of Dionysus, decorated with foliate scroll band with classical masques and applied laurel-mantled arched handles, fitted with a detachable waisted collar with grape cluster rim, the whole raised on a gadrooned foot with laurel-and-ribbon band. h. 12‑1/2”, dia. 7”, w. 11‑3/4” $1,800‑$2,500

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290 Pair of Spanish Parcel-Gilt Sterling Silver Pheasant Table Garnitures mid-20th century, by Plateria Espunes, Madrid, each in the form of a realistically detailed male golden pheasant. h. 6‑1/2”, w. 2‑1/2”, l. 15‑3/4”; 20.82 total t. oz. $1,000‑$1,500 291 Portuguese Tiffany & Co. Sterling Silver Figural Tea Caddy 20th century, in the form of a female grouse, with finely detailed chased feathers, the neck and back opening to reveal a gilt interior. h. 6‑1/4”, l. 7”, w. 5‑1/2”; 24.04 t. oz. $1,000‑$1,500

291

292 Pair of Continental Sterling Silver Candlesticks first half 20th century, each with a baluster standard above a domed foot with three integral feet and surmounted by a gadrooned urn-form nozzle, the whole decorated with chased rococo shells and scrolls. h. 12‑1/2”, dia. 5‑1/2”; 27.10 total t. oz. $1,000‑$1,500 293 Two Argentine Silver Gaucho Knives 20th century, each with silver baluster handle, scabbard and waistband clip, with pointed, double-edged steel blade, all engraved with flowers and scrolls. overall l. 13‑5/8” and 11‑1/4” $1,000‑$1,500

292

293

290

107

294 Nine English and American Silver Spoons late 18th to mid-20th century, including sterling pieces: A Pair of “Old English” Tablespoons, Dublin, 1798,

by Samuel Neville, retailed by John Ashe, l. 8‑3/4”, 4.08 total t. oz.

An “Old English Feathered” Tablespoon, London, 1809‑1810, by William Eley & William Fearn, engraved with a crest of an eagle rising, l. 8‑1/4”, 1.63 t. oz.

A “Fiddle Thread” Sauce Ladle, 1824‑1825, by William Johnson, l. 6‑3/4”, 2.67 t. oz.

An Assembled Pair of “Fiddle” Berry Spoons, London, one 1834‑1835, by Lewis Samuel, the other 1838‑1839, by Richard Britton, with later identical decoration, l. 8‑3/4”, 4.23 total t. oz.

A Pair of “Hanoverian” Berry Spoons, London, 1947‑1948, the maker’s mark rubbed, the bowls engraved with grape clusters and vine, the handle reverse engraved with a crest of a cubit arm holding a laurel branch, l. 8‑1/4”, 5.38 total t. oz.

And an American Coin Silver “Coffin” Handle Tablespoon, first quarter 19th century, Shepherd & Boyd, Albany, New York, monogrammed “LS”, l. 9‑3/4”, 1.39 t. oz.

19.38 total t. oz.

294

$1,000‑$1,500

295 Collection of Buccellati and Harrods Silverplate Flatware 20th century, including a set of Buccellati “Bellefleur” comprising eight six-piece place settings (four pieces lacking) and eleven serving pieces, and a Latham & Owen for Harrods twentyfour-piece fish set.

79 pieces

295

Detailed list of pieces available on request. $1,000‑$1,500

296 Alessandro Mendini (Italian, b. 1931) “Peonia” centerpiece, Design Gallery Milano, 1993 marble, engraved and silver-plated brass with gallery label “Mendini / 1993 / Design Gallery Milano”, numbered “8/24”. h. 13‑7/8”, l. 21‑1/2”, d. 8‑1/8” h. 13‑3/4”, w. 24‑1/4”; d. 8‑1/8” $1,000‑$1,500

296

108

297 George III Carved Mahogany Lolling Chair late 18th century, of generous proportions, with a padded rectangular back and scrolled arms, padded seat and raised on blind fret-carved Marlborough legs. h. 37‑1/2” Provenance: Henry Stern Antiques, New Orleans, Louisiana. $1,000‑$1,500 298 Georgian-Style Silverplated Chandelier third quarter 20th century, English, the six-light chandelier with a turned standard with “linenfold” decoration and a tassel-form pendant finial, set with scrolled candle arms with molded drip pans and matching candle sockets. h. 28”, dia. 25‑1/2”

297

$1,000‑$1,500 299 George III Mahogany Sideboard late 18th century, the shaped D-form superstructure with three central panels flanked to either side by fluted sliding cupboards, the D-form top above a case fitted with a central paneled door flanked to either side by a cutlery drawer and further flanked by a deep cellarette drawer, raised on tapering square legs. h. 44”, w. 90‑1/4”, d. 29‑1/2” Provenance: Purchased from Wakefield-Scearce Gallery, Shelbyville, Kentucky.

298

$3,000‑$5,000

299

109

300 George III-Style Mahogany Dining Table the rounded rectangular top banded and with two 24” leaves, raised on two pedestals, each with a ribbed columnar standard to four splayed legs ending in brass caps on casters. h. 29”, w. 47”, l. 76”, ext. l. 124” $1,200‑$1,800 301 George III Mahogany Dumbwaiter early 19th century, with three graduated circular tiers, all with line-inlaid sunburst patterns, supported by turned vasiform standards, raised on a like base to three splayed legs ending in pad feet on casters. h. 50‑1/4”, dia. 24‑1/2” $1,000‑$1,500

301

300

302 Suite of Twelve George II-Style Mahogany Dining Chairs in the Chippendale taste, comprised of a pair of armchairs and ten side chairs, each with a swag- and foliate-carved top rail, shaped splat and cabriole legs with ball-and-claw feet. h. 39” $1,200‑$1,800

302

110

304

304 Queen Anne-Style Mahogany Games Table 18th century and later, of triangular form, the top banded, hinged and opening to a larger gaming surface, further opening to storage compartments, raised on tapering circular legs ending in pad feet. h. 27‑1/2”, w. 38”, d. 19‑1/2” (closed)

303

303 British School (Fourth Quarter 18th Century)

$1,000‑$1,500

“Portrait of a Gentleman in a Red Coat, Possibly an Officer”

305 Queen Anne-Style Burled Elm and Mahogany Drop-Leaf Dining Table

oil on canvas unsigned, remnant of old label en verso stretcher.

Framed.

21‑1/4” x 17‑1/4”, framed 26‑3/4” x 23”

of generous size, the burlwood top flanked by like demi-lune drop leaves, the leaves supported by a pair of fly legs with pad feet. h. 30‑1/2”, w. 95”, l. 21”, ext. l. 60”

Provenance: By repute, Chequers, Buckinghamshire, England; Sale of property descended in the family of Viscountess Lee of Fareham, Hess Fine Art, St. Petersburg, Florida; Collection of James Harris, PhD, Oklahoma City, Oklahoma.

Provenance: Purchased from Northgate Gallery, Chattanooga, Tennessee. $1,500‑$2,500

$1,000‑$1,500

305

111

306 Georgian-Style Mahogany Armchair 19th century, of generous proportions, the wide, padded rectangular back joined to the cushioned seat by outscrolled arms, raised on cabriole legs headed by shell carving and ending in pad feet, upholstered in needlepoint and petit point in floral pastoral patterns. h. 36‑1/2” $1,000‑$1,500

307 British School (Fourth Quarter 18th Century) “Portrait of a Lady in a Red Silk Dress” oil on canvas unsigned.

Framed.

30” x 25”, framed 35‑3/4” x 30‑1/2”

307

Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma.

308 George III Mahogany Chest

$2,000‑$4,000

fourth quarter 18th century, the rectangular top above a conforming case fitted with a pull-out brushing slide over four graduated long drawers, raised on shaped bracket feet. h. 35‑1/2”, w. 37”, d. 19‑1/2” $1,000‑$1,500

306

112

308

309 George III-Style Mahogany Bowfront Corner Cabinet 19th century, the molded cornice above a case fitted with two paneled doors opening to two hanging spaces, with two paneled cupboard doors below, raised on a plinth base. h. 88‑1/2”, w. 46”, d. 17‑1/2” $1,000‑$1,500 310 Pair of Monumental Tiffany-Retailed Faience Palace Urns 20th century, in the 17th-century style, with molded bodies and covers decorated with orange, green and blue flowers, leaves and diapering, the covers set with knops in the form of seated dogs, their paws resting on shields, marked on the bottom. h. 49”, dia. 17‑1/2” $3,000‑$5,000 311 Cut Glass Chandelier in the Waterford Taste mid-20th century, English, the six-light chandelier with a strawberry-cut glass-clad standard set with cut glass arms with vasiform candle cups and cut prism rings, hung with cascades of crystal drops. h. 36‑1/2”, dia. 30”

311

$1,200‑$1,800

310

309

113

312 George III Mahogany Sideboard fourth quarter 18th century, the superstructure with a brass plate rail above a paneled structure, the slightly bowed top above a conforming case fitted with three short drawers flanked to either side by a deep cellarette drawer, raised on line-inlaid tapering square legs ending in spade feet. h. 57‑1/2”, w. 83‑1/4”, d. 28” Provenance: Purchased from Wakefield-Scearce Gallery, Shelbyville, Kentucky. $2,000‑$4,000 313 George III Inlaid Mahogany Storage Box on Stand first quarter 19th century, the top and front with oval inlaid snails, the outer edges with checkerboard and line inlays, the interior with a segmented divider, the lower right side of the case fitted with a long, narrow drawer, raised on tapered legs with line inlays and applied cuffs, retains its original lock and working key. h. 23‑1/2”, w. 16”, d. 11”

313

$1,200‑$1,800

312

114

314

314 George II Mahogany Breakfront Bookcase first quarter 19th century, the dentillated and molded cornice above a central case with two astragal-glazed doors, flanked by similar single-door cabinets to each side, mounted to a platform base. h. 83”, w. 100”, d. 17” $2,000‑$4,000

115

315 Sixty-One Leather-Bound Volumes of American and English Literature mid-19th to early 20th century, including works of Bryant, Emerson, Irving and Stevenson. h. 7‑1/4” to 8‑5/8” Detailed list of authors and sets available on request. $1,000‑$1,500

315

316 Twenty-Nine Leather-Bound Volumes of History and Biography early 19th to early 20th century, including Grimshaw’s France, Scott’s Napoleon, Motley’s Dutch Republic and United Netherlands, Prescott’s Charles V and Peru, and others. h. 7‑3/8” to 9‑1/4” Detailed list of titles and authors available on request. $1,000‑$1,500

316

317 Twenty-Nine Leather-Bound Volumes of English Literature early 19th to early 20th century, including works

by Shakespeare, Austen, Browning, BarrettBrowning, Burns, Wordsworth, Shelley, Boswell, and others. h. 6‑3/8” to 9‑1/4” Detailed list of titles and authors available on request. $1,000‑$1,500 317

318 Hepplewhite Mahogany Bowfront Console Table first quarter 19th century, the top with a rosewood- and string-inlaid-banded edge, above a straight frieze apron with fan-inlaid medallions at the front corners, raised on fluted, tapering square legs. h. 33”, w. 64”, d. 21” 318

116

$1,200‑$1,800

319 Pair of George III-Style Line-Inlaid Satinwood Bachelor’s Chests 20th century, each with a bank of four drawers, the drawers with crossbanded perimeters and embossed brass oval bail pulls, raised on bracket feet. h. 30‑1/4”, w. 23”, d. 18” $1,200‑$1,800 319

320 British School (19th Century) “Portrait of George, Prince Regent, Later King George IV” oil on canvas unsigned, portion of a larger painting.

Framed.

20” x 16”, framed 27‑3/4” x 24” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,000‑$1,500

320

321 Pair of George III Giltwood Armchairs late 18th century, each with a padded rectangular back within a ribbed frame, joined by padded arms on baluster-form uprights to the like seat, raised on delicate tapering circular legs ending in toupie feet. h. 34‑1/2” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $1,500‑$2,500

321

117

322 George III-Style Painted and Parcel-Gilt Mirror third quarter 20th century, English, decorated with carved giltwood on a celadon ground, the swan’s-neck pediment hung with swags of leaves, atop the surround decorated with carved scrollwork, the lower edge flanked with carved volutes flanking a carved shell. h. 46‑1/2”, w. 24” $1,000‑$1,500 323 French Molded Glass Chandelier mid-20th century, the eight-light chandelier with a molded glass standard set with glass prism rings and spiral reeded candle arms, set with glass prism rings alternating with spiral glass scrolls, supporting swags of glass drops. h. 32”, dia. 28‑1/2” $1,000‑$1,500 324 George II-Style Mahogany Wing Chair in the Queen Anne taste, with upholstered back and closed arms, loose seat cushion, cabriole legs with shell-carved knees and pad feet, upholstered in seafoam green brocade. h. 43” 323

$1,000‑$1,500

324

322

118

325 Edward George Armfield (British, 1817‑1896) “Terriers Ratting” oil on canvas signed lower left.

Framed.

12” x 24”, framed 18‑3/4” x 30‑1/2” $2,000‑$4,000 326 George Wright (British, 1860‑1942) “Three Horses Grazing with Birds”

327

oil on wood panel signed lower mid-right.

In a period frame with brass artist plaque.

9‑1/2” x 10”, framed 15” x 15‑1/2” $1,000‑$1,500

326

327 Henry Charles Fox (British, 1860‑1925) 325

“Horses Grazing by the River” oil on canvas signed lower right.

Framed.

14” x 21”, framed 18‑1/2” x 25‑1/2” $1,200‑$1,800 328 Robert Stone (British, 1820‑1870) “Hunt Scene I” “Hunt Scene II” pair of oils on beveled wood panel one signed lower right, the other signed lower left, each with an old stamp en verso.

Framed alike.

10‑1/4” x 5‑1/4”, framed 14” x 8‑3/4” $1,800‑$2,500

328 one of two

328 two of two

119

329 Donald Ayres British, b. 1936) “The Hunt” oil on canvas signed lower left.

Framed.

24” x 36”, framed 28‑1/2” x 40‑1/2” $1,500‑$2,500

329

330 After John Constable (British, 1776‑1837) “Salisbury Cathedral from the Meadows”, fourth quarter 19th century oil on canvas unsigned, after the 1830 painting owned by Tate Britain and now on exhibition loan to the Scottish National Gallery, Edinburgh.

Framed.

22” x 27‑1/4”, framed 29‑1/2” x 34‑1/2” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,000‑$1,500

330

331 Horatio McCulloch (Scottish, 1805‑1867) “Doune Castle near Perth” oil on wood panel unsigned, artist name and title inscribed on 19th-century label en verso.

Framed.

8‑1/4” x 10”, framed 16‑3/4” x 18” $1,000‑$1,500

331

120

332 Regency-Style Mahogany Partner’s Desk the long rectangular top with an inset leather writing surface and raised on two tapering pedestals, each fitted with a drawer over a paneled cupboard to either side, the sides with applied patera molding, raised on paw feet. h. 37”, w. 82”, d. 30”

332

$3,000‑$5,000 333 British School (19th Century) “Portrait of a Girl with a Bunny” oil on canvas unsigned.

Framed.

24” x 20”, framed 31” x 27” $2,000‑$4,000 334 William IV Zebrawood Breakfast Table mid-19th century, the tilting rounded rectangular top banded and raised on a paneled standard to four splayed legs ending in ormolu paw feet on casters. h. 28”, w. 35‑1/2”, l. 47‑1/2” $1,000‑$1,500

334 detail

334 333

121

335 Monumental English Hand-Painted Porcelain Garniture Vase late 19th century, decorated on the obverse with the “Ruins of Palmyra” and on the reverse with carefully rendered fruit, on a cobalt ground richly decorated with gilt scrollwork, unmarked. h. 31”, w. 12‑1/2”, d. 8” $2,000‑$4,000

336 Regency-Style Rosewood Writing Table 19th century, the banded rectangular top above a conforming frieze fitted with two drawers to either side, raised on ebonized curule-form end supports ending in gilt ring-turned feet on casters. h. 27‑1/2”, w. 48”, d. 31‑1/2”

335 detail

335

$4,000‑$7,000

337 Suite of Eight Regency-Style Faux Grained Rosewood Armchairs each with a fluted crest above a pierced lionmasque-centered splat, joined by scrolling arms on lion-paw uprights to the padded seat, raised on spiral-fluted sabre legs. h. 33” $4,000‑$7,000 336

337

122

338 Pair of French Neo-Grec Bronze and Glass Oil Lamps third quarter 19th century, raised on ebonized wood plinths, the bronze dore et patine bases supporting gilt-bronze water carriers mounted with molded glass fonts, the burners signed “A. Robert, London, Paris”, and set with period engraved glass shades and chimneys. h. 32‑3/4”, dia. 6” $1,000‑$1,500 339 Regency-Style Brass-Inlaid Rosewood Sofa Table

341

20th century, the top with a brass-strung inlaid border and two drop leaves, one side fitted with two drawers and supported by a pair of turned standards mounted to a platform with downcurved legs. h. 27‑1/2”, w. 35‑1/2”, d. 25‑1/2”, ext. w. 56” $1,200‑$1,800 340 Pair of Late Regency-Style Wing Chairs each with a barrel-form back extending to closed arms, loose seat cushion and turned wooden Sheraton legs, the backs in vertically pleated black upholstery. h. 46‑1/2” $1,000‑$1,500 341 Pair of English Porcelain Fruit/Ice Cream Coolers ca. 1800, decorated with hand-painted flower panels in gilttrimmed panels on a cobalt diapered ground, one with an old Sotheby’s Parke-Bernet tag. h. 10‑1/4”, dia. 7‑1/4”

339

$1,000‑$1,500

340 338

123

342 British School (19th Century) “Portrait of a Young Man” oil on canvas unsigned.

Framed.

24‑1/8” x 19‑1/2”, framed 33” x 29‑1/4” Provenance: By repute, Mint Museum, Charlotte, North Carolina; Private collection, North Carolina; Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,000‑$1,500

342

343 Regency Mahogany Bookcase first quarter 19th century, the molded overhanging cornice above four astragal-glazed doors, the lower section fitted with four paneled cupboards, raised on a plinth base, the top of the lower section bearing various pen and pencil inscriptions noting various movements of the piece beginning in August 1837, the latest 1988. h. 106‑1/2”, w. 109‑1/2”, d. 15‑1/2” $2,000‑$4,000

343

124

344 Regency-Style Mahogany and Marble-Top Cabinet 20th century, the marble top with a concave center section, above a conforming case fitted with a brass-banded frieze over four cabinet doors, each inset with a fabric-backed, grilled panel, raised on a plinth base. h. 35”, w. 67‑1/2”, d. 15‑1/2” $1,000‑$1,500 345 Pair of Bronze Patine et Dore Whippets in the neoclassical taste, with dore collars, on hexagonal cove-molded bases decorated with acanthus leaves. h. 32”, dia. 9‑3/4” $1,800‑$2,500

345

346 Pair of Regency-Style Carved and Parcel-Gilt Sconces 20th century, Italian, with drape-carved backplates, the ebonized hands with gilt cuffs, the cornucopia-form candle holders decorated with gilt leaves and fluted candle sockets with gilt trim, electrified. h. 34‑1/4”, w. 7”, d. 12‑1/4” 346

$1,000‑$1,500

344

125

347 Pair of Late William IV-Style Giltwood and Faux Marbre Console Tables 19th century and later, each with a long, canted rectangular faux marbre top above a conforming fluted and paneled frieze, raised on acanthine- and grapevine-carved and turned legs ending in ball feet. h. 34‑1/2”, w. 62”, d. 13‑1/2” $1,000‑$1,500

348

348 Regency-Style Brass Planter 20th century, with molded and pierced latticework sides, and raised on paw feet at each corner, the interior with a removable tole liner. h. 11‑1/2”, w. 44”, d. 15‑1/2” $1,800‑$2,500 349 Pair of Cast Stone Whippets first quarter 20th century, English, on plinths with cut corners, the recumbent whippets of classic form. h. 17”, w. 9‑3/4”, l. 27”

349

$1,000‑$1,500 350 Suite of Six Anglo-Indian Silver Metal-Clad Dining Chairs of klismos form in the Regency taste, comprised of an armchair, h. 34‑5/8”, and five side chairs, h. 34‑1/4”, each with an embossed top rail terminating in cast ram’s heads, all exposed surfaces with embossed cladding, saber legs and upholstered seat cushions.

350

$1,000‑$1,500

347

126

351 Pair of Monumental Glazed Terracotta Garden Urns fourth quarter 19th century, probably English, the carefully detailed campana-form urns decorated with putti holding emblems of the four seasons on the base, the bodies with egg-and-dart details at the top and bottom, framing lush swags of grapes and grape leaves, the handles with pierced scrollwork. h. 44”, w. 39‑1/2”, d. 29‑1/2” $3,000‑$5,000

351 detail

351

127

354 Jose Alarcon Suarez (Spanish, 19th Century) “Dancer with Flowers and Bells” oil on canvas signed lower left.

Framed.

34‑1/2” x 25”, framed 39” x 29‑1/2” $1,200‑$1,800

352

352 Constantin Alexandrovich Westchiloff (Russian, 1877‑1945) “Monk Reading on an Amalfi Coast Terrace” oil on artist board signed lower right.

Framed.

12‑1/4” x 8”, framed 16‑1/2” x 12”

354

$2,000‑$4,000

353 Francesco Giangiacomo (Italian, 1783‑1864) “Interior Scene - The Evening Entertainment”, 1856 oil on canvas signed and dated lower right.

Framed.

24‑1/2” x 28‑7/8, framed 35‑1/4” x 39‑3/4” $1,500‑$2,500

128

353

357 Adolphe Joseph Thomas Monticelli (French, 1824‑1886) “The Judgment of Paris” oil on cradled wood panel signed lower right.

Framed.

15‑3/4” x 18‑3/4”, framed 23‑1/2” x 26‑1/2” $2,000‑$4,000

355

355 Leon Herbo (Belgian, 1850‑1907) “La Chute d’Un Ange” oil on canvas signed, dated and localized “Bruxelles” lower right, titled on book.

Framed.

32‑3/4” x 22‑3/4”, framed 36” x 26‑1/4”

357

$2,000‑$4,000

356 After Paul Jean Gervais (French, 1859‑1936) “Le Banc de Marbre” oil on linen signed “A. Pierre” and inscribed “d’apres GERVAIS” lower right.

Framed.

35” x 45‑1/2”, framed 44” x 54‑3/4” $1,000‑$1,500 356

129

358

358 School of Jean-Leon Gerome (French, 1824‑1904) “Le Prisonnier”, after the original in the Musee des Beaux-Arts, Nantes oil on wood panel signed lower left.

Framed.

17‑1/4” x 29”, framed 29‑1/4” x 41‑1/4” Provenance: Cote Basque Encheres, Saint-Jeande-Luz, France, November 4, 2017, lot 84. $3,000‑$5,000

359 Alexandre-Jacques Chantron (French, 1842‑1918) “Reverie”, 1889 oil on canvas signed and dated lower right.

Framed.

16” x 12‑3/4”, framed 23” x 19” $2,000‑$4,000

359

130

360 Continental Patinated Bronze Figure of a Young Boy 20th century, the figure with one arm raised and a jug under the other. h. 45”, w. 24”, d. 19” $1,000‑$1,500 361 Pair of Continental Bronze and Mirrored Sconces ca. 1900, with horizontal fluted plinths supporting scrolled candle arms decorated with drops of molded vines hanging below, the tops with oval mirrors framed with laurel wreaths and scrollwork, the crests with vases of lilies. h. 43‑1/4”, w. 31”, d. 6‑3/4” $1,200‑$1,800 362 Unusual Iron and Polychrome Glass-Top Table the top comprised of a late 18th-century polychrome door featuring five shaped and molded panels, all with delicate floral and scrolling patterns, set into an iron base to scrolling legs joined by an X-form stretcher. h. 29”, w. 90”, d. 47”

361

$4,000‑$7,000

362

360

362 detail

131

364

363

363 Italian Cast Iron Figural Fountain of a Nereid and a Triton 1920, after a model by Clem Origo (Italian, late 19th/early 20th century) exhibited at the Twelfth International Exhibition in Venice, cast by Fonderia G. Vignali, Florence, cast signature, date and foundry inscription along edge. h. 76”, w. 50” Provenance: Christie’s, New York, October 25, 2007, lot 398. $7,000‑$10,000 364 Neoclassical-Style Bronze Gueridon the inset circular marble top on a frame with a trio of leonine-modeled legs, the stretchers in the form of joined tails. h. 30‑1/2”, top dia. 21‑1/4”, overall dia. 28” $1,800‑$2,500

132

363 detail

365 Pair of Continental Neoclassical Cast Iron Garden Urns second quarter 20th century, the urns with fluted bodies set with mounts of ram’s heads on the obverse and reverse, the handles in the form of putti holding kylixes, the plinths decorated with framed and molded medallions. h. 43”, w. 34‑1/2”, d. 21‑1/2” $1,500‑$2,500 366

366 Italian Carved Marble and Granite-Top Garden Table ca. 1900, the thick rectangular granite top mounted to a pair of carved carrara marble pedestals, each with stylized griffins on a plinth base. h. 33”, w. 72”, d. 28” Provenance: James Ford Bell Mansion, Minnetonka, Minnesota. $1,200‑$1,800

365

367 Italian Marble Bust of the Emperor Hadrian 20th century, a variant of the antique marble discovered at Hadrian’s Villa, Tivoli, now presented on a columnar white marble pedestal. overall h. 66”, w. 17”, d. 10” Provenance: Collection of James Harris, PhD, Oklahoma City, Oklahoma. $1,200‑$1,800

367

133

368 Pair of Exceptionally Detailed Cast Iron CampanaForm Garden Urns fourth quarter 19th century, Continental or English, with a patinated bronze finish, decorated with deeply cast Dionysian figures around the sides and a border of grapes and grape leaves, the reeded handles terminating in masques, the lower portion with acanthus leaves. h. 30‑1/2”, dia. 23” $4,500‑$7,000

370

368

369 Pair of Continental Cast Iron Campana-Form Garden Urns ca. 1900, with egg-and-dart rims, the sides decorated with bas-relief classical figures, on tapered and fluted bases. h. 20”, dia. 14‑1/2” $1,000‑$1,500

370 Italian Patinated Bronze of “Spinario” 20th century, after the Hellenistic bronze now in the Capitoline Museum, Rome, on a round, mottled mauve and white marble plinth, resting on a fluted column-form pedestal. overall h. 21‑3/4”, w. 11‑1/4”, d. 12‑1/2” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana.

369

134

$1,000‑$1,500

373 Italian Neoclassical Polychrome and Marble-Top Console Table mid-19th century, the shaped marble top with a molded edge, above a conforming frieze with elongated gadroon and bellflower carving, raised on cabriole legs headed by foliate carving and ending in hoof feet. h. 35”, w. 49”, d. 20” $1,000‑$1,500

371

371 Biedermeier Elm and Marble-Top Center Table mid-19th century, the circular marble top above a plain frieze and raised on three parcel-gilt dolphin supports and a central columnar standard, to a concave tripartite base on casters. h. 30”, dia. 38” $2,000‑$4,000 372 Suite of Eight Continental Neoclassical Rock Maple Side Chairs early 20th century, each with a domed crest above a padded back and like seat, raised on splayed legs. h. 35‑1/4”

373

$3,000‑$5,000

372

135

374 Pair of Continental Neoclassical Fauteuils early 19th century, possibly Italian, each with a rounded crest centered by a portrait medallion over a diamondpatterned splat, joined by outswept arms to the padded seat, raised on fluted tapering circular legs ending in toupie feet. h. 39” $1,000‑$1,500

376

374

375 Pair of Italian Giltwood Sconces mid-20th century, in the neoclassical taste, the two-light sconces each with a cello and other musical instruments on a pierced, scrolled backplate supported by a bowknot, the gilt-metal candle arms with foliate drip pans. h. 39‑1/2”, w. 12‑1/2”, d. 9” $1,200‑$1,800

376 Gilt-Bronze and Crystal Chandelier in the Neoclassical Taste second quarter 20th century, the twelve-light chandelier with a standard decorated with a pagoda roof and temple bells, with scrolled candle arms terminating in lion’s heads and figures of Victory supporting the candle cups, the anthemion-molded corona supporting strands of crystal drops, and swags of drops hung between the arms. h. 40”, dia. 30” $1,500‑$2,500

375

136

377 Pair of Bronze-Mounted Polished Onyx Pedestals 20th century, each with a double layered octagonal top above a large cast bronze Corinthian capital and mounted to a stepped base. h. 44‑1/2”, dia. 16‑1/2” $1,200‑$1,800

378 Italian Beaux-Arts Carrara Marble Console Table late 19th/early 20th century, the bowed slab top supported by allegorical figural-carved winged maidens in the Renaissance taste. h. 44”, w. 59‑1/2”, d. 19‑1/2”

378

$1,500‑$2,500

379

379 E. Battiglia (Italian/19th century) “Venus Genetrix”

377

Carved Alabaster the goddess in her maternal aspect, incised signature and inscribed “E. Battiglia, Scultore, Firenze” along edge h. 30”, dia. 7‑3/4” $1,200‑$1,800

137

380

380 Neoclassical-Style Fruitwood Window Seat

381 Suite of Eight Biedermeier-Style Elm Side Chairs

the long, padded seat flanked to either side by rounded uprights, with urn-painted fronts, raised on sabre legs ending in brass caps. h. 24‑1/2”, w. 55”, d. 18”

each with a rounded crest above a demi-lune back, the padded seat raised on shaped and splayed legs. h. 37” $1,800‑$2,500

$1,000‑$1,500

381

138

382 Unusual Continental Fruitwood Secretaire a Abattant 19th century, in the neoclassical taste, the slanted top hinged and opening to a storage interior, above a drop front opening to a variety of drawers and cubbyholes, over two long drawers, raised on tapering square legs, the whole accented with decorative inlays. h. 50‑1/2”, w. 36‑1/2”, d. 19‑1/2” $1,000‑$1,500

382

383

383 Large French Patinated Bronze Vase in the Neoclassical Taste ca. 1900, decorated in the round with dancers in bas-relief, beneath a border of molded berries and leaves, the pairs of handles terminating in swan’s heads. h. 29”, w. 17‑1/2”, d. 11‑1/2” $1,800‑$2,500

382 detail

139

384 Monumental Neoclassical-Style Patinated Bronze Torchere first quarter 20th century, Continental, the urn-form lamp decorated with bas-relief putto and ram’s-head handles, and raised on a tripodal stand decorated with swags of laurel, above a drum-form base with a central spiralreeded standard, electrified. h. 84‑1/2”, dia. 20” $1,500‑$2,500

385 Brass and Prism-Hung Chandelier mid-20th century, in the Russian/Swedish style, the six-light chandelier composed of graduated brass prism-hung rings and carved candle arms, with a corona of flower-form drops at the top decorated with brass leaves. h. 39”, dia. 32” $2,500‑$4,000

385

386 Pair of Classical Revival Copper and Brass Torcheres first quarter 20th century, the six-light torcheres on brass paw feet, each with a gadroon-trimmed copper standard on the lower portion and a reeded brass standard on the upper portion, set with scrolled candle arms with scalloped drip pans, electrified. h. 70‑1/4”, w. 23‑1/2” $1,000‑$1,500

140

384

386

388 Pair of Baltic Neoclassical Mahogany Tub Chairs mid-19th century, each with a rounded back with inlaid brass banding and diamond pattern, joined by downswept arms to the padded seat, raised on tapering square legs with inset brass fluting and ending in caps. h. 33‑1/2” $1,500‑$2,500

387

387 Pair of Continental Painted Panels fourth quarter 19th century, oils on canvas, one with central motif of a woman on horseback, the other of a gentleman gazing at a castle on a rocky coast, each with painted mermaids supporting the view on an ochre ground, framed with vases, swags of roses and vines. h. 50‑1/2”, w. 60‑1/2” $1,000‑$1,500

389

389 Italian Variegated and Black Marble Bust 20th century, the classically draped figure with an acanthine circlet, on a socle base, presented on a marble columnar pedestal. bust h. 34‑1/2”, w. 23”, d. 10”, pedestal h. 43” $2,500‑$4,000 388

141

390 Gilt-Bronze and Malachite Figure of a Bear first quarter 20th century, possibly Russian, the crouching bear rendered with delicately articulated feet, mounted on a rough-cut malachite plinth. h. 4”, w. 5‑5/8”, d. 4‑3/4” $1,000‑$1,500 391 Suite of Six Louis XVI-Style Polychrome Side Chairs 20th century, each with a padded rectilinear back within a molded frame, the padded seat raised on stop-fluted tapering circular legs headed by floral capitals and ending in toupie feet, painted gray-green and upholstered in Rose Tarlow “Sweet Ginger” “Glacis” linen. h. 38‑1/2”

390

Provenance: Karla Katz Antiques, New Orleans, Louisiana; Collection of Julia Reed, New Orleans, Louisiana and Greenville, Mississippi.

These chairs can be seen in numerous publications including the One Kings Lane online “At Home With...” series, the July 2012 edition of Elle Decor and Thomas Jayne’s American Decoration. $1,000‑$1,500 392 Empire-Style Gilt-Bronze-Mounted Mahogany Dressing Table the cove-molded apron fitted with a frieze drawer, above a curule-form base, the legs with foliate-modeled bronze capitals and joined by a turned stretcher. h. 29‑3/4”, w. 42‑1/2”, d. 22” $1,000‑$1,500

392

391

142

393 Oil on Canvas Painted Panel in the Directoire Style fourth quarter 19th century, French, decorated with a swagged, fringed table supporting a vase holding a lush bouquet beneath a panel depicting “Winter”, a draped female figure and a putto warming their hands, framed with arabesque scrollwork, in a modern painted frame. h. 64‑1/2”, w. 43‑1/2” $2,500‑$4,000

394

394 French Parcel-Gilt Overmantel Mirror 20th century, in the Louis XVI style, on a pale blue ground, set with a beveled mirror plate beneath a panel with an applied urn and scrollwork, each side with panels decorated with bellflower carving, with a giltwood crest. h. 50‑1/2”, w. 34‑1/2” $1,000‑$1,500 395 Suite of Six Directoire-Style Polychrome Side Chairs each with a faux paneled crest above a guilloche-pierced and wreath-carved splat, the padded seat raised on sabre legs. h. 37”

393

$1,800‑$2,500

395

143

397 Pair of Brass and Marble Pedestals in the Directoire taste, each with a circular marble top supported by square supports headed by ram’s masques and joined by vertical X-form stretchers, to a concave tripartite base. h. 48”, dia. 18” $1,200‑$1,800

396

396 Pair of Tole and Steel Planters in the Directoire taste, each with a tole liner in a patinated frame, each side with an X-form bracing. h. 19‑1/2”, w. 18‑1/4”, d. 18‑1/4” $1,000‑$1,500

398

398 Parcel-Gilt Overmantel Mirror in the Empire Taste mid-20th century, French, decorated with a laurelmolded pulvinated mirror plate surround against a gray ground, the cove-molded crest decorated with acanthus leaves. h. 63”, w. 47” $1,800‑$2,500

397

144

399 French Empire-Style Gilt-Bronze Chandelier third quarter 20th century, the eight-light chandelier with a tapered, fluted and leaf-molded standard with a reeded upper portion, the carved candle arms leaf-molded with griffin-head terminals and scrolls with medallions, with leafmolded drip pans and turned candle sockets. h. 37‑1/2”, dia. 25‑1/4” $1,800‑$2,500 400 Empire-Style Ormolu-Mounted Mahogany Dressing Table ca. 1900, with an oval mirror held by swan-form supports to eagle-form legs on a curved lower shelf. h. 59”, w. 42‑1/2”, d. 21” $1,000‑$1,500

399

401

401 Pair of French Neoclassical-Style Marble and Bronze Garniture Urns first quarter 20th century, the white-veined and chocolate brown/black marble bodies mounted with gilt-bronze leaf-molded pistil-form handles and knops, and sitting on notched, molded bases. h. 17‑1/2”, w. 6‑3/4”, d. 5” $1,800‑$2,500

400

145

402 Pair of Empire-Style Mahogany and Marble-Top Side Tables early 19th century, each with a rectangular marble top above a conforming plain frieze, raised on graduated columnar legs headed by gilt capitals, joined by a concave lower shelf and ending in ebonized paw feet. h. 37‑1/2”, w. 53‑1/2”, d. 22‑1/2” $2,500‑$4,000 403 Pair of Restauration Bronze Patine et Dore Coupes second quarter 19th century, the bowls molded with grapes and acanthus leaves, on gilt-trimmed plinths decorated with gilt mounts of “gardening” angels, “blacksmith” angels, angels with butterfly wings, and angels personifying hope. h. 9‑1/2”, dia. 7” $1,000‑$1,500

404

404 Jules Antoine Vauthier (French, 1774‑1832) “Portrait of a Woman in a Tiara” oil on canvas signed and dated lower right.

Presented in a period gilt frame with brass artist plaque.

25‑1/2” x 21”, framed 32‑1/4” x 27” $1,500‑$2,500

403

402

146

405 Pair of Empire-Style Mahogany Fauteuils early 20th century, each with a ormolu-mounted scrolled back crest above a padded back, joined by downswept arms on ormolu sphinx uprights to the padded seat, raised on shaped legs headed by winged eagle capitals and ending in claw feet. h. 40‑1/2” $1,200‑$1,800

405

407

406 Empire-Style Mahogany Vitrine 20th century, the triangular pediment above an ormolu-mounted frieze over two glazed doors, the sides also glazed, raised on a table base with an ormolu-mounted frieze joined by caryatid uprights and a mirrored back to a lower shelf, on bun feet. h. 81”, w. 42‑1/2”, d. 15‑1/2” $2,500‑$4,000 407 Empire-Style Bronze-Mounted Mahogany Morbier Clock fourth quarter 19th century, French, the dial spuriously signed “Abraham Julius”, the case with a hood decorated with bronze stars and a door with a pair of eagles at the top, a masque at the base. h. 83‑1/2”, w. 24”, d. 13‑1/2” $2,000‑$4,000

406

147

408 Empire-Style Parcel-Gilt Mahogany Armchair fourth quarter 19th century, the padded back with a carved crest and the arm fronts with seated griffins, raised on bold, carved tapering square legs. h. 45”, w. 26”, d. 26” $1,200‑$1,800

410

410 French Gilt-Bronze Campana-Form Urn first quarter 20th century, in the neoclassical taste, molded with Bacchanalian figures beneath reeded shoulders, set with scrolled handles and a lotus-molded rim. h. 12‑1/2”, dia. 5‑3/4” $1,000‑$1,500

408

409 Miniature French Tall Chest in the Empire Taste ca. 1900, the mahogany-veneered chest with gilt-brass Corinthian capitals on the sides, and gilt-brass knobs on the drawers, with tapered feet. h. 23‑1/2”, w. 17”, d. 10‑1/2” $1,200‑$1,800

409

148

411 Charles X Painted and Parcel-Gilt Overmantel Mirror second quarter 19th century, flanked by turned columns decorated with carved capitals and leaves, and resting on paw feet, the mirror plate framed with reeding and carved lotus leaves, the ogee crest carved with shells and leaves. h. 63‑3/4”, w. 59‑3/4” $3,000‑$5,000 412 French School (Second Quarter 19th Century) “Portrait of a Woman in a White Dress and Bonnet” oil on canvas unsigned.

Presented in a period giltwood frame.

25” x 21‑1/4”, framed 33” x 28‑3/4” $1,000‑$1,500 412

411

149

413

413 Pair of Restauration-Style Brass and Marble Garniture Urns ca. 1900, French, now mounted as lamps, the siena marble bases with laurel wreath mounts, the brass fluted and reeded urns set with pierced, scrolled handles decorated with molded acanthus leaves. overall h. 24‑3/4”, w. 9”, d. 5‑1/2” $1,200‑$1,800

415

415 Pair of Louis-Philippe Giltwood Pelmets mid-19th century, French, the serpentine pelmets with cabochons in the center and on the ends, decorated with carved flowerheads and fluting. h. 11‑1/2”, w. 74”, d. 7‑1/4” Provenance: Ex-collection Barbra Streisand. $1,000‑$1,500

414 Louis-Philippe Mahogany and Marble-Top Chest second quarter 19th century, the marble top on a case with a cyma-molded drawer above a bank of three drawers and a slipper drawer below, the central drawers with cast brass bail pulls. h. 36‑1/2”, w. 48”, d. 21‑1/4” $1,200‑$1,800

414

150

416 French School (Second Quarter 19th Century) “Portrait of a Woman in a Red Velvet Dress” oil on canvas unsigned.

Presented in a period giltwood frame.

28” x 23‑1/4”, framed 35‑1/4” x 30‑3/4” $1,000‑$1,500

417 Pair of Louis-Philippe-Style Faux Bois Bergeres each with a padded square back surmounted by a paneled crest, joined to the cushioned seat by closed, scrolling arms, raised on sabre legs. h. 39‑1/2”

416

$1,000‑$1,500

417

151

418

419

418 Semi-Antique Sarouk Carpet 8’ 7” x 19’ 6” $2,000‑$4,000 419 Anatolian Runner 3’ 3” x 17’ $1,000‑$1,500 420 Turkish Heriz Serapi Carpet 12’ x 19’ $1,000‑$1,500

420

152

421 423

421 Peshawar Carpet 6’ 5” x 9’ 10” $1,000‑$1,500 422 Semi-Antique Tabriz Carpet 9’ 10” x 13’ 3” $1,000‑$1,500 423 Turkish Angora Oushak Carpet 10’ 2” x 14’ 2” $1,200‑$1,800

422

153

424 Agra Serapi Carpet 8’ 1” x 10’ 3” $1,000‑$1,500 425 Heriz Carpet 9’ 4” x 11’ $1,000‑$1,500 426 Turkish Angora Oushak Runner 2’ 6” x 23’ 9” $1,000‑$1,500

424

154

425

426

427 Turkish Angora Oushak Carpet 8’ 8” x 11’ 10” $1,000‑$1,500 428 Laristan Sultanabad Runner 2’ 8” x 15’ 10” $1,000‑$1,500 429 Heriz Carpet 9’ 10” x 13’ 6” $3,000‑$5,000

427

429

428

155

430 Two Anglo-Colonial Bamboo Corner Etageres early 20th century, one with two beveled mirrored panels above a lacquered panel, joined to a like lower panel by X-form bamboo supports, over a single cupboard door, raised on splayed legs, h. 65”, w. 28‑1/2”, d. 14‑1/2”, and the other of bowed form, the two-tiered superstructure above three fan-form shelves supported by bamboo uprights, raised on splayed supports. h. 62”, w. 17”, d. 12”

432 Pair of Neoclassical-Style Parcel-Gilt Mahogany Mirrors ca. 1900, English, the tombstone-form mirrors decorated with carved gilt bellflowers and lined with gilt beading, each set with two mirror panels. h. 65”, w. 22” h. 65”, w. 22” $1,200‑$1,800

$1,000‑$1,500

432

430

431 Two Anglo-Colonial Bamboo Cabinets early 20th century, one with a beveled mirror surmounted by an arched crest and above a rectangular top with inset lacquer panel, above a case fitted with a glazed cupboard over a lacquered cabinet, opening to a canterbury, the side with Anaglypta panels, raised on splayed legs, h. 60‑1/2”, w. 22”, d. 16”, and the other, an etagere cabinet, with a mirrored backpiece surmounted by a small shelf and domed crest over an inset lacquered panel with avian and floral patterns, over a like-paneled shelf and beveled glass cabinet with a long shelf below, raised on splayed legs, h. 58‑1/2”, w. 26”, d. 16‑1/2”. $1,000‑$1,500

156

431

433 William IV-Style Bronze Mirror and Console 20th century, the console with a mahogany top, fluted column supports and a pierced and scrolled skirt, h. 33‑3/4”, w. 38‑3/4”, d. 12‑1/2”, and the mirror with medallion-decorated corner blocks, the sides molded with pierced scrollwork and acanthus leaves, set with a beveled mirror plate, h. 40”, w. 22‑3/4”. $1,000‑$1,500

434 English Crystal Chandelier second quarter 20th century, in the Waterford taste, with a cut crystal-clad standard terminating at the base with tiers of spear-point prisms and set with spiral-reeded candle arms, the sockets with glass prism rings, hung with strands of crystal drops. h. 43”, dia. 32” $1,400‑$1,800 434

435

435 Partial Service of Waterford “Curraghmore” Stemware ca. 1971‑2017, Irish, the service consisting of twelve water goblets, h. 7‑1/2”, twelve claret glasses, h. 7‑1/8”, twelve white wine glasses, h. 6‑1/4”, twelve sherry glasses, h. 6‑3/8”, twelve cordial glasses, h. 4‑3/4”, twelve footed dessert dishes, h. 4‑5/8”, and twelve champagne coupes, h. 5‑1/2”. $1,000‑$1,500

433

157

438 William IV Mahogany Cabinet-on-Stand mid-19th century, the molded cornice above a case fitted with two paneled doors, opening to a shelved interior, the lower section fitted with two short drawers over three graduated long drawers, raised on a plinth base. h. 89”, w. 41‑1/2”, d. 20‑1/2” $1,000‑$1,500

436

436 William IV Mahogany Tiered Server second quarter 19th century, the three shelves with a low gallery and supported by baluster-form columns on brass cup casters. h. 43‑1/2”, w. 46‑1/2”, d. 19” $1,000‑$1,500

437 Edwardian-Style Leather Chesterfield Sofa with an oxblood leather tufted back, rolled arms and seat, adorned with brass tacks, on bun feet. h. 28”, w. 77”, d. 37” $1,000‑$1,500

438

437

158

439 Sidney Richard Percy (British, 1821‑1886) “River near Dolgelthy, North Wales” oil on canvas signed lower right, titled “River near Dolgetty [sic], N. Wales” on brass artist plaque.

Framed.

23” x 42”, framed 27‑3/8” x 45‑1/2” $5,000‑$8,000 440 Edwardian Marquetry-Inlaid Mahogany Vitrine/Desk by James Shoolbred early 20th century, in two parts, the upper section with a pair of serpentine glazed doors, the shaped sides with trophy inlays, the conforming base with a central fold out drawer opening to create a writing surface and with fitted interior, flanked by doors, raised on flaring and tapering legs joined by a line-strung shelf. Retains the label of “James Shoolbred Tottenham House Tottenham Court Road London” h. 83‑3/4”, w. 50‑1/2”, d. 18‑1/2”

439

$1,000‑$1,500 441 Baker Campaign-Style Satinwood Partner’s Desk in the Late Regency taste, the top with inset tooled leather writing surfaces, over a frieze drawer flanked by pedestals, fitted on one side with a cupboard door and on the other with a deep file drawer over a shallow drawer, with brass edging throughout, the ends fitted with brass handles, retaining “Baker Collection” label plates. h. 30‑1/2”, w. 72”, d. 42” $2,000‑$4,000 440

441

159

442 British/American School (Fourth Quarter 19th/First Quarter 20th Century) “The Jester” oil on canvas indistinctly signed “Kinsing/Kinney?” en verso, a vintage “McClees Galleries, Philadelphia” label on frame backing.

Framed.

30” x 18”, framed 37‑3/4” x 25‑3/4” $1,000‑$1,500 443 John William Godward (British, 1861‑1922) “Sitting for Her Portrait”, 1893 oil on canvas signed and dated upper left.

Framed.

14” x 12”, framed 18‑1/4” x 16‑1/4” Exhibited: Royal Academy of Art, Summer Exhibition, London, 1893.

Literature: Swanson, Vern. John William Godward: The Eclipse of Classicism. Antique Collectors’ Club: Suffolk, 1997, p. 188.; “The Royal Academy: Third Notice: Figure Pictures”, The Atheneum No. 3421, May 20, 1893.

442

$20,000‑$40,000 Along with Sir Lawrence Alma-Tadema (1836‑1912) and Sir Frederic Leighton (1830‑1896), John William Godward was one of the most successful proponents of Victorian Neo-Classicism, admired for his carefully composed, meticulously researched paintings. A somewhat elusive figure, little is known of his artistic education, though it is generally believed he was essentially selftrained; Godward’s name does not appear on any attendance listings for the numerous art academies, studios, or art lecturers active during the time. His first major exhibition was at the Royal Academy Summer Exhibition at Burlington House in 1887.

The delightfully intimate portrait of an unidentified brunette beauty is suggestive of a study for a larger work and reveals aspects of Godward’s earlier style of softened edges and a subdued color palette.

It is reminiscent of his ca. 1882 “Portrait of Mary Frederica Godward” (Swanson, Plate 15), ca. 1887 “Portrait of Lillian Pettigrew in Classical Dress” (Swanson, Plate 18) and 1892 “Far Away Thoughts” (Swanson, Plate 19). All four portraits present the sitters in shoulder-length left profile, against dark, undefined backgrounds. Godward was to frequently implement this pose in his larger, Neo-Classical compositions, including his 1890 “Waiting for the Procession” which was sold through these Galleries April 21, 2018.

443

160

444 Two Victorian Papier-Mache Pieces third quarter 19th century, including a tilt-top table with an adjustable shaped top, raised on an open barley-twist standard to three shaped legs, h. 30‑1/2”, w. 19‑1/2”, d. 16”, and a jardiniere of hexagonal form, raised on three scrolling supports joined by an urn-centered stretcher, h. 31”, dia. 16”, both pieces richly accented with gilt and mother-of-pearl designs. $1,000‑$1,50

445

444

445 Victorian Ebonized and Papier-Mache Lady’s Desk/ Games Table mid-19th century, the superstructure fitted with a shell crest over a shaped mirror and two small cupboard doors, over a slant front opening to a baize-lined surface and storage space, raised on pierced lyre-form supports to runner feet, the whole accented with delicate floral patterns in polychrome and inlaid abalone and motherof-pearl, the top lifting to reveal a checkerboard table. h. 51‑1/2”, w. 22‑1/2”, d. 18‑1/2” $1,000‑$1,500

445 detail

161

447 446

446 Rare English Papier-Mache Wheel Barometer second quarter 19th century, the papier-mache case decorated with inlaid scrollwork and flowers, and set with a silvered dial and thermometer. h. 38‑1/2”, w. 14‑1/4” $1,000‑$1,500 447 Pair of Cast Stone Garden Figures of Lions first quarter 20th century, seated on plinths, each poised with one paw atop a shield-form cartouche. h. 36”, w. 17”, d. 27” $1,000‑$1,500 448 North African Hardwood Cabinet late 19th century, the pierced crest and diamondand arch-carved frieze over two tiers of three open shelves, backed by carved panels and fronted by arched openings, the lower section of canted form and above a conforming frieze fitted with a central drawer flanked to either side by a pierced panel, joined by a carved back and arched openings to a lower shelf, raised on bracket feet, the whole with traditional accents of inlaid bone and motherof-pearl patterns and pierced ball-and-spindle patterns. h. 90‑1/2”, w. 47‑1/2”, d. 22‑1/2” $1,500‑$2,500

448

162

450

449

449 North African Hardwood Settee

451 Pair of North African Hardwood Armchairs

late 19th century, the shaped concave crest with scrolling patterns and above a pierced frieze joined by pierced arms to the seat, fitted with kilim cushions, raised on a shaped apron on tapering circular legs, the whole with traditional bone- and mother-of-pearl-inlaid accents and patterns, and pierced ball and spindle panels. h. 49”, w. 69”, d. 28”

early 20th century, each of box form, the pierced rectangular crest with an elaborate floral spray splat, joined by flat pierced arms to the padded seat, raised above a pierced apron on square legs, the whole with elaborate mother-of-pearl and bone inlays. h. 33‑1/2” $2,500‑$4,000

$1,000‑$1,500 450 Anglo-Colonial Bamboo and Lacquered Table late 19th century, the rounded rectangular top with large decoupage floral sprays and joined to a concave lower shelf with like adornment by bamboo supports, raised on splayed cluster legs. h. 27”, w. 40‑1/2”, d. 24‑1/2” $1,200‑$1,800

451

452 Pair of North African Hardwood Armchairs early 20th century, each of box form, the pierced rectangular crest with an elaborate floral spray splat, joined by flat pierced arms to the padded seat, raised above a pierced apron on square legs, the whole with elaborate mother-of-pearl and bone inlays. h. 33‑1/2” $2,500‑$4,000 452

163

453 Middle Eastern Pierced Brass Floor Lamp first quarter 20th century, decorated with cut designs of the buta, or paisley, pomegranates and lotus flowers on a pierced ground, the turned standard supporting an umbrella-form shade hung with metallic fringe. h. 69”, dia. 23‑1/2” $1,000‑$1,500

454 After Emile Coriolon Hippolyte Guillemin (French, 1841‑1907) “Cavalier Arabe”

454

patinated bronze cast signature along front, inscribed “Baryefils” along back. h. 31‑1/4”, w. 23”, d. 13” $1,000‑$1,500

453

455 North African Hardwood Games Table early 20th century, the rectangular, stepped top hinged and opening to a fabric-lined surface and further opening to an inlaid chess and backgammon board, above a shelf frieze, raised on shaped legs, the whole with intricate bone, mother-of-pearl and exotic wood geometric inlays. h. 33‑1/4”, w. 33‑1/4”, d. 17” (closed) $1,000‑$1,500

455 detail

455

456 Suite of Four North African Hardwood Side Chairs early 20th century, each with a shaped crest and side finials, above a paneled and pierced bone- and mother-of-pearl-inlaid back, the padded seat above a spindled apron and raised on circular legs ending in bun feet. h. 40‑1/2” $1,200‑$1,800

164

456

457 North African Hardwood Side Table early 20th century, the rectangular top with a ball-andspindle-pierced panel and an inset glass surface, above a conforming deep, like-pierced frieze within a bone-inlaid band, raised on circular legs ending in ebonized feet. h. 32”, w. 46”, d. 15‑1/2” $1,200‑$1,800

458 North African Inlaid Mirror ca. 1900, the plate outlined with pierced and turned panels, inlaid with Islamic bone and mother-of-pearl medallions and inlaid borders, the pitch pediment crest carved with scrolls and inlaid with a medallion. h. 53”, w. 31‑1/2” $1,000‑$1,500

458

457

459 North African Hardwood Corner Cabinet late 19th century, the upper section fitted with three graduated open shelves, with pierced paneled backs, the canted lower section with a highly carved top over a case fitted with a single drawer over a cupboard flanked to either side by an arched opening and over an open arched space, raised on block feet, the whole with traditional accents of inlaid bone and mother-of-pearl and ball- and spindle-pierced panels. h. 96”, w. 35‑1/2”, d. 22‑1/2” $1,000‑$1,500

459

165

460 Large Japanese Embroidered Panel fourth quarter 19th/first quarter 20th century, of rectangular form, the design, worked in silk threads over a delicate buttonhole stitch, depicting a male peacock, looking behind towards its impressive tail trailing across the scene, with a smaller female peacock below and a falcon swooping toward a smaller bird above, all amid blossoming foliage, rockwork and a bamboo tree, later framed. h. 81”, w. 49‑1/2” (including frame) $2,000‑$4,000

460

462

461 Continental Ebonized, Polychrome and Parcel-Gilt Cabinet 19th century and later, in the chinoiserie manner, the stepped top above a case fitted with two central doors, featuring a polychrome Asian scene with two applied musical ladies, opening to six small lower drawers, flanked to either side by a figural upright and shaped cupboard, with like polychrome scenes, raised on a pierced frieze on paneled square legs. h. 60‑1/2”, w. 73”, d. 20‑1/2” $1,000‑$1,500 462 Pair of Hollywood Regency Brass Sconces 20th century, the three-light sconces in the style of Tony Duquette, with stylized palm frond backplates serving as backdrops for the patinated composition figures of Shou Xing, the Chinese god of longevity, above scrolled candle arms set with beaded drip pans and turned candle cups. h. 17‑1/2”, w. 12‑1/2”, d. 6‑3/4” 461

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$1,000‑$1,500

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465 Pair of Louis XV-Style Polychrome Cocktail Tables 20th century, each with a shaped oval top with full raised molded rim around an antiqued mirrored top with polychrome scrolls, above a shaped conforming apron with pendant tassels, raised on shaped legs ending in scrolled toes. h. 20‑1/2”, w. 42”, d. 29‑1/4” $1,000‑$1,500 466 Pair of Shell-Carved Giltwood Lamps

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463 French Handwoven Tapestry

20th century, the pierced, carved shells mounted on faux stone bases above acrylic plinths. overall h. 14”, w. 6”, d. 3” $1,000‑$1,500

of a courtly Eastern scene, mid-19th century, royal figures and sages set amongst lush floral designs, upper and lower giltwood bars for display. w. 103”, l. 105” $3,000‑$5,000 464 Pierced Giltwood Mirror in the Chippendale Taste 20th century, Italian, the surround decorated with pierced scroll and rocaille work, the serpentine crest with a pagoda-form finial hung with temple bells. h. 62‑1/2”, w. 30‑1/4” $1,200‑$1,800 466

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469 Pair of Chinese Powder Blue and Gilt Porcelain Vases second half 19th century, each of baluster form, with flared lip, decorated to the exterior body and neck with molded panels containing figural arrangements and scenes depicting the Warring States era, all in the famille verte palette, on a powder blue ground covered with a dense floral design interspersed with auspicious objects in gilt, the bases unmarked. h. 24‑3/4”, dia. 10” $2,500‑$4,000 470 Diminutive Challen, London, Chinoiserie Baby Grand Piano

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467 Thai Gilt-Bronze and Lacquer Figure of a Buddha

the ebonized case with chinoiserie decor and raised on tapering square legs. h. 38‑1/2”, w. 56”, l. 50” $1,000‑$1,500

possibly 19th century, modeled seated in virasana on a three-tiered throne, wearing a traditional robe, the right hand in bhumisparsha mudra, the left clasping a small cup, decorated throughout with raised and molded gilt work, with red lacquer applied to the throne, and glass beads inlaid throughout, many now lost, with hardwood scrollform stand. h. 10‑3/4, w. 8‑1/2”, d. 5” $1,000‑$1,500 468 Chinoiserie Ebonized and Marble-Top Cabinet early 20th century, the breakfront rectangular marble top above a conforming case fitted with three cupboards, each with a decorative foliate polychrome border around a panel with figural accents in the chinoiserie manner, raised on square legs. h. 41‑1/2”, w. 82‑1/2”, d. 27” $1,500‑$2,500

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471 Pair of Wood, Lacquer and Ormolu Foo Dog Candlesticks, Mounted as Table Lamps the foo dogs likely first quarter 20th century, with later mounts and shades, each modeled with a foo dog in seated pose, ears flattened and mouth slightly open, staring forward, on a fitted fabric cushion covering an elaborate ormolu base with acanthus leaf detail to the feet and stem, supporting twin-bulb fixtures with matching shades. h. 33‑3/4”, w. 11”, d. 14” $2,000‑$4,000 472 Pair of Louis XV-Style Giltwood and Chinoiserie Mirrors second quarter 20th century, trimmed with giltwood scrollwork, the arched crests decorated with pierced anthemia, the frames decorated with chinoiserie in the style of lacquer work, with Mandarin figures and flowers on a red ground. h. 46‑3/4”, w. 24‑1/4”

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$1,000‑$1,500 473 Group of Three Chinese Carved Medang Wood Chairs with Settee late 19th/early 20th century, each chair modeled with a sectional horseshoe-form crest rail centered with a flaming pearl design, with arms terminating in dragon heads, having asymmetric trellis design supports, over a carved and pierced backsplat depicting a ruyi bat amid a geometric scroll design, above a solid seat set within a thick frame, with dragon-head frieze, the whole raised on four cabriole legs with ruyi bat knees and scroll-form feet, the two-seat settee similarly designed. chairs h. 36”, w. 27”, d. 18”, settee h. 37”, w. 53”, d. 20” $1,500‑$2,500 472

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session Ii Sunday, May 20, 2018 10:00am CDT Lots 474-902

Lot 891

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474 Coral and Diamond Pendant Necklace 18k yellow gold, the pendant mounted with two coral cabochons measuring 4.9 mm x 6.8 mm and 12.2 mm x 16.0 mm and four calibre-cut black coral stones, accented with round brilliant-cut diamonds weighing approximately 0.26 carats in total, l. 1‑1/2”, suspended from a gold chain, l. 18”. total weight 7.8 grams

477 Gold and Diamond Bracelet 18k yellow gold, the flexible domed bracelet with a navette link design and set with fifty-six round single-cut diamonds in a zigzag pattern, weighing approximately 1.00 carat in total. l. 7”, total weight 62.0 grams $1,500‑$2,500

$1,200‑$1,800 475 Coral and Diamond Ear Clips 18k yellow gold, the ear clips each set with an oval red coral cabochon measuring 9.0 mm x 13.5 mm, surrounded by calibre-cut black coral stones and accented by round brilliantcut diamonds weighing approximately 0.24 carats in total. l. 7/8”, total weight 11.4 grams $1,000‑$1,500 476 Piaget Diamond Watch 18k yellow gold, the mechanical movement back wind and back set, the white dial signed “Piaget” and surrounded by round brilliant-cut diamonds weighing approximately 0.50 carats in total, the textured woven bracelet integrated into the case. l. 6‑3/4”, total weight 43.0 grams $1,800‑$2,500

478 Wide Diamond Band 18k yellow gold, the wide ring with an open design and beaded edges, mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total. size 7‑3/4, total weight 12.58 grams $2,000‑$4,000

479 Diamond Ear Clips 18k yellow gold, the Buccellati-style ear clips mounted with round brilliant-cut diamonds weighing approximately 0.20 carats in total. l. 7/8”, total weight 13.87 grams $2,500‑$4,000

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480 Diamond Band 18k yellow gold, the ring with a beaded and scalloped edge, mounted with round brilliant-cut diamonds weighing approximately 0.16 carats in total. size 8, total weight 9.1 grams $1,000‑$1,500 481 Charles Krypell Diamond Pendant 18k yellow gold, the pierced, open pendant mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total, stamped on the bail “C Krypell, 18kt”. l. 1‑3/8”, total weight 7.4 grams $1,400‑$1,800 482 Tiffany & Co. Diamond Bracelet 18k yellow gold/platinum, the bracelet with curved links separated by round brilliant-cut diamonds weighing approximately 0.59 carats in total, approximate color F-G and clarity VVS2‑VS1, stamped “Tiffany & Co.”. l. 7”, total weight 10.0 grams $1,200‑$1,800

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483 Bueche-Girod Tri-Colored Gold and Diamond Watch 18k, the round seventeen jewels manual wind mechanical movement signed on the dial “Bueche-Girod”, the bezel set with thirty-two single-cut diamonds, with an approximate total weight of 1.00 carat, the eighteen-karat textured brick link band composed of rose, white and yellow gold, with an English hallmark and stamped “MG 6704, 82, XXX”. l. 6‑1/4”, total weight 43.6 grams $1,000‑$1,500 484 Diamond and Black Enamel Cross Pendant 14k yellow gold, the pendant mounted with round brilliantcut diamonds weighing approximately 1.36 carats in total, approximate color E-F and clarity VS2‑SI1. l. 2‑3/4”, total weight 19.0 grams $1,500‑$2,500

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485 Diamond and Sapphire Bracelet 18k yellow gold, the bracelet with a herringbone design, set in the center with round-cut sapphires weighing approximately 0.50 carats in total and round brilliant-cut diamonds weighing approximately 0.33 carats in total. l. 6‑3/4”, total weight 49.3 grams $1,000‑$1,500 486 Wide Diamond Bracelet and Earrings the bracelet, 14k yellow/rose gold, mounted with a center band of round brilliant-cut light brown diamonds weighing approximately 9.89 carats in total, approximate clarity SI2‑I1, separated by yellow gold bars, mounted to a rose/yellow gold link bracelet, l. 7‑3/4”, w. 1”, together with a pair of earrings, 10k yellow gold, mounted with round brilliant-cut light brown diamonds weighing approximately 2.87 carats in total, l. 1”. total weight 72.0 grams $2,500‑$4,000 487 Large Diamond Cocktail Ring 14k yellow gold, the ring mounted with round brilliant-cut light yellow diamonds weighing approximately 2.12 carats in total, approximate clarity SI1‑I1, and baguette-cut diamonds weighing approximately 2.26 carats in total, approximate color O and clarity VS1‑SI1. size 6, top of ring, size 2” x 1‑1/2”, total weight 16.0 grams

488 Unusual “Sliding Diamond” Bracelet 14k yellow gold, the bracelet with three sections, the center with three open rows and the sides with two open rows, mounted with round brilliant-cut diamonds, designed to slide within each row, weighing approximately 2.97 carats in total, approximate color E-G and clarity SI2‑I1. l. 7‑1/2”, w. 7/8”, total weight 81.0 grams $2,500‑$4,000

489 Jaeger-LeCoultre Diamond Wrist Watch 18k yellow gold, the round back-wind mechanical movement watch with an 18k yellow gold mesh band set with four round brilliant-cut diamonds and two baguette-cut diamonds weighing approximately 0.60 carats in total, the satin silver dial signed “Jaeger-LeCoultre, Swiss Made”, together with the guarantee booklet. l. 6‑1/4”, total weight 18.4 grams $1,000‑$1,500

$2,500‑$4,000

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490 David Webb Gold Bracelet 18k yellow gold, the large, hinged bracelet with a hammered finish, stamped “WEBB” and “18K”. inside circumference 6‑1/4”, widest w. 2‑3/8”, total weight 126.03 grams $7,000‑$10,000

494 Elizabeth Locke Lapis Lazuli and Sapphire Ring 19k yellow gold, the ring with a hammered, textured mounting, set with a 12.7 mm x 17.7 mm lapis lazuli cabochon, and accented on the sides with three round-cut sapphires weighing approximately 0.30 carats in total, stamped with the Elizabeth Locke logo and “19k”. size 10‑1/2, total weight 15.6 grams $1,000‑$1,500 495 Elizabeth Locke Venetian Glass and Pearl Pendant/Brooch 18k yellow gold, the pendant/brooch mounted with an oval Venetian glass plaque of Medusa, backed with mother-ofpearl, accented by “flowers” mounted with 9.0 mm cultured pearls, stamped with the Elizabeth Locke logo and “18k”. l. 2”, total weight 37.2 grams $1,500‑$2,500

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496 Elizabeth Locke Lapis Lazuli Ear Clips 19k yellow gold, each ear clip with a hammered finish and set with a lapis lazuli sugarloaf cabochon measuring 12.0 mm x 12.0 mm, with retractable post and stamped with the Elizabeth Locke logo and “19k”. l. 7/8”, total weight 17.0 grams $1,200‑$1,800

491 Elizabeth Locke Venetian Glass Earrings 18k yellow gold, the earrings mounted with carved Venetian glass measuring approximately 18.1 mm x 14.3 mm, and accented on the bottom with an oval cabochon-cut black onyx stone measuring approximately 5.95 mm x 3.65 mm, with retractable posts and marked with the Elizabeth Locke logo and “18k”. l. 1”, total weight 18.55 grams

497 Elizabeth Locke Wide Bangle Bracelet 18k yellow gold, the wide, hinged bracelet with a hammered, textured finish with six applied octagonal domes, stamped with the Elizabeth Locke logo and “18k”. w. 1”, inside circumference 6‑3/8”, total weight 77.5 grams $5,000‑$8,000

$1,400‑$1,800 492 Elizabeth Locke Lapis Lazuli Necklace 19k yellow gold, the hand-knotted necklace composed of 10.2 mm lapis lazuli beads, finished with a hammered, textured jump ring clasp stamped with the Elizabeth Locke logo and “19k”. l. 19”, total weight 77.0 grams $1,800‑$2,500 493 Elizabeth Locke Lapis Lazuli Pendant 19k yellow gold, the pendant mounted with a 30.0 mm x 25.0 mm lapis lazuli cabochon engraved with an intaglio of a butterfly, set in a hand-hammered gold frame, stamped with the Elizabeth Locke logo and “19k”. l. 1‑3/4”, total weight 15.4 grams $1,400‑$1,800 497

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498 Lapis Lazuli and Diamond Bracelet 14k yellow gold, the bracelet composed with scarab-style links, each mounted with carved lapis lazuli and accented by round brilliant-cut diamonds weighing approximately 1.11 carats in total. l. 7‑1/2”, total weight 56.0 grams $1,400‑$1,800

503 Victorian Turquoise and Diamond Ring third quarter 19th century, 15k yellow gold/sterling silver, with a center round turquoise cabochon measuring approximately 7.8 mm in diameter, in a gold collet settings surrounded by ten Old Mine-cut diamonds in silver reduced collet settings, weighing approximately 2.62 carats in total, approximate color E-F and clarity VS2‑SI1, the underside with presentation inscription: “A gift from a Mother to her affectionate Daughter on her arriveing at the age of 21 Years”. size 6‑1/4, total weight 5.0 grams $2,500‑$4,000

504 Turquoise, Sapphire and Diamond Ring 14k yellow gold, the ring mounted with a central oval turquoise cabochon measuring 12.0 mm x 18.9 mm, surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.46 carats in total, and accented on the outer edge by pearand round-cut treated blue sapphires weighing approximately 2.56 carats in total. size 8, total weight 9.7 grams 498

$1,500‑$2,500

499 Turquoise, Lapis Lazuli and Diamond Ring 18k yellow gold, the large domed ring mounted with a central round brilliant-cut diamond weighing approximately 0.16 carats, surrounded by a scattered pattern of round turquoise cabochons measuring 3.0 mm to 3.5 mm in diameter and round lapis lazuli cabochons measuring 2.5 mm to 3.0 mm in diameter. size 6, total weight 18.0 grams $1,000‑$1,500 500 Turquoise and Diamond Earrings 14k yellow gold, the inside/out earrings mounted with oval turquoise cabochons weighing approximately 12.05 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.30 carats in total. l. 1‑1/4”, total weight 10.6 grams $1,200‑$1,800 501 Turquoise and Diamond Ring 14k yellow gold, the large turquoise cabochon measuring 18.0 mm x 25.0 mm and set into a mounting with a scalloped edge and accented by round brilliant-cut diamonds weighing approximately 0.10 carats in total. size 8, total weight 14.8 grams $1,200‑$1,800 502 Turquoise and Diamond Earrings 14k yellow gold, the earrings mounted with a cluster of teardrop-shaped turquoise cabochons measuring 6.5 mm x 9.8 mm, suspended from a round turquoise cabochon measuring 7.9 mm, all accented with round brilliant-cut diamonds weighing approximately 0.66 carats in total. l. 1‑1/8”, total weight 7.9 grams $1,500‑$2,500

503

505 Turquoise, Aquamarine and Diamond Earrings 18k white gold, each teardrop pendant earring set with a pearshaped turquoise cabochon, measuring 9.0 mm x 15.0 mm, a round faceted aquamarine, with an approximate total weight of 0.95 carats for the pair, and round brilliant-cut diamonds, with an approximate total weight of 0.53 carats for the pair. l. 1‑3/4”, total weight 7.2 grams $1,000‑$1,500

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506 Blue Topaz and Diamond Ring 18k white gold, the ring mounted with a round-cut blue topaz weighing approximately 3.02 carats, surrounded by a border of round brilliant- and baguette-cut diamonds and further accented on the ring shank with round brilliant-cut diamonds, with an approximate total weight of 1.13 carats. size 9, total weight 8.0 grams $1,500‑$2,500 507 Aquamarine and Diamond Earrings 18k white gold, the earrings mounted with oval-cut aquamarines weighing approximately 2.14 carats in total, and round brilliant-cut diamonds weighing approximately 1.02 carats in total. l. 2”, total weight 10.0 grams $3,000‑$5,000 508 Aquamarine and Diamond Bracelet 14k white gold, the bracelet mounted with oval-cut aquamarines weighing approximately 13.20 carats in total, each separated by round brilliant-cut diamonds weighing approximately 0.49 carats in total. l. 7‑1/4, total weight 14.0 grams

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$1,800‑$2,500 509 Aquamarine and Diamond Earrings 18k white gold, the earrings mounted with pear-cut aquamarines weighing approximately 8.94 carats in total, accented by a rose-cut diamond weighing approximately 0.14 carats in total, approximate color E-G and clarity SI1‑SI2, and with a double halo of round brilliant-cut diamonds weighing approximately 0.50 carats in total, approximate color E-G and clarity I1‑I3. l. 1‑1/2”, total weight 8.0 grams $1,200‑$1,800 510 Aquamarine and Diamond Ring 18k white gold, the ring mounted with a pear-cut aquamarine weighing approximately 5.63 carats, accented by round brilliant-cut diamonds weighing approximately 0.76 carats in total. size 7‑1/4, total weight 6.0 grams $1,000‑$1,500

512 Antique Diamond Ring platinum, the ring with a filigree design and mounted with a central European-cut diamond weighing approximately 0.85 carats, approximate color H and clarity VS2, flanked on the top and bottom by a European-cut diamond, one weighing approximately 0.50 carats and the other 0.40 carats and flanked to either side by a round mine-cut diamond weighing approximately 0.40 carats in total, approximate color H-J and clarity SI1‑I1, the whole accented with single-cut diamonds weighing approximately 0.27 carats in total. size 6‑1/2, total weight 7.1 grams $3,000‑$5,000

511 Diamond Bangle Bracelet 14k white gold, the curved, hinged bracelet mounted with a row of graduated round brilliant-cut diamonds weighing approximately 1.00 carat in total, approximate color E-G and clarity VS1‑VS2. inside circumference 7‑1/8”, total weight 12.0 grams

513 Beautiful Art Deco Diamond Bracelet platinum, the flexible link bracelet mounted with six marquisecut diamonds weighing approximately 2.40 carats in total, approximate color H and clarity VS2‑SI1, accented by European-, round brilliant- and single-cut diamonds weighing approximately 12.70 carats in total, approximate color H-J and clarity VS2‑SI2. l. 7‑1/4”, w. 11/16”, total weight 40.8 grams

$1,000‑$1,500

$7,000‑$10,000

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514 Rose-Cut Diamond Earrings 18k white gold, the dangle earrings mounted with pearshaped, rose-cut diamonds weighing approximately 1.16 carats in total, approximate color E-F and clarity SI2, surrounded by round-cut diamonds weighing approximately 0.35 carats in total. l. 3/4”, total weight 4.0 grams $1,400‑$1,800 515 Three Diamond Bangle Bracelets sterling silver, the hinged bracelets mounted with rose-cut diamonds weighing approximately 17.0 carats in total. inside circumference 7” and 7‑1/4”, total weight 74.06 grams $1,000‑$1,500 516 Diamond Necklace sterling silver, the necklace designed as large chain links and mounted with round-cut diamonds weighing approximately 15.37 carats in total. l. 18‑1/2”, total weight 42.44 grams

517 Diamond Bracelet 18k white gold, the bracelet mounted with round brilliant- and baguette-cut diamonds weighing approximately 5.17 carats in total, approximate color E-G and clarity VVS2‑SI1. l. 7‑1/2”, total weight 17.29 grams $6,000‑$9,000 518 Diamond Engagement Ring 18k white gold, the ring mounted with a cushion-cut diamond weighing 2.01 carats, color F and clarity SI1, GIA report #2141864574, accented on the ring shank with round brilliantcut diamonds weighing approximately 0.17 carats in total, approximate color G-I and clarity VS1‑VS2. size 6, total weight 3.0 grams $14,000‑$18,000

$1,500‑$2,500

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519 Diamond Necklace 14k white gold, the necklace mounted with round brilliantcut diamonds weighing approximately 16.0 carats in total, approximate color E-G and clarity I2‑I3. l. 17”, total weight 42.4 grams

521 Rose-Cut Diamond Ring 14k white gold, the ring mounted with a central rose-cut diamond weighing approximately 0.45 carats, approximate color F and clarity VS2, accented by round brilliant-cut diamonds weighing approximately 0.29 carats in total. size 6‑1/2, total weight 3.0 grams

$4,000‑$7,000

$1,000‑$1,500 522 Sapphire and Diamond Earrings 18k white gold, the earrings mounted with an oval-cut sapphire weighing approximately 4.18 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.10 carats in total. l. 3/4”, total weight 7.0 grams $5,000‑$8,000 523 Tanzanite and Diamond Ring platinum, the ring mounted with an oval-cut tanzanite weighing 4.18 carats, GIA report #5171872413, accented by round brilliant- and baguette-cut diamonds weighing approximately 1.68 carats in total. size 7‑1/4, total weight 10.0 grams $4,000‑$7,000

521

524 Sapphire and Diamond Bracelet 14k white gold, the bracelet composed of twelve oval-shaped sapphires weighing approximately 3.50 carats in total and round brilliant-cut diamonds weighing approximately 2.51 carats in total, approximate color G-I and clarity VS1‑SI1. l. 7‑1/2”, total weight 17.0 grams $4,000‑$7,000

520 Diamond Earrings 18k white gold, the earrings mounted with a central rose-cut diamond weighing approximately 0.79 carats in total, approximate color G and clarity SI1‑SI2, surrounded by a double-halo of round-cut diamonds weighing approximately 0.48 carats in total. dia. 1/2”, total weight 3.39 grams

525 Sapphire and Diamond Ring 18k white gold, the ring mounted with a central treated ovalcut sapphire weighing approximately 3.46 carats, accented by round brilliant- and baguette-cut diamonds weighing approximately 0.60 carats in total. size 7, total weight 4.0 grams

$1,200‑$1,800

$4,500‑$7,000

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526 Diamond and Sapphire Earrings 14k white gold, the earrings mounted with a central round brilliant-cut diamond weighing approximately 0.49 carats in total, approximate color E-F and clarity VS1‑SI1, surrounded by a halo of round-cut treated sapphires weighing approximately 0.36 carats in total, and further accented by round brilliant-cut diamonds weighing approximately 0.21 carats in total. l. 3/4”, total weight 2.0 grams

529 Diamond and Sapphire Chandelier Earrings 18k white gold, the earrings mounted with dangling rows of pear- and oval-cut treated sapphires weighing approximately 11.40 carats in total, alternating with round brilliant-cut diamonds, suspended from the petal-shaped top mounted with round brilliant-cut diamonds, with an approximate total diamond weight of 3.13 carats, approximate color E-F and clarity VS2‑SI1. l. 2‑1/2”, total weight 25.15 grams

$2,000‑$4,000

$6,000‑$9,000

527 Diamond and Sapphire Ring platinum, the ring mounted with a central European-cut diamond weighing approximately 0.51 carats, approximate color H and clarity VS2, surrounded by a border of calibratedcut treated sapphires weighing approximately 0.32 carats in total, and accented by an outer border of European-cut diamonds weighing approximately 0.53 carats in total, approximate color F-I and clarity SI1‑SI2. size 7, total weight 5.0 grams $4,500‑$7,000 528 Sapphire and Diamond Ring 18k white/yellow gold, the ring mounted with square-cut treated sapphires weighing approximately 2.25 carats in total, overlaid with a grid of round brilliant-cut diamonds weighing approximately 1.36 carats in total. size 8, total weight 13.6 grams

530 Sapphire and Diamond Cocktail Ring platinum, the ring mounted with a central oval-cut treated sapphire weighing approximately 1.74 carats, accented with round brilliant-cut and marquise-cut diamonds weighing approximately 2.04 carats in total, approximate color E-F and clarity VS1‑SI1. size 6, total weight 11.0 grams $2,500‑$4,000 531 Sapphire and Diamond Ring 18k white gold, the ring mounted with an oval-cut treated sapphire weighing approximately 3.28 carats, accented by round brilliant-cut diamonds weighing approximately 1.74 carats in total. size 6, total weight 13.5 grams $1,800‑$2,500

$2,000‑$4,000

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532 Opal and Diamond Necklace sterling silver, the necklace mounted with blue opal cabochons weighing approximately 25.1 carats in total, each accented with a halo of round-cut diamonds weighing approximately 4.40 carats in total. l. 17”, total weight 65.13 grams $1,000‑$1,500 533 Beautiful Lightning Ridge Opal and Diamond Pendant 14k yellow gold, the large opal weighing approximately 28.00 carats and measuring approximately 27.0 mm x 34.0 mm, in a bezel setting mounted with four rose-cut white diamonds weighing approximately 0.29 carats in total, and accented on the top with a 7.5 mm black moissanite, the bail mounted with round brilliant-cut white diamonds weighing approximately 0.20 carats in total. l. 1‑3/4”, w. 2‑1/2”, total weight 55.0 grams $5,000‑$8,000

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534 Opal and Diamond Necklace 14k yellow gold, the necklace composed of oval- and pearshaped opal cabochons weighing approximately 39.87 carats in total, each surrounded by a halo of round brilliant-cut diamonds weighing approximately 5.21 carats in total. l. 17”, total weight 60.78 grams $7,000‑$10,000 535 Opal, Diamond, Emerald, Sapphire and Ruby Ring 18k yellow gold, the ring mounted with an oval-shaped opal weighing approximately 18.14 carats, set in a mounting with three flowers, one mounted with round-cut treated emeralds weighing approximately 0.41 carats in total, another mounted with round-cut treated sapphires weighing approximately 0.33 carats in total and the last mounted with round-cut treated rubies weighing approximately 0.50 carats in total, each flower centered with a round brilliant-cut diamond weighing approximately 0.27 carats in total. size 7‑1/4, total weight 13.0 grams $2,000‑$4,000

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536 Emerald and Diamond Dangle Earrings 18k yellow gold, the earrings mounted with pear-cut treated emeralds weighing approximately 3.62 carats in total, and four rose-cut diamonds weighing approximately 0.36 carats in total, approximate color I-J and clarity SI2‑I2, all accented by round brilliant-cut diamonds weighing approximately 1.31 carats in total, approximate color I-J and clarity I1‑I2. l. 1‑3/4”, total weight 10.0 grams $1,500‑$2,500 537 Emerald and Diamond Bracelet and Earrings the 18k yellow gold earrings mounted with an oval-cut treated emerald weighing approximately 3.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.25 carats in total, l. 1”, together with an 18k yellow gold/sterling silver bracelet with an intricate floral design, mounted with round- and pear-cut treated emeralds weighing approximately 25.0 carats in total, accented by round-cut diamonds weighing approximately 5.00 carats in total, w. 1”, l. 7‑1/4”. total weight 70.66 grams $1,500‑$2,500

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540 Emerald and Diamond Ring 18k yellow gold, the ring mounted with a pear-cut treated emerald weighing approximately 3.21 carats, accented by round brilliant-cut diamonds weighing approximately 0.48 carats in total. size 7, total weight 5.01 grams $2,000‑$4,000

538 Emerald and Diamond Ring 14k yellow gold, the ring mounted with an emerald-cut treated emerald weighing approximately 0.74 carats, flanked to either side by an emerald-cut diamond weighing approximately 2.03 carats in total, approximate color E-G and clarity SI1‑SI2, accented by single-cut diamonds weighing approximately 0.26 carats. size 8, total weight 7.5 grams

541 Emerald and Diamond Pendant with Chain 18k yellow gold, the pendant mounted with a pear-cut treated emerald weighing approximately 5.03 carats, accented by round brilliant-cut diamonds weighing approximately 1.18 carats in total, l. 1‑1/2”, suspended from a gold box chain, l. 18”. total weight 8.0 grams $4,000‑$7,000

$2,500‑$4,000 539 Emerald and Diamond Bracelet 18k yellow gold, mounted with seventeen marquise-cut emeralds, with an approximate total weight of 8.67 carats, accented by twenty-seven round-cut diamonds, with an approximate total weight of 0.08 carats. l. 7”, total weight 12.0 grams

542 Pair of Emerald and Diamond Earrings 18k yellow gold, the earrings mounted with two ovalcut emeralds weighing approximately 1.16 carats in total, accented below by square-cut emeralds weighing approximately 0.32 carats in total, and above by round brilliant-cut diamonds weighing approximately 0.58 carats in total. l. 3/4”, total weight 14.0 grams $1,200‑$1,800

$1,800‑$2,500

543 Emerald and Diamond Bracelet 14k yellow gold, the line bracelet channel set with squarecut treated emeralds weighing approximately 5.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total. l. 7‑3/4”, total weight 13.8 grams $1,800‑$2,500

542

544 Emerald Cross Pendant 18k yellow gold, the custom-made cross with an engraved finish and mounted with pear-, marquise- and square-cut emeralds weighing approximately 2.72 carats in total. l. 2‑1/2”, total weight 6.0 grams $1,000‑$1,500

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545 Tourmaline and Diamond Ring 14k yellow gold, the ring mounted with a central pink tourmaline oval cabochon weighing approximately 2.48 carats, flanked on the top and bottom by a green tourmaline round cabochon weighing approximately 0.40 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.30 carats in total. size 5, total weight 9.3 grams $1,000‑$1,500 546 Tourmaline and Diamond Earrings sterling silver, the chandelier earrings mounted with slicedcut pink and green tourmalines weighing approximately 33.46 carats, accented by single-cut diamonds weighing approximately 1.53 carats in total. l. 2‑1/2”, total weight 33.0 grams $1,000‑$1,500 547 Ruby, Emerald and Sapphire Ring 14k yellow gold, the ring with three butterflies, one mounted with round-cut treated sapphires weighing approximately 0.80 carats in total, one mounted with round-cut treated rubies weighing approximately 0.80 carats in total, and one mounted with round-cut treated emeralds weighing approximately 0.75 carats in total. size 6‑1/2, total weight 10.0 grams

548 Ruby and Diamond Bracelet 14k yellow gold, the bracelet mounted with oval-cut treated rubies weighing approximately 27.25 carats in total, each surrounded by a halo of round brilliant-cut diamonds weighing approximately 2.18 carats in total. l. 7”, total weight 21.76 grams $2,500‑$4,000 549 Ruby and Diamond Necklace 14k yellow gold, the necklace mounted with emerald-cut treated rubies weighing approximately 64.14 carats in total, each surrounded by a border of round brilliant-cut diamonds weighing approximately 3.50 carats in total. l. 17”, total weight 39.5 grams $4,500‑$7,000 550 Ruby and Diamond Ring 14k yellow gold, the ring mounted with a rectangular step-cut treated ruby weighing approximately 11.57 carats, accented by round brilliant-cut diamonds weighing approximately 1.34 carats in total. size 8‑1/4, total weight 6.33 grams $1,000‑$1,500

$1,000‑$1,500

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551 Ruby and Diamond Bangle Bracelet 18K yellow gold, the bracelet mounted with two rows of square-cut rubies weighing approximately 5.60 carats in total and three rows of round brilliant-cut diamonds weighing approximately 2.45 carats in total. inside circumference 6”, total weight 60.3 grams $2,000‑$4,000 552 Ruby and Diamond Hoop Earrings 18k yellow gold, the inside-outside earrings mounted with oval-cut treated rubies weighing approximately 7.64 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.69 carats in total. l. 1”, total weight 9.0 grams $2,000‑$4,000 553 Ruby and Diamond Tassel Necklace 18k yellow gold, the tassel composed of strands of treated ruby beads weighing approximately 80.50 carats in total, accented on the cap and chain by round brilliant-cut diamonds weighing approximately 0.71 carats in total. tassel l. 3”, chain l. 18”, total weight 24.8 grams $3,000‑$5,000 554 Ruby and Diamond Earrings 18k yellow gold, the earrings mounted with pear-cut treated rubies weighing approximately 15.0 carats in total, each surrounded by a halo of round-cut diamonds weighing approximately 0.73 carats in total, and separated by two rosecut diamonds weighing approximately 0.93 carats in total. l. 1‑7/8”, total weight 10.67 grams

555 Ruby and Diamond Ring 14k yellow gold, the ring mounted with an oval-cut treated ruby weighing approximately 8.83 carats, surrounded by a halo of round brilliant-cut diamonds weighing approximately 1.18 carats in total. size 6‑3/4, total weight 5.68 grams $1,000‑$1,500 556 Pearl, Ruby and Diamond Earrings 18k yellow gold, the earrings mounted with baroque golden pearls with an excellent luster, suspended from mountings set with pear-cut treated rubies weighing approximately 0.70 carats in total, and round brilliant-cut diamonds weighing approximately 0.41 carats in total. l. 1”, total weight 8.0 grams $1,400‑$1,800 557 South Sea Pearl and Pink Sapphire Ring 18k yellow gold, the ring mounted with a golden South Sea pearl with a high luster, surrounded by a border of pear-cut treated pink sapphires weighing approximately 2.52 carats in total. size 7, total weight 9.0 grams $1,000‑$1,500

$1,400‑$1,800

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558 Golden Pearl and Diamond Necklace and Earrings 14k yellow gold, the necklace composed of graduated South Sea pearls with a medium luster, ranging in size from 11.5 mm to 15.0 mm, finished with a gold clasp mounted with single-cut diamonds weighing approximately 0.09 carats in total, l. 16”, together with a pair of baroque pearl earrings with a high luster, measuring approximately 14.0 mm in diameter, suspended from a mounting set with round brilliantcut diamonds weighing approximately 0.43 carats in total, l. 1‑1/4”. total weight 99.69 grams $1,000‑$1,500 559 Pearl and Diamond Earrings 18k yellow gold, the earrings mounted with a 12.6 mm South Sea golden pearl with a medium luster, accented by round brilliant-cut white diamonds weighing approximately 0.33 carats in total and marquise-cut faint yellow and light brown diamonds weighing approximately 0.46 carats in total. l. 3/4”, total weight 11.0 grams $1,500‑$2,500 560 South Seal Pearl and Diamond Pendant with Chain 18k yellow gold, the pendant mounted with a 14.0 mm golden South Sea pearl with a very good luster, accented by round brilliant-cut diamonds weighing approximately 0.69 carats in total, l. 1‑3/4”, suspended from an 18” yellow gold chain. total weight 12.5 grams $1,500‑$2,500

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561 South Sea Pearl and Diamond Ring 18k yellow gold, the ring mounted with a 13.0 mm gold South Sea pearl with an excellent luster, accented by round brilliantcut diamonds weighing approximately 0.48 carats in total. size 7‑1/2, total weight 8.14 grams $1,200‑$1,800 562 White and Brown Diamond Bracelet 18k white gold, the bracelet composed of six sections mounted with round brilliant-cut fancy deep brownish diamonds weighing approximately 4.61 carats in total, separated by links mounted with round brilliant-cut white diamonds weighing approximately 2.24 carats in total. l. 7”, total weight 55.2 grams $2,000‑$4,000

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563 Fancy Brown and White Diamond Earrings 14k white gold, the earrings mounted with eight round brilliantcut Fancy Dark Brownish diamonds weighing approximately 3.26 carats in total, approximate clarity SI1‑I1, and round brilliant-cut white diamonds weighing approximately 2.22 carats in total, approximate color I-N and clarity SI1‑I1. l. 1‑3/8”, total weight 6.5 grams $1,500‑$2,500 564 Diamond Snake Bangle Bracelet 14k white gold, the hinged bracelet mounted with round brilliant-cut white diamonds weighing approximately 1.01 carats in total, accented with round brilliant-cut brown diamonds weighing approximately 0.43 carats in total. inside circumference 7”, total weight 32.0 grams $1,400‑$1,800 565 Multicolored Diamond Butterfly Ring 18k yellow gold, the ring mounted with round brilliant-cut white diamonds and brown, yellow and green treated diamonds, with an approximate total diamond weight of 2.35 carats. size 7, total weight 9.0 grams $1,800‑$2,500

566 Diamond Bracelet 14k rose gold, the bracelet mounted with round brilliantcut diamonds weighing approximately 3.35 carats in total, approximate color G-I and clarity VS2‑I1. l. 7‑1/4”, total weight 11.0 grams $6,000‑$9,000 567 Morganite and Diamond Ring 14k rose gold, the ring mounted with an oval-cut morganite weighing approximately 5.71 carats, surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.37 carats in total. size 7‑1/4, total weight 16.17 grams $1,200‑$1,800 568 Tri-Colored Gold and Diamond Ring 18k yellow/white/rose gold, the ring composed of three attached “anchor link” bands, mounted with round brilliant-cut diamonds weighing approximately 1.04 carats in total. size 6‑1/2, total weight 7.33 grams $3,000‑$5,000

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569 Kunzite and Diamond Pendant with Chain 14k yellow/white gold, the pendant mounted with a pear-cut kunzite weighing approximately 12.03 carats, accented by round brilliant-cut diamonds weighing approximately 0.89 carats in total, l. 2”, suspended from an 18” gold chain. total weight 13.85 grams

572 Amethyst and Diamond Necklace and Earring Suite sterling silver, the necklace and earrings mounted with faceted oval-shaped amethysts weighing approximately 248.01 carats in total, each surrounded by a halo of rose-cut diamonds, the necklace finished with a lobster claw clasp mounted with rosecut diamonds, with an approximate total diamond weight of 8.00 carats for the suite. necklace l. 19”, earring l. 1‑7/8”, total weight 87.67 grams

$2,500‑$4,000 570 Lavender Jade and Diamond Ring 14k yellow gold, the ring mounted with an oval-shaped lavender jade cabochon measuring approximately 17.0 mm x 13.0 mm, accented on the top by a bezel-set round brilliant-cut diamond weighing approximately 0.55 carats, approximate color I and clarity SI1, and accented on the mounting with round brilliant-cut diamonds weighing approximately 0.61 carats in total.

$1,000‑$1,500 573 Amethyst and Diamond Ring and Bracelet 14k yellow gold, the ring mounted with an oval-cut amethyst weighing approximately 8.25 carats, accented by round brilliant-cut diamonds weighing approximately 0.81 carats in total, size 8, together with a hinged bangle bracelet mounted with round-cut amethysts weighing approximately 9.36 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.18 carats in total, inside circumference 6‑1/2”. total weight 29.0 grams

$1,500‑$2,500 571 Amethyst and Diamond Ring 18k rose gold, the ring mounted with vividly colored ovalcut amethysts weighing approximately 3.05 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.60 carats in total. size 7, total weight 5.77 grams

$1,400‑$1,800

$1,000‑$1,500

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569

572

203

575

574

577

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574 Amethyst, Pink Sapphire and Diamond Ring 18k rose gold, the ring mounted with a round faceted amethyst weighing approximately 8.73 carats, surrounded by a halo of round brilliant-cut diamonds weighing approximately 0.18 carats in total and accented on the gallery and the ring shank with round-cut treated pink sapphires weighing approximately 1.68 carats in total. size 6‑1/2, total weight 8.0 grams $2,000‑$4,000 575 Multicolored Sapphire and Diamond Bangle Bracelet 18k yellow gold, the hinged bracelet mounted with oval-cut treated pink, blue, green, orange, yellow and purple sapphires weighing approximately 12.0 carats in total, bordered and accented by round brilliant-cut diamonds weighing approximately 2.66 carats in total. inside circumference 6‑3/4”, total weight 28.0 grams $3,000‑$5,000

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576 Sapphire and Diamond Bracelet 18k yellow gold, set with round- and baguette-cut diamonds weighing approximately 4.86 carats in total, approximate color E-F and clarity SI1‑I1, and twelve oval-cut treated sapphires weighing approximately 8.00 carats in total. l. 7”, total weight 18.0 grams $5,000‑$8,000 577 Multicolored Sapphire and Diamond Bangle Bracelet 14k yellow gold, the bracelet mounted with a double row of square-cut treated sapphires ranging in color from orange to green and weighing approximately 3.60 carats in total, bordered on the top and bottom by a row of round brilliant-cut diamonds weighing approximately 1.00 carat in total. inside circumference 7”, total weight 28.0 grams $1,800‑$2,500

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579 Ruby and Diamond Bracelet 18k white gold, the bracelet mounted with a row of oval-cut treated rubies weighing approximately 10.80 carats in total, flanked on either side by a row of round brilliant-cut diamonds weighing approximately 0.95 carats in total. l. 7‑1/2”, total weight 18.0 grams $4,000‑$7,000

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580 Ruby and Diamond Ring 18k white gold, the ring mounted with a large oval-cut treated ruby weighing 20.79 carats, surrounded by a double border of baguette- and round brilliant-cut diamonds weighing approximately 2.73 carats in total, approximate color H-I and clarity VS2‑SI1. size 8, total weight 2.0 grams $2,000‑$4,000

578 Sapphire and Diamond Ring platinum, the ring mounted with a cushion-cut purplishpink treated sapphire weighing 2.09 carats, GIA report #2181163968, accented by round brilliant-cut diamonds weighing approximately 0.62 carats in total. size 7, total weight 6.62 grams

581 Diamond and Ruby Necklace 14k white gold, the necklace mounted with round brilliantcut diamonds weighing approximately 6.20 carats in total, accented with round-cut treated rubies weighing approximately 0.96 carats in total. l. 17”, pendant l. 2”, total weight 38.9 grams

$2,500‑$4,000

$1,800‑$2,500

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582 Faint Yellow and White Diamond Ring 18k white gold, the ring mounted with a central faint yellow diamond weighing approximately 0.93 carats in total, approximate clarity SI2, flanked on either side by a half-mooncut white diamond weighing approximately 0.45 carats in total, approximate color E-G and clarity SI2, and further accented by round brilliant-cut white diamonds weighing approximately 0.89 carats in total, approximate color G-I and clarity SI1‑SI2. size 7, total weight 6.9 grams $1,800‑$2,500 583 Fancy Yellow and White Diamond Earrings 14k yellow gold, each earring mounted with a princess-cut fancy yellow diamond weighing approximately 1.70 carats in total, approximate clarity VVS2‑VS1, accented by round brilliant-cut white diamonds weighing approximately 0.80 carats in total. l. 3/8”, total weight 4.8 grams $3,000‑$5,000 584 Yellow and White Diamond Bracelet 18/22k yellow/white gold, the bracelet mounted with eleven princess-cut Fancy Yellowish diamonds weighing approximately 1.83 carats in total, and round brilliant-cut diamonds weighing approximately 2.86 carats in total. l. 6‑1/2”, total weight 40.7 grams $2,000‑$4,000 585 Yellow Diamond Ring 18k white gold, the ring mounted with a central Fancy Light Yellow Asscher-cut diamond weighing approximately 2.26 carats, approximate clarity SI1, accented on either side by a half moon-cut diamond weighing approximately 0.65 carats in total, approximate color E-F and clarity VS1‑SI1, and further accented with round brilliant-cut diamonds weighing approximately 0.74 carats in total, approximate color G-I and clarity VS1‑VS2. size 5‑1/2, total weight 9.0 grams $6,000‑$9,000

586 Yellow and White Diamond Earrings 18k white gold, the earrings mounted with a round brilliantcut fancy light yellow diamond weighing approximately 0.99 carats in total, approximate clarity SI1, accented by round brilliant-cut white diamonds weighing approximately 0.56 carats in total. l. 1‑1/2”, total weight 8.0 grams $5,000‑$8,000 587 Yellow Diamond Ring 18k white gold, the ring mounted with a cushion-cut Fancy Light Yellow diamond weighing 2.24 carats, clarity SI2, GIA report #2207471837, flanked on either side by a trapezoidcut diamond weighing approximately 0.28 carats in total, approximate color E and clarity VVS2‑VS1, and accented on the shank with graduated round brilliant-cut diamonds weighing approximately 0.32 carats in total, approximate color E-G and clarity VVS2‑VS2. size 7, total weight 5.0 grams $10,000‑$15,000 588 Yellow and White Diamond Necklace 18k white/yellow gold, the pendant composed of a single pear-cut yellow diamond weighing approximately 0.40 carats, approximate clarity SI2, surrounded by a halo of white round brilliant-cut diamonds, which are also accenting the chain, with an approximate total weight of 0.28 carats, the remainer of the pendant composed of pear-, oval-, heart- and princess-cut lab-created yellow diamonds weighing approximately 0.97 carats in total. pendant l. 1‑3/8”, chain l. 16”, total weight 5.0 grams $1,800‑$2,500 589 Alexandrite and Diamond Ring 18k white gold, the ring mounted with a cushion-cut alexandrite, with a color change from yellow-green to brownish-yellow, GIA report #5182886163, and weighing 1.41 carats, accented by round brilliant-cut diamonds weighing approximately 0.65 carats in total. size 6‑1/2, total weight 6.49 grams $3,000‑$5,000

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590 Two-Row Diamond Bracelet platinum, the bracelet mounted with round brilliant-cut diamonds weighing approximately 7.71 carats in total, approximate color E-G and clarity VS2‑SI2. l. 7‑1/4”, total weight 37.0 grams $12,000‑$18,000

592 Diamond Ring platinum, the ring mounted with a central round brilliantcut diamond weighing 0.68 carats, color E and clarity VS2, GIA report #6187971522, accented by round brilliant-cut diamonds weighing approximately 0.20 carats in total. size 7, total weight 3.93 grams $3,500‑$5,000

591 Diamond Hoop Earrings 14k white gold, the inside-out hoop earrings mounted with round brilliant-cut diamonds weighing approximately 1.76 carats in total. dia. 1‑1/4”, total weight 6.0 grams

593 Diamond Stud Earrings 14k white gold, each earring mounted with a round brilliantcut diamond weighing approximately 1.26 carats in total, approximate color H-I and clarity SI2‑I1. total weight 1.0 grams

$1,200‑$1,800

$1,200‑$1,800

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594 Spectacular Diamond Ring platinum, the ring mounted with a round brilliant-cut diamond weighing 8.91 carats, color K and clarity SI2, GIA report #6173455554, flanked on each side by a tapered baguettecut diamond weighing approximately 0.70 carats in total, approximate color F-G and clarity VVS1‑VVS2. size 4‑1/2, total weight 12.0 grams $75,000‑$125,000 595 Beautiful Diamond Bangle Bracelet platinum, the hinged cuff bracelet mounted with marquiseand round brilliant-cut diamonds weighing approximately 17.32 carats in total, approximate color E-F and clarity VS1‑SI1. w. 1‑1/4”, inside circumference 6‑3/4”, total weight 67.0 grams $25,000‑$40,000 596 Beautiful Diamond Ring 18k white gold, the ring mounted with a central princess-cut diamond weighing approximately 4.22 carats, approximate color J and clarity SI1, accented on each side by a row of princess-cut diamonds bordered by a row of baguette-cut diamonds, weighing approximately 1.79 carats in total, approximate color G-I and clarity VVS2‑SI2. size 6, total weight 10.36 grams

597 Diamond Bracelet 18k white gold, the bracelet mounted with round brilliant- and baguette-cut diamonds weighing approximately 8.49 carats in total, approximate color E-F and clarity VVS2‑VS1. l. 7‑1/4”, total weight 22.17 grams $7,000‑$10,000 598 Diamond Ring platinum, the ring mounted with a round brilliant-cut diamond weighing approximately 3.99 carats, approximate color I and clarity I1, accented by round brilliant- and baguette-cut diamonds weighing approximately 1.54 carats in total. size 7‑1/2, total weight 8.97 grams $15,000‑$25,000

$25,000‑$40,000

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599 Diamond Earrings 18k white gold, the earrings with a snowflake design and mounted in the center with a round brilliant-cut diamond weighing approximately 1.26 carats in total, approximate color E-F and clarity VS2‑SI2, surrounded by round brilliant- and baguette-cut diamonds weighing approximately 2.48 carats in total, approximate color E-I and clarity VS1‑VS2. l. 1/2”, total weight 9.0 grams

601

$6,000‑$9,000 600 Diamond Necklace and Earrings Suite sterling silver, the adjustable necklace composed of 10 “flowers”, each mounted with a central sliced diamond and accented with rose-cut diamonds, finished with a diamond lobster claw clasp, l. 16‑17”, together with a pair of matching earrings, l. 2‑1/4”, the suite with a total diamond weight of 9.55 carats. total weight 63.57 grams $1,000‑$1,500 601 Diamond Dangle Earrings 18k white gold, the earrings designed as flowers, the centers of each section mounted with a rose-cut diamond weighing approximately 0.65 carats in total, approximate color H-I and clarity VS2‑SI1, each surrounded by round brilliant-cut diamonds weighing approximately 0.61 carats in total, approximate color H-I and clarity SI2‑I1. l. 1‑1/4”, total weight 5.0 grams $1,000‑$1,500

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602 Diamond Necklace and Earrings Suite 10k yellow gold/sterling silver, the necklace and earrings mounted with sliced diamonds weighing approximately 37.50 carats in total, approximate color H-I and clarity I1‑I3, accented with light brown rose-cut diamonds weighing approximately 5.00 carats in total. necklace l. 18”, earring l. 2”, total weight 82.0 grams $1,400‑$1,800

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603 Diamond Hoop Earrings 14k white gold, the inside-out earrings paveset with round brilliant-cut diamonds weighing approximately 4.95 carats in total. dia. 1‑1/2”, total weight 18.0 grams $1,200‑$1,400

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604 Tiffany & Co. Diamond Earrings platinum, the dangling “flower” earrings mounted with round brilliant-cut diamonds weighing approximately 1.03 carats in total, approximate color E-F and clarity VVS2‑VS1. l. 1/2”, total weight 4.0 grams $1,800‑$2,500

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605 Emerald and Diamond Earrings 18k white gold, the earrings mounted with navette-shaped treated emeralds weighing approximately 1.43 carats in total and round brilliant-cut diamonds weighing approximately 0.31 carats in total. l. 7/8”, total weight 4.6 grams $1,000‑$1,500 606 Art Deco Diamond and Emerald Ring platinum, the ring mounted with a marquise-cut diamond weighing approximately 0.50 carats, approximate color I and clarity SI2, accented by calibre-cut emeralds weighing approximately 0.08 carats in total, the whole accented by single- and baguette-cut diamonds weighing approximately 0.50 carats in total. size 6‑3/4, total weight 4.3 grams $1,400‑$1,800 607 Emerald and Diamond Ring platinum, the ring mounted with a central oval-cut natural emerald weighing approximately 6.17 carats, accented by round brilliant-cut diamonds weighing approximately 0.71 carats in total. size 7‑3/4, total weight 8.89 grams

608 Emerald and Diamond Earrings 14k white gold, each earring mounted with a pear-cut treated emerald weighing approximately 2.43 carats in total, accented with round brilliant-cut and baguette-cut diamonds weighing approximately 2.77 carats in total, approximate color G-I and clarity VS1‑SI1. l. 1‑1/4”, total weight 7.0 grams $1,500‑$2,500 609 Beautiful Art Deco Diamond and Emerald Ring platinum, the ring mounted with a marquise-cut diamond weighing approximately 2.00 carats, approximate color H and clarity SI2, accented by square-cut emeralds weighing approximately 0.12 carats in total, the whole accented by single- and round brilliant-cut diamonds weighing approximately 1.00 carat in total. size 7‑1/2, total weight 5.1 grams $8,000‑$12,000

$7,000‑$10,000

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610 Emerald and Diamond Ring 18k white gold, the ring mounted with an emerald-cut treated emerald weighing approximately 2.39 carats, and an emerald-cut diamond weighing approximately 0.25 carats, approximate color E-G and clarity VS1, and accented by round brilliant-cut diamonds weighing approximately 0.20 carats in total. size 7, total weight 6.0 grams $3,000‑$5,000 611 Emerald and Diamond Ring 14k white gold, the ring mounted with a square emeraldcut treated emerald weighing approximately 1.81 carats, accented by round brilliant-cut diamonds weighing approximately 1.28 carats in total. size 7‑1/4, total weight 5.63 grams $2,500‑$4,000 612 Emerald and Diamond Earrings 18k white gold, the earrings mounted with emerald-cut natural emeralds weighing approximately 9.82 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.54 carats in total. l. 1‑3/4”, total weight 13.44 grams $6,000‑$9,000

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613 Emerald and Diamond Ring 18k white gold, the ring mounted with an emerald-cut emerald weighing approximately 2.71 carats, flanked on either side by a triangle-cut diamond weighing approximately 0.44 carats in total, approximate color G-I and clarity VS1‑VS2, and accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total, approximate color G-I and clarity VS1‑SI2. size 6‑1/2, total weight 10.0 grams $3,500‑$5,000 614 Tanzanite, Emerald and Diamond Ring 18k white gold, the ring mounted with a central pear-cut tanzanite weighing approximately 2.68 carats, surrounded by a border of pear-cut treated emeralds weighing approximately 2.25 carats in total, and accented with round brilliant-cut diamonds weighing approximately 0.48 carats in total. size 7, total weight 8.0 grams $1,500‑$2,500

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615 Tanzanite and Diamond Earrings 14k white gold, the earrings mounted with emerald-cut tanzanites weighing approximately 5.18 carats in total, surrounded by round brilliant-cut diamonds weighing approximately 0.78 carats in total. l. 1/2”, total weight 4.0 grams

618 Tanzanite and Diamond Necklace 14k white gold, the stylized necklace mounted with a square cushion-cut tanzanite with an approximate weight of 3.35 carats, accented around the stone and on the necklace by round brilliant-cut diamonds with an approximate total weight of 7.63 carats. l. 17‑1/2”, total weight 31.4 grams

$2,500‑$4,000

$5,000‑$8,000 619 Tanzanite and Diamond Earrings 18k yellow gold, the earrings mounted with oval-cut tanzanites weighing approximately 1.84 carats in total, accented by roseand round-cut diamonds weighing approximately 1.92 carats in total. l. 1”, total weight 5.0 grams

616 Tanzanite and Diamond Ring 18k white gold, the ring mounted with two emerald-cut tanzanites weighing approximately 3.18 carats in total, accented by baguette-cut diamonds weighing approximately 0.35 carats in total. size 7, total weight 6.0 grams

$1,000‑$1,500

$1,800‑$2,500

617 Tanzanite and Diamond Ring 14k white gold, the ring mounted with a cushion-cut tanzanite weighing 13.87 carats, GIA report #1176582544, accented with round brilliant-cut diamonds weighing approximately 1.26 carats in total. size 7, total weight 11.08 grams

620 Tanzanite and Diamond Bracelet and Earrings gold vermeil, the bracelet mounted with oval- and pear-cut tanzanites weighing approximately 18.30 carats in total, accented by round-cut diamonds weighing approximately 4.10 carats in total, w. 1”, l. 7”, together with a pair of earrings mounted with round- and pear-cut tanzanites weighing approximately 4.80 carats in total, accented by round-cut diamonds weighing approximately 3.19 carats in total, l. 1‑1/4”. total weight 93.5 grams

$7,000‑$10,000

$1,000‑$1,500

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621 Pearl and Diamond Ring and Earrings 14k white gold, the ring mounted with a Tahitian gray 12.5 mm pearl with a medium luster, surrounded by a swirling mounting set with round brilliant-cut diamonds weighing approximately 0.59 carats in total, size 7, together with a pair of black/green peacock pearl earrings ranging in size from 9.5 mm to 11.5 mm, accented by round brilliant-cut diamonds weighing approximately 0.35 carats in total, l. 2‑1/4”. total weight 19.0 grams $1,000‑$1,500 622 South Sea Pearl and Diamond Ring 18k white gold, the ring mounted with a white South Sea pearl with an excellent luster, measuring 14.5 mm in diameter, accented on the sides by a cluster of round brilliant-cut diamonds and on the top and bottom by baguette-cut diamonds, with an approximate total diamond weight of 1.27 carats. size 6‑1/2, total weight 15.0 grams $1,000‑$1,500

623 Pearl and Diamond Earrings 14k white gold, the earrings mounted with 11.0 mm pinkrose-colored pearls with a high luster, and a cluster of round brilliant-cut diamonds weighing approximately 0.48 carats in total, approximate color E-G and clarity SI1‑SI2. l. 1/2”, total weight 6.0 grams $2,500‑$4,000 624 Baroque Pearl and Diamond Ring 18k white gold, the ring mounted with a baroque freshwater pearl with a light gray luster, accented by round brilliant-cut diamonds weighing approximately 0.07 carats in total. size 7‑1/4, total weight 12.0 grams $1,800‑$2,500 625 Mother-of-Pearl and Diamond Ear Clips 18k white gold, the ear clips mounted with mother-of-pearl “leaves” and accented by round brilliant-cut diamonds weighing approximately 0.40 carats in total. l. 1‑1/8”, total weight 14.6 grams $2,500‑$4,000

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626 Vintage Judith Leiber, New York, Floral Crystal Minaudiere 1990s, of rounded box form with an onyx-inset quatrefoil blossom push clasp and gold drop-in chain, the gold kidskinlined interior bearing the gilt-brass label stamped: “Judith Leiber/New York”, includes a gold swing mirror stamped: “Judith Leiber/Made Italy” and a tasseled gold comb, with dust bag, stamped: “Judith Leiber/Made in Italy”. overall h. 5”, w. 5”, chain drop: 18‑1/2” $1,000‑$1,500 627 Collection of European Gold and Rolled Gold Lorgnettes and Quizzing Glasses 19th century, including a Viennese 14k gold lorgnette, with long handle of square section and ring terminal, l. 6”, a Continental 14k lorgnette with long handle decorated with openwork scrolls, l. 5‑1/4”, and two English Regency rolled gold quizzing glasses, one with textured frame and swivel ring handle, l. 2‑3/4”, the other with scrolling ring handle, l. 2‑1/2”.

62.5 gr. (lorgnettes only, but including glass lenses)

628 Georgian 22K Gold and Enamel Patch Box hallmarked London, 1766‑1767, no maker’s mark, of bulbous circular form, the hinged lid set with a Battersea enamel plaque of St. James the Greater and opening, by means of a scrolling thumb-latch set with a tiny rose-cut diamond, to reveal the mirrored interior lid. h. 3/4”, dia. 1‑1/2”; 32.4 gr. (including enamel and mirror) $1,000‑$1,500

$1,000‑$1,500

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629 Rolex President Diamond Bezel Watch 18k yellow gold, the mechanical self-winding single-set DayDate watch with an after-market bezel set with round brilliantcut diamonds weighing approximately 1.00 carat in total, the 18k gold after-market president band with a deployant hidden clasp stamped “Rolex, Geneve, Swiss Made, 18k, 750” and with Swiss hallmarks, the black dial signed “Rolex, Oyster Perpetual, Day-Date, Superlative Chronometer Officially Certified”, case ref. #18038, serial #9,104,XXX. inside circumference 7‑7/16”, total weight 135.3 grams $5,000‑$8,000

631 Three Pairs of Cufflinks the first pair, 18k yellow gold, set with a square 20.0 mm x 20.0 mm malachite insert, the second pair, 14k yellow gold, with a twisted rope edge, dia. 7/8”, and the third pair, 14k yellow gold, with black enamel and set with a full-cut diamond weighing approximately 0.01 carat, l. 1/2”. total weight 55.5 grams $1,000‑$1,500 632 Gentleman’s Rolex Cellini Wristwatch 18k white gold, the round slim case watch with a gray slatecolored dial signed “Rolex, Geneve, Cellini” and with a Rolex logo crown, the black crocodile Rolex strap with an eighteenkarat white gold Rolex buckle, the twenty-jewels manual wind Rolex movement is caliber #1602, case diameter 32.0 mm without crown, the case, dial and movement signed “Rolex, model 5115, serial #K666,XXX”, the watch with inner and outer boxes. l. 8”, total weight 42.7 grams $3,000‑$5,000 633 Diamond and Sapphire Cufflinks 18k white gold, the cufflinks mounted with square-cut treated sapphires weighing approximately 1.26 carats in total, and round brilliant-cut diamonds weighing approximately 0.16 carats in total. l. 1/2”, total weight 10.0 grams

629

$1,400‑$1,800 634 Black Star Sapphire and Diamond Cufflinks 14k white gold, the square cufflinks with a florentine finish, each set with a 4.5 mm round black star sapphire and four tapered baguette-cut diamonds weighing approximately 0.40 carats in total. l. 7/8”, total weight 16.2 grams $1,500‑$2,500

630 Ruby and Diamond Cufflinks 14k yellow gold, the X-form cufflinks mounted with square-cut treated rubies weighing approximately 1.32 carats in total and round brilliant-cut diamonds weighing approximately 0.64 carats in total, l. 5/8”. total weight 7.9 grams

635 Enamel and Diamond Cufflinks 18k white gold, the octagon-shaped cufflinks with a salmoncolored enamel translucent sunburst, accented in the center and the border with round brilliant-cut diamonds weighing approximately 0.66 carats in total. l. 5/8”, total weight 16.0 grams

$2,000‑$4,000

$1,000‑$1,500

224

630

633

631

634

632

635

225

636 Chinese Blue and White Porcelain Brush Pot possibly Yongzheng period (1723‑1735), of cylindrical form with slightly flared sides, decorated to the exterior with scenes of figures in a picturesque garden setting by a river, within incised scrolling borders to the rim and foot, the base unmarked and unglazed. h. 8‑1/4”, dia. 8” Provenance: With receipt to show purchase from Auctionata, Paddle 8 AG, December 2016.

636

$4,000‑$7,000

637 Chinese-Style Hardwood Altar Table 20th century, having a rectangular-form single-panel top inset within a conforming outer frame, above a carved frieze with geometric scroll and stylized twisted-cord detail, raised on carved and pierced legs terminating in neatly curved feet. h. 35”, w. 71‑1/2, d. 17” $1,200‑$1,800

638 Blanc de Chine Figure of Guanyin 20th century, elegantly modeled standing on a lotus base, wearing traditional robes and headpiece, hand raised in abhaya mundra, with two impressed studio marks to the reverse. h. 28”, w. 9”, d. 6‑3/4” $1,000‑$1,500 638

637

226

639

639 Chinese Hardwood Altar Table first quarter 20th century, having a narrow rectangular top flanked by scroll-form ends, raised on slightly splayed, carved and pierced legs joined with floral and scrolling detail. h. 28‑3/4”, w. 88”, d. 16‑1/4” $1,000‑$1,500 640 Chinese White Jade Pendant Qing Dynasty, 19th century, of rectangular form, carved to each side with a design depicting two opposing dragons symmetrically carved in light relief in an archaic style, with geometric scroll and stud form detail. h. 2‑1/4”, w. 1‑3/8”, d. 3/8” $2,000‑$4,000 641

641 Chinese White Jade Pendant probably Qing Dynasty, 19th century, having a central rounded reserve carved in light relief to either side with scenes of flowers and bamboo sprouting from rockwork, above and below which are carved and pierced pairs of opposing dragons. h. 3”, w. 1‑3/4”, d. 1/4” $1,500‑$2,500 640

227

Lay figures/mannequins are truly the “silent partners” in the history of Eastern and Western cultures. In Ancient China, they were fertility votives, temple and funerary guards. They were venerated in the form of a terracotta army of more than 8,000 soldiers buried with the first Emperor of China (259 BCE - 10 September 210 BCE) in Xi’an, and they have influenced various forms of Chinese opera for over 800 years. In the Orient, they were used extensively in rituals and the performing arts; in the Occident they were more commonly facilitated in the plastic arts. It is purported that they were employed as anatomical aids by Ancient Greek sculptors, though no true evidence of them predates the Italian Renaissance, during which they were used by some of the most talented artists of the time. Michelangelo used them in his commission of the Sistine Chapel to better register light, shadow and perspective, while lying on his back on a ceiling scaffold, and Fra Bartolomeo, according to Giorgio Vasari, was the first artist to devise a fully articulated life-size lay figure in wood. As Jane Munro states in her book Silent Partners: Artist and Mannequin from Function to Fetish, lay figures were never “artistic ‘props’ designed to assist artists of limited conceptual and technical abilities”.

In the last few hundred years, smaller lay figures/ maquettes, made of secondary woods, were used to rehearse a movement or pose, for both artistic and medical purposes, including acupuncture, whereas larger, life-size figures were typically employed for modeling drapery. The juxtaposition between the more roughly carved torsos and the scale and detail with which the faces, heads, hands, feet and the joints that bind them are rendered strongly suggest that these figures were meant to be displayed in clothes for either a prominent 19th-century merchant shop, or more likely a tea room. A fine husband and wife pair of Chinese lay figures with the same painted extremities, face, hair and articulated joint structure were sold in the Christie’s, New York Chinese Export sale for $10,000 on January 25, 2011 as lot 166. Though far smaller, at only 24 inches, they, too, were not likely meant to be displayed naked, and may have also been used in tea shop displays. Tea shop mannequins were quite common during the Qing period, and were modeled in three sizes with elaborately bound/ wrapped feet, painted hands and faces with fine coiffures made of animal hair. Tea shop mannequins also came with both closed torsos, as is the case with these two lots, and open armature ones, designed for the display of tea boxes.

Despite their ubiquity, Chinese lay figures and mannequins are extraordinarily rare at auction as these icons and votives were frowned upon by the new regime and were destroyed by the Chinese People’s Republic during the second half of the 20th century.

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At "home" in Point Loma

The "Ladies" meet a family friend

As the Chinese Cultural Revolution cast aside past superstitions, the Vaughns began amassing their sizable collection of Chinese votives and idols in wood and bronze, including these lay figures. In a fine article covered in the San Diego Evening Tribune, Judge Richard Lane’s obsession with Asian art and artifacts was influenced by his service in the Navy during World War II. Between the late 1940s and 1970s, the Vaughns actively collected Asian works, purchasing them from auctions, antiquarians and fine galleries, including in New Orleans in 1950. The Vaughns were prominent members of the San Diego community. Zane Houston was involved in the arts and community affairs, and her husband served as a District Attorney, Circuit Court Judge and a Juvenile Court Judge, retiring from the Bench in 1978.

References: Munro, Jane. Silent Partners: Artist and Mannequin from Function to Fetish.

New Haven: Yale U.P., 2015, pp. 4‑7, 49‑52.

642 Extraordinarily Rare Life-Sized Chinese Female Lay Figure/Mannequin Qing Dynasty (1644‑1911), first half 19th century, hand-carved Asian hardwood, with fully articulated wheel and ball joints, the face with incised and painted facial features and horse hair inset, plugged and arranged as a single braid, the feet modeled as bound with original muslin and gauze bindings; together with a later painted wood presentation chair. figure h. 59”, shoulder w. 14‑1/2”, hip w. 12”; chair h. 33‑3/4”, w. 11‑3/4”, d. 11” Provenance: Antique shop, New Orleans, Louisiana, ca. 1950; Richard Lane Vaughn (1914‑1994) and his wife Zane Houston (1922‑2008), Point Loma, California, thence by descent; Private collection, San Diego, California.

Literature: “Judge Credits Navy for Oriental Taste”. Evening Tribune. 12 Sept. 1980. A18. $2,500‑$4,000

642

643 Extraordinarily Rare Life-Sized Chinese Female Lay Figure/Mannequin Qing Dynasty (1644‑1911), first half 19th century, handcarved Asian hardwood, with fully articulated wheel and ball joints, the face with incised and painted facial features and horse hair inset, plugged and arranged as a single braid, the feet modeled as bound; together with a later painted wood presentation chair. figure h. 60”, shoulder w. 16”, hip w. 12‑3/4”; chair h. 34‑1/4”, w. 11‑1/2”, d. 10” Provenance: Antique shop, New Orleans, Louisiana, ca. 1950; Richard Lane Vaughn (1914‑1994) and his wife Zane Houston (1922‑2008), Point Loma, California, thence by descent; Private collection, San Diego, California.

643

Literature: “Judge Credits Navy for Oriental Taste”. Evening Tribune. 12 Sept. 1980. A18. $2,500‑$4,000

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646 644

647 645

644 Chinese Carved Hardwood Cabinet fourth quarter 20th century, having a rectangular top set within a conforming frame with sectional carved scroll-form ends, over two drawers carved with mirrored depictions of dragons chasing the flaming pearl, the lower section with two cabinet doors, similarly carved with dragons amid a dense scrolling cloud design, having brass mounts and lock, opening to reveal a vacant interior, the whole raised on four block-form feet joined across the front with a densely carved frieze. h. 32”, w. 68‑1/2”, d. 18‑3/4” $1,000‑$1,500 645 Pair of Chinese Hardwood Chairs fourth quarter 19th/first quarter 20th century, each with shaped crest rail supported by a gently curving backsplat centered by a carved “fu” character, over a trapezoid-form mat seat flanked by slender, curving arms, the front legs with carved detail and joined by a low foot-rest. h. 47”, w. 21‑1/4”, d. 17‑1/4” $1,000‑$1,500

230

646 Chinese Yellow-Glazed Porcelain Bowl possibly Qing Dynasty, Yongzheng Period (1678‑1735), the neatly formed bowl with slightly flared lip and raised foot, the exterior with an even lemon-yellow glaze throughout, having a six-character Yongzheng mark to the base within two concentric bands in underglaze blue. h. 2‑3/8”, dia. 4‑3/8” Provenance: With Berwald Oriental Art #589 label to the interior. $4,000‑$6,000 647 Pair of Chinese Famille Jaune Jars and Covers second half 20th century, each of baluster form with everted neck supporting a domed cover surmounted with foo-dogform finial, the exterior decorated with four five-claw dragons in copper red, green and gray, each chasing the flaming pearl amid a scrolling floral design, all within famille rose key and peony pattern borders, with a rectangular reserve containing an apocryphal six-character Kangxi mark, the bases unglazed and unmarked. h. 27‑1/2”, dia. 14” $1,000‑$1,500

648 Chinese Carved Hardwood Table with Mirrored Inserts fourth quarter 19th/first quarter 20th century, having a rectangular top inset within a thick conforming outer frame, over a narrow frieze with simple pierced mirrored slits, with a densely carved apron depicting dragons chasing the flaming pearl amid swirling clouds, the design continuing to embellish the legs, which terminate in four block feet carved with a mountainous design. h. 36”, w. 58‑1/2”, d. 29‑1/2” 648

$1,500‑$2,500 649 Large Chinese Sancai Figure of Lokopala in the Tang style but later, modeled standing upon an ox in repose, with arm raised, in traditional costume, decorated to the exterior in distinctive green, yellow and brown enamels, the face and hands unglazed. h. 32”, w. 14” $1,800‑$2,500 650 Impressive Franco-Japanese Bronze Banquet Lamp fourth quarter 19th century, the molded base with a reeded upper portion and encircled with a sculpted dragon, the removable fluted font with a duplex burner, now electrified and set with a pierced shade, probably original. h. 34‑1/2”, dia. 16‑1/2” $1,000‑$1,500 649

651 Pair of Japanese Bronze Hibachi with Tomobako

late Meiji period, ca. 1900, each of compressed baluster form, having a flattened rim encircled with a single raised band, and a slightly splayed foot, decorated to the exterior with a neatly incised design of blossoming peonies amid scrolling foliage, flanked with a detailed pair of bats, with wings spread symmetrically, the base with a three-character maker’s mark, “ISSA SAKU”, complete with tomobako. h. 9‑1/4”, w. 12”, d. 10‑1/2”

650

Provenance: Purchased from Flying Crane Antiques, New York, New York. $6,000‑$9,000

651

231

653

652

655

654

232

652 Turkish Angora Oushak Carpet

654 Antique Mahal Carpet

12’ 1” x 14’ 7”

10’ 5” x 13’ 4”

$1,500‑$2,500

$3,000‑$5,000

653 Lavar Kerman Carpet

655 Mahal Carpet

10’ x 14’

11’ x 13’ 8”

$2,500‑$4,000

$2,000‑$4,000

656

657

656 Heriz Carpet 9’ 8” x 13’ 10” $4,000‑$7,000

657 Turkish Angora Oushak Carpet 8’ x 9’ 10” $1,000‑$1,500

658 Antique Oushak Carpet 4’ 5” x 13’ $4,000‑$7,000

658

233

659

660

659 Heriz Carpet 6’ 2” x 8’ 8” $1,500‑$2,500

660 Antique Tabriz Carpet 6’ 5” x 12’ 5” $1,800‑$2,500

661 Heriz Carpet 8’ x 10’ $1,800‑$2,500

661

234

662

663

662 Semi-Antique Persian Heriz Carpet 9’ 9” x 12’ 4” $1,800‑$2,500

663 Semi-Antique Silk Tabriz Carpet 8’ 6” x 12’ $2,000‑$4,000

664 Heriz Carpet 8’ 2” x 11’ $2,000‑$4,000

664

235

666

665

236

667

665 Kurdish Runner

666 Agra Sultanabad Carpet

667 Turkish Oushak Carpet

2’ 10” x 24’

12’ 1” x 14’ 9”

8’ x 10’ 6”

$1,000‑$1,500

$3,000‑$5,000

$1,000‑$1,500

668

667A

670

669

667A Agra Serapi Carpet 10’ x 13’ 10” $2,000‑$4,000 668 Uzbek Sultanabad Carpet 9’ 3” x 11’ 6” $1,200‑$1,800

669 Peshawar Sultanabad Carpet 8’ 8” x 11’ 8” $1,000‑$1,500 670 Antique Senneh Carpet 4’ 6” x 6’ 4” $1,000‑$1,500

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671 Fine Philadelphia Chippendale Walnut Armchair

673 Chinese Blue and White Porcelain Dragon Bowl

third quarter 18th century, the shaped crest rail with scroll-carved ears and a central shell, the curved and shaped arms with pronounced knuckle-roll hand grips, the scalloped seat apron with a shell-carved front, raised on cabriole legs with shell-carved knees and ending in ball-and-claw feet. h. 41‑1/2”

possibly Ming Dynasty, Wanli period (1573‑1620), of steep-sided form on a raised foot, decorated to the exterior with five-claw dragons amid a scrolling peony design above a key-pattern border, the interior decorated with a single five-claw dragon surrounded by scrolling foliage and peach motifs within a double concentric band, the base with a possibly apocryphal six-character Wanli mark to the base, within double concentric bands. h. 3”, dia. 5‑1/2”

$3,000‑$5,000

Provenance: With Ostasiatiska Museet Utst. 1973 label to the base. $1,000‑$1,500

673

671

672 Victorian Exuberantly Carved Mahogany Tilt-Top Table second half 19th century, in the Chippendale taste, the single-board, scalloped and dished top on a foliatecarved tripodal base with cabriole legs. h. 29‑3/4”, dia. 30” $1,000‑$1,500

672

238

674 American Chippendale Cherry Chest-on-Chest second half 18th century, in two parts, the upper case with a molded cornice and a bank of five graduated drawers, the base with four graduated drawers, a carved apron and balland-claw feet. h. 74”, w. 37”, d. 20” $3,000‑$5,000 675 Model of the USS Constitution, “Old Ironsides” 20th century, the carefully detailed wood, metal and fabric model in a custom-made mahogany and glass case. h. 74‑1/4”, w. 65”, d. 21‑3/4” The frigate was launched in 1797 and named by George Washington. Known for its actions during the War of 1812; the battle with the HMS Guerriere earned her the “Old Ironsides” nickname.

675

$1,000‑$1,500 676 Model of the HMS Victory

20th century, the carefully detailed wood, metal and cloth model mounted in a custom-made mahogany and glass case. h. 74‑1/4”, w. 65”, d. 21‑3/4” A 104‑gun first rate ship of the line, she was launched in 1765 and took part in the Battle of Trafalgar, 1805. $1,000‑$1,500

674

676

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677 American Chippendale-Style Mahogany Block-Front Desk 19th century, the shell- and foliate-carved slant lid opening to reveal a fitted interior, over a bank of four shell-carved drawers, raised on ball-and-claw feet. h. 44‑1/2”, w. 38”, d. 21‑1/2” $1,000‑$1,500 677A Pair of Colonial Revival Eglomise and Metal Sconces fourth quarter 19th century, American, the backplates decorated with images of the Columbia Rediviva, the American ship to circumnavigate the globe, set with a pair of adjustable candle arms. h. 21‑3/4”, w. 7”, d. 5‑1/2” $1,000‑$1,500

677A

678 American School (Fourth Quarter 19th Century) “U.S. Frigate” oil on canvas unsigned.

Framed.

28” x 36”, framed 35” x 43” $1,000‑$1,500 679 American Chippendale Cherry Slant-Lid Desk second half 18th century, the shell-carved lid opening to reveal a fitted interior, over a bank of four graduated drawers, raised on ball-and-claw feet. h. 41”, w. 34”, d. 20” $1,000‑$1,500

240

678

677

679

680

680 “North America Corrected from the Observations Communicated to the Royal Society...”

by John Senex (1678‑1740), hand-colored engraved map, published London, 1710.

Matted, glazed and framed. sight 36‑1/4” x 24‑1/2”, framed 41‑1/2” x 39‑3/4” $1,500‑$2,500

681

681 American Federal Walnut and String-Inlaid Secretary Bookcase

682 Suite of Six American Late Federal Stenciled Fancy Chairs

ca. 1800, the broken arch swan’s-neck pediment with turned finials, above a pair of framed and paneled doors, each with a line-inlaid diamond on the central panel, the lower case with a slant lid opening to a fitted interior and four graduated long drawers below. h. 90‑1/2”, w. 40”, d. 21”

second quarter 19th century, each with an ebonized ground and gold stenciling, the seats hand caned. h. 33‑1/2” $1,000‑$1,500

$1,500‑$2,500

682

241

683 American Classical Revival Bronze- and MarbleMounted Pier Table late 19th century, the white marble top over a frieze with a central door with a gilt-bronze mount, the ends with lyre-form mounts, raised on marble columns and pilasters on a concave base with carved paw feet. h. 38‑1/2”, w. 42”, d. 18” $2,000‑$4,000 684 American Late Classical Figured Mahogany Armoire second quarter 19th century, the large, curved, overhanging cornice above a pair of framed and raised paneled doors, the base with large bulbousshaped legs. h. 96”, w. 70”, d. 26” $1,200‑$1,800 685 Pair of Unusual Paris Porcelain Covered Urns

683

second quarter 19th century, French, the lidded, handled urns with hand-painted panels of classical heads on the obverse and flowers on the reverse, above drum-form bases decorated with polychrome flowers on the obverse and gilt serpenthandled firepots on the reverse, the whole with elaborate parcel-gilt scrollwork. h. 27‑1/2”, w. 13”, d. 9‑3/4” $1,000‑$1,500

685

242

684

686 French Bronze Chandelier of Louis XVI Inspiration ca. 1900, the eighteen-light chandelier with a quiverform standard terminating in gilt-bronze fringed swags supporting cascades of crystal drops, set with an upper register of carved candle arms terminating in lotus-molded drip pans and candle cups, the lower arms leaf-molded and scrolled, hung with swags of crystal drops. h. 45”, dia. 34” $2,000‑$4,000 687 Brass and Glass Hall Lantern of Neoclassical Inspiration the four-light cylindrical lantern with a brass frame with a pierced upper border of a ring chain, with molded trim and scrolled supports, the lower portion with scrollwork terminating in a turned finial, set with etched glass panels. h. 38”, dia. 16” $1,000‑$1,500

686

688

688 American Late Classical Mahogany Pier Table second quarter 19th century, the marble top with canted corners, over a conforming cyma-molded frieze supported by scroll columns, a concave base and tall scroll feet, the back fitted with a looking glass. h. 38”, w. 44”, d. 19‑1/2” $1,000‑$1,500

687

243

689

690

689 Suite of Four Cast Iron “Lyre and Rose” Pattern Garden Armchairs the pattern having originated in Philadelphia and in production from about 1840 into the 20th century, now painted white. h. 32‑3/8” $1,000‑$1,500 690 American Late Classical Mahogany Pier Table second quarter 19th century, the serpentine marble top over a conforming frieze, raised on scroll supports with a shaped mirror, on a cove-molded base with a scalloped apron and scroll feet. h. 36”, w. 35”, d. 18” $1,000‑$1,500 691 American Plum Pudding Mahogany Four-Post Tester Bed attributed to C. Lee, third quarter 19th century, in the transitional Late Classical into Rococo Revival style, the paneled headboard with a shaped and carved crest, with cluster-column posts and an ogee-molded canopy. h. 102‑1/2”, inside w. 59‑1/2”, l. 78”, outside w. 72”, l. 87” $2,500‑$4,000

691

8 244

692 one of two

692 two of two

692 After Joseph Henry Busch (American/Kentucky, 1794‑1865) “Portrait of Anna Monroe Pindell” “Portrait of Richard Pindell” pair of oils on canvas Presented in matching frames. each 27‑1/2” x 22‑1/2”, framed 35‑1/2” x 30‑3/4” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $1,500‑$2,500 693 American Late Classical “Plum Pudding” Mahogany Dining Table second quarter 19th century, the circular top with a molded edge, the straight apron with applied lower molding, mounted to a cluster columnar split pedestal and four outstretched legs, with seven leaves of various widths. h. 29”, dia. 48”, ext. l. 137” $1,000‑$1,500

693

245

694 Group of Four Neoclassical-Style Cast Iron Garden Urns

696 Monumental Pair of Cast Iron Urns on Pedestals

each of campana form with an egg-and-dart rim, foliate- and floral-modeled body and masque handles. h. 29”, dia. 21‑1/2”

early 20th century, in five sections, the upper bowl with a reliefcast masque within a foliate wreath and mounted with ram’shead handles on the sides, with a reeded lower bowl and fluted foot, set on a square pedestal with a horned masque on each panel and a large molded base with leaf decor. h. 152”, w. 50”, d. 50”

$1,000‑$1,500 695 Pair of Gothic Revival-Style Cast Iron Garden Benches

Provenance: Estate of Robert Guccione, Staatsburg, New York.

each with an open back with trefoils, quatrefoils and crockets, the seat in a honeycomb pattern. h. 33”, w. 55‑1/2”, d. 18‑1/2”

$10,000‑$15,000

$1,000‑$1,500

695

694

246

696

247

698

697 Antebellum New Orleans Coin Silver Presentation Cup dated 1860, by Adolphe Himmel (1825‑1877) by Hyde & Goodrich, the ovoid bowl above a knopped and waisted stem and domed foot, with beaded rim and base, the body engraved with period inscription “Presented by L. Haas to Fannie and Simon Steinau 1860” opposing a later inscription “To Madaleen from Aunt Hattie and Uncle Ben Dec 2‑1934”. h. 10‑1/2”, dia. 5‑1/2”; 19.34 t. oz.

The recipients of this cup were Simon Steinau (1824‑1899) and his wife Fannie Barr Steinau (1828‑1906), both immigrants from Hochstetten, Rheinland-Palatinate, Germany, who lived in Louisville, Nashville and finally Chattanooga. Steniau was a partner in the firm of Steinau Brothers & Co., dealers in leather goods, jewelry and silver, which had offices in Cincinnati, Mobile, Chicago and several other U.S. cities.

L. Haas was senior parter of L. Hass & Co. of New York and New Orleans, a drayage firm, and very likely this handsome cup represented a token of appreciation between the two nation-wide businessmen. The “Aunt Hattie and Uncle Ben” of the opposing inscription are certainly Steinau’s children, Benjamin Barr Steinau (1866‑1936) and Hattie Steinau (Mrs. Morris) Rosenhein (1863‑1962); their niece “Madaleen” to whom the cup was re-presented in 1934 has not been identified, but she was likely a daughter of their brother Darius K. Steinau (1862‑1922). $1,500‑$2,500 698 Good Pair of American Coin Silver Entree Dishes 1852‑1861, by Eoff & Shepard for Ball, Black & Co., New York, New York, each of circular form and decorated with repousse rinceaux banding, milled laurel rim, and acanthus-mounted stirrup handles, the fitted, domed lid with repousse rococo scrolls and applied petunia finial, the whole raised on four monopodal griffin feet. h. 6‑1/4”, dia. 10‑1/4”; 92.25 total t. oz. $3,500‑$5,000

248

697

699

699 detail

699 Cased Set of Twelve Tiffany & Co. Sterling Silver Service Plates the pattern introduced in 1916, New York, New York, each of circular form, the rim decorated with a band of ribboned oval paterae joined by laurel and floral bunting and garlands, with beaded inner and outer edge, presented in a fitted, cream satin-lined, dark greenishgray leather case, the interior lid stamped “Tiffany & Co. / New York / Paris London”, 11‑1/2” x 24” x 13‑1/2”. dia. 11”; 265.32 total t. oz. $7,000‑$10,000 700 Frank W. Smith “Fiddle Thread” Sterling Silver Flatware Set introduced in 1902, Gardner, Massachusetts, including a dozen six-piece place settings, with an additional dozen teaspoons and twenty-one assorted place pieces and twelve serving pieces, monogrammed “M”, presented in a fitted, Pacific cloth-lined wooden case with lift top, three drawers and brass fittings, 15” x 18‑1/2” x 13”.

117 pieces 107.25 total t. oz. (weighable silver) Detailed list of pieces available on request. $1,500‑$2,500

700

249

701 International “Richelieu” Sterling Silver Flatware Set the pattern designed in 1835 by Alfred Grover Kintz (1885‑1963), Meriden, Connecticut, including a dozen sixpiece place settings (four pieces lacking) and ten serving pieces, no monograms, presented in a fitted, navy blue baizelined blonde wood case with lift top, 3” x 14‑3/4” x 10‑3/4”.

78 pieces 102.96 total t. oz. (weighable silver) Detailed list of pieces available on request. $1,000‑$1,500 702 International “Joan of Arc” Sterling Silver Flatware Set the pattern designed in 1940 by Alfred Grover Kintz (1885‑1963), including a dozen nine-piece place settings (eight pieces lacking), with an additional eight place pieces and fourteen serving pieces, no monograms, presented in a fitted, blue baize-lined wooden case, 3‑1/2” x 17” x 11‑1/2”.

122 pieces 108.57 total t. oz. (weighable silver) Provenance: Estate of Martha Fuessel Senac, New Orleans, Louisiana.

Detailed list of pieces available on request. $1,500‑$2,500 701

703

703 Pair of Reed & Barton “King Francis” Silverplate Wine Coolers the pattern introduced in 1975, Taunton, Massachusetts, with fitted aluminum liners, no monograms. h. 11‑1/4”, dia. 8‑3/4”, w. 9‑3/4” Reed & Barton introduced the silverplate “King Francis” pattern as a compliment to their enormously popular “Francis I” pattern; it was usually reserved for large table pieces which were impractical to manufacture in sterling silver.

702

250

$1,200‑$1,800

704

704 Grand Seven-Piece Reed & Barton “Francis I” Sterling Silver Coffee and Tea Set

705 Reed & Barton “Francis I” Sterling Silver Flatware Set the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including a dozen nine-piece dinner place settings (three pieces lacking), with an additional fourteen serving pieces, no monograms.

119 pieces 140.24 total t. oz. (weighable silver)

the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, this set with date-marks 1952‑1955, including a kettle-on-stand, h. 13‑1/2”, l. 10‑1/4”, a coffeepot, h. 10‑3/4”, l. 10‑1/4”, a teapot, h. 8‑1/4”, l. 10‑1/2”, a covered sugar bowl, h. 6‑1/2”, w. 8”, a cream jug, h. 5‑3/4”, l. 5‑3/4”, a waste bowl, h. 4‑1/4”, w. 5‑1/4”, and a tray, 31” x 22‑1/4”, no monograms.

379.83 total t. oz.

Detailed list of pieces available on request.

$25,000‑$40,000

$3,000‑$5,000

705

251

706 Carl Henrik Bogh (Danish, 1827‑1893) “Young Master with His Two Dachshunds”, 1874 oil on linen signed, dated and localized “Frederiksberg?” lower right, partially gallery label on stretcher.

Framed.

16” x 22‑1/4”, framed 22‑1/2” x 28‑1/2” $1,000‑$1,500

706

707 Henry Schouten (Belgian, 1864/67‑1927) “Les Chiens de Chasse” oil on canvas signed lower left.

Presented in a period giltwood frame.

16” x 23‑1/2”, framed 22‑1/2” x 30‑1/2” $2,500‑$4,000

707

708 Franz Roubal (Austrian, 1889‑1967) “Ponies in a Field”, 1936 oil on canvas signed and dated lower right.

Framed.

46‑1/2” x 66‑1/2”, framed 54” x 75” $2,000‑$4,000

252

708

709 Continental School (19th Century) “Hiker Observing Life in a Rural Hollow” oil on canvas unsigned.

Framed.

16‑3/4” x 22‑3/4”, framed 23” x 28” $1,000‑$1,500

709

710 Georg Anton Rasmussen (Norwegian, 1842‑1914) “Coastal Village by the Fjord”, 1888 oil on canvas signed and dated lower right.

Framed.

26‑3/4” x 39‑1/2”, framed 36‑3/4” x 49” $4,000‑$7,000 711 Continental School (19th Century) “Fishermen at Sea” pair of oils on canvas both unsigned.

Presented in period frames. each 16” x 21‑1/4”, framed 22‑1/2” x 27‑3/4” $1,200‑$1,800

710

711 one of a pair

711 two of a pair

253

712 Carl Werner (German, 1808‑1894) “Ship on Stormy Seas”, 1991 oil on canvas signed and dated lower right.

Framed.

31” x 46‑1/8”, framed 36‑5/8” x 52‑1/8” $1,200‑$1,800

712

713 August Musin (Belgian, 1852‑1923) “Haven van Stavoren (Holland)” oil on wood panel signed and titled lower right.

Framed.

12” x 22‑3/4”, framed 18‑1/2” x 29‑1/2” $2,500‑$4,000

713

254

714 Lauritz Haaland (Norwegian, 1855‑1938) “Heavy Sea near the Breakers”, 1933 oil on canvas signed and dated lower right.

Framed.

17” x 31”, framed 21” x 35” $2,000‑$4,000 714

715 British School (19th Century) “Indian Temples amid a Jungle” oil on linen unsigned.

Framed.

27” x 36”, framed 38‑1/2” x 47‑1/2” $1,000‑$1,500

715

716 American School (20th Century) “Ploughing the Fields” oil on canvas signed lower right.

Framed.

24” x 36”, framed 34‑1/2” x 46‑3/4” $1,000‑$1,500

716

255

717 American Rococo Revival Rosewood and Ebonized Armoire third quarter 19th century, the arched top with an ornately carved crest, above a case fitted with two curtain-backed glazed doors and a pair of side-byside drawers in the base. h. 128”, w. 73”, d. 26” $1,500‑$2,500

717

718 New Orleans Market Mahogany HalfTester Bed, Attributed to the Warerooms of Prudent Mallard ca. 1869, the serpentine tester supported by tapering fluted posts, the posts supporting a headboard with a cabochoncentered, foliate-carved crest over a panel, joined by shaped rails to columnar footposts with carved finials. h. 121”, inside w. 60‑1/4”, l. 81”, outside w. 69”, l. 90” $7,000‑$10,000

718

256

720 American Rococo Revival Rosewood Center Table third quarter 19th century, the inset tortoise-form marble top in an egg-and-dart-carved frame, the conforming apron with foliate and scroll carving, raised on cabriole legs with leaf-carved knees and French toes, the legs joined by serpentine-carved stretchers centered by a finial. h. 29‑1/4”, w. 50‑1/2”, d. 34” $2,000‑$4,000

719

720

721 Pair of Victorian-Style Cast Iron Benches late 20th century, in a design after a model by Coalbrookdale, each having a back with a central arched panel, scrolled arms and splayed legs. h. 38”, w. 46”, d. 22” $1,000‑$1,500

719 detail

719 Rare Labeled Alexander Roux Rosewood Writing Desk third quarter 19th century, New York, of transitional Elizabethan Revival into Rococo Revival style, the upper section with a scrollsawn crest over a mirror and two pairs of drawers, the base with an inset leather writing surface over a frieze drawer, raised on a trestle base, the frieze drawer retaining the stencil, “From A Roux French Cabinetmaker, 479 & 481 Broadway, New York”. h. 49‑3/4”, w. 31‑1/2”, d. 20” $1,000‑$1,500

721

257

722 American Rococo Revival Mahogany Armoire third quarter 19th century, the arched, pierced and foliate-carved crest flanked by finials, over a bonnet top with a cabochon, foliage and scroll carving, over a pair of paneled doors opening to reveal an interior in figured birch, and a pair of drawers below. h. 117‑1/2”, w. 67‑1/2”, d. 25” $2,000‑$4,000

723

723 American Rococo Revival Rosewood Bed third quarter 19th century, New York or New Jersey, the headboard with an arched panel with a pierced broken-arch-carved crest, flanked by finials, joined by rails with generous headboard brackets to an arched wrap footboard, the rear of the headboard with an inscribed “Jelliff 1875”, probably spurious. h. 70‑1/4”, inside w. 59”, l. 78‑1/4”, outside w. 65”, l. 85” $1,000‑$1,500

722

258

724 Seven-Piece American Rococo Revival Laminated Rosewood Parlor Suite attributed to J. & J. W. Meeks, New York, in the “Stanton Hall” pattern, comprised of a settee, h. 48”, w. 65”, d. 29”, a pair of armchairs, h. 44”, and four side chairs, h. 40‑3/8”, each with a floral- and shell-carved crest over pierced foliate scroll carving, the chairs with rounded seat rails, all on cabriole front legs. $6,000‑$9,000

724

259

725 American Rococo Revival Rosewood Half-Tester Bed, Attributed to the New Orleans Warerooms of Prudent Mallard ca. 1871, the tester with curved corners, joined to tapering posts with scroll-sawn brackets, the headboard with a carved cabochon over a panel, the wrap footboard with an arched top and shaped panel. h. 110‑1/2”, inside w. 62”, l. 83‑1/2”, outside w. 70”, l. 91” A bed of identical form, retaining its original Mittenberg Family Mallard bill of sale, was sold in these galleries, March 13, 2016, lot 1016. $4,000‑$7,000

726

726 American Rococo Revival Rosewood Armoire third quarter 19th century, attributed to the New Orleans warerooms of Prudent Mallard, the carved crest centered by a cabochon, the cornice over a single mirrored door, opening to reveal an interior with a medial drawer and shelves retaining their line-strung veneer, the base with a single drawer and raised on characteristic scrolling bracket feet. The interior retianing its medial drawer and a pair of shelves. h. 112‑1/2”, w. 58‑3/4”, d. 26” Provenance: The present armoire was reputedly one of a pair that was part of a bedroom suite purchased by Cesaire Olivier for his Esplanade Avenue home, New Orleans, Louisiana. The companion armoire from this suite was offered in this gallery, October 15, 2017.

The door carvings and detail on the present armoire strongly relate to those on the Puig family armoire in the 1850 House, Louisiana State Museum. $2,000‑$4,000 725

260

727 William Aiken Walker (American/South Carolina, 1839‑1921) “Cabin Scene” oil on millboard signed lower left.

Framed.

12” x 9”, framed 17‑1/4” x 14” Provenance: Private collection, Knoxville, Tennessee.

Literature: To be included in John Fowler’s forthcoming catalogue raisonne on the artist.

Southern Regionalist artist William Aiken Walker is acclaimed for his meticulously detailed compositions of rural life which are specific to a time and place. His cabin scenes, rendered in a subdued color palette of browns, umbers and golds, with small and effective accents of bright reds, yellows and blues, capture African American life in the years between the Civil War and World War I. The work offered here is reminiscent of the fine painting on the cover of August Trovaioli and Roulhac Toledano’s monograph on the artist. $15,000‑$25,000

727

261

728 Nine-Piece Austrian Rococo Revival Mahogany Dining Room Suite comprised of a banquet table, h. 29‑1/4”, w. 51”, d. 48‑1/2”, two armchairs, h. 37‑1/2”, and six side chairs, h. 37‑1/2”, each chair with a balloon back, carved crest, serpentine seat and cabriole legs, the table with a scalloped top opening to accommodate leaves, on scroll-carved legs joined by a lobed finial.

Provenance: By oral tradition, the present group descended among the house of a Louisiana plantation and were reputedly purchased from New Orleans merchant Prudent Mallard. $2,000‑$4,000

729

729 American Laminated Rosewood Slipper Chair third quarter 19th century, attributed to J. H. Belter, New York, the floral- and foliate-carved crest over a shaped back with a central pad, flanked by leaves, acorns, vines and grapes, with a serpentine seat and cabriole legs. h. 42‑1/4” A similar Belter slipper chair is illustrated on the back dust jacket of The Furniture of John Henry Belter and the Rococo Revival, by Schwartz, Stanek and True.

728 nine-piece suite

262

$1,000‑$1,500

728 nine-piece suite

732

730 American Renaissance Revival Rosewood Bookcase

732 Seven-Piece Napoleon III Rosewood Parlor Suite

third quarter 19th century, the arched cornice over a pair of glazed doors with lower raised panels, raised on turned legs. h. 101‑1/2”, w. 56”, d. 19”

third quarter 19th century, in the rococo taste, comprised of a sofa, h. 48”, w. 74”, d. 31”, an armchair, h. 40‑3/4”, and five side chairs, h. 39‑3/4”, each with a floral-carved crest centered by a cabochon, serpentine apron and cabriole legs, upholstered in tufted ivory brocade after the period fashion.

$1,000‑$1,500

$1,500‑$2,500

731

731 Rare American Renaissance Revival Figured Walnut and Marble-Top Dresser third quarter 19th century, bearing the stenciled label of “John Meeks & Son / Manufacturers / 333 & 335 Fourth St. / New York”, the case with a conforming white marble top and fitted with three graduated long drawers, above a secret drawer concealed in the baseboard. h. 31”, w. 48”, d. 22” $2,000‑$4,000

730

263

733

733 Seven-Piece Group of Cast Iron Garden Furniture

734 Wm. Knabe & Co., Baltimore, Rosewood Grand Piano

comprised of a chair in the “Morning Glory” pattern, late 19th/early 20th century, h. 30”, and a grouping of vintage pattern pieces attributed to Atlanta Stove Works, mid-20th century, including a long bench, h. 27‑1/2”, w. 57”, d. 19”, a short bench, h. 30”, w. 43”, d. 23”, two tables, h. 26”, dia. 21” and h. 15‑1/2”, dia. 21”, and two armchairs, h. 25‑1/2”, the entire group now professionally sandblasted and painted.

ca. 1875‑1880, bearing the serial number 17270, with a rococo revival case and applied carvings, pierced and scrollcut music stand and raised on large scrolled and carved legs. h. 39”, w. 57”, l. 74”

$1,000‑$1,500

$1,500‑$2,500 735 Continental Rosewood Console and Mirror in the Rococo Taste third quarter 19th century, in two parts, the shaped mirror in a conforming frame, the crest with a cartouche centered by a carved maiden’s head on a base with a serpentine inset marble top, over a conforming apron, centered by a carved wolf head, raised on cabriole legs capped by winged allegorical female busts, with serpentine platform base and fretwork back. h. 120”, w. 59”, d. 23” $2,500‑$4,000

735

264

734

736 American Rococo Revival Mahogany and Marble-Top Sideboard third quarter 19th century, in the manner of Alexander Roux, with a finely carved grape-and-leaf crest, over two graduated shelves, the base with a conforming white marble top, the central portion with a pair of side-by-side drawers over a pair of paneled doors with applied grapeand-leaf plaques and flanked by curved drawers and doors to each side. h. 81‑1/2”, w. 71‑1/2”, d. 24” $2,000‑$4,000

736

737 Two-Piece Art Nouveau-Style Cast Iron Garden Group comprised of a settee, h. 34‑1/2”, w. 37”, d. 25”, and a broad armchair, h. 34‑1/2”, w. 25”, d. 25”, each with a carved masque over a back modeled as water foliage with leaves, flora and vines, the arm supports similarly modeled, and with a shaped wooden slat seat. $1,000‑$1,500 737

738 Victorian-Style Cast Iron “Fern Pattern” Garden Bench the fern-modeled back extending to closed arms and a dished seat. h. 34‑1/2”, w. 57‑1/2”, d. 25” $1,000‑$1,500

738

265

740

740 Pair of Gothic Revival-Style Cast Iron Garden Benches English, after a Coalbrookdale pattern, the back with a central roundel with a central cartouche, the arms with foliate decor, the seat with wooden slats. h. 38‑1/2”, w. 49”, d. 24” $1,000‑$1,500 739 Cast Zinc Two-Tier Figural Fountain, Attributed to J. W. Fiske, New York fourth quarter 19th century, the large circular lower pan with frogs, turtles and lily pads embossed along the rim, the central section with three children playing horns, and the upper bowl with a like-decorated edge. h. 56”, dia. 70” $5,000‑$8,000

739

266

742 American Rococo Revival Mahogany Armoire third quarter 19th century, the pierced foliate- and floral-carved crest on a bonnet top, over a pair of doors, each with a looking glass over a figured panel, raised on a scalloped apron on bracket feet. h. 109”, w. 66”, d. 22” $1,000‑$1,500

742

741 American Late Classical Mahogany FourPost Tester Bed mid-19th century and later, in the manner of C. Lee, the paneled headboard with scrolled crest, octagonal posts and molded tester frame, now converted to king size. h. 105”, inside w. 84”, l. 84”, outside w. 101”, l. 94” $2,000‑$4,000

741

267

743 Paul Calle (American, 1928‑2010) “A Coureur de Bois”, 1993 oil on masonite signed and dated lower left, signed with statement of authenticity en verso.

Framed.

24‑1/2” x 15”, framed 32‑1/2” x 23” $14,000‑$18,000

743

744 Alfredo Rodriguez (Mexican/American, b. 1954) “Fall Season”, 1993 oil on canvas signed lower left, titled, signed and dated en verso.

Framed.

24” x 30”, framed 32” x 38” $3,000‑$5,000

744

268

746 Jack Terry (American/Texas, b. 1952) “Outfitter’s Hideaway”, 1997 oil on canvas signed lower right, signed, titled and dated en verso, “Jackson-Kirkland Fine Arts, Santa Fe” gallery label on stretcher.

Framed.

25” x 30”, framed 33‑3/4” x 38‑3/4” $8,000‑$12,000

745

745 Roy Swanson (American, 1937‑2004) “The Elder and the Canyon” oil on canvas laid down on masonite signed lower right.

Framed.

30” x 22”, framed 39‑3/4” x 32” $12,000‑$18,000 746

747 American School (20th Century) “The Call” oil on canvas indistinctly signed “W. Meers?” lower left.

Framed.

30” x 40”, framed 41” x 51” $1,000‑$1,500

747

269

748 After Frederic Sackrider Remington (American, 1861‑1909) “Coming Through the Rye” patinated bronze 20th century, cast signature along front edge of selfbase, on a green marble base. overall h. 28”, w. 32”, d. 25‑1/2” $1,500‑$2,500

748

749 David Spellerberg (American/California, Contemporary) “Take Off”, 2002 pair of monumental patinated, cold-painted and polished bronze eagles cast by Great American Bronze Works, Inc., designed for mounting on a pedestal, incised signature, dated, copyright marked, numbered “29/50”, and with foundry inscription along edge of one eagle’s wing. each h. 65”, w. 55”, d. 39 Spellerberg creates large-scale bronzes, employing the difficult and time-consuming lost wax technique at the foundry he established in 1979 in California - Great American Bronze Works, Inc. The impressive bronze eagles presented here are a superb example of the artist’s attention to detail and his masterful approach to composition; the eagles appear as if caught in mid-flight, with tautly spread wings, partially opened beaks, and elegantly twisted torsos. $3,000‑$5,000 749

270

751 Maher Naguib Morcos (Egyptian/American, b. 1946) “Fate of the Scout”, 1982 patinated bronze cast signature, copyright-marked, dated, and numbered “7/28” on edge of self-base, on a carved wood plinth. overall h. 20”, w. 27‑1/2”, d. 14‑1/2” $1,000‑$1,500

750

750 Stanley Johnson (American/Utah, b. 1939) “Buffalo Attack”, 1976 patinated bronze cast signature, dated and copyright-marked along front edge of self-base, on a green marble plinth. overall h. 20‑3/4”, w. 23‑1/4”, d. 11‑1/2” $1,000‑$1,500

752

752 Monumental Neo-Grec Patinated Metal Newel Post Lamp fourth quarter 19th century, French, signed “Miroy Freres, Paris”, the lamp depicting a Roman gladiator in a feathered helmet, carrying a staff with a flag, the staff set with a lamp, probably originally fitted for gas. h. 76‑1/2”, dia. 17‑1/2” 751

$2,000‑$4,000

271

754 two of a pair

754 one of a pair

753 American Neo-Grec Bronze-Mounted Walnut Adjustable Easel third quarter 19th century, the pierced and carved crest with a bronze-mounted roundel, the lower portion with an electrotype circular bronze plaque, with an adjustable shelf, and gilt-incised linework throughout. h. 82”, w. 38 $1,000‑$1,500

754 American School (Mid-19th Century) “Summer View from the River” “Winter View from the River” pair of oils on canvas each unsigned.

Framed alike. each 18” x 24”, framed 22‑1/2” x 28‑1/4” $1,500‑$2,500

753

272

755

755 French Polished Bronze of a Native American Maiden in a Canoe first quarter 20th century, after Duchoiselle (French, 19th Century), cast signature along prow of canoe. h. 10‑1/2”, w. 18‑1/2”, d. 5‑1/2” $1,000‑$1,500 756 Three-Piece American Renaissance Revival Burl Walnut Half-Tester Bed Set third quarter 19th century, consisting of a half-tester bedstead with a complex molded and paneled canopy, h. 130”, inside w. 59‑1/2”, l. 78”, outside w. 68‑1/2”, l. 87”, a matching mirrored double-door armoire, h. 124”, w. 64”, d. 24”, a matching marble-top dressing bureau, h. 108”, w. 55”, d. 22”, and a related burl walnut dressing chair, h. 70”.

756

$7,000‑$10,000

756

756

273

757 Thomas Doughty (American, 1793‑1856) “Sketch of a Small Settlement Nestled Among the Mountains” oil on canvas signed en verso, dated and further inscribed with provenance en verso.

Framed with an artist plaque.

12” x 16”, framed 20‑1/4” x 24‑1/4” Provenance: By repute, with the family after the death of the artist; Dr. Henry F. Quackenbos (1820‑1888), New York, New York; J. Hedden. $1,500‑$2,500

757

759

758 American Renaissance Revival Walnut and Gilt-Incised Adjustable Easel third quarter 19th century, the pierced and carved crest with a central plume, the ornate cross-bar shelf with an adjustable latch on the backside. h. 78”, w. 24”, d. 28” $1,000‑$1,500 759 Pair of Orientalist Bronze and Marble Garniture Figures now mounted as lamps, French, fourth quarter 19th century, now on faux red griotte marble bases, the bronze dore et patine figures depict Orientalist notables on black marble plinths garniture h. 15‑1/2”, overall h. 20‑3/4”, w. 6”, d. 6” $1,200‑$1,800 758

274

760 one of a pair

760 two of a pair

760 Continental School (19th/20th Century) “Two Beauties” pair of oils and mosaic mixed media on metal each signed “H. Gurller” and dated “1911”.

In matching frames with hammered copper. dia. 19‑3/4”, framed dia. 29‑1/2” $1,000‑$1,500 761 American Late Classical Revival Mahogany Banquet Table late 19th/early 20th century, the circular top over a conforming molded apron, opening to accommodate three 9” leaves, on a columnar split pedestal with foliate-carved panels and four legs ending in double-knuckled carved paw feet. h. 29‑1/2”, dia. 54‑1/2” $1,000‑$1,500

762

762 Monumental Egyptian Revival Architectural Plaque fourth quarter 19th century/first quarter 20th century, composed of marble, gilt bronze, faux onyx and giltwood, the marble inset against a field of faux painted onyx, decorated with various Egyptian motifs, executed in a mixture of carved giltwood and gilt bronze. h. 64‑1/2”, w. 75‑1/2” $7,000‑$10,000

761

275

763 American Late Classical Revival Polychromed Tall Case Clock ca. 1900, the case with an arched top and gesso-ornamented frieze, the door and sides with Italian Baroque-style grillwork panels and turned columns at the front corners, raised on carved feet, the three-weight movement with nine tubes and engraved “Elite Germany”. h. 91‑1/2”, w. 26”, d. 19” 765

$1,000‑$1,500

764 Monumental Cast Iron and Onyx-Top Teller’s Table fourth quarter 19th century, with six square tapered and fluted standards terminating into paw feet, the ends with cast iron spindles, the later inset onyx top illuminated from below. h. 38‑1/2”, w. 93”, d. 35‑1/2” $2,000‑$4,000

765 Partial Service of Ruby-Plated Stemware first quarter 20th century, attributed to Moser, Czechoslovakia, decorated with raised ruby cabochons on a gilt vermicelli ground, the faceted stems with matching decoration, the service including eight wine goblets, h. 7”, dia. 3”, eight champagne coupes, h. 5”, dia. 4”, and eight highball glasses, h. 5‑1/2”, dia. 2‑1/2”. $1,000‑$1,500

763

276

764

766

767

766 Unusual French Marble Mantel Clock fourth quarter 19th century, with a carved pink marble case, the dial signed indistinctly by the Philadelphia retailer, the signed Marti works with an exposed escapement, hung with a mercury-filled pendulum. h. 19‑1/4”, w. 15‑1/4”, d. 7” $1,000‑$1,500

767 American School (First Quarter 20th Century) 768

“Lake View, Probably near the Catskills or Adirondack Mountains” oil on academy board unsigned, “Smith and Hollister Artist Materials, Rochester” suppliers label en verso.

Framed.

18‑1/4” x 24‑1/2”, framed 25” x 31”

768 Frank Eastman Jones (American/New York, 19th Century)

$1,000‑$1,500

oil on canvas signed lower right, remnants of old labels en verso stretcher including one localized “Buffalo”.

Framed.

28” x 48‑1/4”, framed 42” x 61‑3/4”

“Moonlight Seascape”

$1,500‑$2,000

277

770 Daum Art Glass Table Lamp with Mounts Attributed to Marjorelle ca. 1925, French, the Art Deco lamp engraved “Daum Nancy France”, blown out into the metal mounts, the pink glass decorated with gold interior inclusions, with upper and lower Art Deco brass and metal fittings, mounted with a shade. h. 29”, lamp dia. 10”, overall dia. 14” $1,500‑$2,500

769

769 Tiffany Studios Patinated Bronze Turtle-Back Desk Lamp early 20th century, the double-sided shade fitted with iridescent glass panels, the base set with green glass cabochon jewels and resting on five small, round bronze feet, the underside stamped “268 TIFFANY STUDIOS NEW YORK” and bearing the Tiffany Glass and Decorating logo. h. 15”, w. 9”, d. 5‑1/2” $3,000‑$5,000 770

771 Pair of Art Nouveau Bronze and Marble Lamps signed by Joachim Angles (French, active 1885‑1905), on verde antique marble bases, the bronze dore et patine lamps with a pair of nude nymphs frolicking on bronze vases, holding a “bouquet” of bronze roses, the blossoms set with four-light sockets, signed “Angles” on the base. h. 26‑1/2”, w. 11‑1/2”, d. 8” $1,800‑$2,500

278

771

772

773

772 Pair of Cast Iron Figural Urns

773 Newcomb College Art Pottery

20th century, molded with water carriers, each seated nymph supporting an amphora decorated with molded grapes. h. 43”, w. 22”, d. 12”

matte glazed vase, 1925, with trees, moss and moon in relief with blue and yellow underglaze, the base with the Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no.

“OZ23” and shape no. “29”. h. 5”, dia. 4‑1/2”

$1,500‑$2,500

$1,500‑$2,500

774 Hayley Lever (American, 1876‑1958) “Harbour at Night” oil on canvas signed lower left.

Framed.

9‑7/8” x 14‑3/4”, framed 14‑1/4” x 19‑3/4” $2,000‑$4,000 774

279

775 Manner of Clarence Millet (American/Louisiana, 1897‑1959) “Martigues, France” oil on board signed lower left, titled en verso.

Framed.

10‑3/4” x 13‑3/4”, framed 16‑1/2” x 19‑1/2” $2,000‑$4,000 776 Frank Fleming (American/Alabama, 1940‑2018) Two Pieces of Art Pottery, 1974 the first a vase with unglazed lobed handles the second a lidded ginger jar each with brown mottled glazes each base with incised signature and date. h. 7‑3/4”, w. 10‑1/4” and h. 9‑1/2”, dia. 5”, respectively $1,000‑$1,500

775

776

777 Frank Fleming (American/Alabama, 1940‑2018) Art Pottery Chalice, 1974 with brown mottled glaze, the bowl decorated with applied farmyard animal heads, the base with incised signature and date. h. 12”, dia. 7” $1,500‑$2,500

280

777

778 Alexander John Drysdale (American/Louisiana, 1870‑1934) “Live Oak Tree, Louisiana Bayou” oil wash on board signed lower right.

Presented in a period stained wood frame. sight 13‑1/2” x 17‑1/2”, framed 18‑3/4” x 23” $1,500‑$2,500 778

779

779 Alexander John Drysdale (American/Louisiana, 1870‑1934) “Louisiana Bayou Scene” oil wash on board signed lower right Matted, glazed and framed.

6‑1/4” x 19‑3/4”, framed 13‑1/4” x 26‑1/4” $2,000‑$4,000

281

782

780

780 Turkish Angora Oushak Carpet 10’ 2” x 13’ 9” $1,200‑$1,800 781 Laristan Sultanabad Carpet 10’ 2” x 14’ $1,500‑$2,500 782 Uzbek Suzanne Carpet 8’ x 9’ 6” $1,000‑$1,500

282

781

783 Turkish Angora Oushak Carpet 9’ x 11’ 10” $1,000‑$1,500 784 Heriz Carpet 7’ 7” x 9’ 8” $1,500‑$2,500

783

785

785 Turkish Angora Oushak Carpet 9’ x 11’ 10” $1,000‑$1,500

784

283

284

786

787

788

789

786 Antique Kerman Carpet

789 Laristan Sultanabad Carpet

9’ 9” x 13’ 3”

9’ 1” x 12’ 5”

$1,500‑$2,500

$1,800‑$2,500

787 Nain Carpet

790 Turkish Oushak Carpet

8’ 8” x 13’ 2”

12’ x 33’ 6”

$2,000‑$4,000

$1,000‑$1,500

788 Peshawar Carpet 9’ x 12’ $4,000‑$7,000

790

285

791

792

792A

286

791 Turkish Oushak Carpet 10’ x 13’ 10” $1,200‑$1,800

792 Gabbeh Carpet 10’ 10” x 15’ 4” $1,200‑$1,800

792A Turkish Angora Oushak Carpet 11’ 10” x 15’ 1” $1,500‑$2,500

793 Turkish Angora Oushak Runner 2’ 5” x 29’ 6” $1,000‑$1,500

793

287

794 Tatiana Chirikova (Russian, b. 1952) “Ostrov” tempera on masonite signed and dated upper right, signed and titled in Russian en verso.

Framed.

39‑1/4” x 47‑1/4”, framed 41‑7/8” x 49‑3/4” $1,000‑$1,500

794

795 F. Belli (Continental School, 20th Century) “Evening at the Salon” oil on canvas signed lower mid-right and en verso.

Framed.

24” x 36”, framed 30” x 42” $1,000‑$1,500

795

796 Luc Gauthier (French, Contemporary) “Nature Morte” acrylic on canvas signed lower left.

Framed.

55” x 59‑1/2”, framed 59” x 63” $1,000‑$1,500

288

796

797 Felix Mas (Spanish/American, b. 1935) “Plumas Negras” oil on canvas signed lower right, signed, titled and further inscribed en verso.

Framed.

45” x 50”, framed 48” x 54” $4,000‑$7,000

798 Jean-Pierre Capron (French, 1921‑1997)

797

“Venice”, 1974 oil on canvas signed and dated lower right, verso with a handinscribed label with painting title.

Framed.

57‑1/2” x 45”, framed 63” x 51” $1,000‑$1,500

799

799 Charles Reinike (American/Louisiana, 1906‑1983) “The Vanishing Women” oil on fabric backed by artist board signed lower right.

Framed.

32‑1/4” x 49‑3/4”, framed 33‑3/4” x 51” $1,000‑$1,500

798

289

800 American Patinated Bronze of a Mother Nursing Her Child 1893, signed “E. Irving”, dated and numbered “II/VII” at back edge of self-base, on a black marble plinth. h. 17‑1/2”, w. 7‑1/2”, d. 6‑1/2” $1,000‑$1,500

800

801 Daniel Adel (American, b. 1926) “Bloom”, 2005 oil on canvas signed lower right, verso with “Arcadia Fine Arts, New York, NY” gallery label.

Framed.

20” x 20”, framed 31” x 31” Provenance: Arcadia Fine Arts, New York, New York; Private collection. $3,000‑$5,000

801

290

802 Cindy Sherman (American, b. 1954) “Untitled - Lucille Ball”, 1975/2001 chromogenic print on Fuji color Crystal Archive paper signed and double-dated en verso print, numbered “107” en verso at lower right corner.

Matted, glazed and framed. image 10‑1/4” x 8‑1/4”, sheet 12” x 9‑1/2”, framed 22” x 18‑3/4” Provenance: Private collection, New Orleans, Louisiana. $9,000‑$12,000

802

803 Bruce Weber (American, b. 1946) “Tyke, Long Pond, Adirondack Park, New York”, 1988 silver gelatin print pencil-signed, dated, numbered “40/100”, and titled en verso photo, from the House Without Walls Portfolio, Limited Edition, published by Henry Buhl Studio, New York, New York.

Matted, glazed and framed. sight 13‑1/4” x 10‑1/4”, framed 20‑1/4” x 17‑1/4” Provenance: Private collection, New Orleans, Louisiana. $1,200‑$1,800

803

291

804 Antoine Calbet (French, 1860‑1944) “Woman in a Garden” oil on canvas signed “A. Calbet” lower left.

Framed.

24” x 20”, framed 32‑3/4” x 28‑1/2” $1,000‑$1,500 805 Italian Carved and Parcel-Gilt Mirror-Back and Onyx-Top Console early 20th century, the expansive carved frame with a shell cartouche and fitted with two plate-glass mirrors, with a central shelf fitted with two drawers and supported by scrolled legs. h. 76”, w. 79”, d. 13” $1,500‑$2,500 806 Pair of Art Deco Painted and Gilt-Metal Torcheres first quarter 20th century, possibly American, in the style of Oscar Bach, on pierced leaf-molded feet, each with a pierced lozenge decorated with a figure of Pan set into scrolled candle arms with pierced leaf-molded drip pans and candle cups. h. 79”, w. 19‑1/2”, d. 12”

804

$1,200‑$1,800

805

292

806

809 807

807 Manner of Ivan Fedorovich Choultse (Russian, 1874‑1939) “The Snow Melt”, ca. 1930 oil on canvas unsigned.

Presented in a deeply molded giltwood frame with a Greek-key motif.

38” x 34‑1/2”, framed 69‑1/2” x 57‑1/2” $5,000‑$8,000 808 Pair of Ornate Wrought Iron Fence Posts late 19th century, of square columnar form with wrought iron scrollwork and spiral-twist finials, now mounted to a square iron plate. post h. 86”, w. 9”, d. 9”, base w. 22‑1/2”, d. 22‑1/2” $1,800‑$2,500 809 Mixed Metal and Upholstered Bench/Radiator Cover possibly by Oscar Bach, ca. 1920, the velvet-covered cushion on an iron frame with brass-plated legs and panels, adorned with copper-plate sunflowers, one end fitted with an access door, the back side open. h. 22‑1/2”, w. 43”, d. 18” $1,000‑$1,500

808

293

810 Victor Olgyai (Hungarian, 1870‑1929) “Winter Reflections” oil on canvas signed lower left.

Presented in a modern, Art Deco-style custom frame.

28” x 38”, framed 43‑5/8” x 54” $4,000‑$7,000 811 Impressive Art Nouveau Carved Mahogany and Brass-Inlaid Table and Eighteen Chairs the table top with scrolled, inlaid brass work and mounted to a central carved, painted and parcelgilt standard, with four additional corner legs mounted to a shaped platform base, h. 30”, w. 48”, l. 158”, the chairs with padded seats and backs and raised on carved and parcel-gilt slender cabriole legs, h. 37”.

Provenance: The Jockey Club of Sao Paulo, Brazil to the Walter P. Chrysler Boardroom.

810

$10,000‑$15,000

811

294

811

812 After Gilbert Poillerat (French, 1902‑1988) parcel-gilt and polychrome wrought iron and tole mirror h. 55‑1/2”, w. 32” $1,000‑$1,500

814

814 Franz Paul Glass (German, 1886‑1964) “Familienkonzert”, 1941 oil on canvas signed and dated lower left, verso with German shipping label and English catalogue label.

Framed.

43‑1/4” x 59”, framed 53” x 68‑1/2” $2,000‑$4,000

812

813 Pair of Art Deco Leather-Upholstered Club Chairs early 20th century, each with a padded and scalloped back joined by rounded arms to the cushioned seat, raised on block feet. h. 32‑1/2” $1,000‑$1,500

813

295

815 French Art Deco Marquetry-Inlaid and Bronze-Mounted Acajou Sideboard second quarter 20th century, in two parts, the upper section with a shaped glass vitrine, the glazed panels in brass frames, flanked by cast bronze capitals in floral decor, the base with a brescia marble top over a case with a band of drawers over doors, the central door with inlaid panels depicting a flapper and a masqued archer, the side doors with avian inlay, raised on tapering legs with inlaid cuffs. h. 85‑3/4”, w. 78‑3/4”, d. 24‑1/4” $1,500‑$2,500

815

816 Art Deco Burlwood, Brass and Mahogany Dining Table 816 detail

second quarter 19th century, the top with dramatic burled elm framed by satinwood, above a birdseye-veneered apron, raised on reeded columns joined to a burlwood base mounted with a brass foot rail. h. 30‑1/4”, w. 51”, d. 39” $1,000‑$1,500

816

296

817 Interesting French Art Deco-Style Bronze and Cameo Glass Side Table second half 20th century, the rectangular framed top set with four scenic cameo glass panels bearing a “Galle” signature, electrified and designed to be illuminated from below, a lower shelf also fitted with a scenic cameo glass panel, the bronze frame with tooled decoration. h. 24”, w. 28”, d. 19‑1/2” $1,000‑$1,500

818

817

818 After Dimitri Chiparus (Romanian/French, 1886‑1947) “Panthere” verdigris patinated metal on a mottled brown base, incised signature along edge of base. h. 9‑1/2”, w. 30‑1/4”, d. 6‑1/4” $2,000‑$4,000 819 Bradshaw Crandell (American, 1896‑1966) “The Dancer” oil on masonite signed lower left.

Presented in a thin gallery frame.

68‑1/4” x 31‑3/4”, framed 70‑1/4” x 33‑1/4” $3,000‑$5,000

819

297

820

820 J. Clinton Shepherd (American, 1888‑1975) “The Harem Scene” oil on board in four panels, signature on one panel at lower right.

Unframed. overall 42‑1/4” x 223‑1/2” $4,000‑$7,000

821 Gilt-Bronze Chandelier in the Style of Maison Jansen mid-20th century, French, the six-light chandelier with a molded fringed and draped standard set with prism-hung palm fronds concealing sockets on two tiers, and a tassel finial. h. 24”, dia. 16‑1/2” $1,800‑$2,500

821

822 French Art Deco Bone, Ebonized Acajou, Rosewood and Marble-Top Sideboard second quarter 20th century, the brescia marble top with curved corners, above a conforming case with a central glazed door, opening to reveal glass display shelves, flanked by curved drawers over like doors, the latter with brass stringing and scalloped inlaid horn top and bottom edges, found en suite with the previous lot. h. 46”, w. 79”, d. 29” $1,800‑$2,500

822

298

824 Still of Gloria Swanson from Sunset Boulevard print, number at lower right corresponds to photograph conserved in the Gloria Swanson Papers at the Harry Ransom Humanities Research Center at the University of Texas, Austin (Box 41. File 13).

Matted, glazed and framed.

44‑1/2” x 23‑3/4”, framed 60” x 32” $1,000‑$1,500

823

823 French Art Deco Bone and Parcel-Ebonized Acajou, Rosewood and Marble-Top Sideboard second quarter 20th century, the inset brescia marble top with curved ends, above a conforming case with a center beveled glass door, over floral and foliate carving, flanked by a drawer over a door, the doors all with bone stringing and inlaid scalloped bone trim. h. 46”, w. 55‑1/2”, d. 19” $1,500‑$2,500

824

825 Pair of Art Deco Leather Club Chairs mid-20th century, each with a curved back with a central painted armorial, and raised on square oak legs. The loose seat cushions upholsterd in matching leather on one side, and Kalim carpet on the other. h. 29”, w. 26”, d. 30” $1,000‑$1,500

825

299

826 French Art Deco Circassian Walnut Console Table ca. 1930, the highly figured wood grain “book-matched” throughout, the shaped top mounted to a tapering faceted pedestal and platform base, presented in a high-gloss finish. h. 31”, w. 43”, d. 17” $1,800‑$2,500

828

827 Art Deco Brass Mirror first quarter 20th century, Continental, decorated with delicately molded plant life, the lower portion with a central bouquet flanked by trailing leaves terminating in flowers, the crest with a rich bouquet of delicate flowers and leaves, set with a beveled mirror plate. h. 44”, w. 47” $1,000‑$1,500 827

828 French Art Deco Circassian Walnut Console Table second quarter 20th century, the long rectangular top mounted to a pair of large intercepting wooden circles and a platform base, presented in a high-gloss finish on all four sides. h. 35”, w. 59”, d. 14” $2,000‑$4,000

826

300

831

829

829 Bertha Lum (American, 1869‑1954) “Ming Huan and His Bride”, 1931 gouache, mixed media/collage signed and dated lower margin.

Matted, glazed and framed. sight 26” x 17‑1/2”, framed 28‑1/4” x 20” $1,000‑$1,500

830 Unique French Art Deco Macassar Ebony and Walnut Etagere second quarter 20th century, the central portion fitted with a plate-glass beveled mirror and flanked by shelves to each side, the base fitted with two drawers, presented in a high-gloss finish. h. 71”, w. 38”, d. 8” $2,000‑$4,000

831 Fine Pair of French Mid-Century Palisander Rosewood and Chrome Adjustable Armchairs with closed arms and padded backs with a chrome bar for adjusting the tilt, covered in light taupe cowhide. h. 32”, w. 27”, d. 44” $5,000‑$8,000

830

301

832 Two-Piece Suite of Art Deco-Style Leather Club Furniture consisting of a sofa, h. 32”, w. 66”, d. 34”, and a bergere, h. 32”, each with a domed, padded and tufted back joined by like downswept arms to a cushioned seat, raised on squat bun feet. $2,000‑$4,000 833 Jim C. Norton (American, b. 1953) “On the Green” oil on canvas signed and with copyright mark lower left, an “Altermann Galleries/Houston” and “Ottinger Gallery Ltd.” labels en verso.

Framed.

18” x 24”, framed 24‑1/4” x 30‑1/4” 833

Provenance: Altermann Galleries, Houston, Texas; private collection, New Orleans, Louisiana. $1,500‑$2,500 834 Lawrence Earl (British, Late 20th Century) “Palm Beach Polo and Country Club, Cartier vs. White Birch, Rolex Gold Cup Final, Won by White Birch”, 1990 oil on canvas signed and dated en verso, titled and riders identified en verso.

Framed.

20” x 30”, framed 22‑3/4” x 32‑3/4” $1,800‑$2,500

834

832

302

835 Willem Heytman (Dutch, b. 1950) “Start: Dunlop Tyres” oil on wood panel signed lower right.

Framed.

16‑1/4” x 24”, framed 22‑1/2” x 30‑1/2” $1,000‑$1,500 835

836 Willem Heytman (Dutch, b. 1950) “And They’re Off” oil on wood panel signed lower right.

Framed.

15‑1/2” x 24”, framed 22‑3/8” x 30‑1/2” $1,200‑$1,800 836

303

837 Pair of French Art Deco Macassar Ebony Lingerie Chests mid-20th century, each fitted with a bank of seven drawers, with chrome drawer pulls and feet. h. 45‑1/2”, w. 18”, d. 13‑1/2” $4,000‑$7,000

838 Large Marc Lalique Crystal Horse’s Head Sculpture

838

designed in 1953 and handcrafted in France, titled “Tete de Cheval”, engraved signature: “Lalique France”. h. 14‑7/8”, w. 14‑3/4”, d. 5‑1/2” $3,000‑$5,000

839 Fine Art Deco Macassar Ebony Desk and Armchair ca. 1930, designed by Farkas Molnar, the desk top with vibrant veneered panels and a banded edge, fitted with three side-by-side drawers along one side, h. 30”, w. 67‑1/2”, d. 34”, and the armchair with a tapering rectangular padded back and open arms, raised on square box-form legs, like that of the desk, h. 46”, w. 26”, d. 26”. $5,000‑$8,000

837

839

304

841

840 Pair of Polished Hardwood and Chrome Torcheres in the French Art Deco taste, with turned bases and tapered standards decorated with a band of chrome, set with flaring shades. h. 74‑3/4”, dia. 18‑1/4” $5,000‑$8,000

840

841 Pair of French Art Deco Walnut and Chrome Side Tables

842 Pair of Continental Art Deco Walnut Adjustable Armchairs

ca. 1930, each with a circular top mounted to a tapering cylindrical pedestal and terminating in a chrome base with four outstretched “crab-form” legs, presented in a high-gloss finish. h. 28‑1/2”, dia. 23‑1/2”

ca. 1930, each with boldly curved and open arms, the back cushion and support resting on a chrome bar for adjusting the tilt, presented in a high-gloss finish. h. 35”, w. 27”, d. 42”

$3,000‑$5,000

$5,000‑$8,000

842

305

843 Pal Fried (American/Hungarian, 1893‑1976) “Dark-Haired Beauty” oil on canvas signed lower left.

Framed.

30” x 24”, framed 39‑3/4” x 33‑3/4” $2,000‑$4,000

844 French Art Deco Palisander Rosewood and Maple Revolving Bar ca. 1930, with a double-sided revolving interior, one side with a pair of sliding glass doors above a pair of wooden doors with chrome handles, the other side with a mirrored interior and shelf for glasses, along with four recessed bottle holders. h. 30”, w. 27”, d. 20‑1/2” $2,000‑$4,000

843

844

306

844

845 Marie Hull (American/Mississippi, 1890‑1980) “The French Boy” oil on canvas signed lower right, titled in pencil en verso frame.

Framed.

24” x 20”, framed 28‑1/2” x 24‑1/2” Provenance: Gift of the artist; Private collection, Mississippi. $4,000‑$7,000 845

846 Ernest Fiene (German/American, 1894‑1965) “Still Life with Fruit and Bottle”, 1922 oil on canvas signed and dated lower left, verso with contour drawing, frame backing with “EGFA” label.

Framed.

24” x 20”, framed 25‑3/4” x 21‑3/4” Provenance: Trinity International Auctions, June 18, 2011, lot 63. $1,500‑$2,500

846

307

847 Two-Piece Suite of Art Deco-Style LeatherUpholstered Club Furniture 20th century, consisting of a sofa, h. 35”, w. 77”, d. 33”, and a reclining bergere, h. 35”, each with a domed and padded back joined to the cushioned seat by rounded arms, and raised on tapering square feet. $1,500‑$2,500 848 French Art Deco-Style Mahogany Bar and Three Stools late 20th century, consisting of a back bar with a central plate-glass mirror flanked by a shelf to each side, the base with two open glass shelves, h. 78”, w. 67”, d. 10”, the front counter with a raised edge and chrome foot rest, h. 44”, w. 58”, d. 19”, together with three upholstered bar stools, each with a padded circular seat and raised on four down-curved legs joined by a circular chrome foot rest, h. 29”, seat dia. 14”.

849

$1,000‑$1,500 849 Richard Newton, Jr. (American, 1874‑1951) “The Odd Couple” oil on linen signed lower right.

Framed.

24” x 36”, framed 26‑1/2” x 38‑5/8” $1,000‑$1,500

848

847

308

850 Large Wrought Iron and Marble-Top Console Table 20th century, of D-form and having an ornate pierced apron with a central foliate cartouche, raised on a pair of large scrolled legs. h. 34”, w. 71”, d. 22” $1,500‑$2,500

850

851 Group of Four Art Deco-Inspired Leather and Brass Bar Stools ca. 1975, each with a circular cushion and concave back supported by a reeded column joined to a circular base. h. 39” $1,800‑$2,500

851

852 Brass and Crystal Chandelier in the Hollywood Regency Style second quarter 20th century, the six-light chandelier with a brass frame hung with festoons of glass beads, the candle arms set with trumpet-form candle sockets and brass shades, the lower portion hung with large glass spherules. h. 41”, dia. 28” $1,500‑$2,500 853 No Lot

852

309

854 Pair of Art Deco-Style Leather and Stained Pine Club Chairs second quarter 20th century, each with a shaped back, rounded, closed arms and a loose seat cushion, on paired block feet. h. 34” $1,500‑$2,500

854

855 Pair of Italian Art Deco-Style Walnut Side Tables third quarter 20th century, each composed of four curved pieces of wood, bent to form the top and legs, presented in a high-gloss finish. h. 23‑1/2”, w. 17‑1/2”, d. 17‑1/2” $3,000‑$5,000

855

856 Jean Theodore Hanau (French/American, 1899‑1966) “The Green Mask”, 1935 oil on canvas signed and dated lower right, verso with “Royer S.A., 14 Rue du Cherche-Midi, Paris” label.

Framed.

36” x 28‑3/4”, framed 44‑1/2” x 36‑1/2” $2,000‑$4,000

310

856

857

858

857 Pair of Large Majolica-Style Figural Vases each molded with a crane standing adjacent to a vase molded with foliage, irises and a frog. h. 39”, w. 14”, d. 17‑1/2” $2,000‑$4,000 858 Art Deco-Style White Leather Club Chair with a tufted back and loose seat cushion, retaining its “Ralph Lauren” label. h. 35” $1,000‑$1,500 859 Eleven-Piece Italian Glazed Terracotta Table and Chairs Suite 20th century, consisting of a circular table with a floral-decorated top and floriform pedestal, h. 30”, dia. 43”, together with ten chairs, each with a seat in the form of a blooming flower on a floriform standard, h. 26”, w. 19”, d. 16”.

859

$2,500‑$4,000

859 detail

859 detail

311

860 Pair of Rock Crystal Table Lamps third quarter 20th century, French, on cove-molded giltwood bases, the rock crystal standards composed of graduated spherules and graduated, faceted octagons. h. 28‑1/4”, dia. 6‑3/4” $2,500‑$4,000 861 Art Deco Plate-Glass and Burl Elm Side Table mid-20th century, the thick, circular plate-glass top mounted to a triangular brass and glass standard, ending in a circular burl elm platform base. h. 21”, dia. 25‑1/2” $1,000‑$1,500 862 Contemporary Brushed Steel, Glass and Mahogany Vitrine Table

861

of oblong form, the glass top and glazed conforming sides creating a display case, the front and sides with a knob for pullout slides, raised on tapering legs with metal cuffs. h. 40”, w. 59”, d. 23‑1/2” $1,000‑$1,500 863 Michel Rodde (French, 1913‑2009) “Hommage a Paris” oil on canvas signed and titled en verso, with remnants of a David Findlay Galleries label on frame backing.

Framed.

45‑3/4” x 45‑3/4”, framed 51” x 51”

862

$2,500‑$4,000

312

860

863

865

864 Interesting Mid-Century Embossed Brass and Mirrored-Top Conference/Dining Table in the manner of Philip and Kelvin LaVerne, the elongated octagonal top with an embossed metal-clad surface and an inner border of inset mirrors, mounted to a pair of octagonal pedestals of similar clad form. h. 30”, w. 71”, l. 119” $1,500‑$2,500 865 Pair of Vintage “Sputnik” Brass Chandeliers mid-20th century, possibly American, each with a central globe set with twenty-four light arms on four tiers, among a field of brass “rays”. h. 37”, w. 37”, d. 37” $1,000‑$1,500 865A Tibetan Carpet 3’ 2” x 11’ 9” $1,800‑$2,500

865A

864

313

866

867

868

866 Dramatic Pair of Blackman Cruz Flared Cactus Torcheres with finished ribbed cactus segments overall, the standards curving upward to uneven top edges, resting on circular self-ribbed banded bases, each bearing the metal label: “Blackman Cruz/Los Angeles”, electrified. h. 92” $1,000‑$1,500 867 Bertha Lum (American, 1869‑1954) “Pair of Woodblock Prints of Architectural Views” the first pencil-signed, dated “1924” and numbered “30/200” the second pencil-signed.

Matted, glazed and framed together.

14‑1/4” x 9” and 14” x 8”, respectively; overall framed 55” x 22” $1,000‑$1,500

314

868 Bertha Lum (American, 1869‑1954) “Pair of Woodblock Prints of Architectural Garden Views” the first pencil-signed, dated “1924” and numbered “6” the second pencil-signed and dated “36”.

Matted, glazed and framed together.

13‑3/4” x 9” and 15” x 8‑3/4”, respectively; overall framed 55” x 22” $1,000‑$1,500

869 Mid-Century Circassian Walnut Floating Curved Sofa in the manner of Vladimir Kagan (1927‑2016), unmarked, with a curved back and seat, raised on three shaped wooden legs and back supports, recently re-upholstered. h. 30”, w. 78”, d. 40” $5,000‑$8,000 870 Johann Berthelsen (American, 1883‑1972) “Washington Square Park in Winter, New York” oil on board signed lower right.

Framed.

13” x 20”, framed 20” x 27” Provenance: Clarke Auction Gallery, July 10, 2016, lot 24.

870

$3,500‑$5,000 871 Pablo Picasso (Spanish/French, 1881‑1973) “Tetes (AR 368)”, ca. 1956 earthenware ceramic pitcher with white glaze and black oxide base marked “Edition Picasso” and stamped “Edition Picasso” and “Madoura Plein Feu”. h. 5”, w. 6‑1/8” Provenance: Estate of Elizabeth D. Edmundson, New Orleans, Louisiana. $1,500‑$2,500 871

869

315

873 123 Fine Leather-Bound Franklin Press Signed First Editions fourth quarter 20th century, including signed first editions of Anthony Burgess, Michael Crichton, Joseph Heller, John Hersey, John Irving, Norman Mailer, Toni Morrison, Joyce Carol Oates, Philip Roth, Isaac Bashevis Singer, Muriel Spark, Irving Stone, John Updike, Gore Vidal, Kurt Vonnegut, Tom Wolfe, and many others. h. 8‑1/2” to 9‑1/2” The Franklin Press was a division of the Franklin Mint founded in 1973 in Philadelphia, known for its fine full leather bindings, characterized by their unique design, gold stamping, fine papers and silk register ribbons. The Press offered many subscription series, one of which was the Signed First Edition series. This series, made possible by agreements between the Press and publishers and authors, gave the Franklin Press the authority to publish the limited, true first edition (in advance of the first trade edition) of works by some of the most prominent, popular and critically acclaimed authors of the 1980s and 90s, finely bound and signed by the author. Among these first editions were Gore Vidal’s Lincoln, John Irving’s Cider House Rules, Michael Crichton’s Jurassic Park, Joyce Carol Oates’ Mysteries of Winterthurn, Norman Mailer’s Tough Don’t Dance, John Updike’s Witches of Eastwick, and Tom Wolfe’s Bonfire of the Vanities (all included in the present lot). The Press went out of business in 2000, ending this unusual and singular experiment in American book publishing.

873 detail

872 Steinway & Sons Ebonized Baby Grand Piano and Bench ca. 1960, model L and bearing the serial number 368827, featuring an accelerated action and diaphragmatic soundboard. h. 39”, w. 56”, l. 71”

A detailed list of titles and authors included in this lot is available on request. $1,500‑$2,500

$5,000‑$8,000

316

872

875

874 Mizuno Crocodile and Suede Golf Bag 20th century, Japanese, composed of two-tone black and brown crocodile, with a tan suede cover trimmed with crocodile. h. 44‑1/2”, w. 8‑3/4”, d. 12‑1/2” $2,500‑$4,000

875 George D. Green (American, b. 1943) “Humboldt”, 1978 acrylic on canvas signed and dated en verso, titled and dated on “Meisel Gallery, Santa Barbara” label on stretcher.

Unframed.

53‑3/4” x 93‑3/4” $3,000‑$5,000

874

317

876 Yuri Krasny (Russian, 1925‑2005) “Seated Figure”, 1983 polished bronze with cold-painted facial features inscribed “YK 4” along proper left flank, on an integral black base. overall h. 19‑3/4”, w. 9‑7/8”, d. 15‑3/4” $1,500‑$2,500 877 Yuri Krasny (Russian, 1925‑2005) “Seated Nude” polished bronze with cold-painted facial features inscribed “YK 4” along proper left flank, on an integral black base. overall h. 19‑3/4”, w. 9‑3/4”, d. 20‑3/4”

877

876

$1,500‑$2,500

878 Unusual Mahogany and Capiz Shell Writing Table the shaped rectangular top with projecting canted corners, above a conforming frieze fitted with a central drawer, covered in overlapping circular capiz shell pieces, raised on tapering square legs ending in brass caps. h. 30”, w. 53”, d. 28‑1/2” $1,000‑$1,500

878

879 Herbert Ryman (American, 1910‑1989) “The Fire Escape” oil on canvas signed lower right.

Framed.

16‑1/8” x 20‑1/8”, framed 25‑1/2” x 29‑1/4” $1,000‑$1,500

879

318

880 Large Contemporary Sofa of Art Deco Inspiration

881 Pair of Unusual French Art Deco Floriform Enamel Metal Lights

of curved form, upholstered in muted gold brocade. h. 35‑3/4”, w. 115”, d. 38‑1/2”

second quarter 20th century, shown at the 1931 World’s Fair in Paris, with graceful arching stalks, bound with occasional vines, set with various carefully sculpted flowers, each concealing light sockets, accented with sculpted leaves. h. 104”, w. 31”, d. 8”

$1,000‑$1,500

$1,000‑$1,500

881

880

319

882 Louise Guidry (American/Louisiana, b. 1930) “Ascending” acrylic on canvas diptych one panel signed lower right.

Unframed.

36” x 24” $2,000‑$4,000

882

883 Louise Guidry (American/Louisiana, b. 1930) “Untitled” monotype on paper signed lower right.

Matted, glazed and framed. sight 36” x 21”, framed 38” x 29” $1,800‑$2,500

883

320

884 George Valentine Dureau (American/Louisiana, 1930‑2014) “A Tableau of Figures” charcoal and crayon on paper unsigned.

Glazed and framed. sight 35‑1/2” x 34”, framed 37” x 36” $2,500‑$4,000 885 George Valentine Dureau (American/Louisiana, 1930‑2014) “The Musician” and “The Putto” pair of drawings, each graphite on paper each signed lower center.

Both framed alike. each sight 20‑1/2” x 14”, framed 21‑3/4” x 15” $1,500‑$2,500

884

885 one of a pair

885 two of a pair

321

886 Robert Warren Dash (American/New York, 1934‑2013) “Abstraction”, 1961 oil on canvas signed and dated lower right, a “Kulicke Frames, Inc., N.Y.C.” label en verso of frame.

Framed.

45” x 59”, framed 45‑1/4” x 59‑1/4” $3,000‑$5,000 887 Justin Garcia (American/Texas, Contemporary) “Abstract” oil on canvas signed lower left.

Unframed.

24‑1/4” x 24”

886

$2,000‑$4,000

887

888 Nobu Fukui (Japanese/New York, b. 1942) “Utopia” (Art in America, 1990‑1996), 2005 mixed media and collage on canvas backed by wood panel signed, dated and titled en verso and on “Stephen Haller Gallery, New York” label on stretcher.

Unframed.

60” x 48” $1,000‑$1,500

322

888

889 Vladimir Titov (Russian/French, b. 1950) “Auto Portrait Sur la Rue”, 1988 oil on canvas signed lower center, signed, dated and with artist label en verso.

Framed.

64” x 46”, framed 68” x 50” $2,000‑$4,000 890 Elizabeth Chandler (American, b. 1941) “Maya: Blue and Gray”, 1994 mixed media on canvas now backed with a wood panel support, signed and dated lower right, a “Gremillion/Houston Texas” gallery label en verso with title.

Framed.

36” x 72”, framed 38” x 74” Provenance: Gremillion & Co. Fine Art, Inc./ Houston, Texas; Private collection. $2,000‑$4,000

889

890

323

891 Romare Bearden (American/North Carolina, 1911‑1988) “Bopping at Birdland, Stomp Time”, 1979 lithograph in colors from the Jazz Series hand-signed and numbered “115/175” lower left.

Unframed. sheet 23‑3/4” x 33‑1/4” $1,500‑$2,500 891

892 Romare Bearden (American/North Carolina, 1911‑1988) “Louisiana Serenade”, 1979 lithograph in colors from the Jazz Series hand-signed and numbered “115/175” lower left.

Unframed. sheet 24‑1/4” x 33‑3/4” $1,500‑$2,500

324

892

893 Romare Bearden (American/North Carolina, 1911‑1988) “Out Chorus, Rhythm Section”, 1979 lithograph in colors from the Jazz Series hand-signed and numbered “115/175” midright.

Unframed. sheet 23‑5/8” x 33‑1/4” $1,500‑$2,500 893

894 Romare Bearden (American/North Carolina, 1911‑1988) “Tenor Sermon”, 1979 lithograph in colors from the Jazz Series hand-signed and numbered “115/175” mid-left.

Unframed. sheet 24‑3/4” x 34‑5/8” $1,500‑$2,500

894

895 Romare Bearden (American/North Carolina, 1911‑1988) “Introduction of a Blues Queen”, 1979 lithograph in colors from the Jazz Series hand-signed and numbered “115/175” mid-left.

Unframed. sheet 23‑3/4” x 35‑1/4” $1,500‑$2,500 895

325

896 Alex Katz (American, b. 1927) “The Emperor Jones”, 2006 silkscreen in colors hand-signed and numbered “43/60” lower left.

Unframed. sheet 60” x 32” $3,000‑$5,000

897

897 Romare Bearden (American/North Carolina, 1911‑1988) “Mecklenburg Autumn”, 1979 lithograph in colors hand-signed and numbered “9/175” lower left.

Unframed. sheet 27” x 21” $2,500‑$4,000

326

896

899 Romare Bearden (American/North Carolina, 1911‑1988) “The Lantern”, 1979 lithograph in colors an Artist Proof, signed in plate lower right.

Unframed. sheet 28‑1/2” x 19‑3/4” $4,000‑$7,000

898

898 Romare Bearden (American/North Carolina, 1911‑1988) “Girl in the Garden”, 1979 lithograph in colors hand-signed lower right, numbered “XVII/L” lower left.

Unframed. sheet 28‑5/8” x 22” $3,000‑$5,000

899

327

900

900 Jeff Koons (American, b. 1955) “Blue Balloon Dog” metallic porcelain limited edition of 2300, this numbered 1487 on “The Museum of Contemporary Art, Los Angeles” label at back, in the original presentation box. dia. 10‑1/2” Provenance: Private collection, New Orleans, Louisiana. $8,000‑$12,000

328

901

901 Emery Clark (American/New Orleans, b. 1950) “Rolling Wave”, 1993 watercolor and mixed media on paper signed and dated lower right, verso with “Arthur Roger Gallery, New Orleans” label with artist name, date, title and medium of work.

Matted, glazed and framed.

40” x 55”, framed 41‑3/4” x 56‑1/4” $1,000‑$1,500

902 Louise Guidry (American/Louisiana, b. 1930) “Against the Grain” acrylic on gallery-wrapped canvas signed lower right.

36” x 36” $1,500‑$2,500 902

329

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below).

These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed

by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.)

All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction.

Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision.

In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required

by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue.

Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted

by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

Charles C. Cage Silver Specialist & Office Manager

Colleen Ryan Director of Human Resources

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie English & Continental Furniture Ira Savoie Independent Certified Gemologist Appraiser

ADMINISTRATION Christa Ougel Denise Haik Office Administration Graphic Designer Gary Michael Gittelson Bettina Bausa Graphic Designer Photographer Grace Connors Manager of Cakebread Auction

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson David Abney | James Collins